WEBVTT - Ritual

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<v Speaker 1>Of the law and order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on. These are our stories. Dune Done.

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<v Speaker 1>Hello, Welcome to That's Messed Up An SVU podcasts.

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<v Speaker 2>I'm Kara Klank and I'm Lisa and we talk sview

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<v Speaker 2>true crime and sometimes we have guests. Today we don't,

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<v Speaker 2>which means more chit chat. And that's exciting, more chit

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<v Speaker 2>chat for you. Listen, when I meet the listeners out

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<v Speaker 2>in the streets, they say, we want more chit chat,

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<v Speaker 2>and they tell me to burn Casey's flag. That's the

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<v Speaker 2>word on the street.

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<v Speaker 1>Well, speaking of meeting listeners out in the street, come

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<v Speaker 1>meet us out in the streets of Denver and Phoenix

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<v Speaker 1>this week. Guys, we're gonna be in Denver tomorrow on

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<v Speaker 1>the sixteenth. We're gonna be at Comedy Works South. If

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<v Speaker 1>you come to see us in Denver before, that's the

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<v Speaker 1>different comedy works, So don't go to the old place.

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<v Speaker 2>I wonder if that's gonna happen, and how often it happens,

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<v Speaker 2>I know, but.

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<v Speaker 3>Come see us. We love coming to Denver. Phoenix.

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<v Speaker 1>We've always come to Tempe. Here, we are coming to Phoenix.

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<v Speaker 1>Come see us on the seventeenth, and then yeah, this weekend,

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<v Speaker 1>we'll be in San Diego on Sunday and then next

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<v Speaker 1>week San fran La and Portland. So go to thats

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<v Speaker 1>messed up live dot com for all the ticket links.

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<v Speaker 1>It's gonna be a brand new show. You're gonna see

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<v Speaker 1>a new Episode's gonna be great.

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<v Speaker 3>We have merch. The merch has arrived. I'm excited. Well

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<v Speaker 3>some of it.

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<v Speaker 1>One piece is still missing, but we'll have it when

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<v Speaker 1>we get there. And it's tour only merch babies. We're

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<v Speaker 1>excited to see you guys and do live shows again.

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<v Speaker 1>So come see us. Yeah, and that's that. The power

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<v Speaker 1>points aren't popping. Yes, baby, new games.

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<v Speaker 3>I met someone from an SVU episode yesterday.

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<v Speaker 1>I met someone from an SVU episode on Sunday and

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<v Speaker 1>I did say something and he kind of he put

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<v Speaker 1>his hand up in like what is this a little

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<v Speaker 1>growl and went like that.

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<v Speaker 2>But it was Henry Winkler. I met Henry Winkler last night,

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<v Speaker 2>so that was a thrill.

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<v Speaker 3>Oh my god, did you mention his SVU episode? Yes,

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<v Speaker 3>we want him on the podcast.

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<v Speaker 2>Oh well, I did not do that hours I was

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<v Speaker 2>in a group, So okay, I I have a really

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<v Speaker 2>really small part blink you'll miss it in Good Rich

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<v Speaker 2>with Michael Keat and Milakunis. So I went to the

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<v Speaker 2>premiere last night and it was fun. I got disrespected,

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<v Speaker 2>like anytime I go to a premiere where I only

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<v Speaker 2>have one line. So I'll get into that. I was

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<v Speaker 2>asked to move and get almost kicked out and if

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<v Speaker 2>I'm in the right place four times, four times what

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<v Speaker 2>So I'll get into that.

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<v Speaker 3>But I'm standing outside with the director.

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<v Speaker 2>Hallie's like best friend from college, and my friend Jared

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<v Speaker 2>Goldstein and Henry Winkler go to the I think they're

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<v Speaker 2>family friends. The director's mom is Nancy Meyers. She was

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<v Speaker 2>there as well. I saw her, but I did not,

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<v Speaker 2>So Henry was just saying hi to.

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<v Speaker 3>Her friend said.

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<v Speaker 2>Hi to and then reached out to introduce himself, and

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<v Speaker 2>so I said Hi, I'm Lisa, and then we just

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<v Speaker 2>stood there and I go, I'm a big SVU girl.

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<v Speaker 3>Yours is iconic. And then he went and he liked it.

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<v Speaker 2>He said that it was nice, but you know, I

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<v Speaker 2>went to sleep, so BoJack Horseman last night, and it

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<v Speaker 2>was his episode where he's at a funeral and someone

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<v Speaker 2>starts talking about Lonod to rescue to him. Oh my god,

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<v Speaker 2>because I wanted to say I love your bo Jack,

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<v Speaker 2>but then I thought that would be like too obscure

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<v Speaker 2>and weird. But an icon it was exciting. Yeah, just

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<v Speaker 2>a loose Henry Winkler. Yeah, that's amazing, that's amazing. I

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<v Speaker 2>met Poppy loo Oo. Well, well we want to get her.

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<v Speaker 2>I think she said no, though.

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<v Speaker 1>She did well, she said no, but I didn't bring

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<v Speaker 1>it up. But we also already did her episode. It

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<v Speaker 1>was Dearly Beloved, where she plays a woman with a

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<v Speaker 1>Jewish last name, and I should have brought it up,

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<v Speaker 1>but I couldn't. I could remember what episode she was in,

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<v Speaker 1>like while we were chatting. But we talked for a

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<v Speaker 1>while and she's very sweet and has new stuff coming

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<v Speaker 1>out too. She's in some new show for Netflix called

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<v Speaker 1>like His and Hers or something, and she says it's dark,

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<v Speaker 1>so I'm excited to see what that is.

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<v Speaker 2>I like popular. I mean, I'm a Hacks girl, so yeah,

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<v Speaker 2>I love I told her. I was like, yeah, I

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<v Speaker 2>love you in Hacks.

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<v Speaker 3>Yeah. So we both saw some peeps out and about

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<v Speaker 3>did you.

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<v Speaker 2>See the Vulture article that is Joel Kim Booster wrote

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<v Speaker 2>about not getting veneers and keeping your original teeth when

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<v Speaker 2>you get famous. No, yeah, it's it's pretty good. I

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<v Speaker 2>guess it was like teeth week because I'm watch What

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<v Speaker 2>Happens Live. They did Charlie Booth, is this your tooth?

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<v Speaker 2>And he had to guess if that was his tooth

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<v Speaker 2>or not? And then there is something to chew on.

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<v Speaker 2>It's tooth Day, My favorite teeth, Jim Carrey's the World

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<v Speaker 2>It's Greatest teeth actor, the case of Jack Nicholson's baby teeth,

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<v Speaker 2>like every like, there's just all this.

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<v Speaker 3>I saw stuff.

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<v Speaker 1>And I also saw The Cut did an article like

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<v Speaker 1>a week or so ago about yeah, like veneers and

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<v Speaker 1>how some people regret them because I don't know.

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<v Speaker 2>Like, yeah, I'm I'm just with it. I think Kirsten

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<v Speaker 2>Dunst has kept her teeth and Joel's keeping them, and

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<v Speaker 2>I guess he gets shit on but he's not doing it.

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<v Speaker 2>And then they talk to people that are like, don't

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<v Speaker 2>fucking do it? Yeah, well you have to get them

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<v Speaker 2>redone and you don't have real teeth anymore. Like I know,

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<v Speaker 2>they're like little weird spikes. God forbid, I mean my parent.

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<v Speaker 2>It's just like if you don't need medical intervention, you

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<v Speaker 2>don't need it. And because it's also like maybe veneers

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<v Speaker 2>will be better or some people have good ones. I'm

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<v Speaker 2>sure Taylor has great veneers or whatever she's up to.

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<v Speaker 2>But like most people, it's like, oh, I guess your

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<v Speaker 2>teeth aren' thought white or they're shaped weird or do

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<v Speaker 2>you have chicklets in your mind? You know, it's not

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<v Speaker 2>like we can't tell. It's like we know what it is,

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<v Speaker 2>so it's not And then it like makes you talk weird.

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<v Speaker 3>I know.

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<v Speaker 1>And if you're an actor, hey to tell you, babe,

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<v Speaker 1>that's your man. That's ruad and butter how you talk.

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<v Speaker 2>No, they're saying like in period pieces and stuff, not

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<v Speaker 2>even about the teeth, but it's like when your face

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<v Speaker 2>is just pulled up, like what are we doing here?

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<v Speaker 3>Yeah, you can't be in this nineteen twenties show or whatever.

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<v Speaker 3>I don't know. I'm just proud of Joel for keeping

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<v Speaker 3>his teeth. Wait. Speaking of talking about Joel, though, I

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<v Speaker 3>mean I must have seen. Oh not only have I seen,

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<v Speaker 3>I have personal information that Ali will keep yours. I've

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<v Speaker 3>been hearing.

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<v Speaker 1>I've been hearing some personal information from other people through

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<v Speaker 1>him as well, But just for the listeners, if you're

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<v Speaker 1>not into the housewife world, like some of you aren't,

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<v Speaker 1>Joel Kimbooster r Pal is hosting like a dating show

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<v Speaker 1>with single housewives like Luanne, Shannon Badoor, Gizelle I think Gizelle,

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<v Speaker 1>and and he went on live and was ripping Shannon

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<v Speaker 1>Bador to shreds say that she's a was a post.

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<v Speaker 3>Yeah, oh, I thought he went live.

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<v Speaker 2>No, it was a it was written, it was it

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<v Speaker 2>was written stories Okay, then were asked to be deleted immediately,

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<v Speaker 2>but of course it's the Internet, so screenshots were taken

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<v Speaker 2>and yeah, he basically just said Shannon was evil but

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<v Speaker 2>she was apparently being really terrible to the EP of

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<v Speaker 2>the show and humiliated her in front of the whole

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<v Speaker 2>cat like casting crew. My favorite thing is like people

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<v Speaker 2>in the comments of one of the Bravo accounts I followed,

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<v Speaker 2>well because I don't think it's huge, Like I don't

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<v Speaker 2>think it's giant news, Like you have to be a

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<v Speaker 2>psychopath that follows fifteen Bravo meme a counts to have

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<v Speaker 2>found this out, Like, yes, brav you.

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<v Speaker 3>Know what I mean, Like, I don't think the normal

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<v Speaker 3>my entire feed the morning, I know, I.

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<v Speaker 1>Was sick in bed because I had a cold, and

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<v Speaker 1>I was like, oh my god, that's just like scrolling

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<v Speaker 1>all of the shit.

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<v Speaker 3>It's bad.

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<v Speaker 2>It's something that I would do. But in the comments,

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<v Speaker 2>we were like, I can't believe it. We need more proof.

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<v Speaker 2>We can't just go off this. I'm like, you can't

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<v Speaker 2>believe it. I can't believe that Shannon Badour was a

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<v Speaker 2>nightmare to crewe have we not had that's the same show.

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<v Speaker 1>And that this comedian would like just make that up

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<v Speaker 1>and write these stories and risk, like potentially risk a job,

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<v Speaker 1>which I think he's fine.

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<v Speaker 3>Like his job is safe.

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<v Speaker 2>But like, well, at the end of the day, people

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<v Speaker 2>are talking about this show. No one was talking.

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<v Speaker 1>About That's what I said. Yeah, I think the internet

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<v Speaker 1>is split people. Some people are like I can't believe it,

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<v Speaker 1>and other people are.

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<v Speaker 3>Like I knew it. Well, it's like the tree Huggers.

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<v Speaker 2>It's just like, Okay, we can watch this show for entertainment.

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<v Speaker 2>If you think Shannon or Teresa are great people who

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<v Speaker 2>deserve like joy and happiness, you're out of your fucking mind.

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<v Speaker 2>These are not good people and we've seen Shannon's awful

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<v Speaker 2>behavior for years or people were like, and he brought

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<v Speaker 2>up the do I do love that ro He's like,

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<v Speaker 2>I don't even know what's tough to suffer means, but

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<v Speaker 2>ha haha. But even with the daughters, they're like, I

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<v Speaker 2>don't know, and I'm like, I don't like Orange County girls.

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<v Speaker 3>Yeah that went to Baylor.

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<v Speaker 2>You think they know how to behave, Like I just

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<v Speaker 2>I just don't get the shock. Like you might like

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<v Speaker 2>someone or not, but to be shocked at they're behaving

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<v Speaker 2>in a way that we've seen them behave for a

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<v Speaker 2>decade on television is like I don't understand what the

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<v Speaker 2>viewers and you can still like her, but like there's

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<v Speaker 2>but they're all monsters. That's the thing that's I think

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<v Speaker 2>working with Housewives, I don't think Vicky is great Toakreue.

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<v Speaker 3>You know, it's like, I don't think.

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<v Speaker 1>I think the only reason this got pick up is

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<v Speaker 1>because she's in the middle of this like sort of

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<v Speaker 1>victim storyline that people are like rallying behind her because

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<v Speaker 1>her ex is a nightmare. And in his post he

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<v Speaker 1>said I feel bad for John Janssen, which was so

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<v Speaker 1>crazy because John Jens is clearly a full scumbag, you know.

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<v Speaker 3>Anyway, this is so much housewife talk, not enough to day.

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<v Speaker 2>We got premieres of Salt Lake, we got oc we

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<v Speaker 2>got New New York like we got Potomac. We're back, baby,

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<v Speaker 2>I'm dying. I'm drot watching every night. It's like so exciting.

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<v Speaker 2>Oh so this is the premier. So it's at the grove. Okay,

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<v Speaker 2>my friend who I'm coming with, he gets a phone call.

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<v Speaker 2>He's running late. My anxiety does not handle that. So

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<v Speaker 2>I go on my own and it's more fun with

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<v Speaker 2>a friend.

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<v Speaker 3>So I go up there. I'm just standing. I'm talking

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<v Speaker 3>to one woman.

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<v Speaker 2>But as I check in, they tell me I'm I'm

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<v Speaker 2>sitting in the director's role row. I go, are you sure,

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<v Speaker 2>and they go, yeah, you're in Halle's row. It's here,

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<v Speaker 2>and I go okay, so I go. I sit down

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<v Speaker 2>and immediately there's like some space, but these two women

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<v Speaker 2>are looking at me.

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<v Speaker 3>They're like, and I go they told.

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<v Speaker 2>Me to sit here, and then I just was feeling uncomfortable.

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<v Speaker 2>So then I went, I'll just go check. Would you

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<v Speaker 2>mind saving these though, just in case? And they go

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<v Speaker 2>for sure, So I go and I go, hey, guys,

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<v Speaker 2>it's a little weird. Are you sure I'm in Halle's row?

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<v Speaker 2>Like it seems like family, and like, are you Henry

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<v Speaker 2>Wrightler's on this show? Like are you sure? And they go, yeah,

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<v Speaker 2>you're in the director's row. Hallie she asked for it,

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<v Speaker 2>and I go, okay, I get I guess. So I

0:10:59.520 --> 0:11:01.640
<v Speaker 2>go back and then there's a new little man sitting

0:11:01.679 --> 0:11:03.600
<v Speaker 2>there with these two other women and he turns around.

0:11:03.640 --> 0:11:07.680
<v Speaker 3>He goes, hey, so this is like Hallie's roe. I go, no,

0:11:07.760 --> 0:11:08.000
<v Speaker 3>I know.

0:11:08.080 --> 0:11:11.040
<v Speaker 2>I went to double check because you're people keep making

0:11:11.080 --> 0:11:13.720
<v Speaker 2>sure I belong here or not. So then he felt

0:11:13.760 --> 0:11:15.880
<v Speaker 2>weird because I was like, no, I've asked. I don't

0:11:15.880 --> 0:11:16.120
<v Speaker 2>want to.

0:11:16.080 --> 0:11:18.720
<v Speaker 3>Sit here either. You've all made it very uncomfortable for me.

0:11:19.760 --> 0:11:23.400
<v Speaker 2>And he's like, oh, no, it's fine. So he's her

0:11:23.400 --> 0:11:26.000
<v Speaker 2>best friend from college. Then I realized, oh, that's her sister.

0:11:26.480 --> 0:11:29.760
<v Speaker 2>So I'm like, oh, this is like legit, Like I

0:11:29.800 --> 0:11:31.840
<v Speaker 2>shouldn't be here, you know, I shouldn't.

0:11:31.880 --> 0:11:34.000
<v Speaker 3>I feel weird. I don't know why they're telling me

0:11:34.040 --> 0:11:35.600
<v Speaker 3>to sit here. Jared comes.

0:11:35.640 --> 0:11:37.760
<v Speaker 2>Then Jared leaves for to get pop corner or drink.

0:11:38.040 --> 0:11:41.200
<v Speaker 2>A woman from the events coming comes up to me goes, hey,

0:11:41.679 --> 0:11:43.600
<v Speaker 2>we're gonna need you to move, and this is after

0:11:43.640 --> 0:11:45.760
<v Speaker 2>I could see there's come and I go, are you

0:11:45.840 --> 0:11:47.319
<v Speaker 2>kidding me? I go, I didn't want to sit here?

0:11:47.360 --> 0:11:49.320
<v Speaker 2>I go, I went to double check. They told me

0:11:49.360 --> 0:11:51.400
<v Speaker 2>twice I should sit here. She goes, we just need

0:11:51.440 --> 0:11:54.040
<v Speaker 2>you to leave, like move, and I went, okay, well

0:11:54.080 --> 0:11:56.160
<v Speaker 2>I'm in the movie, like I don't because.

0:11:55.880 --> 0:11:56.880
<v Speaker 3>I go, where do you want me to sit?

0:11:56.920 --> 0:11:58.400
<v Speaker 2>She goes, you could just go over here and I go,

0:11:58.920 --> 0:12:00.600
<v Speaker 2>I don't know, I'm in it like i'd like, and

0:12:00.640 --> 0:12:02.680
<v Speaker 2>she goes, okay, you can just sit in the cast thing.

0:12:02.840 --> 0:12:05.520
<v Speaker 2>So like I got two seats. Everything was fine. I

0:12:05.520 --> 0:12:08.040
<v Speaker 2>should have just sat in the cast seats immediately, but

0:12:08.120 --> 0:12:10.720
<v Speaker 2>I thought everything's very planned out, that's reserved, like I

0:12:10.800 --> 0:12:12.600
<v Speaker 2>just kind of did what I wanted. And there were

0:12:12.640 --> 0:12:15.400
<v Speaker 2>like elderly people being like, I want thy aisle, and

0:12:15.440 --> 0:12:17.600
<v Speaker 2>I was like, I'm sorry, I have pee problems. I

0:12:17.679 --> 0:12:20.160
<v Speaker 2>have to sit in that like I'm like fighting with

0:12:20.240 --> 0:12:23.200
<v Speaker 2>her uncles and godparents, like I don't know, so obviously

0:12:23.200 --> 0:12:25.080
<v Speaker 2>I'm happy not to be in this row.

0:12:25.520 --> 0:12:26.120
<v Speaker 3>Oh my god.

0:12:26.559 --> 0:12:28.600
<v Speaker 2>I went to check like I didn't want to be there,

0:12:28.640 --> 0:12:31.079
<v Speaker 2>but I I'm embarrassed. So now I'm kicked out in

0:12:31.120 --> 0:12:33.920
<v Speaker 2>front of this little college friend of hers, and you know,

0:12:34.480 --> 0:12:36.680
<v Speaker 2>I just I hate it. And also this man is

0:12:36.720 --> 0:12:38.760
<v Speaker 2>gay and was just like so dismissive and not nice

0:12:38.800 --> 0:12:40.320
<v Speaker 2>to me. And then as soon as Jared showed up,

0:12:40.360 --> 0:12:43.400
<v Speaker 2>he was like, hey, I think I know you. Everything

0:12:43.480 --> 0:12:46.760
<v Speaker 2>switched suddenly you wanted to know all about us. Everyone

0:12:46.800 --> 0:12:48.800
<v Speaker 2>wanted to fuck him last night, like every cater worried,

0:12:48.960 --> 0:12:52.080
<v Speaker 2>like everyone. So then we go to the after party

0:12:52.800 --> 0:12:54.640
<v Speaker 2>and it's fine.

0:12:54.800 --> 0:12:56.280
<v Speaker 3>It's like, you know, it's fine.

0:12:56.320 --> 0:12:58.840
<v Speaker 2>So We're like walking around, We're and then I'm like,

0:12:58.880 --> 0:13:00.880
<v Speaker 2>I'm just gonna smoke the joint real quick.

0:13:02.400 --> 0:13:04.360
<v Speaker 3>I'm gonna take a hit. So I walk outside.

0:13:04.440 --> 0:13:08.959
<v Speaker 2>Have you been to Fannies the Academy Museum restaurant?

0:13:09.400 --> 0:13:09.800
<v Speaker 3>No?

0:13:09.800 --> 0:13:12.679
<v Speaker 2>No, I guess there's three premieres happening in this building.

0:13:12.760 --> 0:13:16.400
<v Speaker 2>I oh, listen. Did I end then I talking to

0:13:16.679 --> 0:13:18.760
<v Speaker 2>the head of catering for twenty five minutes?

0:13:18.840 --> 0:13:21.319
<v Speaker 3>We did? We did. That's after I was.

0:13:21.280 --> 0:13:24.920
<v Speaker 2>Rejected by everyone who we did end up just talking

0:13:24.920 --> 0:13:29.040
<v Speaker 2>to the head of catering. But I'm like he was hungry.

0:13:29.160 --> 0:13:31.320
<v Speaker 2>I go, I'm just gonna step outside. So there's like

0:13:31.360 --> 0:13:34.760
<v Speaker 2>sections with tables and bars. I walk, of course, outside

0:13:34.760 --> 0:13:36.880
<v Speaker 2>of the patio. I'm not a mine. I understand this

0:13:36.960 --> 0:13:40.240
<v Speaker 2>isn't And I go behind some fen like gate and

0:13:40.280 --> 0:13:43.400
<v Speaker 2>I take a few hits and then I start going

0:13:43.440 --> 0:13:46.679
<v Speaker 2>inside and security goes, you should have done that out there,

0:13:46.960 --> 0:13:49.760
<v Speaker 2>like on the sidewalk, And to me, I'm like, I'm

0:13:49.800 --> 0:13:51.840
<v Speaker 2>not an asshole, Like I walked as far as I

0:13:52.000 --> 0:13:54.800
<v Speaker 2>thought would be appropriate, Like I am doing the thing.

0:13:54.880 --> 0:13:57.360
<v Speaker 2>It's not like I sat on the patio chairs, you know,

0:13:57.480 --> 0:13:59.800
<v Speaker 2>oh yeah yeah. And I went, well, he goes, you

0:13:59.840 --> 0:14:02.480
<v Speaker 2>should have gone all the way out, not in our grounds.

0:14:02.559 --> 0:14:05.640
<v Speaker 2>And I went, oh, okay, my bad, and I'm walking.

0:14:05.720 --> 0:14:09.000
<v Speaker 2>He goes, should you even be here? And I went what?

0:14:09.600 --> 0:14:11.280
<v Speaker 2>And then I had to like show my little bracelet

0:14:11.320 --> 0:14:13.600
<v Speaker 2>and be like, yeah, I have the bracelet. Is that okay, sir?

0:14:14.200 --> 0:14:16.200
<v Speaker 2>I'm like, go fuck off. And then because at that

0:14:16.240 --> 0:14:18.800
<v Speaker 2>point I was like annoyed, and I was wearing a

0:14:18.920 --> 0:14:20.920
<v Speaker 2>very cute outfit, and so then I went back in

0:14:21.000 --> 0:14:23.680
<v Speaker 2>and he's like it was yeah, it was just like

0:14:24.480 --> 0:14:25.520
<v Speaker 2>I can't even believe it.

0:14:26.120 --> 0:14:28.560
<v Speaker 1>I just don't get why those women or the gatement like,

0:14:29.040 --> 0:14:31.400
<v Speaker 1>how do they know who the fuck you are? Like

0:14:31.480 --> 0:14:34.640
<v Speaker 1>you could be fucking Nancy Meyer's like best friend from highol.

0:14:34.680 --> 0:14:36.240
<v Speaker 3>No, I think they've all been I mean not for

0:14:36.360 --> 0:14:37.480
<v Speaker 3>a decade.

0:14:37.120 --> 0:14:38.520
<v Speaker 2>You know what I mean, Like they would have now

0:14:38.840 --> 0:14:41.560
<v Speaker 2>these are her sisters and best friends. Like I understand,

0:14:41.600 --> 0:14:44.400
<v Speaker 2>it's like cousins, it's godparents. They all know Henry Winkler.

0:14:44.480 --> 0:14:46.920
<v Speaker 2>Like I get it. But to me, I still think

0:14:46.960 --> 0:14:48.440
<v Speaker 2>it's cool. She wanted you in her row.

0:14:48.520 --> 0:14:49.560
<v Speaker 3>Originally she didn't.

0:14:49.560 --> 0:14:51.320
<v Speaker 2>She didn't know because when I saw her at the party,

0:14:51.400 --> 0:14:54.160
<v Speaker 2>she hugged me, was so excited. She goes, I didn't

0:14:54.160 --> 0:14:56.160
<v Speaker 2>know you were here. I would have made an announcement

0:14:56.160 --> 0:14:57.080
<v Speaker 2>when I talked about.

0:14:56.920 --> 0:14:57.440
<v Speaker 3>All the actors.

0:14:57.440 --> 0:14:59.440
<v Speaker 2>I'm like, that would have been crazy if you mentioned

0:15:00.280 --> 0:15:05.880
<v Speaker 2>Mila Kunis, Michael Keaton, and then a girl with three lines, like,

0:15:07.120 --> 0:15:09.760
<v Speaker 2>but she was so happy to see me in kind

0:15:09.840 --> 0:15:11.240
<v Speaker 2>I didn't get the cur I should have gone up

0:15:11.240 --> 0:15:13.120
<v Speaker 2>to Michael Keaton. I was just in such a mood

0:15:13.120 --> 0:15:15.120
<v Speaker 2>for being rejected all night that I was just like

0:15:15.200 --> 0:15:18.880
<v Speaker 2>in my head. But Melakunis and then I saw all

0:15:18.920 --> 0:15:21.800
<v Speaker 2>these people speaking Russian, so she brought a lot of family.

0:15:22.160 --> 0:15:24.600
<v Speaker 2>I love that she brings her trash Russian family all

0:15:24.640 --> 0:15:25.800
<v Speaker 2>over town because.

0:15:25.560 --> 0:15:28.520
<v Speaker 3>You should have gotten in there. They were not friendly.

0:15:28.640 --> 0:15:30.720
<v Speaker 3>They did not look friendly. They are Russian. I don't know.

0:15:30.840 --> 0:15:33.160
<v Speaker 2>Yeah, I don't know if if you're Russian and watching,

0:15:33.320 --> 0:15:36.680
<v Speaker 2>you know what I'm talking about. Now, Julia says, I'm

0:15:36.720 --> 0:15:38.720
<v Speaker 2>like too sensitive when I see Russians out and about.

0:15:38.720 --> 0:15:39.920
<v Speaker 3>It really like affects me.

0:15:40.040 --> 0:15:43.760
<v Speaker 1>It affects me, oh, because like it's like, I don't know,

0:15:43.880 --> 0:15:44.880
<v Speaker 1>I know they would.

0:15:44.680 --> 0:15:48.200
<v Speaker 3>Be happy maybe, but yeah they are. Well.

0:15:48.440 --> 0:15:51.680
<v Speaker 2>I went to this like a dyes the grocery store

0:15:51.760 --> 0:15:54.760
<v Speaker 2>that's by where I'm staying, and I spoke Russian with everyone.

0:15:54.760 --> 0:15:58.160
<v Speaker 2>An old lady asked me for help. But whatever. Ashton

0:15:58.240 --> 0:16:01.680
<v Speaker 2>Kutcher was there. Oh okay, you know there's been a

0:16:01.680 --> 0:16:05.560
<v Speaker 2>lot of yes, there's been ugh on that Hocky talk.

0:16:06.200 --> 0:16:08.560
<v Speaker 2>So my I was kind of shocked because Mila hasn't

0:16:08.560 --> 0:16:11.080
<v Speaker 2>done any process at all about anything. But Laura Benanti,

0:16:11.160 --> 0:16:13.040
<v Speaker 2>former guest, is in it. She wasn't at the premiere,

0:16:13.080 --> 0:16:14.280
<v Speaker 2>but she she's in the movie.

0:16:15.640 --> 0:16:17.440
<v Speaker 3>Wow, that's fun.

0:16:17.640 --> 0:16:19.680
<v Speaker 2>Oh and the little kids. There's two little kids in

0:16:19.720 --> 0:16:21.360
<v Speaker 2>it and they are stars.

0:16:21.440 --> 0:16:22.080
<v Speaker 3>Like it was cute.

0:16:22.080 --> 0:16:23.800
<v Speaker 2>And the girl at the premiere, she had like purple

0:16:23.840 --> 0:16:25.080
<v Speaker 2>tips like on her hair.

0:16:25.600 --> 0:16:27.320
<v Speaker 3>It was cute, like and then were.

0:16:27.160 --> 0:16:29.400
<v Speaker 1>You happy like how your part turned out and everything? Like,

0:16:29.560 --> 0:16:31.400
<v Speaker 1>I mean, I know you said it's only a couple lines.

0:16:31.440 --> 0:16:34.760
<v Speaker 2>No I have like I have like prom curls that

0:16:34.800 --> 0:16:35.560
<v Speaker 2>I don't remember.

0:16:35.920 --> 0:16:38.280
<v Speaker 3>That look insane.

0:16:38.680 --> 0:16:42.080
<v Speaker 2>I also, I'm wearing my own like crop top, but

0:16:42.160 --> 0:16:45.840
<v Speaker 2>I tied it and it's just it's fine. They cut

0:16:45.880 --> 0:16:48.720
<v Speaker 2>almost everything because the then the little man was nicer

0:16:48.760 --> 0:16:50.040
<v Speaker 2>to me because I think he wanted to have sex

0:16:50.080 --> 0:16:51.960
<v Speaker 2>with my friends. So then he was like, oh I

0:16:52.000 --> 0:16:54.120
<v Speaker 2>saw an earlier cut where a lot more of your stuff.

0:16:54.160 --> 0:16:56.320
<v Speaker 2>He's like, didn't you have, Like, weren't you making fun

0:16:56.360 --> 0:16:58.560
<v Speaker 2>of Michael? I go, yeah, I was, But you know

0:16:58.600 --> 0:17:00.080
<v Speaker 2>they got it.

0:17:00.200 --> 0:17:01.840
<v Speaker 3>I bet he was trying to fucking backtrack because he

0:17:01.920 --> 0:17:03.680
<v Speaker 3>was being a dick. He was.

0:17:03.800 --> 0:17:05.639
<v Speaker 2>He was being a dick, and it's just like I

0:17:05.880 --> 0:17:07.160
<v Speaker 2>but I I get Hollywood.

0:17:07.200 --> 0:17:07.840
<v Speaker 3>Everyone's crazy.

0:17:07.880 --> 0:17:10.560
<v Speaker 2>I'm like, I'm not trying to sneak into this row, right,

0:17:10.600 --> 0:17:13.480
<v Speaker 2>I am happy to sit anywhere like I went. I

0:17:13.480 --> 0:17:15.919
<v Speaker 2>I but maybe I should have just walked away on

0:17:15.960 --> 0:17:18.240
<v Speaker 2>my own feel when I felt like I shouldn't be

0:17:18.280 --> 0:17:20.720
<v Speaker 2>there but I didn't know how assigned seats they were,

0:17:20.760 --> 0:17:21.000
<v Speaker 2>like I.

0:17:20.960 --> 0:17:23.280
<v Speaker 3>Just do right, well you do were doing what you

0:17:23.320 --> 0:17:23.800
<v Speaker 3>were told.

0:17:24.560 --> 0:17:27.679
<v Speaker 2>Yeah, but at least I was invited to the party

0:17:27.680 --> 0:17:29.720
<v Speaker 2>this time. I mean a security guard did make sure

0:17:29.760 --> 0:17:30.960
<v Speaker 2>that I was invited.

0:17:31.040 --> 0:17:37.400
<v Speaker 1>But well, you know, maybe he has like the security

0:17:37.400 --> 0:17:39.840
<v Speaker 1>guard has like a weird thing about weed still he's

0:17:39.840 --> 0:17:42.040
<v Speaker 1>from the days of weed still being illegal or something.

0:17:42.160 --> 0:17:44.120
<v Speaker 3>No, when I walked in, I go, I think he's

0:17:44.160 --> 0:17:44.800
<v Speaker 3>an ex cop.

0:17:45.400 --> 0:17:48.440
<v Speaker 2>Yeah I got ex cop vibes from him.

0:17:48.560 --> 0:17:49.879
<v Speaker 3>But whatever.

0:17:50.000 --> 0:17:53.560
<v Speaker 2>I either way, it was really fun. It is exciting,

0:17:53.920 --> 0:17:56.160
<v Speaker 2>and Michael Katon is so talented. I teared up during

0:17:56.160 --> 0:17:59.400
<v Speaker 2>the movie multiple times. Really what makes to see it?

0:17:59.600 --> 0:18:02.520
<v Speaker 2>He is he's just really talented. There's a few scenes

0:18:02.560 --> 0:18:05.000
<v Speaker 2>where he's just it's just close ups of his face

0:18:05.160 --> 0:18:07.280
<v Speaker 2>like being emotional, and he's just really good.

0:18:07.760 --> 0:18:10.240
<v Speaker 1>He's really good, and he has such an interesting face,

0:18:10.280 --> 0:18:11.879
<v Speaker 1>and he can play so many different things.

0:18:11.920 --> 0:18:14.400
<v Speaker 2>And I hope that we're getting funny parts too. Yeah,

0:18:14.600 --> 0:18:15.199
<v Speaker 2>I hope we're you.

0:18:15.359 --> 0:18:18.119
<v Speaker 1>Getting new generations of Michael Keaton and we're not just

0:18:18.160 --> 0:18:22.199
<v Speaker 1>getting like Glenn Powell, like hot boy like cutouts, you know,

0:18:22.320 --> 0:18:24.399
<v Speaker 1>Like I really hope we're gonna get like, who's glenned

0:18:24.400 --> 0:18:25.200
<v Speaker 1>to Michael Keaton?

0:18:25.240 --> 0:18:25.760
<v Speaker 3>What are you talking?

0:18:25.920 --> 0:18:26.000
<v Speaker 2>Like?

0:18:26.040 --> 0:18:26.840
<v Speaker 3>Glenn Powell is.

0:18:26.800 --> 0:18:30.399
<v Speaker 1>The fucking hot guy in Top Gun, oh, the Sydney

0:18:30.440 --> 0:18:32.760
<v Speaker 1>Sweeney movie, in all the hot guy, he's the hot

0:18:32.800 --> 0:18:34.760
<v Speaker 1>guy or whatever. And it's like, fine, we can have

0:18:34.760 --> 0:18:36.160
<v Speaker 1>a hot guy, but I just hope that we're also

0:18:36.200 --> 0:18:36.880
<v Speaker 1>getting like Mikey.

0:18:36.920 --> 0:18:39.080
<v Speaker 2>He's not my hot guy. I feel like Austin Butler's

0:18:39.080 --> 0:18:40.000
<v Speaker 2>hotter Glenn Powell.

0:18:40.280 --> 0:18:42.639
<v Speaker 1>That's the same, but same like hot guys, you know

0:18:42.680 --> 0:18:45.440
<v Speaker 1>what I mean. They're like Michael Keaton's like interesting looking

0:18:45.440 --> 0:18:47.640
<v Speaker 1>and can play all these weird parts and funny parts, but.

0:18:47.640 --> 0:18:49.960
<v Speaker 3>Can also be a handwek guy. I think he was,

0:18:50.280 --> 0:18:50.960
<v Speaker 3>Yeah he is.

0:18:51.040 --> 0:18:52.800
<v Speaker 2>Yeah, I'm like he was, you know, but I guess

0:18:52.800 --> 0:18:54.919
<v Speaker 2>he's lived in Wyoming for over twenty years.

0:18:55.240 --> 0:18:58.240
<v Speaker 1>Oh really, yeah, I didn't know that. I mean, Anna

0:18:58.280 --> 0:19:01.480
<v Speaker 1>de Armis just moved to Vermont. People are people are cocooning?

0:19:01.600 --> 0:19:04.560
<v Speaker 2>I don't know, well, especially because people aren't filming as

0:19:04.640 --> 0:19:08.680
<v Speaker 2>much in LA. I think people are going to like Toronto, Atlanta,

0:19:09.800 --> 0:19:12.520
<v Speaker 2>Jerseys getting tax cuts. Someone was telling me they're filming

0:19:12.560 --> 0:19:15.919
<v Speaker 2>a bunch of stuff in Ireland. Lately Vancouver. I just

0:19:15.960 --> 0:19:18.040
<v Speaker 2>think you can live anywhere now as an accer and

0:19:18.200 --> 0:19:20.640
<v Speaker 2>just like you're just going to these sets like it's

0:19:20.680 --> 0:19:21.520
<v Speaker 2>not the same.

0:19:22.280 --> 0:19:24.320
<v Speaker 3>Totally totally so true.

0:19:24.760 --> 0:19:26.679
<v Speaker 1>Wait, speaking of X Cop, and then we really do

0:19:26.760 --> 0:19:30.520
<v Speaker 1>have to start the episode. I somebody one of you

0:19:30.800 --> 0:19:34.520
<v Speaker 1>beautiful listeners sent our account, our Instagram account, like a

0:19:34.560 --> 0:19:38.440
<v Speaker 1>TikTok or an Instagram reel or something of this guy

0:19:38.600 --> 0:19:41.919
<v Speaker 1>explaining how a cop in South Florida, I think it

0:19:42.000 --> 0:19:46.200
<v Speaker 1>was South Florida, a cop somewhere took his wife's hair

0:19:46.320 --> 0:19:50.120
<v Speaker 1>from the shower and was planting it at crime scenes

0:19:50.960 --> 0:19:53.480
<v Speaker 1>because he wanted he didn't want to be with her anymore.

0:19:53.840 --> 0:19:57.359
<v Speaker 1>He was planting it at crime scenes and incriminating her.

0:19:57.760 --> 0:19:59.879
<v Speaker 1>And then when they found her hair and like ques

0:20:00.400 --> 0:20:03.359
<v Speaker 1>her or whatever, he was like, yes, she has been

0:20:03.400 --> 0:20:07.840
<v Speaker 1>acting really weird. He was trying to get her fucking incarcerated.

0:20:08.480 --> 0:20:11.760
<v Speaker 3>And how do they figure it out? And did he

0:20:11.800 --> 0:20:14.200
<v Speaker 3>get in trouble? Like what? I don't know? Go on,

0:20:14.640 --> 0:20:16.560
<v Speaker 3>I have to like google the full story.

0:20:16.560 --> 0:20:19.320
<v Speaker 2>Hold on, hopefully she had good enough alibis that they

0:20:19.400 --> 0:20:21.520
<v Speaker 2>knew it wasn't her or like where the crime is different?

0:20:21.560 --> 0:20:23.320
<v Speaker 1>Because if this guy's a cop. Then he knew where

0:20:23.359 --> 0:20:26.840
<v Speaker 1>to place it. Okay, it's okay. When I google it,

0:20:26.840 --> 0:20:30.320
<v Speaker 1>it's literally only coming up on TikTok. Hold time, a

0:20:30.359 --> 0:20:32.480
<v Speaker 1>policeman was collecting his wife's hair from the shower and

0:20:32.520 --> 0:20:34.680
<v Speaker 1>placing it at crime scenes because he wanted her.

0:20:35.480 --> 0:20:37.080
<v Speaker 3>Maybe it's fake. I don't know.

0:20:37.400 --> 0:20:40.879
<v Speaker 1>I just saw it. I just saw this on TikTok

0:20:40.920 --> 0:20:42.800
<v Speaker 1>and I was like, that's wild. And of course it

0:20:42.880 --> 0:20:44.800
<v Speaker 1>was an ex cop and people were like, never marry

0:20:44.800 --> 0:20:46.720
<v Speaker 1>a cop. But now it's like, when I look it up,

0:20:46.760 --> 0:20:49.560
<v Speaker 1>it's only on TikTok and like Twitter, So maybe it's fake.

0:20:50.400 --> 0:20:54.159
<v Speaker 1>But you know who knows. I wanted to shut on

0:20:54.200 --> 0:20:55.040
<v Speaker 1>a cop for a sec.

0:20:55.200 --> 0:20:58.960
<v Speaker 2>Yeah, it's only TikTok. We need another sort, we'll go

0:20:59.040 --> 0:20:59.439
<v Speaker 2>into it.

0:21:00.240 --> 0:21:02.600
<v Speaker 3>That's where more and more people are getting their news.

0:21:02.960 --> 0:21:05.480
<v Speaker 2>Well, I have another crime thing. I watched the documentary

0:21:05.520 --> 0:21:07.520
<v Speaker 2>I wish to remember the name, but it's on Netflix

0:21:08.080 --> 0:21:11.360
<v Speaker 2>and it's about a woman who is a corrections officer

0:21:11.400 --> 0:21:14.200
<v Speaker 2>for seventeen years. She was the assistant manager of it.

0:21:14.880 --> 0:21:19.080
<v Speaker 2>She was beloved, very kind, like the employees loved her,

0:21:19.119 --> 0:21:22.080
<v Speaker 2>the inmates loved her, like she gave everything up to

0:21:22.119 --> 0:21:27.280
<v Speaker 2>this job. She had a heart and then she helped

0:21:27.320 --> 0:21:30.439
<v Speaker 2>an inmate escape and they went on the run, and

0:21:30.480 --> 0:21:33.280
<v Speaker 2>then they've had to investigate and they figured out she's

0:21:33.320 --> 0:21:36.000
<v Speaker 2>been dating him and they've been having phone sex, and

0:21:36.040 --> 0:21:40.280
<v Speaker 2>you get to hear their phone sex tapes, and then

0:21:40.359 --> 0:21:42.720
<v Speaker 2>you see all the footage of like all the times

0:21:42.760 --> 0:21:45.440
<v Speaker 2>she has helped him escape or what's going on. And

0:21:46.320 --> 0:21:48.199
<v Speaker 2>then I don't want to give it away if you

0:21:48.240 --> 0:21:51.120
<v Speaker 2>guys like watch, but it's interesting because all the inmates

0:21:51.160 --> 0:21:53.760
<v Speaker 2>are like, that's real love. Man, they loved each other.

0:21:53.840 --> 0:21:57.240
<v Speaker 2>They loved each other. He like, oh he was did

0:21:57.240 --> 0:21:59.200
<v Speaker 2>you do anything? And then all the people in her life

0:21:59.240 --> 0:22:01.080
<v Speaker 2>are like, this is sad.

0:22:01.160 --> 0:22:01.840
<v Speaker 3>She was used.

0:22:01.840 --> 0:22:03.800
<v Speaker 2>This is a dangerous man, and they wanted to find

0:22:03.840 --> 0:22:05.879
<v Speaker 2>her because they're like, he's gonna turn it on her

0:22:05.920 --> 0:22:06.399
<v Speaker 2>and kill her.

0:22:06.440 --> 0:22:07.440
<v Speaker 3>This is a bad person.

0:22:07.920 --> 0:22:11.240
<v Speaker 2>And then the inmate confessional like tapes are like, man,

0:22:11.280 --> 0:22:13.840
<v Speaker 2>they really had something special. And then her friends are

0:22:13.840 --> 0:22:16.040
<v Speaker 2>crying being like we didn't know she was so lonely,

0:22:16.080 --> 0:22:22.000
<v Speaker 2>you know, but it was very good. Oh my god, Yes,

0:22:22.080 --> 0:22:23.960
<v Speaker 2>I need to watch. I want to watch.

0:22:24.000 --> 0:22:26.320
<v Speaker 1>Also, I don't know everyone's talking about how the Menendez

0:22:26.359 --> 0:22:28.840
<v Speaker 1>Bryan Murphy's gonna get the Menendez Brothers out of jail.

0:22:29.520 --> 0:22:32.480
<v Speaker 2>Okay, well I heard there's also not that, but there's

0:22:32.520 --> 0:22:37.000
<v Speaker 2>a new doc about the abuse and detailing, and I

0:22:37.000 --> 0:22:39.960
<v Speaker 2>guess they have been in jail for close to forty years. Yeah,

0:22:40.600 --> 0:22:45.520
<v Speaker 2>and if there is now proof and everything about the abuse, yeah, yeah,

0:22:46.240 --> 0:22:48.040
<v Speaker 2>I don't know. I would have to look more into it.

0:22:48.080 --> 0:22:52.119
<v Speaker 2>But the TV show is very weird. I have it

0:22:52.160 --> 0:22:54.720
<v Speaker 2>on in the background of stuff, like Ari Grainer's in it.

0:22:55.520 --> 0:22:57.560
<v Speaker 2>I'm watching the Chloe seven y eight, like about the

0:22:57.680 --> 0:23:01.000
<v Speaker 2>Parents right now, Like I just like watch the performances,

0:23:01.040 --> 0:23:04.800
<v Speaker 2>but I'm not really into it. Yeah, I just think

0:23:04.840 --> 0:23:07.720
<v Speaker 2>it's too I don't know, I want more real stuff.

0:23:07.720 --> 0:23:10.080
<v Speaker 2>I gotta watch this dock. I don't know much about them,

0:23:10.080 --> 0:23:11.400
<v Speaker 2>and I'm curious.

0:23:11.680 --> 0:23:13.440
<v Speaker 1>Yeah, I mean the last thing I watched about the

0:23:13.440 --> 0:23:15.480
<v Speaker 1>Menendez Brothers was like eight years ago when they did

0:23:15.960 --> 0:23:18.760
<v Speaker 1>Law and Order American Crime Story with Edie Falco and

0:23:18.800 --> 0:23:20.160
<v Speaker 1>like did the full read.

0:23:20.359 --> 0:23:22.640
<v Speaker 3>You know, there's oh my god, but.

0:23:22.640 --> 0:23:24.480
<v Speaker 1>Yeah that was like that was like that was like

0:23:24.520 --> 0:23:27.640
<v Speaker 1>in twenty seventeen or eighteen or something. All right, well,

0:23:27.800 --> 0:23:30.560
<v Speaker 1>let's get started. We've got a great show. This episode

0:23:30.680 --> 0:23:34.200
<v Speaker 1>is freaky, so don't go anywhere.

0:23:37.400 --> 0:23:38.639
<v Speaker 3>All right? Everyone?

0:23:39.560 --> 0:23:44.439
<v Speaker 2>Did I sound like what's her name? Laura Love Laura Delilah?

0:23:44.640 --> 0:23:49.720
<v Speaker 2>I think it was Laura ritual Baby, Season five, episode fourteen.

0:23:49.760 --> 0:23:53.440
<v Speaker 2>You're thinking ritual, Wow, sounds like a expensive facial.

0:23:53.720 --> 0:23:56.200
<v Speaker 3>No that's not no, not so what it's about to happen.

0:23:56.600 --> 0:23:58.640
<v Speaker 2>But Casey also made a weird face that he does

0:23:58.720 --> 0:24:02.560
<v Speaker 2>not think about spot treatments when you here's the word ritual,

0:24:02.960 --> 0:24:04.480
<v Speaker 2>But why do I Is there like a brand?

0:24:04.920 --> 0:24:07.600
<v Speaker 1>Yes, because there's like a brand called Rituals. Isn't there

0:24:07.680 --> 0:24:12.040
<v Speaker 1>or are we seeing origins? Isn't there a Rituals face brand?

0:24:12.880 --> 0:24:18.760
<v Speaker 1>Ritual Prenate, there's Prenatal Rituals Cosmetics. Yes, there's a Rituals cosmetics.

0:24:19.000 --> 0:24:21.879
<v Speaker 2>Because the way Casey scrunches, I'm like, am I making

0:24:21.920 --> 0:24:22.719
<v Speaker 2>this up? No?

0:24:22.720 --> 0:24:24.840
<v Speaker 1>No, no, there's a cosmetics, Which makes sense that Casey

0:24:24.880 --> 0:24:26.040
<v Speaker 1>wouldn't know about that and we would.

0:24:26.119 --> 0:24:28.600
<v Speaker 3>Yeah that I'm crashy. I don't know about this either.

0:24:29.080 --> 0:24:31.320
<v Speaker 2>This looks like I've never seen this bottle of my

0:24:31.359 --> 0:24:33.399
<v Speaker 2>goddamn life.

0:24:34.760 --> 0:24:35.160
<v Speaker 3>Well wait.

0:24:35.240 --> 0:24:37.000
<v Speaker 1>I also wanted to point out that the air date

0:24:37.080 --> 0:24:39.280
<v Speaker 1>of this episode is February third, two thousand and four,

0:24:39.440 --> 0:24:40.120
<v Speaker 1>two three four.

0:24:41.520 --> 0:24:43.159
<v Speaker 3>I thought you'd kind of liked that. I bet we

0:24:43.200 --> 0:24:43.800
<v Speaker 3>had a funday.

0:24:43.760 --> 0:24:45.080
<v Speaker 2>I bet I have had a fun day in high

0:24:45.119 --> 0:24:49.080
<v Speaker 2>school writing the date down two three four. All right,

0:24:49.680 --> 0:24:52.000
<v Speaker 2>So two people who work for the park district are

0:24:52.000 --> 0:24:56.520
<v Speaker 2>in the park. They're picking everything up from condoms, dog crap, needles,

0:24:56.640 --> 0:24:59.439
<v Speaker 2>be careful, but pick it up. One's a veteran and

0:24:59.480 --> 0:25:02.040
<v Speaker 2>he's showing, oh, a guy that seems like he's on

0:25:02.040 --> 0:25:04.560
<v Speaker 2>his first day of the ropes. The short one is like,

0:25:04.640 --> 0:25:07.920
<v Speaker 2>whoa look at this and it's bowls of blood and beads,

0:25:08.359 --> 0:25:11.160
<v Speaker 2>and the tall ones like, yeah, it happens animal sacrifice.

0:25:11.200 --> 0:25:12.040
<v Speaker 3>Put it in the bag.

0:25:13.560 --> 0:25:17.560
<v Speaker 2>And the little one's like, I don't know, it's the body,

0:25:17.560 --> 0:25:19.439
<v Speaker 2>and the tall ones like, shut up, it's just a

0:25:19.560 --> 0:25:21.960
<v Speaker 2>dead chicken. And then he goes, oh, it ain't no chicken.

0:25:22.080 --> 0:25:24.760
<v Speaker 2>So we cut Tom Melinda Warner doing her work. The

0:25:24.840 --> 0:25:29.159
<v Speaker 2>victim is black male, seven or eight years old. I

0:25:29.200 --> 0:25:31.639
<v Speaker 2>don't like that they called him a male. That's a child.

0:25:31.840 --> 0:25:36.200
<v Speaker 2>Do they do that for kids? They have to identify

0:25:36.200 --> 0:25:39.720
<v Speaker 2>the gender they do. There's just something that I'm like,

0:25:39.800 --> 0:25:42.040
<v Speaker 2>would they say seven or nine female or they be

0:25:42.040 --> 0:25:42.840
<v Speaker 2>like girl.

0:25:42.440 --> 0:25:45.520
<v Speaker 3>I just remember, like they wouldn't say boy. Yeah, I

0:25:45.520 --> 0:25:45.879
<v Speaker 3>don't know.

0:25:46.480 --> 0:25:49.040
<v Speaker 2>It just reminded me that black boys have to grow

0:25:49.119 --> 0:25:52.280
<v Speaker 2>up faster and that they're seen as like adults. And

0:25:52.320 --> 0:25:56.960
<v Speaker 2>I was wondering if this is normal or if it's yeah,

0:25:57.000 --> 0:25:58.240
<v Speaker 2>that kind of prejudice.

0:25:58.440 --> 0:25:59.560
<v Speaker 3>So yeah, I thought about that.

0:26:00.200 --> 0:26:04.680
<v Speaker 2>But it gets worse than calling yeah, listen, had arms,

0:26:04.760 --> 0:26:08.800
<v Speaker 2>legs they're missing. Stabler is there to get the rapport

0:26:08.960 --> 0:26:10.040
<v Speaker 2>and scope out the scene.

0:26:10.160 --> 0:26:11.639
<v Speaker 3>It could be a ritual killing.

0:26:11.720 --> 0:26:14.040
<v Speaker 2>And the bones were cut in the middle, not in

0:26:14.080 --> 0:26:17.000
<v Speaker 2>the joints, and Melinda's like, easier ways to do this.

0:26:17.560 --> 0:26:19.639
<v Speaker 2>So to me, I'm like, a professional, didn't do this.

0:26:19.880 --> 0:26:21.480
<v Speaker 2>The bones are cut in the middle, but later we

0:26:21.520 --> 0:26:26.240
<v Speaker 2>find out it is very meticulous, So I'm confused already.

0:26:26.359 --> 0:26:29.520
<v Speaker 2>So Benson and Stabler talked to the tall man and.

0:26:29.480 --> 0:26:32.080
<v Speaker 3>He looks so sad that he saw a dead child body.

0:26:32.440 --> 0:26:35.159
<v Speaker 2>And he's like, listen, I've seen some dead goats and

0:26:35.240 --> 0:26:38.000
<v Speaker 2>other animals, but not a child, and then he goes,

0:26:38.480 --> 0:26:44.120
<v Speaker 2>pretty freaky people in this city, yes, So Melinda calls

0:26:44.160 --> 0:26:46.600
<v Speaker 2>them over. Stabler is like, animals I've heard of, but

0:26:46.640 --> 0:26:50.640
<v Speaker 2>what religion sacrifices kids? And then Melinda goes, oh, yeah,

0:26:50.680 --> 0:26:52.960
<v Speaker 2>the boy's throat was cut while he was still alive,

0:26:53.480 --> 0:26:55.720
<v Speaker 2>and then it's a close up on Benson and Stabler

0:26:55.920 --> 0:26:58.199
<v Speaker 2>and their faces are just like we're in for a

0:26:58.240 --> 0:27:02.560
<v Speaker 2>doozy and we start the credits. So we're back at

0:27:02.560 --> 0:27:05.080
<v Speaker 2>the Emmy's office and the child died with when his

0:27:05.200 --> 0:27:10.560
<v Speaker 2>carotid artery was cut. Then he was dismembered. He died

0:27:10.560 --> 0:27:13.320
<v Speaker 2>about twelve hours ago. And then she says, not a

0:27:13.359 --> 0:27:16.680
<v Speaker 2>hack chob you know, it was methodical, the bone cutting

0:27:16.800 --> 0:27:19.640
<v Speaker 2>and everything, like they knew exactly what they were doing.

0:27:20.000 --> 0:27:22.520
<v Speaker 2>And then Melinda starts explaining how flesh around the neck

0:27:22.560 --> 0:27:26.480
<v Speaker 2>and limbs were flensed, and Stabler says, what we're all thinking.

0:27:26.680 --> 0:27:30.119
<v Speaker 2>What So then there's like a dummy neck, headless person

0:27:30.240 --> 0:27:32.520
<v Speaker 2>and she does a presentation of like how the cutting

0:27:32.560 --> 0:27:35.880
<v Speaker 2>happened and the flensing or whatever, and that the blood

0:27:35.920 --> 0:27:39.320
<v Speaker 2>and the bulls do match the victim, but they'll do

0:27:39.359 --> 0:27:44.359
<v Speaker 2>a DNA test too. What doesn't the blood prove the DNA? Like,

0:27:44.400 --> 0:27:46.320
<v Speaker 2>what's the blood day, Like, the.

0:27:46.280 --> 0:27:48.960
<v Speaker 1>Blood type is the same, so it's likely his, but

0:27:49.000 --> 0:27:50.879
<v Speaker 1>they got to do the DNA to confirm.

0:27:50.640 --> 0:27:52.800
<v Speaker 2>Got to cut it, and she says she's never seen

0:27:52.840 --> 0:27:55.840
<v Speaker 2>anything like it and that he was bled out by

0:27:55.880 --> 0:27:57.000
<v Speaker 2>hanging upside down.

0:27:57.800 --> 0:28:00.160
<v Speaker 3>Oh, I'm really sad.

0:28:01.000 --> 0:28:05.119
<v Speaker 2>And then they asked like, can we id him and

0:28:05.160 --> 0:28:07.480
<v Speaker 2>she goes, yeah, there's an old scar in his stomach

0:28:07.520 --> 0:28:10.280
<v Speaker 2>and that might help id the body. But other than that,

0:28:10.359 --> 0:28:12.560
<v Speaker 2>there are no signs of abuse and the kid was

0:28:12.640 --> 0:28:15.720
<v Speaker 2>well fed, so it's a healthy ass kid. And we're

0:28:15.720 --> 0:28:18.120
<v Speaker 2>back at the priesting ready to fill in Daddy Craigs

0:28:18.119 --> 0:28:20.920
<v Speaker 2>and get directions on what's next. But there's no hits

0:28:21.000 --> 0:28:23.840
<v Speaker 2>or clues on the kid, and you know, they're just chatting,

0:28:23.880 --> 0:28:27.000
<v Speaker 2>brainstorming as Munch walks in with some boxes and Munch

0:28:27.040 --> 0:28:29.720
<v Speaker 2>talks to a professor of the occult who says that

0:28:29.800 --> 0:28:33.720
<v Speaker 2>the bowls and the blood are very commonly used in Santoria,

0:28:34.359 --> 0:28:37.080
<v Speaker 2>and Finn has the scoop on Santoria from his old

0:28:37.119 --> 0:28:40.920
<v Speaker 2>drug policing days. I was first practiced by enslaved Africans

0:28:41.160 --> 0:28:46.080
<v Speaker 2>who are brought to America and Christianity was forced onto them,

0:28:46.480 --> 0:28:49.680
<v Speaker 2>and so they switched and would call their old gods

0:28:49.680 --> 0:28:54.040
<v Speaker 2>by saint names. And so that's like the candle the

0:28:54.120 --> 0:28:57.960
<v Speaker 2>Saints and the Santuria a mix and match and Finn

0:28:57.960 --> 0:29:01.440
<v Speaker 2>has memories of like care Caribbean or Caribbean.

0:29:01.480 --> 0:29:04.160
<v Speaker 3>How do you say it? I say it both ways.

0:29:04.280 --> 0:29:07.960
<v Speaker 3>I don't know. I think Caribbean if you're talking about

0:29:08.000 --> 0:29:09.080
<v Speaker 3>a person, but I don't know.

0:29:09.720 --> 0:29:13.640
<v Speaker 2>Oh okay, and Fit has memories of Caribbean and South

0:29:13.680 --> 0:29:16.560
<v Speaker 2>American drug dealers putting hexes on him. They threw grave

0:29:16.680 --> 0:29:19.760
<v Speaker 2>dust on him and they would leave dead chickens at

0:29:19.760 --> 0:29:25.120
<v Speaker 2>the precinct. So Kragan stops the chatter and is like, okay,

0:29:25.240 --> 0:29:28.760
<v Speaker 2>let's go with what we have. Ritualize murder by somebody

0:29:28.760 --> 0:29:33.240
<v Speaker 2>who practices Santaia and go So we go to Martinez

0:29:33.360 --> 0:29:35.840
<v Speaker 2>Imports and that's where the bowl and candle is from

0:29:36.360 --> 0:29:39.280
<v Speaker 2>that they found. So Benson and Stabler visit and they

0:29:39.320 --> 0:29:41.320
<v Speaker 2>sell thousands every month, which is wild.

0:29:41.360 --> 0:29:43.200
<v Speaker 3>I'm like thousands. It's like.

0:29:44.680 --> 0:29:47.760
<v Speaker 2>Thousands of Santa Ria candles a month. And if that's

0:29:47.760 --> 0:29:51.160
<v Speaker 2>so wiser store, so Dusty, get it together. But we're

0:29:51.240 --> 0:29:53.959
<v Speaker 2>kind of lucky right now. It's a new Saint candle,

0:29:54.040 --> 0:29:56.920
<v Speaker 2>Saint Cecilia. So there might be soup. There might be

0:29:56.960 --> 0:30:02.120
<v Speaker 2>scoop and soup. You never know. It shipped to three

0:30:02.160 --> 0:30:04.400
<v Speaker 2>buyers and one of the buyers is in New York

0:30:04.480 --> 0:30:07.200
<v Speaker 2>and it was sold to the Center of Study of Santaia.

0:30:07.680 --> 0:30:10.680
<v Speaker 2>So the man in charge there, wearing a sweater vest

0:30:10.680 --> 0:30:14.040
<v Speaker 2>and holding a New York Post style paper, says, oh,

0:30:14.120 --> 0:30:17.480
<v Speaker 2>Central Park voodoo slings on the cover, So it must

0:30:17.480 --> 0:30:20.360
<v Speaker 2>be our religion. But our religion is peaceful and chill,

0:30:20.640 --> 0:30:23.200
<v Speaker 2>and Sailor's like, this isn't about religious tradition. It's about

0:30:23.240 --> 0:30:26.200
<v Speaker 2>murder my friend. And Sailor's losing it. And this guy's

0:30:26.240 --> 0:30:29.240
<v Speaker 2>like the Supreme Court and religious freedoms, and Sailor's like,

0:30:29.520 --> 0:30:30.520
<v Speaker 2>I don't give a shit.

0:30:30.760 --> 0:30:33.000
<v Speaker 3>A candle you had here.

0:30:33.240 --> 0:30:36.160
<v Speaker 2>Was placed a few feet away from a dismembered child.

0:30:36.520 --> 0:30:39.520
<v Speaker 2>No one cares about your fucking religion. Get insulted, but

0:30:39.760 --> 0:30:42.760
<v Speaker 2>get move on. It's so fucking annoying to me, Like,

0:30:43.240 --> 0:30:45.040
<v Speaker 2>you don't respect Santaia.

0:30:45.480 --> 0:30:46.040
<v Speaker 3>Shut up.

0:30:46.600 --> 0:30:50.800
<v Speaker 2>There's bowls of blood, there's a headless child, and you're

0:30:50.840 --> 0:30:53.320
<v Speaker 2>like the Supreme Court said we can cut off a

0:30:53.400 --> 0:30:56.880
<v Speaker 2>chicken's head. I'm like so annoyed with this leader, but

0:30:56.960 --> 0:30:58.880
<v Speaker 2>I also get it. These people are probably rude in

0:30:58.920 --> 0:31:00.520
<v Speaker 2>him all the time. But he says, fuck you, and

0:31:00.520 --> 0:31:02.360
<v Speaker 2>you're big a treat. You need a cord order and

0:31:02.400 --> 0:31:04.440
<v Speaker 2>you can find your way out, so they gotta go.

0:31:04.960 --> 0:31:07.040
<v Speaker 2>So since they can't bully their way into a member list,

0:31:07.080 --> 0:31:09.160
<v Speaker 2>they're now bullying case you know, back into breaking the

0:31:09.240 --> 0:31:10.400
<v Speaker 2>law to get a court order.

0:31:10.680 --> 0:31:11.480
<v Speaker 3>And you know the drill.

0:31:11.560 --> 0:31:14.760
<v Speaker 2>She's like the law constitution, and Stabler's like dead child

0:31:14.800 --> 0:31:17.800
<v Speaker 2>with bowls of blood. And then Stabler calls the religious

0:31:18.200 --> 0:31:20.920
<v Speaker 2>store owner a hostile and it's like, yeah, it takes

0:31:20.920 --> 0:31:23.960
<v Speaker 2>one to no one. And then the candle also isn't enough,

0:31:24.040 --> 0:31:26.680
<v Speaker 2>Casey says, because like they were sold out of state

0:31:26.720 --> 0:31:29.480
<v Speaker 2>and sent and you can't prove that the candle was

0:31:29.520 --> 0:31:32.120
<v Speaker 2>from the store. And Benson's like, listen, I talked to

0:31:32.160 --> 0:31:34.920
<v Speaker 2>the other churches that have the candles. They haven't like

0:31:35.040 --> 0:31:38.160
<v Speaker 2>used those candles. Yet no one has those candles. And

0:31:38.320 --> 0:31:41.360
<v Speaker 2>I love a spinoff called Candle Detectives. And so then

0:31:42.800 --> 0:31:46.320
<v Speaker 2>Craigan points his finger and says, also, like they didn't

0:31:46.400 --> 0:31:49.440
<v Speaker 2>drain the kid at the park. That's that's something to know,

0:31:49.640 --> 0:31:52.520
<v Speaker 2>you know, they needed privacy. So maybe it was at

0:31:52.520 --> 0:31:55.120
<v Speaker 2>the center, and you know, maybe it was a member.

0:31:55.200 --> 0:31:57.800
<v Speaker 2>So Casey, why don't you say, since they do sell

0:31:57.840 --> 0:32:01.000
<v Speaker 2>the candles, maybe a child was bled out in their

0:32:01.240 --> 0:32:05.280
<v Speaker 2>religious home. Now it's gone too far. So she suggests

0:32:05.280 --> 0:32:06.920
<v Speaker 2>they go talk to the people that live and work

0:32:06.960 --> 0:32:09.120
<v Speaker 2>around the center to see if they have any leads.

0:32:09.360 --> 0:32:11.440
<v Speaker 2>And we meet an old white woman and she's like, boo,

0:32:11.560 --> 0:32:15.720
<v Speaker 2>I hate them, and it's like, worry less about the

0:32:15.760 --> 0:32:19.440
<v Speaker 2>center and more about your roots. Two inches of outgrowth, honey,

0:32:19.600 --> 0:32:23.200
<v Speaker 2>get to the salon spying on Santaia too much.

0:32:24.040 --> 0:32:24.840
<v Speaker 3>But she was a tea.

0:32:25.080 --> 0:32:27.520
<v Speaker 2>But this actress was a teacher in the Faculty, which

0:32:27.520 --> 0:32:30.400
<v Speaker 2>I recently rewatched, and so that was exciting.

0:32:30.440 --> 0:32:31.600
<v Speaker 3>Is that a blind spot for you?

0:32:32.520 --> 0:32:35.720
<v Speaker 1>No? I actually think I saw the Faculty when I

0:32:35.800 --> 0:32:39.240
<v Speaker 1>was really young and kind of blocked it out because

0:32:39.240 --> 0:32:40.240
<v Speaker 1>it scared me a lot.

0:32:40.920 --> 0:32:41.160
<v Speaker 3>Yeah.

0:32:41.200 --> 0:32:43.280
<v Speaker 2>So she was the dead body in the closet that

0:32:43.480 --> 0:32:47.560
<v Speaker 2>like falls out. Oh and she was also in She

0:32:47.760 --> 0:32:50.400
<v Speaker 2>Devil and Sex and the City's episode four Women in

0:32:50.440 --> 0:32:53.680
<v Speaker 2>a Funeral and she did pass in nine, but we

0:32:53.720 --> 0:32:56.240
<v Speaker 2>are lucky to have her here. And she does not

0:32:56.360 --> 0:32:59.040
<v Speaker 2>like young people exposed to this stuff on school nights.

0:32:59.400 --> 0:33:02.760
<v Speaker 2>It's at ten, there's so many kids and not one

0:33:02.840 --> 0:33:04.760
<v Speaker 2>more than eight years old, and she calls it a

0:33:04.840 --> 0:33:07.920
<v Speaker 2>crying shame. During this time, munch in Finner at a

0:33:07.960 --> 0:33:10.360
<v Speaker 2>restaurant and the restaurant workers like, oh yeah, pretty weird

0:33:10.360 --> 0:33:13.080
<v Speaker 2>shit happens over there, and he goes, one time I

0:33:13.160 --> 0:33:16.200
<v Speaker 2>was closing up, I heard shrieking and drums and noises

0:33:16.240 --> 0:33:19.400
<v Speaker 2>and animals. And Novak is using all this info to

0:33:19.400 --> 0:33:21.000
<v Speaker 2>do a walk and talk with a judge to try

0:33:21.040 --> 0:33:23.120
<v Speaker 2>to get a warrant. And the judge is like, girl,

0:33:23.200 --> 0:33:26.680
<v Speaker 2>get real strange behaviors, not grounds for a warrant. Kids

0:33:26.680 --> 0:33:29.240
<v Speaker 2>go there for youth classes that have been well documented,

0:33:29.480 --> 0:33:32.440
<v Speaker 2>and the judge understands what racism is and it's nice

0:33:32.440 --> 0:33:34.960
<v Speaker 2>to see that, you know, she knows what a racist

0:33:34.960 --> 0:33:37.760
<v Speaker 2>in action looks like. And she doesn't like that all

0:33:37.760 --> 0:33:40.920
<v Speaker 2>these old whites don't like the Sansoria and Novak again

0:33:41.000 --> 0:33:45.120
<v Speaker 2>screams there's a dead boy, and Novak uses the words

0:33:45.200 --> 0:33:47.720
<v Speaker 2>cut up and bled him like a pig. So the

0:33:47.800 --> 0:33:50.440
<v Speaker 2>judge approves the warrant, and then the judge hopes this

0:33:50.480 --> 0:33:54.120
<v Speaker 2>doesn't turn into a witch hunt. Mike Doyle's sexy asses

0:33:54.160 --> 0:33:57.200
<v Speaker 2>on the scene with Stabler and Benson and the religious

0:33:57.240 --> 0:33:59.920
<v Speaker 2>leader wearing all white and beads, and he is livid,

0:34:00.360 --> 0:34:04.400
<v Speaker 2>and Doyle finds some chicken leftovers and Stabler can't find

0:34:04.400 --> 0:34:07.480
<v Speaker 2>a list of the members anywhere, and accuse the leader

0:34:07.520 --> 0:34:09.680
<v Speaker 2>of deleting them, and he says, fuck you, I know

0:34:09.760 --> 0:34:11.720
<v Speaker 2>the law, and if you know anything about a religion,

0:34:12.080 --> 0:34:14.719
<v Speaker 2>you know my people would never do something like this.

0:34:15.200 --> 0:34:17.839
<v Speaker 2>Benson saunters over and goes, what makes you so sure,

0:34:18.160 --> 0:34:20.200
<v Speaker 2>and the man goes, well, the child is found near

0:34:20.239 --> 0:34:22.600
<v Speaker 2>a lake, and the lake is ruled by a saint

0:34:22.640 --> 0:34:24.920
<v Speaker 2>that is a protector of children, and it would be

0:34:24.960 --> 0:34:28.080
<v Speaker 2>blasphemous in front of the saint of children to do this.

0:34:28.840 --> 0:34:31.320
<v Speaker 2>And Stabler goes, what if the killer is a heretic

0:34:32.520 --> 0:34:35.560
<v Speaker 2>and dude, isla, I know, I like that, And dude

0:34:35.680 --> 0:34:39.520
<v Speaker 2>is like, whoa fuck. Maybe in Africa, but definitely not here.

0:34:39.600 --> 0:34:42.160
<v Speaker 2>So then Benson goes, okay, let's she goes full ice.

0:34:42.440 --> 0:34:44.919
<v Speaker 2>She goes, let's round up the African immigrants. Who can

0:34:44.920 --> 0:34:47.799
<v Speaker 2>we harass. So Stabler says, give me the list of

0:34:47.840 --> 0:34:51.440
<v Speaker 2>immigrants and that would do a human sacrifice, and I

0:34:51.480 --> 0:34:54.160
<v Speaker 2>will o or I will harass everyone at every service

0:34:54.200 --> 0:34:56.959
<v Speaker 2>and call the Department of Animal Control and the health

0:34:57.000 --> 0:35:00.400
<v Speaker 2>Department will visit your dumb ass. And he goes, okay, okay,

0:35:00.719 --> 0:35:03.600
<v Speaker 2>like this is blackmail, but I have the lists in

0:35:03.640 --> 0:35:07.160
<v Speaker 2>my pocket, and here are the recent immigrants. You fucking

0:35:07.680 --> 0:35:10.319
<v Speaker 2>aggressive guys. You know, one time when I was living

0:35:10.320 --> 0:35:14.040
<v Speaker 2>in Williamsburg, an apartment by my coffee shop was throwing

0:35:14.040 --> 0:35:15.640
<v Speaker 2>a party, and so I went and they did have

0:35:15.680 --> 0:35:18.960
<v Speaker 2>a donkey, and then someone called animal control and peda

0:35:19.000 --> 0:35:21.280
<v Speaker 2>on the donkey. But I have a photo with the donkey,

0:35:21.320 --> 0:35:25.359
<v Speaker 2>and I was happy to meet the donkey. And then

0:35:25.360 --> 0:35:27.720
<v Speaker 2>they were back at the coffee shopping like fucking someone

0:35:27.760 --> 0:35:32.040
<v Speaker 2>called peta, this is bullshit, and I'm like, I.

0:35:32.160 --> 0:35:38.000
<v Speaker 3>Just wanted to have a donkey at our party, all right.

0:35:38.160 --> 0:35:40.840
<v Speaker 2>So we get the list, but Warner has something, and

0:35:40.880 --> 0:35:43.200
<v Speaker 2>I'm sure it's gonna be graphics, sad and filled with

0:35:43.239 --> 0:35:47.560
<v Speaker 2>clues and information. So Warner tested the victim's hair for isotopes,

0:35:47.600 --> 0:35:50.719
<v Speaker 2>like get the fuck out of here, and so it's

0:35:50.760 --> 0:35:54.000
<v Speaker 2>a chemical signature of a location. And his levels are

0:35:54.040 --> 0:35:57.239
<v Speaker 2>in New York and he's been in. His isotope level

0:35:57.320 --> 0:35:59.480
<v Speaker 2>shows that he's been in New York City for about

0:35:59.520 --> 0:36:04.600
<v Speaker 2>four weeks. The bones, though, show a strontium level that

0:36:05.440 --> 0:36:08.960
<v Speaker 2>she shared with some anthropologists who said that the levels

0:36:08.960 --> 0:36:10.400
<v Speaker 2>are a match for Nigeria.

0:36:10.960 --> 0:36:11.720
<v Speaker 3>So legit.

0:36:12.040 --> 0:36:15.839
<v Speaker 2>The bone strownium levels led them to a city in Nigeria,

0:36:16.360 --> 0:36:18.080
<v Speaker 2>and he's only been in New York for a month

0:36:18.160 --> 0:36:21.000
<v Speaker 2>before he was killed. So then Benson goes, fuck, he

0:36:21.160 --> 0:36:24.320
<v Speaker 2>was brought here to be sacrificed. That's why nobody reported

0:36:24.400 --> 0:36:29.239
<v Speaker 2>him missing. So Stabler then is like, you know, there's

0:36:29.280 --> 0:36:31.600
<v Speaker 2>no immigrant, there's no recent immigrants at the center, which

0:36:31.600 --> 0:36:34.760
<v Speaker 2>means he just harassed a whole religious community for no reason.

0:36:35.000 --> 0:36:36.200
<v Speaker 3>They're updating the captain.

0:36:36.320 --> 0:36:38.560
<v Speaker 2>They spin out of the office to go to the

0:36:38.560 --> 0:36:42.600
<v Speaker 2>Immigration and Customs Enforcement and see if they have this

0:36:42.760 --> 0:36:45.399
<v Speaker 2>child on file. So it's a walk and talk with

0:36:45.440 --> 0:36:48.360
<v Speaker 2>this worker, and all their immigrant kids are doing fine.

0:36:48.400 --> 0:36:51.720
<v Speaker 2>So this kid came to this country illegally. He checked

0:36:51.719 --> 0:36:55.279
<v Speaker 2>all local addresses of all their new boys and from

0:36:55.360 --> 0:36:58.640
<v Speaker 2>Nigeria that are all legal. Everyone is safe, everyone is happy.

0:36:59.520 --> 0:37:03.040
<v Speaker 2>But he he's not surprised that this boy came illegally

0:37:03.400 --> 0:37:06.680
<v Speaker 2>because it's the third largest money maker after drugs and guns,

0:37:06.760 --> 0:37:10.040
<v Speaker 2>is the sale of human beings. And fifteen thousand kids

0:37:10.040 --> 0:37:14.280
<v Speaker 2>are trafficked here each year. And Stabler goes in Africa

0:37:14.320 --> 0:37:19.000
<v Speaker 2>and he goes, no America, you fucking here, and he

0:37:19.120 --> 0:37:21.040
<v Speaker 2>sends them to talk to a woman at the consulate

0:37:21.160 --> 0:37:26.720
<v Speaker 2>came a me Buddha who is in quotes passionate about

0:37:26.760 --> 0:37:30.680
<v Speaker 2>stolen children. And they're in a windy staircase. Behind the

0:37:30.719 --> 0:37:34.000
<v Speaker 2>woman she is gorgeous. And this is Erica Alexandra from

0:37:34.040 --> 0:37:38.360
<v Speaker 2>Living Single and she was most recently an American fiction.

0:37:38.800 --> 0:37:42.720
<v Speaker 3>If anyone has seen that, yes.

0:37:42.960 --> 0:37:47.200
<v Speaker 2>Kara famously told me it was a lighthearted comedy and

0:37:47.239 --> 0:37:49.240
<v Speaker 2>a death, a death in the first ten minutes.

0:37:49.320 --> 0:37:52.880
<v Speaker 1>I famously mischaracterized that movie a little bit. Yes, yes

0:37:53.000 --> 0:37:53.359
<v Speaker 1>I did.

0:37:53.920 --> 0:37:56.760
<v Speaker 2>I went and being like, this will be silly balling.

0:37:57.200 --> 0:38:00.279
<v Speaker 2>I like tears, Yeah I have. I told you when

0:38:00.320 --> 0:38:01.920
<v Speaker 2>I was in charge of renting a movie for my

0:38:02.000 --> 0:38:04.000
<v Speaker 2>family and I was like, okay, I have to pick

0:38:04.040 --> 0:38:06.279
<v Speaker 2>something that's not perverted. I don't want to watch sex

0:38:06.280 --> 0:38:08.279
<v Speaker 2>scenes with my family. What am I gonna get? And

0:38:08.280 --> 0:38:14.440
<v Speaker 2>then I got The Banger Sisters and that is about

0:38:14.440 --> 0:38:17.799
<v Speaker 2>two aged sluts reminiscing about their slut times and like

0:38:18.520 --> 0:38:21.080
<v Speaker 2>you truly saw there the found they had a polaroid

0:38:21.120 --> 0:38:24.440
<v Speaker 2>collection of Dix and there were photos of I was

0:38:24.520 --> 0:38:27.920
<v Speaker 2>just like their daughter's fucking in the pool. It was

0:38:27.960 --> 0:38:30.600
<v Speaker 2>a tough, yeah, tough watch. I remember my dad going

0:38:30.640 --> 0:38:34.240
<v Speaker 2>and getting Clementines. It was like so uncomfortable.

0:38:36.480 --> 0:38:38.600
<v Speaker 3>But I guess I void anything with the word bang

0:38:38.600 --> 0:38:40.480
<v Speaker 3>in it with your parents. I guess, you know.

0:38:41.200 --> 0:38:42.759
<v Speaker 2>I just thought there was I didn't even but I

0:38:42.760 --> 0:38:44.440
<v Speaker 2>don't even know if I knew, Like when did that

0:38:44.480 --> 0:38:47.400
<v Speaker 2>come out that I didn't understand what banger meant like,

0:38:48.200 --> 0:38:49.800
<v Speaker 2>but it's like head banger.

0:38:49.560 --> 0:38:50.759
<v Speaker 3>Like I didn't get to that.

0:38:50.880 --> 0:38:53.120
<v Speaker 1>I came out in O two, So you were, what

0:38:53.400 --> 0:38:56.279
<v Speaker 1>like fifteen, I was too old to not know that

0:38:56.320 --> 0:38:59.839
<v Speaker 1>this was going to be perverted. But you know, we

0:39:00.160 --> 0:39:02.520
<v Speaker 1>Goldie Haun, Susan Sarandon. How could we not?

0:39:03.000 --> 0:39:06.320
<v Speaker 3>Yeah, that house like good pal fun.

0:39:06.520 --> 0:39:09.000
<v Speaker 2>Right, Like, how would I have known that it was

0:39:09.040 --> 0:39:11.920
<v Speaker 2>gonna be this weird situation?

0:39:13.440 --> 0:39:16.600
<v Speaker 3>But you know, a good family story, one for the books.

0:39:17.320 --> 0:39:20.120
<v Speaker 2>So anyways, Erica Alexander's here and she's very passionate and

0:39:20.120 --> 0:39:22.520
<v Speaker 2>she's gonna help them. So she's gorgeous. She's wearing a

0:39:22.600 --> 0:39:26.440
<v Speaker 2>matching like head piece and dress. It's a maroon color

0:39:26.560 --> 0:39:29.759
<v Speaker 2>gold jewelry, and she's explaining, most Nigerians are people that

0:39:29.800 --> 0:39:33.160
<v Speaker 2>are super educated and like doing great, but rural places,

0:39:33.640 --> 0:39:37.400
<v Speaker 2>tradition dies hard, and it's possible that they might sacrifice humans.

0:39:37.760 --> 0:39:40.760
<v Speaker 2>But she's like kids disappearing like from Africa. That happens

0:39:40.800 --> 0:39:43.400
<v Speaker 2>all the time to Europe in the US for slave labor.

0:39:43.880 --> 0:39:48.600
<v Speaker 2>This isn't you know? This is about child labor, sexual labor, sweatshops, domestics.

0:39:49.120 --> 0:39:50.919
<v Speaker 2>So they sit in her office and they learn about

0:39:50.920 --> 0:39:52.759
<v Speaker 2>all this, and Benson asks if there have been any

0:39:52.800 --> 0:39:56.560
<v Speaker 2>missing children reports from Bendian City and she says, no

0:39:56.719 --> 0:40:00.359
<v Speaker 2>boys that age, but someone that works the switchboard at

0:40:00.360 --> 0:40:02.560
<v Speaker 2>the consulate said there was a call two days ago

0:40:02.560 --> 0:40:05.239
<v Speaker 2>from a girl worried about her missing brother, and then

0:40:05.280 --> 0:40:07.480
<v Speaker 2>the caller hung up before she got any more info.

0:40:07.960 --> 0:40:10.759
<v Speaker 2>And the name is a Johnny. And Sailor says, can

0:40:10.800 --> 0:40:13.480
<v Speaker 2>we check phone records to find the info? And she

0:40:13.560 --> 0:40:16.880
<v Speaker 2>says yes, no worries like have at it, but only

0:40:16.960 --> 0:40:19.319
<v Speaker 2>and then, but you know, only for this investigation. So

0:40:19.440 --> 0:40:22.279
<v Speaker 2>we're in Craigan's office having a meeting. They are all

0:40:22.320 --> 0:40:24.279
<v Speaker 2>as shocked as we are that they just shared their

0:40:24.320 --> 0:40:27.719
<v Speaker 2>phone records and much as like Americans would never help

0:40:27.719 --> 0:40:30.560
<v Speaker 2>in this way, and Staybor goes much shut up. She

0:40:30.640 --> 0:40:34.000
<v Speaker 2>knows we're not interested in state secrets. He does not

0:40:34.080 --> 0:40:36.839
<v Speaker 2>take much seriously today. And then Benson comes in with

0:40:36.880 --> 0:40:39.920
<v Speaker 2>some files. She there's been eight calls to the consulate

0:40:39.960 --> 0:40:42.520
<v Speaker 2>switchboard at the time. The sister called so much in

0:40:42.560 --> 0:40:44.640
<v Speaker 2>Finn go to this rich ass looking house and there's

0:40:44.680 --> 0:40:46.680
<v Speaker 2>a maid that looks like one hundred one Dulmatian made,

0:40:47.120 --> 0:40:48.560
<v Speaker 2>and she's like, you can't come in.

0:40:48.920 --> 0:40:49.359
<v Speaker 3>But in the.

0:40:49.320 --> 0:40:51.760
<v Speaker 2>Distance they see a young black girl cleaning the floors,

0:40:51.880 --> 0:40:55.160
<v Speaker 2>and so then Fing goes, says a Johnny, and you

0:40:55.200 --> 0:40:57.160
<v Speaker 2>see the girl make a face and the old woman goes.

0:40:57.000 --> 0:40:59.640
<v Speaker 3>No bye, and no one near by that name Chris.

0:40:59.520 --> 0:41:02.480
<v Speaker 2>Supposed the door, and Fin shoves his way in, and

0:41:02.600 --> 0:41:04.759
<v Speaker 2>the girl is so cute. Her name is Naima, like

0:41:04.800 --> 0:41:08.120
<v Speaker 2>from America's Top Model season four, and she confesses to

0:41:08.160 --> 0:41:10.480
<v Speaker 2>Finn that yes, she did call and ask, and she's like,

0:41:10.520 --> 0:41:13.040
<v Speaker 2>did they find a Johnny? And so they will have

0:41:13.080 --> 0:41:15.000
<v Speaker 2>to tell her her brother is dead, which is sad,

0:41:15.640 --> 0:41:18.200
<v Speaker 2>but there are children's services. Finn is talking to her.

0:41:18.280 --> 0:41:20.880
<v Speaker 2>She says she works from six a m. To midnight

0:41:21.400 --> 0:41:24.600
<v Speaker 2>and can't go out. How much housework is there to

0:41:24.600 --> 0:41:28.319
<v Speaker 2>do eighteen hours, even if it's a giant house. I'm like,

0:41:29.280 --> 0:41:32.160
<v Speaker 2>what what possibly needs to be done for that many.

0:41:32.000 --> 0:41:32.680
<v Speaker 3>Hours a day?

0:41:33.480 --> 0:41:35.839
<v Speaker 1>I never even really know what people's maids are doing

0:41:35.880 --> 0:41:39.040
<v Speaker 1>from like you know, nine to five, Like every day

0:41:39.120 --> 0:41:41.040
<v Speaker 1>you have eight hours of housework in your I mean,

0:41:41.040 --> 0:41:43.240
<v Speaker 1>I guess these people have big houses and there's cooking

0:41:43.280 --> 0:41:46.520
<v Speaker 1>and other shit to do. But Jesus multiple help too.

0:41:47.440 --> 0:41:49.000
<v Speaker 1>It's wilding cause.

0:41:48.800 --> 0:41:50.920
<v Speaker 3>I get six, Sam, okay, you're making breakfast for work.

0:41:51.840 --> 0:41:55.279
<v Speaker 2>Yeah, and then it's like it should be wrapped up

0:41:55.320 --> 0:41:58.320
<v Speaker 2>by eight latest. I mean, this is also illegals, so

0:41:58.440 --> 0:42:01.160
<v Speaker 2>none of this should be happening. She should be at

0:42:01.200 --> 0:42:04.200
<v Speaker 2>the mall. So she found out about her brother because

0:42:05.239 --> 0:42:07.959
<v Speaker 2>the evil rich lady was watching the news and they meant,

0:42:08.080 --> 0:42:09.920
<v Speaker 2>you know, they mentioned the scar on the stomach, and

0:42:10.000 --> 0:42:12.640
<v Speaker 2>so she knew it was her brother. He had a

0:42:12.680 --> 0:42:15.880
<v Speaker 2>scar from falling off a tree while climbing it. And

0:42:15.960 --> 0:42:18.279
<v Speaker 2>so then of course these men showed up said we're

0:42:18.280 --> 0:42:20.760
<v Speaker 2>going to take you to America, to a grade school,

0:42:20.800 --> 0:42:23.200
<v Speaker 2>and it's like, come on, no one's ever just trying

0:42:23.200 --> 0:42:26.160
<v Speaker 2>to help you. She explains that when she got to America,

0:42:26.239 --> 0:42:28.000
<v Speaker 2>she was in a giant room with tons of beds

0:42:28.000 --> 0:42:30.080
<v Speaker 2>and people would come look at them, and she was

0:42:30.080 --> 0:42:32.720
<v Speaker 2>hoping to be taken together, but this woman only wanted

0:42:32.760 --> 0:42:35.840
<v Speaker 2>her and I hope they fucking slit this bitch's throat,

0:42:36.360 --> 0:42:38.280
<v Speaker 2>but they locked her in a cellar so she couldn't

0:42:38.320 --> 0:42:41.320
<v Speaker 2>run away. And Finn and Stabler they meet in the

0:42:41.360 --> 0:42:44.400
<v Speaker 2>spyglassroom with the woman from the consulate and she's going

0:42:44.480 --> 0:42:47.399
<v Speaker 2>to find their mother and send a Johnny's body back

0:42:47.440 --> 0:42:51.920
<v Speaker 2>and help take care of everything. And I'm really excited

0:42:51.960 --> 0:42:54.359
<v Speaker 2>because the woman in charge of the house is at

0:42:54.360 --> 0:42:57.640
<v Speaker 2>a charity event. Oh it's so good, So there's gonna

0:42:57.680 --> 0:43:03.320
<v Speaker 2>be a public arrest. So the consolent worker, like you know, goes.

0:43:03.560 --> 0:43:06.280
<v Speaker 2>What she doesn't know is that charity begins at home.

0:43:06.480 --> 0:43:09.760
<v Speaker 2>And it's like, all right, put that on a shirt,

0:43:09.920 --> 0:43:12.000
<v Speaker 2>and a bunch of old white rich ladies and hats

0:43:12.040 --> 0:43:14.400
<v Speaker 2>are clapping, and we see her in all purple and

0:43:14.480 --> 0:43:17.560
<v Speaker 2>she's like, I'm not going with you and an axe

0:43:17.560 --> 0:43:19.719
<v Speaker 2>all proper, and it's like you're arrested for being a

0:43:19.760 --> 0:43:23.640
<v Speaker 2>slave master, so you gotta go, and Finn goes. If

0:43:23.640 --> 0:43:27.200
<v Speaker 2>you haven't heard, Lincoln freed the slaves and Peter Herman

0:43:27.320 --> 0:43:29.600
<v Speaker 2>is her lawyer, which makes me understand why everyone hated

0:43:29.640 --> 0:43:30.120
<v Speaker 2>him at first.

0:43:30.200 --> 0:43:32.160
<v Speaker 3>Like I know he did good work eventually.

0:43:31.719 --> 0:43:33.839
<v Speaker 2>But like this is an example of like why they're

0:43:33.880 --> 0:43:37.000
<v Speaker 2>like he defends yeah, yeah, ah, it smells.

0:43:36.560 --> 0:43:39.360
<v Speaker 3>Like what do they always say? Not pigs but something.

0:43:39.360 --> 0:43:41.920
<v Speaker 1>They're the I'm also like obsessed with this event, Like

0:43:41.960 --> 0:43:44.759
<v Speaker 1>it's all these women that are dressed in like crazy

0:43:45.040 --> 0:43:48.160
<v Speaker 1>like Chanelle suits and shit, and they're like and the

0:43:48.200 --> 0:43:53.080
<v Speaker 1>flower chair is Mildred Worthington, Like it's all like that vibe,

0:43:53.120 --> 0:43:56.400
<v Speaker 1>and it's so great to send someone in and be like,

0:43:56.520 --> 0:43:59.319
<v Speaker 1>arrest this bitch for slave owning in the middle of that.

0:44:00.200 --> 0:44:02.919
<v Speaker 3>It's so good. Well, I'm sure the rest of them

0:44:03.000 --> 0:44:05.279
<v Speaker 3>were like, oh jeez, could have been me. Yeah, yeah, yeah,

0:44:05.280 --> 0:44:07.480
<v Speaker 3>They're like oh, let go. Yeah.

0:44:07.520 --> 0:44:09.399
<v Speaker 1>I'm sure they were all running to use their cell

0:44:09.440 --> 0:44:11.040
<v Speaker 1>phones to call and have there.

0:44:11.080 --> 0:44:14.960
<v Speaker 2>That is why the rich need to be murdered, Like

0:44:15.000 --> 0:44:17.800
<v Speaker 2>you are so rich and you still need a slave,

0:44:18.200 --> 0:44:22.120
<v Speaker 2>Like yeah, you could pay a couple a couplet girls,

0:44:22.760 --> 0:44:28.200
<v Speaker 2>good pay I just yeah, oh my god. So this

0:44:28.320 --> 0:44:31.600
<v Speaker 2>bitch is in cement room bars going she's a domestic

0:44:31.680 --> 0:44:35.480
<v Speaker 2>legal worker, and the rich lady is just like whatever,

0:44:35.520 --> 0:44:37.759
<v Speaker 2>I gave a poor girl a job and stabled her.

0:44:37.880 --> 0:44:39.399
<v Speaker 3>Goes, oh yeah, what do you pay her?

0:44:39.760 --> 0:44:42.719
<v Speaker 2>She doesn't pay her, only room and board, no money

0:44:42.719 --> 0:44:44.520
<v Speaker 2>at all, but then she has the audacity to go.

0:44:44.719 --> 0:44:46.719
<v Speaker 2>It's more than she would get at home, and it's like,

0:44:46.719 --> 0:44:49.120
<v Speaker 2>you don't think you should make zero at home. I

0:44:49.160 --> 0:44:53.279
<v Speaker 2>think she could make zero. When asked how she found her,

0:44:53.400 --> 0:44:56.480
<v Speaker 2>she's being fucking cagy. You know, she doesn't know. It's

0:44:56.520 --> 0:44:59.360
<v Speaker 2>none of their business. And they were like, listen, you

0:44:59.400 --> 0:45:01.960
<v Speaker 2>knew she was here illegally, and you did nothing. Slavery

0:45:02.000 --> 0:45:04.440
<v Speaker 2>is a federal crime. Have fun in prison for ten years.

0:45:04.800 --> 0:45:07.480
<v Speaker 2>And Finn does a very convincing speech and he's like,

0:45:07.719 --> 0:45:09.920
<v Speaker 2>you're not gonna like the dress code and the joint

0:45:10.400 --> 0:45:13.480
<v Speaker 2>and this woman makes me sick, and fucking tell them

0:45:13.480 --> 0:45:15.960
<v Speaker 2>where you bought this girl? And the cont went to

0:45:16.000 --> 0:45:19.320
<v Speaker 2>a warehouse in Long Island City and bought a child

0:45:19.719 --> 0:45:22.520
<v Speaker 2>and then sits at a charity event, This cold hearted bitch,

0:45:22.560 --> 0:45:24.839
<v Speaker 2>and I bet she will end up in jail. She's

0:45:24.840 --> 0:45:27.919
<v Speaker 2>not getting out of this, we hope. So then they're

0:45:27.960 --> 0:45:30.160
<v Speaker 2>like trying to be like, where did you buy where

0:45:30.160 --> 0:45:32.200
<v Speaker 2>did you get this girl? Where did you get this girl?

0:45:32.280 --> 0:45:35.239
<v Speaker 2>And she is not playing ball, So Stabler runs out

0:45:35.280 --> 0:45:37.759
<v Speaker 2>of focks to give, and so he gets up and

0:45:38.000 --> 0:45:41.440
<v Speaker 2>dramatically to a Unicop is like Booker and then that's

0:45:41.480 --> 0:45:42.520
<v Speaker 2>like Trevor's.

0:45:42.080 --> 0:45:43.719
<v Speaker 3>Like, no, no, hold on, okay.

0:45:43.800 --> 0:45:46.880
<v Speaker 2>And finally she confesses I paid a fee. I don't

0:45:46.920 --> 0:45:49.560
<v Speaker 2>know the Oh no, she's still fucking playing games. Oh

0:45:49.600 --> 0:45:52.960
<v Speaker 2>the numbers disconnected. I don't remember this. I don't remember that.

0:45:53.640 --> 0:45:56.400
<v Speaker 2>And finally she screams, I went to a warehouse in

0:45:56.440 --> 0:45:58.960
<v Speaker 2>Long Island City. And it's like, why didn't you just

0:45:59.000 --> 0:46:00.680
<v Speaker 2>tell them?

0:46:00.840 --> 0:46:02.560
<v Speaker 3>And you're not disgusted with yourself?

0:46:02.840 --> 0:46:05.680
<v Speaker 2>What is in these people's I bet there are also

0:46:05.719 --> 0:46:08.239
<v Speaker 2>people that would go out to dinners and be like,

0:46:08.320 --> 0:46:10.640
<v Speaker 2>I'm not even racist, you know what I mean?

0:46:11.680 --> 0:46:15.320
<v Speaker 3>Yes, fucking do right would fit right in with this group.

0:46:16.040 --> 0:46:19.960
<v Speaker 2>So they go to Long Island City and it's one

0:46:20.000 --> 0:46:21.759
<v Speaker 2>of more of the more of the chilling moments in

0:46:21.800 --> 0:46:24.719
<v Speaker 2>the show's history. They had to astoreage unit and there's

0:46:24.800 --> 0:46:27.640
<v Speaker 2>like an additional lock on the door and the facility.

0:46:27.719 --> 0:46:30.200
<v Speaker 2>Dude's like, that's not our lock, that's a separate lock

0:46:30.280 --> 0:46:32.800
<v Speaker 2>that they brought in, and it's a ton of children.

0:46:32.880 --> 0:46:35.680
<v Speaker 2>They're all chained up. It's so sad. There's such cute kids,

0:46:35.800 --> 0:46:41.120
<v Speaker 2>heartbreaking kids and chains everywhere. The detectives are stunned. And

0:46:41.360 --> 0:46:43.520
<v Speaker 2>I also just hate that this is a reality for

0:46:43.560 --> 0:46:46.200
<v Speaker 2>so many people on the planet. And the detectives are

0:46:46.239 --> 0:46:49.560
<v Speaker 2>showing the kids of Johnny's photo and one girl knows

0:46:49.640 --> 0:46:52.040
<v Speaker 2>him and she says he cried when he was taken

0:46:52.080 --> 0:46:55.560
<v Speaker 2>away from his sister. And a girl with a giant

0:46:55.640 --> 0:46:58.880
<v Speaker 2>scar on her face is, you know, giving some scoop.

0:46:58.920 --> 0:47:00.880
<v Speaker 2>And then a really cute boy tells Benson, you know,

0:47:00.920 --> 0:47:02.960
<v Speaker 2>they were friends and their beds were next to each other,

0:47:03.280 --> 0:47:06.279
<v Speaker 2>and his name is Quasi. And a nice man took

0:47:06.320 --> 0:47:09.160
<v Speaker 2>a Johnny. He brought them all candy. He was white,

0:47:09.160 --> 0:47:11.600
<v Speaker 2>and the man liked a Johnny's doll that was made

0:47:11.640 --> 0:47:14.759
<v Speaker 2>for luck. So that's all the info we got, and

0:47:14.800 --> 0:47:17.000
<v Speaker 2>thank god we got to free all these kids. And

0:47:17.800 --> 0:47:20.200
<v Speaker 2>finn Is like, yep, the traffickers were gonna leave them

0:47:20.239 --> 0:47:23.600
<v Speaker 2>there to die. So they basically the traffickers saw Johnny

0:47:23.960 --> 0:47:26.360
<v Speaker 2>was the body was found, saw that the heat was on,

0:47:27.120 --> 0:47:31.439
<v Speaker 2>like locked with a separate drill type lock, dead bolt

0:47:31.480 --> 0:47:33.120
<v Speaker 2>lock on the outside of the door, and we're just

0:47:33.120 --> 0:47:40.080
<v Speaker 2>gonna let these chained children slowly starve to death. Oh horrible,

0:47:41.200 --> 0:47:43.440
<v Speaker 2>so on, Oh my god, I forgot You're gonna have

0:47:43.520 --> 0:47:46.600
<v Speaker 2>to report on what happened. Okay, So once the trafficker

0:47:46.640 --> 0:47:48.920
<v Speaker 2>person saw okay, But then in my head, I'm like,

0:47:48.960 --> 0:47:50.040
<v Speaker 2>you can't let them loose.

0:47:50.800 --> 0:47:51.480
<v Speaker 3>Let them loose.

0:47:53.160 --> 0:47:56.000
<v Speaker 2>Yeah, so now we have a fucking new theory and

0:47:56.040 --> 0:47:59.280
<v Speaker 2>I'm really into this. Finn goes, since it's a white person,

0:47:59.320 --> 0:48:01.880
<v Speaker 2>you know, goes, maybe it could be someone that just

0:48:02.120 --> 0:48:05.800
<v Speaker 2>knows about Santoria but doesn't practice it, And Sadler goes,

0:48:06.160 --> 0:48:08.880
<v Speaker 2>but why would we need a Santaia cover story?

0:48:09.000 --> 0:48:11.560
<v Speaker 3>What's it covering up? And Finn goes, human.

0:48:11.320 --> 0:48:14.680
<v Speaker 2>Trafficking, it's you know, late laborer, but for sex, Like,

0:48:14.760 --> 0:48:17.240
<v Speaker 2>this is what it is. Someone killed their fucking sex slave.

0:48:17.719 --> 0:48:20.200
<v Speaker 2>And this person knew about the doll, which means he

0:48:20.280 --> 0:48:25.240
<v Speaker 2>knows about African folklore. So Craigan quickly TRACKFIC controls the crew.

0:48:25.560 --> 0:48:28.640
<v Speaker 2>Sabler goes to the Santa Ria Center because they only

0:48:28.640 --> 0:48:31.680
<v Speaker 2>asked about members, but like maybe there was a random

0:48:31.680 --> 0:48:34.560
<v Speaker 2>white in there. And then Finn goes to talk to Naima,

0:48:34.600 --> 0:48:37.400
<v Speaker 2>the sister, to get scoop about the doll. And the

0:48:37.440 --> 0:48:40.560
<v Speaker 2>doll scoop is it's a protector. It's a little statue

0:48:40.719 --> 0:48:43.120
<v Speaker 2>and it stays in a pouch for safety and the

0:48:43.120 --> 0:48:45.480
<v Speaker 2>mom made the pouch herself, and since they have the

0:48:45.520 --> 0:48:48.439
<v Speaker 2>same doll, Finn looks at it closely and goes, oh,

0:48:48.440 --> 0:48:51.000
<v Speaker 2>it kens, and then the girl goes, yeah, my great

0:48:51.000 --> 0:48:53.759
<v Speaker 2>great grandfather made them with a special mark. And they

0:48:53.800 --> 0:48:56.240
<v Speaker 2>haven't found her mother yet, but she wants to go home,

0:48:56.360 --> 0:48:58.160
<v Speaker 2>but for now she is happy. They're going to help

0:48:58.200 --> 0:49:00.920
<v Speaker 2>find her a foster home. And she is dealing with

0:49:00.960 --> 0:49:03.799
<v Speaker 2>the death of her brother quite well and sadly, I

0:49:03.800 --> 0:49:06.200
<v Speaker 2>think this girl, there's a lot of tragedy, and so

0:49:06.320 --> 0:49:08.279
<v Speaker 2>she but she lets them have the doll for good

0:49:08.360 --> 0:49:10.960
<v Speaker 2>luck to help find her mother, and he's really touched

0:49:11.000 --> 0:49:13.880
<v Speaker 2>by having this doll. And then back at the center there,

0:49:14.120 --> 0:49:16.400
<v Speaker 2>our leader is like, oh, we don't sell the candles

0:49:16.400 --> 0:49:19.799
<v Speaker 2>to whites. Maybe other places let white do Santoria, not.

0:49:19.880 --> 0:49:20.560
<v Speaker 3>In my house.

0:49:20.760 --> 0:49:24.799
<v Speaker 2>And so they're like yeah, but like could someone have

0:49:24.960 --> 0:49:27.040
<v Speaker 2>like are you sure there weren't any whites, And then

0:49:27.080 --> 0:49:29.680
<v Speaker 2>a light bulb. He remembers they had an art exhibit

0:49:29.800 --> 0:49:32.439
<v Speaker 2>recently and a few white people did get to buy

0:49:32.480 --> 0:49:35.279
<v Speaker 2>some stuff, and one of those people was Maggie Shay

0:49:35.440 --> 0:49:37.720
<v Speaker 2>and she has a gallery and she says she buys

0:49:37.760 --> 0:49:40.640
<v Speaker 2>lots of interesting things and uses candles at the gallery

0:49:41.000 --> 0:49:43.080
<v Speaker 2>and house because she likes the way they smell. And

0:49:43.120 --> 0:49:46.279
<v Speaker 2>she's like, what is this even about, and Stabler says,

0:49:46.280 --> 0:49:48.440
<v Speaker 2>we're talking to tons of people. You're not special, so

0:49:48.520 --> 0:49:51.279
<v Speaker 2>just answer our candle questions. And then they ask if

0:49:51.280 --> 0:49:54.040
<v Speaker 2>she was at the gallery Mounder or Tuesday. She goes, no,

0:49:54.239 --> 0:49:55.800
<v Speaker 2>I was actually out of town. I was in Ghana.

0:49:55.920 --> 0:49:58.239
<v Speaker 2>I went on a buying trip and I found a

0:49:58.239 --> 0:50:01.319
<v Speaker 2>great new artist and I was happy about it. But

0:50:01.560 --> 0:50:04.160
<v Speaker 2>and so I cut my trip short, a month short.

0:50:04.280 --> 0:50:05.719
<v Speaker 2>She goes, I got home Tuesday night.

0:50:06.160 --> 0:50:08.560
<v Speaker 3>Must have been like a bullseye artist find like, you

0:50:08.600 --> 0:50:12.480
<v Speaker 3>cut your trip a month short? Geez. Yeah, She's like,

0:50:12.520 --> 0:50:13.719
<v Speaker 3>I found the guy. I'm out of here.

0:50:14.239 --> 0:50:16.799
<v Speaker 2>And then, no matter how many times I've seen this,

0:50:17.080 --> 0:50:21.680
<v Speaker 2>when Finn like comes out in the gallery holding the

0:50:21.800 --> 0:50:25.440
<v Speaker 2>same good luck doll that matches Naimas, I get shivers

0:50:26.200 --> 0:50:27.880
<v Speaker 2>like excitement, like all of a sudden, I'm like, oh,

0:50:27.880 --> 0:50:30.399
<v Speaker 2>we're gonna get these motherfuckers. Yeah, and I get them.

0:50:30.719 --> 0:50:32.759
<v Speaker 2>So he's like, oh, what's this doll? And she goes, oh, no,

0:50:32.800 --> 0:50:34.839
<v Speaker 2>that's not for sale. That was actually a welcome home

0:50:34.880 --> 0:50:38.799
<v Speaker 2>gift from my husband. Finn says, where did he get it?

0:50:39.320 --> 0:50:41.320
<v Speaker 2>She goes one hundred and twenty fifth Street flea market,

0:50:41.760 --> 0:50:44.120
<v Speaker 2>and so he's like, well, I would love to get

0:50:44.120 --> 0:50:44.919
<v Speaker 2>one of these my life.

0:50:45.000 --> 0:50:48.920
<v Speaker 3>My wife loves this dumb shit. So what's your husband's number?

0:50:49.719 --> 0:50:52.040
<v Speaker 2>And so then her husband is a professor at Hudson

0:50:52.520 --> 0:50:56.200
<v Speaker 2>Done Done, and he teaches art history. So let's go

0:50:56.360 --> 0:50:59.799
<v Speaker 2>see Alan. And it's Michael Emerson and he, you know,

0:51:00.080 --> 0:51:02.880
<v Speaker 2>I think he's a classic character actor. And the character

0:51:03.000 --> 0:51:05.920
<v Speaker 2>is I'm a dork and a freak. Is that a

0:51:05.960 --> 0:51:06.840
<v Speaker 2>good man to describe?

0:51:06.840 --> 0:51:09.680
<v Speaker 1>Well him, I mostly know him from Evil, you know,

0:51:09.800 --> 0:51:11.680
<v Speaker 1>my favorite show that I talk about all the time.

0:51:11.719 --> 0:51:15.600
<v Speaker 1>I know him from Evil, and he's a conniving little

0:51:15.800 --> 0:51:19.600
<v Speaker 1>devil man, you know, but like he's supposed to be

0:51:19.760 --> 0:51:22.839
<v Speaker 1>kind of get on your nerves. And also I want

0:51:22.880 --> 0:51:24.880
<v Speaker 1>to point out that the woman that plays the wife

0:51:24.960 --> 0:51:28.279
<v Speaker 1>is Triny Alvarado, who no longer acts, but was the

0:51:28.320 --> 0:51:31.680
<v Speaker 1>title character in the movie Stella starring Bette Midler, which

0:51:31.719 --> 0:51:35.360
<v Speaker 1>I do bring up all the time because oh, actually.

0:51:35.120 --> 0:51:37.160
<v Speaker 3>I don't think you bring it up enough because I

0:51:37.200 --> 0:51:38.480
<v Speaker 3>don't even know it. Yeah.

0:51:38.560 --> 0:51:40.480
<v Speaker 1>No, it's the one where nobody comes to the birthday. Oh, no,

0:51:40.560 --> 0:51:43.320
<v Speaker 1>you played it in cinema Trix, Yes, yes, and nobody

0:51:43.360 --> 0:51:46.480
<v Speaker 1>comes to the birthday party and I always call it,

0:51:46.560 --> 0:51:48.360
<v Speaker 1>oh no, I don't want to be Stella on my birthday.

0:51:48.400 --> 0:51:50.279
<v Speaker 1>I can't remember if Stella is her or the mother

0:51:50.480 --> 0:51:52.960
<v Speaker 1>or Bette Midler's character. I'm pretty sure it's the daughter's character.

0:51:53.080 --> 0:51:55.120
<v Speaker 1>But anyway, she was an actress in a lot of

0:51:55.160 --> 0:51:58.919
<v Speaker 1>stuff in the eighties and shit, but then not much lately,

0:51:58.960 --> 0:52:02.000
<v Speaker 1>and I think she's quick the biz. But anyway, she

0:52:02.120 --> 0:52:04.279
<v Speaker 1>was in Little Women. She was in the original Little

0:52:04.280 --> 0:52:04.759
<v Speaker 1>Women with.

0:52:07.160 --> 0:52:10.680
<v Speaker 2>Yeah, yeah, I'm I know him from Lost. I don't

0:52:10.719 --> 0:52:13.120
<v Speaker 2>know her at all. I hope she's doing well. And

0:52:14.719 --> 0:52:16.920
<v Speaker 2>you know, your guy was in an episode of Clause.

0:52:17.080 --> 0:52:21.480
<v Speaker 1>Do you remember that when Michael Emerson was in It

0:52:21.520 --> 0:52:22.439
<v Speaker 1>was in Clause.

0:52:22.360 --> 0:52:25.280
<v Speaker 2>Yeah, season one, episode nine, just one episode in Brosia

0:52:25.520 --> 0:52:25.799
<v Speaker 2>like this, So.

0:52:25.960 --> 0:52:28.480
<v Speaker 1>I don't remember that, but that is interesting because he's

0:52:28.520 --> 0:52:31.040
<v Speaker 1>married to Carrie Preston aka Elsbeth.

0:52:31.880 --> 0:52:34.719
<v Speaker 3>Oh yeah. Yeah.

0:52:34.960 --> 0:52:37.840
<v Speaker 2>She's someone in the nineties that was always like or

0:52:37.920 --> 0:52:39.480
<v Speaker 2>early like when I was a kid. She was always

0:52:39.480 --> 0:52:42.120
<v Speaker 2>nominated for an award. You know, she was like that

0:52:42.120 --> 0:52:44.560
<v Speaker 2>Fifth Factor spot where you're like, who is this that

0:52:44.680 --> 0:52:47.879
<v Speaker 2>was her always for me as a child. All right,

0:52:47.960 --> 0:52:50.840
<v Speaker 2>So we got we got Michael Emerson, one of the

0:52:50.840 --> 0:52:53.600
<v Speaker 2>best in the biz, and once you see him, you

0:52:53.600 --> 0:52:56.520
<v Speaker 2>know tom foolery is afoot. And then I wrote, in

0:52:56.560 --> 0:52:59.799
<v Speaker 2>the words of Alyssa Edwards, spooky ooky, So.

0:53:02.040 --> 0:53:03.400
<v Speaker 3>I guess that's what I was feeling.

0:53:04.880 --> 0:53:07.160
<v Speaker 2>He's like, l ol, how could I give for my

0:53:07.200 --> 0:53:10.279
<v Speaker 2>wife be involved in an investigation for the police. And

0:53:10.320 --> 0:53:13.279
<v Speaker 2>it's like, you know what you did? So they ask

0:53:13.400 --> 0:53:15.600
<v Speaker 2>if he's a pro at African art. He goes, oh, no,

0:53:15.840 --> 0:53:20.040
<v Speaker 2>that's that's my wife. My specialty is Tibetan sand paintings.

0:53:20.840 --> 0:53:23.759
<v Speaker 2>These these these are rich kids. You don't specialize in

0:53:23.800 --> 0:53:27.440
<v Speaker 2>Tibetan sand paintings if you're if you were raised working class.

0:53:28.000 --> 0:53:30.399
<v Speaker 2>He said he'd had no idea how valuable the doll

0:53:30.600 --> 0:53:34.160
<v Speaker 2>was until the wife told him. He offers to help

0:53:34.160 --> 0:53:36.720
<v Speaker 2>find the doll by going next Saturday to the flea market.

0:53:37.080 --> 0:53:41.680
<v Speaker 2>Identifying the man he feels very strongly about smuggling antiquities.

0:53:42.440 --> 0:53:44.439
<v Speaker 2>He thinks it needs to be stopped and he could

0:53:44.600 --> 0:53:47.279
<v Speaker 2>he will help. He says he's trying to get the

0:53:47.400 --> 0:53:50.880
<v Speaker 2>Elgin marbles back to Greece and he's really proud of it.

0:53:50.960 --> 0:53:52.920
<v Speaker 2>And then we cut to Stabler taping a photo of

0:53:52.920 --> 0:53:56.759
<v Speaker 2>Michael Emerson's face onto the precinct board, going Elgin marbles

0:53:56.840 --> 0:53:57.440
<v Speaker 2>my ass.

0:54:00.440 --> 0:54:02.920
<v Speaker 3>He goes, this is the guy slick as they come.

0:54:03.320 --> 0:54:06.040
<v Speaker 2>So basically, he got a boy a toy slave for

0:54:06.080 --> 0:54:08.720
<v Speaker 2>two months, but then his wife was coming home early

0:54:08.800 --> 0:54:11.360
<v Speaker 2>and he had to stash the body, so he staged

0:54:11.400 --> 0:54:14.520
<v Speaker 2>the ritual to throw everyone off the track. But then

0:54:14.520 --> 0:54:16.440
<v Speaker 2>it's like, why keep the doll? Why not get rid

0:54:16.480 --> 0:54:18.359
<v Speaker 2>of it? And Stabler goes a trophy duh. He gets

0:54:18.360 --> 0:54:20.919
<v Speaker 2>his rock soft seeing his wife have it, and Finn goes,

0:54:20.960 --> 0:54:22.799
<v Speaker 2>but it should have come with a beaded pouch. So

0:54:22.840 --> 0:54:24.920
<v Speaker 2>now we have to find the pouch. We get search warrants,

0:54:24.960 --> 0:54:27.640
<v Speaker 2>we start looking. We're at the Shay residence on East

0:54:27.640 --> 0:54:30.880
<v Speaker 2>sixty fourth Street and Mike Doyle's doing some black light action.

0:54:31.440 --> 0:54:33.320
<v Speaker 2>There's tons of bleach in the tub, but no blood

0:54:33.360 --> 0:54:36.720
<v Speaker 2>and Benson's piss. Stabler has nothing either. There's no evidence

0:54:36.760 --> 0:54:39.640
<v Speaker 2>anywhere in the house. Sabler calls the boys and munch

0:54:39.680 --> 0:54:42.520
<v Speaker 2>infin also have nothing now, so munch Invent are back

0:54:42.560 --> 0:54:46.080
<v Speaker 2>at the Hudson in the office with the research assistant

0:54:46.400 --> 0:54:49.759
<v Speaker 2>and she goes, hey, whatever you need, I'll help you.

0:54:49.840 --> 0:54:51.960
<v Speaker 2>And Finn goes, well, we're looking for a beaded pouch

0:54:52.000 --> 0:54:54.640
<v Speaker 2>and she goes, oh, why didn't you say so? And

0:54:54.680 --> 0:54:58.360
<v Speaker 2>then she hands over a beaded pouch and goes, doctor

0:54:58.440 --> 0:55:01.640
<v Speaker 2>Shay gave it to me as a present. They go

0:55:01.960 --> 0:55:05.839
<v Speaker 2>fuck so they go fuck z Essa up, so too

0:55:06.160 --> 0:55:09.000
<v Speaker 2>like public arrests. In one episode We Are Lucky. So

0:55:09.040 --> 0:55:10.960
<v Speaker 2>he's teaching class. They arrest him in front of the

0:55:11.000 --> 0:55:14.959
<v Speaker 2>whole class and he's stuttering. He's like, sop, I don't

0:55:14.960 --> 0:55:17.600
<v Speaker 2>get it, Alan Shay, you're under arrest for the murder

0:55:17.600 --> 0:55:20.520
<v Speaker 2>of a Johnny Haruna and he denies. A lawyer and

0:55:20.520 --> 0:55:22.000
<v Speaker 2>he's like, I don't know why the hell I'm here,

0:55:22.320 --> 0:55:26.600
<v Speaker 2>and he is really good. So Sabler is bringing up

0:55:26.640 --> 0:55:29.279
<v Speaker 2>the pouch and how like there Johnny's mom made those

0:55:29.320 --> 0:55:32.000
<v Speaker 2>pouches and like it's identical to the sisters. Like there's

0:55:32.000 --> 0:55:33.520
<v Speaker 2>no way, and he's like, I have no idea who

0:55:33.520 --> 0:55:35.080
<v Speaker 2>a Johnny is. I don't know what you're talking about.

0:55:35.239 --> 0:55:38.319
<v Speaker 2>I bought it from a street vendor and he you know,

0:55:38.520 --> 0:55:42.000
<v Speaker 2>it's like and then he goes, that's street vendor. Is

0:55:42.040 --> 0:55:47.200
<v Speaker 2>the killer and you're letting him go, and he's just

0:55:47.239 --> 0:55:49.520
<v Speaker 2>a really good actor. He just keeps being like, who's

0:55:49.680 --> 0:55:53.319
<v Speaker 2>a Johnny, which reminds me of oh Mary, what?

0:55:53.800 --> 0:56:00.320
<v Speaker 3>Why? The south of what? Who's Louis pees?

0:56:02.400 --> 0:56:05.480
<v Speaker 2>And his eyes are so wide, But then he's still calm,

0:56:05.560 --> 0:56:10.319
<v Speaker 2>so it's really yeah, he's great. Stabl Is like, so

0:56:10.480 --> 0:56:14.440
<v Speaker 2>all cosmic coincidence, and I liked him saying cosmic. And

0:56:14.480 --> 0:56:16.800
<v Speaker 2>he goes, so, you know, the same pouch and statue

0:56:16.840 --> 0:56:19.400
<v Speaker 2>as a dead child and candles were all left at

0:56:19.400 --> 0:56:22.000
<v Speaker 2>your wife, Like, come on, bro, you're connected to too much.

0:56:22.320 --> 0:56:24.960
<v Speaker 2>This is not a coincidence. And then Stable goes, listen,

0:56:25.080 --> 0:56:27.680
<v Speaker 2>I'm not that bright. You're the educated guy here. Would

0:56:27.760 --> 0:56:30.640
<v Speaker 2>you buy this story? And he says yes, because that's

0:56:30.680 --> 0:56:34.680
<v Speaker 2>what happened. So then they're like, well, why was Bleach everywhere?

0:56:34.719 --> 0:56:37.320
<v Speaker 2>He goes what bleach? I was? I got the house cleans,

0:56:37.400 --> 0:56:39.560
<v Speaker 2>my wife was coming home. I hired a cleaning service.

0:56:39.600 --> 0:56:42.160
<v Speaker 2>What's the big deal? And Stable's like, I'll tell you

0:56:42.200 --> 0:56:44.560
<v Speaker 2>what I think is going on. Your wife surprised you

0:56:44.560 --> 0:56:46.480
<v Speaker 2>by coming home early, and you had to get rid

0:56:46.560 --> 0:56:48.520
<v Speaker 2>of the boy in a hurry. But you can't have

0:56:48.640 --> 0:56:51.080
<v Speaker 2>him finger you so you murdered him and covered it

0:56:51.160 --> 0:56:52.359
<v Speaker 2>up with sacrifice?

0:56:52.800 --> 0:56:53.280
<v Speaker 3>You can't.

0:56:53.320 --> 0:56:56.640
<v Speaker 2>So does this mean he's been like buying boys and

0:56:56.680 --> 0:56:59.759
<v Speaker 2>sacrificing them forever and as a serial killer, Or it's

0:56:59.760 --> 0:57:04.279
<v Speaker 2>the first boys killed and has let other slave boys leave?

0:57:05.280 --> 0:57:06.920
<v Speaker 3>Or what what do you think?

0:57:07.520 --> 0:57:10.319
<v Speaker 1>I don't know, great question, like they got this guy

0:57:10.360 --> 0:57:15.440
<v Speaker 1>on his first one, or well maybe no. I think

0:57:15.440 --> 0:57:18.360
<v Speaker 1>it's possible he's gotten other boys and killed them in

0:57:18.440 --> 0:57:20.520
<v Speaker 1>ways where he's been able to fully dispose of the body.

0:57:20.560 --> 0:57:23.040
<v Speaker 1>He did this one really quickly because she was coming

0:57:23.080 --> 0:57:27.160
<v Speaker 1>home right Like, maybe he I don't know, figured out

0:57:27.280 --> 0:57:29.920
<v Speaker 1>they buried these at his like country house. I mean,

0:57:29.960 --> 0:57:32.040
<v Speaker 1>who knows what he did with the other victims. That's

0:57:32.080 --> 0:57:36.800
<v Speaker 1>a good point, you know. Yeah, this is so, Stabler goes.

0:57:36.800 --> 0:57:40.040
<v Speaker 1>You can't hide from me behind your fancy education. I

0:57:40.160 --> 0:57:41.120
<v Speaker 1>smell you.

0:57:41.120 --> 0:57:43.680
<v Speaker 2>You're nothing but a skelle who gets his rock soft

0:57:43.680 --> 0:57:44.880
<v Speaker 2>screwing other boys.

0:57:45.960 --> 0:57:47.560
<v Speaker 3>Yes, Stabler, give him hell.

0:57:48.080 --> 0:57:50.400
<v Speaker 2>So Benson is with the wife who's like, no way,

0:57:50.480 --> 0:57:53.560
<v Speaker 2>my husband is not a child's molestor Benson takes out

0:57:53.600 --> 0:57:56.080
<v Speaker 2>the two dollars for luck and says, who who do

0:57:56.120 --> 0:57:57.280
<v Speaker 2>you think makes these?

0:57:57.720 --> 0:57:57.920
<v Speaker 3>You know?

0:57:58.080 --> 0:57:59.800
<v Speaker 2>You gave one to your husband. The other belongs to

0:57:59.840 --> 0:58:02.080
<v Speaker 2>the sister of the murdered boy, and she goes, you're wrong,

0:58:02.400 --> 0:58:05.400
<v Speaker 2>there's dozens of those, and then Benson goes, really, you

0:58:05.440 --> 0:58:09.120
<v Speaker 2>really mean that you're an expert? Right, Violin starts strumming,

0:58:09.600 --> 0:58:12.960
<v Speaker 2>it starts hitting her. Benson takes out the pouches and

0:58:13.120 --> 0:58:16.720
<v Speaker 2>the wife goes, oh, so they can carry around their protectors.

0:58:17.200 --> 0:58:20.480
<v Speaker 2>She's getting wet eyes, she's breathing heavy, she's realizing. She

0:58:20.520 --> 0:58:23.080
<v Speaker 2>goes Monday evening, you know, she calls him in London.

0:58:23.200 --> 0:58:25.920
<v Speaker 2>From London and goes, hey, I thought she was in Ghana.

0:58:26.000 --> 0:58:28.880
<v Speaker 2>What the fuck is going on? Didn't she Ghana?

0:58:29.280 --> 0:58:31.840
<v Speaker 1>But maybe she had to do a layover. She was like, Oh,

0:58:31.880 --> 0:58:33.320
<v Speaker 1>I'm on my layover, I'm on my way home.

0:58:34.000 --> 0:58:37.920
<v Speaker 3>Maybe yeah, yeah, I'm so suspicious.

0:58:38.400 --> 0:58:40.800
<v Speaker 2>Monday evening she called him and I'm saying, you know,

0:58:40.840 --> 0:58:42.400
<v Speaker 2>i'll be home early, and she's like, yeah, I thought

0:58:42.400 --> 0:58:45.160
<v Speaker 2>he'd be happy, but he was fucking pissed and I

0:58:45.200 --> 0:58:45.919
<v Speaker 2>didn't get it.

0:58:46.120 --> 0:58:47.040
<v Speaker 3>And he was.

0:58:47.040 --> 0:58:48.439
<v Speaker 2>Just like, I need more time to get the house

0:58:48.520 --> 0:58:51.240
<v Speaker 2>ready and I need more notice. And she did ask like,

0:58:51.240 --> 0:58:54.280
<v Speaker 2>why are you so angry and not happy to see me,

0:58:54.680 --> 0:58:58.560
<v Speaker 2>and she said that he apologized right away, covered his tracks,

0:58:58.680 --> 0:59:00.360
<v Speaker 2>was like my bad, my bad, my bad. But it

0:59:00.480 --> 0:59:02.160
<v Speaker 2>stayed with her and she kept thinking, oh, he's having

0:59:02.200 --> 0:59:05.680
<v Speaker 2>an affair, and I interrupted them. She recognizes the photos

0:59:05.720 --> 0:59:07.640
<v Speaker 2>Benson shows her of the candles and said that she

0:59:07.720 --> 0:59:10.240
<v Speaker 2>asked him what was up and that the candle was missing,

0:59:10.240 --> 0:59:11.920
<v Speaker 2>and he said he used it in one of the bulls.

0:59:12.480 --> 0:59:15.040
<v Speaker 2>So then Benson asked for details about the bulls and

0:59:15.240 --> 0:59:17.440
<v Speaker 2>the wife's had enough. She's like, I can't, I can't,

0:59:17.680 --> 0:59:19.880
<v Speaker 2>And Benson is like, Maggie, you better help us before

0:59:19.920 --> 0:59:23.320
<v Speaker 2>another child might die. And she's crying and swallowing hard

0:59:23.360 --> 0:59:25.720
<v Speaker 2>and she's like, yeah, you know she I got called

0:59:25.720 --> 0:59:28.480
<v Speaker 2>from London. He asked work, He's to our storage was

0:59:28.880 --> 0:59:31.200
<v Speaker 2>where I keep all my inventory and the room is

0:59:31.240 --> 0:59:32.920
<v Speaker 2>in the basement under the gallery.

0:59:33.440 --> 0:59:34.960
<v Speaker 3>But she seems like a dumb bitch.

0:59:36.840 --> 0:59:42.120
<v Speaker 2>Yeah, why would he need the key to your inventory? Right?

0:59:42.440 --> 0:59:43.880
<v Speaker 3>Why is he kissed her? Coming home?

0:59:44.000 --> 0:59:44.080
<v Speaker 1>Like?

0:59:45.040 --> 0:59:46.960
<v Speaker 3>Why are you still like he could have never It's

0:59:47.000 --> 0:59:48.360
<v Speaker 3>like he's clearly a child molester.

0:59:48.400 --> 0:59:52.160
<v Speaker 2>Look at his eyes and there's blood down in the room,

0:59:52.280 --> 0:59:54.520
<v Speaker 2>a trail of blood that leads to a crate and

0:59:54.520 --> 0:59:57.560
<v Speaker 2>Finn and Munch opened the crate and Finn says, we

0:59:57.640 --> 1:00:00.480
<v Speaker 2>got to get a medical examiner in here. So back

1:00:00.520 --> 1:00:03.360
<v Speaker 2>at the precinct, the villain's in the interrogation room and

1:00:03.400 --> 1:00:06.240
<v Speaker 2>Craigan's like, you're going to death row, bitch, And Sabler

1:00:06.280 --> 1:00:10.080
<v Speaker 2>walks in with a Moroccan tilebox that he bought from

1:00:10.080 --> 1:00:13.720
<v Speaker 2>a family in Marrakesh and he's like, oh, I was

1:00:13.760 --> 1:00:16.760
<v Speaker 2>trying to ship it to Tibet, so whatever. He's looking

1:00:16.760 --> 1:00:19.760
<v Speaker 2>at it with his bespectacled ass, and then Novak's like,

1:00:20.120 --> 1:00:22.600
<v Speaker 2>cooperate and you go to jail for life or don't

1:00:22.640 --> 1:00:25.080
<v Speaker 2>and you die by lethal injection. And he goes, I'm

1:00:25.080 --> 1:00:27.760
<v Speaker 2>supposed to be intimidated. New York hasn't killed a person

1:00:27.800 --> 1:00:30.960
<v Speaker 2>in forty years. And Novak's like, you're right, you're extra

1:00:31.040 --> 1:00:32.960
<v Speaker 2>scum and I'm sure a jury would think that you

1:00:33.040 --> 1:00:37.160
<v Speaker 2>suck so bad you're dead. Novak's like, hey, Professor Shay Gamble,

1:00:37.320 --> 1:00:39.880
<v Speaker 2>it's your life. And then Craigan goes towards the tile

1:00:39.880 --> 1:00:41.880
<v Speaker 2>box and he's like, let's see what's inside the box.

1:00:41.920 --> 1:00:45.120
<v Speaker 2>And finally Michael Emerson goes no, no, no, and then goes,

1:00:45.160 --> 1:00:47.880
<v Speaker 2>I'll cooperate and they ask him, why did you do this?

1:00:48.240 --> 1:00:50.280
<v Speaker 2>He goes, well, I couldn't risk body parts flowing in

1:00:50.320 --> 1:00:55.200
<v Speaker 2>the East River. You're right, he's murdered before. Yeah, he

1:00:55.280 --> 1:00:57.440
<v Speaker 2>spills the beans on the trafficker he worked with. His

1:00:57.520 --> 1:01:01.160
<v Speaker 2>name is Bosa and he's a facilitat and he greases

1:01:01.200 --> 1:01:04.320
<v Speaker 2>the wheels for international shipping. And he tries to give

1:01:04.360 --> 1:01:06.880
<v Speaker 2>the number and Novak says, no, the number isn't good,

1:01:07.480 --> 1:01:09.480
<v Speaker 2>not enough, And he goes, no, the number is good.

1:01:09.480 --> 1:01:11.280
<v Speaker 3>I talked to him last week. So were you trying

1:01:11.320 --> 1:01:13.080
<v Speaker 3>to get another boy? You sick? Fuck?

1:01:13.720 --> 1:01:16.480
<v Speaker 2>So a new shipment is coming in tomorrow and it's

1:01:16.520 --> 1:01:17.680
<v Speaker 2>book report time.

1:01:17.600 --> 1:01:22.240
<v Speaker 3>So you know why does that mean? Okay, so wait,

1:01:22.280 --> 1:01:24.000
<v Speaker 3>can I just say one thing really quick.

1:01:24.520 --> 1:01:27.920
<v Speaker 1>I think I always thought that in that crate was

1:01:27.960 --> 1:01:32.439
<v Speaker 1>like another boy, and now I'm realizing it's his limbs, right,

1:01:32.920 --> 1:01:33.240
<v Speaker 1>m hm.

1:01:33.800 --> 1:01:35.080
<v Speaker 3>I'm dumb in my mind.

1:01:35.120 --> 1:01:36.760
<v Speaker 1>I was always like, oh, it was like another boy

1:01:36.800 --> 1:01:39.520
<v Speaker 1>that he was like, I'm so dumb. Why did I

1:01:39.560 --> 1:01:40.240
<v Speaker 1>always think that?

1:01:40.400 --> 1:01:42.760
<v Speaker 2>But yeah, you're not dumb. It's a lot of body

1:01:42.760 --> 1:01:43.680
<v Speaker 2>parts to keep trapped.

1:01:43.800 --> 1:01:44.960
<v Speaker 3>No, I was like, I know.

1:01:45.040 --> 1:01:46.960
<v Speaker 1>I was like, oh, this is like where he kept

1:01:47.000 --> 1:01:49.120
<v Speaker 1>them like tied up, and this is like another boy

1:01:49.200 --> 1:01:51.000
<v Speaker 1>and for some reason that's always been in my head

1:01:51.000 --> 1:01:52.520
<v Speaker 1>that it's another boy, but it's the limbs.

1:01:52.920 --> 1:01:55.240
<v Speaker 3>Wow wow learning.

1:01:55.080 --> 1:01:57.760
<v Speaker 1>Okay, book report, Well what does that even mean?

1:01:57.840 --> 1:01:58.280
<v Speaker 3>So whatever?

1:01:59.240 --> 1:02:02.280
<v Speaker 2>This guy both Martin Bosa I wrote Mark, but it

1:02:02.360 --> 1:02:07.160
<v Speaker 2>is Martin and he's a Nigerian citizen in the US

1:02:07.240 --> 1:02:10.480
<v Speaker 2>on a work visa. Interpol knows about him. He's all

1:02:10.520 --> 1:02:12.680
<v Speaker 2>about slaves and drugs and we need a plan to

1:02:12.680 --> 1:02:15.640
<v Speaker 2>get him. And Munch is like, Okay, this guy's a psychopath,

1:02:15.720 --> 1:02:17.800
<v Speaker 2>like he left a bunch of kids to starve to death.

1:02:17.840 --> 1:02:19.520
<v Speaker 3>I'm sure he knows the heat is on him. Can

1:02:19.560 --> 1:02:20.439
<v Speaker 3>we even get to him?

1:02:21.040 --> 1:02:22.320
<v Speaker 2>And they're like, well, the only way to get to

1:02:22.400 --> 1:02:25.760
<v Speaker 2>him is to try to buy a child. So Craigan's like, well,

1:02:25.800 --> 1:02:27.840
<v Speaker 2>Benson is sta able of you go. The guy's gonna

1:02:27.840 --> 1:02:30.240
<v Speaker 2>smell cop on you. So they're like, well, then let's

1:02:30.240 --> 1:02:33.840
<v Speaker 2>send someone from his own country. Great thinking, Benson. So

1:02:33.880 --> 1:02:36.000
<v Speaker 2>they send the consolate woman and Finn to meet the

1:02:36.040 --> 1:02:38.480
<v Speaker 2>trafficker and they're doing a chat about how to buy

1:02:38.520 --> 1:02:41.120
<v Speaker 2>a person and this is really really fucked. So then

1:02:41.200 --> 1:02:45.400
<v Speaker 2>Finn and his wife they meet up with this guy

1:02:46.040 --> 1:02:49.560
<v Speaker 2>Martin Bussa Bosa and he's scary as fuck, and the

1:02:49.920 --> 1:02:52.680
<v Speaker 2>Erica Alexander is like, yeah, I just want someone who

1:02:52.680 --> 1:02:55.480
<v Speaker 2>can cook and clean and keep house. I don't know

1:02:55.520 --> 1:02:57.720
<v Speaker 2>what keep house means, but it seems like let the

1:02:57.800 --> 1:03:00.080
<v Speaker 2>husband rape you, she said. But I don't know. It

1:03:00.120 --> 1:03:02.320
<v Speaker 2>could just mean keep it tidy. But why would you say, cook,

1:03:02.360 --> 1:03:03.400
<v Speaker 2>clean and keep house.

1:03:05.240 --> 1:03:09.520
<v Speaker 1>Yeah, I think it kind of means like everything in between.

1:03:09.480 --> 1:03:14.080
<v Speaker 3>But yeah, dry cleaning or something. Yeah, maybe laundry.

1:03:14.680 --> 1:03:19.920
<v Speaker 2>She says she can't stand American servants and asks for

1:03:19.920 --> 1:03:23.720
<v Speaker 2>an obedience servant, and obedience is important above all else.

1:03:23.800 --> 1:03:26.760
<v Speaker 2>She's good And when the trafficker asks what business he's in,

1:03:26.840 --> 1:03:28.080
<v Speaker 2>he goes my business.

1:03:29.040 --> 1:03:30.120
<v Speaker 3>So then this dude.

1:03:29.880 --> 1:03:31.920
<v Speaker 2>Offers them straight up a five or six year old

1:03:32.000 --> 1:03:34.640
<v Speaker 2>child so they can train her to their liking. Finn

1:03:34.640 --> 1:03:37.280
<v Speaker 2>goes deal, and the guy goes, oh, make arrangements, but

1:03:37.680 --> 1:03:40.920
<v Speaker 2>like he was suspicious because the guy was.

1:03:40.840 --> 1:03:42.000
<v Speaker 3>Like, how long have you been married?

1:03:42.160 --> 1:03:45.280
<v Speaker 2>And that one little hesitation of like Finn grabbing her

1:03:45.400 --> 1:03:47.800
<v Speaker 2>arm and speaking like the dude new, the dude new

1:03:47.840 --> 1:03:50.960
<v Speaker 2>he's a crimin. Yeah, so and Finn go knows that

1:03:51.000 --> 1:03:52.760
<v Speaker 2>he's been blown. So the guy gets up and then

1:03:52.840 --> 1:03:54.520
<v Speaker 2>like they all follow him out of the diner. There's

1:03:54.520 --> 1:03:57.240
<v Speaker 2>a rundown and Finn just starts beating the shit out

1:03:57.280 --> 1:03:59.480
<v Speaker 2>of this motherfucker and screaming.

1:03:59.040 --> 1:04:01.880
<v Speaker 3>They're kids, you sick son of a bitch. He's bloody

1:04:01.880 --> 1:04:03.760
<v Speaker 3>on the ground. They you know, keeps punching.

1:04:03.800 --> 1:04:05.680
<v Speaker 2>Stabler has to run out of the car and pull

1:04:05.720 --> 1:04:07.560
<v Speaker 2>them off, and they arrest him for kidnapping on the

1:04:07.600 --> 1:04:10.240
<v Speaker 2>first degree. We're in cement room bars and he tries

1:04:10.280 --> 1:04:12.560
<v Speaker 2>to say that his bargaining chip is his bloody face

1:04:12.600 --> 1:04:14.840
<v Speaker 2>and that the cops beat up a Nigerian man and

1:04:14.880 --> 1:04:17.800
<v Speaker 2>he doesn't think the police commissioner wants that kind of publicity.

1:04:18.160 --> 1:04:20.800
<v Speaker 2>And then the consolate woman in Finn arrive and he goes,

1:04:20.840 --> 1:04:23.160
<v Speaker 2>I'm not afraid of you, and Finn goes, not me her,

1:04:23.200 --> 1:04:26.160
<v Speaker 2>and he goes why what can a woman do? And

1:04:26.200 --> 1:04:28.320
<v Speaker 2>she goes, de porch you, And then the worry hits

1:04:28.360 --> 1:04:30.600
<v Speaker 2>his face because of the accent. That doesn't sound like mine.

1:04:30.640 --> 1:04:33.280
<v Speaker 2>I think I did like a like a British guy

1:04:33.480 --> 1:04:38.560
<v Speaker 2>just and so she's like, she goes, well, your passport's

1:04:38.600 --> 1:04:41.959
<v Speaker 2>being revoked and I'm sending you to Nigeria where you'll

1:04:41.960 --> 1:04:44.160
<v Speaker 2>be in jail, and Finn goes they do fire squads

1:04:44.160 --> 1:04:46.960
<v Speaker 2>there right, tie people up to polls, shoot their ankles.

1:04:47.160 --> 1:04:49.800
<v Speaker 2>You're gonna get death. And this makes his eyeballs move

1:04:50.040 --> 1:04:53.640
<v Speaker 2>great eyeball acting. He's worried and he's like, oh no,

1:04:53.880 --> 1:04:56.120
<v Speaker 2>so let's gets him to reveal that another shipment of

1:04:56.160 --> 1:04:59.120
<v Speaker 2>kids is arriving that night. But this guy is he

1:04:59.560 --> 1:05:01.600
<v Speaker 2>being up the shipment of kids so he can serve

1:05:01.600 --> 1:05:04.720
<v Speaker 2>his jail time in America instead of Nigeria. I wonder,

1:05:05.160 --> 1:05:07.360
<v Speaker 2>I wonder if that's the deal, because I don't want

1:05:07.360 --> 1:05:09.439
<v Speaker 2>my ankles shot, because that's what Finn said. They start

1:05:09.480 --> 1:05:11.000
<v Speaker 2>from the bottom and shoot you all the way up,

1:05:11.000 --> 1:05:11.920
<v Speaker 2>so you're just bleeding.

1:05:12.080 --> 1:05:15.280
<v Speaker 3>Oh is that a detail I shouldn't have remembered.

1:05:15.560 --> 1:05:18.160
<v Speaker 1>No, I just now that i'm remember now, Yes, I

1:05:18.560 --> 1:05:20.600
<v Speaker 1>guess like the ankle shooting, I was like out and

1:05:20.640 --> 1:05:22.560
<v Speaker 1>now I'm like, oh no, then they'll just move up

1:05:22.640 --> 1:05:25.440
<v Speaker 1>your whole body so your brain is like alive for

1:05:25.480 --> 1:05:25.880
<v Speaker 1>all of it.

1:05:25.920 --> 1:05:27.280
<v Speaker 3>Fuck yeah, I never thought about that.

1:05:27.840 --> 1:05:31.720
<v Speaker 2>Yeah, well, when you research and watch at two three

1:05:31.720 --> 1:05:37.080
<v Speaker 2>in the morning, something that sticks with you, so so

1:05:37.160 --> 1:05:40.440
<v Speaker 2>then uh, yeah, whenever we're both working on the dock

1:05:40.520 --> 1:05:41.160
<v Speaker 2>at the same time.

1:05:41.160 --> 1:05:43.880
<v Speaker 3>I'm always like, well, care is doing it in an appropriate.

1:05:43.360 --> 1:05:47.160
<v Speaker 2>Hour, and I am three hours ahead. Yes, I am

1:05:47.200 --> 1:05:51.200
<v Speaker 2>in the dock as well. So this gets him to reveal,

1:05:51.440 --> 1:05:53.400
<v Speaker 2>you know, when you're just on such a fun lineup

1:05:54.000 --> 1:05:56.600
<v Speaker 2>and that's yeah, like I want to go home. I

1:05:56.600 --> 1:05:58.960
<v Speaker 2>had a meat brick, I had a sid, I had

1:05:59.000 --> 1:06:01.720
<v Speaker 2>a Jabuki, Drew Anderson, my friend Caitlyn.

1:06:02.240 --> 1:06:08.040
<v Speaker 3>That's so fun. It was good people. So the cops

1:06:08.040 --> 1:06:10.480
<v Speaker 3>stop the truck. So many kids in the truck. It's

1:06:10.560 --> 1:06:10.960
<v Speaker 3>very sad.

1:06:11.000 --> 1:06:13.520
<v Speaker 2>They're selling kids the lowest of the low and Finn

1:06:13.560 --> 1:06:16.680
<v Speaker 2>is so fucked up about this case and he's just

1:06:16.720 --> 1:06:19.280
<v Speaker 2>having a hard time. But hopefully the kids are going

1:06:19.360 --> 1:06:22.360
<v Speaker 2>to have a better life. And Diane Neal when we

1:06:22.400 --> 1:06:25.120
<v Speaker 2>interviewed her, said that this was her most haunting episode

1:06:25.160 --> 1:06:27.800
<v Speaker 2>when we asked, and that is Dick Wolf Baby.

1:06:28.280 --> 1:06:30.760
<v Speaker 1>This last shot of like them opening it up with

1:06:30.840 --> 1:06:32.240
<v Speaker 1>like all the kids in the truck.

1:06:32.280 --> 1:06:33.800
<v Speaker 3>I would say it's like a top.

1:06:33.800 --> 1:06:38.080
<v Speaker 1>Iconic SVU image where you're like fuck, like, you know,

1:06:38.960 --> 1:06:41.400
<v Speaker 1>because I think the idea of trafficking is like very

1:06:42.400 --> 1:06:45.000
<v Speaker 1>abstract to a lot of people, and this is like

1:06:45.040 --> 1:06:49.320
<v Speaker 1>look at this, They're just being like trafficked, like like, uh,

1:06:49.920 --> 1:06:52.800
<v Speaker 1>you know what am I trying to say any like

1:06:52.800 --> 1:06:53.840
<v Speaker 1>like furniture, you know.

1:06:54.720 --> 1:06:57.240
<v Speaker 2>Anyway, I don't want to hear about the crime. Let's

1:06:57.320 --> 1:06:59.440
<v Speaker 2>change our owl structure of our podcast.

1:07:00.240 --> 1:07:05.680
<v Speaker 1>I should also mention that in Evil, Michael Emerson is

1:07:05.720 --> 1:07:08.360
<v Speaker 1>in a relationship for part of the series with Christine

1:07:08.400 --> 1:07:12.040
<v Speaker 1>Latti aka So now I'm blanking Sonya Paxton.

1:07:12.200 --> 1:07:14.600
<v Speaker 2>Yes, oh my god, girl, So you remember when, okay,

1:07:14.640 --> 1:07:16.160
<v Speaker 2>you had to pick up my meds for me once

1:07:16.200 --> 1:07:19.960
<v Speaker 2>when I got COVID and had my earshit, and you

1:07:20.080 --> 1:07:22.600
<v Speaker 2>changed the address because like obviously you wouldn't have used

1:07:22.600 --> 1:07:25.400
<v Speaker 2>my Skoki address, so like it's been my LA address

1:07:25.440 --> 1:07:28.400
<v Speaker 2>forever in Chicago. I forgot my meds, so I had

1:07:28.440 --> 1:07:31.240
<v Speaker 2>to like reorder meds and they asked for my address,

1:07:32.520 --> 1:07:33.240
<v Speaker 2>no recollection.

1:07:33.560 --> 1:07:35.800
<v Speaker 3>Oh my god, you could remember where you used to live? Yeah?

1:07:35.960 --> 1:07:38.680
<v Speaker 2>Absolutely not. Could not remember that app. Like I was

1:07:38.680 --> 1:07:40.680
<v Speaker 2>like looking up in Google, Matt, and then finally went

1:07:40.680 --> 1:07:42.520
<v Speaker 2>to the email and found my email chain with the

1:07:42.560 --> 1:07:45.880
<v Speaker 2>moving company, and that's how I found my LA address.

1:07:45.920 --> 1:07:49.280
<v Speaker 3>And it's like you only moved like six months ago.

1:07:51.080 --> 1:07:55.040
<v Speaker 1>What the fuck? That's crazy? But yeah, that happens. You

1:07:55.400 --> 1:07:57.320
<v Speaker 1>just blank out? Why did I blank out on Sonia Packston.

1:07:57.520 --> 1:08:00.320
<v Speaker 1>She's my favorite evil ada with a heart of gold

1:08:00.360 --> 1:08:01.480
<v Speaker 1>that I think has a comeback.

1:08:02.040 --> 1:08:03.840
<v Speaker 2>Just no, one just want to drink with her. You

1:08:03.920 --> 1:08:05.640
<v Speaker 2>just want to drink with her. I know, I know,

1:08:05.760 --> 1:08:05.920
<v Speaker 2>you know.

1:08:06.040 --> 1:08:09.000
<v Speaker 1>I just want to have a little drinks with Sonya Paxton.

1:08:09.440 --> 1:08:20.200
<v Speaker 1>All right, let's get to our crimes. Okay, this crime

1:08:20.800 --> 1:08:23.160
<v Speaker 1>is there's two crimes. But the first one, the major

1:08:23.160 --> 1:08:27.160
<v Speaker 1>one that this is based on, is the Adam murder case.

1:08:27.200 --> 1:08:30.240
<v Speaker 1>And we love to talk about cases that were overshadowed

1:08:30.240 --> 1:08:32.720
<v Speaker 1>by nine to eleven, and this is one of them.

1:08:32.960 --> 1:08:34.599
<v Speaker 3>This happened. That's something we love.

1:08:35.080 --> 1:08:38.960
<v Speaker 1>Yeah, Like, I think that's so interesting that like wasn't

1:08:39.000 --> 1:08:43.160
<v Speaker 1>Shark Eyes guy like he was like a horrible serial

1:08:43.240 --> 1:08:46.240
<v Speaker 1>killer and then like or like a horrible abuser. And

1:08:46.280 --> 1:08:48.320
<v Speaker 1>then like we just oops, we were dealing with nine

1:08:48.320 --> 1:08:51.160
<v Speaker 1>to eleven. We didn't notice like and yeah.

1:08:51.000 --> 1:08:52.920
<v Speaker 2>A girl in the lake that was another one, but

1:08:52.920 --> 1:08:54.120
<v Speaker 2>that was in an episode.

1:08:54.160 --> 1:08:55.120
<v Speaker 3>That was an episode.

1:08:55.200 --> 1:08:58.160
<v Speaker 1>Yeah, Scott Peterson, weren't we talking about like Lacy Peterson

1:08:58.160 --> 1:08:59.840
<v Speaker 1>when she originally no.

1:09:00.439 --> 1:09:02.559
<v Speaker 2>That that was the nine to eleven of the time

1:09:03.120 --> 1:09:04.240
<v Speaker 2>because of that case.

1:09:04.439 --> 1:09:06.160
<v Speaker 3>The case.

1:09:07.120 --> 1:09:10.400
<v Speaker 2>Yeah, all these other cases didn't get attention because yes.

1:09:10.400 --> 1:09:12.080
<v Speaker 1>But there are some other cases I feel like where

1:09:12.080 --> 1:09:14.599
<v Speaker 1>it's like, yeah, nobody's really paying attention because like this massive,

1:09:14.680 --> 1:09:18.160
<v Speaker 1>like geopolitical, huge thing has happened in the United States.

1:09:18.240 --> 1:09:21.040
<v Speaker 2>I know, the imagine getting kidnapped, dragged into a basement

1:09:21.120 --> 1:09:23.639
<v Speaker 2>and no one actually even notices because of nine to eleven.

1:09:24.000 --> 1:09:27.519
<v Speaker 3>I know, the rebel, I know, but this happened in London,

1:09:27.600 --> 1:09:28.280
<v Speaker 3>not the US.

1:09:28.439 --> 1:09:31.880
<v Speaker 1>But on September twenty first, ten days after nine to eleven,

1:09:31.880 --> 1:09:35.880
<v Speaker 1>two thousand and one, the torso of an unidentified male

1:09:36.000 --> 1:09:39.280
<v Speaker 1>child ages four to eight years old, was found in

1:09:39.320 --> 1:09:44.000
<v Speaker 1>the Thames near Tower Bridge, and he was wearing orange shorts.

1:09:44.920 --> 1:09:49.759
<v Speaker 1>The police called the unidentified victim Adam, and forensic evidence,

1:09:49.920 --> 1:09:53.160
<v Speaker 1>including mineral samples, much like what they did in this episode,

1:09:53.240 --> 1:09:55.600
<v Speaker 1>linked to the boy to a rural area of southwestern

1:09:55.680 --> 1:09:59.439
<v Speaker 1>Nigeria between ben and City, the same city that A

1:09:59.520 --> 1:10:03.759
<v Speaker 1>Johnny is from. An Ebadon, which is a one hundred

1:10:03.800 --> 1:10:07.040
<v Speaker 1>by fifty mile swath of land and ben And City

1:10:07.160 --> 1:10:11.640
<v Speaker 1>is apparently known as the birthplace of voodoo. Authorities believed

1:10:11.760 --> 1:10:16.240
<v Speaker 1>that have you seen a Skeleton Key. No, do you

1:10:16.280 --> 1:10:19.000
<v Speaker 1>know what I'm talking about with Kay Hudson. Yes, I've

1:10:19.000 --> 1:10:20.479
<v Speaker 1>heard of it, but I haven't seen it.

1:10:20.479 --> 1:10:22.479
<v Speaker 2>It's one of my faves. Oh, I should give it

1:10:22.520 --> 1:10:24.439
<v Speaker 2>a walk. What are your thoughts on it? Casey?

1:10:24.600 --> 1:10:26.240
<v Speaker 3>Do you think about it when you hear a voodoo?

1:10:26.880 --> 1:10:29.360
<v Speaker 2>I haven't seen that movie in a really long time,

1:10:29.680 --> 1:10:32.280
<v Speaker 2>but it's I remember it being kind of silly, but

1:10:32.320 --> 1:10:36.080
<v Speaker 2>I do think about it sometimes with I guess we

1:10:36.160 --> 1:10:41.200
<v Speaker 2>have different views on that movie. I was not silly.

1:10:41.600 --> 1:10:41.960
<v Speaker 1>I was.

1:10:43.680 --> 1:10:47.439
<v Speaker 2>Edge of my seat, terrified. Only think of Skeleton Key,

1:10:47.880 --> 1:10:51.719
<v Speaker 2>the word of voodoo. Okay, oh yeah, and I opened

1:10:51.720 --> 1:10:54.200
<v Speaker 2>and oh that's in the city. Okay, this is really

1:10:54.320 --> 1:10:56.360
<v Speaker 2>like okay, interesting, it's pretty ripped.

1:10:56.400 --> 1:10:57.080
<v Speaker 3>I will say.

1:10:57.560 --> 1:11:02.120
<v Speaker 1>Authorities believed that Adam had originally been trafficked to the

1:11:02.240 --> 1:11:05.920
<v Speaker 1>UK for a mooti or mut m uti.

1:11:06.040 --> 1:11:07.080
<v Speaker 3>I don't know if I'm saying it wrong.

1:11:07.600 --> 1:11:11.040
<v Speaker 1>A mouti ritual sacrifice which is performed by a witch

1:11:11.080 --> 1:11:14.000
<v Speaker 1>doctor who uses the child's body parts to make medicinal

1:11:14.040 --> 1:11:19.120
<v Speaker 1>potions called muti. According to the National Institute of Health, quote,

1:11:19.240 --> 1:11:22.160
<v Speaker 1>ritual or muti murders are a form of human sacrifice

1:11:22.200 --> 1:11:25.280
<v Speaker 1>practiced by some African tribes. The murder is carried out

1:11:25.320 --> 1:11:27.639
<v Speaker 1>after body parts are removed while the victim is still

1:11:27.680 --> 1:11:32.000
<v Speaker 1>alive end quote. So the post mortem on the Torso

1:11:32.160 --> 1:11:35.160
<v Speaker 1>revealed that Adam had been poisoned and his throat had

1:11:35.160 --> 1:11:37.400
<v Speaker 1>been slit to drain the blood, and his head and

1:11:37.439 --> 1:11:42.000
<v Speaker 1>limbs had been expertly removed. So it's literally this episode

1:11:42.160 --> 1:11:45.680
<v Speaker 1>more forensics like his stomach contents indicated that Adam had

1:11:45.720 --> 1:11:47.640
<v Speaker 1>only been in the UK for a few days or

1:11:47.640 --> 1:11:50.400
<v Speaker 1>weeks before his death, much like the isotopes.

1:11:49.800 --> 1:11:50.839
<v Speaker 3>That Melinda was running.

1:11:51.920 --> 1:11:54.800
<v Speaker 1>Police in the UK, we're not able to find a

1:11:54.800 --> 1:11:58.120
<v Speaker 1>match for Adam in missing children's databases in the UK

1:11:58.280 --> 1:12:01.600
<v Speaker 1>or around Europe. They asked for the public's help, but

1:12:01.800 --> 1:12:03.760
<v Speaker 1>people had their eyes on nine to eleven, Like it

1:12:03.880 --> 1:12:06.040
<v Speaker 1>just wasn't getting a lot of interest. It wasn't getting

1:12:06.400 --> 1:12:09.200
<v Speaker 1>people were not like calling in a lot of tips,

1:12:09.200 --> 1:12:12.160
<v Speaker 1>It wasn't leading anywhere. Eventually, interest in the case in

1:12:12.240 --> 1:12:15.479
<v Speaker 1>the UK did increase, like rewards were offered, but it

1:12:15.479 --> 1:12:18.240
<v Speaker 1>didn't get that much publicity in Nigeria, which is where

1:12:18.240 --> 1:12:20.320
<v Speaker 1>they needed it to get publicity because then hopefully somebody

1:12:20.320 --> 1:12:21.559
<v Speaker 1>could have identified him.

1:12:22.080 --> 1:12:23.479
<v Speaker 3>So when they had nothing.

1:12:23.520 --> 1:12:25.960
<v Speaker 1>By two thousand and two, officials from London went to

1:12:26.000 --> 1:12:29.000
<v Speaker 1>South Africa and they actually met with Nelson Mandela, who

1:12:29.080 --> 1:12:32.519
<v Speaker 1>made a public appeal for information about Adam. This was

1:12:32.560 --> 1:12:36.959
<v Speaker 1>shown all over Africa, translated into many different languages, including Yoruba,

1:12:37.040 --> 1:12:39.440
<v Speaker 1>which is the local language in that area of Nigeria

1:12:39.760 --> 1:12:42.840
<v Speaker 1>where they thought Adam was from. They consulted detectives and

1:12:43.640 --> 1:12:46.760
<v Speaker 1>Muti experts in South Africa and some thought that the

1:12:46.760 --> 1:12:49.960
<v Speaker 1>orange shorts suggested that Adam was related to his killers

1:12:50.000 --> 1:12:54.479
<v Speaker 1>because in Muti red is a color of resurrection, so

1:12:54.560 --> 1:12:57.000
<v Speaker 1>at least they thought maybe one of at least one

1:12:57.000 --> 1:12:59.000
<v Speaker 1>of the killers was maybe trying to make his soul rise.

1:12:59.040 --> 1:13:01.920
<v Speaker 3>Again, red is not orange, but maybe it's close enough.

1:13:02.000 --> 1:13:02.400
<v Speaker 3>I don't know.

1:13:02.800 --> 1:13:05.360
<v Speaker 1>They also went to Nigeria and launched a campaign to

1:13:05.360 --> 1:13:08.120
<v Speaker 1>track down Adam's parents, going to elementary schools, checking miss

1:13:08.160 --> 1:13:10.839
<v Speaker 1>some person reports for children in the area, but nothing.

1:13:11.479 --> 1:13:15.320
<v Speaker 1>In two thousand and two, social workers went to investigate

1:13:15.360 --> 1:13:19.800
<v Speaker 1>a woman named Joyce Ocia Guede and she was a

1:13:20.120 --> 1:13:22.120
<v Speaker 1>mother of two, because they were worried about the safety

1:13:22.120 --> 1:13:24.479
<v Speaker 1>of the children. And then this woman, Joyce starts talking

1:13:24.520 --> 1:13:26.560
<v Speaker 1>about ritual killings and all this, and a couple of

1:13:26.600 --> 1:13:29.519
<v Speaker 1>the investigators are like, oh, bells are ringing, let's call

1:13:29.640 --> 1:13:32.360
<v Speaker 1>Let's like, this reminds us of this Adam case. So

1:13:32.400 --> 1:13:35.559
<v Speaker 1>they call in Detective Nick Chalmers, who had been working

1:13:35.680 --> 1:13:38.920
<v Speaker 1>on the Adam case, and he searched Joyce's home and

1:13:39.000 --> 1:13:43.639
<v Speaker 1>found clothes with the same kids and Company label as

1:13:43.880 --> 1:13:47.680
<v Speaker 1>in the same sizes as adams shorts, So kind of

1:13:47.720 --> 1:13:51.799
<v Speaker 1>circumstantial but interesting. They arrested Joyce, but they were unable

1:13:51.840 --> 1:13:54.760
<v Speaker 1>to charge her because she kept changing her story. They

1:13:54.800 --> 1:13:56.920
<v Speaker 1>thought she had mental health issues and they had like

1:13:57.120 --> 1:14:02.160
<v Speaker 1>no evidence against her. So ten years go by, in

1:14:02.240 --> 1:14:05.439
<v Speaker 1>March of twenty eleven, Joyce is back in the mix,

1:14:05.560 --> 1:14:08.080
<v Speaker 1>telling authorities that Adam could be a six year old

1:14:08.360 --> 1:14:13.080
<v Speaker 1>boy named Ike palmwasa and she showed them a photo

1:14:13.120 --> 1:14:14.640
<v Speaker 1>of this boy and she claimed that she used to

1:14:14.720 --> 1:14:17.679
<v Speaker 1>take care of this child back in Germany and after

1:14:17.720 --> 1:14:21.920
<v Speaker 1>his parents were deported back to Nigeria, she took care

1:14:21.960 --> 1:14:23.519
<v Speaker 1>of this kid, and that she told the press, she

1:14:23.560 --> 1:14:25.960
<v Speaker 1>handed this kid off to a man named Bahwa who

1:14:26.040 --> 1:14:28.360
<v Speaker 1>took the child to London. Kind of sounds like Bosa,

1:14:28.400 --> 1:14:30.040
<v Speaker 1>I mean, like it's like they're really taking a lot

1:14:30.080 --> 1:14:33.919
<v Speaker 1>from this episode. In February twenty thirteen, she also contacted

1:14:33.920 --> 1:14:36.680
<v Speaker 1>the BBC to say she wanted to spill everything she

1:14:36.760 --> 1:14:39.680
<v Speaker 1>knew about the case. She said, oh, actually Adam's real

1:14:39.760 --> 1:14:44.400
<v Speaker 1>name is Patrick Erhabor and not ike pamwasa and admitted

1:14:44.400 --> 1:14:46.639
<v Speaker 1>that she had confused the photo that she showed them

1:14:46.680 --> 1:14:49.000
<v Speaker 1>that this boy was still alive, and she got confused.

1:14:49.280 --> 1:14:49.599
<v Speaker 3>She said.

1:14:49.600 --> 1:14:51.719
<v Speaker 1>The man who took him to London, who she called Bawa,

1:14:51.840 --> 1:14:56.040
<v Speaker 1>was also named Kingsley Ojo, a bogus asylum seeker who

1:14:56.080 --> 1:14:58.800
<v Speaker 1>first came to London in nineteen ninety seven. Ojo, who

1:14:58.920 --> 1:15:02.240
<v Speaker 1>used many different ideas, was arrested in London in two

1:15:02.280 --> 1:15:05.559
<v Speaker 1>thousand and two by officers investigating the Adam case, and

1:15:05.680 --> 1:15:08.040
<v Speaker 1>in his home they'd found a plastic bag, a mixture

1:15:08.080 --> 1:15:11.439
<v Speaker 1>of bone, sand, and flecks of gold, very similar to

1:15:11.479 --> 1:15:14.439
<v Speaker 1>what they'd found in Adam's stomach. They also found a

1:15:14.760 --> 1:15:17.680
<v Speaker 1>video marked Rituals, which showed a movie, but in the

1:15:17.760 --> 1:15:18.840
<v Speaker 1>movie an actor.

1:15:18.600 --> 1:15:20.360
<v Speaker 3>Gets its head cut off. His head cut.

1:15:20.160 --> 1:15:22.839
<v Speaker 1>Off, and Ojo said that the movie and the mixture

1:15:22.840 --> 1:15:24.960
<v Speaker 1>belong to other people in the house and detectives could

1:15:24.960 --> 1:15:28.080
<v Speaker 1>never like definitively link him to Adam's case, but in

1:15:28.080 --> 1:15:29.800
<v Speaker 1>two thousand and four he did get four and a

1:15:29.840 --> 1:15:33.920
<v Speaker 1>half years for smuggling people. So he was much like

1:15:33.920 --> 1:15:36.960
<v Speaker 1>the character in the episode, not directly responsible for the

1:15:37.040 --> 1:15:41.240
<v Speaker 1>murder or anything, but was a child trafficker. He contacted

1:15:41.400 --> 1:15:44.240
<v Speaker 1>officers during his sentence much like this guy was trying

1:15:44.240 --> 1:15:46.599
<v Speaker 1>to like give out info to like save his own skin.

1:15:47.120 --> 1:15:50.960
<v Speaker 1>He contacted officers during his jail time and sentencing to

1:15:51.000 --> 1:15:53.880
<v Speaker 1>offer help with the Adam case, but they deported him

1:15:53.880 --> 1:15:56.280
<v Speaker 1>to Nigeria. They didn't believe he really knew anything. But

1:15:56.320 --> 1:15:59.599
<v Speaker 1>then another article I read said that he did help

1:15:59.640 --> 1:16:01.000
<v Speaker 1>them for a couple of years, but I think that

1:16:01.000 --> 1:16:03.679
<v Speaker 1>they did he eventually didn't have anything, Like he gave

1:16:03.720 --> 1:16:05.920
<v Speaker 1>them information about a woman that was ended up being

1:16:05.920 --> 1:16:07.840
<v Speaker 1>a dead end, and he didn't really have anything. I

1:16:07.880 --> 1:16:09.680
<v Speaker 1>think he was trying to save his own skin and

1:16:09.720 --> 1:16:12.920
<v Speaker 1>not get deported. But Nick Chalmers, who was this at

1:16:12.920 --> 1:16:15.040
<v Speaker 1>this point, retired. He said he'd always had an eye

1:16:15.120 --> 1:16:17.599
<v Speaker 1>on Ojo and knew that, but also knew that Joyce

1:16:17.640 --> 1:16:20.800
<v Speaker 1>had mental health problems and was on medication. So even

1:16:20.840 --> 1:16:24.920
<v Speaker 1>this article that I found says the headline is Torso

1:16:25.040 --> 1:16:29.160
<v Speaker 1>case boy quote unquote identified like, so the word identified

1:16:29.280 --> 1:16:31.639
<v Speaker 1>is in quotes because it's like they're kind of putting

1:16:31.640 --> 1:16:33.960
<v Speaker 1>out an article releasing what this woman Joyce is saying,

1:16:34.000 --> 1:16:37.479
<v Speaker 1>but it's not definitive. And he has never to this

1:16:37.600 --> 1:16:40.320
<v Speaker 1>day been successfully identified, and no one has been charged

1:16:40.320 --> 1:16:44.080
<v Speaker 1>with his murder. But yeah, Ojo was arrested in with

1:16:44.240 --> 1:16:47.240
<v Speaker 1>twenty others in a series of immigration linked raids across

1:16:47.439 --> 1:16:51.160
<v Speaker 1>London in July twenty thirteen as well. So he's done

1:16:51.320 --> 1:16:53.960
<v Speaker 1>multiple stints in jail time and is not stopping his

1:16:54.720 --> 1:16:59.439
<v Speaker 1>people smuggling. And he's also from ben In City and yeah,

1:16:59.800 --> 1:17:02.720
<v Speaker 1>that's that's right. It's very sad. They still don't know

1:17:02.920 --> 1:17:07.800
<v Speaker 1>who this kid is. Another case. Originally this was only

1:17:07.840 --> 1:17:10.400
<v Speaker 1>ever listed as being about the Adam case, but since

1:17:10.400 --> 1:17:12.679
<v Speaker 1>it's been linked to another case and it seems pretty

1:17:12.840 --> 1:17:14.840
<v Speaker 1>similar but in different ways.

1:17:15.280 --> 1:17:18.719
<v Speaker 3>The Ifioma and Prosper udag Wu case.

1:17:19.400 --> 1:17:22.559
<v Speaker 1>So Ifioma is a New York City child welfare worker

1:17:22.760 --> 1:17:25.600
<v Speaker 1>and Prosper is her husband, and they are arrested in

1:17:25.680 --> 1:17:28.240
<v Speaker 1>nineteen ninety nine on charges that they forced a Nigerian

1:17:28.280 --> 1:17:31.519
<v Speaker 1>girl to be their servant for nine years, beating her

1:17:31.640 --> 1:17:35.600
<v Speaker 1>to the point that she was scarred. Prosper Amica udag

1:17:35.680 --> 1:17:39.720
<v Speaker 1>Wu and Ifioma Ezianu udag Wu, who lived in Elmsford,

1:17:39.720 --> 1:17:43.080
<v Speaker 1>New York, were charged in a ten count complaint in

1:17:43.200 --> 1:17:46.639
<v Speaker 1>New York Federal Court. They were accused of conspiracy, smuggling

1:17:46.680 --> 1:17:50.760
<v Speaker 1>illegal immigrants, involuntary servitude, witness tampering, and making balse statements.

1:17:51.280 --> 1:17:56.800
<v Speaker 1>Prosecutors said that if Yoma is employed by New York's CPS,

1:17:57.160 --> 1:18:00.559
<v Speaker 1>where her duties include investigating child abuse case and that

1:18:00.640 --> 1:18:02.920
<v Speaker 1>she'd been employed there since nineteen eighty eight, but she

1:18:02.960 --> 1:18:06.479
<v Speaker 1>was suspended without pay when she got arrested. So yeah,

1:18:06.520 --> 1:18:11.200
<v Speaker 1>her job involves investigating child abuse, like placing kids in

1:18:11.240 --> 1:18:13.800
<v Speaker 1>foster homes, so it's really wild that she's like mistreating

1:18:13.800 --> 1:18:16.720
<v Speaker 1>a child in her own home. Jerry Tritz, who is

1:18:16.840 --> 1:18:21.360
<v Speaker 1>prosperous attorney, said his client believed that the girl was

1:18:21.400 --> 1:18:25.040
<v Speaker 1>his daughter from a previous relationship. They are claiming that

1:18:25.439 --> 1:18:28.599
<v Speaker 1>her family, the young girl's family tricked him being like, oh,

1:18:28.600 --> 1:18:30.760
<v Speaker 1>this is your daughter from another relationship, like you need

1:18:30.800 --> 1:18:33.600
<v Speaker 1>to take her in, And he denied that she was

1:18:33.640 --> 1:18:36.679
<v Speaker 1>held prisoner and that said she graduated from public high

1:18:36.680 --> 1:18:38.599
<v Speaker 1>school and was living with them and is now going

1:18:38.600 --> 1:18:41.400
<v Speaker 1>to college and job's faery and they're giving her financial help.

1:18:41.720 --> 1:18:44.439
<v Speaker 1>But in nineteen eighty nine, the girl was thirteen, the

1:18:44.479 --> 1:18:46.880
<v Speaker 1>couple promised her a better life in the USA, but

1:18:47.040 --> 1:18:49.439
<v Speaker 1>then once she was in New York, the couple, who

1:18:49.439 --> 1:18:51.720
<v Speaker 1>had four kids, made her work without pay as a

1:18:51.760 --> 1:18:53.639
<v Speaker 1>maid and a babysitter in their home in the Bronx.

1:18:54.680 --> 1:18:57.360
<v Speaker 1>She was told she would be responsible for all household chores,

1:18:57.439 --> 1:19:01.400
<v Speaker 1>including cooking, cleaning, yard work, laundry, caring for and feeding

1:19:01.439 --> 1:19:03.760
<v Speaker 1>the children, and that she would not be paid. She

1:19:03.800 --> 1:19:05.760
<v Speaker 1>couldn't speak to anyone, she was not allowed to use

1:19:05.760 --> 1:19:08.720
<v Speaker 1>the phone. They took away her idea in documents. They

1:19:08.760 --> 1:19:12.040
<v Speaker 1>threatened to harm her family, and they beat her very severely,

1:19:12.200 --> 1:19:14.160
<v Speaker 1>and she had a lot of marks from being beaten.

1:19:14.240 --> 1:19:17.919
<v Speaker 1>When she was eventually went to authorities. When she disobeyed

1:19:17.960 --> 1:19:20.519
<v Speaker 1>rules or made mistakes, she was beaten by hand or

1:19:20.560 --> 1:19:23.400
<v Speaker 1>with belts, slippers, brooms made of sticks like There's.

1:19:23.200 --> 1:19:26.000
<v Speaker 3>A lot of horrible details.

1:19:26.120 --> 1:19:29.840
<v Speaker 1>The Adaguos were charged with immigration fraud and involuntary servitude.

1:19:30.400 --> 1:19:32.120
<v Speaker 1>He could face up to thirty five years. She could

1:19:32.120 --> 1:19:33.680
<v Speaker 1>face up to twenty five. I don't know why there's

1:19:33.680 --> 1:19:36.879
<v Speaker 1>a difference in their sentencings. At the arraignment. The defense

1:19:37.120 --> 1:19:40.280
<v Speaker 1>their lawyers tried to attack this girl's credibility, saying she

1:19:40.439 --> 1:19:42.479
<v Speaker 1>was treated well and that like, yeah, this guy was

1:19:42.520 --> 1:19:45.280
<v Speaker 1>tricked into believing that this was her daughter. The family

1:19:45.360 --> 1:19:48.800
<v Speaker 1>was like, we let the girl attend Evander Child's High

1:19:48.800 --> 1:19:50.960
<v Speaker 1>School in the Bronx and Mercy College, and we even

1:19:51.000 --> 1:19:53.280
<v Speaker 1>took her with us to Disneyland. It's like, yeah, you

1:19:53.320 --> 1:19:54.800
<v Speaker 1>could like have a slave. I guess you would take

1:19:54.800 --> 1:19:57.120
<v Speaker 1>your slave to Disneyland once a year. That doesn't like

1:19:57.240 --> 1:20:01.040
<v Speaker 1>kind of absorb everything that's happened. But there was an

1:20:01.040 --> 1:20:04.800
<v Speaker 1>assistant US attorney, Jennifer Moore, who was like, yeah, the

1:20:04.800 --> 1:20:06.839
<v Speaker 1>girl only was allowed to go to school. Once neighbors

1:20:06.840 --> 1:20:08.800
<v Speaker 1>started being like, what's up. You have four kids that

1:20:08.800 --> 1:20:11.040
<v Speaker 1>are living a normal life, what's up with this girl?

1:20:11.400 --> 1:20:15.479
<v Speaker 1>But the dogs are both naturalized Americans and were accused

1:20:15.520 --> 1:20:19.000
<v Speaker 1>of making fraudulent statements to obtain citizenship, So there's a

1:20:19.040 --> 1:20:21.360
<v Speaker 1>separate crime with this family. They had brought a ten

1:20:21.439 --> 1:20:24.080
<v Speaker 1>year old girl to their home from Nigeria during the eighties,

1:20:24.360 --> 1:20:26.880
<v Speaker 1>and that girl said that she was sexually assaulted by

1:20:27.640 --> 1:20:33.040
<v Speaker 1>the mother's brother, Gregory Izianu, so she was sent back

1:20:33.040 --> 1:20:35.240
<v Speaker 1>to Nigeria after she set the basement of their house

1:20:35.280 --> 1:20:39.600
<v Speaker 1>on fire. A second girl, twelve, arrived in Nigeria and

1:20:39.640 --> 1:20:41.440
<v Speaker 1>moved in with mister Izianu.

1:20:41.520 --> 1:20:43.160
<v Speaker 3>This is the uncle in the early nineties.

1:20:43.560 --> 1:20:46.920
<v Speaker 1>He sexually assaulted her and she became pregnant, and exact

1:20:47.000 --> 1:20:49.680
<v Speaker 1>dates for the assault and fire were not available, but

1:20:49.840 --> 1:20:52.040
<v Speaker 1>the brother was convicted of the sexual assault in nineteen

1:20:52.080 --> 1:20:55.920
<v Speaker 1>ninety two. The girl was later returned to Africa and

1:20:56.000 --> 1:20:59.320
<v Speaker 1>he served a one year sentence on Riker's Island before dying.

1:20:59.080 --> 1:21:01.559
<v Speaker 2>In nineteen When I go to Africa, did she want

1:21:01.600 --> 1:21:02.200
<v Speaker 2>to say?

1:21:03.320 --> 1:21:06.160
<v Speaker 3>In the States? Like, I don't know.

1:21:06.240 --> 1:21:08.680
<v Speaker 1>Maybe by the time, but maybe by the time she

1:21:08.760 --> 1:21:11.439
<v Speaker 1>was like impregnated and sexually assaulted, she was like, I'd

1:21:11.560 --> 1:21:13.639
<v Speaker 1>rather go back to my homeland and I don't really

1:21:13.640 --> 1:21:17.280
<v Speaker 1>want to make a life here, or like she'd wanted

1:21:17.320 --> 1:21:18.720
<v Speaker 1>to if she was who, I don't know.

1:21:18.760 --> 1:21:19.879
<v Speaker 3>There was not a lot of information.

1:21:19.960 --> 1:21:25.000
<v Speaker 1>I was like, if she like, if she kept the child,

1:21:25.080 --> 1:21:27.000
<v Speaker 1>maybe she needed help raising it, like I don't know.

1:21:27.880 --> 1:21:30.320
<v Speaker 1>And as part of the bronx DA's investigation into that

1:21:30.400 --> 1:21:33.040
<v Speaker 1>rape case, they spoke with the Adoguos and the girl

1:21:33.120 --> 1:21:36.799
<v Speaker 1>in question. In nineteen ninety two, and both times the girl,

1:21:37.200 --> 1:21:40.840
<v Speaker 1>then sixteen, was ordered to say that she loved living

1:21:40.880 --> 1:21:42.720
<v Speaker 1>with the family and taking care of the kids, and

1:21:42.760 --> 1:21:45.479
<v Speaker 1>she said what they wanted her to say. So in

1:21:45.560 --> 1:21:48.800
<v Speaker 1>nineteen ninety four, mister Adogwu presented this girl as his

1:21:48.920 --> 1:21:51.519
<v Speaker 1>daughter to immigration and naturalization officials and got a false

1:21:51.560 --> 1:21:54.400
<v Speaker 1>screen card for her, and in ninety six he ordered

1:21:54.439 --> 1:21:57.120
<v Speaker 1>her to begin working in Wendy's and Burger King restaurants,

1:21:57.160 --> 1:22:00.080
<v Speaker 1>taking all her paychecks and putting the proceeds into his

1:22:00.160 --> 1:22:01.320
<v Speaker 1>own bank accounts.

1:22:01.760 --> 1:22:02.120
<v Speaker 3>Fucked.

1:22:02.560 --> 1:22:05.400
<v Speaker 1>In nineteen ninety eight, the girl, now she speaks English,

1:22:05.439 --> 1:22:08.519
<v Speaker 1>approaches a stranger with her story and the person, who's

1:22:08.560 --> 1:22:11.960
<v Speaker 1>not identified by officials, helps her apply for a separate

1:22:12.000 --> 1:22:14.160
<v Speaker 1>passport and she was able to put away nine hundred

1:22:14.160 --> 1:22:17.360
<v Speaker 1>dollars in savings like smuggle money away from these people,

1:22:17.880 --> 1:22:21.080
<v Speaker 1>but the applications and money were discovered by the mother,

1:22:21.520 --> 1:22:24.400
<v Speaker 1>miss A dog Wou, and the couple used records of

1:22:24.439 --> 1:22:27.040
<v Speaker 1>local phone calls from their home to discover the workplace

1:22:27.040 --> 1:22:29.080
<v Speaker 1>of the person who had helped her, and the girl

1:22:29.120 --> 1:22:31.240
<v Speaker 1>was forced to identify this person who had helped her,

1:22:31.479 --> 1:22:35.160
<v Speaker 1>and then the mother then assaulted and screamed quote unquote

1:22:35.200 --> 1:22:37.599
<v Speaker 1>at this person, according to The New York Times, until

1:22:37.840 --> 1:22:40.040
<v Speaker 1>a huge fight they had in August of nineteen ninety

1:22:40.040 --> 1:22:43.719
<v Speaker 1>eight where neighbors called the police. Neighbors did not report

1:22:43.760 --> 1:22:46.439
<v Speaker 1>any suspicions to the police or child welfare officials about

1:22:46.479 --> 1:22:50.840
<v Speaker 1>this case. And there was a guy named Chris Traverzo

1:22:50.960 --> 1:22:52.760
<v Speaker 1>twenty four who told The New York Times that he

1:22:52.840 --> 1:22:55.559
<v Speaker 1>vividly remembers the fight, and he goes, quote, I was

1:22:55.560 --> 1:22:57.479
<v Speaker 1>sitting on my porch just back from work when I

1:22:57.520 --> 1:22:58.559
<v Speaker 1>heard screaming next door.

1:22:58.600 --> 1:23:00.760
<v Speaker 3>It was horrible. I told my parents about it, and

1:23:00.800 --> 1:23:06.320
<v Speaker 3>they said, mind your own business end quote. So sadly,

1:23:07.040 --> 1:23:08.760
<v Speaker 3>we see this all the time, where like people are

1:23:08.760 --> 1:23:11.880
<v Speaker 3>being abused, and like neighbors are like, even though they

1:23:11.880 --> 1:23:16.800
<v Speaker 3>are like something's up, they don't call anyone. So I

1:23:16.840 --> 1:23:19.200
<v Speaker 3>don't actually know what ended up happening with those people.

1:23:19.400 --> 1:23:21.920
<v Speaker 3>I don't know where they're whether they served jail time

1:23:22.000 --> 1:23:26.360
<v Speaker 3>or not. There was no more information, but hopefully they did.

1:23:27.160 --> 1:23:32.640
<v Speaker 2>Well we live in a nightmare, yes, and anyone that

1:23:32.680 --> 1:23:33.920
<v Speaker 2>believes in God's an idiot.

1:23:34.040 --> 1:23:40.800
<v Speaker 3>All right, let's move it along, No guest, just I

1:23:40.800 --> 1:23:42.800
<v Speaker 3>guess sadness.

1:23:46.720 --> 1:23:49.479
<v Speaker 1>This episode is this is a haunting one like just

1:23:49.560 --> 1:23:54.719
<v Speaker 1>Michael Emerson's so creepy that like just's he barely seems

1:23:54.800 --> 1:23:57.479
<v Speaker 1>sorry when he gets caught, like he's just kind of

1:23:57.560 --> 1:23:58.160
<v Speaker 1>like no, and.

1:23:58.200 --> 1:24:00.960
<v Speaker 2>He's never nervous, like that's you know, versus voice. He's

1:24:01.040 --> 1:24:03.640
<v Speaker 2>very much like what But I wonder inside is you're

1:24:03.680 --> 1:24:06.559
<v Speaker 2>heart beating when you're a socio or you still don't care.

1:24:06.760 --> 1:24:07.160
<v Speaker 3>I don't know.

1:24:07.200 --> 1:24:09.439
<v Speaker 1>Maybe that's how they like beat Lie detectors because they

1:24:09.439 --> 1:24:12.320
<v Speaker 1>could just stay so chill and calm and not like

1:24:12.439 --> 1:24:13.840
<v Speaker 1>an unaffected But.

1:24:13.840 --> 1:24:16.559
<v Speaker 2>Yeah, ritual is one of the saddest and like to me,

1:24:17.680 --> 1:24:20.240
<v Speaker 2>I just it breaks my soul.

1:24:20.320 --> 1:24:22.400
<v Speaker 3>I don't know, it's sad. These are people's lives. These

1:24:22.400 --> 1:24:22.800
<v Speaker 3>are kids.

1:24:22.840 --> 1:24:25.080
<v Speaker 2>Kids are chained up, they're in trucks, they're being used,

1:24:25.080 --> 1:24:26.439
<v Speaker 2>they're like doing labor.

1:24:26.479 --> 1:24:29.120
<v Speaker 3>It sucks. This is like so sad to be a

1:24:29.160 --> 1:24:29.880
<v Speaker 3>little boy.

1:24:30.000 --> 1:24:32.360
<v Speaker 2>Like oh and you know, you guys, I know it's

1:24:32.360 --> 1:24:35.479
<v Speaker 2>tough in other countries sometimes, but like no one's taking

1:24:35.479 --> 1:24:36.599
<v Speaker 2>you to America for free.

1:24:36.640 --> 1:24:39.840
<v Speaker 3>We gotta we gotta get that. Like I do not

1:24:39.960 --> 1:24:43.120
<v Speaker 3>trust anybody, trust no one.

1:24:43.760 --> 1:24:48.040
<v Speaker 1>Yeah, and they the story of Adam is so sad too.

1:24:48.200 --> 1:24:50.840
<v Speaker 1>I mean, like again, another story that kind of got

1:24:50.920 --> 1:24:53.640
<v Speaker 1>brushed aside a little bit because of the magnitude of

1:24:53.720 --> 1:24:56.360
<v Speaker 1>nine to eleven and its presence in the press, but

1:24:56.520 --> 1:24:59.559
<v Speaker 1>like I wish, I mean, it did sound like in

1:24:59.600 --> 1:25:02.360
<v Speaker 1>the end the detectives pushed really hard and got Nelson

1:25:02.400 --> 1:25:04.519
<v Speaker 1>Mandela to talk about it, and they tried to identify

1:25:04.560 --> 1:25:06.479
<v Speaker 1>this kid. It's just so sad that like a family

1:25:06.520 --> 1:25:10.639
<v Speaker 1>never got closure and this like poor child was never

1:25:10.840 --> 1:25:13.400
<v Speaker 1>like I mean, I guess they tried to like lay

1:25:13.479 --> 1:25:15.559
<v Speaker 1>him to rest in a respectful way, but he was.

1:25:15.520 --> 1:25:18.840
<v Speaker 3>Like never identified. It's so terrible. But yeah, I don't

1:25:18.880 --> 1:25:23.080
<v Speaker 3>know post mortem lessons, Uh, don't go out.

1:25:23.920 --> 1:25:25.559
<v Speaker 1>If you go out of town for two months and

1:25:25.600 --> 1:25:27.479
<v Speaker 1>you call your husband after a month and Sam coming

1:25:27.479 --> 1:25:29.759
<v Speaker 1>home and he gets pissed at you, something is fucking

1:25:29.880 --> 1:25:32.960
<v Speaker 1>up for sure, and hopefully it's just an affair.

1:25:33.600 --> 1:25:38.519
<v Speaker 2>But yeah, I mean, because was he not going to

1:25:38.640 --> 1:25:41.120
<v Speaker 2>kill the kid if she didn't come home early?

1:25:42.520 --> 1:25:44.240
<v Speaker 3>Or is he always killing the kids?

1:25:44.600 --> 1:25:46.120
<v Speaker 2>Or is this because its not the first time we've

1:25:46.160 --> 1:25:50.519
<v Speaker 2>done this, Like it's kids, go, does he sell them?

1:25:50.560 --> 1:25:52.280
<v Speaker 1>Like I just I don't want to, Yeah, I mean

1:25:52.320 --> 1:25:57.280
<v Speaker 1>you would, I don't know, like maybe he has Yeah,

1:25:57.439 --> 1:26:00.000
<v Speaker 1>that's a great question. Like, but he was in a hurry,

1:26:00.280 --> 1:26:02.680
<v Speaker 1>like maybe he's killed other kids where he's gotten rid

1:26:02.720 --> 1:26:05.200
<v Speaker 1>of them in a way where like they won't be found,

1:26:05.439 --> 1:26:08.120
<v Speaker 1>you know, But this time he was like it had

1:26:08.160 --> 1:26:09.840
<v Speaker 1>to be quick, so I may, like I mean to

1:26:09.880 --> 1:26:13.479
<v Speaker 1>have the wherewithal to like chop up the body, plant

1:26:13.600 --> 1:26:16.240
<v Speaker 1>part of it here, like and make it look like

1:26:16.320 --> 1:26:19.040
<v Speaker 1>Santa Ria. Like it was like he actually had a

1:26:19.040 --> 1:26:21.920
<v Speaker 1>pretty thought through plan considering his wife was coming home

1:26:21.960 --> 1:26:24.200
<v Speaker 1>from I don't know what a six hour flight or something,

1:26:24.800 --> 1:26:27.280
<v Speaker 1>but yeah.

1:26:26.840 --> 1:26:30.400
<v Speaker 2>And gave the pouch. Yeah, and it shows everyone's a suspect.

1:26:30.840 --> 1:26:33.479
<v Speaker 1>And it's like a disgusting look at like these rich

1:26:33.520 --> 1:26:35.840
<v Speaker 1>people because like if anybody could afford to pay like

1:26:35.960 --> 1:26:40.519
<v Speaker 1>above minimum wage, like good hours benefits two people. It's

1:26:40.520 --> 1:26:42.920
<v Speaker 1>like the women like this woman who lives on Park

1:26:42.960 --> 1:26:44.479
<v Speaker 1>Avenue or whatever and it is part of like a

1:26:44.479 --> 1:26:49.400
<v Speaker 1>flower club, but instead she's like hiring some thirteen year

1:26:49.439 --> 1:26:52.120
<v Speaker 1>old child that she bought to like work for no

1:26:52.240 --> 1:26:53.280
<v Speaker 1>money as a slave.

1:26:53.439 --> 1:26:58.400
<v Speaker 2>Like it's so wild, it's wild. Yeah, the rich are

1:26:58.479 --> 1:27:01.840
<v Speaker 2>so cheap, and she thought she did nothing wrong. She

1:27:01.920 --> 1:27:03.560
<v Speaker 2>was like annoyed to have to cooperate.

1:27:04.160 --> 1:27:07.559
<v Speaker 1>Yeah, yeah, yeah, because she doesn't see that little girl

1:27:07.600 --> 1:27:10.759
<v Speaker 1>as a person or you know, any of those children

1:27:10.840 --> 1:27:13.800
<v Speaker 1>as people. But yeah, that scene at the end with

1:27:13.840 --> 1:27:16.280
<v Speaker 1>all the kids like chained into the thing is really

1:27:16.320 --> 1:27:17.679
<v Speaker 1>like burned in my brain forever.

1:27:18.040 --> 1:27:19.280
<v Speaker 3>And I know I've like been.

1:27:19.200 --> 1:27:21.960
<v Speaker 1>Vocal on this podcast about like, well, child trafficking is

1:27:22.000 --> 1:27:24.960
<v Speaker 1>not like the numbers are inflated, Like I would say

1:27:25.520 --> 1:27:28.519
<v Speaker 1>that from what I've learned and read about, Like the

1:27:28.600 --> 1:27:30.880
<v Speaker 1>numbers are not as inflated. It's just like a lot

1:27:30.880 --> 1:27:34.160
<v Speaker 1>of times they're being forced into servitude. It's not necessarily

1:27:34.960 --> 1:27:37.960
<v Speaker 1>you know, sex slave and abasement, boogeyman type of stuff.

1:27:37.960 --> 1:27:39.000
<v Speaker 3>But yeah, all the time.

1:27:39.080 --> 1:27:41.479
<v Speaker 2>And I think what your point is and what people

1:27:41.520 --> 1:27:44.880
<v Speaker 2>are trying to say is like it's families selling their kid.

1:27:44.920 --> 1:27:48.000
<v Speaker 2>It's an uncle, it's an aunt. It's not stranger danger.

1:27:48.280 --> 1:27:50.800
<v Speaker 1>It's not vans picking up your kid on their don't

1:27:50.840 --> 1:27:52.080
<v Speaker 1>have to like tie your.

1:27:51.960 --> 1:27:55.880
<v Speaker 2>Baby's ankle to the target, you know, shopping bart But

1:27:56.080 --> 1:27:58.160
<v Speaker 2>if that makes you feel better, that's fine, But it's

1:27:58.160 --> 1:28:00.000
<v Speaker 2>not like you care more about your kid.

1:28:00.160 --> 1:28:02.759
<v Speaker 3>Just listen. It's some.

1:28:04.160 --> 1:28:07.920
<v Speaker 2>It's like wellness, mother, like something happens. It's like quan

1:28:07.960 --> 1:28:09.479
<v Speaker 2>on adjacent to me, you know.

1:28:09.640 --> 1:28:11.360
<v Speaker 1>Yeah, it's like the episode of You're Wrong About That

1:28:11.400 --> 1:28:14.200
<v Speaker 1>I always talk about starts with that like Wayfair thing,

1:28:14.200 --> 1:28:16.960
<v Speaker 1>which was very cute adjacent and like that's where they

1:28:16.960 --> 1:28:18.960
<v Speaker 1>get into all the child trafficking talk.

1:28:19.040 --> 1:28:22.360
<v Speaker 3>But anyway, I gave that one. Yeah, I believe in

1:28:22.400 --> 1:28:27.760
<v Speaker 3>the Wayfair one. Yeah, yeah, yeah, I remember. Yeah, I

1:28:27.760 --> 1:28:29.840
<v Speaker 3>remember talking to you and Julie about it and being

1:28:29.920 --> 1:28:33.240
<v Speaker 3>like okay, and then I just like I didn't know

1:28:33.320 --> 1:28:35.519
<v Speaker 3>until I listened to that You're Wrong about like how

1:28:35.720 --> 1:28:40.240
<v Speaker 3>it really like went down. But uh now I own

1:28:40.320 --> 1:28:44.880
<v Speaker 3>stuff from Wayfair, so yeah, I think it was. Yeah,

1:28:44.920 --> 1:28:47.120
<v Speaker 3>it's okay. I don't think Wayfair is trafficking anybody, so

1:28:47.320 --> 1:28:49.679
<v Speaker 3>you're good. I think everyone's trafficking. I think the whole

1:28:49.680 --> 1:28:51.519
<v Speaker 3>government simpol I mean, I don't know.

1:28:51.800 --> 1:28:54.599
<v Speaker 2>We'll see who what this p didty shit shows and

1:28:55.080 --> 1:28:57.400
<v Speaker 2>if he will be murdered like an Epstein because he's

1:28:57.439 --> 1:29:00.880
<v Speaker 2>got names. But I know there's like the woman I follow.

1:29:01.040 --> 1:29:03.200
<v Speaker 2>I'm sure you know, she goes viral a lot. She's

1:29:03.800 --> 1:29:07.320
<v Speaker 2>a really she's just like really articulate, like she just

1:29:07.400 --> 1:29:09.640
<v Speaker 2>is so smooth in her communication, and she has a

1:29:09.640 --> 1:29:11.800
<v Speaker 2>feminist podcast. And then like a dude speaks for the

1:29:11.840 --> 1:29:15.840
<v Speaker 2>male perspective and she's really just like good at Gotcha's,

1:29:16.439 --> 1:29:20.600
<v Speaker 2>but in a sweet, not aggressive way. But she was

1:29:20.600 --> 1:29:22.680
<v Speaker 2>talking about the p did anything to this man? And

1:29:22.760 --> 1:29:24.120
<v Speaker 2>we talk about this all the time, but it was

1:29:24.160 --> 1:29:29.040
<v Speaker 2>like all these dudes were around him, all these friends,

1:29:29.080 --> 1:29:32.080
<v Speaker 2>like all of you saw all of you saw that

1:29:32.640 --> 1:29:36.320
<v Speaker 2>and none of you no man, like twenty plus thirty

1:29:36.439 --> 1:29:39.040
<v Speaker 2>years and maybe they thought he was gonna kill them,

1:29:39.080 --> 1:29:42.280
<v Speaker 2>but it's just like for money, for what you all

1:29:42.320 --> 1:29:44.360
<v Speaker 2>had his back. You all knew he was abusing women.

1:29:44.439 --> 1:29:47.120
<v Speaker 2>I think he killed kim Porter. Like you all sat there,

1:29:47.160 --> 1:29:49.200
<v Speaker 2>you didn't know he beat Cassie? Fuck all of you?

1:29:49.800 --> 1:29:50.920
<v Speaker 3>Do you know? Was there ever?

1:29:51.120 --> 1:29:53.960
<v Speaker 1>Like you know how like for years there was gossip

1:29:54.040 --> 1:29:56.680
<v Speaker 1>about Ellen being a bitch, and like for years there

1:29:56.720 --> 1:29:58.960
<v Speaker 1>was like Louis c k whispers before that came out,

1:29:59.000 --> 1:30:01.880
<v Speaker 1>and like so were there whispers about Diddy? Like I'm

1:30:01.920 --> 1:30:04.559
<v Speaker 1>trying to remember if I've like heard about that minus

1:30:04.680 --> 1:30:06.439
<v Speaker 1>like oh did he throws the white party?

1:30:06.479 --> 1:30:07.639
<v Speaker 3>And did he has big parties?

1:30:07.680 --> 1:30:10.559
<v Speaker 1>Like were there like people talking, well, I wore the

1:30:10.600 --> 1:30:13.320
<v Speaker 1>Cassie stuff, and I think it was I think when

1:30:13.360 --> 1:30:16.479
<v Speaker 1>I started finding out was Kim Porter his wife.

1:30:16.560 --> 1:30:18.759
<v Speaker 3>I was like, oh, he killed her, Like that's when.

1:30:18.640 --> 1:30:22.960
<v Speaker 2>I started becoming like, oh he's something's up. And then

1:30:23.000 --> 1:30:25.200
<v Speaker 2>it was Dannity Kane's stuff. I feel like that's when

1:30:25.240 --> 1:30:28.479
<v Speaker 2>I became in the know. But I do think black

1:30:28.520 --> 1:30:31.920
<v Speaker 2>culture is not as mainstream, like I think the black

1:30:31.960 --> 1:30:35.080
<v Speaker 2>community knew. I think people that are no hip hop knew,

1:30:35.160 --> 1:30:38.040
<v Speaker 2>but like I don't think it mixes as much, like

1:30:38.080 --> 1:30:39.559
<v Speaker 2>I don't think we know a lot. So now I'm

1:30:39.600 --> 1:30:43.880
<v Speaker 2>getting all these like black conspiracy theories in my feed,

1:30:43.960 --> 1:30:45.800
<v Speaker 2>and I am you know, because they also think if

1:30:45.840 --> 1:30:49.120
<v Speaker 2>you don't, there's have you heard this Beyonce one?

1:30:49.400 --> 1:30:52.639
<v Speaker 3>Like jay Z. I've heard that jay Z is next

1:30:53.160 --> 1:30:53.639
<v Speaker 3>or something.

1:30:53.720 --> 1:30:56.439
<v Speaker 2>Well, so I guess if you win an award where

1:30:56.479 --> 1:30:59.439
<v Speaker 2>Beyonce was nominated, you have to think Beyonce and the

1:30:59.479 --> 1:31:04.280
<v Speaker 2>people that haven't have all been murdered or all been

1:31:04.360 --> 1:31:08.679
<v Speaker 2>killed left eye Aliyah Michael Jackson Like, if you don't

1:31:08.720 --> 1:31:12.240
<v Speaker 2>like think Beyonce, there's just like I don't.

1:31:12.000 --> 1:31:13.360
<v Speaker 3>Believe, oh my god.

1:31:14.320 --> 1:31:17.360
<v Speaker 2>But and then they're like, that's why Kanye interrupted Taylor.

1:31:17.439 --> 1:31:19.559
<v Speaker 2>It was like to save her life because she But

1:31:19.600 --> 1:31:21.519
<v Speaker 2>I was like, I don't buy that. I'm sorry, no, no,

1:31:21.520 --> 1:31:27.240
<v Speaker 2>no God, but this like feminist girl is just making

1:31:27.240 --> 1:31:28.840
<v Speaker 2>a good point where it's like you all don't think

1:31:28.880 --> 1:31:30.479
<v Speaker 2>you're the bad guy. And it's back to that French

1:31:30.520 --> 1:31:32.679
<v Speaker 2>woman where the whole neighborhood was like raping her while

1:31:32.720 --> 1:31:34.839
<v Speaker 2>she was drugged by her husband, where it's like, oh,

1:31:34.880 --> 1:31:37.479
<v Speaker 2>you guys keep saying all these good guys, but like

1:31:37.520 --> 1:31:40.080
<v Speaker 2>you sat around because even I just saw an interview

1:31:40.120 --> 1:31:43.320
<v Speaker 2>where like a musician or producer, like someone I don't know,

1:31:43.960 --> 1:31:47.719
<v Speaker 2>showed up to the studio and went out to smoke

1:31:47.760 --> 1:31:50.000
<v Speaker 2>weed or whatever, but pet did. He was into his

1:31:50.040 --> 1:31:52.559
<v Speaker 2>girl whatever, and then when he came back from outside,

1:31:52.560 --> 1:31:54.040
<v Speaker 2>she's like, why would you leave me in there with him?

1:31:54.040 --> 1:31:56.840
<v Speaker 2>He's such a creep, And that's when he figured out,

1:31:56.880 --> 1:31:59.640
<v Speaker 2>like they've known for decades. It's crazy, you know, like

1:32:00.360 --> 1:32:01.120
<v Speaker 2>and I think they've been a.

1:32:01.040 --> 1:32:01.360
<v Speaker 3>Part of it.

1:32:01.400 --> 1:32:02.840
<v Speaker 2>I think they've been to the parties and I think

1:32:02.880 --> 1:32:05.840
<v Speaker 2>ash shit, and I mean and all the clips resurfacing

1:32:05.920 --> 1:32:08.799
<v Speaker 2>about like poor Justin Bieber.

1:32:09.040 --> 1:32:09.639
<v Speaker 3>I know, the.

1:32:09.600 --> 1:32:12.800
<v Speaker 1>Bieber clip made me really uncomfortable. There's like a few

1:32:12.880 --> 1:32:18.200
<v Speaker 1>like it, truly, like it's really sad, like Justin Bieber.

1:32:18.360 --> 1:32:20.400
<v Speaker 2>You see the fear, You see the fear in him,

1:32:20.680 --> 1:32:24.360
<v Speaker 2>Paddy like yeah, but now there's Salma Hayak. But they

1:32:24.400 --> 1:32:27.559
<v Speaker 2>also a lot of this stuff is coming out from

1:32:27.600 --> 1:32:30.320
<v Speaker 2>people that like think Hollywood is like the most depraved

1:32:30.320 --> 1:32:33.200
<v Speaker 2>of it all, and it's like, honey, I don't know,

1:32:33.680 --> 1:32:36.400
<v Speaker 2>like the Catholic Church, the government, what are we talking about?

1:32:36.880 --> 1:32:39.120
<v Speaker 1>I mean it's everything. Bad things are happening in our

1:32:39.160 --> 1:32:40.280
<v Speaker 1>backyards at all times.

1:32:40.320 --> 1:32:41.360
<v Speaker 3>I mean Hollywood is not.

1:32:41.800 --> 1:32:46.280
<v Speaker 2>Yeah, but they love like it's all these Hollywood liberals

1:32:46.360 --> 1:32:49.479
<v Speaker 2>like because now they're saying like Salma Hayek's married to

1:32:49.479 --> 1:32:52.240
<v Speaker 2>this billionaire whose family owns like h like what.

1:32:52.240 --> 1:32:53.560
<v Speaker 3>Is it mesh?

1:32:53.960 --> 1:32:58.599
<v Speaker 2>Yeah, and that's part of Balenciaga, and Balenciaga does child

1:32:58.640 --> 1:32:59.679
<v Speaker 2>right Because then they were.

1:33:01.160 --> 1:33:03.639
<v Speaker 3>On a like Graham Norton's cout what's his name?

1:33:03.640 --> 1:33:06.640
<v Speaker 2>Not Graham gram Norton, It is the one that the

1:33:06.640 --> 1:33:09.320
<v Speaker 2>British cutie like kay cuty okay, yeah yeah, and so

1:33:09.960 --> 1:33:11.840
<v Speaker 2>and then it was like someone talking about Diddy and

1:33:11.880 --> 1:33:14.759
<v Speaker 2>like Samahayak's eyes opened, like you know, but we're reading

1:33:14.760 --> 1:33:17.280
<v Speaker 2>into all these things. But I think people knew about Diddy.

1:33:17.560 --> 1:33:20.320
<v Speaker 1>Yeah, you can dots like you can connect a lot

1:33:20.400 --> 1:33:21.559
<v Speaker 1>of different dots if you want.

1:33:21.720 --> 1:33:24.160
<v Speaker 3>I also, maybe this was just a few years ago.

1:33:24.040 --> 1:33:27.040
<v Speaker 2>But I was under the impression or I believe that

1:33:27.080 --> 1:33:29.960
<v Speaker 2>he killed Biggie to get ownership of the music.

1:33:30.520 --> 1:33:34.160
<v Speaker 3>WHOA wow, because.

1:33:33.920 --> 1:33:35.960
<v Speaker 2>There's a meme where you know, Biggie has like one

1:33:36.120 --> 1:33:39.080
<v Speaker 2>loose eye and they're like he knew he had to

1:33:39.160 --> 1:33:42.280
<v Speaker 2>keep one eye on Ditty at all times. Oh, there's

1:33:42.320 --> 1:33:44.679
<v Speaker 2>also like I don't know if it's changed. There's also

1:33:44.720 --> 1:33:50.320
<v Speaker 2>another interview left it so Hard. There's also another interview

1:33:50.400 --> 1:33:53.160
<v Speaker 2>where like P Diddy. Oh, it's with Mike Tyson and

1:33:53.160 --> 1:33:55.599
<v Speaker 2>P Diddy tries to like touch him, and Mike Tyson

1:33:55.720 --> 1:33:58.599
<v Speaker 2>like moves over, moves his hand and like stares him down.

1:33:59.560 --> 1:34:03.200
<v Speaker 1>There's all this stuff's coming out. Everyone knew, yeah, And

1:34:03.240 --> 1:34:06.240
<v Speaker 1>I mean, like whatever, there's power. People don't think they

1:34:06.240 --> 1:34:08.160
<v Speaker 1>can do anything. People think if they speak up, they're

1:34:08.160 --> 1:34:10.320
<v Speaker 1>gonna get killed. Like I know, there's a lot of

1:34:10.320 --> 1:34:15.720
<v Speaker 1>different things involved, but it's fucked up that they that

1:34:15.479 --> 1:34:17.880
<v Speaker 1>that it was allowed to happen, because it's like people

1:34:17.920 --> 1:34:20.120
<v Speaker 1>like Ashton Kutcher, it's like you have power, you know.

1:34:20.560 --> 1:34:22.439
<v Speaker 2>Well for him, it would be the most sinister if

1:34:22.600 --> 1:34:25.160
<v Speaker 2>it came out, because it's like with the organization and

1:34:25.200 --> 1:34:26.960
<v Speaker 2>like I save people for you know, it wouldn't be

1:34:27.000 --> 1:34:31.479
<v Speaker 2>the first time. Yeah, Hank Hank Abraham's view, Yeah yeah

1:34:31.520 --> 1:34:32.360
<v Speaker 2>episode Yeah.

1:34:32.400 --> 1:34:34.960
<v Speaker 1>But also like but also the way he was like

1:34:35.040 --> 1:34:37.840
<v Speaker 1>kind of weirdly standing by Danny Masterson and then was like, oh,

1:34:37.920 --> 1:34:42.200
<v Speaker 1>just kidding what you know, Like I don't know, I

1:34:42.240 --> 1:34:46.240
<v Speaker 1>don't know. It's wild. But let's get into what would

1:34:46.280 --> 1:34:48.880
<v Speaker 1>sister Peg do? Because we could talk conspiracy theories all day.

1:34:49.760 --> 1:34:52.559
<v Speaker 1>This is our weekly segment where we point you guys

1:34:52.600 --> 1:34:57.240
<v Speaker 1>towards an organization, an article, a book, something to give

1:34:57.280 --> 1:34:59.519
<v Speaker 1>you more info about what we talked about. And I

1:34:59.600 --> 1:35:02.439
<v Speaker 1>was just think about all of those children in the

1:35:02.600 --> 1:35:04.799
<v Speaker 1>truck that they found and how they're going to integrate

1:35:04.840 --> 1:35:07.559
<v Speaker 1>into society. So I wanted to point you to the

1:35:07.640 --> 1:35:10.200
<v Speaker 1>No Me Network. Their mission is to end human trafficking

1:35:10.240 --> 1:35:13.559
<v Speaker 1>by creating safe pathways to employment and to empower women

1:35:13.560 --> 1:35:16.000
<v Speaker 1>and girls to break cycles of exploitation in their families

1:35:16.040 --> 1:35:19.920
<v Speaker 1>and communities. Their process for creating employment opportunities for trafficked

1:35:19.920 --> 1:35:23.719
<v Speaker 1>women includes addressing barriers to work, like life and technical

1:35:23.720 --> 1:35:27.960
<v Speaker 1>skills training, and facilitating job placement and retention. So for

1:35:28.040 --> 1:35:32.000
<v Speaker 1>more information, head over to no menetwork dot org and

1:35:32.040 --> 1:35:34.479
<v Speaker 1>that will be shared in a story the day that

1:35:34.560 --> 1:35:37.040
<v Speaker 1>this episode comes out, and then that story gets saved

1:35:37.400 --> 1:35:42.360
<v Speaker 1>forever on our Instagram stories highlights the one called WWSPD.

1:35:42.760 --> 1:35:45.200
<v Speaker 1>We've got all of the organizations we've ever recommended in

1:35:45.240 --> 1:35:47.639
<v Speaker 1>books and resources all saved there. If you guys want

1:35:47.640 --> 1:35:50.479
<v Speaker 1>to check it out, follow That's Messed Up Pod for

1:35:50.560 --> 1:35:52.679
<v Speaker 1>all information about our podcast if you're not.

1:35:53.320 --> 1:35:55.960
<v Speaker 2>And next week we'll be doing an episode called Goliath

1:35:56.560 --> 1:36:00.320
<v Speaker 2>from season six, episode twenty three, please watch, please see

1:36:00.400 --> 1:36:03.320
<v Speaker 2>us live. Watch yea, watch that episode, listen to our

1:36:03.360 --> 1:36:06.599
<v Speaker 2>pod again, comes us live, come see us live, review

1:36:06.720 --> 1:36:08.680
<v Speaker 2>and yeah.

1:36:08.360 --> 1:36:10.640
<v Speaker 1>And we'll see you guys next week or on the

1:36:10.720 --> 1:36:11.439
<v Speaker 1>road or both.

1:36:11.800 --> 1:36:18.480
<v Speaker 3>Bye.

1:36:21.320 --> 1:36:23.519
<v Speaker 2>That's Messed Up as an exactly right production.

1:36:23.960 --> 1:36:26.040
<v Speaker 1>If you have compliments you'd like to give us or

1:36:26.120 --> 1:36:28.360
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:36:28.360 --> 1:36:31.080
<v Speaker 1>it That's Messed uppod at gmail dot com.

1:36:31.280 --> 1:36:34.439
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:36:34.680 --> 1:36:37.559
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

1:36:37.600 --> 1:36:40.519
<v Speaker 2>personally at Kara Klank and at glitter Cheese.

1:36:40.840 --> 1:36:43.479
<v Speaker 1>As always, please see our show notes for sources and

1:36:43.520 --> 1:36:44.200
<v Speaker 1>more information.

1:36:44.600 --> 1:36:47.600
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

1:36:47.760 --> 1:36:50.760
<v Speaker 2>and our associate producer Christina Chamberlain, and.

1:36:50.800 --> 1:36:54.440
<v Speaker 1>To our mixer John Bradley and our guest booker Patrick Cottner.

1:36:54.360 --> 1:36:57.040
<v Speaker 2>And to Henry Kaperski for our theme song, and Carly

1:36:57.160 --> 1:36:58.639
<v Speaker 2>Geen Andrews for our artwork.

1:36:58.840 --> 1:37:02.600
<v Speaker 1>Thank you to our executive producers Georgia hard Start, Karen Kilgarriff,

1:37:02.680 --> 1:37:05.280
<v Speaker 1>Daniel Kramer, and everybody at Exactly Right Media.

1:37:06.280 --> 1:37:09.640
<v Speaker 3>Dun dunh