WEBVTT - Part Two: Halloween Special: Spooky Stories

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<v Speaker 1>Cool Zon Media.

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<v Speaker 2>Hello, and welcome to Cool People Who Did Cool Stuff

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<v Speaker 2>the podcast. That's always Margaret reading fiction to Prop. That's

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<v Speaker 2>been the setup of the show the entire time, as

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<v Speaker 2>well gaslight you and believing in it.

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<v Speaker 3>I don't know why I keep saying cool people and

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<v Speaker 3>is not just cool person?

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<v Speaker 2>Yeah, well it was because you too. It's all three

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<v Speaker 2>of us. We're all cool people.

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<v Speaker 1>Oh yeah, we're cool, says Margaret.

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<v Speaker 3>We are us.

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<v Speaker 2>The voices you're hearing in case you didn't listen to

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<v Speaker 2>part one is Prop and Sophie. Hi, how are you

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<v Speaker 2>all doing?

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<v Speaker 4>Hi?

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<v Speaker 3>We are us. You know what I'm saying. Dodgers are

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<v Speaker 3>in the World Series. Yeah, Lakers have won a game

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<v Speaker 3>a game. Yes, it's great being from Los Angeles for

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<v Speaker 3>the next two days.

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<v Speaker 2>I can bring myself to care about basketball so much

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<v Speaker 2>more than I can bring myself to care about baseball.

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<v Speaker 3>Yes see, here's the trick. No, I'm vibe with that.

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<v Speaker 3>The trick is caring about Los Angeles.

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<v Speaker 2>Okay, huh, it's not that care about baseball. But like

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<v Speaker 2>the Dodgers, that's culture.

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<v Speaker 3>That's culture exactly. The Dodgers are culture.

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<v Speaker 2>Yeah, I know that makes sense.

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<v Speaker 3>I don't watch Baseball till the playoffs, and only if

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<v Speaker 3>the Dodgers are playing correct, you know, So like, yeah,

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<v Speaker 3>it's it's culture.

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<v Speaker 2>It's literally culture, So.

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<v Speaker 3>That's what you care about.

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<v Speaker 2>I mean, I grew up watching the team that shall

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<v Speaker 2>not be named because I grew up outside d c M.

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<v Speaker 2>And so that was the that was the culture of

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<v Speaker 2>watching the Yeah, watching the did they they only changed

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<v Speaker 2>their name to like the Washington Sports team or something?

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<v Speaker 2>What did they change their name?

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<v Speaker 3>Commander It's Commanders now, oh okay, yeah, yeah, but yeah

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<v Speaker 3>it at first it was the Washington Football.

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<v Speaker 2>Club, yeah, which I thought was hilarious.

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<v Speaker 3>Yeah, but it's Commanders now. Yeah.

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<v Speaker 2>But then everyone who like was into the culture of

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<v Speaker 2>that got really annoying during all of that, and so

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<v Speaker 2>then I stop paying any attention to it. I know,

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<v Speaker 2>everyone tunes in to hear my opinion.

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<v Speaker 3>About all our all our opinion on sports.

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<v Speaker 2>Yeah, well you all actually have opinions about sports, so

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<v Speaker 2>they're actually interesting.

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<v Speaker 3>I have a good balance within like our group of

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<v Speaker 3>friends of like us who like really like sports, but

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<v Speaker 3>we are self aware enough to relegate that to its

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<v Speaker 3>own group text, you know, and like it's fine, like

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<v Speaker 3>we're not going to subject everybody else to our meme sharing.

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<v Speaker 2>I spent so long hitch hiking, and the secret to

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<v Speaker 2>hitchhiking is to just learn what the other person is

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<v Speaker 2>interested in and then become interested in it.

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<v Speaker 1>Yeah.

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<v Speaker 3>Facts, so also the secret of dating.

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<v Speaker 2>Yeah that makes sense.

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<v Speaker 4>How many do you?

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<v Speaker 1>Many friends of mine that like, do not watch a

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<v Speaker 1>single minute of sports, but they come over and they

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<v Speaker 1>watch me watch sports, or they like the other day,

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<v Speaker 1>I have a friend and I won't I won't name it.

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<v Speaker 1>My friend spit out a lebron fact like no other

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<v Speaker 1>and I was like, chills, My soul is.

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<v Speaker 4>Just kind of.

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<v Speaker 1>And then she and then she knew who the enemy

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<v Speaker 1>was too. She knew that's important. She's like, oh, was

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<v Speaker 1>that the guy that got the game winner that made

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<v Speaker 1>you so unhappy that one time? And I was like, yes,

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<v Speaker 1>yes it was actually, yes.

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<v Speaker 2>Yes, yes it was, yes it was Yeah.

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<v Speaker 3>Beautiful.

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<v Speaker 2>That is a good love language.

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<v Speaker 3>It really is. You know, like, if you are listening

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<v Speaker 3>and you're on the apps, we're giving you incredible game.

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<v Speaker 3>Just just pay attention and be curious and let yourself

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<v Speaker 3>be teachable and don't be weird. Maybe I'm talking to

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<v Speaker 3>the to the cis hep fellas. You know what I'm saying, like,

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<v Speaker 3>can't give nobody else because that's all I know, you know,

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<v Speaker 3>So like I'm saying, as cis hep, like just just

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<v Speaker 3>listen and be curious, ask questions and don't be weird.

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<v Speaker 3>Just don't be weird.

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<v Speaker 1>Don't be weird.

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<v Speaker 3>Don't be weird. Do you see this person is into sports? Hey?

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<v Speaker 3>Who's your team? Wow? That's dope. Do you go to

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<v Speaker 3>bars to watch games? Oh? Cool? I found a bar

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<v Speaker 3>that's down the street. Maybe we could go watch it there,

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<v Speaker 3>like you see all that's just like, yeah, let's go

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<v Speaker 3>watch the game.

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<v Speaker 2>Yeah, I'll see. That's another one. Probably so mad right now.

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<v Speaker 3>I'm so frustrated because it's just like this is nothing,

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<v Speaker 3>like this is our scooky season stuff because I just.

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<v Speaker 1>Be like, in a way, is there anything scarier?

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<v Speaker 2>Yeah? Trying to dating a man, trying to date straight man?

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<v Speaker 3>Yeah, like why y'all so weird? Like I just I

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<v Speaker 3>get so frustrated because of you know, just like the

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<v Speaker 3>mannosphere stuff where I'd be like, fellas, like boys, where

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<v Speaker 3>are your antennas? Like you know this man talking about

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<v Speaker 3>he got seventeen bitches a day? Okay, words, So a

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<v Speaker 3>man with seventeen bitches, right, who make one hundred thousand

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<v Speaker 3>dollars a day on their online store? Why they's selling

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<v Speaker 3>you classes? Don't you think if you had seventeen bitches

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<v Speaker 3>and one hundred thousand dollars a day, you would have

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<v Speaker 3>time to be online on TikTok selling people where is

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<v Speaker 3>your Antenna's? Fellas like, I'm sorry, no.

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<v Speaker 2>But see this is actually frustrated me about other things too, Right,

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<v Speaker 2>where I like, whenever I want to go, like I

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<v Speaker 2>watch music production videos, right, I'll go on YouTube and

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<v Speaker 2>I'll be like, I want to learn how the following

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<v Speaker 2>style is produced. But everyone's just trying to sell you

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<v Speaker 2>the service of like of the classes. And I'm like, yeah,

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<v Speaker 2>I don't want. I want someone who makes music for

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<v Speaker 2>a living, not someone who sells online classes for a living.

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<v Speaker 2>I mean, real teachers are real teachers. But it gets

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<v Speaker 2>so scammy so quick, and I'm like, it's so annoying

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<v Speaker 2>to sort through. Who's actually so annoying?

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<v Speaker 3>Man? And just like yeah, I just I'm like, Fellas,

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<v Speaker 3>it's like it's really it's really not that serious. Player,

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<v Speaker 3>like just it's not that serious. Just it's what do

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<v Speaker 3>you like if you're into something. Would you like people

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<v Speaker 3>to ask you questions about the stuff you into? Do

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<v Speaker 3>you like sharing the things that bring you joy? Okay,

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<v Speaker 3>so do other humans? Uh? Read the story? Read the story,

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<v Speaker 3>mad guy.

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<v Speaker 2>We're going to read stories. That's why we're here for

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<v Speaker 2>Spooky Week. As Sovieks correctly pointed out, the scariest thing

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<v Speaker 2>is dating men.

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<v Speaker 3>But apologize. I apologize. No, No, I mean you know,

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<v Speaker 3>I gotta own it. No, listen, you listen. I had

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<v Speaker 3>to tell me that, Like, listen, if you're in the

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<v Speaker 3>front of a line, that is your line, you are

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<v Speaker 3>responsible for the dudes in the back of the line.

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<v Speaker 3>They still that's still your line, you know. So I'm like,

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<v Speaker 3>you're right, that's still my line.

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<v Speaker 2>Yeah. Anyway, well it's okay because I don't have any

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<v Speaker 2>I'm not in the white line, so it's wait no,

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<v Speaker 2>yeah I am.

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<v Speaker 3>Yeah, good for you. Yeah.

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<v Speaker 2>So I'm going to read you a story speaking of racists.

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<v Speaker 2>Uh have you ever read Lovecraft?

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<v Speaker 3>Because of exactly what you're talking about, Like, I do

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<v Speaker 3>not need I do not need this for for fun. Yeah.

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<v Speaker 2>So what I'm going to read you is a story

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<v Speaker 2>that was for a an anthology of people reacting to Lovecraft. Okay,

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<v Speaker 2>and so because I grew up reading some Lovecraft, but

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<v Speaker 2>I kind of pretty quickly learned that he was this

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<v Speaker 2>horrible racist, where like, literally I can't say the name

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<v Speaker 2>of his cat, you know, that's how racist he is.

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<v Speaker 2>Like that, But I thought it would be fun to

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<v Speaker 2>write a story in which I claim that Lovecraft stole

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<v Speaker 2>all of his ideas from a black man. Oh so, okay,

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<v Speaker 2>that's the story I'm going to read for you.

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<v Speaker 3>What is happening? All right?

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<v Speaker 2>And I don't think you know, it's going to talk

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<v Speaker 2>about Lovecraft. This story is going to talk about Lovecraft.

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<v Speaker 2>But I think it should work. You know, I haven't

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<v Speaker 2>read everything Lovecraft's written, and you know, for the aforementioned reasons.

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<v Speaker 3>I'm here for it.

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<v Speaker 2>Yeah, this story is called The Bones of Children to

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<v Speaker 2>most of society. I am a monster. I don't have

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<v Speaker 2>tentacles or horns or goat's feet or anything of the sort. Nevertheless,

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<v Speaker 2>the first entry of Lieber Monsterum, the oldest known Western

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<v Speaker 2>book of monsters, is a man who dresses as a woman.

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<v Speaker 2>That part's true, by the way, actually, uh oh, and

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<v Speaker 2>then yeah, the first I'm no longer reading the story.

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<v Speaker 2>I'm just telling you a thinking yeah, I figured the

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<v Speaker 2>first book of Monsters is just fucking the first page

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<v Speaker 2>as a trans woman, and then like page three as

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<v Speaker 2>a black man, you know, like it's.

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<v Speaker 3>Like, you know, what's scary?

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<v Speaker 2>Yeah, yeah, exactly, and then it's like a chimera after

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<v Speaker 2>timura whatever, like a fucking you know, like centaurs and shit.

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<v Speaker 3>Yeah.

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<v Speaker 2>Anyway, sure, I'm a woman who dresses like a woman,

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<v Speaker 2>but most of society doesn't believe me about that, because

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<v Speaker 2>trans women are still seen as deceivers. That book was

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<v Speaker 2>written sometime in the seventh or eighth century, and I'm

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<v Speaker 2>not entirely certain I can say that much has changed.

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<v Speaker 2>It's strange, then, that I should wind up hunting after monsters.

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<v Speaker 2>It's strange that I should be referring to ancient tomes,

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<v Speaker 2>both real and fictional, as potential sources of truth. It's

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<v Speaker 2>strange that I should come to take loved crafts works

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<v Speaker 2>far too seriously, especially considering what I assume he would

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<v Speaker 2>make of me. It's strange that I should be searching

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<v Speaker 2>in atticts for portals into unknown and unknowable dimensions. Okay,

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<v Speaker 2>that last bit would be strange for anybody. I mean

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<v Speaker 2>to say, only that I was a reluctant scholar of

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<v Speaker 2>the occult, as though any claims I might make of

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<v Speaker 2>my inherent skepticism will make what I have to relate

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<v Speaker 2>any more believable. I want to be clear that I

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<v Speaker 2>understand HP Lovecraft to be a writer of fiction. I

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<v Speaker 2>don't think he believed any of what he wrote to

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<v Speaker 2>be true. His work is fanciful, and while his prose

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<v Speaker 2>was outdated even for the time, I enjoy his ability

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<v Speaker 2>to weave stories and touch at the horror hidden inside

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<v Speaker 2>the human mind.

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<v Speaker 1>Took all of me not to interrupt you and go,

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<v Speaker 1>let's be clear immediately.

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<v Speaker 3>Yeah, hey, let's be clear.

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<v Speaker 1>It's just embedded in my brain.

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<v Speaker 2>Wrot is fucking Lovecraft stuff.

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<v Speaker 3>No, oh, Barack Obama, Barack Obama.

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<v Speaker 2>Let's oh shit. Oh okay yeah yeah, second.

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<v Speaker 1>Said, I was like, oh, it's like, my brain is rot.

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<v Speaker 3>It's mush.

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<v Speaker 2>What I've come to believe, however, and what I expect

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<v Speaker 2>to fail to convince you of, is that HP Lovecraft

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<v Speaker 2>worked from sources, sometimes near to plagiaristically, that were not

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<v Speaker 2>nearly so fictional. It started with my dreams. I've always

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<v Speaker 2>been a deep sleeper, never bothered much by dreams. No

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<v Speaker 2>dreams so beautiful that waking life cannot compare. No dreams

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<v Speaker 2>so horrid that I wake up screaming. I've always had mundane,

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<v Speaker 2>forgettable dreams until two years ago, in my fifth decade

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<v Speaker 2>of life, I moved in with a partner, a woman

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<v Speaker 2>named E. Two years ago, along with a small group

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<v Speaker 2>of miscreants and queers, we'd bought a derelict farm in

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<v Speaker 2>western Massachusetts. Everyone else wanted to build their own houses

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<v Speaker 2>on the property, so E and I moved into the

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<v Speaker 2>old farmhouse. Things were fine for the first six months

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<v Speaker 2>when we lived in the library on the ground floor,

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<v Speaker 2>but as soon as we finish renovations on the master

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<v Speaker 2>bedroom and moved upstairs, the dreams started. Most of the dreams,

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<v Speaker 2>though bizarre, were non egregious. I had dreams about washing

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<v Speaker 2>blades and washing bones in a skyscraper overlooking a dead city.

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<v Speaker 2>The city was always the same, full of brutalist structures,

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<v Speaker 2>shorter than the tower. The tasks I was engaged and

0:11:23.240 --> 0:11:26.240
<v Speaker 2>changed from dream to dream, but they were always mundane

0:11:26.240 --> 0:11:28.720
<v Speaker 2>and generally contained enough traces of what I'd done that

0:11:28.840 --> 0:11:32.240
<v Speaker 2>day to convince me that nothing untoward was happening to

0:11:32.320 --> 0:11:36.880
<v Speaker 2>my mind as I slept at midwinter, I dreamt of

0:11:36.920 --> 0:11:40.320
<v Speaker 2>carving a living child into quarters. As I dreamt of

0:11:40.360 --> 0:11:43.640
<v Speaker 2>piercing his skin, my hands shook. The visceral feel of

0:11:43.679 --> 0:11:46.440
<v Speaker 2>it made me want to wretch or cry or stop,

0:11:46.960 --> 0:11:49.280
<v Speaker 2>but I did none of those things. As I pulled

0:11:49.280 --> 0:11:52.000
<v Speaker 2>bones from sockets, my whole body shook so hard that

0:11:52.040 --> 0:11:55.559
<v Speaker 2>I woke. I wanted E to hold me, but she

0:11:55.720 --> 0:11:58.800
<v Speaker 2>slept every night with the help of pills, haunted by

0:11:58.800 --> 0:12:01.040
<v Speaker 2>her own nightmares, as she had had been since her youth.

0:12:01.760 --> 0:12:04.160
<v Speaker 2>So I held her instead and cried into her hair.

0:12:05.360 --> 0:12:07.800
<v Speaker 2>Only in the morning did I notice the dried blood

0:12:08.000 --> 0:12:11.760
<v Speaker 2>beneath my fingernails. It was E who told me that

0:12:11.840 --> 0:12:15.160
<v Speaker 2>my dream reminded her of a Lovecraft story, The Dreams

0:12:15.200 --> 0:12:17.679
<v Speaker 2>of the Witch House, and set me on the terrible

0:12:17.720 --> 0:12:21.559
<v Speaker 2>path I walked today. I listened to an audio production

0:12:21.600 --> 0:12:23.160
<v Speaker 2>of the story the next day while I worked in

0:12:23.200 --> 0:12:26.280
<v Speaker 2>the garden. Then I devoured book after book, after story

0:12:26.320 --> 0:12:29.400
<v Speaker 2>after poem by H. P. Lovecraft. Every word he'd put

0:12:29.480 --> 0:12:32.040
<v Speaker 2>to paper felt like it hit some discordant note in

0:12:32.080 --> 0:12:34.600
<v Speaker 2>my soul. Okay, I don't believe in soul, so let's

0:12:34.600 --> 0:12:37.880
<v Speaker 2>say brain. Everything he'd written was so close to yet

0:12:37.920 --> 0:12:40.439
<v Speaker 2>so far from some truth. I knew it in my

0:12:40.520 --> 0:12:43.840
<v Speaker 2>heart and by heart again, I mean brain. In the

0:12:43.960 --> 0:12:47.120
<v Speaker 2>story the City of the Elder Things is lit by

0:12:47.160 --> 0:12:52.720
<v Speaker 2>three stars, one red, one yellow, one blue. In my dreams,

0:12:52.760 --> 0:12:56.080
<v Speaker 2>that dead Brutalis city had three yellow sons, and it

0:12:56.120 --> 0:13:01.120
<v Speaker 2>had buildings suited for people, not winged demon barrels. So close,

0:13:01.520 --> 0:13:04.880
<v Speaker 2>get so far away. A few weeks later, I had

0:13:04.880 --> 0:13:08.400
<v Speaker 2>another dream about another human sacrifice. I still didn't believe

0:13:08.440 --> 0:13:10.920
<v Speaker 2>the dreams, but I assure you I went over every

0:13:10.920 --> 0:13:13.240
<v Speaker 2>inch of that bedroom with tape measure to prove the

0:13:13.320 --> 0:13:17.080
<v Speaker 2>euclidian nature of its geometry. In the end, I started

0:13:17.120 --> 0:13:20.439
<v Speaker 2>sharing ease medication, and the dream subsided. Thank the Lord,

0:13:20.480 --> 0:13:24.439
<v Speaker 2>and by the Lord, I mean pharmacology and the sponsors

0:13:24.480 --> 0:13:28.920
<v Speaker 2>of this show, which probably include sleep aids. I don't know.

0:13:29.480 --> 0:13:34.760
<v Speaker 2>Try keep getting me. I started doing this like a

0:13:34.840 --> 0:13:37.400
<v Speaker 2>very long time ago. I would read my partner stories

0:13:37.440 --> 0:13:39.160
<v Speaker 2>and then I would just change them as I was

0:13:39.200 --> 0:13:41.680
<v Speaker 2>reading them, like not stories i'd written. I'd be reading

0:13:41.720 --> 0:13:45.400
<v Speaker 2>her some book and I'd be like, and then, yeah,

0:13:45.440 --> 0:13:47.120
<v Speaker 2>I've learned I should probably just write instead.

0:13:47.360 --> 0:13:48.960
<v Speaker 3>Was it like waiting for her to catch on?

0:13:49.559 --> 0:13:51.280
<v Speaker 2>Yeah? I think so. It's also a good way to

0:13:51.320 --> 0:13:53.440
<v Speaker 2>test if like someone's falling asleep when you read to

0:13:53.480 --> 0:13:56.320
<v Speaker 2>them totally is he then like you then like say

0:13:56.360 --> 0:13:58.959
<v Speaker 2>their name and just like work in the story and they're.

0:13:58.600 --> 0:14:03.120
<v Speaker 3>Like yeah, uh huh yeah yeah. Oh, I as the

0:14:04.120 --> 0:14:06.800
<v Speaker 3>parent of a nine year old who we just now

0:14:06.880 --> 0:14:10.320
<v Speaker 3>stopped reading our stories at night. Yeah, and like barely,

0:14:10.640 --> 0:14:13.040
<v Speaker 3>like it'll rather than every night now it's like down

0:14:13.080 --> 0:14:14.720
<v Speaker 3>to four to five nights.

0:14:14.960 --> 0:14:15.320
<v Speaker 2>Yeah.

0:14:16.080 --> 0:14:19.120
<v Speaker 3>We all fall asleep before she does, like as me reading,

0:14:19.480 --> 0:14:23.120
<v Speaker 3>or if I'm in the room while Alma's reading, I'm

0:14:23.120 --> 0:14:25.840
<v Speaker 3>dozing off, like she's putting me to sleep. Yeah, it's

0:14:25.880 --> 0:14:27.360
<v Speaker 3>just it's great.

0:14:27.640 --> 0:14:29.400
<v Speaker 2>One of my one of my best friends, listens to

0:14:29.440 --> 0:14:32.040
<v Speaker 2>my podcast to go to sleep. So now when I

0:14:32.080 --> 0:14:34.000
<v Speaker 2>when I hang out with him, he's like, oh, I'm

0:14:34.000 --> 0:14:35.840
<v Speaker 2>getting kind of tired whenever he talked to him.

0:14:35.880 --> 0:14:37.120
<v Speaker 3>Man, yeah, stop talking.

0:14:37.160 --> 0:14:38.560
<v Speaker 2>It's so funny.

0:14:38.760 --> 0:14:39.680
<v Speaker 3>Yeah.

0:14:39.720 --> 0:14:42.560
<v Speaker 2>Anyway, what puts me to sleep are the ads? Here

0:14:42.600 --> 0:14:55.160
<v Speaker 2>they are and we're back. None of my landmates, least

0:14:55.160 --> 0:14:57.520
<v Speaker 2>of all, my partner wanted to discuss the matter with me.

0:14:58.080 --> 0:15:00.760
<v Speaker 2>He herself had lost a child to sit and I

0:15:00.840 --> 0:15:03.000
<v Speaker 2>knew better than to push the issue of dead children.

0:15:04.120 --> 0:15:06.359
<v Speaker 2>I did what any girl would do in the same situation.

0:15:07.160 --> 0:15:10.480
<v Speaker 2>I joined a support group for the Lovecraft obsessed. A

0:15:10.520 --> 0:15:13.160
<v Speaker 2>few friends from Boston had been into all this occult shit,

0:15:13.600 --> 0:15:15.640
<v Speaker 2>so I hit them up and started going to meetings,

0:15:15.760 --> 0:15:18.920
<v Speaker 2>driving the couple hours every week. They didn't call them

0:15:18.920 --> 0:15:21.920
<v Speaker 2>support group meetings. And if there had been twelve steps,

0:15:22.280 --> 0:15:24.800
<v Speaker 2>they would have been the twelve steps for summoning Yog's

0:15:24.800 --> 0:15:28.120
<v Speaker 2>a thoth or something, not the steps for ridding oneself

0:15:28.120 --> 0:15:30.800
<v Speaker 2>of eldritch nightmares. Yeah no, Lovecraft had terrible names for everything.

0:15:30.920 --> 0:15:33.640
<v Speaker 3>Yeah yeah, yeah, yeah yeah.

0:15:33.680 --> 0:15:36.600
<v Speaker 2>I still used it as a support group. Everyone had

0:15:36.680 --> 0:15:40.560
<v Speaker 2>stories about occurrences and observations of the uncanny and arcane.

0:15:41.160 --> 0:15:43.920
<v Speaker 2>I didn't believe any of them, and I eventually realized

0:15:43.960 --> 0:15:47.760
<v Speaker 2>I thought they were idiots for believing me. Still attending

0:15:47.800 --> 0:15:50.600
<v Speaker 2>seemed to quiet the growing nagging sensation in the back

0:15:50.640 --> 0:15:53.160
<v Speaker 2>of my throat, in the back of my mind. It

0:15:53.320 --> 0:15:56.840
<v Speaker 2>stopped for a few blissful hours, the ever present sensation

0:15:56.960 --> 0:16:00.760
<v Speaker 2>I had under my fingernails of rending and tearing. It

0:16:00.840 --> 0:16:04.400
<v Speaker 2>stopped the chanting the demonic mantras that broke into my

0:16:04.520 --> 0:16:09.720
<v Speaker 2>consciousness as intrusive thoughts. A man named Why was at

0:16:09.720 --> 0:16:13.080
<v Speaker 2>almost every meeting. He was a young, attractive, light skinned

0:16:13.080 --> 0:16:16.200
<v Speaker 2>black man with old fashioned spectacles perched perilously on the

0:16:16.280 --> 0:16:19.240
<v Speaker 2>edge of his nose. He always had a different book

0:16:19.280 --> 0:16:21.800
<v Speaker 2>sticking out of his coat pocket, and he always kept

0:16:21.800 --> 0:16:24.640
<v Speaker 2>his eye on the door of wherever we met, often

0:16:24.680 --> 0:16:27.640
<v Speaker 2>a bookstore's basement or some diy show space that would

0:16:27.640 --> 0:16:31.680
<v Speaker 2>never pass fire code. For months, he never said a word.

0:16:32.360 --> 0:16:34.720
<v Speaker 2>Along with the other women and people of color who came,

0:16:34.840 --> 0:16:37.840
<v Speaker 2>we shared a sort of illicit bond. We were the

0:16:37.920 --> 0:16:42.160
<v Speaker 2>sorts that Lovecraft reviled, and that brought us together. At

0:16:42.240 --> 0:16:45.160
<v Speaker 2>least I assumed it did. Maybe that was just me

0:16:45.200 --> 0:16:49.080
<v Speaker 2>as a white girl projecting. One night in early May,

0:16:49.240 --> 0:16:51.800
<v Speaker 2>at least fifteen of us crowded into the back room

0:16:51.880 --> 0:16:55.080
<v Speaker 2>of a punk owned pizza joint after clothes. We just

0:16:55.160 --> 0:16:58.480
<v Speaker 2>heard from another woman with dreams of child sacrifice frighteningly

0:16:58.560 --> 0:17:01.280
<v Speaker 2>similar to my own, though hers took place in a

0:17:01.280 --> 0:17:04.399
<v Speaker 2>birch forest. When Why walked to the center of the

0:17:04.480 --> 0:17:07.720
<v Speaker 2>room to speak, I'm going to find the witch house,

0:17:07.760 --> 0:17:11.080
<v Speaker 2>he said. That's what Lovecraft called it, right, the witch house,

0:17:11.400 --> 0:17:14.120
<v Speaker 2>a boarding house with the bones of children in the walls,

0:17:14.480 --> 0:17:17.520
<v Speaker 2>with a person faced rat in a timeless witch, a

0:17:17.560 --> 0:17:20.960
<v Speaker 2>house with an attic room. You can't measure right, it's real.

0:17:21.520 --> 0:17:24.840
<v Speaker 2>I'm going to find it. The room got so quiet

0:17:24.840 --> 0:17:28.480
<v Speaker 2>we heard a bicycle pass on the street. Most of

0:17:28.480 --> 0:17:30.040
<v Speaker 2>you don't know me well enough to know I'm a

0:17:30.040 --> 0:17:32.520
<v Speaker 2>cat burglar by trade, but I am. It pays me

0:17:32.560 --> 0:17:34.200
<v Speaker 2>well enough. I don't have to work more than once

0:17:34.280 --> 0:17:36.280
<v Speaker 2>or twice a year, and I'm good enough at my

0:17:36.400 --> 0:17:38.520
<v Speaker 2>job that even if you ratted me out to the cops,

0:17:38.520 --> 0:17:40.560
<v Speaker 2>they wouldn't be able to pin anything on me. I

0:17:40.560 --> 0:17:43.399
<v Speaker 2>don't think. He looked around the room as he talked.

0:17:43.560 --> 0:17:46.040
<v Speaker 2>Gone was the quiet, shy man i'd seen for months.

0:17:46.600 --> 0:17:49.399
<v Speaker 2>In his place was a man who was charismatic, outgoing,

0:17:49.680 --> 0:17:53.480
<v Speaker 2>with a sort of infectious enthusiasm. I started coming here

0:17:53.480 --> 0:17:55.399
<v Speaker 2>to this group because of a book I found robbing

0:17:55.400 --> 0:17:58.399
<v Speaker 2>a place last year in let's just say, a different city,

0:17:59.040 --> 0:18:01.760
<v Speaker 2>a real far north city. I got a tip about

0:18:01.760 --> 0:18:04.200
<v Speaker 2>a rare book collector who didn't treat people very well.

0:18:04.240 --> 0:18:06.439
<v Speaker 2>And I like sleeping at night, so I like robbing

0:18:06.440 --> 0:18:09.000
<v Speaker 2>people like that. I got in the front door because

0:18:09.040 --> 0:18:11.520
<v Speaker 2>people think having their locks and alarms and cameras wired

0:18:11.520 --> 0:18:14.280
<v Speaker 2>into the internet is a good idea, made my way

0:18:14.320 --> 0:18:15.840
<v Speaker 2>to the library and took my fill.

0:18:16.480 --> 0:18:20.000
<v Speaker 3>Such a good line, thanks, and think plugging their locks

0:18:20.040 --> 0:18:23.119
<v Speaker 3>to the internet. It's a good idea, like yeah, maybe

0:18:23.119 --> 0:18:24.480
<v Speaker 3>that's yeah, anyway going.

0:18:25.640 --> 0:18:28.879
<v Speaker 2>I sold off the esoteric pornography in the overpriced occultist

0:18:28.880 --> 0:18:31.760
<v Speaker 2>groups easily enough, but some of what looked interesting to

0:18:31.800 --> 0:18:34.560
<v Speaker 2>me was much harder to find buyers. For a few

0:18:34.560 --> 0:18:36.960
<v Speaker 2>things were so rare I couldn't safely move them without

0:18:36.960 --> 0:18:39.639
<v Speaker 2>going through so many middlemen that I wouldn't make shit.

0:18:39.960 --> 0:18:43.199
<v Speaker 2>And a few were just so weird that I couldn't

0:18:43.200 --> 0:18:45.200
<v Speaker 2>figure out how and where to list them, let alone

0:18:45.240 --> 0:18:48.439
<v Speaker 2>figure out how to advertise them as worth anything. He

0:18:48.480 --> 0:18:50.840
<v Speaker 2>walked back over to his chair, picked up his book bag,

0:18:50.880 --> 0:18:54.240
<v Speaker 2>and pulled out a stack of pamphlets and plastic sleeves.

0:18:54.640 --> 0:18:58.080
<v Speaker 2>He held up one, yellow aged its tattered cover, but

0:18:58.160 --> 0:19:01.920
<v Speaker 2>in black letter font I could see the title Ruminations

0:19:01.920 --> 0:19:06.240
<v Speaker 2>on non Secular Matters. He held up another, The Church

0:19:06.280 --> 0:19:11.280
<v Speaker 2>of Christ the Weeping Man, a third Underneath The Dreams

0:19:11.280 --> 0:19:16.960
<v Speaker 2>of Men, a final inside the Stars of Gods. I

0:19:16.960 --> 0:19:19.840
<v Speaker 2>looked around the room. All of us were almost hungry

0:19:19.880 --> 0:19:22.879
<v Speaker 2>with desire for those books. Whatever they held, that was

0:19:22.920 --> 0:19:25.560
<v Speaker 2>the sort of obsession. This group fostered that I was

0:19:25.560 --> 0:19:29.560
<v Speaker 2>participating in. All of these works are anonymous, all of

0:19:29.560 --> 0:19:31.840
<v Speaker 2>them can be dated to the turn of the twentieth century.

0:19:32.280 --> 0:19:34.879
<v Speaker 2>None of them exists on the Internet, even as references

0:19:34.960 --> 0:19:38.760
<v Speaker 2>or in library catalogs. They're written in fairly different styles.

0:19:39.320 --> 0:19:42.840
<v Speaker 2>If I'd had to guess, I'd say Dreams of Men

0:19:42.880 --> 0:19:45.720
<v Speaker 2>and Stars of God have one author, and the other

0:19:45.800 --> 0:19:48.679
<v Speaker 2>two were written by two different people. And if I'll

0:19:48.720 --> 0:19:51.640
<v Speaker 2>cut right to it, the thing is, I am convinced

0:19:51.680 --> 0:19:54.840
<v Speaker 2>that Lovecraft read these and maybe others in this series.

0:19:55.520 --> 0:19:59.720
<v Speaker 2>I am also convinced that these are works of journalism.

0:20:00.000 --> 0:20:02.679
<v Speaker 2>I gasped. I was kind of embarrassed by the gesture

0:20:02.720 --> 0:20:04.679
<v Speaker 2>and put my hand over my mouth. But there it was.

0:20:06.160 --> 0:20:08.639
<v Speaker 2>Why didn't you say anything? One of the more cumbersome

0:20:08.680 --> 0:20:12.000
<v Speaker 2>of our group asked, that was G. I think there

0:20:12.040 --> 0:20:14.960
<v Speaker 2>were three types of people in attendance, the curious who

0:20:14.960 --> 0:20:18.040
<v Speaker 2>came for entertainment, the cursed like myself, who came to

0:20:18.080 --> 0:20:21.080
<v Speaker 2>find answers. Then there were the true believers, who just

0:20:21.119 --> 0:20:23.600
<v Speaker 2>wanted something to be interesting in this world, and it

0:20:23.680 --> 0:20:27.679
<v Speaker 2>attached themselves to Lovecraft. For whatever reason. G was a

0:20:27.680 --> 0:20:30.680
<v Speaker 2>true believer. I should be kinder to the true believers,

0:20:30.720 --> 0:20:33.400
<v Speaker 2>but they grated on me. G was the worst of them.

0:20:34.880 --> 0:20:37.680
<v Speaker 2>Like Lovecraft, I assumed they were fiction, But after hearing

0:20:37.720 --> 0:20:40.600
<v Speaker 2>everyone's stories during the past months, I found myself doubting

0:20:41.119 --> 0:20:44.520
<v Speaker 2>one of these, in particular, with this he held up underneath.

0:20:44.520 --> 0:20:48.359
<v Speaker 2>The Dreams of Men is so startlingly similar, not to

0:20:48.440 --> 0:20:50.639
<v Speaker 2>Lovecraft's dreams in the Witch House, but to some of

0:20:50.680 --> 0:20:53.520
<v Speaker 2>the stories I've heard you all tell. I got sort

0:20:53.520 --> 0:20:56.480
<v Speaker 2>of obsessed. Everyone turned to look at me and the

0:20:56.520 --> 0:21:00.480
<v Speaker 2>other woman with the sacrificial dreams. In the Dream of Men,

0:21:00.480 --> 0:21:03.280
<v Speaker 2>our journalist author relates the story of an old man

0:21:03.320 --> 0:21:06.679
<v Speaker 2>he meets known only as X. He's ebony black, and

0:21:06.720 --> 0:21:08.840
<v Speaker 2>he describes himself as a free man, the son of

0:21:08.880 --> 0:21:11.879
<v Speaker 2>a free woman, the daughter of a slave. When he

0:21:11.960 --> 0:21:14.879
<v Speaker 2>was younger, before the war, X took up residence in

0:21:14.920 --> 0:21:18.040
<v Speaker 2>a boarding house in upstate New York. He's subject to

0:21:18.119 --> 0:21:20.000
<v Speaker 2>a fair amount of racial abuse at the hands of

0:21:20.000 --> 0:21:22.480
<v Speaker 2>the matron of the house, some of the white guests,

0:21:22.800 --> 0:21:26.000
<v Speaker 2>and even from another black guest with lighter skin. To

0:21:26.040 --> 0:21:29.120
<v Speaker 2>get away from everyone, he ends up taking the worst room,

0:21:29.320 --> 0:21:32.400
<v Speaker 2>the attic room. Things aren't right up there, and he

0:21:32.400 --> 0:21:36.320
<v Speaker 2>hears things, he sees things, he can't make sense of it.

0:21:36.800 --> 0:21:41.399
<v Speaker 2>He starts dreaming. In his dreams, he's sacrificing children in

0:21:41.440 --> 0:21:44.919
<v Speaker 2>a strange city. He wakes up every morning with bones

0:21:44.960 --> 0:21:47.080
<v Speaker 2>at the foot of his bed, and every morning he

0:21:47.160 --> 0:21:49.680
<v Speaker 2>packs them into the walls and goes a little bit crazier.

0:21:50.440 --> 0:21:52.520
<v Speaker 2>One day he wakes up with a statue about a

0:21:52.520 --> 0:21:55.399
<v Speaker 2>foot high of a satyr or a devil, made out

0:21:55.440 --> 0:21:58.320
<v Speaker 2>of some metal he can't figure out, with writing across

0:21:58.320 --> 0:22:02.359
<v Speaker 2>the bottom in letters he doesn't recogniz eyes. Then what happens?

0:22:02.400 --> 0:22:04.840
<v Speaker 2>I asked, I'd never woken up to bones, but it

0:22:04.920 --> 0:22:07.000
<v Speaker 2>still felt like I was asking about my own future.

0:22:08.359 --> 0:22:11.320
<v Speaker 2>That's about the sum of it, why, said X. Moves

0:22:11.359 --> 0:22:13.640
<v Speaker 2>out after a year when he can't handle it anymore,

0:22:13.800 --> 0:22:17.520
<v Speaker 2>and settles in Maine. Becomes a lobster fisherman because lobsters

0:22:17.520 --> 0:22:19.879
<v Speaker 2>don't have bones and fishermen don't have to deal with

0:22:19.920 --> 0:22:23.240
<v Speaker 2>people much. Throws the statue into the ocean. After a

0:22:23.240 --> 0:22:26.560
<v Speaker 2>couple years of staring at it. The journalist relates his story,

0:22:26.840 --> 0:22:28.960
<v Speaker 2>adds a couple notes about failing to find any of

0:22:29.000 --> 0:22:32.520
<v Speaker 2>the people or places he's referenced, plus some nineteenth century

0:22:32.560 --> 0:22:36.280
<v Speaker 2>theories about dreams and their meaning. And that's it. I've

0:22:36.320 --> 0:22:38.560
<v Speaker 2>got a lot of free time, what with my generous

0:22:38.600 --> 0:22:41.399
<v Speaker 2>work schedule. I never found out the author of the text,

0:22:41.440 --> 0:22:43.320
<v Speaker 2>but I've been trying to track down the subject of

0:22:43.320 --> 0:22:47.440
<v Speaker 2>this story. Two weeks ago I found him. He was

0:22:47.560 --> 0:22:51.399
<v Speaker 2>real Xavier Day. Thank god his name started with an

0:22:51.520 --> 0:22:53.760
<v Speaker 2>X or I probably never would have found him, but

0:22:53.840 --> 0:22:56.920
<v Speaker 2>a black as night lobster fisherman was let's go with,

0:22:57.320 --> 0:23:01.240
<v Speaker 2>something of a rarity in nineteenth century Maine, so that helped.

0:23:01.840 --> 0:23:04.240
<v Speaker 2>He lived on a town near Lubeck. He's buried in

0:23:04.320 --> 0:23:07.880
<v Speaker 2>an overgrown cemetery on private land. Near as I can tell,

0:23:07.920 --> 0:23:10.200
<v Speaker 2>the town was too racist to bury him in the churchyard,

0:23:10.320 --> 0:23:13.600
<v Speaker 2>or maybe they considered him a witch. Here's a photo

0:23:13.640 --> 0:23:17.840
<v Speaker 2>of his stone. Why passed around his phone. The stone

0:23:17.880 --> 0:23:21.479
<v Speaker 2>was hard to read and completely unadorned. This says he

0:23:21.520 --> 0:23:24.440
<v Speaker 2>lived from eighteen twelve till nineteen twenty five. I said

0:23:25.240 --> 0:23:28.440
<v Speaker 2>that can't be right. I looked into that. Why said,

0:23:28.760 --> 0:23:31.119
<v Speaker 2>it's what he claimed, and no one had evidence otherwise.

0:23:31.680 --> 0:23:35.160
<v Speaker 2>He told people he figured he was immortal. How'd he die?

0:23:35.200 --> 0:23:39.639
<v Speaker 2>I asked, drowned? What's this In the lower left of

0:23:39.640 --> 0:23:42.240
<v Speaker 2>the photo, I asked, There was a blur of something

0:23:42.320 --> 0:23:46.159
<v Speaker 2>yellowish white, a pile of something on his grave. Go

0:23:46.240 --> 0:23:52.040
<v Speaker 2>to the next photo, Why said it did? They were bones? Bones?

0:23:52.080 --> 0:23:55.680
<v Speaker 2>Why said, the bones of children. For a long moment,

0:23:55.720 --> 0:23:57.639
<v Speaker 2>no one said a word. I passed the phone on

0:23:57.720 --> 0:24:02.480
<v Speaker 2>and everyone stared in disbelief. Then theatrically Why reached into

0:24:02.520 --> 0:24:04.800
<v Speaker 2>his bag and pulled out a statuette and placed it

0:24:04.840 --> 0:24:08.480
<v Speaker 2>on the table. I did some diving, Why said, and

0:24:08.520 --> 0:24:11.480
<v Speaker 2>I found this. It was a devil in that Christian

0:24:11.520 --> 0:24:13.920
<v Speaker 2>style of a man with Caucasian features and the legs

0:24:13.960 --> 0:24:17.160
<v Speaker 2>of a goat. A band of Norse ruines encircled the base.

0:24:18.359 --> 0:24:21.199
<v Speaker 2>What does that say? G asked Why, And I answered

0:24:21.240 --> 0:24:25.719
<v Speaker 2>at the same time, Neil r Hotep. And this is

0:24:25.760 --> 0:24:28.240
<v Speaker 2>now a new scene. That's the name of one of

0:24:28.280 --> 0:24:31.000
<v Speaker 2>Lovecraft's million things with a million weird names.

0:24:31.400 --> 0:24:34.479
<v Speaker 3>Oh tep Oo. Tep has a has a fun history.

0:24:34.880 --> 0:24:36.520
<v Speaker 2>Yeah, I actually need to do more research about how

0:24:36.520 --> 0:24:38.439
<v Speaker 2>it relates to I don't know, do you know more

0:24:38.440 --> 0:24:40.960
<v Speaker 2>about like the hotep thing that currently exists?

0:24:41.720 --> 0:24:43.040
<v Speaker 3>Uh? Yes, I do.

0:24:43.440 --> 0:24:46.280
<v Speaker 2>I assume Lovecraft basically just was like, what's a scary

0:24:46.359 --> 0:24:48.240
<v Speaker 2>sounding word from a foreign culture?

0:24:48.640 --> 0:24:51.440
<v Speaker 3>Yeah, that's what they're doing. Yeah yeah, but we we

0:24:51.560 --> 0:24:55.680
<v Speaker 3>use that as a term for a black man that's

0:24:55.720 --> 0:25:01.719
<v Speaker 3>like full misogyn noir, overwoke, like just just annoying, like

0:25:02.440 --> 0:25:05.840
<v Speaker 3>just like Doctor Umar, which I think would be a

0:25:05.880 --> 0:25:09.199
<v Speaker 3>great Uh well I don't think of bastards, but like

0:25:09.240 --> 0:25:11.440
<v Speaker 3>it's just a great, Like he's not a bastard, it's

0:25:11.680 --> 0:25:15.480
<v Speaker 3>but it's just like just just you do it too much,

0:25:15.680 --> 0:25:18.159
<v Speaker 3>like you know, a strong black man and a strong

0:25:18.200 --> 0:25:21.080
<v Speaker 3>black woman. No, you know, a strong black woman should

0:25:21.080 --> 0:25:22.120
<v Speaker 3>support his black men.

0:25:22.320 --> 0:25:25.240
<v Speaker 1>Sixteenth minute maybe sixteenth.

0:25:24.840 --> 0:25:28.560
<v Speaker 3>Minute would be great about doctor Umar. Yeah uh yeah,

0:25:28.600 --> 0:25:32.040
<v Speaker 3>but yeah, just a hotep like I don't play pool

0:25:32.119 --> 0:25:35.320
<v Speaker 3>because the game ain't over to the white ball hits

0:25:35.359 --> 0:25:38.600
<v Speaker 3>the black ball into the hole like all right, maam,

0:25:39.160 --> 0:25:42.359
<v Speaker 3>all right man. Yeah, so it's just okay.

0:25:43.000 --> 0:25:45.240
<v Speaker 2>It reminds me a little bit of Uh. There's this

0:25:45.280 --> 0:25:49.240
<v Speaker 2>fucking piece of shit black metal Nazi guy named burzum

0:25:49.880 --> 0:25:52.520
<v Speaker 2>and Uh and he like writes these long screens about

0:25:52.520 --> 0:25:54.840
<v Speaker 2>how he stopped playing guitar in his metal band because

0:25:54.880 --> 0:25:59.560
<v Speaker 2>it's a it's an N word instrument, what a banjo.

0:26:00.040 --> 0:26:01.400
<v Speaker 3>It's from West Africa.

0:26:01.520 --> 0:26:04.560
<v Speaker 2>Yeah, yeah, he only plays synthesizer. He's a fucking asshole.

0:26:04.800 --> 0:26:06.760
<v Speaker 3>Ah, what a dork.

0:26:07.119 --> 0:26:09.960
<v Speaker 2>Yeah, I have a standing offer to fight that man

0:26:10.040 --> 0:26:10.480
<v Speaker 2>to the death.

0:26:11.200 --> 0:26:16.879
<v Speaker 3>Anyway, the joy of a dude like that, just getting

0:26:16.920 --> 0:26:20.159
<v Speaker 3>the dog shit beat out of him, Yeah, by a

0:26:20.160 --> 0:26:25.080
<v Speaker 3>trans woman, Yeah, would just be the most glorious. Like,

0:26:25.680 --> 0:26:28.600
<v Speaker 3>I mean this is tangential.

0:26:28.040 --> 0:26:30.719
<v Speaker 5>But like, yeah, one of my friends showed me this

0:26:31.119 --> 0:26:34.520
<v Speaker 5>tweet from his friend that was like, damn man, Like

0:26:35.200 --> 0:26:37.840
<v Speaker 5>I got to fight with this gay dude and ended

0:26:37.880 --> 0:26:38.399
<v Speaker 5>up jumping me.

0:26:38.440 --> 0:26:40.119
<v Speaker 3>That beat the shit out of me. And he was

0:26:40.200 --> 0:26:43.120
<v Speaker 3>like he was like, as I got my ass kicked

0:26:43.119 --> 0:26:46.160
<v Speaker 3>by a gay man, he was like, well there's still men. Yeah,

0:26:46.200 --> 0:26:48.800
<v Speaker 3>Like I don't, like, what are you talking about, Like,

0:26:49.400 --> 0:26:53.760
<v Speaker 3>he's still a man. Yeah, so yeah he beat your ass, like.

0:26:54.320 --> 0:26:56.840
<v Speaker 2>Yeah, and he knows how to fight because he's a

0:26:56.880 --> 0:26:58.520
<v Speaker 2>gay man dealing with the world.

0:26:58.720 --> 0:27:01.639
<v Speaker 3>Yeah, yes, you know that a fight because he's a

0:27:01.680 --> 0:27:02.120
<v Speaker 3>gay man.

0:27:02.240 --> 0:27:05.280
<v Speaker 2>Yeah. I love that people think that like queer people

0:27:05.280 --> 0:27:05.800
<v Speaker 2>are softer.

0:27:05.920 --> 0:27:07.960
<v Speaker 3>And I'm like, like, what is you talking about, Like

0:27:08.240 --> 0:27:12.400
<v Speaker 3>you know, like clearly you don't know any Yeah.

0:27:12.480 --> 0:27:17.120
<v Speaker 2>Yeah, all right, so the story and I almost feel bad.

0:27:17.160 --> 0:27:19.280
<v Speaker 2>I'm like, now I'm reading it aloud. This is a

0:27:19.400 --> 0:27:22.720
<v Speaker 2>very like everything is about this like book that references

0:27:22.760 --> 0:27:24.280
<v Speaker 2>this other book and shit. But I just like things

0:27:24.280 --> 0:27:25.640
<v Speaker 2>that get all weird and esoteric.

0:27:25.720 --> 0:27:28.680
<v Speaker 3>So yeah, yeah, yeah, let's get let's get Russian doll.

0:27:29.400 --> 0:27:33.920
<v Speaker 2>Yeah, let's do it. At our insistence, why read each

0:27:33.960 --> 0:27:36.760
<v Speaker 2>of the four pamphlets to us. We stayed so late

0:27:36.800 --> 0:27:39.120
<v Speaker 2>that night that we only left when an employee came

0:27:39.160 --> 0:27:42.359
<v Speaker 2>to open the restaurant in the morning. For the curious,

0:27:42.400 --> 0:27:45.080
<v Speaker 2>this was the best entertainment they'd had in ages. For

0:27:45.160 --> 0:27:49.160
<v Speaker 2>the true believers, it was vindication For us cursed well,

0:27:49.640 --> 0:27:51.440
<v Speaker 2>I didn't know what to believe or what to think.

0:27:51.800 --> 0:27:55.320
<v Speaker 2>I still don't. Over the next week we tracked down

0:27:55.320 --> 0:27:57.560
<v Speaker 2>that boarding house in New York. It's one of the

0:27:57.600 --> 0:27:59.320
<v Speaker 2>only parts in this whole thing I can take any

0:27:59.320 --> 0:28:02.560
<v Speaker 2>credit for. My family is from upstate, and one of

0:28:02.560 --> 0:28:06.040
<v Speaker 2>my aunt's studies regional folklore and another studies regional history.

0:28:06.640 --> 0:28:09.080
<v Speaker 2>There was a town where kids of the nineteenth century

0:28:09.080 --> 0:28:11.360
<v Speaker 2>had died young and the old had seemed to live

0:28:11.440 --> 0:28:15.040
<v Speaker 2>past one hundred. No one told ghost stories about the place.

0:28:15.600 --> 0:28:18.120
<v Speaker 2>Every other town in New York has ghost stories about them,

0:28:18.160 --> 0:28:22.240
<v Speaker 2>but this one it was so conspicuously unhaunted that it

0:28:22.280 --> 0:28:26.240
<v Speaker 2>was clearly haunted. It wasn't a town anymore, but a

0:28:26.240 --> 0:28:30.480
<v Speaker 2>few buildings remained, most of them on the state's historic registry.

0:28:30.760 --> 0:28:32.560
<v Speaker 2>That's how I found myself in the company of a

0:28:32.560 --> 0:28:35.080
<v Speaker 2>gentleman thief, as we scaled the outside wall of a

0:28:35.080 --> 0:28:38.680
<v Speaker 2>witch house under the light of a full moon. Old

0:28:38.760 --> 0:28:41.720
<v Speaker 2>fashioned security means old fashioned method of entry, Why told

0:28:41.720 --> 0:28:43.880
<v Speaker 2>me as he opened the storm shutters of the attic

0:28:43.920 --> 0:28:46.840
<v Speaker 2>window with a crowbar. I'd wanted to take a tour

0:28:46.960 --> 0:28:49.360
<v Speaker 2>during the day and slip away from the guide, but

0:28:49.480 --> 0:28:52.200
<v Speaker 2>Why had insisted what we needed to do required the

0:28:52.240 --> 0:28:56.400
<v Speaker 2>dead of night. The attic room was wrong. That much

0:28:56.480 --> 0:29:00.080
<v Speaker 2>was obvious. It was unnameably wrong, though almost indescribably so.

0:29:00.720 --> 0:29:02.920
<v Speaker 2>Like that feeling when you're trying to put on fishnets

0:29:02.920 --> 0:29:05.120
<v Speaker 2>and they're tangled in more than one direction at once,

0:29:05.160 --> 0:29:07.800
<v Speaker 2>and you have to somehow unroll them in both directions

0:29:07.840 --> 0:29:10.760
<v Speaker 2>at the same time. That's what it felt like looking

0:29:10.800 --> 0:29:14.240
<v Speaker 2>at the room. There were four walls and a vaulted ceiling,

0:29:14.560 --> 0:29:17.040
<v Speaker 2>but sometimes it felt like there were five walls. And

0:29:17.120 --> 0:29:19.920
<v Speaker 2>when I stood, I got a trace of vertigo, like

0:29:19.960 --> 0:29:22.120
<v Speaker 2>I was high in the air, like I was in

0:29:22.120 --> 0:29:27.400
<v Speaker 2>that skyscraper looking out over that city, sharpening knives. I

0:29:27.440 --> 0:29:31.200
<v Speaker 2>wanted to leave. We've got to pry open the walls carefully,

0:29:31.240 --> 0:29:35.000
<v Speaker 2>Why said, let me try. He handed me the crowbar.

0:29:35.760 --> 0:29:38.200
<v Speaker 2>I smashed it into the nearest wall, putting my hip

0:29:38.240 --> 0:29:41.840
<v Speaker 2>into it like swinging a bat and little League again again.

0:29:42.200 --> 0:29:45.800
<v Speaker 2>There was no carefully left in my body. I needed answers.

0:29:46.480 --> 0:29:49.600
<v Speaker 2>Bones came pouring out as the wall fell down, the

0:29:49.640 --> 0:29:51.960
<v Speaker 2>bones of children. And I don't have a way to

0:29:52.040 --> 0:29:54.360
<v Speaker 2>go into ads from that, but I'm gonna here's ads.

0:29:54.960 --> 0:30:04.000
<v Speaker 3>Sheesh, and we're back.

0:30:06.280 --> 0:30:08.960
<v Speaker 2>After that night, I spent a month trying to convince

0:30:09.000 --> 0:30:11.240
<v Speaker 2>E and the rest of my friends to sell the

0:30:11.320 --> 0:30:15.600
<v Speaker 2>land and move somewhere else, anywhere else. It became clear, however,

0:30:15.640 --> 0:30:17.960
<v Speaker 2>that she didn't believe me, and she wouldn't come with me,

0:30:18.600 --> 0:30:21.800
<v Speaker 2>so I left her. The dreams haven't come back, not

0:30:21.880 --> 0:30:25.400
<v Speaker 2>since I left that place. Instead, I dream of E

0:30:25.800 --> 0:30:29.040
<v Speaker 2>and I miss her. I live with Why now and

0:30:29.080 --> 0:30:31.080
<v Speaker 2>a few of the other cursed ones from the group.

0:30:31.520 --> 0:30:33.960
<v Speaker 2>I think investigating this shit is driving me as crazy

0:30:34.000 --> 0:30:35.760
<v Speaker 2>as the dreams had, but I don't know what else

0:30:35.800 --> 0:30:38.160
<v Speaker 2>to do. I can't get it out of my brain.

0:30:38.560 --> 0:30:41.000
<v Speaker 2>I can't forgive myself for the monster I was in

0:30:41.000 --> 0:30:44.640
<v Speaker 2>my sleep and some alien city across the cosmos. I

0:30:44.720 --> 0:30:47.880
<v Speaker 2>understand now that I was sacrificing real children to a

0:30:47.880 --> 0:30:51.920
<v Speaker 2>devil I don't believe in now. Whenever I cut anything,

0:30:52.000 --> 0:30:55.400
<v Speaker 2>even vegetables, I think about human flesh. Whenever I see

0:30:55.400 --> 0:30:58.000
<v Speaker 2>the concrete of a city, I think about the three suns.

0:30:58.560 --> 0:31:01.520
<v Speaker 2>Whenever I imagine the rest of death, I think about

0:31:01.520 --> 0:31:04.840
<v Speaker 2>who or what will leave mementos of horror on my grave.

0:31:05.840 --> 0:31:08.800
<v Speaker 2>Worst of all, when I see children, I think of

0:31:08.840 --> 0:31:13.880
<v Speaker 2>their bones. Yep, that's that story. Wow.

0:31:14.000 --> 0:31:20.200
<v Speaker 3>Oh word, okay yo. The chill that like shot down

0:31:20.240 --> 0:31:24.400
<v Speaker 3>my back when he was like, I think it's journalism. Hey,

0:31:25.160 --> 0:31:26.800
<v Speaker 3>I mean I knew you were good at this, but like,

0:31:27.600 --> 0:31:30.200
<v Speaker 3>see was amazing you good at this? Yeah?

0:31:30.200 --> 0:31:33.360
<v Speaker 2>Thank you? This story was really fun. I tell you

0:31:33.360 --> 0:31:34.160
<v Speaker 2>the story behind this.

0:31:34.240 --> 0:31:35.320
<v Speaker 3>Yeah, yeah, tell me the story.

0:31:35.760 --> 0:31:38.560
<v Speaker 2>So these people were putting together this like love Craft

0:31:38.600 --> 0:31:42.080
<v Speaker 2>anthology of responses to Lovecraft and stuff, and someone got

0:31:42.080 --> 0:31:43.760
<v Speaker 2>me too it out of the table of contents at

0:31:43.760 --> 0:31:46.280
<v Speaker 2>the last minute, basically like someone who was going to

0:31:46.360 --> 0:31:49.200
<v Speaker 2>have a story in it did some real terrible stuff

0:31:49.320 --> 0:31:51.440
<v Speaker 2>and so and so they were like, who do we

0:31:51.520 --> 0:31:53.760
<v Speaker 2>know we think can turn around a story in like

0:31:53.800 --> 0:31:57.440
<v Speaker 2>a week. Who writes horror, who doesn't sexually assault anybody?

0:31:58.520 --> 0:31:59.840
<v Speaker 3>And that's how you got here.

0:32:00.480 --> 0:32:02.560
<v Speaker 2>Yeah, so I got in and so and then it's

0:32:02.560 --> 0:32:06.120
<v Speaker 2>funny because I almost I almost always write sober. I

0:32:06.160 --> 0:32:08.160
<v Speaker 2>got drunk in the middle of the day, wrote this

0:32:08.320 --> 0:32:11.600
<v Speaker 2>entire story, sent it to a friend of mine to

0:32:11.680 --> 0:32:13.840
<v Speaker 2>do like sensitivity reading because the's a lot of black

0:32:13.920 --> 0:32:14.560
<v Speaker 2>characters in it.

0:32:14.880 --> 0:32:15.040
<v Speaker 4>Yeah.

0:32:15.080 --> 0:32:16.600
<v Speaker 2>I was like, so I sent it to my friend

0:32:16.640 --> 0:32:18.920
<v Speaker 2>and like we made some changes, and then I sent

0:32:18.960 --> 0:32:21.520
<v Speaker 2>it off to the editor, all while I was still

0:32:21.600 --> 0:32:22.720
<v Speaker 2>drunk on the same day.

0:32:24.640 --> 0:32:29.200
<v Speaker 3>A machine. Yeah that's what that means.

0:32:29.320 --> 0:32:31.760
<v Speaker 2>Yeah, no, totally, yeah, because it was like I'd done

0:32:31.800 --> 0:32:33.600
<v Speaker 2>it enough that I could just do it, you know.

0:32:34.080 --> 0:32:38.480
<v Speaker 3>Yeah. And the real, like the other level of psychological

0:32:38.520 --> 0:32:42.680
<v Speaker 3>horror is the reality of how much actually can trace

0:32:42.800 --> 0:32:44.920
<v Speaker 3>its origins back to a black person.

0:32:45.320 --> 0:32:46.400
<v Speaker 2>Yeah, totally.

0:32:46.480 --> 0:32:49.520
<v Speaker 3>There's so much of the world that is like, oh yeah,

0:32:49.560 --> 0:32:52.200
<v Speaker 3>that was yeah, that was us. Yeah yeah, yeah, we

0:32:52.240 --> 0:32:54.920
<v Speaker 3>invented that too, you know, and just so just being

0:32:55.000 --> 0:33:00.000
<v Speaker 3>like oh again, you know, like yeah, yeah.

0:32:59.640 --> 0:33:01.600
<v Speaker 2>No, yeah, it's like that's kind of what I'm trying

0:33:01.600 --> 0:33:05.480
<v Speaker 2>to reference. Is that so much gets stolen from black culture. Yeah,

0:33:05.560 --> 0:33:07.600
<v Speaker 2>I have no evidence that Lovecraft stole any of the shit.

0:33:07.640 --> 0:33:09.480
<v Speaker 2>I just know that hated black people, and I think

0:33:09.480 --> 0:33:11.880
<v Speaker 2>it's fun to troll him even though he's dead, you know,

0:33:11.920 --> 0:33:12.360
<v Speaker 2>of course.

0:33:13.040 --> 0:33:15.520
<v Speaker 3>Yeah, it's kind of in the vein of like get

0:33:15.560 --> 0:33:17.800
<v Speaker 3>out and like the Jordan Peel stuff to where you're like,

0:33:17.920 --> 0:33:22.719
<v Speaker 3>this is the the haunting like actual funny fear behind

0:33:22.920 --> 0:33:26.400
<v Speaker 3>really nice like bleeding liberal white people where you're just

0:33:26.440 --> 0:33:31.120
<v Speaker 3>like is it wait wait you know, like yeah, so

0:33:31.120 --> 0:33:33.440
<v Speaker 3>so that's so that's like kind of like to me,

0:33:33.480 --> 0:33:36.480
<v Speaker 3>it's like it's in that vein of like damn even

0:33:36.560 --> 0:33:37.520
<v Speaker 3>Lovecraft was.

0:33:39.000 --> 0:33:42.000
<v Speaker 2>Even that, you know what I mean, Like yeah, okay,

0:33:42.000 --> 0:33:43.680
<v Speaker 2>So I think all the time, like the thing that

0:33:43.720 --> 0:33:47.280
<v Speaker 2>Lovecraft isn't famed for inventing but he didn't invent is

0:33:47.320 --> 0:33:49.720
<v Speaker 2>this idea of like cosmic horror. And it's the style

0:33:49.760 --> 0:33:53.240
<v Speaker 2>of horror that's about fear of sort of the unknowable,

0:33:53.320 --> 0:33:55.360
<v Speaker 2>not just the unknown, but the things that are too

0:33:55.400 --> 0:33:57.480
<v Speaker 2>complex where you go crazy if you think about them

0:33:57.520 --> 0:34:00.280
<v Speaker 2>too hard. And it's it's funny because one of my

0:34:00.320 --> 0:34:04.440
<v Speaker 2>friends made the argument to me that all cosmic car

0:34:04.480 --> 0:34:07.320
<v Speaker 2>is rooted in racism, and for for Lovecraft, it one

0:34:07.440 --> 0:34:10.960
<v Speaker 2>hundred percent was right. Like the idea of like going

0:34:11.000 --> 0:34:13.200
<v Speaker 2>into Brooklyn was so bad that he wrote the like

0:34:13.440 --> 0:34:15.560
<v Speaker 2>it's called like the Horror of Red Hook or I

0:34:15.560 --> 0:34:18.920
<v Speaker 2>can't remember, yeah, you know, and he like wrote constantly

0:34:18.960 --> 0:34:21.160
<v Speaker 2>about how terrified he was of people who didn't look

0:34:21.239 --> 0:34:24.839
<v Speaker 2>like him. Right, dude, But I hold that cosmic car

0:34:25.640 --> 0:34:28.919
<v Speaker 2>is real because that's how I feel about things from

0:34:29.000 --> 0:34:29.920
<v Speaker 2>under the ocean.

0:34:32.640 --> 0:34:37.200
<v Speaker 3>Yes, I know they not they're technically not aliens. I

0:34:37.280 --> 0:34:40.760
<v Speaker 3>know that because it's the same planet, it's the same carbon,

0:34:40.960 --> 0:34:45.280
<v Speaker 3>and yeah, I get it, but still, like nothing should

0:34:45.320 --> 0:34:45.759
<v Speaker 3>look like that.

0:34:45.920 --> 0:34:47.120
<v Speaker 2>Yes, it gets the piss out of me.

0:34:47.239 --> 0:34:51.560
<v Speaker 3>Yeah, I still think things as basic as jellyfish. Yeah,

0:34:51.680 --> 0:34:55.680
<v Speaker 3>like this shouldn't exist jellyfish. Yeah, this shouldn't be a thing.

0:34:56.400 --> 0:35:00.920
<v Speaker 3>There shouldn't be mammals the size of buses. Yeah, yeah,

0:35:01.320 --> 0:35:02.960
<v Speaker 3>there shouldn't. You I'm I'm with it.

0:35:03.160 --> 0:35:05.920
<v Speaker 2>Yeah, I respect their right to exist over there in

0:35:05.960 --> 0:35:08.600
<v Speaker 2>the ocean, and then I will stay away from the ocean.

0:35:08.360 --> 0:35:11.680
<v Speaker 3>Just be over there, like that's exactly we don't have gills. Yeah,

0:35:11.760 --> 0:35:14.600
<v Speaker 3>you know, I'm good and that I'm good, But then

0:35:14.640 --> 0:35:16.640
<v Speaker 3>the ship that makes me even most scary is like

0:35:16.719 --> 0:35:17.959
<v Speaker 3>they don't all have gills either.

0:35:18.360 --> 0:35:19.719
<v Speaker 2>Yeah, no, it's true. They come up for air.

0:35:19.760 --> 0:35:22.400
<v Speaker 3>We else have lungs. And I'm like, you're not supposed

0:35:22.400 --> 0:35:25.200
<v Speaker 3>to be that big, yeah, and live in the water.

0:35:26.080 --> 0:35:29.799
<v Speaker 3>You can't breathe the water. This shouldn't exist. I know

0:35:29.840 --> 0:35:34.160
<v Speaker 3>I'm yelling, but you tapped into some I'm telling listen you,

0:35:34.280 --> 0:35:37.680
<v Speaker 3>I'm fascinated. But I'll watch you on that geo and

0:35:37.800 --> 0:35:41.279
<v Speaker 3>be marveling. But like jellyfish over there, that's a that's

0:35:41.280 --> 0:35:45.920
<v Speaker 3>a clear that's a nervous system. Yeah, it is clear,

0:35:46.560 --> 0:35:49.160
<v Speaker 3>and it's a nervous system. That's all that thing is.

0:35:49.480 --> 0:35:51.919
<v Speaker 2>Yeah, and some of them will kill you, and.

0:35:51.840 --> 0:35:55.840
<v Speaker 3>They could Margaret killed Joy. The thing can kill listen.

0:35:56.560 --> 0:35:58.840
<v Speaker 3>I was gonna go another direction with this, which I

0:35:58.840 --> 0:36:00.560
<v Speaker 3>still want to say because I am. We're talking to

0:36:00.560 --> 0:36:04.680
<v Speaker 3>you about stuff, but like facts, like so when you

0:36:04.719 --> 0:36:07.880
<v Speaker 3>think about like we did I did. I think I

0:36:07.920 --> 0:36:10.560
<v Speaker 3>did A did an episode on her politics about the

0:36:10.600 --> 0:36:14.320
<v Speaker 3>Mothership baby like that. Uh, the way that that black

0:36:14.320 --> 0:36:18.480
<v Speaker 3>people talk about space for future. Yeah, afro futurism, that

0:36:18.600 --> 0:36:23.680
<v Speaker 3>like Funkadelic in Parliament, that is about aliens coming and

0:36:23.719 --> 0:36:26.279
<v Speaker 3>it's because they coming to get us, and we for

0:36:26.360 --> 0:36:28.400
<v Speaker 3>the party. You know what I'm saying, Like it's the

0:36:28.440 --> 0:36:31.880
<v Speaker 3>baptized and the funk Baby, it's the Mothership. Like we're

0:36:32.000 --> 0:36:35.600
<v Speaker 3>black people excited because we all obviously rooted in our

0:36:35.640 --> 0:36:38.799
<v Speaker 3>experience on this planet. Is just like we okay, we

0:36:38.880 --> 0:36:42.399
<v Speaker 3>don't belong here, Like this is y'all are this is weird.

0:36:42.440 --> 0:36:45.080
<v Speaker 3>And what's funny is like out of white culture when

0:36:45.120 --> 0:36:49.959
<v Speaker 3>they talk about abduction, it's yass. You know what I'm saying,

0:36:50.080 --> 0:36:52.840
<v Speaker 3>like that, y'all are afraid of the aliens because they

0:36:52.920 --> 0:36:55.719
<v Speaker 3>gonna do experiments on you, which has more to do

0:36:56.200 --> 0:36:59.200
<v Speaker 3>with the way for which white culture has treated the

0:36:59.239 --> 0:37:01.239
<v Speaker 3>rest of the world. Like well that's what y'all did.

0:37:01.640 --> 0:37:04.239
<v Speaker 3>Y'all found the other lands and colonized it and then

0:37:04.320 --> 0:37:07.080
<v Speaker 3>made experiments on the local population. We don't come, We

0:37:07.120 --> 0:37:07.759
<v Speaker 3>don't think like that.

0:37:07.840 --> 0:37:09.720
<v Speaker 2>I'm like, yeah, you show up and go party instead.

0:37:09.760 --> 0:37:12.520
<v Speaker 3>Yeah, they're coming to get us. Yeah, I'm say, like.

0:37:12.440 --> 0:37:15.359
<v Speaker 2>We going home. Yeah no, that makes a lot of sense.

0:37:15.400 --> 0:37:18.759
<v Speaker 2>I hadn't thought about that and that yeah yeah, yeah.

0:37:18.840 --> 0:37:21.200
<v Speaker 2>I love also that, Like I don't know, have you

0:37:21.239 --> 0:37:24.240
<v Speaker 2>ever read Parable the Sower and Parable the Talents? Yes, yes,

0:37:24.320 --> 0:37:29.200
<v Speaker 2>like I love that the thing that has taken Like

0:37:29.200 --> 0:37:31.000
<v Speaker 2>those are two the most influential books are for people

0:37:31.000 --> 0:37:33.680
<v Speaker 2>who haven't read them. Octavia Butler's kind of the most

0:37:33.680 --> 0:37:37.320
<v Speaker 2>prophetic science fiction authors probably ever lived. She was writing

0:37:37.360 --> 0:37:41.560
<v Speaker 2>about basically Christian nationalists running for president on the platform

0:37:41.560 --> 0:37:42.960
<v Speaker 2>of make America great again.

0:37:43.000 --> 0:37:46.000
<v Speaker 3>Like literally, yeah, she nailed it.

0:37:46.560 --> 0:37:49.680
<v Speaker 2>And yeah, this like idea of earth seed, the idea

0:37:49.680 --> 0:37:51.080
<v Speaker 2>of like, oh no, we're going to get to space,

0:37:51.120 --> 0:37:53.560
<v Speaker 2>and like coming from this like I don't know, it

0:37:53.600 --> 0:37:54.280
<v Speaker 2>just makes me happy.

0:37:54.760 --> 0:37:58.000
<v Speaker 3>No, you're right, I'll Tavid Butler should be required reading

0:37:58.080 --> 0:37:59.960
<v Speaker 3>for everyone. And plus.

0:38:02.320 --> 0:38:04.839
<v Speaker 2>Yeah, oh yeah, no, that's true. Yeah yeah. And also

0:38:04.920 --> 0:38:06.759
<v Speaker 2>the best description of how the apocalypse is going to go,

0:38:06.760 --> 0:38:08.440
<v Speaker 2>which is we think it's going to be like instant

0:38:08.480 --> 0:38:12.160
<v Speaker 2>mad maxim. Instead it's gonna be slow and hard.

0:38:12.320 --> 0:38:16.319
<v Speaker 3>Yeah, like yeah, just as slow. You're just gonna look

0:38:16.400 --> 0:38:18.000
<v Speaker 3>up and be like, oh, the Earth's dead.

0:38:18.600 --> 0:38:21.080
<v Speaker 2>Yeah, that's how I feel about how there's like no

0:38:21.200 --> 0:38:24.160
<v Speaker 2>insects anymore, you know, like like the number of bugs

0:38:24.160 --> 0:38:26.640
<v Speaker 2>that you killed driving across the country thirty years ago

0:38:26.760 --> 0:38:28.760
<v Speaker 2>versus now, you know, oh my god.

0:38:29.480 --> 0:38:32.920
<v Speaker 3>Yeah, that goes back to the coffee episode. That's one

0:38:32.920 --> 0:38:35.040
<v Speaker 3>of the one of the things I learned at one

0:38:35.040 --> 0:38:37.560
<v Speaker 3>of the coffee farms was like, if your farm ain't

0:38:37.600 --> 0:38:41.000
<v Speaker 3>got no insects, it is not organic, Like you can't

0:38:41.440 --> 0:38:44.600
<v Speaker 3>you that. It means the soil is toxic. That's why

0:38:44.640 --> 0:38:45.760
<v Speaker 3>there's no bugs.

0:38:46.080 --> 0:38:51.799
<v Speaker 2>Yeah, well that's the real spooky season thing to end on. Yeah,

0:38:51.960 --> 0:38:54.880
<v Speaker 2>the h it's the fact that our world is getting

0:38:54.920 --> 0:39:00.239
<v Speaker 2>real spooky. But anyway, thanks for listening to my stories.

0:39:00.360 --> 0:39:02.640
<v Speaker 2>And if people want to hear more of what you do,

0:39:02.719 --> 0:39:03.440
<v Speaker 2>how can they do that.

0:39:04.200 --> 0:39:06.880
<v Speaker 3>They can hear me on the Hood Politics with Prop

0:39:07.040 --> 0:39:12.280
<v Speaker 3>podcast where we talk about unscary things like the twenty

0:39:12.320 --> 0:39:17.799
<v Speaker 3>twenty four election and wars across the world. So there's that.

0:39:17.840 --> 0:39:20.120
<v Speaker 3>There's you know, prop hip hop dot com. You can

0:39:20.160 --> 0:39:23.640
<v Speaker 3>get some music and poetry and so working on some

0:39:23.640 --> 0:39:25.520
<v Speaker 3>new poetry, which is kind of cool. Like, okay, so

0:39:25.760 --> 0:39:29.120
<v Speaker 3>side note, not that I've ever really cared about the Grammys,

0:39:29.560 --> 0:39:32.720
<v Speaker 3>but now there's like a category for spoken word albums.

0:39:32.880 --> 0:39:35.440
<v Speaker 3>Oh really, and I'm like, I should do an album.

0:39:35.719 --> 0:39:37.040
<v Speaker 2>Yeah you should, you know what I mean.

0:39:37.480 --> 0:39:41.080
<v Speaker 3>I've always only done poetry on my rap albums. Like,

0:39:41.160 --> 0:39:43.320
<v Speaker 3>so there's songs, there are poems, on the album I

0:39:43.400 --> 0:39:45.239
<v Speaker 3>never did them. It was like, I think I want

0:39:45.239 --> 0:39:45.919
<v Speaker 3>to do that next year.

0:39:46.320 --> 0:39:48.120
<v Speaker 2>Now you should do it. For the same reason that

0:39:48.600 --> 0:39:51.279
<v Speaker 2>the Science Fiction Awards are divided into categories based on

0:39:51.320 --> 0:39:55.320
<v Speaker 2>how long the story is. So there's like short story, novelette, novella,

0:39:55.440 --> 0:39:59.680
<v Speaker 2>and novel. And the reason people write novelettes is because

0:39:59.680 --> 0:40:02.319
<v Speaker 2>no one writes novelettes, so you have a better chance

0:40:02.360 --> 0:40:03.360
<v Speaker 2>of winning the award.

0:40:04.200 --> 0:40:06.720
<v Speaker 3>You're reading my mind? Am I gonna? Am I gonna

0:40:06.840 --> 0:40:09.120
<v Speaker 3>if this year? Am I gonna get Song of the Year?

0:40:09.640 --> 0:40:09.719
<v Speaker 4>No?

0:40:10.120 --> 0:40:12.560
<v Speaker 3>Kenjick Lamar is getting it for they not like us.

0:40:12.719 --> 0:40:15.000
<v Speaker 3>You know what I'm saying. Are you gonna get Artists

0:40:15.000 --> 0:40:17.480
<v Speaker 3>of the Year. No, Kendrick Lamar is gonna get it.

0:40:18.800 --> 0:40:20.920
<v Speaker 3>No Jelly Roll is gonna get it. Like am I

0:40:20.960 --> 0:40:24.480
<v Speaker 3>gonna get Album of the Year for rap? No, Kendrick

0:40:24.560 --> 0:40:26.319
<v Speaker 3>Lamar is going know what I'm saying. So you're just

0:40:26.360 --> 0:40:28.680
<v Speaker 3>like right, like you're not. I Am never going to

0:40:28.760 --> 0:40:29.640
<v Speaker 3>win that category.

0:40:30.160 --> 0:40:33.799
<v Speaker 2>Yeah, but you do more spoken word than they do.

0:40:34.360 --> 0:40:34.640
<v Speaker 3>Yep.

0:40:35.400 --> 0:40:40.040
<v Speaker 2>Anyway, all right, well, happy spooky season and see you

0:40:40.080 --> 0:40:42.320
<v Speaker 2>all next week when we bring you more cool people

0:40:42.320 --> 0:40:44.640
<v Speaker 2>did cool stuff or weird things that I'm doing instead

0:40:44.640 --> 0:40:46.719
<v Speaker 2>because I'm on tour. I don't know yet. You'll find

0:40:46.760 --> 0:40:48.239
<v Speaker 2>out nice, all right job.

0:40:53.840 --> 0:40:56.320
<v Speaker 4>Cool People Who Did Cool Stuff is a production of

0:40:56.360 --> 0:40:59.480
<v Speaker 4>cool Zone Media. A more podcasts and cool Zone Media,

0:40:59.640 --> 0:41:02.879
<v Speaker 4>visit our website Fulezonemedia dot com, or check us out

0:41:03.000 --> 0:41:04.840
<v Speaker 4>on the iHeartRadio app, Apple.

0:41:04.680 --> 0:41:07.160
<v Speaker 2>Podcasts, or wherever you get your podcasts.

0:41:10.680 --> 0:41:10.719
<v Speaker 4>M