1 00:00:01,320 --> 00:00:04,280 Speaker 1: Welcome to Stuff You Missed in History Class, a production 2 00:00:04,400 --> 00:00:14,520 Speaker 1: of iHeartRadio, Hello and Happy Friday. I'm Holly Fry and 3 00:00:14,600 --> 00:00:17,920 Speaker 1: I'm Tracy V. Wilson. We talked about the Bradley Martin 4 00:00:17,960 --> 00:00:27,800 Speaker 1: Ball this week. I have mixed feelings about it. Yeah, yeah, 5 00:00:27,840 --> 00:00:29,360 Speaker 1: I mean there's part of me that would love to 6 00:00:29,360 --> 00:00:32,680 Speaker 1: go to an event like this. It sounds amazing, and 7 00:00:32,720 --> 00:00:37,080 Speaker 1: I also recognized that it sounds wasteful as hell, and like, yeah, 8 00:00:37,080 --> 00:00:40,559 Speaker 1: and the whole idea of like, uh no, no, this 9 00:00:40,680 --> 00:00:43,680 Speaker 1: is benevolent, it's good for people is such a mixed 10 00:00:43,680 --> 00:00:50,680 Speaker 1: bag and kind of shortsighted. Last summer, I was invited 11 00:00:50,760 --> 00:00:54,360 Speaker 1: to an event that was like a garden tour in 12 00:00:54,480 --> 00:01:01,000 Speaker 1: Boston that I didn't realize until I was There was 13 00:01:01,160 --> 00:01:08,800 Speaker 1: an event for donors, which I am one of, but 14 00:01:09,480 --> 00:01:14,200 Speaker 1: I very quickly realized not of the same caliber as 15 00:01:14,200 --> 00:01:16,840 Speaker 1: some of the other people there. Right, those are the 16 00:01:16,840 --> 00:01:19,720 Speaker 1: people whose names are on the buildings. Yeah, and like 17 00:01:19,800 --> 00:01:24,640 Speaker 1: everyone was nice, nobody seems awful in a like really 18 00:01:24,680 --> 00:01:28,640 Speaker 1: overt way. But like I did kind of overhear this 19 00:01:28,800 --> 00:01:32,880 Speaker 1: conversation about like whether Doha is the best airport to 20 00:01:33,000 --> 00:01:37,600 Speaker 1: fly through, as though just taking a flight to the 21 00:01:37,720 --> 00:01:42,440 Speaker 1: United States to somewhere that might need to connect through Doha, right, 22 00:01:42,800 --> 00:01:46,600 Speaker 1: was like a routine experience. And I was just like, I, so, 23 00:01:47,480 --> 00:01:51,280 Speaker 1: this this level of opulence, I feel like would be 24 00:01:51,360 --> 00:01:56,080 Speaker 1: ten jillion times more opulent than the garden door for donors, 25 00:01:56,120 --> 00:02:00,000 Speaker 1: I went on, yeah, uh, and I think I would 26 00:02:00,120 --> 00:02:03,320 Speaker 1: mostly feel very uncomfortable. Well, that's why you would not 27 00:02:03,360 --> 00:02:06,000 Speaker 1: be part of the four hundred. Yeah, because that was 28 00:02:06,080 --> 00:02:10,079 Speaker 1: kind of part of the criteria, right, was that, according 29 00:02:10,080 --> 00:02:12,440 Speaker 1: to Ward McAllister, if you seemed like you would be 30 00:02:12,560 --> 00:02:14,800 Speaker 1: uncomfortable at an event, you would not make the list. 31 00:02:15,200 --> 00:02:17,640 Speaker 1: If you seemed like you would be comfortable at the event, 32 00:02:17,680 --> 00:02:20,200 Speaker 1: but you might make other people uncomfortable at the event, 33 00:02:20,240 --> 00:02:22,320 Speaker 1: you would not make the list. Like you had to 34 00:02:22,360 --> 00:02:27,040 Speaker 1: be wealthy and chill in those circumstances to be part 35 00:02:27,080 --> 00:02:32,200 Speaker 1: of the magic List. Yeah, that list the four hundred 36 00:02:32,200 --> 00:02:35,079 Speaker 1: is based on his theory that there were about four 37 00:02:35,120 --> 00:02:37,840 Speaker 1: hundred people give or take in New York that were 38 00:02:37,880 --> 00:02:41,480 Speaker 1: really like the right people that just come up. Yeah. 39 00:02:41,560 --> 00:02:44,040 Speaker 1: I don't remember where, but like, yeah, it's popped up 40 00:02:44,040 --> 00:02:45,640 Speaker 1: on the show. It pop up on the show before 41 00:02:45,680 --> 00:02:47,280 Speaker 1: and when I first heard it, I was like, are 42 00:02:47,320 --> 00:02:50,079 Speaker 1: you serious? This was a real thing. Yes, it was 43 00:02:50,120 --> 00:02:52,680 Speaker 1: a real, real thing. I mean, this is part of 44 00:02:52,680 --> 00:02:55,120 Speaker 1: why I would like to talk about word McAllister, because 45 00:02:55,160 --> 00:02:59,480 Speaker 1: he is a weird case of a human who just 46 00:02:59,560 --> 00:03:02,960 Speaker 1: decide they were the boss of that, Like I am 47 00:03:02,960 --> 00:03:06,120 Speaker 1: the boss of who is and who isn't in New York. Yeah, 48 00:03:06,160 --> 00:03:10,040 Speaker 1: I'm the boss of what society is right and like 49 00:03:10,200 --> 00:03:12,760 Speaker 1: a high society, and like people were like, all right, 50 00:03:12,840 --> 00:03:15,480 Speaker 1: I guess you are. I mean, he like aligned himself 51 00:03:15,560 --> 00:03:19,280 Speaker 1: with Missus Astor and they were BFFs for a while. 52 00:03:19,320 --> 00:03:21,200 Speaker 1: They had a big falling out towards the end of 53 00:03:21,200 --> 00:03:24,400 Speaker 1: his life. But like, and he had died two years 54 00:03:24,440 --> 00:03:27,120 Speaker 1: I think before this ball happened, so he was out 55 00:03:27,120 --> 00:03:30,200 Speaker 1: of the picture to give his opinion on it. But 56 00:03:30,360 --> 00:03:34,080 Speaker 1: like just that whole concept of like I have only 57 00:03:34,080 --> 00:03:36,000 Speaker 1: done a little bit of research into his life, but 58 00:03:36,280 --> 00:03:38,120 Speaker 1: it seems like he only did like two years of 59 00:03:38,160 --> 00:03:40,000 Speaker 1: actual work where he was like a lawyer for a 60 00:03:40,000 --> 00:03:42,840 Speaker 1: couple of years and then was like I'm just gonna 61 00:03:42,840 --> 00:03:45,280 Speaker 1: boss people around about whether or not they're cool. And 62 00:03:45,320 --> 00:03:48,840 Speaker 1: I'm like, you're like a professional mean girl. How do 63 00:03:48,880 --> 00:03:51,360 Speaker 1: you make that your job description? I don't understand you 64 00:03:51,400 --> 00:03:55,840 Speaker 1: made a formal mean girl hierarchy for New York. Yeah, essentially, 65 00:03:55,960 --> 00:03:59,839 Speaker 1: like New York was his slam book. I'm so fast 66 00:04:00,400 --> 00:04:03,400 Speaker 1: that whole thing as much as like I will say, right, 67 00:04:03,760 --> 00:04:06,320 Speaker 1: I am loving the Gilded Age, like I said, I 68 00:04:06,400 --> 00:04:10,720 Speaker 1: blazed through the whole thing. But it's also one of 69 00:04:10,760 --> 00:04:13,640 Speaker 1: those things where I'm like, I hate all these people. 70 00:04:13,680 --> 00:04:17,160 Speaker 1: I hate this hierarchy. Yeah, like even the good ones 71 00:04:17,440 --> 00:04:23,479 Speaker 1: are back. Just like the idea of clinging to these 72 00:04:23,600 --> 00:04:28,400 Speaker 1: weird ideas of who isn't isn't important based on whether 73 00:04:28,520 --> 00:04:30,920 Speaker 1: or not someone else is willing to go to their house. 74 00:04:31,000 --> 00:04:34,560 Speaker 1: I'm like, this is nonsense. I would be a nightmare 75 00:04:34,600 --> 00:04:37,919 Speaker 1: in that kingdom. I would be Yeah. I also just 76 00:04:37,960 --> 00:04:40,160 Speaker 1: felt like the whole argument of like, we're going to 77 00:04:40,240 --> 00:04:43,359 Speaker 1: have a gigantic party to give work to the people 78 00:04:43,520 --> 00:04:45,240 Speaker 1: that work in these industry it was like a very 79 00:04:45,279 --> 00:04:50,480 Speaker 1: trickle down economics justification for having this party. Yes, uh, 80 00:04:51,240 --> 00:04:52,960 Speaker 1: And I was like, yeah, I don't. I was just 81 00:04:53,120 --> 00:04:55,960 Speaker 1: I was annoyed by the concept from the beginning. Of course, 82 00:04:57,400 --> 00:05:01,640 Speaker 1: so here's an odd thing that makes research not difficult, 83 00:05:01,680 --> 00:05:07,080 Speaker 1: but it becomes a head scratcher. Mm hmm. Sometimes you 84 00:05:07,200 --> 00:05:11,760 Speaker 1: see Bradley Martin, which his name was Bradley Martin, but 85 00:05:11,920 --> 00:05:16,120 Speaker 1: you will see the name's Bradley Martin with a hyphen Betwen, Yeah, 86 00:05:16,120 --> 00:05:18,960 Speaker 1: I thought hyphenated a lot, and I don't know what 87 00:05:19,000 --> 00:05:22,840 Speaker 1: that is. I saw one book that said that Cornelia 88 00:05:23,200 --> 00:05:26,560 Speaker 1: hyphenated her last name is Bradley Martin, but I didn't 89 00:05:26,600 --> 00:05:29,440 Speaker 1: see anything to back that up, So I'm not sure 90 00:05:29,560 --> 00:05:31,880 Speaker 1: if that was like an offhanded quip by the author 91 00:05:32,000 --> 00:05:35,480 Speaker 1: or if she actually did. Some papers had it with 92 00:05:35,520 --> 00:05:38,080 Speaker 1: the hyphen, some did not. It leads you to the 93 00:05:38,160 --> 00:05:41,440 Speaker 1: false thought that there are two people named mister Bradley 94 00:05:41,480 --> 00:05:43,200 Speaker 1: and mister Martin who were paying for this whole time. 95 00:05:43,200 --> 00:05:45,720 Speaker 1: That's what I thought. That's what I thought when I 96 00:05:45,760 --> 00:05:47,800 Speaker 1: first encountered this years ago. And then I was like, wait, no, 97 00:05:47,880 --> 00:05:51,000 Speaker 1: it's just a guy named Bradley Martin. Okay. Even when 98 00:05:51,040 --> 00:05:54,400 Speaker 1: I started reading your outline, I somehow like just glaze 99 00:05:54,440 --> 00:05:56,880 Speaker 1: past the fact that his first name was Bradley. And 100 00:05:56,920 --> 00:05:58,760 Speaker 1: so we were three or four paragraphs in and I 101 00:05:58,800 --> 00:06:00,440 Speaker 1: was like, wait, we've been talking about Mark, and who's 102 00:06:00,480 --> 00:06:05,000 Speaker 1: Bradley though it's the same guy. The cults are coming 103 00:06:05,040 --> 00:06:08,000 Speaker 1: from inside the house I'm like, were you just confused 104 00:06:08,240 --> 00:06:12,000 Speaker 1: about like the sort of AP style esque rule about 105 00:06:12,080 --> 00:06:17,080 Speaker 1: how compound modifiers coming before get hyphenated, because we don't 106 00:06:17,120 --> 00:06:21,240 Speaker 1: do that with people's proper names. No, And I'm not 107 00:06:21,279 --> 00:06:24,279 Speaker 1: sure what the scoop is there, to be honest, I 108 00:06:24,320 --> 00:06:27,000 Speaker 1: also thought I almost put it in the thing, but 109 00:06:27,120 --> 00:06:32,000 Speaker 1: I didn't really ever find anything definitive this idea of 110 00:06:32,040 --> 00:06:35,640 Speaker 1: like these all night parties that were very popular. Yeah, 111 00:06:35,680 --> 00:06:40,479 Speaker 1: my understanding. And again I read this somewhere online and 112 00:06:40,520 --> 00:06:43,640 Speaker 1: I'm not sure where, and I didn't ever find like 113 00:06:43,680 --> 00:06:48,360 Speaker 1: a true historical reason. Uh huh. Was just to basically 114 00:06:48,400 --> 00:06:50,039 Speaker 1: go like, we don't have to get up and go 115 00:06:50,080 --> 00:06:52,280 Speaker 1: to work. We can party until six am and then 116 00:06:52,320 --> 00:06:56,839 Speaker 1: go home and sleep. I haven't looked into this at all, 117 00:06:58,000 --> 00:07:01,600 Speaker 1: but I do know that like all the balls that 118 00:07:01,720 --> 00:07:08,040 Speaker 1: happen in Jane Austen novels, uh huh, often started very 119 00:07:08,120 --> 00:07:10,600 Speaker 1: late at night and would really dance through the night. 120 00:07:11,440 --> 00:07:13,120 Speaker 1: And I don't think I had really thought about like 121 00:07:13,120 --> 00:07:16,000 Speaker 1: a why that worked that way. But I kind of 122 00:07:16,040 --> 00:07:19,720 Speaker 1: wonder if the timing of this ball was a pattern 123 00:07:20,160 --> 00:07:23,880 Speaker 1: patterned after the way that it worked in Well, this 124 00:07:24,000 --> 00:07:25,760 Speaker 1: was not an outlier in New York at the time. 125 00:07:25,840 --> 00:07:28,960 Speaker 1: That's what I'm saying, Like, like the I didn't express 126 00:07:28,960 --> 00:07:30,680 Speaker 1: it very well, but what I was trying to say is, 127 00:07:30,720 --> 00:07:33,080 Speaker 1: like these kinds of events, if they were just basically 128 00:07:33,120 --> 00:07:37,560 Speaker 1: following what was established as the pattern in like Britain 129 00:07:38,680 --> 00:07:41,960 Speaker 1: in terms of how society functions operated and when they 130 00:07:41,960 --> 00:07:44,880 Speaker 1: started and when they ended, right, but why did those 131 00:07:44,920 --> 00:07:46,800 Speaker 1: do that? That's what I'm saying, like going all the 132 00:07:46,800 --> 00:07:49,480 Speaker 1: way back. Yeah, and not because people did not have 133 00:07:49,520 --> 00:07:53,480 Speaker 1: to get up and yeah a nine to five Yeah, 134 00:07:53,560 --> 00:07:56,040 Speaker 1: I love that idea. It's kind of my personal hours 135 00:07:56,080 --> 00:07:57,880 Speaker 1: if I'm left to my own devices and don't have 136 00:07:57,960 --> 00:08:00,600 Speaker 1: to function in society. So I'm I'm down with this plan. 137 00:08:00,840 --> 00:08:03,320 Speaker 1: Not me. The idea of like a twelve thirty to 138 00:08:03,320 --> 00:08:08,640 Speaker 1: five am breakfast service sounds amazing. Or supper service, yeah, 139 00:08:08,640 --> 00:08:10,960 Speaker 1: those two. We mentioned the two different line items for 140 00:08:11,680 --> 00:08:15,680 Speaker 1: supper and buffet supper, and one with the cheaper of 141 00:08:15,720 --> 00:08:17,560 Speaker 1: the two, which was I think the buffet supper was 142 00:08:17,600 --> 00:08:21,280 Speaker 1: like lighter fair. It was like light sandwiches. You could 143 00:08:21,320 --> 00:08:24,520 Speaker 1: kind of grab and go versus sitting at one of 144 00:08:24,560 --> 00:08:27,640 Speaker 1: the actual tables and having people wait on you. Sure 145 00:08:27,800 --> 00:08:39,560 Speaker 1: all of this sounds amazing. I'm in for it. There 146 00:08:39,640 --> 00:08:42,280 Speaker 1: is a very funny thing that came up as the 147 00:08:42,280 --> 00:08:45,760 Speaker 1: papers were covering everything in the weeks leading up to it, Okay, 148 00:08:45,920 --> 00:08:48,319 Speaker 1: And there was one rumor that started and the floorists 149 00:08:48,360 --> 00:08:50,199 Speaker 1: of the city were like, shut up, you guys. You 150 00:08:50,200 --> 00:08:51,720 Speaker 1: don't know what you're talking about. This isn't real, this 151 00:08:51,800 --> 00:08:54,840 Speaker 1: is not really a problem, which is that the rumor 152 00:08:54,920 --> 00:09:00,160 Speaker 1: had started that someone or someone's going to the ball 153 00:09:00,520 --> 00:09:03,280 Speaker 1: had read about tulip mania and were like, we need 154 00:09:03,320 --> 00:09:08,200 Speaker 1: all of the tulips. I do love this detail. It is. 155 00:09:08,240 --> 00:09:11,719 Speaker 1: It's fun because they're like, France love tulips. We love that, 156 00:09:11,840 --> 00:09:14,080 Speaker 1: we need all the tulips, and one of the florists going, 157 00:09:14,160 --> 00:09:17,600 Speaker 1: that's not really a problem. We're fine, mm, like there's 158 00:09:17,640 --> 00:09:19,920 Speaker 1: a whole rose problem going on, but tulips are not 159 00:09:19,960 --> 00:09:22,680 Speaker 1: an issue. And also France wasn't really in on that 160 00:09:22,720 --> 00:09:27,160 Speaker 1: whole thing the way like Germany and all, so like, 161 00:09:27,160 --> 00:09:28,920 Speaker 1: I don't know where you're getting your information, but it's 162 00:09:29,040 --> 00:09:31,520 Speaker 1: it's not legit. And I just sort of loved this 163 00:09:31,720 --> 00:09:35,040 Speaker 1: idea of this poor beleaguered florist who was like, I'm 164 00:09:35,080 --> 00:09:37,240 Speaker 1: not taking any more orders and you don't know what 165 00:09:37,240 --> 00:09:39,640 Speaker 1: you're talking about. Can you please stop asking me questions 166 00:09:39,720 --> 00:09:42,600 Speaker 1: so I can finish my work. It made me chuckle 167 00:09:42,600 --> 00:09:45,720 Speaker 1: a little bit. Yeah, we already talked about how on 168 00:09:45,760 --> 00:09:49,040 Speaker 1: the nose I thought all of the Marians when it 169 00:09:49,160 --> 00:09:51,400 Speaker 1: costumes were, and you all had already put that in 170 00:09:51,480 --> 00:09:53,840 Speaker 1: that line, which I knew, but I wanted to say 171 00:09:53,880 --> 00:09:57,920 Speaker 1: it anyway because I just was like, yes, yes, everyone 172 00:09:58,000 --> 00:10:00,680 Speaker 1: dressed like Marianne's whette. Of course they did. Listen, I 173 00:10:00,720 --> 00:10:04,240 Speaker 1: get it. Who doesn't love those outfits? I love them. 174 00:10:04,600 --> 00:10:10,400 Speaker 1: In terms of like the the expected hubbub and potential riot, 175 00:10:11,800 --> 00:10:13,920 Speaker 1: there was I read in one account, but it was 176 00:10:13,960 --> 00:10:16,840 Speaker 1: so sort of flimsy and not substantiated that there was 177 00:10:16,880 --> 00:10:20,200 Speaker 1: one person arrested outside who was a black man who 178 00:10:20,280 --> 00:10:23,200 Speaker 1: is allegedly named George Walker, who just sounded like he 179 00:10:23,320 --> 00:10:25,560 Speaker 1: was like get out of my way, like this is 180 00:10:25,800 --> 00:10:29,000 Speaker 1: your blocking the street, and that he shoved somebody. But 181 00:10:29,160 --> 00:10:32,400 Speaker 1: like there's nothing even the way the paper reported it 182 00:10:32,440 --> 00:10:35,240 Speaker 1: is like we heard that this happened, but there was 183 00:10:35,320 --> 00:10:38,240 Speaker 1: no like they didn't have anyone from the police to 184 00:10:38,440 --> 00:10:42,000 Speaker 1: corroborate that. They didn't have anything other than a guy 185 00:10:42,080 --> 00:10:46,120 Speaker 1: said m hm. So I don't know if anything like 186 00:10:46,160 --> 00:10:49,120 Speaker 1: that happened at all. Yeah, I'm sure if anything did, 187 00:10:50,720 --> 00:10:55,520 Speaker 1: nobody wanted it to be known. Sure, there are pictures, 188 00:10:56,320 --> 00:10:58,920 Speaker 1: and the photographs are cool, except some of them are 189 00:10:58,960 --> 00:11:03,520 Speaker 1: like yikes, appropriation, yike y. Sure, So if you go 190 00:11:03,600 --> 00:11:06,480 Speaker 1: looking for pictures from this ball, just be ready. Some 191 00:11:06,520 --> 00:11:09,920 Speaker 1: of these costumes look incredible, but they are people doing 192 00:11:09,960 --> 00:11:14,800 Speaker 1: things like play acting Native Americans and like and again 193 00:11:14,840 --> 00:11:19,240 Speaker 1: in gorgeous costumes that probably don't know anything about that 194 00:11:19,240 --> 00:11:21,800 Speaker 1: culture and are just like what there was like a 195 00:11:21,880 --> 00:11:24,680 Speaker 1: dude a banker who dressed as a Native American and 196 00:11:24,880 --> 00:11:28,040 Speaker 1: shaved his head and looks incredible in the picture. I 197 00:11:28,080 --> 00:11:30,520 Speaker 1: will say it's and it's also just a gorgeous photograph 198 00:11:30,520 --> 00:11:34,960 Speaker 1: in terms of like artistic composition, but like it's a yikes, 199 00:11:34,960 --> 00:11:41,920 Speaker 1: it's a y on bikes. Ah, there's so there was 200 00:11:41,920 --> 00:11:44,880 Speaker 1: so much money in that room. It's wild to me, 201 00:11:45,440 --> 00:11:49,400 Speaker 1: mean too wild. You know, there's rich and then there's 202 00:11:49,480 --> 00:11:56,199 Speaker 1: like redonka doodle rich and this this drove right up 203 00:11:56,240 --> 00:11:58,360 Speaker 1: to the line of good taste and then it popped 204 00:11:58,360 --> 00:12:03,839 Speaker 1: a wheelie and went over it. It's just went beyond, beyond, 205 00:12:03,920 --> 00:12:08,520 Speaker 1: beyond right, which again there's part of me that's like, okay, 206 00:12:08,600 --> 00:12:10,240 Speaker 1: getting the time machine because I just want to be 207 00:12:10,280 --> 00:12:13,280 Speaker 1: there and see it. Yeah, because I do love a party, 208 00:12:13,320 --> 00:12:16,280 Speaker 1: and I do love beautiful clothes. Uh huh. I just 209 00:12:16,320 --> 00:12:18,960 Speaker 1: don't want to be part of the whole justification that like, no, 210 00:12:19,040 --> 00:12:24,480 Speaker 1: we're helping people by having this, right, having so much fun. Yikes, 211 00:12:24,559 --> 00:12:32,360 Speaker 1: you can't see me kind of wincing. But yeah, I 212 00:12:32,400 --> 00:12:35,800 Speaker 1: really really like that Rabbi's take of like I get it, 213 00:12:35,880 --> 00:12:38,079 Speaker 1: I understand it, but like you could do better stuff 214 00:12:38,120 --> 00:12:41,280 Speaker 1: with your money that would actually help people. We also 215 00:12:41,280 --> 00:12:45,000 Speaker 1: didn't mention it right. This was after like a crash, 216 00:12:45,000 --> 00:12:47,400 Speaker 1: a stock market crash had happened in what like eighteen 217 00:12:47,480 --> 00:12:51,079 Speaker 1: ninety three, and like New York just had not recovered financially, 218 00:12:51,120 --> 00:12:56,480 Speaker 1: which is why so many people were really struggling. But again, 219 00:12:56,640 --> 00:12:59,640 Speaker 1: you can't that one night is not going to fix stuff. 220 00:12:59,679 --> 00:13:02,319 Speaker 1: It's like great for a couple of weeks, and then 221 00:13:02,320 --> 00:13:04,480 Speaker 1: all those people will go back to struggling because they 222 00:13:04,600 --> 00:13:06,480 Speaker 1: probably use that money to get caught up on all 223 00:13:06,480 --> 00:13:10,559 Speaker 1: the stuff they were behind on. Yeah, that's not how 224 00:13:10,559 --> 00:13:14,720 Speaker 1: it works. Yeah, I do sort of crack up at 225 00:13:14,720 --> 00:13:18,440 Speaker 1: the fact that after this the Bradley Martins were like, 226 00:13:19,360 --> 00:13:22,840 Speaker 1: everyone's mean to us. Now we're out, We're gonna go away, 227 00:13:24,120 --> 00:13:29,720 Speaker 1: take our money somewhere else. And they did live, presumably 228 00:13:30,040 --> 00:13:34,480 Speaker 1: a great and fun life in London. Yeah, sounds amazing. 229 00:13:34,880 --> 00:13:41,880 Speaker 1: Must be nice, I guess. Yeah. Anyway, I'm tickled by 230 00:13:41,920 --> 00:13:45,200 Speaker 1: the whole weirdness of it. It's just so goofy. Yeah, 231 00:13:45,240 --> 00:13:47,280 Speaker 1: and we'll see what happens on the Gilded Age. Maybe 232 00:13:47,280 --> 00:13:48,760 Speaker 1: they'll get right up to that and that'll be the 233 00:13:48,800 --> 00:13:51,320 Speaker 1: finale of the whole series. I don't know. I know 234 00:13:51,400 --> 00:13:53,320 Speaker 1: we have a season three coming, but I don't know 235 00:13:53,360 --> 00:13:57,160 Speaker 1: where that's going, right. It's so good, though, Oh, it's 236 00:13:57,200 --> 00:14:00,679 Speaker 1: really good. That show is satisfying in a way that 237 00:14:00,720 --> 00:14:04,880 Speaker 1: I think you would enjoy. Yeah, I think I've had 238 00:14:04,920 --> 00:14:07,800 Speaker 1: intentions to watch it, and there's just like a finite 239 00:14:07,840 --> 00:14:13,480 Speaker 1: amount of time to do things. Then. Yeah, it's there 240 00:14:13,520 --> 00:14:17,640 Speaker 1: are certainly sad things that happen on it, but overall, 241 00:14:17,880 --> 00:14:22,040 Speaker 1: like things tend to end in upbeat places, okay, you know, 242 00:14:22,200 --> 00:14:26,040 Speaker 1: in a way that's not too fairy taily. Although there's 243 00:14:26,040 --> 00:14:27,600 Speaker 1: a thing that happens at the end of season two 244 00:14:27,600 --> 00:14:29,440 Speaker 1: where I'm like, that is convenient and it is, but 245 00:14:29,480 --> 00:14:36,000 Speaker 1: you're kind of happy about it anyway. This is yet 246 00:14:36,040 --> 00:14:37,960 Speaker 1: another show that I picked up on a flight and 247 00:14:38,000 --> 00:14:41,160 Speaker 1: then came home and became obsessed with. I was just thinking, 248 00:14:41,200 --> 00:14:43,560 Speaker 1: I'm supposed to have a flight soon and maybe I 249 00:14:43,560 --> 00:14:46,800 Speaker 1: will preload some of that on my iPad. Well, if 250 00:14:46,800 --> 00:14:49,080 Speaker 1: you're flying Delta, it's in your in flight, So I 251 00:14:49,120 --> 00:14:53,320 Speaker 1: am not because it's not an option. Foosball, Well, I don't. 252 00:14:53,360 --> 00:14:56,520 Speaker 1: I don't know. I don't know about other airlines. If 253 00:14:56,520 --> 00:14:58,560 Speaker 1: you live in Atlanta, you're kind of Delta air Bus. 254 00:14:58,560 --> 00:15:03,160 Speaker 1: That's not true. But yeah, I had one option and 255 00:15:03,200 --> 00:15:15,160 Speaker 1: it wasn't Delta. I got to talk to Rachel Lance 256 00:15:15,200 --> 00:15:18,120 Speaker 1: this week. Yeah you did. I like her heaps, so 257 00:15:18,160 --> 00:15:22,240 Speaker 1: I made for a very fun time for me. This 258 00:15:22,280 --> 00:15:26,120 Speaker 1: book is who. Some of it's real hard to read. 259 00:15:26,320 --> 00:15:29,680 Speaker 1: I mean it's amazing, yeah, but like some of the 260 00:15:29,720 --> 00:15:33,480 Speaker 1: stuff those people went through is hair. I said it 261 00:15:33,560 --> 00:15:36,000 Speaker 1: during the interview. It's harrowing. But it's like that stuff 262 00:15:36,000 --> 00:15:38,360 Speaker 1: that makes my entire body kind of stiff and nervous, 263 00:15:38,520 --> 00:15:44,240 Speaker 1: right because I enjoy comfort. I have not read this book. 264 00:15:44,240 --> 00:15:47,560 Speaker 1: I did read her other book obviously before doing the 265 00:15:47,600 --> 00:15:51,800 Speaker 1: other interview with her about it. I just I didn't 266 00:15:52,040 --> 00:15:55,160 Speaker 1: think I had the wherewithal to read the book at 267 00:15:55,160 --> 00:15:58,000 Speaker 1: this time, and was also going to be out of 268 00:15:58,040 --> 00:16:01,240 Speaker 1: the office for a little bit. So, uh so Holly 269 00:16:01,240 --> 00:16:03,720 Speaker 1: took the lead on this one. Yeah, it actually worked 270 00:16:03,720 --> 00:16:05,440 Speaker 1: out great because you were going to be gone during 271 00:16:05,480 --> 00:16:09,720 Speaker 1: a week that worked best for the record on her end, 272 00:16:09,800 --> 00:16:11,760 Speaker 1: and I was like, okay, we'll just do it. It 273 00:16:11,880 --> 00:16:16,880 Speaker 1: all alignes. It all worked out just fine. So I 274 00:16:16,920 --> 00:16:21,160 Speaker 1: have listened to the interview though as a little behind 275 00:16:21,200 --> 00:16:23,600 Speaker 1: the scenes and behind the scenes. Normally, when we record 276 00:16:23,640 --> 00:16:25,960 Speaker 1: the behind the scenes part of our episodes, like we 277 00:16:26,040 --> 00:16:30,600 Speaker 1: record the episode and immediately after Holly and I record 278 00:16:30,640 --> 00:16:33,600 Speaker 1: the behind the scenes, Tracy, you're ruining the illusion that 279 00:16:33,640 --> 00:16:38,000 Speaker 1: we meet on Friday and discuss having a separate time. Yeah, 280 00:16:38,120 --> 00:16:40,240 Speaker 1: it just doesn't work. There's too much other stuff now. No. 281 00:16:41,160 --> 00:16:44,080 Speaker 1: That's also why a lot of times, if an episode 282 00:16:44,120 --> 00:16:47,840 Speaker 1: comes out and we make a mistake in it, there's 283 00:16:47,880 --> 00:16:51,320 Speaker 1: not going to be acknowledgment of that mistake on Friday 284 00:16:51,520 --> 00:16:56,280 Speaker 1: because we don't know it happened yet, right, so we'll 285 00:16:56,280 --> 00:16:59,520 Speaker 1: get corrections sometimes where people will say you can say 286 00:16:59,520 --> 00:17:01,840 Speaker 1: this on your Friday episode. It's like the Friday episode 287 00:17:01,920 --> 00:17:05,120 Speaker 1: is already done. But in this case, though, I had 288 00:17:05,119 --> 00:17:07,000 Speaker 1: not read the book or heard the interview, and it 289 00:17:07,040 --> 00:17:08,680 Speaker 1: was like, what are we going to talk about? So 290 00:17:09,040 --> 00:17:13,880 Speaker 1: we delayed this discussion. Yeah, this one is actually later 291 00:17:13,920 --> 00:17:18,359 Speaker 1: in the game. Yeah, as I was listening something that 292 00:17:18,480 --> 00:17:24,200 Speaker 1: I misunderstood. There's a conversation about how during the Blitz 293 00:17:24,920 --> 00:17:29,080 Speaker 1: there were people who sort of in England who sort 294 00:17:29,080 --> 00:17:32,680 Speaker 1: of approached the Blitz the way some folks approached the 295 00:17:33,680 --> 00:17:37,119 Speaker 1: you know, the early COVID nineteen pandemic when everything was 296 00:17:37,160 --> 00:17:39,960 Speaker 1: shut down and people were like there were people who 297 00:17:40,000 --> 00:17:44,560 Speaker 1: were like this, everything seems fine and didn't really weren't 298 00:17:44,600 --> 00:17:46,840 Speaker 1: living in the same world of a pandemic that some 299 00:17:46,920 --> 00:17:49,520 Speaker 1: of the others of us were living in. And I 300 00:17:49,640 --> 00:17:54,199 Speaker 1: had interpreted that as being significant numbers of people in 301 00:17:54,400 --> 00:17:59,320 Speaker 1: London who were somehow unaware of the Blitz happening, And 302 00:18:01,760 --> 00:18:03,720 Speaker 1: that's not what she was saying at all. First of all, 303 00:18:03,760 --> 00:18:05,960 Speaker 1: to be clear, and it is certainly possible that there 304 00:18:06,000 --> 00:18:09,080 Speaker 1: were folks in London who were, you know, somehow so 305 00:18:09,240 --> 00:18:11,439 Speaker 1: wrapped up in their own stuff going on that they 306 00:18:11,480 --> 00:18:14,800 Speaker 1: were not fully cognizant of everything that was happening. But no, 307 00:18:14,960 --> 00:18:19,040 Speaker 1: she was talking about, you know, when people were evacuating 308 00:18:19,080 --> 00:18:21,399 Speaker 1: out to the country, folks in the country being like, 309 00:18:21,520 --> 00:18:26,480 Speaker 1: but it seems fine here, like yeah, yeah, everything's okay. 310 00:18:26,720 --> 00:18:28,600 Speaker 1: I mean, the war won't come to us, and it's 311 00:18:28,640 --> 00:18:31,320 Speaker 1: like it is it is at us. Yeah. I was 312 00:18:31,400 --> 00:18:34,360 Speaker 1: really I was sort of imagining somebody standing in London 313 00:18:34,440 --> 00:18:37,080 Speaker 1: next to a smoldering crater being like, I don't know 314 00:18:37,119 --> 00:18:40,160 Speaker 1: what you're talking about. A blitz thing that the I mean, listen, 315 00:18:40,640 --> 00:18:44,120 Speaker 1: trauma denial is real, that is true, but I don't 316 00:18:44,119 --> 00:18:46,800 Speaker 1: think large numbers of people in London were doing that. No, no, 317 00:18:47,080 --> 00:18:52,000 Speaker 1: she yeah, she was was discussing how jolting that was 318 00:18:52,040 --> 00:18:54,920 Speaker 1: for people when they moved out of the city. Yeah, 319 00:18:54,960 --> 00:18:57,840 Speaker 1: and in particular, this team had moved their lab outside 320 00:18:57,880 --> 00:19:01,000 Speaker 1: of the city as things were getting worse and worse, 321 00:19:01,359 --> 00:19:05,160 Speaker 1: and they were just like strangers in a strange land 322 00:19:05,200 --> 00:19:10,560 Speaker 1: where nobody was really at the level of anxiety and 323 00:19:10,600 --> 00:19:13,199 Speaker 1: stress that everyone in London was living in, and it 324 00:19:13,240 --> 00:19:17,120 Speaker 1: was like people were just having life. You're all very 325 00:19:17,160 --> 00:19:21,000 Speaker 1: relaxed out here. What is this but really serious stuff 326 00:19:21,040 --> 00:19:25,320 Speaker 1: is going on. Yeah. Yeah. Of all the stories of 327 00:19:25,920 --> 00:19:30,199 Speaker 1: scientists that Rachel shared with you in this interview, I 328 00:19:30,320 --> 00:19:33,119 Speaker 1: was most delighted by the one who would just go 329 00:19:33,240 --> 00:19:36,480 Speaker 1: up to people's houses and ask to look for salamanders. Yeah. 330 00:19:36,560 --> 00:19:39,280 Speaker 1: I was one hundred percent on board with this. I 331 00:19:39,320 --> 00:19:41,880 Speaker 1: am friends with people who I am certain would do this, 332 00:19:43,119 --> 00:19:45,960 Speaker 1: And like when we were in Texas to try to 333 00:19:46,000 --> 00:19:49,520 Speaker 1: see the eclipse, which didn't fully go as planned, we 334 00:19:49,560 --> 00:19:52,240 Speaker 1: went out every night looking for scorpions with a black light. 335 00:19:52,400 --> 00:19:57,200 Speaker 1: So I was very much here for the salamander exploring. 336 00:19:57,280 --> 00:19:59,520 Speaker 1: Maybe not so much for announcing that she was going 337 00:19:59,560 --> 00:20:05,320 Speaker 1: to marry the professor, but very excited about the salamander excitement. Yeah, 338 00:20:05,359 --> 00:20:07,399 Speaker 1: all of the people I mentioned it to Rachel, but 339 00:20:07,440 --> 00:20:09,280 Speaker 1: all of the people in this book, they were on 340 00:20:09,320 --> 00:20:15,200 Speaker 1: this team were just almost criminally interesting. Yeah, I am 341 00:20:15,240 --> 00:20:20,439 Speaker 1: fascinated by them. And you see why. It becomes clear 342 00:20:20,600 --> 00:20:24,919 Speaker 1: that they all were the perfect assortment of folks to 343 00:20:24,960 --> 00:20:28,440 Speaker 1: be working together because they were all a little bit 344 00:20:28,480 --> 00:20:32,400 Speaker 1: oddball to varying degrees, which I say with love, that's 345 00:20:32,440 --> 00:20:37,280 Speaker 1: not a disparaging or pejorative term at all, But like, 346 00:20:37,520 --> 00:20:40,359 Speaker 1: I think they just had an innate understanding of the 347 00:20:41,000 --> 00:20:43,720 Speaker 1: otherism that all of them were living in, so nobody 348 00:20:43,760 --> 00:20:46,800 Speaker 1: felt like they were being judged by their peers in 349 00:20:46,880 --> 00:20:49,640 Speaker 1: that group, which is pretty great. Yeah, and probably why 350 00:20:49,680 --> 00:20:52,960 Speaker 1: they were all so good at just taking leaps of 351 00:20:52,960 --> 00:21:02,520 Speaker 1: faith together, right, some of which were horrified. Right. It 352 00:21:02,640 --> 00:21:06,040 Speaker 1: is so fascinating to me though, I really I mention it. 353 00:21:06,040 --> 00:21:08,840 Speaker 1: And I love Rachel's writing so much because one of 354 00:21:08,840 --> 00:21:11,400 Speaker 1: the things that she does in her narrative style, and 355 00:21:11,480 --> 00:21:15,119 Speaker 1: I didn't read all of In the Waves her previous books, 356 00:21:15,119 --> 00:21:17,760 Speaker 1: so tell me if this was the case there for 357 00:21:17,880 --> 00:21:20,320 Speaker 1: kind of we had like the opposite scenario we did 358 00:21:20,400 --> 00:21:22,359 Speaker 1: time to last time, because last time I was like, 359 00:21:22,920 --> 00:21:24,359 Speaker 1: I can't read a book right now, like I have 360 00:21:24,440 --> 00:21:29,520 Speaker 1: too many things going on. But she'll set things up 361 00:21:30,320 --> 00:21:32,320 Speaker 1: where you're like, wait, did I just read that, and 362 00:21:32,359 --> 00:21:34,359 Speaker 1: then she will explain it, which is kind of a 363 00:21:34,400 --> 00:21:37,960 Speaker 1: great way to hook you. Like the story she talked 364 00:21:37,960 --> 00:21:41,720 Speaker 1: about with the lit cigarette, Yeah, she just she doesn't 365 00:21:41,720 --> 00:21:45,040 Speaker 1: explain why he does it. Initially, She's like, so, of 366 00:21:45,080 --> 00:21:48,240 Speaker 1: course his doctor handed him a lit cigarette and I 367 00:21:48,320 --> 00:21:50,720 Speaker 1: was like, who, Like, I made a total Scooby Doo 368 00:21:50,760 --> 00:21:53,480 Speaker 1: noise while I was reading the book. And then she 369 00:21:53,800 --> 00:21:56,199 Speaker 1: then goes on to explain why, as she did on 370 00:21:56,280 --> 00:21:58,320 Speaker 1: the show, and I was like, oh, this is a 371 00:21:58,359 --> 00:22:02,000 Speaker 1: smart way to structure these discuss because yeah, it does 372 00:22:02,119 --> 00:22:06,639 Speaker 1: make your brain go what yeah, or make a Scooby 373 00:22:06,680 --> 00:22:14,879 Speaker 1: Do noise. It's true. I am also my biggest fear 374 00:22:15,000 --> 00:22:20,520 Speaker 1: in the like what is the worst way to die? Universe? Drowning? Okay, 375 00:22:21,440 --> 00:22:25,720 Speaker 1: And so all of the all of these stories were 376 00:22:25,840 --> 00:22:30,119 Speaker 1: very white knuckly for me. Yeah, you know, the stories 377 00:22:30,200 --> 00:22:34,200 Speaker 1: of like the horrible things that had happened to precipitate 378 00:22:34,280 --> 00:22:36,920 Speaker 1: the formation of this group, right. I also just love 379 00:22:37,000 --> 00:22:40,720 Speaker 1: that it's a group of geneticists that end up doing 380 00:22:40,760 --> 00:22:45,800 Speaker 1: this work. Yeah, I don't I don't remember which specific 381 00:22:46,359 --> 00:22:50,359 Speaker 1: thing Ian I read. I hadn't realized that it was 382 00:22:50,400 --> 00:22:54,199 Speaker 1: specifically geneticists, and I had this moment where I was like, 383 00:22:55,160 --> 00:22:59,560 Speaker 1: how did the geneticists get on this, because that seems 384 00:22:59,640 --> 00:23:04,520 Speaker 1: like a different field to me, Like it is. Yeah, 385 00:23:04,560 --> 00:23:07,320 Speaker 1: there's a really great quote, and I was gonna ask 386 00:23:07,400 --> 00:23:09,240 Speaker 1: Rachel about it, but we were running along and so 387 00:23:09,280 --> 00:23:12,000 Speaker 1: I didn't cause it really didn't add that much to 388 00:23:12,040 --> 00:23:14,439 Speaker 1: the conversation. But there is a great quote in the 389 00:23:14,440 --> 00:23:17,919 Speaker 1: book from one of the scientists where he's saying, like, 390 00:23:19,200 --> 00:23:22,159 Speaker 1: look at war, it doesn't really matter what your specialty is. 391 00:23:22,359 --> 00:23:25,159 Speaker 1: What matters is can you apply the scientific method to 392 00:23:25,200 --> 00:23:28,480 Speaker 1: solving problems? Right? And it's like, oh, that does make 393 00:23:28,520 --> 00:23:30,159 Speaker 1: a lot of sense. Like these are all people that 394 00:23:30,200 --> 00:23:32,679 Speaker 1: are used to figuring stuff out. So even though this 395 00:23:32,840 --> 00:23:38,080 Speaker 1: may not be in their specificity wheelhouse, they do have 396 00:23:38,160 --> 00:23:42,440 Speaker 1: a fundamental grasp of broad science, right. They understand how 397 00:23:42,520 --> 00:23:46,800 Speaker 1: like things like air and water pressure work and all 398 00:23:46,840 --> 00:23:48,640 Speaker 1: of that, even if it's not what they have been 399 00:23:48,720 --> 00:23:51,400 Speaker 1: focusing on in their careers. And so then for them 400 00:23:51,400 --> 00:23:56,159 Speaker 1: to just pivot from all of their biological specimens to 401 00:23:56,240 --> 00:23:59,280 Speaker 1: then going okay, so we have a water problem that's 402 00:23:59,320 --> 00:24:01,000 Speaker 1: going on here, can we fix this? And I'm like, oh, 403 00:24:01,000 --> 00:24:03,960 Speaker 1: of course it probably was kind of like I mean 404 00:24:04,040 --> 00:24:06,280 Speaker 1: for me, and we've talked about the way I work 405 00:24:06,440 --> 00:24:08,440 Speaker 1: on the show before and how it seems a little 406 00:24:08,480 --> 00:24:13,040 Speaker 1: bit disjointed to some people. For me, this honestly is like, oh, 407 00:24:13,080 --> 00:24:15,840 Speaker 1: I bet this made them better at both jobs. Yeah, 408 00:24:15,920 --> 00:24:18,719 Speaker 1: because I need to switch gears pretty frequently or I 409 00:24:18,760 --> 00:24:22,639 Speaker 1: get I just sputter out. I don't think that's necessarily 410 00:24:22,680 --> 00:24:28,080 Speaker 1: any of their personality or work style types. But I 411 00:24:28,160 --> 00:24:32,720 Speaker 1: do think like this gets into the discussion of like multitasking, 412 00:24:32,760 --> 00:24:39,439 Speaker 1: which is fraught right right, which I'll talk about briefly 413 00:24:39,640 --> 00:24:41,840 Speaker 1: if we want to. But I do think when you 414 00:24:42,320 --> 00:24:45,439 Speaker 1: leave a thing that you have been puzzling over, focus 415 00:24:45,440 --> 00:24:47,879 Speaker 1: on something completely different, and then come back often like 416 00:24:48,400 --> 00:24:50,960 Speaker 1: a new perspective is revealed to you. That often can 417 00:24:51,000 --> 00:24:53,080 Speaker 1: get you over that hump that you may have been 418 00:24:53,600 --> 00:24:57,120 Speaker 1: at in terms of a roadblock. By the way, multitasking 419 00:24:57,240 --> 00:25:00,400 Speaker 1: is if you want to start an argument, yeah, tell 420 00:25:00,440 --> 00:25:02,840 Speaker 1: people you multitask because the thing is right Like, there 421 00:25:02,840 --> 00:25:05,840 Speaker 1: are studies that are like, no, if you're actually multitasking, 422 00:25:05,920 --> 00:25:09,840 Speaker 1: you're doing well, uh, not as good a job at 423 00:25:09,840 --> 00:25:15,640 Speaker 1: everything kind of. But to me, it's not so much 424 00:25:15,640 --> 00:25:19,080 Speaker 1: I'm doing multiple things at once. It's that I'm changing constantly, right. 425 00:25:19,680 --> 00:25:22,879 Speaker 1: It's not like I'm trying to write and read a 426 00:25:22,920 --> 00:25:25,480 Speaker 1: book while I am also sewing. There are two different 427 00:25:25,520 --> 00:25:30,639 Speaker 1: things that I alternate, say because different parts of my 428 00:25:30,680 --> 00:25:34,440 Speaker 1: brain get fired, and then I can solve problems better. 429 00:25:34,600 --> 00:25:37,800 Speaker 1: I also let them. Obviously, I cannot speak knowledgeably on 430 00:25:38,000 --> 00:25:43,439 Speaker 1: the entire field of neurology. And why you didn't. You 431 00:25:43,480 --> 00:25:46,080 Speaker 1: didn't get a quick degree while you were out. I 432 00:25:46,119 --> 00:25:48,280 Speaker 1: went and got a PhD while I was on vacation. Now, 433 00:25:48,320 --> 00:25:51,320 Speaker 1: I'm kidding. Don't don't yell at me if you actually 434 00:25:51,320 --> 00:25:54,119 Speaker 1: got a PhD. And I know how much work that is, 435 00:25:55,320 --> 00:25:58,320 Speaker 1: But like, I feel like a lot of the studies 436 00:25:58,600 --> 00:26:01,240 Speaker 1: that are on those type things, so many of them 437 00:26:01,320 --> 00:26:03,879 Speaker 1: happen like on college campuses, and a lot of the 438 00:26:03,960 --> 00:26:07,280 Speaker 1: people being studied are like undergraduates getting us your credit. 439 00:26:08,000 --> 00:26:10,200 Speaker 1: And if you have a cohort for your study, which 440 00:26:10,240 --> 00:26:12,840 Speaker 1: is like a bunch of people with adhd, you're probably 441 00:26:12,880 --> 00:26:16,639 Speaker 1: gonna have very different results in terms of what works 442 00:26:16,640 --> 00:26:22,119 Speaker 1: for people. Yeah. Yeah, this has come up on the 443 00:26:22,119 --> 00:26:24,880 Speaker 1: show before, completely unrelated to science, but just where we've 444 00:26:24,920 --> 00:26:29,280 Speaker 1: talked about recognizing like people that ended up achieving big 445 00:26:29,320 --> 00:26:32,040 Speaker 1: things late in their life, people didn't realize when they 446 00:26:32,040 --> 00:26:35,639 Speaker 1: were young that like the standard method of education at 447 00:26:35,640 --> 00:26:38,359 Speaker 1: the time was not going to work for that, right, 448 00:26:38,440 --> 00:26:42,480 Speaker 1: because we hadn't really gotten into the level of educational 449 00:26:42,560 --> 00:26:45,879 Speaker 1: research and study and how how the brain functions at 450 00:26:45,880 --> 00:26:48,399 Speaker 1: that point. So and I would say there's still a 451 00:26:48,440 --> 00:26:53,680 Speaker 1: ton that we really don't know about how people are. Sure, Yeah, 452 00:26:53,720 --> 00:26:59,919 Speaker 1: for sure. And I think that's it's so individual from personal. 453 00:27:00,320 --> 00:27:04,879 Speaker 1: What works for you will not work for your you know, 454 00:27:05,000 --> 00:27:08,399 Speaker 1: closest friend will not work for their sibling will not 455 00:27:08,520 --> 00:27:13,080 Speaker 1: work like Yeah, it's I appreciate that there is a 456 00:27:13,160 --> 00:27:19,120 Speaker 1: level of challenge at this point in any caring education 457 00:27:19,280 --> 00:27:23,040 Speaker 1: system to try to address all of the disparate, kind 458 00:27:23,040 --> 00:27:27,720 Speaker 1: of optimal scenarios that would really really help all of 459 00:27:27,760 --> 00:27:30,679 Speaker 1: the people in their classes function at their best. Right. 460 00:27:31,440 --> 00:27:35,840 Speaker 1: That's hard. Yeah, educators, we love you. I'm sorry your 461 00:27:35,920 --> 00:27:38,800 Speaker 1: job is so hard and not appreciated or paid enough 462 00:27:38,840 --> 00:27:47,280 Speaker 1: for what you do. I will say, if you are 463 00:27:47,400 --> 00:27:51,359 Speaker 1: looking for a fun read, it's a good one. Yeah. 464 00:27:51,400 --> 00:27:54,160 Speaker 1: It's doing very very well. It's selling. It's on lots 465 00:27:54,200 --> 00:27:57,160 Speaker 1: of lists, so I'm pleased, and I'm not surprised because 466 00:27:57,160 --> 00:28:01,840 Speaker 1: it is quite compelling. Yeah, I really enjoyed what's the 467 00:28:01,880 --> 00:28:04,040 Speaker 1: name of the other one? Was it? Into the Way 468 00:28:04,240 --> 00:28:06,199 Speaker 1: in the way in the way. I'm going to have 469 00:28:06,320 --> 00:28:10,280 Speaker 1: multiple incorrect prepositions at the beginning of it. I didn't 470 00:28:10,320 --> 00:28:15,720 Speaker 1: like reading that book quite a lot. Well, if you're 471 00:28:15,760 --> 00:28:18,920 Speaker 1: lucky for something to read and you're okay with hearing 472 00:28:18,920 --> 00:28:24,240 Speaker 1: about people breaking their bones and other things while they 473 00:28:24,320 --> 00:28:29,879 Speaker 1: pursue advancements in science, it's a great one. Yeah. Yeah, 474 00:28:29,960 --> 00:28:31,720 Speaker 1: it's worth it alone. For all the quotes from those 475 00:28:31,720 --> 00:28:36,280 Speaker 1: scientists because they are a pithy, interesting group, So highly recommend. 476 00:28:36,880 --> 00:28:38,320 Speaker 1: If you have time off this weekend, it's a great 477 00:28:38,320 --> 00:28:40,719 Speaker 1: time to read a book if you are into reading books. 478 00:28:40,760 --> 00:28:42,800 Speaker 1: If you don't have time off, maybe sneak a couple 479 00:28:42,840 --> 00:28:44,800 Speaker 1: of pages in again if you're into reading books. If 480 00:28:44,800 --> 00:28:47,120 Speaker 1: you're not into reading books, or you don't have time off, 481 00:28:47,200 --> 00:28:49,480 Speaker 1: do whatever is going to optimize that time for you 482 00:28:50,000 --> 00:28:53,360 Speaker 1: and make you your happiest if at all possible. We 483 00:28:53,400 --> 00:28:58,120 Speaker 1: will be right back here tomorrow with a classic, and 484 00:28:58,160 --> 00:29:05,400 Speaker 1: then on Monday there'll be something brand new. Stuff you 485 00:29:05,440 --> 00:29:08,520 Speaker 1: missed in History Class is a production of iHeartRadio. For 486 00:29:08,640 --> 00:29:13,080 Speaker 1: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 487 00:29:13,200 --> 00:29:15,200 Speaker 1: or wherever you listen to your favorite shows.