1 00:00:00,440 --> 00:00:03,680 Speaker 1: Wake that ass up in the morning, the breakfast club 2 00:00:05,000 --> 00:00:07,880 Speaker 1: Morning everybody. It's the j n V Show, I mean 3 00:00:07,920 --> 00:00:10,040 Speaker 1: the God. We have a special guest in the building. 4 00:00:10,320 --> 00:00:13,200 Speaker 1: His album comes out this Friday. Ladies and gentlemen, offset 5 00:00:14,160 --> 00:00:15,440 Speaker 1: certain certain welcome back. 6 00:00:15,480 --> 00:00:15,560 Speaker 2: Bro. 7 00:00:15,720 --> 00:00:17,000 Speaker 3: How you feeling, man? How's everything? 8 00:00:17,160 --> 00:00:19,520 Speaker 4: I feel good man, blessed man. I'm in a good. 9 00:00:19,400 --> 00:00:22,239 Speaker 5: Spirit and the good spirit you've been wearing? 10 00:00:22,280 --> 00:00:24,680 Speaker 4: What is that? Dental tears and me collapse? 11 00:00:24,880 --> 00:00:26,440 Speaker 5: Okay, okay, so what's the what's the orange? 12 00:00:26,720 --> 00:00:29,760 Speaker 4: It's like it's like a cotton reef. That's like his signature. 13 00:00:29,800 --> 00:00:31,440 Speaker 4: So I put the flames on it because I'm setting 14 00:00:31,440 --> 00:00:31,680 Speaker 4: it off. 15 00:00:32,240 --> 00:00:33,360 Speaker 5: Got you, Yeah, got you? 16 00:00:33,600 --> 00:00:36,080 Speaker 1: So now the second album is the sophomore album, set 17 00:00:36,120 --> 00:00:38,120 Speaker 1: it off. Why it takes so long? The first thing 18 00:00:38,120 --> 00:00:39,040 Speaker 1: people would say, it's been. 19 00:00:39,159 --> 00:00:42,199 Speaker 4: It's been a while, Why too so long? A lot 20 00:00:42,240 --> 00:00:48,360 Speaker 4: of things, you know, lost my brother. I was gonna 21 00:00:48,400 --> 00:00:53,000 Speaker 4: drop last year, I think around March. But I got 22 00:00:53,000 --> 00:00:55,120 Speaker 4: out of a creative space like after that for a minute. 23 00:00:55,120 --> 00:00:57,320 Speaker 4: I had to sit down for a minute and like yep, 24 00:00:57,400 --> 00:00:59,960 Speaker 4: my mama and pray and get get myself together. 25 00:01:00,320 --> 00:01:00,640 Speaker 3: Mm hm. 26 00:01:01,080 --> 00:01:01,400 Speaker 5: And uh. 27 00:01:01,560 --> 00:01:03,800 Speaker 4: Also, I just wanted to prefect the craft. I didn't 28 00:01:03,800 --> 00:01:05,120 Speaker 4: want to. I want to make sure that I that 29 00:01:05,240 --> 00:01:07,440 Speaker 4: I that I dropped in it and it counted. You 30 00:01:07,480 --> 00:01:10,360 Speaker 4: know what I'm saying. I didn't want to, especially like 31 00:01:10,560 --> 00:01:12,480 Speaker 4: coming out of the group and stuff like that. I 32 00:01:12,600 --> 00:01:15,520 Speaker 4: wanted to make sure everything was a line. I didn't 33 00:01:15,520 --> 00:01:17,480 Speaker 4: want no record sounding the same. I didn't want me 34 00:01:17,600 --> 00:01:21,039 Speaker 4: sounding the same. And uh, just being hard on myself, 35 00:01:21,200 --> 00:01:22,440 Speaker 4: s tiquing myself on the music. 36 00:01:22,520 --> 00:01:24,480 Speaker 3: Your household is very perfectionist. 37 00:01:25,160 --> 00:01:25,200 Speaker 4: You. 38 00:01:25,440 --> 00:01:28,160 Speaker 1: You, you and Cardi, y'all want to be perfection when 39 00:01:28,200 --> 00:01:30,240 Speaker 1: you're when you're both come out with with your projects. 40 00:01:30,520 --> 00:01:32,240 Speaker 1: What got you to the space where you said, okay, 41 00:01:32,280 --> 00:01:34,520 Speaker 1: well I'm ready to record again and I'm back in 42 00:01:34,560 --> 00:01:36,120 Speaker 1: the space where I can rap or I can't get 43 00:01:36,160 --> 00:01:37,759 Speaker 1: in the studio where or I can focus. 44 00:01:38,000 --> 00:01:40,760 Speaker 4: It was the thing missing. It was like me getting 45 00:01:40,760 --> 00:01:42,679 Speaker 4: away from it. It was like taking the happiness week, 46 00:01:43,160 --> 00:01:46,240 Speaker 4: Like my happiness is when I work in recording studio. Noin' 47 00:01:46,240 --> 00:01:47,600 Speaker 4: start even if I know if I'm not putting it 48 00:01:47,600 --> 00:01:49,560 Speaker 4: out or not, it's just my it's like my mental 49 00:01:49,920 --> 00:01:53,000 Speaker 4: cycle and h I just felt myself like going into 50 00:01:53,040 --> 00:01:57,920 Speaker 4: this little black little hole, and my mama was just 51 00:01:58,040 --> 00:02:00,880 Speaker 4: like just do what you love or to make some music. 52 00:02:01,880 --> 00:02:05,120 Speaker 4: He would want that you to push forward and win though. 53 00:02:05,240 --> 00:02:08,160 Speaker 4: When you push forward, win, So that's what got me 54 00:02:08,240 --> 00:02:08,480 Speaker 4: back in. 55 00:02:08,520 --> 00:02:11,720 Speaker 2: Now, was there a different level of urgency with this 56 00:02:11,919 --> 00:02:15,200 Speaker 2: album because you know, there's like truly no groups to 57 00:02:15,320 --> 00:02:15,799 Speaker 2: go back to. 58 00:02:16,880 --> 00:02:19,639 Speaker 4: No, I ain't really no urgency. It's just like not 59 00:02:19,800 --> 00:02:21,639 Speaker 4: for that reason. It's for like, for my identity and 60 00:02:21,880 --> 00:02:24,040 Speaker 4: for my career and life for me to push forward. 61 00:02:24,080 --> 00:02:25,760 Speaker 4: That's why it took so long on or two, like 62 00:02:25,800 --> 00:02:28,480 Speaker 4: because I just want to make sure I'm coming for 63 00:02:28,600 --> 00:02:31,320 Speaker 4: a circle. And it's a little different than. 64 00:02:31,280 --> 00:02:35,560 Speaker 1: Before now with with your brother Kuwevo and we've seen 65 00:02:35,600 --> 00:02:37,600 Speaker 1: you guys perfore with deal Ward show right, and it 66 00:02:37,680 --> 00:02:39,200 Speaker 1: meant a lot to the world, right because it was 67 00:02:39,240 --> 00:02:41,880 Speaker 1: a surprise. Nobody seen it coming. But it just showed 68 00:02:42,440 --> 00:02:44,639 Speaker 1: the beautiness of this game and how brothers can be. 69 00:02:45,200 --> 00:02:47,600 Speaker 1: What was that initial call like when they called you 70 00:02:47,680 --> 00:02:49,000 Speaker 1: guys and asked you guys to do it. 71 00:02:50,400 --> 00:02:54,160 Speaker 4: I was in Paris during fashion week and they called 72 00:02:54,200 --> 00:02:58,200 Speaker 4: and I wasn't like. I was like, I wasn't sure 73 00:02:58,280 --> 00:03:00,360 Speaker 4: at the time because it's like, you know, it's running 74 00:03:00,360 --> 00:03:03,679 Speaker 4: away from the reality, you know, what I'm saying, you know. 75 00:03:04,000 --> 00:03:08,760 Speaker 4: And I had talked to for real, we were sitting 76 00:03:08,760 --> 00:03:10,880 Speaker 4: at the show, and I was telling him like, man, 77 00:03:12,040 --> 00:03:14,239 Speaker 4: I don't know if I should do it because this 78 00:03:14,360 --> 00:03:16,440 Speaker 4: just ain't gonna be right, and I feel like I'm 79 00:03:16,440 --> 00:03:18,480 Speaker 4: scared it's gonna put me back in that moment. And 80 00:03:18,560 --> 00:03:21,079 Speaker 4: he was like, no, you gotta do that for the 81 00:03:21,160 --> 00:03:23,720 Speaker 4: world and for him like in y'all lazy man, y'all, 82 00:03:23,720 --> 00:03:26,160 Speaker 4: I'm in the biggest group ever in hip hop. And 83 00:03:26,320 --> 00:03:30,000 Speaker 4: also like he was wont there, bro, He was like, 84 00:03:30,080 --> 00:03:32,359 Speaker 4: you need you need that energy and your brother rocking 85 00:03:32,400 --> 00:03:34,920 Speaker 4: their stage again, even if it's for the last time 86 00:03:35,040 --> 00:03:37,120 Speaker 4: or whatever, like and this is that words like even 87 00:03:37,160 --> 00:03:38,600 Speaker 4: just for the last time whatever. He don't really know 88 00:03:38,680 --> 00:03:41,080 Speaker 4: what was going on, he liked, but it's gonna be 89 00:03:41,080 --> 00:03:42,520 Speaker 4: a cleanser for both of y'all. 90 00:03:42,880 --> 00:03:43,960 Speaker 5: What was it was? 91 00:03:44,200 --> 00:03:44,880 Speaker 4: I swear it was. 92 00:03:45,680 --> 00:03:45,880 Speaker 2: It was. 93 00:03:46,040 --> 00:03:46,200 Speaker 5: It was. 94 00:03:46,360 --> 00:03:48,680 Speaker 4: It was. It felt like at first, before I did it, 95 00:03:48,760 --> 00:03:51,880 Speaker 4: I was still like because it reminds me, you know, 96 00:03:51,920 --> 00:03:54,640 Speaker 4: it's a reminder. And but as we did it, I 97 00:03:54,760 --> 00:03:56,520 Speaker 4: just felt like I did feel good about it, like 98 00:03:57,760 --> 00:04:00,640 Speaker 4: close the chapter on the right way, like a big 99 00:04:00,760 --> 00:04:04,440 Speaker 4: way unity love and like giving to the people. 100 00:04:04,760 --> 00:04:06,520 Speaker 5: Also, what was it like before that? 101 00:04:06,600 --> 00:04:08,840 Speaker 2: Because I know that everybody talks about I guess y'all 102 00:04:08,880 --> 00:04:11,000 Speaker 2: got into something backstage somewhere. 103 00:04:11,040 --> 00:04:13,000 Speaker 5: It was a video where everybody heard Cardi yelling like 104 00:04:13,080 --> 00:04:16,520 Speaker 5: y'all both wrong? So what was it like before that moment? 105 00:04:17,080 --> 00:04:18,080 Speaker 4: H before? What before? 106 00:04:18,240 --> 00:04:19,360 Speaker 5: Before y'all got on stage? 107 00:04:19,400 --> 00:04:23,039 Speaker 4: Like oh nah, we were together, man, like that shit 108 00:04:23,120 --> 00:04:25,800 Speaker 4: a swart paid and swallowed like yeah, bro, missing all 109 00:04:25,839 --> 00:04:27,120 Speaker 4: the other shit go out the window. You know what 110 00:04:27,160 --> 00:04:29,720 Speaker 4: I'm saying. It's like family of everything, or let's do 111 00:04:29,800 --> 00:04:31,880 Speaker 4: this shit right more than anything, because when you go 112 00:04:31,920 --> 00:04:33,520 Speaker 4: into something with the wrong energy, you ain't gonna do 113 00:04:33,520 --> 00:04:35,440 Speaker 4: it right, you know what I'm saying. Went into it 114 00:04:35,520 --> 00:04:37,680 Speaker 4: with the right energy. And that's my brother. 115 00:04:37,839 --> 00:04:39,840 Speaker 3: So they said you had two When y'all got back, 116 00:04:39,880 --> 00:04:41,680 Speaker 3: it wasn't like it wasn't schedule. So y'all had to 117 00:04:41,800 --> 00:04:44,120 Speaker 3: practice like for twenty four hours before they was to 118 00:04:44,160 --> 00:04:44,560 Speaker 3: get it right. 119 00:04:44,600 --> 00:04:47,080 Speaker 4: We had to practice the night before, like one one 120 00:04:47,200 --> 00:04:49,760 Speaker 4: practice though it didn't it wasn't, but we was in there. 121 00:04:49,960 --> 00:04:51,720 Speaker 4: We was locked in and like wanted to make sure 122 00:04:51,760 --> 00:04:53,600 Speaker 4: the creative made sense. Like we've seen the rocket and 123 00:04:53,640 --> 00:04:56,119 Speaker 4: all that going. Man, we actually did that last minute 124 00:04:56,760 --> 00:04:58,720 Speaker 4: and then it was like I feel like the old 125 00:04:58,760 --> 00:05:01,080 Speaker 4: time because we was always lady in anyways, you know 126 00:05:01,120 --> 00:05:03,400 Speaker 4: what I'm saying. So but we made it work out 127 00:05:03,440 --> 00:05:05,400 Speaker 4: and I feel like it was a kind of performance 128 00:05:05,400 --> 00:05:06,560 Speaker 4: and we did our thing. It was good. 129 00:05:06,640 --> 00:05:08,360 Speaker 3: What's your relationship now with Quabo? 130 00:05:08,960 --> 00:05:10,640 Speaker 4: That's my brother at the end of the day. But 131 00:05:10,760 --> 00:05:12,880 Speaker 4: we're good though, bro, just with each other in Paris. 132 00:05:13,640 --> 00:05:15,719 Speaker 4: We be talking because we be going through little emotions 133 00:05:15,760 --> 00:05:18,640 Speaker 4: and ship like with this ship, so I think. And 134 00:05:18,760 --> 00:05:21,160 Speaker 4: it don't be for the public. That's the thing. Like 135 00:05:21,839 --> 00:05:24,120 Speaker 4: when it's like this, it don't be. Everything ain't for 136 00:05:24,240 --> 00:05:27,200 Speaker 4: the public to be ying and everybody want us to be. 137 00:05:27,360 --> 00:05:29,480 Speaker 4: But we still got to move in our own worlds. 138 00:05:29,560 --> 00:05:31,560 Speaker 4: But it's like it's all love. At the end of 139 00:05:31,600 --> 00:05:34,320 Speaker 4: the day, we lost a brother. We can't you know. 140 00:05:34,400 --> 00:05:37,360 Speaker 2: They want to see y'all cry on Instagram, Yeah they want, 141 00:05:37,560 --> 00:05:40,520 Speaker 2: you know, not gonna get it for me, You think 142 00:05:40,600 --> 00:05:42,720 Speaker 2: y'all ever make music together, not even just as migos, 143 00:05:42,760 --> 00:05:45,000 Speaker 2: but just as set in I think. 144 00:05:45,080 --> 00:05:48,400 Speaker 4: So it's more about like right now, for me, it's 145 00:05:48,440 --> 00:05:51,400 Speaker 4: more about me, like trade my foot in the game 146 00:05:51,480 --> 00:05:55,840 Speaker 4: because this is the situation also business wise, Like I'm 147 00:05:56,520 --> 00:05:59,920 Speaker 4: my own business wise too, so it's like, bro, man, 148 00:06:00,040 --> 00:06:02,400 Speaker 4: I got five kids too, so I gotta make sure 149 00:06:02,400 --> 00:06:03,679 Speaker 4: I'm putting that food on the table. 150 00:06:03,760 --> 00:06:05,560 Speaker 1: I think a lot of fans were hoping that there 151 00:06:05,680 --> 00:06:08,720 Speaker 1: was maybe lost Takeoff Versus or lost Migos records, and 152 00:06:08,800 --> 00:06:11,000 Speaker 1: that they would get that one more Migos album. But 153 00:06:11,480 --> 00:06:12,800 Speaker 1: that doesn't seem like that's gonna happen. 154 00:06:13,800 --> 00:06:15,919 Speaker 4: Nah. It ain't fair to put that pressure on us 155 00:06:15,960 --> 00:06:20,160 Speaker 4: either after losing brother Man. Like maybe you know what 156 00:06:20,160 --> 00:06:23,400 Speaker 4: I'm saying, the future right now, I just don't see it. 157 00:06:24,120 --> 00:06:26,920 Speaker 4: It's like hard me hearing our songs sometimes in the 158 00:06:27,000 --> 00:06:29,480 Speaker 4: club bro and people I might like got to smile 159 00:06:29,520 --> 00:06:31,280 Speaker 4: on my face, but that ship like take Verse come on, 160 00:06:31,400 --> 00:06:34,160 Speaker 4: that shit like teest me every single time. So it's like, 161 00:06:34,240 --> 00:06:36,240 Speaker 4: I don't see that's doing that shit now. 162 00:06:36,279 --> 00:06:38,440 Speaker 2: I can imagine because to us it's just the verse. 163 00:06:38,640 --> 00:06:40,280 Speaker 2: But to you, it's like you probably think about the 164 00:06:40,360 --> 00:06:41,080 Speaker 2: moment you'll. 165 00:06:42,839 --> 00:06:44,200 Speaker 4: They put me in that bed every time. I was 166 00:06:44,240 --> 00:06:48,480 Speaker 4: just in Starts the other night and they playing Freak 167 00:06:48,560 --> 00:06:51,720 Speaker 4: No More. His Verse, come on, I'm like throwing money 168 00:06:51,800 --> 00:06:54,719 Speaker 4: his verse. Come on. It's just like slowed me up 169 00:06:54,760 --> 00:06:55,240 Speaker 4: real quick. 170 00:06:56,240 --> 00:06:58,600 Speaker 5: So what was the story behind that song? You remember 171 00:06:58,600 --> 00:06:59,280 Speaker 5: when you recorded? 172 00:07:00,080 --> 00:07:01,640 Speaker 4: Yeah, I had just got out of jail the first 173 00:07:01,720 --> 00:07:03,840 Speaker 4: time when I first got out, Wow, And we was 174 00:07:03,920 --> 00:07:06,240 Speaker 4: at the studio and it was like my first time 175 00:07:06,279 --> 00:07:08,040 Speaker 4: working in a big studio because I ain't never really 176 00:07:08,040 --> 00:07:09,480 Speaker 4: working in the big studio. We always worked at the 177 00:07:09,520 --> 00:07:14,040 Speaker 4: home before we took off. And I hated my verse. 178 00:07:14,480 --> 00:07:16,160 Speaker 4: I felt like, because you know, I feel like I'm rusted. 179 00:07:16,160 --> 00:07:19,520 Speaker 4: I'm coming home. I'm like, damn, rust is here. I'm thinking, 180 00:07:19,560 --> 00:07:21,880 Speaker 4: they so good, they've been move they've been doing this shit. 181 00:07:21,920 --> 00:07:23,559 Speaker 4: I ain't. I had not been doing it. I probably 182 00:07:23,640 --> 00:07:24,840 Speaker 4: was out for like two weeks. 183 00:07:25,600 --> 00:07:27,520 Speaker 5: We did that, damn, and look it's still playing in 184 00:07:27,560 --> 00:07:28,320 Speaker 5: the Script club today. 185 00:07:29,440 --> 00:07:29,560 Speaker 4: Now. 186 00:07:29,640 --> 00:07:31,920 Speaker 5: Now, what's the difference between this album Set It Off 187 00:07:32,000 --> 00:07:33,760 Speaker 5: and Father for Okay? 188 00:07:33,840 --> 00:07:36,360 Speaker 4: Father Foe was like I felt like I was getting 189 00:07:36,640 --> 00:07:40,080 Speaker 4: more personal about who I was, my story of going 190 00:07:40,120 --> 00:07:43,360 Speaker 4: to jail, having kids young, the story of my wife, 191 00:07:43,480 --> 00:07:46,600 Speaker 4: my litter than my wife. I'm just in With this album, 192 00:07:46,640 --> 00:07:49,960 Speaker 4: it's more like the music wise, it's like more fun. 193 00:07:50,920 --> 00:07:52,880 Speaker 4: I didn't I did all the new producers, so I 194 00:07:52,920 --> 00:07:55,680 Speaker 4: didn't really self a metrosid side. I ain't really work 195 00:07:55,680 --> 00:07:57,320 Speaker 4: with all the producers I worked with on this. It's 196 00:07:57,400 --> 00:07:59,400 Speaker 4: like new producers I never worked with because I didn't 197 00:07:59,400 --> 00:08:00,880 Speaker 4: want to create this ain't sign because I feel like 198 00:08:00,960 --> 00:08:04,480 Speaker 4: artists not like as an artist sometimes like you just 199 00:08:04,560 --> 00:08:06,280 Speaker 4: get stuck in your ways. And I let a lot 200 00:08:06,360 --> 00:08:08,880 Speaker 4: of I worked with an an artists time, Like I 201 00:08:09,040 --> 00:08:10,560 Speaker 4: know a lot of people shit on the an R game, 202 00:08:10,640 --> 00:08:13,160 Speaker 4: but the g my an R was fired, so she 203 00:08:13,280 --> 00:08:15,040 Speaker 4: was able to bring me different producers that I never 204 00:08:15,120 --> 00:08:18,240 Speaker 4: heard of and different sounds and give me critiquing me 205 00:08:18,360 --> 00:08:22,120 Speaker 4: on the music, like nah, this shiit something, this number 206 00:08:22,120 --> 00:08:26,160 Speaker 4: one sound and they sound like number ten and me 207 00:08:26,440 --> 00:08:28,320 Speaker 4: I was heavy because like usually I ain't going for 208 00:08:28,400 --> 00:08:29,760 Speaker 4: that shit. You know, I ain't let nobody to tell 209 00:08:29,800 --> 00:08:32,560 Speaker 4: me nothing, but I understand, like change the game, change 210 00:08:33,000 --> 00:08:35,760 Speaker 4: the sound be changing, and you just gotta change with 211 00:08:35,880 --> 00:08:36,880 Speaker 4: it or you're gonna get left. 212 00:08:37,280 --> 00:08:40,000 Speaker 1: Is it difficult with you doing music right because you 213 00:08:40,160 --> 00:08:43,480 Speaker 1: are a father of a husband, your father of five, 214 00:08:44,000 --> 00:08:45,520 Speaker 1: but yet you're still in the club, so you know 215 00:08:45,600 --> 00:08:47,079 Speaker 1: what people want to hear. You know, people in the 216 00:08:47,120 --> 00:08:48,560 Speaker 1: club ain't married. You know, the people in the club 217 00:08:48,640 --> 00:08:51,160 Speaker 1: might not have some kids. So when you do your music, 218 00:08:51,200 --> 00:08:53,920 Speaker 1: do you say, well, I gotta put myself in near 219 00:08:54,000 --> 00:08:57,080 Speaker 1: situation and take myself out from the husband and take 220 00:08:57,120 --> 00:08:59,120 Speaker 1: myself out being the father five because you didn't on 221 00:08:59,640 --> 00:09:00,920 Speaker 1: this sound, you know, knocked off a lot of a 222 00:09:00,960 --> 00:09:01,520 Speaker 1: lot of chicks on. 223 00:09:01,559 --> 00:09:01,839 Speaker 5: This as. 224 00:09:04,360 --> 00:09:07,320 Speaker 4: All these women and you're married man, because I got 225 00:09:07,360 --> 00:09:09,959 Speaker 4: a real wife like that, she understands like we and 226 00:09:10,480 --> 00:09:14,200 Speaker 4: this this is like I gotta be relatable and especially 227 00:09:14,320 --> 00:09:17,000 Speaker 4: like our age, like the average person ain't married, and 228 00:09:17,120 --> 00:09:20,920 Speaker 4: like like we don't tell like people sometimes people I 229 00:09:21,000 --> 00:09:22,839 Speaker 4: can see it, like you let your wife dressed like 230 00:09:22,920 --> 00:09:26,560 Speaker 4: this and you let her we don't, like I'm very 231 00:09:26,920 --> 00:09:31,199 Speaker 4: secure by mind, so we don't. We ain't in no 232 00:09:31,360 --> 00:09:33,679 Speaker 4: control and ship like don't do this or I'm not 233 00:09:33,760 --> 00:09:35,400 Speaker 4: telling her, don't do a feature with da da da 234 00:09:35,480 --> 00:09:38,520 Speaker 4: da da, like because it's just like this, this, this, 235 00:09:38,800 --> 00:09:40,559 Speaker 4: they're interrupt to love. I feel like when you go 236 00:09:40,640 --> 00:09:42,960 Speaker 4: to doing that, because then it's like, damn, I want 237 00:09:43,000 --> 00:09:44,920 Speaker 4: to be this person. I gotta talk to all these people, 238 00:09:44,960 --> 00:09:46,599 Speaker 4: all these fans, and they gotta relate to me, but 239 00:09:46,640 --> 00:09:49,280 Speaker 4: they can't relate to me if I'm standing in one lane. 240 00:09:50,080 --> 00:09:51,320 Speaker 4: So I'm just blessed to have her. 241 00:09:52,640 --> 00:09:54,719 Speaker 5: But is that real though, because you like, you know, 242 00:09:54,840 --> 00:09:56,720 Speaker 5: you're married. Man, you know what I'm saying. 243 00:09:56,760 --> 00:09:59,360 Speaker 4: So, but that's how But niggas ain't married. 244 00:10:00,080 --> 00:10:00,520 Speaker 5: Fuck them. 245 00:10:01,920 --> 00:10:05,160 Speaker 4: Okay, so you say that, but like that ain't who 246 00:10:05,200 --> 00:10:08,920 Speaker 4: I'm trying to like, like marriage in this time, I 247 00:10:09,000 --> 00:10:12,560 Speaker 4: feel like somebody married, probably older because they've been married 248 00:10:12,559 --> 00:10:13,120 Speaker 4: for a long time. 249 00:10:13,400 --> 00:10:13,480 Speaker 2: Now. 250 00:10:13,600 --> 00:10:16,439 Speaker 4: Niggas ain't getting married. Girls ain't getting married. Like I 251 00:10:16,559 --> 00:10:19,800 Speaker 4: still gotta be relatable. I can't turn into like like 252 00:10:20,160 --> 00:10:23,280 Speaker 4: box myself into one lane. And it's like, especially the 253 00:10:23,320 --> 00:10:25,600 Speaker 4: type of music you make, some lit music, some fun music. 254 00:10:25,679 --> 00:10:28,240 Speaker 4: You still got kids and young as that's in high 255 00:10:28,280 --> 00:10:30,800 Speaker 4: school and college still listening to it. Like if I 256 00:10:30,840 --> 00:10:33,600 Speaker 4: look look at my analytics, my shit is big from 257 00:10:34,200 --> 00:10:37,280 Speaker 4: thirteen to eighteen, still like long like big still so 258 00:10:37,320 --> 00:10:40,679 Speaker 4: I'm still influencing it the generation. It's not relatable, So 259 00:10:40,840 --> 00:10:41,800 Speaker 4: I'm gonna be out of touch. 260 00:10:42,120 --> 00:10:44,800 Speaker 2: What about the people who those same kids that love 261 00:10:44,840 --> 00:10:48,040 Speaker 2: your personal life, they love you and Cardi together as 262 00:10:48,080 --> 00:10:50,319 Speaker 2: a couple, and they follow y' all on social media 263 00:10:50,400 --> 00:10:51,960 Speaker 2: and see all of that, and they like, damn, they 264 00:10:52,040 --> 00:10:53,560 Speaker 2: might want to hear that reflected in the music because 265 00:10:53,559 --> 00:10:55,559 Speaker 2: I know people got really excited when they heard y'all 266 00:10:55,600 --> 00:10:56,560 Speaker 2: doing the album together. 267 00:10:56,840 --> 00:10:58,880 Speaker 5: Yeah or EP or whatever it was. 268 00:10:59,360 --> 00:11:01,600 Speaker 4: They ain't get mad at me because I'm not gonna 269 00:11:01,600 --> 00:11:04,679 Speaker 4: tell her life. You can't say shaking yeah, so like 270 00:11:05,840 --> 00:11:07,640 Speaker 4: you're having a good time. Girls want to feel that 271 00:11:07,720 --> 00:11:08,960 Speaker 4: shit them bar she be saying. 272 00:11:09,480 --> 00:11:11,719 Speaker 1: But I guess you know too, when Cardy talks about that, 273 00:11:12,200 --> 00:11:14,280 Speaker 1: I guess we all automatically assume when she says he's 274 00:11:14,280 --> 00:11:16,040 Speaker 1: shaking ass, shaking asks for a husband, you know what 275 00:11:16,080 --> 00:11:18,440 Speaker 1: I mean, It's like she's doing it for set. 276 00:11:18,920 --> 00:11:19,880 Speaker 3: But you know what I mean, for you? 277 00:11:20,240 --> 00:11:21,960 Speaker 1: When I heard I knocking off, depends something like, oh, 278 00:11:22,000 --> 00:11:24,640 Speaker 1: he's putting his mind frame on somebody that's in the club, 279 00:11:24,720 --> 00:11:25,240 Speaker 1: not himself. 280 00:11:25,559 --> 00:11:29,840 Speaker 4: Yeah, I got to bro because it's like it's more 281 00:11:30,200 --> 00:11:34,400 Speaker 4: of bros doing that. Then there's people that's man. Facts, 282 00:11:34,559 --> 00:11:37,720 Speaker 4: These are facts. These are facts. So I just still 283 00:11:37,840 --> 00:11:39,800 Speaker 4: gotta be relatable to him. They gotta still feel like, 284 00:11:40,200 --> 00:11:42,320 Speaker 4: oh shit, ain't on no old nigga shit all like shit, 285 00:11:42,400 --> 00:11:45,760 Speaker 4: I got man nigga. We don't even understand him no more. 286 00:11:46,240 --> 00:11:47,880 Speaker 4: And then it's the worst. Then there's no coming back 287 00:11:47,920 --> 00:11:50,839 Speaker 4: from that. So it's entertaining, you know what I'm saying. 288 00:11:51,160 --> 00:11:52,840 Speaker 4: Entertaining and entertainment. 289 00:11:53,000 --> 00:11:54,319 Speaker 5: For the first song on the album, you said you 290 00:11:54,400 --> 00:11:55,880 Speaker 5: knew you was the one since you left the group. 291 00:11:56,280 --> 00:11:58,760 Speaker 5: I think that was the line. What does that line mean? 292 00:11:58,840 --> 00:11:58,880 Speaker 2: You? 293 00:12:03,000 --> 00:12:05,880 Speaker 4: You caught me right there fast? How you know about that? 294 00:12:07,840 --> 00:12:09,600 Speaker 4: Oh y'all niggas ain't even telling me what the album 295 00:12:14,720 --> 00:12:14,880 Speaker 4: with it? 296 00:12:15,000 --> 00:12:15,480 Speaker 3: Yeah, yeah, I. 297 00:12:15,520 --> 00:12:16,319 Speaker 5: Definitely bug with it. 298 00:12:16,880 --> 00:12:20,120 Speaker 4: So that's just like a confidence bar. Like you know, 299 00:12:20,200 --> 00:12:21,959 Speaker 4: I went through some things I can't really speak on, 300 00:12:22,120 --> 00:12:23,520 Speaker 4: like I stepped out of the boss and like I 301 00:12:23,559 --> 00:12:26,640 Speaker 4: had to get my ship together on the business side 302 00:12:26,679 --> 00:12:30,559 Speaker 4: of things, and like I was, I was like after that, 303 00:12:31,559 --> 00:12:33,839 Speaker 4: the freedom and the being able to be in control 304 00:12:33,880 --> 00:12:35,839 Speaker 4: of my creative and being able to do that was like, 305 00:12:36,640 --> 00:12:39,360 Speaker 4: now I can show you who I am if you notice, 306 00:12:39,400 --> 00:12:41,640 Speaker 4: like now people kind of see like I got a personality. 307 00:12:41,840 --> 00:12:43,720 Speaker 4: They fucking with me. Like I feel like that ship 308 00:12:43,840 --> 00:12:48,360 Speaker 4: was kind of like bottled end and when when when? When? 309 00:12:48,440 --> 00:12:50,640 Speaker 4: When everything was all its one? Because it wasn't really 310 00:12:50,679 --> 00:12:53,520 Speaker 4: about me, it was about us. This album is about me. 311 00:12:54,280 --> 00:12:56,360 Speaker 1: I could also tell the album that, well, I knew 312 00:12:56,360 --> 00:12:59,079 Speaker 1: it beforehand, but it shows more that you're real hip 313 00:12:59,080 --> 00:13:02,000 Speaker 1: hop lover right, like, like your roots are a very 314 00:13:02,120 --> 00:13:04,520 Speaker 1: long for hip hop, and you know, even with the Dawn, 315 00:13:04,640 --> 00:13:06,480 Speaker 1: I think it's a Don Tolliver one where they kind 316 00:13:06,480 --> 00:13:07,800 Speaker 1: of sample a bust of ROMs and you're kind of 317 00:13:07,840 --> 00:13:10,240 Speaker 1: doing bust and Rohns flow that you actually so how 318 00:13:10,320 --> 00:13:12,319 Speaker 1: important was hip hop rolling up to you? Because I 319 00:13:12,360 --> 00:13:14,000 Speaker 1: know you got roots in New York. I know you 320 00:13:14,080 --> 00:13:15,400 Speaker 1: got roots in the land. I know you got roots 321 00:13:15,400 --> 00:13:16,160 Speaker 1: a little bit everywhere. 322 00:13:16,240 --> 00:13:17,600 Speaker 3: I'd be seeing set with people up be like, how 323 00:13:17,640 --> 00:13:18,520 Speaker 3: the fuck do you know him? 324 00:13:18,600 --> 00:13:18,720 Speaker 4: Man? 325 00:13:18,840 --> 00:13:21,480 Speaker 1: Like, so you know, talk about your roots and and 326 00:13:21,679 --> 00:13:23,520 Speaker 1: what hip hop means to you because you sample a 327 00:13:23,559 --> 00:13:24,520 Speaker 1: lot of that on this album. 328 00:13:25,280 --> 00:13:27,920 Speaker 4: Hip hop man mean to me, like man, growing up 329 00:13:28,040 --> 00:13:30,559 Speaker 4: is like the Superheroes. You know what I'm saying to me? 330 00:13:30,679 --> 00:13:32,240 Speaker 4: Because I felt like it was so out of reach 331 00:13:32,840 --> 00:13:34,920 Speaker 4: and also I felt like there was like saving the 332 00:13:34,960 --> 00:13:38,040 Speaker 4: world with the music and like and and you know, 333 00:13:38,280 --> 00:13:42,000 Speaker 4: seeing like cash Money Master Pause. I'm from the South 334 00:13:42,200 --> 00:13:46,719 Speaker 4: hundred thought like like outcast, it was like I never 335 00:13:46,800 --> 00:13:48,480 Speaker 4: thought the game would be how it is now, Like 336 00:13:48,520 --> 00:13:50,400 Speaker 4: because you know y'all have y'all was y'all. 337 00:13:50,360 --> 00:13:52,480 Speaker 3: Was ball hogging, but you got family. 338 00:13:53,440 --> 00:13:54,040 Speaker 4: I got family. 339 00:13:54,320 --> 00:13:58,240 Speaker 5: I was there line okay from but you got family 340 00:13:58,320 --> 00:13:58,560 Speaker 5: out here. 341 00:13:58,600 --> 00:14:00,480 Speaker 4: Though I got family out here, but y'all had the 342 00:14:00,520 --> 00:14:04,120 Speaker 4: game in the toke Cao And like growing up, you know, 343 00:14:04,200 --> 00:14:06,240 Speaker 4: we're from Atlanta, so we might not ain't listen to it. 344 00:14:06,400 --> 00:14:08,360 Speaker 4: I might ain't get on jay Z Towns in high school. 345 00:14:08,360 --> 00:14:10,040 Speaker 4: You see what I'm saying. I might ain't knowing through 346 00:14:10,320 --> 00:14:12,800 Speaker 4: middle school, I knew. I knew Guca and I knew Jezy. 347 00:14:13,080 --> 00:14:16,199 Speaker 4: I knew that a new Future. It's like it's like 348 00:14:16,240 --> 00:14:18,599 Speaker 4: our neighborhood heroes. And like me, I feel like in 349 00:14:18,720 --> 00:14:22,320 Speaker 4: general with music, you gotta know your roots to be 350 00:14:22,440 --> 00:14:25,240 Speaker 4: able to and pay respect to it too. Like I 351 00:14:25,360 --> 00:14:28,280 Speaker 4: watched the James Browns. I be watching like how they 352 00:14:28,280 --> 00:14:30,640 Speaker 4: would dress, or how they stay sit would be, or 353 00:14:30,760 --> 00:14:33,400 Speaker 4: sometimes I go watch a rock and roll like Martley 354 00:14:33,440 --> 00:14:35,520 Speaker 4: coul or something, I go watch them stay stay set 355 00:14:35,600 --> 00:14:37,400 Speaker 4: to get it like a like a like an idea 356 00:14:37,720 --> 00:14:40,160 Speaker 4: even on stage, and like because I feel like it 357 00:14:40,280 --> 00:14:42,040 Speaker 4: always rotate, but you could just do it better in 358 00:14:42,120 --> 00:14:42,560 Speaker 4: a better way. 359 00:14:43,520 --> 00:14:45,200 Speaker 2: One of the things you say throughout the album is 360 00:14:45,400 --> 00:14:48,160 Speaker 2: you keep referencing blame it on set. That's a dope 361 00:14:48,200 --> 00:14:49,960 Speaker 2: record too, by the way, to blame it on set record. 362 00:14:50,480 --> 00:14:52,360 Speaker 2: What are some of the things you think folks blames 363 00:14:52,400 --> 00:14:52,560 Speaker 2: you for. 364 00:14:53,640 --> 00:14:55,520 Speaker 4: No, it's not like the people blame me for. It's 365 00:14:55,560 --> 00:14:58,720 Speaker 4: like it's like a it's like me talking to myself almost, 366 00:14:58,840 --> 00:15:02,320 Speaker 4: like everything you went through it's because of you. Okay, 367 00:15:02,800 --> 00:15:05,400 Speaker 4: it's like taking responsibility. Everything you went through it is 368 00:15:05,400 --> 00:15:10,040 Speaker 4: because of you. Like anytime anything happens, it's on you. 369 00:15:11,160 --> 00:15:13,800 Speaker 4: That's all it was. It wasn't like a specific like 370 00:15:13,920 --> 00:15:17,200 Speaker 4: y'all blaming me. No, it was just like being a man, 371 00:15:17,640 --> 00:15:21,040 Speaker 4: being a man. Yeah, accountability, like accountability for all actions. 372 00:15:21,840 --> 00:15:23,280 Speaker 1: People were mad at you a couple of weeks ago 373 00:15:23,320 --> 00:15:25,920 Speaker 1: because you did that interview what's the name Bobby. 374 00:15:27,160 --> 00:15:28,000 Speaker 5: I felt like it was. 375 00:15:33,040 --> 00:15:35,280 Speaker 3: That you even gave her an opportunity to interview you, 376 00:15:35,440 --> 00:15:35,920 Speaker 3: you know what I mean. 377 00:15:36,320 --> 00:15:37,680 Speaker 1: But when you look at the interview, I mean I'm 378 00:15:37,680 --> 00:15:38,760 Speaker 1: looking at one time, I think it was like it's 379 00:15:38,760 --> 00:15:41,640 Speaker 1: over three million views already, So you know, people were saying, well, 380 00:15:41,640 --> 00:15:42,520 Speaker 1: why would you give. 381 00:15:42,760 --> 00:15:45,560 Speaker 3: That girl an opportunity and not somebody from the culture. 382 00:15:46,800 --> 00:15:50,600 Speaker 4: Restyle. I did my research and I was like, I'm 383 00:15:50,720 --> 00:15:51,920 Speaker 4: over to do it because you know, I don't like 384 00:15:52,000 --> 00:15:54,400 Speaker 4: doing interviews at all. I was like, I'm over to 385 00:15:54,480 --> 00:15:58,000 Speaker 4: doing it. I'm on the way like that. And I 386 00:15:58,080 --> 00:16:00,200 Speaker 4: feel like it was kind of comical, like it's kind 387 00:16:00,200 --> 00:16:02,480 Speaker 4: of funny. It's kind of funny to me. It wasn't 388 00:16:02,520 --> 00:16:05,240 Speaker 4: like I wasn't taking that ship like offensive and ship 389 00:16:05,320 --> 00:16:06,880 Speaker 4: like that. You just gotta be on your toes when 390 00:16:06,880 --> 00:16:07,880 Speaker 4: you're doing it, and. 391 00:16:08,840 --> 00:16:09,360 Speaker 5: She needed to be. 392 00:16:10,080 --> 00:16:12,600 Speaker 4: Yeah, she needed that, you know what I'm saying. And 393 00:16:12,920 --> 00:16:16,760 Speaker 4: also like I'm doing this for the brothers. You needing 394 00:16:16,840 --> 00:16:19,160 Speaker 4: to catch me slipping on this show and be down 395 00:16:19,280 --> 00:16:21,400 Speaker 4: talk to me and you like you're just coming up 396 00:16:21,440 --> 00:16:23,520 Speaker 4: off to the top. It's all love though, But she 397 00:16:23,720 --> 00:16:26,840 Speaker 4: she cool. Man. I felt like a lot of people 398 00:16:26,880 --> 00:16:28,440 Speaker 4: did take a lot of comedy out of it. It 399 00:16:28,560 --> 00:16:29,760 Speaker 4: was it was supposed to be funny. Man. 400 00:16:30,120 --> 00:16:31,400 Speaker 5: You told her she needed some season. 401 00:16:31,720 --> 00:16:31,920 Speaker 2: You do. 402 00:16:34,040 --> 00:16:34,320 Speaker 5: Season. 403 00:16:34,600 --> 00:16:37,080 Speaker 2: I feel like I like what she do, but I 404 00:16:37,120 --> 00:16:39,200 Speaker 2: feel like you still got to know. You got to 405 00:16:39,280 --> 00:16:41,480 Speaker 2: know something about the artist. That whole playing dumb like 406 00:16:41,520 --> 00:16:43,000 Speaker 2: you don't know who you're talking through that you. 407 00:16:43,040 --> 00:16:46,240 Speaker 4: Know something you got you know. I think just getting 408 00:16:46,240 --> 00:16:49,680 Speaker 4: caught up in your character kind of like it can 409 00:16:49,760 --> 00:16:52,720 Speaker 4: get on you. You should especially dealing with these brothers 410 00:16:53,160 --> 00:16:54,880 Speaker 4: black folks. You said, with a black person and you're 411 00:16:54,880 --> 00:16:55,800 Speaker 4: doing that, it's kind of like. 412 00:16:56,120 --> 00:16:59,760 Speaker 5: What the absolutely absolutely so. 413 00:17:00,480 --> 00:17:02,560 Speaker 4: But it's cool though. Man, it ain't no issues or 414 00:17:02,640 --> 00:17:04,840 Speaker 4: or nothing. But I feel like a lot of people's 415 00:17:04,880 --> 00:17:07,800 Speaker 4: matter at her, Like but that's how she did the interviews. 416 00:17:08,560 --> 00:17:11,560 Speaker 4: I think I brought it to our world more. It's 417 00:17:11,640 --> 00:17:13,720 Speaker 4: like a lot of people like, who the fuck? Why 418 00:17:13,760 --> 00:17:15,720 Speaker 4: did she? It was kind of taking it as like 419 00:17:16,040 --> 00:17:18,360 Speaker 4: being disproved, but she wasn't. She just just I think 420 00:17:18,400 --> 00:17:19,359 Speaker 4: that's the way she got on. 421 00:17:20,960 --> 00:17:23,040 Speaker 5: You know, I hear I hear you channel a lot 422 00:17:23,080 --> 00:17:24,800 Speaker 5: in this album. I hear a lot of Project Pack. 423 00:17:25,520 --> 00:17:27,960 Speaker 5: Yeah were you? Were you listening to a lot of Pack. 424 00:17:27,960 --> 00:17:30,720 Speaker 4: Three Shi some Project Pack? Yeah? Man, they That's what 425 00:17:30,800 --> 00:17:33,080 Speaker 4: I'm saying. It's like the underground music and to come 426 00:17:33,160 --> 00:17:34,920 Speaker 4: to and then they went underground and went big shot 427 00:17:34,960 --> 00:17:37,800 Speaker 4: of juice. J Man, here a player. You're real nigga, 428 00:17:38,200 --> 00:17:41,040 Speaker 4: good producer. He ain't text me on the records. 429 00:17:42,920 --> 00:17:44,920 Speaker 5: Oh he did production on it. 430 00:17:45,680 --> 00:17:47,280 Speaker 4: No, you get certain ships, you gotta talk to J 431 00:17:47,520 --> 00:17:50,200 Speaker 4: J Bob. He ain't the production certain shits you gotta. 432 00:17:50,640 --> 00:17:51,680 Speaker 5: Oh so when you're just using that. 433 00:17:51,760 --> 00:17:55,480 Speaker 4: But you gotta think the sample on Jealousy is Juice Jay. Yes, absolutely, 434 00:17:55,520 --> 00:17:58,200 Speaker 4: you know what I'm saying. Yeah, so, and then it's 435 00:17:58,240 --> 00:18:00,560 Speaker 4: the South music. Man, It's just always something about the 436 00:18:00,600 --> 00:18:03,840 Speaker 4: South music to me, even growing up, just always felt 437 00:18:03,840 --> 00:18:05,240 Speaker 4: like we was a shit because it was relatable to 438 00:18:05,320 --> 00:18:07,439 Speaker 4: my neighborhood down man. 439 00:18:07,480 --> 00:18:07,960 Speaker 5: Absolutely. 440 00:18:08,560 --> 00:18:10,000 Speaker 1: Now we had couple, We had Cardi up here and 441 00:18:10,080 --> 00:18:13,119 Speaker 1: we were talking about, uh, your marriage and everything, and 442 00:18:13,240 --> 00:18:15,680 Speaker 1: she was like, sometimes it's difficult not to keep things 443 00:18:15,760 --> 00:18:18,200 Speaker 1: off social right, like the one time y'all always argue 444 00:18:18,240 --> 00:18:18,800 Speaker 1: on social media. 445 00:18:18,800 --> 00:18:20,000 Speaker 3: I never just say, you know what, let's I'm gonna 446 00:18:20,040 --> 00:18:21,000 Speaker 3: put the phone down and call her. 447 00:18:23,359 --> 00:18:24,080 Speaker 4: She's crazy. 448 00:18:24,240 --> 00:18:25,440 Speaker 3: Man, you crazy too? 449 00:18:25,880 --> 00:18:27,480 Speaker 2: You knew what you married a woman from the Bronx. 450 00:18:27,600 --> 00:18:29,399 Speaker 2: The craziest people in America come from the Bronx and 451 00:18:29,440 --> 00:18:30,240 Speaker 2: all the Florida said. 452 00:18:30,480 --> 00:18:31,159 Speaker 5: You got to know that. 453 00:18:31,400 --> 00:18:32,240 Speaker 4: Yeah, I've learned it. 454 00:18:35,440 --> 00:18:35,920 Speaker 5: I learned it. 455 00:18:36,040 --> 00:18:39,760 Speaker 4: So it's just like, man, I hate fan based man 456 00:18:39,840 --> 00:18:42,440 Speaker 4: sometimes be like trying to like kill niggas. So then 457 00:18:42,520 --> 00:18:45,760 Speaker 4: sometimes you gotta like, I feel like I gotta protect her. 458 00:18:46,080 --> 00:18:47,679 Speaker 4: You know what I'm saying, I've made mistakes, you did, 459 00:18:47,680 --> 00:18:49,399 Speaker 4: you know what I'm saying, so those mistakes made me 460 00:18:49,480 --> 00:18:51,879 Speaker 4: continue to have to protect her as a man. That 461 00:18:51,920 --> 00:18:55,000 Speaker 4: shit don't just go away. So like, I just hate 462 00:18:55,000 --> 00:18:57,760 Speaker 4: that shit because it's like, we be good bro living 463 00:18:57,840 --> 00:19:00,440 Speaker 4: a life like Scholden, We got beautiful kids. We don't 464 00:19:00,480 --> 00:19:02,760 Speaker 4: bother nobody. But you know how I be. 465 00:19:04,560 --> 00:19:07,280 Speaker 2: Ship whack though, But what about when you when you 466 00:19:07,400 --> 00:19:11,960 Speaker 2: posted that your wife cheated, Like that's causing turmoil in 467 00:19:12,040 --> 00:19:12,320 Speaker 2: the house. 468 00:19:13,600 --> 00:19:15,240 Speaker 4: I was calming her ass down. I don't play with me. 469 00:19:17,200 --> 00:19:18,960 Speaker 3: But then the next day they hold their hands together. 470 00:19:19,359 --> 00:19:22,480 Speaker 4: It was everybody know. She was like that. 471 00:19:22,680 --> 00:19:24,200 Speaker 5: She was like he was playing, he was lying. 472 00:19:24,480 --> 00:19:27,840 Speaker 4: Sometimes they go in too much on me, man, and 473 00:19:28,000 --> 00:19:29,960 Speaker 4: it makes me so we didn't want people to think 474 00:19:30,040 --> 00:19:33,520 Speaker 4: like people thinking this ship's real. So it was just 475 00:19:33,560 --> 00:19:35,080 Speaker 4: a little on the reverse on the car. 476 00:19:35,760 --> 00:19:37,520 Speaker 5: She said, you said, if you don't stop, I gonna 477 00:19:37,520 --> 00:19:38,600 Speaker 5: get on line and say you cheat it. 478 00:19:38,800 --> 00:19:41,040 Speaker 4: Yeah, because that's the thing she gotta make. She got 479 00:19:41,280 --> 00:19:43,080 Speaker 4: like she's still somebody too. So like when they be 480 00:19:43,160 --> 00:19:46,680 Speaker 4: doing that, like it be like making her seem like 481 00:19:46,800 --> 00:19:48,840 Speaker 4: she would suck on some ship and then she gotta. 482 00:19:49,200 --> 00:19:52,480 Speaker 4: But then this time she did, she kind of and 483 00:19:52,600 --> 00:19:55,440 Speaker 4: I'm like, oh, slow, that ship down to that ship 484 00:19:55,480 --> 00:19:59,040 Speaker 4: down baby, that ship Oh, don't do like. 485 00:20:00,040 --> 00:20:03,040 Speaker 5: In the blow up the whole how we're all going 486 00:20:03,359 --> 00:20:06,840 Speaker 5: are going down, five folks to what is. 487 00:20:08,760 --> 00:20:12,040 Speaker 4: Real? But we turned that into the fun though. Try 488 00:20:12,160 --> 00:20:14,200 Speaker 4: in the fun man, fuck y'all man hate us man 489 00:20:15,600 --> 00:20:16,080 Speaker 4: strong man? 490 00:20:17,640 --> 00:20:19,520 Speaker 5: Why didn't play Boy CARDI clear the song for that? 491 00:20:20,560 --> 00:20:21,920 Speaker 5: That's the room online? Is that true? 492 00:20:23,640 --> 00:20:24,200 Speaker 3: Yeah, it's true. 493 00:20:24,880 --> 00:20:26,760 Speaker 4: Shout out to my boy man because I don't get 494 00:20:26,800 --> 00:20:29,440 Speaker 4: into it with niggas by music and sometimes people be 495 00:20:29,520 --> 00:20:32,240 Speaker 4: going through they on you know what I'm saying. Shout 496 00:20:32,280 --> 00:20:34,400 Speaker 4: out of the bro though, man, you should have cleared 497 00:20:34,400 --> 00:20:37,800 Speaker 4: that mash though I ain't okay, but we like that. 498 00:20:38,680 --> 00:20:40,280 Speaker 4: I don't get mad at folks for like that because 499 00:20:40,320 --> 00:20:43,399 Speaker 4: sometimes people be going through their own ship, but they 500 00:20:43,520 --> 00:20:47,080 Speaker 4: might not. Well, I don't know. It's all love th us, 501 00:20:47,119 --> 00:20:47,560 Speaker 4: my little bro. 502 00:20:47,840 --> 00:20:49,600 Speaker 2: You make a call when the label said, hey, CARDI 503 00:20:49,640 --> 00:20:51,920 Speaker 2: won't clear. Do you try to use your personal relationship 504 00:20:51,960 --> 00:20:52,399 Speaker 2: hit them up? 505 00:20:52,440 --> 00:20:53,119 Speaker 5: Like, bro, what's up? 506 00:20:54,280 --> 00:20:57,280 Speaker 4: You gotta know your your boys, You gotta know your hommie. 507 00:20:57,680 --> 00:20:59,280 Speaker 4: That's why I don't get into it with myhammy because 508 00:20:59,280 --> 00:21:00,960 Speaker 4: I always I know how my hommas is and ship 509 00:21:01,040 --> 00:21:03,159 Speaker 4: like that. So I ain't even really hit him on that, 510 00:21:03,400 --> 00:21:07,680 Speaker 4: hit him on that like that. It's just like I'm 511 00:21:07,960 --> 00:21:10,000 Speaker 4: like trying to move forward. It's cool, like I got 512 00:21:10,080 --> 00:21:12,080 Speaker 4: some ship at the end of the day. So it's 513 00:21:12,359 --> 00:21:14,280 Speaker 4: it's eating doll here the bro so loved him. Man, 514 00:21:14,320 --> 00:21:16,720 Speaker 4: ain't no no little loss. He'd be going through ship 515 00:21:16,800 --> 00:21:18,600 Speaker 4: too though. See my little brother, I talked to him 516 00:21:18,600 --> 00:21:20,400 Speaker 4: on some other ship, so sometimes he go through ship. 517 00:21:20,480 --> 00:21:23,440 Speaker 4: So it ain't not no lottle loss. 518 00:21:23,800 --> 00:21:25,720 Speaker 2: Maybe on the next one we started summer too. You 519 00:21:25,800 --> 00:21:27,560 Speaker 2: dropped there, you dropped your lawsuit against QC. 520 00:21:28,480 --> 00:21:29,240 Speaker 4: I can't talk about that. 521 00:21:29,359 --> 00:21:32,159 Speaker 5: Oh you can't talk about it. What's the relationship like 522 00:21:32,240 --> 00:21:32,720 Speaker 5: now though? Is it. 523 00:21:35,160 --> 00:21:38,560 Speaker 4: Ship? I can't talk about it. Got you? 524 00:21:38,800 --> 00:21:39,080 Speaker 5: Got you? 525 00:21:39,280 --> 00:21:39,560 Speaker 4: Got you? 526 00:21:40,200 --> 00:21:40,480 Speaker 5: Okay? 527 00:21:40,720 --> 00:21:44,000 Speaker 2: Now, did authorities contact you after nicki mir husband made 528 00:21:44,000 --> 00:21:44,680 Speaker 2: those threats against you? 529 00:21:44,760 --> 00:21:47,600 Speaker 4: That was another room man, Hell no, okay, this ain't 530 00:21:47,640 --> 00:21:51,560 Speaker 4: never calling me. Okay, I ain't got another for you. 531 00:21:53,119 --> 00:21:54,879 Speaker 5: Because they were saying they reached out to see if 532 00:21:54,880 --> 00:21:56,400 Speaker 5: you wanted the pressure. 533 00:21:56,520 --> 00:22:00,359 Speaker 4: Man, Please, I never do no lame ass like that. 534 00:22:00,880 --> 00:22:02,760 Speaker 4: Keep it on the screen. Do some ship like that? 535 00:22:02,920 --> 00:22:05,480 Speaker 4: That's that ship is all that shit is joke, grown 536 00:22:05,520 --> 00:22:07,280 Speaker 4: a man and doing like that. I don't even bring 537 00:22:07,280 --> 00:22:10,040 Speaker 4: it up. I don't want people like but I just 538 00:22:10,160 --> 00:22:13,240 Speaker 4: laughing like that, I got real money. I'm having real business. 539 00:22:13,560 --> 00:22:15,840 Speaker 4: I'm on the way to the coach prime man on 540 00:22:16,000 --> 00:22:19,240 Speaker 4: on the on the jet like I'm thirty years old, bro, 541 00:22:19,400 --> 00:22:22,800 Speaker 4: like I'm grown to sell I got and I'm trying 542 00:22:22,800 --> 00:22:24,480 Speaker 4: to Like you know how long it took me to 543 00:22:24,480 --> 00:22:28,040 Speaker 4: get away from that like that bullshit online Like so 544 00:22:28,160 --> 00:22:30,879 Speaker 4: that's why anything online like that in that manner, I 545 00:22:31,040 --> 00:22:32,840 Speaker 4: just blow it off because like I didn't been in 546 00:22:32,840 --> 00:22:34,600 Speaker 4: the meetings where they're like, oh, you're the bad guy. 547 00:22:35,080 --> 00:22:36,680 Speaker 4: Like I'm the one who out of jail. We can't 548 00:22:36,720 --> 00:22:38,240 Speaker 4: do this, Like I didn't miss out on money for 549 00:22:38,280 --> 00:22:41,880 Speaker 4: that ship. So sometimes like and you just too, I'm 550 00:22:42,000 --> 00:22:45,240 Speaker 4: just too old just paying ship like that. Like I 551 00:22:45,320 --> 00:22:47,800 Speaker 4: think sometimes niggas want you to be tough and then 552 00:22:47,840 --> 00:22:49,719 Speaker 4: when you crash out, they call you stupid. That's right, 553 00:22:50,000 --> 00:22:52,480 Speaker 4: that's the crazy shit about the ship. Nigga want when 554 00:22:52,480 --> 00:22:54,200 Speaker 4: you crash out, call you stupid and then like I'm 555 00:22:54,280 --> 00:22:56,800 Speaker 4: not going online with that for what. 556 00:22:59,200 --> 00:22:59,240 Speaker 2: What? 557 00:22:59,760 --> 00:23:03,080 Speaker 1: H don't y'all you know, it's just odd because y'all 558 00:23:03,080 --> 00:23:05,000 Speaker 1: will cross each other's paths all the time, right because 559 00:23:05,040 --> 00:23:07,639 Speaker 1: y'all both wide award shows. So it's just weird that 560 00:23:07,720 --> 00:23:09,879 Speaker 1: it went that far and just just wire online. It 561 00:23:10,000 --> 00:23:11,480 Speaker 1: just just never never understood. 562 00:23:11,760 --> 00:23:14,200 Speaker 4: I just I just feel like I always say, it 563 00:23:14,280 --> 00:23:18,040 Speaker 4: is like I don't never get in that because I'm 564 00:23:18,040 --> 00:23:21,000 Speaker 4: a man, so the man should stay the funk away. 565 00:23:21,760 --> 00:23:26,280 Speaker 4: It's like, whatever's going on, whatever it's going on, I don't, 566 00:23:26,880 --> 00:23:29,879 Speaker 4: I don't get in that, like I don't. I'm not 567 00:23:30,440 --> 00:23:33,520 Speaker 4: like doing no, I'm not doing no type of to 568 00:23:34,000 --> 00:23:36,600 Speaker 4: that director, to none, to that direction at all, because 569 00:23:36,600 --> 00:23:38,960 Speaker 4: it's like I'm a man, like I'm not getting in 570 00:23:39,040 --> 00:23:42,520 Speaker 4: that business. Uh, the little damn shit you had seen 571 00:23:42,760 --> 00:23:45,880 Speaker 4: was because I'm a grown man. Also, like I'm saying, 572 00:23:46,200 --> 00:23:51,920 Speaker 4: and men not even shouted, but men is like going 573 00:23:52,040 --> 00:23:54,040 Speaker 4: up like they're trying to do something. Call them my 574 00:23:54,160 --> 00:23:56,880 Speaker 4: wife all bitches and ship like it's a respect thing. 575 00:23:56,960 --> 00:24:00,040 Speaker 4: Brother at the end of the day, Like don't you 576 00:24:00,080 --> 00:24:02,000 Speaker 4: call my wife? And then I'm a DM you because 577 00:24:02,000 --> 00:24:03,400 Speaker 4: I don't know you. You see what I'm saying, I'm 578 00:24:03,400 --> 00:24:06,040 Speaker 4: a DMU to see what what are you doing? Like 579 00:24:06,160 --> 00:24:08,320 Speaker 4: what you got going on? Because it's not for the public. 580 00:24:08,680 --> 00:24:10,200 Speaker 4: And then you go up with the ship. It's like 581 00:24:10,400 --> 00:24:12,400 Speaker 4: goof and ship. That's why I don't be I try 582 00:24:12,440 --> 00:24:14,200 Speaker 4: to stay away. I shouldn't have never even said nothing 583 00:24:14,200 --> 00:24:16,840 Speaker 4: to a nigga at all because I'm never gonna see you. 584 00:24:17,840 --> 00:24:18,880 Speaker 4: We ain't gonna see each other. 585 00:24:18,960 --> 00:24:19,080 Speaker 3: Bro. 586 00:24:20,600 --> 00:24:22,679 Speaker 4: Is you like a street punk out here in New 587 00:24:22,760 --> 00:24:24,720 Speaker 4: York's whoever the nigga was like a street punk or something. 588 00:24:24,720 --> 00:24:26,399 Speaker 4: It was like a random nigga that wasn't even in 589 00:24:26,480 --> 00:24:29,359 Speaker 4: our business, not even in our world. But you turning 590 00:24:29,440 --> 00:24:31,680 Speaker 4: my wife, Bro, I'm not playing those games. I hate 591 00:24:31,720 --> 00:24:34,600 Speaker 4: with men say anything about my wife because it's like 592 00:24:35,400 --> 00:24:40,119 Speaker 4: you're a man. Let me get this phone now, but 593 00:24:40,240 --> 00:24:43,680 Speaker 4: you're a man. Don't speak on my wife. Bro. I 594 00:24:43,720 --> 00:24:45,640 Speaker 4: don't care how people think, like, oh, why you white 595 00:24:45,760 --> 00:24:48,360 Speaker 4: white man. This is my wife, mother, my kids, man 596 00:24:49,280 --> 00:24:52,480 Speaker 4: right me and disrespecting wife. I said, you ain't playing 597 00:24:52,520 --> 00:24:58,480 Speaker 4: by chores. Yeah, you want to box niggas and a they't. Mom. 598 00:24:58,840 --> 00:24:59,960 Speaker 4: I'm gonna get on your Yeah. 599 00:25:00,000 --> 00:25:01,480 Speaker 5: We're gonna make yeah box your mouth. 600 00:25:02,080 --> 00:25:04,760 Speaker 4: All that plan, the tweak, all the trying to twinker 601 00:25:04,800 --> 00:25:09,920 Speaker 4: your toes and kick your feet, all that. Don't don't. Don't. 602 00:25:10,280 --> 00:25:13,600 Speaker 4: Don't speak on my wife. Man, just be because I'm 603 00:25:13,600 --> 00:25:15,240 Speaker 4: not gonna speak on you. I never speak on a 604 00:25:15,320 --> 00:25:18,639 Speaker 4: woman business at all. It's just not gonna happen, even mine. 605 00:25:19,359 --> 00:25:22,080 Speaker 4: I did it one time at one time. What you're 606 00:25:22,080 --> 00:25:25,400 Speaker 4: just talking about, But I'm not speaking on no woman 607 00:25:25,480 --> 00:25:28,080 Speaker 4: being as You're gonna lose as a man every time. 608 00:25:28,240 --> 00:25:29,800 Speaker 5: But that wasn't real though when you posted it. 609 00:25:30,359 --> 00:25:34,560 Speaker 4: Yeah that was now he got the crazy questions. 610 00:25:34,560 --> 00:25:39,159 Speaker 2: Come on, come on, I can talk about this song 611 00:25:39,240 --> 00:25:41,680 Speaker 2: healthy on the album. So what is being healthy looked 612 00:25:41,680 --> 00:25:42,880 Speaker 2: like the offset nowadays? 613 00:25:46,280 --> 00:25:51,400 Speaker 4: Keep a gud first, uh, staying focused on the creativity 614 00:25:51,440 --> 00:25:53,000 Speaker 4: and the pitch I'm trying to pay for the fans 615 00:25:53,600 --> 00:26:01,840 Speaker 4: and like standing away from negativity doing it on. That's 616 00:26:01,880 --> 00:26:03,720 Speaker 4: why I said, keeping all this to myself a loaf, 617 00:26:03,920 --> 00:26:08,520 Speaker 4: because it's like I got too many people that especially 618 00:26:08,520 --> 00:26:10,160 Speaker 4: what I'm saying, I got too many people I gotta 619 00:26:10,200 --> 00:26:14,080 Speaker 4: help and blessed to be thinking on my own, like me, moving, 620 00:26:14,240 --> 00:26:16,440 Speaker 4: making decisions and moving and doing shit on my own. 621 00:26:16,840 --> 00:26:21,080 Speaker 4: It's an effects a domino efit in my family. And yeah, man, 622 00:26:21,640 --> 00:26:24,879 Speaker 4: I'm just I'm glad guy was able to take me 623 00:26:25,000 --> 00:26:28,840 Speaker 4: in a cool space. I go through things behind closed 624 00:26:28,840 --> 00:26:31,960 Speaker 4: though sometimes still though for sure, but for the most part, 625 00:26:32,119 --> 00:26:36,320 Speaker 4: I'm kind of focusing. I think me being able to 626 00:26:36,400 --> 00:26:38,639 Speaker 4: create and do shooting videos, how I've been doing them 627 00:26:38,680 --> 00:26:40,840 Speaker 4: and doing my own I got my own production company, 628 00:26:41,119 --> 00:26:43,560 Speaker 4: I've been directing my own videos. Being in control of 629 00:26:43,640 --> 00:26:46,320 Speaker 4: my shit brings me happiness, you know what I'm saying, 630 00:26:46,359 --> 00:26:48,760 Speaker 4: Because I'm a grown man. It's not like before when 631 00:26:48,760 --> 00:26:50,800 Speaker 4: I was young and just running around getting the money 632 00:26:50,840 --> 00:26:53,440 Speaker 4: and like not paying attention to details and shit. So 633 00:26:53,880 --> 00:26:56,359 Speaker 4: I have to now, so that brings me my. 634 00:26:56,400 --> 00:26:58,080 Speaker 5: Happiness, even being young. 635 00:26:58,119 --> 00:26:59,959 Speaker 2: You're thirty one now, y'all be in married six year 636 00:27:00,160 --> 00:27:02,560 Speaker 2: is How did you know at twenty five just the 637 00:27:02,600 --> 00:27:04,240 Speaker 2: person I want to spend the rest of my life with. 638 00:27:06,320 --> 00:27:08,680 Speaker 4: Because it wasn't about nothing, you did what I'm saying, Like, 639 00:27:08,720 --> 00:27:12,000 Speaker 4: it wasn't about it was a no motive. It was 640 00:27:12,119 --> 00:27:15,520 Speaker 4: just vibes and feelings and like growing into each other, dependings, 641 00:27:15,560 --> 00:27:18,600 Speaker 4: like depending on each other, and like when I'm this 642 00:27:18,680 --> 00:27:21,040 Speaker 4: shit ain't easy to go through, no matter young or whatever. 643 00:27:21,200 --> 00:27:24,560 Speaker 4: Like the industry and the game, the ups and lows, 644 00:27:24,760 --> 00:27:26,840 Speaker 4: you know, it's just like this with this shit and 645 00:27:26,920 --> 00:27:29,200 Speaker 4: to have somebody right there that's like that's gonna push 646 00:27:29,240 --> 00:27:33,840 Speaker 4: you and not just be there. She pushed me. She 647 00:27:33,960 --> 00:27:36,200 Speaker 4: prayed with me, bro like I had never had no 648 00:27:36,359 --> 00:27:38,800 Speaker 4: girl praying with praying with me, praying with me like 649 00:27:38,880 --> 00:27:41,479 Speaker 4: you pray with me if you are a family woman too, 650 00:27:41,560 --> 00:27:43,399 Speaker 4: Like when I go see your roots and when I 651 00:27:43,480 --> 00:27:45,359 Speaker 4: first was going home, like how ruded you work to 652 00:27:45,440 --> 00:27:48,320 Speaker 4: your family me coming from the South, you know that 653 00:27:48,400 --> 00:27:52,440 Speaker 4: shit mean everything like in this aid their age a 654 00:27:52,520 --> 00:27:54,639 Speaker 4: lot of the like the women ain't nowhere near their 655 00:27:54,720 --> 00:27:57,080 Speaker 4: mamas and aunt ties and grandmas and like don't talk 656 00:27:57,119 --> 00:27:59,199 Speaker 4: to them because maybe they're saying or whatever whatever they 657 00:27:59,240 --> 00:28:02,600 Speaker 4: got going on. She's a family person first, So when 658 00:28:02,680 --> 00:28:06,200 Speaker 4: I felt like I got a keeper, like support me, 659 00:28:06,359 --> 00:28:08,040 Speaker 4: push me, let me know ship, like you could do 660 00:28:08,119 --> 00:28:09,959 Speaker 4: this better, you can do this better. I'm letting her 661 00:28:10,200 --> 00:28:14,240 Speaker 4: I lead, but also like she right there for me. 662 00:28:14,960 --> 00:28:18,920 Speaker 4: And it was like niggas don't get it, Like that's 663 00:28:19,000 --> 00:28:21,120 Speaker 4: what gets you when you get you a good woman, 664 00:28:21,400 --> 00:28:24,040 Speaker 4: that's what get your focus. Like absolutely, and then like 665 00:28:24,119 --> 00:28:28,400 Speaker 4: you start like you like my mama's I was going 666 00:28:28,480 --> 00:28:31,920 Speaker 4: with my mama's, my grandma. Good women make good men. 667 00:28:32,240 --> 00:28:36,920 Speaker 4: Facts absolutely, so it's like you need that corbecks. I 668 00:28:37,000 --> 00:28:38,960 Speaker 4: need that. I was wildid West riding the s motherfucker. 669 00:28:39,240 --> 00:28:41,120 Speaker 4: You know what I'm saying, losing and loose Canna. 670 00:28:40,960 --> 00:28:43,320 Speaker 5: Just jumping off the stage with the falcon punch. 671 00:28:43,520 --> 00:28:46,240 Speaker 4: Yeah, yeah, that was just slow that down, focused it 672 00:28:46,320 --> 00:28:47,120 Speaker 4: up and get on the money. 673 00:28:47,520 --> 00:28:49,480 Speaker 1: Now we had Cardie up here. She you know, she 674 00:28:49,720 --> 00:28:51,840 Speaker 1: talked about how much she supports you and was, you know, 675 00:28:52,120 --> 00:28:54,240 Speaker 1: riding for you, loving your music. And now let me 676 00:28:54,280 --> 00:28:55,640 Speaker 1: ask you a question. No, we're gonna get a car 677 00:28:55,720 --> 00:28:57,520 Speaker 1: to get second cardiout many times soon, man. 678 00:28:57,520 --> 00:28:58,680 Speaker 4: She said, I started. 679 00:28:58,800 --> 00:29:00,880 Speaker 5: I thought that's all of my mouth, and you know. 680 00:29:01,000 --> 00:29:04,160 Speaker 3: She ain't nothing. She said first quarter said four had 681 00:29:04,200 --> 00:29:06,800 Speaker 3: twenty twenty four? Is it done? We almost there were 682 00:29:06,800 --> 00:29:09,920 Speaker 3: almost there for sure. I ain't having almost. 683 00:29:10,280 --> 00:29:11,680 Speaker 5: I swear I thought I saw him put out an 684 00:29:11,680 --> 00:29:13,600 Speaker 5: album cover and everything I made that up? 685 00:29:13,680 --> 00:29:14,600 Speaker 4: Yeah you made you made that? 686 00:29:14,760 --> 00:29:15,360 Speaker 5: Must have been fake? 687 00:29:15,400 --> 00:29:16,880 Speaker 4: On ship? You want you want to have it real? 688 00:29:20,360 --> 00:29:22,239 Speaker 5: Like, ain't nobody talking about this? It must have been 689 00:29:22,440 --> 00:29:24,760 Speaker 5: Probably was fake. But there's there's rumors that y'all was 690 00:29:24,760 --> 00:29:26,200 Speaker 5: working on the joint album together too, though. 691 00:29:26,320 --> 00:29:27,520 Speaker 4: Yeah, after hers, you. 692 00:29:27,560 --> 00:29:29,080 Speaker 2: Think that would be that would be the album. Like 693 00:29:29,120 --> 00:29:32,120 Speaker 2: the way you just expressed love for your wife and 694 00:29:32,280 --> 00:29:33,800 Speaker 2: you know why you decided to be with her. You 695 00:29:33,840 --> 00:29:36,160 Speaker 2: think we'll get that in music on that project. 696 00:29:35,920 --> 00:29:36,320 Speaker 4: For sure? 697 00:29:36,520 --> 00:29:41,080 Speaker 2: Okay, then the tour, then a tour. Oh, you're definitely 698 00:29:41,120 --> 00:29:45,680 Speaker 2: having another baby after the tour. That's definitely happened, she said. 699 00:29:45,720 --> 00:29:48,040 Speaker 1: She said she wanted more, right, she said she was saying, 700 00:29:48,040 --> 00:29:49,800 Speaker 1: and say that ship up here, man, you don't want 701 00:29:49,800 --> 00:29:51,240 Speaker 1: no more Father six. 702 00:29:55,720 --> 00:29:59,200 Speaker 3: I don't wanna get me up college expensive? 703 00:30:00,080 --> 00:30:00,600 Speaker 4: What I know? 704 00:30:01,640 --> 00:30:03,520 Speaker 3: Father six? Next album? 705 00:30:04,560 --> 00:30:05,760 Speaker 4: I mean you got six? 706 00:30:06,480 --> 00:30:07,720 Speaker 3: I'm done, done done. 707 00:30:07,880 --> 00:30:08,440 Speaker 5: I got four. 708 00:30:08,600 --> 00:30:11,240 Speaker 3: I'm done, done, done done. I got two in college 709 00:30:11,280 --> 00:30:12,760 Speaker 3: right now? College expensive college? 710 00:30:12,760 --> 00:30:13,480 Speaker 4: Waxing that ass. 711 00:30:13,560 --> 00:30:13,960 Speaker 3: That's right. 712 00:30:14,320 --> 00:30:20,040 Speaker 2: Pause, let's get to I do want to ask one ques, 713 00:30:20,120 --> 00:30:23,040 Speaker 2: what else you learned from tay Goff's passing? 714 00:30:24,360 --> 00:30:43,400 Speaker 4: M What have I learned? That's all right question, bro hmm? 715 00:30:44,240 --> 00:30:52,120 Speaker 4: What have I learned from that? Right? What have I learned? 716 00:30:52,160 --> 00:30:53,479 Speaker 5: But if you still if you haven't learned it yet, 717 00:30:53,520 --> 00:30:54,720 Speaker 5: that's fine too, though, you know what I mean. 718 00:30:55,360 --> 00:30:58,280 Speaker 4: I'm still learning, man. That's why it was hard to 719 00:30:58,280 --> 00:31:02,000 Speaker 4: answer that ship. I'm still learning. I don't even know 720 00:31:02,040 --> 00:31:05,320 Speaker 4: what to say. The lesson is just pain, like it 721 00:31:05,400 --> 00:31:07,680 Speaker 4: ain't really really you're trying to run from that ship. 722 00:31:08,560 --> 00:31:10,600 Speaker 5: Have you done anything to deal with that grief? Like 723 00:31:11,320 --> 00:31:12,960 Speaker 5: I sat down with somebody. 724 00:31:13,280 --> 00:31:15,760 Speaker 4: I be feeling like bro that ship like sitting down 725 00:31:15,800 --> 00:31:18,320 Speaker 4: with people like maybe I ain't found the right person, 726 00:31:18,400 --> 00:31:22,960 Speaker 4: but I don't feel like sometimes people like can't relate 727 00:31:24,080 --> 00:31:28,040 Speaker 4: to ship, like your definite family is different like could 728 00:31:28,080 --> 00:31:30,480 Speaker 4: have been from like sickness and my death is different 729 00:31:30,520 --> 00:31:34,920 Speaker 4: where like you want to do something, you want to 730 00:31:34,960 --> 00:31:37,480 Speaker 4: you know what I'm saying, And it's like I done 731 00:31:38,000 --> 00:31:40,360 Speaker 4: lost a couple of friends like this, so I don't 732 00:31:40,400 --> 00:31:42,960 Speaker 4: feel like somebody can sit in front of me they 733 00:31:42,960 --> 00:31:44,960 Speaker 4: ain't lost a couple of friends, like in this way 734 00:31:45,040 --> 00:31:48,000 Speaker 4: you know what I'm saying, and in a public way 735 00:31:48,080 --> 00:31:51,120 Speaker 4: and like oh, like I just feel tart to my 736 00:31:51,200 --> 00:31:55,040 Speaker 4: mama and God and my wife. That's why family, the family, 737 00:31:55,200 --> 00:31:58,200 Speaker 4: the family is what. That's what keep you grounded, keep 738 00:31:58,200 --> 00:32:01,000 Speaker 4: you grinded and be able to hold you tight and 739 00:32:01,080 --> 00:32:03,480 Speaker 4: you feel comfortable with being vulnerable, like I cry with 740 00:32:03,560 --> 00:32:05,400 Speaker 4: my mama, you know, I cry with my wife, but 741 00:32:05,520 --> 00:32:08,160 Speaker 4: I can't like it ain't for everybody to see. 742 00:32:09,560 --> 00:32:13,200 Speaker 2: That's why culturally competent therapists and psychiatrists and grief counselors 743 00:32:13,240 --> 00:32:13,880 Speaker 2: are very important. 744 00:32:13,880 --> 00:32:16,480 Speaker 5: You got you gotta have somebody who from it don't 745 00:32:16,520 --> 00:32:17,000 Speaker 5: understand it. 746 00:32:17,320 --> 00:32:19,240 Speaker 4: I feel like sometime in them jobs, spatially, they're not 747 00:32:19,320 --> 00:32:22,160 Speaker 4: giving people who maybe have a record and those two 748 00:32:22,160 --> 00:32:24,400 Speaker 4: people you need to have in the office because they 749 00:32:24,520 --> 00:32:26,800 Speaker 4: gonna they've been through some ship that they can really 750 00:32:27,280 --> 00:32:29,880 Speaker 4: relate to Black people. Like I feel like the therapy 751 00:32:29,960 --> 00:32:32,080 Speaker 4: thing don't really beef black folks a lot of times 752 00:32:32,160 --> 00:32:37,640 Speaker 4: because it's not every person I ever seen it like 753 00:32:37,800 --> 00:32:42,120 Speaker 4: they ain't. They like took the right way. Everything was 754 00:32:42,160 --> 00:32:44,560 Speaker 4: good on paper, everything it's good. The college d da 755 00:32:44,640 --> 00:32:52,040 Speaker 4: da dah. It ain't like like a whallow's in the street. 756 00:32:52,120 --> 00:32:53,800 Speaker 4: Young niggas in the street who's selling dope right now 757 00:32:53,880 --> 00:32:57,760 Speaker 4: with their gun, and well listen to him way before 758 00:32:57,760 --> 00:33:01,760 Speaker 4: they listen to somebody that looked like them. But this 759 00:33:01,920 --> 00:33:03,680 Speaker 4: can't trying to tell them how to do it. 760 00:33:03,720 --> 00:33:04,200 Speaker 3: I can't relate. 761 00:33:04,280 --> 00:33:06,000 Speaker 4: See, I asked questions back. I sit down with somebody, 762 00:33:06,000 --> 00:33:08,240 Speaker 4: i'mna asking you a questions back, like so have you 763 00:33:08,280 --> 00:33:11,160 Speaker 4: ever d D? And if it ain't, it's waste time. 764 00:33:11,600 --> 00:33:14,000 Speaker 4: And I just feel like even with that situation, it's 765 00:33:14,040 --> 00:33:16,280 Speaker 4: so popular we group. I don't know who the fuck 766 00:33:16,360 --> 00:33:17,440 Speaker 4: I can sit there and talk. 767 00:33:17,360 --> 00:33:19,720 Speaker 5: To that won't be on some like I said off 768 00:33:19,720 --> 00:33:20,240 Speaker 5: set today. 769 00:33:21,000 --> 00:33:24,400 Speaker 4: On some I'm scared of it, like like that, and 770 00:33:24,480 --> 00:33:26,240 Speaker 4: I feel like therapy don't be feel like the public. 771 00:33:26,280 --> 00:33:28,200 Speaker 4: That's why it's therapy. Like that's right, you go to 772 00:33:28,360 --> 00:33:31,040 Speaker 4: the class. It's not for everybody to be on it 773 00:33:31,200 --> 00:33:32,680 Speaker 4: like they might knowing the business. 774 00:33:34,240 --> 00:33:36,680 Speaker 3: But we appreciate you. The album comes out this Friday. 775 00:33:36,760 --> 00:33:38,040 Speaker 3: Set it off, you want you want to play? 776 00:33:38,920 --> 00:33:41,360 Speaker 4: What was What was your favorite song? What did you 777 00:33:41,400 --> 00:33:41,720 Speaker 4: feel like? 778 00:33:43,480 --> 00:33:46,800 Speaker 1: There's a couple I like, uh, I like saying my Grace. 779 00:33:46,880 --> 00:33:49,240 Speaker 1: I like worth it because I just I'm from that era. 780 00:33:49,400 --> 00:33:52,360 Speaker 1: So I like you kind of catching the bus to flow, which. 781 00:33:52,240 --> 00:33:53,880 Speaker 2: Was different like blame it on set. I like the 782 00:33:53,920 --> 00:33:58,360 Speaker 2: one where you had, like the project path flow the 783 00:33:58,440 --> 00:33:59,120 Speaker 2: first song on the. 784 00:33:59,120 --> 00:33:59,760 Speaker 4: Album, halld On. 785 00:34:00,600 --> 00:34:02,160 Speaker 3: That's when you said, one, yeah, that's hard. 786 00:34:03,960 --> 00:34:05,480 Speaker 5: What else? I don't know. I got to listen to 787 00:34:05,520 --> 00:34:05,720 Speaker 5: it again. 788 00:34:06,040 --> 00:34:08,320 Speaker 4: To listen to it, I wanted to bring rap, like 789 00:34:08,480 --> 00:34:10,839 Speaker 4: rapping on the song, but it's a lot of auto tune, 790 00:34:10,920 --> 00:34:13,360 Speaker 4: a lot of like I got melodies on here of course, but. 791 00:34:13,440 --> 00:34:16,040 Speaker 5: Like your voice don't need it though, niggas got to 792 00:34:16,040 --> 00:34:17,680 Speaker 5: get to the rapping, but your voice. 793 00:34:17,480 --> 00:34:19,719 Speaker 2: So distinct, you don't need the autotune. The joy with 794 00:34:19,800 --> 00:34:24,640 Speaker 2: Travis said, okay, all right, right, yeah that's hard, that's hard. 795 00:34:24,640 --> 00:34:26,200 Speaker 2: We got the video we shot that ship and talent 796 00:34:26,280 --> 00:34:27,440 Speaker 2: to y'all. Can't wait to y'all see that. 797 00:34:27,920 --> 00:34:30,080 Speaker 5: Or what does success look like to you? For set 798 00:34:30,120 --> 00:34:31,480 Speaker 5: it off? Like what do you want this album to do? 799 00:34:31,520 --> 00:34:33,160 Speaker 2: Because I know you're trying to call out you already 800 00:34:33,200 --> 00:34:34,799 Speaker 2: got your own identity is off set, but I think 801 00:34:34,840 --> 00:34:37,040 Speaker 2: you're trying to call it out musically, So yeah, what 802 00:34:37,120 --> 00:34:38,919 Speaker 2: does success look like for all set? 803 00:34:39,320 --> 00:34:39,440 Speaker 5: Uh? 804 00:34:41,040 --> 00:34:42,840 Speaker 4: The music connected to the people? Like I'm not you 805 00:34:42,960 --> 00:34:45,320 Speaker 4: know how we came in the game, like the the 806 00:34:45,480 --> 00:34:49,239 Speaker 4: the like I hate how everything is clocked now, like 807 00:34:49,360 --> 00:34:53,319 Speaker 4: the number of ship like the first day, because then 808 00:34:53,360 --> 00:34:56,560 Speaker 4: it gives people pins already immediately they ain't even chatting 809 00:34:56,600 --> 00:34:58,840 Speaker 4: to us. So me, I'm just trying to connect musically 810 00:34:58,920 --> 00:35:03,240 Speaker 4: with these people. And like like you said, identify offsets 811 00:35:03,320 --> 00:35:07,239 Speaker 4: sound like like I did on Reflair that was like, 812 00:35:07,320 --> 00:35:11,520 Speaker 4: oh shit, bro got that broke, like it's proven like 813 00:35:12,360 --> 00:35:15,880 Speaker 4: and showing my creativity, like see my album cover falling 814 00:35:15,920 --> 00:35:18,439 Speaker 4: from the Sky outside down, but I'm still on top. 815 00:35:18,520 --> 00:35:22,320 Speaker 4: It's like being able to express the art. It's not 816 00:35:22,560 --> 00:35:25,600 Speaker 4: numbers for me that shit be capped because I come 817 00:35:25,680 --> 00:35:28,400 Speaker 4: from see my My number one record was number sixty 818 00:35:28,760 --> 00:35:33,320 Speaker 4: and forty twenty and ten then number one, So I know, 819 00:35:33,520 --> 00:35:37,759 Speaker 4: like working the record. I feel like people don't be 820 00:35:37,840 --> 00:35:40,840 Speaker 4: working records no more cause it's like or seeing the 821 00:35:40,880 --> 00:35:44,279 Speaker 4: importance of radio and shit, because that's what keeps the 822 00:35:44,600 --> 00:35:46,960 Speaker 4: keeps the wheels spinning. Like people be on some Oh 823 00:35:47,040 --> 00:35:50,080 Speaker 4: I dropped this week, Okay, fuck that, I'm working on 824 00:35:50,160 --> 00:35:52,799 Speaker 4: a new album. I'm working on. You gotta work the records, bro, 825 00:35:52,880 --> 00:35:55,200 Speaker 4: because then that's when they be season. It's like season 826 00:35:55,280 --> 00:35:57,800 Speaker 4: and Chicken going back to that. You got to marrinick 827 00:35:57,840 --> 00:36:00,680 Speaker 4: that motherfucker that is shit. They get right, and then 828 00:36:01,239 --> 00:36:02,880 Speaker 4: then when you play the meal, it's like, ooh, I 829 00:36:02,960 --> 00:36:04,960 Speaker 4: want to eat that again. They keep going back to it. 830 00:36:05,040 --> 00:36:08,000 Speaker 4: That's why Father for wasn't like a lit album, like 831 00:36:08,840 --> 00:36:10,640 Speaker 4: like a Turn THEO album, because I wanted you to 832 00:36:10,880 --> 00:36:14,080 Speaker 4: digest who I was like and walking in my shoes, 833 00:36:14,239 --> 00:36:15,839 Speaker 4: dealing with the shit and the traumas I went through 834 00:36:16,360 --> 00:36:19,080 Speaker 4: the wife and the kids and the and then that 835 00:36:19,320 --> 00:36:21,520 Speaker 4: album gave me the identity to be able to do 836 00:36:21,640 --> 00:36:23,880 Speaker 4: this because I'm not gonna lie. Every person that always 837 00:36:23,920 --> 00:36:25,600 Speaker 4: taught me about that album, it was like, we appreciate 838 00:36:25,640 --> 00:36:27,799 Speaker 4: the album and made me see you in another lens 839 00:36:27,840 --> 00:36:30,320 Speaker 4: that I never looked at you at. And so it 840 00:36:30,440 --> 00:36:32,239 Speaker 4: gave people like an opening to me. So now this 841 00:36:32,360 --> 00:36:35,239 Speaker 4: one's gonna be like, yeah, I'm here, I'm here now. 842 00:36:36,480 --> 00:36:36,600 Speaker 5: Now. 843 00:36:36,600 --> 00:36:38,680 Speaker 2: I love this conversation because everything you're saying, because I 844 00:36:38,719 --> 00:36:40,920 Speaker 2: saw you say the other day about how it's not 845 00:36:41,000 --> 00:36:44,000 Speaker 2: too many rappers doing festivals anymore, but so many people. 846 00:36:43,760 --> 00:36:44,359 Speaker 5: Can make money. 847 00:36:44,640 --> 00:36:46,359 Speaker 2: You're gonna have to bring all that back. You're gonna 848 00:36:46,360 --> 00:36:48,120 Speaker 2: have to bring back the end all helping with projects. 849 00:36:48,160 --> 00:36:50,520 Speaker 2: You're gonna have to bring back caring about radio. You 850 00:36:50,560 --> 00:36:52,040 Speaker 2: know what I mean to get them spins like that's 851 00:36:52,040 --> 00:36:53,640 Speaker 2: how you gonna end up on them stage. 852 00:36:53,640 --> 00:36:56,560 Speaker 4: Facts because because the festivals and them big places, they 853 00:36:56,719 --> 00:36:58,960 Speaker 4: checking your numbers, they checking you with your song that 854 00:36:59,040 --> 00:37:01,040 Speaker 4: don't be able. I learned that at like I think 855 00:37:01,040 --> 00:37:03,400 Speaker 4: I learned that at twenty sixteen. I forgot who the 856 00:37:03,520 --> 00:37:07,600 Speaker 4: artist was. They was going after us, and I'm like, 857 00:37:08,920 --> 00:37:09,880 Speaker 4: I know we had it in it. 858 00:37:11,840 --> 00:37:15,320 Speaker 3: I noticed, but the streaming numbers, it was like a 859 00:37:15,440 --> 00:37:16,160 Speaker 3: radio show too. 860 00:37:16,360 --> 00:37:20,160 Speaker 4: I'm saying, boy, they don't good boy, they don't top fifteen, 861 00:37:20,320 --> 00:37:23,120 Speaker 4: y'all like number forty right now. And then they made 862 00:37:23,120 --> 00:37:25,200 Speaker 4: me understand the significant point of it. So it's some 863 00:37:25,280 --> 00:37:27,640 Speaker 4: people that still watch. And I just feel like artists 864 00:37:27,640 --> 00:37:30,160 Speaker 4: ain't rappers, ain't putt on no show, bro, No, we're 865 00:37:30,239 --> 00:37:32,080 Speaker 4: just getting the bag, and like people try to pay 866 00:37:32,080 --> 00:37:34,399 Speaker 4: in the bag like that just the show. I ain't 867 00:37:35,400 --> 00:37:37,759 Speaker 4: like you gotta put on a show. I can do 868 00:37:37,880 --> 00:37:40,560 Speaker 4: extra shit, so I got advantage and so I'm gonna 869 00:37:40,600 --> 00:37:40,680 Speaker 4: do it. 870 00:37:40,880 --> 00:37:43,120 Speaker 5: Just go around like you're gonna dance and everything. 871 00:37:43,400 --> 00:37:45,960 Speaker 4: Yeah, I don't give fuck you, nigga think it's like 872 00:37:46,120 --> 00:37:49,719 Speaker 4: not cool cool. People like to be entertainment than anything. 873 00:37:49,760 --> 00:37:51,120 Speaker 5: Right, you popping your one more thing? 874 00:37:51,120 --> 00:37:52,440 Speaker 2: You popping your shit on the album too, Because you 875 00:37:52,440 --> 00:37:54,759 Speaker 2: talk about on the album how the first number one 876 00:37:54,960 --> 00:37:57,719 Speaker 2: was because of you bad and Boogie was your record. 877 00:37:57,760 --> 00:38:00,320 Speaker 5: I don't know if people realize that, yeah, that was 878 00:38:00,360 --> 00:38:02,040 Speaker 5: your you and UZI at first, right. 879 00:38:02,080 --> 00:38:07,400 Speaker 4: Yeah, it was. It's just like not being appreciated in 880 00:38:07,480 --> 00:38:10,120 Speaker 4: the system. I'm gonna say, you know what I'm saying, 881 00:38:10,200 --> 00:38:12,799 Speaker 4: like not being appreciated in the system. That's what I'm 882 00:38:12,840 --> 00:38:16,880 Speaker 4: saying because I can't say certain ship not being appreciated 883 00:38:16,920 --> 00:38:17,680 Speaker 4: in the system. Man. 884 00:38:19,560 --> 00:38:22,560 Speaker 3: And it's like believe in me or all right, what 885 00:38:22,800 --> 00:38:24,880 Speaker 3: you want to hear down, what you wanna play, and. 886 00:38:24,960 --> 00:38:28,120 Speaker 4: It's all right? Can that worth it? Man? 887 00:38:28,920 --> 00:38:31,800 Speaker 1: Let's get in that bag Man featuring Don Tolliver and 888 00:38:31,880 --> 00:38:34,120 Speaker 1: we appreciate you joining us. The albums out this Friday 889 00:38:34,200 --> 00:38:36,320 Speaker 1: set it off the brother offset Ta Let's Go, and 890 00:38:36,360 --> 00:38:38,840 Speaker 1: it's The Breakfast Club, Good Morning, wake that ass up 891 00:38:39,400 --> 00:38:39,919 Speaker 1: in the morning. 892 00:38:40,080 --> 00:38:41,080 Speaker 5: The Breakfast Club