WEBVTT - Masego

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<v Speaker 1>R and B Money. Honey, we are thanks take valotility.

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<v Speaker 2>We are the authority on all R and.

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<v Speaker 1>B ladies and gentlemen.

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<v Speaker 2>My name is Tank Valentine. This the R and B

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<v Speaker 2>Money Podcast. It's the authority on all things R and

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<v Speaker 2>B and instruments and instrumentation. See see see A lot

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<v Speaker 2>of y'all. Okay, are not well versed in the ways

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<v Speaker 2>of musicianship. Okay, you're standing on your drip. Huh you

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<v Speaker 2>you you might be standing on the tune. I ain't

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<v Speaker 2>mad at you stand on the tune. You know what

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<v Speaker 2>I'm saying. You know you you're standing on your social media's,

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<v Speaker 2>but you're not standing on uh the gifts that personify.

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<v Speaker 1>The thing that we do. How many instruments do you play?

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<v Speaker 1>M No?

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<v Speaker 3>Huh.

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<v Speaker 1>Ladies out there was skin flut, that's all you play?

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<v Speaker 1>Huh nothing?

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<v Speaker 3>Huh?

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<v Speaker 1>This nigga's attacking, Yeah.

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<v Speaker 2>This this this man right here, this gentleman right here.

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<v Speaker 1>Okay, okay, you play pimping, that's all you do. That's

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<v Speaker 1>that's the don play paper. We did. We don't pause.

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<v Speaker 1>That's the only that's what we don't do. We don't pause.

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<v Speaker 4>I'm not talking about you.

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<v Speaker 1>We gotta fell in the building.

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<v Speaker 3>Huh.

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<v Speaker 2>He don't play about his musicianship, he don't play about

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<v Speaker 2>his artistry, and the damn should don't play by this name.

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<v Speaker 4>Give it up for my brother. Yeah, my sack, my, yeah.

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<v Speaker 1>How you doing, yo? This man's thumach.

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<v Speaker 5>You Yeah, I got regular niggas.

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<v Speaker 1>You have to start listen to your story was like this.

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<v Speaker 5>That's a love language.

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<v Speaker 3>Wow.

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<v Speaker 5>That okay, I got it. So there's certain chords that

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<v Speaker 5>you play because you're you. Have we ever talked about that.

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<v Speaker 3>In the show.

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<v Speaker 2>Listen, man, my thumb is a lovel. It's gonna age. Well,

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<v Speaker 2>I'm getting ready to make a page from my yo

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<v Speaker 2>right here, right here.

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<v Speaker 5>Wow, you better make the page before this shipbody somebody else.

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<v Speaker 1>I got all kind of fake dumb as.

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<v Speaker 2>Now, oh my brother. First of all, thank you man,

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<v Speaker 2>thank you for coming.

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<v Speaker 3>Man.

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<v Speaker 1>I appreciate you.

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<v Speaker 5>I feel so comfortable. I'm gonna take my glass.

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<v Speaker 6>Oh yeah, you've been doing some cool stuff, man, Thank you,

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<v Speaker 6>really cool stuff, like so cool that I had to,

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<v Speaker 6>you know, I had to.

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<v Speaker 1>Be a part of it, and I appreciate that much.

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<v Speaker 2>One, you know, I want to start there and then

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<v Speaker 2>we'll we'll go back to the beginning, get it and

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<v Speaker 2>get into all the intricacies of of where you're from,

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<v Speaker 2>how you got your name, all of that cool stuff.

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<v Speaker 1>But that yams nigga when I say a vibe.

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<v Speaker 2>Crazy Like a lot of people explore the nineties and

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<v Speaker 2>you know, they they you know, they figured you know,

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<v Speaker 2>they figure out their way to just kind of snatch

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<v Speaker 2>some of the nuance and you know and just like, Okay,

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<v Speaker 2>I get it. I get what you're trying to do.

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<v Speaker 2>I get dead on. I felt like I was in Heigho,

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<v Speaker 2>I was graduating high school all over again.

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<v Speaker 5>That was a very authentic record. Oh many, thank you man,

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<v Speaker 5>Devin Morrison. I can't even take all of that compliment.

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<v Speaker 1>Yeah no, no, absolutely absolutely he was the student.

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<v Speaker 2>But it's like, what it made me realize is that

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<v Speaker 2>people are so hungry for that energy. Because just putting

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<v Speaker 2>out the word like y'all might need to sing this,

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<v Speaker 2>it just went crazy. Shout out to Charlie Wilson because

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<v Speaker 2>that was the first that was my first time here.

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<v Speaker 2>That that's what opened my ears. I was like, what

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<v Speaker 2>is Charlie singing? First of all, his voice is he's

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<v Speaker 2>out of control. I'm like his attitude, you know, what

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<v Speaker 2>I'm saying. But then to go back to the originally,

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<v Speaker 2>Oh shit, I said, oh, this needs to be a thing,

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<v Speaker 2>and you made it a thing. This needs to be

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<v Speaker 2>a thing.

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<v Speaker 1>So I'm hoping that there were millions of you know,

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<v Speaker 1>interactions and sales and lots of show money.

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<v Speaker 5>And uptick and uptick that's what they called it.

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<v Speaker 2>So there was plenty of uptick for for you too,

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<v Speaker 2>my friend, because y'all did that.

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<v Speaker 1>Yeah, how did that? How did that record come back?

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<v Speaker 5>Something like this with just men talking and then making

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<v Speaker 5>music at the same time.

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<v Speaker 1>Right.

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<v Speaker 5>I used to make a lot of videos about my

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<v Speaker 5>observations when I travel, and I was like, in Africa

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<v Speaker 5>they got the yams that the women in America getting

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<v Speaker 5>surgery to get. That was the conversation, right, And so

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<v Speaker 5>I'm always talking about yams. And she got a yamtation

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<v Speaker 5>back there and a Yamborghini Green Eggs and Yam. That's

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<v Speaker 5>just been how I've spoken to that. You know, those

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<v Speaker 5>are past cars and Borghini right there. And so Devin,

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<v Speaker 5>being an equally hilarious young man, made an instrumental called

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<v Speaker 5>Yams and then we started to have a conversation over

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<v Speaker 5>this instrumental and you know, we were talking in tone,

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<v Speaker 5>and then we began to sing a little bit, and

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<v Speaker 5>then I guess eventually a song was birthed. You know,

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<v Speaker 5>I heard I'm supposed to do this when I talk

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<v Speaker 5>to people.

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<v Speaker 1>I like that, but supposed to.

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<v Speaker 5>Look left and right when you media training. That's all

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<v Speaker 5>these songs. Were just having fun, you know what I'm saying.

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<v Speaker 5>And like Devin is a student of commission in all

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<v Speaker 5>things nineties, you know, and you can absolutely he can

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<v Speaker 5>hear it's crazy, and so like usual, I'm just having fun,

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<v Speaker 5>you know what I'm saying. Like he left and then

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<v Speaker 5>he texts back a bridge. I text back a response

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<v Speaker 5>to the bridge. He texts back, uh damn colder or

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<v Speaker 5>something like that. And then I put a sax solo

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<v Speaker 5>on it, and then Max here is it, my bass

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<v Speaker 5>player friend, and he's like, you gotta put this out, bro,

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<v Speaker 5>And he's telling me for years.

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<v Speaker 1>He's like, bro, cool seven years? What for three years? Maybe?

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<v Speaker 1>Oh yeah? Yeah?

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<v Speaker 5>Every year we play it during Thanksgivings. Max, you know,

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<v Speaker 5>he would always do every Thanksgiving. Yes, He's like, bro, record,

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<v Speaker 5>He's like, come on, stop this drop this record. Just

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<v Speaker 5>it's like come on. We was having fun like, I

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<v Speaker 5>don't want to do all that. Finally, we just you

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<v Speaker 5>were taking yourself too serious.

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<v Speaker 2>Yes, I was, because we fight musicianship, we fight for

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<v Speaker 2>the cool. It's the code of musicians just don't want

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<v Speaker 2>to seem outside of the realm of true create creativity.

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<v Speaker 2>But it's like, when you're having your most fun, you're

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<v Speaker 2>probably being your most creative because it's it's not overthinking anything,

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<v Speaker 2>it's just it's just flowing, allowing it to be whatever

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<v Speaker 2>the moment calls for.

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<v Speaker 5>I think the first musician that I met that I

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<v Speaker 5>felt like was truly having fun was t Pain was

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<v Speaker 5>having a good time. Great example, when I met Tea

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<v Speaker 5>pay because at first I didn't realize how much of

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<v Speaker 5>a musician he was because nobody did, because you just

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<v Speaker 5>kind of wrote it off, just the public's ignorance of

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<v Speaker 5>what greatness really is. And then I meet him and

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<v Speaker 5>I'm in a studio with him, I'm like, oh shit,

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<v Speaker 5>this niggas amazing.

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<v Speaker 1>He's just having a good fucking time.

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<v Speaker 7>At no point was he serious at any moment during

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<v Speaker 7>the session, anytime I've ever run into him. He's just

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<v Speaker 7>a fun, loving guy having a good ass time making

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<v Speaker 7>amazing music. And I think that it gave me a

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<v Speaker 7>sense of understanding freedom musically to me when I when

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<v Speaker 7>I you know, when I met him, I was just like, damn,

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<v Speaker 7>this is he's in a very free space.

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<v Speaker 2>I'm going to add a person to your statement that

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<v Speaker 2>it's just that are animal spirit spirit animals in Jazzy

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<v Speaker 2>fat Oh yeah, Jazzy.

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<v Speaker 1>The Fizzle, the Fizzle Finz.

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<v Speaker 2>Yeah yeah, Jazzy Fizzle been having a good time, great

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<v Speaker 2>respect always.

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<v Speaker 1>Oh boy, he's always having a good time. Briefcase Jazzy always.

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<v Speaker 2>But I even say that to to you and my

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<v Speaker 2>own self, like I've made great music under duress, but.

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<v Speaker 1>When I've had fun making music, that's what.

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<v Speaker 5>If you drop some of those fucking around records, we

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<v Speaker 5>probably go to the movie.

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<v Speaker 1>We have a yeah challenge, go to the moon this video.

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<v Speaker 5>Man, he drops these records thumb.

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<v Speaker 1>So what happens?

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<v Speaker 5>Okay, you put the record out and I've always liked your.

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<v Speaker 1>Music, thank you.

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<v Speaker 5>So I had heard the record before and then I

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<v Speaker 5>forgot about the record and heard it again in a

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<v Speaker 5>new light through.

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<v Speaker 1>Fedy Yeah mm hmm. How does that process go though?

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<v Speaker 8>Does is it?

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<v Speaker 7>Is it literally just him taking the record and doing

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<v Speaker 7>his own thing. With it, or did he reach out

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<v Speaker 7>to y'all or like, you know, because this is just

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<v Speaker 7>a we're in a new music business. We're in a

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<v Speaker 7>I'll take care of it when it gets crack, you

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<v Speaker 7>know what I mean, or you know, we'll chase it

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<v Speaker 7>once it's cracking, whatever that is, you know what I mean?

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<v Speaker 7>So how did how was that process and were you

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<v Speaker 7>guys involved in his release of it?

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<v Speaker 1>Well?

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<v Speaker 5>I was on the road at the time, so all

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<v Speaker 5>I did was receive a text of the record and

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<v Speaker 5>I was like, oh, that's cool.

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<v Speaker 1>Yeah, that's it.

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<v Speaker 5>And so next thing I know, I get another text saying, YO,

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<v Speaker 5>is it cool if he drops it? I'm like sure,

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<v Speaker 5>cause again it's a record that we had fun with,

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<v Speaker 5>so I'm not it's not yes, you know what I mean.

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<v Speaker 5>It's not like it's not your baby. I was like, Yo,

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<v Speaker 5>have some fun with it. He had fun with it,

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<v Speaker 5>and even the cored choices he did, I thought it

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<v Speaker 5>was like hilarious the way he reinterpreted it. Me and

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<v Speaker 5>Devon having a good time, because Devon is more of

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<v Speaker 5>a stickler for you know, the arts, and he's like,

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<v Speaker 5>he didn't do the cord bir change seven should have

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<v Speaker 5>been a knife. I'm like, Yo, this is fire, you

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<v Speaker 5>know what I mean. So not to say Devin in

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<v Speaker 5>like it later on, but I feel like I'm always

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<v Speaker 5>down to just let art, just let it out, let

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<v Speaker 5>the people decide what happens to it. And people would

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<v Speaker 5>always ask me, we you but heard about it getting

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<v Speaker 5>even larger with Fetti. I'm just like, no, that's cool.

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<v Speaker 5>There's different audiences because I felt like it was a

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<v Speaker 5>huge record.

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<v Speaker 2>I didn't know Feedti had that record out. You didn't

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<v Speaker 2>know Ship when I did it. When we started the

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<v Speaker 2>challenge and did all that. Mine was Charlie Wilson. And

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<v Speaker 2>then and then people I saw people started attacking me like, yeah,

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<v Speaker 2>you need to give Freeddi Wap his credit.

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<v Speaker 1>I was like, oh, it got wild. I was like,

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<v Speaker 1>give Freddie Wap what credit? I was like, I was like,

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<v Speaker 1>this is day song. Yeah.

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<v Speaker 5>I knew Fetty's version through my son, because you know

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<v Speaker 5>what I'm saying, Like it was yeah, the younger generation,

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<v Speaker 5>like I knew your record through me knowing your music.

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<v Speaker 5>I knew his version through my son, you know what

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<v Speaker 5>I mean. So that was like my rediscovery of it.

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<v Speaker 1>And I'm like, oh, Ship, wait, I know the song

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<v Speaker 1>I was like, wait a minute, you know what I mean?

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<v Speaker 1>So they cuts you out. They thought they.

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<v Speaker 2>Was like, you do you ain't you ain't tapping No, Fettie,

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<v Speaker 2>you ain't tapped in.

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<v Speaker 1>I like Fetty Way. I like the boy.

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<v Speaker 2>He got good songs, but he ain't not to originate

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<v Speaker 2>of this. His essence ain't why I fell in love

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<v Speaker 2>with this.

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<v Speaker 1>That was your argument. That was my argument.

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<v Speaker 5>Wastead of just been like, you know what, y'all wasn't

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<v Speaker 5>tapped in.

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<v Speaker 1>I didn't know about the I was tapped into the sauce. Hallelujah.

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<v Speaker 1>Oh my my mind. There you go. Duplicators were replicators.

0:12:32.200 --> 0:12:32.400
<v Speaker 3>Wow.

0:12:32.520 --> 0:12:35.680
<v Speaker 2>But I went to the originator. I went to the sauce.

0:12:37.160 --> 0:12:41.280
<v Speaker 2>Look to the heels, from which comes my my god, so.

0:12:43.280 --> 0:12:48.439
<v Speaker 5>The gold around my next to talk, Let's go back

0:12:48.440 --> 0:12:48.960
<v Speaker 5>to the beginning.

0:12:49.000 --> 0:12:54.400
<v Speaker 2>Bro, Let's go back to the beginning, to this all

0:12:54.440 --> 0:12:57.560
<v Speaker 2>started for you, to where you know, I like to say,

0:12:57.600 --> 0:12:59.680
<v Speaker 2>when somebody looked at you and say that boy gonna

0:12:59.679 --> 0:13:01.080
<v Speaker 2>be some I'm like that boy got it?

0:13:01.240 --> 0:13:04.079
<v Speaker 1>Or you even said you even said to yourself, I'm

0:13:04.160 --> 0:13:07.960
<v Speaker 1>kind of nice. Yeah, yeah, the beginning.

0:13:08.200 --> 0:13:12.559
<v Speaker 5>Yeah, I think when I was eight years old, right,

0:13:12.600 --> 0:13:13.719
<v Speaker 5>this is back to the church days.

0:13:13.800 --> 0:13:15.960
<v Speaker 1>Yeah, that's you go there, We're going to go there.

0:13:16.840 --> 0:13:21.560
<v Speaker 5>I used to always ignore the sermon and watch the musicians. Yeah,

0:13:21.720 --> 0:13:23.480
<v Speaker 5>that was my whole bot because they had their own

0:13:23.520 --> 0:13:28.240
<v Speaker 5>little community, communicating with the hand signals and not dressing

0:13:28.280 --> 0:13:31.240
<v Speaker 5>in church clothes. And I was like, they're having fun.

0:13:31.720 --> 0:13:33.880
<v Speaker 5>I like this. I don't want to hear this. I'm

0:13:33.920 --> 0:13:35.600
<v Speaker 5>eight years old. Of course I want to play tag

0:13:35.640 --> 0:13:38.800
<v Speaker 5>at the in the church. And so my parents noticed

0:13:38.840 --> 0:13:41.920
<v Speaker 5>that I was only gravitating towards this, and we're saying, like,

0:13:41.920 --> 0:13:43.360
<v Speaker 5>we got to pray over your hands. If you want

0:13:43.360 --> 0:13:46.199
<v Speaker 5>to be in the music industry or the music you know, ministry,

0:13:47.280 --> 0:13:49.679
<v Speaker 5>let's make sure you're doing it right. So from there

0:13:51.120 --> 0:13:53.840
<v Speaker 5>they saw that I had an affinity for learning music. Quickly,

0:13:53.960 --> 0:13:56.440
<v Speaker 5>I'm hopping on the drums, I had natural rhythm. I

0:13:56.480 --> 0:13:59.560
<v Speaker 5>was hopping on the keys. I wasn't singing yet, but

0:13:59.600 --> 0:14:01.719
<v Speaker 5>I was just trying to play all the instruments, pick

0:14:01.800 --> 0:14:04.920
<v Speaker 5>the bass, pick it whatever. And They're like, Okay, he

0:14:05.080 --> 0:14:09.360
<v Speaker 5>gonna be somebody someday. That's when that started cool. And

0:14:09.440 --> 0:14:12.480
<v Speaker 5>so then the next iteration of that was when I

0:14:12.520 --> 0:14:15.400
<v Speaker 5>had to choose a related arts in middle school, meaning

0:14:15.440 --> 0:14:16.720
<v Speaker 5>you want to paint or you want to be in

0:14:16.720 --> 0:14:20.080
<v Speaker 5>a band. And so I was deciding. And we had

0:14:20.080 --> 0:14:22.800
<v Speaker 5>a class in our school that always had a subsidute teacher.

0:14:22.800 --> 0:14:25.800
<v Speaker 5>Because she never showed up in this particular subsidute teacher.

0:14:26.560 --> 0:14:28.520
<v Speaker 5>She had a little Yamborghini behind her.

0:14:29.320 --> 0:14:32.880
<v Speaker 1>All right, made you more interested in the class. I said, yeah,

0:14:33.000 --> 0:14:37.359
<v Speaker 1>what's her story? So let's have a guy.

0:14:37.800 --> 0:14:42.680
<v Speaker 5>I was like a seventh eighth story.

0:14:42.760 --> 0:14:44.560
<v Speaker 1>Yeah, you want to know you know what I'm saying.

0:14:44.600 --> 0:14:47.080
<v Speaker 5>I said something in my spirit she might have needed.

0:14:47.480 --> 0:14:48.640
<v Speaker 1>She made need a management.

0:14:49.600 --> 0:14:51.720
<v Speaker 5>I didn't even know that word back then, but I

0:14:51.760 --> 0:14:53.160
<v Speaker 5>wanted to manage something.

0:14:53.000 --> 0:14:56.840
<v Speaker 2>For you to play over her hands from his hands.

0:14:57.200 --> 0:15:03.360
<v Speaker 5>Yeah, we'll get there. I'm asking my boys, like, yo,

0:15:03.400 --> 0:15:06.560
<v Speaker 5>how do I get her heart? And he said, we

0:15:06.560 --> 0:15:08.960
<v Speaker 5>gotta do some research. I look at her binder. It's

0:15:09.000 --> 0:15:11.760
<v Speaker 5>a picture of Najie Davis and the binder. I hit

0:15:11.800 --> 0:15:14.800
<v Speaker 5>the Googles and I said, that's a saxophone player. I

0:15:14.840 --> 0:15:16.080
<v Speaker 5>want to be in the band.

0:15:16.920 --> 0:15:17.600
<v Speaker 1>Cool.

0:15:17.800 --> 0:15:20.680
<v Speaker 5>And so I'm in the band. I'm learning saxophone, like

0:15:20.800 --> 0:15:23.600
<v Speaker 5>I need to learn saxophone. Every Sunday, I'm like ear

0:15:23.640 --> 0:15:27.000
<v Speaker 5>pressed on the TV. Trying to like figure that out. Okay, cool,

0:15:27.280 --> 0:15:30.479
<v Speaker 5>I'm gonna rady all that. I get sweet a saxophone.

0:15:30.560 --> 0:15:32.960
<v Speaker 5>I get sweet enough to learn my first song on saxophone,

0:15:32.960 --> 0:15:40.960
<v Speaker 5>which was Naked Marcus Houston. Wow, easy scale and I

0:15:41.360 --> 0:15:44.200
<v Speaker 5>can learn that, learned it, played it for and she

0:15:44.360 --> 0:15:50.880
<v Speaker 5>was like, huh, young man, you played naked for. I

0:15:51.000 --> 0:15:55.240
<v Speaker 5>like this guy's savage. Yeah, savage. You know the niggas

0:15:55.240 --> 0:16:00.040
<v Speaker 5>who wrote naked is sitting right next to you. I

0:16:00.160 --> 0:16:01.200
<v Speaker 5>promise on everything.

0:16:01.840 --> 0:16:02.920
<v Speaker 4>That's hilarious.

0:16:03.040 --> 0:16:04.120
<v Speaker 1>I was just listening to this term.

0:16:04.160 --> 0:16:06.760
<v Speaker 5>I'm like the nigga rot to produce the song that

0:16:06.840 --> 0:16:11.800
<v Speaker 5>you're talking about. Rhyme, that is cool. I'm putting my

0:16:11.840 --> 0:16:16.600
<v Speaker 5>chades back. This is too vulnerable. This is awesome, This

0:16:16.640 --> 0:16:19.640
<v Speaker 5>is too intimate. That hilarious.

0:16:19.680 --> 0:16:21.760
<v Speaker 8>To be young, to be young, to.

0:16:21.720 --> 0:16:24.800
<v Speaker 1>Be young man? What Yeah, that's the truth. You play

0:16:25.000 --> 0:16:26.880
<v Speaker 1>naked to the teacher I did.

0:16:27.480 --> 0:16:28.320
<v Speaker 5>This is sick.

0:16:29.520 --> 0:16:34.000
<v Speaker 1>You him, you are him? This is great. What a

0:16:34.040 --> 0:16:34.480
<v Speaker 1>good day.

0:16:35.440 --> 0:16:40.040
<v Speaker 5>Fuck learn sex, and then I'm gonna play naked and

0:16:40.080 --> 0:16:41.960
<v Speaker 5>tell her exactly what I would.

0:16:42.600 --> 0:16:47.320
<v Speaker 1>I would like to do. If there's any detention you

0:16:47.400 --> 0:16:58.440
<v Speaker 1>got for me, any extra credit? My next question is

0:16:58.440 --> 0:16:59.600
<v Speaker 1>she doing for the TN.

0:16:59.640 --> 0:17:14.879
<v Speaker 2>Now think where his music and musicianship takes us, but

0:17:15.000 --> 0:17:19.240
<v Speaker 2>it takes your places.

0:17:19.920 --> 0:17:20.320
<v Speaker 1>Around.

0:17:20.400 --> 0:17:22.960
<v Speaker 5>I'll be reflecting, like, man, we can really do a lot.

0:17:23.080 --> 0:17:23.320
<v Speaker 8>Man.

0:17:25.119 --> 0:17:28.800
<v Speaker 5>Yeah, substitute teacher, wasn't there a lot? So cool? All

0:17:28.840 --> 0:17:31.680
<v Speaker 5>I was left with was the instrument. Continued to play.

0:17:31.720 --> 0:17:33.359
<v Speaker 5>It got kicked out of class a lot because I

0:17:33.400 --> 0:17:39.439
<v Speaker 5>wanted to learn other songs that you wrote unknowingly, and

0:17:39.520 --> 0:17:42.040
<v Speaker 5>so that's all I would do during class, Listen on

0:17:42.200 --> 0:17:45.600
<v Speaker 5>line wire whatever mixtape somebody brought me on the school.

0:17:45.640 --> 0:17:48.360
<v Speaker 5>You know what I mean, what's that? Okay, that's such

0:17:48.400 --> 0:17:49.320
<v Speaker 5>and such about.

0:17:49.040 --> 0:17:49.560
<v Speaker 1>To learn that?

0:17:49.560 --> 0:17:52.720
<v Speaker 5>That's all I did that a class cool. But then

0:17:53.440 --> 0:17:55.119
<v Speaker 5>I had a substitute teacher for band one day. It

0:17:55.200 --> 0:17:58.080
<v Speaker 5>was this dude, mister Hulkam, big black dude, listen to

0:17:58.240 --> 0:18:01.439
<v Speaker 5>Charlie Parker type of guy. And he was like, you

0:18:01.600 --> 0:18:04.240
<v Speaker 5>gonna be something. I'm not gonna kick you out today.

0:18:04.440 --> 0:18:07.040
<v Speaker 5>I'm gonna put you into jazz band. So he puts

0:18:07.080 --> 0:18:08.879
<v Speaker 5>me in the jazz band and it's way better for

0:18:08.920 --> 0:18:11.720
<v Speaker 5>me because I can improve. And the best part was

0:18:11.720 --> 0:18:14.080
<v Speaker 5>that partner sheet music and it was like make it up.

0:18:14.720 --> 0:18:17.080
<v Speaker 5>I said, oh this for me. So every day, I

0:18:17.119 --> 0:18:18.920
<v Speaker 5>get to just make a solo up. Then I can

0:18:18.960 --> 0:18:21.439
<v Speaker 5>stay in class and just get that out. And I

0:18:21.480 --> 0:18:24.720
<v Speaker 5>feel like from there it just kept progressing. I'm like,

0:18:24.720 --> 0:18:26.639
<v Speaker 5>I don't want a jazz band, I want my own band.

0:18:27.119 --> 0:18:28.680
<v Speaker 5>I don't want to go to this college. I want

0:18:28.680 --> 0:18:30.639
<v Speaker 5>to drop out of college. It just kind of kept

0:18:30.760 --> 0:18:31.840
<v Speaker 5>compounding from there.

0:18:32.680 --> 0:18:37.640
<v Speaker 2>I feel like your generation was the generation that kind

0:18:37.720 --> 0:18:42.480
<v Speaker 2>of reshaped the idea of how you learn to play instruments,

0:18:43.359 --> 0:18:47.840
<v Speaker 2>because before your generation, it was always very much the

0:18:47.880 --> 0:18:51.119
<v Speaker 2>structure of Bach and Beethoven. It was just very much

0:18:51.880 --> 0:18:54.080
<v Speaker 2>fingers on the Middle Sea, thumb on the Middle Sea,

0:18:54.119 --> 0:18:58.240
<v Speaker 2>and you move from there. But I think your generation

0:18:59.080 --> 0:19:03.240
<v Speaker 2>started a thing where the music needed to meet the individual,

0:19:03.840 --> 0:19:06.479
<v Speaker 2>you know what I mean. Because like one of the

0:19:06.520 --> 0:19:08.840
<v Speaker 2>teachers that teaches my son, like, she was like, well,

0:19:08.840 --> 0:19:11.439
<v Speaker 2>what do you like And he's like, well, I like

0:19:11.520 --> 0:19:14.720
<v Speaker 2>Spider Man and she was like, okay, well let's learn

0:19:14.760 --> 0:19:19.720
<v Speaker 2>Spider Man. Yeah, And so he's he's excited. He's learning

0:19:20.440 --> 0:19:24.080
<v Speaker 2>the theory to Spider Man. But in his mind, he's

0:19:24.119 --> 0:19:27.520
<v Speaker 2>just learning Spider Man, learning Spider Man, but he's learning

0:19:29.200 --> 0:19:31.960
<v Speaker 2>all of the theory. He understands where the key.

0:19:33.320 --> 0:19:39.160
<v Speaker 5>Is piquing someone's interest, and if they taught us that way,

0:19:39.160 --> 0:19:40.560
<v Speaker 5>we wouldn't learn so much more.

0:19:41.240 --> 0:19:45.200
<v Speaker 2>But it was everything was this is how it's always been.

0:19:45.240 --> 0:19:47.520
<v Speaker 2>It was so much tradition, and I think your generation

0:19:48.520 --> 0:19:49.840
<v Speaker 2>was was the start of breath.

0:19:50.240 --> 0:19:53.320
<v Speaker 5>And if you come across a Yamborghini, Yamborghinia making you

0:19:53.400 --> 0:19:55.439
<v Speaker 5>come across want.

0:19:55.280 --> 0:19:57.359
<v Speaker 1>To learn, do wrong wrong.

0:20:08.000 --> 0:20:11.800
<v Speaker 5>So you're at college, you're at college, you're not, but

0:20:11.840 --> 0:20:16.000
<v Speaker 5>you're at Yeah, I'm at there. I think I wouldn't

0:20:16.000 --> 0:20:17.800
<v Speaker 5>say I felt like the man, but I knew I

0:20:17.960 --> 0:20:21.360
<v Speaker 5>was an outlier. I used to longboard and play saxophone

0:20:21.359 --> 0:20:21.960
<v Speaker 5>at the same time.

0:20:22.000 --> 0:20:23.600
<v Speaker 1>Hold on, man, that's.

0:20:23.320 --> 0:20:28.080
<v Speaker 5>Like that image is around on the net. You were

0:20:28.119 --> 0:20:30.320
<v Speaker 5>andre three thousand as what you saying, we go now

0:20:30.320 --> 0:20:32.120
<v Speaker 5>we're painting it.

0:20:31.240 --> 0:20:33.160
<v Speaker 1>Is he rich or homeless?

0:20:33.920 --> 0:20:36.960
<v Speaker 4>Hey man, maybe he's both because it's.

0:20:38.480 --> 0:20:41.800
<v Speaker 5>That is the dynamic this basketball photo you're making right now.

0:20:42.800 --> 0:20:48.560
<v Speaker 5>Oh yeah, it's just hilarious. Bron What's I supposed to

0:20:48.600 --> 0:20:52.879
<v Speaker 5>be six supposed to be brothers. I'm supposed to be

0:20:52.920 --> 0:20:54.159
<v Speaker 5>your height? As what's going on?

0:20:56.560 --> 0:21:04.840
<v Speaker 1>He said? Quit the monkey coup? Oh Mann, I didn't

0:21:04.840 --> 0:21:11.560
<v Speaker 1>think it was gonna be like sorry, you had you

0:21:11.600 --> 0:21:14.359
<v Speaker 1>all had a question reaching home.

0:21:16.440 --> 0:21:21.840
<v Speaker 2>I was longboarding, but it's like ro Virginia.

0:21:22.320 --> 0:21:24.240
<v Speaker 5>Yeah, that's a hilarious line.

0:21:24.040 --> 0:21:28.679
<v Speaker 2>But it's like those eclectic type things and guys like

0:21:28.800 --> 0:21:30.840
<v Speaker 2>all the girls are like, who's the guy to be

0:21:30.920 --> 0:21:32.679
<v Speaker 2>riding a skateboard playing the saxophone?

0:21:32.720 --> 0:21:33.840
<v Speaker 1>You know what I'm saying. I don't know I got

0:21:33.880 --> 0:21:35.359
<v Speaker 1>practice right now. I don't know who that niggas, you

0:21:35.400 --> 0:21:35.880
<v Speaker 1>know what I'm saying.

0:21:36.240 --> 0:21:39.480
<v Speaker 2>But this guy, Eric Benney kind of guy would get

0:21:39.840 --> 0:21:42.320
<v Speaker 2>all the yams.

0:21:43.760 --> 0:21:46.800
<v Speaker 1>It used to be so mad at you. It wasn't

0:21:46.880 --> 0:21:50.240
<v Speaker 1>you the guy's like, wait a minute.

0:21:51.480 --> 0:21:54.159
<v Speaker 5>I was just trying to find my way, man, you know,

0:21:54.440 --> 0:21:56.119
<v Speaker 5>and uh I think I found.

0:21:57.160 --> 0:21:59.920
<v Speaker 2>So does that does that lead to any discovery and

0:22:00.119 --> 0:22:01.800
<v Speaker 2>that college space or is that after the fact in

0:22:01.880 --> 0:22:04.119
<v Speaker 2>terms of, you know, getting into the business or.

0:22:04.160 --> 0:22:04.960
<v Speaker 1>Drop your own music.

0:22:05.800 --> 0:22:07.760
<v Speaker 5>I did, but I think it was beautiful that I

0:22:07.760 --> 0:22:10.240
<v Speaker 5>could learn how trash it was, you know what I'm saying.

0:22:10.280 --> 0:22:12.480
<v Speaker 5>In my college humbled me because there were real artists

0:22:12.520 --> 0:22:15.840
<v Speaker 5>in college with clothing lines and with software to mix

0:22:15.880 --> 0:22:21.040
<v Speaker 5>their music and with just a lot of professional artistisms.

0:22:21.720 --> 0:22:23.679
<v Speaker 5>And so I was getting to college thinking I was

0:22:23.760 --> 0:22:25.760
<v Speaker 5>like the best in the world. All this like confidence

0:22:25.800 --> 0:22:30.080
<v Speaker 5>or whatever, but dropping music and losing talent competitions and

0:22:30.119 --> 0:22:30.440
<v Speaker 5>all that.

0:22:30.560 --> 0:22:32.000
<v Speaker 1>I liked that. I was like, oh, this is oh,

0:22:32.000 --> 0:22:32.880
<v Speaker 1>you're taking ls too.

0:22:32.960 --> 0:22:35.399
<v Speaker 5>I was taking so many l's, collecting them as I

0:22:35.400 --> 0:22:38.119
<v Speaker 5>was long, yeah, excuse me.

0:22:38.280 --> 0:22:38.879
<v Speaker 1>Yeah.

0:22:38.920 --> 0:22:42.440
<v Speaker 5>And so from that, the game theory and me activated

0:22:42.480 --> 0:22:44.359
<v Speaker 5>or I was like, I got to defeat you. I

0:22:44.400 --> 0:22:46.480
<v Speaker 5>got to not lose this talent competition. I need to

0:22:46.480 --> 0:22:49.080
<v Speaker 5>figure out my niche to figure out how to win.

0:22:49.960 --> 0:22:53.399
<v Speaker 5>And I credit college for that because I said, Okay,

0:22:53.400 --> 0:22:55.360
<v Speaker 5>I got to make beats from scratch because I'm really

0:22:55.359 --> 0:22:57.520
<v Speaker 5>good off the top of my head. Oh, I got

0:22:57.520 --> 0:22:59.280
<v Speaker 5>to show you how many instruments I can play. I

0:22:59.320 --> 0:23:01.720
<v Speaker 5>got to make a song about you right here, so

0:23:01.760 --> 0:23:04.280
<v Speaker 5>you know, no one else can do this. And after

0:23:04.320 --> 0:23:06.239
<v Speaker 5>that I got man comfortable. I was like, nobody can

0:23:06.280 --> 0:23:08.679
<v Speaker 5>do this because nobody is doing this. Then I started

0:23:08.680 --> 0:23:11.000
<v Speaker 5>to win, and then I was like, okay, I needed

0:23:11.280 --> 0:23:13.359
<v Speaker 5>those losses to appreciate this win.

0:23:14.280 --> 0:23:17.320
<v Speaker 1>I think, yeah, yeah, because I was.

0:23:18.720 --> 0:23:22.240
<v Speaker 2>I think I was singing baby faces songs. Girls would

0:23:22.240 --> 0:23:24.800
<v Speaker 2>ask me to sing to them.

0:23:24.880 --> 0:23:27.280
<v Speaker 5>The timbre of your voice just told me a lot.

0:23:27.680 --> 0:23:29.359
<v Speaker 2>Yeah, I mean you just you just went straight around.

0:23:29.400 --> 0:23:31.280
<v Speaker 2>I was only doing original gospel music at the time.

0:23:31.320 --> 0:23:33.119
<v Speaker 2>So if you wanted, if you wanted to know anything

0:23:33.119 --> 0:23:35.479
<v Speaker 2>about Jesus, I could hook you up.

0:23:37.960 --> 0:23:39.080
<v Speaker 5>The movie makes sense.

0:23:39.200 --> 0:23:44.879
<v Speaker 2>Now you want a little Holy GOLs right there for

0:23:44.960 --> 0:23:52.560
<v Speaker 2>you in a minute. You want to love song covers,

0:23:52.600 --> 0:23:54.760
<v Speaker 2>I hadn't hadn't even gotten to the space to where

0:23:54.760 --> 0:23:57.240
<v Speaker 2>I had even explored that part of my creativity.

0:23:57.320 --> 0:23:59.439
<v Speaker 1>Yet, that's cool. I just I just didn't know.

0:24:00.200 --> 0:24:02.880
<v Speaker 2>Like I wasn't until what two years out of high

0:24:02.920 --> 0:24:06.120
<v Speaker 2>school that I decided to try r and b.

0:24:07.760 --> 0:24:11.480
<v Speaker 1>Let me try it. Church ain't paying me enough, and

0:24:11.600 --> 0:24:15.480
<v Speaker 1>I gotta eat the rail, gotta eat. They were starting

0:24:15.520 --> 0:24:18.399
<v Speaker 1>you out what one hundred and fifty a Sunday.

0:24:21.040 --> 0:24:24.240
<v Speaker 5>They paid me in chicken. But I understand what you're saying, though, Wait,

0:24:24.240 --> 0:24:27.600
<v Speaker 5>hold on, hold on, you're a love offering. Yeah, but

0:24:27.720 --> 0:24:28.760
<v Speaker 5>the love was a chicken.

0:24:29.119 --> 0:24:32.560
<v Speaker 2>Yes, it was dahn, that's real. I started out of

0:24:32.600 --> 0:24:37.520
<v Speaker 2>twenty five dollars a Sunday. I fought years to end

0:24:37.600 --> 0:24:38.760
<v Speaker 2>up at that one fifty.

0:24:39.280 --> 0:24:42.040
<v Speaker 1>M What you're gonna do with these days? Yeah?

0:24:42.080 --> 0:24:46.040
<v Speaker 2>They told me the Lord was gonna provide. I said, well,

0:24:47.000 --> 0:24:50.240
<v Speaker 2>when is that nigga coming through so I can talk

0:24:50.320 --> 0:24:50.640
<v Speaker 2>to him.

0:24:50.800 --> 0:24:53.240
<v Speaker 5>I wouldn't even been able to sell you niggas no weed,

0:24:59.560 --> 0:25:03.239
<v Speaker 5>trying to by the weed with a piece of chicken. Now,

0:25:03.800 --> 0:25:07.600
<v Speaker 5>you know, I used to trade chicken for a parking space.

0:25:08.800 --> 0:25:12.760
<v Speaker 1>Here go baring. You were getting a lot of chickens.

0:25:14.760 --> 0:25:16.800
<v Speaker 5>I was getting the chicken and now I'm getting the

0:25:16.880 --> 0:25:36.320
<v Speaker 5>y Yeah.

0:25:28.440 --> 0:25:33.080
<v Speaker 2>All right, so get so. So we did traded chicken

0:25:33.119 --> 0:25:36.760
<v Speaker 2>for parking spaces. We have been collecting l's on our

0:25:36.840 --> 0:25:42.119
<v Speaker 2>long board, and and and and building to our ws.

0:25:42.320 --> 0:25:43.000
<v Speaker 1>Yes we have.

0:25:43.720 --> 0:25:46.480
<v Speaker 2>And you know, putting out our music, trying to figure

0:25:46.480 --> 0:25:51.760
<v Speaker 2>out how to be a professional in this thing. What

0:25:51.880 --> 0:25:54.600
<v Speaker 2>is what is your what is your breaking point? What

0:25:54.720 --> 0:25:57.360
<v Speaker 2>is what is what is that pivotal moment that says

0:25:57.960 --> 0:25:59.280
<v Speaker 2>I'm in the music business now?

0:26:00.040 --> 0:26:00.359
<v Speaker 8>Hmm?

0:26:01.680 --> 0:26:06.840
<v Speaker 5>I think twenty eighteen was when I shifted from SoundCloud

0:26:07.160 --> 0:26:12.600
<v Speaker 5>to the streaming platforms like the main ones, and that

0:26:12.760 --> 0:26:14.760
<v Speaker 5>was my R and B album. You know, it was

0:26:14.800 --> 0:26:17.720
<v Speaker 5>me trying to say I'm an artist. I know I'm entertaining,

0:26:17.760 --> 0:26:20.840
<v Speaker 5>I know I am talented, but these are records and

0:26:20.880 --> 0:26:23.560
<v Speaker 5>people are going to play these records in the future,

0:26:23.600 --> 0:26:25.879
<v Speaker 5>and it's going to be the thing, And I feel

0:26:25.880 --> 0:26:28.520
<v Speaker 5>like the tour I went on in twenty eighteen solidified

0:26:28.520 --> 0:26:31.200
<v Speaker 5>that I have to be looked at as an artist

0:26:31.240 --> 0:26:33.840
<v Speaker 5>because I'm like, I'm selling out these venues. People are

0:26:34.680 --> 0:26:37.520
<v Speaker 5>tattooing the lyrics on them like it's all the you're

0:26:37.520 --> 0:26:40.680
<v Speaker 5>an artist ISM's happening and purely independent.

0:26:41.400 --> 0:26:42.840
<v Speaker 1>Yeah at this point, yes.

0:26:42.600 --> 0:26:44.439
<v Speaker 5>It's just you know, me and the people you meet

0:26:44.480 --> 0:26:47.520
<v Speaker 5>along the way. Okay, so yeah, the record deal came

0:26:47.560 --> 0:26:50.360
<v Speaker 5>maybe before you get before you get to the record deal,

0:26:50.880 --> 0:26:55.600
<v Speaker 5>how did you know where to go? Meaning it's tour

0:26:55.720 --> 0:26:58.800
<v Speaker 5>right and saying you know you're selling out these venues.

0:26:59.080 --> 0:27:02.800
<v Speaker 5>Were you using the analytics or were you just did

0:27:02.840 --> 0:27:05.320
<v Speaker 5>you even know about the analytics yet? Of Okay, I

0:27:05.440 --> 0:27:08.399
<v Speaker 5>have a thousand fans and such and such, so I

0:27:08.440 --> 0:27:10.720
<v Speaker 5>can probably do a spot that fits two fifty.

0:27:10.920 --> 0:27:12.320
<v Speaker 1>Did you go through that process?

0:27:12.359 --> 0:27:15.920
<v Speaker 7>Because we want to give these artists who are getting

0:27:15.960 --> 0:27:18.840
<v Speaker 7>into the game and understanding of how not to lose

0:27:18.840 --> 0:27:19.560
<v Speaker 7>your ass.

0:27:20.160 --> 0:27:20.800
<v Speaker 1>You know what I'm saying.

0:27:20.800 --> 0:27:22.399
<v Speaker 5>It's just like, oh, yeah, I'm gonna go do a

0:27:22.400 --> 0:27:24.520
<v Speaker 5>show in New York. Well, nigga, they don't know you

0:27:24.600 --> 0:27:27.080
<v Speaker 5>in New York. What are you talking about? Go figure

0:27:27.080 --> 0:27:29.160
<v Speaker 5>out or did you just take the chance.

0:27:29.560 --> 0:27:30.320
<v Speaker 1>That's what I want to know.

0:27:30.520 --> 0:27:33.000
<v Speaker 5>No, no, no, that's a great question. I always looked

0:27:33.000 --> 0:27:36.680
<v Speaker 5>at what the people were saying. Like SoundCloud, the way

0:27:36.680 --> 0:27:39.119
<v Speaker 5>it was structured was as that song is played, they

0:27:39.119 --> 0:27:42.679
<v Speaker 5>can comment if they like it, where they're from, whatever,

0:27:43.200 --> 0:27:45.600
<v Speaker 5>And so I would take that gather some data. I

0:27:45.640 --> 0:27:48.159
<v Speaker 5>was always trying to outsmart the system, right, and I

0:27:48.160 --> 0:27:52.360
<v Speaker 5>always would go where the love is. So to continue

0:27:52.359 --> 0:27:54.280
<v Speaker 5>with answering that, I would say I would do a

0:27:54.320 --> 0:27:58.639
<v Speaker 5>show and then figure out who was there, and from

0:27:58.680 --> 0:28:00.600
<v Speaker 5>that it would create the next show. And I think

0:28:00.640 --> 0:28:03.320
<v Speaker 5>I would just let that be deciding where I should go.

0:28:03.400 --> 0:28:08.440
<v Speaker 5>So my show on a rooftop in New York turned

0:28:08.440 --> 0:28:11.280
<v Speaker 5>into it a festival in DC because I was making

0:28:11.280 --> 0:28:12.760
<v Speaker 5>a beat and this dude was like, Yo, you should

0:28:12.800 --> 0:28:15.600
<v Speaker 5>do this thing called your Electro in DC. Then that

0:28:15.680 --> 0:28:18.000
<v Speaker 5>festival got me attention to say, yo, come do this

0:28:18.040 --> 0:28:20.600
<v Speaker 5>selection show in LA And I'm like, oh yeah, that

0:28:20.640 --> 0:28:23.280
<v Speaker 5>was mad Love in LA from the SoundCloud comments cool,

0:28:23.359 --> 0:28:25.920
<v Speaker 5>all right, it should be fine go to La. LA

0:28:26.000 --> 0:28:28.840
<v Speaker 5>is like Okay, there's a dude from the UK that

0:28:28.920 --> 0:28:30.439
<v Speaker 5>wants you to do this thing. I say, all right,

0:28:30.480 --> 0:28:32.840
<v Speaker 5>I'll go over there losing money. By the way, on

0:28:32.920 --> 0:28:35.359
<v Speaker 5>all of this, the plane ticket sucked up all that cash.

0:28:35.680 --> 0:28:39.440
<v Speaker 5>But I knew that people was the power. I've been

0:28:39.520 --> 0:28:41.360
<v Speaker 5>knew that because I was just like the only reason

0:28:41.360 --> 0:28:46.440
<v Speaker 5>that I was succeeding was because women championed me. They said, no, no, no,

0:28:46.480 --> 0:28:47.520
<v Speaker 5>he this a collected guy.

0:28:47.560 --> 0:28:48.240
<v Speaker 1>We choose him.

0:28:48.640 --> 0:28:50.840
<v Speaker 5>And so I always paid attention to what the people

0:28:50.960 --> 0:28:52.480
<v Speaker 5>liked and where they were at, and I just go there.

0:28:52.960 --> 0:28:56.280
<v Speaker 5>So I used to it was literally a non official tour.

0:28:56.400 --> 0:28:59.400
<v Speaker 5>It was like this show did this, and then I

0:28:59.440 --> 0:29:00.960
<v Speaker 5>was like, I've been on twelf for two years. Wow,

0:29:02.480 --> 0:29:04.400
<v Speaker 5>that was that was my story. So just paying attention

0:29:04.440 --> 0:29:07.440
<v Speaker 5>to people, I think it's good advice. I read the comments.

0:29:07.520 --> 0:29:09.880
<v Speaker 5>I organized the comments in a spreadsheet. I used to

0:29:09.960 --> 0:29:13.440
<v Speaker 5>like make my old older sistant, my best friend just

0:29:13.560 --> 0:29:17.280
<v Speaker 5>like categorize what type of songs they were responding to.

0:29:17.320 --> 0:29:19.360
<v Speaker 5>We looked at everything like game footage. Like I was

0:29:19.520 --> 0:29:23.040
<v Speaker 5>very calculated in the beginning and I'm still today. So

0:29:23.640 --> 0:29:24.480
<v Speaker 5>I think I answered that.

0:29:24.640 --> 0:29:26.200
<v Speaker 1>I love that absolutely.

0:29:26.680 --> 0:29:29.000
<v Speaker 2>But then at the other piece though, with the information

0:29:29.040 --> 0:29:34.920
<v Speaker 2>in terms of how you go from SoundCloud to the DSPs.

0:29:33.320 --> 0:29:39.040
<v Speaker 5>Yeah, you gotta like, you gotta talk to people. You

0:29:39.120 --> 0:29:42.000
<v Speaker 5>have to almost harass people for information while you're not

0:29:42.640 --> 0:29:46.120
<v Speaker 5>in the in crowd yet, and you have to read

0:29:46.280 --> 0:29:49.320
<v Speaker 5>anything available and try to figure out the through line

0:29:49.360 --> 0:29:51.719
<v Speaker 5>that connects it all. Because it was definitely difficult at

0:29:51.720 --> 0:29:54.440
<v Speaker 5>first figuring out what does this mean, what it splits,

0:29:54.480 --> 0:29:56.640
<v Speaker 5>what's the publishing? How do you figure out how to

0:29:56.680 --> 0:30:01.360
<v Speaker 5>get this there? But I felt like trying to be

0:30:01.520 --> 0:30:04.080
<v Speaker 5>open to trying to understand it, being vocal about that,

0:30:04.360 --> 0:30:07.560
<v Speaker 5>whether it's social media, in your conversations, it was leading

0:30:07.600 --> 0:30:10.600
<v Speaker 5>to more answers, like I met the dude that created

0:30:10.600 --> 0:30:14.000
<v Speaker 5>the stem platform that allowed artists to upload things and

0:30:14.040 --> 0:30:16.080
<v Speaker 5>they put it on the DSPs. I met them early

0:30:16.880 --> 0:30:18.400
<v Speaker 5>on a beach in LA while I was doing my

0:30:18.440 --> 0:30:21.920
<v Speaker 5>little street musician thing. So I just feel like, again,

0:30:21.960 --> 0:30:22.560
<v Speaker 5>a lot of this.

0:30:22.520 --> 0:30:24.480
<v Speaker 2>Is just he said, who I love that too though

0:30:24.960 --> 0:30:25.840
<v Speaker 2>the street streets.

0:30:26.040 --> 0:30:28.640
<v Speaker 5>Yeah, yeah, you know, we'll get them going. That's a

0:30:28.640 --> 0:30:32.000
<v Speaker 5>lot of who I am. But I've always been It's

0:30:32.080 --> 0:30:34.800
<v Speaker 5>all it goes back to relationships or currency, you know

0:30:34.840 --> 0:30:37.520
<v Speaker 5>what I'm saying. I was just like, I haven't gotten

0:30:37.560 --> 0:30:38.720
<v Speaker 5>to where I want to get to it because I

0:30:38.720 --> 0:30:41.560
<v Speaker 5>haven't met the right person, and so I would always

0:30:41.600 --> 0:30:44.800
<v Speaker 5>just go outside or do something clever on social media

0:30:44.960 --> 0:30:48.000
<v Speaker 5>until I would get closer to the understanding that I

0:30:48.080 --> 0:30:51.120
<v Speaker 5>lacked at the time. So yeah, when it comes to

0:30:51.120 --> 0:30:53.080
<v Speaker 5>how did I get my stuff on DSPs, I used

0:30:53.080 --> 0:30:58.560
<v Speaker 5>to email everybody long, annoying paragraphs of questions. I used

0:30:58.560 --> 0:31:01.000
<v Speaker 5>to follow the person that this person and followed and like,

0:31:01.040 --> 0:31:03.880
<v Speaker 5>I used to try to do all the things, and

0:31:03.960 --> 0:31:07.680
<v Speaker 5>it led to a little bit more understanding, and oh

0:31:07.680 --> 0:31:09.760
<v Speaker 5>I shouldn't do that, and I should do that, and

0:31:09.800 --> 0:31:12.120
<v Speaker 5>I understand this one, and I would just compound it.

0:31:12.960 --> 0:31:17.720
<v Speaker 1>Yeah, so wow, that now I love the due diligence though.

0:31:18.280 --> 0:31:21.600
<v Speaker 1>That's the hunger you gotta have. I was very hungry, Yeah,

0:31:22.080 --> 0:31:25.760
<v Speaker 1>because you have to be in.

0:31:28.360 --> 0:31:30.560
<v Speaker 2>I mean, first, the people business is what we subscribe to.

0:31:30.680 --> 0:31:33.840
<v Speaker 2>We're in the people business. Everything else is a byproduct

0:31:33.840 --> 0:31:36.000
<v Speaker 2>of that. You got to get the people there, or

0:31:36.040 --> 0:31:38.120
<v Speaker 2>get to the people in some way, shape or form.

0:31:38.480 --> 0:31:43.640
<v Speaker 2>That's where you build. But to ask to to not

0:31:43.760 --> 0:31:47.320
<v Speaker 2>be afraid to ask those questions, to not be afraid

0:31:47.360 --> 0:31:50.920
<v Speaker 2>to take those chances, is a different kind of hunger,

0:31:51.320 --> 0:31:54.520
<v Speaker 2>because then you have to start chipping away at the

0:31:54.520 --> 0:31:58.360
<v Speaker 2>pride and ego that goes along with your feeling like

0:31:59.040 --> 0:32:04.480
<v Speaker 2>you're good at your but understanding you're not there yet.

0:32:05.760 --> 0:32:09.320
<v Speaker 5>That's what Virginia did though. Yeah, like in terms of

0:32:09.720 --> 0:32:13.480
<v Speaker 5>joking ability, they're great in the DMV, Like they'll tell

0:32:13.520 --> 0:32:16.560
<v Speaker 5>you exactly how much they don't like what you're wearing

0:32:16.720 --> 0:32:19.920
<v Speaker 5>or what you're sounding, like the comments will cook you. Yeah,

0:32:20.000 --> 0:32:22.480
<v Speaker 5>it's all And I needed that because a lot of people,

0:32:22.600 --> 0:32:24.440
<v Speaker 5>this is what's in the way. They think they're so

0:32:24.600 --> 0:32:27.320
<v Speaker 5>amazing and untouchable. They don't need to go overseas because

0:32:27.360 --> 0:32:30.200
<v Speaker 5>America is only all that matters all that. If you

0:32:30.240 --> 0:32:33.520
<v Speaker 5>defeat that, I really feel like that's when you begin

0:32:33.600 --> 0:32:36.560
<v Speaker 5>to grow. And so once I got all of my

0:32:36.680 --> 0:32:40.400
<v Speaker 5>ego just just destroyed, then I got to build it

0:32:40.440 --> 0:32:43.720
<v Speaker 5>back up in a better way. I was like, Okay,

0:32:43.800 --> 0:32:46.960
<v Speaker 5>I know that I've spent ten thousand hours on being

0:32:47.000 --> 0:32:49.560
<v Speaker 5>in front of people making beats from scratch, So I'm

0:32:49.600 --> 0:32:52.240
<v Speaker 5>not scared about that. I'm not scared to talk to people.

0:32:52.280 --> 0:32:55.280
<v Speaker 5>I'm not scared of the nose. I don't care if

0:32:55.280 --> 0:32:58.880
<v Speaker 5>somebody thinks I'm annoying or lame. It's just like, you

0:32:58.920 --> 0:33:01.440
<v Speaker 5>know what I mean, I've already went through that so

0:33:01.560 --> 0:33:04.200
<v Speaker 5>I think that's why that that was that, you know,

0:33:04.360 --> 0:33:07.680
<v Speaker 5>that hyperbolic period of just building up my you know,

0:33:09.120 --> 0:33:10.000
<v Speaker 5>industry strength.

0:33:10.560 --> 0:33:12.800
<v Speaker 1>Hyperbolic. You went to school a little bit, he went

0:33:12.840 --> 0:33:13.760
<v Speaker 1>to one of the classes.

0:33:14.640 --> 0:33:18.520
<v Speaker 2>Hyperbolic is not like you know, you just walking and

0:33:18.560 --> 0:33:20.800
<v Speaker 2>chilling on the corner. This niggas just like, yeah, I

0:33:20.800 --> 0:33:26.680
<v Speaker 2>mean what you're doing with your hyperbolic today, Like, that's not.

0:33:24.960 --> 0:33:26.120
<v Speaker 5>Done a lot of museum days.

0:33:27.000 --> 0:33:28.480
<v Speaker 1>I've done a lot of music.

0:33:30.520 --> 0:33:39.960
<v Speaker 5>Subsidiary my repertoire, my repertoire, Yeah yeah, trust me, that's

0:33:39.960 --> 0:33:46.160
<v Speaker 5>where you get the words from the museums. First big

0:33:46.240 --> 0:33:52.120
<v Speaker 5>record to me love Be like m hmm, it's from SoundCloud.

0:33:52.200 --> 0:33:54.160
<v Speaker 5>And that was what made me drop out of school

0:33:54.760 --> 0:33:57.160
<v Speaker 5>because it got one hundred thousand plays in a day.

0:33:57.280 --> 0:33:58.560
<v Speaker 1>I'm out, this bitch, I'm out.

0:34:00.800 --> 0:34:05.720
<v Speaker 5>I know I was here. I said, not no more communications,

0:34:05.760 --> 0:34:10.160
<v Speaker 5>one on one, a hundred thousand. I was coming here

0:34:10.200 --> 0:34:13.480
<v Speaker 5>for this. I dot it about you an't even give

0:34:13.520 --> 0:34:18.760
<v Speaker 5>me a scholarship peace, he said.

0:34:18.600 --> 0:34:25.120
<v Speaker 1>Pe whoa like ten? Pe my repertoire? Are you kidding?

0:34:25.200 --> 0:34:26.560
<v Speaker 1>One hundred thousand and one day?

0:34:26.640 --> 0:34:28.920
<v Speaker 5>That's all that to me? I was like, I'm famous.

0:34:29.200 --> 0:34:31.920
<v Speaker 5>That's what I told my and then when Girls That

0:34:32.040 --> 0:34:35.719
<v Speaker 5>Dance came out, I said, oh, it's over, I'm it,

0:34:36.280 --> 0:34:38.560
<v Speaker 5>give me the plaque. But I knew at that time

0:34:38.719 --> 0:34:41.400
<v Speaker 5>that I'm missing something to get this plaqu because if

0:34:41.400 --> 0:34:45.239
<v Speaker 5>I didn't here yet, we'll be all right. Between Lovely

0:34:45.280 --> 0:34:46.919
<v Speaker 5>Lick and Girls of Dance, like those are the ones

0:34:46.920 --> 0:34:50.319
<v Speaker 5>where I was like, Okay, this is what famous. And

0:34:50.360 --> 0:34:54.319
<v Speaker 5>then when I started to see it can just keep

0:34:54.360 --> 0:34:58.279
<v Speaker 5>getting redefined. And I've been trying to do this for

0:34:58.320 --> 0:35:00.319
<v Speaker 5>like months now. I'm trying to like find and a

0:35:00.360 --> 0:35:02.880
<v Speaker 5>way to compare the music industry to sports.

0:35:03.160 --> 0:35:05.239
<v Speaker 1>I'm like, is it basketball? Is it football?

0:35:05.760 --> 0:35:07.560
<v Speaker 5>Just so I can gauge the wins a little bit

0:35:07.600 --> 0:35:11.200
<v Speaker 5>better because it's so nuanced, and do we win this?

0:35:11.400 --> 0:35:13.120
<v Speaker 5>Is this the plaque that says we got the ring?

0:35:13.360 --> 0:35:16.280
<v Speaker 5>Are these your rings? Or is this like a trophy?

0:35:16.360 --> 0:35:19.160
<v Speaker 5>Is this the MVP Award? And so I tried to

0:35:19.200 --> 0:35:21.279
<v Speaker 5>do that, and I felt like if I had a

0:35:21.320 --> 0:35:23.000
<v Speaker 5>metric that I wanted to hit and I hit it,

0:35:23.400 --> 0:35:25.480
<v Speaker 5>that's the ring. And so love Be Like was the

0:35:25.480 --> 0:35:27.600
<v Speaker 5>first one, and I was like one hundred k like

0:35:27.920 --> 0:35:32.680
<v Speaker 5>that's it, and then it just kept increasing and increasing. Yeah,

0:35:32.680 --> 0:35:36.480
<v Speaker 5>I mean, it's it's multiple championships, absolutely, But the difference

0:35:36.600 --> 0:35:40.680
<v Speaker 5>is in music, you're truly competing with yourself.

0:35:40.920 --> 0:35:43.320
<v Speaker 1>M m yeah, truly.

0:35:43.440 --> 0:35:47.160
<v Speaker 5>Like we can say, oh, well, the Grammy and you know,

0:35:47.800 --> 0:35:49.440
<v Speaker 5>I won this award at the end of the year,

0:35:49.440 --> 0:35:51.520
<v Speaker 5>and I guess that would probably be perceived to be

0:35:52.440 --> 0:35:56.480
<v Speaker 5>what our super Bowl is and our you know, NBA championship.

0:35:57.600 --> 0:35:59.000
<v Speaker 5>But the truth of the matter is that you're you're

0:35:59.000 --> 0:36:02.440
<v Speaker 5>really competing with yourself of where you feel that you

0:36:02.480 --> 0:36:05.000
<v Speaker 5>know that success lies, like you said, for you to

0:36:05.040 --> 0:36:07.879
<v Speaker 5>see that one hundred thousand, that's your super Bowl, that was.

0:36:07.920 --> 0:36:09.239
<v Speaker 1>Life changing for you.

0:36:10.520 --> 0:36:16.279
<v Speaker 7>And I think with music, we put too much on

0:36:17.719 --> 0:36:22.960
<v Speaker 7>you know, everybody else's things, you know, instead of just

0:36:23.000 --> 0:36:27.279
<v Speaker 7>being like, this is what satisfies me, this is what

0:36:27.360 --> 0:36:31.279
<v Speaker 7>I believe is the greatest shit in the world, you.

0:36:31.239 --> 0:36:31.680
<v Speaker 1>Know what I mean?

0:36:31.719 --> 0:36:35.759
<v Speaker 7>Like that you even having that story and explaining that, like, yeah,

0:36:35.800 --> 0:36:38.160
<v Speaker 7>when you saw that one hundred thousand, because we can

0:36:38.200 --> 0:36:40.560
<v Speaker 7>have so many of those moments in the music business

0:36:40.600 --> 0:36:43.360
<v Speaker 7>that in you know, like in the NBA, you just

0:36:43.360 --> 0:36:45.120
<v Speaker 7>met you can make it to the league, and then

0:36:45.160 --> 0:36:46.759
<v Speaker 7>you try to get your contract, and then you try

0:36:46.800 --> 0:36:49.160
<v Speaker 7>to and then you but in music, every day you

0:36:49.200 --> 0:36:54.920
<v Speaker 7>can be satisfied by that song you just wrote or

0:36:55.120 --> 0:36:59.560
<v Speaker 7>this room being like maybe that's the one. There's satisfaction

0:36:59.680 --> 0:37:01.840
<v Speaker 7>in that that we have in music that we I

0:37:01.840 --> 0:37:04.200
<v Speaker 7>don't I don't think I personally that.

0:37:04.280 --> 0:37:04.960
<v Speaker 1>I don't think that.

0:37:05.080 --> 0:37:10.520
<v Speaker 7>You know, other forms have that, that that instant gratification.

0:37:12.680 --> 0:37:14.960
<v Speaker 5>You know, I know how I feel. The dunk dunk,

0:37:15.000 --> 0:37:16.880
<v Speaker 5>the basketball cool, you.

0:37:16.880 --> 0:37:20.680
<v Speaker 7>Know what I'm saying talk about, But you know, seeing

0:37:20.719 --> 0:37:23.920
<v Speaker 7>a record go the way that they go and then

0:37:24.000 --> 0:37:26.880
<v Speaker 7>seeing people react to it the same, you know what

0:37:26.880 --> 0:37:30.160
<v Speaker 7>I mean, or even crazier, like I've never always say this,

0:37:30.719 --> 0:37:33.240
<v Speaker 7>I've never seen a woman throw their panties at somebody

0:37:33.280 --> 0:37:36.520
<v Speaker 7>for dunk and a basketball. She might have thrown her

0:37:36.520 --> 0:37:41.480
<v Speaker 7>panties about the contract he signed talk about it, But

0:37:41.719 --> 0:37:43.400
<v Speaker 7>I've seen panties get.

0:37:43.200 --> 0:37:45.800
<v Speaker 5>Thrown off of a Oh yeah, we haven't panty talk.

0:37:46.320 --> 0:37:51.200
<v Speaker 1>We always have. This is the R and B Money Podcast.

0:37:51.320 --> 0:37:56.080
<v Speaker 4>Come on, rustles a little, Come on.

0:37:56.600 --> 0:38:01.040
<v Speaker 5>We haven't talk.

0:38:02.560 --> 0:38:05.359
<v Speaker 1>That because him.

0:38:05.800 --> 0:38:09.880
<v Speaker 5>The other thing about music too, though, is that we

0:38:09.960 --> 0:38:16.520
<v Speaker 5>can get it all broke. Okay, we can get it

0:38:16.560 --> 0:38:19.440
<v Speaker 5>all broke. I talk about it, you know what I mean.

0:38:19.800 --> 0:38:22.080
<v Speaker 5>We can dive into that, you know what I mean

0:38:22.360 --> 0:38:25.439
<v Speaker 5>when it's like, oh damn, you date him, that's cool.

0:38:25.480 --> 0:38:27.200
<v Speaker 7>I probably can't afford to go to the game he

0:38:27.280 --> 0:38:29.560
<v Speaker 7>playing there. But you like this song rot, don't you?

0:38:29.680 --> 0:38:30.359
<v Speaker 1>Absolutely?

0:38:31.400 --> 0:38:34.399
<v Speaker 5>Because at the end of the day, talk about it.

0:38:34.400 --> 0:38:36.240
<v Speaker 5>It all comes down to the yams.

0:38:38.360 --> 0:38:41.960
<v Speaker 1>Y'all good at what y'all do. This is a good show,

0:38:42.160 --> 0:38:42.440
<v Speaker 1>R and B.

0:38:43.719 --> 0:38:45.640
<v Speaker 2>I don't care how you cut it, you know, I mean, okay,

0:38:45.640 --> 0:38:52.160
<v Speaker 2>how you slice it? Still a yam still yam man. Yeah, yeah,

0:38:52.360 --> 0:38:56.640
<v Speaker 2>you're freshly braided. I know her too. I know why,

0:38:58.400 --> 0:38:59.400
<v Speaker 2>just in case that yam is.

0:38:59.440 --> 0:39:09.600
<v Speaker 1>Look, it's the playoffs right now, he said, you freshly break. Yeah,

0:39:10.080 --> 0:39:13.200
<v Speaker 1>we know why. It's always the playoffs for rest, as.

0:39:17.040 --> 0:39:21.160
<v Speaker 2>In being in competition with yourself. It's just it's just

0:39:21.200 --> 0:39:25.000
<v Speaker 2>the progressions that make it all make sense. It's getting

0:39:25.520 --> 0:39:28.960
<v Speaker 2>a hundred more people in the building, it's getting a

0:39:29.040 --> 0:39:33.239
<v Speaker 2>hundred more spans that week. It's you know, I don't

0:39:33.320 --> 0:39:35.280
<v Speaker 2>I mean, I like the I love the award shows.

0:39:35.320 --> 0:39:37.680
<v Speaker 2>I love it. I get I get what it is.

0:39:39.320 --> 0:39:44.040
<v Speaker 2>But I've seen so many historians and even current artists

0:39:44.760 --> 0:39:50.319
<v Speaker 2>have so much success without it, great success. So it

0:39:50.360 --> 0:39:53.480
<v Speaker 2>goes back to what you're saying, like, yeah, it's it's

0:39:53.520 --> 0:39:57.280
<v Speaker 2>it's about you. It's about your progressions and your upgrades

0:39:57.320 --> 0:40:00.279
<v Speaker 2>and continuing to to be better and build that are

0:40:00.360 --> 0:40:03.000
<v Speaker 2>and that word continuing to spread of who you are

0:40:03.000 --> 0:40:06.320
<v Speaker 2>and what you're doing them then then venues getting bigger

0:40:06.360 --> 0:40:07.399
<v Speaker 2>and bigger, you know.

0:40:07.480 --> 0:40:10.120
<v Speaker 5>Like I don't know you through the numbers. I know

0:40:10.200 --> 0:40:13.160
<v Speaker 5>you through the woman. Have you heard it now?

0:40:14.200 --> 0:40:18.040
<v Speaker 1>Yes? I have m Yeah, I like that record.

0:40:18.320 --> 0:40:20.520
<v Speaker 5>This man is dropping place today.

0:40:20.880 --> 0:40:24.440
<v Speaker 7>Like but seriously though, and that that is something that

0:40:24.440 --> 0:40:29.000
<v Speaker 7>that you've established within your artistry and your career, that's special.

0:40:29.080 --> 0:40:30.680
<v Speaker 7>You said it earlier, you were like, you know, I

0:40:30.920 --> 0:40:33.839
<v Speaker 7>knew women were supporting me, you know what I mean?

0:40:33.840 --> 0:40:36.920
<v Speaker 7>And that that that you you you had your target audience.

0:40:37.320 --> 0:40:42.520
<v Speaker 7>You stuck to it, and they they become your introduction,

0:40:44.400 --> 0:40:45.719
<v Speaker 7>you know what I mean. It was It wasn't like

0:40:45.760 --> 0:40:49.759
<v Speaker 7>you know, the radio introduced me to you or some playlist.

0:40:49.280 --> 0:40:53.480
<v Speaker 1>Or that it literally the woman. It was just he's dope.

0:40:53.719 --> 0:40:57.879
<v Speaker 1>He's dope. If you heard him, that's simple. And then

0:40:57.920 --> 0:41:01.600
<v Speaker 1>it became if you didn't hear him, think you don't

0:41:01.600 --> 0:41:02.120
<v Speaker 1>know about that?

0:41:02.840 --> 0:41:07.880
<v Speaker 7>No painings for you, O, man, Like you've done, he bro, Listen,

0:41:07.920 --> 0:41:10.000
<v Speaker 7>you gott.

0:41:09.080 --> 0:41:09.879
<v Speaker 1>Some fly ship, bro.

0:41:10.000 --> 0:41:12.840
<v Speaker 5>I appreciate that some fly ship really shout out women,

0:41:12.880 --> 0:41:15.640
<v Speaker 5>man shout out to talk. Yeah.

0:41:15.880 --> 0:41:16.080
<v Speaker 8>Yeah.

0:41:16.600 --> 0:41:18.560
<v Speaker 5>What's been your most successful record?

0:41:19.239 --> 0:41:19.919
<v Speaker 1>Successful?

0:41:20.719 --> 0:41:26.520
<v Speaker 5>Definitely, okay, just because of the impact into places that

0:41:26.800 --> 0:41:31.120
<v Speaker 5>I wouldn't otherwise find myself, certain countries that I wouldn't

0:41:31.120 --> 0:41:34.480
<v Speaker 5>have been to, certain people wouldn't have discovered me. Like

0:41:34.800 --> 0:41:37.759
<v Speaker 5>it just opened up the most doors, and it's such

0:41:37.760 --> 0:41:41.160
<v Speaker 5>a great introduction when someone's trying to understand that I'm

0:41:41.200 --> 0:41:43.080
<v Speaker 5>a little left of center with my approach to R

0:41:43.120 --> 0:41:46.120
<v Speaker 5>and B. It's like, watch a video. You see exactly

0:41:46.120 --> 0:41:49.520
<v Speaker 5>what he be doing. He makes up songs, he's inspired

0:41:49.520 --> 0:41:51.280
<v Speaker 5>by women because you see her walking by the window.

0:41:51.320 --> 0:41:54.880
<v Speaker 5>The whole video plays a bunch of instruments and it's quick.

0:41:55.719 --> 0:41:57.600
<v Speaker 5>I was like, cool, if that's all you know me from,

0:41:58.280 --> 0:42:00.960
<v Speaker 5>fine by me. It's a good intro. What's the inspiration

0:42:01.440 --> 0:42:05.879
<v Speaker 5>of that record? The flight to Paris for the first

0:42:05.880 --> 0:42:09.520
<v Speaker 5>time because I hadn't been and when was that? When

0:42:09.680 --> 0:42:13.959
<v Speaker 5>was it twenty seventeen maybe? And the woman walking by

0:42:14.239 --> 0:42:17.240
<v Speaker 5>the window because I didn't think there were black people

0:42:17.320 --> 0:42:20.080
<v Speaker 5>in Paris at the time, and I was surprised. I

0:42:20.120 --> 0:42:22.200
<v Speaker 5>was like, oh, and so I got to show off

0:42:22.239 --> 0:42:23.759
<v Speaker 5>because I know you see me, see you see you.

0:42:24.280 --> 0:42:25.960
<v Speaker 5>So I'm about to play all these instruments and just

0:42:26.000 --> 0:42:28.160
<v Speaker 5>look at the window the whole time, glasses on. I'm

0:42:28.239 --> 0:42:32.880
<v Speaker 5>just like it's for that. Yeah, And everybody behind me

0:42:33.000 --> 0:42:36.720
<v Speaker 5>was just like just gasping, like what is what's happened?

0:42:36.719 --> 0:42:41.760
<v Speaker 5>Because I met old dude FKJ five minutes prior didn't

0:42:41.760 --> 0:42:42.400
<v Speaker 5>speak English.

0:42:42.640 --> 0:42:44.640
<v Speaker 1>Well, he said five minutes. Yeah.

0:42:44.760 --> 0:42:47.800
<v Speaker 5>So as we're getting introduced to each other, he's warming

0:42:47.800 --> 0:42:50.080
<v Speaker 5>his guitar up and that's the riff of the song.

0:42:50.800 --> 0:42:52.560
<v Speaker 5>And so I'm like, all right, we ain't got to talk. Then,

0:42:52.719 --> 0:42:55.480
<v Speaker 5>let's just come on. I got drums, start punching the

0:42:55.560 --> 0:43:00.279
<v Speaker 5>drum machine, and so yeah, it was just another in

0:43:00.320 --> 0:43:08.200
<v Speaker 5>the moment. So y'all got all my favorite things here, women, tea, instruments.

0:43:08.320 --> 0:43:10.719
<v Speaker 1>Oh, let's give them. Let's just give him some backstory.

0:43:11.440 --> 0:43:14.240
<v Speaker 1>You know. He walks onto the pod. Uh, he's walking

0:43:14.239 --> 0:43:16.000
<v Speaker 1>in here, and we're like, man, you got we got water,

0:43:16.520 --> 0:43:19.479
<v Speaker 1>we got uh, we got libations. You know what I'm saying.

0:43:19.480 --> 0:43:22.800
<v Speaker 2>We did we to tequila on that little whiskey aged whiskey.

0:43:22.840 --> 0:43:25.000
<v Speaker 2>You know what I'm saying. We like whiskey of age.

0:43:25.320 --> 0:43:27.239
<v Speaker 2>And he says, yeah, yeah, I feel all that, But

0:43:27.280 --> 0:43:31.000
<v Speaker 2>where's the tea? I said what he said, it's supposed

0:43:31.040 --> 0:43:32.200
<v Speaker 2>to be R and B money.

0:43:32.440 --> 0:43:35.680
<v Speaker 1>You ain't got no tea. You know what I do

0:43:35.760 --> 0:43:36.720
<v Speaker 1>have tea, motherfucker.

0:43:37.719 --> 0:43:41.600
<v Speaker 2>I got tea and I got a love cut trump

0:43:41.680 --> 0:43:44.760
<v Speaker 2>me think I ain't ready. I just bought throw coats

0:43:44.920 --> 0:43:48.439
<v Speaker 2>with limited incognesia and I got mint tea. I got

0:43:48.520 --> 0:43:52.239
<v Speaker 2>Camra meals that saying, I got ginger tea for digestions.

0:43:52.280 --> 0:43:53.719
<v Speaker 1>Just in case you know what I'm saying, you bounce an.

0:43:54.239 --> 0:43:55.960
<v Speaker 1>I got tea, all right, So.

0:43:56.000 --> 0:43:58.680
<v Speaker 2>This man loves tea every time you see him. Just

0:43:58.760 --> 0:44:01.200
<v Speaker 2>make sure maybe you'll come up with a brand of tease.

0:44:01.320 --> 0:44:04.920
<v Speaker 1>Are we branding something right now? If they cutting the check? No, no,

0:44:04.920 --> 0:44:09.160
<v Speaker 1>no the check. If they start in the LLC, you

0:44:09.239 --> 0:44:15.759
<v Speaker 1>can find me. But you got beverages, don't you? You gets

0:44:15.800 --> 0:44:18.040
<v Speaker 1>you got some? You guess your don't think going right?

0:44:18.120 --> 0:44:19.680
<v Speaker 1>I got I.

0:44:19.680 --> 0:44:21.640
<v Speaker 5>Don't know if I got nothing. What I got?

0:44:21.960 --> 0:44:22.600
<v Speaker 3>What I got?

0:44:23.680 --> 0:44:27.040
<v Speaker 5>Yeah, we got stuff closing opening, Okay, we can't talk

0:44:27.080 --> 0:44:29.440
<v Speaker 5>about it yet. Actually you're talking about the jont in

0:44:29.480 --> 0:44:33.520
<v Speaker 5>the overseas situation. Listen, man, I'm big for health, and

0:44:33.880 --> 0:44:36.160
<v Speaker 5>as a man that acquired a little bit more access,

0:44:36.840 --> 0:44:40.320
<v Speaker 5>I've noticed that white people got all the healthy things

0:44:40.360 --> 0:44:43.160
<v Speaker 5>just right next to themselves, and I was like, I

0:44:43.200 --> 0:44:46.440
<v Speaker 5>want black people to have this knowledge, these resources, all this,

0:44:47.280 --> 0:44:50.800
<v Speaker 5>And I think it comes down to affecting culture because

0:44:50.800 --> 0:44:54.520
<v Speaker 5>I think, yeah, I love all the plant based vegan talk,

0:44:54.640 --> 0:45:00.279
<v Speaker 5>because our interpretation, unfortunately, is just replacing comfort food with

0:45:00.600 --> 0:45:03.600
<v Speaker 5>just impossible meet. And I don't think that's the that's

0:45:03.600 --> 0:45:09.960
<v Speaker 5>the word. Do anybody know what's in that? It's it's

0:45:09.520 --> 0:45:11.720
<v Speaker 5>it ain't acgnesias.

0:45:11.760 --> 0:45:17.480
<v Speaker 1>Real quick, you know it's not. You cannot put it in.

0:45:17.480 --> 0:45:22.480
<v Speaker 5>The hold on, man, do you find a suspicious?

0:45:22.840 --> 0:45:25.080
<v Speaker 4>Don't you find a suspicious that we don't get all

0:45:25.160 --> 0:45:25.600
<v Speaker 4>the help?

0:45:27.080 --> 0:45:30.880
<v Speaker 5>Why it costs so much? Why fast foods so affordable

0:45:30.920 --> 0:45:31.600
<v Speaker 5>and near us?

0:45:32.280 --> 0:45:36.440
<v Speaker 1>Yeah? Yeah, what you find a suspicious? I find it suspicious?

0:45:36.520 --> 0:45:38.719
<v Speaker 1>My brother? Can I call you brother Tank? You can

0:45:38.760 --> 0:45:39.759
<v Speaker 1>call me brother Tank.

0:45:39.920 --> 0:45:42.320
<v Speaker 5>I find it suspicious. Then we can't even have nothing.

0:45:52.239 --> 0:46:00.160
<v Speaker 2>Thumbs up to my rap career. Let's start there.

0:46:02.440 --> 0:46:03.880
<v Speaker 5>Mm hmmm, h.

0:46:05.680 --> 0:46:05.920
<v Speaker 2>M h.

0:46:16.360 --> 0:46:17.000
<v Speaker 5>M hmmmm.

0:46:27.440 --> 0:46:29.400
<v Speaker 3>Top five.

0:46:32.120 --> 0:46:33.480
<v Speaker 1>Your top five.

0:46:35.920 --> 0:46:46.560
<v Speaker 2>Top five, Your top five R and B easigga, all

0:46:46.719 --> 0:46:47.920
<v Speaker 2>the these songs.

0:46:49.080 --> 0:46:50.280
<v Speaker 1>Yeah, great, bring.

0:46:50.200 --> 0:47:07.160
<v Speaker 3>Let's tell a discus, tell these bussines, tackle tack. Yes, your.

0:47:16.040 --> 0:47:26.919
<v Speaker 8>Top five, it's all types of off.

0:47:29.160 --> 0:47:35.640
<v Speaker 1>Let's say I shut it tear your top five all singers,

0:47:38.560 --> 0:47:38.920
<v Speaker 1>all right.

0:47:39.320 --> 0:47:39.440
<v Speaker 3>Uh.

0:47:40.400 --> 0:47:44.200
<v Speaker 5>The first person that came to mind was DiAngelo. Yeah,

0:47:44.520 --> 0:47:47.120
<v Speaker 5>I'll start there, Okay, definitely, that's where I will start.

0:47:49.120 --> 0:47:52.120
<v Speaker 5>The second person popped my mind was j Moss. I

0:47:52.239 --> 0:47:55.600
<v Speaker 5>act like that out of control definitely.

0:47:56.760 --> 0:47:57.160
<v Speaker 8>Mm hmm.

0:47:58.360 --> 0:48:02.680
<v Speaker 5>Third, I'm gonna go with Jamie Fox. Yeah, definitely.

0:48:02.960 --> 0:48:10.320
<v Speaker 1>Yeah, that's the cat, the Cat, the cat, musician, tip musicians.

0:48:11.560 --> 0:48:17.080
<v Speaker 5>Impact, Mary J. Blige, Yeah, how to do it? And

0:48:17.160 --> 0:48:23.319
<v Speaker 5>then number five spot gotta go Stevie. Yeah, and see

0:48:23.520 --> 0:48:29.239
<v Speaker 5>defeated un defeated in the world. It's just multifaceted. Choose

0:48:29.440 --> 0:48:32.279
<v Speaker 5>multi everything and he can see so but we'll get

0:48:32.320 --> 0:48:40.120
<v Speaker 5>to that anyway. Your top five, top five R and

0:48:40.239 --> 0:48:46.920
<v Speaker 5>B songs. Okay, top five R and B songs. I

0:48:47.000 --> 0:48:51.279
<v Speaker 5>gotta access some cool to get this. They got you

0:48:51.400 --> 0:48:52.080
<v Speaker 5>both for this one.

0:48:53.400 --> 0:48:57.320
<v Speaker 2>Excuse me, all right. Image, So it's like it's like

0:48:57.560 --> 0:49:06.080
<v Speaker 2>you ski, but you you have the Ten Commandments written.

0:49:07.560 --> 0:49:11.640
<v Speaker 5>On your Ski Betray My Heart DeAngelo. I think that's

0:49:11.680 --> 0:49:12.160
<v Speaker 5>a good one.

0:49:12.320 --> 0:49:14.880
<v Speaker 1>Mm. I think it's suspicious. We don't talk about that

0:49:14.960 --> 0:49:25.080
<v Speaker 1>song enough. That's just me. I would say, hmmmm.

0:49:26.280 --> 0:49:26.400
<v Speaker 8>Was it?

0:49:26.560 --> 0:49:30.040
<v Speaker 1>Was it? What you want to be? Y'all? Why a w?

0:49:31.080 --> 0:49:31.960
<v Speaker 1>Have you heard this record?

0:49:32.080 --> 0:49:32.120
<v Speaker 5>No?

0:49:33.040 --> 0:49:36.840
<v Speaker 1>Where's my cellular device? Can you pass it? I was

0:49:36.920 --> 0:49:41.279
<v Speaker 1>listening to it on the morning all the while? But yes,

0:49:41.400 --> 0:49:43.960
<v Speaker 1>it is very beautiful. It is Where would you be?

0:49:45.400 --> 0:49:48.360
<v Speaker 1>Why a w? Oh? I love that you don't know

0:49:48.440 --> 0:49:49.480
<v Speaker 1>this song. You should listen to it.

0:49:49.560 --> 0:49:52.200
<v Speaker 5>It's very It could be a cover and I could

0:49:52.239 --> 0:49:56.359
<v Speaker 5>just be a youngster. We'll see later. Cool butterflies MJ

0:49:56.800 --> 0:50:02.200
<v Speaker 5>why not? Yes, have to Marshall fancy the Dream?

0:50:02.680 --> 0:50:02.839
<v Speaker 3>Hmm.

0:50:04.840 --> 0:50:06.279
<v Speaker 1>That's a good love song.

0:50:06.719 --> 0:50:08.520
<v Speaker 8>That one. What a vibe?

0:50:09.200 --> 0:50:15.279
<v Speaker 5>Yeah, Yeah, would love to hear liveh missed mm hmm.

0:50:15.920 --> 0:50:21.080
<v Speaker 5>And J Moss Florida, Yeah, let's go to Florida talks

0:50:21.080 --> 0:50:22.040
<v Speaker 5>about the Temptations.

0:50:22.960 --> 0:50:24.400
<v Speaker 1>I really liked that one. It was an R and

0:50:24.480 --> 0:50:26.040
<v Speaker 1>B thing. It was a lot of controversy about him

0:50:26.040 --> 0:50:28.480
<v Speaker 1>singing that he should be able to sing whatever he

0:50:28.560 --> 0:50:32.280
<v Speaker 1>wants to. It's an instrument. It's an instrument, many keys,

0:50:32.680 --> 0:50:36.799
<v Speaker 1>and he's amazing, wanted.

0:50:36.560 --> 0:50:38.880
<v Speaker 5>To be him growing up. I said, how many of

0:50:38.960 --> 0:50:41.560
<v Speaker 5>you is that in that choir? He just said, yes,

0:50:44.120 --> 0:50:44.720
<v Speaker 5>I understand.

0:50:46.280 --> 0:50:50.080
<v Speaker 2>All right, we gotta we're gonna build. We're gonna build

0:50:50.120 --> 0:50:52.279
<v Speaker 2>you a perfect R and B artist. We call it

0:50:52.400 --> 0:50:55.799
<v Speaker 2>the R and B voltron. And you have to pick

0:50:55.960 --> 0:51:01.960
<v Speaker 2>artists where you're going to extract huh uh uh okay,

0:51:02.560 --> 0:51:07.520
<v Speaker 2>the necessities from the materials. We're gonna we're gonna see

0:51:07.520 --> 0:51:10.160
<v Speaker 2>who you're gonna get the vocal from, who you're going

0:51:10.239 --> 0:51:12.600
<v Speaker 2>to get the styling from, who you're going to get

0:51:12.600 --> 0:51:15.600
<v Speaker 2>the performance style from, and who you're going to get.

0:51:15.520 --> 0:51:19.200
<v Speaker 1>The heart of the artists from the passion so good? Yeah,

0:51:19.320 --> 0:51:21.839
<v Speaker 1>So let's start with the vocal. If you're building your

0:51:21.880 --> 0:51:23.560
<v Speaker 1>perfect R and B artists, who are you going to

0:51:23.600 --> 0:51:26.640
<v Speaker 1>get the vocal from that one artist? Who the lead singer?

0:51:27.520 --> 0:51:31.520
<v Speaker 2>Man, it ain't gonna be oltists who who they come

0:51:31.560 --> 0:51:36.520
<v Speaker 2>to see? I gotta be honest, give me the vocals from.

0:51:36.480 --> 0:51:39.840
<v Speaker 1>Cals, lot of that of that.

0:51:40.400 --> 0:51:51.040
<v Speaker 3>Yeah. Oh Now, if you don't want to find out

0:51:51.800 --> 0:51:58.120
<v Speaker 3>the hardway, hardway, now listen to the song is the record?

0:51:58.200 --> 0:52:04.239
<v Speaker 1>Please? Well know all mom Mamma talked me a long

0:52:04.360 --> 0:52:07.040
<v Speaker 1>time ago, throw their lamb in there.

0:52:08.920 --> 0:52:12.480
<v Speaker 2>Yeah, okay, wow, wow, Okay, I can tell a lie.

0:52:12.719 --> 0:52:15.279
<v Speaker 2>Robert Lee vocal, got it, got it? Who are you

0:52:15.360 --> 0:52:17.640
<v Speaker 2>getting the performance style.

0:52:17.440 --> 0:52:22.040
<v Speaker 1>From that performance?

0:52:24.560 --> 0:52:28.560
<v Speaker 5>Give me Maxwell hm hmm yeah, with the new Maxwell,

0:52:28.600 --> 0:52:31.719
<v Speaker 5>with the Meganes, with the Megan Thees Maxwell. Yeah, yeah,

0:52:32.000 --> 0:52:35.560
<v Speaker 5>I've seen. Yeah, I said, this has long jevity.

0:52:35.800 --> 0:52:43.239
<v Speaker 1>Yeah, I don't want the first tour knees got out

0:52:43.280 --> 0:52:55.799
<v Speaker 1>of here, get that drop down and get your I'm

0:52:55.880 --> 0:53:01.920
<v Speaker 1>not I'm not not me lost me there, I respect

0:53:02.000 --> 0:53:07.000
<v Speaker 1>it thought. Okay, who you getting the styling from the

0:53:07.120 --> 0:53:11.400
<v Speaker 1>drip of the artists? The styling from get me on?

0:53:11.960 --> 0:53:12.759
<v Speaker 5>No, no, no, no, no, no.

0:53:14.360 --> 0:53:14.640
<v Speaker 3>Do that.

0:53:14.880 --> 0:53:19.839
<v Speaker 5>No, the styling from the R and B because we're

0:53:20.719 --> 0:53:25.759
<v Speaker 5>we're an odd bunch with the outfits. Whatever artists you

0:53:25.760 --> 0:53:28.880
<v Speaker 5>want to throw in there, though you're making your perfect

0:53:29.000 --> 0:53:30.640
<v Speaker 5>R and B artist for you, it's yours.

0:53:30.680 --> 0:53:36.920
<v Speaker 1>Who's got the drip? Mmm r n B. No, No,

0:53:37.160 --> 0:53:38.480
<v Speaker 1>that wasn't really doing it for me.

0:53:38.560 --> 0:53:42.120
<v Speaker 5>Back in the news day, Okay, okay, give me those

0:53:42.239 --> 0:53:46.360
<v Speaker 5>threads from Jay Holiday, the flannel with the hoodie in

0:53:46.400 --> 0:53:47.719
<v Speaker 5>the back, the.

0:53:47.760 --> 0:53:49.000
<v Speaker 1>Hoodie that come out of the flannel.

0:53:49.120 --> 0:53:54.640
<v Speaker 5>Yeah yeah, yeah, uh suffocate, suffocate, I do exactly what?

0:53:56.160 --> 0:53:59.960
<v Speaker 1>Come on? Now? You sure you know what I'm saying?

0:54:01.880 --> 0:54:05.320
<v Speaker 1>Your whole artist is gonna happen, Okay.

0:54:05.840 --> 0:54:08.160
<v Speaker 5>Because that's when I'll know that the art is speaking,

0:54:08.160 --> 0:54:09.400
<v Speaker 5>because you're not here for the clothes.

0:54:12.040 --> 0:54:16.520
<v Speaker 1>I need that. Ah Okay, it's kind of a dig

0:54:17.320 --> 0:54:17.880
<v Speaker 1>I'm roland.

0:54:19.000 --> 0:54:25.000
<v Speaker 5>Oh but no, no, no, understand that for that combination,

0:54:25.640 --> 0:54:31.080
<v Speaker 5>it would be viewed in this day and time as lumberjackish.

0:54:31.800 --> 0:54:35.000
<v Speaker 5>But that doesn't mean it's not a style that people want.

0:54:35.120 --> 0:54:38.800
<v Speaker 5>Jack one hundred thw thousand.

0:54:38.840 --> 0:54:45.760
<v Speaker 1>You know we can do this. You know it's crazy.

0:54:46.040 --> 0:54:48.600
<v Speaker 1>I'm thinking you're gonna say dred the whole time. I'm like,

0:54:50.360 --> 0:54:51.799
<v Speaker 1>you're gonna say dray. Yeah.

0:54:51.880 --> 0:54:59.880
<v Speaker 2>That definitely came out of left Yep, none of wh

0:55:00.080 --> 0:55:04.600
<v Speaker 2>The passion of you threw this nigga off. He said,

0:55:05.400 --> 0:55:09.919
<v Speaker 2>for the drip, I love, I just didn't know he dripped, Okay,

0:55:10.000 --> 0:55:11.640
<v Speaker 2>Hey said three thousand for the drip.

0:55:12.080 --> 0:55:15.280
<v Speaker 1>Yeah, okay. Passion of the artist, the heart of the artist,

0:55:15.440 --> 0:55:23.920
<v Speaker 1>the heart gotta do Michael God, who wanted more than that?

0:55:24.280 --> 0:55:28.520
<v Speaker 1>What is a nigga going through that? In between?

0:55:29.120 --> 0:55:31.719
<v Speaker 5>And it's understanding and held on to that thing in

0:55:31.760 --> 0:55:33.759
<v Speaker 5>the air that holds you and said, what.

0:55:33.840 --> 0:55:34.840
<v Speaker 1>About the elephants?

0:55:36.440 --> 0:55:37.560
<v Speaker 8>What about the saying?

0:55:37.920 --> 0:55:41.160
<v Speaker 5>You know what I'm saying, that's heard. You care about

0:55:41.280 --> 0:55:44.880
<v Speaker 5>the things that we can't even go see only you've

0:55:44.880 --> 0:55:47.040
<v Speaker 5>seen them elephants. We ain't got that type of money.

0:55:48.400 --> 0:55:52.160
<v Speaker 5>He was trying to put us up on Brazil, looking

0:55:52.200 --> 0:55:53.600
<v Speaker 5>to put us up. I've seen it's sad.

0:55:53.960 --> 0:55:54.520
<v Speaker 8>Where you going?

0:55:57.320 --> 0:56:01.719
<v Speaker 1>What about Derek? What about the mountain to love? It's

0:56:01.880 --> 0:56:07.840
<v Speaker 1>burning love? What about lava?

0:56:09.280 --> 0:56:09.320
<v Speaker 5>What?

0:56:10.239 --> 0:56:17.520
<v Speaker 1>What about ants? What about lying and tigers in bears?

0:56:17.600 --> 0:56:18.720
<v Speaker 4>Don't have a chance.

0:56:22.840 --> 0:56:25.120
<v Speaker 1>This is why you can't write songs with him, because

0:56:25.760 --> 0:56:28.840
<v Speaker 1>saying what about lava? He can make anything sound like

0:56:28.920 --> 0:56:30.000
<v Speaker 1>it's supposed to be cool.

0:56:32.000 --> 0:56:35.040
<v Speaker 2>Michael doesn't care about lava. I can care about But

0:56:35.120 --> 0:56:37.480
<v Speaker 2>if you look at java, it's so much of it.

0:56:38.000 --> 0:56:40.520
<v Speaker 2>It swhere, does it go? Does any does it can

0:56:40.600 --> 0:56:44.160
<v Speaker 2>even help the lava? Can someone help us with the LoVa?

0:56:44.200 --> 0:56:46.720
<v Speaker 2>And then and then it and then it dries and dies?

0:56:48.239 --> 0:56:52.000
<v Speaker 2>Help us keep the lava, lava, keep the lava. And

0:56:52.080 --> 0:56:54.320
<v Speaker 2>those of you who are making lava laps, how dare you?

0:56:56.200 --> 0:56:59.000
<v Speaker 2>How dare you extract lava from its place, from its ois?

0:56:59.080 --> 0:57:01.400
<v Speaker 2>From its home, take it from It's must be stopped.

0:57:01.920 --> 0:57:05.439
<v Speaker 1>Yeah, you have to be lover belongs with LoVa. None

0:57:05.440 --> 0:57:15.239
<v Speaker 1>in your lamps. M okay, Oh my god, that is

0:57:15.280 --> 0:57:15.960
<v Speaker 1>on his teeth.

0:57:16.200 --> 0:57:20.080
<v Speaker 8>This guy, man, where are you going?

0:57:21.040 --> 0:57:25.520
<v Speaker 1>Where are you going? Is this a little bill theme?

0:57:31.400 --> 0:57:39.080
<v Speaker 1>Is that about the record? You lost it? I think

0:57:39.120 --> 0:57:44.120
<v Speaker 1>I lost it? He throwing all I got it, I

0:57:44.160 --> 0:57:48.040
<v Speaker 1>got I got I got I got it, I got it,

0:57:49.640 --> 0:57:52.000
<v Speaker 1>I got it, I got it. I ain't saying no names.

0:57:52.040 --> 0:57:56.200
<v Speaker 2>I ain't saying no names. Ain't saying no names. Saying

0:57:56.320 --> 0:58:00.400
<v Speaker 2>no name when you were who he was weird? Don't

0:58:00.440 --> 0:58:05.240
<v Speaker 2>say ship. I ain't saying no.

0:58:13.160 --> 0:58:17.440
<v Speaker 5>It's a good show a lot. That's a very important segment. Okay,

0:58:18.360 --> 0:58:26.960
<v Speaker 5>very important to the rest of those seams, tears. There's

0:58:27.000 --> 0:58:28.880
<v Speaker 5>a question to be asked this segment of the show.

0:58:28.920 --> 0:58:29.440
<v Speaker 1>I'm listening.

0:58:30.080 --> 0:58:33.440
<v Speaker 5>God, I ain't saying no names. It's about your travels

0:58:33.480 --> 0:58:39.400
<v Speaker 5>and this ship music industry. Yeah, yeah, yeah, yeah. The

0:58:39.520 --> 0:58:42.800
<v Speaker 5>story can be funny. Are fucked up? Are funny? And

0:58:43.000 --> 0:58:46.040
<v Speaker 5>fucked up? Could be about your audit when you audited

0:58:46.200 --> 0:58:52.560
<v Speaker 5>label ship. The only rulee to this game and segment.

0:58:53.040 --> 0:58:54.200
<v Speaker 5>You just can't say no names.

0:58:56.200 --> 0:59:04.960
<v Speaker 1>But this right here. I ain't saying no name. Okay, okay, man,

0:59:05.200 --> 0:59:09.080
<v Speaker 1>what all right? Take time? Can you just put me

0:59:09.120 --> 0:59:18.320
<v Speaker 1>in a minor for a seconds? I think musician nigga? Okay,

0:59:18.680 --> 0:59:22.160
<v Speaker 1>we could do that decent story, Max. You know I

0:59:22.240 --> 0:59:23.840
<v Speaker 1>got masked. I just got to figure out to clean

0:59:23.920 --> 0:59:28.200
<v Speaker 1>this up. No, no, we want a dirty story. Dirty.

0:59:28.240 --> 0:59:32.200
<v Speaker 1>We want to tell them dirt, dirt.

0:59:34.120 --> 0:59:35.760
<v Speaker 5>All right, we'll do it. We'll keep it light for

0:59:35.800 --> 0:59:38.200
<v Speaker 5>the first ones. I think of the second one all right, boom.

0:59:39.480 --> 0:59:42.440
<v Speaker 5>It's my first time in l A searching for a

0:59:42.560 --> 0:59:46.840
<v Speaker 5>deal using my contacts that I have, and then I

0:59:47.000 --> 0:59:51.840
<v Speaker 5>land a meeting with a really well known executive and

0:59:51.960 --> 0:59:54.000
<v Speaker 5>his partner and they're like, yo, meet us at the

0:59:54.120 --> 0:59:56.360
<v Speaker 5>top of Soho House.

0:59:57.240 --> 0:59:59.760
<v Speaker 1>You know, can I say names of place? You know?

0:59:59.800 --> 1:00:01.200
<v Speaker 1>I'm niggas be a man.

1:00:01.280 --> 1:00:04.640
<v Speaker 5>Yeah, everybody there see the view all that my first

1:00:04.680 --> 1:00:07.720
<v Speaker 5>time being there. I used to be at the rallies.

1:00:07.880 --> 1:00:08.520
<v Speaker 5>That's where I would do.

1:00:10.360 --> 1:00:11.160
<v Speaker 8>That's what I would do.

1:00:11.280 --> 1:00:16.960
<v Speaker 5>Me a little different, a guy like me. Yeah, I'm

1:00:17.000 --> 1:00:19.760
<v Speaker 5>sure they don't have the trouble pizza, you understand, I

1:00:19.840 --> 1:00:23.400
<v Speaker 5>get it. Yeah, I just traded my longboard, so it's

1:00:23.440 --> 1:00:25.760
<v Speaker 5>a different stage. So I show up to this meeting

1:00:25.840 --> 1:00:31.040
<v Speaker 5>on time early actually, and at first they were asking

1:00:31.120 --> 1:00:34.160
<v Speaker 5>if I worked there, and I said, these are my

1:00:34.720 --> 1:00:35.960
<v Speaker 5>these are my famous clothes.

1:00:36.040 --> 1:00:36.840
<v Speaker 1>No, I don't work here.

1:00:37.880 --> 1:00:41.240
<v Speaker 5>But they said, sir, you know use your lakers, now

1:00:41.280 --> 1:00:43.280
<v Speaker 5>you understand. And I said, no, no, no, I don't

1:00:43.320 --> 1:00:45.080
<v Speaker 5>work here. I'm not here to park the cars. I'm

1:00:45.600 --> 1:00:46.320
<v Speaker 5>here to get a deal.

1:00:47.240 --> 1:00:47.680
<v Speaker 1>So boom.

1:00:47.960 --> 1:00:51.480
<v Speaker 5>After a lot of you know, ego taming, I make

1:00:51.560 --> 1:00:53.080
<v Speaker 5>my way up to the top of the top of

1:00:53.200 --> 1:00:57.240
<v Speaker 5>so's a beautiful view, nice layer of small and pollution

1:00:57.480 --> 1:01:01.160
<v Speaker 5>just to coat the clouds of l a and a

1:01:01.240 --> 1:01:03.760
<v Speaker 5>little hero and needle right there in the distance, just

1:01:04.520 --> 1:01:05.680
<v Speaker 5>being shared by a couple.

1:01:06.760 --> 1:01:07.680
<v Speaker 1>Love. Wow.

1:01:07.840 --> 1:01:10.600
<v Speaker 5>And So now I'm here with my manager and we're

1:01:10.680 --> 1:01:18.360
<v Speaker 5>just waiting thirty minutes our hour thirty. I've already consumed

1:01:18.520 --> 1:01:23.480
<v Speaker 5>the very expensive appetizers. I said, who's.

1:01:23.240 --> 1:01:23.680
<v Speaker 1>Paying for this?

1:01:23.840 --> 1:01:28.480
<v Speaker 5>Doesn't matter. Then two men, powerful men walk in. I said, oh,

1:01:28.560 --> 1:01:31.280
<v Speaker 5>there's the money walking in my deals here. Let me

1:01:31.440 --> 1:01:34.360
<v Speaker 5>just move my work clothes them see my chain from

1:01:34.400 --> 1:01:39.880
<v Speaker 5>Patrick Henry Mall And so I, oh, yes, the kiosk

1:01:40.040 --> 1:01:40.480
<v Speaker 5>I love that.

1:01:40.960 --> 1:01:41.240
<v Speaker 8>I love.

1:01:41.440 --> 1:01:44.280
<v Speaker 1>Yes, it's gotta fake it till you you understand.

1:01:47.280 --> 1:01:51.120
<v Speaker 5>Well, so I'm I'm trying to talk to I'm like, yo,

1:01:51.200 --> 1:01:52.480
<v Speaker 5>so I'm gonna say go and I do this, and

1:01:52.520 --> 1:01:54.880
<v Speaker 5>I play out his instruments no dah, and I'm just

1:01:55.000 --> 1:01:56.960
<v Speaker 5>like I'm looking out at the sky like this is

1:01:57.000 --> 1:01:59.320
<v Speaker 5>my chance. I'm just telling him who I am and

1:01:59.400 --> 1:02:02.360
<v Speaker 5>why I am the one he should sign. And then

1:02:02.400 --> 1:02:09.560
<v Speaker 5>I looked down and one of them is sleeping, sleep, resting,

1:02:10.240 --> 1:02:11.000
<v Speaker 5>and the other one is.

1:02:11.040 --> 1:02:13.160
<v Speaker 1>Just like, yeah, man, you know it's.

1:02:14.800 --> 1:02:16.080
<v Speaker 5>Yeah, he's got back from London.

1:02:16.320 --> 1:02:17.840
<v Speaker 1>You know how that is. I said, no, I don't

1:02:17.880 --> 1:02:23.120
<v Speaker 1>know how that is. I am broke. What is it? London?

1:02:26.920 --> 1:02:29.800
<v Speaker 1>But I'm not her American boy, well not her American.

1:02:30.400 --> 1:02:32.760
<v Speaker 5>So he was sleeping and I was just like, well,

1:02:32.800 --> 1:02:37.120
<v Speaker 5>wake up, mister West, and uh he woke up and.

1:02:37.120 --> 1:02:40.960
<v Speaker 1>He said yeah, yeah, yeah, yeah yeah. Can we do

1:02:41.040 --> 1:02:41.760
<v Speaker 1>this over email?

1:02:43.240 --> 1:02:47.640
<v Speaker 5>And I said yes we can, and then he left

1:02:47.920 --> 1:02:50.240
<v Speaker 5>to go to the bathroom. And I had to pay

1:02:50.320 --> 1:02:53.480
<v Speaker 5>for this so on my father's credit card, this meal

1:02:53.520 --> 1:02:54.240
<v Speaker 5>that we all enjoyed.

1:02:54.280 --> 1:02:57.560
<v Speaker 1>He ordered the what is the meal out here?

1:02:57.720 --> 1:03:02.440
<v Speaker 5>The salmon with the here with the potatoes, yes, and

1:03:02.520 --> 1:03:12.080
<v Speaker 5>then those housemaid chips I believe, Yeah, two glasses of wine.

1:03:12.080 --> 1:03:14.520
<v Speaker 5>I think it was nineteen crimes at the time. Shout

1:03:14.560 --> 1:03:16.520
<v Speaker 5>out snoop, good partnership.

1:03:16.600 --> 1:03:17.000
<v Speaker 1>Didn't know.

1:03:18.840 --> 1:03:21.640
<v Speaker 5>And yeah, yeah, that was quite the bill. That took

1:03:21.680 --> 1:03:23.840
<v Speaker 5>a while to pay off. And then when I would

1:03:23.840 --> 1:03:26.560
<v Speaker 5>see him in the future, he would just say he's

1:03:26.600 --> 1:03:34.440
<v Speaker 5>proud of me, and I'd be like, guacamole, but I

1:03:34.440 --> 1:03:35.440
<v Speaker 5>ain't saying no names.

1:03:37.640 --> 1:03:43.920
<v Speaker 1>I ain't saying no names. That's great, appreciate it, man,

1:03:44.520 --> 1:03:47.280
<v Speaker 1>that was really good. Had to clean it up. I

1:03:47.400 --> 1:03:49.520
<v Speaker 1>was like, he needed to take you to dinner, man,

1:03:50.040 --> 1:03:50.680
<v Speaker 1>he needed to take.

1:03:52.480 --> 1:03:52.520
<v Speaker 5>You.

1:03:52.600 --> 1:03:55.800
<v Speaker 1>Got brother, got to take you to dinner, just one dinner.

1:03:56.760 --> 1:03:57.640
<v Speaker 5>It could be at rallies.

1:03:57.680 --> 1:04:01.880
<v Speaker 1>I'd still show up. If anybody asked, you can we

1:04:01.960 --> 1:04:04.840
<v Speaker 1>do this over email? You say no, we cannot.

1:04:06.920 --> 1:04:07.200
<v Speaker 3>Ship.

1:04:07.520 --> 1:04:10.800
<v Speaker 1>Yeah, that's tough. We're gonna do this now, we ain't

1:04:10.840 --> 1:04:13.480
<v Speaker 1>gonna do it. It's good.

1:04:13.880 --> 1:04:17.840
<v Speaker 2>That's a great story though. That's amazing, and it's it's real.

1:04:18.000 --> 1:04:21.080
<v Speaker 2>It's man, it's it's how this ship goes.

1:04:24.160 --> 1:04:26.400
<v Speaker 1>You guys don't have to be the guacamole guy. You

1:04:26.520 --> 1:04:28.200
<v Speaker 1>don't have to be to guacamolea. I have to be

1:04:28.240 --> 1:04:32.640
<v Speaker 1>the guacamolea guy. You might be with me and I

1:04:32.720 --> 1:04:34.800
<v Speaker 1>might push the guacamole in your fucking face.

1:04:34.920 --> 1:04:38.480
<v Speaker 5>Talk to talk, Come on, man, talk to talk. Ship,

1:04:39.240 --> 1:04:41.640
<v Speaker 5>Wake the funk up, right, Come on, guys. We don't

1:04:41.680 --> 1:04:44.400
<v Speaker 5>have to be those guys. Man, don't have to don't

1:04:44.480 --> 1:04:47.520
<v Speaker 5>have to be those guys. Man, you either like it

1:04:47.560 --> 1:04:49.760
<v Speaker 5>or you don't like it. Tell someone you don't like it.

1:04:49.920 --> 1:04:53.800
<v Speaker 5>It's it's okay, and move on. We don't have to

1:04:54.120 --> 1:04:59.480
<v Speaker 5>be disrespectful, brother, migo. That story is great, great story

1:05:00.680 --> 1:05:03.000
<v Speaker 5>top to bottom. And you you're you're still in the

1:05:03.080 --> 1:05:06.360
<v Speaker 5>beginning stages of writing some really cool ship. Man, writing

1:05:06.400 --> 1:05:09.360
<v Speaker 5>a really cool story for yourself. It's impressive.

1:05:09.440 --> 1:05:09.640
<v Speaker 3>Man.

1:05:10.200 --> 1:05:10.920
<v Speaker 1>We support you.

1:05:11.080 --> 1:05:11.280
<v Speaker 3>Man.

1:05:12.000 --> 1:05:15.200
<v Speaker 1>Suspicious that you haven't been here sooner, but that is suspicious.

1:05:15.560 --> 1:05:19.520
<v Speaker 1>You know, I'm gonna take your head.

1:05:21.360 --> 1:05:22.000
<v Speaker 5>A different product.

1:05:22.880 --> 1:05:31.000
<v Speaker 1>Ain't no product. Baby, You're gonna see a lot of.

1:05:33.480 --> 1:05:34.320
<v Speaker 8>A lot of in Brazil.

1:05:36.760 --> 1:05:39.080
<v Speaker 3>Hello, this is.

1:05:42.600 --> 1:05:43.360
<v Speaker 1>He speaks Spanish.

1:05:43.560 --> 1:05:43.960
<v Speaker 2>I know that.

1:05:45.840 --> 1:05:46.560
<v Speaker 1>On the shoulders.

1:05:47.560 --> 1:05:47.840
<v Speaker 3>Baby.

1:05:48.400 --> 1:05:52.280
<v Speaker 2>Okay, uh you you're killing them. Man, you gonna keep you.

1:05:53.560 --> 1:05:56.200
<v Speaker 2>It's amazing, amazing things for you. Hopefully you know, we'll

1:05:56.240 --> 1:05:58.760
<v Speaker 2>get to be able to do some cool work with you.

1:05:58.840 --> 1:06:01.160
<v Speaker 2>Man sitting in the room and just I.

1:06:01.200 --> 1:06:04.600
<v Speaker 1>Don't know how let the same background man ship have

1:06:04.800 --> 1:06:05.960
<v Speaker 1>fun that. You know.

1:06:07.840 --> 1:06:13.000
<v Speaker 2>You don't want that. You don't want that because it's

1:06:13.040 --> 1:06:16.520
<v Speaker 2>get different. This is illegal in eight countries.

1:06:16.600 --> 1:06:16.959
<v Speaker 1>You can't.

1:06:17.520 --> 1:06:21.120
<v Speaker 2>They don't even let me burn this. Motherfucking sir. It's

1:06:21.120 --> 1:06:24.920
<v Speaker 2>stan Bull. Can't go right, just trying to let you know.

1:06:26.480 --> 1:06:30.080
<v Speaker 2>But thank you, brother. I really got to say that, man,

1:06:30.080 --> 1:06:35.640
<v Speaker 2>because you know, it's a it's a shortage of of

1:06:36.480 --> 1:06:40.760
<v Speaker 2>of truly talented people that are standing on it, you

1:06:40.840 --> 1:06:43.240
<v Speaker 2>know what I mean. The compromise is real. Ultimately, people

1:06:43.280 --> 1:06:45.080
<v Speaker 2>want to make money, they want to live, they want

1:06:45.120 --> 1:06:49.640
<v Speaker 2>to be in in the know in the now, and

1:06:49.760 --> 1:06:53.959
<v Speaker 2>it's a long road to be talented in today's time.

1:06:54.560 --> 1:06:57.840
<v Speaker 2>And you are doing it with style and grace, my brother,

1:06:58.360 --> 1:07:00.800
<v Speaker 2>and you've been very successful. So you salute you for

1:07:00.920 --> 1:07:02.320
<v Speaker 2>the thanks, appreciate you for it.

1:07:02.920 --> 1:07:05.800
<v Speaker 1>Thank you. Lit. My name is Tank Valentine.

1:07:06.200 --> 1:07:10.360
<v Speaker 2>This is the Army Money podcast, the authority on all

1:07:10.520 --> 1:07:13.320
<v Speaker 2>things R and B and Trap House Chat and trap

1:07:13.360 --> 1:07:18.200
<v Speaker 2>House Jass and this has been the brother himself Shaped

1:07:18.520 --> 1:07:20.960
<v Speaker 2>Shapes don't matter, do it All?

1:07:21.480 --> 1:07:31.720
<v Speaker 5>My R and B Money. R and B Money is

1:07:31.720 --> 1:07:35.040
<v Speaker 5>a production of the Black Effect podcast network. For more

1:07:35.160 --> 1:07:40.240
<v Speaker 5>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

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1:07:43.520 --> 1:07:46.640
<v Speaker 5>subscribe to and rate our show, and you can connect

1:07:46.640 --> 1:07:49.960
<v Speaker 5>with us on social media at Jay Valentine and at

1:07:50.000 --> 1:07:54.360
<v Speaker 5>the Real Tank. For the extended episode, subscribe to YouTube

1:07:54.440 --> 1:07:57.400
<v Speaker 5>dot com, Forward, slash r, and b Money