1 00:00:00,200 --> 00:00:03,440 Speaker 1: Now here's a highlight from Coast to Coast am on 2 00:00:03,560 --> 00:00:06,760 Speaker 1: iHeart Radio. As it says on the jacket in the 3 00:00:06,760 --> 00:00:11,880 Speaker 1: promotional material for Rick Prado's book Black Ops, a harrowing 4 00:00:12,200 --> 00:00:16,080 Speaker 1: memoir of life in the shadowy world of assassins, terrorists, 5 00:00:16,079 --> 00:00:23,400 Speaker 1: spies and revolutionaries. Um. So, before we get back into 6 00:00:23,440 --> 00:00:30,360 Speaker 1: more serious stupid question, do you enjoy watching espionage media? 7 00:00:30,440 --> 00:00:35,120 Speaker 1: You know, reading books, listening to podcasts, watching TV. I 8 00:00:36,600 --> 00:00:41,000 Speaker 1: have a very low tolerance for what I'm watching. Um. 9 00:00:41,000 --> 00:00:43,440 Speaker 1: And to tell you the truth, you mentioned the Bond 10 00:00:43,479 --> 00:00:46,879 Speaker 1: movies that you that you did, right, you watch sometimes 11 00:00:47,280 --> 00:00:50,800 Speaker 1: the beauty of that is that we know it's fantasy. 12 00:00:51,440 --> 00:00:54,440 Speaker 1: So you know, I'm my Austin Martin, right, So you 13 00:00:54,480 --> 00:00:57,319 Speaker 1: know we know that that is. And I will tell 14 00:00:57,320 --> 00:01:00,640 Speaker 1: you I think that the best promotional thing that the 15 00:01:00,640 --> 00:01:04,200 Speaker 1: Brits ever did was to create James Bond. But I 16 00:01:04,319 --> 00:01:07,119 Speaker 1: know that that's a fantasy. What bothers me is when 17 00:01:07,160 --> 00:01:12,200 Speaker 1: I see movies like Jason Bourne, for example, I always 18 00:01:12,240 --> 00:01:17,080 Speaker 1: portray in our individuals as fanatical assassins with seventeen personalities 19 00:01:17,120 --> 00:01:19,560 Speaker 1: doing something that Congress doesn't even know we're doing. Blah 20 00:01:19,600 --> 00:01:24,520 Speaker 1: blah blah, and so when movies take that direction, which 21 00:01:24,560 --> 00:01:27,360 Speaker 1: is too many of them, I go the other way. 22 00:01:27,680 --> 00:01:29,560 Speaker 1: There are a few out there, in a few movies 23 00:01:29,560 --> 00:01:33,319 Speaker 1: and a few programs that are tolerable, and we understand 24 00:01:33,319 --> 00:01:35,080 Speaker 1: there's got to be a little bit of Hollywood too 25 00:01:35,520 --> 00:01:40,280 Speaker 1: for to catch the everybody's attention. All right, name one, well, 26 00:01:40,319 --> 00:01:43,320 Speaker 1: I think movies wise, the best, one of the best 27 00:01:43,319 --> 00:01:47,319 Speaker 1: CIA movies is called Urgo Oh Yes, Our Goal. It 28 00:01:47,360 --> 00:01:50,280 Speaker 1: was a fantastic movie. It was a very true story. 29 00:01:50,360 --> 00:01:53,960 Speaker 1: It was we had some hostages. We had the hostages 30 00:01:53,960 --> 00:01:56,040 Speaker 1: in Iran, but we also had some who have been 31 00:01:56,040 --> 00:02:00,560 Speaker 1: able to escape to a safe house. And this operations 32 00:02:00,600 --> 00:02:04,840 Speaker 1: officer who was the fake IDAs and all that others 33 00:02:05,240 --> 00:02:10,120 Speaker 1: literally put this incredible operation together in Iran while everything 34 00:02:10,240 --> 00:02:13,839 Speaker 1: was going hot, and he got he got the people out. 35 00:02:13,960 --> 00:02:16,600 Speaker 1: So moviewise, that's that's one of the ones that I think. 36 00:02:16,680 --> 00:02:21,640 Speaker 1: It's a very strong one. Zero Dark thirty. Um, Yeah, 37 00:02:22,400 --> 00:02:26,520 Speaker 1: it's a pretty decent one. It is. It is, It 38 00:02:26,600 --> 00:02:28,840 Speaker 1: is well done, and of course a lot of it 39 00:02:28,880 --> 00:02:32,440 Speaker 1: is based on on Jennifer Matthews, who was a colleague 40 00:02:32,440 --> 00:02:35,720 Speaker 1: of mine in the Been Laden Task Force. She was 41 00:02:35,760 --> 00:02:38,280 Speaker 1: one of my analysts when we started the unit in 42 00:02:38,360 --> 00:02:43,280 Speaker 1: ninety six. Um, but there was also some real misguided 43 00:02:43,760 --> 00:02:45,440 Speaker 1: things in that movie and the one of the Father. 44 00:02:45,560 --> 00:02:48,760 Speaker 1: I think most of us the most was the fact 45 00:02:48,760 --> 00:02:54,400 Speaker 1: that how they portrayed what enhanced interrogations are like, you know, 46 00:02:54,919 --> 00:02:58,880 Speaker 1: and that that came out more of a you know 47 00:02:58,919 --> 00:03:00,880 Speaker 1: that there was I think it was grave or something 48 00:03:00,919 --> 00:03:05,600 Speaker 1: that were plain and in that place there were amateurs 49 00:03:05,600 --> 00:03:09,480 Speaker 1: that we're not supervised and things when really really stupid. 50 00:03:09,960 --> 00:03:13,880 Speaker 1: But the movie confuses that the average person looking at 51 00:03:13,880 --> 00:03:17,320 Speaker 1: the movie, so this is what they do and it 52 00:03:17,440 --> 00:03:21,440 Speaker 1: is not, you know, our waterboarding in the movies, there's 53 00:03:21,440 --> 00:03:23,840 Speaker 1: always a bucket of water over a rank over your 54 00:03:23,880 --> 00:03:28,160 Speaker 1: face and all that. Um, when are we did the waterboarding? 55 00:03:28,280 --> 00:03:29,639 Speaker 1: Like I said, I wasn't part of that. But what 56 00:03:30,000 --> 00:03:33,400 Speaker 1: the agency did for waterboarding comes out of the enhanced 57 00:03:33,440 --> 00:03:37,320 Speaker 1: interrogation training that we in the special military that you know, 58 00:03:37,400 --> 00:03:41,520 Speaker 1: that's where I started. UM goes unders here school and 59 00:03:42,760 --> 00:03:45,680 Speaker 1: it's literally on a gurney. The guy is monitored, they 60 00:03:45,680 --> 00:03:48,960 Speaker 1: have blood pressure cuffs on them, everything else, and there's 61 00:03:49,000 --> 00:03:51,400 Speaker 1: time limits of how long you could do it. It's 62 00:03:51,520 --> 00:03:55,760 Speaker 1: more of a tool to speed up the breakdown of 63 00:03:55,760 --> 00:03:59,240 Speaker 1: the individual because The real breakdown here is music going 64 00:03:59,280 --> 00:04:01,760 Speaker 1: twenty four and being you know, not let him not 65 00:04:01,880 --> 00:04:05,600 Speaker 1: let you sleep, sleek to privation. All these things are 66 00:04:05,760 --> 00:04:08,720 Speaker 1: the things that didn't wear people out, and the water 67 00:04:08,960 --> 00:04:12,640 Speaker 1: boarding is just the one extra little nudge to get 68 00:04:12,640 --> 00:04:14,640 Speaker 1: them to tell us what we need to do. You 69 00:04:14,720 --> 00:04:19,120 Speaker 1: know that there was a scene about waterboarding in a 70 00:04:19,160 --> 00:04:23,719 Speaker 1: movie called Safe House with Denzel Washington, right, And yeah, 71 00:04:24,080 --> 00:04:26,880 Speaker 1: Ryan Reynolds, what I like about that there was the 72 00:04:26,960 --> 00:04:30,359 Speaker 1: scene that I liked is he's going into the detail 73 00:04:30,640 --> 00:04:36,680 Speaker 1: of the the the cotton used in the towels because 74 00:04:37,839 --> 00:04:41,159 Speaker 1: because operationally he knew what would be more effective to 75 00:04:41,360 --> 00:04:44,120 Speaker 1: use on him, you know, because he'd done that to 76 00:04:44,160 --> 00:04:46,560 Speaker 1: other people, so he knew the right weight of the 77 00:04:46,600 --> 00:04:49,279 Speaker 1: towel to use. I thought that was there was that 78 00:04:49,360 --> 00:04:52,000 Speaker 1: little detail. I thought was that stuck with me. Thought 79 00:04:52,040 --> 00:04:56,400 Speaker 1: on that it's it's a good Hollywood angle. And obviously 80 00:04:56,560 --> 00:04:58,440 Speaker 1: he did his job. He got your attention and he 81 00:04:58,720 --> 00:05:00,800 Speaker 1: enjoyed it. But I get and tee you that in 82 00:05:00,920 --> 00:05:04,520 Speaker 1: no case officer ever will know I have ever met, 83 00:05:04,640 --> 00:05:09,760 Speaker 1: we'll know what sized towels we use, and if they do, 84 00:05:09,800 --> 00:05:14,200 Speaker 1: they fully would admit it anyway. So yeah, I mean, 85 00:05:14,200 --> 00:05:16,320 Speaker 1: other than the Bond movies, which is interesting to me 86 00:05:16,360 --> 00:05:20,479 Speaker 1: because I think Daniel Craig's Bond is the most seems 87 00:05:20,520 --> 00:05:24,760 Speaker 1: like the thing that's closest to the grittiness of what 88 00:05:25,640 --> 00:05:28,840 Speaker 1: a black Ops guy would be like. But I've just 89 00:05:28,960 --> 00:05:31,040 Speaker 1: put that off to the side for the moment. I 90 00:05:31,080 --> 00:05:35,760 Speaker 1: think Tinker Taylor Soldiers Spy, the Jean Lacaray book and 91 00:05:35,800 --> 00:05:38,840 Speaker 1: the movie based on that, what I really liked about it. 92 00:05:38,880 --> 00:05:45,279 Speaker 1: That does stress this whole bureaucracy of intelligence gathering and 93 00:05:45,320 --> 00:05:48,120 Speaker 1: all the multi and having to keep track of the 94 00:05:48,279 --> 00:05:53,279 Speaker 1: paperwork and the recordings and you know, the library of 95 00:05:53,360 --> 00:05:55,680 Speaker 1: information and all the forms you have to fill out. 96 00:05:56,000 --> 00:05:58,520 Speaker 1: And I think there are some aspects of that which 97 00:05:58,560 --> 00:06:02,919 Speaker 1: obviously don't necessarily add well to a Hollywood production, but 98 00:06:03,040 --> 00:06:05,839 Speaker 1: those are the reality of your life. Is there are 99 00:06:05,920 --> 00:06:09,560 Speaker 1: forms involved, right, I mean, you aren't just like sent off. 100 00:06:09,040 --> 00:06:12,560 Speaker 1: You You do have to write up operations reports, right, 101 00:06:12,600 --> 00:06:16,040 Speaker 1: and you have to sort of explain what happening. Yeah. Absolutely. 102 00:06:16,040 --> 00:06:18,480 Speaker 1: As a matter of fact, we get almost as much 103 00:06:18,520 --> 00:06:23,600 Speaker 1: training in writing and expressing ourselves succinctly because when we 104 00:06:23,640 --> 00:06:27,520 Speaker 1: write an intelligence report that your goal is for that 105 00:06:27,600 --> 00:06:30,159 Speaker 1: to hit Congress the following day if you're if you 106 00:06:30,240 --> 00:06:33,200 Speaker 1: if you score one of those. So when we write something, 107 00:06:33,200 --> 00:06:35,920 Speaker 1: it has to be succinct, and it has to be accurate, 108 00:06:36,320 --> 00:06:39,080 Speaker 1: and it has to be truthful. That's one of the 109 00:06:39,120 --> 00:06:42,880 Speaker 1: big things in the agency that again is never highlighted 110 00:06:42,920 --> 00:06:47,200 Speaker 1: in the media is the fact that our integrity. If 111 00:06:47,480 --> 00:06:50,360 Speaker 1: you want to get fired by the agency in an nanosecond, 112 00:06:51,040 --> 00:06:57,640 Speaker 1: steal a dollar from the agency or misinterpret and intelligence 113 00:06:57,680 --> 00:06:59,480 Speaker 1: to make us sound better than what it was, it 114 00:06:59,560 --> 00:07:02,520 Speaker 1: will get you fired and kicked out and your clearances revoked. 115 00:07:02,760 --> 00:07:06,040 Speaker 1: And you name it um and and as as well 116 00:07:06,080 --> 00:07:09,040 Speaker 1: as it should be. Yes, uh, well, then let me 117 00:07:09,080 --> 00:07:12,240 Speaker 1: amend this part of your biography. So rerec product spent 118 00:07:12,360 --> 00:07:15,280 Speaker 1: his first ten years of the CIA UM, but the 119 00:07:15,440 --> 00:07:22,440 Speaker 1: training includes airborne scuba, advanced combat medical rescue, seer, mountain climbing, 120 00:07:22,520 --> 00:07:29,200 Speaker 1: jungle survival, and writing really good reports. Exactly. Yeah. There's 121 00:07:29,200 --> 00:07:31,960 Speaker 1: a line in the Recruit with resisteresting where the somebody said, well, 122 00:07:31,960 --> 00:07:33,880 Speaker 1: how do I He's a new guy in the CIA 123 00:07:33,960 --> 00:07:37,000 Speaker 1: said how do I do that? And he said, fly coach, um, 124 00:07:37,120 --> 00:07:39,840 Speaker 1: get a like mid range rental car and save all 125 00:07:39,880 --> 00:07:42,760 Speaker 1: your receipts. We don't call it the company for nothing, 126 00:07:43,040 --> 00:07:45,480 Speaker 1: and I thought, okay, again, that seemed like a truthful 127 00:07:45,600 --> 00:07:49,720 Speaker 1: moment for at least for these types of movies. Well, 128 00:07:49,760 --> 00:07:52,400 Speaker 1: and there's some levity in that scene. I did watch 129 00:07:52,400 --> 00:07:55,840 Speaker 1: that first episode I movie, but I watch it, but 130 00:07:55,840 --> 00:07:58,480 Speaker 1: there's sir levity there. But it's true. I mean, our 131 00:07:58,520 --> 00:08:02,680 Speaker 1: accountings have to be very, very sharp, and I'll explain 132 00:08:02,720 --> 00:08:06,440 Speaker 1: why because we worked under what they call fenced funds. 133 00:08:07,000 --> 00:08:12,400 Speaker 1: The Congress approves, the Agency approves to each area division 134 00:08:12,760 --> 00:08:16,280 Speaker 1: what they can spend on what kind of programs. So 135 00:08:16,320 --> 00:08:19,239 Speaker 1: it is sacrif thanks for you to if you get 136 00:08:19,240 --> 00:08:23,520 Speaker 1: ten million dollars to work this particular account, just because 137 00:08:23,520 --> 00:08:26,080 Speaker 1: you've got a million dollars left over that account, you 138 00:08:26,160 --> 00:08:27,880 Speaker 1: just cannot take that money and say, well, I'm gonna 139 00:08:27,880 --> 00:08:29,760 Speaker 1: put that money over here, because a couple of September 140 00:08:29,760 --> 00:08:34,600 Speaker 1: will lose it. So that's for us. Accounting, both at 141 00:08:34,600 --> 00:08:38,120 Speaker 1: the micro and the macro level, are very very important 142 00:08:38,120 --> 00:08:41,040 Speaker 1: in the agency. Yeah, it's Look, you never saw James 143 00:08:41,120 --> 00:08:44,840 Speaker 1: Bond right at an after action report digit No. No, 144 00:08:45,360 --> 00:08:47,600 Speaker 1: I don't think even the books mentioned him having been 145 00:08:47,640 --> 00:08:53,600 Speaker 1: played up. Well, it's very funny, Rick proto. This is 146 00:08:53,720 --> 00:08:56,360 Speaker 1: so enjoyable. Thank you so much again for stepping in 147 00:08:56,960 --> 00:09:00,200 Speaker 1: the book. Is Black Opposites Gone very well? Are you 148 00:09:00,200 --> 00:09:02,880 Speaker 1: ready for this? Is it has already? Have this been 149 00:09:02,920 --> 00:09:04,920 Speaker 1: optioned for something that I'm going to be seeing on 150 00:09:05,000 --> 00:09:10,599 Speaker 1: Netflix coming up. We're actually working on pitching a with 151 00:09:10,840 --> 00:09:13,640 Speaker 1: putting together a proposal to the you know, the Netflix, 152 00:09:13,679 --> 00:09:18,320 Speaker 1: Amazon or whatever. But it's not going to be a documentary. Um, 153 00:09:18,800 --> 00:09:22,320 Speaker 1: They're going for more of a mini series and you know, 154 00:09:23,000 --> 00:09:26,480 Speaker 1: keeping as much truth about how the agency operates, and 155 00:09:26,800 --> 00:09:31,000 Speaker 1: you know, and and the reality of our work. And 156 00:09:31,040 --> 00:09:32,800 Speaker 1: you know from from reading the book, you know that 157 00:09:33,240 --> 00:09:36,600 Speaker 1: in our there's all kinds of sexy operations that we 158 00:09:36,679 --> 00:09:41,319 Speaker 1: describe there. Um, you know, they're just not the Hollywood 159 00:09:41,440 --> 00:09:44,040 Speaker 1: version of the things that we see. They're still dangerous. 160 00:09:44,840 --> 00:09:47,040 Speaker 1: We don't have one hundred and thirty nine stars in 161 00:09:47,120 --> 00:09:50,160 Speaker 1: our wall now because this is a hobby. You know, 162 00:09:50,200 --> 00:09:54,400 Speaker 1: there's people that have sacrificed their lives for all of this. So, um, 163 00:09:54,520 --> 00:09:57,920 Speaker 1: that is that is that that's very accurate, very accurate. 164 00:09:59,320 --> 00:10:03,600 Speaker 1: Have any of those star has ever come down? What 165 00:10:03,679 --> 00:10:08,480 Speaker 1: do you mean? Well, so reports are reports right, and 166 00:10:09,080 --> 00:10:14,000 Speaker 1: epochs of history have different sort of operational understandings. What's 167 00:10:14,000 --> 00:10:18,840 Speaker 1: that so? I want anybody's ever been reconsidered of Like, No, 168 00:10:19,080 --> 00:10:22,760 Speaker 1: that shouldn't be up there. No, I mean these are 169 00:10:22,800 --> 00:10:27,280 Speaker 1: all very clear cutcases. You know, the parameters are very 170 00:10:27,320 --> 00:10:30,880 Speaker 1: well delineated. You know, if you are in harm's way 171 00:10:31,640 --> 00:10:35,240 Speaker 1: in the agency carrying out a legal main mission, like 172 00:10:35,320 --> 00:10:38,760 Speaker 1: all our missions are, and you lose your life. Um, 173 00:10:39,559 --> 00:10:42,680 Speaker 1: that's that star will go on the wall and will 174 00:10:42,760 --> 00:10:45,760 Speaker 1: remain there. Now. The one thing that can change, and 175 00:10:45,840 --> 00:10:49,960 Speaker 1: it has in certain cases earlier stars that we could 176 00:10:50,000 --> 00:10:52,800 Speaker 1: not say who they were. After a certain amount of time, 177 00:10:52,880 --> 00:10:55,280 Speaker 1: the agency has said, Okay, it's time to honor this 178 00:10:55,400 --> 00:11:00,480 Speaker 1: individual so their family can really know because the rations say, 179 00:11:00,520 --> 00:11:03,760 Speaker 1: well he was in where thirty years ago. That's about 180 00:11:03,760 --> 00:11:07,760 Speaker 1: the only change to the stars there. And unfortunately, what 181 00:11:07,920 --> 00:11:11,199 Speaker 1: we keep doing is adding you figure almost a third 182 00:11:11,280 --> 00:11:14,080 Speaker 1: of those uh that those stars that we have on 183 00:11:14,120 --> 00:11:18,880 Speaker 1: the wall are post nine to eleven. Interesting, sad, but 184 00:11:19,080 --> 00:11:25,480 Speaker 1: very interesting. Um. Several people have tweeted to me about 185 00:11:25,880 --> 00:11:31,120 Speaker 1: Annie Jacobson's book Surprise Kill Vanish and asked whether you 186 00:11:31,160 --> 00:11:34,360 Speaker 1: would share your opinion on that. Well, I had to 187 00:11:34,400 --> 00:11:37,520 Speaker 1: share really good opinion is because I'm in that book Um, 188 00:11:38,240 --> 00:11:40,760 Speaker 1: there's actually a sort of several pages on me on 189 00:11:40,840 --> 00:11:45,960 Speaker 1: that book. It's an excellent, uh compiling of information. Annie. 190 00:11:46,040 --> 00:11:49,920 Speaker 1: I know Annie personally. I helped her with certain parts 191 00:11:49,920 --> 00:11:54,280 Speaker 1: of that book that we're authorized, but um, the amount 192 00:11:54,320 --> 00:11:58,160 Speaker 1: of research that she did in the wide audience that 193 00:11:58,280 --> 00:12:03,640 Speaker 1: she canvassed, within the agency and within the community US 194 00:12:03,840 --> 00:12:06,880 Speaker 1: in our special military, UM, a lot of a lot 195 00:12:06,920 --> 00:12:10,520 Speaker 1: of that book has. The main protagonist is a guy 196 00:12:10,600 --> 00:12:13,600 Speaker 1: named Billy Waugh who's a very very dear friend of mine. 197 00:12:13,960 --> 00:12:17,200 Speaker 1: Billy wall was a Green Baba legend in Vietnam during 198 00:12:17,200 --> 00:12:20,360 Speaker 1: the early years, did twenty some years in the agency. 199 00:12:21,360 --> 00:12:23,760 Speaker 1: He is the guy that was doing surveillance and the 200 00:12:23,920 --> 00:12:27,560 Speaker 1: lad when we started the Bladen task for Mike Showyer 201 00:12:27,640 --> 00:12:31,439 Speaker 1: and myself. Um. He is the guy that captured Carlos 202 00:12:31,679 --> 00:12:35,880 Speaker 1: the Jackal Elis Ramirez, the infamous terrorist. He's the one 203 00:12:35,920 --> 00:12:40,040 Speaker 1: that found him and uh in Khartoum. So, yeah, the 204 00:12:40,040 --> 00:12:41,959 Speaker 1: book is excellent and it's it's one of the books 205 00:12:41,960 --> 00:12:44,040 Speaker 1: that I recommend. And when he times, somebody tells me 206 00:12:44,160 --> 00:12:46,320 Speaker 1: that they want to know a little bit more about 207 00:12:46,960 --> 00:12:50,760 Speaker 1: special operations because it's not just intelligence. There's a lot 208 00:12:50,800 --> 00:12:56,360 Speaker 1: of military in the book excellent books. Yeah, so this 209 00:12:56,559 --> 00:13:00,320 Speaker 1: may be more of a disparity between central until ents 210 00:13:00,360 --> 00:13:04,960 Speaker 1: and military intelligence. But I remember when and somebody asked 211 00:13:05,000 --> 00:13:09,000 Speaker 1: me to ask you about this, when Manuel Noriega was 212 00:13:09,280 --> 00:13:12,800 Speaker 1: help you know, was holding up in his palace and 213 00:13:12,840 --> 00:13:15,800 Speaker 1: wouldn't come out and they were blasting him twenty four 214 00:13:15,920 --> 00:13:20,080 Speaker 1: seven with with rock music like Panama by Van Halen. 215 00:13:20,800 --> 00:13:24,760 Speaker 1: Um was that like, I mean, it seemed kind of 216 00:13:24,760 --> 00:13:29,679 Speaker 1: amateurs totally. I didn't. I never found that very clever. 217 00:13:30,360 --> 00:13:32,880 Speaker 1: But is that does that sort of thing work? And 218 00:13:32,960 --> 00:13:36,120 Speaker 1: what was the general feeling about that at the time. Well, 219 00:13:36,160 --> 00:13:38,200 Speaker 1: I wasn't directly involved with it. I do know some 220 00:13:38,280 --> 00:13:40,720 Speaker 1: people that were. UM. A lot of that was the 221 00:13:40,720 --> 00:13:43,920 Speaker 1: military had the operational control for because it wasn't you know, 222 00:13:44,000 --> 00:13:45,760 Speaker 1: it was an invasion for lack of you know a 223 00:13:45,800 --> 00:13:49,600 Speaker 1: better term, uh, in order to to get him out 224 00:13:49,600 --> 00:13:53,120 Speaker 1: of power and slow down the ARCO trafficking that he 225 00:13:53,160 --> 00:13:57,599 Speaker 1: was supporting. UM. But you know, in in war, and 226 00:13:57,760 --> 00:14:01,040 Speaker 1: this was a war, there are no rules, you know, whatever, 227 00:14:01,840 --> 00:14:05,480 Speaker 1: whatever you want to do, whatever you want to try. 228 00:14:05,600 --> 00:14:08,160 Speaker 1: If it works, it's good. If it didn't work, it's 229 00:14:08,240 --> 00:14:12,360 Speaker 1: not good, and you learn from that. But yeah, innovation 230 00:14:12,559 --> 00:14:16,640 Speaker 1: and create creativities are huge tools in the intelligence community 231 00:14:16,840 --> 00:14:19,400 Speaker 1: because I think that's what we use the most, is that, 232 00:14:20,400 --> 00:14:23,520 Speaker 1: you know, be able to come up with something that 233 00:14:23,640 --> 00:14:26,320 Speaker 1: gets you to where not the average individual will ever 234 00:14:26,360 --> 00:14:30,640 Speaker 1: get to. Yeah, but so that seemed more like theater 235 00:14:31,120 --> 00:14:34,920 Speaker 1: put on for the twenty four seven, you know, news channels, 236 00:14:34,960 --> 00:14:37,880 Speaker 1: and if it's can't it just sort of seemed doomed 237 00:14:37,920 --> 00:14:41,800 Speaker 1: from the beginning. If you could defeat the sound and 238 00:14:41,840 --> 00:14:44,400 Speaker 1: the lights with a couple of wads of toilet paper 239 00:14:44,440 --> 00:14:47,920 Speaker 1: in your ears and a rag, you could get to sleep. 240 00:14:48,000 --> 00:14:50,000 Speaker 1: It wasn't going to be like lying on the floor 241 00:14:50,080 --> 00:14:52,400 Speaker 1: going I can't take it anymore, you know. But just 242 00:14:52,480 --> 00:14:54,760 Speaker 1: didn't seem like that was going to be very effective now, 243 00:14:54,960 --> 00:14:57,560 Speaker 1: and that wouldn't happen. I think that again, it was 244 00:14:57,600 --> 00:15:01,160 Speaker 1: just one more tool if they were using to harass him, 245 00:15:01,200 --> 00:15:04,800 Speaker 1: to demoralize him and his troops. So right, But no, 246 00:15:05,120 --> 00:15:09,200 Speaker 1: the singularly that would have actual, absolutely no major impact 247 00:15:09,280 --> 00:15:12,080 Speaker 1: on anything. So I can't imagine. Now I want to 248 00:15:12,080 --> 00:15:15,960 Speaker 1: ask you about an illegal operation, because we've been talking 249 00:15:16,000 --> 00:15:18,360 Speaker 1: about the legal stuff and you mentioned too about you know, 250 00:15:18,440 --> 00:15:24,760 Speaker 1: steal a dollar, misconstrue a report to your own advantage 251 00:15:24,840 --> 00:15:28,440 Speaker 1: or something. And that brings me to something which we 252 00:15:28,560 --> 00:15:30,640 Speaker 1: talked a lot about the show on the show over 253 00:15:30,680 --> 00:15:33,280 Speaker 1: the years, and what was originally sort of passed off 254 00:15:33,320 --> 00:15:36,520 Speaker 1: and the dismissed and now verified, which is the mk 255 00:15:36,840 --> 00:15:42,160 Speaker 1: ULTRA program of the illegal human experimentation that was undertaken 256 00:15:42,200 --> 00:15:44,680 Speaker 1: by the CIA. I'm not holding you responsible for it. 257 00:15:44,800 --> 00:15:51,040 Speaker 1: My question is where would mk ultra have fallen under 258 00:15:51,080 --> 00:15:57,480 Speaker 1: that operational structure of the CIA. Do you have any idea? Well, 259 00:15:57,560 --> 00:16:00,160 Speaker 1: you know, well, first of all, you're talking something I 260 00:16:00,200 --> 00:16:01,920 Speaker 1: was probably still a cube of when the sub of 261 00:16:01,920 --> 00:16:06,440 Speaker 1: the it's not you, I'm not putting out your feet 262 00:16:06,920 --> 00:16:08,760 Speaker 1: and most of the people that I work with were 263 00:16:08,800 --> 00:16:13,400 Speaker 1: from a different network anyway. But a the CIA has 264 00:16:13,560 --> 00:16:20,480 Speaker 1: a medical division Offensive Medical Services, and they are doctor psychiatrists, 265 00:16:20,480 --> 00:16:27,120 Speaker 1: medics UM. And there's also the Director of Science and Technology, 266 00:16:27,200 --> 00:16:30,400 Speaker 1: which is usually more of the high tech anything from 267 00:16:30,440 --> 00:16:34,600 Speaker 1: satellites to you know, lizard the size of bugs that 268 00:16:34,600 --> 00:16:37,440 Speaker 1: they could put in your house or whatever. But they 269 00:16:37,480 --> 00:16:40,560 Speaker 1: would also be UM, you know, in charge of any 270 00:16:40,640 --> 00:16:44,240 Speaker 1: kind of those experiments the U when we say illegal, 271 00:16:44,880 --> 00:16:48,640 Speaker 1: I don't know. Again, I wasn't there, But was this 272 00:16:48,800 --> 00:16:52,360 Speaker 1: something that was you know, Natalie, decided by the agency. 273 00:16:52,680 --> 00:16:55,800 Speaker 1: Was it something that the military was also doing. Was 274 00:16:55,800 --> 00:16:58,440 Speaker 1: it something that was approved at a higher level and 275 00:16:58,480 --> 00:17:01,160 Speaker 1: that we would probably never know. Listen to more Coast 276 00:17:01,200 --> 00:17:04,440 Speaker 1: to Coast AM every weeknight at one a m. Eastern 277 00:17:04,680 --> 00:17:07,119 Speaker 1: and go to Coast to Coast am dot com for 278 00:17:07,240 --> 00:17:07,480 Speaker 1: more