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Speaker 1: And That's what you really missed with Jenna and Kevin

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Speaker 1: an iHeartRadio podcast. Welcome to and That's what you really missed.

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Speaker 1: I'm Jenna, I am Kevin, and today we are recapping

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Speaker 1: Glee episode seventeen, season one, called Bad Reputation. This was

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Speaker 1: an interesting one. You know. This was one of those

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Speaker 1: ones where Jenna and I were dreading it because initially

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Speaker 1: when we watched it back in the day, we were

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Speaker 1: all sitting I remember sitting there and being like, hm, oh,

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Speaker 1: there's an overwhelming question. Bryan screened this one for us.

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Speaker 1: Somebody screened this one for just the cast in the

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Speaker 1: editing bay, right, yes, yes, And I remember seeing it

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Speaker 1: and we were all like jarred by it. I think

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Speaker 1: number one because all the songs are bad right there,

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Speaker 1: This is like a given that these songs are bad

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Speaker 1: and we're trying to kind of revive them in some way.

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Speaker 1: But also because the scoring of this, because of like

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Speaker 1: the glist, it felt like a murder mystery and we're like,

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Speaker 1: this is egree right, And I remember being so committed

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Speaker 1: and like upset that it wasn't what we are used

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Speaker 1: to seeing. But watching it back last night, I was like, oh,

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Speaker 1: I get this yeah, okay, good because I had this

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Speaker 1: exact same feeling, and it felt like Acafella's in a

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Speaker 1: way where we were so young and dumb and we're

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Speaker 1: very protective of a brand that we did not understand ourselves, right, Like,

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Speaker 1: we didn't create this show. We were not in charge

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Speaker 1: of anything creatively. It was our job to do what's

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Speaker 1: written and perform the songs. And it is so funny

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Speaker 1: now thinking back about how we were sort of like bummed, like,

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Speaker 1: oh man, this one's not great. I loved it watching

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Speaker 1: it last night, I enjoyed it. I enjoyed it a lot.

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Speaker 1: Maybe I loved it's a strong word. Enjoyed it was Yeah,

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Speaker 1: it's the word. Okay, Yeah, okay, great, all right, well

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Speaker 1: let's um let's get into the top of this um.

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Speaker 1: It originally aired on May fourth, May the fourth View

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Speaker 1: with You twenty ten and also with You the Okay,

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Speaker 1: what was going on in the World? Number one song

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Speaker 1: was omgum and before it was nothing on you Okay,

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Speaker 1: what was going on in the Glean News Kevin. On

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Speaker 1: May fifth, Glee won a Television with a Conscience Award

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Speaker 1: at the third Annual Television Academy Honors for our very

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Speaker 1: own episode Wheels and Corey, Chris and myself accepted the

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Speaker 1: award at the Beverly Hills Hotel in Beverly Hills. To

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Speaker 1: remember if I don't know if I remember it, because

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Speaker 1: Paris and I went to several things, and I don't

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Speaker 1: know if I believe this is probably it my experience

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Speaker 1: if this was the event where we got to meet

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Speaker 1: a lot of so many parents came up to me

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Speaker 1: to talk about their their children who were in wheelchairs,

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Speaker 1: or or friends with parents who had kids in wheelchairs,

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Speaker 1: who didn't watch a lot of TV before Glee, weren't

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Speaker 1: interested in a lot of pop culture things, and the

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Speaker 1: overwhelming sense was and I did not necessarily expect this,

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Speaker 1: but because they were actually coming up to me and

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Speaker 1: sort of thinking wanted me to portray, like back to

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Speaker 1: Ryan Brad and Ian that they were thankful for the

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Speaker 1: show and thankful to have a character like already on it,

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Speaker 1: because these kids were so excited and being feeling represented

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Speaker 1: yeah and seeing And that's when I think, also it

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Speaker 1: hit me to where, you know, especially in twenty twenty

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Speaker 1: three terms, when you talked about me, who is not

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Speaker 1: in a wheelchair playing character who is in a wheelchair, right,

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Speaker 1: and you know now we know better, But back then

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Speaker 1: it was sort of it went from oh, I got

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Speaker 1: this job, let me figure out how to do it

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Speaker 1: properly too. I am so happy to be given a

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Speaker 1: position or a character that means so much more to people,

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Speaker 1: and just that the character exists period. Now we know

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Speaker 1: that just having a character exist period is the bare

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Speaker 1: minimum and not necessarily enough. Like let's see a bow

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Speaker 1: rounded full person, right, This was the preamble to really matters.

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Speaker 1: It was and you and you even see then when

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Speaker 1: you have someone who shouldn't be playing the character playing

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Speaker 1: characters in a wheelchair, and parents and kids were still

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Speaker 1: so appreciative of it because it's like you're not being

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Speaker 1: fed anything, so you get a morsel and you're so

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Speaker 1: thankful for it. And it was one of those things

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Speaker 1: where it felt good. And now looking back at it,

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Speaker 1: it's like, oh, well, we can as a collective dude

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Speaker 1: a lot better. Yeah, ours, we know better now, so uh.

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Speaker 1: In May eighth, twenty ten, The castoically was featured on

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Speaker 1: the cover of Billboard magazine. I have no recollection of this,

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Speaker 1: so I went back and I booked. And it's because

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Speaker 1: we didn't pose for it. They actually just took promo

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Speaker 1: photos and piled us on in with some of the

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Speaker 1: artists that we had already covered, like Madonna and You'll

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Speaker 1: Diamond all these that that sort of Sergeant Pepper's looking yeah,

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Speaker 1: that's right, which was so cool and really was that

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Speaker 1: was that felt like a really big thing to me,

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Speaker 1: obviously coming from the real music, right, but speaking, I

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Speaker 1: know we just did um the recap of Home, but

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Speaker 1: you talking about us rehearsing for tour. I remember, um

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Speaker 1: Amber came in. It was supposed to be on vocalist.

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Speaker 1: Do you remember this? And it was sort of crazy

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Speaker 1: because like Amber has the most perfect but it's like

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Speaker 1: her and Leah were like, you guys take care of

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Speaker 1: your voices better than the rest of us sort of thing,

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Speaker 1: and like you guys should always be fine. And she

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Speaker 1: came in she's like, well, I'm supposed be in vocalarest, like, well,

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Speaker 1: what one? Why are you talking now? Right? And then

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Speaker 1: there's a picture of it where she's sitting at crosslegged

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Speaker 1: on the stage on the floor, and it got to

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Speaker 1: where she's supposed to rehearse beautiful that she's sang in

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Speaker 1: Home and she's sitting there and We're like, don't sing

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Speaker 1: an Amber, save your voice, and she does the most

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Speaker 1: perfect rendition, didn't miss a note, did all the runs.

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Speaker 1: Sitting there, and I went from being mad like, oh

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Speaker 1: my god, this is so irresponsible to being mad that,

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Speaker 1: oh my god, this is so so good and she

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Speaker 1: has something wrong with her voice and she's still that

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Speaker 1: good oh gosh, I mean voice. It was really living there.

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Speaker 1: Oh gosh, that was a really fun time. I guess

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Speaker 1: we can. Should we talk about that tour when we

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Speaker 1: get there? I guess at the end of this we should.

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Speaker 1: And I would have to read. I would have to

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Speaker 1: go back and watch YouTube videos because I clearly don't

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Speaker 1: remember in the numbers that we did and there are

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Speaker 1: there are some bootlegs first tour. I might have to

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Speaker 1: watch it. We might have to watch that, Kevin, let's

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Speaker 1: do that all right? Cool? This episode was directed by

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Speaker 1: Ladie Keane. She had done what two three episodes at

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Speaker 1: this point, yeah, and back again, back again, and I

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Speaker 1: think back then I was like blaming her for this episode,

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Speaker 1: but like, she did what she was supposed to do. Um.

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Speaker 1: We had some great guest stars. Steven Tablowski's back in

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Speaker 1: his ridiculous run Joey run Um, Robin Trackey and the

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Speaker 1: Sweet Sweet Robin and John Grove of course, who is

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Speaker 1: at um McKinley right now? And um Superstar Molly Shannon.

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Speaker 1: Did you were you a fan of Molly Shannon? Of

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Speaker 1: course I had, but I also did not know she

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Speaker 1: was going to be in this episode. Oh, I had heard,

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Speaker 1: and so I was waiting for her to come to set.

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Speaker 1: I was excited. Did you meet her? I did meet her,

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Speaker 1: but I was like, I like, she doesn't know who

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Speaker 1: we are. It doesn't matter, like we're peasants, like you know,

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Speaker 1: we're just dirt on the ground that she watch how

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Speaker 1: she nice, so so nice, and like I watched I

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Speaker 1: went into watch a scene between her and Jane I

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Speaker 1: think it was in the other episode that she did though,

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Speaker 1: and um in the hallway and I'm like, I remember

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Speaker 1: watching her and just like she's ad libbing, She's throwing

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Speaker 1: crab out there. It was unbelievable to watch her like

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Speaker 1: that after you idolize somebody on SNL and like in Superstar,

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Speaker 1: like so much. There's just so many like repeatable lines

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Speaker 1: and memorable things about her. So um she comes. Yeah,

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Speaker 1: so she's in dream on as well, I'm so president

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Speaker 1: meet her. You're like, yes, yes, I mean I also

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Speaker 1: talk about like making a feast out of I mean

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Speaker 1: she didn't have much to do and she was still

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Speaker 1: just just gnawing, gnawing at the curtains, you know what,

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Speaker 1: good for her, That's why she's a star. Um. And

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Speaker 1: then we have one Olivia John. I know, so sad um,

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Speaker 1: but god, she's beautiful and what a legend um to

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Speaker 1: have on so did great? Also that number, that number,

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Speaker 1: and that's how cool. I'm glad we got to talk

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Speaker 1: to Jane and for her to share how much she

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Speaker 1: loved Olivia Newton. John nicknamed her dog Olivia after her.

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Speaker 1: But how cool that this show so often we got

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Speaker 1: to meet a lot of our heroes. We can talk

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Speaker 1: about them we get to Brittany, right, we can't talk

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Speaker 1: about that when we get to Brittany, m Olivia and

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Speaker 1: John also, um we reference it in Jane's episode of

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Speaker 1: the podcast where she talks about how they basically manifested

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Speaker 1: it by talking to John Farr Farer Farr, the one

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Speaker 1: who wrote most Olivia's stuff, Yeah, and asked if Olivia

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Speaker 1: would be on the show, and Jane's like, I don't

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Speaker 1: know if that's actually true, that that was the reason why.

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Speaker 1: But great, I put it on the radar and that

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Speaker 1: that matters. Yes. Do you want to know a fun

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Speaker 1: fact or a weird fact? This? Okay? So in nineteen

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Speaker 1: seventy six, John produced Anne wrote the song which was

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Speaker 1: on Olivia's album called Don't Stop Believing. And she has

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Speaker 1: a song called Don't Stop Believing. Yeah. Wow. The album

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Speaker 1: was called Don't Stop Believing, right and yeah, And that

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Speaker 1: was five years before the Journey song. He had a

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Speaker 1: figure on the Pulse. Yeah. So Olidia and John no

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Speaker 1: match made in heaven and knew they knew. It's one

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Speaker 1: of those weird synchronistic things. Gosh, I love that. Well.

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Speaker 1: Speaking of synchronicity, have I ever told you? Have I

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Speaker 1: ever shared the never Flee from Glee story on my

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Speaker 1: on the podcast? I don't know? Okay, Well, I'll do

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Speaker 1: it real quick. So I booked when I um, I

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Speaker 1: was living my friend Aaron Merman, who was also a

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Speaker 1: Swing and Spring Awakening at the time, when I flew

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Speaker 1: to LA to test when we met for the first time,

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Speaker 1: and um I obviously we found out we booked it

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Speaker 1: and then I got on the flight and I called her,

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Speaker 1: and I was like, I got it, and I came

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Speaker 1: home and that night her boyfriend, who was also in

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Speaker 1: the show at the time, he cracked open a beer.

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Speaker 1: I think it was a magic hat that had like

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Speaker 1: the little fortunes underneath the bottle caps, kind of like

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Speaker 1: snappled it, and um, it said never Flee from Glee

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Speaker 1: on it, And she's like, I saved this because I

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Speaker 1: just thought it was so crazy. He was drinking this

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Speaker 1: beer while you were on the when we were on

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Speaker 1: the phone, and so, um, I have the bottle cap.

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Speaker 1: She gave it to me, and then my dad made me. Oh,

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Speaker 1: it was so sweet. They made me a an engraved

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Speaker 1: necklace that says never flee from Glee on it. They

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Speaker 1: gave me at my going away dinner when I was

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Speaker 1: moving to California by the first time. And it's like

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Speaker 1: one of the only times that I've seen my father cry, oh, yeah,

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Speaker 1: I was crazy wild. That is never fus And you

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Speaker 1: haven't here? We are I do? I do? Here we

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Speaker 1: are thirty years later, still talking about it. It was

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Speaker 1: sixty five years ago. It's been eighty four years. Do

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Speaker 1: you remember the story of when I tested My dad

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Speaker 1: called me and it was while I was at Fox

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Speaker 1: testing that he said he was going somewhere in the

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Speaker 1: parking lot and there was a license plate that said

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Speaker 1: Artie on it. What. Yeah, No, he's like I knew,

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Speaker 1: and he's not this type of person. And he is superstitious,

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Speaker 1: you know. After he's going to say a little superstitious.

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Speaker 1: He's very superstitious. Bow. Yeah. See, it was meant to be.

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Speaker 1: I don't know what that means, but it was meant

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Speaker 1: to be. We were supposed to be life partners, Jenna.

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Speaker 1: That's we are sixty five years later. Yeah, like we said, um,

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Speaker 1: thanks for sticking with us. You guys weird. We were

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Speaker 1: really trying to hear you guys and what you want

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Speaker 1: in these recap episodes. So, um, let us know what

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Speaker 1: you think of this one. We're gonna give give it

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Speaker 1: a whirl. Give it a whirl. Getting into this episode. Okay,

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Speaker 1: poor Kent Tanaka, this is the end for him by

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Speaker 1: Ken Tanaka. Yes, so this is the last appearance, and

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Speaker 1: it's brief. That's a brief. It's very yeah, exactly. So

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Speaker 1: the whole crux of this episode is trying to rehab

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Speaker 1: not only the characters, you know, things, but some bad

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Speaker 1: songs right, and I love that. You know, Physical by

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Speaker 1: Livan Newton John is in here, and she was so

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Speaker 1: game to do this and sort of poke fun at herself,

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Speaker 1: which was great and ended up being very visually stimulating.

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Speaker 1: So I'm appreciative of that. Um. So, the songs in

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Speaker 1: this episode are Ice Ice Baby by Vanilla Ice, performed

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Speaker 1: by Will Schuster and the new directions. Then you Can't

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Speaker 1: Touch This by mc hammer performed by us you Me,

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Speaker 1: Kurt Mercedes and Brittany when we stormed the library. Then

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Speaker 1: there's Physical with the Living Newton John and Susilvester. There's

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Speaker 1: Run Joey Run with Rachel and Finn and Jesse and

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Speaker 1: Noah Puckerman. And then Total Eclipse of the Heart with

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Speaker 1: with Jesse and Finn. I can't wait to talk about

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Speaker 1: that one because that one wild. So you know, there's

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Speaker 1: there was a question of why wasn't Joan jet in

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Speaker 1: the Black Heart song bad Reputation in this episode because

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Speaker 1: that's an easy layup. But I don't know, maybe that

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Speaker 1: song is not bad enough. You know, these songs were

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Speaker 1: all questionably like bad, right Yeah, um, all right, So

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Speaker 1: just a light review before we get into it. Um. Actually,

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Speaker 1: I liked this one. This came from e W and

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Speaker 1: it was the recap of This episode was a Madonna episode.

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Speaker 1: Sure fun stuff, but an episode that combines a mystery,

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Speaker 1: a mega meta riff on modern a modern celebrity, a

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Speaker 1: purposefully awful series of songs, not one but two high

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Speaker 1: concept retro music videos, and some realistic forward motion on

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Speaker 1: various romantic plotlines. Now we're talking. Yeah, I feel like

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Speaker 1: as crazy as this episode was, it gave us everything.

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Speaker 1: It was all the fun and weirdness of Glee and

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Speaker 1: still had all the kids in the storylines happening. It

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Speaker 1: was a great balance, all right. So there are two

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Speaker 1: There are the students reputations and the teacher's reputations in

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Speaker 1: this episode that are trying to be reformed in some way.

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Speaker 1: Let's talk about the teachers first. So the teacher's reputations.

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Speaker 1: Kurt finds a video in Sue's office when he went

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Speaker 1: to get her hormone replacements, and the video is Sue

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Speaker 1: performing Olivia Newton John's hit song Physical in a jazzercise class,

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Speaker 1: and he shows it to some of the Glee club,

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Speaker 1: which we get to watch, and they decided that they

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Speaker 1: have to post it on YouTube and gives you a

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Speaker 1: taste of her own medicine, and of course the video

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Speaker 1: goes viral and is very humiliated in the teacher's lounge

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Speaker 1: where we first meet Molly Shannon. Um did you find

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Speaker 1: it interesting that um Finn says we have to put

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Speaker 1: this on YouTube? Um so because they convinced themselves right,

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Speaker 1: that we have to be bad. Like Jesse goes along

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Speaker 1: with it, like let's post it, and he says, let's

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Speaker 1: post this on YouTube and hope it goes viral. I

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Speaker 1: was sort of shocked that that term was even there already. Yeah, well,

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Speaker 1: I feel like the viral thing started with I think, oh,

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Speaker 1: I guess you're right. But like the do you remember

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Speaker 1: on set around pilot time, YouTube was massive, right. MySpace

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Speaker 1: was kind of on its way it was still around

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Speaker 1: what it was on its way out, but YouTube and

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Speaker 1: we were watching those videos like the one where the

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Speaker 1: nine one one call where they're high and he's like,

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Speaker 1: I think I think I'm dead, and the weird wobbles

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Speaker 1: of the model walking like we wa wobbles. So I

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Speaker 1: remember watching all We were definitely of the Panta sneezing.

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Speaker 1: We're definitely in that time of viral videos. Yea. But yes, yes, yes,

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Speaker 1: so so she says, what's that smell, dear god, that's coffee.

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Speaker 1: It's usually masked by a smell of fear. And she's

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Speaker 1: doing an inner monologue and Molly Shannon comes in and

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Speaker 1: she plays, um, what is it Brenda Castle? Yes, I'm

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Speaker 1: not sure? Are these needs Brenda Castle, who is a teacher.

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Speaker 1: And the laughing of Molly Sharon does, like the extra

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Speaker 1: extra that she does is just so right, and she

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Speaker 1: fits right into the camp of our show. Especially this episode.

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Speaker 1: It made me just wish we had eighteen more episodes

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Speaker 1: of Molly Shannon because also, what an opportunity for her

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Speaker 1: and Jane to like two comedic masters, to go up

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Speaker 1: against each other constantly. I smell of spinnel. I mean

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Speaker 1: there could has been up for every other character that

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Speaker 1: came on the show, you know. I mean They're almost

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Speaker 1: was a warblar one. Yeah, it's true. So when Sue

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Speaker 1: is now faced with all the slow motion laughter and

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Speaker 1: humiliation again sort of breaking the fourth wall or being

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Speaker 1: meta and talking about what was actually happening, she goes

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Speaker 1: to visit her sister and gets some advice, and she says,

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Speaker 1: like when they were living and sad, they would go

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Speaker 1: to an animal shelter to give back, and there's always

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Speaker 1: someone who has it worse than you do. So now

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Speaker 1: Sue has sort of this realization that she needs to

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Speaker 1: help people, and so who does she want to help?

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Speaker 1: Emma Irma, Irma, Elma Ella, whoever it may be. And

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Speaker 1: so they go into this scene where they have a

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Speaker 1: little one on one which is also really nice, where

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Speaker 1: she commnces Emma that she needs to by the way,

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Speaker 1: I put cameras and and Will's I don't remember this

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Speaker 1: at all. By the way, there were a lot of

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Speaker 1: suspension of disbelief things happening in this episode, like Kurt

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Speaker 1: finding the tape. Yeah, this is where we kick off.

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Speaker 1: It's sure, I do think this is maybe like a

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Speaker 1: test for them, and it like it worked, so they're like, oh,

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Speaker 1: we can do anything. So's like, let's remember that going forward, guys,

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Speaker 1: when we keep writing this. And so she's hidden cameras

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Speaker 1: and Will Shooter's apartment or house and m and caught

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Speaker 1: him with Adena and caught him with Kristen, caught him

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Speaker 1: with the cast of wicket and has decided to you know,

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Speaker 1: spill the beans to Emma and says like, look, you

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Speaker 1: need to buck up and call him out in public

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Speaker 1: so we can't run away or manipulate you and fight back.

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Speaker 1: And I liked that she sort of is pushing her

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Speaker 1: in this scene and is insulting her and she's like, oh, yeah,

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Speaker 1: you're right. She's like no, like do something about it, right,

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Speaker 1: And it was actually one breath really nice to see Sue,

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Speaker 1: you know, help her in this way like tough love,

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Speaker 1: but also like what are you getting out of what's

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Speaker 1: going on? It's always self serving, I know, but with

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Speaker 1: with her sister, you never quite know, right with her

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Speaker 1: sister and the intention behind you never That's like the

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Speaker 1: nice Sue that Jane talks about a lot, I think possibly,

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Speaker 1: but either way, more importantly, the best scene of the episode,

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Speaker 1: I think, or one of the best scenes of the

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Speaker 1: episode one of um Jama's best performances as Emma, and

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Speaker 1: she talks about this in her our interview with her

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Speaker 1: on the podcast as well. I just she's so cute

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Speaker 1: and little, and she says, she goes into the uh,

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Speaker 1: the faculty lounge, and Will is talking to um, what

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Speaker 1: is the teacher's name, UM, I don't know, sweet old,

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Speaker 1: I don't know Barbara. So Barbara is talking to Will

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Speaker 1: about how her husband just died, and oh, Emma says,

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Speaker 1: you're a slut. Will, You're a slut. You're a slut,

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Speaker 1: You're a slut. I was like, what can we say that?

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Speaker 1: Everybody should know that and you should know that I'm

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Speaker 1: through with you. It was great you and I have

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Speaker 1: been waiting for that scene. Yes, yes, and I thought

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Speaker 1: it was later. I think everything is later in a

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Speaker 1: later season. But I was very happy that it was here.

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Speaker 1: And I'm sorry for you lost. She says, have you

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Speaker 1: ever been in a position where this is like, have

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Speaker 1: you've experienced anything like this in real life? Ch happened

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Speaker 1: to me? Like, like I've had people, even you guys,

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Speaker 1: when it's like you're not acting at your best, not

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Speaker 1: acting in terms of like performance, I mean being your

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Speaker 1: best self. Yeah, and like you need to like buck up,

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Speaker 1: like I learned to speak up for myself being around

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Speaker 1: I always say all the time, around all the ladies

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Speaker 1: in the cast, because you were all very good at that, Like,

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Speaker 1: do you like I have sort of like interventions? You

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Speaker 1: guys had an intervention with me on a plane to

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Speaker 1: England when I was I had to be on steroids

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Speaker 1: because I was sick. And I was acting insane and

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Speaker 1: you were all like, you need to stop stop taking

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Speaker 1: the steroids because you're being crazy and everybody's noticing, which

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Speaker 1: is really nice, and you know, it's what good friends do.

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Speaker 1: And it was a nice, like friend moment between Sue

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Speaker 1: and Emma. I was just wondering if you because I've

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Speaker 1: clearly sure. I'm sure I had some run ins with

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Speaker 1: you guys. I mean, I feel like you guys, we've

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Speaker 1: all done that for each other. I think that's the

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Speaker 1: only group, you guys, this crew, who's the only group

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Speaker 1: that would actually call me on my stuff? You know,

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Speaker 1: have you ever slut shamed somebody? No? I haven't, thank goodness,

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Speaker 1: Thank goodness, but this is the best slut shaming I've

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Speaker 1: ever seen, because he deserved it. Number one and number two.

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Speaker 1: To hear Emma say that is courageous and uplifting. I

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Speaker 1: do think this was deserved. However, when Artie is slut

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Speaker 1: shamed by Sam and a couple seasons, I don't think

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Speaker 1: that was deserved. Whatever we'll get there, Kevin, did you

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Speaker 1: notice that Emma's outfit changed but sus didn't, so the

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Speaker 1: continuity there was something off with that. Yeah, she was

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Speaker 1: in the office, she was wearing something different, the butterfly shirt,

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Speaker 1: and then in the lounge she's wearing the the red,

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Speaker 1: white and blue outfit, which I did not notice that

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Speaker 1: I do. I don't know if people know this either.

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Speaker 1: So when it comes to like planning costumes and things,

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Speaker 1: people correct me if I'm wrong. But when they plan

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Speaker 1: on an episode, they sort of mark down, like realistic,

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Speaker 1: what the days are of what we're shooting. Yeah, so

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Speaker 1: there's day you know, if this episode takes place within

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Speaker 1: a week, there's day one through seven. Ye, and so

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Speaker 1: they can keep track of what everybody's wearing, what everybody's

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Speaker 1: doing based on the day. So that sounds like there

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Speaker 1: was some sort of mix up in that scene. It

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Speaker 1: was day three for Emma, but still day two two,

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Speaker 1: so there was some sort of of mix up. Yeah, okay,

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Speaker 1: can we talk about physical please, I mean we're doing it, okay.

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Speaker 1: So well, first the scene that we did tell Kurt

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Speaker 1: that he's gonna decide we'll get there. But Kurt decides

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Speaker 1: that he's gonna tell the Sue that he posted the

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Speaker 1: video right because it's going to help our reputations, which

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Speaker 1: we'll get you later. Yeah, But Sue is like it's fine,

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Speaker 1: no problem, because she gets a call from Olivia Newton John,

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Speaker 1: the real Olivia Newton John, who is playing herself, which

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Speaker 1: I love. Um, I just love when actors do that

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Speaker 1: and they play themselves like a heightened version of himself.

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Speaker 1: So she's randomly going to be in Ohio this week

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Speaker 1: and she saw, you know, Sue's performance on the web.

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Speaker 1: I wonder what that direct flight from Sydney to Ohio

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Speaker 1: is because lima, that doesn't make a lot of sense.

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Speaker 1: So Sue was like, yeah, it's fine. But that scene

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Speaker 1: was very funny, and I remember shooting that with Kurt

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Speaker 1: with Chris looking at us, and it's just so hard

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Speaker 1: to not laugh with Chris. Yeah, like in intimate scenes

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Speaker 1: like that, it's so He's so funny. I also love.

424
00:26:24,080 --> 00:26:26,119
Speaker 1: So it was the first time we got to do

425
00:26:26,160 --> 00:26:28,199
Speaker 1: this type of scene where we're crowded around the computer

426
00:26:28,359 --> 00:26:30,600
Speaker 1: when we discovered that she did this music video. Right

427
00:26:30,640 --> 00:26:35,480
Speaker 1: we're in the astronomy classroom and which was a new classroom,

428
00:26:36,000 --> 00:26:40,879
Speaker 1: and that also doubled for about eight other things, and

429
00:26:42,359 --> 00:26:44,520
Speaker 1: we had so like, I don't know if people care

430
00:26:44,560 --> 00:26:46,760
Speaker 1: about this, but I was always fascinated by when you

431
00:26:46,800 --> 00:26:49,440
Speaker 1: see people typing on a TV show or in a movie,

432
00:26:49,840 --> 00:26:52,320
Speaker 1: like how does that work? Like this? You know what

433
00:26:52,359 --> 00:26:55,240
Speaker 1: I mean? Like seeing it on the screen, actually seeing

434
00:26:55,280 --> 00:26:58,560
Speaker 1: on the screen. And yeah, and it was this program

435
00:26:58,680 --> 00:27:01,040
Speaker 1: that also it was not YouTube. I don't know what

436
00:27:01,080 --> 00:27:03,120
Speaker 1: it was supposed to look like, but that thing looked

437
00:27:03,160 --> 00:27:07,960
Speaker 1: like it was from the early nineties and early nineties

438
00:27:07,960 --> 00:27:13,399
Speaker 1: are chaic, and I was like, wow, I'm trying to

439
00:27:13,520 --> 00:27:18,639
Speaker 1: edge myself down. And what you could press any You

440
00:27:18,640 --> 00:27:21,400
Speaker 1: could press any key on the keyboard and it would

441
00:27:21,440 --> 00:27:23,400
Speaker 1: still type exactly what I was supposed to type, which

442
00:27:23,440 --> 00:27:26,280
Speaker 1: was so satisfying. It felt like one of those movie

443
00:27:26,320 --> 00:27:30,080
Speaker 1: magic things that I was really excited about. You were,

444
00:27:30,160 --> 00:27:32,520
Speaker 1: I remember you excited about that. And also you can't

445
00:27:32,560 --> 00:27:40,119
Speaker 1: type without looking, so yeah, it is sort of personal. Yeah, okay,

446
00:27:40,119 --> 00:27:46,680
Speaker 1: so let's talk about a goal another So Sylvester recreation

447
00:27:47,119 --> 00:27:51,120
Speaker 1: music video recreation its beautif. I don't remember when they

448
00:27:51,680 --> 00:27:54,639
Speaker 1: made that room that set. Yes, it was like a room,

449
00:27:55,440 --> 00:27:58,480
Speaker 1: and we weren't there for I don't think we were allowed.

450
00:27:59,119 --> 00:28:03,040
Speaker 1: We were rehearsing and we went into the sound stage

451
00:28:03,280 --> 00:28:06,240
Speaker 1: but it was like closed off, but we could hear it.

452
00:28:06,440 --> 00:28:08,640
Speaker 1: I can't hear them shooting it, and I was like,

453
00:28:11,440 --> 00:28:14,280
Speaker 1: my gay ass one to see all the oiled up

454
00:28:14,520 --> 00:28:18,320
Speaker 1: hot bods that were in there. I mean, and I

455
00:28:18,359 --> 00:28:21,040
Speaker 1: don't think we were allowed, and I think it was

456
00:28:21,080 --> 00:28:24,400
Speaker 1: a close set because of that. And didn't Ryan direct

457
00:28:24,480 --> 00:28:26,879
Speaker 1: this music video? I think so when it came to

458
00:28:27,040 --> 00:28:30,720
Speaker 1: Liva Newton John scenes, I think he did. Ryan did it. Yes, yes,

459
00:28:30,800 --> 00:28:32,840
Speaker 1: I think it was also part of like you see now.

460
00:28:33,240 --> 00:28:36,640
Speaker 1: Ryan is the ultimate like stunt caster, and I think

461
00:28:36,640 --> 00:28:39,240
Speaker 1: people feel safe, like they know part of the cell

462
00:28:39,480 --> 00:28:44,040
Speaker 1: is right they get Ryan. Yes, exactly, Yeah, okay, which

463
00:28:44,120 --> 00:28:46,719
Speaker 1: was nice and Elody to like concede that too. You know,

464
00:28:47,200 --> 00:28:49,080
Speaker 1: you're coming in like you want to direct your episode,

465
00:28:49,120 --> 00:28:51,640
Speaker 1: and but it's Ryan, so I'll let you do these scenes.

466
00:28:52,240 --> 00:28:56,240
Speaker 1: I'll let you do it, no problem, right. Oh. I

467
00:28:56,280 --> 00:28:58,400
Speaker 1: had such a crush on all these guys, Jenna. I

468
00:28:58,440 --> 00:29:01,360
Speaker 1: was watching this and having flashbacks of like me and

469
00:29:01,520 --> 00:29:04,080
Speaker 1: Telly in all the gays sort of congregated be like,

470
00:29:04,240 --> 00:29:06,480
Speaker 1: oh my god, you see that guy. Yeah. I remember

471
00:29:06,640 --> 00:29:09,240
Speaker 1: like literally outside of the door, we're just like waiting

472
00:29:09,280 --> 00:29:11,840
Speaker 1: and like peeking. You could see like a body part

473
00:29:11,960 --> 00:29:15,840
Speaker 1: fly over and you're like, oh my god, I didn't

474
00:29:15,840 --> 00:29:19,640
Speaker 1: get to meet Olivia though I didn't either. But the

475
00:29:19,720 --> 00:29:24,040
Speaker 1: music video is so good and that budget is I

476
00:29:24,120 --> 00:29:26,840
Speaker 1: do have a question because we've now done a couple

477
00:29:26,840 --> 00:29:31,480
Speaker 1: of music videos. Yeah, where are these people recording these songs?

478
00:29:33,600 --> 00:29:37,440
Speaker 1: Like Olivia and John can find a recording studio in Lima, Ohio? Fine,

479
00:29:37,720 --> 00:29:41,560
Speaker 1: But like, where is Sue recording the vocals to Vogue?

480
00:29:42,200 --> 00:29:44,920
Speaker 1: Where are the kids recording the vocals to Run Joey Runner?

481
00:29:44,880 --> 00:29:49,240
Speaker 1: Are they seeing them live? No? Like what we never

482
00:29:49,440 --> 00:29:52,320
Speaker 1: ever ever addressed that? Well, we don't address a lot

483
00:29:52,320 --> 00:29:54,520
Speaker 1: of things, Kevin, I know, and I don't know why

484
00:29:54,560 --> 00:29:56,640
Speaker 1: it took until twenty twenty three for me to even

485
00:29:57,040 --> 00:30:02,600
Speaker 1: think of that. Oh well, O man, okay, well this

486
00:30:02,680 --> 00:30:09,959
Speaker 1: number was real good, real real good. Um, is there

487
00:30:10,000 --> 00:30:14,280
Speaker 1: anything is there any what music video did you? Well?

488
00:30:14,320 --> 00:30:18,240
Speaker 1: You did? You did recreate some music video? Yeah? You

489
00:30:18,280 --> 00:30:21,120
Speaker 1: got to do Scream? Yeah? Was there is there any

490
00:30:21,120 --> 00:30:23,720
Speaker 1: other music video that you would like want to recreate?

491
00:30:25,080 --> 00:30:28,640
Speaker 1: You know? I feel like Scream checked off all the boxes.

492
00:30:28,680 --> 00:30:31,480
Speaker 1: I know it's a boring answer. Um, if there's something

493
00:30:31,480 --> 00:30:33,560
Speaker 1: I wish I could have done that somebody else got

494
00:30:33,600 --> 00:30:36,200
Speaker 1: to do I wish I got to do that. Gimbal

495
00:30:36,280 --> 00:30:39,800
Speaker 1: box that I was just thinking that. Yeah, so cool.

496
00:30:40,040 --> 00:30:45,640
Speaker 1: So they got to use that, um Matt and j Yeah,

497
00:30:45,680 --> 00:30:48,520
Speaker 1: that would have been really fun. But scream it was

498
00:30:48,560 --> 00:30:50,560
Speaker 1: sort of everything. We got to do green Screen, we

499
00:30:50,640 --> 00:30:53,640
Speaker 1: got to do dancing, we got to do Michael and Janet,

500
00:30:54,200 --> 00:30:59,200
Speaker 1: So it was sort of that was everything. What about you? Um,

501
00:30:59,320 --> 00:31:03,120
Speaker 1: you know, I I got to live out some Brittany dreams.

502
00:31:03,160 --> 00:31:09,160
Speaker 1: I would have loved to recreate a Brittany um like

503
00:31:09,200 --> 00:31:14,560
Speaker 1: a maybe oops maybe Lucky Yes maybe. I mean we

504
00:31:14,600 --> 00:31:16,960
Speaker 1: did slave, but like me, you would have killed Lucky.

505
00:31:17,200 --> 00:31:19,800
Speaker 1: That would have been the acting. That would have been

506
00:31:19,840 --> 00:31:23,240
Speaker 1: really fun. And I can also do a good Brittany

507
00:31:23,360 --> 00:31:26,880
Speaker 1: up impression of that song in particular. So can you

508
00:31:26,920 --> 00:31:28,719
Speaker 1: do can you just give us a little taste. It's

509
00:31:28,760 --> 00:31:30,360
Speaker 1: been so long, Kevin, I don't even think I have

510
00:31:30,360 --> 00:31:35,400
Speaker 1: a voice anymore. Just an early morning Martin. Oh yeah,

511
00:31:35,440 --> 00:31:38,120
Speaker 1: there is that vibrato is correct? Thank you, thank you

512
00:31:38,160 --> 00:31:40,440
Speaker 1: for doing that. I know you it's not great, but

513
00:31:40,520 --> 00:31:43,000
Speaker 1: that wasn't practiced. It's don't judge me on that. You

514
00:31:43,040 --> 00:31:47,800
Speaker 1: guys write in a tell her how bad her impression was. Please. Okay,

515
00:31:47,840 --> 00:31:50,880
Speaker 1: let's talk about the Glee Club reputations. But then we

516
00:31:50,920 --> 00:31:53,280
Speaker 1: get to talk about can't touches, that's right. So she

517
00:31:53,400 --> 00:31:56,000
Speaker 1: was complaining to Figgins and Will about the viral video.

518
00:31:56,280 --> 00:31:59,200
Speaker 1: She is pissed, and then somehow pivots to buy the

519
00:31:59,280 --> 00:32:02,280
Speaker 1: way I know the Glee Cup did this, And they

520
00:32:02,320 --> 00:32:07,320
Speaker 1: also did this. They posted the glist that rates some

521
00:32:07,360 --> 00:32:11,360
Speaker 1: of the Glee club members and their sexiness potential, right,

522
00:32:11,440 --> 00:32:14,360
Speaker 1: and how bad they are in a good way, right,

523
00:32:14,480 --> 00:32:20,120
Speaker 1: And Figgins is threatening to expel all of them if

524
00:32:20,520 --> 00:32:23,840
Speaker 1: someone doesn't come forward and take responsibility for creating this

525
00:32:23,920 --> 00:32:28,240
Speaker 1: toxic list. The stakes are high. And then Will, because

526
00:32:28,640 --> 00:32:31,600
Speaker 1: again not a great teacher and has not come up

527
00:32:31,600 --> 00:32:34,960
Speaker 1: with a lesson planned before this, apparently decides to let

528
00:32:35,000 --> 00:32:40,800
Speaker 1: this influence the lesson and says, let's talk about bad

529
00:32:40,800 --> 00:32:43,160
Speaker 1: reputations because now you guys are getting a bad reputation.

530
00:32:43,240 --> 00:32:46,440
Speaker 1: Let's take some songs that have bad reputations. How many

531
00:32:46,440 --> 00:32:50,320
Speaker 1: times get I say it? And we're like, for whatever

532
00:32:50,400 --> 00:32:54,880
Speaker 1: do you mean? And he then goes into Ice Ice Baby,

533
00:32:55,000 --> 00:32:58,680
Speaker 1: which let me I feel like Ice Ice Baby is

534
00:32:59,320 --> 00:33:04,000
Speaker 1: the ultimate Will Shooster song. Right, he is Vanilla eyes.

535
00:33:06,720 --> 00:33:10,440
Speaker 1: I there was somebody who wrote in that said I

536
00:33:10,480 --> 00:33:12,640
Speaker 1: think This is the only one of the only songs

537
00:33:12,680 --> 00:33:16,160
Speaker 1: that were not offended by Yeah, this works like it's

538
00:33:16,600 --> 00:33:18,920
Speaker 1: bad and cringey, but because it's a bad and cringey

539
00:33:19,000 --> 00:33:25,800
Speaker 1: song and it works with Yeah the intense Schooster. Yeah, okay,

540
00:33:27,000 --> 00:33:30,959
Speaker 1: but this number, I was like, Oh, they put me

541
00:33:30,960 --> 00:33:35,800
Speaker 1: with the dancers, Jenna, don't stay yourself short. You're a dancer, yeah,

542
00:33:35,880 --> 00:33:38,480
Speaker 1: but I'm not like a Heather Harry dancer, and they

543
00:33:38,480 --> 00:33:40,800
Speaker 1: put me with the dancers. You know what I love?

544
00:33:40,960 --> 00:33:44,280
Speaker 1: When we did Secret Celebrity Drag Race and I think

545
00:33:44,320 --> 00:33:46,720
Speaker 1: it was in the first episode, and was it Rue

546
00:33:46,760 --> 00:33:49,400
Speaker 1: who asked you like, you're a professional dancer, and you

547
00:33:49,480 --> 00:33:56,040
Speaker 1: just go yep. And I have never ever ever heard

548
00:33:56,080 --> 00:33:59,320
Speaker 1: you refer to yourself or feel even good about your

549
00:33:59,360 --> 00:34:02,080
Speaker 1: dancing a bit. I think you're great, but I know

550
00:34:02,200 --> 00:34:04,960
Speaker 1: you don't feel great about your dancing ability. And then

551
00:34:05,040 --> 00:34:08,279
Speaker 1: Rue Paul asks you on live television if you're a

552
00:34:08,280 --> 00:34:12,320
Speaker 1: professional dancer, like, mhmm, well, I think it's most competent

553
00:34:12,400 --> 00:34:15,200
Speaker 1: I've ever heard you in your life. I think because

554
00:34:15,200 --> 00:34:20,440
Speaker 1: I I interpreted the question as like, you're a professional performer,

555
00:34:20,760 --> 00:34:26,360
Speaker 1: not a dancer. She said dancer, And it made me

556
00:34:26,440 --> 00:34:30,520
Speaker 1: so happy. I was like, yes, you better tell them.

557
00:34:30,560 --> 00:34:36,800
Speaker 1: It's just I was just asking myself stop hands, yeah exactly. See. Anyway,

558
00:34:36,880 --> 00:34:39,520
Speaker 1: somehow I managed to look a decent in this number

559
00:34:40,080 --> 00:34:43,640
Speaker 1: with with everybody. But I do want to talk about

560
00:34:44,000 --> 00:34:47,200
Speaker 1: this is this is the beginning of like when not

561
00:34:47,239 --> 00:34:50,240
Speaker 1: even the beginning, but this was like in the thick

562
00:34:50,320 --> 00:34:52,440
Speaker 1: of like being like, okay, so you Kevin, you just

563
00:34:52,480 --> 00:34:58,880
Speaker 1: sit there and now I am I am. It makes

564
00:34:58,880 --> 00:35:06,640
Speaker 1: me sad because or under sympathetic, empathetic for and also

565
00:35:06,680 --> 00:35:09,040
Speaker 1: grateful that I could dance and I was able to

566
00:35:09,040 --> 00:35:11,960
Speaker 1: get up in dance and um, but they put one

567
00:35:12,000 --> 00:35:14,000
Speaker 1: of the best dancers in the wheelchair Ryan, so that

568
00:35:14,080 --> 00:35:17,279
Speaker 1: like it's it was it was hard to watch you

569
00:35:17,680 --> 00:35:20,239
Speaker 1: kind of be like, okay, now just like sit there,

570
00:35:20,360 --> 00:35:23,200
Speaker 1: don't even like move around the room, don't do anything,

571
00:35:23,239 --> 00:35:29,200
Speaker 1: just yeah, block your wheels? Um? What what did it

572
00:35:29,280 --> 00:35:34,520
Speaker 1: feel like? Sometimes it was easier than others. This wasn't

573
00:35:34,520 --> 00:35:36,520
Speaker 1: like some dance that I felt like I was missing

574
00:35:36,520 --> 00:35:39,600
Speaker 1: out on. You know what do you mean? Happy to

575
00:35:39,680 --> 00:35:44,080
Speaker 1: let you professional dancers have it. But it was one

576
00:35:44,080 --> 00:35:45,839
Speaker 1: of those things where I had a lot of fun

577
00:35:45,920 --> 00:35:48,200
Speaker 1: because it was very much we were all very aware

578
00:35:48,280 --> 00:35:53,200
Speaker 1: I was shoved in the corner, and so it was okay,

579
00:35:53,480 --> 00:35:56,480
Speaker 1: how do I make this fun? Who cares? Like, what

580
00:35:56,520 --> 00:35:58,560
Speaker 1: do we what do we got to do? And this

581
00:35:58,760 --> 00:36:03,680
Speaker 1: sort of sparked the beginning of me trying to get

582
00:36:03,680 --> 00:36:07,080
Speaker 1: as many shots and as possible, of me doing ridiculous

583
00:36:07,160 --> 00:36:10,480
Speaker 1: things when I had no right to be really in

584
00:36:10,520 --> 00:36:14,560
Speaker 1: this number, and Alexis would all, Martin would all who's

585
00:36:15,080 --> 00:36:17,279
Speaker 1: who was head of post production and editing at the time.

586
00:36:17,840 --> 00:36:20,359
Speaker 1: She's now like the head of Ryan Murphy Television. Yeah,

587
00:36:20,360 --> 00:36:25,600
Speaker 1: she's president television. So she mentioned how if they needed

588
00:36:25,600 --> 00:36:28,480
Speaker 1: some more reaction shots, they would usually look for me

589
00:36:29,200 --> 00:36:31,799
Speaker 1: because I would be doing ridiculous things. And a lot

590
00:36:31,800 --> 00:36:36,719
Speaker 1: of times in like how Nia and I would both

591
00:36:36,840 --> 00:36:39,160
Speaker 1: like give things to each other to do to make

592
00:36:39,160 --> 00:36:41,760
Speaker 1: each other laugh. So like the so Cold, the so Cold,

593
00:36:41,800 --> 00:36:44,759
Speaker 1: that was purely me doing this to try to make

594
00:36:44,800 --> 00:36:47,640
Speaker 1: you guys laugh. And one of the joys of Ledi

595
00:36:47,800 --> 00:36:52,360
Speaker 1: the director, was that she when we were doing something ridiculous,

596
00:36:52,400 --> 00:36:55,440
Speaker 1: she'd be like, Okay, yeah, do it again, do something.

597
00:36:55,640 --> 00:36:57,560
Speaker 1: She was down to try all of those things. So

598
00:36:58,160 --> 00:37:00,840
Speaker 1: I think through this number it was, you know, a

599
00:37:00,840 --> 00:37:03,879
Speaker 1: way for me to try all those things and feel

600
00:37:03,880 --> 00:37:05,960
Speaker 1: supported and be stupid and be a clown. And I

601
00:37:06,080 --> 00:37:07,600
Speaker 1: loved it. I mean, they use them and it was

602
00:37:07,680 --> 00:37:10,000
Speaker 1: very funny. I did not think they were going to

603
00:37:10,080 --> 00:37:12,960
Speaker 1: use them, and they sure did. They always use our

604
00:37:13,040 --> 00:37:16,160
Speaker 1: crazy reactions. I'm like, oh gosh, it's crazy. It was

605
00:37:16,200 --> 00:37:19,200
Speaker 1: their fault. They created a monster of me. And this

606
00:37:19,320 --> 00:37:24,000
Speaker 1: number fair enough, it's it's uh, I love it. It's wonderful.

607
00:37:24,000 --> 00:37:38,320
Speaker 1: It's wildly entertaining. So we did not get on the glist.

608
00:37:38,400 --> 00:37:40,960
Speaker 1: We didn't even make it on the glass. Our names

609
00:37:41,000 --> 00:37:46,320
Speaker 1: aren't even on it. And so Kurt has this idea that, um,

610
00:37:46,320 --> 00:37:48,600
Speaker 1: he's upset, and he's like, this means that we are

611
00:37:48,760 --> 00:37:53,560
Speaker 1: nobodies where it's worse than being hate, Like worse than

612
00:37:53,600 --> 00:37:56,799
Speaker 1: being hated is being invisible. So Kurt comes up with

613
00:37:56,800 --> 00:38:01,759
Speaker 1: the idea to uh, descry our reputation and actually just

614
00:38:01,920 --> 00:38:06,920
Speaker 1: it's like no, no press is bad press, yes, which

615
00:38:07,000 --> 00:38:13,120
Speaker 1: I disagree, but but he thinks that he's living by

616
00:38:13,160 --> 00:38:16,880
Speaker 1: that rule. So um, he thinks, let's perform in the

617
00:38:16,920 --> 00:38:20,800
Speaker 1: library and let's do a number. And then you see

618
00:38:20,880 --> 00:38:26,680
Speaker 1: Britney asked Pearce in the corner, saying that she took

619
00:38:26,680 --> 00:38:28,720
Speaker 1: her antibiotics at the same time, and now she forgot

620
00:38:28,719 --> 00:38:31,960
Speaker 1: how to move and she's upset because she didn't. She

621
00:38:32,000 --> 00:38:33,960
Speaker 1: doesn't know why she only made four on the glyst.

622
00:38:34,200 --> 00:38:40,040
Speaker 1: She made out with mister Kidney the janitor. Oh, laws

623
00:38:40,160 --> 00:38:43,319
Speaker 1: were broken, laws were broken. So but she was also

624
00:38:43,400 --> 00:38:45,720
Speaker 1: dating a seven year old in the Donoso it's fine,

625
00:38:45,800 --> 00:38:49,239
Speaker 1: that's right. So that brings us to you can't touch

626
00:38:49,320 --> 00:38:54,640
Speaker 1: this and the library and I love we're all sort

627
00:38:54,680 --> 00:38:58,520
Speaker 1: of well, already's sort of scared and says I'm getting

628
00:38:58,520 --> 00:39:01,560
Speaker 1: cold feet, and Brittany says, can you even feel your feet?

629
00:39:03,760 --> 00:39:07,960
Speaker 1: So this scene, um, I have a question about the

630
00:39:07,960 --> 00:39:12,360
Speaker 1: outfits because one wears the budget but these sort of

631
00:39:12,400 --> 00:39:14,800
Speaker 1: look homemade in a fun way. And I was wondering

632
00:39:15,120 --> 00:39:19,640
Speaker 1: is Mercedes still making the costumes because she she mentions

633
00:39:19,640 --> 00:39:21,680
Speaker 1: it in the pilot and we never hear about it again.

634
00:39:22,320 --> 00:39:25,239
Speaker 1: Right when we joke about that, we joke about that,

635
00:39:25,560 --> 00:39:29,840
Speaker 1: this feels like something that she could have done right right, definitely, definitely,

636
00:39:29,920 --> 00:39:32,680
Speaker 1: And I feel like these were sourced from somewhere where

637
00:39:32,680 --> 00:39:36,799
Speaker 1: they smelled like that too, Like they smelled like they

638
00:39:36,840 --> 00:39:40,520
Speaker 1: were second Yeah, the jackets of those pants, I feel

639
00:39:40,520 --> 00:39:45,960
Speaker 1: like we're made you're right. I love those pants and

640
00:39:46,040 --> 00:39:50,959
Speaker 1: I love this number a lot. This number was really hard.

641
00:39:51,040 --> 00:39:53,799
Speaker 1: I was really scared on the day of filming it,

642
00:39:53,880 --> 00:39:56,560
Speaker 1: because when you're recording the song, you have the lyrics

643
00:39:56,600 --> 00:40:00,760
Speaker 1: in front of you, like whatever, and so I never

644
00:40:00,960 --> 00:40:04,640
Speaker 1: I couldn't remember the lyrics, all those I told you,

645
00:40:04,760 --> 00:40:07,760
Speaker 1: all those little interjections, I could not for the life

646
00:40:07,760 --> 00:40:10,719
Speaker 1: of me remember. And the dancing was so fast and

647
00:40:10,719 --> 00:40:13,680
Speaker 1: one of the behind the scenes clips how they said

648
00:40:13,719 --> 00:40:16,919
Speaker 1: she needed her in Hailer because it was so dead.

649
00:40:17,080 --> 00:40:20,720
Speaker 1: I remember it was hard to learn because I remember

650
00:40:20,760 --> 00:40:25,360
Speaker 1: them teaching it to us pretty slowly and then speeding

651
00:40:25,400 --> 00:40:29,040
Speaker 1: it up, speaking it up, seeing it up in um bigger, bigger, bigger,

652
00:40:29,120 --> 00:40:31,319
Speaker 1: like dancing on those tables. I was like, are we

653
00:40:31,360 --> 00:40:34,680
Speaker 1: going to break these tables right now? Um? I didn't

654
00:40:34,680 --> 00:40:36,399
Speaker 1: think I was gonna be able to wheel fast enough

655
00:40:36,400 --> 00:40:39,160
Speaker 1: through the stacks and all of that. I well, I

656
00:40:39,160 --> 00:40:42,640
Speaker 1: think I had to push you at let's get him,

657
00:40:42,760 --> 00:40:44,640
Speaker 1: let's get him moving. But you in front of the

658
00:40:44,800 --> 00:40:48,960
Speaker 1: desk is so funny, and I forgot that you took

659
00:40:49,040 --> 00:40:51,200
Speaker 1: you had like all the vocals on this, Like, I

660
00:40:51,239 --> 00:40:53,960
Speaker 1: don't think we did anything at all except for the oh's. Yeah.

661
00:40:54,000 --> 00:40:57,440
Speaker 1: I didn't remember that either, but I remember being exhausted

662
00:40:57,480 --> 00:41:01,000
Speaker 1: after this, like sweating, like sweating, and the library is

663
00:41:01,040 --> 00:41:04,560
Speaker 1: small and so obviously the choir with me have a

664
00:41:04,640 --> 00:41:07,279
Speaker 1: lot more space, and the lights are higher. Everything was

665
00:41:07,320 --> 00:41:10,600
Speaker 1: so low and it was just so hot, I remember,

666
00:41:11,719 --> 00:41:16,280
Speaker 1: and it was. But I always loved watching this number.

667
00:41:17,120 --> 00:41:19,680
Speaker 1: You've been talking about like you were excited to watch

668
00:41:19,680 --> 00:41:23,719
Speaker 1: this number? Yeah, looking forward to it. Yeah, I love it.

669
00:41:23,760 --> 00:41:27,279
Speaker 1: I was laughing the whole time I did. I was

670
00:41:27,320 --> 00:41:30,680
Speaker 1: pretty miserable because I was just worried about I was like,

671
00:41:30,719 --> 00:41:33,400
Speaker 1: I'm going to screw this up for everyone. Oh no, No,

672
00:41:33,400 --> 00:41:35,919
Speaker 1: it was so much fun. It reminded me a little

673
00:41:35,920 --> 00:41:37,960
Speaker 1: bit of Halo Sunshine, where you like to get to

674
00:41:37,960 --> 00:41:39,960
Speaker 1: be a little crazy. And it didn't matter what we

675
00:41:40,000 --> 00:41:42,560
Speaker 1: looked like. I do remember my goal was to look

676
00:41:42,640 --> 00:41:46,560
Speaker 1: as like facially disgusting as possible. That was a lot

677
00:41:46,560 --> 00:41:50,000
Speaker 1: of my intention with Artie was just to really he

678
00:41:50,120 --> 00:41:53,480
Speaker 1: had no awareness of his face and just to like

679
00:41:53,520 --> 00:41:57,960
Speaker 1: do whatever you want, go there, go there anyway. Oh

680
00:41:58,040 --> 00:42:02,160
Speaker 1: do you remember that sweet, sweet librarian too? She was sweetist.

681
00:42:02,280 --> 00:42:05,120
Speaker 1: I feel like she also like didn't care, she was

682
00:42:05,160 --> 00:42:08,560
Speaker 1: just she she had no reaction. It was sort of

683
00:42:08,560 --> 00:42:11,040
Speaker 1: like how she was in the actual scene. She was

684
00:42:11,080 --> 00:42:13,799
Speaker 1: just there to work. Yeah. She was like, I just

685
00:42:13,800 --> 00:42:15,479
Speaker 1: want to make sure the check clears. Let me clock

686
00:42:15,520 --> 00:42:19,960
Speaker 1: in and clock out. But wait, Um, Jesse Hyman the

687
00:42:20,040 --> 00:42:25,640
Speaker 1: one who um was the student watching. He was an

688
00:42:25,640 --> 00:42:30,040
Speaker 1: extra on our show for the whole series. Um. But

689
00:42:30,160 --> 00:42:32,520
Speaker 1: you'd also know him from a lot of other things.

690
00:42:32,560 --> 00:42:34,799
Speaker 1: And I forgot, like I think I watched I was

691
00:42:34,800 --> 00:42:37,399
Speaker 1: watching Spider Man recently and I was like, oh, there

692
00:42:37,400 --> 00:42:41,040
Speaker 1: he is again, like he is all work in. I

693
00:42:41,080 --> 00:42:43,239
Speaker 1: remember we would, you know, go see a movie or

694
00:42:43,280 --> 00:42:46,560
Speaker 1: something to come back like, um, Jesse, we just saw

695
00:42:46,600 --> 00:42:49,360
Speaker 1: you in this, Like when did you do that? He's like,

696
00:42:49,360 --> 00:42:54,680
Speaker 1: oh yeah, he has been in all right. So so

697
00:42:56,800 --> 00:43:01,400
Speaker 1: it goes awry and we don't um the reputation is

698
00:43:02,160 --> 00:43:04,320
Speaker 1: non because the library loves it and she wants to

699
00:43:04,360 --> 00:43:09,680
Speaker 1: supportive performative church. Yeah. But and then Kurt. That's when

700
00:43:09,719 --> 00:43:13,279
Speaker 1: Kurt decides, we've got to tell Sue because that'll will

701
00:43:13,320 --> 00:43:15,480
Speaker 1: get in trouble and we'll look like bad kids for

702
00:43:15,640 --> 00:43:18,000
Speaker 1: posting the video and of course they'll live in John.

703
00:43:18,040 --> 00:43:22,600
Speaker 1: Thing goes all rise. Well, so here we are it

704
00:43:22,640 --> 00:43:27,280
Speaker 1: didn't work, but mister Shoe goes to apologize to Emma

705
00:43:27,719 --> 00:43:34,480
Speaker 1: for being a slot and after that sad scene, he

706
00:43:34,520 --> 00:43:38,080
Speaker 1: goes out and he realizes, oh, he sees Quinn being

707
00:43:38,080 --> 00:43:40,840
Speaker 1: pushed around in the hallway and he's like, of course

708
00:43:41,080 --> 00:43:43,320
Speaker 1: you had the most lose and the most again for

709
00:43:43,440 --> 00:43:48,680
Speaker 1: making a list and realizes it. And it's a very

710
00:43:48,680 --> 00:43:53,000
Speaker 1: sweet scene with mister Shoe and Quinn with Madden Diana

711
00:43:53,120 --> 00:43:55,120
Speaker 1: it was, and he sticks up for her and defends

712
00:43:55,120 --> 00:43:58,520
Speaker 1: her and says that, oh, you know, the closed ranks

713
00:43:58,520 --> 00:44:00,239
Speaker 1: and we couldn't figure out who did it. But I

714
00:44:00,280 --> 00:44:03,640
Speaker 1: did like before that the interrogation, you know, Law and

715
00:44:03,760 --> 00:44:07,920
Speaker 1: Order type scenes, and I love like the lighting and

716
00:44:08,200 --> 00:44:10,200
Speaker 1: Kurt calling him out on it and the editing of

717
00:44:10,239 --> 00:44:12,520
Speaker 1: one that was just a lot of fun. I love

718
00:44:12,560 --> 00:44:16,279
Speaker 1: that as a fan. I remember shooting that and it

719
00:44:16,360 --> 00:44:17,640
Speaker 1: was like one of the only times we had like

720
00:44:17,640 --> 00:44:19,600
Speaker 1: a little downtime off and we got to like sit

721
00:44:19,640 --> 00:44:23,359
Speaker 1: at village and watch every other people shoot. And I

722
00:44:23,400 --> 00:44:24,520
Speaker 1: was like, can you take a picture of me on

723
00:44:24,600 --> 00:44:26,279
Speaker 1: the monitor? And so I have a photo of like

724
00:44:26,320 --> 00:44:30,560
Speaker 1: the two camera monitors of Matt and me, and it's

725
00:44:30,560 --> 00:44:34,840
Speaker 1: just like, I don't know I love those two. Yeah,

726
00:44:34,840 --> 00:44:37,440
Speaker 1: that was really cute. Yeah. So the other big thing

727
00:44:37,440 --> 00:44:40,200
Speaker 1: in this episode that reputations. While half of us were

728
00:44:40,239 --> 00:44:45,000
Speaker 1: in the library empty hammering, the other half, Rachel was

729
00:44:45,120 --> 00:44:51,960
Speaker 1: trying to play puppet master and trying to commit musical infidelity.

730
00:44:52,440 --> 00:44:57,200
Speaker 1: Right by, she enlists Artie to create this music video.

731
00:44:57,239 --> 00:45:00,480
Speaker 1: I distinctly remember the scene and being the nose to

732
00:45:00,560 --> 00:45:04,520
Speaker 1: nose with Leah and heard saying this insane monologue, which

733
00:45:04,560 --> 00:45:09,640
Speaker 1: was great, and she goes on to make run Joey run,

734
00:45:09,719 --> 00:45:16,040
Speaker 1: this beautiful masterpiece. If I may say, um, i'd you

735
00:45:16,080 --> 00:45:18,560
Speaker 1: ever heard the song before? No? I never heard it,

736
00:45:18,600 --> 00:45:22,920
Speaker 1: and I was most jarred by with this in the episode. Also,

737
00:45:22,960 --> 00:45:25,760
Speaker 1: I don't understand how Artie went from making and editing

738
00:45:25,960 --> 00:45:30,960
Speaker 1: the gorgeous Vogue music video to this to this. Yeah

739
00:45:31,000 --> 00:45:35,120
Speaker 1: you know what those though. I thought it was brilliant though,

740
00:45:35,239 --> 00:45:37,520
Speaker 1: because of what the actual editors of the show did

741
00:45:37,560 --> 00:45:42,640
Speaker 1: and making all those little boxes, and I thought I

742
00:45:42,680 --> 00:45:47,600
Speaker 1: thought everyone was so excellent. I remember freaking out when

743
00:45:47,640 --> 00:45:51,160
Speaker 1: they showed us the episode. We were all dying. I

744
00:45:51,200 --> 00:45:54,320
Speaker 1: thought it was so funny. Well, I remember Corey was like,

745
00:45:54,360 --> 00:45:57,680
Speaker 1: it was catch up. Do you remember that? Oh? Yeah,

746
00:45:57,719 --> 00:46:00,160
Speaker 1: that was really crazy. It was really really crazy, but

747
00:46:00,200 --> 00:46:04,239
Speaker 1: the performances were very We're spot on. It's one of

748
00:46:04,280 --> 00:46:08,760
Speaker 1: my favorite performances in the show because it's just absolutely

749
00:46:08,920 --> 00:46:12,680
Speaker 1: great well in this episode, but it reminds me of

750
00:46:12,719 --> 00:46:16,640
Speaker 1: sort of the ridiculousness of Rocky Horror. Maybe it's the fog,

751
00:46:16,840 --> 00:46:22,360
Speaker 1: I don't know, but I do really enjoy it. Okay,

752
00:46:22,360 --> 00:46:26,160
Speaker 1: so we're bringing We're bringing Puckleberry back. We are bringing

753
00:46:26,160 --> 00:46:31,200
Speaker 1: Puckleberry back. And I think fans liked Puckleberry because I

754
00:46:31,200 --> 00:46:33,320
Speaker 1: know Mark has quoted saying that he was very confused

755
00:46:33,360 --> 00:46:36,200
Speaker 1: by it because he did not he thought it was weird,

756
00:46:36,360 --> 00:46:38,759
Speaker 1: like we all felt it was weird. Yeah, we thought

757
00:46:38,760 --> 00:46:40,799
Speaker 1: it was like a one off, right, Yeah, but the

758
00:46:40,880 --> 00:46:44,479
Speaker 1: people spoke and they liked it. Give them what they want,

759
00:46:44,920 --> 00:46:47,279
Speaker 1: like it. Did you have any feeling about it? I

760
00:46:47,320 --> 00:46:49,480
Speaker 1: think I said this in the other episode where we

761
00:46:49,600 --> 00:46:54,800
Speaker 1: watched it. It made me a little uncomfortable, and partially

762
00:46:54,800 --> 00:46:58,600
Speaker 1: because I felt like Rachel and Finn didn't even have

763
00:46:58,640 --> 00:47:01,680
Speaker 1: time yet, so why were we moving on to the

764
00:47:01,719 --> 00:47:07,799
Speaker 1: most unlikely of parents. But this time around, in this episode,

765
00:47:07,920 --> 00:47:09,759
Speaker 1: I didn't hate it as much as it I did

766
00:47:09,800 --> 00:47:13,040
Speaker 1: in the first episode. Yeah, of Buckleberry same. They had

767
00:47:13,080 --> 00:47:16,560
Speaker 1: some cute chemistry in this one. And also Stephen Tabolowski

768
00:47:16,640 --> 00:47:23,600
Speaker 1: and his out and the farmers just like ridiculous, I'm crazy.

769
00:47:23,800 --> 00:47:28,319
Speaker 1: Do not understand why all the guys freak out after this?

770
00:47:29,280 --> 00:47:32,799
Speaker 1: It is so weird. See, I think I love this

771
00:47:32,840 --> 00:47:37,200
Speaker 1: episode until this last these last few minutes go off

772
00:47:37,239 --> 00:47:41,160
Speaker 1: the rails. All the guys get so offended, especially Jesse,

773
00:47:41,360 --> 00:47:44,080
Speaker 1: but I mean that sort of tracks. But Puck and

774
00:47:44,239 --> 00:47:49,879
Speaker 1: Fend being that upset over this weird music video thing

775
00:47:50,080 --> 00:47:52,279
Speaker 1: to make. It's a bit of a stretch, I would say,

776
00:47:52,480 --> 00:47:58,760
Speaker 1: which is saying something for Glee. It was weird because

777
00:47:58,800 --> 00:48:04,040
Speaker 1: then it immediately goes into another weird thing total clips

778
00:48:04,040 --> 00:48:08,839
Speaker 1: of the Heart, which which I was upset about not

779
00:48:08,920 --> 00:48:11,080
Speaker 1: being able to sing this number. Oh this is like

780
00:48:11,120 --> 00:48:14,000
Speaker 1: one of those envy numbers that I love to sing,

781
00:48:14,760 --> 00:48:19,640
Speaker 1: and I was like, oh God, she's so jealous. I

782
00:48:19,719 --> 00:48:21,520
Speaker 1: loved it, but also that they had to do a

783
00:48:21,560 --> 00:48:24,040
Speaker 1: whole ballet um. I don't know if it's a potted

784
00:48:24,320 --> 00:48:27,240
Speaker 1: or what it was. What it is a ballet duet

785
00:48:27,360 --> 00:48:30,440
Speaker 1: with Leah on point shoes. I was like, oh my god,

786
00:48:30,520 --> 00:48:32,839
Speaker 1: how did she know how to do point. I don't

787
00:48:32,840 --> 00:48:35,560
Speaker 1: think she did. She she she fudged it for this,

788
00:48:35,719 --> 00:48:38,759
Speaker 1: She fudged the whole thing for this, and they did

789
00:48:38,800 --> 00:48:41,600
Speaker 1: a great job. I loved I loved it. I loved this.

790
00:48:41,800 --> 00:48:45,480
Speaker 1: Lifts is really lifting. I was like, yeah, I mean

791
00:48:45,600 --> 00:48:50,000
Speaker 1: Lee's tiny, tiny, but like, yeah, still they were working, No,

792
00:48:50,080 --> 00:48:52,879
Speaker 1: they were they were working. Um And then we see

793
00:48:52,880 --> 00:48:57,600
Speaker 1: each other at Barbo class. Jesse and Rachel really make

794
00:48:57,680 --> 00:49:00,960
Speaker 1: me google because it is there's so much truth to

795
00:49:01,120 --> 00:49:07,800
Speaker 1: like the how serious they take their performances in their craft,

796
00:49:08,160 --> 00:49:10,719
Speaker 1: and like, I know so many people. I was one

797
00:49:10,760 --> 00:49:13,399
Speaker 1: of those people back in school, and so it's just

798
00:49:13,560 --> 00:49:17,080
Speaker 1: it's very funny because it's it seems ridiculous, but it's

799
00:49:17,080 --> 00:49:22,440
Speaker 1: actually quite true. I was going to ask you if

800
00:49:22,480 --> 00:49:27,640
Speaker 1: this reminds you of like musical theater people. For sure. Yeah,

801
00:49:27,680 --> 00:49:31,360
Speaker 1: they take it all very very seriously. Definitely, and that

802
00:49:31,560 --> 00:49:35,359
Speaker 1: that's a that's a bad reputation. So they leave off

803
00:49:35,400 --> 00:49:38,279
Speaker 1: with Rachel being all by herself and all three men

804
00:49:38,560 --> 00:49:42,040
Speaker 1: leaving her, and that again I just had logistical questions.

805
00:49:42,560 --> 00:49:45,359
Speaker 1: I was like, is this in their heads? Why are

806
00:49:45,360 --> 00:49:48,040
Speaker 1: they singing and walking out the door? Who is she

807
00:49:48,120 --> 00:49:50,960
Speaker 1: performing for? And why I don't know. I guess it

808
00:49:50,960 --> 00:49:53,800
Speaker 1: doesn't really matter at this point. It doesn't matter anymore.

809
00:49:53,800 --> 00:49:58,440
Speaker 1: We're just doing it. Yeah, you know, yeah, we're doing it. Okay,

810
00:49:58,560 --> 00:50:02,640
Speaker 1: party takes Jenna, lets see Tchardy takes um cringe moments

811
00:50:02,719 --> 00:50:12,000
Speaker 1: aka alchies. Yes, oh I think, oh gosh, I have

812
00:50:12,080 --> 00:50:14,800
Speaker 1: a hard time with this one because the whole episode

813
00:50:14,880 --> 00:50:21,160
Speaker 1: is bad. I would run Joey run in the best

814
00:50:21,680 --> 00:50:26,799
Speaker 1: bad way. Yeah, I think I would say. Brittany making

815
00:50:26,800 --> 00:50:31,320
Speaker 1: out with the janitor. Also actually tied with Molly Shannon's

816
00:50:31,400 --> 00:50:36,600
Speaker 1: character who is just openly talking about her like substance

817
00:50:36,600 --> 00:50:43,280
Speaker 1: abuse issues right which it feels not great? Fair enough Yeah, okay,

818
00:50:43,640 --> 00:50:48,360
Speaker 1: worst dance move, I vote you not being able to

819
00:50:48,440 --> 00:50:52,160
Speaker 1: dance a nice ice Baber's key on the corner. Okay,

820
00:50:52,200 --> 00:50:58,560
Speaker 1: I'll go with that soul best song, best song. I'm

821
00:50:58,560 --> 00:51:02,920
Speaker 1: gonna oh you can't touch this? Yeah, you know, I

822
00:51:02,960 --> 00:51:06,240
Speaker 1: have to go with physical because that was something special.

823
00:51:06,640 --> 00:51:12,600
Speaker 1: Fair enough, fair enough performance by a prop. I'm going

824
00:51:12,600 --> 00:51:16,839
Speaker 1: with the boom box and can't touch this. I'm going

825
00:51:16,880 --> 00:51:21,480
Speaker 1: with the dancers. Yeah, not that they're props, but they

826
00:51:21,480 --> 00:51:24,360
Speaker 1: are propping Sue up when they're rolling on the floor

827
00:51:24,400 --> 00:51:26,600
Speaker 1: and she's laying on top of them, and I thought

828
00:51:26,600 --> 00:51:31,200
Speaker 1: that was brilliant. Yeah, yeah, okay, that's fair. And Jenna,

829
00:51:31,239 --> 00:51:36,040
Speaker 1: there's only one line for his best line, but there

830
00:51:36,120 --> 00:51:39,879
Speaker 1: is a second that comes close. So the first one

831
00:51:40,000 --> 00:51:43,040
Speaker 1: is year slot, year slot, year a slot. The second

832
00:51:43,080 --> 00:51:47,000
Speaker 1: one is Sue. She says, Will, I may buy a

833
00:51:47,080 --> 00:51:49,799
Speaker 1: diaper for your chin because it looks like a baby's app.

834
00:51:54,560 --> 00:51:57,720
Speaker 1: We're getting crazy now, Oh yeah, but they're so good,

835
00:51:58,040 --> 00:52:02,480
Speaker 1: oh funny, all right, all right, that's it. Those are

836
00:52:02,520 --> 00:52:08,680
Speaker 1: tarty takes, party takes. Okay, Jenta, Oh my gosh, but

837
00:52:08,760 --> 00:52:11,040
Speaker 1: so long since you've called me that? Are you ready

838
00:52:11,080 --> 00:52:14,120
Speaker 1: for shit? We found on TikTok? Are you ready for it?

839
00:52:14,760 --> 00:52:18,680
Speaker 1: Are you ready for it? Ready? Okay? This is a

840
00:52:18,719 --> 00:52:21,880
Speaker 1: shout out to the Royal Vauxhall Tavern. Shout out to

841
00:52:21,920 --> 00:52:29,879
Speaker 1: Vauxhall in London. And they have lots and lots and

842
00:52:30,000 --> 00:52:35,680
Speaker 1: lots of dedicated performances too, Glee. So it's it's Malibu

843
00:52:35,840 --> 00:52:38,560
Speaker 1: with two years. At the end. On TikTok, they have

844
00:52:38,600 --> 00:52:41,520
Speaker 1: Emma Pillsbury getting married today. They have Rachel Barry, Will

845
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Speaker 1: Schuster Sylvestor doing physical by the way, they have Will

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Speaker 1: versus Sue all these different performances, even with slushies and confetti.

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Speaker 1: It's a series of videos. People need to go check

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Speaker 1: it out. Lots and lots and lots of people have

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Speaker 1: tagged us in this and it's incredible. Can you send

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Speaker 1: me the link please? Yes, I will send you the

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Speaker 1: link right now. Thank you. There are It's just lots

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Speaker 1: of fun. It's some good drag you know, get one,

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Speaker 1: I got one. Get one. And that is the ship

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Speaker 1: we found on TikTok. You need to go. Everyone go

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Speaker 1: look up. It's Malibu. Oh oh, yes, we're said, he's Joe. Yeah, great,

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Speaker 1: Gale drag shows very exciting. Yeah great, So I think

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Speaker 1: I think that's all we got for you. That is.

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Speaker 1: Next week is laryngitis. Oh my gosh, laryngitis was this season? Yes, wow, wow,

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Speaker 1: I'm so funny. We have so many stories before next week.

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Speaker 1: Keep sending us those tiktoks, we love them. Keep tagging us,

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Speaker 1: keep it up, good work, folks. We appreciate all the feedback.

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Speaker 1: We'll hear you. We are seeing you and we are

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Speaker 1: applying the notes. And don't forget to go donate if

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Speaker 1: you can to Alexander House. There walkathon is this weekend

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Speaker 1: and if you can't be there, you can help out

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00:54:15,320 --> 00:54:18,280
Speaker 1: in other ways. Go check out Alexander House dot org.

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Speaker 1: If you don't know, haven't been listening. New here Alexander House.

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Speaker 1: It was supported by our friend Naya Rivera and they

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Speaker 1: are transitional home for women and children. Lots of support

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Speaker 1: and services provided. And that's it, so come recap with

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Speaker 1: us next week. Thanks for hanging out, Let us know

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Speaker 1: what you think and we'll see you soon. Who that's

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00:54:40,600 --> 00:54:44,360
Speaker 1: what you really missed? Bye bye Chow. Thanks for listening

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00:54:44,640 --> 00:54:47,200
Speaker 1: and follow us on Instagram at and That's what you

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00:54:47,280 --> 00:54:49,520
Speaker 1: really miss pod. Make sure to write us a review

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Speaker 1: and leave us five stars. See you next time