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Speaker 1: Welcome to Monday Show more than studio.

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Speaker 2: All right, you get to know your question today. If

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Speaker 2: you have to pick one, who is your mentor growing up?

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Speaker 2: You have to pick one? Who would you say is

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Speaker 2: your mentor? Was your mentor growing up?

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Speaker 3: Hmmm? Do you have an answer? You're holding up like

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Speaker 3: you have an answer.

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Speaker 1: I have a crush. Yeah, I mean my dad was

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Speaker 1: by I mean, I don't know if he was my

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Speaker 1: mentor because he's my dad. But you can pick who

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Speaker 1: whoever you are. It has to be outside your family.

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Speaker 2: He doesn't have to be at all. It can for

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Speaker 2: sure be your day. Who is your mentor growing up?

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Speaker 3: Eddie?

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Speaker 4: I'm gonna go with my news director. One of my

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Speaker 4: first job, second job out of high school. He was

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Speaker 4: his name is Tony Lisakas, and he was the news

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Speaker 4: director and he would just talk to me about things

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Speaker 4: and like how to just advance in your job, how

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Speaker 4: to you know, almost kind of like your stuff show

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Speaker 4: up on time or whatever, and just you gotta be

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Speaker 4: respectful to your elders stuff like that. I was just

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Speaker 4: a young idiot kid and he just like spend a

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Speaker 4: lot of time with me. And he was probably fifty

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Speaker 4: years old, six years old. Didn't need to spend time

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Speaker 4: with a twenty year old dude whatever, And so I

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Speaker 4: think he was awesome and he was like the man

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Speaker 4: in the building.

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Speaker 2: So I love that. That's cool, lunchbox. He was your

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Speaker 2: mentor growing up.

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Speaker 1: No teeth Keith. He was my former baseball coach, and

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Speaker 1: he really opened my eyes to like life and just

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Speaker 1: enjoying it, Like don't worry about saving your money, like

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Speaker 1: go and spend it, like live your life, and like

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Speaker 1: you got to have experiences in life, so you can

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Speaker 1: save all the money you want, but guess what, you

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Speaker 1: don't get to do anything with it, so you might

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Speaker 1: as well spend it when you have it. And I

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Speaker 1: mean he would show me and it just like driving

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Speaker 1: thirty miles to get a piece of apple pie and

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Speaker 1: Huddo Texas. I mean, I don't know where you come,

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Speaker 1: pick me up and be like, hey, let's go, we're

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Speaker 1: going to get somebody. And we'd drive thirty forty five minutes.

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Speaker 1: Where are we going?

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Speaker 2: Kid?

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Speaker 1: Just wait and we sit down at the restaurant and

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Speaker 1: they were like, how.

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Speaker 3: Old are you?

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Speaker 1: The eleven? I mean fifty?

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Speaker 3: Did he have kids? No?

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Speaker 1: And I'd be like, where are we going with cities. No,

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Speaker 1: he didn't have teeth at all. No, eventually he got dentures,

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Speaker 1: but he'd keep them in his pocket. Uh uh, didn't

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Speaker 1: want to stay in them. And so we get to

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Speaker 1: the restaurant and they're like, oh, you know, what do

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Speaker 1: you want to eat. I'm like, I don't know, and

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Speaker 1: he goes, yes, he knows. We'll take two pieces of

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Speaker 1: apple pie. And I'm like, we drove all this way

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Speaker 1: for apple pie. Fantastic apple pie. I mean, he just

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Speaker 1: pulled right off the inner stated in this little restaurant.

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Speaker 1: I mean, that's he taught me about living nice. But

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Speaker 1: he wasn'ting to stay over white scary movies with you, right,

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Speaker 1: he would. He would stay over My parents would go

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Speaker 1: like out like the parties or whatever, you know, parents'

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Speaker 1: night out, and he would babysit us and we'd rent

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Speaker 1: the scariest movies, turn off all the lights, like all

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Speaker 1: the doors, all the windows, and watch them like he's

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Speaker 1: the one that introduced me to like Halloween, Freddy Krueger

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Speaker 1: all that in the dark. Yeah, oh, every light had

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Speaker 1: to be off under blankets and stuff.

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Speaker 3: What do you make you keep secrets? No?

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Speaker 1: No secrets?

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Speaker 3: All right, Well, we'll move off that amy you.

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Speaker 5: So my mom had a few friends that would take

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Speaker 5: me to lunch and talk to me, and they would

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Speaker 5: just speaking to me. They took time. Was I still

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Speaker 5: am connected to them even though my mom's passed away,

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Speaker 5: which I think is the cool part. Like I remember

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Speaker 5: looking up to them and taking their advice and them

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Speaker 5: just really taking time for me. Forrest, Sue, Katie, Susie,

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Speaker 5: and there, there's there. I still get letters from them,

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Speaker 5: like even on Mother's Day, Like I got this card

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Speaker 5: from Forrest and it instantly she knows my mom's gone,

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Speaker 5: but she wanted to swoop in with some encouragement. And

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Speaker 5: it's just really special that she had those types of

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Speaker 5: friends and that they would take that time for me,

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Speaker 5: and that they still do to this day.

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Speaker 3: That's good. Mine is probably do I have to know

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Speaker 3: because I don't.

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Speaker 2: I don't know the person, but I feel like I

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Speaker 2: probably got more from them because I don't only have anybody.

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Speaker 2: But I think David lettering without him knowing with my

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Speaker 2: mentor because that.

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Speaker 1: Would yeah, I see that because you were alone all

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Speaker 1: the time.

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Speaker 2: Well, there was just first of all, where I yes,

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Speaker 2: but that wasn't my point. My point was where I

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Speaker 2: come from. Nobody does what I do now, and there's

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Speaker 2: only nobody I could talk to about or even like

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Speaker 2: nobody graduate high school, my family. So like that was

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Speaker 2: so motivated, and like David Letterman was he's a goofy.

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Speaker 2: It was kind of a stand up comic but not really.

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Speaker 2: But he knew he was doing that in order to

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Speaker 2: get to other things, which is what I've been doing too.

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Speaker 2: But I just remember I was like, if this guy

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Speaker 2: is this irreverent, this goofy, and you got a big

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Speaker 2: buck tooth, miss it, like I can do it then,

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Speaker 2: and so I would just like follow, That's the closest

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Speaker 2: thing I think I have. You need to meet him?

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Speaker 2: I know, I wish I could. I know I haven't,

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Speaker 2: but what if it ruins point? At this point, even

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Speaker 2: if it runed, it wouldn't run it right, Like I'm

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Speaker 2: I've been in this industry long enough to know that

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Speaker 2: not everybody's cool, and if he's not cool, that's okay.

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Speaker 2: So yeah, I would like to meet him for a while,

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Speaker 2: and for a while I didn't want to what I

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Speaker 2: don't know that he's on Instagram.

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Speaker 1: Oh, but that would be cool. David Letteran would be cool.

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Speaker 2: Steve Martin would be cool, Like if there was a

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Speaker 2: list of like people that I would like to just

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Speaker 2: meet and spend time, it's pretty cool and like interview

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Speaker 2: but whatever you want, that'd be super cool. Hey, thank

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Speaker 2: you are I feel like I know you guys a

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Speaker 2: little better. Eddie, the news director of Lunchbox, No Teeth,

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Speaker 2: Keith Nighttime scary movies, locking all the doors the parts

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Speaker 2: can't get in.

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Speaker 3: No, they mean there's a very loving story from your

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Speaker 3: friends too.

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Speaker 5: Yeah's now that I'm an adult looking back on that, like,

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Speaker 5: I have to think, like, oh, when my friends start

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Speaker 5: to have teenage daughters and stuff, am I gonna I

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Speaker 5: have my own kids. They had their own kids, but

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Speaker 5: they were taking time to be with me.

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Speaker 4: Your mom had a friend in Forrest still does and

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Speaker 4: Lunchbox well, yeah, my buddy force.

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Speaker 1: That's weird.

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Speaker 3: That's really weird. Mike. Do you think that let Himan

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Speaker 3: runs this site. I think it's just as people.

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Speaker 1: It's a messaging Okay, message him and I'll be like, hey,

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Speaker 1: my buddy Bobby wants to meet you.

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Speaker 3: That is his mentor.

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Speaker 2: Yeah, you're his mentor, and if you set it up,

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Speaker 2: or I can meet if you set it up and

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Speaker 2: I meet David Letterman and do an interview with them.

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Speaker 1: That's employee Lamark.

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Speaker 3: It's five hundred bucks cash. I'm on it. Oh no,

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Speaker 3: everybody's hopping in.

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Speaker 2: If you're the reason I get to fly up to

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Speaker 2: David lettermantals or whatever it is and generally do whatever

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Speaker 2: it is wherever it is, I'd be cool we do

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Speaker 2: a one on one. Then you'll be rewarded handsomely with cash. Wow,

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Speaker 2: not zoom, not phone, but wherever it is.

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Speaker 1: Okay, all right, all right, thank you, David, Yo, yo,

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Speaker 1: d yo, My Bobby, Bobby, Bobby, my Bobby, my Bobby,

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Speaker 1: my Bobby.

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Speaker 3: Time to open the mail bag.

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Speaker 6: You friend the game mail and we breathe it on

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Speaker 6: the air. We get something we call Bobby's mail bag.

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Speaker 3: Yeah, hello, Bobby bones.

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Speaker 2: My boyfriend and I are talking about our next stage

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Speaker 2: of the relationship, which is moving in together. I love

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Speaker 2: him dearly and can definitely see a future with him.

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Speaker 2: The problem is his dog is out of control. Each

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Speaker 2: of us has a dog that are like our children.

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Speaker 2: My dog is calm, on a schedule, obedient, and completely housebroken.

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Speaker 3: His dog is unhinged.

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Speaker 2: His dog barks, doesn't mind runs away from you, he

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Speaker 2: walks around peas on stuff. I've mentioned to my boyfriend

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Speaker 2: ways to train his dog and threaten to make his

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Speaker 2: dog wear a doggie diaper. The whole situation reminds me

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Speaker 2: of lazy parenting. What can I do about the situation.

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Speaker 2: I love my boyfriend dearly, I like his dog, but

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Speaker 2: I can't deal with the dog's behavior and lack of training.

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Speaker 2: The only other thing I can think is to sit

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Speaker 2: him down, tell him I will not move in together

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Speaker 2: until his dog is fully housebroken, and put the ball

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Speaker 2: in his court and the advice is appreciated. Thanks, signed

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Speaker 2: don't want a problematic pooch, Well you're gonna have a

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Speaker 2: problematic pooch, and you're gonna have to train the dog

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Speaker 2: yourself because it is not a priority to him. And

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Speaker 2: I'm not saying this in a way that it's not

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Speaker 2: your fault and he shouldn't be able to just come

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Speaker 2: be like train my dog. But it ain't gonna ge

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Speaker 2: train unless you train it. I would not hold out

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Speaker 2: moving in together because of his dog not being trained properly.

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Speaker 2: There are gonna be times you guys have to take

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Speaker 2: up a slight for the other person. It ain't fifty

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Speaker 2: to fifty. Hopefully it equals up all in to somewhere

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Speaker 2: around now. It's like, you know, but it's eighty twenty

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Speaker 2: in some places sixty forty ninety ten.

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Speaker 5: Depending on the day.

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Speaker 2: Absolutely, don't not move in because of the dog.

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Speaker 7: Bo.

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Speaker 2: When you move in, you'll have to take care of

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Speaker 2: the dog as far as training it, and you can

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Speaker 2: do it. You've done it with your other one and

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Speaker 2: it's worth it. It is worth it because you're not

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Speaker 2: gonna stay away. My advice is still move in and

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Speaker 2: just understand he ain't trained to the dog.

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Speaker 3: It's gonna be up to you.

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Speaker 5: Unless I just hope it's not foreshadowing kids.

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Speaker 2: Well, it could be totally. Absolutely, it probably is. That

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Speaker 2: doesn't mean he's going to be a bad dad. He

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Speaker 2: has other priorities. It's gonna be a dad because that's

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Speaker 2: what we do. The kid's kind of lay low, you

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Speaker 2: know that.

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Speaker 4: Yeah, like we're around or present stuff, but we just

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Speaker 4: lay low, like my wife would take care of all that.

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Speaker 4: What you're not Seriously, if they're throwing the ball in

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Speaker 4: the house, like, babe, can you.

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Speaker 3: Deal with that? Police, well you just act like you

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Speaker 3: don't see it. Sometimes it's oh absolutely, I'll just go upstairs.

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Speaker 1: Oh, I let them do it. Like I was throwing

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Speaker 1: the ball in the kitchen the other day and my

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Speaker 1: wife was like, uh, why are we throwing the ball

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Speaker 1: in the kitchen. I'm like, well, because I was sitting

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Speaker 1: here doing something, so it's the best place I can

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Speaker 1: throw it. And that's and that's what dads do. That's

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Speaker 1: all I'm saying. Not a big deal.

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Speaker 3: So it probably it's foreshadowing, but it's not worth moving me.

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Speaker 5: And I'm not like that. I don't work that hard

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Speaker 5: with my dog, but I work extremely hard with my kids.

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Speaker 5: So there's still hope.

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Speaker 3: We should work hard with your dog. Did Amy so much?

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Speaker 3: Work harder with your dog.

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Speaker 5: I don't know, she's a mess.

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Speaker 2: Move in just trying the dog yourself. I know it's unfortunate,

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Speaker 2: but it'll be worth it. That's my advice.

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Speaker 3: Thank you. Close the mail back.

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Speaker 6: We got your team mail and were laying it on

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Speaker 6: your Now let's find the clothes Bobby's mail bag.

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Speaker 2: Yeam on the phone, Sarah in Fresno. Sarah, welcome to

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Speaker 2: the Bobby Bone Show.

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Speaker 3: What's going on?

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Speaker 7: Hi?

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Speaker 8: Thank you, thank you, good morning studio. I am well.

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Speaker 8: I wanted to give lunch Box an offer. I wasn't

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Speaker 8: exactly sure what was going on with his car still,

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Speaker 8: but we have a Lamborghini, might have been had a

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Speaker 8: Lamborghini for sale, and when the tail is Lunchbox was interested.

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Speaker 3: Wow, lunch what year is it?

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Speaker 9: Yeah?

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Speaker 1: Well year, what's a look like? I mean, miles so much?

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Speaker 1: What color?

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Speaker 8: It's a it's a two thousand and four. It's a

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Speaker 8: Lamborghini Guyardo. It is a manual, so it's very special.

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Speaker 8: There's less than five hundred of them.

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Speaker 3: Hold on, Lambert, I mean that's the Lamber Lamborghini Glarado.

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Speaker 2: It's four point five out of five on car Gurus. Oh,

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Speaker 2: it's one of those, right, like low real low profile.

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Speaker 7: Color?

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Speaker 3: Is this black?

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Speaker 8: It's black. It's black outside black, RIM's black interior.

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Speaker 3: Do the doors go up in the air?

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Speaker 8: No, no, no they don't those they don't have this

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Speaker 8: cut of doors.

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Speaker 1: But it goes from zero to sixty and three point

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Speaker 1: seven seconds of that. Got to get to work on time.

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Speaker 1: So okay, So, Lunchbox, how much would you get for

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Speaker 1: this car? I mean how much you're trying to sell for?

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Speaker 8: Well, it is a it's a special car, so it

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Speaker 8: is you know, it's six figures, you know, probably around

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Speaker 8: one hundred thousand, maybe the one twenty five. So I mean,

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Speaker 8: if for you we give.

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Speaker 1: A deal, how many miles does that have on it?

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Speaker 2: Thank you?

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Speaker 8: How many miles?

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Speaker 3: Is there any chance you buy this? Why you ask

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Speaker 3: me more question?

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Speaker 1: Because look, I look it up online. What is a

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Speaker 1: two thousand for Lamborghini Glardo worth thirty five thousand dollars?

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Speaker 1: And she wants to sell to Humber.

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Speaker 5: Six said it's a limited edition.

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Speaker 1: Only thirty five thousand, thirty five thousand to fifty.

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Speaker 3: Are you Kelly blue book?

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Speaker 2: He was to say, that's what it says, and she's

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Speaker 2: trying to she's trying to I see, she sees desperation,

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Speaker 2: and she's trying to gouge me. I see max speed

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Speaker 2: one hundred ninety two horsepower four ninety three price if

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Speaker 2: new one hundred and sixty five thousand dollars.

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Speaker 3: But I guess it's not new new two thousand.

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Speaker 5: And four, but it's rare.

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Speaker 2: You say, the average two thousand four Lamborghini Glardo costs

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Speaker 2: about one hundred and eight thousand dollars right now? Okay,

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Speaker 2: so she's not trying to gouge him. And I thought

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Speaker 2: thirty five thousand's a little low, I'll be honest with you.

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Speaker 2: That's a really that's what Google said.

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Speaker 1: Okay, go ahead, and so you give it to Lunchbox

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Speaker 1: for one hundred.

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Speaker 8: Yeah, So we have to make sure you look up

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Speaker 8: a gated manual though, because it's not a paddle ship.

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Speaker 1: Fore, Oh, here's a gated one. Well, here, I can

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Speaker 1: get a gated one. How many miles?

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Speaker 3: Does you just have a gated manual? Means that in

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Speaker 3: the hands?

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Speaker 1: I don't know. This says gated across the picture ninety

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Speaker 1: five thousand, So you got to come down. What does

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Speaker 1: that mean?

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Speaker 3: What's gated manual mean?

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Speaker 8: It's a sick shift, so it's an actual manual transmission.

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Speaker 8: It's not a paddle shift transition.

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Speaker 3: Okay, it's not a paddleship car. Paddle would be on

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Speaker 3: the steering wheel. Yes, okay, I got it.

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Speaker 1: That's fine.

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Speaker 2: That's what that's what's ultimately the same thing. Dude, you

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Speaker 2: would love this car I'm looking at right now. Any

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Speaker 2: other questions before you make your decision?

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Speaker 1: When can I make it? Can you bring it by

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Speaker 1: the station so I can do a test drive?

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Speaker 8: Well, I mean, we can't bring it by the station

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Speaker 8: and be kind of a long drive. But you are

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Speaker 8: more than welcome to fly in the Fresnel and and

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Speaker 8: then we can show you the car. We've even host

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Speaker 8: you if you want. But I'm you know, I'd like

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Speaker 8: to give the opportunity to you before we posted. My

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Speaker 8: husband just bought another car, so we were going to

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Speaker 8: post it online and sell it.

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Speaker 1: As she told me how many miles. She's avoiding the question,

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Speaker 1: so I don't know.

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Speaker 8: I have to it's in the rug. I have to look.

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Speaker 1: I think, how rich are you?

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Speaker 8: No?

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Speaker 6: Yeah?

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Speaker 8: Yeah, no, no, no note at all? Are you interested?

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Speaker 2: Yeah?

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Speaker 1: Do you take installments?

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Speaker 8: I mean I told you we can make a deal a.

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Speaker 1: Dollar a day for one hundred thousand days. That's what

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Speaker 1: I was thinking.

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Speaker 3: So are are you interested?

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Speaker 1: Man? I don't think I'm gonna be able to go

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Speaker 1: out to Fresno. If it was in town, I could

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Speaker 1: look at it. Like if we're closer to fresnough I

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Speaker 1: could really be serious. I'd be able to test drive it.

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Speaker 3: I'll look at it in Monterey in November. I can

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Speaker 3: just swing by and take a look.

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Speaker 1: Would you look under the hood for me?

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Speaker 3: I don't know what's under there.

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Speaker 1: See that doesn't do any good and you can finally

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Speaker 1: tell me how many miles are on it?

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Speaker 3: Yeah, true, we don't have many miles are on it?

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Speaker 8: Yeah, I mean she I don't know, maybe like sixty

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Speaker 8: sixty thousand maybe.

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Speaker 1: Yeah, you're expensive. Right here that has forty seven is

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Speaker 1: ninety five so and that's in uh Lynnwood, Washington. That's

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Speaker 1: a little farther.

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Speaker 2: All right, Sarah, thank you for thinking of a lunchbox

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Speaker 2: and your time of need.

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Speaker 8: Absolutely absolutely we'll thank you lunchbox. If you change your mind,

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Speaker 8: they know how to get a hold of me. If

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Speaker 8: you want pictures or anything, let me know.

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Speaker 3: Will you come down?

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Speaker 8: Will I? Yeah, I mean I personally will I can't

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Speaker 8: bring the car?

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Speaker 3: Okay, will pass?

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Speaker 2: All right, thank you, It's time for the good news lunchbox.

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Speaker 1: Oliver Jallis works at the Pick of the Litter thrift

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Speaker 1: shop in California, and he got a big donation of

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Speaker 1: clothes and he's going through it. Oh and all of

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Speaker 1: a sudden, he picks up one shirt and all this

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Speaker 1: money starts falling out and he's like, whoam And he

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Speaker 1: counts it up. One hundred, two hundred, one thousand, two thousand,

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Speaker 1: three thousand, four thousand, five thousand dollars, and he's.

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Speaker 3: Like, ooh, cash, just cold hard ca.

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Speaker 1: And he's like, what should I do? Should I put

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Speaker 1: it in my pocket? Keep half for me, half for

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Speaker 1: the store?

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Speaker 7: Oh?

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Speaker 1: No? He kept searching through the box. He found an

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Speaker 1: old car insurance sticker like a receipt, tracked down the

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Speaker 1: loander and got in the money back.

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Speaker 3: Why are you so disappointed?

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Speaker 4: Yeah?

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Speaker 1: What you want to matter? As the story went and

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Speaker 1: set it happier. Yeah, they tracked down the woman and

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Speaker 1: after asking her a few questions, she was able to

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Speaker 1: get the money back.

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Speaker 2: The money was probably safe for something. Yeah, it's amazing

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Speaker 2: payment for something. What would you have done? Same situation

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Speaker 2: out of pocket? That's sort all of it, even though

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Speaker 2: you know it's somebody's savings.

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Speaker 1: Yeah, but they obviously didn't want it.

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Speaker 3: That's not true. You never misplaced something lost.

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Speaker 1: I've never misplaced five thousand dollars.

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Speaker 2: I'd guarantee that thousand. But if you had misplaced five hundred.

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Speaker 1: Bucks, i'd want it back. But guess guess what. Money's

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Speaker 1: too important to me. I'm not misplacing it.

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Speaker 3: Okay, well, don't put onto someone else.

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Speaker 1: You know what I'm saying? Like, if this money is

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Speaker 1: so important.

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Speaker 3: Though that I don't think that's out.

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Speaker 5: There could be memory things, There could be like, oh,

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Speaker 5: I thought you think someone else handled something.

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Speaker 3: You wouldn't give you that though at all, any of it.

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Speaker 1: No, I mean, it's it's like when I worked at

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Speaker 1: Sam's and people would leave stuff behind.

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Speaker 2: I'm turning different. That's this is an envelope where obviously

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Speaker 2: it was an accident. Yeah, I'm not. I'm not debating

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Speaker 2: this with him.

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Speaker 3: Eddie, what would you do? Honestly, I think.

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Speaker 1: About keeping it, but I would probably give it back.

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Speaker 1: You're listen, cash, it's cash. You're working at a store,

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Speaker 1: you're in the back, no one knows it's there.

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Speaker 3: Not the point. The point is what do you want?

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Speaker 1: You're telling me, you're telling me that's what you know.

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Speaker 1: And Oliver Jallis couldn't use that five thousand dollars.

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Speaker 10: I don't know about Oliver, but I'm pretty sure Oliver

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Speaker 10: could use it. Anyone can use good John for Oliver,

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Speaker 10: you're the man, Oliver, thank you. That's what it's all about.

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Speaker 10: That was telling me something good on the Bobby Bone Show.

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Speaker 2: Now, brothersne the new record Brothers Osbourne came out.

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Speaker 3: Which is your name obviously.

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Speaker 1: Yeah, you haven't done a self titled album yet.

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Speaker 9: No, we haven't. I do also think it's really funny

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Speaker 9: that you know it's a self titled album, but also

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Speaker 9: how we just simply came about our name. It all

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Speaker 9: seems very lazy. We're just Brothers Iles Moore an album

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Speaker 9: Brothers I was born also very self uh maybe indulgent,

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Speaker 9: and Brothers I was born.

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Speaker 1: So why did you name this one? Why was it

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Speaker 1: self titled?

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Speaker 3: On this?

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Speaker 9: Well, I mean, you know, since we put out our

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Speaker 9: last album, Skeletons, you know, John and I have really,

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Speaker 9: I think, shared about a lot about ourselves, our personal lives,

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Speaker 9: and even though I feel like we've always been ourselves,

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Speaker 9: I think there was probably you know, ten twenty percent

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Speaker 9: of us that was always kind of off limits and

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Speaker 9: we didn't really speak about. And and now without with

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Speaker 9: having that those kind of barriers removed, I feel like

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Speaker 9: it is the first time we're able just to one

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Speaker 9: openly be ourselves and it's just been such a freeing experience.

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Speaker 9: But creating music that way, it just made it a

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Speaker 9: lot more fun. We didn't feel like we had to

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Speaker 9: have any any bumpers on. We felt like in many

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Speaker 9: ways it's also kind of the first time this is

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Speaker 9: completely us.

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Speaker 2: So that's a great answer. I like that answer, the

439
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Speaker 2: one that's not funny. The other one's funny too, but

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Speaker 2: that's a good answer. You actually get to be yourselves?

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Speaker 7: Yeah, yeah, how about that?

442
00:18:08,840 --> 00:18:11,400
Speaker 2: You know, it's it's like the hardest thing to do

443
00:18:11,560 --> 00:18:13,840
Speaker 2: is just to be authentic. You feel like it'd be

444
00:18:13,880 --> 00:18:16,760
Speaker 2: the easiest, but because of pressures that we put on

445
00:18:16,760 --> 00:18:19,800
Speaker 2: ourselves or other people put on us, Yeah, it's quite difficult, No,

446
00:18:19,920 --> 00:18:20,359
Speaker 2: it is.

447
00:18:20,400 --> 00:18:20,560
Speaker 1: You know.

448
00:18:20,560 --> 00:18:23,520
Speaker 9: I always even say like, it's just to find yourself.

449
00:18:23,520 --> 00:18:25,040
Speaker 9: It takes a long time. I thing for most people,

450
00:18:25,040 --> 00:18:27,159
Speaker 9: if not everyone. I mean, even something as simple as

451
00:18:27,160 --> 00:18:29,440
Speaker 9: like am I gonna wear square toed cowboy boots today?

452
00:18:29,520 --> 00:18:31,280
Speaker 9: Or you know, are someone going to laugh at me

453
00:18:31,359 --> 00:18:32,879
Speaker 9: that I cut my hair this way? It can be

454
00:18:33,000 --> 00:18:35,600
Speaker 9: the smallest things that we identify with and it could

455
00:18:35,600 --> 00:18:37,399
Speaker 9: be so hard to change them and just truly do

456
00:18:37,480 --> 00:18:39,840
Speaker 9: what you want to do. Sadly, but I do feel

457
00:18:39,880 --> 00:18:41,440
Speaker 9: that that we were in a place where you feel

458
00:18:41,560 --> 00:18:44,439
Speaker 9: that way, and it is it's it's definitely the happiest

459
00:18:44,440 --> 00:18:46,760
Speaker 9: we've ever been, but also the happiest I've ever been

460
00:18:46,840 --> 00:18:48,080
Speaker 9: making making music.

461
00:18:48,520 --> 00:18:51,320
Speaker 2: Too. You mentioned track one called Brothers Osmore is actually

462
00:18:51,400 --> 00:18:52,680
Speaker 2: not as part of the joke, which I thought was

463
00:18:52,720 --> 00:18:55,440
Speaker 2: funny too, But track one is actually a song that

464
00:18:55,480 --> 00:18:57,439
Speaker 2: I really like called who Says You Can't Have Everything?

465
00:18:57,560 --> 00:18:59,040
Speaker 3: In the new record? Would you guys mind playing that?

466
00:18:59,160 --> 00:18:59,360
Speaker 7: Yeah?

467
00:18:59,359 --> 00:18:59,959
Speaker 1: Absolutely?

468
00:19:00,280 --> 00:19:05,200
Speaker 9: Absolutely, Yeah absolutely, I got to remember how cos.

469
00:19:05,720 --> 00:19:07,040
Speaker 3: I'll take the vocals. You guys just like it.

470
00:19:07,320 --> 00:19:07,760
Speaker 11: I love.

471
00:19:10,560 --> 00:19:12,000
Speaker 3: Brothers Osbourne a studio.

472
00:19:12,240 --> 00:19:15,280
Speaker 1: Yeah, your record it's called Brothers Osborne.

473
00:19:15,680 --> 00:19:20,040
Speaker 2: I'm always interested because you two wrote that with Casey Bethart. Yeah,

474
00:19:20,080 --> 00:19:22,280
Speaker 2: so when you get in a room like where does

475
00:19:22,320 --> 00:19:23,960
Speaker 2: that idea come from?

476
00:19:24,000 --> 00:19:25,919
Speaker 1: As a part of his personal life? Who brings it?

477
00:19:26,200 --> 00:19:27,000
Speaker 1: Can you remember the back?

478
00:19:27,320 --> 00:19:29,199
Speaker 7: Honestly it was It was a title I have. But

479
00:19:29,200 --> 00:19:30,840
Speaker 7: it's just like I felt, the best titles just come

480
00:19:30,840 --> 00:19:33,560
Speaker 7: out of nowhere. It's when you're mindlessly driving or down

481
00:19:33,560 --> 00:19:35,280
Speaker 7: the road, or you're just like taking a shower, you're

482
00:19:35,280 --> 00:19:37,919
Speaker 7: doing you're taking the dishes out of the dishwasher, and

483
00:19:37,960 --> 00:19:40,800
Speaker 7: that popped in my head. We've written with Casey a bunch.

484
00:19:40,840 --> 00:19:43,119
Speaker 7: I mean, the dude's just a freak. And as soon

485
00:19:43,160 --> 00:19:44,919
Speaker 7: as that title popped in my head was like, Casey

486
00:19:45,160 --> 00:19:47,879
Speaker 7: can crush this, so I sent it the idea directly

487
00:19:47,920 --> 00:19:50,480
Speaker 7: to him. So when we showed up in my home

488
00:19:50,520 --> 00:19:55,239
Speaker 7: studio in Nashville, it came together so fast. I mean

489
00:19:55,280 --> 00:19:56,959
Speaker 7: I had a kind of a bed laid out a

490
00:19:56,960 --> 00:19:59,320
Speaker 7: track on the song was two chords the whole time

491
00:19:59,359 --> 00:20:00,400
Speaker 7: we had to put a all with.

492
00:20:00,359 --> 00:20:02,240
Speaker 9: More except for the bridge. Sorry, I really left you

493
00:20:02,280 --> 00:20:02,600
Speaker 9: out to day.

494
00:20:02,640 --> 00:20:03,080
Speaker 7: That's all right.

495
00:20:03,960 --> 00:20:05,120
Speaker 9: That's actually the first time we've.

496
00:20:05,040 --> 00:20:06,120
Speaker 3: Ever performed song.

497
00:20:06,400 --> 00:20:09,800
Speaker 9: Oh really, yeah it is actually yeah, so yeah, you

498
00:20:09,800 --> 00:20:11,560
Speaker 9: can really tell Fleisa to the bridge.

499
00:20:11,280 --> 00:20:13,879
Speaker 7: That was That was me messing that up. That's all right,

500
00:20:13,920 --> 00:20:17,760
Speaker 7: the power of editing. And but Casey is just amazing.

501
00:20:17,800 --> 00:20:19,639
Speaker 7: I mean he's one of our favorite people. Have you

502
00:20:19,680 --> 00:20:20,400
Speaker 7: had him on the show?

503
00:20:21,480 --> 00:20:23,159
Speaker 1: We've had him at the house, Yeah, I've had him

504
00:20:23,200 --> 00:20:23,439
Speaker 1: at the house.

505
00:20:23,600 --> 00:20:24,760
Speaker 7: Was one of the best humans.

506
00:20:25,119 --> 00:20:27,280
Speaker 9: He's just a great, great person all around and amazing

507
00:20:27,320 --> 00:20:29,280
Speaker 9: and one of our favorite writers. So he's just I mean,

508
00:20:29,320 --> 00:20:30,960
Speaker 9: he's such a great person. I feel like he intentionally

509
00:20:31,000 --> 00:20:32,879
Speaker 9: doesn't really he likes to keep a low profile. But

510
00:20:32,880 --> 00:20:34,840
Speaker 9: he's one of the most prolific songwriters in Nashville.

511
00:20:35,000 --> 00:20:37,280
Speaker 2: Oh yeah, And so it's just a title, and then

512
00:20:37,400 --> 00:20:39,520
Speaker 2: do you start talking about stuff like do you get

513
00:20:39,560 --> 00:20:42,760
Speaker 2: deeper and don't we turn into a song lyric whise?

514
00:20:42,840 --> 00:20:46,440
Speaker 7: Yeah, definitely. It's you know, it's funny. This this pursuit

515
00:20:46,720 --> 00:20:50,720
Speaker 7: of a career in the arts is it's really hard.

516
00:20:50,760 --> 00:20:52,840
Speaker 7: It's really tricky. I mean it goes into why we

517
00:20:52,960 --> 00:20:55,199
Speaker 7: self titled this album. I mean, you you think you

518
00:20:55,320 --> 00:20:56,920
Speaker 7: have to be something when you're here. You got to

519
00:20:56,960 --> 00:20:58,440
Speaker 7: be someone else. You're never trying to be yourself. You

520
00:20:58,480 --> 00:21:00,800
Speaker 7: always want to be something else. And then if you're

521
00:21:00,840 --> 00:21:03,199
Speaker 7: lucky enough and everything pans out the way that you

522
00:21:03,240 --> 00:21:05,960
Speaker 7: want it to pan out, you get everything that you wanted.

523
00:21:06,119 --> 00:21:09,640
Speaker 7: You realized, oh man, that's actually had it all along.

524
00:21:09,920 --> 00:21:12,359
Speaker 7: You know, you have your family, you have like a

525
00:21:12,400 --> 00:21:14,320
Speaker 7: little piece of land, you got a roof over your head,

526
00:21:14,359 --> 00:21:16,320
Speaker 7: you have the ones you love, you have a guitar

527
00:21:16,400 --> 00:21:19,720
Speaker 7: in your house. That is everything, and it's just kind

528
00:21:19,760 --> 00:21:23,119
Speaker 7: of like it's the perspective that you have after actually

529
00:21:23,200 --> 00:21:26,640
Speaker 7: getting what you want is quite profound. You know. It's

530
00:21:26,920 --> 00:21:29,080
Speaker 7: that Jim Carrey quote, I wish everyone could be rich

531
00:21:29,080 --> 00:21:30,920
Speaker 7: and famous so they could realize that it has nothing

532
00:21:30,960 --> 00:21:31,800
Speaker 7: to do with happiness.

533
00:21:32,200 --> 00:21:34,560
Speaker 2: I was reading an article where they were talking about

534
00:21:34,880 --> 00:21:38,880
Speaker 2: really rich people mostly billionaires, and how the depression rate

535
00:21:38,920 --> 00:21:40,840
Speaker 2: is so high and even suicides are so high because

536
00:21:40,840 --> 00:21:43,719
Speaker 2: once they reached the point of where they thought they

537
00:21:43,760 --> 00:21:45,639
Speaker 2: would be super happy and they're not, they feel like

538
00:21:45,720 --> 00:21:46,960
Speaker 2: they have nothing.

539
00:21:47,160 --> 00:21:48,080
Speaker 3: To still strive for.

540
00:21:48,320 --> 00:21:50,360
Speaker 2: Yeah, because their goal is to make all this money

541
00:21:50,400 --> 00:21:52,360
Speaker 2: and have the status and they get there like, I'm

542
00:21:52,359 --> 00:21:54,119
Speaker 2: still not happy, so I guess I'm never going to

543
00:21:54,160 --> 00:21:54,600
Speaker 2: be happy.

544
00:21:54,680 --> 00:21:56,879
Speaker 7: And all the way there, you sacrifice so much so

545
00:21:56,920 --> 00:21:58,680
Speaker 7: you got it, and all of a sudden you've overlooked

546
00:21:58,680 --> 00:21:59,720
Speaker 7: a lot of very important things.

547
00:22:00,040 --> 00:22:01,800
Speaker 9: And I think when you do hit those milestones that

548
00:22:01,880 --> 00:22:05,960
Speaker 9: leaves less you're kind of like, well, I have all

549
00:22:06,000 --> 00:22:08,080
Speaker 9: to lose at this point. So once you get there,

550
00:22:08,080 --> 00:22:09,920
Speaker 9: you're like, well, now I've achieved this, and then now

551
00:22:09,920 --> 00:22:12,280
Speaker 9: it's it does feel a little bit like the pressures

552
00:22:12,320 --> 00:22:15,840
Speaker 9: get higher, the stakes get higher, and then you're you know,

553
00:22:16,480 --> 00:22:18,960
Speaker 9: I think that was a big thing for John's revelations

554
00:22:18,960 --> 00:22:21,320
Speaker 9: with his mental health had a lot really to do

555
00:22:21,400 --> 00:22:23,679
Speaker 9: with that, which just like once you get there, you're like, oh, no,

556
00:22:23,880 --> 00:22:25,960
Speaker 9: this didn't fix anything, and now I have way more

557
00:22:25,960 --> 00:22:26,560
Speaker 9: to worry about.

558
00:22:26,640 --> 00:22:27,560
Speaker 7: Oh yeah.

559
00:22:27,640 --> 00:22:30,639
Speaker 5: It's interesting because like from a fans perspective or people

560
00:22:30,720 --> 00:22:33,520
Speaker 5: that are just on the outside looking at artists or

561
00:22:33,560 --> 00:22:36,400
Speaker 5: actors that have success. Like I saw Macklin. We're talking

562
00:22:36,440 --> 00:22:38,639
Speaker 5: about it, like it was the height of his career

563
00:22:38,640 --> 00:22:41,040
Speaker 5: and he was just like just want to Grammy or something,

564
00:22:41,080 --> 00:22:43,480
Speaker 5: and like everybody was celebrating him and probably thought he

565
00:22:43,560 --> 00:22:45,840
Speaker 5: was on the top of the world, and he was like,

566
00:22:45,880 --> 00:22:47,840
Speaker 5: literally the lowest I've ever been in my life. Yes,

567
00:22:47,880 --> 00:22:51,760
Speaker 5: the like from the outside looking in, everyone's like thinking

568
00:22:51,760 --> 00:22:54,080
Speaker 5: in their heads, I wish I could be them. I

569
00:22:54,080 --> 00:22:56,199
Speaker 5: mean not everyone, but some people are like I want that.

570
00:22:56,280 --> 00:22:58,720
Speaker 5: I wish I could get there. Sure, And so it's

571
00:22:58,920 --> 00:23:01,480
Speaker 5: and then internal arts might be like, no, you know.

572
00:23:01,560 --> 00:23:04,520
Speaker 7: It's not all honestly, it's because you just you neglect

573
00:23:04,600 --> 00:23:06,800
Speaker 7: the important things in your life, like your mental health,

574
00:23:06,840 --> 00:23:09,000
Speaker 7: maybe sleepy and maybe taking care of yourself, and then

575
00:23:09,480 --> 00:23:11,600
Speaker 7: you finally get there and all of a sudden, that's

576
00:23:11,600 --> 00:23:13,479
Speaker 7: when it all catches up with you, all of it.

577
00:23:13,480 --> 00:23:15,440
Speaker 7: It's like, all right, we've been knocking at your door,

578
00:23:15,560 --> 00:23:17,840
Speaker 7: now we're coming in. And that's something that happened to me.

579
00:23:18,119 --> 00:23:19,520
Speaker 2: And then it gets to that song who says you

580
00:23:19,520 --> 00:23:22,840
Speaker 2: can't have everything I mean, which is the things that

581
00:23:22,960 --> 00:23:25,919
Speaker 2: we feel like we're shooting for are probably not the

582
00:23:25,920 --> 00:23:29,720
Speaker 2: most important thing. Things were conditioned the most important.

583
00:23:30,119 --> 00:23:31,239
Speaker 3: Yeah.

584
00:23:31,320 --> 00:23:34,640
Speaker 1: On the Bobby Bones Show, now.

585
00:23:34,200 --> 00:23:36,879
Speaker 2: Your record is out. It came out Friday. Here's a

586
00:23:36,920 --> 00:23:46,359
Speaker 2: clip of who says you can't have everything? Yeah, you

587
00:23:46,400 --> 00:23:48,320
Speaker 2: know a song that you guys have that it's not

588
00:23:48,359 --> 00:23:50,320
Speaker 2: on the new record, but yeah, my wife and I

589
00:23:50,400 --> 00:23:53,359
Speaker 2: kind of have a playlist. It's probably like one hundred songs,

590
00:23:53,359 --> 00:23:54,959
Speaker 2: and it's just kind of like hang out play list

591
00:23:55,000 --> 00:23:56,320
Speaker 2: where you don't have to think much but you just

592
00:23:56,400 --> 00:23:59,280
Speaker 2: like the music. And she's Oklahoma, so she's a lot

593
00:23:59,320 --> 00:24:03,720
Speaker 2: of Turnpike, True Doors, she's Zach Bryan. But you guys

594
00:24:03,720 --> 00:24:07,400
Speaker 2: are on the list a lot too. I I don't

595
00:24:07,440 --> 00:24:12,280
Speaker 2: remember me people because that I mean that song hits.

596
00:24:12,480 --> 00:24:13,919
Speaker 2: I think both of us pretty good. Is that one

597
00:24:13,920 --> 00:24:15,280
Speaker 2: of the ones people come up to it and they're like, man,

598
00:24:15,320 --> 00:24:18,760
Speaker 2: that's that's like our song, my love song with somebody?

599
00:24:18,880 --> 00:24:20,520
Speaker 9: Yeah, yeah, you know that one of these. We have

600
00:24:20,560 --> 00:24:22,280
Speaker 9: another song called Pushing Up Daisies that a lot of

601
00:24:22,280 --> 00:24:24,480
Speaker 9: people And in fact, we always like which one of

602
00:24:24,480 --> 00:24:26,360
Speaker 9: these do We played it because they're kind of they

603
00:24:26,440 --> 00:24:28,840
Speaker 9: occupy the same space, so we're like, which one do

604
00:24:28,920 --> 00:24:32,440
Speaker 9: we play and you know, I don't remember me before you.

605
00:24:32,520 --> 00:24:35,480
Speaker 9: It was that one was a single and it we

606
00:24:36,040 --> 00:24:37,760
Speaker 9: didn't do as well as we had helped. We actually

607
00:24:37,760 --> 00:24:40,199
Speaker 9: had high hopes for it, and I was really that

608
00:24:40,320 --> 00:24:41,800
Speaker 9: was really kind of a shock to us. One that

609
00:24:41,840 --> 00:24:44,320
Speaker 9: didn't do as well, and then we kind of I

610
00:24:44,359 --> 00:24:46,080
Speaker 9: think we kind of got like over it. We're like,

611
00:24:46,119 --> 00:24:47,960
Speaker 9: you know what, screw the song. And then we stopped

612
00:24:47,960 --> 00:24:48,440
Speaker 9: playing it, but.

613
00:24:48,359 --> 00:24:51,000
Speaker 3: We gone from it, like you. We just recently started.

614
00:24:50,720 --> 00:24:52,360
Speaker 9: Playing it again, and I feel like it's because it's

615
00:24:52,359 --> 00:24:54,320
Speaker 9: been years since we've played it. People have been you know,

616
00:24:54,440 --> 00:24:55,600
Speaker 9: we've been getting a response.

617
00:24:55,320 --> 00:24:59,440
Speaker 3: From anytime it comes on. We started making out the

618
00:24:59,480 --> 00:25:00,200
Speaker 3: first note.

619
00:25:01,160 --> 00:25:03,840
Speaker 9: Social media content, everyone's yeah, well that's what you won't

620
00:25:03,920 --> 00:25:05,080
Speaker 9: let me post that.

621
00:25:05,080 --> 00:25:07,119
Speaker 1: It's always the best, is what you don't post.

622
00:25:07,080 --> 00:25:10,080
Speaker 7: Just like that you're thinking of us.

623
00:25:10,080 --> 00:25:14,280
Speaker 5: But I always have and now we're all thinking about it.

624
00:25:14,359 --> 00:25:16,760
Speaker 3: Yes, TJ.

625
00:25:16,840 --> 00:25:20,480
Speaker 2: What are you your favorite of all time? What's your

626
00:25:20,480 --> 00:25:21,400
Speaker 2: favorite song of all time?

627
00:25:22,520 --> 00:25:26,640
Speaker 9: God, I don't know that.

628
00:25:25,119 --> 00:25:27,040
Speaker 2: Yeah, because I've done it in my head a lot.

629
00:25:27,480 --> 00:25:29,639
Speaker 2: I think it also depends on the season. I'll vamp

630
00:25:29,680 --> 00:25:31,119
Speaker 2: and give you mine where you think of it? Well,

631
00:25:31,119 --> 00:25:33,000
Speaker 2: because I would probably go, John Mayer, stop this train,

632
00:25:33,040 --> 00:25:34,600
Speaker 2: because it was the first soul that ever heard that

633
00:25:34,680 --> 00:25:37,679
Speaker 2: I felt was talking to me or speaking for me.

634
00:25:38,600 --> 00:25:43,560
Speaker 9: Yeah, I would probably go, what a wonderful world? Probably,

635
00:25:44,200 --> 00:25:47,080
Speaker 9: It's such a very overplayed song, and every time I

636
00:25:47,160 --> 00:25:52,160
Speaker 9: hear it and I'm with Abby that it just I

637
00:25:52,240 --> 00:25:55,160
Speaker 9: feel it so strongly, and I've heard it a million times,

638
00:25:55,200 --> 00:25:57,320
Speaker 9: and I'm like, I know everyone's used this as their

639
00:25:57,359 --> 00:26:00,480
Speaker 9: wedding song, but I'm like, can we I know it's

640
00:26:00,520 --> 00:26:03,040
Speaker 9: not un original, but it makes me cry, like it

641
00:26:03,040 --> 00:26:03,760
Speaker 9: makes me so.

642
00:26:03,680 --> 00:26:08,800
Speaker 3: Happy, children cry I watched them grow. Yeah, exactly, and.

643
00:26:08,720 --> 00:26:12,600
Speaker 7: You, honestly, my favorite song that has ever been written

644
00:26:12,640 --> 00:26:15,920
Speaker 7: as a songwriter is Night Moves by Bob Seeger. It's

645
00:26:16,000 --> 00:26:19,360
Speaker 7: just every line in that song is just absolute perfection.

646
00:26:19,800 --> 00:26:21,840
Speaker 7: So whenever anyone asks me, like, what is your favorite

647
00:26:21,880 --> 00:26:24,159
Speaker 7: song as a songwriter, that's it. My favorite song is,

648
00:26:24,240 --> 00:26:26,760
Speaker 7: just like a fan and listener, is The Way I

649
00:26:26,800 --> 00:26:28,680
Speaker 7: Am by Merle Haggard. I hear that song, it just

650
00:26:28,720 --> 00:26:29,480
Speaker 7: wrecks me every time.

651
00:26:29,520 --> 00:26:32,240
Speaker 2: Oh yeah, great song, reckon so blue eyes Crying in

652
00:26:32,240 --> 00:26:33,400
Speaker 2: the rain, Oh so good?

653
00:26:33,440 --> 00:26:35,920
Speaker 3: Oh yeah you talk about a song that Yeah, it

654
00:26:36,000 --> 00:26:36,679
Speaker 3: just wrecks me.

655
00:26:36,680 --> 00:26:38,240
Speaker 1: And it's perfect too.

656
00:26:38,560 --> 00:26:40,520
Speaker 9: You know, something I've been experiencing lately is that he

657
00:26:40,600 --> 00:26:42,680
Speaker 9: was abvious from Mexico, so he doesn't know a ton

658
00:26:42,720 --> 00:26:45,200
Speaker 9: about American culture. He's learning it. But I always loved

659
00:26:45,240 --> 00:26:47,679
Speaker 9: seeing him experience something for the first time with like

660
00:26:47,760 --> 00:26:52,000
Speaker 9: a total fresh set of ears, without any preconceived notions

661
00:26:52,000 --> 00:26:54,239
Speaker 9: of what it's going to be. And just recently there

662
00:26:54,320 --> 00:26:56,560
Speaker 9: was Patsy Klein came on and he was like, who

663
00:26:56,680 --> 00:26:59,159
Speaker 9: is this. I'm like, this is Patsy Klain and you know,

664
00:26:59,240 --> 00:27:01,159
Speaker 9: didn't know who it was, and he just went in

665
00:27:01,200 --> 00:27:02,720
Speaker 9: a deep time. So we've been listened to a lot

666
00:27:02,760 --> 00:27:06,160
Speaker 9: of Patsy lately, but it is I love like experiencing

667
00:27:06,200 --> 00:27:08,680
Speaker 9: that through him because I'm like, this is really great,

668
00:27:08,760 --> 00:27:10,679
Speaker 9: or like Aretha Franklin one time, he's like, who is that?

669
00:27:10,760 --> 00:27:13,679
Speaker 9: Oh my god, that's a clean of soul, baby, like

670
00:27:13,720 --> 00:27:16,720
Speaker 9: come on, And so I love having that experience and

671
00:27:16,760 --> 00:27:18,439
Speaker 9: it makes it fresh for me and I feel like

672
00:27:18,480 --> 00:27:20,560
Speaker 9: we get so lost and like what's cool and what

673
00:27:20,600 --> 00:27:23,760
Speaker 9: other people like? So we like it and just seeing

674
00:27:23,800 --> 00:27:27,199
Speaker 9: that kind of you know, no other opinions attached to

675
00:27:27,520 --> 00:27:29,399
Speaker 9: what he's experienced for the first time, it's cool to

676
00:27:29,560 --> 00:27:31,040
Speaker 9: cool for me, it's inspiring.

677
00:27:31,160 --> 00:27:33,080
Speaker 2: I have a joke in my stand up that my

678
00:27:33,160 --> 00:27:34,840
Speaker 2: wife is twelve years younger than I am, and I'm like,

679
00:27:34,880 --> 00:27:36,159
Speaker 2: I get to introduce her to things like in a

680
00:27:36,200 --> 00:27:37,880
Speaker 2: time machine so.

681
00:27:37,880 --> 00:27:39,000
Speaker 3: That she's never heard before.

682
00:27:39,480 --> 00:27:40,840
Speaker 2: I'm like, you're never gonna believe it. This guy got

683
00:27:40,880 --> 00:27:43,000
Speaker 2: kicked out of Philadelphia. Now he's living with his uncle.

684
00:27:43,520 --> 00:27:46,360
Speaker 2: He's like, and then I'll do music. And because again

685
00:27:46,400 --> 00:27:48,120
Speaker 2: there's some of the stuff like she doesn't know any

686
00:27:48,200 --> 00:27:50,040
Speaker 2: of the nineties alternative stuff.

687
00:27:50,119 --> 00:27:50,320
Speaker 1: Yeah.

688
00:27:50,560 --> 00:27:52,120
Speaker 2: Yeah, but if we're playing cards and I have won

689
00:27:52,160 --> 00:27:54,360
Speaker 2: the game before, we listen to like nineties to two

690
00:27:54,359 --> 00:27:56,600
Speaker 2: thousand row and even like Raging against the Machine like

691
00:27:56,640 --> 00:27:58,800
Speaker 2: that that's not that's really not her jam. But now

692
00:27:58,840 --> 00:28:01,680
Speaker 2: it'll come on or you're like closing time, she would

693
00:28:01,680 --> 00:28:04,280
Speaker 2: be like, I know this song only from you playing it.

694
00:28:04,280 --> 00:28:06,520
Speaker 2: So I get to introduce her to all that. That's

695
00:28:06,560 --> 00:28:07,040
Speaker 2: a fun game.

696
00:28:07,119 --> 00:28:08,879
Speaker 1: So I'm like, tickle the little red watch it.

697
00:28:08,960 --> 00:28:09,440
Speaker 3: He'll laugh.

698
00:28:11,720 --> 00:28:13,600
Speaker 9: I always like what happens for me, and this does

699
00:28:13,640 --> 00:28:15,560
Speaker 9: actually make me feel old when it happens is I

700
00:28:15,560 --> 00:28:17,960
Speaker 9: will be like, oh, this person will give some history

701
00:28:18,119 --> 00:28:20,399
Speaker 9: and then he'll be like you've told me this like

702
00:28:20,760 --> 00:28:23,560
Speaker 9: every type of all eight times we've heard this song,

703
00:28:23,600 --> 00:28:25,760
Speaker 9: you've started with the same intro. I'm like God, I

704
00:28:26,080 --> 00:28:26,919
Speaker 9: am my father.

705
00:28:27,160 --> 00:28:33,600
Speaker 2: Patsy Kleine, Willie Nelson right every time, crazy literally all right,

706
00:28:33,680 --> 00:28:35,600
Speaker 2: the new record is out. I'm gonna planno the track

707
00:28:35,640 --> 00:28:38,320
Speaker 2: real quick, ray Would you play me some of son

708
00:28:38,440 --> 00:28:40,800
Speaker 2: ain't even gone down yet from brothers Ospital.

709
00:28:40,680 --> 00:28:48,840
Speaker 9: Second song Sip Water for Tennessee got Leave your Head first,

710
00:28:49,240 --> 00:28:51,200
Speaker 9: we were already.

711
00:28:52,400 --> 00:28:55,400
Speaker 3: The record is out. Now here's one more I wanted

712
00:28:55,440 --> 00:28:55,720
Speaker 3: to play.

713
00:28:55,720 --> 00:29:05,040
Speaker 2: This is back Home, Bad Lost.

714
00:29:04,680 --> 00:29:06,080
Speaker 11: Up, Bad Bank.

715
00:29:07,440 --> 00:29:09,200
Speaker 2: What's your favorite song on the records? Favorite songs? You

716
00:29:09,240 --> 00:29:10,520
Speaker 2: have to pick one, you.

717
00:29:10,480 --> 00:29:11,520
Speaker 1: Know, it's that's really hard.

718
00:29:11,600 --> 00:29:14,880
Speaker 9: I would say probably only because we haven't done anything

719
00:29:14,960 --> 00:29:18,040
Speaker 9: like them before, but probably we ain't good at breaking up.

720
00:29:18,080 --> 00:29:19,720
Speaker 9: This is a song we did with we wrote with

721
00:29:19,880 --> 00:29:23,120
Speaker 9: Miranda and she came and sang on. And then there's

722
00:29:23,120 --> 00:29:24,480
Speaker 9: another one called Goodbyees kicking in.

723
00:29:25,120 --> 00:29:25,239
Speaker 6: Uh.

724
00:29:25,280 --> 00:29:27,040
Speaker 9: Those are songs are just kind of very The moods

725
00:29:27,040 --> 00:29:28,760
Speaker 9: of those are different than anything we've done before, so

726
00:29:28,920 --> 00:29:30,320
Speaker 9: I particularly like those.

727
00:29:30,360 --> 00:29:31,960
Speaker 3: Would you play someone? We and good at breaking up?

728
00:29:32,040 --> 00:29:32,720
Speaker 8: Right good.

729
00:29:34,800 --> 00:29:38,360
Speaker 1: Burson Feather never sing.

730
00:29:41,080 --> 00:29:43,560
Speaker 6: A rap, Perfect.

731
00:29:44,080 --> 00:29:48,160
Speaker 2: Things Records out. It is called Brothers Osborne. Don't be confused.

732
00:29:48,160 --> 00:29:49,080
Speaker 2: It's not their first record.

733
00:29:50,640 --> 00:29:53,600
Speaker 5: It's their first record as their true authentic.

734
00:29:56,120 --> 00:30:00,560
Speaker 2: Because first record was Tejanos that go with Polka. Yeah,

735
00:30:00,560 --> 00:30:01,480
Speaker 2: and they've been trying to find it.

736
00:30:01,560 --> 00:30:04,800
Speaker 3: You know, they finally found it. I like that, all right.

737
00:30:04,840 --> 00:30:07,360
Speaker 2: Brothers Osbourne Records out now, and you guys go to

738
00:30:07,400 --> 00:30:11,920
Speaker 2: the site Brothers Osbourne dot com. Got a you know,

739
00:30:12,000 --> 00:30:13,680
Speaker 2: some dates. But imagine are you doing a little less

740
00:30:13,680 --> 00:30:14,680
Speaker 2: now that you have kids?

741
00:30:14,920 --> 00:30:16,120
Speaker 7: I wish you're not.

742
00:30:16,200 --> 00:30:16,600
Speaker 1: I wish.

743
00:30:16,680 --> 00:30:18,760
Speaker 7: No, we're touring a lot, and well we do have

744
00:30:18,800 --> 00:30:21,000
Speaker 7: four shows coming up in October one here in a

745
00:30:21,120 --> 00:30:24,120
Speaker 7: sand but also New York, LA and d C. So

746
00:30:24,360 --> 00:30:26,479
Speaker 7: we've got four big shows actually coming out to promote

747
00:30:26,480 --> 00:30:28,280
Speaker 7: this record. So go look at them.

748
00:30:28,280 --> 00:30:31,200
Speaker 2: Tickets October fifth, New York, October seventh in Nashville, October

749
00:30:31,240 --> 00:30:34,480
Speaker 2: fourteenth in DC. In October twenty second, Los Angeles. Yeah,

750
00:30:34,520 --> 00:30:35,160
Speaker 2: good to see you guys.

751
00:30:36,360 --> 00:30:41,000
Speaker 3: There they are brothers.

752
00:30:41,440 --> 00:30:43,960
Speaker 1: There's a voicemail from Kristen in North Carolina.

753
00:30:44,320 --> 00:30:47,400
Speaker 2: I was curious to that Abby's guitar play.

754
00:30:47,720 --> 00:30:49,920
Speaker 8: She was talking about how she wants to play guitar,

755
00:30:50,160 --> 00:30:53,560
Speaker 8: but she feels like she can't or she's not fielding up.

756
00:30:53,600 --> 00:30:56,480
Speaker 8: And you guys convinced her to spend a certain amount

757
00:30:56,480 --> 00:30:57,080
Speaker 8: of time at.

758
00:30:57,040 --> 00:31:00,240
Speaker 2: Least trying to play the guitar. And then she in

759
00:31:00,520 --> 00:31:02,080
Speaker 2: and to show how.

760
00:31:01,920 --> 00:31:04,360
Speaker 8: Much she's learned. And I can't remember how long ago

761
00:31:04,440 --> 00:31:07,080
Speaker 8: that was or if that's still something in.

762
00:31:07,320 --> 00:31:10,720
Speaker 9: Progress, but you guys can check in on Abby about that.

763
00:31:10,960 --> 00:31:12,360
Speaker 8: I would love to hear.

764
00:31:12,800 --> 00:31:15,320
Speaker 2: So the reason is Abby was coming to open for

765
00:31:15,360 --> 00:31:17,400
Speaker 2: me for a couple of shows and she was like,

766
00:31:17,400 --> 00:31:18,520
Speaker 2: I don't have a guitar player.

767
00:31:19,120 --> 00:31:22,760
Speaker 3: We were like, okay, cool, but what if.

768
00:31:22,680 --> 00:31:24,440
Speaker 2: You learned to play guitar a little bit, because then

769
00:31:24,440 --> 00:31:26,680
Speaker 2: you won't be so tethered to having to have a

770
00:31:26,680 --> 00:31:29,000
Speaker 2: person play with you. And she's like uh, And then

771
00:31:29,040 --> 00:31:31,000
Speaker 2: she has this song if you missed it, this is

772
00:31:31,040 --> 00:31:32,560
Speaker 2: called Hey, They're hometown.

773
00:31:32,760 --> 00:31:37,840
Speaker 11: Hits Tough, You'll always be home.

774
00:31:38,040 --> 00:31:39,600
Speaker 2: And how cool would be if she just played herself,

775
00:31:39,640 --> 00:31:41,120
Speaker 2: of course, and not have to worry about somebody else.

776
00:31:41,160 --> 00:31:42,680
Speaker 2: I said, just spend a little bit of time each

777
00:31:42,720 --> 00:31:45,080
Speaker 2: week just learning, learning, learning, and eventually, before you know it,

778
00:31:45,080 --> 00:31:45,840
Speaker 2: you'll be able to play it.

779
00:31:46,000 --> 00:31:49,160
Speaker 5: Abby, where are you in this when's the deadline?

780
00:31:49,200 --> 00:31:50,720
Speaker 3: Again, that's not what I asked.

781
00:31:51,840 --> 00:31:53,200
Speaker 5: It's not going too well.

782
00:31:53,360 --> 00:31:55,200
Speaker 1: It's not trying, but it's not supposed to go well.

783
00:31:55,240 --> 00:31:56,040
Speaker 1: It's always hard.

784
00:31:56,320 --> 00:31:56,600
Speaker 5: I know.

785
00:31:56,800 --> 00:31:59,440
Speaker 11: Remember we talked about that article that was like, you know,

786
00:31:59,480 --> 00:32:01,720
Speaker 11: even if you play an instrument bad, it's very like

787
00:32:01,800 --> 00:32:02,560
Speaker 11: stress reliever.

788
00:32:02,680 --> 00:32:06,000
Speaker 3: It's not stress reliever trying to learn guitar. Do you

789
00:32:06,040 --> 00:32:06,640
Speaker 3: have a guitar?

790
00:32:07,160 --> 00:32:07,440
Speaker 5: I do?

791
00:32:07,680 --> 00:32:09,280
Speaker 3: Are you practicing? Yes?

792
00:32:09,960 --> 00:32:12,480
Speaker 11: I need to take it to the store, to the

793
00:32:12,520 --> 00:32:15,240
Speaker 11: guitar store and get the string switched out to make

794
00:32:15,280 --> 00:32:15,560
Speaker 11: it ring.

795
00:32:15,640 --> 00:32:16,040
Speaker 3: Get in here.

796
00:32:16,040 --> 00:32:19,080
Speaker 1: I can do that right now. Oho, you've got a

797
00:32:19,160 --> 00:32:21,600
Speaker 1: room full of musicians here. When's the last time you practiced?

798
00:32:21,640 --> 00:32:23,240
Speaker 3: Elie box Eddie me.

799
00:32:23,840 --> 00:32:25,200
Speaker 5: Happy, I'd say last week.

800
00:32:25,240 --> 00:32:28,240
Speaker 3: Okay, Abby, what I need you to do? Okay, because

801
00:32:28,280 --> 00:32:30,800
Speaker 3: here we are, second half of September. I need you

802
00:32:30,880 --> 00:32:32,640
Speaker 3: to give it twenty minutes a day.

803
00:32:34,320 --> 00:32:35,080
Speaker 5: Oh, during the show.

804
00:32:35,200 --> 00:32:37,160
Speaker 2: No, you know what if during the show is fine.

805
00:32:37,160 --> 00:32:38,480
Speaker 2: If we got to do like a scuba steep.

806
00:32:38,240 --> 00:32:41,040
Speaker 3: Project, it's fine. It's like, okay, twenty minutes a day,

807
00:32:41,600 --> 00:32:42,520
Speaker 3: five days a week.

808
00:32:43,000 --> 00:32:47,760
Speaker 2: And then we're September, October, November, right before Thanksgiving.

809
00:32:47,800 --> 00:32:48,560
Speaker 3: We're gonna have a recital.

810
00:32:48,600 --> 00:32:50,280
Speaker 5: Wait what I thought this was six months?

811
00:32:51,560 --> 00:32:53,480
Speaker 3: Oh wait until January. I moved it up.

812
00:32:54,040 --> 00:32:57,600
Speaker 2: I like Thanksgiving, Okay, after the break, abbe, you gotta

813
00:32:57,600 --> 00:32:58,760
Speaker 2: practice on twenty minutes a day.

814
00:32:58,840 --> 00:32:59,720
Speaker 3: That's it.

815
00:33:00,120 --> 00:33:02,480
Speaker 1: Practice like e c.

816
00:33:02,880 --> 00:33:04,600
Speaker 2: Those are the ones before he gets the bar courts

817
00:33:04,640 --> 00:33:09,280
Speaker 2: g Okay, because I am no Jimmy Hendricks, no one

818
00:33:09,320 --> 00:33:09,880
Speaker 2: will confuse me.

819
00:33:10,120 --> 00:33:11,760
Speaker 3: I mean, well, thank you. I'm left hand abatable.

820
00:33:11,800 --> 00:33:14,280
Speaker 2: Yeah, but I went and bought a cord sheet from Walmart,

821
00:33:14,520 --> 00:33:16,520
Speaker 2: a poster, and I just took my hands and put

822
00:33:16,560 --> 00:33:18,160
Speaker 2: them over those courts and my finger.

823
00:33:18,200 --> 00:33:18,480
Speaker 3: It hurt.

824
00:33:18,640 --> 00:33:22,280
Speaker 1: Is really hard, but nothing worth having is easy, or everybody.

825
00:33:22,000 --> 00:33:22,520
Speaker 3: Will have it.

826
00:33:23,280 --> 00:33:23,920
Speaker 5: That's true.

827
00:33:24,520 --> 00:33:27,320
Speaker 2: Right, So commit for me right now, five days a week,

828
00:33:27,320 --> 00:33:28,120
Speaker 2: twenty minutes a day.

829
00:33:28,600 --> 00:33:29,960
Speaker 11: I will commit to that.

830
00:33:30,400 --> 00:33:31,840
Speaker 3: And every day you do it, you put it in

831
00:33:31,840 --> 00:33:32,520
Speaker 3: your phone, did it?

832
00:33:32,840 --> 00:33:33,160
Speaker 5: Okay?

833
00:33:33,520 --> 00:33:35,280
Speaker 1: Okay, it just stresses me out.

834
00:33:35,440 --> 00:33:38,640
Speaker 3: Yeah, it's supposed to. It's valuable to you. You should

835
00:33:38,680 --> 00:33:38,920
Speaker 3: do it.

836
00:33:39,000 --> 00:33:41,080
Speaker 5: Also. If you keep saying it stresses you out, it's

837
00:33:41,080 --> 00:33:41,320
Speaker 5: going to.

838
00:33:41,360 --> 00:33:43,560
Speaker 1: Keep stressing stress you out and give up quick.

839
00:33:43,600 --> 00:33:45,640
Speaker 5: No, just eliminate that part of it.

840
00:33:45,720 --> 00:33:47,040
Speaker 1: You got it, Okay, I've got this.

841
00:33:47,680 --> 00:33:48,120
Speaker 5: Thanks for the.

842
00:33:51,480 --> 00:33:52,480
Speaker 1: Pile of stories.

843
00:33:52,600 --> 00:33:56,480
Speaker 5: So I've got five surprising college courses that parents or

844
00:33:57,000 --> 00:33:58,959
Speaker 5: people are actually paying money for.

845
00:33:59,600 --> 00:34:02,680
Speaker 2: Probably these culture courses like Taylor Swift's lyrics.

846
00:34:02,760 --> 00:34:05,560
Speaker 5: Yeah, I got Psychology of Taylor Swift as one of them. Yes,

847
00:34:05,840 --> 00:34:08,680
Speaker 5: Harry Styles and the cult of Celebrity. One hundred years

848
00:34:08,680 --> 00:34:11,000
Speaker 5: of courting, dating and hooking up on college campuses.

849
00:34:11,400 --> 00:34:12,319
Speaker 3: So here's what they're doing.

850
00:34:12,360 --> 00:34:16,200
Speaker 2: Though they're using sexy titles to actually get you to

851
00:34:16,239 --> 00:34:18,520
Speaker 2: go into a class. It's about something much broader and deeper,

852
00:34:18,920 --> 00:34:22,239
Speaker 2: like just the idea of celebrity and why people are

853
00:34:22,320 --> 00:34:27,440
Speaker 2: drawn to certain things. Like if it's the sociology of fame,

854
00:34:28,840 --> 00:34:29,719
Speaker 2: people probably.

855
00:34:29,440 --> 00:34:31,080
Speaker 3: Aren't going to get into that as much as it

856
00:34:31,120 --> 00:34:31,840
Speaker 3: is Harry Styles.

857
00:34:31,960 --> 00:34:34,680
Speaker 1: Yeah, and if you get credit, who cares? Yeah, I

858
00:34:34,680 --> 00:34:37,960
Speaker 1: mean I took drugs in society. It was awesome, learned

859
00:34:38,000 --> 00:34:39,240
Speaker 1: all about different types of drugs.

860
00:34:39,880 --> 00:34:43,560
Speaker 2: I mean, I took bowling chickens in college. Yeah, because

861
00:34:43,560 --> 00:34:47,640
Speaker 2: I had to take a pe type class, I had

862
00:34:47,680 --> 00:34:50,680
Speaker 2: to take two, so I took bowling and racketball. Bowling

863
00:34:50,760 --> 00:34:53,120
Speaker 2: was stupid. We didn't really go. They didn't even care

864
00:34:53,120 --> 00:34:54,560
Speaker 2: if you went. You do that to the bowling alley

865
00:34:55,000 --> 00:34:57,160
Speaker 2: that's cool. And then racketball is awesome. We had tournaments.

866
00:34:57,160 --> 00:34:58,640
Speaker 2: I get to be pretty good a rackaball because I

867
00:34:58,640 --> 00:35:00,880
Speaker 2: was obsessed with it for a while. And then Amy

868
00:35:00,920 --> 00:35:03,439
Speaker 2: took chicken sects the animal.

869
00:35:03,239 --> 00:35:05,000
Speaker 5: Well, that's just what we called it. It was sort

870
00:35:05,000 --> 00:35:06,680
Speaker 5: of like these. I just think that back then maybe

871
00:35:06,680 --> 00:35:09,120
Speaker 5: they didn't have the names to get people. As an

872
00:35:09,120 --> 00:35:12,879
Speaker 5: animal science class. They but this one professor he taught

873
00:35:12,920 --> 00:35:15,000
Speaker 5: it like some of the like this courting dating and

874
00:35:15,000 --> 00:35:17,720
Speaker 5: hooking up on college campuses. I'm pretty sure that's what chickens.

875
00:35:17,760 --> 00:35:20,560
Speaker 5: I took her, but it was under like a disguise,

876
00:35:20,640 --> 00:35:23,040
Speaker 5: like every you knew you were signing up for, like

877
00:35:23,120 --> 00:35:25,560
Speaker 5: the fun class, and we called it chicken sex. And

878
00:35:25,560 --> 00:35:27,960
Speaker 5: we would go and he would say why you're attracted

879
00:35:28,000 --> 00:35:30,200
Speaker 5: to certain people, wrote a whole book on it. I

880
00:35:30,200 --> 00:35:33,600
Speaker 5: don't know that people really knew what he was doing. Aliens,

881
00:35:33,640 --> 00:35:35,720
Speaker 5: psychics and ghosts. And then Whiskey School.

882
00:35:35,880 --> 00:35:38,479
Speaker 3: Oh my, well, oh I thought you were doing a song. Okay,

883
00:35:38,520 --> 00:35:38,880
Speaker 3: go ahead.

884
00:35:39,800 --> 00:35:42,880
Speaker 5: Should adults order from the kids menu?

885
00:35:44,120 --> 00:35:44,359
Speaker 11: Yeah?

886
00:35:44,400 --> 00:35:46,560
Speaker 4: I think they probably can. It's just a smaller amount, sure,

887
00:35:46,840 --> 00:35:49,760
Speaker 4: of course, you know. Yeah, and you got a coloring

888
00:35:49,760 --> 00:35:50,839
Speaker 4: book or something that'd be cool.

889
00:35:51,040 --> 00:35:51,239
Speaker 3: Yeah.

890
00:35:51,280 --> 00:35:54,959
Speaker 5: Well, there's a girl, Ashley, and she's on TikTok. She's

891
00:35:55,000 --> 00:35:59,640
Speaker 5: become kind of the voice of adults who order kids mills.

892
00:35:59,719 --> 00:36:00,640
Speaker 3: That's a voice.

893
00:36:01,080 --> 00:36:03,880
Speaker 5: She's gotten millions of use for her tips and tricks

894
00:36:03,880 --> 00:36:07,760
Speaker 5: of ordering kids foods. But Washington posted this whole article

895
00:36:07,800 --> 00:36:11,919
Speaker 5: about how it's really tacky for adults to order off

896
00:36:11,960 --> 00:36:12,839
Speaker 5: the kids menu and.

897
00:36:13,040 --> 00:36:16,080
Speaker 2: Tak's an opinion, fair, and I will respect that opinion.

898
00:36:16,120 --> 00:36:17,360
Speaker 3: It can be tacky to somebody.

899
00:36:17,520 --> 00:36:19,759
Speaker 2: People think the dollar dances is tacky at weddings, but

900
00:36:19,840 --> 00:36:20,879
Speaker 2: I think the dollar antce is fun.

901
00:36:21,680 --> 00:36:23,000
Speaker 3: Is it tacky? Maybe?

902
00:36:23,120 --> 00:36:26,280
Speaker 2: But can you Yeah, And it's just a smaller amount.

903
00:36:26,400 --> 00:36:28,399
Speaker 2: So that's what it is. And sometimes you get better

904
00:36:28,400 --> 00:36:31,200
Speaker 2: stuff too. Sometimes it's mess restaurant. You want chicken strips,

905
00:36:31,200 --> 00:36:32,360
Speaker 2: but you can't get her unless you go to the

906
00:36:32,400 --> 00:36:32,879
Speaker 2: kids menu.

907
00:36:33,000 --> 00:36:33,880
Speaker 3: Good for it? Okay.

908
00:36:34,360 --> 00:36:36,279
Speaker 5: So in a new survey, less than a quarter of

909
00:36:36,320 --> 00:36:40,360
Speaker 5: gen zers use periods, commas and quotation marks and texts

910
00:36:40,440 --> 00:36:43,719
Speaker 5: or on social media, and only a third bother to

911
00:36:43,800 --> 00:36:47,560
Speaker 5: proofread any of their messages before sending them. And people

912
00:36:47,560 --> 00:36:50,760
Speaker 5: are thinking, like, do these kids even care about proper

913
00:36:50,840 --> 00:36:52,920
Speaker 5: spelling anymore? Like does any of it matter, And the

914
00:36:52,960 --> 00:36:55,200
Speaker 5: kids are saying, no, it doesn't interesting.

915
00:36:56,800 --> 00:36:58,960
Speaker 2: I don't ever check. I just I type a lot.

916
00:36:59,080 --> 00:37:01,000
Speaker 2: You type and sent, just type and said sometimes no

917
00:37:01,040 --> 00:37:02,000
Speaker 2: periods or spellings.

918
00:37:02,440 --> 00:37:05,360
Speaker 5: But if you're sending an email to your.

919
00:37:05,320 --> 00:37:08,520
Speaker 2: Boss, sometimes I think I checked, but I didn't. Okay,

920
00:37:08,719 --> 00:37:09,480
Speaker 2: it's kind of my thing.

921
00:37:09,480 --> 00:37:12,120
Speaker 5: But are you that loose with it? Like higher ups too,

922
00:37:12,400 --> 00:37:13,480
Speaker 5: like say you're emailing New York?

923
00:37:13,520 --> 00:37:16,080
Speaker 3: Yeah, pretty loose. I'm pretty direct. I don't know if

924
00:37:16,080 --> 00:37:17,560
Speaker 3: loose is it, but I'm just direct to the point.

925
00:37:17,800 --> 00:37:24,120
Speaker 2: And sometimes there's no pronunciation or no, there's no uh traumas. Yeah,

926
00:37:24,360 --> 00:37:27,319
Speaker 2: put punctuation early in the morning, guys, give me a break,

927
00:37:27,360 --> 00:37:28,040
Speaker 2: okay with Monday.

928
00:37:28,160 --> 00:37:28,759
Speaker 3: All right, thank you.

929
00:37:28,800 --> 00:37:30,200
Speaker 5: That is maybe that's my file.

930
00:37:31,000 --> 00:37:33,040
Speaker 1: That was Amy's pile of stories.

931
00:37:33,480 --> 00:37:34,759
Speaker 3: It's time for the good news.

932
00:37:35,520 --> 00:37:35,759
Speaker 1: Ready.

933
00:37:40,000 --> 00:37:43,320
Speaker 4: Last week, deputies with a Pierce County, Washington Sheriff's Department,

934
00:37:43,360 --> 00:37:45,200
Speaker 4: we're out. They got a call that there was a

935
00:37:45,239 --> 00:37:46,840
Speaker 4: dog that was hit by a car. So they go

936
00:37:46,880 --> 00:37:49,600
Speaker 4: out there, they call animal control. They can't get out

937
00:37:49,600 --> 00:37:51,799
Speaker 4: there fast enough, so they say, well, let's look for

938
00:37:51,840 --> 00:37:53,680
Speaker 4: the dog. And they find out that the dog went

939
00:37:53,800 --> 00:37:56,440
Speaker 4: down under a roadway. Into a culvert. It was hit

940
00:37:56,480 --> 00:37:59,160
Speaker 4: and then it tried to just escape. I guess hide, yeah, really,

941
00:37:59,200 --> 00:38:00,759
Speaker 4: And I guess the cold is one of those pipes

942
00:38:00,800 --> 00:38:03,399
Speaker 4: that go under the road. So the dogs hear. The

943
00:38:03,440 --> 00:38:05,960
Speaker 4: sheriff deputies hear the dogs. They say, okay, dog, come on,

944
00:38:06,000 --> 00:38:07,120
Speaker 4: come on, come on, come on, come on.

945
00:38:07,280 --> 00:38:08,920
Speaker 3: Dog's not moving, scared and injured.

946
00:38:09,000 --> 00:38:10,399
Speaker 4: So one of the deputies says, you know what, I'm

947
00:38:10,400 --> 00:38:11,279
Speaker 4: just gonna go in and get it.

948
00:38:11,400 --> 00:38:12,799
Speaker 3: And there's bodycam footage of.

949
00:38:12,800 --> 00:38:16,319
Speaker 4: The deputy squeezing in that tiny little pipe reaches for

950
00:38:16,400 --> 00:38:18,520
Speaker 4: the dog. Finally, after like thirty minutes, they get the

951
00:38:18,520 --> 00:38:18,960
Speaker 4: dog out.

952
00:38:19,200 --> 00:38:20,280
Speaker 3: I love the story.

953
00:38:21,239 --> 00:38:22,719
Speaker 2: I don't like that the dog was hit by a car,

954
00:38:22,760 --> 00:38:24,880
Speaker 2: but I love the story that they went and saved

955
00:38:24,880 --> 00:38:25,280
Speaker 2: the dog.

956
00:38:25,520 --> 00:38:26,600
Speaker 3: What happened to the dog then?

957
00:38:26,680 --> 00:38:27,319
Speaker 1: So they named the.

958
00:38:27,320 --> 00:38:29,480
Speaker 3: Dog Piper because it was second right.

959
00:38:29,719 --> 00:38:31,640
Speaker 4: So then they're thinking, oh my gosh, this dog needs

960
00:38:31,680 --> 00:38:34,600
Speaker 4: emergency surgery. So they call a vet. They say we

961
00:38:34,640 --> 00:38:36,600
Speaker 4: can do it, but it's gonna be really expensive. So

962
00:38:36,640 --> 00:38:38,080
Speaker 4: they're like, oh my gosh, what do we do? So

963
00:38:38,120 --> 00:38:41,480
Speaker 4: the sheriff contacts an organization called People for Animal Care

964
00:38:41,520 --> 00:38:43,960
Speaker 4: and Kindness. They say, don't worry about it. We'll take

965
00:38:43,960 --> 00:38:46,719
Speaker 4: care of the bill. So Piper got surgery, and now

966
00:38:46,719 --> 00:38:49,200
Speaker 4: I just saw the update yesterday. Piper is at a

967
00:38:49,200 --> 00:38:52,480
Speaker 4: foster home ready to be Adopted's come.

968
00:38:53,320 --> 00:38:55,960
Speaker 3: That's really good. I love that man. Those stories get me.

969
00:38:56,000 --> 00:38:57,920
Speaker 2: This is the animal ones, man, those are the ones

970
00:38:57,960 --> 00:38:59,839
Speaker 2: that really touched the old soul here.

971
00:39:00,080 --> 00:39:02,480
Speaker 3: Yeah, like humans animals.

972
00:39:02,560 --> 00:39:05,320
Speaker 4: Now we're talking Fiber has two colored eyes to a

973
00:39:05,440 --> 00:39:06,960
Speaker 4: cute dog that needs to be adopted.

974
00:39:07,000 --> 00:39:08,680
Speaker 3: Great job by those police officers. That is what it's

975
00:39:08,719 --> 00:39:09,120
Speaker 3: all about.

976
00:39:09,680 --> 00:39:11,200
Speaker 1: That was telling me something good.