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Speaker 1: Transmitting America.

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Speaker 2: Aliza, I hope you had a great weekend. Welcome to

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Speaker 2: Monday Show Morning Studio Morning. Okay, Amy, what happened with

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Speaker 2: your driver's test your driver's license?

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Speaker 3: Well, if y'all recall, I believe a couple of months ago,

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Speaker 3: I informed all that I needed to renew my license

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Speaker 3: and that I was like, coming up, there was going

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Speaker 3: to be a deadline where if I didn't do it

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Speaker 3: by that point, I was gonna have to retake the test,

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Speaker 3: and y'all were like, don't book your appointment. Wait, wait

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Speaker 3: till we have to retake the test. And at the time,

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Speaker 3: I was like, okay, fine, you know, do it for

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Speaker 3: do it for the show, Like yeah, let's see if

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Speaker 3: I can take the test now, and how I would do.

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Speaker 3: And now that time has come where I've missed the deadline,

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Speaker 3: and now if I want a new driver's license because

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Speaker 3: mine has expired, my only option is to take a test.

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Speaker 2: But you didn't do that for us. You just forgot.

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Speaker 2: Now you're blaming you.

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Speaker 3: No, I didn't forget.

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Speaker 2: We said that.

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Speaker 4: Yeah, yeah, I don't believe. I don't believe you because

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Speaker 4: you forget a lot of.

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Speaker 3: I don't have the tape so I can't pull it.

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Speaker 3: But surely somebody in here remembers that. You're like, Amy,

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Speaker 3: please please don't go overnew it take the test.

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Speaker 4: But I didn't think you would do it. There's no

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Speaker 4: way because you forgot to.

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Speaker 2: Do the lottery.

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Speaker 3: I keep a good calendar. That was last minute.

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Speaker 2: Do we believe she forgot on purpose? No, because I don't.

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Speaker 1: I mean maybe I guess I forgot maybe the show.

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Speaker 3: Maybe, way, I don't somebody anybody.

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Speaker 5: Amy, I'm gonna have your back, Bobby, you did.

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Speaker 2: I know we said it, but I'm saying she didn't.

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Speaker 4: I don't think she didn't do it because of the show.

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Speaker 3: I know we said it was like, yeah, this will

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Speaker 3: be fun, I'll do it. I'm just saying the time

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Speaker 3: has come and now I'm you know, we talk about

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Speaker 3: regrets sometimes, and this is my show regrets. It's like

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Speaker 3: at the time I was with you and I was like, yeah,

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Speaker 3: that'll be fun. Then I can tell y'all like, oh,

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Speaker 3: this was on the test, or these are the questions

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Speaker 3: I missed, or I barely passed, or I passed with

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Speaker 3: flying colors, or I failed the worst case scenario.

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Speaker 1: So what do you have to do here? Like take

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Speaker 1: a drug, like get in a car with someone and

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Speaker 1: take that test.

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Speaker 3: I don't know all the details yet, but I'm sure

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Speaker 3: I have to take the written test. I would imagine

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Speaker 3: it's just the written You think I have to physically

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Speaker 3: get in the car with somebody.

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Speaker 2: Maybe if you have to redo the test?

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Speaker 3: Well, what about the test we took on the show

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Speaker 3: like two years ago? Does that count? We had a

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Speaker 3: legit driver's that guy?

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Speaker 4: Well, we didn't know there wasn't the risk of losing

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Speaker 4: our lives.

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Speaker 3: But I think I was voted best driver by him.

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Speaker 2: I didn't do that. And when we did our driver

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Speaker 2: test out in the car, didn't you finish last?

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Speaker 3: No? I think I was first.

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Speaker 6: But he also said, oh, you know, my daughter goes

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Speaker 6: your daughter goes to my driving school.

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Speaker 5: So I'm gonna give you extra points for that.

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Speaker 3: I mean, oh, maybe I hired him.

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Speaker 2: So then what do you have to do? You have

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Speaker 2: to go? Do you have a license right now?

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Speaker 3: No, it's expired. I have to go everywhere with my passport.

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Speaker 3: In fact, we went out and give it.

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Speaker 2: It doesn't work.

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Speaker 4: Does you can't drive?

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Speaker 3: It's correct, but if you want to, Like we went

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Speaker 3: out to dinner the other night and I ordered a

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Speaker 3: drink and they were like, can I see your eye D?

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Speaker 3: And I had to give them.

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Speaker 2: That works in Tennessee.

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Speaker 3: The road works. But yes, I have to carry my

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Speaker 3: passport to fly passport even if I'm going domestic to

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Speaker 3: order a cocktail passport. But if I get pulled, I

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Speaker 3: can drive.

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Speaker 4: I get pulled, you're physically able to drive.

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Speaker 2: Drive without it.

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Speaker 3: I mean I'm driving, yes, to come to work today. Illegal?

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Speaker 2: Oh my god, Hey, she said me.

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Speaker 3: Yeah, I'm bringing it.

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Speaker 2: And it's all our fault, breaking the law. Ask to what,

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Speaker 2: I don't believe. I'm not subscribing to the theory that

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Speaker 2: she purposes.

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Speaker 3: That is not your fault. I did it with I

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Speaker 3: joined in on the plan. But now that the time

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Speaker 3: has come and I'm fully expired, and now my only

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Speaker 3: option and I got to get a real I D.

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Speaker 3: So I have to get that's I mean, I'd have

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Speaker 3: to get a new license anyway because mine's not real.

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Speaker 3: But now I have to take a test.

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Speaker 2: When do you take the test?

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Speaker 3: Well, here's the thing, my son's fifteen.

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Speaker 7: No.

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Speaker 3: But I was like to see Canna start drivers that soon,

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Speaker 3: so like we go together. I'd be like a non

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Speaker 3: traditional non traditional. Yeah, so I don't know if anybody

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Speaker 3: else is in my shoes. You're not alone. I feel you.

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Speaker 3: It sucks. We just have to do it. Or let's

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Speaker 3: see how long can I last with an inspired license?

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Speaker 2: No, that's not a fun game, it's not.

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Speaker 4: And how long can I last?

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Speaker 5: See?

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Speaker 2: This is how it starts, Amy, This is what you do.

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Speaker 2: And then you're gonna blame it on us, Yes, because

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Speaker 2: I do think I was encouraging her all that, But

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Speaker 2: I just don't think she did that on purpose.

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Speaker 3: No, I did. I let it run out on purpose

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Speaker 3: because also I wasn't looking forward to going to renew

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Speaker 3: my life.

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Speaker 8: That.

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Speaker 3: But now that we're here, I'm like, why didn't I

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Speaker 3: just do it back then? And it's because everyone's trying

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Speaker 3: to get the real idea? The lines are long, isn't

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Speaker 3: that over?

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Speaker 2: I think everyone has their real life.

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Speaker 3: Its back a couple of months ago. That was those

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Speaker 3: were news stories. It's like lines wrapped around the building.

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Speaker 3: You're never going to get your real ID. And so

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Speaker 3: then I tell y'all I need to go do this

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Speaker 3: because I have to renew it. And then y'all had

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Speaker 3: the brilliant plan that I just put it.

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Speaker 2: Off it's us. I guess I'm telling you. I do

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Speaker 2: not take the blame for this. Okay, let me ask

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Speaker 2: you an you can't take the blame.

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Speaker 3: I'm an adult. I made the decision.

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Speaker 2: But would you ask some general knowledge driving questions for

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Speaker 2: a driving test? Because my co host has to take

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Speaker 2: the driving test. We'll do that in a second. I'm

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Speaker 2: gonna get the questions. We'll ask them to Amy coming up.

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Speaker 2: We'll see how you do. Okay, Anonymous sin by.

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Speaker 9: Anonymous sin by the question to be.

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Speaker 7: Well.

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Speaker 2: Hello, Bobby Bones. My girlfriend picked out an engagement ring

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Speaker 2: she really loves, but it's out of my budget. But

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Speaker 2: she wants to get engaged soon, so I've been thinking

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Speaker 2: about whether it's reasonable to ask her to help pay

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Speaker 2: for it since it's the ring she really wants. Do

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Speaker 2: you think it's okay for a guy to ask his

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Speaker 2: girlfriend to chip in for the ring? Or should I

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Speaker 2: just wait longer to propose so I can save up

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Speaker 2: for the ring? Appreciate your honest advice on this, Signed

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Speaker 2: budgeting boyfriend. This pretty easy one because if you've already

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Speaker 2: talked about the ring, meaning it's not going to be

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Speaker 2: a surprise. If that is not something that is important

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Speaker 2: to you to do a complete I'm shocked surprise proposal. Then,

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Speaker 2: I don't think it's out of the realm of what's

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Speaker 2: acceptable to go to her and actually present her with

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Speaker 2: this to go. This is the ring that you want.

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Speaker 2: I can't afford that right now. What do you want

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Speaker 2: me to do? I don't think that's bad. I'm not

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Speaker 2: saying you have to demand she chips in, But if

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Speaker 2: you're like, I know you want this ring, I can't

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Speaker 2: afford that right now. So what would you like? I can.

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Speaker 2: I would love to propose sooner than later. I won't

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Speaker 2: tell you exactly when, but I can't afford this ring.

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Speaker 2: So I can take out a loan that we're all

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Speaker 2: going to that we're both gonna have to pay back. Yeah,

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Speaker 2: so that's gonna be on both of us. Or if

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Speaker 2: you wanted to chip in that fine, or your dad

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Speaker 2: or mom or whomever, or we can just wait, Like,

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Speaker 2: I will give you the option on what to do.

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Speaker 2: I don't think that that is an unacceptable option here. Okay,

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Speaker 2: you've grown in a couple of times.

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Speaker 3: Because I can't see a scenario and maybe I need

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Speaker 3: to think through it longer. But I don't like him

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Speaker 3: asking her to chip in, and I know that's not

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Speaker 3: how you presented it. You presented it more like, hey,

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Speaker 3: this is the situation, So what do you want to

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Speaker 3: do about it? I guess I would just advise them

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Speaker 3: to wait and save.

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Speaker 2: And what if she's like pressing him though, because that happens,

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Speaker 2: like we are you ever going to.

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Speaker 3: Propose to back off? I'm saving money?

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Speaker 2: You say that? Back off lady?

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Speaker 3: Yeah, just ring or not?

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Speaker 2: So tell her to get your ring. I'm going to

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Speaker 2: have to wait.

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Speaker 3: I don't. I don't know, because we're now we're inserting

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Speaker 3: that she's pressuring. Maybe she's not, and she can be patient.

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Speaker 4: Wants to know.

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Speaker 2: I'm gonna read this line again. She wants to get

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Speaker 2: engaged soon. Okay, he wrote that in the emails, And.

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Speaker 10: Would you be willing to.

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Speaker 1: Like if he said, if he said, like, look, I

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Speaker 1: can afford this, I really can't afford what you want,

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Speaker 1: would you be willing to downgrade?

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Speaker 4: Gosh?

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Speaker 3: I guess I don't know.

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Speaker 4: I have not.

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Speaker 3: The one time I did get engaged, I had no say.

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Speaker 3: I guess I said, I liked a round, and he

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Speaker 3: went to my sister and then he picked out the ring.

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Speaker 3: And that's what I was proposed like, there was no like,

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Speaker 3: this is the ring I want. So I don't know

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Speaker 3: that I'm that type of person to be like this

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Speaker 3: is exactly what I want and it must be this.

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Speaker 3: Like I guess I don't want to be really a

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Speaker 3: part of it. I want you to propose to me

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Speaker 3: and me not be involved in that process at all.

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Speaker 2: But she is involved because she's already showed him a ring,

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Speaker 2: and that's what the question comes from. If she's already

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Speaker 2: showing it to him, she has expressed her desire to

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Speaker 2: have it. There's been communication about the ring and the proposal,

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Speaker 2: and I think because there's already been communication, you could

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Speaker 2: continue to communicate inside of it. The only time that

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Speaker 2: I wouldn't do that is if it's all going to

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Speaker 2: be a surprise. It's all gonna be a surprised you

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Speaker 2: have to make that decision. You're gonna wait, you're gonna

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Speaker 2: take out a bigger loan, you're gonna what, you're gonna

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Speaker 2: just but it's not a surprise.

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Speaker 3: I guess if it's that important to her, then yeah,

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Speaker 3: she might be willing to throw downs for it.

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Speaker 2: And maybe she won't. But I do think you since

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Speaker 2: there has been communication. You keep communicating about it and go,

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Speaker 2: I know you want the ring. I want to look

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Speaker 2: at it. I can't afford it right now. Here are

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Speaker 2: the options we wait longer, I save up. Two, I

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Speaker 2: take out a loan. We're both gonna have to pay

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Speaker 2: that back.

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Speaker 1: You make a good point there, because she's gonna have

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Speaker 1: to pay for it anyway, if they take out a loan.

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Speaker 2: Three, if you want it now, if your parents or

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Speaker 2: you can even do that, your parents want to chip in,

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Speaker 2: I would love to take that if you want to

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Speaker 2: get married sooner than later, because it's irresponsible otherwise to

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Speaker 2: get that ring.

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Speaker 4: Yeah, that's tough one.

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Speaker 3: That is because I do not ever want to be

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Speaker 3: asked you want to pitch in for your ring?

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Speaker 2: Nobody does. I don't think there's a single person that

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Speaker 2: wants to be asked that. And that's not my point

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Speaker 2: it or his point. It's like he's already in the

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Speaker 2: situation where they're talking about it, so what does he do?

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Speaker 2: And I think you just keep talking about it.

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Speaker 3: I think I've decided to Eddie's question, I guess I

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Speaker 3: would downgrade whatever. If I really wanted to get engaged

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Speaker 3: asap get married, then okay, whatever we can whatever you

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Speaker 3: can afford at the time, let's do it and then

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Speaker 3: we upgrade later. If that's really.

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Speaker 2: I know, I know, yeah, I would just keep communicating

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Speaker 2: because that that barrier has already been broken, So have

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Speaker 2: at it, good luck, let us know what happens there.

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Speaker 2: We were in Las Vegas over the weekend for iHeartRadio

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Speaker 2: Music Festival is a great time. I'm exhausted. I get

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Speaker 2: so dehydrated. I was in the airport yesterday and leaving Vegas.

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Speaker 2: That airport situation is the worst because it's a Sunday,

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Speaker 2: it's in the morning, so everybody's trying to get out,

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Speaker 2: and everybody's also exhausted and dehydrated, so it's just a mess.

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Speaker 2: And you get there in their lines and I shout

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Speaker 2: out because those big lines move relatively fast. But I

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Speaker 2: got I don't know ten minutes into the line, I know,

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Speaker 2: started bleeding.

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Speaker 3: Oh from the from the air from.

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Speaker 4: Just being in Vegas. It sucked. It would not stop bleeding.

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Speaker 2: So I take up toilet paper, and I've had nose

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Speaker 2: bleeds my whole life, and so I just cram it

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Speaker 2: up my nose. And I saw a couple of people

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Speaker 2: that I knew while at the airport and I didn't forget,

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Speaker 2: but I just don't think about it. And they're looking

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Speaker 2: at my nose and they want to tell me I

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Speaker 2: have something in my nose, But then then they're wondering,

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Speaker 2: do I know I got something in my nose?

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Speaker 5: Yeah.

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Speaker 2: It was a mess. It is a mess.

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Speaker 4: But the festival was great.

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Speaker 2: John Fogerty is the lead singer of Creeden's clear Water Revival.

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Speaker 2: They were massive in the sixties and seventies. He's eighty

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Speaker 2: years old and he's a legend. But he's also eighty.

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Speaker 2: But he went up and he's sang like he was thirty.

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Speaker 2: It was crazy that an eighty year old could go

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Speaker 2: that hard. Offspring. I was telling my wife last night.

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Speaker 2: I was like, I watched The Offspring. She's like, I

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Speaker 2: don't know who that is.

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Speaker 4: And I was like, yeah, you wouldn't you.

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Speaker 2: Know because she's what thirty thirty, Yeah, something like that,

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Speaker 2: And she was like yeah, And then I tried to

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Speaker 2: sing her. I saw a couple songs. I said, you

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Speaker 2: wouldn't know the early stuff. You got to keep them separated, damn,

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Speaker 2: but you may know like their later stuff. It was

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Speaker 2: like all the girls says pretty fly for a white guy.

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Speaker 2: She's like, nah, and it sounds stupid, and I was like, okay,

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Speaker 2: fair enough.

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Speaker 3: My niece is twenty one. And she loved everybody like

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Speaker 3: she thought like from the even the people she didn't know,

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Speaker 3: like John Fogerty. She does not know who that is.

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Speaker 4: It's great.

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Speaker 3: She just stayed from start to finish.

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Speaker 5: She did.

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Speaker 9: Yeah.

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Speaker 4: Yeah, it was a great show.

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Speaker 2: Big thanks to Hyundai for sponsoring our House of Music,

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Speaker 2: our twenty twenty five iHeartRadio Music Festival presented by Capital One.

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Speaker 4: It was incredible and get ready to.

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Speaker 2: Relive the once in a lifetime moments starting October second,

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Speaker 2: only on Hulu.

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Speaker 4: I'll tell you one other story.

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Speaker 2: I go and I just wanted to prove to everybody

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Speaker 2: that I'm not the luckiest person in the world. And

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Speaker 2: so I go and I'm like, okay, I have four

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Speaker 2: hundred bucks. So I go to the crabs table and

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Speaker 2: I put four hundred bucks down.

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Speaker 4: I'm by myself.

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Speaker 2: I don't really didnt see anybody unless we were doing

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Speaker 2: shows a who weekend. I was bout myself a weekend.

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Speaker 2: And so I go and I put the money down

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Speaker 2: on the crabs table.

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Speaker 4: And I win. I win some in Ali I'm like

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Speaker 4: a sixteen hundred dollars.

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Speaker 3: So this was you trying to prove well.

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Speaker 4: I was just documenting it to show So what did

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Speaker 4: it prove?

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Speaker 3: Well that you've won.

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Speaker 4: It proved that I won that one time.

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Speaker 2: So the next day I go back and buy myself again,

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Speaker 2: and I put four hundred bucks on a slot machine.

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Speaker 4: Lose all four hundred of it gone.

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Speaker 3: Okay, So at this point it's a slot machine.

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Speaker 4: Okay, but luck's luck.

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Speaker 3: Yeah, your luck is over there at rule.

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Speaker 2: At this point, I'm like, okay, So I was up

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Speaker 2: twelve hundred at that point, so then four hundred. So

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Speaker 2: I'm up eight hundred bucks, but all I have in

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Speaker 2: my pocket is like one hundred fifty dollars hundred sixty dollars.

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Speaker 2: I go back to the crafts table and I went

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Speaker 2: like twenty two hundred bucks, and so I'm way up

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Speaker 2: at this point.

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Speaker 3: Okay.

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Speaker 2: Now here's where the luck separates itself and winning separates

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Speaker 2: itself from just being lucky. I didn't go back the

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Speaker 2: whole rest of the weekend. Why am I going to

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Speaker 2: go back and lose it? Because if I'd gone back,

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Speaker 2: I would have lost it, no doubt. So that was

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Speaker 2: me making the conscious decision to take the money that

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Speaker 2: I had won and not gamble it back, because that's

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Speaker 2: how people lose money.

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Speaker 3: I'm sort of computed. So you came out ahead of.

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Speaker 4: Course, correct, So you'll want to.

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Speaker 3: Because people believe vegas in.

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Speaker 4: The because they don't stop. Have had these guys.

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Speaker 3: People don't win anything.

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Speaker 4: Had. These guys lose everything. This guy found money on

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Speaker 4: the ground. Don't listen to them. They found me.

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Speaker 11: I did.

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Speaker 1: I found one hundred dollars and then what did I

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Speaker 1: do with it? I went to the roulette table, bit

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Speaker 1: on red tolled it up. No hundred dollars bill, That's.

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Speaker 4: What I'm saying. So there's luck everywhere.

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Speaker 1: I was lucky.

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Speaker 4: It's just what you do with it.

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Speaker 3: So did you turn it? What did you turn it into?

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Speaker 1: Two hundred? And then I lost it?

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Speaker 4: See how he just quit? So lucky?

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Speaker 3: You like one a lot? A lot, dude, I know

360
00:14:37,680 --> 00:14:39,040
Speaker 3: you have to play a lot to win a lot.

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Speaker 1: I didn't play a lot, and lucky for you too.

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Speaker 1: You're smart, so you quit.

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Speaker 2: That's I don't think that me being smart as lucky. Oh,

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Speaker 2: I think that's going through a lot of crap and

365
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Speaker 2: losing it all. Back and then deciding, Hey, the best

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Speaker 2: thing for me to do is just kind of to

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Speaker 2: shut it down.

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Speaker 4: But it was a great It was a great Vegas.

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Speaker 4: iHeart weekend.

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Speaker 2: Just generally speaking, the show is awesome and again thanks

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Speaker 2: to Hundai for uh being a big part part of it.

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Speaker 2: If you go to the podcast today which will be up,

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Speaker 2: it's a backstage interview with Jelly Roll and a backstage

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Speaker 2: interview with Bailey Zimmerman on the podcast feed. And Yeah,

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Speaker 2: my nose is doing pretty Good's still little drug? I

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Speaker 2: have little believe this morning. Still, but yeah, doing pretty good.

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Speaker 2: If you missed it, Amy let her license expire. She

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Speaker 2: has to go retake the driver's test to get her

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Speaker 2: license back. She's currently driving illegally. I'm surprised you said that.

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Speaker 3: Well, I mean, but the whole that's known from this

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Speaker 3: whole segment, I know to verbalize it.

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Speaker 2: Yeah, I'm glad. It's funny. But you could have been

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Speaker 2: like I uber and we knew you didn't you imagine

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00:15:36,800 --> 00:15:40,960
Speaker 2: ubering everywhere? Okay, here we go. A triangular red and

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Speaker 2: white sign means what.

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Speaker 3: A try? Oh m, a triangular red and white I

387
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Speaker 3: have all the questions. I don't have the answers like

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Speaker 3: a triangular yellow this morning hazard.

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Speaker 2: A triangular red and white sign.

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Speaker 3: A triangle red and white.

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00:16:00,240 --> 00:16:03,680
Speaker 2: Yeah, do you know that red and white? I would

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Speaker 2: think that's do not enter. No, it's not. What is

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Speaker 2: it like?

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Speaker 9: It is?

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Speaker 5: Yield?

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00:16:08,080 --> 00:16:09,080
Speaker 2: It's just upside down?

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Speaker 3: Oh you didn't.

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00:16:11,280 --> 00:16:14,440
Speaker 4: They're gonna take my license too. I'm gonna don't show

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Speaker 4: up and take my license. Triangular red and.

400
00:16:17,240 --> 00:16:18,880
Speaker 3: White, upside down triangle.

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00:16:20,080 --> 00:16:21,040
Speaker 2: I can't picture it my head.

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00:16:21,160 --> 00:16:23,720
Speaker 1: Yes, just turn the triangle upside down and says yield

403
00:16:23,760 --> 00:16:24,000
Speaker 1: on it.

404
00:16:24,440 --> 00:16:27,000
Speaker 2: A flashing red traffic light means.

405
00:16:26,760 --> 00:16:29,920
Speaker 3: What stop like a stop sign and then turn.

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00:16:31,320 --> 00:16:34,240
Speaker 2: Yeah, stop completely right and then proceed. Yes, I would

407
00:16:34,240 --> 00:16:34,720
Speaker 2: think that's what that.

408
00:16:34,680 --> 00:16:36,120
Speaker 3: Would then go straight?

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Speaker 9: Yeah.

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00:16:36,800 --> 00:16:38,600
Speaker 2: What does a solid yellow line on your side of

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Speaker 2: the road mean?

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00:16:41,880 --> 00:16:45,800
Speaker 3: It means solid? Is it yellow or white? Solid yellow

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00:16:46,400 --> 00:16:49,520
Speaker 3: means I gotta stay in my lane. I can't cross

414
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Speaker 3: like in life has to be dotted.

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Speaker 5: Stay in your.

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00:16:52,000 --> 00:16:54,400
Speaker 3: Lane, yeah, yeah, stay on my side of the street.

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Speaker 2: What does a solid yellow line on your side of

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Speaker 2: the road mean?

419
00:16:57,880 --> 00:16:58,720
Speaker 3: Don't cross?

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Speaker 2: What is your answer?

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00:17:01,480 --> 00:17:04,119
Speaker 3: Don't cross? Stay on your side of the lane.

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Speaker 2: I would think it means no passing.

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Speaker 10: Don't pass?

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Speaker 4: Yeah, no, passing.

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Speaker 3: That's the same thing. If you pass your leaving your

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Speaker 3: side of the street, you're crossing.

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Speaker 2: Okay, you know, fair enough? Next yeah, next up. What's

428
00:17:17,240 --> 00:17:21,120
Speaker 2: the legal blood alcohol concentration limit for most adult drivers

429
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Speaker 2: in the US?

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Speaker 3: I do not know, but uh I hear point eight

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00:17:30,480 --> 00:17:35,200
Speaker 3: a lot or point eight or that'd be deadly eight

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Speaker 3: or eight point eight.

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Speaker 4: There you go the answer. I believe.

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Speaker 8: So.

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00:17:40,080 --> 00:17:42,240
Speaker 4: I mean, that's what I would guess.

436
00:17:42,480 --> 00:17:46,240
Speaker 2: When approaching a school bus with flashing red lights, what

437
00:17:46,280 --> 00:17:46,600
Speaker 2: do you do?

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00:17:46,920 --> 00:17:56,160
Speaker 3: Stop and immediately until it goes away. I'll mess with that.

439
00:17:56,280 --> 00:17:58,440
Speaker 2: Stop and remain stopped until the lights on the bus

440
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Speaker 2: stop flashing it. That's that one. If you miss your

441
00:18:04,440 --> 00:18:06,800
Speaker 2: exit on the highway, I'm gonna give you some options here.

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00:18:07,320 --> 00:18:12,600
Speaker 2: You should stop and back up carefully, keep going.

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00:18:13,119 --> 00:18:16,040
Speaker 3: Could be that never happened.

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00:18:18,480 --> 00:18:21,159
Speaker 2: Make a U turn in the median, go to the

445
00:18:21,200 --> 00:18:23,960
Speaker 2: next exit and turn around, or pull on to the

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Speaker 2: shoulder and reverse there.

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00:18:25,600 --> 00:18:27,119
Speaker 3: Go to the next exit and turn around.

448
00:18:28,200 --> 00:18:32,919
Speaker 2: Yes, okay, how about this one. When parallel parking, your

449
00:18:33,000 --> 00:18:35,840
Speaker 2: vehicle's wheels should be within how many inches of the curb?

450
00:18:36,280 --> 00:18:37,679
Speaker 9: What like?

451
00:18:38,280 --> 00:18:40,520
Speaker 4: That's tough as.

452
00:18:40,280 --> 00:18:44,160
Speaker 3: Loose as possible. Without damaging the rims or.

453
00:18:44,160 --> 00:18:46,960
Speaker 2: Just like it anybody's scratch. When you feel it, anybody's scratch,

454
00:18:46,960 --> 00:18:48,160
Speaker 2: you know you're just close enough.

455
00:18:48,359 --> 00:18:53,200
Speaker 3: Yeah, I've never I didn't know there was a measurement.

456
00:18:53,480 --> 00:18:56,840
Speaker 2: But let me give you some options.

457
00:18:56,880 --> 00:18:57,960
Speaker 3: Sure, take options.

458
00:18:58,359 --> 00:19:00,600
Speaker 2: When parallel parking, your vehicles will be within how many

459
00:19:00,600 --> 00:19:03,640
Speaker 2: inches of the curb? A six inches, B twelve inches,

460
00:19:04,240 --> 00:19:08,240
Speaker 2: C eighteen inches or D twenty four inches six inches?

461
00:19:09,480 --> 00:19:12,240
Speaker 4: It's B twelve inches a foot, but it could be

462
00:19:12,320 --> 00:19:12,919
Speaker 4: twelve Well, you.

463
00:19:12,920 --> 00:19:14,960
Speaker 2: Know what I mean. You know what if you're six?

464
00:19:15,600 --> 00:19:15,919
Speaker 4: Bonus?

465
00:19:16,040 --> 00:19:18,600
Speaker 3: If you're six, you are skilled, and I am a

466
00:19:18,640 --> 00:19:19,959
Speaker 3: talented parallel parker.

467
00:19:20,080 --> 00:19:22,600
Speaker 2: I'll give you one more. If you are involved in

468
00:19:22,640 --> 00:19:25,200
Speaker 2: a minor collision with a parked car, this is pretty

469
00:19:25,200 --> 00:19:33,919
Speaker 2: specifically and you cannot find the owner, what do you do?

470
00:19:33,960 --> 00:19:36,160
Speaker 3: You leave a note or wait?

471
00:19:36,920 --> 00:19:37,879
Speaker 2: Can they give you the options?

472
00:19:38,000 --> 00:19:41,960
Speaker 4: Yes? Please a drive away if the damage is small.

473
00:19:42,280 --> 00:19:53,040
Speaker 12: Hey, uh, wait for the owner to return, call your

474
00:19:53,080 --> 00:19:56,040
Speaker 12: insurance only and let them know, or leave a note

475
00:19:56,040 --> 00:19:57,000
Speaker 12: with your contact information.

476
00:19:58,119 --> 00:20:00,960
Speaker 3: I'm gonna say some people don't have the time to

477
00:20:00,960 --> 00:20:03,200
Speaker 3: wait for the owner to return, so leave a note

478
00:20:03,240 --> 00:20:04,280
Speaker 3: with your information.

479
00:20:04,480 --> 00:20:06,360
Speaker 2: That's correct, Okay, you one more.

480
00:20:06,320 --> 00:20:08,120
Speaker 3: Yes, feel pretty good.

481
00:20:08,359 --> 00:20:11,440
Speaker 2: The two second rule. The two second rule is used

482
00:20:11,480 --> 00:20:17,640
Speaker 2: for a timing yellow lights, B parking on a hill,

483
00:20:18,840 --> 00:20:24,520
Speaker 2: see avoiding tailgating tickets or D keeping enough following.

484
00:20:24,119 --> 00:20:31,120
Speaker 3: Distance, well, following distance and tailgating. Same thing, right, I'm

485
00:20:31,119 --> 00:20:36,480
Speaker 3: confused by that is do they hand out tailgating tickets?

486
00:20:36,960 --> 00:20:38,280
Speaker 2: I don't know. You can get a tailgating ticket.

487
00:20:38,320 --> 00:20:42,320
Speaker 3: I don't know, so it must be D. It helps

488
00:20:42,320 --> 00:20:44,040
Speaker 3: you know when you're following too close.

489
00:20:44,119 --> 00:20:45,399
Speaker 2: Yeah, I'll give you one more because this is a

490
00:20:45,400 --> 00:20:48,760
Speaker 2: good one. Okay, when driving a heavy rain in your

491
00:20:48,880 --> 00:20:56,800
Speaker 2: car begins a hydroplane, do you A accelerate slightly, B,

492
00:20:57,400 --> 00:21:00,560
Speaker 2: take your foot off the gas and steer straight, se

493
00:21:01,440 --> 00:21:05,119
Speaker 2: turn sharply to regain control or D break hard immediately?

494
00:21:05,359 --> 00:21:10,560
Speaker 3: Oh no, don't break HERD immediately eliminate that one. Okay,

495
00:21:11,320 --> 00:21:15,440
Speaker 3: don't accelerate. That was the first one, right, that'd be bad, right,

496
00:21:16,320 --> 00:21:18,879
Speaker 3: I'm asking him? Yeah, and then so the middle to.

497
00:21:19,280 --> 00:21:22,240
Speaker 2: So you have turned sharply to regain control, or take

498
00:21:22,280 --> 00:21:23,720
Speaker 2: your foot off the gas and steer straight.

499
00:21:24,240 --> 00:21:25,320
Speaker 3: Take your foot off the gas.

500
00:21:25,640 --> 00:21:27,399
Speaker 2: You should pass the test. He's a good job. Just

501
00:21:27,400 --> 00:21:30,280
Speaker 2: eliminate the idiot ones. Yeah, you're good, you know, give

502
00:21:30,280 --> 00:21:32,639
Speaker 2: her a license. Bring every one in, we'll write you

503
00:21:32,720 --> 00:21:34,280
Speaker 2: one out and if they stop, you just show them this.

504
00:21:35,200 --> 00:21:36,600
Speaker 2: It's time for the good news.

505
00:21:37,000 --> 00:21:40,040
Speaker 3: Bobby.

506
00:21:41,840 --> 00:21:45,960
Speaker 2: See Kevin Ryder is jogging and he's jogging at a

507
00:21:46,000 --> 00:21:48,280
Speaker 2: you know, an active part of the day on the sidewalk,

508
00:21:48,400 --> 00:21:50,800
Speaker 2: and as he's running, he collapses and so there are

509
00:21:50,800 --> 00:21:53,080
Speaker 2: people around and they see him collapse and they're surrounding him.

510
00:21:53,320 --> 00:21:55,920
Speaker 2: But driving by around that time was an ICU nurse

511
00:21:56,400 --> 00:21:59,160
Speaker 2: and Grady was his name. I think nurse, I think woman.

512
00:21:59,440 --> 00:22:01,199
Speaker 2: That's un me and I don't like me for that.

513
00:22:01,440 --> 00:22:04,320
Speaker 2: I almost sat hurt. But Grady was driving by and

514
00:22:04,359 --> 00:22:07,359
Speaker 2: sees everybody surrounding the person, so he like, hey, stop

515
00:22:07,400 --> 00:22:09,280
Speaker 2: to Carl and see what's up. And he goes over

516
00:22:09,520 --> 00:22:12,200
Speaker 2: and so they jump on him and give him CPR

517
00:22:12,280 --> 00:22:15,399
Speaker 2: for ten minutes, well ten minutes until the first responders

518
00:22:15,400 --> 00:22:17,520
Speaker 2: were able to show up got him to the hospital.

519
00:22:17,680 --> 00:22:21,320
Speaker 2: He ended up living, so big shout out to him

520
00:22:21,320 --> 00:22:22,919
Speaker 2: for stopping. He didn't even know what it was. He

521
00:22:22,960 --> 00:22:25,480
Speaker 2: just saw people surrounding something and they were like, let's

522
00:22:25,480 --> 00:22:27,119
Speaker 2: stop and see what this is, just in case it

523
00:22:27,200 --> 00:22:30,000
Speaker 2: turns out, just in case was somebody was in a

524
00:22:30,040 --> 00:22:31,960
Speaker 2: situation that he could help, and then they stayed for

525
00:22:32,080 --> 00:22:36,000
Speaker 2: ten minutes and gave CPR crazy. That's from kc TV

526
00:22:36,640 --> 00:22:40,040
Speaker 2: five and big shout out to Grady the ic unurse.

527
00:22:40,080 --> 00:22:42,600
Speaker 2: It also says his friend and the friend help, but

528
00:22:42,600 --> 00:22:43,800
Speaker 2: they don't ever put the friend's name in it.

529
00:22:43,880 --> 00:22:46,720
Speaker 1: Oh they go, yeah, yeah, there you go.

530
00:22:46,840 --> 00:22:49,880
Speaker 2: That's what it's all about. That was telling me something good.

531
00:22:51,520 --> 00:22:55,400
Speaker 2: Now it's time for masterpiece theater, where Raymundo and I

532
00:22:55,520 --> 00:23:00,720
Speaker 2: wellcked out three famous movie scenes. Can you guess the movie? Amy?

533
00:23:00,840 --> 00:23:04,040
Speaker 2: Eddie Lunchbox writes your answers down, Ray, are you ready?

534
00:23:04,320 --> 00:23:04,560
Speaker 7: Yep?

535
00:23:05,119 --> 00:23:09,399
Speaker 2: My acting partner and action I want to make sure

536
00:23:09,440 --> 00:23:10,080
Speaker 2: you're ready. Brother.

537
00:23:10,119 --> 00:23:10,520
Speaker 5: Here it is.

538
00:23:11,640 --> 00:23:14,600
Speaker 2: Show me the money. Oh hope, show me the money.

539
00:23:14,800 --> 00:23:17,200
Speaker 2: Show me the money. Doesn't it make you feel good

540
00:23:17,200 --> 00:23:19,880
Speaker 2: to say that? Say it with me one time? Show

541
00:23:19,960 --> 00:23:21,960
Speaker 2: you the money. No, no, no, no, you can do

542
00:23:22,000 --> 00:23:23,679
Speaker 2: better than I want you to say it. Say it

543
00:23:23,680 --> 00:23:26,800
Speaker 2: with Minie. Show you the money. No no, no, not

544
00:23:26,920 --> 00:23:30,960
Speaker 2: show you show me the money. Show me the money, louder,

545
00:23:31,640 --> 00:23:32,560
Speaker 2: show me the money.

546
00:23:33,080 --> 00:23:36,280
Speaker 4: Yell, show me the money.

547
00:23:37,160 --> 00:23:41,960
Speaker 2: Scene. Pretty good, guys, Thank you, thank you, thank you?

548
00:23:42,840 --> 00:23:49,959
Speaker 2: Right I'm in w all right. This is the easy one. Lunchbox,

549
00:23:50,320 --> 00:23:54,880
Speaker 2: Jerry McGuire, Amy, Jerry maguire, Eddie, Jerry McGuire.

550
00:23:55,040 --> 00:24:00,159
Speaker 4: Okay, everybody's good. Next one up. This is the medium one.

551
00:24:01,840 --> 00:24:04,840
Speaker 2: Man, this is baseball. You gotta stop thinking. Just just

552
00:24:04,880 --> 00:24:07,400
Speaker 2: have fun. I mean, if you were having fun, you'd

553
00:24:07,440 --> 00:24:09,560
Speaker 2: caught the ball. H You ever have a paper out

554
00:24:10,000 --> 00:24:12,520
Speaker 2: I helped the guy once. Okay, well, chuck it like

555
00:24:12,560 --> 00:24:15,360
Speaker 2: it told the paper. When your arm gets here, just.

556
00:24:15,359 --> 00:24:15,719
Speaker 3: Let it go.

557
00:24:16,040 --> 00:24:18,000
Speaker 2: Just let it go. It's that easy. How do I

558
00:24:18,080 --> 00:24:21,720
Speaker 2: catch it? Just stand out there and stick your glove

559
00:24:21,720 --> 00:24:23,360
Speaker 2: in the air. I'll take care of it.

560
00:24:24,480 --> 00:24:28,560
Speaker 4: Scene. I'm in, I'm in for the wind.

561
00:24:30,080 --> 00:24:35,040
Speaker 2: I'm in, Eddie. I have the Sandlot, Amy.

562
00:24:34,920 --> 00:24:38,040
Speaker 4: Sandlot, lunchbox, the sand Lot.

563
00:24:39,680 --> 00:24:46,680
Speaker 7: Good job, everybody's still in. This one's a little harder. Father,

564
00:24:47,320 --> 00:24:48,359
Speaker 7: You have forgotten me?

565
00:24:48,960 --> 00:24:50,920
Speaker 2: No, how could I?

566
00:24:50,960 --> 00:24:53,720
Speaker 7: You have forgotten who you are and so have forgotten me.

567
00:24:54,200 --> 00:24:57,240
Speaker 7: Look inside yourself. You are more than what you've become.

568
00:24:58,200 --> 00:25:00,679
Speaker 2: How can I go back? I'm not I used to be.

569
00:25:00,920 --> 00:25:03,760
Speaker 7: Remember who you are. You're my son, the one true King.

570
00:25:04,000 --> 00:25:04,920
Speaker 7: Remember who you are?

571
00:25:05,480 --> 00:25:11,680
Speaker 2: No, please don't leave me, Remember, father, don't leave me rememba.

572
00:25:14,000 --> 00:25:14,600
Speaker 5: That's great.

573
00:25:14,680 --> 00:25:18,359
Speaker 1: What I don't think I know the movie, but that's great.

574
00:25:18,920 --> 00:25:20,199
Speaker 2: Wait you think you don't know the man?

575
00:25:20,359 --> 00:25:21,920
Speaker 4: I don't you know that you enjoyed the acting.

576
00:25:22,440 --> 00:25:28,160
Speaker 3: I'm father. Wait remember.

577
00:25:30,320 --> 00:25:31,199
Speaker 5: You guys nailed it?

578
00:25:32,080 --> 00:25:32,680
Speaker 9: Mm hmm.

579
00:25:36,800 --> 00:25:45,160
Speaker 2: My gosh three seconds. I'm in Amy four Eddie, Lord

580
00:25:45,240 --> 00:25:49,200
Speaker 2: of the Rings. I think Lunchbox is gonna wine because

581
00:25:49,240 --> 00:25:55,080
Speaker 2: you both missed it. Lunchbox that is the Lion King. No,

582
00:25:55,520 --> 00:25:56,280
Speaker 2: that is correct.

583
00:25:58,960 --> 00:25:59,359
Speaker 4: We didn't.

584
00:25:59,400 --> 00:26:00,480
Speaker 3: What I'm like lying?

585
00:26:00,600 --> 00:26:02,720
Speaker 5: Oh no, they sounded just like it did.

586
00:26:02,800 --> 00:26:04,199
Speaker 2: Pretty good.

587
00:26:04,600 --> 00:26:07,080
Speaker 4: Rushed you out. It's's ghosts.

588
00:26:07,560 --> 00:26:11,199
Speaker 2: You have forgotten me. Wow, big Winter Lunchbox hit.

589
00:26:11,240 --> 00:26:14,879
Speaker 4: That's money.

590
00:26:19,800 --> 00:26:20,879
Speaker 9: Everybody.

591
00:26:22,040 --> 00:26:24,840
Speaker 4: They stay there, They stay there.

592
00:26:28,480 --> 00:26:30,720
Speaker 2: And for Lunchbox only. We will do one more.

593
00:26:30,800 --> 00:26:31,239
Speaker 4: Rey and I.

594
00:26:34,680 --> 00:26:38,800
Speaker 2: He's not a space rain dur. He doesn't fight evil

595
00:26:39,119 --> 00:26:42,000
Speaker 2: or shoot lasers or fly excuse.

596
00:26:41,600 --> 00:26:43,280
Speaker 4: Me, what what what?

597
00:26:43,720 --> 00:26:45,000
Speaker 2: He's a plastic He can't.

598
00:26:44,760 --> 00:26:50,800
Speaker 7: Fly there cherillium carbonic alloy. And I can fly? No you, No,

599
00:26:50,880 --> 00:26:57,560
Speaker 7: you can't. Yes, I can can't. Can can't can't. I

600
00:26:57,640 --> 00:27:01,320
Speaker 7: tell you, I tell you I would fly around this

601
00:27:01,400 --> 00:27:05,560
Speaker 7: room with my eyes closed. Okay, prove it all right?

602
00:27:05,600 --> 00:27:09,679
Speaker 7: Then I will stand back everyone, lunchbikes.

603
00:27:09,720 --> 00:27:13,000
Speaker 6: Man, I think my ear headphones cut out. We'll just

604
00:27:13,040 --> 00:27:14,679
Speaker 6: stick with the Lion King on the last one. But

605
00:27:14,760 --> 00:27:16,440
Speaker 6: I'll just guess something for fun.

606
00:27:17,040 --> 00:27:17,920
Speaker 4: Wait are you joking?

607
00:27:19,600 --> 00:27:21,240
Speaker 6: Yes, Eddie, I had no idea what it was. I

608
00:27:21,240 --> 00:27:22,600
Speaker 6: was trying to act like I didn't know.

609
00:27:22,720 --> 00:27:23,840
Speaker 2: I didn't get it either.

610
00:27:23,960 --> 00:27:25,240
Speaker 4: Okay, what's your what's your guests?

611
00:27:25,280 --> 00:27:26,880
Speaker 5: I'll go with step brothers.

612
00:27:27,240 --> 00:27:34,159
Speaker 2: Nah, that's toy story. Yeah, we'll do one more. This

613
00:27:34,240 --> 00:27:38,480
Speaker 2: is for all you guys. No, I say, we stay here,

614
00:27:38,960 --> 00:27:41,800
Speaker 2: we hunt for jobs, and we keep saving our money

615
00:27:41,800 --> 00:27:42,840
Speaker 2: for the worm store.

616
00:27:43,200 --> 00:27:45,400
Speaker 7: I don't know about you, but I'm getting sick and

617
00:27:45,520 --> 00:27:48,280
Speaker 7: tired of running from creditors.

618
00:27:48,080 --> 00:27:48,320
Speaker 4: You know what.

619
00:27:48,400 --> 00:27:50,680
Speaker 7: I'm sick and tired of sick and tired of having

620
00:27:50,680 --> 00:27:53,080
Speaker 7: to eke my way through life. I'm sick and tired

621
00:27:53,119 --> 00:27:55,680
Speaker 7: of being a nobody. But most of all, I'm sick

622
00:27:55,760 --> 00:27:57,880
Speaker 7: and tired of having nobody.

623
00:27:58,280 --> 00:28:03,439
Speaker 2: Okay, asking a day, you'd better not be fooling. Okay, Okay, okay,

624
00:28:03,600 --> 00:28:10,160
Speaker 2: uh just let it out. Have a good cry. Come on, okay, Okay, Okay,

625
00:28:10,160 --> 00:28:17,520
Speaker 2: that's enough. That's anough see, well done, well done, Eddie.

626
00:28:17,520 --> 00:28:19,280
Speaker 2: Do you not have it I have it. I'm in Okay,

627
00:28:19,280 --> 00:28:21,680
Speaker 2: this is fun. What do you have, dumb and dumber Lunchbox?

628
00:28:22,000 --> 00:28:25,520
Speaker 3: The champ has dumb and dumber Amy, Oh dang a

629
00:28:25,600 --> 00:28:27,240
Speaker 3: spinger of petit ticktoo.

630
00:28:26,960 --> 00:28:31,320
Speaker 2: Oh dang, yeah, Jim Carrey, Yeah yeah, lunchboxes on a

631
00:28:31,400 --> 00:28:37,359
Speaker 2: winter nice job, that is. No, let's get an update

632
00:28:37,400 --> 00:28:40,520
Speaker 2: from Lunchbox about prices, right, because he told us last

633
00:28:40,520 --> 00:28:43,240
Speaker 2: week he bought tickets he was ready to go. Turns

634
00:28:43,240 --> 00:28:45,280
Speaker 2: out he bought them for the wrong month. So that

635
00:28:45,360 --> 00:28:48,840
Speaker 2: means somebody that was waiting for tickets in the standby

636
00:28:48,960 --> 00:28:52,520
Speaker 2: got tickets this last week because Lunchbox bought them and

637
00:28:52,560 --> 00:28:55,160
Speaker 2: then he couldn't go. So you made someone's dream come

638
00:28:55,160 --> 00:28:56,120
Speaker 2: true accidentally. Yeah.

639
00:28:56,120 --> 00:28:57,920
Speaker 6: I mean that's what I do is I'm out here

640
00:28:57,960 --> 00:29:00,040
Speaker 6: making dreams come true. They showed up in La with

641
00:29:00,080 --> 00:29:02,560
Speaker 6: out tickets, just with the hope and prayer getting on

642
00:29:03,040 --> 00:29:05,720
Speaker 6: and what do you know, September seventeenth, the wrong day

643
00:29:05,720 --> 00:29:07,120
Speaker 6: of the week, the wrong day of the month that

644
00:29:07,160 --> 00:29:09,360
Speaker 6: I was supposed to be there, so they got in

645
00:29:09,480 --> 00:29:10,680
Speaker 6: to see come.

646
00:29:10,480 --> 00:29:14,240
Speaker 2: On, now, you're so thoughtful man. So the Lunchbox bought

647
00:29:14,240 --> 00:29:15,800
Speaker 2: tickets for the wrong day. I guess got them you

648
00:29:15,800 --> 00:29:16,240
Speaker 2: don't buy them.

649
00:29:16,320 --> 00:29:18,200
Speaker 6: No, you don't buy them. You just sign up online, dude,

650
00:29:18,240 --> 00:29:20,840
Speaker 6: and you just boom. And I was I was just excited.

651
00:29:20,880 --> 00:29:21,600
Speaker 5: I was scrolling down.

652
00:29:21,680 --> 00:29:23,760
Speaker 6: I saw the seventeenth and I boom, I hit it.

653
00:29:24,360 --> 00:29:26,520
Speaker 2: So now what's happened? Have you got tickets for the

654
00:29:26,520 --> 00:29:26,880
Speaker 2: real date?

655
00:29:27,000 --> 00:29:28,600
Speaker 5: Well, guys, I got an update.

656
00:29:28,720 --> 00:29:31,080
Speaker 6: I said, you know what, I'm gonna make the price

657
00:29:31,120 --> 00:29:32,280
Speaker 6: and right prices.

658
00:29:32,000 --> 00:29:33,800
Speaker 5: Right, be sick of me. They are going to be

659
00:29:33,880 --> 00:29:34,920
Speaker 5: so tired of my face.

660
00:29:34,920 --> 00:29:37,600
Speaker 6: They're gonna be forced to call my name to come

661
00:29:37,640 --> 00:29:41,920
Speaker 6: on down. They put out tickets for October and I

662
00:29:41,960 --> 00:29:46,040
Speaker 6: got tickets for October fifteenth. I got tickets for October sixteenth.

663
00:29:46,160 --> 00:29:48,880
Speaker 6: I got tickets for October seventeenth.

664
00:29:49,160 --> 00:29:52,520
Speaker 4: We're going back to back to back, Jack.

665
00:29:53,160 --> 00:29:54,920
Speaker 2: I feel like you're about to have a stroke ye,

666
00:29:55,160 --> 00:29:56,320
Speaker 2: like or a heart attack or something.

667
00:29:56,520 --> 00:29:57,520
Speaker 5: No, I'm bringing the energy.

668
00:29:57,560 --> 00:29:59,560
Speaker 6: This is the energy I'm gonna bring to the prices, right,

669
00:29:59,600 --> 00:30:00,760
Speaker 6: this is how I'm I'm going to be when.

670
00:30:00,600 --> 00:30:02,800
Speaker 2: I get there. And did he get all those dates approved?

671
00:30:02,880 --> 00:30:03,320
Speaker 4: I don't know.

672
00:30:03,920 --> 00:30:06,000
Speaker 2: I see okay to have off work all those days?

673
00:30:06,360 --> 00:30:07,320
Speaker 5: Oh yeah, stepped out?

674
00:30:07,760 --> 00:30:10,440
Speaker 4: Oh yeah? Oh hold on, let's talk with Scuba.

675
00:30:10,520 --> 00:30:11,480
Speaker 2: What's that, Scuba?

676
00:30:11,600 --> 00:30:13,600
Speaker 5: Yeah, man, it's fine. If he goes, man, it's good

677
00:30:13,640 --> 00:30:14,160
Speaker 5: for the show.

678
00:30:16,240 --> 00:30:16,520
Speaker 2: Dang.

679
00:30:17,400 --> 00:30:19,440
Speaker 6: I mean we can connect him with the studio in La.

680
00:30:19,600 --> 00:30:21,840
Speaker 5: He can go there. Then the price is right. This

681
00:30:22,000 --> 00:30:23,120
Speaker 5: is national exposure.

682
00:30:23,800 --> 00:30:26,320
Speaker 2: Scuba sounds six. Yeah, Scuba has some kind of weird

683
00:30:26,360 --> 00:30:27,800
Speaker 2: old or something bys infection.

684
00:30:28,160 --> 00:30:29,320
Speaker 5: So he was doing nights.

685
00:30:29,320 --> 00:30:31,040
Speaker 6: You know, I'm doing that my afternoon show on the rock.

686
00:30:31,120 --> 00:30:33,560
Speaker 6: My voice is just a little it goes, comes and goes.

687
00:30:34,200 --> 00:30:35,720
Speaker 2: Okay, I need to talk to the real Scuba to

688
00:30:35,760 --> 00:30:37,560
Speaker 2: see if he has granted permission for Muchbox to be

689
00:30:37,600 --> 00:30:39,600
Speaker 2: gone all those days three days.

690
00:30:39,360 --> 00:30:42,360
Speaker 4: That that's a pretty bad precedent. It's not that bad

691
00:30:42,400 --> 00:30:43,080
Speaker 4: of a precedent.

692
00:30:45,000 --> 00:30:45,800
Speaker 2: What's that, Scuba?

693
00:30:46,200 --> 00:30:48,320
Speaker 6: Well, I just think that, you know, it's smart that

694
00:30:48,360 --> 00:30:50,080
Speaker 6: if he's going to be out there, he might as well.

695
00:30:50,160 --> 00:30:52,760
Speaker 6: If he doesn't get on the fifteenth, he should try

696
00:30:52,800 --> 00:30:54,680
Speaker 6: the sixteenth. If he doesn't get on the in the seventeenth,

697
00:30:54,680 --> 00:30:56,120
Speaker 6: it'd be kind of a waste if we just send

698
00:30:56,160 --> 00:30:59,240
Speaker 6: him for one day, wouldn't it. I agree with you, Scuba,

699
00:30:59,320 --> 00:31:03,080
Speaker 6: great call, no school. That is so smart, dude, Like

700
00:31:03,360 --> 00:31:04,880
Speaker 6: I'm flying all the way to La. Why would I

701
00:31:04,920 --> 00:31:06,680
Speaker 6: just leave after one day? You're right, Scooba, I agree

702
00:31:06,960 --> 00:31:11,280
Speaker 6: think you Okay, Yeah, I'll have talk. But that's good

703
00:31:11,280 --> 00:31:13,680
Speaker 6: that you have real tickets. Now, I don't know how

704
00:31:13,720 --> 00:31:16,040
Speaker 6: they don't let them on. I don't know how they

705
00:31:16,040 --> 00:31:16,640
Speaker 6: don't let him on.

706
00:31:17,080 --> 00:31:18,920
Speaker 3: So if he gets on on the fifteenth, does he

707
00:31:18,960 --> 00:31:19,680
Speaker 3: come home after that?

708
00:31:20,560 --> 00:31:21,240
Speaker 2: That's a scuba.

709
00:31:21,800 --> 00:31:22,000
Speaker 5: No.

710
00:31:22,120 --> 00:31:24,600
Speaker 6: I mean there's other like let's make a deal is

711
00:31:24,640 --> 00:31:26,920
Speaker 6: out there, and there's other ones that have daily getting

712
00:31:26,920 --> 00:31:30,920
Speaker 6: back to your own voice, you can't and we we

713
00:31:30,960 --> 00:31:32,200
Speaker 6: would probably send them to those.

714
00:31:32,440 --> 00:31:34,200
Speaker 4: No, you sound like you again school.

715
00:31:34,240 --> 00:31:35,000
Speaker 5: That's a good idea, man.

716
00:31:35,080 --> 00:31:37,080
Speaker 4: No, it's just you talking with you right now.

717
00:31:37,680 --> 00:31:42,480
Speaker 2: No, okay, So possibly Lunchbox could be on prices right

718
00:31:43,200 --> 00:31:46,600
Speaker 2: the fifteenth to sixteenth to the seventeenth. I need to

719
00:31:46,600 --> 00:31:47,880
Speaker 2: see if we can give you three days off for

720
00:31:47,920 --> 00:31:50,040
Speaker 2: that though, because this is all him, This is all

721
00:31:50,080 --> 00:31:52,360
Speaker 2: like him fun trip. This is not a work trip.

722
00:31:53,640 --> 00:31:54,040
Speaker 3: What do you mean?

723
00:31:54,080 --> 00:31:56,720
Speaker 2: No, no, no, this is me doing if you could you know,

724
00:31:56,760 --> 00:31:58,320
Speaker 2: if you could guarantee you were going to get on

725
00:31:58,360 --> 00:32:00,320
Speaker 2: the show, that's true. Otherwise you're just like going to

726
00:32:00,360 --> 00:32:03,480
Speaker 2: have fun. Would you not agree with that?

727
00:32:03,720 --> 00:32:06,440
Speaker 6: I don't think it's fun standing in line for hours.

728
00:32:06,520 --> 00:32:08,400
Speaker 2: Yes, you do. You know you're looking forward to standing

729
00:32:08,440 --> 00:32:10,560
Speaker 2: in line for hours trying to impress the producers.

730
00:32:10,600 --> 00:32:11,320
Speaker 5: You're exactly right.

731
00:32:11,360 --> 00:32:12,959
Speaker 6: I'm thinking about man, I got to put on a

732
00:32:13,040 --> 00:32:14,000
Speaker 6: show on in line.

733
00:32:14,000 --> 00:32:14,680
Speaker 10: I gotta be there.

734
00:32:14,680 --> 00:32:16,400
Speaker 2: What is that stree?

735
00:32:16,800 --> 00:32:18,719
Speaker 1: Does that mean three days of him in the in

736
00:32:18,760 --> 00:32:20,040
Speaker 1: the studio audience too?

737
00:32:20,520 --> 00:32:21,800
Speaker 4: Does he get in automatically?

738
00:32:21,880 --> 00:32:22,040
Speaker 8: Yes?

739
00:32:22,200 --> 00:32:24,880
Speaker 2: Yeah, there's no way he doesn't get on the show.

740
00:32:24,920 --> 00:32:26,440
Speaker 2: Like I would bet money, he's going to get on

741
00:32:27,040 --> 00:32:28,600
Speaker 2: because somehow this is going to get back to the

742
00:32:28,640 --> 00:32:30,520
Speaker 2: producers anyway of us talking about it doing a bit

743
00:32:30,560 --> 00:32:34,520
Speaker 2: for like a month. We have a pretty large platform. Also,

744
00:32:34,560 --> 00:32:37,000
Speaker 2: he's got a lot of energy. I don't know how

745
00:32:37,000 --> 00:32:38,600
Speaker 2: he doesn't get on. That doesn't mean he gets on

746
00:32:38,640 --> 00:32:39,920
Speaker 2: to play a game. It just means he gets to

747
00:32:39,920 --> 00:32:45,200
Speaker 2: be in the panel. That gets to be one dollar

748
00:32:46,000 --> 00:32:48,760
Speaker 2: Drew that type of person. Yeah, okay, I'll talk to

749
00:32:48,760 --> 00:32:50,960
Speaker 2: Scooba when he for real gets back. I forgot he's

750
00:32:50,960 --> 00:32:53,720
Speaker 2: not in today, but the ghost of Scuba apparently is.

751
00:32:54,000 --> 00:32:56,480
Speaker 6: Yeah, he is good to go. Man, I am good.

752
00:32:56,520 --> 00:32:58,160
Speaker 6: I wrote it down on the calendar.

753
00:32:58,360 --> 00:33:00,000
Speaker 2: Do you think he should have extra days off too?

754
00:33:00,760 --> 00:33:02,440
Speaker 6: That wouldn't be bad. It would be good for his

755
00:33:02,520 --> 00:33:05,120
Speaker 6: mental well being. You know the stress of you know,

756
00:33:05,280 --> 00:33:07,160
Speaker 6: learning the bids. He's gonna have to watch a lot

757
00:33:07,160 --> 00:33:09,600
Speaker 6: of prices right between now and then. Can I say this,

758
00:33:09,680 --> 00:33:11,560
Speaker 6: Lunchbox kind of talks like Foghorn Leghorn.

759
00:33:13,520 --> 00:33:15,880
Speaker 2: Foghorn Leghorn would be like, I was gonna eat me

760
00:33:16,000 --> 00:33:19,640
Speaker 2: a cook it, cook it, cook it, crack it, and

761
00:33:19,760 --> 00:33:27,680
Speaker 2: Lunchbox is like his mental well, be well, be okay, Well,

762
00:33:28,080 --> 00:33:32,560
Speaker 2: I'm glad you have tickets, though, good job. We're gonna

763
00:33:32,600 --> 00:33:35,280
Speaker 2: talk to Emma Slater, who's one of the pros on

764
00:33:35,440 --> 00:33:38,760
Speaker 2: Dancing with the Stars and her partner is comedian Andy Richter.

765
00:33:39,160 --> 00:33:41,360
Speaker 2: They had the first episode last week. The second episode

766
00:33:41,360 --> 00:33:43,000
Speaker 2: will be tomorrow night, and so I talked to her

767
00:33:43,000 --> 00:33:46,600
Speaker 2: about the backlash that she got online because she was

768
00:33:46,720 --> 00:33:49,160
Speaker 2: paired with Andy, because I think people wanted her to

769
00:33:49,200 --> 00:33:51,240
Speaker 2: have a chance she had two older partners, And so

770
00:33:51,600 --> 00:33:53,520
Speaker 2: we talk about that. We talk about behind the scenes

771
00:33:53,560 --> 00:33:55,120
Speaker 2: of Dancing with the Stars. It's like what people are

772
00:33:55,120 --> 00:33:57,240
Speaker 2: saying while they're actually dancing on the floor on TV.

773
00:33:57,600 --> 00:34:00,160
Speaker 2: And again, check it out tomorrow night. Here is pro

774
00:34:00,360 --> 00:34:02,800
Speaker 2: dancer from Dancing with the stars. Emma Slater, Let's go

775
00:34:03,440 --> 00:34:08,000
Speaker 2: on the Bobby Bones Show now. Ms Slater, you saw

776
00:34:08,120 --> 00:34:11,480
Speaker 2: the comments about how people were upset that you were

777
00:34:11,520 --> 00:34:14,359
Speaker 2: teamed with Andy. I love Andy Rictor. I'm a massive fan.

778
00:34:14,600 --> 00:34:17,040
Speaker 2: What are your thoughts on how people are reacting to

779
00:34:17,080 --> 00:34:18,000
Speaker 2: you being team with Andy.

780
00:34:18,239 --> 00:34:18,680
Speaker 7: I saw the.

781
00:34:18,760 --> 00:34:21,879
Speaker 13: Comments and I thought my first thought was I really

782
00:34:22,000 --> 00:34:24,880
Speaker 13: hope that Andy isn't disheartened by reading this, because for me,

783
00:34:25,360 --> 00:34:27,279
Speaker 13: I think Andy is the best partner for me.

784
00:34:27,440 --> 00:34:28,040
Speaker 3: I truly do.

785
00:34:28,440 --> 00:34:30,680
Speaker 13: I have got to that point in my life.

786
00:34:30,719 --> 00:34:33,240
Speaker 4: And also, I've done the show now for nineteen seasons.

787
00:34:33,480 --> 00:34:38,960
Speaker 13: I know where my expertise are, and I know what

788
00:34:39,200 --> 00:34:41,319
Speaker 13: I love to do, and I really love to see

789
00:34:41,360 --> 00:34:44,439
Speaker 13: the improvement and the growth in my partners, and that's

790
00:34:44,560 --> 00:34:46,279
Speaker 13: what I'm probably best at.

791
00:34:46,360 --> 00:34:48,880
Speaker 3: I'm probably best at bringing out people that.

792
00:34:49,040 --> 00:34:52,920
Speaker 13: Are not dancers, that are potentially even nervous to do

793
00:34:53,040 --> 00:34:55,480
Speaker 13: the show and to give them the best possible experience.

794
00:34:55,560 --> 00:34:58,839
Speaker 13: And trust me, all the pros give their partners an

795
00:34:58,880 --> 00:35:01,800
Speaker 13: E's such an incredible experience and the best one that

796
00:35:01,840 --> 00:35:04,560
Speaker 13: they could possibly do. But Andy, to me is the

797
00:35:04,640 --> 00:35:07,560
Speaker 13: best partner. I love being partnered with the funny guys.

798
00:35:07,680 --> 00:35:11,120
Speaker 13: I love being partnered with the personalities. I love being

799
00:35:11,200 --> 00:35:14,879
Speaker 13: partnered with the people that have this special quality about them,

800
00:35:15,040 --> 00:35:17,680
Speaker 13: and so I'm thrilled, and I always was thrilled that

801
00:35:17,760 --> 00:35:19,280
Speaker 13: I had Andy as a partner.

802
00:35:19,400 --> 00:35:21,640
Speaker 2: People will wonder what you're saying to your partner while

803
00:35:21,680 --> 00:35:23,759
Speaker 2: you're dancing. What are you saying to your partner while

804
00:35:23,760 --> 00:35:24,720
Speaker 2: you're dancing on television?

805
00:35:24,960 --> 00:35:27,680
Speaker 13: Well, everything, So I'm saying the whole choreography is so

806
00:35:28,160 --> 00:35:30,680
Speaker 13: we Andy and I just did our wide shot. And

807
00:35:30,760 --> 00:35:32,839
Speaker 13: you remember that, Bobby, that's that part in the week

808
00:35:32,920 --> 00:35:36,560
Speaker 13: where you get that wide angle video of your entire

809
00:35:36,680 --> 00:35:39,920
Speaker 13: dance to music so that the directors can map out

810
00:35:40,000 --> 00:35:42,759
Speaker 13: all the cameras. So we just did our video where

811
00:35:42,800 --> 00:35:45,239
Speaker 13: we did the dance to music, and you can hear

812
00:35:45,280 --> 00:35:47,680
Speaker 13: the music, but you can hear me screaming on top

813
00:35:47,680 --> 00:35:48,879
Speaker 13: of the music for the most part.

814
00:35:49,160 --> 00:35:51,520
Speaker 2: And it'll be things like twinkle toes.

815
00:35:51,239 --> 00:35:53,080
Speaker 13: At one point, because it gives him the visual of

816
00:35:53,360 --> 00:35:57,319
Speaker 13: like fast feet, I say, tall, hand on head, I'll

817
00:35:57,400 --> 00:36:01,120
Speaker 13: say quick, I'll say have fun. Because there's a moment

818
00:36:01,200 --> 00:36:03,400
Speaker 13: where I asked him, I said, what does this step?

819
00:36:03,560 --> 00:36:05,480
Speaker 13: How do you become more free in this step? And

820
00:36:05,560 --> 00:36:07,200
Speaker 13: he says, oh, it makes me think of having fun.

821
00:36:07,520 --> 00:36:09,040
Speaker 13: So every time we get to the step, I say

822
00:36:09,080 --> 00:36:11,479
Speaker 13: have fun, and he does it like he really comes alive.

823
00:36:11,880 --> 00:36:14,920
Speaker 3: So I need to keep giving him and usually all

824
00:36:15,000 --> 00:36:16,040
Speaker 3: my partners.

825
00:36:15,719 --> 00:36:18,920
Speaker 13: A lot of structure during the show, during the dance

826
00:36:19,239 --> 00:36:21,839
Speaker 13: by you know, vocal cues, and it helps them. If

827
00:36:21,920 --> 00:36:24,680
Speaker 13: I ever really stop that, it becomes a bit of

828
00:36:24,760 --> 00:36:27,200
Speaker 13: a problem. I've tried a couple of times, but it's

829
00:36:27,280 --> 00:36:29,759
Speaker 13: much better for them when they have kind of all

830
00:36:29,880 --> 00:36:33,040
Speaker 13: angles like support. At least a lot of my partners.

831
00:36:36,560 --> 00:36:39,640
Speaker 2: To hear that full episode, it's like forty minutes long.

832
00:36:39,960 --> 00:36:43,360
Speaker 2: Go search for the Bobby cast on iHeartRadio or wherever

833
00:36:43,480 --> 00:36:44,520
Speaker 2: you listen to your podcast.

834
00:36:44,960 --> 00:36:47,280
Speaker 3: It's time for the good news produce already.

835
00:36:51,719 --> 00:36:54,239
Speaker 1: Sean Davis lives in Bernie, Texas, and he was just

836
00:36:54,280 --> 00:36:55,439
Speaker 1: pulling over to get some gas.

837
00:36:55,520 --> 00:36:59,360
Speaker 2: He's pumping gas and as he's leaving, he sees this piece.

838
00:36:59,120 --> 00:37:02,240
Speaker 1: Of trash on then he's like, that looks like trash,

839
00:37:02,360 --> 00:37:03,919
Speaker 1: but it also doesn't look like trash.

840
00:37:04,040 --> 00:37:06,200
Speaker 2: Let me check it out. It turns out it's.

841
00:37:06,040 --> 00:37:09,520
Speaker 1: An envelope full of cash, had tire marks all over it.

842
00:37:09,880 --> 00:37:12,480
Speaker 1: He said, twenty dollars bill after twenty dollars bill and

843
00:37:12,640 --> 00:37:15,520
Speaker 1: a cashier's check. So we took a picture of the check,

844
00:37:15,680 --> 00:37:17,400
Speaker 1: put it on social media. Does anyone know who this

845
00:37:17,520 --> 00:37:20,520
Speaker 1: person is? They all responded, Yeah, that's so and so

846
00:37:20,680 --> 00:37:23,160
Speaker 1: she owns the local daycare. Then he goes to the

847
00:37:23,239 --> 00:37:26,880
Speaker 1: daycare gives her cash. She is completely excited that her

848
00:37:26,960 --> 00:37:28,360
Speaker 1: money was found because she lost it.

849
00:37:28,480 --> 00:37:32,040
Speaker 2: What it was for, yeah, they don't say. Probably for

850
00:37:32,239 --> 00:37:35,759
Speaker 2: if she owns the daycare deposit and there's a cashier's check,

851
00:37:35,800 --> 00:37:38,080
Speaker 2: so it's got to be yeah, not like drugs or.

852
00:37:39,760 --> 00:37:42,239
Speaker 3: I don't know, man, she was just excited to get

853
00:37:42,280 --> 00:37:42,560
Speaker 3: it back.

854
00:37:42,680 --> 00:37:45,120
Speaker 2: I think she was like relieved. I think relieved would

855
00:37:45,120 --> 00:37:48,360
Speaker 2: be the word. Yeah, And it like who returns cash

856
00:37:49,160 --> 00:37:49,520
Speaker 2: and to go.

857
00:37:49,600 --> 00:37:51,080
Speaker 1: The extra mile to take a picture of really, as

858
00:37:51,080 --> 00:37:53,680
Speaker 1: anyone knows, I'll be honest, I wouldn't do I wouldn't

859
00:37:53,680 --> 00:37:57,040
Speaker 1: do all that like Bernie, honestly, right, we just kind

860
00:37:57,040 --> 00:37:58,560
Speaker 1: of enjoyed this. So it's but I would take it

861
00:37:58,640 --> 00:38:00,239
Speaker 1: to the communion store and be like, hey man, you

862
00:38:00,320 --> 00:38:02,279
Speaker 1: might want to hold this case. Somebody could, but you've

863
00:38:02,280 --> 00:38:04,080
Speaker 1: turned it all in with all the cat Yes that,

864
00:38:05,360 --> 00:38:07,160
Speaker 1: but social media, I'm not taking a picture.

865
00:38:07,600 --> 00:38:10,040
Speaker 2: Does anyone know who that is. But it's not about

866
00:38:10,040 --> 00:38:11,520
Speaker 2: the cat. You wouldn't say how much cash?

867
00:38:11,600 --> 00:38:11,719
Speaker 11: Is it?

868
00:38:11,880 --> 00:38:12,359
Speaker 5: No chance?

869
00:38:12,480 --> 00:38:14,919
Speaker 1: Yeah, because then everyone's gonna claim it like I would.

870
00:38:16,560 --> 00:38:17,920
Speaker 1: I guess I'd be on the come on the show

871
00:38:17,960 --> 00:38:19,520
Speaker 1: and be like I found cash. That'd be the first

872
00:38:19,560 --> 00:38:19,960
Speaker 1: thing I would do.

873
00:38:20,000 --> 00:38:20,640
Speaker 4: That'd be a good bed.

874
00:38:21,000 --> 00:38:21,480
Speaker 3: Hey do that?

875
00:38:21,760 --> 00:38:23,600
Speaker 2: Do that as a bed if you find cash? Okay,

876
00:38:23,960 --> 00:38:27,040
Speaker 2: good story, that's what it's all about. That was telling

877
00:38:27,080 --> 00:38:27,759
Speaker 2: me something good.

878
00:38:29,600 --> 00:38:32,440
Speaker 9: Wake up, wake up in the mall.

879
00:38:34,040 --> 00:38:37,279
Speaker 2: And you turn the radio and the dogs.

880
00:38:40,280 --> 00:38:43,640
Speaker 14: Ready and his lunchbox more game too, to Steve red

881
00:38:43,760 --> 00:38:45,960
Speaker 14: at it, trying to put you through the fog.

882
00:38:46,160 --> 00:38:48,040
Speaker 9: He's riding this week's next bit.

883
00:38:48,320 --> 00:38:49,040
Speaker 2: The Bobby's on.

884
00:38:49,120 --> 00:38:50,480
Speaker 9: The box, so you know what this.

885
00:38:55,800 --> 00:38:56,960
Speaker 10: Is the Bobby balls.

886
00:38:57,920 --> 00:39:04,040
Speaker 4: Now time for the morning Corny, the mourning Corny.

887
00:39:04,560 --> 00:39:06,879
Speaker 3: Why did the man with amnesia go for a run?

888
00:39:08,560 --> 00:39:10,920
Speaker 3: Why to jog his memory?

889
00:39:16,160 --> 00:39:21,680
Speaker 4: That was the mourning Corny lobbed bone show. Sorry up today.

890
00:39:22,400 --> 00:39:26,960
Speaker 6: This story comes us from Alexandria, Virginia. The CEO of

891
00:39:27,080 --> 00:39:30,320
Speaker 6: redevelopment and housing for the entire city decided, you know,

892
00:39:30,880 --> 00:39:33,160
Speaker 6: I've been putting people in new homes. I'm helping people

893
00:39:33,239 --> 00:39:35,040
Speaker 6: get back on their feet. I should get a new

894
00:39:35,080 --> 00:39:38,080
Speaker 6: home myself. So she assigned one of these free homes

895
00:39:38,120 --> 00:39:39,239
Speaker 6: to herself and moved on in.

896
00:39:39,520 --> 00:39:41,000
Speaker 3: Oh, that's one way to do it.

897
00:39:41,040 --> 00:39:43,720
Speaker 4: It's a bonus. Yeah, she might have a bonus structure

898
00:39:43,760 --> 00:39:45,160
Speaker 4: in her own mind for what she was doing.

899
00:39:45,239 --> 00:39:47,360
Speaker 1: It's kind of tempting to you know, like you're billing

900
00:39:47,760 --> 00:39:48,719
Speaker 1: houses for everyone else.

901
00:39:48,800 --> 00:39:51,120
Speaker 4: It's like, if you're a cooking burgers, get a burger

902
00:39:51,160 --> 00:39:52,240
Speaker 4: for yourself, you get a free burger.

903
00:39:52,280 --> 00:39:52,839
Speaker 9: That's what I hear.

904
00:39:54,320 --> 00:39:57,880
Speaker 4: You're back there all day, slaving around, hitching have a burger.

905
00:39:57,960 --> 00:40:01,080
Speaker 3: Yeah, four dollar, same thing at the house, House House.

906
00:40:01,239 --> 00:40:02,320
Speaker 4: Okay, I'm lunchbox.

907
00:40:02,400 --> 00:40:03,759
Speaker 5: That's your bonehead story of the day.

908
00:40:05,080 --> 00:40:07,240
Speaker 2: I'm gonna play a couple interviews from this past weekend.

909
00:40:07,760 --> 00:40:11,480
Speaker 2: It was me with Jelly Roll and me with Bailey Zimmerman.

910
00:40:11,800 --> 00:40:13,120
Speaker 2: And they're just a few minutes each, but they were

911
00:40:13,160 --> 00:40:15,480
Speaker 2: both pretty fun and they were right before they went

912
00:40:15,560 --> 00:40:19,279
Speaker 2: on stage in Vegas at the iHeartRadio Music Festival. So

913
00:40:19,360 --> 00:40:21,880
Speaker 2: we're gonna go one to the other. So first me

914
00:40:21,960 --> 00:40:26,399
Speaker 2: and Jelly Roll, then me and Bailey Zimmerman. Here you go, hey, guys,

915
00:40:26,440 --> 00:40:28,000
Speaker 2: Bobby Bones here with jelly roll.

916
00:40:28,239 --> 00:40:29,600
Speaker 4: Good to see you, buddy, Good.

917
00:40:29,480 --> 00:40:30,920
Speaker 10: To be seen. You look great. You know what they

918
00:40:30,960 --> 00:40:32,640
Speaker 10: say in the South, better to be seen than viewed.

919
00:40:33,160 --> 00:40:35,160
Speaker 4: I'm from the South. I've never heard You've never heard, No,

920
00:40:35,400 --> 00:40:36,319
Speaker 4: I've never dude, that's like.

921
00:40:36,360 --> 00:40:38,399
Speaker 10: One of the most famous sayings ever where I'm from. Oh,

922
00:40:38,520 --> 00:40:40,360
Speaker 10: like dead yeah, like better to be seeing than be.

923
00:40:41,920 --> 00:40:44,960
Speaker 2: Okay, but all right, use the hashtag I heard Festival

924
00:40:44,960 --> 00:40:46,680
Speaker 2: twenty twenty five. If you're listening, you got a big

925
00:40:46,719 --> 00:40:49,439
Speaker 2: show tonight. However, we were just talking about on my show,

926
00:40:49,480 --> 00:40:52,360
Speaker 2: you meeting the Pope? What do they say to you

927
00:40:52,520 --> 00:40:55,080
Speaker 2: before that meeting? Like, do they do they warm you up? Like,

928
00:40:55,200 --> 00:40:57,560
Speaker 2: don't like grab them, don't don't like rub his head

929
00:40:57,600 --> 00:40:58,400
Speaker 2: like anything.

930
00:40:58,600 --> 00:41:01,080
Speaker 14: I could not believe how little instruction they gave me.

931
00:41:01,440 --> 00:41:03,440
Speaker 14: So when he walked up and made even more nervous,

932
00:41:03,480 --> 00:41:05,000
Speaker 14: I was like, is this a complete free for all?

933
00:41:05,040 --> 00:41:05,960
Speaker 14: Can I ask anything?

934
00:41:06,320 --> 00:41:07,760
Speaker 4: Was it weird to see him in person?

935
00:41:08,040 --> 00:41:09,759
Speaker 10: It was so weird to see him in person, dude.

936
00:41:09,800 --> 00:41:12,400
Speaker 14: It's like, it's the Pope, and listen, he comes in

937
00:41:12,560 --> 00:41:15,160
Speaker 14: mighty popish, Like when he comes in, it's a lot

938
00:41:15,200 --> 00:41:15,920
Speaker 14: of poping happening.

939
00:41:16,000 --> 00:41:18,600
Speaker 10: You know what I'm saying, the room feels it's it's different, dude.

940
00:41:18,640 --> 00:41:20,520
Speaker 4: So you performed in Vatican City. How did that all

941
00:41:20,520 --> 00:41:20,919
Speaker 4: come about?

942
00:41:21,840 --> 00:41:23,680
Speaker 14: We just got the call from Adam Blackstone and them

943
00:41:23,680 --> 00:41:25,719
Speaker 14: we're producing, and said, hey, we're trying to Pharil too

944
00:41:25,719 --> 00:41:27,359
Speaker 14: has been a good friend. I love you, Pharrell, thank

945
00:41:27,400 --> 00:41:29,560
Speaker 14: you for everything. And they just said, hey, we have

946
00:41:29,600 --> 00:41:31,279
Speaker 14: this idea to try to bring grace to the world.

947
00:41:31,320 --> 00:41:33,080
Speaker 14: We think it's a time where music will bring people together,

948
00:41:33,120 --> 00:41:34,400
Speaker 14: and we want to bring a lot of different kind

949
00:41:34,400 --> 00:41:35,800
Speaker 14: of stuff together and bring a little glory.

950
00:41:35,880 --> 00:41:36,520
Speaker 10: So I said, I'm in.

951
00:41:36,719 --> 00:41:38,480
Speaker 4: Do you get a little nervous before that performance?

952
00:41:38,520 --> 00:41:40,920
Speaker 10: I get nervous before every performance. So before that one,

953
00:41:40,960 --> 00:41:41,640
Speaker 10: I had diarrhea.

954
00:41:42,200 --> 00:41:44,360
Speaker 14: You know what I'm saying that if that's a scale

955
00:41:44,480 --> 00:41:48,640
Speaker 14: of how bad nerves work. If I'm normally just a

956
00:41:48,680 --> 00:41:51,320
Speaker 14: little nervous, imagine that one. I was like, dude, it

957
00:41:51,400 --> 00:41:52,480
Speaker 14: was bad. It was like uncorked.

958
00:41:52,560 --> 00:41:55,000
Speaker 4: That's an odd scale. That's a hetf But.

959
00:41:55,120 --> 00:41:57,240
Speaker 10: People will relate. They'll be like, yeah, I've had diarrhea

960
00:41:57,320 --> 00:41:58,120
Speaker 10: nervous before too.

961
00:41:58,200 --> 00:42:01,160
Speaker 2: You know, before you do a show, a big show,

962
00:42:01,160 --> 00:42:02,439
Speaker 2: it could be any show, Like, what do you enjoy

963
00:42:02,520 --> 00:42:03,759
Speaker 2: listening to what gets you in the zone.

964
00:42:05,360 --> 00:42:06,280
Speaker 10: Were talking about boop.

965
00:42:06,520 --> 00:42:09,560
Speaker 2: You talked about not we, not we you you got

966
00:42:09,600 --> 00:42:12,240
Speaker 2: a mouse in your pocket. You've heard that in the South, exactly.

967
00:42:13,200 --> 00:42:16,160
Speaker 14: I haven't heard them. You know what I listened to

968
00:42:16,320 --> 00:42:18,120
Speaker 14: now before, and we sing it every time we walk

969
00:42:18,160 --> 00:42:21,800
Speaker 14: to the stage. Though, Happy Day. We watched Sisters like

970
00:42:21,880 --> 00:42:24,920
Speaker 14: a few months ago. Remember how incredible that moment was.

971
00:42:25,280 --> 00:42:27,000
Speaker 14: So now you'll see us walking down how we're going,

972
00:42:27,080 --> 00:42:28,319
Speaker 14: Oh happy.

973
00:42:28,320 --> 00:42:32,719
Speaker 10: Day, Oh happy day, Oh happy day.

974
00:42:33,200 --> 00:42:39,279
Speaker 2: When Jesus wow, winge Jesus wall when Jesus wow, oh

975
00:42:39,400 --> 00:42:40,799
Speaker 2: winge Jesus w.

976
00:42:41,320 --> 00:42:45,000
Speaker 10: You watched my sins, Oh happy day?

977
00:42:45,520 --> 00:42:46,120
Speaker 4: Thank you everybody.

978
00:42:46,280 --> 00:42:48,080
Speaker 11: See the way you went and I went like we

979
00:42:48,239 --> 00:42:53,279
Speaker 11: practiced it. Yes, okay we did diarrhea and Sister act.

980
00:42:53,680 --> 00:42:56,839
Speaker 11: This isn't good here, Yes, this is jelly roll bob Bones.

981
00:42:57,760 --> 00:43:00,200
Speaker 11: Do you believe a song can change someone's perspective or

982
00:43:00,320 --> 00:43:01,120
Speaker 11: even their life?

983
00:43:01,160 --> 00:43:01,200
Speaker 8: Like?

984
00:43:01,239 --> 00:43:01,960
Speaker 4: Have you witnessed that?

985
00:43:02,200 --> 00:43:02,319
Speaker 9: Oh?

986
00:43:02,400 --> 00:43:05,799
Speaker 14: It happened to me. I've The first time I got

987
00:43:05,880 --> 00:43:08,120
Speaker 14: to talk about this was on 'all show. Was I

988
00:43:08,239 --> 00:43:10,719
Speaker 14: got into music because of what music did for me?

989
00:43:11,040 --> 00:43:12,879
Speaker 10: It was like I I've had.

990
00:43:12,880 --> 00:43:15,399
Speaker 14: Songs transform me right in my spot. You know that'll

991
00:43:15,480 --> 00:43:16,719
Speaker 14: change the way I've looked at life forever.

992
00:43:16,800 --> 00:43:18,920
Speaker 10: Hearing once. I love you.

993
00:43:19,160 --> 00:43:21,319
Speaker 2: A lot of people love you. You're creating love out

994
00:43:21,320 --> 00:43:23,200
Speaker 2: there on stage every single night. We're looking forward tonight,

995
00:43:23,400 --> 00:43:25,480
Speaker 2: jelly Roll everybody tonight, My Heart.

996
00:43:25,440 --> 00:43:31,680
Speaker 4: Radio Music Festival. Good to see Aboudy Bones and it's

997
00:43:31,719 --> 00:43:33,760
Speaker 4: Bobby Bones here with Bailey Zimmerman.

998
00:43:34,080 --> 00:43:38,680
Speaker 2: How you feeling, Ah, unbelievable, let's go. I was asking

999
00:43:38,760 --> 00:43:40,839
Speaker 2: you you have a You're going on late later tonight. Yeah,

1000
00:43:40,920 --> 00:43:43,520
Speaker 2: it's late, and also we're from like two hours back.

1001
00:43:44,040 --> 00:43:46,399
Speaker 2: It's really late for us right now. No body clock

1002
00:43:46,480 --> 00:43:46,960
Speaker 2: is struggling.

1003
00:43:47,080 --> 00:43:47,920
Speaker 9: But we're rock stars.

1004
00:43:48,200 --> 00:43:50,719
Speaker 4: You're a rock star old Okay. I got a couple

1005
00:43:50,719 --> 00:43:53,799
Speaker 4: of questions here. Now, how do you tell stories? How

1006
00:43:53,800 --> 00:43:55,719
Speaker 4: do you tell love stories through your music? Because you

1007
00:43:55,800 --> 00:43:57,440
Speaker 4: have some really banger love songs.

1008
00:43:57,880 --> 00:43:59,280
Speaker 9: Well, I've been in love before.

1009
00:44:00,160 --> 00:44:03,120
Speaker 8: You know what that feeling feels like, you can I've

1010
00:44:03,160 --> 00:44:05,400
Speaker 8: really been able to like write songs about that in

1011
00:44:05,440 --> 00:44:07,920
Speaker 8: a lot of different ways. It was as well, So

1012
00:44:08,480 --> 00:44:11,239
Speaker 8: it's from the heart, like real emotion as long as

1013
00:44:11,239 --> 00:44:12,799
Speaker 8: it's real, yeah, real?

1014
00:44:13,239 --> 00:44:14,520
Speaker 4: Do you ever feel super vulnerable?

1015
00:44:14,600 --> 00:44:14,640
Speaker 7: Like?

1016
00:44:14,640 --> 00:44:15,719
Speaker 4: I don't know if I should be sharing this.

1017
00:44:16,480 --> 00:44:16,719
Speaker 11: Yeah.

1018
00:44:16,920 --> 00:44:20,279
Speaker 8: Sometimes yeah, I'll be writing something I'm like, whoa am

1019
00:44:20,320 --> 00:44:21,080
Speaker 8: I being like too much?

1020
00:44:21,160 --> 00:44:21,320
Speaker 3: Right know?

1021
00:44:21,400 --> 00:44:23,120
Speaker 8: But I think that's what music is all about, is

1022
00:44:23,200 --> 00:44:25,440
Speaker 8: being like totally out there because you never know who's

1023
00:44:25,440 --> 00:44:27,080
Speaker 8: going to relate to that vulnerable feeling, you know.

1024
00:44:27,239 --> 00:44:29,000
Speaker 9: So it's what what music's all for.

1025
00:44:29,280 --> 00:44:33,279
Speaker 2: Yeah, so we're big Audible fancire Audible has speaking of love,

1026
00:44:33,440 --> 00:44:35,719
Speaker 2: like if your love love or romance, do you have

1027
00:44:35,760 --> 00:44:39,000
Speaker 2: a favorite love song that's not yours, like one that

1028
00:44:39,040 --> 00:44:40,440
Speaker 2: you covered or one you's like listening to.

1029
00:44:41,080 --> 00:44:45,320
Speaker 8: I would say, ed, Sharon, is it called perfect? Is

1030
00:44:45,360 --> 00:44:47,480
Speaker 8: it called perfect ed? Sharon's perfect?

1031
00:44:48,280 --> 00:44:53,160
Speaker 9: Then you look perfect tonight? Pretty good? Thank you, thank you,

1032
00:44:53,640 --> 00:44:55,680
Speaker 9: thank you, thank you.

1033
00:44:57,360 --> 00:44:59,520
Speaker 4: Yeah, that's good, thank you. I'm a little moved there.

1034
00:45:00,239 --> 00:45:00,680
Speaker 9: That was good.

1035
00:45:00,880 --> 00:45:03,640
Speaker 2: You just announced your different night, same rodeo tour. Oh

1036
00:45:03,760 --> 00:45:05,160
Speaker 2: you're still gonna be flying. You can do the thing

1037
00:45:05,160 --> 00:45:06,160
Speaker 2: where you jump up on stage.

1038
00:45:06,200 --> 00:45:06,600
Speaker 9: Oh yeah.

1039
00:45:07,239 --> 00:45:08,719
Speaker 2: Because what he does for those that don't know, if

1040
00:45:08,760 --> 00:45:10,120
Speaker 2: you haven't been been to a Bailey show where you

1041
00:45:10,120 --> 00:45:13,359
Speaker 2: haven't seen Bailey z Evermann like online, he shoots up

1042
00:45:13,400 --> 00:45:15,239
Speaker 2: at the beginning and it throws him into the air,

1043
00:45:15,440 --> 00:45:17,080
Speaker 2: and how he doesn't rip all the ligaments out of

1044
00:45:17,120 --> 00:45:17,439
Speaker 2: his legs.

1045
00:45:17,480 --> 00:45:18,680
Speaker 4: I don't know, but you're gonna keep doing it?

1046
00:45:18,760 --> 00:45:21,120
Speaker 9: Oh yeah, have to. It's like the funnest part of

1047
00:45:21,160 --> 00:45:21,640
Speaker 9: the show for me.

1048
00:45:21,760 --> 00:45:23,800
Speaker 4: Do you like load up and brace yourself?

1049
00:45:24,000 --> 00:45:27,040
Speaker 8: I have this thing where I tried to like beat

1050
00:45:27,160 --> 00:45:29,520
Speaker 8: the record, like how high can I get this thing

1051
00:45:29,600 --> 00:45:30,120
Speaker 8: to launch me?

1052
00:45:30,360 --> 00:45:30,560
Speaker 9: Yeah?

1053
00:45:30,719 --> 00:45:32,440
Speaker 4: That doesn't feel like a safe record to chase, like

1054
00:45:32,520 --> 00:45:33,680
Speaker 4: eventually that's not gonna end.

1055
00:45:33,719 --> 00:45:36,040
Speaker 9: Well, we made it through this year somehow. So let's go.

1056
00:45:36,360 --> 00:45:38,319
Speaker 4: What's been your biggest pinch me moment so far?

1057
00:45:38,600 --> 00:45:41,560
Speaker 9: Hands down? When Morgan Wallen called me to go on

1058
00:45:41,640 --> 00:45:44,520
Speaker 9: the Morgan Wallin tour that was crazy.

1059
00:45:44,960 --> 00:45:45,200
Speaker 2: Yeah.

1060
00:45:45,400 --> 00:45:48,240
Speaker 4: And then what about all these collabs that you're getting

1061
00:45:48,280 --> 00:45:49,440
Speaker 4: to do? How'd you end up with?

1062
00:45:49,800 --> 00:45:51,680
Speaker 2: Let's do for example, because I know you're gonna be

1063
00:45:51,800 --> 00:45:53,560
Speaker 2: with Diplo in a bit, how did that come together?

1064
00:45:54,360 --> 00:45:56,000
Speaker 9: Diplo showed up at my house.

1065
00:45:56,600 --> 00:45:57,279
Speaker 4: That's a real story.

1066
00:45:57,400 --> 00:45:58,200
Speaker 9: That's a real story.

1067
00:45:58,680 --> 00:46:01,759
Speaker 8: Somebody called me like five minut fork, Diplo is on

1068
00:46:01,760 --> 00:46:03,399
Speaker 8: the way to your house, can you open up the gate?

1069
00:46:03,440 --> 00:46:05,920
Speaker 8: And I was like, uh, yeah, sure, And then I

1070
00:46:06,000 --> 00:46:08,239
Speaker 8: walked outside and he was already walking up and He's like.

1071
00:46:08,400 --> 00:46:09,920
Speaker 9: Hey, dude, can I show you a song? And I

1072
00:46:10,040 --> 00:46:12,839
Speaker 9: was like yeah, And then now we're here.

1073
00:46:12,800 --> 00:46:13,640
Speaker 10: Performing that song.

1074
00:46:13,760 --> 00:46:18,719
Speaker 2: iHeartRadio Music Festival Bailey Zimmerman hashtag iHeart Festival twenty twenty five.

1075
00:46:19,280 --> 00:46:20,640
Speaker 4: Bobby Bones. We'll go back to you guys.

1076
00:46:20,760 --> 00:46:22,240
Speaker 10: Let's go photos.

1077
00:46:22,440 --> 00:46:25,440
Speaker 9: Yes said, We'll.

1078
00:46:25,280 --> 00:46:26,640
Speaker 4: See you guys tomorrow. Bye everybody.

1079
00:46:27,120 --> 00:46:31,560
Speaker 2: Bobby Bonds The Bobby Bones Show theme song, written, produced

1080
00:46:31,719 --> 00:46:35,920
Speaker 2: and sang by Reid Yarberry. You can find his instagram

1081
00:46:36,120 --> 00:46:41,399
Speaker 2: at Red Yarberry, Scuba Steve Executive producer, Ray Mundo, Head

1082
00:46:41,400 --> 00:46:41,920
Speaker 2: of Production.

1083
00:46:42,239 --> 00:46:45,640
Speaker 4: I'm Bobby Bones. My instagram is mister Bobby Bones. Thank

1084
00:46:45,680 --> 00:46:47,040
Speaker 4: you for listening to the podcast.