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Speaker 1: Give it a chance, give it a chance. Give it

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Speaker 1: a chick. Come morning, give it a chance, Give it

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Speaker 1: a chance, give it a chance, give it a chance.

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Speaker 1: Good morning, Give it a you want to give it

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Speaker 1: a chance, Give it a chance, give it a chance.

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Speaker 1: Just give it a chance. Hey everyone, Hi, everybody so

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Speaker 1: excited for today's episode. Always here we go. Here's your

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Speaker 1: hint to Rooney.

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Speaker 2: Okay, I just want to say, off the top two.

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Speaker 2: I feel like I've been like a little off the

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Speaker 2: off the off, the off the chain lately, you know

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Speaker 2: what I mean. I feel like I've been letting myself.

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Speaker 2: It's just my comfort level with Case. So today I'm

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Speaker 2: going to be like really serious.

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Speaker 1: No, I hear I hear the fans. I hear the

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Speaker 1: tiny chancers going no, no, let them off the chain.

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Speaker 2: Come on, Case, be cool. Yeah, it's it's it's honestly,

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Speaker 2: we've got a lot of notes from my heart. We

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Speaker 2: have not at all. That's not true at all. This

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Speaker 2: is a self directed note. But I also I am

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Speaker 2: going to try, to the best of my ability today

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Speaker 2: to never talk about Kurt Cobain or Elliotsman.

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Speaker 1: No, you can't, you can't.

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Speaker 2: I probably can't.

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Speaker 1: This one's this is this is the song that Kurt

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Speaker 1: did with Elliott Ellie? Wow?

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Speaker 2: What that? What would that have been? Like? Interesting?

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Speaker 1: Ellie? And who's the trifecta?

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Speaker 2: El Yeah? Yeah, oh, I bring up Leonard Cohen a

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Speaker 2: fair amount too, I guess in.

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Speaker 1: The early days, but maybe in the early days of

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Speaker 1: the pod. So, so last episode was a Christmas episode, yes,

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Speaker 1: and this is also releasing in December, and I thought.

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Speaker 3: Oh, December drinking, you immediately immediately broke your role.

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Speaker 1: You might as well just went Kurt Cobain, goh.

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Speaker 2: God, okay, okay, sorry, back on the chain.

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Speaker 1: We're in December, and you know, technically I could probably

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Speaker 1: drop another Christmas song. And then I thought, you know,

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Speaker 1: what are they? Have you ever heard of Christmas in July?

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Speaker 2: Oh? Yeah, big time. Yeah, we celebrated every year in

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Speaker 2: this house.

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Speaker 1: I pitched this idea to Lisa and my wife, and

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Speaker 1: she was like, there's no such thing as Christmas in July.

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Speaker 2: Lisa, there is, there is, look it up.

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Speaker 1: She's talking from the back, she answers. But I had

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Speaker 1: an idea, why don't we do summer in Christmas?

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Speaker 2: Oh, July and December? As I'm talking about some some

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Speaker 2: in December.

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Speaker 1: So that's your hint.

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Speaker 2: That's kind of what he's talking about when he's saying

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Speaker 2: he's drinking hortshata, not that you can drink hortata year round.

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Speaker 2: This is a vampire weekend song. I have to get

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Speaker 2: back on the chain.

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Speaker 1: Okay, y doving a vampire weekend song. I mean, I

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Speaker 1: don't think there would be one to do.

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Speaker 2: No, he can't do it. The chance has been given. Okay,

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Speaker 2: So we're doing summer in December, in the winter.

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Speaker 1: It's a summer song.

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Speaker 2: Is Summertime by Will Smith?

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Speaker 1: Very good? Guess Okay, summer isn't the title Summer Girls

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Speaker 1: by LFO You got it? Second? Second time is a charm. Yes,

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Speaker 1: we're doing this.

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Speaker 2: Is weirdly, this was a this is this is real.

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Speaker 2: This is not me making a joke. This is It's verifiable.

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Speaker 2: You could look this stuff up in the Library of Congress.

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Speaker 2: This was a guilty pleasure of Leonard Cohen's I believe.

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Speaker 1: That, I would believe it. I could see this being

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Speaker 1: a lot of people's gts. Yeah, GPS, GPS guilty treasure,

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Speaker 1: guilty treasures. I like that this is someone's guilty treasure

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Speaker 1: for sure. I think that it's I have a lot

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Speaker 1: of feeling.

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Speaker 2: We'll jump into it.

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Speaker 1: Maybe we'll I also recommend yes at you watch the

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Speaker 1: music video.

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Speaker 2: All right, so I'm opening up a music video friendly

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Speaker 2: app on my phone. I won't say which one. Nice

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Speaker 2: it's super squibby. But if you're driving a car, don't

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Speaker 2: do this. I am driving a car at present, but

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Speaker 2: to do whatever you want, honestly, like be fucking reckless.

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Speaker 1: Doggies off the chain. We'll be right back. I like girls.

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Speaker 1: I'm a clompion fitch. She's being since that.

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Speaker 2: Summer, since that summer. I jumped out after that. I

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Speaker 2: think what is the last chorus? I'm gonna confess there's

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Speaker 2: another forty seconds. But I messed up when I started

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Speaker 2: this and started playing some ad that played me a

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Speaker 2: Taylor Swift song from some movie for thirty seconds. So wow.

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Speaker 1: Yeah. The first thing I want to say is that

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Speaker 1: as a person's who's heard you freestyle, this is not

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Speaker 1: far off.

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Speaker 2: I don't know if I should be insulted or excited

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Speaker 2: by that.

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Speaker 1: There's certain things like certain references or just like you

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Speaker 1: would say something like call me Willie Whistle because I

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Speaker 1: can't speak.

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Speaker 2: Or something, you know, like there's a lot of well,

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Speaker 2: thank you. First of all, thank you first and for

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Speaker 2: most thank you. There's a lot of really crazy references

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Speaker 2: in the lyrics that I don't think I ever fully

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Speaker 2: like homed in on before.

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Speaker 1: So reference heavy. It's that thing where like.

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Speaker 2: We've talked about this, Yeah, yeah, it's too Yeah.

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Speaker 1: We're like we're like white people take a thing that

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Speaker 1: black people do and do it to death and choke

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Speaker 1: it till it's dead, and so totally over referencing is crazy,

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Speaker 1: even like he starts with like McCaulay cocin and like

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Speaker 1: reference color purple.

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Speaker 2: Dude. The references though, first of all, you that's the

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Speaker 2: one that sent me when when I mean all of

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Speaker 2: them are like that's hilarious, Like they're not even references,

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Speaker 2: they're just like it's references in a very literal sense.

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Speaker 2: It's like the reference page of a paper, like a

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Speaker 2: paper you turn in for school, like Macaulay Colchin was

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Speaker 2: in home alone. That's insane. That's what is that. That's

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Speaker 2: nothing but the fact that he says the color purple.

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Speaker 2: If I'm correct, I'm not looking at the lyrics macaroni

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Speaker 2: and cheese.

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Speaker 1: Is that like he says, I like the color purple

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Speaker 1: and macaroni and cheese.

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Speaker 2: That's like. Now, while I appreciate anytime my freestyling is

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Speaker 2: brought up in the context of a of an internationally celebrated,

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Speaker 2: you know, hip hop adjacent act, I would say, that's

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Speaker 2: like something our children would write. I like the color purple,

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Speaker 2: macaroni and cheese. Like, that's nothing. That's totally insane. Those

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Speaker 2: two things. There's no universe in which they should be

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Speaker 2: placed next to each other in a sentence, let alone

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Speaker 2: a thing that was going to be recorded and replayed

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Speaker 2: ad infinitum. It'scho and I don't even know if I'm

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Speaker 2: a chance or anti chance with this. It's more like

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Speaker 2: the audacity of it is really cutely wild.

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Speaker 1: Yeah, it's like I like Lanson hughes and pop tarts.

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Speaker 1: It's like, that's what it feels like.

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Speaker 2: My mommy said I was handsome and smart.

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Speaker 1: See that's what I'm talking about. You know what you're

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Speaker 1: doing on the mic, And you could have been an

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Speaker 1: LFO I, but I didn't have I only.

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Speaker 2: Had a four pop, I didn't have a six box,

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Speaker 2: so I couldn't be in it. The one thing, the

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Speaker 2: one thing. I will say, the one thing, and then

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Speaker 2: I'm gonna go quiet for the rest of the podcast.

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Speaker 2: One thing I will say is did they get paid

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Speaker 2: by Abercrombie and Fitch, because they say that in every chorus.

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Speaker 2: Oh I almost punched the table. All right, that's so animated.

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Speaker 2: They say that in every chorus, and they resolve every

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Speaker 2: pre chorus with that company. It's probably eleven times in

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Speaker 2: the song they say the name of the company.

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Speaker 1: I've worked with a few advertisers and they're always like,

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Speaker 1: please don't try not to even mention us, Like they're

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Speaker 1: always like downplay it, like they want it to be subtle.

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Speaker 1: There's no way that they would want it this much.

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Speaker 1: But I know who definitely didn't pay for this is

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Speaker 1: big Chinese Food because they get drag get rocked. Chinese

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Speaker 1: food makes me sick, Like that's such a weird too.

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Speaker 1: It's like, also, Chinese food is so I've never met

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Speaker 1: a person who's like, I can't eat Chinese food.

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Speaker 2: It's well, what I'll say is this, I'm a big fan,

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Speaker 2: big proponent. Chinese Food's great, as I age. Oh no,

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Speaker 2: there are certain things that start. It's like the same thing, like,

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Speaker 2: you know, I can't really I eat pizza, but if

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Speaker 2: I was to House, pizza the way Doctor House and

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Speaker 2: I did went home on Doctor House, and I would

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Speaker 2: hang out, you know my let's say, in my teens

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Speaker 2: and twenties, there's my belly hurts case. I'm not ashamed

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Speaker 2: to admit it. I'll be forty five by the time

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Speaker 2: this pod comes out.

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Speaker 1: So you're saying that you ghost you from You from

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Speaker 1: the Future, ghost wrote this.

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Speaker 2: Yeah, and I and I ghosted some of the dishes

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Speaker 2: I used to. I can't. I don't like I ghosted

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Speaker 2: Chinese food because some of it. It doesn't make me sick,

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Speaker 2: but it makes me feel like heavy and slow.

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Speaker 1: I think I'm saying I think you need to have

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Speaker 1: them elevated Chinese food. This is a whole other Oh yeah, yeah,

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Speaker 1: let's talk about you need to elevate your Chinese food ordering.

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Speaker 2: Well, what do you what do you think I'm ordering?

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Speaker 2: I order a lot of vegetarian. I keep punching the table.

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Speaker 2: I order a lot of vegetarian adjacent to Chinese food.

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Speaker 2: And that's just like, you know, it's pretty healthy.

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Speaker 1: But yeah, sure, but like a vegetarian egg roll is

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Speaker 1: still an egg roll.

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Speaker 2: No, I know. But if I'm ordering, like I don't

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Speaker 2: know what voice that was.

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Speaker 1: I'm he feels cornered.

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Speaker 2: I feel yeah, I feel triggered and cornered, But I

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Speaker 2: do just want to say big shout out to good

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Speaker 2: Chinese food and even mediocre Chinese food. It doesn't make

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Speaker 2: me sick. I'm not saying that's what I'm saying. But

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Speaker 2: what I am saying is like, maybe he was thinking

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Speaker 2: about what he was going to feel like when he

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Speaker 2: was my age, and he was like, oh.

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Speaker 1: Interesting, because this is this is a retrospective. He's looking back,

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Speaker 1: and maybe he's looking forward.

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Speaker 2: He's making make it's a retrospective and an opposite of retrospectious.

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Speaker 1: Future respective, so he's going, He's going new kids in

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Speaker 1: the block had a lot of hits. Yeah, and in

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Speaker 1: the future Chinese makes.

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Speaker 2: It makes mistic because originally this song was actually pitched.

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Speaker 2: This is not a joke. You can verify this online

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Speaker 2: and in the Library of Congress. This song was actually

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Speaker 2: pitched to be like threaded into plot points in a

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Speaker 2: Terminator film that was not produced. So that's the thing.

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Speaker 2: Like in that movie, like the Terminator eats Chinese food

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Speaker 2: in twenty forty nine and gets sick, but in earlier

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Speaker 2: times the Terminator did was at an n KOTB concert.

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Speaker 2: In the film you have to see the film. You'd

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Speaker 2: have to see it. It's produced. It didn't get produced.

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Speaker 1: Ken didn't do it.

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Speaker 2: It was Paul Schrader wrote it from taxi driver. Oh cool, Yeah,

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Speaker 2: and it was going to be and it was going

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Speaker 2: to be a poly Shore directorial debut. Combo wow.

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Speaker 1: Question about I want to go back to that because

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Speaker 1: I keep.

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Speaker 2: Open up the mail bag.

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Speaker 1: We had a question from myself. I wrote it. I

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Speaker 1: have the mail back. I write my questions and put

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Speaker 1: it in. I keep reading lyrics and going, this is

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Speaker 1: a Kevin freestyle. I got all there's that famous Kevin

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Speaker 1: Divine freestyle in the back of a car somewhere.

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Speaker 2: Oh that was That was in the That was in

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Speaker 2: a van on tour with Manchester Orchestra in brand New

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Speaker 2: two thousand and seven. Uh. And I had not smoked

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Speaker 2: pot or drank in like almost two years, and I

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Speaker 2: did that night and I was in a Is it

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Speaker 2: the one about Matthew Perry?

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Speaker 1: Of course it's captivating. You talk about that, you talk

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Speaker 1: about the Mets.

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Speaker 2: Which is topical today. Juan Soto getting signed shout out

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Speaker 2: to the Mets. News cycle moves fast but yeah, yeah, we.

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Speaker 1: Are definitely to this book kind of morning podcast, I

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Speaker 1: mean a morning radio.

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Speaker 2: You're the best girl that I ever did see.

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Speaker 1: The Great Larry Bird Jersey thirty three. You're the best

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Speaker 1: girl I ever did see. The Great Larry Bird Jersey

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Speaker 1: thirty three is something you would do in that freestyle,

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Speaker 1: like you would drop something like that.

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Speaker 2: I think it was like I like to sleep in

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Speaker 2: the street, just kidding, I like to sleep in a

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Speaker 2: feather bed. Yeah yeah, and then so like but if

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Speaker 2: you're still awaken, it's, man, you're maver ridiculous. I'm just

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Speaker 2: gonna get in your head.

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Speaker 1: It's so it's like, it's like one of the most

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Speaker 1: charming things I've ever seen in my life. You should

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Speaker 1: find it.

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Speaker 2: On That's amazing. Yeah, and know that at the time,

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Speaker 2: I was in a period of great internal personal crisis.

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Speaker 2: But please enjoy the freestyle. Now, let me just look

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Speaker 2: up the lyrics to this, because I feel as though

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Speaker 2: there's some choice ones. I don't want to miss out on.

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Speaker 2: The Larry Bird one I thought was interesting because I

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Speaker 2: was also like, of course they pick the Great White Hope,

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Speaker 2: this group of like white dudes like talk rapping at

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Speaker 2: the Jersey Shore like they're like you were amazing and

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Speaker 2: made sense to me. The Great Larry Bird number thirty three.

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Speaker 1: It's so strange. It seems like apropub nothing that they'll

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Speaker 1: just be like Billy Shakespeare wrote a bunch of son

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Speaker 1: It's it's like, it's just that.

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Speaker 2: One's like an Adam Sandler rep. Oh, sorry, that one's

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Speaker 2: like an Adam Sandler rep. Yeah. He basically says like

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Speaker 2: like it would have been in There was a skit

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Speaker 2: on SNL when I was a kid, and I feel

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Speaker 2: like it was an NKOTB thing like that people playing

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Speaker 2: them on Arsenio Hall. I think that was the skit

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Speaker 2: and the rap is like uh uh the sonnet. The

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Speaker 2: sonnet's line reminded me. It's like uh And there's a

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Speaker 2: Macaulay Colchan lyric in that rep too. Actually like periodic

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Speaker 2: cat chow chow chow chow. It's like an apple a

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Speaker 2: day keeps the doctor roway right, stuff like that.

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Speaker 1: Yeah, you know, it's it's so interesting because I didn't

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Speaker 1: realize that, and I realized there's some they definitely steal

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Speaker 1: in reference from other like there's like a rock himn reference.

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Speaker 1: But you're right, and you're You're right that the Beastie

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Speaker 1: Boys did this, but they you know, like.

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Speaker 2: Well, they referenced Paul Revere.

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Speaker 1: But they reference everyone too, but they pull it off

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Speaker 1: like they It's two people can do the like the

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Speaker 1: same magic trick, yeah, and one could be like wow

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Speaker 1: or like that is so cool, and the other would

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Speaker 1: be like all right.

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Speaker 2: Well, also by the time there's totally and also what

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Speaker 2: constitutes It's like, what constitutes what's uh informing the magic trick?

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Speaker 2: That was actually so funny. You mentioned the Bacie Boys,

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Speaker 2: and of course that's relevant with this. Before we got

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Speaker 2: on this call today, I something passed through like the

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Speaker 2: algorithm and I periphery, and it was the Beastie Boys

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Speaker 2: on SNL in ninety four when they, like I guess

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Speaker 2: it was around no communication. But the first thing they did,

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Speaker 2: it's fun, it's cool. It's kind reminds you of like

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Speaker 2: a different era in pop culture for sure. The first

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Speaker 2: thing they did was like this jazz exploration thing and

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Speaker 2: they're switching instruments. Then they switch instruments and they do

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Speaker 2: heart attack man like this punk rock hardcore song, yeah,

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Speaker 2: which all of which speaks to corners of their musical vocabulary.

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Speaker 2: I mean to make no, not everybody's the Beastie Boys.

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Speaker 2: Not everybody's like the best version of the thing they are.

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Speaker 2: I don't mean to make any judgments or expersions about

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Speaker 2: LFO and what informs their musical vocabulary, but safe to

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Speaker 2: say it's probably it probably isn't as broad or as

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Speaker 2: like lived in as those dudes. And by the time

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Speaker 2: you get LFO, it's like eleven hundred degraded copies of

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Speaker 2: that thing, to the extent that like the only thing

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Speaker 2: that is identifiable between this and the Beastie Boys. Is

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Speaker 2: that kind of like reference heavy like but it's like

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Speaker 2: comparing I'm not going to do it, but it's like

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Speaker 2: comparing let's say, like a certain sort of like seminal

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Speaker 2: kind of like alternative rock or grunge band that might

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Speaker 2: have had like real information from real underground music and

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Speaker 2: like the Beatles or something. I don't know who that

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Speaker 2: would have been, but some band in like ninety one

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Speaker 2: or so to like you know, Bush No No Shade

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Speaker 2: on Bush they had they whatever you can't But like

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Speaker 2: you know what I'm saying, like things the thing starts

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Speaker 2: to reference. It's not only referencing the things that informed

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Speaker 2: the best version of the thing. It almost gets rid

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Speaker 2: of all of that, and it's only referencing that thing

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Speaker 2: and all of the copies that came after.

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Speaker 1: If I think it's more Nirvana a Puddle of Mud,

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Speaker 1: sure that's fair because.

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Speaker 2: I don't know Nirvana, I've never heard them, But I

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Speaker 2: do know what you mean about Puddle of.

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Speaker 1: Mud because I think there's something about like bush Camp

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Speaker 1: at the same time, they're contemporaries and it's hard to

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Speaker 1: like like this are obviously like like they. I don't

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Speaker 1: think there's any choice for these kind of white rappers

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Speaker 1: to be not influenced by the Beastie Boys to some degree.

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Speaker 1: Totally similarly, I think Puddle of Mud had to have

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Speaker 1: been influenced by by Kurt and the Nirvani's, so it

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Speaker 1: I think that it's it's it's it's like just a

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Speaker 1: slightly different comp But you're so right about a copy

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Speaker 1: of a copy, and that happens all the time. I mean,

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Speaker 1: it happens with just everything in general, like going culture,

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Speaker 1: going from you know, like symphonies and orchestras to you know, uh,

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Speaker 1: brass bands and then to ska. You know what I mean,

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Speaker 1: like totally kind of simplifies and then people who are

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Speaker 1: purists are like the one that they came up with

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Speaker 1: is the one, right, you know.

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Speaker 2: And I think there's a generationalist component of that too.

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Speaker 2: I think about that, especially when we go through some

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Speaker 2: of what we do, but also just like having a

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Speaker 2: kid who's almost nine and like engaging with pop music

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Speaker 2: increasingly pop culture, you know, it's not I think when

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Speaker 2: we're like so generationally bound to the culture of our

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Speaker 2: seminal formative years, that's less about the culture than it

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Speaker 2: is about how we experience aging and how we experience

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Speaker 2: like we want those things burned hottest and brightest and

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Speaker 2: mattered most to us at these like foundational moments. And

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Speaker 2: I may think that the popular culture landscape in nineteen

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Speaker 2: ninety three was maybe more I don't know, dynamic, interesting,

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Speaker 2: representative of a broader range of capabilities and information. But

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Speaker 2: maybe that's total bullshit. And it's like I'm a forty

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Speaker 2: five year old man, like I don't I'm sure, I

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Speaker 2: in fact, even saying this is insane. Of course, there's

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Speaker 2: so much happening that I have zero feel for that.

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Speaker 2: These people who are between like you know, ten and

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Speaker 2: twenty right now in twenty or thirty years will be like, dude,

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Speaker 2: the most amazing. You know, they don't make him like

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Speaker 2: Charlie xc X anymore. And I'm not distant Charlie. Charlie

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Speaker 2: x X is amazing.

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Speaker 1: It'll be a deeper cut. It'll be like, you know,

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Speaker 1: like bing Bong Elevator was so great, Bingbong Elevator was incredible,

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Speaker 1: right like, and we will be like, who's bing Bong

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Speaker 1: el Like the other day, I think Billie Eilish was

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Speaker 1: like it was like watching a video of herself doing

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Speaker 1: an interview in the past, and she was light. She

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Speaker 1: was just like, oh, this this follower has like so

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Speaker 1: many people and they follow me now. And she was like, oh,

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Speaker 1: and someone like a name like bing Bong Elevator follows

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Speaker 1: me like, which I couldn't believe when I got followed

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Speaker 1: by bing Bong Elevator and I was like, who the

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Speaker 1: fuck is bing Bong And look, I'm telling you now,

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Speaker 1: the name wasn't bing Bong Elevator, but to me and

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Speaker 1: to my thirty nine year old years, yeah bing Bong Ella.

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Speaker 2: Yeah. I was fully like, Wow, I'm so much Maybe

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Speaker 2: that's like the six year difference between us. I was like,

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Speaker 2: I don't even know what bing Bong elevator is Bingo elevators? Well,

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Speaker 2: what I do know is this though, uh maybe those

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Speaker 2: the LFO of the LFO in the film and it

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Speaker 2: fine does get produced the Straighter Shore joint about T

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Speaker 2: five where they moved through time according to these lyrics,

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Speaker 2: maybe they'll be referencing bing bong boom elevator or whatever

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Speaker 2: that is in that song.

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Speaker 1: Who's this?

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Speaker 2: It was bing bom boom oh. That's why I didn't know.

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Speaker 2: I know bing bong moo boom oh boom it was moom.

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Speaker 2: I thought it was bomb. Sorry, I'm back on the chain.

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Speaker 2: Billy Shakespeare wrote a whole bunch of sonnets call me

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Speaker 2: Willy Whistle because I can't speak baby something your eyes

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Speaker 2: store me crazy blah blah blah. Crazy baby has to

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Speaker 2: be in every song. But this passage where they say

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Speaker 2: McCaulay culchan wasn't home alone, fell deep in love but

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Speaker 2: now he ain't speaking, which, by the way, I don't know,

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Speaker 2: is that ever get referenced again in the song like

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Speaker 2: I don't know, like this lover's quarrel, Michael J. Fox

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Speaker 2: was Alex P. Keaton. That's insane. That's totally insane to

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Speaker 2: be like, man, I was falling for you, but you

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Speaker 2: broke my heart. Hey do you remember that show? Yeah?

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Speaker 1: Yeah, it's so I mean some of it, I'll get

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Speaker 1: the chancey I give some of it. Is like he's

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Speaker 1: setting the scene with what was what media was on

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Speaker 1: at the time of that young.

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Speaker 2: Love totally excite. I don't totally go with that, because

400
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Speaker 2: of course that that doesn't totally make sense to me

401
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Speaker 2: temporarily in with LFO at the time this song comes out,

402
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Speaker 2: like how young are we talking? How young were they

403
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Speaker 2: when they fell in love?

404
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Speaker 1: Really young, like like two years old.

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Speaker 2: I guess you're right, Okay, sorry, No, I'm wrong about this.

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Speaker 2: I'm wrong. I think I'm wrong because they lead me

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Speaker 2: in a variety of directions, and I'm confused by how

408
00:20:40,560 --> 00:20:43,400
Speaker 2: to tie all the directions together. But you're right. They're

409
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Speaker 2: talking about new edition Candy Girl, Cherry Pats, crushed, rock Stud,

410
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Speaker 2: rock Stud Boogie. I don't know what right.

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Speaker 1: I'm so clear he runs out of references by the

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Speaker 1: end because he says things I've never heard of, like boogalow, shrimp,

413
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Speaker 1: no idea, what I know what? Pogo sticks are totally

414
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Speaker 1: really forcing references and we're like learning like losing it.

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Speaker 1: There are probably people listening and be like, if you

416
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Speaker 1: don't know what boogaloo shrimp is, you're an idiot. You're

417
00:21:07,119 --> 00:21:09,679
Speaker 1: an idiot. But I just don't. And I also like,

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Speaker 1: let you off the hook, Like my man, mister Limpet,

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Speaker 1: it's insane that I just looked it up. It's a

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Speaker 1: nineteen sixty four film, incredible mister Limpet, and he and

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Speaker 1: apparently he wants to be a fish.

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Speaker 2: So it's like a, oh, yeah, no, I'm aware of

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Speaker 2: mister Limpet.

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Speaker 1: I don't know what mister limp it is. And then yeah,

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Speaker 1: then we get yeah, then we get color purple, we

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Speaker 1: get ruby red slippers.

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Speaker 2: Well, the thing with Kevin with with color purple, I

428
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Speaker 2: just want to try to In the profile, this person

429
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Speaker 2: is describing the color Purple was like a movie for

430
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Speaker 2: grown ups about very delicate and wrenching subject matter. It

431
00:21:49,280 --> 00:21:51,520
Speaker 2: was like, it's kind of like Spielberg coming out of

432
00:21:51,560 --> 00:21:53,720
Speaker 2: the Multiplex for the first time, sort of in a

433
00:21:53,760 --> 00:21:56,440
Speaker 2: way like making like a character study a movie about

434
00:21:56,520 --> 00:22:01,800
Speaker 2: people and you know, political oppression and societal like examining

435
00:22:01,840 --> 00:22:06,159
Speaker 2: societal fractures. And there is no fucking way the person

436
00:22:06,240 --> 00:22:10,400
Speaker 2: described in this song, we contain multitudes, I get it.

437
00:22:10,440 --> 00:22:13,679
Speaker 1: Do you think he means he just likes the actual color.

438
00:22:14,720 --> 00:22:17,080
Speaker 2: Well, the lyrics I'm looking at has the color purple,

439
00:22:17,640 --> 00:22:21,080
Speaker 2: like capitalized for title person too.

440
00:22:21,160 --> 00:22:24,800
Speaker 1: But like that's that's somebody online doing that, So.

441
00:22:24,920 --> 00:22:27,199
Speaker 2: That could make more That makes more sense if he was, like,

442
00:22:27,280 --> 00:22:30,520
Speaker 2: I liked the color purple, macaroni and cheese, also ruby

443
00:22:30,560 --> 00:22:32,480
Speaker 2: red slippers, and a bunch of trees. This is what

444
00:22:32,520 --> 00:22:36,760
Speaker 2: I'm saying. So if these kids were teenagers in nineteen

445
00:22:36,800 --> 00:22:40,800
Speaker 2: eighty five, let's put this eighty five, eighty six, this

446
00:22:40,840 --> 00:22:42,320
Speaker 2: song comes out what ninety.

447
00:22:42,040 --> 00:22:46,240
Speaker 1: Eight, ninety I'd say, yeah, ninety seven, ninety.

448
00:22:46,040 --> 00:22:49,000
Speaker 2: Eight, Okay, I just feel like it's a little.

449
00:22:49,200 --> 00:22:49,920
Speaker 1: Nine ninety nine.

450
00:22:49,960 --> 00:22:52,320
Speaker 2: Sorry, I feel like it's a little off the age

451
00:22:52,359 --> 00:22:55,800
Speaker 2: degree if there's something about it that's slightly and what's

452
00:22:55,880 --> 00:22:58,359
Speaker 2: nuts about it is it's not totally crazy, becaucept the

453
00:22:58,359 --> 00:23:01,879
Speaker 2: mister limpet one, which is that almost indicates that like

454
00:23:01,920 --> 00:23:05,680
Speaker 2: a ghost writer wrote this, who was like a boomer

455
00:23:05,920 --> 00:23:06,320
Speaker 2: or something.

456
00:23:06,520 --> 00:23:09,800
Speaker 1: I think it's I mean, I definitely think it was.

457
00:23:10,040 --> 00:23:11,840
Speaker 1: It was that situation.

458
00:23:12,200 --> 00:23:14,520
Speaker 2: And then they were like that one just like almost

459
00:23:14,560 --> 00:23:17,000
Speaker 2: like a glitch in the programming like that. One slipped

460
00:23:17,040 --> 00:23:19,679
Speaker 2: through like every other one was like edited for a

461
00:23:19,920 --> 00:23:22,200
Speaker 2: like no, a little bit more like gen X, a

462
00:23:22,240 --> 00:23:24,200
Speaker 2: little bit more like that, and he's like totally totally.

463
00:23:24,280 --> 00:23:26,280
Speaker 2: But then he like slipped limp it in and they

464
00:23:26,280 --> 00:23:29,280
Speaker 2: were like, fuck it, it's fine, just leave that in there.

465
00:23:29,320 --> 00:23:30,320
Speaker 2: No one's gonna notice.

466
00:23:30,520 --> 00:23:35,399
Speaker 1: And mom was born in nineteen sixteen, the.

467
00:23:35,440 --> 00:23:37,440
Speaker 2: Russian Revolution on the top of your mind.

468
00:23:46,800 --> 00:23:49,320
Speaker 1: All right, So I think I give a chance. He too, Yeah,

469
00:23:49,320 --> 00:23:51,040
Speaker 1: I give it a chance. I don't really think that

470
00:23:51,600 --> 00:23:56,119
Speaker 1: this exactly had been done the boy band that raps

471
00:23:56,480 --> 00:24:01,280
Speaker 1: because they look they are dressed and look like in

472
00:24:01,400 --> 00:24:05,320
Speaker 1: sync or ninety degrees, but they are not. They're singing

473
00:24:05,359 --> 00:24:07,960
Speaker 1: a little, they're speak singing right like new kids on

474
00:24:08,000 --> 00:24:08,439
Speaker 1: the block.

475
00:24:08,600 --> 00:24:10,560
Speaker 2: Yea, yeah, pre drake.

476
00:24:10,760 --> 00:24:15,360
Speaker 1: They're pre draking it as everyone knows. And they are

477
00:24:15,520 --> 00:24:24,000
Speaker 1: wrapping almost akin to what we've covered before with Come

478
00:24:24,040 --> 00:24:27,480
Speaker 1: My Lady, Come Come. Yeah, that's that's closer to this,

479
00:24:27,560 --> 00:24:31,280
Speaker 1: except for I will say there's's a malaise with the music. Yeah,

480
00:24:31,320 --> 00:24:33,800
Speaker 1: it never changes. It's not like when it first comes on.

481
00:24:34,119 --> 00:24:37,080
Speaker 1: There's a few like little guitar riffs and stuff that. Okay,

482
00:24:37,119 --> 00:24:38,159
Speaker 1: I didn't. I don't remember that.

483
00:24:38,960 --> 00:24:41,680
Speaker 2: Yeah, fun, but it's it.

484
00:24:42,119 --> 00:24:44,800
Speaker 1: They just like they just copied and pasted the entire

485
00:24:44,840 --> 00:24:46,120
Speaker 1: track like for the rest of it.

486
00:24:46,160 --> 00:24:49,359
Speaker 2: That's question and so it.

487
00:24:48,480 --> 00:24:51,840
Speaker 1: It really never like reaches anywhere. There's maybe some swells

488
00:24:51,880 --> 00:24:55,679
Speaker 1: like with like with like some drum swells and things. Oh,

489
00:24:55,720 --> 00:24:58,520
Speaker 1: there's some orchestra that's like MIDI orchestra that kind of

490
00:24:58,520 --> 00:25:01,320
Speaker 1: comes in. But for the most part, that's that's an

491
00:25:01,359 --> 00:25:04,240
Speaker 1: issue I have. But I will go back that I

492
00:25:04,280 --> 00:25:06,440
Speaker 1: don't think that this would be this had been done.

493
00:25:06,560 --> 00:25:10,960
Speaker 1: It's like kind of chill vibe s whisper vocal rap

494
00:25:11,440 --> 00:25:14,239
Speaker 1: with like boy band people like. I think there were

495
00:25:14,240 --> 00:25:17,800
Speaker 1: probably moments when you'd get like a little break in

496
00:25:17,920 --> 00:25:20,399
Speaker 1: like a Backstreet Boys or En sing song with like

497
00:25:20,440 --> 00:25:21,600
Speaker 1: a little rap verse.

498
00:25:21,400 --> 00:25:25,440
Speaker 2: Like a right right nodding in that direction. New Kids

499
00:25:25,440 --> 00:25:27,600
Speaker 2: probably did a little of that too, like a little

500
00:25:27,680 --> 00:25:30,240
Speaker 2: bit just to be like we're kind of bad. Yeah.

501
00:25:30,480 --> 00:25:34,040
Speaker 1: Yeah. And Donnie Donnie or Marky Mark and the Funky

502
00:25:34,040 --> 00:25:37,040
Speaker 1: Bunch was close to this too, right because he rapped,

503
00:25:37,960 --> 00:25:40,960
Speaker 1: but he came from his brother was in totally play band,

504
00:25:41,040 --> 00:25:43,200
Speaker 1: so like that was the closest. But he was really

505
00:25:43,240 --> 00:25:46,040
Speaker 1: trying to be and like he was really trying to

506
00:25:46,520 --> 00:25:52,360
Speaker 1: like be a rapper, and he was yeah and swing, you.

507
00:25:52,320 --> 00:25:55,640
Speaker 2: Know, and he was accentuating too. I feel like Mark Wahlberg,

508
00:25:55,880 --> 00:25:59,280
Speaker 2: Marky Mark even when it was that like he was

509
00:25:59,359 --> 00:26:03,199
Speaker 2: accentuating the like I am actually like he was so

510
00:26:03,440 --> 00:26:08,719
Speaker 2: fixated on being seen as like tough and threateninges like

511
00:26:08,760 --> 00:26:10,879
Speaker 2: he was kind of really dressing up the way that

512
00:26:10,920 --> 00:26:14,479
Speaker 2: he talked. He was kind of like making a focal

513
00:26:14,520 --> 00:26:16,320
Speaker 2: point of like a lot of those early interviews and

514
00:26:16,320 --> 00:26:19,199
Speaker 2: stuff like about his like hard scrabble upbringing and just

515
00:26:19,240 --> 00:26:22,320
Speaker 2: because I come from this like family and like I'm

516
00:26:22,359 --> 00:26:25,160
Speaker 2: actually a tough motherfucker. Like, you know, he really wanted

517
00:26:25,200 --> 00:26:28,320
Speaker 2: to be seen as he wanted to be seen as

518
00:26:28,359 --> 00:26:30,920
Speaker 2: a rapper. You know. I even feel like that song

519
00:26:30,920 --> 00:26:32,919
Speaker 2: where they sample one of his hit songs is like

520
00:26:32,920 --> 00:26:35,159
Speaker 2: they sample wild Side, Walk on the wild Side to

521
00:26:35,240 --> 00:26:37,920
Speaker 2: lou read the baseline and every verse is like it's

522
00:26:37,920 --> 00:26:40,520
Speaker 2: almost like what it's like by Everlast, but earlier. Every

523
00:26:40,600 --> 00:26:43,240
Speaker 2: verse is like a different story about a person whose

524
00:26:43,280 --> 00:26:46,439
Speaker 2: life goes off the rails, like in his town, in

525
00:26:46,480 --> 00:26:49,119
Speaker 2: his neighborhood, because he was really trying to be like

526
00:26:49,400 --> 00:26:51,679
Speaker 2: I'm not a boy band just because or I'm not

527
00:26:51,840 --> 00:26:53,919
Speaker 2: like that kind of guy just because my brother's in that,

528
00:26:54,040 --> 00:26:56,960
Speaker 2: just because that's where I come from. I'm actually tough.

529
00:26:57,160 --> 00:26:59,560
Speaker 2: And I was like, all right, dude, like calm down.

530
00:26:59,800 --> 00:27:02,080
Speaker 2: And that's funny that that wheel spins forward and there's

531
00:27:02,080 --> 00:27:04,280
Speaker 2: a connective thread here because remember there's that semi it's

532
00:27:04,280 --> 00:27:08,239
Speaker 2: a kind of famous memified like early eminem appearance on

533
00:27:08,320 --> 00:27:12,840
Speaker 2: TRL where he's with Mark Wahlberg who is now actor

534
00:27:13,119 --> 00:27:17,199
Speaker 2: Mark Wahlberg, and Eminem really makes like a point to

535
00:27:17,280 --> 00:27:21,520
Speaker 2: be like I'm not like him. I'm actually I might

536
00:27:21,600 --> 00:27:24,119
Speaker 2: be white and a rapper, but I'm like actually like

537
00:27:24,359 --> 00:27:27,439
Speaker 2: kind of a mess and like I'm fucked up and.

538
00:27:27,520 --> 00:27:30,360
Speaker 1: Hunch the bear. He's like, he's like where we could

539
00:27:30,359 --> 00:27:32,800
Speaker 1: all stand here like a funky bunch and you could see.

540
00:27:32,600 --> 00:27:35,200
Speaker 2: Mark Wahlberg is like, I'm gonna knock this motherfucker out.

541
00:27:35,320 --> 00:27:38,040
Speaker 2: And then what's funny about that is in his in

542
00:27:38,119 --> 00:27:42,840
Speaker 2: that canonical artist's obsessive, please don't pigeonhole me with these

543
00:27:42,840 --> 00:27:45,639
Speaker 2: things with which I do not think I fit. Remember

544
00:27:45,680 --> 00:27:49,359
Speaker 2: he's saying like a version of this song Eminem that

545
00:27:49,480 --> 00:27:51,159
Speaker 2: was like the hook at the beginning of one of

546
00:27:51,160 --> 00:27:52,760
Speaker 2: his songs, and I will not repeat all of it

547
00:27:52,760 --> 00:27:54,800
Speaker 2: because it's like shit, you can't say. But it was

548
00:27:54,840 --> 00:27:58,679
Speaker 2: like something about like, oh my god, new Kids on

549
00:27:58,720 --> 00:28:02,040
Speaker 2: the Block blanked a lot of blanks. Yeah, groups make

550
00:28:02,160 --> 00:28:02,680
Speaker 2: me sick?

551
00:28:02,920 --> 00:28:04,080
Speaker 1: Was that eminem? Oh?

552
00:28:04,160 --> 00:28:06,000
Speaker 2: Yeah? And I can't wait till I catch all you

553
00:28:06,040 --> 00:28:09,920
Speaker 2: something I will not say in public. I love it. Yeah,

554
00:28:09,960 --> 00:28:12,560
Speaker 2: it's like him, and it's like a whole song about Isaiah,

555
00:28:12,920 --> 00:28:17,479
Speaker 2: not Vanilla Ice, not Mark Wahlberg, not LFO not because like,

556
00:28:17,880 --> 00:28:20,639
Speaker 2: what's maybe a chancy in this? I don't know anything

557
00:28:20,640 --> 00:28:23,240
Speaker 2: else about this. These people are this group or any

558
00:28:23,280 --> 00:28:25,840
Speaker 2: other songs they have, but they seem content to just

559
00:28:25,880 --> 00:28:28,320
Speaker 2: be having a nice time on this song, like you

560
00:28:28,359 --> 00:28:30,399
Speaker 2: know what I mean, They're just kind of like group

561
00:28:30,720 --> 00:28:31,359
Speaker 2: rolling with it.

562
00:28:31,520 --> 00:28:35,040
Speaker 1: Just I wish I knew any other LFO song. I

563
00:28:35,080 --> 00:28:38,680
Speaker 1: really do, because I really don't. I want to kind

564
00:28:38,680 --> 00:28:41,120
Speaker 1: of look and see if it is all in this genre.

565
00:28:41,280 --> 00:28:45,840
Speaker 2: Let's do a season of LFO stuff Season two, Wow,

566
00:28:47,080 --> 00:28:52,240
Speaker 2: a whole you heard it here? First Chancers, Chancer Chancers,

567
00:28:52,320 --> 00:28:54,240
Speaker 2: this morning's episode.

568
00:28:54,600 --> 00:28:57,680
Speaker 1: So this is a shameless plug. But my friend Patrick

569
00:28:57,720 --> 00:29:01,040
Speaker 1: and I we made two full albums in the style

570
00:29:01,080 --> 00:29:03,920
Speaker 1: of LFO. We went as these like rappers called Chase

571
00:29:03,960 --> 00:29:07,160
Speaker 1: and Rose Oh yeah, and it's all supposed to be

572
00:29:07,600 --> 00:29:09,720
Speaker 1: sort of like this, and so it's like a lot

573
00:29:09,760 --> 00:29:14,040
Speaker 1: of whisper rap about like things like songs like pizza

574
00:29:14,160 --> 00:29:17,520
Speaker 1: and we have a song called No Chorus and it's

575
00:29:17,520 --> 00:29:20,200
Speaker 1: so it's sort of this. It's this exact thing. You

576
00:29:20,200 --> 00:29:24,080
Speaker 1: could find the albums online and it's called like California

577
00:29:24,120 --> 00:29:26,000
Speaker 1: Pop Music or something like that is the name of

578
00:29:26,040 --> 00:29:29,040
Speaker 1: the album. The albums in California Pop Music Part two

579
00:29:29,480 --> 00:29:32,640
Speaker 1: or Volume two or something amazing I do there is

580
00:29:32,680 --> 00:29:36,640
Speaker 1: something I love it comedically. I really love the whisper rap.

581
00:29:38,000 --> 00:29:39,760
Speaker 1: It's band, It's insane.

582
00:29:40,160 --> 00:29:42,400
Speaker 2: It's like there's something, yeah, I mean, there's something about

583
00:29:42,400 --> 00:29:45,240
Speaker 2: it that's like it's funny. Look, I feel like we've

584
00:29:45,240 --> 00:29:46,880
Speaker 2: talked about a version of this at some point too.

585
00:29:47,200 --> 00:29:52,000
Speaker 2: Anytime something just by nature of that delivery and the

586
00:29:52,040 --> 00:29:55,320
Speaker 2: structure of what a boy band is, there's something about

587
00:29:55,320 --> 00:29:57,320
Speaker 2: it that's like meant to be like sexy.

588
00:29:58,280 --> 00:30:00,640
Speaker 1: This is supposing yeah, and like this.

589
00:30:01,040 --> 00:30:04,880
Speaker 2: We both literally did a shoulder thing like self yeah. Subconsciously,

590
00:30:05,360 --> 00:30:11,640
Speaker 2: it's like and anytime anything is like intentionally trying to

591
00:30:11,720 --> 00:30:15,440
Speaker 2: be sexy. It's funny. I'm sorry, it's just it's so

592
00:30:15,520 --> 00:30:19,560
Speaker 2: funny when someone's like, especially a group of dudes hanging

593
00:30:19,560 --> 00:30:21,600
Speaker 2: out in front of a like a like a fried

594
00:30:21,640 --> 00:30:23,920
Speaker 2: Oreo stand or whatever's going on in this video and

595
00:30:24,080 --> 00:30:25,920
Speaker 2: like a car you know they're on like the seaside,

596
00:30:26,480 --> 00:30:30,880
Speaker 2: Jersey Shore or like somewhere like that. It's just it's amazing. Also,

597
00:30:30,920 --> 00:30:34,000
Speaker 2: I love that you have a band that has two

598
00:30:34,160 --> 00:30:38,360
Speaker 2: albums based on something. I know it's conceptual and philosophical,

599
00:30:38,360 --> 00:30:40,480
Speaker 2: but based on an artist that you just said you'd

600
00:30:40,520 --> 00:30:43,440
Speaker 2: never heard any other song by this. That's something this

601
00:30:43,520 --> 00:30:45,880
Speaker 2: deserves a chance about one song was.

602
00:30:46,360 --> 00:30:49,920
Speaker 1: You're right like comedic genre in a way, like, yeah,

603
00:30:49,960 --> 00:30:53,200
Speaker 1: you're right, like it. We it's it was the reference

604
00:30:53,240 --> 00:30:54,640
Speaker 1: that we liked so much.

605
00:30:56,760 --> 00:30:58,120
Speaker 2: One of the specific ones in here.

606
00:30:58,880 --> 00:31:00,760
Speaker 1: No, just just in and like, oh, we have a

607
00:31:00,800 --> 00:31:03,680
Speaker 1: song called I'm a flirt, right, and it's that exact thing.

608
00:31:03,720 --> 00:31:06,880
Speaker 1: It's like, I'm a flirt, I'm a flirt. I guess

609
00:31:06,880 --> 00:31:11,880
Speaker 1: I'm right and yeah, and you're right. It is. That

610
00:31:12,000 --> 00:31:14,160
Speaker 1: is how powerful that is a good chancey, It's how

611
00:31:14,200 --> 00:31:17,400
Speaker 1: powerful it is that this group. Also, I really feel

612
00:31:17,440 --> 00:31:20,880
Speaker 1: that I don't know where they're from. But the Jersey

613
00:31:20,880 --> 00:31:24,000
Speaker 1: Shore video and all that really reminds me of how

614
00:31:24,000 --> 00:31:27,480
Speaker 1: I grew up and stuff. Absolutely there were people that

615
00:31:27,560 --> 00:31:32,560
Speaker 1: were very much like exactly this, like the outfits they wear,

616
00:31:32,720 --> 00:31:34,800
Speaker 1: like you know what I mean, like a T shirt

617
00:31:34,800 --> 00:31:37,600
Speaker 1: with like a sleeveless T shirt, you know, and like

618
00:31:38,080 --> 00:31:40,600
Speaker 1: spiky hair and like it was. It was really like

619
00:31:40,640 --> 00:31:43,360
Speaker 1: the culture that I feel like we came from. And

620
00:31:43,440 --> 00:31:46,360
Speaker 1: I was not very I wasn't. I didn't fit that mold,

621
00:31:46,880 --> 00:31:51,280
Speaker 1: so I was it was decidedly counterculture. But I owned

622
00:31:51,280 --> 00:31:54,440
Speaker 1: a lot of Abercrombie and Fitch. I owned a lot

623
00:31:54,480 --> 00:31:55,600
Speaker 1: of Arrowpostel.

624
00:31:56,120 --> 00:31:58,120
Speaker 2: I definitely owned stuff from I don't know if I

625
00:31:58,160 --> 00:32:01,120
Speaker 2: ever I mean I've owned things from adjacent companies. Not

626
00:32:01,120 --> 00:32:02,680
Speaker 2: like I was too cool. I don't think I ever

627
00:32:02,720 --> 00:32:05,360
Speaker 2: had Abercrombie stuff. I definitely had at least a sweater

628
00:32:05,440 --> 00:32:07,280
Speaker 2: from Aero Pastyle or something like that.

629
00:32:07,600 --> 00:32:10,280
Speaker 1: Ninety nine, I graduated eighth grade and I was starting

630
00:32:10,360 --> 00:32:13,160
Speaker 1: high school, and I was wow, like like the you

631
00:32:13,160 --> 00:32:16,640
Speaker 1: can't help but being influenced by your friends liking this,

632
00:32:16,800 --> 00:32:19,560
Speaker 1: and I had like no, I had a puka shell

633
00:32:19,800 --> 00:32:22,480
Speaker 1: necklace like this was all that era.

634
00:32:22,440 --> 00:32:26,400
Speaker 2: Dude, everybody's trying stuff on forever and it's funny. I was.

635
00:32:26,480 --> 00:32:28,959
Speaker 2: That's my being a little older. I'm thinking of when

636
00:32:29,000 --> 00:32:32,880
Speaker 2: I moved to Staten Island. I remember, like my mom,

637
00:32:33,600 --> 00:32:37,480
Speaker 2: like I kids were wearing like z cavalichies, yes, with

638
00:32:37,640 --> 00:32:39,680
Speaker 2: this pair of pants and this style pants, and I

639
00:32:39,720 --> 00:32:43,000
Speaker 2: remember like I didn't have that, and I had like

640
00:32:43,200 --> 00:32:46,840
Speaker 2: I literally was wearing blue sweatpants to school every day

641
00:32:46,880 --> 00:32:48,720
Speaker 2: and like this one. I had like this rotation of

642
00:32:48,760 --> 00:32:51,920
Speaker 2: two guns N' Roses t shirts. And I was not

643
00:32:52,080 --> 00:32:53,240
Speaker 2: I didn't have a lot of friends. And I was

644
00:32:53,280 --> 00:32:57,120
Speaker 2: at home after school doing math homework, listening to Rush

645
00:32:57,360 --> 00:33:02,920
Speaker 2: chronicles on tape and Rush Limbaugh's Greatest is No. And

646
00:33:03,040 --> 00:33:05,560
Speaker 2: my mom, literally this is real. She knocked on the door,

647
00:33:06,600 --> 00:33:09,760
Speaker 2: like doing math, listening to Rush, and she's like, do

648
00:33:09,800 --> 00:33:12,680
Speaker 2: you want me to get you a pair of jeans?

649
00:33:13,440 --> 00:33:16,080
Speaker 2: And I was like, no, I'm okay. And she literally

650
00:33:16,160 --> 00:33:21,680
Speaker 2: went and closed the door and walked out, and she

651
00:33:21,800 --> 00:33:24,960
Speaker 2: was trying to be like I'm trying to help you here, man,

652
00:33:25,240 --> 00:33:28,400
Speaker 2: you know, but you didn't want it. I did, of course.

653
00:33:28,480 --> 00:33:30,760
Speaker 2: Eventually I bought all of the idea. I mean, I'm

654
00:33:30,760 --> 00:33:33,640
Speaker 2: not saying I stayed, I've gone through what every one

655
00:33:33,680 --> 00:33:36,280
Speaker 2: of us has to go through whatever like cycle. I

656
00:33:36,320 --> 00:33:38,920
Speaker 2: was even thinking about something like in adulthood, like in

657
00:33:38,960 --> 00:33:39,560
Speaker 2: the last But.

658
00:33:39,600 --> 00:33:41,560
Speaker 1: It's so beautiful that you are a little boy that

659
00:33:41,680 --> 00:33:43,360
Speaker 1: stayed a little boy a little late.

660
00:33:43,800 --> 00:33:46,080
Speaker 2: A little boy that stayed a little boy a little late.

661
00:33:46,200 --> 00:33:47,960
Speaker 2: Is that was a beautiful thing you just said.

662
00:33:48,040 --> 00:33:50,200
Speaker 1: But you know it is like it's so often that

663
00:33:50,480 --> 00:33:52,800
Speaker 1: boys and girls like rush to be a little older,

664
00:33:53,000 --> 00:33:55,720
Speaker 1: and then there's always these like boys, oh totally like

665
00:33:55,760 --> 00:33:58,120
Speaker 1: play with a doll too long, or where there's sweatpants

666
00:33:58,160 --> 00:34:02,040
Speaker 1: too long, and like aren't into jeans because they're cool

667
00:34:02,080 --> 00:34:05,880
Speaker 1: because sweatpants are so much more comfortable and run around.

668
00:34:06,160 --> 00:34:09,040
Speaker 2: We always end up. I think we always draw a circle.

669
00:34:09,080 --> 00:34:12,440
Speaker 2: I'm definitely now, like I gotta put structured pants on

670
00:34:13,680 --> 00:34:16,080
Speaker 2: to go do this thing. I know we're coming up

671
00:34:16,120 --> 00:34:19,759
Speaker 2: towards the end. It's very sweet, and it's sweet. It's

672
00:34:19,760 --> 00:34:22,279
Speaker 2: a lot sweeter and more beautiful than telling me you're

673
00:34:22,280 --> 00:34:24,440
Speaker 2: gonna steal my honey, like you stole my bike. I

674
00:34:24,480 --> 00:34:27,160
Speaker 2: just wanted to make one anti chance about that. That's bullying.

675
00:34:27,800 --> 00:34:30,160
Speaker 2: I didn't like that part of the song. And I'll

676
00:34:30,200 --> 00:34:33,879
Speaker 2: never like bullying, so don't bully me. O FLFO.

677
00:34:34,280 --> 00:34:36,560
Speaker 1: Did you get bullied with the sweatpants and stuff? Oh?

678
00:34:36,600 --> 00:34:38,320
Speaker 2: I definitely got a little bullied when I moved to

679
00:34:38,320 --> 00:34:40,600
Speaker 2: Staten Island, yet not like as bad as it could

680
00:34:40,640 --> 00:34:42,759
Speaker 2: have been, but certainly a little bit. And I have

681
00:34:42,800 --> 00:34:45,080
Speaker 2: a few Guardian angels that we could get into in

682
00:34:45,160 --> 00:34:46,080
Speaker 2: another omar.

683
00:34:46,200 --> 00:34:50,040
Speaker 1: What was your elementary school when I moved to school?

684
00:34:50,160 --> 00:34:54,200
Speaker 2: I went to is seventy five. Shout out, Paulo Huganot.

685
00:34:54,400 --> 00:34:56,279
Speaker 2: I took the bus from Great Kills. If you still

686
00:34:56,280 --> 00:34:58,040
Speaker 2: don't understand, I think this is about to shut us down.

687
00:34:58,040 --> 00:34:59,920
Speaker 2: In the case the kind of chance you give me,

688
00:35:00,040 --> 00:35:01,839
Speaker 2: I'll give you every day, and I'll never steal your

689
00:35:01,840 --> 00:35:05,040
Speaker 2: bike or try to steal your honey. I would never try.

690
00:35:05,480 --> 00:35:09,480
Speaker 1: You would, I won't. I'm still I'm still gonna pocket

691
00:35:09,480 --> 00:35:11,600
Speaker 1: that five. You won't