WEBVTT - Episode 30 - Brandon from LANco (1-4-17)

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<v Speaker 1>All right, welcome episode thirty to the Bobby Cast, our

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<v Speaker 1>first one after the break. By the way, Mike d

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<v Speaker 1>welcome back right yet before there you good, buddy, I'm good.

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<v Speaker 1>Good to see you again extime, I see every day. Uh.

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<v Speaker 1>Today we have brand in, the late singer of a

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<v Speaker 1>Lanco here. Hey, Brandon, what is up? Man? You've been

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<v Speaker 1>adjusting your chair. The difference in this and any other

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<v Speaker 1>interview that you'll ever do in your whole life. These

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<v Speaker 1>are the most comfortable chairs. They are. You just sit

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<v Speaker 1>back and relax. Wait about eighteen nineteen minutes you'll start crying.

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<v Speaker 1>You won't even notice it. I know that's the problem.

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<v Speaker 1>I feel like I'm too comfortable. All about getting comfortable,

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<v Speaker 1>ready to watch a movie. But have a drink of this.

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<v Speaker 1>Don't look at what I dropped inside of it. Brandon's

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<v Speaker 1>here from a Lanco. And before we talk about stuff,

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<v Speaker 1>I want to play a little bit of Lanko because

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<v Speaker 1>you guys are considered brand new artists. So if you

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<v Speaker 1>haven't heard in the Atlanto's music, there's a little long

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<v Speaker 1>lived tonight, crazy baby baby, don't be scared. When you

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<v Speaker 1>got me, we can sit each other. There's a little

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<v Speaker 1>song called American love story the River, You go be

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<v Speaker 1>my wife. We didn't know any better. I didn't have clomb.

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<v Speaker 1>That was what you wanted. You want to need it

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<v Speaker 1>and we can meet him Twain, We're gonna be the

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<v Speaker 1>greatest love story is t sing. That's your best song,

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<v Speaker 1>by the way, And we know each other a bit.

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<v Speaker 1>A lot of people can. I've never met him before.

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<v Speaker 1>I'm just like, hey, you know, come in out of

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<v Speaker 1>your story. I guess we've met a couple of times. Yeah, briefly, yeah, briefly,

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<v Speaker 1>but but we've met and you guys are you guys

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<v Speaker 1>are pretty young? Huh? We are young? Yeah? We uh

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<v Speaker 1>are each we are thirteen, Um, we're we're all twenties.

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<v Speaker 1>The we range from twenty four to twenty seven, So

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<v Speaker 1>meeting aid somewhere mid twenties. I guess. So Lanco is

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<v Speaker 1>a combination of a couple of words, right, isn't it?

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<v Speaker 1>Like yeah, it's a lancastering company. Yeah. From what I remember,

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<v Speaker 1>somebody worked there and that's where you guys like practiced

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<v Speaker 1>they got together. Yeah, well, why so the band name

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<v Speaker 1>comes from my name is Branda Lancaster. So I uh

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<v Speaker 1>so you know that's not like warehouse. There is a

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<v Speaker 1>warehouse in the story, but it's not not Lancaster. Um

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<v Speaker 1>my name is Branda Lancaster. So you know, early days

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<v Speaker 1>in Nashville, and uh, well, I'm trying to think how

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<v Speaker 1>far to go back. I met Tripp, who's the drummer

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<v Speaker 1>in Lanco and he worked at a carpet warehouse, and

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<v Speaker 1>uh I met him in Chattanoga, Tennessee. I was going

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<v Speaker 1>to school out there and we both played a music

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<v Speaker 1>festival there in different bands. And I'm from Nashville. Originally,

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<v Speaker 1>I grew up outside of Nashville that you know here

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<v Speaker 1>that is oh, I know, which is fun. I didn't

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<v Speaker 1>know that was rare until because when you grow up here,

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<v Speaker 1>everyone's from here. I grew up in Smyrna South in Nashville,

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<v Speaker 1>and uh yeah, we grew up here. Everyone's from here.

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<v Speaker 1>And then I went to school and when I came back,

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<v Speaker 1>you know, started making new friends and meeting people, and

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<v Speaker 1>everyone would ask where I was from. And that question

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<v Speaker 1>was so strange to me because I was like, I'm yeah,

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<v Speaker 1>where are you from? And they're always a good from here.

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<v Speaker 1>I'm like, yeah, where are you from? What are you doing?

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<v Speaker 1>More people aren't from here. Oh, especially in the business

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<v Speaker 1>that we're in. Absolutely. Yeah, more like people aren't from

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<v Speaker 1>here from I know, I've met very few people that

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<v Speaker 1>are from here. Um. But yeah, but I went to

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<v Speaker 1>school in Chattanooga. So when I moved back, Tripp was

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<v Speaker 1>moving to Nashville the same week I was. So, you know,

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<v Speaker 1>I I've been writing songs, I mean virtually in my

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<v Speaker 1>whole life. And uh and and so I told me

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<v Speaker 1>I have the slew of songs and I want to

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<v Speaker 1>put a band together, and kind of gave me the

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<v Speaker 1>idea and and so we put it to get you know,

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<v Speaker 1>my name is Brena Lancaster. So it started as you know,

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<v Speaker 1>Lancaster and and something, and we thought we'd build a

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<v Speaker 1>band arount around. Let me ask you about that. Let

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<v Speaker 1>me stop you for a second, because I always thought,

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<v Speaker 1>you know, all the guys in Dave Matthews band, m

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<v Speaker 1>Dave Matthews band, like Dave matthewss band, bon Jovi, John

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<v Speaker 1>bon Jovi, nobody else's name Van Halen, Yeah, I got

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<v Speaker 1>a couple of Van Hammon. Bro you know what, how

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<v Speaker 1>come is it? Because you're the one that came up

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<v Speaker 1>with the idea, and he was just cool with it

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<v Speaker 1>because the last name is not company, is it. Yeah? Uh,

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<v Speaker 1>it actually is. No, it's not um Yeah, we were

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<v Speaker 1>duos Lancaskop. No. It was I think the way it started,

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<v Speaker 1>you know, at first, like he was in a different

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<v Speaker 1>band and I had written a bunch of songs. It

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<v Speaker 1>was the thing where I could have done a solo

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<v Speaker 1>project if I wanted to, I could have just you know,

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<v Speaker 1>made it mine and and hired guys out. And you know,

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<v Speaker 1>I kind of had a revolving door, which is what

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<v Speaker 1>happened Nashville lot and early on that's kind of what

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<v Speaker 1>I thought might happen, you know, because I had these

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<v Speaker 1>songs and you just don't know how long you're gonna

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<v Speaker 1>keep a guitar player a bass player because everyone's working

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<v Speaker 1>and has to you know, kind of go where the

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<v Speaker 1>money is sometimes. But early on it was, you know,

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<v Speaker 1>this thing where I I wrote these songs, but I

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<v Speaker 1>want to build a band around it. I did look

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<v Speaker 1>at Tom Petty and the Heartbreakers, and I did look

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<v Speaker 1>at at Dave Matthews band where there is a primary

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<v Speaker 1>songwriter and there's this guy that came with the songs,

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<v Speaker 1>but there's a band around it that makes it unique.

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<v Speaker 1>And has its own sound. And when you keep those

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<v Speaker 1>same guys together, like even like a Zach Brown band,

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<v Speaker 1>you know it has a unique sound because they've had time.

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<v Speaker 1>The same guys have had time to craft that sound

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<v Speaker 1>and and and build what they're doing, and and also

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<v Speaker 1>go through hard time together, go through great times together,

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<v Speaker 1>um and and so early on, I didn't know what

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<v Speaker 1>it would look like, you know, I didn't know if

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<v Speaker 1>it would be a band band or if it would

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<v Speaker 1>be this Zach Brown band or Dave Matthews band, and

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<v Speaker 1>guys might come in and come out, and you keep

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<v Speaker 1>hiring and you keep adding people. I didn't know at

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<v Speaker 1>all what it would look like. I just knew we

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<v Speaker 1>had Lancaster and then if Tripp wanted to be in

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<v Speaker 1>this band, we could have a company and start building it.

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<v Speaker 1>And that was also where the name change kind of

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<v Speaker 1>came though, was when we shortened it. It was because

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<v Speaker 1>it was the same guys for for a long time,

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<v Speaker 1>and you know, we had gone a year and then

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<v Speaker 1>we had just all become friends. We're all right, this

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<v Speaker 1>is a band, so but people know it's is Lancastering Company.

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<v Speaker 1>But let's shorten it to more of a band name

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<v Speaker 1>kind of sound selfless thing because Landco does not sound

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<v Speaker 1>like random like guys, right, it doesn't. So it's selfless

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<v Speaker 1>thing to make that move to go Lanco, because if

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<v Speaker 1>it were me, I'd have been like, we're gonna call

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<v Speaker 1>ourselves brand Caster, We're gonna change the name to brand

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<v Speaker 1>so every but you know, I think that's uh that

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<v Speaker 1>you two together. Well what the other two guys come

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<v Speaker 1>from though? So there it's a five piece altogether. So

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<v Speaker 1>I so Trip and I were jamming and which one

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<v Speaker 1>of you guys do I not know? Then? You I've

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<v Speaker 1>never met all five of you at once. I don't

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<v Speaker 1>think it's the one that you don't like, because that's

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<v Speaker 1>the one I haven't met. Um who probably I mean

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<v Speaker 1>probably Tripped, like even though you've met him at now,

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<v Speaker 1>I'm kidding Tripping. Our best friends and obviously have the

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<v Speaker 1>most history together. But we yeah, there's five us all together.

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<v Speaker 1>And we had you know, Trip myself, and we literally

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<v Speaker 1>would just sit and he played drums and I played guitar,

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<v Speaker 1>and it's like, man, we need more instruments. Um, and

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<v Speaker 1>so we Uh, I met this guys songwriting competition that

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<v Speaker 1>went to mts U and we start talking. I was like,

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<v Speaker 1>I'm putting this band together, do you know any guitar players?

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<v Speaker 1>Let's start there, and he gave me a list guitar players.

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<v Speaker 1>And going back to kind of the session player thing,

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<v Speaker 1>I met one guy who was awesome and he was great,

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<v Speaker 1>good vibe, good hanging and I was like, Oh, this

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<v Speaker 1>guy is awesome. I can't wait from to play with us.

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<v Speaker 1>He was like, yeah, you know, my day rates two

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<v Speaker 1>fifty a day, and I immediately was like, oh, that

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<v Speaker 1>may not work, which means he's not investing coming in

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<v Speaker 1>low with the high. He just wants to pay right right,

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<v Speaker 1>which he deserves. I mean, you know, he had done

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<v Speaker 1>a lot of things and play with other people, and

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<v Speaker 1>this is he's at that point where he's a professional

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<v Speaker 1>career musician. Where we were doing this thing, we were

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<v Speaker 1>building it from the ground up, and uh, you gotta

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<v Speaker 1>be poor to build from the ground de actually like,

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<v Speaker 1>you have to be willing to be poor. Yeah. Absolutely,

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<v Speaker 1>And he wasn't willing to be poor, which is are

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<v Speaker 1>because he didn't have to be right exactly, and and

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<v Speaker 1>it would I don't think it would have worked because

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<v Speaker 1>when you're starting out, you've you've kind of all got

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<v Speaker 1>to be on the same page, because you're gonna play

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<v Speaker 1>really bad gigs and really awkward gigs, and you're gonna

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<v Speaker 1>be in situations where it sounds bad and you're not

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<v Speaker 1>getting paid anything except for free food and drinks or

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<v Speaker 1>whatever it is. And if everyone's not in the same

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<v Speaker 1>mindset and kind of in the same place and with

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<v Speaker 1>the same vision, there's gonna be someone unhappy. So I

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<v Speaker 1>think it's important in that early stage to kind of

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<v Speaker 1>make sure you're on the same page with that. So

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<v Speaker 1>the next guy called up went to mts U and all,

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<v Speaker 1>and we started talking and we clicked musically, and and uh,

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<v Speaker 1>you know, I invited him to come out and play

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<v Speaker 1>with us. So the three of us started playing, and

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<v Speaker 1>that was Eric was a guitar player, So Eric Trip

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<v Speaker 1>and I started playing, and then Eric went to school

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<v Speaker 1>with Chandler who plays bass and Jared who plays everything. Um,

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<v Speaker 1>so he brought them along. So then we had three

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<v Speaker 1>mts U guys and Tripped myself. And you know that

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<v Speaker 1>it was funny because the first time I remember the

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<v Speaker 1>first rehearsal, wasn't this random living room this guy let

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<v Speaker 1>us use and uh, and we were playing and we

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<v Speaker 1>had this whole plan like I had these songs, We're

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<v Speaker 1>gonna practice them, and and we really probably played music

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<v Speaker 1>for like twenty or thirty minutes and then just started

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<v Speaker 1>hanging out. We took a break just and we hung

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<v Speaker 1>out to like three in the morning, and then it

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<v Speaker 1>was like, you guys, want to do this tomorrow, Like

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<v Speaker 1>we'll hang out tomorrow and maybe bring our instruments and

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<v Speaker 1>and so it started real organically and real naturally as

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<v Speaker 1>as it turned into five friends hanging out who also

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<v Speaker 1>played music. Um, okay, so you had to become friends.

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<v Speaker 1>It's a tough thing to do. Yeah, it and five

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<v Speaker 1>is a lot of personalities. And I know it because

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<v Speaker 1>one I hang out with the same people every day

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<v Speaker 1>to a radio show, work together every day, many hours,

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<v Speaker 1>and you learn and at first was infatuation stage. W

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<v Speaker 1>You're like, these are the greatest people in the world.

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<v Speaker 1>That's like, I'm so tired of a couple of them.

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<v Speaker 1>Then you're tired of another couple of them, and then

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<v Speaker 1>you just realize what everyone's faults are and how to

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<v Speaker 1>accept them and if you really want to be in

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<v Speaker 1>a long term, and so are the five people that

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<v Speaker 1>you started officially Lanka with it the same five now,

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<v Speaker 1>same five So nobody switched in and out. Nope, no

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<v Speaker 1>one switching out. Here's the awkward question, when did you

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<v Speaker 1>do you get paid more everybody else? Uh no, you

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<v Speaker 1>guts split it five ways. Yeah, look at that, so

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<v Speaker 1>and look at that Yeah yeah, so we I mean,

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<v Speaker 1>and that was another thing early on, it's it's for me. Um.

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<v Speaker 1>Now there there are things where in the future, you know,

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<v Speaker 1>if people you know people right, if you're right, because

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<v Speaker 1>but early on, honestly, early on, I was the first

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<v Speaker 1>one to get a publishing deal, and so I fronted

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<v Speaker 1>the cost for everything because we we got this RV

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<v Speaker 1>to tour around in um and I would pay for gas,

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<v Speaker 1>like I just my publishing money. I looked at as

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<v Speaker 1>land cos money. So I was paying for everything and

0:10:53.360 --> 0:10:56.160
<v Speaker 1>I wasn't taking money for for show gigs. I would

0:10:56.200 --> 0:10:58.319
<v Speaker 1>just you know, everyone would split it because I I

0:10:58.559 --> 0:11:01.080
<v Speaker 1>I you know, I looked at it. You know, Lanco

0:11:01.200 --> 0:11:03.080
<v Speaker 1>helped me get this publishing deal, and we're all in

0:11:03.120 --> 0:11:05.760
<v Speaker 1>this together. And so now it's even doubts where yeah,

0:11:05.800 --> 0:11:08.560
<v Speaker 1>we play shows, we all get paid for it. And

0:11:09.280 --> 0:11:12.400
<v Speaker 1>it's also two different jobs as a band. You guys

0:11:12.440 --> 0:11:14.559
<v Speaker 1>are playing and it's really awesome and you split it

0:11:14.679 --> 0:11:18.280
<v Speaker 1>five ways because your name is in the band, just saying,

0:11:19.160 --> 0:11:22.320
<v Speaker 1>but you all do right. And if you have publishing deals,

0:11:22.320 --> 0:11:23.760
<v Speaker 1>that's a whole different thing. You're paid, you have to

0:11:23.760 --> 0:11:25.840
<v Speaker 1>write certain amount of a right, and we have different

0:11:25.840 --> 0:11:28.640
<v Speaker 1>publishing deals too, you know, so like with different companies

0:11:28.720 --> 0:11:31.000
<v Speaker 1>and we write for different people. You know, we're all

0:11:31.000 --> 0:11:33.199
<v Speaker 1>over the place. So get really messy if you started

0:11:33.720 --> 0:11:35.880
<v Speaker 1>throwing that all in there. But as far as yeah,

0:11:35.920 --> 0:11:37.920
<v Speaker 1>we're all on stage together, we're all sweating the same.

0:11:38.000 --> 0:11:40.640
<v Speaker 1>We're all if someone buys a T shirt, we all

0:11:40.640 --> 0:11:42.880
<v Speaker 1>work to help sell that T shirt on stage. And

0:11:42.920 --> 0:11:48.360
<v Speaker 1>so there you go. That's interesting. Surprised with that whole

0:11:49.240 --> 0:11:52.280
<v Speaker 1>If my name was then it what I go? It's

0:11:52.360 --> 0:11:55.560
<v Speaker 1>probably not. My band is not real, so it doesn't

0:11:55.559 --> 0:11:57.440
<v Speaker 1>matter all our our stuff stuff. Right, Let me talk

0:11:57.480 --> 0:11:59.440
<v Speaker 1>about this for a second. Talk about a sleep number bead.

0:11:59.480 --> 0:12:03.200
<v Speaker 1>First in my bedroom, walking in, don't lie, absolutely didn't peak.

0:12:03.240 --> 0:12:07.160
<v Speaker 1>I walked in the bed actually starting TV to sleep

0:12:07.280 --> 0:12:09.600
<v Speaker 1>number bed. If you have a new year's resolution, if

0:12:09.600 --> 0:12:12.319
<v Speaker 1>it's to lose weight, exercise or have less stress, to

0:12:12.360 --> 0:12:14.640
<v Speaker 1>sleep number bed actress, what you need to have before

0:12:14.679 --> 0:12:17.280
<v Speaker 1>you start that better sleep? Better you can feel the

0:12:17.400 --> 0:12:19.600
<v Speaker 1>better you can get the resolutions done. You gotta have

0:12:19.600 --> 0:12:21.520
<v Speaker 1>seven eight hours of sleep at night and the sleep

0:12:21.600 --> 0:12:24.000
<v Speaker 1>number bed for me. Lets me sleep, let's me sleep good,

0:12:24.080 --> 0:12:26.320
<v Speaker 1>Let's me sleep hard. For me, it's tough to sleep,

0:12:26.480 --> 0:12:28.480
<v Speaker 1>wake up at three in the morning. My sleep number

0:12:28.480 --> 0:12:31.720
<v Speaker 1>setting is thirty. There's a sleep i Q score sleep

0:12:31.840 --> 0:12:35.920
<v Speaker 1>number Queen Mattress that started six right now. Lowest prices

0:12:35.960 --> 0:12:38.080
<v Speaker 1>of the season, say six hundred bucks on the sleep

0:12:38.160 --> 0:12:41.120
<v Speaker 1>number I eight bed. You only find sleep number into

0:12:41.120 --> 0:12:44.080
<v Speaker 1>the five hundred sleep number stores nation y eight hundred

0:12:44.160 --> 0:12:46.319
<v Speaker 1>next bed and telling you already here on the Bobby

0:12:46.360 --> 0:12:50.120
<v Speaker 1>Bones Show. So here with Brandon Lancaster of of Lanko

0:12:50.280 --> 0:12:53.400
<v Speaker 1>and so okay, you guys are a band. Um, let's

0:12:53.440 --> 0:12:55.120
<v Speaker 1>just kind of go around the circle for a second

0:12:55.160 --> 0:12:57.200
<v Speaker 1>and start with what's happening right now. You guys are

0:12:57.200 --> 0:12:59.280
<v Speaker 1>out on the road with the couple of my friends

0:12:59.280 --> 0:13:02.000
<v Speaker 1>brothers Osboe and right. Yeah, and so when you're out

0:13:02.040 --> 0:13:03.800
<v Speaker 1>on the road, how much time do you actually spend

0:13:03.840 --> 0:13:07.760
<v Speaker 1>together with the other band with them? It's been a

0:13:07.760 --> 0:13:12.080
<v Speaker 1>pretty cool situation because we hang out pretty much every night. Um.

0:13:12.440 --> 0:13:14.440
<v Speaker 1>We you know, we kind of knew them before and

0:13:14.480 --> 0:13:15.880
<v Speaker 1>we got to hang out with them once before and

0:13:15.880 --> 0:13:18.240
<v Speaker 1>then I know, I know John from just the riding

0:13:18.280 --> 0:13:21.520
<v Speaker 1>circles in Nashville and his wife Lucy, and so there's

0:13:21.559 --> 0:13:23.520
<v Speaker 1>there's already kind of a connection there, and so we're

0:13:23.720 --> 0:13:27.080
<v Speaker 1>we're kind of just all buddies. And and I mean honestly,

0:13:27.160 --> 0:13:30.120
<v Speaker 1>most nights after the show will walk on their bus

0:13:30.120 --> 0:13:32.480
<v Speaker 1>and hang out until bus call, and and before the show,

0:13:32.480 --> 0:13:34.160
<v Speaker 1>you know, might hang out in the dressing room. It's

0:13:34.480 --> 0:13:38.240
<v Speaker 1>it's it's pretty tight community. It's really fun. They're good dudes. Yeah,

0:13:38.640 --> 0:13:40.160
<v Speaker 1>and there are a lot of good people, and there

0:13:40.160 --> 0:13:43.320
<v Speaker 1>are people and it also gets busy and groups stay

0:13:43.360 --> 0:13:47.000
<v Speaker 1>in groups. But they're they're good dudes. Yeah, they're very

0:13:47.000 --> 0:13:48.880
<v Speaker 1>and they're very genuine. You know. The first time we

0:13:48.920 --> 0:13:51.120
<v Speaker 1>really hung out with them was at this festival in

0:13:51.240 --> 0:13:55.920
<v Speaker 1>a Michigan and and I knew John, but no one

0:13:55.960 --> 0:13:58.040
<v Speaker 1>really knew each other the band or you know, one

0:13:58.040 --> 0:14:00.560
<v Speaker 1>in Lanco new John or TJ. And so I talked

0:14:00.559 --> 0:14:02.560
<v Speaker 1>to John. John was like, you guys should come hang

0:14:02.559 --> 0:14:05.600
<v Speaker 1>out with us after we're done playing. So we were

0:14:05.600 --> 0:14:08.679
<v Speaker 1>in this ninety Winnebego at the time, and they invite

0:14:08.760 --> 0:14:10.480
<v Speaker 1>us onto our bus and this was three in the

0:14:10.520 --> 0:14:12.280
<v Speaker 1>afternoon and we were supposed to leave it four in

0:14:12.280 --> 0:14:15.520
<v Speaker 1>the afternoon. We ended up staying there till literally two

0:14:15.520 --> 0:14:18.200
<v Speaker 1>in the morning. And it wasn't just a good hang

0:14:18.280 --> 0:14:19.960
<v Speaker 1>like John and TJ. Like we were on their bus,

0:14:19.960 --> 0:14:23.440
<v Speaker 1>We're watching TV, um watching sports and and I mean

0:14:23.480 --> 0:14:25.760
<v Speaker 1>they're so cool. They literally like, man, we've been, We've been,

0:14:25.800 --> 0:14:27.360
<v Speaker 1>We've been in a van, We've been in all kinds

0:14:27.360 --> 0:14:28.800
<v Speaker 1>of vehicles. We know what it's like to not have

0:14:28.840 --> 0:14:31.120
<v Speaker 1>a bus. If you got like, if you're tired, take

0:14:31.120 --> 0:14:32.800
<v Speaker 1>a nap. You know, you guys can hang out. You know,

0:14:32.840 --> 0:14:35.400
<v Speaker 1>we've got TVs. Like, grab yourself a beer, water, whatever

0:14:35.440 --> 0:14:37.160
<v Speaker 1>you guys need. What's ours is yours. And so we

0:14:37.200 --> 0:14:39.800
<v Speaker 1>thought that was so cool that they kind of, you know,

0:14:40.000 --> 0:14:43.880
<v Speaker 1>approached it that way. And really it just seems so genuine.

0:14:43.920 --> 0:14:45.320
<v Speaker 1>They didn't have you don't have to do that. You

0:14:45.320 --> 0:14:47.080
<v Speaker 1>can hang out with someone to not be that inviting

0:14:47.120 --> 0:14:50.120
<v Speaker 1>and that cool. And so we we from from day one,

0:14:50.160 --> 0:14:52.800
<v Speaker 1>we've just thought the world of them, and I think

0:14:52.840 --> 0:14:55.240
<v Speaker 1>they're really genuine guys. I think that's why a lot

0:14:55.320 --> 0:14:58.840
<v Speaker 1>of the internal community roots for them to not only

0:14:58.840 --> 0:15:03.760
<v Speaker 1>are they really good, but they're really good people. And

0:15:03.800 --> 0:15:06.560
<v Speaker 1>there's a lot of people, but then they're genuine humans.

0:15:07.080 --> 0:15:09.720
<v Speaker 1>Those dudes are cool. I had dinner with John a

0:15:09.760 --> 0:15:11.920
<v Speaker 1>couple of nights ago, and John Osborne is one with

0:15:11.960 --> 0:15:14.480
<v Speaker 1>the big beard and kind of the big red hair.

0:15:15.000 --> 0:15:20.440
<v Speaker 1>T J is the clean cut guy, you know. Definitely

0:15:20.440 --> 0:15:23.680
<v Speaker 1>the vocalist, uh and John plays guitar like a madman.

0:15:23.880 --> 0:15:27.000
<v Speaker 1>It's ridiculous. It's apts. I'm not kidding. They're one of

0:15:27.040 --> 0:15:29.800
<v Speaker 1>the only acts I respect, really, and we get to

0:15:29.840 --> 0:15:31.400
<v Speaker 1>be with so many acts. We've toured with so many

0:15:31.400 --> 0:15:33.000
<v Speaker 1>acts past year, and I respect all of them, and

0:15:33.040 --> 0:15:37.280
<v Speaker 1>they all have different strengths, um, but Brothers Osborne is

0:15:37.320 --> 0:15:40.120
<v Speaker 1>the only band that we've toured with that if I'm

0:15:40.160 --> 0:15:42.840
<v Speaker 1>not getting Every night, after we're done we load up

0:15:42.840 --> 0:15:45.680
<v Speaker 1>our stuff, we all either walk back out front or

0:15:45.720 --> 0:15:48.160
<v Speaker 1>side stage and just watch their set because it's so

0:15:48.240 --> 0:15:50.920
<v Speaker 1>good and and every night John brings on the guitar

0:15:51.560 --> 0:15:54.080
<v Speaker 1>and and TJ is just a great vocalist, and it's

0:15:54.200 --> 0:15:56.400
<v Speaker 1>it's such a pleasure to watch them. And it's a

0:15:56.440 --> 0:15:59.360
<v Speaker 1>story of John has been in Nashville as of right

0:15:59.360 --> 0:16:04.440
<v Speaker 1>now sixteen years and they're just now starting to be

0:16:04.560 --> 0:16:07.760
<v Speaker 1>like a thing, right, and they've always been good, but

0:16:07.880 --> 0:16:10.120
<v Speaker 1>I'm just not starting to be a thing sixteen years.

0:16:11.160 --> 0:16:15.200
<v Speaker 1>It's a testament of just stay with it and grind

0:16:15.480 --> 0:16:17.600
<v Speaker 1>and if okay, if a song doesn't make it, okay,

0:16:17.600 --> 0:16:19.840
<v Speaker 1>what's the next one? You get dropped from a label? Okay,

0:16:19.920 --> 0:16:22.600
<v Speaker 1>what's the next one you get? What's the next one?

0:16:22.720 --> 0:16:25.480
<v Speaker 1>Keep going? And you know that's that's a great story

0:16:25.520 --> 0:16:29.040
<v Speaker 1>for young people because you know, you do things, just

0:16:29.080 --> 0:16:32.640
<v Speaker 1>don't fall into your lap, trust me, I know. So

0:16:32.760 --> 0:16:34.920
<v Speaker 1>for you, where did it start? Like when did people

0:16:34.920 --> 0:16:37.240
<v Speaker 1>start sniffing around and think, because like how guys are

0:16:37.240 --> 0:16:40.360
<v Speaker 1>pretty good? Well, you know, we got we got our start,

0:16:40.440 --> 0:16:42.480
<v Speaker 1>you know in uh we would we would play in

0:16:42.560 --> 0:16:45.120
<v Speaker 1>Murphy's Broll sometimes. But really Trip worked at this warehouse

0:16:45.160 --> 0:16:49.120
<v Speaker 1>literally right down the street and uh uh at Myer's

0:16:49.120 --> 0:16:51.240
<v Speaker 1>warehouse and they've actually knocked it down since then, which

0:16:51.280 --> 0:16:53.640
<v Speaker 1>is sad. But we didn't even we couldn't even afford

0:16:53.640 --> 0:16:56.280
<v Speaker 1>a place to practice, and so Trip, you know, literally

0:16:56.320 --> 0:16:58.760
<v Speaker 1>was like I have the key to my warehouse I work,

0:16:58.800 --> 0:17:00.920
<v Speaker 1>and we could sneak in there at night. So we would,

0:17:00.920 --> 0:17:02.600
<v Speaker 1>you know, literally sneak in there every night and just

0:17:02.680 --> 0:17:04.480
<v Speaker 1>play and you know, there was no air, no heats

0:17:04.480 --> 0:17:07.359
<v Speaker 1>when the winners. It was freezing in the summers. Literally,

0:17:07.400 --> 0:17:09.399
<v Speaker 1>there's videos going around with us like practicing in our

0:17:09.400 --> 0:17:12.560
<v Speaker 1>boxers because we're all just sweating, and but we're gonna

0:17:12.600 --> 0:17:14.440
<v Speaker 1>play and we're gonna practice. So we were doing that

0:17:15.240 --> 0:17:18.040
<v Speaker 1>and we would play. We would play wherever we could.

0:17:19.280 --> 0:17:21.480
<v Speaker 1>But one thing for us was because we were a

0:17:21.520 --> 0:17:24.159
<v Speaker 1>band and we had original music, finding a place in

0:17:24.280 --> 0:17:27.720
<v Speaker 1>Nashville was always a struggle because if you go to Broadway,

0:17:27.760 --> 0:17:31.240
<v Speaker 1>they want a four hour cover set because tourists they're

0:17:31.240 --> 0:17:33.360
<v Speaker 1>there and they want to hear familiar songs exactly, which

0:17:33.400 --> 0:17:36.160
<v Speaker 1>I totally get an understanding. I mean, I've had plenty

0:17:36.200 --> 0:17:38.000
<v Speaker 1>of nights on Broadway when I first moved here, and

0:17:38.040 --> 0:17:41.120
<v Speaker 1>I love singing all the classic songs. But uh, for us,

0:17:41.240 --> 0:17:43.119
<v Speaker 1>you were you know, we would do covers. We have

0:17:43.160 --> 0:17:46.119
<v Speaker 1>no problem doing covers, but we really wanted to showcase

0:17:46.160 --> 0:17:49.520
<v Speaker 1>our original music and really wanted to grow as a band,

0:17:49.560 --> 0:17:52.119
<v Speaker 1>growing our original music. So we would play wherever we

0:17:52.160 --> 0:17:54.200
<v Speaker 1>could get a gig. But it might be outside of Broadway.

0:17:54.200 --> 0:17:57.159
<v Speaker 1>It might be on Demumbrium or in Midtown Um and

0:17:57.160 --> 0:18:00.560
<v Speaker 1>these are streets in Nashville, the country. Yeah, it's a

0:18:00.600 --> 0:18:02.600
<v Speaker 1>they're all still downtown, but they're not on that main

0:18:02.640 --> 0:18:04.720
<v Speaker 1>strip and it's it's where a little more original music

0:18:04.800 --> 0:18:07.080
<v Speaker 1>is that. So we were doing that for a while

0:18:07.200 --> 0:18:10.600
<v Speaker 1>and then but we all had odd jobs. You know,

0:18:10.640 --> 0:18:12.879
<v Speaker 1>I was working at a concession stand and can you

0:18:12.920 --> 0:18:14.960
<v Speaker 1>work at bridge Stone? I worked at Bridgeton Area, which

0:18:15.000 --> 0:18:17.720
<v Speaker 1>is every town has a big arena, and Bridgetone is

0:18:17.720 --> 0:18:21.120
<v Speaker 1>where you know, like if Keith Urban played Bridgetone, it's

0:18:21.240 --> 0:18:24.040
<v Speaker 1>you know, it's the Madison Square Garden of New York.

0:18:24.480 --> 0:18:26.800
<v Speaker 1>Which is funny you say, Keith Urban played bridge Stone

0:18:26.920 --> 0:18:30.399
<v Speaker 1>because this is where are a lot literally our lives

0:18:30.400 --> 0:18:32.560
<v Speaker 1>took a turn. We had been playing this music, playing gigs,

0:18:32.600 --> 0:18:35.639
<v Speaker 1>playing in bars, honestly, playing like restaurants where people are

0:18:35.640 --> 0:18:38.399
<v Speaker 1>eating montrealistics and you're trying to put on a show.

0:18:39.160 --> 0:18:41.679
<v Speaker 1>And one night I'm working concessions, selling hot dogs and

0:18:41.720 --> 0:18:45.119
<v Speaker 1>burgers and and sewed all that stuff. And were already

0:18:45.119 --> 0:18:47.160
<v Speaker 1>a band at this point that you're practicing. Oh yeah,

0:18:47.160 --> 0:18:48.760
<v Speaker 1>we were a band. We were playing gigs, We're doing

0:18:48.760 --> 0:18:50.520
<v Speaker 1>whatever we couldn't. This was a point where we were

0:18:50.520 --> 0:18:53.720
<v Speaker 1>sitting around, we were trying to demo songs to Nashville.

0:18:53.760 --> 0:18:56.280
<v Speaker 1>We were trying to get a producer it. But going

0:18:56.359 --> 0:18:58.840
<v Speaker 1>from that band that plays some songs to a band

0:18:58.840 --> 0:19:01.159
<v Speaker 1>that has recorded music, to a band that sells, to

0:19:01.200 --> 0:19:03.680
<v Speaker 1>a band that gets a record deal, there's so many steps.

0:19:04.080 --> 0:19:05.720
<v Speaker 1>And we were talking about those steps, you know, how

0:19:05.720 --> 0:19:08.399
<v Speaker 1>do we get a producer, how do we get recorded music?

0:19:08.400 --> 0:19:09.840
<v Speaker 1>How do we afford it? Should we do a go

0:19:09.960 --> 0:19:13.200
<v Speaker 1>fund me or what should we do? Right around that time,

0:19:14.040 --> 0:19:19.440
<v Speaker 1>I'm working a Keith Urban concert at Bridgestone and uh, yeah,

0:19:19.520 --> 0:19:22.600
<v Speaker 1>get your dog. Just doing the register and I see

0:19:22.640 --> 0:19:25.840
<v Speaker 1>a guy walk by that I recognized, and his name's

0:19:25.920 --> 0:19:29.399
<v Speaker 1>Jay Joyce. He's a producer in Nashville. And he you know,

0:19:29.480 --> 0:19:32.160
<v Speaker 1>he had produced Eric Church, he had produced Keith Urban.

0:19:32.240 --> 0:19:35.200
<v Speaker 1>He had produced uh, Carrie Underwood and a Little Big

0:19:35.240 --> 0:19:38.359
<v Speaker 1>Town and and a bunch of rock bands classic you know, Emmy,

0:19:38.440 --> 0:19:41.920
<v Speaker 1>Lou Harris, Cage, Elephant Um. He was. He also played

0:19:41.920 --> 0:19:44.760
<v Speaker 1>with the Wallflowers. Yeah, like he's a great play yeah,

0:19:45.000 --> 0:19:48.399
<v Speaker 1>I mean great musician, then producer. He's done all the

0:19:48.440 --> 0:19:50.720
<v Speaker 1>Miranda stuff, Like played a lot of guitar on that.

0:19:51.040 --> 0:19:52.880
<v Speaker 1>So he's been So I was a fan. We were

0:19:52.880 --> 0:19:54.920
<v Speaker 1>all fans of his as a producer, as a player,

0:19:54.960 --> 0:19:56.720
<v Speaker 1>and we we knew him, you know, and and he

0:19:56.800 --> 0:19:58.720
<v Speaker 1>was just one of those guys and we love Eric Church,

0:19:58.760 --> 0:20:00.679
<v Speaker 1>you know, he's he did all the Eric records. And

0:20:01.200 --> 0:20:03.640
<v Speaker 1>I'm working my register at bridge Stone and see him

0:20:03.680 --> 0:20:06.480
<v Speaker 1>walk by at Keith at a Keith Urban show and

0:20:06.520 --> 0:20:08.040
<v Speaker 1>a Little Big Town was also playing that and he

0:20:08.040 --> 0:20:10.200
<v Speaker 1>had worked on both this record. So that's that's why

0:20:10.240 --> 0:20:14.920
<v Speaker 1>I was there. Um, he walks by and my line

0:20:14.960 --> 0:20:16.800
<v Speaker 1>was kind of dead. Oh you went after him at

0:20:16.800 --> 0:20:19.560
<v Speaker 1>the show. I shut down my register, asked the people

0:20:19.560 --> 0:20:21.720
<v Speaker 1>in my line if they could move to another line

0:20:22.080 --> 0:20:24.520
<v Speaker 1>while they were yelling at me. I kind of just

0:20:24.960 --> 0:20:28.600
<v Speaker 1>left and walked up to him. And what are you wearing?

0:20:28.800 --> 0:20:31.800
<v Speaker 1>I individualized when you go up to J. Joyce is

0:20:31.840 --> 0:20:34.240
<v Speaker 1>a big producer and big, big player and it's worked,

0:20:34.440 --> 0:20:38.320
<v Speaker 1>I mean again everything from Faith to Urban to Thomas

0:20:38.359 --> 0:20:42.480
<v Speaker 1>Read a little big. What are you wearing? I'm wearing

0:20:42.560 --> 0:20:45.680
<v Speaker 1>Khaki's in a bridge Stone Arena uniform, in a name

0:20:45.720 --> 0:20:47.919
<v Speaker 1>tag that says my name is Brandon. What colors the

0:20:47.960 --> 0:20:52.440
<v Speaker 1>shirt blue and gold? There because predators colors. So so

0:20:52.560 --> 0:20:55.280
<v Speaker 1>you go up to J. Joyce, who's there too, and advisor,

0:20:55.280 --> 0:20:58.399
<v Speaker 1>a Bridge Stone visor. Oh now we're talking. Now we're talking.

0:20:58.800 --> 0:21:03.720
<v Speaker 1>You go up to this really cool, innovative producer and

0:21:03.800 --> 0:21:08.520
<v Speaker 1>the dorkiest close imaginable and you say, what, Well, first

0:21:08.560 --> 0:21:10.560
<v Speaker 1>I saw, I was like down. It was kind of

0:21:10.600 --> 0:21:11.840
<v Speaker 1>at the very end of the arena, so it was

0:21:11.920 --> 0:21:13.880
<v Speaker 1>kind of a dead part and he was the only

0:21:13.880 --> 0:21:15.679
<v Speaker 1>person standing there, and I'm down, and I kind of

0:21:15.680 --> 0:21:19.800
<v Speaker 1>go Jay Jay to see if he'll turn his head,

0:21:19.840 --> 0:21:22.000
<v Speaker 1>to make sure to make sure to him because it's

0:21:22.000 --> 0:21:23.960
<v Speaker 1>so weird that it could even be him, because you know,

0:21:24.000 --> 0:21:26.760
<v Speaker 1>it's like, what is he even doing here? He's you know,

0:21:27.200 --> 0:21:30.359
<v Speaker 1>he doesn't get out much. And uh, and I got

0:21:30.480 --> 0:21:32.600
<v Speaker 1>Jenny turns his head and I just walk up to

0:21:32.680 --> 0:21:35.280
<v Speaker 1>him and hey, man, my name is Brandon, which was

0:21:35.320 --> 0:21:37.119
<v Speaker 1>funny because I'm wearing a name tag my name is

0:21:37.760 --> 0:21:41.399
<v Speaker 1>but you know, my name is Brandon, and uh, you know,

0:21:41.440 --> 0:21:43.160
<v Speaker 1>I just wanted to tell you man, I'm a huge

0:21:43.200 --> 0:21:45.520
<v Speaker 1>fan of what you do. Uh, And and just told him,

0:21:45.520 --> 0:21:47.919
<v Speaker 1>you know, I love the records he had worked on

0:21:48.080 --> 0:21:50.320
<v Speaker 1>and referenced some records and did you know this happens

0:21:50.320 --> 0:21:53.760
<v Speaker 1>to every minute of every day, Like, yeah, I'm just

0:21:53.800 --> 0:21:55.720
<v Speaker 1>wondering where the approach came in, like what did you

0:21:55.760 --> 0:21:58.760
<v Speaker 1>do this as different? You know, I don't know what

0:21:58.840 --> 0:22:00.840
<v Speaker 1>I will say. One thing about Jay is he doesn't

0:22:00.880 --> 0:22:02.880
<v Speaker 1>go out a lot like he was. I think three

0:22:02.880 --> 0:22:05.200
<v Speaker 1>of the five album of the Years the Album of

0:22:05.240 --> 0:22:07.480
<v Speaker 1>the Year this year for c m as either two

0:22:07.560 --> 0:22:09.720
<v Speaker 1>or three of the five he had worked on. He

0:22:09.760 --> 0:22:11.720
<v Speaker 1>wasn't at the c m A Awards, Like he didn't

0:22:11.720 --> 0:22:14.480
<v Speaker 1>even go. He was working. So he but when he

0:22:14.520 --> 0:22:18.119
<v Speaker 1>does go out, I know people approach him, but you

0:22:18.119 --> 0:22:20.680
<v Speaker 1>know I I didn't because people always say like, oh,

0:22:20.720 --> 0:22:22.639
<v Speaker 1>you made a move, like you pitched yourself, like you

0:22:22.680 --> 0:22:25.320
<v Speaker 1>saw something you went not really like as much as

0:22:25.359 --> 0:22:27.239
<v Speaker 1>I'd like to say, like, yeah, I really went for it.

0:22:27.400 --> 0:22:30.160
<v Speaker 1>I just loved what the guy did. I loved his work,

0:22:30.440 --> 0:22:32.760
<v Speaker 1>and we're you knowledgeable in his works and you know

0:22:32.880 --> 0:22:36.080
<v Speaker 1>you weren't. Absolutely that's a big deal. Yeah, if you

0:22:36.160 --> 0:22:38.439
<v Speaker 1>go to someone and you don't have time to prepare

0:22:38.440 --> 0:22:41.400
<v Speaker 1>and you know everything about them, Yeah, there's a respect

0:22:41.480 --> 0:22:44.119
<v Speaker 1>that even though you're pitching, they're like, oh, you actually

0:22:44.240 --> 0:22:47.400
<v Speaker 1>know what I do, right, And that's what I you know. Initially,

0:22:47.440 --> 0:22:49.040
<v Speaker 1>I just went up to tell him I love the

0:22:49.040 --> 0:22:51.119
<v Speaker 1>air The last air turch record the Outsiders that he

0:22:51.119 --> 0:22:53.800
<v Speaker 1>had done and and the little big town stuff and

0:22:53.880 --> 0:22:56.360
<v Speaker 1>also like Cage the Elephant. It's a rock band and amously,

0:22:56.440 --> 0:22:58.640
<v Speaker 1>you know, and I asked him a few questions about

0:22:58.720 --> 0:23:00.320
<v Speaker 1>some of this stuff on the record, and and so

0:23:00.400 --> 0:23:04.040
<v Speaker 1>we just started talking music. Um. And then that came

0:23:04.040 --> 0:23:06.800
<v Speaker 1>around to him asking, you know about me and my thing.

0:23:06.880 --> 0:23:08.679
<v Speaker 1>And he was like, you're a songwriter, right, because I,

0:23:08.880 --> 0:23:11.160
<v Speaker 1>you know, talked about writing and I was like, yeah,

0:23:11.160 --> 0:23:12.560
<v Speaker 1>I'm a writer and I'm in a band. He's like, well,

0:23:12.560 --> 0:23:14.359
<v Speaker 1>tell me about the band. Kind of started talking about it,

0:23:14.400 --> 0:23:16.520
<v Speaker 1>and he just real nontionally because that that's cool. Managed

0:23:16.520 --> 0:23:20.960
<v Speaker 1>to complain me some music sometime and you got you

0:23:21.040 --> 0:23:23.840
<v Speaker 1>got a direction that that would be uh, that would

0:23:23.840 --> 0:23:27.560
<v Speaker 1>be putting it lightly. No, Uh well, I mean the

0:23:27.560 --> 0:23:30.359
<v Speaker 1>thing is Nashville though, you hear that kind Everyone's like,

0:23:30.400 --> 0:23:32.840
<v Speaker 1>let's have a dinner, let's get together, let's right together.

0:23:33.040 --> 0:23:35.840
<v Speaker 1>Let's right. I mean, that's that's the Nashville hey man,

0:23:35.880 --> 0:23:39.200
<v Speaker 1>Let's write together. You never and I've had producers before,

0:23:39.400 --> 0:23:40.800
<v Speaker 1>you know, say like, oh, I'd love to work with

0:23:40.840 --> 0:23:43.080
<v Speaker 1>some stuff, man, and it doesn't happen. They don't call

0:23:43.119 --> 0:23:45.240
<v Speaker 1>you back, they're busy for two years, you know whatever,

0:23:45.480 --> 0:23:50.640
<v Speaker 1>and frankly you're unknown. Yeah, Like, what's the benefit of

0:23:50.800 --> 0:23:53.920
<v Speaker 1>working with some kids in a dorky set of khakis?

0:23:54.480 --> 0:23:57.520
<v Speaker 1>I mean they were cool khakis. Man, there's always a

0:23:57.560 --> 0:23:59.119
<v Speaker 1>benefit if you hit the right one. But there are

0:23:59.119 --> 0:24:02.240
<v Speaker 1>a thousand door he gets khakis. So for him to go, hey,

0:24:02.240 --> 0:24:04.800
<v Speaker 1>play me some music, it's one thing, but for him

0:24:04.800 --> 0:24:07.199
<v Speaker 1>to actually follow up and now, how did that happen?

0:24:07.480 --> 0:24:10.240
<v Speaker 1>So I I said, oh, yeah, I'd love to you many,

0:24:10.240 --> 0:24:12.840
<v Speaker 1>that'd be cool, not even thinking it could be real.

0:24:13.160 --> 0:24:15.320
<v Speaker 1>That was towards me in the conversation. Kind of the conversation,

0:24:15.359 --> 0:24:18.800
<v Speaker 1>you know, came to an end, and I thought, what

0:24:18.960 --> 0:24:22.240
<v Speaker 1>if he is serious? What if I really could play

0:24:22.280 --> 0:24:23.880
<v Speaker 1>him some music? That'd be so cool, just to play

0:24:23.880 --> 0:24:25.840
<v Speaker 1>for him, you know, just to even go to a studio.

0:24:26.359 --> 0:24:29.520
<v Speaker 1>So I like started walking right away and awkwardly turned.

0:24:29.560 --> 0:24:31.200
<v Speaker 1>I was like, hey, I just realized that I don't

0:24:31.240 --> 0:24:32.840
<v Speaker 1>have your number. Is there a way I get your number?

0:24:33.359 --> 0:24:35.280
<v Speaker 1>And he was like, oh yeah, Sharon. He was funny.

0:24:35.280 --> 0:24:37.840
<v Speaker 1>He just said it like he said his number, and

0:24:37.880 --> 0:24:39.920
<v Speaker 1>thank god I had my phone out and really quickly

0:24:39.960 --> 0:24:42.359
<v Speaker 1>put it in and saved it, and I was like, cool,

0:24:42.400 --> 0:24:46.080
<v Speaker 1>thanks man. Was it like, are you married? Single? Got

0:24:46.119 --> 0:24:49.000
<v Speaker 1>a girlfriend? Right right right now? Have a girlfriend? Was

0:24:49.040 --> 0:24:53.840
<v Speaker 1>it like when you meet a girl and you meet

0:24:53.920 --> 0:24:55.480
<v Speaker 1>them and you like them and you have it, like, oh,

0:24:55.680 --> 0:24:56.879
<v Speaker 1>I can't wait to call it. I don't know when

0:24:56.920 --> 0:24:58.680
<v Speaker 1>I should call them, Like I don't know what day,

0:24:58.720 --> 0:25:00.840
<v Speaker 1>what time of the day should I? Was that like that?

0:25:00.840 --> 0:25:03.240
<v Speaker 1>It was exactly like that. I went to that night.

0:25:04.080 --> 0:25:06.480
<v Speaker 1>So Trip the drummer literally lives on the next street

0:25:06.520 --> 0:25:09.440
<v Speaker 1>over from here, by the way, um, and we were,

0:25:09.600 --> 0:25:11.760
<v Speaker 1>you know, neighbors down the street. We were over there

0:25:11.800 --> 0:25:13.520
<v Speaker 1>or we were pubbed down there, and he was there

0:25:13.560 --> 0:25:15.520
<v Speaker 1>and I was like, hey, I text him after work

0:25:15.920 --> 0:25:17.439
<v Speaker 1>like stay where we're at. I gotta come over the pub.

0:25:17.480 --> 0:25:19.399
<v Speaker 1>I gotta show you something. And I went there and

0:25:19.440 --> 0:25:22.080
<v Speaker 1>showed him, just showed him Jay's number, just said Jay

0:25:22.160 --> 0:25:24.199
<v Speaker 1>Joys and his number and he's like no, you know.

0:25:24.320 --> 0:25:27.600
<v Speaker 1>And then it kind of became like, well, now what

0:25:27.960 --> 0:25:30.560
<v Speaker 1>I mean? What do we call them? So I thought,

0:25:30.680 --> 0:25:32.879
<v Speaker 1>let's get some music together, Let's get some good demos

0:25:32.880 --> 0:25:34.680
<v Speaker 1>so we can have an accurate representation of what we're doing.

0:25:34.720 --> 0:25:37.760
<v Speaker 1>So we went through like two different producers paid them,

0:25:37.760 --> 0:25:40.760
<v Speaker 1>like for demo costs. By the way, you're hiring producers

0:25:40.760 --> 0:25:43.520
<v Speaker 1>to produce something so another producer hears it, right, just

0:25:43.760 --> 0:25:45.600
<v Speaker 1>I mean it was just demos, you know. It's like, hey,

0:25:45.640 --> 0:25:49.320
<v Speaker 1>well demo aren't recording into your iPhone. There's the recording

0:25:49.320 --> 0:25:51.600
<v Speaker 1>into your iPhone, the work tape, and then there's getting

0:25:51.640 --> 0:25:53.520
<v Speaker 1>someone to actually put a little work into a track.

0:25:53.560 --> 0:25:57.080
<v Speaker 1>And you're paying a producer so an know the producer

0:25:57.080 --> 0:25:59.320
<v Speaker 1>will hear it and hopefully produce you Like, it's so

0:25:59.400 --> 0:26:01.879
<v Speaker 1>many little up That's what we were talking about, absolutely

0:26:02.040 --> 0:26:04.359
<v Speaker 1>and so and that's why that's the way you're supposed

0:26:04.400 --> 0:26:05.800
<v Speaker 1>to do. You're supposed to have demos when you go

0:26:05.840 --> 0:26:08.359
<v Speaker 1>to someone and and will demo stuff ourselves, which just

0:26:08.359 --> 0:26:09.920
<v Speaker 1>doesn't sound as good as going to a studio. So

0:26:09.960 --> 0:26:11.159
<v Speaker 1>I was like, all right, let's play. Let's pay a

0:26:11.160 --> 0:26:12.840
<v Speaker 1>few hundred bucks per track and give him like three

0:26:12.840 --> 0:26:16.080
<v Speaker 1>songs and have some work tapes. And we had two

0:26:16.119 --> 0:26:19.920
<v Speaker 1>different producers, like we'd start and they'd bail. And now

0:26:19.960 --> 0:26:22.840
<v Speaker 1>a month had passed since I talked to Jay. I

0:26:22.920 --> 0:26:26.600
<v Speaker 1>totally forgot about you, and so I I was on

0:26:26.640 --> 0:26:28.800
<v Speaker 1>my way over the studio to like talk to this

0:26:29.359 --> 0:26:31.800
<v Speaker 1>producer that it had. He was a good guy, nice guy,

0:26:31.880 --> 0:26:34.040
<v Speaker 1>he was busy, and it just he wasn't getting to

0:26:34.119 --> 0:26:39.359
<v Speaker 1>our stuff. And I'm in traffic and I swear this

0:26:39.400 --> 0:26:42.840
<v Speaker 1>is like a movie and this sounds so corny, but

0:26:43.359 --> 0:26:47.200
<v Speaker 1>I'm listening to the radio and Springsteen comes on not bruised, Yeah,

0:26:47.720 --> 0:26:49.920
<v Speaker 1>Church of Springsteen, which Jay had produced, and I hear

0:26:49.960 --> 0:26:53.200
<v Speaker 1>it and I literally just pull out of traffic, pull

0:26:53.240 --> 0:26:54.879
<v Speaker 1>into a parking lot and I'm like, you know, I'm

0:26:54.880 --> 0:26:57.040
<v Speaker 1>just gonna go. I'm just gonna call him. And I

0:26:57.119 --> 0:26:59.439
<v Speaker 1>just call him. Didn't have anything to offer, didn't like

0:26:59.480 --> 0:27:02.000
<v Speaker 1>I looved, just send you some demos. I said, hey man,

0:27:02.200 --> 0:27:04.520
<v Speaker 1>this is really round Money's brand Lancaster. I met you

0:27:05.119 --> 0:27:07.240
<v Speaker 1>like a month ago at Bridgetone. He's like, oh yeah, yeah,

0:27:07.280 --> 0:27:09.640
<v Speaker 1>what's up. I was like, hey, well, you know you

0:27:09.640 --> 0:27:12.080
<v Speaker 1>you you said about a month ago that maybe I

0:27:12.160 --> 0:27:14.520
<v Speaker 1>come over and play some music and I'd love to

0:27:14.520 --> 0:27:16.639
<v Speaker 1>do that. And I kind of started giving my story

0:27:16.680 --> 0:27:19.199
<v Speaker 1>about not having demos. He's like, he goes, and this

0:27:19.240 --> 0:27:20.880
<v Speaker 1>is very J goes, look kid, what do you want

0:27:20.880 --> 0:27:23.400
<v Speaker 1>to do? Why are you calling me? What do you want?

0:27:24.640 --> 0:27:27.520
<v Speaker 1>And I was like, I want to be an artist.

0:27:27.560 --> 0:27:28.720
<v Speaker 1>I want to be an artist. I want to be

0:27:28.760 --> 0:27:32.000
<v Speaker 1>a songwriter. I'm in this band. I want to play

0:27:32.040 --> 0:27:34.520
<v Speaker 1>all over the world. I want to I want people

0:27:34.600 --> 0:27:36.600
<v Speaker 1>to hear our music. I want to be a songwriter.

0:27:37.440 --> 0:27:40.320
<v Speaker 1>I just the next step. I'm trying to get that

0:27:40.400 --> 0:27:42.119
<v Speaker 1>next step. He's like, all right, we'll come over tomorrow.

0:27:42.200 --> 0:27:46.000
<v Speaker 1>I'm three o'clock. Wow that quick, huh. So I go

0:27:46.160 --> 0:27:48.840
<v Speaker 1>over by myself and playing some songs on acoustic guitar,

0:27:48.960 --> 0:27:50.480
<v Speaker 1>which it's funny. We put all that work and trying

0:27:50.480 --> 0:27:52.080
<v Speaker 1>to get demos. But the way Jay is, he wants

0:27:52.119 --> 0:27:54.440
<v Speaker 1>to hear it kind of. So he's like, I just play, Like,

0:27:54.440 --> 0:27:56.480
<v Speaker 1>pick up that guitar and play, Like, play what you

0:27:56.480 --> 0:27:58.560
<v Speaker 1>think is a single? So I played him a song.

0:27:58.640 --> 0:28:00.720
<v Speaker 1>He's like, what you play him? We do? Yeah? I

0:28:00.720 --> 0:28:03.159
<v Speaker 1>get there right here. This is uh, it's actually you

0:28:03.240 --> 0:28:05.280
<v Speaker 1>at Jay sent us this, this is you at his

0:28:06.440 --> 0:28:25.639
<v Speaker 1>but I do have we do here we go, So

0:28:25.720 --> 0:28:28.800
<v Speaker 1>you play you play this pharm acoustic? Yeah, just acoustics,

0:28:29.160 --> 0:28:32.840
<v Speaker 1>like when you're playing it, you're watching it kind of.

0:28:32.920 --> 0:28:37.359
<v Speaker 1>But you know, I'm just trying not to think about that.

0:28:37.480 --> 0:28:40.480
<v Speaker 1>This means anything in my mind. When you're in those situations,

0:28:41.840 --> 0:28:45.560
<v Speaker 1>like I'm a very my personality. I'll look, I'm very

0:28:45.600 --> 0:28:47.280
<v Speaker 1>future oriented. I'll think like, well, how is this going

0:28:47.360 --> 0:28:49.000
<v Speaker 1>to play out? And what will happen if I do

0:28:49.120 --> 0:28:51.680
<v Speaker 1>this and this and this. But in those kind of situations,

0:28:51.960 --> 0:28:54.440
<v Speaker 1>I can freak myself out. So I kind of just

0:28:55.000 --> 0:28:56.480
<v Speaker 1>that's the kind of situation where you go, you know what,

0:28:56.560 --> 0:28:58.560
<v Speaker 1>this is really cool. No matter how this turns out.

0:28:58.600 --> 0:29:00.680
<v Speaker 1>I'm gonna tell my kids about this one day. I

0:29:00.720 --> 0:29:02.000
<v Speaker 1>want to be like, yeah, one of those guests, do

0:29:02.000 --> 0:29:03.680
<v Speaker 1>you do playing some songs. I got to meet him

0:29:03.680 --> 0:29:05.960
<v Speaker 1>and played his piano, you know whatever it was, and

0:29:05.960 --> 0:29:07.640
<v Speaker 1>and so I was kind of just in the moment

0:29:07.680 --> 0:29:09.520
<v Speaker 1>playing the song, just enjoying that I was playing it

0:29:09.560 --> 0:29:13.280
<v Speaker 1>for him, and uh, I finished, and he's stone cold,

0:29:13.360 --> 0:29:16.520
<v Speaker 1>like he's good poker face and he's you know, he's

0:29:16.520 --> 0:29:19.760
<v Speaker 1>not gonna like show emotions. She's like, cool man, Yeah,

0:29:19.760 --> 0:29:21.640
<v Speaker 1>so you can. You can write a good song. It

0:29:21.680 --> 0:29:24.240
<v Speaker 1>sounds like a hit. That's cool. Uh, now play a

0:29:24.280 --> 0:29:27.440
<v Speaker 1>song that never would be on the radio, but you

0:29:27.480 --> 0:29:30.480
<v Speaker 1>really like it. And I played him another song called

0:29:30.560 --> 0:29:32.920
<v Speaker 1>in the Morning that we actually ended up cutting. Uh,

0:29:32.960 --> 0:29:35.920
<v Speaker 1>and uh, it's not out yet. In the morning, every

0:29:36.680 --> 0:29:39.680
<v Speaker 1>not that one. If if I wrote that, then I

0:29:39.680 --> 0:29:42.480
<v Speaker 1>would have flown my private jet right here, um every

0:29:42.520 --> 0:29:45.320
<v Speaker 1>morning for those that are going to correct me on Twitter.

0:29:46.000 --> 0:29:48.320
<v Speaker 1>So you play in the morning for him, Yeah, And

0:29:48.320 --> 0:29:50.040
<v Speaker 1>and you know it's a it's a more of a

0:29:50.080 --> 0:29:53.680
<v Speaker 1>ballad and a different time signature, and it's a little

0:29:53.680 --> 0:29:56.440
<v Speaker 1>more artsy, but it's a very real song lyrically, and

0:29:56.640 --> 0:29:57.960
<v Speaker 1>you know it's a it's a love song. But it

0:29:57.960 --> 0:30:00.920
<v Speaker 1>starts out I'm tired of you, you're sick of me, um,

0:30:01.000 --> 0:30:03.320
<v Speaker 1>and it's kind of about just the journey of no

0:30:03.360 --> 0:30:05.000
<v Speaker 1>matter what we're going through in the morning, we're still

0:30:05.040 --> 0:30:07.600
<v Speaker 1>gonna wake up and be best friends. So just know

0:30:07.720 --> 0:30:10.880
<v Speaker 1>that and it's okay whatever we're going through right now. Um.

0:30:10.920 --> 0:30:12.600
<v Speaker 1>So I played him that, and then I played him

0:30:13.000 --> 0:30:15.480
<v Speaker 1>American Love Story, which is your best song, by the way,

0:30:15.640 --> 0:30:17.280
<v Speaker 1>thank you. I'm glad I played it for him then,

0:30:17.640 --> 0:30:20.200
<v Speaker 1>and uh, and he he thought it was cool and

0:30:20.240 --> 0:30:22.600
<v Speaker 1>he was like, all right, that's that's you know, it's

0:30:22.640 --> 0:30:25.120
<v Speaker 1>I've heard I need to hear. And after that, so

0:30:25.160 --> 0:30:29.920
<v Speaker 1>he produced you because of that that and amery I guess, yeah,

0:30:29.920 --> 0:30:33.400
<v Speaker 1>I mean he hate producer because what we do and

0:30:32.320 --> 0:30:39.920
<v Speaker 1>and I hate you love the story and then this

0:30:40.040 --> 0:30:44.560
<v Speaker 1>is a good song. We love this one. We didn't

0:30:44.560 --> 0:30:46.640
<v Speaker 1>know a long life times ago. It's fine. Let me

0:30:46.720 --> 0:30:48.840
<v Speaker 1>tell you this American Love Story is earlier your best song.

0:30:48.960 --> 0:30:50.720
<v Speaker 1>Thank you man. We're excited about that one. And that

0:30:50.880 --> 0:30:53.760
<v Speaker 1>you know from day one. American Love Story is a

0:30:53.800 --> 0:30:56.760
<v Speaker 1>special song. It's a story. It's it's the reason it's

0:30:56.760 --> 0:30:59.280
<v Speaker 1>a song. That's the reason you're in country music. UM,

0:30:59.320 --> 0:31:02.280
<v Speaker 1>it's just that worry that people relate to. UM. And

0:31:02.280 --> 0:31:04.600
<v Speaker 1>it's been cool to play it on the road literally

0:31:04.680 --> 0:31:07.200
<v Speaker 1>every night, which we love it like people keep doing it.

0:31:07.240 --> 0:31:09.080
<v Speaker 1>But every night people come up to us and tell

0:31:09.160 --> 0:31:11.920
<v Speaker 1>us how they are the American Love Story, and that's

0:31:11.960 --> 0:31:14.680
<v Speaker 1>their story. Whether it's someone's deployed in the army and

0:31:14.720 --> 0:31:16.520
<v Speaker 1>they came back, or whether they met in high school

0:31:16.560 --> 0:31:19.560
<v Speaker 1>or met in college, or we'll have old couples, young couples,

0:31:19.560 --> 0:31:21.560
<v Speaker 1>and so it's been really cool to see a song

0:31:22.320 --> 0:31:24.800
<v Speaker 1>like that relate to so many different people on so

0:31:24.840 --> 0:31:28.600
<v Speaker 1>many levels and kind of put their story into it.

0:31:28.640 --> 0:31:31.600
<v Speaker 1>So you and I've call it and I got a job.

0:31:31.760 --> 0:31:34.880
<v Speaker 1>I was working that nine five. I don't think about

0:31:34.880 --> 0:31:38.840
<v Speaker 1>this band the singer. Kind of sucks. It's terrible. Never

0:31:39.000 --> 0:31:43.720
<v Speaker 1>fell so alive. A spaming day's work, can't spam a

0:31:43.920 --> 0:31:51.200
<v Speaker 1>night's drinking, Allen that screaming for them? Day you're coming back, No,

0:31:51.520 --> 0:31:58.240
<v Speaker 1>coudn't come too soon, couldn't come too soon. Well, now

0:31:58.240 --> 0:32:07.880
<v Speaker 1>it's gonna be up forever. You're gonna better. And now

0:32:07.840 --> 0:32:12.480
<v Speaker 1>I've learning all about American love story there from Lanco. Man.

0:32:13.200 --> 0:32:16.480
<v Speaker 1>This a girlfriend you have? All you guys been together? Oh,

0:32:16.520 --> 0:32:22.680
<v Speaker 1>man a while. We met in college, so about six years.

0:32:23.800 --> 0:32:27.560
<v Speaker 1>M hm hm. I knew there would be something to

0:32:27.600 --> 0:32:30.200
<v Speaker 1>it when you took a breath before you answered, well,

0:32:30.200 --> 0:32:32.160
<v Speaker 1>it's because I always get it wrong. How long we've

0:32:32.200 --> 0:32:37.680
<v Speaker 1>been together? Six years? Uh? Yeah? How does she feel

0:32:37.720 --> 0:32:42.480
<v Speaker 1>about this? With you? The growth the road? You're a

0:32:42.520 --> 0:32:46.480
<v Speaker 1>good looking dude, you're fronting a band, You're getting some trade.

0:32:47.120 --> 0:32:50.200
<v Speaker 1>It's as much as it's a grind for you on

0:32:50.200 --> 0:32:53.680
<v Speaker 1>this front, I don't know. I never better. It's also

0:32:53.720 --> 0:32:56.240
<v Speaker 1>a little it's worked for her too, absolutely to have

0:32:56.320 --> 0:33:00.560
<v Speaker 1>to be in a relationship. What's someone like you? Yeah,

0:33:00.640 --> 0:33:04.680
<v Speaker 1>I mean touring, being in a band, that's one thing.

0:33:04.760 --> 0:33:06.880
<v Speaker 1>Just being a relationship with me period, I think could

0:33:06.880 --> 0:33:09.600
<v Speaker 1>be tough, Um, But with all the added stuff. You know,

0:33:09.920 --> 0:33:12.440
<v Speaker 1>one thing that I think that we have an advantage

0:33:12.560 --> 0:33:16.120
<v Speaker 1>is that she was She knew me in college, We

0:33:16.160 --> 0:33:18.560
<v Speaker 1>got to know each each other in college, became friends

0:33:18.560 --> 0:33:21.440
<v Speaker 1>in college, start dating college. She's seen me go from

0:33:21.440 --> 0:33:23.920
<v Speaker 1>a college student playing in coffee shops and bands in

0:33:23.960 --> 0:33:27.880
<v Speaker 1>college to moving to Nashville, staying up, you know, talking

0:33:27.880 --> 0:33:29.400
<v Speaker 1>all night about I don't know what I'm gonna do,

0:33:29.400 --> 0:33:32.160
<v Speaker 1>I don't know how we're gonna, you know, complaining. She

0:33:32.280 --> 0:33:34.040
<v Speaker 1>was there when we get the record deal. She's there

0:33:34.040 --> 0:33:36.440
<v Speaker 1>when you get the publishing deal. She's there when you

0:33:36.520 --> 0:33:40.680
<v Speaker 1>have first mixes, she's there when you everything that's happened.

0:33:40.680 --> 0:33:44.800
<v Speaker 1>She's been there for so when when times are hard,

0:33:45.480 --> 0:33:47.320
<v Speaker 1>she's kind of been through this journey with you. So

0:33:47.440 --> 0:33:50.600
<v Speaker 1>she's she's really excited for me, she's really excited for

0:33:50.640 --> 0:33:52.880
<v Speaker 1>the band, and she's been a part of our story,

0:33:52.960 --> 0:33:55.320
<v Speaker 1>and so she knows how hard we've worked for it,

0:33:55.320 --> 0:33:56.840
<v Speaker 1>and she knows how hard I've worked for it, and

0:33:56.920 --> 0:34:00.200
<v Speaker 1>so there's just so much support. And so even when

0:34:00.200 --> 0:34:01.719
<v Speaker 1>times are hard, when you're gone, you miss each other,

0:34:01.760 --> 0:34:04.760
<v Speaker 1>whatever it may be. Um, I think because we've built

0:34:04.760 --> 0:34:07.840
<v Speaker 1>such a foundation she's been a part of this. You'll

0:34:07.840 --> 0:34:09.320
<v Speaker 1>go you're a little bit like, hi bright, let's go

0:34:09.360 --> 0:34:11.200
<v Speaker 1>so low. I think you can do this, but not

0:34:11.239 --> 0:34:12.680
<v Speaker 1>at all. No, Yeah, she wants to be in a

0:34:12.760 --> 0:34:16.280
<v Speaker 1>duo and we're gonna that's that's the actually the next step.

0:34:18.000 --> 0:34:20.200
<v Speaker 1>She she used to like she's a musical person, she

0:34:20.239 --> 0:34:23.640
<v Speaker 1>can sing, but she's a teacher. So it's so good. Listen,

0:34:23.640 --> 0:34:25.279
<v Speaker 1>I'm gonna get in trouble for saying that it's really

0:34:25.280 --> 0:34:28.799
<v Speaker 1>good to date someone not in the same kind of industry.

0:34:29.120 --> 0:34:32.520
<v Speaker 1>Is as I say that at the time of this recording,

0:34:33.040 --> 0:34:39.560
<v Speaker 1>my girlfriends and artists. So it's it's grinding because we're

0:34:39.560 --> 0:34:43.200
<v Speaker 1>both we're both in different pat it's solid that she

0:34:43.480 --> 0:34:47.920
<v Speaker 1>has a foundation any job because you're nuts, right, and

0:34:47.960 --> 0:34:51.000
<v Speaker 1>it's a nice balance. Yeah, And and teaching specifically, you know,

0:34:51.000 --> 0:34:53.120
<v Speaker 1>it's cool because they get summers off and then breaks

0:34:53.120 --> 0:34:55.440
<v Speaker 1>off and stuff. So she can trat like this summer,

0:34:55.480 --> 0:34:57.000
<v Speaker 1>you know she can't. We played a lot of PLUSA.

0:34:57.080 --> 0:34:59.400
<v Speaker 1>She can't do all of PLUSA and just different festivals

0:34:59.440 --> 0:35:01.960
<v Speaker 1>like that. But then all so it's nice. There are

0:35:01.960 --> 0:35:03.560
<v Speaker 1>things where if you were dating someone in the industry,

0:35:03.560 --> 0:35:04.960
<v Speaker 1>I think it'd be cool because you guys could talk

0:35:05.000 --> 0:35:07.520
<v Speaker 1>about you can talk about industry things, and there'd be

0:35:07.600 --> 0:35:09.840
<v Speaker 1>you would understand it a little more than than a

0:35:09.920 --> 0:35:12.000
<v Speaker 1>teacher might. But it is nice to get off the

0:35:12.080 --> 0:35:14.920
<v Speaker 1>road and kind of have another life and kind of

0:35:14.960 --> 0:35:16.600
<v Speaker 1>be able to take a break. And when she's talking

0:35:16.600 --> 0:35:19.279
<v Speaker 1>about her day, I don't really have if she's talking

0:35:19.280 --> 0:35:22.319
<v Speaker 1>about her classroom or lesson plans or another teacher, whatever

0:35:22.320 --> 0:35:25.080
<v Speaker 1>it is, you know, I can just relax and listen.

0:35:25.160 --> 0:35:26.960
<v Speaker 1>And it's as supposed where if she was like a

0:35:27.000 --> 0:35:29.840
<v Speaker 1>songwriter or I'd be like, well, maybe you should and

0:35:30.000 --> 0:35:31.960
<v Speaker 1>before you know what, you're now like trying to handle

0:35:32.000 --> 0:35:34.719
<v Speaker 1>two careers. Um, but I mean I think that's cool.

0:35:34.760 --> 0:35:37.200
<v Speaker 1>I think that you know, you're dating an artist. I

0:35:37.200 --> 0:35:39.640
<v Speaker 1>think that'd be cool, you know, because you have then

0:35:39.680 --> 0:35:42.719
<v Speaker 1>you have a major thing in common. I'm dating a

0:35:42.760 --> 0:35:49.279
<v Speaker 1>good person. The artist thing. Artists are weird and and

0:35:49.640 --> 0:35:53.120
<v Speaker 1>I say that, and we're both different kinds of artists.

0:35:53.120 --> 0:35:56.400
<v Speaker 1>We we we create different things. We're nuts. You have

0:35:56.480 --> 0:35:59.120
<v Speaker 1>to be nuts to do what we do. Yeah. Absolutely, Um,

0:36:00.160 --> 0:36:01.960
<v Speaker 1>what what grade? Like? What age of the kids that

0:36:02.040 --> 0:36:04.239
<v Speaker 1>she teaches? She's been all over the place. She used

0:36:04.239 --> 0:36:07.239
<v Speaker 1>to do elementary then she did did middle school, and

0:36:07.239 --> 0:36:09.840
<v Speaker 1>now she is doing high school. Oh dude, I bet

0:36:09.880 --> 0:36:11.680
<v Speaker 1>the high school kids are like, all that would be.

0:36:11.719 --> 0:36:15.080
<v Speaker 1>So she's a young high school teacher. She's actually fifty three,

0:36:15.520 --> 0:36:18.920
<v Speaker 1>so that I'm talking about just kidding, got that November

0:36:19.040 --> 0:36:24.040
<v Speaker 1>March romance, it's even longer. So okay, high school kids. Yeah,

0:36:25.040 --> 0:36:28.480
<v Speaker 1>I mean they probably think they got I mean she's

0:36:28.520 --> 0:36:31.439
<v Speaker 1>not married, right, Yeah. Yeah. If I was in high school,

0:36:31.440 --> 0:36:34.239
<v Speaker 1>i'd be like, I'm gonna get I'm I'm gonna yeah.

0:36:34.520 --> 0:36:37.000
<v Speaker 1>Like did the high school dude a little bit flat

0:36:37.080 --> 0:36:39.920
<v Speaker 1>with her? Oh? Absolutely? Oh yeah. Like and she she

0:36:40.040 --> 0:36:43.239
<v Speaker 1>used to help coach cheerleading, so she would be at

0:36:43.239 --> 0:36:46.399
<v Speaker 1>all the fou She's at a private school, so it's

0:36:46.440 --> 0:36:49.600
<v Speaker 1>kind of like, you know, you do everything. Yeah, Like

0:36:49.640 --> 0:36:51.640
<v Speaker 1>she she was a cheerleader in high school for like

0:36:51.680 --> 0:36:53.560
<v Speaker 1>a year, so they're like, oh, help with cheerleading. It's

0:36:53.560 --> 0:36:55.399
<v Speaker 1>more just she wasn't like the actual coach, just help out.

0:36:55.440 --> 0:36:57.080
<v Speaker 1>But oh yeah, I would get to football games or

0:36:57.080 --> 0:37:00.919
<v Speaker 1>basketball games. And oh yeah, those those seniors in high

0:37:00.920 --> 0:37:02.839
<v Speaker 1>school there, as far as they're concerned, they're grown men,

0:37:02.880 --> 0:37:04.719
<v Speaker 1>and you know, they got this like they're trying to

0:37:04.719 --> 0:37:08.320
<v Speaker 1>look up with mis Lanko right now in Mislanko. What's

0:37:08.680 --> 0:37:12.440
<v Speaker 1>that's funny? Man, So she's a high school teacher. Do

0:37:12.480 --> 0:37:14.600
<v Speaker 1>you know the stuff that she teaches, because I feel

0:37:14.600 --> 0:37:16.680
<v Speaker 1>like right now, I'd be so stupid with that the

0:37:17.040 --> 0:37:19.880
<v Speaker 1>curriculum that's happening right now. I know, I know it's

0:37:19.920 --> 0:37:23.000
<v Speaker 1>that's not it's so it's a world so far removed

0:37:23.160 --> 0:37:26.400
<v Speaker 1>from mine that you know, she teaches English and she'll

0:37:27.560 --> 0:37:31.520
<v Speaker 1>correct you, uh she has before, but it's not. She

0:37:31.600 --> 0:37:34.719
<v Speaker 1>mainly does like papers and like you know, they'll read

0:37:34.760 --> 0:37:36.480
<v Speaker 1>a book and do a book summary things like that.

0:37:36.520 --> 0:37:39.320
<v Speaker 1>So it is I'm like, you know, she'll be grading

0:37:39.320 --> 0:37:41.439
<v Speaker 1>all like look over her shoulder and see and she'll

0:37:41.480 --> 0:37:44.239
<v Speaker 1>like correct something that sounds good to me, Like I'm

0:37:44.239 --> 0:37:48.640
<v Speaker 1>a writer. I mean, who in the years that you

0:37:48.640 --> 0:37:50.120
<v Speaker 1>guys have been doing this and you've been able to

0:37:50.120 --> 0:37:51.640
<v Speaker 1>go out on the road with people like who are

0:37:51.640 --> 0:37:54.760
<v Speaker 1>some of the uh they acts that you've seen? And man,

0:37:55.800 --> 0:37:58.839
<v Speaker 1>that's really good because you see everybody in this town.

0:37:59.320 --> 0:38:02.120
<v Speaker 1>It's such a You may look at Nashville from the

0:38:02.120 --> 0:38:03.919
<v Speaker 1>outside to go it's a big city, but it's such

0:38:03.920 --> 0:38:07.600
<v Speaker 1>a small town for such a big industry. So you

0:38:07.640 --> 0:38:11.120
<v Speaker 1>get to see everybody at some point who have you

0:38:11.200 --> 0:38:14.359
<v Speaker 1>seen you look at and you go, man, that's really good.

0:38:14.400 --> 0:38:16.640
<v Speaker 1>That's how That's how I want to do. Maybe it's

0:38:16.680 --> 0:38:19.000
<v Speaker 1>not exactly what I want to do, but that's how

0:38:19.040 --> 0:38:20.719
<v Speaker 1>I want to do it. Yeah, I think, I mean,

0:38:21.400 --> 0:38:23.560
<v Speaker 1>I mean definitely, and we are talking about brothers. Osborne

0:38:23.560 --> 0:38:25.640
<v Speaker 1>would definitely one, but other than them, I mean, you

0:38:25.680 --> 0:38:27.560
<v Speaker 1>know this this summer it was really cool. We got

0:38:27.560 --> 0:38:29.200
<v Speaker 1>to play a lot of festivals and so we got

0:38:29.200 --> 0:38:30.680
<v Speaker 1>to see a lot of the huge you know a

0:38:30.840 --> 0:38:33.640
<v Speaker 1>list people like Jason Alden and you know, I grew

0:38:33.680 --> 0:38:35.680
<v Speaker 1>up with I knew Jason Alden since high school, you know,

0:38:35.760 --> 0:38:38.960
<v Speaker 1>I I'm familiar with his music, but I've never seen

0:38:39.000 --> 0:38:41.720
<v Speaker 1>him live. And it was so cool because, yeah, Lanko

0:38:41.840 --> 0:38:45.960
<v Speaker 1>is not Jason Aldan and and that may not be

0:38:46.360 --> 0:38:48.880
<v Speaker 1>what or who we are, but seeing him put on

0:38:48.920 --> 0:38:51.480
<v Speaker 1>a show and the energy and the way he's communicating

0:38:51.520 --> 0:38:55.120
<v Speaker 1>the audience and just being a ringleader that night of

0:38:55.239 --> 0:38:57.520
<v Speaker 1>you know, just capitalizing on this opportunity where you have

0:38:57.560 --> 0:38:59.839
<v Speaker 1>all these people and you're leading the charge of this

0:38:59.880 --> 0:39:01.800
<v Speaker 1>is gonna be a great night. We're all in this together.

0:39:02.360 --> 0:39:03.839
<v Speaker 1>Seeing him do it a lot. I mean a lot

0:39:03.840 --> 0:39:05.839
<v Speaker 1>of the pros got you know, I got to see

0:39:05.920 --> 0:39:10.759
<v Speaker 1>Luke brian Um people like that that you see how

0:39:10.800 --> 0:39:14.480
<v Speaker 1>long they've been doing it. Miranda Lambert would be another one.

0:39:14.520 --> 0:39:16.879
<v Speaker 1>You know, got to see her this summer. And and

0:39:17.840 --> 0:39:20.959
<v Speaker 1>there's just a craft that they've mastered of and there's

0:39:20.960 --> 0:39:23.319
<v Speaker 1>a reason they're up there. Yes, it's like that's when

0:39:23.320 --> 0:39:24.880
<v Speaker 1>you realize, you know, the music good and they're right

0:39:24.880 --> 0:39:27.000
<v Speaker 1>in that part of it's great, but there's a reason

0:39:27.040 --> 0:39:29.000
<v Speaker 1>why they're they're up there on that stage in front

0:39:29.040 --> 0:39:33.560
<v Speaker 1>of ten thousand twenty because they're so good. Keith Urban's

0:39:33.600 --> 0:39:36.319
<v Speaker 1>that way for me. Like to watch Keith Urban play.

0:39:36.440 --> 0:39:38.600
<v Speaker 1>You can hear songs are fantastic on the radio. He

0:39:38.600 --> 0:39:40.840
<v Speaker 1>can come into my radio show and he's saying, is fantastic.

0:39:41.160 --> 0:39:43.480
<v Speaker 1>To watch them play live, it's like a whole other

0:39:43.480 --> 0:39:46.000
<v Speaker 1>dimension you get. You're like, okay, I get it. Yeah,

0:39:46.120 --> 0:39:47.480
<v Speaker 1>he should be Entertainer of the year. Then you go

0:39:47.480 --> 0:39:49.480
<v Speaker 1>watch Karen like, okay, she should be entertaining. Then you

0:39:49.520 --> 0:39:51.719
<v Speaker 1>got look like, okay, he should be Entertainer of the Year.

0:39:52.000 --> 0:39:55.919
<v Speaker 1>So those guys that are at that level, they're there

0:39:55.960 --> 0:39:59.920
<v Speaker 1>because they are so good at doing that right. Absolutely,

0:40:00.040 --> 0:40:02.440
<v Speaker 1>it's something and we you can all no matter where

0:40:02.440 --> 0:40:04.200
<v Speaker 1>you're at, you can always be learning. And we you know,

0:40:04.239 --> 0:40:07.560
<v Speaker 1>this past year, we just we just absorbed everything because

0:40:08.000 --> 0:40:10.120
<v Speaker 1>and we're a big live band, you know, our live show.

0:40:10.160 --> 0:40:12.640
<v Speaker 1>We take a lot of pride in it, and and

0:40:12.960 --> 0:40:15.799
<v Speaker 1>we love the live experience. We love people showing up

0:40:15.880 --> 0:40:18.319
<v Speaker 1>and and just knowing that and that was one thing

0:40:18.400 --> 0:40:21.080
<v Speaker 1>I learned, honestly all the way back working at bridge

0:40:21.120 --> 0:40:25.600
<v Speaker 1>Stone was all these people are coming here. They all

0:40:25.640 --> 0:40:27.439
<v Speaker 1>have jobs, they all may have had a hard week,

0:40:27.480 --> 0:40:29.520
<v Speaker 1>they all may have problems in relationships, whatever it may be.

0:40:29.640 --> 0:40:32.560
<v Speaker 1>But tonight is a big night. It's a special night

0:40:32.840 --> 0:40:34.640
<v Speaker 1>that they're going to tell their friends about. I mean,

0:40:34.680 --> 0:40:36.680
<v Speaker 1>you know, that's like trip he saw. Jay's not even

0:40:36.800 --> 0:40:39.160
<v Speaker 1>a sixteen and he still talks about it and it's

0:40:39.200 --> 0:40:41.759
<v Speaker 1>so cool. You know. Bruce Springsteen, I heard a thing

0:40:41.760 --> 0:40:44.000
<v Speaker 1>where he always, you know, will tell his band tonight

0:40:44.000 --> 0:40:46.479
<v Speaker 1>could be somebody's first show and it could be somebody's last,

0:40:46.600 --> 0:40:49.279
<v Speaker 1>so let's play like it. And knowing that you have

0:40:49.400 --> 0:40:52.480
<v Speaker 1>this chance to impact people on a night and impact

0:40:52.960 --> 0:40:55.840
<v Speaker 1>their lives and relate to them and sing these songs

0:40:55.880 --> 0:40:58.400
<v Speaker 1>that it may be their anniversary song, or it may

0:40:58.480 --> 0:41:00.360
<v Speaker 1>take them back to a time in college where it

0:41:00.440 --> 0:41:02.920
<v Speaker 1>was them and all their friends. It's just such an

0:41:02.960 --> 0:41:07.080
<v Speaker 1>honor to be able to to have that opportunity to

0:41:07.080 --> 0:41:09.200
<v Speaker 1>to play in front of people like that, and seeing

0:41:09.239 --> 0:41:11.640
<v Speaker 1>these people have been doing it for so long it

0:41:11.680 --> 0:41:14.120
<v Speaker 1>have mastered it and still just go out. There was

0:41:14.160 --> 0:41:18.440
<v Speaker 1>so much energy and are so captivating. It's it's really

0:41:18.440 --> 0:41:23.120
<v Speaker 1>fun to watch. You know. One of my friends, and

0:41:23.320 --> 0:41:27.799
<v Speaker 1>I don't use that word loosely, is Christian Bush from Sugarland,

0:41:28.480 --> 0:41:31.839
<v Speaker 1>who is now doing stuff solo, but it's still they're

0:41:31.840 --> 0:41:35.920
<v Speaker 1>still sugar Land. And so you know, at five seven,

0:41:36.200 --> 0:41:41.520
<v Speaker 1>nine years ago, all those Sugarland was a list number one,

0:41:41.560 --> 0:41:46.839
<v Speaker 1>f number one, playing stadiums Mana's whatever you wanna call them,

0:41:46.840 --> 0:41:49.239
<v Speaker 1>you know, the big gigs, right, And I was talking

0:41:49.239 --> 0:41:51.600
<v Speaker 1>to Christian because Christian came out and played with us

0:41:51.640 --> 0:41:53.960
<v Speaker 1>the Raging Idiots, and he played guitar and just saying

0:41:53.960 --> 0:41:56.160
<v Speaker 1>background and Christian, I've written a bunch together. We've written

0:41:56.200 --> 0:41:59.200
<v Speaker 1>some some fun songs, goofy songs, you know, and so

0:41:59.400 --> 0:42:02.120
<v Speaker 1>um it was that I was were what we were doing.

0:42:02.120 --> 0:42:06.280
<v Speaker 1>We were playing dope Campbell Stadium we're playing Florida State University,

0:42:06.760 --> 0:42:09.200
<v Speaker 1>and so it was US an old dominion of Tyler Farr,

0:42:09.880 --> 0:42:12.719
<v Speaker 1>and Christian was playing guitar for us, and he's just

0:42:12.719 --> 0:42:14.399
<v Speaker 1>doing it because he's a nice guys, just a good dude.

0:42:14.400 --> 0:42:16.759
<v Speaker 1>And I was like, hey man, when and he goes,

0:42:16.800 --> 0:42:18.400
<v Speaker 1>you know, I have actually played the stadium, you know,

0:42:18.440 --> 0:42:21.000
<v Speaker 1>with sugar Land we played, And I was like, what

0:42:21.160 --> 0:42:28.560
<v Speaker 1>is it like moving up? Going from clubs to bigger clubs,

0:42:28.680 --> 0:42:33.799
<v Speaker 1>maybe theaters, then you start playing the arenas. He said,

0:42:33.840 --> 0:42:36.680
<v Speaker 1>you know, it was a lot like I was so

0:42:36.719 --> 0:42:41.200
<v Speaker 1>excited for those stadium arena shows. But when once you

0:42:41.239 --> 0:42:45.320
<v Speaker 1>do them, he said, sometimes it sounds sucks. Sometimes the guitar.

0:42:45.480 --> 0:42:47.480
<v Speaker 1>All right, he goes, it's kind of the same thing.

0:42:48.040 --> 0:42:53.400
<v Speaker 1>It's always the same. And if you just practice in

0:42:53.480 --> 0:42:57.360
<v Speaker 1>the smallest places at being the biggest you can be,

0:42:58.440 --> 0:43:01.000
<v Speaker 1>and you condition your up to be that big all

0:43:01.000 --> 0:43:03.200
<v Speaker 1>the way up and maintain it stays the same all

0:43:03.239 --> 0:43:06.560
<v Speaker 1>the way through, because crap happens that at every state. Yeah,

0:43:06.600 --> 0:43:08.879
<v Speaker 1>you're making more money, but as an effect, how good

0:43:08.960 --> 0:43:11.480
<v Speaker 1>you are, but at that point you should already be there. Yeah,

0:43:11.520 --> 0:43:14.560
<v Speaker 1>And I think that early on that was kind of

0:43:14.560 --> 0:43:17.960
<v Speaker 1>our mentality. Like I said, we were playing restaurants because

0:43:18.000 --> 0:43:20.120
<v Speaker 1>even playing a bar was tough. So a restaurant maybe

0:43:20.160 --> 0:43:21.400
<v Speaker 1>like okay, you can play whatever you want for an

0:43:21.440 --> 0:43:23.120
<v Speaker 1>hour and a half. You know, we have losing money early,

0:43:23.120 --> 0:43:26.399
<v Speaker 1>a lot of bands losing gosh, yes, absolutely losing. I mean, yeah,

0:43:26.400 --> 0:43:28.400
<v Speaker 1>you would pay to play a gig, like as if

0:43:28.400 --> 0:43:30.400
<v Speaker 1>you're going to drive to Chattanooger, drive to Atlanta or

0:43:30.400 --> 0:43:33.000
<v Speaker 1>wherever it may be, or Indianapolis, they may throw your

0:43:33.000 --> 0:43:35.560
<v Speaker 1>two d five hundred bucks. Well by the time you

0:43:35.560 --> 0:43:37.280
<v Speaker 1>you pay for gas, or if you stay in a hotel,

0:43:37.480 --> 0:43:41.040
<v Speaker 1>you're absolutely paying about a hundred two hundred bucks to

0:43:41.040 --> 0:43:44.120
<v Speaker 1>play that show. But you're just doing it because one

0:43:44.200 --> 0:43:46.200
<v Speaker 1>you're you're trying to get better, you're trying to kind

0:43:46.200 --> 0:43:49.080
<v Speaker 1>of get your name out there. But a big part

0:43:49.120 --> 0:43:52.400
<v Speaker 1>of it early on was we weren't playing great gigs.

0:43:52.400 --> 0:43:54.880
<v Speaker 1>We weren't playing great venues. You know there we were

0:43:54.920 --> 0:43:57.040
<v Speaker 1>happy to be there, but you know they weren't. It

0:43:57.120 --> 0:44:00.440
<v Speaker 1>wasn't a theater, it wasn't a stadium, that wasn't a

0:44:00.480 --> 0:44:04.280
<v Speaker 1>club even, And we recognized early on, if we don't

0:44:04.280 --> 0:44:07.120
<v Speaker 1>go out there every night and just play the best,

0:44:07.120 --> 0:44:10.319
<v Speaker 1>that we can and have fun and enjoy what we're

0:44:10.360 --> 0:44:12.960
<v Speaker 1>doing and care that. You know what, there's only three

0:44:13.000 --> 0:44:14.920
<v Speaker 1>people here, but this could be cool for them. This

0:44:15.000 --> 0:44:16.800
<v Speaker 1>is you know, let's let's give them good music and

0:44:16.840 --> 0:44:19.439
<v Speaker 1>play the best we can. If you don't do that,

0:44:19.680 --> 0:44:22.279
<v Speaker 1>it'll get really old, really fast. Because it is it's

0:44:22.320 --> 0:44:25.640
<v Speaker 1>microphones everything. It's the same microphones, same guitars, it's monitors,

0:44:25.680 --> 0:44:27.960
<v Speaker 1>it's a stage, you know it a lot of it.

0:44:28.000 --> 0:44:30.080
<v Speaker 1>You're going through the same thing. So if you are

0:44:30.239 --> 0:44:32.960
<v Speaker 1>reminding yourself, like I get to be on stage and

0:44:33.000 --> 0:44:35.520
<v Speaker 1>play music and I get to give this gift to

0:44:35.600 --> 0:44:39.080
<v Speaker 1>people in the audience, then I think it could be

0:44:39.160 --> 0:44:40.719
<v Speaker 1>a letdown. It could be this point. I think that

0:44:40.760 --> 0:44:43.239
<v Speaker 1>people that have long careers, I think it's because they

0:44:43.360 --> 0:44:45.600
<v Speaker 1>really do love it and they're in it because they

0:44:45.600 --> 0:44:47.080
<v Speaker 1>love it because and they don't know how to do

0:44:47.120 --> 0:44:49.279
<v Speaker 1>anything else. Because if you were just doing it to

0:44:49.280 --> 0:44:51.200
<v Speaker 1>play the more people, and play the more people and

0:44:51.239 --> 0:44:53.960
<v Speaker 1>get more, there's always gonna be another thing you're trying

0:44:53.960 --> 0:44:57.560
<v Speaker 1>to get to. There's always it's like chasing money and

0:44:57.840 --> 0:45:00.919
<v Speaker 1>the career world, the more you chase money, the less

0:45:00.960 --> 0:45:02.719
<v Speaker 1>money you're actually going to make. For the most part

0:45:03.400 --> 0:45:07.800
<v Speaker 1>you're if you chase passion, you're going to work harder

0:45:07.840 --> 0:45:10.000
<v Speaker 1>at it. You're going to get better at it because

0:45:10.000 --> 0:45:12.440
<v Speaker 1>you're working harder, and because you're getting better at it,

0:45:12.480 --> 0:45:14.759
<v Speaker 1>then the money comes. And I think too, you know

0:45:14.840 --> 0:45:17.680
<v Speaker 1>one thing in the band, when you travel a lot

0:45:17.719 --> 0:45:20.399
<v Speaker 1>and you you play with all these other bands, it's

0:45:20.400 --> 0:45:22.759
<v Speaker 1>weird when you start doing this professionally because there's literally

0:45:22.800 --> 0:45:24.839
<v Speaker 1>a ranking system. I mean there's literally a chart and

0:45:24.840 --> 0:45:27.239
<v Speaker 1>it's like, well, you have the number whatever song, or

0:45:27.280 --> 0:45:29.120
<v Speaker 1>you have the number or and then you're on the road,

0:45:29.120 --> 0:45:31.440
<v Speaker 1>it's like, well they have a big fancy tour bus. Well,

0:45:31.480 --> 0:45:32.799
<v Speaker 1>then once you get a tour bus, will they have

0:45:33.160 --> 0:45:36.080
<v Speaker 1>multiple fancy tour buses and there's always a ladder to climb,

0:45:36.560 --> 0:45:38.239
<v Speaker 1>and we'll we'll kind of just throw out this quote

0:45:38.280 --> 0:45:40.520
<v Speaker 1>that's you know, don't worry about it. Comparison is the

0:45:40.520 --> 0:45:42.600
<v Speaker 1>thief of joy because at the end of the day,

0:45:43.080 --> 0:45:46.080
<v Speaker 1>we're joyful just being able to make music and play music.

0:45:46.120 --> 0:45:48.320
<v Speaker 1>And the second you start saying if you get a

0:45:48.400 --> 0:45:50.000
<v Speaker 1>number one, we'll guess what, there's someone out there with

0:45:50.040 --> 0:45:51.719
<v Speaker 1>three number ones you get three number ones, or someone

0:45:51.719 --> 0:45:53.960
<v Speaker 1>out there with ten or twenty. If you're always looking

0:45:54.400 --> 0:45:58.400
<v Speaker 1>at other people and comparing yourself. It'll rip away the

0:45:58.480 --> 0:46:01.040
<v Speaker 1>joy from it and and it'll stop you from loving

0:46:01.040 --> 0:46:04.200
<v Speaker 1>what you're doing. Let me ask you, this not awkward

0:46:04.239 --> 0:46:06.640
<v Speaker 1>for me, Dad, I don't care. Yeah, you put out

0:46:06.680 --> 0:46:08.799
<v Speaker 1>Long Left tonight. Okay. So the song comes out at

0:46:08.840 --> 0:46:15.439
<v Speaker 1>your first major label single and where did the peak?

0:46:16.080 --> 0:46:21.040
<v Speaker 1>I believe thirty two? Okay, So for all intentsive purposes,

0:46:21.080 --> 0:46:24.680
<v Speaker 1>the single failed. If you're if you're comparing it by

0:46:24.680 --> 0:46:28.200
<v Speaker 1>a chart standard, yes, and I and I I'm comparing

0:46:28.239 --> 0:46:31.120
<v Speaker 1>it by whatever I's gonna say in radio world, which,

0:46:31.160 --> 0:46:32.920
<v Speaker 1>trust me, I have issues with two. I'm in the

0:46:33.000 --> 0:46:35.520
<v Speaker 1>radio and radio more than anybody. Which is so funny

0:46:35.520 --> 0:46:38.200
<v Speaker 1>because it's like a normal person like if if you're

0:46:38.200 --> 0:46:40.040
<v Speaker 1>like A had a top forty single, people like, oh

0:46:40.120 --> 0:46:43.200
<v Speaker 1>my gosh, you're huge. But yeah, I know you're shooting

0:46:43.239 --> 0:46:45.040
<v Speaker 1>for that number one or top ten or whatever it

0:46:45.120 --> 0:46:48.399
<v Speaker 1>is or whatever it is. Yeah, So this song comes

0:46:48.440 --> 0:46:52.759
<v Speaker 1>out when they call you and say, all right, this

0:46:52.840 --> 0:46:55.879
<v Speaker 1>song is dead. We're not pushing it anymore. Who makes

0:46:55.920 --> 0:46:59.960
<v Speaker 1>that call to you? Our management talk to us about it, like,

0:47:00.000 --> 0:47:03.799
<v Speaker 1>and it was do you know what's coming? Yes? In

0:47:03.840 --> 0:47:07.960
<v Speaker 1>a way, I mean, you wanted to do well, and

0:47:08.040 --> 0:47:10.920
<v Speaker 1>obviously you have. Like I remember, it's funny because we

0:47:10.920 --> 0:47:13.200
<v Speaker 1>we were learning all this last year. I mean a

0:47:13.320 --> 0:47:15.480
<v Speaker 1>year ago, I wouldn't be able to talk about radio

0:47:15.600 --> 0:47:17.920
<v Speaker 1>the way I could talk about it now. Charts and

0:47:17.960 --> 0:47:19.880
<v Speaker 1>all that stuff. I knew what they were and you hear,

0:47:19.920 --> 0:47:21.440
<v Speaker 1>like number one. I don't know, but how do you

0:47:21.440 --> 0:47:23.800
<v Speaker 1>get a number one? I just I'm just putting out music.

0:47:24.440 --> 0:47:26.759
<v Speaker 1>And you know, when you talk to your radio rep check,

0:47:26.880 --> 0:47:29.160
<v Speaker 1>what's your like, what's your goal for this song? Like?

0:47:29.200 --> 0:47:31.680
<v Speaker 1>Where do you there? Like number one? You're like, wait,

0:47:31.719 --> 0:47:34.040
<v Speaker 1>a number and you realize there's the standard is the

0:47:34.160 --> 0:47:36.600
<v Speaker 1>number one? That's and if it's not number one? So

0:47:36.719 --> 0:47:40.200
<v Speaker 1>that was interesting for us to learn. But in our

0:47:40.239 --> 0:47:46.239
<v Speaker 1>mindset releasing a single, we wanted it to reflect who

0:47:46.239 --> 0:47:48.000
<v Speaker 1>we are. We wanted to have you height to think

0:47:48.040 --> 0:47:49.759
<v Speaker 1>you're about to be a number one artist? Did did they?

0:47:49.840 --> 0:47:51.680
<v Speaker 1>Did they have it in your head like you're gonna

0:47:51.680 --> 0:47:53.560
<v Speaker 1>be a numb one artists? Trust us on this and

0:47:53.600 --> 0:47:55.480
<v Speaker 1>you were like and you're like whoa And they were like, oh,

0:47:56.200 --> 0:48:00.600
<v Speaker 1>it didn't make it. If they did, we weren't hyped.

0:48:00.640 --> 0:48:02.759
<v Speaker 1>If they did. I think that their job is to

0:48:02.920 --> 0:48:05.040
<v Speaker 1>be hyped into into work like it's got to be

0:48:05.120 --> 0:48:08.160
<v Speaker 1>number one. We're just looking at is all right, you

0:48:08.200 --> 0:48:10.160
<v Speaker 1>guys are gonna work the song. We're gonna play it,

0:48:10.239 --> 0:48:12.319
<v Speaker 1>and we believe in the song and we're happy it's

0:48:12.360 --> 0:48:13.960
<v Speaker 1>out there. If you're honest right now, I don't know.

0:48:14.080 --> 0:48:15.759
<v Speaker 1>I most of I wouldn't believe that answer, but I

0:48:15.800 --> 0:48:17.959
<v Speaker 1>feel like you're being honest right now about this. Yeah.

0:48:18.239 --> 0:48:21.319
<v Speaker 1>I mean, it's just weird. It just all happened like

0:48:21.400 --> 0:48:23.399
<v Speaker 1>last year the song was just happy it's your first single.

0:48:23.640 --> 0:48:25.000
<v Speaker 1>I don't even know what a radio tour is a

0:48:25.080 --> 0:48:26.640
<v Speaker 1>year ago, and then you're on radio tour, you what

0:48:26.680 --> 0:48:28.239
<v Speaker 1>you made, you on radio stations and playing in front

0:48:28.239 --> 0:48:31.640
<v Speaker 1>of programming recordar right, and so we were you're doing

0:48:31.640 --> 0:48:34.799
<v Speaker 1>all that. So we're honestly just trying to get through.

0:48:34.880 --> 0:48:36.680
<v Speaker 1>And we were also were touring a lot last year.

0:48:36.719 --> 0:48:38.520
<v Speaker 1>So we're playing shows. So if they're like, hey, you

0:48:38.560 --> 0:48:40.719
<v Speaker 1>moved up the spot, where like great, we gotta go

0:48:40.760 --> 0:48:43.560
<v Speaker 1>on stage and play like be honest with Me was

0:48:44.200 --> 0:48:48.160
<v Speaker 1>long lived tonight in your mind? I failure? Yes or no?

0:48:48.160 --> 0:48:54.879
<v Speaker 1>No it was not because was it a success? Yes,

0:48:55.080 --> 0:48:56.959
<v Speaker 1>the way that I would look at it. I really

0:48:56.960 --> 0:49:00.839
<v Speaker 1>think it was a success because, first of all, when

0:49:00.840 --> 0:49:03.720
<v Speaker 1>we're looking at our first single, we're wanting an accurate

0:49:03.719 --> 0:49:06.600
<v Speaker 1>representation of us. Who is land Co? What is land Co?

0:49:06.800 --> 0:49:09.640
<v Speaker 1>What's the vibe, what's the style like? And when you're

0:49:09.640 --> 0:49:12.360
<v Speaker 1>looking at a year that's an election year, you're looking

0:49:12.400 --> 0:49:14.399
<v Speaker 1>at all the stuff that's going on, You're looking at

0:49:14.440 --> 0:49:17.160
<v Speaker 1>people in social media and all the distractions that are

0:49:17.200 --> 0:49:20.360
<v Speaker 1>around us. I wanted a song that came out first

0:49:20.360 --> 0:49:23.920
<v Speaker 1>that accurately represented who we are, both musically and lyrically.

0:49:24.600 --> 0:49:26.480
<v Speaker 1>And also we're gonna play a lot of live shows,

0:49:26.520 --> 0:49:28.879
<v Speaker 1>we're playing festivals. I wanted an anthemic song that people

0:49:28.920 --> 0:49:31.120
<v Speaker 1>could rally around because ultimately that's what we want Landco

0:49:31.200 --> 0:49:34.040
<v Speaker 1>to be. So to have a song that goes out there,

0:49:34.120 --> 0:49:36.319
<v Speaker 1>and I mean it had you know, it got up

0:49:36.360 --> 0:49:39.759
<v Speaker 1>to I think near eighteen million streams on Spotify, So

0:49:41.320 --> 0:49:45.960
<v Speaker 1>that's very playlisted. It is playlisted, not to hate on

0:49:46.000 --> 0:49:49.120
<v Speaker 1>your no and there, I mean there there are instances

0:49:49.120 --> 0:49:51.160
<v Speaker 1>where you look, I've looked. It's funny because I'll look

0:49:51.200 --> 0:49:53.400
<v Speaker 1>at playlisting and I'll look at an artist that had

0:49:53.520 --> 0:49:55.920
<v Speaker 1>number one and they'll have like seven million streams and

0:49:55.960 --> 0:49:59.000
<v Speaker 1>be on the playlist, and then we're in the thirties

0:49:59.080 --> 0:50:02.640
<v Speaker 1>and have eight million And although there is playlisting, at

0:50:02.640 --> 0:50:04.799
<v Speaker 1>the end of the day, for me, it's not about like, oh,

0:50:04.840 --> 0:50:07.520
<v Speaker 1>eighteen million went and loved our song. That means it

0:50:07.600 --> 0:50:11.480
<v Speaker 1>was played eighteen million times, which means that that message

0:50:11.480 --> 0:50:13.399
<v Speaker 1>that we cared about and we wanted people to hear

0:50:13.760 --> 0:50:15.480
<v Speaker 1>it got out there. And you know what, getting in

0:50:15.520 --> 0:50:17.840
<v Speaker 1>the thirties, people heard it on the radio. When we

0:50:17.880 --> 0:50:20.040
<v Speaker 1>played these festivals, people are singing it. You know, if

0:50:20.080 --> 0:50:22.880
<v Speaker 1>we play a club show, a couple hundred people come

0:50:22.880 --> 0:50:25.520
<v Speaker 1>out there singing the song. So for us to have

0:50:25.560 --> 0:50:27.920
<v Speaker 1>a first year on the road, first single at radio,

0:50:28.440 --> 0:50:30.960
<v Speaker 1>we had never in our lives had people sing a

0:50:31.080 --> 0:50:34.480
<v Speaker 1>song with us. We're just trying someone knows something that

0:50:34.640 --> 0:50:38.120
<v Speaker 1>you yeah, and and so for us to know that

0:50:38.160 --> 0:50:40.000
<v Speaker 1>a year ago, no one could sing one word of

0:50:40.040 --> 0:50:44.120
<v Speaker 1>a song unless we're playing Sweet Caroline or Sweet Caroline. Dude.

0:50:44.239 --> 0:50:47.239
<v Speaker 1>Once again, once again, if I wrote that song, we

0:50:47.320 --> 0:50:49.880
<v Speaker 1>once again we beat my house in in my and

0:50:50.120 --> 0:50:52.760
<v Speaker 1>on the top of the hill. Um yet John Richards

0:50:52.800 --> 0:50:56.440
<v Speaker 1>House right exactly, but we uh so it was of us,

0:50:56.560 --> 0:50:59.080
<v Speaker 1>so you it was not a failure to you know,

0:50:59.200 --> 0:51:01.400
<v Speaker 1>it was a lot of time. It's not a failure.

0:51:01.400 --> 0:51:03.640
<v Speaker 1>It was not a failure. That's because most first thing goes.

0:51:03.960 --> 0:51:07.560
<v Speaker 1>I don't even get the thirties right right. I was

0:51:07.040 --> 0:51:09.759
<v Speaker 1>gonna gonna pressure hard on that, and whatever you said

0:51:09.760 --> 0:51:12.360
<v Speaker 1>to the truth, everybody has their own truth. I just

0:51:12.440 --> 0:51:14.960
<v Speaker 1>don't think. I don't think if you're really an artist

0:51:15.000 --> 0:51:17.040
<v Speaker 1>and you care about your art and you care about

0:51:17.080 --> 0:51:20.080
<v Speaker 1>your songs, yes you wanted to be successful in the charts,

0:51:20.719 --> 0:51:23.480
<v Speaker 1>but that can't be the measure. That's that can't be

0:51:23.520 --> 0:51:26.280
<v Speaker 1>the way that you measure whether the song was successful

0:51:26.360 --> 0:51:29.000
<v Speaker 1>or not, because you gotta eat. Okay, if you're talking

0:51:29.040 --> 0:51:31.879
<v Speaker 1>about like monetary, like did it buy me as many

0:51:32.120 --> 0:51:34.880
<v Speaker 1>meals at a restaurant as a number? One? Would have? No,

0:51:34.960 --> 0:51:37.800
<v Speaker 1>it did not. But did people hear it? Did it?

0:51:38.000 --> 0:51:39.520
<v Speaker 1>I mean we would have. I've had people after the

0:51:39.520 --> 0:51:40.919
<v Speaker 1>show come up and be like, when you started playing

0:51:40.960 --> 0:51:43.920
<v Speaker 1>Long Live Tonight, my friend I started crying because we're

0:51:43.920 --> 0:51:47.439
<v Speaker 1>graduating college and that's been our college anthem. That one

0:51:47.560 --> 0:51:50.879
<v Speaker 1>story right there, the songs of success. I mean, as

0:51:50.920 --> 0:51:53.880
<v Speaker 1>an artist, you're very much an artist. I feel like

0:51:53.920 --> 0:51:57.160
<v Speaker 1>you could just go and write songs and be an

0:51:57.239 --> 0:51:59.120
<v Speaker 1>artist to be cool and happy. And I didn't believe

0:51:59.120 --> 0:52:03.279
<v Speaker 1>that at first. I too, you're too pretty. I was like, okay, well,

0:52:03.920 --> 0:52:07.560
<v Speaker 1>trust me, I've been writing songs and not having any

0:52:07.600 --> 0:52:09.960
<v Speaker 1>success at all for a long time and been happy.

0:52:10.040 --> 0:52:12.200
<v Speaker 1>So it's at this point in life it's kind of

0:52:12.480 --> 0:52:14.880
<v Speaker 1>I hope to always keep that. But and trust me,

0:52:14.920 --> 0:52:17.239
<v Speaker 1>I want success. I want if you have a number one,

0:52:17.280 --> 0:52:20.719
<v Speaker 1>that means way more people have heard it and you're impacting.

0:52:20.760 --> 0:52:23.520
<v Speaker 1>But to me, even the number one just means more

0:52:23.640 --> 0:52:26.600
<v Speaker 1>people are hearing it, so more people have the chance

0:52:26.719 --> 0:52:28.799
<v Speaker 1>to understand you and know you and then come out

0:52:28.840 --> 0:52:30.239
<v Speaker 1>to a show and then you get to give them

0:52:30.239 --> 0:52:32.560
<v Speaker 1>the full thing. So that that's kind of the way

0:52:32.600 --> 0:52:36.520
<v Speaker 1>that I I look at it. Very interesting. Let me

0:52:36.560 --> 0:52:39.120
<v Speaker 1>read about bue Apron you have boy afriend I did not.

0:52:39.400 --> 0:52:42.040
<v Speaker 1>I not kidding. I've listened. I listened to a few

0:52:42.080 --> 0:52:45.240
<v Speaker 1>year podcast and heard you talk about it and almost

0:52:45.239 --> 0:52:47.000
<v Speaker 1>got it from my parents and my kitchen right now too,

0:52:47.040 --> 0:52:49.319
<v Speaker 1>Like if you walk on my kitchen, I saw, like,

0:52:49.360 --> 0:52:51.120
<v Speaker 1>literally it's in there. You're not lying, I have I'm

0:52:51.160 --> 0:52:53.520
<v Speaker 1>not lying because they sent it in a box. It

0:52:53.600 --> 0:52:55.879
<v Speaker 1>comes and all the ingredients are there and you could

0:52:55.920 --> 0:52:58.440
<v Speaker 1>like cook for your Do you love your girlfriend not?

0:52:58.520 --> 0:53:01.640
<v Speaker 1>You've been together six Let's maybe it's religion. I don't know.

0:53:01.680 --> 0:53:04.520
<v Speaker 1>I don't know the deal to do you bet together

0:53:04.600 --> 0:53:06.759
<v Speaker 1>six years? Yes, I still talking about boy aprim but

0:53:06.760 --> 0:53:11.880
<v Speaker 1>I'm post you've been together six years. She's got to

0:53:11.960 --> 0:53:14.279
<v Speaker 1>be kind of pushing you a bit, like, oh, yeah,

0:53:14.400 --> 0:53:16.560
<v Speaker 1>we we have to we have the talks about making

0:53:16.719 --> 0:53:19.200
<v Speaker 1>We've definitely not just talks. We've had very serious talks

0:53:19.200 --> 0:53:21.759
<v Speaker 1>about that next stage in our relationship because we're not

0:53:21.800 --> 0:53:23.759
<v Speaker 1>We both wanted it was a thing where too, when

0:53:23.800 --> 0:53:26.640
<v Speaker 1>you're an artist, I don't think that I could afford

0:53:26.680 --> 0:53:29.880
<v Speaker 1>to live in a shoe box with my girlfriend up

0:53:29.920 --> 0:53:32.400
<v Speaker 1>until even a year ago. So now it's just like okay,

0:53:33.560 --> 0:53:35.479
<v Speaker 1>I mean, yeah, she's a teacher, she's a good job,

0:53:35.560 --> 0:53:38.560
<v Speaker 1>but it's so yeah, it's you know, my life has

0:53:38.640 --> 0:53:40.279
<v Speaker 1>changed the past year year and a half, which means

0:53:40.280 --> 0:53:42.919
<v Speaker 1>that we could have more talks. I'm like, I lived

0:53:42.960 --> 0:53:45.520
<v Speaker 1>with my parents for like two years here because I

0:53:45.560 --> 0:53:48.359
<v Speaker 1>was making no money from music, and so when you're

0:53:48.360 --> 0:53:53.040
<v Speaker 1>like living with your parents and and what I hope

0:53:53.080 --> 0:53:57.600
<v Speaker 1>so what okay, and I hope it works out. I've

0:53:57.640 --> 0:53:59.520
<v Speaker 1>never bet it right. I'm sure it will. It will

0:54:00.239 --> 0:54:02.840
<v Speaker 1>to deal with someone who and I felt like in

0:54:02.840 --> 0:54:04.360
<v Speaker 1>the last hour of us talking, I can tell that

0:54:04.400 --> 0:54:10.399
<v Speaker 1>you're you're an artist person. There are there are performers,

0:54:10.840 --> 0:54:13.480
<v Speaker 1>there are artists, there are musicians, and they're all the same,

0:54:13.520 --> 0:54:16.759
<v Speaker 1>but they're really not. An artist likes a full representation

0:54:16.800 --> 0:54:21.160
<v Speaker 1>of them and they don't really focus on the accolades

0:54:21.239 --> 0:54:23.600
<v Speaker 1>that come with it. They just want that product to

0:54:23.640 --> 0:54:26.560
<v Speaker 1>be pure because it makes them feel pure. That's what

0:54:26.640 --> 0:54:29.560
<v Speaker 1>I felt from you. Through talking to you. Would just

0:54:29.560 --> 0:54:32.560
<v Speaker 1>said that's accurate. That is accurate, and too it's trust me.

0:54:32.640 --> 0:54:35.360
<v Speaker 1>I want I want lots of people to know about Lanco.

0:54:35.520 --> 0:54:37.719
<v Speaker 1>I want Lando to be absolutely huge. I would love

0:54:37.760 --> 0:54:40.800
<v Speaker 1>to be a huge success, but if that's going to happen,

0:54:41.120 --> 0:54:43.200
<v Speaker 1>I want everyone to be on the same page. I

0:54:43.200 --> 0:54:45.279
<v Speaker 1>want the fans. If you have fans of audience, you

0:54:45.320 --> 0:54:47.400
<v Speaker 1>want them. You want to feel like you all have

0:54:47.440 --> 0:54:50.680
<v Speaker 1>a common thread, which is this music. And so I

0:54:50.719 --> 0:54:54.000
<v Speaker 1>absolutely I want huge things for Lanco. I literally want

0:54:54.000 --> 0:54:56.400
<v Speaker 1>to be the biggest band there is in country music.

0:54:57.040 --> 0:54:59.440
<v Speaker 1>But if it's going to happen, I wanted to happen.

0:55:00.239 --> 0:55:01.320
<v Speaker 1>I want to be able to sleep and not I

0:55:01.440 --> 0:55:02.480
<v Speaker 1>want all of us be able to sleep in I

0:55:02.560 --> 0:55:05.520
<v Speaker 1>and be like, we're proud of this. Well, speaking of

0:55:05.560 --> 0:55:09.160
<v Speaker 1>Blue Apron, not all ingredients are created equal. And that's

0:55:09.200 --> 0:55:10.680
<v Speaker 1>why Blue Apron is awesome because I send you all

0:55:10.680 --> 0:55:14.360
<v Speaker 1>the ingredients are fresh ingredients. It's affordable, there's variety, it's flexible,

0:55:14.480 --> 0:55:17.560
<v Speaker 1>it's easy, it's guaranteed. And they come and you can

0:55:17.560 --> 0:55:19.120
<v Speaker 1>make you cook your own meals and it's all pretty

0:55:19.120 --> 0:55:21.880
<v Speaker 1>portioned out. And you make crazy stuff too that you

0:55:21.880 --> 0:55:24.279
<v Speaker 1>would never make because they have these great recipes and

0:55:24.680 --> 0:55:27.880
<v Speaker 1>ten dollars per person per meal. And I don't just

0:55:27.920 --> 0:55:30.319
<v Speaker 1>talk about it like literally and I didn't. I don't

0:55:30.360 --> 0:55:31.680
<v Speaker 1>put it there because you came over it. It It was

0:55:31.719 --> 0:55:33.520
<v Speaker 1>just thereca. It just came in the mail. It comes

0:55:33.520 --> 0:55:36.000
<v Speaker 1>to the box, and um, you know, you cook it

0:55:36.080 --> 0:55:38.040
<v Speaker 1>and you're like you can trick your girl to and

0:55:38.080 --> 0:55:39.560
<v Speaker 1>be like hey when you come home, like I want

0:55:39.560 --> 0:55:44.799
<v Speaker 1>gonna cook. She has no idea what so uh, first

0:55:44.840 --> 0:55:46.719
<v Speaker 1>three mills are free right now if you go blue

0:55:46.760 --> 0:55:50.000
<v Speaker 1>Apron dot com slash bones, Blue Apron dot com slash bones,

0:55:50.160 --> 0:55:51.960
<v Speaker 1>Blue Apron A Better way to cook? Do you listen

0:55:51.960 --> 0:55:53.040
<v Speaker 1>to some of these are one or two of these

0:55:53.040 --> 0:55:56.680
<v Speaker 1>before you come over? Yeah, who'd you hear? Ryan heard? Yeah?

0:55:56.719 --> 0:55:58.640
<v Speaker 1>Those are the people I know. So I know Ryan,

0:55:58.800 --> 0:56:00.799
<v Speaker 1>so listen to his right. Are a lot of light

0:56:00.880 --> 0:56:05.520
<v Speaker 1>dude in the approach of just like I just want

0:56:06.160 --> 0:56:11.640
<v Speaker 1>my good next to be in the environment I want

0:56:11.640 --> 0:56:13.320
<v Speaker 1>to do the bet and Ryan are a lot of

0:56:13.400 --> 0:56:16.360
<v Speaker 1>like in that way. You look alike like I'm telling

0:56:16.400 --> 0:56:18.319
<v Speaker 1>you looking at you, I'm like, look at this little

0:56:18.320 --> 0:56:22.239
<v Speaker 1>pretty boy. Come on, you gonna talk about some girls.

0:56:22.880 --> 0:56:24.680
<v Speaker 1>I need to grow my hair out, and kind of

0:56:24.840 --> 0:56:30.440
<v Speaker 1>jesus Us. Ryan looks like you know Jesus, And it's

0:56:30.440 --> 0:56:32.120
<v Speaker 1>a good Ryan's a good Brian's a good one. Who

0:56:32.120 --> 0:56:36.120
<v Speaker 1>about you here? Hid In Preston from Local, which that's

0:56:36.120 --> 0:56:38.040
<v Speaker 1>a good dude. I literally Trip and I listened to

0:56:38.120 --> 0:56:39.840
<v Speaker 1>and Trip text him and I got a text h

0:56:39.880 --> 0:56:42.160
<v Speaker 1>because I I did not know their story. I thought

0:56:42.160 --> 0:56:44.719
<v Speaker 1>it was so cool to hear just how hard talk

0:56:44.760 --> 0:56:47.640
<v Speaker 1>about working hard and sticking with it and and uh

0:56:48.040 --> 0:56:49.759
<v Speaker 1>believing what you're doing enough to stay with it that

0:56:49.840 --> 0:56:52.480
<v Speaker 1>long through all the hardships. I was really inspired by it.

0:56:52.680 --> 0:56:56.680
<v Speaker 1>Success is not about getting it right. Success is about

0:56:57.960 --> 0:57:01.919
<v Speaker 1>continuing after you get it wrong. M Yeah, that's it,

0:57:02.480 --> 0:57:04.920
<v Speaker 1>because you're gonna get it wrong five hundred breaking times,

0:57:05.840 --> 0:57:07.799
<v Speaker 1>and every time you get it wrong, you learn a

0:57:07.800 --> 0:57:11.319
<v Speaker 1>little something else until you learn just enough to get

0:57:11.360 --> 0:57:13.520
<v Speaker 1>it right. And do you have the ability do you

0:57:13.520 --> 0:57:16.960
<v Speaker 1>have the fortitude to continue hanging through all the misses

0:57:17.760 --> 0:57:21.680
<v Speaker 1>to collect all of this knowledge and experience and then

0:57:22.160 --> 0:57:25.160
<v Speaker 1>put out American Love Story? Because that's what's gonna happen

0:57:25.160 --> 0:57:27.200
<v Speaker 1>to my friend. I'm telling you, I got a little

0:57:27.200 --> 0:57:30.360
<v Speaker 1>thing called the ear right in my air. Likes American

0:57:30.400 --> 0:57:33.640
<v Speaker 1>Love Story. I think it's a good thing. It's a

0:57:33.640 --> 0:57:35.920
<v Speaker 1>good song for you guys, like the whole thing, like

0:57:35.960 --> 0:57:39.680
<v Speaker 1>the song for radio, for the whole I hope. So

0:57:39.720 --> 0:57:42.080
<v Speaker 1>because I'm excited about it. Tis a long long time

0:57:42.160 --> 0:57:44.520
<v Speaker 1>is fine? I mean, liss none play it. I was like, yeah,

0:57:44.520 --> 0:57:46.760
<v Speaker 1>it's fine. I like you guys, and I thought you

0:57:46.760 --> 0:57:48.440
<v Speaker 1>guys were good and I and I told you guys that.

0:57:48.480 --> 0:57:51.160
<v Speaker 1>I was like, hey, you guys are good. I gott

0:57:51.160 --> 0:57:52.960
<v Speaker 1>watch you playing, like, Hey, it's really good. Not that

0:57:53.000 --> 0:57:55.520
<v Speaker 1>long love times? Fine? Yeah, American love Story. And I

0:57:55.520 --> 0:57:57.520
<v Speaker 1>wouldn't lie, I wouldn't be it. Why don't I care? Yeah,

0:57:57.640 --> 0:57:59.240
<v Speaker 1>we well we just warmed you up then for American

0:57:59.320 --> 0:58:08.560
<v Speaker 1>Lives Stay here. So what's the deal? Now you're out

0:58:08.600 --> 0:58:11.360
<v Speaker 1>back back up planned tomorrow, you're back out in New

0:58:11.520 --> 0:58:17.120
<v Speaker 1>Orleans with brothers Osborne Man. Well, is that American Lotores?

0:58:17.320 --> 0:58:18.520
<v Speaker 1>Is that gonna be the radio It's gonna be the

0:58:18.520 --> 0:58:20.880
<v Speaker 1>next radio song, right, Yeah, it's the next single. Did

0:58:20.920 --> 0:58:22.760
<v Speaker 1>I know that? Or did I just hope that? I

0:58:22.800 --> 0:58:24.640
<v Speaker 1>don't even know that I knew that. I think you

0:58:24.720 --> 0:58:29.000
<v Speaker 1>hope that along with everyone else maybe, and so, but

0:58:29.080 --> 0:58:31.760
<v Speaker 1>it is, it's it was decide. I mean, it's we've

0:58:31.760 --> 0:58:34.160
<v Speaker 1>all been wanting that and pushing for that for a

0:58:34.160 --> 0:58:36.240
<v Speaker 1>long time. It's not the single right now, there's not that.

0:58:36.240 --> 0:58:37.520
<v Speaker 1>You don't have a single right now? Do you know?

0:58:37.520 --> 0:58:39.600
<v Speaker 1>We haven't had an AD date yet for so I

0:58:39.640 --> 0:58:42.240
<v Speaker 1>think I was just hoping it. Well, your hopes came

0:58:42.240 --> 0:58:46.040
<v Speaker 1>true just for you. I'm a fan. I'm a fan

0:58:46.080 --> 0:58:48.960
<v Speaker 1>of UM and you guys are good, Thank you very much, man.

0:58:49.240 --> 0:58:51.840
<v Speaker 1>And so in the land of a lot of good

0:58:51.840 --> 0:58:53.520
<v Speaker 1>stuff you get you know when you're a band and

0:58:53.520 --> 0:58:59.919
<v Speaker 1>it's rare now you know, UM not a lot of bands. Yeah, yeah,

0:59:00.000 --> 0:59:02.439
<v Speaker 1>and it's trust me. I'm I'm honored to being a band.

0:59:02.480 --> 0:59:04.880
<v Speaker 1>I'm really happy that I'm in a band because it's

0:59:04.920 --> 0:59:08.200
<v Speaker 1>such a different dynamic and it's such a cool dynamic,

0:59:08.320 --> 0:59:10.320
<v Speaker 1>and it's it's and it's a cool dynamic to bring

0:59:10.360 --> 0:59:12.520
<v Speaker 1>to country music. That You're right, there's not a lot

0:59:12.560 --> 0:59:15.240
<v Speaker 1>of so I'm I'm proud of being a band. Every

0:59:15.280 --> 0:59:20.880
<v Speaker 1>fifth fought with anyone in the band. No, we there's

0:59:20.880 --> 0:59:25.160
<v Speaker 1>been a some definite you know, confrontations that needs to

0:59:25.200 --> 0:59:28.080
<v Speaker 1>be though. Yeah, it's a relation. It's like a marriage, absolutely,

0:59:28.120 --> 0:59:30.520
<v Speaker 1>and that's I think, you know, we actually there was

0:59:30.520 --> 0:59:32.720
<v Speaker 1>a time. It's funny, Yeah, you got the infatuation stage.

0:59:32.880 --> 0:59:34.480
<v Speaker 1>Then you go to that stage where everyone's getting on

0:59:34.480 --> 0:59:37.560
<v Speaker 1>your nerves. And when you work through that and you

0:59:37.640 --> 0:59:40.680
<v Speaker 1>learn how what kind of how everyone ticks and what

0:59:40.720 --> 0:59:43.480
<v Speaker 1>everyone's strengths and weaknesses are, then you kind of learned

0:59:43.520 --> 0:59:46.200
<v Speaker 1>what buttons not to push. And and if someone says

0:59:46.280 --> 0:59:48.640
<v Speaker 1>something that maybe a few years ago you would have

0:59:48.640 --> 0:59:50.440
<v Speaker 1>like reacted to and picked a fight, you're like, you know,

0:59:50.880 --> 0:59:52.640
<v Speaker 1>that's just the way, that's how he said, that's how

0:59:52.680 --> 0:59:54.920
<v Speaker 1>he handles that. Or or if someone handles the situation

0:59:54.920 --> 0:59:56.760
<v Speaker 1>a certain way that you do not agree with or

0:59:56.800 --> 0:59:59.600
<v Speaker 1>you would not do it that way, you kind of

0:59:59.800 --> 1:00:03.160
<v Speaker 1>und sstandable. That's how they are, and you come to

1:00:03.280 --> 1:00:05.600
<v Speaker 1>terms with that. I think that also there was strength

1:00:05.640 --> 1:00:07.560
<v Speaker 1>we have and one reason that five guys we could

1:00:07.600 --> 1:00:10.080
<v Speaker 1>stick together for so long. We do all have very

1:00:10.080 --> 1:00:14.200
<v Speaker 1>different personalities we have, I mean, all five of us.

1:00:15.000 --> 1:00:17.040
<v Speaker 1>If they were all guys like me, I think we

1:00:17.040 --> 1:00:19.360
<v Speaker 1>would kill each other. If they were all guys like Trip. Yeah,

1:00:19.360 --> 1:00:21.400
<v Speaker 1>if they're all guys like Chandler, I don't know if

1:00:21.440 --> 1:00:23.880
<v Speaker 1>they would kill each other. They might just like never

1:00:23.920 --> 1:00:25.840
<v Speaker 1>talk to each other. He's the quiet, passive one. Have

1:00:25.960 --> 1:00:30.000
<v Speaker 1>you seen all four of the other guys naked? Uh?

1:00:30.160 --> 1:00:32.440
<v Speaker 1>Like totally naked? It's just me, I'm sure naked. Have

1:00:32.440 --> 1:00:36.520
<v Speaker 1>you seen all of their genitalia? I don't think so.

1:00:36.920 --> 1:00:42.720
<v Speaker 1>Who'd gonna tell you? Have you not seen? Uh? Jared

1:00:43.160 --> 1:00:44.920
<v Speaker 1>work on that and Eric s you I'll work on

1:00:44.920 --> 1:00:47.880
<v Speaker 1>that tonight. Actually, just I'm just saying, you know, we're

1:00:47.880 --> 1:00:52.400
<v Speaker 1>on the wether a lot. I've seen. That's balls as

1:00:52.440 --> 1:00:54.200
<v Speaker 1>part of it. You're just in a close starry You're

1:00:54.240 --> 1:00:57.720
<v Speaker 1>just in places you're tight and changing. See, we like

1:00:57.800 --> 1:01:01.240
<v Speaker 1>to keep some mystery. That's a thing, like you know, Yeah,

1:01:01.280 --> 1:01:03.120
<v Speaker 1>we don't want to We're gonna be together long time,

1:01:03.120 --> 1:01:04.160
<v Speaker 1>so we don't want to give it all the way

1:01:04.200 --> 1:01:08.600
<v Speaker 1>too early. That funny. Well, listen, good luck to you guys. Man,

1:01:08.680 --> 1:01:11.280
<v Speaker 1>I appreciate you coming by the house. Thank you. Thanks

1:01:11.280 --> 1:01:13.320
<v Speaker 1>for having me. Man. Look, we kind of know each other,

1:01:13.360 --> 1:01:16.880
<v Speaker 1>but not well enough to where like I'm pretty much

1:01:16.880 --> 1:01:18.600
<v Speaker 1>a stranger coming over to your house. So thank you

1:01:18.600 --> 1:01:20.920
<v Speaker 1>for inviting me, because I did peek in your bedroom

1:01:20.960 --> 1:01:24.240
<v Speaker 1>and I could be totally crazy. Still anything wrong. You've

1:01:24.240 --> 1:01:27.000
<v Speaker 1>got some nice guitars, I mean like they're tempting. You

1:01:27.040 --> 1:01:30.920
<v Speaker 1>do have nice guitars. Man. Thanks, I've been I've been lucky.

1:01:31.040 --> 1:01:35.200
<v Speaker 1>I've you know, I've got some cool, some cool signed ones. Yeah.

1:01:35.240 --> 1:01:37.280
<v Speaker 1>You're left handed though, and have some cool ones that

1:01:37.320 --> 1:01:40.200
<v Speaker 1>I pull. Yeah. It's what sucks for me is I'm

1:01:40.280 --> 1:01:43.440
<v Speaker 1>left handed and I can't play anybody else's guitar. And

1:01:43.480 --> 1:01:45.440
<v Speaker 1>that sucks because if I'm like, hey, I want to

1:01:45.440 --> 1:01:49.000
<v Speaker 1>play something, I can't. Yeah, But what sucks for everybody

1:01:49.000 --> 1:01:50.960
<v Speaker 1>else has they come over and I don't have any

1:01:51.040 --> 1:01:53.360
<v Speaker 1>right hand of guitars. Yeah, I sund like guitar downstairs

1:01:53.360 --> 1:01:55.800
<v Speaker 1>about picking up. I was like, oh, never mind, it's

1:01:55.880 --> 1:01:58.680
<v Speaker 1>it's they're wrong. Yeah, so yeah, you know, I mean,

1:02:00.160 --> 1:02:05.240
<v Speaker 1>who who else plays left handed? Uh? Hendrick? But he

1:02:05.480 --> 1:02:09.760
<v Speaker 1>played the Stranger still flipped. Yeah, so um, Maddie and

1:02:09.760 --> 1:02:16.160
<v Speaker 1>Tay Tay plays left handed, Chase Bryant plays left handed?

1:02:18.240 --> 1:02:22.840
<v Speaker 1>Who else? Might you say, Kurt, We're very similar, curtain,

1:02:22.880 --> 1:02:25.840
<v Speaker 1>I are, yeah, pretty much the same thing. Does Paul

1:02:25.880 --> 1:02:28.560
<v Speaker 1>McCartney played the bass left hand? He'd right? He does

1:02:28.800 --> 1:02:30.200
<v Speaker 1>you ever read? You ever see it like and read?

1:02:30.720 --> 1:02:32.360
<v Speaker 1>I don't know what kind of music you like? Like

1:02:32.960 --> 1:02:37.360
<v Speaker 1>just you? Um, but you ever like the study the

1:02:37.360 --> 1:02:38.919
<v Speaker 1>Beatles and now they would have played like six hours

1:02:38.920 --> 1:02:42.160
<v Speaker 1>a night in Germany. Oh yeah, yeah, they would play

1:02:42.200 --> 1:02:45.360
<v Speaker 1>for hours night. I saw one thing where this manager

1:02:45.400 --> 1:02:48.280
<v Speaker 1>came out early on to see them play and passed

1:02:48.320 --> 1:02:49.800
<v Speaker 1>on him. He's either manager or someone that wanted to

1:02:49.840 --> 1:02:52.080
<v Speaker 1>sign them and passed on him because he was like,

1:02:52.240 --> 1:02:54.720
<v Speaker 1>this whole electric guitar thing is a phase and big

1:02:54.720 --> 1:02:57.280
<v Speaker 1>band music is a coming back. And it's like, man

1:02:57.320 --> 1:02:59.080
<v Speaker 1>to be that guy and think you missed out on

1:02:59.120 --> 1:03:02.480
<v Speaker 1>the Beatles. You know, everybody though, the biggest act were

1:03:02.480 --> 1:03:06.640
<v Speaker 1>all passed on at some point, and it's Luke was

1:03:06.680 --> 1:03:09.200
<v Speaker 1>passed on. I mean everybody everybody was paying. Everybody had

1:03:09.200 --> 1:03:12.560
<v Speaker 1>failed singles like Yeah, I've talked to Luke many times,

1:03:12.560 --> 1:03:15.320
<v Speaker 1>even off the year, Um, Luke and I are friendly.

1:03:15.320 --> 1:03:17.080
<v Speaker 1>Off there would say it's a friend, but we're friendly.

1:03:17.080 --> 1:03:18.720
<v Speaker 1>There's there are stages with me. I try to stay

1:03:18.760 --> 1:03:21.320
<v Speaker 1>away from artists like personal so I can be objective

1:03:21.360 --> 1:03:23.840
<v Speaker 1>and say things like long list to Night was just fine. Yeah,

1:03:24.440 --> 1:03:26.320
<v Speaker 1>you know it well, No matter what, I still want

1:03:26.320 --> 1:03:28.560
<v Speaker 1>you to say that if a song is fine, I

1:03:28.600 --> 1:03:30.600
<v Speaker 1>want you to say, no matter how good friends we become,

1:03:30.840 --> 1:03:32.480
<v Speaker 1>if we have a fine song, please say it's fine,

1:03:32.480 --> 1:03:34.920
<v Speaker 1>because we need honesty. I would just not say anything

1:03:35.200 --> 1:03:37.919
<v Speaker 1>that would be that would be like, no, say it's fine. Man.

1:03:38.240 --> 1:03:41.080
<v Speaker 1>So with if you look at failed singles like crazy,

1:03:41.760 --> 1:03:45.360
<v Speaker 1>like crazy and he and people pass on on Mike Crazy.

1:03:45.800 --> 1:03:48.920
<v Speaker 1>So my point was I have no point. Let's do

1:03:49.000 --> 1:03:53.400
<v Speaker 1>this quickly. Take everyone out of country music from your

1:03:53.440 --> 1:03:56.120
<v Speaker 1>answer that you're not allowed to answer anything country. Okay,

1:03:56.320 --> 1:04:00.680
<v Speaker 1>So three artists that you love that aren't country that

1:04:00.720 --> 1:04:06.120
<v Speaker 1>are alive right now? Who are alive? Um? Do you

1:04:06.160 --> 1:04:11.680
<v Speaker 1>know Jason Isabel with that Countess country? You can say

1:04:11.720 --> 1:04:15.160
<v Speaker 1>whatever you want. There's not a referee here. I would

1:04:15.160 --> 1:04:18.000
<v Speaker 1>say Okay, well you said not countries, but he's kind

1:04:18.000 --> 1:04:21.280
<v Speaker 1>of but he's like in that folk American Mary, I

1:04:21.320 --> 1:04:24.640
<v Speaker 1>would say it's American who love Jason Isabel uh seeing

1:04:24.720 --> 1:04:28.360
<v Speaker 1>him a couple of times. The ryman um Ryan Adams

1:04:29.680 --> 1:04:33.280
<v Speaker 1>uh Art, you're an art, dude, I mean like Ryan

1:04:33.320 --> 1:04:36.040
<v Speaker 1>Adams is pure art. I mean that's that's an art

1:04:36.040 --> 1:04:37.920
<v Speaker 1>and you love them or you're you don't get it,

1:04:38.960 --> 1:04:41.240
<v Speaker 1>and sometimes I don't. Sometimes I don't get Ryan Adams,

1:04:41.240 --> 1:04:43.480
<v Speaker 1>but sometimes I love it. Yeah, and then that's that's

1:04:43.480 --> 1:04:45.240
<v Speaker 1>the thing with me. It's like as long as even

1:04:45.240 --> 1:04:47.280
<v Speaker 1>with artists like that, there are things I don't get either,

1:04:47.680 --> 1:04:51.320
<v Speaker 1>but you're more forgiving when you really love them as

1:04:51.320 --> 1:04:53.640
<v Speaker 1>an artist. You're like, that's not speaking to me, but

1:04:53.720 --> 1:04:56.520
<v Speaker 1>I know that this artist has the ability to as

1:04:56.520 --> 1:04:58.840
<v Speaker 1>opposed to just act where you're like, oh, I like

1:04:58.880 --> 1:05:00.400
<v Speaker 1>some of those songs, and if there's not a song

1:05:00.440 --> 1:05:02.440
<v Speaker 1>you like, then you're done. You're like, whatever, I don't

1:05:02.480 --> 1:05:05.480
<v Speaker 1>like that song. It's also the people that take chances

1:05:05.640 --> 1:05:07.280
<v Speaker 1>I admire in respect, even if I don't like the

1:05:07.360 --> 1:05:11.240
<v Speaker 1>chance they took. Yeah, yeah, totally absolutely, And you know

1:05:11.280 --> 1:05:13.840
<v Speaker 1>who is an artist? And I want one more before

1:05:13.840 --> 1:05:15.440
<v Speaker 1>I before I want to, I mean another artist, it's

1:05:15.480 --> 1:05:19.000
<v Speaker 1>not in country that you're like, Okay, Um, you know

1:05:19.040 --> 1:05:23.080
<v Speaker 1>I like cold Play. I've seen them freaking awesome. Yeah,

1:05:23.200 --> 1:05:25.720
<v Speaker 1>and they they're that's one, you know, Ryan Adams, Jason's

1:05:25.720 --> 1:05:28.000
<v Speaker 1>Bill are more. Yeah, they're more artsy and more you know,

1:05:28.200 --> 1:05:30.320
<v Speaker 1>kind of more cold Play was artsy than when they

1:05:30.320 --> 1:05:33.880
<v Speaker 1>came out Super arts. So I love cold Plays combination

1:05:33.920 --> 1:05:37.360
<v Speaker 1>of the arts nests and the authenticity, but also their

1:05:37.400 --> 1:05:39.520
<v Speaker 1>live show is what I would want out of the

1:05:39.560 --> 1:05:41.920
<v Speaker 1>live show. And they're so I mean, they're so entertaining

1:05:42.000 --> 1:05:45.320
<v Speaker 1>and so charismatic on stage and so captivating. So those

1:05:45.320 --> 1:05:47.960
<v Speaker 1>would be my three guy called play So good. Yes,

1:05:48.320 --> 1:05:50.440
<v Speaker 1>every part of them is so good. Like Chris Martin's

1:05:50.480 --> 1:05:52.240
<v Speaker 1>a nut, by the way, and I've met chrismartin a

1:05:52.280 --> 1:05:56.560
<v Speaker 1>couple of times. He's nuts. He's really nice, he's nuts.

1:05:56.600 --> 1:06:00.440
<v Speaker 1>But to be an artist, you're nuts, like I said earlier,

1:06:00.960 --> 1:06:05.400
<v Speaker 1>and in our profession you realize that too, that to

1:06:05.640 --> 1:06:09.040
<v Speaker 1>be super creative, you have got to have something inside

1:06:09.040 --> 1:06:11.160
<v Speaker 1>of you that's different than everyone else. And when you're

1:06:11.160 --> 1:06:14.280
<v Speaker 1>different than everyone else, you're different than everyone else. And

1:06:14.320 --> 1:06:16.800
<v Speaker 1>it's tough, and I think that if you're like that,

1:06:16.800 --> 1:06:18.400
<v Speaker 1>that's why I'm just so thankful to be an artist,

1:06:18.480 --> 1:06:20.560
<v Speaker 1>because I've always kind of known I was different than

1:06:20.600 --> 1:06:23.000
<v Speaker 1>everyone else. But when you actually it's your job to

1:06:23.000 --> 1:06:26.480
<v Speaker 1>be different everyone else and you're responsible for it, it's

1:06:26.760 --> 1:06:30.200
<v Speaker 1>it's kind of captivating. It's it's freeing from this talk here,

1:06:30.600 --> 1:06:32.440
<v Speaker 1>and I'll go to Mike d for his thoughts in

1:06:32.480 --> 1:06:34.640
<v Speaker 1>a second too. I don't really know I was getting

1:06:34.640 --> 1:06:36.600
<v Speaker 1>into it this. Frankly, I was like, yeah, I'll bring

1:06:36.640 --> 1:06:40.760
<v Speaker 1>her up and talk to him. Um, but I don't

1:06:41.400 --> 1:06:44.720
<v Speaker 1>like I there's an artist element that I respect more

1:06:44.720 --> 1:06:47.920
<v Speaker 1>about the band now, thank you. Then just like, hey,

1:06:48.000 --> 1:06:50.640
<v Speaker 1>let's make a man and put out some songs. Yeah.

1:06:51.000 --> 1:06:54.360
<v Speaker 1>You can't trick me either, because I'm amazing. Yeah, I

1:06:54.360 --> 1:06:57.560
<v Speaker 1>mean you see that sniff out the bull crap. Sometimes

1:06:57.560 --> 1:06:59.640
<v Speaker 1>I'm like, this is a joke. Yeah, and that's I'm

1:06:59.640 --> 1:07:01.400
<v Speaker 1>glad you see that. That's one of the biggest things

1:07:01.400 --> 1:07:02.960
<v Speaker 1>we talked about that and that's we try and do

1:07:03.080 --> 1:07:05.640
<v Speaker 1>video series stuff. We were to get across that, dude,

1:07:06.320 --> 1:07:08.360
<v Speaker 1>But you know what I'm telling you, don't waste your

1:07:08.360 --> 1:07:10.200
<v Speaker 1>time with it. Just put out good songs and your

1:07:10.200 --> 1:07:12.680
<v Speaker 1>fans will then find it and then everyone like Coldplay,

1:07:12.720 --> 1:07:15.720
<v Speaker 1>do you think people knew it first? It took years

1:07:15.720 --> 1:07:18.680
<v Speaker 1>first to figure it out. Don't focus on that because

1:07:18.680 --> 1:07:24.200
<v Speaker 1>nobody cares. Also, nobody cares, like really nobody cares. Man

1:07:24.400 --> 1:07:27.760
<v Speaker 1>give them a song, they find the song, they learn

1:07:27.840 --> 1:07:31.080
<v Speaker 1>more about you to give him another song. They learned.

1:07:31.120 --> 1:07:34.160
<v Speaker 1>Then you have fans like really, so and we've accepted,

1:07:34.200 --> 1:07:36.440
<v Speaker 1>we've accepted, you know what what our path is and

1:07:36.480 --> 1:07:38.880
<v Speaker 1>what we're trying to do. It's gonna take time. It's

1:07:38.880 --> 1:07:41.040
<v Speaker 1>gonna take work because it is. It is. It's you

1:07:41.040 --> 1:07:43.160
<v Speaker 1>have a relationship with your fans, and there's that first

1:07:43.200 --> 1:07:45.760
<v Speaker 1>stage like the first singles, connect, the first date. Then

1:07:46.320 --> 1:07:47.720
<v Speaker 1>you know, if you have a hit, that's kind of

1:07:47.760 --> 1:07:49.720
<v Speaker 1>like and you just keep moving along, and it takes

1:07:49.760 --> 1:07:52.840
<v Speaker 1>an album or two for people to really understand and

1:07:52.880 --> 1:07:55.640
<v Speaker 1>really I mean, and I think artists keep evolving and

1:07:56.520 --> 1:07:58.440
<v Speaker 1>it really is a relationship with fans, and but it

1:07:58.480 --> 1:08:00.160
<v Speaker 1>takes a while. I think when you take that app

1:08:00.200 --> 1:08:01.760
<v Speaker 1>that does take off for people to figure out who

1:08:01.760 --> 1:08:03.640
<v Speaker 1>you are and then people really love who you are

1:08:03.680 --> 1:08:06.040
<v Speaker 1>and stay with you. But if you do that, I

1:08:06.080 --> 1:08:09.680
<v Speaker 1>think that then there's more longevity because your fans that

1:08:09.720 --> 1:08:11.400
<v Speaker 1>are not just like, oh, I love that song. It's cool,

1:08:11.400 --> 1:08:15.520
<v Speaker 1>it's catchy, it's I really love Land. I appreciate them.

1:08:15.520 --> 1:08:17.519
<v Speaker 1>I like to work, you know whatever it is, um,

1:08:17.520 --> 1:08:19.439
<v Speaker 1>but it's gotta start with just yeah, you're right. Put

1:08:19.439 --> 1:08:22.519
<v Speaker 1>out some songs. People like them to listen, and nobody

1:08:22.640 --> 1:08:24.280
<v Speaker 1>fell in love with could play because of their art.

1:08:24.360 --> 1:08:26.519
<v Speaker 1>They fell in love with Yellow was freaking off exactly.

1:08:26.920 --> 1:08:28.720
<v Speaker 1>You gotta trust me. I know you gotta have hit.

1:08:28.800 --> 1:08:30.840
<v Speaker 1>I mean, that's just that, you gotta have it. It's

1:08:30.840 --> 1:08:34.960
<v Speaker 1>the name. Uh, we're run out of time. But who's

1:08:34.960 --> 1:08:38.920
<v Speaker 1>in your class of artists? Not classes and good or bad?

1:08:39.080 --> 1:08:41.400
<v Speaker 1>But you guys kind of came into this earth together

1:08:41.520 --> 1:08:43.960
<v Speaker 1>of music signing at the same time, like a few

1:08:44.080 --> 1:08:46.920
<v Speaker 1>artists could they could have many hits and then but

1:08:46.960 --> 1:08:49.759
<v Speaker 1>who do you consider to be in your class? Well,

1:08:50.080 --> 1:08:52.479
<v Speaker 1>you know Maren she signed like right around the same

1:08:52.479 --> 1:08:55.200
<v Speaker 1>time we did. Now she has just exploded. She's coming

1:08:55.200 --> 1:08:58.880
<v Speaker 1>in next week. Yeah, she's she's awesome. We signed. You

1:08:58.960 --> 1:09:01.320
<v Speaker 1>never heard of her? She she signed at the same time,

1:09:01.439 --> 1:09:03.640
<v Speaker 1>But I would I mean, we signed, and then we

1:09:03.680 --> 1:09:06.919
<v Speaker 1>took a while to actually get things. Give me some answers.

1:09:07.880 --> 1:09:13.759
<v Speaker 1>Same class Maren Ryan. I would consider Ryan heard, Kane Brown,

1:09:14.400 --> 1:09:20.120
<v Speaker 1>Jordan reagor uh like Brooke Eden. I'm thinking of people

1:09:20.120 --> 1:09:21.880
<v Speaker 1>that were like on radio to the same time. That's

1:09:21.920 --> 1:09:24.280
<v Speaker 1>exactly what I'm asking for. So in five years we're

1:09:24.320 --> 1:09:26.320
<v Speaker 1>gonna be like we were in the same because all

1:09:26.360 --> 1:09:28.280
<v Speaker 1>the guys are in different class. You know that the

1:09:28.400 --> 1:09:30.560
<v Speaker 1>Cole and Tyler farrs that you know, there are a

1:09:30.600 --> 1:09:32.200
<v Speaker 1>lot of these guys that kind of came up together

1:09:33.040 --> 1:09:34.280
<v Speaker 1>the things that I was talking about earlier. I just

1:09:34.320 --> 1:09:36.120
<v Speaker 1>want to mention this before we get off of this,

1:09:36.600 --> 1:09:39.400
<v Speaker 1>is that when I was talking about artists, what I

1:09:39.439 --> 1:09:46.160
<v Speaker 1>appreciate is people that go and take chances and being

1:09:46.160 --> 1:09:49.599
<v Speaker 1>okay with failure as long as they took the shot

1:09:49.680 --> 1:09:52.280
<v Speaker 1>that felt good and felt right to them. He didn't

1:09:52.320 --> 1:09:54.040
<v Speaker 1>listen to a lot of people going, hey, this isn't

1:09:54.040 --> 1:09:58.040
<v Speaker 1>gonna work on the radio. And who's done that recently

1:09:58.080 --> 1:10:04.479
<v Speaker 1>and without commercial success to this point is Aubrey Sellers. Yeah,

1:10:05.160 --> 1:10:08.519
<v Speaker 1>and I'm a big fan of her record. Yeah, I've

1:10:08.520 --> 1:10:11.920
<v Speaker 1>never I've never maybe i've seen her, I have that.

1:10:12.080 --> 1:10:13.280
<v Speaker 1>I don't know if I've seen her. I don't think

1:10:13.280 --> 1:10:16.120
<v Speaker 1>it's there alive. But I love a record because nobody

1:10:16.160 --> 1:10:20.839
<v Speaker 1>else it's it's a full like country, bluegrass blues record.

1:10:21.040 --> 1:10:23.760
<v Speaker 1>They're no acoustics, no doubt about it. It's a country record,

1:10:23.800 --> 1:10:25.519
<v Speaker 1>but it sounds like nothing else. And you know what,

1:10:25.600 --> 1:10:29.240
<v Speaker 1>it could fall on its face and no wake aby it,

1:10:29.400 --> 1:10:33.280
<v Speaker 1>or it could really switch up an entire format. It's

1:10:33.320 --> 1:10:35.599
<v Speaker 1>that kind of thing totally. The fact that she puts

1:10:35.600 --> 1:10:39.280
<v Speaker 1>herself out there to fail makes me love it. I

1:10:39.360 --> 1:10:41.880
<v Speaker 1>love failure. Yeah, that's what I mean. It's it's just

1:10:41.960 --> 1:10:44.800
<v Speaker 1>and it's more interesting than just someone who even if

1:10:44.800 --> 1:10:47.040
<v Speaker 1>it works, it's like that you just don't want to

1:10:47.040 --> 1:10:48.720
<v Speaker 1>be a carbon copy of something. You don't want to

1:10:48.760 --> 1:10:51.040
<v Speaker 1>be like so and so Junior. You know, if there's

1:10:51.080 --> 1:10:53.160
<v Speaker 1>a floor, you don't want to be Florger's line, Junior L.

1:10:54.280 --> 1:10:57.920
<v Speaker 1>We definitely definitely don't want Flora Georgia line first, like pease,

1:10:57.960 --> 1:11:01.160
<v Speaker 1>God go ahead. But that's I think as an artist,

1:11:01.200 --> 1:11:02.960
<v Speaker 1>if you're an artist, it's like you want to work

1:11:02.960 --> 1:11:05.120
<v Speaker 1>and you want to be successful. Yes, you want everyone

1:11:05.120 --> 1:11:07.439
<v Speaker 1>to love you know who you are, but if you're

1:11:07.439 --> 1:11:09.480
<v Speaker 1>gonna do what you wanted to be because your original

1:11:09.640 --> 1:11:12.800
<v Speaker 1>and you offered something that other people weren't offering and

1:11:12.840 --> 1:11:15.200
<v Speaker 1>so yeah, and aubrus Sellers absolutely does that. I have

1:11:15.240 --> 1:11:18.479
<v Speaker 1>decided you are the Chris Martin country music to this right,

1:11:18.560 --> 1:11:23.160
<v Speaker 1>I'll take it a little weird. You can sing, you're

1:11:23.200 --> 1:11:26.320
<v Speaker 1>passionate about it, like it all right. Good to see you, man,

1:11:26.439 --> 1:11:27.800
<v Speaker 1>Good to see you. Thank you so much for having

1:11:27.800 --> 1:11:33.479
<v Speaker 1>men you download American Love Story down download it. He's

1:11:33.479 --> 1:11:35.960
<v Speaker 1>on those streams. That's that's all. It's like Facebook do

1:11:36.160 --> 1:11:38.960
<v Speaker 1>metric full of craphic. But I'm glad you have much

1:11:38.960 --> 1:11:42.360
<v Speaker 1>stream it right downloaded. That's where the key is. I

1:11:43.000 --> 1:11:46.080
<v Speaker 1>agree downloading. If you love an artist, download their music,

1:11:46.080 --> 1:11:48.679
<v Speaker 1>because I agree those real money. You know. You guys

1:11:48.680 --> 1:11:50.280
<v Speaker 1>gotta eat. Yeah, you gotta eat, and you gotta have

1:11:50.320 --> 1:11:55.840
<v Speaker 1>money for the next record. Oh that's like it's fifty

1:11:55.920 --> 1:12:04.559
<v Speaker 1>million straight. Yeah, all right. Any questions, Ran, We've you've

1:12:04.560 --> 1:12:06.840
<v Speaker 1>been listening for? How long after that first meeting with

1:12:07.000 --> 1:12:10.360
<v Speaker 1>Jay did you quit your Bridge Stone job? Um? A

1:12:10.439 --> 1:12:13.880
<v Speaker 1>few months? Uh? Well I quit when he finally I

1:12:14.040 --> 1:12:15.960
<v Speaker 1>started riding with him and some other people for a

1:12:15.960 --> 1:12:18.519
<v Speaker 1>few months and then he said, hey, you guys ready

1:12:18.520 --> 1:12:19.920
<v Speaker 1>to come in here and make a record next week.

1:12:20.600 --> 1:12:23.439
<v Speaker 1>That was how much notice we had. We were like sure,

1:12:24.080 --> 1:12:25.439
<v Speaker 1>Like how long I'm gonna be in the studios? Like,

1:12:25.439 --> 1:12:27.479
<v Speaker 1>I mean, we'll stay in here until it's done. But

1:12:27.720 --> 1:12:30.760
<v Speaker 1>two weeks, three weeks with it, so we all kind

1:12:30.760 --> 1:12:33.800
<v Speaker 1>of could. You can't ask for three weeks off work.

1:12:34.160 --> 1:12:37.120
<v Speaker 1>We all kind of lost our jobs after that. That's

1:12:37.160 --> 1:12:38.800
<v Speaker 1>why you have You have those jobs, you can lose them.

1:12:38.840 --> 1:12:40.880
<v Speaker 1>What were you making a bridge stone? You're working at

1:12:40.920 --> 1:12:46.559
<v Speaker 1>that wage like says uh seven eight bucks an hour

1:12:46.880 --> 1:12:49.760
<v Speaker 1>and free hot dogs you got the end of the

1:12:49.840 --> 1:12:51.439
<v Speaker 1>night there and yeah, and I know you got one

1:12:51.479 --> 1:12:52.840
<v Speaker 1>free hot dog when if you wanted. And in the

1:12:52.960 --> 1:12:55.800
<v Speaker 1>night after they counted what you didn't sell, you could

1:12:55.800 --> 1:12:58.720
<v Speaker 1>have a burger. Whatever you didn't sell. Was well, it

1:12:58.800 --> 1:13:00.600
<v Speaker 1>wasn't really a fair game, but it kind of was,

1:13:00.720 --> 1:13:01.880
<v Speaker 1>you know what I mean, what are they gonna do

1:13:01.880 --> 1:13:04.400
<v Speaker 1>with it? Yea, and by law they can't donate it. Yeah,

1:13:04.800 --> 1:13:07.360
<v Speaker 1>they have to throw it out right. They donated to me. Yeah,

1:13:07.920 --> 1:13:10.760
<v Speaker 1>you'll barely got donation, Mike. One more question is anything

1:13:10.760 --> 1:13:12.120
<v Speaker 1>else you want to ask? How do you feel about it?

1:13:12.160 --> 1:13:13.719
<v Speaker 1>You go, what do you think? I think this guy's

1:13:14.080 --> 1:13:15.639
<v Speaker 1>he can't hear us? You think there's full of craping?

1:13:16.040 --> 1:13:20.320
<v Speaker 1>Think I'm gonna put him back here, Okay, put it back. Yeah. Uh,

1:13:20.360 --> 1:13:22.080
<v Speaker 1>good to see you. Good to see you, man, think

1:13:22.120 --> 1:13:26.040
<v Speaker 1>so much. Download go see Lanko is that was going

1:13:26.080 --> 1:13:30.800
<v Speaker 1>to the river one piece of advice. Really good as

1:13:30.800 --> 1:13:38.280
<v Speaker 1>you get a hit solo. Hope my bands shout. All

1:13:38.320 --> 1:13:40.880
<v Speaker 1>these other guys did the guys. I like you guys,

1:13:41.320 --> 1:13:43.880
<v Speaker 1>Thank you man, but I'm only about four of you, right,

1:13:44.240 --> 1:13:46.080
<v Speaker 1>we gotta find the missing link. I don't. Yeah, that's

1:13:46.080 --> 1:13:48.640
<v Speaker 1>the weird. Last time I tell you guys outside the

1:13:48.680 --> 1:13:51.720
<v Speaker 1>hotel inside like the Hilton. Yeah, it's freezing cold, whiting

1:13:51.720 --> 1:13:53.639
<v Speaker 1>on our car. Yeah, I was like CRUs or whatever.

1:13:53.840 --> 1:13:56.000
<v Speaker 1>It was something like it was real brief. We were

1:13:56.000 --> 1:13:57.320
<v Speaker 1>like trying to say hi, but yeah, we were all

1:13:57.360 --> 1:14:01.880
<v Speaker 1>freezing and it was like yeah, good good bye. All right,

1:14:01.920 --> 1:14:04.040
<v Speaker 1>we'll see you next time. I have thirty is over.

1:14:05.000 --> 1:14:08.599
<v Speaker 1>Thanks our sponsors, Blue Apron Sleep number. We go buy

1:14:08.640 --> 1:14:11.719
<v Speaker 1>all that stuff and download Lanco. We go watch Lanko

1:14:11.880 --> 1:14:14.639
<v Speaker 1>and tattoo Lanko on your body, all that stuff, yeah,

1:14:14.760 --> 1:14:18.680
<v Speaker 1>especially that one. We'll see. We'll see you guys next time. Thanks.

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<v Speaker 1>Thirty ones up by learning good