1 00:00:00,560 --> 00:00:03,240 Speaker 1: Hey on the eight Fast South show, Jack, this is 2 00:00:03,279 --> 00:00:05,880 Speaker 1: kind of crazy right there. I don't know if you know, 3 00:00:07,120 --> 00:00:11,000 Speaker 1: but you don't forgot Jack, Yeah, you forgot. You must 4 00:00:11,000 --> 00:00:13,600 Speaker 1: have forgot. You forgot the mantrip. I must have forgot. 5 00:00:13,720 --> 00:00:16,280 Speaker 1: No you did? I know you hold a way where 6 00:00:16,320 --> 00:00:18,480 Speaker 1: because we're just told from a couple of days ago. 7 00:00:19,320 --> 00:00:21,360 Speaker 1: I'm gonna say it because I know you forgot you. 8 00:00:21,360 --> 00:00:26,080 Speaker 1: Now you're gonna feel bad. Hey, a gingerbread man ain't 9 00:00:26,079 --> 00:00:30,520 Speaker 1: nothing but a gingerbread boy that THENT grew up one 10 00:00:30,640 --> 00:00:34,239 Speaker 1: hundred percent. Man, that's it, one man, because people will 11 00:00:34,280 --> 00:00:36,519 Speaker 1: be sleeping on the gingerbread man. It's you know, it's 12 00:00:36,520 --> 00:00:42,200 Speaker 1: a lot of us kids involved as gingerbread teams. Family. 13 00:00:42,280 --> 00:00:44,680 Speaker 1: It's a whole gingerbread family in it. Yeah you know. 14 00:00:44,800 --> 00:00:46,479 Speaker 1: So you just can't have a gingerbread man without a 15 00:00:46,479 --> 00:00:51,320 Speaker 1: gingerbread woman right from Come on now? And then how 16 00:00:51,320 --> 00:00:54,360 Speaker 1: do you differentiate b well man from a woman? Right? 17 00:00:54,400 --> 00:00:57,960 Speaker 1: Because some of the cookies amatonically correct? I don't even 18 00:00:58,520 --> 00:01:00,520 Speaker 1: the right world. You know what I'm saying. You're like 19 00:01:00,600 --> 00:01:03,600 Speaker 1: the bark dog since the pandemic hit. Your your song 20 00:01:03,640 --> 00:01:05,840 Speaker 1: will be perfect for right now, don't be kissing these 21 00:01:05,840 --> 00:01:07,840 Speaker 1: holes in the mouth unless you got to man, And 22 00:01:08,000 --> 00:01:10,720 Speaker 1: why would you say that? You said that, I mean, 23 00:01:10,760 --> 00:01:13,640 Speaker 1: but why would you say The pandemic would make it, like, 24 00:01:13,720 --> 00:01:16,200 Speaker 1: you know, a little bit more relevant than now than 25 00:01:16,840 --> 00:01:18,920 Speaker 1: think before that, because you should have never kissed no 26 00:01:19,040 --> 00:01:21,199 Speaker 1: holes in the mouth. Think about it. There's a lot 27 00:01:21,280 --> 00:01:23,440 Speaker 1: of people of bumps on their lips over some mother ship. 28 00:01:23,520 --> 00:01:26,120 Speaker 1: But check this out. But if she found enough, I 29 00:01:26,120 --> 00:01:27,880 Speaker 1: will buy the bump on you live. I'll bust that 30 00:01:27,920 --> 00:01:32,360 Speaker 1: ship for you if we competitive you hear me, I'm 31 00:01:32,560 --> 00:01:37,520 Speaker 1: by myself. Yeah, I can't get a witness and kissing 32 00:01:37,560 --> 00:01:41,880 Speaker 1: the bit in the mouth. Nigger. You jumped to extreme 33 00:01:42,040 --> 00:01:46,360 Speaker 1: with y'all executing them in here? Someone, okay, none that 34 00:01:47,160 --> 00:01:51,960 Speaker 1: I'm alone, We're grown. I'm home alone. Yeah, okay, that's 35 00:01:52,000 --> 00:01:57,880 Speaker 1: that's your business. Guys. Guys, get down like nigga. I'm bumping. 36 00:01:57,880 --> 00:02:01,480 Speaker 1: I'm trying to keep this thing jam and nig I'm yeah, yeah, 37 00:02:01,520 --> 00:02:04,200 Speaker 1: I'm with the bumps. They got websites your bump touched 38 00:02:04,240 --> 00:02:07,560 Speaker 1: before you actually touching little jack. Sometimes I don't know 39 00:02:07,600 --> 00:02:10,560 Speaker 1: when you just be saying ship, yeah, if you're speaking 40 00:02:10,560 --> 00:02:13,120 Speaker 1: from the heart, I feel like that, you know, A 41 00:02:13,160 --> 00:02:17,200 Speaker 1: connection is a connection, right, bottom line. Yeah, you got 42 00:02:17,200 --> 00:02:19,400 Speaker 1: to go through something to get to something right. A wrong, 43 00:02:19,480 --> 00:02:22,680 Speaker 1: You're wrong a little bit because let's just switch gears. 44 00:02:22,680 --> 00:02:25,520 Speaker 1: Because you're trying to take this. I ain't gonna be 45 00:02:25,560 --> 00:02:28,960 Speaker 1: with it. I'm looking at you. Came right out the 46 00:02:28,960 --> 00:02:32,040 Speaker 1: gate with the bumps. Yeah, I'm just trying to let 47 00:02:32,040 --> 00:02:34,120 Speaker 1: you know that everybody in perfect I'm just letting you know. 48 00:02:34,200 --> 00:02:38,240 Speaker 1: I don't know what this is even headed. At this point, 49 00:02:38,680 --> 00:02:42,000 Speaker 1: you're gonna tell me that you've been like talking to 50 00:02:42,040 --> 00:02:45,280 Speaker 1: these people for the last five years bumps and bumps 51 00:02:45,280 --> 00:02:50,560 Speaker 1: never came up until you can until I so we 52 00:02:50,560 --> 00:02:53,120 Speaker 1: we we're can really act like I'm the only person 53 00:02:53,160 --> 00:02:55,639 Speaker 1: that's been infected by bumps. Yeah, this might be your 54 00:02:55,680 --> 00:03:03,639 Speaker 1: breakout moment. Damn said. They used to call him Buffet John's. 55 00:03:06,040 --> 00:03:08,399 Speaker 1: It's a Hall of Knight. It's definitely Hall of Knights? 56 00:03:08,400 --> 00:03:11,360 Speaker 1: Are you living like that though? I mean no, no, no, no, no, 57 00:03:11,360 --> 00:03:13,079 Speaker 1: no no no no. I didn't catch I didn't catch 58 00:03:13,120 --> 00:03:24,640 Speaker 1: the No, that's not what I got. I' no. This 59 00:03:24,760 --> 00:03:27,519 Speaker 1: was just regular pimpors. You know, this was regular pimples. 60 00:03:27,600 --> 00:03:31,200 Speaker 1: You're nervous. This is regular pimpors. You're sweating, taking jacket off. 61 00:03:31,600 --> 00:03:42,720 Speaker 1: You're sweating jacket, You're getting nervous. Yes, I knew it. Yeah, 62 00:03:43,600 --> 00:03:46,080 Speaker 1: hey man, I'm sothing man that Joe. Joe put this 63 00:03:46,520 --> 00:03:48,600 Speaker 1: when I was shooting the Comedies Special. Joe put this 64 00:03:48,640 --> 00:03:51,560 Speaker 1: microphone right here, right. I guess this bitch pick up everything. 65 00:03:52,160 --> 00:03:54,600 Speaker 1: This nigga sweat. I'm on pills on the ship. You 66 00:03:54,640 --> 00:03:56,360 Speaker 1: had to drop mouth. He was on some pills. Well, 67 00:03:56,400 --> 00:04:00,000 Speaker 1: hell like nigga, we eversleeve me taking some pills. I'm 68 00:04:00,080 --> 00:04:03,480 Speaker 1: getting the cubes kind of ship. He said, who said 69 00:04:03,480 --> 00:04:06,360 Speaker 1: you take a p I'm hit me like he was 70 00:04:06,480 --> 00:04:08,480 Speaker 1: half bro. I had to turn the bluetooth off. Nick, 71 00:04:08,520 --> 00:04:10,720 Speaker 1: I heard you mouth drowning that. I was like, I 72 00:04:10,760 --> 00:04:14,880 Speaker 1: was outside for two hours, freezing cold Mount r I'm 73 00:04:14,960 --> 00:04:18,479 Speaker 1: housing you can't get I thought it was certains, to 74 00:04:18,520 --> 00:04:19,960 Speaker 1: be honest with you, I don't even try I pad 75 00:04:20,120 --> 00:04:22,880 Speaker 1: with certains and that I was trying to keep my breath. 76 00:04:22,920 --> 00:04:26,000 Speaker 1: I just don't like being blamed being on drills. Not 77 00:04:26,400 --> 00:04:29,440 Speaker 1: nig I could. I didn't need to mind being blamed 78 00:04:29,440 --> 00:04:33,640 Speaker 1: on drugs. If everybody else on drugs today, Hey, we're grown, 79 00:04:33,720 --> 00:04:37,120 Speaker 1: first of all, we don't do drugs at work. Drugs 80 00:04:37,120 --> 00:04:43,320 Speaker 1: sounds crazy. I didn't member. Have you ever just introduced 81 00:04:43,320 --> 00:04:46,760 Speaker 1: yourself like, Hey, I'm Colors, I'm Clayton, and I'm on 82 00:04:46,839 --> 00:04:50,240 Speaker 1: drugs like mentioned the meeting. No, just talking to this 83 00:04:50,240 --> 00:04:53,160 Speaker 1: regular people to see if you cannet. I'm not knowing this. 84 00:04:54,040 --> 00:04:58,320 Speaker 1: Knowing this nigger for like sixteen seventeen years, I ain't 85 00:04:58,320 --> 00:05:01,719 Speaker 1: never seen him with no drugs. Mmmmm. Now if he 86 00:05:01,760 --> 00:05:04,839 Speaker 1: would have had some drugs, I'm just putting I would 87 00:05:04,880 --> 00:05:08,040 Speaker 1: have known about it. I think I don't think of 88 00:05:08,120 --> 00:05:11,880 Speaker 1: nigga would have hit drugs. Me y'all drug cool? We 89 00:05:11,960 --> 00:05:14,960 Speaker 1: know all, which means you know who drugs would like 90 00:05:15,040 --> 00:05:17,200 Speaker 1: you know, if they didn't get caught. You didn't say, 91 00:05:17,200 --> 00:05:20,279 Speaker 1: now the nigger had two pounds of weed and keylo 92 00:05:20,360 --> 00:05:22,840 Speaker 1: with cocaine. I'm no, you weren't gonna say that. No 93 00:05:22,960 --> 00:05:25,160 Speaker 1: that you Werena, you was gonna say that wasn't for years? 94 00:05:25,600 --> 00:05:30,440 Speaker 1: Who because I know, well it doesn't matter to amount. 95 00:05:30,200 --> 00:05:33,720 Speaker 1: I'll be like that, ain't that ain't help? Got you? 96 00:05:33,880 --> 00:05:37,320 Speaker 1: That ain't help? And they had a little weed that 97 00:05:37,440 --> 00:05:40,159 Speaker 1: was hell right, got you got you? We were talking 98 00:05:40,160 --> 00:05:43,760 Speaker 1: about personal drugs only this my only personal drug is weak. 99 00:05:44,040 --> 00:05:48,839 Speaker 1: I can did blussing backwoods and ship like that. What 100 00:05:48,960 --> 00:05:53,440 Speaker 1: else I think you should pick one? Darn't drugs that 101 00:05:53,560 --> 00:05:56,560 Speaker 1: you good and stick to it. It rocks you see 102 00:05:56,560 --> 00:06:03,800 Speaker 1: it is at Yeah, I've been a little cokey so good. Yeah, 103 00:06:03,920 --> 00:06:07,880 Speaker 1: I tasted the real thing who was on the bus 104 00:06:07,920 --> 00:06:12,600 Speaker 1: like tyree, you hear me always Coca cola. You know 105 00:06:13,480 --> 00:06:15,159 Speaker 1: it's happened a couple of times. Trying to step my 106 00:06:15,200 --> 00:06:18,120 Speaker 1: game up and me just open up my social bubbles 107 00:06:18,160 --> 00:06:22,599 Speaker 1: because sometimes we keep ourselves and uh, like like weed, 108 00:06:22,680 --> 00:06:26,240 Speaker 1: everybody do weed? Right? Everybody do we? Everybody paying it 109 00:06:26,320 --> 00:06:29,800 Speaker 1: forward code. The one thing about weed, though, is everybody 110 00:06:29,839 --> 00:06:31,599 Speaker 1: don't smoke it, but a lot of people want to. 111 00:06:32,920 --> 00:06:36,320 Speaker 1: You'd be surprised how many cool, interesting conversations I've had 112 00:06:36,400 --> 00:06:38,200 Speaker 1: just because I had the weed. But you know what 113 00:06:38,200 --> 00:06:39,880 Speaker 1: I don't like about weed? Thought, then what I don't 114 00:06:39,920 --> 00:06:41,840 Speaker 1: like about don't tell them because I don't want to 115 00:06:41,839 --> 00:06:46,080 Speaker 1: hear nothing negative I wor about. I want about Cooke Roberts. 116 00:06:46,320 --> 00:06:48,640 Speaker 1: Oh yeah, we we we could have definitely, we could 117 00:06:48,680 --> 00:06:51,720 Speaker 1: definitely go there we are. We could have definitely that. 118 00:06:51,760 --> 00:06:56,560 Speaker 1: But for you, no, I'm definitely my Damon's actually you 119 00:06:56,680 --> 00:07:02,120 Speaker 1: got code, I've I've I've been accused. The you know 120 00:07:02,600 --> 00:07:04,840 Speaker 1: isn't following off the wagon w his coach. I don't know. 121 00:07:04,960 --> 00:07:07,880 Speaker 1: Yeah fell off, but I thank you snorting off the horse. 122 00:07:09,160 --> 00:07:10,920 Speaker 1: But one thing about weed, let me let me say 123 00:07:10,960 --> 00:07:12,800 Speaker 1: this ain't negative, but this is something I just want 124 00:07:12,800 --> 00:07:17,400 Speaker 1: to put to the forefront. When you were smoking weeds 125 00:07:18,080 --> 00:07:19,720 Speaker 1: is what they call it when they call it, that's 126 00:07:19,720 --> 00:07:23,880 Speaker 1: a congregational drug. No, it's not a social drugs. So 127 00:07:24,120 --> 00:07:28,080 Speaker 1: if a niggas got the backwoods and you got the weed, 128 00:07:28,440 --> 00:07:31,600 Speaker 1: even if he you probably would smoke with him. No, 129 00:07:32,640 --> 00:07:36,160 Speaker 1: that's called thirsty. I ain't thirsty. I told you, I'm grown. 130 00:07:35,680 --> 00:07:40,320 Speaker 1: I don't give if I don't with you. Ain't never 131 00:07:40,320 --> 00:07:42,480 Speaker 1: seen two biggers they don't like each other smoking together. 132 00:07:42,680 --> 00:07:48,840 Speaker 1: M it's not nothing. Seven Jack came from a whole 133 00:07:48,840 --> 00:07:51,840 Speaker 1: of different error. Bro. We didn't smoke with niggas. We 134 00:07:51,840 --> 00:07:54,520 Speaker 1: didn't like. We smoked more because we knew they didn't 135 00:07:54,600 --> 00:07:57,600 Speaker 1: have more weed than us. Were blood to the face 136 00:07:57,680 --> 00:08:00,160 Speaker 1: like people, because well, with nobody's a wig as of 137 00:08:00,160 --> 00:08:02,600 Speaker 1: the blood, you're gonna smoke by yourself. I rolled it 138 00:08:02,600 --> 00:08:06,640 Speaker 1: by myself, by myself. What the fun is you talking okay, 139 00:08:06,680 --> 00:08:11,120 Speaker 1: got y'all came from the standard era weed. It wasn't standard. 140 00:08:11,160 --> 00:08:14,080 Speaker 1: It's how you had to be because everybody see when 141 00:08:14,160 --> 00:08:17,080 Speaker 1: we were doing comedy, when Ship first Crack Dog, it 142 00:08:17,200 --> 00:08:21,840 Speaker 1: was we smokers already what nobody smoking weed out? Nigga's 143 00:08:21,880 --> 00:08:23,600 Speaker 1: had weed at the house, but want to smoke your 144 00:08:23,600 --> 00:08:26,960 Speaker 1: weed out? Oh y'all rolled up here with that. We 145 00:08:27,400 --> 00:08:31,360 Speaker 1: get different. I hate what y'all smoking on. There's so 146 00:08:31,400 --> 00:08:38,480 Speaker 1: many questions that one I was playing here about Clayton, 147 00:08:38,640 --> 00:08:42,600 Speaker 1: No no bullshit involved. Do you remember when we came 148 00:08:42,720 --> 00:08:45,079 Speaker 1: on the common scene and O five didn't nobody know 149 00:08:45,160 --> 00:08:49,400 Speaker 1: how it rolled a cigaretta? Wow? Very few people bro 150 00:08:49,760 --> 00:08:54,920 Speaker 1: like we was that look? Yeah, yeah, I think Motherfucker's 151 00:08:55,000 --> 00:08:57,559 Speaker 1: was like, I don't know, I think drugs are scared 152 00:08:57,640 --> 00:09:01,640 Speaker 1: the comedy world because that's just comedians got a bad 153 00:09:01,840 --> 00:09:05,160 Speaker 1: rap with it. But y'all was one of the first 154 00:09:05,200 --> 00:09:08,560 Speaker 1: comedians to put weed on the mount up front. Now 155 00:09:08,640 --> 00:09:12,120 Speaker 1: you win. We saw you when we came on the 156 00:09:12,200 --> 00:09:16,920 Speaker 1: same You was wearing a diaper. It wasn't a dip. Yes, 157 00:09:16,960 --> 00:09:21,400 Speaker 1: the wa don't act like I was the bea never 158 00:09:21,640 --> 00:09:27,440 Speaker 1: had no weed and you ain't never wasn't a diaper, bro, 159 00:09:28,600 --> 00:09:31,840 Speaker 1: it was chops. It was a diper. You was a baby. 160 00:09:32,320 --> 00:09:36,839 Speaker 1: No everything you know you had, you had chaps. I 161 00:09:36,960 --> 00:09:40,920 Speaker 1: had chops on and I had the g strain. No, no, no, 162 00:09:42,040 --> 00:09:44,400 Speaker 1: that came after, bro, They came after you trying to 163 00:09:44,440 --> 00:09:46,959 Speaker 1: skip the party. Use the baby first. Then you was 164 00:09:47,000 --> 00:09:51,000 Speaker 1: a stripper. Nigger had to miss shirt man. That came 165 00:09:51,080 --> 00:09:53,760 Speaker 1: after the baby. Ship he was a baby. We're making 166 00:09:53,800 --> 00:09:57,679 Speaker 1: ship up, bro, You think we just try to shot 167 00:09:58,320 --> 00:10:00,040 Speaker 1: trying to skip the part when he was the it 168 00:10:01,600 --> 00:10:06,240 Speaker 1: was the baby, then the change in the stripple. Then 169 00:10:06,320 --> 00:10:08,720 Speaker 1: he left the pants on and just had the shirt. 170 00:10:10,280 --> 00:10:13,960 Speaker 1: I know you n Welcome back to the Fast South Ship. 171 00:10:15,840 --> 00:10:24,920 Speaker 1: I'm Miller. I got one of the niggas in the breast. 172 00:10:30,559 --> 00:10:33,120 Speaker 1: If you don't know, just about looking at him, this 173 00:10:33,280 --> 00:10:37,440 Speaker 1: is one of the most entertaining people in the entertainment industry. Bro. 174 00:10:37,679 --> 00:10:40,400 Speaker 1: He will show up talk ship and leave with a 175 00:10:40,480 --> 00:10:43,200 Speaker 1: smile on his face anywhere, and you you you never 176 00:10:43,360 --> 00:10:46,360 Speaker 1: can tell with this guy. He's made a way for himself. 177 00:10:46,480 --> 00:10:51,559 Speaker 1: You've seen him all over world talking ship. This is 178 00:10:51,679 --> 00:10:56,760 Speaker 1: fifted website up. Damn. This single handedly turned back turned 179 00:10:56,760 --> 00:10:58,640 Speaker 1: it into you know one of those things that you 180 00:10:58,760 --> 00:11:02,599 Speaker 1: had to turn into you into I'm sorry, I'm on 181 00:11:02,720 --> 00:11:05,439 Speaker 1: the week. I know, I don't know what bit, but 182 00:11:05,760 --> 00:11:07,640 Speaker 1: this don't mean no, I ain't gonna long talk to 183 00:11:07,720 --> 00:11:14,600 Speaker 1: and he don't get long talking with the power. It's 184 00:11:14,600 --> 00:11:17,400 Speaker 1: a big town, it's a big but then it's single 185 00:11:17,520 --> 00:11:20,640 Speaker 1: handedly responsible for putting fifty cent in the room with 186 00:11:20,760 --> 00:11:22,680 Speaker 1: Joe so they could come up with the power of things, 187 00:11:25,400 --> 00:11:27,680 Speaker 1: putting back together. I go put you on the back together, 188 00:11:28,240 --> 00:11:34,880 Speaker 1: put unit back back. Basically what I told him is 189 00:11:34,960 --> 00:11:37,160 Speaker 1: he has a lot of social influence and I know 190 00:11:37,320 --> 00:11:39,960 Speaker 1: him as a great comedian, none other than my man, 191 00:11:40,160 --> 00:11:46,640 Speaker 1: Mrs Jack Thriller. Now I could keep going. There's so 192 00:11:46,800 --> 00:11:49,360 Speaker 1: many things, there's so much other ship, there's so much 193 00:11:49,440 --> 00:11:54,000 Speaker 1: other better with party in bullshit man um. Yeah, we 194 00:11:54,120 --> 00:11:56,120 Speaker 1: did a couple of things out here. No, Jack, A 195 00:11:56,200 --> 00:11:58,240 Speaker 1: lot of people don't know this, or they might know this. 196 00:11:58,480 --> 00:12:01,720 Speaker 1: But when you when you started your This is fifthy show, 197 00:12:02,160 --> 00:12:03,839 Speaker 1: you gave me an opportunity to, you know, to be 198 00:12:04,120 --> 00:12:06,240 Speaker 1: credited as one of your writers and things like that, 199 00:12:06,400 --> 00:12:08,880 Speaker 1: just to pitch you some ideas and you know, things 200 00:12:08,960 --> 00:12:10,800 Speaker 1: that you may and may not use. And I really 201 00:12:10,880 --> 00:12:13,000 Speaker 1: appreciate that because you could have went to it up 202 00:12:13,040 --> 00:12:15,880 Speaker 1: there and got that money said fuck them, but you didn't. 203 00:12:16,720 --> 00:12:19,400 Speaker 1: You never did, and I didn't have it. I don't 204 00:12:19,440 --> 00:12:22,600 Speaker 1: have money. I knew you already and you was gonna 205 00:12:22,640 --> 00:12:24,600 Speaker 1: do the ship. I called you a couple of times 206 00:12:24,600 --> 00:12:26,679 Speaker 1: because I saw you flexing on social media with a 207 00:12:26,760 --> 00:12:28,640 Speaker 1: lot of money. Yeah, that was the mother people ship 208 00:12:28,720 --> 00:12:31,400 Speaker 1: I was. I was learning how to be a rapper, 209 00:12:31,480 --> 00:12:35,280 Speaker 1: bir Yeah, and that was a rapplicit. But I know that, 210 00:12:35,559 --> 00:12:36,880 Speaker 1: you know, I had some explaining to do, but I 211 00:12:36,920 --> 00:12:38,679 Speaker 1: didn't know how to tell you that wasn't mine. It's 212 00:12:38,679 --> 00:12:40,719 Speaker 1: all good, bro. You got your paper and you you 213 00:12:40,840 --> 00:12:42,840 Speaker 1: got brand new a minute. As soon as you suck 214 00:12:42,920 --> 00:12:46,480 Speaker 1: that money up, your friend, you came back with real. 215 00:12:46,600 --> 00:12:48,880 Speaker 1: You always go back and what your love, and you 216 00:12:49,000 --> 00:12:52,280 Speaker 1: always go back to what your love for you. But 217 00:12:52,440 --> 00:12:53,640 Speaker 1: for you to come here right on the end of 218 00:12:53,679 --> 00:12:57,400 Speaker 1: the man that ship. Man, that's my friend, man. But 219 00:12:58,040 --> 00:13:00,720 Speaker 1: you came back to make real soon as you suck 220 00:13:00,800 --> 00:13:04,120 Speaker 1: that money, was right there being my friend again. Yeah, 221 00:13:04,600 --> 00:13:07,559 Speaker 1: and I do it again. We're gonna come. I do 222 00:13:07,679 --> 00:13:10,679 Speaker 1: it again. Man. I have no gifts to bring a 223 00:13:10,800 --> 00:13:17,080 Speaker 1: rup pop on my drum soon as that money yeat 224 00:13:17,160 --> 00:13:20,640 Speaker 1: low up, get me back, yeah, man, getting low to 225 00:13:20,720 --> 00:13:23,640 Speaker 1: the flow. Can you used to see this and the 226 00:13:23,640 --> 00:13:26,960 Speaker 1: windy wouldn't let the wizard down and kicking rocks up 227 00:13:27,000 --> 00:13:29,040 Speaker 1: the street. That's right on the passenger side of my 228 00:13:29,120 --> 00:13:33,200 Speaker 1: best friend's ros. Yeah, I was a scrub. I seen 229 00:13:33,240 --> 00:13:36,120 Speaker 1: him this one world Start Hunters was popular. He knew 230 00:13:36,160 --> 00:13:41,199 Speaker 1: all of them before. They was on crack fold cocaine. 231 00:13:41,240 --> 00:13:45,760 Speaker 1: They got coke. Don't tell you. You can google. You 232 00:13:45,840 --> 00:13:48,959 Speaker 1: can google. Just what you'all pair put broke up like that. 233 00:13:49,320 --> 00:13:52,600 Speaker 1: It happens your dribble. You shoot your hope for the best, right, 234 00:13:52,920 --> 00:13:58,199 Speaker 1: you know what I'm saying. But you live niggers. I 235 00:13:58,320 --> 00:14:00,719 Speaker 1: came back here, yeah, because y'all y'all told me I 236 00:14:00,880 --> 00:14:02,240 Speaker 1: was gonna help me blow up. So I was like, 237 00:14:02,840 --> 00:14:05,320 Speaker 1: I'm trying to be there with the eighty five. I can't. 238 00:14:05,360 --> 00:14:07,400 Speaker 1: Then you say that you said coming, you said the 239 00:14:07,440 --> 00:14:10,679 Speaker 1: hood was good, boy. I thought you new and I'm here. 240 00:14:10,920 --> 00:14:15,280 Speaker 1: I'm here. I ain't told niggers to y eighty five South. 241 00:14:15,320 --> 00:14:17,679 Speaker 1: I got a condo off just saying this ship they 242 00:14:17,720 --> 00:14:19,640 Speaker 1: gave you a nigger got a condo off the ship. 243 00:14:21,160 --> 00:14:23,400 Speaker 1: Some sh about eighty five South. Something good happening? How 244 00:14:23,520 --> 00:14:26,800 Speaker 1: you end up on tour with Mark Yeah, saying that 245 00:14:26,800 --> 00:14:29,280 Speaker 1: I was on eighty five South, that that was the 246 00:14:29,320 --> 00:14:32,000 Speaker 1: first thing that that was one of my credits. That 247 00:14:32,120 --> 00:14:33,840 Speaker 1: was one of my credits, saying I was on eighty 248 00:14:33,880 --> 00:14:36,720 Speaker 1: five South. Damn A man, you mean to tell me 249 00:14:36,800 --> 00:14:39,400 Speaker 1: you use this platform get on a tour that I 250 00:14:39,600 --> 00:14:42,520 Speaker 1: wasn't even know. Yes, one even knew about the show. 251 00:14:42,680 --> 00:14:44,440 Speaker 1: That they knew about the show. They thought y'all was 252 00:14:44,480 --> 00:14:47,600 Speaker 1: doing y'all thing, y'all, y'all was doing y'all things. In 253 00:14:47,680 --> 00:14:50,080 Speaker 1: a minute, let me click something up. Yeah, let me 254 00:14:50,200 --> 00:14:52,160 Speaker 1: look at all these cameras just because you see us 255 00:14:52,240 --> 00:14:56,600 Speaker 1: doing that thing, don't mean don't call us. How many 256 00:14:56,720 --> 00:15:00,400 Speaker 1: things you see me doing? I move you ship around 257 00:15:00,680 --> 00:15:03,480 Speaker 1: for the right amount now you just don't there playing 258 00:15:03,520 --> 00:15:05,880 Speaker 1: and tagging and pump taking this ship. I ain't talking about. 259 00:15:06,360 --> 00:15:09,040 Speaker 1: I'm talking about like real opportunities. If this was a 260 00:15:09,080 --> 00:15:13,720 Speaker 1: real opportunity, were like, hey, who you went on too with? Okay, 261 00:15:13,800 --> 00:15:15,440 Speaker 1: I was at a nigger too. I remember I was 262 00:15:15,480 --> 00:15:17,080 Speaker 1: at one thing like the two shows that you did, 263 00:15:17,800 --> 00:15:19,400 Speaker 1: and I know he was on the eighty five South Show, 264 00:15:19,440 --> 00:15:22,080 Speaker 1: and I was like, yeah, so I guess technically I 265 00:15:22,240 --> 00:15:24,440 Speaker 1: was on the eighty five South tour because Carlos and 266 00:15:24,520 --> 00:15:28,560 Speaker 1: Chico them was there and they was like, okay, well 267 00:15:28,600 --> 00:15:30,520 Speaker 1: didn't sending in the clip? Are you doing stand up? 268 00:15:30,840 --> 00:15:32,800 Speaker 1: After you didn't told us that you on tour with Carlos? 269 00:15:32,880 --> 00:15:35,200 Speaker 1: And then why do you stop doing stand up for 270 00:15:35,280 --> 00:15:37,680 Speaker 1: so long? And you know what it is? I had. 271 00:15:37,800 --> 00:15:41,000 Speaker 1: I just got tired of the politic of it and whatnot. 272 00:15:41,080 --> 00:15:48,520 Speaker 1: And then because some bullshit that whip like Brothers and 273 00:15:53,160 --> 00:16:00,880 Speaker 1: Nick Jack Thriller. Alright, it was some other ship working political, 274 00:16:01,000 --> 00:16:03,160 Speaker 1: and it was some other ship working out said ship 275 00:16:04,120 --> 00:16:06,640 Speaker 1: to take over. There's a lot of ship man, you 276 00:16:06,680 --> 00:16:14,520 Speaker 1: wouldn't understand. You wouldn't understand. You just had to be there. 277 00:16:14,640 --> 00:16:17,800 Speaker 1: Now you're trying to give us the sugary, uh, the 278 00:16:17,920 --> 00:16:22,320 Speaker 1: media friendly as was the nigga you're not fixing to 279 00:16:22,600 --> 00:16:27,160 Speaker 1: Barbara Walters me wondering, nigga, I'm fixing to let niggas well. 280 00:16:27,160 --> 00:16:29,600 Speaker 1: I would have walk away from this interview looking like 281 00:16:29,720 --> 00:16:34,920 Speaker 1: the nigga fun that everything was amazing, that even when 282 00:16:35,000 --> 00:16:38,760 Speaker 1: it wasn't, it was dope as fuck. I ain't no nobody. 283 00:16:39,160 --> 00:16:42,600 Speaker 1: This ship was been the right of my life and 284 00:16:42,680 --> 00:16:45,680 Speaker 1: we were the next chapter it's gonna be even more amazing. 285 00:16:46,720 --> 00:16:51,840 Speaker 1: So I had I didn't stop doing stand up, I'll 286 00:16:52,120 --> 00:16:57,120 Speaker 1: lying on my show. I know you you completely well. 287 00:16:57,160 --> 00:16:59,120 Speaker 1: What is stopping doing stand up? What does that mean? 288 00:16:59,200 --> 00:17:01,400 Speaker 1: How does that look? That means? When you no longer 289 00:17:01,520 --> 00:17:09,200 Speaker 1: perform stand up? Why don't stop doing stand up? Okay, 290 00:17:09,240 --> 00:17:13,200 Speaker 1: by your stand by your standards, by your standards. Um. 291 00:17:14,359 --> 00:17:16,440 Speaker 1: I I just had some ship that was working, and 292 00:17:16,520 --> 00:17:18,720 Speaker 1: I was doing it the disaspilth thing. It was popping 293 00:17:18,760 --> 00:17:21,200 Speaker 1: off and I was getting the twenty five hundred interview 294 00:17:21,280 --> 00:17:23,159 Speaker 1: and ship and blah blah blah for people who sit 295 00:17:23,240 --> 00:17:24,800 Speaker 1: down with me. And I started what I'm saying, saying 296 00:17:24,840 --> 00:17:28,320 Speaker 1: that it was a business in putting people on, you know, 297 00:17:28,440 --> 00:17:30,119 Speaker 1: even though that's how our is always doing it for 298 00:17:30,200 --> 00:17:33,440 Speaker 1: free for years. You know, now like, okay, I'm getting 299 00:17:33,440 --> 00:17:36,760 Speaker 1: paid for this ship. I don't really like comics like 300 00:17:36,960 --> 00:17:41,400 Speaker 1: that because it's such a crabbing a bucket game where 301 00:17:41,440 --> 00:17:44,479 Speaker 1: everybody just feel like if if they don't help you out, 302 00:17:44,600 --> 00:17:47,280 Speaker 1: or you're taking that spot or something like you holding 303 00:17:47,320 --> 00:17:49,119 Speaker 1: them back from doing something. I ain't like all that 304 00:17:49,440 --> 00:17:52,280 Speaker 1: that energy. I'm I'm not a hate let your haters 305 00:17:52,359 --> 00:17:54,840 Speaker 1: be your motivators type of guy. I need people that 306 00:17:55,000 --> 00:17:56,480 Speaker 1: love me and want to see me. We I gotta 307 00:17:56,480 --> 00:17:58,760 Speaker 1: be around that. I wanted that ship make my head 308 00:17:58,960 --> 00:18:03,240 Speaker 1: hurt is here. Motherfucker's hate on things, and that's what 309 00:18:03,680 --> 00:18:06,160 Speaker 1: a lot of comics do behind the scenes. I don't 310 00:18:06,560 --> 00:18:08,639 Speaker 1: know if y'all wanted me to say that here. You 311 00:18:08,720 --> 00:18:11,800 Speaker 1: can say whatever you want, but this is how I felt. 312 00:18:12,119 --> 00:18:16,159 Speaker 1: This is my interpretation the situation. You think. I asked, 313 00:18:16,600 --> 00:18:18,840 Speaker 1: I don't know why you would do that. I do 314 00:18:19,080 --> 00:18:22,280 Speaker 1: want to know why, Yeah, because you know it could 315 00:18:22,320 --> 00:18:26,560 Speaker 1: be it could be better if we o g better. 316 00:18:27,200 --> 00:18:30,480 Speaker 1: Okay that It didn't take me a long time to 317 00:18:30,600 --> 00:18:34,160 Speaker 1: understand that. It's a lot of w w F type 318 00:18:34,280 --> 00:18:37,040 Speaker 1: theme in the comedy world. Clayton was there one night. 319 00:18:37,320 --> 00:18:39,840 Speaker 1: I had um, this is early in the game where 320 00:18:39,880 --> 00:18:41,800 Speaker 1: we were auditioning to be on like one of our 321 00:18:41,880 --> 00:18:44,240 Speaker 1: first TV shows, and we were at the club for 322 00:18:44,359 --> 00:18:47,320 Speaker 1: the callback audition. You know, you auditioned and then they'll 323 00:18:47,400 --> 00:18:50,600 Speaker 1: call you back and they'll half and then they then 324 00:18:50,640 --> 00:18:52,720 Speaker 1: they narrow it down and eat like a minute first. 325 00:18:56,480 --> 00:18:59,800 Speaker 1: So we had the spot just sitting at the bar 326 00:19:00,080 --> 00:19:03,880 Speaker 1: mine and our own fucking business. This irrelevant as comedian 327 00:19:03,960 --> 00:19:08,200 Speaker 1: comes up and said, you know me, We're just sitting there, 328 00:19:08,240 --> 00:19:10,879 Speaker 1: like who are you talking to? Do you know me? 329 00:19:11,080 --> 00:19:12,800 Speaker 1: I'm like, no, I don't know you. He said, he 330 00:19:12,880 --> 00:19:15,440 Speaker 1: must not be no real comedian then, because everybody know me. 331 00:19:15,800 --> 00:19:19,040 Speaker 1: I was like, what, just start going on this rant 332 00:19:19,080 --> 00:19:21,239 Speaker 1: about how we weren't comedians because we didn't know who 333 00:19:21,359 --> 00:19:24,479 Speaker 1: he was. But I mean, we got a show now 334 00:19:24,600 --> 00:19:27,320 Speaker 1: and nobody just know who's sucking he is. Still we 335 00:19:27,440 --> 00:19:31,239 Speaker 1: might even got, we might even got, we might got 336 00:19:31,320 --> 00:19:33,480 Speaker 1: booked that night on the show. But look and that 337 00:19:33,600 --> 00:19:37,280 Speaker 1: nigga didn't nobody know that nigga, Like we were just 338 00:19:37,359 --> 00:19:40,880 Speaker 1: there earlier, like if the rest of the commedy world 339 00:19:40,920 --> 00:19:42,840 Speaker 1: would have been there, everyone like, man, who then is this? 340 00:19:43,440 --> 00:19:46,520 Speaker 1: And even when when the auditions started, we seen them 341 00:19:46,560 --> 00:19:49,520 Speaker 1: over there trying to explain to the later who he was, like, 342 00:19:49,640 --> 00:19:53,280 Speaker 1: you're not, you're not. I'm saying all that to say this, man, 343 00:19:54,240 --> 00:19:57,240 Speaker 1: that ship is irrelevant, That that don't hold no weight. 344 00:19:57,720 --> 00:20:00,000 Speaker 1: But I can understand why you would feel that because 345 00:20:00,119 --> 00:20:02,200 Speaker 1: it isn't. But you have to you literally have to 346 00:20:02,280 --> 00:20:06,119 Speaker 1: turn that ship off. I apologize for approaching y'all like 347 00:20:06,200 --> 00:20:12,240 Speaker 1: that that. Now listen, I got beside myself, but I'm 348 00:20:12,280 --> 00:20:14,480 Speaker 1: here now. We started over this new put how my 349 00:20:14,560 --> 00:20:17,879 Speaker 1: name is Jack. My name is Jack. You live and 350 00:20:17,960 --> 00:20:21,880 Speaker 1: you learn read a green pill? Excuse me? What's your name? 351 00:20:25,200 --> 00:20:28,680 Speaker 1: I apologize, y'all gotta get over this ship man, really 352 00:20:28,720 --> 00:20:31,720 Speaker 1: tough man, y'all gotta get over this type ship man. Really, 353 00:20:32,240 --> 00:20:34,680 Speaker 1: y'all some benches for this. I coudn't even believe you 354 00:20:34,680 --> 00:20:37,360 Speaker 1: would even bring that back up. Man, this old ship. 355 00:20:39,080 --> 00:20:41,760 Speaker 1: I didn't know y'all was gonna blow up. I didn't 356 00:20:41,800 --> 00:20:44,840 Speaker 1: know you think I had known that y'all was for me. 357 00:20:44,920 --> 00:20:48,760 Speaker 1: The nicknames that I would have came at you like you, 358 00:20:49,160 --> 00:20:51,960 Speaker 1: I could do anything if I got one ridd I 359 00:20:52,040 --> 00:20:54,040 Speaker 1: wish I could go back in time to that night 360 00:20:54,400 --> 00:20:57,800 Speaker 1: on some mother me flash ship and stop me before 361 00:20:57,800 --> 00:21:00,760 Speaker 1: I even walking that club and knew the nigga is 362 00:21:00,760 --> 00:21:03,600 Speaker 1: gonna be somebody. Don shoot on the nigga's gonna be somebody. 363 00:21:03,640 --> 00:21:09,680 Speaker 1: Why are you so fucking crazy? Man? Stupid man? Learned 364 00:21:09,680 --> 00:21:12,800 Speaker 1: from my mistakes. Jack did that so you don't have 365 00:21:12,920 --> 00:21:15,600 Speaker 1: to go through that. The more of the story is 366 00:21:15,680 --> 00:21:18,159 Speaker 1: be everybody friend, because you never know who's gonna blow up, 367 00:21:21,359 --> 00:21:24,360 Speaker 1: and then what happened? What happened? And then good ship, 368 00:21:25,000 --> 00:21:26,920 Speaker 1: talking ship. But give me some game ran quick, because 369 00:21:26,920 --> 00:21:29,400 Speaker 1: you've been creating media and content for then and then 370 00:21:29,480 --> 00:21:31,200 Speaker 1: for a minute. Bro, what's some of the ship that 371 00:21:31,280 --> 00:21:34,520 Speaker 1: you learned in creating your own platforms, you know, and 372 00:21:34,840 --> 00:21:37,320 Speaker 1: actually using it to do your thing and showcase what 373 00:21:37,440 --> 00:21:39,240 Speaker 1: then do you do? Well? I had to put yourself 374 00:21:39,359 --> 00:21:44,919 Speaker 1: on face like I never still. Yeah, I've never been 375 00:21:44,960 --> 00:21:47,879 Speaker 1: a cute nigga, like so I had to always be 376 00:21:48,080 --> 00:21:53,000 Speaker 1: extra creative. Never been a cute nigga. Yeah, can you believe? Yeah, 377 00:21:53,920 --> 00:21:58,400 Speaker 1: aut nigga, never been acute nigga's number one. Never knew 378 00:21:58,440 --> 00:22:00,399 Speaker 1: I was gonna have to blow up a cute I 379 00:22:00,520 --> 00:22:03,000 Speaker 1: knew I was going to get that read. I knew 380 00:22:03,040 --> 00:22:06,520 Speaker 1: I was going to ve never been a cute nigga, 381 00:22:06,560 --> 00:22:11,639 Speaker 1: looked like my uncle. That's one of these when you 382 00:22:11,680 --> 00:22:21,240 Speaker 1: do this ship right here, No, don't do that, bro. 383 00:22:21,359 --> 00:22:24,280 Speaker 1: You still got your Michael Jackson tattoo. Yeah, I still 384 00:22:24,359 --> 00:22:27,119 Speaker 1: got the Michael Jackson tattoo. That's what's up this young Michael. 385 00:22:27,680 --> 00:22:30,560 Speaker 1: This is Michael from the thriller video and this is 386 00:22:30,680 --> 00:22:33,720 Speaker 1: Michael um from the This is It? You're gonna get anymore? 387 00:22:34,400 --> 00:22:36,879 Speaker 1: Um No, I think I'm over tattoos now because they 388 00:22:36,920 --> 00:22:39,280 Speaker 1: get them the way you really want them to look 389 00:22:39,560 --> 00:22:42,040 Speaker 1: and whatnot. It costs a lot of fucking money, you 390 00:22:42,200 --> 00:22:44,680 Speaker 1: got it. I don't want to spend it on that 391 00:22:44,800 --> 00:22:47,520 Speaker 1: no more. When you get old, you be vested. Ship. 392 00:22:47,840 --> 00:22:57,280 Speaker 1: You know, what's where are you going? I keep charges. 393 00:22:57,320 --> 00:22:59,680 Speaker 1: I keep the charger from my phone in here. It's 394 00:22:59,760 --> 00:23:07,600 Speaker 1: nick too. Most extra niggers I got keep up ship 395 00:23:07,760 --> 00:23:10,280 Speaker 1: like that, you know, you know, listen things they're friend 396 00:23:12,880 --> 00:23:18,119 Speaker 1: It looked like it is really relieve and also it 397 00:23:18,600 --> 00:23:21,080 Speaker 1: is Louiver Town on the other side. You can switch 398 00:23:21,119 --> 00:23:24,280 Speaker 1: it out on the inside and it's up. I went 399 00:23:24,400 --> 00:23:26,040 Speaker 1: regularly to that because I'm not trying to get robbed. 400 00:23:26,040 --> 00:23:28,040 Speaker 1: I'm gonna flick some money because it's COVID. What the 401 00:23:28,440 --> 00:23:32,760 Speaker 1: it's COVID people nobody knows. But you wanted the wowest nigga. 402 00:23:33,720 --> 00:23:36,560 Speaker 1: You just got a whole ass who sat young, listen, 403 00:23:37,640 --> 00:23:40,440 Speaker 1: shout out of my man, Hussan Torrey and whatnot. He 404 00:23:40,560 --> 00:23:42,960 Speaker 1: made this. He also made my jacket and what I've 405 00:23:43,000 --> 00:23:45,719 Speaker 1: been working with this guy for like the last ten years. Man. 406 00:23:45,920 --> 00:23:48,280 Speaker 1: You know Clayton, I was with this nigg when he 407 00:23:48,320 --> 00:23:50,640 Speaker 1: picked the jacket up. He was with me ten years 408 00:23:50,680 --> 00:23:55,320 Speaker 1: ago when I picked this motherfucker bro when was in 409 00:23:55,440 --> 00:23:58,360 Speaker 1: New York. And I always always hit this nigga when 410 00:23:58,880 --> 00:24:01,240 Speaker 1: I'm in New York. I'll just happen to be walking 411 00:24:01,280 --> 00:24:02,840 Speaker 1: down too. You know in New York, you had to 412 00:24:02,880 --> 00:24:05,080 Speaker 1: walk down the street and smoke the blood. I actually 413 00:24:05,160 --> 00:24:07,080 Speaker 1: had that I hit him, and I was just like 414 00:24:07,200 --> 00:24:09,879 Speaker 1: a couple like up the block from him. Yeah. I 415 00:24:10,040 --> 00:24:12,159 Speaker 1: walked down to the office and this is fit and 416 00:24:12,240 --> 00:24:15,240 Speaker 1: he was like, come run with me to pick these jackets. Listening. 417 00:24:15,240 --> 00:24:17,480 Speaker 1: He took me to this African dude shop wol Head, 418 00:24:18,280 --> 00:24:20,760 Speaker 1: all these rooms full of clothes and ship he had 419 00:24:20,880 --> 00:24:22,800 Speaker 1: made for people, and picked up and jack had got 420 00:24:22,840 --> 00:24:26,520 Speaker 1: about four or five of them thriller jackets, made twenty 421 00:24:26,600 --> 00:24:30,640 Speaker 1: five hundred peaks, and I had them at all different colors. 422 00:24:31,480 --> 00:24:33,040 Speaker 1: And you know, it's a new season while I'm not 423 00:24:33,119 --> 00:24:35,080 Speaker 1: coming up, and I wanted to you know, set myself 424 00:24:35,080 --> 00:24:39,760 Speaker 1: aside from you know, and and uh make my stand 425 00:24:39,800 --> 00:24:41,600 Speaker 1: out on the show. And so and then nigga wore 426 00:24:41,680 --> 00:24:45,399 Speaker 1: him how to ask jackets. It knows. It's because if 427 00:24:45,400 --> 00:24:47,440 Speaker 1: you look later on in the season, the nigger started 428 00:24:47,480 --> 00:24:52,960 Speaker 1: winning one sleeve off. It's true. All you need you 429 00:24:53,119 --> 00:24:55,159 Speaker 1: went on, IM gonna keep you right, you go the 430 00:24:55,200 --> 00:25:01,240 Speaker 1: whole show. Yeah, little bit of The One thing about 431 00:25:01,320 --> 00:25:03,840 Speaker 1: this nigg is you never know when he bought shit. Man. 432 00:25:04,359 --> 00:25:06,720 Speaker 1: That's good because when you got one out, you ain't. 433 00:25:06,840 --> 00:25:11,040 Speaker 1: You got a poker face. You just gotta people try 434 00:25:11,080 --> 00:25:13,360 Speaker 1: to figure out what you're thinking. They can't think, they don't, 435 00:25:13,359 --> 00:25:14,879 Speaker 1: they don't know. They don't know. They only got one 436 00:25:15,119 --> 00:25:17,080 Speaker 1: to work off. They got one to work off. Nigga, 437 00:25:17,160 --> 00:25:18,920 Speaker 1: never know what's going on in your mind when you 438 00:25:19,000 --> 00:25:21,640 Speaker 1: got one. I don't believe you got one. I believe 439 00:25:22,080 --> 00:25:25,480 Speaker 1: you got one of them terminated things in that way. 440 00:25:25,480 --> 00:25:28,800 Speaker 1: It just scan snig got the process in you because 441 00:25:28,800 --> 00:25:30,840 Speaker 1: I haven't seen you do too much. I just I 442 00:25:30,960 --> 00:25:33,359 Speaker 1: believe you can see it. Indeed, more than niggas with 443 00:25:33,440 --> 00:25:35,960 Speaker 1: two eyes, I know. And it's at the game. That's 444 00:25:36,000 --> 00:25:39,119 Speaker 1: gonna be the name of your document. I did mold 445 00:25:39,240 --> 00:25:42,120 Speaker 1: and a nigger with two As you hear me, it's 446 00:25:42,160 --> 00:25:47,960 Speaker 1: more than me STI I didn't did mold and yeah, 447 00:25:48,440 --> 00:25:53,239 Speaker 1: never did one. I was doing ship only thing. Let 448 00:25:53,280 --> 00:25:56,520 Speaker 1: me ask you, but you had this dope ass show. 449 00:25:56,760 --> 00:25:59,560 Speaker 1: You still you should bring you back with the High 450 00:25:59,600 --> 00:26:02,120 Speaker 1: six a ship the sixth anybody you like that? Yeah, 451 00:26:03,680 --> 00:26:08,360 Speaker 1: five episodes and hundred five episodes and where a thousand 452 00:26:08,640 --> 00:26:12,400 Speaker 1: you know, rappers came on that show. Younger Maid came 453 00:26:12,440 --> 00:26:15,680 Speaker 1: from our sixteen Better Yes, yeah, Bro, you'll be out 454 00:26:15,680 --> 00:26:18,600 Speaker 1: here discovering people who put you on The Young Maid 455 00:26:18,640 --> 00:26:22,639 Speaker 1: before the world knew. Gris from UM that show with 456 00:26:22,680 --> 00:26:25,200 Speaker 1: Tracy Morgan and Tina Fade that was on thirty Rock. 457 00:26:25,920 --> 00:26:29,479 Speaker 1: Grins from thirty from thirty Rock had brought Younger May 458 00:26:29,560 --> 00:26:31,040 Speaker 1: to me. He was kept on telling me about it, 459 00:26:31,680 --> 00:26:33,879 Speaker 1: telling me about her and everything, and that she was 460 00:26:34,760 --> 00:26:37,159 Speaker 1: a really dope rapper and stuffing. She came through and 461 00:26:37,240 --> 00:26:39,320 Speaker 1: she blazed it and stuff and you know, I was 462 00:26:39,400 --> 00:26:43,000 Speaker 1: so inspired by her. I was like, yo, I get 463 00:26:43,040 --> 00:26:46,720 Speaker 1: you pregnant, You're really dope. You're going somewhere. It's not 464 00:26:46,840 --> 00:26:48,840 Speaker 1: the right ship to tell nobody. She never talked to 465 00:26:48,880 --> 00:26:53,800 Speaker 1: me again that would said, yeah, I thought it was accompliment. 466 00:26:54,800 --> 00:26:57,560 Speaker 1: It was you did say you learn from your mistakes, bro, 467 00:26:57,640 --> 00:27:00,840 Speaker 1: apologize right now, ya, Younger Mary, you if you're watching 468 00:27:00,920 --> 00:27:06,760 Speaker 1: because you now you're your older m may and just stop. Bro, 469 00:27:07,440 --> 00:27:11,360 Speaker 1: I'm a I'm about I give you all these opportunities 470 00:27:11,400 --> 00:27:13,960 Speaker 1: to better yourself, and look what you do. Man, the 471 00:27:15,080 --> 00:27:17,600 Speaker 1: I was gonna like make it like a mature you may, 472 00:27:18,480 --> 00:27:21,120 Speaker 1: you know, not inside of the name got you because 473 00:27:21,160 --> 00:27:23,840 Speaker 1: she still want to be young. She still is. She 474 00:27:23,960 --> 00:27:26,320 Speaker 1: still is young. She's younger than a lot of people. 475 00:27:26,400 --> 00:27:30,320 Speaker 1: Don't don't bring me into this. Got you started this ship? Man? No, 476 00:27:30,480 --> 00:27:34,359 Speaker 1: I didn't you started? Do you always find yourself apologizing 477 00:27:34,440 --> 00:27:41,000 Speaker 1: for ship that you would say? Yeah, Like it's like 478 00:27:41,119 --> 00:27:48,119 Speaker 1: biting into a your peppermint patty, going down keep Slope 479 00:27:48,280 --> 00:27:51,719 Speaker 1: thousand mouths an hour with my shirt off, listening off 480 00:27:51,800 --> 00:28:01,600 Speaker 1: my nie. That's how I feel, on the edge, a controverse. So, motherfucker, bro, 481 00:28:02,320 --> 00:28:04,720 Speaker 1: I don't feel that way. Yeah, you be on the 482 00:28:04,760 --> 00:28:08,520 Speaker 1: internet challenging people to fight, and yeah, yeah you do. Man. Yeah, 483 00:28:08,960 --> 00:28:12,399 Speaker 1: stop asking for smoke. You know you don't want because 484 00:28:12,440 --> 00:28:14,040 Speaker 1: it's a video. I thought it was gonna be like 485 00:28:14,200 --> 00:28:16,200 Speaker 1: now I don't want it to man, it's a nigga. 486 00:28:16,320 --> 00:28:18,919 Speaker 1: It's a video of a nigga beating the mashed potatoes 487 00:28:18,960 --> 00:28:22,320 Speaker 1: at yours and then I didn't thought he was gonna 488 00:28:22,359 --> 00:28:27,520 Speaker 1: go through with it, And yeah I didn't. I didn't 489 00:28:27,600 --> 00:28:31,520 Speaker 1: thought he was gonna go Yeah, I really really thought 490 00:28:31,560 --> 00:28:33,360 Speaker 1: the niggle was not gonna show up to this ship. 491 00:28:36,160 --> 00:28:43,520 Speaker 1: Stopped asking for this ship. Nigga showing up not I 492 00:28:43,680 --> 00:28:48,520 Speaker 1: thought he thought that, Yeah, yeah, yeah, I brought my 493 00:28:48,600 --> 00:28:50,960 Speaker 1: belt out. I had a belt. I was, Oh, no, 494 00:28:52,440 --> 00:28:55,760 Speaker 1: I ain't beat nobody, and nobody adn't beat me that build. 495 00:29:00,760 --> 00:29:03,560 Speaker 1: You are the chip And you know, you know what's 496 00:29:03,600 --> 00:29:06,720 Speaker 1: funny about a boxing match? Yea, the motherfucker who lose? 497 00:29:11,000 --> 00:29:15,200 Speaker 1: You think that ship gonna go your way? Why? Because 498 00:29:15,240 --> 00:29:20,000 Speaker 1: when man I was chased to like w Bro, you 499 00:29:20,120 --> 00:29:22,320 Speaker 1: don't even have to see the fight to know who's 500 00:29:22,320 --> 00:29:24,560 Speaker 1: gonna win. The mother it's all in about how they 501 00:29:24,680 --> 00:29:28,880 Speaker 1: introduced that mother. The nigga who happened always gonna lose, 502 00:29:29,000 --> 00:29:32,160 Speaker 1: the motherfucker who don't crack, no smile nigga to be 503 00:29:32,240 --> 00:29:35,760 Speaker 1: standing there. The nigga came in fully dressed inside fucking 504 00:29:35,800 --> 00:29:40,360 Speaker 1: trench coat. And you know, Timboots Timberland not playing with you. 505 00:29:40,480 --> 00:29:41,840 Speaker 1: I thought he was fixing to come and say he 506 00:29:41,880 --> 00:29:45,680 Speaker 1: didn't want to fight, but he was fully dressed. That 507 00:29:45,880 --> 00:29:49,320 Speaker 1: was his fight outfit. Beat your ass clothes. Yeah, yeah, yeah, 508 00:29:49,480 --> 00:29:52,960 Speaker 1: and you know a matter of fact that the whole 509 00:29:53,000 --> 00:29:57,200 Speaker 1: fight is it's packed out. Yeah, uh, young man, I'm sorry. 510 00:29:57,240 --> 00:29:59,840 Speaker 1: Now you're gonna make Remy Ma had just got out 511 00:29:59,880 --> 00:30:03,360 Speaker 1: of Yeah. This was her first live performance performance at 512 00:30:03,480 --> 00:30:07,479 Speaker 1: this fucking fight, damn. And the whole cast of Power 513 00:30:07,920 --> 00:30:12,080 Speaker 1: was in their care Yes and your Tommy wrote, Timmy 514 00:30:12,840 --> 00:30:18,280 Speaker 1: fucking h Joseph of Cora started, Yeah, it was nuts, right, 515 00:30:19,000 --> 00:30:20,800 Speaker 1: it was fucking that. And I thought I was just 516 00:30:20,920 --> 00:30:26,440 Speaker 1: gonna goddamn coming there, and and it was like talk 517 00:30:26,560 --> 00:30:29,640 Speaker 1: some and the Komferment type ship. Why you've been having 518 00:30:29,720 --> 00:30:32,920 Speaker 1: these grandios? Where did you thought you was gonna just 519 00:30:33,000 --> 00:30:36,320 Speaker 1: I thought I was gonna and the Komperment bro against 520 00:30:36,360 --> 00:30:39,680 Speaker 1: another grown man. This was nigga fight every fucking week, 521 00:30:40,600 --> 00:30:43,800 Speaker 1: every week. He was a real streak fighter. And I 522 00:30:43,920 --> 00:30:45,920 Speaker 1: thought the nigga thought that I could whoop his ass. 523 00:30:47,480 --> 00:30:50,680 Speaker 1: But the nigga knew Jack why because he was losing 524 00:30:50,720 --> 00:30:52,240 Speaker 1: every week. But so I thought he thought he could 525 00:30:52,280 --> 00:30:54,320 Speaker 1: lose to me because I had one And and I 526 00:30:54,360 --> 00:30:55,840 Speaker 1: thought he thought he was gonna be scared of that 527 00:30:55,920 --> 00:30:58,520 Speaker 1: ship because I talked a lot of gangster ship. It 528 00:30:58,680 --> 00:31:00,280 Speaker 1: wasn't a lot of niggas. It would be like fighting 529 00:31:00,400 --> 00:31:02,280 Speaker 1: him that was talking that type of ship. But don't 530 00:31:02,280 --> 00:31:05,360 Speaker 1: really want I lost the fight. Let's be because they 531 00:31:05,440 --> 00:31:08,160 Speaker 1: ain't what you supposed to do, my nigger, especially if 532 00:31:08,200 --> 00:31:12,760 Speaker 1: you can't fight. No, I can't fight. Listen, I whipped 533 00:31:12,840 --> 00:31:17,040 Speaker 1: his ass for the first forty five seconds. Who's going 534 00:31:17,120 --> 00:31:19,880 Speaker 1: to But one thing I had to learn is that 535 00:31:20,440 --> 00:31:23,240 Speaker 1: a fight and a boxing match it's two different things. 536 00:31:24,680 --> 00:31:27,960 Speaker 1: It was three rounds, two minute rounds, two and a 537 00:31:28,040 --> 00:31:31,000 Speaker 1: half minute rounds, and I thought that I had enough 538 00:31:31,080 --> 00:31:34,880 Speaker 1: stammin ye for at least three rounds. You just be 539 00:31:35,000 --> 00:31:38,880 Speaker 1: making ship worse than it has to be if you're 540 00:31:38,920 --> 00:31:40,920 Speaker 1: in the streets. I whipped that nigga. If you get 541 00:31:40,920 --> 00:31:42,160 Speaker 1: if you get a nigger down on the ground in 542 00:31:42,240 --> 00:31:44,400 Speaker 1: real life, you want to fight, am I right arong? 543 00:31:45,320 --> 00:31:48,120 Speaker 1: Because normally you would stump him. My am I right arong? 544 00:31:48,760 --> 00:31:51,720 Speaker 1: I mean, am I right a wrong? If we hit 545 00:31:51,720 --> 00:31:53,400 Speaker 1: a nigger down, he started stumping them out. He want 546 00:31:53,440 --> 00:31:55,040 Speaker 1: to fight, right, But you can't stomp with the guy 547 00:31:55,080 --> 00:31:57,280 Speaker 1: inside of a boxing match. And so you get the 548 00:31:57,360 --> 00:31:59,720 Speaker 1: nigger down to your stumphout. He get up and yours. No, 549 00:31:59,840 --> 00:32:02,080 Speaker 1: he couldn't stop about because of the referee. When let man, 550 00:32:02,120 --> 00:32:05,400 Speaker 1: you gotta fight to completion, Jack, Yeah, yeah, yeah, I see. 551 00:32:05,440 --> 00:32:08,040 Speaker 1: That's the point I wasn't privy to. Yeah, you didn't 552 00:32:08,040 --> 00:32:10,680 Speaker 1: win the first forty five second. You pissed him off enough. 553 00:32:11,840 --> 00:32:15,720 Speaker 1: That's how you feel you wanted. So I guess it's perspective, old. 554 00:32:16,480 --> 00:32:18,800 Speaker 1: I guess this perspective. It depends on who's watching the fight. 555 00:32:19,480 --> 00:32:21,080 Speaker 1: But you're my nigga. I don't never want to see 556 00:32:21,080 --> 00:32:24,000 Speaker 1: you go through no ship like that because you really 557 00:32:24,040 --> 00:32:26,360 Speaker 1: ain't supposed to be out here fighting people one out anyway. 558 00:32:26,760 --> 00:32:30,280 Speaker 1: So let's let's stay right there. Let's stay right there, 559 00:32:30,360 --> 00:32:33,760 Speaker 1: hold on, let's stay right there for them first, for 560 00:32:33,920 --> 00:32:36,640 Speaker 1: to five seconds, a nigga with one I was giving 561 00:32:36,680 --> 00:32:40,680 Speaker 1: that niggative business. Who knows we're gonna pull the footage 562 00:32:40,760 --> 00:32:44,120 Speaker 1: up run it, and that's what you don't want to 563 00:32:44,200 --> 00:32:47,440 Speaker 1: run it? And bro, I deal with my ship because 564 00:32:47,480 --> 00:32:49,360 Speaker 1: you was on your money maywell, the ship you was 565 00:32:49,440 --> 00:32:51,560 Speaker 1: on in there for about three weeks straight talking about 566 00:32:51,560 --> 00:32:53,280 Speaker 1: how you was gonna beat that nigga ass and how 567 00:32:53,360 --> 00:32:55,640 Speaker 1: he was a bit closer to the baby pictures and ship, 568 00:32:55,720 --> 00:33:00,360 Speaker 1: and you really went all out promoting to fight. You're 569 00:33:00,360 --> 00:33:04,000 Speaker 1: excited for that part? Were you excited for? I was 570 00:33:04,120 --> 00:33:07,160 Speaker 1: scared for you, nigger. Why didn't you try to talk 571 00:33:07,200 --> 00:33:08,400 Speaker 1: to me out of it? If you're really my friend? 572 00:33:08,400 --> 00:33:11,440 Speaker 1: Because man, that was at the You gotta keep in 573 00:33:11,520 --> 00:33:13,480 Speaker 1: mind when this was going on, this is when you 574 00:33:13,600 --> 00:33:17,160 Speaker 1: had the money, Jack, you wasn't answering nobody called. That's 575 00:33:17,320 --> 00:33:21,320 Speaker 1: when you was on you better than y'all ship, the 576 00:33:21,560 --> 00:33:24,080 Speaker 1: times that you you die answered the phone for you. 577 00:33:24,560 --> 00:33:26,360 Speaker 1: You ever took an account, I might have just got 578 00:33:26,440 --> 00:33:29,680 Speaker 1: my number changed, or my phone might have been off, Jack, 579 00:33:29,720 --> 00:33:32,000 Speaker 1: I don't give a fun when money ran. Now you 580 00:33:32,120 --> 00:33:35,240 Speaker 1: had my number because you didn't. I see, I didn't 581 00:33:35,240 --> 00:33:36,520 Speaker 1: know he was trying to reach peak, but I knew 582 00:33:36,520 --> 00:33:39,040 Speaker 1: how to get back with you. The same number. But 583 00:33:39,160 --> 00:33:41,840 Speaker 1: my number ain't changed, right then, that's why we're getting 584 00:33:41,840 --> 00:33:44,200 Speaker 1: I keep the same number because I'm I'm arrogantly. Why 585 00:33:44,240 --> 00:33:45,880 Speaker 1: didn't you tell me you was trying to reach me? 586 00:33:46,000 --> 00:33:50,880 Speaker 1: Because listen, this is I keep the same number. Yeah, yeah, 587 00:33:51,760 --> 00:33:53,480 Speaker 1: you could have DMed me. You could have you could 588 00:33:53,480 --> 00:33:55,840 Speaker 1: have told somebody else that you were looking for me 589 00:33:56,320 --> 00:33:57,680 Speaker 1: and let me ask you this. Do you know that 590 00:33:57,680 --> 00:33:59,239 Speaker 1: I would have answered the phone if you would have did, 591 00:33:59,360 --> 00:34:01,520 Speaker 1: if I'd got that information. It's crazy, bro, You got 592 00:34:01,640 --> 00:34:03,719 Speaker 1: to keep the same number so people you will never 593 00:34:03,840 --> 00:34:09,120 Speaker 1: speak to it again. Well, no, they could, but you 594 00:34:09,160 --> 00:34:13,239 Speaker 1: would never answer. Let me ask you this, which keep 595 00:34:13,280 --> 00:34:15,600 Speaker 1: in mind, I'm up in New York by myself. Who 596 00:34:15,680 --> 00:34:17,520 Speaker 1: gives a ship? See? How you do you? You? You 597 00:34:17,600 --> 00:34:20,319 Speaker 1: bring me up in your table. I'm sorry you bring 598 00:34:20,400 --> 00:34:23,520 Speaker 1: me up. I know you, but just you in New 599 00:34:23,600 --> 00:34:25,560 Speaker 1: York about yourself, I mean New York about myself. Man 600 00:34:26,080 --> 00:34:29,719 Speaker 1: said up. I was like you remember you tried, You 601 00:34:29,800 --> 00:34:32,439 Speaker 1: told me, don't do it. You say it wasn't gonna work. 602 00:34:32,560 --> 00:34:35,440 Speaker 1: I wish he didn't never tell you it wasn't gonna work. 603 00:34:39,400 --> 00:34:42,640 Speaker 1: What is the numberence between I ain't gonna work, but 604 00:34:42,680 --> 00:34:47,239 Speaker 1: don't do it. Ain't never gonna work, don't do it? 605 00:34:47,680 --> 00:34:49,839 Speaker 1: I will talking about? Is that the same ship, y'all? 606 00:34:50,120 --> 00:34:55,040 Speaker 1: Cad candas, like you said, it's it's not constructed, that's 607 00:34:55,080 --> 00:35:01,359 Speaker 1: not constructive and true fault y'all. You won't don't time. 608 00:35:01,440 --> 00:35:04,120 Speaker 1: I see what the going on? This motherfucker, this your 609 00:35:04,200 --> 00:35:06,719 Speaker 1: fucking show, and y'all made this going three with only 610 00:35:06,760 --> 00:35:09,319 Speaker 1: these niggas sit down. See that's what's going on right 611 00:35:09,400 --> 00:35:12,600 Speaker 1: now side of Jack. Oh, y'all still can't hear me? 612 00:35:15,360 --> 00:35:19,520 Speaker 1: A twilight toned out the know your opinions are too controversial. 613 00:35:19,719 --> 00:35:22,200 Speaker 1: That's what it is. We didn't tell these people, not 614 00:35:22,280 --> 00:35:27,839 Speaker 1: that they just don't. I'm sorry. They made their own. Man, 615 00:35:28,200 --> 00:35:30,799 Speaker 1: you didn't Sway and anybody. It wasn't even the nigger 616 00:35:30,840 --> 00:35:36,000 Speaker 1: that wrong. What you was like? Nope, got damn currently 617 00:35:36,080 --> 00:35:38,600 Speaker 1: he you can't even convince the niggas who with you? 618 00:35:40,200 --> 00:35:48,239 Speaker 1: Let me do with us? God's trying to tell you something, Jack? 619 00:35:49,040 --> 00:35:51,359 Speaker 1: What what? What? What's God trying to tell me? Cause, 620 00:35:52,680 --> 00:35:55,200 Speaker 1: come on to the Lord? Put put me on, he 621 00:35:55,360 --> 00:35:57,200 Speaker 1: all in your face. You just don't want to see him. 622 00:35:59,160 --> 00:36:01,520 Speaker 1: Don't make don't even made me go put this robe on, Jake, 623 00:36:01,520 --> 00:36:03,080 Speaker 1: because you know I got it. Since I got my place, 624 00:36:03,239 --> 00:36:06,480 Speaker 1: I know I got my paperwork. The message has been 625 00:36:06,520 --> 00:36:09,040 Speaker 1: coming through clip. Now you need me to interpret something 626 00:36:09,120 --> 00:36:12,200 Speaker 1: and you don't mind, Well, I'm here for lay your 627 00:36:12,239 --> 00:36:16,520 Speaker 1: burdens down. Yeah. So you with that particular situation, what 628 00:36:16,760 --> 00:36:22,239 Speaker 1: was God trying to tell me? Right then? Jack? You 629 00:36:22,560 --> 00:36:25,480 Speaker 1: you got caught up in the moment. You see when 630 00:36:25,480 --> 00:36:27,880 Speaker 1: you go to the carnival, they got all kind of 631 00:36:28,000 --> 00:36:31,800 Speaker 1: wow ship to distract you. You gotta stay focused on 632 00:36:31,960 --> 00:36:36,160 Speaker 1: what the funk going on? To be a comedian ended 633 00:36:36,239 --> 00:36:40,720 Speaker 1: up in point on movies and ship man. You always 634 00:36:40,719 --> 00:36:43,680 Speaker 1: bringing up old ship you put comenty down to join 635 00:36:43,800 --> 00:36:49,000 Speaker 1: the streets that you really you're a whole thought. You 636 00:36:49,080 --> 00:36:52,120 Speaker 1: don't need all the ship that we tried to warn 637 00:36:52,160 --> 00:36:54,000 Speaker 1: you about. Why do you think that Nigga said, don't 638 00:36:54,000 --> 00:36:58,200 Speaker 1: do it? Now you've got all these cocaine stories. I 639 00:36:58,200 --> 00:37:02,640 Speaker 1: wouldn't people left cocaine for I left, man, I don't 640 00:37:02,680 --> 00:37:05,800 Speaker 1: believe that ship it did. It just got worse. I 641 00:37:05,920 --> 00:37:07,480 Speaker 1: was able to afford it when I got there. I'm 642 00:37:07,520 --> 00:37:09,600 Speaker 1: glad you've got some kind of excuse because you just 643 00:37:09,680 --> 00:37:11,200 Speaker 1: did a lot of ship that I was just like, 644 00:37:12,000 --> 00:37:14,919 Speaker 1: why are you there? You are the most like it'd 645 00:37:14,960 --> 00:37:18,319 Speaker 1: be good and it'd be what the fun, every good 646 00:37:18,760 --> 00:37:23,239 Speaker 1: for every good? How this is the perfect time to 647 00:37:23,320 --> 00:37:25,279 Speaker 1: drop this message because there's a lot of people who 648 00:37:25,320 --> 00:37:28,719 Speaker 1: watched this show that not that I age yet, and 649 00:37:28,840 --> 00:37:31,800 Speaker 1: they don't know that. Sometimes you have to look around 650 00:37:31,840 --> 00:37:34,879 Speaker 1: the room if somebody is doing better than you, out 651 00:37:34,960 --> 00:37:37,920 Speaker 1: performing you all the time. Don't think it's because you 652 00:37:38,000 --> 00:37:41,400 Speaker 1: ain't ship. Just keep in mind they might be on drugs. 653 00:37:43,120 --> 00:37:46,399 Speaker 1: It's just the message that came through. Come on, there's 654 00:37:46,400 --> 00:37:48,440 Speaker 1: a lot of people out here that are taking ship 655 00:37:48,560 --> 00:37:51,480 Speaker 1: that makes them better than you. This is you, Jack. 656 00:37:52,840 --> 00:37:56,000 Speaker 1: Your cocaine was performance enhancing and look at the ship 657 00:37:56,120 --> 00:38:01,800 Speaker 1: you did on it. I inspired this. Yeah, okay, because 658 00:38:01,840 --> 00:38:04,680 Speaker 1: you can't just talk about drug use openly and then 659 00:38:04,800 --> 00:38:07,520 Speaker 1: not try to drop some positivity on it. I learned 660 00:38:07,560 --> 00:38:20,160 Speaker 1: that don't do drugs. D niggas are smoking drugs that 661 00:38:20,239 --> 00:38:23,640 Speaker 1: Nigga did the whole death commercial right, smoking hard. This 662 00:38:23,680 --> 00:38:25,799 Speaker 1: is what Nigga said when we win the ship first 663 00:38:25,840 --> 00:38:28,239 Speaker 1: time out. You when the ship first came out, and 664 00:38:28,320 --> 00:38:30,719 Speaker 1: this when you don't do what I'm doing, do what 665 00:38:30,800 --> 00:38:34,200 Speaker 1: I'm just saying you. That's the whole message You've been amazing. 666 00:38:36,000 --> 00:38:41,279 Speaker 1: Probably wrong, Yeah, I thought that's what you were telling me. 667 00:38:41,400 --> 00:38:43,759 Speaker 1: I thought God was telling you to tell me that Jack, 668 00:38:44,200 --> 00:38:47,080 Speaker 1: this out. This whole show gonna go to hold time. Jack. 669 00:38:47,160 --> 00:38:51,200 Speaker 1: This ain't light zone, right. We are just the vehicles 670 00:38:51,320 --> 00:38:55,000 Speaker 1: that they're using to get these messages across. Jack. It's 671 00:38:55,040 --> 00:38:56,840 Speaker 1: not that y'll don't funk with me. It's just that 672 00:38:57,160 --> 00:38:59,520 Speaker 1: y'all funk with them. No, we want you, we want 673 00:38:59,600 --> 00:39:03,400 Speaker 1: what's been asked for you. What's best for you happen. Bro. 674 00:39:03,520 --> 00:39:07,720 Speaker 1: I'm letting you know that whatever you whatever you said, 675 00:39:08,200 --> 00:39:12,760 Speaker 1: some of that ship true. Dig dig I Okay, okay, okay, 676 00:39:12,960 --> 00:39:15,760 Speaker 1: most of it. Now, you had brought up something, um Clayton. 677 00:39:15,960 --> 00:39:17,840 Speaker 1: What you were saying that it were some things that 678 00:39:17,920 --> 00:39:20,520 Speaker 1: you had seen me on and you were wondering why 679 00:39:20,560 --> 00:39:24,680 Speaker 1: I was even there? What do you think beating you? 680 00:39:25,480 --> 00:39:28,160 Speaker 1: You'd be asking questions like you do you think you know? 681 00:39:28,280 --> 00:39:30,759 Speaker 1: I was trying to get clarity. I don't think come on, 682 00:39:30,760 --> 00:39:32,680 Speaker 1: I don't think everybody hay no, but I think everybody wait. 683 00:39:32,760 --> 00:39:36,520 Speaker 1: Know me, if that ain't on the T shirt, you slipping, Jack, 684 00:39:37,440 --> 00:39:40,120 Speaker 1: You're slipping. You don't do merginal mode. I came to 685 00:39:40,200 --> 00:39:46,960 Speaker 1: you from merge. I'm doing here. I can't. For hell, 686 00:39:48,760 --> 00:39:51,360 Speaker 1: I can't. I can't deliver it. Okay, let me tell you. 687 00:39:51,640 --> 00:39:53,479 Speaker 1: Let me give you a hundred reasons why I thought 688 00:39:53,600 --> 00:39:56,600 Speaker 1: you just ain't gonna be one of them shows. Give 689 00:39:56,680 --> 00:40:00,080 Speaker 1: me some of your top five legendary Jack thriller. The 690 00:40:00,160 --> 00:40:03,440 Speaker 1: views I would have to go with Mike Tyson. Um. 691 00:40:03,560 --> 00:40:05,880 Speaker 1: I would say bust the rhymes bust around. We get 692 00:40:05,920 --> 00:40:08,759 Speaker 1: y'all interview bust around here. He's a great interview greater, 693 00:40:09,160 --> 00:40:11,719 Speaker 1: greater of um. Let me tell you something. That thing 694 00:40:11,840 --> 00:40:16,200 Speaker 1: you got. The coldest and the wildest part about it 695 00:40:16,239 --> 00:40:18,560 Speaker 1: is when it's funny that you say that like his 696 00:40:18,719 --> 00:40:23,000 Speaker 1: voice is so big, and that that like whoever you 697 00:40:23,120 --> 00:40:27,600 Speaker 1: think he is before you meet him, he doesn't have 698 00:40:27,760 --> 00:40:32,760 Speaker 1: to meet that because he's gonna exceed it. Yeah, anything 699 00:40:32,880 --> 00:40:35,680 Speaker 1: sounds interesting, you know what I mean? Motherfucking breakfast, right, 700 00:40:35,800 --> 00:40:39,120 Speaker 1: it's angs all types of cheese and ship and source 701 00:40:39,160 --> 00:40:43,360 Speaker 1: of just biscuits on juice one night water. You know 702 00:40:43,440 --> 00:40:47,080 Speaker 1: I like water. I'll be like nigger water. What was 703 00:40:47,120 --> 00:40:49,480 Speaker 1: in the water, I don't know, but you know, yeah, 704 00:40:50,200 --> 00:40:56,880 Speaker 1: they definitely How do you go When I before I 705 00:40:57,000 --> 00:41:00,000 Speaker 1: moved to New York, me and my uncle will say, 706 00:41:00,120 --> 00:41:03,080 Speaker 1: on the couch and everything, and uh uh he was 707 00:41:03,640 --> 00:41:07,440 Speaker 1: was watching TeV smiling and he was interviewing. Minute when 708 00:41:07,480 --> 00:41:08,880 Speaker 1: you say, you and your uncle was sitting on the 709 00:41:08,960 --> 00:41:13,440 Speaker 1: couch and everything, yeah and everything. We were just goddamn 710 00:41:13,520 --> 00:41:15,560 Speaker 1: trying to figure out what was the next move and stuff. 711 00:41:15,640 --> 00:41:18,879 Speaker 1: You know, I just watching Tavith smile, just watching TeV 712 00:41:18,960 --> 00:41:23,360 Speaker 1: smiling and living round in my apartment, and you know, 713 00:41:23,520 --> 00:41:25,960 Speaker 1: I was had already done everything that I could do 714 00:41:26,480 --> 00:41:30,200 Speaker 1: is in my mind in Atlanta. As far as the 715 00:41:30,280 --> 00:41:32,480 Speaker 1: persona that I was going by at the time and 716 00:41:32,560 --> 00:41:35,799 Speaker 1: the ground that I was going, what was what you Jack? 717 00:41:37,320 --> 00:41:40,560 Speaker 1: Here you go? Here you go? Where you jack that? Y'all? 718 00:41:40,560 --> 00:41:42,839 Speaker 1: Always are you trying to Why are you? Why are 719 00:41:42,840 --> 00:41:45,640 Speaker 1: you trying to bury that part of the story that's 720 00:41:45,680 --> 00:41:48,439 Speaker 1: an important part of your I don't even know I'm 721 00:41:48,560 --> 00:41:52,960 Speaker 1: asking are you Jack? I wasn't Jackie. Okay, cool, that 722 00:41:53,120 --> 00:41:55,640 Speaker 1: wasn't Jack. We can go okay, you got a lot 723 00:41:55,719 --> 00:41:59,080 Speaker 1: of aliens got you, Yeah, we got you. He could 724 00:41:59,120 --> 00:42:02,080 Speaker 1: have been I'm gonna get you that. I'm gonna you 725 00:42:02,760 --> 00:42:07,440 Speaker 1: came bury to lead He go yeah, yeah, and so um. 726 00:42:08,560 --> 00:42:12,200 Speaker 1: He was saying he was looking for uh comedians, directors 727 00:42:12,560 --> 00:42:15,560 Speaker 1: and and actors. He still started a new company called 728 00:42:15,600 --> 00:42:17,800 Speaker 1: Cheeta Vision, and my uncle was like, hey man, you 729 00:42:17,800 --> 00:42:20,240 Speaker 1: should go move up to New York and find fifthed 730 00:42:20,360 --> 00:42:22,680 Speaker 1: and whatnot and just use the same brand as you 731 00:42:22,760 --> 00:42:25,160 Speaker 1: got down here up there. And it kind of confused 732 00:42:25,200 --> 00:42:27,279 Speaker 1: me for a second, because I was like, I don't 733 00:42:27,360 --> 00:42:31,320 Speaker 1: know nobody in New York and he where would I 734 00:42:31,400 --> 00:42:33,759 Speaker 1: even stay? And I had an uncle that stayed in 735 00:42:33,840 --> 00:42:36,479 Speaker 1: New York and he was like, I called my brother 736 00:42:37,080 --> 00:42:39,439 Speaker 1: and I tell him to let you stay that stay 737 00:42:39,520 --> 00:42:41,520 Speaker 1: with him and everything for six months and see if 738 00:42:41,520 --> 00:42:45,239 Speaker 1: you can get your ship together. And if you can, yo, 739 00:42:45,600 --> 00:42:49,480 Speaker 1: try to find this nigger. And you know, just just 740 00:42:49,640 --> 00:42:52,759 Speaker 1: that in itself. You know, it's fifty cent, he's an 741 00:42:52,920 --> 00:42:57,000 Speaker 1: icon already. Why would he funk with me? You know 742 00:42:57,080 --> 00:43:00,319 Speaker 1: it got but yeah, why why he said that uncle 743 00:43:00,440 --> 00:43:03,000 Speaker 1: just saw that ship he said he said it said, 744 00:43:03,080 --> 00:43:07,440 Speaker 1: oh this nigger got money. Yeah, and he funk with 745 00:43:07,560 --> 00:43:12,480 Speaker 1: you if you was yeah yeah and um. But from 746 00:43:12,600 --> 00:43:14,560 Speaker 1: from what I was listening to on the albums, it 747 00:43:14,640 --> 00:43:19,800 Speaker 1: didn't seem like any fun with me because he was 748 00:43:20,880 --> 00:43:23,319 Speaker 1: because he really direct about that ship. That nigg got 749 00:43:23,360 --> 00:43:25,319 Speaker 1: one line when he said, you're getting money, I can't 750 00:43:25,360 --> 00:43:28,879 Speaker 1: get nothing with you. Didn't fuck you. It's weird. It's 751 00:43:28,920 --> 00:43:33,000 Speaker 1: definitely weird. Um. I had uh. I took my uncle 752 00:43:33,080 --> 00:43:34,759 Speaker 1: upon that that offer, and I had told everything all 753 00:43:34,760 --> 00:43:37,000 Speaker 1: the comedians in the game, I'm about to go move 754 00:43:37,360 --> 00:43:39,440 Speaker 1: to New York and just go try my hands. He 755 00:43:40,160 --> 00:43:42,279 Speaker 1: was having you know what, I gotta lose and you 756 00:43:42,320 --> 00:43:44,560 Speaker 1: know you're only live once, and you know what, Like 757 00:43:44,600 --> 00:43:47,440 Speaker 1: I said, I didn't get a lot of well wishes 758 00:43:47,520 --> 00:43:49,880 Speaker 1: with this. Everybody was like, you'll be back in no 759 00:43:50,080 --> 00:43:53,319 Speaker 1: time and um, but I had nothing to lose, um, 760 00:43:53,360 --> 00:43:56,080 Speaker 1: and nothing to look forward to. Hear where I was 761 00:43:56,160 --> 00:43:59,120 Speaker 1: staying at the time I was getting evicted from, um, 762 00:43:59,600 --> 00:44:02,480 Speaker 1: I saw. I just went up to New York. Um, 763 00:44:03,120 --> 00:44:04,839 Speaker 1: mind you hold on before I Before I went there, 764 00:44:05,320 --> 00:44:07,160 Speaker 1: I had a chance to go there to visit, and 765 00:44:07,200 --> 00:44:09,239 Speaker 1: it was with my man Gable heart we uh he 766 00:44:09,360 --> 00:44:14,239 Speaker 1: had a video gut he was shoot a video for 767 00:44:14,640 --> 00:44:17,399 Speaker 1: Fat Joe and the Locks. It was two different videos, 768 00:44:17,400 --> 00:44:19,400 Speaker 1: two different days, and you know, he wanted me to 769 00:44:19,600 --> 00:44:24,000 Speaker 1: be uh assistant director on the videos and stuff, and 770 00:44:24,000 --> 00:44:26,279 Speaker 1: so I took a ride with him and we um 771 00:44:27,040 --> 00:44:30,239 Speaker 1: we did Fat Joe video and I made a relationship 772 00:44:30,280 --> 00:44:31,879 Speaker 1: with Fat Joe that were like hem or he don't 773 00:44:31,880 --> 00:44:34,359 Speaker 1: remember the ship, So I guess I really didn't. You didn't, Yeah, 774 00:44:35,080 --> 00:44:38,960 Speaker 1: you did. In my mind we were springing. Then the 775 00:44:39,120 --> 00:44:41,680 Speaker 1: next day we did the Lots video and that you know, UM, 776 00:44:42,360 --> 00:44:45,000 Speaker 1: the funny thing on the Locks of lots of said 777 00:44:45,640 --> 00:44:48,520 Speaker 1: it was a dude that came on the set while 778 00:44:48,560 --> 00:44:51,160 Speaker 1: I was outside. And then the video is called Chase 779 00:44:51,239 --> 00:44:53,480 Speaker 1: that Paper. And we was on Done Bard in the 780 00:44:53,600 --> 00:44:58,000 Speaker 1: cab in Brooklyn, in Brooklyn, and he said some ship like, 781 00:44:58,480 --> 00:45:01,920 Speaker 1: hey man, listen, you know. He was like, your son, 782 00:45:02,520 --> 00:45:05,160 Speaker 1: the locks is in there. You'll tell them niggas. They 783 00:45:05,239 --> 00:45:07,120 Speaker 1: gotta come out here, and they gotta pay me to 784 00:45:07,160 --> 00:45:09,160 Speaker 1: shoot the video on this block. You're not gonna come 785 00:45:09,320 --> 00:45:11,400 Speaker 1: up in our situation. And got them just know what 786 00:45:11,440 --> 00:45:14,560 Speaker 1: I'm saying, shoot it up here without checking in. And 787 00:45:14,680 --> 00:45:16,480 Speaker 1: I was like, Nick, I don't want to tell them 788 00:45:16,560 --> 00:45:20,160 Speaker 1: that I don't know these niggas. What the funk? He said, Nick, 789 00:45:20,160 --> 00:45:23,000 Speaker 1: I'm gonna slap the ship at you if you don't 790 00:45:23,040 --> 00:45:24,759 Speaker 1: go in and tell them niggas that ship right now. 791 00:45:25,520 --> 00:45:29,759 Speaker 1: I believe that he told you that. He told me that. 792 00:45:30,120 --> 00:45:34,480 Speaker 1: I went in and I saw. I said, hey, Gabe's 793 00:45:34,640 --> 00:45:37,480 Speaker 1: nigga niggas downstairs. They said, they ain't gonna goddamn tell 794 00:45:37,520 --> 00:45:40,879 Speaker 1: his whole video shoot now if we don't tear the lots. 795 00:45:40,920 --> 00:45:42,800 Speaker 1: The goddamn paid them some money. He said, We'll go 796 00:45:42,880 --> 00:45:45,160 Speaker 1: tell them and then you tell him so we were 797 00:45:45,200 --> 00:45:46,840 Speaker 1: going back and forth and he said he pushed me 798 00:45:46,920 --> 00:45:53,480 Speaker 1: to the niggas. I said, hey, take it, um, it's 799 00:45:53,520 --> 00:45:56,400 Speaker 1: a guy outside. He says that you gotta pay him 800 00:45:56,440 --> 00:45:58,440 Speaker 1: to shoot the rest of the video here and whatnot, 801 00:45:58,560 --> 00:46:00,960 Speaker 1: or he's gonna tell his motherfucker down. Yep, that is 802 00:46:01,360 --> 00:46:03,239 Speaker 1: And Jenna Kiss said, he was like, hey, show me 803 00:46:03,320 --> 00:46:09,000 Speaker 1: where yet I show you you wanted the point in there? 804 00:46:09,840 --> 00:46:12,239 Speaker 1: It's not you think of making me a snitche And 805 00:46:12,320 --> 00:46:16,000 Speaker 1: when I so, I go out even I'm like, yeah, 806 00:46:16,080 --> 00:46:17,640 Speaker 1: this is him right here. This is the guy that's 807 00:46:18,800 --> 00:46:21,239 Speaker 1: he said, he's gonna suck this whole ship up if 808 00:46:21,280 --> 00:46:25,160 Speaker 1: you do. And they started slapping the nick and whooping, whoa, 809 00:46:25,320 --> 00:46:28,400 Speaker 1: that's enough. I don't know if you're pupposed to be 810 00:46:28,480 --> 00:46:32,319 Speaker 1: telling that story. Yeah, yeah, we've been seeing a lot 811 00:46:32,400 --> 00:46:36,000 Speaker 1: of things, strange things, and it wasn't it wasn't it 812 00:46:36,120 --> 00:46:38,880 Speaker 1: was some people. Okay, So so let's get over that. 813 00:46:40,719 --> 00:46:43,239 Speaker 1: Let's get over that part. Right. You kind of get 814 00:46:43,320 --> 00:46:44,920 Speaker 1: the picture of what probably would have happen to see. 815 00:46:44,920 --> 00:46:47,160 Speaker 1: This is why people say, man that you got you 816 00:46:47,320 --> 00:46:52,919 Speaker 1: you can't ship like not into internet. Right is gonna 817 00:46:52,920 --> 00:46:55,719 Speaker 1: in Brooklyn gonna go back, go back to October two 818 00:46:55,760 --> 00:46:59,319 Speaker 1: thousand and twelve video shoot. It was night and see 819 00:47:02,239 --> 00:47:08,560 Speaker 1: it was much thirty first monastirty first else got do 820 00:47:08,840 --> 00:47:11,480 Speaker 1: not and so I didn't. Called Rob Stapleton and I 821 00:47:11,640 --> 00:47:15,920 Speaker 1: was like, I need to. I need to while I'm 822 00:47:16,120 --> 00:47:17,960 Speaker 1: in New York. Let me see if I'm funny in 823 00:47:18,000 --> 00:47:21,480 Speaker 1: New York and whatnot. Man, Hey you're Rob. I'm I'm 824 00:47:21,600 --> 00:47:24,239 Speaker 1: trying to. I'm here in New York. When Rob will 825 00:47:24,280 --> 00:47:26,840 Speaker 1: come to uh Atlanta, I would drive him around to 826 00:47:26,920 --> 00:47:30,160 Speaker 1: his show. That's crazy. Yeah, we're gonna get there later, right, 827 00:47:30,560 --> 00:47:35,839 Speaker 1: all right? Cool? So Rob was like, I'm for the book. 828 00:47:35,880 --> 00:47:37,480 Speaker 1: You at the dugout tonight, and I'm for the book 829 00:47:37,480 --> 00:47:42,440 Speaker 1: you're at Mochas in Harlem, and so he booked me 830 00:47:42,480 --> 00:47:44,600 Speaker 1: at Mochas. I go up there with smoking ship and 831 00:47:44,600 --> 00:47:47,239 Speaker 1: they're like smoke asked me what my name is? Like, Hey, 832 00:47:47,360 --> 00:47:50,040 Speaker 1: my name Honey Bunn. I'm trying to, you know, send 833 00:47:50,080 --> 00:47:53,000 Speaker 1: the company here tonight. You're like what I said, you, 834 00:47:53,000 --> 00:47:54,279 Speaker 1: I'm trying to do a company and said, now, what's 835 00:47:54,280 --> 00:47:57,200 Speaker 1: your name again? I said, my name is Honey Bunn. 836 00:47:57,239 --> 00:47:58,960 Speaker 1: But it's what as he is. He makes the masculine 837 00:47:59,560 --> 00:48:02,719 Speaker 1: and he was like he was tripped the funk out 838 00:48:03,040 --> 00:48:06,440 Speaker 1: he introduced me. I did well. I left there with 839 00:48:06,800 --> 00:48:11,239 Speaker 1: Corfernandez is driving me around by the way shut out Corpornanda. 840 00:48:11,280 --> 00:48:15,080 Speaker 1: This takes me to the dugout. I'm featuring for components 841 00:48:15,120 --> 00:48:18,239 Speaker 1: like by way of Rob Stapleton, and this is at 842 00:48:18,360 --> 00:48:21,680 Speaker 1: Yankee Stadium. All of this is amazing to me. I 843 00:48:21,800 --> 00:48:24,000 Speaker 1: go up there and I reply in front of the pone. 844 00:48:24,040 --> 00:48:26,319 Speaker 1: Capone comes to me before going on stage and say, Yo, 845 00:48:26,520 --> 00:48:28,480 Speaker 1: give me a number. Let's talk about this ship after 846 00:48:28,520 --> 00:48:31,640 Speaker 1: I get off stage. Uh. He got up and do 847 00:48:31,760 --> 00:48:33,680 Speaker 1: his thing. But while he was doing this thing, I 848 00:48:33,800 --> 00:48:35,759 Speaker 1: met this girl. She was like, hey, one of us 849 00:48:35,800 --> 00:48:37,359 Speaker 1: to pussy. We'll go back to the house. She give 850 00:48:37,400 --> 00:48:38,880 Speaker 1: me some pussy and ship. I forgot to talk to 851 00:48:38,880 --> 00:48:42,879 Speaker 1: the pone. Campone called me six am in the morning. Yeah, 852 00:48:43,520 --> 00:48:45,200 Speaker 1: it was New York at hand. I'm trying to see 853 00:48:45,239 --> 00:48:47,720 Speaker 1: where this puts the same as in their level. Anyway, 854 00:48:48,320 --> 00:48:50,560 Speaker 1: we Uh, Compone hit me up at six am and more. 855 00:48:50,600 --> 00:48:52,480 Speaker 1: He's like, I got two thousand dollars with shows for 856 00:48:52,560 --> 00:48:55,680 Speaker 1: you and whatnot. Let's get a popping. I don't live here. 857 00:48:55,800 --> 00:48:58,840 Speaker 1: I live in Atlanta and He was like, you're doing Atlanta. 858 00:48:58,840 --> 00:49:00,800 Speaker 1: You need to move here, And I'm like, damn, my 859 00:49:00,880 --> 00:49:03,160 Speaker 1: uncle did say that I could come up here for 860 00:49:03,200 --> 00:49:05,680 Speaker 1: six months and ship. So when I got home, I 861 00:49:05,800 --> 00:49:08,839 Speaker 1: told my uncle, Hey, yeah, let's run that. I moved 862 00:49:08,920 --> 00:49:13,920 Speaker 1: up there August six oh nine and um uh in Harlem, 863 00:49:13,960 --> 00:49:19,000 Speaker 1: I won forty six between seventh and eight, and I 864 00:49:19,920 --> 00:49:22,840 Speaker 1: went to Times Square and I'm thinking to myself, remember 865 00:49:22,920 --> 00:49:24,680 Speaker 1: the funk am I gonna do? How the funk am 866 00:49:24,719 --> 00:49:28,879 Speaker 1: I gonna find fifty cents here and all of this ship? Yeah, 867 00:49:29,480 --> 00:49:31,680 Speaker 1: I see two guys that recognize me from doing sketches 868 00:49:31,719 --> 00:49:34,480 Speaker 1: with Little Douvo and whatnot. And it was like, hey, man, 869 00:49:34,560 --> 00:49:36,440 Speaker 1: can we do, like do some sketches for you and whatnot. 870 00:49:36,440 --> 00:49:38,239 Speaker 1: You ain't gotta pay us, you know, We're just stow 871 00:49:38,280 --> 00:49:40,200 Speaker 1: the ship up on all platforms and let us don't 872 00:49:40,200 --> 00:49:42,200 Speaker 1: say and take credit for it. So I was like, alright, 873 00:49:42,360 --> 00:49:46,520 Speaker 1: first sketch we did together was Michael Vick interview. Ship 874 00:49:46,560 --> 00:49:51,320 Speaker 1: went viral viral. I called Carlos. Carlos, help me know 875 00:49:51,320 --> 00:49:53,960 Speaker 1: what I'm saying, get some of the rhetoric down for 876 00:49:54,120 --> 00:49:56,800 Speaker 1: the ship. And one of the sites that picked it 877 00:49:56,880 --> 00:49:59,040 Speaker 1: up along with all the other hosts of sites was 878 00:49:59,160 --> 00:50:03,399 Speaker 1: This is fifty dot com, vlad TV, and World Start 879 00:50:03,520 --> 00:50:05,520 Speaker 1: Hip Hop dot com. I left, oh ship, this is 880 00:50:05,560 --> 00:50:07,520 Speaker 1: what I'm supposed to be doing. This is how I'm 881 00:50:07,520 --> 00:50:09,719 Speaker 1: gonna find fifty. So I went on to shoot more 882 00:50:09,719 --> 00:50:14,200 Speaker 1: of these viral videos. Four months later, Uh fifty hit Me, 883 00:50:14,440 --> 00:50:16,800 Speaker 1: glad TV hit Me, and World Start hit Me wanted 884 00:50:16,800 --> 00:50:20,520 Speaker 1: me to be personalities on their platform, and I went 885 00:50:20,600 --> 00:50:22,719 Speaker 1: with fifty because that's why I came up here to 886 00:50:22,840 --> 00:50:26,319 Speaker 1: meet and it really happened. And so I meet him. 887 00:50:27,160 --> 00:50:29,400 Speaker 1: He makes me a gun, the comedian, puts me on 888 00:50:29,760 --> 00:50:32,719 Speaker 1: serious satellite radio, and then I started doing interviews with 889 00:50:32,800 --> 00:50:34,800 Speaker 1: This is fifty dot com and they don't give me 890 00:50:34,880 --> 00:50:38,239 Speaker 1: any direction on how to v Jack Thriller. You don't 891 00:50:38,280 --> 00:50:40,400 Speaker 1: need no direction. You can't tell a nigger like you 892 00:50:40,640 --> 00:50:43,680 Speaker 1: how to know what you do. I already knew what 893 00:50:43,840 --> 00:50:46,600 Speaker 1: to do. He already trusted me with that situation, and 894 00:50:46,719 --> 00:50:49,480 Speaker 1: pretty much the rest is history from there, and then 895 00:50:49,520 --> 00:50:50,960 Speaker 1: we just, you know what I'm saying, pretty much take it. 896 00:50:51,000 --> 00:50:52,880 Speaker 1: Took it to the moon because it was on at 897 00:50:52,880 --> 00:50:55,920 Speaker 1: a particular time when you know, he was battling back 898 00:50:55,960 --> 00:50:58,160 Speaker 1: and forth with Rick Robinson and you know he was 899 00:50:58,239 --> 00:51:01,000 Speaker 1: kind of losing, but then we did this goddamn this 900 00:51:01,080 --> 00:51:03,920 Speaker 1: is fit ship. This ship had then got brought a 901 00:51:03,960 --> 00:51:06,760 Speaker 1: whole of the life change the way niggas do interviews 902 00:51:06,880 --> 00:51:09,400 Speaker 1: on platforms, and it took over the world. Man, I saw, 903 00:51:09,480 --> 00:51:11,680 Speaker 1: I'm a lot of these niggas, Daddy the new interviews. 904 00:51:12,960 --> 00:51:15,200 Speaker 1: That's why we don't do interviews. We're just being talking 905 00:51:15,440 --> 00:51:22,759 Speaker 1: talking about then that because I called it, dude to 906 00:51:22,880 --> 00:51:30,319 Speaker 1: beat your Yeah, so that's how that happened. That's how 907 00:51:30,400 --> 00:51:35,359 Speaker 1: that appened. Yeah, so the honey Bund thing, right, Uh 908 00:51:36,520 --> 00:51:40,040 Speaker 1: so my stage name was honey Bun before it was 909 00:51:40,160 --> 00:51:42,360 Speaker 1: Jack Thru what was it was honey Buns, but it 910 00:51:42,400 --> 00:51:44,439 Speaker 1: was what is he does? He makes it masculine? Yes? 911 00:51:44,600 --> 00:51:47,840 Speaker 1: And you would say that every time. That's what you 912 00:51:48,000 --> 00:51:50,640 Speaker 1: have to keep in mind. You you would always whatever 913 00:51:50,760 --> 00:51:54,440 Speaker 1: somebody would question or ship, that would be your response, 914 00:51:55,600 --> 00:51:58,200 Speaker 1: does he make it masculate? And where that came from? 915 00:51:58,280 --> 00:52:01,440 Speaker 1: A centric entertainment said the entertaining You said a joke 916 00:52:01,480 --> 00:52:04,520 Speaker 1: about delicious. Yeah, I'm not gonna call no grown ass 917 00:52:04,560 --> 00:52:07,239 Speaker 1: man delicious. And I thought it was the funniest ship 918 00:52:07,280 --> 00:52:09,560 Speaker 1: in the whole fucking world. There was a joke about 919 00:52:09,640 --> 00:52:11,399 Speaker 1: a guy that wanted you to call him some ship 920 00:52:11,440 --> 00:52:13,600 Speaker 1: that made people uncomfortable, but you remember it and it 921 00:52:13,680 --> 00:52:15,759 Speaker 1: stood out and it made me laugh my ass off 922 00:52:16,040 --> 00:52:18,000 Speaker 1: at fourteen years old, to the point where like, if 923 00:52:18,040 --> 00:52:21,200 Speaker 1: I ever started doing comedy, I need a name like delicious, 924 00:52:21,200 --> 00:52:23,440 Speaker 1: but not delicious because people don't know that's where the 925 00:52:23,480 --> 00:52:26,400 Speaker 1: funk it came from. So at the time, it was 926 00:52:26,520 --> 00:52:29,239 Speaker 1: some ship called the chat line in Atlanta. The chat 927 00:52:29,320 --> 00:52:32,200 Speaker 1: line is like the Internet on the phone. Yeah, and 928 00:52:32,360 --> 00:52:34,359 Speaker 1: so me and my brother will be on the chat line. 929 00:52:34,360 --> 00:52:36,480 Speaker 1: I got a brother that were just a year apart. Uh, 930 00:52:36,520 --> 00:52:38,880 Speaker 1: he's younger than me, and um, we will be on 931 00:52:39,000 --> 00:52:43,080 Speaker 1: their meeting girls and uh fucking Avondale mall the fuck 932 00:52:43,560 --> 00:52:46,239 Speaker 1: uh the underground mall. You know, every everybody that's what 933 00:52:46,320 --> 00:52:48,120 Speaker 1: they were on that type of time, you know what 934 00:52:48,160 --> 00:52:50,719 Speaker 1: I'm saying. So one day I was on the chat 935 00:52:50,800 --> 00:52:53,480 Speaker 1: line and I was in this room and it was 936 00:52:53,880 --> 00:52:55,400 Speaker 1: a dude. I was talking to this girl and as 937 00:52:55,440 --> 00:52:57,439 Speaker 1: a dude came in, he said, Hey, my name honey, 938 00:52:57,480 --> 00:52:59,880 Speaker 1: but I hope your mama die bye. And I busted 939 00:53:00,120 --> 00:53:01,440 Speaker 1: laugh and I thought it was the funniest ship in 940 00:53:01,480 --> 00:53:05,600 Speaker 1: the whole world. And then he came. I was on 941 00:53:05,719 --> 00:53:08,879 Speaker 1: the in the chatter on the chat line. He said, 942 00:53:08,920 --> 00:53:12,680 Speaker 1: my name Honeybund, I hope your mama died by And 943 00:53:12,719 --> 00:53:14,640 Speaker 1: then I went to the next room and I was 944 00:53:14,719 --> 00:53:17,160 Speaker 1: just like probably thirty minutes later and I'm just chilling 945 00:53:17,200 --> 00:53:19,319 Speaker 1: the ship talking to another girl and whatnot, and then 946 00:53:19,440 --> 00:53:21,880 Speaker 1: coming again, Hey mynybody help your mama died ye, And 947 00:53:21,960 --> 00:53:24,160 Speaker 1: I laughed the same way I laughed the first time. 948 00:53:24,200 --> 00:53:28,799 Speaker 1: I here go into another room fifteen minutes later saying thing, 949 00:53:29,040 --> 00:53:31,319 Speaker 1: come in, Hey, my name Honeybud, help your mama. That vibe, 950 00:53:31,520 --> 00:53:34,600 Speaker 1: and I laughed the same way again, and I was like, 951 00:53:34,719 --> 00:53:38,560 Speaker 1: that's it. That's my delicious, That's who I'm gonna be. 952 00:53:39,040 --> 00:53:43,040 Speaker 1: When I started, yeah, coming from Chao year old, so 953 00:53:45,520 --> 00:53:47,960 Speaker 1: I was fourteen years old myself, honey. But I was 954 00:53:48,719 --> 00:53:50,200 Speaker 1: hold on this one. This is a good part right here. 955 00:53:50,760 --> 00:53:55,000 Speaker 1: I had dropped out of school, right so I had Yeah, 956 00:53:55,840 --> 00:53:58,719 Speaker 1: I was done, my mama, Mama, I had that got 957 00:53:58,760 --> 00:54:01,319 Speaker 1: goddamn spell out of in school, go fighting every day, 958 00:54:01,560 --> 00:54:03,399 Speaker 1: down into a fight with this girl. She would find 959 00:54:03,400 --> 00:54:08,200 Speaker 1: and say she like friends and whatnot. My name was 960 00:54:08,280 --> 00:54:15,160 Speaker 1: Adrian or some ship. Yeah, when you when you when 961 00:54:15,200 --> 00:54:17,000 Speaker 1: you out of school, you don't got nothing to do. 962 00:54:18,400 --> 00:54:20,440 Speaker 1: You're trying to figure life out. What's gonna happen to 963 00:54:20,520 --> 00:54:24,080 Speaker 1: me next? You dropped and nine? Yeah, I went in 964 00:54:24,200 --> 00:54:26,279 Speaker 1: and when I read reading in high school, I went 965 00:54:26,320 --> 00:54:30,959 Speaker 1: in ninety six, came out of ninety six. I didn't 966 00:54:32,920 --> 00:54:37,680 Speaker 1: I didn't win. You know, she beat my the fight. 967 00:54:37,800 --> 00:54:40,960 Speaker 1: She definitely beat my the fight because you know, you're 968 00:54:41,280 --> 00:54:43,120 Speaker 1: mother so fine, You're like, I'm not gonna hit you back. 969 00:54:43,880 --> 00:54:46,320 Speaker 1: I had that one to fight. I was feeling on 970 00:54:46,440 --> 00:54:50,920 Speaker 1: the way. But anyway, um, I was calling into the 971 00:54:51,040 --> 00:54:53,480 Speaker 1: round camera morning your ear one on Hot nine it 972 00:54:53,560 --> 00:54:55,600 Speaker 1: was Hot nine seven point five, and what you were 973 00:54:55,640 --> 00:54:58,719 Speaker 1: saying and our our hunting bun on that, They're like, Hey, 974 00:54:58,800 --> 00:55:01,319 Speaker 1: my name't Honeybun. What's going how y'all doing? Blah blah. 975 00:55:01,680 --> 00:55:04,480 Speaker 1: Ryan thought it was a great character, and he'd invite 976 00:55:04,520 --> 00:55:06,440 Speaker 1: me to the morning shows to come to the morning 977 00:55:06,440 --> 00:55:10,759 Speaker 1: show with him. Rashaun Ali and I would do that 978 00:55:10,840 --> 00:55:15,759 Speaker 1: ship for like the next two years. And uh I 979 00:55:15,880 --> 00:55:20,040 Speaker 1: had got this job at a miracle, a miracle. Uh 980 00:55:21,120 --> 00:55:23,920 Speaker 1: I was seventeen years old in this particular time, and 981 00:55:24,000 --> 00:55:26,880 Speaker 1: I'm calling into the Ryan coming on the show. This 982 00:55:27,040 --> 00:55:30,080 Speaker 1: job that I have, They've they've taken me to uh 983 00:55:30,600 --> 00:55:32,879 Speaker 1: elementary schools and shipped to teach kids how to read. 984 00:55:33,160 --> 00:55:38,120 Speaker 1: But they don't know I dropped out of school. I 985 00:55:38,160 --> 00:55:40,480 Speaker 1: would barely read myself. But I was good enough for 986 00:55:40,600 --> 00:55:44,120 Speaker 1: Kenny going through field. So anyway, one of the girls 987 00:55:44,239 --> 00:55:47,880 Speaker 1: that was I was working with, she worked at Phillips Serena. 988 00:55:48,600 --> 00:55:51,520 Speaker 1: At this particular time, it was the King's Comedy was 989 00:55:51,560 --> 00:56:01,239 Speaker 1: coming to town, and I was like, he talked the kids, Yeah, no, 990 00:56:01,360 --> 00:56:06,200 Speaker 1: I was for Frandi Proddin' about to kill me for 991 00:56:06,280 --> 00:56:08,520 Speaker 1: any Prodde. That's what my real name is. Okay, yeah 992 00:56:08,560 --> 00:56:11,880 Speaker 1: we go. Yeah, my real name was for any Practice. 993 00:56:13,280 --> 00:56:15,680 Speaker 1: So it was yeah Mr Pride. People will call me 994 00:56:15,840 --> 00:56:20,719 Speaker 1: Mr Pradde. Uh So, so the girls she worked with me, 995 00:56:20,760 --> 00:56:23,279 Speaker 1: she worked in Philips Serena And when the when the 996 00:56:23,360 --> 00:56:25,759 Speaker 1: Kings of a Comedy came to town, I asked her, 997 00:56:25,760 --> 00:56:28,040 Speaker 1: because you give me some tickets to that ship, and 998 00:56:28,520 --> 00:56:30,520 Speaker 1: she gave me some tickets to go to Phillips really 999 00:56:30,560 --> 00:56:34,600 Speaker 1: go see King's Comedy. And Bryan Cameron was open enough 1000 00:56:34,960 --> 00:56:38,040 Speaker 1: for the Kings of Comedy and in front of twenty 1001 00:56:38,080 --> 00:56:41,120 Speaker 1: tho people, and I was like, oh, Ship and he 1002 00:56:41,280 --> 00:56:44,359 Speaker 1: was ripping that motherfucker too. That's what the funk I am. 1003 00:56:44,800 --> 00:56:48,200 Speaker 1: That's what I want to be. And that's how the 1004 00:56:48,239 --> 00:56:51,720 Speaker 1: whole comedy. Next week, I went to the Chris Tucker 1005 00:56:51,760 --> 00:56:56,839 Speaker 1: Comedy Club and whatnot, and yeah, you remember that Ship 1006 00:56:57,640 --> 00:57:03,640 Speaker 1: and the Kings are you doing coming that? Steve Brown 1007 00:57:04,080 --> 00:57:05,840 Speaker 1: was on the show that night and they let me 1008 00:57:05,880 --> 00:57:07,680 Speaker 1: open up for him and whatnot, and I did feel 1009 00:57:07,680 --> 00:57:11,319 Speaker 1: it well good enough to go come back, and uh, 1010 00:57:11,600 --> 00:57:14,560 Speaker 1: that's how I started doing comedy as Honey Buns. But 1011 00:57:14,760 --> 00:57:16,840 Speaker 1: nobody was working with that honey Bun ship because that 1012 00:57:16,920 --> 00:57:19,000 Speaker 1: was at the time it was cool to be gay 1013 00:57:19,640 --> 00:57:23,040 Speaker 1: and whatnot. But I wasn't gay, but people didn't know that. 1014 00:57:23,040 --> 00:57:25,640 Speaker 1: I wouldn't get because my name was honey Buns. So 1015 00:57:26,080 --> 00:57:28,080 Speaker 1: then like it was hard to trying to convince nigga, 1016 00:57:28,280 --> 00:57:29,960 Speaker 1: you know, I'm really I'm not gay, that's just what 1017 00:57:30,040 --> 00:57:37,040 Speaker 1: my name is. I'm Honey Bumped. And so now if 1018 00:57:37,040 --> 00:57:38,680 Speaker 1: people looking at me like I'm a fake gay name 1019 00:57:38,840 --> 00:57:43,640 Speaker 1: and whatnot name honey Bump. But then at the same time, 1020 00:57:45,120 --> 00:57:50,640 Speaker 1: because yeah, and then my finishing joke because I was 1021 00:57:50,720 --> 00:57:52,600 Speaker 1: a strippler at the time too. I was stripping it 1022 00:57:52,920 --> 00:57:56,160 Speaker 1: pin ups. I would stripped down to my chaps and 1023 00:57:56,600 --> 00:57:58,959 Speaker 1: whatnot and go to die. So it's just the honey 1024 00:57:59,000 --> 00:58:01,520 Speaker 1: bunt thing made too much saying I had blood h 1025 00:58:02,000 --> 00:58:05,240 Speaker 1: I had a changed shirt on, so people thought they 1026 00:58:05,240 --> 00:58:07,160 Speaker 1: didn't want to Niggas didn't want to suck with me, man, 1027 00:58:07,840 --> 00:58:11,520 Speaker 1: and so I was making it hard. Yeah. I was 1028 00:58:11,600 --> 00:58:12,960 Speaker 1: making it hard for myself. But if you got to 1029 00:58:13,000 --> 00:58:16,200 Speaker 1: know me, you're like, oh, ship, and then you're not 1030 00:58:16,280 --> 00:58:19,080 Speaker 1: get Yeah. I fought with him and he pretty cool, 1031 00:58:19,520 --> 00:58:21,000 Speaker 1: but you would look at you and be like he 1032 00:58:21,080 --> 00:58:23,720 Speaker 1: got that chained shirt off, yeah, and the chat his 1033 00:58:23,840 --> 00:58:27,520 Speaker 1: regular shirt. Yeah. And I had a tailway pains. Yeah. 1034 00:58:27,600 --> 00:58:29,440 Speaker 1: It was a lot. I was doing too much. I 1035 00:58:29,600 --> 00:58:35,439 Speaker 1: was in my way, but I was trying to find myself. Yeah. Yeah, 1036 00:58:35,480 --> 00:58:37,080 Speaker 1: it was the shock you think. So I I was. 1037 00:58:37,200 --> 00:58:39,800 Speaker 1: I was working to pin up, scripping, I was doing comedy, 1038 00:58:39,880 --> 00:58:41,920 Speaker 1: and I was working in the veilping room bount bouncing 1039 00:58:42,040 --> 00:58:45,160 Speaker 1: at the same goddamn time. So I was bouncing. Niggas 1040 00:58:45,200 --> 00:58:47,000 Speaker 1: at the club would come see me an uptown comedy 1041 00:58:47,040 --> 00:58:48,920 Speaker 1: club and like, hold on, that's the nigga kicked us 1042 00:58:48,920 --> 00:58:51,360 Speaker 1: at the club. Lad Man then went out their way 1043 00:58:51,400 --> 00:58:53,960 Speaker 1: to boot me and didn't coming club, you know what 1044 00:58:53,960 --> 00:58:56,160 Speaker 1: I'm saying. So it was just all a bit clusterfuck 1045 00:58:56,200 --> 00:58:59,200 Speaker 1: at the same time. And so that's how that happened 1046 00:58:59,600 --> 00:59:05,560 Speaker 1: very in life, like Joe Dirt did. Did that's you 1047 00:59:05,680 --> 00:59:10,080 Speaker 1: know the applicant? Yeah, Torrey Designs by the way, Yeah, man, 1048 00:59:11,800 --> 00:59:15,320 Speaker 1: Jack Bro, you you're crazy as hell. Man. I wouldn't 1049 00:59:15,320 --> 00:59:16,960 Speaker 1: say that I was crazy. I would saying there was 1050 00:59:17,000 --> 00:59:19,600 Speaker 1: a message to my madness. And then I just, uh, 1051 00:59:20,440 --> 00:59:24,160 Speaker 1: I was just trying to you just push the push 1052 00:59:24,200 --> 00:59:29,320 Speaker 1: the envelope and figure out exactly what my place inside 1053 00:59:29,400 --> 00:59:32,320 Speaker 1: the game was and whatnot and how I wasn't I 1054 00:59:32,480 --> 00:59:34,920 Speaker 1: wasn't scared to be what I wanted to be. But 1055 00:59:35,040 --> 00:59:36,800 Speaker 1: I always knew it was gonna be some ship that 1056 00:59:37,160 --> 00:59:40,160 Speaker 1: we're gonna help push the coaching forward and that was 1057 00:59:40,200 --> 00:59:43,520 Speaker 1: gonna change the game. I always knew that. So I didn't. 1058 00:59:43,720 --> 00:59:45,400 Speaker 1: I ain't givena funk what you thought about me. Who 1059 00:59:45,440 --> 00:59:56,960 Speaker 1: the fund is? You? Who me? You figuratively? Figuratively? Yeah, 1060 00:59:58,480 --> 01:00:01,240 Speaker 1: I didn't know. They don't call on you go back, Clayton, 1061 01:00:01,240 --> 01:00:04,280 Speaker 1: if you go back, man, did I give a funk 1062 01:00:04,320 --> 01:00:07,760 Speaker 1: about what niggas thought about me even a little bit. 1063 01:00:08,720 --> 01:00:10,840 Speaker 1: And if you had a problem with me, we could 1064 01:00:10,880 --> 01:00:12,360 Speaker 1: do we can, We could do it in any kind 1065 01:00:12,360 --> 01:00:14,160 Speaker 1: of way you wanted to do it. But I didn't 1066 01:00:14,160 --> 01:00:16,160 Speaker 1: want to fight you. But if you wanted to fight me, 1067 01:00:16,480 --> 01:00:20,200 Speaker 1: we could do it. We could do it. We could 1068 01:00:20,280 --> 01:00:23,600 Speaker 1: do it. But I don't want to do it, but 1069 01:00:23,800 --> 01:00:28,440 Speaker 1: I will, but I will if that's what you like. 1070 01:00:28,760 --> 01:00:32,400 Speaker 1: We're seeing a lot of legendary fights on those comedy nights. Yeah, 1071 01:00:32,400 --> 01:00:37,960 Speaker 1: a lot of legendary nights. Ain't like another show or 1072 01:00:38,000 --> 01:00:43,040 Speaker 1: a fight break on the show. Keep going and don't 1073 01:00:43,080 --> 01:00:46,160 Speaker 1: get that show you and see that that that's what 1074 01:00:46,280 --> 01:00:48,960 Speaker 1: people have got to understand that life do go on 1075 01:00:49,200 --> 01:00:51,240 Speaker 1: no matter who you mad it. Come on. Then you 1076 01:00:51,320 --> 01:00:53,240 Speaker 1: got a lot of quotables. And man, one of my 1077 01:00:53,360 --> 01:00:56,920 Speaker 1: favorite ones is one man's trash is another man's got it? 1078 01:00:57,080 --> 01:00:59,480 Speaker 1: What did that mean to you? Colos man? What does 1079 01:00:59,520 --> 01:01:01,920 Speaker 1: that mean to man? I get another one? Please? Here 1080 01:01:01,920 --> 01:01:04,720 Speaker 1: you go, I got one right here. Thank you so much. God, 1081 01:01:04,840 --> 01:01:16,600 Speaker 1: damn Jesus story man, Come on, Yeah, you got a 1082 01:01:16,640 --> 01:01:20,240 Speaker 1: lot of them. You've been told it. I told a 1083 01:01:20,360 --> 01:01:22,480 Speaker 1: Jesus story. You did would you like to hit of 1084 01:01:22,560 --> 01:01:27,760 Speaker 1: Jesus story? Hey call us, I'm talking about I did 1085 01:01:27,840 --> 01:01:32,960 Speaker 1: it wrong? You know you you just did? You just 1086 01:01:33,200 --> 01:01:37,800 Speaker 1: did bro this man? You know that I can see 1087 01:01:37,840 --> 01:01:40,560 Speaker 1: what the going on in a bit. No you sure, 1088 01:01:40,960 --> 01:01:44,000 Speaker 1: cal said Jack, you welcome. This is the trap house. 1089 01:01:44,040 --> 01:01:48,000 Speaker 1: Ain't no rules in him. I'm just just just the human. 1090 01:01:48,080 --> 01:01:54,080 Speaker 1: Mean with me, with me, come on, come on, come 1091 01:01:54,120 --> 01:02:01,040 Speaker 1: for me the story please, I know for doing my way, 1092 01:02:01,120 --> 01:02:03,560 Speaker 1: doing my way through with me. Do you want to 1093 01:02:03,560 --> 01:02:07,280 Speaker 1: hear a Jesus story? Do y'all want to hit the 1094 01:02:07,360 --> 01:02:20,840 Speaker 1: Jesus story? Anything for you? Jack Slimy all right, So 1095 01:02:21,440 --> 01:02:26,400 Speaker 1: this is nineteen ninety six, Um we un, it's myself. 1096 01:02:28,480 --> 01:02:41,960 Speaker 1: Oh ship, it's two thousand and six. I sho, I 1097 01:02:41,960 --> 01:02:43,880 Speaker 1: don't wonder what I lost you at let me know. 1098 01:02:44,360 --> 01:02:51,280 Speaker 1: Like I thought he was doing a bit. I was like, man, 1099 01:02:51,480 --> 01:02:56,000 Speaker 1: let this nig go six. We were on a sixty 1100 01:02:56,080 --> 01:02:59,919 Speaker 1: month No, when was it? It was two thousands and ship. 1101 01:03:01,000 --> 01:03:05,440 Speaker 1: Yeah that's more accurate. Yeah, two thousand and six. U 1102 01:03:06,280 --> 01:03:10,320 Speaker 1: ONYX and I went with food Stamp and Chris Jones 1103 01:03:11,280 --> 01:03:14,560 Speaker 1: and we was at a Jeesy video shoot on and 1104 01:03:14,600 --> 01:03:17,200 Speaker 1: the ship was called Throw the Money by Slip Puller 1105 01:03:17,560 --> 01:03:21,280 Speaker 1: and Blood Raw and the the whole concept of the 1106 01:03:21,440 --> 01:03:28,040 Speaker 1: video throwing his money. I don't shake that ass, bitch. 1107 01:03:28,080 --> 01:03:30,440 Speaker 1: I'm gonna throw this money. Don'na shake that ass bitch. 1108 01:03:30,440 --> 01:03:41,720 Speaker 1: I'm gonna throw this money. So so Jesus was like, hey, 1109 01:03:41,800 --> 01:03:43,840 Speaker 1: let's get the comedians and shift in here, and let's 1110 01:03:44,080 --> 01:03:46,560 Speaker 1: you know what I'm saying, you like, they're gonna start 1111 01:03:46,600 --> 01:03:48,160 Speaker 1: throwing the money first and Ship and then we're gonna 1112 01:03:48,160 --> 01:03:51,000 Speaker 1: blame everybody in. It's like a hunted dancers on stage 1113 01:03:51,520 --> 01:03:54,200 Speaker 1: and that their head gave us like like bags of 1114 01:03:54,360 --> 01:03:57,440 Speaker 1: money to throw. So Jesus said, let's get the comedians. 1115 01:03:57,920 --> 01:04:01,200 Speaker 1: Yeah he said that, and then they gave us complimentary 1116 01:04:01,240 --> 01:04:06,840 Speaker 1: cocaine everything come through the dough and whatnot. I think 1117 01:04:06,880 --> 01:04:09,000 Speaker 1: they had to get, you know people that I was 1118 01:04:09,040 --> 01:04:12,000 Speaker 1: gonna sell it, but it was shut the funk up. Yeah, 1119 01:04:13,440 --> 01:04:14,920 Speaker 1: you know how you go to the club and no, 1120 01:04:16,760 --> 01:04:19,600 Speaker 1: I don't know Ship. You know that Jesus missing seven 1121 01:04:19,880 --> 01:04:22,720 Speaker 1: five man, shut the funk up. You know, you can't 1122 01:04:22,720 --> 01:04:24,280 Speaker 1: get on head and talking about and I gave you 1123 01:04:24,360 --> 01:04:27,200 Speaker 1: some complimentary it's complimentary, and sell it to me. He 1124 01:04:27,320 --> 01:04:31,440 Speaker 1: was looking out for me, Okay, Yeah, it's your story, bro. Yeah, 1125 01:04:31,640 --> 01:04:33,840 Speaker 1: come on, this is this is my interpretation of the situation. 1126 01:04:33,920 --> 01:04:43,600 Speaker 1: All right, Yeah, so's your story. Did um? So anyway, 1127 01:04:44,000 --> 01:04:46,439 Speaker 1: we we we we we got the money. We're about 1128 01:04:46,480 --> 01:04:49,000 Speaker 1: to throw the ship, the videos and force swaying and ship. 1129 01:04:49,120 --> 01:04:52,360 Speaker 1: And you know, while we don't here like acting this 1130 01:04:52,520 --> 01:04:58,640 Speaker 1: whole thing out, it's just done doing me that this 1131 01:04:58,880 --> 01:05:02,440 Speaker 1: money's real. At this hundred dollar bills. At first, when 1132 01:05:02,440 --> 01:05:04,840 Speaker 1: you're looking at it, You're like, it ain't no fucking 1133 01:05:04,920 --> 01:05:07,560 Speaker 1: way they're gonna give us goddamn a whole bag full 1134 01:05:07,600 --> 01:05:09,600 Speaker 1: of hundred dollar bills just to throw and she just 1135 01:05:09,680 --> 01:05:12,000 Speaker 1: trusts us to do this ship. It doesn't make sense 1136 01:05:12,040 --> 01:05:14,240 Speaker 1: to me, no matter how many thugs are in the room, 1137 01:05:14,680 --> 01:05:17,320 Speaker 1: no matter how many guns and all other stuff just 1138 01:05:17,440 --> 01:05:20,360 Speaker 1: inside of here that could make it impossible for you 1139 01:05:20,440 --> 01:05:22,800 Speaker 1: to get out with your life. You know, all it 1140 01:05:22,960 --> 01:05:26,320 Speaker 1: doesn't sound right you're gonna just trust us with this money. 1141 01:05:27,160 --> 01:05:31,840 Speaker 1: But it was something that was just this side of me. Man. 1142 01:05:32,160 --> 01:05:34,520 Speaker 1: I'm not a thief either. I'm wanna throw us out there. 1143 01:05:34,520 --> 01:05:38,880 Speaker 1: I'm not a thief. But there's somebody a hunting dollar bill, 1144 01:05:39,440 --> 01:05:43,480 Speaker 1: and especially when you ain't doing well in life and 1145 01:05:43,640 --> 01:05:46,520 Speaker 1: that that that they just got. Damn had me fucking 1146 01:05:48,400 --> 01:05:52,320 Speaker 1: turned all the way to funk on temptation. It's a temptation, bro, 1147 01:05:52,880 --> 01:05:54,880 Speaker 1: you don't do that front. You don't do that ship 1148 01:05:54,960 --> 01:05:59,560 Speaker 1: in front of nigger that needs that ship. You you don't. 1149 01:06:00,360 --> 01:06:03,240 Speaker 1: So goddamn I had didn't had the money I was 1150 01:06:03,600 --> 01:06:07,720 Speaker 1: throwing one another, was like grudgingly trying to peel it 1151 01:06:07,800 --> 01:06:11,439 Speaker 1: off my fund and whatnot. And you know what I'm saying, 1152 01:06:11,520 --> 01:06:14,600 Speaker 1: I like, man, let me see what little complimentary cocaine 1153 01:06:15,440 --> 01:06:18,280 Speaker 1: sniffed that ship I had on these pants their head 1154 01:06:18,320 --> 01:06:22,760 Speaker 1: scrunches on the bottom kind of like these um and 1155 01:06:22,840 --> 01:06:24,600 Speaker 1: you know when your your your your pants is are 1156 01:06:24,720 --> 01:06:29,000 Speaker 1: scrunches automatically a fact. Now it's a fucking bad And 1157 01:06:29,120 --> 01:06:33,440 Speaker 1: feel my whole pants up with fucking hundred dollar bills 1158 01:06:34,040 --> 01:06:36,120 Speaker 1: and whatnot. I like, I got Buddhas shots. I didn't 1159 01:06:36,160 --> 01:06:39,400 Speaker 1: went to the Medican Republican whole. Now you know what 1160 01:06:39,440 --> 01:06:41,640 Speaker 1: I'm saying. The food stamp. He's scared out of his 1161 01:06:41,760 --> 01:06:48,720 Speaker 1: fucking mind, smoking Chris John. They was. They was terrified 1162 01:06:49,160 --> 01:06:52,040 Speaker 1: because that was with me, and they thought it was 1163 01:06:52,200 --> 01:06:55,880 Speaker 1: all for one, one for all. They could have sworn 1164 01:06:56,320 --> 01:06:59,720 Speaker 1: that we're always going to die together that night, and 1165 01:07:00,480 --> 01:07:04,280 Speaker 1: and I was like, no, you're not, but you should. 1166 01:07:04,560 --> 01:07:06,520 Speaker 1: What were they saying to you? They were telling me 1167 01:07:06,600 --> 01:07:08,720 Speaker 1: to stop stealing the money because they see me still 1168 01:07:08,760 --> 01:07:12,480 Speaker 1: in the money. And I told him I don't fucking 1169 01:07:12,680 --> 01:07:18,320 Speaker 1: Careney Food Stemp was like, yo, honey, Bunny're gonna kill you, bro, 1170 01:07:19,760 --> 01:07:22,960 Speaker 1: And I looked at him back and coped up crazy, 1171 01:07:23,160 --> 01:07:25,840 Speaker 1: like they're gonna have to because I'm not leaving here 1172 01:07:26,080 --> 01:07:29,600 Speaker 1: without this fucking money. Bro, I'm not leaving it here. Bro. 1173 01:07:30,040 --> 01:07:33,000 Speaker 1: I don't understand why the funk y'all are not stealing 1174 01:07:33,080 --> 01:07:36,640 Speaker 1: this fucking money. This don't make sense to me. I 1175 01:07:36,720 --> 01:07:39,640 Speaker 1: don't get it. I don't understand why nobody else inside 1176 01:07:39,760 --> 01:07:43,640 Speaker 1: this room is still in the money with me. I 1177 01:07:43,760 --> 01:07:47,480 Speaker 1: don't get it. It's real money, it's funny dollar bills. 1178 01:07:47,600 --> 01:07:50,320 Speaker 1: I could see you letting a couple of ones slide. 1179 01:07:50,680 --> 01:07:53,680 Speaker 1: I could. I could see it. I can see video. 1180 01:07:54,000 --> 01:08:01,760 Speaker 1: Oh my good man. Yeah, so it's crazy. See it's pandemonium. 1181 01:08:02,040 --> 01:08:06,160 Speaker 1: The holes is excited, they're excited. They they food stem 1182 01:08:06,440 --> 01:08:10,120 Speaker 1: They look excited, but they were really scared. They were terrified. 1183 01:08:10,960 --> 01:08:13,680 Speaker 1: They were terrified for them. They didn't care about what 1184 01:08:13,800 --> 01:08:15,880 Speaker 1: was gonna happen to me. They just didn't want whatever's 1185 01:08:15,880 --> 01:08:17,679 Speaker 1: gonna happen to me to spill off on them because 1186 01:08:17,680 --> 01:08:21,200 Speaker 1: they was with me, and I didn't want it to 1187 01:08:21,200 --> 01:08:23,559 Speaker 1: happen to them too, because I've had my ass before. 1188 01:08:23,560 --> 01:08:28,160 Speaker 1: When I know trumble don't last starways. I know whatever 1189 01:08:28,200 --> 01:08:29,800 Speaker 1: it's about that happened, I want to hear from it. 1190 01:08:30,320 --> 01:08:33,439 Speaker 1: We're gonna get past this, this two shell pass, but 1191 01:08:33,600 --> 01:08:36,920 Speaker 1: what we're not gonna do is leave this fucking money here. 1192 01:08:37,920 --> 01:08:40,200 Speaker 1: So I waited a couple of more takes till I 1193 01:08:40,200 --> 01:08:42,800 Speaker 1: couldn't fit no more fund more money inside my pants 1194 01:08:42,840 --> 01:08:44,880 Speaker 1: and ship, and I knew it was worth it to die, 1195 01:08:45,320 --> 01:08:51,519 Speaker 1: stuff and stuff nigga. I was a stuffed animal, and 1196 01:08:51,680 --> 01:08:55,720 Speaker 1: so they they I can see niggas looking at me, 1197 01:08:55,800 --> 01:08:58,799 Speaker 1: all the goons, all the things to be the BML niggas. 1198 01:08:59,080 --> 01:09:02,840 Speaker 1: They was looking looking crazy, and I couldn't. I thought. 1199 01:09:02,880 --> 01:09:04,479 Speaker 1: I didn't know if they was on the same page 1200 01:09:04,560 --> 01:09:08,720 Speaker 1: with me, or they was on some on the same 1201 01:09:08,720 --> 01:09:12,280 Speaker 1: page with me, like go go go, go do it, 1202 01:09:12,479 --> 01:09:17,519 Speaker 1: do it dude with dude with dude like that, because 1203 01:09:17,640 --> 01:09:19,600 Speaker 1: they wanted you want to see a nigga win. You 1204 01:09:19,640 --> 01:09:22,800 Speaker 1: want to see a real nigga winning. It's a lot 1205 01:09:22,840 --> 01:09:24,640 Speaker 1: of ship that I was doing there. Wudn't let them do. 1206 01:09:25,760 --> 01:09:28,080 Speaker 1: They wanted to do it, and niggas when they don't 1207 01:09:28,120 --> 01:09:31,120 Speaker 1: don't even get it twisted. Niggas want to see her, 1208 01:09:31,160 --> 01:09:34,000 Speaker 1: nigga the villain get away with the money and truth phones. 1209 01:09:34,439 --> 01:09:36,120 Speaker 1: You want the nigga to get the funk away. You 1210 01:09:36,240 --> 01:09:37,639 Speaker 1: heard about that girl the other day on the news 1211 01:09:37,680 --> 01:09:39,200 Speaker 1: and ship they got the one point two million dollars 1212 01:09:39,240 --> 01:09:43,760 Speaker 1: an out down. Man, if it went her way right, 1213 01:09:44,200 --> 01:09:46,559 Speaker 1: she tried to put it in another account. She trying 1214 01:09:46,560 --> 01:09:49,240 Speaker 1: to put it and did I'm gonna swing this. She 1215 01:09:49,439 --> 01:09:52,080 Speaker 1: switched the townels at the same thing. You know what 1216 01:09:53,400 --> 01:10:02,519 Speaker 1: I want. I want everything I'm sent to. Come on, 1217 01:10:03,400 --> 01:10:06,600 Speaker 1: I knew it was time to leave. I made my 1218 01:10:06,640 --> 01:10:09,400 Speaker 1: way towards the door. After the next take. I was 1219 01:10:09,479 --> 01:10:12,000 Speaker 1: walking through their ballets of the shadow of Death, and 1220 01:10:12,040 --> 01:10:14,680 Speaker 1: I fear no evil because I ought with me. Come on, 1221 01:10:15,800 --> 01:10:19,800 Speaker 1: I was walking past. Man, You see how far that 1222 01:10:19,840 --> 01:10:23,439 Speaker 1: door here right there? It was about another lymph from 1223 01:10:23,479 --> 01:10:27,880 Speaker 1: where I am right here. It was double this, yeah, 1224 01:10:27,920 --> 01:10:30,640 Speaker 1: it was double that to the dog. And so I 1225 01:10:31,160 --> 01:10:33,879 Speaker 1: was walking through thugs and ship with guns and knives 1226 01:10:33,960 --> 01:10:37,400 Speaker 1: and all the other stuff and alligat us, all that ship. 1227 01:10:40,680 --> 01:10:45,320 Speaker 1: I could in my mind there dude with, dude, dude with, 1228 01:10:45,880 --> 01:10:47,599 Speaker 1: and I was getting closer and closer to the door, 1229 01:10:47,800 --> 01:10:50,120 Speaker 1: and at sad this nigga get in front of the 1230 01:10:50,200 --> 01:10:53,000 Speaker 1: fucking dog jeezy body guard. This nigga looked like the 1231 01:10:53,080 --> 01:10:55,639 Speaker 1: lad nigger you got the goddamn killed on killer instinct man. 1232 01:10:56,040 --> 01:11:00,680 Speaker 1: And he said, I ain't nigga. What the funk is 1233 01:11:00,760 --> 01:11:03,880 Speaker 1: you doing with my nigga jeans? And mother, man, take 1234 01:11:03,960 --> 01:11:16,320 Speaker 1: that motherfucking money. I choked, motherfucker. He said, the money 1235 01:11:16,400 --> 01:11:20,639 Speaker 1: is bitches. And I looked at him and I said, little, 1236 01:11:20,680 --> 01:11:27,000 Speaker 1: I'm one of the bitches. And then he said, Mari down, 1237 01:11:27,120 --> 01:11:30,040 Speaker 1: what the fund is you doing skilling the money? I said, 1238 01:11:30,040 --> 01:11:31,840 Speaker 1: I'm behind on my ties and my rent. The lad 1239 01:11:31,920 --> 01:11:34,679 Speaker 1: and ship soon did I say that slapped the shotut 1240 01:11:34,720 --> 01:11:37,360 Speaker 1: of me like seenteen like seventeen times. But it was 1241 01:11:37,439 --> 01:11:39,320 Speaker 1: real fast. It was so fast I didn't know he 1242 01:11:39,400 --> 01:11:42,040 Speaker 1: did it. The only way I knew he did because 1243 01:11:42,040 --> 01:11:46,760 Speaker 1: I was looking around. The niggles was like like oh, 1244 01:11:46,840 --> 01:11:50,920 Speaker 1: sho shot out of me, And so I knew other 1245 01:11:51,000 --> 01:11:54,080 Speaker 1: people by reactions because he was in slow mow and everything, 1246 01:11:55,080 --> 01:11:57,240 Speaker 1: and so I knew that I couldn't. I wasn't gonna 1247 01:11:57,240 --> 01:12:00,040 Speaker 1: win this fight going straight up with this nick. So 1248 01:12:00,200 --> 01:12:01,960 Speaker 1: I pulled back. I hit this nick in the chest 1249 01:12:01,960 --> 01:12:03,679 Speaker 1: and knocked them down, ran over them like the fool 1250 01:12:03,720 --> 01:12:06,280 Speaker 1: aid man knocked down stripper, trying to get the funk 1251 01:12:06,360 --> 01:12:08,800 Speaker 1: up out the dope. I just dunking on get my 1252 01:12:08,880 --> 01:12:11,960 Speaker 1: way out. That motherfucker kicked open. I kicked open the 1253 01:12:12,320 --> 01:12:14,479 Speaker 1: door I thought was locked. It wasn't locked. My foot 1254 01:12:14,520 --> 01:12:16,960 Speaker 1: went through the glass. All that ship cut my leg 1255 01:12:17,120 --> 01:12:19,479 Speaker 1: up right here, I hold the ship was cut up. 1256 01:12:19,680 --> 01:12:21,680 Speaker 1: You saw money and blood coming out my leg right here. 1257 01:12:24,160 --> 01:12:26,639 Speaker 1: I'm running down chester Bridge Row is sucking hundred dollar 1258 01:12:26,680 --> 01:12:29,400 Speaker 1: bills like flying through the I go back and I 1259 01:12:29,439 --> 01:12:31,320 Speaker 1: grabbed a hundred dollar bills. I thought it was Nigga 1260 01:12:31,439 --> 01:12:34,880 Speaker 1: chasing me, but it wasn't. Nobody chasing me. Nobody was 1261 01:12:35,040 --> 01:12:38,760 Speaker 1: chasing No one was chasing me. I run down the 1262 01:12:38,800 --> 01:12:41,839 Speaker 1: street to a holiday inn and I jumped into bushes 1263 01:12:43,200 --> 01:12:47,160 Speaker 1: like on the corsoon. And you know when you you 1264 01:12:47,240 --> 01:12:49,760 Speaker 1: said nigga jumping the bushes on the quartoons, it looks 1265 01:12:49,760 --> 01:12:54,120 Speaker 1: safe enough. It looks sold. It wasn't. I scratched my 1266 01:12:54,360 --> 01:12:58,000 Speaker 1: whole body and my face up all and in the bushes, 1267 01:12:59,120 --> 01:13:02,800 Speaker 1: and I stayed there real still. We're fucking twigs in 1268 01:13:02,920 --> 01:13:06,280 Speaker 1: my ass, in my arms, all of that ship, and 1269 01:13:06,360 --> 01:13:09,080 Speaker 1: I was trying to stay quiet, and I pulled my 1270 01:13:09,200 --> 01:13:13,840 Speaker 1: phone out of my pocket and I called Colos and 1271 01:13:13,920 --> 01:13:17,640 Speaker 1: I said, Calose, come get me. Jesus trying to kill me. 1272 01:13:20,920 --> 01:13:23,240 Speaker 1: I'm in a holiday in down the street from Munnings. Man, 1273 01:13:23,760 --> 01:13:28,560 Speaker 1: please please please, And he ask Meg come get me. 1274 01:13:30,200 --> 01:13:33,000 Speaker 1: He thought I was playing some ship and he comes 1275 01:13:33,040 --> 01:13:36,120 Speaker 1: picked me up. And I get home and I count 1276 01:13:36,120 --> 01:13:40,200 Speaker 1: all the money off and food stamp and and uh 1277 01:13:41,040 --> 01:13:44,360 Speaker 1: uh smoking Chris. They asked me what I split the 1278 01:13:44,400 --> 01:13:45,800 Speaker 1: money with him, and I told him to kiss my 1279 01:13:45,920 --> 01:13:50,880 Speaker 1: motherfucking go to hell, bitch. And I tried not to 1280 01:13:50,920 --> 01:13:54,560 Speaker 1: talk to them since for not having my back. You 1281 01:13:54,680 --> 01:13:57,200 Speaker 1: know how to bro here, call you and say any 1282 01:13:57,320 --> 01:14:00,800 Speaker 1: fucking thing. So who knew he was really out there 1283 01:14:02,400 --> 01:14:05,200 Speaker 1: still the whole time I'm down, isn't he ain't happen 1284 01:14:05,800 --> 01:14:11,960 Speaker 1: to pick up about the bullshit? Bro still man? And 1285 01:14:12,040 --> 01:14:14,600 Speaker 1: he picked me up. Man, he can't. This is what 1286 01:14:14,720 --> 01:14:17,800 Speaker 1: friends do. He picked me up, man, thank you, bro, 1287 01:14:17,920 --> 01:14:19,880 Speaker 1: y'all give it up a color that don't clap me, 1288 01:14:21,080 --> 01:14:24,040 Speaker 1: don't shut up? And then what they do. He didn't 1289 01:14:24,040 --> 01:14:26,479 Speaker 1: asked me for the gas? What he did that he 1290 01:14:28,479 --> 01:14:31,680 Speaker 1: dropped out? I don't he I don't even think he 1291 01:14:31,760 --> 01:14:34,599 Speaker 1: knew what the whole scope of the story was. I didn't, man. 1292 01:14:34,800 --> 01:14:38,880 Speaker 1: And then Nigga stayed far too I stay trying to 1293 01:14:39,000 --> 01:14:44,240 Speaker 1: kill me. Hey, you know it makes sense to me. 1294 01:14:44,920 --> 01:14:48,280 Speaker 1: But now that I really recount the whole thing, I 1295 01:14:48,400 --> 01:14:51,559 Speaker 1: see why he didn't believe me. It does sound because 1296 01:14:51,600 --> 01:14:54,680 Speaker 1: when you called comedians they were bullshit so much, Bro, 1297 01:14:55,360 --> 01:14:57,800 Speaker 1: you never know if they're talking to it for real 1298 01:14:58,320 --> 01:15:01,160 Speaker 1: or not. Man, with your up to ship, just working 1299 01:15:01,200 --> 01:15:03,160 Speaker 1: this shift up here, wafut I get off at one 1300 01:15:03,200 --> 01:15:06,720 Speaker 1: thirty quick bullshit not for real? Shut your heads up 1301 01:15:06,760 --> 01:15:11,519 Speaker 1: and getting on the phone comedian bullshit too much? Hey, 1302 01:15:11,640 --> 01:15:16,000 Speaker 1: let menage it though, how often without bullshit all the time. 1303 01:15:16,920 --> 01:15:20,800 Speaker 1: That's what you remember. Man, you're a bullshit n out 1304 01:15:21,840 --> 01:15:25,080 Speaker 1: like that's like you're mento no no not. I mean 1305 01:15:25,760 --> 01:15:28,799 Speaker 1: it's two ways. Yeah, when you get on your bullshit, 1306 01:15:28,920 --> 01:15:32,160 Speaker 1: you bullshit, But you'll be on some real ship another 1307 01:15:32,320 --> 01:15:35,599 Speaker 1: dirty percent, Bro, every time I see you. Man, you'd 1308 01:15:35,640 --> 01:15:40,120 Speaker 1: be on somethings. What this bullshit? But I'm defined bullshit 1309 01:15:40,320 --> 01:15:44,080 Speaker 1: not it's just just Jack Thriller ship. You're doing it 1310 01:15:44,400 --> 01:15:47,960 Speaker 1: like that. You know, I get it. I get it. 1311 01:15:48,040 --> 01:15:52,040 Speaker 1: At any moment, you might do some random and strange ship. Okay, 1312 01:15:52,080 --> 01:15:54,479 Speaker 1: I see what you're going. Got you, but it ain't 1313 01:15:54,520 --> 01:15:57,360 Speaker 1: like you like like oh here he goes man, right, 1314 01:15:58,000 --> 01:16:01,760 Speaker 1: just only do a ship that affects me. Yeah, it ain't. 1315 01:16:01,840 --> 01:16:04,760 Speaker 1: I never brought nobody down with me. That's what I'm saying. 1316 01:16:04,800 --> 01:16:09,360 Speaker 1: You live on the edge. Yeah, and I'm accountable. I'm 1317 01:16:09,439 --> 01:16:13,120 Speaker 1: super accountable. I never put nobody inside of my ship 1318 01:16:14,200 --> 01:16:17,240 Speaker 1: and whatnot. And so I I think that that's something 1319 01:16:17,320 --> 01:16:20,680 Speaker 1: that's always been a one of my strong points. You 1320 01:16:20,840 --> 01:16:23,600 Speaker 1: larger than life, that's that's that's how. That's how the 1321 01:16:23,720 --> 01:16:25,760 Speaker 1: size of the because you know what they are. Like 1322 01:16:25,800 --> 01:16:27,960 Speaker 1: I said before, I don't understand that. You know you 1323 01:16:28,080 --> 01:16:30,880 Speaker 1: only live once, bro, And like, if you don't do 1324 01:16:30,960 --> 01:16:32,280 Speaker 1: this ship the way you want to, you be on 1325 01:16:32,320 --> 01:16:34,800 Speaker 1: your death bed saying hey, I played it way too safe. 1326 01:16:34,840 --> 01:16:36,599 Speaker 1: Do you want to be that nick? No, bro, because 1327 01:16:36,640 --> 01:16:40,439 Speaker 1: you live more than once. You live every day your dad. 1328 01:16:40,560 --> 01:16:45,120 Speaker 1: Once I see what you try to do. That's what happened. Jack. 1329 01:16:47,880 --> 01:16:51,280 Speaker 1: They don't believe that you live once and just like 1330 01:16:51,400 --> 01:16:53,560 Speaker 1: you're enough to wake up every day. And just like 1331 01:16:53,720 --> 01:16:56,920 Speaker 1: you said earlier, yeah fun what they think and not 1332 01:16:57,240 --> 01:17:02,479 Speaker 1: them specifically. Come on, Jack, you can't just be saying it. 1333 01:17:02,640 --> 01:17:06,840 Speaker 1: You ain't living back now one saying every day. Like 1334 01:17:06,960 --> 01:17:11,200 Speaker 1: I said before, I really know what I have if 1335 01:17:11,280 --> 01:17:15,960 Speaker 1: I give a funk what they think. Jack, nothing. I 1336 01:17:16,000 --> 01:17:18,240 Speaker 1: didn't build this empire giving a funk with no one 1337 01:17:18,360 --> 01:17:22,960 Speaker 1: thinks saw me. Baby, I think the rist So I 1338 01:17:23,080 --> 01:17:24,720 Speaker 1: did a cut it. And at what point did you 1339 01:17:24,760 --> 01:17:27,519 Speaker 1: get to that space inside of your I never gave 1340 01:17:27,560 --> 01:17:29,720 Speaker 1: a fun I'm talking about from the first day I 1341 01:17:29,800 --> 01:17:35,280 Speaker 1: went outside. I'm talking about right off the porch. I 1342 01:17:35,360 --> 01:17:39,800 Speaker 1: ain't getting no funk. I never did funk. I want 1343 01:17:39,840 --> 01:17:44,760 Speaker 1: to be like them, for I never seen you imitate anyone. No, 1344 01:17:45,080 --> 01:17:48,800 Speaker 1: I never seen that. Hey mom, motherfucking thing. Jack, I 1345 01:17:48,840 --> 01:17:53,439 Speaker 1: don't do never did another dude. No, Man, you always 1346 01:17:53,600 --> 01:17:56,840 Speaker 1: mastered the auto being colored. I'm I'm authentically me and 1347 01:17:57,040 --> 01:18:01,400 Speaker 1: every chance I get very much good. And one thing 1348 01:18:01,479 --> 01:18:04,599 Speaker 1: about Carlos to man, I remember when he first got here. 1349 01:18:05,240 --> 01:18:07,120 Speaker 1: You know, he hit the ground running. One of the 1350 01:18:07,200 --> 01:18:09,760 Speaker 1: first guys I met when I came here. Shott shot 1351 01:18:09,840 --> 01:18:13,040 Speaker 1: at the first comedian that I've seen perform in Atlanta. Though. 1352 01:18:15,360 --> 01:18:20,040 Speaker 1: I was staying out here my club Babes at the hotel, 1353 01:18:20,800 --> 01:18:24,080 Speaker 1: and he was, Yeah, he was hosting an amateur night 1354 01:18:24,200 --> 01:18:28,080 Speaker 1: at Babes. He was talking ship too, he was he 1355 01:18:28,240 --> 01:18:33,679 Speaker 1: was on fire that night. Not for this was probably 1356 01:18:36,520 --> 01:18:39,439 Speaker 1: this was probably an oh four, This was even before 1357 01:18:39,479 --> 01:18:42,840 Speaker 1: I moved over to Atlanta. Yeah, so shout out the 1358 01:18:42,880 --> 01:18:45,880 Speaker 1: shot a shot, Yeah, shout out the shop. But then 1359 01:18:45,960 --> 01:18:48,160 Speaker 1: when I came for to come to the stage audition, 1360 01:18:48,280 --> 01:18:52,320 Speaker 1: I met you and k dub and now you know 1361 01:18:52,479 --> 01:18:56,200 Speaker 1: you did shi before that, what you did the hell date? 1362 01:18:56,640 --> 01:18:59,320 Speaker 1: Now that it was after that? Was that was that 1363 01:18:59,439 --> 01:19:01,760 Speaker 1: was after coming to the stage. It was probably in 1364 01:19:01,840 --> 01:19:04,360 Speaker 1: what oh fo you did your Mama y'all remember your 1365 01:19:04,400 --> 01:19:07,200 Speaker 1: Mama MTV? That was all after that. That was after 1366 01:19:07,680 --> 01:19:10,680 Speaker 1: all that. That was after wow. Yeah, that was like 1367 01:19:10,800 --> 01:19:17,680 Speaker 1: old sad wow. Okay we started oh nine, yeah, we 1368 01:19:17,800 --> 01:19:21,920 Speaker 1: started that oh four, oh five. Yeah, there was a 1369 01:19:22,000 --> 01:19:23,960 Speaker 1: lot happened in a short period of time that the 1370 01:19:24,000 --> 01:19:25,519 Speaker 1: point I was trying to make it even with saying 1371 01:19:25,560 --> 01:19:27,720 Speaker 1: all that that you've always been doing your thing and 1372 01:19:28,000 --> 01:19:30,120 Speaker 1: you come always gonna be doing my thing. Yeah you 1373 01:19:30,479 --> 01:19:32,800 Speaker 1: you you you always you know what exactly what you 1374 01:19:32,840 --> 01:19:34,880 Speaker 1: wanted to do. Thank you. Yeah, yeah, you took it 1375 01:19:34,960 --> 01:19:36,960 Speaker 1: to a whole another level. And well just know that 1376 01:19:37,360 --> 01:19:39,920 Speaker 1: all the work that you put in under whatever name 1377 01:19:40,040 --> 01:19:43,519 Speaker 1: that you're choosing to use, it's not in vain. Man. 1378 01:19:43,640 --> 01:19:46,320 Speaker 1: You had some legendary moments out here in these streets, 1379 01:19:46,360 --> 01:19:49,040 Speaker 1: and we saw you come with a lot of creative 1380 01:19:49,320 --> 01:19:52,520 Speaker 1: new directions that wasn't you know, going from a perspective 1381 01:19:52,600 --> 01:19:54,640 Speaker 1: that a lot of people wasn't coming from, and you 1382 01:19:54,720 --> 01:19:56,760 Speaker 1: actually put in the work to make the ship worth 1383 01:19:57,000 --> 01:19:59,599 Speaker 1: one of saying about put your cell phone, bro, don't 1384 01:19:59,640 --> 01:20:01,519 Speaker 1: wait for the body else to do nothing for you. Yeah, 1385 01:20:02,760 --> 01:20:05,120 Speaker 1: to a lot of ship one of percent. Man. You know, 1386 01:20:05,320 --> 01:20:08,040 Speaker 1: like I said that, you we all got the same 1387 01:20:08,920 --> 01:20:12,559 Speaker 1: four hours and ship. You know, we don't. We don't know, man, 1388 01:20:12,800 --> 01:20:19,560 Speaker 1: we don't got the pizza now not doing it. My 1389 01:20:19,640 --> 01:20:23,200 Speaker 1: contract was up on that. I was wed pizza, wed infused, 1390 01:20:23,360 --> 01:20:27,040 Speaker 1: uh pizza and whatnot. Ain't having an Atlanta though. So yeah, 1391 01:20:27,520 --> 01:20:29,960 Speaker 1: but I'd like to start out my own little franchise 1392 01:20:30,000 --> 01:20:32,200 Speaker 1: out here. You know, everything opening up now as soon 1393 01:20:32,280 --> 01:20:37,200 Speaker 1: as they legalized cannabis and and uh Georgia, you're gonna 1394 01:20:37,200 --> 01:20:40,760 Speaker 1: figure that sh out, They're about to legalize it. In 1395 01:20:40,840 --> 01:20:45,040 Speaker 1: the meantime, we're just smoking medical marijuana. Did yeah for 1396 01:20:45,160 --> 01:20:56,200 Speaker 1: our knees and ship we get yeah, my leg my leg? 1397 01:20:57,680 --> 01:21:04,240 Speaker 1: Did man play me some Pemton j Man, my nigga 1398 01:21:04,320 --> 01:21:06,960 Speaker 1: Jack thriller Man, Welcome back to the eighty five South Shore. 1399 01:21:11,800 --> 01:21:14,040 Speaker 1: Every time I get with this nigga, I always end 1400 01:21:14,160 --> 01:21:19,880 Speaker 1: up laughing at my mother's fucking head. This nigga. You 1401 01:21:20,000 --> 01:21:23,920 Speaker 1: always I don't know why you feel like you ain't 1402 01:21:23,960 --> 01:21:26,760 Speaker 1: get that, but you should have. And I don't wanta 1403 01:21:27,200 --> 01:21:28,920 Speaker 1: you don't feel like I went. I feel like, what 1404 01:21:29,840 --> 01:21:31,680 Speaker 1: like when you were saying, you don't like all the 1405 01:21:31,720 --> 01:21:34,680 Speaker 1: politics of the game and ship as far as the comedy. Now, 1406 01:21:35,320 --> 01:21:37,799 Speaker 1: when I was saying that, what I was saying, Um Clayton, 1407 01:21:38,000 --> 01:21:41,400 Speaker 1: is that I just saw something that was a little 1408 01:21:41,400 --> 01:21:45,000 Speaker 1: bit more simpler for me. And I feel like, don't 1409 01:21:45,040 --> 01:21:47,320 Speaker 1: go against the grain, but check this after. That's what 1410 01:21:47,400 --> 01:21:50,200 Speaker 1: I meant. You're looking looking at it in retrospect. This 1411 01:21:50,360 --> 01:21:53,839 Speaker 1: is what you actually did, though you use your comedic 1412 01:21:53,960 --> 01:21:57,120 Speaker 1: talents to go do something that didn't have ship to 1413 01:21:57,160 --> 01:22:00,760 Speaker 1: do with telling jokes, And that's the whole point of it. 1414 01:22:01,840 --> 01:22:05,880 Speaker 1: You get what I'm saying. Doing stand up it's the 1415 01:22:06,000 --> 01:22:08,280 Speaker 1: intro to get that's the vehicle that can get you 1416 01:22:08,439 --> 01:22:11,120 Speaker 1: all the other ship. You know what I'm saying. So 1417 01:22:11,240 --> 01:22:13,439 Speaker 1: when you did that, you know what I'm saying, and 1418 01:22:13,560 --> 01:22:17,320 Speaker 1: you took your stand up jokes and all the ships 1419 01:22:17,360 --> 01:22:20,200 Speaker 1: you worked on over the years and you turned it 1420 01:22:20,280 --> 01:22:27,799 Speaker 1: into a whole motherfucking personality enterprise. Nigger Media Company hundred 1421 01:22:27,840 --> 01:22:32,280 Speaker 1: and five episodes of rap ship hundred and something episodes, 1422 01:22:32,320 --> 01:22:35,439 Speaker 1: so this is fifty dropping every week. Come on, man, 1423 01:22:35,640 --> 01:22:38,960 Speaker 1: you gotta get your properts right. Party in bullshit. Let's 1424 01:22:38,960 --> 01:22:41,599 Speaker 1: not for good part in bullshit. Let's not for good 1425 01:22:41,640 --> 01:22:46,680 Speaker 1: part in boards, pultiple videos, multiple viral sketches. Come on, man, 1426 01:22:47,080 --> 01:22:52,400 Speaker 1: let's let's not forget. Goddamn I am a podcast. I do. 1427 01:22:53,200 --> 01:22:55,599 Speaker 1: I'll make sure niggas getting I'm in the top five 1428 01:22:55,680 --> 01:22:59,200 Speaker 1: of a lot of niggas podcast the greatest episode. You 1429 01:22:59,240 --> 01:23:01,599 Speaker 1: didn't jump down on a lot of episodes to drink 1430 01:23:01,680 --> 01:23:03,840 Speaker 1: champis and ship. You know, all the hitters in the 1431 01:23:04,000 --> 01:23:07,280 Speaker 1: game and you're fucking you will really a living legend 1432 01:23:07,320 --> 01:23:10,720 Speaker 1: out here in these streets. You didn't say nothing wrong 1433 01:23:10,840 --> 01:23:13,200 Speaker 1: right there. No, man, I give you all your problem. Man, 1434 01:23:13,800 --> 01:23:16,439 Speaker 1: you wanted the niggas who really made this internet ship 1435 01:23:16,560 --> 01:23:20,280 Speaker 1: and made the lane and gave a blueprint ship. You 1436 01:23:20,360 --> 01:23:22,880 Speaker 1: probably made some of this ship possible just by putting 1437 01:23:22,880 --> 01:23:25,640 Speaker 1: that media. Not looking niggas are just sitting there watching up. 1438 01:23:25,960 --> 01:23:29,519 Speaker 1: We try, we eat, take along, tapping in there. We 1439 01:23:29,640 --> 01:23:33,320 Speaker 1: dropped some some some short as content. They ain't want that. 1440 01:23:33,520 --> 01:23:37,280 Speaker 1: We draw some you know, medium ling content they didn't want. 1441 01:23:37,320 --> 01:23:40,080 Speaker 1: They want the longest fucking ship ever. I don't know 1442 01:23:40,120 --> 01:23:43,000 Speaker 1: why they love us this much. Well, you know, it's 1443 01:23:43,040 --> 01:23:44,720 Speaker 1: just one of those things like you just gotta keep 1444 01:23:44,760 --> 01:23:47,639 Speaker 1: on just throwing things out and see what's stick. Sometimes 1445 01:23:47,720 --> 01:23:50,320 Speaker 1: we overthink this ship, right, you know, and then instead 1446 01:23:50,320 --> 01:23:52,200 Speaker 1: of just doing the work, keep on going and keep 1447 01:23:52,240 --> 01:23:54,960 Speaker 1: on going. And when this guy, when God say it's 1448 01:23:55,000 --> 01:23:57,000 Speaker 1: time to take it to another level, and then take 1449 01:23:57,040 --> 01:23:59,000 Speaker 1: it to another level. Ja what it means on some 1450 01:23:59,080 --> 01:24:01,760 Speaker 1: real nigga ship though you had on some comedian ship. 1451 01:24:02,479 --> 01:24:05,680 Speaker 1: You had one of the last Patrese O'Neill interviews that 1452 01:24:05,840 --> 01:24:08,920 Speaker 1: he did. Yeah, oneent man the Prince was a really 1453 01:24:09,080 --> 01:24:12,200 Speaker 1: really amazing guy and he was a big fan of 1454 01:24:12,320 --> 01:24:15,880 Speaker 1: mine too. We hung out and uh invited me over 1455 01:24:15,960 --> 01:24:18,240 Speaker 1: to his house and ship and you know, and we 1456 01:24:18,280 --> 01:24:20,439 Speaker 1: would just talk for hours and everything before we even 1457 01:24:20,479 --> 01:24:23,360 Speaker 1: did the interview. And um, I didn't know. He never 1458 01:24:23,400 --> 01:24:25,439 Speaker 1: told me that he was dying. I didn't all that 1459 01:24:25,640 --> 01:24:27,920 Speaker 1: was a shock to me. And then when we finally 1460 01:24:27,960 --> 01:24:32,040 Speaker 1: did do the interview at a uh Carolines on Broadway, 1461 01:24:32,880 --> 01:24:38,240 Speaker 1: um uh, it was just so it was very spiritual, 1462 01:24:38,360 --> 01:24:43,840 Speaker 1: and it was very um introspective, and it was it 1463 01:24:43,960 --> 01:24:46,640 Speaker 1: was real deep and I appreciate even more. Now, do 1464 01:24:46,800 --> 01:24:50,240 Speaker 1: you have any any interviews or content that you that 1465 01:24:50,360 --> 01:24:52,640 Speaker 1: you got in the vote that you look back on 1466 01:24:52,800 --> 01:24:56,120 Speaker 1: and be like, I ain't even gonna drop No. I 1467 01:24:56,200 --> 01:24:59,439 Speaker 1: put out anything, color everything. I put out everything. And 1468 01:25:00,479 --> 01:25:02,800 Speaker 1: you know, I got a bunch of different ideas that 1469 01:25:02,880 --> 01:25:04,400 Speaker 1: I want to do, and I got a bunch of 1470 01:25:04,479 --> 01:25:07,519 Speaker 1: different ideas that I would like to reintroduce, like from 1471 01:25:07,800 --> 01:25:14,000 Speaker 1: my so disrespectful, remember so disrespectful, Let's change it. Let's 1472 01:25:14,040 --> 01:25:17,120 Speaker 1: make it so respectful, so respectful. I like it. Yeah, yeah, 1473 01:25:19,000 --> 01:25:21,320 Speaker 1: you know, so disrespectful was my ship but it did 1474 01:25:21,439 --> 01:25:23,280 Speaker 1: get you in a lot of beat Yeah, it got 1475 01:25:23,320 --> 01:25:25,000 Speaker 1: me a lot of beating. You took the heat for 1476 01:25:25,040 --> 01:25:29,840 Speaker 1: a lot of ship on some comedianship. And then one 1477 01:25:29,880 --> 01:25:34,880 Speaker 1: thing about taking being at a person that doing the 1478 01:25:34,880 --> 01:25:39,360 Speaker 1: shot jop chickens you like the same, um you're risk 1479 01:25:39,439 --> 01:25:41,720 Speaker 1: taking though nobody else could do the ship that you do. 1480 01:25:41,840 --> 01:25:44,360 Speaker 1: But yeah, I was letting don't even it's just been 1481 01:25:44,479 --> 01:25:48,439 Speaker 1: your jokes infused into your how you interview. It's your sense. 1482 01:25:48,800 --> 01:25:53,120 Speaker 1: Yeah you know what's like, like you said, motherfucker's who know? 1483 01:25:53,280 --> 01:25:55,599 Speaker 1: You know that even if you go out and say 1484 01:25:55,640 --> 01:25:58,000 Speaker 1: some foul and ship, you're the type of niggerhood come 1485 01:25:58,080 --> 01:25:59,880 Speaker 1: up and say, hey man, you know I love you 1486 01:26:00,000 --> 01:26:02,320 Speaker 1: want to cook it like and really have cookies and 1487 01:26:02,360 --> 01:26:05,200 Speaker 1: ship like that. Yeah, you that type of nigga like 1488 01:26:06,120 --> 01:26:08,920 Speaker 1: I ain't never seen you do no ship that was malicious. 1489 01:26:09,600 --> 01:26:11,679 Speaker 1: That's that's why I was trying to go right there. Yeah, 1490 01:26:11,680 --> 01:26:13,639 Speaker 1: that's nothing that I ever did was militia. And that's 1491 01:26:13,680 --> 01:26:16,559 Speaker 1: why it's always fun to be around you, because even 1492 01:26:16,640 --> 01:26:19,479 Speaker 1: when you do say ship that be considered off the 1493 01:26:19,600 --> 01:26:22,760 Speaker 1: charts of the change, it ain't never know no ship 1494 01:26:22,880 --> 01:26:26,479 Speaker 1: to be I was just playing I was just kidding. 1495 01:26:26,880 --> 01:26:29,880 Speaker 1: We were entertaining, and that's as far as it going there. 1496 01:26:30,760 --> 01:26:33,080 Speaker 1: After a while, people started to understand that's what I 1497 01:26:33,120 --> 01:26:34,799 Speaker 1: would do. When you see me on the red carpets. 1498 01:26:35,120 --> 01:26:37,840 Speaker 1: I'm a red carpet king, right. I ain't no telling what, 1499 01:26:38,439 --> 01:26:40,800 Speaker 1: ain't no telling what's gonna happen. But and I don't 1500 01:26:40,840 --> 01:26:42,800 Speaker 1: know what I was gonna do either. Yeah, you know, 1501 01:26:42,840 --> 01:26:44,960 Speaker 1: I just followed my heart the whole time. That's all 1502 01:26:45,000 --> 01:26:48,280 Speaker 1: you got. Yeah, another show do you think about me? 1503 01:26:48,439 --> 01:26:51,400 Speaker 1: The relationship show when we're giving relationship advice and if 1504 01:26:51,479 --> 01:26:53,080 Speaker 1: you get it too. But don't be on there being 1505 01:26:53,120 --> 01:26:55,080 Speaker 1: all thursty now because by this time, you know I 1506 01:26:55,120 --> 01:26:57,519 Speaker 1: got a girlfriend. Now you didn't had enough, Well you 1507 01:26:57,640 --> 01:27:00,680 Speaker 1: don't have them to keep slugging yourself out. Myself got 1508 01:27:00,680 --> 01:27:03,679 Speaker 1: me a new girlfriend too, man, I know, yeah, yeah, 1509 01:27:04,000 --> 01:27:08,479 Speaker 1: I did not tell you how I gotta I got. 1510 01:27:08,560 --> 01:27:11,280 Speaker 1: I got a new new a condo and a goddamn 1511 01:27:11,439 --> 01:27:14,120 Speaker 1: a new job of eighty five South with it this 1512 01:27:14,240 --> 01:27:16,200 Speaker 1: weed brand with my man Wax. You know, Wax. You 1513 01:27:16,200 --> 01:27:19,000 Speaker 1: didn't bring me no weed, though I know that we 1514 01:27:19,040 --> 01:27:20,439 Speaker 1: could put it on the table and all that I 1515 01:27:20,560 --> 01:27:23,360 Speaker 1: did bring you some action to Carlos. I just didn't 1516 01:27:23,560 --> 01:27:26,280 Speaker 1: bring it out right appreciate to you first, and it's 1517 01:27:26,320 --> 01:27:28,880 Speaker 1: just your show bringing me some weed off camera. Yeah, 1518 01:27:29,720 --> 01:27:32,240 Speaker 1: one of the percent, because I didn't want you to 1519 01:27:32,720 --> 01:27:36,000 Speaker 1: go through what I went through it the video shoot 1520 01:27:36,040 --> 01:27:38,800 Speaker 1: with niggas wild get me complimentary. Yeah, you see what 1521 01:27:38,800 --> 01:27:41,400 Speaker 1: I'm going with. But one thing about me is I 1522 01:27:41,479 --> 01:27:44,840 Speaker 1: don't steal nothing. Yeah, I didn't steal it. I took that. 1523 01:27:45,040 --> 01:27:48,320 Speaker 1: I don't take either. I took that because how many 1524 01:27:48,400 --> 01:27:50,080 Speaker 1: niggas would have did the same. Ship. I did my 1525 01:27:50,200 --> 01:27:56,920 Speaker 1: round of applause, y'all some puss. It's just that I 1526 01:27:57,040 --> 01:27:59,479 Speaker 1: was some old. He got some real old. You're in 1527 01:27:59,600 --> 01:28:02,320 Speaker 1: the room. Pull the motherfucker's who went to college and graduating. 1528 01:28:02,439 --> 01:28:06,720 Speaker 1: Oh oh, I apologized. They don't agree with that. I 1529 01:28:06,880 --> 01:28:09,840 Speaker 1: apologize on man, and I'm really proud of about that 1530 01:28:09,920 --> 01:28:12,680 Speaker 1: type of crowd. I mean, if you're gonna get a 1531 01:28:12,720 --> 01:28:14,720 Speaker 1: lot of people agree with you. In the comments, they 1532 01:28:14,800 --> 01:28:18,040 Speaker 1: try to hold jack Man really be Yeah, not in 1533 01:28:18,160 --> 01:28:20,439 Speaker 1: this room. Look at these people. They got futures and ship. 1534 01:28:22,080 --> 01:28:24,519 Speaker 1: Yeah you're not a real talk you shout out to 1535 01:28:24,640 --> 01:28:26,960 Speaker 1: you once again? Uh, you know, call us Clayton and 1536 01:28:27,000 --> 01:28:32,759 Speaker 1: everything giving these these upcoming young black folks and jobs 1537 01:28:32,800 --> 01:28:35,000 Speaker 1: and ship. But let to look at this the same 1538 01:28:35,120 --> 01:28:37,640 Speaker 1: way you use your platform to open it up. Man, 1539 01:28:37,640 --> 01:28:40,240 Speaker 1: you gotta it's gotta be bigger than you. Man. Hey, bro, 1540 01:28:40,479 --> 01:28:43,720 Speaker 1: what what what did jay Z say about? If you're 1541 01:28:43,720 --> 01:28:47,000 Speaker 1: the only millionnaire side you'll click? Then you you you're 1542 01:28:47,040 --> 01:28:49,560 Speaker 1: not rich y. You posted to put everybody on so 1543 01:28:49,640 --> 01:28:51,760 Speaker 1: if you fall off, then they can help you about 1544 01:28:51,880 --> 01:28:53,880 Speaker 1: me And when I don't understand why that, we don't 1545 01:28:53,960 --> 01:28:57,120 Speaker 1: understand every nigger and your click is rich, your click 1546 01:28:57,240 --> 01:29:00,120 Speaker 1: is rugged. Come nobody falls because we were all be 1547 01:29:00,240 --> 01:29:06,400 Speaker 1: each other's christ Come on or something like that. Mike 1548 01:29:06,479 --> 01:29:09,280 Speaker 1: Tyson's told his story right. One thing we can't do though, 1549 01:29:09,520 --> 01:29:12,280 Speaker 1: when drink on me from one cup passing around the room, 1550 01:29:13,000 --> 01:29:19,720 Speaker 1: an ain't drinking. I'm like, oh that that ship is 1551 01:29:19,800 --> 01:29:22,599 Speaker 1: jay Z headed up. But I'm like the dog when 1552 01:29:22,640 --> 01:29:25,640 Speaker 1: it comes to the film. I don't speak, but I understand. 1553 01:29:29,160 --> 01:29:31,920 Speaker 1: But it's important to put your folks on it, you know. 1554 01:29:32,040 --> 01:29:34,479 Speaker 1: Like I said, I really appreciate you guys and opening 1555 01:29:34,560 --> 01:29:36,639 Speaker 1: up your platform and let me bring the relationship show, 1556 01:29:36,960 --> 01:29:39,800 Speaker 1: let me bring the U. No, it's not about letting 1557 01:29:39,840 --> 01:29:42,400 Speaker 1: you bro, it's just like, we want this thing to 1558 01:29:42,479 --> 01:29:45,040 Speaker 1: be big, and you're the type of motherfucker who know 1559 01:29:45,160 --> 01:29:48,439 Speaker 1: exactly what you're doing. It's not about you know, us 1560 01:29:48,479 --> 01:29:50,760 Speaker 1: putting you on, and you so much you're gonna put 1561 01:29:50,880 --> 01:29:55,639 Speaker 1: us on. This is a hardness, Damn Colors. I didn't 1562 01:29:55,920 --> 01:29:57,519 Speaker 1: the way the way you put see this. I like 1563 01:29:57,640 --> 01:29:59,800 Speaker 1: what you're talking about with this right here. Man, No, listen, 1564 01:30:00,080 --> 01:30:04,000 Speaker 1: this makes sense. Hey, Loo, come in, list and Jack, 1565 01:30:04,080 --> 01:30:08,599 Speaker 1: we want to bring you to this family. You're an earner, okay, 1566 01:30:09,800 --> 01:30:16,040 Speaker 1: you know what you capable. Don't listen, We're gonna cut 1567 01:30:16,080 --> 01:30:21,680 Speaker 1: you in. What you're gonna work your way in. It's 1568 01:30:21,720 --> 01:30:27,639 Speaker 1: not gonna be easy. I know how that works, exactly exactly. Yeah, 1569 01:30:27,760 --> 01:30:31,040 Speaker 1: I'm cool on that. Just give me the box. Oh listen, 1570 01:30:31,560 --> 01:30:34,160 Speaker 1: it's not about giving you the ball. Get what is 1571 01:30:34,200 --> 01:30:37,760 Speaker 1: it about? You gotta play the sucking outfield first. I'm 1572 01:30:37,760 --> 01:30:40,040 Speaker 1: a angeling outfield. Remember what that ship were doing for? 1573 01:30:40,240 --> 01:30:48,280 Speaker 1: Rack the fucking movie. Kid? Here, Jack, you don't look 1574 01:30:48,320 --> 01:30:53,639 Speaker 1: like you don't ever get old. Listen that guy right there, listen, 1575 01:30:54,720 --> 01:30:57,479 Speaker 1: it is never gonna be old. He's as old as 1576 01:30:57,520 --> 01:30:59,439 Speaker 1: he's ever gonna be. How all do you think it is. 1577 01:31:00,040 --> 01:31:04,160 Speaker 1: And that's a good question. That's a good fucking question. 1578 01:31:04,360 --> 01:31:06,679 Speaker 1: One thing you don't do. You look exactly the same 1579 01:31:06,800 --> 01:31:09,680 Speaker 1: as you when I first met you. Man, But if 1580 01:31:09,720 --> 01:31:12,080 Speaker 1: I was just I wouldn't put my eye on it. 1581 01:31:12,400 --> 01:31:15,880 Speaker 1: But if I was against low guests, don't do ship 1582 01:31:16,000 --> 01:31:20,200 Speaker 1: like that because as negativity Jack, Okay, I'm sorry by that. 1583 01:31:20,280 --> 01:31:22,120 Speaker 1: When you do ship like that on the internet, man, 1584 01:31:23,240 --> 01:31:26,600 Speaker 1: people started getting weird. Man, don't trust me, Man, I 1585 01:31:26,720 --> 01:31:29,360 Speaker 1: do this. I no, no, no, you know after you 1586 01:31:29,560 --> 01:31:31,920 Speaker 1: had just called me out on it and you were like, 1587 01:31:32,760 --> 01:31:35,120 Speaker 1: I see why that wouldn't be the right thing to 1588 01:31:35,240 --> 01:31:38,080 Speaker 1: do to another man is to guess his age and 1589 01:31:38,120 --> 01:31:40,439 Speaker 1: asked him on their birthday. Yeah, what you're gonna do? 1590 01:31:40,640 --> 01:31:47,559 Speaker 1: Make him with Kate when your birthday? It don't matter 1591 01:31:47,600 --> 01:31:50,680 Speaker 1: when his birthday was the question that you shouldn't know 1592 01:31:50,840 --> 01:32:01,960 Speaker 1: with his birthday? Birthday? Your birthday, exactly like nigga shouldn't 1593 01:32:01,960 --> 01:32:05,320 Speaker 1: have shouldn't come in together. I never say that. That's 1594 01:32:05,360 --> 01:32:07,080 Speaker 1: not what you said when you ask the niggas when 1595 01:32:07,120 --> 01:32:12,320 Speaker 1: their birthday? Type of ship is that? Or did you 1596 01:32:12,360 --> 01:32:15,759 Speaker 1: eat check? Yeah? Why are you worried about another nigga 1597 01:32:15,840 --> 01:32:20,880 Speaker 1: well being? Right? Unless you know about a niggative better. 1598 01:32:22,240 --> 01:32:24,960 Speaker 1: So with that being said, we'd never ran trains before. 1599 01:32:25,240 --> 01:32:29,720 Speaker 1: Who then is Jack? Who? We mean? You don't like 1600 01:32:29,840 --> 01:32:32,840 Speaker 1: the same kind of chicks, that's one. That's why we've 1601 01:32:32,880 --> 01:32:35,599 Speaker 1: been friends for so long. I don't hang around niggas 1602 01:32:35,640 --> 01:32:38,080 Speaker 1: that's interested in the type of women I'm interested in. 1603 01:32:38,240 --> 01:32:40,120 Speaker 1: We adn't gonna get alone. I don't talk about what 1604 01:32:40,240 --> 01:32:42,400 Speaker 1: kind of women you think I'm interested in, nigga. I've 1605 01:32:42,439 --> 01:32:45,760 Speaker 1: seen the women you do with. You never got worried 1606 01:32:45,760 --> 01:32:51,000 Speaker 1: about trying to you ship, know my girl, know your girls. 1607 01:32:51,040 --> 01:32:53,360 Speaker 1: I'm just saying, you ain't never gotta worried about me. 1608 01:32:55,920 --> 01:32:58,439 Speaker 1: That's not what I'm saying that you ain't never saw 1609 01:32:58,520 --> 01:33:01,519 Speaker 1: me when nobody was like if she like you, I 1610 01:33:01,600 --> 01:33:06,200 Speaker 1: don't like. I like where you're going with this, Jack. 1611 01:33:06,280 --> 01:33:13,679 Speaker 1: I don't want you like she got coodis she? Yeah? Yeah, yeah, 1612 01:33:14,240 --> 01:33:17,479 Speaker 1: I thought that was something bro code you're trying to say, Jay, 1613 01:33:18,120 --> 01:33:20,000 Speaker 1: just like if you try to one of my old 1614 01:33:20,160 --> 01:33:23,360 Speaker 1: she should be offended one hundred. I like what you're 1615 01:33:23,400 --> 01:33:27,400 Speaker 1: doing now, and I one agreed. It's too many women 1616 01:33:27,439 --> 01:33:29,640 Speaker 1: in the world for us to be liking each other. 1617 01:33:29,880 --> 01:33:32,920 Speaker 1: I'm just saying she can be like Jack, don't get 1618 01:33:32,960 --> 01:33:38,560 Speaker 1: the fuck but if I ever did that, because I 1619 01:33:38,760 --> 01:33:41,000 Speaker 1: never got a really good look at her, and I'm like, oh, 1620 01:33:41,120 --> 01:33:44,000 Speaker 1: that's the same girl you with you good? I don't 1621 01:33:44,040 --> 01:33:45,640 Speaker 1: think you could do it, and I wouldn't do it. 1622 01:33:45,920 --> 01:33:50,600 Speaker 1: You couldn't. You don't think I'm gonna fund You'll know 1623 01:33:52,120 --> 01:34:00,679 Speaker 1: I'm not a really Yes, yes, I hear what he's saying. 1624 01:34:01,240 --> 01:34:06,479 Speaker 1: Do you believe Hell? Yeah, yeah, let me borrow one. 1625 01:34:06,760 --> 01:34:13,120 Speaker 1: I mean, it's that's kind of crazy. You set yourself 1626 01:34:13,200 --> 01:34:16,160 Speaker 1: up a failure that requirement. Hold on, tell Clack you 1627 01:34:16,240 --> 01:34:17,640 Speaker 1: feel the same way you think I can't find out 1628 01:34:17,640 --> 01:34:23,560 Speaker 1: of your hole? Huh? Hold on that you hold on. 1629 01:34:23,920 --> 01:34:25,559 Speaker 1: Let's let's go back for a minute, because I think 1630 01:34:25,800 --> 01:34:31,200 Speaker 1: y'all must have forgotten what Jones voice we have. We forgot, 1631 01:34:31,360 --> 01:34:35,479 Speaker 1: we never knew that, we never knew that, we never 1632 01:34:35,560 --> 01:34:38,120 Speaker 1: knew that. You've seen me what with a lot of 1633 01:34:39,080 --> 01:34:45,000 Speaker 1: a lot of type ask Instagram. I've seen you with 1634 01:34:45,120 --> 01:34:51,759 Speaker 1: a few dope boy damns. See they was finding the hood. 1635 01:34:53,320 --> 01:34:57,400 Speaker 1: He ain't seen you with the international stunners. Now, nothing 1636 01:34:57,439 --> 01:35:01,559 Speaker 1: you could take cross state laps and people haven't done 1637 01:35:01,640 --> 01:35:06,040 Speaker 1: bad when we all haven't done but just that, you know, 1638 01:35:07,040 --> 01:35:08,800 Speaker 1: in the in the beginning of the morning, because a 1639 01:35:08,840 --> 01:35:10,519 Speaker 1: lot of people say at the end of the day, 1640 01:35:10,560 --> 01:35:14,080 Speaker 1: in the beginning of the morning, I still don't believe 1641 01:35:14,120 --> 01:35:16,519 Speaker 1: you could you can hit none of my holes, not 1642 01:35:16,640 --> 01:35:18,280 Speaker 1: even none of my old holes, not even none of 1643 01:35:18,320 --> 01:35:22,000 Speaker 1: your old hole, like the hole, like the whole Christmas Pass. 1644 01:35:22,680 --> 01:35:25,519 Speaker 1: I couldn't do that, the wholest of holes I've ever had, 1645 01:35:25,640 --> 01:35:28,639 Speaker 1: the whole ist of holes, the whole, whole, whole, whole 1646 01:35:29,000 --> 01:35:33,360 Speaker 1: miracle on thirty first Street. You don't believe. I don't 1647 01:35:33,720 --> 01:35:36,559 Speaker 1: world too big, Jack, we come home, you know, I'm 1648 01:35:36,600 --> 01:35:39,280 Speaker 1: just saying, we come the type of holes that like 1649 01:35:39,439 --> 01:35:44,679 Speaker 1: me would don't that's how you feel. Yeah, listen, they're 1650 01:35:44,680 --> 01:35:49,559 Speaker 1: saying the overlap, it would never have never the matrix 1651 01:35:49,640 --> 01:35:57,360 Speaker 1: will split, There would be tearing this dimension, y'all. One 1652 01:35:57,400 --> 01:36:01,320 Speaker 1: of my holes is gonna be thirty minute window where 1653 01:36:01,320 --> 01:36:03,360 Speaker 1: you can cross it to the other dimension, if you 1654 01:36:05,200 --> 01:36:20,360 Speaker 1: can go into the other world. Oh man, man, listen, yeah, man, 1655 01:36:21,360 --> 01:36:24,120 Speaker 1: I appreciate if it makes you feel any better. No, no, 1656 01:36:24,280 --> 01:36:26,120 Speaker 1: I don't want to feel any better. I couldn't need 1657 01:36:26,200 --> 01:36:31,280 Speaker 1: none of yours. I couldn't. I appreciate it. Right. I 1658 01:36:31,320 --> 01:36:41,200 Speaker 1: wouldn't let myself do that. I wouldn't love that. I'm 1659 01:36:41,240 --> 01:36:44,080 Speaker 1: in a relationship right now, so I don't even one 1660 01:36:44,360 --> 01:36:47,519 Speaker 1: you say, don't put the young lady out there like that. 1661 01:36:48,640 --> 01:36:51,439 Speaker 1: The next n is she ain't going on? She was 1662 01:36:51,520 --> 01:37:01,439 Speaker 1: working with you? You know, you know she she's not 1663 01:37:01,680 --> 01:37:04,080 Speaker 1: going anywhere. You know why. I let me tell you 1664 01:37:04,160 --> 01:37:08,240 Speaker 1: why she's not going anywhere. You're gonna leave No. On nine, 1665 01:37:09,240 --> 01:37:13,600 Speaker 1: I found a woman that text me horseback riding and 1666 01:37:13,760 --> 01:37:18,800 Speaker 1: paid for it. I found a woman that where you 1667 01:37:18,880 --> 01:37:32,040 Speaker 1: find that? I found her? What I asked? Where are 1668 01:37:32,040 --> 01:37:40,679 Speaker 1: you find? I asked, where did you find your girlfriend? Jack? Okay, okay, 1669 01:37:41,360 --> 01:37:45,280 Speaker 1: the first time I met no, where did you find 1670 01:37:45,880 --> 01:37:52,040 Speaker 1: on TV? But the first time I met her on TV? 1671 01:37:52,160 --> 01:37:54,840 Speaker 1: You or her? She was yeah, So she didn't know 1672 01:37:54,880 --> 01:37:57,160 Speaker 1: where I was looking at her on there? Okay, But listen, 1673 01:37:57,640 --> 01:38:01,120 Speaker 1: the first time I met her in real life when 1674 01:38:01,320 --> 01:38:04,960 Speaker 1: when I was here by when I moved here for 1675 01:38:05,240 --> 01:38:08,880 Speaker 1: the situation for the partnership. Have y'all went public yet? No? 1676 01:38:09,040 --> 01:38:11,720 Speaker 1: I don't think that's stopped telling the story. Then you're 1677 01:38:11,880 --> 01:38:14,400 Speaker 1: looking around and be like, bad, now you're gonna find that. 1678 01:38:14,920 --> 01:38:17,759 Speaker 1: You're gonna find that, Yeah, the public is not a problem. 1679 01:38:18,720 --> 01:38:21,720 Speaker 1: That's not just less hinting at it. And then you know, 1680 01:38:22,040 --> 01:38:23,920 Speaker 1: all I under. What I want to say is the 1681 01:38:24,000 --> 01:38:25,559 Speaker 1: reason why the ship is gonna work this time, because 1682 01:38:25,560 --> 01:38:27,720 Speaker 1: I'm gonna do somebody never did, dude, and I did 1683 01:38:27,880 --> 01:38:29,960 Speaker 1: this name about being fun and no ship like that. 1684 01:38:30,720 --> 01:38:32,720 Speaker 1: We have the music. Let's be seriously, we're gonna get 1685 01:38:32,760 --> 01:38:35,320 Speaker 1: we're gonna get help. We're gonna get therapy. We're gonna 1686 01:38:35,320 --> 01:38:38,000 Speaker 1: get couples therapy. You're gonna do it. We're gonna do it. 1687 01:38:38,720 --> 01:38:40,960 Speaker 1: We're gonna find out how long you've been with her 1688 01:38:42,400 --> 01:38:46,720 Speaker 1: ship about a month and you're already in therapy. We've 1689 01:38:46,760 --> 01:38:48,640 Speaker 1: been to get in some therapy. We're cool with. We 1690 01:38:48,680 --> 01:38:50,920 Speaker 1: didn't talk that we know all our triggers and ship 1691 01:38:51,040 --> 01:38:52,240 Speaker 1: like that, because you know what my interview is. So 1692 01:38:52,400 --> 01:38:54,120 Speaker 1: I put anything I do on table, off the rip. 1693 01:38:54,720 --> 01:38:56,400 Speaker 1: You know what I'm saying, and vice versas, I don't. 1694 01:38:56,640 --> 01:38:58,479 Speaker 1: I ain't putting it on type. But you callose you 1695 01:38:58,479 --> 01:39:01,120 Speaker 1: don't want to be in love. You don't know my life, 1696 01:39:01,240 --> 01:39:03,800 Speaker 1: Jack the funk, I look like showing up every time 1697 01:39:03,880 --> 01:39:05,960 Speaker 1: putting the same ship on the table. Don't nobody to 1698 01:39:05,960 --> 01:39:07,800 Speaker 1: give a funk about that ship. Just damn you then 1699 01:39:07,880 --> 01:39:11,120 Speaker 1: gave up on I know, I thought, I see the 1700 01:39:11,280 --> 01:39:17,800 Speaker 1: motherfucking day ship gave up on ship. You just you 1701 01:39:17,880 --> 01:39:20,360 Speaker 1: gotta stop doing that. You're a Grench that stole up. 1702 01:39:21,640 --> 01:39:23,920 Speaker 1: I think the biggest mistake people make is getting to 1703 01:39:24,000 --> 01:39:27,600 Speaker 1: know a motherfucker. How long the therapy to therapy is? 1704 01:39:27,800 --> 01:39:29,760 Speaker 1: You know, how long that you wanted? How do they 1705 01:39:29,840 --> 01:39:32,360 Speaker 1: take it? It's called work, doing the work. You gotta 1706 01:39:32,360 --> 01:39:33,920 Speaker 1: do the work, man. I think that people fall out 1707 01:39:33,960 --> 01:39:36,960 Speaker 1: of love because they exhaust the idea of being in love. 1708 01:39:37,560 --> 01:39:39,920 Speaker 1: People fall out of love because they can't keep up 1709 01:39:39,960 --> 01:39:43,680 Speaker 1: the front. No more, that's not true. You stop. You 1710 01:39:43,920 --> 01:39:45,599 Speaker 1: can love somebody, but then if you don't like them, 1711 01:39:45,600 --> 01:39:47,000 Speaker 1: and that's gonna be a problem. So now you have 1712 01:39:47,120 --> 01:39:48,720 Speaker 1: to figure out what you don't like about them, and 1713 01:39:48,800 --> 01:39:50,800 Speaker 1: y'all work on that. If you really want to be together, well, 1714 01:39:51,000 --> 01:39:53,599 Speaker 1: if you love the motherfucker, you don't gotta like him. No, mother, 1715 01:39:53,760 --> 01:39:56,439 Speaker 1: that's not true. You didn't crossed the over. Yeah, you, 1716 01:39:56,880 --> 01:39:58,840 Speaker 1: But then if you want to be with them cohesively 1717 01:39:59,400 --> 01:40:03,040 Speaker 1: and you you you want to want to a positive no, 1718 01:40:03,280 --> 01:40:05,640 Speaker 1: it's that that's the See, that's The thing about it 1719 01:40:05,680 --> 01:40:08,560 Speaker 1: ain't no positive environment. It's this that's up to the 1720 01:40:08,640 --> 01:40:12,240 Speaker 1: two motherfucker's in the relationship. You ain't seen two crackheads 1721 01:40:12,280 --> 01:40:16,280 Speaker 1: break up for nothing. Somebody get the remote. The chicken 1722 01:40:16,400 --> 01:40:20,240 Speaker 1: is ready to come on. Man, you know why two 1723 01:40:20,280 --> 01:40:23,599 Speaker 1: crackheads ain't ain't broke up because they agree on one thing, 1724 01:40:23,880 --> 01:40:26,080 Speaker 1: and that's crack. And so most of the time that 1725 01:40:26,160 --> 01:40:28,840 Speaker 1: they're inside, they in love. They out of their mind, 1726 01:40:30,080 --> 01:40:32,400 Speaker 1: they're looking, They're in a certain level of you. For 1727 01:40:32,640 --> 01:40:34,880 Speaker 1: you don't know this, it's in a certain level create you. 1728 01:40:35,080 --> 01:40:38,479 Speaker 1: You smoke crack, cracker might intensify I love I watched 1729 01:40:38,479 --> 01:40:40,360 Speaker 1: snow fall. They might hit the crack and be like, 1730 01:40:40,479 --> 01:40:42,320 Speaker 1: you know what, I love a little you two and 1731 01:40:42,400 --> 01:40:46,240 Speaker 1: then smoke crack. All that to the crack make everything easier. 1732 01:40:46,960 --> 01:40:53,320 Speaker 1: But then love ain't easy. Come on, come on, I'm 1733 01:40:53,400 --> 01:41:00,400 Speaker 1: related to some crack people. Crack. I'm a crack descending. 1734 01:41:02,360 --> 01:41:05,320 Speaker 1: You are descendant of the cracker. My mama smoked my eye. 1735 01:41:05,800 --> 01:41:09,519 Speaker 1: Shut up. You get too serious and then you'd be stupid. Now, 1736 01:41:09,640 --> 01:41:11,439 Speaker 1: what I'm trying to say is I know what this 1737 01:41:11,479 --> 01:41:15,200 Speaker 1: ship looked like. Okay, and I understand the so you've 1738 01:41:15,200 --> 01:41:18,160 Speaker 1: been in love room before. Man, I got married and 1739 01:41:18,200 --> 01:41:20,160 Speaker 1: the Voice of the same year got more married on 1740 01:41:20,240 --> 01:41:22,479 Speaker 1: goddamn Valentine Day. The Voice on Halloween got a trick 1741 01:41:22,520 --> 01:41:29,000 Speaker 1: and a treaty. I know, I know love. Yeah, yeah, 1742 01:41:29,240 --> 01:41:31,400 Speaker 1: I can't make it. I can't need that ship with public. 1743 01:41:31,439 --> 01:41:33,360 Speaker 1: I all that I wanted everybody to know that I 1744 01:41:33,439 --> 01:41:35,800 Speaker 1: admit somebody to turn my whole world upside that that's 1745 01:41:35,840 --> 01:41:39,559 Speaker 1: the first mistake you made. Why Because when you find 1746 01:41:39,600 --> 01:41:41,519 Speaker 1: somebody that you really funk what, you want to celebrate them. 1747 01:41:41,520 --> 01:41:43,720 Speaker 1: But then the problem is when you're inside this type 1748 01:41:43,760 --> 01:41:45,439 Speaker 1: of game right here, and people know you for a 1749 01:41:45,520 --> 01:41:48,080 Speaker 1: certain type of thing and whatnot, you can't tell if 1750 01:41:48,120 --> 01:41:51,320 Speaker 1: they really want you or the idea of you image 1751 01:41:51,439 --> 01:41:53,760 Speaker 1: of what I'm saying. When you start thinking people give 1752 01:41:53,800 --> 01:41:56,360 Speaker 1: a funk about your personal life, that's where you're gonna 1753 01:41:56,400 --> 01:41:59,120 Speaker 1: be fucked up. Well, then if you if I befriends 1754 01:41:59,200 --> 01:42:03,439 Speaker 1: you know, it's not about this. This is what I'm 1755 01:42:03,439 --> 01:42:07,960 Speaker 1: saying though. It's like everything ain't for public. Know, everything 1756 01:42:08,040 --> 01:42:11,360 Speaker 1: ain't for public, right, and then as soon as you 1757 01:42:11,479 --> 01:42:15,880 Speaker 1: make it public, then it's for public consumption. Yeah, And 1758 01:42:15,960 --> 01:42:18,320 Speaker 1: if you put and just like you said, once you sell, 1759 01:42:18,560 --> 01:42:21,320 Speaker 1: everybody ain't ain't here to celebrate with you. That's the 1760 01:42:21,400 --> 01:42:23,519 Speaker 1: one saying that everybody is not happy for me, that 1761 01:42:23,960 --> 01:42:27,120 Speaker 1: nobody is. That's the thing about it. Think about what 1762 01:42:27,400 --> 01:42:31,000 Speaker 1: social media is, bro, It's just the highlights of everybody 1763 01:42:31,040 --> 01:42:33,360 Speaker 1: to day. I ain't nobody really showing you the ship 1764 01:42:33,520 --> 01:42:35,760 Speaker 1: that's going on. For real, this is the best ship 1765 01:42:36,160 --> 01:42:38,280 Speaker 1: I do that. I'm telling you, I show you the 1766 01:42:38,320 --> 01:42:40,800 Speaker 1: best any words, I'm cool with it. Would you say 1767 01:42:40,840 --> 01:42:44,280 Speaker 1: I did that? I'm saying, ever like, it ain't no 1768 01:42:44,360 --> 01:42:46,640 Speaker 1: secrets about Jack Thriller. I put it. I put out 1769 01:42:46,680 --> 01:42:48,320 Speaker 1: the good, the bad, and ugly and all that. And 1770 01:42:48,360 --> 01:42:50,640 Speaker 1: I'm cool with with with my damon's I'm cool with 1771 01:42:50,720 --> 01:42:53,720 Speaker 1: my shortcomings and all that. I'm cool with who I 1772 01:42:53,840 --> 01:42:56,439 Speaker 1: am and what's not it's not it, that's fine, But 1773 01:42:56,640 --> 01:42:59,040 Speaker 1: that's what I'm saying. You don't have to show everybody 1774 01:42:59,160 --> 01:43:01,720 Speaker 1: what you cool with. But hey, but if I show 1775 01:43:01,760 --> 01:43:03,200 Speaker 1: you what I'm cool when you know what I ain't 1776 01:43:03,200 --> 01:43:05,840 Speaker 1: cool with? All right? Well, when you when you give 1777 01:43:05,880 --> 01:43:10,200 Speaker 1: him everything and you're gonna be empty, then what And 1778 01:43:11,280 --> 01:43:16,519 Speaker 1: this is a very very fool jug of of juice 1779 01:43:17,000 --> 01:43:19,919 Speaker 1: right away here, it's a very you ain't. It's impossible 1780 01:43:19,920 --> 01:43:22,240 Speaker 1: for me for me to be empty. Okay, it's a 1781 01:43:22,360 --> 01:43:24,800 Speaker 1: it's a lot to pour from over here. And and 1782 01:43:25,160 --> 01:43:27,080 Speaker 1: I protect my energy. I didn't went through some things 1783 01:43:27,120 --> 01:43:29,600 Speaker 1: that it would have killed the lesser man. M it 1784 01:43:29,760 --> 01:43:31,400 Speaker 1: had killed the lesser man. You know what I'm saying. 1785 01:43:31,840 --> 01:43:35,599 Speaker 1: Every time I've ever fell down, I'm I'm the king 1786 01:43:35,720 --> 01:43:39,080 Speaker 1: of getting the funk back up and handling my bad 1787 01:43:39,360 --> 01:43:42,400 Speaker 1: come back. Yeah, I'm a king. I'm gonna come back king. 1788 01:43:43,880 --> 01:43:47,639 Speaker 1: That's the mother right now. The trick ain't goddamn get 1789 01:43:47,720 --> 01:43:50,720 Speaker 1: down there in the first motherfucking playing. You give me that, 1790 01:43:50,840 --> 01:43:54,280 Speaker 1: and they goddamn come back. You go your motherfucking head up. 1791 01:43:54,280 --> 01:43:59,400 Speaker 1: You won't keep ain't no matter tell you ship like 1792 01:43:59,520 --> 01:44:02,240 Speaker 1: you had it said. It's a lot of people that's 1793 01:44:02,240 --> 01:44:04,160 Speaker 1: going through things that people don't even know about. But 1794 01:44:04,439 --> 01:44:07,080 Speaker 1: as uh well what they call it now, the new 1795 01:44:07,160 --> 01:44:10,400 Speaker 1: Niggas called it. The public figures that's the thing I 1796 01:44:10,560 --> 01:44:15,599 Speaker 1: was saying, though, Yeah, motherfucker's ain't supposed to though at 1797 01:44:15,720 --> 01:44:19,519 Speaker 1: some point, but somebody going through what we but somebody 1798 01:44:19,600 --> 01:44:21,640 Speaker 1: going through what we're going through, and they need our testimony. 1799 01:44:21,880 --> 01:44:25,400 Speaker 1: They need to get about our journey, they tell them, 1800 01:44:26,680 --> 01:44:29,160 Speaker 1: So we're gonna we need to really pretend like everything always. 1801 01:44:29,200 --> 01:44:31,840 Speaker 1: I don't know, we don't never need to pretend nothing, 1802 01:44:32,360 --> 01:44:34,400 Speaker 1: but we get we do got to be more well 1803 01:44:34,520 --> 01:44:36,880 Speaker 1: what we got. Damned we got stop getting on the 1804 01:44:36,960 --> 01:44:39,800 Speaker 1: internet with ship. Oh no, no, no, I see, I 1805 01:44:39,960 --> 01:44:42,160 Speaker 1: understand what you're saying. You know what I think, me 1806 01:44:42,200 --> 01:44:43,920 Speaker 1: and we all are really saying the same thing. Like 1807 01:44:44,120 --> 01:44:47,680 Speaker 1: you ain't gonna here and see on object to the 1808 01:44:47,760 --> 01:44:52,719 Speaker 1: page where I'm putting up all these goddamn inspirational, depressing 1809 01:44:52,840 --> 01:44:55,120 Speaker 1: quotes and no ship like that what I was telling 1810 01:44:55,160 --> 01:44:58,000 Speaker 1: you about when when when I'm doing interviews, I'll tell 1811 01:44:58,040 --> 01:44:59,880 Speaker 1: you if you ain't seen me for a minute, why 1812 01:45:00,000 --> 01:45:02,040 Speaker 1: you didn't see me? And this is what was going through. 1813 01:45:02,240 --> 01:45:04,040 Speaker 1: This is what I had sucked up and did whatnot. 1814 01:45:04,120 --> 01:45:05,680 Speaker 1: And you don't have to do that if you just 1815 01:45:05,960 --> 01:45:08,240 Speaker 1: do the opposite of what I did. And this is 1816 01:45:08,280 --> 01:45:10,080 Speaker 1: what I want you to learn from what I said, 1817 01:45:10,920 --> 01:45:12,720 Speaker 1: because I already went through that ship, you don't have 1818 01:45:12,840 --> 01:45:14,639 Speaker 1: to do You don't have to funk up the same 1819 01:45:14,720 --> 01:45:16,840 Speaker 1: way I did. And I think I've helped a lot 1820 01:45:16,920 --> 01:45:20,920 Speaker 1: of people through these uh these interviews. I really believe that. 1821 01:45:21,240 --> 01:45:24,040 Speaker 1: I know you did, because that's what I'm saying you. 1822 01:45:24,280 --> 01:45:26,559 Speaker 1: That's a whole another Yeah, so we I think we're 1823 01:45:26,560 --> 01:45:29,040 Speaker 1: saying the same thing there, because let's let's be honest. 1824 01:45:30,000 --> 01:45:32,840 Speaker 1: If you really just think about it, you you really 1825 01:45:32,920 --> 01:45:36,120 Speaker 1: don't know ship personal about my life. That's the part 1826 01:45:36,120 --> 01:45:38,360 Speaker 1: of I'm saying. Yeah, but littbody to know how many 1827 01:45:38,439 --> 01:45:40,759 Speaker 1: brothers and sisters I got. But listen what I'm saying, 1828 01:45:41,120 --> 01:45:44,680 Speaker 1: you understand what this whole media ship is. Ors like 1829 01:45:45,200 --> 01:45:47,639 Speaker 1: these motherfuckers, they don't need to know that ship. They're 1830 01:45:47,680 --> 01:45:49,680 Speaker 1: just like that part. That's the point they'll make up 1831 01:45:49,800 --> 01:45:53,960 Speaker 1: for you. Like I google myself, I'm worth a million dollars. 1832 01:45:55,200 --> 01:45:57,080 Speaker 1: Oh you want to hear some ship about that? My 1833 01:45:57,320 --> 01:46:01,880 Speaker 1: uncle googled me and that celebrity net Worth ship popped 1834 01:46:01,960 --> 01:46:04,880 Speaker 1: up and he mad as funk I go send yeah, 1835 01:46:05,640 --> 01:46:08,040 Speaker 1: And then they got they got twelve million dollars and 1836 01:46:08,240 --> 01:46:13,360 Speaker 1: gave me ship you're talking about. Yeah, I've seen the 1837 01:46:13,400 --> 01:46:21,280 Speaker 1: ship on inter nig What happened to famine? Talk for 1838 01:46:21,400 --> 01:46:28,200 Speaker 1: you numbers. I don't know, bro, I don't have well million. 1839 01:46:28,280 --> 01:46:32,800 Speaker 1: I was worth a ship, everybody. You know what it 1840 01:46:32,880 --> 01:46:34,640 Speaker 1: did for me when I seen him fifty million, was like, 1841 01:46:35,040 --> 01:46:37,080 Speaker 1: you know what, I'm gonna make it up in my 1842 01:46:37,160 --> 01:46:40,240 Speaker 1: mind right now, I'm gonna make fifty million dollars. No, 1843 01:46:40,720 --> 01:46:43,360 Speaker 1: I didn't, I knew, I didn't. I know. I probably 1844 01:46:43,360 --> 01:46:46,639 Speaker 1: didn't passed through probably three. Let me tell I didn't 1845 01:46:46,680 --> 01:46:49,040 Speaker 1: funked up three in my three of my lifetime. And 1846 01:46:49,120 --> 01:46:53,240 Speaker 1: that ain't ship thirty years, three million in my lifetime. 1847 01:46:54,439 --> 01:46:59,840 Speaker 1: Probably all of us, everybody ain't sup three million? You 1848 01:47:00,000 --> 01:47:02,640 Speaker 1: you still got your three Carlos, still got us? What 1849 01:47:02,800 --> 01:47:05,160 Speaker 1: the fun I get three million dollars from Jack stop 1850 01:47:05,280 --> 01:47:07,000 Speaker 1: making another ship? No, I'm not making that, but I 1851 01:47:07,040 --> 01:47:09,160 Speaker 1: will never get on. I'm just thinking I'm wishing the 1852 01:47:09,200 --> 01:47:10,720 Speaker 1: best for you. I'm pretty sure that you are. You 1853 01:47:10,800 --> 01:47:13,200 Speaker 1: have three million dollars. Yeah, that's what I was saying. 1854 01:47:14,760 --> 01:47:17,840 Speaker 1: You look like a three million dollar nigger with this ship, 1855 01:47:18,360 --> 01:47:22,840 Speaker 1: most definitely man. And then don't they looked like three 1856 01:47:22,880 --> 01:47:28,080 Speaker 1: million dollars? That's all I mean. I'm listening ask them 1857 01:47:28,120 --> 01:47:29,880 Speaker 1: real quick, dude, you look like three man. No, No, 1858 01:47:30,000 --> 01:47:34,559 Speaker 1: I'm straight, No, I'm good. I ain't got no money. 1859 01:47:35,280 --> 01:47:37,519 Speaker 1: I can there. I see where you're going with that. 1860 01:47:37,760 --> 01:47:41,960 Speaker 1: But yeah, I'm all about you know, what they call 1861 01:47:42,000 --> 01:47:44,120 Speaker 1: that ship in the morning when you get inside the 1862 01:47:44,240 --> 01:47:50,320 Speaker 1: mirror and say positive things to yourself, reflection affirmations. But 1863 01:47:50,479 --> 01:47:52,559 Speaker 1: you said in the mirror. I thought you meant yeah 1864 01:47:52,640 --> 01:47:54,479 Speaker 1: you you you talk to yourself and you tell yourself 1865 01:47:54,520 --> 01:47:57,200 Speaker 1: how dope you are. You are dope, you dope like 1866 01:47:57,360 --> 01:48:00,280 Speaker 1: cook crack. Come on that dope. It in a full 1867 01:48:00,320 --> 01:48:02,360 Speaker 1: of crack. Yeah you are, Come on now. And and 1868 01:48:02,520 --> 01:48:04,120 Speaker 1: that's how I feel like I do that every day. 1869 01:48:04,160 --> 01:48:06,920 Speaker 1: And Um, you know I I listened to I read 1870 01:48:07,200 --> 01:48:09,920 Speaker 1: a lot of books. Um. One of the book that 1871 01:48:09,960 --> 01:48:12,240 Speaker 1: I'm reading right now manifesting now that it is amazing. 1872 01:48:12,360 --> 01:48:15,280 Speaker 1: Speaking of manifesting, UM, tell me about the shows that 1873 01:48:15,360 --> 01:48:18,600 Speaker 1: you've been working on right now. This show is a 1874 01:48:18,920 --> 01:48:23,439 Speaker 1: start of myself, music, Soul Child, and Uh called Pain. 1875 01:48:23,640 --> 01:48:29,680 Speaker 1: Come on, It's called Mattenane that the concept is. It's 1876 01:48:29,680 --> 01:48:34,040 Speaker 1: a Ciscol and Ebert uh style show between all three 1877 01:48:34,120 --> 01:48:35,800 Speaker 1: of us. Now we come from you know what I'm saying, 1878 01:48:35,920 --> 01:48:39,559 Speaker 1: very different reputed parts of the entertainment field. Like music, 1879 01:48:39,640 --> 01:48:43,720 Speaker 1: Soul Child is a multi platinum artist, called Pain is 1880 01:48:43,760 --> 01:48:48,080 Speaker 1: a legendary actor comedian and you and then it's Jack 1881 01:48:48,120 --> 01:48:55,559 Speaker 1: Thriller Man Media amazing, media mob medio amazing. I thought 1882 01:48:55,600 --> 01:49:00,679 Speaker 1: it was too I thought it was it's it's like ambidextry. Yeah, 1883 01:49:01,520 --> 01:49:04,880 Speaker 1: you could be both, and it gets the people going. 1884 01:49:05,120 --> 01:49:10,040 Speaker 1: It's provocative. Come on, man, supersieic. Yeah, it's some ship. 1885 01:49:10,160 --> 01:49:14,040 Speaker 1: That's dope. I'm looking forward to it. Yeah, it's big. Yeah. 1886 01:49:14,120 --> 01:49:16,240 Speaker 1: And so you know, on this show, we're gonna be 1887 01:49:16,360 --> 01:49:19,800 Speaker 1: like you know what I'm saying, uh, reviewing movies, movies 1888 01:49:19,840 --> 01:49:22,519 Speaker 1: before you see them. We're gonna be reviewing animal before 1889 01:49:22,520 --> 01:49:24,800 Speaker 1: you see him because Musing soul Child is a big 1890 01:49:24,920 --> 01:49:27,439 Speaker 1: anim buff. He's a big movie buff. And he's also 1891 01:49:27,560 --> 01:49:30,320 Speaker 1: a big video game buff. And a lot of people 1892 01:49:30,320 --> 01:49:32,519 Speaker 1: don't know that. The all they know is the guy 1893 01:49:32,600 --> 01:49:35,160 Speaker 1: that sings the ballots, same thing with called pain Man. 1894 01:49:35,479 --> 01:49:39,040 Speaker 1: He's very scientific and of technical when it comes to 1895 01:49:39,120 --> 01:49:44,080 Speaker 1: breaking down projects and whatnot. And I'm driving the ship. 1896 01:49:44,760 --> 01:49:47,000 Speaker 1: I'm driving the ship and I'm steering the show. You 1897 01:49:47,040 --> 01:49:48,320 Speaker 1: know what I'm saying, going back to be because it's 1898 01:49:48,360 --> 01:49:51,280 Speaker 1: what I specialized in. Its keeping that ship going, you 1899 01:49:51,320 --> 01:49:52,800 Speaker 1: know what I'm saying, smoothing that thing all the way 1900 01:49:52,840 --> 01:49:55,800 Speaker 1: on that and it's it's basically through the hard way. 1901 01:49:56,479 --> 01:49:59,280 Speaker 1: Uh Yeah, Yeah. Like I said, it's mattenee is movies, 1902 01:49:59,320 --> 01:50:01,880 Speaker 1: anime and television and okay that's what the other a 1903 01:50:02,040 --> 01:50:04,720 Speaker 1: standing for. Really excited about that, like I said, it's 1904 01:50:04,720 --> 01:50:09,439 Speaker 1: the relationship show. Also do you think about me? Yes? Yeah, 1905 01:50:10,640 --> 01:50:13,240 Speaker 1: really really excited about that. In the climate you would 1906 01:50:13,280 --> 01:50:18,000 Speaker 1: sharing something of your real perspectives on love and like, yeah, 1907 01:50:18,240 --> 01:50:20,800 Speaker 1: one hundred everything that I'm talking about. Man, it was 1908 01:50:20,880 --> 01:50:24,360 Speaker 1: before the orderment on the relationship book. I'm working on 1909 01:50:24,360 --> 01:50:27,719 Speaker 1: a relationship. But what's yours? It's called side check holiday, 1910 01:50:27,880 --> 01:50:31,080 Speaker 1: Mine called don't nobody won't you? Don't nobody won't you? 1911 01:50:35,439 --> 01:50:43,120 Speaker 1: And you're a de motivational speaking right, turn that smile 1912 01:50:43,240 --> 01:50:50,599 Speaker 1: upside down? What the fuck? Man? Yeah, do not call 1913 01:50:50,680 --> 01:50:53,720 Speaker 1: listening when you're about got theamn kill yourself and when 1914 01:50:53,760 --> 01:50:58,479 Speaker 1: that's what you're gonna do with that PlayStation. But little Jack, 1915 01:50:59,040 --> 01:51:03,680 Speaker 1: we got you in the trap. We're gonna put these 1916 01:51:03,720 --> 01:51:07,559 Speaker 1: projects together and ship. Yeah, man, it's always good. Hey, 1917 01:51:07,600 --> 01:51:09,960 Speaker 1: hold on you go, man. You know my birthday May seven? Man, 1918 01:51:10,120 --> 01:51:12,839 Speaker 1: I heard you all come up to alllly my birthday 1919 01:51:12,920 --> 01:51:14,920 Speaker 1: May seven? Can I come to the show? Can I 1920 01:51:14,960 --> 01:51:19,280 Speaker 1: get some tickets to the show? Main stay far Marino 1921 01:51:19,600 --> 01:51:21,280 Speaker 1: can your dog get it like you know what I'm saying. 1922 01:51:21,640 --> 01:51:23,200 Speaker 1: Get a couple of tickets. Man, I'm just gonna bring 1923 01:51:23,320 --> 01:51:27,639 Speaker 1: like about eight niggas with me. I there was cool 1924 01:51:27,680 --> 01:51:36,719 Speaker 1: with you A welcome backst Health show. Hey man, o Ship, 1925 01:51:36,920 --> 01:51:38,559 Speaker 1: this is one of the wildest niggers in the game, 1926 01:51:38,640 --> 01:51:41,840 Speaker 1: Clayton Man, thank you for being what you gotta say. Man, Man, 1927 01:51:42,040 --> 01:51:45,360 Speaker 1: Jack with you all the way. Bro already you know 1928 01:51:45,560 --> 01:51:47,800 Speaker 1: this big one of the realist to ever do it. 1929 01:51:47,880 --> 01:51:51,240 Speaker 1: Come on, man, come on, come on now, hey man, 1930 01:51:51,320 --> 01:51:53,400 Speaker 1: let your love us be your motivators. There you go 1931 01:51:54,920 --> 01:51:58,040 Speaker 1: fast South show that nigga Jack Thriller, come on now 1932 01:52:01,320 --> 01:52:04,000 Speaker 1: with you do Come on now? How much time to 1933 01:52:04,040 --> 01:52:07,720 Speaker 1: say that here, nigger? We got about two hours. Don't 1934 01:52:07,800 --> 01:52:11,600 Speaker 1: let me hanging on camera. He was gonna blinks. I 1935 01:52:11,640 --> 01:52:17,519 Speaker 1: don't see that his nigga. Man, let's do it. Let's 1936 01:52:17,520 --> 01:52:26,400 Speaker 1: do it. I get right, Jack Thriller, real nigga, cap piller, 1937 01:52:26,880 --> 01:52:38,240 Speaker 1: drug dealer. This nigga here, Bro, that's my nigga. You 1938 01:52:38,320 --> 01:52:44,840 Speaker 1: have to thrill Ryan Davis. Come on, bro, you gotta 1939 01:52:44,880 --> 01:52:54,000 Speaker 1: get Ryan Davy said here man young Legend Ship, the Knicks' 1940 01:52:57,520 --> 01:53:01,880 Speaker 1: Jackie Thriller and we're lacking, bro, you know we should 1941 01:53:01,920 --> 01:53:05,000 Speaker 1: get like why like in the tween shows, we should 1942 01:53:05,040 --> 01:53:08,040 Speaker 1: get some Cafe Bourbon Street. Like it's something about you'll 1943 01:53:08,120 --> 01:53:10,120 Speaker 1: be watching eighty five South or just want some New 1944 01:53:10,200 --> 01:53:13,479 Speaker 1: Orleans food. I do like, so we should just go 1945 01:53:13,600 --> 01:53:16,400 Speaker 1: to Cafe Bourbon Street. Bro, Look, bring me the sauce. 1946 01:53:16,800 --> 01:53:19,759 Speaker 1: Let me tell them. Look Cafe Bourbon Streek at this sauce. 1947 01:53:19,840 --> 01:53:23,080 Speaker 1: I put it on everything. It's called Sweeteat Salt, and 1948 01:53:23,200 --> 01:53:25,519 Speaker 1: you should really get something. Look, check this out. Go 1949 01:53:25,680 --> 01:53:28,280 Speaker 1: to real New Orleans food dot com and you can 1950 01:53:28,360 --> 01:53:31,680 Speaker 1: get some ships straight to you. I'm telling you just 1951 01:53:31,880 --> 01:53:34,479 Speaker 1: so you could try, because New Orleans food is the best. 1952 01:53:34,560 --> 01:53:37,280 Speaker 1: And I'm trying to plug everybody into the people that 1953 01:53:37,360 --> 01:53:40,320 Speaker 1: I know from New Orleans from Cafe Bourbon Street because 1954 01:53:40,720 --> 01:53:42,800 Speaker 1: I like the sauce of it. I just want to 1955 01:53:42,840 --> 01:53:45,599 Speaker 1: help my people sells something. So I'll do this for free. 1956 01:53:46,000 --> 01:53:49,599 Speaker 1: They didn't pay me for this. For real, I'm taking 1957 01:53:49,640 --> 01:53:53,920 Speaker 1: this bottle of sauce this payment though, I'm serious, this 1958 01:53:54,000 --> 01:53:56,160 Speaker 1: is nobody. I will walk off and I don't have 1959 01:53:56,360 --> 01:53:57,920 Speaker 1: to do this. This is not paid