1 00:00:04,040 --> 00:00:06,080 Speaker 1: So you so you don't know you. 2 00:00:08,760 --> 00:00:10,320 Speaker 2: Love a little bit. 3 00:00:12,800 --> 00:00:16,680 Speaker 1: I don't have my little pitch pipe, my little anybody 4 00:00:16,720 --> 00:00:17,200 Speaker 1: the name of it. 5 00:00:18,560 --> 00:00:22,079 Speaker 3: It's just that's like part of my hand normally. But 6 00:00:22,480 --> 00:00:26,520 Speaker 3: I lost it my boss and my choir. I'll give 7 00:00:26,520 --> 00:00:30,400 Speaker 3: you a note, was like really coming down hard on 8 00:00:30,440 --> 00:00:36,080 Speaker 3: me for some of my behavior at choir and confiscated 9 00:00:36,080 --> 00:00:38,920 Speaker 3: the pitch pipe. Well, I or what happened? It was 10 00:00:38,960 --> 00:00:39,720 Speaker 3: a mutual. 11 00:00:39,840 --> 00:00:41,080 Speaker 1: I jumped ahead of you in the story. 12 00:00:41,440 --> 00:00:42,080 Speaker 3: I was a mutual. 13 00:00:42,200 --> 00:00:43,280 Speaker 1: I thought it was gonna be connected to. 14 00:00:43,280 --> 00:00:46,040 Speaker 2: You not having it pitch because I have perfect pitch. 15 00:00:46,560 --> 00:00:54,240 Speaker 3: Okay, and what what note is that? Of seven. 16 00:00:55,440 --> 00:00:55,480 Speaker 2: A? 17 00:00:55,920 --> 00:00:57,600 Speaker 3: I don't think I can get up to seven A. 18 00:00:58,480 --> 00:01:01,480 Speaker 1: Yeah, that's not really my range. I'm more of a 19 00:01:01,560 --> 00:01:02,840 Speaker 1: Johnny Cash type. 20 00:01:04,560 --> 00:01:11,759 Speaker 4: Okay, okay, okay, go give me the song again, the play, 21 00:01:14,959 --> 00:01:17,000 Speaker 4: give it to me again, give again. 22 00:01:18,840 --> 00:01:21,960 Speaker 1: There's gonna be able to do this. I'm sick of 23 00:01:22,000 --> 00:01:24,000 Speaker 1: the dog. I mean, I'm tired today. 24 00:01:24,080 --> 00:01:27,199 Speaker 2: Guys, somebody else just that bag. 25 00:01:27,280 --> 00:01:31,240 Speaker 3: It looks kind of small for my bag. Yeah, yeah, 26 00:01:34,840 --> 00:01:36,840 Speaker 3: we're going to have I mean, you don't know this 27 00:01:36,959 --> 00:01:39,039 Speaker 3: the theme song, and you don't know like what people 28 00:01:39,120 --> 00:01:41,360 Speaker 3: normally like the kind of conceit of the show is 29 00:01:41,400 --> 00:01:46,040 Speaker 3: that people bring us like pastries and last. 30 00:01:45,760 --> 00:01:49,240 Speaker 4: Season like just like fins and items like things that 31 00:01:49,440 --> 00:01:52,640 Speaker 4: petty for. Yeah, it's sort of a show Intel type 32 00:01:52,680 --> 00:01:55,720 Speaker 4: situation where people like present things to us that are 33 00:01:55,760 --> 00:02:03,120 Speaker 4: all kind of like symbols of themselves, realms and cronuts 34 00:02:03,200 --> 00:02:05,960 Speaker 4: and croppings and Chris, I. 35 00:02:05,960 --> 00:02:08,440 Speaker 2: Did have a blueberry muffin, but I ate it. 36 00:02:09,360 --> 00:02:11,560 Speaker 3: Crook croissant, Crook croissant. 37 00:02:11,800 --> 00:02:13,320 Speaker 2: Does this advertise you? 38 00:02:14,160 --> 00:02:16,760 Speaker 3: Now tell me about this little delight? Does this go? 39 00:02:17,639 --> 00:02:21,120 Speaker 3: Is this in case a mic a microphone that comes 40 00:02:21,120 --> 00:02:25,160 Speaker 3: your way that you need to win your peas or. 41 00:02:26,720 --> 00:02:29,440 Speaker 2: Out in the world, that's my portable pop screen. 42 00:02:29,320 --> 00:02:33,280 Speaker 3: Okay for you? 43 00:02:34,520 --> 00:02:39,240 Speaker 4: Individual lashes And now we're getting somewhere. So these so 44 00:02:39,360 --> 00:02:43,919 Speaker 4: these are not free triple flares, right, And I bet 45 00:02:43,960 --> 00:02:44,519 Speaker 4: they're not free. 46 00:02:44,560 --> 00:02:46,040 Speaker 1: I bet they cost you a pretty penny. 47 00:02:46,440 --> 00:02:48,360 Speaker 2: They're like two ninety five. 48 00:02:48,840 --> 00:02:49,880 Speaker 1: Okay, well I don't want to know. 49 00:02:50,960 --> 00:02:54,519 Speaker 2: And that those are those are individual. 50 00:02:54,000 --> 00:02:57,120 Speaker 3: Eyelash eyelashes, and you're going through one of those a day. 51 00:02:58,040 --> 00:03:01,799 Speaker 2: These not one because you are out here batting. 52 00:03:02,600 --> 00:03:04,720 Speaker 3: You're batting a thousand out. 53 00:03:04,480 --> 00:03:05,240 Speaker 2: Here, thank you. 54 00:03:05,880 --> 00:03:08,960 Speaker 3: And they say please, we give up trying to get 55 00:03:08,960 --> 00:03:13,160 Speaker 3: the fuck out, send the send the lefty in right. 56 00:03:13,360 --> 00:03:13,920 Speaker 1: It's interesting. 57 00:03:14,040 --> 00:03:16,000 Speaker 2: We don't trying to pick up a little breeze. 58 00:03:18,040 --> 00:03:21,280 Speaker 4: We don't record obviously our greetings with the guests. By 59 00:03:21,360 --> 00:03:23,600 Speaker 4: the time we're recording, we've all like done all our 60 00:03:23,720 --> 00:03:28,520 Speaker 4: like sort of formalities. But we do we we we 61 00:03:28,560 --> 00:03:32,400 Speaker 4: do introduce ourselves with butterfly kisses. Uh, and we do 62 00:03:32,639 --> 00:03:35,200 Speaker 4: we do put our lashes up against one another's cheeks 63 00:03:35,200 --> 00:03:37,080 Speaker 4: and just sort of let them go crazy. And so 64 00:03:37,240 --> 00:03:40,080 Speaker 4: for someone like you, it's like it's difficult because they're 65 00:03:40,120 --> 00:03:43,840 Speaker 4: flying everywhere and we got to keep like replacing them, 66 00:03:43,920 --> 00:03:45,280 Speaker 4: and so you know, it. 67 00:03:45,240 --> 00:03:46,760 Speaker 1: Took us a while. I mean, what time did you 68 00:03:46,800 --> 00:03:47,200 Speaker 1: get here? 69 00:03:47,560 --> 00:03:50,280 Speaker 2: At four am? 70 00:03:50,320 --> 00:03:51,440 Speaker 1: And right now it's. 71 00:03:53,720 --> 00:03:55,960 Speaker 2: Seven pm. 72 00:03:56,000 --> 00:03:59,000 Speaker 4: So that's a that's a pretty big header on like 73 00:03:59,160 --> 00:04:00,760 Speaker 4: just getting to even hearing the song. 74 00:04:01,960 --> 00:04:03,120 Speaker 1: What you got to hear a little bit. 75 00:04:03,080 --> 00:04:05,720 Speaker 2: Of now, I think it's gorgeous than you. 76 00:04:06,360 --> 00:04:10,680 Speaker 3: Imagine telling Elvira to bat her lashes, Oh my gosh. 77 00:04:10,720 --> 00:04:14,839 Speaker 4: Well, yeah, she'd rather lash her bats stand back lash 78 00:04:14,840 --> 00:04:19,400 Speaker 4: her bats, don't you think, because she's she loves the macabre. 79 00:04:19,520 --> 00:04:22,839 Speaker 3: And yeah, so it's both bats and like whipping punishment 80 00:04:22,880 --> 00:04:24,160 Speaker 3: on the bad bats. 81 00:04:24,240 --> 00:04:28,360 Speaker 4: Yeah, the mistress telling Elvira that you could tell Cassandra 82 00:04:28,440 --> 00:04:31,839 Speaker 4: Peterson that, yes, see, and here's what you need to 83 00:04:31,880 --> 00:04:32,360 Speaker 4: tell her. 84 00:04:32,920 --> 00:04:36,960 Speaker 3: Please take a walk now beat it. 85 00:04:37,360 --> 00:04:43,000 Speaker 2: You're the new no you well you want. 86 00:04:43,120 --> 00:04:45,080 Speaker 3: I can see what. I can see why. I need 87 00:04:45,120 --> 00:04:47,520 Speaker 3: to see why you belonged to her that I was 88 00:04:47,560 --> 00:04:52,039 Speaker 3: telling you to go to Cassandra Peterson and say, tell 89 00:04:52,080 --> 00:04:54,159 Speaker 3: her take a walk. It's Hayes. 90 00:04:54,640 --> 00:04:58,160 Speaker 4: It's Hayes is now Elvira, Now that you mentioned it, 91 00:04:58,240 --> 00:04:59,000 Speaker 4: I had I. 92 00:05:00,480 --> 00:05:02,400 Speaker 3: Finally thinking you should do it, but like now that 93 00:05:02,440 --> 00:05:03,480 Speaker 3: you mentioned I do think it. 94 00:05:03,640 --> 00:05:07,800 Speaker 2: Just you know, it's funny. I did one of those 95 00:05:08,720 --> 00:05:10,120 Speaker 2: this is hilarious. 96 00:05:09,640 --> 00:05:11,800 Speaker 1: Okay, I love it so much. 97 00:05:11,839 --> 00:05:15,080 Speaker 4: Whatever whatever somebody starts out with, you know what's funny? 98 00:05:15,120 --> 00:05:20,160 Speaker 2: Funny? Get ready you're ready to like you're gonna hurt. 99 00:05:20,240 --> 00:05:22,400 Speaker 1: I can finally take a break on the show because 100 00:05:22,400 --> 00:05:22,840 Speaker 1: I'm tired. 101 00:05:23,400 --> 00:05:25,919 Speaker 3: So many people on here all day and I'm like, 102 00:05:26,400 --> 00:05:28,680 Speaker 3: what the fuck am I doing here? It's like, you 103 00:05:28,720 --> 00:05:29,680 Speaker 3: even know it's not. 104 00:05:29,600 --> 00:05:35,120 Speaker 2: Funny, Well buckle up. Okay, I did a star tour 105 00:05:35,360 --> 00:05:35,760 Speaker 2: that makes it. 106 00:05:35,839 --> 00:05:37,680 Speaker 3: That makes me think that you think that like driving 107 00:05:37,720 --> 00:05:40,200 Speaker 3: a car is hilarious. You know what I mean? 108 00:05:40,400 --> 00:05:42,920 Speaker 2: Yes, because the way I drive. 109 00:05:42,880 --> 00:05:45,480 Speaker 3: Is the way you said buckle up for something hilarious. 110 00:05:45,320 --> 00:05:47,360 Speaker 2: It means like buckle up because we're going to take 111 00:05:47,360 --> 00:05:52,080 Speaker 2: a roller coaster ride. Okay, buckle up doesn't mean car. 112 00:05:52,200 --> 00:05:55,320 Speaker 2: It means we're getting in the roller clicking in, yeah, 113 00:05:56,080 --> 00:05:56,920 Speaker 2: I say, click. 114 00:05:56,720 --> 00:05:57,839 Speaker 3: In, click in, yeah. 115 00:05:58,560 --> 00:05:58,800 Speaker 1: Sure. 116 00:05:58,960 --> 00:06:00,080 Speaker 3: Make sure that you're. 117 00:06:00,240 --> 00:06:03,159 Speaker 2: Bar is nice and tight around your hips, yes, low 118 00:06:03,200 --> 00:06:03,600 Speaker 2: and tight. 119 00:06:03,760 --> 00:06:04,000 Speaker 3: Yes. 120 00:06:04,520 --> 00:06:08,440 Speaker 2: Okay. So I was on a star tour a top top. 121 00:06:08,720 --> 00:06:11,760 Speaker 3: Don't say anything about your tongue, keep. 122 00:06:11,680 --> 00:06:16,359 Speaker 2: Your else, okay. 123 00:06:16,560 --> 00:06:22,440 Speaker 4: But something you did mention and I'm not breaking any rules, right, Oh. 124 00:06:22,320 --> 00:06:25,440 Speaker 2: I thought you were talking about something else. Oh god, 125 00:06:25,480 --> 00:06:29,160 Speaker 2: well I'm just saying say it didn't. 126 00:06:29,480 --> 00:06:34,600 Speaker 3: Mentions like, okay a little bit. 127 00:06:34,960 --> 00:06:35,960 Speaker 1: I work blue, But. 128 00:06:37,320 --> 00:06:40,720 Speaker 2: God, can I tell you my hilarious thing. 129 00:06:41,440 --> 00:06:43,360 Speaker 3: I don't know you did a star tour. 130 00:06:43,560 --> 00:06:46,039 Speaker 2: I did a star tour, and I three p O. 131 00:06:48,200 --> 00:06:51,800 Speaker 4: What star tours is the name of a famous ride 132 00:06:52,000 --> 00:06:54,279 Speaker 4: at Disneyland Star Wars Tour. 133 00:06:54,520 --> 00:06:58,400 Speaker 3: You're right, I'm thinking of Star Wars. You're right. You're right. 134 00:06:58,520 --> 00:07:01,080 Speaker 3: I did start our Wars tours. 135 00:07:01,320 --> 00:07:07,000 Speaker 2: Yes, I just did the Hollywood Stars tour. This is 136 00:07:07,240 --> 00:07:08,680 Speaker 2: actually not a funny story. 137 00:07:10,160 --> 00:07:16,400 Speaker 3: It's actually sad hour Start hours when you get in trouble, like, hey, 138 00:07:16,400 --> 00:07:18,680 Speaker 3: we didn't see any stars of this whole thing, Well 139 00:07:18,760 --> 00:07:21,960 Speaker 3: you should look at the side of the truck. Start hours. 140 00:07:22,320 --> 00:07:24,600 Speaker 2: Have you guys ever thought about doing a tour for 141 00:07:24,720 --> 00:07:25,840 Speaker 2: your podcast? 142 00:07:27,200 --> 00:07:31,120 Speaker 1: We need oh, go ahead, go ahead. 143 00:07:30,880 --> 00:07:32,000 Speaker 2: No, go ahead. 144 00:07:32,760 --> 00:07:36,400 Speaker 3: You we need an idea though, and that might be. 145 00:07:37,080 --> 00:07:44,760 Speaker 2: Okay, but you invest in a double decker rap out there, okay, 146 00:07:44,800 --> 00:07:51,679 Speaker 2: triple triple and a half decade, you want a little 147 00:07:51,680 --> 00:07:55,080 Speaker 2: bit extra on the back with yeah. 148 00:07:54,880 --> 00:07:59,560 Speaker 3: A little like a swing on the top, a lover's swing. 149 00:07:59,680 --> 00:08:04,520 Speaker 1: I was, yeah, right between the two decks, there's a 150 00:08:04,560 --> 00:08:05,400 Speaker 1: little porch on the. 151 00:08:05,400 --> 00:08:07,800 Speaker 2: Side where you can drink tea. 152 00:08:08,920 --> 00:08:11,640 Speaker 4: I'm not going to dictate to people what they can 153 00:08:11,680 --> 00:08:13,640 Speaker 4: I don't know if they have like a medical condition 154 00:08:13,680 --> 00:08:15,280 Speaker 4: where tea is bad for them. So I'm not going 155 00:08:15,360 --> 00:08:16,600 Speaker 4: to be like, oh, you know what, you're not allowed 156 00:08:16,600 --> 00:08:18,600 Speaker 4: on the porch if you can't have tea, that's like 157 00:08:18,680 --> 00:08:19,800 Speaker 4: not how we run our tours. 158 00:08:19,840 --> 00:08:20,880 Speaker 1: I don't know, like what. 159 00:08:20,720 --> 00:08:24,120 Speaker 2: You've heard, I don't know what conditions I think you 160 00:08:24,160 --> 00:08:40,720 Speaker 2: can have tea with any Conditionheim. 161 00:08:33,400 --> 00:08:39,480 Speaker 3: Okay, unbelievable, and so we have another drop of tea anymore, 162 00:08:39,920 --> 00:08:40,720 Speaker 3: way over the top. 163 00:08:40,800 --> 00:08:44,920 Speaker 2: Forget it, man, I thought was so neutral off. Okay, 164 00:08:45,080 --> 00:08:48,319 Speaker 2: I'm in trouble. So I was on a star tour 165 00:08:49,559 --> 00:08:53,160 Speaker 2: and we were going around the city, and I like 166 00:08:53,240 --> 00:08:55,760 Speaker 2: to make it a little bit of a fun drinking game. 167 00:08:56,440 --> 00:08:59,600 Speaker 2: Don't tell them, but I stuck some drinks on and 168 00:09:00,400 --> 00:09:02,439 Speaker 2: made it like so every time they said this. 169 00:09:02,760 --> 00:09:07,280 Speaker 3: Drink, not the drink that you just disparaged, not different, 170 00:09:09,720 --> 00:09:12,160 Speaker 3: not so not twisted tea. It sounds like, but you're 171 00:09:12,200 --> 00:09:13,439 Speaker 3: on twisted metal. 172 00:09:13,120 --> 00:09:15,720 Speaker 4: And okay, so you're obsessed with tea. You talk about 173 00:09:15,720 --> 00:09:17,640 Speaker 4: it all the time. You're on twisted metal, but you 174 00:09:17,679 --> 00:09:21,319 Speaker 4: didn't bring twisted tea. Okay, okay, it feels like a 175 00:09:21,400 --> 00:09:24,120 Speaker 4: missed opportunity, but keep going. 176 00:09:25,880 --> 00:09:27,480 Speaker 2: So I was on the thing. 177 00:09:27,400 --> 00:09:28,959 Speaker 3: Opportunity with the. 178 00:09:28,960 --> 00:09:38,880 Speaker 2: Tre Here lies your opportunity, golden opportunity, you. 179 00:09:38,880 --> 00:09:40,080 Speaker 3: Say, here lies your. 180 00:09:43,600 --> 00:09:47,160 Speaker 1: Cemetery. Wait, this is so good. 181 00:09:47,640 --> 00:09:47,920 Speaker 4: It's a. 182 00:09:50,760 --> 00:09:51,120 Speaker 2: Viral. 183 00:09:52,120 --> 00:09:52,880 Speaker 1: It's a cemetery. 184 00:09:52,880 --> 00:09:54,960 Speaker 2: T you drink in the cemetery. 185 00:09:55,040 --> 00:10:00,640 Speaker 1: Tmbstone a stretch iras. 186 00:10:00,360 --> 00:10:04,080 Speaker 2: There yeah, tombstone, tomb stone. 187 00:10:04,480 --> 00:10:08,439 Speaker 3: Okay, you're on the bus, the bus. 188 00:10:08,040 --> 00:10:11,240 Speaker 2: And we he has this. Actually, I don't want to 189 00:10:11,240 --> 00:10:12,240 Speaker 2: tell the story at all. 190 00:10:13,440 --> 00:10:14,559 Speaker 1: Patty tell me this. 191 00:10:16,360 --> 00:10:18,160 Speaker 4: Are you one of them ones that likes the back 192 00:10:18,200 --> 00:10:20,959 Speaker 4: of the bus because the driver can't see you getting. 193 00:10:20,720 --> 00:10:21,240 Speaker 1: Up to mischief? 194 00:10:21,360 --> 00:10:24,880 Speaker 2: I think you know, I think you know that all 195 00:10:25,040 --> 00:10:27,880 Speaker 2: right already I do like. 196 00:10:27,840 --> 00:10:32,160 Speaker 4: The back of the big grig comes by, Get your 197 00:10:32,200 --> 00:10:35,160 Speaker 4: buns out, smash him on the window. A little pressed 198 00:10:36,520 --> 00:10:42,920 Speaker 4: on there, yes, ashburger, Yes, really hot. 199 00:10:43,040 --> 00:10:47,200 Speaker 3: Window edges are getting crispy. 200 00:10:47,920 --> 00:10:54,920 Speaker 2: Just keep it pressed, okay. So I'll just say no, no, no, 201 00:10:56,440 --> 00:11:03,520 Speaker 2: the driver no no, and then they crash. Okay, please 202 00:11:03,559 --> 00:11:06,840 Speaker 2: don't canceled me. So I'm on the bus and we 203 00:11:06,960 --> 00:11:07,480 Speaker 2: go by. 204 00:11:07,880 --> 00:11:10,720 Speaker 3: When I do a pressed ham on some of these guys, 205 00:11:10,800 --> 00:11:14,600 Speaker 3: you know, and they get there siren up, put it 206 00:11:14,679 --> 00:11:16,960 Speaker 3: right on top of the car because they were undercover 207 00:11:17,160 --> 00:11:22,959 Speaker 3: truck police. I know, it's a truck police cars. Fun 208 00:11:23,040 --> 00:11:27,079 Speaker 3: of the truck falls down. It's a police truck police. 209 00:11:28,480 --> 00:11:30,960 Speaker 2: Yes, they had sides that fall. 210 00:11:31,280 --> 00:11:33,640 Speaker 3: And it just pulls up in front of my car. 211 00:11:33,720 --> 00:11:35,680 Speaker 3: I'm driving the car while I do a press bad. 212 00:11:37,240 --> 00:11:38,679 Speaker 2: How do you do the pedals? 213 00:11:39,960 --> 00:11:43,040 Speaker 3: The pedals are the least of my concerns. Honestly, because like, 214 00:11:43,080 --> 00:11:46,679 Speaker 3: at least my hands and face are down there, the 215 00:11:46,760 --> 00:11:50,559 Speaker 3: pedal wheel becomes a little bit more difficult. 216 00:11:50,840 --> 00:11:55,000 Speaker 2: Okay, so ham on window, hands on pedals, yes, and. 217 00:11:54,920 --> 00:11:58,600 Speaker 3: Then siren goes up top. I got the whoo truck 218 00:11:58,679 --> 00:12:02,160 Speaker 3: pulls in front of me, folds down a ramp for 219 00:12:02,200 --> 00:12:05,280 Speaker 3: me to just drive directly to the police. Big Greg. 220 00:12:05,360 --> 00:12:06,520 Speaker 3: There's a jail in there. 221 00:12:07,600 --> 00:12:08,840 Speaker 2: There's a patty wagon. 222 00:12:08,640 --> 00:12:10,080 Speaker 3: Jail for my patties. 223 00:12:10,160 --> 00:12:15,000 Speaker 1: Yeah. Yeah, the double patty rolling. 224 00:12:16,200 --> 00:12:18,800 Speaker 2: Rolling right in there. Damn, that's why they call. 225 00:12:18,679 --> 00:12:22,440 Speaker 1: It that patty. It's hot in there. 226 00:12:24,360 --> 00:12:27,120 Speaker 2: So it's on the top of this bus. And they 227 00:12:27,200 --> 00:12:30,560 Speaker 2: drove by the Groundlings, which is a place where I. 228 00:12:30,400 --> 00:12:34,680 Speaker 3: Perform wondering when okay, twelve thirty one, we got the 229 00:12:34,720 --> 00:12:35,960 Speaker 3: ground oh my. 230 00:12:36,480 --> 00:12:44,400 Speaker 4: Oh yeah, held out fifty bucks double digits a way. 231 00:12:44,520 --> 00:12:45,520 Speaker 1: She makes it past. 232 00:12:45,320 --> 00:12:47,400 Speaker 2: Minute now strike it from this cast. 233 00:12:47,559 --> 00:12:52,000 Speaker 3: And you know what Edie Patterson when she was in here. Yeah, 234 00:12:52,120 --> 00:12:54,480 Speaker 3: you can hear the beginning of the recording, she's just 235 00:12:54,520 --> 00:12:59,559 Speaker 3: going dlings. Yeah, no, even before the records started dlings 236 00:12:59,800 --> 00:13:02,720 Speaker 3: the first time to dut it out. That was the 237 00:13:02,760 --> 00:13:03,280 Speaker 3: first time. 238 00:13:04,160 --> 00:13:11,400 Speaker 2: I'm embarrassed. I'm embarrassed and I don't you know what 239 00:13:11,520 --> 00:13:14,480 Speaker 2: doesn't ever make me feel embarrassed the groundlings because I 240 00:13:14,520 --> 00:13:16,640 Speaker 2: feel very free. 241 00:13:16,920 --> 00:13:17,920 Speaker 1: People definitely don't. 242 00:13:21,480 --> 00:13:22,200 Speaker 2: Free. 243 00:13:22,320 --> 00:13:23,719 Speaker 1: Yes, no one's. 244 00:13:23,480 --> 00:13:26,199 Speaker 3: Even say wow, those guys are not embarrassed at all. 245 00:13:27,559 --> 00:13:29,720 Speaker 2: Una should be. 246 00:13:30,400 --> 00:13:32,240 Speaker 3: Should or shouldn't, But it's. 247 00:13:32,080 --> 00:13:34,840 Speaker 4: Not my place to say. But what I'm seeing is 248 00:13:34,920 --> 00:13:36,520 Speaker 4: like a lot of confidence. 249 00:13:36,760 --> 00:13:42,160 Speaker 2: You can't mention a groundling like Elvira and not expected 250 00:13:42,200 --> 00:13:50,640 Speaker 2: to come up Holly, do you want to hear the story? 251 00:13:50,960 --> 00:13:51,160 Speaker 3: Yeah? 252 00:13:51,320 --> 00:13:54,160 Speaker 2: Okay, on top of the bus and we passed the 253 00:13:54,160 --> 00:13:56,480 Speaker 2: groundlings and we all know who's he? 254 00:13:56,760 --> 00:13:59,960 Speaker 3: Like, who are like? What's the occasion? Like, who's with you? 255 00:14:00,160 --> 00:14:00,640 Speaker 2: Was the crew? 256 00:14:01,480 --> 00:14:03,679 Speaker 3: We a lot? I know. 257 00:14:03,840 --> 00:14:05,720 Speaker 2: I was just saying, how I don't like this. Yeah, 258 00:14:05,960 --> 00:14:07,760 Speaker 2: I hate it, But you're saying. 259 00:14:07,480 --> 00:14:08,679 Speaker 1: It after you had done. 260 00:14:08,960 --> 00:14:12,080 Speaker 2: I did so many times. I hate it when people say, well, 261 00:14:12,080 --> 00:14:15,280 Speaker 2: we were doing this, because you're just talking. It wasn't 262 00:14:15,320 --> 00:14:18,000 Speaker 2: me exactly. You're saying, I'm talking to this one person 263 00:14:18,200 --> 00:14:20,280 Speaker 2: who's the weed. Now we have to figure out someone 264 00:14:20,320 --> 00:14:23,000 Speaker 2: else in the equation. So I'm sorry that I did. 265 00:14:22,880 --> 00:14:24,200 Speaker 1: That a representative. 266 00:14:24,400 --> 00:14:35,280 Speaker 3: So let's do roll call Patty my boyfriend. Okay, So 267 00:14:35,720 --> 00:14:40,720 Speaker 3: that's it is he a grounding as well. Gotta be 268 00:14:41,480 --> 00:14:44,640 Speaker 3: he was, yeah. 269 00:14:42,880 --> 00:14:49,280 Speaker 2: Yeah, oh god, I should never have gotten place that. 270 00:14:49,960 --> 00:14:54,120 Speaker 4: It's unbelievable. Something in the water inside that grounding building. 271 00:14:54,160 --> 00:14:55,920 Speaker 2: I'll tell you what you should go. 272 00:14:57,000 --> 00:15:00,360 Speaker 4: And in the sink and in the toilet, I'll. 273 00:15:00,200 --> 00:15:03,440 Speaker 2: Tell you I should really go. Okay, So we're on 274 00:15:03,480 --> 00:15:04,960 Speaker 2: the thing. It's his birthday. 275 00:15:05,400 --> 00:15:16,120 Speaker 5: I may ex boyfriends, your birthday, Oh god, tour's birthday. 276 00:15:16,640 --> 00:15:20,400 Speaker 2: It's just us. Nobody else is on the tour. And 277 00:15:20,480 --> 00:15:23,560 Speaker 2: they had to kind of talk about the city and 278 00:15:23,600 --> 00:15:25,800 Speaker 2: like everything going on in the city. And then we 279 00:15:25,880 --> 00:15:27,960 Speaker 2: passed the groundlings and we're like, oh, this will be good, 280 00:15:28,480 --> 00:15:30,600 Speaker 2: and they mention it and this will. 281 00:15:30,440 --> 00:15:30,920 Speaker 3: Be a laugh. 282 00:15:30,960 --> 00:15:33,359 Speaker 4: They're going to try to explain the ground because to us, 283 00:15:35,440 --> 00:15:37,440 Speaker 4: two of the premiere. 284 00:15:37,080 --> 00:15:40,239 Speaker 5: Performers, oh this will be good. 285 00:15:40,280 --> 00:15:44,560 Speaker 2: This is so bad, this is embarrassing because oh god. 286 00:15:44,400 --> 00:15:50,280 Speaker 1: Let's pretend we don't even know what do they do here? Actually, 287 00:15:54,640 --> 00:15:55,280 Speaker 1: I hate you. 288 00:15:55,560 --> 00:15:56,160 Speaker 2: I hate you. 289 00:15:58,440 --> 00:16:02,000 Speaker 6: Just springing your devious trap on the poor of suspecting 290 00:16:02,160 --> 00:16:07,160 Speaker 6: star tours. And oh my god, that's that's a birthday 291 00:16:07,360 --> 00:16:10,880 Speaker 6: present to you. 292 00:16:10,920 --> 00:16:13,040 Speaker 4: Correct a tour guide aggressively. 293 00:16:13,160 --> 00:16:15,080 Speaker 2: Listen. I didn't know we were going to pass it 294 00:16:15,120 --> 00:16:17,640 Speaker 2: on the tour. Okay. They didn't list the places you 295 00:16:17,640 --> 00:16:19,480 Speaker 2: were going to pass. It was just so it's to 296 00:16:19,520 --> 00:16:23,600 Speaker 2: be a fun experiment, a sundown tour. We're going through 297 00:16:23,640 --> 00:16:26,280 Speaker 2: the city, okay. And then we were on Melrose and 298 00:16:26,320 --> 00:16:29,160 Speaker 2: I was like, this will be fun. So we go 299 00:16:29,800 --> 00:16:32,920 Speaker 2: I hate you. I hate you and I get that 300 00:16:33,200 --> 00:16:37,640 Speaker 2: so much. Show we should make a modo. We should 301 00:16:37,640 --> 00:16:40,680 Speaker 2: get a little montage of all the time it's coming 302 00:16:40,760 --> 00:16:41,240 Speaker 2: up more. 303 00:16:41,480 --> 00:16:43,160 Speaker 1: Okay, something has happened for me. 304 00:16:44,000 --> 00:16:48,640 Speaker 2: It's okay, Okay, it's not just the polo. It's a 305 00:16:48,680 --> 00:16:49,240 Speaker 2: lot happen. 306 00:16:49,360 --> 00:16:52,080 Speaker 1: Yeah, it happens, mac, I don't usually wear it. 307 00:16:52,200 --> 00:16:56,240 Speaker 2: Okay. Well, so we're on the thing and we go 308 00:16:56,880 --> 00:17:00,600 Speaker 2: past the place and I was like, who are they 309 00:17:00,600 --> 00:17:04,639 Speaker 2: going to mention? And they said the home of Elvira 310 00:17:05,000 --> 00:17:10,040 Speaker 2: and then they kept going and then it was like, 311 00:17:12,600 --> 00:17:13,360 Speaker 2: are you guys. 312 00:17:16,560 --> 00:17:20,520 Speaker 4: A huge a huge number of names that they could 313 00:17:20,520 --> 00:17:23,760 Speaker 4: have said way more notable. And the fact that it 314 00:17:23,840 --> 00:17:27,320 Speaker 4: ties exactly in with something we were already talking about. 315 00:17:26,960 --> 00:17:28,920 Speaker 2: I think I hate you. 316 00:17:29,359 --> 00:17:31,960 Speaker 4: No, this is this is another issue that I and 317 00:17:32,080 --> 00:17:34,600 Speaker 4: this is we're so desperate and. 318 00:17:36,359 --> 00:17:37,160 Speaker 3: Get there. 319 00:17:38,119 --> 00:17:41,840 Speaker 4: I legitimately think it is a good story, and no, 320 00:17:42,119 --> 00:17:47,480 Speaker 4: I cannot convince people that I'm being sincere when I 321 00:17:47,840 --> 00:17:48,399 Speaker 4: and I don't know. 322 00:17:48,440 --> 00:17:49,520 Speaker 1: And maybe you can help me. 323 00:17:49,480 --> 00:17:52,920 Speaker 2: With believe you, because I like, I trust you. 324 00:17:52,880 --> 00:17:53,520 Speaker 1: When I am. 325 00:17:55,200 --> 00:17:59,600 Speaker 4: When I am being sincere, people assume that I'm being 326 00:17:59,600 --> 00:18:03,440 Speaker 4: sarcastick all the time, and it has made me even 327 00:18:03,480 --> 00:18:05,359 Speaker 4: more unlikable than you already thought I was. 328 00:18:05,480 --> 00:18:07,360 Speaker 3: It's King Midas for comedy. 329 00:18:07,760 --> 00:18:10,359 Speaker 4: I'm not going to close it. Just it's a little 330 00:18:10,400 --> 00:18:11,200 Speaker 4: too intense for. 331 00:18:11,119 --> 00:18:15,800 Speaker 2: Me, Okay. I just like that you're being sincere. It's 332 00:18:15,880 --> 00:18:17,200 Speaker 2: nice and I want to cry just. 333 00:18:17,160 --> 00:18:20,080 Speaker 4: For a second because I did like the story. 334 00:18:20,200 --> 00:18:21,320 Speaker 1: I think that that's the thing. 335 00:18:21,359 --> 00:18:27,240 Speaker 3: I imagine that this is to bear where people didn't 336 00:18:27,480 --> 00:18:30,400 Speaker 3: oh for him for him that like when you're trying 337 00:18:30,400 --> 00:18:32,840 Speaker 3: to connect someone and people just think that you're like. 338 00:18:33,000 --> 00:18:35,440 Speaker 2: They'd say I hate you and they laugh. 339 00:18:35,640 --> 00:18:38,160 Speaker 4: You're now Also when I go to make a sarcastic joke, 340 00:18:38,240 --> 00:18:40,399 Speaker 4: the opposite will happen, where I kind of like pretend 341 00:18:40,480 --> 00:18:42,840 Speaker 4: that I like something that I don't and then people 342 00:18:42,880 --> 00:18:45,960 Speaker 4: will just assume that I really like it. So it's 343 00:18:46,040 --> 00:18:49,720 Speaker 4: never what I want, Like, it's never good. 344 00:18:50,280 --> 00:18:55,199 Speaker 5: But but hey, here we are we're all. 345 00:18:55,640 --> 00:18:58,199 Speaker 4: Don't give this to somebody who's able to kind of 346 00:18:58,240 --> 00:19:01,520 Speaker 4: deliver their intended us. 347 00:19:01,640 --> 00:19:01,760 Speaker 2: Right. 348 00:19:02,040 --> 00:19:04,840 Speaker 3: Yeah, this is from five to four clothing, which is 349 00:19:04,920 --> 00:19:07,440 Speaker 3: a defunct brain. 350 00:19:07,520 --> 00:19:09,119 Speaker 1: It was one of these clothing in a box. 351 00:19:09,440 --> 00:19:09,640 Speaker 3: Yeah. 352 00:19:09,800 --> 00:19:12,640 Speaker 2: Did they also give you that for free? Yes, it's 353 00:19:12,640 --> 00:19:14,560 Speaker 2: a member's only style, but they didn't. 354 00:19:14,560 --> 00:19:19,040 Speaker 3: They don't come get it. When the thing goes defunk. 355 00:19:17,680 --> 00:19:20,160 Speaker 2: You can't come collect it because you got all your 356 00:19:20,800 --> 00:19:21,520 Speaker 2: stuff on it. 357 00:19:21,640 --> 00:19:25,119 Speaker 3: Yeah. I rub it all over. I'm not sure you 358 00:19:25,119 --> 00:19:32,359 Speaker 3: don't want it back. Yeah, it's all your Yeah. 359 00:19:30,520 --> 00:19:33,119 Speaker 4: I've been groundling my heine up against this thing, is 360 00:19:33,160 --> 00:19:33,720 Speaker 4: what you say? 361 00:19:33,880 --> 00:19:37,000 Speaker 2: Yeah, but free clothes are nice. 362 00:19:38,040 --> 00:19:42,800 Speaker 3: So he says it's my birthday and you say, I've 363 00:19:42,800 --> 00:19:44,440 Speaker 3: got a surprise for you. 364 00:19:45,240 --> 00:19:47,199 Speaker 2: Yeah. I was trying to make it a fun event, 365 00:19:47,560 --> 00:19:50,080 Speaker 2: like let's make it a drinking game. And then when 366 00:19:50,119 --> 00:19:53,119 Speaker 2: they mentioned what was the game, it was kind of 367 00:19:53,119 --> 00:19:54,840 Speaker 2: like I made a thing that was like, oh when 368 00:19:54,880 --> 00:19:59,520 Speaker 2: they mentioned you know when they say world fame or whatever, 369 00:20:00,760 --> 00:20:01,480 Speaker 2: then you'll drink. 370 00:20:01,720 --> 00:20:02,960 Speaker 3: Yeah, what are we packing? 371 00:20:03,520 --> 00:20:04,600 Speaker 1: So the rules are loose? 372 00:20:05,640 --> 00:20:08,320 Speaker 2: I can't remember. This was years and years ago. Can 373 00:20:08,359 --> 00:20:09,199 Speaker 2: I put my feet on them? 374 00:20:09,560 --> 00:20:09,760 Speaker 1: Oh? 375 00:20:09,800 --> 00:20:14,680 Speaker 3: Yeah, ship has sailed, Okay, great, do you have a 376 00:20:14,760 --> 00:20:16,199 Speaker 3: hip flask? 377 00:20:16,800 --> 00:20:18,320 Speaker 4: Can you just make a note that they do need 378 00:20:18,359 --> 00:20:20,600 Speaker 4: to clean the table after this recording, because she did 379 00:20:20,600 --> 00:20:21,439 Speaker 4: put her feet off. 380 00:20:21,359 --> 00:20:22,440 Speaker 2: And us those grapes. 381 00:20:24,040 --> 00:20:28,600 Speaker 3: Tell them, okay, she's basically crop dusting the grapes. 382 00:20:31,960 --> 00:20:35,040 Speaker 2: These are pretty I should take them off. 383 00:20:35,600 --> 00:20:38,400 Speaker 1: Here are we dealing with their thank you. 384 00:20:38,480 --> 00:20:40,560 Speaker 3: We've been trying to get a shoes off thing. 385 00:20:40,560 --> 00:20:43,439 Speaker 2: Going oh you do? Oh yeah, no I can't. 386 00:20:43,480 --> 00:20:48,560 Speaker 3: Okay, well, Scott Ackerman, do you know I was just 387 00:20:48,640 --> 00:20:56,080 Speaker 3: in here, yes, and so like his piggies were so 388 00:20:56,280 --> 00:21:02,160 Speaker 3: caged up that Peter was getting good bolved. They said 389 00:21:02,280 --> 00:21:06,720 Speaker 3: these need to be set free. And it's like he 390 00:21:07,400 --> 00:21:09,760 Speaker 3: would not let the piggies roan. 391 00:21:10,200 --> 00:21:13,359 Speaker 4: It's true, he he he refused, and they had to 392 00:21:13,359 --> 00:21:19,240 Speaker 4: call Peda and and you know he has a young child, 393 00:21:19,280 --> 00:21:20,840 Speaker 4: and when he tried to teach it, like this little 394 00:21:20,840 --> 00:21:23,399 Speaker 4: piggy went to market. It was like this little piggy 395 00:21:23,400 --> 00:21:25,320 Speaker 4: went to market and then all the rest of the 396 00:21:25,359 --> 00:21:27,000 Speaker 4: piggies suffocated to death. 397 00:21:27,560 --> 00:21:29,440 Speaker 1: And that's how they have to like learn. 398 00:21:29,320 --> 00:21:31,880 Speaker 2: That piggy came back from the market and sad, yeah, 399 00:21:31,920 --> 00:21:32,480 Speaker 2: I came home. 400 00:21:32,359 --> 00:21:33,719 Speaker 1: And found the rest of his family. 401 00:21:34,840 --> 00:21:37,359 Speaker 4: Uh huh yeah, and then he killed himself with something 402 00:21:37,359 --> 00:21:40,200 Speaker 4: he got at the market. Oh, the market was actually 403 00:21:40,240 --> 00:21:44,960 Speaker 4: a gun market. And this is like, I mean, you know, 404 00:21:45,320 --> 00:21:49,680 Speaker 4: it's up setting, it's up setting. Yes, well you think 405 00:21:49,720 --> 00:21:54,080 Speaker 4: about like when I learned it. It's like I learned so, 406 00:21:54,400 --> 00:21:57,120 Speaker 4: you know, this huge scope of experience because the little 407 00:21:57,160 --> 00:21:59,200 Speaker 4: piggies had all done these different things. 408 00:21:59,000 --> 00:22:02,680 Speaker 3: And you think he could do. This little piggy stayed home. 409 00:22:02,840 --> 00:22:05,800 Speaker 3: This little piggy also stayed home. This little piggy also 410 00:22:05,800 --> 00:22:07,760 Speaker 3: stayed home. It was so much more. 411 00:22:07,840 --> 00:22:09,440 Speaker 1: But they didn't just stay home. It was like there 412 00:22:09,480 --> 00:22:11,440 Speaker 1: was like a carbon monoxide incident. 413 00:22:11,600 --> 00:22:14,240 Speaker 3: Yeah, yeah, which more grizzly than that. Yeah. 414 00:22:14,320 --> 00:22:16,120 Speaker 2: The rest of the family Piggy. 415 00:22:15,880 --> 00:22:18,199 Speaker 4: Like yeah this Yeah, this little piggy came back from 416 00:22:18,200 --> 00:22:20,440 Speaker 4: the market. Thought at first the other piggies were sleeping, 417 00:22:20,560 --> 00:22:22,600 Speaker 4: and it was like, you know, it slowly dawned on 418 00:22:22,640 --> 00:22:25,399 Speaker 4: that piggy then like there was something very seriously wrong. 419 00:22:26,200 --> 00:22:27,879 Speaker 3: Yeah, and then when he walked out of here, he 420 00:22:28,000 --> 00:22:29,960 Speaker 3: was like squishing, Well he. 421 00:22:29,960 --> 00:22:32,200 Speaker 2: Walked so sweaty something. 422 00:22:32,280 --> 00:22:33,359 Speaker 3: I don't know what was going on. 423 00:22:36,960 --> 00:22:42,959 Speaker 2: What blood. 424 00:22:43,040 --> 00:22:45,160 Speaker 4: Yeah, well I'm just saying you know what I mean. 425 00:22:46,040 --> 00:22:51,960 Speaker 4: It's pretty gruesome and it's like the freedom that we 426 00:22:52,080 --> 00:22:53,240 Speaker 4: feel on this shoulders. 427 00:22:53,359 --> 00:22:54,399 Speaker 1: Yeah, we take our shoes. 428 00:22:54,520 --> 00:22:57,439 Speaker 2: I like it. I like the vibe of it. And 429 00:22:57,440 --> 00:23:01,720 Speaker 2: those are good. Those are nice socking Classman's Show. What 430 00:23:01,760 --> 00:23:02,480 Speaker 2: are yours? 431 00:23:03,640 --> 00:23:04,880 Speaker 1: I don't know what these ones are. 432 00:23:05,000 --> 00:23:08,240 Speaker 4: No, they're features features. 433 00:23:08,520 --> 00:23:11,160 Speaker 3: M hm, you would do great on Red Classman's Show. 434 00:23:11,280 --> 00:23:12,840 Speaker 2: What is it? What do we talk about? Socks? 435 00:23:13,119 --> 00:23:14,240 Speaker 3: It's called taker shoes. 436 00:23:14,440 --> 00:23:15,359 Speaker 1: It's called taker shoes. 437 00:23:16,200 --> 00:23:16,880 Speaker 2: To get comfortable. 438 00:23:16,920 --> 00:23:18,800 Speaker 4: We're trying to move in on this, Okay. I don't 439 00:23:18,840 --> 00:23:20,159 Speaker 4: know if they take their shoes off on it? 440 00:23:20,200 --> 00:23:20,560 Speaker 3: Do they? 441 00:23:21,640 --> 00:23:24,200 Speaker 4: I don't know, but we're but we're kind of trying 442 00:23:24,200 --> 00:23:25,840 Speaker 4: to move in on that territory a little bit. 443 00:23:26,240 --> 00:23:27,760 Speaker 2: Okay, here we go. 444 00:23:29,160 --> 00:23:32,480 Speaker 4: We're in what's the company that makes the smiley face socks? 445 00:23:32,840 --> 00:23:35,720 Speaker 2: I don't know. I think I got these. Oh I 446 00:23:36,080 --> 00:23:41,119 Speaker 2: got these at that little slutty store called Brandy Melville. 447 00:23:42,080 --> 00:23:42,320 Speaker 2: You know. 448 00:23:42,480 --> 00:23:43,240 Speaker 3: Okay, it. 449 00:23:45,760 --> 00:23:50,680 Speaker 2: Is well, actually they're probably like even before there. It's 450 00:23:50,720 --> 00:23:54,920 Speaker 2: like for little teens. This is so inappropriate. 451 00:23:55,000 --> 00:23:57,160 Speaker 3: I thought it was like a whaling store. I thought 452 00:23:57,160 --> 00:23:59,000 Speaker 3: it was like girl whalers. 453 00:23:59,280 --> 00:24:05,160 Speaker 4: Yeah, assumed, because like she's she's. 454 00:24:04,119 --> 00:24:07,760 Speaker 3: Like her dad is Herman Melville. That's so. But I 455 00:24:07,760 --> 00:24:10,520 Speaker 3: guess she wants to like go the other and yeah, 456 00:24:10,760 --> 00:24:15,280 Speaker 3: she's really yes, because her dad is Herman Melvine. 457 00:24:15,920 --> 00:24:17,000 Speaker 1: She's old. 458 00:24:17,359 --> 00:24:19,000 Speaker 2: Is it so bad? I don't know who that is. 459 00:24:20,000 --> 00:24:22,240 Speaker 4: That's so fine, you know what I mean? They didn't 460 00:24:22,240 --> 00:24:24,399 Speaker 4: cover that on the Star tours, huh? Or maybe you 461 00:24:24,440 --> 00:24:25,680 Speaker 4: were so drunk. 462 00:24:25,560 --> 00:24:30,520 Speaker 2: I was by the time. Is he in the Hollywood Cemetery? 463 00:24:32,040 --> 00:24:34,560 Speaker 3: So you're familiar obviously from the Star Tour with Moby 464 00:24:34,600 --> 00:24:38,320 Speaker 3: the recording artist, Yes, yes, And you're familiar with Andy 465 00:24:38,320 --> 00:24:46,520 Speaker 3: Dick lilltching behind the Star Tour queen off the one 466 00:24:46,680 --> 00:24:48,240 Speaker 3: describing the sights that you were. 467 00:24:48,160 --> 00:24:50,919 Speaker 2: Seeing, right he was looking at yeah. 468 00:24:51,720 --> 00:24:55,200 Speaker 3: Uh, said Elviran just fully passed out. 469 00:24:55,000 --> 00:24:57,960 Speaker 1: At the wheel, Elvira and me. 470 00:25:01,040 --> 00:25:06,360 Speaker 3: But Herman Melville created a character sort of at the 471 00:25:06,359 --> 00:25:10,240 Speaker 3: confluence of those two personalities. 472 00:25:11,000 --> 00:25:13,560 Speaker 2: Okay, what's the character? 473 00:25:13,880 --> 00:25:14,679 Speaker 3: What's the character? 474 00:25:16,760 --> 00:25:20,000 Speaker 1: He well, he is doing something of a cryptic crossword. 475 00:25:20,080 --> 00:25:21,879 Speaker 3: It was that it was the time. It was a 476 00:25:21,920 --> 00:25:25,600 Speaker 3: long time ago. So the character is white, as many 477 00:25:25,680 --> 00:25:26,800 Speaker 3: characters were, and. 478 00:25:28,440 --> 00:25:31,200 Speaker 4: Sort of, yeah, there's a little I guess the book 479 00:25:31,440 --> 00:25:33,480 Speaker 4: it's a it's a novel, does a bit. 480 00:25:33,359 --> 00:25:39,200 Speaker 3: Of so, yeah, they do call him a whale pretty 481 00:25:39,240 --> 00:25:40,960 Speaker 3: much through the whole entire thing. 482 00:25:42,560 --> 00:25:44,600 Speaker 2: Yeah, I don't know. 483 00:25:48,000 --> 00:25:48,200 Speaker 3: Either. 484 00:25:49,520 --> 00:25:52,320 Speaker 1: Look, this show is not about knowing. 485 00:25:52,800 --> 00:25:58,840 Speaker 2: Okay, this is like, this is reviving. It's like before 486 00:25:59,520 --> 00:26:04,440 Speaker 2: googling before AI, Like, we don't know if anything's real 487 00:26:04,680 --> 00:26:08,000 Speaker 2: or what like. We can't look it up, so I 488 00:26:08,000 --> 00:26:08,840 Speaker 2: have to trust you. 489 00:26:09,560 --> 00:26:12,360 Speaker 3: We just got isn't it nice to like let that 490 00:26:12,440 --> 00:26:16,479 Speaker 3: go and just not for just one second not be 491 00:26:17,680 --> 00:26:18,280 Speaker 3: used to live. 492 00:26:18,920 --> 00:26:20,960 Speaker 2: Look, i'm a nineties we're in the gray area. 493 00:26:21,040 --> 00:26:22,080 Speaker 1: This is what we used to do. 494 00:26:22,359 --> 00:26:23,240 Speaker 2: Yeah, that's nice. 495 00:26:23,680 --> 00:26:25,600 Speaker 4: We used to just vibe. 496 00:26:26,000 --> 00:26:30,200 Speaker 1: You just drink, you know, I wonder who wrote a book. 497 00:26:29,880 --> 00:26:32,600 Speaker 4: And then you just go like, I don't know, let's 498 00:26:32,640 --> 00:26:33,639 Speaker 4: think about it or not. 499 00:26:35,640 --> 00:26:40,320 Speaker 1: Yeah, yeah, I drink from the hose. Right, that was the. 500 00:26:41,440 --> 00:26:45,760 Speaker 3: Astro vibe Celsius death water. From the death water. That's 501 00:26:45,760 --> 00:26:46,320 Speaker 3: what it's called. 502 00:26:46,560 --> 00:26:52,680 Speaker 2: Yeah, death water, is it? Yeah, Yeah, that's what it's called. 503 00:26:53,040 --> 00:26:56,800 Speaker 2: I know, like it used to be hose. 504 00:26:57,240 --> 00:26:59,240 Speaker 1: It used to be. It used to be. We didn't 505 00:26:59,240 --> 00:26:59,960 Speaker 1: always have a hoe. 506 00:27:00,520 --> 00:27:04,720 Speaker 4: There was a spiggot behind the old baseball and you 507 00:27:04,920 --> 00:27:10,400 Speaker 4: just turn just wrapped your lips around that metal spigot. 508 00:27:10,000 --> 00:27:10,520 Speaker 2: Let it rip. 509 00:27:11,720 --> 00:27:16,520 Speaker 1: Yeah, yeah, it was sting, God, it would sting. 510 00:27:16,800 --> 00:27:21,520 Speaker 4: So cold, sharp drops in the back of your throat, gracious. 511 00:27:21,600 --> 00:27:23,440 Speaker 1: Oh and yeah cold or hot? 512 00:27:24,640 --> 00:27:27,159 Speaker 3: Beginning to me, the beginning is hot because it was 513 00:27:27,200 --> 00:27:28,440 Speaker 3: sitting in the prows. 514 00:27:28,720 --> 00:27:32,600 Speaker 4: First minute, ice cold, The first couple of drops are 515 00:27:32,600 --> 00:27:34,640 Speaker 4: hot and then too cold. 516 00:27:34,880 --> 00:27:37,159 Speaker 1: You know, that's just that was your option. 517 00:27:37,440 --> 00:27:41,320 Speaker 2: Yeah, I know it was nice. 518 00:27:39,880 --> 00:27:43,880 Speaker 4: Wasn't It wasn't like what kind of death water do you? 519 00:27:43,880 --> 00:27:46,840 Speaker 1: You know, like, do you want sparkling. 520 00:27:46,440 --> 00:27:48,360 Speaker 2: Death water raspberry? 521 00:27:48,680 --> 00:27:51,320 Speaker 4: Yeah, but it wouldn't be called raspberry. Would it be 522 00:27:51,359 --> 00:27:53,320 Speaker 4: called you know, some kind. 523 00:27:53,119 --> 00:27:54,200 Speaker 2: Of death deathberry? 524 00:27:54,440 --> 00:27:56,000 Speaker 1: Right, Yes, wouldn't it? 525 00:27:56,240 --> 00:27:56,440 Speaker 4: Yes? 526 00:27:56,760 --> 00:28:01,480 Speaker 2: Yeah? Remember just going out and not. 527 00:28:03,680 --> 00:28:07,760 Speaker 3: Coming home literally, yeah, I just never covering literally, yes, remember. 528 00:28:07,600 --> 00:28:10,120 Speaker 2: Just going going and then you might get in trouble 529 00:28:10,560 --> 00:28:13,640 Speaker 2: out But what were they going to do? Take your 530 00:28:14,359 --> 00:28:14,840 Speaker 2: like take. 531 00:28:14,760 --> 00:28:16,400 Speaker 3: Us out of the house. We already left that. 532 00:28:18,160 --> 00:28:20,399 Speaker 2: Markers away, Like what are they going to do? 533 00:28:20,440 --> 00:28:24,960 Speaker 3: You? Watch? Oh my god works fine, Yeah, I've been 534 00:28:25,000 --> 00:28:31,440 Speaker 3: burying extra ones in the yard for exactly this situation, right. 535 00:28:31,680 --> 00:28:31,920 Speaker 2: Yeah. 536 00:28:33,080 --> 00:28:37,439 Speaker 4: Now remember just being out just indefinitely, Yes, it was 537 00:28:37,480 --> 00:28:39,440 Speaker 4: so nice, just walking. 538 00:28:39,120 --> 00:28:40,680 Speaker 1: Down by the railroad tracks. 539 00:28:40,720 --> 00:28:42,720 Speaker 4: Watch the muskrats swim around. 540 00:28:42,920 --> 00:28:47,960 Speaker 2: Digging a couple of hot dogs, fishing. We would take 541 00:28:48,360 --> 00:28:50,600 Speaker 2: are you trying to get something on track? Now? Huh? 542 00:28:50,600 --> 00:28:52,040 Speaker 2: Were you looking at something. 543 00:28:51,760 --> 00:28:54,200 Speaker 3: To get I'm just interested in you finishing your star 544 00:28:54,320 --> 00:28:56,120 Speaker 3: towards story. I just feel like it's kind of I 545 00:28:56,160 --> 00:29:00,480 Speaker 3: feel like it's like there's some details like left mentioned, 546 00:29:00,520 --> 00:29:02,680 Speaker 3: Like you said you brought a hip flask. 547 00:29:03,000 --> 00:29:04,959 Speaker 1: Hip flask? What was in it? But we know it 548 00:29:05,000 --> 00:29:06,880 Speaker 1: wasn't twisted tea missed opportunity. 549 00:29:07,040 --> 00:29:09,120 Speaker 2: I think it was some kind of like lemon shakeup, 550 00:29:09,280 --> 00:29:11,840 Speaker 2: like lemon shake up. 551 00:29:13,000 --> 00:29:14,320 Speaker 1: By Okay, so. 552 00:29:16,160 --> 00:29:18,840 Speaker 6: Like that kind of thing you include when you tell 553 00:29:18,920 --> 00:29:21,560 Speaker 6: the story, like. 554 00:29:21,600 --> 00:29:23,880 Speaker 2: That's what we would have, you know, like the Indiana 555 00:29:23,920 --> 00:29:28,000 Speaker 2: State Fair. Okay, it's like a like a lemon in 556 00:29:28,120 --> 00:29:32,520 Speaker 2: the kind of cold with vodka, probably. 557 00:29:32,560 --> 00:29:34,200 Speaker 1: Indian famously unfair. 558 00:29:34,920 --> 00:29:39,880 Speaker 5: Huh, okay, go ahead, give me. 559 00:29:39,880 --> 00:29:41,920 Speaker 3: A womon shake up. I'll be in a state that's not. 560 00:29:41,880 --> 00:29:44,200 Speaker 2: Very fair, right, you need it. 561 00:29:44,360 --> 00:29:46,160 Speaker 3: I'll be at a very unfair state you need. 562 00:29:46,680 --> 00:29:49,120 Speaker 2: You need it to get through Holly. 563 00:29:51,520 --> 00:29:56,400 Speaker 3: Wholly. And the boyfriend is there, the ex boyfriend who's 564 00:29:56,400 --> 00:29:57,480 Speaker 3: this Oscar Nunias. 565 00:29:58,480 --> 00:30:00,320 Speaker 2: I'm not going to name name Come on, we're not 566 00:30:00,320 --> 00:30:01,200 Speaker 2: gonna get on that. 567 00:30:01,280 --> 00:30:03,720 Speaker 4: It's a person who's still probably still in her life. 568 00:30:03,720 --> 00:30:05,840 Speaker 4: They probably got to do Groundlings shows together. 569 00:30:05,640 --> 00:30:09,120 Speaker 3: And this and now the idea that like you gotta 570 00:30:09,160 --> 00:30:10,680 Speaker 3: asked booted out of the fucking Groundlings. 571 00:30:10,680 --> 00:30:14,160 Speaker 2: You're gonna it's gonna dig up some stuff. 572 00:30:14,560 --> 00:30:17,280 Speaker 1: Come on, man, the woman has been through a trauma. 573 00:30:17,960 --> 00:30:21,240 Speaker 3: You we're making a relift the Star Tours experience because 574 00:30:21,320 --> 00:30:23,840 Speaker 3: he's on the only birthday she ever planned on. You. 575 00:30:23,960 --> 00:30:26,440 Speaker 1: You know it was going to go buy the Groundlings. 576 00:30:26,440 --> 00:30:26,880 Speaker 3: Didn't know, the. 577 00:30:26,920 --> 00:30:27,800 Speaker 2: Roote didn't know. 578 00:30:28,720 --> 00:30:30,640 Speaker 1: I didn't thought into the lemon shake up. 579 00:30:30,680 --> 00:30:35,360 Speaker 2: Then that's right, and the you know, fun drinking game part. 580 00:30:35,840 --> 00:30:36,520 Speaker 1: They're doing this. 581 00:30:36,600 --> 00:30:40,480 Speaker 3: New office and it's like Oscar, isn't it But it's 582 00:30:40,520 --> 00:30:44,160 Speaker 3: all a big secret. Can talk about? How must talk about? 583 00:30:44,560 --> 00:30:46,640 Speaker 1: No, we don't know that Oscar's in it? Well, they 584 00:30:46,680 --> 00:30:48,200 Speaker 1: called some bucking eyeballs on the screen. 585 00:30:48,960 --> 00:30:50,680 Speaker 2: No paper paper. 586 00:30:50,680 --> 00:30:52,080 Speaker 1: It's something about paper, isn't it? 587 00:30:52,200 --> 00:30:52,360 Speaker 3: Yeah? 588 00:30:52,520 --> 00:30:56,080 Speaker 2: Or is it not something about papered? Are you googling? 589 00:30:57,400 --> 00:31:00,440 Speaker 3: If I did, the Jack Boots would be kicking the 590 00:31:00,480 --> 00:31:05,640 Speaker 3: door in because you mustn't google about the new paper. 591 00:31:07,160 --> 00:31:09,920 Speaker 3: You simply mustn't. And they got to you too obviously 592 00:31:09,960 --> 00:31:12,720 Speaker 3: and said no, no stories out of school about our. 593 00:31:12,680 --> 00:31:17,800 Speaker 4: Oscar, don't shake up on the starts or don't. 594 00:31:17,600 --> 00:31:19,720 Speaker 2: I don't mention that it wasn't Oscar. 595 00:31:20,880 --> 00:31:23,000 Speaker 1: Patti Googleheim, thank you. 596 00:31:23,160 --> 00:31:24,280 Speaker 2: I love it. 597 00:31:24,560 --> 00:31:28,160 Speaker 3: I mean you're welcome because I did say that ago. Yeah, 598 00:31:28,160 --> 00:31:31,720 Speaker 3: and I got a big sniff from Kevin Kevin. Some 599 00:31:31,760 --> 00:31:33,920 Speaker 3: people do like an exhale, like a nose. 600 00:31:34,320 --> 00:31:35,240 Speaker 2: Yeah, b exhale. 601 00:31:35,800 --> 00:31:40,800 Speaker 3: Kevin does a big, big sniff. 602 00:31:40,880 --> 00:31:42,520 Speaker 2: You should get a mic just right on. 603 00:31:42,480 --> 00:31:45,520 Speaker 3: His like he's rooting for treffles. I mean he's got 604 00:31:45,560 --> 00:31:47,920 Speaker 3: ones right there. You can't pick it up as well 605 00:31:47,920 --> 00:31:54,720 Speaker 3: as the people at home can. And he I mean 606 00:31:54,760 --> 00:31:57,840 Speaker 3: he can smell him listening in the car at this point. 607 00:31:58,920 --> 00:32:00,760 Speaker 2: I like to do that to my cats. 608 00:32:01,000 --> 00:32:03,120 Speaker 4: Yeah, so talk about how many cats talk about their 609 00:32:03,200 --> 00:32:05,640 Speaker 4: names and talk about why you are? 610 00:32:06,040 --> 00:32:08,640 Speaker 2: Is this when you're trying to like fine info for 611 00:32:08,800 --> 00:32:09,720 Speaker 2: guests to talk about. 612 00:32:10,000 --> 00:32:14,640 Speaker 3: No, I don't believe behaviors. 613 00:32:15,640 --> 00:32:18,360 Speaker 2: So it's two cats I just saw fostered one that 614 00:32:18,800 --> 00:32:23,920 Speaker 2: I can keep, and then Ben Foster. Yes, his name 615 00:32:24,000 --> 00:32:27,880 Speaker 2: is Steve Little. 616 00:32:28,160 --> 00:32:29,840 Speaker 3: I know them. 617 00:32:30,200 --> 00:32:35,280 Speaker 2: He's little one cat I've had for a while his 618 00:32:35,360 --> 00:32:38,760 Speaker 2: name's JW's funny. 619 00:32:39,000 --> 00:32:41,840 Speaker 4: The convention often, you know, is like big guy named 620 00:32:41,880 --> 00:32:42,640 Speaker 4: tiny or whatever. 621 00:32:42,840 --> 00:32:45,000 Speaker 1: He got little cat Na, Steve Little. 622 00:32:46,800 --> 00:32:51,760 Speaker 3: We're really narrowing down this ex boyfriend. By the way, 623 00:32:51,360 --> 00:32:53,400 Speaker 3: that's how we're rover. 624 00:32:53,920 --> 00:32:55,960 Speaker 2: I mentioned that I'm still talking about. 625 00:32:57,440 --> 00:32:59,200 Speaker 1: Not after what happened at the end of the start tour. 626 00:33:04,360 --> 00:33:09,800 Speaker 2: Okay, okay, So j W Stink is so cute and 627 00:33:10,840 --> 00:33:14,560 Speaker 2: uh very fuck fluffy, big big tail. 628 00:33:15,960 --> 00:33:18,840 Speaker 3: He doesn't like being named that j W Stink. He 629 00:33:19,640 --> 00:33:20,200 Speaker 3: loves it. 630 00:33:21,320 --> 00:33:25,960 Speaker 2: I'm tiny and steaky. I have a bad steaky. 631 00:33:26,600 --> 00:33:28,560 Speaker 3: He says, you don't have the name steak. 632 00:33:29,320 --> 00:33:31,240 Speaker 4: He loves Maybe something on the fluffy tail. 633 00:33:31,360 --> 00:33:32,400 Speaker 1: Maybe we focus on that. 634 00:33:33,000 --> 00:33:36,960 Speaker 2: He loves this. I'm telling you, he loves it. And 635 00:33:37,000 --> 00:33:42,160 Speaker 2: then the new one is corn Cob sometimes miss Piggy, 636 00:33:42,360 --> 00:33:47,479 Speaker 2: and then Steve Little. Sometimes there's three total. There are 637 00:33:47,480 --> 00:33:50,280 Speaker 2: two cats, two cats with a lot of names, with 638 00:33:50,320 --> 00:33:51,040 Speaker 2: a lot of names. 639 00:33:51,160 --> 00:33:54,800 Speaker 3: Yeah, it's like a it's like a logic puzzle. 640 00:33:55,040 --> 00:33:56,280 Speaker 2: That would be a good story. 641 00:33:57,240 --> 00:34:01,040 Speaker 1: I just fostered one that I'm keeping, and then I 642 00:34:01,080 --> 00:34:01,720 Speaker 1: heard like four. 643 00:34:03,160 --> 00:34:11,120 Speaker 2: Yeah, we've had the one we and then and then 644 00:34:11,520 --> 00:34:14,600 Speaker 2: there is a little one that just came to town 645 00:34:15,200 --> 00:34:15,680 Speaker 2: very little. 646 00:34:17,120 --> 00:34:17,920 Speaker 3: That's that's all. 647 00:34:18,000 --> 00:34:18,800 Speaker 1: That's Steve Little. 648 00:34:18,840 --> 00:34:22,040 Speaker 3: Yeah. People don't let us in like this, you know, 649 00:34:22,160 --> 00:34:26,680 Speaker 3: and it's so nice now you really welcomed into the home. 650 00:34:27,480 --> 00:34:29,880 Speaker 3: I feel like I'm invokes seventy three questions. 651 00:34:30,040 --> 00:34:32,200 Speaker 1: Oh you know, starting to feel that way. 652 00:34:32,320 --> 00:34:34,600 Speaker 2: I think you're going to lose your cool sponsors. 653 00:34:35,520 --> 00:34:39,040 Speaker 4: You know what, A lot of them are already gone. Okay, 654 00:34:39,480 --> 00:34:42,280 Speaker 4: talk about five four Clothing went belly up maybe because 655 00:34:42,280 --> 00:34:44,920 Speaker 4: they worked with us mac well and I haven't heard. 656 00:34:44,800 --> 00:34:48,160 Speaker 3: From them, and the shirts go belly on age just 657 00:34:48,200 --> 00:34:51,360 Speaker 3: sort of without warning. The shirts will just go belly 658 00:34:51,480 --> 00:34:54,719 Speaker 3: all the way up. Yeah, the five four Clothing shirts. Yeah, 659 00:34:55,560 --> 00:34:59,000 Speaker 3: like those old blinds. You just pull the bottom and 660 00:34:59,040 --> 00:35:04,080 Speaker 3: it's like snaps up really fast about the top. That's 661 00:35:04,120 --> 00:35:04,720 Speaker 3: what the shirt. 662 00:35:04,760 --> 00:35:08,760 Speaker 2: That's how the shirts go. And I will they actually 663 00:35:08,800 --> 00:35:12,560 Speaker 2: do that or they're they're going no, like. 664 00:35:12,480 --> 00:35:16,160 Speaker 3: They actually they actually do that. People say like how that? 665 00:35:16,440 --> 00:35:20,000 Speaker 3: People say what that shirt do? As if it like 666 00:35:20,160 --> 00:35:25,160 Speaker 3: is responding to that prompt, like it springs upward, like, yes, 667 00:35:26,520 --> 00:35:31,400 Speaker 3: that's you. That's the blinds did that when. 668 00:35:31,200 --> 00:35:33,279 Speaker 2: You were feel like. 669 00:35:33,280 --> 00:35:37,879 Speaker 3: We weren't nineties kids. Mine did, like but yours did 670 00:35:37,920 --> 00:35:42,880 Speaker 3: like a blind you pull the bottom and they like 671 00:35:43,040 --> 00:35:45,719 Speaker 3: snap up, yeah, rip around the top. 672 00:35:45,760 --> 00:35:48,520 Speaker 2: You're talking the ones that were kind of like that 673 00:35:48,600 --> 00:35:56,960 Speaker 2: with the blind tasting me my blind. Yes, neighborhood. 674 00:35:58,480 --> 00:36:01,959 Speaker 3: Yeah, she's clients, so that's how she you know. 675 00:36:02,120 --> 00:36:06,000 Speaker 4: Yeah, well your unicates, but I don't know what you 676 00:36:06,040 --> 00:36:08,280 Speaker 4: look like's. 677 00:36:07,960 --> 00:36:09,000 Speaker 2: She talks like that? 678 00:36:09,080 --> 00:36:11,239 Speaker 4: Okay, I want to get a sense of the sort 679 00:36:11,239 --> 00:36:12,239 Speaker 4: of structures you know. 680 00:36:13,920 --> 00:36:15,839 Speaker 2: Ah, yes, young. 681 00:36:17,480 --> 00:36:18,840 Speaker 1: So handsome. 682 00:36:21,920 --> 00:36:24,640 Speaker 2: Facial hair is coming in. 683 00:36:25,000 --> 00:36:29,360 Speaker 4: Yeah, very very flattering to have that kind of encounter. 684 00:36:29,840 --> 00:36:30,560 Speaker 3: Who's your god? 685 00:36:30,680 --> 00:36:31,360 Speaker 2: Oh god? 686 00:36:32,640 --> 00:36:33,600 Speaker 1: Who's your guy? 687 00:36:34,320 --> 00:36:34,960 Speaker 2: Who's my guy? 688 00:36:35,080 --> 00:36:36,000 Speaker 1: Yeahsted Metal? 689 00:36:36,040 --> 00:36:38,239 Speaker 3: Which is the guy in there? Which? Which one for. 690 00:36:38,239 --> 00:36:40,880 Speaker 2: You that I'm taking on? 691 00:36:42,719 --> 00:36:46,480 Speaker 3: No? You just want to tell us, so I don't 692 00:36:46,840 --> 00:36:49,880 Speaker 3: just do it. How could you think that him saying 693 00:36:50,560 --> 00:36:53,879 Speaker 3: twist Metal, who's your guy on there? That we're talking 694 00:36:53,920 --> 00:36:56,839 Speaker 3: about this dark care name? 695 00:36:56,920 --> 00:37:05,200 Speaker 4: You're like breathing saying on Mike, I'm yeah, good fine. 696 00:37:03,640 --> 00:37:05,120 Speaker 3: Who's your guy on there? 697 00:37:06,440 --> 00:37:07,960 Speaker 2: Who is my guy? 698 00:37:08,640 --> 00:37:10,920 Speaker 3: Everyone in the show has a guy that they are like. 699 00:37:11,640 --> 00:37:16,440 Speaker 2: Like video games, I'm a guy. My guy is a 700 00:37:16,480 --> 00:37:23,680 Speaker 2: car named Shadow, and my guy is a girl named Raven. 701 00:37:24,560 --> 00:37:28,960 Speaker 3: I will say with what's happening in this industry. I 702 00:37:28,960 --> 00:37:33,440 Speaker 3: think it's really smart for you to expand your range 703 00:37:33,480 --> 00:37:36,520 Speaker 3: and say, like I will go on this show and 704 00:37:36,560 --> 00:37:41,880 Speaker 3: be a car. Yes, and the executives watching that and 705 00:37:41,960 --> 00:37:42,480 Speaker 3: you are. 706 00:37:42,400 --> 00:37:45,560 Speaker 2: Saying like, I want to be a car with lashes, 707 00:37:48,120 --> 00:37:49,120 Speaker 2: big lashes. 708 00:37:50,800 --> 00:37:54,040 Speaker 3: Weirdly, not the fact that they're over the windshield wipers 709 00:37:54,080 --> 00:37:58,360 Speaker 3: instead of the headlights, and that you that you flat 710 00:37:58,400 --> 00:38:02,040 Speaker 3: the eyelashes by like the windshieldspers going. It's not reading 711 00:38:02,160 --> 00:38:04,759 Speaker 3: to me, it's not the way that that's not. 712 00:38:06,400 --> 00:38:11,319 Speaker 1: When I imagine a car having lashes. Yeah, I'm so 713 00:38:11,440 --> 00:38:12,200 Speaker 1: fucking stupid. 714 00:38:12,239 --> 00:38:14,200 Speaker 4: I assume they're going to go over the headlights, like 715 00:38:14,239 --> 00:38:18,160 Speaker 4: the headlights are the eyes. And so it definitely expanded 716 00:38:18,200 --> 00:38:23,040 Speaker 4: my mind. And yet it feels like a missed opportunity 717 00:38:23,120 --> 00:38:24,520 Speaker 4: sometimes because it's not. 718 00:38:26,960 --> 00:38:28,440 Speaker 1: Looking like anything. 719 00:38:28,280 --> 00:38:31,319 Speaker 3: And the headlights are nostrils and I only know that 720 00:38:31,440 --> 00:38:35,520 Speaker 3: from like reading the episode description, which I was not 721 00:38:35,600 --> 00:38:40,359 Speaker 3: expecting to get that information from there. On my streaming exhaust. 722 00:38:40,239 --> 00:38:44,160 Speaker 4: Fan wiki too about like yeah, the sinus structure of 723 00:38:44,200 --> 00:38:46,200 Speaker 4: the car, yes, yes, which. 724 00:38:46,080 --> 00:38:48,880 Speaker 3: But I would never I would never have known the 725 00:38:48,880 --> 00:38:52,120 Speaker 3: fact that the headlights are nostrils. 726 00:38:52,440 --> 00:38:57,919 Speaker 2: The headlights are the nostrils. The blinkers are the That's 727 00:38:57,920 --> 00:38:59,879 Speaker 2: where all the like attitude comes from. 728 00:39:00,160 --> 00:39:08,279 Speaker 3: Like that actually did read? And now I listen to 729 00:39:08,320 --> 00:39:11,759 Speaker 3: my card do that and I'm like, get out of here, 730 00:39:12,600 --> 00:39:14,040 Speaker 3: which your sassy ass. 731 00:39:14,120 --> 00:39:18,319 Speaker 4: Yeah, Patty, you go so effortlessly into sound effects. You, 732 00:39:18,920 --> 00:39:22,279 Speaker 4: I mean, it really is a strength for you. 733 00:39:22,920 --> 00:39:25,000 Speaker 1: Is this some of what we can expect on the show? 734 00:39:26,160 --> 00:39:30,680 Speaker 2: A lot of mostly sound effects. I think it's my 735 00:39:30,719 --> 00:39:32,040 Speaker 2: favorite way of communicating. 736 00:39:32,719 --> 00:39:38,920 Speaker 1: That's what I'm picking up as well. Oh mm hmm. 737 00:39:40,200 --> 00:39:43,080 Speaker 3: Was that one of so I don't want to take 738 00:39:43,160 --> 00:39:51,880 Speaker 3: back but compliment, but like, uh huh, I don't know 739 00:39:51,880 --> 00:39:53,120 Speaker 3: if that was supposed to be like a. 740 00:39:53,080 --> 00:39:58,759 Speaker 4: Car someone turning on the radio and a song is ending, 741 00:39:58,800 --> 00:39:59,759 Speaker 4: where someone says, uh. 742 00:39:59,760 --> 00:40:01,680 Speaker 2: Huh, it's a soft soft horn. 743 00:40:02,600 --> 00:40:05,520 Speaker 3: Okay, Now that you've established this identity, I just feel 744 00:40:05,560 --> 00:40:08,959 Speaker 3: like you have to be bringing every single time. 745 00:40:09,560 --> 00:40:14,240 Speaker 2: Okay, you know, is it better? 746 00:40:15,800 --> 00:40:19,319 Speaker 3: That was? Yeah? That was pretty good. 747 00:40:19,880 --> 00:40:20,600 Speaker 1: It was better. 748 00:40:21,840 --> 00:40:24,040 Speaker 3: Sorry, yes, that's right, it was not pretty good. It 749 00:40:24,120 --> 00:40:25,480 Speaker 3: was better than the last one, though. 750 00:40:26,200 --> 00:40:29,759 Speaker 2: I really you can't take back the compliment, please, they 751 00:40:29,800 --> 00:40:30,080 Speaker 2: need that. 752 00:40:30,160 --> 00:40:33,080 Speaker 3: I really don't want to. I don't on the same 753 00:40:33,120 --> 00:40:35,840 Speaker 3: page about like, that's the last thing I want to 754 00:40:36,000 --> 00:40:36,680 Speaker 3: I will. 755 00:40:36,640 --> 00:40:38,560 Speaker 2: Take it and running. 756 00:40:41,160 --> 00:40:43,280 Speaker 4: The way to make the tumplament work for all of us. 757 00:40:43,680 --> 00:40:46,320 Speaker 2: Is that I was running in a little heel. 758 00:40:47,880 --> 00:40:53,719 Speaker 3: Okay, come on, does it have a exhibit or something like? 759 00:40:54,280 --> 00:40:56,360 Speaker 2: No, it has a little it's a kitten heel, but 760 00:40:56,400 --> 00:41:00,960 Speaker 2: it's a skinny, skinny stiletto kitten's and it's. 761 00:41:02,400 --> 00:41:04,480 Speaker 3: Still letto Steve little sort of. 762 00:41:06,640 --> 00:41:11,239 Speaker 2: Sort of come on, come on now, yeah, it's a 763 00:41:11,239 --> 00:41:12,040 Speaker 2: little bit of gravel. 764 00:41:12,440 --> 00:41:15,200 Speaker 4: What did you want to talk about on this? 765 00:41:17,040 --> 00:41:17,080 Speaker 2: No? 766 00:41:17,280 --> 00:41:18,439 Speaker 3: You, I mean you came here. 767 00:41:18,800 --> 00:41:20,920 Speaker 1: Yeah, oh it's your time. 768 00:41:21,480 --> 00:41:24,719 Speaker 2: I just wanted to really get in. I mean I 769 00:41:24,800 --> 00:41:25,880 Speaker 2: like talking about food. 770 00:41:26,960 --> 00:41:32,400 Speaker 3: Okay, okay, so you eat your cats? No, I have 771 00:41:32,480 --> 00:41:35,359 Speaker 3: to talk about your kittens because like they're they're your 772 00:41:35,440 --> 00:41:36,719 Speaker 3: food and you eat them. 773 00:41:36,760 --> 00:41:37,839 Speaker 1: You definitely brought it up. 774 00:41:38,040 --> 00:41:48,560 Speaker 2: Yeah, this is getting convoluted. I don't eat them, and 775 00:41:48,600 --> 00:41:50,120 Speaker 2: that's not why I have to keep fostering. 776 00:41:50,120 --> 00:41:52,160 Speaker 4: Okay, So this this won't serve as any kind of 777 00:41:52,239 --> 00:41:54,600 Speaker 4: legal record for you, just so you know, like if 778 00:41:54,640 --> 00:41:57,840 Speaker 4: you sang that on a podcast, doesn't indemnify you, Okay, 779 00:41:58,040 --> 00:42:01,520 Speaker 4: kind of like, okay, I just want that to be clear. 780 00:42:02,800 --> 00:42:04,920 Speaker 2: Do you know who I need to talk to to 781 00:42:05,160 --> 00:42:05,520 Speaker 2: do that? 782 00:42:09,880 --> 00:42:13,160 Speaker 1: Wow? And this came flying right back at me. Huh. 783 00:42:13,600 --> 00:42:16,120 Speaker 4: This is why I said I'm not gonna get involved 784 00:42:16,120 --> 00:42:17,200 Speaker 4: in the podcast today. 785 00:42:17,480 --> 00:42:19,160 Speaker 1: Camra said, I'm tired. 786 00:42:19,440 --> 00:42:23,320 Speaker 3: Not a sound effect. It is not. It's a voice, 787 00:42:24,760 --> 00:42:26,560 Speaker 3: cartoon voice. 788 00:42:26,680 --> 00:42:29,520 Speaker 2: Yeah, it's a voice, a man under like a grate 789 00:42:29,760 --> 00:42:31,040 Speaker 2: on the street camera. 790 00:42:31,560 --> 00:42:36,080 Speaker 3: Sound effects are not men. I don't know how to 791 00:42:36,160 --> 00:42:38,319 Speaker 3: articulate this to you, though. They are not. 792 00:42:38,640 --> 00:42:40,879 Speaker 4: This is why I didn't work with Star Tours. You 793 00:42:40,960 --> 00:42:44,359 Speaker 4: just see men as sound effects. They're just little sound 794 00:42:44,400 --> 00:42:45,080 Speaker 4: effects to you. 795 00:42:45,160 --> 00:42:48,480 Speaker 1: We're actually human beings. You know. We have trouble express 796 00:42:48,520 --> 00:42:49,960 Speaker 1: get but we actually have feelings. 797 00:42:51,760 --> 00:42:59,400 Speaker 3: No, okay, and that is the difference in our voices. 798 00:42:59,480 --> 00:43:05,040 Speaker 3: I am but husky, kind of smoky, saltering male. 799 00:43:06,880 --> 00:43:11,200 Speaker 2: I guess. Yeah, you're the new James Bond. 800 00:43:11,719 --> 00:43:16,880 Speaker 3: Where do we have talked about that? Oh yeah, we 801 00:43:16,920 --> 00:43:17,719 Speaker 3: have talked about that. 802 00:43:17,760 --> 00:43:18,960 Speaker 1: Well, we were thinking it would be. 803 00:43:18,880 --> 00:43:22,480 Speaker 3: Both both of us. Oh yeah, James and Bond. 804 00:43:23,000 --> 00:43:23,760 Speaker 1: James and Bond. 805 00:43:26,239 --> 00:43:27,600 Speaker 3: The names the names. 806 00:43:27,320 --> 00:43:30,440 Speaker 2: Are names are Bonds and Bond. 807 00:43:31,560 --> 00:43:32,040 Speaker 3: You get it? 808 00:43:32,080 --> 00:43:34,360 Speaker 2: The names Bond, James and Bond. 809 00:43:34,400 --> 00:43:35,960 Speaker 3: He's Bond. Mm hmm. 810 00:43:37,040 --> 00:43:38,400 Speaker 2: And we're pretty bonded. 811 00:43:38,840 --> 00:43:39,239 Speaker 1: M hmm. 812 00:43:40,239 --> 00:43:40,880 Speaker 2: You can use that. 813 00:43:41,960 --> 00:43:48,600 Speaker 4: We probably will, Okay, it's a long process. 814 00:43:48,920 --> 00:43:51,120 Speaker 3: Could he sleep together and he has his own did 815 00:43:51,120 --> 00:43:51,680 Speaker 3: he snuggle up? 816 00:43:51,840 --> 00:43:56,120 Speaker 2: Yeah, they know, not yet because one's new. They sleep 817 00:43:56,120 --> 00:43:57,480 Speaker 2: on the bed but separate. 818 00:43:57,880 --> 00:43:58,080 Speaker 3: Yeah. 819 00:43:58,320 --> 00:44:00,080 Speaker 2: Hm, any pets. 820 00:44:02,080 --> 00:44:02,520 Speaker 3: Not today. 821 00:44:02,600 --> 00:44:08,600 Speaker 2: Thanks Brown, Hollywood, Hamburg,