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Speaker 1: Call It What It Is with Jessica Capshaw and Camille Luddington,

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Speaker 1: an iHeartRadio podcast. Well, hello, hello, Hello, Hello, call It crew,

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Speaker 1: and welcome to another episode of Call It What It Is?

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Speaker 1: Call It What? Call It a Very Special Grades Anatomy guest,

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Speaker 1: we have a guy. God, what are we gonna do?

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Speaker 1: Just like here, look good? Just my makeup? Look Okay?

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Speaker 1: Oh my god, I know we have a man on board.

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Speaker 2: You know what.

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Speaker 1: Because we have a man, we got to ask the

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Speaker 1: boy question, which is does Harry think the boys and

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Speaker 1: girls oh can just be friends?

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Speaker 3: Yeah?

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Speaker 4: Yeah, yeah, Oh my gosh, you really you're hanging on

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Speaker 4: to that. You need it all I need?

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Speaker 1: I need all that. Listen, I'm gonna keep it going. Yep,

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Speaker 1: okay going. We have Harry Harry Shum Jr. And when

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Speaker 1: he joined our cast, I had not worked with him before.

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Speaker 1: And what an incredible actor, incredible light he brings. He

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Speaker 1: is so fun, he's the kindest, he's he's a quadruple

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Speaker 1: million threat. And he plays Blue, an intern on our

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Speaker 1: show right now who is entangled in a lot of

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Speaker 1: romance entangling and is our cocky intern. He has a

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Speaker 1: lot of really funny one liners and I got to

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Speaker 1: say that. From the first table read with him. I

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Speaker 1: was like, yep, I can see where the cast him.

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Speaker 1: I love that. Oh an instant magic.

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Speaker 4: I don't mind a slow burn, but I like a

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Speaker 4: little instant magic too.

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Speaker 1: He a little instant magic. And I text him and

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Speaker 1: I was like, will you come on the podcast? And

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Speaker 1: he was like yes, and so here we are.

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Speaker 2: Here, we are.

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Speaker 1: We're bringing the heat, We're bringing the sexy, We're bringing

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Speaker 1: the hair vice Harry Spice, let's bring in the hairy.

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Speaker 1: I think let's bring them in and we can get

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Speaker 1: into it because I have a list of five million questions.

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Speaker 1: Oh my god, we just did a little intro about you.

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Speaker 2: We did what we did amazing.

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Speaker 4: I mean it's just the list goes on and on.

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Speaker 4: It's like, I don't think it's not a single threat,

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Speaker 4: not a double, not a triple.

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Speaker 1: It's more than a quadruple. It's almost annoying. What don't

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Speaker 1: you do? And also you've won awards for it. Can

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Speaker 1: not only do it, but you win awards for it, You've.

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Speaker 2: Been nominated you.

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Speaker 1: I mean, it's it is. I read your resume in preparation.

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Speaker 1: I mean, I know you, but I want to throw

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Speaker 1: a good she read about you. She knows you, but

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Speaker 1: she also read about you.

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Speaker 2: I am honored.

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Speaker 3: I also honored when you when you asked me, I

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Speaker 3: was like, yeah, I've listened to the podcast and it's

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Speaker 3: so wonderful. And I remember, you know when when you

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Speaker 3: told us in the group text that you were doing,

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Speaker 3: and I just thought it was it was perfect, especially

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Speaker 3: youtubes getting to meet you Jessica very recently, you know,

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Speaker 3: when you came back, it was it's just so neat

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Speaker 3: to be talking to y'all. And you know, one thing

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Speaker 3: I want to add to that, which is actually my

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Speaker 3: prouder moment right now. Beyond all is clean. I don't

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Speaker 3: know what I'm telling you, guys. I was on the

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Speaker 3: roof this morning cleaning out the gutters of my house

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Speaker 3: and I was very proud of it.

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Speaker 2: I was like, yes, look at those look at these

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Speaker 2: pristine gutters.

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Speaker 3: Right now.

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Speaker 2: Anyways, it was really good.

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Speaker 1: Excited about As you get older, though, yeah, as you

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Speaker 1: get only are like, look at those gutters.

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Speaker 4: Like I said, sexy gutter talk. He's cleaning his own gutters.

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Speaker 1: Do you understand how sexy that is? We need picture,

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Speaker 1: This could be a whole calendar. Actually, next level, I'm doing.

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Speaker 2: Crab walks like on the slanted roots and making sure.

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Speaker 4: I know oh oh yeah, I bet there was a

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Speaker 4: song on and it was like in time too, because

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Speaker 4: we know where you started, and maybe a drone camera

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Speaker 4: that was getting it edit together.

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Speaker 2: Done that. Ye.

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Speaker 1: Next time, we told the fans that you were coming.

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Speaker 1: We told the listeners, the call at crew, we call

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Speaker 1: them the crew know you were coming, and they asked

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Speaker 1: a lot of questions. So if you don't mind, we

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Speaker 1: got to dive in.

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Speaker 2: I'm scared, but I really no.

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Speaker 4: No, let me let me tell you because I've seen

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Speaker 4: a peek around the corner. You have nothing to be

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Speaker 4: afraid of. You have nothing to be afraid of. If

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Speaker 4: the questions that are coming to you came to me,

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Speaker 4: I would feel like I was doing something right.

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Speaker 1: Yeah. Can I start with the one that I love

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Speaker 1: the most? Okay, go start with one. Do you love

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Speaker 1: the mask? Because it's just really to the point. Yeah, Harry,

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Speaker 1: why are you so fine?

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Speaker 3: We do that?

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Speaker 1: It is a legit question. That's a question. Is there

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Speaker 1: a skincare routine?

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Speaker 2: They want to know?

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Speaker 1: That's a different question. Oh, but I answer the first question,

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Speaker 1: which is why are you so fine?

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Speaker 3: How do you even answer that? I mean, I'm my

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Speaker 3: mental being is fine. Emotionally I'm fine. I don't know

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Speaker 3: if that helps with everything.

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Speaker 1: Else, like how your mother probably had something to do

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Speaker 1: with it, my.

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Speaker 3: Mother and father, and I'll say skincare routine is definitely

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Speaker 3: my wife. I was, I was washing my face with

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Speaker 3: bars of soap like just you.

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Speaker 2: Know, just just dudes do.

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Speaker 1: And yeah, it was gonna say very manly.

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Speaker 3: Water you know water, water is nice and no moisturizer

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Speaker 3: because you know you drink water, I guess, and that

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Speaker 3: that thought process.

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Speaker 2: So I don't know if that.

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Speaker 3: If I didn't have that, I probably would have been

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Speaker 3: I don't even know how actually fine, the fine lines

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Speaker 3: would have.

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Speaker 1: Shown yeah fine versus fine lines. Okay, I've asked my question.

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Speaker 1: I love that is that really was a question. That's

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Speaker 1: really funny. Okay, a lot of Glee questions, Yeah, okay, okay,

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Speaker 1: so can we I want to know personally how what

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Speaker 1: the casting process was for Glee because I and then

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Speaker 1: you told me a story about what your character initially

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Speaker 1: got bought on for, and then how like the trajectory

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Speaker 1: of being on the show for a long time.

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Speaker 2: Yeah, you know, it's weird.

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Speaker 3: You try to look at everything in hindsight and you

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Speaker 3: think it was you know, it was meant to be.

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Speaker 3: These things happened, But honestly, I shouldn't have been there.

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Speaker 2: I shouldn't have been where I was.

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Speaker 3: You know, most of the time, is it's luck right

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Speaker 3: when you're you're When we talk about this, there's always

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Speaker 3: a debate like is it luck or is it preparation?

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Speaker 3: Is it? Like? What what? What?

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Speaker 2: What is it?

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Speaker 3: You know?

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Speaker 2: And and and for that, I was in very on

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Speaker 2: a Saturday.

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Speaker 3: My grandma passed away that week and I went up

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Speaker 3: to a funeral, uh to San Francisco and with my family,

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Speaker 3: and I get a call. I was like, well, there's

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Speaker 3: this audition for this show Glee. And I was like,

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Speaker 3: I don't know what it is. And Ryan Murphy, I

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Speaker 3: wasn't too familiar with him. I didn't watch Nip Tuck

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Speaker 3: and and my my wife was I was like, hey,

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Speaker 3: have you heard the show Glee? And I was like,

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Speaker 3: I think you worked on something. So she worked on

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Speaker 3: as a dancer on the pilot, and she and it

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Speaker 3: was it was She's like, so many dancers worked on it.

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Speaker 2: It's a singing show.

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Speaker 3: And I was like I don't sing, and I was like, well,

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Speaker 3: they want you to dance, and I was like okay.

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Speaker 3: And then and then I went in and read some

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Speaker 3: lines for it was meant for Finn, which Cory Monte's character,

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Speaker 3: and I read his line, you know, his sides, and

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Speaker 3: it was auditioned.

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Speaker 2: I had to sing. I sang Love by Nat King

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Speaker 2: Cole because that was what was I guess, do you

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Speaker 2: have to sing it? Like?

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Speaker 1: Was there any like pianists in the room.

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Speaker 2: With you or was it just like it was a

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Speaker 2: a capella?

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Speaker 3: Yeah? Yeah, And that was like kind of like a

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Speaker 3: like a talk songy like like you could kind of

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Speaker 3: mess around. I was like, I'm spelling words. I was like,

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Speaker 3: I can't mess this up the lyrics because I was

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Speaker 3: always definitely afraid of messing with Like if I can.

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Speaker 2: Spell love, I'm okay. And then I say that they're

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Speaker 2: just like okay, cool.

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Speaker 1: Was Ryan Murphy in the room when you did the audition?

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Speaker 2: It wasn't it.

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Speaker 3: Robert Oulrich, who you know, was a big big you

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Speaker 3: know which of you cast cast out grays as well?

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Speaker 3: And he, you know, he really really helped me out

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Speaker 3: through it because I didn't know what was I was

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Speaker 3: auditioning for usually when you you don't know fully, but

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Speaker 3: even as a character, I was like, this is not

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Speaker 3: for a character that I'm basing it off of nothing.

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Speaker 2: Really.

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Speaker 1: Yeah, it was also I feel like that I feel

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Speaker 1: like we hadn't really seen a show like that on TV.

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Speaker 2: Absolutely. Yeah.

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Speaker 1: It's also the tone of the show. It's like hard

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Speaker 1: to figure out before it's airing because it wasn't airing yet, right,

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Speaker 1: this is.

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Speaker 4: And it was sort of one of the first of

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Speaker 4: its I mean, I feel like that's what I came

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Speaker 4: after it. But yeah, I mean I can imagine it

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Speaker 4: being hard to imagine.

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Speaker 3: Yeah, the last show that attempted to do this or

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Speaker 3: did this was a cop Rock. I believe from what

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Speaker 3: I heard, you know, that that went full on like

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Speaker 3: musical as a TV show.

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Speaker 2: And I might be wrong. I'm you know, there's other

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Speaker 2: shows that came out that had musical elements. Oh my god.

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Speaker 1: Yeah, I feel like the blueprint for it, in my

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Speaker 1: mind would have been Fame.

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Speaker 3: Yeah, and that was before that was I think that

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Speaker 3: was before then and cop Rock. You got a YouTube

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Speaker 3: cop Rock. It's it's fascinating.

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Speaker 1: It's like, is this a show that made it to air?

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Speaker 2: It made it to air. I think it was CBS. Yeah,

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Speaker 2: and it's cops singing about the criminal.

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Speaker 1: It's like, how many seasons did this show have?

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Speaker 2: Oh? Very I think it barely made it past.

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Speaker 1: The season just because I don't I don't know.

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Speaker 3: It's actually fascinating and it was actually really good. It

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Speaker 3: was just jarring for I think the public was like,

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Speaker 3: why are these cops singing?

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Speaker 1: But it makes sense. The high schoolers are singing, I know,

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Speaker 1: and it's a Greek club. It's a Greek club.

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Speaker 4: But it's also just the most perfect that there's very

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Speaker 4: I mean, clearly they're successful, but these new ways of

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Speaker 4: imagining things and these showrunners that come up with these

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Speaker 4: perfect environments for so much story, right, Like you come

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Speaker 4: up with the Glee Club and you pack it full

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Speaker 4: of all these characters with backstories that put them as such,

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Speaker 4: unlikely friends, as such, unlikely like combinations, but they're.

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Speaker 1: All bound by this. I'm in a high school experience,

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Speaker 1: which is everyone is untethered.

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Speaker 4: And then I think that the thing that I just

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Speaker 4: thought was so genius was you're taking all this incredibly

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Speaker 4: familiar and beloved music, so.

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Speaker 1: It's not like you you know, I mean, how much

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Speaker 1: money did they spend on getting those songs? I mean

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Speaker 1: a lot.

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Speaker 2: I just didn't understand sometimes I would like, how do

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Speaker 2: we how are we getting these? So I mean it's the.

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Speaker 3: Power of like, you know, one thing I want to

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Speaker 3: say to it was written. The first season was written

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Speaker 3: by three people, like it was just Ryan, Brad and Ian.

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Speaker 3: They were the right, they were the writer's room, like

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Speaker 3: they were turning these out and and which allowed like

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Speaker 3: you know, the humor to be what it was, the

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Speaker 3: storylines to be what they were because you know, they

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Speaker 3: it was between the three of them, and you know

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Speaker 3: it is I guess you know in UK that they

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Speaker 3: have you know, one shot, one writer basically writing most

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Speaker 3: of the show. So it felt kind of that energy

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Speaker 3: kind of going back and forth. But on top of it,

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Speaker 3: the songs having it was relevant to the storyline. And

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Speaker 3: and then these not just the original like they were

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Speaker 3: popular songs, And I think it was the full force

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Speaker 3: of like, you know, the twentieth century and and really

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Speaker 3: coming in and saying, hey, we're going to double down

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Speaker 3: and make sure you guys get exactly what what is

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Speaker 3: needed as far as the songs go. So that was

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Speaker 3: that was really neat to be around that, and and

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Speaker 3: also songs that I've never heard in my life that

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Speaker 3: were popular. I was a learning experience for me too,

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Speaker 3: Like I wasn't a Broadway kid, so like learning a

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Speaker 3: lot of these Broadway songs through that show was fascinating.

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Speaker 2: And while having Christian channel with in front of us.

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Speaker 1: Scene we had heard on the show, we had show

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Speaker 1: It's amazing, She's the best.

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Speaker 4: Now that I've dipped back into my Glee love, I

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Speaker 4: just needed this is something I wondered. I don't understand

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Speaker 4: how you all had enough hours in the day to

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Speaker 4: do what you needed to do, because normally, when we're

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Speaker 4: on a show, we get a scene and when we rehearse,

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Speaker 4: and the rehearsal takes usually not upwards of fifteen twenty

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Speaker 4: minutes to rehearse, and then we put down the marks

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Speaker 4: and then we go get finished getting ready, and we

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Speaker 4: come back and we shoot the scene.

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Speaker 1: But you all have.

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Speaker 4: Sometimes incredibly complicated dance numbers. You're lip syncing to playback

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Speaker 4: like you're also acting in a scene.

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Speaker 1: Like how did those days go?

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Speaker 2: Were they just never?

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Speaker 1: Did you rehearse separately?

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Speaker 2: Did you?

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Speaker 1: I do want to know this. I heard rumors at

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Speaker 1: the time where that you guys are working weekends. I

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Speaker 1: remember hearing that, like the Glee class work weekends.

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Speaker 3: I will say, and you know, I haven't been on

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Speaker 3: every show like no one, no one has. But I

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Speaker 3: would say from other people also saying who have worked

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Speaker 3: on many many shows during that time, is this was unprecedented?

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Speaker 3: Like it was there's no other show that did this?

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Speaker 3: What you if you were, you know, shooting these long

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Speaker 3: sequences with when you're talking about the dance sequences, they

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Speaker 3: would take six seven hours just to shoot one song,

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Speaker 3: sometimes sometimes a whole day, and then you might fill

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Speaker 3: in one scene and then if you have double up days.

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Speaker 2: My gosh, like that was nuts.

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Speaker 3: But then you'd also have to dip into rehearsals and

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Speaker 3: sometimes rehearsals just imagine trying to schedule the whole cast

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Speaker 3: to get on this rehearsal and you might only have

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Speaker 3: two hours or an hour, and a lot of times

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Speaker 3: you might have an hour.

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Speaker 2: Or two before you shoot.

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Speaker 3: So you know, when you think you come in at

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Speaker 3: at you know, six am to put makeup on, think

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Speaker 3: about coming at like five am to learn the dance

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Speaker 3: that you have to perform that same day. Sometimes because

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Speaker 3: that was the only way that the puzzle pieces would

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Speaker 3: work together. And it took like a lot of honestly

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Speaker 3: talented crew to be able to say, this is the

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Speaker 3: only way that is going to work, and let's all

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Speaker 3: like try and make this happen. Meanwhile, you know a

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Speaker 3: lot of the cat I didn't have to do that

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Speaker 3: as much because I didn't sing as much on the

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Speaker 3: on the show, but like the other cast members that

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Speaker 3: did had to go and do pre records and then

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Speaker 3: come back and shoot.

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Speaker 2: Like it was just a lot going on.

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Speaker 1: Where you guys were filming on your set. Were you

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Speaker 1: able to record songs there or did you have to

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Speaker 1: go to a different location.

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Speaker 3: So they'd have to go sometimes to Jim Henson. Sometimes

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Speaker 3: it would it would bounce around, so you'd have to

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Speaker 3: go somewhere else. Because we shot on Paramount, you know,

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Speaker 3: it only so much can be done there, you know,

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Speaker 3: and we'd have we'd have tin Shed, which was a lot.

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Speaker 3: It was like one of those smaller rehearsal spaces and

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Speaker 3: and you know, as as the numbers got bigger, we

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Speaker 3: had to get a bigger space that allowed us.

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Speaker 2: That was that took over half a stage.

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Speaker 3: I think we took over like four stages for the show,

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Speaker 3: which is similar to kind of grades Grays does that

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Speaker 3: you know, and and so that that looked very familiar

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Speaker 3: to me. But the fact that Paramount they just took

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Speaker 3: a big chunk of it was I look at that

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Speaker 3: and it was like a boot camp.

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Speaker 2: It was just so it was so neat.

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Speaker 3: It was chaotic, but also neat to look back, because

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Speaker 3: it prepared me. And I'm talking about uh and I

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Speaker 3: think for a lot of us to just like everything

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Speaker 3: else becomes a little easier just because.

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Speaker 4: Well, guess what, I was a viewer and I appreciated

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Speaker 4: every single second of it.

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Speaker 1: I loved it, loved it.

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Speaker 2: Loved it.

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Speaker 1: I want to go back to you audition though really quick.

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Speaker 1: So you did your audition and.

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Speaker 3: Then what happened The real, the real skinny here is

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Speaker 3: that they needed to dance. They needed two dancers to like,

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Speaker 3: they needed to cast two dancers because a lot of

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Speaker 3: the actors, they they didn't come from dance background. You know,

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Speaker 3: they didn't have a dance background.

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Speaker 2: There are an incredible performers, incredible singers, so the focus

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Speaker 2: wasn't on dancing.

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Speaker 3: And you know a lot of times when they're I

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Speaker 3: would say, even forced to dance, to put these numbers

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Speaker 3: together on such a short period of time. Usually just

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Speaker 3: imagine if you like, say, hey, you need to learn

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Speaker 3: this dance, you can perform it tomorrow, like in these

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Speaker 3: full on numbers, and not just one, but like three,

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Speaker 3: you know, and we're not talking about heavy quirest but

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Speaker 3: even just like walking here, moving here, and these things

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Speaker 3: while remembering your lines, while remember of the song.

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Speaker 2: It's it's a lot to take in. So I was

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Speaker 2: really hired along with another cast member.

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Speaker 5: I'm as as just someone who can they can either

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Speaker 5: cut away to or like be in the front so

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Speaker 5: they can also follow along and play a sort of

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Speaker 5: a side character.

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Speaker 3: So that's what I was kind of told as far

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Speaker 3: as like one of the uz Zach Woodley choreographer. And

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Speaker 3: then it just kind of took its own shape when

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Speaker 3: I when I booked it, I didn't know how long

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Speaker 3: I was gonna be there. I thought I booked one episode,

362
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Speaker 3: and then you know, I knew Heather Morris, and I

363
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Speaker 3: knew Kevin McHale and Diana Agron from just you know,

364
00:17:22,920 --> 00:17:26,080
Speaker 3: being around town, and and then we just you start

365
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Speaker 3: to form this relationship and everyone just starts to really

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Speaker 3: feed off each other's energy. And it was so cool

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Speaker 3: because I was like, we all knew what we were

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Speaker 3: to this group and that was neat and we accepted

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Speaker 3: each other for that but also moved in that way.

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Speaker 3: And I just I always remember that that being such

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Speaker 3: a beautiful energy and and you know, for me, I

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Speaker 3: was it's a singing show.

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Speaker 2: But then like Ryan Murphy saying, hey, I'm.

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Speaker 3: Gonna I'm gonna put the song in there and you're

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Speaker 3: gonna sing it and it's about you not being able

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Speaker 3: to sing, and I was like, Okay, I did do that.

377
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Speaker 3: And then going to pre record, going through that process

378
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Speaker 3: and then like going through vocal training, learning and being

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Speaker 3: around it was just it was a very magical experience

380
00:18:09,760 --> 00:18:10,399
Speaker 3: in that record.

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Speaker 2: Yeah, and then you just because you're you're just a

382
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Speaker 2: kid again.

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Speaker 3: You know, you're playing high school at twenty something again

384
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Speaker 3: and get to relive that. Yeah, you get to relive that,

385
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Speaker 3: and but doing it in a way where it's on

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Speaker 3: this grand stage and you know, and even off off

387
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Speaker 3: the show going being able to do these tours.

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Speaker 1: I know you guys toured in your hiatus.

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Speaker 2: Yeah, we toured on a hiatus.

390
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Speaker 3: We we we So you know when you say it

391
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Speaker 3: was like back to back, but it's kind of crunched

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Speaker 3: up into like this experience that you probably never have again.

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Speaker 2: You know, we just we just we just won't you know.

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Speaker 2: We were we sold out O two and I mean,

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Speaker 2: oh yeah, the O two in London. Yeah.

396
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Speaker 3: Three, we had three sold out shows and we like

397
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Speaker 3: broke a record for the most foot traffic and the

398
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Speaker 3: O two and that was the three days that Michael

399
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Speaker 3: Jackson was supposed to reform before he passed away. So

400
00:19:01,520 --> 00:19:03,080
Speaker 3: it's like all these little things that we get to

401
00:19:03,200 --> 00:19:06,280
Speaker 3: kind of be a part of that. You know, I

402
00:19:06,880 --> 00:19:08,760
Speaker 3: look back and it's just like I can't believe we

403
00:19:09,240 --> 00:19:09,720
Speaker 3: got to do that.

404
00:19:10,760 --> 00:19:13,160
Speaker 1: You have so many amazing guest stars on the show.

405
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Speaker 1: Do you have a favorite one?

406
00:19:16,359 --> 00:19:17,400
Speaker 2: Wow? There's so many.

407
00:19:17,480 --> 00:19:20,520
Speaker 3: I mean like Christian Channel has really stood out because

408
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Speaker 3: it was one of those people that that you knew

409
00:19:22,320 --> 00:19:25,399
Speaker 3: about and I wasn't like I didn't know everything about her,

410
00:19:25,480 --> 00:19:27,240
Speaker 3: but once you met her, you're like, I want to

411
00:19:27,560 --> 00:19:31,760
Speaker 3: consume everything that that you've been a part of. And

412
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Speaker 3: Christian Channel was was was really really wonderful, and you know,

413
00:19:36,480 --> 00:19:39,840
Speaker 3: Ricky Martin was was really was really awesome, just because

414
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Speaker 3: you know, I grew up in the TRL days and

415
00:19:41,640 --> 00:19:43,879
Speaker 3: then just Ricky in front of it, and then getting.

416
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Speaker 2: To dance with him. Oh god. And I mean, there's

417
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Speaker 2: just so.

418
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Speaker 3: Many and I can't even like, you know, even Gwyneth

419
00:19:50,320 --> 00:19:55,480
Speaker 3: Paltrow coming in and sitting there and honestly just having conversations.

420
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Speaker 2: You know what, Steve, you know what was He wasn't.

421
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Speaker 3: A guest star, but there was this moment we were

422
00:20:01,000 --> 00:20:03,040
Speaker 3: all sitting around and you know, I think it was

423
00:20:03,560 --> 00:20:07,560
Speaker 3: a third of third season, and it's one of those

424
00:20:07,640 --> 00:20:10,720
Speaker 3: days where it was it was one of those big

425
00:20:11,119 --> 00:20:15,640
Speaker 3: group numbers, and then comes this guy with sunglasses sits

426
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Speaker 3: down with it.

427
00:20:16,040 --> 00:20:18,080
Speaker 2: I was like, who is this random dude? And he's

428
00:20:18,119 --> 00:20:19,760
Speaker 2: just sitting there like, hey, what are you doing guys?

429
00:20:19,800 --> 00:20:22,399
Speaker 2: And we're like, oh, hey, you know, we didn't no

430
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Speaker 2: one recognize them.

431
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Speaker 3: Yeah, And then we started talking and then he's like, hey, yeah,

432
00:20:27,200 --> 00:20:28,840
Speaker 3: really really awesome that you guys.

433
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Speaker 2: You know, use the song blah blah blah. And we're like,

434
00:20:30,680 --> 00:20:32,760
Speaker 2: what is this guy talking about? And we're trying to

435
00:20:32,800 --> 00:20:34,920
Speaker 2: all figure it out, and it was him. It was

436
00:20:34,920 --> 00:20:36,880
Speaker 2: seemed very like, I know, because.

437
00:20:36,640 --> 00:20:38,760
Speaker 1: You don't stop believing, like the first season.

438
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Speaker 3: Which is which is you know, when you think of

439
00:20:40,800 --> 00:20:42,680
Speaker 3: the show, you think of that song, and that was

440
00:20:42,720 --> 00:20:45,480
Speaker 3: a song that kind of really got captured people's like

441
00:20:47,760 --> 00:20:51,159
Speaker 3: love for the show. And so it's like these you know,

442
00:20:51,520 --> 00:20:56,000
Speaker 3: it was a very cultural significant show. But seeing people

443
00:20:56,560 --> 00:20:59,000
Speaker 3: from all walks of life come in and not just

444
00:20:59,119 --> 00:21:01,920
Speaker 3: one genre of me really be able.

445
00:21:01,800 --> 00:21:06,280
Speaker 2: To to rub shoulders, it was just so neat experience. Yeah,

446
00:21:06,320 --> 00:21:08,280
Speaker 2: it was a very neat experience, Harry. I was.

447
00:21:08,520 --> 00:21:10,399
Speaker 1: I was waiting tables at the time when you were

448
00:21:10,440 --> 00:21:17,359
Speaker 1: doing this, and I remember very distinctively having the soundtrack,

449
00:21:17,359 --> 00:21:19,399
Speaker 1: because the soundtrack came out and you're like, you know,

450
00:21:19,520 --> 00:21:21,760
Speaker 1: I was like, I was the windows at your car,

451
00:21:22,280 --> 00:21:25,200
Speaker 1: you know. I was like seeing all of it, you know,

452
00:21:25,760 --> 00:21:30,680
Speaker 1: and I listened to it every single day on my

453
00:21:30,760 --> 00:21:33,400
Speaker 1: way to work. And then I just became obsessed because

454
00:21:33,440 --> 00:21:37,280
Speaker 1: then you guys did Rocky Horror, and that was so

455
00:21:37,520 --> 00:21:39,479
Speaker 1: like there were so many times that I was like, oh, man,

456
00:21:39,600 --> 00:21:42,440
Speaker 1: I like their version better than the real song. You

457
00:21:42,520 --> 00:21:43,040
Speaker 1: know what's funny.

458
00:21:43,119 --> 00:21:46,119
Speaker 4: I was going to say, I had those that I mean,

459
00:21:46,200 --> 00:21:49,240
Speaker 4: they must have come out like CDs or would go

460
00:21:49,520 --> 00:21:50,240
Speaker 4: live or whatever.

461
00:21:50,400 --> 00:21:53,520
Speaker 2: Yeah, and some are starting to come yere.

462
00:21:53,720 --> 00:21:55,960
Speaker 4: I remember I was finally starting to make it in

463
00:21:56,000 --> 00:21:59,680
Speaker 4: the world, and I had I had an all all house.

464
00:22:00,119 --> 00:22:01,040
Speaker 1: You could press a button.

465
00:22:01,080 --> 00:22:03,280
Speaker 4: There was like a wall thing where you would could

466
00:22:03,280 --> 00:22:06,840
Speaker 4: press different like functions for music to come out the speakers,

467
00:22:07,160 --> 00:22:09,600
Speaker 4: and I remember being able.

468
00:22:09,440 --> 00:22:11,840
Speaker 1: To blast the Glee soundtrack.

469
00:22:12,440 --> 00:22:13,920
Speaker 4: And I remember I would always do when I was

470
00:22:13,960 --> 00:22:16,920
Speaker 4: like cleaning up after my son, who was just teeny tiny,

471
00:22:16,960 --> 00:22:19,400
Speaker 4: I'd like cleaning up the toy the like the playroom,

472
00:22:19,440 --> 00:22:21,320
Speaker 4: and I'd be like singing and dancing in my own life.

473
00:22:21,480 --> 00:22:23,160
Speaker 1: All it was super fun.

474
00:22:24,040 --> 00:22:24,720
Speaker 2: It's really neat.

475
00:22:25,080 --> 00:22:27,200
Speaker 1: No, it's incredible. I want to We did get a

476
00:22:27,240 --> 00:22:29,639
Speaker 1: lot of questions because I think I can say this

477
00:22:29,800 --> 00:22:33,280
Speaker 1: because some of your cast members ended up writing, you know,

478
00:22:33,880 --> 00:22:36,440
Speaker 1: kind of tell all books basically, and so it's no

479
00:22:36,640 --> 00:22:41,200
Speaker 1: secret that there was a clash of personalities on your set.

480
00:22:42,880 --> 00:22:46,240
Speaker 1: Did it make it difficult sometimes to film or do

481
00:22:46,320 --> 00:22:48,359
Speaker 1: you feel like it kind of came par for the

482
00:22:48,440 --> 00:22:50,399
Speaker 1: course because you guys were all so young and you

483
00:22:50,520 --> 00:22:53,679
Speaker 1: were in each other's faces twenty four hours a day.

484
00:22:53,720 --> 00:22:56,399
Speaker 2: Like you know, yeah, it's I think it's part for

485
00:22:56,520 --> 00:22:56,800
Speaker 2: the course.

486
00:22:56,800 --> 00:23:00,760
Speaker 3: So I think you have you have incredibly talented people

487
00:23:00,840 --> 00:23:03,320
Speaker 3: come together, which is usually the case for when you know,

488
00:23:03,400 --> 00:23:06,480
Speaker 3: you try and make a show or something that you

489
00:23:06,600 --> 00:23:09,159
Speaker 3: hope you hope people like. And I think one of

490
00:23:09,200 --> 00:23:11,800
Speaker 3: the one of the draws of the show, beyond the music,

491
00:23:12,600 --> 00:23:15,080
Speaker 3: was you identified with certain characters.

492
00:23:15,400 --> 00:23:18,440
Speaker 2: You know they they came from. You know, there's a hardship,

493
00:23:18,520 --> 00:23:21,000
Speaker 2: there was you know, some turmoil, but also.

494
00:23:21,040 --> 00:23:25,399
Speaker 3: Like some hattiness, some all these things that humor the

495
00:23:25,520 --> 00:23:28,760
Speaker 3: cultural background and and and being kind of very honest

496
00:23:28,840 --> 00:23:30,600
Speaker 3: with it too, which you know, I think the show

497
00:23:30,680 --> 00:23:35,800
Speaker 3: really did. And that's like you just said, it's it's

498
00:23:35,840 --> 00:23:38,280
Speaker 3: bound to happen when you put people together. Just there's

499
00:23:38,320 --> 00:23:41,040
Speaker 3: no no different from family and and I would think

500
00:23:41,400 --> 00:23:44,600
Speaker 3: really good friends uh being around each other and but

501
00:23:44,960 --> 00:23:48,400
Speaker 3: but the difference is that it's on display and people

502
00:23:48,440 --> 00:23:51,800
Speaker 3: are are trying to manipulate certain stories to be.

503
00:23:51,840 --> 00:23:56,120
Speaker 2: Able to I guess service their their own agenda.

504
00:23:56,640 --> 00:23:59,360
Speaker 3: And that's unfortunate to see when you know, I saw

505
00:23:59,400 --> 00:24:00,960
Speaker 3: a lot of my friend and go through that and

506
00:24:01,080 --> 00:24:04,000
Speaker 3: not have any not not being able to resolve that

507
00:24:04,160 --> 00:24:06,440
Speaker 3: on their own, but having that kind of trying to

508
00:24:06,480 --> 00:24:09,640
Speaker 3: be resolved from other people. And it's I think it's

509
00:24:09,760 --> 00:24:12,240
Speaker 3: very difficult, especially on international But it wasn't just that

510
00:24:12,520 --> 00:24:17,119
Speaker 3: it was an internationally like I I look at a

511
00:24:17,200 --> 00:24:19,919
Speaker 3: lot of like pop stars and you know, even actors,

512
00:24:19,960 --> 00:24:23,440
Speaker 3: but really the pop stars that that it's just it's

513
00:24:23,520 --> 00:24:29,639
Speaker 3: just difficult, man, It's just difficult lead uh, somewhat like

514
00:24:29,800 --> 00:24:33,920
Speaker 3: normal life, which is not normal at all, normal in

515
00:24:34,000 --> 00:24:37,240
Speaker 3: the sense of like just being at like a balance

516
00:24:37,960 --> 00:24:43,800
Speaker 3: like emotionally, mentally and physically. It's it's very demanding while

517
00:24:43,880 --> 00:24:47,600
Speaker 3: still trying to perform, you know, like I always this

518
00:24:47,760 --> 00:24:50,040
Speaker 3: is one thing I I I learned from this experience.

519
00:24:50,119 --> 00:24:54,200
Speaker 3: You anybody with given a chance that can focus on

520
00:24:54,320 --> 00:24:57,640
Speaker 3: one thing they can be excellent at is I think

521
00:24:58,080 --> 00:25:01,359
Speaker 3: very easy. But if you have to juggle while trying

522
00:25:01,440 --> 00:25:05,119
Speaker 3: to be a son, be a father, be a friend,

523
00:25:05,280 --> 00:25:08,480
Speaker 3: be you know, a daughter or whatever, all those things,

524
00:25:08,560 --> 00:25:10,520
Speaker 3: if you try and be even decent at all of them,

525
00:25:11,119 --> 00:25:13,960
Speaker 3: that's actually very very hard. And that's a lot harder

526
00:25:14,040 --> 00:25:16,560
Speaker 3: while trying to be excellent at this thing. So, you know,

527
00:25:16,640 --> 00:25:18,919
Speaker 3: I think that that says a lot about a lot

528
00:25:18,960 --> 00:25:20,879
Speaker 3: of performers when they say I'm going to pour my

529
00:25:20,960 --> 00:25:23,480
Speaker 3: whole soul into this craft and be amazing at it,

530
00:25:24,400 --> 00:25:24,720
Speaker 3: a lot of.

531
00:25:24,720 --> 00:25:25,640
Speaker 2: Things are going to give way.

532
00:25:25,760 --> 00:25:27,440
Speaker 3: Right, You're not going to be able to focus on

533
00:25:27,520 --> 00:25:30,400
Speaker 3: your relationships with people, and that's what we usually see

534
00:25:30,600 --> 00:25:31,760
Speaker 3: in your life.

535
00:25:32,920 --> 00:25:33,120
Speaker 1: Yeah.

536
00:25:33,160 --> 00:25:36,520
Speaker 4: Yeah, I've said it before, I'll say it again.

537
00:25:36,720 --> 00:25:43,919
Speaker 1: It's there's no such thing as balance. You can't balance everything.

538
00:25:44,040 --> 00:25:46,640
Speaker 4: You can't be equal parts great at being a mother

539
00:25:46,840 --> 00:25:49,359
Speaker 4: or a father and a son and a performer and

540
00:25:49,440 --> 00:25:52,159
Speaker 4: a friend. Like on any given day, you might be

541
00:25:52,240 --> 00:25:55,200
Speaker 4: really good at one of them, right, there's gonna be

542
00:25:55,240 --> 00:25:58,160
Speaker 4: other ones that you had to kind of like leave

543
00:25:58,240 --> 00:26:01,320
Speaker 4: by themselves for a little bit. So I think that, Yeah,

544
00:26:01,440 --> 00:26:03,959
Speaker 4: I mean, when you're that successful, and you know, because

545
00:26:04,200 --> 00:26:05,640
Speaker 4: this is how our business is built.

546
00:26:05,720 --> 00:26:08,320
Speaker 1: It's like when you've got a shot, you take your shot.

547
00:26:08,680 --> 00:26:11,600
Speaker 4: Like when you have success, you keep going, you don't,

548
00:26:12,040 --> 00:26:13,959
Speaker 4: you know, It's always why it's always so shocking when

549
00:26:14,000 --> 00:26:17,119
Speaker 4: you find, you know, people do leave something that's super successful.

550
00:26:17,160 --> 00:26:20,200
Speaker 1: You're like, how could they do that? It's usually not done.

551
00:26:20,640 --> 00:26:22,840
Speaker 4: So there's a reason why you keep going and you

552
00:26:22,960 --> 00:26:25,359
Speaker 4: have weekend rehearsals and you just you know, you just

553
00:26:25,440 --> 00:26:25,880
Speaker 4: keep going.

554
00:26:26,520 --> 00:26:26,720
Speaker 5: Yeah.

555
00:26:27,760 --> 00:26:30,960
Speaker 3: Sounds a cliche, but love is like literally the only

556
00:26:31,080 --> 00:26:34,320
Speaker 3: thing that like can resolve a lot of a lot

557
00:26:34,400 --> 00:26:38,080
Speaker 3: of these things, and not just from us as performers,

558
00:26:38,200 --> 00:26:39,920
Speaker 3: which is a big part of but like the people

559
00:26:39,960 --> 00:26:42,800
Speaker 3: who are who are taking that in the audiences too.

560
00:26:42,880 --> 00:26:46,919
Speaker 3: It's like, you know, we watch TV to comfort us

561
00:26:47,240 --> 00:26:50,280
Speaker 3: or or disturb us if we're too comfortable. You know,

562
00:26:50,640 --> 00:26:52,879
Speaker 3: that's kind of like it's really I think that's what

563
00:26:53,040 --> 00:26:55,440
Speaker 3: art is, right. It's really like, if you're too comfortable,

564
00:26:55,480 --> 00:26:56,359
Speaker 3: you need to watch something.

565
00:26:56,720 --> 00:27:00,199
Speaker 1: For Glee in particular, there has been a lot lot

566
00:27:00,320 --> 00:27:03,480
Speaker 1: of tragedy surrounding that cast.

567
00:27:03,680 --> 00:27:03,800
Speaker 2: Right.

568
00:27:04,359 --> 00:27:09,040
Speaker 1: Are you able to go back and watch the episodes

569
00:27:10,080 --> 00:27:13,240
Speaker 1: and feel joy while watching it or is it something

570
00:27:13,320 --> 00:27:15,960
Speaker 1: that you sort of can't do anymore?

571
00:27:16,520 --> 00:27:19,720
Speaker 2: I had, you know, I just dealt with the recent

572
00:27:19,800 --> 00:27:23,880
Speaker 2: death as well as a family member and my thought

573
00:27:23,960 --> 00:27:29,320
Speaker 2: process and that is now you mourn them, you grieve,

574
00:27:30,000 --> 00:27:32,560
Speaker 2: and I think also a part of the grieving process

575
00:27:32,680 --> 00:27:36,840
Speaker 2: is to celebrate them as well. And I think because

576
00:27:36,880 --> 00:27:38,560
Speaker 2: I don't think, you know, and not to say that

577
00:27:39,240 --> 00:27:41,359
Speaker 2: that that sadness is going to go away, because I

578
00:27:41,359 --> 00:27:44,000
Speaker 2: don't think it really should. I think it should stay

579
00:27:44,040 --> 00:27:44,439
Speaker 2: because you.

580
00:27:44,480 --> 00:27:46,640
Speaker 1: Do care about I don't think grief goes away.

581
00:27:46,800 --> 00:27:48,800
Speaker 2: Yeah, yeah, it needs to stay.

582
00:27:49,520 --> 00:27:52,320
Speaker 3: But it's a matter of how you kind of do

583
00:27:52,440 --> 00:27:54,680
Speaker 3: the back and forth that the dance with with with

584
00:27:54,960 --> 00:27:57,720
Speaker 3: with with the joy that you the memories and that

585
00:27:57,840 --> 00:28:00,480
Speaker 3: you did did have. So you know, I I I'm

586
00:28:00,520 --> 00:28:02,399
Speaker 3: able to watch and celebrate, like I look at like

587
00:28:02,960 --> 00:28:05,680
Speaker 3: uh A nia Quorreate and and and Mark and and

588
00:28:06,400 --> 00:28:08,480
Speaker 3: and look at the beautiful work that they put in

589
00:28:08,640 --> 00:28:11,800
Speaker 3: and the humor that they brought to to so many

590
00:28:12,640 --> 00:28:15,760
Speaker 3: of of of what the show really is, you know,

591
00:28:15,840 --> 00:28:17,920
Speaker 3: and then you can you can look at what it

592
00:28:17,960 --> 00:28:21,000
Speaker 3: could have been and unfortunately, like you know, the past

593
00:28:21,160 --> 00:28:22,920
Speaker 3: is the way it is and you can't really do

594
00:28:23,080 --> 00:28:25,879
Speaker 3: much to change that outside of right now, and and

595
00:28:26,000 --> 00:28:29,560
Speaker 3: to to to celebrate how many lives that they affected,

596
00:28:29,640 --> 00:28:32,600
Speaker 3: how many people that got some joy from from their

597
00:28:33,240 --> 00:28:37,000
Speaker 3: their performances and songs that will live on forever. And

598
00:28:37,080 --> 00:28:39,760
Speaker 3: when you say, like some songs, I always you know

599
00:28:39,800 --> 00:28:42,800
Speaker 3: whether it's better or not better than the original, I

600
00:28:42,880 --> 00:28:46,600
Speaker 3: think what happens it's more of what emotional attachment you

601
00:28:46,720 --> 00:28:49,120
Speaker 3: had to that which makes it better. Right Like you

602
00:28:49,200 --> 00:28:51,680
Speaker 3: might have heard a song you're like cool, and then

603
00:28:51,760 --> 00:28:53,720
Speaker 3: you saw an episode or how they sing and you're

604
00:28:53,760 --> 00:28:55,440
Speaker 3: just like, oh my god, I love this version way

605
00:28:55,480 --> 00:28:59,520
Speaker 3: more because it really penetrates something in your heart and

606
00:28:59,720 --> 00:29:02,120
Speaker 3: send like well, I don't even I can't even listen

607
00:29:02,160 --> 00:29:04,520
Speaker 3: to the original anymore, or or it goes back to

608
00:29:04,600 --> 00:29:06,440
Speaker 3: say like oh man, no, I didn't know this much

609
00:29:06,440 --> 00:29:08,360
Speaker 3: about the original. So it makes you go back and

610
00:29:08,480 --> 00:29:11,880
Speaker 3: back track. And I think that's that's the cool part

611
00:29:11,920 --> 00:29:14,480
Speaker 3: of this show. It's not about we did it better.

612
00:29:14,560 --> 00:29:18,200
Speaker 3: It's more about, wow, look at look at how good

613
00:29:18,280 --> 00:29:20,640
Speaker 3: this song was. And look and that's just been like

614
00:29:20,720 --> 00:29:23,080
Speaker 3: what music was when you think of Frank Sinatra. This

615
00:29:23,200 --> 00:29:26,120
Speaker 3: dude was singing just you know, covers have to cover,

616
00:29:26,640 --> 00:29:28,960
Speaker 3: but he made it his own and he did it

617
00:29:29,080 --> 00:29:31,479
Speaker 3: and it's something that you think it's a Frank Sinatra song.

618
00:29:31,520 --> 00:29:33,880
Speaker 2: You're like, no, no, no, that was like thirty years before.

619
00:29:34,960 --> 00:29:37,680
Speaker 1: For sure. No, I mean you guys did an amazing job.

620
00:29:37,960 --> 00:29:41,040
Speaker 1: For sure. Absolutely, you're right. I became attached to songs

621
00:29:42,040 --> 00:29:44,360
Speaker 1: and they meant more to me because of the characters

622
00:29:44,400 --> 00:29:46,840
Speaker 1: involved in them. Now that's part of this love story

623
00:29:46,920 --> 00:29:49,360
Speaker 1: or part of this anguish that's happening in the story,

624
00:29:49,440 --> 00:29:52,680
Speaker 1: and now it means so much more. I loved it.

625
00:29:53,200 --> 00:29:55,200
Speaker 1: It was appointment TV for me. I'd watch it on

626
00:29:55,240 --> 00:29:57,480
Speaker 1: the night. Well, the whole world loved it. Also, you guys,

627
00:29:57,840 --> 00:30:00,200
Speaker 1: I mean to your to all of your defense is

628
00:30:00,400 --> 00:30:02,000
Speaker 1: you know, with any drama or anything that when I

629
00:30:02,000 --> 00:30:04,200
Speaker 1: do said, you guys are shot out of a cannon

630
00:30:04,800 --> 00:30:07,480
Speaker 1: into fame. It was like it's not just a TV

631
00:30:07,600 --> 00:30:10,000
Speaker 1: show that you know, won awards and did great. It

632
00:30:10,200 --> 00:30:13,120
Speaker 1: was like a pop culture phenomenon and that doesn't happen

633
00:30:13,160 --> 00:30:29,840
Speaker 1: a lot. And I can't imagine that experience. You joined

634
00:30:29,960 --> 00:30:33,880
Speaker 1: Grey's Anatomy and you happened to be in an Oscar

635
00:30:33,920 --> 00:30:35,640
Speaker 1: winning movie at the same time. So we need to

636
00:30:35,720 --> 00:30:39,680
Speaker 1: talk about I've never heard of the oscars. Apparently they're

637
00:30:39,720 --> 00:30:42,960
Speaker 1: great and they mean something. And you got to work

638
00:30:43,000 --> 00:30:47,200
Speaker 1: with Key Oh my gosh, isn't he the best? He is.

639
00:30:48,920 --> 00:30:50,720
Speaker 3: When you talk about someone you want to work with

640
00:30:51,000 --> 00:30:53,080
Speaker 3: like that, he is definitely like the face of it,

641
00:30:53,120 --> 00:30:55,400
Speaker 3: and you look on like if you're on like a

642
00:30:55,480 --> 00:30:58,680
Speaker 3: dictionary and it's like who like the word of just

643
00:31:00,680 --> 00:31:03,920
Speaker 3: I would say honestly perfect in the sense of like

644
00:31:04,320 --> 00:31:08,360
Speaker 3: this man is just like giant heart. He's a hard worker.

645
00:31:09,040 --> 00:31:12,120
Speaker 3: He is so he is so empathetic towards like just

646
00:31:12,320 --> 00:31:16,280
Speaker 3: like what everyone else is doing. He's so caring and

647
00:31:16,840 --> 00:31:19,160
Speaker 3: obviously just brilliant performer.

648
00:31:19,800 --> 00:31:24,120
Speaker 4: Yeah, and so hard won right because so I met

649
00:31:24,200 --> 00:31:27,440
Speaker 4: him when he was teeny tiny. He was well he

650
00:31:27,560 --> 00:31:29,920
Speaker 4: and I I guess he was a little bit older,

651
00:31:30,000 --> 00:31:33,960
Speaker 4: but he was playing short round in Indiana Jones and

652
00:31:34,240 --> 00:31:38,480
Speaker 4: the Temple of Doom, where my mother was playing Willie Scott,

653
00:31:39,120 --> 00:31:42,560
Speaker 4: so she so he and I were like the kids.

654
00:31:42,760 --> 00:31:44,920
Speaker 2: It makes sense now, wow, amazing.

655
00:31:45,000 --> 00:31:48,200
Speaker 1: Yeah, I'm like, remember how Steven spiel works, just the

656
00:31:48,320 --> 00:31:50,480
Speaker 1: whole thing, that whole thing.

657
00:31:50,840 --> 00:31:53,320
Speaker 4: So that's how we met, and we were the kids

658
00:31:53,360 --> 00:31:57,320
Speaker 4: on set and really like his hero and his role

659
00:31:57,400 --> 00:32:00,000
Speaker 4: model on the set was Harrison Ford or Indiana Jone.

660
00:32:00,200 --> 00:32:02,840
Speaker 1: And then my hero or my role model was my

661
00:32:02,920 --> 00:32:05,000
Speaker 1: own mother. He had an actual job.

662
00:32:05,080 --> 00:32:08,000
Speaker 4: I was just along for the ride, but we would

663
00:32:08,160 --> 00:32:12,480
Speaker 4: memorize all the adults lines, so like I would re

664
00:32:12,520 --> 00:32:15,680
Speaker 4: memorize my mom's lines, and he really cute.

665
00:32:15,720 --> 00:32:17,760
Speaker 2: I never knew that it was incredible.

666
00:32:18,160 --> 00:32:20,080
Speaker 4: We would do like and and then I would like

667
00:32:20,120 --> 00:32:22,960
Speaker 4: I remember learning her whole like song and dance number,

668
00:32:23,360 --> 00:32:25,280
Speaker 4: and like it would be like I'd do it in

669
00:32:25,320 --> 00:32:27,280
Speaker 4: all the languages, so I'd be like e wong e

670
00:32:27,400 --> 00:32:30,320
Speaker 4: luchu chu, and I'd be like coming down the thing

671
00:32:30,440 --> 00:32:35,120
Speaker 4: in my mind, and then he would be I know, yeah,

672
00:32:35,200 --> 00:32:38,920
Speaker 4: he had his whole family there and he was I

673
00:32:39,000 --> 00:32:41,600
Speaker 4: mean a kid, we were both kids, and.

674
00:32:42,280 --> 00:32:45,160
Speaker 1: Then you know, uh, you know, life goes on and

675
00:32:45,320 --> 00:32:46,560
Speaker 1: it was such a long time ago.

676
00:32:46,720 --> 00:32:48,760
Speaker 4: I mean I always had such you know, affection, and

677
00:32:48,800 --> 00:32:51,280
Speaker 4: then there was obviously Gooni's and all the other stuff,

678
00:32:51,520 --> 00:32:53,760
Speaker 4: but you know, not like in daily life, just but

679
00:32:53,920 --> 00:32:56,440
Speaker 4: just like one of those people where no matter how

680
00:32:56,520 --> 00:32:58,360
Speaker 4: much time would ever have passed, we would have shared

681
00:32:58,400 --> 00:33:01,480
Speaker 4: something so unique and like you just said, Harry, there's

682
00:33:01,680 --> 00:33:06,920
Speaker 4: the top note for him is this unbelievable openness and

683
00:33:07,320 --> 00:33:10,920
Speaker 4: kindness and his face just like and also like no

684
00:33:11,160 --> 00:33:16,240
Speaker 4: self consciousness around that, right, Like some people kind of

685
00:33:16,320 --> 00:33:18,880
Speaker 4: feel like, well I shouldn't be so open or I

686
00:33:18,920 --> 00:33:22,200
Speaker 4: shouldn't be so you know, I shouldn't reveal that I

687
00:33:22,280 --> 00:33:24,840
Speaker 4: have this vulnerable aspect of me. And he's like no,

688
00:33:25,120 --> 00:33:27,440
Speaker 4: he's wearing it all. Like remember when during the Oscars

689
00:33:27,480 --> 00:33:28,200
Speaker 4: he would just take.

690
00:33:28,000 --> 00:33:32,560
Speaker 1: Pictures with everyone. He did like selfies with everyone. Okay,

691
00:33:32,640 --> 00:33:34,160
Speaker 1: did you know when you were making the movie like

692
00:33:34,600 --> 00:33:36,840
Speaker 1: this is this is amazing and this is probably going

693
00:33:36,880 --> 00:33:38,960
Speaker 1: to go the distance we see gold.

694
00:33:39,560 --> 00:33:42,400
Speaker 3: Yeah, not making the movie, I knew. I knew I

695
00:33:42,520 --> 00:33:45,400
Speaker 3: was a fan of the Daniels in the music video days.

696
00:33:45,440 --> 00:33:49,320
Speaker 3: And I got to work with him on Nor from

697
00:33:49,400 --> 00:33:52,880
Speaker 3: Queen's Aqua Finis Show because they directed an episode, and

698
00:33:53,400 --> 00:33:57,560
Speaker 3: I was just I was fanboying because I you know,

699
00:33:57,960 --> 00:34:00,920
Speaker 3: I come from a dance background and industry, so like

700
00:34:01,640 --> 00:34:05,520
Speaker 3: any director that was doing anything interesting with dance, I

701
00:34:05,720 --> 00:34:07,640
Speaker 3: was just all all on board. So being able to

702
00:34:07,680 --> 00:34:08,279
Speaker 3: work with them, and.

703
00:34:08,320 --> 00:34:09,400
Speaker 2: Then you know, came this.

704
00:34:09,960 --> 00:34:12,359
Speaker 3: That's why I always think, like, you know, I never

705
00:34:12,480 --> 00:34:15,000
Speaker 3: foresaw like, hey, I want to work in a movie

706
00:34:15,120 --> 00:34:17,040
Speaker 3: in the day with the Daniels other than just me

707
00:34:17,200 --> 00:34:19,759
Speaker 3: fan boying. And then I get a call to work

708
00:34:19,800 --> 00:34:24,600
Speaker 3: with them, uh, to play at you know, one of

709
00:34:24,640 --> 00:34:28,880
Speaker 3: the raccoons kind of a human Uh, I guess robot

710
00:34:29,600 --> 00:34:30,279
Speaker 3: you want to call it now?

711
00:34:30,360 --> 00:34:30,640
Speaker 5: But like.

712
00:34:32,520 --> 00:34:35,000
Speaker 3: Playing Chad and in this and and having like the

713
00:34:35,120 --> 00:34:36,880
Speaker 3: movement that they were a fan of mine and just

714
00:34:36,920 --> 00:34:37,480
Speaker 3: being able.

715
00:34:37,320 --> 00:34:39,800
Speaker 2: To work on it, that alone was just enough for me,

716
00:34:40,280 --> 00:34:40,440
Speaker 2: you know.

717
00:34:40,680 --> 00:34:42,320
Speaker 3: And then and then on top of it to know

718
00:34:42,440 --> 00:34:45,680
Speaker 3: that Michelle was working on it, and then on top

719
00:34:45,760 --> 00:34:48,360
Speaker 3: of it he was working on and then I just

720
00:34:48,440 --> 00:34:50,440
Speaker 3: worked with Stephanie on North from Queen, so it's just

721
00:34:50,520 --> 00:34:53,200
Speaker 3: like this kind of like this, these pieces coming together.

722
00:34:53,280 --> 00:34:54,960
Speaker 3: I was like, oh my god, this is this has

723
00:34:55,040 --> 00:34:58,640
Speaker 3: unheard of, Like, well, whatever, how what other movie you

724
00:34:58,640 --> 00:35:00,680
Speaker 3: would be able to work on some like this where

725
00:35:00,680 --> 00:35:02,680
Speaker 3: I have a raccoon on my head, Michelle's on top

726
00:35:02,719 --> 00:35:04,880
Speaker 3: of on top of my shoulders, and then I'm on

727
00:35:04,960 --> 00:35:07,560
Speaker 3: top of her shoulders like no other place, So that

728
00:35:07,680 --> 00:35:10,560
Speaker 3: alone would have been so neat. And I remember during

729
00:35:10,640 --> 00:35:12,719
Speaker 3: lunch when you know, that was the first time I

730
00:35:13,080 --> 00:35:15,640
Speaker 3: met Jamie Lee Curtis and she was in her kind

731
00:35:15,680 --> 00:35:19,279
Speaker 3: of gray hair outfit, and I remember we all sat

732
00:35:19,360 --> 00:35:21,880
Speaker 3: down quietly because the Daniels are like, our editor are

733
00:35:21,920 --> 00:35:23,880
Speaker 3: working on one sequence.

734
00:35:23,920 --> 00:35:24,720
Speaker 2: We want to show everyone.

735
00:35:24,800 --> 00:35:28,239
Speaker 3: This was in the middle of shooting the movie out

736
00:35:28,280 --> 00:35:33,040
Speaker 3: in Seemi Valley, and then they show keys fanny Pack

737
00:35:33,120 --> 00:35:37,840
Speaker 3: fight sequence and literally I was like, I did not

738
00:35:38,000 --> 00:35:40,040
Speaker 3: expect this. I never seen anything like this. And I

739
00:35:40,160 --> 00:35:42,640
Speaker 3: was like, how are you guys releasing this? Please tell

740
00:35:42,680 --> 00:35:44,359
Speaker 3: me it's in this movie theater. So they're like yes,

741
00:35:44,880 --> 00:35:46,120
Speaker 3: I'm like that's when I knew.

742
00:35:46,160 --> 00:35:46,920
Speaker 2: I was like this thing.

743
00:35:47,880 --> 00:35:49,920
Speaker 3: I didn't know it was gonna win Oscars do any

744
00:35:49,960 --> 00:35:51,279
Speaker 3: of that, but I knew it was going to be

745
00:35:51,480 --> 00:35:54,120
Speaker 3: very successful. And then when all those other kind of

746
00:35:54,320 --> 00:35:57,719
Speaker 3: accolades came, that was, you know, the cherry on top

747
00:35:57,840 --> 00:35:58,200
Speaker 3: for sure.

748
00:35:58,960 --> 00:36:01,040
Speaker 1: We were on this sete grades now and people don't

749
00:36:01,040 --> 00:36:05,200
Speaker 1: know this, but we decorated our little holding room all

750
00:36:05,560 --> 00:36:08,440
Speaker 1: Oscar style for hair. Oh that was so sweeting and

751
00:36:08,520 --> 00:36:09,800
Speaker 1: it was really cute.

752
00:36:09,920 --> 00:36:10,520
Speaker 2: All that we were.

753
00:36:11,000 --> 00:36:13,840
Speaker 1: Everyone was so excited, and we felt like you were

754
00:36:13,920 --> 00:36:16,200
Speaker 1: ours at that point, because you're we'd stolen you and

755
00:36:16,280 --> 00:36:19,000
Speaker 1: your own grays anatomy, and so we kind of felt

756
00:36:19,040 --> 00:36:20,560
Speaker 1: part of it in our own way too, and we

757
00:36:20,680 --> 00:36:22,800
Speaker 1: were just so excited for you guys.

758
00:36:23,719 --> 00:36:24,239
Speaker 2: Oh my god.

759
00:36:24,320 --> 00:36:26,640
Speaker 3: That said that, said that, that whole week was just

760
00:36:27,040 --> 00:36:30,160
Speaker 3: I can't one one that I'm saying, like, even the Grace,

761
00:36:30,400 --> 00:36:33,600
Speaker 3: It's one of the loveliest sets I've ever been on, honest,

762
00:36:33,680 --> 00:36:36,879
Speaker 3: to be honest with you, it's just it really says

763
00:36:36,960 --> 00:36:40,640
Speaker 3: a lot about you know, one, it takes time to

764
00:36:40,760 --> 00:36:43,720
Speaker 3: get to the place that it needs to be twenty

765
00:36:43,800 --> 00:36:46,880
Speaker 3: one years to see this. But but but what the

766
00:36:47,000 --> 00:36:49,040
Speaker 3: more fascinating thing, it's not even just that how long

767
00:36:49,120 --> 00:36:52,400
Speaker 3: it takes to to really figure out the pieces of

768
00:36:52,920 --> 00:36:56,200
Speaker 3: what it makes, what it is to make a set

769
00:36:56,920 --> 00:36:59,560
Speaker 3: feel the environment when you have guest stars are like,

770
00:36:59,600 --> 00:37:01,120
Speaker 3: oh my god, is this like normal?

771
00:37:01,440 --> 00:37:02,960
Speaker 2: I was like, yeah, this is this is what the

772
00:37:03,000 --> 00:37:03,440
Speaker 2: set is.

773
00:37:04,000 --> 00:37:06,760
Speaker 3: And but also you know, ran all up by women

774
00:37:07,840 --> 00:37:11,359
Speaker 3: and and and knowing that there's this like care that's

775
00:37:11,600 --> 00:37:17,800
Speaker 3: being done with with each other people's needs, beyond like creative,

776
00:37:18,640 --> 00:37:22,040
Speaker 3: just just you know, servicing each other in a way

777
00:37:22,120 --> 00:37:25,800
Speaker 3: that I think the industry should take note on. So

778
00:37:26,120 --> 00:37:28,200
Speaker 3: so what I saw that and when you know, you

779
00:37:28,360 --> 00:37:30,239
Speaker 3: guys decorated that. I think that that was just such

780
00:37:30,280 --> 00:37:33,239
Speaker 3: a beautiful. It really warmed my heart because you know, one,

781
00:37:34,080 --> 00:37:36,719
Speaker 3: I feel like the movie had made an impact on

782
00:37:36,840 --> 00:37:39,800
Speaker 3: people outside of like me being part of it, but

783
00:37:39,920 --> 00:37:42,719
Speaker 3: then like, oh, you guys do care about people's other

784
00:37:43,239 --> 00:37:45,440
Speaker 3: you know, wins as well outside of the show, and

785
00:37:45,840 --> 00:37:47,080
Speaker 3: and that was just gorgeous.

786
00:37:47,160 --> 00:37:50,160
Speaker 2: So I I I love that. That was just like

787
00:37:50,280 --> 00:37:53,200
Speaker 2: such a It made everything that week that was already

788
00:37:53,360 --> 00:37:54,520
Speaker 2: great even better.

789
00:37:55,200 --> 00:37:57,800
Speaker 1: I wish I'd been there for that. It was real cute.

790
00:37:58,080 --> 00:37:59,360
Speaker 1: That's real cute.

791
00:38:00,080 --> 00:38:00,279
Speaker 3: I know.

792
00:38:00,440 --> 00:38:02,799
Speaker 1: And I know that you work with of course John

793
00:38:03,000 --> 00:38:08,120
Speaker 1: on Crazy Rich Asians. Yeah, and so have you text

794
00:38:08,239 --> 00:38:10,920
Speaker 1: him because of course Wicked is heading to the Oscars

795
00:38:10,960 --> 00:38:12,520
Speaker 1: as it should have you had any.

796
00:38:12,320 --> 00:38:15,840
Speaker 3: Oh my gosh, he's just been on this whirlwind. Like

797
00:38:16,040 --> 00:38:18,359
Speaker 3: you know, I've known John since like two thousand and seven.

798
00:38:18,400 --> 00:38:19,520
Speaker 2: I worked on Step Up two.

799
00:38:19,800 --> 00:38:21,560
Speaker 1: He did Step Up too. I didn't know that.

800
00:38:22,040 --> 00:38:22,720
Speaker 2: Isn't that crazy?

801
00:38:22,800 --> 00:38:24,560
Speaker 3: You look at his whole like, oh, it's just all

802
00:38:24,719 --> 00:38:26,960
Speaker 3: it's it's all over the place in a great way

803
00:38:27,080 --> 00:38:29,520
Speaker 3: because it just shows a range as a director.

804
00:38:29,600 --> 00:38:31,920
Speaker 2: But yeah, Step Up two was his first movie.

805
00:38:33,239 --> 00:38:37,600
Speaker 3: And you know, uh, he is a master at being

806
00:38:37,640 --> 00:38:43,080
Speaker 3: able to to tie emotions with with not just song,

807
00:38:43,239 --> 00:38:46,239
Speaker 3: but like with movement and dance. And he's kind of

808
00:38:46,280 --> 00:38:52,000
Speaker 3: one of those like just directors that not only are

809
00:38:52,080 --> 00:38:56,160
Speaker 3: they very talented, but just such a good person as well.

810
00:38:56,400 --> 00:38:58,399
Speaker 3: And you know, and and and you know, he really

811
00:38:58,480 --> 00:39:01,920
Speaker 3: cares about the people around him, really cares about, uh,

812
00:39:02,440 --> 00:39:07,200
Speaker 3: you know, making sure that they're able to perform their

813
00:39:07,280 --> 00:39:11,080
Speaker 3: best while also creating an environment where it feels very collaborative.

814
00:39:11,160 --> 00:39:14,840
Speaker 3: So I'm just over the moon for him for Wicked

815
00:39:14,960 --> 00:39:17,960
Speaker 3: and what what has in Stork? And it's crazy. When

816
00:39:18,000 --> 00:39:19,400
Speaker 3: you make the movie it comes down you're like you

817
00:39:19,440 --> 00:39:21,479
Speaker 3: think it, that's it, and you know there's this whole

818
00:39:21,560 --> 00:39:22,719
Speaker 3: other piece of it.

819
00:39:22,840 --> 00:39:25,439
Speaker 4: Which I live so quick at twenty four to seven.

820
00:39:25,520 --> 00:39:28,160
Speaker 4: In my house, I have two daughters that are I

821
00:39:28,280 --> 00:39:32,560
Speaker 4: mean they they will fight, well, they will, they will.

822
00:39:32,600 --> 00:39:34,760
Speaker 4: They would commit murder over who gets to be Alfa

823
00:39:35,000 --> 00:39:37,400
Speaker 4: Alphaba versus to.

824
00:39:37,400 --> 00:39:39,719
Speaker 1: Be who's the popular witch in your household right now?

825
00:39:40,080 --> 00:39:42,480
Speaker 1: Because Hayden wants to be Alphaba. Yeah yeah, yeah, no

826
00:39:42,600 --> 00:39:43,520
Speaker 1: Alphabe for sure.

827
00:39:44,600 --> 00:39:46,160
Speaker 4: But it goes back and forth with what I'm saying,

828
00:39:46,239 --> 00:39:48,600
Speaker 4: so like, yeahuse there's two of them, and because they

829
00:39:48,719 --> 00:39:50,879
Speaker 4: are acting out and stuff, then you got they can't

830
00:39:50,920 --> 00:39:51,600
Speaker 4: have two Alphi's.

831
00:39:51,680 --> 00:39:54,440
Speaker 1: You gotta have an Alfie. Yeah, you gotta change to

832
00:39:54,480 --> 00:39:57,799
Speaker 1: see Lucas my son, he gets the reject of the day,

833
00:39:58,320 --> 00:39:59,759
Speaker 1: do you know what I mean? Like he's forced me

834
00:39:59,840 --> 00:40:05,040
Speaker 1: out ways for TikTok. That's like alphabet glinda Alphabinda. Yeah,

835
00:40:05,040 --> 00:40:08,160
Speaker 1: that's the one that's like the switch. Here's the witch,

836
00:40:08,840 --> 00:40:10,920
Speaker 1: witch Witch, I'm a witch.

837
00:40:10,840 --> 00:40:12,680
Speaker 4: Yes, Like I had to do that last night, by

838
00:40:12,719 --> 00:40:14,840
Speaker 4: the way, and they thought that she thought that Josie

839
00:40:14,880 --> 00:40:17,239
Speaker 4: thought she had me really well trained, and she did not.

840
00:40:17,360 --> 00:40:18,879
Speaker 1: I could not memorize it as well. No, I can't

841
00:40:18,880 --> 00:40:19,520
Speaker 1: remember that either.

842
00:40:19,840 --> 00:40:22,200
Speaker 3: I don't know how these kids be memorizing so like,

843
00:40:22,320 --> 00:40:24,080
Speaker 3: I just think it takes me old men. There's just

844
00:40:24,160 --> 00:40:27,719
Speaker 3: like the here once and it's it's, it's and the dances.

845
00:40:28,640 --> 00:40:33,839
Speaker 1: Well, I mean you're talking, are you kidding? Sorry, I forgot.

846
00:40:33,600 --> 00:40:37,000
Speaker 4: Myself, Okay, so let me just because I'm because I'm

847
00:40:37,040 --> 00:40:39,520
Speaker 4: curious because you came after I was there, so I

848
00:40:39,840 --> 00:40:43,200
Speaker 4: then I, you know, it came last year, and I

849
00:40:43,680 --> 00:40:46,759
Speaker 4: am always curious what people's paths are to the show.

850
00:40:47,400 --> 00:40:50,840
Speaker 4: So how did you find your way to Gray's anatomy?

851
00:40:51,800 --> 00:40:54,319
Speaker 4: Do they come find you web him?

852
00:40:57,040 --> 00:40:59,439
Speaker 3: You know, the show has come up a couple of times,

853
00:40:59,480 --> 00:41:02,200
Speaker 3: you know, I you know, I watched the show and

854
00:41:02,800 --> 00:41:05,520
Speaker 3: and on and off, just you know, as as as

855
00:41:05,600 --> 00:41:08,880
Speaker 3: one does when the show has been going on for

856
00:41:09,000 --> 00:41:14,600
Speaker 3: so long. And one thing that always kept me Jenna Ashkowitz,

857
00:41:15,080 --> 00:41:17,640
Speaker 3: who played Tina co and Chang. She was like a

858
00:41:17,880 --> 00:41:21,120
Speaker 3: massive fan, so I would she would talk about it

859
00:41:21,239 --> 00:41:24,000
Speaker 3: on set, and I kind of would know what was

860
00:41:24,040 --> 00:41:28,360
Speaker 3: happening through through through, through through that. And then you know,

861
00:41:28,400 --> 00:41:31,080
Speaker 3: after a while, I I as I got into other shows,

862
00:41:31,160 --> 00:41:33,440
Speaker 3: and you know, we're auditioning, and then there would be

863
00:41:33,480 --> 00:41:37,000
Speaker 3: a lot of auditions I would come up for for

864
00:41:37,160 --> 00:41:39,480
Speaker 3: grades and I would never get them, and it was

865
00:41:39,520 --> 00:41:43,640
Speaker 3: for usually for patients and never for doctors. And and

866
00:41:43,760 --> 00:41:46,640
Speaker 3: then came came around the time where there it was

867
00:41:46,920 --> 00:41:50,280
Speaker 3: right before I got an offer to as as a patient.

868
00:41:50,360 --> 00:41:52,160
Speaker 3: It was a beautiful storyline, but it just wasn't the

869
00:41:52,239 --> 00:41:55,359
Speaker 3: right time, and and my scheduling was was all off

870
00:41:55,840 --> 00:41:58,160
Speaker 3: and I couldn't take that on. And then shortly after

871
00:41:58,560 --> 00:42:01,560
Speaker 3: I I and I got a call from them that

872
00:42:01,760 --> 00:42:08,040
Speaker 3: they wanted me to play Lou Benson Kwan. I just

873
00:42:08,200 --> 00:42:13,439
Speaker 3: I remember reading the character description and kind of whether

874
00:42:13,440 --> 00:42:17,000
Speaker 3: the story was going and along with just the beautiful

875
00:42:17,040 --> 00:42:20,120
Speaker 3: work that has been done, but I just wasn't prepared for.

876
00:42:22,040 --> 00:42:24,160
Speaker 2: The like being on set now.

877
00:42:24,560 --> 00:42:27,600
Speaker 3: The care that's still there for like trying to tell

878
00:42:27,680 --> 00:42:31,759
Speaker 3: a good story and caring for the characters. And after

879
00:42:31,880 --> 00:42:34,520
Speaker 3: all these years, I don't know why it made me

880
00:42:34,840 --> 00:42:37,720
Speaker 3: because a little part of me has been a little

881
00:42:37,840 --> 00:42:41,200
Speaker 3: jaded about what we've kind of dealt with in the

882
00:42:41,280 --> 00:42:43,960
Speaker 3: industry as you've seen other things and where you know,

883
00:42:45,400 --> 00:42:48,480
Speaker 3: as time goes by, usually with anything you know, less

884
00:42:49,040 --> 00:42:51,560
Speaker 3: care gets put into it, and I never and I

885
00:42:51,680 --> 00:42:54,160
Speaker 3: keep seeing that here. When I got on that, I

886
00:42:54,280 --> 00:42:56,640
Speaker 3: was so pleasantly surprised but I saw that in what

887
00:42:56,880 --> 00:42:59,520
Speaker 3: was written with the character, what was written within the story,

888
00:43:00,040 --> 00:43:01,239
Speaker 3: and that really gravitated me.

889
00:43:01,360 --> 00:43:03,760
Speaker 2: And also being part of this legacy was just something

890
00:43:03,800 --> 00:43:06,400
Speaker 2: that I wanted to really be a part of.

891
00:43:06,840 --> 00:43:09,960
Speaker 1: It's a responsibility, it's a it's a real responsibility to

892
00:43:10,320 --> 00:43:12,879
Speaker 1: feel like that when you get on the show, too, like, yeah,

893
00:43:13,800 --> 00:43:14,320
Speaker 1: you really do.

894
00:43:14,960 --> 00:43:21,160
Speaker 4: Yeah. I find that that the viewers are so personally invested, attached,

895
00:43:23,320 --> 00:43:25,440
Speaker 4: they put so much care into the watching of it

896
00:43:25,920 --> 00:43:30,040
Speaker 4: that when you feel that there's just an extra an

897
00:43:30,120 --> 00:43:32,480
Speaker 4: extra sweetness to doing the joba right or something. I

898
00:43:32,560 --> 00:43:34,880
Speaker 4: don't know it it makes it personal. Right, It's just

899
00:43:34,960 --> 00:43:37,480
Speaker 4: I mean, it should be just business, but there's something

900
00:43:37,560 --> 00:43:39,640
Speaker 4: that it does kind of make you take it personally.

901
00:43:40,960 --> 00:43:41,920
Speaker 2: It really, it really does.

902
00:43:42,040 --> 00:43:45,200
Speaker 3: I think you I didn't realize that until you know,

903
00:43:45,360 --> 00:43:49,880
Speaker 3: I knew the responsibility, but I didn't realize how how

904
00:43:50,040 --> 00:43:55,480
Speaker 3: incredibly impactful is beyond just people you know, enjoying television

905
00:43:55,600 --> 00:43:57,400
Speaker 3: or the or the characters that they can fall in

906
00:43:57,480 --> 00:43:59,520
Speaker 3: love with. It was more of these are the next

907
00:43:59,600 --> 00:44:02,800
Speaker 3: generation of surgeons and and and people who want to

908
00:44:02,840 --> 00:44:07,200
Speaker 3: get into uh uh, into the medical field and and

909
00:44:07,400 --> 00:44:09,719
Speaker 3: and and have and also get a glimpse of just

910
00:44:09,880 --> 00:44:12,279
Speaker 3: like you know, the fun parts of it, but also

911
00:44:12,440 --> 00:44:15,640
Speaker 3: the really really hard and difficult parts and also the

912
00:44:17,520 --> 00:44:19,920
Speaker 3: science behind it as well, which I think the story does.

913
00:44:20,200 --> 00:44:23,239
Speaker 3: I mean that the show does really really well. And

914
00:44:23,360 --> 00:44:26,040
Speaker 3: I'm learning, just like I was learning these songs on

915
00:44:26,239 --> 00:44:30,160
Speaker 3: on Glea, I'm learning a lot of you know, uh

916
00:44:31,040 --> 00:44:35,000
Speaker 3: right now, well, medical breakthroughs that that that are happening

917
00:44:35,160 --> 00:44:38,440
Speaker 3: or that have happened, and just being able to be

918
00:44:38,520 --> 00:44:39,160
Speaker 3: put on the.

919
00:44:41,200 --> 00:44:41,960
Speaker 2: Platform like this.

920
00:44:42,800 --> 00:44:46,879
Speaker 4: Have you had one of those hum dinger like you're

921
00:44:46,920 --> 00:44:48,800
Speaker 4: in the table read and you turn the page and

922
00:44:48,880 --> 00:44:51,200
Speaker 4: you see your name and then a really long speech.

923
00:44:51,280 --> 00:44:54,520
Speaker 1: Yet, oh yeah, you've gotten some law, Yeah, really long.

924
00:44:54,440 --> 00:44:55,040
Speaker 2: I've gotten some.

925
00:44:55,200 --> 00:44:57,120
Speaker 1: There's some pressure on that. There's some pressure.

926
00:44:57,280 --> 00:44:59,480
Speaker 2: The hardest one was when there was a crossover on

927
00:44:59,600 --> 00:45:00,440
Speaker 2: Station nineteen.

928
00:45:00,640 --> 00:45:02,640
Speaker 3: I got these sides and I was like, okay, cool,

929
00:45:02,640 --> 00:45:04,759
Speaker 3: I'm gonna I'm gonna be on Station nineteen and and

930
00:45:05,480 --> 00:45:06,840
Speaker 3: it was just me and.

931
00:45:08,320 --> 00:45:12,000
Speaker 2: I had to It was in the er, and the

932
00:45:12,120 --> 00:45:15,040
Speaker 2: sides were fine. It was like a couple of medical terms.

933
00:45:15,200 --> 00:45:16,200
Speaker 2: I was like, I could deal with it.

934
00:45:16,320 --> 00:45:19,320
Speaker 3: And then I went to bed really early because I

935
00:45:19,320 --> 00:45:22,480
Speaker 3: had an early call and they changed it and it

936
00:45:22,719 --> 00:45:26,160
Speaker 3: just just added a whole monologue of I would say,

937
00:45:26,280 --> 00:45:29,240
Speaker 3: like I would say at least like twenty medical terms

938
00:45:29,280 --> 00:45:32,200
Speaker 3: that are probably some of the hardest one. So I

939
00:45:32,320 --> 00:45:34,839
Speaker 3: woke up to this like, oh, this can't be right.

940
00:45:35,120 --> 00:45:36,759
Speaker 3: So I called and they're like, oh, no, this is right,

941
00:45:36,800 --> 00:45:38,760
Speaker 3: and I was like, oh my gosh, I'm really serviced

942
00:45:38,800 --> 00:45:41,640
Speaker 3: well because the character was really fumbling through and trying

943
00:45:41,680 --> 00:45:44,000
Speaker 3: to figure out how to so I really use that

944
00:45:44,360 --> 00:45:47,040
Speaker 3: as well. But you still can't get it wrong. So

945
00:45:47,680 --> 00:45:50,560
Speaker 3: it was the most nerve wracking day experience I had

946
00:45:50,960 --> 00:45:53,080
Speaker 3: on the show. And it wasn't even on the show yet,

947
00:45:53,440 --> 00:45:57,200
Speaker 3: so that I'm sure y'all have dealt with.

948
00:45:57,239 --> 00:46:01,960
Speaker 1: That here we've been there. No, it's no, it's still terrifying.

949
00:46:02,040 --> 00:46:03,759
Speaker 1: It doesn't matter how long you've been on that show.

950
00:46:03,880 --> 00:46:07,880
Speaker 1: It's still so scary. Ah and I and and again

951
00:46:08,160 --> 00:46:10,520
Speaker 1: you know that, like the there's a real possibility for

952
00:46:10,600 --> 00:46:14,080
Speaker 1: greatness because you look at the monologue and you're like,

953
00:46:14,480 --> 00:46:17,440
Speaker 1: this is good, Okay, all right, No, I'm going to

954
00:46:17,480 --> 00:46:17,799
Speaker 1: be good.

955
00:46:17,920 --> 00:46:20,560
Speaker 4: I'm going to be good, and then you're like working

956
00:46:20,680 --> 00:46:22,560
Speaker 4: it and then you hope that it's good, and then

957
00:46:22,880 --> 00:46:24,880
Speaker 4: sometimes it will surprise you sometimes it won't. When I

958
00:46:25,000 --> 00:46:28,719
Speaker 4: came back last year, Meg gave me the water, she

959
00:46:28,880 --> 00:46:33,279
Speaker 4: gave me, she gave me a biggie, and she was

960
00:46:33,360 --> 00:46:37,000
Speaker 4: so funny because she said to the director, she said, Okay,

961
00:46:37,080 --> 00:46:38,840
Speaker 4: I know it's a lot of words, but and I

962
00:46:38,920 --> 00:46:40,680
Speaker 4: know you don't know Jessica because you haven't worked with

963
00:46:40,760 --> 00:46:43,680
Speaker 4: her yet. But she talks really fast, so she's that

964
00:46:43,840 --> 00:46:47,719
Speaker 4: really long speech's not going to be And then I

965
00:46:47,840 --> 00:46:50,160
Speaker 4: remember doing it and we actually did it in one take.

966
00:46:50,880 --> 00:46:55,319
Speaker 1: Yeah, you're like the capture the Arizona's back.

967
00:46:55,440 --> 00:46:55,760
Speaker 2: Baby.

968
00:47:12,160 --> 00:47:15,440
Speaker 1: We had some questions about Blue that I want to

969
00:47:15,480 --> 00:47:18,239
Speaker 1: ask you. So I want to know what you would

970
00:47:18,320 --> 00:47:19,279
Speaker 1: like his specialty to be.

971
00:47:19,920 --> 00:47:21,160
Speaker 2: Oh my goodness.

972
00:47:21,880 --> 00:47:24,120
Speaker 1: You know it's a big question and it changes, honestly

973
00:47:24,200 --> 00:47:25,000
Speaker 1: season to season.

974
00:47:25,360 --> 00:47:29,520
Speaker 2: But in this moment, neurologists, I think still the brain

975
00:47:29,880 --> 00:47:34,520
Speaker 2: is just so fascinating, and I think for Blue, possibility

976
00:47:34,760 --> 00:47:37,120
Speaker 2: of you know, things coming up or even in the

977
00:47:37,200 --> 00:47:40,040
Speaker 2: past that I've just really I think I would like

978
00:47:40,160 --> 00:47:41,480
Speaker 2: him to edit towards there. Yeah.

979
00:47:41,600 --> 00:47:43,880
Speaker 3: I don't know what they have in store, but I

980
00:47:44,080 --> 00:47:46,480
Speaker 3: just think there's something really fascinating there because I think

981
00:47:47,760 --> 00:47:50,719
Speaker 3: there's so little that still we know, and I just

982
00:47:50,840 --> 00:47:52,759
Speaker 3: think it would be cool to be part of that,

983
00:47:52,880 --> 00:47:57,640
Speaker 3: to discover new things that kind of can help have

984
00:47:57,800 --> 00:48:02,239
Speaker 3: a better understanding of maybe even himself, but also beyond that,

985
00:48:02,520 --> 00:48:04,799
Speaker 3: to be able to help people, because I think we're

986
00:48:04,840 --> 00:48:08,000
Speaker 3: starting to find new things that I'm fascinating myself, especially

987
00:48:08,040 --> 00:48:10,000
Speaker 3: when you're talking about gut to brain and the things

988
00:48:10,040 --> 00:48:10,600
Speaker 3: that are affecting.

989
00:48:10,719 --> 00:48:14,480
Speaker 2: Is that, like, are is that really controlling us or

990
00:48:14,560 --> 00:48:15,919
Speaker 2: something else controlling the brain?

991
00:48:16,320 --> 00:48:16,480
Speaker 4: You know?

992
00:48:16,719 --> 00:48:18,839
Speaker 2: And and you know, so I don't know. I think

993
00:48:18,880 --> 00:48:21,000
Speaker 2: there could be some really interesting We.

994
00:48:21,040 --> 00:48:22,400
Speaker 1: Got to get into the love story of it a

995
00:48:22,440 --> 00:48:26,080
Speaker 1: little bit. Of course, you are entangled. Blue is entangled

996
00:48:26,120 --> 00:48:31,719
Speaker 1: in a kind of let's say, messy situation. Very nicey

997
00:48:31,800 --> 00:48:35,440
Speaker 1: this situation this season, but we did get fans wondering

998
00:48:35,600 --> 00:48:40,680
Speaker 1: if you think that he still is harboring feelings for Jules.

999
00:48:41,280 --> 00:48:43,160
Speaker 1: Do you still think or do you think that that's

1000
00:48:43,200 --> 00:48:44,000
Speaker 1: been put to bed?

1001
00:48:44,480 --> 00:48:46,720
Speaker 2: I don't know. I think you're cold show that anything's possible.

1002
00:48:47,239 --> 00:48:50,480
Speaker 2: Of course, if you have if you have a little flame,

1003
00:48:50,719 --> 00:48:52,440
Speaker 2: that flame can turn into something much better.

1004
00:48:52,600 --> 00:48:52,960
Speaker 3: Yeah, I.

1005
00:48:54,520 --> 00:48:54,840
Speaker 2: Don't know.

1006
00:48:55,000 --> 00:48:59,040
Speaker 3: I think this storyline is really fascinating to me because

1007
00:48:59,560 --> 00:49:02,920
Speaker 3: when you talk about memories and how much those mean

1008
00:49:03,000 --> 00:49:05,759
Speaker 3: when you talk about forgetting, especially if you've gone through

1009
00:49:05,800 --> 00:49:08,080
Speaker 3: a breakup and you're like, just forget about that.

1010
00:49:08,239 --> 00:49:10,439
Speaker 2: But those memories are a part of you. And yeah,

1011
00:49:10,760 --> 00:49:13,480
Speaker 2: and so if you lose that, like what.

1012
00:49:13,680 --> 00:49:14,239
Speaker 3: Are you like?

1013
00:49:14,320 --> 00:49:17,800
Speaker 2: What are you like? Does that define you? Or or

1014
00:49:18,239 --> 00:49:22,160
Speaker 2: or should you? Should you? Should you just like allow

1015
00:49:22,280 --> 00:49:24,800
Speaker 2: that to I don't know.

1016
00:49:24,880 --> 00:49:28,120
Speaker 3: There there's a lot of like conversations about when you're

1017
00:49:28,200 --> 00:49:30,600
Speaker 3: when you're growing up and you know, whether you have

1018
00:49:30,840 --> 00:49:35,080
Speaker 3: these good memories, then then if the bad memories don't exist,

1019
00:49:35,160 --> 00:49:37,200
Speaker 3: and do those good memories exist as well?

1020
00:49:37,880 --> 00:49:40,399
Speaker 2: Right, Like it's just this is back and forth.

1021
00:49:40,520 --> 00:49:43,640
Speaker 3: So and and when you talk about love and having

1022
00:49:43,760 --> 00:49:46,480
Speaker 3: someone that that is trying to get these memories back

1023
00:49:46,640 --> 00:49:49,160
Speaker 3: or wanting to to get these memories back, and then

1024
00:49:49,440 --> 00:49:51,560
Speaker 3: you I don't know, there's just a lot of complications

1025
00:49:51,600 --> 00:49:53,880
Speaker 3: that can happen. And I think I'm really excited to

1026
00:49:53,880 --> 00:49:57,719
Speaker 3: see where that story goes because I think they're I

1027
00:49:57,800 --> 00:49:59,839
Speaker 3: feel like the writers as they always are are.

1028
00:49:59,800 --> 00:50:03,520
Speaker 1: Doing Oh yeah, I mean I think I can tease this.

1029
00:50:03,640 --> 00:50:06,279
Speaker 1: I'm not gonna say any specifics, but there's there's some

1030
00:50:06,760 --> 00:50:10,360
Speaker 1: fantastic moments coming up for you and that love story

1031
00:50:11,280 --> 00:50:13,160
Speaker 1: in the season that hasn't aired yet, there's one in

1032
00:50:13,239 --> 00:50:17,359
Speaker 1: particular can think about. But it's juicy and it does

1033
00:50:17,520 --> 00:50:19,520
Speaker 1: and it gets messier. So you guys have to tune

1034
00:50:19,560 --> 00:50:22,680
Speaker 1: in and absolutely see that like and messy, and we

1035
00:50:22,800 --> 00:50:24,719
Speaker 1: love juicy and messy. Before we let you go, though,

1036
00:50:25,280 --> 00:50:27,480
Speaker 1: you have a children's book and I want I read it.

1037
00:50:27,640 --> 00:50:30,120
Speaker 1: I snatched it from you at the table read and

1038
00:50:30,200 --> 00:50:33,080
Speaker 1: I read it, and so I want you to promote it.

1039
00:50:33,280 --> 00:50:36,480
Speaker 1: And it's so good. I didn't know this. I'm so

1040
00:50:36,640 --> 00:50:38,879
Speaker 1: excited about this one, and so I want to leave

1041
00:50:39,360 --> 00:50:40,840
Speaker 1: talking about this before you go.

1042
00:50:41,600 --> 00:50:42,799
Speaker 2: Oh thank you know my.

1043
00:50:43,440 --> 00:50:46,640
Speaker 3: Wife and I, Shelby Ramara. She we wrote a children's

1044
00:50:46,680 --> 00:50:48,680
Speaker 3: book together and it was really inspired by a daughter

1045
00:50:50,560 --> 00:50:53,200
Speaker 3: in a lot of ways, just kind of really there

1046
00:50:53,280 --> 00:50:57,799
Speaker 3: wasn't a children's book especially that showed up. This one

1047
00:50:58,000 --> 00:51:00,719
Speaker 3: in particularly shows the Filipino boy who, you know, it's

1048
00:51:00,719 --> 00:51:02,640
Speaker 3: afraid to dance because he got made fun of and

1049
00:51:03,239 --> 00:51:05,960
Speaker 3: you know, his grandma is as a as a one

1050
00:51:06,360 --> 00:51:09,719
Speaker 3: guardian supports system really encourages him to like, you know,

1051
00:51:10,200 --> 00:51:12,800
Speaker 3: get his confidence up and and and sleep on it.

1052
00:51:12,920 --> 00:51:15,480
Speaker 3: And when he does sleep on it, he has a

1053
00:51:15,560 --> 00:51:22,160
Speaker 3: dream and goes on to the vast space and encounter

1054
00:51:22,239 --> 00:51:22,800
Speaker 3: the Martian.

1055
00:51:22,880 --> 00:51:25,439
Speaker 2: That kind of helps him gain his confidence back.

1056
00:51:25,520 --> 00:51:29,279
Speaker 3: And then and yeah, teaches him these dance moves but

1057
00:51:29,520 --> 00:51:33,200
Speaker 3: really based on the characteristics of each planet from Mars,

1058
00:51:33,719 --> 00:51:37,839
Speaker 3: Jupiter and Saturn and really the swirling storms and things

1059
00:51:37,880 --> 00:51:40,200
Speaker 3: that that that you can do with movement and allows

1060
00:51:40,320 --> 00:51:42,799
Speaker 3: him to get off his mind and being not being

1061
00:51:42,800 --> 00:51:45,279
Speaker 3: self conscious about his movement but more of like I'm

1062
00:51:45,440 --> 00:51:47,799
Speaker 3: just doing a swirling storm. And then and so there's

1063
00:51:48,200 --> 00:51:50,320
Speaker 3: there there's a way of like showing that confidence in

1064
00:51:50,360 --> 00:51:52,640
Speaker 3: different ways. And I don't know if there's video, but

1065
00:51:52,719 --> 00:51:58,520
Speaker 3: he is called Marty. There's the dance and you can

1066
00:51:58,560 --> 00:52:01,600
Speaker 3: get it on blue books Dot. And yeah, we're just

1067
00:52:01,680 --> 00:52:03,440
Speaker 3: incredibly proud of it because.

1068
00:52:03,280 --> 00:52:03,960
Speaker 2: It's you should be.

1069
00:52:04,040 --> 00:52:04,640
Speaker 1: It's really good.

1070
00:52:04,680 --> 00:52:08,160
Speaker 3: It's just really it's a really fun book and it's

1071
00:52:08,280 --> 00:52:11,240
Speaker 3: just uh and the kids can or or even adults

1072
00:52:11,239 --> 00:52:13,800
Speaker 3: who read it that can there's an account of a

1073
00:52:13,920 --> 00:52:15,440
Speaker 3: dance that you can learn as well.

1074
00:52:15,600 --> 00:52:17,879
Speaker 1: I'm gonna try this. Maybe this will work for me. Yeah,

1075
00:52:18,000 --> 00:52:20,840
Speaker 1: maybe this is this is your moe. Yeah, maybe this is.

1076
00:52:21,080 --> 00:52:21,600
Speaker 2: What you need.

1077
00:52:22,640 --> 00:52:25,160
Speaker 3: We'll all do it together and we recorded a song

1078
00:52:25,239 --> 00:52:27,040
Speaker 3: that's going to come out, and our daughter recorded a

1079
00:52:27,120 --> 00:52:27,680
Speaker 3: song for it.

1080
00:52:27,840 --> 00:52:30,120
Speaker 2: So it's really fun.

1081
00:52:30,239 --> 00:52:33,000
Speaker 3: It's just a fun like family project that you know,

1082
00:52:33,120 --> 00:52:35,319
Speaker 3: that is that has been really neat to see other

1083
00:52:35,400 --> 00:52:39,000
Speaker 3: people kind of uh do the dance and and kind

1084
00:52:39,040 --> 00:52:40,600
Speaker 3: of enjoy it, enjoy the book as well.

1085
00:52:40,800 --> 00:52:42,640
Speaker 1: I'm going to do a shout out to like Disney

1086
00:52:42,680 --> 00:52:45,719
Speaker 1: because Disney needs to turn this into a cartoon. This

1087
00:52:45,880 --> 00:52:48,480
Speaker 1: needs to be better than just this, So let's pitch

1088
00:52:48,560 --> 00:52:52,840
Speaker 1: it out. Let's put it out into university. We have songs,

1089
00:52:52,920 --> 00:52:55,399
Speaker 1: we have dances the kids can learn, like I see

1090
00:52:55,480 --> 00:52:55,960
Speaker 1: this for you.

1091
00:52:56,960 --> 00:52:59,640
Speaker 2: Yeah, yay, I'm in for it right.

1092
00:53:00,280 --> 00:53:02,279
Speaker 1: Oh my gosh, I'm so happy that you came on.

1093
00:53:03,239 --> 00:53:05,799
Speaker 2: No, thank you for having me. This is so cool.

1094
00:53:05,840 --> 00:53:08,879
Speaker 2: I love this conversation. You know you too.

1095
00:53:09,040 --> 00:53:12,359
Speaker 3: I really I really admire what you all y'all are

1096
00:53:12,440 --> 00:53:14,840
Speaker 3: doing and what you have done. So this is is

1097
00:53:14,920 --> 00:53:18,160
Speaker 3: really cool to sit down and and chop it up

1098
00:53:18,400 --> 00:53:18,839
Speaker 3: as we say.

1099
00:53:18,920 --> 00:53:21,200
Speaker 4: I love it. Well, you know, it's such It sounds

1100
00:53:21,280 --> 00:53:23,319
Speaker 4: like I'm imagining this in my mind because you've talked

1101
00:53:23,360 --> 00:53:25,640
Speaker 4: about it, but I feel like when you're in it

1102
00:53:25,719 --> 00:53:29,120
Speaker 4: sounds like you and your wife have such a strong

1103
00:53:29,239 --> 00:53:32,600
Speaker 4: partnership and and it comes from it comes from all

1104
00:53:32,640 --> 00:53:34,920
Speaker 4: the things that we hear about, you know, on repeat,

1105
00:53:35,000 --> 00:53:38,480
Speaker 4: but there's a real enjoyment right of each other, and

1106
00:53:38,719 --> 00:53:41,920
Speaker 4: so clearly that gives birth to wanting more projects. So

1107
00:53:42,239 --> 00:53:44,200
Speaker 4: like you don't have enough projects together, you're writing a

1108
00:53:44,200 --> 00:53:47,120
Speaker 4: book together. And I feel that well in a different way,

1109
00:53:47,160 --> 00:53:48,840
Speaker 4: but the same way about Camilla, where it's like I

1110
00:53:49,040 --> 00:53:51,040
Speaker 4: just enjoy her partnership.

1111
00:53:50,520 --> 00:53:53,239
Speaker 1: And we have so much fun. Yeah, it makes it

1112
00:53:53,400 --> 00:53:55,799
Speaker 1: not work, No, not, it's not working.

1113
00:53:55,840 --> 00:53:57,279
Speaker 4: And then we get to sit down with people like

1114
00:53:57,400 --> 00:53:59,759
Speaker 4: you and exactly that's what I was going to say,

1115
00:53:59,840 --> 00:54:02,680
Speaker 4: is that I'm so grateful to you know, and Camilla

1116
00:54:02,840 --> 00:54:04,799
Speaker 4: it said, my gosh, like I love him so much,

1117
00:54:04,840 --> 00:54:06,439
Speaker 4: he's so great, and like I didn't get to spend

1118
00:54:06,480 --> 00:54:08,239
Speaker 4: that much time with him, but I know that if

1119
00:54:08,280 --> 00:54:09,680
Speaker 4: you love him, I'm gonna love him. And so to

1120
00:54:09,800 --> 00:54:11,880
Speaker 4: have you on and be able to talk about the things,

1121
00:54:12,239 --> 00:54:13,680
Speaker 4: you know, in the way that we like to and

1122
00:54:13,840 --> 00:54:17,000
Speaker 4: also just always you know, we don't we don't talk

1123
00:54:17,040 --> 00:54:18,920
Speaker 4: about grays all the time, you know, that's not what

1124
00:54:19,200 --> 00:54:21,600
Speaker 4: the entire podcast is about. So when we have these

1125
00:54:21,680 --> 00:54:24,440
Speaker 4: moments that bring us back to how we met. Oh yeah,

1126
00:54:24,480 --> 00:54:27,680
Speaker 4: it's fun. It's so much fun, and that shared crossover

1127
00:54:27,840 --> 00:54:30,880
Speaker 4: and and just having a similar approach to.

1128
00:54:32,400 --> 00:54:35,440
Speaker 1: How kind of what you said earlier, it's like, how

1129
00:54:35,560 --> 00:54:36,840
Speaker 1: does it happen? It happened.

1130
00:54:36,920 --> 00:54:40,040
Speaker 4: It's the it's the it's the hard work plus preparation

1131
00:54:40,600 --> 00:54:42,880
Speaker 4: plus good luck. Right, So we all get to be

1132
00:54:42,960 --> 00:54:45,160
Speaker 4: here together because of those things. But man, it's so

1133
00:54:45,239 --> 00:54:47,759
Speaker 4: much more enjoyable to be with people who feel the

1134
00:54:47,840 --> 00:54:48,880
Speaker 4: same oh man.

1135
00:54:48,800 --> 00:54:52,320
Speaker 3: Well said, Well said, this is this is what I

1136
00:54:53,320 --> 00:54:55,800
Speaker 3: One last thing I'll say is that we don't have

1137
00:54:56,080 --> 00:54:59,200
Speaker 3: enough of And I think that's why podcasts are so popular,

1138
00:55:00,120 --> 00:55:03,120
Speaker 3: where we as a society like we don't have these

1139
00:55:03,200 --> 00:55:07,239
Speaker 3: long conversations anymore. People like we we we we don't,

1140
00:55:07,360 --> 00:55:09,839
Speaker 3: And then when you do, you we don't have enough

1141
00:55:09,880 --> 00:55:11,520
Speaker 3: of it, you know you kind of y'arn like I

1142
00:55:11,600 --> 00:55:13,279
Speaker 3: want more. I want to sit there and talk to

1143
00:55:13,360 --> 00:55:15,239
Speaker 3: my friends or people that I kind of have never

1144
00:55:15,360 --> 00:55:17,000
Speaker 3: met and want to get to know a little better.

1145
00:55:17,440 --> 00:55:19,000
Speaker 3: And the fact that you know, y'all get to do

1146
00:55:19,080 --> 00:55:22,600
Speaker 3: this on a weekly basis is so cool and I'm

1147
00:55:22,640 --> 00:55:25,719
Speaker 3: honored to be on one hour of it. However, long

1148
00:55:25,760 --> 00:55:26,239
Speaker 3: descision I.

1149
00:55:26,239 --> 00:55:27,600
Speaker 1: Know I was looking at the time. I'm like, no,

1150
00:55:27,800 --> 00:55:28,560
Speaker 1: I want more.

1151
00:55:29,000 --> 00:55:31,960
Speaker 4: You've joined the crew and it's an ever everlasting, ever

1152
00:55:32,080 --> 00:55:32,640
Speaker 4: loving crew.

1153
00:55:33,360 --> 00:55:35,680
Speaker 1: But also I feel like once you join Gray's Anatomy,

1154
00:55:35,800 --> 00:55:37,640
Speaker 1: I do feel like it doesn't matter if you're on

1155
00:55:38,160 --> 00:55:40,640
Speaker 1: what season, Like there's this weird you're part of this

1156
00:55:40,800 --> 00:55:44,279
Speaker 1: legacy and there's this like weird family feeling. So even

1157
00:55:44,320 --> 00:55:47,160
Speaker 1: though you do haven't worked, you know, did you work

1158
00:55:47,160 --> 00:55:47,760
Speaker 1: at all together?

1159
00:55:48,200 --> 00:55:51,440
Speaker 2: Well, but one day it wasn't much. Yeah, I got

1160
00:55:51,480 --> 00:55:52,399
Speaker 2: to see you work.

1161
00:55:53,000 --> 00:55:55,000
Speaker 4: Yes, yes, you know what I remember you from as

1162
00:55:55,040 --> 00:55:56,880
Speaker 4: the hair and makeup trailer, which is way more important.

1163
00:55:57,320 --> 00:55:59,759
Speaker 2: Yeah, that's that's that's where the chit chat talks.

1164
00:56:00,080 --> 00:56:01,239
Speaker 1: That's where it all goes down.

1165
00:56:01,320 --> 00:56:04,840
Speaker 2: That's where the podcast should be. You should, oh, we.

1166
00:56:04,840 --> 00:56:11,160
Speaker 1: Should do that one day. Yes, that's good. Harry.

1167
00:56:11,200 --> 00:56:13,200
Speaker 2: Will you come back on? I would love to.

1168
00:56:13,800 --> 00:56:17,160
Speaker 1: Okay, Well, as the season goes on and some explosive

1169
00:56:17,239 --> 00:56:19,880
Speaker 1: things happen in our universe on grays Anonomy, we'll have

1170
00:56:19,960 --> 00:56:22,720
Speaker 1: Harry on and maybe we'll do a little post interview

1171
00:56:22,800 --> 00:56:25,359
Speaker 1: for an episode and because it's all about to shake

1172
00:56:25,440 --> 00:56:30,000
Speaker 1: out on the show, yeah it is. Will let you

1173
00:56:30,080 --> 00:56:32,800
Speaker 1: go on with your day, Please say, give your beautiful

1174
00:56:32,880 --> 00:56:34,759
Speaker 1: family so many kisses from us, and thank you so

1175
00:56:34,920 --> 00:56:38,560
Speaker 1: much for joining us. Thank you first of many.

1176
00:56:40,000 --> 00:56:40,280
Speaker 5: Bye.

1177
00:56:41,120 --> 00:56:43,960
Speaker 1: He's so lovely. He's the best god. I mean, by

1178
00:56:44,000 --> 00:56:46,640
Speaker 1: the way, he's done a lot. I mean I was

1179
00:56:46,719 --> 00:56:49,439
Speaker 1: looking at our time. I'm like, once again, this could

1180
00:56:49,480 --> 00:56:51,840
Speaker 1: be a two hour podcast because I'm not even getting

1181
00:56:51,920 --> 00:56:54,200
Speaker 1: through all the things. I know, because we had to

1182
00:56:54,239 --> 00:56:56,840
Speaker 1: start with why you so fine? Well that was an

1183
00:56:56,880 --> 00:56:58,960
Speaker 1: important question. Why are you so fine?

1184
00:56:59,040 --> 00:56:59,320
Speaker 2: Harry?

1185
00:56:59,480 --> 00:57:03,040
Speaker 1: Listen? Harry comes into the trailer. I come in and

1186
00:57:03,280 --> 00:57:06,160
Speaker 1: I'm like, I literally look like a slug, right Like,

1187
00:57:06,320 --> 00:57:10,000
Speaker 1: I'm like, do some serious magic to transform me. Harry

1188
00:57:10,040 --> 00:57:14,440
Speaker 1: comes in looking like that. He's I don't even know

1189
00:57:14,480 --> 00:57:15,840
Speaker 1: if he goes through the works. I mean, what have

1190
00:57:15,880 --> 00:57:19,440
Speaker 1: you even put on that face? Well, he was lovely.

1191
00:57:19,600 --> 00:57:20,840
Speaker 1: I love his whole mindset.

1192
00:57:21,120 --> 00:57:22,720
Speaker 4: I feel like I would I feel like I would

1193
00:57:22,840 --> 00:57:27,680
Speaker 4: enjoy I would enjoy cast chair in between setups with him.

1194
00:57:27,800 --> 00:57:29,640
Speaker 1: I think he's the best because some people join the

1195
00:57:29,720 --> 00:57:33,160
Speaker 1: cast and you're just like, we can't ever lose you.

1196
00:57:33,640 --> 00:57:36,800
Speaker 1: You gotta stick with us. Yeah, yeah, and yeah, he's

1197
00:57:36,960 --> 00:57:39,960
Speaker 1: he's honestly incredible, as you can tell.

1198
00:57:40,160 --> 00:57:44,000
Speaker 4: From Glee, to everything everywhere all at once, to chrays anatomy.

1199
00:57:44,000 --> 00:57:45,840
Speaker 4: I think he's also doing pretty well for himself, so

1200
00:57:46,040 --> 00:57:47,000
Speaker 4: I'm really happy for him.

1201
00:57:47,120 --> 00:57:49,640
Speaker 1: Well, also there's crazy rich Asians and there's oh yeah,

1202
00:57:49,640 --> 00:57:51,320
Speaker 1: I mean, there's so many things we didn't get to,

1203
00:57:52,200 --> 00:57:55,160
Speaker 1: but he's done in the hour. So this will this

1204
00:57:55,280 --> 00:57:58,480
Speaker 1: is what we're gonna happen. In the meantime, we've got

1205
00:57:58,600 --> 00:58:02,520
Speaker 1: to call it miscapshaw. The end of the episode,