WEBVTT - How Did Settlers Create New Orleans from Swampland? 

0:00:03.279 --> 0:00:06.240
<v Speaker 1>Welcome to Part Time Genius, the production of iHeartRadio.

0:00:11.760 --> 0:00:12.479
<v Speaker 2>Guess what Mango?

0:00:12.720 --> 0:00:13.640
<v Speaker 1>What's that? Will? All? Right?

0:00:13.680 --> 0:00:15.640
<v Speaker 2>So you know how New Orleans is famous for being

0:00:15.760 --> 0:00:18.319
<v Speaker 2>this kind of wild party town. I hope you've heard

0:00:18.320 --> 0:00:20.400
<v Speaker 2>this before, right, like sort of the Vegas of the

0:00:20.440 --> 0:00:21.160
<v Speaker 2>Gulf Coast.

0:00:21.680 --> 0:00:23.560
<v Speaker 1>I like that, the Vegas of the Gulf Coast. I

0:00:23.800 --> 0:00:25.560
<v Speaker 1>actually just went to New Orleans for the first time

0:00:25.600 --> 0:00:28.080
<v Speaker 1>this year, and I loved it, but I was kind

0:00:28.080 --> 0:00:29.400
<v Speaker 1>of thrown off by the fact that you can just

0:00:29.480 --> 0:00:31.479
<v Speaker 1>drink on the streets there. It's kind of amazing.

0:00:31.600 --> 0:00:34.760
<v Speaker 2>Well, actually, what's weird about that is technically it's only

0:00:34.840 --> 0:00:37.199
<v Speaker 2>in the French Quarter that you're allowed to do that,

0:00:37.280 --> 0:00:38.640
<v Speaker 2>you know, as long as your drink is in a

0:00:38.640 --> 0:00:41.040
<v Speaker 2>glass or a metal container. But you know, if you

0:00:41.080 --> 0:00:44.000
<v Speaker 2>go into other areas that are pretty close by, it's

0:00:44.040 --> 0:00:46.479
<v Speaker 2>not a law that really gets enforced that often, as

0:00:46.520 --> 0:00:49.000
<v Speaker 2>I think you probably saw when you were there. And

0:00:49.280 --> 0:00:52.040
<v Speaker 2>this is a city where the official motto is let

0:00:52.080 --> 0:00:54.840
<v Speaker 2>the good times roll A pop quiz for you? Do

0:00:54.920 --> 0:00:56.520
<v Speaker 2>you know how to say that in French? Mango?

0:00:56.840 --> 0:00:57.040
<v Speaker 1>No?

0:00:57.200 --> 0:01:00.000
<v Speaker 2>I do not, okay me either. I think it's something

0:01:00.320 --> 0:01:04.640
<v Speaker 2>like lesse Les bon temp Roulet. Maybe I just butchered

0:01:04.640 --> 0:01:08.160
<v Speaker 2>it completely, Like I can't even imagine for all those

0:01:08.160 --> 0:01:10.839
<v Speaker 2>who speak French, and for even for those who don't,

0:01:10.959 --> 0:01:12.240
<v Speaker 2>they just know that I butchered it.

0:01:12.280 --> 0:01:14.199
<v Speaker 1>I feel like you were just saying, like the line

0:01:14.200 --> 0:01:16.800
<v Speaker 1>from that Lady Lady Palm song.

0:01:16.800 --> 0:01:19.720
<v Speaker 2>Yeah, or maybe from the Little Mermaid, one of these.

0:01:19.800 --> 0:01:20.960
<v Speaker 2>I just stole the line.

0:01:21.840 --> 0:01:24.120
<v Speaker 1>But you know, it is kind of amazing that like

0:01:24.400 --> 0:01:28.440
<v Speaker 1>New Orleans, it's such a good times town. But I'm

0:01:28.520 --> 0:01:30.560
<v Speaker 1>curious that, like, are you just telling me that like

0:01:30.600 --> 0:01:32.280
<v Speaker 1>New Orleans likes to drink? Is that? Is that what

0:01:32.319 --> 0:01:33.080
<v Speaker 1>it is all about? Now?

0:01:33.080 --> 0:01:36.400
<v Speaker 2>I'm pretty sure the drinking is common knowledge at this point.

0:01:36.440 --> 0:01:38.160
<v Speaker 2>It was you know, the thing that caught my attention

0:01:38.280 --> 0:01:40.560
<v Speaker 2>when we were talking to Gabe about the research for

0:01:40.600 --> 0:01:43.200
<v Speaker 2>this week was that it's really more like what the

0:01:43.240 --> 0:01:46.679
<v Speaker 2>residents used to treat the hangover that comes after all

0:01:46.720 --> 0:01:50.320
<v Speaker 2>the drinking. And that's a big steamy bowl of yaka

0:01:50.400 --> 0:01:53.400
<v Speaker 2>Maine soup, as you know, also known as old Sober.

0:01:53.480 --> 0:01:57.000
<v Speaker 2>It's a soy sauce flavored broth with noodles, beef, chicken, shrimp,

0:01:57.240 --> 0:02:00.160
<v Speaker 2>hard boiled eggs, and chopped onions. It actually sounds that's

0:02:00.160 --> 0:02:02.840
<v Speaker 2>pretty good, isn't it. And the amazing thing that sets

0:02:02.840 --> 0:02:05.280
<v Speaker 2>this hangover cure apart from all the others is that

0:02:05.320 --> 0:02:08.400
<v Speaker 2>it actually works. So there were some researchers that looked

0:02:08.400 --> 0:02:11.720
<v Speaker 2>into this from the American Chemical Society, and what they's

0:02:11.720 --> 0:02:14.760
<v Speaker 2>found is that the traditional soup contains all the right

0:02:14.880 --> 0:02:18.000
<v Speaker 2>ingredients to help the body recover from a hangover. So

0:02:18.040 --> 0:02:20.960
<v Speaker 2>the hard boiled eggs have this compound that helps expel

0:02:21.120 --> 0:02:26.320
<v Speaker 2>toxic substances, the salty broth helps replenish sodium and potassium,

0:02:26.800 --> 0:02:29.280
<v Speaker 2>and the beef and shrimp helps slow down the absorption

0:02:29.440 --> 0:02:31.800
<v Speaker 2>of alcohol. So it's like a one stop shop for

0:02:31.880 --> 0:02:32.880
<v Speaker 2>this hangover cure.

0:02:33.440 --> 0:02:36.079
<v Speaker 1>So how did a dish called yakamane with all this

0:02:36.200 --> 0:02:38.560
<v Speaker 1>soy sauce flavor. How'd that ended up becoming a signature

0:02:38.680 --> 0:02:41.600
<v Speaker 1>dish here? Like it doesn't sound super southern, Yeah, that's true.

0:02:41.639 --> 0:02:44.320
<v Speaker 2>And actually, according to local legend, the dish came to

0:02:44.400 --> 0:02:47.040
<v Speaker 2>the Big Easy by way of local soldiers that had

0:02:47.080 --> 0:02:50.000
<v Speaker 2>been stationed in Korea. This was back during the nineteen fifties,

0:02:50.400 --> 0:02:53.200
<v Speaker 2>and so when the war was over, they brought this soup,

0:02:53.600 --> 0:02:56.400
<v Speaker 2>this yakamine soup back home with them and it's been

0:02:56.440 --> 0:02:58.919
<v Speaker 2>the city's surefire hangover cure ever since.

0:02:58.960 --> 0:03:01.800
<v Speaker 1>That's pretty neat. I've definitely heard before that New Orleans

0:03:01.880 --> 0:03:04.079
<v Speaker 1>is one of the most culturally diverse cities in America,

0:03:04.160 --> 0:03:06.480
<v Speaker 1>and it's kind of fun to see how it extends

0:03:06.520 --> 0:03:07.359
<v Speaker 1>into food as well.

0:03:07.639 --> 0:03:10.680
<v Speaker 2>Yeah, it's definitely true, and it's always been this huge

0:03:10.760 --> 0:03:13.120
<v Speaker 2>cultural melting pod, going all the way back to the

0:03:13.200 --> 0:03:17.280
<v Speaker 2>beginning of that highly unusual three hundred year old history

0:03:17.360 --> 0:03:20.880
<v Speaker 2>and all of those years mingling cultures. It's really turned

0:03:20.919 --> 0:03:25.040
<v Speaker 2>New Orleans into this super fun and very unique American city.

0:03:25.120 --> 0:03:27.400
<v Speaker 2>And that's why I thought we should focus on this today,

0:03:27.520 --> 0:03:29.920
<v Speaker 2>like this, all of these one of a kind customs

0:03:30.000 --> 0:03:33.240
<v Speaker 2>and traditions that make the city unlike any other out there.

0:03:33.800 --> 0:03:36.560
<v Speaker 2>So with three centuries of stories to pull from, there's

0:03:36.640 --> 0:04:00.560
<v Speaker 2>obviously a lot to talk about, So let's dive in. Hey,

0:04:00.600 --> 0:04:03.080
<v Speaker 2>their podcast listeners, welcome to Part Time Genius. I'm Will

0:04:03.160 --> 0:04:05.360
<v Speaker 2>Pearson and as always I'm joined by my good friend

0:04:05.400 --> 0:04:07.640
<v Speaker 2>mangesh Hot Ticketer. And then the other side of the

0:04:07.720 --> 0:04:11.240
<v Speaker 2>soundproof glass, dressed to impress as always, that is our

0:04:11.320 --> 0:04:15.800
<v Speaker 2>friend and producer lol Berlanti. Now he's picked up this

0:04:16.040 --> 0:04:19.520
<v Speaker 2>mantle from where Tristan left off, of course, and he's

0:04:19.600 --> 0:04:22.320
<v Speaker 2>wearing a shirt with a crawfish on it. He's really

0:04:22.400 --> 0:04:25.400
<v Speaker 2>stepping up his game to try to keep up with Tristan.

0:04:25.480 --> 0:04:28.320
<v Speaker 2>And for some reason, the crawfish has one claw in

0:04:28.400 --> 0:04:31.440
<v Speaker 2>the air and he's asking where you at? You know,

0:04:31.520 --> 0:04:35.760
<v Speaker 2>it's why apostrophe at. I'm not sure what that means, but.

0:04:36.040 --> 0:04:38.520
<v Speaker 1>That's what the shirt said, So I do think the

0:04:38.640 --> 0:04:42.160
<v Speaker 1>crawfish is probably self explanatory. But that phrase where we're

0:04:42.160 --> 0:04:44.560
<v Speaker 1>at is actually something I was reading about this week.

0:04:44.839 --> 0:04:47.280
<v Speaker 1>Apparently it's a pretty common greeting in New Orleans, kind

0:04:47.320 --> 0:04:49.240
<v Speaker 1>of a how are you doing? Of the region. But

0:04:49.560 --> 0:04:51.920
<v Speaker 1>one of the best things about the region has to

0:04:52.040 --> 0:04:54.080
<v Speaker 1>be the way that people talk. It's kind of this

0:04:54.400 --> 0:04:57.440
<v Speaker 1>hodgepodge of different languages and dialects, and you can go

0:04:57.520 --> 0:05:00.440
<v Speaker 1>into any given neighborhood and you're half a dozen different

0:05:00.480 --> 0:05:03.120
<v Speaker 1>accents and idioms depending on who you're talking to and

0:05:03.160 --> 0:05:06.000
<v Speaker 1>where you are in the city. And then there's the pronunciation,

0:05:06.240 --> 0:05:09.160
<v Speaker 1>like according to the official New Orleans website quote, we

0:05:09.279 --> 0:05:12.880
<v Speaker 1>say the street name Burgundy, not Burgundy, just because that's

0:05:12.920 --> 0:05:17.000
<v Speaker 1>the way it is. As for Calliope, say Calliope and

0:05:17.160 --> 0:05:19.480
<v Speaker 1>you'll pass for a local. So they're giving all this

0:05:19.560 --> 0:05:23.920
<v Speaker 1>advice on the site. And you know, this happens everywhere,

0:05:24.040 --> 0:05:27.640
<v Speaker 1>right Like in Chicago people call Gotha goth Ye Street,

0:05:27.839 --> 0:05:31.880
<v Speaker 1>and in New York Houston Street it is called Houston.

0:05:32.040 --> 0:05:34.719
<v Speaker 1>But you know what's interesting about New Orleans is how

0:05:34.760 --> 0:05:39.360
<v Speaker 1>so many little French idioms wound up kind of endearingly mistranslated.

0:05:39.680 --> 0:05:42.200
<v Speaker 1>For instance, in New Orleans, they don't say I gotta

0:05:42.240 --> 0:05:45.880
<v Speaker 1>go grocery shopping. They say I gotta make groceries, which

0:05:46.279 --> 0:05:48.839
<v Speaker 1>actually comes from the French expression for a grocery shopping.

0:05:48.920 --> 0:05:53.279
<v Speaker 1>It's fair la marche. I guess the verb fair can

0:05:53.400 --> 0:05:56.520
<v Speaker 1>I either mean to do or to make, and you

0:05:56.520 --> 0:05:59.320
<v Speaker 1>wouldn't include that in your translation normally unless you're in

0:05:59.400 --> 0:06:02.599
<v Speaker 1>New Orleans. And another fun pull from the French language

0:06:02.680 --> 0:06:06.159
<v Speaker 1>is lanyap, which I guess basically means a little something extra.

0:06:06.520 --> 0:06:08.120
<v Speaker 1>So maybe you go out to eat and the waiter

0:06:08.240 --> 0:06:10.320
<v Speaker 1>brings you a free dessert, or maybe the hotel you're

0:06:10.320 --> 0:06:13.560
<v Speaker 1>staying at upgrades you to a riverfront view, and in

0:06:13.760 --> 0:06:16.640
<v Speaker 1>either case you were given a lannap, which is an

0:06:16.760 --> 0:06:19.960
<v Speaker 1>old New Orleans way to foster friendship. And maybe some

0:06:20.160 --> 0:06:21.080
<v Speaker 1>return business as well.

0:06:21.200 --> 0:06:23.000
<v Speaker 2>Actually, you know, since we're talking about the way French

0:06:23.040 --> 0:06:25.640
<v Speaker 2>has woven into the language and the culture of the city,

0:06:26.000 --> 0:06:27.640
<v Speaker 2>I do feel like we should talk a little bit

0:06:27.640 --> 0:06:30.440
<v Speaker 2>about how that influence got there in the very first place. So,

0:06:30.800 --> 0:06:32.960
<v Speaker 2>as you mentioned upfront that New Orleans has a three

0:06:33.080 --> 0:06:35.640
<v Speaker 2>hundred year history, and that's true. The city was founded

0:06:35.680 --> 0:06:39.120
<v Speaker 2>in seventeen eighteen by the French governor of Louisiana, a

0:06:39.160 --> 0:06:42.000
<v Speaker 2>guy named Jean Baptiste Bienville, and it was named for

0:06:42.080 --> 0:06:44.400
<v Speaker 2>the French head of state at the time, this was

0:06:44.600 --> 0:06:47.840
<v Speaker 2>Philippe de Orleans. But of course, and I'm sure I'm

0:06:47.839 --> 0:06:50.240
<v Speaker 2>saying all of these words wrong, but that's what it says.

0:06:50.839 --> 0:06:52.880
<v Speaker 2>But the reality is that the French settlers were far

0:06:53.040 --> 0:06:56.040
<v Speaker 2>from the first people to live there. So Native American

0:06:56.080 --> 0:06:59.160
<v Speaker 2>communities called the place home at least six hundred years

0:06:59.279 --> 0:07:02.200
<v Speaker 2>before being got there, and many of them are said

0:07:02.240 --> 0:07:04.880
<v Speaker 2>to have lived right where the French quarter sits today.

0:07:05.440 --> 0:07:08.040
<v Speaker 1>Yeah, it's funny that that word I mentioned a minute ago,

0:07:08.080 --> 0:07:12.280
<v Speaker 1>which I probably also mispronounced land yapp It's technically considered

0:07:12.360 --> 0:07:16.200
<v Speaker 1>Louisiana French, but it's actually barred from the Spanish language,

0:07:16.400 --> 0:07:18.920
<v Speaker 1>which had taken it from Quetchua, which is spoken by

0:07:19.040 --> 0:07:21.880
<v Speaker 1>Native South Americans. So I feel like that's exactly the

0:07:22.040 --> 0:07:24.480
<v Speaker 1>kind of like dense cultural overlap that you find in

0:07:24.560 --> 0:07:27.640
<v Speaker 1>almost every aspect of New Orleans. They are all these

0:07:27.720 --> 0:07:29.960
<v Speaker 1>different ethnic groups that have called the city home over

0:07:30.000 --> 0:07:32.800
<v Speaker 1>its long history, and every one of them left its

0:07:32.840 --> 0:07:35.400
<v Speaker 1>mark in ways that you can still see today. That's right.

0:07:35.440 --> 0:07:37.440
<v Speaker 2>And they don't call it the most haunted city in

0:07:37.520 --> 0:07:39.320
<v Speaker 2>America for nothing, right, Yeah.

0:07:39.240 --> 0:07:41.720
<v Speaker 1>That's not exactly what I meant. But you know, after

0:07:41.840 --> 0:07:44.200
<v Speaker 1>reading up on New Orleans history this week, I could

0:07:44.200 --> 0:07:47.000
<v Speaker 1>definitely see how the city got such a spooky reputation.

0:07:47.680 --> 0:07:49.920
<v Speaker 1>It sounds like it was a pretty rough place to

0:07:50.000 --> 0:07:51.240
<v Speaker 1>live in during the colonial era.

0:07:51.760 --> 0:07:53.960
<v Speaker 2>Yeah, you know, Banvilla and his men certainly had their

0:07:54.000 --> 0:07:56.400
<v Speaker 2>work cut out for him, and France had claimed that

0:07:56.520 --> 0:07:59.800
<v Speaker 2>Louisiana territory in sixteen ninety nine, but then didn't do

0:07:59.880 --> 0:08:02.920
<v Speaker 2>that much with it for at least a decade or so.

0:08:03.160 --> 0:08:05.520
<v Speaker 2>So you had the War of the Spanish Secession, which

0:08:05.880 --> 0:08:08.160
<v Speaker 2>began just a couple of years after the French colony

0:08:08.280 --> 0:08:11.200
<v Speaker 2>was established, and the fighting kept most of the country's

0:08:11.280 --> 0:08:13.800
<v Speaker 2>resources tied up for I guess it was the next

0:08:13.840 --> 0:08:16.200
<v Speaker 2>thirteen years or so, and so by the time the

0:08:16.280 --> 0:08:20.240
<v Speaker 2>war finally ended, France's outposts in Louisiana were pretty much

0:08:20.360 --> 0:08:21.320
<v Speaker 2>empty by that point.

0:08:21.480 --> 0:08:23.280
<v Speaker 1>What was the mood like in France during all of this?

0:08:23.440 --> 0:08:25.400
<v Speaker 1>Were they so cash strapped after the war that they

0:08:25.400 --> 0:08:26.520
<v Speaker 1>couldn't fund their own colony?

0:08:26.840 --> 0:08:28.520
<v Speaker 2>I mean, they sort of were. Yeah, I mean, it

0:08:28.600 --> 0:08:31.720
<v Speaker 2>turns out that thirteen years of war can be quite

0:08:31.760 --> 0:08:34.040
<v Speaker 2>a drain on the old treasury. And you know, when

0:08:34.040 --> 0:08:37.120
<v Speaker 2>you also lose that thirteen year war, it's even worse.

0:08:37.800 --> 0:08:40.800
<v Speaker 2>That tends to drain the morale, of course, and that's

0:08:40.880 --> 0:08:44.520
<v Speaker 2>exactly the problem France was facing back in seventeen fourteen.

0:08:45.080 --> 0:08:47.079
<v Speaker 2>And then, of course, to make matters worse, there was

0:08:47.160 --> 0:08:50.160
<v Speaker 2>this stretch of bad weather that led to food shortages

0:08:50.320 --> 0:08:53.559
<v Speaker 2>and it sent many of the rural residents there scrambling

0:08:53.640 --> 0:08:55.839
<v Speaker 2>the cities in order to try to find work. And

0:08:56.360 --> 0:08:59.600
<v Speaker 2>as a result of this, Paris was flooded with desperate people,

0:08:59.840 --> 0:09:02.800
<v Speaker 2>so the country's capital city, it really became this kind

0:09:02.840 --> 0:09:05.080
<v Speaker 2>of den of crime and poverty at the time.

0:09:05.400 --> 0:09:07.840
<v Speaker 1>So it sounds like things are pretty dire in France.

0:09:08.360 --> 0:09:11.160
<v Speaker 1>The Louisiana colony is kind of a wash, So how

0:09:11.200 --> 0:09:13.040
<v Speaker 1>does the monarchy end up turning all of this around?

0:09:13.280 --> 0:09:15.679
<v Speaker 2>Right? So the French king looked at everything going on

0:09:15.880 --> 0:09:18.079
<v Speaker 2>and he realized a couple of things. For one, the

0:09:18.160 --> 0:09:21.320
<v Speaker 2>colony in Louisiana could and should be making him more

0:09:21.480 --> 0:09:24.480
<v Speaker 2>money than it was. After all, Spain was rolling in

0:09:24.559 --> 0:09:27.720
<v Speaker 2>the dough thanks to its colonies in Mexico, so he thought,

0:09:27.920 --> 0:09:30.800
<v Speaker 2>why not France. But the biggest obstacle at that point

0:09:30.880 --> 0:09:34.120
<v Speaker 2>was that barely anyone was left in the Louisiana colony,

0:09:34.200 --> 0:09:36.840
<v Speaker 2>and very few people were lining up to live there,

0:09:36.920 --> 0:09:39.520
<v Speaker 2>no matter how much gold or how much land they

0:09:39.559 --> 0:09:43.240
<v Speaker 2>were promised. So second, he noticed that the prisons were

0:09:43.280 --> 0:09:45.520
<v Speaker 2>getting pretty full at the time, and this was thanks

0:09:45.559 --> 0:09:49.079
<v Speaker 2>to all the homeless citizens and petty criminals and some

0:09:49.280 --> 0:09:53.000
<v Speaker 2>prostitutes that had been just rounded up there in Paris.

0:09:53.160 --> 0:09:55.360
<v Speaker 2>And that's when the king hit upon what he hoped

0:09:55.360 --> 0:09:58.000
<v Speaker 2>would be the solution to both of his problems. He

0:09:58.000 --> 0:10:00.719
<v Speaker 2>would just force the prisoners to go and settle the

0:10:00.800 --> 0:10:02.000
<v Speaker 2>land in Louisiana.

0:10:02.280 --> 0:10:04.800
<v Speaker 1>Yeah, which is kind of taking a page from England, right, Like,

0:10:04.960 --> 0:10:06.160
<v Speaker 1>isn't that what they did in Australia?

0:10:06.400 --> 0:10:08.280
<v Speaker 2>Yeah, but this was actually a good seventy years or

0:10:08.360 --> 0:10:12.040
<v Speaker 2>so before England had turned Australia into a prison colony,

0:10:12.160 --> 0:10:15.280
<v Speaker 2>so if anything, they were the ones copying the French.

0:10:15.800 --> 0:10:18.480
<v Speaker 2>So at any rate, this is ultimately how New Orleans

0:10:18.679 --> 0:10:22.040
<v Speaker 2>was founded. It was a punishment for prisoners. Yeah, and

0:10:22.120 --> 0:10:24.920
<v Speaker 2>so in January of seventeen nineteen, the king issued a

0:10:25.080 --> 0:10:28.520
<v Speaker 2>royal policy to the effect saying, we believe that we

0:10:28.640 --> 0:10:30.920
<v Speaker 2>can do nothing better for the good of our state

0:10:31.080 --> 0:10:34.720
<v Speaker 2>than to condemn convicts to the punishment of being transported

0:10:35.000 --> 0:10:36.440
<v Speaker 2>to our colonies.

0:10:36.400 --> 0:10:39.800
<v Speaker 1>Which is not exactly a ringing endorsement for Louisiana.

0:10:40.400 --> 0:10:43.040
<v Speaker 2>No, I think they've changed the motto at this point,

0:10:43.120 --> 0:10:46.079
<v Speaker 2>and the word had gotten around about how grueling it

0:10:46.360 --> 0:10:48.959
<v Speaker 2>was to live in such an inhospitable region. It was

0:10:49.040 --> 0:10:52.000
<v Speaker 2>surrounded by these swamps and these marshes that we sometimes

0:10:52.080 --> 0:10:54.720
<v Speaker 2>think of with the region, and stories of the heat

0:10:54.920 --> 0:10:57.720
<v Speaker 2>and the stench and the threat of all this disease.

0:10:58.520 --> 0:11:01.120
<v Speaker 2>You know, it made it so like this trip was

0:11:01.160 --> 0:11:03.719
<v Speaker 2>a death sentence, and it sort of was, since most

0:11:03.760 --> 0:11:06.240
<v Speaker 2>of the people sent there didn't live past the age

0:11:06.280 --> 0:11:08.520
<v Speaker 2>of forty. But it's not like these people had a

0:11:08.679 --> 0:11:11.240
<v Speaker 2>choice in the matter. So they were forced onto ships

0:11:11.320 --> 0:11:13.800
<v Speaker 2>and sent over a few hundred at a time, And

0:11:14.240 --> 0:11:17.200
<v Speaker 2>it wasn't until months later that someone realized they had

0:11:17.320 --> 0:11:21.400
<v Speaker 2>only been sending over male prisoners, which obviously wasn't the

0:11:21.480 --> 0:11:23.959
<v Speaker 2>ideal way to establish a thriving colony.

0:11:24.280 --> 0:11:26.400
<v Speaker 1>Yeah, but to be fair, like, no part of this

0:11:26.520 --> 0:11:28.719
<v Speaker 1>sounds ideal. It isn't just not having women there.

0:11:28.800 --> 0:11:31.080
<v Speaker 2>It does not sound ideal in any way. But as

0:11:31.120 --> 0:11:34.040
<v Speaker 2>bad as things were, they only got worse from there.

0:11:34.160 --> 0:11:38.480
<v Speaker 2>So pretty soon France started sending shiploads of orphans and

0:11:38.720 --> 0:11:42.360
<v Speaker 2>female convicts to Louisiana, with many of them forced to

0:11:42.520 --> 0:11:45.760
<v Speaker 2>marry male convicts in these mass wedding ceremonies.

0:11:45.800 --> 0:11:49.040
<v Speaker 1>It sounds so weird, that's horrible. So how long did

0:11:49.080 --> 0:11:50.319
<v Speaker 1>this forced immigration go on for?

0:11:50.640 --> 0:11:55.440
<v Speaker 2>Till seventeen twenty two, so about three years total. And meanwhile,

0:11:55.480 --> 0:11:58.600
<v Speaker 2>the Louisiana governor, that Binville guy that we talked about before,

0:11:59.200 --> 0:12:02.520
<v Speaker 2>is trying to keep this experiment from flying completely off

0:12:02.640 --> 0:12:05.720
<v Speaker 2>the rails. But he's obviously having a tough time keeping

0:12:05.800 --> 0:12:09.199
<v Speaker 2>a city of convicts and check and he's not exactly

0:12:09.320 --> 0:12:12.160
<v Speaker 2>thrilled about the kind of settlers that France is sending him.

0:12:12.559 --> 0:12:14.400
<v Speaker 2>In fact, there's a good quote from his journals. That

0:12:14.480 --> 0:12:17.280
<v Speaker 2>really shows how frustrating it was even for those at

0:12:17.320 --> 0:12:21.240
<v Speaker 2>the top. So Bienvil writes, it is most disagreeable for

0:12:21.320 --> 0:12:24.080
<v Speaker 2>an officer in charge of a colony to have nothing

0:12:24.200 --> 0:12:27.760
<v Speaker 2>more for its defense than a bunch of deserters, contrabands,

0:12:27.840 --> 0:12:31.280
<v Speaker 2>salt dealers, and rogues who were always ready not only

0:12:31.400 --> 0:12:34.280
<v Speaker 2>to desert you, but also to turn against you.

0:12:34.840 --> 0:12:37.160
<v Speaker 1>Both. Like having people who are ready to desert you

0:12:37.320 --> 0:12:40.080
<v Speaker 1>and turn against you sounds pretty awful. But I'm guessing

0:12:40.160 --> 0:12:42.560
<v Speaker 1>most of those people stayed right. Well, yeah, they didn't

0:12:42.559 --> 0:12:44.320
<v Speaker 1>really have much of a choice. I mean, these were

0:12:44.400 --> 0:12:47.319
<v Speaker 1>convicted criminals, they were broke, they were stranded in the

0:12:47.320 --> 0:12:50.360
<v Speaker 1>middle of a swamp and unknown country. It's hard to

0:12:50.400 --> 0:12:53.800
<v Speaker 1>even imagine, so leaving wasn't a real option. So most

0:12:53.800 --> 0:12:55.920
<v Speaker 1>people just tried to make the best of staying, and

0:12:56.520 --> 0:12:59.800
<v Speaker 1>being a stranger in a new world did have some advantages.

0:13:00.000 --> 0:13:03.400
<v Speaker 1>So for example, nobody knew their names there, which meant

0:13:03.480 --> 0:13:06.640
<v Speaker 1>settlers were free to reinvent themselves in whatever way they

0:13:06.720 --> 0:13:10.280
<v Speaker 1>wanted to, and some people made up complex family histories

0:13:10.320 --> 0:13:13.160
<v Speaker 1>for themselves or added flourishes to their names to make

0:13:13.240 --> 0:13:16.679
<v Speaker 1>themselves seem maybe higher class. I guess, and there was

0:13:16.760 --> 0:13:19.640
<v Speaker 1>no way to prove or disprove any of this. So

0:13:19.760 --> 0:13:22.719
<v Speaker 1>these false personas just stuck and kind of became the

0:13:22.760 --> 0:13:25.679
<v Speaker 1>new reality for these people, which is kind of strangely

0:13:25.720 --> 0:13:27.199
<v Speaker 1>fitting when you think about some of the things that

0:13:27.320 --> 0:13:29.079
<v Speaker 1>have gone on to characterize New Orleans.

0:13:29.160 --> 0:13:29.280
<v Speaker 2>Right.

0:13:29.400 --> 0:13:32.040
<v Speaker 1>Like, I was actually skimming a book this week. It's

0:13:32.120 --> 0:13:35.760
<v Speaker 1>called The Accidental City, Improving New Orleans, and there's one

0:13:35.840 --> 0:13:38.320
<v Speaker 1>part where the author, who's a native, is talking about

0:13:38.360 --> 0:13:41.320
<v Speaker 1>what a fresh start this experience was for so many settlers,

0:13:41.679 --> 0:13:44.079
<v Speaker 1>and this is what he writes, quote, we were a

0:13:44.160 --> 0:13:46.880
<v Speaker 1>city of impostors in a way. That's why Marty Graft

0:13:46.920 --> 0:13:49.760
<v Speaker 1>fits so well with our identity. We could always put

0:13:49.800 --> 0:13:50.720
<v Speaker 1>on new masks.

0:13:51.559 --> 0:13:54.800
<v Speaker 2>That's pretty interesting. I actually hadn't really made that connection before.

0:13:55.440 --> 0:13:57.640
<v Speaker 2>All Right, well, we're just scratching the surface of New

0:13:57.760 --> 0:14:00.800
<v Speaker 2>Orleans long storied history, so I feel like we should

0:14:00.800 --> 0:14:02.719
<v Speaker 2>take a quick break and then we'll jump right back in.

0:14:16.840 --> 0:14:18.880
<v Speaker 2>You're listening to part Time Genius, and we're talking about

0:14:18.920 --> 0:14:21.560
<v Speaker 2>the chain of events that turned a French penal colony

0:14:21.600 --> 0:14:25.320
<v Speaker 2>into one of the most amazing cities in America. All Right, Mengo,

0:14:25.400 --> 0:14:27.440
<v Speaker 2>So what's the next piece of New Orleans history you

0:14:27.480 --> 0:14:28.080
<v Speaker 2>want to touch on.

0:14:28.480 --> 0:14:30.360
<v Speaker 1>So we've talked a lot so far about the French

0:14:30.440 --> 0:14:32.280
<v Speaker 1>influence on the city, but there's one part of the

0:14:32.320 --> 0:14:35.440
<v Speaker 1>city they really can't claim credit for, and strangely enough,

0:14:35.600 --> 0:14:38.920
<v Speaker 1>it's the French Quarter. So despite what the name suggests,

0:14:39.000 --> 0:14:41.120
<v Speaker 1>most of the buildings in the famous neighborhood were actually

0:14:41.240 --> 0:14:43.560
<v Speaker 1>influenced by Spanish architecture, not French.

0:14:43.960 --> 0:14:46.560
<v Speaker 2>So you're saying that the French Quarter didn't exist when

0:14:46.600 --> 0:14:48.120
<v Speaker 2>Bienville founded the city.

0:14:48.440 --> 0:14:50.440
<v Speaker 1>It did, but it wasn't called that at the time,

0:14:50.560 --> 0:14:52.680
<v Speaker 1>and it also looked a whole lot different. So as

0:14:52.760 --> 0:14:55.880
<v Speaker 1>the city took shape under French rule, it gradually organized

0:14:55.880 --> 0:14:57.920
<v Speaker 1>around the highest patch of dry land in the area,

0:14:58.160 --> 0:15:00.520
<v Speaker 1>which was still only about ten to fifteen feet above

0:15:00.600 --> 0:15:03.200
<v Speaker 1>sea level. But what I'd kind of forgotten was the

0:15:03.480 --> 0:15:06.720
<v Speaker 1>sway that Spain had over New Orleans. So following the

0:15:06.840 --> 0:15:10.800
<v Speaker 1>Revolutionary War, France actually gave the Louisiana territory to Spain,

0:15:11.280 --> 0:15:13.520
<v Speaker 1>mostly as a way to keep England from taking control

0:15:13.560 --> 0:15:15.120
<v Speaker 1>of it. I mean, it's kind of a long story,

0:15:15.160 --> 0:15:17.040
<v Speaker 1>but you can look up the Treaty of Fountain Blue

0:15:17.520 --> 0:15:20.640
<v Speaker 1>if you're interested. But you know, Spain took possession of

0:15:20.720 --> 0:15:24.560
<v Speaker 1>New Orleans in seventeen sixty two, and they held onto

0:15:24.600 --> 0:15:27.840
<v Speaker 1>it for just under fifty years, and then in eighteen

0:15:27.880 --> 0:15:31.480
<v Speaker 1>oh one a different treaty placed Louisiana back under French

0:15:31.600 --> 0:15:34.520
<v Speaker 1>rule until two years later when Napoleon sold the whole

0:15:34.560 --> 0:15:36.760
<v Speaker 1>thing to the US as part of the Louisiana Purchase.

0:15:36.920 --> 0:15:39.040
<v Speaker 2>All Right, so you're saying New Orleans has changed hands

0:15:39.120 --> 0:15:41.920
<v Speaker 2>a lot over the years, and it definitely tracks with

0:15:42.040 --> 0:15:44.280
<v Speaker 2>the cultural mishmash, and you know that you kind of

0:15:44.360 --> 0:15:47.000
<v Speaker 2>think about when you think of the characterization of the city.

0:15:47.160 --> 0:15:49.680
<v Speaker 2>But what it does in do Mango is explain how

0:15:49.800 --> 0:15:52.920
<v Speaker 2>the French quarter got so Spanish Like? Could we get

0:15:53.000 --> 0:15:53.560
<v Speaker 2>to that part?

0:15:53.800 --> 0:15:57.080
<v Speaker 1>Basically, nearly all of the original French colonial buildings in

0:15:57.120 --> 0:15:59.800
<v Speaker 1>New Orleans were destroyed during Spain's rule in the late

0:15:59.840 --> 0:16:02.840
<v Speaker 1>seventeen hundreds. They weren't knocked down on purpose, though. Basically

0:16:02.920 --> 0:16:06.360
<v Speaker 1>there were these two massive fires that laid waste to

0:16:06.440 --> 0:16:09.160
<v Speaker 1>the city. And the first fire took place in seventeen

0:16:09.200 --> 0:16:11.680
<v Speaker 1>eighty eight, and it actually might not have been that

0:16:11.840 --> 0:16:14.800
<v Speaker 1>bad except that it happened to occur on Good Friday,

0:16:15.360 --> 0:16:17.720
<v Speaker 1>and because of that, the city's priests wouldn't allow the

0:16:17.840 --> 0:16:20.680
<v Speaker 1>church bells to be rung as fire alarms, which made

0:16:20.720 --> 0:16:23.760
<v Speaker 1>it nearly impossible to organize, like, you know, help during

0:16:23.800 --> 0:16:27.120
<v Speaker 1>all the chaos. So the fire burned unchecked, and within

0:16:27.240 --> 0:16:30.080
<v Speaker 1>five hours it had consumed eighty percent of the city.

0:16:30.280 --> 0:16:32.480
<v Speaker 1>Good Lord, and you're saying the same thing happened just

0:16:32.520 --> 0:16:34.840
<v Speaker 1>a few years later. Yeah, I mean, it didn't happen

0:16:35.000 --> 0:16:38.320
<v Speaker 1>during Good Friday this time. But after six years of rebuilding,

0:16:38.720 --> 0:16:41.880
<v Speaker 1>they had another fire and it was extinguished a little

0:16:41.880 --> 0:16:43.920
<v Speaker 1>bit faster, but it still took out I guess two

0:16:44.000 --> 0:16:46.600
<v Speaker 1>hundred buildings. I don't know. It's still a terrible thing,

0:16:46.680 --> 0:16:48.160
<v Speaker 1>but not as bad as the first one.

0:16:48.320 --> 0:16:50.360
<v Speaker 2>Yeah, that's tough luck for Spain there. And it sounds

0:16:50.400 --> 0:16:54.240
<v Speaker 2>like their entire rain in Louisiana was just fires and reconstruction.

0:16:54.400 --> 0:16:56.280
<v Speaker 2>It was like burn, build and repeat.

0:16:57.160 --> 0:16:59.320
<v Speaker 1>But you know, span left a deep impression on New

0:16:59.360 --> 0:17:02.000
<v Speaker 1>Orleans in the little time it took over. So after

0:17:02.160 --> 0:17:05.080
<v Speaker 1>that second fire, the Spanish government started handing out loans

0:17:05.119 --> 0:17:07.640
<v Speaker 1>for his citizens to rebuild their houses. But the only

0:17:07.800 --> 0:17:09.800
<v Speaker 1>catch was in order to get the money, you had

0:17:09.800 --> 0:17:12.960
<v Speaker 1>to agree to build according to the government's newly developed guidelines.

0:17:13.200 --> 0:17:15.240
<v Speaker 1>And so this was really smart. The idea was to

0:17:15.280 --> 0:17:18.200
<v Speaker 1>make the city a little more fireproof, including the switch

0:17:18.280 --> 0:17:21.680
<v Speaker 1>to brick and plaster town homes instead of those wooden cottages.

0:17:22.359 --> 0:17:24.600
<v Speaker 1>And as you probably guessed, this is when the French

0:17:24.680 --> 0:17:27.119
<v Speaker 1>Quarter started to look a little more Spanish, you know,

0:17:27.480 --> 0:17:29.719
<v Speaker 1>even if the streets were still named for French royalty

0:17:29.760 --> 0:17:32.760
<v Speaker 1>and nobility. And the transformation proved to be a real

0:17:32.880 --> 0:17:35.440
<v Speaker 1>turning point in New Orleans history. And that's something this

0:17:35.600 --> 0:17:39.320
<v Speaker 1>author Lyle Sason touches on in his book Fabulous New Orleans.

0:17:39.840 --> 0:17:42.800
<v Speaker 1>As he puts it, quote, the city that fell before

0:17:42.840 --> 0:17:45.959
<v Speaker 1>the flames was a congested French community of wooden houses,

0:17:46.280 --> 0:17:50.080
<v Speaker 1>badly arranged and irregular. A stately Spanish city rose in

0:17:50.160 --> 0:17:53.679
<v Speaker 1>its stead. Large fan shaped windows looked down into courtyards

0:17:53.720 --> 0:17:57.560
<v Speaker 1>which held banana trees and oleanders, and balconies railed with

0:17:57.680 --> 0:18:00.000
<v Speaker 1>delicately wrought iron overhung the street.

0:18:00.680 --> 0:18:03.800
<v Speaker 2>You know, it's interesting because I actually never really noticed

0:18:03.800 --> 0:18:06.280
<v Speaker 2>how non French the French Quarter is, But when you

0:18:06.359 --> 0:18:08.600
<v Speaker 2>break it all down, it's like, yeah, of course these

0:18:08.640 --> 0:18:11.040
<v Speaker 2>are all Spanish architectural features, I guess.

0:18:11.400 --> 0:18:14.280
<v Speaker 1>Yeah. And that Spanish style wasn't only limited to where

0:18:14.359 --> 0:18:17.800
<v Speaker 1>people lived. It also influenced how the city's dead were

0:18:17.880 --> 0:18:20.920
<v Speaker 1>laid to rest. So when settlers first came to the region,

0:18:21.000 --> 0:18:23.040
<v Speaker 1>they had a tough time getting their dead to stay put.

0:18:23.440 --> 0:18:25.760
<v Speaker 1>Because the water table in the area is so high,

0:18:26.119 --> 0:18:29.120
<v Speaker 1>all the burial plots had to be dug shallow, otherwise

0:18:29.160 --> 0:18:31.080
<v Speaker 1>the grave would fill with water and the coffin would

0:18:31.080 --> 0:18:33.639
<v Speaker 1>just pop out of the ground. And they tried everything

0:18:33.720 --> 0:18:35.520
<v Speaker 1>to keep the coffins in place right, like they would

0:18:35.560 --> 0:18:37.919
<v Speaker 1>bore these holes into the lids to make them less buoyant.

0:18:38.240 --> 0:18:41.040
<v Speaker 1>It was a huge problem. They didn't like, tried weighing

0:18:41.080 --> 0:18:43.880
<v Speaker 1>down the lids with heavy stones. But you know, if

0:18:43.920 --> 0:18:46.639
<v Speaker 1>a rainstorm was bad enough in the area, which if

0:18:46.680 --> 0:18:50.800
<v Speaker 1>you know the area, they have terrible rainstorms, the coffins

0:18:50.800 --> 0:18:53.879
<v Speaker 1>would still float right out of the graves. So all

0:18:53.960 --> 0:18:55.960
<v Speaker 1>of that changed during the Spanish period when the city's

0:18:56.000 --> 0:18:59.680
<v Speaker 1>current system of these burial chambers was introduced. So you know,

0:19:00.000 --> 0:19:03.400
<v Speaker 1>New Orleans starts stacking their vaults and using these more

0:19:03.800 --> 0:19:07.600
<v Speaker 1>ornate tombs and crypts for I guess the wealthier families.

0:19:08.000 --> 0:19:10.639
<v Speaker 1>But when taken all together, the new cemeteries kind of

0:19:10.680 --> 0:19:13.240
<v Speaker 1>looked more like miniature cities, and they were complete with

0:19:13.320 --> 0:19:17.440
<v Speaker 1>these like houselike tombs and almost like avenues or streets

0:19:17.520 --> 0:19:21.040
<v Speaker 1>for pathways. And while it might seem a little macabre

0:19:21.200 --> 0:19:23.720
<v Speaker 1>to have so many reminders of death and plain view

0:19:23.800 --> 0:19:26.320
<v Speaker 1>like that, these so called cities of the dead were

0:19:26.560 --> 0:19:28.800
<v Speaker 1>so much better than you know, stepping outside in a

0:19:28.880 --> 0:19:32.000
<v Speaker 1>storm and having to walk over your your late grandfather's

0:19:32.240 --> 0:19:34.520
<v Speaker 1>coffin or whatever it was floating down the street, so.

0:19:36.160 --> 0:19:39.000
<v Speaker 2>Morbid. So these fire codes and graveyards, you know, they

0:19:39.119 --> 0:19:42.520
<v Speaker 2>definitely improved under Spanish rain, but I mean, from everything

0:19:42.560 --> 0:19:45.879
<v Speaker 2>I've read, the space and sanitation issues were still pretty

0:19:46.000 --> 0:19:48.680
<v Speaker 2>major concerns, because you know, you got to keep in mind,

0:19:48.760 --> 0:19:51.840
<v Speaker 2>like the entire city was still pretty much confined to

0:19:51.960 --> 0:19:55.359
<v Speaker 2>the French Quarter at that point, and everything beyond that

0:19:55.560 --> 0:19:59.440
<v Speaker 2>was seen as uninhabitable, like swamp and marshlands, and so

0:19:59.600 --> 0:20:01.760
<v Speaker 2>to make the land usable, the city would need to

0:20:01.800 --> 0:20:05.240
<v Speaker 2>build these levees and canals and pumps to drain the

0:20:05.320 --> 0:20:08.000
<v Speaker 2>water and the soil beneath all of that. And so

0:20:08.119 --> 0:20:10.159
<v Speaker 2>that really took more than a century to get this

0:20:10.400 --> 0:20:13.800
<v Speaker 2>system up and running properly. So in the meantime, all

0:20:13.840 --> 0:20:16.240
<v Speaker 2>the residents of New Orleans just had to squeeze together

0:20:16.359 --> 0:20:20.040
<v Speaker 2>on this only patch of upraised terrain that they had, yeah,

0:20:20.160 --> 0:20:22.680
<v Speaker 2>which is all surrounded by a horrible swamp. Yeah, and

0:20:22.800 --> 0:20:25.439
<v Speaker 2>that later proved a problem in itself. So the city's

0:20:25.480 --> 0:20:28.080
<v Speaker 2>poor sanitation and lack of running water proved to be

0:20:28.200 --> 0:20:32.200
<v Speaker 2>this perfect breeding ground for mosquitoes, who quickly developed a

0:20:32.320 --> 0:20:35.680
<v Speaker 2>taste for human blood. And so it wasn't long after

0:20:35.800 --> 0:20:38.800
<v Speaker 2>that horrific yellow fever epidemic broke out and the city

0:20:39.359 --> 0:20:41.920
<v Speaker 2>claiming the lives of more than forty one thousand residents.

0:20:41.960 --> 0:20:45.640
<v Speaker 2>And this happened between eighteen seventeen and nineteen oh five.

0:20:45.800 --> 0:20:47.680
<v Speaker 2>So yeah, not a lot of love lost between those

0:20:47.760 --> 0:20:50.800
<v Speaker 2>living in New Orleans and the local wetlands in those days.

0:20:50.880 --> 0:20:53.440
<v Speaker 2>And in fact, I came across this amazing quote that

0:20:53.560 --> 0:20:56.159
<v Speaker 2>one observer made about the region. This was back in

0:20:56.240 --> 0:20:59.040
<v Speaker 2>eighteen fifteen, and I sort of think it captures the

0:20:59.119 --> 0:21:01.920
<v Speaker 2>spirit of what most residents would have thought of the

0:21:02.000 --> 0:21:05.600
<v Speaker 2>place during its first two centuries or so. So he says,

0:21:06.119 --> 0:21:08.800
<v Speaker 2>the boiling Fountain of Death is one of the most dismal,

0:21:09.040 --> 0:21:11.960
<v Speaker 2>low and harrid places on which the light of sun

0:21:12.160 --> 0:21:15.920
<v Speaker 2>ever shone, and yet they're under it lies the influence

0:21:15.960 --> 0:21:19.560
<v Speaker 2>of a tropical heat belching up its poison and malaria.

0:21:19.960 --> 0:21:22.960
<v Speaker 2>The dregs of the seven vials of wrath covered with

0:21:23.080 --> 0:21:25.639
<v Speaker 2>a yellow, greenish scum. How bad is that?

0:21:27.080 --> 0:21:29.440
<v Speaker 1>Yeah? It makes me think spring Break, New Orleans exactly.

0:21:30.920 --> 0:21:33.200
<v Speaker 1>It does make you wonder, like, how did the Native

0:21:33.200 --> 0:21:35.600
<v Speaker 1>Americans mag live there so long if the conditions were

0:21:35.800 --> 0:21:37.440
<v Speaker 1>as bad as everyone makes it out to be.

0:21:37.720 --> 0:21:39.480
<v Speaker 2>Yeah, I was wondering the same thing. But if you

0:21:39.520 --> 0:21:41.720
<v Speaker 2>stop and think about it, their lifestyle was a little

0:21:41.760 --> 0:21:45.320
<v Speaker 2>more flexible than that of the European colonists, so when

0:21:45.359 --> 0:21:47.880
<v Speaker 2>the floods came, a tribe could simply move to higher

0:21:48.000 --> 0:21:50.760
<v Speaker 2>ground or maybe build a couple dams to keep the

0:21:50.880 --> 0:21:54.480
<v Speaker 2>village dry. And things got a little bit more complicated, though,

0:21:54.520 --> 0:21:57.080
<v Speaker 2>like when you start trying to establish a permanent city

0:21:57.200 --> 0:22:00.840
<v Speaker 2>for tens of thousands of former prisoners. So life in

0:22:00.880 --> 0:22:04.520
<v Speaker 2>the swamp was exceptionally hard for settlers, but that's largely

0:22:04.600 --> 0:22:07.360
<v Speaker 2>because they were asking more of the region than anyone

0:22:07.520 --> 0:22:11.280
<v Speaker 2>before them had, so the civilization they wanted it It

0:22:11.400 --> 0:22:13.960
<v Speaker 2>did come together, little by little, but it took a

0:22:14.080 --> 0:22:16.280
<v Speaker 2>lot of time and a lot of trial and error

0:22:16.480 --> 0:22:17.080
<v Speaker 2>just to get there.

0:22:17.320 --> 0:22:19.920
<v Speaker 1>All right, Well, now we have the history, but I

0:22:19.960 --> 0:22:21.800
<v Speaker 1>feel like we should cover some more of the only

0:22:21.840 --> 0:22:24.000
<v Speaker 1>in New Orleans things, So why don't we do that?

0:22:24.119 --> 0:22:33.199
<v Speaker 1>For first to quick break and.

0:22:39.640 --> 0:22:41.680
<v Speaker 2>Welcome back to part time genius. All right, Mago, So

0:22:41.760 --> 0:22:44.399
<v Speaker 2>before the break we talked about why New Orleans is

0:22:44.480 --> 0:22:46.879
<v Speaker 2>a terrible place to be a grave digger. So I

0:22:47.200 --> 0:22:50.160
<v Speaker 2>didn't know that before. It's water table is so high

0:22:50.280 --> 0:22:54.359
<v Speaker 2>that above ground and tournament is really the only safe option.

0:22:54.560 --> 0:22:56.600
<v Speaker 2>And you know, as you might guess, that kind of

0:22:56.760 --> 0:23:00.800
<v Speaker 2>concern extends beyond the cemetery, so forends, you'd be hard

0:23:00.840 --> 0:23:03.720
<v Speaker 2>pressed to find an underground basement in New Orleans for

0:23:03.920 --> 0:23:06.639
<v Speaker 2>very much the same reason, like it would flood anytime

0:23:06.760 --> 0:23:10.320
<v Speaker 2>it rained. But again, just like with the above ground tombs,

0:23:10.720 --> 0:23:14.280
<v Speaker 2>residents solve the dilemma by getting pretty creative. So in

0:23:14.280 --> 0:23:18.080
<v Speaker 2>the early twentieth century, these new raised basement houses started

0:23:18.080 --> 0:23:21.239
<v Speaker 2>appearing throughout the city. So these homes consisted of these

0:23:21.359 --> 0:23:25.320
<v Speaker 2>low ceiling basements built at ground level and a higher

0:23:25.400 --> 0:23:27.840
<v Speaker 2>ceiling living space on top of those. So if you've

0:23:28.240 --> 0:23:30.679
<v Speaker 2>ever seen a house in New Orleans with an unusually

0:23:30.800 --> 0:23:34.760
<v Speaker 2>long staircase leading up to the front door, that's probably

0:23:34.840 --> 0:23:37.080
<v Speaker 2>what's going on there, like these stairs go straight to

0:23:37.160 --> 0:23:40.440
<v Speaker 2>the second floor because the first floor is actually just

0:23:40.640 --> 0:23:41.119
<v Speaker 2>the basement.

0:23:41.359 --> 0:23:43.600
<v Speaker 1>You know, it's neat to see all the different workarounds

0:23:43.680 --> 0:23:45.359
<v Speaker 1>residents have come up with over the years, like that

0:23:45.520 --> 0:23:48.760
<v Speaker 1>first floor basement setup. That works great for a private home,

0:23:48.800 --> 0:23:51.119
<v Speaker 1>but it's a little less practical for a shop in

0:23:51.160 --> 0:23:53.800
<v Speaker 1>the city, right, So customers need to be able to

0:23:53.840 --> 0:23:56.080
<v Speaker 1>pop in easily without having to climb a steep set

0:23:56.119 --> 0:23:59.359
<v Speaker 1>of stairs or navigate through the storre's basements. And that's

0:23:59.400 --> 0:24:01.080
<v Speaker 1>why if you look look up some of the older

0:24:01.200 --> 0:24:03.440
<v Speaker 1>row homes in New Orleans, the ground floor is taken

0:24:03.560 --> 0:24:06.720
<v Speaker 1>up by a retail space and the basement is actually.

0:24:06.400 --> 0:24:08.439
<v Speaker 2>In the ceiling. Wait, isn't that just an attic?

0:24:08.760 --> 0:24:10.240
<v Speaker 1>Yeah, I mean it sounds like it the way I

0:24:10.320 --> 0:24:12.360
<v Speaker 1>put it, but actually that's not the case. So it's

0:24:12.400 --> 0:24:15.600
<v Speaker 1>actually more like a crawl space between the first floor

0:24:16.000 --> 0:24:18.880
<v Speaker 1>and the second story. So you'd open a trap door

0:24:19.280 --> 0:24:21.240
<v Speaker 1>in the floor, and rather than climbing up into the

0:24:21.280 --> 0:24:23.760
<v Speaker 1>ceiling like you would in an attic, you'd actually like

0:24:23.920 --> 0:24:27.440
<v Speaker 1>sneak down into the space between the store and your

0:24:27.480 --> 0:24:29.680
<v Speaker 1>first floor of a home. And it's a pretty clever

0:24:29.800 --> 0:24:32.440
<v Speaker 1>way to sneak some extra storage space into a rowhouse

0:24:32.520 --> 0:24:34.320
<v Speaker 1>without having to go all the way up to an attic.

0:24:34.720 --> 0:24:36.560
<v Speaker 2>Yeah, I guess that's true. So if you ask me,

0:24:36.640 --> 0:24:39.600
<v Speaker 2>the real historical must have for your New Orleans home

0:24:39.800 --> 0:24:43.480
<v Speaker 2>is a floor level mirror. So apparently a lot of

0:24:43.560 --> 0:24:45.960
<v Speaker 2>the plantation homes in and around the city at the

0:24:46.000 --> 0:24:49.359
<v Speaker 2>time featured these long mirrors, and they were mounted flush

0:24:49.400 --> 0:24:51.520
<v Speaker 2>with the floor, and that was so that women could

0:24:51.640 --> 0:24:54.600
<v Speaker 2>check the links of their dresses to make sure that

0:24:54.680 --> 0:24:57.920
<v Speaker 2>their ankles weren't showing. Because mego, if you know this, like,

0:24:58.040 --> 0:25:01.480
<v Speaker 2>the ankle is the gateway to all impure thoughts and deeds,

0:25:01.520 --> 0:25:04.760
<v Speaker 2>I think, So.

0:25:05.119 --> 0:25:07.640
<v Speaker 1>It does seem strange that people actually freaked out about

0:25:07.640 --> 0:25:10.720
<v Speaker 1>seeing an ankle in public, considering that, like the summers

0:25:10.760 --> 0:25:12.879
<v Speaker 1>in New Orleans are so hot, it is.

0:25:13.040 --> 0:25:15.560
<v Speaker 2>Tough to imagine like how unbearable that would be. And

0:25:15.600 --> 0:25:18.280
<v Speaker 2>in addition to ankle coverings, folks in the region had

0:25:18.359 --> 0:25:22.040
<v Speaker 2>another way to prevent scandals. They would use this architectural

0:25:22.160 --> 0:25:25.520
<v Speaker 2>quirk called the Romeo catcher. So if you've ever spent

0:25:25.640 --> 0:25:27.760
<v Speaker 2>time in the French Quarter or seen pictures of it,

0:25:28.280 --> 0:25:31.520
<v Speaker 2>you're likely familiar with the second and third floor balconies.

0:25:31.520 --> 0:25:34.360
<v Speaker 2>They're called galleries when you're in New Orleans, and these

0:25:34.400 --> 0:25:37.360
<v Speaker 2>things line the historic streets when you go visit there,

0:25:37.400 --> 0:25:41.120
<v Speaker 2>and along these balconies you'll also see lots of ornate

0:25:41.840 --> 0:25:44.920
<v Speaker 2>rod and cast iron railings, as well as some metal

0:25:45.000 --> 0:25:48.760
<v Speaker 2>support columns connecting the balconies to the streets below. Now,

0:25:48.880 --> 0:25:51.160
<v Speaker 2>on some of these buildings, if you're near the top

0:25:51.240 --> 0:25:53.760
<v Speaker 2>of the columns, you'll see what looks like a ring

0:25:53.880 --> 0:25:57.119
<v Speaker 2>of spikes or barbed wire going all the way around

0:25:57.240 --> 0:26:00.280
<v Speaker 2>the post. And on somehouses, the spikes might look like

0:26:00.480 --> 0:26:04.040
<v Speaker 2>nails sticking out in all directions, while other houses might

0:26:04.080 --> 0:26:06.760
<v Speaker 2>have spikes that look like coat hooks or thorns or

0:26:06.840 --> 0:26:09.560
<v Speaker 2>something like that. But you know, in either case, the

0:26:09.680 --> 0:26:11.960
<v Speaker 2>purpose of the spikes was the same. It was to

0:26:12.160 --> 0:26:15.840
<v Speaker 2>deter these would be Romeos from climbing up to Juliette's

0:26:15.840 --> 0:26:16.960
<v Speaker 2>balcony late at night.

0:26:17.280 --> 0:26:20.080
<v Speaker 1>And I'm guessing those still come in pretty handy during

0:26:20.119 --> 0:26:22.720
<v Speaker 1>Mardi Gras, right, Like, if someone has too much to drink,

0:26:22.760 --> 0:26:25.159
<v Speaker 1>they'd probably think twice about climbing that balcony once they

0:26:25.200 --> 0:26:25.879
<v Speaker 1>see those spikes.

0:26:26.000 --> 0:26:29.119
<v Speaker 2>Yeah, definitely. And that's actually where this story takes a

0:26:29.280 --> 0:26:31.399
<v Speaker 2>little bit of a dark turn, which seems like what

0:26:31.480 --> 0:26:33.240
<v Speaker 2>we've been doing a lot of in this episode. But

0:26:34.000 --> 0:26:37.000
<v Speaker 2>because the Romeo catchers weren't really meant to catch the

0:26:37.119 --> 0:26:40.159
<v Speaker 2>late night boyfriends on the way up, the hope was

0:26:40.240 --> 0:26:42.680
<v Speaker 2>that the side of the spikes would scare the boy off,

0:26:43.760 --> 0:26:46.719
<v Speaker 2>but realistically, if he wanted to get around the spikes

0:26:46.760 --> 0:26:49.159
<v Speaker 2>badly enough, it wouldn't be too much of a problem

0:26:49.240 --> 0:26:52.520
<v Speaker 2>as long as he was sober. The true danger of

0:26:52.560 --> 0:26:55.360
<v Speaker 2>these spikes was on the way back down, because even

0:26:55.440 --> 0:26:57.880
<v Speaker 2>if a suitor did make it up to the balcony,

0:26:58.280 --> 0:27:00.040
<v Speaker 2>there was still a strong chance that the girl his

0:27:00.200 --> 0:27:03.080
<v Speaker 2>father would hear the commotion come charging in with a

0:27:03.119 --> 0:27:06.199
<v Speaker 2>loaded shotgun. And at that point the boy would usually

0:27:06.320 --> 0:27:08.600
<v Speaker 2>make for a break for the railing and trying to

0:27:08.640 --> 0:27:11.680
<v Speaker 2>scramble down. And this was happening so quickly, and in

0:27:11.880 --> 0:27:14.720
<v Speaker 2>his panic, the Romeo might forget about all the spikes,

0:27:14.800 --> 0:27:17.920
<v Speaker 2>waiting to snag whichever parts it might be able to.

0:27:19.119 --> 0:27:21.639
<v Speaker 1>And you're saying these Romeo spikes are still there today though.

0:27:21.560 --> 0:27:23.720
<v Speaker 2>Oh yeah, I mean they're all over the French Quarter

0:27:23.840 --> 0:27:26.040
<v Speaker 2>and a lot of people never notice them though, So

0:27:26.119 --> 0:27:29.360
<v Speaker 2>they're like these little remnants of the city's history. Sort

0:27:29.400 --> 0:27:32.240
<v Speaker 2>of hidden in plain sight. It's something worth looking for

0:27:32.400 --> 0:27:34.560
<v Speaker 2>when you're there. And it's funny. Before the show, I

0:27:34.720 --> 0:27:37.600
<v Speaker 2>was thinking about the crowds on Bourbon Street and thinking

0:27:37.680 --> 0:27:40.480
<v Speaker 2>it's not a city for everyone. But the more we

0:27:40.600 --> 0:27:43.320
<v Speaker 2>talk about it, it's really more the opposite, Like there's

0:27:43.359 --> 0:27:47.119
<v Speaker 2>so many things going on in New Orleans, both culturally historically,

0:27:47.280 --> 0:27:50.560
<v Speaker 2>that there really is something for everybody. Like you can

0:27:50.640 --> 0:27:53.840
<v Speaker 2>look and do basically any aspect of the city and

0:27:53.920 --> 0:27:56.720
<v Speaker 2>come away with some colorful bit of history that ties

0:27:56.800 --> 0:27:59.720
<v Speaker 2>together these five different cultures, from.

0:27:59.640 --> 0:28:02.000
<v Speaker 1>Food to music to whenever. There's actually so much I

0:28:02.040 --> 0:28:03.960
<v Speaker 1>feel like we should do a follow up episode that's

0:28:04.000 --> 0:28:07.920
<v Speaker 1>all joyful instead of just disaster stuff. But you know,

0:28:08.240 --> 0:28:10.480
<v Speaker 1>it's true. It isn't the case with all American cities.

0:28:10.600 --> 0:28:13.280
<v Speaker 1>Like that level of historical scope and kind of the

0:28:13.440 --> 0:28:16.679
<v Speaker 1>variety that is in New Orleans is something we almost

0:28:17.160 --> 0:28:20.359
<v Speaker 1>exclusively attribute to like cities in Europe where like the

0:28:20.480 --> 0:28:23.359
<v Speaker 1>old and newer kind of intermingled and you can see

0:28:23.440 --> 0:28:26.320
<v Speaker 1>the different phases of civilization all at once. You know,

0:28:26.680 --> 0:28:29.200
<v Speaker 1>New Orleans is kind of an exception in that way

0:28:29.240 --> 0:28:31.800
<v Speaker 1>in America. It's an American city that's been shaped by

0:28:31.880 --> 0:28:35.200
<v Speaker 1>so many different hands over the years, and it's impossible

0:28:35.200 --> 0:28:37.800
<v Speaker 1>to pin down if it's strictly Southern or French or

0:28:37.880 --> 0:28:40.720
<v Speaker 1>Spanish or Haitian or Creole. It's like all of that

0:28:41.200 --> 0:28:41.880
<v Speaker 1>all at once.

0:28:42.120 --> 0:28:44.960
<v Speaker 2>Yeah, and I appreciate how innately weird. The result of

0:28:45.040 --> 0:28:47.600
<v Speaker 2>that mashup is, like you read about those efforts to

0:28:47.720 --> 0:28:50.560
<v Speaker 2>keep Portland weird or keep Austin weird, But you're never

0:28:50.680 --> 0:28:53.160
<v Speaker 2>really going to need a public campaign like that in

0:28:53.240 --> 0:28:55.640
<v Speaker 2>New Orleans, Like there's no other option. The city can't

0:28:55.760 --> 0:28:56.920
<v Speaker 2>help but be itself.

0:28:57.320 --> 0:28:59.120
<v Speaker 1>Yeah. Well, I think that's a good place to leave

0:28:59.160 --> 0:29:01.200
<v Speaker 1>things right now. But since we've been talking about the

0:29:01.240 --> 0:29:03.880
<v Speaker 1>Crescent City, it's only fitting that we end by offering

0:29:04.000 --> 0:29:06.480
<v Speaker 1>a little lan yaff of our own. So why don't

0:29:06.520 --> 0:29:07.280
<v Speaker 1>we do the fact off?

0:29:17.000 --> 0:29:18.840
<v Speaker 2>All right? I'll start us off. So New Orleans is

0:29:18.920 --> 0:29:22.560
<v Speaker 2>the birthplace of a few unexpected inventions, I think you'd say,

0:29:22.640 --> 0:29:25.760
<v Speaker 2>and this includes the game of craps, the modern version

0:29:25.800 --> 0:29:30.040
<v Speaker 2>of poker, and randomly enough, dental floss. But one thing

0:29:30.120 --> 0:29:33.160
<v Speaker 2>that New Orleans can't actually claim credit for is the

0:29:33.280 --> 0:29:35.960
<v Speaker 2>Marti Gras Festival. And that's because, believe it or not,

0:29:36.240 --> 0:29:39.160
<v Speaker 2>the oldest Fat Tuesday celebration in America dates back to

0:29:39.360 --> 0:29:42.040
<v Speaker 2>seventeen oh three, and it took place not in New

0:29:42.160 --> 0:29:45.640
<v Speaker 2>Orleans but in my own Mobile, Alabama. I guess I

0:29:45.720 --> 0:29:47.640
<v Speaker 2>really can't say my own. I'm from Birmingham, you know,

0:29:48.000 --> 0:29:51.120
<v Speaker 2>it's in Alabama. So the Gulf coast of Alabama saw

0:29:51.160 --> 0:29:54.120
<v Speaker 2>its share of French explorers and the seventeen hundreds, just

0:29:54.240 --> 0:29:57.600
<v Speaker 2>like Louisiana did, and the more free spirited among them

0:29:57.640 --> 0:30:00.800
<v Speaker 2>started holding marti gross celebrations just they had back home.

0:30:01.040 --> 0:30:03.280
<v Speaker 1>So I've got another bit of fun. Uh New Orleans

0:30:03.360 --> 0:30:07.080
<v Speaker 1>lingo for you, and the words are neutral ground, and

0:30:07.440 --> 0:30:09.680
<v Speaker 1>that's the term the locals use for that grassy strip

0:30:09.760 --> 0:30:12.240
<v Speaker 1>of brown do you find between two roads. We normally

0:30:12.320 --> 0:30:14.840
<v Speaker 1>refer to them as medians, but in New Orleans they're

0:30:14.880 --> 0:30:18.280
<v Speaker 1>called neutral ground. And the term apparently dates back to

0:30:18.560 --> 0:30:21.600
<v Speaker 1>the mid eighteen hundreds when there were these cultural and

0:30:21.640 --> 0:30:24.320
<v Speaker 1>political tensions and it was kind of an all time

0:30:24.440 --> 0:30:27.160
<v Speaker 1>high in the city. At that point. Things got so

0:30:27.360 --> 0:30:31.000
<v Speaker 1>bad that New Orleans was actually split into separate municipalities.

0:30:31.240 --> 0:30:33.520
<v Speaker 1>Like the French speaking Creoles and the supporters were on

0:30:33.600 --> 0:30:36.920
<v Speaker 1>one side, the Anglo English speaking populations were on the other,

0:30:37.320 --> 0:30:39.720
<v Speaker 1>but the dividing line for these groups was Canal Street,

0:30:39.880 --> 0:30:42.760
<v Speaker 1>which had a wide, grassy median running right down the middle,

0:30:43.200 --> 0:30:46.360
<v Speaker 1>and residents kind of half jokingly started calling the median

0:30:46.480 --> 0:30:49.120
<v Speaker 1>neutral ground, and before long the nickname was applied to

0:30:49.280 --> 0:30:50.520
<v Speaker 1>all the medians in the city.

0:30:51.040 --> 0:30:53.160
<v Speaker 2>All right, Well, speaking of ways to keep the peace

0:30:53.320 --> 0:30:54.960
<v Speaker 2>in New Orleans, I have to tell you about the

0:30:55.240 --> 0:30:59.240
<v Speaker 2>peacemaker sandwich, which is basically the precursor to the city's

0:30:59.360 --> 0:31:03.040
<v Speaker 2>famous boy. So according to newspaper reports from the late

0:31:03.200 --> 0:31:07.080
<v Speaker 2>nineteenth century, the peacemaker, also known as the oyster loaf,

0:31:07.360 --> 0:31:10.040
<v Speaker 2>was pretty much a French loaf stuffed with these hot

0:31:10.200 --> 0:31:13.480
<v Speaker 2>fried oysters. But this wasn't a lunchtime staple like the

0:31:13.560 --> 0:31:17.280
<v Speaker 2>Poe boy would eventually be, and instead, the peacemaker was

0:31:17.320 --> 0:31:20.840
<v Speaker 2>a sandwich for a very specific occasion. So as the

0:31:20.920 --> 0:31:24.600
<v Speaker 2>name suggests, peacemakers were usually purchased by husbands as a

0:31:24.640 --> 0:31:27.360
<v Speaker 2>way to preemptively smooth things over with their wives after

0:31:27.440 --> 0:31:30.040
<v Speaker 2>coming home late from a bar or wherever else. And

0:31:30.680 --> 0:31:33.080
<v Speaker 2>this was common and a pretty well known practice in

0:31:33.160 --> 0:31:35.760
<v Speaker 2>New Orleans that was actually reported about in a San

0:31:35.800 --> 0:31:40.280
<v Speaker 2>Francisco newspaper way back in eighteen ninety three. But the

0:31:40.360 --> 0:31:43.360
<v Speaker 2>description of how the whole exchange plays out is too

0:31:43.480 --> 0:31:45.640
<v Speaker 2>good not to share, So I'm just going to read

0:31:45.680 --> 0:31:48.320
<v Speaker 2>out this excerpt that I pulled from it. When the

0:31:48.360 --> 0:31:51.400
<v Speaker 2>sandwich has been wrapped in paper, the buyer flees as

0:31:51.440 --> 0:31:54.280
<v Speaker 2>a bird to his home. The little difficulty with the

0:31:54.360 --> 0:31:58.480
<v Speaker 2>keyhole overcome, he steps into the awful presence undismayed. There

0:31:58.600 --> 0:32:03.680
<v Speaker 2>she stands, grim as but without an apologetic word. The

0:32:03.800 --> 0:32:06.960
<v Speaker 2>airing one climbs slowly up the stair and holds forth

0:32:07.120 --> 0:32:10.600
<v Speaker 2>the peacemaker. She takes it, puts down the lamp, and

0:32:10.720 --> 0:32:15.080
<v Speaker 2>removes the cover. The deliciously flavored theme ascends like sweet

0:32:15.160 --> 0:32:19.280
<v Speaker 2>incense until it reaches her rigid nockles, and then her

0:32:19.360 --> 0:32:23.000
<v Speaker 2>features relax into something like a smile. When her lord

0:32:23.120 --> 0:32:25.960
<v Speaker 2>is banging his shoes and depositing his hat carefully in

0:32:26.040 --> 0:32:28.720
<v Speaker 2>the wash basin, she sits on one side of the bed,

0:32:29.200 --> 0:32:31.320
<v Speaker 2>eating the spoils of domestic war.

0:32:31.800 --> 0:32:33.200
<v Speaker 1>That is ridiculous.

0:32:33.320 --> 0:32:34.520
<v Speaker 2>It's very ridiculous.

0:32:35.200 --> 0:32:38.640
<v Speaker 1>I can't imagine working in my house. But here's another

0:32:38.720 --> 0:32:42.280
<v Speaker 1>food related fact. There's a legendary restaurant in New Orleans

0:32:42.360 --> 0:32:45.960
<v Speaker 1>called Dookie Chase's Restaurant, and the long running executive chef

0:32:46.040 --> 0:32:49.400
<v Speaker 1>there actually served as the inspiration for the Tiana character

0:32:49.680 --> 0:32:52.600
<v Speaker 1>in The Princess and the Frog. So when the production

0:32:52.720 --> 0:32:54.520
<v Speaker 1>team for that movie came to New Orleans on a

0:32:54.640 --> 0:32:57.040
<v Speaker 1>research trip, they met with the chef at a restaurant

0:32:57.040 --> 0:32:59.080
<v Speaker 1>and knew right away that she'd be the basis for

0:32:59.200 --> 0:33:02.600
<v Speaker 1>the main character. Now, the chef's name is not Tiana,

0:33:02.680 --> 0:33:05.680
<v Speaker 1>it's Lea Chase, and after reading about her this week,

0:33:05.720 --> 0:33:08.360
<v Speaker 1>she's kind of my new hero. She and her husband's

0:33:08.400 --> 0:33:11.080
<v Speaker 1>restaurant served as a crucial gathering place during the civil

0:33:11.200 --> 0:33:14.480
<v Speaker 1>rights movement in the sixties. In fact, Mlka and the

0:33:14.520 --> 0:33:17.520
<v Speaker 1>Freedom writers frequently met there to discuss strategies in her

0:33:17.600 --> 0:33:20.320
<v Speaker 1>upstairs meeting rooms. And we don't have time to go

0:33:20.360 --> 0:33:22.360
<v Speaker 1>through her whole life, but it's a really lovely story

0:33:22.400 --> 0:33:25.200
<v Speaker 1>about a woman who came from nothing and became this

0:33:25.360 --> 0:33:28.280
<v Speaker 1>source of hope and pride for a community. She passed

0:33:28.320 --> 0:33:30.120
<v Speaker 1>away in June of this year, but right up until

0:33:30.120 --> 0:33:31.680
<v Speaker 1>the end, she was still hard at work in the

0:33:31.760 --> 0:33:34.080
<v Speaker 1>kitchen of Doukie Chase, doing what she loved most.

0:33:34.400 --> 0:33:36.200
<v Speaker 2>You know, I don't feel like I can top the

0:33:36.360 --> 0:33:38.320
<v Speaker 2>sweetness of that fact, So I think I'm going to

0:33:38.400 --> 0:33:41.840
<v Speaker 2>go the strange path instead. All right, So, during the

0:33:41.960 --> 0:33:45.880
<v Speaker 2>nineteen seventies, three of the first nine Super Bowls were

0:33:45.960 --> 0:33:48.920
<v Speaker 2>played at Tulane University in the stadium there it was

0:33:49.160 --> 0:33:52.200
<v Speaker 2>in New Orleans, and each of those games was attended

0:33:52.240 --> 0:33:57.080
<v Speaker 2>by two ancient Egyptian mummies who had lived around nine

0:33:57.240 --> 0:33:58.000
<v Speaker 2>hundred BC.

0:33:58.360 --> 0:34:01.160
<v Speaker 1>So that is not where I expected that sentence. But

0:34:01.960 --> 0:34:04.720
<v Speaker 1>how did two ancient Egyptian mummies go to the Super Bowl?

0:34:04.840 --> 0:34:07.960
<v Speaker 2>That's pretty easy, Maga. They took the sarcopha bus. I

0:34:07.960 --> 0:34:09.160
<v Speaker 2>don't know if you've ever heard this one.

0:34:11.680 --> 0:34:13.520
<v Speaker 1>I feel like that's a terrible joke you stole from

0:34:13.520 --> 0:34:13.879
<v Speaker 1>your song.

0:34:13.960 --> 0:34:15.359
<v Speaker 2>No, I totally stole that joke.

0:34:15.440 --> 0:34:15.600
<v Speaker 1>Quick.

0:34:15.719 --> 0:34:18.920
<v Speaker 2>But here's the real fact. Two ancient Egyptian mummies were

0:34:19.000 --> 0:34:22.400
<v Speaker 2>donated to Tulane University in eighteen fifty and so for

0:34:22.480 --> 0:34:25.040
<v Speaker 2>the next one hundred years they were passed from one

0:34:25.200 --> 0:34:28.799
<v Speaker 2>museum exhibit to another until they ultimately made it back

0:34:28.840 --> 0:34:31.520
<v Speaker 2>to the school's math department. I don't know why, but

0:34:31.600 --> 0:34:34.720
<v Speaker 2>that's where they ended up. Then, in the nineteen fifties,

0:34:34.760 --> 0:34:37.239
<v Speaker 2>the mummies were put in a storage room beneath the

0:34:37.360 --> 0:34:41.319
<v Speaker 2>bleachers of Tulane Stadium, and that's where they stayed until

0:34:41.320 --> 0:34:44.560
<v Speaker 2>the mid seventies, when the stadium was torn down. So,

0:34:44.719 --> 0:34:48.240
<v Speaker 2>according to an article in the Tulane University magazine Quote,

0:34:48.280 --> 0:34:51.280
<v Speaker 2>the Mummies attended every two lane home game from nineteen

0:34:51.400 --> 0:34:55.080
<v Speaker 2>fifty five until the last wave appearance in Tulane Stadium

0:34:55.160 --> 0:34:59.000
<v Speaker 2>in nineteen seventy four. They were presented all three Super

0:34:59.040 --> 0:35:02.040
<v Speaker 2>Bowls and does of New Orleans Saints games waged on

0:35:02.239 --> 0:35:06.000
<v Speaker 2>two lane turf, and they never once complained about their

0:35:06.080 --> 0:35:06.800
<v Speaker 2>lousy seats.

0:35:07.040 --> 0:35:10.120
<v Speaker 1>You know, I like that football loving mummies story, but

0:35:10.400 --> 0:35:13.799
<v Speaker 1>I really love the peacemaker sandwich story, which I think

0:35:13.920 --> 0:35:15.320
<v Speaker 1>earns you the victory of this STrenD.

0:35:15.400 --> 0:35:17.800
<v Speaker 2>Oh well, thanks for that, and from Gabe, Lil Mango

0:35:17.880 --> 0:35:19.839
<v Speaker 2>and me, thanks so much for listening. We'll be back

0:35:19.920 --> 0:35:36.680
<v Speaker 2>soon with another episode. Part Time Genius is a production

0:35:36.760 --> 0:35:40.799
<v Speaker 2>of iHeartRadio. For more podcasts from iHeartRadio, visit the iHeartRadio app,

0:35:40.840 --> 0:35:43.600
<v Speaker 2>Apple Podcasts, or wherever you listen to your favorite shows.