WEBVTT - Episode 496 w/ Teddy Riley

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<v Speaker 1>Yo.

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<v Speaker 2>Finally we're here Drink Chances, the fourth Annual Black Inspector

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<v Speaker 2>Podcast Festivals.

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<v Speaker 1>We're gonna be there, No, we's gonna tear it up.

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<v Speaker 1>You know there's a lot of black people there, so

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<v Speaker 1>you listen to Deep Black as Hell. Hey from twenty

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<v Speaker 1>fifth Atlanta, Georgia. Please go get your tickets. I'm telling you,

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<v Speaker 1>go get your tickets.

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<v Speaker 2>I know how this happened. I've been going there. It's

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<v Speaker 2>been going there. You've been going there. Go get your tickets.

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<v Speaker 2>He's going down Drink Chances, fourth annual Black Effect Black

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<v Speaker 2>Black Black Black Effects dot Com slash podcast festivals.

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<v Speaker 1>He is Drink Chance Mother Bucky podcast man. He's a

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<v Speaker 1>legendary queens rapper. He's agreed as your Boy n O

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<v Speaker 1>r E. He's a Miami Hill pop lioneer up as

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<v Speaker 1>dj e f N. Together they drink it up with

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<v Speaker 1>some of the biggest players you know what I mean,

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<v Speaker 1>and the most professional, unprofessional podcast and your number one

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<v Speaker 1>source for drunks Drin Chance days New Year's Eve, It's

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<v Speaker 1>time for Drink Champs, drink up the would it good?

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<v Speaker 2>Be hoping He's wants to be It's your boy in

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<v Speaker 2>O r E. One of his dj E f N

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<v Speaker 2>This Militam Crazy world Y.

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<v Speaker 1>Happy Hour makes the load.

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<v Speaker 2>When I tell you, this man is an icon, and

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<v Speaker 2>this man is a legend. This man has shaped He

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<v Speaker 2>has made so many babies throughout this world because the

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<v Speaker 2>music that they was making babies too. He was making

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<v Speaker 2>it for you for decades and decades and decades. They

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<v Speaker 2>said he grabbed a guitar at three.

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<v Speaker 1>Years old and was making beats. Then I'm making that.

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<v Speaker 1>This man, this is a legend of legend uh.

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<v Speaker 2>From from from all the icons that he's worked with,

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<v Speaker 2>and he's this is something that.

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<v Speaker 1>I've been wanting to do for so many years.

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<v Speaker 2>When we started to show, we said that we wanted

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<v Speaker 2>to give people that paved the way before us.

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<v Speaker 1>And this is a legend. This is this is a

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<v Speaker 1>real icon. This is a person that when you look

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<v Speaker 1>up I'm sorry to say it, when you look up music,

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<v Speaker 1>his picture, shit is gonna be right there. Music not music,

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<v Speaker 1>not hip hop, not R and B music, period.

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<v Speaker 2>This man has done the way. He's the reason why

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<v Speaker 2>most of us is here. And we won't give you

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<v Speaker 2>your flowers today. We want to show you how much

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<v Speaker 2>you mean to us. And in case you don't know

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<v Speaker 2>who we're talking about, the one, the only, the impeccable,

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<v Speaker 2>motherfucking Before I get into everything, right, I'm gonna tell

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<v Speaker 2>you which is a great moment with me. Right, Me

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<v Speaker 2>and you are watching Pharrell's movie.

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<v Speaker 1>Right, We're both at the premiere, sitting in the cluster,

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<v Speaker 1>sitting across from each other. And this is how I

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<v Speaker 1>know you're a real person.

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<v Speaker 2>I saw a genuine love when you saw him on

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<v Speaker 2>that screen. I got I was sitting right directly behind you,

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<v Speaker 2>so I got to see you, like how I'm looking

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<v Speaker 2>at EFN right now And I saw you and then

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<v Speaker 2>look and the only of the time I've ever saw this.

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<v Speaker 1>In life, I mean in music business. Let me just

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<v Speaker 1>limit it to.

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<v Speaker 2>That was one time I went with with Knaves and

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<v Speaker 2>he watched rock him perform and I saw the joy

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<v Speaker 2>in Nod's face watching his his Uh that's his leader, right,

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<v Speaker 2>that's his and this is your protegect. This is I

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<v Speaker 2>know you, your humble guy. So yeah, but I saw the

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<v Speaker 2>happiness in your face. I got to see it, and

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<v Speaker 2>I was like, that is so that is so rare

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<v Speaker 2>and seldom that people like.

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<v Speaker 1>You show that love. You know what I'm saying, trying

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<v Speaker 1>to say like like like I sincerely saw that. Man.

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<v Speaker 1>I was so happy. I'm always forever proud. And then

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<v Speaker 1>I remember I remember me talking to you and I

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<v Speaker 1>was like, you know, I didn't know what the fuck

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<v Speaker 1>I was doing in this movie and you said me, neither, Yeah,

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<v Speaker 1>we did five years before.

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<v Speaker 2>Okay, so let's take it from there. Did you know

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<v Speaker 2>this was a Lego movie? Because I didn't know until

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<v Speaker 2>I was in there.

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<v Speaker 1>I was told it was an animated movie. Ain't that

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<v Speaker 1>what I told you? They never said lego, They said

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<v Speaker 1>animated an Okay, just understand. When the trailer came out,

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<v Speaker 1>we were trying to tell him how big it was,

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<v Speaker 1>and he still didn't understand. I was like, no, I don't.

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<v Speaker 1>I don't get it. I mean same thing. Somebody called

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<v Speaker 1>me and said, yo, mm hmm, your studio is coming

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<v Speaker 1>down like this. This is just dropping all right. I

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<v Speaker 1>was like, whoa. So when I first saw when I

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<v Speaker 1>saw it, M this is crazy. See what's next? And

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<v Speaker 1>then then it shows a little snippet you know, of me,

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<v Speaker 1>and I was like, oh, I look funny. I had

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<v Speaker 1>the big the big splitting my teeth and everything. It

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<v Speaker 1>was really wide. I was like I was like, Okay,

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<v Speaker 1>this is this is dope. And then I had I

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<v Speaker 1>changed clothes in the movie and it's like you real life,

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<v Speaker 1>this is.

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<v Speaker 2>I had a different clubs. So it's so dope. Like

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<v Speaker 2>you know, I've been we've been doing this. We're going

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<v Speaker 2>on ten years.

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<v Speaker 1>Next month. And what I like to do is, you know,

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<v Speaker 1>I want to do research.

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<v Speaker 2>And I got to say when I've said this a

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<v Speaker 2>couple of times, but what I got to say is

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<v Speaker 2>your history. It's probably the richest history I've ever like

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<v Speaker 2>really like googled and like just got because like you

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<v Speaker 2>control the music.

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<v Speaker 1>For maybe four decades. Yeah, I've been in for this

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<v Speaker 1>is my forty year.

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<v Speaker 2>This is your forty year, right, And I'm looking and

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<v Speaker 2>I'm like, damn, bro, you know what's crazy.

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<v Speaker 1>I don't remember not knowing you, like since I was

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<v Speaker 1>since you were aware of music, since I was aware.

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<v Speaker 1>That's what's crazy. I feel like I know you my

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<v Speaker 1>whole life, and I know I don't, but the same thing.

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<v Speaker 1>That's how Yeah, I feel the same way because you

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<v Speaker 1>coming for else's right. That's right, grandchildren, that's right, that's right,

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<v Speaker 1>that's what that's That was the beauty part of seeing

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<v Speaker 1>that too, because obviously I had an album before I

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<v Speaker 1>met Forever when.

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<v Speaker 2>That Pharrell took a chance on me and I took

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<v Speaker 2>a chance on him, right, right, But let's take it

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<v Speaker 2>to the beginning now, right.

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<v Speaker 1>A lot of people credit you from Virginia, right, and.

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<v Speaker 2>They say that he's a lot of people don't know

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<v Speaker 2>not only you from Harlem, You're from the part of

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<v Speaker 2>Harlem that probably ever existed.

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<v Speaker 1>The pictures with you. Rich Water went to high school today, Okay,

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<v Speaker 1>talking about because a lot of people don't know that, Like,

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<v Speaker 1>you know, that was your peer, that was literally your peer. Yeah,

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<v Speaker 1>I mean it's my big brother. You know. When we

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<v Speaker 1>went to high school. We used to scamble, scammer, gamble, oh,

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<v Speaker 1>gamble Okay, yeah, I heard your gambler high school me Defer.

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<v Speaker 1>Wait wait, how about Aceptford is like my nephew, Yes,

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<v Speaker 1>except which is deeper. I went to school with his father. Yes,

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<v Speaker 1>it's crazy. So all of the fathers, you know, our sons,

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<v Speaker 1>you know ya, no problem, we were taking Deferd used

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<v Speaker 1>to do all of our trucks. He did all the

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<v Speaker 1>graffiti on our on our jeeps. Wow, pathfinders, m v

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<v Speaker 1>P s you know m P I knew exactly what

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<v Speaker 1>you meant Forget that. But yeah, I went to school

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<v Speaker 1>with almost everybody from the hood, right, but I lived

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<v Speaker 1>in every in every borough though except that now that okay, wow,

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<v Speaker 1>we started uptown. Oh wow. I lived in Queens, but

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<v Speaker 1>not long. Okay. I lived in the Bronx when I

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<v Speaker 1>moved from the projects. That was the first place I

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<v Speaker 1>moved was Riverdale, Okay, Yeahdale, and uh we got problems

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<v Speaker 1>up there. That's before they had a Starbucks. Now they

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<v Speaker 1>got a Starbucks. Yeah yeah, yeah, okay. Then I moved

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<v Speaker 1>to Jersey in Biggie's old house. Oh, in Great Neck right, okay,

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<v Speaker 1>so how how how does because I want to I

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<v Speaker 1>want to, I want to. I want to stay there

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<v Speaker 1>for a set.

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<v Speaker 2>People know who Rich Parter and like our pole is now, right,

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<v Speaker 2>were you ever like were you ever felt like you

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<v Speaker 2>were in like danger or like just being around them all?

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<v Speaker 1>They were just irregular, that's my guy. Yep, I'll poll

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<v Speaker 1>that's not gonna say alcohols. It's twenty nineteen game. So

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<v Speaker 1>when he came at the Apollo, okay, he came to

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<v Speaker 1>my dressing rooms career, you know, even though he killed

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<v Speaker 1>my best friend. All right, you know, we have to

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<v Speaker 1>learn how to forget. You know what I'm saying life

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<v Speaker 1>for sure. I knew it when it came from us,

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<v Speaker 1>but I knew a lot of people, you know, was

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<v Speaker 1>they had. That's how pose she was the rich Porter

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<v Speaker 1>because I think you just said that's your best friend. Wow,

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<v Speaker 1>it's like my brother, I mean rich Porter. Him and

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<v Speaker 1>a Z kicked me off the street. I heard you

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<v Speaker 1>say that I would like to read, but it wasn't.

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<v Speaker 1>I got kicked off of like for good reasons, the

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<v Speaker 1>blocks because they knew I was into music. And then yo,

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<v Speaker 1>so rich Porter was just give me a give me

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<v Speaker 1>money and just like, yo, I need you to stay

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<v Speaker 1>to protect you. Yeah. But at one point I'll pole

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<v Speaker 1>put about two million dollars in my trunk that California

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<v Speaker 1>presenting the Guy album to m c A and my

0:10:35.080 --> 0:10:39.480
<v Speaker 1>brother Marquel from Rex in effect had my car. He

0:10:39.640 --> 0:10:41.880
<v Speaker 1>pulled up on my brolly. He said, take this briefcase

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<v Speaker 1>putting in trunk. Tell you whether I want to be

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<v Speaker 1>in the music business. And I said, uh, I said,

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<v Speaker 1>get that ship back. I said, give it back. Tell

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<v Speaker 1>him you at I'm gonna be in California for a while,

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<v Speaker 1>and uh, yo, I'll talk to him when I get back.

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<v Speaker 1>So up when you know, we always had that. That's

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<v Speaker 1>how we went to Virginia Beach. Do you know they're

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<v Speaker 1>the cause. We are the cause of going to Virginia Beach.

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<v Speaker 1>We used to try to a bus right and just

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<v Speaker 1>take a bunch of girls and everybody. We used to

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<v Speaker 1>go down there and just go to King's Dominion, you know,

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<v Speaker 1>just have fun, have the jet skis. And when I

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<v Speaker 1>went down there, I just said, yeah, I said to

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<v Speaker 1>my fiance at the time, my ex, I said, if

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<v Speaker 1>I moved anywhere, I want to move here. Not thinking

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<v Speaker 1>there's no music, there's no scene. It was nothing for

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<v Speaker 1>me to grab one to. I had to create that

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<v Speaker 1>and that's what I did. I created jobs for people. Yeah.

0:11:45.640 --> 0:11:50.079
<v Speaker 1>I created places for kids to go and things for

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<v Speaker 1>kids to do to stay off the streets, and it

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<v Speaker 1>definitely worked. I had shoot Allen Iverson was on my

0:11:57.720 --> 0:12:01.480
<v Speaker 1>Celebrity Basketball I remember, I remember, and uh, Kevin gott

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<v Speaker 1>Nat you know, all of them came down, Penny Holloway,

0:12:04.520 --> 0:12:07.400
<v Speaker 1>they came down. Everybody always wanted to see what what

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<v Speaker 1>is going on in Virginia Beach. That everybody just keep

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<v Speaker 1>going down there and and like you said, there's something

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<v Speaker 1>is in the water. Oh yeah, definitely. And you believe

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<v Speaker 1>that there's something in the water that's always is, always

0:12:20.440 --> 0:12:23.480
<v Speaker 1>have been. That's why we went down there. You know.

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<v Speaker 1>When I went down there, it was just nobody was

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<v Speaker 1>like Jimmy Buffett, you know, and I just said, you

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<v Speaker 1>know what, as like, yo, are you sure you don't

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<v Speaker 1>want to go back to New York. I was like, nah,

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<v Speaker 1>I'm just staying here. But they thought we was drug dealers. Yeah.

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<v Speaker 1>I think we had every two And we had to

0:12:47.720 --> 0:12:50.480
<v Speaker 1>prove ourselves, you know, to the these cops because they

0:12:50.559 --> 0:12:55.839
<v Speaker 1>kept coming into the to the studio investigating us. And

0:12:57.160 --> 0:12:59.640
<v Speaker 1>we finally got to them, he said, you know, and

0:12:59.720 --> 0:13:03.600
<v Speaker 1>they were asking us what could we do for the community. Well,

0:13:03.640 --> 0:13:07.719
<v Speaker 1>maybe you can help us. And we went to We

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<v Speaker 1>had asked them to introduce us to the principal of

0:13:10.160 --> 0:13:17.400
<v Speaker 1>the school where Pharrell went to school, and Chad and

0:13:17.480 --> 0:13:21.240
<v Speaker 1>Long Behold. We talked to the principal and we asked them,

0:13:21.280 --> 0:13:24.559
<v Speaker 1>can we do some challenge shows here? He said, only

0:13:24.679 --> 0:13:29.959
<v Speaker 1>want one condition, can our students participate? I said, of course,

0:13:30.120 --> 0:13:35.840
<v Speaker 1>that's the purpose of us doing it here. And one

0:13:35.920 --> 0:13:38.320
<v Speaker 1>thing that to another. We had the first Talent Show

0:13:38.360 --> 0:13:41.680
<v Speaker 1>and everybody was you know, we had judges that came

0:13:41.800 --> 0:13:46.080
<v Speaker 1>down something from New York, and Tammy Lucas was there

0:13:46.160 --> 0:13:49.079
<v Speaker 1>and she was one of the judges. And I have

0:13:49.160 --> 0:13:51.800
<v Speaker 1>to give Tammy the credit because you know, Tammy is like,

0:13:52.440 --> 0:13:54.400
<v Speaker 1>you got to check these young boys out. You know,

0:13:55.440 --> 0:13:58.240
<v Speaker 1>they playing on tables and ship you know, like banging

0:13:58.360 --> 0:14:03.040
<v Speaker 1>on tables and spitting fire. So I said, I'm gonna

0:14:03.080 --> 0:14:06.480
<v Speaker 1>check them out. Everybody's going for the people singing I

0:14:06.520 --> 0:14:09.240
<v Speaker 1>Will Always love you, the greatest love of all somebody

0:14:09.280 --> 0:14:13.480
<v Speaker 1>who hold a long note, and everybody's mm hmmm, that's

0:14:13.559 --> 0:14:19.480
<v Speaker 1>not it. Before all of them got on, they didn't

0:14:19.520 --> 0:14:21.640
<v Speaker 1>have the concept, but they came out and he was

0:14:21.720 --> 0:14:26.840
<v Speaker 1>spitting the Talent Show right, Okay, he started switching instruments.

0:14:26.920 --> 0:14:31.080
<v Speaker 1>I was like, that's it, because you picked them to

0:14:31.160 --> 0:14:34.240
<v Speaker 1>win the Talent Show. That's crazy. Yeah. I was like, nah,

0:14:36.040 --> 0:14:38.960
<v Speaker 1>I'm going backstage. I'm going to talk to them. And

0:14:39.080 --> 0:14:44.840
<v Speaker 1>I always felt like I owed you money because because

0:14:45.960 --> 0:14:49.600
<v Speaker 1>Tammy Lucas, he just brought her up a lot of

0:14:49.640 --> 0:14:53.520
<v Speaker 1>people don't know Tammy Lucas is that voice that you

0:14:53.680 --> 0:14:59.080
<v Speaker 1>hear what what I know that And for years, people

0:14:59.120 --> 0:15:01.960
<v Speaker 1>will come up to me and say, you know that's

0:15:02.200 --> 0:15:05.640
<v Speaker 1>that's that's Teddy Routy artist and now we'll be like

0:15:05.800 --> 0:15:12.400
<v Speaker 1>holy ship. So I didn't know. But that's a that's

0:15:12.440 --> 0:15:15.600
<v Speaker 1>a that's an unhidden gym right there. She's she's amazing.

0:15:15.720 --> 0:15:18.200
<v Speaker 1>You know, we're we're actually cranking up the new New

0:15:18.280 --> 0:15:22.600
<v Speaker 1>Jack Swing tour. And uh, we just sold out of

0:15:23.720 --> 0:15:26.800
<v Speaker 1>at Meylmore. We sold a lot of concert and I

0:15:26.840 --> 0:15:28.720
<v Speaker 1>didn't think I could do it by myself. And I

0:15:28.920 --> 0:15:31.440
<v Speaker 1>just say, you know what, sell out to sell out,

0:15:31.560 --> 0:15:34.880
<v Speaker 1>but the mayor told us, yo, y'are the only ones

0:15:34.920 --> 0:15:36.840
<v Speaker 1>that's sold out here. Wow. It's makes some noise for that.

0:15:40.680 --> 0:15:44.480
<v Speaker 1>But we are supposed to come back for Jazz in

0:15:44.560 --> 0:15:48.280
<v Speaker 1>the Garden and uh something else we're performing at. And

0:15:48.360 --> 0:15:53.840
<v Speaker 1>I said, I'm gonna bring High five, bring Dougie Fresh.

0:15:54.440 --> 0:15:54.680
<v Speaker 2>Wow.

0:15:55.600 --> 0:15:58.240
<v Speaker 1>And I just said, you know, I just want to

0:15:58.320 --> 0:16:01.440
<v Speaker 1>open up shop. And you know, we're looking at places

0:16:01.520 --> 0:16:04.440
<v Speaker 1>here just you know, kind of because my wife, you know,

0:16:04.760 --> 0:16:07.720
<v Speaker 1>she her family lives here. I said, you know, just

0:16:07.880 --> 0:16:11.640
<v Speaker 1>get a second home here, that's right, and just kind

0:16:11.640 --> 0:16:15.840
<v Speaker 1>of starts something. So I'm ba Savona a little bit.

0:16:16.320 --> 0:16:19.400
<v Speaker 1>Kids at work. Was that don't look them up.

0:16:20.480 --> 0:16:25.400
<v Speaker 2>I specifically heard you for the interview and you said,

0:16:25.520 --> 0:16:28.440
<v Speaker 2>do not look that up and look them up.

0:16:29.400 --> 0:16:33.640
<v Speaker 1>And I'm like, holy ship.

0:16:35.160 --> 0:16:38.640
<v Speaker 2>For people who are starting out right me and he

0:16:38.960 --> 0:16:40.120
<v Speaker 2>makes fun of me all the time.

0:16:40.200 --> 0:16:42.640
<v Speaker 1>My first MC name was MC Yahoo with the ball

0:16:42.720 --> 0:16:43.160
<v Speaker 1>to Bean.

0:16:44.960 --> 0:16:49.440
<v Speaker 2>So get that work is better. But let's take us

0:16:49.480 --> 0:16:54.240
<v Speaker 2>to those days. What's that you guys to to formed

0:16:54.280 --> 0:16:54.640
<v Speaker 2>that group?

0:16:56.200 --> 0:16:59.920
<v Speaker 1>Actually it was Timmy Gathering okay, original member of God

0:17:00.120 --> 0:17:03.880
<v Speaker 1>Okay wow. And the other guy is our big brother,

0:17:04.480 --> 0:17:08.520
<v Speaker 1>Chlorl who's now he's like one of the most sorted out,

0:17:08.800 --> 0:17:12.720
<v Speaker 1>most sorted out vocal coach. He works with a lot

0:17:12.800 --> 0:17:17.560
<v Speaker 1>of singers and we're all still doing our things. But

0:17:17.640 --> 0:17:21.439
<v Speaker 1>Timmy Gatlin was the one who I started kids at

0:17:21.480 --> 0:17:26.000
<v Speaker 1>work with, you know, and we did a record, we

0:17:26.080 --> 0:17:30.320
<v Speaker 1>did a you know album, didn't do nothing. So that's

0:17:30.400 --> 0:17:33.280
<v Speaker 1>made that's what made me just quit doing R and B.

0:17:34.440 --> 0:17:39.280
<v Speaker 1>So I was doing rap records. I did Kumode, Dougie Fresh,

0:17:40.320 --> 0:17:46.760
<v Speaker 1>Spooney g the Wop Dance, the Anthem That's New Generation,

0:17:47.960 --> 0:17:51.280
<v Speaker 1>which has been so dice got you back into R

0:17:51.359 --> 0:17:54.000
<v Speaker 1>and B. Yeah, okay, with with Keith Sweat, you know,

0:17:54.200 --> 0:17:57.280
<v Speaker 1>with Keith Sweat. Yeah, that's what got me back into

0:17:57.920 --> 0:18:00.639
<v Speaker 1>doing R and B. And first that I did was

0:18:00.720 --> 0:18:02.480
<v Speaker 1>I want to and I just said, you know, this

0:18:02.640 --> 0:18:06.080
<v Speaker 1>is this is uh, it's gone. I'm gonna make something

0:18:06.119 --> 0:18:08.520
<v Speaker 1>out of this. Yeah, it just jumped out of me.

0:18:08.520 --> 0:18:13.560
<v Speaker 1>I'm sorry, it's all good. Just hit me it's not good.

0:18:14.880 --> 0:18:19.960
<v Speaker 1>But that's that's where my music just started evolving. Okay,

0:18:20.280 --> 0:18:24.200
<v Speaker 1>in my life as well, you know, because coming from

0:18:24.240 --> 0:18:26.520
<v Speaker 1>the hoods, you know, you never know how you you're

0:18:26.600 --> 0:18:29.080
<v Speaker 1>able to get out, you know and really make something

0:18:29.160 --> 0:18:31.560
<v Speaker 1>out of yourself and not seeing a few people like

0:18:32.720 --> 0:18:35.760
<v Speaker 1>it's a little before your time. But tell us thee

0:18:35.840 --> 0:18:40.520
<v Speaker 1>Earleen Twins, Arleen Twins, I Knowles Wins. Yeah, yeah, I know, yeah, yeah,

0:18:40.560 --> 0:18:44.640
<v Speaker 1>one of them passed away. Goblin, yeah yeah, Leroy Burgess

0:18:45.440 --> 0:18:52.200
<v Speaker 1>always can't all from Harlem, Black Ivory. They had radio

0:18:53.160 --> 0:18:55.680
<v Speaker 1>from Brooklyn. I thought they was from Brooklyn. But no, no, no, no, no, no,

0:18:55.920 --> 0:18:59.840
<v Speaker 1>what yeah they might yes, yes, but all of us

0:18:59.880 --> 0:19:03.520
<v Speaker 1>we lived everywhere, you know in New York. It's like right,

0:19:04.119 --> 0:19:09.960
<v Speaker 1>but coming up when I was hustling, I was going

0:19:10.000 --> 0:19:18.359
<v Speaker 1>to Halem World actually actually had Sixteenth Street and Lenox Avenue.

0:19:19.720 --> 0:19:23.000
<v Speaker 1>I used to go and see all of the rappers,

0:19:23.160 --> 0:19:28.520
<v Speaker 1>like you know, Furious Five, Crash Crew, z B. I

0:19:28.640 --> 0:19:31.760
<v Speaker 1>was at the battle. When you're on the ground, you're

0:19:31.800 --> 0:19:33.960
<v Speaker 1>on the ground level of it all. Yeah, I was.

0:19:34.240 --> 0:19:37.080
<v Speaker 1>I was at when Como D was battling z B,

0:19:38.960 --> 0:19:43.160
<v Speaker 1>L Couch. Everybody was there and sitting through that being

0:19:43.240 --> 0:19:45.520
<v Speaker 1>a fan. Never thought I would be working with all

0:19:45.600 --> 0:19:51.359
<v Speaker 1>of them. It's like surreal And that's my thought pattern

0:19:51.440 --> 0:19:53.840
<v Speaker 1>of like that, Well I ever make it out of Harlem.

0:19:53.920 --> 0:19:56.000
<v Speaker 1>So all I wanted was my records to play on

0:19:56.080 --> 0:19:59.159
<v Speaker 1>the radio. I didn't even think about money. They just

0:19:59.240 --> 0:20:01.760
<v Speaker 1>thought about I need to give my music out there.

0:20:02.760 --> 0:20:08.200
<v Speaker 1>And it got out there more than I thought it was,

0:20:08.800 --> 0:20:12.760
<v Speaker 1>you know, because one record led to another, and you know,

0:20:14.160 --> 0:20:18.680
<v Speaker 1>radio stations started really taking a you know, taking a

0:20:18.960 --> 0:20:23.000
<v Speaker 1>like into my music. So when I started R and

0:20:23.160 --> 0:20:29.919
<v Speaker 1>B with Keith Sweat, Yeah you heard of Frankie Crocker.

0:20:30.119 --> 0:20:33.000
<v Speaker 1>Of course, I don't want to say names like yo,

0:20:33.160 --> 0:20:37.280
<v Speaker 1>I was too young. If we don't know, we need

0:20:37.320 --> 0:20:39.440
<v Speaker 1>to dig in the craze. Faky Crocker was the one

0:20:39.480 --> 0:20:43.640
<v Speaker 1>that broke I want to for you was the guy

0:20:43.720 --> 0:20:46.800
<v Speaker 1>on the radio station. Correct, he was like he was

0:20:46.960 --> 0:20:51.600
<v Speaker 1>like back then the most paid radio guy for better

0:20:51.680 --> 0:20:55.399
<v Speaker 1>term probably what we was to start, like, yeah, okay,

0:20:55.520 --> 0:21:00.399
<v Speaker 1>there you go. So Frankie he debuted I Want To

0:21:01.760 --> 0:21:05.280
<v Speaker 1>and it was on jam at the slam It and

0:21:05.400 --> 0:21:08.640
<v Speaker 1>everybody slammed it. Slam it is the bad one. That's

0:21:08.640 --> 0:21:12.879
<v Speaker 1>the bad. So Frankie took it upon himself, you know,

0:21:13.400 --> 0:21:15.479
<v Speaker 1>go against the grain and say, you know, y'all may

0:21:15.760 --> 0:21:19.400
<v Speaker 1>slam this record, but I'm a jam thissh record. Y'all

0:21:19.400 --> 0:21:22.920
<v Speaker 1>don't understand. This is the new wave. And when we

0:21:23.040 --> 0:21:27.000
<v Speaker 1>did that, I felt like Robert Townsend on uh, it's

0:21:27.080 --> 0:21:29.520
<v Speaker 1>that movie. He's like, they planning it, they're playing it

0:21:29.640 --> 0:21:34.960
<v Speaker 1>on the radio. Mom, So was it a good? God?

0:21:35.119 --> 0:21:36.520
<v Speaker 1>Not five heart beats? Right?

0:21:36.680 --> 0:21:36.720
<v Speaker 3>No?

0:21:38.000 --> 0:21:45.520
<v Speaker 1>You know what? Okay, I don't remember, but that's how

0:21:45.600 --> 0:21:48.600
<v Speaker 1>I felt, you know. And my mother was there with me.

0:21:48.760 --> 0:21:51.119
<v Speaker 1>It's like we're hearing the record on the radio. But

0:21:51.240 --> 0:21:53.240
<v Speaker 1>before all of that, my mother made me do the

0:21:53.359 --> 0:21:58.440
<v Speaker 1>poor man copyright the mailing. Yeah, so I mailed tape

0:21:58.640 --> 0:22:05.080
<v Speaker 1>yourself to myself. Okay, yeah, that's copyright. Cool, damn the

0:22:06.600 --> 0:22:09.520
<v Speaker 1>postmark when I make that. You know, she was like

0:22:09.720 --> 0:22:12.040
<v Speaker 1>because when she first heard it, she and she know

0:22:12.119 --> 0:22:14.000
<v Speaker 1>what it was, but she was like, this sounds good.

0:22:15.080 --> 0:22:17.880
<v Speaker 1>You know. I used to always get how you say

0:22:18.440 --> 0:22:20.320
<v Speaker 1>bothered by the neighbors, you know, because I was making

0:22:20.320 --> 0:22:23.639
<v Speaker 1>a lot of noise. Noise, yes, of course. And then uh,

0:22:24.400 --> 0:22:27.399
<v Speaker 1>like I said, when they started evolving and everybody started like, yo,

0:22:27.600 --> 0:22:30.000
<v Speaker 1>he's gonna make it out of the projects. So everybody

0:22:30.119 --> 0:22:40.360
<v Speaker 1>became fans and supportive. So that's where I raised you. Yes,

0:22:40.400 --> 0:22:44.480
<v Speaker 1>that's right. Hold on, we got to go back to

0:22:44.560 --> 0:22:47.080
<v Speaker 1>because I feel like we're going to skip forward. We

0:22:47.200 --> 0:22:50.399
<v Speaker 1>jump around, I'm so happy, I'm happy, I'm sorry, and

0:22:51.240 --> 0:22:53.480
<v Speaker 1>so many iconic records, but going back to these early

0:22:53.840 --> 0:22:56.879
<v Speaker 1>hip hop records that you were involved in, like the show, Yeah, Yo,

0:22:57.000 --> 0:22:59.359
<v Speaker 1>that's crazy. Can you give us like a breakdown of

0:22:59.440 --> 0:23:07.360
<v Speaker 1>how that comes about? Yeah, so the show basically came

0:23:07.400 --> 0:23:09.280
<v Speaker 1>about me and Doug. You first went to the same

0:23:09.400 --> 0:23:13.479
<v Speaker 1>high school, and actually we got kicked out of three

0:23:13.560 --> 0:23:16.399
<v Speaker 1>high schools before ending up at the same high school.

0:23:17.040 --> 0:23:23.880
<v Speaker 1>And uh, we don't know this version. We don't see

0:23:23.920 --> 0:23:26.399
<v Speaker 1>you being like that guy getting kicked out of high school.

0:23:28.720 --> 0:23:32.760
<v Speaker 1>It's okay. I got kicked out because that into a fight.

0:23:34.000 --> 0:23:37.920
<v Speaker 1>And when I got into a fight, I threw one

0:23:37.960 --> 0:23:42.119
<v Speaker 1>blow and everybody threw all the blows. Deferred everybody, Okay,

0:23:42.480 --> 0:23:46.000
<v Speaker 1>I see deferged, sister Kim. Everybody was just on this

0:23:46.160 --> 0:23:50.240
<v Speaker 1>guy because he kind of snitched on me. Now we

0:23:51.640 --> 0:23:54.560
<v Speaker 1>throw the how you say, the eraser the chalk boy

0:23:55.440 --> 0:23:59.440
<v Speaker 1>at the teacher. So I threw the chalk boy and

0:24:00.040 --> 0:24:02.800
<v Speaker 1>next thing you know, everybody was laughing and the dude

0:24:02.880 --> 0:24:08.480
<v Speaker 1>was like, he did it. It's like, let's see you

0:24:08.600 --> 0:24:13.480
<v Speaker 1>after school. And then, uh, the dude when he got

0:24:13.560 --> 0:24:18.840
<v Speaker 1>hit about four or five, everybody just went on him

0:24:18.880 --> 0:24:24.480
<v Speaker 1>and he his whole fronts was gone because he went

0:24:24.600 --> 0:24:28.320
<v Speaker 1>straight into the fire hydrant. Damn. Next day I got

0:24:28.359 --> 0:24:31.879
<v Speaker 1>to school, they took me straight to the office. It's like,

0:24:32.880 --> 0:24:40.560
<v Speaker 1>mister Rolli, you you expelled. We're evaluating you know, you're

0:24:42.280 --> 0:24:44.920
<v Speaker 1>you being here and it looks like you're not gonna

0:24:45.480 --> 0:24:51.160
<v Speaker 1>you're gonna get You're getting kicked out. So I got

0:24:51.280 --> 0:24:55.200
<v Speaker 1>kicked out and went to uh west Side west I

0:24:55.359 --> 0:24:59.640
<v Speaker 1>High High. I ain't stayed there long. I didn't get

0:24:59.720 --> 0:25:02.879
<v Speaker 1>no fun, but I just didn't pass the programs. You

0:25:02.960 --> 0:25:05.919
<v Speaker 1>know how you go to school one week and then

0:25:05.960 --> 0:25:08.920
<v Speaker 1>you work one week, so it's co op. You know

0:25:09.440 --> 0:25:15.440
<v Speaker 1>I did that. I quit job the first day and

0:25:17.280 --> 0:25:19.720
<v Speaker 1>w first went to the same school he got kicked

0:25:19.720 --> 0:25:23.159
<v Speaker 1>out of, King went to west Side. We both got

0:25:23.240 --> 0:25:27.159
<v Speaker 1>kicked out of West Side end up at Parkies and

0:25:27.240 --> 0:25:30.520
<v Speaker 1>that's where we created the show. That's when we've created

0:25:30.600 --> 0:25:33.400
<v Speaker 1>the show, and then we performed it at the graduation

0:25:33.600 --> 0:25:38.879
<v Speaker 1>he graduated. I was in eleventh grade. So when he

0:25:39.040 --> 0:25:43.880
<v Speaker 1>left the school, I quit school because I was making money.

0:25:45.080 --> 0:25:50.199
<v Speaker 1>I had my first publishing deal with Zumba. Let's job, right,

0:25:51.800 --> 0:25:58.240
<v Speaker 1>So my first publishing deal and son and Grand so

0:26:00.119 --> 0:26:02.200
<v Speaker 1>over time, I think it was three hundred grand. So

0:26:02.240 --> 0:26:04.320
<v Speaker 1>I had one hundred grand a year or something like that.

0:26:06.800 --> 0:26:11.920
<v Speaker 1>I'm eighteen years old, right, Yes. I took that home

0:26:12.000 --> 0:26:15.320
<v Speaker 1>to my mom and the hundre ground or the three

0:26:15.400 --> 0:26:17.440
<v Speaker 1>hundred grand the hundred ground. I told her, you know,

0:26:17.480 --> 0:26:20.960
<v Speaker 1>we got she made it with a job. I made it.

0:26:22.440 --> 0:26:25.280
<v Speaker 1>She was like, nah, wa ain't Quentin, you got to

0:26:25.320 --> 0:26:31.000
<v Speaker 1>make ten moretels. Wow, let's make some little shot. It's real,

0:26:31.560 --> 0:26:35.119
<v Speaker 1>that's real. So I went and made ten more right

0:26:36.560 --> 0:26:40.560
<v Speaker 1>before twenty, right, took it to her and she said, okay,

0:26:40.680 --> 0:26:44.080
<v Speaker 1>we can move now, now we can move. So we

0:26:44.240 --> 0:26:48.120
<v Speaker 1>moved to the Bronx first, and at that same time

0:26:49.240 --> 0:26:54.920
<v Speaker 1>I was working with Andrew Heel Uptown Uptown, so I

0:26:55.040 --> 0:26:57.640
<v Speaker 1>had two places. I was living in Brooklyn, at Uptown,

0:26:59.280 --> 0:27:03.239
<v Speaker 1>I was living in we moved to the Bronx. At

0:27:03.280 --> 0:27:07.879
<v Speaker 1>the same time, I'm working with Keith Sweat mixing. I

0:27:08.000 --> 0:27:12.520
<v Speaker 1>want to and to make the last Forever album. Get

0:27:12.560 --> 0:27:15.679
<v Speaker 1>a call from Timmy gathering. But we're going back to Dougie.

0:27:15.920 --> 0:27:20.480
<v Speaker 1>I'm a segue back. So when we did this show

0:27:21.320 --> 0:27:24.399
<v Speaker 1>at the graduation, when he left, I quit school and

0:27:24.440 --> 0:27:27.640
<v Speaker 1>then he went on to making, you know, making ways,

0:27:28.400 --> 0:27:32.600
<v Speaker 1>performing him at Slickorid performing and I had to kind

0:27:32.640 --> 0:27:35.760
<v Speaker 1>of find my way. And when I quit school, I

0:27:35.880 --> 0:27:41.480
<v Speaker 1>ended up working for my uncle but also performing at

0:27:41.520 --> 0:27:44.520
<v Speaker 1>the same time, and they built a studio for me

0:27:44.640 --> 0:27:46.639
<v Speaker 1>at the rooftop because I.

0:27:46.680 --> 0:27:52.000
<v Speaker 2>Heard a story. I believe you told it. You didn't

0:27:52.000 --> 0:27:55.960
<v Speaker 2>even have a board when you started out. You would

0:27:56.000 --> 0:27:56.960
<v Speaker 2>go and learn.

0:27:58.119 --> 0:28:03.520
<v Speaker 1>At everybody's studio, going everybody studio and the program just beats.

0:28:04.600 --> 0:28:07.399
<v Speaker 1>Put it on a cassette, take it with me, and

0:28:07.680 --> 0:28:11.120
<v Speaker 1>just play it for everybody. So until I was able

0:28:11.160 --> 0:28:13.840
<v Speaker 1>to afford a drum machine, I was just doing that

0:28:17.520 --> 0:28:22.600
<v Speaker 1>first drum machine I was on was uh, the Oberheim

0:28:22.760 --> 0:28:28.320
<v Speaker 1>d X weight. So I want to come tell all

0:28:28.359 --> 0:28:32.720
<v Speaker 1>the trappers out there. I was doing trap before them,

0:28:35.760 --> 0:28:40.840
<v Speaker 1>making records with like go see the Doctor eight away,

0:28:41.120 --> 0:28:44.719
<v Speaker 1>and you know, we didn't have it washing, nothing sinking,

0:28:44.920 --> 0:28:48.480
<v Speaker 1>so we used that punch to make two drum machines

0:28:48.680 --> 0:28:53.560
<v Speaker 1>sink together. Wild You young motherfuckers need to listen. You

0:28:53.640 --> 0:28:55.960
<v Speaker 1>know you know how hard that ship is. Go ahead.

0:28:55.960 --> 0:28:58.520
<v Speaker 1>I'm sorry. That was the That was the first I know,

0:28:59.720 --> 0:29:05.640
<v Speaker 1>but sides doing Dougie Fresh the show, the show, I

0:29:05.720 --> 0:29:09.880
<v Speaker 1>didn't really know where it was going. But when the

0:29:09.960 --> 0:29:13.520
<v Speaker 1>show came out, even though you know, I didn't get

0:29:13.520 --> 0:29:16.040
<v Speaker 1>any credit for it, because like I said, I had

0:29:16.080 --> 0:29:18.640
<v Speaker 1>started in my eyes. I just wanted to record play

0:29:18.720 --> 0:29:21.920
<v Speaker 1>on the radio and you know, be a part of something.

0:29:23.280 --> 0:29:28.480
<v Speaker 1>And that's how I started evolving in Harlem. And then

0:29:28.680 --> 0:29:31.680
<v Speaker 1>everybody came to me from Brooklyn, the Queens and everybody

0:29:31.720 --> 0:29:34.880
<v Speaker 1>would come to my projects and I would make records

0:29:34.880 --> 0:29:40.600
<v Speaker 1>for everybody. So I'm bouncing around a little bit, like

0:29:40.800 --> 0:29:46.920
<v Speaker 1>you said, I need to ask you this. I believe

0:29:46.960 --> 0:29:52.200
<v Speaker 1>I see Jermaine depreciate this. He said that New Addition

0:29:52.920 --> 0:29:57.360
<v Speaker 1>is the greatest group of all time. Then they questioned them.

0:29:58.960 --> 0:30:02.640
<v Speaker 1>They said, because each one of of these members solo

0:30:03.000 --> 0:30:07.280
<v Speaker 1>went platinum, do you believe that statement? I believe they

0:30:07.320 --> 0:30:09.840
<v Speaker 1>are the greatest group of all times. Are we making

0:30:09.880 --> 0:30:15.160
<v Speaker 1>no noise for that? Yeah? Okay? And why I say

0:30:15.200 --> 0:30:19.480
<v Speaker 1>that is because them together is a nucleus. And now

0:30:19.640 --> 0:30:23.040
<v Speaker 1>you see them all together. Nobody's standing up to that

0:30:24.040 --> 0:30:27.120
<v Speaker 1>and their group that got back together and stayed together

0:30:27.200 --> 0:30:31.360
<v Speaker 1>because they'd seen the business. They stood on business. If

0:30:31.440 --> 0:30:34.400
<v Speaker 1>other groups would stand on business, we would have a nucleus.

0:30:34.440 --> 0:30:37.480
<v Speaker 1>And we have groups back. Wow. Right now it's the

0:30:37.560 --> 0:30:41.080
<v Speaker 1>recession of groups. Now we're leaning towards we're leaning on

0:30:41.720 --> 0:30:45.600
<v Speaker 1>the legends. Wow. You know. And they're the legends that

0:30:45.760 --> 0:30:51.360
<v Speaker 1>is really setting the example, you know for the other legends.

0:30:51.480 --> 0:30:53.400
<v Speaker 1>You know, all these groups breaking up is like one

0:30:53.560 --> 0:30:56.600
<v Speaker 1>twelve Now it's just twelve. Damn. I didn't know that,

0:30:56.760 --> 0:31:01.720
<v Speaker 1>you know, Yeah, really damn what they doing? Then you

0:31:01.880 --> 0:31:06.680
<v Speaker 1>got groups that lost members like High five. Yeh, I'm

0:31:06.720 --> 0:31:11.640
<v Speaker 1>putting them back together. Yes, intro. So there's a lot

0:31:11.680 --> 0:31:15.120
<v Speaker 1>of groups out there that are legend groups, but there's

0:31:15.200 --> 0:31:20.000
<v Speaker 1>no new groups. Okay. I thought Day twenty six was

0:31:20.080 --> 0:31:24.560
<v Speaker 1>going to be you know the next next big thing. Agree,

0:31:25.520 --> 0:31:29.880
<v Speaker 1>but it happen so for real, so real. It was

0:31:30.160 --> 0:31:33.960
<v Speaker 1>definitely a dope group developed by Heavy d and and

0:31:34.200 --> 0:31:38.520
<v Speaker 1>uh Eddie F and the crew. I think what it

0:31:38.720 --> 0:31:42.440
<v Speaker 1>is is, you know, it was the artist development.

0:31:43.120 --> 0:31:47.000
<v Speaker 2>Artists development is missing in the industry. Yeah, I agree

0:31:47.000 --> 0:31:48.080
<v Speaker 2>with that one mean thing.

0:31:48.440 --> 0:31:53.120
<v Speaker 1>When we had I was artist developed. This is a

0:31:53.200 --> 0:31:56.360
<v Speaker 1>lot for Oh yeah, it was about a year my

0:31:56.600 --> 0:31:59.920
<v Speaker 1>first I went to media coach. My first media coach

0:32:00.680 --> 0:32:05.200
<v Speaker 1>was Wendy Williams. Wow. No, hell, that's why she didn't

0:32:05.240 --> 0:32:10.600
<v Speaker 1>talk about me. Damn, oh you never have. That's like

0:32:10.680 --> 0:32:13.800
<v Speaker 1>my sister, okay, like in a good way. That's Whinny

0:32:13.840 --> 0:32:17.680
<v Speaker 1>Williams gave me my fortieth birthday party wow in California.

0:32:18.920 --> 0:32:24.040
<v Speaker 1>And my second media coach was Nelson George. Wow. My

0:32:24.200 --> 0:32:25.920
<v Speaker 1>third was the guy who gave me the name new

0:32:26.000 --> 0:32:29.200
<v Speaker 1>Jack Swing and that's Byry Michael Cooper who wrote and

0:32:29.320 --> 0:32:34.760
<v Speaker 1>co wrote New Jack City. M So I was around

0:32:34.800 --> 0:32:38.040
<v Speaker 1>a lot of people. It was just you know, creating me,

0:32:38.800 --> 0:32:41.800
<v Speaker 1>you know what I'm saying, Like this guy would like

0:32:42.080 --> 0:32:47.000
<v Speaker 1>pressure me to uh give a name to my music,

0:32:47.200 --> 0:32:51.320
<v Speaker 1>like call my music something, and I didn't have no idea.

0:32:53.080 --> 0:32:57.239
<v Speaker 1>He's like, all right, this is your second session, your

0:32:57.320 --> 0:33:01.240
<v Speaker 1>third session, you better have a name. I didn't have

0:33:01.320 --> 0:33:04.120
<v Speaker 1>a name. He's like, I'm going to give you a name,

0:33:04.640 --> 0:33:10.120
<v Speaker 1>and he said you should use new jack Swing because

0:33:10.200 --> 0:33:13.160
<v Speaker 1>you're the new kid on the block swinging it. Wow.

0:33:15.680 --> 0:33:18.400
<v Speaker 1>And that's how I got the name of just He said,

0:33:19.160 --> 0:33:23.840
<v Speaker 1>run with it. You'll thank me later. He's in my

0:33:23.960 --> 0:33:27.720
<v Speaker 1>book too. The whole genre was that, let me tell

0:33:27.720 --> 0:33:31.600
<v Speaker 1>you something, the genre and still today, you know, technically

0:33:31.680 --> 0:33:33.360
<v Speaker 1>a lot of people don't know they're doing the jack

0:33:33.400 --> 0:33:38.280
<v Speaker 1>swing right, So a fusion. We one man of acent

0:33:38.800 --> 0:33:43.280
<v Speaker 1>googled it and had it plan and we didn't realize

0:33:43.800 --> 0:33:47.040
<v Speaker 1>how many workds you. We were doubting. It was like,

0:33:47.080 --> 0:33:49.200
<v Speaker 1>wait a minute, he couldn't have did that too.

0:33:50.720 --> 0:33:54.600
<v Speaker 2>Do you understand how many Do you understand how how

0:33:54.680 --> 0:33:58.760
<v Speaker 2>many lives you change? Like we're all sitting here just amazed,

0:33:59.160 --> 0:34:01.200
<v Speaker 2>like all of us, come, let's just give it like

0:34:02.280 --> 0:34:03.800
<v Speaker 2>this is here.

0:34:04.280 --> 0:34:06.680
<v Speaker 1>We were so I believe you are first guest that

0:34:06.760 --> 0:34:08.040
<v Speaker 1>came a little late, and we was like, we do

0:34:08.239 --> 0:34:13.160
<v Speaker 1>not care. Whenever he shows up. We're cool with it.

0:34:13.719 --> 0:34:17.880
<v Speaker 1>But do you understand how many lives here you changed?

0:34:18.000 --> 0:34:20.719
<v Speaker 1>To do this, and I'm not.

0:34:20.960 --> 0:34:22.919
<v Speaker 2>I'm not even getting to Bobby. I'm not even getting

0:34:22.960 --> 0:34:24.399
<v Speaker 2>to Michael yet. I'm not kidding.

0:34:24.400 --> 0:34:28.759
<v Speaker 1>I'm just getting into you and your groups. For me,

0:34:30.840 --> 0:34:33.719
<v Speaker 1>I don'm doing on my past, all right. I don't

0:34:33.760 --> 0:34:35.680
<v Speaker 1>do it on my past. I try to forget about

0:34:35.680 --> 0:34:38.239
<v Speaker 1>it so I can keep going, right, So it's like

0:34:39.120 --> 0:34:43.839
<v Speaker 1>I'm almost famous, right, That's how I go every day.

0:34:43.880 --> 0:34:47.239
<v Speaker 1>I just think about that. Okay, what was it was?

0:34:48.000 --> 0:34:52.600
<v Speaker 1>What it is now? It matters, you know, if I

0:34:52.719 --> 0:34:55.759
<v Speaker 1>can change and continue changing lives, that's what matters for me,

0:34:57.120 --> 0:35:01.480
<v Speaker 1>and I am you know. It's like I can go

0:35:01.560 --> 0:35:05.359
<v Speaker 1>anywhere and I can live anywhere and something gonna come

0:35:05.440 --> 0:35:08.879
<v Speaker 1>out of it. Never I don't know. I just feel

0:35:08.960 --> 0:35:11.080
<v Speaker 1>like the most high is like, all right, you're gonna

0:35:11.120 --> 0:35:14.160
<v Speaker 1>go here, You're gonna live here, and you're gonna do

0:35:14.280 --> 0:35:17.120
<v Speaker 1>something here. That's what I did in Virginia. I did

0:35:17.160 --> 0:35:20.000
<v Speaker 1>it in Atlanta. I was in Atlanta before the village.

0:35:20.560 --> 0:35:30.279
<v Speaker 1>I heard second home, second home, but Vegas, California. Living

0:35:30.360 --> 0:35:33.359
<v Speaker 1>in Atlanta was one of the things that I said,

0:35:33.360 --> 0:35:34.840
<v Speaker 1>you know, I want to do and I want to

0:35:35.280 --> 0:35:40.240
<v Speaker 1>kind of more often exfuse the music and bring everybody

0:35:40.360 --> 0:35:43.600
<v Speaker 1>together try blue jack swing, just put it all together.

0:35:43.680 --> 0:35:45.560
<v Speaker 1>And I wound up working with a lot of people there.

0:35:46.960 --> 0:35:49.839
<v Speaker 1>But the main thing was challenging to me was moving

0:35:49.920 --> 0:35:54.319
<v Speaker 1>to Korea. Wait a second, you moved to Korea, Yeah,

0:35:54.520 --> 0:35:58.120
<v Speaker 1>to do K pop. I mean I knew there was

0:35:58.160 --> 0:36:00.640
<v Speaker 1>a lot of people from out here that was influencing

0:36:00.760 --> 0:36:04.840
<v Speaker 1>that whole movement. You were, and you told me I

0:36:05.000 --> 0:36:11.160
<v Speaker 1>was my daughter. You a whole conversation. I got listen

0:36:11.239 --> 0:36:17.160
<v Speaker 1>to Golden every day. Those records, they are amazing. And

0:36:17.280 --> 0:36:19.400
<v Speaker 1>when I went out there, it was two thousand and seven.

0:36:21.080 --> 0:36:27.120
<v Speaker 1>I went out there and got robbed rob. I'm gonna

0:36:27.120 --> 0:36:32.560
<v Speaker 1>tell you how not rob Like onto my head. They stick.

0:36:33.480 --> 0:36:36.879
<v Speaker 1>They got some shree guys out there. They're ill business people. Yeah,

0:36:36.880 --> 0:36:39.680
<v Speaker 1>they are really ill. So when we went out there, right,

0:36:40.440 --> 0:36:46.040
<v Speaker 1>I did a whole I had I think every news channel.

0:36:47.320 --> 0:36:51.520
<v Speaker 1>We did a press conference. The reason why because I

0:36:51.640 --> 0:36:57.719
<v Speaker 1>didn't know how big my music was out there. K

0:36:57.960 --> 0:37:02.879
<v Speaker 1>pop is new jack swing. And then I get out

0:37:02.920 --> 0:37:08.160
<v Speaker 1>there like not knowing anything about the business aspect, like

0:37:09.000 --> 0:37:14.279
<v Speaker 1>the stock game, and I'm out there like they give

0:37:14.320 --> 0:37:16.560
<v Speaker 1>me half a million dollars do this, and you know,

0:37:17.840 --> 0:37:20.800
<v Speaker 1>and I'm doing it but not. I finally had like

0:37:20.880 --> 0:37:24.960
<v Speaker 1>a few meetings with the CEOs and CEO's like when

0:37:25.239 --> 0:37:29.360
<v Speaker 1>come with us, So I'll go with s some entertainment,

0:37:30.760 --> 0:37:34.440
<v Speaker 1>not knowing that when they put put me on the books,

0:37:35.440 --> 0:37:41.239
<v Speaker 1>they stock went up. I didn't ask the stock to

0:37:41.320 --> 0:37:47.120
<v Speaker 1>get stuck. Dumbest ship out. But I still made a

0:37:47.400 --> 0:37:50.719
<v Speaker 1>lot of money out there. I still made ways and

0:37:51.880 --> 0:37:54.719
<v Speaker 1>now you're here Teddy Rally is a part of you know,

0:37:55.000 --> 0:37:58.279
<v Speaker 1>k pop. It's responsible. But when I went out there,

0:37:58.360 --> 0:38:01.160
<v Speaker 1>let me tell you I got I went out there,

0:38:02.520 --> 0:38:06.799
<v Speaker 1>did this whole press conference. There's a company I ever

0:38:06.880 --> 0:38:13.400
<v Speaker 1>heard of, a company called ten Cent. They're like Rockerfeller

0:38:14.440 --> 0:38:17.960
<v Speaker 1>in Korea. Yes, they're like the South Korea big yeah,

0:38:18.840 --> 0:38:22.080
<v Speaker 1>South Yeah, but they're like the biggest when it comes

0:38:22.120 --> 0:38:27.240
<v Speaker 1>to they're like Viacom Okay, wow, okay. They own everything

0:38:27.320 --> 0:38:33.160
<v Speaker 1>out there, the karaoke machines, all of that stuff. Like

0:38:33.960 --> 0:38:37.080
<v Speaker 1>you go in the mall, you know how we get

0:38:37.120 --> 0:38:44.120
<v Speaker 1>those the picture taking things, karaoke machines, all the malls. Yeah,

0:38:44.160 --> 0:38:48.399
<v Speaker 1>that's big out there. That makes more money than anything. Wow.

0:38:49.120 --> 0:38:52.880
<v Speaker 1>So I'm out there and they were like, we'd like

0:38:52.960 --> 0:38:56.200
<v Speaker 1>to figure out doing a movie with you, and I

0:38:56.320 --> 0:38:58.839
<v Speaker 1>was like, great, let's do it. You know, they said,

0:38:58.840 --> 0:39:00.600
<v Speaker 1>what you gonna call it? I want to call it

0:39:00.680 --> 0:39:10.960
<v Speaker 1>Asia A star in Asia. They take my shir and

0:39:11.080 --> 0:39:13.399
<v Speaker 1>ran with it. I was like, oh, they just took

0:39:13.440 --> 0:39:17.279
<v Speaker 1>the idea. They trademark, did they trade magt It was

0:39:17.400 --> 0:39:20.320
<v Speaker 1>like wow? And then oh, I didn't know he was

0:39:20.360 --> 0:39:24.920
<v Speaker 1>going there me out here out there. They gave him

0:39:25.000 --> 0:39:28.880
<v Speaker 1>two million dollars and he shared nothing with me. I

0:39:29.080 --> 0:39:32.359
<v Speaker 1>come back, I get forty grand and I'm on my way.

0:39:34.640 --> 0:39:37.320
<v Speaker 1>Why did ten cents come to try and sue me?

0:39:38.480 --> 0:39:42.200
<v Speaker 1>Because they thought I was doing the movie and they

0:39:42.760 --> 0:39:45.920
<v Speaker 1>gave him the money. He did the contract. So I

0:39:46.040 --> 0:39:51.440
<v Speaker 1>had to prove myself to them, saying, listen, I'm I'm

0:39:51.520 --> 0:39:54.600
<v Speaker 1>a man of honor. I would never take your money.

0:39:55.800 --> 0:39:58.719
<v Speaker 1>They knew somebody was doing dude and got married on

0:39:58.920 --> 0:40:01.759
<v Speaker 1>their money for the wife. And this is the guy

0:40:01.800 --> 0:40:06.360
<v Speaker 1>that brought you out the originally yes so, and the

0:40:06.440 --> 0:40:09.080
<v Speaker 1>same guy who was taking my publishing because we had

0:40:09.160 --> 0:40:13.360
<v Speaker 1>did records for artists. Oh god, we did records for

0:40:13.480 --> 0:40:18.520
<v Speaker 1>this artist's name. Uh, what's his name? I think it's Rain. No.

0:40:18.760 --> 0:40:21.280
<v Speaker 1>Rain is the guy who's like usher out here okay,

0:40:21.680 --> 0:40:26.960
<v Speaker 1>so we did these records. This company took out publishing

0:40:27.400 --> 0:40:30.960
<v Speaker 1>and mechanic rights. I didn't know that ASCAP does not

0:40:31.200 --> 0:40:39.800
<v Speaker 1>exist in Korea. They have their owns. The company is

0:40:39.880 --> 0:40:45.400
<v Speaker 1>called Kumka Oh. And these guys was publishing our songs

0:40:45.480 --> 0:40:48.439
<v Speaker 1>and copyrighting our songs. We went through Korean music book

0:40:48.480 --> 0:40:51.879
<v Speaker 1>camp check this out. We had already went there, came

0:40:52.040 --> 0:40:54.759
<v Speaker 1>back and me and my guys did. We did these

0:40:54.800 --> 0:40:57.440
<v Speaker 1>records for them. They paid us nice money and everything right.

0:40:58.719 --> 0:41:02.880
<v Speaker 1>It was like, yo, where's all we issues? Like what

0:41:03.120 --> 0:41:07.759
<v Speaker 1>we It's like, Yo, let's go back. I said, Yo,

0:41:07.880 --> 0:41:11.359
<v Speaker 1>we ain't going back to start no trouble. We're gonna

0:41:11.400 --> 0:41:13.320
<v Speaker 1>go back and say it's not fear and hopefully it

0:41:13.360 --> 0:41:15.560
<v Speaker 1>will meet somebody who can help us. And that's how

0:41:15.680 --> 0:41:20.120
<v Speaker 1>we met as some entertainment and they help us get

0:41:20.480 --> 0:41:26.000
<v Speaker 1>every publishing, mechanical rights and all of our rights back. Wow.

0:41:26.640 --> 0:41:30.160
<v Speaker 1>On a condition of me staying for two weeks to

0:41:30.320 --> 0:41:35.520
<v Speaker 1>do some music with the artists. Two weeks turn into

0:41:35.920 --> 0:41:42.160
<v Speaker 1>two months, two months turn into two years. Living in Korea,

0:41:42.400 --> 0:41:45.920
<v Speaker 1>it's like, we enjoy your music. We want can you stay,

0:41:47.360 --> 0:41:50.759
<v Speaker 1>We'll get your house, We'll get you They got us

0:41:50.800 --> 0:41:54.560
<v Speaker 1>a building. Wow. We built the studios and the building

0:41:56.400 --> 0:41:57.960
<v Speaker 1>and we were there for two years. Let me find

0:41:58.000 --> 0:42:00.399
<v Speaker 1>out you speak Korean? Now, how far to at all?

0:42:01.840 --> 0:42:10.640
<v Speaker 1>I was translating. Oh, now they got the you're talking

0:42:10.760 --> 0:42:13.040
<v Speaker 1>and you can talk right about yah. Sure that's right.

0:42:13.200 --> 0:42:17.239
<v Speaker 1>And I was, you know, getting I had my translator

0:42:17.280 --> 0:42:19.160
<v Speaker 1>on my phone and that's how I got around. And

0:42:19.640 --> 0:42:21.239
<v Speaker 1>I didn't have to go in too many places. I

0:42:21.320 --> 0:42:24.920
<v Speaker 1>stayed in the studio. I live in the studio, okay.

0:42:25.200 --> 0:42:29.200
<v Speaker 1>So when I was out there, I had no relationships.

0:42:29.480 --> 0:42:31.520
<v Speaker 1>I just I was in that studio and they thought

0:42:31.520 --> 0:42:33.440
<v Speaker 1>I was a martiroom because I would be in that

0:42:33.560 --> 0:42:38.719
<v Speaker 1>studio from ten to ten in the morning. They would

0:42:38.719 --> 0:42:41.319
<v Speaker 1>be coming into work and he's like, he's still here.

0:42:42.360 --> 0:42:44.880
<v Speaker 1>So they built me a bedroom in the actual office.

0:42:45.120 --> 0:42:49.719
<v Speaker 1>Goddamn it. Wow, that's hard. So it's safe to say

0:42:49.760 --> 0:42:52.120
<v Speaker 1>that you open those doors for a lot of people

0:42:52.160 --> 0:42:57.440
<v Speaker 1>over here too. Well. They were doing what they're doing anyway, right,

0:42:58.120 --> 0:43:00.560
<v Speaker 1>but there's a lot of collaboration have to do it

0:43:00.680 --> 0:43:04.400
<v Speaker 1>for it to be introduced. Now, I can't say that

0:43:04.800 --> 0:43:10.320
<v Speaker 1>because you had what's my guy, Jay Park? Jay is

0:43:10.360 --> 0:43:13.560
<v Speaker 1>a Jay Park. He was doing it. He came over here,

0:43:14.320 --> 0:43:19.560
<v Speaker 1>but I went over there, and when I went over there,

0:43:19.600 --> 0:43:22.360
<v Speaker 1>it was just I was working with every broup. We

0:43:22.480 --> 0:43:27.560
<v Speaker 1>had five six number one records, and we place stove

0:43:27.600 --> 0:43:36.000
<v Speaker 1>for forty forty songs. So I was pretty much living

0:43:36.080 --> 0:43:38.759
<v Speaker 1>comfortable out there, and in my mind was kind of

0:43:39.320 --> 0:43:42.880
<v Speaker 1>learning the culture. It's kind of getting together while the

0:43:42.960 --> 0:43:45.560
<v Speaker 1>record business over here was getting it together because it

0:43:45.640 --> 0:43:48.920
<v Speaker 1>was a recession. But what years are is this exactly

0:43:49.880 --> 0:43:52.080
<v Speaker 1>when I went over there to live, it was twenty

0:43:52.320 --> 0:43:56.279
<v Speaker 1>ten to twenty twelve, and yeah, that's when we had

0:43:56.680 --> 0:44:00.360
<v Speaker 1>the whole real estate crash out here. That's when the system.

0:44:00.560 --> 0:44:05.279
<v Speaker 2>Yeah, and then that's what streaming, streaming is interesting kindas

0:44:05.600 --> 0:44:06.080
<v Speaker 2>and all of that.

0:44:08.120 --> 0:44:10.640
<v Speaker 1>When I came back was when Heavy D passed away,

0:44:11.600 --> 0:44:13.279
<v Speaker 1>and that's what made me say it, I'm coming back

0:44:13.320 --> 0:44:17.160
<v Speaker 1>to America. I moved to Atlanta then asked my sister,

0:44:17.600 --> 0:44:20.359
<v Speaker 1>just find me a place. It's like where you want

0:44:20.400 --> 0:44:21.920
<v Speaker 1>to live, gated community. I said, no, I want to

0:44:21.920 --> 0:44:24.719
<v Speaker 1>live next to you. They found me a place and

0:44:26.880 --> 0:44:29.640
<v Speaker 1>I lived there for a little while and kind of

0:44:29.719 --> 0:44:33.720
<v Speaker 1>outgrown it and moved into a house, you know, big house,

0:44:33.920 --> 0:44:39.440
<v Speaker 1>and stayed down there for a while. Atlanta. Yeah, okay,

0:44:40.800 --> 0:44:43.600
<v Speaker 1>how do you feel like was that? Was there a

0:44:43.840 --> 0:44:47.480
<v Speaker 1>culture shock living out there? I was assuming that's your

0:44:47.480 --> 0:44:50.040
<v Speaker 1>first time living outside of the States, was it. No,

0:44:50.520 --> 0:44:53.920
<v Speaker 1>I lived in London. I lived in London. My earlier

0:44:54.160 --> 0:44:58.160
<v Speaker 1>is when I was working in Cood and the Ocean.

0:44:58.840 --> 0:45:01.880
<v Speaker 1>We did all like I'll go see the dots. How

0:45:01.920 --> 0:45:04.040
<v Speaker 1>do you like me? Now? Those records we did in

0:45:04.120 --> 0:45:09.440
<v Speaker 1>London we did at Battery Studios because draft records. We

0:45:09.520 --> 0:45:12.000
<v Speaker 1>don't realize how much of those records were made. It

0:45:12.120 --> 0:45:14.440
<v Speaker 1>was a battery studio. I didn't know Battery Studios was

0:45:14.520 --> 0:45:17.279
<v Speaker 1>located in London. They have one in London and one

0:45:17.320 --> 0:45:19.800
<v Speaker 1>in New York. Yeah, but I didn't. I didn't. I

0:45:19.880 --> 0:45:25.279
<v Speaker 1>didn't hold so damn that's fucking me up. So that's

0:45:25.320 --> 0:45:28.480
<v Speaker 1>where y'all you and hold D recorded that, like we

0:45:28.640 --> 0:45:33.359
<v Speaker 1>did first album, second album. Then just legendary, I see,

0:45:33.360 --> 0:45:36.600
<v Speaker 1>because I can't fathom this because because I lived there,

0:45:36.800 --> 0:45:40.920
<v Speaker 1>like we would spend three to maybe six months. But

0:45:41.040 --> 0:45:43.160
<v Speaker 1>that wasn't much of a culture shock being in in

0:45:43.280 --> 0:45:45.560
<v Speaker 1>London versus here as it was. And me tell you why,

0:45:47.040 --> 0:45:51.960
<v Speaker 1>driving on the wrong Yeah, we didn't drive. I was like, yeah,

0:45:51.960 --> 0:45:55.200
<v Speaker 1>I'm not getting into no accident. But I'm used to

0:45:55.320 --> 0:45:59.640
<v Speaker 1>driving on outside. So when that happened, you know, we

0:45:59.680 --> 0:46:02.680
<v Speaker 1>were have a driver. They gave us the driver clip

0:46:02.760 --> 0:46:07.200
<v Speaker 1>Calder Clock Calder was a guy who was the first

0:46:07.239 --> 0:46:10.719
<v Speaker 1>guy to see me make a b wow. I was

0:46:10.800 --> 0:46:15.799
<v Speaker 1>making how you like me now? And when he came

0:46:15.880 --> 0:46:17.799
<v Speaker 1>in the room, he was he was behind his dark

0:46:18.200 --> 0:46:25.759
<v Speaker 1>you know, tenthed glass watching me. Were you using? I

0:46:25.880 --> 0:46:32.279
<v Speaker 1>was using the MP because they had one. There wasn't mine. No,

0:46:32.400 --> 0:46:34.600
<v Speaker 1>it wasn't about to say it wasn't MP. Was the

0:46:35.880 --> 0:46:44.320
<v Speaker 1>behind the d X and no was an MP. It

0:46:44.560 --> 0:46:51.279
<v Speaker 1>was I can't imagine. I had a sepler the s P,

0:46:51.640 --> 0:46:57.719
<v Speaker 1>No was it spee and but it was this. I

0:46:57.760 --> 0:47:02.440
<v Speaker 1>ain't had no drum machine on the Ford one, so

0:47:02.520 --> 0:47:06.080
<v Speaker 1>I was banging out on everybody's joint, you know. But

0:47:07.080 --> 0:47:09.800
<v Speaker 1>when I was there, they had every drum machine. And

0:47:11.920 --> 0:47:14.560
<v Speaker 1>I made that back and he was just watching. I've

0:47:14.600 --> 0:47:19.080
<v Speaker 1>seen his head just going. And then he walked in

0:47:19.160 --> 0:47:25.160
<v Speaker 1>the room. He called me another name, no Clive.

0:47:25.360 --> 0:47:28.640
<v Speaker 2>Okay, ceo, because I keep looking at his glasses and

0:47:28.760 --> 0:47:29.600
<v Speaker 2>I was looking at you.

0:47:30.200 --> 0:47:44.280
<v Speaker 1>He's trying to imitate I keep looking bad. He called

0:47:44.360 --> 0:47:49.840
<v Speaker 1>me my partner. My partner name is Levor and he

0:47:49.960 --> 0:47:53.920
<v Speaker 1>said Levor. I said no. He said, what's is your name?

0:47:54.640 --> 0:48:01.120
<v Speaker 1>I said, I'm Teddy Riley, Teddy Wally, Teddy that kind

0:48:01.120 --> 0:48:08.439
<v Speaker 1>of sounds huh sounds good good, Yeah, Teddy Rally. He said,

0:48:10.560 --> 0:48:15.879
<v Speaker 1>so you make the beats. I said, yeah, I make

0:48:15.920 --> 0:48:20.440
<v Speaker 1>the beats. He said, can you excuse me a second?

0:48:21.440 --> 0:48:25.720
<v Speaker 1>I says yeah, sure. He went upstairs and called Barry Weiss,

0:48:28.640 --> 0:48:33.319
<v Speaker 1>John Records as well, and Callie, all of them. I said,

0:48:34.480 --> 0:48:36.239
<v Speaker 1>he got them all on the phone. He told me this,

0:48:36.800 --> 0:48:38.880
<v Speaker 1>He said, I got them on the phone and asked her.

0:48:38.960 --> 0:48:45.480
<v Speaker 1>I said, who's Teddy Rowley? And and I guess they

0:48:45.520 --> 0:48:47.840
<v Speaker 1>answer is Teddy Rally is one of the guys. You

0:48:47.920 --> 0:48:52.680
<v Speaker 1>know he works with them, He works with He said,

0:48:52.760 --> 0:48:58.800
<v Speaker 1>you guys know he makes the beats, and he's like nobody.

0:48:58.920 --> 0:49:05.440
<v Speaker 1>It was crickets. And he said, I told them, if

0:49:05.480 --> 0:49:08.759
<v Speaker 1>you guys, when he comes back to the States, if

0:49:08.800 --> 0:49:12.719
<v Speaker 1>you don't have him in that office making a deal,

0:49:14.880 --> 0:49:19.600
<v Speaker 1>somebody's getting fired. And I had a meeting with him.

0:49:19.600 --> 0:49:21.680
<v Speaker 1>I went down there by myself and didn't have no lawyer,

0:49:21.920 --> 0:49:24.960
<v Speaker 1>no nothing. It's my first meeting with him and that

0:49:25.120 --> 0:49:29.120
<v Speaker 1>was how I got my first hundred thousand dollars two

0:49:29.239 --> 0:49:33.520
<v Speaker 1>zumber and that was my first publishing deal. God damn me,

0:49:33.680 --> 0:49:37.719
<v Speaker 1>that's wild. Makes a noise for you want to do

0:49:37.840 --> 0:49:40.319
<v Speaker 1>quick Time of Slim, but you gotta explain that. Let's

0:49:40.360 --> 0:49:42.759
<v Speaker 1>do it. Let's get a designate a drinker. Okay, yeah, yeah,

0:49:42.760 --> 0:49:47.200
<v Speaker 1>because you don't have to drink. Okay, okay, you can, Okay,

0:49:47.200 --> 0:49:50.240
<v Speaker 1>we'll get something. Get somebody like you. Yeah, my nephew.

0:49:50.400 --> 0:49:52.520
<v Speaker 1>Oh ship damn he do you under the bus like that?

0:49:52.840 --> 0:49:55.919
<v Speaker 1>I like that. He what I would do with my nephew.

0:49:55.920 --> 0:49:59.080
<v Speaker 1>I'm just letting you know. He told me. Okay, okay, okay, okay, drinking,

0:50:00.320 --> 0:50:04.720
<v Speaker 1>I'm ting there. Yeah, So we're.

0:50:04.600 --> 0:50:07.920
<v Speaker 2>Gonna ask him, and you know, can you break down

0:50:08.160 --> 0:50:08.440
<v Speaker 2>the game?

0:50:08.560 --> 0:50:11.200
<v Speaker 1>So this is our drinking game, okay, and we're gonna

0:50:11.320 --> 0:50:16.000
<v Speaker 1>give you two choices. If you pick one, we don't drink, right,

0:50:16.120 --> 0:50:18.120
<v Speaker 1>But if you say both are neither, like you really

0:50:18.160 --> 0:50:20.520
<v Speaker 1>don't want to answer. I plead the fifth, You plead

0:50:20.560 --> 0:50:23.680
<v Speaker 1>the fifth. We're drinking everybody's dress, but really we just

0:50:23.760 --> 0:50:24.560
<v Speaker 1>want stories out of it.

0:50:29.440 --> 0:50:32.360
<v Speaker 2>But I'm not gonna lie to you. I feel like

0:50:33.040 --> 0:50:34.880
<v Speaker 2>Teddy is a great person. He's not going on one

0:50:34.920 --> 0:50:38.800
<v Speaker 2>to answered every sense I forget.

0:50:40.000 --> 0:50:43.640
<v Speaker 1>No, it was a great dad. He answered everyone. So

0:50:44.560 --> 0:50:53.200
<v Speaker 1>Dad here he answered everything. Don't yeah, he asted everyone politically.

0:50:53.800 --> 0:50:58.480
<v Speaker 2>So, nephew, I'm not you want did you really ask

0:50:58.520 --> 0:51:02.200
<v Speaker 2>for tiger and we're doing yoghe No, no, no, no,

0:51:02.320 --> 0:51:03.560
<v Speaker 2>he's asking you don't want to tag?

0:51:03.960 --> 0:51:09.880
<v Speaker 1>You don't. I don't want. No, nephew, nephew, you don't want.

0:51:11.400 --> 0:51:13.759
<v Speaker 1>You don't want to tag a ball. I ain't gonna lie.

0:51:13.800 --> 0:51:15.920
<v Speaker 1>I ain't gonna lie. We're gonna as if you want

0:51:16.360 --> 0:51:25.640
<v Speaker 1>late Dominican mamajuana. Oh wow, okay, okay, so you ready

0:51:26.440 --> 0:51:28.120
<v Speaker 1>get wait, hold on, it's get You got a couple

0:51:28.120 --> 0:51:31.760
<v Speaker 1>of shot glasses from Yeah, that's good the first then okay,

0:51:32.280 --> 0:51:36.759
<v Speaker 1>backing up, this is this is great, by the way,

0:51:38.120 --> 0:51:38.600
<v Speaker 1>for a couple.

0:51:38.760 --> 0:51:41.200
<v Speaker 2>I have to take the first question because I probably

0:51:41.239 --> 0:51:43.600
<v Speaker 2>think you're the only person on earth that could probably

0:51:43.640 --> 0:51:44.319
<v Speaker 2>answer this question.

0:51:44.440 --> 0:51:47.600
<v Speaker 1>This is one of the biggest on our show. Okay,

0:51:49.080 --> 0:51:50.799
<v Speaker 1>let's do it not too not too heavy for.

0:51:50.880 --> 0:51:52.440
<v Speaker 2>So I'm gonna go ahead and I'm gonna go in

0:51:52.560 --> 0:51:55.719
<v Speaker 2>there because I'm gonna go I'm gonna go ahead and

0:51:55.800 --> 0:51:56.440
<v Speaker 2>go in there I'm gonna do.

0:51:56.680 --> 0:51:57.520
<v Speaker 1>I'll take the first one.

0:51:59.280 --> 0:52:07.279
<v Speaker 2>This is gonna be too great, okay, Michael Jackson or Prince.

0:52:07.400 --> 0:52:08.400
<v Speaker 1>And we need stories too.

0:52:08.920 --> 0:52:12.160
<v Speaker 2>Yes, I believe you're the only person who sufficiently answer

0:52:12.239 --> 0:52:12.720
<v Speaker 2>this question.

0:52:13.600 --> 0:52:21.279
<v Speaker 1>Wow, okay, Michael Jackson, of course, which I want me

0:52:21.360 --> 0:52:24.680
<v Speaker 1>to tell you. And I feel like you definitely got

0:52:24.760 --> 0:52:30.319
<v Speaker 1>print stories. I do, okay, But Michael, I have more

0:52:32.640 --> 0:52:39.879
<v Speaker 1>stories and substance. And why I say Michael, I came

0:52:39.920 --> 0:52:44.120
<v Speaker 1>ready for the Michael answer. Now you know you just

0:52:44.200 --> 0:52:48.000
<v Speaker 1>gave him my answer. But why say Michael Is because

0:52:50.080 --> 0:52:56.160
<v Speaker 1>Michael wasn't just uh an artist. He was a visionary

0:52:57.520 --> 0:53:03.680
<v Speaker 1>humanitarian well model And now everybody's see now today how

0:53:03.760 --> 0:53:07.400
<v Speaker 1>much of a role model he was to the kids.

0:53:07.960 --> 0:53:12.799
<v Speaker 1>He's vindicated in a lot, yes, And it took us

0:53:13.280 --> 0:53:17.279
<v Speaker 1>this long to really find out all the things that

0:53:17.480 --> 0:53:24.160
<v Speaker 1>he did to really save humanity, you know, humanity. And

0:53:26.600 --> 0:53:33.880
<v Speaker 1>I don't think that principal, you know, was there. I

0:53:34.000 --> 0:53:37.840
<v Speaker 1>pressed did a lot of things, but not what Michael

0:53:37.840 --> 0:53:42.440
<v Speaker 1>who have done, and the chances that he took just

0:53:42.680 --> 0:53:45.960
<v Speaker 1>for all of us. So I have to say him

0:53:46.000 --> 0:53:51.320
<v Speaker 1>in always, not just as an artist. I have to

0:53:51.400 --> 0:53:55.719
<v Speaker 1>say him he's the one in every way, and I'm

0:53:55.800 --> 0:53:57.560
<v Speaker 1>sure you always say the same things.

0:53:58.760 --> 0:54:00.320
<v Speaker 2>This is why we want to ask you. This is

0:54:00.400 --> 0:54:02.800
<v Speaker 2>a this is like still on the same question, but

0:54:02.880 --> 0:54:05.480
<v Speaker 2>a little bit off. We had what I am on here,

0:54:06.160 --> 0:54:08.160
<v Speaker 2>what I am telling this story, and he goes famous.

0:54:08.160 --> 0:54:09.040
<v Speaker 2>It's the favorite story.

0:54:09.360 --> 0:54:11.480
<v Speaker 1>We did not want. We did not know this was

0:54:11.520 --> 0:54:13.560
<v Speaker 1>gonna go viral. But he was like that.

0:54:13.719 --> 0:54:17.120
<v Speaker 2>Prince kept calling excuse me, a Prince kept calling Michael

0:54:17.239 --> 0:54:17.720
<v Speaker 2>a meanie.

0:54:17.800 --> 0:54:23.080
<v Speaker 1>No, no, no, Michael was called calling Michael. I gotta

0:54:23.120 --> 0:54:24.880
<v Speaker 1>feel that you know about it. I know about the

0:54:24.920 --> 0:54:30.160
<v Speaker 1>whole thing. I was the first one was VH that's right,

0:54:30.440 --> 0:54:34.440
<v Speaker 1>and the big TV before where I am and everybody

0:54:34.600 --> 0:54:39.160
<v Speaker 1>because Michael told me this story okay, and showed me

0:54:39.560 --> 0:54:41.080
<v Speaker 1>and gave me the v H s.

0:54:42.800 --> 0:54:46.239
<v Speaker 2>There's a VHA talk about your TV that because I

0:54:46.280 --> 0:54:47.000
<v Speaker 2>heard Michael.

0:54:46.800 --> 0:54:50.839
<v Speaker 1>Gave you a t No, that's another thing lost. Okay,

0:54:50.840 --> 0:54:54.440
<v Speaker 1>wait a minute, James Brown concert, Okay, okay, I was

0:54:54.560 --> 0:54:57.000
<v Speaker 1>the first one with it. We spoke about this on

0:54:57.120 --> 0:55:03.800
<v Speaker 1>the from Michael before anybody even thought about it. Michael

0:55:03.880 --> 0:55:04.680
<v Speaker 1>told me everything.

0:55:04.719 --> 0:55:11.840
<v Speaker 4>He said, you know, can I tell you about the

0:55:11.920 --> 0:55:13.919
<v Speaker 4>time that Prince tried to run us off the road

0:55:14.360 --> 0:55:15.120
<v Speaker 4>me and my family.

0:55:17.200 --> 0:55:23.520
<v Speaker 1>I was like, yes, tell me that was what happened.

0:55:26.560 --> 0:55:29.719
<v Speaker 1>He's like, yeah, it's going to Can I show it

0:55:29.800 --> 0:55:33.520
<v Speaker 1>to you? I was like, sure, what you're gonna show me? Said?

0:55:34.160 --> 0:55:36.439
<v Speaker 1>He said, I'm gonna show you. Look. Look he took

0:55:36.520 --> 0:55:41.560
<v Speaker 1>the thing he put in. He pushed the VHSA. He said,

0:55:41.760 --> 0:55:45.320
<v Speaker 1>this is you can have it copies. I have copies.

0:55:46.719 --> 0:55:50.400
<v Speaker 1>I was like, okay, So he showed me it. He

0:55:50.480 --> 0:56:00.840
<v Speaker 1>sat back. He's like, he's like, everybody my preends in

0:56:00.880 --> 0:56:05.800
<v Speaker 1>the house. Michael Jackson, Michael Jackson, come up here, Michael Jackson.

0:56:06.280 --> 0:56:11.120
<v Speaker 1>So he came up. Michael came up. He's like, gave

0:56:11.160 --> 0:56:14.120
<v Speaker 1>my hugs, and you know, did his thing. He just

0:56:14.760 --> 0:56:21.320
<v Speaker 1>killed it, did the moon walk everything. And James was

0:56:21.400 --> 0:56:26.239
<v Speaker 1>just like, wow, look at the boys. All right, So

0:56:26.680 --> 0:56:35.040
<v Speaker 1>that's Michael Coat. So Michael said, you know, after he

0:56:35.160 --> 0:56:39.719
<v Speaker 1>did his thing, everybody went nuts. Michael went in whispered,

0:56:40.200 --> 0:56:50.359
<v Speaker 1>and James brown ear and said, Princess an audience. He said,

0:56:50.560 --> 0:56:56.000
<v Speaker 1>what princess an audience? Oh? I got somebody else on

0:56:56.120 --> 0:57:01.320
<v Speaker 1>the audious one. He's all now thought he said, Prince

0:57:01.840 --> 0:57:05.640
<v Speaker 1>Pressed is an artist. And Prince came up and he

0:57:05.800 --> 0:57:09.560
<v Speaker 1>was on the bodyguards showeder you know, on his back,

0:57:10.520 --> 0:57:14.839
<v Speaker 1>came up and everybody's like, first of all, you don't

0:57:15.280 --> 0:57:17.840
<v Speaker 1>you could have walked up there, but Prince, you know,

0:57:18.440 --> 0:57:20.320
<v Speaker 1>he could have walked up there. It would have been

0:57:20.480 --> 0:57:25.760
<v Speaker 1>better received because everybody now is like, who's this mother's son?

0:57:26.640 --> 0:57:39.160
<v Speaker 1>But this before Instagram is Prince come up, body guy,

0:57:39.280 --> 0:57:42.880
<v Speaker 1>bring him on his stays. He goes his post and

0:57:43.120 --> 0:57:49.760
<v Speaker 1>Prince borrows the guitar from the guitar player. But he

0:57:49.840 --> 0:57:52.680
<v Speaker 1>took his glove off. He took his glove off, he

0:57:52.760 --> 0:57:55.680
<v Speaker 1>threw it in the crowd. He threw it back at him.

0:57:56.480 --> 0:58:03.080
<v Speaker 1>No ship, that was the first and then uh, he

0:58:03.200 --> 0:58:07.720
<v Speaker 1>boughted the guitar. Now the guitar don't have no distortion

0:58:07.880 --> 0:58:10.479
<v Speaker 1>because it wasn't rock music. It was changed bowl music.

0:58:10.600 --> 0:58:16.160
<v Speaker 1>So Prince was playing and he hit the no deal

0:58:18.200 --> 0:58:26.760
<v Speaker 1>they so he went. He wanted to keep, he wanted

0:58:26.840 --> 0:58:32.080
<v Speaker 1>to scream, and it didn't scream. He tried something else.

0:58:33.000 --> 0:58:34.640
<v Speaker 1>Then he said, all right, let me just bust a

0:58:34.720 --> 0:58:50.000
<v Speaker 1>move on you. And the look at the to and

0:58:50.080 --> 0:58:51.959
<v Speaker 1>that's when he I think that's when he threw the glove.

0:58:51.960 --> 0:58:54.440
<v Speaker 1>I'm gonna look back at it. But that's when he

0:58:54.520 --> 0:58:56.440
<v Speaker 1>threw the gloves and they threw it back at him.

0:58:56.680 --> 0:58:59.200
<v Speaker 1>Then next to you know, everything he tried just and

0:58:59.480 --> 0:59:03.480
<v Speaker 1>didn't want work right, so he said, oh, just forget

0:59:03.520 --> 0:59:07.120
<v Speaker 1>about it. I'm done. I'm gonna get that nigga, Michael,

0:59:09.400 --> 0:59:12.520
<v Speaker 1>I'm gonna get his ass. He checked this out. He

0:59:12.640 --> 0:59:14.800
<v Speaker 1>went to go get off the stage. So he didn't

0:59:14.880 --> 0:59:20.040
<v Speaker 1>know that the light post was a prop. So he

0:59:20.600 --> 0:59:23.680
<v Speaker 1>told the light post. The post came down with him

0:59:25.200 --> 0:59:28.040
<v Speaker 1>and the bodyguard, you know, kind of saved him, took

0:59:28.120 --> 0:59:34.200
<v Speaker 1>him away. And Michael's in the back just laughing. Okay,

0:59:35.640 --> 0:59:39.320
<v Speaker 1>you see you see you laughing. He said, you know

0:59:39.400 --> 0:59:42.000
<v Speaker 1>what happened afterwards? I said, what.

0:59:43.480 --> 0:59:45.440
<v Speaker 4>He said, we was going on with my family was

0:59:45.920 --> 0:59:49.120
<v Speaker 4>leaving backstage, and always say him it was the Red

0:59:49.200 --> 0:59:51.360
<v Speaker 4>COVID and it's Prince.

0:59:51.920 --> 0:59:57.120
<v Speaker 1>He tried to run my whole family over. I said,

0:59:57.160 --> 1:00:03.040
<v Speaker 1>you seriously, said yeah, yeah, it it was on. After that,

1:00:05.840 --> 1:00:11.320
<v Speaker 1>that's when the whole thing was like Prince against Michael,

1:00:12.520 --> 1:00:16.840
<v Speaker 1>and you know, everybody went to Michael's side. I got

1:00:16.960 --> 1:00:23.440
<v Speaker 1>to Mike, but I don't know Will tell it that way.

1:00:23.520 --> 1:00:26.400
<v Speaker 1>I feel like Will told us the story. After that,

1:00:26.960 --> 1:00:30.080
<v Speaker 1>it was another show show that he was at. And

1:00:31.040 --> 1:00:33.600
<v Speaker 1>but the reason why he called him because of that.

1:00:34.000 --> 1:00:37.520
<v Speaker 2>And I believe that he tricked Michael into tricking him

1:00:37.600 --> 1:00:40.360
<v Speaker 2>to his show. He had already had Print's book, but

1:00:40.480 --> 1:00:41.040
<v Speaker 2>he didn't.

1:00:40.800 --> 1:00:43.880
<v Speaker 1>Want Michael to know. And then when Michael showing up,

1:00:43.920 --> 1:00:48.480
<v Speaker 1>he said, he's a meanie. I don't know why I

1:00:48.560 --> 1:00:53.080
<v Speaker 1>made that voice. I'm so sorry. He's right, and he

1:00:53.200 --> 1:00:55.680
<v Speaker 1>used that way lies, he used that way. There's a

1:00:55.760 --> 1:01:00.280
<v Speaker 1>few people he called meanie, like it's a few people.

1:01:00.920 --> 1:01:04.040
<v Speaker 1>But uh, he said that about Prince a lot. You know,

1:01:04.920 --> 1:01:09.960
<v Speaker 1>he's a mean he's he's I can't even say man.

1:01:10.040 --> 1:01:15.080
<v Speaker 2>But because because us in hip hop, we look at

1:01:15.160 --> 1:01:18.840
<v Speaker 2>jay Z and now so we look at like, uh uh,

1:01:19.400 --> 1:01:22.040
<v Speaker 2>Drake and Kendrick right now, and we look like, Okay,

1:01:22.200 --> 1:01:24.720
<v Speaker 2>that's us who did that? We don't realize that that

1:01:24.760 --> 1:01:28.280
<v Speaker 2>should been happening those rivalry. That was the first industry

1:01:28.360 --> 1:01:30.400
<v Speaker 2>beef was Princeton Michael.

1:01:32.680 --> 1:01:42.240
<v Speaker 1>And then us and addition, I forgot you that was

1:01:42.320 --> 1:01:49.400
<v Speaker 1>the second. That was the second that was super duper

1:01:49.480 --> 1:01:51.520
<v Speaker 1>wild because I was in the middle of the whole thing.

1:01:51.560 --> 1:01:55.360
<v Speaker 1>Where was that? What was it? What's the club downtown?

1:01:55.480 --> 1:01:58.880
<v Speaker 1>It was like an Auditorium, man Center or something like

1:01:59.240 --> 1:02:05.040
<v Speaker 1>Hammi Stop, Borrow Webster Hall. It was downtown and all

1:02:05.160 --> 1:02:14.680
<v Speaker 1>I can remember it was Manhattan something man Sea. Chop

1:02:14.800 --> 1:02:17.560
<v Speaker 1>Cup Quest performed Rex and Effect perform and I performed

1:02:17.600 --> 1:02:25.520
<v Speaker 1>with them, and now we in the audience and a

1:02:25.680 --> 1:02:28.280
<v Speaker 1>fight broke out and it was one of Posse, which

1:02:28.320 --> 1:02:34.360
<v Speaker 1>is my Cruel and Trip Corp quests, and I'm up

1:02:34.400 --> 1:02:41.320
<v Speaker 1>here and yeah, nation, yes, next thing you know, I

1:02:41.400 --> 1:02:44.040
<v Speaker 1>don't know, somebody got the best of them. And then

1:02:46.200 --> 1:02:49.080
<v Speaker 1>I never knew Chop Cut quests as fighters because they

1:02:49.160 --> 1:02:53.720
<v Speaker 1>are some of the best rappers in the war. But

1:02:53.880 --> 1:02:58.040
<v Speaker 1>it's always like my crewise just wow. Right. And when

1:02:58.080 --> 1:03:01.080
<v Speaker 1>that fight broke out, all I heard was Leo saying

1:03:01.120 --> 1:03:01.360
<v Speaker 1>to me.

1:03:02.560 --> 1:03:07.360
<v Speaker 3>Teddy Rally, you're going to you wanna pay for this?

1:03:07.960 --> 1:03:12.480
<v Speaker 3>I was like, wow, I didn't know who Leo was

1:03:13.080 --> 1:03:14.360
<v Speaker 3>wit what does Leo have to do?

1:03:14.480 --> 1:03:20.120
<v Speaker 1>Because Leon, it was death jam That's why I had

1:03:20.160 --> 1:03:22.200
<v Speaker 1>to put it together. Sorry, he said, You're gonna pay

1:03:22.320 --> 1:03:26.200
<v Speaker 1>for this. I was like, what did I do? You

1:03:26.360 --> 1:03:34.120
<v Speaker 1>the leader? That's how Leon sound You're the leader. I

1:03:34.240 --> 1:03:39.680
<v Speaker 1>was like wow. So I'm like, how are we gonna

1:03:39.720 --> 1:03:43.479
<v Speaker 1>fix this? But wait, it doesn't stem from the line

1:03:43.520 --> 1:03:45.680
<v Speaker 1>that Five says in the song about New Jack Swing,

1:03:46.440 --> 1:03:49.800
<v Speaker 1>no at all, because that's what everybody always know what

1:03:50.000 --> 1:03:52.560
<v Speaker 1>that was from. But I knew that, but that was

1:03:52.680 --> 1:03:56.480
<v Speaker 1>somebody bumped. Somebody wasn't. I don't know the timeline. It

1:03:56.600 --> 1:04:01.480
<v Speaker 1>was a bump or something. Okay, I got to ask

1:04:01.560 --> 1:04:06.360
<v Speaker 1>my mother I just talked to today. We got a

1:04:06.560 --> 1:04:10.680
<v Speaker 1>huge building that we're about to uh move in on

1:04:11.280 --> 1:04:17.880
<v Speaker 1>twenty Fish Street Club, So I'm gonna ask him about

1:04:17.880 --> 1:04:21.080
<v Speaker 1>that because I never knew how that ended up. All

1:04:21.120 --> 1:04:23.480
<v Speaker 1>I knew I gotta screamed that by Leoor and I

1:04:23.560 --> 1:04:25.720
<v Speaker 1>was like, I didn't want to meet him that way.

1:04:25.880 --> 1:04:27.760
<v Speaker 1>I didn't know who he was, but I knew he

1:04:28.040 --> 1:04:34.440
<v Speaker 1>was with Russian Depth Jam and then Russell Simmons, they

1:04:34.520 --> 1:04:38.040
<v Speaker 1>all walked up. I was like, Wow, this is deph Jam.

1:04:38.160 --> 1:04:40.000
<v Speaker 1>I don't want to have no fight with them, like

1:04:40.200 --> 1:04:44.560
<v Speaker 1>you know, so long behold. It led to us having

1:04:44.600 --> 1:04:49.160
<v Speaker 1>a meeting at the Moss on a deal it was,

1:04:50.360 --> 1:04:53.720
<v Speaker 1>and then all law school back who went to jail

1:04:53.880 --> 1:05:02.680
<v Speaker 1>because everybody had guns, and everybody had guns. I didn't

1:05:02.800 --> 1:05:08.280
<v Speaker 1>go because I was like, if I go, it's gonna

1:05:08.280 --> 1:05:12.320
<v Speaker 1>be a problem. I feel with your affiliation with Alpho

1:05:12.440 --> 1:05:14.200
<v Speaker 1>in them is no no, no, no no, So it's

1:05:14.240 --> 1:05:17.360
<v Speaker 1>not it's not We cannot say that not them. Nah,

1:05:17.440 --> 1:05:18.480
<v Speaker 1>they didn't get involved.

1:05:18.520 --> 1:05:21.160
<v Speaker 2>You've been involved with a lot of cases.

1:05:23.280 --> 1:05:27.240
<v Speaker 1>But imagine as regular fans seeing this playout, not for them.

1:05:27.360 --> 1:05:29.560
<v Speaker 1>We didn't think of rex and Effects as necessarily on

1:05:29.680 --> 1:05:36.000
<v Speaker 1>some Doug ship and question. Yeah, we were confined. Now

1:05:36.120 --> 1:05:38.560
<v Speaker 1>understood the Zoo Do Nation aspect of it, and then

1:05:38.920 --> 1:05:42.160
<v Speaker 1>then we started reading more into who was behind rexing

1:05:42.200 --> 1:05:44.480
<v Speaker 1>Effects and the crew y'all had, and then we saw

1:05:44.560 --> 1:05:46.520
<v Speaker 1>how it was going to get a little nasty. Wow.

1:05:47.120 --> 1:05:50.360
<v Speaker 1>I think we started out damn the Bloods and the

1:05:50.440 --> 1:05:57.200
<v Speaker 1>crips in the projects. Damn it. I mean why y'all

1:05:57.240 --> 1:06:13.000
<v Speaker 1>were read right now? Damn bro. But when it all happened,

1:06:13.880 --> 1:06:17.640
<v Speaker 1>shout outs, because you know, Uncle Mike conception, it's like

1:06:17.720 --> 1:06:20.600
<v Speaker 1>my uncle, No, I did you say that is your

1:06:20.680 --> 1:06:23.640
<v Speaker 1>uncle Mike exception? Yeah, you might as well say, man,

1:06:23.800 --> 1:06:26.600
<v Speaker 1>we've done a whole lot, you know, I kind of

1:06:27.160 --> 1:06:31.439
<v Speaker 1>He always said I saved him from you know, getting killed,

1:06:32.160 --> 1:06:36.280
<v Speaker 1>you know. And he had a meeting in New York

1:06:36.440 --> 1:06:40.320
<v Speaker 1>with the Chris Sanda Bloods and he told them. Yo.

1:06:40.600 --> 1:06:43.920
<v Speaker 1>If it wasn't for Teddy, he ate my life and

1:06:45.480 --> 1:06:49.360
<v Speaker 1>I got calls from everybody like, yo, you saved my

1:06:49.480 --> 1:06:54.880
<v Speaker 1>conception's life. We just business, and you know he basically

1:06:55.000 --> 1:06:58.520
<v Speaker 1>helped me, you know, with sharing my business. He was

1:06:58.560 --> 1:07:01.760
<v Speaker 1>a part of me working with Mike Cool Wow him

1:07:02.040 --> 1:07:06.240
<v Speaker 1>the Black Godfather and Quincy Jones. He's the one that

1:07:06.280 --> 1:07:09.600
<v Speaker 1>did all in the same game. Yeah right, yeah, that's right.

1:07:09.880 --> 1:07:12.800
<v Speaker 1>So yeah, I always you know, get flowers with it

1:07:12.960 --> 1:07:15.840
<v Speaker 1>do and he's one of the ones that you know,

1:07:16.480 --> 1:07:23.560
<v Speaker 1>really saved me with Jean, you know, West coast side

1:07:23.920 --> 1:07:26.400
<v Speaker 1>and then on the East coast side, my uncle owned

1:07:26.400 --> 1:07:32.880
<v Speaker 1>the rooftop. My uncle and uh affiliated with Country and

1:07:33.720 --> 1:07:40.840
<v Speaker 1>NIGGI bonds people, the council. You're the council. My oldest

1:07:41.040 --> 1:07:45.720
<v Speaker 1>brother was a part of the council. So when I

1:07:45.960 --> 1:07:48.440
<v Speaker 1>left Jean and broke up with Jean and eighty nine,

1:07:48.440 --> 1:07:52.439
<v Speaker 1>I know, we're jumping all over the Jean eighty nine

1:07:53.320 --> 1:07:56.360
<v Speaker 1>because we got to get back to the game. Yeah yeah,

1:07:57.560 --> 1:08:00.760
<v Speaker 1>we got it ready ready, yeah, by somebody else asking

1:08:00.800 --> 1:08:05.120
<v Speaker 1>the same thing. But when I left Geane eighty nine,

1:08:08.120 --> 1:08:12.480
<v Speaker 1>it was because of my mother. You know. My mother

1:08:12.600 --> 1:08:14.200
<v Speaker 1>was like, if you don't leave him going back to

1:08:14.280 --> 1:08:18.280
<v Speaker 1>the projects. And I wasn't having that. So when I

1:08:18.400 --> 1:08:22.800
<v Speaker 1>left him, there was a contract all my life. Oh wow,

1:08:23.520 --> 1:08:27.599
<v Speaker 1>and people were hearing about it, you know, watch out,

1:08:27.880 --> 1:08:31.800
<v Speaker 1>watch out for Geene or watch out. So of course

1:08:31.960 --> 1:08:35.719
<v Speaker 1>I have my family, and I have an incredible team,

1:08:36.840 --> 1:08:40.559
<v Speaker 1>and then I have the brothers, you know from the Moss.

1:08:41.240 --> 1:08:45.280
<v Speaker 1>In fact, he was actually eighty six from the Moss,

1:08:46.680 --> 1:08:51.479
<v Speaker 1>you know, because of me. So when all that happened,

1:08:51.640 --> 1:08:55.400
<v Speaker 1>my uncle took it upon himself, got with Nikki's people,

1:08:57.000 --> 1:08:59.800
<v Speaker 1>and Country was the one who bought Jean, because you know,

1:09:00.040 --> 1:09:03.200
<v Speaker 1>he kind of had a hold on jan so he went,

1:09:03.640 --> 1:09:06.560
<v Speaker 1>I don't know if you're familiar with uh. There's a

1:09:06.640 --> 1:09:11.439
<v Speaker 1>place that the Italians own in Harlem call the flash

1:09:12.720 --> 1:09:17.280
<v Speaker 1>the flash Bar. I wasn't familiar. It's only bar. Most

1:09:17.320 --> 1:09:20.839
<v Speaker 1>of the homes and all the projects and the buildings

1:09:20.880 --> 1:09:26.320
<v Speaker 1>are brown and you know, beige, and this was the

1:09:26.479 --> 1:09:32.120
<v Speaker 1>only red spot. And why they have it read because

1:09:32.360 --> 1:09:37.360
<v Speaker 1>some people don't leave it. They die in there, almost

1:09:37.439 --> 1:09:40.160
<v Speaker 1>like rails. I mean, I put that on rals. But

1:09:41.439 --> 1:09:45.599
<v Speaker 1>but they called a meeting with Jean at the flash Bar.

1:09:47.240 --> 1:09:50.519
<v Speaker 1>And when they call that meeting, my uncle called me.

1:09:50.600 --> 1:09:54.400
<v Speaker 1>He said, you're gonna go in here. If you flinch

1:09:54.560 --> 1:09:58.599
<v Speaker 1>or you you feel don't feel good about this, you're

1:09:58.640 --> 1:10:03.800
<v Speaker 1>gonna leave. We're gonna stay and he's not coming out

1:10:03.840 --> 1:10:11.760
<v Speaker 1>of here. And I was like, okay, I'm gonna follow

1:10:11.840 --> 1:10:17.479
<v Speaker 1>the plan and I'll tell you about Alpo too. So

1:10:17.960 --> 1:10:21.560
<v Speaker 1>I followed the plan and my uncle started the conversation.

1:10:21.720 --> 1:10:26.120
<v Speaker 1>He said, what is this? You have a contract out

1:10:26.200 --> 1:10:33.080
<v Speaker 1>of my nephew, and Jeanne kind of just said, I

1:10:33.120 --> 1:10:37.200
<v Speaker 1>don't have a contract. You know, maybe somebody else that

1:10:38.160 --> 1:10:40.640
<v Speaker 1>you know care about me and you know, felt like,

1:10:41.960 --> 1:10:45.000
<v Speaker 1>you know he did me wrong, but they don't know.

1:10:46.360 --> 1:10:48.600
<v Speaker 1>But if it's something that I can control, I'm going

1:10:48.680 --> 1:10:52.400
<v Speaker 1>to control it because he's like my son. He actually

1:10:52.560 --> 1:11:00.120
<v Speaker 1>was my godfather. So when that happened, I said to

1:11:00.200 --> 1:11:07.519
<v Speaker 1>my uncle, we're good. He said, you go ahead. I said,

1:11:08.400 --> 1:11:11.280
<v Speaker 1>let me speak to you. He gave me and he said,

1:11:13.000 --> 1:11:17.839
<v Speaker 1>he said, what do you want? I said, don't do anything,

1:11:19.439 --> 1:11:21.479
<v Speaker 1>but to your uncle. You're saying that no to Jane.

1:11:21.479 --> 1:11:23.759
<v Speaker 1>I said that to my uncle, don't do anything. To Jane,

1:11:25.560 --> 1:11:31.920
<v Speaker 1>don't do nothing. I believe him because sometimes it could

1:11:31.960 --> 1:11:35.880
<v Speaker 1>be your crew. Yep. Just like posse Deep. I didn't

1:11:35.880 --> 1:11:39.320
<v Speaker 1>do nothing with child Caught Quest, but posse Deep got

1:11:39.400 --> 1:11:43.920
<v Speaker 1>into it. But it looks like I'm the leader because

1:11:43.960 --> 1:11:47.800
<v Speaker 1>it is my crew, so and they were signed to me,

1:11:48.080 --> 1:11:52.519
<v Speaker 1>so it looks like me. So I believed him, and

1:11:54.920 --> 1:11:59.000
<v Speaker 1>long behold. Years later, Jeane Griffin and I got back together, wow,

1:11:59.479 --> 1:12:07.879
<v Speaker 1>as father and son, godfather and son. And before he passed,

1:12:08.720 --> 1:12:11.040
<v Speaker 1>you know, I got to you know, take him out

1:12:11.080 --> 1:12:14.040
<v Speaker 1>of the home because he had dementia. So I got

1:12:14.120 --> 1:12:17.800
<v Speaker 1>to take him out of the home. And in fact,

1:12:17.880 --> 1:12:22.640
<v Speaker 1>that's a that's a chapter in my book about forgiveness.

1:12:24.200 --> 1:12:27.000
<v Speaker 1>I feel like, if you don't have forgiveness in your heart,

1:12:28.800 --> 1:12:35.240
<v Speaker 1>you'll never leave this earth complete. Mm hm. So I

1:12:35.280 --> 1:12:41.400
<v Speaker 1>always believe in, you know, completion. So that's what happened

1:12:41.439 --> 1:12:42.880
<v Speaker 1>with that. But let me tell you something else that

1:12:43.320 --> 1:12:44.639
<v Speaker 1>I'll post. Said on the radio.

1:12:46.040 --> 1:12:52.280
<v Speaker 4>He's like, yeah, I'm the one that Teddy stopped from

1:12:52.360 --> 1:12:52.880
<v Speaker 4>killing Jean.

1:12:53.439 --> 1:12:57.120
<v Speaker 1>I was like, wow, Yeah, I told him too, wow,

1:12:57.560 --> 1:13:00.439
<v Speaker 1>because they wanted they wanted to kill So that's true,

1:13:00.680 --> 1:13:04.800
<v Speaker 1>huh kind of true. It was true. It's true. I

1:13:04.840 --> 1:13:07.920
<v Speaker 1>don't I just don't believe in that, you know, unless

1:13:07.960 --> 1:13:13.080
<v Speaker 1>this by all means necessary, right, I just don't believe

1:13:13.360 --> 1:13:15.559
<v Speaker 1>that anybody should die.

1:13:16.439 --> 1:13:18.599
<v Speaker 2>But but that shows the power that you have by

1:13:18.680 --> 1:13:21.160
<v Speaker 2>not flexing your power. But you know what I mean,

1:13:21.640 --> 1:13:25.040
<v Speaker 2>that shows the smartness in who you are.

1:13:25.120 --> 1:13:27.880
<v Speaker 1>You know what I'm saying, Like like I mean, coming

1:13:27.920 --> 1:13:30.080
<v Speaker 1>from the streets and coming from the hood, you know,

1:13:30.240 --> 1:13:35.760
<v Speaker 1>and and experienced the hustling life. And I've seen people,

1:13:35.840 --> 1:13:42.439
<v Speaker 1>I've been in shootouts, and that's not nothing to play with,

1:13:43.280 --> 1:13:47.240
<v Speaker 1>especially when you see your friend take a bullet, right.

1:13:47.680 --> 1:13:51.400
<v Speaker 1>I see my friend take a bullet right, and I

1:13:51.600 --> 1:13:57.880
<v Speaker 1>rode with uh, the guy who actually battled Biggie the

1:13:57.960 --> 1:14:00.880
<v Speaker 1>skinny kid. I heard you. I heard you say that before.

1:14:01.000 --> 1:14:02.800
<v Speaker 1>He the one who brought me to the game. Wow.

1:14:04.000 --> 1:14:08.040
<v Speaker 1>We was hustling for some big timers until we had

1:14:08.080 --> 1:14:11.360
<v Speaker 1>our own, and then they kicked me off the street.

1:14:12.120 --> 1:14:14.920
<v Speaker 1>I protected you different blocks. I mean, they kicked me

1:14:14.960 --> 1:14:17.479
<v Speaker 1>off Shaw for all the right reasons though, Yeah, but

1:14:17.600 --> 1:14:20.920
<v Speaker 1>it was because they knew, Yo, he gonna be something.

1:14:21.000 --> 1:14:22.880
<v Speaker 1>I got that in my notes the shack crew. So

1:14:23.360 --> 1:14:25.840
<v Speaker 1>let's get on with the gate man. I don't think

1:14:25.880 --> 1:14:28.160
<v Speaker 1>that exists today though, that kicking off for the right reason.

1:14:28.200 --> 1:14:30.840
<v Speaker 1>I don't think that's happening anymore. Unfortunately, you know. You know,

1:14:32.439 --> 1:14:38.040
<v Speaker 1>when I heard your story, probably the last person I've

1:14:38.200 --> 1:14:43.519
<v Speaker 1>heard was in my hood, Kenny Anderson, Like the drug

1:14:43.560 --> 1:14:44.599
<v Speaker 1>dealers just protected him.

1:14:44.600 --> 1:14:46.800
<v Speaker 2>The drug dealers knew that he was gonna go, and

1:14:47.000 --> 1:14:48.800
<v Speaker 2>they took him right off the streets.

1:14:48.520 --> 1:14:50.439
<v Speaker 1>And was just like, yo, I don't think he could

1:14:50.479 --> 1:14:53.320
<v Speaker 1>he was Kenny. I'm sorry if I'm blowing this up,

1:14:53.360 --> 1:14:55.160
<v Speaker 1>but I don't even think he was allowed outside. Not

1:14:55.240 --> 1:14:57.479
<v Speaker 1>in a bad way, but in a way it was like, yo,

1:14:58.240 --> 1:15:01.040
<v Speaker 1>we see, we see you have a better life ahead

1:15:01.040 --> 1:15:05.000
<v Speaker 1>of you, so we're gonna protect that. And like Alan

1:15:05.080 --> 1:15:07.960
<v Speaker 1>Iverson was in that here, but that was because he

1:15:08.080 --> 1:15:11.080
<v Speaker 1>used to play ball for my celebrity team. I believe

1:15:11.120 --> 1:15:14.519
<v Speaker 1>they protected him the same way, you know. And and

1:15:14.680 --> 1:15:17.880
<v Speaker 1>he had some real people around him. What what news

1:15:18.720 --> 1:15:24.200
<v Speaker 1>in Norfolk. Everybody was behind him, you know, even myself,

1:15:24.320 --> 1:15:28.160
<v Speaker 1>you know, we It's like he was the guy coming

1:15:28.200 --> 1:15:30.920
<v Speaker 1>out of Virginia. It's like everybody was being birth out

1:15:30.960 --> 1:15:36.120
<v Speaker 1>of Virginia, you know. And I was there to really experience,

1:15:36.240 --> 1:15:40.439
<v Speaker 1>witness and be a part of, you know, architecting that.

1:15:42.000 --> 1:15:44.040
<v Speaker 1>So let's let's getting back to the game.

1:15:44.040 --> 1:15:46.400
<v Speaker 2>You ready, this is by the way, this is the

1:15:46.640 --> 1:15:50.880
<v Speaker 2>Dominican guy and the Columbian guy over there, just we

1:15:51.120 --> 1:15:54.160
<v Speaker 2>just noise over there that we just assume they do cocaine.

1:15:54.240 --> 1:15:58.320
<v Speaker 2>We don't know for We don't know for like a fact,

1:15:58.560 --> 1:15:59.600
<v Speaker 2>but we think we assume it.

1:16:00.000 --> 1:16:06.360
<v Speaker 1>Okay, for real or Timberland the same question. Yesterday I

1:16:06.479 --> 1:16:10.880
<v Speaker 1>did a good job, didn't I practice? Now? Okay, I'm

1:16:10.920 --> 1:16:15.599
<v Speaker 1>definitely gonna give y'all my stories on both fleets, stories

1:16:15.640 --> 1:16:25.000
<v Speaker 1>on both Okay, Okay, Nah, I'm gonna plead the fifth Okay, yes,

1:16:25.400 --> 1:16:31.760
<v Speaker 1>waiting you too? Money? Yeah, I don't even got one. Yeah, yeah,

1:16:31.760 --> 1:16:39.320
<v Speaker 1>I'm gonna tell you why. Because they both are dangerous. Yes,

1:16:40.040 --> 1:16:43.280
<v Speaker 1>they are not to be played with, still today, still

1:16:43.360 --> 1:16:49.760
<v Speaker 1>to the day. And I I feel like with both

1:16:49.840 --> 1:16:54.479
<v Speaker 1>of them, you can hear record it is and not

1:16:54.640 --> 1:16:59.240
<v Speaker 1>know as there like me, you can hear a record

1:16:59.280 --> 1:17:02.640
<v Speaker 1>of mine and not his mine. And those people you

1:17:02.760 --> 1:17:06.719
<v Speaker 1>do not play with. It's like you you can't just say,

1:17:06.880 --> 1:17:13.200
<v Speaker 1>oh you can you know, stand tall with these guys.

1:17:14.479 --> 1:17:18.160
<v Speaker 1>They still doing it. They're I love it. I don't

1:17:18.200 --> 1:17:21.360
<v Speaker 1>see why I would put them against each other, because

1:17:21.479 --> 1:17:26.160
<v Speaker 1>we all came up together. You know, it's so crazy.

1:17:26.200 --> 1:17:29.439
<v Speaker 1>We went to the same church. That's crazy, now, that's

1:17:29.960 --> 1:17:37.559
<v Speaker 1>that's pasta was h for else, cousin he passed away.

1:17:37.720 --> 1:17:41.760
<v Speaker 1>He passed away. But yeah, but in Virginia, so you

1:17:43.080 --> 1:17:46.400
<v Speaker 1>for all and Timberland went to the same church. I

1:17:46.520 --> 1:17:49.960
<v Speaker 1>wonder what this drew was like. Oh no, I donated.

1:17:50.600 --> 1:17:54.719
<v Speaker 1>I donated equipment to the church, the equipment, the sound system.

1:17:55.800 --> 1:17:59.840
<v Speaker 1>I donated to the church. In fact, because I have

1:18:00.040 --> 1:18:06.320
<v Speaker 1>my studio before everybody, the pastor Webbin thorough Good, Bishop

1:18:06.439 --> 1:18:10.320
<v Speaker 1>thorough Good used to do all of his sermon tapes

1:18:10.479 --> 1:18:17.960
<v Speaker 1>at my studio. I mean, let's make some noise. So okay,

1:18:18.280 --> 1:18:22.640
<v Speaker 1>you want to you need this one Black street or

1:18:22.760 --> 1:18:31.400
<v Speaker 1>guy said that none of them no no, no, no,

1:18:31.520 --> 1:18:35.560
<v Speaker 1>I ain't cleating the fifth No no, no, no, you

1:18:35.680 --> 1:18:42.760
<v Speaker 1>know dances me. You still got to drop it. Why

1:18:42.960 --> 1:18:46.760
<v Speaker 1>because you basically said both of them. Yeah, that's what

1:18:46.960 --> 1:18:52.479
<v Speaker 1>drinks me? Why say me? Because developing both groups and

1:18:52.600 --> 1:18:56.360
<v Speaker 1>being a part part of both groups, and then you know,

1:18:58.240 --> 1:19:00.960
<v Speaker 1>stepping out of it because you've done it for so

1:19:01.120 --> 1:19:07.000
<v Speaker 1>long and realize that you know, in your relationship right,

1:19:07.760 --> 1:19:12.240
<v Speaker 1>and you realized why you left her damn when you

1:19:12.360 --> 1:19:15.840
<v Speaker 1>got back with her, Oh ship damn. I knew why

1:19:15.920 --> 1:19:22.479
<v Speaker 1>I left her alone. It's the same situation. Well, guy

1:19:22.640 --> 1:19:31.920
<v Speaker 1>or black Street, that's on you because you know I've

1:19:31.920 --> 1:19:35.200
<v Speaker 1>seen you say that these guys don't like you, right,

1:19:35.400 --> 1:19:38.599
<v Speaker 1>that's true. It's I know they ain't got love, they

1:19:38.680 --> 1:19:43.000
<v Speaker 1>don't never had love. Wait what talking about? I'm sorry

1:19:43.080 --> 1:19:49.160
<v Speaker 1>what never had love? And I'll tell you why love?

1:19:50.720 --> 1:19:57.240
<v Speaker 1>It's an action, okay for me? You guys, show me

1:19:57.479 --> 1:20:02.960
<v Speaker 1>because I'm showing you I major your first big money

1:20:03.000 --> 1:20:09.599
<v Speaker 1>you have ever made your whole entire life. And if

1:20:09.680 --> 1:20:13.640
<v Speaker 1>I don't get the love from that and then give you,

1:20:14.160 --> 1:20:19.160
<v Speaker 1>I gift you publishing because you ain't like nothing, Wow,

1:20:21.200 --> 1:20:24.439
<v Speaker 1>and then you're gonna go and bite my back out.

1:20:28.080 --> 1:20:30.439
<v Speaker 1>That's how I say what I say. You know that's

1:20:30.520 --> 1:20:36.720
<v Speaker 1>not street ordinance street ordinances. And then you want to

1:20:36.920 --> 1:20:42.120
<v Speaker 1>you want to go solo. I had your publishing, I

1:20:42.200 --> 1:20:45.840
<v Speaker 1>had everything. I'll give it back to you. Who would

1:20:45.880 --> 1:20:48.439
<v Speaker 1>you do if someone gave you a whole life that

1:20:48.520 --> 1:20:53.200
<v Speaker 1>appreciate that? No appreciation, That's what I meant. There's no

1:20:53.320 --> 1:20:59.800
<v Speaker 1>appreciation and you're still being able to eat. I can

1:20:59.840 --> 1:21:07.200
<v Speaker 1>stop it. I would never do that, right, but I'm

1:21:07.320 --> 1:21:10.559
<v Speaker 1>kind of thinking about it. It's a thought. You know why,

1:21:10.720 --> 1:21:15.160
<v Speaker 1>because if you're going to continue stopping what I would

1:21:15.280 --> 1:21:21.720
<v Speaker 1>like to do with my music, with your two or

1:21:21.800 --> 1:21:25.519
<v Speaker 1>three percent on the publisher side, you know, two or

1:21:25.560 --> 1:21:29.040
<v Speaker 1>three percent can stop you, they can block you. But

1:21:29.200 --> 1:21:32.400
<v Speaker 1>we're about to change that. It's a new legislations that's

1:21:32.479 --> 1:21:38.760
<v Speaker 1>about to drop where if you ain't got a substantial

1:21:38.800 --> 1:21:44.880
<v Speaker 1>amount of publishing, you get your little percentage because the

1:21:45.000 --> 1:21:48.920
<v Speaker 1>people with this substantial amount are the ones that control

1:21:49.000 --> 1:21:53.720
<v Speaker 1>the copyrights. Nothing you can do about it, and that's

1:21:53.800 --> 1:22:00.560
<v Speaker 1>being it's going in the legislations. So now that I

1:22:00.680 --> 1:22:04.880
<v Speaker 1>owe my publisher, right, I just got it. You just

1:22:05.000 --> 1:22:09.240
<v Speaker 1>got it, just got it? How many just got it that?

1:22:09.680 --> 1:22:15.599
<v Speaker 1>You know? How twenty three? Really? Because it's thirty five

1:22:15.760 --> 1:22:19.360
<v Speaker 1>years and then they're doing the captions. We did the

1:22:19.479 --> 1:22:23.599
<v Speaker 1>first I think three hundred something songs, and now it's

1:22:23.680 --> 1:22:26.040
<v Speaker 1>the next three hundred something songs, and then it's gonna

1:22:26.120 --> 1:22:33.880
<v Speaker 1>keep going. I have a thousand songs. And yeah, did

1:22:33.920 --> 1:22:35.680
<v Speaker 1>you say four thousand songs? I'm sorry, no, no, no,

1:22:35.800 --> 1:22:38.800
<v Speaker 1>I said over one thousands, oh one thousand songs. Yeah,

1:22:39.080 --> 1:22:44.240
<v Speaker 1>Holy moly, I don't even know how that works. I

1:22:45.200 --> 1:22:47.760
<v Speaker 1>I think I was the producer like Tupac. Tupac made

1:22:47.800 --> 1:22:50.720
<v Speaker 1>a song every day, you know what I'm saying, If

1:22:50.760 --> 1:22:53.320
<v Speaker 1>not more, I did like four or five. You know,

1:22:53.400 --> 1:22:57.640
<v Speaker 1>I was just making records for any and everybody. As

1:22:57.720 --> 1:22:59.519
<v Speaker 1>I said before, I was just one of my music

1:22:59.600 --> 1:23:01.760
<v Speaker 1>out there and I had to make a lot of it.

1:23:01.920 --> 1:23:05.920
<v Speaker 1>So one gonna go, right, but not knowing that, you

1:23:06.000 --> 1:23:12.200
<v Speaker 1>know a lot of them would go. So yeah, let's

1:23:12.280 --> 1:23:15.200
<v Speaker 1>keep it going, let's keep coming going. You just I'm

1:23:15.280 --> 1:23:19.400
<v Speaker 1>just so happy. I'm sorry paid him full or Juice

1:23:21.200 --> 1:23:28.800
<v Speaker 1>Movies paid in full. Mm hmm, I get it. I

1:23:28.880 --> 1:23:34.000
<v Speaker 1>mean why because somehow I'm like, I'm in there, you're close. Yeah,

1:23:34.240 --> 1:23:37.000
<v Speaker 1>you ride around the corner from there. I lived right

1:23:37.080 --> 1:23:40.040
<v Speaker 1>around the corner from with everything, and they used to

1:23:40.080 --> 1:23:45.040
<v Speaker 1>come up to the rooftop, you know, and we all

1:23:45.200 --> 1:23:47.679
<v Speaker 1>used to just we we're the ones like we would chart,

1:23:47.760 --> 1:23:50.559
<v Speaker 1>but we would do a bunch of stuff together. It's

1:23:50.640 --> 1:23:53.479
<v Speaker 1>just they wouldn't let me. They wouldn't let me hustle.

1:23:54.680 --> 1:23:59.080
<v Speaker 1>We do anything together, but you know, have fun. I

1:23:59.200 --> 1:24:01.880
<v Speaker 1>never had to pay for anything with them. Well, they

1:24:01.960 --> 1:24:07.680
<v Speaker 1>did right by you. Absolutely Next one, okay, analog or

1:24:07.800 --> 1:24:13.360
<v Speaker 1>digital of course, you know it Analog all day. Analog

1:24:16.760 --> 1:24:19.040
<v Speaker 1>you're gonna say anahog And why I'll tell you on

1:24:19.080 --> 1:24:25.240
<v Speaker 1>the technical side. Why analog is uh, how you would say?

1:24:26.160 --> 1:24:32.000
<v Speaker 1>It's the warmth, the warmth, the warmth, Yes of music.

1:24:33.080 --> 1:24:37.160
<v Speaker 1>Now we can go even deeper. I would love for

1:24:37.200 --> 1:24:42.040
<v Speaker 1>it to go back to analog and uh, four three

1:24:42.040 --> 1:24:46.840
<v Speaker 1>to two frequency wave. Do y'all know about that? Now

1:24:46.960 --> 1:24:50.280
<v Speaker 1>you go, yeah, I don't know what. Four three to

1:24:50.320 --> 1:24:52.920
<v Speaker 1>two is the way we should be listening to music.

1:24:53.040 --> 1:24:56.400
<v Speaker 1>So when you hear four three to two records, it

1:24:56.479 --> 1:25:01.400
<v Speaker 1>will make you relax. This music doesn't make us relax.

1:25:01.560 --> 1:25:06.080
<v Speaker 1>Sometimes we catch headaches and we're not supposed to four

1:25:06.200 --> 1:25:09.840
<v Speaker 1>three to two. You listen to a Beatles song, it's

1:25:09.920 --> 1:25:13.280
<v Speaker 1>four three two, Or go back to a Michael Jackson

1:25:13.760 --> 1:25:18.000
<v Speaker 1>the Jackson five song, like ABC, it was a four

1:25:18.000 --> 1:25:21.559
<v Speaker 1>to three to two instead of four to four one.

1:25:23.120 --> 1:25:29.200
<v Speaker 1>Four four one is the frequency that makes us, you know, laugh, cry, fight,

1:25:30.600 --> 1:25:35.400
<v Speaker 1>catch headache, the press. Right, it's all the things it

1:25:35.520 --> 1:25:38.479
<v Speaker 1>does to you. We shouldn't be having. Well, four three

1:25:38.479 --> 1:25:40.240
<v Speaker 1>to two when you listen to it's like we're in

1:25:40.320 --> 1:25:43.160
<v Speaker 1>tune for that. We're in tune. We're in tune for

1:25:43.360 --> 1:25:47.200
<v Speaker 1>four three two makes sense. I always like to mention

1:25:47.680 --> 1:25:50.720
<v Speaker 1>DJ Quick had said something about, yeah, that's the analog

1:25:51.080 --> 1:25:54.479
<v Speaker 1>we speak four three too, absorbing the energy also in

1:25:54.840 --> 1:25:56.640
<v Speaker 1>that studio in the room, and like it absorbs that

1:25:56.760 --> 1:25:58.559
<v Speaker 1>And that's what I like analog.

1:25:58.760 --> 1:26:02.320
<v Speaker 2>I like analog because if we had to work with

1:26:02.479 --> 1:26:05.280
<v Speaker 2>each other, I would have to come to your studio.

1:26:05.520 --> 1:26:07.240
<v Speaker 1>You would have to come to my studio. We have

1:26:07.320 --> 1:26:09.280
<v Speaker 1>to bring an eight inch rail what was it called?

1:26:13.560 --> 1:26:15.680
<v Speaker 2>And when you were listening, So I always say that,

1:26:15.720 --> 1:26:17.439
<v Speaker 2>and I kind of like sound like the older dude

1:26:17.479 --> 1:26:19.240
<v Speaker 2>in the room when I say that ship, because I'm like, yo,

1:26:19.479 --> 1:26:23.280
<v Speaker 2>the music sounds better because we had we we like,

1:26:23.400 --> 1:26:25.160
<v Speaker 2>if we didn't like each other, you would hear that

1:26:25.240 --> 1:26:28.800
<v Speaker 2>ship on the record like we were there, like all

1:26:28.920 --> 1:26:31.759
<v Speaker 2>that music. When people say that it's the great Erawell

1:26:31.840 --> 1:26:35.200
<v Speaker 2>Golden era, guess what that music was made with you

1:26:35.439 --> 1:26:38.760
<v Speaker 2>and the producer in the room together, as opposed to

1:26:38.880 --> 1:26:39.160
<v Speaker 2>right now.

1:26:39.240 --> 1:26:43.040
<v Speaker 1>It's like, if I have to persist something to a soundtrack,

1:26:43.640 --> 1:26:45.720
<v Speaker 1>you could just you could just you could send it

1:26:45.760 --> 1:26:48.439
<v Speaker 1>to me. I'm me and you have never even met,

1:26:49.520 --> 1:26:53.439
<v Speaker 1>and I'm laying the verse. You don't really co sign

1:26:53.520 --> 1:26:55.600
<v Speaker 1>my verse. You gotta check, I gotta check, and we

1:26:55.680 --> 1:26:59.760
<v Speaker 1>both just like fucking like it's like whatever, that wasn't

1:26:59.840 --> 1:27:01.759
<v Speaker 1>like that, And I'm sorry to sound like the older

1:27:01.800 --> 1:27:07.679
<v Speaker 1>guy in the room. Sorry, I know how back because

1:27:07.880 --> 1:27:10.200
<v Speaker 1>we say back in my day and I don't mean it.

1:27:11.160 --> 1:27:12.880
<v Speaker 1>I don't mean it like that. But what I'm trying

1:27:12.880 --> 1:27:15.320
<v Speaker 1>to tell you is like when, but now we can

1:27:15.360 --> 1:27:17.519
<v Speaker 1>look at the people that said that and understand why

1:27:17.600 --> 1:27:23.280
<v Speaker 1>they said back in understand But these classic records that

1:27:23.520 --> 1:27:27.680
<v Speaker 1>like listen, like again, we're looking at your disography and

1:27:28.000 --> 1:27:31.360
<v Speaker 1>it just keeps going and I cannot see these records

1:27:31.439 --> 1:27:34.559
<v Speaker 1>being produced without you in the room, with these people

1:27:34.960 --> 1:27:37.200
<v Speaker 1>making it. You have you had to be like like

1:27:37.320 --> 1:27:38.439
<v Speaker 1>I like and.

1:27:38.479 --> 1:27:41.840
<v Speaker 2>Then I'm like, I'm like, you said something earlier and

1:27:41.880 --> 1:27:43.360
<v Speaker 2>we're gonna get back to quick time of slant, but

1:27:43.400 --> 1:27:44.240
<v Speaker 2>you said something earlier.

1:27:44.280 --> 1:27:48.519
<v Speaker 1>It was like these guys don't have a.

1:27:48.600 --> 1:27:51.160
<v Speaker 2>Sound, but they have a sound like so like you

1:27:51.240 --> 1:27:55.120
<v Speaker 2>were just talking about Timbaland and Pharrell, right, and I

1:27:55.439 --> 1:27:58.599
<v Speaker 2>relate that to like DJ Premier, like things like that, Jermi,

1:27:58.760 --> 1:28:01.200
<v Speaker 2>you can you can you can say that's a sound

1:28:01.320 --> 1:28:03.559
<v Speaker 2>for d J p May, but then DJ May would

1:28:03.560 --> 1:28:05.640
<v Speaker 2>do something for Christina Aguilera and you'll be like, I

1:28:05.680 --> 1:28:07.880
<v Speaker 2>don't see I don't hear him doing it.

1:28:08.120 --> 1:28:08.320
<v Speaker 1>Yeah.

1:28:08.439 --> 1:28:10.840
<v Speaker 2>So it's like, so that's the same thing with you,

1:28:11.040 --> 1:28:13.760
<v Speaker 2>like like you can work with anybody, Like is that

1:28:13.960 --> 1:28:15.880
<v Speaker 2>something that you did deliberately?

1:28:18.600 --> 1:28:21.800
<v Speaker 1>I was sort of like how Mike Tyson say, I

1:28:21.840 --> 1:28:25.519
<v Speaker 1>will fight anybody. I would work with anybody. I work

1:28:25.600 --> 1:28:30.599
<v Speaker 1>with Tom Jones. It's not unusual, well to be love.

1:28:31.840 --> 1:28:37.800
<v Speaker 1>I worked with him. I work with Billy Ocean. I

1:28:37.880 --> 1:28:43.519
<v Speaker 1>work with Bobby Brown. Bobby Brown, but that's not my

1:28:44.400 --> 1:28:51.960
<v Speaker 1>personal that's not my alley. Yeah, but not a Billy Ocean,

1:28:52.360 --> 1:28:57.320
<v Speaker 1>not a Jane Child, right, don't want to fall in

1:28:57.400 --> 1:29:01.200
<v Speaker 1>love trying to turn to pop record, pop rock record

1:29:01.400 --> 1:29:05.000
<v Speaker 1>black you know what I'm saying, Like it was nothing

1:29:06.240 --> 1:29:09.000
<v Speaker 1>and she she's a white girl, she's Caucasian. I'm like,

1:29:09.600 --> 1:29:15.840
<v Speaker 1>there's nothing about that record. The remix I was, I was,

1:29:15.960 --> 1:29:17.640
<v Speaker 1>that was I was getting my money up because I

1:29:17.720 --> 1:29:21.519
<v Speaker 1>was broke. That's when I left Jane. He took everything,

1:29:21.840 --> 1:29:27.200
<v Speaker 1>like you know, like Kelly's manager, you know, when he

1:29:27.280 --> 1:29:30.960
<v Speaker 1>took everything. I was stuck with twenty dollars in a

1:29:31.080 --> 1:29:37.599
<v Speaker 1>platinum American Express that was given to me by one

1:29:37.680 --> 1:29:40.799
<v Speaker 1>of the group members. I signed and I was joking

1:29:40.840 --> 1:29:44.280
<v Speaker 1>that card and she gave me the card and she said,

1:29:44.280 --> 1:29:46.400
<v Speaker 1>you're gonna need it. I ain't know what I was

1:29:46.439 --> 1:29:49.120
<v Speaker 1>gonna need it for. And shit, I was stuck at

1:29:49.160 --> 1:29:53.400
<v Speaker 1>the airport with twenty dollars and I called her. I said,

1:29:53.520 --> 1:29:55.519
<v Speaker 1>I think I'm gonna have to come stay with you

1:29:55.720 --> 1:29:58.920
<v Speaker 1>until I can get back to get my family. She's like,

1:29:59.040 --> 1:30:01.280
<v Speaker 1>you remember that car gave you that? She was joking

1:30:02.760 --> 1:30:06.000
<v Speaker 1>it was a Platinum Americans under her name. No, it's

1:30:06.040 --> 1:30:10.519
<v Speaker 1>in my name. I was how you say I was

1:30:10.640 --> 1:30:13.080
<v Speaker 1>under her I'm saying it was her account, but her account.

1:30:13.120 --> 1:30:17.160
<v Speaker 1>She gave me my own card. That's why you are

1:30:17.240 --> 1:30:20.320
<v Speaker 1>going to need it. I said, why Whate'm I needed

1:30:20.360 --> 1:30:22.560
<v Speaker 1>for it? She said, just put it, keep it, do

1:30:22.760 --> 1:30:25.200
<v Speaker 1>not get rid of it. And I never got rid

1:30:25.200 --> 1:30:27.559
<v Speaker 1>of that card. And I was at the airport trying

1:30:27.600 --> 1:30:30.760
<v Speaker 1>to get a ticket with the GR production card that

1:30:30.920 --> 1:30:34.840
<v Speaker 1>me and Jean. I had two GR cards GR cards

1:30:34.880 --> 1:30:37.280
<v Speaker 1>and none of them worked. She was like, no, you

1:30:37.400 --> 1:30:42.800
<v Speaker 1>got another form of payment. It's like, oh, so he

1:30:42.920 --> 1:30:44.559
<v Speaker 1>knew what I was doing. I was up in New

1:30:44.640 --> 1:30:50.360
<v Speaker 1>York releasing everybody from their contract. Guy today Tammy Lucas

1:30:51.880 --> 1:30:57.960
<v Speaker 1>Big Blub his solo contract. Everybody he found out, and

1:30:58.080 --> 1:31:00.800
<v Speaker 1>that's probably the reason why he was trying to put

1:31:00.840 --> 1:31:04.559
<v Speaker 1>a contract out my life. So with that being said,

1:31:05.600 --> 1:31:11.559
<v Speaker 1>that card, it's the only thing I had. And when

1:31:11.920 --> 1:31:14.400
<v Speaker 1>the car went through, you know, I gave it to

1:31:14.960 --> 1:31:18.840
<v Speaker 1>the catch the clerk. She took the car and she said,

1:31:18.880 --> 1:31:24.920
<v Speaker 1>your first class seat. I said, how much is on

1:31:25.080 --> 1:31:27.439
<v Speaker 1>this card? She said, what do you want on there?

1:31:27.520 --> 1:31:33.439
<v Speaker 1>I said, what could you do? She said, you want

1:31:33.479 --> 1:31:37.200
<v Speaker 1>a hundred thousand? I said, yeah, put a hundred thousand. Yeah,

1:31:37.240 --> 1:31:39.760
<v Speaker 1>go ahead, go ahead, keep the party going. Sad you

1:31:39.840 --> 1:31:42.360
<v Speaker 1>a life saver. I see you when I come back

1:31:42.400 --> 1:31:48.439
<v Speaker 1>to New York. And I used that card to get

1:31:48.479 --> 1:31:51.920
<v Speaker 1>my family back and actually move into a place because

1:31:51.960 --> 1:31:56.040
<v Speaker 1>I was like, yo, it's to pack for me, my

1:31:56.280 --> 1:32:01.760
<v Speaker 1>daughter and my fiance at the time to move back

1:32:01.800 --> 1:32:05.519
<v Speaker 1>into the projects. So we were there for a week

1:32:06.600 --> 1:32:12.000
<v Speaker 1>and that's when I moved to Biggie's old place with

1:32:12.160 --> 1:32:13.880
<v Speaker 1>the elevator that goes straight up to the bed. And

1:32:14.080 --> 1:32:21.040
<v Speaker 1>heard about that. So back to who was Yeah, because

1:32:21.040 --> 1:32:24.840
<v Speaker 1>I'm a little caught up right now that we were

1:32:25.360 --> 1:32:30.040
<v Speaker 1>great smell juices, the berries you get the berries going everywhere.

1:32:30.200 --> 1:32:34.360
<v Speaker 1>We're still quick time. So okay, okay, ready Rich Porter

1:32:34.479 --> 1:32:40.240
<v Speaker 1>or as rich Porter, it should have been rich Porter.

1:32:41.240 --> 1:32:43.479
<v Speaker 1>Yeah that's what you should have said. And then I

1:32:43.640 --> 1:32:47.280
<v Speaker 1>was still gave you the same result. But a Z

1:32:48.120 --> 1:32:52.280
<v Speaker 1>and Rich Porter was like the guys A Z was

1:32:52.360 --> 1:32:54.479
<v Speaker 1>really the ones like, yeah, we can't let him hustle

1:32:54.560 --> 1:33:00.920
<v Speaker 1>with us. So yeah, you said you okay, all right,

1:33:00.960 --> 1:33:07.479
<v Speaker 1>come only realized buddy Corn, come on back, Heavy Deer,

1:33:07.560 --> 1:33:14.760
<v Speaker 1>Big Daddy came, come on, y'all, we got the shot.

1:33:14.880 --> 1:33:17.000
<v Speaker 1>We gotta shot shot. You an't gotta take a shot.

1:33:17.040 --> 1:33:30.280
<v Speaker 1>We take the chat. You don't have to. And I'm sorry,

1:33:30.320 --> 1:33:32.760
<v Speaker 1>I'm breaking a little little thing. Do we realize how

1:33:32.880 --> 1:33:36.639
<v Speaker 1>dope Heavy d was though, like what like my best friend?

1:33:36.680 --> 1:33:41.080
<v Speaker 1>But Big Daddy came, was like that's my guy, man. Yeah, no, no,

1:33:41.240 --> 1:33:47.320
<v Speaker 1>both both. I'm saying both, but you gotta say both again.

1:33:49.640 --> 1:33:54.000
<v Speaker 1>We're gonna drive. You know, we see Chap pull up

1:33:54.000 --> 1:33:55.880
<v Speaker 1>in the spread now we see ye, we know we

1:33:55.960 --> 1:34:00.000
<v Speaker 1>know you driving here right here.

1:34:00.920 --> 1:34:07.040
<v Speaker 2>Oh come back to my Yeah, and obviously you know Kaine,

1:34:07.040 --> 1:34:10.040
<v Speaker 2>I'm not comparing them the both, but what I was

1:34:10.080 --> 1:34:12.719
<v Speaker 2>saying it was like I just like again, I'm going

1:34:12.800 --> 1:34:14.760
<v Speaker 2>back into hip hop and I'm going on listening back

1:34:14.880 --> 1:34:17.160
<v Speaker 2>to the and when I'm listening to Heavy d I'm.

1:34:17.040 --> 1:34:19.439
<v Speaker 1>Like, holy shit. You know how ahead of the time

1:34:19.880 --> 1:34:23.560
<v Speaker 1>he was like holy In a lot of ways, He's like,

1:34:23.960 --> 1:34:26.559
<v Speaker 1>let me say this heavy head in the old soul

1:34:27.520 --> 1:34:30.360
<v Speaker 1>like I would do records for Heavy. I would play

1:34:30.439 --> 1:34:33.920
<v Speaker 1>records for heavy and it will be for like Rex

1:34:34.000 --> 1:34:38.400
<v Speaker 1>and Effect. Wow, And I don't know. He's so smooth man.

1:34:38.479 --> 1:34:42.680
<v Speaker 1>The dude would persuade me, like you know that this

1:34:42.960 --> 1:34:47.800
<v Speaker 1>song belongs to me? It was isn't good to you?

1:34:48.560 --> 1:34:52.080
<v Speaker 1>What's heavy? He said, you gotta give me this. This

1:34:52.200 --> 1:34:55.400
<v Speaker 1>was a Rex and Effect record. Gotta give me this tag.

1:34:55.520 --> 1:34:58.840
<v Speaker 1>Come on, man, come on, you gotta do this. Man.

1:34:59.000 --> 1:35:04.680
<v Speaker 1>I was like, heavy, Man, you're a bully. He's like, no,

1:35:04.800 --> 1:35:07.400
<v Speaker 1>I'm not. I say, you know what, I'm promote you

1:35:07.560 --> 1:35:11.840
<v Speaker 1>being a bully around people, because you really buy. He

1:35:11.920 --> 1:35:15.880
<v Speaker 1>bullied me out of is it good to you? He

1:35:16.080 --> 1:35:19.360
<v Speaker 1>bullied me out of we got our own thing. I

1:35:19.479 --> 1:35:23.439
<v Speaker 1>was watching the fact record and now that we found love.

1:35:28.040 --> 1:35:30.840
<v Speaker 1>And every time he came to my house or he

1:35:30.920 --> 1:35:34.680
<v Speaker 1>came down to Virginia, he came to Virginia. He was

1:35:34.760 --> 1:35:38.639
<v Speaker 1>trying to steal no Diggity. I played no diggity because

1:35:38.640 --> 1:35:40.920
<v Speaker 1>I always played every is my best friend. Let me

1:35:41.000 --> 1:35:45.840
<v Speaker 1>tell you something. He was trying to rap on and

1:35:45.960 --> 1:35:48.200
<v Speaker 1>he's like, yo, could I get on it? At least?

1:35:50.040 --> 1:35:54.000
<v Speaker 1>I was like, no, this one here, you cannot have.

1:35:55.080 --> 1:36:02.040
<v Speaker 1>I'm keeping this one for myself. And he's like, all right, you,

1:36:03.560 --> 1:36:05.519
<v Speaker 1>I got to tell Jimmy about this record. He was

1:36:05.560 --> 1:36:10.479
<v Speaker 1>the one that convinced Jimmy this is the single because

1:36:10.560 --> 1:36:13.360
<v Speaker 1>Jimmy wanted money can buy Me Love as a single.

1:36:14.720 --> 1:36:18.479
<v Speaker 1>And I said, Jimmy, you sure you can't tell Jimmy, Yo,

1:36:19.080 --> 1:36:22.439
<v Speaker 1>this is the single, Jimmy, unless you should Knight or somebody.

1:36:23.439 --> 1:36:26.960
<v Speaker 1>I was just you know, I know, I shot him

1:36:27.000 --> 1:36:32.920
<v Speaker 1>the humblest Jimmy play it for somebody so heavy, you know,

1:36:33.200 --> 1:36:37.920
<v Speaker 1>usually stopped by Jimmy's And what put the icing on

1:36:38.040 --> 1:36:41.439
<v Speaker 1>the cake? And we're going back to analog. What put

1:36:41.520 --> 1:36:44.680
<v Speaker 1>the icing on the cake? Was Doctor Trey heard it.

1:36:45.600 --> 1:36:51.000
<v Speaker 1>He said, listen Teddy Rolly's no record and Dre heard

1:36:51.040 --> 1:36:55.439
<v Speaker 1>the joint and Drey was like, YO, tell ted when

1:36:55.479 --> 1:36:58.639
<v Speaker 1>you do this record, I want to be in the video,

1:37:01.479 --> 1:37:03.800
<v Speaker 1>saying when you do the record. He wants to be

1:37:03.880 --> 1:37:06.000
<v Speaker 1>in a video, I said, Jimmy. I said, yeah, this

1:37:06.040 --> 1:37:06.400
<v Speaker 1>is Jimmy.

1:37:06.400 --> 1:37:10.200
<v Speaker 2>That's a great impression because I know everybody else didn't catch.

1:37:10.000 --> 1:37:12.960
<v Speaker 1>It on so check it. I said, you tell Dre.

1:37:13.240 --> 1:37:15.320
<v Speaker 1>Tell Dre. If he gave me sixteen, we could do

1:37:15.400 --> 1:37:19.240
<v Speaker 1>this together, right, And that's how I got sixteen. And

1:37:19.360 --> 1:37:21.840
<v Speaker 1>we did it analog. You know how they got it

1:37:21.920 --> 1:37:26.040
<v Speaker 1>to me within twenty four hours ISD n oh oh

1:37:26.200 --> 1:37:29.360
<v Speaker 1>the mail service, yes, okay, okay, So but you know

1:37:29.479 --> 1:37:34.800
<v Speaker 1>how it worked. You know, actual headquarters was move No,

1:37:35.160 --> 1:37:41.439
<v Speaker 1>it was in was it was again somewhere Innneapolis? Yeah,

1:37:41.640 --> 1:37:44.519
<v Speaker 1>just like one place. You shoot it to them. Yeah,

1:37:44.600 --> 1:37:46.400
<v Speaker 1>and you're playing it over the phone. You have to

1:37:46.479 --> 1:37:52.360
<v Speaker 1>have the machine to the rack. You had to have that,

1:37:53.160 --> 1:37:56.280
<v Speaker 1>and you that goes over the phone, plugged the phone

1:37:56.320 --> 1:37:59.320
<v Speaker 1>through it and it plays it straight to them and

1:37:59.479 --> 1:38:03.560
<v Speaker 1>then it goes to California or wherever you wanted to go.

1:38:03.720 --> 1:38:07.760
<v Speaker 1>But they were the headquarters to get music sent at

1:38:08.000 --> 1:38:12.559
<v Speaker 1>high quality better than digital. Wow. And this is back

1:38:12.640 --> 1:38:19.880
<v Speaker 1>then nineteen ninety four when we worked on that song,

1:38:20.000 --> 1:38:24.639
<v Speaker 1>and that's what convinced Jimmy and it became Jimmy's favorite song,

1:38:25.000 --> 1:38:29.639
<v Speaker 1>God damn It and me and they we were together

1:38:30.160 --> 1:38:33.320
<v Speaker 1>about a week and a half ago. You and Jimmy,

1:38:34.080 --> 1:38:38.640
<v Speaker 1>Jimmy Andre with my phone, my phone, we want to

1:38:38.680 --> 1:38:43.040
<v Speaker 1>see it. So, yeah, we were together doing Vinyl Night.

1:38:43.160 --> 1:38:45.920
<v Speaker 1>You gotta do Vinyl Night with them? Okay? What is

1:38:46.040 --> 1:38:48.679
<v Speaker 1>Vinyl Night? That they got the vinyl and they playing

1:38:48.720 --> 1:38:52.680
<v Speaker 1>your records, all your records. So they had Paul McCartney

1:38:53.439 --> 1:38:56.560
<v Speaker 1>playing all the Beatles records and it's crazy, just the

1:38:57.479 --> 1:39:03.599
<v Speaker 1>high density, you know, it's like wow. So so we're

1:39:03.600 --> 1:39:05.560
<v Speaker 1>sitting there and we're playing me and Dre is just

1:39:06.160 --> 1:39:10.400
<v Speaker 1>joking about how and the story is consistent, like Jimmy

1:39:10.520 --> 1:39:15.000
<v Speaker 1>talking about it, and it was like, yeah, that's like

1:39:15.080 --> 1:39:18.680
<v Speaker 1>almost a documentary, you know what I really feel like

1:39:19.880 --> 1:39:23.680
<v Speaker 1>if what was the documentary that they did was the

1:39:23.800 --> 1:39:32.479
<v Speaker 1>chronicles with jim Jimmy, I V and Dre what it was.

1:39:33.960 --> 1:39:39.080
<v Speaker 1>But I thought that Jimmy, because y'all know Jimmy was

1:39:39.080 --> 1:39:43.400
<v Speaker 1>a producer, right, Okay, that's what the topic. Yeah, well

1:39:44.920 --> 1:39:49.920
<v Speaker 1>and that's what I'm sorry, what is the Defiant? I

1:39:50.040 --> 1:39:53.679
<v Speaker 1>thought it should be more defiant ones and I'm gonna

1:39:53.720 --> 1:39:56.920
<v Speaker 1>show y'all something. But let me show y'all us first,

1:39:57.080 --> 1:40:00.519
<v Speaker 1>like right all night. It was amazing. I'll never I

1:40:00.600 --> 1:40:04.400
<v Speaker 1>don't post our pictures like that's the stuff you keep sacred,

1:40:05.720 --> 1:40:07.960
<v Speaker 1>you know, because you won't find like this is that

1:40:08.120 --> 1:40:12.080
<v Speaker 1>was a billion dollars in the room. Billion dollars. But

1:40:12.360 --> 1:40:17.040
<v Speaker 1>I don't know if you know you're very famous, you

1:40:17.200 --> 1:40:21.280
<v Speaker 1>know you're very famous, you have to I'm almost almost

1:40:22.560 --> 1:40:23.080
<v Speaker 1>almost okay.

1:40:23.120 --> 1:40:23.439
<v Speaker 3>I like that.

1:40:23.520 --> 1:40:23.920
<v Speaker 1>I like that.

1:40:24.040 --> 1:40:24.560
<v Speaker 3>I like that.

1:40:24.600 --> 1:40:27.519
<v Speaker 2>I'm gonna take a shop for that. Sorry that the

1:40:27.640 --> 1:40:32.080
<v Speaker 2>people that was in the room there you go, God

1:40:32.200 --> 1:40:39.880
<v Speaker 2>damn it. I feel poor already. That is that Larry Jackson,

1:40:43.000 --> 1:40:45.920
<v Speaker 2>doctor Dre, you and Jimmy. I mean that is let

1:40:45.960 --> 1:40:48.200
<v Speaker 2>me see, let me pass around the room.

1:40:50.520 --> 1:40:53.640
<v Speaker 1>That is how you how do you say money? Never

1:40:53.720 --> 1:40:57.880
<v Speaker 1>want to say money around the world. He might put

1:40:57.920 --> 1:41:03.120
<v Speaker 1>his number in there. They may not believe it. You know,

1:41:03.280 --> 1:41:08.559
<v Speaker 1>some people don't believe yo. I was, yeah, I don't

1:41:08.560 --> 1:41:18.360
<v Speaker 1>think around. I'll show you trust everybody. But when that happened,

1:41:19.640 --> 1:41:25.920
<v Speaker 1>I felt like Jimmy could actually do a series of

1:41:26.080 --> 1:41:30.560
<v Speaker 1>the Fine Ones easily. That's a great idea. And I

1:41:30.760 --> 1:41:32.640
<v Speaker 1>was going to break the idea to him while we

1:41:32.800 --> 1:41:34.360
<v Speaker 1>was at the house, but we was just having so

1:41:34.520 --> 1:41:39.640
<v Speaker 1>much fun doing the final that it was so it

1:41:39.840 --> 1:41:43.160
<v Speaker 1>was so listen to him. It was so special, like

1:41:43.439 --> 1:41:46.519
<v Speaker 1>I want to be. I was so tired of my music.

1:41:46.600 --> 1:41:49.200
<v Speaker 1>I was like, yo, play an l a read song, man,

1:41:50.040 --> 1:41:54.839
<v Speaker 1>play play Dre song and it was like, no, tonight

1:41:54.960 --> 1:41:58.439
<v Speaker 1>is your night, bro. I was like wow, And that

1:41:58.720 --> 1:42:02.240
<v Speaker 1>was so special. Oh, you know, I felt amazed, you know,

1:42:02.360 --> 1:42:04.800
<v Speaker 1>because I ain't talked to Jimmy in a while, because

1:42:04.840 --> 1:42:08.080
<v Speaker 1>I kind of it's moving around. After losing my mom,

1:42:08.160 --> 1:42:11.679
<v Speaker 1>I kind of went dormant. You know, you gotta go away,

1:42:12.320 --> 1:42:15.120
<v Speaker 1>come back. I moved from Vegas, so I said, man,

1:42:15.160 --> 1:42:17.519
<v Speaker 1>I felt like Vegas, you know, took my mother out

1:42:17.560 --> 1:42:20.400
<v Speaker 1>of here. But you know, I just moved anyway. And

1:42:20.479 --> 1:42:22.000
<v Speaker 1>I said, you know, let me go to Texas for

1:42:22.040 --> 1:42:25.800
<v Speaker 1>a minute. Now I'm here, I'm like, let's buy a

1:42:25.880 --> 1:42:28.960
<v Speaker 1>healthy baby, you know that that type of stuff I

1:42:29.160 --> 1:42:31.640
<v Speaker 1>like to do. When I went to Virginia, I just

1:42:31.920 --> 1:42:37.320
<v Speaker 1>set up shop and just move. But I'm gonna say this,

1:42:38.840 --> 1:42:41.360
<v Speaker 1>when you got good friends, you got good people like that,

1:42:43.400 --> 1:42:46.679
<v Speaker 1>you gotta really like those are the people that you keep.

1:42:47.080 --> 1:42:51.559
<v Speaker 1>Those are the corners. I know, corners is it's not circles,

1:42:51.920 --> 1:42:56.320
<v Speaker 1>it's corners. And I had to get rid of the circles.

1:42:56.439 --> 1:42:59.120
<v Speaker 1>That's why you know, I'm not solo. I got a

1:42:59.360 --> 1:43:02.320
<v Speaker 1>new team, but I just had to get away from

1:43:02.720 --> 1:43:08.080
<v Speaker 1>the blessing blockers. You know, sometimes what's for you is

1:43:08.200 --> 1:43:10.599
<v Speaker 1>from you, I said, blockers. I've never heard. That's crazy.

1:43:10.880 --> 1:43:14.880
<v Speaker 1>What's for you for you? You know? And I've always

1:43:15.160 --> 1:43:17.920
<v Speaker 1>I held I've been so patient to tell my truth,

1:43:18.000 --> 1:43:19.600
<v Speaker 1>which is why I have the book now and you

1:43:19.680 --> 1:43:22.680
<v Speaker 1>can see everything in there and all the people that

1:43:22.760 --> 1:43:25.800
<v Speaker 1>I work with. One person that's not in there that

1:43:26.160 --> 1:43:31.920
<v Speaker 1>you know, I felt. I wish he was, but because

1:43:31.920 --> 1:43:34.559
<v Speaker 1>of the circumstances and I'm dealing with the corporate wall,

1:43:35.760 --> 1:43:38.960
<v Speaker 1>they told me to pull it. And that's my brother Diddy,

1:43:40.280 --> 1:43:45.759
<v Speaker 1>you know. I mean, I've never you know, witness or anything.

1:43:45.800 --> 1:43:49.200
<v Speaker 1>I never experienced nothing, I know nothing. All I know

1:43:49.400 --> 1:43:52.680
<v Speaker 1>is he was my in turn. And I only been

1:43:52.760 --> 1:43:55.559
<v Speaker 1>to one event, which was when he got a star

1:43:55.640 --> 1:43:59.640
<v Speaker 1>in Hollywood because it said Harlem to Hollywood. So I

1:43:59.720 --> 1:44:02.240
<v Speaker 1>hope it's okay to talk about this. Of course, of

1:44:02.360 --> 1:44:05.840
<v Speaker 1>course we we we we were the same way. We've

1:44:05.920 --> 1:44:08.479
<v Speaker 1>never not witnessed that. Yeah, when they told me. It's

1:44:08.520 --> 1:44:11.400
<v Speaker 1>just like, yo, this is very you know, it's disappointing,

1:44:11.479 --> 1:44:14.880
<v Speaker 1>you know, but it is what it is, you know.

1:44:16.520 --> 1:44:20.679
<v Speaker 1>But I have to say, man, it's it's a lot

1:44:20.960 --> 1:44:24.720
<v Speaker 1>that we are not subject to. And we we go

1:44:24.960 --> 1:44:28.719
<v Speaker 1>through stuff, and and I wish I could have caught

1:44:28.800 --> 1:44:32.160
<v Speaker 1>it because I catch a lot, and I catch a

1:44:32.240 --> 1:44:36.840
<v Speaker 1>lot of my brothers and my little brothers. But you know,

1:44:37.040 --> 1:44:39.800
<v Speaker 1>sometimes the little brother feels like he's the big brother.

1:44:40.479 --> 1:44:43.160
<v Speaker 1>Mm hm. You gotta let him become the big brother,

1:44:44.600 --> 1:44:46.600
<v Speaker 1>you know. But I was, I was in there, I

1:44:46.760 --> 1:44:49.680
<v Speaker 1>was out of there, in there, out of there. So

1:44:50.800 --> 1:44:54.320
<v Speaker 1>let's do the game. Okay. I ain't so.

1:44:54.360 --> 1:44:57.959
<v Speaker 2>Attracted off Keep Sweat or Christopher Williams.

1:45:00.960 --> 1:45:04.519
<v Speaker 1>These guys come on with it. Who did Dominican in

1:45:04.560 --> 1:45:13.800
<v Speaker 1>the Columbia? Okay? I understand. Okay, Well I have to

1:45:13.800 --> 1:45:17.200
<v Speaker 1>say Keith Sweat. And why I say Keith Sweat because

1:45:17.320 --> 1:45:23.519
<v Speaker 1>not because I work with it and not because of uh,

1:45:24.479 --> 1:45:28.479
<v Speaker 1>we're brothers. I say Keith Sweat even if we wasn't brothers.

1:45:29.400 --> 1:45:35.760
<v Speaker 1>Keith Sweat is a signature, right, Keith Sweat created a signature. See,

1:45:35.800 --> 1:45:38.320
<v Speaker 1>it's a difference like when I created New Jack Swing.

1:45:39.160 --> 1:45:46.960
<v Speaker 1>It's my signature. Christopher Williams. You know he didn't have

1:45:47.080 --> 1:45:50.320
<v Speaker 1>a signature. He had a voice like Teddy Pendergrass or

1:45:51.200 --> 1:45:56.560
<v Speaker 1>Colonel Abrams. You know that's that's not creating a signature.

1:45:57.040 --> 1:46:00.200
<v Speaker 1>Nothing against him because he's a dope singer and he's

1:46:00.280 --> 1:46:06.479
<v Speaker 1>my boy. It's my brother. But Keith, you know his records,

1:46:07.560 --> 1:46:11.400
<v Speaker 1>you know that's him, and that's something you can't take

1:46:11.439 --> 1:46:13.479
<v Speaker 1>away from a pressure, just like you know it's Bobby.

1:46:14.920 --> 1:46:18.639
<v Speaker 1>I create signatures when I made them, saying they walked

1:46:18.680 --> 1:46:21.439
<v Speaker 1>out of the studio. Both of them walked out of

1:46:21.439 --> 1:46:25.680
<v Speaker 1>the studio on me. Bobby and I got into a

1:46:25.760 --> 1:46:29.000
<v Speaker 1>little small argument. I don't argue. You don't let you argue.

1:46:29.120 --> 1:46:32.040
<v Speaker 1>I don't argue. I just say, yo, we don't have

1:46:32.200 --> 1:46:37.639
<v Speaker 1>to do this shit and keep it moving. And then

1:46:37.680 --> 1:46:42.920
<v Speaker 1>he walked out. He's like, okay, eort he walked out, Bobby. Yeah,

1:46:44.520 --> 1:46:47.560
<v Speaker 1>we did over the projects we did. I did. I

1:46:47.640 --> 1:46:52.519
<v Speaker 1>did my progative on the twelfth track. Okay, it was

1:46:52.600 --> 1:46:57.840
<v Speaker 1>like a mixtake and they couldn't create or reproduce the sound.

1:46:57.960 --> 1:46:59.720
<v Speaker 1>So I had to take my twelfth track to the

1:46:59.760 --> 1:47:04.559
<v Speaker 1>student video to keep the sound right. And I'm gonna stick.

1:47:04.800 --> 1:47:08.880
<v Speaker 1>You know, I'm like, that's like I have to have

1:47:09.040 --> 1:47:12.840
<v Speaker 1>the same sound. My ear was so keen to having

1:47:12.880 --> 1:47:15.080
<v Speaker 1>the same sound. When I try to re record it

1:47:16.160 --> 1:47:21.120
<v Speaker 1>at Access Studios and it's like, this don't sound like

1:47:21.280 --> 1:47:25.200
<v Speaker 1>the house I need to create. I needed to crime me.

1:47:25.720 --> 1:47:27.600
<v Speaker 1>So I bought that dog on, put that thing in

1:47:27.680 --> 1:47:30.000
<v Speaker 1>the car. We took it down. We just dropped it.

1:47:31.360 --> 1:47:36.840
<v Speaker 1>You know about writing cold and generating new Cold, Yeah, absolutely,

1:47:36.920 --> 1:47:40.840
<v Speaker 1>But I want to ask one thing. No, but we

1:47:41.000 --> 1:47:43.640
<v Speaker 1>had to create new COLDE in order for me to

1:47:43.760 --> 1:47:47.799
<v Speaker 1>sync my drum machine or anything up to the actual

1:47:48.840 --> 1:47:53.160
<v Speaker 1>Akai to the twenty four track. Oh my god. Yes,

1:47:53.280 --> 1:47:57.280
<v Speaker 1>when we did that, everything turned out perfect. Now it's

1:47:57.320 --> 1:48:03.120
<v Speaker 1>time to sing. Okay. We got in the studio started,

1:48:03.240 --> 1:48:05.760
<v Speaker 1>I had to track up and everything. Next thing, you know,

1:48:08.600 --> 1:48:23.759
<v Speaker 1>let's go yeah boom doom from boom boom doom boom,

1:48:24.320 --> 1:48:30.040
<v Speaker 1>Yeah boom boom boom boom boom. Get busy. Everything is good.

1:48:30.160 --> 1:48:34.960
<v Speaker 1>Right now it's time to sing. They say I'm crazy.

1:48:36.360 --> 1:48:39.680
<v Speaker 1>I really don't care. He was singing it not like

1:48:39.760 --> 1:48:41.840
<v Speaker 1>the record. I said stop.

1:48:44.960 --> 1:48:48.960
<v Speaker 2>Stop, okay, see he pre recorded it on the other track.

1:48:49.040 --> 1:48:52.599
<v Speaker 2>You're saying, no, we were practicing okay. We never put

1:48:52.640 --> 1:48:57.200
<v Speaker 2>the vocal down at the house. The music was down, okay.

1:48:57.479 --> 1:49:00.240
<v Speaker 1>When we got to the studio, we we had this

1:49:00.479 --> 1:49:03.160
<v Speaker 1>is like, okay, you're good, all right, let's take it

1:49:03.200 --> 1:49:05.799
<v Speaker 1>to the studio. So we took it to the studio

1:49:05.920 --> 1:49:12.599
<v Speaker 1>and he's singing it different. Next thing you know, I said, stop, bo,

1:49:14.400 --> 1:49:16.120
<v Speaker 1>you ain't singing it like how you was doing it

1:49:16.200 --> 1:49:20.160
<v Speaker 1>at the house. Man, I don't forget nothing, he said,

1:49:20.160 --> 1:49:27.960
<v Speaker 1>who's talking to I told you. I was just like, yo,

1:49:28.160 --> 1:49:33.040
<v Speaker 1>I mean, I'm just saying. He's like calling at me.

1:49:33.120 --> 1:49:35.640
<v Speaker 1>I'm like, I'm just saying, man, you ain't singing and

1:49:35.800 --> 1:49:38.519
<v Speaker 1>like how you did it at the house. Now come on, man,

1:49:38.600 --> 1:49:43.920
<v Speaker 1>he said, you know who I am. I mean girl

1:49:44.040 --> 1:49:47.479
<v Speaker 1>next door. I make hits. Just how you started flexing.

1:49:47.600 --> 1:49:53.920
<v Speaker 1>I was like, you know, we don't have to do this.

1:49:57.479 --> 1:50:04.400
<v Speaker 1>He said, fuck it. Damn. He left the studio and

1:50:04.520 --> 1:50:07.120
<v Speaker 1>then the air and all called me apologize. He was

1:50:07.200 --> 1:50:10.160
<v Speaker 1>just like, yo, please don't leave the studio. I'm about

1:50:10.160 --> 1:50:13.519
<v Speaker 1>to go home. I don't I don't have to do this.

1:50:15.240 --> 1:50:17.040
<v Speaker 1>He said, man, just give me a chance. Let me

1:50:17.160 --> 1:50:19.800
<v Speaker 1>call him, and they called him and said, yo, if

1:50:19.840 --> 1:50:21.680
<v Speaker 1>you don't get your ass back in the studio. We

1:50:21.800 --> 1:50:26.520
<v Speaker 1>gonna can your album. If you got records from Babyfacing

1:50:26.720 --> 1:50:31.000
<v Speaker 1>La some icons and then this is an icon. He's

1:50:31.120 --> 1:50:35.760
<v Speaker 1>just not a He's not a kid, right, He's an icon.

1:50:36.479 --> 1:50:39.240
<v Speaker 1>Get back in the studio. He came back to the studio,

1:50:39.280 --> 1:50:40.840
<v Speaker 1>and you know how we used we try to get

1:50:40.880 --> 1:50:44.560
<v Speaker 1>the last word. It's like, all right, we're gonna do

1:50:44.640 --> 1:50:47.680
<v Speaker 1>this shit and if it don't go my weight, if

1:50:47.720 --> 1:50:50.080
<v Speaker 1>it don't go the way you say, we're gonna do

1:50:50.160 --> 1:50:55.400
<v Speaker 1>it my way. I said, okay, he said all right,

1:50:55.680 --> 1:50:58.599
<v Speaker 1>let's go. I said, let's go. He said, all right,

1:51:00.080 --> 1:51:03.519
<v Speaker 1>let him get the last word. He got in that

1:51:03.680 --> 1:51:05.320
<v Speaker 1>room and sung it all the way up to the

1:51:05.400 --> 1:51:08.280
<v Speaker 1>second verse, and he stopped. He came in the room.

1:51:08.320 --> 1:51:11.240
<v Speaker 1>He said, I want to I want to hear it. Okay,

1:51:12.200 --> 1:51:14.240
<v Speaker 1>So he had the demo face like he didn't want

1:51:14.280 --> 1:51:17.880
<v Speaker 1>to give no type of emotions or nothing. He's just

1:51:19.040 --> 1:51:21.680
<v Speaker 1>at that moment he didn't like me. So I was like,

1:51:23.560 --> 1:51:33.799
<v Speaker 1>let's play the record. They say I'm crazy. I really

1:51:34.040 --> 1:51:37.160
<v Speaker 1>don't care. Got all the way to the second verse,

1:51:39.200 --> 1:51:43.400
<v Speaker 1>he said, I am going back in the room. He

1:51:43.479 --> 1:51:48.000
<v Speaker 1>went back in the room. Next thing, you know, my

1:51:48.200 --> 1:51:51.240
<v Speaker 1>name was said. I said, yeah, no, nigga like it.

1:51:51.320 --> 1:51:56.120
<v Speaker 1>Now I know he like it because my name wouldn't

1:51:56.120 --> 1:51:59.200
<v Speaker 1>be in there. Twice we became best friends for that,

1:51:59.560 --> 1:52:04.160
<v Speaker 1>he became brothers, you know. And and that's how being

1:52:04.200 --> 1:52:07.840
<v Speaker 1>a producer is like being a shrink, you know what

1:52:07.840 --> 1:52:11.000
<v Speaker 1>I'm saying. Being you know, you got to convince the

1:52:11.080 --> 1:52:14.680
<v Speaker 1>person that the medicine is good, trust the process, and

1:52:15.479 --> 1:52:17.720
<v Speaker 1>I know we all go to it for everybody we

1:52:17.840 --> 1:52:22.519
<v Speaker 1>go through it. That is, I've never heard it broke.

1:52:23.040 --> 1:52:27.880
<v Speaker 1>Our job is to make you better than you thought,

1:52:28.360 --> 1:52:31.200
<v Speaker 1>you know, like you think you got all you and

1:52:31.280 --> 1:52:33.479
<v Speaker 1>then you didn't realize that I didn't know. I can

1:52:33.600 --> 1:52:37.320
<v Speaker 1>go even more. And that's what I did with Bobby.

1:52:38.120 --> 1:52:42.719
<v Speaker 2>That's that's you know, that's my barogative could have possibly

1:52:42.880 --> 1:52:46.040
<v Speaker 2>not been made had he not came back to that.

1:52:46.400 --> 1:52:48.720
<v Speaker 1>But I feel that the way he probably approached the

1:52:48.800 --> 1:52:52.560
<v Speaker 1>record after that added to the record because man, he

1:52:52.960 --> 1:52:56.519
<v Speaker 1>sung that bridge. I had one take on the bridge.

1:52:56.560 --> 1:52:59.240
<v Speaker 1>He ain't had to punch nothing or nothing. He was

1:52:59.320 --> 1:53:02.080
<v Speaker 1>so hypper. When you feel good about a record, you're

1:53:02.080 --> 1:53:05.400
<v Speaker 1>gonna do. You're gonna make that record fire. You're gonna

1:53:05.439 --> 1:53:11.559
<v Speaker 1>do the best and that's what he did, Bobby. When

1:53:11.640 --> 1:53:15.320
<v Speaker 1>he got something, he got it. He would you one take.

1:53:17.080 --> 1:53:19.960
<v Speaker 1>Because he's a he's a performer, and what he does

1:53:20.040 --> 1:53:22.080
<v Speaker 1>on the stage, he put it in the studio. And

1:53:22.200 --> 1:53:25.320
<v Speaker 1>that's the thing that I love about him. I'll tell

1:53:25.320 --> 1:53:28.719
<v Speaker 1>you another one take, guys. Johnny Kemp just got paid.

1:53:29.560 --> 1:53:35.400
<v Speaker 1>Was never sung twice Friday. That dude killed that record. Now,

1:53:35.960 --> 1:53:40.120
<v Speaker 1>Keith Sweat, he didn't walk out of the studio. I mean,

1:53:40.200 --> 1:53:42.160
<v Speaker 1>he was just hard. It was hard for him because

1:53:42.160 --> 1:53:44.640
<v Speaker 1>I was I was young. It was hard for him

1:53:44.680 --> 1:53:48.000
<v Speaker 1>to take the advice from me, like you know, and

1:53:48.120 --> 1:53:50.640
<v Speaker 1>I had to say, this is your sound, this is

1:53:50.720 --> 1:53:54.960
<v Speaker 1>your signature. And then he finally got it after listening

1:53:54.960 --> 1:54:00.360
<v Speaker 1>to you know himself singing all the way down. He

1:54:00.520 --> 1:54:02.840
<v Speaker 1>got it, you know. And most singers are like that,

1:54:03.360 --> 1:54:05.599
<v Speaker 1>you know, when you kind of guide them. That's our

1:54:05.800 --> 1:54:10.040
<v Speaker 1>job is to give you guidance. And most people don't

1:54:10.080 --> 1:54:15.519
<v Speaker 1>want guidance m hm, right, especially an artists and artists, Yeah,

1:54:15.680 --> 1:54:17.479
<v Speaker 1>because we have to tap into ego. That's the thing

1:54:17.520 --> 1:54:19.680
<v Speaker 1>about artistry. You have to tap into your ego. And

1:54:19.760 --> 1:54:23.080
<v Speaker 1>the ego is the one that exactly you ever noticed

1:54:23.080 --> 1:54:25.800
<v Speaker 1>some of them artists after their first album, they become

1:54:25.880 --> 1:54:32.360
<v Speaker 1>the producer. It's like, yeah, I'm producing everything. What happened

1:54:32.400 --> 1:54:38.480
<v Speaker 1>to Timberlan? What happened for Well, that's who got you there.

1:54:39.440 --> 1:54:41.840
<v Speaker 1>But most times, you know, you get these producers like that,

1:54:42.000 --> 1:54:44.400
<v Speaker 1>and I mean these artists like that, and they want

1:54:44.440 --> 1:54:47.880
<v Speaker 1>to now be the leader. You think they got it,

1:54:49.320 --> 1:54:54.320
<v Speaker 1>find out that I should have listened. What's the next?

1:54:54.520 --> 1:55:00.520
<v Speaker 1>Next one? Yeah, Mason can that's hard on Ship, Cameron

1:55:00.640 --> 1:55:08.320
<v Speaker 1>or Mace. I gotta stay out of this one drinking.

1:55:09.880 --> 1:55:11.240
<v Speaker 1>Let me get, let me get, let me get it.

1:55:15.240 --> 1:55:19.720
<v Speaker 1>I pleaded the fifth drink, so we drink it. Yeah, yeah, Solu,

1:55:24.200 --> 1:55:27.280
<v Speaker 1>next one. I know, people thinking, yo, he ain't drinking nothing,

1:55:27.560 --> 1:55:32.080
<v Speaker 1>but I don't even know what he's drinking over there, moscatta. Yeah.

1:55:33.120 --> 1:55:39.000
<v Speaker 1>I like wine because it mellows me, you know, and

1:55:39.120 --> 1:55:42.360
<v Speaker 1>I don't only do it sometimes. I waited. Last time

1:55:42.360 --> 1:55:44.920
<v Speaker 1>I drunk wine was maybe well three four months ago.

1:55:45.880 --> 1:55:49.720
<v Speaker 1>I'm not a drinker, so I decided, you know, I

1:55:49.760 --> 1:55:51.640
<v Speaker 1>didn't want to be a party pool boy. You know,

1:55:51.760 --> 1:55:53.920
<v Speaker 1>this would have been great with or without you drinking. Okay,

1:55:54.160 --> 1:55:57.480
<v Speaker 1>so you know, like that wasn't but it mellows me.

1:55:57.720 --> 1:55:57.880
<v Speaker 4>You know.

1:55:58.040 --> 1:56:02.360
<v Speaker 1>Sometimes I'll get in the studio and just you know, wife,

1:56:02.440 --> 1:56:05.040
<v Speaker 1>he would be like, yo, you want to try some wine,

1:56:05.200 --> 1:56:07.920
<v Speaker 1>And I'll be like, let's get it by time. Yeah,

1:56:09.760 --> 1:56:14.120
<v Speaker 1>little face, Jimmy jam and Terry Lewis you better get

1:56:17.000 --> 1:56:24.120
<v Speaker 1>I'm getting drinking. Look, I know, I know. I know

1:56:24.160 --> 1:56:28.000
<v Speaker 1>where y'all getting to. Though, I know where y'all getting to.

1:56:29.480 --> 1:56:32.160
<v Speaker 1>And with a little bit of soual water the same

1:56:32.200 --> 1:56:34.160
<v Speaker 1>way you did. I like that. I got the vodka

1:56:34.240 --> 1:56:35.560
<v Speaker 1>with a little bit of sal water. You know what

1:56:35.560 --> 1:56:38.320
<v Speaker 1>I mean. You know a little bit of balance. Let's

1:56:38.360 --> 1:56:40.800
<v Speaker 1>go balance it balance. I don't a little bit ahead?

1:56:41.320 --> 1:56:45.160
<v Speaker 1>You got more? He holding it down. I ain't gonna

1:56:46.680 --> 1:56:54.520
<v Speaker 1>know now. I seen you tips before. I'll tell you good.

1:56:54.960 --> 1:57:02.640
<v Speaker 1>You're good. What's your name? You want to get shy? Oh?

1:57:03.080 --> 1:57:06.520
<v Speaker 1>Come on, but I gotta I got I'm not drinking

1:57:06.600 --> 1:57:12.920
<v Speaker 1>no more. That's crazy, I have to say, even though

1:57:14.560 --> 1:57:19.920
<v Speaker 1>these are my guys, but I'm gotta be you, Sonny.

1:57:20.000 --> 1:57:23.920
<v Speaker 1>Look you see him. I'm gonna pick. I'm gonna pick one,

1:57:25.160 --> 1:57:29.120
<v Speaker 1>and I'll tell you why I picked that one. I

1:57:29.280 --> 1:57:36.880
<v Speaker 1>picked shy mm hmm. Yeah. I picked Shy because I

1:57:37.040 --> 1:57:40.200
<v Speaker 1>just had a performance with them them some singing fools

1:57:41.840 --> 1:57:48.240
<v Speaker 1>without no music. They are singing fools. And I realized that,

1:57:48.680 --> 1:57:54.200
<v Speaker 1>you know, this sound to me was like up the

1:57:54.280 --> 1:58:00.720
<v Speaker 1>alley of you know boys, demen takes. You know, that

1:58:00.880 --> 1:58:04.360
<v Speaker 1>harmony was lush, you know, like I love harmonies like

1:58:04.480 --> 1:58:09.080
<v Speaker 1>old school do old school dop, barbershop, you know vocals.

1:58:10.040 --> 1:58:14.880
<v Speaker 1>So when I first heard the If I Ever Fall

1:58:14.960 --> 1:58:20.240
<v Speaker 1>in Love Again Wild record, that record is that's a problem.

1:58:21.680 --> 1:58:29.360
<v Speaker 1>But High five is a problem with Tony mm hmm.

1:58:29.920 --> 1:58:33.120
<v Speaker 1>When he passed, it changed. But we put them back

1:58:33.160 --> 1:58:38.720
<v Speaker 1>together and they are there. You when you hear the

1:58:38.840 --> 1:58:42.640
<v Speaker 1>new High five record, you're gonna be amazed. But I

1:58:42.760 --> 1:58:44.920
<v Speaker 1>have to give it to Shay right now because they're together,

1:58:45.200 --> 1:58:55.360
<v Speaker 1>they rocking. Okay, this is this this I din't see

1:58:55.360 --> 1:59:01.080
<v Speaker 1>your phone exactly what say new edition or Jackson five? See?

1:59:02.720 --> 1:59:11.080
<v Speaker 1>So so what happened was your criteria is remember this

1:59:11.200 --> 1:59:14.360
<v Speaker 1>is what I have to say to Jackson five, okay,

1:59:14.800 --> 1:59:17.520
<v Speaker 1>because they wouldn't be there wouldn't be no new addition

1:59:17.680 --> 1:59:23.800
<v Speaker 1>without the Jackson five and the Jackson five. When I

1:59:23.920 --> 1:59:27.840
<v Speaker 1>work with the Jackson's and Michael, I work with them

1:59:27.880 --> 1:59:33.520
<v Speaker 1>all and we did twenty three hundred Jackson Street and

1:59:36.160 --> 1:59:41.360
<v Speaker 1>they were I'm sorry, you give me this doesn't happen.

1:59:41.400 --> 1:59:48.120
<v Speaker 1>But their harmonies, their harmonies are amazing, and but just

1:59:48.200 --> 1:59:51.200
<v Speaker 1>to be it's like going to like my first year

1:59:51.240 --> 1:59:57.520
<v Speaker 1>of college working with the Jackson's and having everybody Theyah

1:59:57.880 --> 2:00:05.840
<v Speaker 1>janet Re LaToya being in the presence of what's the

2:00:05.920 --> 2:00:08.800
<v Speaker 1>props name? I got it? What was the name? Jo? Joe?

2:00:11.760 --> 2:00:16.400
<v Speaker 1>Joe wasn't there. We didn't allow Joe to be. Michael

2:00:16.520 --> 2:00:25.000
<v Speaker 1>was like, he's a meaning. That's Michael, Michael. He's a

2:00:25.160 --> 2:00:30.800
<v Speaker 1>meaning to take his calls exactly like Michael would say that.

2:00:30.960 --> 2:00:34.960
<v Speaker 1>I was like, why father, Yeah, he's a meaning. He's

2:00:35.000 --> 2:00:39.000
<v Speaker 1>a meaning. I know what he wants. I know exactly

2:00:39.080 --> 2:00:44.240
<v Speaker 1>what he wants. Michael used to correct bel. He'd be like, no,

2:00:44.440 --> 2:00:47.200
<v Speaker 1>don't take that call. The only person can call me

2:00:47.640 --> 2:00:52.080
<v Speaker 1>is mother Catherine. Holy shit, his mother. Oh no, I

2:00:52.120 --> 2:00:53.720
<v Speaker 1>got to ask you. I just found this record today.

2:00:53.720 --> 2:00:58.600
<v Speaker 1>I want to see if you know this record. Yeah, no,

2:00:59.440 --> 2:01:01.040
<v Speaker 1>I've never seen this. I don't know if this is

2:01:01.120 --> 2:01:05.160
<v Speaker 1>someone produced this. Have you ever seen this record? Yes,

2:01:05.920 --> 2:01:09.640
<v Speaker 1>I've seen this record before one day and this is

2:01:10.160 --> 2:01:15.440
<v Speaker 1>what are you thinking? It's Michael Jackson that really didn't

2:01:15.520 --> 2:01:22.680
<v Speaker 1>go anywhere back in the days. But but yeah, I've

2:01:22.760 --> 2:01:25.880
<v Speaker 1>never seen and I've seen that record before and I've

2:01:25.960 --> 2:01:30.200
<v Speaker 1>heard that record, but it really never did anything. I'm

2:01:30.240 --> 2:01:31.920
<v Speaker 1>reading the Dragon, I'm like, I've never heard none of

2:01:31.960 --> 2:01:41.360
<v Speaker 1>these records. But what the is going on here? It

2:01:41.480 --> 2:01:49.240
<v Speaker 1>was that he did on that was before Off the

2:01:49.320 --> 2:01:53.680
<v Speaker 1>Wall Wow, right before it, I think right before it

2:01:54.360 --> 2:01:56.880
<v Speaker 1>look at the you you got to cut it was

2:01:57.120 --> 2:02:03.080
<v Speaker 1>it was yeah, Wow, before I did that. That's when

2:02:03.600 --> 2:02:10.680
<v Speaker 1>they were testing his solo career, the Jackson five. Right

2:02:10.800 --> 2:02:15.200
<v Speaker 1>after Jackson Jackson five. This is a secret Michael album

2:02:15.200 --> 2:02:16.840
<v Speaker 1>and no one knows about it. I mean no, it

2:02:17.000 --> 2:02:22.400
<v Speaker 1>was you know how how you say they didn't want

2:02:22.680 --> 2:02:26.120
<v Speaker 1>people to know that record? Oh wow? You know, because

2:02:26.200 --> 2:02:28.120
<v Speaker 1>when Off the Wall came. You know, it's like when

2:02:28.120 --> 2:02:30.320
<v Speaker 1>you're trying to put out something really taking artists to

2:02:30.360 --> 2:02:34.640
<v Speaker 1>the next level. It's almost like when when L. A.

2:02:34.760 --> 2:02:37.240
<v Speaker 1>Reed put out Usher's album and he put out the

2:02:37.320 --> 2:02:39.960
<v Speaker 1>wrong single and he pulled it back and then put

2:02:40.000 --> 2:02:45.280
<v Speaker 1>out Confessions. The same thing with you remind me No, yeah,

2:02:45.440 --> 2:02:48.680
<v Speaker 1>Rusher Usher, I think no, you would understand more like

2:02:48.840 --> 2:02:52.040
<v Speaker 1>the first Mob Deep album versus the understand My damn

2:02:53.200 --> 2:03:06.040
<v Speaker 1>understand that was really und it. That was on track.

2:03:08.760 --> 2:03:13.560
<v Speaker 2>That's larious, but okay, I'm gonna keep it going, like

2:03:14.360 --> 2:03:19.760
<v Speaker 2>all right, ooh, this is a good one. Nineties or

2:03:19.840 --> 2:03:26.160
<v Speaker 2>two thousands, R and B nineties, nineties right nineties babies made.

2:03:26.280 --> 2:03:29.760
<v Speaker 1>Yeah, there was more baby making and music with substance.

2:03:31.280 --> 2:03:34.440
<v Speaker 1>You got music with substance, like two thousands started getting

2:03:34.480 --> 2:03:39.440
<v Speaker 1>into the plastic and the music that wasn't didn't have

2:03:39.560 --> 2:03:43.160
<v Speaker 1>the stay in power. You can hear record in two

2:03:43.240 --> 2:03:46.960
<v Speaker 1>thousand today you'd be like, damn, I forgot about that record.

2:03:48.080 --> 2:03:51.160
<v Speaker 1>What you hear record in the nineties, it's like, yo,

2:03:51.440 --> 2:03:55.480
<v Speaker 1>put that joint back on. That's the final And.

2:03:55.560 --> 2:03:57.720
<v Speaker 2>It's kind of timeless because if a person didn't hear

2:03:57.760 --> 2:04:01.440
<v Speaker 2>that record, they'll listen to that thing and that it's Yeah.

2:04:01.840 --> 2:04:05.080
<v Speaker 1>Most music in two thousand was black and white, right.

2:04:05.560 --> 2:04:08.520
<v Speaker 1>The music back in the nineties was colorful. Yeah, I agree,

2:04:08.680 --> 2:04:11.080
<v Speaker 1>it had different colors to it. Like I agree with that,

2:04:11.520 --> 2:04:15.080
<v Speaker 1>Like when when when Guy came out, it made it

2:04:15.240 --> 2:04:20.320
<v Speaker 1>cool for dudes to wear gators again and put on colors,

2:04:20.400 --> 2:04:26.240
<v Speaker 1>and you know, you wasn't being scrutinized when boys and

2:04:26.400 --> 2:04:31.360
<v Speaker 1>men did those records. You know you felt great, you know,

2:04:31.600 --> 2:04:35.960
<v Speaker 1>going to the club with your girl. These are records

2:04:36.000 --> 2:04:42.120
<v Speaker 1>that stood the test of time and still bumping right now. Yep,

2:04:42.640 --> 2:04:47.960
<v Speaker 1>even one twelve Features and Cream. You know, you remember

2:04:48.040 --> 2:04:50.120
<v Speaker 1>the name of the song in the nineties. You don't

2:04:50.240 --> 2:04:54.920
<v Speaker 1>remember what song you remember in two thousand besides you

2:04:55.680 --> 2:05:03.280
<v Speaker 1>know me mean anybody? Yeah, huh what was that? That

2:05:04.440 --> 2:05:10.400
<v Speaker 1>was ninety nine? Yeah, that was ninety nine that he

2:05:10.840 --> 2:05:17.840
<v Speaker 1>just made it. So, Okay, there's a good one. S

2:05:18.120 --> 2:05:30.200
<v Speaker 1>w V or Escape. Nothing against Escape, and not because

2:05:30.240 --> 2:05:37.960
<v Speaker 1>I work with s WV. But I'm gonna please the fifth. Okay,

2:05:38.040 --> 2:05:41.560
<v Speaker 1>we're drinking. I'm we're gonna drink. I'm drinking my wine

2:05:41.600 --> 2:05:43.920
<v Speaker 1>over here. I had wine over here and wine over here.

2:05:43.920 --> 2:05:49.320
<v Speaker 1>It was like this is this is this? Can I

2:05:49.400 --> 2:05:50.800
<v Speaker 1>think this next one? Go ahead? Okay?

2:05:51.880 --> 2:05:58.720
<v Speaker 2>Lauren Hill or Eric Abadu mm hmm, Lauryn Hill, Ladies

2:05:58.760 --> 2:06:01.840
<v Speaker 2>and gentlemen, that was very easy for you.

2:06:02.160 --> 2:06:08.280
<v Speaker 1>Yeah, it was because lawn Hill had They both have signatures.

2:06:09.080 --> 2:06:12.600
<v Speaker 1>They both have signatures. I just think that lawn Hill

2:06:15.440 --> 2:06:18.880
<v Speaker 1>had the big records. You know, she she had the

2:06:18.960 --> 2:06:22.560
<v Speaker 1>records that made you it's like wow. And then she

2:06:22.720 --> 2:06:36.280
<v Speaker 1>had the bounce records you know, no, no, yeah, she

2:06:36.400 --> 2:06:40.880
<v Speaker 1>had those records, even though Erica Badu had the pumping records.

2:06:40.920 --> 2:06:44.480
<v Speaker 1>But for me, I felt like she didn't have like

2:06:45.240 --> 2:06:50.000
<v Speaker 1>like you could take h Lawn Hill to the clubs,

2:06:50.080 --> 2:06:54.280
<v Speaker 1>to the picnic and to the wedding. Thank you Wait

2:06:54.360 --> 2:06:56.200
<v Speaker 1>do you say that again? I'm sorry. You can take

2:06:57.600 --> 2:07:00.720
<v Speaker 1>Lauryn Hill to the club, to the picnic and the wedding,

2:07:00.920 --> 2:07:04.960
<v Speaker 1>right and the wedding, the wedding, Okay, yeah, yeah, okay,

2:07:05.000 --> 2:07:05.320
<v Speaker 1>you're right.

2:07:05.920 --> 2:07:11.400
<v Speaker 2>Yeah, but you could take Eric about dude there too,

2:07:11.680 --> 2:07:13.200
<v Speaker 2>and you can take out of the bedroom.

2:07:13.560 --> 2:07:18.240
<v Speaker 1>Yeah, and the instance in the incense. Yeah, let's be boy.

2:07:19.840 --> 2:07:28.280
<v Speaker 1>She got her. Yeah, we love you can. We had

2:07:28.320 --> 2:07:31.720
<v Speaker 1>her on. We looked. She blew it down. Man, she

2:07:31.840 --> 2:07:34.640
<v Speaker 1>made it so all of us. She made you. We

2:07:35.280 --> 2:07:41.160
<v Speaker 1>smell like good like yes, yes, and we've been by

2:07:41.720 --> 2:07:46.320
<v Speaker 1>out ever since. But yes we've been. We were so yeah,

2:07:46.400 --> 2:07:50.520
<v Speaker 1>so big up to Eric and Lauren Hill. Yeah, Lauren here.

2:07:50.600 --> 2:07:52.880
<v Speaker 2>We definitely want to give Lauren Hill her flowers as

2:07:53.680 --> 2:07:54.520
<v Speaker 2>so big them both up.

2:07:54.600 --> 2:07:56.800
<v Speaker 1>Then. I think that was a great comparison. You want

2:07:56.800 --> 2:07:57.880
<v Speaker 1>to go to the next one. Now this was you,

2:07:58.080 --> 2:07:59.440
<v Speaker 1>This is actually okay, all right, hold on, let me

2:07:59.480 --> 2:08:08.440
<v Speaker 1>look at it. Okay, all right, this relates to you too. Okay,

2:08:08.840 --> 2:08:12.000
<v Speaker 1>that's crazy, that's just it's very true. I'm like one

2:08:12.040 --> 2:08:14.520
<v Speaker 1>of the first people to work with both of Tammy

2:08:14.600 --> 2:08:22.640
<v Speaker 1>Lucas or Kalise Wow. It would be Kalise Wow, you know,

2:08:22.760 --> 2:08:31.880
<v Speaker 1>because she had Caalise is an artist. Tammy was the writer,

2:08:32.960 --> 2:08:36.400
<v Speaker 1>that's what, and she had the background vocals of life.

2:08:37.640 --> 2:08:42.600
<v Speaker 1>Caalise was just the artist and you know, she wrote

2:08:42.640 --> 2:08:45.040
<v Speaker 1>some of us stuff. I don't know how much of

2:08:45.160 --> 2:08:50.560
<v Speaker 1>it m but I felt like it would be Kalise

2:08:50.720 --> 2:08:54.160
<v Speaker 1>because she was out there more. Tammy was the hidden

2:08:54.280 --> 2:08:58.360
<v Speaker 1>jewel and still is like I don't notice, she doesn't

2:08:58.400 --> 2:09:02.400
<v Speaker 1>notice to this day. Uh. We wanted to get her

2:09:02.480 --> 2:09:06.640
<v Speaker 1>for my video. We couldn't find her like I'm Tammy.

2:09:06.760 --> 2:09:09.720
<v Speaker 2>Yeah, we couldn't find her Like I mean, I was

2:09:10.080 --> 2:09:11.920
<v Speaker 2>in our e I was probably just thinking about I

2:09:12.040 --> 2:09:14.040
<v Speaker 2>was just coming up. It's my first hit, it's my

2:09:14.120 --> 2:09:18.120
<v Speaker 2>first global hit. So I was probably like, couldn't get up,

2:09:18.120 --> 2:09:20.000
<v Speaker 2>and it was just like we can't reach her, and

2:09:20.080 --> 2:09:22.640
<v Speaker 2>then I just like probably get going. But it was

2:09:22.760 --> 2:09:25.760
<v Speaker 2>always like something and what I heard is that she

2:09:25.840 --> 2:09:27.560
<v Speaker 2>wanted to be a background.

2:09:27.840 --> 2:09:30.840
<v Speaker 1>Yeah, she wanted to be in one front. Well, she

2:09:31.000 --> 2:09:33.240
<v Speaker 1>did have a That's how Tammy Lucas and I met

2:09:33.440 --> 2:09:36.760
<v Speaker 1>actually reached out to her because I loved her record.

2:09:37.640 --> 2:09:41.880
<v Speaker 1>Her first single was like it was a club banger.

2:09:42.200 --> 2:09:44.840
<v Speaker 1>Oh wow. And then we just started making records and

2:09:45.040 --> 2:09:48.560
<v Speaker 1>you know, Tammy wrote Goodbye Love. Wow. I did not

2:09:48.680 --> 2:09:53.520
<v Speaker 1>know that. Yeah, yeah, she wrote Goodbye Love. She wrote

2:09:53.560 --> 2:09:57.280
<v Speaker 1>Joy for Michael Jackson and then we wound up giving

2:09:57.360 --> 2:10:02.840
<v Speaker 1>it to h to uh Black Street. She also wrote

2:10:02.880 --> 2:10:10.120
<v Speaker 1>Tonight's to Night for Black Streets. Tammy's is sick. Now,

2:10:10.160 --> 2:10:14.160
<v Speaker 1>if you're talking about on the writing level, I would

2:10:14.160 --> 2:10:21.680
<v Speaker 1>pick Timmy. Yeah, okay, this is so dope or follow MC.

2:10:25.040 --> 2:10:35.080
<v Speaker 1>We're preparing, we're not trying to drink. But it's because

2:10:36.480 --> 2:10:39.360
<v Speaker 1>you know, he's one of the one of the most

2:10:39.520 --> 2:10:45.080
<v Speaker 1>educated rappers. You know, this is one comod got his

2:10:45.240 --> 2:10:51.040
<v Speaker 1>master his degree. Like d is a book smart, Like

2:10:52.160 --> 2:10:55.800
<v Speaker 1>he can tell you any and everything about anything. And

2:10:56.320 --> 2:10:58.360
<v Speaker 1>that's why I worked with him because it was nothing

2:10:58.400 --> 2:11:03.080
<v Speaker 1>that like he never said things. Twice I was he's

2:11:03.280 --> 2:11:07.960
<v Speaker 1>real m C. We need over here. So him and

2:11:08.080 --> 2:11:13.920
<v Speaker 1>Chuck Rock, yeah and Father Rock. I spoke to him

2:11:13.920 --> 2:11:17.600
<v Speaker 1>for like two seconds. He's a party guy, don't. I

2:11:17.640 --> 2:11:22.000
<v Speaker 1>wouldn't say he's educated like rapper right right? He brought

2:11:22.040 --> 2:11:25.720
<v Speaker 1>you to the rolls skating wing, to the club, you know,

2:11:26.720 --> 2:11:30.720
<v Speaker 1>to the picnic you know, but would bring you there.

2:11:31.200 --> 2:11:34.400
<v Speaker 1>He was spending, was trying to spend, bring you to

2:11:34.480 --> 2:11:40.560
<v Speaker 1>the hip hop parties and make you believe everything he said. Yeah,

2:11:41.280 --> 2:11:48.560
<v Speaker 1>Aaron Harror, Timmy Gatling, that was awkward. Was it supposed

2:11:48.560 --> 2:11:52.760
<v Speaker 1>to be Aaron Hall? R Kelly? Yeah, that's but it

2:11:52.800 --> 2:11:55.760
<v Speaker 1>was supposed to be that these guys, right, it will

2:11:55.840 --> 2:12:01.920
<v Speaker 1>be Aaron Hall. Yeah. Timmy Gatlin was a great writer,

2:12:02.200 --> 2:12:07.360
<v Speaker 1>it still is. But Timmy wasn't like a singer to me.

2:12:07.960 --> 2:12:11.160
<v Speaker 1>Timmy was like like me, you know, get in where

2:12:11.160 --> 2:12:15.520
<v Speaker 1>you fit in, right and get out because when it

2:12:15.600 --> 2:12:20.280
<v Speaker 1>comes to blowing, Arra Hall was singing the lights off

2:12:21.680 --> 2:12:22.080
<v Speaker 1>back then.

2:12:22.600 --> 2:12:26.240
<v Speaker 2>Okay, but let me ask you now, let me switch

2:12:26.320 --> 2:12:29.960
<v Speaker 2>the conversation. Made the conversations Aaron Hall or Kelly? What

2:12:30.040 --> 2:12:31.360
<v Speaker 2>do you think Kelly?

2:12:31.520 --> 2:12:35.800
<v Speaker 1>All day? Kelly? It would be all Kelly because Kelly,

2:12:38.360 --> 2:12:41.280
<v Speaker 1>first of all, you messing with a signature or Kelly

2:12:41.360 --> 2:12:45.040
<v Speaker 1>doesn't sound like Arma Hall. Everybody keeps saying it and

2:12:45.160 --> 2:12:48.040
<v Speaker 1>I'm just gonna give you the will. He never sounded

2:12:48.120 --> 2:12:50.960
<v Speaker 1>like R Kelly, didn't sound like anybody. Yeah, he sounded

2:12:51.040 --> 2:12:54.680
<v Speaker 1>like himself. He had one of the smoothest voices that

2:12:54.880 --> 2:12:59.480
<v Speaker 1>will put you in the ring, the like Donnie Hathaway.

2:13:02.040 --> 2:13:05.560
<v Speaker 1>That was his Like R Kelly created his signature like

2:13:05.800 --> 2:13:14.920
<v Speaker 1>Donny Hathaway logic or pro tools logic. Do you know

2:13:14.960 --> 2:13:19.720
<v Speaker 1>I'm the first logic user? Real? Yeah, very first. I

2:13:19.880 --> 2:13:23.920
<v Speaker 1>used logic on our Tari Comodore. I did remember the time.

2:13:25.000 --> 2:13:29.800
<v Speaker 1>On our Tari Comodore. It wasn't called logic. It was

2:13:29.920 --> 2:13:34.480
<v Speaker 1>called notator, and then it went from notator to notator logic,

2:13:35.520 --> 2:13:38.160
<v Speaker 1>and then they just took the notata out and called

2:13:38.200 --> 2:13:42.760
<v Speaker 1>it logic. When it went to Macintosh. Before Apple, it

2:13:42.880 --> 2:13:46.960
<v Speaker 1>was called Macintosh crazy. So you know that computer. All

2:13:47.000 --> 2:13:50.160
<v Speaker 1>you've seen was this when you play tetric song and

2:13:50.280 --> 2:13:54.880
<v Speaker 1>Michael Jackson joked, my damn computer. He made me buy

2:13:55.720 --> 2:14:02.200
<v Speaker 1>multi He's like, is this saying does it work? What

2:14:02.400 --> 2:14:04.240
<v Speaker 1>is no? First of all, what do you say? What

2:14:04.440 --> 2:14:08.080
<v Speaker 1>is that? Because I had it on the laptop, He's like,

2:14:08.120 --> 2:14:11.280
<v Speaker 1>what is that? I was like, that's when I make

2:14:11.360 --> 2:14:16.640
<v Speaker 1>my music, he said, He said, I mean, is it good,

2:14:16.800 --> 2:14:21.720
<v Speaker 1>Like how long you had it? Like I had it

2:14:22.040 --> 2:14:25.960
<v Speaker 1>for some time now, you know. He said where should

2:14:25.960 --> 2:14:29.640
<v Speaker 1>you buy it? Like? I bought it. My guys you know,

2:14:30.960 --> 2:14:34.240
<v Speaker 1>cooked me up with it and I bought it. Can

2:14:34.280 --> 2:14:39.160
<v Speaker 1>you buy more? Like I think we need more? I

2:14:39.280 --> 2:14:43.840
<v Speaker 1>truly think so so that we'll never go down down

2:14:44.040 --> 2:14:50.400
<v Speaker 1>just like this? Can you mean? Michael? He's like, normal,

2:14:51.000 --> 2:14:54.840
<v Speaker 1>can you take take the model number and buy more,

2:14:55.440 --> 2:14:59.400
<v Speaker 1>you know, in case so we never go down. It's like, okay,

2:15:00.360 --> 2:15:04.080
<v Speaker 1>you know it is in the book where can I

2:15:04.120 --> 2:15:08.400
<v Speaker 1>asked you? Did you just say Atari Atari? Commodore computer

2:15:08.560 --> 2:15:11.440
<v Speaker 1>had their computer, they had had their own and logic

2:15:11.680 --> 2:15:18.520
<v Speaker 1>was on there. Yeah, yeah, before everybody that's triple computer ship.

2:15:18.680 --> 2:15:25.000
<v Speaker 1>Yeah yeah, definitely. It's like one point. Oh so the

2:15:25.160 --> 2:15:30.040
<v Speaker 1>visual version before that, I think you hitting the block.

2:15:30.400 --> 2:15:33.880
<v Speaker 1>I used to play that on my downtime kids. Oh

2:15:33.960 --> 2:15:39.960
<v Speaker 1>my god, before analogue. It's like there was no sound

2:15:40.040 --> 2:15:42.920
<v Speaker 1>coming out of it. You know. That was just the MIDI.

2:15:43.840 --> 2:15:46.680
<v Speaker 1>That's why I was called Notata because it's just MIDI.

2:15:47.160 --> 2:15:50.040
<v Speaker 1>And then I would use to MP. That's when I

2:15:50.440 --> 2:15:56.120
<v Speaker 1>had MPs. I used to MP. It would basically I'll

2:15:56.120 --> 2:15:58.560
<v Speaker 1>played my drum machine all of that stuff through it,

2:15:59.400 --> 2:16:01.560
<v Speaker 1>and all my keyboards would be MIDTI. And I have

2:16:03.080 --> 2:16:05.800
<v Speaker 1>a lot of producers would know this. It's called eat magic.

2:16:05.920 --> 2:16:09.440
<v Speaker 1>It was the medi and I midty all my keyboards

2:16:09.640 --> 2:16:13.880
<v Speaker 1>to the computer, which is basically MIDI is like sinking

2:16:14.000 --> 2:16:16.360
<v Speaker 1>all the differ stuff together. But I'm also the first

2:16:16.440 --> 2:16:20.680
<v Speaker 1>on pro tools as well. Oh shit, you know why? Well,

2:16:20.720 --> 2:16:24.920
<v Speaker 1>for pro toos there was sound Tools, and sound Tools

2:16:25.000 --> 2:16:27.839
<v Speaker 1>was only two tracks, and then it graduated to four tracks.

2:16:28.640 --> 2:16:33.240
<v Speaker 1>And then that's when digit Design made it. You know,

2:16:33.440 --> 2:16:37.000
<v Speaker 1>I was the first indorser. I was on I don't

2:16:37.040 --> 2:16:40.080
<v Speaker 1>know if anybody ever seen the eight eight eights. That

2:16:40.240 --> 2:16:45.120
<v Speaker 1>was the first interface, the very first, and uh I

2:16:45.160 --> 2:16:48.960
<v Speaker 1>had an endorsement. I was the first endorsement with them. Wow. Yeah.

2:16:49.160 --> 2:16:55.360
<v Speaker 1>So but between the two, I like Logic because Logic

2:16:55.800 --> 2:17:03.039
<v Speaker 1>you can have custom key commands. Choose no custom key commands,

2:17:03.120 --> 2:17:07.320
<v Speaker 1>so you gotta it's almost like slavery. You have to

2:17:07.879 --> 2:17:10.360
<v Speaker 1>use their key commands. You have to do it their way,

2:17:10.600 --> 2:17:15.720
<v Speaker 1>you know. I couldn't when when Logic had the custom

2:17:15.800 --> 2:17:25.400
<v Speaker 1>key commands, I was like freedom, All right, clips are outcasts. God,

2:17:26.360 --> 2:17:35.280
<v Speaker 1>let's start drinking drink. I'll drink to that one, let

2:17:35.320 --> 2:17:44.320
<v Speaker 1>me say yes, congratulations to the nephews and yeah, but

2:17:45.480 --> 2:17:52.199
<v Speaker 1>I have to say both of them problems. They they're amazing.

2:17:52.800 --> 2:17:57.160
<v Speaker 2>I text push your tea and I text for real, uh,

2:17:59.040 --> 2:18:04.840
<v Speaker 2>although I'm not from Yeah, I felt I felt like

2:18:05.720 --> 2:18:09.440
<v Speaker 2>they win was my win as well, Like when I

2:18:09.560 --> 2:18:12.560
<v Speaker 2>got to see like for real win and then the

2:18:12.600 --> 2:18:17.080
<v Speaker 2>Clips win at the same night and Clips being Clips,

2:18:18.680 --> 2:18:21.240
<v Speaker 2>they didn't compromise, they didn't like, you know what.

2:18:21.280 --> 2:18:24.400
<v Speaker 1>I'm saying, Like, they didn't change. They was like, so

2:18:24.640 --> 2:18:27.160
<v Speaker 1>I text person myself and I was just like.

2:18:27.200 --> 2:18:28.720
<v Speaker 2>Yo, bro, I just want you to know that's my

2:18:28.879 --> 2:18:33.520
<v Speaker 2>win too, Like I won that ship too, exactly, and

2:18:33.640 --> 2:18:35.320
<v Speaker 2>I text for real the same ship, but in like

2:18:35.440 --> 2:18:37.520
<v Speaker 2>in a different language because I didn't want to send

2:18:37.560 --> 2:18:39.520
<v Speaker 2>them the same ext want to copy and paste, you.

2:18:39.520 --> 2:18:42.960
<v Speaker 1>Know what I'm saying. So but I look and that

2:18:43.080 --> 2:18:46.080
<v Speaker 1>ship was like that, you know, I want to pick

2:18:46.160 --> 2:18:47.560
<v Speaker 1>them up. I want to big hip.

2:18:47.440 --> 2:18:50.800
<v Speaker 2>Hop up and like and then we actually think of

2:18:50.959 --> 2:18:54.920
<v Speaker 2>that like now, like you know, uh, we had Virgil,

2:18:55.240 --> 2:18:59.160
<v Speaker 2>you know, we had Yay and we got fucking you

2:18:59.240 --> 2:19:03.440
<v Speaker 2>know for real as the fucking fucking LVMH. I haven't

2:19:03.480 --> 2:19:06.480
<v Speaker 2>got my my friends and family package. It's okay, it's okay,

2:19:06.760 --> 2:19:11.000
<v Speaker 2>it's we need okay, I want everything.

2:19:11.520 --> 2:19:15.160
<v Speaker 1>I buy everything myself money as well. When you think

2:19:15.160 --> 2:19:16.480
<v Speaker 1>about what hip hop.

2:19:16.760 --> 2:19:18.520
<v Speaker 2>When you think about that Biggie line, do you think

2:19:18.560 --> 2:19:22.200
<v Speaker 2>that hip hop was making this wall and that ship

2:19:22.320 --> 2:19:22.800
<v Speaker 2>is crazy?

2:19:22.920 --> 2:19:23.000
<v Speaker 4>Bro?

2:19:23.440 --> 2:19:27.400
<v Speaker 1>That's huge. That's that's a signature. Like that's a slog.

2:19:27.520 --> 2:19:30.680
<v Speaker 1>That should be a a dog on billboard. It should

2:19:30.720 --> 2:19:35.160
<v Speaker 1>be billboards like that's just stage everywhere, everywhere everything that

2:19:35.760 --> 2:19:39.440
<v Speaker 1>make it on hip What hip Hop's fiftieth birthday? That

2:19:39.520 --> 2:19:43.680
<v Speaker 1>should have been on every billboard. Yes, nobody put it

2:19:43.800 --> 2:19:44.960
<v Speaker 1>up there. True.

2:19:45.160 --> 2:19:53.760
<v Speaker 2>Damn, that's real. That's real, that's real. I still got goosebump. Yeah,

2:19:54.200 --> 2:19:58.840
<v Speaker 2>we got, we got ready time you got more? N

2:19:58.920 --> 2:20:05.080
<v Speaker 2>PC sixty, that's p m PC sixty. Straight producer question.

2:20:05.920 --> 2:20:09.120
<v Speaker 2>That's a straight producer question. Yeah, definitely, this was for

2:20:09.200 --> 2:20:14.640
<v Speaker 2>you man. Okay question Wait, okay, wait, damn okay, it's

2:20:14.640 --> 2:20:18.760
<v Speaker 2>a car question. A right BMW M three or the

2:20:18.840 --> 2:20:19.440
<v Speaker 2>bens g.

2:20:20.120 --> 2:20:25.640
<v Speaker 1>T coop GT coop gt coop. Yeah, okay. New Jack

2:20:25.720 --> 2:20:29.520
<v Speaker 1>City or King of New York Jack One, New Jack

2:20:29.600 --> 2:20:33.200
<v Speaker 1>City or King of New York Jack City. You're in

2:20:33.320 --> 2:20:39.400
<v Speaker 1>New Jack City, New Jack City for sure, super producer.

2:20:39.480 --> 2:20:45.160
<v Speaker 1>Question here Rolling V since or Yamaha motif? What do

2:20:45.280 --> 2:20:48.080
<v Speaker 1>you know? I have about how many? Babe? I got

2:20:48.120 --> 2:20:53.160
<v Speaker 1>about five or six Rolling V since they discontinued. So

2:20:53.280 --> 2:20:55.160
<v Speaker 1>I buy them all every time I see when I

2:20:55.280 --> 2:21:00.680
<v Speaker 1>buy it because it's my sound, right, the sound on

2:21:00.800 --> 2:21:03.880
<v Speaker 1>that that's what you see me playing every on stage

2:21:04.240 --> 2:21:08.880
<v Speaker 1>if y'all had one. Here, I was at the radio station.

2:21:09.160 --> 2:21:12.920
<v Speaker 1>We did a Q and a book signing and and

2:21:13.040 --> 2:21:15.560
<v Speaker 1>we were doing questions and I would play the records

2:21:15.600 --> 2:21:19.400
<v Speaker 1>and they were like, so I played remember the time

2:21:19.640 --> 2:21:23.120
<v Speaker 1>on it? Right? It was like it sounds like the record.

2:21:23.200 --> 2:21:26.200
<v Speaker 1>I said, yeah, this is, but that's when I did it.

2:21:26.440 --> 2:21:29.680
<v Speaker 1>You re played it over for the play. Oh wow,

2:21:29.800 --> 2:21:32.760
<v Speaker 1>that's fire, And right in front of everyone was like wow.

2:21:33.680 --> 2:21:37.440
<v Speaker 1>They didn't understand, like, where's the music coming from in

2:21:37.600 --> 2:21:41.680
<v Speaker 1>the mic? And I'm and it's coming out of the keyboard.

2:21:41.800 --> 2:21:46.320
<v Speaker 1>It's like, so yeah, next time. However, every every beat

2:21:46.400 --> 2:21:50.120
<v Speaker 1>that he mimicked, it sounds exactly like yeah, it's like

2:21:51.360 --> 2:21:54.920
<v Speaker 1>a beat box when you did the records. You know,

2:21:55.240 --> 2:21:59.080
<v Speaker 1>you know when you make these records. At least I

2:21:59.200 --> 2:22:02.280
<v Speaker 1>know the music. A lot of my songs I don't

2:22:02.440 --> 2:22:04.680
<v Speaker 1>because didn't Michael do that. Didn't He used to sound

2:22:04.720 --> 2:22:09.680
<v Speaker 1>out records like melodies and stuff. Man. I remember We're

2:22:09.680 --> 2:22:13.840
<v Speaker 1>in a room actually making a joint with a dog

2:22:14.400 --> 2:22:17.480
<v Speaker 1>upright piano and him doing the beat box, and I

2:22:17.600 --> 2:22:21.120
<v Speaker 1>was like, how am I gonna convince him? Like with

2:22:21.280 --> 2:22:27.960
<v Speaker 1>a damn upright But he had imagination because he's like,

2:22:28.480 --> 2:22:33.640
<v Speaker 1>no drum machines, no nothing. You take the piano and

2:22:33.720 --> 2:22:36.800
<v Speaker 1>I have this idea. Check it out. It goes like this,

2:22:45.760 --> 2:22:49.960
<v Speaker 1>you're telling me Michael had to beat box. No, no, no,

2:22:50.280 --> 2:22:55.440
<v Speaker 1>He's be boxing that regularly. And I was like, what

2:22:55.560 --> 2:22:58.240
<v Speaker 1>am I going to do to that? My mind went

2:22:58.280 --> 2:23:02.600
<v Speaker 1>to James Brown. He was James Brown, so I went

2:23:09.879 --> 2:23:22.080
<v Speaker 1>so put that she's just so and he's making this.

2:23:22.320 --> 2:23:28.160
<v Speaker 1>We're making this on a dog on upright piano. It's

2:23:28.240 --> 2:23:32.320
<v Speaker 1>like this dude's taking me through college right now, because

2:23:32.480 --> 2:23:35.880
<v Speaker 1>I ain't never made no reight nothing, creating anything on

2:23:36.000 --> 2:23:40.160
<v Speaker 1>an upright piano. You do that in church, you know.

2:23:41.640 --> 2:23:49.400
<v Speaker 1>But that's the way he worked spoons and washed you know. Yo,

2:23:49.560 --> 2:23:54.480
<v Speaker 1>he's straight from the old days. Like that's the way

2:23:54.520 --> 2:24:01.360
<v Speaker 1>he makes music. Crazy. Look at we're almost done. Jugie

2:24:01.440 --> 2:24:09.680
<v Speaker 1>Fresh or slick Rick. That's that's drinking. That's some drinking

2:24:11.560 --> 2:24:16.039
<v Speaker 1>right now. He's like every D like every D make

2:24:16.240 --> 2:24:21.520
<v Speaker 1>bully man. Yeah, y'all, y'all bullying me, man, that's a

2:24:22.040 --> 2:24:25.360
<v Speaker 1>that's not a good one. Okay. So this is the

2:24:25.440 --> 2:24:29.920
<v Speaker 1>last one. The thing about her which is not recogn

2:24:30.240 --> 2:24:35.280
<v Speaker 1>slick Rick that you would like to say one. Those

2:24:35.320 --> 2:24:39.840
<v Speaker 1>are my brothers man, and we started out, you know,

2:24:40.280 --> 2:24:43.360
<v Speaker 1>back in high school. I can't put them against each other.

2:24:43.480 --> 2:24:49.560
<v Speaker 1>That's like taking that's like putting you against and we

2:24:49.600 --> 2:24:52.880
<v Speaker 1>don't want to do it exactly. Yeah I would. I'll

2:24:52.920 --> 2:24:56.200
<v Speaker 1>be get it. Let's drink for them again. Yes, let's

2:24:59.240 --> 2:25:01.080
<v Speaker 1>drink them the one more time.

2:25:01.280 --> 2:25:04.200
<v Speaker 2>And all right, so this is the last one before

2:25:04.240 --> 2:25:06.640
<v Speaker 2>we go back into the interview. I bet y'all know

2:25:06.760 --> 2:25:08.680
<v Speaker 2>it is loyalty or respect.

2:25:12.560 --> 2:25:20.680
<v Speaker 1>Wow. Okay, wow, No, I don't don't for because I'm

2:25:20.680 --> 2:25:25.520
<v Speaker 1>gonna take a shot just for leaving it right now. Now. Yeah, yeah,

2:25:26.240 --> 2:25:28.280
<v Speaker 1>we got we got a celebration shot for him right there.

2:25:28.320 --> 2:25:30.840
<v Speaker 1>That's all right enough, you're holding it down. He held

2:25:30.879 --> 2:25:34.280
<v Speaker 1>it down, man, that's right. You are holding up the

2:25:34.320 --> 2:25:38.800
<v Speaker 1>family name. There it is it is. I am going

2:25:38.920 --> 2:25:45.080
<v Speaker 1>to I'm going to say, because I spoke about corners

2:25:45.120 --> 2:25:57.040
<v Speaker 1>and circles, so I would choose I would choose them both. Yeah,

2:25:58.480 --> 2:26:03.680
<v Speaker 1>so quick job. My reason for picking them both, yes,

2:26:03.800 --> 2:26:07.800
<v Speaker 1>please please, we need a good release. You can't buy

2:26:07.920 --> 2:26:13.760
<v Speaker 1>loyalty and you can't buy respect, both of our goal.

2:26:15.760 --> 2:26:19.800
<v Speaker 1>There's no cost. I don't see why anybody picks one. Yes, exactly,

2:26:20.080 --> 2:26:22.840
<v Speaker 1>that's for me and him come up with. Really the

2:26:24.480 --> 2:26:26.879
<v Speaker 1>respect great for loyalty, but I think they go hand

2:26:26.920 --> 2:26:30.600
<v Speaker 1>in hand. They do. They do, because if you don't

2:26:30.640 --> 2:26:33.040
<v Speaker 1>have the loyalty and the respect, then you ain't got

2:26:33.080 --> 2:26:38.120
<v Speaker 1>a corner yep right, just for somebody who's going to

2:26:38.400 --> 2:26:42.520
<v Speaker 1>do this to you and didn't break out right yep right.

2:26:43.280 --> 2:26:45.560
<v Speaker 1>You don't want people like that. I had to get

2:26:45.640 --> 2:26:48.520
<v Speaker 1>rid of them. Well, I had to get away from them.

2:26:48.840 --> 2:26:54.640
<v Speaker 1>You know. It was kind of when you start entering

2:26:55.480 --> 2:27:00.080
<v Speaker 1>your fifties, you don't want no headaches or stress. You

2:27:00.160 --> 2:27:04.359
<v Speaker 1>don't want know nothing, because when you're getting your sixties,

2:27:05.800 --> 2:27:08.600
<v Speaker 1>you might as well hang it up because you stressed

2:27:09.160 --> 2:27:15.080
<v Speaker 1>like you're just done and I'm not done yet, you know,

2:27:15.480 --> 2:27:17.480
<v Speaker 1>just like we know you well said you can be

2:27:17.680 --> 2:27:21.840
<v Speaker 1>eight or eighty, you can still keep going. You keep going,

2:27:23.000 --> 2:27:25.200
<v Speaker 1>just keep the stress out. And that's what Quincy said

2:27:25.240 --> 2:27:28.440
<v Speaker 1>before he passed. He said, you know, what's the one

2:27:28.560 --> 2:27:33.720
<v Speaker 1>thing that if you had to do it all over again,

2:27:33.959 --> 2:27:37.680
<v Speaker 1>that you would stay away from him? He said, you

2:27:37.760 --> 2:27:40.240
<v Speaker 1>know the headaches to stress. You know, let no one

2:27:40.320 --> 2:27:43.440
<v Speaker 1>stress you. It's difficult now, you know, let no one

2:27:43.520 --> 2:27:48.959
<v Speaker 1>spoil your joy. And that's the that's the key to life.

2:27:49.520 --> 2:27:54.119
<v Speaker 1>We're bombarded, bombarded with stress right now. Yes by this too,

2:27:54.480 --> 2:27:58.560
<v Speaker 1>you know, yeah, that's true. But our show is the freeivency.

2:27:59.120 --> 2:28:01.040
<v Speaker 1>If the prophecy is is really we want to give

2:28:01.080 --> 2:28:03.920
<v Speaker 1>your flowers. Man, We want you to know how much

2:28:04.240 --> 2:28:07.160
<v Speaker 1>you mean to this game, how much like face to

2:28:07.200 --> 2:28:09.680
<v Speaker 1>face man, the man you said it's better than the

2:28:09.760 --> 2:28:19.840
<v Speaker 1>grand well on the wall. Let me I just tell you, man,

2:28:21.280 --> 2:28:24.920
<v Speaker 1>like I A is like I know, I knew, but

2:28:25.120 --> 2:28:27.960
<v Speaker 1>I didn't know how much you produced.

2:28:28.000 --> 2:28:30.280
<v Speaker 2>I didn't know how much. I was like, holy ship,

2:28:30.400 --> 2:28:33.119
<v Speaker 2>because I already knew it. But then when you're looking

2:28:33.160 --> 2:28:34.960
<v Speaker 2>at them like there's no way, I'm like, I know

2:28:35.040 --> 2:28:38.920
<v Speaker 2>everything about Teddy, but these other records are playing and

2:28:38.959 --> 2:28:41.560
<v Speaker 2>I'm like, wait a minute. And that goes back to

2:28:41.680 --> 2:28:46.160
<v Speaker 2>that that signature sound that's my gift that we yeah,

2:28:46.400 --> 2:28:54.600
<v Speaker 2>I mean you you but and I just want to

2:28:54.879 --> 2:28:57.160
<v Speaker 2>tell you, face to face, man, the man like man

2:28:57.360 --> 2:29:01.040
<v Speaker 2>like you. You you gave so much to our culture,

2:29:01.080 --> 2:29:03.600
<v Speaker 2>you gave so much to us our people.

2:29:03.720 --> 2:29:07.960
<v Speaker 1>You're still giving and you're still giving, and we appreciate you.

2:29:08.160 --> 2:29:10.480
<v Speaker 1>We love you. We want you to know that your

2:29:10.640 --> 2:29:16.160
<v Speaker 1>legacy is cemented in Stone. I appreciate it. Man. We

2:29:16.400 --> 2:29:20.199
<v Speaker 1>were like, no, no, dead serious like you know actually,

2:29:20.920 --> 2:29:22.920
<v Speaker 1>and I'm gonna take a shot for you. You don't

2:29:26.920 --> 2:29:32.480
<v Speaker 1>drink that one joint. Okay, okay, I'm starting to hear slurs,

2:29:32.840 --> 2:29:37.680
<v Speaker 1>but all of our But now let's talk about the book, because.

2:29:38.680 --> 2:29:41.400
<v Speaker 2>Because I'll tell you this, I'll tell you this about

2:29:41.480 --> 2:29:47.280
<v Speaker 2>about two. You're a very private guy. You're a very

2:29:47.360 --> 2:29:47.959
<v Speaker 2>private guy.

2:29:48.120 --> 2:29:52.160
<v Speaker 1>Yes, indeed, yes, indeed, yes, indeed. I've been in the

2:29:52.240 --> 2:29:57.000
<v Speaker 1>industry twenty years, damn there, and people.

2:29:58.320 --> 2:30:00.640
<v Speaker 2>You're not a person that people talk about. What I

2:30:00.720 --> 2:30:04.120
<v Speaker 2>mean by that is like the rumor section. You're not

2:30:04.280 --> 2:30:05.680
<v Speaker 2>in the rumor section, and you're not.

2:30:05.879 --> 2:30:07.200
<v Speaker 1>You stay out of you stay out of that.

2:30:07.400 --> 2:30:11.240
<v Speaker 2>But then now you're dropping a book. Oh, the book

2:30:11.320 --> 2:30:16.040
<v Speaker 2>is out the books, it's out right, So what makes

2:30:16.080 --> 2:30:19.600
<v Speaker 2>you how do you navigate that, like, like, because you're

2:30:19.600 --> 2:30:21.360
<v Speaker 2>a private I can tell you a private guy, right,

2:30:21.680 --> 2:30:24.240
<v Speaker 2>how do you live a private.

2:30:23.959 --> 2:30:26.720
<v Speaker 1>Life but then give a book to the world about

2:30:26.760 --> 2:30:30.560
<v Speaker 1>your life? I just felt this time I had this

2:30:30.680 --> 2:30:35.280
<v Speaker 1>book twelve years twelve years plus was thirteen okay, thirteen okay? Yeah?

2:30:35.640 --> 2:30:40.000
<v Speaker 1>How open were you when you very you know, you

2:30:40.160 --> 2:30:44.040
<v Speaker 1>definitely when you are reading everybody who read it, even

2:30:44.120 --> 2:30:47.800
<v Speaker 1>now to like my kids, they were like, there's a

2:30:47.840 --> 2:30:50.119
<v Speaker 1>lot of stuff I did not know in a good

2:30:50.160 --> 2:30:52.640
<v Speaker 1>way or a bad way. Good like you know, but

2:30:53.160 --> 2:30:56.760
<v Speaker 1>some bad Like there was some bad things like to

2:30:56.840 --> 2:30:59.720
<v Speaker 1>me seeing my life before me and stuff like that

2:31:00.080 --> 2:31:03.160
<v Speaker 1>that you will read about. I never wanted wanted to

2:31:03.200 --> 2:31:04.960
<v Speaker 1>tell those stories. And then I say, you know what,

2:31:06.400 --> 2:31:09.119
<v Speaker 1>I'm getting older now, you know, and I must tell

2:31:09.200 --> 2:31:14.600
<v Speaker 1>my truth. And someone said to me, you better tell

2:31:14.640 --> 2:31:17.000
<v Speaker 1>your truth and tell your story before they tell it

2:31:17.360 --> 2:31:21.119
<v Speaker 1>for someone else. Somebody will tell your story. And I say,

2:31:21.200 --> 2:31:23.200
<v Speaker 1>you know, I got to beat that. You know, we're

2:31:23.240 --> 2:31:26.200
<v Speaker 1>coming with the TV film and it's even more than this.

2:31:26.680 --> 2:31:28.680
<v Speaker 1>We come in with the rooftop film. Is we come

2:31:28.760 --> 2:31:32.240
<v Speaker 1>with a few things that I think people will want

2:31:32.280 --> 2:31:34.800
<v Speaker 1>to see. This is an old map some things you

2:31:34.959 --> 2:31:38.039
<v Speaker 1>read in here don't follow it, and some things you're

2:31:38.080 --> 2:31:39.960
<v Speaker 1>reading here you'll be like, oh, this is how he

2:31:40.080 --> 2:31:44.480
<v Speaker 1>did that. I'm going to try that. And it's a tool,

2:31:44.680 --> 2:31:48.520
<v Speaker 1>you know, it's a tool, and at the same time

2:31:48.600 --> 2:31:52.760
<v Speaker 1>it's a collector's item. Because it's my first book. My

2:31:52.840 --> 2:31:56.040
<v Speaker 1>next book will probably be a children's book. That's fire

2:31:56.959 --> 2:31:58.640
<v Speaker 1>and the reason why I want to make a children's

2:31:58.640 --> 2:32:02.320
<v Speaker 1>book because I always had this imaginary friend when I

2:32:02.440 --> 2:32:05.160
<v Speaker 1>was young, and my parents used to argue and fight,

2:32:06.560 --> 2:32:08.600
<v Speaker 1>and I say, you know what, this is my way

2:32:08.680 --> 2:32:10.960
<v Speaker 1>to get away from it. And my imaginary friend was

2:32:11.000 --> 2:32:13.920
<v Speaker 1>the music Man. So I'm writing The Music Man. It

2:32:14.040 --> 2:32:17.840
<v Speaker 1>tells you more about the music that inspired me, and

2:32:17.959 --> 2:32:21.720
<v Speaker 1>the tree of music that inspired me to create, how

2:32:21.800 --> 2:32:26.040
<v Speaker 1>I created and what made me do it, and the

2:32:26.120 --> 2:32:30.119
<v Speaker 1>how tos. So this is not the how to, it's

2:32:30.240 --> 2:32:34.240
<v Speaker 1>just a world map and what did he do? What

2:32:34.400 --> 2:32:39.800
<v Speaker 1>did he use? You know, more technical aspect. But the

2:32:39.920 --> 2:32:44.120
<v Speaker 1>children book, the children book will show them this is

2:32:44.200 --> 2:32:47.760
<v Speaker 1>what you do. It's almost like reading the manual. But

2:32:48.200 --> 2:32:50.120
<v Speaker 1>I got two more questions, and let me say, I

2:32:50.200 --> 2:32:53.120
<v Speaker 1>got two more questions, So it's almost like reading the

2:32:53.240 --> 2:32:58.040
<v Speaker 1>Manual of life. How to start music or how to

2:32:58.160 --> 2:33:03.720
<v Speaker 1>start creation. So I think it would be something specially.

2:33:03.720 --> 2:33:06.000
<v Speaker 1>It would be music behind it, lots of music. But

2:33:06.120 --> 2:33:08.840
<v Speaker 1>I love that kids music. Okay, So I have two

2:33:08.879 --> 2:33:12.240
<v Speaker 1>more questions before I go back and as as jay

2:33:12.320 --> 2:33:16.720
<v Speaker 1>Z or Nas, why did you do that? Went back

2:33:16.760 --> 2:33:20.000
<v Speaker 1>into the quick time it's slim? Yeah, this is this

2:33:20.120 --> 2:33:24.360
<v Speaker 1>is crazy. I went back into it. Oh, because well

2:33:28.320 --> 2:33:30.280
<v Speaker 1>I'm gonna plead the fifth on that. So we got

2:33:30.360 --> 2:33:33.600
<v Speaker 1>a drink now, Yeah, definitely felt like I wanted to

2:33:33.680 --> 2:33:37.800
<v Speaker 1>drink anyway. Yeah, yeah, we know that. But okay, now

2:33:38.480 --> 2:33:39.959
<v Speaker 1>let me tell you. Let me tell you out quick

2:33:40.040 --> 2:33:45.520
<v Speaker 1>quick quick wick, no cat, no fun fact. Do you

2:33:45.680 --> 2:33:49.879
<v Speaker 1>know when I was coming up in the studio. When

2:33:49.920 --> 2:33:51.760
<v Speaker 1>I was coming up in the studio, I was at

2:33:51.800 --> 2:33:56.240
<v Speaker 1>the studio called power Play, playing queens. Yes, that's exactly. Okay,

2:33:56.360 --> 2:33:57.880
<v Speaker 1>guess what I made my first record. So I don't

2:33:57.879 --> 2:33:59.960
<v Speaker 1>know where you're going. My alumni at okay, okay, okay,

2:34:00.240 --> 2:34:04.200
<v Speaker 1>damn you. My alumni with Nas Nas was and I

2:34:04.680 --> 2:34:09.000
<v Speaker 1>were at the same studio. He was rapping and starting

2:34:09.080 --> 2:34:14.000
<v Speaker 1>his you know he wanted to do. I was in

2:34:14.080 --> 2:34:17.240
<v Speaker 1>the studio working with kids at work, and I was

2:34:17.320 --> 2:34:22.879
<v Speaker 1>working with Fred mcfalland and Alan George who made somebody

2:34:22.959 --> 2:34:26.160
<v Speaker 1>Else's Guy, and those guys were teaching me about how

2:34:26.240 --> 2:34:31.360
<v Speaker 1>to produce. Yeah. Wow, So that was you know, I

2:34:31.440 --> 2:34:35.200
<v Speaker 1>can't go against Naves now with jay Z. Jay Z,

2:34:35.879 --> 2:34:38.080
<v Speaker 1>you know, used to come to Virginia and jay Z

2:34:38.360 --> 2:34:44.800
<v Speaker 1>was the connection to you know, signing Beanie Cigu and

2:34:44.840 --> 2:34:47.120
<v Speaker 1>all those guys. But they came down to the studio

2:34:47.320 --> 2:34:52.440
<v Speaker 1>to work with me because I heard Virginia, Virginia. I've

2:34:52.480 --> 2:34:54.840
<v Speaker 1>ever heard this story that day was supposed to be

2:34:55.240 --> 2:35:00.720
<v Speaker 1>signed to you and sid y'all need to be with me,

2:35:01.800 --> 2:35:04.000
<v Speaker 1>not money joking. I don't know how it really came out,

2:35:04.080 --> 2:35:09.560
<v Speaker 1>but I would I felt like, right now, oh no,

2:35:11.040 --> 2:35:15.000
<v Speaker 1>But I wasn't. I wasn't ready for them. My thing

2:35:15.200 --> 2:35:16.920
<v Speaker 1>was I was I was more into the R and B.

2:35:18.320 --> 2:35:23.120
<v Speaker 1>But my my guys and my family from Philly, they

2:35:23.160 --> 2:35:26.200
<v Speaker 1>were like, yo, they need to be with you, and

2:35:26.280 --> 2:35:28.640
<v Speaker 1>I kind of sort of wish I would have signed

2:35:28.640 --> 2:35:32.440
<v Speaker 1>at least one of them, you know, I think it

2:35:32.440 --> 2:35:35.040
<v Speaker 1>would have been which one? Which one? You you were

2:35:35.440 --> 2:35:38.879
<v Speaker 1>Freeway Freeway, Well I can see that and the reason

2:35:38.920 --> 2:35:41.640
<v Speaker 1>why because Freeway was more like, you know, to me,

2:35:42.879 --> 2:35:46.880
<v Speaker 1>it's more like Rex in effect, like I could have

2:35:46.920 --> 2:35:49.920
<v Speaker 1>done some crazy for him, but I was educated too.

2:35:50.040 --> 2:35:53.720
<v Speaker 1>He was sick when it came to like yo stories

2:35:53.760 --> 2:35:55.320
<v Speaker 1>and different things like you if.

2:35:55.200 --> 2:35:58.560
<v Speaker 2>You're related to Rex and effects. I could see Beings

2:35:58.959 --> 2:36:02.600
<v Speaker 2>and Freeway like that. Yeah as that group, because being

2:36:02.920 --> 2:36:08.120
<v Speaker 2>was more more like yo, being kicks science. It was

2:36:08.240 --> 2:36:09.760
<v Speaker 2>more like I love.

2:36:11.120 --> 2:36:15.520
<v Speaker 1>Yeah, I love being, like I really like like yeah,

2:36:15.600 --> 2:36:17.560
<v Speaker 1>so I ain't gonna What I'm trying to say is

2:36:17.640 --> 2:36:19.840
<v Speaker 1>like what you what you're saying is like if I

2:36:19.879 --> 2:36:22.560
<v Speaker 1>would have seen them together with that, oh, that would

2:36:22.560 --> 2:36:25.000
<v Speaker 1>have been crazy, but that would have been another creation

2:36:25.120 --> 2:36:30.000
<v Speaker 1>of like so you property, did you have the property?

2:36:30.120 --> 2:36:32.720
<v Speaker 1>Or just that was just me. It was everyone was

2:36:34.320 --> 2:36:39.600
<v Speaker 1>my brothers, the Bias brothers and guns young guns. Yeah

2:36:40.160 --> 2:36:44.920
<v Speaker 1>so so so when they brought him down, they all

2:36:45.040 --> 2:36:46.880
<v Speaker 1>used to come down just to hang with me. And

2:36:47.720 --> 2:36:50.560
<v Speaker 1>you know when they told free and them, yo, y'all

2:36:50.600 --> 2:36:52.920
<v Speaker 1>going to see Teddy ally it was like yo, they

2:36:53.080 --> 2:36:56.440
<v Speaker 1>was excited about it. But when Jay was there, it

2:36:56.560 --> 2:37:01.360
<v Speaker 1>was like we see the guy like Michael Jackson of rap.

2:37:02.040 --> 2:37:04.600
<v Speaker 1>You know what I'm saying, Like James did to see you. Yeah,

2:37:04.640 --> 2:37:07.760
<v Speaker 1>he was we was working on you. Belong to the city. Oh,

2:37:12.400 --> 2:37:15.160
<v Speaker 1>I'm in there making the beat. So wait, this is

2:37:15.240 --> 2:37:22.240
<v Speaker 1>happened at that same time. That's crazy. He's gonna be mocking.

2:37:25.560 --> 2:37:30.560
<v Speaker 1>I ain't see not one paper with the deal. I

2:37:30.720 --> 2:37:36.800
<v Speaker 1>was like, Sanna jane't write nothing. He didn't write nothing.

2:37:37.080 --> 2:37:39.440
<v Speaker 1>Everything was just from his head, right, because that's the

2:37:39.440 --> 2:37:44.960
<v Speaker 1>way he wrote. Right. I'm like, Wow, that's history. So

2:37:45.080 --> 2:37:47.280
<v Speaker 1>I got I got to work with the Michael Jackson

2:37:47.320 --> 2:37:52.600
<v Speaker 1>of rap Damn big up? Or should I say to

2:37:52.680 --> 2:37:58.880
<v Speaker 1>Frank Sinatra, Yeah, the Frank Sinatra Jackson. So if you

2:37:58.959 --> 2:38:07.400
<v Speaker 1>want to put it, put in perspective, Frank Jackson, Frank Jackson.

2:38:09.920 --> 2:38:16.200
<v Speaker 1>That's that's that's crazy. You call me Frank Jackson character.

2:38:18.040 --> 2:38:20.560
<v Speaker 1>The only time I worked with jay Z I worked

2:38:20.840 --> 2:38:23.560
<v Speaker 1>on the R. Kelly record. It's me R Kelly and

2:38:24.040 --> 2:38:28.400
<v Speaker 1>me R Kelly, jay Z and Cameron. Wow, did I

2:38:28.440 --> 2:38:35.000
<v Speaker 1>say this part of the interview? Man safe? It's real ship.

2:38:37.200 --> 2:38:41.760
<v Speaker 2>Okay, So now I'm moving on. We write this book.

2:38:43.760 --> 2:38:45.600
<v Speaker 2>This is the first time you're kind of like, you

2:38:45.680 --> 2:38:48.760
<v Speaker 2>know what I mean? Everyone knows Teddy is a very

2:38:48.879 --> 2:38:52.680
<v Speaker 2>protective person. He doesn't is there something in your mind

2:38:52.720 --> 2:38:55.640
<v Speaker 2>that you say? Okay, I wrote this and now I

2:38:55.760 --> 2:38:58.440
<v Speaker 2>have to like kind of like, you know, stand behind me.

2:38:58.600 --> 2:39:00.040
<v Speaker 2>I have to kind of like stand behind it. I

2:39:00.080 --> 2:39:00.640
<v Speaker 2>have to stand up.

2:39:00.680 --> 2:39:04.760
<v Speaker 1>I stand by everything that's in this book here because

2:39:05.840 --> 2:39:13.280
<v Speaker 1>it's literally, I would say, three and a half decades

2:39:13.360 --> 2:39:19.400
<v Speaker 1>of my life, you know. And even like my son's mother,

2:39:20.400 --> 2:39:25.039
<v Speaker 1>she said, you you owe this. This is the first book.

2:39:25.240 --> 2:39:29.280
<v Speaker 1>I said, how you know I'm doing the second? She said,

2:39:29.360 --> 2:39:32.800
<v Speaker 1>because you got you got a lot more than you

2:39:32.920 --> 2:39:36.600
<v Speaker 1>need to talk about, Like you got a whole lot more.

2:39:36.840 --> 2:39:39.480
<v Speaker 1>You know, you didn't even talk about what really happened

2:39:39.480 --> 2:39:42.280
<v Speaker 1>in the business, what happened to you and different things.

2:39:42.320 --> 2:39:46.119
<v Speaker 1>I said, it's not time for it. Do you think

2:39:46.160 --> 2:39:50.640
<v Speaker 1>about the era? No, No, I'm talking about respect to her,

2:39:50.959 --> 2:39:54.800
<v Speaker 1>But I'm talking about that's read part. You know things

2:39:54.840 --> 2:39:57.960
<v Speaker 1>you just got a hold. You got volumes. Yeah, you

2:39:58.080 --> 2:40:03.880
<v Speaker 1>got a hold. But my next thing is creating the

2:40:04.000 --> 2:40:09.480
<v Speaker 1>New Jack Swing Symphony Tour and performance. And it's a

2:40:09.520 --> 2:40:14.400
<v Speaker 1>whole symphony for I already bought my tickets. Everybody in tuxedos,

2:40:14.520 --> 2:40:17.840
<v Speaker 1>we come in here. We're gonna use the Miami Symphony Orchestra,

2:40:18.800 --> 2:40:21.400
<v Speaker 1>and I want to share my music that way. That's dope.

2:40:22.000 --> 2:40:24.960
<v Speaker 1>And I think it'll be so flying. Then I have

2:40:25.120 --> 2:40:27.520
<v Speaker 1>the G two point oh, the Guy to point Oh

2:40:28.280 --> 2:40:34.400
<v Speaker 1>album coming this summer, and yeah, coming back out the

2:40:34.520 --> 2:40:38.680
<v Speaker 1>new Guy, the New Guy. Yeah literally yeah. But you

2:40:39.040 --> 2:40:41.520
<v Speaker 1>I wish, I wish, I wish I could have invited

2:40:42.040 --> 2:40:44.600
<v Speaker 1>to the concert. I would, I would have been there first.

2:40:44.840 --> 2:40:51.280
<v Speaker 1>We ended it with Franky Beverley. We are one. That's

2:40:51.360 --> 2:40:55.120
<v Speaker 1>the singers I got. And these these are these are

2:40:55.560 --> 2:40:59.560
<v Speaker 1>new people. Yeah, these you you know them. You don't

2:40:59.560 --> 2:41:02.360
<v Speaker 1>know the new Guy. Yeah, these are new people. But

2:41:02.600 --> 2:41:05.680
<v Speaker 1>you remember. So I just took some all star singers,

2:41:06.360 --> 2:41:08.680
<v Speaker 1>you know how r L and all of them, they

2:41:08.720 --> 2:41:11.520
<v Speaker 1>just put like a super group together. I just took

2:41:11.560 --> 2:41:14.800
<v Speaker 1>some all star singers and created the Woontange Klan of singers.

2:41:14.959 --> 2:41:18.960
<v Speaker 1>I like that ship. You just got me and I

2:41:19.080 --> 2:41:23.400
<v Speaker 1>got my Frankie Beverly voice. I have my R. Kelly voice,

2:41:24.120 --> 2:41:27.040
<v Speaker 1>and I have my Charlie Wilson, and then I have

2:41:27.240 --> 2:41:32.400
<v Speaker 1>my El DeBarge. So that's that matchup right there. That's

2:41:32.480 --> 2:41:35.600
<v Speaker 1>a mashup. When you hear the voices, you be like,

2:41:37.360 --> 2:41:39.680
<v Speaker 1>how did he do it? Like I did a show

2:41:40.360 --> 2:41:44.920
<v Speaker 1>in Boston and Ronnie de Vogue was there. He called

2:41:45.879 --> 2:41:48.960
<v Speaker 1>he called my guy. He said, how did Teddy do that?

2:41:49.120 --> 2:41:53.720
<v Speaker 1>How did he duplicate the voices of Black Street Guy

2:41:56.280 --> 2:41:59.680
<v Speaker 1>and the guys? He said, he's an architect we respect.

2:42:01.720 --> 2:42:05.800
<v Speaker 1>So he said, yo, is he going to be Is

2:42:05.840 --> 2:42:07.800
<v Speaker 1>he going to take that on tour? And I say, ye,

2:42:07.800 --> 2:42:10.440
<v Speaker 1>I'm gonna take it on tour. I want to take

2:42:10.440 --> 2:42:12.040
<v Speaker 1>it as my purpose. I didn't want to do the

2:42:12.120 --> 2:42:15.840
<v Speaker 1>same thing Babyfaced. It was go on tour with the

2:42:16.480 --> 2:42:19.360
<v Speaker 1>all star singers and people not know who they are.

2:42:19.560 --> 2:42:21.640
<v Speaker 1>So I just that's why I say, got two point oh.

2:42:21.879 --> 2:42:26.160
<v Speaker 1>Not taking anything away from Guy because guys original here,

2:42:26.440 --> 2:42:31.480
<v Speaker 1>you know. But I wanted to stay consistent and I

2:42:31.560 --> 2:42:33.960
<v Speaker 1>didn't the Black Street thing. I didn't want to do that.

2:42:34.120 --> 2:42:36.959
<v Speaker 1>The guys are still doing what they're doing, but Aaron

2:42:37.040 --> 2:42:39.840
<v Speaker 1>and Damien, you know, they're not on the road, and

2:42:39.959 --> 2:42:42.480
<v Speaker 1>we have to be consistent. I'm tired of my music

2:42:42.600 --> 2:42:46.160
<v Speaker 1>just sitting dormant and people are not being able to

2:42:46.360 --> 2:42:50.640
<v Speaker 1>enjoy enjoy it on stage, you know, So now I'm

2:42:50.720 --> 2:42:55.160
<v Speaker 1>giving them that. People are walking away happy. You know, Dad,

2:42:55.320 --> 2:42:57.080
<v Speaker 1>this is a great show. I didn't expect that. We

2:42:57.240 --> 2:43:03.200
<v Speaker 1>just did this Zoolu Ball twenty thousand people headline, and

2:43:03.360 --> 2:43:05.760
<v Speaker 1>people were amazed, like they didn't know what to expect

2:43:06.640 --> 2:43:09.680
<v Speaker 1>until we gave them the songs, and it sounds like

2:43:09.879 --> 2:43:14.000
<v Speaker 1>the music. It's like that. At least he gave us

2:43:15.120 --> 2:43:17.200
<v Speaker 1>the record. He gave us the album, he gave us

2:43:17.320 --> 2:43:20.160
<v Speaker 1>the picnic, he gave us the club records. You know.

2:43:20.360 --> 2:43:22.800
<v Speaker 1>So that's my goal is just to take it on

2:43:22.920 --> 2:43:26.160
<v Speaker 1>the road. We have a tour coming up, we have

2:43:26.280 --> 2:43:30.320
<v Speaker 1>over twenty five days and I just want to enjoy

2:43:30.360 --> 2:43:32.960
<v Speaker 1>the stage again. That's fine.

2:43:33.040 --> 2:43:35.480
<v Speaker 2>So let me ask you with that being said, right,

2:43:36.959 --> 2:43:38.720
<v Speaker 2>you know, I'm a solo artist and I'm part of

2:43:38.800 --> 2:43:42.280
<v Speaker 2>a group of part of Pona Noriega, I'm part of

2:43:42.440 --> 2:43:49.760
<v Speaker 2>Drinks Dream Champions is what we are doing. Are you

2:43:49.879 --> 2:43:52.720
<v Speaker 2>more comfortable being solo? Are you more comfortable being in

2:43:52.800 --> 2:43:53.119
<v Speaker 2>the group.

2:43:53.200 --> 2:43:57.440
<v Speaker 1>I'm never solo. I'm not solo now. I'm a team player.

2:43:57.920 --> 2:44:01.560
<v Speaker 1>I always have to come with a team me. I'm

2:44:01.640 --> 2:44:05.720
<v Speaker 1>not gonna if you see me solo. I'm doing like

2:44:05.800 --> 2:44:08.720
<v Speaker 1>an E d M album with Talkbox and you know,

2:44:08.959 --> 2:44:12.800
<v Speaker 1>Voke quarters and singing records that involved. I don't know.

2:44:16.360 --> 2:44:24.960
<v Speaker 1>Music is like music is my put me on that.

2:44:30.080 --> 2:44:34.640
<v Speaker 1>But but I want to make music that that people

2:44:34.720 --> 2:44:37.600
<v Speaker 1>can really enjoy the music because most people like before

2:44:37.720 --> 2:44:41.280
<v Speaker 1>hearing lyrics, people like to beat. So that's why I

2:44:41.320 --> 2:44:43.320
<v Speaker 1>want to give them with the with the vol quoder

2:44:43.520 --> 2:44:46.360
<v Speaker 1>talk box, just kind of taking you there and and

2:44:46.800 --> 2:44:50.160
<v Speaker 1>and it's like it would be like ecstasy to them.

2:44:50.560 --> 2:44:53.879
<v Speaker 1>You know, they just enjoying the music and just going hard.

2:44:54.000 --> 2:44:56.800
<v Speaker 1>And I just want to be able to do with

2:44:56.920 --> 2:45:00.840
<v Speaker 1>these DJs, be doing making like I was knowledge, just

2:45:00.879 --> 2:45:02.560
<v Speaker 1>step in the room with a bunch of lights and

2:45:02.600 --> 2:45:06.520
<v Speaker 1>ship and you're just playing. Boy. Boris he's a producer

2:45:06.600 --> 2:45:09.240
<v Speaker 1>right here. Boris rolling the blunts over here. Oh yeah,

2:45:09.440 --> 2:45:11.520
<v Speaker 1>he was like, is he DJing? He's like, because that's

2:45:11.560 --> 2:45:13.760
<v Speaker 1>what they do. Now they got to go out and

2:45:13.800 --> 2:45:16.640
<v Speaker 1>but I used to. I used to. But my thing

2:45:16.800 --> 2:45:20.560
<v Speaker 1>is coming with the talk box. There's nobody coming like

2:45:20.640 --> 2:45:24.440
<v Speaker 1>that since that punk, right and now that they retired,

2:45:24.600 --> 2:45:28.040
<v Speaker 1>I said, yo, let me create something and just see

2:45:28.080 --> 2:45:30.080
<v Speaker 1>what people feel about it. That's not the same as

2:45:30.160 --> 2:45:33.760
<v Speaker 1>Roger Troutman was doing. Yeah, that's what I say. I

2:45:33.920 --> 2:45:37.280
<v Speaker 1>was pasted that touch. You know. Roger actually came to

2:45:37.400 --> 2:45:41.119
<v Speaker 1>my studio and one thing he said to me, he said, man,

2:45:41.280 --> 2:45:44.400
<v Speaker 1>you better not stop. He invented that, right? No, No,

2:45:44.600 --> 2:45:47.240
<v Speaker 1>who did in that? It was invented between I feel

2:45:47.320 --> 2:45:51.920
<v Speaker 1>like it's between him, but I think it's Peter Frampton. Okay, yeah,

2:45:52.600 --> 2:45:55.240
<v Speaker 1>because he played it with the guitar. Now Roger played

2:45:55.280 --> 2:45:57.520
<v Speaker 1>with the guitar, but he also played with the people.

2:45:57.879 --> 2:46:00.600
<v Speaker 1>It was the idea of using the tube, ye, right, okay,

2:46:00.840 --> 2:46:04.480
<v Speaker 1>And that's what I do now. And I've got a

2:46:04.560 --> 2:46:06.800
<v Speaker 1>lot of signature records out there where they know it's

2:46:06.840 --> 2:46:08.760
<v Speaker 1>me because a lot of a lot of people were playing.

2:46:09.040 --> 2:46:12.240
<v Speaker 1>They're playing the talk box, but you know it's it's

2:46:12.720 --> 2:46:15.600
<v Speaker 1>not the sound that I have. Would you consider that analog?

2:46:16.040 --> 2:46:20.280
<v Speaker 1>That's very analog? No, no, analog. I just lost my

2:46:20.360 --> 2:46:33.680
<v Speaker 1>train of thought. No, that's not auto tune analog. It's before.

2:46:35.160 --> 2:46:36.880
<v Speaker 1>You don't think it would No, No, I know it's before,

2:46:36.920 --> 2:46:39.440
<v Speaker 1>But I'm saying, would you consider that? Could that be

2:46:39.480 --> 2:46:43.760
<v Speaker 1>a description for it auto rather than I wouldn't even

2:46:43.800 --> 2:46:53.840
<v Speaker 1>say that. That's disrespectful. Okay, I know it's straight the tube,

2:46:53.879 --> 2:46:57.880
<v Speaker 1>it's the talk box, the auto tune. You know, I

2:46:58.000 --> 2:47:01.640
<v Speaker 1>started with the auto tune before a Ta Pain and

2:47:01.800 --> 2:47:06.000
<v Speaker 1>before Ridey Jerkins. You can look at my testimony when

2:47:06.040 --> 2:47:08.760
<v Speaker 1>it first came out. They bought it to me to

2:47:08.879 --> 2:47:13.640
<v Speaker 1>test beta tests, and I was like, I don't want that.

2:47:14.160 --> 2:47:16.680
<v Speaker 1>I was like, but I used it because I felt

2:47:16.760 --> 2:47:19.320
<v Speaker 1>like I didn't have to use it like how they're

2:47:19.400 --> 2:47:22.600
<v Speaker 1>using it. I used it just to keep like it

2:47:22.760 --> 2:47:25.800
<v Speaker 1>was just too auto tune, yes, like not too like

2:47:26.160 --> 2:47:31.560
<v Speaker 1>like that, just but it was the same thing. It's

2:47:31.640 --> 2:47:33.800
<v Speaker 1>just you just turn it up more and you got

2:47:34.080 --> 2:47:37.400
<v Speaker 1>it sounds like machine in different ways. Yes, And you

2:47:37.520 --> 2:47:39.400
<v Speaker 1>remember one of the records that you used to and

2:47:39.760 --> 2:47:44.160
<v Speaker 1>I'll do the Black Street records. The second one. It

2:47:44.360 --> 2:47:49.680
<v Speaker 1>was to keep the singers on key, not me, because

2:47:49.680 --> 2:47:52.520
<v Speaker 1>I didn't my my thing wasn't really singing. I was

2:47:52.640 --> 2:47:54.640
<v Speaker 1>just like rap saying, you know, so I didn't have

2:47:54.720 --> 2:47:58.840
<v Speaker 1>to stay on key. I just no, Deity was not

2:47:59.000 --> 2:48:06.040
<v Speaker 1>on key. I was off key. But people they received it,

2:48:06.400 --> 2:48:10.320
<v Speaker 1>you know. I bought the point across and that made

2:48:10.360 --> 2:48:12.560
<v Speaker 1>me just say, dak, I could do more because it's

2:48:12.560 --> 2:48:16.640
<v Speaker 1>almost like Johnny Guitar Watson, it was real mother for

2:48:16.800 --> 2:48:21.280
<v Speaker 1>you that wasn't on key. So I mothered myself after them.

2:48:22.200 --> 2:48:28.960
<v Speaker 1>George Clinton definitely not definitely not on key, but no, no,

2:48:30.000 --> 2:48:34.520
<v Speaker 1>all right, then you had, uh the Boskag. I mean

2:48:34.520 --> 2:48:36.760
<v Speaker 1>it's not a bad thing. No, it's a great thing

2:48:36.879 --> 2:48:43.560
<v Speaker 1>because yeah, Bosskag, you know what that is. You got

2:48:43.680 --> 2:48:47.320
<v Speaker 1>to see that black boy over there running scared. This

2:48:47.440 --> 2:48:51.920
<v Speaker 1>is on in the bottle. I thought that was on key, No,

2:48:52.080 --> 2:48:56.120
<v Speaker 1>that was not he. I was in it out. I

2:48:56.240 --> 2:49:01.800
<v Speaker 1>was in and out. You know. I think, Okay, let's

2:49:01.840 --> 2:49:05.640
<v Speaker 1>go to t Pain. Incredible singing. Did y'all know that? Absolutely? Yeah? Okay,

2:49:06.160 --> 2:49:10.039
<v Speaker 1>so and incredible rapper as well. T Pain can sing

2:49:10.200 --> 2:49:14.800
<v Speaker 1>off key and people will still receive it. Yep. He's

2:49:14.879 --> 2:49:18.960
<v Speaker 1>just never tried it. M he's never tried it. But

2:49:19.040 --> 2:49:22.400
<v Speaker 1>I guarantee you because he knows his notes. I know

2:49:22.560 --> 2:49:24.640
<v Speaker 1>my notes. How I learned how to sing is because

2:49:24.680 --> 2:49:27.440
<v Speaker 1>I play keys. So if you know what you're playing

2:49:27.520 --> 2:49:30.240
<v Speaker 1>on here and I play by ear. If you got

2:49:30.360 --> 2:49:32.760
<v Speaker 1>to ear for keys, you gotta ear for a voice.

2:49:33.879 --> 2:49:36.440
<v Speaker 1>You just gotta have a voice. Oh you got to

2:49:36.480 --> 2:49:38.920
<v Speaker 1>have a sound and you could play your voice. Is

2:49:38.959 --> 2:49:43.119
<v Speaker 1>what happens in that mode, which gives you a lot

2:49:43.160 --> 2:49:46.160
<v Speaker 1>of freedom in your voice, like to do things, trust

2:49:46.280 --> 2:49:52.160
<v Speaker 1>be created. I felt like when I played when I

2:49:52.200 --> 2:49:55.920
<v Speaker 1>played vot quarters. Now it's two different things. Voe quarterer.

2:49:56.000 --> 2:49:58.440
<v Speaker 1>You can play chords, and that's how you hear, like

2:49:59.240 --> 2:50:01.760
<v Speaker 1>all of the background on Black Street and on it,

2:50:01.959 --> 2:50:06.680
<v Speaker 1>that's full quarter. All of those harmonies that's folk, that's

2:50:06.760 --> 2:50:10.160
<v Speaker 1>full quarter. But the talkbox is single. But you can

2:50:10.200 --> 2:50:12.840
<v Speaker 1>also played chords with the talkbox. Kind of feels a

2:50:12.879 --> 2:50:16.840
<v Speaker 1>little distorted because it's a mono, but it's better to

2:50:16.920 --> 2:50:21.000
<v Speaker 1>play it as a solo. You you get the sound

2:50:21.040 --> 2:50:21.320
<v Speaker 1>out of it.

2:50:24.840 --> 2:50:28.760
<v Speaker 2>So let me let me ask you, right, Because we

2:50:28.879 --> 2:50:31.039
<v Speaker 2>had nas on hair and I asked nods. I said,

2:50:31.680 --> 2:50:33.240
<v Speaker 2>is there anybody that ever told you no?

2:50:34.080 --> 2:50:34.200
<v Speaker 1>Right?

2:50:35.120 --> 2:50:38.240
<v Speaker 2>And I feel like you're You're a person that I

2:50:38.280 --> 2:50:40.280
<v Speaker 2>don't think anyone can tell no to it.

2:50:43.440 --> 2:50:52.920
<v Speaker 1>You're lying. I've been told no? Okay have you if

2:50:53.000 --> 2:50:56.760
<v Speaker 1>you were like sure? Who who has told you no?

2:50:56.959 --> 2:50:58.800
<v Speaker 1>I don't think no one can tell you? Who told

2:50:58.840 --> 2:51:01.840
<v Speaker 1>me I'm gonna put on Front Street too? Should I

2:51:01.879 --> 2:51:09.720
<v Speaker 1>take a shot? Versa shot? Shot? Mean? Yes, I think

2:51:09.760 --> 2:51:12.280
<v Speaker 1>I'm smooth enough to say this, okay, go ahead. Barry

2:51:12.320 --> 2:51:17.800
<v Speaker 1>Wise told me no, very Wise. But that's an executive. Yeah,

2:51:18.080 --> 2:51:21.400
<v Speaker 1>that's the people to tell you no. Oh my damn.

2:51:21.680 --> 2:51:26.000
<v Speaker 1>Those are the people to tell you. Man. It's like

2:51:26.160 --> 2:51:30.360
<v Speaker 1>you you disappointed, like I thought I had something. He said, no,

2:51:30.480 --> 2:51:35.600
<v Speaker 1>the guy right, I wasn't ready I put them on

2:51:35.680 --> 2:51:38.040
<v Speaker 1>Front Street. I wasn't just saying a lot of record

2:51:38.080 --> 2:51:42.360
<v Speaker 1>company executives don't have the air, okay, I mean they

2:51:42.520 --> 2:51:45.160
<v Speaker 1>just got the business sense. Has there ever been an

2:51:45.280 --> 2:51:50.720
<v Speaker 1>artist who told you know, no, no, not that, not

2:51:50.840 --> 2:51:55.600
<v Speaker 1>that I know, because I mean mostly just when they

2:51:55.680 --> 2:51:58.800
<v Speaker 1>get in the room, like who would tell for well no,

2:51:59.879 --> 2:52:05.840
<v Speaker 1>I kind of told him no one time. I remember,

2:52:10.000 --> 2:52:19.760
<v Speaker 1>you did learn, but let's tell you off.

2:52:21.520 --> 2:52:24.120
<v Speaker 2>But let me actually, so when I recognized that now,

2:52:24.160 --> 2:52:27.640
<v Speaker 2>I said that Prince told him no because he didn't

2:52:27.680 --> 2:52:28.840
<v Speaker 2>own his own publishing.

2:52:29.000 --> 2:52:29.120
<v Speaker 4>Right.

2:52:29.879 --> 2:52:32.360
<v Speaker 2>Has anybody ever said, because and you just you just

2:52:32.560 --> 2:52:35.199
<v Speaker 2>you just said to us, out of twenty three years,

2:52:35.440 --> 2:52:37.080
<v Speaker 2>you just now own your own publishing.

2:52:37.280 --> 2:52:43.720
<v Speaker 1>Has there anybody that ever thirty five years? Thirty five years? Damn, damn,

2:52:44.280 --> 2:52:46.720
<v Speaker 1>I put the twist of a version, you know, thirty

2:52:46.760 --> 2:52:50.320
<v Speaker 1>five years. So that goes with publishing and with owning

2:52:50.440 --> 2:52:52.959
<v Speaker 1>of the masters? Yeah, well yeah, I got I got

2:52:53.560 --> 2:52:57.120
<v Speaker 1>seven other masters in my vault right now. Masters. And

2:52:57.200 --> 2:53:00.280
<v Speaker 1>guess who gave it to me? It was actually at

2:53:00.360 --> 2:53:02.680
<v Speaker 1>the studio, the first studio I did guy, I had

2:53:02.720 --> 2:53:09.040
<v Speaker 1>about six to seven hundred twenty four tracks, and I

2:53:09.200 --> 2:53:14.440
<v Speaker 1>have to give flowers to two people. And that's chub Rock,

2:53:14.920 --> 2:53:18.680
<v Speaker 1>who gave me a lot of mine. Man ear, he

2:53:18.760 --> 2:53:21.920
<v Speaker 1>gave me a lot of my plaques and stuff back

2:53:23.120 --> 2:53:30.400
<v Speaker 1>and Salammy, Salam, bigger salam. He gave me my dog

2:53:30.520 --> 2:53:36.880
<v Speaker 1>on masters, all seven hundred and something. I seen this stuff, man,

2:53:36.920 --> 2:53:38.520
<v Speaker 1>I couldn't even get it in the I thought I

2:53:38.560 --> 2:53:40.640
<v Speaker 1>could get a small story, she said. He said, no,

2:53:40.760 --> 2:53:46.640
<v Speaker 1>you're gonna need cause your tapes was most of the studio. Wow. Okay,

2:53:47.680 --> 2:53:51.640
<v Speaker 1>hold on, hold on, hold on chub Rock and Salammy. No,

2:53:51.920 --> 2:53:54.920
<v Speaker 1>this is that Chubb gave me like my plaques, So

2:53:55.040 --> 2:53:56.840
<v Speaker 1>I gave your pla So I guess what he's trying

2:53:56.840 --> 2:53:59.560
<v Speaker 1>to say is why are they holding them right? No?

2:53:59.800 --> 2:54:04.760
<v Speaker 1>They well, you know, Slim bought the studio like he

2:54:04.920 --> 2:54:08.280
<v Speaker 1>bought the studio that I did. The guy out bought

2:54:08.320 --> 2:54:11.800
<v Speaker 1>the automatically the masters. No, they were there. It was

2:54:11.879 --> 2:54:15.080
<v Speaker 1>just just trying to return them back to the original. Wow,

2:54:15.920 --> 2:54:20.640
<v Speaker 1>and I was upstanding, so fuck you know, Slam said

2:54:20.720 --> 2:54:23.360
<v Speaker 1>to me. He said, first of all, I got something

2:54:23.360 --> 2:54:26.160
<v Speaker 1>special to tell you, but I also got this to

2:54:26.280 --> 2:54:29.920
<v Speaker 1>tell you you remember the little boy that was actually

2:54:31.280 --> 2:54:33.600
<v Speaker 1>in the studio while he was making Groove Me and

2:54:34.000 --> 2:54:36.120
<v Speaker 1>I like and all of those records, and it was

2:54:36.200 --> 2:54:39.160
<v Speaker 1>the little kid. And you remember my father used to

2:54:39.200 --> 2:54:42.520
<v Speaker 1>bring me to the studio. I said, you was that

2:54:42.720 --> 2:54:43.240
<v Speaker 1>little kid?

2:54:44.080 --> 2:54:44.120
<v Speaker 3>No?

2:54:44.360 --> 2:54:47.480
<v Speaker 1>That that that is the fuck? This slom with the

2:54:47.600 --> 2:54:50.440
<v Speaker 1>little kid that was in the studio while I was

2:54:50.560 --> 2:54:54.880
<v Speaker 1>making I like in all those records at seventeen, eighteen,

2:54:55.040 --> 2:54:58.240
<v Speaker 1>nineteen years old, and now he became a super producer.

2:54:58.600 --> 2:55:04.880
<v Speaker 1>Straight to that, trying to give you your flowers, Salon Reamy.

2:55:05.920 --> 2:55:10.480
<v Speaker 1>He should be on here, no family, Yeah, he should

2:55:10.480 --> 2:55:12.760
<v Speaker 1>be on here. You're right. He got so much man,

2:55:12.879 --> 2:55:17.360
<v Speaker 1>so much history. Man, he's would be I just feel

2:55:17.400 --> 2:55:19.600
<v Speaker 1>so honded to be a part of it, you know,

2:55:20.440 --> 2:55:26.400
<v Speaker 1>because he goes back, Yeah, he go back. That is

2:55:26.440 --> 2:55:29.320
<v Speaker 1>so dope. You want to read this question in case

2:55:29.360 --> 2:55:31.600
<v Speaker 1>they sentenced person. I don't know. It seems like sonny,

2:55:33.560 --> 2:55:35.640
<v Speaker 1>I don't know. You want me to read it? Just

2:55:35.760 --> 2:55:37.640
<v Speaker 1>I just don't want it. I just feel like I

2:55:37.680 --> 2:55:41.520
<v Speaker 1>feel like they they attacked me. You're not even gonna

2:55:41.520 --> 2:55:46.800
<v Speaker 1>correct anything. Is it true that he did the winning

2:55:46.840 --> 2:55:53.200
<v Speaker 1>Houston step by step record? Yeah? He did it. Yes,

2:55:53.600 --> 2:55:57.840
<v Speaker 1>I did the remix because they couldn't read it. For

2:55:57.959 --> 2:56:00.920
<v Speaker 1>some reason, it became the RCT it. Oh, it became

2:56:01.040 --> 2:56:04.080
<v Speaker 1>the main record. You know. Of course people get say,

2:56:04.440 --> 2:56:06.320
<v Speaker 1>you get a certain amount to do a song, and

2:56:06.400 --> 2:56:08.040
<v Speaker 1>then you get certain amount to do a remix. They

2:56:08.120 --> 2:56:09.760
<v Speaker 1>called the remix, so they have to pay.

2:56:10.440 --> 2:56:10.720
<v Speaker 4>And they.

2:56:12.760 --> 2:56:15.480
<v Speaker 1>That way, they wound up turning the record, the remix,

2:56:15.600 --> 2:56:23.520
<v Speaker 1>the record. It's amazing, It's okay, it's okay, I take it.

2:56:24.680 --> 2:56:35.440
<v Speaker 1>I don't like know these questions, worry. This is amazing

2:56:36.080 --> 2:56:40.240
<v Speaker 1>as an artist. Ever made you cry in the studio? What? Yeah? No,

2:56:40.360 --> 2:56:44.920
<v Speaker 1>I made artists cry? Okay, let's do that. Let's follow up?

2:56:45.000 --> 2:56:50.400
<v Speaker 1>And who did you make cry? Follow up? And say

2:56:50.400 --> 2:56:59.200
<v Speaker 1>it in the Michael Jackson voice? Okay, scary spice, that's

2:56:59.200 --> 2:57:07.119
<v Speaker 1>not the Michael jack the voices scary girls. Yes, okay,

2:57:07.120 --> 2:57:11.000
<v Speaker 1>what's happening? I didn't mean you. But when you kind

2:57:11.000 --> 2:57:13.240
<v Speaker 1>of tell all this, you know you ain't singing it right?

2:57:13.400 --> 2:57:20.600
<v Speaker 1>You guys sing you know what you say? She's like,

2:57:21.080 --> 2:57:24.000
<v Speaker 1>can you give me a minute to cry? I was like, whoa?

2:57:25.720 --> 2:57:28.160
<v Speaker 1>I didn't know what to say, you know, like she

2:57:28.360 --> 2:57:33.720
<v Speaker 1>was the first and then the second second was a

2:57:33.840 --> 2:57:38.640
<v Speaker 1>K pop artist. Her name was Tiffany Is Tiffany Tiffany

2:57:38.800 --> 2:57:43.880
<v Speaker 1>from Yeah from Korea Girls Girls Generation. It was no, no,

2:57:44.800 --> 2:57:47.680
<v Speaker 1>let me tell you something. I love Korea because I

2:57:47.800 --> 2:57:50.040
<v Speaker 1>love them for that. And then do you know about

2:57:50.040 --> 2:57:57.360
<v Speaker 1>the birthdays? Like their birthday is different than ours? Like

2:57:58.160 --> 2:58:01.840
<v Speaker 1>the birthdays you won when you come up? I was like,

2:58:02.000 --> 2:58:05.800
<v Speaker 1>what you won when you come out of the womb.

2:58:05.920 --> 2:58:08.040
<v Speaker 1>That makes sense to me. I just told my son that.

2:58:08.440 --> 2:58:12.240
<v Speaker 1>I said, Yo, you really chill. Yeah right, because when

2:58:12.280 --> 2:58:15.280
<v Speaker 1>you came out, you was one right, I got to

2:58:15.520 --> 2:58:21.240
<v Speaker 1>my whole family. No Korea and then another thing. So

2:58:21.600 --> 2:58:25.520
<v Speaker 1>when they go to school, they go to school. They

2:58:25.600 --> 2:58:28.960
<v Speaker 1>go to school from eight to eight, yeah, and they

2:58:29.040 --> 2:58:33.400
<v Speaker 1>learn algebra, they learn everything, and then rocket science some

2:58:33.640 --> 2:58:35.960
<v Speaker 1>of them. That's why they got so many K pop

2:58:36.080 --> 2:58:38.400
<v Speaker 1>artists because most of them don't want to be in

2:58:38.480 --> 2:58:43.360
<v Speaker 1>school all those hours, so they chose music. That's their career.

2:58:43.640 --> 2:58:48.840
<v Speaker 1>That's yeah, that's the other curriculum is music, and that's

2:58:48.920 --> 2:58:51.200
<v Speaker 1>how they became K pop artists. Because we don't want

2:58:51.240 --> 2:58:53.040
<v Speaker 1>to go to school all day. Because some of them

2:58:53.120 --> 2:58:56.879
<v Speaker 1>go to school all day and then it's mandatory. At nineteen,

2:58:56.959 --> 2:59:04.480
<v Speaker 1>they got to go to the army mandatory. No, no,

2:59:05.360 --> 2:59:07.680
<v Speaker 1>they don't take no fin answer, you don't go. You're

2:59:07.720 --> 2:59:14.920
<v Speaker 1>going to jail American something. We ain't doing that ship. Yeah,

2:59:17.120 --> 2:59:21.280
<v Speaker 1>what's the other man in the question. Okay, Little Kim

2:59:21.320 --> 2:59:28.280
<v Speaker 1>and Foxy Brown? Damn you had a Foxy Brown record?

2:59:28.800 --> 2:59:31.520
<v Speaker 1>That record is ill too, man, Thank you. I did

2:59:31.560 --> 2:59:35.520
<v Speaker 1>that record for a dollar, you know why? But blackets

2:59:35.560 --> 2:59:38.600
<v Speaker 1>on the record as well. Yeah, I mean no, I

2:59:38.720 --> 2:59:41.480
<v Speaker 1>did it for a dollar, right, because my fee would

2:59:41.520 --> 2:59:44.440
<v Speaker 1>have been you know, but I did it for a dollar.

2:59:45.040 --> 2:59:46.280
<v Speaker 1>And the reason why I did it for a dollar

2:59:46.440 --> 2:59:51.720
<v Speaker 1>slang like did it for a dollar? That? Like you

2:59:51.920 --> 2:59:54.480
<v Speaker 1>mean like you really did it for a dollar? Dollar?

2:59:55.160 --> 3:00:00.400
<v Speaker 1>One dollar? You got going on? Body? You got you speed?

3:00:03.400 --> 3:00:05.200
<v Speaker 1>You did it for a dollar. I did not do.

3:00:06.000 --> 3:00:10.199
<v Speaker 1>I'm trying to figure this out, so call I believe

3:00:10.520 --> 3:00:14.680
<v Speaker 1>they didn't believe it theirselves. They were like, uh when

3:00:14.720 --> 3:00:17.400
<v Speaker 1>they came down, they thought they get smoothed me with

3:00:17.720 --> 3:00:20.440
<v Speaker 1>all of Louis vuittons. You remember they used to rustle

3:00:21.080 --> 3:00:26.280
<v Speaker 1>and that's I said, uh, his wife, his ex wife,

3:00:27.320 --> 3:00:31.199
<v Speaker 1>come on, come, so you know they would Louis buiton people.

3:00:31.640 --> 3:00:37.480
<v Speaker 1>They give you with Louis Vuitton right, And my whole

3:00:37.560 --> 3:00:41.080
<v Speaker 1>mindset wasn't about that. I thought about the trial called

3:00:41.160 --> 3:00:45.600
<v Speaker 1>Quests the beef. The beef. Leo was in my studio.

3:00:47.600 --> 3:00:50.280
<v Speaker 1>We had a beef. Forgot that well. It was like,

3:00:50.520 --> 3:00:53.720
<v Speaker 1>you know, I was trying. I was trying to, like,

3:00:54.600 --> 3:00:58.440
<v Speaker 1>you know, let's win them over, give them the record

3:00:58.560 --> 3:01:02.720
<v Speaker 1>for a dollar and a favor because jam, but it

3:01:02.800 --> 3:01:07.120
<v Speaker 1>was death jam. So they came down and Russell was

3:01:07.240 --> 3:01:09.520
<v Speaker 1>trying to you know, like, yeah, man, it was a joking.

3:01:09.560 --> 3:01:12.240
<v Speaker 1>Everybody's joking, yell, and we hope you get him for like,

3:01:12.720 --> 3:01:14.680
<v Speaker 1>I hope you don't charge us arm and the leg

3:01:14.879 --> 3:01:20.240
<v Speaker 1>And they were so worried they never came to Virginia.

3:01:21.600 --> 3:01:26.040
<v Speaker 1>When they came to Virginia and Russell, they sidebar with

3:01:26.160 --> 3:01:29.320
<v Speaker 1>me and He's like, yo, so what you gonna hit

3:01:29.400 --> 3:01:32.160
<v Speaker 1>us in the head for? That's what you're talking about?

3:01:33.200 --> 3:01:36.400
<v Speaker 1>He said, I know your price? Man? I said, what

3:01:36.440 --> 3:01:41.080
<v Speaker 1>are you talking about? He said, how much for the record? Tee?

3:01:44.600 --> 3:01:46.440
<v Speaker 1>I said, you won't believe what I'm going to charge you?

3:01:47.840 --> 3:01:53.720
<v Speaker 1>He said, is he joking a way? He asked Lee

3:01:53.920 --> 3:01:56.680
<v Speaker 1>or so? Leo's like, come on, man, He's tell us,

3:01:56.720 --> 3:02:03.920
<v Speaker 1>what do you want for the record. I was like, okay, Russell,

3:02:04.000 --> 3:02:06.360
<v Speaker 1>go in your pocket. You carry cash. He said, I

3:02:06.400 --> 3:02:08.160
<v Speaker 1>don't carry a lot of cash. I said, pull out

3:02:08.200 --> 3:02:12.160
<v Speaker 1>what you have in your pocket. He pulled out Somebodey

3:02:12.200 --> 3:02:15.039
<v Speaker 1>and he happened to have a dollar and I said,

3:02:15.480 --> 3:02:20.200
<v Speaker 1>spread it out like you in strip club. Spread it out,

3:02:20.320 --> 3:02:25.680
<v Speaker 1>and I said, okay. He's like. They looked at each

3:02:25.720 --> 3:02:32.680
<v Speaker 1>other like this nigga's joking. He said, you're joking right now.

3:02:32.800 --> 3:02:37.240
<v Speaker 1>I was like, nah, it's not a joke. Just consider

3:02:37.320 --> 3:02:43.000
<v Speaker 1>that a favor. Wow, I want my favor. So those two,

3:02:43.560 --> 3:02:45.920
<v Speaker 1>I'm saying, anybody here, don't drink champ and I'm gonna

3:02:45.959 --> 3:02:50.160
<v Speaker 1>say every interview, y'all still owe me my favor. Jesus,

3:02:51.480 --> 3:02:57.840
<v Speaker 1>I ain't cashing. I know you're all the way over

3:02:57.920 --> 3:03:04.560
<v Speaker 1>in Bali. Yeah, I still want my favorite yo Leon.

3:03:04.840 --> 3:03:07.120
<v Speaker 1>He called me. I was supposed to do it. I

3:03:07.200 --> 3:03:09.400
<v Speaker 1>was supposed to do his party. I think he put

3:03:09.480 --> 3:03:13.240
<v Speaker 1>everybody he had. Everybody under the jet was on it.

3:03:13.600 --> 3:03:16.280
<v Speaker 1>I was called and he called me to be on

3:03:16.440 --> 3:03:19.800
<v Speaker 1>the jet and I said, you know, I can't. I

3:03:19.920 --> 3:03:22.520
<v Speaker 1>have a concert. I'm not able to make it. He said,

3:03:23.000 --> 3:03:25.560
<v Speaker 1>I just wanted to know said, I call you that

3:03:26.959 --> 3:03:32.120
<v Speaker 1>I was like or something drunkards that's how you you

3:03:34.400 --> 3:03:36.920
<v Speaker 1>and and and I said, you know, but catch me

3:03:37.040 --> 3:03:39.080
<v Speaker 1>on the next one. I definitely come, you know, because

3:03:39.200 --> 3:03:42.800
<v Speaker 1>it's amazing to just even hear from you. But I'm

3:03:43.000 --> 3:03:45.160
<v Speaker 1>one say on that call. You know you still own

3:03:45.240 --> 3:03:50.400
<v Speaker 1>my favor. But I'm gonna catch favorite now. But no,

3:03:50.720 --> 3:03:55.960
<v Speaker 1>Leo is my guy. Yeah, I have to ask thank

3:03:56.000 --> 3:04:00.760
<v Speaker 1>you for whole signing that. Yeah, wait what they co signed?

3:04:01.040 --> 3:04:05.160
<v Speaker 1>He signed? He's O the favorite. He needs to get

3:04:05.200 --> 3:04:05.680
<v Speaker 1>that favorite.

3:04:07.560 --> 3:04:09.120
<v Speaker 2>Hold on what you got. You can let him on,

3:04:09.200 --> 3:04:13.000
<v Speaker 2>you can let him out. Okay, thank you thanking my bad,

3:04:13.879 --> 3:04:15.720
<v Speaker 2>my son, my son. And like he bullies me, he

3:04:15.800 --> 3:04:16.280
<v Speaker 2>bullies me.

3:04:16.600 --> 3:04:19.520
<v Speaker 1>We've been bullied all this whole this episode, this whole episode,

3:04:19.520 --> 3:04:25.160
<v Speaker 1>we've been realizing that sh everybody is being bullied. What

3:04:25.320 --> 3:04:28.720
<v Speaker 1>you said? What oh ship?

3:04:29.360 --> 3:04:36.920
<v Speaker 2>I'm not sure about your questions? Man, Okay, that's so well.

3:04:37.360 --> 3:04:43.040
<v Speaker 2>His beef for baby Face his staffed and now now

3:04:43.160 --> 3:04:48.320
<v Speaker 2>you're out of yourself you beef for baby Face. Like,

3:04:48.680 --> 3:04:52.560
<v Speaker 2>I'm gonna be honest, how do you and baby Face

3:04:52.680 --> 3:04:57.480
<v Speaker 2>get beat? Why y'all putting us into beaf this?

3:04:57.640 --> 3:05:02.240
<v Speaker 1>How this ship happened with Biggie you back black streating

3:05:02.840 --> 3:05:06.280
<v Speaker 1>no guy and knowing this, everybody putting us in beefs

3:05:06.360 --> 3:05:11.200
<v Speaker 1>we ain't in no beef. I just don't think that

3:05:11.360 --> 3:05:14.119
<v Speaker 1>he would give me a shot for us to create

3:05:15.480 --> 3:05:20.680
<v Speaker 1>versus on a stage like Monica and Brandy and Brandy

3:05:21.920 --> 3:05:25.280
<v Speaker 1>and I'm telling them, put back on your boxing robe

3:05:26.080 --> 3:05:30.640
<v Speaker 1>and how you came out on versus and let's do this, man,

3:05:30.959 --> 3:05:33.680
<v Speaker 1>Let's get back in the ring. Let's take it to Africa.

3:05:34.280 --> 3:05:52.360
<v Speaker 1>What's that, babyface? I want a firm Oh yeah, New York. Okay,

3:05:52.520 --> 3:06:01.440
<v Speaker 1>so he put on a rope. You're you ain't You

3:06:01.480 --> 3:06:07.640
<v Speaker 1>ain't see that? I was like, for real, Okay. I

3:06:07.800 --> 3:06:10.920
<v Speaker 1>called Mike Tyson. Magically Johnson, I had everybody had the

3:06:11.360 --> 3:06:17.160
<v Speaker 1>We had the first and then the fight happened, and

3:06:17.280 --> 3:06:20.000
<v Speaker 1>then the Teddy Valley Internet. He never gave you my shot.

3:06:20.080 --> 3:06:22.040
<v Speaker 1>De finished. We never got to finish. Do you know that?

3:06:23.360 --> 3:06:28.920
<v Speaker 1>So why don't we finish? You want that smoke? Listen?

3:06:29.160 --> 3:06:31.160
<v Speaker 1>I could see it in your eyes through your glasses.

3:06:31.240 --> 3:06:35.280
<v Speaker 2>Listen, you are ready for real? And that was like before,

3:06:35.440 --> 3:06:37.600
<v Speaker 2>like it won't It wasn't in the same room. Your

3:06:37.640 --> 3:06:38.720
<v Speaker 2>internet was a little crazy.

3:06:38.840 --> 3:06:41.160
<v Speaker 1>I remember that now. It really wasn't It was just

3:06:41.240 --> 3:06:43.560
<v Speaker 1>the equipment I had and I g was just too

3:06:43.640 --> 3:06:47.480
<v Speaker 1>a little behind. And technology. Yeah now we got it together. Yeah,

3:06:47.640 --> 3:06:50.680
<v Speaker 1>no we did. Yeah, I own my own internet. You

3:06:50.760 --> 3:06:52.240
<v Speaker 1>want that remad.

3:06:56.320 --> 3:06:57.600
<v Speaker 4>But but but but.

3:06:59.160 --> 3:07:02.120
<v Speaker 1>Babyface is one of the most incredible writers in this

3:07:02.280 --> 3:07:05.320
<v Speaker 1>whole entire world. That's it. I will never have a

3:07:05.360 --> 3:07:09.160
<v Speaker 1>beef with him. I just think that we need to

3:07:09.280 --> 3:07:14.119
<v Speaker 1>do this. The example is we had this idea first

3:07:14.200 --> 3:07:18.920
<v Speaker 1>to put it on the stage. Yes, well I did,

3:07:19.920 --> 3:07:25.200
<v Speaker 1>and it was my dream. And if had we did

3:07:25.280 --> 3:07:28.000
<v Speaker 1>that because we were the only ones that never had

3:07:28.160 --> 3:07:31.640
<v Speaker 1>verses like how we created it. When they went on

3:07:31.720 --> 3:07:34.120
<v Speaker 1>the stage, that was our creation because that's what we

3:07:34.280 --> 3:07:37.920
<v Speaker 1>did at the house. If I didn't do that, they

3:07:37.959 --> 3:07:42.720
<v Speaker 1>would versus would have been still in the house. Am

3:07:42.760 --> 3:07:47.360
<v Speaker 1>I right along? Nobody would have never known about doing

3:07:47.560 --> 3:07:50.560
<v Speaker 1>verses on no dog on stage. It's like, oh, Man,

3:07:51.280 --> 3:07:54.760
<v Speaker 1>Teddy did it. Now we should do this with everybody.

3:07:55.920 --> 3:07:58.080
<v Speaker 1>They even let Beanie Man and them have dog on

3:07:58.240 --> 3:08:04.720
<v Speaker 1>boomboxes bos. They got a little dangerous in the yard.

3:08:05.240 --> 3:08:07.640
<v Speaker 1>Police came. I said, wait a minute, where we're going.

3:08:08.120 --> 3:08:12.240
<v Speaker 1>So we're doing what I did It's almost like what

3:08:12.360 --> 3:08:16.160
<v Speaker 1>I did with new Jack Swing and everybody. They got

3:08:16.240 --> 3:08:20.840
<v Speaker 1>on it, and I'm happy about that. It's just a legacy.

3:08:22.240 --> 3:08:25.040
<v Speaker 1>That's all of this. But babyface, if you give me

3:08:25.160 --> 3:08:27.640
<v Speaker 1>that shot, we're gonna make the culture just go wow.

3:08:28.560 --> 3:08:31.840
<v Speaker 1>They just brought back versus like Monica. We how we

3:08:32.000 --> 3:08:36.880
<v Speaker 1>let them get it before us and then they keep it. Well,

3:08:36.920 --> 3:08:39.120
<v Speaker 1>I'm gonna keep it one hundred. I brought it to

3:08:39.240 --> 3:08:44.760
<v Speaker 1>some promoters and they didn't believe. They didn't believe we're

3:08:44.840 --> 3:08:50.560
<v Speaker 1>the We were the biggest of all the verses, every

3:08:50.680 --> 3:08:53.120
<v Speaker 1>last one. You could put a couple of them together

3:08:53.240 --> 3:08:58.040
<v Speaker 1>and still wouldn't even meet ours. You could put a few,

3:08:58.200 --> 3:09:00.920
<v Speaker 1>you could put more than five together, still didn't make ours.

3:09:02.200 --> 3:09:07.560
<v Speaker 1>We had over eight billion instances. They didn't want to

3:09:07.760 --> 3:09:12.520
<v Speaker 1>display that, but CNN told the truth. Yes, they're the

3:09:12.640 --> 3:09:15.160
<v Speaker 1>ones who reported it was like, this is over eight

3:09:15.280 --> 3:09:19.440
<v Speaker 1>billion instances. The reason why because ig didn't want us

3:09:19.480 --> 3:09:25.400
<v Speaker 1>to beat Michelle Obama. She had a party the same

3:09:25.520 --> 3:09:29.640
<v Speaker 1>day and guess who was detailed for the party. You

3:09:29.879 --> 3:09:34.160
<v Speaker 1>damn right, and he left the party. So watchat come

3:09:34.240 --> 3:09:39.720
<v Speaker 1>Mutch all the artists. Quaville called me and said, yo,

3:09:39.920 --> 3:09:42.560
<v Speaker 1>you broke the rules. We can't even get back in

3:09:42.640 --> 3:09:44.440
<v Speaker 1>the room. I said, we can't even get back in

3:09:44.520 --> 3:09:52.160
<v Speaker 1>our own That's what breaking the Internet is. They didn't

3:09:52.200 --> 3:09:55.920
<v Speaker 1>do it, and everybody afterwards it was like they didn't

3:09:55.920 --> 3:10:00.760
<v Speaker 1>bring the hype. The hype was the Teddy Rally. Internet broke.

3:10:02.040 --> 3:10:06.360
<v Speaker 1>He broke it, then then he broke it again. So

3:10:09.400 --> 3:10:12.720
<v Speaker 1>I think he'd observed that shot and I think, you know,

3:10:13.480 --> 3:10:15.840
<v Speaker 1>face before you know, he'd just say, yo, I don't

3:10:16.000 --> 3:10:18.800
<v Speaker 1>I'm good, I don't want to do this again. You know,

3:10:18.920 --> 3:10:21.840
<v Speaker 1>I'm retiring. This is the way to go out with

3:10:21.920 --> 3:10:24.600
<v Speaker 1>a bang, because we bring the culture. He's got all

3:10:24.640 --> 3:10:28.720
<v Speaker 1>those hits and I got some records and and it

3:10:28.760 --> 3:10:30.400
<v Speaker 1>would be more than a three hours show. But we

3:10:30.480 --> 3:10:32.000
<v Speaker 1>wouldn't do that. We're just going to give you a

3:10:32.080 --> 3:10:35.800
<v Speaker 1>piece of our love and keep yo, keep everybody just coming.

3:10:35.920 --> 3:10:39.560
<v Speaker 1>I know what it would do, Monica, they're now they're

3:10:39.600 --> 3:10:42.560
<v Speaker 1>the example. We were supposed to be the example, but

3:10:42.760 --> 3:10:45.039
<v Speaker 1>they are the example. And you see how well that did.

3:10:46.400 --> 3:10:50.920
<v Speaker 1>People want to see verses on the stage and on tour.

3:10:52.040 --> 3:10:57.720
<v Speaker 1>So like say if Swiss and Timberland to a versus

3:10:58.080 --> 3:11:02.080
<v Speaker 1>like tourt them on the stage because they started. They

3:11:02.120 --> 3:11:04.320
<v Speaker 1>got to be the verse, would you say, like Monica

3:11:04.360 --> 3:11:11.000
<v Speaker 1>and Brandy and be yourselves being themselves and put it

3:11:11.120 --> 3:11:15.400
<v Speaker 1>on the stage, the same thing. I mean, already Gladys

3:11:15.480 --> 3:11:18.240
<v Speaker 1>Knight and what's the name already doing it, tayg le Bell,

3:11:19.280 --> 3:11:23.640
<v Speaker 1>they doing it, You're doing well. These things would do well.

3:11:24.720 --> 3:11:27.760
<v Speaker 1>You just can't be afraid of it. And that's what

3:11:27.920 --> 3:11:30.920
<v Speaker 1>I feel. And it's got to be well produced as well. Yes,

3:11:35.560 --> 3:11:38.400
<v Speaker 1>I just think that if we do that, it will

3:11:38.480 --> 3:11:41.200
<v Speaker 1>be off the chain. It will take the summer and

3:11:41.360 --> 3:11:43.920
<v Speaker 1>the winter. We will the would be probably asking us

3:11:43.959 --> 3:11:46.879
<v Speaker 1>to come Africa or something, and I thought we should

3:11:46.959 --> 3:11:50.080
<v Speaker 1>started in like a place like Africa. I heard you

3:11:50.120 --> 3:11:52.640
<v Speaker 1>say that earlier. It's like make it look like yo,

3:11:52.959 --> 3:11:55.760
<v Speaker 1>this the rumbling the jungles, like we can go ahead

3:11:55.760 --> 3:11:58.840
<v Speaker 1>and it won't be you go first, you go second.

3:11:58.920 --> 3:12:02.080
<v Speaker 1>We just go back and fall flight. How celebration and

3:12:02.200 --> 3:12:06.360
<v Speaker 1>Chris Brown did event we celebrating. Ain't no competition because

3:12:06.360 --> 3:12:09.760
<v Speaker 1>I ain't competing against them. Not doing that. I will

3:12:09.840 --> 3:12:12.200
<v Speaker 1>never compete with my brother. That was just strictly for

3:12:12.360 --> 3:12:16.200
<v Speaker 1>the culture. And you know, we made it look like

3:12:16.520 --> 3:12:19.360
<v Speaker 1>we we ain't backing down. I know he ain't backing

3:12:19.440 --> 3:12:21.840
<v Speaker 1>now and I'm not backing down neither. Like you know,

3:12:23.160 --> 3:12:25.080
<v Speaker 1>let's say it is it? So let me ask you

3:12:25.240 --> 3:12:30.000
<v Speaker 1>right why in our culture? Right, it's just like we

3:12:30.280 --> 3:12:34.119
<v Speaker 1>we we like people like us want to celebrate our legends.

3:12:34.720 --> 3:12:39.680
<v Speaker 2>But and hip hop or and people say, all right, man,

3:12:39.920 --> 3:12:42.840
<v Speaker 2>you know you're over the hill now, like and like

3:12:43.120 --> 3:12:45.680
<v Speaker 2>like and like I think I think you said it earlier.

3:12:46.920 --> 3:12:48.959
<v Speaker 2>I was like, man, keep working, like, let's keep working.

3:12:49.240 --> 3:12:52.760
<v Speaker 2>But why in our culture there's no such thing as

3:12:53.000 --> 3:12:59.039
<v Speaker 2>washed up? And exactly music, there's no such thing. These

3:12:59.080 --> 3:13:00.400
<v Speaker 2>guys are nine hundred years old.

3:13:02.720 --> 3:13:04.760
<v Speaker 1>Why is it? Why is it in our culture that

3:13:04.959 --> 3:13:11.160
<v Speaker 1>is frowned upon? Because we are so critical in scrutinizing

3:13:11.360 --> 3:13:14.240
<v Speaker 1>each other that we never give each other the love

3:13:14.400 --> 3:13:19.200
<v Speaker 1>that we deserve. So that's why sometimes you got to

3:13:19.320 --> 3:13:21.920
<v Speaker 1>just keep doing what you're doing so people can still

3:13:22.000 --> 3:13:27.440
<v Speaker 1>receive you. And you know, don't let anybody turn you

3:13:27.520 --> 3:13:32.440
<v Speaker 1>away or stare you away from being or striving to

3:13:32.560 --> 3:13:37.960
<v Speaker 1>be great, because one day they will see that you

3:13:38.080 --> 3:13:40.400
<v Speaker 1>got to show them your greatness in order for you

3:13:41.440 --> 3:13:45.120
<v Speaker 1>to be accepted. You just got to show it. Don't

3:13:45.160 --> 3:13:46.880
<v Speaker 1>talk about it. You know a lot of people talk

3:13:46.920 --> 3:13:48.840
<v Speaker 1>about it and bring R and B back or I'm

3:13:48.840 --> 3:13:53.000
<v Speaker 1>going to bring this back and never conquer. So you

3:13:53.120 --> 3:13:55.720
<v Speaker 1>gotta now just do it and not talk about it.

3:13:55.959 --> 3:14:01.120
<v Speaker 1>Just do it and and and and be strong about it.

3:14:01.360 --> 3:14:07.520
<v Speaker 1>Just be determined. I'm determined to you know, be consistent

3:14:08.120 --> 3:14:11.080
<v Speaker 1>because when you're consistent, that's the key. And you know,

3:14:11.120 --> 3:14:14.280
<v Speaker 1>I haven't waited, like I've gotts thrown at me when

3:14:14.320 --> 3:14:16.720
<v Speaker 1>I said, Yo, this is guy two point oh. But

3:14:16.879 --> 3:14:20.120
<v Speaker 1>when people started hearing it, they started getting those dodgs back.

3:14:21.600 --> 3:14:23.160
<v Speaker 1>You know what I'm saying, And that's what you gotta do.

3:14:23.360 --> 3:14:26.360
<v Speaker 1>Like I really feel like you got another record in you.

3:14:27.600 --> 3:14:30.560
<v Speaker 1>You know what I'm saying. No, seriously, I promise you

3:14:31.480 --> 3:14:36.240
<v Speaker 1>if forell you and forel like how the clips come on?

3:14:36.360 --> 3:14:38.600
<v Speaker 2>Look at the clipst I got a doctor dre b.

3:14:39.640 --> 3:14:43.360
<v Speaker 2>I got three of them, Okay recently, yeah, a couple

3:14:43.400 --> 3:14:43.880
<v Speaker 2>of weeks ago.

3:14:44.120 --> 3:14:49.560
<v Speaker 1>So so we got you. Give me a call, please please, Yeah,

3:14:49.600 --> 3:14:51.320
<v Speaker 1>I'm going going to make.

3:14:51.200 --> 3:14:55.280
<v Speaker 2>Sure you're in the same city right now, like I'm

3:14:55.280 --> 3:14:57.240
<v Speaker 2>coming to get to tellybody got.

3:15:01.440 --> 3:15:08.320
<v Speaker 1>And you know, you know what for me is when

3:15:09.280 --> 3:15:12.400
<v Speaker 1>you do the records out of love like we first started,

3:15:12.480 --> 3:15:16.080
<v Speaker 1>we did this ship because we loved it exactly. It

3:15:16.320 --> 3:15:20.280
<v Speaker 1>was it was the industry who made us hate it.

3:15:21.640 --> 3:15:24.840
<v Speaker 2>But it's not the industrutiny, yes, and not only that,

3:15:24.959 --> 3:15:29.320
<v Speaker 2>it's just like like like when you spoke about, you know,

3:15:29.440 --> 3:15:31.960
<v Speaker 2>the career thing and all that, like like certain things,

3:15:32.040 --> 3:15:34.240
<v Speaker 2>like certain people took advantage of it, like me, for

3:15:34.560 --> 3:15:36.520
<v Speaker 2>for sure, I got took an advantage of.

3:15:39.640 --> 3:15:42.160
<v Speaker 1>For me to come back and me to do it

3:15:42.320 --> 3:15:45.960
<v Speaker 1>on my own terms will be like like like that

3:15:46.080 --> 3:15:47.920
<v Speaker 1>that's would be what I love. You know what I'm saying.

3:15:48.080 --> 3:15:50.360
<v Speaker 1>Thing you're supposed to do is you're supposed to be

3:15:50.440 --> 3:15:54.200
<v Speaker 1>on your own tongue better yes, instead of being faster. Yes,

3:15:54.320 --> 3:15:56.400
<v Speaker 1>you're never face and you're not a fALS. I mean,

3:15:56.440 --> 3:16:00.280
<v Speaker 1>it would be so easy for you. I should some

3:16:00.520 --> 3:16:04.640
<v Speaker 1>I got I'm already ready. Okay, you know what.

3:16:06.360 --> 3:16:10.920
<v Speaker 2>Please love I would love because you know what me

3:16:11.080 --> 3:16:14.240
<v Speaker 2>and my partner like, uh we said, me and e FN,

3:16:16.280 --> 3:16:18.760
<v Speaker 2>we really started this show to give people like you

3:16:19.440 --> 3:16:23.760
<v Speaker 2>your flowers, to give people like you your uh your credit,

3:16:23.879 --> 3:16:27.600
<v Speaker 2>because it's truly that like like if it's not you

3:16:28.200 --> 3:16:32.360
<v Speaker 2>like related like like like us being connected like you

3:16:32.680 --> 3:16:37.320
<v Speaker 2>truly are one of the icons you are icon, You

3:16:37.400 --> 3:16:41.080
<v Speaker 2>are a legend. You are a person that if it

3:16:41.200 --> 3:16:44.920
<v Speaker 2>wasn't for you, the music wouldn't be what it is today.

3:16:46.320 --> 3:16:50.000
<v Speaker 2>And I'm not afraid to tell you that to your face.

3:16:50.480 --> 3:16:54.040
<v Speaker 2>That is like you push the needle. You are the

3:16:54.879 --> 3:16:57.720
<v Speaker 2>the move what they call it, the move shaker. Yeah, yeah,

3:16:58.000 --> 3:16:59.279
<v Speaker 2>you are person.

3:16:59.400 --> 3:17:03.560
<v Speaker 1>You are that person. And I feel like our culture

3:17:07.120 --> 3:17:09.720
<v Speaker 1>has to celebrate that. We have to appraise that. We

3:17:09.840 --> 3:17:13.520
<v Speaker 1>have to let you know, you know, to your face,

3:17:14.200 --> 3:17:18.160
<v Speaker 1>and if our kulture ain't gonna do it, we will.

3:17:22.080 --> 3:17:24.280
<v Speaker 1>This is why I love doing this show because as

3:17:24.680 --> 3:17:27.520
<v Speaker 1>the young fan of me comes back and meets the

3:17:27.760 --> 3:17:31.800
<v Speaker 1>icons and the heroes. So this is an actual concette

3:17:31.840 --> 3:17:34.600
<v Speaker 1>that I bought, right, look at that. That's crazy. And

3:17:34.640 --> 3:17:37.200
<v Speaker 1>I used to love because I was an aspiring DJ.

3:17:37.320 --> 3:17:41.280
<v Speaker 1>Couldn't afford turntables originally, right, So I loved all the

3:17:41.400 --> 3:17:45.360
<v Speaker 1>singles because they had the instrumentals. Yeah, but I hated

3:17:45.440 --> 3:17:47.920
<v Speaker 1>that they always came in the paper, So I used

3:17:47.959 --> 3:17:50.200
<v Speaker 1>to cut them up and put them in the plastic

3:17:51.280 --> 3:17:54.000
<v Speaker 1>so they would make so they would be protected. So

3:17:54.680 --> 3:17:57.040
<v Speaker 1>now I'm bringing you this now, I mean, this is Droomshaker.

3:17:57.080 --> 3:17:59.440
<v Speaker 1>He knows the year that is well, this record is.

3:17:59.600 --> 3:18:02.840
<v Speaker 1>Listen to me, there's two records in hip hop that

3:18:03.000 --> 3:18:06.000
<v Speaker 1>defined summers. Whether this came out and somebody, I can't

3:18:06.040 --> 3:18:08.400
<v Speaker 1>tell you, but I'm telling you define for me summers.

3:18:08.480 --> 3:18:12.160
<v Speaker 1>It's Dwick and Drumshaker because he jerked off to those videos,

3:18:12.280 --> 3:18:17.960
<v Speaker 1>keep it real, relaxed at all. I'll tell you a fact.

3:18:20.240 --> 3:18:26.519
<v Speaker 1>It's so crazy because for so long we we WASN'TSD

3:18:27.360 --> 3:18:32.200
<v Speaker 1>we wasn't considered hip hop. I know that. But you

3:18:32.280 --> 3:18:36.840
<v Speaker 1>know Miami, Miami guys, so that was it. Wait hold on,

3:18:36.920 --> 3:18:38.960
<v Speaker 1>so y'all looked at them like to no, no, no, no,

3:18:39.040 --> 3:18:41.800
<v Speaker 1>you understand. I'm a Miami top head. So I'm not

3:18:41.920 --> 3:18:44.879
<v Speaker 1>looking at that divisive stuff that's going on somewhere else.

3:18:45.480 --> 3:18:47.760
<v Speaker 1>To us, this is this is this is the jam.

3:18:47.959 --> 3:18:51.360
<v Speaker 1>So this is it a lot of people, like I said,

3:18:52.560 --> 3:18:55.960
<v Speaker 1>if people would have asked, like, yo, so is it

3:18:56.080 --> 3:19:00.400
<v Speaker 1>hip hop? No, that's rexing effect or that's news swing.

3:19:01.280 --> 3:19:06.680
<v Speaker 1>And why do music that I said, scrutiny, Why music

3:19:06.800 --> 3:19:11.920
<v Speaker 1>have to be put into a categlory or into a

3:19:12.080 --> 3:19:15.680
<v Speaker 1>box when it was everything to everybody. This was the

3:19:15.879 --> 3:19:19.520
<v Speaker 1>first record, the first Booty song to play on MTV,

3:19:20.920 --> 3:19:25.880
<v Speaker 1>the very first throw. They wasn't on MTV yet or

3:19:26.040 --> 3:19:33.240
<v Speaker 1>never took. That record was decided by a judge. The

3:19:33.600 --> 3:19:37.760
<v Speaker 1>first commercial about Rumpshaker was a judge and they played

3:19:37.800 --> 3:19:39.879
<v Speaker 1>a record and you know, it was like a demonstration

3:19:40.000 --> 3:19:44.760
<v Speaker 1>and this record makes MTV. That's crazy. But I didn't

3:19:44.760 --> 3:19:49.240
<v Speaker 1>know that. Yeah, yep. And we did a lot to

3:19:49.320 --> 3:19:53.680
<v Speaker 1>make that record make TV because we had some we

3:19:53.800 --> 3:19:56.400
<v Speaker 1>had some stuff going on and we had some stars

3:19:56.440 --> 3:20:00.400
<v Speaker 1>in there. Like you you would know, like the the

3:20:00.520 --> 3:20:04.480
<v Speaker 1>girl is playing the successphone, you know who that is.

3:20:05.120 --> 3:20:11.040
<v Speaker 1>That's Bobby Brown's wife. Wow, today my mind. Wasn't his

3:20:11.120 --> 3:20:15.040
<v Speaker 1>wife then though? Wasn't his wife then? Right? That's his wife?

3:20:15.120 --> 3:20:21.400
<v Speaker 1>Now do y'all think, y'all y'all introduced? Uh no, no, no, no, no,

3:20:22.320 --> 3:20:26.120
<v Speaker 1>that's all Day. That's that's Luke. That's I even said

3:20:26.120 --> 3:20:27.800
<v Speaker 1>a lot of my records, I'm the East Coast Luke.

3:20:28.240 --> 3:20:31.360
<v Speaker 1>Goddamn it. Okay, but but listen, you said this is

3:20:31.440 --> 3:20:34.960
<v Speaker 1>hip hop nonetheless, Yeah, but no, it wasn't. I mean, well,

3:20:35.320 --> 3:20:40.840
<v Speaker 1>when the fiftieth to us in my anniversary, we wasn't called.

3:20:42.240 --> 3:20:44.080
<v Speaker 1>And let me tell you something, this is a hip

3:20:44.080 --> 3:20:48.280
<v Speaker 1>hop hit record exactly. Nobody says the lead rapper is

3:20:48.360 --> 3:20:53.400
<v Speaker 1>one of the most influenced, influential rappers because a lot

3:20:53.480 --> 3:20:56.000
<v Speaker 1>of people and I'm gonna keep it one hundred a

3:20:56.080 --> 3:20:59.760
<v Speaker 1>lot of people a guy that got their style from him,

3:21:00.959 --> 3:21:06.240
<v Speaker 1>I'll kill a plus keep going. He's a very educated

3:21:06.360 --> 3:21:11.760
<v Speaker 1>rapper and freestyle, Yeah, A plus off through it. But

3:21:12.840 --> 3:21:16.440
<v Speaker 1>you know when people don't give you that respect, he's

3:21:16.480 --> 3:21:19.040
<v Speaker 1>just like, yo, I got another job over here. I

3:21:19.080 --> 3:21:22.480
<v Speaker 1>can just do that. And we just kind of left

3:21:22.520 --> 3:21:26.040
<v Speaker 1>it alone. But when we performed that song, I mean,

3:21:26.080 --> 3:21:28.080
<v Speaker 1>I think it's going to go down in history. Like

3:21:28.200 --> 3:21:30.199
<v Speaker 1>I said, I mean, I don't know if everybody agrees

3:21:30.240 --> 3:21:32.720
<v Speaker 1>with me, but I feel like I think it as well.

3:21:32.840 --> 3:21:36.000
<v Speaker 1>And it's rump shaking. Those are the summer records for

3:21:36.160 --> 3:21:39.640
<v Speaker 1>that time period, which is the golden era in my

3:21:40.040 --> 3:21:43.160
<v Speaker 1>you know, from my generation of hip hop. YEP, it's

3:21:43.240 --> 3:21:45.760
<v Speaker 1>drinking and rump shaking. Like there's no other record that's

3:21:45.760 --> 3:21:48.160
<v Speaker 1>going to bring everybody on the dance floor like that.

3:21:50.080 --> 3:21:52.680
<v Speaker 1>I feel the same way, you know this is that's

3:21:52.720 --> 3:21:56.240
<v Speaker 1>a classic. You know, there's not a lot of rap classics.

3:21:57.080 --> 3:21:59.560
<v Speaker 1>You know that you could say I could play twenty

3:21:59.640 --> 3:22:05.520
<v Speaker 1>years this record ninety two and still playing today in

3:22:05.760 --> 3:22:09.200
<v Speaker 1>the clubs. And the sample, the original sample of Public

3:22:09.280 --> 3:22:12.880
<v Speaker 1>Enemy use right first or no? The original sample is

3:22:12.959 --> 3:22:15.760
<v Speaker 1>by some I got souped million dollars for that record,

3:22:17.160 --> 3:22:20.120
<v Speaker 1>A million, a million dollars. I had to pay me.

3:22:22.280 --> 3:22:25.440
<v Speaker 1>So we'll see what they called us lady later when

3:22:25.480 --> 3:22:29.040
<v Speaker 1>the record the record did half a million because the

3:22:29.120 --> 3:22:35.160
<v Speaker 1>record was in and part of my publishing check went

3:22:35.280 --> 3:22:39.840
<v Speaker 1>to pay for that sample. They let us as an

3:22:39.920 --> 3:22:49.720
<v Speaker 1>Indian band, an Indian band before Public Enemy before yeah,

3:22:50.360 --> 3:22:55.920
<v Speaker 1>and then Jay used it afterwards. Yeah right, yeah, wow crazy,

3:22:58.120 --> 3:23:04.680
<v Speaker 1>So we know you didn't smoke the blunt relaxed. It

3:23:05.920 --> 3:23:09.680
<v Speaker 1>was for later before. Can I ask this is for

3:23:09.800 --> 3:23:14.000
<v Speaker 1>my in a junkie whoa, whoa the inner junkie and

3:23:14.120 --> 3:23:18.040
<v Speaker 1>you what's the what? What kind of drugs was in

3:23:18.080 --> 3:23:24.680
<v Speaker 1>the Bobby Brown sessions? Well? See, was there not cooking

3:23:25.640 --> 3:23:29.200
<v Speaker 1>that I work with that did substance? Did not bring

3:23:29.280 --> 3:23:33.520
<v Speaker 1>it around me. I'm gonna tell you, like like Snoop

3:23:33.600 --> 3:23:37.840
<v Speaker 1>Dogg and that's my brother. But Snoop would even ask me,

3:23:37.959 --> 3:23:42.240
<v Speaker 1>oh can we can we hit one? And one day

3:23:44.560 --> 3:23:47.360
<v Speaker 1>he smoked in the session, right, and Aaron Hall was

3:23:47.400 --> 3:23:51.480
<v Speaker 1>with us. Everybody was in the session and Snoop came

3:23:51.560 --> 3:23:55.320
<v Speaker 1>and he said, I bet you can't hit this. You

3:23:55.560 --> 3:24:00.280
<v Speaker 1>you'll never hit that. And Snoop had some strong stuff right,

3:24:00.400 --> 3:24:06.160
<v Speaker 1>and I said, so, I bet y'all would because they

3:24:06.240 --> 3:24:10.680
<v Speaker 1>used to smoke every day. Him, corrupt everybody, creep everybody.

3:24:11.320 --> 3:24:18.520
<v Speaker 1>So I took a hit and it changed my life.

3:24:23.160 --> 3:24:27.400
<v Speaker 1>Now I'm gonna tell you why. Because I have hyperthyroids hyperthyroidism,

3:24:28.200 --> 3:24:31.800
<v Speaker 1>and I used to have tremors. My hands used to

3:24:32.080 --> 3:24:35.160
<v Speaker 1>shake a lot, you know. I had a grade disease

3:24:35.240 --> 3:24:42.320
<v Speaker 1>and cancer. Wow, and I used to I could never sleep,

3:24:42.400 --> 3:24:45.520
<v Speaker 1>like if I'm in a studio session, I can go

3:24:45.840 --> 3:24:53.600
<v Speaker 1>to for forty eight hours literally. But for me, what

3:24:53.840 --> 3:24:57.160
<v Speaker 1>helped me? And now we're working on the strand as

3:24:57.240 --> 3:25:06.880
<v Speaker 1>a tea because tea said, because uh, Indeca, it's probably

3:25:07.040 --> 3:25:10.040
<v Speaker 1>it's the best thing for me. And I only have

3:25:10.160 --> 3:25:16.640
<v Speaker 1>to take one. And I'm good because the up order down,

3:25:16.920 --> 3:25:22.480
<v Speaker 1>down down, because I'm already up. Okay, I'm already up. Like,

3:25:24.480 --> 3:25:28.119
<v Speaker 1>I'm like, why you say, jumping bunny, you know I'm

3:25:28.480 --> 3:25:32.600
<v Speaker 1>out of here. I can go, no, do yourself. I'm like,

3:25:32.720 --> 3:25:37.959
<v Speaker 1>do you sell? Like? And it was nothing that because

3:25:37.959 --> 3:25:41.400
<v Speaker 1>I don't really like taking medicine at all. There was

3:25:41.480 --> 3:25:46.840
<v Speaker 1>nothing that could help me and my my ex manager

3:25:46.879 --> 3:25:48.520
<v Speaker 1>I used to play with. I used to sell you

3:25:48.640 --> 3:25:52.080
<v Speaker 1>a pusher man, you know, like it was your drug dealer,

3:25:52.360 --> 3:25:55.440
<v Speaker 1>because he was you know, he he introduced when they

3:25:55.480 --> 3:25:59.080
<v Speaker 1>had the vaps. But I realized that was dangerous. Then

3:25:59.120 --> 3:26:00.600
<v Speaker 1>he said, you know, they and you would have to

3:26:00.640 --> 3:26:02.840
<v Speaker 1>do the real deal. Or let's figure out how we

3:26:02.959 --> 3:26:06.320
<v Speaker 1>can turn it into a te So I have a

3:26:06.440 --> 3:26:09.840
<v Speaker 1>company now really putting together a strand and so it

3:26:09.879 --> 3:26:12.960
<v Speaker 1>can make it into a tea. That's why, so that

3:26:13.240 --> 3:26:15.720
<v Speaker 1>I'm able to you know, sleep, but it also helps

3:26:15.800 --> 3:26:21.520
<v Speaker 1>me with my thye words. So yeah, okay, So the

3:26:21.640 --> 3:26:23.760
<v Speaker 1>drugs and studio, I could tell you a couple of

3:26:23.800 --> 3:26:29.520
<v Speaker 1>people who asked me, you know, I'm in ODB O

3:26:29.720 --> 3:26:33.560
<v Speaker 1>dB when he came to do the remix for Fix. Okay,

3:26:34.120 --> 3:26:38.200
<v Speaker 1>and this is how you got that that part on

3:26:38.360 --> 3:26:43.040
<v Speaker 1>Fixed when he went who her name was, Vagina? The

3:26:43.200 --> 3:26:46.320
<v Speaker 1>dude had to have a forty and he had to

3:26:46.400 --> 3:26:50.879
<v Speaker 1>have his weed. Nobody never did weed in my studio.

3:26:52.280 --> 3:26:54.360
<v Speaker 1>The first person to do weed in my studio was

3:26:54.440 --> 3:26:58.400
<v Speaker 1>Buster bust a round. Yeah, my brother, because he's like

3:27:00.760 --> 3:27:03.080
<v Speaker 1>I don't feel good. I don't feel good. Yo. I

3:27:03.160 --> 3:27:12.039
<v Speaker 1>need Yo, I need I don't feel yo, yos an

3:27:13.160 --> 3:27:18.600
<v Speaker 1>you talk to because some gotta give. I was like,

3:27:18.640 --> 3:27:22.600
<v Speaker 1>who is talking about? He's like, yo, I know you

3:27:22.640 --> 3:27:25.960
<v Speaker 1>don't allow like you know, smoking in your studio. Well,

3:27:27.080 --> 3:27:32.000
<v Speaker 1>can you could just give me this one? I'll finish

3:27:32.120 --> 3:27:36.160
<v Speaker 1>this record like like trust wow. I was like, I

3:27:37.959 --> 3:27:43.920
<v Speaker 1>you got a bush he's smoking? Was it? It changes?

3:27:44.240 --> 3:27:48.960
<v Speaker 1>You know, it's another playing field when when you got that.

3:27:49.280 --> 3:27:52.560
<v Speaker 1>So like even sometimes like when I'm in the studio,

3:27:54.080 --> 3:27:57.600
<v Speaker 1>I would have that feeling like today is the day

3:27:57.680 --> 3:28:02.120
<v Speaker 1>I need to because I'm on something right now and

3:28:02.200 --> 3:28:05.960
<v Speaker 1>I need to focus. The stuff I do is give

3:28:06.000 --> 3:28:09.640
<v Speaker 1>me a focus. And I'm like in that zone and

3:28:10.440 --> 3:28:14.720
<v Speaker 1>like just working on records for like Usher and stuff,

3:28:14.800 --> 3:28:16.680
<v Speaker 1>and I'm like, yo, I gotta get in the zone.

3:28:17.720 --> 3:28:18.080
<v Speaker 1>Mm hmm.

3:28:18.560 --> 3:28:24.200
<v Speaker 2>So man, taking a picture because I can't thank you enough, man,

3:28:24.360 --> 3:28:29.040
<v Speaker 2>Like I know you got to wrap it up, but

3:28:29.120 --> 3:28:31.039
<v Speaker 2>I'm gonna take another shot for you. I'm gonna take

3:28:31.040 --> 3:28:34.560
<v Speaker 2>too more shots for you because yeah, yeah, I'm gonna

3:28:34.560 --> 3:28:36.119
<v Speaker 2>take too much shot, take too much.

3:28:38.120 --> 3:28:42.760
<v Speaker 1>Because let me just tell you, man, we all owe you. Man.

3:28:43.320 --> 3:28:46.240
<v Speaker 1>Music mean nothing no, no, no no, I gave me

3:28:46.400 --> 3:28:51.160
<v Speaker 1>let me get you gave me my gime me check

3:28:51.240 --> 3:28:55.280
<v Speaker 1>this out. I'm gonna be one hond. I didn't think

3:28:55.320 --> 3:29:00.440
<v Speaker 1>I will ever make it here really serious because I

3:29:00.520 --> 3:29:03.879
<v Speaker 1>didn't really have like when I go on a show

3:29:04.040 --> 3:29:06.360
<v Speaker 1>like dude, like your show has got to be something

3:29:06.480 --> 3:29:10.520
<v Speaker 1>like this. This really got me here. I feel like

3:29:10.640 --> 3:29:12.920
<v Speaker 1>this is my reason. I know you wanted me to

3:29:12.959 --> 3:29:15.400
<v Speaker 1>come up because we talked about oh yes at the

3:29:15.440 --> 3:29:19.920
<v Speaker 1>piece pot piece, but this right here, I feel like

3:29:20.080 --> 3:29:22.640
<v Speaker 1>this was the vehicle that I feel I have something

3:29:22.680 --> 3:29:24.440
<v Speaker 1>to talk about. And then all the stuff you wanted

3:29:24.480 --> 3:29:26.760
<v Speaker 1>to ask me, and then the games and it became

3:29:27.560 --> 3:29:31.600
<v Speaker 1>like yo, that's flowers for me. Yes, you know what

3:29:31.600 --> 3:29:35.160
<v Speaker 1>I'm saying. Just coming on the show. I don't like

3:29:35.280 --> 3:29:37.920
<v Speaker 1>I told you, I don't doing on my past, but

3:29:38.040 --> 3:29:40.920
<v Speaker 1>thank you for humoring us. Yeah. Yeah, and we have

3:29:41.120 --> 3:29:43.040
<v Speaker 1>to we have to. We have to, you know what,

3:29:43.920 --> 3:29:45.760
<v Speaker 1>in case that's what you want to do.

3:29:46.120 --> 3:29:49.040
<v Speaker 2>It's people like us that we sit around and we

3:29:49.080 --> 3:29:52.080
<v Speaker 2>said we have to say, man like this like your legacy,

3:29:52.160 --> 3:29:55.640
<v Speaker 2>what you've done, what you gave to us is your

3:29:55.680 --> 3:29:58.600
<v Speaker 2>birth children, you birth you know, like when I said

3:29:58.840 --> 3:30:01.080
<v Speaker 2>four different decades. I'm sitting back and I'm just like

3:30:01.200 --> 3:30:03.160
<v Speaker 2>that shit is so beautiful, Like you know what I mean.

3:30:03.440 --> 3:30:05.720
<v Speaker 2>There's people who don't last six months. These people don't

3:30:05.800 --> 3:30:08.360
<v Speaker 2>last six weeks, these people don't last two weeks. And

3:30:08.520 --> 3:30:11.040
<v Speaker 2>the fact is that you have this a luxurious career.

3:30:11.400 --> 3:30:13.720
<v Speaker 2>I have to sit you as a man and tell you,

3:30:13.920 --> 3:30:16.080
<v Speaker 2>thank you, thank you for doing that, because I know

3:30:16.200 --> 3:30:19.960
<v Speaker 2>how much shit you have probably been through. I know

3:30:20.040 --> 3:30:21.920
<v Speaker 2>how much shit that you hain't talking about in that

3:30:22.080 --> 3:30:27.640
<v Speaker 2>book because I'm I can't say I'm of you, But

3:30:27.840 --> 3:30:28.800
<v Speaker 2>what I'm trying to say is.

3:30:29.080 --> 3:30:32.080
<v Speaker 1>I'm of that same essence we all come to trade.

3:30:32.320 --> 3:30:36.760
<v Speaker 1>And I know, I know the hardship that you've been through,

3:30:36.840 --> 3:30:39.480
<v Speaker 1>and I know the fact that you standing in here

3:30:39.560 --> 3:30:42.880
<v Speaker 1>today as a man, sitting there and you are you

3:30:43.000 --> 3:30:46.200
<v Speaker 1>are who you are, You are everyone who loves you,

3:30:46.480 --> 3:30:50.600
<v Speaker 1>everyone worships you. But I know I know sometimes what

3:30:50.760 --> 3:30:51.440
<v Speaker 1>we've been through.

3:30:51.760 --> 3:30:56.160
<v Speaker 2>Like you know, I look at my friends sometimes and

3:30:56.800 --> 3:31:00.360
<v Speaker 2>I can see them go to McDonald's and I can

3:31:00.400 --> 3:31:04.120
<v Speaker 2>say to them, fuck, I'm jealous of I'm going to

3:31:04.240 --> 3:31:07.320
<v Speaker 2>make them right. Not because I'm jealous of them going

3:31:07.400 --> 3:31:11.000
<v Speaker 2>to McDonald's. I'm jealous that they can go to McDonald's.

3:31:11.040 --> 3:31:13.600
<v Speaker 2>They can get their their chicken filet or fish for legs.

3:31:13.600 --> 3:31:16.000
<v Speaker 1>I know you don't eat chicken. They could get their

3:31:16.040 --> 3:31:18.400
<v Speaker 1>fish for l a. They could get their little they

3:31:18.879 --> 3:31:23.160
<v Speaker 1>uh uh because my man that's vegan. Uh, they get

3:31:23.200 --> 3:31:23.640
<v Speaker 1>his loop.

3:31:23.840 --> 3:31:26.160
<v Speaker 2>They can get their French fries and they can sit down.

3:31:26.160 --> 3:31:27.600
<v Speaker 2>I'm sorry, I'm not you mean to throw you out,

3:31:28.120 --> 3:31:33.040
<v Speaker 2>but they can sit down. And that ship it vexes

3:31:33.080 --> 3:31:35.200
<v Speaker 2>me sometimes because it's like, damn, I know much I

3:31:35.320 --> 3:31:38.360
<v Speaker 2>sacrifice for this industry. You not much I've done for

3:31:38.480 --> 3:31:40.880
<v Speaker 2>this industry, and I can't even do it. I can't

3:31:40.879 --> 3:31:46.439
<v Speaker 2>even get up McDonald's meal like without being but yehad.

3:31:47.680 --> 3:31:52.320
<v Speaker 1>But you can. It's just you choose not to. So

3:31:52.640 --> 3:31:57.600
<v Speaker 1>it's it's like, m I I wanted, like I watched

3:31:57.680 --> 3:32:01.000
<v Speaker 1>the show probably since the beginning, thank you, thank you

3:32:01.080 --> 3:32:04.680
<v Speaker 1>man than you, and you know, I was like, dag,

3:32:05.800 --> 3:32:09.080
<v Speaker 1>if I go on this show, I want to have something.

3:32:09.200 --> 3:32:11.400
<v Speaker 1>I want to have something because I know I got

3:32:11.480 --> 3:32:14.440
<v Speaker 1>something right, but I want to have something more, like

3:32:14.680 --> 3:32:18.000
<v Speaker 1>something to talk about. You know. I'm always with sepstance,

3:32:18.160 --> 3:32:20.680
<v Speaker 1>you know, and that's the reason why I kind of

3:32:21.400 --> 3:32:24.160
<v Speaker 1>duck and Dodge. You know when I saw you, I

3:32:24.200 --> 3:32:27.000
<v Speaker 1>ain't ready, No, you know what, But you know what

3:32:27.080 --> 3:32:28.520
<v Speaker 1>the beautiful part about that was.

3:32:30.720 --> 3:32:32.440
<v Speaker 2>Was I got, like I said, like I started this

3:32:32.520 --> 3:32:35.280
<v Speaker 2>interview off when I got to see you be so

3:32:35.480 --> 3:32:39.320
<v Speaker 2>happy for another person and I got to see her come.

3:32:39.360 --> 3:32:41.520
<v Speaker 2>I'm saying like you like you're one of these people

3:32:41.600 --> 3:32:43.480
<v Speaker 2>that like you've done everything, like you know what I mean.

3:32:43.600 --> 3:32:45.360
<v Speaker 2>Like we had Will Smith on here, I'm sorry to

3:32:45.400 --> 3:32:48.840
<v Speaker 2>be and Will told us he said, man, there's a

3:32:48.920 --> 3:32:49.600
<v Speaker 2>mountain top.

3:32:50.800 --> 3:32:52.880
<v Speaker 1>And when he said that, what is it? What is it?

3:32:53.520 --> 3:32:57.720
<v Speaker 2>What cliff top? And he was he was just ascribing

3:32:57.800 --> 3:33:02.959
<v Speaker 2>to us how you can make it to the top

3:33:03.520 --> 3:33:07.880
<v Speaker 2>and that should just not be enough. And that shit

3:33:08.000 --> 3:33:09.320
<v Speaker 2>scared the ship out of me.

3:33:09.520 --> 3:33:10.560
<v Speaker 1>That was ahead.

3:33:10.560 --> 3:33:12.240
<v Speaker 2>I'm sorry because I feel like you're about to say

3:33:12.240 --> 3:33:13.120
<v Speaker 2>something because you're right.

3:33:13.240 --> 3:33:16.720
<v Speaker 1>You're right. I always say, you know, it's easy to

3:33:16.800 --> 3:33:19.880
<v Speaker 1>get to the top, but it's hard to maintain and

3:33:20.000 --> 3:33:27.160
<v Speaker 1>stay there. And my formula to that is, this is

3:33:27.240 --> 3:33:32.440
<v Speaker 1>the industry. If you're trying to sustain yourself, sometimes you

3:33:32.520 --> 3:33:35.000
<v Speaker 1>got to sit down, just like let the sub come in.

3:33:36.760 --> 3:33:38.760
<v Speaker 1>A lot of people don't know how to let the subns.

3:33:39.959 --> 3:33:45.840
<v Speaker 1>So that's what I did. I created subs. I created,

3:33:46.400 --> 3:33:51.000
<v Speaker 1>you know, like architects that could fulfill what I'm doing

3:33:51.080 --> 3:33:55.960
<v Speaker 1>while I'm sitting down, and that's what for well, you know,

3:33:56.160 --> 3:33:58.920
<v Speaker 1>that's where they all come in. It's like that at

3:33:59.040 --> 3:34:03.840
<v Speaker 1>least I know that something came from or came through

3:34:04.200 --> 3:34:07.520
<v Speaker 1>me that I'm able to say that he's doing it.

3:34:09.320 --> 3:34:12.600
<v Speaker 1>And when you see that, like writing the drunks as well,

3:34:13.040 --> 3:34:17.600
<v Speaker 1>you know, and you're able to say that I'm a

3:34:17.680 --> 3:34:21.359
<v Speaker 1>part of that. It's like when you said with the clips,

3:34:21.920 --> 3:34:24.640
<v Speaker 1>that's the part I'm a part of that. That's that's

3:34:24.760 --> 3:34:29.360
<v Speaker 1>my war too. You know I feel that way as well.

3:34:30.360 --> 3:34:33.560
<v Speaker 1>But I'll never say it's like you smile inside that

3:34:33.840 --> 3:34:37.440
<v Speaker 1>that really shows right here, it's all in here, and

3:34:37.520 --> 3:34:41.080
<v Speaker 1>it's all in here, you know, and and that's what

3:34:41.240 --> 3:34:46.360
<v Speaker 1>you're seeing. Because I'm proud, like like one hundred one

3:34:46.520 --> 3:34:51.440
<v Speaker 1>thousand percent proud of all of them. I can tell

3:34:51.800 --> 3:34:55.320
<v Speaker 1>you know what I'm saying. It's no, like never have

3:34:55.480 --> 3:35:00.280
<v Speaker 1>been any type of heoration. No, because when you know,

3:35:00.640 --> 3:35:04.720
<v Speaker 1>like when you see like you envisioned the tree, like

3:35:06.920 --> 3:35:09.360
<v Speaker 1>it only adds on to you. But I got to

3:35:09.360 --> 3:35:12.960
<v Speaker 1>see it. I'll stood behind you bro, you behind me,

3:35:13.080 --> 3:35:15.680
<v Speaker 1>but you ain't see me drop the tear of joy.

3:35:15.800 --> 3:35:18.960
<v Speaker 1>I did see that, you did. I did see that

3:35:19.040 --> 3:35:23.920
<v Speaker 1>because I who was sitting right behind me? It was me.

3:35:26.920 --> 3:35:30.720
<v Speaker 1>My wife was dead. I was almost wanted to say,

3:35:31.000 --> 3:35:33.160
<v Speaker 1>get the camera because you know you were right here.

3:35:33.240 --> 3:35:35.720
<v Speaker 1>You were exactly where e FN was to me.

3:35:36.360 --> 3:35:39.840
<v Speaker 2>And what I realized was our whole chemistry the bose.

3:35:39.720 --> 3:35:42.520
<v Speaker 1>Together at that very moment. I knew it already, but

3:35:42.959 --> 3:35:46.000
<v Speaker 1>I looked and and and you know what, God bless

3:35:46.080 --> 3:35:48.680
<v Speaker 1>hip hop man, God blessed hip hop man. God bless

3:35:49.480 --> 3:35:51.840
<v Speaker 1>The last person that did that with me where I

3:35:51.959 --> 3:35:55.840
<v Speaker 1>had a tear of joy was when I won We

3:35:56.000 --> 3:36:00.800
<v Speaker 1>won the the Grammy for No Dignity. And then what

3:36:01.000 --> 3:36:06.240
<v Speaker 1>came next was a Record of the Year and voice

3:36:06.280 --> 3:36:13.600
<v Speaker 1>the Men one and Rick Rubin took a piece of

3:36:13.680 --> 3:36:20.640
<v Speaker 1>paper and wrote that should have been your award, And

3:36:20.840 --> 3:36:27.959
<v Speaker 1>I said, everything happens on God's time. Sometimes you gotta

3:36:28.040 --> 3:36:32.720
<v Speaker 1>sit like I said, You gotta sit back that God

3:36:33.920 --> 3:36:38.320
<v Speaker 1>stayed away. Are process. You trust the process. You know

3:36:38.720 --> 3:36:41.160
<v Speaker 1>you get there. You just got to stay in, stay

3:36:41.200 --> 3:36:44.800
<v Speaker 1>in the number in the game. Do another record. But

3:36:44.959 --> 3:36:47.720
<v Speaker 1>let me just let me just end on this note,

3:36:48.240 --> 3:36:51.200
<v Speaker 1>I really have to thank you again, Thank you again

3:36:51.400 --> 3:36:58.000
<v Speaker 1>for your contribute, con your contribution to life, not only

3:36:58.240 --> 3:37:02.880
<v Speaker 1>just music, Like your music changed people's lives. So I

3:37:03.000 --> 3:37:06.680
<v Speaker 1>want to say thank you for what you contributed to life,

3:37:07.600 --> 3:37:09.400
<v Speaker 1>even bigger than music, you know what I mean. Like

3:37:09.480 --> 3:37:11.640
<v Speaker 1>when I'm sitting abound and I'm sitting bound, I was

3:37:11.640 --> 3:37:16.959
<v Speaker 1>like this man, this man, caters are ears for.

3:37:18.800 --> 3:37:22.720
<v Speaker 2>Thirty damn years and forty. Of course, of course the

3:37:22.760 --> 3:37:25.840
<v Speaker 2>limit your name job was just downplaying it. But I'm

3:37:25.920 --> 3:37:26.920
<v Speaker 2>doing it in the right way.

3:37:27.200 --> 3:37:29.560
<v Speaker 1>What I'm trying to say is that shit is so

3:37:29.640 --> 3:37:32.840
<v Speaker 1>beautiful man, Like I'm proud to know you. I'm proud

3:37:32.879 --> 3:37:35.880
<v Speaker 1>to be in the same area as you. I'm probably

3:37:35.879 --> 3:37:38.480
<v Speaker 1>be in the same room as you. I'm proud. And

3:37:39.720 --> 3:37:42.080
<v Speaker 1>me and him like we said, man, we want to

3:37:42.160 --> 3:37:42.640
<v Speaker 1>give people.

3:37:42.720 --> 3:37:45.400
<v Speaker 2>They flowers while they are alive, they trees while they

3:37:45.440 --> 3:37:47.320
<v Speaker 2>can smell them, and they thoughts where they can tell them.

3:37:47.640 --> 3:37:50.480
<v Speaker 2>And we want to tell you, thank you, brother, thank

3:37:50.560 --> 3:37:52.440
<v Speaker 2>you for being who you are, thank you for being

3:37:52.520 --> 3:37:53.000
<v Speaker 2>this you.

3:37:55.720 --> 3:37:57.760
<v Speaker 1>And I'm so scared because I'm looking at your people

3:37:57.800 --> 3:37:59.880
<v Speaker 1>and I can tell they want you to go, and

3:38:00.040 --> 3:38:01.920
<v Speaker 1>I'm like, okay, you still got to do a picture

3:38:02.000 --> 3:38:06.320
<v Speaker 1>and dropping. But take one more shot. Oh I forgot,

3:38:06.360 --> 3:38:08.760
<v Speaker 1>I forgot. I jerked you on the shot. I jerked

3:38:08.760 --> 3:38:10.440
<v Speaker 1>you on the shot. I jerked you on the shot. Poor.

3:38:10.560 --> 3:38:13.320
<v Speaker 1>So you know how the ship is. This is gonna

3:38:13.320 --> 3:38:18.840
<v Speaker 1>be got. I got this and silo, silo, and thank

3:38:18.879 --> 3:38:20.920
<v Speaker 1>you and take you to your team, man, thank you.

3:38:21.520 --> 3:38:26.400
<v Speaker 1>All of your team is beautiful. Man. They was on point.

3:38:26.480 --> 3:38:29.199
<v Speaker 1>Even though my Dominican friends send him the wrong address.

3:38:29.520 --> 3:38:32.400
<v Speaker 1>I'm blaming it on him. I'm blaming you, missing Lee.

3:38:32.520 --> 3:38:35.840
<v Speaker 1>I cannot blame him that. I'm blaming you because April

3:38:36.080 --> 3:38:38.520
<v Speaker 1>Crocket hit me. It was like, do you know you

3:38:38.600 --> 3:38:40.560
<v Speaker 1>have you have to tell you on yourself? Of course,

3:38:40.600 --> 3:38:43.480
<v Speaker 1>I know, you know. He goes. You know they're outside

3:38:43.520 --> 3:38:45.960
<v Speaker 1>and I'm going, this is no way and I know

3:38:46.080 --> 3:38:47.640
<v Speaker 1>it's other spots.

3:38:48.040 --> 3:38:51.280
<v Speaker 2>No, no, no, no, I believe it was him sending

3:38:51.320 --> 3:38:53.400
<v Speaker 2>the wrong address. I'm blaming him all on every day.

3:38:53.560 --> 3:38:58.520
<v Speaker 2>I'm blaming the Dominican guy. Thank you so much, though,

3:38:58.560 --> 3:38:59.920
<v Speaker 2>thank you so much. Just take a picture.

3:39:00.080 --> 3:39:03.920
<v Speaker 1>Yeah. Drink Champs is a Drink Champs LLC production hosts

3:39:04.000 --> 3:39:07.080
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3:39:07.320 --> 3:39:12.840
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3:39:16.840 --> 3:39:19.440
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3:39:19.600 --> 3:39:22.280
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3:39:22.320 --> 3:39:24.520
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