1 00:00:02,440 --> 00:00:04,400 Speaker 1: So I'm actual still high. It's because of the old 2 00:00:04,440 --> 00:00:07,880 Speaker 1: stale gumming. Look, I could commit the perfect murder. Call me, daddy. 3 00:00:08,039 --> 00:00:10,239 Speaker 1: Why would you sniff them because my fingers were up 4 00:00:10,240 --> 00:00:15,240 Speaker 1: in the hole? Did you show nipple? No? I split 5 00:00:15,320 --> 00:00:18,280 Speaker 1: one tight? What other people are giving an unwrap vibrator 6 00:00:18,320 --> 00:00:24,799 Speaker 1: to stay away from radio? It's the devil's medium. This 7 00:00:25,600 --> 00:00:28,080 Speaker 1: is Elvis Joan in the Morning Show. I'm sorry we 8 00:00:28,120 --> 00:00:30,760 Speaker 1: didn't say that stuff. We always say that stuff, but 9 00:00:30,800 --> 00:00:33,080 Speaker 1: we don't remember something that was not us. It's something 10 00:00:33,240 --> 00:00:36,479 Speaker 1: someone pretending to be us. It is Wednesday, it is 11 00:00:36,479 --> 00:00:40,760 Speaker 1: October twelfth. It's Charlie Booth day. It is Charnnie Booth 12 00:00:40,880 --> 00:00:44,760 Speaker 1: is on his way in. Good morning, Gondhi, Danielle, Good morning, Hi, 13 00:00:44,960 --> 00:00:50,120 Speaker 1: Frogy hell this raight name. Hello there, Scottie b Hi, 14 00:00:50,240 --> 00:00:57,920 Speaker 1: Scary I producer Sam, good morning, Hello, Andrew, Andrew, Hello, Hello, Diamond, Hello, 15 00:00:59,640 --> 00:01:06,200 Speaker 1: Hello Garrett. I'm worn out just the hellos alone. Take 16 00:01:06,240 --> 00:01:08,679 Speaker 1: all my energy going on. I like your hair, Gandhi, 17 00:01:08,959 --> 00:01:11,760 Speaker 1: thank you. I haven't washed it in day. Ye that's 18 00:01:11,800 --> 00:01:16,480 Speaker 1: what it is. Um yeah, okay, blink one eighty two. 19 00:01:17,080 --> 00:01:20,160 Speaker 1: Is this what you want to hear? We're celebrating Tom 20 00:01:20,280 --> 00:01:22,920 Speaker 1: is back. That's right, we've waited for this, all our 21 00:01:22,959 --> 00:01:25,360 Speaker 1: Blink fans. They're gonna be doing a global tour down 22 00:01:26,040 --> 00:01:30,800 Speaker 1: Let's try all the small things. It's a song about 23 00:01:31,920 --> 00:01:43,520 Speaker 1: Nate's weener. There you go, waking up with some guitars. 24 00:01:46,800 --> 00:01:50,040 Speaker 1: Welcome to Wednesday. I had a dream about Charlie Poods 25 00:01:50,120 --> 00:01:53,320 Speaker 1: last night. Good. Yeah, it was not one of those. 26 00:01:54,880 --> 00:01:57,760 Speaker 1: It was not dirty, it was not creepy. We were 27 00:01:57,800 --> 00:02:01,440 Speaker 1: just walking down a street talking, that's all I remember. Okay, 28 00:02:02,480 --> 00:02:05,120 Speaker 1: what does it mean? I don't know. I don't know. 29 00:02:05,200 --> 00:02:07,720 Speaker 1: Why is there one mad that my my dream has 30 00:02:07,720 --> 00:02:10,200 Speaker 1: no meaning? I'm sure it has meaning? But was his 31 00:02:10,280 --> 00:02:13,560 Speaker 1: shirt on or off? It was on, because you know Charlie. 32 00:02:13,600 --> 00:02:17,080 Speaker 1: With Charlie, you never know. It was just a nice, 33 00:02:17,360 --> 00:02:21,560 Speaker 1: innocent dream of walking down a street. I think that's allowed. 34 00:02:22,080 --> 00:02:26,120 Speaker 1: It is you guys, Well, did you put your hand done? 35 00:02:26,160 --> 00:02:30,680 Speaker 1: Your patch was looking at right? No pants on? Everyone's 36 00:02:30,720 --> 00:02:35,600 Speaker 1: pants were on, All fingers were not going in orifices. 37 00:02:36,160 --> 00:02:41,320 Speaker 1: Did you take off his pants and jacket? No? Wrong artist? Anyway, 38 00:02:41,360 --> 00:02:43,160 Speaker 1: I was walking on the street with Charlie Pooth and 39 00:02:43,160 --> 00:02:46,359 Speaker 1: you guys just can't leave that alone. Can you not something? 40 00:02:46,360 --> 00:02:48,720 Speaker 1: I first caller of the day is Mary. Hi, Mary, 41 00:02:48,720 --> 00:02:52,200 Speaker 1: how's it going? Um, it's going good. Hi y'all. How 42 00:02:52,280 --> 00:02:54,880 Speaker 1: are you? Mary? I had a dream about Charlie Pooth. 43 00:02:54,960 --> 00:02:58,959 Speaker 1: There's nothing sexual in there. That's that's allowed. Isn't that allowed? 44 00:02:59,600 --> 00:03:02,200 Speaker 1: I mean it's allowed. I guess it might be disappointing, 45 00:03:02,520 --> 00:03:06,760 Speaker 1: but I know, you know, I don't remember feeling disappointed. 46 00:03:07,000 --> 00:03:09,600 Speaker 1: I just I was walking on the street. I'm moving 47 00:03:09,639 --> 00:03:13,440 Speaker 1: on anyway. So Mary is up early, couldn't sleep last night. 48 00:03:13,919 --> 00:03:16,919 Speaker 1: Your your son just shipped off to basic training yesterday, 49 00:03:17,560 --> 00:03:20,760 Speaker 1: and the house is a little empty, a little quiet. 50 00:03:21,800 --> 00:03:26,360 Speaker 1: The house is. Um, it's it's weird. Yeah, um, it's 51 00:03:27,080 --> 00:03:30,200 Speaker 1: it's just me and my cat right now. So, uh, 52 00:03:30,800 --> 00:03:33,600 Speaker 1: Wh'm just kind of waiting on him. Um. They're allowed 53 00:03:33,639 --> 00:03:36,720 Speaker 1: to make a phone call once they get there, and 54 00:03:37,120 --> 00:03:42,040 Speaker 1: UM let us know that they've they've arrived safely and 55 00:03:42,280 --> 00:03:45,160 Speaker 1: all of that. So but they have to they have 56 00:03:45,320 --> 00:03:49,760 Speaker 1: to be able to excuse me, speak to somebody in 57 00:03:49,880 --> 00:03:53,680 Speaker 1: order to move on with their processing. So it's like 58 00:03:53,960 --> 00:03:57,440 Speaker 1: extremely important that I get that phone call. So you 59 00:03:57,480 --> 00:03:59,560 Speaker 1: need you need to be home or near a phone 60 00:03:59,600 --> 00:04:04,240 Speaker 1: at all time. Yeah, yes, yes, and I stayed up 61 00:04:04,240 --> 00:04:07,040 Speaker 1: all night because I kept trying to go to sleep, 62 00:04:07,040 --> 00:04:09,000 Speaker 1: but then I would freak out and be scared that 63 00:04:09,040 --> 00:04:12,400 Speaker 1: I'd missed the call. So you'll get that call. You're 64 00:04:12,400 --> 00:04:15,000 Speaker 1: a good mom too, Mary, And you know what, your son, 65 00:04:15,640 --> 00:04:19,400 Speaker 1: he's serving our country in us. Be so proud of him. Yeah. Yes, 66 00:04:19,560 --> 00:04:22,600 Speaker 1: he did a lot of work to get um. He's 67 00:04:22,640 --> 00:04:26,880 Speaker 1: joined the Air Force is when he joined, and he 68 00:04:27,000 --> 00:04:31,960 Speaker 1: was a little bit overweight, not overweight, but over there, Max. Wait, 69 00:04:32,240 --> 00:04:35,440 Speaker 1: because he lifts a lot. He was always in the 70 00:04:35,520 --> 00:04:38,960 Speaker 1: gym and heavy lifting, so he actually had to drop 71 00:04:39,040 --> 00:04:41,920 Speaker 1: ten pounds to be able to make it to make weight, 72 00:04:42,040 --> 00:04:45,120 Speaker 1: so he had to stop lifting and start running all 73 00:04:45,160 --> 00:04:47,720 Speaker 1: the time and do a lot of cardio to to 74 00:04:47,880 --> 00:04:51,119 Speaker 1: cut weight. But he made it and he's in and 75 00:04:51,920 --> 00:04:54,880 Speaker 1: I'm so glad that that's one positive thing because a 76 00:04:54,920 --> 00:04:59,560 Speaker 1: week before he got the call that he was good 77 00:04:59,600 --> 00:05:02,680 Speaker 1: to go, we got a call that we have to move. 78 00:05:02,920 --> 00:05:06,120 Speaker 1: That must have been an amazing phone call to get. Seriously, Mary, 79 00:05:06,120 --> 00:05:07,960 Speaker 1: you must be so proud of your son. And have 80 00:05:08,080 --> 00:05:09,840 Speaker 1: you listening to us right now. I know it's a 81 00:05:09,920 --> 00:05:12,560 Speaker 1: very anxious time for you, but we're with you. Hey, 82 00:05:12,600 --> 00:05:14,039 Speaker 1: we got to send something to Mary. What do you 83 00:05:14,040 --> 00:05:17,040 Speaker 1: have from me? We've got the dead stock vintage, never 84 00:05:17,120 --> 00:05:20,400 Speaker 1: before seen limited edition Elvis Duran in the Morning Show 85 00:05:20,560 --> 00:05:24,520 Speaker 1: Uncle Johnny t shirt. Oh my god, Mary, it's the 86 00:05:24,600 --> 00:05:27,839 Speaker 1: shirt lady. I know the shirt isn't as large as 87 00:05:27,880 --> 00:05:31,240 Speaker 1: it's title, but anyway, enjoy the shirt and thank you 88 00:05:31,279 --> 00:05:33,159 Speaker 1: for listening and all the best. When you get that call, 89 00:05:33,200 --> 00:05:34,760 Speaker 1: you tell your son that we're very proud of him. 90 00:05:34,760 --> 00:05:37,120 Speaker 1: Would you do that for us? I will thank you? 91 00:05:37,240 --> 00:05:40,880 Speaker 1: And also, Elvis, is there any way that I could 92 00:05:40,920 --> 00:05:45,880 Speaker 1: get a signed book of yours? Absolutely? Yeah, yeah, I 93 00:05:45,920 --> 00:05:50,320 Speaker 1: gotta be honest. We can't sell him. No one was. 94 00:05:50,640 --> 00:05:53,640 Speaker 1: It's a great book though. Want to read I want 95 00:05:53,640 --> 00:05:55,760 Speaker 1: to read it. Yeah. I would happily sign that over 96 00:05:55,760 --> 00:05:57,440 Speaker 1: to you, Mary, and thank you for listening and all 97 00:05:57,440 --> 00:05:58,960 Speaker 1: the best. When you get that call, like I said, 98 00:05:58,960 --> 00:06:02,120 Speaker 1: you tell your son we hi. Okay. I will thank 99 00:06:02,160 --> 00:06:05,599 Speaker 1: you to you guys every day. Well, thank you for listening. 100 00:06:05,600 --> 00:06:07,560 Speaker 1: Hold on one second, hey, Scotty, can we make sure 101 00:06:07,560 --> 00:06:09,840 Speaker 1: she gets that book? Good? And make sure she gets 102 00:06:09,839 --> 00:06:12,400 Speaker 1: that shirt. I will. She's gonna have a day. What 103 00:06:12,520 --> 00:06:15,960 Speaker 1: a very very day of pride, very proud day. I 104 00:06:16,000 --> 00:06:18,400 Speaker 1: guess that's what I meant to say. Anyway, Let's let's 105 00:06:18,480 --> 00:06:19,960 Speaker 1: roll it into the three things we need to know 106 00:06:20,440 --> 00:06:28,320 Speaker 1: from Gandhi all the three things. Thanks thanks for noticing. 107 00:06:28,760 --> 00:06:31,080 Speaker 1: All right, what's going on, Gandy? All right? We talked 108 00:06:31,080 --> 00:06:33,200 Speaker 1: about this last week. Now we have a little more info. 109 00:06:33,320 --> 00:06:36,720 Speaker 1: Baltimore prosecutors are dropping murder charges against a non sayed 110 00:06:36,760 --> 00:06:39,440 Speaker 1: for the nineteen ninety nine killing of his former girlfriend. 111 00:06:39,680 --> 00:06:42,400 Speaker 1: The case gained national attention in twenty fourteen when it 112 00:06:42,440 --> 00:06:45,520 Speaker 1: was featured on the True Crime Serial podcast. He was 113 00:06:45,560 --> 00:06:48,000 Speaker 1: then sentenced to life in prison in two thousand and 114 00:06:48,120 --> 00:06:52,440 Speaker 1: released to homed attention last month after undisclosed evidence suggested 115 00:06:52,480 --> 00:06:56,240 Speaker 1: that two other suspects could have also murdered Hayman Lee. 116 00:06:56,400 --> 00:06:59,320 Speaker 1: They're they're saying the DNA evidence is what exonerated him. 117 00:07:00,160 --> 00:07:02,920 Speaker 1: A new proposal from the Labor Department could help millions 118 00:07:02,960 --> 00:07:06,159 Speaker 1: of gig workers to be classified as employees instead of 119 00:07:06,200 --> 00:07:11,000 Speaker 1: independent contractors that would guarantee them minimum wage, pay and overtime. 120 00:07:11,200 --> 00:07:13,680 Speaker 1: The new rule would lower the bar for being classified 121 00:07:13,720 --> 00:07:16,640 Speaker 1: as an employee. The rule uses information such as how 122 00:07:16,720 --> 00:07:19,960 Speaker 1: much control workers have doing their jobs and which opportunities 123 00:07:20,000 --> 00:07:24,640 Speaker 1: they have to increase earnings, and finally, the Smithsonian is 124 00:07:24,680 --> 00:07:28,000 Speaker 1: giving back twenty nine works of art to Nigeria. The 125 00:07:28,120 --> 00:07:31,360 Speaker 1: National Museum of African Art transferred ownership of twenty nine 126 00:07:31,360 --> 00:07:34,560 Speaker 1: Beniin bronzes yesterday, calling it a chance to right a wrong. 127 00:07:34,920 --> 00:07:37,920 Speaker 1: The artifacts are among nearly five thousand others stolen from 128 00:07:37,960 --> 00:07:40,320 Speaker 1: the Kingdom of Benin in eighteen ninety seven when British 129 00:07:40,360 --> 00:07:44,360 Speaker 1: soldiers attacked. The Smithsonian's Museum of Natural History also has 130 00:07:44,360 --> 00:07:47,360 Speaker 1: a collection and is taking steps to return those as well. 131 00:07:47,640 --> 00:07:49,440 Speaker 1: And those are your three things, you guys ready for 132 00:07:49,480 --> 00:07:52,880 Speaker 1: your Wednesday? Ye the whole show really is on a 133 00:07:52,920 --> 00:07:56,559 Speaker 1: slippery slur. To help Elvister Ran and the Morning Show 134 00:07:57,240 --> 00:08:00,280 Speaker 1: Peacock present the original limited series A Friend of the 135 00:08:00,360 --> 00:08:03,440 Speaker 1: Family from the executive producer of The Act and Candy. 136 00:08:03,520 --> 00:08:06,840 Speaker 1: The series explores a notorious abduction and paints a nuanced 137 00:08:06,920 --> 00:08:10,320 Speaker 1: portrait of a family who survived the unimaginable stream Now 138 00:08:10,440 --> 00:08:14,080 Speaker 1: only on Peacock, something going on here in New York, 139 00:08:14,680 --> 00:08:17,480 Speaker 1: and I guarantee you, because of what happened, they will 140 00:08:17,560 --> 00:08:22,960 Speaker 1: dim the lights on Broadway. Angela Lansburry passed away. You 141 00:08:23,000 --> 00:08:24,480 Speaker 1: may not even know who she is. You know she 142 00:08:24,520 --> 00:08:27,720 Speaker 1: was in a TV show for years called Murder, she wrote, Yeah, 143 00:08:27,720 --> 00:08:31,000 Speaker 1: but she was a huge Broadway star for many many years. 144 00:08:31,000 --> 00:08:34,320 Speaker 1: She passed away at the age of ninety seven, and 145 00:08:34,440 --> 00:08:38,679 Speaker 1: she definitely was just the queen of Broadway. And the 146 00:08:38,679 --> 00:08:42,360 Speaker 1: thing is is, unlike a lot of Broadway stars, especially 147 00:08:42,400 --> 00:08:44,320 Speaker 1: the ones who'd been around for many many years, she 148 00:08:44,440 --> 00:08:47,320 Speaker 1: was never ever labeled as a diva ever. She was 149 00:08:47,320 --> 00:08:50,199 Speaker 1: always labeled as just a really nice person. That's awesome. 150 00:08:50,600 --> 00:08:53,679 Speaker 1: Maybe you heard her same Beauty and the Beast. Oh yeah, 151 00:08:53,720 --> 00:08:57,480 Speaker 1: she was Missus Potts. She was Missus Potts. She was 152 00:08:57,520 --> 00:09:00,800 Speaker 1: the voice of Missus Potts in the original fully animated 153 00:09:00,840 --> 00:09:05,240 Speaker 1: Beauty and the Beast. Anyway, so we say goodbye. And 154 00:09:05,320 --> 00:09:08,400 Speaker 1: she died the best way, peacefully in her sleep at home. Yes, 155 00:09:08,600 --> 00:09:10,440 Speaker 1: that's the way I want to go. Let's do it 156 00:09:10,520 --> 00:09:12,439 Speaker 1: all right. Well, if they told me I'm going to 157 00:09:12,520 --> 00:09:14,000 Speaker 1: die at home, I just I would never go home. 158 00:09:14,080 --> 00:09:19,920 Speaker 1: Oh okay, here, we may die there. Anyway. She died 159 00:09:19,920 --> 00:09:23,439 Speaker 1: peacefully in her sleep, one thirty am, ninety almost ninety 160 00:09:23,440 --> 00:09:26,560 Speaker 1: seven years old. Almost. But anyway, so, yeah, so what 161 00:09:26,600 --> 00:09:29,679 Speaker 1: they do on Broadway when they lose, When we lose 162 00:09:29,800 --> 00:09:34,040 Speaker 1: a Broadway institution, like an Angela Lansbury, they will dim 163 00:09:34,080 --> 00:09:37,000 Speaker 1: all the lights on Broadway, all all the theater lights. 164 00:09:37,280 --> 00:09:39,680 Speaker 1: I mean it's a coordinated effort. It's it's really a 165 00:09:39,679 --> 00:09:42,959 Speaker 1: big New York tradition. So you know, if they dim 166 00:09:43,040 --> 00:09:45,640 Speaker 1: all the lights on Broadway when you pass away, you've 167 00:09:45,679 --> 00:09:49,080 Speaker 1: done something really cool for New York's Broadway. So anyway, 168 00:09:49,120 --> 00:09:52,320 Speaker 1: Angela Lansbury, cool story, know nothing about her. Look it up, 169 00:09:53,920 --> 00:09:59,120 Speaker 1: Um here comes Halloween. Yes, black cats are now considered 170 00:09:59,280 --> 00:10:03,280 Speaker 1: good luck. You know, the old days they said if 171 00:10:03,280 --> 00:10:07,080 Speaker 1: a black cat crosses your path, yeah, change your course. 172 00:10:08,200 --> 00:10:12,720 Speaker 1: Now cat owners are thinking that their cats, their black cats, 173 00:10:12,720 --> 00:10:16,640 Speaker 1: are good luck. They did a big pole. I think 174 00:10:16,640 --> 00:10:20,200 Speaker 1: we're letting loose of those old superstitions. No, if you 175 00:10:20,280 --> 00:10:23,480 Speaker 1: saw a ladder, would you walk on? No? No, No, 176 00:10:23,760 --> 00:10:26,400 Speaker 1: I still don't do that. No. Yeah, do you step 177 00:10:26,440 --> 00:10:29,560 Speaker 1: on cracks? Yeah no. I don't want to break my 178 00:10:29,559 --> 00:10:35,439 Speaker 1: grandma's back's ball, your grandma someone's mom. Yeah, that is true. 179 00:10:36,040 --> 00:10:38,160 Speaker 1: I've always thought black cats were good luck. My mom 180 00:10:38,160 --> 00:10:39,800 Speaker 1: had a black cat for the longest time and it 181 00:10:39,960 --> 00:10:42,960 Speaker 1: crossed our path all the time. Like I'm like, okay, 182 00:10:43,160 --> 00:10:44,960 Speaker 1: do you ever stopping all the bad things in life 183 00:10:44,960 --> 00:10:47,000 Speaker 1: that have happened to me. Now I know why. I 184 00:10:47,040 --> 00:10:48,959 Speaker 1: think it should be the hairless cat. If the hairless 185 00:10:49,000 --> 00:10:51,560 Speaker 1: cat crosses your path. You know there are people who 186 00:10:51,559 --> 00:10:55,080 Speaker 1: love those hairless cats, and you are really producer Sam 187 00:10:55,160 --> 00:10:58,360 Speaker 1: is one of them. I want one so badly. But anyway, 188 00:10:58,400 --> 00:11:02,080 Speaker 1: so superstitions. Yeah, what are other words? Oh? The penny. 189 00:11:02,120 --> 00:11:04,160 Speaker 1: I will not pick the penny up or any kind 190 00:11:04,160 --> 00:11:06,840 Speaker 1: of a coin if it is heads down. If it's 191 00:11:06,840 --> 00:11:08,480 Speaker 1: heads up, I'll pick it up. It's a heads down, 192 00:11:08,520 --> 00:11:09,800 Speaker 1: I do not don't go near me. I don't want 193 00:11:09,800 --> 00:11:11,080 Speaker 1: touch it. But I don't know. Maybe it's in the 194 00:11:11,120 --> 00:11:13,640 Speaker 1: construction of the penny. But I've rarely ever seen a 195 00:11:13,640 --> 00:11:16,080 Speaker 1: heads up penny. I saw one the other day. Well 196 00:11:16,200 --> 00:11:18,360 Speaker 1: did you pick it up? Yeah? I did. I always 197 00:11:18,400 --> 00:11:19,880 Speaker 1: thought it was bad luck to look at the clock 198 00:11:20,000 --> 00:11:21,840 Speaker 1: or to look at any number when it said nine 199 00:11:21,960 --> 00:11:24,920 Speaker 1: one one, And for the last six plus months it 200 00:11:25,080 --> 00:11:27,280 Speaker 1: is all I see anywhere, all the time. So I've 201 00:11:27,320 --> 00:11:30,160 Speaker 1: been freaking out about it. And then a friend of ours, 202 00:11:30,160 --> 00:11:32,160 Speaker 1: who does you know, like mediumship stuff, she said, look 203 00:11:32,240 --> 00:11:33,760 Speaker 1: up what it means as an angel number, and it's 204 00:11:33,800 --> 00:11:38,040 Speaker 1: actually very good luck. Okay, to even misinformed. Well, here's hoping. 205 00:11:38,720 --> 00:11:42,040 Speaker 1: So opening an umbrella in the house, that is one 206 00:11:42,080 --> 00:11:44,960 Speaker 1: of the biggest things I'm against. Oh my gosh, right, 207 00:11:45,240 --> 00:11:47,559 Speaker 1: do you know the other thing is that's big? Don't 208 00:11:47,600 --> 00:11:50,079 Speaker 1: count how many cars are in a funeral procession if 209 00:11:50,080 --> 00:11:52,319 Speaker 1: you pass it, because apparently they say that how many 210 00:11:52,400 --> 00:11:54,280 Speaker 1: years you have left in your flock. I've never heard 211 00:11:54,320 --> 00:11:56,920 Speaker 1: that one. So when I see a funeral pass me by, 212 00:11:56,960 --> 00:12:01,640 Speaker 1: I closed my eyes quickly and I'm like, drive the world. Also, 213 00:12:01,760 --> 00:12:05,920 Speaker 1: you know what the number thirteen, No, that's a good 214 00:12:06,000 --> 00:12:09,240 Speaker 1: luck is good luck? Yeah for me. But different cultures 215 00:12:09,240 --> 00:12:13,400 Speaker 1: have different different numbers. In Italy, the number seventeen is 216 00:12:13,400 --> 00:12:17,120 Speaker 1: considered unlucky. Right, don't some buildings not have a thirteenth 217 00:12:17,160 --> 00:12:23,959 Speaker 1: floor technically doesn't, but it's still the thirteenth floor, right, 218 00:12:24,640 --> 00:12:29,120 Speaker 1: My one of my floor is not the thirteenth floor 219 00:12:29,120 --> 00:12:33,000 Speaker 1: they named us. They named it something else. So yeah, 220 00:12:33,040 --> 00:12:34,599 Speaker 1: and that is that just a New York thing or 221 00:12:34,679 --> 00:12:36,480 Speaker 1: that an everywhere thing? I don't know. I've seen that 222 00:12:36,520 --> 00:12:38,720 Speaker 1: in other places in other places too, Yeah, where the 223 00:12:38,720 --> 00:12:40,800 Speaker 1: fourteenth floor is actually the thirteenth flour Let's be real, 224 00:12:40,880 --> 00:12:45,480 Speaker 1: right placing now, I've heard of this one. If you 225 00:12:45,920 --> 00:12:48,000 Speaker 1: get a bowl of rice and you're eating Asian food 226 00:12:48,040 --> 00:12:52,720 Speaker 1: whatever it never ever take your chopsticks and put them 227 00:12:52,720 --> 00:12:54,960 Speaker 1: down in the rice where they're sticking up. They're saying, 228 00:12:55,000 --> 00:12:58,400 Speaker 1: that's you're gonna die one. Yeah, it's reminiscent of food 229 00:12:58,400 --> 00:13:01,480 Speaker 1: offerings left for the dead. Oh, I know that is 230 00:13:01,640 --> 00:13:03,840 Speaker 1: three stocks of bamboo is supposed to be bad. You 231 00:13:03,840 --> 00:13:06,160 Speaker 1: should want to get a plant that has three really. Yes, 232 00:13:06,440 --> 00:13:08,400 Speaker 1: I heard that too, Yeah, because I wanted to buy 233 00:13:08,400 --> 00:13:09,760 Speaker 1: Andrew one and then we looked it up because they 234 00:13:09,800 --> 00:13:11,640 Speaker 1: all have different meanings and it was like, never purchased three. 235 00:13:11,880 --> 00:13:16,160 Speaker 1: Also heard never kill a ladybug. Oh yeah that. Never 236 00:13:16,280 --> 00:13:20,240 Speaker 1: put your hat on the bed. That's a cowboy thing. 237 00:13:20,320 --> 00:13:22,600 Speaker 1: I learned that from Yellowstone or your shoes. I thought 238 00:13:22,600 --> 00:13:26,360 Speaker 1: your shoes too. I got vecal batter all over them. 239 00:13:28,160 --> 00:13:31,280 Speaker 1: In theater, speaking of Angela Lensburg. You never tell an actor. 240 00:13:31,400 --> 00:13:33,760 Speaker 1: I never tell a thespian as they're about to go 241 00:13:33,800 --> 00:13:36,000 Speaker 1: out on stage good luck. Ever, No, you tell them 242 00:13:36,080 --> 00:13:38,480 Speaker 1: break a leg, which is so silly because if they 243 00:13:38,480 --> 00:13:40,439 Speaker 1: broke a leg, they couldn't really do their job. Well, 244 00:13:40,480 --> 00:13:43,760 Speaker 1: you're you're not really telling them to break your leg So, yes, superstitions. 245 00:13:43,760 --> 00:13:45,480 Speaker 1: You may not believe in them, but there may be 246 00:13:45,559 --> 00:13:47,240 Speaker 1: one you're like, Oh, wait a minute, I do believe 247 00:13:47,240 --> 00:13:49,600 Speaker 1: in when yes, producer Sam I learned after her I 248 00:13:49,640 --> 00:13:52,560 Speaker 1: got engaged. I'm not allowed to hand someone my ring 249 00:13:52,600 --> 00:13:54,080 Speaker 1: if they want to look at it and put it on, 250 00:13:54,120 --> 00:13:56,400 Speaker 1: I have to put it on a table or else 251 00:13:56,440 --> 00:13:58,040 Speaker 1: it's bad luck to the marriage. That goes for all 252 00:13:58,120 --> 00:14:00,760 Speaker 1: wedding rings. Right. You know. I have some friends who 253 00:14:00,800 --> 00:14:05,600 Speaker 1: have really really superstious grandmothers, Italian grandmothers, and they, I 254 00:14:05,640 --> 00:14:09,880 Speaker 1: mean they everything. They spit on things, and you should 255 00:14:09,920 --> 00:14:12,320 Speaker 1: hear the stories. Salt over the shoulders. Oh beyond that 256 00:14:12,640 --> 00:14:15,040 Speaker 1: is the salt over the shoulder. Look, look it up 257 00:14:15,280 --> 00:14:17,600 Speaker 1: means I thought. I think if you spill salt, you'reupposed 258 00:14:17,600 --> 00:14:19,680 Speaker 1: to throw it over your shoulder. I've heard, yes, scary 259 00:14:19,720 --> 00:14:22,040 Speaker 1: speaking of Italian grandmothers, I never heard of this one 260 00:14:22,080 --> 00:14:25,880 Speaker 1: from this texture. What never put Italian bread upside down 261 00:14:25,920 --> 00:14:30,400 Speaker 1: on the table? Huh? Oh, you know, I'm sure there 262 00:14:30,440 --> 00:14:34,120 Speaker 1: are many, many, many superstitions, and many many different cultures 263 00:14:34,120 --> 00:14:36,760 Speaker 1: and many many different families. Well, with Indian people, we 264 00:14:36,800 --> 00:14:39,440 Speaker 1: don't ever give money in zero amounts at the end. 265 00:14:39,480 --> 00:14:41,320 Speaker 1: So if it's one hundred dollars, we won't give one hundred, 266 00:14:41,320 --> 00:14:44,400 Speaker 1: We'll give one hundred and one. There you go, or 267 00:14:44,520 --> 00:14:46,320 Speaker 1: ninety nine if you want to be thrifty. Oh yes, 268 00:14:47,600 --> 00:14:50,520 Speaker 1: all right, let's get into the horoscopes producer, Sam, who 269 00:14:50,560 --> 00:14:52,160 Speaker 1: are you doing them with? I'd like to do them 270 00:14:52,200 --> 00:14:54,840 Speaker 1: with Scary? All right, Scary, let's go. Well, if it's 271 00:14:54,840 --> 00:14:57,960 Speaker 1: your birthday today, Happy birthday and you celebrate with Hugh 272 00:14:58,080 --> 00:15:02,800 Speaker 1: Jackman and Josh Hutchinson. Capricorn, do not micromanage others while 273 00:15:02,880 --> 00:15:06,440 Speaker 1: they work to your high standards. Your days of seven Aquarius, 274 00:15:06,480 --> 00:15:09,200 Speaker 1: take things slow. Don't rush into a project without knowing 275 00:15:09,240 --> 00:15:11,240 Speaker 1: if it's really what you want or need. Your days 276 00:15:11,240 --> 00:15:14,200 Speaker 1: an eight Pisces, be present when speaking to those who 277 00:15:14,240 --> 00:15:16,880 Speaker 1: matter most. Your days of nine are you stop holding 278 00:15:16,880 --> 00:15:20,040 Speaker 1: back and let yourself shine. Your days of nine Taurus, 279 00:15:20,080 --> 00:15:23,360 Speaker 1: remember that asking for your needs does not make you needy. 280 00:15:23,640 --> 00:15:25,920 Speaker 1: Your days of six, Hey, gem and I take charge. 281 00:15:25,960 --> 00:15:28,480 Speaker 1: Others will be delighted by your passion. Your days of 282 00:15:28,560 --> 00:15:31,360 Speaker 1: ten Cancer, fall into a rhythm that allows you to 283 00:15:31,360 --> 00:15:34,040 Speaker 1: maximize your time and efforts. Your days of nine Leo, 284 00:15:34,200 --> 00:15:37,400 Speaker 1: dissolve any barriers you may have with someone in your orbit. 285 00:15:37,560 --> 00:15:39,880 Speaker 1: Your days in eight Virgo, you may be too stuck 286 00:15:39,880 --> 00:15:42,320 Speaker 1: in the past and it may be inhibiting your plans 287 00:15:42,320 --> 00:15:45,920 Speaker 1: for the future. Learn to let go your day's a five, oh, Libra, 288 00:15:46,120 --> 00:15:48,800 Speaker 1: set ground rules before openly just accepting the terms to 289 00:15:48,840 --> 00:15:51,600 Speaker 1: a deal. Your days in eight Scorpio. Indulge in some 290 00:15:51,680 --> 00:15:54,400 Speaker 1: self care. You have been neglecting your needs too much. 291 00:15:54,520 --> 00:15:57,360 Speaker 1: Your days of six. And finally, Sagittarius, let go of 292 00:15:57,440 --> 00:16:00,520 Speaker 1: something that's been weighing you down with the utmos grace, 293 00:16:01,000 --> 00:16:03,200 Speaker 1: So not without grace. Okay, your days to seven and 294 00:16:03,240 --> 00:16:05,400 Speaker 1: those are your ones. New morning, Horiscoe, Good morning Christie, 295 00:16:05,400 --> 00:16:09,480 Speaker 1: how are you? Good morning? Well, so what is your 296 00:16:09,800 --> 00:16:14,160 Speaker 1: what is your background? Um? Well, I'm a Cuban American, 297 00:16:14,240 --> 00:16:17,680 Speaker 1: so I was raised with many of our Cuban cultural 298 00:16:17,720 --> 00:16:21,240 Speaker 1: traditions and superstitions. What is what's What's one that comes 299 00:16:21,280 --> 00:16:25,320 Speaker 1: to mind? Um the sweeping. So if your grandma or 300 00:16:25,320 --> 00:16:27,400 Speaker 1: mom or someone was sweeping, you jumped out of the 301 00:16:27,440 --> 00:16:30,000 Speaker 1: way because if your feet got swept, you weren't getting married. 302 00:16:31,680 --> 00:16:35,480 Speaker 1: Jump clear out of the way of anyone sweeping. It 303 00:16:35,560 --> 00:16:38,040 Speaker 1: looked like the floor was love. Or you jump on account, 304 00:16:38,080 --> 00:16:39,560 Speaker 1: or you jump anywhere to get out of the way 305 00:16:39,880 --> 00:16:41,880 Speaker 1: or the other way around you just like try to 306 00:16:41,920 --> 00:16:45,280 Speaker 1: try to step on your grandma's broom. Please lie in 307 00:16:45,280 --> 00:16:47,240 Speaker 1: the middle of the way. I do not want to 308 00:16:47,240 --> 00:16:49,800 Speaker 1: get married any Thank you, Christy, thanks for sharing that. 309 00:16:49,880 --> 00:16:51,440 Speaker 1: Hey have a good day. Thank you for listening to us. 310 00:16:51,560 --> 00:16:53,200 Speaker 1: Wonder if I'll have a great day. Goodbye you too. 311 00:16:53,280 --> 00:17:00,200 Speaker 1: There you go, see sent us a text. Men, the 312 00:17:00,280 --> 00:17:08,879 Speaker 1: larger noses have larger hoses. Durand in the Morning show. 313 00:17:09,320 --> 00:17:16,800 Speaker 1: In the Morning Show, I mean, really really honored. Just 314 00:17:16,960 --> 00:17:20,600 Speaker 1: announced the NAB Show. That's the National Association of Broadcasters, 315 00:17:21,359 --> 00:17:25,320 Speaker 1: the NAB Show in New York Impact Award honorees Scott 316 00:17:25,359 --> 00:17:31,680 Speaker 1: Shannon and Elvis Durand. Yeah, I don't know what it means. 317 00:17:31,760 --> 00:17:37,280 Speaker 1: It means you've made an impact okay, broadcasting nationally. Yeah, 318 00:17:37,280 --> 00:17:40,160 Speaker 1: thank you. My favorite is that he he has won 319 00:17:40,200 --> 00:17:42,280 Speaker 1: so many awards that he doesn't remember which one is 320 00:17:42,320 --> 00:17:44,800 Speaker 1: he who? So he asked me, did I win this? 321 00:17:44,880 --> 00:17:46,120 Speaker 1: Let me look that up and see if I won 322 00:17:46,160 --> 00:17:48,560 Speaker 1: this one. It's like he doesn't know I didn't an 323 00:17:49,320 --> 00:17:52,399 Speaker 1: It's an honor and Scott to be sharing an award 324 00:17:52,440 --> 00:17:56,199 Speaker 1: with Scott Shannon Monk really yeah, I can't. That's the 325 00:17:56,280 --> 00:17:58,679 Speaker 1: part I can't. I can't wrap my head around he 326 00:17:58,800 --> 00:18:02,080 Speaker 1: is royalty, he is. I mean he invented this radio 327 00:18:02,119 --> 00:18:04,359 Speaker 1: station where we're sitting right now. Then he's gone on 328 00:18:04,440 --> 00:18:06,960 Speaker 1: to invent other radio stations. I mean, he's a big 329 00:18:07,000 --> 00:18:10,320 Speaker 1: deal and we're like sharing this award fifty fifty kind 330 00:18:10,359 --> 00:18:12,359 Speaker 1: of strange. Does it feel good? I hope you take 331 00:18:12,400 --> 00:18:15,080 Speaker 1: a moment to enjoy it? Yeah, well, no, I'm honored. Absolutely. 332 00:18:15,320 --> 00:18:18,679 Speaker 1: I thought I thought my my my boat had sailed, 333 00:18:21,600 --> 00:18:25,600 Speaker 1: my ship had sailed. Is it what you said? Okay? Um, 334 00:18:25,680 --> 00:18:27,560 Speaker 1: So they're having an award ceremony. I don't think I'm 335 00:18:27,600 --> 00:18:29,320 Speaker 1: gonna be there because I have to host something else 336 00:18:29,320 --> 00:18:32,800 Speaker 1: somewhere else, whatever, and I don't think I can make 337 00:18:32,840 --> 00:18:36,720 Speaker 1: it so scary says, So they nominate, they honor you 338 00:18:37,280 --> 00:18:39,080 Speaker 1: and Scott Shatton. Is that what did they do that 339 00:18:39,160 --> 00:18:42,520 Speaker 1: to sell tables and to get more people to buy 340 00:18:42,520 --> 00:18:44,879 Speaker 1: tickets for the event? He said, because he knows you 341 00:18:44,920 --> 00:18:47,760 Speaker 1: guys will buy the tables, so not even to sell 342 00:18:47,920 --> 00:18:50,240 Speaker 1: You're not even the draw that brings other people to 343 00:18:50,320 --> 00:18:52,520 Speaker 1: buy the tickets. He's saying, you're going to buy all 344 00:18:52,520 --> 00:18:54,879 Speaker 1: the tables yourself. So they're giving me an award, so 345 00:18:55,000 --> 00:18:56,919 Speaker 1: I will buy a table? Yes, Oh is that what 346 00:18:57,000 --> 00:18:58,800 Speaker 1: you think? So you think he just doesn't deserve the 347 00:19:01,320 --> 00:19:04,760 Speaker 1: I think this is hilarious. That's what I heard you 348 00:19:04,880 --> 00:19:07,520 Speaker 1: say it, rude, you did say it. First of all, 349 00:19:07,520 --> 00:19:09,560 Speaker 1: I grew up listening to Scott Shannon. Both of you 350 00:19:09,560 --> 00:19:12,680 Speaker 1: guys are legends of radio, and we can sell out 351 00:19:12,680 --> 00:19:19,760 Speaker 1: those tables. Yeah, this big well, you know you, thank you, Scary, 352 00:19:20,200 --> 00:19:21,360 Speaker 1: thank you. Do you want to know what he said 353 00:19:21,359 --> 00:19:24,160 Speaker 1: to me? One? Yes. So I was asked to speak 354 00:19:24,200 --> 00:19:27,480 Speaker 1: at this event called Audio Con in Las Vegas. Big thing, 355 00:19:27,640 --> 00:19:30,760 Speaker 1: thank you, um, and it was hosted by Ryan Seacrest, 356 00:19:30,880 --> 00:19:33,320 Speaker 1: and Scary was like, oh, so you're speaking, So what 357 00:19:33,440 --> 00:19:35,960 Speaker 1: is this like a minority thing? No, he didn't. He 358 00:19:36,600 --> 00:19:42,200 Speaker 1: did too. Sam almost lost her mind. So so you think, 359 00:19:43,080 --> 00:19:46,479 Speaker 1: you know what, let's get let's get the brown girl 360 00:19:47,680 --> 00:19:51,200 Speaker 1: come up here on stage with Ryan Seacrest. It must 361 00:19:51,240 --> 00:19:53,560 Speaker 1: be a minority thing because Ryan Seacrest was hosted. You 362 00:19:53,560 --> 00:19:56,320 Speaker 1: know what. This stems from the fact that I din 363 00:19:56,440 --> 00:19:59,639 Speaker 1: from the fact that you were You're from ben Brooklyn. 364 00:20:00,000 --> 00:20:01,840 Speaker 1: Oh my god. This steps to the fact that I 365 00:20:01,840 --> 00:20:04,800 Speaker 1: have always been a conspiracy theorist a little bit. I 366 00:20:04,800 --> 00:20:08,960 Speaker 1: always second guess myself. I always say you weren't second 367 00:20:08,960 --> 00:20:12,240 Speaker 1: guessing you, You're second guessing all of us. What's the 368 00:20:12,320 --> 00:20:15,800 Speaker 1: ulterior motive behind blank? Whatever the scenario is, it could 369 00:20:15,840 --> 00:20:17,680 Speaker 1: be anything. Well, if that's the way you live your life, 370 00:20:17,680 --> 00:20:19,840 Speaker 1: that means no one really has any reason to be 371 00:20:19,920 --> 00:20:24,800 Speaker 1: proud of anything ever, because it's all ulterior motive. I Elvius, 372 00:20:24,840 --> 00:20:26,879 Speaker 1: you won an award because you're rich, you'll buy tables, 373 00:20:26,920 --> 00:20:29,400 Speaker 1: You'll buy a table. Well, that is kind of true. 374 00:20:29,440 --> 00:20:33,040 Speaker 1: Buddy Brown, they asked you to speak, you goot shadowed Elvis. 375 00:20:33,840 --> 00:20:37,560 Speaker 1: Why imagine if you were brown and rich, Oh my god, 376 00:20:37,960 --> 00:20:43,480 Speaker 1: my god, I could sell extra tables. And so if 377 00:20:43,520 --> 00:20:45,960 Speaker 1: we could take the net worth of Scott shattered that 378 00:20:46,040 --> 00:20:48,960 Speaker 1: Elvis dread add them up, how many tables can not sell? 379 00:20:51,119 --> 00:20:53,320 Speaker 1: Then we'll throw in the little brown girl and have her. 380 00:20:53,440 --> 00:20:56,560 Speaker 1: Oh my gosh, what a bonus, seasoning the brown girl bonus. 381 00:20:56,960 --> 00:21:00,480 Speaker 1: I don't think that happened in this case, but I 382 00:21:00,520 --> 00:21:04,119 Speaker 1: there are charity events that I think have invited some 383 00:21:04,160 --> 00:21:06,280 Speaker 1: of us because they thought we would talk about it 384 00:21:06,400 --> 00:21:08,840 Speaker 1: and get them more money that they really weren't honoring 385 00:21:09,200 --> 00:21:12,160 Speaker 1: us per Se well, and that may be the case, 386 00:21:12,480 --> 00:21:15,560 Speaker 1: which is, but the NAB is not a charity per 387 00:21:15,560 --> 00:21:24,640 Speaker 1: Se National Association. Scary's backpedaling. Here we go anyway, that's 388 00:21:25,359 --> 00:21:29,520 Speaker 1: a big deal. Totally just deflated my what little air 389 00:21:29,560 --> 00:21:32,760 Speaker 1: I had left in my tire. It's okay, don't worry 390 00:21:32,800 --> 00:21:37,200 Speaker 1: about me. A deal. Yeah, but okay, since you can't 391 00:21:37,240 --> 00:21:39,159 Speaker 1: go to the award ceremony, who are you going to 392 00:21:39,200 --> 00:21:42,720 Speaker 1: have accept the award on your behalf or the brown girl? 393 00:21:42,760 --> 00:21:48,520 Speaker 1: I don't know, are you available? Brown girl? Schedule hooked 394 00:21:48,600 --> 00:21:53,840 Speaker 1: up with a lot of minority gigs. We're gonna sit 395 00:21:53,880 --> 00:22:03,200 Speaker 1: in a little brownie in your place. The worst conversation. Scary, 396 00:22:03,840 --> 00:22:08,240 Speaker 1: I love you, Scary, you were you always You always 397 00:22:08,280 --> 00:22:11,240 Speaker 1: give us many reasons to laugh. Elvis, you make sure 398 00:22:11,280 --> 00:22:13,000 Speaker 1: you tell the little brown girl what to say in 399 00:22:13,040 --> 00:22:17,520 Speaker 1: your place. That's right. If you could accept in English, 400 00:22:17,560 --> 00:22:23,919 Speaker 1: I would appreciate it. Anyway, we got to move on. 401 00:22:25,040 --> 00:22:28,520 Speaker 1: It is an honor, but again, the biggest honor is 402 00:22:28,600 --> 00:22:31,119 Speaker 1: to be sharing this award with Scott Shannon. That is, 403 00:22:31,320 --> 00:22:35,480 Speaker 1: that is that's the award for me. Wow. I mean, 404 00:22:35,520 --> 00:22:38,359 Speaker 1: he's a pioneer in in his industry. And I'm like, what, 405 00:22:40,320 --> 00:22:42,760 Speaker 1: I don't know. He's a very kind person. He very 406 00:22:43,040 --> 00:22:47,680 Speaker 1: very much is Danielle. Let's go all right. So Sam 407 00:22:47,720 --> 00:22:51,520 Speaker 1: Smith recently got a pretty unique present from Ed Shearing 408 00:22:51,600 --> 00:22:54,680 Speaker 1: and some people might be embarrassed to put it on display, 409 00:22:54,720 --> 00:22:57,800 Speaker 1: but Sam is going to put it on display. Sam 410 00:22:57,880 --> 00:23:00,840 Speaker 1: was talking to the Kelly Clarkson to Kelly Clarkson about it, 411 00:23:00,880 --> 00:23:04,800 Speaker 1: and it is a six foot to marble penis. It's 412 00:23:04,880 --> 00:23:08,879 Speaker 1: two tons and Sam Smith said that in order to 413 00:23:08,920 --> 00:23:11,440 Speaker 1: get it into the house, a crane had to actually 414 00:23:11,480 --> 00:23:15,199 Speaker 1: put it out. But I'm also hearing that anyone like this, 415 00:23:15,320 --> 00:23:20,119 Speaker 1: you know. But apparently Sam isn't the only person to 416 00:23:20,200 --> 00:23:22,680 Speaker 1: get this type of gift from Ed Sheering. He gives 417 00:23:22,720 --> 00:23:25,800 Speaker 1: people concrete penises all the time. So next time, isn't 418 00:23:25,920 --> 00:23:28,920 Speaker 1: Ed here soon, I'm expecting a concrete I would love 419 00:23:28,920 --> 00:23:32,560 Speaker 1: a concrete come on it Sheer. Imagine seeing the concrete 420 00:23:32,560 --> 00:23:34,560 Speaker 1: penis flying through the air on a crane, like why 421 00:23:35,160 --> 00:23:37,159 Speaker 1: my part? You would be like, where am I putting this? 422 00:23:37,320 --> 00:23:43,160 Speaker 1: Why do I have this? Suggests anyway, anyway, so let's 423 00:23:43,160 --> 00:23:47,199 Speaker 1: see who is the hottest bold man. Well many A 424 00:23:47,320 --> 00:23:50,119 Speaker 1: search engine company called Reboot looked at a bunch of 425 00:23:50,119 --> 00:23:53,840 Speaker 1: different factors and came up with the hottest bold man. 426 00:23:53,960 --> 00:23:55,639 Speaker 1: And they looked at a lot of different things. How 427 00:23:55,680 --> 00:23:58,840 Speaker 1: shiny his head is his ratio to beauty. So let 428 00:23:58,840 --> 00:24:01,159 Speaker 1: me give you the top five. Number five. Hold on, 429 00:24:01,280 --> 00:24:04,600 Speaker 1: is this the sexy bald man countdown? Yes? It is tough. 430 00:24:04,920 --> 00:24:07,960 Speaker 1: So Prince William is number five. He's not entirely bald, 431 00:24:07,960 --> 00:24:09,959 Speaker 1: though if he's on his way he's probably he'd be 432 00:24:09,960 --> 00:24:12,440 Speaker 1: pissed off at this because I still got some hairy Okay, 433 00:24:12,480 --> 00:24:16,160 Speaker 1: So number five is Prince William. Hit Ball is number four, okay, 434 00:24:16,400 --> 00:24:22,440 Speaker 1: Shamar Moore is number three. Absolutely, Danley Tucci is number two. 435 00:24:23,000 --> 00:24:26,000 Speaker 1: But the hottest ball guy they're saying is Vin Diesel. Okay, 436 00:24:26,640 --> 00:24:29,520 Speaker 1: Vin Diesel. They forgot the rock, you know what, They 437 00:24:29,880 --> 00:24:31,840 Speaker 1: removed the rock. He originally was number one. I think 438 00:24:31,880 --> 00:24:34,960 Speaker 1: he's number nine that they forgot Tim Howard, the US 439 00:24:35,000 --> 00:24:40,600 Speaker 1: soccer goalie. Hello, Tyson Statham, Mike Tyson's on here. Joe 440 00:24:40,680 --> 00:24:44,000 Speaker 1: Rogan's on the list. No, yeah, all right. Let's so 441 00:24:44,119 --> 00:24:46,600 Speaker 1: last month post Malone fell, remember, and he had to 442 00:24:46,600 --> 00:24:49,280 Speaker 1: cancel the Boston show on his twelve caractur while he 443 00:24:49,320 --> 00:24:51,080 Speaker 1: made up the date on Monday, and not only did 444 00:24:51,160 --> 00:24:55,199 Speaker 1: he perform, he made sure everyone had a free autographed 445 00:24:55,200 --> 00:24:58,160 Speaker 1: T shirt. Oh this guy, is he really? I wish 446 00:24:58,240 --> 00:25:00,240 Speaker 1: he would come and say IDOWU because he's just the 447 00:25:00,359 --> 00:25:04,320 Speaker 1: nicest person. It's ridiculous. Blake Shelton is leaving The Voice 448 00:25:04,440 --> 00:25:08,320 Speaker 1: after the twenty twenty three twenty third season. He said 449 00:25:08,359 --> 00:25:10,359 Speaker 1: the show has changed his life. He met his wife 450 00:25:10,359 --> 00:25:12,560 Speaker 1: Gwen Stefani on the show, but it's time to move on. 451 00:25:12,600 --> 00:25:16,320 Speaker 1: So that means changes will be coming to the Voice. So, uh, 452 00:25:16,640 --> 00:25:19,960 Speaker 1: Blake will be around until season twenty three, but people 453 00:25:20,000 --> 00:25:23,119 Speaker 1: that are leaving before then, Gwen Stefani, Camila Cabello and 454 00:25:23,240 --> 00:25:25,800 Speaker 1: John Legend they're not coming back for season twenty three. 455 00:25:26,119 --> 00:25:28,720 Speaker 1: Kelly Clarkson, we'll be back. Nile Horn is coming and 456 00:25:28,760 --> 00:25:32,480 Speaker 1: apparently chanced the Rappers. Well yeah, so that's pretty cool. 457 00:25:32,720 --> 00:25:35,359 Speaker 1: I may start watching again. Oh really? Okay, yeah, okay, 458 00:25:35,520 --> 00:25:37,879 Speaker 1: all right, so I don't know. Well, let me do 459 00:25:37,920 --> 00:25:40,920 Speaker 1: this first. King Charles's coronation day will be May six, 460 00:25:41,200 --> 00:25:44,080 Speaker 1: which is sooner than they thought. I can't make that. Sorry. 461 00:25:44,280 --> 00:25:46,200 Speaker 1: They thought he was going to pick June second, because 462 00:25:46,200 --> 00:25:48,280 Speaker 1: that's actually when his mom was coronated back. You know 463 00:25:48,480 --> 00:25:51,560 Speaker 1: the reason they made him king. They're selling tables, that's why. 464 00:25:51,720 --> 00:25:55,080 Speaker 1: That's why. Let me just end with this. If you 465 00:25:55,160 --> 00:25:57,639 Speaker 1: get a chance to watch this trailer. The movie is 466 00:25:57,640 --> 00:26:02,399 Speaker 1: called Megan. It's spelled M three G A N. It 467 00:26:02,600 --> 00:26:05,879 Speaker 1: is the creepiest trailer. It's kind of like Chucky but 468 00:26:05,960 --> 00:26:09,240 Speaker 1: a girl doll Andrew showed me this trailer. The movie's 469 00:26:09,240 --> 00:26:12,680 Speaker 1: coming out in January. Oh my gosh, I cannot wait. 470 00:26:12,920 --> 00:26:14,720 Speaker 1: Check it out when you get a chance. It's called Megan. 471 00:26:14,800 --> 00:26:16,639 Speaker 1: Alison Williams is in it. Okay, thank you. That's my 472 00:26:16,720 --> 00:26:21,199 Speaker 1: entertainment report and I'm just special a special hello and 473 00:26:21,280 --> 00:26:28,640 Speaker 1: goodbye to Angela Landsberry Rising in the Tailors, Solders, time Songs, 474 00:26:28,720 --> 00:26:35,880 Speaker 1: Older's Rhyme, Beauty on the Thieves. Oh god, anyway, so 475 00:26:35,920 --> 00:26:38,680 Speaker 1: thank you for many years of being a Broadway legend. Yeah, 476 00:26:38,680 --> 00:26:41,440 Speaker 1: I love it. Anyway. Uh, let's take a break show. 477 00:26:42,320 --> 00:26:46,080 Speaker 1: Daddy needs to go peepee. I forgot where the bathrooms are. 478 00:26:46,840 --> 00:26:48,640 Speaker 1: It's been so long since I've gone into the bathroom. 479 00:26:48,880 --> 00:26:51,480 Speaker 1: Do we have bathrooms still? Yes? I mean I don't 480 00:26:51,480 --> 00:26:54,400 Speaker 1: think you want to go in there. Okay, thanks, What 481 00:26:54,440 --> 00:26:56,480 Speaker 1: the hell do we do for a living tell mister 482 00:26:56,680 --> 00:27:00,600 Speaker 1: Rand in the Morning Show. Wendy's new homestyle French sticks 483 00:27:00,640 --> 00:27:03,000 Speaker 1: are so good. Some are saying that they're better than 484 00:27:03,040 --> 00:27:06,440 Speaker 1: their own mom's French toast. Perfectly crispy on the outside, 485 00:27:06,600 --> 00:27:10,080 Speaker 1: perfectly fluffy on the inside, perfectly perfect in every way. 486 00:27:10,240 --> 00:27:14,760 Speaker 1: Try Wendy's new homestyle French toast sticks today in the 487 00:27:14,800 --> 00:27:20,000 Speaker 1: Morning Show. I sent this TikTok video to Gandhi Daniel. Yeah, 488 00:27:20,400 --> 00:27:23,080 Speaker 1: and it's this hot guy right without his shirt on. 489 00:27:23,119 --> 00:27:25,320 Speaker 1: Hold on, there is right there, and look here's his 490 00:27:25,440 --> 00:27:29,040 Speaker 1: fifty two year old dad. What the reason? I sense? 491 00:27:29,160 --> 00:27:31,120 Speaker 1: It looks like he looks like Brandon to me, this 492 00:27:31,160 --> 00:27:33,560 Speaker 1: is the sun and this is the fifty two year 493 00:27:33,560 --> 00:27:36,520 Speaker 1: old dad without his shirt on it. Yeah, I'll take 494 00:27:36,520 --> 00:27:41,639 Speaker 1: that dad. What can you imagine? That's not obviously it 495 00:27:41,760 --> 00:27:46,680 Speaker 1: is not my dad, bod Can you imagine? I also 496 00:27:46,760 --> 00:27:50,480 Speaker 1: sent you an article the other day or something about cheating, Yes, 497 00:27:50,640 --> 00:27:54,480 Speaker 1: emotional cheating versus physical cheating. Yes. And I believe in 498 00:27:54,520 --> 00:27:56,480 Speaker 1: the article if I'm not mistaken. There are some people 499 00:27:56,520 --> 00:27:59,760 Speaker 1: who say I would rather you cheat on me physically 500 00:27:59,800 --> 00:28:03,199 Speaker 1: with someone than being emotionally tied to someone. I'm one 501 00:28:03,200 --> 00:28:06,399 Speaker 1: of those people. First of all, for the record, I 502 00:28:06,440 --> 00:28:10,600 Speaker 1: don't want anyone cheating on me, right, But if I 503 00:28:10,640 --> 00:28:13,679 Speaker 1: had to pick one, I would rather be physically cheated 504 00:28:13,680 --> 00:28:17,679 Speaker 1: on that emotionally cheated one. I've got a problem with 505 00:28:17,720 --> 00:28:20,800 Speaker 1: this because I think that even if it's just physical, 506 00:28:20,880 --> 00:28:23,520 Speaker 1: there's still a little bit of an emotion there. There 507 00:28:23,600 --> 00:28:25,720 Speaker 1: has to be. I don't care whether it's just that 508 00:28:25,760 --> 00:28:30,200 Speaker 1: you're into if they just banged it out. I think 509 00:28:30,240 --> 00:28:32,159 Speaker 1: men and women are so different about that stuff. I 510 00:28:32,160 --> 00:28:34,199 Speaker 1: think guys can bang it out with nothing attached. I 511 00:28:34,240 --> 00:28:36,840 Speaker 1: think women have a harder time doing that. Some definitely can, 512 00:28:37,600 --> 00:28:40,160 Speaker 1: but I think that guys can definitely get down that way. 513 00:28:40,400 --> 00:28:43,360 Speaker 1: So as far as emotional cheating goes, yes, I mean, 514 00:28:45,040 --> 00:28:48,120 Speaker 1: I'm sorry we didn't have sex or anything. I just 515 00:28:48,160 --> 00:28:51,240 Speaker 1: needed a shoulder to cry on. I needed someone to 516 00:28:51,280 --> 00:28:55,400 Speaker 1: be there for me. If your partner tells you that, well, 517 00:28:55,440 --> 00:28:59,120 Speaker 1: first of all, why were you not there for them? Right? 518 00:28:59,440 --> 00:29:01,360 Speaker 1: Or why or why did they think you weren't there 519 00:29:01,400 --> 00:29:03,600 Speaker 1: for them? Yeah, what's going on there? I just think 520 00:29:03,640 --> 00:29:06,720 Speaker 1: that that emotional cheating, that bond is stronger because it's 521 00:29:06,720 --> 00:29:08,880 Speaker 1: a personality thing and you can't just you know, get 522 00:29:08,880 --> 00:29:11,640 Speaker 1: over somebody's personality. You can get over having sex with 523 00:29:11,720 --> 00:29:13,840 Speaker 1: somebody and move on. But I don't know. I would 524 00:29:13,880 --> 00:29:16,120 Speaker 1: be really hurt if I if Brandon came home one 525 00:29:16,160 --> 00:29:18,000 Speaker 1: day and was like, I just been hanging out with 526 00:29:18,000 --> 00:29:20,440 Speaker 1: this other girl and she's really cool and she's fun 527 00:29:20,480 --> 00:29:22,200 Speaker 1: and I love her personality and I just like being 528 00:29:22,240 --> 00:29:25,120 Speaker 1: around her. That would hurt my feelings a lot more. Really, yes, 529 00:29:25,320 --> 00:29:28,120 Speaker 1: so you can. You're saying that it is possible. Maybe 530 00:29:28,280 --> 00:29:31,720 Speaker 1: not in Daniel's mind anyway, it is possible to actually 531 00:29:31,760 --> 00:29:34,760 Speaker 1: just bang it out with someone and then told it 532 00:29:34,840 --> 00:29:37,120 Speaker 1: forget them. I mean, he was like, what I forgot 533 00:29:37,160 --> 00:29:38,720 Speaker 1: all about that? I don't want to man explain to 534 00:29:38,720 --> 00:29:40,840 Speaker 1: the men in here. I think that it is. I 535 00:29:40,880 --> 00:29:44,520 Speaker 1: do think that men are less less attached that way. Detail. 536 00:29:44,640 --> 00:29:46,600 Speaker 1: I think you should keep it in your pants. Well, yeah, 537 00:29:47,000 --> 00:29:49,720 Speaker 1: keep your emotions in your head exactly, bring them back 538 00:29:49,760 --> 00:29:52,280 Speaker 1: to me. Thank you. There was recently. It was a 539 00:29:52,320 --> 00:29:54,240 Speaker 1: celebrity that was quoted, and I wish I remember who 540 00:29:54,240 --> 00:29:56,880 Speaker 1: it was who said that they would much rather find 541 00:29:56,880 --> 00:29:59,760 Speaker 1: out that their partner physically cheated on them than emotionally. 542 00:30:00,240 --> 00:30:02,120 Speaker 1: I definitely okay. Now, if they do cheat on you 543 00:30:02,200 --> 00:30:03,960 Speaker 1: do you want it to be someone uglier than you 544 00:30:04,120 --> 00:30:08,560 Speaker 1: or someone hotter than you. That doesn't matter. Better, doesn't matter. 545 00:30:08,680 --> 00:30:10,360 Speaker 1: I want them to be hotter as well, don't I 546 00:30:10,400 --> 00:30:12,760 Speaker 1: won't feel as bad about myself everyone tatter than me anyway, 547 00:30:12,800 --> 00:30:16,480 Speaker 1: So stop it. I'll don't you think too with the 548 00:30:16,520 --> 00:30:18,880 Speaker 1: emotional side of things, like you could get drunk one 549 00:30:18,960 --> 00:30:21,280 Speaker 1: night and hook up with somebody and like, oaps, that's whatever. 550 00:30:21,480 --> 00:30:24,040 Speaker 1: The emotional thing takes a long time, and then you 551 00:30:24,120 --> 00:30:26,880 Speaker 1: have this bond and then it's kind of like actively 552 00:30:26,960 --> 00:30:31,360 Speaker 1: lying to somebody every day or at least keeping a secret. God, 553 00:30:31,400 --> 00:30:33,760 Speaker 1: why are we in relationships? This just drives me nuts. 554 00:30:34,520 --> 00:30:37,960 Speaker 1: The possibilities I know. And everyone's definition of what emotional 555 00:30:38,040 --> 00:30:41,000 Speaker 1: cheating is is so different, because some people will just say, like, 556 00:30:41,000 --> 00:30:43,160 Speaker 1: a very good friendship with somebody of the opposite sex 557 00:30:43,200 --> 00:30:45,640 Speaker 1: should not happen. I don't think that that's necessarily the 558 00:30:45,640 --> 00:30:47,960 Speaker 1: case either. But if you're talking about things that are 559 00:30:48,000 --> 00:30:50,480 Speaker 1: intimate with somebody who's not your partner and things that 560 00:30:50,520 --> 00:30:53,520 Speaker 1: you don't share with your partner, maybe something thinking about 561 00:30:53,600 --> 00:30:56,320 Speaker 1: if you can't show your partner the text messages that 562 00:30:56,400 --> 00:30:58,720 Speaker 1: I think you share with each other or whatever. I 563 00:30:58,840 --> 00:31:00,600 Speaker 1: think than that's an issue. Like Loggy and I say 564 00:31:00,600 --> 00:31:02,400 Speaker 1: stupid crap to each other all the time, and I 565 00:31:02,480 --> 00:31:06,360 Speaker 1: run to Sheldon. He's such a jerk, like that's we 566 00:31:06,440 --> 00:31:08,720 Speaker 1: have this really cool relationship that we can do that. Yeah, 567 00:31:08,720 --> 00:31:12,160 Speaker 1: but certain people I think overstep the line an issue. 568 00:31:12,320 --> 00:31:14,880 Speaker 1: What if you didn't share those with Sheldon? Would that 569 00:31:14,920 --> 00:31:18,240 Speaker 1: be Would that be kind of a I don't think 570 00:31:18,280 --> 00:31:20,560 Speaker 1: he would, because there are some that I don't show him. 571 00:31:20,600 --> 00:31:22,320 Speaker 1: But I don't think he'd get upset about it because 572 00:31:22,320 --> 00:31:24,120 Speaker 1: it's froggy and he just knows how we are. And 573 00:31:24,120 --> 00:31:27,400 Speaker 1: then we have this dumbass just you know, right? What 574 00:31:27,440 --> 00:31:31,480 Speaker 1: do you think Frog? You're in this emotional relationship with Danielle. 575 00:31:31,680 --> 00:31:34,640 Speaker 1: I want to hear what this is. I think if 576 00:31:34,640 --> 00:31:37,760 Speaker 1: you do anything when you're not with your significant other 577 00:31:38,320 --> 00:31:40,120 Speaker 1: that you wouldn't knew if they were sitting right there 578 00:31:40,160 --> 00:31:42,320 Speaker 1: with you, or if you say something you wouldn't say 579 00:31:42,320 --> 00:31:46,040 Speaker 1: if they were right there, then that's a problem. And 580 00:31:46,080 --> 00:31:48,040 Speaker 1: so if you run it through that filter of hey, 581 00:31:48,080 --> 00:31:50,000 Speaker 1: would I do this, would I say this? Would I 582 00:31:50,040 --> 00:31:53,479 Speaker 1: act this way if my significant other was here with me? 583 00:31:53,680 --> 00:31:55,640 Speaker 1: If I wouldn't do that, then you probably shouldn't be doing. 584 00:31:56,800 --> 00:32:00,280 Speaker 1: Were like, yeah, I do it. Of course. Relationship ships 585 00:32:00,320 --> 00:32:02,320 Speaker 1: are frightening. I mean, that's the thing when you meet 586 00:32:02,360 --> 00:32:05,120 Speaker 1: someone and you know that there's a connection here, I 587 00:32:05,120 --> 00:32:08,160 Speaker 1: really like this person. There's a part of you thinking, 588 00:32:08,160 --> 00:32:10,200 Speaker 1: oh God, here we go. I'm going to give them 589 00:32:10,240 --> 00:32:14,520 Speaker 1: my heart. They're gonna break it. I mean, but that's yeah, scary. 590 00:32:14,800 --> 00:32:18,360 Speaker 1: That's that leap of faith you take when you date someone, 591 00:32:18,400 --> 00:32:21,960 Speaker 1: when you marry them, it's the leap of faith anyway. 592 00:32:22,320 --> 00:32:25,320 Speaker 1: So cheating is cheating emotionally or physical? Do we all agree? 593 00:32:25,360 --> 00:32:32,760 Speaker 1: All in favors? Say I taste so good this fall? 594 00:32:32,760 --> 00:32:36,280 Speaker 1: Why not fall in love with Audible, the home of storytelling. 595 00:32:36,520 --> 00:32:38,520 Speaker 1: There's no better place to find all the stories your 596 00:32:38,560 --> 00:32:42,760 Speaker 1: imagination craves, including the hottest new releases of the year, audiobooks, 597 00:32:42,800 --> 00:32:47,240 Speaker 1: exclusive originals, popular podcast They're all on Audible. Whatever you're 598 00:32:47,240 --> 00:32:49,520 Speaker 1: in the mood for, you'll find it inside an incredible 599 00:32:49,520 --> 00:32:52,360 Speaker 1: selection of audio entertainment. Maybe you want to get lost 600 00:32:52,360 --> 00:32:55,320 Speaker 1: in a true crime mystery or a sweeping romance. Maybe 601 00:32:55,360 --> 00:32:57,760 Speaker 1: you want to blast off to another dimension. Who doesn't, 602 00:32:58,160 --> 00:33:00,280 Speaker 1: Or maybe you could use some pro hacks on how 603 00:33:00,320 --> 00:33:03,160 Speaker 1: to better your business, better your relationships. Or just get 604 00:33:03,200 --> 00:33:06,239 Speaker 1: better sleep. And there are always knockout performances from your 605 00:33:06,240 --> 00:33:09,040 Speaker 1: favorite celebs, so listen to. The best part is you 606 00:33:09,080 --> 00:33:11,120 Speaker 1: don't have to choose, because you can have it all 607 00:33:11,240 --> 00:33:14,080 Speaker 1: with Audible. There are thousands of included titles that you 608 00:33:14,120 --> 00:33:16,480 Speaker 1: can listen to all you want, and more are added 609 00:33:16,600 --> 00:33:19,200 Speaker 1: every week. So come to the home of storytelling and 610 00:33:19,240 --> 00:33:21,120 Speaker 1: try it for you for thirty days. You can sign 611 00:33:21,200 --> 00:33:25,840 Speaker 1: up right now at audible dot com. Slash elvis our resta. Hi, 612 00:33:26,080 --> 00:33:33,760 Speaker 1: nice to meet you. I'm vaccinated show this is good pizza. Oh, 613 00:33:33,800 --> 00:33:40,800 Speaker 1: that's sausage. Looks amazing. I'm I know what about the pizza? 614 00:33:40,920 --> 00:33:43,160 Speaker 1: You know, I try to bring you guys different pizzas. 615 00:33:43,680 --> 00:33:47,080 Speaker 1: Today's pizza is from Williamsburg Pizza and I've been going 616 00:33:47,160 --> 00:33:49,480 Speaker 1: there for years, heading delivered to the house, brought it 617 00:33:49,480 --> 00:33:51,200 Speaker 1: into you, and here we go. You should have seen 618 00:33:51,240 --> 00:33:53,160 Speaker 1: me walking out of the apartment building with what six 619 00:33:53,200 --> 00:33:55,080 Speaker 1: pies this morning. I couldn't even see your face. The 620 00:33:55,480 --> 00:33:58,320 Speaker 1: boxes were stacks so on. My doorman's like, are you 621 00:33:58,360 --> 00:34:02,080 Speaker 1: back doing your overnight gig again delivering pizzas? Yes? Do 622 00:34:02,160 --> 00:34:04,480 Speaker 1: you hear everybody's reaction when they see the pizza boxes 623 00:34:04,520 --> 00:34:06,280 Speaker 1: or are you sitting in the studio. Oh, it's like 624 00:34:06,400 --> 00:34:11,160 Speaker 1: Christmas Day for every single person. We walking pizza. This 625 00:34:11,200 --> 00:34:13,319 Speaker 1: is really good, but you need to incinerate it extra long. 626 00:34:13,360 --> 00:34:14,920 Speaker 1: It needs to stay in out of it. Yeah. Were 627 00:34:14,960 --> 00:34:19,480 Speaker 1: those peppers? Some peppers? Yeah, some peppers so good. Hey, 628 00:34:19,480 --> 00:34:21,120 Speaker 1: So I went to a birthday dinner last night, a 629 00:34:21,120 --> 00:34:24,239 Speaker 1: surprise birthday party from my friend Michelle, her husband and 630 00:34:24,280 --> 00:34:28,440 Speaker 1: my little brother Michael through her. This incredible party, family, 631 00:34:29,040 --> 00:34:32,960 Speaker 1: beautiful night, gorgeous New York City night. Was she really surprised? 632 00:34:33,600 --> 00:34:36,520 Speaker 1: She seemed to be very surprised. We had lots of wine, 633 00:34:36,560 --> 00:34:40,400 Speaker 1: lots of great food from our friend Mario Carbone. It 634 00:34:40,520 --> 00:34:43,719 Speaker 1: was an incredible night and I meant a lot of 635 00:34:43,960 --> 00:34:45,680 Speaker 1: I meant a lot of people. Actually, I got to 636 00:34:45,719 --> 00:34:47,680 Speaker 1: spend some time with people who I haven't had time 637 00:34:47,680 --> 00:34:49,720 Speaker 1: to spend with and at other parties that they've thrown. 638 00:34:49,960 --> 00:34:52,840 Speaker 1: It is great. It's great meeting new people. I'm enjoying that. 639 00:34:53,560 --> 00:34:55,200 Speaker 1: It's time to get out and meet new people. He 640 00:34:55,320 --> 00:34:59,120 Speaker 1: who's with me? Yeah, but it's wintertime. This is a 641 00:34:59,200 --> 00:35:03,000 Speaker 1: stay home and now yes, yes, oh my god, yeah. 642 00:35:03,280 --> 00:35:05,600 Speaker 1: Oh the best thing after the show is over. If 643 00:35:05,640 --> 00:35:08,080 Speaker 1: you can take like a two hour hibernation nap. Fact. 644 00:35:08,840 --> 00:35:11,560 Speaker 1: I went shopping in Soho yesterday. I got me some 645 00:35:11,560 --> 00:35:14,280 Speaker 1: new sunglasses. I got my friend Michelle up a nice bag, 646 00:35:14,760 --> 00:35:17,359 Speaker 1: and then I went to Odeon head lunch. I had 647 00:35:17,440 --> 00:35:21,160 Speaker 1: this mushroom business, had a glass of red wine, went home, 648 00:35:21,200 --> 00:35:23,960 Speaker 1: took an app It was good. The weather last night, though, 649 00:35:24,040 --> 00:35:27,520 Speaker 1: was beautiful. I were talking about how I love the 650 00:35:27,760 --> 00:35:30,680 Speaker 1: night weather in the fall. Yes, it's just grisk and 651 00:35:30,800 --> 00:35:33,239 Speaker 1: like you wrap up in a blanket and you oh, 652 00:35:33,320 --> 00:35:37,320 Speaker 1: hot chocolate. I love it hot chocolate. Of course, that 653 00:35:37,480 --> 00:35:39,840 Speaker 1: night it is. We went and got tacos yesterday and 654 00:35:39,880 --> 00:35:42,080 Speaker 1: then we walked around for a long time after because 655 00:35:42,120 --> 00:35:44,440 Speaker 1: it was so perfect outside. I love that Scary has 656 00:35:44,440 --> 00:35:47,040 Speaker 1: just entered the room with his incinerated pizza. Yes, oh 657 00:35:47,080 --> 00:35:49,040 Speaker 1: my god, what flavors are on here? I see some 658 00:35:49,360 --> 00:35:53,400 Speaker 1: I see pepperoni, I see olive, I see onion, I 659 00:35:53,440 --> 00:35:56,360 Speaker 1: see fresh MutS. I see all sorts of stuff on there. 660 00:35:57,000 --> 00:35:59,319 Speaker 1: Where's coach boy Josh, he's the big pizza lover. Oh 661 00:35:59,360 --> 00:36:01,520 Speaker 1: we're not talking right now. Why not because of the 662 00:36:01,560 --> 00:36:05,600 Speaker 1: game last night? Oh oh it was your Yankees and 663 00:36:05,760 --> 00:36:09,600 Speaker 1: the Cleveland Guardian and he so I texted him last 664 00:36:09,640 --> 00:36:11,600 Speaker 1: night because the Guardians were winning and I thought I 665 00:36:11,600 --> 00:36:14,160 Speaker 1: would be nice and I said, I'm shocked I haven't 666 00:36:14,200 --> 00:36:16,680 Speaker 1: gotten a text from you yet, right And then he 667 00:36:16,719 --> 00:36:19,640 Speaker 1: wrote and I said, oh, is it because you know 668 00:36:19,680 --> 00:36:21,880 Speaker 1: you don't want to jinx yourself, which I can understand, 669 00:36:21,920 --> 00:36:24,600 Speaker 1: and he wrote, I think both. Then he said that 670 00:36:24,680 --> 00:36:27,120 Speaker 1: my Yankee fans were classless and I stopped talking to 671 00:36:27,160 --> 00:36:31,200 Speaker 1: him after that. Okay, this is just baseball. Hello, doesn't matter. 672 00:36:31,480 --> 00:36:35,120 Speaker 1: Not talking and the the friendship people are not speaking of 673 00:36:35,200 --> 00:36:37,080 Speaker 1: ending friendship. You know you know who else is mad 674 00:36:37,080 --> 00:36:41,919 Speaker 1: at you? Daniel Oh? Oh, I know who isn't Diamond. Yes, 675 00:36:44,280 --> 00:36:47,600 Speaker 1: she's weak. It's not my fault. She just accused you 676 00:36:47,640 --> 00:36:49,600 Speaker 1: of being weak. She called me on the phone. She 677 00:36:49,719 --> 00:36:52,120 Speaker 1: was so passed. I was crazed. I couldn't stop laughing. 678 00:36:52,520 --> 00:36:54,399 Speaker 1: Come here so far away she might not be able 679 00:36:54,440 --> 00:36:56,800 Speaker 1: to walk. I think we had figured out Diamond's trigger, 680 00:36:56,880 --> 00:36:58,799 Speaker 1: because I think the only time she got mad at 681 00:36:58,840 --> 00:37:01,480 Speaker 1: me was for the same reason. Diamond, why are you 682 00:37:01,480 --> 00:37:04,600 Speaker 1: mad at Danielle today? Why are you mad well? Because 683 00:37:04,680 --> 00:37:07,960 Speaker 1: Danielle set me up for failure the other day. Um, 684 00:37:08,040 --> 00:37:10,400 Speaker 1: I was looking for something fun to do okay with 685 00:37:10,520 --> 00:37:12,480 Speaker 1: my friends. Oh, you were looking for something fun to do, 686 00:37:12,520 --> 00:37:15,160 Speaker 1: and Danielle had an idea for you. Yeah, okay, Rule 687 00:37:15,280 --> 00:37:17,719 Speaker 1: number one never listened to her. So I wanted to 688 00:37:17,760 --> 00:37:20,240 Speaker 1: go for a hike. But I mean, like I'm from Brooklyn. 689 00:37:20,239 --> 00:37:22,600 Speaker 1: When we say hike, we mean like walk around the 690 00:37:22,600 --> 00:37:25,880 Speaker 1: park maybe once, maybe even a track is considered. Did 691 00:37:26,000 --> 00:37:31,040 Speaker 1: she send you some uh Palisades Interstate Park. I'll never 692 00:37:31,080 --> 00:37:35,120 Speaker 1: forget it now. It's beautiful. Yeah, pretty right until you're 693 00:37:35,160 --> 00:37:37,920 Speaker 1: on a slope. Wait, and you did you find the waterfall? 694 00:37:38,080 --> 00:37:40,960 Speaker 1: I mean barely? It was dried up? So we did 695 00:37:41,000 --> 00:37:42,960 Speaker 1: all of that kind of weird. I guess it's I 696 00:37:42,960 --> 00:37:45,960 Speaker 1: don't know. I can't explain it. My legs are on fire, 697 00:37:46,120 --> 00:37:48,960 Speaker 1: so I'll just say something. She asked me. First of all, 698 00:37:49,000 --> 00:37:51,280 Speaker 1: she wanted to go to Bear Mountain first, ben Melon 699 00:37:51,400 --> 00:37:54,400 Speaker 1: is not a walk in the park either, okay, So okay, 700 00:37:54,440 --> 00:37:55,920 Speaker 1: So I said, why are you going to drive all 701 00:37:55,960 --> 00:37:58,080 Speaker 1: the way to Bear Mountain? I'm like, there's something closer 702 00:37:58,320 --> 00:38:00,480 Speaker 1: that is beautiful. And then I told her about that 703 00:38:00,520 --> 00:38:02,759 Speaker 1: place and then she goes and she calls me up, 704 00:38:02,840 --> 00:38:06,600 Speaker 1: I can't believe you made me go there. I'm with you, Danielle. 705 00:38:06,640 --> 00:38:09,200 Speaker 1: It is a beautiful part. But then Diamond's like, you know, 706 00:38:09,280 --> 00:38:11,239 Speaker 1: I hate Danielle. I had I had to jump over 707 00:38:11,280 --> 00:38:15,400 Speaker 1: a fence. Okay, here's the rule about fences. If you're 708 00:38:15,440 --> 00:38:17,120 Speaker 1: if you have to go over a fence, that means 709 00:38:17,160 --> 00:38:19,680 Speaker 1: you are or you're going someplace you shouldn't be. Where 710 00:38:19,719 --> 00:38:21,640 Speaker 1: were you? I shouldn't have been in that park that 711 00:38:22,680 --> 00:38:26,399 Speaker 1: but you know, okay, so we could go left or right. 712 00:38:26,440 --> 00:38:28,680 Speaker 1: There was a fork in the road and I my friends, 713 00:38:28,719 --> 00:38:30,920 Speaker 1: I don't know, for some reason trust me, and they're like, okay, 714 00:38:30,920 --> 00:38:33,879 Speaker 1: we're gonna follow you. I don't know where we ended up, 715 00:38:33,920 --> 00:38:36,520 Speaker 1: but I could see that where we wanted to be 716 00:38:36,960 --> 00:38:39,120 Speaker 1: was on the other side of the fence. But we're 717 00:38:39,160 --> 00:38:41,400 Speaker 1: gonna jump it. Did you did you go over a 718 00:38:41,480 --> 00:38:44,960 Speaker 1: fence to begin with? No fence? A fence she's usually 719 00:38:45,000 --> 00:38:48,200 Speaker 1: fencing off an area, right, Yeah, But we knew that 720 00:38:48,239 --> 00:38:50,239 Speaker 1: we could be on the other side, so we were 721 00:38:50,400 --> 00:38:52,760 Speaker 1: I'm like, hey, listen, we're gonna jump this fence. And honestly, 722 00:38:52,800 --> 00:38:54,600 Speaker 1: I don't know if I've talked about this before. I'm 723 00:38:54,640 --> 00:38:57,799 Speaker 1: not the best fence jumper, but I'm too through. I'm 724 00:38:57,840 --> 00:39:01,400 Speaker 1: not the best fence jumper. When I hear fence jumping, 725 00:39:01,440 --> 00:39:04,560 Speaker 1: I think of like graveyards. Yeah, what are you doing somewhere? 726 00:39:04,600 --> 00:39:07,200 Speaker 1: You should not be the bottom line, Daniel, everyone's mad 727 00:39:07,200 --> 00:39:09,920 Speaker 1: at you today. I can't wait till Charlie Poos gets here. 728 00:39:09,960 --> 00:39:12,319 Speaker 1: He's gonna be really mad. I've got a list to 729 00:39:12,320 --> 00:39:14,680 Speaker 1: go over with him. So Charlie Poop's new album is out. 730 00:39:14,719 --> 00:39:16,880 Speaker 1: We're loving it. By the way. The thing is is 731 00:39:16,880 --> 00:39:20,040 Speaker 1: he writes a lot about relationships that were just kind 732 00:39:20,040 --> 00:39:24,000 Speaker 1: of went off the tracks, and now you, as being 733 00:39:24,040 --> 00:39:26,480 Speaker 1: the maternal force you are, you want to give him 734 00:39:26,480 --> 00:39:28,359 Speaker 1: a hug? I do? I mean? He to me? He's 735 00:39:28,400 --> 00:39:30,560 Speaker 1: part of our family. We've known him since the beginning. 736 00:39:30,840 --> 00:39:33,440 Speaker 1: And if someone is wronging our Charlie, well then that 737 00:39:33,480 --> 00:39:35,799 Speaker 1: person needs to answer to us. And so I have 738 00:39:35,920 --> 00:39:37,840 Speaker 1: questions and I need to know if it's one person 739 00:39:37,880 --> 00:39:40,319 Speaker 1: that wronged him or several, because I can't really tell 740 00:39:40,560 --> 00:39:42,640 Speaker 1: because I will have a chat with that. Well. He'll 741 00:39:42,680 --> 00:39:45,440 Speaker 1: be here in what at an hour? Yeah, less than 742 00:39:45,480 --> 00:39:49,000 Speaker 1: an hour. Is he singing today? Okay? That's fine, that's okay. 743 00:39:49,000 --> 00:39:51,279 Speaker 1: He won't be able to sing because Daniel will have 744 00:39:51,280 --> 00:39:53,840 Speaker 1: her arms wrapped around here. And the new album Charlie 745 00:39:53,920 --> 00:39:55,960 Speaker 1: by the way, that's what it's called is it's probably 746 00:39:56,000 --> 00:39:58,719 Speaker 1: my favorite album he's ever put out. This is good, Yeah, 747 00:39:58,760 --> 00:40:00,720 Speaker 1: but it's all honest and you want he wants to answer. 748 00:40:00,800 --> 00:40:03,040 Speaker 1: Carry it all right? We have a thousand dollars free 749 00:40:03,080 --> 00:40:04,680 Speaker 1: Moneay phone tap on the way. First, we've got to 750 00:40:04,760 --> 00:40:06,680 Speaker 1: roll over to Gandhi for her three things. We need 751 00:40:06,760 --> 00:40:09,840 Speaker 1: to know what's up Gandhi? All right. Some Floridians affected 752 00:40:09,880 --> 00:40:12,480 Speaker 1: by Hurricane Ian are getting short term relief now that 753 00:40:12,640 --> 00:40:16,560 Speaker 1: temporary repairs to the Santabelle Causeway have been completed. It's 754 00:40:16,600 --> 00:40:19,920 Speaker 1: allowing utility crews to access Santabelle Island and start restoring 755 00:40:20,000 --> 00:40:22,919 Speaker 1: power to its seven thousand residents. Some of those still 756 00:40:22,960 --> 00:40:25,480 Speaker 1: on the island cheered as three hundred and fifty trucks 757 00:40:25,600 --> 00:40:28,080 Speaker 1: made their way across the causeway. Prior to this, the 758 00:40:28,160 --> 00:40:29,919 Speaker 1: only way to get to the island was by boat 759 00:40:30,040 --> 00:40:32,360 Speaker 1: or plane. The causeway is still not going to be 760 00:40:32,440 --> 00:40:34,920 Speaker 1: open to civilian traffic for more than a week. And 761 00:40:35,080 --> 00:40:38,000 Speaker 1: as we say, as these people are recovering, Redcross dot 762 00:40:38,120 --> 00:40:39,880 Speaker 1: Org can always use your help. If you can donate. 763 00:40:40,640 --> 00:40:43,600 Speaker 1: The White House is predicting a significant flu season on 764 00:40:43,719 --> 00:40:46,839 Speaker 1: top of a potential increasing COVID infections. The White House 765 00:40:46,880 --> 00:40:50,520 Speaker 1: COVID Response Coordinator Ashish Jaw is urging Americans to get 766 00:40:50,520 --> 00:40:54,080 Speaker 1: the updated booster that targets new strains circulating to ensure 767 00:40:54,160 --> 00:40:57,200 Speaker 1: a safe holiday season. He says the newest vaccines provide 768 00:40:57,200 --> 00:41:00,640 Speaker 1: a higher level of protection against infection, hospitalization, death. He 769 00:41:00,760 --> 00:41:03,879 Speaker 1: also noted that given what Australia's winter was like during 770 00:41:03,920 --> 00:41:07,399 Speaker 1: the US's summer, Americans can't expect an uptick and flu. 771 00:41:08,280 --> 00:41:11,920 Speaker 1: And finally, United Airlines is working on getting electric planes 772 00:41:11,960 --> 00:41:13,839 Speaker 1: in the air. The airline has announced that their goal 773 00:41:13,920 --> 00:41:16,759 Speaker 1: of having electric planes flying regional routes by twenty thirty 774 00:41:16,840 --> 00:41:20,080 Speaker 1: is looking very possible. The battery powered planes will see 775 00:41:20,160 --> 00:41:22,480 Speaker 1: thirty passengers and will be able to fly one hundred 776 00:41:22,480 --> 00:41:25,680 Speaker 1: and twenty five miles before needing a thirty minute recharge. 777 00:41:26,080 --> 00:41:28,960 Speaker 1: United Airlines has invested in a variety of lower mission 778 00:41:29,040 --> 00:41:31,240 Speaker 1: forms of aviation as part of their goal to reduce 779 00:41:31,320 --> 00:41:34,720 Speaker 1: the carbon footprint to zero for the company by twenty fifty. 780 00:41:35,000 --> 00:41:36,960 Speaker 1: And those are your three things, thank you, Gandhi, all right, 781 00:41:37,000 --> 00:41:39,759 Speaker 1: your phone tap with a grand coming up next, The 782 00:41:39,960 --> 00:41:42,880 Speaker 1: free money phone tap is coming up next. You are 783 00:41:42,960 --> 00:41:47,160 Speaker 1: caller one hundred excited or the Elvis Terran in the 784 00:41:47,200 --> 00:41:49,719 Speaker 1: Morning Show. Free Money phone Tap, No purchase necessary, boyd 785 00:41:49,719 --> 00:41:52,360 Speaker 1: in Canada, Montana, New Mexico, Washington and where We're inhibited. 786 00:41:52,520 --> 00:41:54,480 Speaker 1: For more in phone rules, go to elvistran dot com. 787 00:41:54,560 --> 00:41:58,719 Speaker 1: Slash contests, elvistan in the Morning Show, Elvis Duran in 788 00:41:58,800 --> 00:42:01,440 Speaker 1: the Morning Show, What a Day We Love It. Charlie 789 00:42:01,440 --> 00:42:03,040 Speaker 1: Pooth is on his way. He'll be here in less 790 00:42:03,040 --> 00:42:05,000 Speaker 1: than an hour. We're about to give you a thousand 791 00:42:05,080 --> 00:42:08,080 Speaker 1: dollars of a Ronie free money phone tent. And something 792 00:42:08,120 --> 00:42:09,440 Speaker 1: I want you to think about, something I want you 793 00:42:09,480 --> 00:42:11,759 Speaker 1: to chew on. Uh and and maybe in fifteen to 794 00:42:11,760 --> 00:42:14,480 Speaker 1: twenty minutes we'll get to it. What was the in 795 00:42:14,680 --> 00:42:20,080 Speaker 1: air quotes incident that happened in your high school? Gondy 796 00:42:20,120 --> 00:42:22,920 Speaker 1: could go on for hours. Yeah, so many. I think 797 00:42:23,000 --> 00:42:26,359 Speaker 1: every everyone has the incident that happened in their high school. Yeah. 798 00:42:26,360 --> 00:42:28,560 Speaker 1: I know Froggy had one, I know Scottie b had one. 799 00:42:28,680 --> 00:42:34,719 Speaker 1: Scary me yeah, um Danielle involving murder yeah, and I 800 00:42:34,880 --> 00:42:37,560 Speaker 1: turned to laugh. But I's just like everyone has the 801 00:42:37,719 --> 00:42:40,000 Speaker 1: incident that happened in high school. I want to get 802 00:42:40,000 --> 00:42:41,440 Speaker 1: to that in a little bit. Oh there was the 803 00:42:41,560 --> 00:42:45,160 Speaker 1: spinning incident too. About the spinning incident, Okay, that's your list, 804 00:42:46,080 --> 00:42:50,520 Speaker 1: all right, because there's so many. But we brought that 805 00:42:50,640 --> 00:42:53,440 Speaker 1: question up during the song and Gandhi went on and 806 00:42:53,520 --> 00:42:57,360 Speaker 1: on Daniel's you know, she had like fifteen that happened 807 00:42:57,400 --> 00:43:01,600 Speaker 1: in her high school and involving police in incarceration and 808 00:43:02,640 --> 00:43:06,400 Speaker 1: a sex tape with a snake. Yep, very crazy. The 809 00:43:06,440 --> 00:43:08,359 Speaker 1: sex tape with the snake. The reason we're never allowed 810 00:43:08,400 --> 00:43:11,320 Speaker 1: to have pep rallies again. We had police on horseback 811 00:43:11,400 --> 00:43:13,680 Speaker 1: at our school. I went to Flann again, shout out flannagain, 812 00:43:13,719 --> 00:43:18,560 Speaker 1: Falcons there was. It was a huge school, Froggy knows us. 813 00:43:18,600 --> 00:43:20,279 Speaker 1: It's a giant school at the time. It was the 814 00:43:20,360 --> 00:43:24,160 Speaker 1: biggest in like the southeastern United States. And we had 815 00:43:24,200 --> 00:43:26,319 Speaker 1: a pep rally and a fight broke out the top 816 00:43:26,360 --> 00:43:27,919 Speaker 1: of the bleachers and it was one of those fights 817 00:43:27,960 --> 00:43:30,160 Speaker 1: that then toppled down through the rest of the bleachers, 818 00:43:30,520 --> 00:43:32,879 Speaker 1: and then somehow it spread throughout the entire school. People 819 00:43:32,880 --> 00:43:34,960 Speaker 1: were lighting bushes on fire, and then the cops on 820 00:43:35,040 --> 00:43:38,160 Speaker 1: horseback pepper sprite everybody so we weren't allowed to have 821 00:43:38,840 --> 00:43:43,839 Speaker 1: pep rallies. Okay, we'll get to that in a minute. 822 00:43:43,840 --> 00:43:49,279 Speaker 1: I hate when my bushes on fires. So there is that. 823 00:43:49,640 --> 00:43:52,840 Speaker 1: So everyone has the in air quotes incident that happened 824 00:43:52,840 --> 00:43:55,239 Speaker 1: at their high school. We'll hump into that in the 825 00:43:55,360 --> 00:43:58,520 Speaker 1: next quarter hours. So I hang on, you got any money? 826 00:44:00,000 --> 00:44:01,600 Speaker 1: We love it. We're gonna be a party again of 827 00:44:01,640 --> 00:44:03,400 Speaker 1: the New York City Wide and Food Festival. And one 828 00:44:03,400 --> 00:44:06,120 Speaker 1: of our big sponsors, of course, Veroni. We love our 829 00:44:06,200 --> 00:44:09,239 Speaker 1: Varoni meats. They're gonna bring that giant Mortadella. Can't wait 830 00:44:09,280 --> 00:44:13,800 Speaker 1: to play with that. Veroni the first importer of Italian 831 00:44:13,920 --> 00:44:16,839 Speaker 1: charcuterie in the US. They make it in Italy, they 832 00:44:16,920 --> 00:44:19,680 Speaker 1: bring it over here. They slice it up nice. It's 833 00:44:19,719 --> 00:44:23,200 Speaker 1: in your your grocery store. I love Varoni. Try their 834 00:44:23,239 --> 00:44:27,759 Speaker 1: antipasta Italiano, salami, purshudo, provolone cheese. It's all right there. 835 00:44:27,840 --> 00:44:29,560 Speaker 1: It's perfect to bring to a party when you don't 836 00:44:29,560 --> 00:44:30,920 Speaker 1: know what to bring. You to bring one of those. 837 00:44:31,080 --> 00:44:32,839 Speaker 1: Oh yeah, we'll do as I do. Take it out 838 00:44:32,840 --> 00:44:34,799 Speaker 1: of the packaging and make it look like you made 839 00:44:34,840 --> 00:44:41,920 Speaker 1: it your own charcuter board. Why not? Why not go 840 00:44:42,000 --> 00:44:45,319 Speaker 1: to Varoni's website Varoni dot com. Discover all the specialties 841 00:44:45,480 --> 00:44:48,160 Speaker 1: coming directly from Italy. We love our Varoni, love them, 842 00:44:48,239 --> 00:44:49,759 Speaker 1: love them, love them, and thanks to them. You're about 843 00:44:49,800 --> 00:44:51,960 Speaker 1: to win a thousand dollars with the free money phone 844 00:44:52,000 --> 00:44:54,160 Speaker 1: tap if you're called on one hundred one eight hundred 845 00:44:54,320 --> 00:44:56,719 Speaker 1: two four two zero one hundred. All right, scary, who 846 00:44:56,719 --> 00:45:01,520 Speaker 1: does the phone tap? Help myself? Ran the Elvis durand 847 00:45:01,640 --> 00:45:04,279 Speaker 1: phone tap? All right, Garrett, tell us all about your 848 00:45:04,320 --> 00:45:08,080 Speaker 1: phone tap. Amelia wants to phone tap her dad Jerry. Now, Dad, 849 00:45:08,200 --> 00:45:11,120 Speaker 1: Jerry's been planning for his mom's ninetieth birthday brunch for 850 00:45:11,120 --> 00:45:13,200 Speaker 1: a couple of months now, so Amelia thought it would 851 00:45:13,239 --> 00:45:15,600 Speaker 1: be fun for us to call Jerry and say, hey, 852 00:45:15,719 --> 00:45:18,439 Speaker 1: we moved your brunch back a couple of weeks. Oh boy, 853 00:45:19,560 --> 00:45:21,239 Speaker 1: listen to Jerry. You're gonna love him by the way, 854 00:45:21,840 --> 00:45:24,719 Speaker 1: Garrett really gets him. Good. Here we go. Hi, I'm 855 00:45:24,760 --> 00:45:29,839 Speaker 1: looking for Gerald. Please. This is actually Nicholas Carter at 856 00:45:29,880 --> 00:45:33,719 Speaker 1: the Rails Restaurant. Yeah, thank you for calling. I was 857 00:45:33,760 --> 00:45:38,600 Speaker 1: just calling to confirm everything for a surprise birthday party. Cool. 858 00:45:38,680 --> 00:45:41,600 Speaker 1: So you're all confirmed there's any changes on the plans 859 00:45:41,640 --> 00:45:45,200 Speaker 1: for the eighteenth. What do you mean the eighteen? We 860 00:45:45,600 --> 00:45:50,600 Speaker 1: have here the eighteenth for a brunch for about thirty people. No, no, no, 861 00:45:50,719 --> 00:45:53,320 Speaker 1: it's not on the eighteenth, just for the eleventh. No, 862 00:45:53,400 --> 00:45:55,080 Speaker 1: it's on the eighteenth. I have it here on my 863 00:45:55,160 --> 00:45:58,520 Speaker 1: computer and that's our sister. No, no, no, you must 864 00:45:58,560 --> 00:46:01,480 Speaker 1: be mistaken. Ninety have the eleventh. I know, I've always 865 00:46:01,520 --> 00:46:03,800 Speaker 1: had it for that day. Can you do the eighteenth? 866 00:46:04,800 --> 00:46:07,880 Speaker 1: Absolutely not, absolutely, I cannot do the eighteen. This is 867 00:46:07,920 --> 00:46:09,640 Speaker 1: for the eleventh. I have a lot of people coming. 868 00:46:09,719 --> 00:46:12,759 Speaker 1: I had a one Amelia call about five days ago 869 00:46:12,960 --> 00:46:15,400 Speaker 1: to change the date to the eighteen, so I just 870 00:46:15,480 --> 00:46:22,239 Speaker 1: assumed everything was wrong. She amelions one, who did this? 871 00:46:22,480 --> 00:46:26,200 Speaker 1: Do you know her? She's my daughter? Change it back 872 00:46:26,360 --> 00:46:28,239 Speaker 1: to the eleven going to be a little tough because 873 00:46:28,280 --> 00:46:30,200 Speaker 1: once we let go of that date, it booked up 874 00:46:30,320 --> 00:46:33,880 Speaker 1: very quickly, very popular date. It's my mother's ninetieth birthday, 875 00:46:33,960 --> 00:46:36,520 Speaker 1: and we have planned this bunch over a year now, 876 00:46:36,600 --> 00:46:38,040 Speaker 1: and I cannot change them. I have a lot of 877 00:46:38,080 --> 00:46:40,759 Speaker 1: people coming in that day well, and it's impossible for 878 00:46:40,880 --> 00:46:43,680 Speaker 1: me to change that now. Sir, all I got was 879 00:46:44,120 --> 00:46:46,840 Speaker 1: the eighteenth, So I'm going to assume that you're all right, 880 00:46:46,880 --> 00:46:49,080 Speaker 1: your cell phone's coming off? What's going on? Can you 881 00:46:49,160 --> 00:46:53,560 Speaker 1: hear me? Hello? Hello, sir? You're very you sound like 882 00:46:53,640 --> 00:46:56,040 Speaker 1: you're underneath the water. Are you okay? Hello? Can you 883 00:46:56,160 --> 00:46:59,200 Speaker 1: hear me? Hello, sir? You sound very far away? Are 884 00:46:59,239 --> 00:47:01,320 Speaker 1: you far away from your phone? Or I'm not? I 885 00:47:01,400 --> 00:47:03,120 Speaker 1: have the phone right here to my ears. No matter 886 00:47:03,160 --> 00:47:09,640 Speaker 1: of fact, I don't even have another speaker. Hello, Hello, Amelia. 887 00:47:09,760 --> 00:47:15,000 Speaker 1: There he's so mad right now? Oh way, wait, he's 888 00:47:15,000 --> 00:47:16,840 Speaker 1: calling my cell phone right now? Do you know a 889 00:47:16,880 --> 00:47:21,440 Speaker 1: three away the calling? Yes? How did you do? Why 890 00:47:21,520 --> 00:47:25,000 Speaker 1: did you change Nana's birthday? Yeah? How did you this week? 891 00:47:25,719 --> 00:47:28,840 Speaker 1: It's one week and one week? No? Is she not 892 00:47:28,920 --> 00:47:32,200 Speaker 1: even gonna know? It wasn't a surprise anyway, so she 893 00:47:32,880 --> 00:47:35,120 Speaker 1: got to know him. It's just why did you go around? 894 00:47:35,560 --> 00:47:38,360 Speaker 1: Just didn't even thinks without even consulting me? Or you 895 00:47:38,480 --> 00:47:40,239 Speaker 1: know all these people that are coming to specially and 896 00:47:41,040 --> 00:47:44,280 Speaker 1: Dora's coming, And what am I gonna what I'm gonna 897 00:47:44,320 --> 00:47:47,319 Speaker 1: put Aunt Dora? What's wrong with you? I don't think 898 00:47:47,320 --> 00:47:49,560 Speaker 1: it's a big deal. We can find room for Aunt Dora. 899 00:47:51,800 --> 00:47:54,719 Speaker 1: Listen if you can't do it on the eighteenth, so 900 00:47:54,920 --> 00:47:56,839 Speaker 1: I'll call him and someone to day the twenty fifth. 901 00:47:58,280 --> 00:48:02,000 Speaker 1: That's even pushing it further. No, no, you're getting way 902 00:48:02,040 --> 00:48:17,720 Speaker 1: too crazy. Local Jerry, Yeah, Jerry, my name is actually 903 00:48:17,719 --> 00:48:20,560 Speaker 1: garethrom Elvis Duran in the morning show. And you just 904 00:48:20,760 --> 00:48:29,719 Speaker 1: got phone tapped by your daughter? What what? Oh my god, 905 00:48:33,640 --> 00:48:46,160 Speaker 1: this is wonderful. Um is Nate having a stroke? No no, no, no, okay, 906 00:48:46,160 --> 00:48:50,080 Speaker 1: she checking he's not finishing words. No, no, no, no, 907 00:48:50,600 --> 00:48:51,800 Speaker 1: you know he said, you know what coming up? We 908 00:48:51,880 --> 00:48:59,640 Speaker 1: have sure share Racooneri, Sure, Charlemaine, Sure, Lemaine, he said 909 00:49:00,160 --> 00:49:02,800 Speaker 1: early Pooth. Well, because I was doing something as I 910 00:49:02,920 --> 00:49:04,719 Speaker 1: was answering, you and I can't do two things at 911 00:49:04,760 --> 00:49:08,279 Speaker 1: once anymore. He says, we do. We want to do 912 00:49:08,480 --> 00:49:11,480 Speaker 1: that topic about things that happened in high school, and said, yeah, 913 00:49:11,520 --> 00:49:16,400 Speaker 1: we'll do that next. So is it now? Well, I 914 00:49:16,680 --> 00:49:18,799 Speaker 1: was wondering if you meant next as in the next 915 00:49:18,840 --> 00:49:22,320 Speaker 1: break or next as in next immediately next? No, no, no, no, 916 00:49:22,520 --> 00:49:24,520 Speaker 1: we don't have time now right right now. We're gonna 917 00:49:24,560 --> 00:49:27,160 Speaker 1: give Rachel a thousand dollars because we've got to get 918 00:49:27,200 --> 00:49:31,719 Speaker 1: that done. Rachel, here's a thousand dollars. Oh my god, 919 00:49:31,800 --> 00:49:35,160 Speaker 1: thank you guys so much, very well. Good You're just 920 00:49:35,160 --> 00:49:37,040 Speaker 1: sitting there minding your own business, and all of a 921 00:49:37,080 --> 00:49:41,040 Speaker 1: sudden you decide, well, I'm gonna try, and you are 922 00:49:41,800 --> 00:49:43,560 Speaker 1: every morning on my way to work. We'll look get 923 00:49:43,560 --> 00:49:45,840 Speaker 1: paid off your caller one hundred. You want a thousand 924 00:49:45,880 --> 00:49:48,040 Speaker 1: dollars thanks to our friends at Veroni. You got it. 925 00:49:48,480 --> 00:49:50,759 Speaker 1: Thank you guys so much. You're so welcome. What are 926 00:49:50,760 --> 00:49:54,400 Speaker 1: you doing with that money, Rachel? I'm probably gonna get 927 00:49:54,440 --> 00:49:59,000 Speaker 1: my son Christmas guests. Oh nine. You're a good friend, Rachel. 928 00:49:59,040 --> 00:50:01,120 Speaker 1: And I'm glad that we could. We could be here 929 00:50:01,120 --> 00:50:02,680 Speaker 1: today for you, and I'm glad you're there for us 930 00:50:02,760 --> 00:50:04,600 Speaker 1: every day. Thank you so much. Hold on a second, 931 00:50:04,640 --> 00:50:08,000 Speaker 1: don't leave, and thanks to VERRONI another one thousand dollars 932 00:50:08,000 --> 00:50:11,719 Speaker 1: free money. Phone tap tomorrow. We love him so Nate 933 00:50:12,120 --> 00:50:15,800 Speaker 1: just left. He just left the room. What do you 934 00:50:15,840 --> 00:50:19,640 Speaker 1: want to do? I think Danielle is coming up here. 935 00:50:19,719 --> 00:50:21,879 Speaker 1: We go, all right, here's what we're gonna do. Here's 936 00:50:21,880 --> 00:50:23,799 Speaker 1: what we're gonna do. We're gonna take the break, play 937 00:50:23,840 --> 00:50:26,479 Speaker 1: a little song, we come back and go, hey, let's 938 00:50:26,480 --> 00:50:28,600 Speaker 1: talk about the incidents that happened to you in high school. 939 00:50:28,800 --> 00:50:30,880 Speaker 1: Call us now, and then Danielle will do her report, 940 00:50:30,920 --> 00:50:32,839 Speaker 1: and when her reports done, will have a call or two. 941 00:50:32,920 --> 00:50:37,480 Speaker 1: I love that plan. Okay, all right, I feel good 942 00:50:37,520 --> 00:50:41,120 Speaker 1: about this day. Yes, this is this is what Marconi 943 00:50:41,160 --> 00:50:45,400 Speaker 1: Awards are made for. Yes, right, we need one. Are 944 00:50:45,440 --> 00:50:50,000 Speaker 1: you executive producing your own show? Yes, thank god you're here. 945 00:50:51,239 --> 00:50:52,960 Speaker 1: It's gonna get done though. I feel good about this. 946 00:50:53,080 --> 00:50:54,680 Speaker 1: I feel good too. Now all right, what do you 947 00:50:54,680 --> 00:50:57,040 Speaker 1: have coming up? Danielle? We are gonna talk about Blink. 948 00:50:58,239 --> 00:51:00,360 Speaker 1: So excited and Marvel had to change a couple of 949 00:51:00,480 --> 00:51:02,560 Speaker 1: dates for a couple of movies. Excellent that and more 950 00:51:02,680 --> 00:51:06,319 Speaker 1: on the way. What's going on? Guys? This is Post Malone. Hey, 951 00:51:06,360 --> 00:51:08,720 Speaker 1: what's up? It's a girl Rihanna. Hi, this is Selena 952 00:51:08,760 --> 00:51:11,080 Speaker 1: game moment. Hey, this is Taylor Swift and you're listening 953 00:51:11,120 --> 00:51:14,839 Speaker 1: to Elvis Duran in the Morning Show. One in five 954 00:51:14,880 --> 00:51:18,239 Speaker 1: people has experienced identity theft. LifeLock by Norton makes it 955 00:51:18,360 --> 00:51:21,319 Speaker 1: easy to help protect yourself. No one can prevent all 956 00:51:21,400 --> 00:51:24,399 Speaker 1: identity theft, but everyone can save up to twenty five 957 00:51:24,440 --> 00:51:27,320 Speaker 1: percent their first year use promo code Elvis at LifeLock 958 00:51:27,400 --> 00:51:30,480 Speaker 1: dot com. It's because of the old, stale gumming I 959 00:51:30,520 --> 00:51:33,239 Speaker 1: could commit the perfect murder call me daddy. Why would 960 00:51:33,239 --> 00:51:35,480 Speaker 1: you sniff them because my fingers were up in the hole? 961 00:51:38,239 --> 00:51:41,000 Speaker 1: Did you show nipple? No, I split my tights. What 962 00:51:41,200 --> 00:51:44,320 Speaker 1: other people are giving an unwrapped vibrator to stay away 963 00:51:44,400 --> 00:51:51,400 Speaker 1: from radio? It's the devil's medium. This is Elvis Durand 964 00:51:51,480 --> 00:51:53,640 Speaker 1: in the morning show. Hey, he's gonna put an apology 965 00:51:53,680 --> 00:51:56,200 Speaker 1: out there if you're listening to our show on Z 966 00:51:56,320 --> 00:51:59,560 Speaker 1: one hundred in New York. I'm so sorry. Why because 967 00:52:00,719 --> 00:52:02,440 Speaker 1: we just played two songs in a row. It's and 968 00:52:02,520 --> 00:52:05,880 Speaker 1: I'm telling Gandhi, it sounded like a funeral dirge. I 969 00:52:05,880 --> 00:52:08,399 Speaker 1: think there's nothing wake up of all about those songs. 970 00:52:08,800 --> 00:52:11,280 Speaker 1: I don't understand why we haven't had like the remix 971 00:52:11,360 --> 00:52:13,359 Speaker 1: of those songs yet. Well, okay, well, let's go back. 972 00:52:13,400 --> 00:52:15,279 Speaker 1: What two songs are we playing a row? We played 973 00:52:15,480 --> 00:52:18,320 Speaker 1: Until I Found You from Steven Sanchez, followed by The 974 00:52:18,560 --> 00:52:20,960 Speaker 1: Hills by the from the Weekend, which is a great song. 975 00:52:21,040 --> 00:52:26,000 Speaker 1: That's like after a slow song, we needed something to 976 00:52:26,040 --> 00:52:29,680 Speaker 1: wake people up. Yeah, something, speaking of the Weekend. You 977 00:52:29,760 --> 00:52:34,160 Speaker 1: see that his Halloween costume. It's like selling out. Okay, No, 978 00:52:34,280 --> 00:52:37,480 Speaker 1: I didn't you know it's on his website. He has 979 00:52:37,520 --> 00:52:39,719 Speaker 1: the you know, the red jacket from his u from 980 00:52:39,760 --> 00:52:42,399 Speaker 1: his album cover and whatever selling out like you can't 981 00:52:42,440 --> 00:52:43,880 Speaker 1: even get it. There's gonna be a lot of weekends 982 00:52:43,920 --> 00:52:49,000 Speaker 1: walking around. We love the weekend. Yeah, back to this thing. 983 00:52:49,200 --> 00:52:51,120 Speaker 1: I need something to wake people up here in New York. 984 00:52:51,520 --> 00:52:58,399 Speaker 1: Biscuit style. No, no, no, no, no, biscuit biscuit break stuff. 985 00:52:58,400 --> 00:53:01,640 Speaker 1: I'm telling you that song wakes people up something. One 986 00:53:01,640 --> 00:53:05,719 Speaker 1: of those they're back, they have good stuff. Love them. Yeah. 987 00:53:06,080 --> 00:53:08,040 Speaker 1: We also have to talk about the incidents that happened 988 00:53:08,080 --> 00:53:11,120 Speaker 1: in high school. Oh yeah, that's coming on. You should 989 00:53:11,120 --> 00:53:13,280 Speaker 1: see the text coming in of that. Oh my gosh. 990 00:53:13,440 --> 00:53:17,200 Speaker 1: A lot of teachers deddaling with students, which we do 991 00:53:17,400 --> 00:53:21,200 Speaker 1: not do not approve of. But it sounds like Flanagan 992 00:53:21,320 --> 00:53:25,400 Speaker 1: High School, where Gandhi went to school in Florida. You 993 00:53:25,560 --> 00:53:28,480 Speaker 1: win the Blue Ribbon. Yeah, you guys really were just 994 00:53:28,800 --> 00:53:32,200 Speaker 1: bad kids, bad kids. Yeah, there's a lot going on 995 00:53:32,360 --> 00:53:34,400 Speaker 1: with Flanagan. It was it's I don't know if it's 996 00:53:34,440 --> 00:53:37,520 Speaker 1: still way too big, but it's humongous, and then it's 997 00:53:37,680 --> 00:53:40,759 Speaker 1: right in the middle of some very affluent areas and 998 00:53:40,840 --> 00:53:42,960 Speaker 1: then it's like hood adjacent, so you have kids from 999 00:53:43,040 --> 00:53:46,000 Speaker 1: all different walks of life converging in one place. We 1000 00:53:46,120 --> 00:53:49,319 Speaker 1: love diversity. Yes, it was the most diverse place effort. Well, 1001 00:53:49,360 --> 00:53:51,759 Speaker 1: that's a good thing, but also it's a recipe for 1002 00:53:51,960 --> 00:53:59,640 Speaker 1: some crazy shenanigans. Yes, shenanigans at Flanagansananigan. The way it's 1003 00:53:59,640 --> 00:54:01,760 Speaker 1: set up, it's like there are it's like a campus, 1004 00:54:01,840 --> 00:54:03,320 Speaker 1: so there are all these different buildings that you have 1005 00:54:03,400 --> 00:54:05,399 Speaker 1: to walk outside to get from one building to the other. 1006 00:54:05,560 --> 00:54:07,759 Speaker 1: We had police on horseback. It was just there's a 1007 00:54:07,760 --> 00:54:09,960 Speaker 1: lot going on. But what was the porn with the 1008 00:54:10,120 --> 00:54:12,759 Speaker 1: snake in the there's a sex space. There's a sex 1009 00:54:12,840 --> 00:54:16,120 Speaker 1: tape and the whole school saw it. Yeah, that's another 1010 00:54:16,320 --> 00:54:19,520 Speaker 1: not good, not good at all. So a guy and 1011 00:54:19,600 --> 00:54:22,560 Speaker 1: a girl were dating. He hooked up with somebody else 1012 00:54:22,640 --> 00:54:25,560 Speaker 1: and there was a video made. The girl he was 1013 00:54:25,640 --> 00:54:28,239 Speaker 1: dating found out, got a hold of said video through 1014 00:54:28,280 --> 00:54:30,839 Speaker 1: a viewing party so that everybody could see the video. 1015 00:54:30,960 --> 00:54:34,560 Speaker 1: There was a snake involved. Very weird. Then the cops 1016 00:54:34,640 --> 00:54:38,080 Speaker 1: found out about what happened, came to the school to 1017 00:54:38,280 --> 00:54:40,719 Speaker 1: ask her about what happened and get a copy of 1018 00:54:40,800 --> 00:54:43,680 Speaker 1: this video. The guy ended up going to jail because 1019 00:54:43,719 --> 00:54:45,640 Speaker 1: he had already graduated and the girl that you hook 1020 00:54:45,680 --> 00:54:49,520 Speaker 1: up hooked up with was like fourteen and the not good. 1021 00:54:49,680 --> 00:54:51,560 Speaker 1: That was one of the many layers to this story. 1022 00:54:51,600 --> 00:54:54,080 Speaker 1: Any many layers tell us what else happened at Flanagin. 1023 00:54:54,120 --> 00:54:55,680 Speaker 1: By the way, everyone at Flanagin was like, oh my god, 1024 00:54:55,760 --> 00:54:57,680 Speaker 1: years on the radio are we talking about the poop bandit? 1025 00:54:58,520 --> 00:55:01,399 Speaker 1: Have you eard about Danielle the Flanagan poop Band? Oh? 1026 00:55:01,520 --> 00:55:04,200 Speaker 1: Tell me? So you know, you could make those morning announcements. 1027 00:55:04,480 --> 00:55:06,080 Speaker 1: But the way it was made was you could call 1028 00:55:06,160 --> 00:55:07,839 Speaker 1: from any phone as long as there was a code 1029 00:55:07,960 --> 00:55:10,440 Speaker 1: that you knew to put in right. So somebody got 1030 00:55:10,520 --> 00:55:12,840 Speaker 1: the code and then would call and you would just 1031 00:55:12,920 --> 00:55:15,480 Speaker 1: hear the little like binging and all they would say 1032 00:55:15,560 --> 00:55:21,680 Speaker 1: was poop. Sometimes it would be poopity, poop, poop. But 1033 00:55:21,760 --> 00:55:26,040 Speaker 1: it was hilarious pop band it was. I got I 1034 00:55:26,200 --> 00:55:29,640 Speaker 1: got info way later about who apparently the poop bandit was. 1035 00:55:30,640 --> 00:55:32,480 Speaker 1: We have a poop banded here. But they don't just 1036 00:55:32,560 --> 00:55:35,040 Speaker 1: say poop, no, they do they leave it on the 1037 00:55:35,080 --> 00:55:37,759 Speaker 1: wall at different Yeah, in our high school we had 1038 00:55:37,800 --> 00:55:42,279 Speaker 1: many intodness, but one was one of our teachers who 1039 00:55:42,440 --> 00:55:45,120 Speaker 1: was who was gay, used to take us out to 1040 00:55:45,200 --> 00:55:49,920 Speaker 1: the gay bars. Oh well, I was fourteen years old. Whoall. 1041 00:55:50,400 --> 00:55:51,680 Speaker 1: We had a lot of We had a lot of fun, 1042 00:55:51,960 --> 00:55:54,800 Speaker 1: but you know, it all caught up to this teacher 1043 00:55:54,880 --> 00:55:58,760 Speaker 1: and you know, oh yeah, there's that summer. What about you, Danielle. 1044 00:55:59,360 --> 00:56:02,920 Speaker 1: I had one of my friend's boyfriends killed the block 1045 00:56:03,160 --> 00:56:05,640 Speaker 1: down the block from the school. I had a friend, 1046 00:56:06,360 --> 00:56:09,120 Speaker 1: not my boyfriend, my friend's boyfriend. I had a friend. 1047 00:56:10,160 --> 00:56:12,600 Speaker 1: We think he jumped from somebody's roof, but we're not 1048 00:56:12,840 --> 00:56:16,839 Speaker 1: where it's the bronze incident. But there was that one 1049 00:56:16,960 --> 00:56:19,680 Speaker 1: time where all the girls got jumped on the bus 1050 00:56:20,200 --> 00:56:23,040 Speaker 1: and they thought I was there causing problems. I wasn't, 1051 00:56:23,680 --> 00:56:26,439 Speaker 1: but they came after us anyway. And this one girl 1052 00:56:26,520 --> 00:56:28,759 Speaker 1: spit on me so many times on the bus, and 1053 00:56:28,920 --> 00:56:32,400 Speaker 1: my one girlfriend she had like she had footprints on 1054 00:56:32,480 --> 00:56:34,520 Speaker 1: her face. It was crazy. I'm sorry. There's nothing fun 1055 00:56:34,560 --> 00:56:36,320 Speaker 1: about any of these times. I grew up in the Bronx. 1056 00:56:36,320 --> 00:56:37,640 Speaker 1: Where do you want from? It got to be some 1057 00:56:37,840 --> 00:56:42,080 Speaker 1: crazy crap that went on. What's unth Garrett? So our 1058 00:56:42,120 --> 00:56:45,440 Speaker 1: football coach got arrested. Here's why. So I went to 1059 00:56:45,880 --> 00:56:48,680 Speaker 1: Monsignor Farrell and stel go ahead, give the name of 1060 00:56:48,719 --> 00:56:51,800 Speaker 1: that school. That's right, because it was headlines everywhere. So 1061 00:56:52,120 --> 00:56:55,080 Speaker 1: his office was in a trailer on the football field, 1062 00:56:55,120 --> 00:56:56,839 Speaker 1: and no one understood why he didn't have a normal 1063 00:56:56,920 --> 00:56:59,759 Speaker 1: office inside the school. Turns out he was also a 1064 00:57:00,239 --> 00:57:02,800 Speaker 1: drug dealer, so he was coaching football and then on 1065 00:57:02,880 --> 00:57:05,239 Speaker 1: the side telling drugs out of the container where all 1066 00:57:05,239 --> 00:57:10,239 Speaker 1: the football equipment was. Huh, here you go. You should 1067 00:57:10,320 --> 00:57:12,480 Speaker 1: read some of these text messages. What do you got there? Scary? 1068 00:57:12,600 --> 00:57:15,600 Speaker 1: We had the dumpster fire in our school, the dumpster 1069 00:57:15,680 --> 00:57:18,720 Speaker 1: fire incident where we go outside and hang out at 1070 00:57:18,800 --> 00:57:21,200 Speaker 1: lunch time and then once that fire happened, never to 1071 00:57:21,320 --> 00:57:23,840 Speaker 1: be let back out again. Yeah, the end. But at 1072 00:57:23,920 --> 00:57:27,640 Speaker 1: least these text messages crazy, some of them are. Do 1073 00:57:27,720 --> 00:57:29,360 Speaker 1: you I don't even know who've been talk about half 1074 00:57:29,360 --> 00:57:31,600 Speaker 1: of these things. I mean, you know, look, you know, 1075 00:57:31,640 --> 00:57:34,200 Speaker 1: when you're in high school, that's a very interesting age 1076 00:57:34,800 --> 00:57:37,120 Speaker 1: where you're coming of age but you're still you know, 1077 00:57:37,400 --> 00:57:41,560 Speaker 1: immature in many ways, and so crazy crab goes down. 1078 00:57:42,160 --> 00:57:44,600 Speaker 1: I don't know what's that, Scottie be. There was a 1079 00:57:44,640 --> 00:57:47,960 Speaker 1: big test in our high school, JFK Along Island Gohawks, 1080 00:57:48,040 --> 00:57:51,080 Speaker 1: and one of the kids poured a big jug of 1081 00:57:51,240 --> 00:57:55,720 Speaker 1: muriatic acid in the hallway that just it like blinded everybody, 1082 00:57:55,800 --> 00:57:58,200 Speaker 1: and everybody had to be evacuated. And then another time 1083 00:57:58,440 --> 00:58:01,560 Speaker 1: it actually blinded everyone in the school. It got into 1084 00:58:01,640 --> 00:58:04,000 Speaker 1: your your eyes on my god, we didn't do that, 1085 00:58:04,080 --> 00:58:05,640 Speaker 1: but what we did is we put crickets in the 1086 00:58:05,720 --> 00:58:08,560 Speaker 1: heating vents. So they were running through all the classrooms 1087 00:58:08,640 --> 00:58:11,640 Speaker 1: making cricket noises and nobody could concentrate. Well, speaking of, 1088 00:58:11,760 --> 00:58:15,560 Speaker 1: we have some talkback. I need this. Let's see, here's 1089 00:58:15,560 --> 00:58:19,120 Speaker 1: what happened in this school. So in my high school, 1090 00:58:19,240 --> 00:58:21,520 Speaker 1: a group of students let a whole box of baby 1091 00:58:21,640 --> 00:58:25,200 Speaker 1: chicks go like in the four years and they went everywhere. 1092 00:58:25,280 --> 00:58:27,800 Speaker 1: It took like two days to find them all baby chicks. 1093 00:58:28,320 --> 00:58:30,840 Speaker 1: And then there's this This one actually made national news 1094 00:58:31,000 --> 00:58:34,800 Speaker 1: instead for wearing a dress to prom. It was a 1095 00:58:34,920 --> 00:58:38,880 Speaker 1: guy who were addressed to promstead for wearing a dress 1096 00:58:39,000 --> 00:58:43,560 Speaker 1: to prom, for inciting a riot. He was on the 1097 00:58:43,640 --> 00:58:48,120 Speaker 1: Maria Coovid Show and MTV called him about doing something 1098 00:58:48,240 --> 00:58:54,120 Speaker 1: with aerosmith and dude looks like a lady. Another incident 1099 00:58:54,160 --> 00:58:57,320 Speaker 1: in high school. That's crazy. Some of the stuff I 1100 00:58:57,360 --> 00:59:00,200 Speaker 1: read on those text messages was us. They said one 1101 00:59:00,240 --> 00:59:02,120 Speaker 1: girl had a baby at Disney World, and nobody even 1102 00:59:02,160 --> 00:59:05,640 Speaker 1: knew she was pregnant. It happens. Those are Daniel's face 1103 00:59:06,000 --> 00:59:09,040 Speaker 1: those shows, I didn't know I was pregnant. Whatever. When 1104 00:59:09,640 --> 00:59:11,880 Speaker 1: I was pregnant twice, I knew it both times. Charlie 1105 00:59:11,920 --> 00:59:13,800 Speaker 1: Pooth walked in. When he comes in, we've got to 1106 00:59:14,000 --> 00:59:16,520 Speaker 1: have him talk about his high school incidents. Maybe he 1107 00:59:16,600 --> 00:59:19,560 Speaker 1: wrote a song about something. Here's one the science teacher 1108 00:59:19,640 --> 00:59:22,720 Speaker 1: did a class experiment. The girls had to wear bikinis 1109 00:59:22,800 --> 00:59:26,240 Speaker 1: and he had them get changed and they found a 1110 00:59:26,440 --> 00:59:30,160 Speaker 1: video camera recording them. Used to say he was fired. 1111 00:59:30,200 --> 00:59:32,560 Speaker 1: See that's the permit, did you imagine? Needless to say, 1112 00:59:32,560 --> 00:59:38,600 Speaker 1: he kept his job. He stayed around. Good morning, Renee, Hi, Hi, 1113 00:59:39,680 --> 00:59:41,680 Speaker 1: we're doing okay. And some of these stories are sad, 1114 00:59:41,880 --> 00:59:44,960 Speaker 1: but some of them are very entertaining. What happened to you? 1115 00:59:46,720 --> 00:59:48,760 Speaker 1: So one year, every year, i should say, the health 1116 00:59:48,840 --> 00:59:51,080 Speaker 1: teacher in high school would always show the driver's a 1117 00:59:51,320 --> 00:59:54,120 Speaker 1: video and the teacher would put the video in, go 1118 00:59:54,240 --> 00:59:56,680 Speaker 1: sit in the back of the library and read his paper. 1119 00:59:57,120 --> 00:59:59,840 Speaker 1: So one year a group of guys said, you know what, 1120 01:00:00,080 --> 01:00:02,720 Speaker 1: right right after they showed the video for the last 1121 01:00:02,800 --> 01:00:06,360 Speaker 1: time that year, why don't we steal the video, dub 1122 01:00:06,520 --> 01:00:09,240 Speaker 1: a porn over it, and then the following year they 1123 01:00:09,320 --> 01:00:11,000 Speaker 1: knew when they were going to watch the video again, 1124 01:00:11,400 --> 01:00:13,960 Speaker 1: they all quote how to get a book as a library. 1125 01:00:14,440 --> 01:00:17,000 Speaker 1: So they went to the library or the teacher put 1126 01:00:17,040 --> 01:00:19,240 Speaker 1: in the video, go to the back of the library, 1127 01:00:19,640 --> 01:00:21,840 Speaker 1: and all of a sudden you heard the music, and 1128 01:00:22,200 --> 01:00:26,120 Speaker 1: the teacher drove over the table, ran to the TV 1129 01:00:26,360 --> 01:00:31,400 Speaker 1: and tried to yank a video as quickly upon. No 1130 01:00:31,480 --> 01:00:35,680 Speaker 1: one was harmed. It's a nice innocent porn in on 1131 01:00:35,840 --> 01:00:41,040 Speaker 1: the driver's video story. There you a health class, so 1132 01:00:41,320 --> 01:00:47,240 Speaker 1: I mean, of course, exactly, all right, thank you, Renee, 1133 01:00:47,440 --> 01:00:49,560 Speaker 1: have a great day, no problem. Here's one. We had 1134 01:00:49,600 --> 01:00:53,080 Speaker 1: a student poop in the bottom of a vending machine, 1135 01:00:53,080 --> 01:00:56,280 Speaker 1: so when people bought something, it fell down in the 1136 01:00:56,360 --> 01:01:08,160 Speaker 1: book grab Come on in Eerie Pennsylvania, straight Nate. Nothing 1137 01:01:08,200 --> 01:01:09,960 Speaker 1: ever happened in your hey. I went to a private 1138 01:01:10,080 --> 01:01:14,040 Speaker 1: Catholic school, so I mean we had worse. Well, we 1139 01:01:14,240 --> 01:01:16,640 Speaker 1: did have the phantom pooper. Like a lot of people 1140 01:01:16,920 --> 01:01:19,000 Speaker 1: and they would go in the urnal and the legend 1141 01:01:19,240 --> 01:01:21,720 Speaker 1: was it was so large the janitor had to remove 1142 01:01:21,760 --> 01:01:23,680 Speaker 1: it and put it in tinfoil and throw it away. 1143 01:01:24,000 --> 01:01:25,920 Speaker 1: I don't think that's true. I would have to put 1144 01:01:25,960 --> 01:01:28,160 Speaker 1: it into I don't know, but that's what somebody's That's 1145 01:01:28,200 --> 01:01:34,120 Speaker 1: what Jeff Chiglass she told me, and I believe that. Froggy, 1146 01:01:35,120 --> 01:01:38,640 Speaker 1: he's having issues with connection. Hey, we're gonna do the 1147 01:01:38,720 --> 01:01:40,360 Speaker 1: Daniel Report. Should we still doing that? Yeah? Do it 1148 01:01:40,400 --> 01:01:42,040 Speaker 1: real quick and we'll get get me more of these calls. 1149 01:01:42,080 --> 01:01:44,840 Speaker 1: There's all right, Daniel, you're ready to go. Let's start 1150 01:01:44,920 --> 01:01:47,640 Speaker 1: up with this as we're talking about crazy things that 1151 01:01:47,680 --> 01:01:50,720 Speaker 1: are going on. Do you guys remember Days of Our Lives, 1152 01:01:50,920 --> 01:01:53,760 Speaker 1: which is the soap opera. It moved from NBC to 1153 01:01:53,800 --> 01:01:56,720 Speaker 1: the Peacock streaming service, so on streaming services you can 1154 01:01:56,760 --> 01:01:59,440 Speaker 1: get away with a lot more. Well, I had their 1155 01:01:59,480 --> 01:02:02,400 Speaker 1: first threesome the other day on the sofa, oh wow, 1156 01:02:02,680 --> 01:02:06,680 Speaker 1: and long time fans went a little crazy. They were 1157 01:02:06,800 --> 01:02:10,040 Speaker 1: writing in writing, taking to social saying Days of Our 1158 01:02:10,080 --> 01:02:13,680 Speaker 1: Lives is disgusting. I've watched for over forty years. I 1159 01:02:13,800 --> 01:02:15,960 Speaker 1: didn't know it could get any more disgusting. But now 1160 01:02:16,040 --> 01:02:19,800 Speaker 1: they have young people having threesomes. No wonder our country aspiring, 1161 01:02:20,160 --> 01:02:23,200 Speaker 1: spiraling out of control. So yeah, there are some people 1162 01:02:23,240 --> 01:02:26,000 Speaker 1: who are not so happy about the threesomes. That's an 1163 01:02:26,040 --> 01:02:31,360 Speaker 1: Uncle Johnny favorite is yes, oh yeah yeah. The Glass 1164 01:02:36,400 --> 01:02:39,600 Speaker 1: House that the Dragon is everything HBO had hoped the 1165 01:02:39,680 --> 01:02:41,880 Speaker 1: Game of Thrones prequel series would be. It is a 1166 01:02:42,200 --> 01:02:45,440 Speaker 1: monster hit and yesterday is a blog post from your 1167 01:02:45,480 --> 01:02:48,240 Speaker 1: author George R. R. Martin, and he was telling fans 1168 01:02:48,360 --> 01:02:51,200 Speaker 1: how long they can expect the series to run. He said, 1169 01:02:51,200 --> 01:02:54,720 Speaker 1: it's going to take four full seasons of ten episodes 1170 01:02:54,840 --> 01:02:57,800 Speaker 1: each to do justice to the Dance of the Dragons 1171 01:02:57,920 --> 01:03:00,160 Speaker 1: from start to finish. So, Nate, are you ready for 1172 01:03:00,240 --> 01:03:02,120 Speaker 1: four seasons? I don't know how they're gonna do it. 1173 01:03:02,200 --> 01:03:04,600 Speaker 1: They've passed like twenty five years in this show so far. 1174 01:03:04,840 --> 01:03:09,080 Speaker 1: I don't know what's gonna happen. Are you drunk? No, 1175 01:03:09,120 --> 01:03:13,960 Speaker 1: he's having So let's talk about Netflix's Dahmer the limited series, 1176 01:03:14,040 --> 01:03:17,440 Speaker 1: now the second most watched English language title in Netflix's history. 1177 01:03:17,960 --> 01:03:20,080 Speaker 1: If you can get through it, good for you. Blank 1178 01:03:20,120 --> 01:03:22,760 Speaker 1: one eighty two is back. I know, Scary is so excited. 1179 01:03:22,840 --> 01:03:25,600 Speaker 1: Tom Mark traps, They're all back. Their single comes out. 1180 01:03:25,640 --> 01:03:28,200 Speaker 1: The new one is called Edging on Friday and tickets 1181 01:03:28,240 --> 01:03:30,600 Speaker 1: to them. I know what could that song be about? Which? 1182 01:03:32,160 --> 01:03:36,800 Speaker 1: Tickets to their tour we'll go on sale Monday. Marvel's 1183 01:03:36,920 --> 01:03:39,440 Speaker 1: Blade was supposed to come out in November twenty twenty three. 1184 01:03:39,720 --> 01:03:42,240 Speaker 1: It has been moved to September of twenty twenty four now. 1185 01:03:42,280 --> 01:03:46,560 Speaker 1: Because of that, multiple release dates have changed for Marvel 1186 01:03:46,640 --> 01:03:50,640 Speaker 1: movies Deadpool three, Fantastic Four, Avengers, Secret Wars. They've all 1187 01:03:50,680 --> 01:03:53,640 Speaker 1: been moved. But one movie, instead of moving like that, 1188 01:03:53,760 --> 01:03:56,520 Speaker 1: instead of pushing it later, is actually getting an earlier 1189 01:03:56,600 --> 01:03:59,480 Speaker 1: release date. Dune Part two. It's supposed to come out 1190 01:03:59,480 --> 01:04:02,000 Speaker 1: in November seventeenth of twenty twenty three. It's going to 1191 01:04:02,040 --> 01:04:04,120 Speaker 1: come out a couple of weeks earlier, November third of 1192 01:04:04,200 --> 01:04:07,240 Speaker 1: twenty twenty three. So that's pretty cool. What are we watching? 1193 01:04:07,280 --> 01:04:09,200 Speaker 1: The Real love Boat is on The Mask Singer is 1194 01:04:09,240 --> 01:04:12,800 Speaker 1: on Everybody I Know loves Abbot Elementary that's on All 1195 01:04:12,880 --> 01:04:15,960 Speaker 1: Your Chicago. Everyone's talking about element Everybody tells me I 1196 01:04:16,040 --> 01:04:17,280 Speaker 1: how to watch it, that I would love it, So 1197 01:04:17,680 --> 01:04:21,320 Speaker 1: it's on the list. Disney Plus gives you a new 1198 01:04:21,360 --> 01:04:25,000 Speaker 1: episode of Star Wars and Or, and there's something a 1199 01:04:25,080 --> 01:04:29,120 Speaker 1: Netflix called Easy Bake Battle. It's not with an easy 1200 01:04:29,160 --> 01:04:32,080 Speaker 1: bake oven. Octually, that's a good idea exactly. It's just 1201 01:04:32,240 --> 01:04:36,400 Speaker 1: inspired by an easy bake oven. It's like easy delicious 1202 01:04:37,160 --> 01:04:40,720 Speaker 1: meals when you love a cooking competition where you use 1203 01:04:40,760 --> 01:04:43,160 Speaker 1: a lightbulb to cook the food. Yeah, like an easy 1204 01:04:43,200 --> 01:04:44,880 Speaker 1: bake over. Well, I had to look it up because 1205 01:04:44,880 --> 01:04:46,520 Speaker 1: I got so excited because I thought that's what it was. 1206 01:04:46,600 --> 01:04:49,920 Speaker 1: But that's not exactly what it is. And that's my Daniel. Hello, Laura, 1207 01:04:51,400 --> 01:04:53,880 Speaker 1: Hi Alberts, how are you. We're doing well. We're waiting 1208 01:04:53,880 --> 01:04:55,960 Speaker 1: for Charlie Pooth to come in. For some reason, he's 1209 01:04:55,960 --> 01:04:57,960 Speaker 1: not coming in. He's just sitting out there staring at it. 1210 01:04:58,960 --> 01:05:03,720 Speaker 1: He's a yet a little nervous. So you know, we 1211 01:05:03,800 --> 01:05:06,560 Speaker 1: have to ask Charlie about his high school experience. Okay, 1212 01:05:06,640 --> 01:05:11,480 Speaker 1: so what happened in your school? Um, someone sprayed pepper 1213 01:05:11,520 --> 01:05:14,640 Speaker 1: spray into our ventilation system, so we all have to 1214 01:05:14,720 --> 01:05:17,720 Speaker 1: be evacuated and then we got a half day people. 1215 01:05:19,760 --> 01:05:23,720 Speaker 1: There's nothing funny about that. Pepper worse. I don't go 1216 01:05:23,800 --> 01:05:27,840 Speaker 1: back to the pop band, but fun all right, Laura, 1217 01:05:27,920 --> 01:05:31,440 Speaker 1: thank you, hang on a great day, you too, have 1218 01:05:31,560 --> 01:05:33,800 Speaker 1: a great day. I guarantee somebody had a test that 1219 01:05:33,880 --> 01:05:37,920 Speaker 1: they didn't stard whatever. Someone did that at our school 1220 01:05:37,920 --> 01:05:40,640 Speaker 1: with a bomb threat. Yeah, let's not give anybody ideas 1221 01:05:40,840 --> 01:05:43,960 Speaker 1: you was your school was full of just hooligans. I'm 1222 01:05:44,040 --> 01:05:47,840 Speaker 1: telling you it was. And I got a text message 1223 01:05:47,880 --> 01:05:49,280 Speaker 1: from some of my friends that are down there and 1224 01:05:49,320 --> 01:05:51,560 Speaker 1: they said, it's still a crap show over there. So okay, 1225 01:05:51,800 --> 01:05:54,880 Speaker 1: well there and they're listening right now. Has been closed down, 1226 01:05:55,040 --> 01:05:58,560 Speaker 1: but we will talk about that. Okay, all right? Are 1227 01:05:58,600 --> 01:06:00,720 Speaker 1: the three things we need to know? And Pooth, we've 1228 01:06:00,720 --> 01:06:02,760 Speaker 1: got an album to talk about. We've got stuff to 1229 01:06:02,880 --> 01:06:05,360 Speaker 1: talk about. Daniel's got to give him a hug. You'll 1230 01:06:05,400 --> 01:06:07,000 Speaker 1: find out why in a minute. All right, what's going on? 1231 01:06:07,320 --> 01:06:10,280 Speaker 1: Some Floridians are getting a little bit of relief. Temporary 1232 01:06:10,480 --> 01:06:13,400 Speaker 1: repairs to the Santabelle Causeway have been completed, which means 1233 01:06:13,520 --> 01:06:16,000 Speaker 1: utility crews will now be able to access Santa Beell 1234 01:06:16,080 --> 01:06:18,960 Speaker 1: Island and start restoring power to its seven thousand residents. 1235 01:06:19,000 --> 01:06:21,560 Speaker 1: They've been waiting. Some of those still on the island 1236 01:06:21,640 --> 01:06:24,280 Speaker 1: cheered as three hundred and fifty trucks made their way 1237 01:06:24,320 --> 01:06:26,840 Speaker 1: across that causeway. Prior to this, the only way to 1238 01:06:26,880 --> 01:06:28,840 Speaker 1: get to the island was by boat or by plane. 1239 01:06:28,880 --> 01:06:32,480 Speaker 1: After Hurricane Ian destroyed the causeway, it will not be 1240 01:06:32,560 --> 01:06:34,840 Speaker 1: open to civilian traffic, though for more than a week. 1241 01:06:35,880 --> 01:06:39,440 Speaker 1: New Zealand is reporting hundreds of beached whales. Over the 1242 01:06:39,520 --> 01:06:43,320 Speaker 1: past few days. Hundreds rescue teams say at least five 1243 01:06:43,440 --> 01:06:46,960 Speaker 1: hundred pilot whales washed ashore in two separate stranding incidents 1244 01:06:47,000 --> 01:06:50,440 Speaker 1: over the weekend on New Zealand's Chatham Islands. One officials 1245 01:06:50,440 --> 01:06:52,560 Speaker 1: said they didn't try to refloat the whales because the 1246 01:06:52,640 --> 01:06:55,840 Speaker 1: islands are shark infested and well the waters are, and 1247 01:06:55,920 --> 01:06:58,960 Speaker 1: the surviving whales were actually euthanized to prevent further suffering. 1248 01:06:59,240 --> 01:07:01,760 Speaker 1: It's the second, TI know, very very sad, second time 1249 01:07:01,800 --> 01:07:03,680 Speaker 1: in two months that hundreds of whales were found on 1250 01:07:03,720 --> 01:07:06,200 Speaker 1: the beach in the region. Last month about two hundred 1251 01:07:06,240 --> 01:07:08,960 Speaker 1: were found beached on the coast of Tasmania. They don't 1252 01:07:08,960 --> 01:07:13,919 Speaker 1: know what's going on. And finally, remember NASA landing that spacecraft, 1253 01:07:14,080 --> 01:07:16,080 Speaker 1: slamming it into the asteroid to see if they could 1254 01:07:16,120 --> 01:07:18,640 Speaker 1: change its course. Yes, it was a success. They did 1255 01:07:18,800 --> 01:07:21,960 Speaker 1: change the course dart as it's called. It was the 1256 01:07:22,040 --> 01:07:24,840 Speaker 1: first attempt to change the direction of a celestial object. 1257 01:07:24,920 --> 01:07:27,240 Speaker 1: The idea was to see if it could protect Earth 1258 01:07:27,560 --> 01:07:31,400 Speaker 1: from a future deadly collision. Land based telescopes have now 1259 01:07:31,800 --> 01:07:35,120 Speaker 1: determined that the impact of the Dart spacecraft was successful. 1260 01:07:35,400 --> 01:07:37,840 Speaker 1: It moved it about thirty minutes out. I don't know 1261 01:07:37,880 --> 01:07:39,680 Speaker 1: why they're measuring in minutes, but it did move it. 1262 01:07:39,760 --> 01:07:41,360 Speaker 1: So they're saying if they hit it with something bigger, 1263 01:07:41,560 --> 01:07:44,160 Speaker 1: can move it even further. A future mission will visit 1264 01:07:44,200 --> 01:07:47,200 Speaker 1: the double asteroid system to further study the impact area. 1265 01:07:47,720 --> 01:07:49,680 Speaker 1: And those are your three things? Don't we love science? 1266 01:07:50,040 --> 01:07:55,480 Speaker 1: I do, all right. Charlie Poof is on the way. 1267 01:07:55,560 --> 01:07:59,600 Speaker 1: We can't wait to sink our teeth into the Poof mano. 1268 01:08:00,400 --> 01:08:02,560 Speaker 1: Yes it is. It is Halloween time, so well, let's 1269 01:08:02,560 --> 01:08:04,320 Speaker 1: put our fans in and get ready to chew. We're 1270 01:08:04,320 --> 01:08:07,720 Speaker 1: gonna chow down with Charlie Pooth after this ran in 1271 01:08:07,880 --> 01:08:12,640 Speaker 1: the morning. So Hello Fresh let you savor all the 1272 01:08:12,720 --> 01:08:15,800 Speaker 1: season has to offer with thirty five weekly recipes and 1273 01:08:16,040 --> 01:08:19,120 Speaker 1: fresh ingredients delivered right to your door. Get sixty five 1274 01:08:19,160 --> 01:08:21,800 Speaker 1: percent off plus free shipping at Hello Fresh dot com. 1275 01:08:22,080 --> 01:08:27,560 Speaker 1: Slash Elvis live from the Mercedes Bands Interview Lounge. You 1276 01:08:27,640 --> 01:08:30,519 Speaker 1: know what, it just less than five seconds that door 1277 01:08:30,600 --> 01:08:32,519 Speaker 1: is gonna open and Charlie Pooth is gonna walk through, 1278 01:08:32,600 --> 01:08:35,519 Speaker 1: And you know what, I'm so excited. It's like Christmas 1279 01:08:35,600 --> 01:08:39,680 Speaker 1: morning every time he visits us. Please welcome Charlie poosy 1280 01:08:40,439 --> 01:08:43,280 Speaker 1: is and he's walking in and here he comes in. 1281 01:08:45,360 --> 01:08:48,519 Speaker 1: Look a little hug. Look at it? No, you got 1282 01:08:48,600 --> 01:08:51,920 Speaker 1: more hugs on the way. God, he's giving you a hug. Me. 1283 01:08:52,120 --> 01:08:58,120 Speaker 1: I'm like a little kid. Yeah, hi, yes, we all 1284 01:08:58,360 --> 01:09:03,880 Speaker 1: looks nice. What has happening here? That Froggy's Froggy's and Jacksonville? 1285 01:09:05,080 --> 01:09:07,240 Speaker 1: And thank you for the compliment on my hair very long. 1286 01:09:07,880 --> 01:09:10,200 Speaker 1: You do have nice hair. Let's get I I have 1287 01:09:10,320 --> 01:09:13,680 Speaker 1: a hairstylist with me. Now. Things things have gotten, things 1288 01:09:13,720 --> 01:09:16,679 Speaker 1: have gotten fancy. The current product is working. I couldn't 1289 01:09:16,680 --> 01:09:19,040 Speaker 1: help but stare at your pants? Why what's with the 1290 01:09:20,479 --> 01:09:22,840 Speaker 1: what's in your pants? What's in my Can we dig 1291 01:09:22,880 --> 01:09:27,040 Speaker 1: in Charlie Pooth's pants? Your back? Oh come on, let 1292 01:09:27,120 --> 01:09:31,840 Speaker 1: us dig a Z one hundred sticker just conveniently put 1293 01:09:31,880 --> 01:09:34,519 Speaker 1: that on your bumper. Well this was the uh, this 1294 01:09:34,640 --> 01:09:37,680 Speaker 1: is the old style, unless you're doing a retro thing 1295 01:09:37,760 --> 01:09:41,560 Speaker 1: like pizza hut. So you saw you saw the Z 1296 01:09:41,640 --> 01:09:44,280 Speaker 1: one hundred sticker and it brought back some kind of memory. Yeah, yeah, 1297 01:09:44,479 --> 01:09:48,040 Speaker 1: that's right, it's I remember you would get one hundred 1298 01:09:48,080 --> 01:09:51,320 Speaker 1: dollars if you get pulled over by a Z one 1299 01:09:51,439 --> 01:09:55,240 Speaker 1: hundred dollar bills Z one hundred dollar bill. And at 1300 01:09:55,320 --> 01:09:57,439 Speaker 1: ten years old, I was like, Wow, this radio station 1301 01:09:57,560 --> 01:10:01,439 Speaker 1: is so WHCZ is so generous, And I didn't realize 1302 01:10:01,479 --> 01:10:05,639 Speaker 1: that me putting this on my car was worth way 1303 01:10:05,720 --> 01:10:07,920 Speaker 1: more than a hundred dollars. It was a rip, like 1304 01:10:08,240 --> 01:10:10,840 Speaker 1: one hundred dollars like charity money, like you should give me, 1305 01:10:11,360 --> 01:10:14,320 Speaker 1: should give me a nice buck like a thousand dollars. 1306 01:10:14,520 --> 01:10:16,640 Speaker 1: We got you. Yeah, So this is the good Z 1307 01:10:16,760 --> 01:10:19,200 Speaker 1: one hundred memory you have growing up us ripping you off, 1308 01:10:19,400 --> 01:10:24,719 Speaker 1: I mean other than like so one of your radio 1309 01:10:24,840 --> 01:10:28,439 Speaker 1: personalities at the time exposing himself to me and shows it, 1310 01:10:29,120 --> 01:10:33,759 Speaker 1: remember in a funny way, not in a bad cancel 1311 01:10:34,080 --> 01:10:36,080 Speaker 1: whatever came here. That was like the first time I 1312 01:10:36,160 --> 01:10:38,840 Speaker 1: ever did a radio interview. Sorry about that. I guess 1313 01:10:38,840 --> 01:10:41,960 Speaker 1: we sent the pants for radio views. For the shock, 1314 01:10:42,680 --> 01:10:45,320 Speaker 1: the paleness that just went on everybody's face as I 1315 01:10:45,439 --> 01:10:49,360 Speaker 1: said that, the kids hung like a pancake. Yeah, yep, 1316 01:10:49,800 --> 01:10:53,720 Speaker 1: I am so um. Let's just get things out of 1317 01:10:53,760 --> 01:10:59,040 Speaker 1: the way. Let's get this interview over it, get it 1318 01:10:59,080 --> 01:11:01,960 Speaker 1: out of the way. No, Daniel wants to hug you, 1319 01:11:02,000 --> 01:11:05,080 Speaker 1: and I'll tell you what why. She listened to the 1320 01:11:05,160 --> 01:11:08,280 Speaker 1: lyrics of all your songs and she feels like there 1321 01:11:08,320 --> 01:11:10,519 Speaker 1: are people out there who are trying to break your heart. 1322 01:11:10,920 --> 01:11:13,280 Speaker 1: Listen so, and I'm not lying when I say I 1323 01:11:13,400 --> 01:11:15,920 Speaker 1: have all your albums. This is my favorite that you've 1324 01:11:16,120 --> 01:11:18,240 Speaker 1: ever put out. In saying that, and I'm not just 1325 01:11:18,360 --> 01:11:21,280 Speaker 1: saying that, thank you. It's hard today in the music industry. 1326 01:11:21,439 --> 01:11:23,840 Speaker 1: It's a lot different than when I first came here 1327 01:11:24,640 --> 01:11:27,040 Speaker 1: five six years ago. And I'm gonna get into that. Yeah, 1328 01:11:27,120 --> 01:11:29,200 Speaker 1: but let's get back to your broken heart. Daniel wants 1329 01:11:29,200 --> 01:11:31,639 Speaker 1: to console you. Your family to us because we've known 1330 01:11:31,680 --> 01:11:34,000 Speaker 1: you since you started and I feel like you've kind 1331 01:11:34,000 --> 01:11:36,479 Speaker 1: of grown with us. So if someone hurt you or 1332 01:11:36,520 --> 01:11:38,640 Speaker 1: wrong to you, I feel like your family needs to 1333 01:11:38,720 --> 01:11:43,080 Speaker 1: defend you. And listening to this album, you have been wronged, Charlie. 1334 01:11:43,680 --> 01:11:45,720 Speaker 1: First of all, someone broke your heart and it took 1335 01:11:45,760 --> 01:11:48,920 Speaker 1: you a year to she second took over your life 1336 01:11:48,960 --> 01:11:50,920 Speaker 1: for a year. You can't get that hairback right right. 1337 01:11:51,479 --> 01:11:53,760 Speaker 1: Go on, you realize you talk too much and tell 1338 01:11:53,800 --> 01:11:55,720 Speaker 1: people who care about them too soon. Yes, a lot 1339 01:11:55,720 --> 01:11:57,439 Speaker 1: of people have that problem. There's all from the lyrics 1340 01:11:57,680 --> 01:11:59,760 Speaker 1: from your songs. It appears as a girl you met 1341 01:11:59,800 --> 01:12:03,360 Speaker 1: her so on television, Then she came over, some crazy 1342 01:12:03,439 --> 01:12:06,240 Speaker 1: stuff went down, didn't end well. Well, I saw her 1343 01:12:06,320 --> 01:12:09,240 Speaker 1: on a show, yeah, and I was like, I need 1344 01:12:09,320 --> 01:12:12,960 Speaker 1: to meet her one day, and some stuff like good 1345 01:12:13,000 --> 01:12:15,040 Speaker 1: stuff happened, but then bad stuff happened. I don't even 1346 01:12:15,160 --> 01:12:17,240 Speaker 1: I don't even know it's it's really it's I keep 1347 01:12:17,280 --> 01:12:20,480 Speaker 1: it broad enough where you can have a nice interpretation 1348 01:12:20,600 --> 01:12:23,519 Speaker 1: until could happen. Danielle wants name, and then he dresses 1349 01:12:23,560 --> 01:12:25,200 Speaker 1: and she wants you to drop pat Danielle wants to 1350 01:12:25,240 --> 01:12:27,800 Speaker 1: poison people. You tell one girl, the memories are killing you, 1351 01:12:27,920 --> 01:12:30,320 Speaker 1: but you want your jacket to still smell like you know, 1352 01:12:30,640 --> 01:12:32,720 Speaker 1: like you or whatever. You want her jacket to smell 1353 01:12:32,800 --> 01:12:35,200 Speaker 1: like you. Then one song you say that you're a 1354 01:12:35,280 --> 01:12:38,599 Speaker 1: loser for losing her. That's right, one girl. You only 1355 01:12:38,680 --> 01:12:41,000 Speaker 1: have marks on your neck left from what she did 1356 01:12:41,080 --> 01:12:43,040 Speaker 1: to you. I love this right now, but at the end, 1357 01:12:43,280 --> 01:12:46,120 Speaker 1: on this side, okay. Then you realize that all your 1358 01:12:46,160 --> 01:12:48,680 Speaker 1: songs are sad, and you're talking about how all these 1359 01:12:48,720 --> 01:12:51,639 Speaker 1: tears on your piano are from this one girl, that girl, 1360 01:12:51,720 --> 01:12:53,639 Speaker 1: I need to talk to and then your last song 1361 01:12:53,720 --> 01:12:56,680 Speaker 1: at least you realize there's just too much drama. Now 1362 01:12:56,720 --> 01:12:58,800 Speaker 1: you're happier and you're in a better place. Huh. But 1363 01:12:58,960 --> 01:13:01,439 Speaker 1: now here's my question. Is it one girl that wronged 1364 01:13:01,479 --> 01:13:02,840 Speaker 1: you or is it a lot of people I have 1365 01:13:02,920 --> 01:13:06,040 Speaker 1: to talk to? It's it's people. See, I knew it. 1366 01:13:06,240 --> 01:13:07,760 Speaker 1: It's got a lot of work to do. It's it's 1367 01:13:07,800 --> 01:13:11,800 Speaker 1: it's it's basically two different types of breakups, because like 1368 01:13:11,960 --> 01:13:14,720 Speaker 1: when I when I when I first uh joined you 1369 01:13:14,800 --> 01:13:17,479 Speaker 1: guys and came into your world, it was a completely 1370 01:13:17,560 --> 01:13:22,000 Speaker 1: different industry. And then I had parted ways with a 1371 01:13:23,240 --> 01:13:26,439 Speaker 1: one sector of a very complicated record deal I had 1372 01:13:26,479 --> 01:13:29,800 Speaker 1: at the time, and I felt very, very vulnerable and 1373 01:13:29,880 --> 01:13:31,920 Speaker 1: like it was like a professional breakup. And I also 1374 01:13:32,000 --> 01:13:36,400 Speaker 1: had um several other breakups that weren't a job related, 1375 01:13:36,640 --> 01:13:39,400 Speaker 1: but they gave me ultimately the same feeling. So how 1376 01:13:39,439 --> 01:13:41,920 Speaker 1: I made this album and due the pandemic by the way, 1377 01:13:42,040 --> 01:13:45,400 Speaker 1: I had to be by myself and think these thoughts 1378 01:13:45,439 --> 01:13:48,040 Speaker 1: and come up with songs. And I thought, what does happy? 1379 01:13:48,400 --> 01:13:51,040 Speaker 1: I felt like I was experiencing happy and sad feelings 1380 01:13:51,080 --> 01:13:53,240 Speaker 1: at the same time, Like that's what it would sound 1381 01:13:53,280 --> 01:13:55,160 Speaker 1: like when you so don't you love that sound in 1382 01:13:55,200 --> 01:13:59,439 Speaker 1: the morning every morning? Every morning? Great? But of what 1383 01:13:59,640 --> 01:14:01,880 Speaker 1: is happy and sad sound like? And you know, on 1384 01:14:01,960 --> 01:14:04,400 Speaker 1: a song like That's hilarious, which is track one, it's 1385 01:14:04,479 --> 01:14:06,840 Speaker 1: a pretty sounding roads which is up here, and then 1386 01:14:06,880 --> 01:14:09,519 Speaker 1: the bass and then what do you what happens when 1387 01:14:09,560 --> 01:14:13,080 Speaker 1: you put those two together? You get you have to 1388 01:14:13,120 --> 01:14:14,760 Speaker 1: listen to the song. It sounds a lot better than 1389 01:14:14,920 --> 01:14:18,479 Speaker 1: me doing that. But but there's another there's another thing 1390 01:14:18,520 --> 01:14:22,760 Speaker 1: afloat here, Charlie. Uh this is Danielle the mom by 1391 01:14:22,760 --> 01:14:24,639 Speaker 1: the way, she's the mom of the show. She walks 1392 01:14:24,680 --> 01:14:27,479 Speaker 1: here joking. I had no idea, she sp she spent 1393 01:14:27,600 --> 01:14:29,360 Speaker 1: the weekend with the album and walked in and went, 1394 01:14:29,960 --> 01:14:32,240 Speaker 1: damn it to hell, I'm what what's wrong? I had? 1395 01:14:32,400 --> 01:14:35,120 Speaker 1: I had a very emotional weekend. What I listened to 1396 01:14:35,240 --> 01:14:39,400 Speaker 1: Charlie's album? Really that that was your emotional weekend? It 1397 01:14:39,520 --> 01:14:42,479 Speaker 1: really you really, it's it's all. It's an amazing album, 1398 01:14:42,560 --> 01:14:46,720 Speaker 1: but I just thank you. Felt like is that the 1399 01:14:46,800 --> 01:14:48,800 Speaker 1: goal to put out your art and really just push 1400 01:14:48,840 --> 01:14:51,840 Speaker 1: people's emotional buttons? Good? It is, and it's to make it. 1401 01:14:51,960 --> 01:14:55,080 Speaker 1: I mean, I give specifics like you know, seeing somebody 1402 01:14:55,240 --> 01:14:59,320 Speaker 1: somebody on the TV and wanting to meet them in 1403 01:14:59,439 --> 01:15:03,000 Speaker 1: real life. But I hopefully it's broad enough where people 1404 01:15:03,080 --> 01:15:07,320 Speaker 1: can relate to it and apply their own situation to it. 1405 01:15:07,560 --> 01:15:10,240 Speaker 1: And also it's about you or it's all about me, 1406 01:15:10,400 --> 01:15:12,400 Speaker 1: which is fine too. I did call the album Charlie 1407 01:15:12,560 --> 01:15:17,080 Speaker 1: anyway you did, but please finish your thought just ruin it? 1408 01:15:17,240 --> 01:15:19,439 Speaker 1: No no, no, no, you didn't ruin it at all. 1409 01:15:19,680 --> 01:15:23,320 Speaker 1: I just want to show people that it's possible no 1410 01:15:23,439 --> 01:15:25,519 Speaker 1: matter what you do, if you're a musician, a painter 1411 01:15:25,680 --> 01:15:28,160 Speaker 1: or whatever. Like I still think that arts in the 1412 01:15:28,320 --> 01:15:31,240 Speaker 1: USA is still underappreciated. Like if you started your day 1413 01:15:31,320 --> 01:15:34,040 Speaker 1: with arts, everything else becomes better, sports, et cetera, if 1414 01:15:34,080 --> 01:15:37,680 Speaker 1: you're in school. But if I just want to show 1415 01:15:37,720 --> 01:15:39,920 Speaker 1: everybody with this album that it's possible to live your 1416 01:15:40,000 --> 01:15:44,439 Speaker 1: life and then become an even better version, more evolved 1417 01:15:44,560 --> 01:15:47,840 Speaker 1: version of yourself by putting your life experience into some 1418 01:15:48,040 --> 01:15:50,120 Speaker 1: form of art. That's what I did, and I feel 1419 01:15:50,120 --> 01:15:53,320 Speaker 1: like I've become Remember when Charmander evolved a Char's art 1420 01:15:53,439 --> 01:15:56,639 Speaker 1: or what was it. I'd become the better, I'd become, 1421 01:15:56,720 --> 01:16:00,200 Speaker 1: the better version of myself. Yeah, I have more superpower. Well, 1422 01:16:00,240 --> 01:16:02,400 Speaker 1: I see it in your hair. Yeah, why that's like 1423 01:16:02,520 --> 01:16:07,200 Speaker 1: dragon ball Z hair. You're following it all right at 1424 01:16:07,200 --> 01:16:10,000 Speaker 1: the Charlie Prooth conversation. Yeah, I've evolved. I brought a 1425 01:16:10,080 --> 01:16:12,960 Speaker 1: makeup stylist with me. Now I love that. I mean, 1426 01:16:13,000 --> 01:16:14,840 Speaker 1: do you feel like, God, I'm a bougie son of 1427 01:16:14,920 --> 01:16:17,439 Speaker 1: a I've got my own makeup. I must say I've 1428 01:16:17,680 --> 01:16:20,800 Speaker 1: become pretty boogie, but I'm I'm pretty regular decorator. Like, 1429 01:16:20,960 --> 01:16:24,200 Speaker 1: let's go to Charlie's Instagram. Oh god, it's about a 1430 01:16:24,280 --> 01:16:30,400 Speaker 1: home erotic journey. This one you put up Instagram, this 1431 01:16:30,560 --> 01:16:39,160 Speaker 1: photo session did it's it's his wallpaper. His Instagram is 1432 01:16:39,280 --> 01:16:45,320 Speaker 1: my post Charlie. Here he is. Charlie's shaking. He can't 1433 01:16:45,360 --> 01:16:48,759 Speaker 1: even contain here it is. It's like a nineteen eighties 1434 01:16:49,160 --> 01:16:52,760 Speaker 1: porn boy. Yeah, look that's what I am. Now you 1435 01:16:52,840 --> 01:16:54,560 Speaker 1: look good, thank you? See what else is going on? 1436 01:16:54,680 --> 01:16:56,920 Speaker 1: But look at a little happy trails showing down here? 1437 01:16:57,120 --> 01:17:00,439 Speaker 1: That is real. They didn't have the photoshop mark A 1438 01:17:00,520 --> 01:17:04,960 Speaker 1: heavy trail is yeah for eyebrow bronze or put it 1439 01:17:05,040 --> 01:17:08,400 Speaker 1: against the happy trail. No, it's just like my stomach. Um, 1440 01:17:08,720 --> 01:17:11,479 Speaker 1: it's it's quite He almost lifted his shirt up to show. 1441 01:17:11,520 --> 01:17:14,840 Speaker 1: It's quite fun. You're like a little giggling boy Fred 1442 01:17:14,920 --> 01:17:18,479 Speaker 1: Savage looking ky fellow. So the wonder years who was this? 1443 01:17:18,760 --> 01:17:21,000 Speaker 1: This was for GQ? Yeah, that was for GQ. That 1444 01:17:21,040 --> 01:17:23,479 Speaker 1: was a fun. So let's talk about how the music 1445 01:17:23,640 --> 01:17:27,000 Speaker 1: industry has changed, especially from your perspective. You were a 1446 01:17:27,040 --> 01:17:29,479 Speaker 1: guy who just loved music and one day you sign 1447 01:17:29,520 --> 01:17:32,080 Speaker 1: a contract and you start selling music. The next thing 1448 01:17:32,120 --> 01:17:34,719 Speaker 1: you know, you're like a little naked boy in GQ. 1449 01:17:35,160 --> 01:17:38,800 Speaker 1: That's right. I know what a life it's really. I mean, 1450 01:17:39,160 --> 01:17:43,000 Speaker 1: I I enjoy being naked, sure, but as far as 1451 01:17:43,040 --> 01:17:45,360 Speaker 1: the music industry goes, I try not to be uh. 1452 01:17:45,640 --> 01:17:48,760 Speaker 1: I actually create music naked. It's actually very fun too, 1453 01:17:48,920 --> 01:17:51,040 Speaker 1: It's I have to really. I have a house full 1454 01:17:51,080 --> 01:17:54,040 Speaker 1: of just glass windows, and sometimes there's it's a thrill 1455 01:17:54,160 --> 01:17:56,519 Speaker 1: knowing that someone could be looking. Neighbors love it. I'm 1456 01:17:56,560 --> 01:17:59,360 Speaker 1: sure definitely looking. Okay, let's talk about let's talk about 1457 01:17:59,360 --> 01:18:01,840 Speaker 1: the music industr because it has I mean, I've been 1458 01:18:01,880 --> 01:18:04,799 Speaker 1: around long enough to see it's it's it's hard nowadays. 1459 01:18:04,800 --> 01:18:06,719 Speaker 1: Why is it more challenging or why is the challenge 1460 01:18:06,760 --> 01:18:09,040 Speaker 1: different today than it was let's say, eight years ago, 1461 01:18:09,120 --> 01:18:12,040 Speaker 1: it's so interesting. They have like seventy thousand, literally like 1462 01:18:12,120 --> 01:18:14,720 Speaker 1: seventy thousand songs coming out what a week or like 1463 01:18:14,840 --> 01:18:18,280 Speaker 1: a day or something like that a day and I 1464 01:18:18,400 --> 01:18:20,320 Speaker 1: had to turn to my record label to ask them. 1465 01:18:20,400 --> 01:18:23,040 Speaker 1: They have the answers. They have the answer, seventy thousand 1466 01:18:23,080 --> 01:18:26,040 Speaker 1: songs a day. And there's this influx of music like 1467 01:18:26,120 --> 01:18:29,719 Speaker 1: trying to like pigpile into like the Barn, but there's 1468 01:18:29,720 --> 01:18:32,960 Speaker 1: this appreciation for catalog songs that came out like I. 1469 01:18:33,640 --> 01:18:36,559 Speaker 1: And there's also kids discovering me for the first time. 1470 01:18:36,640 --> 01:18:39,000 Speaker 1: Like I had someone who might have been born in 1471 01:18:39,080 --> 01:18:42,280 Speaker 1: two thousand and fourteen come up to me and be like, 1472 01:18:42,360 --> 01:18:44,840 Speaker 1: have you heard your song? We don't Talk anymore? It 1473 01:18:44,920 --> 01:18:47,800 Speaker 1: just came out, didn't it. I'm like, the first, first 1474 01:18:47,840 --> 01:18:50,599 Speaker 1: of all, have I heard my song We don't Talk anymore? 1475 01:18:50,680 --> 01:18:52,640 Speaker 1: Of course I've heard it, but it's new to them. 1476 01:18:52,800 --> 01:18:55,720 Speaker 1: So there's all this these new fans of mine that 1477 01:18:55,800 --> 01:18:57,920 Speaker 1: are just discovering music that came out five years ago, 1478 01:18:57,960 --> 01:19:01,080 Speaker 1: and I'm like, you feel it makes me feel good, 1479 01:19:01,600 --> 01:19:04,320 Speaker 1: But I also want them to listen to the I 1480 01:19:04,360 --> 01:19:06,160 Speaker 1: mean the new albums. The most streamed album in the 1481 01:19:06,360 --> 01:19:08,640 Speaker 1: entire world, right now, So I'm super happy about that. 1482 01:19:08,840 --> 01:19:11,400 Speaker 1: How many copies have you sold? Though I don't know 1483 01:19:11,560 --> 01:19:14,840 Speaker 1: the specifics because what is like fifteen hundred streams plus 1484 01:19:15,439 --> 01:19:18,559 Speaker 1: that's like one album sold, so whatever fifteen hundred times 1485 01:19:18,640 --> 01:19:25,040 Speaker 1: millions millions are but it's really hard nowadays, it's very competitive. Well, 1486 01:19:25,080 --> 01:19:27,600 Speaker 1: so how do you merge into this different lane? I 1487 01:19:27,760 --> 01:19:31,160 Speaker 1: think as and especially if you're any artist, I think 1488 01:19:31,240 --> 01:19:34,400 Speaker 1: you just tell the truth in your songwriting. And I 1489 01:19:34,600 --> 01:19:36,720 Speaker 1: feel like I'm the biggest I've ever been in my 1490 01:19:36,880 --> 01:19:40,200 Speaker 1: career because I'm just simply telling the truth and clearly 1491 01:19:40,240 --> 01:19:43,920 Speaker 1: it's made an impact on you ahead and I was. 1492 01:19:44,400 --> 01:19:47,559 Speaker 1: I was not not doing that before in nine check 1493 01:19:47,680 --> 01:19:50,360 Speaker 1: mine and voice notes, but there was always that little 1494 01:19:51,439 --> 01:19:52,920 Speaker 1: thing like, oh I have to check the box. I 1495 01:19:53,000 --> 01:19:55,600 Speaker 1: need to make the up tempo record for radio, and 1496 01:19:55,960 --> 01:19:59,439 Speaker 1: radio will just play what they know. What they can 1497 01:19:59,479 --> 01:20:01,800 Speaker 1: tell is truthful to you. Now, So that's what I'm 1498 01:20:02,000 --> 01:20:05,639 Speaker 1: I'm sticking with. So I just to avoid the noise, 1499 01:20:05,720 --> 01:20:08,080 Speaker 1: just be truthful to yourself. As corny as that is. 1500 01:20:08,200 --> 01:20:10,000 Speaker 1: Didn't you tell us at one time that Elton John 1501 01:20:10,120 --> 01:20:11,880 Speaker 1: like came up to you and said, I didn't he 1502 01:20:11,960 --> 01:20:14,280 Speaker 1: didn't think that you were being truthful to yourself, or 1503 01:20:14,360 --> 01:20:16,479 Speaker 1: that you there was something, you know, different sounds, and 1504 01:20:16,600 --> 01:20:18,600 Speaker 1: I was that like Elton John looking at you and 1505 01:20:18,640 --> 01:20:21,760 Speaker 1: you're like, yes, Elton, sir, Elton, that's right. He says 1506 01:20:21,800 --> 01:20:24,840 Speaker 1: to you, I feel like there's influence going on in 1507 01:20:24,920 --> 01:20:28,760 Speaker 1: your music that's not from you. That's right. And it resonated. 1508 01:20:28,840 --> 01:20:33,600 Speaker 1: Obviously it resonated to another musician, but it also resonated 1509 01:20:33,640 --> 01:20:37,160 Speaker 1: to some fans of mine. This was a twenty nineteen 1510 01:20:37,200 --> 01:20:40,280 Speaker 1: and I remember them messaging me being like, you don't 1511 01:20:40,360 --> 01:20:43,960 Speaker 1: seem like you right now, even take music out of 1512 01:20:43,960 --> 01:20:47,439 Speaker 1: the equation. I didn't seem I wasn't me when I 1513 01:20:47,600 --> 01:20:50,040 Speaker 1: was making the music before this album, which is why 1514 01:20:50,120 --> 01:20:51,960 Speaker 1: this album is so important to me now. And I 1515 01:20:52,080 --> 01:20:54,400 Speaker 1: had to really sit with myself to make this album. 1516 01:20:55,080 --> 01:20:57,400 Speaker 1: But we Elton and I actually spoke about this the 1517 01:20:57,479 --> 01:21:00,400 Speaker 1: other day because we are literally next door neighbors, and 1518 01:21:00,600 --> 01:21:05,000 Speaker 1: he kind of ignited the flame that started the thought 1519 01:21:05,080 --> 01:21:07,800 Speaker 1: process of this album that I had to be making 1520 01:21:07,840 --> 01:21:10,200 Speaker 1: it myself. Someone says to you, Elton John, or whoever 1521 01:21:10,680 --> 01:21:12,760 Speaker 1: you know, I I think I know you well enough 1522 01:21:12,800 --> 01:21:16,120 Speaker 1: through your music or being a neighbor. You just really 1523 01:21:16,439 --> 01:21:20,920 Speaker 1: aren't yourself? Did you actually go inside your house, look 1524 01:21:20,960 --> 01:21:23,040 Speaker 1: in the mirror and go, wait, am I? Yeah? Am? 1525 01:21:23,080 --> 01:21:26,200 Speaker 1: I having an identity crisis with myself. Not an identity 1526 01:21:26,640 --> 01:21:30,080 Speaker 1: crisis per se, but just I needed some realignment. I 1527 01:21:30,160 --> 01:21:33,000 Speaker 1: needed a chiropractic adjustment for my life. I think, and 1528 01:21:33,360 --> 01:21:37,160 Speaker 1: I you are who you surround yourself with, which is 1529 01:21:37,200 --> 01:21:39,960 Speaker 1: why all of you are crazy because you hang out 1530 01:21:40,000 --> 01:21:47,040 Speaker 1: with Elvis all the time. I'm just kidding. I'm just kidding. 1531 01:21:47,400 --> 01:21:49,600 Speaker 1: But I had to just I had to, you know, 1532 01:21:50,040 --> 01:21:53,760 Speaker 1: get rid of some fake friends and just be comfortable 1533 01:21:54,240 --> 01:21:57,720 Speaker 1: with myself. I kind of maybe almost went over the 1534 01:21:57,840 --> 01:22:00,200 Speaker 1: edge and got caught up in the thel it's in 1535 01:22:00,280 --> 01:22:02,760 Speaker 1: the glam of it too much, and well maybe I 1536 01:22:02,760 --> 01:22:05,160 Speaker 1: shouldn't even say that. It was just more every producer 1537 01:22:05,320 --> 01:22:07,040 Speaker 1: wanted to work with me and had an idea of 1538 01:22:07,160 --> 01:22:10,200 Speaker 1: who I should be, and I know who I should 1539 01:22:10,240 --> 01:22:13,519 Speaker 1: be musically everything ly, which is why I appropriately named 1540 01:22:13,600 --> 01:22:18,000 Speaker 1: my album Charlie. Charlie. Just surround yourself with people that 1541 01:22:18,120 --> 01:22:21,040 Speaker 1: love you and yeah about you and those picks clearly, 1542 01:22:22,240 --> 01:22:24,120 Speaker 1: I think that's what you show on TikTok too, like 1543 01:22:24,240 --> 01:22:27,080 Speaker 1: it's you, that's you, And I think That's why everyone 1544 01:22:27,200 --> 01:22:29,960 Speaker 1: loves it so much, whether you're our age or a kid, 1545 01:22:30,400 --> 01:22:34,200 Speaker 1: because what we're watching is you creating from your heart 1546 01:22:34,320 --> 01:22:36,200 Speaker 1: and it's really cool to see and you're not. You 1547 01:22:36,240 --> 01:22:38,280 Speaker 1: don't hide the process. You're like, look, I came up 1548 01:22:38,320 --> 01:22:40,080 Speaker 1: with this sound. Here's where I got it from there. 1549 01:22:40,120 --> 01:22:43,280 Speaker 1: It is trying to show that everything can be made 1550 01:22:43,360 --> 01:22:46,280 Speaker 1: into music. I did it on Jimmy Fallon last night, 1551 01:22:46,320 --> 01:22:48,200 Speaker 1: where I just like tapped a little coffee cup and 1552 01:22:48,240 --> 01:22:51,720 Speaker 1: put your headphones on. Don't ruin your hair. Okay, I'll 1553 01:22:51,760 --> 01:22:54,320 Speaker 1: do a little side because I no offense. I'll just 1554 01:22:54,479 --> 01:23:01,640 Speaker 1: just the tip. Gotta give you guys A sounds like Charley, Um, 1555 01:23:02,400 --> 01:23:05,479 Speaker 1: I feel like you kind of ripped us off here 1556 01:23:06,080 --> 01:23:09,800 Speaker 1: I did. This is Charlie pooth on with Fallon last night, Yeah, 1557 01:23:09,840 --> 01:23:13,160 Speaker 1: and set us up. He ended he was a spoon 1558 01:23:13,280 --> 01:23:17,120 Speaker 1: and a cup or yeah, basically, and this is what happened. Okay, 1559 01:23:20,120 --> 01:23:22,519 Speaker 1: I'm not done. All those sounds you're hearing are from 1560 01:23:22,560 --> 01:23:25,240 Speaker 1: a cup. Okay, so that's looping again. These are all 1561 01:23:25,280 --> 01:23:28,240 Speaker 1: just cup sounds pitched down. If I put a kick on, 1562 01:23:28,360 --> 01:23:30,720 Speaker 1: then you have a completed That's the only thing that 1563 01:23:30,880 --> 01:23:35,479 Speaker 1: wasn't the cup. So it sounds like no big deal. 1564 01:23:35,520 --> 01:23:37,679 Speaker 1: But like all those sounds you were here and from. 1565 01:23:37,880 --> 01:23:40,280 Speaker 1: Maybe it's too long to play, just like on the radio, 1566 01:23:40,360 --> 01:23:42,560 Speaker 1: but it's it's it's all those sounds came from, like 1567 01:23:42,640 --> 01:23:44,439 Speaker 1: the tapping of the cup. So if the cup was 1568 01:23:44,479 --> 01:23:47,280 Speaker 1: like super high pitch like that, I pitch it all 1569 01:23:47,320 --> 01:23:49,200 Speaker 1: the way down them and made the bass tones, et cetera. 1570 01:23:49,520 --> 01:23:51,040 Speaker 1: You know, you've kind of ruined my life because I 1571 01:23:51,080 --> 01:23:53,240 Speaker 1: went to blow my nose the other day and I 1572 01:23:53,320 --> 01:23:56,920 Speaker 1: heard I heard a c sharp, a deep flat. Okay, 1573 01:23:57,000 --> 01:23:59,960 Speaker 1: grab two of these cups. Oh god, alright, I get 1574 01:24:00,040 --> 01:24:04,320 Speaker 1: two cups everyone. Okay, here you go, Thank you. Now 1575 01:24:04,479 --> 01:24:07,160 Speaker 1: the holiday season is rider in the corner. Here we go, 1576 01:24:08,360 --> 01:24:10,599 Speaker 1: and we're trying to prove to everyone listening right now 1577 01:24:10,640 --> 01:24:14,280 Speaker 1: that we do have paper cups. They sound a little 1578 01:24:14,360 --> 01:24:16,840 Speaker 1: something like something in nature. What does it sound like? 1579 01:24:16,960 --> 01:24:20,560 Speaker 1: You sounds like a horse, like the horse that I 1580 01:24:20,680 --> 01:24:25,479 Speaker 1: rode in this music. Oh are you ready? Are you ready? Okay, 1581 01:24:25,680 --> 01:24:29,599 Speaker 1: here we go. This is a holiday traditional put your 1582 01:24:29,640 --> 01:24:32,840 Speaker 1: cups in your hand. Okay for me, you have no 1583 01:24:32,960 --> 01:24:35,400 Speaker 1: idea of listening to this reminds me of listening to 1584 01:24:35,479 --> 01:24:40,679 Speaker 1: this and when I was in high school. Whatever, Wow, 1585 01:24:42,800 --> 01:24:50,519 Speaker 1: wake up try state area. My horse had some matter 1586 01:24:50,600 --> 01:24:54,720 Speaker 1: all during the holiday season. That is our number one 1587 01:24:54,800 --> 01:24:57,360 Speaker 1: requested Christmas song. Yeah, it's playing the cups, it is. 1588 01:24:58,080 --> 01:25:01,120 Speaker 1: It's so. I'm just I gotta way the nostalgia right now, 1589 01:25:01,200 --> 01:25:03,439 Speaker 1: because really, yeah, because I used to call in, no 1590 01:25:03,520 --> 01:25:05,439 Speaker 1: one ever picked up my call. I just had to 1591 01:25:05,439 --> 01:25:07,920 Speaker 1: become a famous singer to actually get on your job. 1592 01:25:09,200 --> 01:25:11,640 Speaker 1: But I would remember. I remember getting my bagel at 1593 01:25:11,720 --> 01:25:15,360 Speaker 1: Duncan and hearing you do that cup thing. I'm like, 1594 01:25:15,400 --> 01:25:20,000 Speaker 1: why why are these people so weird? Because we are? Yeah, 1595 01:25:20,080 --> 01:25:22,400 Speaker 1: it's great, can be? Can be. We've been around a 1596 01:25:22,439 --> 01:25:24,280 Speaker 1: long time. We've earned the right to be weird, and 1597 01:25:24,439 --> 01:25:26,920 Speaker 1: as you have as well. Huh. I remember that there 1598 01:25:27,040 --> 01:25:30,400 Speaker 1: was a time. Can we talk? Sure, there was a 1599 01:25:30,479 --> 01:25:34,320 Speaker 1: time you came in and you were in a bad mood. 1600 01:25:34,439 --> 01:25:38,600 Speaker 1: I've never been in a bad remember that times like 1601 01:25:38,640 --> 01:25:42,800 Speaker 1: a highlighter you were. Why was it a bit that day? 1602 01:25:42,880 --> 01:25:45,400 Speaker 1: I think he was up later. I don't know why 1603 01:25:45,439 --> 01:25:48,600 Speaker 1: I was bitchy. I've never been bitchy too. Absolutely, he 1604 01:25:48,720 --> 01:25:50,519 Speaker 1: wasn't a bad mood. Wait, okay, well let him describe, 1605 01:25:50,560 --> 01:25:53,120 Speaker 1: let him let him start a great mood. Okay, behind 1606 01:25:53,160 --> 01:25:57,160 Speaker 1: the scene A liar, you were, you were irritable, you 1607 01:25:57,200 --> 01:26:00,720 Speaker 1: were irritated, You're mad. I was mad about I love 1608 01:26:00,760 --> 01:26:03,280 Speaker 1: when you walk down that day, I said, you know 1609 01:26:03,400 --> 01:26:06,200 Speaker 1: what we just saw like a real side of Charlie 1610 01:26:06,320 --> 01:26:08,559 Speaker 1: out in the other room. He's in the bad boot. 1611 01:26:08,600 --> 01:26:10,080 Speaker 1: Next time he comes in, we've got to make him 1612 01:26:10,120 --> 01:26:12,840 Speaker 1: feel extra special, make him feel good, because I don't 1613 01:26:12,840 --> 01:26:14,840 Speaker 1: think we did something to offend you, because we just 1614 01:26:14,920 --> 01:26:16,920 Speaker 1: don't do that. No, clearly, I was mad about something. 1615 01:26:17,000 --> 01:26:19,240 Speaker 1: I have never to be clear, I've never been mad 1616 01:26:19,280 --> 01:26:21,240 Speaker 1: about anything that you guys have done here. I might 1617 01:26:21,280 --> 01:26:22,800 Speaker 1: have just been like, oh no, we didn't do anything. 1618 01:26:23,120 --> 01:26:27,679 Speaker 1: Maybe it was like hungover or something, maybe too much eggnog. 1619 01:26:28,000 --> 01:26:30,679 Speaker 1: I want you to know that whenever you're in this room, Yeah, 1620 01:26:30,840 --> 01:26:33,040 Speaker 1: you can just be you. Oh I feel like me right. 1621 01:26:33,479 --> 01:26:36,759 Speaker 1: You don't have to turn anything on in this room, no, nothing, nothing, 1622 01:26:36,800 --> 01:26:41,080 Speaker 1: just be you. I've been as Charlie. But honest, Charlie, 1623 01:26:41,760 --> 01:26:43,960 Speaker 1: you should call this album Charlie. That sounds like the 1624 01:26:44,080 --> 01:26:50,160 Speaker 1: Boy Scouts version of this album. Honest Charlie, what you 1625 01:26:50,240 --> 01:26:55,360 Speaker 1: have created on this album is it's a fountain of honesty. Yeah, 1626 01:26:55,479 --> 01:26:58,320 Speaker 1: and that's where we needed that. You're an artist, Yeah, 1627 01:26:58,760 --> 01:27:00,720 Speaker 1: you're painting on this canvas, and we were seeing the 1628 01:27:00,800 --> 01:27:02,519 Speaker 1: real you and what you're feeling or what you did 1629 01:27:02,600 --> 01:27:04,439 Speaker 1: field back in that day when you wrote it. Right, 1630 01:27:04,640 --> 01:27:07,400 Speaker 1: of course, just again just trying to find that the 1631 01:27:07,760 --> 01:27:11,160 Speaker 1: whole TikTok thing of me, like tapping things and guessing 1632 01:27:11,240 --> 01:27:15,360 Speaker 1: people's you know, verbs and whatever disgusting things they record 1633 01:27:15,439 --> 01:27:18,120 Speaker 1: themselves doing. It's it's it's gimmicky, but like I'm just 1634 01:27:18,240 --> 01:27:21,479 Speaker 1: trying to I'm trying to like make non musicians make music, 1635 01:27:21,600 --> 01:27:24,400 Speaker 1: because some of the best music is made by people 1636 01:27:24,439 --> 01:27:26,720 Speaker 1: who weren't trying to make music. So if I could 1637 01:27:26,760 --> 01:27:29,559 Speaker 1: be any sort of inspiration in like a kitchy TikTok 1638 01:27:29,680 --> 01:27:34,080 Speaker 1: kind of way, that's not like a the main facet 1639 01:27:34,240 --> 01:27:37,479 Speaker 1: of my career, but like maybe just like a one 1640 01:27:37,520 --> 01:27:40,400 Speaker 1: of many outlets, this being the primary one. Of course, 1641 01:27:40,880 --> 01:27:43,080 Speaker 1: I'm now going to say I'm not going to say 1642 01:27:43,120 --> 01:27:46,000 Speaker 1: two words to you, Okay that will mortify you and 1643 01:27:46,040 --> 01:27:51,360 Speaker 1: disgust you. Okay, Brussels sprout. Yeah that's gross. Yeah, it's gross. 1644 01:27:51,360 --> 01:27:53,439 Speaker 1: I don't know why you'd say that it's gross, but 1645 01:27:53,600 --> 01:27:58,400 Speaker 1: remember we actually served you Brussels prost. Maybe that was 1646 01:27:58,479 --> 01:28:02,840 Speaker 1: the day I was in a bad mood. I think 1647 01:28:02,880 --> 01:28:06,840 Speaker 1: that caused a bad mood. Yeah, yeah, because he was 1648 01:28:06,880 --> 01:28:09,120 Speaker 1: so angry to see it. I mean, are you still 1649 01:28:09,120 --> 01:28:11,880 Speaker 1: against Brussels pross? I'm still against Brussels sprouts and whenever. 1650 01:28:12,040 --> 01:28:15,599 Speaker 1: I don't know whose idea on Delta the other day. 1651 01:28:16,040 --> 01:28:19,280 Speaker 1: I usually like flying Delta, but they had Brussels sprouts 1652 01:28:19,320 --> 01:28:22,439 Speaker 1: as a main side for their airplane food is already 1653 01:28:22,560 --> 01:28:25,120 Speaker 1: like if he if you're not going international, But the 1654 01:28:25,240 --> 01:28:27,800 Speaker 1: fact that they had it as a legitimate side, it's 1655 01:28:27,800 --> 01:28:30,160 Speaker 1: like who wants to smell? Like it's I'm already sat 1656 01:28:30,280 --> 01:28:31,960 Speaker 1: next to the bathroom. Did you just lean it across 1657 01:28:32,040 --> 01:28:35,599 Speaker 1: first class? Yeah? I was like off this plane, I threw, 1658 01:28:35,680 --> 01:28:39,360 Speaker 1: I flung my scarf behind my head and got my 1659 01:28:39,520 --> 01:28:42,639 Speaker 1: bag and jumped on a train right near Newark Airport? 1660 01:28:42,880 --> 01:28:44,840 Speaker 1: Is it with you? And I love Brussels prots like 1661 01:28:45,040 --> 01:28:48,160 Speaker 1: they are kind of they're a little farty. They're a 1662 01:28:48,200 --> 01:28:51,160 Speaker 1: little farty, so why do you eat enjoy them? I 1663 01:28:51,160 --> 01:28:54,040 Speaker 1: don't feel like i'm eating actual you know, flagelens. I 1664 01:28:54,080 --> 01:28:56,639 Speaker 1: feel like I'm eating it's like eating a vegetable. Didn't 1665 01:28:56,640 --> 01:28:58,920 Speaker 1: they've made the right way. They actually are really good. 1666 01:28:59,320 --> 01:29:04,280 Speaker 1: I don't know you got yeah it is you guys 1667 01:29:04,320 --> 01:29:08,559 Speaker 1: have like five boxes of pizza outside, So listening back 1668 01:29:08,560 --> 01:29:12,160 Speaker 1: to music because this is where it's sat. Okay, um, yeah, 1669 01:29:12,600 --> 01:29:14,720 Speaker 1: I must say again when Daniel walked in on that 1670 01:29:14,760 --> 01:29:17,200 Speaker 1: Monday morning saying she spent the weekend with your album, yeah, 1671 01:29:17,320 --> 01:29:20,200 Speaker 1: and she heard nothing and it hit her heart in 1672 01:29:20,240 --> 01:29:22,559 Speaker 1: a way where she's like, I can't wait to give 1673 01:29:22,640 --> 01:29:24,840 Speaker 1: him a hug. Yeah. All these people have done our 1674 01:29:24,880 --> 01:29:27,600 Speaker 1: Charlie wrong. This comes from a place of love. But 1675 01:29:27,760 --> 01:29:29,960 Speaker 1: but think about all the people who love your music, 1676 01:29:30,080 --> 01:29:32,760 Speaker 1: who you ignite with your honesty every time. You don't 1677 01:29:32,800 --> 01:29:34,880 Speaker 1: even ever met them. You don't even know these people. Well, 1678 01:29:34,920 --> 01:29:38,799 Speaker 1: you know, it's it's really really cool meeting fellow musicians 1679 01:29:38,920 --> 01:29:40,760 Speaker 1: as well. We talked about so much about you know, 1680 01:29:40,920 --> 01:29:44,280 Speaker 1: non musicians. It's fun to like I remember meeting uh 1681 01:29:44,800 --> 01:29:50,000 Speaker 1: Leroy kid Leroy and we hadn't um written anything ever, 1682 01:29:50,080 --> 01:29:51,680 Speaker 1: and we weren't supposed to write that day, and we 1683 01:29:51,800 --> 01:29:55,200 Speaker 1: made his biggest song in about like fifteen minutes. So 1684 01:29:55,640 --> 01:29:58,679 Speaker 1: it's a it's kind of like this exchange of energy 1685 01:29:58,840 --> 01:30:01,519 Speaker 1: a little bit not to be too hoity toity hippie dippie. 1686 01:30:01,720 --> 01:30:03,760 Speaker 1: But it really is like when it's like a big 1687 01:30:03,880 --> 01:30:06,760 Speaker 1: therapy session and sometimes you just nail it and we 1688 01:30:06,920 --> 01:30:10,280 Speaker 1: did that thing, and it's it's it's like having a 1689 01:30:10,439 --> 01:30:14,640 Speaker 1: free lottery ticket printing machine. Speaking of I want to 1690 01:30:14,760 --> 01:30:16,600 Speaker 1: order your album right now. Tell me how to do this. 1691 01:30:17,120 --> 01:30:23,800 Speaker 1: Go to um iHeartRadio dot com and just do we 1692 01:30:23,840 --> 01:30:25,760 Speaker 1: get to come? I don't know. I'm so terrified to 1693 01:30:25,840 --> 01:30:29,040 Speaker 1: mention anything else that is an I heeart on and no, no, 1694 01:30:29,160 --> 01:30:31,439 Speaker 1: you can talk about Spotify, talk about all I can. 1695 01:30:31,800 --> 01:30:37,920 Speaker 1: Okay to go to Spotify, go to Amazon, go to iTunes, amazons. Yeah, 1696 01:30:38,120 --> 01:30:42,599 Speaker 1: I don't know who charges the most. They're they're looking 1697 01:30:42,640 --> 01:30:45,479 Speaker 1: towards the record label. I want to pay four prize. 1698 01:30:46,040 --> 01:30:51,080 Speaker 1: Don't answer if you don't want to this, Like what 1699 01:30:51,280 --> 01:30:52,960 Speaker 1: what does an album go for? These days? I don't 1700 01:30:52,960 --> 01:30:54,840 Speaker 1: even look and see it. Do you ever actually know 1701 01:30:55,000 --> 01:30:56,840 Speaker 1: how much a price of a gallon of gas is? 1702 01:30:58,040 --> 01:31:00,360 Speaker 1: I haven't elect your car now, so I don't know how, 1703 01:31:01,200 --> 01:31:03,479 Speaker 1: but I do have a bunch your eggs. Well you 1704 01:31:03,560 --> 01:31:05,799 Speaker 1: know what I do know? For effect on Las Cianca 1705 01:31:06,000 --> 01:31:10,720 Speaker 1: and uh like sunset, gas is eight dollars in two 1706 01:31:10,800 --> 01:31:14,599 Speaker 1: cents now in in California for the most expensive gas, 1707 01:31:15,080 --> 01:31:17,000 Speaker 1: which is what of course I'm I'm a sucker. I'm 1708 01:31:17,040 --> 01:31:19,840 Speaker 1: putting that in my in my car, in your electric, 1709 01:31:21,439 --> 01:31:24,599 Speaker 1: my guzzling g wagon. No, I have an electric car too, 1710 01:31:24,720 --> 01:31:26,760 Speaker 1: but I've been driving that more because the gas is 1711 01:31:26,800 --> 01:31:30,120 Speaker 1: so unbelievably expensive. Okay, back to this album. How much 1712 01:31:30,160 --> 01:31:35,360 Speaker 1: is it? It's less expensive than gas? Get it right 1713 01:31:35,400 --> 01:31:41,960 Speaker 1: now that that's that's your logo. Yeah, sixty I guess 1714 01:31:42,040 --> 01:31:44,400 Speaker 1: sixty nine. They know that I'm like a horny bastards 1715 01:31:44,560 --> 01:31:48,080 Speaker 1: on sixty nine have to make a whole an album 1716 01:31:48,240 --> 01:31:50,320 Speaker 1: costs these days. I'm that out of touched by the 1717 01:31:50,400 --> 01:31:52,680 Speaker 1: way six nine. I had no I remember when they 1718 01:31:52,800 --> 01:31:56,200 Speaker 1: used to cost eighteen dollars and ninety nine at the 1719 01:31:56,840 --> 01:31:59,599 Speaker 1: to get an in sync album. It was like wagons. Yeah, 1720 01:31:59,600 --> 01:32:02,320 Speaker 1: I know, twenty twenty dollars. Can you believe that they 1721 01:32:02,400 --> 01:32:05,920 Speaker 1: were really milking it? I don't I miss the holding 1722 01:32:05,960 --> 01:32:10,880 Speaker 1: it in my hand because I love you, you know 1723 01:32:10,960 --> 01:32:15,960 Speaker 1: you would music. Still talking about music, I like smelling it. Yeah, 1724 01:32:17,040 --> 01:32:19,760 Speaker 1: I like smelling a lot of things except Brussels sprouts. Okay, 1725 01:32:20,320 --> 01:32:24,400 Speaker 1: I just the smell. Love this Okay, so it is 1726 01:32:24,439 --> 01:32:28,080 Speaker 1: a little gimmicky and you know what note it is? Yeah? 1727 01:32:28,479 --> 01:32:33,719 Speaker 1: Can you can you actually come up with smells songs? 1728 01:32:33,760 --> 01:32:36,400 Speaker 1: No smell? No? But I actually have a song called 1729 01:32:36,479 --> 01:32:39,040 Speaker 1: trigger Anything. I have a song called smells like Me 1730 01:32:39,640 --> 01:32:42,120 Speaker 1: and it's track five. I'm sure she can tell you 1731 01:32:42,160 --> 01:32:45,880 Speaker 1: a lot more about it than um, but just about 1732 01:32:46,360 --> 01:32:49,679 Speaker 1: kind of have it. It's an ugly word to sing, 1733 01:32:49,800 --> 01:32:52,600 Speaker 1: but there are songs that have the word smells and 1734 01:32:52,720 --> 01:32:54,920 Speaker 1: it like Taylor's ten minute version of All Too Well 1735 01:32:55,040 --> 01:32:57,519 Speaker 1: and it smells like me. That's where I got smells. 1736 01:32:57,560 --> 01:32:59,240 Speaker 1: I think one of the hottest lines ever written for 1737 01:32:59,280 --> 01:33:03,880 Speaker 1: a song edge Sharon my sheets smell like you in 1738 01:33:04,000 --> 01:33:06,679 Speaker 1: my bed. He just gave a six foot foot penis 1739 01:33:06,760 --> 01:33:10,680 Speaker 1: to Sam Smith. Oh he ed, Sharon's gifted me some 1740 01:33:10,840 --> 01:33:12,880 Speaker 1: weird things. I could I could imagine that. He's like, 1741 01:33:13,000 --> 01:33:15,559 Speaker 1: what is he gifted you? He's every time I see him, 1742 01:33:15,560 --> 01:33:18,519 Speaker 1: he's he gives me a end Courtney Cox to a 1743 01:33:18,640 --> 01:33:24,240 Speaker 1: gimp mask? What exactly you know? I love how you 1744 01:33:24,400 --> 01:33:28,479 Speaker 1: know what that Isn't nobody else comes over your face 1745 01:33:28,520 --> 01:33:30,840 Speaker 1: with the zip. Oh so it's kind of like an 1746 01:33:30,920 --> 01:33:36,559 Speaker 1: American horror story. Stuff like yeah, for sex. Why, yes, 1747 01:33:36,760 --> 01:33:39,720 Speaker 1: that's right, but he gives it. I have like three 1748 01:33:39,800 --> 01:33:42,120 Speaker 1: of them a joke or is it like a serious time? 1749 01:33:42,280 --> 01:33:45,680 Speaker 1: I haven't figured that out yet. Don't ask questions. He's 1750 01:33:45,720 --> 01:33:49,479 Speaker 1: a man of mysterious. Sharon's given away several six foot 1751 01:33:49,520 --> 01:33:52,519 Speaker 1: penises to several people, these statues, and Sam Smith said 1752 01:33:52,560 --> 01:33:54,920 Speaker 1: that Sam will go and put that out there for 1753 01:33:54,960 --> 01:33:58,120 Speaker 1: everyone to see. So yeah, back to the music. We 1754 01:33:58,240 --> 01:34:01,360 Speaker 1: just have him six and nine slip notch. New album 1755 01:34:01,479 --> 01:34:05,880 Speaker 1: is what? Why is my album discount? I don't know. 1756 01:34:06,320 --> 01:34:09,200 Speaker 1: You've got the record company in the room, Beyonce twelve nine? 1757 01:34:09,680 --> 01:34:12,680 Speaker 1: Oh my god, what you don't know? What's happening? Right? 1758 01:34:13,840 --> 01:34:16,080 Speaker 1: I think I want more people to hear it like 1759 01:34:16,160 --> 01:34:19,559 Speaker 1: a red light special. Bottom line is that's a good song. 1760 01:34:19,760 --> 01:34:23,240 Speaker 1: This album is nothing but honesty. It's Charlie. Yeah. So 1761 01:34:24,400 --> 01:34:26,000 Speaker 1: the thing is, you know, when we have artists come 1762 01:34:26,040 --> 01:34:27,720 Speaker 1: in out you gotta go. But when artists come in, 1763 01:34:27,720 --> 01:34:29,679 Speaker 1: they talk about their album because these and these songs 1764 01:34:29,720 --> 01:34:33,360 Speaker 1: were written well, they were written in my head. And 1765 01:34:33,439 --> 01:34:35,280 Speaker 1: then it was a matter of taking what was in 1766 01:34:35,400 --> 01:34:38,160 Speaker 1: my head and extracting it, not in a gross way, 1767 01:34:38,400 --> 01:34:41,000 Speaker 1: but putting it into pro tools and if I could 1768 01:34:41,120 --> 01:34:44,080 Speaker 1: repeat the song in my head over and over again, 1769 01:34:44,200 --> 01:34:47,080 Speaker 1: that then I would allow myself permission to then go 1770 01:34:47,240 --> 01:34:50,000 Speaker 1: make the song. But wait, but wait, but these songs 1771 01:34:50,000 --> 01:34:51,479 Speaker 1: were written when you were at a different point in 1772 01:34:51,479 --> 01:34:54,880 Speaker 1: your life. I mean, it's obvious, right they were. They 1773 01:34:54,920 --> 01:34:57,360 Speaker 1: were probably deep in my subconscious I just came to 1774 01:34:57,560 --> 01:35:01,000 Speaker 1: terms with it when I said, Okay, May twenty twenty one, 1775 01:35:01,080 --> 01:35:03,760 Speaker 1: it's time to make an album. Let's talk about the 1776 01:35:03,800 --> 01:35:06,439 Speaker 1: time I felt like this and I literally talk to myself. 1777 01:35:06,439 --> 01:35:09,240 Speaker 1: I almost called the album of Conversations with myself. Let's 1778 01:35:09,240 --> 01:35:11,559 Speaker 1: say let's say you could put an album out before 1779 01:35:11,640 --> 01:35:15,120 Speaker 1: noon today, like today, Charlie poof today? What would the 1780 01:35:15,160 --> 01:35:21,240 Speaker 1: album be about today? Um? I I probably heart racing 1781 01:35:21,560 --> 01:35:24,080 Speaker 1: would be well, is your heart racing because I drank 1782 01:35:24,120 --> 01:35:30,280 Speaker 1: too much coffee before this? Shallow? What other shallow things? Deep? Charlie. Oh, 1783 01:35:30,439 --> 01:35:31,599 Speaker 1: you don't have to. You don't have to tell your 1784 01:35:31,760 --> 01:35:34,479 Speaker 1: entire private story. But like, if you like where are 1785 01:35:34,560 --> 01:35:37,599 Speaker 1: you in the world today, that would be in your 1786 01:35:37,680 --> 01:35:42,760 Speaker 1: lyrics today? Probably make the the in love album? Like 1787 01:35:42,960 --> 01:35:47,880 Speaker 1: I like final finally realizing that, like I, after all 1788 01:35:47,960 --> 01:35:50,320 Speaker 1: this time of me thinking that I wasn't capable of 1789 01:35:50,439 --> 01:35:53,720 Speaker 1: being in love. I am now, so that's kind of okay. No, 1790 01:35:53,800 --> 01:35:55,800 Speaker 1: that's excellent. Yeah, that's good. That's all. Do any of 1791 01:35:55,840 --> 01:35:58,280 Speaker 1: the people that you write these songs about know that 1792 01:35:58,320 --> 01:36:00,360 Speaker 1: it's about them and reach out to you, like, dude, 1793 01:36:00,400 --> 01:36:02,400 Speaker 1: can you tell you know? What's funny is someone texted 1794 01:36:02,439 --> 01:36:06,840 Speaker 1: me the other day and they were like, I love that, 1795 01:36:07,080 --> 01:36:08,760 Speaker 1: like how you were like the same way that you 1796 01:36:08,840 --> 01:36:10,680 Speaker 1: were praising and like I love this song, this song, 1797 01:36:10,800 --> 01:36:12,760 Speaker 1: this song. I'm like, wow, good to hear from you, 1798 01:36:12,840 --> 01:36:16,360 Speaker 1: Thank you so much. And I could tell that they 1799 01:36:16,600 --> 01:36:19,960 Speaker 1: wanted to ask what song was about them? Like I 1800 01:36:20,080 --> 01:36:21,960 Speaker 1: get that, you know, like when someone texts you and 1801 01:36:22,080 --> 01:36:24,920 Speaker 1: doesn't really like I think the emoji is the greatest 1802 01:36:25,200 --> 01:36:30,360 Speaker 1: punctuation ever, like end of text conversation, hard eyes, Yeah, totally, 1803 01:36:30,400 --> 01:36:34,200 Speaker 1: we'll get together next week, sure, hard eyes. Um, But 1804 01:36:34,840 --> 01:36:38,160 Speaker 1: there was no emoji they wanted. The text bubbles kept 1805 01:36:38,200 --> 01:36:40,280 Speaker 1: popping up and going away and then coming up and 1806 01:36:40,400 --> 01:36:44,760 Speaker 1: going away. I'm like, oh, have you heard marks on 1807 01:36:44,880 --> 01:36:48,080 Speaker 1: my neck? Was there a song on there? There? About time? Well? 1808 01:36:48,560 --> 01:36:56,960 Speaker 1: Multiple okay, yeah, but maybe but maybe they can it's 1809 01:36:57,000 --> 01:36:58,800 Speaker 1: nothing bad, but maybe they can kind of feel it 1810 01:36:58,880 --> 01:37:01,639 Speaker 1: when they when they listened to So all right, look 1811 01:37:01,720 --> 01:37:06,080 Speaker 1: it's nothing but fun, Charlie. It's a bargain. Yeah, bargains. 1812 01:37:06,360 --> 01:37:11,559 Speaker 1: Go for it for you. Go stream it. Number one 1813 01:37:11,640 --> 01:37:14,880 Speaker 1: streamed record in the world. Congratulations. Thanks. That's got to 1814 01:37:14,920 --> 01:37:16,640 Speaker 1: blow up your ego a little bit, a little bit. 1815 01:37:16,760 --> 01:37:19,240 Speaker 1: That's why I that's why I brought a hairstyle today. 1816 01:37:19,560 --> 01:37:23,160 Speaker 1: To look I have I have two bloated I have 1817 01:37:23,360 --> 01:37:27,040 Speaker 1: two tea bags in here. I'm very bougie. I shone 1818 01:37:27,040 --> 01:37:31,000 Speaker 1: the wheel of songs. Charlie, we've landed on loser. Oh 1819 01:37:31,439 --> 01:37:36,639 Speaker 1: ye see if you can hear the that's the wheel spinning. 1820 01:37:37,280 --> 01:37:40,840 Speaker 1: That wasn't very good. So loser. Okay, what am I 1821 01:37:40,880 --> 01:37:43,880 Speaker 1: to identify or they're identifying something or we're just playing 1822 01:37:43,920 --> 01:37:46,000 Speaker 1: the song. I'm not gonna ask Charlie. I'm gonna ask 1823 01:37:46,040 --> 01:37:48,880 Speaker 1: Daniel what does loser mean to you? Um? Let me think. Wait, 1824 01:37:48,960 --> 01:37:50,840 Speaker 1: let me go back to my notes, because everybody is 1825 01:37:50,880 --> 01:37:53,599 Speaker 1: the amount of people that have been waiting for like talent, 1826 01:37:54,080 --> 01:37:56,240 Speaker 1: blowing me up every day when is this song coming out? 1827 01:37:56,760 --> 01:38:01,280 Speaker 1: In the song, he calls himself a loser for losing. Well, 1828 01:38:01,400 --> 01:38:06,400 Speaker 1: that's I at the time simply thought that I lost 1829 01:38:06,479 --> 01:38:10,920 Speaker 1: the one person who added such vibrancy to my life. 1830 01:38:11,160 --> 01:38:13,160 Speaker 1: And because I was acting like an idiot, I felt 1831 01:38:13,200 --> 01:38:16,360 Speaker 1: like a real loser. And you know, the Beatles had 1832 01:38:16,360 --> 01:38:17,960 Speaker 1: a song called loser. I'm like, I don't know one's 1833 01:38:18,000 --> 01:38:19,800 Speaker 1: written a song called loser. In alone time, I felt 1834 01:38:19,840 --> 01:38:22,000 Speaker 1: like a loser because I lost her. I'm like, lose her. 1835 01:38:22,280 --> 01:38:25,640 Speaker 1: When you say lose her very fast, lose her, it 1836 01:38:25,760 --> 01:38:29,080 Speaker 1: sounds like loser, but it also rhymes. It's two words 1837 01:38:29,120 --> 01:38:33,439 Speaker 1: against one word, that ratio, and it just happens to rhyme. 1838 01:38:33,520 --> 01:38:35,800 Speaker 1: And when the moment I came up with that, I 1839 01:38:35,880 --> 01:38:37,920 Speaker 1: was showering and I thought of that. I had this 1840 01:38:38,080 --> 01:38:40,720 Speaker 1: little noo I'm such a loser. I performed it on 1841 01:38:40,760 --> 01:38:43,280 Speaker 1: foulon last night. I was such a loser. Like this 1842 01:38:43,479 --> 01:38:45,960 Speaker 1: melody that feels like ring around the rosy, like it's 1843 01:38:45,960 --> 01:38:48,680 Speaker 1: been around for one hundred years. It felt like a 1844 01:38:48,840 --> 01:38:51,000 Speaker 1: nursery rhyme in some way, but has like this fat 1845 01:38:51,120 --> 01:38:55,519 Speaker 1: beat to it, so we like fascinate me. Really, Yeah, Well, 1846 01:38:55,560 --> 01:38:57,600 Speaker 1: I can sit here and talk about this with you 1847 01:38:57,720 --> 01:39:00,439 Speaker 1: for hours. I'm only good at like one thing, and 1848 01:39:00,560 --> 01:39:03,160 Speaker 1: that's music. I don't think so I think that by 1849 01:39:03,160 --> 01:39:06,479 Speaker 1: the way the album, there is no more drama. So 1850 01:39:06,680 --> 01:39:09,720 Speaker 1: I think that's where you realize life's getting better. Here 1851 01:39:09,800 --> 01:39:11,439 Speaker 1: we go, Now I can make the love album. There 1852 01:39:11,479 --> 01:39:14,519 Speaker 1: you go, the love album coming up next. You heard 1853 01:39:14,560 --> 01:39:16,840 Speaker 1: it here first, Charlie. Thank you for coming on, Thanks 1854 01:39:16,880 --> 01:39:18,400 Speaker 1: for having me always next week, and thank you so 1855 01:39:18,560 --> 01:39:20,639 Speaker 1: much for listening to the album a lot. It's amazing. 1856 01:39:20,920 --> 01:39:23,920 Speaker 1: Thank you. She's not she's not like no, she's real. Yeah, 1857 01:39:24,160 --> 01:39:26,120 Speaker 1: she doesn't it make She's from the Bronx. They don't 1858 01:39:26,120 --> 01:39:28,000 Speaker 1: make stuff. Yeah, I got two favorites, you and Edge 1859 01:39:28,000 --> 01:39:32,560 Speaker 1: Sharon's next week he is Hopefully he'll bring that. You 1860 01:39:32,640 --> 01:39:34,760 Speaker 1: better be bringing that to us. Yeah, I don't know 1861 01:39:34,800 --> 01:39:36,760 Speaker 1: if that will fit in the door. We find a 1862 01:39:36,800 --> 01:39:38,439 Speaker 1: way to make it fit. Yeah, I mean if I 1863 01:39:38,560 --> 01:39:44,439 Speaker 1: fit that anyway. What I said, Charlie po loser, Charlie 1864 01:39:44,600 --> 01:40:02,479 Speaker 1: get it today, Duran in the morning show. In the 1865 01:40:02,600 --> 01:40:07,360 Speaker 1: morning show. I don't know what to say. I can't 1866 01:40:07,360 --> 01:40:09,599 Speaker 1: believe how many text messages I'm getting from people saying 1867 01:40:09,600 --> 01:40:11,600 Speaker 1: how they loved him. They love him, They're downloading the 1868 01:40:11,640 --> 01:40:15,439 Speaker 1: album now. He's amazing. Good. Let's sell some albums, Charlie Pooth. 1869 01:40:15,920 --> 01:40:18,600 Speaker 1: We'll have that on the replay and on the podcast 1870 01:40:18,680 --> 01:40:20,880 Speaker 1: and on the whatever. Where wherever you go to find 1871 01:40:21,000 --> 01:40:23,479 Speaker 1: whatever we do? Where where do you go to find 1872 01:40:23,520 --> 01:40:25,400 Speaker 1: what we do? I don't know you can find what 1873 01:40:25,520 --> 01:40:31,880 Speaker 1: we do? Yes? Dot com? What Edinburgh? Okay, you're so 1874 01:40:32,040 --> 01:40:35,639 Speaker 1: strange anyway, Charlie pooth Uh, that's probably what our ninth 1875 01:40:35,680 --> 01:40:40,320 Speaker 1: interview with him in our finest he was so great anyway, Um, 1876 01:40:40,400 --> 01:40:42,960 Speaker 1: we got sound Garrett? Where are you? How are you? 1877 01:40:43,120 --> 01:40:45,120 Speaker 1: Pretty good? Way do you know? So? I brought pizzas 1878 01:40:45,120 --> 01:40:47,040 Speaker 1: in for everyone today and of course I got the 1879 01:40:47,200 --> 01:40:52,040 Speaker 1: gluten free pizza from Ruby Rosa right here for Garrett. 1880 01:40:52,400 --> 01:40:54,080 Speaker 1: And I was like, god, you know, I've never had 1881 01:40:54,880 --> 01:40:56,640 Speaker 1: gluten free pizza. I want to continue. You got to 1882 01:40:56,680 --> 01:40:59,120 Speaker 1: open the box. There was one slice left. He's eaten 1883 01:40:59,160 --> 01:41:02,240 Speaker 1: the entire piza. Oh nice. Talk about how quickly though too. 1884 01:41:02,720 --> 01:41:05,320 Speaker 1: It was gone, like in some minutes from it came 1885 01:41:05,360 --> 01:41:07,400 Speaker 1: in the studio, it was gone. It was gone. I 1886 01:41:07,439 --> 01:41:08,800 Speaker 1: thought he was taking it home with him, but I 1887 01:41:08,840 --> 01:41:13,400 Speaker 1: guess he is. Yeah, all right, sound what do you 1888 01:41:13,439 --> 01:41:16,160 Speaker 1: have going on? All right? We were talking about you 1889 01:41:16,280 --> 01:41:18,320 Speaker 1: want a swaddle hip. I'm sorry I was being rude 1890 01:41:18,360 --> 01:41:20,960 Speaker 1: and it's just it's his last slice and we get 1891 01:41:21,000 --> 01:41:22,960 Speaker 1: to listen to it go away. All right. So we're 1892 01:41:22,960 --> 01:41:26,040 Speaker 1: talking about Sam Smith on the Kelly Clarkson Show. And 1893 01:41:26,560 --> 01:41:29,400 Speaker 1: aside from talking about ed Sharing gifting a penis to 1894 01:41:29,680 --> 01:41:33,599 Speaker 1: Sam Smith, we they sang Kelly Clarkson song him Breakaway 1895 01:41:34,040 --> 01:41:41,360 Speaker 1: they did together. Yeah, I forgot the song fam Smith's 1896 01:41:41,400 --> 01:41:50,120 Speaker 1: favorite song. They said, you know, we saw Sam Smith 1897 01:41:50,200 --> 01:41:52,519 Speaker 1: at the I Heart Radio Music Festival. Yeah, he was 1898 01:41:52,560 --> 01:41:54,679 Speaker 1: so excited. I gave him the gift of the banana. 1899 01:41:56,000 --> 01:41:58,120 Speaker 1: You know, look they get they get really excited when 1900 01:41:58,160 --> 01:42:01,080 Speaker 1: you give him banana. True though, that's our that's our 1901 01:42:01,160 --> 01:42:05,040 Speaker 1: top secret gift the banana. All right, Blink one eighty two. 1902 01:42:05,080 --> 01:42:06,920 Speaker 1: They have music coming out on Friday. Here's a clip 1903 01:42:07,000 --> 01:42:11,599 Speaker 1: of their song, Edging Good Little Head. I'll be hanging 1904 01:42:11,680 --> 01:42:17,679 Speaker 1: me quick, queen, I'm back and dead, get root, get 1905 01:42:20,200 --> 01:42:22,040 Speaker 1: the room. There we go? Well was what was the 1906 01:42:22,120 --> 01:42:24,599 Speaker 1: word that was aked out? I have to go back, 1907 01:42:24,680 --> 01:42:26,400 Speaker 1: hold on. Listen you can hear the thing of way 1908 01:42:27,040 --> 01:42:36,760 Speaker 1: listen Good Little Head. Probably. Yeah, we can't play the 1909 01:42:36,840 --> 01:42:43,320 Speaker 1: preview Good Little Head. I love it. We can't play 1910 01:42:43,320 --> 01:42:46,440 Speaker 1: the preview of their tour because it's very sexual innuendo. 1911 01:42:46,680 --> 01:42:48,760 Speaker 1: Good We like that all right? And then finally, so 1912 01:42:48,920 --> 01:42:51,320 Speaker 1: a woman in California was at a rodeo and she 1913 01:42:51,479 --> 01:42:54,160 Speaker 1: was hit by a bull. Listen to why she's crediting 1914 01:42:54,240 --> 01:42:56,160 Speaker 1: the bull for saving her life. I went down and 1915 01:42:56,280 --> 01:42:58,920 Speaker 1: I just didn't really know what was going on exactly. 1916 01:42:58,960 --> 01:43:01,160 Speaker 1: It kind of took me aside. And then my boyfriend 1917 01:43:01,200 --> 01:43:03,679 Speaker 1: had picked me up and I was like, oh, there's 1918 01:43:03,680 --> 01:43:05,760 Speaker 1: a bull there. We want to go to the emergency room. 1919 01:43:05,800 --> 01:43:08,120 Speaker 1: And through that they did a CT scan of her. 1920 01:43:08,520 --> 01:43:11,080 Speaker 1: They noticed a lump on her neck and the emergency 1921 01:43:11,160 --> 01:43:14,080 Speaker 1: room doctor said, you have to get that checked out. 1922 01:43:14,280 --> 01:43:17,560 Speaker 1: I was stunned, actually, in all honesty, as one of 1923 01:43:17,640 --> 01:43:20,840 Speaker 1: your kids finding out that they may have cancer, it 1924 01:43:21,000 --> 01:43:23,400 Speaker 1: kind of takes you back and gives you chills. Thank 1925 01:43:23,439 --> 01:43:25,840 Speaker 1: you to the ball, to the bull. Early thyroid cancer 1926 01:43:25,920 --> 01:43:28,080 Speaker 1: they found because she went to the hospital because a 1927 01:43:28,160 --> 01:43:30,680 Speaker 1: bull hit her. You're a good American, Garrett. Thank you. 1928 01:43:32,680 --> 01:43:35,719 Speaker 1: I've listened to you guys literally since I'm six years old. Wow, 1929 01:43:35,880 --> 01:43:38,760 Speaker 1: this is the best day of my life. Mister ran 1930 01:43:38,960 --> 01:43:41,200 Speaker 1: in the morning show Excy Joe, it's the good neighbors 1931 01:43:41,240 --> 01:43:43,280 Speaker 1: at State Farm. Believe you don't have to give up 1932 01:43:43,320 --> 01:43:46,320 Speaker 1: what you love. For great insurance for surprisingly great rates, 1933 01:43:46,479 --> 01:43:49,120 Speaker 1: like a good neighbor. State Farm is there call or 1934 01:43:49,160 --> 01:43:51,040 Speaker 1: go to state farm dot com to get a quote today? 1935 01:43:51,120 --> 01:43:55,720 Speaker 1: Do you know anyone named Martin? I do? Who? Do 1936 01:43:55,760 --> 01:43:57,680 Speaker 1: you want his last name? No? I mean it's a 1937 01:43:57,800 --> 01:44:02,639 Speaker 1: friend or someone you worked with us, work with Martin? Ye? Yes, scared? 1938 01:44:02,640 --> 01:44:06,880 Speaker 1: Do you know what Martin? Do you Froggy? You know Martin? Yeah? 1939 01:44:06,880 --> 01:44:08,599 Speaker 1: Remember we used to know Martin Milo he was our 1940 01:44:08,840 --> 01:44:12,439 Speaker 1: engineer guy in Miami. Yeah, absolutely, Danielle Martin, I don't know. 1941 01:44:12,720 --> 01:44:16,840 Speaker 1: I have a friend named Martin too, Marty that's short 1942 01:44:16,880 --> 01:44:19,680 Speaker 1: of Markin. Yeah. Okay, So I need some music for 1943 01:44:19,720 --> 01:44:24,760 Speaker 1: this scary Today is National Martin Day? Absolutely I knew 1944 01:44:24,800 --> 01:44:28,280 Speaker 1: there was today. Um, do you have music for this 1945 01:44:29,680 --> 01:44:35,519 Speaker 1: National Martin Day music? It's now time for National Martin 1946 01:44:35,640 --> 01:44:39,120 Speaker 1: Day tribute? Hold on time out? What makes this Martin 1947 01:44:39,240 --> 01:44:49,400 Speaker 1: Day music scary? How well do you know your Martins? Danielle? 1948 01:44:49,920 --> 01:44:52,400 Speaker 1: Along with Will Smith, these two made up The Boys 1949 01:44:52,439 --> 01:44:57,840 Speaker 1: and Bad Boys Martin. No, but no, yeah, it's Martin 1950 01:44:58,000 --> 01:45:04,320 Speaker 1: is the name because it's Lauren. Yeah? Yes, he directed Casino, 1951 01:45:04,400 --> 01:45:09,920 Speaker 1: Goodfellows in the Wolf of Wall Street, Martin Scorsese. Yeah, Froggy, 1952 01:45:10,080 --> 01:45:15,519 Speaker 1: the lead singer of cold Play, Chris Martin very nice, Hey, 1953 01:45:15,680 --> 01:45:19,120 Speaker 1: Nate yea. This civil rights leaders honored with his own 1954 01:45:19,240 --> 01:45:22,479 Speaker 1: day in January, and it deserved. Lis Martin, Luther King Junior, 1955 01:45:22,560 --> 01:45:27,400 Speaker 1: absolutely scary, along with Sammy Davis Junior. He was Frank 1956 01:45:27,479 --> 01:45:31,920 Speaker 1: Sinuntra's rat pack member. Dean Dean Martin very good, very good, 1957 01:45:32,240 --> 01:45:36,240 Speaker 1: very nice. Let's see Danielle. Yeah, the oh, here we 1958 01:45:36,320 --> 01:45:43,280 Speaker 1: go the eighth President of the United States. Oh, he 1959 01:45:43,439 --> 01:45:46,880 Speaker 1: has a Martin In It Van somebody. Oh, yeah, but 1960 01:45:46,960 --> 01:45:51,559 Speaker 1: I don't know what it is. I know it's Van something. Yeah, 1961 01:45:52,120 --> 01:45:59,960 Speaker 1: you know, you know what I mean? Hey, Gandhi Martin Trivie. 1962 01:46:01,479 --> 01:46:04,640 Speaker 1: He's played Ed Grimley Jimminy Glick and now starts with 1963 01:46:04,720 --> 01:46:08,040 Speaker 1: Selena Gomez and only Murders in the Building Ed Grimly 1964 01:46:09,880 --> 01:46:12,120 Speaker 1: and now stars with Selena Gomez and only murders in 1965 01:46:12,200 --> 01:46:17,639 Speaker 1: the building. Martin short, Craig, Yeah, Froggy, he's the other 1966 01:46:18,160 --> 01:46:27,880 Speaker 1: Martin and only murders in the building. Martin, Yeah, Steve Martin, 1967 01:46:28,040 --> 01:46:37,200 Speaker 1: Steve Martin scary. He's living Lavina Loca. Ricky Martin definitely. 1968 01:46:37,800 --> 01:46:41,160 Speaker 1: And now we go to Nate, the author of Game 1969 01:46:41,200 --> 01:46:43,879 Speaker 1: of Thrones and House of the Dragon. Come on, George 1970 01:46:44,200 --> 01:46:47,040 Speaker 1: R R. Martin. There you go. What's the r R stand? 1971 01:46:50,000 --> 01:46:51,880 Speaker 1: So if you know what Martin today, it's their day. 1972 01:46:52,160 --> 01:46:59,280 Speaker 1: Helped him celebrate and thanks for playing Martin Trivia. That 1973 01:46:59,400 --> 01:47:03,920 Speaker 1: is why are we stretching? We go to twenty six? Yeah? Yeah, 1974 01:47:04,600 --> 01:47:07,040 Speaker 1: oh my god. We could. We could do three things 1975 01:47:07,120 --> 01:47:11,040 Speaker 1: we could? We could again. How can people listen to 1976 01:47:11,439 --> 01:47:14,000 Speaker 1: that Charlie Pooth interview or watch it? They can go 1977 01:47:14,280 --> 01:47:17,439 Speaker 1: to the Elvis Durantio on demand on the iHeart Radio app. 1978 01:47:17,479 --> 01:47:24,519 Speaker 1: It'll be posted about thirty minutes. He has well, it's 1979 01:47:24,760 --> 01:47:29,080 Speaker 1: you know, Garret just left. He normally doesn't the thirty minutes. 1980 01:47:29,120 --> 01:47:31,519 Speaker 1: There you go into the three things we need to 1981 01:47:31,600 --> 01:47:34,960 Speaker 1: know here on Martin Day, we could become Martin Day. 1982 01:47:35,160 --> 01:47:37,680 Speaker 1: I don't know. Okay, where'd you get that? Everyone? Just 1983 01:47:37,880 --> 01:47:39,719 Speaker 1: Martin Day. I just walked up and said, hey, wanted 1984 01:47:39,760 --> 01:47:41,760 Speaker 1: to kill some time on the show. Let's sell the 1985 01:47:41,800 --> 01:47:45,240 Speaker 1: rate National Martin Day. Okay, damn of course, you know 1986 01:47:45,320 --> 01:47:48,759 Speaker 1: I saw I saw National Martini Day. That would be exciting, 1987 01:47:49,280 --> 01:47:52,040 Speaker 1: it would be all right? What's going on? All right? 1988 01:47:52,520 --> 01:47:56,240 Speaker 1: The former San Antonio, Texas police officer fired after shooting 1989 01:47:56,240 --> 01:47:58,800 Speaker 1: a teenager in a McDonald's parking lot ten days ago. 1990 01:47:58,920 --> 01:48:01,679 Speaker 1: Has now been charged with two counts of aggravated assault. 1991 01:48:02,240 --> 01:48:06,479 Speaker 1: This came hours after activists staged rolly outside police headquarters yesterday, 1992 01:48:06,560 --> 01:48:10,280 Speaker 1: demanding the officer be locked up. Body camera video shows 1993 01:48:10,360 --> 01:48:13,320 Speaker 1: the officer opening the seventeen year olds car door and 1994 01:48:13,439 --> 01:48:16,160 Speaker 1: telling the teenager to get out. The former officers then 1995 01:48:16,200 --> 01:48:18,720 Speaker 1: opened fire when the team reversed and drove off with 1996 01:48:18,800 --> 01:48:22,519 Speaker 1: his door open. The victim remains in critical condition. The 1997 01:48:22,640 --> 01:48:25,680 Speaker 1: White House is predicting a significant flu season this year 1998 01:48:25,760 --> 01:48:28,920 Speaker 1: on top of a potential increase in COVID infections. The 1999 01:48:29,080 --> 01:48:33,280 Speaker 1: White House COVID Response Coordinator Ashish Jah is urging Americans 2000 01:48:33,360 --> 01:48:36,200 Speaker 1: to get the updated booster because it targets new strains 2001 01:48:36,240 --> 01:48:39,519 Speaker 1: that are circulating and it will ensure a safer holiday season. 2002 01:48:39,600 --> 01:48:41,640 Speaker 1: He said, the newest vaccine provides a higher level of 2003 01:48:41,680 --> 01:48:45,840 Speaker 1: protection against infection, hospitalization, and death. And they're saying that 2004 01:48:46,080 --> 01:48:48,679 Speaker 1: given Australia's winter, because you know the winter is opposite 2005 01:48:48,680 --> 01:48:51,360 Speaker 1: of our summer, that's why they're predicting that there's going 2006 01:48:51,400 --> 01:48:53,360 Speaker 1: to be the uptick in flu infections because it was 2007 01:48:53,479 --> 01:48:55,680 Speaker 1: up and uptick in Australia. Yeah, they're saying it's going 2008 01:48:55,760 --> 01:48:59,120 Speaker 1: to be a rough respiratory season. Yes, oh boy, stay 2009 01:48:59,160 --> 01:49:03,679 Speaker 1: safe y'all. And finally, an adderall shortage is causing problems 2010 01:49:03,720 --> 01:49:06,320 Speaker 1: for patients who depend on the drug to treat ADHD. 2011 01:49:06,439 --> 01:49:10,240 Speaker 1: The nation's largest manufacturer, Tava Pharmaceuticals, is blaming a labor 2012 01:49:10,320 --> 01:49:13,719 Speaker 1: shortage earlier in the year for disrupting the supply. The shortage, however, 2013 01:49:14,080 --> 01:49:16,880 Speaker 1: is also affecting companies that make other versions of the drug. 2014 01:49:17,200 --> 01:49:19,560 Speaker 1: Tavia says it aims to have the issue resolved in 2015 01:49:19,600 --> 01:49:22,080 Speaker 1: the coming weeks, but sit tight because we don't know 2016 01:49:22,120 --> 01:49:24,040 Speaker 1: if it's actually going to be resolved. And those are 2017 01:49:24,080 --> 01:49:29,160 Speaker 1: your three things, Thank you, Gandil About a guy's nipples 2018 01:49:30,439 --> 01:49:34,320 Speaker 1: in the morning show, Zip recruiter, I want to talk 2019 01:49:34,320 --> 01:49:38,000 Speaker 1: about it. It takes a team of people to bring 2020 01:49:38,080 --> 01:49:44,360 Speaker 1: our show together every day, and I realize that other 2021 01:49:44,800 --> 01:49:49,200 Speaker 1: teams need to be good at what they do to 2022 01:49:49,320 --> 01:49:53,479 Speaker 1: make other businesses work. Yes, I try to tie it in. 2023 01:49:55,800 --> 01:49:58,840 Speaker 1: Shut up. There's a tie in between what I'm trying 2024 01:49:58,880 --> 01:50:02,439 Speaker 1: to say about our business, which is god barely functioning 2025 01:50:02,479 --> 01:50:05,120 Speaker 1: it best. But we're all superstars. We all do very 2026 01:50:05,160 --> 01:50:07,920 Speaker 1: well in our business. You need that in your business too. 2027 01:50:08,000 --> 01:50:09,800 Speaker 1: You need to be the Elvis Drain Morning Show of 2028 01:50:10,120 --> 01:50:13,960 Speaker 1: whatever industry you're in. Is anyone buying any of this? 2029 01:50:16,120 --> 01:50:19,760 Speaker 1: I'm following along, So I mean, look, we have producers, 2030 01:50:20,360 --> 01:50:24,759 Speaker 1: we have audio engineers. These are great examples of people 2031 01:50:24,840 --> 01:50:29,200 Speaker 1: that we will one day need to replace. What are 2032 01:50:29,200 --> 01:50:32,560 Speaker 1: you looking at me for? That's why I'll turn to zipfrecruider. 2033 01:50:34,160 --> 01:50:37,000 Speaker 1: Zip recruiter uses powerful technology to find and match the 2034 01:50:37,120 --> 01:50:42,800 Speaker 1: right candidates up with that producer's job, and we could 2035 01:50:42,840 --> 01:50:46,280 Speaker 1: easily review those recommended candidates invite our top choices to 2036 01:50:46,360 --> 01:50:50,080 Speaker 1: apply for his job. Additionally, zip recruiter as a complete 2037 01:50:50,080 --> 01:50:51,519 Speaker 1: suite of tools that will make it easy for me 2038 01:50:51,600 --> 01:50:54,920 Speaker 1: to filter, review, and rate the candidates for your job. Well, well, 2039 01:50:56,360 --> 01:50:58,120 Speaker 1: try it for free. I'm gonna use it for free. 2040 01:50:58,920 --> 01:51:02,439 Speaker 1: Go to zip recruiter dot com slash elvis. That's zip 2041 01:51:02,600 --> 01:51:07,439 Speaker 1: recruiter dot com slash elvis. Wow, that was rough