WEBVTT - Run It Back (“Bad Reputation” S1 E17)

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<v Speaker 1>And That's what you really missed with Jenna and Kevin

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<v Speaker 1>an iHeartRadio podcast. Welcome to and That's what you really missed.

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<v Speaker 1>I'm Jenna, I am Kevin, and today we are recapping

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<v Speaker 1>Glee episode seventeen, season one, called Bad Reputation. This was

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<v Speaker 1>an interesting one. You know. This was one of those

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<v Speaker 1>ones where Jenna and I were dreading it because initially

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<v Speaker 1>when we watched it back in the day, we were

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<v Speaker 1>all sitting I remember sitting there and being like, hm, oh,

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<v Speaker 1>there's an overwhelming question. Bryan screened this one for us.

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<v Speaker 1>Somebody screened this one for just the cast in the

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<v Speaker 1>editing bay, right, yes, yes, And I remember seeing it

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<v Speaker 1>and we were all like jarred by it. I think

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<v Speaker 1>number one because all the songs are bad right there,

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<v Speaker 1>This is like a given that these songs are bad

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<v Speaker 1>and we're trying to kind of revive them in some way.

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<v Speaker 1>But also because the scoring of this, because of like

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<v Speaker 1>the glist, it felt like a murder mystery and we're like,

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<v Speaker 1>this is egree right, And I remember being so committed

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<v Speaker 1>and like upset that it wasn't what we are used

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<v Speaker 1>to seeing. But watching it back last night, I was like, oh,

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<v Speaker 1>I get this yeah, okay, good because I had this

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<v Speaker 1>exact same feeling, and it felt like Acafella's in a

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<v Speaker 1>way where we were so young and dumb and we're

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<v Speaker 1>very protective of a brand that we did not understand ourselves, right, Like,

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<v Speaker 1>we didn't create this show. We were not in charge

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<v Speaker 1>of anything creatively. It was our job to do what's

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<v Speaker 1>written and perform the songs. And it is so funny

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<v Speaker 1>now thinking back about how we were sort of like bummed, like,

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<v Speaker 1>oh man, this one's not great. I loved it watching

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<v Speaker 1>it last night, I enjoyed it. I enjoyed it a lot.

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<v Speaker 1>Maybe I loved it's a strong word. Enjoyed it was Yeah,

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<v Speaker 1>it's the word. Okay, Yeah, okay, great, all right, well

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<v Speaker 1>let's um let's get into the top of this um.

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<v Speaker 1>It originally aired on May fourth, May the fourth View

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<v Speaker 1>with You twenty ten and also with You the Okay,

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<v Speaker 1>what was going on in the World? Number one song

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<v Speaker 1>was omgum and before it was nothing on you Okay,

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<v Speaker 1>what was going on in the Glean News Kevin. On

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<v Speaker 1>May fifth, Glee won a Television with a Conscience Award

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<v Speaker 1>at the third Annual Television Academy Honors for our very

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<v Speaker 1>own episode Wheels and Corey, Chris and myself accepted the

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<v Speaker 1>award at the Beverly Hills Hotel in Beverly Hills. To

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<v Speaker 1>remember if I don't know if I remember it, because

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<v Speaker 1>Paris and I went to several things, and I don't

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<v Speaker 1>know if I believe this is probably it my experience

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<v Speaker 1>if this was the event where we got to meet

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<v Speaker 1>a lot of so many parents came up to me

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<v Speaker 1>to talk about their their children who were in wheelchairs,

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<v Speaker 1>or or friends with parents who had kids in wheelchairs,

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<v Speaker 1>who didn't watch a lot of TV before Glee, weren't

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<v Speaker 1>interested in a lot of pop culture things, and the

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<v Speaker 1>overwhelming sense was and I did not necessarily expect this,

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<v Speaker 1>but because they were actually coming up to me and

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<v Speaker 1>sort of thinking wanted me to portray, like back to

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<v Speaker 1>Ryan Brad and Ian that they were thankful for the

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<v Speaker 1>show and thankful to have a character like already on it,

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<v Speaker 1>because these kids were so excited and being feeling represented

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<v Speaker 1>yeah and seeing And that's when I think, also it

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<v Speaker 1>hit me to where, you know, especially in twenty twenty

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<v Speaker 1>three terms, when you talked about me, who is not

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<v Speaker 1>in a wheelchair playing character who is in a wheelchair, right,

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<v Speaker 1>and you know now we know better, But back then

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<v Speaker 1>it was sort of it went from oh, I got

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<v Speaker 1>this job, let me figure out how to do it

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<v Speaker 1>properly too. I am so happy to be given a

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<v Speaker 1>position or a character that means so much more to people,

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<v Speaker 1>and just that the character exists period. Now we know

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<v Speaker 1>that just having a character exist period is the bare

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<v Speaker 1>minimum and not necessarily enough. Like let's see a bow

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<v Speaker 1>rounded full person, right, This was the preamble to really matters.

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<v Speaker 1>It was and you and you even see then when

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<v Speaker 1>you have someone who shouldn't be playing the character playing

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<v Speaker 1>characters in a wheelchair, and parents and kids were still

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<v Speaker 1>so appreciative of it because it's like you're not being

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<v Speaker 1>fed anything, so you get a morsel and you're so

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<v Speaker 1>thankful for it. And it was one of those things

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<v Speaker 1>where it felt good. And now looking back at it,

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<v Speaker 1>it's like, oh, well, we can as a collective dude

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<v Speaker 1>a lot better. Yeah, ours, we know better now, so uh.

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<v Speaker 1>In May eighth, twenty ten, The castoically was featured on

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<v Speaker 1>the cover of Billboard magazine. I have no recollection of this,

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<v Speaker 1>so I went back and I booked. And it's because

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<v Speaker 1>we didn't pose for it. They actually just took promo

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<v Speaker 1>photos and piled us on in with some of the

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<v Speaker 1>artists that we had already covered, like Madonna and You'll

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<v Speaker 1>Diamond all these that that sort of Sergeant Pepper's looking yeah,

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<v Speaker 1>that's right, which was so cool and really was that

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<v Speaker 1>was that felt like a really big thing to me,

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<v Speaker 1>obviously coming from the real music, right, but speaking, I

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<v Speaker 1>know we just did um the recap of Home, but

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<v Speaker 1>you talking about us rehearsing for tour. I remember, um

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<v Speaker 1>Amber came in. It was supposed to be on vocalist.

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<v Speaker 1>Do you remember this? And it was sort of crazy

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<v Speaker 1>because like Amber has the most perfect but it's like

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<v Speaker 1>her and Leah were like, you guys take care of

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<v Speaker 1>your voices better than the rest of us sort of thing,

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<v Speaker 1>and like you guys should always be fine. And she

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<v Speaker 1>came in she's like, well, I'm supposed be in vocalarest, like, well,

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<v Speaker 1>what one? Why are you talking now? Right? And then

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<v Speaker 1>there's a picture of it where she's sitting at crosslegged

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<v Speaker 1>on the stage on the floor, and it got to

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<v Speaker 1>where she's supposed to rehearse beautiful that she's sang in

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<v Speaker 1>Home and she's sitting there and We're like, don't sing

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<v Speaker 1>an Amber, save your voice, and she does the most

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<v Speaker 1>perfect rendition, didn't miss a note, did all the runs.

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<v Speaker 1>Sitting there, and I went from being mad like, oh

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<v Speaker 1>my god, this is so irresponsible to being mad that,

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<v Speaker 1>oh my god, this is so so good and she

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<v Speaker 1>has something wrong with her voice and she's still that

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<v Speaker 1>good oh gosh, I mean voice. It was really living there.

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<v Speaker 1>Oh gosh, that was a really fun time. I guess

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<v Speaker 1>we can. Should we talk about that tour when we

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<v Speaker 1>get there? I guess at the end of this we should.

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<v Speaker 1>And I would have to read. I would have to

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<v Speaker 1>go back and watch YouTube videos because I clearly don't

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<v Speaker 1>remember in the numbers that we did and there are

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<v Speaker 1>there are some bootlegs first tour. I might have to

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<v Speaker 1>watch it. We might have to watch that, Kevin, let's

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<v Speaker 1>do that all right? Cool? This episode was directed by

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<v Speaker 1>Ladie Keane. She had done what two three episodes at

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<v Speaker 1>this point, yeah, and back again, back again, and I

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<v Speaker 1>think back then I was like blaming her for this episode,

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<v Speaker 1>but like, she did what she was supposed to do. Um.

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<v Speaker 1>We had some great guest stars. Steven Tablowski's back in

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<v Speaker 1>his ridiculous run Joey run Um, Robin Trackey and the

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<v Speaker 1>Sweet Sweet Robin and John Grove of course, who is

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<v Speaker 1>at um McKinley right now? And um Superstar Molly Shannon.

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<v Speaker 1>Did you were you a fan of Molly Shannon? Of

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<v Speaker 1>course I had, but I also did not know she

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<v Speaker 1>was going to be in this episode. Oh, I had heard,

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<v Speaker 1>and so I was waiting for her to come to set.

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<v Speaker 1>I was excited. Did you meet her? I did meet her,

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<v Speaker 1>but I was like, I like, she doesn't know who

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<v Speaker 1>we are. It doesn't matter, like we're peasants, like you know,

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<v Speaker 1>we're just dirt on the ground that she watch how

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<v Speaker 1>she nice, so so nice, and like I watched I

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<v Speaker 1>went into watch a scene between her and Jane I

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<v Speaker 1>think it was in the other episode that she did though,

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<v Speaker 1>and um in the hallway and I'm like, I remember

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<v Speaker 1>watching her and just like she's ad libbing, She's throwing

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<v Speaker 1>crab out there. It was unbelievable to watch her like

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<v Speaker 1>that after you idolize somebody on SNL and like in Superstar,

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<v Speaker 1>like so much. There's just so many like repeatable lines

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<v Speaker 1>and memorable things about her. So um she comes. Yeah,

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<v Speaker 1>so she's in dream on as well, I'm so president

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<v Speaker 1>meet her. You're like, yes, yes, I mean I also

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<v Speaker 1>talk about like making a feast out of I mean

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<v Speaker 1>she didn't have much to do and she was still

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<v Speaker 1>just just gnawing, gnawing at the curtains, you know what,

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<v Speaker 1>good for her, That's why she's a star. Um. And

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<v Speaker 1>then we have one Olivia John. I know, so sad um,

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<v Speaker 1>but god, she's beautiful and what a legend um to

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<v Speaker 1>have on so did great? Also that number, that number,

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<v Speaker 1>and that's how cool. I'm glad we got to talk

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<v Speaker 1>to Jane and for her to share how much she

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<v Speaker 1>loved Olivia Newton. John nicknamed her dog Olivia after her.

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<v Speaker 1>But how cool that this show so often we got

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<v Speaker 1>to meet a lot of our heroes. We can talk

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<v Speaker 1>about them we get to Brittany, right, we can't talk

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<v Speaker 1>about that when we get to Brittany, m Olivia and

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<v Speaker 1>John also, um we reference it in Jane's episode of

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<v Speaker 1>the podcast where she talks about how they basically manifested

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<v Speaker 1>it by talking to John Farr Farer Farr, the one

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<v Speaker 1>who wrote most Olivia's stuff, Yeah, and asked if Olivia

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<v Speaker 1>would be on the show, and Jane's like, I don't

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<v Speaker 1>know if that's actually true, that that was the reason why.

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<v Speaker 1>But great, I put it on the radar and that

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<v Speaker 1>that matters. Yes. Do you want to know a fun

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<v Speaker 1>fact or a weird fact? This? Okay? So in nineteen

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<v Speaker 1>seventy six, John produced Anne wrote the song which was

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<v Speaker 1>on Olivia's album called Don't Stop Believing. And she has

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<v Speaker 1>a song called Don't Stop Believing. Yeah. Wow. The album

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<v Speaker 1>was called Don't Stop Believing, right and yeah, And that

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<v Speaker 1>was five years before the Journey song. He had a

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<v Speaker 1>figure on the Pulse. Yeah. So Olidia and John no

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<v Speaker 1>match made in heaven and knew they knew. It's one

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<v Speaker 1>of those weird synchronistic things. Gosh, I love that. Well.

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<v Speaker 1>Speaking of synchronicity, have I ever told you? Have I

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<v Speaker 1>ever shared the never Flee from Glee story on my

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<v Speaker 1>on the podcast? I don't know? Okay, Well, I'll do

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<v Speaker 1>it real quick. So I booked when I um, I

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<v Speaker 1>was living my friend Aaron Merman, who was also a

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<v Speaker 1>Swing and Spring Awakening at the time, when I flew

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<v Speaker 1>to LA to test when we met for the first time,

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<v Speaker 1>and um I obviously we found out we booked it

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<v Speaker 1>and then I got on the flight and I called her,

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<v Speaker 1>and I was like, I got it, and I came

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<v Speaker 1>home and that night her boyfriend, who was also in

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<v Speaker 1>the show at the time, he cracked open a beer.

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<v Speaker 1>I think it was a magic hat that had like

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<v Speaker 1>the little fortunes underneath the bottle caps, kind of like

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<v Speaker 1>snappled it, and um, it said never Flee from Glee

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<v Speaker 1>on it, And she's like, I saved this because I

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<v Speaker 1>just thought it was so crazy. He was drinking this

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<v Speaker 1>beer while you were on the when we were on

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<v Speaker 1>the phone, and so, um, I have the bottle cap.

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<v Speaker 1>She gave it to me, and then my dad made me. Oh,

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<v Speaker 1>it was so sweet. They made me a an engraved

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<v Speaker 1>necklace that says never flee from Glee on it. They

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<v Speaker 1>gave me at my going away dinner when I was

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<v Speaker 1>moving to California by the first time. And it's like

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<v Speaker 1>one of the only times that I've seen my father cry, oh, yeah,

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<v Speaker 1>I was crazy wild. That is never fus And you

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<v Speaker 1>haven't here? We are I do? I do? Here we

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<v Speaker 1>are thirty years later, still talking about it. It was

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<v Speaker 1>sixty five years ago. It's been eighty four years. Do

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<v Speaker 1>you remember the story of when I tested My dad

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<v Speaker 1>called me and it was while I was at Fox

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<v Speaker 1>testing that he said he was going somewhere in the

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<v Speaker 1>parking lot and there was a license plate that said

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<v Speaker 1>Artie on it. What. Yeah, No, he's like I knew,

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<v Speaker 1>and he's not this type of person. And he is superstitious,

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<v Speaker 1>you know. After he's going to say a little superstitious.

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<v Speaker 1>He's very superstitious. Bow. Yeah. See, it was meant to be.

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<v Speaker 1>I don't know what that means, but it was meant

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<v Speaker 1>to be. We were supposed to be life partners, Jenna.

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<v Speaker 1>That's we are sixty five years later. Yeah, like we said, um,

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<v Speaker 1>thanks for sticking with us. You guys weird. We were

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<v Speaker 1>really trying to hear you guys and what you want

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<v Speaker 1>in these recap episodes. So, um, let us know what

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<v Speaker 1>you think of this one. We're gonna give give it

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<v Speaker 1>a whirl. Give it a whirl. Getting into this episode. Okay,

0:13:55.000 --> 0:13:58.360
<v Speaker 1>poor Kent Tanaka, this is the end for him by

0:13:58.480 --> 0:14:01.360
<v Speaker 1>Ken Tanaka. Yes, so this is the last appearance, and

0:14:01.400 --> 0:14:08.079
<v Speaker 1>it's brief. That's a brief. It's very yeah, exactly. So

0:14:08.679 --> 0:14:12.000
<v Speaker 1>the whole crux of this episode is trying to rehab

0:14:12.120 --> 0:14:16.640
<v Speaker 1>not only the characters, you know, things, but some bad

0:14:16.679 --> 0:14:21.840
<v Speaker 1>songs right, and I love that. You know, Physical by

0:14:21.880 --> 0:14:24.640
<v Speaker 1>Livan Newton John is in here, and she was so

0:14:24.760 --> 0:14:28.200
<v Speaker 1>game to do this and sort of poke fun at herself,

0:14:28.320 --> 0:14:31.880
<v Speaker 1>which was great and ended up being very visually stimulating.

0:14:31.920 --> 0:14:35.480
<v Speaker 1>So I'm appreciative of that. Um. So, the songs in

0:14:35.520 --> 0:14:40.400
<v Speaker 1>this episode are Ice Ice Baby by Vanilla Ice, performed

0:14:40.440 --> 0:14:44.720
<v Speaker 1>by Will Schuster and the new directions. Then you Can't

0:14:44.760 --> 0:14:50.360
<v Speaker 1>Touch This by mc hammer performed by us you Me,

0:14:51.200 --> 0:14:55.280
<v Speaker 1>Kurt Mercedes and Brittany when we stormed the library. Then

0:14:55.280 --> 0:14:58.520
<v Speaker 1>there's Physical with the Living Newton John and Susilvester. There's

0:14:58.600 --> 0:15:01.440
<v Speaker 1>Run Joey Run with Rachel and Finn and Jesse and

0:15:01.560 --> 0:15:06.560
<v Speaker 1>Noah Puckerman. And then Total Eclipse of the Heart with

0:15:07.880 --> 0:15:10.400
<v Speaker 1>with Jesse and Finn. I can't wait to talk about

0:15:10.440 --> 0:15:15.600
<v Speaker 1>that one because that one wild. So you know, there's

0:15:15.640 --> 0:15:17.760
<v Speaker 1>there was a question of why wasn't Joan jet in

0:15:17.760 --> 0:15:20.280
<v Speaker 1>the Black Heart song bad Reputation in this episode because

0:15:21.080 --> 0:15:23.080
<v Speaker 1>that's an easy layup. But I don't know, maybe that

0:15:23.120 --> 0:15:26.920
<v Speaker 1>song is not bad enough. You know, these songs were

0:15:26.960 --> 0:15:31.880
<v Speaker 1>all questionably like bad, right Yeah, um, all right, So

0:15:32.480 --> 0:15:37.760
<v Speaker 1>just a light review before we get into it. Um. Actually,

0:15:37.800 --> 0:15:39.880
<v Speaker 1>I liked this one. This came from e W and

0:15:39.920 --> 0:15:43.560
<v Speaker 1>it was the recap of This episode was a Madonna episode.

0:15:43.800 --> 0:15:47.360
<v Speaker 1>Sure fun stuff, but an episode that combines a mystery,

0:15:47.640 --> 0:15:51.080
<v Speaker 1>a mega meta riff on modern a modern celebrity, a

0:15:51.200 --> 0:15:55.160
<v Speaker 1>purposefully awful series of songs, not one but two high

0:15:55.160 --> 0:15:59.080
<v Speaker 1>concept retro music videos, and some realistic forward motion on

0:15:59.360 --> 0:16:04.760
<v Speaker 1>various romantic plotlines. Now we're talking. Yeah, I feel like

0:16:05.360 --> 0:16:08.960
<v Speaker 1>as crazy as this episode was, it gave us everything.

0:16:08.960 --> 0:16:11.400
<v Speaker 1>It was all the fun and weirdness of Glee and

0:16:11.440 --> 0:16:14.360
<v Speaker 1>still had all the kids in the storylines happening. It

0:16:14.440 --> 0:16:20.360
<v Speaker 1>was a great balance, all right. So there are two

0:16:21.160 --> 0:16:23.880
<v Speaker 1>There are the students reputations and the teacher's reputations in

0:16:23.880 --> 0:16:26.720
<v Speaker 1>this episode that are trying to be reformed in some way.

0:16:27.520 --> 0:16:31.000
<v Speaker 1>Let's talk about the teachers first. So the teacher's reputations.

0:16:32.080 --> 0:16:35.320
<v Speaker 1>Kurt finds a video in Sue's office when he went

0:16:35.360 --> 0:16:39.480
<v Speaker 1>to get her hormone replacements, and the video is Sue

0:16:39.680 --> 0:16:45.720
<v Speaker 1>performing Olivia Newton John's hit song Physical in a jazzercise class,

0:16:45.760 --> 0:16:47.640
<v Speaker 1>and he shows it to some of the Glee club,

0:16:47.680 --> 0:16:51.120
<v Speaker 1>which we get to watch, and they decided that they

0:16:51.160 --> 0:16:54.400
<v Speaker 1>have to post it on YouTube and gives you a

0:16:54.400 --> 0:16:57.760
<v Speaker 1>taste of her own medicine, and of course the video

0:16:57.880 --> 0:17:04.120
<v Speaker 1>goes viral and is very humiliated in the teacher's lounge

0:17:04.160 --> 0:17:08.440
<v Speaker 1>where we first meet Molly Shannon. Um did you find

0:17:08.520 --> 0:17:12.880
<v Speaker 1>it interesting that um Finn says we have to put

0:17:12.920 --> 0:17:15.879
<v Speaker 1>this on YouTube? Um so because they convinced themselves right,

0:17:15.920 --> 0:17:18.440
<v Speaker 1>that we have to be bad. Like Jesse goes along

0:17:18.480 --> 0:17:20.400
<v Speaker 1>with it, like let's post it, and he says, let's

0:17:20.480 --> 0:17:22.760
<v Speaker 1>post this on YouTube and hope it goes viral. I

0:17:22.880 --> 0:17:27.800
<v Speaker 1>was sort of shocked that that term was even there already. Yeah, well,

0:17:27.840 --> 0:17:33.159
<v Speaker 1>I feel like the viral thing started with I think, oh,

0:17:33.200 --> 0:17:35.160
<v Speaker 1>I guess you're right. But like the do you remember

0:17:35.840 --> 0:17:40.840
<v Speaker 1>on set around pilot time, YouTube was massive, right. MySpace

0:17:40.920 --> 0:17:43.119
<v Speaker 1>was kind of on its way it was still around

0:17:43.119 --> 0:17:45.399
<v Speaker 1>what it was on its way out, but YouTube and

0:17:45.480 --> 0:17:49.280
<v Speaker 1>we were watching those videos like the one where the

0:17:49.440 --> 0:17:51.359
<v Speaker 1>nine one one call where they're high and he's like,

0:17:51.400 --> 0:17:55.200
<v Speaker 1>I think I think I'm dead, and the weird wobbles

0:17:55.280 --> 0:18:00.439
<v Speaker 1>of the model walking like we wa wobbles. So I

0:18:00.480 --> 0:18:04.600
<v Speaker 1>remember watching all We were definitely of the Panta sneezing.

0:18:04.880 --> 0:18:11.600
<v Speaker 1>We're definitely in that time of viral videos. Yea. But yes, yes, yes,

0:18:12.040 --> 0:18:16.840
<v Speaker 1>so so she says, what's that smell, dear god, that's coffee.

0:18:17.040 --> 0:18:21.160
<v Speaker 1>It's usually masked by a smell of fear. And she's

0:18:21.160 --> 0:18:24.040
<v Speaker 1>doing an inner monologue and Molly Shannon comes in and

0:18:24.480 --> 0:18:28.640
<v Speaker 1>she plays, um, what is it Brenda Castle? Yes, I'm

0:18:28.680 --> 0:18:33.160
<v Speaker 1>not sure? Are these needs Brenda Castle, who is a teacher.

0:18:33.440 --> 0:18:38.280
<v Speaker 1>And the laughing of Molly Sharon does, like the extra

0:18:38.720 --> 0:18:42.080
<v Speaker 1>extra that she does is just so right, and she

0:18:42.200 --> 0:18:46.359
<v Speaker 1>fits right into the camp of our show. Especially this episode.

0:18:47.040 --> 0:18:50.440
<v Speaker 1>It made me just wish we had eighteen more episodes

0:18:50.440 --> 0:18:54.160
<v Speaker 1>of Molly Shannon because also, what an opportunity for her

0:18:54.160 --> 0:18:57.159
<v Speaker 1>and Jane to like two comedic masters, to go up

0:18:57.200 --> 0:19:00.719
<v Speaker 1>against each other constantly. I smell of spinnel. I mean

0:19:00.840 --> 0:19:03.719
<v Speaker 1>there could has been up for every other character that

0:19:03.800 --> 0:19:05.399
<v Speaker 1>came on the show, you know. I mean They're almost

0:19:05.600 --> 0:19:10.320
<v Speaker 1>was a warblar one. Yeah, it's true. So when Sue

0:19:10.440 --> 0:19:13.520
<v Speaker 1>is now faced with all the slow motion laughter and

0:19:13.600 --> 0:19:17.000
<v Speaker 1>humiliation again sort of breaking the fourth wall or being

0:19:17.000 --> 0:19:20.120
<v Speaker 1>meta and talking about what was actually happening, she goes

0:19:20.119 --> 0:19:26.600
<v Speaker 1>to visit her sister and gets some advice, and she says,

0:19:26.680 --> 0:19:28.080
<v Speaker 1>like when they were living and sad, they would go

0:19:28.080 --> 0:19:30.399
<v Speaker 1>to an animal shelter to give back, and there's always

0:19:30.440 --> 0:19:32.440
<v Speaker 1>someone who has it worse than you do. So now

0:19:32.560 --> 0:19:35.959
<v Speaker 1>Sue has sort of this realization that she needs to

0:19:35.960 --> 0:19:38.960
<v Speaker 1>help people, and so who does she want to help?

0:19:39.800 --> 0:19:46.280
<v Speaker 1>Emma Irma, Irma, Elma Ella, whoever it may be. And

0:19:46.359 --> 0:19:48.879
<v Speaker 1>so they go into this scene where they have a

0:19:48.920 --> 0:19:51.920
<v Speaker 1>little one on one which is also really nice, where

0:19:51.920 --> 0:19:57.200
<v Speaker 1>she commnces Emma that she needs to by the way,

0:19:57.600 --> 0:20:01.399
<v Speaker 1>I put cameras and and Will's I don't remember this

0:20:01.480 --> 0:20:04.359
<v Speaker 1>at all. By the way, there were a lot of

0:20:04.640 --> 0:20:08.320
<v Speaker 1>suspension of disbelief things happening in this episode, like Kurt

0:20:08.400 --> 0:20:10.880
<v Speaker 1>finding the tape. Yeah, this is where we kick off.

0:20:11.640 --> 0:20:14.919
<v Speaker 1>It's sure, I do think this is maybe like a

0:20:15.000 --> 0:20:17.240
<v Speaker 1>test for them, and it like it worked, so they're like, oh,

0:20:17.240 --> 0:20:22.080
<v Speaker 1>we can do anything. So's like, let's remember that going forward, guys,

0:20:22.160 --> 0:20:25.760
<v Speaker 1>when we keep writing this. And so she's hidden cameras

0:20:25.760 --> 0:20:31.359
<v Speaker 1>and Will Shooter's apartment or house and m and caught

0:20:31.480 --> 0:20:35.080
<v Speaker 1>him with Adena and caught him with Kristen, caught him

0:20:35.119 --> 0:20:40.000
<v Speaker 1>with the cast of wicket and has decided to you know,

0:20:40.119 --> 0:20:43.320
<v Speaker 1>spill the beans to Emma and says like, look, you

0:20:43.359 --> 0:20:45.439
<v Speaker 1>need to buck up and call him out in public

0:20:45.480 --> 0:20:48.480
<v Speaker 1>so we can't run away or manipulate you and fight back.

0:20:48.520 --> 0:20:51.199
<v Speaker 1>And I liked that she sort of is pushing her

0:20:51.920 --> 0:20:55.040
<v Speaker 1>in this scene and is insulting her and she's like, oh, yeah,

0:20:55.080 --> 0:20:57.920
<v Speaker 1>you're right. She's like no, like do something about it, right,

0:20:58.040 --> 0:21:02.439
<v Speaker 1>And it was actually one breath really nice to see Sue,

0:21:03.720 --> 0:21:06.640
<v Speaker 1>you know, help her in this way like tough love,

0:21:06.920 --> 0:21:08.960
<v Speaker 1>but also like what are you getting out of what's

0:21:09.000 --> 0:21:11.880
<v Speaker 1>going on? It's always self serving, I know, but with

0:21:11.880 --> 0:21:15.760
<v Speaker 1>with her sister, you never quite know, right with her

0:21:15.800 --> 0:21:19.199
<v Speaker 1>sister and the intention behind you never That's like the

0:21:19.320 --> 0:21:22.280
<v Speaker 1>nice Sue that Jane talks about a lot, I think possibly,

0:21:22.960 --> 0:21:26.600
<v Speaker 1>but either way, more importantly, the best scene of the episode,

0:21:26.640 --> 0:21:28.199
<v Speaker 1>I think, or one of the best scenes of the

0:21:28.200 --> 0:21:33.040
<v Speaker 1>episode one of um Jama's best performances as Emma, and

0:21:33.080 --> 0:21:35.880
<v Speaker 1>she talks about this in her our interview with her

0:21:35.880 --> 0:21:39.520
<v Speaker 1>on the podcast as well. I just she's so cute

0:21:39.520 --> 0:21:44.480
<v Speaker 1>and little, and she says, she goes into the uh,

0:21:46.520 --> 0:21:49.800
<v Speaker 1>the faculty lounge, and Will is talking to um, what

0:21:50.359 --> 0:21:53.640
<v Speaker 1>is the teacher's name, UM, I don't know, sweet old,

0:21:54.880 --> 0:21:58.400
<v Speaker 1>I don't know Barbara. So Barbara is talking to Will

0:21:58.440 --> 0:22:03.240
<v Speaker 1>about how her husband just died, and oh, Emma says,

0:22:03.480 --> 0:22:06.960
<v Speaker 1>you're a slut. Will, You're a slut. You're a slut,

0:22:07.080 --> 0:22:09.960
<v Speaker 1>You're a slut. I was like, what can we say that?

0:22:11.119 --> 0:22:13.760
<v Speaker 1>Everybody should know that and you should know that I'm

0:22:13.800 --> 0:22:18.520
<v Speaker 1>through with you. It was great you and I have

0:22:18.560 --> 0:22:21.200
<v Speaker 1>been waiting for that scene. Yes, yes, and I thought

0:22:21.200 --> 0:22:23.639
<v Speaker 1>it was later. I think everything is later in a

0:22:23.760 --> 0:22:26.360
<v Speaker 1>later season. But I was very happy that it was here.

0:22:27.600 --> 0:22:30.479
<v Speaker 1>And I'm sorry for you lost. She says, have you

0:22:30.520 --> 0:22:34.119
<v Speaker 1>ever been in a position where this is like, have

0:22:34.240 --> 0:22:38.119
<v Speaker 1>you've experienced anything like this in real life? Ch happened

0:22:38.119 --> 0:22:42.240
<v Speaker 1>to me? Like, like I've had people, even you guys,

0:22:42.359 --> 0:22:45.440
<v Speaker 1>when it's like you're not acting at your best, not

0:22:45.480 --> 0:22:48.080
<v Speaker 1>acting in terms of like performance, I mean being your

0:22:48.119 --> 0:22:51.119
<v Speaker 1>best self. Yeah, and like you need to like buck up,

0:22:51.160 --> 0:22:53.639
<v Speaker 1>like I learned to speak up for myself being around

0:22:54.160 --> 0:22:56.200
<v Speaker 1>I always say all the time, around all the ladies

0:22:56.480 --> 0:22:59.880
<v Speaker 1>in the cast, because you were all very good at that, Like,

0:23:01.040 --> 0:23:03.840
<v Speaker 1>do you like I have sort of like interventions? You

0:23:03.880 --> 0:23:06.359
<v Speaker 1>guys had an intervention with me on a plane to

0:23:06.480 --> 0:23:09.080
<v Speaker 1>England when I was I had to be on steroids

0:23:09.080 --> 0:23:11.560
<v Speaker 1>because I was sick. And I was acting insane and

0:23:11.600 --> 0:23:14.240
<v Speaker 1>you were all like, you need to stop stop taking

0:23:14.280 --> 0:23:18.280
<v Speaker 1>the steroids because you're being crazy and everybody's noticing, which

0:23:18.320 --> 0:23:20.240
<v Speaker 1>is really nice, and you know, it's what good friends do.

0:23:20.400 --> 0:23:24.040
<v Speaker 1>And it was a nice, like friend moment between Sue

0:23:24.080 --> 0:23:26.600
<v Speaker 1>and Emma. I was just wondering if you because I've

0:23:26.680 --> 0:23:29.080
<v Speaker 1>clearly sure. I'm sure I had some run ins with

0:23:29.080 --> 0:23:31.680
<v Speaker 1>you guys. I mean, I feel like you guys, we've

0:23:31.720 --> 0:23:33.439
<v Speaker 1>all done that for each other. I think that's the

0:23:33.480 --> 0:23:36.920
<v Speaker 1>only group, you guys, this crew, who's the only group

0:23:37.000 --> 0:23:39.879
<v Speaker 1>that would actually call me on my stuff? You know,

0:23:40.400 --> 0:23:44.800
<v Speaker 1>have you ever slut shamed somebody? No? I haven't, thank goodness,

0:23:44.960 --> 0:23:48.200
<v Speaker 1>Thank goodness, but this is the best slut shaming I've

0:23:48.200 --> 0:23:50.960
<v Speaker 1>ever seen, because he deserved it. Number one and number two.

0:23:51.000 --> 0:23:56.000
<v Speaker 1>To hear Emma say that is courageous and uplifting. I

0:23:56.040 --> 0:23:58.120
<v Speaker 1>do think this was deserved. However, when Artie is slut

0:23:58.160 --> 0:24:01.000
<v Speaker 1>shamed by Sam and a couple seasons, I don't think

0:24:01.000 --> 0:24:05.399
<v Speaker 1>that was deserved. Whatever we'll get there, Kevin, did you

0:24:05.440 --> 0:24:10.159
<v Speaker 1>notice that Emma's outfit changed but sus didn't, so the

0:24:10.240 --> 0:24:14.800
<v Speaker 1>continuity there was something off with that. Yeah, she was

0:24:14.960 --> 0:24:17.720
<v Speaker 1>in the office, she was wearing something different, the butterfly shirt,

0:24:17.800 --> 0:24:22.760
<v Speaker 1>and then in the lounge she's wearing the the red,

0:24:22.760 --> 0:24:24.800
<v Speaker 1>white and blue outfit, which I did not notice that

0:24:24.960 --> 0:24:26.480
<v Speaker 1>I do. I don't know if people know this either.

0:24:26.560 --> 0:24:30.480
<v Speaker 1>So when it comes to like planning costumes and things,

0:24:31.040 --> 0:24:34.520
<v Speaker 1>people correct me if I'm wrong. But when they plan

0:24:34.640 --> 0:24:37.359
<v Speaker 1>on an episode, they sort of mark down, like realistic,

0:24:37.400 --> 0:24:40.680
<v Speaker 1>what the days are of what we're shooting. Yeah, so

0:24:40.760 --> 0:24:43.360
<v Speaker 1>there's day you know, if this episode takes place within

0:24:43.359 --> 0:24:45.760
<v Speaker 1>a week, there's day one through seven. Ye, and so

0:24:45.800 --> 0:24:48.440
<v Speaker 1>they can keep track of what everybody's wearing, what everybody's

0:24:48.480 --> 0:24:51.760
<v Speaker 1>doing based on the day. So that sounds like there

0:24:51.840 --> 0:24:54.440
<v Speaker 1>was some sort of mix up in that scene. It

0:24:54.520 --> 0:24:58.480
<v Speaker 1>was day three for Emma, but still day two two,

0:24:58.960 --> 0:25:04.760
<v Speaker 1>so there was some sort of of mix up. Yeah, okay,

0:25:04.880 --> 0:25:08.119
<v Speaker 1>can we talk about physical please, I mean we're doing it, okay.

0:25:09.119 --> 0:25:15.640
<v Speaker 1>So well, first the scene that we did tell Kurt

0:25:15.760 --> 0:25:19.240
<v Speaker 1>that he's gonna decide we'll get there. But Kurt decides

0:25:19.280 --> 0:25:24.040
<v Speaker 1>that he's gonna tell the Sue that he posted the

0:25:24.119 --> 0:25:28.840
<v Speaker 1>video right because it's going to help our reputations, which

0:25:28.880 --> 0:25:33.520
<v Speaker 1>we'll get you later. Yeah, But Sue is like it's fine,

0:25:33.880 --> 0:25:39.840
<v Speaker 1>no problem, because she gets a call from Olivia Newton John,

0:25:40.320 --> 0:25:43.440
<v Speaker 1>the real Olivia Newton John, who is playing herself, which

0:25:43.480 --> 0:25:45.800
<v Speaker 1>I love. Um, I just love when actors do that

0:25:45.920 --> 0:25:49.639
<v Speaker 1>and they play themselves like a heightened version of himself.

0:25:50.040 --> 0:25:52.400
<v Speaker 1>So she's randomly going to be in Ohio this week

0:25:52.440 --> 0:25:56.520
<v Speaker 1>and she saw, you know, Sue's performance on the web.

0:25:57.040 --> 0:25:59.600
<v Speaker 1>I wonder what that direct flight from Sydney to Ohio

0:25:59.760 --> 0:26:04.479
<v Speaker 1>is because lima, that doesn't make a lot of sense.

0:26:08.240 --> 0:26:10.720
<v Speaker 1>So Sue was like, yeah, it's fine. But that scene

0:26:10.840 --> 0:26:14.840
<v Speaker 1>was very funny, and I remember shooting that with Kurt

0:26:15.560 --> 0:26:17.800
<v Speaker 1>with Chris looking at us, and it's just so hard

0:26:17.880 --> 0:26:21.439
<v Speaker 1>to not laugh with Chris. Yeah, like in intimate scenes

0:26:21.480 --> 0:26:24.040
<v Speaker 1>like that, it's so He's so funny. I also love.

0:26:24.080 --> 0:26:26.119
<v Speaker 1>So it was the first time we got to do

0:26:26.160 --> 0:26:28.199
<v Speaker 1>this type of scene where we're crowded around the computer

0:26:28.359 --> 0:26:30.600
<v Speaker 1>when we discovered that she did this music video. Right

0:26:30.640 --> 0:26:35.480
<v Speaker 1>we're in the astronomy classroom and which was a new classroom,

0:26:36.000 --> 0:26:40.879
<v Speaker 1>and that also doubled for about eight other things, and

0:26:42.359 --> 0:26:44.520
<v Speaker 1>we had so like, I don't know if people care

0:26:44.560 --> 0:26:46.760
<v Speaker 1>about this, but I was always fascinated by when you

0:26:46.800 --> 0:26:49.440
<v Speaker 1>see people typing on a TV show or in a movie,

0:26:49.840 --> 0:26:52.320
<v Speaker 1>like how does that work? Like this? You know what

0:26:52.359 --> 0:26:55.240
<v Speaker 1>I mean? Like seeing it on the screen, actually seeing

0:26:55.280 --> 0:26:58.560
<v Speaker 1>on the screen. And yeah, and it was this program

0:26:58.680 --> 0:27:01.040
<v Speaker 1>that also it was not YouTube. I don't know what

0:27:01.080 --> 0:27:03.120
<v Speaker 1>it was supposed to look like, but that thing looked

0:27:03.160 --> 0:27:07.960
<v Speaker 1>like it was from the early nineties and early nineties

0:27:07.960 --> 0:27:13.399
<v Speaker 1>are chaic, and I was like, wow, I'm trying to

0:27:13.520 --> 0:27:18.639
<v Speaker 1>edge myself down. And what you could press any You

0:27:18.640 --> 0:27:21.400
<v Speaker 1>could press any key on the keyboard and it would

0:27:21.440 --> 0:27:23.400
<v Speaker 1>still type exactly what I was supposed to type, which

0:27:23.440 --> 0:27:26.280
<v Speaker 1>was so satisfying. It felt like one of those movie

0:27:26.320 --> 0:27:30.080
<v Speaker 1>magic things that I was really excited about. You were,

0:27:30.160 --> 0:27:32.520
<v Speaker 1>I remember you excited about that. And also you can't

0:27:32.560 --> 0:27:40.119
<v Speaker 1>type without looking, so yeah, it is sort of personal. Yeah, okay,

0:27:40.119 --> 0:27:46.680
<v Speaker 1>so let's talk about a goal another So Sylvester recreation

0:27:47.119 --> 0:27:51.120
<v Speaker 1>music video recreation its beautif. I don't remember when they

0:27:51.680 --> 0:27:54.639
<v Speaker 1>made that room that set. Yes, it was like a room,

0:27:55.440 --> 0:27:58.480
<v Speaker 1>and we weren't there for I don't think we were allowed.

0:27:59.119 --> 0:28:03.040
<v Speaker 1>We were rehearsing and we went into the sound stage

0:28:03.280 --> 0:28:06.240
<v Speaker 1>but it was like closed off, but we could hear it.

0:28:06.440 --> 0:28:08.640
<v Speaker 1>I can't hear them shooting it, and I was like,

0:28:11.440 --> 0:28:14.280
<v Speaker 1>my gay ass one to see all the oiled up

0:28:14.520 --> 0:28:18.320
<v Speaker 1>hot bods that were in there. I mean, and I

0:28:18.359 --> 0:28:21.040
<v Speaker 1>don't think we were allowed, and I think it was

0:28:21.080 --> 0:28:24.400
<v Speaker 1>a close set because of that. And didn't Ryan direct

0:28:24.480 --> 0:28:26.879
<v Speaker 1>this music video? I think so when it came to

0:28:27.040 --> 0:28:30.720
<v Speaker 1>Liva Newton John scenes, I think he did. Ryan did it. Yes, yes,

0:28:30.800 --> 0:28:32.840
<v Speaker 1>I think it was also part of like you see now.

0:28:33.240 --> 0:28:36.640
<v Speaker 1>Ryan is the ultimate like stunt caster, and I think

0:28:36.640 --> 0:28:39.240
<v Speaker 1>people feel safe, like they know part of the cell

0:28:39.480 --> 0:28:44.040
<v Speaker 1>is right they get Ryan. Yes, exactly, Yeah, okay, which

0:28:44.120 --> 0:28:46.719
<v Speaker 1>was nice and Elody to like concede that too. You know,

0:28:47.200 --> 0:28:49.080
<v Speaker 1>you're coming in like you want to direct your episode,

0:28:49.120 --> 0:28:51.640
<v Speaker 1>and but it's Ryan, so I'll let you do these scenes.

0:28:52.240 --> 0:28:56.240
<v Speaker 1>I'll let you do it, no problem, right. Oh. I

0:28:56.280 --> 0:28:58.400
<v Speaker 1>had such a crush on all these guys, Jenna. I

0:28:58.440 --> 0:29:01.360
<v Speaker 1>was watching this and having flashbacks of like me and

0:29:01.520 --> 0:29:04.080
<v Speaker 1>Telly in all the gays sort of congregated be like,

0:29:04.240 --> 0:29:06.480
<v Speaker 1>oh my god, you see that guy. Yeah. I remember

0:29:06.640 --> 0:29:09.240
<v Speaker 1>like literally outside of the door, we're just like waiting

0:29:09.280 --> 0:29:11.840
<v Speaker 1>and like peeking. You could see like a body part

0:29:11.960 --> 0:29:15.840
<v Speaker 1>fly over and you're like, oh my god, I didn't

0:29:15.840 --> 0:29:19.640
<v Speaker 1>get to meet Olivia though I didn't either. But the

0:29:19.720 --> 0:29:24.040
<v Speaker 1>music video is so good and that budget is I

0:29:24.120 --> 0:29:26.840
<v Speaker 1>do have a question because we've now done a couple

0:29:26.840 --> 0:29:31.480
<v Speaker 1>of music videos. Yeah, where are these people recording these songs?

0:29:33.600 --> 0:29:37.440
<v Speaker 1>Like Olivia and John can find a recording studio in Lima, Ohio? Fine,

0:29:37.720 --> 0:29:41.560
<v Speaker 1>But like, where is Sue recording the vocals to Vogue?

0:29:42.200 --> 0:29:44.920
<v Speaker 1>Where are the kids recording the vocals to Run Joey Runner?

0:29:44.880 --> 0:29:49.240
<v Speaker 1>Are they seeing them live? No? Like what we never

0:29:49.440 --> 0:29:52.320
<v Speaker 1>ever ever addressed that? Well, we don't address a lot

0:29:52.320 --> 0:29:54.520
<v Speaker 1>of things, Kevin, I know, and I don't know why

0:29:54.560 --> 0:29:56.640
<v Speaker 1>it took until twenty twenty three for me to even

0:29:57.040 --> 0:30:02.600
<v Speaker 1>think of that. Oh well, O man, okay, well this

0:30:02.680 --> 0:30:09.959
<v Speaker 1>number was real good, real real good. Um, is there

0:30:10.000 --> 0:30:14.280
<v Speaker 1>anything is there any what music video did you? Well?

0:30:14.320 --> 0:30:18.240
<v Speaker 1>You did? You did recreate some music video? Yeah? You

0:30:18.280 --> 0:30:21.120
<v Speaker 1>got to do Scream? Yeah? Was there is there any

0:30:21.120 --> 0:30:23.720
<v Speaker 1>other music video that you would like want to recreate?

0:30:25.080 --> 0:30:28.640
<v Speaker 1>You know? I feel like Scream checked off all the boxes.

0:30:28.680 --> 0:30:31.480
<v Speaker 1>I know it's a boring answer. Um, if there's something

0:30:31.480 --> 0:30:33.560
<v Speaker 1>I wish I could have done that somebody else got

0:30:33.600 --> 0:30:36.200
<v Speaker 1>to do I wish I got to do that. Gimbal

0:30:36.280 --> 0:30:39.800
<v Speaker 1>box that I was just thinking that. Yeah, so cool.

0:30:40.040 --> 0:30:45.640
<v Speaker 1>So they got to use that, um Matt and j Yeah,

0:30:45.680 --> 0:30:48.520
<v Speaker 1>that would have been really fun. But scream it was

0:30:48.560 --> 0:30:50.560
<v Speaker 1>sort of everything. We got to do green Screen, we

0:30:50.640 --> 0:30:53.640
<v Speaker 1>got to do dancing, we got to do Michael and Janet,

0:30:54.200 --> 0:30:59.200
<v Speaker 1>So it was sort of that was everything. What about you? Um,

0:30:59.320 --> 0:31:03.120
<v Speaker 1>you know, I I got to live out some Brittany dreams.

0:31:03.160 --> 0:31:09.160
<v Speaker 1>I would have loved to recreate a Brittany um like

0:31:09.200 --> 0:31:14.560
<v Speaker 1>a maybe oops maybe Lucky Yes maybe. I mean we

0:31:14.600 --> 0:31:16.960
<v Speaker 1>did slave, but like me, you would have killed Lucky.

0:31:17.200 --> 0:31:19.800
<v Speaker 1>That would have been the acting. That would have been

0:31:19.840 --> 0:31:23.240
<v Speaker 1>really fun. And I can also do a good Brittany

0:31:23.360 --> 0:31:26.880
<v Speaker 1>up impression of that song in particular. So can you

0:31:26.920 --> 0:31:28.719
<v Speaker 1>do can you just give us a little taste. It's

0:31:28.760 --> 0:31:30.360
<v Speaker 1>been so long, Kevin, I don't even think I have

0:31:30.360 --> 0:31:35.400
<v Speaker 1>a voice anymore. Just an early morning Martin. Oh yeah,

0:31:35.440 --> 0:31:38.120
<v Speaker 1>there is that vibrato is correct? Thank you, thank you

0:31:38.160 --> 0:31:40.440
<v Speaker 1>for doing that. I know you it's not great, but

0:31:40.520 --> 0:31:43.000
<v Speaker 1>that wasn't practiced. It's don't judge me on that. You

0:31:43.040 --> 0:31:47.800
<v Speaker 1>guys write in a tell her how bad her impression was. Please. Okay,

0:31:47.840 --> 0:31:50.880
<v Speaker 1>let's talk about the Glee Club reputations. But then we

0:31:50.920 --> 0:31:53.280
<v Speaker 1>get to talk about can't touches, that's right. So she

0:31:53.400 --> 0:31:56.000
<v Speaker 1>was complaining to Figgins and Will about the viral video.

0:31:56.280 --> 0:31:59.200
<v Speaker 1>She is pissed, and then somehow pivots to buy the

0:31:59.280 --> 0:32:02.280
<v Speaker 1>way I know the Glee Cup did this, And they

0:32:02.320 --> 0:32:07.320
<v Speaker 1>also did this. They posted the glist that rates some

0:32:07.360 --> 0:32:11.360
<v Speaker 1>of the Glee club members and their sexiness potential, right,

0:32:11.440 --> 0:32:14.360
<v Speaker 1>and how bad they are in a good way, right,

0:32:14.480 --> 0:32:20.120
<v Speaker 1>And Figgins is threatening to expel all of them if

0:32:20.520 --> 0:32:23.840
<v Speaker 1>someone doesn't come forward and take responsibility for creating this

0:32:23.920 --> 0:32:28.240
<v Speaker 1>toxic list. The stakes are high. And then Will, because

0:32:28.640 --> 0:32:31.600
<v Speaker 1>again not a great teacher and has not come up

0:32:31.600 --> 0:32:34.960
<v Speaker 1>with a lesson planned before this, apparently decides to let

0:32:35.000 --> 0:32:40.800
<v Speaker 1>this influence the lesson and says, let's talk about bad

0:32:40.800 --> 0:32:43.160
<v Speaker 1>reputations because now you guys are getting a bad reputation.

0:32:43.240 --> 0:32:46.440
<v Speaker 1>Let's take some songs that have bad reputations. How many

0:32:46.440 --> 0:32:50.320
<v Speaker 1>times get I say it? And we're like, for whatever

0:32:50.400 --> 0:32:54.880
<v Speaker 1>do you mean? And he then goes into Ice Ice Baby,

0:32:55.000 --> 0:32:58.680
<v Speaker 1>which let me I feel like Ice Ice Baby is

0:32:59.320 --> 0:33:04.000
<v Speaker 1>the ultimate Will Shooster song. Right, he is Vanilla eyes.

0:33:06.720 --> 0:33:10.440
<v Speaker 1>I there was somebody who wrote in that said I

0:33:10.480 --> 0:33:12.640
<v Speaker 1>think This is the only one of the only songs

0:33:12.680 --> 0:33:16.160
<v Speaker 1>that were not offended by Yeah, this works like it's

0:33:16.600 --> 0:33:18.920
<v Speaker 1>bad and cringey, but because it's a bad and cringey

0:33:19.000 --> 0:33:25.800
<v Speaker 1>song and it works with Yeah the intense Schooster. Yeah, okay,

0:33:27.000 --> 0:33:30.959
<v Speaker 1>but this number, I was like, Oh, they put me

0:33:30.960 --> 0:33:35.800
<v Speaker 1>with the dancers, Jenna, don't stay yourself short. You're a dancer, yeah,

0:33:35.880 --> 0:33:38.480
<v Speaker 1>but I'm not like a Heather Harry dancer, and they

0:33:38.480 --> 0:33:40.800
<v Speaker 1>put me with the dancers. You know what I love?

0:33:40.960 --> 0:33:44.280
<v Speaker 1>When we did Secret Celebrity Drag Race and I think

0:33:44.320 --> 0:33:46.720
<v Speaker 1>it was in the first episode, and was it Rue

0:33:46.760 --> 0:33:49.400
<v Speaker 1>who asked you like, you're a professional dancer, and you

0:33:49.480 --> 0:33:56.040
<v Speaker 1>just go yep. And I have never ever ever heard

0:33:56.080 --> 0:33:59.320
<v Speaker 1>you refer to yourself or feel even good about your

0:33:59.360 --> 0:34:02.080
<v Speaker 1>dancing a bit. I think you're great, but I know

0:34:02.200 --> 0:34:04.960
<v Speaker 1>you don't feel great about your dancing ability. And then

0:34:05.040 --> 0:34:08.279
<v Speaker 1>Rue Paul asks you on live television if you're a

0:34:08.280 --> 0:34:12.320
<v Speaker 1>professional dancer, like, mhmm, well, I think it's most competent

0:34:12.400 --> 0:34:15.200
<v Speaker 1>I've ever heard you in your life. I think because

0:34:15.200 --> 0:34:20.440
<v Speaker 1>I I interpreted the question as like, you're a professional performer,

0:34:20.760 --> 0:34:26.360
<v Speaker 1>not a dancer. She said dancer, And it made me

0:34:26.440 --> 0:34:30.520
<v Speaker 1>so happy. I was like, yes, you better tell them.

0:34:30.560 --> 0:34:36.800
<v Speaker 1>It's just I was just asking myself stop hands, yeah exactly. See. Anyway,

0:34:36.880 --> 0:34:39.520
<v Speaker 1>somehow I managed to look a decent in this number

0:34:40.080 --> 0:34:43.640
<v Speaker 1>with with everybody. But I do want to talk about

0:34:44.000 --> 0:34:47.200
<v Speaker 1>this is this is the beginning of like when not

0:34:47.239 --> 0:34:50.240
<v Speaker 1>even the beginning, but this was like in the thick

0:34:50.320 --> 0:34:52.440
<v Speaker 1>of like being like, okay, so you Kevin, you just

0:34:52.480 --> 0:34:58.880
<v Speaker 1>sit there and now I am I am. It makes

0:34:58.880 --> 0:35:06.640
<v Speaker 1>me sad because or under sympathetic, empathetic for and also

0:35:06.680 --> 0:35:09.040
<v Speaker 1>grateful that I could dance and I was able to

0:35:09.040 --> 0:35:11.960
<v Speaker 1>get up in dance and um, but they put one

0:35:12.000 --> 0:35:14.000
<v Speaker 1>of the best dancers in the wheelchair Ryan, so that

0:35:14.080 --> 0:35:17.279
<v Speaker 1>like it's it was it was hard to watch you

0:35:17.680 --> 0:35:20.239
<v Speaker 1>kind of be like, okay, now just like sit there,

0:35:20.360 --> 0:35:23.200
<v Speaker 1>don't even like move around the room, don't do anything,

0:35:23.239 --> 0:35:29.200
<v Speaker 1>just yeah, block your wheels? Um? What what did it

0:35:29.280 --> 0:35:34.520
<v Speaker 1>feel like? Sometimes it was easier than others. This wasn't

0:35:34.520 --> 0:35:36.520
<v Speaker 1>like some dance that I felt like I was missing

0:35:36.520 --> 0:35:39.600
<v Speaker 1>out on. You know what do you mean? Happy to

0:35:39.680 --> 0:35:44.080
<v Speaker 1>let you professional dancers have it. But it was one

0:35:44.080 --> 0:35:45.839
<v Speaker 1>of those things where I had a lot of fun

0:35:45.920 --> 0:35:48.200
<v Speaker 1>because it was very much we were all very aware

0:35:48.280 --> 0:35:53.200
<v Speaker 1>I was shoved in the corner, and so it was okay,

0:35:53.480 --> 0:35:56.480
<v Speaker 1>how do I make this fun? Who cares? Like, what

0:35:56.520 --> 0:35:58.560
<v Speaker 1>do we what do we got to do? And this

0:35:58.760 --> 0:36:03.680
<v Speaker 1>sort of sparked the beginning of me trying to get

0:36:03.680 --> 0:36:07.080
<v Speaker 1>as many shots and as possible, of me doing ridiculous

0:36:07.160 --> 0:36:10.480
<v Speaker 1>things when I had no right to be really in

0:36:10.520 --> 0:36:14.560
<v Speaker 1>this number, and Alexis would all, Martin would all who's

0:36:15.080 --> 0:36:17.279
<v Speaker 1>who was head of post production and editing at the time.

0:36:17.840 --> 0:36:20.359
<v Speaker 1>She's now like the head of Ryan Murphy Television. Yeah,

0:36:20.360 --> 0:36:25.600
<v Speaker 1>she's president television. So she mentioned how if they needed

0:36:25.600 --> 0:36:28.480
<v Speaker 1>some more reaction shots, they would usually look for me

0:36:29.200 --> 0:36:31.799
<v Speaker 1>because I would be doing ridiculous things. And a lot

0:36:31.800 --> 0:36:36.719
<v Speaker 1>of times in like how Nia and I would both

0:36:36.840 --> 0:36:39.160
<v Speaker 1>like give things to each other to do to make

0:36:39.160 --> 0:36:41.760
<v Speaker 1>each other laugh. So like the so Cold, the so Cold,

0:36:41.800 --> 0:36:44.759
<v Speaker 1>that was purely me doing this to try to make

0:36:44.800 --> 0:36:47.640
<v Speaker 1>you guys laugh. And one of the joys of Ledi

0:36:47.800 --> 0:36:52.360
<v Speaker 1>the director, was that she when we were doing something ridiculous,

0:36:52.400 --> 0:36:55.440
<v Speaker 1>she'd be like, Okay, yeah, do it again, do something.

0:36:55.640 --> 0:36:57.560
<v Speaker 1>She was down to try all of those things. So

0:36:58.160 --> 0:37:00.840
<v Speaker 1>I think through this number it was, you know, a

0:37:00.840 --> 0:37:03.879
<v Speaker 1>way for me to try all those things and feel

0:37:03.880 --> 0:37:05.960
<v Speaker 1>supported and be stupid and be a clown. And I

0:37:06.080 --> 0:37:07.600
<v Speaker 1>loved it. I mean, they use them and it was

0:37:07.680 --> 0:37:10.000
<v Speaker 1>very funny. I did not think they were going to

0:37:10.080 --> 0:37:12.960
<v Speaker 1>use them, and they sure did. They always use our

0:37:13.040 --> 0:37:16.160
<v Speaker 1>crazy reactions. I'm like, oh gosh, it's crazy. It was

0:37:16.200 --> 0:37:19.200
<v Speaker 1>their fault. They created a monster of me. And this

0:37:19.320 --> 0:37:24.000
<v Speaker 1>number fair enough, it's it's uh, I love it. It's wonderful.

0:37:24.000 --> 0:37:38.320
<v Speaker 1>It's wildly entertaining. So we did not get on the glist.

0:37:38.400 --> 0:37:40.960
<v Speaker 1>We didn't even make it on the glass. Our names

0:37:41.000 --> 0:37:46.320
<v Speaker 1>aren't even on it. And so Kurt has this idea that, um,

0:37:46.320 --> 0:37:48.600
<v Speaker 1>he's upset, and he's like, this means that we are

0:37:48.760 --> 0:37:53.560
<v Speaker 1>nobodies where it's worse than being hate, Like worse than

0:37:53.600 --> 0:37:56.799
<v Speaker 1>being hated is being invisible. So Kurt comes up with

0:37:56.800 --> 0:38:01.759
<v Speaker 1>the idea to uh, descry our reputation and actually just

0:38:01.920 --> 0:38:06.920
<v Speaker 1>it's like no, no press is bad press, yes, which

0:38:07.000 --> 0:38:13.120
<v Speaker 1>I disagree, but but he thinks that he's living by

0:38:13.160 --> 0:38:16.880
<v Speaker 1>that rule. So um, he thinks, let's perform in the

0:38:16.920 --> 0:38:20.800
<v Speaker 1>library and let's do a number. And then you see

0:38:20.880 --> 0:38:26.680
<v Speaker 1>Britney asked Pearce in the corner, saying that she took

0:38:26.680 --> 0:38:28.720
<v Speaker 1>her antibiotics at the same time, and now she forgot

0:38:28.719 --> 0:38:31.960
<v Speaker 1>how to move and she's upset because she didn't. She

0:38:32.000 --> 0:38:33.960
<v Speaker 1>doesn't know why she only made four on the glyst.

0:38:34.200 --> 0:38:40.040
<v Speaker 1>She made out with mister Kidney the janitor. Oh, laws

0:38:40.160 --> 0:38:43.319
<v Speaker 1>were broken, laws were broken. So but she was also

0:38:43.400 --> 0:38:45.720
<v Speaker 1>dating a seven year old in the Donoso it's fine,

0:38:45.800 --> 0:38:49.239
<v Speaker 1>that's right. So that brings us to you can't touch

0:38:49.320 --> 0:38:54.640
<v Speaker 1>this and the library and I love we're all sort

0:38:54.680 --> 0:38:58.520
<v Speaker 1>of well, already's sort of scared and says I'm getting

0:38:58.520 --> 0:39:01.560
<v Speaker 1>cold feet, and Brittany says, can you even feel your feet?

0:39:03.760 --> 0:39:07.960
<v Speaker 1>So this scene, um, I have a question about the

0:39:07.960 --> 0:39:12.360
<v Speaker 1>outfits because one wears the budget but these sort of

0:39:12.400 --> 0:39:14.800
<v Speaker 1>look homemade in a fun way. And I was wondering

0:39:15.120 --> 0:39:19.640
<v Speaker 1>is Mercedes still making the costumes because she she mentions

0:39:19.640 --> 0:39:21.680
<v Speaker 1>it in the pilot and we never hear about it again.

0:39:22.320 --> 0:39:25.239
<v Speaker 1>Right when we joke about that, we joke about that,

0:39:25.560 --> 0:39:29.840
<v Speaker 1>this feels like something that she could have done right right, definitely, definitely,

0:39:29.920 --> 0:39:32.680
<v Speaker 1>And I feel like these were sourced from somewhere where

0:39:32.680 --> 0:39:36.799
<v Speaker 1>they smelled like that too, Like they smelled like they

0:39:36.840 --> 0:39:40.520
<v Speaker 1>were second Yeah, the jackets of those pants, I feel

0:39:40.520 --> 0:39:45.960
<v Speaker 1>like we're made you're right. I love those pants and

0:39:46.040 --> 0:39:50.959
<v Speaker 1>I love this number a lot. This number was really hard.

0:39:51.040 --> 0:39:53.799
<v Speaker 1>I was really scared on the day of filming it,

0:39:53.880 --> 0:39:56.560
<v Speaker 1>because when you're recording the song, you have the lyrics

0:39:56.600 --> 0:40:00.760
<v Speaker 1>in front of you, like whatever, and so I never

0:40:00.960 --> 0:40:04.640
<v Speaker 1>I couldn't remember the lyrics, all those I told you,

0:40:04.760 --> 0:40:07.760
<v Speaker 1>all those little interjections, I could not for the life

0:40:07.760 --> 0:40:10.719
<v Speaker 1>of me remember. And the dancing was so fast and

0:40:10.719 --> 0:40:13.680
<v Speaker 1>one of the behind the scenes clips how they said

0:40:13.719 --> 0:40:16.919
<v Speaker 1>she needed her in Hailer because it was so dead.

0:40:17.080 --> 0:40:20.720
<v Speaker 1>I remember it was hard to learn because I remember

0:40:20.760 --> 0:40:25.360
<v Speaker 1>them teaching it to us pretty slowly and then speeding

0:40:25.400 --> 0:40:29.040
<v Speaker 1>it up, speaking it up, seeing it up in um bigger, bigger, bigger,

0:40:29.120 --> 0:40:31.319
<v Speaker 1>like dancing on those tables. I was like, are we

0:40:31.360 --> 0:40:34.680
<v Speaker 1>going to break these tables right now? Um? I didn't

0:40:34.680 --> 0:40:36.399
<v Speaker 1>think I was gonna be able to wheel fast enough

0:40:36.400 --> 0:40:39.160
<v Speaker 1>through the stacks and all of that. I well, I

0:40:39.160 --> 0:40:42.640
<v Speaker 1>think I had to push you at let's get him,

0:40:42.760 --> 0:40:44.640
<v Speaker 1>let's get him moving. But you in front of the

0:40:44.800 --> 0:40:48.960
<v Speaker 1>desk is so funny, and I forgot that you took

0:40:49.040 --> 0:40:51.200
<v Speaker 1>you had like all the vocals on this, Like, I

0:40:51.239 --> 0:40:53.960
<v Speaker 1>don't think we did anything at all except for the oh's. Yeah.

0:40:54.000 --> 0:40:57.440
<v Speaker 1>I didn't remember that either, but I remember being exhausted

0:40:57.480 --> 0:41:01.000
<v Speaker 1>after this, like sweating, like sweating, and the library is

0:41:01.040 --> 0:41:04.560
<v Speaker 1>small and so obviously the choir with me have a

0:41:04.640 --> 0:41:07.279
<v Speaker 1>lot more space, and the lights are higher. Everything was

0:41:07.320 --> 0:41:10.600
<v Speaker 1>so low and it was just so hot, I remember,

0:41:11.719 --> 0:41:16.280
<v Speaker 1>and it was. But I always loved watching this number.

0:41:17.120 --> 0:41:19.680
<v Speaker 1>You've been talking about like you were excited to watch

0:41:19.680 --> 0:41:23.719
<v Speaker 1>this number? Yeah, looking forward to it. Yeah, I love it.

0:41:23.760 --> 0:41:27.279
<v Speaker 1>I was laughing the whole time I did. I was

0:41:27.320 --> 0:41:30.680
<v Speaker 1>pretty miserable because I was just worried about I was like,

0:41:30.719 --> 0:41:33.400
<v Speaker 1>I'm going to screw this up for everyone. Oh no, No,

0:41:33.400 --> 0:41:35.919
<v Speaker 1>it was so much fun. It reminded me a little

0:41:35.920 --> 0:41:37.960
<v Speaker 1>bit of Halo Sunshine, where you like to get to

0:41:37.960 --> 0:41:39.960
<v Speaker 1>be a little crazy. And it didn't matter what we

0:41:40.000 --> 0:41:42.560
<v Speaker 1>looked like. I do remember my goal was to look

0:41:42.640 --> 0:41:46.560
<v Speaker 1>as like facially disgusting as possible. That was a lot

0:41:46.560 --> 0:41:50.000
<v Speaker 1>of my intention with Artie was just to really he

0:41:50.120 --> 0:41:53.480
<v Speaker 1>had no awareness of his face and just to like

0:41:53.520 --> 0:41:57.960
<v Speaker 1>do whatever you want, go there, go there anyway. Oh

0:41:58.040 --> 0:42:02.160
<v Speaker 1>do you remember that sweet, sweet librarian too? She was sweetist.

0:42:02.280 --> 0:42:05.120
<v Speaker 1>I feel like she also like didn't care, she was

0:42:05.160 --> 0:42:08.560
<v Speaker 1>just she she had no reaction. It was sort of

0:42:08.560 --> 0:42:11.040
<v Speaker 1>like how she was in the actual scene. She was

0:42:11.080 --> 0:42:13.799
<v Speaker 1>just there to work. Yeah. She was like, I just

0:42:13.800 --> 0:42:15.479
<v Speaker 1>want to make sure the check clears. Let me clock

0:42:15.520 --> 0:42:19.960
<v Speaker 1>in and clock out. But wait, Um, Jesse Hyman the

0:42:20.040 --> 0:42:25.640
<v Speaker 1>one who um was the student watching. He was an

0:42:25.640 --> 0:42:30.040
<v Speaker 1>extra on our show for the whole series. Um. But

0:42:30.160 --> 0:42:32.520
<v Speaker 1>you'd also know him from a lot of other things.

0:42:32.560 --> 0:42:34.799
<v Speaker 1>And I forgot, like I think I watched I was

0:42:34.800 --> 0:42:37.399
<v Speaker 1>watching Spider Man recently and I was like, oh, there

0:42:37.400 --> 0:42:41.040
<v Speaker 1>he is again, like he is all work in. I

0:42:41.080 --> 0:42:43.239
<v Speaker 1>remember we would, you know, go see a movie or

0:42:43.280 --> 0:42:46.560
<v Speaker 1>something to come back like, um, Jesse, we just saw

0:42:46.600 --> 0:42:49.360
<v Speaker 1>you in this, Like when did you do that? He's like,

0:42:49.360 --> 0:42:54.680
<v Speaker 1>oh yeah, he has been in all right. So so

0:42:56.800 --> 0:43:01.400
<v Speaker 1>it goes awry and we don't um the reputation is

0:43:02.160 --> 0:43:04.320
<v Speaker 1>non because the library loves it and she wants to

0:43:04.360 --> 0:43:09.680
<v Speaker 1>supportive performative church. Yeah. But and then Kurt. That's when

0:43:09.719 --> 0:43:13.279
<v Speaker 1>Kurt decides, we've got to tell Sue because that'll will

0:43:13.320 --> 0:43:15.480
<v Speaker 1>get in trouble and we'll look like bad kids for

0:43:15.640 --> 0:43:18.000
<v Speaker 1>posting the video and of course they'll live in John.

0:43:18.040 --> 0:43:22.600
<v Speaker 1>Thing goes all rise. Well, so here we are it

0:43:22.640 --> 0:43:27.280
<v Speaker 1>didn't work, but mister Shoe goes to apologize to Emma

0:43:27.719 --> 0:43:34.480
<v Speaker 1>for being a slot and after that sad scene, he

0:43:34.520 --> 0:43:38.080
<v Speaker 1>goes out and he realizes, oh, he sees Quinn being

0:43:38.080 --> 0:43:40.840
<v Speaker 1>pushed around in the hallway and he's like, of course

0:43:41.080 --> 0:43:43.320
<v Speaker 1>you had the most lose and the most again for

0:43:43.440 --> 0:43:48.680
<v Speaker 1>making a list and realizes it. And it's a very

0:43:48.680 --> 0:43:53.000
<v Speaker 1>sweet scene with mister Shoe and Quinn with Madden Diana

0:43:53.120 --> 0:43:55.120
<v Speaker 1>it was, and he sticks up for her and defends

0:43:55.120 --> 0:43:58.520
<v Speaker 1>her and says that, oh, you know, the closed ranks

0:43:58.520 --> 0:44:00.239
<v Speaker 1>and we couldn't figure out who did it. But I

0:44:00.280 --> 0:44:03.640
<v Speaker 1>did like before that the interrogation, you know, Law and

0:44:03.760 --> 0:44:07.920
<v Speaker 1>Order type scenes, and I love like the lighting and

0:44:08.200 --> 0:44:10.200
<v Speaker 1>Kurt calling him out on it and the editing of

0:44:10.239 --> 0:44:12.520
<v Speaker 1>one that was just a lot of fun. I love

0:44:12.560 --> 0:44:16.279
<v Speaker 1>that as a fan. I remember shooting that and it

0:44:16.360 --> 0:44:17.640
<v Speaker 1>was like one of the only times we had like

0:44:17.640 --> 0:44:19.600
<v Speaker 1>a little downtime off and we got to like sit

0:44:19.640 --> 0:44:23.359
<v Speaker 1>at village and watch every other people shoot. And I

0:44:23.400 --> 0:44:24.520
<v Speaker 1>was like, can you take a picture of me on

0:44:24.600 --> 0:44:26.279
<v Speaker 1>the monitor? And so I have a photo of like

0:44:26.320 --> 0:44:30.560
<v Speaker 1>the two camera monitors of Matt and me, and it's

0:44:30.560 --> 0:44:34.840
<v Speaker 1>just like, I don't know I love those two. Yeah,

0:44:34.840 --> 0:44:37.440
<v Speaker 1>that was really cute. Yeah. So the other big thing

0:44:37.440 --> 0:44:40.200
<v Speaker 1>in this episode that reputations. While half of us were

0:44:40.239 --> 0:44:45.000
<v Speaker 1>in the library empty hammering, the other half, Rachel was

0:44:45.120 --> 0:44:51.960
<v Speaker 1>trying to play puppet master and trying to commit musical infidelity.

0:44:52.440 --> 0:44:57.200
<v Speaker 1>Right by, she enlists Artie to create this music video.

0:44:57.239 --> 0:45:00.480
<v Speaker 1>I distinctly remember the scene and being the nose to

0:45:00.560 --> 0:45:04.520
<v Speaker 1>nose with Leah and heard saying this insane monologue, which

0:45:04.560 --> 0:45:09.640
<v Speaker 1>was great, and she goes on to make run Joey run,

0:45:09.719 --> 0:45:16.040
<v Speaker 1>this beautiful masterpiece. If I may say, um, i'd you

0:45:16.080 --> 0:45:18.560
<v Speaker 1>ever heard the song before? No? I never heard it,

0:45:18.600 --> 0:45:22.920
<v Speaker 1>and I was most jarred by with this in the episode. Also,

0:45:22.960 --> 0:45:25.760
<v Speaker 1>I don't understand how Artie went from making and editing

0:45:25.960 --> 0:45:30.960
<v Speaker 1>the gorgeous Vogue music video to this to this. Yeah

0:45:31.000 --> 0:45:35.120
<v Speaker 1>you know what those though. I thought it was brilliant though,

0:45:35.239 --> 0:45:37.520
<v Speaker 1>because of what the actual editors of the show did

0:45:37.560 --> 0:45:42.640
<v Speaker 1>and making all those little boxes, and I thought I

0:45:42.680 --> 0:45:47.600
<v Speaker 1>thought everyone was so excellent. I remember freaking out when

0:45:47.640 --> 0:45:51.160
<v Speaker 1>they showed us the episode. We were all dying. I

0:45:51.200 --> 0:45:54.320
<v Speaker 1>thought it was so funny. Well, I remember Corey was like,

0:45:54.360 --> 0:45:57.680
<v Speaker 1>it was catch up. Do you remember that? Oh? Yeah,

0:45:57.719 --> 0:46:00.160
<v Speaker 1>that was really crazy. It was really really crazy, but

0:46:00.200 --> 0:46:04.239
<v Speaker 1>the performances were very We're spot on. It's one of

0:46:04.280 --> 0:46:08.760
<v Speaker 1>my favorite performances in the show because it's just absolutely

0:46:08.920 --> 0:46:12.680
<v Speaker 1>great well in this episode, but it reminds me of

0:46:12.719 --> 0:46:16.640
<v Speaker 1>sort of the ridiculousness of Rocky Horror. Maybe it's the fog,

0:46:16.840 --> 0:46:22.360
<v Speaker 1>I don't know, but I do really enjoy it. Okay,

0:46:22.360 --> 0:46:26.160
<v Speaker 1>so we're bringing We're bringing Puckleberry back. We are bringing

0:46:26.160 --> 0:46:31.200
<v Speaker 1>Puckleberry back. And I think fans liked Puckleberry because I

0:46:31.200 --> 0:46:33.320
<v Speaker 1>know Mark has quoted saying that he was very confused

0:46:33.360 --> 0:46:36.200
<v Speaker 1>by it because he did not he thought it was weird,

0:46:36.360 --> 0:46:38.759
<v Speaker 1>like we all felt it was weird. Yeah, we thought

0:46:38.760 --> 0:46:40.799
<v Speaker 1>it was like a one off, right, Yeah, but the

0:46:40.880 --> 0:46:44.479
<v Speaker 1>people spoke and they liked it. Give them what they want,

0:46:44.920 --> 0:46:47.279
<v Speaker 1>like it. Did you have any feeling about it? I

0:46:47.320 --> 0:46:49.480
<v Speaker 1>think I said this in the other episode where we

0:46:49.600 --> 0:46:54.800
<v Speaker 1>watched it. It made me a little uncomfortable, and partially

0:46:54.800 --> 0:46:58.600
<v Speaker 1>because I felt like Rachel and Finn didn't even have

0:46:58.640 --> 0:47:01.680
<v Speaker 1>time yet, so why were we moving on to the

0:47:01.719 --> 0:47:07.799
<v Speaker 1>most unlikely of parents. But this time around, in this episode,

0:47:07.920 --> 0:47:09.759
<v Speaker 1>I didn't hate it as much as it I did

0:47:09.800 --> 0:47:13.040
<v Speaker 1>in the first episode. Yeah, of Buckleberry same. They had

0:47:13.080 --> 0:47:16.560
<v Speaker 1>some cute chemistry in this one. And also Stephen Tabolowski

0:47:16.640 --> 0:47:23.600
<v Speaker 1>and his out and the farmers just like ridiculous, I'm crazy.

0:47:23.800 --> 0:47:28.319
<v Speaker 1>Do not understand why all the guys freak out after this?

0:47:29.280 --> 0:47:32.799
<v Speaker 1>It is so weird. See, I think I love this

0:47:32.840 --> 0:47:37.200
<v Speaker 1>episode until this last these last few minutes go off

0:47:37.239 --> 0:47:41.160
<v Speaker 1>the rails. All the guys get so offended, especially Jesse,

0:47:41.360 --> 0:47:44.080
<v Speaker 1>but I mean that sort of tracks. But Puck and

0:47:44.239 --> 0:47:49.879
<v Speaker 1>Fend being that upset over this weird music video thing

0:47:50.080 --> 0:47:52.279
<v Speaker 1>to make. It's a bit of a stretch, I would say,

0:47:52.480 --> 0:47:58.760
<v Speaker 1>which is saying something for Glee. It was weird because

0:47:58.800 --> 0:48:04.040
<v Speaker 1>then it immediately goes into another weird thing total clips

0:48:04.040 --> 0:48:08.839
<v Speaker 1>of the Heart, which which I was upset about not

0:48:08.920 --> 0:48:11.080
<v Speaker 1>being able to sing this number. Oh this is like

0:48:11.120 --> 0:48:14.000
<v Speaker 1>one of those envy numbers that I love to sing,

0:48:14.760 --> 0:48:19.640
<v Speaker 1>and I was like, oh God, she's so jealous. I

0:48:19.719 --> 0:48:21.520
<v Speaker 1>loved it, but also that they had to do a

0:48:21.560 --> 0:48:24.040
<v Speaker 1>whole ballet um. I don't know if it's a potted

0:48:24.320 --> 0:48:27.240
<v Speaker 1>or what it was. What it is a ballet duet

0:48:27.360 --> 0:48:30.440
<v Speaker 1>with Leah on point shoes. I was like, oh my god,

0:48:30.520 --> 0:48:32.839
<v Speaker 1>how did she know how to do point. I don't

0:48:32.840 --> 0:48:35.560
<v Speaker 1>think she did. She she she fudged it for this,

0:48:35.719 --> 0:48:38.759
<v Speaker 1>She fudged the whole thing for this, and they did

0:48:38.800 --> 0:48:41.600
<v Speaker 1>a great job. I loved I loved it. I loved this.

0:48:41.800 --> 0:48:45.480
<v Speaker 1>Lifts is really lifting. I was like, yeah, I mean

0:48:45.600 --> 0:48:50.000
<v Speaker 1>Lee's tiny, tiny, but like, yeah, still they were working, No,

0:48:50.080 --> 0:48:52.879
<v Speaker 1>they were they were working. Um And then we see

0:48:52.880 --> 0:48:57.600
<v Speaker 1>each other at Barbo class. Jesse and Rachel really make

0:48:57.680 --> 0:49:00.960
<v Speaker 1>me google because it is there's so much truth to

0:49:01.120 --> 0:49:07.800
<v Speaker 1>like the how serious they take their performances in their craft,

0:49:08.160 --> 0:49:10.719
<v Speaker 1>and like, I know so many people. I was one

0:49:10.760 --> 0:49:13.399
<v Speaker 1>of those people back in school, and so it's just

0:49:13.560 --> 0:49:17.080
<v Speaker 1>it's very funny because it's it seems ridiculous, but it's

0:49:17.080 --> 0:49:22.440
<v Speaker 1>actually quite true. I was going to ask you if

0:49:22.480 --> 0:49:27.640
<v Speaker 1>this reminds you of like musical theater people. For sure. Yeah,

0:49:27.680 --> 0:49:31.360
<v Speaker 1>they take it all very very seriously. Definitely, and that

0:49:31.560 --> 0:49:35.359
<v Speaker 1>that's a that's a bad reputation. So they leave off

0:49:35.400 --> 0:49:38.279
<v Speaker 1>with Rachel being all by herself and all three men

0:49:38.560 --> 0:49:42.040
<v Speaker 1>leaving her, and that again I just had logistical questions.

0:49:42.560 --> 0:49:45.359
<v Speaker 1>I was like, is this in their heads? Why are

0:49:45.360 --> 0:49:48.040
<v Speaker 1>they singing and walking out the door? Who is she

0:49:48.120 --> 0:49:50.960
<v Speaker 1>performing for? And why I don't know. I guess it

0:49:50.960 --> 0:49:53.800
<v Speaker 1>doesn't really matter at this point. It doesn't matter anymore.

0:49:53.800 --> 0:49:58.440
<v Speaker 1>We're just doing it. Yeah, you know, yeah, we're doing it. Okay,

0:49:58.560 --> 0:50:02.640
<v Speaker 1>party takes Jenna, lets see Tchardy takes um cringe moments

0:50:02.719 --> 0:50:12.000
<v Speaker 1>aka alchies. Yes, oh I think, oh gosh, I have

0:50:12.080 --> 0:50:14.800
<v Speaker 1>a hard time with this one because the whole episode

0:50:14.880 --> 0:50:21.160
<v Speaker 1>is bad. I would run Joey run in the best

0:50:21.680 --> 0:50:26.799
<v Speaker 1>bad way. Yeah, I think I would say. Brittany making

0:50:26.800 --> 0:50:31.320
<v Speaker 1>out with the janitor. Also actually tied with Molly Shannon's

0:50:31.400 --> 0:50:36.600
<v Speaker 1>character who is just openly talking about her like substance

0:50:36.600 --> 0:50:43.280
<v Speaker 1>abuse issues right which it feels not great? Fair enough Yeah, okay,

0:50:43.640 --> 0:50:48.360
<v Speaker 1>worst dance move, I vote you not being able to

0:50:48.440 --> 0:50:52.160
<v Speaker 1>dance a nice ice Baber's key on the corner. Okay,

0:50:52.200 --> 0:50:58.560
<v Speaker 1>I'll go with that soul best song, best song. I'm

0:50:58.560 --> 0:51:02.920
<v Speaker 1>gonna oh you can't touch this? Yeah, you know, I

0:51:02.960 --> 0:51:06.240
<v Speaker 1>have to go with physical because that was something special.

0:51:06.640 --> 0:51:12.600
<v Speaker 1>Fair enough, fair enough performance by a prop. I'm going

0:51:12.600 --> 0:51:16.839
<v Speaker 1>with the boom box and can't touch this. I'm going

0:51:16.880 --> 0:51:21.480
<v Speaker 1>with the dancers. Yeah, not that they're props, but they

0:51:21.480 --> 0:51:24.360
<v Speaker 1>are propping Sue up when they're rolling on the floor

0:51:24.400 --> 0:51:26.600
<v Speaker 1>and she's laying on top of them, and I thought

0:51:26.600 --> 0:51:31.200
<v Speaker 1>that was brilliant. Yeah, yeah, okay, that's fair. And Jenna,

0:51:31.239 --> 0:51:36.040
<v Speaker 1>there's only one line for his best line, but there

0:51:36.120 --> 0:51:39.879
<v Speaker 1>is a second that comes close. So the first one

0:51:40.000 --> 0:51:43.040
<v Speaker 1>is year slot, year slot, year a slot. The second

0:51:43.080 --> 0:51:47.000
<v Speaker 1>one is Sue. She says, Will, I may buy a

0:51:47.080 --> 0:51:49.799
<v Speaker 1>diaper for your chin because it looks like a baby's app.

0:51:54.560 --> 0:51:57.720
<v Speaker 1>We're getting crazy now, Oh yeah, but they're so good,

0:51:58.040 --> 0:52:02.480
<v Speaker 1>oh funny, all right, all right, that's it. Those are

0:52:02.520 --> 0:52:08.680
<v Speaker 1>tarty takes, party takes. Okay, Jenta, Oh my gosh, but

0:52:08.760 --> 0:52:11.040
<v Speaker 1>so long since you've called me that? Are you ready

0:52:11.080 --> 0:52:14.120
<v Speaker 1>for shit? We found on TikTok? Are you ready for it?

0:52:14.760 --> 0:52:18.680
<v Speaker 1>Are you ready for it? Ready? Okay? This is a

0:52:18.719 --> 0:52:21.880
<v Speaker 1>shout out to the Royal Vauxhall Tavern. Shout out to

0:52:21.920 --> 0:52:29.879
<v Speaker 1>Vauxhall in London. And they have lots and lots and

0:52:30.000 --> 0:52:35.680
<v Speaker 1>lots of dedicated performances too, Glee. So it's it's Malibu

0:52:35.840 --> 0:52:38.560
<v Speaker 1>with two years. At the end. On TikTok, they have

0:52:38.600 --> 0:52:41.520
<v Speaker 1>Emma Pillsbury getting married today. They have Rachel Barry, Will

0:52:41.560 --> 0:52:45.360
<v Speaker 1>Schuster Sylvestor doing physical by the way, they have Will

0:52:45.520 --> 0:52:49.440
<v Speaker 1>versus Sue all these different performances, even with slushies and confetti.

0:52:50.000 --> 0:52:54.520
<v Speaker 1>It's a series of videos. People need to go check

0:52:54.560 --> 0:52:56.680
<v Speaker 1>it out. Lots and lots and lots of people have

0:52:56.719 --> 0:53:00.480
<v Speaker 1>tagged us in this and it's incredible. Can you send

0:53:00.520 --> 0:53:01.960
<v Speaker 1>me the link please? Yes, I will send you the

0:53:01.960 --> 0:53:07.880
<v Speaker 1>link right now. Thank you. There are It's just lots

0:53:07.880 --> 0:53:12.480
<v Speaker 1>of fun. It's some good drag you know, get one,

0:53:13.120 --> 0:53:15.640
<v Speaker 1>I got one. Get one. And that is the ship

0:53:15.719 --> 0:53:18.759
<v Speaker 1>we found on TikTok. You need to go. Everyone go

0:53:18.840 --> 0:53:29.600
<v Speaker 1>look up. It's Malibu. Oh oh, yes, we're said, he's Joe. Yeah, great,

0:53:30.000 --> 0:53:34.839
<v Speaker 1>Gale drag shows very exciting. Yeah great, So I think

0:53:34.880 --> 0:53:37.000
<v Speaker 1>I think that's all we got for you. That is.

0:53:37.160 --> 0:53:47.640
<v Speaker 1>Next week is laryngitis. Oh my gosh, laryngitis was this season? Yes, wow, wow,

0:53:48.800 --> 0:53:52.600
<v Speaker 1>I'm so funny. We have so many stories before next week.

0:53:52.680 --> 0:53:57.200
<v Speaker 1>Keep sending us those tiktoks, we love them. Keep tagging us,

0:53:57.360 --> 0:54:01.200
<v Speaker 1>keep it up, good work, folks. We appreciate all the feedback.

0:54:01.280 --> 0:54:03.799
<v Speaker 1>We'll hear you. We are seeing you and we are

0:54:03.800 --> 0:54:08.160
<v Speaker 1>applying the notes. And don't forget to go donate if

0:54:08.160 --> 0:54:11.320
<v Speaker 1>you can to Alexander House. There walkathon is this weekend

0:54:11.480 --> 0:54:15.319
<v Speaker 1>and if you can't be there, you can help out

0:54:15.320 --> 0:54:18.280
<v Speaker 1>in other ways. Go check out Alexander House dot org.

0:54:19.480 --> 0:54:22.919
<v Speaker 1>If you don't know, haven't been listening. New here Alexander House.

0:54:23.000 --> 0:54:25.920
<v Speaker 1>It was supported by our friend Naya Rivera and they

0:54:25.920 --> 0:54:28.880
<v Speaker 1>are transitional home for women and children. Lots of support

0:54:28.960 --> 0:54:34.319
<v Speaker 1>and services provided. And that's it, so come recap with

0:54:34.360 --> 0:54:36.560
<v Speaker 1>us next week. Thanks for hanging out, Let us know

0:54:36.600 --> 0:54:40.600
<v Speaker 1>what you think and we'll see you soon. Who that's

0:54:40.600 --> 0:54:44.360
<v Speaker 1>what you really missed? Bye bye Chow. Thanks for listening

0:54:44.640 --> 0:54:47.200
<v Speaker 1>and follow us on Instagram at and That's what you

0:54:47.280 --> 0:54:49.520
<v Speaker 1>really miss pod. Make sure to write us a review

0:54:49.560 --> 0:54:51.680
<v Speaker 1>and leave us five stars. See you next time