WEBVTT - A Storm of Drama With Amanda Schull • EP 811 0:00:00.080 --> 0:00:03.520 First of all, you don't know me. All about that 0:00:03.640 --> 0:00:06.439 high school drama, Girl drama, girl, all about. 0:00:06.160 --> 0:00:08.119 Them high school queens. 0:00:08.160 --> 0:00:10.360 We'll take you for a ride, and our comic girl 0:00:11.119 --> 0:00:15.640 sharing for the right teen drama queens up girl fashion, but. 0:00:15.720 --> 0:00:17.480 Your tough girl, you could sit with us. 0:00:17.520 --> 0:00:21.239 Girl Drama, Queens Drama, Queens Drama, Queens Drama, drahn the 0:00:21.320 --> 0:00:24.680 Queens Drama Queens. 0:00:28.440 --> 0:00:34.640 I respect the brevity of this week's synopsis. I like 0:00:34.680 --> 0:00:36.680 it that we're like, let's not even bother, let's just 0:00:36.760 --> 0:00:38.279 say it hits the fan. 0:00:38.880 --> 0:00:41.440 It is the perfect way to start this episode. Ladies 0:00:41.440 --> 0:00:45.360 and gentlemen, you're here with us. We are on season eight, 0:00:45.400 --> 0:00:48.080 episode eleven, Darkness on the Edge of Town air day, 0:00:48.080 --> 0:00:53.960 December seventh, twenty ten, and the blessedly short synopsis that 0:00:54.320 --> 0:01:00.200 Rob is talking about reads, thus a storm strikes Tree Hill, 0:01:00.520 --> 0:01:03.840 putting everyone's life in danger the end. 0:01:05.560 --> 0:01:08.039 It's really just so short, it is. 0:01:09.120 --> 0:01:10.880 I was so excited. If you get to the synopsis, 0:01:10.920 --> 0:01:12.080 I just I dissociated. 0:01:12.520 --> 0:01:15.039 I wonder if the person that had to write it 0:01:15.160 --> 0:01:17.800 was like, you kind of got to see it to 0:01:17.840 --> 0:01:18.240 believe it. 0:01:18.280 --> 0:01:21.240 I give up, Yeah, yes, because if you wrote it, 0:01:21.360 --> 0:01:24.560 you'd be like, and then this person has head trauma, 0:01:24.680 --> 0:01:27.240 and this person also has head trauma, and this person 0:01:27.280 --> 0:01:30.880 gets stabbed, and this it would just be it would 0:01:30.880 --> 0:01:35.560 be a mess. We are also joined by the lovely, 0:01:35.800 --> 0:01:43.800 the psychotic, massively talented Amanda Schule. Hi High Poal, Hi buddy, 0:01:46.400 --> 0:01:48.360 you were great in this episode. 0:01:49.840 --> 0:01:52.360 In this episode, so many layers. 0:01:52.800 --> 0:01:54.880 This episode was not my best work, but I got 0:01:54.920 --> 0:01:57.560 to say the three of you crushed it. 0:01:57.840 --> 0:01:58.800 I thought you were great. 0:01:59.440 --> 0:01:59.920 Thank you. 0:02:00.120 --> 0:02:03.040 I've been told my off camera presence is almost better 0:02:03.080 --> 0:02:04.440 than my on camera presence. 0:02:04.720 --> 0:02:06.560 I just think it speaks to who you are as 0:02:06.600 --> 0:02:09.840 an actor that in every scene that Quinn called Clay, 0:02:10.000 --> 0:02:12.800 you were really on the phone for Chantal. It's like 0:02:13.600 --> 0:02:16.320 you really are a team player. Rob, You're a good dude. 0:02:16.639 --> 0:02:19.239 Thank you for seeing you that. 0:02:19.680 --> 0:02:21.640 That is something that you don't think about often when 0:02:21.680 --> 0:02:23.679 you're watching a TV show that an actor may be 0:02:23.800 --> 0:02:27.440 talking to another character on the phone, and often they're 0:02:27.600 --> 0:02:31.200 just reading with somebody off camera, usually script supervisor or 0:02:31.360 --> 0:02:34.200 an ad or something as reading the other person's lines. 0:02:34.240 --> 0:02:38.400 But on our show, our guys figured out how to 0:02:38.440 --> 0:02:40.680 get the get everybody on the phone. So even if 0:02:40.760 --> 0:02:43.040 Rob was out grocery shopping, you know, you just step 0:02:43.120 --> 0:02:45.160 to the side and jump on the phone for the 0:02:45.200 --> 0:02:49.160 scene so that Chantal could actually hear his voice, and 0:02:49.200 --> 0:02:50.560 we would a lot of us would do that for 0:02:50.600 --> 0:02:52.640 each other. It's it's a really nice little addition to 0:02:52.720 --> 0:02:54.160 our situation. 0:02:54.800 --> 0:02:58.000 I've only had that once that somebody was actually on 0:02:58.040 --> 0:03:01.680 the phone with me, and I am terrable with pretend 0:03:01.720 --> 0:03:06.480 phone calls. Absolutely terrible, So well done your people for 0:03:06.560 --> 0:03:07.359 figuring that out. 0:03:07.720 --> 0:03:11.840 It's so awkward. At least if your script supervisor reads 0:03:11.880 --> 0:03:15.240 with you, like the off camera person, at least you're 0:03:15.240 --> 0:03:18.840 having a conversation. But when you're just doing the dialogue 0:03:18.840 --> 0:03:20.600 and you're like, hey, honey, what time did you say 0:03:20.639 --> 0:03:23.880 you'd be home? And then you're like be be me. 0:03:24.280 --> 0:03:26.920 Oh okay, so you might get there before me, And 0:03:26.960 --> 0:03:30.040 you just feel so stupid because you're like, am I 0:03:30.080 --> 0:03:32.600 waiting long enough for this person to actually say the 0:03:32.639 --> 0:03:35.400 thing that I know they're shooting next Wednesday? Is it 0:03:35.440 --> 0:03:39.640 even going to matter? And then you feel nuts and 0:03:39.720 --> 0:03:41.720 basically just I don't know. At least for me, I'm like, 0:03:41.760 --> 0:03:44.120 I'm questioning every choice I've ever made in my life 0:03:44.160 --> 0:03:44.760 in this moment. 0:03:45.120 --> 0:03:45.960 It's so awkward. 0:03:46.040 --> 0:03:48.320 I also feel like it can be really awkward if 0:03:48.320 --> 0:03:51.920 the person reading like really wants to do a good job, 0:03:51.960 --> 0:03:54.080 and so then they start acting out the part for 0:03:54.200 --> 0:03:57.720 you off camera, not the other actor, just like a 0:03:57.760 --> 0:04:01.000 stand in or ad or whoever you know, been given 0:04:01.040 --> 0:04:03.320 the job of reading your sides, and they're really trying. 0:04:03.320 --> 0:04:05.440 But then I'm like, it's really throwing me off because 0:04:05.480 --> 0:04:07.680 I'm like, I don't I really don't actually want you 0:04:07.720 --> 0:04:10.160 to act. I want you to just say words, please. 0:04:09.920 --> 0:04:11.840 Please don't. Can I tell you? 0:04:11.840 --> 0:04:12.160 Guys? 0:04:12.280 --> 0:04:14.760 The most awkward example I have of this that is 0:04:14.840 --> 0:04:17.320 truely one of my favorite days I've ever had on set. 0:04:18.240 --> 0:04:21.360 I was working on a show and also shooting a 0:04:21.360 --> 0:04:24.840 movie which like what a blessing? What a curse? And 0:04:24.880 --> 0:04:28.640 that there was a week where the travel didn't line 0:04:28.720 --> 0:04:31.200 up kind of at the end of the movie. Between 0:04:31.200 --> 0:04:33.520 me and this like actor I've looked up to my 0:04:33.560 --> 0:04:37.159 whole life, like one arguably probably the most famous actor 0:04:37.160 --> 0:04:39.719 I've ever worked with. I'm like so excited to be 0:04:39.760 --> 0:04:43.040 on set with him. We've had the best time, and 0:04:43.120 --> 0:04:46.680 no one has told me on this day that I'm 0:04:46.720 --> 0:04:50.839 on set and he's not, And I'm like, what but 0:04:50.920 --> 0:04:52.400 what do you And they were like, yeah, we're going 0:04:52.440 --> 0:04:54.719 to shoot a bunch of your coverage because we got 0:04:54.720 --> 0:04:56.240 to get you out for your show. And he's going 0:04:56.320 --> 0:04:58.520 to do this other thing, and so his double's going 0:04:58.560 --> 0:04:59.760 to work with you and he's done. You know, he 0:04:59.800 --> 0:05:02.240 does this. They're very well practiced at this, because you know, 0:05:02.720 --> 0:05:05.320 he has this big career. I'm like, okay, all right, 0:05:05.520 --> 0:05:07.520 the double's been great. He's really nice. You know, he's 0:05:07.520 --> 0:05:11.160 on set. They're doing all this stunt coordination whatever. But 0:05:11.279 --> 0:05:19.200 nobody tells me that this lovely man's lovely double doesn't act. 0:05:19.440 --> 0:05:22.440 He does the stunt stuff, but he doesn't do any dialogue. 0:05:23.160 --> 0:05:28.080 So we are rolling and this amazing, like most entertaining 0:05:28.120 --> 0:05:31.520 person on set, young scrip supervisor. We have this chick 0:05:31.520 --> 0:05:35.520 from Argentina who makes everybody laugh every day. I look 0:05:35.560 --> 0:05:38.320 at this actor's double, I deliver my line and from 0:05:38.360 --> 0:05:39.600 like eighty feet away here. 0:05:39.760 --> 0:05:41.880 You gotta call the d we know where the drugs 0:05:41.920 --> 0:05:43.080 are coming from. 0:05:44.240 --> 0:05:50.279 And I was like, and I just had to like 0:05:50.400 --> 0:05:54.200 do a take with this woman from like way far 0:05:54.279 --> 0:05:58.880 away screaming and this lovely man like doing all the 0:05:58.880 --> 0:06:02.080 physical action, looking at the ground and not speaking. To 0:06:02.120 --> 0:06:05.800 me and they cut and the director was like, honestly, 0:06:05.800 --> 0:06:07.960 you guys are so amazing, Like the way you can 0:06:08.040 --> 0:06:11.000 just do that together, no one would ever know. And 0:06:11.040 --> 0:06:16.400 I was like, bro, I didn't know. I didn't know, 0:06:18.000 --> 0:06:19.920 and like honestly, I watched the movie and I was like, 0:06:19.960 --> 0:06:22.760 you'd never know, So maybe we shouldn't be self conscious 0:06:22.760 --> 0:06:23.279 about anything. 0:06:23.320 --> 0:06:26.520 Ever, I just can't believe that Scott Beao did that 0:06:26.560 --> 0:06:31.280 to you, I know. 0:06:32.080 --> 0:06:33.920 In charge of what rob. 0:06:33.960 --> 0:06:36.599 I wish that I could somehow be a fly on 0:06:36.640 --> 0:06:39.920 the wall inside your mind. Like there's so many times 0:06:39.960 --> 0:06:42.080 when you I feel like you're just sitting listening quietly, 0:06:42.200 --> 0:06:44.880 and I've had conversations with you just across the table 0:06:45.000 --> 0:06:47.320 and you're so good at listening. You really check in. 0:06:47.400 --> 0:06:49.640 You're like right there along with But I just want 0:06:49.640 --> 0:06:53.880 to hear the narration that's rolling behind the behind is 0:06:54.000 --> 0:06:57.720 still dropped in this there's definitely a script running well. 0:06:57.760 --> 0:06:58.480 It feels like you. 0:06:58.480 --> 0:07:01.640 Have a whole team of SNL like joke writers just 0:07:01.760 --> 0:07:04.680 up there all the time being like, oh, if she 0:07:04.800 --> 0:07:07.440 pauses here, I got it. Nope, she's pausing there, I 0:07:07.480 --> 0:07:09.320 got it now, Like it's so good. 0:07:10.440 --> 0:07:12.840 The script is usually like what's what's for lunch? 0:07:13.400 --> 0:07:14.120 What do I have? 0:07:14.320 --> 0:07:16.440 What snacks do we have? And then occasionally it's like 0:07:16.480 --> 0:07:20.400 Scott Bay, it would be funny here, say Scott baa, yeah, 0:07:20.520 --> 0:07:22.080 in the same vein as you. So I have an 0:07:22.160 --> 0:07:25.960 incredibly awkward story from one it's like my first big 0:07:26.000 --> 0:07:32.360 show and uh doesn't Yeah, And Lipstick Jungle ad sex 0:07:32.400 --> 0:07:35.400 like every episode of Lipstick, right, and I'm like, I 0:07:35.480 --> 0:07:37.680 came in late in the pilot got picked up. So 0:07:37.680 --> 0:07:39.280 then we go to New York, right, And one of 0:07:39.320 --> 0:07:43.600 the scenes we have to reshoot is a bedroom love 0:07:43.640 --> 0:07:47.040 making scene. They didn't have the room for it, so 0:07:47.080 --> 0:07:49.920 they built three quarters of a bedroom in the middle 0:07:50.000 --> 0:07:51.560 of a high school gymnasium. 0:07:51.680 --> 0:07:52.440 Oh my god. 0:07:52.880 --> 0:07:56.440 And my my love interest on the show, Kim Raver, 0:07:56.560 --> 0:08:00.640 had just had her child, so they had a double 0:08:00.680 --> 0:08:03.280 for her. And they had also told me like two 0:08:03.360 --> 0:08:05.000 days prior, like, hey, you're gonna have to wear a 0:08:05.000 --> 0:08:05.920 modesty triangle. 0:08:06.280 --> 0:08:06.960 Oh my god. 0:08:07.320 --> 0:08:10.360 They actually they just sent a rider to my like 0:08:10.400 --> 0:08:12.160 to my contract, to my agents, and I just saw 0:08:12.200 --> 0:08:14.600 a modesty triangle and something deep in my core was like, 0:08:14.640 --> 0:08:16.560 this is not good. It's not good. 0:08:16.560 --> 0:08:16.840 Gang. 0:08:16.840 --> 0:08:18.640 For those of you who don't know all show the 0:08:18.640 --> 0:08:21.640 YouTube audience. It's like at this tiny triangle of fabric 0:08:22.000 --> 0:08:24.440 with a second piece sewn on the bottom, and you 0:08:24.520 --> 0:08:27.840 basically just like put yourself in this triangle and there's 0:08:28.120 --> 0:08:31.320 there's topstick tape on the top of it, and it 0:08:31.400 --> 0:08:34.600 essentially turns you into a kendle like, Oh, I would 0:08:34.679 --> 0:08:36.480 rather be naked than wear this thing. 0:08:36.800 --> 0:08:39.360 Oh my god, I would rather be dead. 0:08:41.040 --> 0:08:43.960 Like I wish that were the most embarrassing part. But no, 0:08:44.320 --> 0:08:48.200 So I show up high school gymnasium. This set ain't closed, right, 0:08:48.240 --> 0:08:52.439 there's people everywhere. Wait wait, wait what well I should 0:08:52.559 --> 0:08:54.800 I mean, it's it's big, so it's closed, but like. 0:08:54.800 --> 0:08:55.960 But people are walking around. 0:08:56.040 --> 0:08:59.080 Well, there's no wall exactly, Like it was hard to 0:08:59.120 --> 0:09:00.120 create privacy. 0:09:00.360 --> 0:09:02.559 Well how did they didn't make a wall? Like, they 0:09:02.559 --> 0:09:05.000 didn't hang a curtain of some sort. 0:09:05.120 --> 0:09:07.480 No, they had they had a couple of the walls, right, 0:09:07.600 --> 0:09:10.440 This was the early adds exactly. And they put video 0:09:10.559 --> 0:09:12.800 village like on the other side of the set obviously, 0:09:12.840 --> 0:09:15.160 so they were completely out of the eye line. They 0:09:15.320 --> 0:09:17.920 trod in a gal and they go like, Hi, this 0:09:18.000 --> 0:09:22.000 is Carly. She's gonna be Kim's double I'm like, Okay, hey, 0:09:22.000 --> 0:09:24.360 it's nice to meet you. I'm rob. They're like, great, 0:09:24.800 --> 0:09:26.160 d robe I have? 0:09:26.360 --> 0:09:26.520 I have? 0:09:26.640 --> 0:09:28.640 So then she literally lays down and I'm like, it's 0:09:28.720 --> 0:09:31.000 nice to meet you. As she's in just pasties. 0:09:31.160 --> 0:09:33.359 So you did love actually the real. 0:09:33.440 --> 0:09:38.319 The real scene and oh, I'm so she's in just pasties. 0:09:38.360 --> 0:09:41.559 I'm in a modesty triangle and like literally like how 0:09:41.559 --> 0:09:43.640 do I make what is this appropriate small talk in 0:09:43.640 --> 0:09:46.080 this situation? Like hi, is your dad going well? And 0:09:46.120 --> 0:09:49.080 then they give me an eye line that's the headboard 0:09:49.600 --> 0:09:52.120 and then they're like action and as we're doing it, 0:09:52.520 --> 0:09:56.240 our producing director is shouting from across a gymnasium, all. 0:09:56.200 --> 0:09:58.760 Right, Robbie, all right, now you're just your love making. 0:09:58.960 --> 0:10:01.560 It's a spartan it's a now you love her, Now 0:10:01.559 --> 0:10:05.360 you love her. Now you're climaxing. Now you're climaxing. It 0:10:05.480 --> 0:10:07.240 was like having your creepy uncle in. 0:10:07.200 --> 0:10:10.800 The closet while you lose your virginity. It also happened 0:10:10.840 --> 0:10:13.440 in that moment was I realized I've actually never paid 0:10:13.440 --> 0:10:16.280 attention to the face I make in some of those moments, 0:10:16.360 --> 0:10:18.960 and I'm my brain was as quickly as it could 0:10:19.000 --> 0:10:21.079 going Holy what is the face we make? What is 0:10:21.080 --> 0:10:22.760 an appropriate face to make? Oh my god, this is 0:10:22.760 --> 0:10:25.080 a nightmare and I think it's blacked out for the 0:10:25.080 --> 0:10:25.959 rest I. 0:10:25.920 --> 0:10:29.880 Geel so sick right now. I feel physically, Yeah, that 0:10:30.000 --> 0:10:30.520 is that. 0:10:30.520 --> 0:10:35.960 Is a unique Yeah yeah, no, my god, did I 0:10:36.040 --> 0:10:38.000 just bring the podcast to a screeching home. 0:10:38.320 --> 0:10:41.240 So, by the way, I'm so glad you've told this 0:10:41.320 --> 0:10:45.240 story because the number of people over you know, all 0:10:45.240 --> 0:10:47.120 the years of all of our careers who've done this 0:10:47.200 --> 0:10:49.440 to me and no doubt to you. There's always someone 0:10:49.480 --> 0:10:51.360 you know who pulls you aside and goes like, okay, 0:10:51.360 --> 0:10:53.640 but what's it really like to shoot a love scene? 0:10:53.960 --> 0:10:55.760 Like is it ever kind of sexy? 0:10:56.440 --> 0:10:56.679 Is it? 0:10:57.040 --> 0:11:02.400 And you're like no, no, flat out no, never, not ever. 0:11:02.720 --> 0:11:08.000 It's awkward, it's it's I hope this gives people the 0:11:08.120 --> 0:11:11.520 pink behind the curtain that they may be never wanted. 0:11:11.320 --> 0:11:12.959 The non curtain that didn't exist for. 0:11:13.160 --> 0:11:15.480 Oh my god, I had to make bedroomids at a 0:11:15.480 --> 0:11:17.760 piece of green tape laying on top of a poor 0:11:17.800 --> 0:11:18.480 strange gal. 0:11:19.000 --> 0:11:21.880 You're a really good sport and she's a good sport. 0:11:21.960 --> 0:11:24.199 I hope someone sent that woman flowers. 0:11:24.640 --> 0:11:25.000 Carly. 0:11:25.080 --> 0:11:25.840 If you're out there. 0:11:27.240 --> 0:11:29.120 I know that's not your real name, whoever that's standing. 0:11:29.360 --> 0:11:31.920 You know, it's okay. She knows if she hears this, 0:11:32.000 --> 0:11:34.839 she's going to know we're talking about her. But her 0:11:34.880 --> 0:11:37.200 code name shall forever more be Carly. 0:11:37.480 --> 0:11:39.280 You're a real one, Carly Well. 0:11:39.600 --> 0:11:42.120 Stunt doubles is a good way to get into this episode. 0:11:42.240 --> 0:11:42.400 It is. 0:11:42.679 --> 0:11:46.640 There really is so many people that had to jump in. 0:11:46.679 --> 0:11:47.520 We had a big. 0:11:47.360 --> 0:11:51.240 Stunt team on this episode. I think, so, yeah, let's 0:11:51.800 --> 0:11:53.080 let's get started. 0:11:55.000 --> 0:11:58.160 Okay, I have a question to dive in because we 0:11:58.240 --> 0:12:03.920 get this cryptic, you know, musical end to the episode 0:12:04.000 --> 0:12:08.160 leading us here with you Amanda and a I was like, 0:12:08.480 --> 0:12:13.880 great singing voice I never knew. Be the the drive 0:12:13.960 --> 0:12:17.559 into town and the weatherman and the storm. It almost 0:12:17.559 --> 0:12:21.200 felt like an old radio play setting up this, you know, 0:12:21.320 --> 0:12:24.520 big terrible thing that was going to happen. What was 0:12:24.559 --> 0:12:28.520 it like when you got this script and read that 0:12:28.600 --> 0:12:30.839 this was going to be the culmination of the Katie 0:12:30.880 --> 0:12:34.000 storyline or had they told you, you know, an X 0:12:34.040 --> 0:12:37.520 amount of episodes you're going to come back like, did 0:12:37.559 --> 0:12:39.880 you know? Or was it a complete surprise that you 0:12:39.960 --> 0:12:43.040 were going you know, American Psycho. 0:12:42.679 --> 0:12:48.960 Almost I don't remember knowing. Okay, obviously we had hints 0:12:49.000 --> 0:12:54.520 that she wasn't firing with all cylinders. 0:12:54.640 --> 0:12:57.040 I guess done diplomatic. 0:12:57.120 --> 0:13:00.040 Yeah, so obviously we knew that. I don't remember. I 0:13:00.080 --> 0:13:05.439 didn't in any hints about that. Joy's episode was the 0:13:05.480 --> 0:13:09.960 first the one you directed, was the first time I 0:13:10.040 --> 0:13:12.280 came back as the other person, And I think I 0:13:12.360 --> 0:13:15.560 knew I had a said amount of episodes, but I 0:13:15.559 --> 0:13:17.760 didn't know exactly what her journey was going to be. 0:13:20.480 --> 0:13:23.240 Well, you had a lot to do. You really got 0:13:23.240 --> 0:13:23.800 to show up. 0:13:23.800 --> 0:13:26.559 And I loved all the different just all the different 0:13:26.640 --> 0:13:29.880 layers of the cat and mouse and you having fun 0:13:30.640 --> 0:13:35.960 being so insane. And I could see all of the 0:13:36.000 --> 0:13:38.920 feelings that she was experiencing, all of the trouble, all 0:13:38.960 --> 0:13:43.320 of the hatred and anger and yet the desperation. And 0:13:43.600 --> 0:13:45.800 that's a lot to keep track of while you're running 0:13:45.840 --> 0:13:49.480 through well you're soaking wet, running through a house and 0:13:49.600 --> 0:13:51.240 running through rain, and it's a lot. 0:13:51.400 --> 0:13:53.120 All of you get a gold star. 0:13:53.679 --> 0:13:55.240 Well, I sat in the car, but. 0:13:55.240 --> 0:13:57.520 You know for sure you got out of the car. 0:13:57.600 --> 0:13:58.480 You got out of the car. 0:13:59.320 --> 0:14:01.480 Let's stick with the Quinn and the Katie of it 0:14:01.559 --> 0:14:05.320 for a moment, because I will say in an episode 0:14:05.320 --> 0:14:09.839 of Just Highest Stakes Hijinks, the one thing I turned 0:14:09.840 --> 0:14:13.120 my head out and went really was at the beginning 0:14:13.720 --> 0:14:17.800 when Katie's hair is dripping and so water is dripping 0:14:17.840 --> 0:14:21.440 on the floor, Quinn just grabs a bowl and puts 0:14:21.440 --> 0:14:23.800 it on the floor and doesn't even bother to see 0:14:23.840 --> 0:14:25.080 where the leak is coming from. 0:14:25.360 --> 0:14:27.440 Wait, she didn't look up. I thought she looked up. 0:14:27.680 --> 0:14:29.720 You know, she looked up for a second, but she 0:14:29.880 --> 0:14:31.400 doesn't investigate the source. 0:14:31.880 --> 0:14:34.960 Yeah, so I'm saying, in the middle of the monsoon, Yeah, 0:14:35.000 --> 0:14:37.680 your roof starts leaking, it's not her house. You're not 0:14:37.720 --> 0:14:39.160 gonna You're not gonna investigate. 0:14:39.360 --> 0:14:41.720 Ah, it is not her responsibility. 0:14:42.920 --> 0:14:47.120 This observation is actually what proves to our listeners that 0:14:47.160 --> 0:14:50.080 we are adults now, whereas when we made this show 0:14:50.120 --> 0:14:54.520 we were basically still college students. Because now we're all homeowners, 0:14:54.760 --> 0:14:57.320 and it's like the minute there's water and it's raining, 0:14:57.360 --> 0:14:59.840 you're in a full panic running around figuring out where 0:14:59.840 --> 0:15:03.480 it's coming from your in attic. And yeah, she just 0:15:03.480 --> 0:15:05.680 looks up and goes a leak and gets a bowl, 0:15:06.160 --> 0:15:09.040 And it's like, oh wow, that really it does show 0:15:09.120 --> 0:15:12.280 our youth sometimes the things we just didn't know yet. 0:15:12.520 --> 0:15:15.840 Yeah, and then and I may just I'm not sure. 0:15:16.280 --> 0:15:18.040 To me, this did not seem like a normal thing 0:15:18.080 --> 0:15:21.520 to do. But would you just not cut the apple 0:15:21.560 --> 0:15:24.000 in the kitchen and then bring the sliced apple into 0:15:24.000 --> 0:15:24.600 the bedroom. 0:15:24.880 --> 0:15:27.160 I was really upset that the apple was going to 0:15:27.160 --> 0:15:29.560 be cut on a plate, because that dolls your knives, 0:15:30.040 --> 0:15:33.920 and so I was frustrated that she wasn't going to 0:15:34.000 --> 0:15:34.880 use a cutting board. 0:15:35.560 --> 0:15:37.560 But she knew she was going to use the knife 0:15:37.640 --> 0:15:40.240 because she was She knew as soon as she left. 0:15:40.080 --> 0:15:42.280 The room that you were there and that she was 0:15:42.360 --> 0:15:43.239 going upstairs. 0:15:43.520 --> 0:15:47.720 But she had gotten the knife, placed it on the plate, 0:15:48.240 --> 0:15:50.360 and then went off and did a couple of things, 0:15:50.440 --> 0:15:53.160 checks on the car, came back, did the tea and 0:15:53.240 --> 0:15:55.160 blah blah blah, And it was like there was no 0:15:55.240 --> 0:15:58.640 cutting board out at any point, and it was dressing 0:15:58.680 --> 0:16:01.760 me out. And then and I realized that she was 0:16:01.840 --> 0:16:04.920 going to take it into the kitchen after that, but 0:16:05.400 --> 0:16:08.160 I didn't see a cutting board on the horizon, you know. 0:16:08.800 --> 0:16:13.960 Yeah, Yeah, it was interesting because you know, there's so 0:16:14.080 --> 0:16:17.640 much that's fantastical about an episode like this, And I 0:16:17.680 --> 0:16:25.920 thought everybody really grounded into it, and even I don't 0:16:25.960 --> 0:16:29.560 know even some of those details. While they certainly bumped me, 0:16:30.520 --> 0:16:34.600 what was fun for me as an audience member was 0:16:34.840 --> 0:16:37.000 when I realized when you go in the bedroom and 0:16:37.040 --> 0:16:39.760 pull the covers back and the pillows are there, I'm like, Oh, 0:16:39.800 --> 0:16:43.720 she's in on it. She's in on it, okay. And 0:16:43.760 --> 0:16:47.240 then suddenly some of what bumped me felt more like 0:16:47.480 --> 0:16:52.200 her playing along. So I don't know, maybe maybe she 0:16:52.280 --> 0:16:54.160 was never going to dull the knife, maybe she was. 0:16:54.440 --> 0:16:56.840 Who knows she was going to dull the knife, But 0:16:59.240 --> 0:17:02.440 I know I think for yes, there were all of 0:17:02.480 --> 0:17:06.840 these not all most of these storylines were fantastical. This 0:17:07.040 --> 0:17:11.480 was sort of just this was the horror movie element storyline, right. 0:17:11.760 --> 0:17:13.959 And we hadn't done something like that in a very 0:17:14.000 --> 0:17:17.240 long time on our show, Like we've over the seasons 0:17:17.320 --> 0:17:20.359 had spots where it's like the horror movie element of it, 0:17:20.440 --> 0:17:24.119 you know, with the Psychoederic and Anny Carrey. Anny Carrey, 0:17:24.200 --> 0:17:26.480 there's always like a little something every once in a 0:17:26.480 --> 0:17:30.240 while just to keep the audience on their toes and 0:17:30.280 --> 0:17:31.960 feeling like things are super dramatic. 0:17:32.040 --> 0:17:34.320 So we were due for this, But you know what 0:17:34.400 --> 0:17:38.840 was interesting about it though, So this is the horror story. 0:17:39.320 --> 0:17:43.040 Brooks storyline could have been horror story also, But somehow 0:17:43.720 --> 0:17:47.959 this being heightened made this seem much more grounded and 0:17:48.000 --> 0:17:52.000 therefore made me more anxious watching you, Sophia. You know, 0:17:52.119 --> 0:17:57.560 it was like I played watching one and then I 0:17:57.720 --> 0:17:59.440 tensed watching the other. 0:18:00.359 --> 0:18:00.800 Yeah. 0:18:00.840 --> 0:18:03.840 And the fact that you didn't lean into the horror 0:18:03.840 --> 0:18:06.639 of it all with the live wire bouncing around, You 0:18:06.680 --> 0:18:08.880 just kind of looked at it, clocked it. Yep, Hey, 0:18:09.040 --> 0:18:11.399 so how do you spell? You know, it was it 0:18:11.480 --> 0:18:17.879 was much. It didn't it didn't feel as heightened. It 0:18:18.000 --> 0:18:19.480 just felt like a ticking clock. 0:18:20.680 --> 0:18:22.840 And that live wire was a great device because I 0:18:22.920 --> 0:18:26.200 kept looking at that going oh no, no, And then 0:18:26.240 --> 0:18:27.280 that wasn't even the threat. 0:18:27.359 --> 0:18:28.520 That wasn't the threat. I know. 0:18:29.800 --> 0:18:32.800 Yeah, it's a really really smart way that in the 0:18:32.840 --> 0:18:37.119 writer's room they chose to misdirect, especially because and you 0:18:37.160 --> 0:18:40.360 know we've all seen it, even with last year's incredible, 0:18:40.840 --> 0:18:44.520 incredibly large hurricane that hit North Carolina and you know, 0:18:44.640 --> 0:18:47.920 devastated Ashville. We went through so many hurricanes when we 0:18:47.920 --> 0:18:51.720 were there. Down power lines are so common because of 0:18:51.720 --> 0:18:56.040 how many trees fall, and even having the tree fall 0:18:56.280 --> 0:18:59.399 at the beach and block Quinn from being able to 0:18:59.560 --> 0:19:04.240 escape with Katie. It tracked even though we were watching 0:19:04.320 --> 0:19:08.080 two separate incidents. It tracked what was happening across the 0:19:08.119 --> 0:19:11.360 city in a really smart way. And to your point, Yeah, 0:19:11.400 --> 0:19:14.120 I kept thinking, oh my god, what what if these 0:19:14.160 --> 0:19:19.400 people get electrocuted in the middle of this? And there 0:19:19.520 --> 0:19:25.000 really is something I think about grounding the Brook, Julian 0:19:25.119 --> 0:19:29.080 and Jamie of it all with Jamie as a kid, 0:19:29.560 --> 0:19:32.120 you have to you got to keep calm when kids 0:19:32.160 --> 0:19:34.439 are scared, because if they see how scared you are, 0:19:34.480 --> 0:19:37.000 they get even more scared. And so there was this 0:19:37.080 --> 0:19:42.199 really interesting it was in a really terrifying scenario, but 0:19:42.520 --> 0:19:46.320 watching it back, some of the stuff with me and Jackson, 0:19:46.720 --> 0:19:48.760 the Brook and Jamie of it all felt almost like 0:19:48.800 --> 0:19:53.359 a buddy comedy in a you know, environmental disaster, and 0:19:53.400 --> 0:19:55.760 I was like, Oh, this is a smart way to 0:19:55.760 --> 0:19:58.879 toggle back and forth between exactly what you're saying, this 0:19:59.000 --> 0:20:02.600 heightened terror and then this other energy. 0:20:03.320 --> 0:20:03.879 It was cool. 0:20:16.520 --> 0:20:19.760 Have we done a storm episode before? Like, did it 0:20:19.800 --> 0:20:22.479 really take us eight seasons to do a big storm? 0:20:22.600 --> 0:20:22.800 Oh? 0:20:22.880 --> 0:20:23.879 We've done big ones. 0:20:24.119 --> 0:20:24.639