1 00:00:00,080 --> 00:00:03,520 Speaker 1: First of all, you don't know me. All about that 2 00:00:03,640 --> 00:00:06,439 Speaker 1: high school drama, Girl drama, girl, all about. 3 00:00:06,160 --> 00:00:08,119 Speaker 2: Them high school queens. 4 00:00:08,160 --> 00:00:10,360 Speaker 3: We'll take you for a ride, and our comic girl 5 00:00:11,119 --> 00:00:15,640 Speaker 3: sharing for the right teen drama queens up girl fashion, but. 6 00:00:15,720 --> 00:00:17,480 Speaker 2: Your tough girl, you could sit with us. 7 00:00:17,520 --> 00:00:21,239 Speaker 1: Girl Drama, Queens Drama, Queens Drama, Queens Drama, drahn the 8 00:00:21,320 --> 00:00:24,680 Speaker 1: Queens Drama Queens. 9 00:00:28,440 --> 00:00:34,640 Speaker 4: I respect the brevity of this week's synopsis. I like 10 00:00:34,680 --> 00:00:36,680 Speaker 4: it that we're like, let's not even bother, let's just 11 00:00:36,760 --> 00:00:38,279 Speaker 4: say it hits the fan. 12 00:00:38,880 --> 00:00:41,440 Speaker 5: It is the perfect way to start this episode. Ladies 13 00:00:41,440 --> 00:00:45,360 Speaker 5: and gentlemen, you're here with us. We are on season eight, 14 00:00:45,400 --> 00:00:48,080 Speaker 5: episode eleven, Darkness on the Edge of Town air day, 15 00:00:48,080 --> 00:00:53,960 Speaker 5: December seventh, twenty ten, and the blessedly short synopsis that 16 00:00:54,320 --> 00:01:00,200 Speaker 5: Rob is talking about reads, thus a storm strikes Tree Hill, 17 00:01:00,520 --> 00:01:03,840 Speaker 5: putting everyone's life in danger the end. 18 00:01:05,560 --> 00:01:08,039 Speaker 3: It's really just so short, it is. 19 00:01:09,120 --> 00:01:10,880 Speaker 4: I was so excited. If you get to the synopsis, 20 00:01:10,920 --> 00:01:12,080 Speaker 4: I just I dissociated. 21 00:01:12,520 --> 00:01:15,039 Speaker 3: I wonder if the person that had to write it 22 00:01:15,160 --> 00:01:17,800 Speaker 3: was like, you kind of got to see it to 23 00:01:17,840 --> 00:01:18,240 Speaker 3: believe it. 24 00:01:18,280 --> 00:01:21,240 Speaker 4: I give up, Yeah, yes, because if you wrote it, 25 00:01:21,360 --> 00:01:24,560 Speaker 4: you'd be like, and then this person has head trauma, 26 00:01:24,680 --> 00:01:27,240 Speaker 4: and this person also has head trauma, and this person 27 00:01:27,280 --> 00:01:30,880 Speaker 4: gets stabbed, and this it would just be it would 28 00:01:30,880 --> 00:01:35,560 Speaker 4: be a mess. We are also joined by the lovely, 29 00:01:35,800 --> 00:01:43,800 Speaker 4: the psychotic, massively talented Amanda Schule. Hi High Poal, Hi buddy, 30 00:01:46,400 --> 00:01:48,360 Speaker 4: you were great in this episode. 31 00:01:49,840 --> 00:01:52,360 Speaker 2: In this episode, so many layers. 32 00:01:52,800 --> 00:01:54,880 Speaker 4: This episode was not my best work, but I got 33 00:01:54,920 --> 00:01:57,560 Speaker 4: to say the three of you crushed it. 34 00:01:57,840 --> 00:01:58,800 Speaker 6: I thought you were great. 35 00:01:59,440 --> 00:01:59,920 Speaker 3: Thank you. 36 00:02:00,120 --> 00:02:03,040 Speaker 4: I've been told my off camera presence is almost better 37 00:02:03,080 --> 00:02:04,440 Speaker 4: than my on camera presence. 38 00:02:04,720 --> 00:02:06,560 Speaker 3: I just think it speaks to who you are as 39 00:02:06,600 --> 00:02:09,840 Speaker 3: an actor that in every scene that Quinn called Clay, 40 00:02:10,000 --> 00:02:12,800 Speaker 3: you were really on the phone for Chantal. It's like 41 00:02:13,600 --> 00:02:16,320 Speaker 3: you really are a team player. Rob, You're a good dude. 42 00:02:16,639 --> 00:02:19,239 Speaker 4: Thank you for seeing you that. 43 00:02:19,680 --> 00:02:21,640 Speaker 5: That is something that you don't think about often when 44 00:02:21,680 --> 00:02:23,679 Speaker 5: you're watching a TV show that an actor may be 45 00:02:23,800 --> 00:02:27,440 Speaker 5: talking to another character on the phone, and often they're 46 00:02:27,600 --> 00:02:31,200 Speaker 5: just reading with somebody off camera, usually script supervisor or 47 00:02:31,360 --> 00:02:34,200 Speaker 5: an ad or something as reading the other person's lines. 48 00:02:34,240 --> 00:02:38,400 Speaker 5: But on our show, our guys figured out how to 49 00:02:38,440 --> 00:02:40,680 Speaker 5: get the get everybody on the phone. So even if 50 00:02:40,760 --> 00:02:43,040 Speaker 5: Rob was out grocery shopping, you know, you just step 51 00:02:43,120 --> 00:02:45,160 Speaker 5: to the side and jump on the phone for the 52 00:02:45,200 --> 00:02:49,160 Speaker 5: scene so that Chantal could actually hear his voice, and 53 00:02:49,200 --> 00:02:50,560 Speaker 5: we would a lot of us would do that for 54 00:02:50,600 --> 00:02:52,640 Speaker 5: each other. It's it's a really nice little addition to 55 00:02:52,720 --> 00:02:54,160 Speaker 5: our situation. 56 00:02:54,800 --> 00:02:58,000 Speaker 6: I've only had that once that somebody was actually on 57 00:02:58,040 --> 00:03:01,680 Speaker 6: the phone with me, and I am terrable with pretend 58 00:03:01,720 --> 00:03:06,480 Speaker 6: phone calls. Absolutely terrible, So well done your people for 59 00:03:06,560 --> 00:03:07,359 Speaker 6: figuring that out. 60 00:03:07,720 --> 00:03:11,840 Speaker 3: It's so awkward. At least if your script supervisor reads 61 00:03:11,880 --> 00:03:15,240 Speaker 3: with you, like the off camera person, at least you're 62 00:03:15,240 --> 00:03:18,840 Speaker 3: having a conversation. But when you're just doing the dialogue 63 00:03:18,840 --> 00:03:20,600 Speaker 3: and you're like, hey, honey, what time did you say 64 00:03:20,639 --> 00:03:23,880 Speaker 3: you'd be home? And then you're like be be me. 65 00:03:24,280 --> 00:03:26,920 Speaker 3: Oh okay, so you might get there before me, And 66 00:03:26,960 --> 00:03:30,040 Speaker 3: you just feel so stupid because you're like, am I 67 00:03:30,080 --> 00:03:32,600 Speaker 3: waiting long enough for this person to actually say the 68 00:03:32,639 --> 00:03:35,400 Speaker 3: thing that I know they're shooting next Wednesday? Is it 69 00:03:35,440 --> 00:03:39,640 Speaker 3: even going to matter? And then you feel nuts and 70 00:03:39,720 --> 00:03:41,720 Speaker 3: basically just I don't know. At least for me, I'm like, 71 00:03:41,760 --> 00:03:44,120 Speaker 3: I'm questioning every choice I've ever made in my life 72 00:03:44,160 --> 00:03:44,760 Speaker 3: in this moment. 73 00:03:45,120 --> 00:03:45,960 Speaker 2: It's so awkward. 74 00:03:46,040 --> 00:03:48,320 Speaker 5: I also feel like it can be really awkward if 75 00:03:48,320 --> 00:03:51,920 Speaker 5: the person reading like really wants to do a good job, 76 00:03:51,960 --> 00:03:54,080 Speaker 5: and so then they start acting out the part for 77 00:03:54,200 --> 00:03:57,720 Speaker 5: you off camera, not the other actor, just like a 78 00:03:57,760 --> 00:04:01,000 Speaker 5: stand in or ad or whoever you know, been given 79 00:04:01,040 --> 00:04:03,320 Speaker 5: the job of reading your sides, and they're really trying. 80 00:04:03,320 --> 00:04:05,440 Speaker 5: But then I'm like, it's really throwing me off because 81 00:04:05,480 --> 00:04:07,680 Speaker 5: I'm like, I don't I really don't actually want you 82 00:04:07,720 --> 00:04:10,160 Speaker 5: to act. I want you to just say words, please. 83 00:04:09,920 --> 00:04:11,840 Speaker 3: Please don't. Can I tell you? 84 00:04:11,840 --> 00:04:12,160 Speaker 2: Guys? 85 00:04:12,280 --> 00:04:14,760 Speaker 3: The most awkward example I have of this that is 86 00:04:14,840 --> 00:04:17,320 Speaker 3: truely one of my favorite days I've ever had on set. 87 00:04:18,240 --> 00:04:21,360 Speaker 3: I was working on a show and also shooting a 88 00:04:21,360 --> 00:04:24,840 Speaker 3: movie which like what a blessing? What a curse? And 89 00:04:24,880 --> 00:04:28,640 Speaker 3: that there was a week where the travel didn't line 90 00:04:28,720 --> 00:04:31,200 Speaker 3: up kind of at the end of the movie. Between 91 00:04:31,200 --> 00:04:33,520 Speaker 3: me and this like actor I've looked up to my 92 00:04:33,560 --> 00:04:37,159 Speaker 3: whole life, like one arguably probably the most famous actor 93 00:04:37,160 --> 00:04:39,719 Speaker 3: I've ever worked with. I'm like so excited to be 94 00:04:39,760 --> 00:04:43,040 Speaker 3: on set with him. We've had the best time, and 95 00:04:43,120 --> 00:04:46,680 Speaker 3: no one has told me on this day that I'm 96 00:04:46,720 --> 00:04:50,839 Speaker 3: on set and he's not, And I'm like, what but 97 00:04:50,920 --> 00:04:52,400 Speaker 3: what do you And they were like, yeah, we're going 98 00:04:52,440 --> 00:04:54,719 Speaker 3: to shoot a bunch of your coverage because we got 99 00:04:54,720 --> 00:04:56,240 Speaker 3: to get you out for your show. And he's going 100 00:04:56,320 --> 00:04:58,520 Speaker 3: to do this other thing, and so his double's going 101 00:04:58,560 --> 00:04:59,760 Speaker 3: to work with you and he's done. You know, he 102 00:04:59,800 --> 00:05:02,240 Speaker 3: does this. They're very well practiced at this, because you know, 103 00:05:02,720 --> 00:05:05,320 Speaker 3: he has this big career. I'm like, okay, all right, 104 00:05:05,520 --> 00:05:07,520 Speaker 3: the double's been great. He's really nice. You know, he's 105 00:05:07,520 --> 00:05:11,160 Speaker 3: on set. They're doing all this stunt coordination whatever. But 106 00:05:11,279 --> 00:05:19,200 Speaker 3: nobody tells me that this lovely man's lovely double doesn't act. 107 00:05:19,440 --> 00:05:22,440 Speaker 3: He does the stunt stuff, but he doesn't do any dialogue. 108 00:05:23,160 --> 00:05:28,080 Speaker 3: So we are rolling and this amazing, like most entertaining 109 00:05:28,120 --> 00:05:31,520 Speaker 3: person on set, young scrip supervisor. We have this chick 110 00:05:31,520 --> 00:05:35,520 Speaker 3: from Argentina who makes everybody laugh every day. I look 111 00:05:35,560 --> 00:05:38,320 Speaker 3: at this actor's double, I deliver my line and from 112 00:05:38,360 --> 00:05:39,600 Speaker 3: like eighty feet away here. 113 00:05:39,760 --> 00:05:41,880 Speaker 4: You gotta call the d we know where the drugs 114 00:05:41,920 --> 00:05:43,080 Speaker 4: are coming from. 115 00:05:44,240 --> 00:05:50,279 Speaker 3: And I was like, and I just had to like 116 00:05:50,400 --> 00:05:54,200 Speaker 3: do a take with this woman from like way far 117 00:05:54,279 --> 00:05:58,880 Speaker 3: away screaming and this lovely man like doing all the 118 00:05:58,880 --> 00:06:02,080 Speaker 3: physical action, looking at the ground and not speaking. To 119 00:06:02,120 --> 00:06:05,800 Speaker 3: me and they cut and the director was like, honestly, 120 00:06:05,800 --> 00:06:07,960 Speaker 3: you guys are so amazing, Like the way you can 121 00:06:08,040 --> 00:06:11,000 Speaker 3: just do that together, no one would ever know. And 122 00:06:11,040 --> 00:06:16,400 Speaker 3: I was like, bro, I didn't know. I didn't know, 123 00:06:18,000 --> 00:06:19,920 Speaker 3: and like honestly, I watched the movie and I was like, 124 00:06:19,960 --> 00:06:22,760 Speaker 3: you'd never know, So maybe we shouldn't be self conscious 125 00:06:22,760 --> 00:06:23,279 Speaker 3: about anything. 126 00:06:23,320 --> 00:06:26,520 Speaker 4: Ever, I just can't believe that Scott Beao did that 127 00:06:26,560 --> 00:06:31,280 Speaker 4: to you, I know. 128 00:06:32,080 --> 00:06:33,920 Speaker 3: In charge of what rob. 129 00:06:33,960 --> 00:06:36,599 Speaker 5: I wish that I could somehow be a fly on 130 00:06:36,640 --> 00:06:39,920 Speaker 5: the wall inside your mind. Like there's so many times 131 00:06:39,960 --> 00:06:42,080 Speaker 5: when you I feel like you're just sitting listening quietly, 132 00:06:42,200 --> 00:06:44,880 Speaker 5: and I've had conversations with you just across the table 133 00:06:45,000 --> 00:06:47,320 Speaker 5: and you're so good at listening. You really check in. 134 00:06:47,400 --> 00:06:49,640 Speaker 5: You're like right there along with But I just want 135 00:06:49,640 --> 00:06:53,880 Speaker 5: to hear the narration that's rolling behind the behind is 136 00:06:54,000 --> 00:06:57,720 Speaker 5: still dropped in this there's definitely a script running well. 137 00:06:57,760 --> 00:06:58,480 Speaker 2: It feels like you. 138 00:06:58,480 --> 00:07:01,640 Speaker 3: Have a whole team of SNL like joke writers just 139 00:07:01,760 --> 00:07:04,680 Speaker 3: up there all the time being like, oh, if she 140 00:07:04,800 --> 00:07:07,440 Speaker 3: pauses here, I got it. Nope, she's pausing there, I 141 00:07:07,480 --> 00:07:09,320 Speaker 3: got it now, Like it's so good. 142 00:07:10,440 --> 00:07:12,840 Speaker 4: The script is usually like what's what's for lunch? 143 00:07:13,400 --> 00:07:14,120 Speaker 6: What do I have? 144 00:07:14,320 --> 00:07:16,440 Speaker 4: What snacks do we have? And then occasionally it's like 145 00:07:16,480 --> 00:07:20,400 Speaker 4: Scott Bay, it would be funny here, say Scott baa, yeah, 146 00:07:20,520 --> 00:07:22,080 Speaker 4: in the same vein as you. So I have an 147 00:07:22,160 --> 00:07:25,960 Speaker 4: incredibly awkward story from one it's like my first big 148 00:07:26,000 --> 00:07:32,360 Speaker 4: show and uh doesn't Yeah, And Lipstick Jungle ad sex 149 00:07:32,400 --> 00:07:35,400 Speaker 4: like every episode of Lipstick, right, and I'm like, I 150 00:07:35,480 --> 00:07:37,680 Speaker 4: came in late in the pilot got picked up. So 151 00:07:37,680 --> 00:07:39,280 Speaker 4: then we go to New York, right, And one of 152 00:07:39,320 --> 00:07:43,600 Speaker 4: the scenes we have to reshoot is a bedroom love 153 00:07:43,640 --> 00:07:47,040 Speaker 4: making scene. They didn't have the room for it, so 154 00:07:47,080 --> 00:07:49,920 Speaker 4: they built three quarters of a bedroom in the middle 155 00:07:50,000 --> 00:07:51,560 Speaker 4: of a high school gymnasium. 156 00:07:51,680 --> 00:07:52,440 Speaker 3: Oh my god. 157 00:07:52,880 --> 00:07:56,440 Speaker 4: And my my love interest on the show, Kim Raver, 158 00:07:56,560 --> 00:08:00,640 Speaker 4: had just had her child, so they had a double 159 00:08:00,680 --> 00:08:03,280 Speaker 4: for her. And they had also told me like two 160 00:08:03,360 --> 00:08:05,000 Speaker 4: days prior, like, hey, you're gonna have to wear a 161 00:08:05,000 --> 00:08:05,920 Speaker 4: modesty triangle. 162 00:08:06,280 --> 00:08:06,960 Speaker 3: Oh my god. 163 00:08:07,320 --> 00:08:10,360 Speaker 4: They actually they just sent a rider to my like 164 00:08:10,400 --> 00:08:12,160 Speaker 4: to my contract, to my agents, and I just saw 165 00:08:12,200 --> 00:08:14,600 Speaker 4: a modesty triangle and something deep in my core was like, 166 00:08:14,640 --> 00:08:16,560 Speaker 4: this is not good. It's not good. 167 00:08:16,560 --> 00:08:16,840 Speaker 6: Gang. 168 00:08:16,840 --> 00:08:18,640 Speaker 4: For those of you who don't know all show the 169 00:08:18,640 --> 00:08:21,640 Speaker 4: YouTube audience. It's like at this tiny triangle of fabric 170 00:08:22,000 --> 00:08:24,440 Speaker 4: with a second piece sewn on the bottom, and you 171 00:08:24,520 --> 00:08:27,840 Speaker 4: basically just like put yourself in this triangle and there's 172 00:08:28,120 --> 00:08:31,320 Speaker 4: there's topstick tape on the top of it, and it 173 00:08:31,400 --> 00:08:34,600 Speaker 4: essentially turns you into a kendle like, Oh, I would 174 00:08:34,679 --> 00:08:36,480 Speaker 4: rather be naked than wear this thing. 175 00:08:36,800 --> 00:08:39,360 Speaker 3: Oh my god, I would rather be dead. 176 00:08:41,040 --> 00:08:43,960 Speaker 4: Like I wish that were the most embarrassing part. But no, 177 00:08:44,320 --> 00:08:48,200 Speaker 4: So I show up high school gymnasium. This set ain't closed, right, 178 00:08:48,240 --> 00:08:52,439 Speaker 4: there's people everywhere. Wait wait, wait what well I should 179 00:08:52,559 --> 00:08:54,800 Speaker 4: I mean, it's it's big, so it's closed, but like. 180 00:08:54,800 --> 00:08:55,960 Speaker 2: But people are walking around. 181 00:08:56,040 --> 00:08:59,080 Speaker 4: Well, there's no wall exactly, Like it was hard to 182 00:08:59,120 --> 00:09:00,120 Speaker 4: create privacy. 183 00:09:00,360 --> 00:09:02,559 Speaker 6: Well how did they didn't make a wall? Like, they 184 00:09:02,559 --> 00:09:05,000 Speaker 6: didn't hang a curtain of some sort. 185 00:09:05,120 --> 00:09:07,480 Speaker 4: No, they had they had a couple of the walls, right, 186 00:09:07,600 --> 00:09:10,440 Speaker 4: This was the early adds exactly. And they put video 187 00:09:10,559 --> 00:09:12,800 Speaker 4: village like on the other side of the set obviously, 188 00:09:12,840 --> 00:09:15,160 Speaker 4: so they were completely out of the eye line. They 189 00:09:15,320 --> 00:09:17,920 Speaker 4: trod in a gal and they go like, Hi, this 190 00:09:18,000 --> 00:09:22,000 Speaker 4: is Carly. She's gonna be Kim's double I'm like, Okay, hey, 191 00:09:22,000 --> 00:09:24,360 Speaker 4: it's nice to meet you. I'm rob. They're like, great, 192 00:09:24,800 --> 00:09:26,160 Speaker 4: d robe I have? 193 00:09:26,360 --> 00:09:26,520 Speaker 6: I have? 194 00:09:26,640 --> 00:09:28,640 Speaker 4: So then she literally lays down and I'm like, it's 195 00:09:28,720 --> 00:09:31,000 Speaker 4: nice to meet you. As she's in just pasties. 196 00:09:31,160 --> 00:09:33,359 Speaker 3: So you did love actually the real. 197 00:09:33,440 --> 00:09:38,319 Speaker 4: The real scene and oh, I'm so she's in just pasties. 198 00:09:38,360 --> 00:09:41,559 Speaker 4: I'm in a modesty triangle and like literally like how 199 00:09:41,559 --> 00:09:43,640 Speaker 4: do I make what is this appropriate small talk in 200 00:09:43,640 --> 00:09:46,080 Speaker 4: this situation? Like hi, is your dad going well? And 201 00:09:46,120 --> 00:09:49,080 Speaker 4: then they give me an eye line that's the headboard 202 00:09:49,600 --> 00:09:52,120 Speaker 4: and then they're like action and as we're doing it, 203 00:09:52,520 --> 00:09:56,240 Speaker 4: our producing director is shouting from across a gymnasium, all. 204 00:09:56,200 --> 00:09:58,760 Speaker 7: Right, Robbie, all right, now you're just your love making. 205 00:09:58,960 --> 00:10:01,560 Speaker 7: It's a spartan it's a now you love her, Now 206 00:10:01,559 --> 00:10:05,360 Speaker 7: you love her. Now you're climaxing. Now you're climaxing. It 207 00:10:05,480 --> 00:10:07,240 Speaker 7: was like having your creepy uncle in. 208 00:10:07,200 --> 00:10:10,800 Speaker 4: The closet while you lose your virginity. It also happened 209 00:10:10,840 --> 00:10:13,440 Speaker 4: in that moment was I realized I've actually never paid 210 00:10:13,440 --> 00:10:16,280 Speaker 4: attention to the face I make in some of those moments, 211 00:10:16,360 --> 00:10:18,960 Speaker 4: and I'm my brain was as quickly as it could 212 00:10:19,000 --> 00:10:21,079 Speaker 4: going Holy what is the face we make? What is 213 00:10:21,080 --> 00:10:22,760 Speaker 4: an appropriate face to make? Oh my god, this is 214 00:10:22,760 --> 00:10:25,080 Speaker 4: a nightmare and I think it's blacked out for the 215 00:10:25,080 --> 00:10:25,959 Speaker 4: rest I. 216 00:10:25,920 --> 00:10:29,880 Speaker 6: Geel so sick right now. I feel physically, Yeah, that 217 00:10:30,000 --> 00:10:30,520 Speaker 6: is that. 218 00:10:30,520 --> 00:10:35,960 Speaker 4: Is a unique Yeah yeah, no, my god, did I 219 00:10:36,040 --> 00:10:38,000 Speaker 4: just bring the podcast to a screeching home. 220 00:10:38,320 --> 00:10:41,240 Speaker 3: So, by the way, I'm so glad you've told this 221 00:10:41,320 --> 00:10:45,240 Speaker 3: story because the number of people over you know, all 222 00:10:45,240 --> 00:10:47,120 Speaker 3: the years of all of our careers who've done this 223 00:10:47,200 --> 00:10:49,440 Speaker 3: to me and no doubt to you. There's always someone 224 00:10:49,480 --> 00:10:51,360 Speaker 3: you know who pulls you aside and goes like, okay, 225 00:10:51,360 --> 00:10:53,640 Speaker 3: but what's it really like to shoot a love scene? 226 00:10:53,960 --> 00:10:55,760 Speaker 3: Like is it ever kind of sexy? 227 00:10:56,440 --> 00:10:56,679 Speaker 1: Is it? 228 00:10:57,040 --> 00:11:02,400 Speaker 3: And you're like no, no, flat out no, never, not ever. 229 00:11:02,720 --> 00:11:08,000 Speaker 3: It's awkward, it's it's I hope this gives people the 230 00:11:08,120 --> 00:11:11,520 Speaker 3: pink behind the curtain that they may be never wanted. 231 00:11:11,320 --> 00:11:12,959 Speaker 2: The non curtain that didn't exist for. 232 00:11:13,160 --> 00:11:15,480 Speaker 4: Oh my god, I had to make bedroomids at a 233 00:11:15,480 --> 00:11:17,760 Speaker 4: piece of green tape laying on top of a poor 234 00:11:17,800 --> 00:11:18,480 Speaker 4: strange gal. 235 00:11:19,000 --> 00:11:21,880 Speaker 3: You're a really good sport and she's a good sport. 236 00:11:21,960 --> 00:11:24,199 Speaker 3: I hope someone sent that woman flowers. 237 00:11:24,640 --> 00:11:25,000 Speaker 2: Carly. 238 00:11:25,080 --> 00:11:25,840 Speaker 3: If you're out there. 239 00:11:27,240 --> 00:11:29,120 Speaker 4: I know that's not your real name, whoever that's standing. 240 00:11:29,360 --> 00:11:31,920 Speaker 3: You know, it's okay. She knows if she hears this, 241 00:11:32,000 --> 00:11:34,839 Speaker 3: she's going to know we're talking about her. But her 242 00:11:34,880 --> 00:11:37,200 Speaker 3: code name shall forever more be Carly. 243 00:11:37,480 --> 00:11:39,280 Speaker 4: You're a real one, Carly Well. 244 00:11:39,600 --> 00:11:42,120 Speaker 2: Stunt doubles is a good way to get into this episode. 245 00:11:42,240 --> 00:11:42,400 Speaker 6: It is. 246 00:11:42,679 --> 00:11:46,640 Speaker 2: There really is so many people that had to jump in. 247 00:11:46,679 --> 00:11:47,520 Speaker 2: We had a big. 248 00:11:47,360 --> 00:11:51,240 Speaker 5: Stunt team on this episode. I think, so, yeah, let's 249 00:11:51,800 --> 00:11:53,080 Speaker 5: let's get started. 250 00:11:55,000 --> 00:11:58,160 Speaker 3: Okay, I have a question to dive in because we 251 00:11:58,240 --> 00:12:03,920 Speaker 3: get this cryptic, you know, musical end to the episode 252 00:12:04,000 --> 00:12:08,160 Speaker 3: leading us here with you Amanda and a I was like, 253 00:12:08,480 --> 00:12:13,880 Speaker 3: great singing voice I never knew. Be the the drive 254 00:12:13,960 --> 00:12:17,559 Speaker 3: into town and the weatherman and the storm. It almost 255 00:12:17,559 --> 00:12:21,200 Speaker 3: felt like an old radio play setting up this, you know, 256 00:12:21,320 --> 00:12:24,520 Speaker 3: big terrible thing that was going to happen. What was 257 00:12:24,559 --> 00:12:28,520 Speaker 3: it like when you got this script and read that 258 00:12:28,600 --> 00:12:30,839 Speaker 3: this was going to be the culmination of the Katie 259 00:12:30,880 --> 00:12:34,000 Speaker 3: storyline or had they told you, you know, an X 260 00:12:34,040 --> 00:12:37,520 Speaker 3: amount of episodes you're going to come back like, did 261 00:12:37,559 --> 00:12:39,880 Speaker 3: you know? Or was it a complete surprise that you 262 00:12:39,960 --> 00:12:43,040 Speaker 3: were going you know, American Psycho. 263 00:12:42,679 --> 00:12:48,960 Speaker 6: Almost I don't remember knowing. Okay, obviously we had hints 264 00:12:49,000 --> 00:12:54,520 Speaker 6: that she wasn't firing with all cylinders. 265 00:12:54,640 --> 00:12:57,040 Speaker 4: I guess done diplomatic. 266 00:12:57,120 --> 00:13:00,040 Speaker 6: Yeah, so obviously we knew that. I don't remember. I 267 00:13:00,080 --> 00:13:05,439 Speaker 6: didn't in any hints about that. Joy's episode was the 268 00:13:05,480 --> 00:13:09,960 Speaker 6: first the one you directed, was the first time I 269 00:13:10,040 --> 00:13:12,280 Speaker 6: came back as the other person, And I think I 270 00:13:12,360 --> 00:13:15,560 Speaker 6: knew I had a said amount of episodes, but I 271 00:13:15,559 --> 00:13:17,760 Speaker 6: didn't know exactly what her journey was going to be. 272 00:13:20,480 --> 00:13:23,240 Speaker 2: Well, you had a lot to do. You really got 273 00:13:23,240 --> 00:13:23,800 Speaker 2: to show up. 274 00:13:23,800 --> 00:13:26,559 Speaker 5: And I loved all the different just all the different 275 00:13:26,640 --> 00:13:29,880 Speaker 5: layers of the cat and mouse and you having fun 276 00:13:30,640 --> 00:13:35,960 Speaker 5: being so insane. And I could see all of the 277 00:13:36,000 --> 00:13:38,920 Speaker 5: feelings that she was experiencing, all of the trouble, all 278 00:13:38,960 --> 00:13:43,320 Speaker 5: of the hatred and anger and yet the desperation. And 279 00:13:43,600 --> 00:13:45,800 Speaker 5: that's a lot to keep track of while you're running 280 00:13:45,840 --> 00:13:49,480 Speaker 5: through well you're soaking wet, running through a house and 281 00:13:49,600 --> 00:13:51,240 Speaker 5: running through rain, and it's a lot. 282 00:13:51,400 --> 00:13:53,120 Speaker 4: All of you get a gold star. 283 00:13:53,679 --> 00:13:55,240 Speaker 2: Well, I sat in the car, but. 284 00:13:55,240 --> 00:13:57,520 Speaker 6: You know for sure you got out of the car. 285 00:13:57,600 --> 00:13:58,480 Speaker 6: You got out of the car. 286 00:13:59,320 --> 00:14:01,480 Speaker 4: Let's stick with the Quinn and the Katie of it 287 00:14:01,559 --> 00:14:05,320 Speaker 4: for a moment, because I will say in an episode 288 00:14:05,320 --> 00:14:09,839 Speaker 4: of Just Highest Stakes Hijinks, the one thing I turned 289 00:14:09,840 --> 00:14:13,120 Speaker 4: my head out and went really was at the beginning 290 00:14:13,720 --> 00:14:17,800 Speaker 4: when Katie's hair is dripping and so water is dripping 291 00:14:17,840 --> 00:14:21,440 Speaker 4: on the floor, Quinn just grabs a bowl and puts 292 00:14:21,440 --> 00:14:23,800 Speaker 4: it on the floor and doesn't even bother to see 293 00:14:23,840 --> 00:14:25,080 Speaker 4: where the leak is coming from. 294 00:14:25,360 --> 00:14:27,440 Speaker 2: Wait, she didn't look up. I thought she looked up. 295 00:14:27,680 --> 00:14:29,720 Speaker 6: You know, she looked up for a second, but she 296 00:14:29,880 --> 00:14:31,400 Speaker 6: doesn't investigate the source. 297 00:14:31,880 --> 00:14:34,960 Speaker 4: Yeah, so I'm saying, in the middle of the monsoon, Yeah, 298 00:14:35,000 --> 00:14:37,680 Speaker 4: your roof starts leaking, it's not her house. You're not 299 00:14:37,720 --> 00:14:39,160 Speaker 4: gonna You're not gonna investigate. 300 00:14:39,360 --> 00:14:41,720 Speaker 6: Ah, it is not her responsibility. 301 00:14:42,920 --> 00:14:47,120 Speaker 3: This observation is actually what proves to our listeners that 302 00:14:47,160 --> 00:14:50,080 Speaker 3: we are adults now, whereas when we made this show 303 00:14:50,120 --> 00:14:54,520 Speaker 3: we were basically still college students. Because now we're all homeowners, 304 00:14:54,760 --> 00:14:57,320 Speaker 3: and it's like the minute there's water and it's raining, 305 00:14:57,360 --> 00:14:59,840 Speaker 3: you're in a full panic running around figuring out where 306 00:14:59,840 --> 00:15:03,480 Speaker 3: it's coming from your in attic. And yeah, she just 307 00:15:03,480 --> 00:15:05,680 Speaker 3: looks up and goes a leak and gets a bowl, 308 00:15:06,160 --> 00:15:09,040 Speaker 3: And it's like, oh wow, that really it does show 309 00:15:09,120 --> 00:15:12,280 Speaker 3: our youth sometimes the things we just didn't know yet. 310 00:15:12,520 --> 00:15:15,840 Speaker 4: Yeah, and then and I may just I'm not sure. 311 00:15:16,280 --> 00:15:18,040 Speaker 4: To me, this did not seem like a normal thing 312 00:15:18,080 --> 00:15:21,520 Speaker 4: to do. But would you just not cut the apple 313 00:15:21,560 --> 00:15:24,000 Speaker 4: in the kitchen and then bring the sliced apple into 314 00:15:24,000 --> 00:15:24,600 Speaker 4: the bedroom. 315 00:15:24,880 --> 00:15:27,160 Speaker 6: I was really upset that the apple was going to 316 00:15:27,160 --> 00:15:29,560 Speaker 6: be cut on a plate, because that dolls your knives, 317 00:15:30,040 --> 00:15:33,920 Speaker 6: and so I was frustrated that she wasn't going to 318 00:15:34,000 --> 00:15:34,880 Speaker 6: use a cutting board. 319 00:15:35,560 --> 00:15:37,560 Speaker 5: But she knew she was going to use the knife 320 00:15:37,640 --> 00:15:40,240 Speaker 5: because she was She knew as soon as she left. 321 00:15:40,080 --> 00:15:42,280 Speaker 2: The room that you were there and that she was 322 00:15:42,360 --> 00:15:43,239 Speaker 2: going upstairs. 323 00:15:43,520 --> 00:15:47,720 Speaker 6: But she had gotten the knife, placed it on the plate, 324 00:15:48,240 --> 00:15:50,360 Speaker 6: and then went off and did a couple of things, 325 00:15:50,440 --> 00:15:53,160 Speaker 6: checks on the car, came back, did the tea and 326 00:15:53,240 --> 00:15:55,160 Speaker 6: blah blah blah, And it was like there was no 327 00:15:55,240 --> 00:15:58,640 Speaker 6: cutting board out at any point, and it was dressing 328 00:15:58,680 --> 00:16:01,760 Speaker 6: me out. And then and I realized that she was 329 00:16:01,840 --> 00:16:04,920 Speaker 6: going to take it into the kitchen after that, but 330 00:16:05,400 --> 00:16:08,160 Speaker 6: I didn't see a cutting board on the horizon, you know. 331 00:16:08,800 --> 00:16:13,960 Speaker 3: Yeah, Yeah, it was interesting because you know, there's so 332 00:16:14,080 --> 00:16:17,640 Speaker 3: much that's fantastical about an episode like this, And I 333 00:16:17,680 --> 00:16:25,920 Speaker 3: thought everybody really grounded into it, and even I don't 334 00:16:25,960 --> 00:16:29,560 Speaker 3: know even some of those details. While they certainly bumped me, 335 00:16:30,520 --> 00:16:34,600 Speaker 3: what was fun for me as an audience member was 336 00:16:34,840 --> 00:16:37,000 Speaker 3: when I realized when you go in the bedroom and 337 00:16:37,040 --> 00:16:39,760 Speaker 3: pull the covers back and the pillows are there, I'm like, Oh, 338 00:16:39,800 --> 00:16:43,720 Speaker 3: she's in on it. She's in on it, okay. And 339 00:16:43,760 --> 00:16:47,240 Speaker 3: then suddenly some of what bumped me felt more like 340 00:16:47,480 --> 00:16:52,200 Speaker 3: her playing along. So I don't know, maybe maybe she 341 00:16:52,280 --> 00:16:54,160 Speaker 3: was never going to dull the knife, maybe she was. 342 00:16:54,440 --> 00:16:56,840 Speaker 6: Who knows she was going to dull the knife, But 343 00:16:59,240 --> 00:17:02,440 Speaker 6: I know I think for yes, there were all of 344 00:17:02,480 --> 00:17:06,840 Speaker 6: these not all most of these storylines were fantastical. This 345 00:17:07,040 --> 00:17:11,480 Speaker 6: was sort of just this was the horror movie element storyline, right. 346 00:17:11,760 --> 00:17:13,959 Speaker 5: And we hadn't done something like that in a very 347 00:17:14,000 --> 00:17:17,240 Speaker 5: long time on our show, Like we've over the seasons 348 00:17:17,320 --> 00:17:20,359 Speaker 5: had spots where it's like the horror movie element of it, 349 00:17:20,440 --> 00:17:24,119 Speaker 5: you know, with the Psychoederic and Anny Carrey. Anny Carrey, 350 00:17:24,200 --> 00:17:26,480 Speaker 5: there's always like a little something every once in a 351 00:17:26,480 --> 00:17:30,240 Speaker 5: while just to keep the audience on their toes and 352 00:17:30,280 --> 00:17:31,960 Speaker 5: feeling like things are super dramatic. 353 00:17:32,040 --> 00:17:34,320 Speaker 6: So we were due for this, But you know what 354 00:17:34,400 --> 00:17:38,840 Speaker 6: was interesting about it though, So this is the horror story. 355 00:17:39,320 --> 00:17:43,040 Speaker 6: Brooks storyline could have been horror story also, But somehow 356 00:17:43,720 --> 00:17:47,959 Speaker 6: this being heightened made this seem much more grounded and 357 00:17:48,000 --> 00:17:52,000 Speaker 6: therefore made me more anxious watching you, Sophia. You know, 358 00:17:52,119 --> 00:17:57,560 Speaker 6: it was like I played watching one and then I 359 00:17:57,720 --> 00:17:59,440 Speaker 6: tensed watching the other. 360 00:18:00,359 --> 00:18:00,800 Speaker 2: Yeah. 361 00:18:00,840 --> 00:18:03,840 Speaker 6: And the fact that you didn't lean into the horror 362 00:18:03,840 --> 00:18:06,639 Speaker 6: of it all with the live wire bouncing around, You 363 00:18:06,680 --> 00:18:08,880 Speaker 6: just kind of looked at it, clocked it. Yep, Hey, 364 00:18:09,040 --> 00:18:11,399 Speaker 6: so how do you spell? You know, it was it 365 00:18:11,480 --> 00:18:17,879 Speaker 6: was much. It didn't it didn't feel as heightened. It 366 00:18:18,000 --> 00:18:19,480 Speaker 6: just felt like a ticking clock. 367 00:18:20,680 --> 00:18:22,840 Speaker 4: And that live wire was a great device because I 368 00:18:22,920 --> 00:18:26,200 Speaker 4: kept looking at that going oh no, no, And then 369 00:18:26,240 --> 00:18:27,280 Speaker 4: that wasn't even the threat. 370 00:18:27,359 --> 00:18:28,520 Speaker 6: That wasn't the threat. I know. 371 00:18:29,800 --> 00:18:32,800 Speaker 3: Yeah, it's a really really smart way that in the 372 00:18:32,840 --> 00:18:37,119 Speaker 3: writer's room they chose to misdirect, especially because and you 373 00:18:37,160 --> 00:18:40,360 Speaker 3: know we've all seen it, even with last year's incredible, 374 00:18:40,840 --> 00:18:44,520 Speaker 3: incredibly large hurricane that hit North Carolina and you know, 375 00:18:44,640 --> 00:18:47,920 Speaker 3: devastated Ashville. We went through so many hurricanes when we 376 00:18:47,920 --> 00:18:51,720 Speaker 3: were there. Down power lines are so common because of 377 00:18:51,720 --> 00:18:56,040 Speaker 3: how many trees fall, and even having the tree fall 378 00:18:56,280 --> 00:18:59,399 Speaker 3: at the beach and block Quinn from being able to 379 00:18:59,560 --> 00:19:04,240 Speaker 3: escape with Katie. It tracked even though we were watching 380 00:19:04,320 --> 00:19:08,080 Speaker 3: two separate incidents. It tracked what was happening across the 381 00:19:08,119 --> 00:19:11,360 Speaker 3: city in a really smart way. And to your point, Yeah, 382 00:19:11,400 --> 00:19:14,120 Speaker 3: I kept thinking, oh my god, what what if these 383 00:19:14,160 --> 00:19:19,400 Speaker 3: people get electrocuted in the middle of this? And there 384 00:19:19,520 --> 00:19:25,000 Speaker 3: really is something I think about grounding the Brook, Julian 385 00:19:25,119 --> 00:19:29,080 Speaker 3: and Jamie of it all with Jamie as a kid, 386 00:19:29,560 --> 00:19:32,120 Speaker 3: you have to you got to keep calm when kids 387 00:19:32,160 --> 00:19:34,439 Speaker 3: are scared, because if they see how scared you are, 388 00:19:34,480 --> 00:19:37,000 Speaker 3: they get even more scared. And so there was this 389 00:19:37,080 --> 00:19:42,199 Speaker 3: really interesting it was in a really terrifying scenario, but 390 00:19:42,520 --> 00:19:46,320 Speaker 3: watching it back, some of the stuff with me and Jackson, 391 00:19:46,720 --> 00:19:48,760 Speaker 3: the Brook and Jamie of it all felt almost like 392 00:19:48,800 --> 00:19:53,359 Speaker 3: a buddy comedy in a you know, environmental disaster, and 393 00:19:53,400 --> 00:19:55,760 Speaker 3: I was like, Oh, this is a smart way to 394 00:19:55,760 --> 00:19:58,879 Speaker 3: toggle back and forth between exactly what you're saying, this 395 00:19:59,000 --> 00:20:02,600 Speaker 3: heightened terror and then this other energy. 396 00:20:03,320 --> 00:20:03,879 Speaker 4: It was cool. 397 00:20:16,520 --> 00:20:19,760 Speaker 2: Have we done a storm episode before? Like, did it 398 00:20:19,800 --> 00:20:22,479 Speaker 2: really take us eight seasons to do a big storm? 399 00:20:22,600 --> 00:20:22,800 Speaker 6: Oh? 400 00:20:22,880 --> 00:20:23,879 Speaker 3: We've done big ones. 401 00:20:24,119 --> 00:20:24,639 Speaker 4: We did. 402 00:20:25,080 --> 00:20:27,080 Speaker 3: Yeah, we did a really big one in season three, 403 00:20:27,160 --> 00:20:28,680 Speaker 3: we did the big hurricane. 404 00:20:29,400 --> 00:20:31,200 Speaker 4: We had a stormy night when you guys do the 405 00:20:31,240 --> 00:20:31,960 Speaker 4: pop brownies. 406 00:20:32,520 --> 00:20:32,800 Speaker 3: Yep. 407 00:20:33,040 --> 00:20:35,440 Speaker 2: Oh yeah, that's a stormy night. That's right, yep. 408 00:20:35,680 --> 00:20:38,119 Speaker 3: And then even in season one when Haley and Nathan 409 00:20:38,200 --> 00:20:41,080 Speaker 3: have that big, like iconic first kiss, it's in the rain. 410 00:20:41,520 --> 00:20:42,120 Speaker 2: It's in the rain. 411 00:20:42,160 --> 00:20:44,800 Speaker 5: We did a lot of rain, but like a proper hurricane. 412 00:20:45,320 --> 00:20:49,199 Speaker 5: I don't remember us doing, which surprised. It surprised me 413 00:20:49,280 --> 00:20:51,639 Speaker 5: on the opening because I was like, wait, of course, 414 00:20:51,720 --> 00:20:53,640 Speaker 5: I mean this happened so often. This was a part 415 00:20:53,640 --> 00:20:56,080 Speaker 5: of our daily I mean our you know, yearly life 416 00:20:56,119 --> 00:20:58,639 Speaker 5: out there. I'm surprised we haven't done more of this. 417 00:20:58,760 --> 00:20:59,800 Speaker 5: But maybe I just forgot. 418 00:21:00,240 --> 00:21:03,000 Speaker 3: I can't remember what the season three episode is, but 419 00:21:03,080 --> 00:21:07,479 Speaker 3: I remember because the big industrial fans that made the 420 00:21:07,520 --> 00:21:10,760 Speaker 3: wind the wind and water whip sideways. There's a big 421 00:21:10,800 --> 00:21:12,919 Speaker 3: scene where Brooke and Lucas get in a fight, like 422 00:21:13,040 --> 00:21:16,000 Speaker 3: out on some road, and we had to loop the 423 00:21:16,080 --> 00:21:18,040 Speaker 3: whole scene because they couldn't hear us. It was just 424 00:21:18,119 --> 00:21:22,280 Speaker 3: fun noise, and I remember being like, oh, this is insane. Well, 425 00:21:22,440 --> 00:21:24,720 Speaker 3: they don't even have a guide track because nobody knows 426 00:21:24,720 --> 00:21:28,280 Speaker 3: what anybody's saying. Because there's no sound, so we kind 427 00:21:28,280 --> 00:21:31,000 Speaker 3: of had to like guess as to where the dialogue 428 00:21:31,000 --> 00:21:31,919 Speaker 3: would fit and. 429 00:21:31,840 --> 00:21:37,280 Speaker 4: Try the very first shot, it's of the center kind 430 00:21:37,320 --> 00:21:40,240 Speaker 4: of console or dash of the car with the clock 431 00:21:40,320 --> 00:21:44,400 Speaker 4: and the time, but it's tilted vertically, and at first 432 00:21:44,440 --> 00:21:46,040 Speaker 4: I couldn't tell because I was watching it on my 433 00:21:46,119 --> 00:21:48,639 Speaker 4: phone if that was a formatting thing, and I thought, like, 434 00:21:48,960 --> 00:21:52,560 Speaker 4: what happened here? But then when the car crashes the 435 00:21:52,640 --> 00:21:55,320 Speaker 4: clock so that was just foreshadowing, right, Yeah? 436 00:21:55,520 --> 00:21:57,000 Speaker 5: Yeah, I mean I didn't know that that's what it 437 00:21:57,080 --> 00:22:00,600 Speaker 5: was at the time. I just thought it was a choice, 438 00:22:00,720 --> 00:22:01,000 Speaker 5: you know. 439 00:22:01,240 --> 00:22:02,399 Speaker 2: Being a little on guard. 440 00:22:02,960 --> 00:22:05,400 Speaker 4: I got to say I had a moment in watching 441 00:22:06,280 --> 00:22:10,919 Speaker 4: that whole sequence of Brook Saving the Day where I 442 00:22:10,960 --> 00:22:16,919 Speaker 4: actually went, holy shit, Sof's a star. Yeah it was. 443 00:22:17,600 --> 00:22:21,080 Speaker 4: I was so on board and invested and enjoying it. 444 00:22:21,160 --> 00:22:23,639 Speaker 4: I was like, I could watch this for ninety minutes. 445 00:22:24,000 --> 00:22:24,560 Speaker 2: Yeah. 446 00:22:24,720 --> 00:22:28,480 Speaker 4: So obviously we already know that you're pretty darn good 447 00:22:28,520 --> 00:22:30,879 Speaker 4: at this craft, my friend, but I actually had a 448 00:22:30,920 --> 00:22:32,600 Speaker 4: moment of even knowing you and knowing you work, I 449 00:22:32,600 --> 00:22:33,480 Speaker 4: was like, she's a star. 450 00:22:33,880 --> 00:22:36,280 Speaker 5: I had that too when you were It was it 451 00:22:36,320 --> 00:22:38,240 Speaker 5: was kind of a benign moment you were just running 452 00:22:38,240 --> 00:22:40,200 Speaker 5: from one car to another, but it was the first 453 00:22:40,200 --> 00:22:42,240 Speaker 5: time because you did several times going back and forth. 454 00:22:42,440 --> 00:22:44,000 Speaker 5: The first time you ran to the car and you 455 00:22:44,000 --> 00:22:46,679 Speaker 5: were checking on the kids, and I was just like, yeah, 456 00:22:46,880 --> 00:22:49,920 Speaker 5: she is so in her element because you're so naturally athletic, 457 00:22:49,960 --> 00:22:52,640 Speaker 5: and I think you just really you know, physical tangible, 458 00:22:52,680 --> 00:22:55,720 Speaker 5: like getting into getting into things with your hands. And 459 00:22:55,760 --> 00:22:58,560 Speaker 5: I could feel like how right it felt for your 460 00:22:58,600 --> 00:23:02,479 Speaker 5: whole body to be engaged in something rather than the 461 00:23:02,520 --> 00:23:05,280 Speaker 5: talking heads that we often have to do, sitting still 462 00:23:05,280 --> 00:23:06,879 Speaker 5: and emoting everything through our face. 463 00:23:07,160 --> 00:23:10,200 Speaker 2: You know, it was like, Wow, this is it. She's 464 00:23:10,200 --> 00:23:11,480 Speaker 2: in her element. It was great. 465 00:23:12,080 --> 00:23:17,520 Speaker 6: It was really the perfect amount of action and I 466 00:23:17,520 --> 00:23:21,879 Speaker 6: don't want to say acting, but you weren't acting the scene. 467 00:23:22,359 --> 00:23:26,400 Speaker 6: You know, you were living within it and making realistic 468 00:23:26,480 --> 00:23:30,280 Speaker 6: choices rather than being like I see somebody climbing through 469 00:23:30,320 --> 00:23:34,119 Speaker 6: the window and hoisting open the windshield. It wasn't it 470 00:23:34,200 --> 00:23:38,280 Speaker 6: wasn't overly dramatic. It was exactly how you took us 471 00:23:38,320 --> 00:23:42,960 Speaker 6: with you, as opposed to us being much more peripheral 472 00:23:43,160 --> 00:23:46,719 Speaker 6: and not buying into it. And that made the moments 473 00:23:46,760 --> 00:23:49,080 Speaker 6: with Jamie so much sweeter. Also, you know when you 474 00:23:49,200 --> 00:23:54,119 Speaker 6: realize that why he threw the spelling bee and you 475 00:23:54,920 --> 00:23:58,520 Speaker 6: and rather than you know, making a little uh not 476 00:23:58,680 --> 00:24:02,000 Speaker 6: a dig, but a little tease, you said you had 477 00:24:02,040 --> 00:24:04,359 Speaker 6: a little smile on your face, that sweet little smile, 478 00:24:04,440 --> 00:24:07,000 Speaker 6: and then you said why you know, it was it 479 00:24:07,040 --> 00:24:10,280 Speaker 6: was just it was it was adorable in a in 480 00:24:10,320 --> 00:24:14,360 Speaker 6: a really horrible situation. I really was on board with you. 481 00:24:14,440 --> 00:24:17,600 Speaker 3: Yeah, it's interesting because the well, first I'm going to 482 00:24:17,640 --> 00:24:19,600 Speaker 3: say next time I'm in like a self doubt spiral. 483 00:24:19,640 --> 00:24:20,879 Speaker 3: I'm calling the three of you. 484 00:24:20,800 --> 00:24:21,440 Speaker 4: So thank you. 485 00:24:22,960 --> 00:24:27,880 Speaker 3: But there was so much that was so physically taxing 486 00:24:28,040 --> 00:24:33,080 Speaker 3: about that whole sequence. And I remember so much of 487 00:24:33,119 --> 00:24:37,080 Speaker 3: that because it was February, it was freezing. 488 00:24:37,520 --> 00:24:39,200 Speaker 2: How many nights did you shoot that in? 489 00:24:39,640 --> 00:24:40,960 Speaker 3: Oh my god, I don't even know. 490 00:24:41,080 --> 00:24:44,120 Speaker 5: It was days and you were shooting splits right, yeah, 491 00:24:44,280 --> 00:24:46,800 Speaker 5: night So splits are night shoots. Yeah, those of you 492 00:24:46,840 --> 00:24:49,720 Speaker 5: who don't know you show up to work at about four. 493 00:24:49,880 --> 00:24:51,920 Speaker 5: They do your makeup as soon as the sun goes down. 494 00:24:52,040 --> 00:24:54,359 Speaker 5: You get although with being soaking white, you probably didn't 495 00:24:54,359 --> 00:24:56,760 Speaker 5: have too much hair and makeup too, but you had 496 00:24:56,760 --> 00:25:00,360 Speaker 5: to keep showing up to set and getting soaked. Yeah, 497 00:25:00,359 --> 00:25:02,000 Speaker 5: before you even walked into anything. 498 00:25:02,240 --> 00:25:05,120 Speaker 3: And it was about forty degrees out in February. 499 00:25:05,520 --> 00:25:09,080 Speaker 6: So and those the wind the rain machines are not 500 00:25:09,200 --> 00:25:09,720 Speaker 6: warm water. 501 00:25:09,880 --> 00:25:15,199 Speaker 3: No, they're freezing cold water. And so it's it's just tricky. 502 00:25:15,240 --> 00:25:17,760 Speaker 3: And you know, obviously Amanda, you and Chantal had to 503 00:25:17,800 --> 00:25:20,679 Speaker 3: do so much of it as well, and like, I 504 00:25:20,760 --> 00:25:25,080 Speaker 3: remember how hard it felt, and so it was really 505 00:25:25,240 --> 00:25:28,399 Speaker 3: sweet to watch it back and to be like awe 506 00:25:29,000 --> 00:25:32,159 Speaker 3: watching the Brooke and Jamie dynamic in the car. You know, 507 00:25:32,280 --> 00:25:36,879 Speaker 3: him talking about his crush, her being with this little 508 00:25:36,880 --> 00:25:42,160 Speaker 3: boy and having this experience of telling him about this fight, 509 00:25:42,400 --> 00:25:45,840 Speaker 3: and they're kind of reflecting on their versions of family 510 00:25:45,920 --> 00:25:53,159 Speaker 3: together and it's such a sweet dynamic. And yeah, to 511 00:25:53,200 --> 00:25:56,800 Speaker 3: your point, it was a really interesting thing to feel 512 00:25:57,560 --> 00:26:02,200 Speaker 3: emotional warmth in a dangerous scenario. And it was fun 513 00:26:02,240 --> 00:26:04,800 Speaker 3: to be reminded of that because all I remember is like, 514 00:26:04,840 --> 00:26:07,439 Speaker 3: oh god, that hurricane episode, we were all so fucking cold, 515 00:26:07,680 --> 00:26:10,560 Speaker 3: Like I forgot how sweet it was. It was nice 516 00:26:10,640 --> 00:26:11,080 Speaker 3: to see it. 517 00:26:11,200 --> 00:26:14,480 Speaker 6: Also water work, I don't know whether you did the 518 00:26:14,600 --> 00:26:16,440 Speaker 6: car stuff. Was that in a tank? 519 00:26:16,640 --> 00:26:16,840 Speaker 4: Oh? 520 00:26:16,880 --> 00:26:18,480 Speaker 2: The underneath the water stuff. 521 00:26:18,560 --> 00:26:21,480 Speaker 6: Yeah, that's yeah, awful and scary. 522 00:26:21,280 --> 00:26:23,840 Speaker 5: And so hard to hold to be in that position 523 00:26:24,480 --> 00:26:26,639 Speaker 5: without letting any bubbles out, Like there are things that 524 00:26:26,760 --> 00:26:29,520 Speaker 5: people don't understand how actually difficult it is to hold 525 00:26:29,560 --> 00:26:30,720 Speaker 5: that physically. 526 00:26:31,000 --> 00:26:34,840 Speaker 3: Oh my god, it's horrible. And I was really knowing 527 00:26:34,840 --> 00:26:37,560 Speaker 3: how hard it was for us. Watching you girls go 528 00:26:37,640 --> 00:26:39,719 Speaker 3: into the pool, I was like, oh my god, I 529 00:26:39,760 --> 00:26:43,639 Speaker 3: can't imagine, because for me, we had to do all 530 00:26:43,680 --> 00:26:46,439 Speaker 3: the stuff on the bridge, which was really long and hard, 531 00:26:46,640 --> 00:26:52,280 Speaker 3: and I remember how how important it was to be, 532 00:26:53,000 --> 00:26:55,960 Speaker 3: you know, the most dead weight, and it works when 533 00:26:56,119 --> 00:26:58,439 Speaker 3: when Julian's pulling Brooke out of the water, like I 534 00:26:58,560 --> 00:27:03,800 Speaker 3: do look like a corpse. What got hard was on 535 00:27:03,880 --> 00:27:06,439 Speaker 3: the bridge. You know, he's supposed to be pumping my 536 00:27:06,600 --> 00:27:09,960 Speaker 3: chest doing CPR and pumping hard enough to make it 537 00:27:10,000 --> 00:27:12,960 Speaker 3: look real. And you know, most most of the time 538 00:27:13,000 --> 00:27:15,159 Speaker 3: when people get CPR, their ribs break. 539 00:27:15,720 --> 00:27:16,960 Speaker 2: And that's hard. 540 00:27:17,840 --> 00:27:20,080 Speaker 3: He had to do it hard enough that it looked 541 00:27:20,119 --> 00:27:23,639 Speaker 3: like he was exerting physical pressure. It couldn't be so 542 00:27:23,840 --> 00:27:25,760 Speaker 3: hard that it was slamming my head into the ground, 543 00:27:25,760 --> 00:27:28,800 Speaker 3: which is what happened in the beginning. And then I 544 00:27:28,800 --> 00:27:33,080 Speaker 3: remember the director walking over and being like, your face 545 00:27:33,160 --> 00:27:35,000 Speaker 3: is scrunched up, and I was like, yeah, I'm getting 546 00:27:35,040 --> 00:27:38,080 Speaker 3: hit in the face with frozen rain that's falling from 547 00:27:38,200 --> 00:27:41,439 Speaker 3: sixty feet in the air, like it hurt. So I 548 00:27:41,520 --> 00:27:44,480 Speaker 3: was trying to not react to the water. 549 00:27:45,359 --> 00:27:46,359 Speaker 4: And that was the. 550 00:27:46,280 --> 00:27:48,520 Speaker 3: Thing that I that I was like, oh, that actually 551 00:27:48,560 --> 00:27:51,159 Speaker 3: looks the hardest. But it was three stages. It was 552 00:27:51,200 --> 00:27:54,680 Speaker 3: the bridge, then it was a tank on stage where 553 00:27:54,680 --> 00:27:57,640 Speaker 3: the car was in the river and they could flood 554 00:27:57,680 --> 00:28:01,399 Speaker 3: it with these huge They basically had these trap doors 555 00:28:01,440 --> 00:28:04,399 Speaker 3: and they'd come down and water would flood in, and 556 00:28:04,440 --> 00:28:07,399 Speaker 3: then we had to do the full underwater close ups 557 00:28:08,119 --> 00:28:11,000 Speaker 3: when the car is flooded, and those we did on stage. 558 00:28:11,000 --> 00:28:15,000 Speaker 3: In Nathan and Haley's pool, they took a car seat, 559 00:28:15,680 --> 00:28:18,000 Speaker 3: They took a seat out of a car, sunk it 560 00:28:18,040 --> 00:28:23,240 Speaker 3: in the pool, put black duvetine fabric around the pool 561 00:28:23,320 --> 00:28:25,479 Speaker 3: so you couldn't see what it was. And then I 562 00:28:25,560 --> 00:28:28,080 Speaker 3: had to put scuba weight belts in my lap and 563 00:28:28,200 --> 00:28:31,080 Speaker 3: sink to the bottom of the pool on stage so 564 00:28:31,160 --> 00:28:32,560 Speaker 3: they could film us. 565 00:28:32,520 --> 00:28:35,520 Speaker 6: And then with someone next to you doing the and 566 00:28:35,560 --> 00:28:36,679 Speaker 6: then taking it away. 567 00:28:36,960 --> 00:28:40,280 Speaker 3: Yeah, they had a regulator for me. And this is 568 00:28:40,280 --> 00:28:43,160 Speaker 3: why I can't scuba dive. I've tried, and I've had 569 00:28:43,160 --> 00:28:46,120 Speaker 3: two panic attacks underwater and I'm like, I'm good, it's 570 00:28:46,120 --> 00:28:46,760 Speaker 3: a no for me. 571 00:28:47,280 --> 00:28:51,840 Speaker 4: I have a science question. If the way Julian was 572 00:28:53,080 --> 00:28:56,000 Speaker 4: breathing into your mouth, I mean, that's carbon dioxide, though, 573 00:28:56,000 --> 00:28:57,040 Speaker 4: so does that work? 574 00:28:57,520 --> 00:28:58,720 Speaker 2: I was thinking the same thing. 575 00:28:59,040 --> 00:28:59,960 Speaker 4: Does that actually work? 576 00:29:00,480 --> 00:29:04,640 Speaker 3: I mean, I think to sustain life a little longer? Yes, 577 00:29:04,680 --> 00:29:06,800 Speaker 3: because what you're trying to do is stop your brain 578 00:29:06,880 --> 00:29:11,360 Speaker 3: from dying from a lack of oxygen, and so you know, 579 00:29:11,400 --> 00:29:16,040 Speaker 3: carbon dioxide is COE two. I don't know how quickly 580 00:29:16,080 --> 00:29:19,760 Speaker 3: that would fail, but you're getting something. You're getting some 581 00:29:20,000 --> 00:29:26,680 Speaker 3: oxygen back. I did, honestly though, watching it, I was 582 00:29:26,720 --> 00:29:30,040 Speaker 3: like this, I caught myself holding my breath the Amanda 583 00:29:30,080 --> 00:29:32,760 Speaker 3: you were talking about how stressed you felt watching the episode, 584 00:29:33,040 --> 00:29:35,080 Speaker 3: I was holding my breath and I was like, why 585 00:29:35,120 --> 00:29:37,920 Speaker 3: am I doing this? I know I live, I know 586 00:29:38,080 --> 00:29:40,680 Speaker 3: you guys live. Like what am I so stressed about? 587 00:29:40,880 --> 00:29:41,000 Speaker 6: Yes? 588 00:29:42,280 --> 00:29:48,000 Speaker 5: Oh, how Monster episode? I'm just so impressed. It's just 589 00:29:48,160 --> 00:29:51,800 Speaker 5: so much work, and shooting those are it's hard. You 590 00:29:51,840 --> 00:29:53,840 Speaker 5: get the script and the closer you get to the day, 591 00:29:53,880 --> 00:29:55,800 Speaker 5: you're like, oh man, this is going to be a 592 00:29:56,000 --> 00:29:59,160 Speaker 5: beast and you just go in and then you have 593 00:29:59,640 --> 00:30:02,520 Speaker 5: you the first time and you're like, thank God, it's over, 594 00:30:02,680 --> 00:30:05,280 Speaker 5: except I have to go back and do it again tomorrow, 595 00:30:05,360 --> 00:30:06,960 Speaker 5: and then I have to go back and do it 596 00:30:07,000 --> 00:30:10,800 Speaker 5: again the next day. And it's just a lot, especially 597 00:30:10,800 --> 00:30:13,880 Speaker 5: when you're cold. It's a lot of stress to put 598 00:30:13,880 --> 00:30:17,040 Speaker 5: your body through and psychological stress even just the like 599 00:30:17,080 --> 00:30:19,200 Speaker 5: the pool stuff you're talking about. I remember the first 600 00:30:19,240 --> 00:30:21,360 Speaker 5: time I saw Nathan Haley's pool and we had to 601 00:30:21,400 --> 00:30:23,640 Speaker 5: shoot in it. And I don't remember if it was 602 00:30:23,920 --> 00:30:26,040 Speaker 5: us as the sisters or if Nathan and Haley were 603 00:30:26,040 --> 00:30:26,520 Speaker 5: in the pool. 604 00:30:27,120 --> 00:30:28,040 Speaker 2: I don't know what it was, but. 605 00:30:28,000 --> 00:30:29,560 Speaker 5: There were It was a night time, so there were 606 00:30:29,640 --> 00:30:32,920 Speaker 5: lights in the pool and I had never shot anything 607 00:30:33,280 --> 00:30:35,160 Speaker 5: in water with electricity before. 608 00:30:35,840 --> 00:30:38,920 Speaker 3: You're like, is this how people get electrocuted in their bathtubs? 609 00:30:39,000 --> 00:30:39,200 Speaker 6: Yeah? 610 00:30:39,280 --> 00:30:42,160 Speaker 2: Is this safe? Like it is? There is some real 611 00:30:42,240 --> 00:30:44,840 Speaker 2: psychological uh wall you. 612 00:30:44,880 --> 00:30:47,240 Speaker 5: Have to break through to get into a pool where 613 00:30:47,280 --> 00:30:52,280 Speaker 5: there are multiple lights with cords in the water and 614 00:30:52,360 --> 00:30:54,640 Speaker 5: you just step into the pool then trust that you're 615 00:30:54,680 --> 00:30:55,480 Speaker 5: not going to die. 616 00:30:55,920 --> 00:30:58,160 Speaker 4: They're using a toaster as a bounce card. You're like, 617 00:30:58,240 --> 00:30:59,720 Speaker 4: that just doesn't seem safe by. 618 00:31:00,000 --> 00:31:02,080 Speaker 2: I think that's a no. 619 00:31:02,640 --> 00:31:05,480 Speaker 6: But just to Joy's point, like, I don't think people 620 00:31:05,600 --> 00:31:09,640 Speaker 6: realize that how much faith we put in our departments 621 00:31:10,000 --> 00:31:13,400 Speaker 6: that they know what they're doing and that all of 622 00:31:13,440 --> 00:31:17,400 Speaker 6: the safeguards have been put in place, and that we're 623 00:31:17,440 --> 00:31:19,200 Speaker 6: going to be okay and we can do our jobs 624 00:31:19,240 --> 00:31:22,080 Speaker 6: because everyone's done their job really well. And if you 625 00:31:22,120 --> 00:31:25,200 Speaker 6: don't trust the people to do their jobs really well, 626 00:31:25,240 --> 00:31:28,640 Speaker 6: when you need to be in what appears to be 627 00:31:28,800 --> 00:31:31,600 Speaker 6: a life threatening situation, it often can be a life 628 00:31:31,600 --> 00:31:36,840 Speaker 6: threatening situation. I've been on set for things when I've 629 00:31:36,880 --> 00:31:41,600 Speaker 6: felt really unsafe and questioned departments and then afterward come 630 00:31:41,680 --> 00:31:44,760 Speaker 6: to realize I had good reason to question departments. 631 00:31:45,080 --> 00:31:48,040 Speaker 5: Yeah, yeah, thank god. We were in such great hands 632 00:31:48,080 --> 00:31:50,520 Speaker 5: on our show. Our teams were just amazing. 633 00:31:51,000 --> 00:31:53,200 Speaker 6: Yeah, because otherwise they're not going to get your work 634 00:31:53,200 --> 00:31:53,520 Speaker 6: from you. 635 00:31:54,280 --> 00:31:57,600 Speaker 5: Yeah, that's right, because you're all kind of frozen and unsure. 636 00:32:10,920 --> 00:32:13,800 Speaker 4: I thought it was a great counterbalance Throughout the episode, 637 00:32:14,480 --> 00:32:19,120 Speaker 4: the whole Nathan and Haley dynamic. There were just so 638 00:32:19,240 --> 00:32:22,440 Speaker 4: many great moments. There was one that really so One 639 00:32:22,440 --> 00:32:24,880 Speaker 4: of my biggest pet peeves as an actor is when 640 00:32:24,880 --> 00:32:29,720 Speaker 4: I'm driving the car and I will invariably every single 641 00:32:29,720 --> 00:32:31,760 Speaker 4: time I will get the note, Yeah, can you just 642 00:32:31,880 --> 00:32:34,000 Speaker 4: move your hand around a little more so that the 643 00:32:34,000 --> 00:32:37,080 Speaker 4: audience believes you're driving. Watch the first shot of Haley 644 00:32:37,280 --> 00:32:41,720 Speaker 4: and Nathan driving on that road. James clearly got the note. 645 00:32:41,760 --> 00:32:45,120 Speaker 4: And for those on YouTube, do this on a straightaway 646 00:32:45,560 --> 00:32:49,520 Speaker 4: wet road and you're even like, be careful, it's raining outside, 647 00:32:49,520 --> 00:32:51,480 Speaker 4: and he's like, it's cool. I got it covered, Like. 648 00:32:51,600 --> 00:32:53,480 Speaker 2: Is your lineup that far off? 649 00:32:54,600 --> 00:32:56,720 Speaker 4: It was funny, but I mean there were so many 650 00:32:56,720 --> 00:32:57,240 Speaker 4: good parts. 651 00:32:58,000 --> 00:32:58,560 Speaker 6: There was a. 652 00:32:58,480 --> 00:33:03,040 Speaker 4: Line that Haley had that was so savage and out 653 00:33:03,040 --> 00:33:06,760 Speaker 4: of pocket. It's when at the spelling Bee, Jamie wants 654 00:33:06,800 --> 00:33:09,680 Speaker 4: to go with Chuck and Madison and Miss Lauren and 655 00:33:09,720 --> 00:33:13,320 Speaker 4: he's like, oh, come on, Chuck's Chuck's getting to go, 656 00:33:13,760 --> 00:33:17,400 Speaker 4: And without skipping a beat, you just go, Chuck's mom's 657 00:33:17,400 --> 00:33:24,240 Speaker 4: an alcoholic. Of different reasons. You could have explained that 658 00:33:25,360 --> 00:33:31,120 Speaker 4: to just assassinate the character of that poor woman's really weird. 659 00:33:31,360 --> 00:33:34,240 Speaker 5: We needed to understand why Chuck's mom wasn't driving her home, 660 00:33:34,520 --> 00:33:37,400 Speaker 5: driving them home. Yeah, I think that's it. That's the 661 00:33:37,440 --> 00:33:40,960 Speaker 5: only reason that existed. But yeah, there was no other 662 00:33:41,000 --> 00:33:43,640 Speaker 5: way to play it as far as I could see. 663 00:33:43,720 --> 00:33:46,080 Speaker 5: It just sort of had to get spat out. 664 00:33:46,800 --> 00:33:49,440 Speaker 3: You were just trying to move on from the line. 665 00:33:50,160 --> 00:33:53,360 Speaker 3: But I agree, Rob, it's it's so One of the 666 00:33:53,400 --> 00:33:56,240 Speaker 3: things that was so great is, you know, Quinn and 667 00:33:56,320 --> 00:34:00,360 Speaker 3: Katie are in a horror movie. Brooke and Chu and 668 00:34:00,440 --> 00:34:03,480 Speaker 3: Jamie are essentially in a natural disaster movie. They're in 669 00:34:03,520 --> 00:34:06,960 Speaker 3: the Day After Tomorrow. It was nice to see a 670 00:34:07,000 --> 00:34:11,840 Speaker 3: family doing what most families you hope do in a storm, 671 00:34:11,880 --> 00:34:13,839 Speaker 3: just driving and talking and figuring it out. 672 00:34:14,280 --> 00:34:15,800 Speaker 2: Yeah, the audience needed to breathe. 673 00:34:15,880 --> 00:34:18,840 Speaker 3: Well, the audience needed to breathe. And it also speaks 674 00:34:18,880 --> 00:34:22,919 Speaker 3: to the fact that you really never know. You could 675 00:34:22,960 --> 00:34:24,719 Speaker 3: have a normal night and you could have the worst 676 00:34:24,800 --> 00:34:28,000 Speaker 3: night of your life, you know, in these sorts of scenarios, 677 00:34:28,080 --> 00:34:32,520 Speaker 3: and especially you know, again, we just made reference of 678 00:34:32,560 --> 00:34:36,640 Speaker 3: it earlier, the like superstorm that hit from Florida to 679 00:34:36,719 --> 00:34:41,319 Speaker 3: North Carolina last year, Hurricane Heleen was insane. Like, I 680 00:34:41,320 --> 00:34:43,919 Speaker 3: don't know what it is about being in this time 681 00:34:44,000 --> 00:34:46,719 Speaker 3: period where sadly we're experiencing more of these things in 682 00:34:46,719 --> 00:34:52,120 Speaker 3: the world that made this episode feel more relevant to 683 00:34:52,160 --> 00:34:55,280 Speaker 3: me than ever. But you know, there's plenty of people 684 00:34:55,320 --> 00:34:58,480 Speaker 3: who unexpectedly get hit hard in something like that, and 685 00:34:58,520 --> 00:35:01,279 Speaker 3: there's plenty of people who have a mostly normal but 686 00:35:01,360 --> 00:35:04,120 Speaker 3: slightly inconvenient night, and you really never know what your 687 00:35:04,200 --> 00:35:07,560 Speaker 3: roll of the dice is going to be. And it 688 00:35:07,719 --> 00:35:11,839 Speaker 3: was kind of cool to have you guys serve as 689 00:35:11,960 --> 00:35:15,600 Speaker 3: comic relief but also in a way fill out the 690 00:35:15,640 --> 00:35:22,080 Speaker 3: whole spectrum of experience in the episode because you're pregnant, 691 00:35:22,200 --> 00:35:24,680 Speaker 3: and you know, you really were, so they didn't want 692 00:35:24,719 --> 00:35:26,759 Speaker 3: to put you in the cold for any longer than 693 00:35:26,760 --> 00:35:31,120 Speaker 3: they needed to. And it makes sense that Nathan's gonna 694 00:35:31,120 --> 00:35:33,080 Speaker 3: get out and tell his pregnant wife to stay in 695 00:35:33,120 --> 00:35:36,000 Speaker 3: the car, and he's being sweet and it's like it's inconvenient, 696 00:35:36,040 --> 00:35:40,000 Speaker 3: but it's no big deal. And the humor when Haley 697 00:35:40,160 --> 00:35:42,319 Speaker 3: kicks the can over with all the lug nuts, You're 698 00:35:42,400 --> 00:35:47,320 Speaker 3: just like, oh my god, and it's perfect and it's 699 00:35:47,880 --> 00:35:51,799 Speaker 3: sweet and it's you know, like an average rough night 700 00:35:51,840 --> 00:35:54,319 Speaker 3: in a storm and I don't know it. It was 701 00:35:54,320 --> 00:35:59,680 Speaker 3: a cool juxtaposition to be entertained by and to understand 702 00:35:59,719 --> 00:36:01,520 Speaker 3: what the device was too, you know. 703 00:36:02,239 --> 00:36:04,800 Speaker 4: And what's so great about it was that I could 704 00:36:04,840 --> 00:36:11,200 Speaker 4: see the fact that Nathan Haley were still friends. They 705 00:36:11,239 --> 00:36:14,000 Speaker 4: weren't just husband and wife like they enjoyed each They 706 00:36:14,000 --> 00:36:17,120 Speaker 4: are enjoying each other's company, they are having fun together. 707 00:36:17,239 --> 00:36:19,319 Speaker 4: And I love to see that right where it's like, oh, 708 00:36:19,360 --> 00:36:23,160 Speaker 4: yeah they married, they married their best friend. Like you 709 00:36:23,160 --> 00:36:25,400 Speaker 4: had that funny comment where you're like he's working and 710 00:36:25,400 --> 00:36:27,239 Speaker 4: you're just like, hey, if I wasn't pregnant, we could 711 00:36:27,280 --> 00:36:28,279 Speaker 4: have sex in the back seat. 712 00:36:28,520 --> 00:36:29,200 Speaker 2: Yeah. 713 00:36:29,400 --> 00:36:31,560 Speaker 4: I was like, I love I love that. That is 714 00:36:31,600 --> 00:36:34,200 Speaker 4: such like like I still have like I still dig 715 00:36:34,239 --> 00:36:35,719 Speaker 4: my partner banter, you know what I mean? 716 00:36:35,880 --> 00:36:38,960 Speaker 3: Yeah, yeah, Well, and to see their sense of humor 717 00:36:39,120 --> 00:36:42,760 Speaker 3: and and you're like, well this kind of sucks. 718 00:36:42,840 --> 00:36:43,680 Speaker 2: Wouldn't this be fun? 719 00:36:43,719 --> 00:36:45,560 Speaker 3: And he's like yeah, that that makes it suck more. 720 00:36:46,200 --> 00:36:48,239 Speaker 3: He's like now I'm really down on the rain, and 721 00:36:48,239 --> 00:36:50,839 Speaker 3: you're like, god, I gotta got it. And the yeah, 722 00:36:50,840 --> 00:36:53,600 Speaker 3: you're throwing it back at each other. And to be 723 00:36:53,680 --> 00:36:56,640 Speaker 3: that many years into a relationship and still love to 724 00:36:56,680 --> 00:36:59,120 Speaker 3: crack jokes, it's fun to see. 725 00:36:59,480 --> 00:37:01,640 Speaker 5: I just loved watching him go well, I guess I 726 00:37:01,680 --> 00:37:04,320 Speaker 5: got a tired to change. There was no like ho 727 00:37:04,520 --> 00:37:07,560 Speaker 5: humnus about it. There was no complaining. It was just 728 00:37:07,640 --> 00:37:08,600 Speaker 5: like all. 729 00:37:08,600 --> 00:37:12,120 Speaker 2: Right, life, here we go. Yeah, let's get after it. 730 00:37:12,560 --> 00:37:15,799 Speaker 5: Like what a relief just even in the context of 731 00:37:15,800 --> 00:37:18,759 Speaker 5: a relationship that there's no there's no drama around it. 732 00:37:18,760 --> 00:37:20,279 Speaker 2: It's just like, yeah, this is just what we do. 733 00:37:21,760 --> 00:37:22,759 Speaker 2: I appreciated seeing that. 734 00:37:22,800 --> 00:37:25,839 Speaker 5: And for Nathan, like, his character just keeps showing up 735 00:37:25,960 --> 00:37:33,160 Speaker 5: as the great, this great sort of redemption story out 736 00:37:33,160 --> 00:37:36,080 Speaker 5: of a really tempestuous household that he grew up in 737 00:37:36,280 --> 00:37:39,719 Speaker 5: and so much struggle that he worked through as a teenager. 738 00:37:39,880 --> 00:37:43,759 Speaker 2: And I just really love watching his character development. 739 00:37:44,600 --> 00:37:47,279 Speaker 4: And he's so soulfulware like when first of all, the 740 00:37:47,320 --> 00:37:49,839 Speaker 4: whole bit with him not knowing how to spell entrepreneur 741 00:37:49,960 --> 00:37:53,000 Speaker 4: at the start, he gets all copy because he thinks 742 00:37:53,040 --> 00:37:54,759 Speaker 4: he thinks Jamie's won it, and it's because he does 743 00:37:54,880 --> 00:37:57,799 Speaker 4: not expel the word. And then he's like, yes, I 744 00:37:57,840 --> 00:38:00,680 Speaker 4: love that. He sits down and he he does a 745 00:38:00,800 --> 00:38:04,480 Speaker 4: Dan Scott and Jamie goes, you're doing Grandpa Dan, and 746 00:38:04,520 --> 00:38:06,840 Speaker 4: he goes yeah, and then he gives like the awesome 747 00:38:06,960 --> 00:38:08,080 Speaker 4: dad response. 748 00:38:08,120 --> 00:38:08,279 Speaker 6: You know. 749 00:38:08,320 --> 00:38:10,640 Speaker 4: It was like, oh man, he's growing so much. 750 00:38:10,920 --> 00:38:14,319 Speaker 2: Yeah, so funny, sweet, Okay, let. 751 00:38:14,320 --> 00:38:15,920 Speaker 4: You wind a little bit more. The first scene with 752 00:38:15,960 --> 00:38:22,440 Speaker 4: Brooke and Julian felt real hot to me. Yeah, it was. 753 00:38:22,560 --> 00:38:25,760 Speaker 4: It was just odd because I've seen the previous episode. 754 00:38:25,760 --> 00:38:28,120 Speaker 4: I know how it ends, and it's like the scene 755 00:38:28,160 --> 00:38:31,560 Speaker 4: opens with both of you at an eleven yeah, and 756 00:38:31,600 --> 00:38:34,040 Speaker 4: Brooke being like, you always wanted me to sell the 757 00:38:34,040 --> 00:38:37,080 Speaker 4: company so you could get me back to LA And 758 00:38:37,120 --> 00:38:40,520 Speaker 4: I just found myself going, like, what what what do 759 00:38:40,600 --> 00:38:43,279 Speaker 4: I miss to get us to this spot? Because it 760 00:38:43,320 --> 00:38:45,680 Speaker 4: was kind of it was very unlike Brooke to be 761 00:38:45,719 --> 00:38:48,680 Speaker 4: saying these things. I don't think Julian's done anything to 762 00:38:48,760 --> 00:38:50,960 Speaker 4: make it seem like that's the case. So I was 763 00:38:51,160 --> 00:38:53,040 Speaker 4: I was a confused, Like. 764 00:38:53,000 --> 00:38:55,560 Speaker 5: Little drop drops of that in the past, like two 765 00:38:55,640 --> 00:38:58,200 Speaker 5: or three episodes, like little tense moments leading up to 766 00:38:58,239 --> 00:38:59,840 Speaker 5: this would have been I would have been helpful. 767 00:39:00,200 --> 00:39:03,759 Speaker 3: And I do remember sitting and really wanting to understand 768 00:39:03,960 --> 00:39:06,960 Speaker 3: why it was written this way, why they wanted it 769 00:39:07,000 --> 00:39:13,239 Speaker 3: to be that way, the sort of I remember it 770 00:39:13,320 --> 00:39:18,720 Speaker 3: really clearly. Weirdly, the feedback was sometimes when you're really angry, 771 00:39:18,800 --> 00:39:21,160 Speaker 3: you say a bunch of shit you don't mean, which like, okay, 772 00:39:21,200 --> 00:39:26,640 Speaker 3: fair people do that. Also, they wanted the fight when 773 00:39:26,640 --> 00:39:30,520 Speaker 3: we first started trying to play it a little more normal, 774 00:39:30,880 --> 00:39:34,480 Speaker 3: I would say. The response was, we don't think she'd 775 00:39:34,640 --> 00:39:36,439 Speaker 3: storm out of the house to go for a drive 776 00:39:36,520 --> 00:39:41,080 Speaker 3: to cool down, unless it was really really hot, and 777 00:39:41,120 --> 00:39:43,920 Speaker 3: so then what it had to be was, Okay, well, 778 00:39:44,680 --> 00:39:46,359 Speaker 3: we're not going to get more of the fight, we're 779 00:39:46,360 --> 00:39:48,319 Speaker 3: not going to see the inciting incident, because they want 780 00:39:48,360 --> 00:39:50,160 Speaker 3: to get to the action. They want to get to 781 00:39:50,239 --> 00:39:52,440 Speaker 3: Quinn Katie, they want to get to the bridge, they 782 00:39:52,440 --> 00:39:55,920 Speaker 3: want to do all this. So if we're coming in 783 00:39:55,920 --> 00:39:58,600 Speaker 3: in the middle of it, if it's so hot that 784 00:39:58,680 --> 00:40:04,080 Speaker 3: you're like, WHOA, what happened here, maybe we can kind 785 00:40:04,120 --> 00:40:07,080 Speaker 3: of sell it. But what bugs me about it, and 786 00:40:07,080 --> 00:40:09,600 Speaker 3: we've talked about this before, is when you have to 787 00:40:09,840 --> 00:40:11,960 Speaker 3: justify it to be like, well, all this stuff happened 788 00:40:12,000 --> 00:40:13,759 Speaker 3: off camera to get us here so we can get 789 00:40:13,800 --> 00:40:16,440 Speaker 3: to the next thing. I always look back and I'm like, 790 00:40:16,440 --> 00:40:18,280 Speaker 3: I got talked into it, and I don't think I agree. 791 00:40:18,320 --> 00:40:20,640 Speaker 3: I didn't agree, and I still am annoyed about it, 792 00:40:22,400 --> 00:40:25,360 Speaker 3: But you know what I do, right, Like you just 793 00:40:25,440 --> 00:40:28,279 Speaker 3: kind of have to do the thing. But I do 794 00:40:28,400 --> 00:40:32,080 Speaker 3: remember having that feeling. And you bring up the line 795 00:40:32,160 --> 00:40:35,480 Speaker 3: rob of when she says, now it makes sense you 796 00:40:35,680 --> 00:40:37,839 Speaker 3: wanted me to lose the company so you could move 797 00:40:37,920 --> 00:40:44,400 Speaker 3: us back to LA. It's so ridiculous, but it also 798 00:40:44,640 --> 00:40:48,120 Speaker 3: kind of it became the thing where I was like, 799 00:40:48,160 --> 00:40:52,640 Speaker 3: if I can be so upset about my partner wanting 800 00:40:52,640 --> 00:40:55,560 Speaker 3: me to leave my home, feeling like I've already lost 801 00:40:55,680 --> 00:41:00,400 Speaker 3: enough and now I'm going to lose this, and maybe 802 00:41:00,400 --> 00:41:03,400 Speaker 3: this was your grand plan all along, Like if I 803 00:41:03,440 --> 00:41:06,719 Speaker 3: can make Brooke spiral that way, I can buy like 804 00:41:06,800 --> 00:41:08,400 Speaker 3: I'm being insane and I need to just get out 805 00:41:08,440 --> 00:41:09,759 Speaker 3: of the house and go for a drive. I need 806 00:41:09,760 --> 00:41:12,480 Speaker 3: to cool down. Yeah, so I had to lean into it, 807 00:41:12,719 --> 00:41:14,680 Speaker 3: but I did have to talk myself into it. 808 00:41:14,760 --> 00:41:17,680 Speaker 4: Also, yeah, you guys sold it. It was just clunky 809 00:41:18,000 --> 00:41:20,600 Speaker 4: because there were no seeds planted. Yeah. 810 00:41:20,760 --> 00:41:24,719 Speaker 3: Yeah, there was no sprinkle of this issue in episode 811 00:41:24,719 --> 00:41:25,239 Speaker 3: eight ten. 812 00:41:25,640 --> 00:41:28,600 Speaker 4: They were just huge accusations that came out of left field. 813 00:41:28,640 --> 00:41:30,680 Speaker 4: There was no foundation for him, so it just kind 814 00:41:30,680 --> 00:41:33,120 Speaker 4: of left me going like wait what Yeah, even. 815 00:41:32,880 --> 00:41:35,279 Speaker 5: If there was something about him saying like moving back 816 00:41:35,280 --> 00:41:37,440 Speaker 5: to La or Sylvia saying like, well, you know, he 817 00:41:37,520 --> 00:41:39,759 Speaker 5: still got a life back in La, you guys could 818 00:41:39,920 --> 00:41:42,400 Speaker 5: even if it was just a little something in the 819 00:41:42,440 --> 00:41:45,000 Speaker 5: previous episode that would have been helpful. 820 00:41:45,080 --> 00:41:45,279 Speaker 6: Yeah. 821 00:41:45,400 --> 00:41:48,520 Speaker 4: Also, yeah, decided to sell all of her assets like 822 00:41:48,600 --> 00:41:51,279 Speaker 4: she made an integrity move. She was coerced into that. 823 00:41:51,520 --> 00:41:53,920 Speaker 3: Yeah, exactly. And that was part of it for me 824 00:41:53,960 --> 00:41:57,399 Speaker 3: where I was like, I chose my choice. Yeah, Why 825 00:41:57,400 --> 00:41:59,440 Speaker 3: am I accusing him of choosing my choice for me? 826 00:41:59,480 --> 00:42:01,640 Speaker 3: He wasn't even in the room exact The guy with 827 00:42:01,680 --> 00:42:03,200 Speaker 3: the pen was in the room, not. 828 00:42:03,760 --> 00:42:05,560 Speaker 2: The guy with the pen, who took the pen back? 829 00:42:06,080 --> 00:42:06,680 Speaker 4: Who took the. 830 00:42:08,760 --> 00:42:10,120 Speaker 2: Okay, I have a little pivot. 831 00:42:10,200 --> 00:42:12,920 Speaker 5: I do want to ask Amanda, when you guys were 832 00:42:12,920 --> 00:42:15,120 Speaker 5: filming this stuff. First of all, when you went into 833 00:42:15,160 --> 00:42:16,879 Speaker 5: the pool, this is you two or. 834 00:42:16,840 --> 00:42:20,240 Speaker 6: Stunts falling in with stunts, okay. 835 00:42:20,400 --> 00:42:22,800 Speaker 2: And then once you and then you both had. 836 00:42:22,640 --> 00:42:24,880 Speaker 5: To get in where they're Oh, I feel like I 837 00:42:24,880 --> 00:42:27,080 Speaker 5: can't the episode is a little bit of a jungle 838 00:42:27,120 --> 00:42:29,799 Speaker 5: because I saw it yesterday. Were there shots of the 839 00:42:29,840 --> 00:42:32,680 Speaker 5: two of you struggling in that pool cover in the 840 00:42:32,719 --> 00:42:35,640 Speaker 5: water or was it just shot you getting out and 841 00:42:35,719 --> 00:42:36,959 Speaker 5: Chantelle laying in the water. 842 00:42:37,360 --> 00:42:41,840 Speaker 6: I don't think you there is a fight that happens 843 00:42:42,200 --> 00:42:46,640 Speaker 6: in the water. No, No, there's there's a scramble. 844 00:42:46,440 --> 00:42:48,560 Speaker 3: Right, like a struggle in the pool cover. But I 845 00:42:48,600 --> 00:42:51,600 Speaker 3: don't think we see your faces. I don't think, right, 846 00:42:51,600 --> 00:42:53,040 Speaker 3: I don't think they would let you do that. 847 00:42:53,480 --> 00:42:55,000 Speaker 2: Yeah, okay, are you. 848 00:42:55,000 --> 00:42:56,799 Speaker 4: Sure there's a struggle, because I'm pretty sure it's that 849 00:42:56,800 --> 00:42:58,680 Speaker 4: you guys just go in and you just see her 850 00:42:58,800 --> 00:43:02,920 Speaker 4: lifeless up, seemingly lifeless because she's not Do we not struggle? No, 851 00:43:03,000 --> 00:43:06,440 Speaker 4: you didn't. You both you struggle to get there. She 852 00:43:06,600 --> 00:43:08,840 Speaker 4: runs back, tackles you over. You fall in the pool. 853 00:43:09,239 --> 00:43:11,279 Speaker 4: But then when you see Katie kind of you kind 854 00:43:11,280 --> 00:43:13,880 Speaker 4: of come too. You turn around and look back and 855 00:43:13,920 --> 00:43:16,759 Speaker 4: her legs are just yeahah yeah. And then you get 856 00:43:16,800 --> 00:43:17,360 Speaker 4: out of the pool. 857 00:43:17,600 --> 00:43:20,320 Speaker 3: There is a kicking around when they hit the water, 858 00:43:20,480 --> 00:43:22,640 Speaker 3: when the doubles hit the water, and like arms and 859 00:43:22,719 --> 00:43:24,920 Speaker 3: legs are going yeah. Then it cuts away. 860 00:43:25,440 --> 00:43:25,720 Speaker 2: Yeah. 861 00:43:26,080 --> 00:43:28,120 Speaker 6: I don't think there's a full on knockdown drag out. 862 00:43:28,400 --> 00:43:29,240 Speaker 2: No. 863 00:43:29,280 --> 00:43:31,560 Speaker 3: I think they were very smart with stunts, with you 864 00:43:31,600 --> 00:43:35,200 Speaker 3: guys knowing you know, liability, safety, et cetera. They were 865 00:43:35,200 --> 00:43:39,120 Speaker 3: going to let them fall in and kick around for 866 00:43:39,200 --> 00:43:41,799 Speaker 3: a for a second to look like they were fighting. 867 00:43:41,480 --> 00:43:43,200 Speaker 6: And then we just climbed it. It was that. 868 00:43:43,200 --> 00:43:46,160 Speaker 3: Stop, like stop, stop, stop, are you okay? 869 00:43:46,400 --> 00:43:49,880 Speaker 6: We did do That was probably until that point the 870 00:43:49,920 --> 00:43:53,480 Speaker 6: most in interior the fight stuff that we did. That 871 00:43:53,560 --> 00:43:57,200 Speaker 6: was the most actual action. I've done stunts, did you 872 00:43:57,239 --> 00:44:01,480 Speaker 6: know most of it obviously, But I do have a 873 00:44:01,520 --> 00:44:07,840 Speaker 6: shoulder injury from that. When what happened, I'm holding the 874 00:44:07,880 --> 00:44:11,080 Speaker 6: knife in my hand and she hits my hand like this, 875 00:44:11,760 --> 00:44:16,040 Speaker 6: and I didn't know any better to like brace my 876 00:44:16,880 --> 00:44:21,480 Speaker 6: shoulder against the wall, you know, and so seant shantell 877 00:44:21,800 --> 00:44:24,200 Speaker 6: we're not. No one was like And I didn't raise 878 00:44:24,239 --> 00:44:27,120 Speaker 6: any alarms about it either. My shoulder was getting like 879 00:44:27,480 --> 00:44:30,360 Speaker 6: yanked back like that. So I do have still. 880 00:44:30,640 --> 00:44:31,960 Speaker 3: Like a rotator cuff thing. 881 00:44:32,120 --> 00:44:37,200 Speaker 4: Yeah, lid a gate, lid a gate. Yes, let's get 882 00:44:37,800 --> 00:44:39,280 Speaker 4: let's get you some shoulder money. 883 00:44:39,680 --> 00:44:41,240 Speaker 2: Oh wow? 884 00:44:41,360 --> 00:44:44,799 Speaker 5: So how much of that was on the beach property? 885 00:44:45,040 --> 00:44:46,160 Speaker 5: Like you guys were out at the beach. 886 00:44:46,280 --> 00:44:49,080 Speaker 6: That was the whole thing, the whole thing, the whole thing. 887 00:44:49,160 --> 00:44:51,839 Speaker 2: Didn't shoot it, didn't they create Quinning Clay's beach house 888 00:44:51,960 --> 00:44:53,120 Speaker 2: on stage. 889 00:44:53,640 --> 00:44:55,560 Speaker 6: I never did anything on stage. 890 00:44:55,640 --> 00:44:57,479 Speaker 4: No, No, we'd have to go out the top sail. 891 00:44:57,760 --> 00:45:00,920 Speaker 6: Yeah, all of that and watching that fight stuff like 892 00:45:00,920 --> 00:45:04,719 Speaker 6: that was a sloppy, messy fight. They did a good 893 00:45:04,880 --> 00:45:06,759 Speaker 6: I mean that looked like two people. But you know 894 00:45:06,880 --> 00:45:10,640 Speaker 6: when you watch a fight sequence and you're like, oh, 895 00:45:11,040 --> 00:45:14,680 Speaker 6: punch right, dodge and it's like a full on choreography. Yeah, 896 00:45:14,880 --> 00:45:19,480 Speaker 6: so really sloppy, you know, like like two people really 897 00:45:20,000 --> 00:45:25,279 Speaker 6: were kicking and scrambling and scratching, and I think they 898 00:45:25,280 --> 00:45:27,520 Speaker 6: did a really good job with the choreography. And then 899 00:45:27,640 --> 00:45:29,400 Speaker 6: the Sun performers as well. 900 00:45:29,680 --> 00:45:31,960 Speaker 3: Yeah. I love that you even feel that because you 901 00:45:32,040 --> 00:45:36,120 Speaker 3: acted it as if you were watching it. I was like, Oh, 902 00:45:36,239 --> 00:45:39,440 Speaker 3: they they look like real people. It doesn't look like 903 00:45:39,520 --> 00:45:44,120 Speaker 3: stunt doubles who know how to fight. You guys look 904 00:45:44,239 --> 00:45:51,919 Speaker 3: like two terrified, enraged women scrambling. And I love that 905 00:45:52,000 --> 00:45:54,200 Speaker 3: because it made me believe that it was you and 906 00:45:54,280 --> 00:45:56,640 Speaker 3: it was her. I'm kind of shocked to hear that 907 00:45:56,680 --> 00:45:58,920 Speaker 3: stunts did so much of it. I really thought you 908 00:45:58,960 --> 00:45:59,680 Speaker 3: guys did it. 909 00:45:59,800 --> 00:46:02,880 Speaker 6: I saw one section because they did let us do 910 00:46:02,960 --> 00:46:05,239 Speaker 6: a lot, and I think at one point Chantelle might 911 00:46:05,280 --> 00:46:07,359 Speaker 6: have even worn a brace and I kicked her. 912 00:46:07,920 --> 00:46:09,200 Speaker 2: M that's so great. 913 00:46:09,520 --> 00:46:12,160 Speaker 3: Yeah, yeah, in the ribs when you were standing over 914 00:46:12,160 --> 00:46:14,080 Speaker 3: her and kick her, that's you, guys, for sure. 915 00:46:14,239 --> 00:46:17,000 Speaker 6: So that's definitely not us. A lot of it was us. 916 00:46:17,120 --> 00:46:20,800 Speaker 6: There's one part where one of us is up against 917 00:46:20,880 --> 00:46:23,680 Speaker 6: the wall and the other one comes around and there's 918 00:46:23,719 --> 00:46:29,400 Speaker 6: an interaction and a throwdown, and that was that was 919 00:46:29,400 --> 00:46:33,160 Speaker 6: definitely stunts because I remember watching that off camera and 920 00:46:34,640 --> 00:46:36,959 Speaker 6: trying to get the physicality of it and being really 921 00:46:37,000 --> 00:46:39,359 Speaker 6: impressed by the two women that that's so cool. 922 00:46:40,200 --> 00:46:42,520 Speaker 5: Yeah, it was pretty seamless. I mean, those women looked 923 00:46:42,560 --> 00:46:44,200 Speaker 5: really did a really great job. 924 00:46:44,640 --> 00:46:47,359 Speaker 6: Editing was great, wasn't it. I could only tell from 925 00:46:47,400 --> 00:46:50,160 Speaker 6: one angle it's a it's a lower angle, and I 926 00:46:50,160 --> 00:46:51,319 Speaker 6: could see that it wasn't my hair. 927 00:46:52,160 --> 00:46:53,840 Speaker 2: Yeah, I would not have noticed. 928 00:46:54,400 --> 00:46:57,960 Speaker 3: Yeah, I was so impressed. The thing that gave me 929 00:46:58,080 --> 00:47:01,680 Speaker 3: chills and made me feel the delicious as you know, 930 00:47:01,880 --> 00:47:05,040 Speaker 3: part of the fan that made this show was you 931 00:47:05,120 --> 00:47:09,880 Speaker 3: in the kitchen going boo. I was like, I was like, 932 00:47:10,000 --> 00:47:11,799 Speaker 3: she did it so perfectly. 933 00:47:12,360 --> 00:47:14,280 Speaker 2: It's like, oh my god. 934 00:47:14,400 --> 00:47:18,319 Speaker 3: It was like spicy and naughty and scary, and I 935 00:47:18,400 --> 00:47:20,879 Speaker 3: was like, oh, And it made me want to ask you, 936 00:47:20,960 --> 00:47:24,880 Speaker 3: like how you'd obviously had to do a lot of 937 00:47:24,880 --> 00:47:28,719 Speaker 3: wild shit as Katie, but how did you prepare for this? 938 00:47:29,280 --> 00:47:34,279 Speaker 3: How did you figure out your way into the cat 939 00:47:34,320 --> 00:47:37,680 Speaker 3: and mouse? Like I'm going to enjoy this. Were there 940 00:47:37,719 --> 00:47:40,640 Speaker 3: movies you were watching or was it a conversation you 941 00:47:40,719 --> 00:47:43,040 Speaker 3: had or did you just get inspired when you read it. 942 00:47:43,400 --> 00:47:47,360 Speaker 6: I truly don't remember details of it. I just remember 943 00:47:48,360 --> 00:47:54,920 Speaker 6: unlike maybe Brooke going out in a category four I do, 944 00:47:55,640 --> 00:48:02,520 Speaker 6: I don't. My storyline was breadcrumbed. I'm going with that 945 00:48:02,520 --> 00:48:11,319 Speaker 6: that she was getting increasingly more unhinged, and I, at 946 00:48:11,320 --> 00:48:14,200 Speaker 6: that point in my career I for the most part, 947 00:48:14,320 --> 00:48:21,359 Speaker 6: really was cast as being the cuckoo. I often was 948 00:48:21,680 --> 00:48:28,520 Speaker 6: the murderer or it's like crazy, So, but that was 949 00:48:28,640 --> 00:48:32,960 Speaker 6: probably the most unhinged I had ever played. And like, 950 00:48:33,040 --> 00:48:38,640 Speaker 6: how often do we get something that imbalanced? Like that's fun, 951 00:48:38,960 --> 00:48:41,200 Speaker 6: that's really fun, And if you're not going to have 952 00:48:41,280 --> 00:48:45,920 Speaker 6: fun doing it, then what's the point if we hear 953 00:48:46,239 --> 00:48:48,360 Speaker 6: doing this for a living, if we don't get to 954 00:48:48,360 --> 00:48:52,040 Speaker 6: step into the skin of people, will never know and 955 00:48:52,520 --> 00:48:55,960 Speaker 6: so and you know, the truth is like I do 956 00:48:55,960 --> 00:49:00,879 Speaker 6: do a whole like meditation, and I do before I 957 00:49:00,920 --> 00:49:03,680 Speaker 6: walk out on set always, but I also do a 958 00:49:03,719 --> 00:49:07,600 Speaker 6: lot of work as the character and try to live 959 00:49:07,960 --> 00:49:12,400 Speaker 6: like through pivotal moments and why that person is that way, 960 00:49:12,800 --> 00:49:15,479 Speaker 6: And it's really fun to get to figure out why 961 00:49:15,520 --> 00:49:19,480 Speaker 6: somebody is that way and then for twenty minute blocks 962 00:49:19,600 --> 00:49:22,640 Speaker 6: live as that person and then take that skin off 963 00:49:22,680 --> 00:49:25,640 Speaker 6: and become a little bit, hopefully more hinged. And then 964 00:49:25,880 --> 00:49:30,280 Speaker 6: so I do like the opportunity. I don't remember details. 965 00:49:30,280 --> 00:49:32,160 Speaker 6: I definitely didn't watch any movies, but it was sort 966 00:49:32,160 --> 00:49:36,840 Speaker 6: of just like, she's here for payback and it's going 967 00:49:36,920 --> 00:49:37,400 Speaker 6: to be sweet. 968 00:49:38,239 --> 00:49:41,920 Speaker 3: Wow, that's so inspiring. I also love hearing you say 969 00:49:42,160 --> 00:49:46,560 Speaker 3: become more hinged to get that lightly. 970 00:49:47,719 --> 00:49:52,320 Speaker 4: The moment when Quinn is about to leave the house 971 00:49:52,680 --> 00:49:54,839 Speaker 4: like on foot, it's when I think you say I'm 972 00:49:54,840 --> 00:49:58,720 Speaker 4: your storm. We Initially I was like, what's happening because 973 00:49:59,200 --> 00:50:01,920 Speaker 4: as Quinn's to go to the front door, Katie starts 974 00:50:01,920 --> 00:50:05,399 Speaker 4: walking the opposite direction. I'm like, why in the hell? 975 00:50:05,560 --> 00:50:08,680 Speaker 4: And then I realized, Oh, because she's so confident that 976 00:50:08,719 --> 00:50:11,640 Speaker 4: she can find Quinn again and that she has control 977 00:50:11,640 --> 00:50:14,480 Speaker 4: over this game that she doesn't even need to chase her, 978 00:50:14,600 --> 00:50:16,760 Speaker 4: which was such a boss move. 979 00:50:16,840 --> 00:50:17,319 Speaker 5: So good. 980 00:50:17,640 --> 00:50:19,399 Speaker 2: And also after this is after Quinn. 981 00:50:19,400 --> 00:50:21,600 Speaker 5: Sorry to interrupt you, but this is after Quinn shoved 982 00:50:21,640 --> 00:50:24,600 Speaker 5: a knife in your leg and then ran away from 983 00:50:24,640 --> 00:50:26,160 Speaker 5: you left you with the knife. 984 00:50:26,719 --> 00:50:28,880 Speaker 2: Yeah, didn't Is this right after that moment? 985 00:50:29,239 --> 00:50:32,800 Speaker 6: She good things? She missed my femoral but yeah, because 986 00:50:34,800 --> 00:50:37,360 Speaker 6: I guess there are more in the kitchen in that block. 987 00:50:37,640 --> 00:50:39,600 Speaker 6: I don't know, she wasn't going to like take the 988 00:50:39,719 --> 00:50:40,560 Speaker 6: time to like. 989 00:50:40,600 --> 00:50:41,960 Speaker 2: Relive it with a weapon. 990 00:50:42,560 --> 00:50:46,520 Speaker 6: I actually about when I got stabbed. When I watched that, 991 00:50:46,560 --> 00:50:50,160 Speaker 6: I was like, oh, that's right. Because the morning after 992 00:50:50,320 --> 00:50:52,480 Speaker 6: shooting that, I had to put myself on tape for 993 00:50:52,520 --> 00:50:55,719 Speaker 6: something and I had my sides on my lap and 994 00:50:55,760 --> 00:50:58,279 Speaker 6: I hadn't been able to get all the blood off 995 00:50:58,840 --> 00:51:01,520 Speaker 6: my leg My god, and so when I was holding 996 00:51:01,560 --> 00:51:04,399 Speaker 6: my sides up, I remember there being like crusted fake 997 00:51:04,520 --> 00:51:07,480 Speaker 6: blood all over my sides. And I think it was 998 00:51:07,560 --> 00:51:10,880 Speaker 6: for the audition, was for Nikita, if I remembering correctly, 999 00:51:10,880 --> 00:51:13,040 Speaker 6: and I was perfect, Oh, this is definitely going to 1000 00:51:13,080 --> 00:51:13,839 Speaker 6: get me the roll. 1001 00:51:14,160 --> 00:51:17,600 Speaker 4: It didn't like, but it didn't hurt. 1002 00:51:17,960 --> 00:51:19,880 Speaker 6: No, I might have I don't know. 1003 00:51:20,000 --> 00:51:22,680 Speaker 4: The question I have though, is the last bit, which 1004 00:51:23,080 --> 00:51:25,520 Speaker 4: is a just it's a lovely payoff for the audience. 1005 00:51:25,680 --> 00:51:29,080 Speaker 4: It's Quinn's like hoorah moment where she walks up to 1006 00:51:29,200 --> 00:51:32,600 Speaker 4: Katie on the stretcher and whispers in her ear, I'm 1007 00:51:32,680 --> 00:51:37,279 Speaker 4: your storm. And I just found myself going if I 1008 00:51:37,400 --> 00:51:41,680 Speaker 4: had a lethal killer of a stalker who is still alive, 1009 00:51:42,360 --> 00:51:47,239 Speaker 4: would I choose to taunt them as the last thing 1010 00:51:47,520 --> 00:51:51,480 Speaker 4: before they go away to prison. It just doesn't seem 1011 00:51:51,520 --> 00:51:54,040 Speaker 4: like it's the smartest move to like poke that bear. 1012 00:51:54,400 --> 00:51:55,640 Speaker 4: That bear doesn't need poking. 1013 00:51:57,360 --> 00:52:00,560 Speaker 6: Yeah, the bear, the bear will be poked, regardless of 1014 00:52:00,560 --> 00:52:03,120 Speaker 6: whether you do it or not. I don't know. Ten 1015 00:52:03,200 --> 00:52:04,400 Speaker 6: maybe Katie comes out. 1016 00:52:05,719 --> 00:52:09,640 Speaker 3: But that's really the that's like, that's the action hero lot. 1017 00:52:09,680 --> 00:52:11,840 Speaker 4: That's what I'm saying. It's the payoff she deserved. 1018 00:52:11,920 --> 00:52:14,240 Speaker 5: Yeah, she needs to have earned that, Like if Quinn 1019 00:52:14,239 --> 00:52:17,080 Speaker 5: had really kicked her ass, then I feel like maybe 1020 00:52:17,080 --> 00:52:20,120 Speaker 5: she would have earned that line, but she didn't. 1021 00:52:20,360 --> 00:52:23,200 Speaker 3: I also love the woman who plays Quinn's sister saying 1022 00:52:23,239 --> 00:52:25,279 Speaker 3: that being like Lizzle, little sis, you're getting a little 1023 00:52:25,280 --> 00:52:26,120 Speaker 3: big for your breeches. 1024 00:52:26,400 --> 00:52:28,759 Speaker 2: Sorry, this was not a fair fight. 1025 00:52:28,960 --> 00:52:32,280 Speaker 5: Katie won every fight, every moment except for the last 1026 00:52:32,280 --> 00:52:34,279 Speaker 5: one when Quinn turned around and shoved her off the 1027 00:52:34,320 --> 00:52:37,080 Speaker 5: balcony and then she did shoot her, I mean, and 1028 00:52:37,120 --> 00:52:40,000 Speaker 5: then and then she came back and shot her at 1029 00:52:40,040 --> 00:52:42,320 Speaker 5: the very very end. But like the whole rest of 1030 00:52:42,360 --> 00:52:45,799 Speaker 5: the episode was just Quinn getting her butt kicked. So 1031 00:52:46,480 --> 00:52:48,799 Speaker 5: you know, yeah, I agree with you up, maybe it's 1032 00:52:48,800 --> 00:52:49,640 Speaker 5: like an affirmation. 1033 00:52:50,719 --> 00:52:52,480 Speaker 6: I don't know, I did like the way that Chantelle 1034 00:52:52,520 --> 00:52:57,279 Speaker 6: delivered it. So I like you because she looks as 1035 00:52:57,800 --> 00:53:01,000 Speaker 6: as beautiful as she is for somebody that beautiful, she 1036 00:53:01,040 --> 00:53:05,439 Speaker 6: looks wrecked, you know, in the most stunning of ways. 1037 00:53:05,480 --> 00:53:10,120 Speaker 6: And it's just it's not it's not intense. It's just 1038 00:53:10,200 --> 00:53:14,120 Speaker 6: kind of like a guarantee. Yeah, you know, it's a whisper, 1039 00:53:14,160 --> 00:53:19,200 Speaker 6: but it's not like it's not trying too hard, you know, 1040 00:53:19,280 --> 00:53:23,280 Speaker 6: It's just it's a matter of fact, it's on your storm. 1041 00:53:23,800 --> 00:53:29,480 Speaker 3: Yeah, there's a really interesting thing, I think, because you 1042 00:53:29,560 --> 00:53:32,160 Speaker 3: have to kind of play against the soapy nature of 1043 00:53:32,239 --> 00:53:35,200 Speaker 3: some of it. And I think her the way I 1044 00:53:35,320 --> 00:53:41,840 Speaker 3: took it was more you think this know it about me, 1045 00:53:42,680 --> 00:53:44,600 Speaker 3: like this, this is what you think of yourself, but 1046 00:53:44,680 --> 00:53:47,640 Speaker 3: really it's me. And it felt to me like she 1047 00:53:47,640 --> 00:53:51,319 Speaker 3: she felt ready to kind of flip the table. And 1048 00:53:51,400 --> 00:53:54,200 Speaker 3: because of the way she delivered it, the last action 1049 00:53:54,560 --> 00:53:58,200 Speaker 3: in the episode made sense to me. Everyone's recuperating. We 1050 00:53:58,280 --> 00:54:01,240 Speaker 3: see the family of three in bed together. We see 1051 00:54:01,520 --> 00:54:04,360 Speaker 3: Brooke sleeping in Julian's lap and he's up vigilant, and 1052 00:54:04,400 --> 00:54:07,000 Speaker 3: we see her she wakes up not in her bed 1053 00:54:07,040 --> 00:54:09,360 Speaker 3: but on the couch and then like throws open the 1054 00:54:09,400 --> 00:54:11,200 Speaker 3: doors in the windows to let the day in, and 1055 00:54:11,239 --> 00:54:13,200 Speaker 3: I was like, oh, yeah, she's really taking her power back. 1056 00:54:13,600 --> 00:54:18,440 Speaker 6: Yeah, I agree with that. Also, I just want to 1057 00:54:18,440 --> 00:54:26,320 Speaker 6: defend Katie for a second, because Katie she because Quinn 1058 00:54:26,320 --> 00:54:28,799 Speaker 6: says only I'm not going to leave you here for 1059 00:54:28,840 --> 00:54:32,000 Speaker 6: twelve hours, only a psycho would do that. Katie thought 1060 00:54:32,000 --> 00:54:35,000 Speaker 6: that she killed them, so she wasn't leaving them for twelve. 1061 00:54:34,760 --> 00:54:35,640 Speaker 4: Hours, you know what. 1062 00:54:35,719 --> 00:54:38,120 Speaker 3: Totally fair point, valid, totally fairpoint. 1063 00:54:38,680 --> 00:54:40,160 Speaker 4: I'm just going to say, like, you know, what would 1064 00:54:40,160 --> 00:54:44,560 Speaker 4: be pretty great is like three seasons into the reboot, 1065 00:54:44,680 --> 00:54:47,760 Speaker 4: it would just be great if Katie showed up having 1066 00:54:47,840 --> 00:54:49,360 Speaker 4: totally worked on herself. 1067 00:54:49,600 --> 00:54:52,760 Speaker 3: Yeah, oh my god. It was like a guidance counselor yes. 1068 00:54:52,719 --> 00:54:54,799 Speaker 6: Yeah, yeah, no, you know how like people who have 1069 00:54:55,160 --> 00:54:58,400 Speaker 6: the most issues end up being therapists. 1070 00:54:58,560 --> 00:55:02,080 Speaker 3: Not even a therapist, she's a vicvictim's advocate, like and 1071 00:55:02,120 --> 00:55:03,080 Speaker 3: you're like you. 1072 00:55:03,760 --> 00:55:08,560 Speaker 6: Yes, yes, I help people work through their storms. Like 1073 00:55:09,280 --> 00:55:11,120 Speaker 6: like her motto is Storm's be Gone. 1074 00:55:11,320 --> 00:55:14,520 Speaker 3: The tagline on her website storm breaker like a d 1075 00:55:14,560 --> 00:55:18,279 Speaker 3: and character incredible. I loved it. I also want to 1076 00:55:18,320 --> 00:55:22,719 Speaker 3: shout out one of the things I and we're talking 1077 00:55:22,719 --> 00:55:24,359 Speaker 3: about it in every way, right, How do you make 1078 00:55:24,400 --> 00:55:29,040 Speaker 3: things grounded in an episode that's so heightened. I loved 1079 00:55:29,800 --> 00:55:31,560 Speaker 3: and I had forgotten about it because we did this 1080 00:55:31,600 --> 00:55:35,480 Speaker 3: so long ago when we first started dealing with Brooke 1081 00:55:35,520 --> 00:55:39,120 Speaker 3: getting the kids out of miss Lauren's car and Alison 1082 00:55:39,239 --> 00:55:43,400 Speaker 3: Munn finally wakes up that she wakes up and like 1083 00:55:43,800 --> 00:55:46,160 Speaker 3: has that moment of sheer panic. 1084 00:55:46,960 --> 00:55:48,640 Speaker 2: Oh, she's so great in this too. 1085 00:55:48,800 --> 00:55:52,399 Speaker 3: She's so good, and you know, I get why miss 1086 00:55:52,480 --> 00:55:54,600 Speaker 3: Lauren couldn't come back, you know, to help, that's the 1087 00:55:54,640 --> 00:55:59,200 Speaker 3: whole idea. But I loved her whole energy in it 1088 00:55:59,280 --> 00:56:01,040 Speaker 3: and the panic out like where am I? And oh 1089 00:56:01,040 --> 00:56:03,120 Speaker 3: my god, and the kids and the whole thing. It 1090 00:56:03,160 --> 00:56:05,440 Speaker 3: all felt so real to me, and I don't know, 1091 00:56:05,719 --> 00:56:08,000 Speaker 3: I really I feel very proud of all of us, guys. 1092 00:56:08,000 --> 00:56:09,080 Speaker 3: I think it was great too. 1093 00:56:09,160 --> 00:56:11,719 Speaker 5: And that's a good good way to segue to tell 1094 00:56:11,760 --> 00:56:14,239 Speaker 5: you that we actually have else in mind coming up 1095 00:56:14,320 --> 00:56:15,440 Speaker 5: in an episode soon. 1096 00:56:15,480 --> 00:56:17,359 Speaker 2: I'm so excited that she's going to come talk with us, 1097 00:56:17,360 --> 00:56:17,879 Speaker 2: so we'll get. 1098 00:56:17,800 --> 00:56:21,480 Speaker 5: To hear all about being miss Lauren from her and 1099 00:56:22,560 --> 00:56:24,359 Speaker 5: how this episode went for her too, because she had 1100 00:56:24,360 --> 00:56:27,040 Speaker 5: a lot of that stuff, like being sideways laying in 1101 00:56:27,080 --> 00:56:28,880 Speaker 5: the rain with that stuff pelting on you. It's one 1102 00:56:28,880 --> 00:56:30,799 Speaker 5: thing standing up, but when you're laying down Like so 1103 00:56:30,920 --> 00:56:34,720 Speaker 5: I was just talking about, Yeah, that's really intense. 1104 00:56:35,000 --> 00:56:37,320 Speaker 3: Yeah, we're getting to hear from all our favorite blondes. 1105 00:56:37,520 --> 00:56:37,840 Speaker 4: I know. 1106 00:56:50,800 --> 00:56:54,080 Speaker 2: We have a fan question, Oh, Rob, you want to 1107 00:56:54,120 --> 00:56:54,480 Speaker 2: read it? 1108 00:56:54,800 --> 00:56:59,000 Speaker 4: Yes. Wendy literally the girl from the fast food chain, 1109 00:56:59,320 --> 00:57:02,359 Speaker 4: asks how do you film scenes when someone is being 1110 00:57:02,400 --> 00:57:05,759 Speaker 4: revived from drowning. Drowning and water comes out of their 1111 00:57:05,800 --> 00:57:09,120 Speaker 4: mouth while laying down? Do they not choke while holding 1112 00:57:09,160 --> 00:57:10,680 Speaker 4: water in their mouth and coughing it out? 1113 00:57:10,880 --> 00:57:11,520 Speaker 2: Great question. 1114 00:57:12,080 --> 00:57:15,960 Speaker 3: I can speak to that, Yes you can in this episode. 1115 00:57:16,080 --> 00:57:19,440 Speaker 3: So what we had to do is, you know, Julian 1116 00:57:19,480 --> 00:57:23,040 Speaker 3: Carey's broke out laser down on the bridge the whole 1117 00:57:23,080 --> 00:57:27,240 Speaker 3: time we're pumping CPR. As an actor, I don't have 1118 00:57:27,320 --> 00:57:30,440 Speaker 3: water in my mouth. It would be incredibly dangerous. What 1119 00:57:30,640 --> 00:57:33,440 Speaker 3: happens is then they'll usually set up a special or 1120 00:57:33,480 --> 00:57:37,320 Speaker 3: they'll call a pause and literally say you know, pause, 1121 00:57:37,480 --> 00:57:41,400 Speaker 3: someone will run water into you. And I remember, we 1122 00:57:41,480 --> 00:57:43,840 Speaker 3: had to do a couple of takes because it is 1123 00:57:43,920 --> 00:57:46,640 Speaker 3: really scary to get to hold that much water in 1124 00:57:46,640 --> 00:57:49,080 Speaker 3: your mouth and your throat and then have someone push 1125 00:57:49,120 --> 00:57:51,760 Speaker 3: on you one more time, and so I think like 1126 00:57:51,960 --> 00:57:53,920 Speaker 3: the third take, I was like, let me just do 1127 00:57:54,040 --> 00:57:58,240 Speaker 3: it again, and I was basically about to choke. I 1128 00:57:58,280 --> 00:58:01,560 Speaker 3: got almost a whole bottle of water because I was like, 1129 00:58:01,600 --> 00:58:04,720 Speaker 3: if I've been underwater and my lungs have filled with water, 1130 00:58:05,120 --> 00:58:06,920 Speaker 3: it can't be like a little bit of water that 1131 00:58:07,000 --> 00:58:09,440 Speaker 3: comes out of my mouth. You know, I'm not throwing 1132 00:58:09,520 --> 00:58:11,640 Speaker 3: up where like you can see food and then I 1133 00:58:11,680 --> 00:58:14,080 Speaker 3: can hide it at the back of my head. A 1134 00:58:14,160 --> 00:58:17,080 Speaker 3: lot of water needs to come out. And so in 1135 00:58:17,120 --> 00:58:20,200 Speaker 3: the rain, everyone was really a good sport and Austin 1136 00:58:20,280 --> 00:58:22,320 Speaker 3: was a good sport and was like, I'll just like 1137 00:58:22,320 --> 00:58:25,040 Speaker 3: barely push on your chest this time, and we got 1138 00:58:25,080 --> 00:58:28,880 Speaker 3: that huge cough of water out. But it requires a reset. 1139 00:58:29,400 --> 00:58:30,280 Speaker 2: Yeah, that's a lot. 1140 00:58:30,600 --> 00:58:33,200 Speaker 3: It's heavy, it's disgusting and horrible. 1141 00:58:34,000 --> 00:58:38,360 Speaker 2: Honorable mentions, Well, yeah, my honorable mention goes to our 1142 00:58:38,600 --> 00:58:41,040 Speaker 2: entire special effects crew for this whole episode. 1143 00:58:41,160 --> 00:58:46,720 Speaker 5: Sune special effects electricians, like everybody our crew worked harder 1144 00:58:46,720 --> 00:58:48,520 Speaker 5: than we did because they were there on you know, 1145 00:58:48,520 --> 00:58:50,440 Speaker 5: we only had to be there doing that stuff the 1146 00:58:50,520 --> 00:58:52,440 Speaker 5: days that we were shooting it, but they were out 1147 00:58:52,480 --> 00:58:55,120 Speaker 5: there every day, all day or night. 1148 00:58:56,400 --> 00:58:59,480 Speaker 2: That's a lot of work. So those guys really blew 1149 00:58:59,480 --> 00:59:01,200 Speaker 2: our mind, Amanda. 1150 00:59:01,480 --> 00:59:02,480 Speaker 4: Do you have an honorable mention? 1151 00:59:03,040 --> 00:59:08,040 Speaker 6: Yes, the honorable mentions. First of all, I think that 1152 00:59:09,680 --> 00:59:16,560 Speaker 6: Austin carrying you out of the water just like holy like, yeah, 1153 00:59:16,640 --> 00:59:20,240 Speaker 6: that was and hero moment. I'm not sure if it 1154 00:59:20,280 --> 00:59:22,000 Speaker 6: was there. There were a lot of good uses of 1155 00:59:22,040 --> 00:59:26,680 Speaker 6: slow mo, so hats off to the SloMo department well done. 1156 00:59:28,120 --> 00:59:31,600 Speaker 6: And the kids. I want to applaud the kids in 1157 00:59:31,640 --> 00:59:35,680 Speaker 6: this episode because they were all fantastic children working in 1158 00:59:35,680 --> 00:59:40,120 Speaker 6: a disaster type thing, especially the water work. That's really scary. 1159 00:59:40,600 --> 00:59:43,840 Speaker 6: That's really really scary, scary for adults. Hats off to 1160 00:59:43,880 --> 00:59:44,560 Speaker 6: those children. 1161 00:59:45,320 --> 00:59:47,840 Speaker 4: Yeah, I'm gonna jump in because mine was going to 1162 00:59:47,920 --> 00:59:50,760 Speaker 4: be Chuck. When we first see Chuck on the highway 1163 00:59:50,760 --> 00:59:54,760 Speaker 4: when Brooke sees him, my first thought was like, what 1164 00:59:54,760 --> 00:59:57,000 Speaker 4: what the hell does this kid had some head trauma 1165 00:59:57,120 --> 00:59:58,959 Speaker 4: or something. And then I came to find out he 1166 00:59:59,000 --> 01:00:01,640 Speaker 4: was playing a city concussion. I was like, well, you 1167 01:00:01,760 --> 01:00:04,000 Speaker 4: freaking nailed it, buddy. 1168 01:00:05,200 --> 01:00:07,360 Speaker 2: He was great. He was always great. 1169 01:00:07,720 --> 01:00:12,200 Speaker 3: Yeah, everyone everyone was so wonderful. I mean across the board, 1170 01:00:12,440 --> 01:00:15,880 Speaker 3: like you know, I think about it with all of you, 1171 01:00:16,200 --> 01:00:20,080 Speaker 3: I think, like what you, Amanda and Chantell had to do, 1172 01:00:20,400 --> 01:00:24,520 Speaker 3: I would give you know, my personal ones for keeping 1173 01:00:24,520 --> 01:00:27,240 Speaker 3: me seeing through it, to Austin and to Jackson, and 1174 01:00:27,280 --> 01:00:31,400 Speaker 3: then honestly, like our camera operators who were underwater with me, 1175 01:00:31,680 --> 01:00:35,440 Speaker 3: it was really scary to, you know, be sunk to 1176 01:00:35,480 --> 01:00:38,080 Speaker 3: the bottom of a swimming pool and trust that I 1177 01:00:38,200 --> 01:00:40,000 Speaker 3: wasn't going to die, even though I felt like I 1178 01:00:40,080 --> 01:00:44,040 Speaker 3: was dying. And there would be moments where, you know, 1179 01:00:44,120 --> 01:00:47,240 Speaker 3: one of our camera ops in a full wet suit 1180 01:00:47,280 --> 01:00:49,600 Speaker 3: and fins would just reach out and grab my hand 1181 01:00:49,600 --> 01:00:51,720 Speaker 3: off camera and give me a squeeze, and I was like, oh, 1182 01:00:51,720 --> 01:00:55,120 Speaker 3: we're all gonna be okay, okay. And it's it's those things, 1183 01:00:55,160 --> 01:00:58,160 Speaker 3: you know, to Joy's point about the crew that people 1184 01:00:58,200 --> 01:01:01,200 Speaker 3: don't see, but it really is make or break experience 1185 01:01:01,280 --> 01:01:03,040 Speaker 3: for us for shooting this stuff. 1186 01:01:03,080 --> 01:01:07,000 Speaker 6: So may I ask something, Sophia about the crews. Did 1187 01:01:07,000 --> 01:01:09,800 Speaker 6: you have your regular camera operators and crew or did 1188 01:01:09,800 --> 01:01:12,040 Speaker 6: they bring in people who were scuba certified? 1189 01:01:13,520 --> 01:01:18,560 Speaker 3: If I remember correctly, I believe Matt Dahl was scuba certified, 1190 01:01:18,640 --> 01:01:20,400 Speaker 3: and I think they brought in one more person. 1191 01:01:20,520 --> 01:01:23,360 Speaker 6: Yeah, I think Matt, because that's a whole other thing too. 1192 01:01:23,480 --> 01:01:26,280 Speaker 6: You have to have people who are scuba certified and 1193 01:01:27,360 --> 01:01:29,120 Speaker 6: who can go under the water, so you might not 1194 01:01:29,200 --> 01:01:30,840 Speaker 6: be working with your regular crew and that. 1195 01:01:31,280 --> 01:01:34,560 Speaker 3: Yeah, I felt very lucky to have Maddie swimming around. 1196 01:01:34,600 --> 01:01:37,840 Speaker 3: He's like the best dad and the best co pilot 1197 01:01:37,880 --> 01:01:40,880 Speaker 3: on set. And so when one of your favorite working 1198 01:01:40,920 --> 01:01:44,120 Speaker 3: co pilots also gives you dad energy in a moment 1199 01:01:44,200 --> 01:01:45,440 Speaker 3: like that, you're like, bless you. 1200 01:01:47,200 --> 01:01:49,320 Speaker 5: This is such a great episode. Thank you guys, Thank 1201 01:01:49,320 --> 01:01:50,720 Speaker 5: you Amanda for joining us. 1202 01:01:51,200 --> 01:01:54,520 Speaker 6: Thanks for having me everyone. This was so fun to 1203 01:01:54,560 --> 01:01:56,600 Speaker 6: be able to take a trip down memory lane. 1204 01:01:57,080 --> 01:01:58,040 Speaker 4: You rule. 1205 01:02:00,000 --> 01:02:00,680 Speaker 2: This episode. 1206 01:02:00,720 --> 01:02:04,160 Speaker 5: Season eight, episode twelve. The drinks we drank last night. 1207 01:02:04,840 --> 01:02:09,280 Speaker 2: We drank a lot of water. So thanks everybody, See 1208 01:02:09,280 --> 01:02:13,600 Speaker 2: you later. Ye hey, thanks for listening. 1209 01:02:13,720 --> 01:02:15,920 Speaker 3: Don't forget to leave us a review. You can also 1210 01:02:16,000 --> 01:02:19,080 Speaker 3: follow us on Instagram at Drama Queens ot. 1211 01:02:19,120 --> 01:02:23,800 Speaker 6: H or email us at Drama Queens at iHeartRadio dot com. 1212 01:02:24,040 --> 01:02:25,200 Speaker 2: See you next time. 1213 01:02:26,280 --> 01:02:29,680 Speaker 1: We all about that high school drama girl, Drama Girl, 1214 01:02:29,760 --> 01:02:32,200 Speaker 1: all about them high school queens. 1215 01:02:32,240 --> 01:02:34,439 Speaker 3: We'll take you for a ride at our comic girl 1216 01:02:35,200 --> 01:02:39,160 Speaker 3: Cheering for the Right Teams. Drama Queens, My up girl 1217 01:02:39,240 --> 01:02:40,800 Speaker 3: Fashion but your tough girl. 1218 01:02:40,640 --> 01:02:41,560 Speaker 2: You could sit with us. 1219 01:02:41,600 --> 01:02:45,680 Speaker 1: Girl Drama Queens, Drama, quise, drama queens, Drama, Drama Queens, 1220 01:02:45,760 --> 01:02:47,400 Speaker 1: Drama Queens