WEBVTT - Deep Cuts Horror Hit List #6 “Talk To Me”

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<v Speaker 1>Hey, the folks. It is Sunday, October twenty sixth and

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<v Speaker 1>number six on our horror hit list. Well it's from

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<v Speaker 1>a couple of directors who actually already have a movie

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<v Speaker 1>on our horror hit list. And with that, welcome to

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<v Speaker 1>this episode of Amy and TJ. We continue our deep cuts.

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<v Speaker 1>We count down our favorite horror movies that maybe you

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<v Speaker 1>haven't heard of as we get close to Halloween now

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<v Speaker 1>just days away. Robes, this one is impressive. This is

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<v Speaker 1>one of our favorite horror movies in recent years. And

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<v Speaker 1>this was such a shocking and pleasing delight because this

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<v Speaker 1>was not your standard horror movie.

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<v Speaker 2>That's right.

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<v Speaker 3>I was so scared, and I think when you watch

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<v Speaker 3>as many horror movies as we do, to say I

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<v Speaker 3>was so scared, there's a high threshold and this one

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<v Speaker 3>meets it, and I would say exceeds it because I

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<v Speaker 3>had to look away a couple of times because I

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<v Speaker 3>was too scared.

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<v Speaker 2>To keep watching.

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<v Speaker 1>Yeah, and we'll get into that. Yeah, there are some

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<v Speaker 1>moments in this one, but it creeps you out, so

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<v Speaker 1>it's kind of a ghost story, but it does have

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<v Speaker 1>some pretty horrific stuff in there as well. But the

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<v Speaker 1>movie we are talking about is talk to Me is

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<v Speaker 1>number six on our horror hit list. Talk to Me,

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<v Speaker 1>and this is the one I said Robes like. At

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<v Speaker 1>the time we saw this movie, we were saying publicly,

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<v Speaker 1>this young lady needs to get an oscar. We will

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<v Speaker 1>talk to you about her performance, but talk to me.

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<v Speaker 1>As the movie was released just in twenty twenty three.

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<v Speaker 2>That's right.

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<v Speaker 3>It's a horror mystery thriller. It's an hour thirty five

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<v Speaker 3>minutes right there in this week spot. And here's the

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<v Speaker 3>synopsis if you haven't heard. When a group of friends

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<v Speaker 3>discover how to conjure spirits using an embalmed hand, they'd

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<v Speaker 3>come hooked on the new thrill until one of them

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<v Speaker 3>goes too far and unleash's terrifying supernatural forces. It's great

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<v Speaker 3>because it starts out at a teen party, right.

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<v Speaker 1>Oh yeah, and you don't know what's going on.

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<v Speaker 2>You have no idea what's happening. But here's the deal.

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<v Speaker 3>A lot of movies that surround teen parties and have

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<v Speaker 3>teen partiers get a little silly and campy. There is

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<v Speaker 3>nothing about this movie that is silly or campy. This

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<v Speaker 3>is thrilling and uncomfortable and intense.

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<v Speaker 2>Almost all the way.

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<v Speaker 1>Through very uncomfortable. There are several scenes I'm thinking about

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<v Speaker 1>now I don't want to watch again. I know where

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<v Speaker 1>they are if I'm watching that movie, I look away

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<v Speaker 1>at certain parts of this movie.

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<v Speaker 3>Yes, and so this did extremely well at the box

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<v Speaker 3>office for a budget of just four point five million dollars. What. Yeah, Oh,

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<v Speaker 3>I didn't realize that. Yes, all set in Australia. In

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<v Speaker 3>the directors this is Danny and Michael Philippo, so we

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<v Speaker 3>know that they have now become like horror geniuses and

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<v Speaker 3>this was kind of well, this was their entrance, their

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<v Speaker 3>entree into this genre, and man did they come in

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<v Speaker 3>with a bang. So yeah, four and a half million

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<v Speaker 3>shot in their home country of Australia. They kept it tight,

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<v Speaker 3>but they made almost ninety two million dollars worldwide.

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<v Speaker 1>That's a hit. See, I didn't realize the budget was

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<v Speaker 1>that low. I'm thinking back to the movie. I'm like, Hi,

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<v Speaker 1>the hell did they do that? Did they go? Was

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<v Speaker 1>it the location? Was it incentives? Was it something? But

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<v Speaker 1>that is a this is a good looking movie.

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<v Speaker 2>Yes it is.

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<v Speaker 3>And Sophie Wilde, who we were talking about, who is

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<v Speaker 3>just this exceptional actress. She's also Australian so I think

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<v Speaker 3>they used some local folks, but it the acting is

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<v Speaker 3>and I think this is something that we said about

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<v Speaker 3>their other movie. Obviously, bring her back the acting. They know.

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<v Speaker 2>They don't leave anything behind.

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<v Speaker 3>Every detail is taken care of and actually done to

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<v Speaker 3>the highest quality, including the acting.

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<v Speaker 2>So yes, Sophie Wild.

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<v Speaker 1>Made this movie okay, and it required it required. I

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<v Speaker 1>mean I can't imagine the toll this movie took on

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<v Speaker 1>her personally and emotionally. She had to do so much

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<v Speaker 1>range wise in terms of emotion in this movie. She

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<v Speaker 1>had to play a friend, a brother.

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<v Speaker 2>A grieving daughter.

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<v Speaker 1>She this girl and I didn't know from anything before this.

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<v Speaker 1>I say this girl, this woman, but she plays a

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<v Speaker 1>girl in this movie. She is just dynamic and had

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<v Speaker 1>her ease and ability to cry and convey emotion and

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<v Speaker 1>pain and awe, so good. I can't say it is

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<v Speaker 1>so good. I love this young.

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<v Speaker 3>Lady, Miranda Otto. I didn't know her name, but you

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<v Speaker 3>know her face. She played the mom of the friend,

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<v Speaker 3>a little boy and otis don Gie. So there are

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<v Speaker 3>again a lot of names you won't know, but the

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<v Speaker 3>acting is phenomenal.

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<v Speaker 2>The Rotten Tomato score.

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<v Speaker 3>Well, yes, it's full validation for us. He didn't know

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<v Speaker 3>what it was ninety four percent and the audience score

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<v Speaker 3>eighty three percent. About right too, Yep, because it is

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<v Speaker 3>a little difficult to watch. I actually think that might

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<v Speaker 3>be Now. There were a couple folks it was interesting

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<v Speaker 3>to me. Their complaints were that the second half of

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<v Speaker 3>the movie wasn't as good as the first half, and

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<v Speaker 3>that can be true, and I'd say that's probably true.

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<v Speaker 1>Yeah, there was a lot of build up and intrigue

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<v Speaker 1>and mystery and even tension in that first half that

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<v Speaker 1>second half buckle up.

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<v Speaker 3>Yeah, but they were acting like it fell off the

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<v Speaker 3>rails at the second half.

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<v Speaker 1>Yeah, you just didn't like the way the train was going. Yeah,

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<v Speaker 1>you got on the wrong train.

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<v Speaker 3>That's a really good way to put it. Not the

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<v Speaker 3>movie for you, Okay, here's the critic consensus. With a

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<v Speaker 3>gripping story and impressive practical effects, talk to me spins

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<v Speaker 3>a terrifically creepy twenty first century horror yarn built on

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<v Speaker 3>classic foundation.

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<v Speaker 1>Boom. That's right, it's a ghost, it's a creepy story,

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<v Speaker 1>and they found a new way to tell it. Absolutely.

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<v Speaker 1>These guys, the masters of modern horror is what they're

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<v Speaker 1>described as. These brothers and hell yeah, this is a

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<v Speaker 1>good one.

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<v Speaker 3>At this point, anything they put out you will go

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<v Speaker 3>see without even looking at a review.

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<v Speaker 1>If they tell me they are doing a Smurf's remake,

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<v Speaker 1>I'll show it.

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<v Speaker 2>That's how good it is. All right.

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<v Speaker 3>Here are some of the critic reviews, and honestly, they

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<v Speaker 3>were all pretty glowing. The critic reviews were I don't

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<v Speaker 3>think I saw one negative one. What hits hardest is

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<v Speaker 3>the intense scenes of violence. I was squirming in my

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<v Speaker 3>seat in a lot of scenes, and the movie holds

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<v Speaker 3>onto those moments for.

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<v Speaker 2>A little longer than most.

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<v Speaker 3>It's like a more sadistic Evil Dead movie.

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<v Speaker 1>The shower scene, the boy in the hospital, I wanted

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<v Speaker 1>that to end. Stop this. There's a teen that was

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<v Speaker 1>he played fourteen years old or something. When you see

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<v Speaker 1>this kid, what they put this kid through in this movie.

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<v Speaker 3>I'm leaning back right now and holding my face because

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<v Speaker 3>I'm remembering and recalling.

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<v Speaker 2>All right, here's another critic.

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<v Speaker 3>Review Sophie Wilde's outstanding performance and the film's genuinely impressive

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<v Speaker 3>VFX are worth the price of entry alone.

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<v Speaker 2>Visual effects.

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<v Speaker 1>Right, Yes, yeah, you're right. So I'm still thinking about

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<v Speaker 1>the four million whatever in the budget, because nothing in

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<v Speaker 1>it looks like it was done half ass.

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<v Speaker 2>No, nothing they've done has looked like that. So here, Okay.

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<v Speaker 3>The first half is as compelling as it gets, effectively

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<v Speaker 3>conjuring horrifying images from the underworld and scarier yet the

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<v Speaker 3>troubled souls of the bereave.

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<v Speaker 1>Yes. Oh that's good. You these scary people. You sympathize

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<v Speaker 1>with it. I don't know if that was the point,

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<v Speaker 1>but it made for a very dynamic. You didn't want

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<v Speaker 1>to you want to look away up the horror, but

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<v Speaker 1>you're curious about what this person's going through with these ghosts.

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<v Speaker 1>If you will. Oh my god, now I'm appreciating it more.

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<v Speaker 1>Listening to the reviews, You're gonna love this next one.

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<v Speaker 3>Imagine an early M Night Shyamalan movie such as The

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<v Speaker 3>Sixth Sense, stripped of all the director's fuzzy optimism and

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<v Speaker 3>belief in serendipity, and you're starting to grab the mood

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<v Speaker 3>of talk to me.

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<v Speaker 1>You know, maybe this is what these brothers do. You're right,

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<v Speaker 1>there is some hope or some family dynamic, and we're

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<v Speaker 1>gonna make it to the end together. Kind of a thing.

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<v Speaker 1>We have to come together with m Night Chamalan. These

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<v Speaker 1>directors did not go to the M. Knight Chamalan school

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<v Speaker 1>of horror movie making exactly.

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<v Speaker 2>You know what, it's funny.

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<v Speaker 3>Yeah, it's like I do believe that they've taken some

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<v Speaker 3>of the best of what's come before them and put

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<v Speaker 3>this amazing, sadistic twist on it.

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<v Speaker 2>That works.

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<v Speaker 1>What ghost story? Teen drama, teens behaving badly, doing something

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<v Speaker 1>they shouldn't do, and get in trouble. It adds all

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<v Speaker 1>of those things. It's a ghost story like you've never seen.

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<v Speaker 3>Wow, all right, audience reviews. Every moment of building tension

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<v Speaker 3>would leave me questioning what was about to happen and

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<v Speaker 3>whether it was what I feared what happened or not.

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<v Speaker 3>It would still shock me. Just a simple concept executed flawlessly.

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<v Speaker 1>Yes, these brothers are now have developed and their other

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<v Speaker 1>movie as well. Talked to me. Things happen to where

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<v Speaker 1>you're nervous about what they're going to do to you next, Yes,

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<v Speaker 1>like oh shit, here we go. Yep, yeah that happens.

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<v Speaker 3>So this next one actually made me laugh. My nightmares

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<v Speaker 3>have nightmares about this movie. So nicely done.

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<v Speaker 1>Yeah that's about right.

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<v Speaker 2>Oh, here's another one.

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<v Speaker 3>Creative originally original storytelling and scary as hell.

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<v Speaker 2>If you've ever lost.

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<v Speaker 3>Someone extremely important to you, it will resonate on a

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<v Speaker 3>deeper level. How far would you be willing to go

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<v Speaker 3>to communicate one more time with the loved one you lost?

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<v Speaker 3>Would you put the live of lives of others at risk?

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<v Speaker 3>Intense gripping film.

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<v Speaker 1>Yeah, that's something we No matter how ridiculous a lot

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<v Speaker 1>of horror movies can be. In plots, there's always usually

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<v Speaker 1>one scenario. You look next to the person, what would

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<v Speaker 1>you do? Right?

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<v Speaker 2>Exactly?

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<v Speaker 1>This is one of those things where this is a

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<v Speaker 1>deeper This is not it would you go in that

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<v Speaker 1>room or not? No, this is would you do that?

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<v Speaker 1>Would you make that sacrifice if you could talk to

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<v Speaker 1>that person one more time?

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<v Speaker 2>Would you risk the Yes?

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<v Speaker 1>It's interesting.

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<v Speaker 3>Oooh all right, I've got a bad review and this

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<v Speaker 3>one for me was a WTF But I wanted to

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<v Speaker 3>include it because I wanted to get your reaction. While

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<v Speaker 3>I can see the appeal to a small segment of

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<v Speaker 3>the horror click Talk to Me was nothing more than

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<v Speaker 3>a ninety minute parable about guilt and not dealing with

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<v Speaker 3>one's abandonment issues. The first act is unreasonably long winded,

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<v Speaker 3>with expository about characters that we ultimately don't care about.

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<v Speaker 2>Their shallow, thoughtless and boring.

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<v Speaker 3>So much more could have happened with a minimum of effort,

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<v Speaker 3>But then that's all the filmmakers gave this one minimum effort.

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<v Speaker 1>Yeah, I'm sorry for that. That person's going through something.

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<v Speaker 1>I'm not saying this as a joke, but that seems

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<v Speaker 1>like a very personal take on a movie, Like everything

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<v Speaker 1>you saw is going through whatever lens you have of

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<v Speaker 1>what's going on in your world and how things should be,

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<v Speaker 1>Like I didn't necessarily hear a review of the acting necessarily.

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<v Speaker 1>It's all seemed personal and mean. And what was the

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<v Speaker 1>first line? Small?

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<v Speaker 3>What was he could see the appeal to a small

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<v Speaker 3>segment of the horror click?

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<v Speaker 2>It made how much ninety two million dollars?

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<v Speaker 1>Stop?

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<v Speaker 3>Yes, and this is arguably like you could not like it.

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<v Speaker 3>But to say that, it's like to say that it's

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<v Speaker 3>like just boring and effortless, that.

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<v Speaker 2>Is just mean.

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<v Speaker 1>That's something else.

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<v Speaker 3>Clearly, this is a well reviewed and exceptional movie that

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<v Speaker 3>you might not like. Yeah, that's fine, and that's okay.

0:11:30.600 --> 0:11:32.439
<v Speaker 3>But to say it's not made well, to say it's

0:11:32.480 --> 0:11:35.040
<v Speaker 3>not made with fought that's insane.

0:11:35.440 --> 0:11:38.120
<v Speaker 1>Fine, if you don't like it, the suggestion here that

0:11:38.160 --> 0:11:42.199
<v Speaker 1>you don't respect it means we shouldn't take you seriously. Yeah,

0:11:42.280 --> 0:11:45.400
<v Speaker 1>you have to stop. Yes, and has their opinion, but

0:11:45.440 --> 0:11:46.840
<v Speaker 1>that's personal. What was that? Right?

0:11:46.960 --> 0:11:49.120
<v Speaker 3>Isn't that interesting when people go and just put.

0:11:48.920 --> 0:11:50.120
<v Speaker 2>Out whatever they.

0:11:52.920 --> 0:11:55.360
<v Speaker 3>Well, I can see the appeal to a small segment

0:11:55.400 --> 0:11:58.160
<v Speaker 3>of the horror Click Talk to me was nothing more

0:11:58.280 --> 0:12:02.240
<v Speaker 3>than a ninety minute parable guilt and not dealing with

0:12:02.320 --> 0:12:03.360
<v Speaker 3>one's abandonment issue.

0:12:03.360 --> 0:12:08.760
<v Speaker 1>So terrible about guilt and not dealing with abandoned to men?

0:12:09.080 --> 0:12:10.319
<v Speaker 1>What are you supposed?

0:12:10.559 --> 0:12:12.720
<v Speaker 2>What? I know? How did did they watch the same

0:12:12.720 --> 0:12:13.319
<v Speaker 2>movie we did?

0:12:13.480 --> 0:12:17.000
<v Speaker 1>No, they have gone through something in their lives that

0:12:18.000 --> 0:12:22.800
<v Speaker 1>makes them see everything through a particular len projection. Yes,

0:12:22.920 --> 0:12:25.080
<v Speaker 1>I've learned a lot about that in the past several years,

0:12:25.240 --> 0:12:28.880
<v Speaker 1>So I'm not mad. I'm just curious about what that

0:12:29.000 --> 0:12:29.920
<v Speaker 1>person's going right.

0:12:30.040 --> 0:12:31.600
<v Speaker 2>Yeah, No, that makes a lot of sense.

0:12:31.640 --> 0:12:33.280
<v Speaker 3>But you know what we're gonna tell you when we

0:12:33.320 --> 0:12:36.360
<v Speaker 3>come back, why this film made our list, who it's for,

0:12:36.600 --> 0:12:40.320
<v Speaker 3>who it's not for, what to pairl with, and a

0:12:40.520 --> 0:12:54.760
<v Speaker 3>peek into how we will begin our Top five. Welcome

0:12:54.760 --> 0:12:57.120
<v Speaker 3>back to this edition. Of Amy and TJ. This is

0:12:57.280 --> 0:13:02.160
<v Speaker 3>our Halloween Horror hit list, and we are already wow

0:13:02.480 --> 0:13:05.600
<v Speaker 3>at number six we are talking about talk to me.

0:13:06.360 --> 0:13:10.240
<v Speaker 3>This has been one of our favorite movies of all time,

0:13:10.320 --> 0:13:12.040
<v Speaker 3>and that's of course why it is so high on

0:13:12.080 --> 0:13:14.160
<v Speaker 3>our list. But my god, I haven't seen a movie

0:13:14.160 --> 0:13:16.000
<v Speaker 3>like this. I have nothing to compare it to.

0:13:16.320 --> 0:13:18.520
<v Speaker 1>You know, I'm only compared to this, not in terms

0:13:18.559 --> 0:13:23.800
<v Speaker 1>of what it was. It's for a storyline. Insidious was

0:13:23.840 --> 0:13:27.440
<v Speaker 1>before Conjuring, or Conjuring was before Insidious. I can't remember when.

0:13:27.480 --> 0:13:29.839
<v Speaker 1>I can't honestly answer that I'm gonna go with Insidious

0:13:30.160 --> 0:13:34.080
<v Speaker 1>because I remember when that movie came out. It was

0:13:34.200 --> 0:13:37.320
<v Speaker 1>so new and fresh and different. It was a fresh

0:13:37.720 --> 0:13:41.120
<v Speaker 1>entry into horror, and we're not used to seeing things

0:13:41.120 --> 0:13:43.800
<v Speaker 1>that kind of you know, give us something new to

0:13:43.840 --> 0:13:46.480
<v Speaker 1>look forward to, or something new to see. Which one

0:13:46.520 --> 0:13:46.719
<v Speaker 1>was fright?

0:13:46.880 --> 0:13:50.120
<v Speaker 3>Insidious was twenty eleven, the Conjuring was twenty thirteen.

0:13:50.760 --> 0:13:54.160
<v Speaker 1>I'll be damned. Okay, So I guess I'm thinking about it, right.

0:13:54.240 --> 0:13:57.760
<v Speaker 1>I remember when Insidious came on board. As much as

0:13:57.800 --> 0:14:01.040
<v Speaker 1>we love horror movies, wow, this is new and fresh

0:14:01.080 --> 0:14:03.680
<v Speaker 1>and different. This isn't like the others talk to me

0:14:03.920 --> 0:14:06.439
<v Speaker 1>was that it was not like the others, And I

0:14:06.480 --> 0:14:09.520
<v Speaker 1>didn't know about these brothers who direct, But now to

0:14:09.679 --> 0:14:12.000
<v Speaker 1>see and to put together and to see their other movie,

0:14:13.080 --> 0:14:17.439
<v Speaker 1>there's a new age, a new line of thought even

0:14:17.600 --> 0:14:22.360
<v Speaker 1>and care and acting and expectation of horror movies. Now

0:14:22.800 --> 0:14:25.480
<v Speaker 1>that I do, I'll go back to Insidious. It kind

0:14:25.480 --> 0:14:28.760
<v Speaker 1>of changed things and expectations that we have for we

0:14:28.880 --> 0:14:31.400
<v Speaker 1>I'm talking about you and me, Yes, expectations.

0:14:30.800 --> 0:14:33.080
<v Speaker 3>For horror movie fans. So it's not it doesn't have

0:14:33.200 --> 0:14:35.880
<v Speaker 3>to just be a one trick pony. And I think

0:14:35.920 --> 0:14:39.200
<v Speaker 3>that's what we've seen over the last oh my god decade,

0:14:39.240 --> 0:14:40.720
<v Speaker 3>at least more.

0:14:40.560 --> 0:14:45.200
<v Speaker 1>So Go this year. Yeah, Weapons, Sinners, Bloodlines, with the

0:14:45.200 --> 0:14:47.640
<v Speaker 1>final Destination, it's been a batner.

0:14:47.720 --> 0:14:50.000
<v Speaker 3>It's run the Gama and they've been amazing and it's

0:14:50.040 --> 0:14:50.960
<v Speaker 3>been really exciting.

0:14:51.040 --> 0:14:52.800
<v Speaker 2>Yes, so why it made our list?

0:14:52.880 --> 0:14:56.080
<v Speaker 3>Yet? This movie is gripping from the start. We've obviously

0:14:56.120 --> 0:14:59.440
<v Speaker 3>talked about the amazing oscar Worthy performance of Sophie Wild.

0:15:00.080 --> 0:15:03.680
<v Speaker 3>It's just scary as hell with great storytelling. Just there's

0:15:03.720 --> 0:15:06.800
<v Speaker 3>not I can't think of one negative thing other than

0:15:06.840 --> 0:15:10.080
<v Speaker 3>maybe it lingered a little too long on some really

0:15:10.120 --> 0:15:11.840
<v Speaker 3>disturbing scenes, and you know what.

0:15:11.760 --> 0:15:15.400
<v Speaker 1>That made the movie. That's not a criticism of the

0:15:15.440 --> 0:15:18.680
<v Speaker 1>movie for me, that's just a personal preference, right, please make.

0:15:18.600 --> 0:15:19.600
<v Speaker 2>It and discomfort.

0:15:19.640 --> 0:15:22.280
<v Speaker 3>I mean, obviously, no one's watching horror movies to feel

0:15:22.320 --> 0:15:24.640
<v Speaker 3>happy and light. You know, No, there's a there's a

0:15:24.680 --> 0:15:27.280
<v Speaker 3>reason you're wanting to feel that intensity and that thrill.

0:15:27.320 --> 0:15:32.280
<v Speaker 3>So okay, that was comedy for who is this for?

0:15:32.400 --> 0:15:35.120
<v Speaker 3>Anyone who wants to be scared like this is genuinely scary,

0:15:35.520 --> 0:15:38.920
<v Speaker 3>Be prepared to have to hide your eyes, be prepared

0:15:38.960 --> 0:15:42.000
<v Speaker 3>for a couple of really tough scenes because they go there.

0:15:42.280 --> 0:15:43.920
<v Speaker 2>Like you're thinking, oh, they're not going to go there.

0:15:44.000 --> 0:15:46.920
<v Speaker 3>They go there and then they stay there.

0:15:47.080 --> 0:15:49.240
<v Speaker 1>And it's not gratuitous, it's not I never saw anything.

0:15:49.280 --> 0:15:50.720
<v Speaker 1>Is that this is over the top? Is too much?

0:15:50.720 --> 0:15:52.720
<v Speaker 1>Why they have to do? No, no, no, no, it's

0:15:52.760 --> 0:15:55.480
<v Speaker 1>just a choice, and it's powerful. I get it.

0:15:55.640 --> 0:15:56.840
<v Speaker 2>And then so who it's not for?

0:15:57.240 --> 0:16:00.040
<v Speaker 3>If you if supernatural stuff creeps you out, stay the

0:16:00.080 --> 0:16:03.120
<v Speaker 3>hell away from this. And if you don't want anything

0:16:03.120 --> 0:16:06.800
<v Speaker 3>too intense, if you're looking for that light, fun, blackening,

0:16:07.760 --> 0:16:10.240
<v Speaker 3>you know kind of movie. This is the frame joke

0:16:11.360 --> 0:16:13.600
<v Speaker 3>laughter in the movie, No, because not only is it

0:16:13.680 --> 0:16:19.560
<v Speaker 3>intensely scary, there's also just intense themes about death, about you.

0:16:19.520 --> 0:16:21.560
<v Speaker 1>Know, friendships, relationships, family.

0:16:22.000 --> 0:16:24.280
<v Speaker 2>Yeah, it all comes into questions.

0:16:24.480 --> 0:16:26.280
<v Speaker 1>I think of one joke, a one moment like, oh

0:16:26.320 --> 0:16:27.840
<v Speaker 1>my god, that was funny. I can't remember.

0:16:27.880 --> 0:16:29.040
<v Speaker 2>I don't think it ever lets up.

0:16:29.120 --> 0:16:31.880
<v Speaker 3>The intensity is just full blast, full throttle.

0:16:32.000 --> 0:16:34.960
<v Speaker 1>There's one scene and we're not giving anything away where

0:16:35.000 --> 0:16:38.200
<v Speaker 1>they're doing their thing, the kids before things get crazy

0:16:38.200 --> 0:16:40.520
<v Speaker 1>to where they're having fun with it and some silly

0:16:40.560 --> 0:16:43.560
<v Speaker 1>things happen. I think maybe that even those silly things

0:16:43.560 --> 0:16:43.760
<v Speaker 1>are a.

0:16:43.760 --> 0:16:45.200
<v Speaker 2>Little it's still ominous.

0:16:45.240 --> 0:16:47.080
<v Speaker 3>Like you knew it was a harbinger of what was

0:16:47.120 --> 0:16:48.800
<v Speaker 3>to come, and it was going to be a lot worse.

0:16:48.880 --> 0:16:51.800
<v Speaker 3>Like yes, you when you were watching them party and

0:16:52.000 --> 0:16:56.760
<v Speaker 3>enjoy the initial supernatural pops that they were getting, you

0:16:56.800 --> 0:16:58.720
<v Speaker 3>were kind of laughing along with them, but you knew

0:16:58.720 --> 0:17:01.520
<v Speaker 3>it was going to end really badly, so you were

0:17:01.560 --> 0:17:02.120
<v Speaker 3>on edge.

0:17:02.160 --> 0:17:07.480
<v Speaker 1>It's kids playing spin the bottle at an event, right,

0:17:07.600 --> 0:17:10.359
<v Speaker 1>Think of that, Yes, kids are together playing spin the bottle.

0:17:10.520 --> 0:17:13.880
<v Speaker 1>Parents are gone. That's alcohol flowing. Something's gonna happen. Think

0:17:13.920 --> 0:17:17.720
<v Speaker 1>of that scenario, but with supernatural.

0:17:17.160 --> 0:17:21.320
<v Speaker 3>Elements, what could possibly go wrong? So, given the intensity

0:17:21.359 --> 0:17:24.240
<v Speaker 3>of the movie with the food drink pairing, I think

0:17:24.280 --> 0:17:25.880
<v Speaker 3>you should keep it simple, Like.

0:17:25.920 --> 0:17:27.879
<v Speaker 2>I'm thinking popcorn is cool now.

0:17:27.920 --> 0:17:30.720
<v Speaker 3>I was also trying to keep with the Australian theme

0:17:30.720 --> 0:17:34.240
<v Speaker 3>because this is set in Australia, Australian filmmakers, Australian actress.

0:17:34.960 --> 0:17:38.159
<v Speaker 3>But kangaroo and vegamite just did not sound like something

0:17:38.240 --> 0:17:41.720
<v Speaker 3>anyone would want to actually, so that's ridiculous and unreasonable.

0:17:42.080 --> 0:17:44.400
<v Speaker 3>So I was thinking, like chicken or shrimp on the barbie,

0:17:45.440 --> 0:17:48.760
<v Speaker 3>a Foster's beer could be a fun addition, right, So

0:17:48.920 --> 0:17:51.520
<v Speaker 3>just keep maybe just throw a little Australian theme to it,

0:17:51.560 --> 0:17:54.400
<v Speaker 3>but nothing too intense, like, yeah, who doesn't love chicken

0:17:54.400 --> 0:17:54.879
<v Speaker 3>on the barbie?

0:17:54.960 --> 0:18:02.480
<v Speaker 1>You know? I dark liquor, bourbon on the rocks, get

0:18:02.520 --> 0:18:06.080
<v Speaker 1>your Scotch. You're gonna need a stiff drink at some point, a.

0:18:07.720 --> 0:18:11.960
<v Speaker 3>Shot of whatever dark liquor with your fosters to chase

0:18:12.000 --> 0:18:12.320
<v Speaker 3>it down.

0:18:12.440 --> 0:18:15.880
<v Speaker 1>Yeah, this is absolutely a forty oh, no eighty proof

0:18:15.880 --> 0:18:17.160
<v Speaker 1>and above movie.

0:18:18.119 --> 0:18:20.119
<v Speaker 3>It's intense, folks. Don't say we didn't warn you. This

0:18:20.240 --> 0:18:23.520
<v Speaker 3>is on HBO Max also Paramount Plus, so you can

0:18:23.560 --> 0:18:25.399
<v Speaker 3>if you have Hulu or Prime and you've got that

0:18:25.440 --> 0:18:28.280
<v Speaker 3>Paramount Plus edition, which of course we do.

0:18:29.240 --> 0:18:30.880
<v Speaker 2>You can watch on either of those.

0:18:31.000 --> 0:18:35.120
<v Speaker 3>So our next episode this will actually be starting out

0:18:35.160 --> 0:18:39.320
<v Speaker 3>our top five, so number five on the list. It's

0:18:39.359 --> 0:18:42.040
<v Speaker 3>an oldie, but a goodie. I would even say it

0:18:42.080 --> 0:18:45.080
<v Speaker 3>was an indie sleeper hit that might have become more

0:18:45.080 --> 0:18:48.159
<v Speaker 3>popular recently just because of streaming services. But you and

0:18:48.240 --> 0:18:51.440
<v Speaker 3>I connected on this movie way back when it was

0:18:51.480 --> 0:18:53.480
<v Speaker 3>one of the original movies. We were like, Wow, you

0:18:53.600 --> 0:18:56.399
<v Speaker 3>like that too, because for me before streaming, if you

0:18:56.440 --> 0:18:59.160
<v Speaker 3>had seen this movie oh and loved it for nearly

0:18:59.240 --> 0:19:01.680
<v Speaker 3>twenty years, you're a true horror fan.

0:19:02.040 --> 0:19:04.440
<v Speaker 2>Oh, that's kind of what we had said this.

0:19:06.200 --> 0:19:09.600
<v Speaker 1>I am very excited to talk about this one with everybody.

0:19:09.680 --> 0:19:13.399
<v Speaker 1>And you're right, this might be the first movie that

0:19:13.520 --> 0:19:19.280
<v Speaker 1>I realized, Okay, Amy Robosa, she's a real one. This

0:19:19.359 --> 0:19:20.640
<v Speaker 1>might be the one.

0:19:20.720 --> 0:19:22.960
<v Speaker 3>It's true that is. This is a litmus test, So

0:19:23.440 --> 0:19:25.960
<v Speaker 3>I'll give you one more hints. I hope this doesn't

0:19:26.000 --> 0:19:27.680
<v Speaker 3>go too far to the movie.

0:19:27.680 --> 0:19:29.879
<v Speaker 1>It probably is if you have to set it up

0:19:29.920 --> 0:19:31.439
<v Speaker 1>that way. If you think it does, it's not.

0:19:31.560 --> 0:19:33.520
<v Speaker 3>There are plenty of this movie of movies this could

0:19:33.520 --> 0:19:37.480
<v Speaker 3>go apply to it will take you to depths you

0:19:37.640 --> 0:19:39.840
<v Speaker 3>never thought you'd go now.

0:19:39.840 --> 0:19:42.159
<v Speaker 1>So you know you're trying to be too clever.

0:19:43.000 --> 0:19:45.639
<v Speaker 3>And with that, everyone I made Robock alongside DJ Holmes,

0:19:45.640 --> 0:19:46.360
<v Speaker 3>We'll talk to you soon.