1
00:00:01,000 --> 00:00:04,800
Speaker 1: Look man, oh I see you? Why why and look

2
00:00:04,840 --> 00:00:12,720
Speaker 1: over there? How is that? Culture? Yes? Goodness lost? Culture

3
00:00:12,840 --> 00:00:17,320
Speaker 1: rests calling after a two week hiatus, the girls are back.

4
00:00:17,400 --> 00:00:24,480
Speaker 1: Hiatus that hiatus. I think that's wonderful him British Hiatus, Hiatus.

5
00:00:24,520 --> 00:00:28,200
Speaker 1: I don't know about British girl. Hyannis in a way

6
00:00:29,120 --> 00:00:32,159
Speaker 1: of the Cape hyenas Port speaking of a cape. Well,

7
00:00:32,320 --> 00:00:34,400
Speaker 1: well let's let's not talk about the cape just yet.

8
00:00:34,560 --> 00:00:36,480
Speaker 1: But we love the cape. We do love the cape.

9
00:00:36,479 --> 00:00:38,680
Speaker 1: Remember when we went to Provincetown. I remember when we

10
00:00:38,720 --> 00:00:41,920
Speaker 1: went to Provincetown about a month ago. About a month ago,

11
00:00:42,200 --> 00:00:45,000
Speaker 1: did we tell the readers about Provincetown? I can't remember

12
00:00:45,040 --> 00:00:47,120
Speaker 1: if we've broken it down for the readers. Can I

13
00:00:47,159 --> 00:00:51,520
Speaker 1: just say it's it's a while. And I was saying

14
00:00:51,560 --> 00:00:55,640
Speaker 1: the hot engineer dog, I was saying the hot I

15
00:00:55,680 --> 00:00:58,840
Speaker 1: was saying both with him. Absence makes the heart. And

16
00:00:58,880 --> 00:01:02,040
Speaker 1: then my sister said, grow stronger, and that I think

17
00:01:02,120 --> 00:01:04,360
Speaker 1: should be what it is. It's actually really culture never

18
00:01:04,440 --> 00:01:10,880
Speaker 1: seventeen heart grow stronger. Hotti. Piana is saying, we mentioned

19
00:01:10,920 --> 00:01:12,840
Speaker 1: it briefly in our culture catch up, but I knew it.

20
00:01:12,880 --> 00:01:14,440
Speaker 1: I think we can break it down even further with

21
00:01:14,480 --> 00:01:16,720
Speaker 1: our guests when we bring her in. Well, it's where

22
00:01:16,720 --> 00:01:18,360
Speaker 1: we met the guests. That's where we met the guests,

23
00:01:18,360 --> 00:01:20,680
Speaker 1: so that would be only appropriate. Bow. You know where

24
00:01:20,680 --> 00:01:22,920
Speaker 1: else we went, which is sort of let's just say,

25
00:01:22,959 --> 00:01:26,680
Speaker 1: a queer destination. Since the last time we recorded was

26
00:01:26,720 --> 00:01:30,520
Speaker 1: the fire Island Pines. Bow, Oh my god, what was

27
00:01:30,560 --> 00:01:34,040
Speaker 1: the time? What a wonderful week was really wonderful and

28
00:01:34,840 --> 00:01:37,840
Speaker 1: lots of new memories were made. Yeah, I got so

29
00:01:37,920 --> 00:01:40,480
Speaker 1: ill at the end that I thought I would die.

30
00:01:41,120 --> 00:01:44,360
Speaker 1: That's hard. You really were not feeling great, y'all. Don't

31
00:01:44,400 --> 00:01:47,600
Speaker 1: get food poisoning. Whatever you can do to avoid it.

32
00:01:48,160 --> 00:01:51,600
Speaker 1: Do it. Is that what it was, We're gonna say

33
00:01:51,600 --> 00:01:53,960
Speaker 1: it was so. So let's here's the thing, you guys,

34
00:01:54,200 --> 00:01:59,640
Speaker 1: and so if you're sort of you know, plug your ears.

35
00:02:00,120 --> 00:02:04,000
Speaker 1: Foods are something you eat. Also on fun the firelines,

36
00:02:04,040 --> 00:02:06,600
Speaker 1: you eat something some other type of you eat other

37
00:02:06,760 --> 00:02:09,919
Speaker 1: things there. It might make you sick. Here's what I'd

38
00:02:09,960 --> 00:02:12,440
Speaker 1: say to everyone. Let's just make sure that even when

39
00:02:12,480 --> 00:02:16,120
Speaker 1: we're on vacation, we're sort of taking care of our scrubbing.

40
00:02:16,400 --> 00:02:20,760
Speaker 1: We're really washing up, because you know, when you share

41
00:02:20,800 --> 00:02:24,079
Speaker 1: parts of yourself with other people, you also share germs.

42
00:02:24,720 --> 00:02:27,360
Speaker 1: You share germs, and am I being explicit enough for

43
00:02:27,400 --> 00:02:30,960
Speaker 1: the readers? I think so our guest is giggling silently.

44
00:02:31,040 --> 00:02:36,160
Speaker 1: But I think an antiseptic is so necessary. I know

45
00:02:36,320 --> 00:02:39,560
Speaker 1: people say, oh, halitosis is a made up disease. It

46
00:02:39,600 --> 00:02:42,880
Speaker 1: doesn't matter. I want my mouth to be clean. That's

47
00:02:42,880 --> 00:02:45,639
Speaker 1: not made up. Cleanliness is not a made up concept

48
00:02:45,639 --> 00:02:48,160
Speaker 1: when it comes to oral hygiene. Do you know what

49
00:02:48,200 --> 00:02:52,000
Speaker 1: I mean? Sure? Yeah, of course. All I'm saying is, um,

50
00:02:52,160 --> 00:02:54,840
Speaker 1: I got a one hundred and three fever and the

51
00:02:54,840 --> 00:02:58,320
Speaker 1: most intense abdominal pains of my life because those are

52
00:02:58,360 --> 00:03:04,680
Speaker 1: so powerful, because what calling food poisoning? So um, I'm sorry.

53
00:03:04,720 --> 00:03:06,560
Speaker 1: And I am at my parents house and they are

54
00:03:06,760 --> 00:03:11,320
Speaker 1: sort of sort of hashtag in the next room, so um,

55
00:03:11,360 --> 00:03:15,600
Speaker 1: you know, but they know who their son is or um,

56
00:03:15,639 --> 00:03:19,000
Speaker 1: and uh, them's the breaks. As Johnson just said in

57
00:03:19,040 --> 00:03:22,560
Speaker 1: his resignation speech, did he say that, he said that

58
00:03:22,680 --> 00:03:26,920
Speaker 1: he's the American thing. Well, you know, he might have

59
00:03:26,960 --> 00:03:30,079
Speaker 1: learned it from his best friend, Donald J. Trump, But

60
00:03:30,200 --> 00:03:32,600
Speaker 1: he said, um, he said, it's tough to be leaving

61
00:03:32,639 --> 00:03:35,480
Speaker 1: the best job in the world. But them's the breaks.

62
00:03:35,520 --> 00:03:37,800
Speaker 1: And I thought, well, that's a classy way to sort

63
00:03:37,840 --> 00:03:42,000
Speaker 1: of leave the prime ministry. Is it the best job

64
00:03:42,040 --> 00:03:44,000
Speaker 1: in the world? What is the best job in the world?

65
00:03:44,360 --> 00:03:51,720
Speaker 1: I think, Oh, I think imagine the songwriter for best

66
00:03:51,800 --> 00:03:54,000
Speaker 1: jobs in the world. You know, the thing about Imagineer

67
00:03:54,080 --> 00:03:57,040
Speaker 1: is it's actually a lot of engineering, which people love

68
00:03:57,360 --> 00:04:01,600
Speaker 1: engineers do. It's actually really culture number two engineer. Engineers

69
00:04:02,120 --> 00:04:07,040
Speaker 1: love engineering engineering. But I think I think the top

70
00:04:07,080 --> 00:04:09,880
Speaker 1: four hundred, the ranking of the jobs, of the top

71
00:04:09,920 --> 00:04:11,840
Speaker 1: four hundred jobs, is that going to be next year's

72
00:04:11,880 --> 00:04:13,600
Speaker 1: list that we do the top four hundred jobs. It's

73
00:04:13,600 --> 00:04:15,200
Speaker 1: not gonna be next year. It's gonna be two years

74
00:04:15,280 --> 00:04:18,359
Speaker 1: because you know, for another hundred episodes, we need fifty

75
00:04:18,360 --> 00:04:20,599
Speaker 1: two weeks in a year for our four episode. You

76
00:04:20,640 --> 00:04:22,360
Speaker 1: heard here. First, we're going to count down the top

77
00:04:22,400 --> 00:04:25,680
Speaker 1: four hundred jobs, Top four hundred jobs. That'll be good. Okay,

78
00:04:25,760 --> 00:04:28,200
Speaker 1: let's bring our guests in. We're so excited to use here. Well,

79
00:04:28,240 --> 00:04:31,240
Speaker 1: this is a thrilling day. This is the first of all,

80
00:04:31,320 --> 00:04:33,400
Speaker 1: this is a huge day in the culture. Jen Shaw

81
00:04:33,440 --> 00:04:38,360
Speaker 1: has pled guilty. So this is a major, major day.

82
00:04:38,400 --> 00:04:41,760
Speaker 1: And to mark that, we decided let's have a great guest. Um,

83
00:04:41,880 --> 00:04:45,760
Speaker 1: I have to say, um wiping away tears watching the

84
00:04:45,800 --> 00:04:49,560
Speaker 1: newest film from the Guests. I mean we met at

85
00:04:49,720 --> 00:04:53,280
Speaker 1: in the Provincetown Film Festival, and I can only describe

86
00:04:53,320 --> 00:04:57,800
Speaker 1: her sort of in person presence as warm, yet majestic,

87
00:04:58,320 --> 00:05:01,719
Speaker 1: truly regal. Yet yeah, you know what I'm saying. But

88
00:05:01,839 --> 00:05:04,599
Speaker 1: it's like it's it's giving, Princess Die. It was, it

89
00:05:04,680 --> 00:05:07,359
Speaker 1: was giving. It was a princess for the people. But

90
00:05:07,480 --> 00:05:10,839
Speaker 1: Princess Die, I think sad and with no, no, not sad,

91
00:05:11,000 --> 00:05:16,239
Speaker 1: not sad. I think I think everything is a little sad,

92
00:05:16,720 --> 00:05:18,440
Speaker 1: you know what I mean. With with with our guests,

93
00:05:18,440 --> 00:05:21,360
Speaker 1: I think, hey, hey, it was it was sort of

94
00:05:21,400 --> 00:05:24,240
Speaker 1: like a warmth that there was a majesty. I know,

95
00:05:24,480 --> 00:05:27,960
Speaker 1: our princess die is they don't and our guest is

96
00:05:28,440 --> 00:05:38,200
Speaker 1: do they do? Okay, So our guest is truly a

97
00:05:38,279 --> 00:05:46,960
Speaker 1: fantastic after comedian writer Um and is currently currently in

98
00:05:47,120 --> 00:05:49,839
Speaker 1: a film that you can see. You can see this

99
00:05:49,880 --> 00:05:52,839
Speaker 1: movie Marcel the Shell with Shoes On, Marcel the Shell

100
00:05:52,880 --> 00:05:54,640
Speaker 1: with Shoes On, and you can see it in the theaters.

101
00:05:55,440 --> 00:05:58,080
Speaker 1: And we happened to see it and it was a

102
00:05:58,400 --> 00:06:03,080
Speaker 1: thrilling Epps resolutely, I mean Julaki and Booster doesn't like

103
00:06:03,120 --> 00:06:06,000
Speaker 1: it when we described when anyone describes the film Fire

104
00:06:06,080 --> 00:06:08,440
Speaker 1: Island is cute, But I was watching it and I

105
00:06:08,520 --> 00:06:10,840
Speaker 1: was just like, Marcel is the most adorable creature that's

106
00:06:10,839 --> 00:06:14,679
Speaker 1: ever lived. And everything that Marcel says touches the heart.

107
00:06:15,160 --> 00:06:17,720
Speaker 1: But the way that this was done was so inventive

108
00:06:17,760 --> 00:06:19,720
Speaker 1: and great, and I have just so many questions and

109
00:06:19,800 --> 00:06:24,000
Speaker 1: compliments about this, but also so much else that our

110
00:06:24,040 --> 00:06:26,200
Speaker 1: guest has done. Obviously one of the best films ever,

111
00:06:26,279 --> 00:06:31,680
Speaker 1: obvious child UM. I always think about their performance as

112
00:06:31,720 --> 00:06:36,719
Speaker 1: Tally Shiffern and girls. Tally Shiffern, who truly one of

113
00:06:36,760 --> 00:06:41,760
Speaker 1: the girls characters who like has an amazing art, yes,

114
00:06:41,800 --> 00:06:46,160
Speaker 1: an important and Hannah's journey absolutely anyway, she's She's we

115
00:06:46,520 --> 00:06:48,200
Speaker 1: just love her so much, We've loved her for so long.

116
00:06:48,240 --> 00:06:50,000
Speaker 1: What else you have to say? I was just gonna say,

117
00:06:50,000 --> 00:06:54,960
Speaker 1: never forget publicity, publicity, legendary, like truly, I mean, this

118
00:06:55,000 --> 00:06:57,120
Speaker 1: is one of the greatest, and I I was. I

119
00:06:57,520 --> 00:06:59,000
Speaker 1: was so excited to meet her, and I'm so excited

120
00:06:59,040 --> 00:07:01,720
Speaker 1: to ever on the pod me too. And something happened

121
00:07:01,760 --> 00:07:06,280
Speaker 1: to her on the plane from UM on her plane

122
00:07:06,279 --> 00:07:07,680
Speaker 1: to New York City that she told me about that.

123
00:07:07,680 --> 00:07:09,679
Speaker 1: I would I would love to get into with her. Okay,

124
00:07:10,800 --> 00:07:19,960
Speaker 1: put put up in that, but please welcome. It was

125
00:07:20,080 --> 00:07:22,360
Speaker 1: so hard to not I guess I could have muted

126
00:07:22,480 --> 00:07:25,040
Speaker 1: this whole time, but I just was. First I was

127
00:07:25,200 --> 00:07:28,600
Speaker 1: laughing about what how you got sick from from what

128
00:07:28,680 --> 00:07:32,520
Speaker 1: you ate? Oh my gosh. And there are so many

129
00:07:32,520 --> 00:07:36,120
Speaker 1: things to say, and then the jobs. I just can't understand.

130
00:07:36,320 --> 00:07:38,760
Speaker 1: I don't understand the imagineer thing at all. I think

131
00:07:38,800 --> 00:07:42,760
Speaker 1: it seems really stressful. And yeah, because I think people

132
00:07:42,880 --> 00:07:45,520
Speaker 1: think you're just thinking up like roller coaster ideas or

133
00:07:45,520 --> 00:07:47,680
Speaker 1: movie ideas. But I bet the culture in there is

134
00:07:47,720 --> 00:07:51,160
Speaker 1: actually probably like intense. Maybe I don't know, I don't

135
00:07:51,800 --> 00:08:01,320
Speaker 1: might like many things, yeah, that's right. And then your compliments,

136
00:08:01,320 --> 00:08:05,080
Speaker 1: and I also think it is, you know, like stunning

137
00:08:05,160 --> 00:08:09,160
Speaker 1: in a good way to hear people's first impressions. Um,

138
00:08:09,200 --> 00:08:11,080
Speaker 1: I mean, I I like it, even if they were

139
00:08:11,120 --> 00:08:15,720
Speaker 1: like wrong or you know, like, um, they're not flattering.

140
00:08:15,760 --> 00:08:18,080
Speaker 1: Although I hopefully I'm not going to run into that,

141
00:08:18,120 --> 00:08:20,080
Speaker 1: but I guess maybe someone would be like I thought

142
00:08:20,120 --> 00:08:25,600
Speaker 1: you were stupid and rude, like so terrible, but and

143
00:08:25,640 --> 00:08:28,440
Speaker 1: the only the only I will say, like I don't

144
00:08:28,440 --> 00:08:29,920
Speaker 1: think you're going to run into that, because I think

145
00:08:29,920 --> 00:08:32,760
Speaker 1: the movie is just so it's just so wonderful, like

146
00:08:32,800 --> 00:08:35,720
Speaker 1: who who can poke? Who? Who would want to poke

147
00:08:35,760 --> 00:08:37,880
Speaker 1: a hole in it? Or whatever? But like the only

148
00:08:38,640 --> 00:08:41,600
Speaker 1: like I feel like there's maybe more room for like

149
00:08:42,040 --> 00:08:48,080
Speaker 1: an oblique an obliquely incorrect or like unflattering sort of

150
00:08:48,440 --> 00:08:51,440
Speaker 1: piece of feedback for Fire Island, which the only but

151
00:08:51,480 --> 00:08:54,320
Speaker 1: the only negative comment I got in person about the

152
00:08:54,360 --> 00:08:57,480
Speaker 1: movie was in p Town for the festival. Really, what

153
00:08:57,480 --> 00:09:00,520
Speaker 1: would you mind sharing? What was this? This? This person

154
00:09:00,720 --> 00:09:02,720
Speaker 1: sort of this was right after this was okay, so

155
00:09:02,800 --> 00:09:06,120
Speaker 1: Jenny and I did this, received this this Next Wave award.

156
00:09:06,120 --> 00:09:07,600
Speaker 1: It was a huge honor, and we did this little

157
00:09:07,640 --> 00:09:10,440
Speaker 1: talk back um with Judy Gold, who's a legend. And

158
00:09:10,440 --> 00:09:12,520
Speaker 1: then afterwards on on the way back, on the way

159
00:09:12,559 --> 00:09:14,439
Speaker 1: out of that after you and I, after we all

160
00:09:14,640 --> 00:09:18,319
Speaker 1: parted ways, someone stopped me and said, Bowen, congrats on

161
00:09:18,360 --> 00:09:20,160
Speaker 1: the movie started out nice. I was like, thank you

162
00:09:20,240 --> 00:09:22,480
Speaker 1: so much, and then he said, now, why did you

163
00:09:22,480 --> 00:09:28,080
Speaker 1: have to make lesbians look so disgusting? And that what? What?

164
00:09:28,440 --> 00:09:31,600
Speaker 1: And then I was like, oh, I don't think we did.

165
00:09:32,559 --> 00:09:34,480
Speaker 1: And then all all I had, all I could do

166
00:09:34,520 --> 00:09:36,640
Speaker 1: was just walk away because like I was with Matt

167
00:09:36,679 --> 00:09:39,079
Speaker 1: and then our Olivian Cara managers were there and they

168
00:09:39,160 --> 00:09:41,560
Speaker 1: just kind of like kept shoveling us along. But I

169
00:09:41,600 --> 00:09:43,160
Speaker 1: was like that it was it was a little jarring.

170
00:09:43,320 --> 00:09:46,960
Speaker 1: And then but then the happy ending is afterwards we

171
00:09:46,960 --> 00:09:49,000
Speaker 1: were we we went out later that night for dinner,

172
00:09:49,280 --> 00:09:51,839
Speaker 1: and then that same person stopped us and went, I'm

173
00:09:51,880 --> 00:09:54,160
Speaker 1: so bo and I'm sorry about that. Commentarily, I don't

174
00:09:54,160 --> 00:09:56,280
Speaker 1: know what. I was like, Oh, don't worry about it,

175
00:09:56,320 --> 00:09:59,040
Speaker 1: and so it was. But that is truly and and

176
00:09:59,080 --> 00:10:01,840
Speaker 1: it's a blessing that like the only negative in person

177
00:10:02,360 --> 00:10:04,400
Speaker 1: critique that I've gotten on the movie, which is about

178
00:10:04,440 --> 00:10:07,920
Speaker 1: something that I had nothing to do with. And also

179
00:10:08,000 --> 00:10:10,200
Speaker 1: I don't know, it rounded out into something lovely by

180
00:10:10,240 --> 00:10:12,760
Speaker 1: the end. Yeah, people, I mean it is. You know,

181
00:10:12,880 --> 00:10:15,000
Speaker 1: this is a crazy story. But I don't know if

182
00:10:15,000 --> 00:10:16,840
Speaker 1: you remember that there was a person sitting in the

183
00:10:16,840 --> 00:10:19,840
Speaker 1: front row and that they were like like it was

184
00:10:19,920 --> 00:10:23,080
Speaker 1: you know, an older an older woman, and um, she

185
00:10:23,840 --> 00:10:26,920
Speaker 1: tried to ask a question but just could not do it.

186
00:10:27,000 --> 00:10:28,920
Speaker 1: She just had a lot to say and she had

187
00:10:28,920 --> 00:10:30,360
Speaker 1: a lot to say, and Judy was kind of like

188
00:10:30,400 --> 00:10:32,959
Speaker 1: getting on her about it was like then Judy started

189
00:10:33,000 --> 00:10:36,760
Speaker 1: screaming into the microphone, asked the question, asked the question,

190
00:10:37,360 --> 00:10:39,440
Speaker 1: and you know, and this lady was like, you know,

191
00:10:39,520 --> 00:10:42,160
Speaker 1: she was kind of like just riding her own spaceship

192
00:10:42,200 --> 00:10:44,560
Speaker 1: into infinity, like she was just doing her thing and

193
00:10:45,000 --> 00:10:51,080
Speaker 1: totally harmless whatever. Um. So last week I get a

194
00:10:51,120 --> 00:10:53,920
Speaker 1: call from my mom and she's like, because my parents

195
00:10:53,960 --> 00:10:55,520
Speaker 1: were there, as you know, you met them, you guys

196
00:10:55,760 --> 00:11:03,680
Speaker 1: met them. My Mom's like, Jenny, you know that it's

197
00:11:03,679 --> 00:11:05,160
Speaker 1: like you know that lady that was sitting in the

198
00:11:05,200 --> 00:11:09,280
Speaker 1: front row of the Keytown thing. And I was like, yeah,

199
00:11:09,440 --> 00:11:11,400
Speaker 1: of course I remember that, Like that was you know

200
00:11:11,440 --> 00:11:13,520
Speaker 1: that that is a that memory is like in a

201
00:11:13,520 --> 00:11:16,560
Speaker 1: little frame in my mind. I remember that. She's like

202
00:11:16,600 --> 00:11:22,360
Speaker 1: she called the house, called my parents at their home,

203
00:11:23,320 --> 00:11:25,160
Speaker 1: at the home of Nancy and Ron Slate and this

204
00:11:25,320 --> 00:11:30,640
Speaker 1: and and apparently what she said was I have I

205
00:11:30,720 --> 00:11:35,160
Speaker 1: have an idea. I have an important idea for Jenny's career.

206
00:11:35,640 --> 00:11:42,760
Speaker 1: Oh my god. And you know that, like I have

207
00:11:42,920 --> 00:11:45,920
Speaker 1: told my parents, like, please, if if somebody calls for me,

208
00:11:45,960 --> 00:11:48,280
Speaker 1: it's it's just not legit, Like if they need to

209
00:11:48,320 --> 00:11:51,720
Speaker 1: find me, they really they know how and it's just

210
00:11:51,760 --> 00:11:53,640
Speaker 1: it just you can't really open that up. And so

211
00:11:53,760 --> 00:11:55,280
Speaker 1: I've just been like, you know, you're just gonna have

212
00:11:55,360 --> 00:11:57,440
Speaker 1: to say it. I can't help you or whatever. But

213
00:11:57,720 --> 00:12:00,800
Speaker 1: my dad like they can't. Why is it so hard

214
00:12:00,840 --> 00:12:03,800
Speaker 1: to just follow a simple instruction. I just don't get that.

215
00:12:03,840 --> 00:12:05,960
Speaker 1: And my parents were specifically bad, Like if I'm like,

216
00:12:06,280 --> 00:12:08,080
Speaker 1: could you just wake me up by eight fifteen? And

217
00:12:08,080 --> 00:12:11,000
Speaker 1: my mom's like got it? And then I wake up,

218
00:12:11,040 --> 00:12:14,880
Speaker 1: it's like and I'm like, why didn't you wake me up?

219
00:12:16,160 --> 00:12:18,480
Speaker 1: So I'm forty You're like, why are your parents waking

220
00:12:18,520 --> 00:12:23,360
Speaker 1: you up? But anyway, apparently my dad went on like

221
00:12:23,400 --> 00:12:26,880
Speaker 1: a long winded thing and was like, oh, yeah, listen, um,

222
00:12:27,360 --> 00:12:29,520
Speaker 1: I actually have a lot to do today. I have

223
00:12:29,600 --> 00:12:33,199
Speaker 1: to go to the dump and the mailbox, and like, truely,

224
00:12:33,200 --> 00:12:35,800
Speaker 1: oh yeah, my dad was dump every day. Yeah, I'll

225
00:12:35,840 --> 00:12:37,600
Speaker 1: get Dad's go to the dump every day, is what

226
00:12:37,600 --> 00:12:45,240
Speaker 1: I'm learning. Anyway, I didn't hear the idea, but there's

227
00:12:45,320 --> 00:12:47,760
Speaker 1: something about that woman and about a lot of people,

228
00:12:47,920 --> 00:12:50,920
Speaker 1: and that they in the way that they ensnare you right.

229
00:12:50,960 --> 00:12:53,840
Speaker 1: It's literally like they like you're you're walking through a

230
00:12:53,880 --> 00:12:57,800
Speaker 1: forest and then they're this snare this root that catches

231
00:12:57,840 --> 00:12:59,839
Speaker 1: your foot and you just get stuck there for a

232
00:13:00,000 --> 00:13:01,559
Speaker 1: little bit. And that's that's the vibe I got from

233
00:13:01,559 --> 00:13:03,920
Speaker 1: her at the thing. Oh yeah, and you know that

234
00:13:04,040 --> 00:13:06,600
Speaker 1: if you're I mean some people, I guess if they're

235
00:13:06,640 --> 00:13:08,920
Speaker 1: if they are like, as you say, like a public

236
00:13:08,960 --> 00:13:11,679
Speaker 1: facing person or whatever, and and someone comes up to them,

237
00:13:11,679 --> 00:13:14,080
Speaker 1: they're like they have their boundaries and they know what

238
00:13:14,160 --> 00:13:16,679
Speaker 1: to do. But like, I'm just the same as I've

239
00:13:16,720 --> 00:13:19,800
Speaker 1: always been. I don't really want to hurt anyone's feelings

240
00:13:19,840 --> 00:13:23,760
Speaker 1: and I I should be sort of tougher or something.

241
00:13:24,080 --> 00:13:26,640
Speaker 1: It's not interested in it, And I don't really want

242
00:13:26,679 --> 00:13:29,080
Speaker 1: someone to be like she was really unkind, you know,

243
00:13:29,160 --> 00:13:32,200
Speaker 1: like which is bad because people can really use that

244
00:13:32,240 --> 00:13:34,040
Speaker 1: as a threat. But like, I don't want to like

245
00:13:34,120 --> 00:13:37,720
Speaker 1: shoot on some lady who was so excited and like

246
00:13:38,200 --> 00:13:41,160
Speaker 1: energized that she literally forgot to ask a question. Sure,

247
00:13:41,520 --> 00:13:45,640
Speaker 1: I didn't mind her, Fine, she was excited. I mean

248
00:13:46,240 --> 00:13:49,640
Speaker 1: something that's something that you're encountering. Bone and I have.

249
00:13:49,760 --> 00:13:53,240
Speaker 1: Now we we we after the Province town thing, we

250
00:13:53,400 --> 00:13:56,360
Speaker 1: traveled so much, like we went down to the Bahamas

251
00:13:56,400 --> 00:14:03,720
Speaker 1: to do the view. Yeah, so we were there there

252
00:14:03,760 --> 00:14:06,600
Speaker 1: they were all there. It was the anniversary, so we

253
00:14:06,640 --> 00:14:09,040
Speaker 1: went down to go do the view in the Bahamas

254
00:14:09,440 --> 00:14:11,680
Speaker 1: and then that's where they were celebrating it, etcetera. And

255
00:14:11,720 --> 00:14:13,920
Speaker 1: by the way, this was the day after real Vie

256
00:14:13,920 --> 00:14:16,480
Speaker 1: Wade was overturned, so they were discussing it like with

257
00:14:16,520 --> 00:14:18,839
Speaker 1: like t drinks in front of them and like sunglasses

258
00:14:18,880 --> 00:14:24,160
Speaker 1: on and like it was. I don't think where they

259
00:14:24,200 --> 00:14:26,720
Speaker 1: wanted to be when this happened, but you know, we

260
00:14:26,800 --> 00:14:29,200
Speaker 1: all it wouldn't happen at all, right there they were,

261
00:14:29,560 --> 00:14:32,520
Speaker 1: and so um we were there doing it and after

262
00:14:32,520 --> 00:14:35,000
Speaker 1: we taped the segment, we were like enjoying like the

263
00:14:35,040 --> 00:14:37,200
Speaker 1: pool and like you know, because we were down there

264
00:14:37,600 --> 00:14:40,680
Speaker 1: and this girl sort of ran up to Bowen and

265
00:14:40,760 --> 00:14:47,000
Speaker 1: made a noise sort of like this, and like Sten

266
00:14:47,160 --> 00:14:50,840
Speaker 1: started like feeling her own tips like I've never hearden

267
00:14:51,080 --> 00:14:54,680
Speaker 1: her thing. Her tick was to like press her boobs

268
00:14:54,720 --> 00:15:00,200
Speaker 1: together in excitement, and then she was like, can I

269
00:15:00,240 --> 00:15:02,440
Speaker 1: can I just follow you guys, and we were like no,

270
00:15:02,760 --> 00:15:05,600
Speaker 1: and I'm like you, I'm like you, Jenny, like I

271
00:15:05,640 --> 00:15:09,360
Speaker 1: don't feel like I can never I can't shut someone

272
00:15:09,400 --> 00:15:11,880
Speaker 1: down like that and not not just flat out like no,

273
00:15:12,080 --> 00:15:15,160
Speaker 1: I'm not doing this right now here. But but this

274
00:15:15,240 --> 00:15:19,840
Speaker 1: person was like really like I had never seen a

275
00:15:19,880 --> 00:15:23,040
Speaker 1: reaction like this, and um, so we did have to

276
00:15:23,080 --> 00:15:25,320
Speaker 1: just sort of be like, no, we're on vacation. No,

277
00:15:25,560 --> 00:15:28,440
Speaker 1: like please, like you can't take a picture. She goes,

278
00:15:28,560 --> 00:15:31,040
Speaker 1: can I just take a picture of him? Not with her,

279
00:15:31,160 --> 00:15:34,920
Speaker 1: of him? And we were like no, and like she

280
00:15:35,160 --> 00:15:36,800
Speaker 1: so she had to go away. But like with a

281
00:15:36,840 --> 00:15:38,880
Speaker 1: person like that, you didn't have to be like the

282
00:15:38,920 --> 00:15:43,560
Speaker 1: answer is a hard no exclamation point get out. I mean,

283
00:15:43,720 --> 00:15:47,080
Speaker 1: it's it's weird, but it's it's just it's weird. Oh.

284
00:15:47,440 --> 00:15:49,640
Speaker 1: This was the thing that I wanted to ask about

285
00:15:50,000 --> 00:15:53,280
Speaker 1: in terms of what happened on this flight to New York. Okay,

286
00:15:53,560 --> 00:15:56,720
Speaker 1: you told me that you you spilled a bloody mary

287
00:15:56,800 --> 00:16:02,440
Speaker 1: in your purse. Oh my god. And also this reminds me, um, okay, sorry,

288
00:16:02,440 --> 00:16:04,200
Speaker 1: so no, go ahead, go ahead, No, no, that that's

289
00:16:04,200 --> 00:16:06,680
Speaker 1: all I'm just putting that there. What what? What? What

290
00:16:06,320 --> 00:16:09,440
Speaker 1: what happened did remind you of? Well? It also reminded

291
00:16:09,480 --> 00:16:11,160
Speaker 1: me that while I was at my parents house this

292
00:16:11,200 --> 00:16:14,400
Speaker 1: weekend that I my dad was like, I couldn't bring

293
00:16:14,440 --> 00:16:15,840
Speaker 1: my award with me. They were like it was like

294
00:16:15,840 --> 00:16:17,400
Speaker 1: a big award in like a large in like a

295
00:16:17,440 --> 00:16:21,040
Speaker 1: shoebox sort of box, like a big box and um,

296
00:16:21,160 --> 00:16:23,240
Speaker 1: and my son I was like, dad, will you take

297
00:16:23,280 --> 00:16:25,000
Speaker 1: this for me? And I'll come get it, you know,

298
00:16:25,040 --> 00:16:27,480
Speaker 1: when I come back. And then my dad was a

299
00:16:27,560 --> 00:16:31,680
Speaker 1: year's your award and I got the box and bow

300
00:16:31,720 --> 00:16:38,280
Speaker 1: and yang on wait wait, at least the box. I

301
00:16:38,360 --> 00:16:40,400
Speaker 1: didn't even my award is behind me and it says

302
00:16:40,400 --> 00:16:43,520
Speaker 1: my name, so you should have your said maybe they said,

303
00:16:43,560 --> 00:16:45,920
Speaker 1: oh yeah, well anyway, yeah I didn't open it. Yeah.

304
00:16:45,960 --> 00:16:48,440
Speaker 1: I was like okay, um, I just put it in

305
00:16:48,480 --> 00:16:53,280
Speaker 1: my bag. But anyway, so what happened was that I

306
00:16:53,280 --> 00:16:57,360
Speaker 1: I went to meet my husband and my baby in

307
00:16:57,480 --> 00:17:02,680
Speaker 1: Nantucket and um, and then like something had that that

308
00:17:02,840 --> 00:17:05,439
Speaker 1: island is like almost always covered in fog, like you

309
00:17:05,480 --> 00:17:08,200
Speaker 1: actually really can't get a flight out to it. So anyway,

310
00:17:08,240 --> 00:17:10,040
Speaker 1: I was stuck in the airport to then get to

311
00:17:10,080 --> 00:17:12,160
Speaker 1: New York City and it just took forever and ever

312
00:17:12,200 --> 00:17:13,760
Speaker 1: and ever, and they wouldn't let us out to go

313
00:17:13,840 --> 00:17:17,800
Speaker 1: to the bar, which like increased my appetite for a cocktail.

314
00:17:17,840 --> 00:17:20,159
Speaker 1: Like what you know, just I really am one of

315
00:17:20,200 --> 00:17:21,919
Speaker 1: those people. It's like you say, I can't have it.

316
00:17:21,960 --> 00:17:25,000
Speaker 1: I just really really wanted. I mean that, you know,

317
00:17:25,160 --> 00:17:28,000
Speaker 1: my mom like really restricted TV and soda when we

318
00:17:28,000 --> 00:17:31,040
Speaker 1: were younger, and now, like I would just watch a

319
00:17:31,440 --> 00:17:36,200
Speaker 1: like commercial for plaque pariasis, like it's like Barishnikov footage,

320
00:17:36,240 --> 00:17:39,560
Speaker 1: Like I just I'm like, I just look like my

321
00:17:39,560 --> 00:17:42,879
Speaker 1: mouth hangs open. I always want soda. I very rarely

322
00:17:42,920 --> 00:17:45,119
Speaker 1: have it, but like I would, you know whatever. Anyway,

323
00:17:45,119 --> 00:17:46,359
Speaker 1: So by the time I got on the plane, I

324
00:17:46,400 --> 00:17:48,679
Speaker 1: was like, oh, fuck it, I'm doing this. And I

325
00:17:48,720 --> 00:17:52,439
Speaker 1: got a bloody mary and I um and it was

326
00:17:52,480 --> 00:17:55,760
Speaker 1: like a very rocky, very brief flight, and I was

327
00:17:55,800 --> 00:17:59,680
Speaker 1: wearing my mask. And also I can't really tell where

328
00:17:59,680 --> 00:18:03,159
Speaker 1: I all in the culture, like maybe people like know me,

329
00:18:03,240 --> 00:18:06,080
Speaker 1: maybe they don't. It's a very mixed bag. I you know,

330
00:18:06,200 --> 00:18:11,280
Speaker 1: I really we've threw we through my reality, like like

331
00:18:11,320 --> 00:18:13,080
Speaker 1: I just can't tell what's going on, Like what kind

332
00:18:13,119 --> 00:18:15,360
Speaker 1: of impact am I making consistently? I don't. I don't

333
00:18:15,400 --> 00:18:17,400
Speaker 1: know that there is one. So I was like, I'm

334
00:18:17,440 --> 00:18:20,119
Speaker 1: just a stranger on the plane. I was watching this

335
00:18:20,200 --> 00:18:23,160
Speaker 1: kid across from me was clearly fifteen years old. Somehow

336
00:18:23,440 --> 00:18:26,119
Speaker 1: ended up in the like first class section of the plane.

337
00:18:26,160 --> 00:18:28,080
Speaker 1: Which I was lucky enough to be in. And this

338
00:18:28,160 --> 00:18:31,639
Speaker 1: slight attendant is like, can I get your company? And

339
00:18:31,760 --> 00:18:36,040
Speaker 1: he's like, and I'm like, you are not you are

340
00:18:36,080 --> 00:18:39,120
Speaker 1: a child, and he's like, can I can I get

341
00:18:39,119 --> 00:18:45,920
Speaker 1: a Roman poop? And so I'm like, if this baby

342
00:18:46,080 --> 00:18:48,359
Speaker 1: literally is doing this and I'm not gonna say anything,

343
00:18:48,400 --> 00:18:50,359
Speaker 1: I'm gonna ask for like two of the little bottle

344
00:18:50,359 --> 00:18:52,919
Speaker 1: of vodka because I'm getting picked up the air or whatever.

345
00:18:53,280 --> 00:18:55,680
Speaker 1: So I like, I, for some reason, because the child

346
00:18:55,720 --> 00:18:59,000
Speaker 1: did some things makes no sense, get like a stronger

347
00:18:59,040 --> 00:19:03,600
Speaker 1: Bloody Mary. I jumped it in. I dumped the two

348
00:19:03,760 --> 00:19:07,919
Speaker 1: vodkas into the Bloody Mary mix. I take a huge

349
00:19:08,040 --> 00:19:12,439
Speaker 1: gulf of it. I am immediately like advanced buzzed, like

350
00:19:12,480 --> 00:19:15,440
Speaker 1: I'm not I'm not like, hi, what time does a

351
00:19:15,560 --> 00:19:18,600
Speaker 1: fine land? But I'm like I'm like weirdly like kind

352
00:19:18,600 --> 00:19:20,919
Speaker 1: of like my mouth feels soft, and I'm like, I

353
00:19:20,960 --> 00:19:22,520
Speaker 1: know that if somebody were to talk to me, I

354
00:19:22,560 --> 00:19:25,400
Speaker 1: probably would have like trouble enunciating and something like that,

355
00:19:25,520 --> 00:19:29,919
Speaker 1: you know, yeah, oh yeah. So and it was like

356
00:19:29,960 --> 00:19:35,800
Speaker 1: it happened so quickly and so then we ump. I

357
00:19:36,040 --> 00:19:39,520
Speaker 1: spilled me in like the whole half that was left.

358
00:19:39,720 --> 00:19:42,200
Speaker 1: I just I took in like half as if I'd

359
00:19:42,240 --> 00:19:44,159
Speaker 1: been hit by a wave of seawater, Like I just

360
00:19:44,240 --> 00:19:46,439
Speaker 1: took it in and then and then and then the

361
00:19:46,480 --> 00:19:48,959
Speaker 1: rest of it went into my purse where there's my

362
00:19:49,080 --> 00:19:51,880
Speaker 1: journal and my you know, it was just like all

363
00:19:51,880 --> 00:19:54,120
Speaker 1: this stuff and it's it's like, you know, my favorite

364
00:19:54,119 --> 00:19:56,639
Speaker 1: purse for traveling that's like kind of like an open toe,

365
00:19:57,000 --> 00:19:59,560
Speaker 1: a leather toe, and it just is like it just

366
00:20:00,040 --> 00:20:02,560
Speaker 1: me thinking quotes the inside of my person. I'm like,

367
00:20:02,800 --> 00:20:04,800
Speaker 1: this is so nasty. And all of a sudden, I'm

368
00:20:04,800 --> 00:20:07,639
Speaker 1: like this drink smells like salsa, Like this is so gross.

369
00:20:07,760 --> 00:20:10,000
Speaker 1: I smell like it my bad guys. And then the

370
00:20:10,080 --> 00:20:12,159
Speaker 1: slighted thing that comes over, she's like, oh my god,

371
00:20:12,640 --> 00:20:15,840
Speaker 1: and she brings me a bunch of napkins and I

372
00:20:16,560 --> 00:20:19,240
Speaker 1: put into my purse like stopping it up, stopping it

373
00:20:19,320 --> 00:20:23,119
Speaker 1: up like pieces of bread. And then and then I'm like,

374
00:20:23,200 --> 00:20:27,239
Speaker 1: I'm so sorry, I am so sorry. This is uh,

375
00:20:27,640 --> 00:20:30,720
Speaker 1: this is just crazy, Like I am really really really sorry.

376
00:20:30,800 --> 00:20:32,959
Speaker 1: Let me at this, and it's just like it's okay.

377
00:20:33,040 --> 00:20:37,760
Speaker 1: And then she comes through in the trash cart, thank

378
00:20:37,800 --> 00:20:41,280
Speaker 1: you so much, and I take my big, big like

379
00:20:41,560 --> 00:20:46,280
Speaker 1: bundle of of like yeah, my wad of of bloody

380
00:20:46,320 --> 00:20:49,680
Speaker 1: mary soaked cocktail napkins and go, thank you so much.

381
00:20:50,000 --> 00:20:52,919
Speaker 1: And I go to throw it in her cart like

382
00:20:53,040 --> 00:20:54,960
Speaker 1: she's like, han, I'll take it, and I'm like no, no,

383
00:20:55,080 --> 00:20:59,560
Speaker 1: absolutely not, i gonna throw it like I'm just gonna

384
00:20:59,680 --> 00:21:02,840
Speaker 1: air Jordans this into the into the trash bag and

385
00:21:02,920 --> 00:21:07,440
Speaker 1: I throw them all over the aisle of the airplane

386
00:21:08,240 --> 00:21:10,399
Speaker 1: and it was sucked so much. And then she was

387
00:21:10,440 --> 00:21:15,760
Speaker 1: like okay, and and then she she like was like no, please,

388
00:21:15,760 --> 00:21:18,560
Speaker 1: don't get up. And so then she cleaned it up

389
00:21:18,560 --> 00:21:19,720
Speaker 1: and put it in the thing, and I was like, well,

390
00:21:19,720 --> 00:21:21,840
Speaker 1: this is really embarrassing, but at least I, like, you know,

391
00:21:21,960 --> 00:21:24,360
Speaker 1: basically only took my mask off one time to take

392
00:21:24,400 --> 00:21:26,399
Speaker 1: my huge gulf and nobody knows that this happened. And

393
00:21:26,440 --> 00:21:29,560
Speaker 1: then um, and then when we were getting off the plane,

394
00:21:29,600 --> 00:21:32,800
Speaker 1: she was like, she was like, it was really nice

395
00:21:32,840 --> 00:21:34,879
Speaker 1: to meet you. I really enjoy your work. And I

396
00:21:34,960 --> 00:21:40,200
Speaker 1: was like, she's the one person there and also probably

397
00:21:40,200 --> 00:21:42,440
Speaker 1: the fifteen year old you look over, he's like really dignified,

398
00:21:42,520 --> 00:21:50,879
Speaker 1: like sipping his rum and tiny steps like it sucks.

399
00:21:50,920 --> 00:21:54,080
Speaker 1: I was so serious and like mess up and it

400
00:21:54,280 --> 00:21:57,160
Speaker 1: just it's like it all happened so quickly. But yeah,

401
00:21:57,520 --> 00:22:00,600
Speaker 1: the purse is retired. Now. Do you feel that Bloody

402
00:22:00,640 --> 00:22:02,760
Speaker 1: Mary's are ruined for you now? Or will you continue

403
00:22:02,880 --> 00:22:06,200
Speaker 1: to slurp them? It will take more than that. Yeah, yeah, yeah,

404
00:22:06,400 --> 00:22:11,200
Speaker 1: I love Oh, I love. I love a good spicy BM.

405
00:22:11,240 --> 00:22:13,560
Speaker 1: I love it like um. There used to be a

406
00:22:13,560 --> 00:22:15,520
Speaker 1: place in Brooklyn when we had my friends and I

407
00:22:15,560 --> 00:22:17,359
Speaker 1: had our stand up show there that would put a

408
00:22:17,400 --> 00:22:24,399
Speaker 1: whole sphere. Yeah, spear, I love a pickle sphere, just

409
00:22:24,400 --> 00:22:26,480
Speaker 1: like don't dunked in as if it's it's a stir

410
00:22:26,720 --> 00:22:30,960
Speaker 1: or something. Yeah. It was called sound Fixed. It was

411
00:22:31,040 --> 00:22:34,680
Speaker 1: before we were at the cameo. It was called sound Fixed.

412
00:22:34,720 --> 00:22:36,400
Speaker 1: It was like a record store with a big bar

413
00:22:36,440 --> 00:22:39,560
Speaker 1: in the back, and they would have like McClure's Spicy

414
00:22:39,800 --> 00:22:44,120
Speaker 1: Bloody Mary mixed. I can't even talk my mouth filled. Yeah.

415
00:22:44,160 --> 00:22:46,119
Speaker 1: I probably up by where you are now you can

416
00:22:46,119 --> 00:22:48,720
Speaker 1: get a really good interesting bloody married too. I say

417
00:22:48,800 --> 00:22:51,719
Speaker 1: interesting m M. They're always putting like a crab law

418
00:22:51,800 --> 00:22:54,719
Speaker 1: in it though You're like, oh, I'm interested in it's

419
00:22:54,760 --> 00:22:56,720
Speaker 1: a garnish. Where I used I used I worked in

420
00:22:56,760 --> 00:22:59,159
Speaker 1: seafood restaurants for like ten years. I'm from Long Island

421
00:22:59,160 --> 00:23:01,040
Speaker 1: and I started as a bus boy at a at

422
00:23:01,040 --> 00:23:03,399
Speaker 1: a restaurant called Nikki's on the Bay, and then I

423
00:23:03,560 --> 00:23:05,600
Speaker 1: worked all through Brooklyn. I worked at this place called

424
00:23:05,600 --> 00:23:08,800
Speaker 1: Brooklyn Crab and Red Hook. Oh yeah, yeah, do you know?

425
00:23:09,880 --> 00:23:15,880
Speaker 1: Oh no, I'm thinking of Green Points. But I used

426
00:23:15,920 --> 00:23:17,879
Speaker 1: to live on Henry Streets. I used to live near here.

427
00:23:17,920 --> 00:23:20,800
Speaker 1: But anyway, Oh, that's so funny you say Henry Street.

428
00:23:20,800 --> 00:23:22,680
Speaker 1: I saw a funny girl two days ago, and there

429
00:23:22,800 --> 00:23:25,399
Speaker 1: they make a big to do of Henry Street. She

430
00:23:26,240 --> 00:23:30,480
Speaker 1: stret yes, they do. Um, but yeah, but we used

431
00:23:30,520 --> 00:23:34,399
Speaker 1: to do an oyster as a garnish whoa, which is

432
00:23:34,400 --> 00:23:39,399
Speaker 1: a real flex. Yeah. Oh yeah. I mean I would

433
00:23:39,440 --> 00:23:41,479
Speaker 1: prefer that I'm allergic to oysters, but I would if

434
00:23:41,480 --> 00:23:43,440
Speaker 1: I weren't. I would prefer that over the crab claw.

435
00:23:44,040 --> 00:23:49,639
Speaker 1: You're allergic to oysters. That's a Massachusetts tragedy that I

436
00:23:49,760 --> 00:23:52,640
Speaker 1: hate it. It's so much. It's like everything I would

437
00:23:52,720 --> 00:23:55,760
Speaker 1: enjoy in a food, just like a briny a briny

438
00:23:55,880 --> 00:24:00,919
Speaker 1: nothing that's like just for luxury. I'm saying. That's just

439
00:24:10,760 --> 00:24:13,720
Speaker 1: I can relate to being restricted of TV. We didn't

440
00:24:13,720 --> 00:24:16,280
Speaker 1: grow up with cable and parents never let me drink soda.

441
00:24:16,400 --> 00:24:19,399
Speaker 1: Now I can't live without either. And so do you

442
00:24:19,400 --> 00:24:22,159
Speaker 1: think you're gonna are you You're probably gonna have to

443
00:24:22,200 --> 00:24:25,600
Speaker 1: restrict some things for Ida, for your baby, right yes? Yeah,

444
00:24:25,640 --> 00:24:27,840
Speaker 1: Oh no, I mean she's not We don't let her

445
00:24:27,920 --> 00:24:29,920
Speaker 1: like watch TV at all, and I think it will

446
00:24:30,000 --> 00:24:34,000
Speaker 1: come in very purposeful moments. But we also don't have

447
00:24:34,040 --> 00:24:37,240
Speaker 1: a TV because we're like, you know, we just watched

448
00:24:37,240 --> 00:24:40,720
Speaker 1: things on our computer. We don't have an actual TV

449
00:24:40,760 --> 00:24:44,040
Speaker 1: because we're really not We're really not TV or car people.

450
00:24:44,080 --> 00:24:46,359
Speaker 1: Like we have old computers and we have like a

451
00:24:46,560 --> 00:24:50,680
Speaker 1: really shitty Subaru filled with garbage and sand and that

452
00:24:50,720 --> 00:24:58,200
Speaker 1: I actually just garbage in the car likes so gross,

453
00:24:58,320 --> 00:25:01,800
Speaker 1: and um my whole family this weekend was like then

454
00:25:02,119 --> 00:25:04,400
Speaker 1: clean the car. And I was trying to explain to them,

455
00:25:04,400 --> 00:25:10,120
Speaker 1: like it's it's gone too far. There's point of yeah,

456
00:25:10,640 --> 00:25:13,359
Speaker 1: you guys feel that way. I mean, Matt, Matt, you

457
00:25:13,359 --> 00:25:15,880
Speaker 1: feel that way about your car. Oh No, there are

458
00:25:15,880 --> 00:25:17,840
Speaker 1: certain points where it's just like I'll have to have

459
00:25:17,880 --> 00:25:20,520
Speaker 1: a friend be like, honey, you have a problem. Yeah,

460
00:25:20,920 --> 00:25:23,440
Speaker 1: it's like something someone has to step in here. Like

461
00:25:23,720 --> 00:25:26,600
Speaker 1: it's usually Greta, our friend Greta, who's usually like, hey,

462
00:25:26,800 --> 00:25:28,720
Speaker 1: I just put her hand on my shoulder and she'll

463
00:25:28,760 --> 00:25:31,240
Speaker 1: just say I just want to say it's okay, but

464
00:25:31,320 --> 00:25:34,520
Speaker 1: we have to stop, and we have like we we

465
00:25:34,880 --> 00:25:37,040
Speaker 1: you have to stop. And then I will just sort

466
00:25:37,080 --> 00:25:40,600
Speaker 1: of like sift through like the I don't know paper.

467
00:25:40,840 --> 00:25:45,600
Speaker 1: Sometimes I will be honest with you. I'm a parking

468
00:25:45,600 --> 00:25:49,760
Speaker 1: ticket sort of, I'm like, I'm like, they stick to me,

469
00:25:51,200 --> 00:25:54,040
Speaker 1: why but they do end up in my car and

470
00:25:54,040 --> 00:25:56,439
Speaker 1: then I pay them, but all in once, like like

471
00:25:56,480 --> 00:25:58,760
Speaker 1: I'll I'll accumulate them over three months and then I'll

472
00:25:58,760 --> 00:26:03,720
Speaker 1: pay them. But they're cans um like you know, wrappers

473
00:26:03,760 --> 00:26:06,920
Speaker 1: for things like straw wrappers. I think we shouldn't. We

474
00:26:06,920 --> 00:26:11,560
Speaker 1: shouldn't put rappers on straws that especially not a paper straw.

475
00:26:11,640 --> 00:26:14,879
Speaker 1: It's like if we're doing paper straws, right, which I

476
00:26:15,840 --> 00:26:18,919
Speaker 1: which we hate, but we understand why we hate. We

477
00:26:19,000 --> 00:26:23,879
Speaker 1: understand why like many things, Um, but why would you

478
00:26:23,920 --> 00:26:26,159
Speaker 1: put a paper wrapper over a paper straw because the

479
00:26:26,160 --> 00:26:27,800
Speaker 1: wrapper then you're just going to toss away and then

480
00:26:27,840 --> 00:26:31,040
Speaker 1: that's garbage. So if we're trying to eliminate waste, then

481
00:26:31,200 --> 00:26:34,399
Speaker 1: be good for the environment. Don't put the paper straw

482
00:26:34,520 --> 00:26:38,520
Speaker 1: and a and a paper wrapper. No, And I just

483
00:26:39,080 --> 00:26:42,199
Speaker 1: I just can't deal with it, the entire thing. But

484
00:26:42,240 --> 00:26:44,240
Speaker 1: then now they have a cup that's like a sippy

485
00:26:44,280 --> 00:26:46,200
Speaker 1: cup for adults where you don't even have a straw

486
00:26:46,840 --> 00:26:50,160
Speaker 1: rice coffee. Like that really bums me out. I think

487
00:26:50,200 --> 00:26:53,200
Speaker 1: I'd rather the weird paper straw. I just can't believe

488
00:26:53,200 --> 00:26:58,120
Speaker 1: a scientist hasn't invented some other thing. Yeah, I do.

489
00:26:58,240 --> 00:27:01,040
Speaker 1: You know what I like is the metals draws. I

490
00:27:01,400 --> 00:27:04,000
Speaker 1: bringing my own metal straw around like that does like

491
00:27:04,000 --> 00:27:08,400
Speaker 1: a new chic accessory like phone wallet keys metal straw. Oh,

492
00:27:08,480 --> 00:27:11,560
Speaker 1: someone's just gonna get their thighs stabbed by their own

493
00:27:11,640 --> 00:27:14,919
Speaker 1: metal straw. Oh, you're right. I didn't think of it

494
00:27:14,960 --> 00:27:19,080
Speaker 1: as a weapon. What's the movie where Kevin Bacon had

495
00:27:19,119 --> 00:27:21,640
Speaker 1: had like a pencil in his hants and he's got

496
00:27:21,680 --> 00:27:24,199
Speaker 1: his one of his testicles snabs. Do you know what

497
00:27:24,240 --> 00:27:27,879
Speaker 1: I'm talking about? I don't know what is this? Someone

498
00:27:27,920 --> 00:27:30,000
Speaker 1: will know, one of your listeners will know. There's like

499
00:27:30,040 --> 00:27:33,679
Speaker 1: a there's a movie where Kevin Bacon um has like

500
00:27:33,800 --> 00:27:36,679
Speaker 1: an injury to his his character does has an injury

501
00:27:36,720 --> 00:27:39,840
Speaker 1: to his ball sack and like it comes out where

502
00:27:39,840 --> 00:27:43,919
Speaker 1: he's like, you ruined my balls whatever any other the

503
00:27:43,960 --> 00:27:46,119
Speaker 1: other person's like, why were you playing basketball with a

504
00:27:46,119 --> 00:27:48,359
Speaker 1: pencil in your pocket? Okay, So I just want to

505
00:27:48,400 --> 00:27:51,400
Speaker 1: say that. I just googled the words Kevin Bacon, pencil

506
00:27:51,440 --> 00:27:54,840
Speaker 1: balls and here's what popped up. A Daily Mail article

507
00:27:54,920 --> 00:28:00,800
Speaker 1: that says the five, the one year old has been

508
00:28:00,840 --> 00:28:04,720
Speaker 1: charged with the murder and mutilation of Kevin Bacon. Oh no,

509
00:28:05,080 --> 00:28:07,359
Speaker 1: so there was. This is a whole different situation. But

510
00:28:07,440 --> 00:28:12,560
Speaker 1: someone was named Kevin Bacon and a dream. No, guys,

511
00:28:12,600 --> 00:28:15,040
Speaker 1: it's real. Someone will know that it's real. I just

512
00:28:15,080 --> 00:28:17,879
Speaker 1: I hope someone writes in or or something, but it is.

513
00:28:18,280 --> 00:28:22,399
Speaker 1: It's not like, um, picture Perfect, I don't think with

514
00:28:22,400 --> 00:28:26,840
Speaker 1: with Jennifer and I love that movie so much, but um,

515
00:28:26,880 --> 00:28:30,879
Speaker 1: it's something like that. It's like anyway plowing up. Wait,

516
00:28:31,040 --> 00:28:34,040
Speaker 1: hold on, speaking of movies, are you are you are?

517
00:28:34,119 --> 00:28:36,600
Speaker 1: Are you stick talking about Marcel yet? Are Are you

518
00:28:36,640 --> 00:28:39,760
Speaker 1: all pressed out? No? Not at all. It's it's weird.

519
00:28:40,160 --> 00:28:42,640
Speaker 1: It's really nice to talk about it, I think because

520
00:28:42,680 --> 00:28:44,840
Speaker 1: also we waited seven years and I felt like during

521
00:28:44,880 --> 00:28:46,760
Speaker 1: that time I couldn't talk about it, So now I'm like,

522
00:28:47,160 --> 00:28:50,719
Speaker 1: I mean, how long did you see it as a film?

523
00:28:50,760 --> 00:28:54,280
Speaker 1: How long? Yeah, like like like like from from from

524
00:28:54,320 --> 00:28:57,240
Speaker 1: where it started when you released it as a short

525
00:28:57,600 --> 00:29:00,920
Speaker 1: to where it twelve years ago. So then at what

526
00:29:01,040 --> 00:29:04,320
Speaker 1: point did you think you and Dean think let's actually

527
00:29:04,560 --> 00:29:07,560
Speaker 1: actualize this as a feature, which and I had to

528
00:29:07,720 --> 00:29:10,520
Speaker 1: be much later. It was a couple of years later.

529
00:29:10,520 --> 00:29:13,080
Speaker 1: It was like we we made the first short just

530
00:29:13,160 --> 00:29:17,000
Speaker 1: on a whim for fun, for like a totally other purpose,

531
00:29:17,120 --> 00:29:19,280
Speaker 1: just to kind of like make a thing. Um. Dean

532
00:29:19,360 --> 00:29:21,040
Speaker 1: said that he would like make a short video for

533
00:29:21,080 --> 00:29:22,720
Speaker 1: his friends show, and so we just made it for that,

534
00:29:22,760 --> 00:29:24,560
Speaker 1: but we never intended to put it online. And then

535
00:29:24,600 --> 00:29:26,760
Speaker 1: somebody wanted to send it to their mom, so we

536
00:29:26,800 --> 00:29:30,400
Speaker 1: did and it became like quote unquote viral. Um. And

537
00:29:30,440 --> 00:29:33,120
Speaker 1: that was kind of early for that experience to happen,

538
00:29:33,120 --> 00:29:37,280
Speaker 1: remember um. And And so then that was just like that,

539
00:29:37,520 --> 00:29:41,840
Speaker 1: and and it was kind of confusing, you know, like

540
00:29:41,880 --> 00:29:44,840
Speaker 1: sometimes you really don't know or at least for me,

541
00:29:45,240 --> 00:29:49,280
Speaker 1: I don't understand what like offering is being placed in

542
00:29:49,400 --> 00:29:51,760
Speaker 1: my feet, you know, Like I do really think a

543
00:29:51,800 --> 00:29:55,600
Speaker 1: lot about those like Greek myths where like like Zeus

544
00:29:55,640 --> 00:29:57,680
Speaker 1: comes to the door, but this just guys as a

545
00:29:57,680 --> 00:30:00,360
Speaker 1: beggar and someone's like I can't or whatever, and it's

546
00:30:00,400 --> 00:30:03,400
Speaker 1: like like like it's like the Wise, let's them in,

547
00:30:03,680 --> 00:30:06,200
Speaker 1: or like the start of Beauty and the Beast of course. Um.

548
00:30:06,240 --> 00:30:08,680
Speaker 1: But it's like at the time, I was like, I

549
00:30:08,720 --> 00:30:10,440
Speaker 1: don't know, this is like just a thing that we did.

550
00:30:10,440 --> 00:30:12,680
Speaker 1: What I'm trying to focus on is to like redeem

551
00:30:12,760 --> 00:30:15,480
Speaker 1: myself after like you know, like being fired from SNL

552
00:30:15,560 --> 00:30:17,760
Speaker 1: or something like that. I just didn't see that what

553
00:30:17,880 --> 00:30:21,160
Speaker 1: was worth something was like there in terms of my

554
00:30:21,160 --> 00:30:23,480
Speaker 1: own experience, not even just like making a movie, but

555
00:30:23,560 --> 00:30:25,680
Speaker 1: so like we kind of just had this thing happened

556
00:30:25,720 --> 00:30:27,680
Speaker 1: to us for a while and we had other goals,

557
00:30:28,200 --> 00:30:30,640
Speaker 1: um in our in each of our careers. I think

558
00:30:30,680 --> 00:30:32,640
Speaker 1: like I just really really wanted to be an actor.

559
00:30:32,800 --> 00:30:36,720
Speaker 1: I always did, and um at the time the Show

560
00:30:36,800 --> 00:30:39,440
Speaker 1: Girls was like being cast and I like went in

561
00:30:39,480 --> 00:30:41,479
Speaker 1: a bunch of times for the role of Morning and

562
00:30:41,520 --> 00:30:43,600
Speaker 1: like kind of thought maybe I'd get it and and

563
00:30:43,600 --> 00:30:45,800
Speaker 1: like didn't. And I remember just like I don't know,

564
00:30:45,840 --> 00:30:47,680
Speaker 1: I've found about Marcel. Like I was just like what

565
00:30:47,680 --> 00:30:50,320
Speaker 1: the what, what what am I gonna do? Um? How

566
00:30:50,320 --> 00:30:52,360
Speaker 1: am I going to get a job. And then Dean

567
00:30:52,440 --> 00:30:55,920
Speaker 1: and I moved to l A UM in the winter

568
00:30:56,120 --> 00:30:59,040
Speaker 1: of I think, so that was even like so two

569
00:30:59,040 --> 00:31:02,000
Speaker 1: more years had passed and we made two kids books

570
00:31:02,480 --> 00:31:05,160
Speaker 1: UM because that was like fun and relaxing in a way.

571
00:31:05,520 --> 00:31:09,200
Speaker 1: And then once we were in l a and like,

572
00:31:10,200 --> 00:31:12,720
Speaker 1: the conversation just naturally kind of came up, I feel

573
00:31:12,760 --> 00:31:14,600
Speaker 1: like with our agents or something. It was like, would

574
00:31:14,640 --> 00:31:16,680
Speaker 1: you like to do something more with this? And then

575
00:31:17,200 --> 00:31:18,840
Speaker 1: we started to talk about like should it be a

576
00:31:18,840 --> 00:31:21,840
Speaker 1: TV show or or maybe a movie? And I first

577
00:31:21,880 --> 00:31:23,800
Speaker 1: thought a TV show. I think Dean and I thought

578
00:31:23,840 --> 00:31:26,400
Speaker 1: that first, and that the people we were meeting with

579
00:31:26,440 --> 00:31:29,880
Speaker 1: it just like seemed like it wouldn't be fun UM

580
00:31:29,920 --> 00:31:33,760
Speaker 1: and it wouldn't be what we wanted it to be UM.

581
00:31:33,840 --> 00:31:37,480
Speaker 1: And so eventually Liz Home, who produced our movie and

582
00:31:37,960 --> 00:31:41,520
Speaker 1: created the story with us and produced Obvious Child UM

583
00:31:41,680 --> 00:31:44,680
Speaker 1: and My special on Netflix and the movie Landline, which

584
00:31:44,680 --> 00:31:47,240
Speaker 1: she co wrote, worked with her a million times now

585
00:31:47,640 --> 00:31:50,040
Speaker 1: and she's one of my closest friends. She brought us

586
00:31:50,080 --> 00:31:53,360
Speaker 1: to the people that fully funded our our film UM.

587
00:31:53,400 --> 00:31:56,320
Speaker 1: It was like a nonprofits arts grant that we got

588
00:31:56,360 --> 00:32:01,320
Speaker 1: to make it in that's because I'm the thing that

589
00:32:01,400 --> 00:32:04,080
Speaker 1: like kind of blows me away about the movie is

590
00:32:04,080 --> 00:32:09,640
Speaker 1: that it's like it's the perfect expansion of the shorts

591
00:32:10,520 --> 00:32:12,320
Speaker 1: and probably the book for that matter, because of the

592
00:32:12,360 --> 00:32:15,040
Speaker 1: book is like just something really light on its feet.

593
00:32:15,080 --> 00:32:16,720
Speaker 1: And then but like I think the whole thing gets

594
00:32:16,720 --> 00:32:21,080
Speaker 1: sort of carried over into the film where it's not

595
00:32:21,200 --> 00:32:24,120
Speaker 1: like you guys did like Marcel's big adventure into the world.

596
00:32:24,160 --> 00:32:26,360
Speaker 1: You know, it's like, you know, like you kept it

597
00:32:26,400 --> 00:32:31,640
Speaker 1: in the house, you gave the house this backstory. Um,

598
00:32:31,680 --> 00:32:33,280
Speaker 1: I don't know, it's just and then and then you

599
00:32:33,320 --> 00:32:36,400
Speaker 1: and you know, all the meta narratives about like him

600
00:32:36,520 --> 00:32:40,480
Speaker 1: going quote unquote viral, like are all like yeah, perfectly

601
00:32:41,400 --> 00:32:44,360
Speaker 1: tent poled in the film in a way that I'm like, God,

602
00:32:45,720 --> 00:32:48,680
Speaker 1: I can't imagine what it must have been like between

603
00:32:48,760 --> 00:32:52,640
Speaker 1: you and Dean and and Liz and Nick Paley who

604
00:32:52,680 --> 00:32:55,880
Speaker 1: wrote the treatment, like for that to be like a

605
00:32:55,920 --> 00:32:58,280
Speaker 1: seven year process and for you guys to like try

606
00:32:58,280 --> 00:33:01,280
Speaker 1: and because there's always about like some forecasting. When you're

607
00:33:01,320 --> 00:33:04,040
Speaker 1: starting out, you're like, well, what's what's it going to

608
00:33:04,160 --> 00:33:06,320
Speaker 1: be like in seven years? Like what what will this

609
00:33:06,360 --> 00:33:10,160
Speaker 1: movie like release into the world? As you know, like

610
00:33:10,800 --> 00:33:12,800
Speaker 1: that's there. I don't know you guys. I think you

611
00:33:12,800 --> 00:33:15,880
Speaker 1: guys just like calibrated it so well. And you know

612
00:33:15,880 --> 00:33:18,000
Speaker 1: what the weirdest part of that is what you're saying

613
00:33:18,080 --> 00:33:20,360
Speaker 1: is that, like, I mean, I don't I don't tend

614
00:33:20,600 --> 00:33:23,640
Speaker 1: to do a lot of that, like forecasting about I mean,

615
00:33:23,680 --> 00:33:26,240
Speaker 1: now I do forecasting about the world because like, in

616
00:33:26,320 --> 00:33:29,200
Speaker 1: the last few years, so much has changed about what

617
00:33:29,240 --> 00:33:32,560
Speaker 1: I thought was like just steady movement in one direction

618
00:33:32,600 --> 00:33:35,560
Speaker 1: as reversed and um. And that also includes I think

619
00:33:35,600 --> 00:33:38,120
Speaker 1: the entertainment industry that I'm like, oh, I used to

620
00:33:38,120 --> 00:33:40,480
Speaker 1: work one way and not like not exactly that works

621
00:33:40,520 --> 00:33:43,480
Speaker 1: now and um. But I did not look like seven

622
00:33:43,560 --> 00:33:45,600
Speaker 1: years into the future or think it would take seven

623
00:33:45,640 --> 00:33:47,840
Speaker 1: years and be like what will it be? But the

624
00:33:47,880 --> 00:33:51,280
Speaker 1: weirdest thing was that I was like, you know, I'll

625
00:33:51,280 --> 00:33:55,920
Speaker 1: probably be the same that I was when we started, um,

626
00:33:56,000 --> 00:33:59,200
Speaker 1: when we started to make this movie. And actually I'm

627
00:33:59,240 --> 00:34:01,880
Speaker 1: I mean, I am myself and my same personality and everything,

628
00:34:01,920 --> 00:34:05,880
Speaker 1: but but I'm fairly different and um, and lots of

629
00:34:05,880 --> 00:34:09,080
Speaker 1: different things have happened, Like you know, when Dean and

630
00:34:09,080 --> 00:34:11,720
Speaker 1: I started to write the treatment, like we were still

631
00:34:11,800 --> 00:34:14,880
Speaker 1: married you know, like it hasn't even been a decade

632
00:34:14,920 --> 00:34:17,799
Speaker 1: and I'm like married to someone else now, you know,

633
00:34:17,800 --> 00:34:20,440
Speaker 1: and I have a baby and like and you know,

634
00:34:20,640 --> 00:34:23,920
Speaker 1: Dean has his own partner and his life and like

635
00:34:24,080 --> 00:34:28,279
Speaker 1: and everything's okay, and like it's just different. It's it's

636
00:34:28,280 --> 00:34:30,759
Speaker 1: it's like so different than when I thought it would be.

637
00:34:30,920 --> 00:34:33,239
Speaker 1: But what I like about the story is that like

638
00:34:34,280 --> 00:34:38,760
Speaker 1: it stands like right next to the truth but doesn't

639
00:34:38,800 --> 00:34:41,960
Speaker 1: try to like be the truth, you know. And and

640
00:34:42,000 --> 00:34:46,040
Speaker 1: in that way we're like allowed to change because um

641
00:34:46,080 --> 00:34:48,680
Speaker 1: and that that's like the weird beauty of the project.

642
00:34:48,719 --> 00:34:51,439
Speaker 1: I think that probably sounds like very vague, but there's

643
00:34:51,480 --> 00:34:55,760
Speaker 1: a lot of like um of true things that happened

644
00:34:55,760 --> 00:34:58,080
Speaker 1: to us emotionally that they're in that movie. And it

645
00:34:58,080 --> 00:35:00,759
Speaker 1: sounds like I'm being so like sort of like supercilious

646
00:35:00,800 --> 00:35:02,440
Speaker 1: in a way about like or like just like so

647
00:35:02,560 --> 00:35:05,279
Speaker 1: stuck up about my own movie. It's like about a shell.

648
00:35:05,440 --> 00:35:08,200
Speaker 1: But I guess you can put your emotion like in anything,

649
00:35:08,239 --> 00:35:10,400
Speaker 1: and that's like where I put it, you know, But

650
00:35:10,440 --> 00:35:12,040
Speaker 1: I don't know, well, it's like when when when mal

651
00:35:12,160 --> 00:35:13,799
Speaker 1: was saying that it was like a cute movie, which

652
00:35:13,800 --> 00:35:16,799
Speaker 1: it is it's like that also doesn't belie the fact

653
00:35:16,880 --> 00:35:21,920
Speaker 1: that it's like about this little miniature thing, the shell,

654
00:35:22,480 --> 00:35:24,839
Speaker 1: but that like it's he's this container for like all

655
00:35:24,840 --> 00:35:30,920
Speaker 1: these huge concepts and that like this, and that he

656
00:35:31,120 --> 00:35:32,880
Speaker 1: is kind of like put off by the scale of

657
00:35:32,920 --> 00:35:35,640
Speaker 1: things himself, the scale of the world or whatever. But

658
00:35:35,680 --> 00:35:39,040
Speaker 1: then like, um, what was I gonna say? Oh that,

659
00:35:39,160 --> 00:35:42,239
Speaker 1: like I told I told you in p Town, it

660
00:35:42,360 --> 00:35:45,160
Speaker 1: was like, it feels like a Geblie film. It feels

661
00:35:45,160 --> 00:35:46,920
Speaker 1: like a studio Geebli film, but like live action and

662
00:35:46,920 --> 00:35:50,240
Speaker 1: stuff emotion, And then, um, I think what you're saying about,

663
00:35:50,239 --> 00:35:52,879
Speaker 1: like the place you are now, the place Stean is now.

664
00:35:52,920 --> 00:35:55,480
Speaker 1: It's like the movie is about like possibility, it's about

665
00:35:55,560 --> 00:35:57,799
Speaker 1: like it's about like it's after it's it's not just

666
00:35:57,880 --> 00:35:59,960
Speaker 1: one couple that breaks up, it's two couples that break

667
00:36:00,120 --> 00:36:04,279
Speaker 1: up that sort of like set these things. Um, I

668
00:36:04,280 --> 00:36:07,160
Speaker 1: don't know, it's it's so good, Jenny, I haven't even

669
00:36:07,160 --> 00:36:09,960
Speaker 1: to stop thinking about it. Thank you. Something I was

670
00:36:10,040 --> 00:36:12,680
Speaker 1: thinking is like I would imagine that a large part

671
00:36:12,719 --> 00:36:15,720
Speaker 1: of also its virility in the very beginning in terms

672
00:36:15,719 --> 00:36:18,799
Speaker 1: of the YouTube video, is that people probably did show

673
00:36:18,840 --> 00:36:21,720
Speaker 1: it to their kids but what I really like about

674
00:36:21,719 --> 00:36:25,279
Speaker 1: this movie is that and probably when you did go

675
00:36:25,280 --> 00:36:27,359
Speaker 1: out to pitch it and like we're exploring the idea

676
00:36:27,360 --> 00:36:29,400
Speaker 1: of making it a television show, probably a lot of

677
00:36:29,400 --> 00:36:32,239
Speaker 1: people in a in a sort of understandable yet first

678
00:36:32,239 --> 00:36:34,239
Speaker 1: thought way where like, well, this is a kids thing,

679
00:36:34,320 --> 00:36:36,239
Speaker 1: you know what I mean, it's a shell. He's adorable,

680
00:36:36,560 --> 00:36:38,960
Speaker 1: like you know, he's got this cute face like the

681
00:36:39,000 --> 00:36:41,960
Speaker 1: world is, and he's small in a house like this

682
00:36:42,040 --> 00:36:45,600
Speaker 1: is for kids. And yet I think that this movie

683
00:36:45,680 --> 00:36:49,760
Speaker 1: like obviously has adult themes, and yet I think because

684
00:36:49,840 --> 00:36:53,279
Speaker 1: it doesn't try to be for children, it ends up

685
00:36:53,280 --> 00:36:56,320
Speaker 1: being foreveryone. And I actually think that kids could enjoy

686
00:36:56,440 --> 00:37:00,600
Speaker 1: this movie because it reminds me of like, you know,

687
00:37:01,200 --> 00:37:03,640
Speaker 1: the way that like you know, Toy Story is an

688
00:37:03,680 --> 00:37:07,560
Speaker 1: animated movie, but the themes are extremely universal, like whereas

689
00:37:07,600 --> 00:37:09,200
Speaker 1: adults are going to watch it and be like, oh,

690
00:37:09,239 --> 00:37:11,600
Speaker 1: I'm actually surprised by how much I enjoy this, Like

691
00:37:11,800 --> 00:37:13,759
Speaker 1: people who enjoy your work and know you were going

692
00:37:13,800 --> 00:37:15,960
Speaker 1: to watch this and they're gonna understand it and get

693
00:37:15,960 --> 00:37:18,319
Speaker 1: it and be moved by it. But also like this

694
00:37:18,440 --> 00:37:21,160
Speaker 1: is for everyone. I think it doesn't try to pander

695
00:37:21,200 --> 00:37:23,960
Speaker 1: to any one type of person, and I think that

696
00:37:24,120 --> 00:37:28,800
Speaker 1: universality actually, and the movie is so specific, yet it

697
00:37:29,040 --> 00:37:32,359
Speaker 1: is so for everyone because it's understandable on an emotional level.

698
00:37:32,360 --> 00:37:35,359
Speaker 1: And so therefore I think your movie gets something right

699
00:37:35,400 --> 00:37:39,360
Speaker 1: which I think more things would would would heed, which

700
00:37:39,440 --> 00:37:44,200
Speaker 1: is you know, you don't have to like right at

701
00:37:44,239 --> 00:37:46,200
Speaker 1: a person that's watching it, you know what I mean.

702
00:37:46,239 --> 00:37:49,799
Speaker 1: It's like you really explored the specific experience of this

703
00:37:49,960 --> 00:37:52,840
Speaker 1: show living in the real world, you know, to the

704
00:37:52,840 --> 00:37:56,759
Speaker 1: point where like he even experiences like the meta thing

705
00:37:56,800 --> 00:38:00,759
Speaker 1: of your own video going viral, and it's in that unit.

706
00:38:00,920 --> 00:38:03,480
Speaker 1: There's a universality in the specificity is I guess what

707
00:38:03,520 --> 00:38:05,520
Speaker 1: I'm saying. That makes it for everyone. And I could

708
00:38:05,520 --> 00:38:09,040
Speaker 1: see literally all ages and all experiences enjoying it, and

709
00:38:09,080 --> 00:38:12,279
Speaker 1: probably they already are, Oh thank you. I mean I

710
00:38:12,280 --> 00:38:14,080
Speaker 1: think that I think kids do like it, like we

711
00:38:14,239 --> 00:38:17,320
Speaker 1: you know, sort of looked into that and and they do.

712
00:38:17,760 --> 00:38:20,600
Speaker 1: But I think, like what this experience has made me

713
00:38:21,040 --> 00:38:24,680
Speaker 1: interested in is like how do you create create like

714
00:38:24,719 --> 00:38:27,319
Speaker 1: a contained piece of something like in a like a

715
00:38:27,520 --> 00:38:32,120
Speaker 1: creative thing and make it um similar to like the

716
00:38:32,160 --> 00:38:35,160
Speaker 1: delights and hospitality that you find in like a public

717
00:38:35,200 --> 00:38:38,480
Speaker 1: space that's for everyone, like an aquarium or the botanical

718
00:38:38,520 --> 00:38:42,200
Speaker 1: gardens or you know, public pool, Like how do you

719
00:38:42,280 --> 00:38:45,480
Speaker 1: make it be like this? Um, you know, not to

720
00:38:45,520 --> 00:38:48,920
Speaker 1: be pretentious, but like this art is an environment and

721
00:38:48,960 --> 00:38:52,840
Speaker 1: like I think it's really important, um that we that

722
00:38:52,920 --> 00:38:55,719
Speaker 1: we have that, and and like I think, you know,

723
00:38:55,840 --> 00:39:00,360
Speaker 1: like I always loved the descriptions of like why um

724
00:39:00,400 --> 00:39:03,720
Speaker 1: I think it was Olmstead but made the made Central

725
00:39:03,719 --> 00:39:06,880
Speaker 1: Park like what it was? Um, like that it was like,

726
00:39:06,880 --> 00:39:08,440
Speaker 1: you know, supposed to be like a place for everyone,

727
00:39:08,520 --> 00:39:10,440
Speaker 1: and like, of course I don't know, like he probably

728
00:39:10,520 --> 00:39:15,239
Speaker 1: was like a horrible you know, like you can't like

729
00:39:15,280 --> 00:39:17,640
Speaker 1: there's just no way to Yeah, they look back and

730
00:39:17,680 --> 00:39:21,000
Speaker 1: be like oh god and god. Um, But I I've

731
00:39:21,040 --> 00:39:24,799
Speaker 1: always like been into um, you know, like how do

732
00:39:24,840 --> 00:39:27,560
Speaker 1: you make a place that not everybody has to be

733
00:39:27,640 --> 00:39:30,080
Speaker 1: seeing or doing the same thing at once? But like

734
00:39:30,239 --> 00:39:34,360
Speaker 1: it is it is actually a hundred percent for the

735
00:39:34,440 --> 00:39:37,799
Speaker 1: end of each individual that's in there, and um, it

736
00:39:37,880 --> 00:39:41,920
Speaker 1: doesn't it doesn't like freak you out that not everybody's

737
00:39:41,960 --> 00:39:45,799
Speaker 1: seeing or or treasuring the same thing. And I just

738
00:39:45,960 --> 00:39:49,600
Speaker 1: like that a lot, I really really do. And I

739
00:39:49,640 --> 00:39:53,759
Speaker 1: think also there are like to what I feel like

740
00:39:53,800 --> 00:39:59,160
Speaker 1: are like prominent, um like instincts right now. One is

741
00:39:59,239 --> 00:40:03,360
Speaker 1: like the psychotic, you know, like make sure that we

742
00:40:03,440 --> 00:40:05,759
Speaker 1: know exactly what everything is, Like I want to know

743
00:40:05,800 --> 00:40:07,960
Speaker 1: where every penis is and every vagina, and I don't

744
00:40:07,960 --> 00:40:09,480
Speaker 1: want them to be like I hate in one and

745
00:40:09,520 --> 00:40:12,640
Speaker 1: like you know, don't don't like just basically like everything

746
00:40:12,640 --> 00:40:14,640
Speaker 1: that's like happening in Florida or whatever. Like it's just

747
00:40:14,680 --> 00:40:16,799
Speaker 1: like they're like, tell us what it is. Don't change

748
00:40:16,840 --> 00:40:20,200
Speaker 1: what anything means, like what what it meant to my grandfather?

749
00:40:20,239 --> 00:40:22,120
Speaker 1: I needed to like still mean that otherwise I'm just

750
00:40:22,160 --> 00:40:25,239
Speaker 1: gonna just collapse. And and then there's like the like

751
00:40:25,280 --> 00:40:30,080
Speaker 1: another point of view that's like, uh, make there be more,

752
00:40:30,320 --> 00:40:32,880
Speaker 1: Like what is another example of more? What is another

753
00:40:33,000 --> 00:40:37,960
Speaker 1: example of of like of just like yeah, like just

754
00:40:38,040 --> 00:40:40,280
Speaker 1: open it up, open it up. But it clearly doesn't

755
00:40:40,880 --> 00:40:46,160
Speaker 1: work to be so um whatever like oversimplified and um

756
00:40:47,040 --> 00:40:50,479
Speaker 1: I think I just think that that also can happen

757
00:40:50,520 --> 00:40:54,080
Speaker 1: with making work like for either like oh it's comedy.

758
00:40:54,280 --> 00:40:56,000
Speaker 1: You can't just like make a comedy anymore, like is

759
00:40:56,000 --> 00:40:59,400
Speaker 1: it a comedy for women? Like it's just so it

760
00:40:59,400 --> 00:41:02,279
Speaker 1: feels so are to make anything sort of unless you

761
00:41:02,280 --> 00:41:05,600
Speaker 1: can tell people like exactly who it's for and that

762
00:41:05,719 --> 00:41:09,000
Speaker 1: it was, Um, I don't feel like everybody trusted us.

763
00:41:09,000 --> 00:41:13,160
Speaker 1: When Dean and I said it's it's legitimately for everyone,

764
00:41:13,200 --> 00:41:15,120
Speaker 1: it is like we really really think it is. And

765
00:41:15,480 --> 00:41:18,160
Speaker 1: luckily Cinder each who funded our film understood that, and

766
00:41:18,239 --> 00:41:22,879
Speaker 1: luckily twenty four really gets that and and has supported

767
00:41:22,920 --> 00:41:27,520
Speaker 1: that kind of like you know, this thing is for everyone.

768
00:41:27,560 --> 00:41:30,759
Speaker 1: I mean, I hope it can be absolutely absolutely. I

769
00:41:30,760 --> 00:41:34,560
Speaker 1: mean that's the thing is. It's just like it's a

770
00:41:34,640 --> 00:41:38,560
Speaker 1: specific thing and that Marcel the Shell with Susan, you'd

771
00:41:38,600 --> 00:41:40,120
Speaker 1: be like if you didn't know what it was and

772
00:41:40,200 --> 00:41:41,719
Speaker 1: you saw what it was, you'd be like, oh, that

773
00:41:41,760 --> 00:41:44,480
Speaker 1: looks odd. And then when you watch it, it's actually

774
00:41:44,560 --> 00:41:48,719
Speaker 1: quite a simple story about finding your family, you know

775
00:41:48,760 --> 00:41:51,440
Speaker 1: what I mean, and not want to change, being afraid

776
00:41:51,480 --> 00:41:54,480
Speaker 1: of change. I mean, that is a universal story. It's

777
00:41:54,520 --> 00:41:57,680
Speaker 1: and and also he's been through trauma, like you know,

778
00:41:57,840 --> 00:42:01,799
Speaker 1: like that's really he's afraid because he knows what it's

779
00:42:01,800 --> 00:42:06,000
Speaker 1: like to experience loss and he feels that lost coming

780
00:42:06,640 --> 00:42:09,560
Speaker 1: in in both directions and he's got to face it.

781
00:42:09,960 --> 00:42:12,680
Speaker 1: And I also want to say the relationship with the

782
00:42:12,680 --> 00:42:18,000
Speaker 1: grandmother and Isabella Rossellini is so good. And I will

783
00:42:18,040 --> 00:42:20,360
Speaker 1: say my favorite line reading in the whole thing is

784
00:42:20,400 --> 00:42:22,440
Speaker 1: when they're being interviewed and they're talking about the fact

785
00:42:22,480 --> 00:42:25,040
Speaker 1: that they love sixty Minutes and she just goes Leslie

786
00:42:25,040 --> 00:42:31,800
Speaker 1: Show and Marcel well, yeah, she calls it the Leslie Shows.

787
00:42:31,920 --> 00:42:34,680
Speaker 1: She loves Leslie Stall. And the fact that Leslie Stall

788
00:42:34,800 --> 00:42:37,240
Speaker 1: becomes this thing in the movie. And even when Leslie

789
00:42:37,280 --> 00:42:39,120
Speaker 1: comes in and they're like, how was the flight and

790
00:42:39,160 --> 00:42:41,640
Speaker 1: she's like long, like I was, just like, it's just

791
00:42:41,760 --> 00:42:45,000
Speaker 1: so funny to me, like that Leslie Stall gets this moment.

792
00:42:45,280 --> 00:42:48,400
Speaker 1: I'm I love that. Yeah I do too, And I

793
00:42:48,440 --> 00:42:51,000
Speaker 1: love how relaxed she was and that she just came

794
00:42:51,040 --> 00:42:54,440
Speaker 1: on in and did it, and um, I just just

795
00:42:54,560 --> 00:42:58,040
Speaker 1: love it. I like, really like when newscasters are in

796
00:42:58,800 --> 00:43:02,279
Speaker 1: environments that are like created, but they're still themselves, Like

797
00:43:02,360 --> 00:43:04,239
Speaker 1: have you guys seen I'm sure you have that Kate

798
00:43:04,280 --> 00:43:07,160
Speaker 1: Berlance and John ear leaves me special when they have

799
00:43:07,200 --> 00:43:10,480
Speaker 1: a Meredith ra like it's so I mean, everything about

800
00:43:10,520 --> 00:43:13,960
Speaker 1: their special is excellent, and like it's just like really

801
00:43:14,000 --> 00:43:16,000
Speaker 1: like I want to eat it like it eat it,

802
00:43:16,040 --> 00:43:20,040
Speaker 1: like it's delectable. It's wonderful. They're they're just it's so great.

803
00:43:20,239 --> 00:43:24,760
Speaker 1: And the Meredith Verra thing, but she's completely done. Yeah,

804
00:43:24,840 --> 00:43:26,840
Speaker 1: she gets it. So man, these people were really funny,

805
00:43:26,880 --> 00:43:29,239
Speaker 1: Like Meredith you can get she's really funny. We met

806
00:43:29,280 --> 00:43:37,000
Speaker 1: Hoda and Jenna and from the Today Show and funny. Yeah,

807
00:43:37,160 --> 00:43:39,719
Speaker 1: she's like really really I mean not that the other

808
00:43:39,760 --> 00:43:41,279
Speaker 1: one is. And I'm just saying, who does the one

809
00:43:41,320 --> 00:43:45,440
Speaker 1: that I've happened to me, um like more than once

810
00:43:45,560 --> 00:43:49,520
Speaker 1: or something. And she's just so nice and like beautiful,

811
00:43:49,760 --> 00:43:52,440
Speaker 1: like wow, she's a star. She she definitely carries the

812
00:43:52,520 --> 00:43:55,080
Speaker 1: light and she looks at you. She looks at you

813
00:43:55,160 --> 00:43:57,560
Speaker 1: when you're talking, and she has this way of making

814
00:43:57,560 --> 00:44:02,040
Speaker 1: it seem like God, what inter thing And that's funny. Yeah,

815
00:44:04,520 --> 00:44:09,080
Speaker 1: just enough when she's talking. Yeah, just like and I'm

816
00:44:09,080 --> 00:44:13,160
Speaker 1: gonna remember this forever. Yeah. Some people are so good

817
00:44:13,200 --> 00:44:15,960
Speaker 1: at the nuances in their jobs that you wouldn't notice

818
00:44:15,960 --> 00:44:19,400
Speaker 1: when you're just watching TV. But then like once you realize,

819
00:44:19,400 --> 00:44:21,640
Speaker 1: like if you see, for example, like the inner workings

820
00:44:21,680 --> 00:44:24,680
Speaker 1: of the Today Show, that's crazy, like it is like

821
00:44:24,719 --> 00:44:27,359
Speaker 1: they're just cranking it out and it is it is

822
00:44:27,480 --> 00:44:29,600
Speaker 1: so early in there, like a million things in there

823
00:44:29,600 --> 00:44:31,360
Speaker 1: switched Like I was just on it a couple of

824
00:44:31,360 --> 00:44:33,840
Speaker 1: weeks ago, and the segment before me was a topebag

825
00:44:33,920 --> 00:44:38,120
Speaker 1: filled with wine, which is actually and then I also

826
00:44:38,239 --> 00:44:41,160
Speaker 1: was a topebag all the line. But but like you know,

827
00:44:41,200 --> 00:44:42,799
Speaker 1: they're just cranking it out, and then the people that

828
00:44:42,840 --> 00:44:45,960
Speaker 1: can make it, you know, they really can still be

829
00:44:46,080 --> 00:44:49,239
Speaker 1: tuned in and focused and not be like fake about it,

830
00:44:49,400 --> 00:44:52,360
Speaker 1: but you know they're just like wow wow. I actually

831
00:44:52,360 --> 00:44:55,160
Speaker 1: also feel that way about David Attenborough and his introductions

832
00:44:57,560 --> 00:45:01,880
Speaker 1: the Morning The Morning Shows ing is like they tackle

833
00:45:02,000 --> 00:45:06,360
Speaker 1: such disparity in their subjects. Liked well and that was

834
00:45:06,400 --> 00:45:10,120
Speaker 1: of course a segment on sentient tornadoes. There killer tornadoes

835
00:45:10,239 --> 00:45:13,520
Speaker 1: that can think. And now we have Matt Rogerson, thank

836
00:45:13,520 --> 00:45:15,160
Speaker 1: you so much, coming up in the studio. We're gonna

837
00:45:15,200 --> 00:45:18,120
Speaker 1: have a turtle race. These are two of Tallahassee's fastest

838
00:45:18,160 --> 00:45:20,399
Speaker 1: turtles and we're gonna see which one wins. And then

839
00:45:20,440 --> 00:45:22,719
Speaker 1: after that, of course Marsha get Harden. It's just like,

840
00:45:22,800 --> 00:45:26,040
Speaker 1: what is going what is the through line here? But

841
00:45:26,160 --> 00:45:29,880
Speaker 1: they do it all at the same quality. It is

842
00:45:29,960 --> 00:45:35,319
Speaker 1: so like a county fair. It really like jelly how

843
00:45:35,320 --> 00:45:37,839
Speaker 1: many jelly beans are in the jar. Plus you know,

844
00:45:37,920 --> 00:45:40,640
Speaker 1: there's a new pig and like it's just like what

845
00:45:40,920 --> 00:45:44,400
Speaker 1: you guys have to Yeah, yeah, oh my god. I

846
00:45:44,440 --> 00:45:46,880
Speaker 1: mean the day I was on it, there there was

847
00:45:46,920 --> 00:45:50,360
Speaker 1: this bag of wine. But also there was the dog

848
00:45:50,600 --> 00:45:56,440
Speaker 1: who had one. Oh what a celebrity posed with it.

849
00:45:56,520 --> 00:45:58,920
Speaker 1: And I just couldn't believe how big its head was.

850
00:45:59,000 --> 00:46:01,680
Speaker 1: I didn't she was the blood type of dog had

851
00:46:01,719 --> 00:46:05,040
Speaker 1: one this year. Oh yeah, that was big news that

852
00:46:05,120 --> 00:46:09,360
Speaker 1: the blood he was. He was. Yeah, it was so

853
00:46:09,400 --> 00:46:13,480
Speaker 1: sweet and I just was like like like I took

854
00:46:13,520 --> 00:46:17,000
Speaker 1: picture with the dog. When we were there, we were

855
00:46:17,080 --> 00:46:20,040
Speaker 1: leaving and Bryce s Alice Howard and DeLanda Wise from

856
00:46:20,080 --> 00:46:23,640
Speaker 1: Jurassic World. We're coming, We're coming on and we're shuffling

857
00:46:23,640 --> 00:46:25,399
Speaker 1: out from our segment. We just played like a silly

858
00:46:25,480 --> 00:46:27,799
Speaker 1: game with them and we look at the two of us,

859
00:46:27,800 --> 00:46:29,399
Speaker 1: look at the two of them, and they're the two

860
00:46:29,680 --> 00:46:34,640
Speaker 1: They're so gorgeous, and literally they were like they were like, oh,

861
00:46:34,640 --> 00:46:36,960
Speaker 1: we're so excited for your movie, and we were just

862
00:46:37,000 --> 00:46:39,400
Speaker 1: like to them, yeah, we're so excited for your movie

863
00:46:39,400 --> 00:46:47,279
Speaker 1: to Jurassic World. Yeah yeah, what are we all doing here? Yeah? Yeah,

864
00:46:47,520 --> 00:46:49,600
Speaker 1: just it takes it all. It just takes it all

865
00:46:49,640 --> 00:46:52,680
Speaker 1: in and yeah, and it's there every morning the Today Show.

866
00:46:52,719 --> 00:46:55,560
Speaker 1: I mean, case in point, it's Vie Wade was overturned

867
00:46:55,640 --> 00:46:57,719
Speaker 1: on the Bahamas Beach. You know what I mean. It's

868
00:46:57,760 --> 00:47:01,279
Speaker 1: just that's what it is. I I question about, well,

869
00:47:01,440 --> 00:47:05,120
Speaker 1: when brought up Isabella, how did you guys capture that

870
00:47:05,360 --> 00:47:07,879
Speaker 1: like like like like with with the line like Leslie Show,

871
00:47:08,360 --> 00:47:12,200
Speaker 1: Like how how was that audio captured? Because because because

872
00:47:12,239 --> 00:47:13,600
Speaker 1: I know, I know, like I know a lot of

873
00:47:13,680 --> 00:47:16,120
Speaker 1: them Marcel lines were like improvised and then scripted and

874
00:47:16,120 --> 00:47:18,560
Speaker 1: then improvised and then sort of like there was just

875
00:47:18,560 --> 00:47:21,440
Speaker 1: this like lovely process of like getting it down. But

876
00:47:21,520 --> 00:47:23,920
Speaker 1: like in terms of like being were you in the

877
00:47:24,000 --> 00:47:26,439
Speaker 1: room with you We're in the booth with Isabella. Yeah,

878
00:47:26,440 --> 00:47:28,560
Speaker 1: well we were never in a booth. We recorded all

879
00:47:28,640 --> 00:47:32,480
Speaker 1: like natural sound as natural as possible or like so

880
00:47:32,560 --> 00:47:35,319
Speaker 1: like when we were in Nana Connie's garden, we were

881
00:47:35,320 --> 00:47:38,680
Speaker 1: at Isabella's bar. Actually, like we truly like when I

882
00:47:38,760 --> 00:47:41,920
Speaker 1: say we like stand next to the truth, we really

883
00:47:42,840 --> 00:47:46,520
Speaker 1: did put like as much true things as we could

884
00:47:46,800 --> 00:47:50,360
Speaker 1: into something that is ultimately like or created or whatever.

885
00:47:50,520 --> 00:47:54,680
Speaker 1: But um so Isabella and I like you know, Dean

886
00:47:54,960 --> 00:47:59,360
Speaker 1: and Nick would sometimes like come back after like something

887
00:47:59,400 --> 00:48:02,560
Speaker 1: that had been improvised, or or just realizing there's like

888
00:48:02,560 --> 00:48:04,440
Speaker 1: a kind of a hole in a conversation and like

889
00:48:04,560 --> 00:48:06,759
Speaker 1: come with a few lines and be like this is this,

890
00:48:07,239 --> 00:48:10,000
Speaker 1: and then Isabelle and I would maybe record that and

891
00:48:10,000 --> 00:48:13,560
Speaker 1: then we would improvise off of that, and um and

892
00:48:13,640 --> 00:48:16,239
Speaker 1: just you know, we never rehearsed. We just kind of

893
00:48:16,280 --> 00:48:20,440
Speaker 1: like discussed what was important about the scene, and um,

894
00:48:20,480 --> 00:48:22,880
Speaker 1: there is just so there's also like so many Isabella

895
00:48:22,920 --> 00:48:25,960
Speaker 1: improvs that it's not doesn't didn't feel to me like

896
00:48:26,000 --> 00:48:28,080
Speaker 1: improv when you're like like I was in the improv

897
00:48:28,120 --> 00:48:30,680
Speaker 1: group in college, you know, and you like walk in

898
00:48:30,760 --> 00:48:32,760
Speaker 1: and you're like, I'm the lady who brought the sneaky

899
00:48:32,840 --> 00:48:36,640
Speaker 1: lunch or whatever. That's just set up or something, you

900
00:48:36,719 --> 00:48:43,160
Speaker 1: know what you know that does anyone seemed like goddamn

901
00:48:43,239 --> 00:48:45,320
Speaker 1: stand it, you know, and like that's the whole scene.

902
00:48:46,000 --> 00:48:49,239
Speaker 1: Like this was more like they're just more sitting in

903
00:48:49,280 --> 00:48:56,960
Speaker 1: these characters. Oh my gosh. Let me just digress for

904
00:48:57,000 --> 00:48:59,799
Speaker 1: one second to say I love a gentle prank. I

905
00:49:00,000 --> 00:49:04,640
Speaker 1: don't like ranks, like like like like insane ones. I

906
00:49:04,640 --> 00:49:07,000
Speaker 1: think they're they're so weird, and I think pranksters are

907
00:49:07,040 --> 00:49:09,120
Speaker 1: so weird. But I love a gentle one, Like I

908
00:49:09,160 --> 00:49:11,880
Speaker 1: moved my dad's sandwich. Sometimes, like my dad will make

909
00:49:11,880 --> 00:49:13,479
Speaker 1: a fan and then he goes like get a drink

910
00:49:13,480 --> 00:49:19,759
Speaker 1: and I move. It so funny, it's just right right right, yeah,

911
00:49:19,760 --> 00:49:22,920
Speaker 1: it just sort of bewilderment, like a slight embarrassment that

912
00:49:22,960 --> 00:49:26,600
Speaker 1: also makes you feel, um, like you are special. So

913
00:49:26,719 --> 00:49:28,360
Speaker 1: one thing I left to do to my husband just

914
00:49:28,400 --> 00:49:30,480
Speaker 1: in terms of my lunch or a sandwich or whatever,

915
00:49:30,600 --> 00:49:32,200
Speaker 1: is that now that you know we can have the

916
00:49:32,239 --> 00:49:35,920
Speaker 1: windows open in Massachusetts summer or whatever. So we're driving

917
00:49:35,920 --> 00:49:38,040
Speaker 1: and every time we're kind of at a stoplight but

918
00:49:38,120 --> 00:49:40,839
Speaker 1: about to move so we won't have to sit there

919
00:49:40,840 --> 00:49:43,480
Speaker 1: for a long time. But I just go, why did

920
00:49:43,560 --> 00:49:46,560
Speaker 1: you eat my lunch? I wanted my lunch, and now

921
00:49:46,600 --> 00:49:50,920
Speaker 1: you ate the whole thing, my sandwich, my chits, my drink,

922
00:49:51,440 --> 00:49:55,680
Speaker 1: the vehicles, I have nothing, and I'm so hungry, and

923
00:49:55,719 --> 00:50:00,920
Speaker 1: I just go on and it is, I mean, it

924
00:50:01,080 --> 00:50:05,640
Speaker 1: is truly so funny because it's so clear that everybody

925
00:50:05,680 --> 00:50:09,200
Speaker 1: looks they always look. And one time I did it

926
00:50:09,280 --> 00:50:11,600
Speaker 1: right before the drawbridge went up in the town where

927
00:50:11,640 --> 00:50:13,440
Speaker 1: we live. So then we were there and it was like, oh, no,

928
00:50:13,520 --> 00:50:21,120
Speaker 1: this actually but anyway, um, we would just Isabelle and

929
00:50:21,120 --> 00:50:23,239
Speaker 1: I would just be like having a conversation, That's what

930
00:50:23,280 --> 00:50:26,080
Speaker 1: that was. And then like suddenly just become more comfortable

931
00:50:26,360 --> 00:50:28,480
Speaker 1: with this made up thing that Dean and I and

932
00:50:28,560 --> 00:50:31,080
Speaker 1: Nick really only know about. Like, you know, she she

933
00:50:31,080 --> 00:50:33,400
Speaker 1: would have read the whole treatment, but you know, you

934
00:50:33,440 --> 00:50:35,279
Speaker 1: would have. We would remind her like this is where

935
00:50:35,280 --> 00:50:37,319
Speaker 1: we are in the story, and we caught lots of

936
00:50:37,360 --> 00:50:39,319
Speaker 1: great improv like that. And then I also think Dean

937
00:50:39,400 --> 00:50:43,000
Speaker 1: and Nick got really good at writing to her accent

938
00:50:43,120 --> 00:50:46,160
Speaker 1: and the way that she uh, you know, she speaks

939
00:50:46,200 --> 00:50:49,160
Speaker 1: Italian as her you know, like her first language, and

940
00:50:49,200 --> 00:50:52,680
Speaker 1: so she makes us some like goofs that are really

941
00:50:52,760 --> 00:50:56,000
Speaker 1: fun funny and um like he she even says like

942
00:50:56,040 --> 00:50:58,000
Speaker 1: she means to say, I had to teach myself how

943
00:50:58,000 --> 00:51:00,319
Speaker 1: to read, and she says like I had to talk

944
00:51:00,320 --> 00:51:04,000
Speaker 1: to myself how and it's like, so like my own

945
00:51:04,040 --> 00:51:06,080
Speaker 1: grandmother has an accent that and she has lots of

946
00:51:06,120 --> 00:51:09,600
Speaker 1: mistakes like that, and it's like it's I love the

947
00:51:09,880 --> 00:51:13,960
Speaker 1: explanation that she's from the garage. That's why she asked

948
00:51:16,239 --> 00:51:26,160
Speaker 1: garage we haven't even asked anything questions. We have passed

949
00:51:26,200 --> 00:51:30,279
Speaker 1: anything question Jenny Slate. So there's a central question of

950
00:51:30,320 --> 00:51:33,160
Speaker 1: lost cultures, and that means it lives at the center

951
00:51:33,200 --> 00:51:37,040
Speaker 1: of the podcast. And the question is what was the

952
00:51:37,080 --> 00:51:41,320
Speaker 1: culture that made you say culture is for you? Okay?

953
00:51:41,800 --> 00:51:45,359
Speaker 1: The thing that I centralized was like the central thing

954
00:51:45,440 --> 00:51:48,360
Speaker 1: for me when that question pops up, and there are

955
00:51:48,440 --> 00:51:50,719
Speaker 1: lots of a little like ding dongs hanging off of it.

956
00:51:51,480 --> 00:51:55,279
Speaker 1: But there was a I guess you would call it

957
00:51:55,320 --> 00:51:58,440
Speaker 1: a sketch or a scene or whatever on Sesame Street

958
00:51:58,480 --> 00:52:04,000
Speaker 1: where Maria and Luise like dance like ballroom dancing, and

959
00:52:04,200 --> 00:52:09,120
Speaker 1: Bob is dressed as Atlas um, and it's just really

960
00:52:09,200 --> 00:52:14,120
Speaker 1: really fancy and um. You know, these also were people

961
00:52:14,160 --> 00:52:16,640
Speaker 1: that I knew could be funny, and I just like,

962
00:52:17,239 --> 00:52:21,239
Speaker 1: I really loved the ability to see them just as

963
00:52:21,239 --> 00:52:23,640
Speaker 1: sort of like Ginger Rogers and fred As staring away

964
00:52:23,719 --> 00:52:26,400
Speaker 1: and I just loved it. And I was like, you know,

965
00:52:26,400 --> 00:52:30,680
Speaker 1: how set me stepould like repeat stuff, um, and they like, God,

966
00:52:30,719 --> 00:52:33,720
Speaker 1: I hope that one comes on, but but off of that,

967
00:52:33,840 --> 00:52:36,200
Speaker 1: you know, are like it just was a lot of

968
00:52:36,239 --> 00:52:40,920
Speaker 1: like um, like Carol Burnett and Annie how like I

969
00:52:41,040 --> 00:52:44,920
Speaker 1: actually found her to be and Ursula in The Little Mermaid.

970
00:52:45,040 --> 00:52:49,920
Speaker 1: Like I loved people that were still attractive to me

971
00:52:50,000 --> 00:52:53,720
Speaker 1: and they had like majorly defined style, but they weren't

972
00:52:53,760 --> 00:52:57,920
Speaker 1: necessarily the main character but maybe the villain or maybe

973
00:52:57,960 --> 00:53:01,600
Speaker 1: just on the side. Like I also loved Bernadette Peters

974
00:53:01,640 --> 00:53:03,840
Speaker 1: and Annie, like how she just had all the necklaces

975
00:53:03,840 --> 00:53:07,840
Speaker 1: and her tips and everything. Um. And I just always

976
00:53:07,880 --> 00:53:12,680
Speaker 1: liked and Madeleine Khan um and like everything. But I

977
00:53:13,239 --> 00:53:17,160
Speaker 1: really liked when I would be shown examples of people

978
00:53:17,239 --> 00:53:21,160
Speaker 1: who were not just funny, um, but could also be

979
00:53:22,520 --> 00:53:27,440
Speaker 1: a class act and unexpected. Like while I loved you know,

980
00:53:27,560 --> 00:53:32,360
Speaker 1: like Uncle Buck starring John Candy, um, I really needed

981
00:53:32,440 --> 00:53:35,160
Speaker 1: more than that. And I didn't identify with that at all.

982
00:53:35,840 --> 00:53:38,719
Speaker 1: But when I saw like Pee Wee and how he

983
00:53:38,800 --> 00:53:42,239
Speaker 1: always had his like sweet little gray suit on and

984
00:53:42,280 --> 00:53:44,359
Speaker 1: looked the same way and had like his little bit

985
00:53:44,360 --> 00:53:47,920
Speaker 1: of he always sort of had like almost orangey lipstick, um,

986
00:53:48,080 --> 00:53:49,880
Speaker 1: like you know, like he had like kind of like

987
00:53:49,880 --> 00:53:51,600
Speaker 1: a he had a face, like yeah, he really had

988
00:53:51,640 --> 00:53:55,680
Speaker 1: like makeup on. And I just liked those examples because

989
00:53:56,160 --> 00:53:59,880
Speaker 1: I always, um, I really wanted to dress up. You know,

990
00:54:00,200 --> 00:54:02,600
Speaker 1: I still really enjoy that. And when I do stand up,

991
00:54:02,640 --> 00:54:04,360
Speaker 1: I like to dress like it's a date and stuff

992
00:54:04,400 --> 00:54:07,960
Speaker 1: like that. And yeah, and so that end of an

993
00:54:08,000 --> 00:54:12,719
Speaker 1: album called Classic Crystal by the singer Crystal Gale. I

994
00:54:12,719 --> 00:54:14,800
Speaker 1: don't I don't like country music really at all. I

995
00:54:14,800 --> 00:54:17,560
Speaker 1: don't really, It's not like my thing. My sister loves it.

996
00:54:17,719 --> 00:54:22,120
Speaker 1: I am not super country, but I love old school

997
00:54:22,320 --> 00:54:26,959
Speaker 1: Crystal Gale. And she had like a long, long dark hair,

998
00:54:27,239 --> 00:54:30,200
Speaker 1: long nails, and a picture of her on the back

999
00:54:30,239 --> 00:54:33,680
Speaker 1: of the record. She was like, in what now is

1000
00:54:33,719 --> 00:54:35,920
Speaker 1: probably like you know what do they call that? Like

1001
00:54:36,040 --> 00:54:40,120
Speaker 1: prairie or something like you know what I mean, like

1002
00:54:40,120 --> 00:54:44,520
Speaker 1: like a cottage dress or something um with this insane cleavage,

1003
00:54:44,640 --> 00:54:46,600
Speaker 1: and she was on a sitting on like a twin

1004
00:54:46,760 --> 00:54:53,879
Speaker 1: beds like a well defined character with yeah, yeah, I

1005
00:54:54,040 --> 00:54:58,200
Speaker 1: completely get that. It's because you know it, I don't

1006
00:54:58,200 --> 00:55:00,960
Speaker 1: know it is this idea, uh, there is like an

1007
00:55:00,960 --> 00:55:03,239
Speaker 1: aspiration to it, you know what I mean, because like

1008
00:55:03,360 --> 00:55:05,399
Speaker 1: you want to grow up, and but you also want

1009
00:55:05,400 --> 00:55:07,560
Speaker 1: to be like funny. You don't want to you don't

1010
00:55:07,600 --> 00:55:11,000
Speaker 1: want to be everything. You want to be something you

1011
00:55:11,040 --> 00:55:14,400
Speaker 1: know what I mean? Yeah, for sure, like funny And

1012
00:55:14,719 --> 00:55:19,600
Speaker 1: also have costumes, um like be really like just like

1013
00:55:19,800 --> 00:55:23,759
Speaker 1: Mortitia Adams, you know, like just really really in there.

1014
00:55:23,960 --> 00:55:28,560
Speaker 1: And I always felt like the funniness is like what

1015
00:55:28,640 --> 00:55:31,640
Speaker 1: you're fortune, that's what fortune gives you. That's like what

1016
00:55:31,680 --> 00:55:34,880
Speaker 1: you're you're blessed with if that's like your instinction. Also

1017
00:55:35,120 --> 00:55:37,319
Speaker 1: I think comes with like pain and often shyness and

1018
00:55:37,400 --> 00:55:40,840
Speaker 1: doubt of course. But then the costume is the prize

1019
00:55:40,920 --> 00:55:44,520
Speaker 1: that you get when you've been able to like, um,

1020
00:55:44,719 --> 00:55:47,960
Speaker 1: you know in a good way exploit your talent, that

1021
00:55:48,040 --> 00:55:50,680
Speaker 1: you get that costume and you get like included in

1022
00:55:51,920 --> 00:55:58,279
Speaker 1: like yeah, sorry, I meant you off. The costume is

1023
00:55:58,360 --> 00:56:02,600
Speaker 1: like the container or like the presentation literally and like

1024
00:56:02,800 --> 00:56:05,359
Speaker 1: and this like the first thing people see. Like that's why,

1025
00:56:05,480 --> 00:56:07,239
Speaker 1: like I don't get too hung up on people who

1026
00:56:07,280 --> 00:56:09,840
Speaker 1: are like obsessed with aesthetics or anything or about the

1027
00:56:09,840 --> 00:56:13,279
Speaker 1: way they look. Like I get it's the it's it's

1028
00:56:13,560 --> 00:56:18,359
Speaker 1: esthetics define how something is received in a way. And

1029
00:56:18,440 --> 00:56:21,480
Speaker 1: for and all these examples, I feel like it is

1030
00:56:22,120 --> 00:56:25,040
Speaker 1: pretty central to like the comedy or even with Marie

1031
00:56:25,080 --> 00:56:28,560
Speaker 1: and Louise, it's like, um, I feel like they were

1032
00:56:28,560 --> 00:56:31,319
Speaker 1: like the only like couple on Sesame Street, for like

1033
00:56:31,400 --> 00:56:36,400
Speaker 1: a long time, right, like human couple or a couple,

1034
00:56:36,480 --> 00:56:38,920
Speaker 1: and then I feel like Bob and Linda also film. Yeah, yeah,

1035
00:56:38,920 --> 00:56:43,520
Speaker 1: Bob and Linda. That's like a very like seventies after

1036
00:56:43,560 --> 00:56:46,040
Speaker 1: the nineties and onward. Like you know, there aren't really

1037
00:56:46,200 --> 00:56:50,319
Speaker 1: human romances or even like even like muppet romances on

1038
00:56:50,360 --> 00:56:53,919
Speaker 1: Sesame Street right for sure. I don't know if any

1039
00:56:54,320 --> 00:56:59,880
Speaker 1: muppet romances at all. There are like couples and companions

1040
00:57:00,120 --> 00:57:04,799
Speaker 1: big Burden, Snuffy and obviously Burden Ernie. Um. But yeah,

1041
00:57:04,840 --> 00:57:07,799
Speaker 1: I mean that is something that like I honestly dream

1042
00:57:07,840 --> 00:57:09,560
Speaker 1: of doing, is to like have a show that is

1043
00:57:09,800 --> 00:57:13,160
Speaker 1: again like sort of talking referring back to what I

1044
00:57:13,200 --> 00:57:15,760
Speaker 1: said before, like anybody could watch it, Like you don't

1045
00:57:15,760 --> 00:57:18,160
Speaker 1: have to be a stoner to enjoy a show for kids,

1046
00:57:18,160 --> 00:57:19,960
Speaker 1: like it could be for everyone, but it is it

1047
00:57:20,080 --> 00:57:22,240
Speaker 1: is like maybe a show for children, but where I

1048
00:57:22,280 --> 00:57:25,040
Speaker 1: could be like a human with puppets, but have like

1049
00:57:25,080 --> 00:57:27,760
Speaker 1: a person who has expectionally you know, and like you know,

1050
00:57:27,880 --> 00:57:29,880
Speaker 1: like have that bet happened to my character? I think

1051
00:57:29,880 --> 00:57:34,480
Speaker 1: it's nice for kids to see um love unfold yea, yeah,

1052
00:57:34,720 --> 00:57:40,120
Speaker 1: I I honestly think like and whatever, like I understand

1053
00:57:40,320 --> 00:57:43,960
Speaker 1: why the sort of influx of like Disney films that

1054
00:57:44,000 --> 00:57:47,600
Speaker 1: are coming out now skip that part, but I think

1055
00:57:47,640 --> 00:57:50,640
Speaker 1: it's actually kind of nice, like to have a love story.

1056
00:57:51,120 --> 00:57:54,960
Speaker 1: And it feels like like like people are so hell

1057
00:57:55,120 --> 00:57:57,520
Speaker 1: bent on it being like no, this character is an

1058
00:57:57,520 --> 00:58:01,560
Speaker 1: individual and she's smart, and it's just like yes, completely,

1059
00:58:02,080 --> 00:58:04,920
Speaker 1: yeah that can be true, and she's all so different

1060
00:58:04,960 --> 00:58:07,960
Speaker 1: and unique and like it's like okay, we understand, but

1061
00:58:08,040 --> 00:58:10,720
Speaker 1: also like it's not bad to fall in love. It's

1062
00:58:10,760 --> 00:58:13,560
Speaker 1: also a movie, you know what I mean, Like everyone's

1063
00:58:13,600 --> 00:58:17,240
Speaker 1: watching and everyone understands that idea of like you know,

1064
00:58:17,800 --> 00:58:21,160
Speaker 1: like an unrequited thing or a love that's unexpected or

1065
00:58:21,200 --> 00:58:23,680
Speaker 1: and I just feel like sometimes like when I when

1066
00:58:23,680 --> 00:58:27,240
Speaker 1: I watched these new like these new animated movies where

1067
00:58:27,600 --> 00:58:30,840
Speaker 1: which which are seemingly trying to be for everyone, especially

1068
00:58:30,880 --> 00:58:34,600
Speaker 1: some of these Disney ones are so heavy. Um, I

1069
00:58:34,600 --> 00:58:36,200
Speaker 1: don't know if you feel like that, like you guys,

1070
00:58:36,200 --> 00:58:38,680
Speaker 1: but like, but sometimes I watched these newer ones and

1071
00:58:38,680 --> 00:58:41,280
Speaker 1: I'm like, wait, what's going on? Like I know that

1072
00:58:41,400 --> 00:58:44,000
Speaker 1: I know that there's a theme, but like where are

1073
00:58:44,040 --> 00:58:47,080
Speaker 1: the classic stories, Like where where are the love stories?

1074
00:58:47,120 --> 00:58:49,760
Speaker 1: Like I'm not seeing them, so I don't know if

1075
00:58:49,760 --> 00:58:52,720
Speaker 1: there's something very pure and nice about you saying a

1076
00:58:52,760 --> 00:58:56,400
Speaker 1: formative memory is watching these two just dance, you know,

1077
00:58:56,480 --> 00:58:59,560
Speaker 1: and look at each other and be in love. Yeah,

1078
00:59:00,000 --> 00:59:03,280
Speaker 1: it's sex. Like we've had to kind of quit um

1079
00:59:03,320 --> 00:59:06,760
Speaker 1: on love or something like romantic love because like patriarchy

1080
00:59:06,800 --> 00:59:11,160
Speaker 1: and like just like being so crazy weird heateronormative stuff

1081
00:59:11,240 --> 00:59:12,720
Speaker 1: is like made it just be like we're not doing that.

1082
00:59:12,760 --> 00:59:15,120
Speaker 1: We're actually doing a thing about how adventure and like,

1083
00:59:15,200 --> 00:59:18,120
Speaker 1: you know, it's like okay, like just because Ariel like

1084
00:59:18,240 --> 00:59:20,600
Speaker 1: literally gave away her voice so she could have leg

1085
00:59:21,240 --> 00:59:23,160
Speaker 1: I know, like it doesn't mean me keep having to

1086
00:59:23,240 --> 00:59:25,200
Speaker 1: do that. Like we could stop, you know, we could

1087
00:59:25,200 --> 00:59:26,880
Speaker 1: just like find a different way to do it. But

1088
00:59:28,400 --> 00:59:30,680
Speaker 1: that's another thing that really I'm like, how do I

1089
00:59:30,680 --> 00:59:33,520
Speaker 1: I love a little mermaid? And now I'm just like

1090
00:59:33,560 --> 00:59:35,840
Speaker 1: this is such a weird message to show my daughter.

1091
00:59:36,280 --> 00:59:39,840
Speaker 1: I don't know, but I love it. I think I'm

1092
00:59:39,840 --> 00:59:42,120
Speaker 1: just gonna have to just get into the conversation. But

1093
00:59:42,240 --> 00:59:44,400
Speaker 1: I think that's what it's about totally. I think I

1094
00:59:44,440 --> 00:59:47,880
Speaker 1: think that's there's that's there's an asterisk to be put

1095
00:59:47,960 --> 00:59:51,760
Speaker 1: on the thing, and and then I don't know, like

1096
00:59:52,760 --> 00:59:54,920
Speaker 1: my nieces are obsessed with Frozen and they understand that

1097
00:59:54,960 --> 00:59:57,880
Speaker 1: to be a movie about sisters. And I'm like perfect,

1098
00:59:57,920 --> 01:00:00,720
Speaker 1: like they can like they're smart enough to like take

1099
01:00:00,760 --> 01:00:03,160
Speaker 1: away the right messages. I don't know, I feel like

1100
01:00:03,320 --> 01:00:07,120
Speaker 1: I have not internalized too much about those movies, especially

1101
01:00:07,120 --> 01:00:08,640
Speaker 1: when it comes to love. I'm like, no, I know

1102
01:00:08,720 --> 01:00:11,280
Speaker 1: this is a fantasy, but you were also not a

1103
01:00:11,280 --> 01:00:15,600
Speaker 1: girl watching it, and so I I I understand, like,

1104
01:00:15,600 --> 01:00:17,800
Speaker 1: like we have a friend, our friend's Sudi like was

1105
01:00:18,000 --> 01:00:21,520
Speaker 1: not explicitly not allowed to watch those films because she

1106
01:00:21,520 --> 01:00:24,240
Speaker 1: had like an immigrant Iranian mother who saw it and

1107
01:00:24,360 --> 01:00:27,080
Speaker 1: was like, no, I know exactly what this is. All

1108
01:00:27,120 --> 01:00:30,400
Speaker 1: these little girls have like this gorgeous like you know,

1109
01:00:30,560 --> 01:00:33,400
Speaker 1: blonde hair whatever, like and I know what they're doing

1110
01:00:33,440 --> 01:00:36,439
Speaker 1: with Jasmine. They're trying to trick us, Like no, like

1111
01:00:36,680 --> 01:00:38,920
Speaker 1: it's just it's not happening. Look at her waist, look

1112
01:00:38,920 --> 01:00:40,520
Speaker 1: at it, the size of her eyes, Like the way

1113
01:00:40,560 --> 01:00:43,600
Speaker 1: she has drawn is crazy. It's like, yes, that is

1114
01:00:43,600 --> 01:00:45,960
Speaker 1: all true, but I don't know. I think that there

1115
01:00:46,080 --> 01:00:49,520
Speaker 1: is also something to the fact that like it's just

1116
01:00:49,560 --> 01:00:52,560
Speaker 1: about a conversation, you know what it's just about, Like

1117
01:00:52,800 --> 01:00:55,680
Speaker 1: you know, understanding these things are what they are and

1118
01:00:55,680 --> 01:00:57,520
Speaker 1: that everything I mean, then you can turn on a

1119
01:00:57,560 --> 01:00:59,920
Speaker 1: live action movie and you're not going to escape like

1120
01:01:00,080 --> 01:01:02,160
Speaker 1: the trappings of the times they were made in either.

1121
01:01:02,200 --> 01:01:04,000
Speaker 1: I mean, the other night we were in the Fire

1122
01:01:04,040 --> 01:01:07,400
Speaker 1: Island Pinds and we tried to watch um the movie

1123
01:01:07,480 --> 01:01:11,240
Speaker 1: Scary Movie, like just the first parody of like like

1124
01:01:11,640 --> 01:01:16,480
Speaker 1: and it was so crazy, Jenny, how like every single

1125
01:01:16,560 --> 01:01:23,440
Speaker 1: joke is either so racist, homophobic, misogeny, violence against women.

1126
01:01:23,800 --> 01:01:28,280
Speaker 1: There is no almost no comedy that would that would

1127
01:01:28,320 --> 01:01:32,080
Speaker 1: be placed today, and we're watching like, oh my god.

1128
01:01:32,120 --> 01:01:34,200
Speaker 1: And then the other day, UM, I do this other

1129
01:01:34,240 --> 01:01:37,560
Speaker 1: podcast called Max Movie Club, and um I watched She's

1130
01:01:37,600 --> 01:01:40,120
Speaker 1: All That and I was like, even this movie, it's

1131
01:01:40,160 --> 01:01:43,240
Speaker 1: just like it's so crazy, how like just like, but

1132
01:01:43,320 --> 01:01:46,480
Speaker 1: He's gay is like a full It's like it's like

1133
01:01:46,520 --> 01:01:50,440
Speaker 1: a bring the house down barn burner punchline to the

1134
01:01:50,440 --> 01:01:54,080
Speaker 1: point where it's just like you just can't show anything

1135
01:01:54,160 --> 01:01:56,880
Speaker 1: if if you're I actually think it's an opportunity, you

1136
01:01:56,920 --> 01:01:59,160
Speaker 1: know what I mean, to be like, this was made

1137
01:01:59,200 --> 01:02:01,640
Speaker 1: then in a time when you could say something like that,

1138
01:02:01,880 --> 01:02:04,160
Speaker 1: but we've we've evolved, Like I think it's like a

1139
01:02:04,160 --> 01:02:07,800
Speaker 1: worthwhile tool. Yeah, I think so too. And I also

1140
01:02:07,880 --> 01:02:10,600
Speaker 1: think you can't just be like, well, we're not. I mean,

1141
01:02:10,600 --> 01:02:13,480
Speaker 1: there are some things that you're like that is really gross,

1142
01:02:13,600 --> 01:02:16,320
Speaker 1: like or that's way too violent or whatever for a

1143
01:02:16,320 --> 01:02:18,360
Speaker 1: little kid, and some stuff you're like, I don't want that,

1144
01:02:18,400 --> 01:02:20,080
Speaker 1: But like The Little Mermaid, which has a lot of

1145
01:02:20,120 --> 01:02:22,760
Speaker 1: delight in it and great songs and it looks beautiful

1146
01:02:22,800 --> 01:02:24,600
Speaker 1: and under the Sea is so fun to be just

1147
01:02:24,640 --> 01:02:28,040
Speaker 1: like under the Ocean, it's so weird to you know,

1148
01:02:28,200 --> 01:02:31,240
Speaker 1: like be like I don't even think that I'm capable

1149
01:02:31,400 --> 01:02:34,240
Speaker 1: of discussing with my daughter when she's old enough to

1150
01:02:34,240 --> 01:02:37,800
Speaker 1: watch this, like why some of this is awesome and

1151
01:02:37,880 --> 01:02:40,800
Speaker 1: like asking her, like how do you feel about that

1152
01:02:40,880 --> 01:02:44,800
Speaker 1: deal that she makes? Yeah? You know, she's like, I

1153
01:02:44,840 --> 01:02:49,840
Speaker 1: would make the deal to tomorrow. God. I remember as

1154
01:02:49,840 --> 01:02:51,760
Speaker 1: a little kid being like what I make the deal? Like,

1155
01:02:52,080 --> 01:02:53,760
Speaker 1: you know, like I wanted to fall in love so

1156
01:02:53,840 --> 01:02:57,520
Speaker 1: badly and to have like boobs and stuff, and like,

1157
01:02:59,040 --> 01:03:02,920
Speaker 1: I don't know. I think like like culture will always

1158
01:03:03,000 --> 01:03:05,560
Speaker 1: like have an impact, but it's like the people that

1159
01:03:05,880 --> 01:03:07,440
Speaker 1: especially if like you're a kid and you can have

1160
01:03:07,600 --> 01:03:11,200
Speaker 1: even one adult that's like cool to you and you

1161
01:03:11,280 --> 01:03:14,080
Speaker 1: trust and you feel attached to that. They're like, this

1162
01:03:14,120 --> 01:03:16,360
Speaker 1: is actually like more complex and that let's discussed, and

1163
01:03:16,360 --> 01:03:19,200
Speaker 1: I think you can you know, you cannot get into

1164
01:03:19,200 --> 01:03:21,000
Speaker 1: where you need to be. You need someone to tell

1165
01:03:21,040 --> 01:03:22,760
Speaker 1: you not to put a fork in your hair, because

1166
01:03:22,800 --> 01:03:27,520
Speaker 1: that was what I was doing. Yeah. I was like

1167
01:03:27,760 --> 01:03:30,280
Speaker 1: at the table, like, oh my God, with the ship

1168
01:03:30,400 --> 01:03:32,120
Speaker 1: in my hair. And my mom was like, oh Jesus,

1169
01:03:32,520 --> 01:03:35,160
Speaker 1: like I spent my college years honking on a snarp flat.

1170
01:03:35,240 --> 01:03:38,640
Speaker 1: If you know what I mean, You're gonna get food

1171
01:03:38,680 --> 01:03:51,120
Speaker 1: poisoning quote unquote. Let's move on. Should we move on

1172
01:03:51,120 --> 01:03:53,600
Speaker 1: to I Don't Think so, honey? Yeah? Okay, So this

1173
01:03:53,760 --> 01:03:56,800
Speaker 1: is when we move on to the incredible segment Jenny

1174
01:03:56,840 --> 01:03:59,360
Speaker 1: on our podcast called I Don't Think So honey. It

1175
01:03:59,560 --> 01:04:02,120
Speaker 1: is at the second segment that we do, but we

1176
01:04:02,200 --> 01:04:04,880
Speaker 1: just sort of rant and rave against something in pop

1177
01:04:04,960 --> 01:04:08,160
Speaker 1: culture or culture at large, whatever is really grinding your

1178
01:04:08,200 --> 01:04:11,000
Speaker 1: gears as they say, when did they start saying that?

1179
01:04:11,040 --> 01:04:13,920
Speaker 1: And when did they stop about grinding your gears? Bow Like,

1180
01:04:13,960 --> 01:04:15,640
Speaker 1: where did that come from? An ice? I used it

1181
01:04:15,680 --> 01:04:17,760
Speaker 1: as an expression a lot when I describe it to think,

1182
01:04:18,080 --> 01:04:22,960
Speaker 1: I think it originates from the labor movement really grind

1183
01:04:23,120 --> 01:04:26,920
Speaker 1: grinds the labor movement. That's a good fault. Um. Actually,

1184
01:04:27,040 --> 01:04:28,960
Speaker 1: So I'm home right now, and I actually asked my

1185
01:04:29,040 --> 01:04:32,240
Speaker 1: mother what her I don't think, so, honey, would be

1186
01:04:32,280 --> 01:04:34,920
Speaker 1: And you know what she says that. She said, well,

1187
01:04:34,960 --> 01:04:40,000
Speaker 1: I've been thinking about this. It's people feeding damn seagulls.

1188
01:04:40,000 --> 01:04:43,640
Speaker 1: So she's still and it's the thing with her Jenny's

1189
01:04:43,720 --> 01:04:47,280
Speaker 1: seagulls at the beach, what she calls damn birds. They

1190
01:04:48,280 --> 01:04:52,120
Speaker 1: love my mom. They take her food. They She's has

1191
01:04:52,200 --> 01:04:54,479
Speaker 1: a war with the seguels every time she goes down there.

1192
01:04:54,800 --> 01:04:56,360
Speaker 1: So I just wanted to let all the readers know

1193
01:04:56,440 --> 01:05:00,240
Speaker 1: this is still a problem in Katrina Rogers's life. She

1194
01:05:00,360 --> 01:05:02,240
Speaker 1: sleat war with this eagues when she goes down to

1195
01:05:02,320 --> 01:05:05,720
Speaker 1: field five. But I have a different one. I'll tell

1196
01:05:06,120 --> 01:05:09,520
Speaker 1: this is this is Matt Rodgers. I don't think so, honey.

1197
01:05:09,680 --> 01:05:13,200
Speaker 1: His time starts now. I don't think so honey. Gay man,

1198
01:05:14,640 --> 01:05:17,280
Speaker 1: I don't want to see any of you anymore this month.

1199
01:05:17,360 --> 01:05:19,440
Speaker 1: I don't want to smell you, I don't want to

1200
01:05:19,440 --> 01:05:22,280
Speaker 1: talk to you. I'm over it. I don't think so honey.

1201
01:05:22,360 --> 01:05:25,200
Speaker 1: The things you say, the things you do. Speaking of

1202
01:05:25,280 --> 01:05:27,520
Speaker 1: being down at the beach, you all litter. I just

1203
01:05:27,600 --> 01:05:29,840
Speaker 1: had the blind and the way that you all throw

1204
01:05:29,880 --> 01:05:32,560
Speaker 1: things everywhere. It's so disgusting. I'm not sucking any of

1205
01:05:32,600 --> 01:05:36,320
Speaker 1: you ever. Again. I'm really gonna work hard on a heterosexuality.

1206
01:05:36,400 --> 01:05:37,880
Speaker 1: I think it could be a good move for me,

1207
01:05:38,240 --> 01:05:39,880
Speaker 1: not just in my life, but in my career. I

1208
01:05:39,880 --> 01:05:42,520
Speaker 1: think it would diverse me. Um. Shout out to all

1209
01:05:42,600 --> 01:05:46,600
Speaker 1: casting directors. I am straight. Now consider for your considerations.

1210
01:05:46,680 --> 01:05:49,520
Speaker 1: They say, um, I don't think so, honey, gay man. Um.

1211
01:05:50,480 --> 01:05:53,840
Speaker 1: When I have sex with you, I become I don't

1212
01:05:53,880 --> 01:05:56,240
Speaker 1: think so honey, gay men. Um. It seems like we're

1213
01:05:56,280 --> 01:05:59,320
Speaker 1: all sort of dropping like dominoes. These I don't know

1214
01:05:59,400 --> 01:06:02,040
Speaker 1: what to say. I don't think so any gay men.

1215
01:06:02,080 --> 01:06:05,080
Speaker 1: The pines were loud and crowded, and I have trauma

1216
01:06:05,120 --> 01:06:06,840
Speaker 1: now from I don't want to talk about the Fire

1217
01:06:06,840 --> 01:06:09,720
Speaker 1: Island Pines again a day in my life. I've talked

1218
01:06:09,720 --> 01:06:12,000
Speaker 1: about it because of this movie, because of this vacation.

1219
01:06:12,080 --> 01:06:14,040
Speaker 1: I'm done with gay men and the pines. I don't

1220
01:06:14,040 --> 01:06:20,400
Speaker 1: think honey. And that's one minute. Oh my god, I

1221
01:06:20,400 --> 01:06:25,600
Speaker 1: didn't know it was like she friends with them. I'm

1222
01:06:25,640 --> 01:06:28,720
Speaker 1: sorry and that was that was that wasn't me killing

1223
01:06:28,720 --> 01:06:31,160
Speaker 1: you too? Like you? Why aren't you The closest friend

1224
01:06:31,240 --> 01:06:34,160
Speaker 1: is a gay man? It's so true. I mean I

1225
01:06:34,200 --> 01:06:35,640
Speaker 1: didn't know. I was like, oh, was it supposed to

1226
01:06:35,640 --> 01:06:37,760
Speaker 1: be like clean audio? And so I was like leaning

1227
01:06:37,800 --> 01:06:43,800
Speaker 1: back and likenching because I was like, your closest friend

1228
01:06:45,440 --> 01:06:51,479
Speaker 1: the most she really is. Well, he's gay and should

1229
01:06:51,520 --> 01:06:54,160
Speaker 1: stay far away from me. I'm done with them, at

1230
01:06:54,200 --> 01:06:56,760
Speaker 1: least for the month of July. I'm seriously hang on

1231
01:06:56,760 --> 01:07:00,640
Speaker 1: to hang up with only my sweet girlfriends. That's a

1232
01:07:00,960 --> 01:07:04,680
Speaker 1: oh my god. Just one month, just one month, and

1233
01:07:04,760 --> 01:07:08,919
Speaker 1: then I'll come back. You want to make it through July?

1234
01:07:09,080 --> 01:07:14,040
Speaker 1: Know me? Well, listen bow, are you ready? I'm ready. Oh.

1235
01:07:14,080 --> 01:07:17,240
Speaker 1: By the way, gay Leeman has one of the I

1236
01:07:17,240 --> 01:07:20,080
Speaker 1: think made the first ever joke about the algorithm knowing

1237
01:07:20,080 --> 01:07:23,200
Speaker 1: you're gay. And now everyone now everyone's making that joke.

1238
01:07:23,240 --> 01:07:26,920
Speaker 1: Oh my algorithm knows I'm gay. Gabe Leeman, you're passionate

1239
01:07:26,920 --> 01:07:30,919
Speaker 1: to check. Gabelen wrote, Yeah, he had that joke forever ago,

1240
01:07:31,080 --> 01:07:33,640
Speaker 1: and it would be like about how one of the

1241
01:07:33,880 --> 01:07:35,720
Speaker 1: one of the lines I remember from it is like

1242
01:07:35,760 --> 01:07:38,640
Speaker 1: that he's like pulling up his uh. I mean now

1243
01:07:38,680 --> 01:07:40,600
Speaker 1: it honestly just is like oh yeah, of course. But

1244
01:07:40,680 --> 01:07:42,440
Speaker 1: like at that time, it was like he's like, I'm

1245
01:07:42,480 --> 01:07:52,040
Speaker 1: pulling out my Facebook page and on the side, yeahs

1246
01:07:52,160 --> 01:07:56,280
Speaker 1: for sale. I go. I went on my Instagram now

1247
01:07:56,640 --> 01:07:58,920
Speaker 1: in my my discovered page, and I don't know what

1248
01:07:58,960 --> 01:08:02,240
Speaker 1: the algorithm thinks about, but it's only pictures of Andrew Garfield,

1249
01:08:03,760 --> 01:08:06,000
Speaker 1: only pictures of him. By the way, speaking of Instagram,

1250
01:08:06,000 --> 01:08:07,680
Speaker 1: I just picked up my phone to time you boone

1251
01:08:07,760 --> 01:08:11,280
Speaker 1: yang and open to the announcement of Leah Michelle and

1252
01:08:12,840 --> 01:08:17,679
Speaker 1: they are going to be amazing. And Leah, that's a great,

1253
01:08:17,800 --> 01:08:20,920
Speaker 1: great gas Lea Michelle as Fanny Bryce and Telva Felt

1254
01:08:21,120 --> 01:08:25,320
Speaker 1: as Mrs Press beginning in September. God, that's a that's

1255
01:08:25,320 --> 01:08:27,719
Speaker 1: a no brainer. It's almost one of those things that happens.

1256
01:08:27,720 --> 01:08:30,240
Speaker 1: You're like, why didn't it already happen? You know, like that,

1257
01:08:30,360 --> 01:08:32,439
Speaker 1: like why didn't they are already do that? You know,

1258
01:08:32,720 --> 01:08:36,719
Speaker 1: many are asking that were we saying for like a while,

1259
01:08:36,800 --> 01:08:39,280
Speaker 1: weren't people saying? Lea Michelle is like that is like

1260
01:08:39,400 --> 01:08:43,760
Speaker 1: are you know could be early? Yeah, that's what they

1261
01:08:43,760 --> 01:08:47,200
Speaker 1: were saying. And then um, I think that she's I

1262
01:08:47,200 --> 01:08:48,880
Speaker 1: think she stepped in it a couple of times. But

1263
01:08:48,920 --> 01:08:50,800
Speaker 1: now she's going to get an opportunity to, you know,

1264
01:08:50,920 --> 01:08:54,760
Speaker 1: be Fanny Bryce. But she's been auditioning for for I

1265
01:08:54,840 --> 01:08:59,680
Speaker 1: look forward to seeing it, um yeah, bo Yang, not

1266
01:08:59,760 --> 01:09:01,200
Speaker 1: as my just I look forward to seeing you. I

1267
01:09:01,200 --> 01:09:05,439
Speaker 1: don't think so well then, I don't think so hony.

1268
01:09:05,520 --> 01:09:08,080
Speaker 1: Time starts now, I don't think so hony. Hotel rooms

1269
01:09:08,120 --> 01:09:16,280
Speaker 1: not already having toothpaste. If I don't always need an iron,

1270
01:09:16,479 --> 01:09:18,920
Speaker 1: I don't always need a bathroom, I sure as hell

1271
01:09:19,000 --> 01:09:21,480
Speaker 1: don't need a bible in the drawer on the nightstand.

1272
01:09:21,800 --> 01:09:24,840
Speaker 1: What I do need is toothpaste, and not the kind

1273
01:09:24,840 --> 01:09:26,719
Speaker 1: of toothpaste for when you call down to the front

1274
01:09:26,760 --> 01:09:29,679
Speaker 1: desk they give you that little tube of chalk that's

1275
01:09:29,760 --> 01:09:34,320
Speaker 1: designed for the military. Okay, I need a pulgate, a crest.

1276
01:09:34,479 --> 01:09:39,640
Speaker 1: I'll take one of those or disgustingly flavored toothpaste that

1277
01:09:39,760 --> 01:09:42,360
Speaker 1: lot do you and say they're peppermint spearmint, when no,

1278
01:09:42,760 --> 01:09:46,920
Speaker 1: they just taste like nothing. I want premium toothpaste. If

1279
01:09:46,960 --> 01:09:50,639
Speaker 1: I'm paying for something, some something a little bit, I'm

1280
01:09:50,640 --> 01:09:53,479
Speaker 1: making a little bit of a spec. Hotel rooms need

1281
01:09:53,560 --> 01:09:55,960
Speaker 1: to do this, and this is a sequel to I

1282
01:09:56,000 --> 01:09:58,320
Speaker 1: don't think sony about hotel rooms needing bigger trash cans.

1283
01:09:58,360 --> 01:10:02,040
Speaker 1: They also need ca in the room. Okay, I need

1284
01:10:02,080 --> 01:10:04,640
Speaker 1: toothpaste in the room, and then I will and then

1285
01:10:04,680 --> 01:10:06,720
Speaker 1: I'll never leave. I'll never leave. I'll pay you all

1286
01:10:06,760 --> 01:10:08,880
Speaker 1: the money in the world. And that's one minute you're

1287
01:10:09,000 --> 01:10:11,360
Speaker 1: literally dead on. And I also want to add add

1288
01:10:11,400 --> 01:10:14,680
Speaker 1: to this hotel rooms, I don't need the TV on

1289
01:10:14,720 --> 01:10:17,280
Speaker 1: when I walk in that crazy when it's like hello,

1290
01:10:17,360 --> 01:10:20,040
Speaker 1: miss miss late, I'm like, no, I don't know. I

1291
01:10:20,040 --> 01:10:24,240
Speaker 1: don't think it's thinking, so I don't think so. And also,

1292
01:10:24,520 --> 01:10:26,800
Speaker 1: how about this, If you're gonna have the TV on,

1293
01:10:27,439 --> 01:10:29,400
Speaker 1: have the remote in a place where I can find

1294
01:10:29,439 --> 01:10:30,800
Speaker 1: it so I can turn it off. I have to

1295
01:10:30,800 --> 01:10:35,920
Speaker 1: look all over the damn room for the damn god remote, Like, yeah,

1296
01:10:36,000 --> 01:10:38,519
Speaker 1: you know what, And I mean I haven't. I don't

1297
01:10:38,520 --> 01:10:41,000
Speaker 1: think so, honey about something that's pretty specific in my life.

1298
01:10:41,000 --> 01:10:44,880
Speaker 1: But just to piggyback on Bowen's I think it's weird

1299
01:10:44,920 --> 01:10:50,599
Speaker 1: now how they will not stalk the mini fridge. I'm like, like,

1300
01:10:50,720 --> 01:10:53,280
Speaker 1: just why is this empty? Like it's so just it's like, actually,

1301
01:10:53,360 --> 01:10:55,639
Speaker 1: there's kind of nothing worse than an like the empty

1302
01:10:55,680 --> 01:10:58,439
Speaker 1: mini fridge. It's like sort of like smelling a birth

1303
01:10:58,600 --> 01:11:01,160
Speaker 1: or something like. It's like it's a shocking like when

1304
01:11:01,320 --> 01:11:05,680
Speaker 1: when you're like, okay, it doesn't look right. Yeah, like

1305
01:11:05,760 --> 01:11:08,439
Speaker 1: I'll this is bad. It's like it feels like it

1306
01:11:08,479 --> 01:11:11,960
Speaker 1: feels like a bad vibe, like it's just not good.

1307
01:11:11,960 --> 01:11:15,160
Speaker 1: And it's like just put literally put like a Coca

1308
01:11:15,200 --> 01:11:17,479
Speaker 1: Cola in here and charge me nine dollars and then

1309
01:11:17,479 --> 01:11:19,799
Speaker 1: I'll be like, absolutely not. I'm not paying nine dollars,

1310
01:11:19,840 --> 01:11:23,320
Speaker 1: but I want the right to give myself like a

1311
01:11:23,360 --> 01:11:26,160
Speaker 1: weird treat that I could get for um, you know,

1312
01:11:26,680 --> 01:11:29,760
Speaker 1: one fifty at the store in the lobby. I just

1313
01:11:29,840 --> 01:11:33,840
Speaker 1: don't like it when they do that. It burst the bubble. Yeah,

1314
01:11:34,000 --> 01:11:36,040
Speaker 1: and I feel like, oh, I guess it is still

1315
01:11:36,080 --> 01:11:38,040
Speaker 1: the pandemic, and you know what it is like it is,

1316
01:11:38,439 --> 01:11:40,559
Speaker 1: but I never go back when I when I when

1317
01:11:40,600 --> 01:11:43,000
Speaker 1: I go to a hotel, when a hotel room and

1318
01:11:43,080 --> 01:11:44,920
Speaker 1: nothing is stocked, and I'm like, well, I'm never coming

1319
01:11:44,920 --> 01:11:48,840
Speaker 1: back coming back. That's why that's why I maintain my

1320
01:11:48,960 --> 01:11:52,320
Speaker 1: stays at the Ace Hotel and when I'm feeling fancy

1321
01:11:52,680 --> 01:11:58,400
Speaker 1: the Bowery Hotel. Oh yeah, I love that and that

1322
01:11:58,439 --> 01:12:01,439
Speaker 1: they're they're like, I like when a hotel is like, well,

1323
01:12:01,479 --> 01:12:04,240
Speaker 1: we actually left a chocolate bar out for you, because

1324
01:12:04,320 --> 01:12:07,080
Speaker 1: we're so fancy that we like just let our chocolate

1325
01:12:07,080 --> 01:12:10,120
Speaker 1: be taken. You know, it's like, Okay, now I'm really

1326
01:12:10,160 --> 01:12:16,840
Speaker 1: on vacations. Okay, Jenny has a hard in a couple

1327
01:12:16,880 --> 01:12:19,040
Speaker 1: of minutes. So let's that's true. That's true. Let's get

1328
01:12:19,080 --> 01:12:21,479
Speaker 1: to the I don't think so honey. Okay, okay, this

1329
01:12:21,560 --> 01:12:23,639
Speaker 1: is Jenny, this is Jenny Slates. I don't think so honey.

1330
01:12:23,680 --> 01:12:26,960
Speaker 1: Her time starts now. I don't think so honey. Babies

1331
01:12:26,960 --> 01:12:29,920
Speaker 1: are flirting with you. No, they're not. I really really

1332
01:12:30,040 --> 01:12:33,200
Speaker 1: don't like that when my daughter like just like smiles

1333
01:12:33,200 --> 01:12:34,880
Speaker 1: at a person and they're like, oh, she's a little

1334
01:12:34,880 --> 01:12:38,760
Speaker 1: flirt it's not. Actually, don't sexualize my baby. Like and

1335
01:12:38,880 --> 01:12:40,920
Speaker 1: when they do it and they're like, oh, she's flirty,

1336
01:12:41,040 --> 01:12:44,000
Speaker 1: she's flirty, I want to be like, yeah, she's super

1337
01:12:44,080 --> 01:12:48,160
Speaker 1: fucking horny right now, Like she wants to find someone.

1338
01:12:48,280 --> 01:12:51,280
Speaker 1: That's why she's doing that. That's why she's smiling. Thanks

1339
01:12:51,280 --> 01:12:53,880
Speaker 1: for like stepping on her first instinct to just connect

1340
01:12:53,920 --> 01:12:58,360
Speaker 1: and be kind of impertately sexualizing her. That just absolutely

1341
01:12:58,439 --> 01:13:01,640
Speaker 1: kills me. Like Auntie's little flirt like shirt with that

1342
01:13:01,800 --> 01:13:04,800
Speaker 1: on it. It's like, no, you don't, don't do that.

1343
01:13:04,840 --> 01:13:06,960
Speaker 1: My baby is not quoting with you. She's just nice.

1344
01:13:07,160 --> 01:13:08,840
Speaker 1: You're lucky that she even smiled to you. And now

1345
01:13:08,880 --> 01:13:11,000
Speaker 1: I have to take her away because you're so gross.

1346
01:13:11,200 --> 01:13:13,040
Speaker 1: And adding on to that when I'm wearing her on

1347
01:13:13,160 --> 01:13:15,920
Speaker 1: my body, the old white men that are like the roll,

1348
01:13:15,960 --> 01:13:18,679
Speaker 1: it's like not for me. And you've been carried around

1349
01:13:18,680 --> 01:13:21,559
Speaker 1: by culture your entire life. That's really all I have

1350
01:13:21,640 --> 01:13:26,640
Speaker 1: to say. One minute studying and you said that you

1351
01:13:26,800 --> 01:13:30,400
Speaker 1: were you said that you wouldn't get the pattern or whatever.

1352
01:13:31,040 --> 01:13:34,320
Speaker 1: This is also this as an addendum to pay you

1353
01:13:34,360 --> 01:13:36,400
Speaker 1: back off of your I don't think so, honey, don't

1354
01:13:36,400 --> 01:13:39,559
Speaker 1: ever call a baby. Oh she's going to be a

1355
01:13:39,640 --> 01:13:46,600
Speaker 1: heartbreaker when she grows up. Stop it's disgusting. Sometimes I

1356
01:13:46,600 --> 01:13:48,840
Speaker 1: get the like, oh, tell my wife, I'm fallen in

1357
01:13:48,880 --> 01:13:52,360
Speaker 1: love with another woman. It's like a baby, what are you?

1358
01:13:52,439 --> 01:13:54,400
Speaker 1: Why do you need to do that? Why can't you

1359
01:13:54,479 --> 01:13:58,360
Speaker 1: just like the baby as a baby, like you know,

1360
01:13:59,600 --> 01:14:04,680
Speaker 1: but you that actually how about this? Hey, I like

1361
01:14:04,760 --> 01:14:08,559
Speaker 1: the way your baby is smiling? Yeah, how about cute

1362
01:14:08,640 --> 01:14:11,720
Speaker 1: baby with its new smile because it's a year and

1363
01:14:11,720 --> 01:14:15,960
Speaker 1: a half old. Cute new baby baby, it's new, it's

1364
01:14:16,040 --> 01:14:22,080
Speaker 1: new in life. Hey, nice new baby. Yeah, hey there's

1365
01:14:22,120 --> 01:14:26,800
Speaker 1: your baby. Okay, across the room say, I appreciate the

1366
01:14:26,840 --> 01:14:30,720
Speaker 1: fact you have a baby. That's all period, that's it.

1367
01:14:30,880 --> 01:14:33,439
Speaker 1: And no, I don't want to wear you on my body,

1368
01:14:34,600 --> 01:14:37,840
Speaker 1: you know what I mean? That is the implications there

1369
01:14:37,880 --> 01:14:41,920
Speaker 1: are psychatic. And then then my husband was telling me

1370
01:14:41,960 --> 01:14:44,639
Speaker 1: that when he wears, when he would wear our daughter around,

1371
01:14:44,640 --> 01:14:46,960
Speaker 1: that that actually that men would say that to him

1372
01:14:47,000 --> 01:14:48,960
Speaker 1: as well, like that looks comfortable, and that he was like,

1373
01:14:49,560 --> 01:14:54,280
Speaker 1: you think it would be comfortable, like you stra to

1374
01:14:54,439 --> 01:14:58,679
Speaker 1: be on me? I mean okay, I mean okay, okay,

1375
01:14:58,880 --> 01:15:01,599
Speaker 1: I want to wear shirt now that says Auntie's little

1376
01:15:01,600 --> 01:15:05,479
Speaker 1: flirt though, Oh I just can't. Like I even have

1377
01:15:05,600 --> 01:15:07,960
Speaker 1: sort of a thing when babies were like skulls and

1378
01:15:08,120 --> 01:15:14,000
Speaker 1: Camo'm like what why why Camo? Oh you're like a

1379
01:15:14,040 --> 01:15:21,040
Speaker 1: tough baby baby. Yeah, I mean, you know, like I

1380
01:15:21,200 --> 01:15:24,439
Speaker 1: just in the Marcelle movie there's just a rant that

1381
01:15:24,479 --> 01:15:27,080
Speaker 1: I just did in character as Marcel. It's my own

1382
01:15:27,120 --> 01:15:29,880
Speaker 1: personal feelings about like people who like are bragging about

1383
01:15:29,920 --> 01:15:34,479
Speaker 1: how they like love to sign their emails. Yeah, yeah,

1384
01:15:34,800 --> 01:15:38,559
Speaker 1: none of that's bad. I I heard recently that somebody

1385
01:15:38,720 --> 01:15:42,679
Speaker 1: got a really nice note from someone that they said peace,

1386
01:15:42,720 --> 01:15:52,200
Speaker 1: and then I felt more war. I'm the big war person,

1387
01:15:52,720 --> 01:15:55,439
Speaker 1: you know. I signed all my personal letters war. What

1388
01:15:55,600 --> 01:16:02,840
Speaker 1: the begin, Marcelf, Because everybody leaders, you gotta see it.

1389
01:16:03,160 --> 01:16:05,680
Speaker 1: You're you're actually hired back as publicists again. These are

1390
01:16:05,680 --> 01:16:09,080
Speaker 1: our listeners, Johnny, please go see the show. It makes

1391
01:16:09,160 --> 01:16:12,120
Speaker 1: it different. Please see it. Yeah, we are like an

1392
01:16:12,240 --> 01:16:15,160
Speaker 1: all word of mouth campaign, meaning, like the movie, it

1393
01:16:15,240 --> 01:16:17,920
Speaker 1: will expand nationwide, but it only does if actually, like

1394
01:16:17,960 --> 01:16:21,360
Speaker 1: people literally tell their friends and you gotta gotta go.

1395
01:16:21,960 --> 01:16:24,840
Speaker 1: You gotta go, everybody. It's really great. It'll make you laugh,

1396
01:16:24,960 --> 01:16:28,400
Speaker 1: it'll make you cry, and um, it's just great. And

1397
01:16:28,439 --> 01:16:30,400
Speaker 1: you're really are the best. We were so excited to

1398
01:16:30,400 --> 01:16:33,400
Speaker 1: meet you, and we're so I hope this is a

1399
01:16:33,439 --> 01:16:36,000
Speaker 1: lifelong friendship. I don't see the way, I really do hope.

1400
01:16:36,040 --> 01:16:39,920
Speaker 1: So I really this is just the beginning. Let the

1401
01:16:39,960 --> 01:16:43,920
Speaker 1: battles begin, Let the friendships begin. You said it, I

1402
01:16:43,960 --> 01:16:51,439
Speaker 1: literally did. Wonderful. Let's make a date to go see

1403
01:16:51,600 --> 01:16:56,320
Speaker 1: um Girl starring Lea Michelle. Yes, absolutely putting it out

1404
01:16:56,320 --> 01:17:01,599
Speaker 1: there and it all right. Well bowen, We end every

1405
01:17:01,600 --> 01:17:05,360
Speaker 1: episode with a song, Boy, you come, my heart beat

1406
01:17:05,600 --> 01:17:11,160
Speaker 1: running up a little way like a like a drum

1407
01:17:10,640 --> 01:17:15,719
Speaker 1: where you hit out, cancel the boom boom boom blame

1408
01:17:15,960 --> 01:17:21,120
Speaker 1: boom bass, God base boom bo boom boom boom, boom

1409
01:17:21,160 --> 01:17:26,040
Speaker 1: boom bass Amazeless. To hear more of that, think Friday

1410
01:17:26,479 --> 01:17:31,439
Speaker 1: Nicki Minas one of the great rappers. Bye.