WEBVTT - James Baldwin

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<v Speaker 1>Welcome to Stuff you missed in History Class, a production

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<v Speaker 1>of I Heart Radio. Hello, and welcome to the podcast.

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<v Speaker 1>I'm Tracy V. Wilson and I'm Holly Fry. The last

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<v Speaker 1>thing we recorded before I got to work on today's

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<v Speaker 1>episode was our June five behind the scenes, and if

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<v Speaker 1>you've listened to that, I was clearly having a hard

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<v Speaker 1>time figuring out what to do next. And when I

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<v Speaker 1>remembered that I'd had James Baldwin on my list for

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<v Speaker 1>a while, my inward response was like, yes, obviously, James Baldwin.

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<v Speaker 1>Of course, why didn't you even think of this before?

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<v Speaker 1>This description by Juan Williams and a piece called Baldwin

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<v Speaker 1>The Witnesses Testament, which was published in The Washington Post

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<v Speaker 1>the day after Baldwin's death in illustrates why I had

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<v Speaker 1>that response quote. Given the messy nature of racial hatred,

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<v Speaker 1>of the half truths, blasphemies and lies that make up

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<v Speaker 1>American life, Baldwin's accuracy and reproducing that world stands as

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<v Speaker 1>a remarkable achievement. His accuracy was key and his works

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<v Speaker 1>the reader could resonate to the sounds of the street

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<v Speaker 1>corner as drawn by Baldwin, could feel the anger of

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<v Speaker 1>black Americans so long denied a role in American life.

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<v Speaker 1>As Baldwin wrote about that anger, black people reading Baldwin

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<v Speaker 1>knew he wrote the truth. White people reading Baldwin sensed

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<v Speaker 1>his truth about the lives of black people and the

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<v Speaker 1>sins of a racist nation. Interest in James Baldwin's work

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<v Speaker 1>has just really grown in the United States over the

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<v Speaker 1>last several years, in conjunction with the Black Lives Matter movement.

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<v Speaker 1>His nineteen sixty three book The Fire Next Time is

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<v Speaker 1>frequently on anti racism reading lists. Sometimes it's paired up

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<v Speaker 1>with Tana hassy Coats Between the World and Me, which

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<v Speaker 1>was inspired by it, or with The Fire This Time

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<v Speaker 1>a New Generation Speaks about Race. That's a book that

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<v Speaker 1>came out in Basically, James Baldwin was a brilliant essayist

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<v Speaker 1>and one of the chroniclers of the civil rights movement

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<v Speaker 1>and a really powerful voice against racism. And that is

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<v Speaker 1>why we are talking about him today. So we're gonna

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<v Speaker 1>start with his background. James Baldwin was born James Arthur

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<v Speaker 1>Jones in Harlem, New York, on August two. His mother

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<v Speaker 1>was Emma Bertas Jones, and she was a domestic worker

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<v Speaker 1>When James was born, Emma was not married and she

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<v Speaker 1>never told him who his biological father was. When James

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<v Speaker 1>was three, his mother married David Baldwin, who was a

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<v Speaker 1>factory worker and an evangelical minister, and they went on

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<v Speaker 1>to have eight children together. The family was really poor.

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<v Speaker 1>They were living in a part of Harlem that Baldwin

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<v Speaker 1>later called Junkie's Hollow, and part of James's early years

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<v Speaker 1>also took place during the Great Depression. David Baldwin was strict, unyielding, authoritarian,

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<v Speaker 1>and cruel, including telling James that he was ugly and

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<v Speaker 1>reminding him of the circumstances of his birth, and of

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<v Speaker 1>course that was heavily stigmatized at the time. At as

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<v Speaker 1>an adult, Baldwin described as a whole household constantly working

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<v Speaker 1>to appease his stepfather. James also said David taught him

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<v Speaker 1>to fight because he had to continually fight back with patients,

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<v Speaker 1>and a kind of ruthless determination, because I had to

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<v Speaker 1>endure it, to go under and come back up to wait.

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<v Speaker 1>James Baldwin attributed his stepfather's treatment of him and his

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<v Speaker 1>mother and siblings as being the product of living as

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<v Speaker 1>a proud man in a racist society where he just

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<v Speaker 1>could not make enough money to really support his family.

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<v Speaker 1>And Baldwin also credited his younger siblings as being a

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<v Speaker 1>big part of what kept him off the streets and

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<v Speaker 1>largely out of trouble in his youth. As the oldest,

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<v Speaker 1>James was always helping to look after the younger ones,

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<v Speaker 1>and that was something he described doing with a book

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<v Speaker 1>in one hand, because reading became one of his biggest

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<v Speaker 1>means of escape. He liked to tell people that he

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<v Speaker 1>read every volume in Harlem's library branches and that he

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<v Speaker 1>had to go to the New York Public Library on

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<v Speaker 1>Fort Street to find any books that he hadn't read yet.

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<v Speaker 1>He also credited religion with helping to keep him out

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<v Speaker 1>of trouble. He had a religious conversion experience at the

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<v Speaker 1>age of fourteen and became a youth minister at Fireside

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<v Speaker 1>Pentecostal Assembly. He was a youth minister for three years,

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<v Speaker 1>and during that time he crafted his use of language

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<v Speaker 1>and his speaking style. Throughout all this, James had been

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<v Speaker 1>attending New York Public schools, first at PS twenty four,

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<v Speaker 1>whose principle was Gertrude Ayres. That was the first black

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<v Speaker 1>principle in New York City. From there, he moved to

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<v Speaker 1>Frederick Douglas Junior High School, where Harlem Renaissance poet County

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<v Speaker 1>Cullen was his French teacher and the director of the

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<v Speaker 1>school's literary club. While at Frederick Douglas Junior High, James

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<v Speaker 1>was editor of the school's newspaper, The Douglas Pilot, and

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<v Speaker 1>also tried to make money to help the family buy

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<v Speaker 1>shining shoes and selling shopping bags. For high school, James

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<v Speaker 1>was selected to attend DeWitt Clinton High School in the Bronx.

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<v Speaker 1>This was one of New York's more elite schools, with

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<v Speaker 1>a predominantly Jewish student body. There, James again worked on

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<v Speaker 1>the school newspaper, The Magpie, and he excelled in his

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<v Speaker 1>English and history courses. He also meant painter view for Delaney,

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<v Speaker 1>who became a friend and something of a mentor, as

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<v Speaker 1>he demonstrated for Baldwin that a black man could become

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<v Speaker 1>an artist. James didn't do nearly as well and as

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<v Speaker 1>other courses as he did in English and history, and

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<v Speaker 1>his high school years were personally very turbulent. In addition

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<v Speaker 1>to all the stresses of his home life, he had

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<v Speaker 1>started to question his sexuality. He had also started questioning

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<v Speaker 1>the church as he began to learn about the ways

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<v Speaker 1>that Christianity had been used as a weapon during slavery,

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<v Speaker 1>and as he heard people within his church and his

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<v Speaker 1>stepfather make anti Semitic comments. He ultimately left the church

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<v Speaker 1>in ninety one. James Baldwin graduated from high school in

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<v Speaker 1>nineteen two, six months after the rest of his class.

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<v Speaker 1>The internal turmoil connected to his faith in his sexuality

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<v Speaker 1>contributed to a mental health crisis that derailed his studies.

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<v Speaker 1>He had hoped to go to the City College of

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<v Speaker 1>New York, but he couldn't afford a tuition. Instead, he

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<v Speaker 1>got a defense industry job in bell Mead, New Jersey,

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<v Speaker 1>to try to help support his family financially. By this point,

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<v Speaker 1>James's stepfather was struggling with his own mental health, with

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<v Speaker 1>symptoms that included depression and paranoia. Baldwin's job in bell

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<v Speaker 1>Mead involved building a new Army quartermaster depot, and it

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<v Speaker 1>was Baldwin's first real experience with overt racism on the job.

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<v Speaker 1>The U. S Army was still segregated, and Baldwin continued

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<v Speaker 1>to act the way he had acted back in Harlem

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<v Speaker 1>when he was around white Southern service members, and they,

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<v Speaker 1>of course expected him to be totally deferential to them

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<v Speaker 1>and to stay out of their way. Of course, racism

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<v Speaker 1>had existed in Harlem as well, but this was a

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<v Speaker 1>whole different set of social expectations and consequences. Baldwin described

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<v Speaker 1>this experience as learning what it meant to be a Negro.

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<v Speaker 1>He refused to back down in the face of racism

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<v Speaker 1>and harassment on the job, and he was fired. A

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<v Speaker 1>friend helped him get his job back, and when the

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<v Speaker 1>harassment resumed, he again pushed back against it and was

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<v Speaker 1>once again fired. On his last night in Belle Meade,

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<v Speaker 1>Baldwin and some friends were refused service as a diner

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<v Speaker 1>because of their race, and Baldwin really reached a breaking point.

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<v Speaker 1>He threw a water picture and that shattered the mirror

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<v Speaker 1>behind the bar. He described this moment as revelatory, realizing

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<v Speaker 1>that he had been angry enough to kill someone and

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<v Speaker 1>that his own life was in danger, and his words

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<v Speaker 1>quote from the hatred I carried in my own heart.

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<v Speaker 1>David Baldwin Sr. Died on July three, which was also

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<v Speaker 1>the day James's youngest sibling, Paul Maria, was born. Two

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<v Speaker 1>days later on August one, and uprising swept through Harlem.

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<v Speaker 1>It was sparked when a black soldier tried to intervene

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<v Speaker 1>as a white police officer was trying to arrest a

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<v Speaker 1>black woman. The officer shot the soldier, and rumors spread

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<v Speaker 1>that he had been killed. This was one of a

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<v Speaker 1>series of similar riots that took place in cities around

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<v Speaker 1>the United States in ninety three, and in Harlem, six

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<v Speaker 1>black people were killed as thousands of police were dispatched

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<v Speaker 1>in response to the violence. Baldwin really felt like living

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<v Speaker 1>in Harlem had become untenable, and he moved to Greenwich

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<v Speaker 1>Village to try to make a living as a writer,

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<v Speaker 1>while also waiting tables and doing other work just to

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<v Speaker 1>try to make ends meet and to send what money

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<v Speaker 1>he could back to his family. He had relationships with

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<v Speaker 1>men and with women, and at one point became engaged

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<v Speaker 1>to a woman, but ultimately broke off that engagement. He

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<v Speaker 1>also became friends with a man named Eugene Worse, who

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<v Speaker 1>encouraged Baldwin to join the Young People's Socialist League. Although

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<v Speaker 1>it's not entirely clear how long Baldwin was involved or

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<v Speaker 1>exactly what his involvement even was in the years just

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<v Speaker 1>after World War Two, he spent at least some time

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<v Speaker 1>with various political groups that were connected to things like socialism, communism,

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<v Speaker 1>and labor rights, but he didn't become exclusively focused on

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<v Speaker 1>any of them, or in some cases ever officially become

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<v Speaker 1>a member. One of the biography US that I read

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<v Speaker 1>of him characterized this period is kind of bouncing around

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<v Speaker 1>from one group to another, getting a sense of what

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<v Speaker 1>different ideas were, but not really committing to any of them.

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<v Speaker 1>At that point in Baldwin met Richard Wright, who helped

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<v Speaker 1>him get Harper's Eugene F. Saxton Fellowship, and that fellowship

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<v Speaker 1>provided some of the funding to help him launch a

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<v Speaker 1>literary career. He started getting published and established magazines, but

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<v Speaker 1>then in ninety six, Eugene Worth died by suicide. That

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<v Speaker 1>was something that traumatized and haunted Baldwin for the rest

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<v Speaker 1>of his life. Two years later, Baldwin had become certain

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<v Speaker 1>that he could not live in the United States anymore.

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<v Speaker 1>It circled back to what he had realized that last

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<v Speaker 1>night in Belle Meade. He had a clear minded certainty

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<v Speaker 1>that if he didn't leave the US and its systematic

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<v Speaker 1>racism and oppression, he would be killed, or he would

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<v Speaker 1>kill someone. He finally decided to go to France at

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<v Speaker 1>the age of twenty four. We'll get to that. After

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<v Speaker 1>a quick sponsor break, James Baldwin left for Paris on

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<v Speaker 1>November eleventh, using the last of the money from a

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<v Speaker 1>fellowship to pay for a one way ticket by sea.

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<v Speaker 1>Beyond that, he had almost no money, virtually no connections,

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<v Speaker 1>and nowhere to stay. He also did not speak French.

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<v Speaker 1>In his words quote, I had no idea what might

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<v Speaker 1>happen to me in France, but I was very clear

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<v Speaker 1>what would happen if I remained in New York. Baldwin

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<v Speaker 1>faced some criticism for leaving the US, with people arguing

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<v Speaker 1>that he was abandoning a country that he should have

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<v Speaker 1>stayed in and tried to help fix. But this first

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<v Speaker 1>stretch of time in Paris was critically important to his

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<v Speaker 1>work and identity as a writer. Unlike many of the

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<v Speaker 1>other writers and artists who left the US for Paris,

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<v Speaker 1>he didn't think of himself as an expatriate, but more

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<v Speaker 1>as a commuter. He still felt a deep connection to

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<v Speaker 1>the United States, and he made frequent trips back, and

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<v Speaker 1>he spent long stretches of time in other parts of

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<v Speaker 1>the world, including Istanbul. Shortly after arriving in Paris, Baldwin

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<v Speaker 1>met Swiss artist Lucien Happersburger, who was white, bisexual, and

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<v Speaker 1>at one point married to a woman. When they met,

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<v Speaker 1>Baldwin was twenty four and Happersburger was seventeen. They eventually

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<v Speaker 1>started a relationship that went on for almost forty years.

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<v Speaker 1>Baldwin described Happersburger as the love of his life, and

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<v Speaker 1>he became godfather to Happersburger's children. Along with other relationships

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<v Speaker 1>in his life, Happersburger was one of the inspirations for

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<v Speaker 1>Baldwin's novel Giovanni's Room. While in France, Baldwin wrote Everybody's

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<v Speaker 1>Protest novel, which argued that political novels like Harriet Beecher

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<v Speaker 1>Stowe's Uncle Tom's Cabin and Richard Wright's Native Son were

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<v Speaker 1>reinforcing stereotypes about black people and in particular, dehumanizing black men.

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<v Speaker 1>Although Wright had helped Baldwin secure his first writing fellowship,

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<v Speaker 1>the two men did not see eye to eye on

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<v Speaker 1>a number of issues, and they frequently criticized one another.

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<v Speaker 1>On December nineteenth, Aldwin was arrested for being in receipt

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<v Speaker 1>of stolen property after he borrowed a bed sheet that

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<v Speaker 1>a friend had stolen from a hotel. This whole experience

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<v Speaker 1>led him to think about identity and policing in the

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<v Speaker 1>United States versus in France. The police in France saw

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<v Speaker 1>him as an American, while police in New York would

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<v Speaker 1>have seen him as an inherently criminal problem. But he

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<v Speaker 1>also became aware that most of the people who were

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<v Speaker 1>in jail with him in Paris were from Northern Africa,

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<v Speaker 1>and that French colonialism had its own part to play

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<v Speaker 1>in racism in France. This first stretch of time in

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<v Speaker 1>France let Baldwin look back on the US from a distance,

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<v Speaker 1>seeing things from angles that just were not possible for

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<v Speaker 1>him while he was living in it. He started coming

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<v Speaker 1>to terms with both his own history and with his

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<v Speaker 1>sexuality while living in France. In Switzerland, he finished his

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<v Speaker 1>semi autobiographical novel Go Tell It on the Mountain she

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<v Speaker 1>had actually started writing in high school, as well as

0:12:55.480 --> 0:12:58.400
<v Speaker 1>a plague called the Amen Corner, and a series of

0:12:58.520 --> 0:13:01.680
<v Speaker 1>essays in nine In fifty two, Baldwin made a trip

0:13:01.679 --> 0:13:04.920
<v Speaker 1>back to the US with financial help from Marlon Brando.

0:13:05.080 --> 0:13:07.960
<v Speaker 1>He was awarded a Googgenheim Fellowship in June of nineteen

0:13:08.000 --> 0:13:11.960
<v Speaker 1>fifty four, and other fellowships followed. In nineteen fifty nine,

0:13:12.040 --> 0:13:14.520
<v Speaker 1>he was awarded a Ford Foundation grant to work on

0:13:14.559 --> 0:13:18.199
<v Speaker 1>the novel Another Country, when this novel included a fictionalized

0:13:18.240 --> 0:13:22.160
<v Speaker 1>depiction of his friendship with Eugene Worth, including worth suicide.

0:13:22.760 --> 0:13:26.200
<v Speaker 1>Professor in literary critic Fred Stanley later wrote of Another

0:13:26.280 --> 0:13:30.400
<v Speaker 1>Country quote, Baldwin has been audacious enough, prior to most

0:13:30.480 --> 0:13:34.920
<v Speaker 1>other artists to grapple candidly with the usually taboo subjects

0:13:34.960 --> 0:13:40.439
<v Speaker 1>of American society and culture, interracial sexual intercourse, homosexuality as

0:13:40.440 --> 0:13:44.880
<v Speaker 1>a normative mode of experience, and bisexuality as a real phenomenon.

0:13:45.320 --> 0:13:48.320
<v Speaker 1>After similar back and forth travel, Baldwin returned to the

0:13:48.400 --> 0:13:51.040
<v Speaker 1>US for a longer stretch, starting in July of nineteen

0:13:51.080 --> 0:13:54.200
<v Speaker 1>fifty seven. A lot of his written work during this

0:13:54.280 --> 0:13:57.840
<v Speaker 1>time documents or reflects on the Civil Rights movement, a

0:13:57.880 --> 0:14:00.959
<v Speaker 1>movement that he wasn't really sure how he fit into.

0:14:01.360 --> 0:14:03.720
<v Speaker 1>He had become well known and well established as a

0:14:03.760 --> 0:14:06.000
<v Speaker 1>writer by this point, and while he did not want

0:14:06.040 --> 0:14:10.360
<v Speaker 1>to describe himself as the movement spokesperson, there were definitely

0:14:10.400 --> 0:14:13.000
<v Speaker 1>people who thought of him that way. As the civil

0:14:13.120 --> 0:14:16.840
<v Speaker 1>rights movement grew and evolved, Baldwin found himself aligned in

0:14:16.920 --> 0:14:20.000
<v Speaker 1>some ways with Martin Luther King Jr's approach through non

0:14:20.120 --> 0:14:23.120
<v Speaker 1>violent action, that in other ways with Malcolm X, the

0:14:23.160 --> 0:14:26.400
<v Speaker 1>Nation of Islam, and the Black Power movement, for example,

0:14:26.440 --> 0:14:30.040
<v Speaker 1>As time went on, Baldwin increasingly favored the Black Power

0:14:30.080 --> 0:14:34.000
<v Speaker 1>movement's focus on immediate radical change instead of non violent

0:14:34.160 --> 0:14:37.960
<v Speaker 1>incremental progress, but he really did not agree with the

0:14:37.960 --> 0:14:42.080
<v Speaker 1>Black Power movements focus on black separatism. One hallmark of

0:14:42.120 --> 0:14:44.920
<v Speaker 1>Baldwin's writing during the Civil rights movement was that it

0:14:44.960 --> 0:14:49.680
<v Speaker 1>was accessible to and sometimes written specifically for a white audience.

0:14:50.560 --> 0:14:53.480
<v Speaker 1>Much of this written work carried an implicit or explicit

0:14:53.520 --> 0:14:56.880
<v Speaker 1>warning that racism was not just harming black people, that

0:14:57.000 --> 0:15:00.320
<v Speaker 1>it was also destroying white people as well. Some of

0:15:00.360 --> 0:15:03.880
<v Speaker 1>it has also been described as prophetic, foreseeing that the

0:15:03.920 --> 0:15:07.320
<v Speaker 1>movement would become more militant if non violent activism did

0:15:07.360 --> 0:15:11.160
<v Speaker 1>not meet its goals, and foreseeing that white activism would

0:15:11.200 --> 0:15:14.920
<v Speaker 1>turn away from that militancy. Baldwin's work in the movement

0:15:15.000 --> 0:15:18.320
<v Speaker 1>was not just about writing, though he also made speeches,

0:15:18.560 --> 0:15:23.720
<v Speaker 1>He donated money, wrote letters sci petitions organized during the

0:15:23.800 --> 0:15:26.040
<v Speaker 1>lunch counter sit ins that we talked about on the show.

0:15:26.080 --> 0:15:29.480
<v Speaker 1>Earlier this year, James Baldwin traveled to Tallahassee to interview

0:15:29.520 --> 0:15:33.120
<v Speaker 1>student demonstrators. In nineteen sixty one, he became a sponsor

0:15:33.200 --> 0:15:36.040
<v Speaker 1>for the National Committee for a Saying Nuclear Policy, and

0:15:36.080 --> 0:15:39.040
<v Speaker 1>he also helped sponsor a rally to disband the House

0:15:39.080 --> 0:15:42.880
<v Speaker 1>An American Activities Committee. In nineteen sixty three, he took

0:15:42.880 --> 0:15:45.480
<v Speaker 1>a speaking tour through the South in conjunction with the

0:15:45.520 --> 0:15:49.080
<v Speaker 1>Congress of Racial Equality. During this tour, he met and

0:15:49.120 --> 0:15:51.680
<v Speaker 1>started working with civil rights activists and in double a

0:15:51.760 --> 0:15:56.040
<v Speaker 1>cp field secretary Medgar Evers. Baldwin's book The Fire Next

0:15:56.080 --> 0:15:58.960
<v Speaker 1>Time came out during this tour as well. It contains

0:15:59.000 --> 0:16:02.600
<v Speaker 1>two essays, My Dungeon Shook Letter to my Nephew on

0:16:02.640 --> 0:16:06.520
<v Speaker 1>the one anniversary of the Emancipation and Down at the

0:16:06.560 --> 0:16:10.200
<v Speaker 1>Cross Letter from a Region of My Mind. The latter

0:16:10.320 --> 0:16:14.520
<v Speaker 1>essay dwells on Baldwin's experiences with religion, including both Christianity

0:16:14.600 --> 0:16:18.239
<v Speaker 1>and the Nation of Islam, relating them to race and racism,

0:16:18.280 --> 0:16:21.600
<v Speaker 1>and reflecting on his own beliefs. The Fire Next Time

0:16:21.680 --> 0:16:24.040
<v Speaker 1>spent more than forty weeks in the top five of

0:16:24.040 --> 0:16:27.760
<v Speaker 1>the New York Times bestseller List on May seventeenth, nineteen

0:16:27.840 --> 0:16:32.400
<v Speaker 1>sixty three, during Martin Luther King Jr's Birmingham campaign, Baldwin

0:16:32.480 --> 0:16:35.120
<v Speaker 1>was on the cover of Time magazine under a banner

0:16:35.120 --> 0:16:39.160
<v Speaker 1>that read Birmingham and Beyond the Negro Pushed for Equality.

0:16:39.440 --> 0:16:42.960
<v Speaker 1>A few days before that Time magazine cover, Baldwin had

0:16:42.960 --> 0:16:47.480
<v Speaker 1>sent a telegram to Attorney General Robert F. Kennedy criticizing

0:16:47.520 --> 0:16:50.600
<v Speaker 1>the United States lack of response to the civil rights movement,

0:16:50.800 --> 0:16:54.760
<v Speaker 1>especially in the face of increasing violence and brutality against

0:16:54.840 --> 0:16:58.760
<v Speaker 1>the people who were participating in that movement. Baldwin framed

0:16:58.760 --> 0:17:01.520
<v Speaker 1>this inaction in the failure of the nation to make

0:17:01.560 --> 0:17:05.560
<v Speaker 1>black liberation a priority, as a moral treason. The result

0:17:05.920 --> 0:17:08.399
<v Speaker 1>was that Kennedy met with Baldwin for breakfast on May,

0:17:09.600 --> 0:17:12.800
<v Speaker 1>asking him to gather writers and activists to meet with him.

0:17:12.840 --> 0:17:16.200
<v Speaker 1>The next day. They met in Kennedy's apartment in New York,

0:17:16.240 --> 0:17:19.560
<v Speaker 1>where Kennedy was joined by Department of Justice lawyer Burke Marshall.

0:17:20.359 --> 0:17:23.560
<v Speaker 1>Baldwin had brought his brother David, as well as Harry Belafonte,

0:17:24.000 --> 0:17:28.320
<v Speaker 1>Lorraine Handsbury, Lena Horn, and Ripped Torn, along with representatives

0:17:28.359 --> 0:17:32.479
<v Speaker 1>from the Chicago Urban League, Harlem Youth Opportunities Unlimited, the

0:17:32.600 --> 0:17:36.560
<v Speaker 1>n double A CP, and core Clarence Benjamin Jones, who

0:17:36.600 --> 0:17:39.800
<v Speaker 1>is one of Martin Luther King Junior's advisers, was also there.

0:17:40.320 --> 0:17:42.760
<v Speaker 1>The Kennedy's goal for this meeting was not so much

0:17:42.800 --> 0:17:45.399
<v Speaker 1>to get a sense of what Black Americans needed, or

0:17:45.440 --> 0:17:47.919
<v Speaker 1>what the civil rights movement's goals were or how the

0:17:47.960 --> 0:17:51.520
<v Speaker 1>government might incorporate those goals. He was more focused on

0:17:51.600 --> 0:17:54.119
<v Speaker 1>figuring out who among them might serve as sort of

0:17:54.160 --> 0:17:57.359
<v Speaker 1>a mouthpiece for the government, promoting the government's policies to

0:17:57.400 --> 0:18:02.359
<v Speaker 1>the black community to improve ray relations, and also on

0:18:02.440 --> 0:18:05.080
<v Speaker 1>outlining what the government had done already so far to

0:18:05.119 --> 0:18:09.960
<v Speaker 1>the assembled group while basically asking for their patients uh.

0:18:10.080 --> 0:18:13.760
<v Speaker 1>This meeting consequently did not go well. Baldwin and the

0:18:13.800 --> 0:18:17.720
<v Speaker 1>other assembled activists were trying to describe the systemic racism

0:18:17.760 --> 0:18:20.680
<v Speaker 1>that went well beyond what was encoded in law, while

0:18:20.760 --> 0:18:23.479
<v Speaker 1>Kennedy was talking about how his own family had been

0:18:23.520 --> 0:18:27.720
<v Speaker 1>oppressed for being Irish. Kennedy came off as deeply naive

0:18:27.920 --> 0:18:32.320
<v Speaker 1>and unwilling to listen. Eventually, Lorraine Hansbury walked out and

0:18:32.400 --> 0:18:37.680
<v Speaker 1>several others followed. Afterward, the FBI started monitoring Baldwin, placing

0:18:37.760 --> 0:18:41.280
<v Speaker 1>him on its Security Index of potentially dangerous people and

0:18:41.359 --> 0:18:44.000
<v Speaker 1>amassing a file on him that was more than seventeen

0:18:44.119 --> 0:18:48.560
<v Speaker 1>hundred pages long. This meeting, though while not immediately successful,

0:18:48.680 --> 0:18:52.720
<v Speaker 1>is often credited with starting to shift Robert Kennedy's perspectives,

0:18:53.280 --> 0:18:56.679
<v Speaker 1>leading him to encourage his brother, President John F. Kennedy

0:18:56.760 --> 0:18:59.960
<v Speaker 1>to address the nation on the subject of civil rights okay,

0:19:00.000 --> 0:19:02.520
<v Speaker 1>and he gave his civil rights address on June eleventh,

0:19:02.600 --> 0:19:05.919
<v Speaker 1>nineteen sixty three. In the early morning hours of June twelve,

0:19:06.240 --> 0:19:09.359
<v Speaker 1>Medgar Evers was assassinated in his driveway in front of

0:19:09.359 --> 0:19:12.920
<v Speaker 1>his children. The culprit was Byrondella Beckwith, who was found

0:19:12.920 --> 0:19:16.160
<v Speaker 1>guilty of the crime more than thirty years later. Baldwin

0:19:16.359 --> 0:19:19.080
<v Speaker 1>continued his writing and worked during the nineteen sixties, but

0:19:19.119 --> 0:19:22.119
<v Speaker 1>the assassination of Medgar Evers was the first of a

0:19:22.200 --> 0:19:24.639
<v Speaker 1>series of events that sort of shifted his work and

0:19:24.720 --> 0:19:28.719
<v Speaker 1>his outlook. Others included the Sixteenth Street Baptist Church bombing

0:19:28.720 --> 0:19:31.760
<v Speaker 1>in nineteen sixty three, as well as the assassinations of

0:19:31.840 --> 0:19:34.200
<v Speaker 1>two other men that he had known and worked with,

0:19:34.520 --> 0:19:38.000
<v Speaker 1>Malcolm X in nineteen sixty five and Martin Luther King Jr.

0:19:38.000 --> 0:19:40.399
<v Speaker 1>In nineteen sixty eight, and we're going to get to

0:19:40.560 --> 0:19:46.560
<v Speaker 1>more on that after we first have a sponsor break.

0:19:51.600 --> 0:19:55.600
<v Speaker 1>As we noted earlier, James Baldwin never seemed really sure

0:19:55.720 --> 0:19:59.080
<v Speaker 1>where he fit within the civil rights movement. Although he

0:19:59.160 --> 0:20:02.240
<v Speaker 1>participated in the nineteen sixty three March on Washington for

0:20:02.320 --> 0:20:04.880
<v Speaker 1>Jobs and Freedom, he wasn't a big part of its

0:20:04.880 --> 0:20:08.600
<v Speaker 1>public presence or its planning. There's been some speculation that

0:20:08.640 --> 0:20:11.560
<v Speaker 1>this was because of his sexual orientation, but as we've

0:20:11.600 --> 0:20:14.359
<v Speaker 1>noted on earlier episodes of the show, one of the

0:20:14.440 --> 0:20:17.359
<v Speaker 1>major planners of the march was Bayard Rustin, who was

0:20:17.400 --> 0:20:21.000
<v Speaker 1>also gay. It's more likely that Baldwin's views were becoming

0:20:21.080 --> 0:20:23.800
<v Speaker 1>less and less aligned with Martin Luther King Jr's non

0:20:23.920 --> 0:20:27.360
<v Speaker 1>violent arm of the movement. As time went on, Baldwin

0:20:27.480 --> 0:20:31.639
<v Speaker 1>became increasingly radical. When the Black Panther Party was established

0:20:31.640 --> 0:20:35.040
<v Speaker 1>in nineteen sixty six, Baldwin supported many of its efforts,

0:20:35.280 --> 0:20:39.600
<v Speaker 1>including school breakfast and lunch programs, community health care programs,

0:20:39.960 --> 0:20:44.040
<v Speaker 1>schools and arms self defense programs meant to protect black

0:20:44.040 --> 0:20:47.640
<v Speaker 1>communities from violence, including violence at the hands of police.

0:20:48.480 --> 0:20:51.680
<v Speaker 1>Baldwin's written work had always been focused on both racism

0:20:51.720 --> 0:20:55.320
<v Speaker 1>and homophobia, and he had been both critically acclaimed and

0:20:55.440 --> 0:20:58.120
<v Speaker 1>a best seller through this work, But in the late

0:20:58.200 --> 0:21:01.960
<v Speaker 1>sixties and early seventies or yours increasingly criticized him for

0:21:02.080 --> 0:21:07.200
<v Speaker 1>becoming more pessimistic, accusatory, and vehement, and too directly focused

0:21:07.240 --> 0:21:10.479
<v Speaker 1>on civil rights, as included the three act play Blues

0:21:10.520 --> 0:21:12.840
<v Speaker 1>for Mr. Charlie, which was based on the murder of

0:21:12.880 --> 0:21:16.520
<v Speaker 1>Emmett's Hill. And it wasn't just white literary reviewers who

0:21:16.520 --> 0:21:21.040
<v Speaker 1>were criticizing his work. His advocacy for Palestinian liberation was

0:21:21.119 --> 0:21:25.600
<v Speaker 1>criticized as anti semitic, although he also criticized anti semitism

0:21:25.600 --> 0:21:29.960
<v Speaker 1>within black activism. Members of the Black Arts movement criticized

0:21:30.000 --> 0:21:32.400
<v Speaker 1>his work because it was intended, at least in part,

0:21:32.440 --> 0:21:35.960
<v Speaker 1>for white audiences rather than being written for other black people.

0:21:36.880 --> 0:21:39.800
<v Speaker 1>The non violent arm of the civil rights movement criticized

0:21:39.840 --> 0:21:43.280
<v Speaker 1>his more radical and confrontational views, while the Black Power

0:21:43.359 --> 0:21:48.600
<v Speaker 1>movement criticized his sexual orientation and his integrationist stances. His

0:21:48.680 --> 0:21:52.919
<v Speaker 1>sexual orientation was also criticized from outside the movement. The

0:21:53.000 --> 0:21:57.520
<v Speaker 1>Kennedy's nicknamed him Martin Luther Queen. He basically was criticized

0:21:57.520 --> 0:22:02.760
<v Speaker 1>from every conceivable direction. In nineteen seventy, Baldwin returned to France,

0:22:02.760 --> 0:22:05.199
<v Speaker 1>where he bought a farmhouse in the medieval village of

0:22:05.200 --> 0:22:08.320
<v Speaker 1>Saint Paul Devance. Although he's still did a lot of traveling,

0:22:08.440 --> 0:22:10.959
<v Speaker 1>this became his permanent home for the rest of his life.

0:22:11.880 --> 0:22:15.920
<v Speaker 1>Locals named it Sa Baldwin. Baldwin's writing in political Views

0:22:15.960 --> 0:22:21.840
<v Speaker 1>had always been anti capitalist, anti colonial, anti imperialist, anti racist,

0:22:22.160 --> 0:22:28.399
<v Speaker 1>anti homophobic, Pan African, pro Palestinian liberation, and against mass incarceration.

0:22:29.200 --> 0:22:32.280
<v Speaker 1>He also made connections between black liberation in the US

0:22:32.440 --> 0:22:35.760
<v Speaker 1>and United States foreign policy, noting that a nation that

0:22:35.800 --> 0:22:39.479
<v Speaker 1>truly supported black liberation would be supporting black freedom fighters

0:22:39.520 --> 0:22:42.560
<v Speaker 1>elsewhere in the world and supporting people who were fighting

0:22:42.560 --> 0:22:46.240
<v Speaker 1>for independence from colonial powers. All this work had also

0:22:46.320 --> 0:22:50.440
<v Speaker 1>been primarily focused on men. In the nineteen seventies and eighties,

0:22:50.480 --> 0:22:54.280
<v Speaker 1>that started to change, in part through televised conversations with

0:22:54.320 --> 0:22:58.640
<v Speaker 1>poets Nicki Giovanni and past podcast subject Audrey Lord. Both

0:22:58.680 --> 0:23:02.760
<v Speaker 1>Women Really Is to Baldwin on issues of gender, gender roles,

0:23:02.760 --> 0:23:06.639
<v Speaker 1>and sexuality, ultimately leading him to criticize the whiteness of

0:23:06.680 --> 0:23:10.159
<v Speaker 1>the mainstream feminist movement as well as it's homophobia and

0:23:10.200 --> 0:23:14.960
<v Speaker 1>anti lesbianism, but like Bayard Ruston, James Baldwin never took

0:23:14.960 --> 0:23:17.439
<v Speaker 1>a leadership role within the gay rights movement as it

0:23:17.480 --> 0:23:20.880
<v Speaker 1>became more public and widespread in the nineteen seventies and eighties.

0:23:21.680 --> 0:23:25.480
<v Speaker 1>He also expressed some ambivalence about exactly how to describe

0:23:25.560 --> 0:23:30.200
<v Speaker 1>himself in his own identity. In one five interview, he said,

0:23:30.280 --> 0:23:36.359
<v Speaker 1>quote those terms homosexual, bisexual, heterosexual, our twentieth century terms

0:23:36.400 --> 0:23:41.280
<v Speaker 1>which for me really have very little meaning. I've never myself,

0:23:41.320 --> 0:23:44.760
<v Speaker 1>in watching myself and watching other people, been able to

0:23:44.760 --> 0:23:48.800
<v Speaker 1>discern exactly where the barriers were. I read one piece

0:23:49.200 --> 0:23:51.440
<v Speaker 1>as I was working on this that that noted that

0:23:51.480 --> 0:23:55.480
<v Speaker 1>this has some similarities to conversations happening today about all

0:23:55.520 --> 0:23:59.600
<v Speaker 1>of these ideas being socially constructed and what they mean. Um.

0:23:59.760 --> 0:24:02.720
<v Speaker 1>Baldwin continued to travel and teach and write and work

0:24:02.800 --> 0:24:05.440
<v Speaker 1>until late in his life, but by the late nineteen

0:24:05.480 --> 0:24:08.399
<v Speaker 1>eighties he was having serious issues with his health. He

0:24:08.440 --> 0:24:11.600
<v Speaker 1>had developed hepatitis and experienced liver damage back in the

0:24:11.640 --> 0:24:15.119
<v Speaker 1>nineteen seventies, followed by two heart attacks. Then in nineteen

0:24:15.160 --> 0:24:18.439
<v Speaker 1>eight seven he was diagnosed with esophageal cancer. I actually

0:24:18.480 --> 0:24:21.800
<v Speaker 1>also found references that it was stomach cancer or pancreatic cancer,

0:24:21.840 --> 0:24:25.320
<v Speaker 1>and I don't know which of those is correct. Regardless,

0:24:25.440 --> 0:24:28.720
<v Speaker 1>though the cancer progressed really quickly. He gave his last

0:24:28.760 --> 0:24:32.080
<v Speaker 1>interview to journalist Quincy Troop just days before his death.

0:24:32.440 --> 0:24:35.760
<v Speaker 1>James Baldwin died on December one, nine seven, at the

0:24:35.800 --> 0:24:39.600
<v Speaker 1>age of sixty three. Lucien Happersberger was there with him,

0:24:39.640 --> 0:24:43.040
<v Speaker 1>as well as a household attendant. His funeral was held

0:24:43.040 --> 0:24:45.320
<v Speaker 1>at the Church of Saint John the Divine in Manhattan,

0:24:45.600 --> 0:24:49.520
<v Speaker 1>with five thousand people in attendance. A Mary Baraca delivered

0:24:49.560 --> 0:24:52.960
<v Speaker 1>the eulogy, with tributes from others including Maya Angelou and

0:24:53.040 --> 0:24:56.840
<v Speaker 1>Tony Morrison, and the words of Amary Baraca's eulogy quote,

0:24:56.920 --> 0:25:00.600
<v Speaker 1>this man traveled the earth, like its history and it's biographer.

0:25:01.160 --> 0:25:08.040
<v Speaker 1>He reported, criticized, made beautiful, analyzed, cajoled, lyricized, attacked, saying

0:25:08.280 --> 0:25:11.960
<v Speaker 1>made us think, made us better, made us consciously human

0:25:12.119 --> 0:25:15.800
<v Speaker 1>or perhaps more acidly pre human. And also in the

0:25:15.800 --> 0:25:19.439
<v Speaker 1>words of Tony Morrison addressing the late Baldwin is Jemmy quote,

0:25:19.640 --> 0:25:23.040
<v Speaker 1>in your hands language was handsome again. In your hands

0:25:23.080 --> 0:25:26.080
<v Speaker 1>we saw how it was meant to be. Neither bloodless

0:25:26.160 --> 0:25:29.760
<v Speaker 1>nor bloody and yet alive. It should surprise no one

0:25:29.800 --> 0:25:34.040
<v Speaker 1>who knows anything about Tony Morrison Um. That tribute to

0:25:34.119 --> 0:25:38.120
<v Speaker 1>Baldwin from the funeral is beautiful and I highly encourage

0:25:38.119 --> 0:25:41.760
<v Speaker 1>reading it. During his lifetime, James Baldwin wrote twenty two books,

0:25:41.920 --> 0:25:45.080
<v Speaker 1>including six novels. He was a member of the National

0:25:45.119 --> 0:25:48.160
<v Speaker 1>Advisory Board of the Congress on Racial Equality, as well

0:25:48.200 --> 0:25:50.800
<v Speaker 1>as being a member of the American Academy and Institute

0:25:50.800 --> 0:25:54.280
<v Speaker 1>of Arts and Letters, the Author's League, the International Pen

0:25:54.840 --> 0:25:58.800
<v Speaker 1>the Dramatist Guild, the Actor's Studio, and the National Committee

0:25:58.800 --> 0:26:01.919
<v Speaker 1>for a Sane Nuclear Paul to See. He also hoped

0:26:02.000 --> 0:26:04.399
<v Speaker 1>that his home in France would be turned into a

0:26:04.400 --> 0:26:07.200
<v Speaker 1>writer's colony after his death, but it was eventually sold

0:26:07.280 --> 0:26:10.680
<v Speaker 1>to developers and torn down. Baldwin had been a best

0:26:10.680 --> 0:26:14.359
<v Speaker 1>seller during his career, especially during the prolific nineteen sixties,

0:26:14.880 --> 0:26:16.359
<v Speaker 1>but by the end of his life he was not

0:26:16.480 --> 0:26:19.680
<v Speaker 1>as widely read. That started to change, as we said

0:26:19.680 --> 0:26:21.439
<v Speaker 1>at the top of the show, with the rise of

0:26:21.480 --> 0:26:25.040
<v Speaker 1>the Black Lives Matter movement and the many connections between

0:26:25.040 --> 0:26:29.399
<v Speaker 1>the movement and Baldwin's ideas and writings decades earlier. In

0:26:29.440 --> 0:26:32.000
<v Speaker 1>the last few years, There's also been a film adaptation

0:26:32.119 --> 0:26:34.800
<v Speaker 1>of his novel If Beal Street Could Talk, which came out,

0:26:36.000 --> 0:26:39.360
<v Speaker 1>as well as the award winning documentary called I Am

0:26:39.359 --> 0:26:41.679
<v Speaker 1>Not Your Negro. As we said at the top of

0:26:41.680 --> 0:26:45.000
<v Speaker 1>the show, Baldwin's work is frequently part of anti racism

0:26:45.040 --> 0:26:48.400
<v Speaker 1>courses and reading lists, so we thought we would end

0:26:48.480 --> 0:26:51.160
<v Speaker 1>with just a couple of quotes quickly from that work.

0:26:51.680 --> 0:26:54.360
<v Speaker 1>One is from the end of the Fire Next Time quote,

0:26:54.720 --> 0:26:57.280
<v Speaker 1>everything now we must assume is in our hands. We

0:26:57.400 --> 0:27:00.760
<v Speaker 1>have no right to assume otherwise. If we, and now

0:27:00.760 --> 0:27:03.840
<v Speaker 1>I mean the relatively conscious whites and the relatively conscious blacks,

0:27:03.840 --> 0:27:07.520
<v Speaker 1>who must, like lovers, insist on or create the consciousness

0:27:07.560 --> 0:27:10.120
<v Speaker 1>of the others, do not falter in our duty. Now

0:27:10.400 --> 0:27:13.120
<v Speaker 1>we may be able handful that we are to end

0:27:13.280 --> 0:27:16.280
<v Speaker 1>the racial nightmare and achieve our country and change the

0:27:16.320 --> 0:27:19.320
<v Speaker 1>history of the world. If we do not now dare

0:27:19.480 --> 0:27:23.240
<v Speaker 1>everything the fulfillment of that prophecy recreated from the Bible

0:27:23.359 --> 0:27:26.200
<v Speaker 1>in a song by a slave is upon us. God

0:27:26.240 --> 0:27:29.399
<v Speaker 1>gave Noah the rainbow sign no more water, the fire

0:27:29.440 --> 0:27:31.840
<v Speaker 1>next Time. The other quote is from an interview that

0:27:31.880 --> 0:27:35.920
<v Speaker 1>he gave in nine where he said I'm optimistic about

0:27:35.920 --> 0:27:39.000
<v Speaker 1>the future, but not about the future of this civilization.

0:27:39.680 --> 0:27:43.320
<v Speaker 1>I'm optimistic about the civilization which will replace this one,

0:27:44.240 --> 0:27:47.479
<v Speaker 1>and that is James Baldwin. UM. I talked to two

0:27:47.520 --> 0:27:49.080
<v Speaker 1>various friends as I was trying to figure out what

0:27:49.119 --> 0:27:52.160
<v Speaker 1>I needed to work on next UM and then every

0:27:52.200 --> 0:27:55.680
<v Speaker 1>case when I said I think James Baldwin, the answer

0:27:55.760 --> 0:28:01.960
<v Speaker 1>was like, obviously yes, UM so yeah, I hope I

0:28:02.000 --> 0:28:05.240
<v Speaker 1>have done his life and work justice today. Would you

0:28:05.320 --> 0:28:09.280
<v Speaker 1>also like to cover some listener mail? I have uh

0:28:09.400 --> 0:28:11.640
<v Speaker 1>some listener mail from Jackie. It goes back to our

0:28:11.680 --> 0:28:16.000
<v Speaker 1>Bureau of Home Economics podcast and Jackie says, good afternoon,

0:28:16.000 --> 0:28:18.560
<v Speaker 1>Holly and Tracy, thank you so much for the wonderful podcast.

0:28:18.600 --> 0:28:20.600
<v Speaker 1>I found the podcast early on last year and was

0:28:20.600 --> 0:28:23.960
<v Speaker 1>hooked immediately. I'm always excited when an episode coincides with

0:28:24.040 --> 0:28:27.720
<v Speaker 1>something or someplace I've experienced. I'm a school counselor for

0:28:27.760 --> 0:28:30.520
<v Speaker 1>a private school in Florida. This morning, as I listened

0:28:30.520 --> 0:28:32.760
<v Speaker 1>to the podcast about the Bureau of Home Economics, I

0:28:32.800 --> 0:28:35.800
<v Speaker 1>realized I can finally share something with you. At my school,

0:28:35.800 --> 0:28:39.240
<v Speaker 1>we still offer family consumer Sciences one and two. I've

0:28:39.280 --> 0:28:41.600
<v Speaker 1>been in a few a few school districts in Florida,

0:28:41.640 --> 0:28:43.520
<v Speaker 1>and this is the first school I've been at with

0:28:43.600 --> 0:28:47.920
<v Speaker 1>this particular program. Family Consumer Science one is for incoming

0:28:47.960 --> 0:28:53.120
<v Speaker 1>freshmen and throughout the year learn about child development, sewing, cooking, nutrition,

0:28:53.160 --> 0:28:56.720
<v Speaker 1>and meal planning. Sewing normally coincides with fall, and the

0:28:56.800 --> 0:28:59.960
<v Speaker 1>students learned to sew pat jama bottoms. It is amusing

0:29:00.080 --> 0:29:02.000
<v Speaker 1>before and after school to see the girls wear they're

0:29:02.040 --> 0:29:06.560
<v Speaker 1>brightly colored pajama bottoms under their school uniforms to keep warm.

0:29:06.600 --> 0:29:09.240
<v Speaker 1>I guess next year they will include face mask patterns.

0:29:09.680 --> 0:29:12.920
<v Speaker 1>Family Consumer Science too, is for juniors and seniors and

0:29:12.960 --> 0:29:15.560
<v Speaker 1>takes an approach to prepare them for going away to college.

0:29:15.920 --> 0:29:19.160
<v Speaker 1>One semester is focused on health, nutrition, and of course food.

0:29:19.440 --> 0:29:23.320
<v Speaker 1>The other semester focuses on management of personal finances. These

0:29:23.320 --> 0:29:25.600
<v Speaker 1>classes are two of the most popular electives that we

0:29:25.680 --> 0:29:28.720
<v Speaker 1>offer and typically have a waitlist. Boys and girls love

0:29:28.800 --> 0:29:31.720
<v Speaker 1>this course and the faculty enjoys getting to sample the

0:29:31.800 --> 0:29:34.520
<v Speaker 1>goodies made. Also thank you for your work on the

0:29:34.600 --> 0:29:38.200
<v Speaker 1>Rosewood incident in the Six Impossible episodes. As a school counselor,

0:29:38.320 --> 0:29:40.920
<v Speaker 1>every spring, I walk students through the application of the

0:29:41.000 --> 0:29:44.840
<v Speaker 1>Florida Bright Future Scholarship, a scholarship award for students who

0:29:44.880 --> 0:29:47.520
<v Speaker 1>decide to tend to higher education institution in the state.

0:29:48.080 --> 0:29:50.600
<v Speaker 1>One of the questions on the application is are you

0:29:50.720 --> 0:29:53.200
<v Speaker 1>a descendant of a family member that was affected by

0:29:53.200 --> 0:29:56.480
<v Speaker 1>the Rosewood incident in Florida during the nineteen twenties. So

0:29:56.560 --> 0:30:00.680
<v Speaker 1>many times students ask what it is, and counselors, including myself,

0:30:00.680 --> 0:30:03.479
<v Speaker 1>glass over it. Up until your episode, I knew it

0:30:03.520 --> 0:30:06.200
<v Speaker 1>was something terrible, but didn't know that details. Now when

0:30:06.200 --> 0:30:08.520
<v Speaker 1>asked about it, I tell students and they get a

0:30:08.520 --> 0:30:11.920
<v Speaker 1>look of disbelief at something like that happened in their state.

0:30:12.240 --> 0:30:15.040
<v Speaker 1>With some it Foster's great conversations about how little Florida

0:30:15.120 --> 0:30:17.960
<v Speaker 1>history they knew. Jackie goes on to talk about being

0:30:17.960 --> 0:30:21.840
<v Speaker 1>really delighted to learn that Frankie Manning was born in Jacksonville. Uh,

0:30:21.920 --> 0:30:24.040
<v Speaker 1>and then says, thank you for your research. I listened

0:30:24.080 --> 0:30:25.720
<v Speaker 1>to the podcast on my way to and from work

0:30:25.840 --> 0:30:27.960
<v Speaker 1>or wherever else I'm traveling. You have made the ride

0:30:27.960 --> 0:30:32.880
<v Speaker 1>more pleasurable and less lonely. Thank you so much, Jackie. Uh. Wow,

0:30:33.040 --> 0:30:36.640
<v Speaker 1>I kind of wish I had had a class specifically

0:30:36.720 --> 0:30:43.840
<v Speaker 1>about like the finances part. Uh. What I actually had

0:30:43.840 --> 0:30:45.840
<v Speaker 1>when I went off to college was this book. There

0:30:45.840 --> 0:30:47.600
<v Speaker 1>were two of them. One was called Where's Mom went?

0:30:47.800 --> 0:30:49.320
<v Speaker 1>Now that I need her? And the other was called

0:30:49.560 --> 0:30:52.960
<v Speaker 1>Where's Dad uh now that I need him, which you

0:30:52.960 --> 0:30:55.640
<v Speaker 1>know is unnecessarily gendered in a way. But the like

0:30:55.680 --> 0:30:58.440
<v Speaker 1>the mom one talked about basic food stuff and basic

0:30:58.520 --> 0:30:59.880
<v Speaker 1>first aid and how to tell if you need to

0:30:59.880 --> 0:31:02.640
<v Speaker 1>get to the doctor now um, and the dad one

0:31:02.680 --> 0:31:04.920
<v Speaker 1>was like basic called maintenance and fixing stuff and that

0:31:04.960 --> 0:31:08.160
<v Speaker 1>kind of thing. Uh So a class probably would have

0:31:08.160 --> 0:31:11.760
<v Speaker 1>been helpful anyway, Thank you, Jackie. Uh if you would

0:31:11.800 --> 0:31:13.640
<v Speaker 1>like to write to us about the surrending other podcast

0:31:13.760 --> 0:31:16.440
<v Speaker 1>or history podcast at I heart radio dot com that

0:31:16.520 --> 0:31:18.760
<v Speaker 1>we're all over social media at missed in History. That's

0:31:18.800 --> 0:31:21.719
<v Speaker 1>where you'll find our Facebook, Twitter, of Pinterest and Instagram,

0:31:21.800 --> 0:31:25.080
<v Speaker 1>and you can subscribe to our show on Apple Podcasts,

0:31:25.160 --> 0:31:27.160
<v Speaker 1>then I heart radio app and anywhere else you get

0:31:27.200 --> 0:31:34.360
<v Speaker 1>your podcasts. Stuff you Missed in History Class is a

0:31:34.400 --> 0:31:37.600
<v Speaker 1>production of I heart Radio. For more podcasts from I

0:31:37.720 --> 0:31:40.920
<v Speaker 1>heart Radio, visit the I heart Radio app, Apple Podcasts,

0:31:41.040 --> 0:31:43.040
<v Speaker 1>or wherever you listen to your favorite shows.