1 00:00:08,360 --> 00:00:12,800 Speaker 1: Hey, the folks. It is Sunday, October twenty sixth and 2 00:00:13,480 --> 00:00:17,200 Speaker 1: number six on our horror hit list. Well it's from 3 00:00:17,239 --> 00:00:21,800 Speaker 1: a couple of directors who actually already have a movie 4 00:00:22,360 --> 00:00:25,520 Speaker 1: on our horror hit list. And with that, welcome to 5 00:00:25,600 --> 00:00:28,440 Speaker 1: this episode of Amy and TJ. We continue our deep cuts. 6 00:00:28,480 --> 00:00:31,280 Speaker 1: We count down our favorite horror movies that maybe you 7 00:00:31,360 --> 00:00:34,160 Speaker 1: haven't heard of as we get close to Halloween now 8 00:00:34,240 --> 00:00:42,239 Speaker 1: just days away. Robes, this one is impressive. This is 9 00:00:42,320 --> 00:00:45,599 Speaker 1: one of our favorite horror movies in recent years. And 10 00:00:45,760 --> 00:00:52,760 Speaker 1: this was such a shocking and pleasing delight because this 11 00:00:52,960 --> 00:00:54,680 Speaker 1: was not your standard horror movie. 12 00:00:54,760 --> 00:00:55,160 Speaker 2: That's right. 13 00:00:55,200 --> 00:00:59,440 Speaker 3: I was so scared, and I think when you watch 14 00:00:59,520 --> 00:01:02,080 Speaker 3: as many horror movies as we do, to say I 15 00:01:02,320 --> 00:01:06,160 Speaker 3: was so scared, there's a high threshold and this one 16 00:01:06,200 --> 00:01:09,360 Speaker 3: meets it, and I would say exceeds it because I 17 00:01:09,400 --> 00:01:11,720 Speaker 3: had to look away a couple of times because I 18 00:01:11,760 --> 00:01:12,959 Speaker 3: was too scared. 19 00:01:12,600 --> 00:01:13,280 Speaker 2: To keep watching. 20 00:01:13,800 --> 00:01:15,600 Speaker 1: Yeah, and we'll get into that. Yeah, there are some 21 00:01:15,680 --> 00:01:17,840 Speaker 1: moments in this one, but it creeps you out, so 22 00:01:17,880 --> 00:01:19,800 Speaker 1: it's kind of a ghost story, but it does have 23 00:01:19,840 --> 00:01:22,640 Speaker 1: some pretty horrific stuff in there as well. But the 24 00:01:22,640 --> 00:01:27,200 Speaker 1: movie we are talking about is talk to Me is 25 00:01:27,400 --> 00:01:31,640 Speaker 1: number six on our horror hit list. Talk to Me, 26 00:01:31,800 --> 00:01:34,840 Speaker 1: and this is the one I said Robes like. At 27 00:01:34,880 --> 00:01:38,679 Speaker 1: the time we saw this movie, we were saying publicly, 28 00:01:39,240 --> 00:01:42,000 Speaker 1: this young lady needs to get an oscar. We will 29 00:01:42,040 --> 00:01:43,959 Speaker 1: talk to you about her performance, but talk to me. 30 00:01:43,959 --> 00:01:46,160 Speaker 1: As the movie was released just in twenty twenty three. 31 00:01:46,280 --> 00:01:46,680 Speaker 2: That's right. 32 00:01:46,720 --> 00:01:49,320 Speaker 3: It's a horror mystery thriller. It's an hour thirty five 33 00:01:49,360 --> 00:01:51,680 Speaker 3: minutes right there in this week spot. And here's the 34 00:01:51,680 --> 00:01:55,400 Speaker 3: synopsis if you haven't heard. When a group of friends 35 00:01:55,440 --> 00:01:59,880 Speaker 3: discover how to conjure spirits using an embalmed hand, they'd 36 00:02:00,120 --> 00:02:02,720 Speaker 3: come hooked on the new thrill until one of them 37 00:02:02,760 --> 00:02:09,000 Speaker 3: goes too far and unleash's terrifying supernatural forces. It's great 38 00:02:09,080 --> 00:02:13,119 Speaker 3: because it starts out at a teen party, right. 39 00:02:13,120 --> 00:02:15,480 Speaker 1: Oh yeah, and you don't know what's going on. 40 00:02:15,520 --> 00:02:17,639 Speaker 2: You have no idea what's happening. But here's the deal. 41 00:02:17,680 --> 00:02:20,960 Speaker 3: A lot of movies that surround teen parties and have 42 00:02:21,040 --> 00:02:24,520 Speaker 3: teen partiers get a little silly and campy. There is 43 00:02:24,720 --> 00:02:28,560 Speaker 3: nothing about this movie that is silly or campy. This 44 00:02:28,840 --> 00:02:33,480 Speaker 3: is thrilling and uncomfortable and intense. 45 00:02:34,080 --> 00:02:35,880 Speaker 2: Almost all the way. 46 00:02:35,720 --> 00:02:38,919 Speaker 1: Through very uncomfortable. There are several scenes I'm thinking about 47 00:02:38,960 --> 00:02:40,680 Speaker 1: now I don't want to watch again. I know where 48 00:02:40,720 --> 00:02:42,640 Speaker 1: they are if I'm watching that movie, I look away 49 00:02:43,000 --> 00:02:44,200 Speaker 1: at certain parts of this movie. 50 00:02:44,360 --> 00:02:48,320 Speaker 3: Yes, and so this did extremely well at the box 51 00:02:48,400 --> 00:02:52,480 Speaker 3: office for a budget of just four point five million dollars. What. Yeah, Oh, 52 00:02:52,480 --> 00:02:54,880 Speaker 3: I didn't realize that. Yes, all set in Australia. In 53 00:02:55,000 --> 00:02:57,880 Speaker 3: the directors this is Danny and Michael Philippo, so we 54 00:02:57,960 --> 00:03:01,840 Speaker 3: know that they have now become like horror geniuses and 55 00:03:01,880 --> 00:03:05,280 Speaker 3: this was kind of well, this was their entrance, their 56 00:03:05,440 --> 00:03:08,960 Speaker 3: entree into this genre, and man did they come in 57 00:03:09,000 --> 00:03:11,000 Speaker 3: with a bang. So yeah, four and a half million 58 00:03:11,080 --> 00:03:14,160 Speaker 3: shot in their home country of Australia. They kept it tight, 59 00:03:14,480 --> 00:03:17,679 Speaker 3: but they made almost ninety two million dollars worldwide. 60 00:03:18,600 --> 00:03:21,239 Speaker 1: That's a hit. See, I didn't realize the budget was 61 00:03:21,280 --> 00:03:23,680 Speaker 1: that low. I'm thinking back to the movie. I'm like, Hi, 62 00:03:23,760 --> 00:03:26,280 Speaker 1: the hell did they do that? Did they go? Was 63 00:03:26,320 --> 00:03:29,280 Speaker 1: it the location? Was it incentives? Was it something? But 64 00:03:29,360 --> 00:03:31,840 Speaker 1: that is a this is a good looking movie. 65 00:03:31,720 --> 00:03:32,320 Speaker 2: Yes it is. 66 00:03:32,360 --> 00:03:34,720 Speaker 3: And Sophie Wilde, who we were talking about, who is 67 00:03:34,800 --> 00:03:37,960 Speaker 3: just this exceptional actress. She's also Australian so I think 68 00:03:38,000 --> 00:03:41,920 Speaker 3: they used some local folks, but it the acting is 69 00:03:42,000 --> 00:03:44,000 Speaker 3: and I think this is something that we said about 70 00:03:44,000 --> 00:03:48,360 Speaker 3: their other movie. Obviously, bring her back the acting. They know. 71 00:03:49,400 --> 00:03:51,000 Speaker 2: They don't leave anything behind. 72 00:03:51,240 --> 00:03:55,840 Speaker 3: Every detail is taken care of and actually done to 73 00:03:55,920 --> 00:03:58,200 Speaker 3: the highest quality, including the acting. 74 00:03:58,280 --> 00:03:59,920 Speaker 2: So yes, Sophie Wild. 75 00:04:00,440 --> 00:04:05,720 Speaker 1: Made this movie okay, and it required it required. I 76 00:04:05,720 --> 00:04:07,960 Speaker 1: mean I can't imagine the toll this movie took on 77 00:04:08,040 --> 00:04:12,560 Speaker 1: her personally and emotionally. She had to do so much 78 00:04:13,200 --> 00:04:15,800 Speaker 1: range wise in terms of emotion in this movie. She 79 00:04:15,880 --> 00:04:18,720 Speaker 1: had to play a friend, a brother. 80 00:04:19,040 --> 00:04:20,359 Speaker 2: A grieving daughter. 81 00:04:20,640 --> 00:04:23,960 Speaker 1: She this girl and I didn't know from anything before this. 82 00:04:24,040 --> 00:04:25,720 Speaker 1: I say this girl, this woman, but she plays a 83 00:04:25,880 --> 00:04:29,720 Speaker 1: girl in this movie. She is just dynamic and had 84 00:04:29,839 --> 00:04:33,839 Speaker 1: her ease and ability to cry and convey emotion and 85 00:04:33,960 --> 00:04:36,440 Speaker 1: pain and awe, so good. I can't say it is 86 00:04:36,640 --> 00:04:38,200 Speaker 1: so good. I love this young. 87 00:04:38,040 --> 00:04:40,520 Speaker 3: Lady, Miranda Otto. I didn't know her name, but you 88 00:04:40,600 --> 00:04:44,039 Speaker 3: know her face. She played the mom of the friend, 89 00:04:44,360 --> 00:04:47,400 Speaker 3: a little boy and otis don Gie. So there are 90 00:04:47,480 --> 00:04:49,960 Speaker 3: again a lot of names you won't know, but the 91 00:04:50,040 --> 00:04:51,960 Speaker 3: acting is phenomenal. 92 00:04:52,120 --> 00:04:53,680 Speaker 2: The Rotten Tomato score. 93 00:04:53,880 --> 00:04:56,680 Speaker 3: Well, yes, it's full validation for us. He didn't know 94 00:04:56,720 --> 00:05:00,640 Speaker 3: what it was ninety four percent and the audience score 95 00:05:00,720 --> 00:05:03,560 Speaker 3: eighty three percent. About right too, Yep, because it is 96 00:05:03,800 --> 00:05:05,880 Speaker 3: a little difficult to watch. I actually think that might 97 00:05:05,920 --> 00:05:08,560 Speaker 3: be Now. There were a couple folks it was interesting 98 00:05:08,640 --> 00:05:11,640 Speaker 3: to me. Their complaints were that the second half of 99 00:05:11,680 --> 00:05:14,320 Speaker 3: the movie wasn't as good as the first half, and 100 00:05:14,360 --> 00:05:17,159 Speaker 3: that can be true, and I'd say that's probably true. 101 00:05:17,279 --> 00:05:20,200 Speaker 1: Yeah, there was a lot of build up and intrigue 102 00:05:20,240 --> 00:05:24,160 Speaker 1: and mystery and even tension in that first half that 103 00:05:24,320 --> 00:05:25,680 Speaker 1: second half buckle up. 104 00:05:26,080 --> 00:05:28,560 Speaker 3: Yeah, but they were acting like it fell off the 105 00:05:28,640 --> 00:05:29,840 Speaker 3: rails at the second half. 106 00:05:30,560 --> 00:05:33,120 Speaker 1: Yeah, you just didn't like the way the train was going. Yeah, 107 00:05:33,279 --> 00:05:34,080 Speaker 1: you got on the wrong train. 108 00:05:34,240 --> 00:05:35,560 Speaker 3: That's a really good way to put it. Not the 109 00:05:35,600 --> 00:05:38,000 Speaker 3: movie for you, Okay, here's the critic consensus. With a 110 00:05:38,000 --> 00:05:42,039 Speaker 3: gripping story and impressive practical effects, talk to me spins 111 00:05:42,080 --> 00:05:46,159 Speaker 3: a terrifically creepy twenty first century horror yarn built on 112 00:05:46,240 --> 00:05:47,160 Speaker 3: classic foundation. 113 00:05:47,279 --> 00:05:50,280 Speaker 1: Boom. That's right, it's a ghost, it's a creepy story, 114 00:05:50,320 --> 00:05:53,120 Speaker 1: and they found a new way to tell it. Absolutely. 115 00:05:53,200 --> 00:05:56,960 Speaker 1: These guys, the masters of modern horror is what they're 116 00:05:56,960 --> 00:05:59,120 Speaker 1: described as. These brothers and hell yeah, this is a 117 00:05:59,120 --> 00:05:59,520 Speaker 1: good one. 118 00:05:59,560 --> 00:06:02,560 Speaker 3: At this point, anything they put out you will go 119 00:06:02,640 --> 00:06:04,800 Speaker 3: see without even looking at a review. 120 00:06:05,160 --> 00:06:08,640 Speaker 1: If they tell me they are doing a Smurf's remake, 121 00:06:08,839 --> 00:06:09,359 Speaker 1: I'll show it. 122 00:06:11,000 --> 00:06:12,000 Speaker 2: That's how good it is. All right. 123 00:06:12,000 --> 00:06:14,400 Speaker 3: Here are some of the critic reviews, and honestly, they 124 00:06:14,400 --> 00:06:17,920 Speaker 3: were all pretty glowing. The critic reviews were I don't 125 00:06:17,960 --> 00:06:20,960 Speaker 3: think I saw one negative one. What hits hardest is 126 00:06:21,000 --> 00:06:24,440 Speaker 3: the intense scenes of violence. I was squirming in my 127 00:06:24,520 --> 00:06:26,799 Speaker 3: seat in a lot of scenes, and the movie holds 128 00:06:26,839 --> 00:06:27,800 Speaker 3: onto those moments for. 129 00:06:27,800 --> 00:06:29,360 Speaker 2: A little longer than most. 130 00:06:29,720 --> 00:06:32,599 Speaker 3: It's like a more sadistic Evil Dead movie. 131 00:06:34,720 --> 00:06:39,159 Speaker 1: The shower scene, the boy in the hospital, I wanted 132 00:06:39,200 --> 00:06:42,120 Speaker 1: that to end. Stop this. There's a teen that was 133 00:06:42,120 --> 00:06:44,360 Speaker 1: he played fourteen years old or something. When you see 134 00:06:44,360 --> 00:06:47,240 Speaker 1: this kid, what they put this kid through in this movie. 135 00:06:47,640 --> 00:06:50,080 Speaker 3: I'm leaning back right now and holding my face because 136 00:06:50,120 --> 00:06:51,760 Speaker 3: I'm remembering and recalling. 137 00:06:51,800 --> 00:06:53,600 Speaker 2: All right, here's another critic. 138 00:06:53,360 --> 00:06:58,760 Speaker 3: Review Sophie Wilde's outstanding performance and the film's genuinely impressive 139 00:06:58,880 --> 00:07:01,600 Speaker 3: VFX are worth the price of entry alone. 140 00:07:02,720 --> 00:07:03,400 Speaker 2: Visual effects. 141 00:07:03,440 --> 00:07:06,719 Speaker 1: Right, Yes, yeah, you're right. So I'm still thinking about 142 00:07:06,720 --> 00:07:09,800 Speaker 1: the four million whatever in the budget, because nothing in 143 00:07:09,840 --> 00:07:11,480 Speaker 1: it looks like it was done half ass. 144 00:07:11,960 --> 00:07:16,680 Speaker 2: No, nothing they've done has looked like that. So here, Okay. 145 00:07:16,800 --> 00:07:20,600 Speaker 3: The first half is as compelling as it gets, effectively 146 00:07:20,720 --> 00:07:25,240 Speaker 3: conjuring horrifying images from the underworld and scarier yet the 147 00:07:25,360 --> 00:07:27,080 Speaker 3: troubled souls of the bereave. 148 00:07:27,280 --> 00:07:32,840 Speaker 1: Yes. Oh that's good. You these scary people. You sympathize 149 00:07:32,880 --> 00:07:35,840 Speaker 1: with it. I don't know if that was the point, 150 00:07:36,040 --> 00:07:38,520 Speaker 1: but it made for a very dynamic. You didn't want 151 00:07:38,520 --> 00:07:40,840 Speaker 1: to you want to look away up the horror, but 152 00:07:40,880 --> 00:07:43,840 Speaker 1: you're curious about what this person's going through with these ghosts. 153 00:07:43,920 --> 00:07:46,760 Speaker 1: If you will. Oh my god, now I'm appreciating it more. 154 00:07:46,800 --> 00:07:49,040 Speaker 1: Listening to the reviews, You're gonna love this next one. 155 00:07:49,720 --> 00:07:53,080 Speaker 3: Imagine an early M Night Shyamalan movie such as The 156 00:07:53,080 --> 00:07:57,000 Speaker 3: Sixth Sense, stripped of all the director's fuzzy optimism and 157 00:07:57,000 --> 00:08:00,920 Speaker 3: belief in serendipity, and you're starting to grab the mood 158 00:08:01,000 --> 00:08:01,680 Speaker 3: of talk to me. 159 00:08:02,200 --> 00:08:04,800 Speaker 1: You know, maybe this is what these brothers do. You're right, 160 00:08:05,480 --> 00:08:09,440 Speaker 1: there is some hope or some family dynamic, and we're 161 00:08:09,440 --> 00:08:11,040 Speaker 1: gonna make it to the end together. Kind of a thing. 162 00:08:11,080 --> 00:08:14,640 Speaker 1: We have to come together with m Night Chamalan. These 163 00:08:14,680 --> 00:08:17,360 Speaker 1: directors did not go to the M. Knight Chamalan school 164 00:08:17,400 --> 00:08:19,160 Speaker 1: of horror movie making exactly. 165 00:08:19,760 --> 00:08:20,640 Speaker 2: You know what, it's funny. 166 00:08:20,680 --> 00:08:25,000 Speaker 3: Yeah, it's like I do believe that they've taken some 167 00:08:25,080 --> 00:08:28,800 Speaker 3: of the best of what's come before them and put 168 00:08:28,840 --> 00:08:31,400 Speaker 3: this amazing, sadistic twist on it. 169 00:08:31,440 --> 00:08:32,080 Speaker 2: That works. 170 00:08:32,520 --> 00:08:37,000 Speaker 1: What ghost story? Teen drama, teens behaving badly, doing something 171 00:08:37,040 --> 00:08:39,559 Speaker 1: they shouldn't do, and get in trouble. It adds all 172 00:08:39,600 --> 00:08:41,720 Speaker 1: of those things. It's a ghost story like you've never seen. 173 00:08:42,120 --> 00:08:45,920 Speaker 3: Wow, all right, audience reviews. Every moment of building tension 174 00:08:45,920 --> 00:08:48,600 Speaker 3: would leave me questioning what was about to happen and 175 00:08:48,679 --> 00:08:50,679 Speaker 3: whether it was what I feared what happened or not. 176 00:08:51,000 --> 00:08:55,000 Speaker 3: It would still shock me. Just a simple concept executed flawlessly. 177 00:08:55,120 --> 00:08:58,679 Speaker 1: Yes, these brothers are now have developed and their other 178 00:08:58,760 --> 00:09:01,680 Speaker 1: movie as well. Talked to me. Things happen to where 179 00:09:01,720 --> 00:09:04,200 Speaker 1: you're nervous about what they're going to do to you next, Yes, 180 00:09:04,320 --> 00:09:07,200 Speaker 1: like oh shit, here we go. Yep, yeah that happens. 181 00:09:07,320 --> 00:09:10,760 Speaker 3: So this next one actually made me laugh. My nightmares 182 00:09:10,880 --> 00:09:13,520 Speaker 3: have nightmares about this movie. So nicely done. 183 00:09:13,720 --> 00:09:15,880 Speaker 1: Yeah that's about right. 184 00:09:17,080 --> 00:09:17,880 Speaker 2: Oh, here's another one. 185 00:09:17,920 --> 00:09:21,480 Speaker 3: Creative originally original storytelling and scary as hell. 186 00:09:21,800 --> 00:09:23,199 Speaker 2: If you've ever lost. 187 00:09:22,880 --> 00:09:25,720 Speaker 3: Someone extremely important to you, it will resonate on a 188 00:09:25,760 --> 00:09:28,520 Speaker 3: deeper level. How far would you be willing to go 189 00:09:28,640 --> 00:09:31,840 Speaker 3: to communicate one more time with the loved one you lost? 190 00:09:32,280 --> 00:09:34,800 Speaker 3: Would you put the live of lives of others at risk? 191 00:09:35,160 --> 00:09:36,560 Speaker 3: Intense gripping film. 192 00:09:36,760 --> 00:09:40,200 Speaker 1: Yeah, that's something we No matter how ridiculous a lot 193 00:09:40,200 --> 00:09:45,040 Speaker 1: of horror movies can be. In plots, there's always usually 194 00:09:45,040 --> 00:09:47,480 Speaker 1: one scenario. You look next to the person, what would 195 00:09:47,480 --> 00:09:48,320 Speaker 1: you do? Right? 196 00:09:48,559 --> 00:09:49,040 Speaker 2: Exactly? 197 00:09:49,160 --> 00:09:51,120 Speaker 1: This is one of those things where this is a 198 00:09:51,160 --> 00:09:52,480 Speaker 1: deeper This is not it would you go in that 199 00:09:52,600 --> 00:09:55,200 Speaker 1: room or not? No, this is would you do that? 200 00:09:55,240 --> 00:09:57,360 Speaker 1: Would you make that sacrifice if you could talk to 201 00:09:57,520 --> 00:09:58,880 Speaker 1: that person one more time? 202 00:09:59,160 --> 00:10:00,240 Speaker 2: Would you risk the Yes? 203 00:10:00,679 --> 00:10:01,679 Speaker 1: It's interesting. 204 00:10:01,760 --> 00:10:04,520 Speaker 3: Oooh all right, I've got a bad review and this 205 00:10:04,559 --> 00:10:06,760 Speaker 3: one for me was a WTF But I wanted to 206 00:10:06,760 --> 00:10:09,280 Speaker 3: include it because I wanted to get your reaction. While 207 00:10:09,320 --> 00:10:12,679 Speaker 3: I can see the appeal to a small segment of 208 00:10:12,720 --> 00:10:15,800 Speaker 3: the horror click Talk to Me was nothing more than 209 00:10:15,800 --> 00:10:19,040 Speaker 3: a ninety minute parable about guilt and not dealing with 210 00:10:19,160 --> 00:10:23,680 Speaker 3: one's abandonment issues. The first act is unreasonably long winded, 211 00:10:23,720 --> 00:10:27,079 Speaker 3: with expository about characters that we ultimately don't care about. 212 00:10:27,080 --> 00:10:28,680 Speaker 2: Their shallow, thoughtless and boring. 213 00:10:29,120 --> 00:10:31,760 Speaker 3: So much more could have happened with a minimum of effort, 214 00:10:31,760 --> 00:10:36,280 Speaker 3: But then that's all the filmmakers gave this one minimum effort. 215 00:10:36,960 --> 00:10:40,200 Speaker 1: Yeah, I'm sorry for that. That person's going through something. 216 00:10:40,240 --> 00:10:42,400 Speaker 1: I'm not saying this as a joke, but that seems 217 00:10:42,440 --> 00:10:47,080 Speaker 1: like a very personal take on a movie, Like everything 218 00:10:47,160 --> 00:10:50,560 Speaker 1: you saw is going through whatever lens you have of 219 00:10:50,600 --> 00:10:52,959 Speaker 1: what's going on in your world and how things should be, 220 00:10:53,280 --> 00:10:58,559 Speaker 1: Like I didn't necessarily hear a review of the acting necessarily. 221 00:10:58,880 --> 00:11:01,440 Speaker 1: It's all seemed personal and mean. And what was the 222 00:11:01,440 --> 00:11:02,240 Speaker 1: first line? Small? 223 00:11:02,280 --> 00:11:05,640 Speaker 3: What was he could see the appeal to a small 224 00:11:05,800 --> 00:11:07,320 Speaker 3: segment of the horror click? 225 00:11:07,400 --> 00:11:10,240 Speaker 2: It made how much ninety two million dollars? 226 00:11:10,320 --> 00:11:10,600 Speaker 1: Stop? 227 00:11:11,040 --> 00:11:13,760 Speaker 3: Yes, and this is arguably like you could not like it. 228 00:11:14,120 --> 00:11:17,600 Speaker 3: But to say that, it's like to say that it's 229 00:11:17,640 --> 00:11:22,000 Speaker 3: like just boring and effortless, that. 230 00:11:22,200 --> 00:11:23,080 Speaker 2: Is just mean. 231 00:11:23,160 --> 00:11:23,840 Speaker 1: That's something else. 232 00:11:24,280 --> 00:11:27,960 Speaker 3: Clearly, this is a well reviewed and exceptional movie that 233 00:11:28,000 --> 00:11:30,559 Speaker 3: you might not like. Yeah, that's fine, and that's okay. 234 00:11:30,600 --> 00:11:32,439 Speaker 3: But to say it's not made well, to say it's 235 00:11:32,480 --> 00:11:35,040 Speaker 3: not made with fought that's insane. 236 00:11:35,440 --> 00:11:38,120 Speaker 1: Fine, if you don't like it, the suggestion here that 237 00:11:38,160 --> 00:11:42,199 Speaker 1: you don't respect it means we shouldn't take you seriously. Yeah, 238 00:11:42,280 --> 00:11:45,400 Speaker 1: you have to stop. Yes, and has their opinion, but 239 00:11:45,440 --> 00:11:46,840 Speaker 1: that's personal. What was that? Right? 240 00:11:46,960 --> 00:11:49,120 Speaker 3: Isn't that interesting when people go and just put. 241 00:11:48,920 --> 00:11:50,120 Speaker 2: Out whatever they. 242 00:11:52,920 --> 00:11:55,360 Speaker 3: Well, I can see the appeal to a small segment 243 00:11:55,400 --> 00:11:58,160 Speaker 3: of the horror Click Talk to me was nothing more 244 00:11:58,280 --> 00:12:02,240 Speaker 3: than a ninety minute parable guilt and not dealing with 245 00:12:02,320 --> 00:12:03,360 Speaker 3: one's abandonment issue. 246 00:12:03,360 --> 00:12:08,760 Speaker 1: So terrible about guilt and not dealing with abandoned to men? 247 00:12:09,080 --> 00:12:10,319 Speaker 1: What are you supposed? 248 00:12:10,559 --> 00:12:12,720 Speaker 2: What? I know? How did did they watch the same 249 00:12:12,720 --> 00:12:13,319 Speaker 2: movie we did? 250 00:12:13,480 --> 00:12:17,000 Speaker 1: No, they have gone through something in their lives that 251 00:12:18,000 --> 00:12:22,800 Speaker 1: makes them see everything through a particular len projection. Yes, 252 00:12:22,920 --> 00:12:25,080 Speaker 1: I've learned a lot about that in the past several years, 253 00:12:25,240 --> 00:12:28,880 Speaker 1: So I'm not mad. I'm just curious about what that 254 00:12:29,000 --> 00:12:29,920 Speaker 1: person's going right. 255 00:12:30,040 --> 00:12:31,600 Speaker 2: Yeah, No, that makes a lot of sense. 256 00:12:31,640 --> 00:12:33,280 Speaker 3: But you know what we're gonna tell you when we 257 00:12:33,320 --> 00:12:36,360 Speaker 3: come back, why this film made our list, who it's for, 258 00:12:36,600 --> 00:12:40,320 Speaker 3: who it's not for, what to pairl with, and a 259 00:12:40,520 --> 00:12:54,760 Speaker 3: peek into how we will begin our Top five. Welcome 260 00:12:54,760 --> 00:12:57,120 Speaker 3: back to this edition. Of Amy and TJ. This is 261 00:12:57,280 --> 00:13:02,160 Speaker 3: our Halloween Horror hit list, and we are already wow 262 00:13:02,480 --> 00:13:05,600 Speaker 3: at number six we are talking about talk to me. 263 00:13:06,360 --> 00:13:10,240 Speaker 3: This has been one of our favorite movies of all time, 264 00:13:10,320 --> 00:13:12,040 Speaker 3: and that's of course why it is so high on 265 00:13:12,080 --> 00:13:14,160 Speaker 3: our list. But my god, I haven't seen a movie 266 00:13:14,160 --> 00:13:16,000 Speaker 3: like this. I have nothing to compare it to. 267 00:13:16,320 --> 00:13:18,520 Speaker 1: You know, I'm only compared to this, not in terms 268 00:13:18,559 --> 00:13:23,800 Speaker 1: of what it was. It's for a storyline. Insidious was 269 00:13:23,840 --> 00:13:27,440 Speaker 1: before Conjuring, or Conjuring was before Insidious. I can't remember when. 270 00:13:27,480 --> 00:13:29,839 Speaker 1: I can't honestly answer that I'm gonna go with Insidious 271 00:13:30,160 --> 00:13:34,080 Speaker 1: because I remember when that movie came out. It was 272 00:13:34,200 --> 00:13:37,320 Speaker 1: so new and fresh and different. It was a fresh 273 00:13:37,720 --> 00:13:41,120 Speaker 1: entry into horror, and we're not used to seeing things 274 00:13:41,120 --> 00:13:43,800 Speaker 1: that kind of you know, give us something new to 275 00:13:43,840 --> 00:13:46,480 Speaker 1: look forward to, or something new to see. Which one 276 00:13:46,520 --> 00:13:46,719 Speaker 1: was fright? 277 00:13:46,880 --> 00:13:50,120 Speaker 3: Insidious was twenty eleven, the Conjuring was twenty thirteen. 278 00:13:50,760 --> 00:13:54,160 Speaker 1: I'll be damned. Okay, So I guess I'm thinking about it, right. 279 00:13:54,240 --> 00:13:57,760 Speaker 1: I remember when Insidious came on board. As much as 280 00:13:57,800 --> 00:14:01,040 Speaker 1: we love horror movies, wow, this is new and fresh 281 00:14:01,080 --> 00:14:03,680 Speaker 1: and different. This isn't like the others talk to me 282 00:14:03,920 --> 00:14:06,439 Speaker 1: was that it was not like the others, And I 283 00:14:06,480 --> 00:14:09,520 Speaker 1: didn't know about these brothers who direct, But now to 284 00:14:09,679 --> 00:14:12,000 Speaker 1: see and to put together and to see their other movie, 285 00:14:13,080 --> 00:14:17,439 Speaker 1: there's a new age, a new line of thought even 286 00:14:17,600 --> 00:14:22,360 Speaker 1: and care and acting and expectation of horror movies. Now 287 00:14:22,800 --> 00:14:25,480 Speaker 1: that I do, I'll go back to Insidious. It kind 288 00:14:25,480 --> 00:14:28,760 Speaker 1: of changed things and expectations that we have for we 289 00:14:28,880 --> 00:14:31,400 Speaker 1: I'm talking about you and me, Yes, expectations. 290 00:14:30,800 --> 00:14:33,080 Speaker 3: For horror movie fans. So it's not it doesn't have 291 00:14:33,200 --> 00:14:35,880 Speaker 3: to just be a one trick pony. And I think 292 00:14:35,920 --> 00:14:39,200 Speaker 3: that's what we've seen over the last oh my god decade, 293 00:14:39,240 --> 00:14:40,720 Speaker 3: at least more. 294 00:14:40,560 --> 00:14:45,200 Speaker 1: So Go this year. Yeah, Weapons, Sinners, Bloodlines, with the 295 00:14:45,200 --> 00:14:47,640 Speaker 1: final Destination, it's been a batner. 296 00:14:47,720 --> 00:14:50,000 Speaker 3: It's run the Gama and they've been amazing and it's 297 00:14:50,040 --> 00:14:50,960 Speaker 3: been really exciting. 298 00:14:51,040 --> 00:14:52,800 Speaker 2: Yes, so why it made our list? 299 00:14:52,880 --> 00:14:56,080 Speaker 3: Yet? This movie is gripping from the start. We've obviously 300 00:14:56,120 --> 00:14:59,440 Speaker 3: talked about the amazing oscar Worthy performance of Sophie Wild. 301 00:15:00,080 --> 00:15:03,680 Speaker 3: It's just scary as hell with great storytelling. Just there's 302 00:15:03,720 --> 00:15:06,800 Speaker 3: not I can't think of one negative thing other than 303 00:15:06,840 --> 00:15:10,080 Speaker 3: maybe it lingered a little too long on some really 304 00:15:10,120 --> 00:15:11,840 Speaker 3: disturbing scenes, and you know what. 305 00:15:11,760 --> 00:15:15,400 Speaker 1: That made the movie. That's not a criticism of the 306 00:15:15,440 --> 00:15:18,680 Speaker 1: movie for me, that's just a personal preference, right, please make. 307 00:15:18,600 --> 00:15:19,600 Speaker 2: It and discomfort. 308 00:15:19,640 --> 00:15:22,280 Speaker 3: I mean, obviously, no one's watching horror movies to feel 309 00:15:22,320 --> 00:15:24,640 Speaker 3: happy and light. You know, No, there's a there's a 310 00:15:24,680 --> 00:15:27,280 Speaker 3: reason you're wanting to feel that intensity and that thrill. 311 00:15:27,320 --> 00:15:32,280 Speaker 3: So okay, that was comedy for who is this for? 312 00:15:32,400 --> 00:15:35,120 Speaker 3: Anyone who wants to be scared like this is genuinely scary, 313 00:15:35,520 --> 00:15:38,920 Speaker 3: Be prepared to have to hide your eyes, be prepared 314 00:15:38,960 --> 00:15:42,000 Speaker 3: for a couple of really tough scenes because they go there. 315 00:15:42,280 --> 00:15:43,920 Speaker 2: Like you're thinking, oh, they're not going to go there. 316 00:15:44,000 --> 00:15:46,920 Speaker 3: They go there and then they stay there. 317 00:15:47,080 --> 00:15:49,240 Speaker 1: And it's not gratuitous, it's not I never saw anything. 318 00:15:49,280 --> 00:15:50,720 Speaker 1: Is that this is over the top? Is too much? 319 00:15:50,720 --> 00:15:52,720 Speaker 1: Why they have to do? No, no, no, no, it's 320 00:15:52,760 --> 00:15:55,480 Speaker 1: just a choice, and it's powerful. I get it. 321 00:15:55,640 --> 00:15:56,840 Speaker 2: And then so who it's not for? 322 00:15:57,240 --> 00:16:00,040 Speaker 3: If you if supernatural stuff creeps you out, stay the 323 00:16:00,080 --> 00:16:03,120 Speaker 3: hell away from this. And if you don't want anything 324 00:16:03,120 --> 00:16:06,800 Speaker 3: too intense, if you're looking for that light, fun, blackening, 325 00:16:07,760 --> 00:16:10,240 Speaker 3: you know kind of movie. This is the frame joke 326 00:16:11,360 --> 00:16:13,600 Speaker 3: laughter in the movie, No, because not only is it 327 00:16:13,680 --> 00:16:19,560 Speaker 3: intensely scary, there's also just intense themes about death, about you. 328 00:16:19,520 --> 00:16:21,560 Speaker 1: Know, friendships, relationships, family. 329 00:16:22,000 --> 00:16:24,280 Speaker 2: Yeah, it all comes into questions. 330 00:16:24,480 --> 00:16:26,280 Speaker 1: I think of one joke, a one moment like, oh 331 00:16:26,320 --> 00:16:27,840 Speaker 1: my god, that was funny. I can't remember. 332 00:16:27,880 --> 00:16:29,040 Speaker 2: I don't think it ever lets up. 333 00:16:29,120 --> 00:16:31,880 Speaker 3: The intensity is just full blast, full throttle. 334 00:16:32,000 --> 00:16:34,960 Speaker 1: There's one scene and we're not giving anything away where 335 00:16:35,000 --> 00:16:38,200 Speaker 1: they're doing their thing, the kids before things get crazy 336 00:16:38,200 --> 00:16:40,520 Speaker 1: to where they're having fun with it and some silly 337 00:16:40,560 --> 00:16:43,560 Speaker 1: things happen. I think maybe that even those silly things 338 00:16:43,560 --> 00:16:43,760 Speaker 1: are a. 339 00:16:43,760 --> 00:16:45,200 Speaker 2: Little it's still ominous. 340 00:16:45,240 --> 00:16:47,080 Speaker 3: Like you knew it was a harbinger of what was 341 00:16:47,120 --> 00:16:48,800 Speaker 3: to come, and it was going to be a lot worse. 342 00:16:48,880 --> 00:16:51,800 Speaker 3: Like yes, you when you were watching them party and 343 00:16:52,000 --> 00:16:56,760 Speaker 3: enjoy the initial supernatural pops that they were getting, you 344 00:16:56,800 --> 00:16:58,720 Speaker 3: were kind of laughing along with them, but you knew 345 00:16:58,720 --> 00:17:01,520 Speaker 3: it was going to end really badly, so you were 346 00:17:01,560 --> 00:17:02,120 Speaker 3: on edge. 347 00:17:02,160 --> 00:17:07,480 Speaker 1: It's kids playing spin the bottle at an event, right, 348 00:17:07,600 --> 00:17:10,359 Speaker 1: Think of that, Yes, kids are together playing spin the bottle. 349 00:17:10,520 --> 00:17:13,880 Speaker 1: Parents are gone. That's alcohol flowing. Something's gonna happen. Think 350 00:17:13,920 --> 00:17:17,720 Speaker 1: of that scenario, but with supernatural. 351 00:17:17,160 --> 00:17:21,320 Speaker 3: Elements, what could possibly go wrong? So, given the intensity 352 00:17:21,359 --> 00:17:24,240 Speaker 3: of the movie with the food drink pairing, I think 353 00:17:24,280 --> 00:17:25,880 Speaker 3: you should keep it simple, Like. 354 00:17:25,920 --> 00:17:27,879 Speaker 2: I'm thinking popcorn is cool now. 355 00:17:27,920 --> 00:17:30,720 Speaker 3: I was also trying to keep with the Australian theme 356 00:17:30,720 --> 00:17:34,240 Speaker 3: because this is set in Australia, Australian filmmakers, Australian actress. 357 00:17:34,960 --> 00:17:38,159 Speaker 3: But kangaroo and vegamite just did not sound like something 358 00:17:38,240 --> 00:17:41,720 Speaker 3: anyone would want to actually, so that's ridiculous and unreasonable. 359 00:17:42,080 --> 00:17:44,400 Speaker 3: So I was thinking, like chicken or shrimp on the barbie, 360 00:17:45,440 --> 00:17:48,760 Speaker 3: a Foster's beer could be a fun addition, right, So 361 00:17:48,920 --> 00:17:51,520 Speaker 3: just keep maybe just throw a little Australian theme to it, 362 00:17:51,560 --> 00:17:54,400 Speaker 3: but nothing too intense, like, yeah, who doesn't love chicken 363 00:17:54,400 --> 00:17:54,879 Speaker 3: on the barbie? 364 00:17:54,960 --> 00:18:02,480 Speaker 1: You know? I dark liquor, bourbon on the rocks, get 365 00:18:02,520 --> 00:18:06,080 Speaker 1: your Scotch. You're gonna need a stiff drink at some point, a. 366 00:18:07,720 --> 00:18:11,960 Speaker 3: Shot of whatever dark liquor with your fosters to chase 367 00:18:12,000 --> 00:18:12,320 Speaker 3: it down. 368 00:18:12,440 --> 00:18:15,880 Speaker 1: Yeah, this is absolutely a forty oh, no eighty proof 369 00:18:15,880 --> 00:18:17,160 Speaker 1: and above movie. 370 00:18:18,119 --> 00:18:20,119 Speaker 3: It's intense, folks. Don't say we didn't warn you. This 371 00:18:20,240 --> 00:18:23,520 Speaker 3: is on HBO Max also Paramount Plus, so you can 372 00:18:23,560 --> 00:18:25,399 Speaker 3: if you have Hulu or Prime and you've got that 373 00:18:25,440 --> 00:18:28,280 Speaker 3: Paramount Plus edition, which of course we do. 374 00:18:29,240 --> 00:18:30,880 Speaker 2: You can watch on either of those. 375 00:18:31,000 --> 00:18:35,120 Speaker 3: So our next episode this will actually be starting out 376 00:18:35,160 --> 00:18:39,320 Speaker 3: our top five, so number five on the list. It's 377 00:18:39,359 --> 00:18:42,040 Speaker 3: an oldie, but a goodie. I would even say it 378 00:18:42,080 --> 00:18:45,080 Speaker 3: was an indie sleeper hit that might have become more 379 00:18:45,080 --> 00:18:48,159 Speaker 3: popular recently just because of streaming services. But you and 380 00:18:48,240 --> 00:18:51,440 Speaker 3: I connected on this movie way back when it was 381 00:18:51,480 --> 00:18:53,480 Speaker 3: one of the original movies. We were like, Wow, you 382 00:18:53,600 --> 00:18:56,399 Speaker 3: like that too, because for me before streaming, if you 383 00:18:56,440 --> 00:18:59,160 Speaker 3: had seen this movie oh and loved it for nearly 384 00:18:59,240 --> 00:19:01,680 Speaker 3: twenty years, you're a true horror fan. 385 00:19:02,040 --> 00:19:04,440 Speaker 2: Oh, that's kind of what we had said this. 386 00:19:06,200 --> 00:19:09,600 Speaker 1: I am very excited to talk about this one with everybody. 387 00:19:09,680 --> 00:19:13,399 Speaker 1: And you're right, this might be the first movie that 388 00:19:13,520 --> 00:19:19,280 Speaker 1: I realized, Okay, Amy Robosa, she's a real one. This 389 00:19:19,359 --> 00:19:20,640 Speaker 1: might be the one. 390 00:19:20,720 --> 00:19:22,960 Speaker 3: It's true that is. This is a litmus test, So 391 00:19:23,440 --> 00:19:25,960 Speaker 3: I'll give you one more hints. I hope this doesn't 392 00:19:26,000 --> 00:19:27,680 Speaker 3: go too far to the movie. 393 00:19:27,680 --> 00:19:29,879 Speaker 1: It probably is if you have to set it up 394 00:19:29,920 --> 00:19:31,439 Speaker 1: that way. If you think it does, it's not. 395 00:19:31,560 --> 00:19:33,520 Speaker 3: There are plenty of this movie of movies this could 396 00:19:33,520 --> 00:19:37,480 Speaker 3: go apply to it will take you to depths you 397 00:19:37,640 --> 00:19:39,840 Speaker 3: never thought you'd go now. 398 00:19:39,840 --> 00:19:42,159 Speaker 1: So you know you're trying to be too clever. 399 00:19:43,000 --> 00:19:45,639 Speaker 3: And with that, everyone I made Robock alongside DJ Holmes, 400 00:19:45,640 --> 00:19:46,360 Speaker 3: We'll talk to you soon.