WEBVTT - Run the Jewels

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left's podcast. Like

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<v Speaker 1>yesterday is Run the Jewels, Yes, Killing Mike and Healthy Black.

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<v Speaker 1>To have you here, Thank you to be here, man,

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<v Speaker 1>thank to be here. Okay, you guys met through the

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<v Speaker 1>Cartoon Network. Jason DeMarco at the Cartoon Network is a

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<v Speaker 1>mutual friend of both of ours, and he gave me

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<v Speaker 1>an opportunity to put out a solo record in conjunction

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<v Speaker 1>with their former label, William Street Record when they reactivated it.

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<v Speaker 1>And he said, essentially, I want this to be your

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<v Speaker 1>opportunity to do your mayor, because most wanted a record

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<v Speaker 1>where all you gotta do is be killing Mike, say

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<v Speaker 1>whatever you want to say as many times as you

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<v Speaker 1>want to say it to whoever you want to say

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<v Speaker 1>it too. And originally was supposed to be three or

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<v Speaker 1>four different producers. I collaborated with Jamie and I spent

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<v Speaker 1>the day in the studio together and I told Jay

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<v Speaker 1>he has to produce the whole record I want on

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<v Speaker 1>the thirty day campaign, aggravating the shoot out of Jamie

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<v Speaker 1>to do the record, and Jason um when found the

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<v Speaker 1>budget force and and it's a it's it's you know,

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<v Speaker 1>it's it's love at first sound after that, and we've

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<v Speaker 1>been pounding the pavement together ever since. Well, let's go

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<v Speaker 1>a little bit slower. How did you know Jason from

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<v Speaker 1>the cartoon network? Jason is Atlanta is a small town

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<v Speaker 1>that masquerades is a big city. So Jason um had

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<v Speaker 1>done something with These daya witch doctor who's who's also

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<v Speaker 1>of the Dungeon family. I kind of knew the William

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<v Speaker 1>Street angle, but he was doing something in particular with

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<v Speaker 1>Grand Hustle, And it was after I had separated from

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<v Speaker 1>Big Boy's Purple Ribbon label and I was rolling with

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<v Speaker 1>the TIA's label, Grand Hustle in my imprint grind Time.

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<v Speaker 1>That's why we were putting out Pledge three and the

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<v Speaker 1>other mixtapes and street albums. And Um, Jason, we knew

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<v Speaker 1>each other from a meeting that he had over there,

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<v Speaker 1>and we just kept in contact. We both had a

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<v Speaker 1>love of all muscle cars and um, we just kept

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<v Speaker 1>talking around Atlanta stuff and just built a friendship. And

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<v Speaker 1>the next thing you know, I got a call would

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<v Speaker 1>you be interested in? And I accepted it. Jamie, how

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<v Speaker 1>did you how did you hook up with Jason? I

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<v Speaker 1>knew I knew Jay for years I had. I had

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<v Speaker 1>founded a record label called Deaf Jokes, which I ran

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<v Speaker 1>Definitive Jokes. It was it was Definitive Jokes after after death,

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<v Speaker 1>Jan sent to cease and desist because they didn't see

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<v Speaker 1>the joke. But but I I knew him because he

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<v Speaker 1>was a fan of my music, and we had some

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<v Speaker 1>mutual friends and we ended up um just getting to

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<v Speaker 1>know each other. I started kind of giving him some

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<v Speaker 1>music for interstitial stuff on on Adult Swim, and we

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<v Speaker 1>ended up with my label doing a few um sort

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<v Speaker 1>of free music compilations in conjunction with with Adult Swim

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<v Speaker 1>and and and his label that he was doing. And

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<v Speaker 1>we just built a relationship over the years. We just

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<v Speaker 1>became friends. Um, he's just a wonderful guy. And so

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<v Speaker 1>when he when he called me to do this the

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<v Speaker 1>you know, to see if I would like to get

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<v Speaker 1>the studio of Mike, Um, I knew who Mike was.

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<v Speaker 1>I had just sort of gotten familiar with my coincidentally,

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<v Speaker 1>like I had just become a fan of Mike's I

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<v Speaker 1>sort of missed sort of his debut album, but I

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<v Speaker 1>had started to become a fan of Mix from his

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<v Speaker 1>um Pledge allegiance to the Grind series, which was a

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<v Speaker 1>bunch of make safe that he put out um that

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<v Speaker 1>I that I started to catch onto And so probably

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<v Speaker 1>about around the second one, I started to like be

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<v Speaker 1>really listening to to Mike. And it was really around

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<v Speaker 1>the same year, honestly that I started to really be

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<v Speaker 1>really familiar and Jay asked me if I would come

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<v Speaker 1>and meet him, and I was in I was in

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<v Speaker 1>the middle of sort of doing my I had just

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<v Speaker 1>gotten a deal to do my next solo album to

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<v Speaker 1>take me out of you know, destitution I had. My

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<v Speaker 1>label had collapsed. Everything that I had worked for for

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<v Speaker 1>ten years was gone. I was I had to move

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<v Speaker 1>into a little hardman and need egg sandwiches for a year,

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<v Speaker 1>and I didn't know what what For the first time

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<v Speaker 1>in my life, I didn't know what the hell I

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<v Speaker 1>was gonna do and and and you know, so I said, Okay, sure,

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<v Speaker 1>I'll come out and do you know, I can try

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<v Speaker 1>and do a couple of songs with him. And I

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<v Speaker 1>went out and met Mike and at the point being

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<v Speaker 1>we were friend I was friends with Jay said Jay

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<v Speaker 1>telling me you should you should meet this guy. That

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<v Speaker 1>was a big deal to me, and I was like, Okay, Yes,

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<v Speaker 1>and I also appreciated Mike and from a distance, and

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<v Speaker 1>when and when I got there, it was just clearly

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<v Speaker 1>magic immediately in terms of just the music and what

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<v Speaker 1>was happening in the studio, and also I liked the guy.

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<v Speaker 1>And and I went home and I started getting these

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<v Speaker 1>phone calls from Jay, who was obviously getting phone calls

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<v Speaker 1>from Mike, and then I get the phone calls from Mike,

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<v Speaker 1>and it was always it was, you have to produce

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<v Speaker 1>the whole record and I and I was just like, no,

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<v Speaker 1>hell now, oh god, god, no, I'm not doing that

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<v Speaker 1>right now. I can't. I have to. I have to

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<v Speaker 1>look after me. I have I've been spending my up

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<v Speaker 1>the last decade of my life investing my time and

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<v Speaker 1>other people's stuff, and I gotta do. I have to

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<v Speaker 1>save myself. I have to do music. And you know,

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<v Speaker 1>and they just wore me down. I mean, you know,

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<v Speaker 1>they wore me down with the fact that it was magical.

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<v Speaker 1>In any event, Jamie, you wanted to do your solo

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<v Speaker 1>album and they want you to do the complete album

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<v Speaker 1>for a killer Mike, and I said no, no, damn

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<v Speaker 1>it no, And I just couldn't resist. I mean, like

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<v Speaker 1>I you know, I think that it's it's just testimony

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<v Speaker 1>to the fact that thinking that you know what is

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<v Speaker 1>best for you is kind of a joke. Thinking that

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<v Speaker 1>you can control the future is kind of a joke.

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<v Speaker 1>And I sort of just I liked Mike. I just

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<v Speaker 1>liked him and and he and he got me. He

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<v Speaker 1>got me as a producer, were the same age. He

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<v Speaker 1>really got the references. You know, he knew exactly what

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<v Speaker 1>I was kind to do, and he was excited about

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<v Speaker 1>the music, and I was just I just had a

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<v Speaker 1>sort of a I just thought about it, and I

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<v Speaker 1>was like, you know what, fuck it, man, this guy

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<v Speaker 1>is great, and who am I to You know, every

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<v Speaker 1>plan that I've made over the past ten years is

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<v Speaker 1>completely disintegrated and completely exploded in my face. Maybe it's

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<v Speaker 1>time that I stopped, you know, trying to like, you know,

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<v Speaker 1>control of this situation and just said, you know what,

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<v Speaker 1>all right, let's go, let's do it. And so you

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<v Speaker 1>agree to produce the album, At what point do you

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<v Speaker 1>decide you're gonna work together as the act that came later?

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<v Speaker 1>That came, that came. But we did the records. I mean,

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<v Speaker 1>I did my solo album that I did his album

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<v Speaker 1>same year. We were both on each other's albums. We

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<v Speaker 1>both guest guested on each other's records, you know, um

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<v Speaker 1>which we loved and we thought sounding great, And then

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<v Speaker 1>we went on tour together. Um Our records surprisingly came out.

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<v Speaker 1>We didn't plan it, but they ended up coming out

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<v Speaker 1>a week apart from each other. So we were like, oh, ship,

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<v Speaker 1>why don't we why don't we take this ack on

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<v Speaker 1>the road? Why don't we want to be tour? And

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<v Speaker 1>we did, and afterwards if we had a great time,

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<v Speaker 1>I think both me and Mike felt like that we was.

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<v Speaker 1>It was you know, for two guys who kind of

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<v Speaker 1>were looking at down the barrel of obscurity, you know,

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<v Speaker 1>and kind of wondering like, well, you know, maybe we'll

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<v Speaker 1>just be we can just be happy just kind of

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<v Speaker 1>you know, playing four or five people at night and

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<v Speaker 1>and working and doing the music we want to do.

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<v Speaker 1>And we had really like come to the same place

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<v Speaker 1>at the same time, like not bitter, not and not

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<v Speaker 1>giving up, but just basically being like, you know, this

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<v Speaker 1>is good, this is what we could be happy this way.

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<v Speaker 1>And after that happened, after we did the tour, and

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<v Speaker 1>we had definitely grown tighter through touring and through performing

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<v Speaker 1>together and you know already we're having a good time.

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<v Speaker 1>I just sort of said, you know, Mike was like,

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<v Speaker 1>what are you gonna do after the tour? And I said, well,

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<v Speaker 1>I think I'm gonna just go into the woods somewhere

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<v Speaker 1>at some studio and take a bunch of mushrooms and

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<v Speaker 1>make some music and maybe put something out for free

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<v Speaker 1>to do, like a mixtape or something for free. And

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<v Speaker 1>Mike just said outcome and and that was it. That

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<v Speaker 1>was as much of a plan as we had. I mean,

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<v Speaker 1>you know, there was no there was no master plan.

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<v Speaker 1>Bob Okay. So you live in New York State and

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<v Speaker 1>Mike lives in hot Atlanta. When you say I'll come,

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<v Speaker 1>is that does he literally say I'm gonna come to

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<v Speaker 1>your house? That we didn't do it to my house.

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<v Speaker 1>I found a place at uh en uugh State, New

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<v Speaker 1>York that there was a studio in up state New York,

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<v Speaker 1>and I had already booked the time and just to

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<v Speaker 1>get out of the get out of my place and

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<v Speaker 1>just go somewhere with no expectations. And he came in.

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<v Speaker 1>He came to that studio. We spent about two weeks,

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<v Speaker 1>me him, our tacot ak little Shalamar was now a

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<v Speaker 1>co producer on all the records as well. UM and UM.

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<v Speaker 1>We just hung out and drank and smoked meat and

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<v Speaker 1>did mushrooms and joke for each other and somehow this

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<v Speaker 1>record happened. And we don't even know how. It just

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<v Speaker 1>was we you know, it was. It was more like

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<v Speaker 1>I was going to do a record and he was

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<v Speaker 1>going to have a couple of guests verses on it,

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<v Speaker 1>and we just were having so much fun. We just

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<v Speaker 1>kept going. By the time we had about six songs

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<v Speaker 1>our friends and played it for Jason DeMarco and our

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<v Speaker 1>front Taco. We were like, this is pretty good, isn't it.

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<v Speaker 1>This is like actually this is you know, and they

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<v Speaker 1>were like, yeah, actually you should make an album. This

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<v Speaker 1>is about four songs away from an album. Why don't

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<v Speaker 1>you just making an album? And we were like, yeah, okay, cool,

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<v Speaker 1>you know that was and that was it. Okay, So

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<v Speaker 1>what is you've made a number of albums. What is

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<v Speaker 1>the process literally when you go in the studio, how

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<v Speaker 1>much do you have prepared and what does each of

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<v Speaker 1>you do in the studio? Oh no, I mean, you know,

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<v Speaker 1>I I usually the way that we do it is

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<v Speaker 1>that I kind of go in once we've agreed that

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<v Speaker 1>we're gonna do another record, because sort of throughout this

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<v Speaker 1>whole process, we've never been like, we're definitely doing another record.

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<v Speaker 1>We've always asked each other, you know, I always just

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<v Speaker 1>looked at each other, been like monitor on the record,

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<v Speaker 1>and always just been like, Yeah, that was that was fun,

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<v Speaker 1>Let's do it on the record. I mean that that

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<v Speaker 1>stopped around the time after Religiuals two. We knew that

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<v Speaker 1>we were going to keep doing records, but Reliduls two

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<v Speaker 1>was with that question. But usually what happens is that

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<v Speaker 1>I go in for several months and just make a

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<v Speaker 1>bunch of music, and then we we schedule a time

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<v Speaker 1>to get together in the studio and I play Mike

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<v Speaker 1>all of the stuff that I think is worthy of us,

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<v Speaker 1>sort of all the music that is worthy of us

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<v Speaker 1>getting on and and just sort of wait to see

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<v Speaker 1>what what what inspires us. Um. I just you know,

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<v Speaker 1>make sure that whatever I'm playing him is not is

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<v Speaker 1>something that I can live with. And then and then

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<v Speaker 1>I just try and see when I see that mischievous

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<v Speaker 1>glance in his eyes and he starts pacing around the

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<v Speaker 1>room and sort of freestylen to himself. I'm like, Okay,

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<v Speaker 1>it's it's happening. It's happening. But it's just that it's

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<v Speaker 1>that process. Make the music, get up with my see

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<v Speaker 1>what happens between us, and then based on what happens

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<v Speaker 1>betwe you go back and tweak the music, and then

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<v Speaker 1>we beat again and and then there's an all sort

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<v Speaker 1>of repeating process. So Mike, do you prepare or you

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<v Speaker 1>just come to the studio hot and ready? Um? I mean,

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<v Speaker 1>I don't know what prepared means. I just come to

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<v Speaker 1>the studio looking to be inspired because I'm working with

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<v Speaker 1>the dopest producer, slash Rapper and all the lands, so

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<v Speaker 1>you know, it's kind of like the preparedness is for

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<v Speaker 1>me just I'm just always trying to outdo whatever I

0:11:27.600 --> 0:11:30.160
<v Speaker 1>did the last time. So yeah, I'm always rather win

0:11:30.200 --> 0:11:33.760
<v Speaker 1>another ring with them, you know. So um, I kind

0:11:33.800 --> 0:11:35.960
<v Speaker 1>of you know this go around we were for we

0:11:36.040 --> 0:11:39.320
<v Speaker 1>were like recording in upstate New York, and um, that

0:11:39.320 --> 0:11:41.560
<v Speaker 1>can get kind of lonely when you got wife and kids.

0:11:41.559 --> 0:11:44.360
<v Speaker 1>So this time I think we found a great Um,

0:11:44.480 --> 0:11:46.520
<v Speaker 1>we found a great meeting and that we're recorded in

0:11:46.559 --> 0:11:49.520
<v Speaker 1>Malibu at Shango Law and I got a chance to

0:11:49.559 --> 0:11:51.440
<v Speaker 1>get back into l A as I needed it, just

0:11:51.520 --> 0:11:53.160
<v Speaker 1>to kind of soak up some of the city and

0:11:53.200 --> 0:11:56.240
<v Speaker 1>then take that inspiration back into a room. So I

0:11:56.240 --> 0:11:58.640
<v Speaker 1>probably don't want to record in a rural area so

0:11:58.760 --> 0:12:01.280
<v Speaker 1>much anymore. As much as I like, I like city

0:12:01.360 --> 0:12:03.800
<v Speaker 1>lights and some of the excitement. But it's not it's

0:12:03.800 --> 0:12:07.600
<v Speaker 1>not It's not hard to get inspired, Jamie makes I

0:12:07.679 --> 0:12:10.599
<v Speaker 1>was born to rap over lpbat so that inspiration is

0:12:10.640 --> 0:12:12.880
<v Speaker 1>always just a button or right, you just turn up

0:12:12.880 --> 0:12:16.439
<v Speaker 1>the volume, you know. Okay, let's talk Mike. You graduate

0:12:16.559 --> 0:12:19.600
<v Speaker 1>from high school? Is that at the end of your schooling? Now?

0:12:19.600 --> 0:12:22.520
<v Speaker 1>I did a year at more House, and then I decided,

0:12:22.600 --> 0:12:25.560
<v Speaker 1>you know what I'm gonna I'm gonna take all this

0:12:25.760 --> 0:12:28.160
<v Speaker 1>pride my grandma has from me getting into the greatest

0:12:28.200 --> 0:12:31.040
<v Speaker 1>song black Mail College and all the land, and I'm

0:12:31.040 --> 0:12:32.920
<v Speaker 1>gonna say, you know what, I'm gonna be an artist,

0:12:33.120 --> 0:12:37.439
<v Speaker 1>and I'll never forget my family just losing their fucking minds,

0:12:37.520 --> 0:12:40.240
<v Speaker 1>you know what I mean. So I would have graduated

0:12:40.280 --> 0:12:42.040
<v Speaker 1>around the same year I got a record deal, So

0:12:42.120 --> 0:12:43.920
<v Speaker 1>that's the only regret I have. I wish I would

0:12:43.960 --> 0:12:45.920
<v Speaker 1>have stayed in just to make her happy. But I

0:12:45.920 --> 0:12:48.080
<v Speaker 1>brought her a Grammy. She was pretty happy about that.

0:12:48.160 --> 0:12:51.120
<v Speaker 1>But I graduated high school, I tend More House. I

0:12:51.160 --> 0:12:54.920
<v Speaker 1>meet big boys, little brother who attends Morris Brown. His

0:12:55.040 --> 0:12:57.800
<v Speaker 1>best friend is a guy named Celo Reddick, not Celo

0:12:57.880 --> 0:13:01.240
<v Speaker 1>Green from the Dungeon family, but Ready whose father is

0:13:01.280 --> 0:13:05.120
<v Speaker 1>a prominent lawyer in Savannah. But CeeLo Um starts one

0:13:05.200 --> 0:13:08.920
<v Speaker 1>half of the Beat Bullies who produced to hit record Kryptonite.

0:13:09.120 --> 0:13:11.720
<v Speaker 1>And he introduced me the Big Boy and me him

0:13:11.760 --> 0:13:13.560
<v Speaker 1>and a guy named Rocky who's the guy who brought

0:13:13.600 --> 0:13:16.480
<v Speaker 1>Kryptonite to Big Boy, and a guy named Frank Goplins.

0:13:16.480 --> 0:13:18.679
<v Speaker 1>Today we're just a little crew and we're big boys,

0:13:18.720 --> 0:13:21.560
<v Speaker 1>little brothers, little crew. And he takes notice in me

0:13:21.600 --> 0:13:23.000
<v Speaker 1>and tells me, I'm gonna give you a record deal

0:13:23.040 --> 0:13:26.040
<v Speaker 1>one man. I shrug my shoulders like okay, And a

0:13:26.040 --> 0:13:29.199
<v Speaker 1>few years later he makes true on his word. Okay,

0:13:29.440 --> 0:13:33.120
<v Speaker 1>three years after you drop out of Morehouse. Yeah, what

0:13:33.160 --> 0:13:35.160
<v Speaker 1>do you do to stay alive for those three years?

0:13:35.200 --> 0:13:37.040
<v Speaker 1>Because you talk about being an artist, but usually there's

0:13:37.080 --> 0:13:40.600
<v Speaker 1>a word that starts before that, starving artist. Yeah. Yeah,

0:13:40.840 --> 0:13:42.880
<v Speaker 1>that's exact same thing my father told me, and I

0:13:42.880 --> 0:13:45.760
<v Speaker 1>told him I was going to be an artist. Um,

0:13:45.920 --> 0:13:49.360
<v Speaker 1>I know, and loved cars, so I worked fullshit, shitty

0:13:49.480 --> 0:13:51.920
<v Speaker 1>jobs that I don't like in places like Advance and

0:13:52.320 --> 0:13:56.560
<v Speaker 1>Auto Zone. I sell, um marijuana, pretty good marijuana, not

0:13:56.600 --> 0:14:00.240
<v Speaker 1>bad marijuana. And then I stopped doing those things, and

0:14:00.360 --> 0:14:02.800
<v Speaker 1>for a couple of years I teach kids how to

0:14:02.920 --> 0:14:05.600
<v Speaker 1>organize because as a child, I had learned how to organize.

0:14:05.640 --> 0:14:08.440
<v Speaker 1>So I kind of put down, you know, put down

0:14:08.440 --> 0:14:10.439
<v Speaker 1>the regular work and stiff gig because I was never

0:14:10.480 --> 0:14:13.000
<v Speaker 1>really good for jobs. I was just stealing their money

0:14:13.040 --> 0:14:15.240
<v Speaker 1>whatever they were paying me an hour. I didn't work

0:14:15.280 --> 0:14:18.520
<v Speaker 1>to expectations. I always told my managers I never would.

0:14:18.640 --> 0:14:20.880
<v Speaker 1>I remember a got autos Zone saying you could be

0:14:20.920 --> 0:14:23.280
<v Speaker 1>a manager. I said, tell me how many spark plugs

0:14:23.320 --> 0:14:26.120
<v Speaker 1>you need to sell this month to get your manager's bonus,

0:14:26.120 --> 0:14:27.720
<v Speaker 1>and I'll make sure you make it every month. Just

0:14:27.720 --> 0:14:30.240
<v Speaker 1>don't ever mention me being a manager again, you know.

0:14:30.840 --> 0:14:33.520
<v Speaker 1>And I um. He stopped me years later and saying, man,

0:14:33.600 --> 0:14:35.720
<v Speaker 1>you really did it. You became a rapper. I was like, ship,

0:14:35.840 --> 0:14:37.440
<v Speaker 1>you thought I was bullshit, and I want to build

0:14:37.440 --> 0:14:40.960
<v Speaker 1>the work of the autos Zone. So um, being an

0:14:41.040 --> 0:14:43.760
<v Speaker 1>organizer and teaching kids to organize was a lot less

0:14:43.840 --> 0:14:47.600
<v Speaker 1>dangerous than selling a little bit slower. What is an

0:14:47.720 --> 0:14:51.400
<v Speaker 1>organizer and how do you monetize them? Well? As an organize,

0:14:51.400 --> 0:14:54.680
<v Speaker 1>what you have is you have. UM. When I was

0:14:54.760 --> 0:14:58.120
<v Speaker 1>fifteen years old, which was like thirty years ago, UM,

0:14:58.320 --> 0:15:01.120
<v Speaker 1>we were a group of kids in Atlanta, and some

0:15:01.280 --> 0:15:03.960
<v Speaker 1>of the kids were doctors and lawyers kids. Some of

0:15:04.000 --> 0:15:06.080
<v Speaker 1>the kids were just regular working steps kids, and some

0:15:06.120 --> 0:15:08.520
<v Speaker 1>of the kids were gang members, members of the gangs

0:15:08.520 --> 0:15:11.440
<v Speaker 1>of Disciples and particulars, and and and the crypts, and

0:15:11.720 --> 0:15:14.520
<v Speaker 1>kids were just getting counter funcked with by the transit

0:15:14.560 --> 0:15:17.520
<v Speaker 1>police and the kids who were members of street fraternities

0:15:17.600 --> 0:15:19.840
<v Speaker 1>or what people call gangs. That started kind of pushing back.

0:15:20.360 --> 0:15:22.960
<v Speaker 1>So we arranged some meetings to meet with one another

0:15:23.000 --> 0:15:24.760
<v Speaker 1>to settle some disputes, and then to meet with the

0:15:24.760 --> 0:15:27.320
<v Speaker 1>police and settle some disputes. And that was the beginning

0:15:27.360 --> 0:15:30.880
<v Speaker 1>of an organizing career because we organized ourselves to sit

0:15:30.920 --> 0:15:34.040
<v Speaker 1>across the table from the transit authority and say, hey,

0:15:34.360 --> 0:15:37.040
<v Speaker 1>you can't treat us this way, and here's why. Shortly

0:15:37.080 --> 0:15:39.480
<v Speaker 1>after that, we decided that a larger group of kids

0:15:39.480 --> 0:15:41.520
<v Speaker 1>should be able to talk. And at the time and

0:15:41.640 --> 0:15:44.680
<v Speaker 1>Drew young UM Ambassador Young just off the phone, was

0:15:44.720 --> 0:15:47.520
<v Speaker 1>actually on another interview. He was the mayor of Atlanta,

0:15:47.520 --> 0:15:49.080
<v Speaker 1>and we sat them down and said, hey, we want

0:15:49.120 --> 0:15:51.560
<v Speaker 1>you to give us the money so we can take

0:15:51.760 --> 0:15:54.720
<v Speaker 1>um collection of what kids have to say throughout Atlanta

0:15:54.960 --> 0:15:57.960
<v Speaker 1>in Fulton County and the only condition is adults going

0:15:58.040 --> 0:15:59.840
<v Speaker 1>to be able to come. But you guys can't say anything.

0:15:59.840 --> 0:16:02.600
<v Speaker 1>You just have to listen. That started an organization called

0:16:02.640 --> 0:16:06.280
<v Speaker 1>Kids for a Change. That organization, along with an organization

0:16:06.280 --> 0:16:08.280
<v Speaker 1>I belonged to called Black Team to Advancements, which is

0:16:08.360 --> 0:16:11.800
<v Speaker 1>all boys. Organization, helped to broker not only a peace

0:16:11.800 --> 0:16:14.720
<v Speaker 1>treaty between the Martyr Coops at that time and kids.

0:16:14.800 --> 0:16:17.960
<v Speaker 1>They helped to bring out the voice of over. I

0:16:18.000 --> 0:16:21.040
<v Speaker 1>think we did over a few thousand kids in Fulton

0:16:21.120 --> 0:16:23.600
<v Speaker 1>County and give recommendations to the county for how to

0:16:23.640 --> 0:16:27.920
<v Speaker 1>improve things such as education, um get you know, how

0:16:27.960 --> 0:16:30.760
<v Speaker 1>to deal with what was the education? It was police

0:16:30.800 --> 0:16:33.520
<v Speaker 1>harassment and endangement, and it was something else that we

0:16:33.600 --> 0:16:35.960
<v Speaker 1>pointed out. We gave those recommendations to the county and

0:16:36.000 --> 0:16:38.600
<v Speaker 1>then after it was over, we shrugged our shoulders and said,

0:16:38.600 --> 0:16:40.600
<v Speaker 1>there it must be more stuff to organize around. So

0:16:40.640 --> 0:16:42.800
<v Speaker 1>we would pick other things, and those things could be

0:16:42.920 --> 0:16:45.480
<v Speaker 1>something that simple is helping out a homeless shelters or

0:16:45.520 --> 0:16:48.400
<v Speaker 1>things more complex in terms of putting different syllabus is

0:16:48.440 --> 0:16:50.800
<v Speaker 1>in school to represent things that were not exactly why

0:16:50.840 --> 0:16:53.600
<v Speaker 1>the angles accident Protestants. Um, I did that for a

0:16:53.680 --> 0:16:55.720
<v Speaker 1>number of years, and then I came back and I

0:16:55.760 --> 0:16:58.680
<v Speaker 1>taught other kids how to do it. Okay, where did

0:16:58.680 --> 0:17:03.120
<v Speaker 1>this entrepreneurial spirit had come from for me selling marijuana?

0:17:04.160 --> 0:17:11.040
<v Speaker 1>I mean, your father was a policeman, and did your

0:17:11.080 --> 0:17:13.919
<v Speaker 1>mother work outside the home. My mother was an artist

0:17:13.920 --> 0:17:16.119
<v Speaker 1>by nature. She was a florist by nature, and to

0:17:16.240 --> 0:17:18.520
<v Speaker 1>be very honest and adamant, my mother and father had

0:17:18.560 --> 0:17:20.600
<v Speaker 1>me as teenagers, so they were never married and never

0:17:20.640 --> 0:17:23.720
<v Speaker 1>lived a very like lifestyle. At one point, I woke

0:17:23.800 --> 0:17:28.000
<v Speaker 1>up at fifteen years old, two three weeks before before

0:17:28.119 --> 0:17:30.960
<v Speaker 1>I was before my birthday, to see that a woman

0:17:31.040 --> 0:17:33.120
<v Speaker 1>was arrested and Griffin Georgia for attempted to buy sing

0:17:33.200 --> 0:17:36.160
<v Speaker 1>key laws um cocagne. That was my mother. My mother

0:17:36.600 --> 0:17:38.960
<v Speaker 1>at one point could have been classified as a queen

0:17:39.000 --> 0:17:42.600
<v Speaker 1>pan Her and her friends, which were considered my aunt's,

0:17:42.760 --> 0:17:46.200
<v Speaker 1>all dated very successful drug dealers and they all lived

0:17:46.200 --> 0:17:48.840
<v Speaker 1>a lifestyle that was in conjunction with that. So my

0:17:48.880 --> 0:17:53.040
<v Speaker 1>mom um, I learned entrepreneurship from her and my grandparents.

0:17:53.160 --> 0:17:56.159
<v Speaker 1>You know my mom, you know, my grandpa soul liquor,

0:17:56.280 --> 0:17:58.600
<v Speaker 1>my uncle's you know, did things of that nature. So

0:17:58.920 --> 0:18:01.200
<v Speaker 1>what I did know is I wasn't much good for working.

0:18:01.320 --> 0:18:04.320
<v Speaker 1>So my dad even said, he said, I remember sending

0:18:04.359 --> 0:18:05.879
<v Speaker 1>you out to the yard to reg leves as a

0:18:05.960 --> 0:18:08.000
<v Speaker 1>kid and just looking out the window like my kids

0:18:08.040 --> 0:18:11.560
<v Speaker 1>never gonna works. I knew. I knew I wasn't going

0:18:11.640 --> 0:18:13.919
<v Speaker 1>to work. But what I did do very young was

0:18:13.960 --> 0:18:16.800
<v Speaker 1>my mom gave me twenty bucks to kurt her grass.

0:18:16.960 --> 0:18:19.720
<v Speaker 1>I took our lawnmowre, paid the kids next to me,

0:18:20.160 --> 0:18:22.200
<v Speaker 1>next door to me ten bucks to cut the grass,

0:18:22.560 --> 0:18:25.000
<v Speaker 1>and he did it so well. I marched us around

0:18:25.000 --> 0:18:27.399
<v Speaker 1>the neighborhood and got five more yards to cut. I

0:18:27.480 --> 0:18:29.760
<v Speaker 1>took ten off every yard, gave him the other ten

0:18:30.160 --> 0:18:33.040
<v Speaker 1>and realized, as mom, as I had the lawnmore negotiation skills,

0:18:33.040 --> 0:18:35.080
<v Speaker 1>that was a lot easier than pushing the lawnmore. So,

0:18:35.440 --> 0:18:37.800
<v Speaker 1>I've probably been an entrepreneur, you know, since I was

0:18:37.840 --> 0:18:41.160
<v Speaker 1>ten or eleven years old. Okay, and you say your

0:18:41.160 --> 0:18:45.760
<v Speaker 1>parents never lived together. Do you have half siblings? I

0:18:45.760 --> 0:18:47.879
<v Speaker 1>don't have any half siblings. All my siblings are my

0:18:47.920 --> 0:18:51.120
<v Speaker 1>whole siblings. I have five sisters to my mother Boar

0:18:51.400 --> 0:18:53.840
<v Speaker 1>Loving and Lashonda, and three my mom to or what

0:18:53.880 --> 0:18:56.960
<v Speaker 1>people would call a stepmother board, and that's Sharika, Candide

0:18:57.000 --> 0:18:59.879
<v Speaker 1>and Monique. And my family were blended from top to bottom.

0:19:00.119 --> 0:19:02.520
<v Speaker 1>We don't use the term step or half. Those are

0:19:02.560 --> 0:19:05.800
<v Speaker 1>just your sisters. Okay, where are you in the hierarchy?

0:19:06.080 --> 0:19:10.359
<v Speaker 1>I'm the oldest and only boy, and usually well those

0:19:10.400 --> 0:19:13.480
<v Speaker 1>two things combined. Usually the oldest has all the hopes

0:19:13.520 --> 0:19:16.240
<v Speaker 1>and dreams of the family imbued in them, and in

0:19:16.320 --> 0:19:19.160
<v Speaker 1>addition being a boy, it's like a double thing. Yeah,

0:19:19.160 --> 0:19:21.520
<v Speaker 1>I've been told my entire life. You know, don't be

0:19:21.560 --> 0:19:23.760
<v Speaker 1>a failure because you're an example for the five people

0:19:23.840 --> 0:19:26.280
<v Speaker 1>under you. And your other job is to take care

0:19:26.359 --> 0:19:28.640
<v Speaker 1>of your sisters. And that doesn't mean my sisters aren't

0:19:28.680 --> 0:19:31.800
<v Speaker 1>independent and dynamic women, because they are. But I have

0:19:31.880 --> 0:19:34.879
<v Speaker 1>a particular interest in making sure my sisters okay, and

0:19:34.920 --> 0:19:37.119
<v Speaker 1>in tire my sisters do the same for me. You know,

0:19:37.480 --> 0:19:39.960
<v Speaker 1>if my sisters see I've had a problematic day publicly,

0:19:39.960 --> 0:19:42.240
<v Speaker 1>they're the first people to call me privately and encourage

0:19:42.280 --> 0:19:44.960
<v Speaker 1>me if there are things that I'm not aware of

0:19:45.000 --> 0:19:47.320
<v Speaker 1>in regards to my children, because I'm traveling a touring.

0:19:47.760 --> 0:19:50.040
<v Speaker 1>My sisters are the greatest aunties and that are there.

0:19:50.400 --> 0:19:53.040
<v Speaker 1>So I'm very lucky that my grandparents raised me and

0:19:53.080 --> 0:19:55.680
<v Speaker 1>my sisters to be very independent and to take care

0:19:55.680 --> 0:19:59.119
<v Speaker 1>of one another. And do you financially support any of

0:19:59.160 --> 0:20:02.240
<v Speaker 1>these members of your family? Know? What I do is

0:20:02.280 --> 0:20:05.560
<v Speaker 1>I provide economic opportunity. So I've hired and fired my

0:20:05.600 --> 0:20:08.560
<v Speaker 1>own son, I've hired and fired my own nephew. My

0:20:08.640 --> 0:20:11.000
<v Speaker 1>niece is dynamic, so she has been hired and been

0:20:11.080 --> 0:20:13.280
<v Speaker 1>kept and it's probably going to be running what we

0:20:13.359 --> 0:20:15.359
<v Speaker 1>call a store. My wife and I own barbershops, to

0:20:15.440 --> 0:20:18.320
<v Speaker 1>be calling stores because we participate in retail out of them.

0:20:18.440 --> 0:20:21.080
<v Speaker 1>But my family, I've told all the boys in my family,

0:20:21.080 --> 0:20:23.440
<v Speaker 1>should you choose to be a barber, um, I'll put

0:20:23.480 --> 0:20:25.440
<v Speaker 1>you through trade school for free and you can come

0:20:25.480 --> 0:20:28.280
<v Speaker 1>work for me. So I've given him the same opportunities

0:20:28.320 --> 0:20:30.639
<v Speaker 1>that my uncle, who was an entrepreneur, gave me. My

0:20:30.720 --> 0:20:33.119
<v Speaker 1>uncle who was a legitimate entrepreneur. My uncle's who were

0:20:33.119 --> 0:20:35.239
<v Speaker 1>illegal entrepreneurs, they didn't give me that opportunity. I had

0:20:35.280 --> 0:20:38.600
<v Speaker 1>to go things on my own. But um, yeah, my

0:20:38.600 --> 0:20:40.639
<v Speaker 1>wife and I married a woman. My my wife is

0:20:40.680 --> 0:20:44.360
<v Speaker 1>from housing projects. When y'am across village in Savannah, Georgia,

0:20:44.520 --> 0:20:47.880
<v Speaker 1>and her grandmother ran ran a shot house. Her grandmother

0:20:47.920 --> 0:20:50.560
<v Speaker 1>was very enterprising. So I married a woman who who

0:20:50.640 --> 0:20:52.920
<v Speaker 1>thought and taught in numbers. And she's very intelligent. So

0:20:52.960 --> 0:20:55.920
<v Speaker 1>I was smart enough to marry smart and Um, through

0:20:56.000 --> 0:20:57.960
<v Speaker 1>through all of my ignorance and kind of terms of

0:20:58.000 --> 0:21:00.479
<v Speaker 1>finance and stuff, she's been a guy in wasn't term

0:21:00.560 --> 0:21:05.120
<v Speaker 1>to protecting my ass my assets literally and figured. Okay, Jamie,

0:21:05.520 --> 0:21:07.920
<v Speaker 1>you graduate from high school. What does your life look like?

0:21:08.680 --> 0:21:11.640
<v Speaker 1>I did not graduate from high school. Okay, well let's

0:21:11.680 --> 0:21:16.359
<v Speaker 1>go back to the beginning. Your parents, your mother and father.

0:21:16.480 --> 0:21:20.680
<v Speaker 1>What were their lives looking like? My father and mother

0:21:21.080 --> 0:21:25.240
<v Speaker 1>UM split up when I was six. My father left

0:21:25.520 --> 0:21:30.000
<v Speaker 1>the state. UM, Me and my mother and my two sisters,

0:21:30.080 --> 0:21:32.720
<v Speaker 1>one of which was the child of my mother and

0:21:32.760 --> 0:21:34.560
<v Speaker 1>my father, the other which was the child of my

0:21:34.680 --> 0:21:38.840
<v Speaker 1>father who he left with us. UM who was my

0:21:38.920 --> 0:21:41.560
<v Speaker 1>sister as far as I was concerned, But she she wasn't.

0:21:41.800 --> 0:21:45.520
<v Speaker 1>She is UM my half sister, you know by blood

0:21:46.600 --> 0:21:50.320
<v Speaker 1>we moved to Brooklyn. Um and um, you know, saying,

0:21:50.320 --> 0:21:54.720
<v Speaker 1>well mom, household, three kids. Um, sort of moved around.

0:21:54.880 --> 0:21:57.160
<v Speaker 1>Some good years, some bad years. You know. My mother

0:21:57.240 --> 0:22:01.480
<v Speaker 1>was a writer. Um, she worked in advertising. Um and

0:22:01.800 --> 0:22:05.440
<v Speaker 1>uh I got yeah, I ended up getting kicked out

0:22:05.440 --> 0:22:10.600
<v Speaker 1>of high school. Um and you got kicked out of

0:22:10.640 --> 0:22:16.480
<v Speaker 1>high school? Why you know this day, I don't really know,

0:22:16.720 --> 0:22:18.600
<v Speaker 1>but I think it was because I was an asshole.

0:22:18.720 --> 0:22:22.439
<v Speaker 1>I'm pretty sure. Um, well, we've all been too high school,

0:22:22.720 --> 0:22:25.280
<v Speaker 1>and there are reasons to be an asshole, and we

0:22:25.320 --> 0:22:27.400
<v Speaker 1>all try to contain us. But then there are some

0:22:27.480 --> 0:22:30.880
<v Speaker 1>people who were just born to make trouble. Which which one?

0:22:30.880 --> 0:22:33.159
<v Speaker 1>Where do you fall on that spectrum? I think that

0:22:33.240 --> 0:22:35.040
<v Speaker 1>I have a little bit of both, a little bit

0:22:35.040 --> 0:22:36.720
<v Speaker 1>of both. I think I was a little bit of

0:22:36.760 --> 0:22:40.159
<v Speaker 1>a smartass, for sure, But um I also had a

0:22:40.240 --> 0:22:43.560
<v Speaker 1>little bit of a rough you know, uh go of it,

0:22:43.600 --> 0:22:46.080
<v Speaker 1>and I was angry. Um. You know, there have been

0:22:46.160 --> 0:22:49.920
<v Speaker 1>some things and you know whatever in my in my

0:22:50.000 --> 0:22:53.200
<v Speaker 1>childhood that probably lent themselves towards me being a little

0:22:53.200 --> 0:22:56.920
<v Speaker 1>bit more of a uh fuck you kind of kid.

0:22:57.040 --> 0:22:59.439
<v Speaker 1>You know, I wasn't. I thought I was smarter than

0:22:59.480 --> 0:23:01.800
<v Speaker 1>everybody in the whole school. I thought I was smarter

0:23:01.880 --> 0:23:04.960
<v Speaker 1>than the teachers and the staffs. Okay, okay, thirty thirty

0:23:05.040 --> 0:23:08.439
<v Speaker 1>years later, were you smarter than everybody in the whole school?

0:23:09.160 --> 0:23:12.960
<v Speaker 1>Absolutely not. But what I will say is that when

0:23:13.000 --> 0:23:17.640
<v Speaker 1>I did get kicked out of school, and I had

0:23:17.640 --> 0:23:21.120
<v Speaker 1>the choice, but my mother was very specific. She said, Okay, well,

0:23:21.520 --> 0:23:23.920
<v Speaker 1>you're either going to become the type of person who

0:23:24.119 --> 0:23:27.440
<v Speaker 1>can do this, can do school and I have to

0:23:27.520 --> 0:23:29.680
<v Speaker 1>not being a problem, or you're going to figure out

0:23:29.800 --> 0:23:32.000
<v Speaker 1>some other thing that you're going to do, because you're

0:23:32.000 --> 0:23:34.679
<v Speaker 1>not going to just be some guy who just doesn't

0:23:34.680 --> 0:23:37.920
<v Speaker 1>do anything. And I told her at sixteen, I said

0:23:38.359 --> 0:23:41.800
<v Speaker 1>what every white mom wants to hear, which is I'm

0:23:41.800 --> 0:23:45.320
<v Speaker 1>gonna be a rapper. And uh, mom, I'm going to

0:23:45.359 --> 0:23:48.359
<v Speaker 1>be a rapper. And and she and you know, she

0:23:48.440 --> 0:23:50.320
<v Speaker 1>knew that I was already making music. I mean, I

0:23:50.680 --> 0:23:53.280
<v Speaker 1>had already been making music and trying to make demos

0:23:53.280 --> 0:23:59.600
<v Speaker 1>and stuff since I was about twelve, and and so

0:23:59.680 --> 0:24:02.080
<v Speaker 1>wasn't how much was shocked to her, but I'm sure

0:24:02.119 --> 0:24:03.800
<v Speaker 1>it was a little bit of one. But she she

0:24:04.320 --> 0:24:07.080
<v Speaker 1>what ultimately, ultimately what happened was I ended up getting

0:24:07.080 --> 0:24:10.360
<v Speaker 1>my g E. D. And I went to Musical Engineering

0:24:10.400 --> 0:24:15.160
<v Speaker 1>School at sixteen, which so Center for the Media Arts,

0:24:15.359 --> 0:24:18.480
<v Speaker 1>which was in Manhattan, right near F I T which

0:24:18.600 --> 0:24:21.840
<v Speaker 1>now no longer exists. Um and I was. I was

0:24:22.040 --> 0:24:24.720
<v Speaker 1>the youngest dude in that school. I mean, how did

0:24:24.760 --> 0:24:27.600
<v Speaker 1>you how did you pay for it? My mother paid

0:24:27.640 --> 0:24:31.040
<v Speaker 1>for it. My mother paid for it. Yeah, it was.

0:24:31.119 --> 0:24:35.920
<v Speaker 1>It was a two year course essentially, um and uh.

0:24:36.119 --> 0:24:41.439
<v Speaker 1>And you know, I was all of a sudden, I

0:24:41.480 --> 0:24:44.359
<v Speaker 1>was like I was a kid trying. I just wanted

0:24:44.359 --> 0:24:46.480
<v Speaker 1>to be in the studio. I just wanted to learn

0:24:46.480 --> 0:24:47.800
<v Speaker 1>what it was like to be in the studio. I

0:24:47.880 --> 0:24:49.480
<v Speaker 1>knew I wanted to be a producer. I knew I

0:24:49.480 --> 0:24:52.400
<v Speaker 1>wanted to experience that. Um, I didn't know what else

0:24:52.440 --> 0:24:56.040
<v Speaker 1>to do. But once I got there, and I was

0:24:56.080 --> 0:24:59.040
<v Speaker 1>mostly surrounded by like five to thirty five year old

0:24:59.080 --> 0:25:02.080
<v Speaker 1>dudes who just kind of to be engineers, you know. Um.

0:25:02.200 --> 0:25:03.920
<v Speaker 1>But I was only there. I knew I was only

0:25:03.920 --> 0:25:05.440
<v Speaker 1>there just to learn some of the tools of the

0:25:05.480 --> 0:25:07.680
<v Speaker 1>trade and and then to go on to be a musician.

0:25:08.080 --> 0:25:10.480
<v Speaker 1>But once I got there, all of a sudden, all

0:25:10.520 --> 0:25:14.600
<v Speaker 1>of my disinterests, all of my um, you know, malaise

0:25:14.680 --> 0:25:17.400
<v Speaker 1>and disinterest in learning, UM and all of the things

0:25:17.400 --> 0:25:20.040
<v Speaker 1>that I just couldn't force myself to do. I was

0:25:20.080 --> 0:25:22.360
<v Speaker 1>really bad at making myself do things I didn't want

0:25:22.359 --> 0:25:24.679
<v Speaker 1>to do, and you know, school being the obvious result,

0:25:25.080 --> 0:25:27.879
<v Speaker 1>and UM that changed for me completely and all of

0:25:27.960 --> 0:25:31.200
<v Speaker 1>a sudden, I was I was obsessed and excelled and

0:25:31.800 --> 0:25:35.119
<v Speaker 1>you know, UM so, you know, getting around music and

0:25:35.119 --> 0:25:36.920
<v Speaker 1>getting around the thing that I knew that I wanted

0:25:36.920 --> 0:25:39.160
<v Speaker 1>to do completely changed my life. By the time I

0:25:39.200 --> 0:25:42.320
<v Speaker 1>was able to go to college, I had gotten such

0:25:42.320 --> 0:25:44.040
<v Speaker 1>a high score on my g D that I had

0:25:44.040 --> 0:25:47.160
<v Speaker 1>basically gotten a free ride to a few different colleges

0:25:47.200 --> 0:25:49.760
<v Speaker 1>of New York that that I was able to um

0:25:50.119 --> 0:25:52.520
<v Speaker 1>pick from. Well, not a free ride, I gotta almost

0:25:52.560 --> 0:25:56.480
<v Speaker 1>free rode because there's a there's like a there's a

0:25:56.560 --> 0:25:59.719
<v Speaker 1>quotation of like, you know g D students that they

0:25:59.720 --> 0:26:02.000
<v Speaker 1>had to let into these schools. So I ended up

0:26:02.000 --> 0:26:04.520
<v Speaker 1>going to and I was at the top. So I

0:26:04.560 --> 0:26:08.280
<v Speaker 1>ended up going to Hunter College for you know, a

0:26:08.320 --> 0:26:10.919
<v Speaker 1>couple of semesters and it was just for me. I

0:26:11.080 --> 0:26:13.479
<v Speaker 1>was like, you know, I was looking around and all

0:26:13.520 --> 0:26:15.920
<v Speaker 1>of a sudden, I had been rejoined. I had rejoined

0:26:16.320 --> 0:26:18.880
<v Speaker 1>my age group and all of these kids who were

0:26:18.920 --> 0:26:21.639
<v Speaker 1>now getting in the in the college, and I'm standing

0:26:21.640 --> 0:26:24.000
<v Speaker 1>there and I'm like, I don't, like, none of these

0:26:24.000 --> 0:26:25.880
<v Speaker 1>people know what they want to do. I already I'm

0:26:25.880 --> 0:26:28.400
<v Speaker 1>already doing what I want to do. I don't there's

0:26:28.440 --> 0:26:31.240
<v Speaker 1>no way that I want to know about this. I

0:26:31.240 --> 0:26:34.199
<v Speaker 1>don't want to take history right now. And uh, I

0:26:34.240 --> 0:26:36.280
<v Speaker 1>got put my first record out that you know. I

0:26:36.359 --> 0:26:38.639
<v Speaker 1>ended up putting my first record out at seventeen and

0:26:38.720 --> 0:26:41.520
<v Speaker 1>just being like, or eighteen, I didn't made it when

0:26:41.560 --> 0:26:43.360
<v Speaker 1>I was seventeen. That came out when I was a teen,

0:26:43.760 --> 0:26:45.679
<v Speaker 1>right around my first year of college. So I was

0:26:45.760 --> 0:26:48.439
<v Speaker 1>just like, I'm not I'm not doing this. I'm a

0:26:48.520 --> 0:26:52.680
<v Speaker 1>rap star now. Okay, Deeples says, put school behind. When

0:26:52.720 --> 0:26:59.800
<v Speaker 1>do you make some money? I didn't really beg buddy

0:27:00.040 --> 0:27:05.639
<v Speaker 1>still until that I was living in in a loft

0:27:05.760 --> 0:27:08.480
<v Speaker 1>with by with with the other guy in the first

0:27:08.480 --> 0:27:11.840
<v Speaker 1>group that I had done called Company Flow, and we

0:27:11.840 --> 0:27:16.520
<v Speaker 1>were working at Tower Records mail order department on Lafayette

0:27:16.560 --> 0:27:19.280
<v Speaker 1>in New York. Okay, that begs the question how much

0:27:19.320 --> 0:27:23.880
<v Speaker 1>did you steal? I saw everything that wasn't sucking tied

0:27:23.880 --> 0:27:32.879
<v Speaker 1>down everything. Dude, you're the van for knowing that I've had, like,

0:27:33.400 --> 0:27:35.240
<v Speaker 1>straight up, let me tell you a story. So here's

0:27:35.240 --> 0:27:38.480
<v Speaker 1>the thing. So we worked in this fucking mail order department. Right,

0:27:38.920 --> 0:27:41.440
<v Speaker 1>there's two sections of the mail order department. There's the

0:27:41.480 --> 0:27:43.439
<v Speaker 1>mail order department in the front where you have to

0:27:43.480 --> 0:27:46.359
<v Speaker 1>wear shitty slacks and and and and and a wedding

0:27:46.440 --> 0:27:49.520
<v Speaker 1>shirt and then and you enter in the orders on

0:27:49.960 --> 0:27:52.639
<v Speaker 1>because before the Internet, of course, everyone got their records

0:27:52.720 --> 0:27:55.639
<v Speaker 1>from mail order and power records. Mail order was a

0:27:55.680 --> 0:28:00.240
<v Speaker 1>big deal in that Areena and so my so my

0:28:00.320 --> 0:28:02.680
<v Speaker 1>other partner, my my other partner in company Flow. But

0:28:02.760 --> 0:28:05.080
<v Speaker 1>one of you know who became my partner in that group,

0:28:05.240 --> 0:28:07.080
<v Speaker 1>he was in the front and he was wearing shitty

0:28:07.119 --> 0:28:10.000
<v Speaker 1>slacks in the shirt and he had access to the computers.

0:28:10.760 --> 0:28:13.600
<v Speaker 1>I was in the back with the work release program dudes,

0:28:14.000 --> 0:28:16.479
<v Speaker 1>where there was absolutely no there was no you know,

0:28:16.560 --> 0:28:18.480
<v Speaker 1>I just wasn't good enough to be in the front,

0:28:18.520 --> 0:28:20.320
<v Speaker 1>So I was in the back. So I was actually

0:28:20.359 --> 0:28:23.400
<v Speaker 1>boxing up the records. I'm personally responsible for sending out

0:28:23.440 --> 0:28:26.920
<v Speaker 1>probably ten thousand Bone Thugs and Harmony CDs to to

0:28:27.400 --> 0:28:31.520
<v Speaker 1>to to the Greater America. UM and we were working,

0:28:31.520 --> 0:28:33.800
<v Speaker 1>we were taking our money and we would you know,

0:28:33.880 --> 0:28:35.520
<v Speaker 1>pay our rent or whatever, and then we would at

0:28:35.840 --> 0:28:38.000
<v Speaker 1>night we would go to the studio and we would

0:28:38.040 --> 0:28:43.480
<v Speaker 1>record these songs. So around six when um we finally

0:28:43.760 --> 0:28:47.760
<v Speaker 1>got a record pressed up um with eight songs on it.

0:28:48.280 --> 0:28:50.520
<v Speaker 1>UM and it was because of a mistake at the

0:28:50.560 --> 0:28:53.160
<v Speaker 1>record pressing plant. It cost about half as much as

0:28:53.200 --> 0:28:57.520
<v Speaker 1>it was supposed to. And what we realized was if

0:28:57.640 --> 0:29:02.240
<v Speaker 1>you punching this into the computer, then I do this.

0:29:03.240 --> 0:29:05.440
<v Speaker 1>We can send all this ship out all across America

0:29:05.520 --> 0:29:08.440
<v Speaker 1>for free. So my first group, the first one that

0:29:08.480 --> 0:29:10.560
<v Speaker 1>put me on the map, that like made noise and

0:29:10.600 --> 0:29:14.280
<v Speaker 1>got me into the business. We fucking we we literally

0:29:14.280 --> 0:29:17.120
<v Speaker 1>did it all on the dime of power Mail Order Department.

0:29:17.320 --> 0:29:22.080
<v Speaker 1>I sent out thousands of these records to DJs all

0:29:22.080 --> 0:29:26.000
<v Speaker 1>over the country overnight straight up to their like it was.

0:29:26.200 --> 0:29:29.080
<v Speaker 1>It was. It was an amazing scam. And um yeah,

0:29:29.120 --> 0:29:32.600
<v Speaker 1>so kudas to you for understanding that anybody who worked

0:29:32.600 --> 0:29:35.760
<v Speaker 1>at Tire Records, you either either you were a life

0:29:35.960 --> 0:29:39.640
<v Speaker 1>long like loser forever, you know, or you were scamming

0:29:39.680 --> 0:29:43.400
<v Speaker 1>the place. And you know, absolutely, let's just go forward.

0:29:43.440 --> 0:29:46.480
<v Speaker 1>You said, you know, you get a dark spot before

0:29:46.560 --> 0:29:50.320
<v Speaker 1>you worked with Mike, where you were essentially broke? How

0:29:50.320 --> 0:29:55.080
<v Speaker 1>did that happen? So I never took any money. I

0:29:55.120 --> 0:29:57.280
<v Speaker 1>never took a salary or anything for this record label

0:29:57.280 --> 0:29:58.840
<v Speaker 1>that we did. You know, we did. We created this

0:29:58.880 --> 0:30:01.440
<v Speaker 1>record label. This was after my company Flow experience with

0:30:01.520 --> 0:30:04.720
<v Speaker 1>Raucus Records, and I was kind of I and then

0:30:04.760 --> 0:30:06.720
<v Speaker 1>company Flow broke up and I was trying to figure

0:30:06.720 --> 0:30:08.840
<v Speaker 1>out my next move. I had fallen out of love

0:30:08.880 --> 0:30:11.040
<v Speaker 1>with the Raucus situation. I didn't think that they were

0:30:11.080 --> 0:30:13.600
<v Speaker 1>making the right moves, and I kind of felt like

0:30:13.600 --> 0:30:15.480
<v Speaker 1>I knew how to do it better. Of course, you know,

0:30:15.640 --> 0:30:17.520
<v Speaker 1>I didn't, but I thought I knew how to do

0:30:17.560 --> 0:30:20.840
<v Speaker 1>it better, and I decided to start this record label.

0:30:21.400 --> 0:30:25.320
<v Speaker 1>You know, ten years in, I still hadn't taken any money. Um,

0:30:25.360 --> 0:30:28.240
<v Speaker 1>I hadn't taken a salary. I hadn't taken I hadn't

0:30:28.280 --> 0:30:31.880
<v Speaker 1>you know, Um, I had sold my own record you know,

0:30:31.920 --> 0:30:33.960
<v Speaker 1>I put my own records out on it a lot

0:30:34.000 --> 0:30:36.200
<v Speaker 1>with a lot of other lecords that did well on

0:30:36.280 --> 0:30:38.040
<v Speaker 1>an indie level. So and I did, and I had

0:30:38.080 --> 0:30:39.880
<v Speaker 1>a career. I was doing show so I made money

0:30:39.920 --> 0:30:43.560
<v Speaker 1>that way. But whenever the record label would hit a

0:30:43.640 --> 0:30:47.240
<v Speaker 1>rough spot. I would take my money that I had

0:30:47.480 --> 0:30:51.040
<v Speaker 1>and I would float the record label UM and this happened,

0:30:51.160 --> 0:30:52.640
<v Speaker 1>and then I would get it back. You know, a

0:30:52.680 --> 0:30:54.480
<v Speaker 1>couple of months, I get it back. We just need

0:30:54.480 --> 0:30:56.280
<v Speaker 1>to get a you know, a hunder grand. We need

0:30:56.280 --> 0:30:58.080
<v Speaker 1>a underground and that would be like all my money

0:30:58.080 --> 0:31:00.320
<v Speaker 1>that I had, and I'd put it in and I

0:31:00.520 --> 0:31:02.560
<v Speaker 1>hold my breath, and then the money will come back,

0:31:02.600 --> 0:31:03.960
<v Speaker 1>and I'd be like, all right, cool, we lived to

0:31:04.000 --> 0:31:06.600
<v Speaker 1>fight another day. And we did this a bunch of times.

0:31:06.960 --> 0:31:09.960
<v Speaker 1>The last time that I did it, the money didn't

0:31:09.960 --> 0:31:13.600
<v Speaker 1>come back, and and the whole thing collapsed and we

0:31:13.600 --> 0:31:18.280
<v Speaker 1>we had. You know, what happened to us was what

0:31:18.320 --> 0:31:21.640
<v Speaker 1>happened to a lot of indie record labels UM historically,

0:31:21.720 --> 0:31:24.680
<v Speaker 1>and especially during the time in which the switch between

0:31:24.720 --> 0:31:27.880
<v Speaker 1>the dropping physical and the profitability of streaming and all

0:31:27.960 --> 0:31:30.520
<v Speaker 1>that was not leveled out. In other words, that we

0:31:30.600 --> 0:31:32.640
<v Speaker 1>went from one year, you went from hundred a hundred

0:31:32.680 --> 0:31:35.200
<v Speaker 1>thousands to the next year you you're sounding fifty thousand

0:31:35.280 --> 0:31:38.560
<v Speaker 1>records label wyy. And but you did so well with

0:31:38.600 --> 0:31:40.920
<v Speaker 1>a few records that you staffed up, You got bigger,

0:31:41.080 --> 0:31:44.360
<v Speaker 1>you got an office. You gotta fucking Xerox machine, you know.

0:31:44.480 --> 0:31:47.320
<v Speaker 1>And and you know, so we had a situation where

0:31:47.320 --> 0:31:50.360
<v Speaker 1>we had a lot of overhead and we weren't we weren't.

0:31:50.400 --> 0:31:53.480
<v Speaker 1>The physical had just been dropping, dropping and dropping, and

0:31:55.000 --> 0:31:58.200
<v Speaker 1>so yeah, it just kind of collapsed out from under me.

0:31:58.440 --> 0:32:01.960
<v Speaker 1>Um and and I was you know, when I look

0:32:02.000 --> 0:32:03.600
<v Speaker 1>back on it now, I think it was probably the

0:32:03.640 --> 0:32:06.840
<v Speaker 1>best thing that it could have ever happened for me personally,

0:32:06.840 --> 0:32:09.400
<v Speaker 1>because I was miserable for a long time doing that.

0:32:09.520 --> 0:32:11.360
<v Speaker 1>I wasn't happy doing it. I never wanted to be

0:32:11.360 --> 0:32:13.960
<v Speaker 1>a record label guy. I just wanted to make music.

0:32:14.320 --> 0:32:16.600
<v Speaker 1>I started a label because I thought it would be

0:32:16.600 --> 0:32:18.720
<v Speaker 1>a cool way to work with people that I liked

0:32:18.720 --> 0:32:20.720
<v Speaker 1>and put music out that I thought was good without

0:32:20.960 --> 0:32:23.400
<v Speaker 1>having an audition it for the greater masses, you know,

0:32:23.560 --> 0:32:26.280
<v Speaker 1>just say, hey, this is interesting, listen to it. But

0:32:26.440 --> 0:32:29.320
<v Speaker 1>that's what happened. I just got I just lost my money.

0:32:29.520 --> 0:32:33.680
<v Speaker 1>And where are you hundred k? That's a lot of money.

0:32:33.680 --> 0:32:38.640
<v Speaker 1>Where'd you get a hundred k my royalties and touring?

0:32:38.760 --> 0:32:40.880
<v Speaker 1>You know, I would I would just save my money

0:32:40.920 --> 0:32:43.960
<v Speaker 1>and and and I you know, I had I had

0:32:44.440 --> 0:32:47.040
<v Speaker 1>give or take. You know, you know that probably at

0:32:47.080 --> 0:32:48.880
<v Speaker 1>the end that was probably that was all the money

0:32:48.920 --> 0:32:52.479
<v Speaker 1>I had in the world. And um, but I had

0:32:52.520 --> 0:32:55.320
<v Speaker 1>a good touring career, an indie touring career, but you know,

0:32:55.640 --> 0:32:59.200
<v Speaker 1>and also we we did really well with my records.

0:32:59.480 --> 0:33:03.440
<v Speaker 1>Um and for an indie label comparatively or overhead was

0:33:03.480 --> 0:33:05.840
<v Speaker 1>really low obviously for you know, compared to like a

0:33:05.880 --> 0:33:09.000
<v Speaker 1>major label or something. So when the operation was small

0:33:09.080 --> 0:33:11.760
<v Speaker 1>and tight, I was making some money. And then the

0:33:11.840 --> 0:33:14.800
<v Speaker 1>operation on the backs of those records that started to

0:33:14.880 --> 0:33:18.280
<v Speaker 1>kind of get really big exposure and bow up, we

0:33:18.320 --> 0:33:20.800
<v Speaker 1>started to get bigger. We started to add more people

0:33:20.920 --> 0:33:22.920
<v Speaker 1>and more weight to the to the whole thing. And

0:33:22.920 --> 0:33:24.680
<v Speaker 1>then it started to kind of be like, I'm not

0:33:24.760 --> 0:33:27.760
<v Speaker 1>making I don't have a record label because I'm making records.

0:33:27.760 --> 0:33:30.800
<v Speaker 1>I'm making records because I have a record label, like

0:33:31.160 --> 0:33:32.840
<v Speaker 1>you know, And that wasn't what I wanted to do.

0:33:32.920 --> 0:33:35.719
<v Speaker 1>It was very unhappy for me, and so I you know,

0:33:36.360 --> 0:33:39.000
<v Speaker 1>I got myself into a situation where I lost it all.

0:33:39.040 --> 0:33:41.520
<v Speaker 1>I didn't have two fucking pennies in my pocket for

0:33:41.560 --> 0:33:45.080
<v Speaker 1>a minute, and um that that that was a tough

0:33:45.120 --> 0:33:47.000
<v Speaker 1>period for me. But you know, I had I had

0:33:47.040 --> 0:33:49.560
<v Speaker 1>been broke before. You know, I guess you know, when

0:33:49.600 --> 0:33:51.080
<v Speaker 1>you start to make a little bit of money, you

0:33:51.120 --> 0:33:53.680
<v Speaker 1>can forget what it's like to not have it. Um,

0:33:53.760 --> 0:33:56.200
<v Speaker 1>And for me, money was never to be. I never

0:33:56.240 --> 0:33:58.200
<v Speaker 1>had the type of money that I could buy things.

0:33:58.320 --> 0:33:59.840
<v Speaker 1>I had the type of money where I could pay rent.

0:34:00.040 --> 0:34:01.800
<v Speaker 1>Worried about it. You know, that was cool. That was

0:34:01.840 --> 0:34:07.200
<v Speaker 1>my success and so in all classed underneath. And by

0:34:07.240 --> 0:34:10.640
<v Speaker 1>the time Mike met me, UM, I had gone through

0:34:10.680 --> 0:34:13.279
<v Speaker 1>all that. I had been humbled, a lot of relationships

0:34:13.280 --> 0:34:15.040
<v Speaker 1>and a lot of things, and a lot of just

0:34:15.080 --> 0:34:19.360
<v Speaker 1>sort of self regard that I had in relation to

0:34:19.400 --> 0:34:22.800
<v Speaker 1>me not failing had had hit me. I had failed.

0:34:23.000 --> 0:34:25.839
<v Speaker 1>There was no there was no getting around it. It was.

0:34:26.000 --> 0:34:28.239
<v Speaker 1>It was gone. And I didn't know what I was

0:34:28.280 --> 0:34:30.160
<v Speaker 1>gonna do. I had a lot of I had a

0:34:30.160 --> 0:34:33.520
<v Speaker 1>lot of um fear. And for the first time insecurity,

0:34:33.520 --> 0:34:35.880
<v Speaker 1>I mean, from sixteen on, I knew what I was

0:34:35.880 --> 0:34:37.520
<v Speaker 1>gonna do, and I didn't know one had ever told

0:34:37.520 --> 0:34:39.440
<v Speaker 1>me I wasn't gonna do it. And I did it,

0:34:39.560 --> 0:34:41.319
<v Speaker 1>and I went out and I made it happen. And

0:34:42.120 --> 0:34:45.040
<v Speaker 1>here I was, however, many years later, and for the

0:34:45.080 --> 0:34:48.840
<v Speaker 1>first time that thought it occurred to me, this, this

0:34:49.360 --> 0:34:51.279
<v Speaker 1>might not work now I might be, I might be

0:34:51.360 --> 0:34:57.080
<v Speaker 1>over and and and then I got the deal for

0:34:57.080 --> 0:34:59.719
<v Speaker 1>for the new solo record through Fat Possum Records, which

0:35:01.040 --> 0:35:04.600
<v Speaker 1>changed everything for me because I um, I had a

0:35:04.640 --> 0:35:07.239
<v Speaker 1>little bit of money and I finally again and I

0:35:07.280 --> 0:35:09.560
<v Speaker 1>could you know, I could get an apartment that was

0:35:09.760 --> 0:35:12.440
<v Speaker 1>you know that I could live in and and and

0:35:12.480 --> 0:35:14.400
<v Speaker 1>that's it might meant me. Not long after that, to

0:35:14.400 --> 0:35:17.200
<v Speaker 1>be honest, I was. I was right sort of starting

0:35:17.200 --> 0:35:20.000
<v Speaker 1>that process of rebuilding myself, like refocused and being like,

0:35:20.040 --> 0:35:22.440
<v Speaker 1>all right, I'm getting a second chance. I'm gonna I'm

0:35:22.440 --> 0:35:24.000
<v Speaker 1>gonna do it right this time, and I'm gonna do

0:35:24.040 --> 0:35:25.879
<v Speaker 1>it for the right reasons. And then I met Mike

0:35:25.960 --> 0:35:35.399
<v Speaker 1>and everything all my all my plans changed. Okay, let's

0:35:35.400 --> 0:35:37.239
<v Speaker 1>go back to Mike. So, Mike, how old you when

0:35:37.280 --> 0:35:40.880
<v Speaker 1>you get married? Honestly, my wife and I have been

0:35:40.920 --> 0:35:44.840
<v Speaker 1>married fourteen years this year, so it's thirty one years old. Okay,

0:35:44.840 --> 0:35:47.480
<v Speaker 1>So you were estopped if you were making money when

0:35:47.480 --> 0:35:51.279
<v Speaker 1>you got married, Uh, yeah, but I wasn't. So I

0:35:51.320 --> 0:35:54.520
<v Speaker 1>got a major label deal first. Um was big Boy

0:35:54.600 --> 0:35:58.319
<v Speaker 1>andre Um originally on Eric Quim and I Records, and

0:35:58.719 --> 0:36:00.880
<v Speaker 1>I think he got like an eighties, was an advanced

0:36:00.960 --> 0:36:05.200
<v Speaker 1>or whatnot? I already had two children at that point,

0:36:05.200 --> 0:36:07.680
<v Speaker 1>in the third one coming, so a thirty one year old.

0:36:08.200 --> 0:36:11.960
<v Speaker 1>Just just so I understand you had the children before

0:36:12.000 --> 0:36:15.920
<v Speaker 1>you got married. Yeah, okay. How old were you when

0:36:15.920 --> 0:36:19.640
<v Speaker 1>you had your first child? Nineteen years old? Okay? How

0:36:19.680 --> 0:36:22.279
<v Speaker 1>the fund do you support? That kid? Oh? You sell

0:36:22.320 --> 0:36:31.080
<v Speaker 1>the marijuana? I said, you're you established the marijuana industry

0:36:31.120 --> 0:36:36.719
<v Speaker 1>that now corporations run. That's uh. You and you make

0:36:36.800 --> 0:36:41.080
<v Speaker 1>good grades in school. That's okay. So the woman you're

0:36:41.080 --> 0:36:43.760
<v Speaker 1>married to now your wife? How many of the kids

0:36:44.000 --> 0:36:47.560
<v Speaker 1>is she the mother? We came as a package deal. Okay.

0:36:47.600 --> 0:36:49.960
<v Speaker 1>She came without many and you came without many. Yeah,

0:36:50.000 --> 0:36:52.280
<v Speaker 1>we cat you know, we I brought all the kids.

0:36:52.400 --> 0:36:55.680
<v Speaker 1>Me and the kids came like, hey, dad loves you.

0:36:55.760 --> 0:36:59.960
<v Speaker 1>Why don't you marry us? And there are five kids?

0:37:00.080 --> 0:37:03.359
<v Speaker 1>You said, therefore, therefore, my wife tells people she has

0:37:03.360 --> 0:37:06.279
<v Speaker 1>five children, including her husband. I get that. Let's go

0:37:06.360 --> 0:37:09.239
<v Speaker 1>back to the muscle car thing. So when do you

0:37:09.280 --> 0:37:12.319
<v Speaker 1>get into muscle cars? Oh? What have I not been

0:37:12.360 --> 0:37:14.400
<v Speaker 1>in the muscle cars? So when I was when I

0:37:14.480 --> 0:37:17.640
<v Speaker 1>was young, Um, my grandpa and grandma raised me. So

0:37:18.200 --> 0:37:20.279
<v Speaker 1>my wife helped me realize I grew up rich, and

0:37:20.320 --> 0:37:22.160
<v Speaker 1>I didn't know that. I always thought rich meant money,

0:37:22.160 --> 0:37:26.480
<v Speaker 1>but rich really means experiences an opportunity. So my grandparents, Um,

0:37:26.480 --> 0:37:29.279
<v Speaker 1>they kept the rental house, they owned the RV. They

0:37:29.320 --> 0:37:31.560
<v Speaker 1>did old people ship, you know what I mean. We

0:37:31.600 --> 0:37:35.000
<v Speaker 1>went on vacations, we fished, we hunted, we did old

0:37:35.080 --> 0:37:37.520
<v Speaker 1>Southern people stuff that I didn't realize that the rest

0:37:37.520 --> 0:37:39.719
<v Speaker 1>of the world didn't do. But one of those things

0:37:39.760 --> 0:37:44.200
<v Speaker 1>was my grandfather believed in me having stuff that went fast.

0:37:44.480 --> 0:37:48.280
<v Speaker 1>So he bought an old gold card and motor scooter

0:37:48.400 --> 0:37:50.680
<v Speaker 1>from like the white guys he worked with. He worked

0:37:50.680 --> 0:37:52.680
<v Speaker 1>in the brickyard Chattahoochee brick It was one of the

0:37:52.719 --> 0:37:55.359
<v Speaker 1>more famous brick yards in Georgia. And I remember him

0:37:55.360 --> 0:37:58.000
<v Speaker 1>bringing an orange gold card home and taking the old

0:37:58.040 --> 0:38:01.239
<v Speaker 1>motor off and putting up plowd motor on it. So

0:38:01.280 --> 0:38:04.360
<v Speaker 1>a plow motor is what she used to till the ground,

0:38:04.640 --> 0:38:06.160
<v Speaker 1>or when you have a garden in a garden in

0:38:06.200 --> 0:38:07.879
<v Speaker 1>the backyard. But I think this one might have been

0:38:07.960 --> 0:38:11.839
<v Speaker 1>like either like four or five, four or six horsepower,

0:38:12.239 --> 0:38:13.840
<v Speaker 1>and he tweaked it a little and make it a

0:38:13.880 --> 0:38:17.200
<v Speaker 1>little faster. So by the time we finished building that

0:38:17.200 --> 0:38:19.479
<v Speaker 1>thing and I was sipping up and down the church

0:38:19.560 --> 0:38:22.840
<v Speaker 1>parking lot. Next we got a Honda Spree. I remember

0:38:22.840 --> 0:38:24.279
<v Speaker 1>he got me the scooter and it was one of

0:38:24.320 --> 0:38:26.200
<v Speaker 1>the lights were bent. We had to bend it back.

0:38:26.560 --> 0:38:28.680
<v Speaker 1>He caught me trying to get on the Expressway at

0:38:28.719 --> 0:38:31.799
<v Speaker 1>twelve years old, that with that Honda's free. I remember

0:38:31.880 --> 0:38:33.920
<v Speaker 1>him just I remember, like literally from to get on

0:38:33.920 --> 0:38:35.920
<v Speaker 1>the express I finally get to go fifty five and

0:38:36.040 --> 0:38:38.160
<v Speaker 1>him like, god, damn it, what a man. I can

0:38:38.200 --> 0:38:40.120
<v Speaker 1>hear him from them, just like, oh ship. I looked

0:38:40.160 --> 0:38:42.279
<v Speaker 1>across the street and it was him. He made me

0:38:42.480 --> 0:38:44.440
<v Speaker 1>take it back home, and he didn't let me drive

0:38:44.560 --> 0:38:49.600
<v Speaker 1>it for like a month, but he let me borrow um.

0:38:49.640 --> 0:38:51.480
<v Speaker 1>And I don't even think I had a license, you know.

0:38:51.520 --> 0:38:53.360
<v Speaker 1>Oh people don't give a ship you can drive, you

0:38:53.360 --> 0:38:56.000
<v Speaker 1>can drive. Let me. He let me borrow. When I

0:38:56.040 --> 0:38:59.560
<v Speaker 1>got my learners and his Plymouth Vlaire which wasn't very

0:38:59.640 --> 0:39:02.799
<v Speaker 1>fads but it was four doors. It was a car

0:39:02.960 --> 0:39:05.799
<v Speaker 1>and Kesha Wilcox and it was a bench seat. She

0:39:05.920 --> 0:39:09.239
<v Speaker 1>kissed me um, and it was after that I was

0:39:09.280 --> 0:39:11.560
<v Speaker 1>just like, yo, I'm into this car. Thing, and next

0:39:11.640 --> 0:39:14.840
<v Speaker 1>my grandma let me drive her Regal. But all my

0:39:15.000 --> 0:39:19.000
<v Speaker 1>cousins had very fast cars. They had our rocks. My

0:39:19.040 --> 0:39:22.640
<v Speaker 1>mom had a Firebird, my my I have a bio

0:39:22.760 --> 0:39:25.799
<v Speaker 1>and a non bio dad. My bio dad, Big Mike,

0:39:26.200 --> 0:39:29.680
<v Speaker 1>he drove a muscle car. He drove a Camaro. My

0:39:29.800 --> 0:39:33.480
<v Speaker 1>non bio dad drove a four Galaxy five hundred. He

0:39:33.480 --> 0:39:35.600
<v Speaker 1>had a chiveil. So I grew up in and I

0:39:35.600 --> 0:39:38.320
<v Speaker 1>grew up going to drag strips and seeing races. And

0:39:38.440 --> 0:39:43.200
<v Speaker 1>my grandpa ran shine. So he liked um, he liked contiacts. Um,

0:39:43.239 --> 0:39:45.520
<v Speaker 1>he was into like the g T O s. He

0:39:45.600 --> 0:39:48.040
<v Speaker 1>was into. He taught me to the pontiact. Judge was right. Now,

0:39:48.080 --> 0:39:50.799
<v Speaker 1>I got a sixty nine Firebird. My wife has a

0:39:50.840 --> 0:39:54.360
<v Speaker 1>sixty eight fire Bird. Yeah. Yeah, the Firebird with the

0:39:54.640 --> 0:39:59.400
<v Speaker 1>uh the hood word Ramsey ran exactly exactly, so we

0:39:59.520 --> 0:40:01.880
<v Speaker 1>all you know, I got I got l S three's,

0:40:01.880 --> 0:40:03.239
<v Speaker 1>I got a l S seven in mine, I got

0:40:03.440 --> 0:40:05.960
<v Speaker 1>LS three and her. So I just like going fast,

0:40:06.040 --> 0:40:08.200
<v Speaker 1>you know, I like going right? Okay, that but that

0:40:08.239 --> 0:40:10.640
<v Speaker 1>does beg How many cars are you on right now?

0:40:11.480 --> 0:40:14.879
<v Speaker 1>I think I'm about tenants twelve? Okay, do you own

0:40:14.880 --> 0:40:19.319
<v Speaker 1>a Tesla. No, I never would. No, you've been in

0:40:19.360 --> 0:40:22.239
<v Speaker 1>a Tesla ass right, Yeah. I like the Tesla truck.

0:40:22.280 --> 0:40:25.799
<v Speaker 1>Let me see this, not I've got very specific You

0:40:25.880 --> 0:40:28.960
<v Speaker 1>like to go fast, do we know? I like the

0:40:29.000 --> 0:40:33.319
<v Speaker 1>smell of gaseline and and oxygen mixing too. That's the

0:40:33.360 --> 0:40:36.040
<v Speaker 1>only thing about a Tesla's you don't get the You

0:40:36.120 --> 0:40:40.319
<v Speaker 1>don't get the raw smell of fuel burning. You don't

0:40:40.440 --> 0:40:43.160
<v Speaker 1>get the subtle nuances like but I like them. I

0:40:43.239 --> 0:40:45.680
<v Speaker 1>like the Tesla truck enough to buy, But I have

0:40:45.840 --> 0:40:49.120
<v Speaker 1>not been captivated enough by Tesla car that I want

0:40:49.120 --> 0:40:51.560
<v Speaker 1>to own. I already put my order in for the

0:40:51.600 --> 0:40:53.719
<v Speaker 1>Tesla truck. By the way, i'd like to say that. Okay, wait,

0:40:53.760 --> 0:40:56.480
<v Speaker 1>let's stay with the truck. You guys got past the

0:40:56.719 --> 0:41:01.359
<v Speaker 1>how it looks. Yeah, yeah, you understand that, Bob. I'm

0:41:01.400 --> 0:41:04.560
<v Speaker 1>not gonna miss out on my generation's DeLorean. Okay. It's

0:41:04.600 --> 0:41:08.000
<v Speaker 1>the most ridiculous looking thing in the world, and I'm

0:41:08.040 --> 0:41:11.040
<v Speaker 1>absolutely buying a ship. But I grew up on traum

0:41:11.080 --> 0:41:13.080
<v Speaker 1>you know, things like that's like the low the low

0:41:13.200 --> 0:41:16.400
<v Speaker 1>polygon shape. Yeah, that's that's taps right into my general

0:41:17.719 --> 0:41:21.160
<v Speaker 1>How about you, Mike, who me the shape of the

0:41:21.160 --> 0:41:25.719
<v Speaker 1>Tesla truck. The Tesla truck. What's crazy is I honestly

0:41:25.760 --> 0:41:28.880
<v Speaker 1>think if you if you it, there's a car. I

0:41:28.880 --> 0:41:31.080
<v Speaker 1>gotta remember that popped in my head the other day.

0:41:31.080 --> 0:41:34.680
<v Speaker 1>I said, this son of a bitch elon musk It

0:41:34.440 --> 0:41:37.160
<v Speaker 1>it is an eighties car of some type. It may

0:41:37.160 --> 0:41:40.600
<v Speaker 1>even be the DeLorean turned backwards. So if you look

0:41:40.640 --> 0:41:43.279
<v Speaker 1>at the Tesla truck, the front of it is the

0:41:43.360 --> 0:41:46.320
<v Speaker 1>ass of a DeLorean. But if you turn it backwards.

0:41:46.320 --> 0:41:48.879
<v Speaker 1>But yeah, I'm just it just looks like at any

0:41:48.960 --> 0:41:52.160
<v Speaker 1>moment it's gonna turn into a Transformer. So I like

0:41:52.280 --> 0:41:55.160
<v Speaker 1>it for the novelty. So but I drive with that said,

0:41:55.239 --> 0:41:58.160
<v Speaker 1>my wife bought me a FOURD f to fifty super

0:41:58.239 --> 0:42:02.040
<v Speaker 1>duty diesel for for my birthday. So again, man, I'm

0:42:02.080 --> 0:42:04.960
<v Speaker 1>just a believer in Bernard fossil fuels, those dining staurs that.

0:42:05.719 --> 0:42:08.000
<v Speaker 1>But I want to be specific. I drive a fossil

0:42:08.040 --> 0:42:13.799
<v Speaker 1>fuel car myself. Yeah, but being in people's testlas, the

0:42:13.840 --> 0:42:18.759
<v Speaker 1>acceleration is mind blowing crazy crazy. Yeah, no idea has

0:42:18.800 --> 0:42:21.759
<v Speaker 1>a Tesla. But it's it's there's a certain there's a

0:42:21.800 --> 0:42:24.479
<v Speaker 1>certain danger that you miss. Like I like the test flat,

0:42:24.520 --> 0:42:27.239
<v Speaker 1>it's it pulls fast. I like the fact that you

0:42:27.280 --> 0:42:29.240
<v Speaker 1>could don't have to drive it. You could get stone,

0:42:29.280 --> 0:42:32.040
<v Speaker 1>gonna sleep and wake up in your home. The problem

0:42:32.200 --> 0:42:36.719
<v Speaker 1>is driving my hellcat. Death is always next to me.

0:42:37.239 --> 0:42:39.920
<v Speaker 1>The fact that the fact that I'm seven hundred and

0:42:39.960 --> 0:42:42.560
<v Speaker 1>seven horse a hunted and I think I've gotten her

0:42:42.600 --> 0:42:44.359
<v Speaker 1>up to a hundred and sixty four mile an hour

0:42:44.480 --> 0:42:47.400
<v Speaker 1>on the regular street. The fact that I know this

0:42:47.520 --> 0:42:49.319
<v Speaker 1>could be the moment to die, so me make sure

0:42:49.360 --> 0:42:52.240
<v Speaker 1>you're listening to good music. That that danger. I'm missing

0:42:52.280 --> 0:42:54.960
<v Speaker 1>a Tesla. It's kind of like driving a Vovo. It's

0:42:54.960 --> 0:42:59.040
<v Speaker 1>it's just you're safe. Zack Zack dell Rocha has a

0:42:59.160 --> 0:43:05.160
<v Speaker 1>Testla act and riding around in his Tetla, I don't.

0:43:05.200 --> 0:43:07.759
<v Speaker 1>I rarely feel like I'm on a roller coaster. And

0:43:07.840 --> 0:43:09.759
<v Speaker 1>when I'm in a car, like going from gero to

0:43:09.920 --> 0:43:13.319
<v Speaker 1>sixty and however quickly that happens in a Tesla act,

0:43:14.160 --> 0:43:17.000
<v Speaker 1>it's that ship feels dangerous. I have to admit I

0:43:17.000 --> 0:43:19.319
<v Speaker 1>know it. I think so too. You know, I don't know.

0:43:19.640 --> 0:43:24.000
<v Speaker 1>And it's silent. It's just a battery, you know. Okay, Okay,

0:43:24.080 --> 0:43:25.800
<v Speaker 1>let's go back to Mike and you're talking to the

0:43:25.920 --> 0:43:28.080
<v Speaker 1>LS three, the L seven, etcetera. But what do we know?

0:43:28.280 --> 0:43:31.080
<v Speaker 1>The American cars are good in the street line, yeah,

0:43:31.680 --> 0:43:36.480
<v Speaker 1>and the European The European cars he handled, generally speaking better.

0:43:36.560 --> 0:43:39.920
<v Speaker 1>So is this a religious issue? It must be American? No.

0:43:40.280 --> 0:43:44.120
<v Speaker 1>I I tell people I like American muscling, like German performance.

0:43:44.440 --> 0:43:47.759
<v Speaker 1>So for my fiftieth birthday, I'm gonna I'm gonna, I'm

0:43:47.800 --> 0:43:49.959
<v Speaker 1>gonna get it. I'm gonna get that Porsche. I'm gonna

0:43:50.000 --> 0:43:52.200
<v Speaker 1>do what you're supposed to do when you're old. I

0:43:52.400 --> 0:43:54.880
<v Speaker 1>get that, get to get a quarter million dollar Porsche.

0:43:55.280 --> 0:43:59.680
<v Speaker 1>My wife, My wife, My wife drives. I bought her

0:43:59.719 --> 0:44:02.000
<v Speaker 1>and that's five fifty that I drive like a fucking

0:44:02.080 --> 0:44:04.719
<v Speaker 1>race car. Absolutely love. I wanted her to get to

0:44:04.960 --> 0:44:06.719
<v Speaker 1>sixty three and as sixty five, and she was like

0:44:06.840 --> 0:44:10.279
<v Speaker 1>absolutely not. Um So I'm a I'm a big fan

0:44:10.320 --> 0:44:12.560
<v Speaker 1>of German cars. I'm a big fan of the performance

0:44:12.560 --> 0:44:15.680
<v Speaker 1>she's I remember she had a little she had to

0:44:15.920 --> 0:44:18.319
<v Speaker 1>m him four or five BMW. But I drove that

0:44:18.320 --> 0:44:20.200
<v Speaker 1>god damn car like a race car. In fact, she

0:44:20.360 --> 0:44:23.239
<v Speaker 1>had a Honda Accord V six that I drove on

0:44:23.239 --> 0:44:26.440
<v Speaker 1>an everyday basis, just because I liked the acceleration of it.

0:44:26.520 --> 0:44:29.160
<v Speaker 1>So no, it's not it's not American or nothing for me.

0:44:29.239 --> 0:44:31.840
<v Speaker 1>But if someone's putting two cars on the headstone or

0:44:31.880 --> 0:44:35.040
<v Speaker 1>a couple of companies, it's probably definitely gonna be Chevrolet

0:44:35.040 --> 0:44:37.759
<v Speaker 1>and Mercedes bench through me. Okay, let's go to Let's

0:44:37.800 --> 0:44:39.919
<v Speaker 1>go to Dodge, Let's go to the hell cap. How

0:44:39.960 --> 0:44:43.000
<v Speaker 1>long do the tires last? I go through about it?

0:44:43.120 --> 0:44:46.200
<v Speaker 1>I spent about two a month on top of go

0:44:46.239 --> 0:44:48.799
<v Speaker 1>through about a new set about every thirty forty five days,

0:44:48.920 --> 0:44:51.560
<v Speaker 1>every thirty or forty five days. Yeah, if I don't

0:44:51.560 --> 0:44:53.120
<v Speaker 1>buy a pair of new ties a month, I just

0:44:53.120 --> 0:44:58.640
<v Speaker 1>then drive a car a lot. Okay, let's go to you, Jamie.

0:44:59.040 --> 0:45:03.239
<v Speaker 1>Mike is known as be very political. Are you political

0:45:03.400 --> 0:45:05.279
<v Speaker 1>or did Mike make you political? Or you're more a

0:45:05.400 --> 0:45:09.879
<v Speaker 1>political I'm just not as I'm just not as out

0:45:09.880 --> 0:45:12.319
<v Speaker 1>there as Mike is in terms of actually literally being

0:45:12.320 --> 0:45:14.120
<v Speaker 1>in the political spectrum. But I think that if you

0:45:14.160 --> 0:45:16.600
<v Speaker 1>look back at my career in my catalog, and what

0:45:16.600 --> 0:45:19.080
<v Speaker 1>I've been talking about is very consistent with what I

0:45:19.120 --> 0:45:22.280
<v Speaker 1>do now, which is that I absolutely have been talking

0:45:22.320 --> 0:45:27.080
<v Speaker 1>about um sort of macro political perspective stuff. Um, for sure,

0:45:27.239 --> 0:45:29.560
<v Speaker 1>we just have a different um tack in the way

0:45:29.560 --> 0:45:32.359
<v Speaker 1>that we approach it. And I really like Mike's tack.

0:45:32.440 --> 0:45:34.959
<v Speaker 1>I really it's really cool to know, to be down

0:45:35.000 --> 0:45:36.719
<v Speaker 1>with some Mike. What I'll tell you. I'll tell you

0:45:36.719 --> 0:45:39.279
<v Speaker 1>what Mike did do for me, because when me and

0:45:39.320 --> 0:45:41.400
<v Speaker 1>Mike met, we one of the things that we bonded

0:45:41.400 --> 0:45:45.600
<v Speaker 1>on was that we had a very similar perspective political perspective,

0:45:45.640 --> 0:45:48.120
<v Speaker 1>and that we had that we shared a few really

0:45:48.160 --> 0:45:52.440
<v Speaker 1>fundamental ideas about the power structure in this world and

0:45:52.719 --> 0:45:55.279
<v Speaker 1>about the abuses that that that come out of it,

0:45:55.719 --> 0:45:59.000
<v Speaker 1>um and And there are a lot of differences in

0:45:59.080 --> 0:46:01.680
<v Speaker 1>approach and experience in the way that we've looked at

0:46:01.719 --> 0:46:03.920
<v Speaker 1>things UM and that translated in the way that we

0:46:04.000 --> 0:46:08.319
<v Speaker 1>do what we do. I guess I've in records I

0:46:08.360 --> 0:46:11.560
<v Speaker 1>am mostly philosophical about it, where it might tends to

0:46:11.640 --> 0:46:14.359
<v Speaker 1>be very direct about it, and he gets you know, UM,

0:46:14.920 --> 0:46:18.040
<v Speaker 1>but I think that we've discovered that together those perspectives

0:46:18.200 --> 0:46:21.759
<v Speaker 1>work really well. Often, like you know, I'm I'm, I

0:46:21.880 --> 0:46:25.320
<v Speaker 1>end up being macro and and and sort of um

0:46:25.320 --> 0:46:29.799
<v Speaker 1>philosophical about the relationship between you know, people and the

0:46:29.800 --> 0:46:33.200
<v Speaker 1>power structures that are and Mike gets into it UM

0:46:33.320 --> 0:46:35.040
<v Speaker 1>from a sort of feed on the ground level, and

0:46:35.040 --> 0:46:37.440
<v Speaker 1>it's made these it's it's kind of given us this

0:46:37.760 --> 0:46:40.160
<v Speaker 1>really cool thing that neither of us had when we

0:46:40.160 --> 0:46:43.840
<v Speaker 1>were making our music separately. But yes, I've been political

0:46:44.000 --> 0:46:49.080
<v Speaker 1>in my perspective, but what Mike did for me in

0:46:49.200 --> 0:46:55.719
<v Speaker 1>terms of literal politics in the sense that UM, well,

0:46:57.239 --> 0:46:59.440
<v Speaker 1>a few things. But but it's really nice to know

0:46:59.560 --> 0:47:03.520
<v Speaker 1>somebody who's who has genuinely been involved on on the

0:47:03.680 --> 0:47:06.959
<v Speaker 1>technical level of politics. You know. For for for my life,

0:47:06.960 --> 0:47:09.240
<v Speaker 1>it has never been about that. It's always been about

0:47:09.719 --> 0:47:11.880
<v Speaker 1>my perspective. It's always been about what I read. It's

0:47:11.880 --> 0:47:13.560
<v Speaker 1>always been about what I've seen, and so always been

0:47:13.600 --> 0:47:16.480
<v Speaker 1>about how I felt about things. It hasn't necessarily been

0:47:16.520 --> 0:47:19.520
<v Speaker 1>about UM. It hasn't been like Mike, where Mike is

0:47:19.560 --> 0:47:23.000
<v Speaker 1>literally stumping for a presidential candidate. That's not where I

0:47:23.120 --> 0:47:26.920
<v Speaker 1>have been and that's not where I leaned towards UM.

0:47:26.960 --> 0:47:29.600
<v Speaker 1>So that's the answer to that question. But you know,

0:47:29.960 --> 0:47:32.960
<v Speaker 1>there's the thing that worked with me and Mike was

0:47:33.000 --> 0:47:36.400
<v Speaker 1>that we both did have long histories of writing about

0:47:38.040 --> 0:47:41.520
<v Speaker 1>the dynamics of power and and that was something that

0:47:41.600 --> 0:47:45.640
<v Speaker 1>we could find um uh common ground and in terms

0:47:45.640 --> 0:47:48.399
<v Speaker 1>of making songs together because it's something that we both

0:47:48.440 --> 0:47:51.839
<v Speaker 1>want to express and we just had our different ways

0:47:51.840 --> 0:47:54.319
<v Speaker 1>of doing it. I really like the fact that I

0:47:54.360 --> 0:47:56.279
<v Speaker 1>have might to balance me out, and I think that

0:47:56.320 --> 0:48:01.040
<v Speaker 1>it works both ways a bit, you know. Um Yeah, Okay, Mike,

0:48:01.440 --> 0:48:03.440
<v Speaker 1>that's it. That's all you wanted. I thought he wanted

0:48:03.480 --> 0:48:06.520
<v Speaker 1>for me, Bob, than the answer to the question we

0:48:06.600 --> 0:48:12.480
<v Speaker 1>go do with? You know, it's not like nor am

0:48:12.480 --> 0:48:21.040
<v Speaker 1>I but I'm over here ordering a Tesla truck. What's

0:48:21.040 --> 0:48:23.440
<v Speaker 1>the final number gonna be on that Tesla truck? They

0:48:23.480 --> 0:48:25.400
<v Speaker 1>got it? The one I liked about sixty nine or

0:48:25.440 --> 0:48:29.960
<v Speaker 1>probably costs about eighty. Is there a rebateing Georgia on

0:48:30.120 --> 0:48:33.600
<v Speaker 1>electric cars? Yeah? That I think. I think they finally

0:48:33.640 --> 0:48:35.719
<v Speaker 1>I think we finally got progressive enough to do that.

0:48:35.800 --> 0:48:38.320
<v Speaker 1>I think we got u They got the best parking

0:48:38.360 --> 0:48:40.919
<v Speaker 1>spots at all the fancy malls now, so there has

0:48:40.960 --> 0:48:43.040
<v Speaker 1>to be some type of rebated rich people are buying

0:48:43.080 --> 0:48:47.080
<v Speaker 1>them like that. Okay, Mike, let's say, as he seems

0:48:47.120 --> 0:48:53.360
<v Speaker 1>to be saying, Trump does not leave office, what happens, Well,

0:48:53.400 --> 0:48:55.440
<v Speaker 1>one or two things happens. Either we comply on the

0:48:55.520 --> 0:48:58.279
<v Speaker 1>tyranny or we do what the founding forefathers of this

0:48:58.320 --> 0:49:01.840
<v Speaker 1>country did, and we rebelled against it. It's it's not

0:49:01.280 --> 0:49:04.080
<v Speaker 1>a not as hard, you know, it's not very difficult.

0:49:04.400 --> 0:49:07.399
<v Speaker 1>The question is will we comply with tyranny or will

0:49:07.440 --> 0:49:09.920
<v Speaker 1>we do what the principles of this nation require us

0:49:09.920 --> 0:49:13.000
<v Speaker 1>to do? And that's um, you know, that's resists here

0:49:13.000 --> 0:49:17.200
<v Speaker 1>and he had all costs. Well, what would that look like? Well,

0:49:17.200 --> 0:49:19.520
<v Speaker 1>I don't know what it will look like. Um. On

0:49:19.520 --> 0:49:22.279
<v Speaker 1>one hand, it could look like all workers refusing to

0:49:22.360 --> 0:49:25.560
<v Speaker 1>produce or go into work and halting the country. On

0:49:25.600 --> 0:49:28.880
<v Speaker 1>another hand, it could mean all consumers refused to participate

0:49:28.920 --> 0:49:31.960
<v Speaker 1>in anything except food consumption or medicine buying. In the

0:49:31.960 --> 0:49:34.799
<v Speaker 1>worst case scenario, we could mean the dire use of

0:49:34.800 --> 0:49:37.640
<v Speaker 1>our Second Amendment rights and taking up farms versus the government.

0:49:38.000 --> 0:49:40.200
<v Speaker 1>That's one that I don't wish to see, but I

0:49:40.239 --> 0:49:43.239
<v Speaker 1>think that we should exhaust every means and measure before that.

0:49:43.560 --> 0:49:46.120
<v Speaker 1>But I do believe in protecting that right since that's

0:49:46.200 --> 0:49:48.440
<v Speaker 1>kind of what got us here. Well, if we look

0:49:48.440 --> 0:49:53.799
<v Speaker 1>at George Floyd six months ago, there was spontaneous combustion, Okay,

0:49:53.920 --> 0:49:57.000
<v Speaker 1>there were there we since Ferguson, there was heat etcetera.

0:49:57.480 --> 0:50:00.279
<v Speaker 1>And it unexpectedly happened and then it spread it really

0:50:00.360 --> 0:50:03.640
<v Speaker 1>around the world. Well, it's always it's always happening. I

0:50:03.680 --> 0:50:06.400
<v Speaker 1>think that as important as a as a former activist

0:50:06.440 --> 0:50:09.960
<v Speaker 1>and always advocate, it's important to note that this is

0:50:10.120 --> 0:50:15.080
<v Speaker 1>always happening. In when the Los Angeles riots happening, rioting

0:50:15.239 --> 0:50:19.200
<v Speaker 1>happened nationwide, didn't happen everywhere, but it happened in major

0:50:19.280 --> 0:50:23.280
<v Speaker 1>hot spots. There were stuff popped up in Houston, Louisiana, Atlanta.

0:50:23.400 --> 0:50:26.000
<v Speaker 1>I write it personally as a high school student. Right,

0:50:26.200 --> 0:50:28.040
<v Speaker 1>we went to the foot lockers, sooking, we get some

0:50:28.080 --> 0:50:30.520
<v Speaker 1>mair Force ones in their Jordan's you know, we did

0:50:30.600 --> 0:50:34.600
<v Speaker 1>what what you did. When you compress pain and anguish

0:50:34.640 --> 0:50:37.440
<v Speaker 1>and anxiety, it does explode. So I don't, you know,

0:50:37.560 --> 0:50:39.840
<v Speaker 1>I don't. I don't think that, um, the sponineity we

0:50:39.840 --> 0:50:41.960
<v Speaker 1>should be surprised by it, because people do a lot

0:50:42.239 --> 0:50:44.080
<v Speaker 1>to kind of try to stay in line and believe

0:50:44.160 --> 0:50:46.840
<v Speaker 1>that that that the that the ark of the universe

0:50:46.840 --> 0:50:50.560
<v Speaker 1>bench towards justice, even when it feels like it doesn't. Um,

0:50:50.640 --> 0:50:54.399
<v Speaker 1>you know, but I just and and okay, a couple

0:50:54.440 --> 0:50:56.160
<v Speaker 1>of things and you can jump in here Jamie too.

0:50:56.160 --> 0:50:59.359
<v Speaker 1>If you want, yes, I hear you that they were

0:50:59.400 --> 0:51:03.759
<v Speaker 1>writing another place, uh writing demonstrating. They were demonstrating in

0:51:03.880 --> 0:51:07.040
<v Speaker 1>Idaho trying. Let me tell you the most beautiful thing

0:51:07.080 --> 0:51:11.160
<v Speaker 1>I saw, The most beautiful thing I saw because a

0:51:11.200 --> 0:51:13.520
<v Speaker 1>lot of people don't understand that the Rainbow Coalition is

0:51:13.520 --> 0:51:16.120
<v Speaker 1>something we've always heard Jesse Jackson talk about and it's

0:51:16.120 --> 0:51:19.280
<v Speaker 1>been an abstract thing. But the Rainbow Coalition was started,

0:51:20.000 --> 0:51:23.719
<v Speaker 1>was started, was started by Fred Hampton, twenty one year

0:51:23.760 --> 0:51:27.919
<v Speaker 1>old christ like figure, amazing organizing educator in the Black

0:51:27.920 --> 0:51:31.120
<v Speaker 1>Panther Party and the Check Illinois Chapter and um. The

0:51:31.239 --> 0:51:35.640
<v Speaker 1>Rainbow Coalition brought everyone together, poor people, gay people, white people,

0:51:35.960 --> 0:51:38.879
<v Speaker 1>and Native people, um Asian people. It was for all

0:51:38.920 --> 0:51:41.319
<v Speaker 1>of us. The most beautiful I saw things I saw

0:51:41.360 --> 0:51:45.640
<v Speaker 1>doing all these demonstrations riots were when Amish protesters showed up.

0:51:46.120 --> 0:51:48.920
<v Speaker 1>When I saw the Amish show up, I literally wanted

0:51:48.920 --> 0:51:51.520
<v Speaker 1>to say to the State of America, shame on you.

0:51:52.000 --> 0:51:56.279
<v Speaker 1>These are probably the most enclosed, insulated people in these

0:51:56.400 --> 0:51:59.520
<v Speaker 1>United States. And for them to show up on the

0:51:59.560 --> 0:52:02.800
<v Speaker 1>behalf of a black man being killed by an agent

0:52:02.840 --> 0:52:06.600
<v Speaker 1>of the state shows you that the propaganda that everything

0:52:06.719 --> 0:52:11.360
<v Speaker 1>is okay it's bullshit. When the Amish, the fucking Amish,

0:52:11.400 --> 0:52:15.239
<v Speaker 1>pop up buggies and horses and told, I imagine to

0:52:15.320 --> 0:52:18.400
<v Speaker 1>say enough is enough. We as a country should know, Okay,

0:52:18.440 --> 0:52:20.720
<v Speaker 1>we're sucking up. We need to reset this ship. Because

0:52:20.840 --> 0:52:23.279
<v Speaker 1>they like the Amish, got big screen TVs watching, got

0:52:23.320 --> 0:52:25.799
<v Speaker 1>d M, CNN every night. They got the word through

0:52:25.800 --> 0:52:27.719
<v Speaker 1>a bird, you know what I mean. So I was

0:52:27.840 --> 0:52:30.239
<v Speaker 1>really I would like to thank the Amish community and

0:52:30.239 --> 0:52:32.680
<v Speaker 1>the Mennonite community out of Ohio, which one of my

0:52:32.719 --> 0:52:35.600
<v Speaker 1>mentors is. But they have been amazing in this fight,

0:52:35.719 --> 0:52:38.960
<v Speaker 1>protracted and and even in the short term, just them

0:52:39.040 --> 0:52:43.200
<v Speaker 1>showing up has been an amazing thing. Okay, you're well

0:52:43.239 --> 0:52:47.600
<v Speaker 1>known as a Bernie Sanders supporter. Bernie came very close in.

0:52:48.680 --> 0:52:51.200
<v Speaker 1>I was a Warren person until she blew herself up

0:52:51.200 --> 0:52:55.040
<v Speaker 1>on the healthcare and I was a Bernie person. I

0:52:55.120 --> 0:53:00.000
<v Speaker 1>like Bernie, who I certainly voted for in the primary

0:53:00.040 --> 0:53:03.800
<v Speaker 1>or whatever. Why did it not happen for Bernie? Two questions?

0:53:03.840 --> 0:53:07.360
<v Speaker 1>Why did it generally not happen forgetting that the everybody

0:53:07.400 --> 0:53:12.200
<v Speaker 1>coalescent dropped out and conspired with Biden, But why did

0:53:12.239 --> 0:53:16.160
<v Speaker 1>the youth not come out? Well, the the youth. The

0:53:16.280 --> 0:53:20.120
<v Speaker 1>youth I want to come out. They did come out,

0:53:20.880 --> 0:53:24.840
<v Speaker 1>um in places that they felt heard and seen. I

0:53:24.960 --> 0:53:27.760
<v Speaker 1>think that the South is I know that the South

0:53:27.840 --> 0:53:32.520
<v Speaker 1>is fifty black. I wish that the Sanders campaign after

0:53:33.440 --> 0:53:36.799
<v Speaker 1>would have kept representatives in South Carolina in particular, and

0:53:36.840 --> 0:53:39.200
<v Speaker 1>in places like Georgia where they could have where we

0:53:39.239 --> 0:53:41.360
<v Speaker 1>could flit the state. I wish that they would have

0:53:41.400 --> 0:53:43.640
<v Speaker 1>worked the next three and a half four years, people

0:53:43.719 --> 0:53:47.120
<v Speaker 1>like um Nina Turner, other people that were notable, like

0:53:47.200 --> 0:53:50.759
<v Speaker 1>Cordell West, people that were a part of his campaign.

0:53:51.000 --> 0:53:54.239
<v Speaker 1>Um my brother mar reached out in Georgia that ended up,

0:53:54.320 --> 0:53:56.600
<v Speaker 1>you know, not coming back. I wish that they had

0:53:56.840 --> 0:53:59.440
<v Speaker 1>had an opportunity or I wish this campaign would have

0:53:59.480 --> 0:54:02.520
<v Speaker 1>understood the importance of three and three and a half

0:54:02.640 --> 0:54:07.520
<v Speaker 1>years of relationship building because in the South we tend

0:54:07.520 --> 0:54:11.400
<v Speaker 1>to be total line Democrats, because Democrats and the federal

0:54:11.440 --> 0:54:14.560
<v Speaker 1>government have been the safe haven amidst some of the

0:54:14.600 --> 0:54:19.160
<v Speaker 1>most dire racism and bigotry through legislation that you've ever seen.

0:54:19.600 --> 0:54:22.799
<v Speaker 1>And it's very hard to trust the greater good, even

0:54:22.880 --> 0:54:25.719
<v Speaker 1>though you know it's the greater good, when you have

0:54:26.120 --> 0:54:29.719
<v Speaker 1>only been able to depend on one particular party and

0:54:29.760 --> 0:54:33.040
<v Speaker 1>the federal government even more so than your local municipalities.

0:54:33.239 --> 0:54:36.400
<v Speaker 1>So when that party says fall in line, your leadership

0:54:36.440 --> 0:54:38.359
<v Speaker 1>tends to fall in line, and they tend to ask

0:54:38.440 --> 0:54:41.960
<v Speaker 1>of you to fall in line, simply because even though

0:54:42.000 --> 0:54:45.160
<v Speaker 1>you are what Bernie Sanders campaign was exactly what black

0:54:45.160 --> 0:54:47.920
<v Speaker 1>people have asked for. It was exactly what the doctor

0:54:48.000 --> 0:54:50.560
<v Speaker 1>King campaign of his last two years has said that

0:54:50.600 --> 0:54:53.959
<v Speaker 1>we needed, including but not limited to once not being

0:54:54.000 --> 0:54:56.480
<v Speaker 1>pro reparations, saying that he would be willing to sign

0:54:56.480 --> 0:55:00.520
<v Speaker 1>the HR forty reparations bill to study reparations like Commers

0:55:00.560 --> 0:55:03.880
<v Speaker 1>had tried to get past this nine including that that

0:55:03.960 --> 0:55:06.160
<v Speaker 1>would have happened. But to be honest, it's just fear.

0:55:06.520 --> 0:55:09.879
<v Speaker 1>There's fear mongering on both sides. Donald Trump is trying

0:55:09.920 --> 0:55:12.560
<v Speaker 1>to win an election right now under law and order.

0:55:12.880 --> 0:55:15.239
<v Speaker 1>If that's not one of the most fascist statements I've

0:55:15.280 --> 0:55:17.399
<v Speaker 1>ever heard, I don't know what is law in order

0:55:17.400 --> 0:55:20.600
<v Speaker 1>to think about that. Law and order over humanity, law

0:55:20.600 --> 0:55:24.160
<v Speaker 1>and order over over over basic morality in this country,

0:55:24.239 --> 0:55:26.600
<v Speaker 1>law and order over your rights. It is equivalent to

0:55:26.600 --> 0:55:29.359
<v Speaker 1>see in the Seattle police officer ride over the head

0:55:29.440 --> 0:55:32.160
<v Speaker 1>of a protester that's that's painted on a bicycle. So

0:55:32.480 --> 0:55:35.400
<v Speaker 1>you know, with Sanders, I think that in the South,

0:55:36.200 --> 0:55:38.480
<v Speaker 1>we could have had a better strategy or the campaign

0:55:38.520 --> 0:55:40.919
<v Speaker 1>could have had a better strategy for how to get

0:55:40.960 --> 0:55:43.080
<v Speaker 1>to know Mr Sanders better and how to get to

0:55:43.080 --> 0:55:46.200
<v Speaker 1>know him more. I feel like they found or they

0:55:46.320 --> 0:55:50.040
<v Speaker 1>made a caricature of him. The National Democratic Party, I think,

0:55:50.120 --> 0:55:52.680
<v Speaker 1>and I think that there was some nefarious things that

0:55:52.719 --> 0:55:55.160
<v Speaker 1>happened on the ground which I saw personally in terms

0:55:55.160 --> 0:55:58.000
<v Speaker 1>of the national part of the undermining him. And I

0:55:58.040 --> 0:56:01.840
<v Speaker 1>think that um and even in his absence, though locally

0:56:01.880 --> 0:56:04.680
<v Speaker 1>he won. If you look at a place like Atlanta, Hartston,

0:56:04.719 --> 0:56:07.480
<v Speaker 1>Georgia had a guy named Mayor Ted who was progressive

0:56:07.600 --> 0:56:11.279
<v Speaker 1>enough to decriminalize marijuana before Atlanta, the Cab County or

0:56:11.280 --> 0:56:13.520
<v Speaker 1>any of those other counties with black leadership and a

0:56:13.560 --> 0:56:16.719
<v Speaker 1>majority black vote. Ted is now taking a six commissioned

0:56:16.719 --> 0:56:18.560
<v Speaker 1>seat in the Cab County, one of the more powerful

0:56:18.560 --> 0:56:21.239
<v Speaker 1>seats there. He was the only candidate in the local

0:56:21.239 --> 0:56:24.480
<v Speaker 1>elections that I publicly endorsed. He won his candidacy, and

0:56:24.520 --> 0:56:26.480
<v Speaker 1>we're going to see that that county, which is a

0:56:26.520 --> 0:56:29.879
<v Speaker 1>soldad county, become an even more progressive County now under

0:56:29.920 --> 0:56:32.680
<v Speaker 1>the leadership of Michael Thurman, the CEO there, who's a

0:56:32.719 --> 0:56:35.279
<v Speaker 1>brother I like a lot, and Paple like Mayor Ted.

0:56:35.440 --> 0:56:39.160
<v Speaker 1>So ultimately, I think Sanders did not lose because if

0:56:39.160 --> 0:56:41.560
<v Speaker 1>you look at it around the around the country now

0:56:41.600 --> 0:56:44.120
<v Speaker 1>I'm seeing more progressives get elected. But I wish I

0:56:44.160 --> 0:56:45.840
<v Speaker 1>could have seen him take fellow office and be the

0:56:45.880 --> 0:56:48.560
<v Speaker 1>President of the United States. Okay, let's just snap our

0:56:48.600 --> 0:56:52.160
<v Speaker 1>fingers and Biden his president. That's a huge snap. But

0:56:52.200 --> 0:56:57.120
<v Speaker 1>for the sake of this conversation, now, Okay, as someone

0:56:57.280 --> 0:57:03.040
<v Speaker 1>who supported Sanders, if Biden's in there much better than Trump,

0:57:03.120 --> 0:57:05.680
<v Speaker 1>and I will vote for Biden. But are the problems,

0:57:05.719 --> 0:57:10.200
<v Speaker 1>the endemic problems of this country really going to be addressed? No, no,

0:57:10.400 --> 0:57:13.520
<v Speaker 1>not unless we pushed the line. And the reason I

0:57:13.560 --> 0:57:15.719
<v Speaker 1>say that is the endemic problems in this country are

0:57:15.719 --> 0:57:18.720
<v Speaker 1>not going to be addressed because we've allowed lobbyists and

0:57:18.800 --> 0:57:21.480
<v Speaker 1>money um to corrupt the political class for over a

0:57:21.520 --> 0:57:23.880
<v Speaker 1>hundred years, and at some point we're going to have

0:57:23.920 --> 0:57:26.600
<v Speaker 1>to take stock of that. There is there is there

0:57:26.680 --> 0:57:28.960
<v Speaker 1>is trepidation that we move with as the people who

0:57:28.960 --> 0:57:31.000
<v Speaker 1>pay our taxes, that we shouldn't move with. We should

0:57:31.040 --> 0:57:33.360
<v Speaker 1>be bold in our moves. I met with the governor

0:57:33.400 --> 0:57:36.560
<v Speaker 1>of Georgia UM a couple of weeks ago. Some people

0:57:36.640 --> 0:57:39.120
<v Speaker 1>were encouraged by that, some people were not. Didn't matter

0:57:39.160 --> 0:57:40.840
<v Speaker 1>to me much. I pay my taxes in the state

0:57:40.920 --> 0:57:43.080
<v Speaker 1>of Georgia. I'm going to talk to the leader because

0:57:43.120 --> 0:57:44.720
<v Speaker 1>I think that there are things that this state that

0:57:44.960 --> 0:57:47.760
<v Speaker 1>used to better help my community. So no matter who

0:57:47.760 --> 0:57:50.600
<v Speaker 1>becomes president, we must be prepared to push the line

0:57:50.920 --> 0:57:53.720
<v Speaker 1>out of my meeting, seventy young black men out of

0:57:53.720 --> 0:57:55.840
<v Speaker 1>my zip CO and women are going to be able

0:57:55.880 --> 0:57:58.640
<v Speaker 1>to get a free trade school education. Out of my

0:57:58.760 --> 0:58:01.919
<v Speaker 1>meeting with the governor who's Republican. That meeting, I get

0:58:01.960 --> 0:58:04.040
<v Speaker 1>to talk to and help form a campaign that's gonna

0:58:04.080 --> 0:58:06.680
<v Speaker 1>make your working class and poor kids get an opportunity

0:58:06.720 --> 0:58:08.480
<v Speaker 1>to go to trade school because they aren't doing an

0:58:08.480 --> 0:58:11.000
<v Speaker 1>effective job of talking to those And that happens out

0:58:11.000 --> 0:58:13.240
<v Speaker 1>of that So and in matters of you know, what

0:58:13.360 --> 0:58:15.520
<v Speaker 1>happens with Joe is like, what are we gonna push

0:58:15.560 --> 0:58:17.960
<v Speaker 1>the Democrats in the Democratic Party to do if we

0:58:18.000 --> 0:58:21.640
<v Speaker 1>flipped Georgia. We have more black legislators than any other

0:58:21.760 --> 0:58:24.840
<v Speaker 1>state under under an old Gold Dome. But our legislation

0:58:24.880 --> 0:58:27.160
<v Speaker 1>doesn't look like that. So we have to start to

0:58:27.280 --> 0:58:30.480
<v Speaker 1>radically redefine how we do politics in this country. We

0:58:30.560 --> 0:58:32.760
<v Speaker 1>have to bring politics back down to a very local

0:58:32.760 --> 0:58:35.640
<v Speaker 1>and statewide level. We have to stop allowing big money

0:58:35.680 --> 0:58:39.520
<v Speaker 1>to Trump, you know, contended the interests of the working

0:58:39.520 --> 0:58:42.320
<v Speaker 1>classman and woman in this country, or we're going to

0:58:42.360 --> 0:58:44.600
<v Speaker 1>give this country to the one percent for the rest

0:58:44.640 --> 0:58:47.040
<v Speaker 1>of its existence. And we're gonna have to contend with

0:58:47.080 --> 0:58:49.320
<v Speaker 1>the fact that we allowed that to happen on our watch,

0:58:49.600 --> 0:58:51.439
<v Speaker 1>and we don't have to. You have to be more

0:58:51.440 --> 0:58:54.360
<v Speaker 1>politically active than just voting. And I'm not saying that

0:58:54.440 --> 0:58:57.120
<v Speaker 1>from a place on high as a celebrity that's smoking

0:58:57.160 --> 0:58:59.360
<v Speaker 1>weed and going to strip clubs. I'm saying that as

0:58:59.400 --> 0:59:03.080
<v Speaker 1>the five year child next to a woman from Tuskegee, Alabama,

0:59:03.160 --> 0:59:07.760
<v Speaker 1>who drugged me to every political campaign from Carter to

0:59:08.000 --> 0:59:13.520
<v Speaker 1>Reagan to versus Reagan to Mondale, versus Reagan to do Cacusa.

0:59:13.680 --> 0:59:16.800
<v Speaker 1>But like I remember virtually every local campaign because my

0:59:16.840 --> 0:59:19.720
<v Speaker 1>grandmother made sure I was there. And I'm thinking that

0:59:19.760 --> 0:59:22.560
<v Speaker 1>we need a resurgence of that type of local fire.

0:59:22.880 --> 0:59:25.000
<v Speaker 1>It isn't about how many less celebrities can do a

0:59:25.080 --> 0:59:27.439
<v Speaker 1>drop and say come out. It's about that one lady

0:59:27.440 --> 0:59:29.480
<v Speaker 1>that's making sure nine other people get to the polls.

0:59:29.680 --> 0:59:31.360
<v Speaker 1>How are we gonna help her? How are we going

0:59:31.400 --> 0:59:32.960
<v Speaker 1>to make sure there's a van there for them in

0:59:33.040 --> 0:59:35.120
<v Speaker 1>sandwiches and they got orange use and they don't have

0:59:35.160 --> 0:59:37.000
<v Speaker 1>to stand in line for six hours. Those are the

0:59:37.040 --> 0:59:39.800
<v Speaker 1>things we're gonna have to do to truly hold whoever

0:59:39.920 --> 0:59:43.000
<v Speaker 1>is president accountable, because if we don't, we've just given

0:59:43.000 --> 0:59:51.600
<v Speaker 1>this country over to the people that pay. Okay, both

0:59:51.640 --> 0:59:55.840
<v Speaker 1>of you. In today's world, the internet rules. And if

0:59:55.880 --> 0:59:59.200
<v Speaker 1>you go to Spotify, which is the largest streaming service,

0:59:59.600 --> 1:00:05.160
<v Speaker 1>and you' of the Spotify top fifty dominated by hip hop. Okay,

1:00:06.400 --> 1:00:12.640
<v Speaker 1>and as much as African Americans adopt hip hop culture,

1:00:12.720 --> 1:00:17.360
<v Speaker 1>it's astounding how many whites adopt hip hop culture. You know,

1:00:17.480 --> 1:00:19.800
<v Speaker 1>I grew up in an era where you literally could

1:00:19.800 --> 1:00:23.080
<v Speaker 1>see in the sixties who were the Republicans. How do

1:00:23.160 --> 1:00:28.880
<v Speaker 1>you explain that these people are fans of hip hop

1:00:29.000 --> 1:00:34.320
<v Speaker 1>yet they vote for Trump. Cognitive dissonance, I think is

1:00:34.360 --> 1:00:38.160
<v Speaker 1>what there's other words they're looking for. You know, um,

1:00:38.280 --> 1:00:43.479
<v Speaker 1>I don't understand it personally, but I think that you're

1:00:43.520 --> 1:00:47.000
<v Speaker 1>just also contending with the fact that hip hop is

1:00:47.080 --> 1:00:50.280
<v Speaker 1>just that good, it's just that dominant, it's just that exciting,

1:00:50.360 --> 1:00:54.440
<v Speaker 1>it's just become that ubiquitous, you know. I mean, it

1:00:54.480 --> 1:01:00.440
<v Speaker 1>is the last uh you know, great um art form

1:01:00.600 --> 1:01:03.800
<v Speaker 1>created in music that that you can that you can

1:01:03.840 --> 1:01:06.560
<v Speaker 1>point to and say, this is new, this is a force.

1:01:07.040 --> 1:01:09.240
<v Speaker 1>I mean, me and Mike grew up in a time

1:01:09.240 --> 1:01:12.640
<v Speaker 1>where just telling people, just telling anyone over the age

1:01:12.680 --> 1:01:15.040
<v Speaker 1>of thirty that you were going to be a rapper

1:01:15.160 --> 1:01:17.760
<v Speaker 1>or do or be involved in hip hop music, you

1:01:17.800 --> 1:01:20.160
<v Speaker 1>had to get the pre records in lecture about how

1:01:20.480 --> 1:01:23.560
<v Speaker 1>it's just a fad, kid, it's just a fad like disco.

1:01:23.680 --> 1:01:26.040
<v Speaker 1>Trust me, I was there. I saw it. You know,

1:01:26.320 --> 1:01:32.640
<v Speaker 1>there was in We Gone in the year you know. So,

1:01:33.000 --> 1:01:35.880
<v Speaker 1>I mean, you know, I I almost think that to

1:01:36.040 --> 1:01:40.760
<v Speaker 1>some degree, it's it's it's a question that is rooted

1:01:40.800 --> 1:01:43.080
<v Speaker 1>a little bit in the idea that it's still a

1:01:43.120 --> 1:01:46.000
<v Speaker 1>surprise that hip hop is as such a dominant force

1:01:46.040 --> 1:01:49.480
<v Speaker 1>in music as it is. But you know the truth

1:01:49.600 --> 1:01:52.040
<v Speaker 1>is that we also contend with that. You know, we

1:01:52.120 --> 1:01:54.280
<v Speaker 1>have people kind of you know, there are people that

1:01:54.400 --> 1:01:57.240
<v Speaker 1>said us like, you know, I love I love you guys,

1:01:57.280 --> 1:02:00.360
<v Speaker 1>but I don't agree with any your politics and it's

1:02:00.400 --> 1:02:03.960
<v Speaker 1>just like wow, you know, you know, and your already

1:02:04.000 --> 1:02:07.880
<v Speaker 1>response to that is like it's like, well a, thanks

1:02:07.960 --> 1:02:11.920
<v Speaker 1>for the love and be I'm willing, I'm I'm okay

1:02:12.000 --> 1:02:14.400
<v Speaker 1>for you to go listen to the music a little closer,

1:02:14.840 --> 1:02:17.840
<v Speaker 1>and uh, it's okay with me if you change your

1:02:17.880 --> 1:02:21.520
<v Speaker 1>mind there nobody UM not a big deal. We're pretty

1:02:21.520 --> 1:02:25.200
<v Speaker 1>secure in our ship. So okay, let's talk about hip

1:02:25.240 --> 1:02:27.840
<v Speaker 1>hop in general. You know, when pip hip hops really

1:02:27.880 --> 1:02:31.680
<v Speaker 1>started to gain uh mainstream traction, there were a lot

1:02:31.680 --> 1:02:34.360
<v Speaker 1>of samples, most of them not cleared, and there were

1:02:34.400 --> 1:02:36.440
<v Speaker 1>a lot of lawsuits and a lot of issue and

1:02:36.480 --> 1:02:39.480
<v Speaker 1>then we went to beat creation and for the last

1:02:40.040 --> 1:02:42.400
<v Speaker 1>I'm teen years, we have the eight O eight, which

1:02:42.400 --> 1:02:46.080
<v Speaker 1>I remembers being innovative in the eighties. What do you

1:02:46.160 --> 1:02:49.000
<v Speaker 1>two guys think about? And it's a big field, but

1:02:49.080 --> 1:02:52.960
<v Speaker 1>the general state of hip hop man um as a

1:02:53.000 --> 1:02:56.000
<v Speaker 1>producer who started off just doing what everyone else is

1:02:56.880 --> 1:02:59.160
<v Speaker 1>else did with hip hop us is just trying and

1:02:59.200 --> 1:03:01.920
<v Speaker 1>find a cool roof and wrap over because you were

1:03:01.960 --> 1:03:03.920
<v Speaker 1>a kid and nothing mattered and you never had a

1:03:03.920 --> 1:03:05.920
<v Speaker 1>shot of making any money off of it anyway. And

1:03:05.920 --> 1:03:08.760
<v Speaker 1>it was literally just a hobby, like someone would be

1:03:08.880 --> 1:03:12.360
<v Speaker 1>drawing a picture in their bedroom, um, you know, uh

1:03:12.600 --> 1:03:16.400
<v Speaker 1>to to then becoming a producer and putting records out

1:03:16.440 --> 1:03:20.240
<v Speaker 1>that now years later I've had to re release because

1:03:20.280 --> 1:03:22.480
<v Speaker 1>they were on streaming and I had to go back

1:03:22.640 --> 1:03:25.240
<v Speaker 1>and clean up some of the sample, clear stuff or whatever,

1:03:25.720 --> 1:03:28.760
<v Speaker 1>you know what I mean. It's interesting there's this intersection

1:03:28.800 --> 1:03:32.120
<v Speaker 1>where spontaneity and creativity and then the reality of business,

1:03:32.320 --> 1:03:34.640
<v Speaker 1>you know meat. But I think that um, you know,

1:03:34.760 --> 1:03:37.680
<v Speaker 1>one thing that hip hop music and people who are

1:03:37.680 --> 1:03:40.840
<v Speaker 1>involved in hip hop music has always been have always

1:03:40.840 --> 1:03:45.640
<v Speaker 1>been a dept at it is um adapting um. And

1:03:45.880 --> 1:03:49.360
<v Speaker 1>And you know, the point is is that is not

1:03:49.520 --> 1:03:52.480
<v Speaker 1>about the point is not that all we have to sample.

1:03:52.760 --> 1:03:55.320
<v Speaker 1>The point is not all we have to have money

1:03:55.320 --> 1:03:58.120
<v Speaker 1>in order to afford to make music. The point is

1:03:58.160 --> 1:04:01.760
<v Speaker 1>that we want to create music. Now. Hip hop sampling

1:04:01.920 --> 1:04:05.800
<v Speaker 1>started because people didn't because Reagan cut the the arts

1:04:05.800 --> 1:04:09.440
<v Speaker 1>funding in you know, in America, and all of a sudden,

1:04:09.560 --> 1:04:12.880
<v Speaker 1>no one had any music classes, and people who wanted

1:04:12.880 --> 1:04:15.760
<v Speaker 1>to be musicians, who were poor didn't have any access

1:04:15.800 --> 1:04:18.560
<v Speaker 1>to music, and so they created music based on what

1:04:18.720 --> 1:04:20.880
<v Speaker 1>was around in their living room, and the mother had

1:04:20.920 --> 1:04:24.440
<v Speaker 1>a turntable, and they learned how to, you know, play

1:04:24.480 --> 1:04:26.640
<v Speaker 1>with that and make that into something that they can

1:04:26.680 --> 1:04:30.400
<v Speaker 1>make music with. And so it's invention and it's always

1:04:30.400 --> 1:04:33.440
<v Speaker 1>going to be that um and so, you know, I

1:04:33.480 --> 1:04:37.440
<v Speaker 1>think the state of hip hop personally is an amazing place,

1:04:37.680 --> 1:04:41.440
<v Speaker 1>especially because of how huge it is and how many

1:04:41.480 --> 1:04:44.720
<v Speaker 1>different ways there are now to approach it. Me and

1:04:44.760 --> 1:04:46.960
<v Speaker 1>Mike came up at a time when everywhere every hip

1:04:47.000 --> 1:04:49.560
<v Speaker 1>hop record that came out was a new advancement in

1:04:49.640 --> 1:04:51.480
<v Speaker 1>the way that you could do it. Every time it

1:04:51.560 --> 1:04:53.320
<v Speaker 1>came out, you ran. And this is why me and

1:04:53.360 --> 1:04:55.160
<v Speaker 1>my bond we didn't grow up in the same city,

1:04:55.320 --> 1:04:57.360
<v Speaker 1>but we were the same age, and we didn't grow

1:04:57.400 --> 1:04:59.680
<v Speaker 1>up in the same community, but we were the same

1:05:00.560 --> 1:05:03.280
<v Speaker 1>a level of obsessed with the music. And so every

1:05:03.280 --> 1:05:05.840
<v Speaker 1>time a record came out, being Public Enemy came out,

1:05:06.240 --> 1:05:09.600
<v Speaker 1>the BDP came out, you know, you know, all of

1:05:09.640 --> 1:05:11.440
<v Speaker 1>these things. Every time you heard a new record, it

1:05:11.520 --> 1:05:14.160
<v Speaker 1>was not only a new way to do hip hop music,

1:05:14.200 --> 1:05:17.000
<v Speaker 1>but it was literally a new way to do music.

1:05:17.240 --> 1:05:19.680
<v Speaker 1>And that's what's always been so exciting about hip hop

1:05:19.800 --> 1:05:23.400
<v Speaker 1>is that it's so young, it's so fresh. It's absolutely

1:05:23.400 --> 1:05:26.040
<v Speaker 1>writing its rules as it goes, and then that and

1:05:26.200 --> 1:05:29.880
<v Speaker 1>those rules end up getting reflected for decades back on

1:05:29.960 --> 1:05:32.240
<v Speaker 1>the rest of the world. I mean, you really consider

1:05:32.320 --> 1:05:35.680
<v Speaker 1>how pop music and how pop culture has been has

1:05:35.800 --> 1:05:38.280
<v Speaker 1>has been a reflection of what has been happening and

1:05:38.600 --> 1:05:41.680
<v Speaker 1>what was the one point considered the small little community

1:05:41.680 --> 1:05:45.240
<v Speaker 1>of musicians. It's incredible. You can't go on the radio

1:05:45.280 --> 1:05:48.280
<v Speaker 1>and listen to an R and B song without seeing

1:05:48.320 --> 1:05:51.760
<v Speaker 1>the connection to hip hop music. It cannot happen anymore.

1:05:51.800 --> 1:05:54.920
<v Speaker 1>I remember when R and B records started to incorporate

1:05:54.920 --> 1:05:57.920
<v Speaker 1>elements of hip hop. It was exciting. Now it's almost

1:05:58.000 --> 1:06:00.880
<v Speaker 1>like you're interested to hear somebody like singing R and

1:06:00.920 --> 1:06:02.880
<v Speaker 1>B record if they would put it on the radio

1:06:02.920 --> 1:06:06.240
<v Speaker 1>if there weren't hip hop elements in the you know, okay,

1:06:06.240 --> 1:06:09.520
<v Speaker 1>but let's flip the glass to half empty. There's certainly

1:06:09.520 --> 1:06:11.840
<v Speaker 1>a lot of beefs in the hip hop world and

1:06:11.880 --> 1:06:18.520
<v Speaker 1>their beasts against people like Little YACHTI and I don't

1:06:18.520 --> 1:06:20.360
<v Speaker 1>know what I'm trying to say is you know there

1:06:20.360 --> 1:06:23.400
<v Speaker 1>are people say, oh, it's too simplistic. You know, on

1:06:23.400 --> 1:06:25.800
<v Speaker 1>one extreme we have Kendrick and the other one, what

1:06:25.840 --> 1:06:29.360
<v Speaker 1>do you guys view about that hip hop, the hip

1:06:29.400 --> 1:06:32.200
<v Speaker 1>to the hippity hip hip. Him, you don't talk, you know,

1:06:33.280 --> 1:06:35.480
<v Speaker 1>you know you're talking to two dudes who don't have

1:06:35.520 --> 1:06:39.040
<v Speaker 1>that perspective. You're not, We don't have that perspective. Like

1:06:39.280 --> 1:06:41.480
<v Speaker 1>the way that I look at it. Man, anything someone

1:06:41.480 --> 1:06:43.960
<v Speaker 1>who's young and excited about music wants to do that's

1:06:44.000 --> 1:06:47.200
<v Speaker 1>funky that people like thumbs up, you know what I mean? Like,

1:06:47.400 --> 1:06:49.680
<v Speaker 1>and I think that there's an old guard perspective. I

1:06:49.720 --> 1:06:51.160
<v Speaker 1>think a lot of people who come out of it.

1:06:51.400 --> 1:06:53.760
<v Speaker 1>You know, it's something that in me and Mike's generation,

1:06:54.400 --> 1:06:56.920
<v Speaker 1>it's very common for people who are our as to

1:06:56.960 --> 1:06:59.479
<v Speaker 1>be pretty fucking bitner about what the company. Well, well

1:06:59.560 --> 1:07:02.960
<v Speaker 1>it's coming from your city, I will say. Coming from

1:07:03.000 --> 1:07:09.760
<v Speaker 1>my region, it's not as common Bunby, is that Yeah? Yeah, Like,

1:07:09.760 --> 1:07:13.520
<v Speaker 1>like I gotta say, in the South, sampling was important

1:07:13.520 --> 1:07:16.600
<v Speaker 1>from the South for this reason. My mother when she

1:07:16.720 --> 1:07:19.280
<v Speaker 1>left to marry my non bio dad, she left me

1:07:19.360 --> 1:07:22.320
<v Speaker 1>with the record collection. Right, so I five six years old,

1:07:22.320 --> 1:07:26.080
<v Speaker 1>you got just your mom's your mom's sucking one. She

1:07:26.160 --> 1:07:29.360
<v Speaker 1>doesn't even It's more of a big sister little brother relationship.

1:07:29.760 --> 1:07:31.800
<v Speaker 1>She teaches me how to put records on. I get

1:07:31.840 --> 1:07:35.560
<v Speaker 1>to play the Osley Brothers, Curtis Mayfield, Willie Hutch. I'm

1:07:35.600 --> 1:07:40.960
<v Speaker 1>playing these records and hip hop introduces my friends to

1:07:41.120 --> 1:07:43.560
<v Speaker 1>these sounds that I now can tell my friends, Oh yeah,

1:07:43.560 --> 1:07:45.600
<v Speaker 1>that's Oza Hayes. Let me let you listen to it

1:07:45.680 --> 1:07:49.080
<v Speaker 1>after school. So Sampling, I just want to tell older

1:07:49.160 --> 1:07:52.640
<v Speaker 1>musicians that didn't appreciate what Sampling brought because they were

1:07:52.680 --> 1:07:54.960
<v Speaker 1>being robbed. They had been robbed by their record companies.

1:07:55.160 --> 1:07:58.120
<v Speaker 1>We didn't understand that even after samples had to get clear,

1:07:58.240 --> 1:08:00.200
<v Speaker 1>the money didn't go to the artist. Where does serve

1:08:00.320 --> 1:08:02.920
<v Speaker 1>to go? It went to the people who owned the

1:08:03.000 --> 1:08:06.200
<v Speaker 1>artist publishing. That's the greatest evil of it. So you know,

1:08:06.240 --> 1:08:08.040
<v Speaker 1>not only do you have now an artists, it's like

1:08:08.040 --> 1:08:11.200
<v Speaker 1>this little motherfucker ripped my ship. Then it's like, not

1:08:11.320 --> 1:08:13.040
<v Speaker 1>only did he do it, now that he's getting paid,

1:08:13.120 --> 1:08:15.560
<v Speaker 1>the motherfucker who ripped me off originally is getting paid.

1:08:15.600 --> 1:08:19.960
<v Speaker 1>But Curtis Mayfield mentored outcast and what he taught outcasts

1:08:19.960 --> 1:08:24.960
<v Speaker 1>and organized, nor he mentor organized a little bit slower. Literally,

1:08:25.000 --> 1:08:29.879
<v Speaker 1>how did Curtis Mayfield uh mentor outcast? Not outcast directly,

1:08:29.920 --> 1:08:33.479
<v Speaker 1>but organized noise. Who are the mentors and the founders

1:08:33.520 --> 1:08:38.519
<v Speaker 1>of the sound of the Dungeon family, Patrick Brown, Ray Murray,

1:08:38.680 --> 1:08:42.000
<v Speaker 1>Enrico Wade. These guys were working out of Mayfield Studio.

1:08:42.439 --> 1:08:44.639
<v Speaker 1>They were working with when they were working with people

1:08:44.680 --> 1:08:47.880
<v Speaker 1>like pimps and people um there were ex pimps that

1:08:47.920 --> 1:08:50.439
<v Speaker 1>got into music and stuff. It really was a black

1:08:50.560 --> 1:08:55.679
<v Speaker 1>waitation film. But he taught them that sampling, however, was good.

1:08:56.240 --> 1:08:59.599
<v Speaker 1>That you could create the same vibe, you could create

1:08:59.640 --> 1:09:02.840
<v Speaker 1>the same feeling. So when you listen to players ball,

1:09:03.439 --> 1:09:06.200
<v Speaker 1>you're not listening to a sample as much as you're

1:09:06.240 --> 1:09:09.760
<v Speaker 1>listening to someone that captured the feeling of what the

1:09:09.760 --> 1:09:12.800
<v Speaker 1>black exquotation era and what that soul in that funk was.

1:09:13.040 --> 1:09:16.040
<v Speaker 1>So sampling was important. But sampling in the South is

1:09:16.160 --> 1:09:20.280
<v Speaker 1>radically different from Tennessee. Houston. Tennessee is more of a

1:09:20.320 --> 1:09:23.639
<v Speaker 1>Willie Hug bop that three S has. If you're listening

1:09:23.680 --> 1:09:26.920
<v Speaker 1>to say Houston music, you're listening to more of a

1:09:27.040 --> 1:09:30.120
<v Speaker 1>slow down, a screwed, a more soulfl version. In Atlanta

1:09:30.160 --> 1:09:33.120
<v Speaker 1>and Miami, at one point we're just fast like bouti Cheq.

1:09:33.280 --> 1:09:36.160
<v Speaker 1>So sampling was important because to me it helped me

1:09:36.280 --> 1:09:40.320
<v Speaker 1>understand what musicians were doing what before me. The reason

1:09:40.360 --> 1:09:42.720
<v Speaker 1>I know Bob changed, the reason I know colonelist month.

1:09:42.800 --> 1:09:45.760
<v Speaker 1>The reason I know this is because Sampling introduced me.

1:09:45.760 --> 1:09:47.760
<v Speaker 1>I got the chance to look and see where it

1:09:47.800 --> 1:09:51.360
<v Speaker 1>came from and in terms of how people view younger artists. Now,

1:09:51.920 --> 1:09:54.080
<v Speaker 1>my thing with hip hop is just like what you like,

1:09:54.600 --> 1:09:57.320
<v Speaker 1>because the beautiful thing about hip hop is there's always

1:09:57.360 --> 1:10:01.719
<v Speaker 1>been everything for everybody. You know, people talk shit about

1:10:02.160 --> 1:10:05.280
<v Speaker 1>how soft hip hop has gotten. Motherfucker p m Don

1:10:05.439 --> 1:10:09.160
<v Speaker 1>was jamming. That's just a break, you know what I'm saying.

1:10:09.280 --> 1:10:11.479
<v Speaker 1>And even though I was one to look no, kids

1:10:11.760 --> 1:10:14.160
<v Speaker 1>kept trying to front on that ship at the school

1:10:14.280 --> 1:10:21.559
<v Speaker 1>dance when that ship came on and cool J I

1:10:21.640 --> 1:10:26.439
<v Speaker 1>need love songs of all time. But it was Llo

1:10:26.560 --> 1:10:29.840
<v Speaker 1>cool J and he was hardest. It's hardest. It was

1:10:30.000 --> 1:10:33.920
<v Speaker 1>incredible exactly. So for me, yeah, I don't shoot on

1:10:33.960 --> 1:10:37.120
<v Speaker 1>the little kids. It's mental interesting you mentioned y'all. Y'alllly's

1:10:37.160 --> 1:10:39.760
<v Speaker 1>father went to the same high school. He's older than me,

1:10:39.800 --> 1:10:43.120
<v Speaker 1>but he's a prominent photographer in Atlanta. Um. He's just

1:10:43.240 --> 1:10:46.600
<v Speaker 1>a great brother. So I've known Yadi since he was

1:10:46.720 --> 1:10:51.799
<v Speaker 1>miles like little beautiful, awesome child Moles And the dopest

1:10:51.840 --> 1:10:55.200
<v Speaker 1>thing about him is he's true to himself, and that's

1:10:55.240 --> 1:10:59.439
<v Speaker 1>why he found audience. He found audience because my kids

1:10:59.520 --> 1:11:01.600
<v Speaker 1>did not grow up with the same experience as me.

1:11:02.000 --> 1:11:04.439
<v Speaker 1>So n w A hits my kids, even if they

1:11:04.479 --> 1:11:07.160
<v Speaker 1>like it in a totally different way than it hit me.

1:11:07.200 --> 1:11:10.599
<v Speaker 1>At twil the cops kicked my fucking ass. So fuk

1:11:10.680 --> 1:11:14.320
<v Speaker 1>the police meant something different than when my my daughter,

1:11:14.439 --> 1:11:17.920
<v Speaker 1>who's you know? Here's it now? It's a radically different

1:11:17.960 --> 1:11:20.960
<v Speaker 1>reasons he writes it, But she understands the concept because

1:11:20.960 --> 1:11:24.000
<v Speaker 1>of what she sees on television. Daddy understood the concept

1:11:24.040 --> 1:11:27.120
<v Speaker 1>because the cops kicks Daddy's ass. I think that. I

1:11:27.160 --> 1:11:29.160
<v Speaker 1>think that also when you get when when you find

1:11:29.160 --> 1:11:31.240
<v Speaker 1>yourself getting a little bit older and you get that

1:11:31.280 --> 1:11:34.920
<v Speaker 1>crossroads where you start um instinctively being a little bit

1:11:34.960 --> 1:11:37.439
<v Speaker 1>bitter about whatever the new music is, you have to

1:11:37.479 --> 1:11:40.120
<v Speaker 1>have a come to Jesus moment and ask yourself, Am

1:11:40.160 --> 1:11:44.280
<v Speaker 1>I a music fan or a I nostalgic for the

1:11:44.320 --> 1:11:47.040
<v Speaker 1>things that made me feel something at a time in

1:11:47.080 --> 1:11:50.679
<v Speaker 1>which I was really feeling things? Are you still feeling things?

1:11:51.160 --> 1:11:53.840
<v Speaker 1>Is it wrong that there are things out there that

1:11:53.880 --> 1:11:56.880
<v Speaker 1>you're not feeling. Does that make those things inferior? Me

1:11:56.960 --> 1:11:59.880
<v Speaker 1>and Mike are pretty clear about the fact that once

1:12:00.040 --> 1:12:02.679
<v Speaker 1>you start thinking in that way, you're starting to get old.

1:12:02.800 --> 1:12:05.160
<v Speaker 1>And I don't think that I don't think that that's

1:12:05.200 --> 1:12:08.200
<v Speaker 1>the right way to look at things and listen. I

1:12:08.240 --> 1:12:10.200
<v Speaker 1>would also like to point out real quickly on the

1:12:10.240 --> 1:12:15.120
<v Speaker 1>production level and on the sampling issue or the sampling conversation,

1:12:15.720 --> 1:12:20.559
<v Speaker 1>this was again necessity. These are musicians trying to express themselves,

1:12:20.720 --> 1:12:23.040
<v Speaker 1>and there and there I have. Now we've gone pretty

1:12:23.080 --> 1:12:26.639
<v Speaker 1>far through hip hop production, and what you have are

1:12:26.880 --> 1:12:30.439
<v Speaker 1>and have emerged throughout it where different schools of approach,

1:12:30.680 --> 1:12:33.559
<v Speaker 1>different schools of different types of sampling. I was sampling

1:12:33.560 --> 1:12:36.200
<v Speaker 1>records really from the jump, but when I really started

1:12:36.200 --> 1:12:37.760
<v Speaker 1>to get in my own and become known as a

1:12:37.760 --> 1:12:40.800
<v Speaker 1>producer for having a sound, my approach to sampling was

1:12:40.920 --> 1:12:44.280
<v Speaker 1>very different in the sense that I wasn't just looping records.

1:12:44.360 --> 1:12:49.360
<v Speaker 1>I was using the sampler as my my, my, my paints.

1:12:49.600 --> 1:12:52.760
<v Speaker 1>You know, Um, a sound became another sound. Um. You know.

1:12:52.840 --> 1:12:55.080
<v Speaker 1>Hip hop is one of the first forms of music

1:12:55.120 --> 1:12:59.840
<v Speaker 1>production in which you could turn something else into a baseline.

1:13:00.040 --> 1:13:02.280
<v Speaker 1>You could turn something that was not supposed to be

1:13:02.320 --> 1:13:06.240
<v Speaker 1>a guitar into a guitar. You could take recordings that

1:13:06.280 --> 1:13:08.920
<v Speaker 1>were recorded in different studios and different errors by different

1:13:08.920 --> 1:13:11.680
<v Speaker 1>people and smash them together and use a snare from

1:13:11.680 --> 1:13:14.240
<v Speaker 1>one session and a kick from another session. It was

1:13:14.320 --> 1:13:16.840
<v Speaker 1>collage art. It was mashing it all together, and it

1:13:16.880 --> 1:13:21.599
<v Speaker 1>was beautiful and beyond all that. It takes real fucking

1:13:21.640 --> 1:13:24.720
<v Speaker 1>creativity and real genius to turn that into something that

1:13:24.840 --> 1:13:29.320
<v Speaker 1>is yours, and it has been the beginning point for

1:13:29.360 --> 1:13:33.840
<v Speaker 1>a lot of producers that have ended up affecting the

1:13:33.880 --> 1:13:37.479
<v Speaker 1>world of music in a huge fucking way. So you know,

1:13:38.080 --> 1:13:42.160
<v Speaker 1>I always um, you know, I always understood and was

1:13:42.200 --> 1:13:47.120
<v Speaker 1>aware of the perspectives on it. But it's like, look, man,

1:13:48.080 --> 1:13:50.519
<v Speaker 1>I was a kid when I was stealing. Now I'm

1:13:50.520 --> 1:13:54.080
<v Speaker 1>a fucking musician, you know. Now I'm a musician. Like

1:13:54.160 --> 1:13:56.760
<v Speaker 1>I needed to I needed training wheels. But now with

1:13:56.920 --> 1:13:59.599
<v Speaker 1>me and Mike sample, now it's on purpose. It's like,

1:13:59.640 --> 1:14:01.240
<v Speaker 1>you know we're gonna do We did that with runn

1:14:01.280 --> 1:14:03.800
<v Speaker 1>Jewels four. We were like, we're gonna sample. We're gonna

1:14:03.800 --> 1:14:06.880
<v Speaker 1>just clearly sample, not just a little hidden things that

1:14:06.920 --> 1:14:09.240
<v Speaker 1>are sprinkled about what you do and you're hiding. As

1:14:09.280 --> 1:14:12.519
<v Speaker 1>part of the fun event, We're gonna loop some ship up,

1:14:12.760 --> 1:14:15.720
<v Speaker 1>like as an homage to that part of what we

1:14:15.800 --> 1:14:18.400
<v Speaker 1>love about hip hop music. Because it's time. It felt

1:14:18.400 --> 1:14:21.280
<v Speaker 1>like there was time to references honorably and be like,

1:14:21.439 --> 1:14:23.559
<v Speaker 1>we are doing this. It just so happens that me

1:14:23.600 --> 1:14:26.240
<v Speaker 1>and Mike could this time afford to do it. You know.

1:14:26.360 --> 1:14:30.400
<v Speaker 1>But it's an art, okay, So what's the dream for

1:14:30.760 --> 1:14:33.480
<v Speaker 1>Run the Jewels? On some level, you're living the dream.

1:14:33.640 --> 1:14:38.080
<v Speaker 1>You're making your art, You're making some money. But are

1:14:38.120 --> 1:14:40.880
<v Speaker 1>you satisfied where you are? Do you want something in

1:14:40.920 --> 1:14:43.880
<v Speaker 1>the future? What is your desire? It would be nice

1:14:43.880 --> 1:14:46.400
<v Speaker 1>to do a show again, That would be fucking nice, Bob.

1:14:46.960 --> 1:14:50.360
<v Speaker 1>We're all we're all laboring under those constructs. But in

1:14:50.479 --> 1:14:51.720
<v Speaker 1>terms of quel let me let me put it in

1:14:51.760 --> 1:14:56.160
<v Speaker 1>a different way. Okay. In the sixties in the eighties,

1:14:56.400 --> 1:14:59.360
<v Speaker 1>there was a mono culture. There's an AM radio in

1:14:59.360 --> 1:15:02.080
<v Speaker 1>the sixties, and there was MTV in the eighties, and

1:15:02.120 --> 1:15:07.559
<v Speaker 1>if you were a successful record, literally everybody in America

1:15:07.600 --> 1:15:09.840
<v Speaker 1>knew that record, whether they liked it or not, because

1:15:09.880 --> 1:15:13.160
<v Speaker 1>they were exposed to it. Today today, you can take

1:15:13.640 --> 1:15:19.599
<v Speaker 1>the number one record on Spotify and of Americans never

1:15:19.640 --> 1:15:24.599
<v Speaker 1>even heard it, never mind how a judgment. So usually

1:15:24.640 --> 1:15:29.360
<v Speaker 1>an artist, their number one goal is to reach more people. So,

1:15:30.160 --> 1:15:33.920
<v Speaker 1>you know, artistically, in career wise, what are the desires

1:15:33.960 --> 1:15:37.360
<v Speaker 1>of you guys personally? And I'll just say this and

1:15:37.439 --> 1:15:40.439
<v Speaker 1>I'll have my answer. But that was never my goal. Um.

1:15:41.080 --> 1:15:44.080
<v Speaker 1>It was always welcomed. It was always something that I

1:15:44.320 --> 1:15:48.120
<v Speaker 1>wanted on some level, because that's what being an artist is.

1:15:48.200 --> 1:15:50.920
<v Speaker 1>You want people to see what you do. Um. But

1:15:51.320 --> 1:15:54.360
<v Speaker 1>my goal is to do what I love to do

1:15:56.160 --> 1:15:58.880
<v Speaker 1>unhindered and to continue to be able to do it

1:15:58.960 --> 1:16:03.920
<v Speaker 1>without without having an answer to anybody about it and um,

1:16:04.000 --> 1:16:07.240
<v Speaker 1>and to continue to extract joy from it and and

1:16:07.240 --> 1:16:10.800
<v Speaker 1>and you know, I love the idea of us being

1:16:11.520 --> 1:16:13.799
<v Speaker 1>exposed to more people. And it has happened. It's happened

1:16:13.800 --> 1:16:16.760
<v Speaker 1>for us in a big way. Um, you know, and

1:16:17.640 --> 1:16:20.200
<v Speaker 1>that's amazing. The things that I love about it though,

1:16:20.280 --> 1:16:22.599
<v Speaker 1>that we didn't change ourselves to get there, and by

1:16:22.640 --> 1:16:24.599
<v Speaker 1>the time we finally get there, it was just us

1:16:25.080 --> 1:16:28.200
<v Speaker 1>and there was we We lost our opportunity to be

1:16:28.240 --> 1:16:31.120
<v Speaker 1>the assholes who have overnight successful long time ago. You know,

1:16:31.479 --> 1:16:34.400
<v Speaker 1>I always I always lament that, like damn if I had,

1:16:34.560 --> 1:16:37.080
<v Speaker 1>if I had gotten money, you know, and blew up

1:16:37.120 --> 1:16:39.360
<v Speaker 1>when I was first starting, I you know, I could

1:16:39.400 --> 1:16:41.640
<v Speaker 1>have been such an asshole. But it's a little too

1:16:41.720 --> 1:16:43.559
<v Speaker 1>late for us. Man. We're we're we're just kind of

1:16:43.600 --> 1:16:46.800
<v Speaker 1>who we are. And we were happy playing five person

1:16:46.920 --> 1:16:49.600
<v Speaker 1>rooms because we were we were we were doing it

1:16:49.600 --> 1:16:52.120
<v Speaker 1>on our turns. We loved each other, we loved the energy.

1:16:52.240 --> 1:16:54.439
<v Speaker 1>It was fun and it was and we were able

1:16:54.479 --> 1:16:57.040
<v Speaker 1>to sustain ourselves to keep doing it. And neither of

1:16:57.160 --> 1:16:59.200
<v Speaker 1>us want to work a fucking day job, that's for sure.

1:16:59.520 --> 1:17:03.400
<v Speaker 1>But in all honesty, not the fucking this is not

1:17:03.479 --> 1:17:06.559
<v Speaker 1>the like the the you know, this is not the

1:17:06.600 --> 1:17:09.719
<v Speaker 1>pseudo humble ship. In all honestly, all I ever wanted

1:17:10.200 --> 1:17:14.040
<v Speaker 1>was to get the chance to do creative stuff on

1:17:14.080 --> 1:17:15.760
<v Speaker 1>any level that I wanted to do. I think that

1:17:16.080 --> 1:17:17.680
<v Speaker 1>me and might have a lot of things that we

1:17:17.720 --> 1:17:20.840
<v Speaker 1>want to do together as creative partners, like a movie.

1:17:20.920 --> 1:17:23.679
<v Speaker 1>We're we're working on what we're working on doing a movie.

1:17:23.800 --> 1:17:27.240
<v Speaker 1>We want to get into that realm um, and you know,

1:17:27.560 --> 1:17:30.600
<v Speaker 1>and but really just the ability to make music and

1:17:30.720 --> 1:17:33.320
<v Speaker 1>keep doing what I love and not have to answer

1:17:33.439 --> 1:17:36.840
<v Speaker 1>two assholes about it, um, not have to ask permission.

1:17:37.200 --> 1:17:41.439
<v Speaker 1>And um, that's it, that's that's I'll die happy. Then

1:17:41.479 --> 1:17:43.400
<v Speaker 1>I'll die happy if I could pay the rent make

1:17:43.400 --> 1:17:47.800
<v Speaker 1>my weird ass music. I'm good, Mike, I'm minute for

1:17:47.840 --> 1:17:53.960
<v Speaker 1>a hunt a million of better. Okay, but let's stop. Okay,

1:17:54.240 --> 1:17:59.560
<v Speaker 1>let's just say tomorrow, tomorrow, will you lose your voice permanently?

1:18:00.160 --> 1:18:03.360
<v Speaker 1>You got enough money to get to the end. Well,

1:18:03.720 --> 1:18:08.040
<v Speaker 1>I live. I live at a means that I have

1:18:08.240 --> 1:18:11.160
<v Speaker 1>the things that I've always wanted. So you're hearing me

1:18:11.200 --> 1:18:13.800
<v Speaker 1>tell a joke I say about I have friends. I

1:18:13.840 --> 1:18:16.519
<v Speaker 1>have three friends, now have two friends, now have three

1:18:16.560 --> 1:18:18.519
<v Speaker 1>that are that are white folk rich. So in the South,

1:18:18.640 --> 1:18:20.400
<v Speaker 1>you here, hey man, I'm need ro rich, you know,

1:18:20.520 --> 1:18:23.000
<v Speaker 1>white folk rich. So I need grow rich, meaning I

1:18:23.080 --> 1:18:26.240
<v Speaker 1>have enough to to to to to make it for

1:18:26.280 --> 1:18:29.479
<v Speaker 1>the rest of my natural days, because I have invested

1:18:29.520 --> 1:18:33.200
<v Speaker 1>in some enterprises that, in addition to music, provide away

1:18:33.240 --> 1:18:35.400
<v Speaker 1>from me that doesn't you know, including to real estate,

1:18:35.439 --> 1:18:38.639
<v Speaker 1>things that my wife did, barbershops, some other cool stuff.

1:18:38.760 --> 1:18:42.240
<v Speaker 1>So and I live adam below the means that I've

1:18:42.240 --> 1:18:45.000
<v Speaker 1>always thought was cool. I I could have bought a

1:18:45.120 --> 1:18:47.679
<v Speaker 1>million and a half dollar house. I have a five

1:18:47.800 --> 1:18:50.879
<v Speaker 1>hundred thousand dollar house. I could have moved to North Fulton,

1:18:51.000 --> 1:18:54.240
<v Speaker 1>where the athletes who slam Dumpton run balls live. I

1:18:54.400 --> 1:18:57.559
<v Speaker 1>live in South Fulton, where all the black retirees who

1:18:57.600 --> 1:19:00.400
<v Speaker 1>are secretly millionaires live. You know what I mean. So

1:19:00.520 --> 1:19:03.519
<v Speaker 1>it's I made the decisions my grandparents would have made,

1:19:03.880 --> 1:19:07.280
<v Speaker 1>but for me. I'm not working for me at this point.

1:19:07.280 --> 1:19:11.000
<v Speaker 1>I have children and my my my life has been

1:19:11.120 --> 1:19:15.120
<v Speaker 1>under financial darrest because I chose to have children out

1:19:15.120 --> 1:19:16.880
<v Speaker 1>of wetlock. And it does not mean in a bad way.

1:19:16.920 --> 1:19:19.519
<v Speaker 1>That just means I've had to work with the knowledge

1:19:19.560 --> 1:19:22.280
<v Speaker 1>of whatever I make while I'm here, it's going to

1:19:22.360 --> 1:19:24.760
<v Speaker 1>be left or not left to someone, depending on the

1:19:24.840 --> 1:19:27.400
<v Speaker 1>decisions I make. And I want to leave my children

1:19:27.400 --> 1:19:30.320
<v Speaker 1>more than sneakers and muscle cars, just like my great

1:19:30.320 --> 1:19:33.160
<v Speaker 1>grandparents who were sharecroppers and the children of people who

1:19:33.160 --> 1:19:36.799
<v Speaker 1>were enslaved, left the farm that my family still profits

1:19:36.800 --> 1:19:38.800
<v Speaker 1>from the day we all got a little five hundred

1:19:38.800 --> 1:19:41.600
<v Speaker 1>dollar check from the timber company that grows timber on

1:19:41.640 --> 1:19:44.360
<v Speaker 1>our land. I want to be able to win my

1:19:44.479 --> 1:19:48.400
<v Speaker 1>absence for for for Malik and the Naya and Pony

1:19:48.439 --> 1:19:52.160
<v Speaker 1>and Mikey's children, to say my grandfather. He sang, and

1:19:52.200 --> 1:19:54.439
<v Speaker 1>he danced, He went in the Rock and Roll Hall

1:19:54.479 --> 1:19:57.720
<v Speaker 1>of Fame. He left an incredible musical legacy. But more

1:19:57.760 --> 1:19:59.920
<v Speaker 1>than that, he made sure that we each had a

1:20:00.080 --> 1:20:02.519
<v Speaker 1>trust so that we didn't have to do things that

1:20:02.560 --> 1:20:06.040
<v Speaker 1>were morally objective to out the way we were raised

1:20:06.080 --> 1:20:09.320
<v Speaker 1>in order to pay for our school or for for

1:20:09.400 --> 1:20:12.080
<v Speaker 1>our own children. I just want to do what my

1:20:12.160 --> 1:20:15.240
<v Speaker 1>great grandparents did, and that's leaves something for them. So

1:20:15.560 --> 1:20:20.519
<v Speaker 1>I am not satisfied with enough. And and I don't

1:20:20.560 --> 1:20:22.200
<v Speaker 1>mean that I don't have enough because I'm not looking

1:20:22.240 --> 1:20:24.040
<v Speaker 1>for a new house. I'm not trying to buy a

1:20:24.040 --> 1:20:26.599
<v Speaker 1>new car, except for that test of truck you put

1:20:26.640 --> 1:20:28.240
<v Speaker 1>me on. But what I but what I am going

1:20:28.280 --> 1:20:31.479
<v Speaker 1>to make sure is that whichever one of my children

1:20:31.680 --> 1:20:34.400
<v Speaker 1>you know, or all of them have grandchildren, that something

1:20:34.600 --> 1:20:37.160
<v Speaker 1>from all this singing and dancing is going to give

1:20:37.240 --> 1:20:41.040
<v Speaker 1>them an advance and stabilization, because, to be honest with you,

1:20:41.080 --> 1:20:42.760
<v Speaker 1>people who look like me in this country have not

1:20:42.800 --> 1:20:46.559
<v Speaker 1>had that. My wife Um really helped me realize how

1:20:46.640 --> 1:20:49.240
<v Speaker 1>fortunate I am and how fortunate she is. My wife,

1:20:49.600 --> 1:20:52.240
<v Speaker 1>her father is from the Gecheon Gala community. Her father

1:20:52.320 --> 1:20:55.720
<v Speaker 1>is from Hilton Head Island. Her grandfather just received God

1:20:55.720 --> 1:20:58.439
<v Speaker 1>Bless the Dead an award from the gechean Gala community

1:20:58.439 --> 1:21:01.480
<v Speaker 1>there because he was one of the areg just landowners,

1:21:01.560 --> 1:21:04.720
<v Speaker 1>had family, had commerce, and his family you can see

1:21:04.760 --> 1:21:07.479
<v Speaker 1>on that side of her family is much tighter. They're

1:21:07.560 --> 1:21:10.760
<v Speaker 1>much more stable, the children are more affluent and and

1:21:10.760 --> 1:21:13.800
<v Speaker 1>and we're able. But she grew up in Savannah with

1:21:13.840 --> 1:21:16.760
<v Speaker 1>her mother's family who was who was not as fortunate,

1:21:17.080 --> 1:21:18.960
<v Speaker 1>but they had a lot of love and care. But

1:21:19.080 --> 1:21:21.920
<v Speaker 1>my wife has really helped me to understand the importance

1:21:21.960 --> 1:21:24.599
<v Speaker 1>of what economics means in the family. So as for me,

1:21:25.000 --> 1:21:27.240
<v Speaker 1>in my half of Rue of the Jewels, I not

1:21:27.280 --> 1:21:29.120
<v Speaker 1>only am having the time of my life, I have

1:21:29.160 --> 1:21:32.200
<v Speaker 1>the greatest job on earth. I am always have to

1:21:32.280 --> 1:21:35.280
<v Speaker 1>think with the perspective that, Michael, what you do today

1:21:35.400 --> 1:21:37.880
<v Speaker 1>it's going to matter to people with your last name

1:21:38.120 --> 1:21:40.519
<v Speaker 1>in fifty and sixty years, some who you may not see.

1:21:40.680 --> 1:21:42.439
<v Speaker 1>So take the care of your ship and don't suck

1:21:42.439 --> 1:21:45.200
<v Speaker 1>it up on drugs and strip clubs. Okay, but you

1:21:45.280 --> 1:21:47.800
<v Speaker 1>mentioned the record, by the way, I'll take a hundred

1:21:47.840 --> 1:21:52.439
<v Speaker 1>million to Yeah, yeah, that's we're gonna get that. My

1:21:52.520 --> 1:21:56.040
<v Speaker 1>next question, how you get. How do you plan to

1:21:56.160 --> 1:21:59.040
<v Speaker 1>get a hundred million? Well, you get, you get a

1:21:59.080 --> 1:22:02.400
<v Speaker 1>hundred million magic, Johnson said, it takes the same amount

1:22:02.439 --> 1:22:04.200
<v Speaker 1>of time to do a hundred million dollar deals a

1:22:04.240 --> 1:22:07.920
<v Speaker 1>million allar deal. And we're the same group. We we

1:22:07.920 --> 1:22:11.000
<v Speaker 1>We didn't go into this album like, man, we're gonna

1:22:11.040 --> 1:22:13.680
<v Speaker 1>make more money. We went into this album like we're

1:22:13.680 --> 1:22:16.240
<v Speaker 1>gonna top ourselves and we're gonna show our audience we

1:22:16.240 --> 1:22:19.479
<v Speaker 1>can keep evolving, and um, if that works out cool

1:22:19.520 --> 1:22:21.960
<v Speaker 1>and we play bigger shows, that will be cooler for

1:22:22.040 --> 1:22:25.400
<v Speaker 1>us financially too. And that's what happened about proxy. We

1:22:25.439 --> 1:22:27.880
<v Speaker 1>want to be the best we can possibly be, and

1:22:27.920 --> 1:22:31.439
<v Speaker 1>by proxy, um in this cool system of making music,

1:22:31.479 --> 1:22:33.519
<v Speaker 1>and if people enjoy it they buy ship from you,

1:22:33.960 --> 1:22:37.200
<v Speaker 1>that equaled more money. But I can honestly say that, Um,

1:22:38.120 --> 1:22:40.639
<v Speaker 1>the goal is always to be the best run the jewels.

1:22:40.800 --> 1:22:42.920
<v Speaker 1>And what I do think we have to our advantage

1:22:43.000 --> 1:22:46.280
<v Speaker 1>is we're honest and pure and our intentions. We love

1:22:46.400 --> 1:22:49.160
<v Speaker 1>making music together. I honestly think we were born to

1:22:49.200 --> 1:22:51.920
<v Speaker 1>make music together. And we just got a bunch of

1:22:51.960 --> 1:22:56.120
<v Speaker 1>cool lass artistic people who follow us, who collaborate with us,

1:22:56.360 --> 1:22:58.920
<v Speaker 1>who help us think things through, and I think that

1:22:59.200 --> 1:23:04.400
<v Speaker 1>art um like Dolly, like Picasso, like henryoso our Tanner.

1:23:04.800 --> 1:23:07.519
<v Speaker 1>I think that art has value to the human soul

1:23:07.560 --> 1:23:10.479
<v Speaker 1>and spirit. So my hope is that we can keep

1:23:10.520 --> 1:23:15.200
<v Speaker 1>creating art, both musically and visually in film and television,

1:23:15.560 --> 1:23:18.759
<v Speaker 1>and that can be what we have offered to the culture,

1:23:18.880 --> 1:23:22.479
<v Speaker 1>to this country, this worldwide culture of hip hop and music.

1:23:22.800 --> 1:23:25.400
<v Speaker 1>And I hope that that value. Like bands I've loved,

1:23:25.400 --> 1:23:29.240
<v Speaker 1>including led Zeppelin and Black Sabbath and Grateful Dead, n W,

1:23:29.280 --> 1:23:32.439
<v Speaker 1>A Public Enemy, ice Cube, I hope that our value

1:23:32.479 --> 1:23:35.000
<v Speaker 1>holds over the long term because of what we bring in,

1:23:35.000 --> 1:23:40.080
<v Speaker 1>the inspiration we bring through. Dami, you're gonna say something, No,

1:23:40.240 --> 1:23:42.880
<v Speaker 1>I mean everything he's saying is exactly how I feel.

1:23:42.920 --> 1:23:45.920
<v Speaker 1>And you know for me, you know, I've always only

1:23:46.400 --> 1:23:49.760
<v Speaker 1>been happy when I've been allowed to create. Okay, But

1:23:49.800 --> 1:23:53.040
<v Speaker 1>let's say you're in you're in the studio, Okay. Do

1:23:53.080 --> 1:23:56.200
<v Speaker 1>you consciously say I want to create a hit. Let

1:23:56.200 --> 1:24:00.200
<v Speaker 1>me define this. Doesn't that, that doesn't mean it's that

1:24:00.280 --> 1:24:03.040
<v Speaker 1>does not mean it's number one on the chart. Do

1:24:03.080 --> 1:24:06.480
<v Speaker 1>you want to create something so good that it spreads

1:24:06.520 --> 1:24:09.280
<v Speaker 1>because people can't get enough? Is that in your brain?

1:24:09.360 --> 1:24:13.040
<v Speaker 1>It'll feel it. Yea, yes, but it's a different context.

1:24:13.120 --> 1:24:16.679
<v Speaker 1>We want to create something. We want to create something

1:24:16.760 --> 1:24:20.759
<v Speaker 1>that we know motherfucker's who feel like us are gonna

1:24:20.920 --> 1:24:23.920
<v Speaker 1>have to smile and nod their head to no matter what,

1:24:24.360 --> 1:24:26.640
<v Speaker 1>no matter if they've ever heard us and not. We

1:24:26.720 --> 1:24:29.720
<v Speaker 1>know that there's something magical about the music that we

1:24:29.840 --> 1:24:32.599
<v Speaker 1>love that if you get it right, it will put

1:24:32.600 --> 1:24:35.400
<v Speaker 1>a fucking smile on somebody's face. And we do want

1:24:35.400 --> 1:24:37.720
<v Speaker 1>to do that, or it will put a or put

1:24:37.720 --> 1:24:39.960
<v Speaker 1>a thought into somebody's head. Yes, we want to make

1:24:40.000 --> 1:24:44.519
<v Speaker 1>the most banging, undeniable music possible, But the hit word

1:24:44.680 --> 1:24:48.439
<v Speaker 1>never comes into it. They hit own. It's only because A,

1:24:48.640 --> 1:24:52.320
<v Speaker 1>we're too fu smart to know. We're too fu smart, Bob.

1:24:52.400 --> 1:24:56.519
<v Speaker 1>We know we're not making hit. That's not that's not

1:24:56.640 --> 1:24:59.000
<v Speaker 1>what Run the Jewels does. A hit for us, it's

1:24:59.080 --> 1:25:01.680
<v Speaker 1>something that gets played on the radio. That's rare for us.

1:25:01.720 --> 1:25:03.320
<v Speaker 1>We have we have some songs that are now getting

1:25:03.320 --> 1:25:06.680
<v Speaker 1>played on the radio. But you know, for us, we

1:25:06.720 --> 1:25:09.840
<v Speaker 1>want to make uh something that's undeniable and something that

1:25:09.920 --> 1:25:11.680
<v Speaker 1>we can walk out of the studio and be like

1:25:12.960 --> 1:25:15.519
<v Speaker 1>fuck you, fuck you. This is you know, like if

1:25:15.520 --> 1:25:17.960
<v Speaker 1>you don't like it, fine, but we put everything we

1:25:18.040 --> 1:25:21.000
<v Speaker 1>had into it. And you know now, but we don't

1:25:21.000 --> 1:25:22.479
<v Speaker 1>think that. We don't think in terms of hit. We

1:25:22.520 --> 1:25:24.320
<v Speaker 1>know who we are, what we're doing, and what I've

1:25:24.320 --> 1:25:27.960
<v Speaker 1>been doing all my life, hopefully, and what I bring

1:25:28.080 --> 1:25:31.200
<v Speaker 1>to the group, hopefully is engaging in the age old

1:25:31.240 --> 1:25:34.759
<v Speaker 1>craft of making albums and trying to make real records

1:25:34.760 --> 1:25:38.240
<v Speaker 1>that tying into each other and make real moments on

1:25:38.320 --> 1:25:40.920
<v Speaker 1>records that are not looked at at sectioned off into

1:25:41.000 --> 1:25:43.240
<v Speaker 1>little singles and they're not thought about in any terms

1:25:43.280 --> 1:25:45.920
<v Speaker 1>that are economic, but that the first track in the

1:25:46.000 --> 1:25:48.080
<v Speaker 1>last track relate to each other, and there's a point

1:25:48.120 --> 1:25:50.439
<v Speaker 1>to it. And we want to make art. Me and Mike,

1:25:50.439 --> 1:25:52.760
<v Speaker 1>we're both visual artists, were both you know, when we

1:25:52.760 --> 1:25:55.679
<v Speaker 1>were kids. I wasn't probably as good as my we

1:25:55.680 --> 1:25:58.960
<v Speaker 1>we we We were both avid comic book readers. We

1:25:58.920 --> 1:26:01.839
<v Speaker 1>were both art fans. We're both movie heads. We were

1:26:01.880 --> 1:26:04.840
<v Speaker 1>obsessed with art our whole lives. I just happened to

1:26:04.840 --> 1:26:07.200
<v Speaker 1>be from the generation of people that still really wants

1:26:07.240 --> 1:26:10.200
<v Speaker 1>to make a cohesive thing that starts from beginning to

1:26:10.320 --> 1:26:14.200
<v Speaker 1>end and has a point and has a relationship internally

1:26:14.240 --> 1:26:16.880
<v Speaker 1>to itself. I want to make this art. This art

1:26:16.920 --> 1:26:20.879
<v Speaker 1>is my life. So in answering your other question again,

1:26:21.160 --> 1:26:23.120
<v Speaker 1>what I would say is that all I really want

1:26:23.439 --> 1:26:25.600
<v Speaker 1>is to get the chance to create things, and it

1:26:25.800 --> 1:26:27.640
<v Speaker 1>is to get the chance to spread my wings. Is

1:26:27.680 --> 1:26:30.120
<v Speaker 1>actually fit if I want to direct the movie someday,

1:26:30.160 --> 1:26:31.880
<v Speaker 1>I want to be in a position where what I'm

1:26:31.920 --> 1:26:34.640
<v Speaker 1>doing is successful enough to allow me that leeway to

1:26:34.760 --> 1:26:37.439
<v Speaker 1>write and direct the movie. Um, this is what my

1:26:37.479 --> 1:26:39.840
<v Speaker 1>whole life has has has only been. And that's the

1:26:39.880 --> 1:26:42.680
<v Speaker 1>sixteen year old kid who didn't. I did not have

1:26:42.720 --> 1:26:45.800
<v Speaker 1>any fucking plan. B I just didn't. I walked right

1:26:45.880 --> 1:26:48.879
<v Speaker 1>I I out of high school. It was a failure,

1:26:49.040 --> 1:26:51.000
<v Speaker 1>and it was like, this is all I'm all in,

1:26:51.160 --> 1:26:53.800
<v Speaker 1>This is all this is all I have. So of

1:26:53.840 --> 1:26:57.000
<v Speaker 1>course I want to you know, I'm a fucking you know,

1:26:57.080 --> 1:26:59.360
<v Speaker 1>I'm a fucking man in this world. Of course I

1:26:59.400 --> 1:27:02.160
<v Speaker 1>want to find actual security. But that doesn't play into

1:27:02.240 --> 1:27:05.080
<v Speaker 1>us when we're in the studio, because the only thing

1:27:05.120 --> 1:27:08.120
<v Speaker 1>that's ever been successful for us has us been completely

1:27:08.160 --> 1:27:10.920
<v Speaker 1>ignoring all that ship and going directly with what our

1:27:10.960 --> 1:27:13.000
<v Speaker 1>heart is about this music. That's it, that's the only

1:27:13.000 --> 1:27:16.759
<v Speaker 1>reason why we're here. How was that of voters. Voters

1:27:16.840 --> 1:27:20.040
<v Speaker 1>rally at t I S Trap Music Museum and we

1:27:20.120 --> 1:27:23.400
<v Speaker 1>have a we have a business partnership around a fifty

1:27:23.439 --> 1:27:26.040
<v Speaker 1>yard restaurant that we we we have a food truck

1:27:26.080 --> 1:27:30.439
<v Speaker 1>run around promoter now called banc At Seafood. And I

1:27:30.600 --> 1:27:33.200
<v Speaker 1>was I was talked. We were backstage before we walked

1:27:33.200 --> 1:27:35.080
<v Speaker 1>out and just gave people, you know, the fire up

1:27:35.160 --> 1:27:37.920
<v Speaker 1>to get out, make sure they get out and vote um.

1:27:38.080 --> 1:27:40.240
<v Speaker 1>And it was like, what you're doing. I was like, yo,

1:27:40.400 --> 1:27:43.240
<v Speaker 1>I'm I'm listening to my album, um, getting getting my

1:27:43.280 --> 1:27:46.400
<v Speaker 1>memorization tightened up because we're gonna have to performance. And

1:27:46.439 --> 1:27:51.280
<v Speaker 1>he was like, you memorize the whole album. I was like, well,

1:27:51.960 --> 1:27:56.040
<v Speaker 1>I say, how do I explain this? I say, so, look, Um,

1:27:56.200 --> 1:27:58.160
<v Speaker 1>you make a lot of money when you do shows

1:27:58.160 --> 1:28:02.360
<v Speaker 1>because you have hit records. You have records that people say, man,

1:28:02.520 --> 1:28:04.880
<v Speaker 1>I was at the prom making love to this record.

1:28:04.920 --> 1:28:07.519
<v Speaker 1>I say, you got records that are burning the people's

1:28:07.560 --> 1:28:09.320
<v Speaker 1>memory for the rest of their lives because you got it.

1:28:10.120 --> 1:28:12.040
<v Speaker 1>And he looks at me like, yeah, that's natural. And

1:28:12.040 --> 1:28:16.240
<v Speaker 1>I say, well, I make a bunch of money performing

1:28:16.360 --> 1:28:21.960
<v Speaker 1>because I make albums that people experience life with with

1:28:22.080 --> 1:28:26.080
<v Speaker 1>that album I say, so that gives me the value

1:28:26.160 --> 1:28:29.240
<v Speaker 1>of having a hit, So I probably are never gonna

1:28:29.280 --> 1:28:31.760
<v Speaker 1>have you can you can have whatever you like. But

1:28:31.920 --> 1:28:35.640
<v Speaker 1>I got run to jewels too. We vote just irrupted

1:28:35.760 --> 1:28:38.640
<v Speaker 1>laughter because I'm like, that's how we play festivals, and

1:28:38.640 --> 1:28:41.760
<v Speaker 1>that's why we tour so much, because we don't go

1:28:41.880 --> 1:28:45.759
<v Speaker 1>to make the hit, because don't play yourself chasing something.

1:28:46.000 --> 1:28:48.839
<v Speaker 1>Realize what type of your what your strength is. Dennis

1:28:48.920 --> 1:28:51.439
<v Speaker 1>Robbins one of the greatest basketball players on earth because

1:28:51.439 --> 1:28:54.479
<v Speaker 1>he knew that if I play defense to to the

1:28:54.600 --> 1:28:57.040
<v Speaker 1>to the tilt better than anyone else, and I get

1:28:57.120 --> 1:28:59.360
<v Speaker 1>this ball in the hand of those shooters, I'm going

1:28:59.400 --> 1:29:01.720
<v Speaker 1>to play. My part of this team is gonna win championships.

1:29:02.000 --> 1:29:05.120
<v Speaker 1>Jamie and I understand that we are the last vestiges

1:29:05.439 --> 1:29:08.080
<v Speaker 1>in hip hop um one of the last that are

1:29:08.200 --> 1:29:11.559
<v Speaker 1>is prepared to give you a full musical experience in

1:29:11.600 --> 1:29:13.720
<v Speaker 1>a way that that you don't have to in hip hop.

1:29:13.760 --> 1:29:16.120
<v Speaker 1>To be very frank with you, you can have hit records,

1:29:16.200 --> 1:29:18.120
<v Speaker 1>you could drop them, You can do that for twenty

1:29:18.200 --> 1:29:22.519
<v Speaker 1>thirty years, but there's something about completing that record. There's

1:29:22.520 --> 1:29:26.040
<v Speaker 1>something about following a group that takes you through that art.

1:29:26.360 --> 1:29:28.720
<v Speaker 1>It pulls you back again and again. It is the

1:29:28.760 --> 1:29:31.439
<v Speaker 1>reason I love Outcast. It is the reason I love

1:29:31.520 --> 1:29:34.160
<v Speaker 1>Tribe Call Quest. It is the reason I love Gang Star.

1:29:34.439 --> 1:29:36.120
<v Speaker 1>It is the reason I love you g K. If

1:29:36.160 --> 1:29:39.000
<v Speaker 1>you haven't listened to you g K Ryan, Dirty, Miss

1:29:39.120 --> 1:29:43.080
<v Speaker 1>get Stoned as Fun Bob and you g CA's riding

1:29:43.120 --> 1:29:46.800
<v Speaker 1>Dirty because all the skits were done by Smoked, who

1:29:46.880 --> 1:29:51.000
<v Speaker 1>was in jail. So he's he's talking you. You're hearing

1:29:51.040 --> 1:29:53.680
<v Speaker 1>a real occurrence, like so those are the things to

1:29:53.800 --> 1:29:56.679
<v Speaker 1>me Scarface Records. When you will hear j Prince talk

1:29:56.800 --> 1:29:59.040
<v Speaker 1>at the beginning and end of the records, it was

1:29:59.080 --> 1:30:01.080
<v Speaker 1>like going to the play as a kid. You hear

1:30:01.120 --> 1:30:03.479
<v Speaker 1>that order, you set the scene for you just like

1:30:04.080 --> 1:30:08.320
<v Speaker 1>uh yeah, back again and for the next hour, I

1:30:08.360 --> 1:30:10.320
<v Speaker 1>just didn't give a ship what was happening outside of

1:30:10.360 --> 1:30:13.400
<v Speaker 1>my room. So for for us, the hit is the

1:30:13.439 --> 1:30:17.479
<v Speaker 1>record at giving you that full thirty forty fifty minute

1:30:17.520 --> 1:30:23.360
<v Speaker 1>experience of cohesiveness and tapestry of the goods, the bads,

1:30:23.439 --> 1:30:26.719
<v Speaker 1>the wins, the losses. It's you know, it's almost cliche

1:30:26.800 --> 1:30:29.240
<v Speaker 1>to say a movie on audio, but it is a

1:30:29.320 --> 1:30:33.479
<v Speaker 1>theatric experience on audio, and and that's what you try

1:30:33.520 --> 1:30:36.360
<v Speaker 1>to master again and again and again. And you are

1:30:36.400 --> 1:30:38.920
<v Speaker 1>talking to two guys who put who put every single

1:30:38.920 --> 1:30:40.880
<v Speaker 1>record out, but we also give it away for free.

1:30:40.960 --> 1:30:43.960
<v Speaker 1>So if we were completely obsessed with oh yeah, with money.

1:30:44.600 --> 1:30:46.439
<v Speaker 1>Actually I want to I want to get to that,

1:30:46.479 --> 1:30:49.000
<v Speaker 1>but I want to stop one spot before because you're

1:30:49.000 --> 1:30:52.160
<v Speaker 1>talking about movies, Mike, what did you learn about doing

1:30:52.200 --> 1:30:55.799
<v Speaker 1>your Netflix show man? What I learned was it's not easy,

1:30:55.880 --> 1:30:58.080
<v Speaker 1>all right, So television not easy. Anybody can't just get

1:30:58.120 --> 1:30:59.920
<v Speaker 1>on TV and be a star, no matter how cares

1:31:00.000 --> 1:31:03.799
<v Speaker 1>attic you are. I don't want to work for sixteen

1:31:03.840 --> 1:31:07.320
<v Speaker 1>hour days anymore unless um the money is life changing,

1:31:07.439 --> 1:31:10.480
<v Speaker 1>but the show of life changing. So I have no regrets.

1:31:10.920 --> 1:31:14.280
<v Speaker 1>I learned that, Um did I have a talent for television,

1:31:14.400 --> 1:31:16.960
<v Speaker 1>and you're more likely than not gonna see me on

1:31:17.000 --> 1:31:19.360
<v Speaker 1>television a lot more if I have anything to do

1:31:19.439 --> 1:31:23.040
<v Speaker 1>with it. Um. I have loved hip hop and television

1:31:23.080 --> 1:31:26.200
<v Speaker 1>since I was a child. Um, And unlike working four

1:31:26.320 --> 1:31:29.240
<v Speaker 1>or five hours at UPS or AutoZone, I could work

1:31:29.320 --> 1:31:32.320
<v Speaker 1>sixteen or twenty hours and wouldn't flinch. I would love it,

1:31:32.400 --> 1:31:35.280
<v Speaker 1>and I would hate every minute I was doing anything

1:31:35.400 --> 1:31:38.160
<v Speaker 1>that was not artistic and creative by way of music

1:31:38.240 --> 1:31:42.240
<v Speaker 1>or television, and I'm absolutely obsessed with doing more of it. Okay,

1:31:42.240 --> 1:31:45.360
<v Speaker 1>what did you literally learn from doing the show? I

1:31:45.439 --> 1:31:49.360
<v Speaker 1>learned that people are always going to well, not always.

1:31:49.560 --> 1:31:53.120
<v Speaker 1>I learned that celebrity is probably the most powerful piece

1:31:53.120 --> 1:31:57.000
<v Speaker 1>of propaganda, um in this country. On the last episode,

1:31:57.040 --> 1:32:00.960
<v Speaker 1>there was a young woman who was just more qualified

1:32:00.960 --> 1:32:03.559
<v Speaker 1>to lead than me. She had worked with the people,

1:32:03.600 --> 1:32:05.640
<v Speaker 1>she had walked amongst them. She knew the issues and

1:32:05.680 --> 1:32:08.840
<v Speaker 1>the concerns and the campaigns that they wanted waged, and

1:32:08.840 --> 1:32:10.680
<v Speaker 1>they still voted for me at the end because the

1:32:10.760 --> 1:32:13.880
<v Speaker 1>perception was it was my show. The perception was I

1:32:13.920 --> 1:32:16.519
<v Speaker 1>had more money, and the perception was that I was

1:32:16.560 --> 1:32:20.479
<v Speaker 1>more popular. Um. That's when, on a Marie micro level,

1:32:20.920 --> 1:32:24.120
<v Speaker 1>I understood what's happening in this country now. Um. The

1:32:24.160 --> 1:32:27.240
<v Speaker 1>reason that we have someone who's potentially a tiring or

1:32:27.280 --> 1:32:30.599
<v Speaker 1>despot in this country is because over the last thirty years,

1:32:30.600 --> 1:32:34.680
<v Speaker 1>they they crafted him. Um or he's he's been in

1:32:34.720 --> 1:32:40.280
<v Speaker 1>your living room via WWF wrestling, via his own television shows.

1:32:40.600 --> 1:32:44.160
<v Speaker 1>He's one of the most mentioned people in rap songs. UM.

1:32:44.240 --> 1:32:47.200
<v Speaker 1>So I learned the power of celebrity and and and

1:32:47.240 --> 1:32:50.160
<v Speaker 1>which makes me far more cautious was how I use

1:32:50.200 --> 1:32:53.600
<v Speaker 1>it and who I stand next to um, Because celebrity

1:32:53.640 --> 1:32:56.879
<v Speaker 1>can be the most powerful piece of propaganda the capitalistic society,

1:32:57.240 --> 1:32:59.320
<v Speaker 1>and it could lead us all down hallways. I don't

1:32:59.320 --> 1:33:01.280
<v Speaker 1>think you need to go Okay, let's go back to

1:33:01.320 --> 1:33:06.679
<v Speaker 1>the records. In terms of your income file, how much

1:33:06.760 --> 1:33:09.639
<v Speaker 1>comes from recordings, how much you know you know before

1:33:09.680 --> 1:33:12.840
<v Speaker 1>this crazy pandemic stuff, how much comes to recording, how

1:33:12.920 --> 1:33:15.479
<v Speaker 1>much comes from live, how much comes from merch or

1:33:15.520 --> 1:33:19.440
<v Speaker 1>if you have another revenue stream. I would sly live first.

1:33:19.600 --> 1:33:22.640
<v Speaker 1>Live has traditionally been one of the biggest sources of

1:33:22.760 --> 1:33:25.439
<v Speaker 1>gonna come for us. I mean, we've toured obsessively like

1:33:25.479 --> 1:33:27.160
<v Speaker 1>a rock band. When we got the chance to tour

1:33:27.240 --> 1:33:29.200
<v Speaker 1>for a year and a half straight, we toured for

1:33:29.200 --> 1:33:31.160
<v Speaker 1>a year and half straight, and damn there fucking broke

1:33:31.200 --> 1:33:34.000
<v Speaker 1>our spirits. But we were we we knew that this

1:33:34.080 --> 1:33:36.920
<v Speaker 1>was a rare opportunity that people still wanted us to

1:33:36.920 --> 1:33:39.040
<v Speaker 1>tour even a year and a half after our records.

1:33:39.400 --> 1:33:41.920
<v Speaker 1>We we've we've got in a reputation for our live

1:33:41.960 --> 1:33:44.280
<v Speaker 1>show and then has catapulted us up into the upper

1:33:44.280 --> 1:33:47.519
<v Speaker 1>Aschlans where our font size has grown from. You have

1:33:47.560 --> 1:33:50.120
<v Speaker 1>to have a magnifying glass too. It's at the top,

1:33:50.320 --> 1:33:54.400
<v Speaker 1>you know, And that's an amazing thing to accomplish for us. Traditionally,

1:33:54.479 --> 1:33:56.760
<v Speaker 1>that's really been where we made the money. And I

1:33:56.840 --> 1:33:58.679
<v Speaker 1>think that we have we have a lot of we

1:33:58.560 --> 1:34:00.080
<v Speaker 1>and we and we do well with merch and we

1:34:00.160 --> 1:34:03.480
<v Speaker 1>do well with licensing. We get a lot of licensing.

1:34:03.800 --> 1:34:06.760
<v Speaker 1>People love our music for film and tv UM, which

1:34:06.760 --> 1:34:10.240
<v Speaker 1>has been amazing for us UM. And I think that

1:34:10.280 --> 1:34:12.280
<v Speaker 1>one of the one of the calculations that we made

1:34:12.280 --> 1:34:16.080
<v Speaker 1>originally was when we did this, was it was sort

1:34:16.120 --> 1:34:18.400
<v Speaker 1>of not a genuine calculation, but it was more of

1:34:18.439 --> 1:34:20.880
<v Speaker 1>a spiritual calculation where we were like, well, let's give

1:34:20.960 --> 1:34:22.880
<v Speaker 1>this ship away for free because we don't have any

1:34:22.880 --> 1:34:25.000
<v Speaker 1>money behind us. Let's see if we can get the

1:34:25.040 --> 1:34:27.160
<v Speaker 1>hearts in the minds of people because the music is

1:34:27.160 --> 1:34:29.160
<v Speaker 1>going to react. Uh, they're going to react to the

1:34:29.240 --> 1:34:31.080
<v Speaker 1>music in a positive way. We didn't know what was

1:34:31.080 --> 1:34:33.920
<v Speaker 1>gonna happen. We just thought it was a gesture. We

1:34:33.960 --> 1:34:36.160
<v Speaker 1>figured we want to have a relationship with people, so

1:34:36.240 --> 1:34:38.479
<v Speaker 1>let's see if we don't put a wall between them

1:34:38.479 --> 1:34:41.160
<v Speaker 1>and and having this music. If someone doesn't have to

1:34:41.200 --> 1:34:44.360
<v Speaker 1>have a subscription to some streaming service, or if someone

1:34:44.439 --> 1:34:47.559
<v Speaker 1>can't afford something that they don't know about, they're probably

1:34:47.600 --> 1:34:49.840
<v Speaker 1>not going to buy it. Um. So we put it

1:34:49.840 --> 1:34:53.360
<v Speaker 1>out there for free, and we assumed correctly that if

1:34:53.400 --> 1:34:55.840
<v Speaker 1>people liked it, we get the chance to perform, and

1:34:55.920 --> 1:34:58.120
<v Speaker 1>if people came to the show, then we can make

1:34:58.160 --> 1:35:00.040
<v Speaker 1>a living and we could sell some merch And it

1:35:00.160 --> 1:35:02.400
<v Speaker 1>was kind of as as as complicated as a god

1:35:02.439 --> 1:35:05.160
<v Speaker 1>when we first started. We just didn't know what was

1:35:05.200 --> 1:35:07.800
<v Speaker 1>gonna happen. We've been very lucky. We've we've got the

1:35:07.880 --> 1:35:11.600
<v Speaker 1>chance to do a lot of business based around this

1:35:11.840 --> 1:35:16.200
<v Speaker 1>and still maintain our ability to to adhere to that

1:35:16.280 --> 1:35:20.280
<v Speaker 1>principle of giving people something. And our thought behind that is, look,

1:35:20.360 --> 1:35:22.920
<v Speaker 1>we want your heart and your mind. We want to

1:35:22.960 --> 1:35:26.439
<v Speaker 1>earn um. We want to earn this and and when

1:35:26.439 --> 1:35:28.760
<v Speaker 1>we do earn it, when you do finally spend that

1:35:28.800 --> 1:35:31.120
<v Speaker 1>buck with us. We wanted to be because you just

1:35:31.160 --> 1:35:33.400
<v Speaker 1>decided you had to. You like these guys, you like

1:35:33.520 --> 1:35:36.760
<v Speaker 1>this music, You're gonna spend this book because you got

1:35:36.760 --> 1:35:38.679
<v Speaker 1>the chance to think about it. It didn't we didn't

1:35:38.720 --> 1:35:40.800
<v Speaker 1>trick you into buying an album because we had one

1:35:40.800 --> 1:35:44.000
<v Speaker 1>hot single, here's the fucking album. And when we first

1:35:44.040 --> 1:35:47.400
<v Speaker 1>started that ship, when we would go to distribute distribution

1:35:47.479 --> 1:35:49.519
<v Speaker 1>companies or labels or whatever, they looked at us like,

1:35:49.560 --> 1:35:51.920
<v Speaker 1>we were fucking crazy, what are you talking about. You're

1:35:51.920 --> 1:35:53.880
<v Speaker 1>not going to give the record away for free? And

1:35:53.920 --> 1:35:56.439
<v Speaker 1>we said, no, actually, we are doing that, and if

1:35:56.439 --> 1:35:58.360
<v Speaker 1>you'd like to, you know, get a business with us,

1:35:58.400 --> 1:36:00.760
<v Speaker 1>you can do that too. But time we got around

1:36:00.760 --> 1:36:02.960
<v Speaker 1>a run until three, everybody was like, so, we're giving

1:36:03.000 --> 1:36:06.120
<v Speaker 1>it away for free, right, you know, you know, and

1:36:06.160 --> 1:36:07.880
<v Speaker 1>we were like, yeah, we're gonna give it away for free.

1:36:07.920 --> 1:36:11.200
<v Speaker 1>Minute now, give us this check, you know, and you know,

1:36:11.600 --> 1:36:14.680
<v Speaker 1>so it's been a very organic approach to us. You know,

1:36:14.720 --> 1:36:17.240
<v Speaker 1>it's been a leap of faith the whole time. Um.

1:36:17.280 --> 1:36:18.960
<v Speaker 1>And the one thing that we knew was that if

1:36:19.000 --> 1:36:20.960
<v Speaker 1>we you know, going back to the shell thing, you know,

1:36:21.040 --> 1:36:24.439
<v Speaker 1>like we fucking work our asses off to de great

1:36:24.479 --> 1:36:27.360
<v Speaker 1>performers and the kid pit shows, and and that is

1:36:27.400 --> 1:36:29.400
<v Speaker 1>something that we take really seriously because we knew it

1:36:29.479 --> 1:36:31.480
<v Speaker 1>was one of the only things that at our disposal

1:36:31.560 --> 1:36:34.439
<v Speaker 1>that we could really control that levels the playing field.

1:36:34.760 --> 1:36:37.639
<v Speaker 1>We we we never had a ship hunt of money

1:36:37.640 --> 1:36:39.479
<v Speaker 1>behind us. We never had a ship to the promotion

1:36:39.520 --> 1:36:42.080
<v Speaker 1>behind us, but you were not going to see a

1:36:42.160 --> 1:36:44.200
<v Speaker 1>show like you're gonna see when you see our show.

1:36:44.520 --> 1:36:48.559
<v Speaker 1>This is we are in a different category on purpose,

1:36:48.600 --> 1:36:51.280
<v Speaker 1>We're in a different category of performance when it comes

1:36:51.320 --> 1:36:53.639
<v Speaker 1>to you know, the ship around us. Not to say

1:36:53.640 --> 1:36:55.559
<v Speaker 1>we're the best performers in the world and no one

1:36:55.600 --> 1:36:58.720
<v Speaker 1>else is. Every there's amazing performers out there. We just

1:36:58.840 --> 1:37:02.439
<v Speaker 1>knew that we wanted to if we got that chance

1:37:02.439 --> 1:37:03.760
<v Speaker 1>to get in front of people, that we were going

1:37:03.800 --> 1:37:06.120
<v Speaker 1>to give them an experience that where they knew we

1:37:06.120 --> 1:37:08.679
<v Speaker 1>were taking a ship seriously, like he goes are Michael

1:37:08.760 --> 1:37:13.120
<v Speaker 1>Jackson kicks though, I think for a big I think

1:37:13.160 --> 1:37:19.000
<v Speaker 1>I think that that's what really pushed us over the edge. Yeah, okay,

1:37:19.120 --> 1:37:22.600
<v Speaker 1>just staying on that same tip, Kanye has been on

1:37:22.880 --> 1:37:27.880
<v Speaker 1>wild about the traditional major label business. And you know,

1:37:27.920 --> 1:37:32.360
<v Speaker 1>the unfortunate thing with Kanye is he's literally ill, irrelevant.

1:37:32.439 --> 1:37:35.280
<v Speaker 1>You know, he's bipolar. Anybody who's dealt with him, you

1:37:35.320 --> 1:37:39.200
<v Speaker 1>know he's not the usual customer. Shall I say, is

1:37:39.240 --> 1:37:42.479
<v Speaker 1>this something you see as a side show for you

1:37:42.960 --> 1:37:45.400
<v Speaker 1>that you were doing your own thing, or is this

1:37:45.479 --> 1:37:50.280
<v Speaker 1>something you have of you point on, just because you're

1:37:50.320 --> 1:37:54.599
<v Speaker 1>ill doesn't mean you're dumb. No. I first, he's brilliant. Yeah,

1:37:54.920 --> 1:37:56.680
<v Speaker 1>so I love me just as a son of a

1:37:56.720 --> 1:38:00.200
<v Speaker 1>manic depressed My mother was brilliant. But like you say,

1:38:00.240 --> 1:38:01.600
<v Speaker 1>it could be, it could be, it could be a

1:38:01.640 --> 1:38:05.160
<v Speaker 1>little madness around the brilliance. But Jamie has had an

1:38:05.200 --> 1:38:08.320
<v Speaker 1>answer um over the years that that makes so much sense.

1:38:08.360 --> 1:38:12.519
<v Speaker 1>It's it's it's it's really in whatever works best for you. Now,

1:38:12.680 --> 1:38:15.280
<v Speaker 1>you know it's wrong to trick artists how the masters

1:38:15.320 --> 1:38:17.600
<v Speaker 1>and publishing, and think what's wrong for us not to

1:38:17.640 --> 1:38:20.000
<v Speaker 1>share some some of mastering to be able to control

1:38:20.280 --> 1:38:22.400
<v Speaker 1>if it's wrong the trick artists out of publishing, which

1:38:22.439 --> 1:38:25.400
<v Speaker 1>we know happened in the thirties, forties, fifties, sixty, seventies, eighties.

1:38:25.840 --> 1:38:28.320
<v Speaker 1>You know, we know that. But it's also you know,

1:38:28.439 --> 1:38:32.200
<v Speaker 1>once educated and once you know, once people know certain deals,

1:38:32.280 --> 1:38:33.960
<v Speaker 1>you know what I mean, it's it's gonna be you

1:38:34.000 --> 1:38:37.479
<v Speaker 1>to decide. Jamie and I could have did bigger deals

1:38:37.560 --> 1:38:41.240
<v Speaker 1>than the big deal we did. We chose to remain

1:38:41.479 --> 1:38:44.559
<v Speaker 1>and keep some of our autonomy, so we took less

1:38:44.600 --> 1:38:48.120
<v Speaker 1>of things in order to be more of us. Because

1:38:48.880 --> 1:38:51.080
<v Speaker 1>once you marriage and married, and it's hard to get

1:38:51.080 --> 1:38:53.280
<v Speaker 1>out of a marriage, you know what I mean. So, UM,

1:38:53.520 --> 1:38:56.639
<v Speaker 1>I respect his words, like in terms of I don't

1:38:56.680 --> 1:38:59.800
<v Speaker 1>have any say on whether I'm arguing for against or

1:38:59.800 --> 1:39:02.800
<v Speaker 1>what them, but I respect someone who says something and

1:39:02.840 --> 1:39:07.000
<v Speaker 1>then the next day says, I'm giving Artist of Theirs back,

1:39:07.280 --> 1:39:11.519
<v Speaker 1>because that's beyond saying that's doing. Everything Kanye is saying

1:39:11.720 --> 1:39:15.040
<v Speaker 1>is right, It's just it's caught up in the history

1:39:15.160 --> 1:39:18.639
<v Speaker 1>of everything else he's doing, like running for president, and said, yeah,

1:39:18.720 --> 1:39:22.759
<v Speaker 1>but he's doing it also, Darren lasted difference, lasts of difference,

1:39:22.760 --> 1:39:25.960
<v Speaker 1>you know, like the correction Mike, he's not saying and

1:39:26.000 --> 1:39:29.200
<v Speaker 1>I don't like talking about other people because it always

1:39:29.240 --> 1:39:32.880
<v Speaker 1>becomes sensationalized. But what he's actually saying and people are

1:39:32.920 --> 1:39:36.720
<v Speaker 1>interpreting and is like he's giving them fifty back. What

1:39:36.840 --> 1:39:40.559
<v Speaker 1>he's saying is I'm giving them my steak exactly. Yeah,

1:39:40.720 --> 1:39:42.720
<v Speaker 1>I was gonna saying he's not giving my fifty that

1:39:42.880 --> 1:39:46.759
<v Speaker 1>all I'm giving them what I get. Yeah, And you know, hey,

1:39:46.800 --> 1:39:51.920
<v Speaker 1>great listen. You know for us, you know I think that, Um,

1:39:52.040 --> 1:39:54.720
<v Speaker 1>we walk into everything with our eyes open and we're

1:39:54.800 --> 1:39:57.639
<v Speaker 1>very deliberate about what we're doing, you know, business wise,

1:39:57.800 --> 1:40:00.920
<v Speaker 1>and and like he said, we made our decision based

1:40:00.960 --> 1:40:04.400
<v Speaker 1>on what we believe we need in terms of autonomy.

1:40:04.439 --> 1:40:07.559
<v Speaker 1>For instance, um, we could have had you know, there

1:40:07.560 --> 1:40:09.519
<v Speaker 1>are different deals that we could have taken, but what

1:40:09.600 --> 1:40:11.920
<v Speaker 1>we wanted was to do a deal where we didn't

1:40:11.920 --> 1:40:14.839
<v Speaker 1>know someone more than one record. That was very important

1:40:14.880 --> 1:40:16.960
<v Speaker 1>to us. UM. That came out of a lot of

1:40:17.000 --> 1:40:19.120
<v Speaker 1>experience over the years, and that came out of us

1:40:19.280 --> 1:40:22.439
<v Speaker 1>understanding the importance of being able to bargain and also

1:40:22.479 --> 1:40:24.920
<v Speaker 1>the importance of being able to hold the people that

1:40:25.000 --> 1:40:27.639
<v Speaker 1>you're working with to some sort of standard. I think

1:40:27.640 --> 1:40:29.759
<v Speaker 1>that it is a mistake for people to get into

1:40:30.200 --> 1:40:33.400
<v Speaker 1>um my personal thought is that it was a mistake

1:40:33.479 --> 1:40:35.799
<v Speaker 1>for us. I'm not able to say people it's a mistake.

1:40:35.800 --> 1:40:37.280
<v Speaker 1>It was. It would be a mistake for us to

1:40:37.280 --> 1:40:41.400
<v Speaker 1>get into some long protracted contractual thing with anybody who

1:40:41.479 --> 1:40:44.320
<v Speaker 1>we don't know are going to go to bad for us.

1:40:44.640 --> 1:40:46.840
<v Speaker 1>And if you do go to bad for us, you

1:40:46.920 --> 1:40:51.160
<v Speaker 1>get rewarded with a relationship. And we're very you know,

1:40:51.320 --> 1:40:54.840
<v Speaker 1>we're very real about that. UM. So I think that

1:40:54.960 --> 1:40:59.080
<v Speaker 1>um uh. For me and Mike, we look at everything

1:40:59.240 --> 1:41:01.680
<v Speaker 1>and just us everything in every mood that we make

1:41:02.040 --> 1:41:04.880
<v Speaker 1>really as a part of how we see what are

1:41:04.920 --> 1:41:07.720
<v Speaker 1>what we want our options to be. Um, it can

1:41:07.760 --> 1:41:10.120
<v Speaker 1>be restricted because it doesn't mean that you don't It

1:41:10.160 --> 1:41:12.360
<v Speaker 1>means that we're not going out there and getting you know,

1:41:12.920 --> 1:41:15.320
<v Speaker 1>you know several you know, like you know, we're not

1:41:15.360 --> 1:41:17.679
<v Speaker 1>going out there and getting a fifteen million dollar recording

1:41:17.720 --> 1:41:21.120
<v Speaker 1>contract because we don't want you, um, we don't want

1:41:21.120 --> 1:41:25.599
<v Speaker 1>to give away in the next four albums, you know. Um. Okay,

1:41:25.640 --> 1:41:27.439
<v Speaker 1>So you two guys, you make a lot of money

1:41:27.479 --> 1:41:30.760
<v Speaker 1>from going on the road. There's a long history of

1:41:30.800 --> 1:41:35.040
<v Speaker 1>African Americans on the road and racism and even white

1:41:35.080 --> 1:41:38.640
<v Speaker 1>people who have traveled with African Americans. You're sort of

1:41:38.640 --> 1:41:41.720
<v Speaker 1>a unique act. There are other multiracial acts, but in

1:41:41.760 --> 1:41:45.439
<v Speaker 1>your particular case, there's only two guys. Do you guys

1:41:45.680 --> 1:41:52.080
<v Speaker 1>experience racism? I'm talking about you. I know, I know, Mom,

1:41:52.080 --> 1:41:54.479
<v Speaker 1>I know, Michael say general there's racing on the road

1:41:54.960 --> 1:41:57.360
<v Speaker 1>and you know and Jamie are there are times you

1:41:57.400 --> 1:41:59.720
<v Speaker 1>say that people people will talk to you as a

1:41:59.800 --> 1:42:03.920
<v Speaker 1>poe us to talk to Mike, or they'll treat you differently. No, No,

1:42:04.040 --> 1:42:06.040
<v Speaker 1>I haven't. I haven't quite noticed that But what I

1:42:06.080 --> 1:42:08.040
<v Speaker 1>have noticed is that there's this there's this thing that

1:42:08.160 --> 1:42:11.479
<v Speaker 1>there's this dynamic between me and Mike that that puts

1:42:11.520 --> 1:42:14.000
<v Speaker 1>people in this awkward position because what a lot of

1:42:14.000 --> 1:42:17.679
<v Speaker 1>people want to ask us, but they can't because they're

1:42:17.720 --> 1:42:21.080
<v Speaker 1>too conflicted and constricted in themselves. And we've called people

1:42:21.080 --> 1:42:22.920
<v Speaker 1>out on it and been like just to ask man

1:42:23.120 --> 1:42:26.439
<v Speaker 1>just had what we do experience as this multi racial

1:42:26.680 --> 1:42:28.880
<v Speaker 1>group of friends who go out on the road, is

1:42:28.920 --> 1:42:32.880
<v Speaker 1>that when we talk to people, people just want to ask,

1:42:33.560 --> 1:42:37.439
<v Speaker 1>how is it possible that your friends, uh, you know?

1:42:37.600 --> 1:42:39.679
<v Speaker 1>And they just don't. They just want to know they

1:42:39.560 --> 1:42:42.040
<v Speaker 1>they don't know because they don't have that same experience.

1:42:42.240 --> 1:42:44.120
<v Speaker 1>I grew up in New York City. I grew up

1:42:44.120 --> 1:42:47.240
<v Speaker 1>in a very multicultural in New York City. Um it

1:42:47.400 --> 1:42:51.559
<v Speaker 1>was um and I I thought New York was it

1:42:51.600 --> 1:42:53.360
<v Speaker 1>was like a micro causem of the world when I

1:42:53.400 --> 1:42:55.000
<v Speaker 1>was when I was a kid, I just assume that

1:42:55.080 --> 1:42:57.800
<v Speaker 1>because I grew up in New York that that I

1:42:58.240 --> 1:43:00.320
<v Speaker 1>that I knew how the world worked, and I prepared

1:43:00.400 --> 1:43:02.400
<v Speaker 1>me for going everywhere. And you know that I prepared

1:43:02.439 --> 1:43:04.759
<v Speaker 1>me for getting everywhere. And what I realized I didn't

1:43:04.760 --> 1:43:07.280
<v Speaker 1>really get to see America. Until I started touring, I

1:43:07.320 --> 1:43:09.519
<v Speaker 1>didn't get you know, and I started touring in my

1:43:09.600 --> 1:43:12.679
<v Speaker 1>early pointies, I didn't get to see. I didn't know

1:43:12.960 --> 1:43:15.600
<v Speaker 1>that not only was what I said wrong, but it

1:43:15.680 --> 1:43:18.160
<v Speaker 1>was actually in verse. And actually growing up in New

1:43:18.200 --> 1:43:20.240
<v Speaker 1>York was one of the biggest handicaps you could ever

1:43:20.280 --> 1:43:23.479
<v Speaker 1>fucking have when it comes to the Greater America. And

1:43:23.600 --> 1:43:27.000
<v Speaker 1>I was shocked to see the And yes there had

1:43:27.040 --> 1:43:29.680
<v Speaker 1>I have been in situations where people that I was

1:43:29.720 --> 1:43:31.800
<v Speaker 1>with who were black, or people that I was with

1:43:31.920 --> 1:43:35.680
<v Speaker 1>who were Asian, or people that UM had It's like

1:43:35.960 --> 1:43:38.800
<v Speaker 1>right in front of my face. Absolutely experienced crazy, like

1:43:38.880 --> 1:43:42.559
<v Speaker 1>crazy ship like you know, very obvious racism for sure.

1:43:42.800 --> 1:43:44.439
<v Speaker 1>I think that me and Mike were were at what

1:43:44.560 --> 1:43:48.280
<v Speaker 1>we experienced is more like a discomfort in people who

1:43:48.360 --> 1:43:51.040
<v Speaker 1>you know, want to get to the bottom of this thing,

1:43:51.160 --> 1:43:53.360
<v Speaker 1>like they talked to us and you know, and they're

1:43:53.400 --> 1:43:56.439
<v Speaker 1>just like they want so desperately to ask the question,

1:43:56.560 --> 1:43:58.720
<v Speaker 1>like I don't you know, I'm just to say I

1:43:58.720 --> 1:44:02.400
<v Speaker 1>don't understand. It's like it's cool, man, we get that

1:44:02.520 --> 1:44:04.840
<v Speaker 1>it's cool. You can say it just as just ask,

1:44:05.080 --> 1:44:08.160
<v Speaker 1>you know, But that particular scenario that you're describing where

1:44:08.200 --> 1:44:10.320
<v Speaker 1>like I'm getting treated well and Mike isn't getting treated

1:44:10.360 --> 1:44:13.040
<v Speaker 1>well because to my knowledge, I don't remember that we

1:44:13.200 --> 1:44:16.360
<v Speaker 1>directly encountered that very obviously, but maybe Mike can illuminate

1:44:16.400 --> 1:44:19.639
<v Speaker 1>me to that you have a prospective on this life

1:44:19.640 --> 1:44:22.519
<v Speaker 1>perspect I'm a black man, just you know, you see

1:44:22.560 --> 1:44:28.439
<v Speaker 1>this ship everywhere, so it's like, but it's it's not.

1:44:28.640 --> 1:44:30.840
<v Speaker 1>I grew up in the South, So I took my

1:44:30.880 --> 1:44:33.920
<v Speaker 1>wife to the Florida Panhandle a few weeks back, and

1:44:33.960 --> 1:44:36.719
<v Speaker 1>we grow through George, Alabama, and Florida, and every state

1:44:36.800 --> 1:44:39.360
<v Speaker 1>had still has their version of the Confederate flag as

1:44:39.439 --> 1:44:42.400
<v Speaker 1>the state flag. So it's not like something that I

1:44:42.439 --> 1:44:45.960
<v Speaker 1>haven't learned to live with. But I grew up the

1:44:45.960 --> 1:44:50.080
<v Speaker 1>opposite of Jamie. I grew up in a totally black environment.

1:44:50.600 --> 1:44:53.000
<v Speaker 1>My side of town was black, my neighborhood was black.

1:44:53.320 --> 1:44:55.519
<v Speaker 1>My schools were black. They were named for black people.

1:44:55.600 --> 1:44:58.920
<v Speaker 1>The principal was black, the superintendent was black, my mayor

1:44:59.080 --> 1:45:02.160
<v Speaker 1>was black. So I grew up um and it was

1:45:02.200 --> 1:45:05.040
<v Speaker 1>easy for me to be friends with Jamie because all

1:45:05.080 --> 1:45:07.920
<v Speaker 1>of my heroes and villains looked like me. So what

1:45:08.080 --> 1:45:10.600
<v Speaker 1>Dr King said about judging people by the content of

1:45:10.640 --> 1:45:13.679
<v Speaker 1>their character was something that I got to do pretty

1:45:13.720 --> 1:45:17.439
<v Speaker 1>easily because again, all the good people and assholes in

1:45:17.479 --> 1:45:20.479
<v Speaker 1>my life had been black people, so I understood that,

1:45:20.880 --> 1:45:23.800
<v Speaker 1>like James Baldwin tried to help people understand, we can

1:45:23.840 --> 1:45:25.439
<v Speaker 1>be all those things. We can be sinner as we

1:45:25.439 --> 1:45:27.120
<v Speaker 1>can say so, we could be good, we could be bad.

1:45:27.360 --> 1:45:29.719
<v Speaker 1>So it was a lot easier for me to get

1:45:30.000 --> 1:45:34.040
<v Speaker 1>to to not engage in the all white people are

1:45:34.040 --> 1:45:38.160
<v Speaker 1>are are diametrically opposed to me. You know, as I

1:45:38.200 --> 1:45:40.400
<v Speaker 1>got older and understand a little nuanced, I was like,

1:45:40.439 --> 1:45:42.200
<v Speaker 1>you know, some white people are just too quiet at

1:45:42.200 --> 1:45:44.840
<v Speaker 1>the wrong times, and that's that's not the same thing

1:45:44.880 --> 1:45:47.280
<v Speaker 1>as being evil, but you do got a bump them like, hey,

1:45:47.479 --> 1:45:50.360
<v Speaker 1>you should fucking say something right now, you know. But

1:45:50.600 --> 1:45:53.600
<v Speaker 1>as a band, we do not go out and experience

1:45:53.840 --> 1:45:57.599
<v Speaker 1>terrible amounts of racism. We've we've we've had subtle ship

1:45:57.760 --> 1:46:00.920
<v Speaker 1>happened at Hotel check Is where they are realize that

1:46:01.120 --> 1:46:03.639
<v Speaker 1>our white road managers working for both of us. As

1:46:03.640 --> 1:46:06.960
<v Speaker 1>they're telling me the hold we've had, you know, German

1:46:06.960 --> 1:46:09.599
<v Speaker 1>police officers opened the door, you know what I'm saying.

1:46:09.680 --> 1:46:12.559
<v Speaker 1>And my wife, you know, um, my wife put all

1:46:12.560 --> 1:46:14.680
<v Speaker 1>the full Muslim guards so that they don't funk with

1:46:14.720 --> 1:46:16.760
<v Speaker 1>her because they don't want that bad. But in terms

1:46:16.800 --> 1:46:18.800
<v Speaker 1>of me, they searched to shoot out of me, like

1:46:19.200 --> 1:46:22.479
<v Speaker 1>I come breaking on into the country. But we we

1:46:22.600 --> 1:46:26.080
<v Speaker 1>have been lucky in that when people physically see us too,

1:46:26.479 --> 1:46:28.960
<v Speaker 1>they see that there's a harmony there, even on our

1:46:29.000 --> 1:46:31.000
<v Speaker 1>worst days. This is my brother's my friend. I love

1:46:31.080 --> 1:46:33.120
<v Speaker 1>my friend and brother. So when we hit the streets

1:46:33.160 --> 1:46:35.559
<v Speaker 1>like we're two Americans, you know, if we're out of

1:46:35.560 --> 1:46:37.720
<v Speaker 1>the country, looking over each other's shoulders, making sure each

1:46:37.760 --> 1:46:40.000
<v Speaker 1>other's okay, And if we're in America, I'm making sure

1:46:40.080 --> 1:46:43.160
<v Speaker 1>Jamie's okay, He's making sure I'm okay. So what we represent,

1:46:43.280 --> 1:46:46.120
<v Speaker 1>before one world gets told is a friendship and the

1:46:46.240 --> 1:46:50.040
<v Speaker 1>possibility to have people that are friends, that are not

1:46:50.120 --> 1:46:53.120
<v Speaker 1>from the same place, not culturally or ethnically the same,

1:46:53.360 --> 1:46:56.479
<v Speaker 1>and yet somehow enjoy balance and the kinship. And I

1:46:56.520 --> 1:46:58.720
<v Speaker 1>love the fact that our friendship just shows that, so

1:46:58.760 --> 1:47:00.960
<v Speaker 1>we don't have to say it a lot, you know,

1:47:01.520 --> 1:47:06.240
<v Speaker 1>forgetting color. Okay. The music world is littered with people

1:47:06.240 --> 1:47:10.719
<v Speaker 1>who couldn't stand each other. All of the South, south

1:47:10.720 --> 1:47:15.479
<v Speaker 1>of the Everly Brothers couldn't stand each other. Bands break

1:47:15.560 --> 1:47:18.479
<v Speaker 1>up because they couldn't stand each other. You're in the reno,

1:47:18.960 --> 1:47:21.439
<v Speaker 1>you're in the bus. You know, you played then X

1:47:21.520 --> 1:47:23.200
<v Speaker 1>number of people, you're god. Then you're with the same

1:47:23.240 --> 1:47:26.519
<v Speaker 1>asshole that you know every day. So my question is,

1:47:27.280 --> 1:47:29.680
<v Speaker 1>do you really like each other? You're really friends? And

1:47:29.720 --> 1:47:32.960
<v Speaker 1>do you have blow ups or you know, what's the status?

1:47:33.000 --> 1:47:37.360
<v Speaker 1>Here's the answer On the end of our album. There's

1:47:37.360 --> 1:47:42.559
<v Speaker 1>a skit right and and and it's a and it's

1:47:42.600 --> 1:47:45.800
<v Speaker 1>a sort of it's a sort of an homage to

1:47:45.880 --> 1:47:48.320
<v Speaker 1>like the eighties action TV shows to me and I

1:47:48.320 --> 1:47:51.800
<v Speaker 1>grew up on like Dukes of Hazard, night Rider. You know,

1:47:54.600 --> 1:47:57.719
<v Speaker 1>we got all that called Yankee and the Brave and

1:47:57.720 --> 1:48:02.360
<v Speaker 1>and in the in the Skin the Narrow says they

1:48:02.880 --> 1:48:06.240
<v Speaker 1>they friends exactly, these guys have a better chance of

1:48:06.320 --> 1:48:10.720
<v Speaker 1>killing each other. Right, Uh, then what is it these

1:48:10.760 --> 1:48:14.640
<v Speaker 1>guys brothers killing And they said, these guys have a

1:48:14.640 --> 1:48:17.640
<v Speaker 1>better chance of killing each other than something something and

1:48:17.680 --> 1:48:20.320
<v Speaker 1>then and then and then and then an area says, no, sir,

1:48:20.439 --> 1:48:24.800
<v Speaker 1>their brothers, And um, I think that that's the truth. Look,

1:48:24.840 --> 1:48:26.760
<v Speaker 1>me and Mike do have boops. Me and Mike do

1:48:26.960 --> 1:48:29.679
<v Speaker 1>have issues with each other that we end up ironing out.

1:48:30.040 --> 1:48:33.360
<v Speaker 1>But we have real personality conflicts, and we have conflicts

1:48:33.439 --> 1:48:36.559
<v Speaker 1>that come with being in close quarters and someone. We

1:48:36.640 --> 1:48:39.920
<v Speaker 1>have conflicts that come with you know, years and years

1:48:39.960 --> 1:48:42.759
<v Speaker 1>of wanting something from someone and and and and trying

1:48:42.760 --> 1:48:45.479
<v Speaker 1>to trying to make their personality fit what you want

1:48:45.680 --> 1:48:48.160
<v Speaker 1>it to be versus what it really is. And and

1:48:48.240 --> 1:48:49.920
<v Speaker 1>at the end of the day, the reason that we

1:48:50.000 --> 1:48:52.840
<v Speaker 1>keep going is because we just fucked up and fell

1:48:52.880 --> 1:48:55.560
<v Speaker 1>in love with each other and became a family. And

1:48:55.560 --> 1:48:58.799
<v Speaker 1>and you know, you don't walk away from family and easily,

1:48:58.920 --> 1:49:01.639
<v Speaker 1>you don't. You know you this, you know, and it's

1:49:01.640 --> 1:49:05.120
<v Speaker 1>a different criteria. And yes, we're friends too, and and

1:49:05.160 --> 1:49:08.200
<v Speaker 1>when we're at our best, we're great friends. And there

1:49:08.240 --> 1:49:10.720
<v Speaker 1>are lots of times when we're not feeling each other.

1:49:10.760 --> 1:49:12.920
<v Speaker 1>It's just a fact, like me and might have known

1:49:12.960 --> 1:49:16.120
<v Speaker 1>each other now for enough time to get over the honeymoon.

1:49:16.479 --> 1:49:19.599
<v Speaker 1>And look, man, most people don't survive past the honeymoon. Usually.

1:49:19.760 --> 1:49:22.920
<v Speaker 1>Usually that's like the honeymoon is over, the group is over,

1:49:23.320 --> 1:49:27.160
<v Speaker 1>and we have survived passed the honeymoon to the point

1:49:27.200 --> 1:49:29.679
<v Speaker 1>where we can genuinely say that we look, I don't

1:49:29.680 --> 1:49:32.479
<v Speaker 1>consider people my real friend until I can tell them

1:49:32.520 --> 1:49:36.960
<v Speaker 1>genuinely to go funk themselves, like like you know, like

1:49:37.000 --> 1:49:39.439
<v Speaker 1>a friend is a motherfucker. You can tell go fund

1:49:39.479 --> 1:49:41.200
<v Speaker 1>yourself and you know that you're gonna be able to

1:49:41.200 --> 1:49:44.760
<v Speaker 1>call tomorrow. And and it's not easy, and it's not

1:49:45.120 --> 1:49:47.880
<v Speaker 1>but but we've been around long enough, man. We constantly

1:49:47.920 --> 1:49:51.519
<v Speaker 1>remind each other that, you know, the truth is that

1:49:51.760 --> 1:49:54.200
<v Speaker 1>we have to completely can we have to We have

1:49:54.280 --> 1:49:57.320
<v Speaker 1>to constantly earn each other. That's a fact. Like it's

1:49:57.320 --> 1:49:59.320
<v Speaker 1>not something you can take for granted. It's not like, oh,

1:49:59.360 --> 1:50:01.719
<v Speaker 1>you can do any thing and it's just cool because

1:50:01.720 --> 1:50:03.960
<v Speaker 1>we'll job just be there tomorrow. We we we we

1:50:04.040 --> 1:50:08.120
<v Speaker 1>know that we've got to earn each other. But the

1:50:08.160 --> 1:50:10.599
<v Speaker 1>fact of the matter is that we've seen things. We've

1:50:10.600 --> 1:50:13.240
<v Speaker 1>seen good things go bad. We were old enough to

1:50:13.360 --> 1:50:16.240
<v Speaker 1>have seen good situations go the wrong way and for

1:50:16.280 --> 1:50:19.880
<v Speaker 1>people to lose out on stuff because they weren't emotionally

1:50:19.920 --> 1:50:23.040
<v Speaker 1>mature enough to at least take a step back and say,

1:50:23.439 --> 1:50:25.479
<v Speaker 1>let's talk about this before and this gets any further.

1:50:25.920 --> 1:50:28.400
<v Speaker 1>And I think that if running Jewels had happened in

1:50:28.479 --> 1:50:31.200
<v Speaker 1>an earlier time in our lives, me and I probably

1:50:31.200 --> 1:50:34.400
<v Speaker 1>wouldn't have been on running jewels for we probably would

1:50:34.400 --> 1:50:36.320
<v Speaker 1>have just, you know, done a couple of records and

1:50:36.400 --> 1:50:41.519
<v Speaker 1>been out because it can get tough, and it's constantly something.

1:50:41.560 --> 1:50:44.960
<v Speaker 1>It's constantly something that we talked about in the context

1:50:45.080 --> 1:50:49.040
<v Speaker 1>of making sure if all us fails, if we're sucking

1:50:49.040 --> 1:50:53.200
<v Speaker 1>not feeling each other, we at least do know logically

1:50:53.840 --> 1:50:56.160
<v Speaker 1>that this is the same old story that we've seen

1:50:56.200 --> 1:50:58.960
<v Speaker 1>happen to other people. And if we know that logically,

1:50:59.280 --> 1:51:01.360
<v Speaker 1>then we can get to the end of this, which

1:51:01.400 --> 1:51:03.720
<v Speaker 1>is the happy ending, and work our way backwards. And

1:51:03.760 --> 1:51:07.280
<v Speaker 1>that's what we're trying and do. That's so so, Mike,

1:51:07.400 --> 1:51:10.120
<v Speaker 1>you let the Jamie get the last word. You're happy

1:51:10.160 --> 1:51:13.120
<v Speaker 1>with that. I love it, man. I just a couple

1:51:13.120 --> 1:51:15.639
<v Speaker 1>of words of wisdom. My wife reminds me a lot um.

1:51:15.680 --> 1:51:18.559
<v Speaker 1>If you check my bios, it says um Shea's husband

1:51:18.560 --> 1:51:20.960
<v Speaker 1>in one half of one of the Jews. She reminds me,

1:51:21.000 --> 1:51:25.120
<v Speaker 1>I'm in two marriages and marriage is not easy. Marriage

1:51:25.120 --> 1:51:29.479
<v Speaker 1>is not the honeymoon period, but marriage is worth it. Um.

1:51:29.640 --> 1:51:34.920
<v Speaker 1>I feel about this group, all the excitement, all the getty,

1:51:34.960 --> 1:51:38.719
<v Speaker 1>nervous anxiety that I felt about rap music at twelve

1:51:38.760 --> 1:51:40.400
<v Speaker 1>years old, when I was a kid that just wanted

1:51:40.439 --> 1:51:44.000
<v Speaker 1>to do it. And I'm old enough now to understand

1:51:44.000 --> 1:51:47.000
<v Speaker 1>when my egos getting in the way, or when apathy

1:51:47.040 --> 1:51:49.519
<v Speaker 1>maybe getting in the way, or maybe I'm just fucking

1:51:49.560 --> 1:51:51.919
<v Speaker 1>tired of being on a goddamn bust and there's nobody

1:51:51.960 --> 1:51:56.040
<v Speaker 1>else to grind the gifts with my partner. I'm I'm

1:51:56.080 --> 1:51:57.920
<v Speaker 1>old enough now to kind of stand outside of me

1:51:57.960 --> 1:51:59.640
<v Speaker 1>and be like, you know, well, this is what it is.

1:51:59.680 --> 1:52:04.240
<v Speaker 1>We're also both love this group enough to take Jamie

1:52:04.240 --> 1:52:07.000
<v Speaker 1>and Mike the human beings away and just have talks,

1:52:07.160 --> 1:52:09.320
<v Speaker 1>you know, with one another. And I'm and I'm glad

1:52:09.439 --> 1:52:12.760
<v Speaker 1>because i they're you know, their groups that hate each

1:52:12.800 --> 1:52:14.800
<v Speaker 1>other that's still tour and and give the fans what

1:52:14.840 --> 1:52:17.479
<v Speaker 1>they want their tours. That their groups that still have

1:52:17.680 --> 1:52:19.720
<v Speaker 1>genuine love for each other but refused to get on

1:52:19.760 --> 1:52:23.440
<v Speaker 1>the stage, which robs the fans. And ultimately, this relationship

1:52:23.479 --> 1:52:27.000
<v Speaker 1>is more than Jamie and Mike. People invested into us,

1:52:27.040 --> 1:52:30.720
<v Speaker 1>The fans really invested into us. I always wanted to

1:52:30.800 --> 1:52:33.560
<v Speaker 1>be as big as we are, and bigger as a

1:52:33.640 --> 1:52:36.880
<v Speaker 1>rapper because I first saw rap with run DMC. I

1:52:36.920 --> 1:52:39.400
<v Speaker 1>saw rapp in the arenas I didn't see rapping the club.

1:52:40.160 --> 1:52:42.839
<v Speaker 1>So I want to be on the stage with Jamie

1:52:42.840 --> 1:52:45.920
<v Speaker 1>when I have silver hair and black denim outfits on

1:52:46.040 --> 1:52:48.200
<v Speaker 1>running around that motherfucker like a hip hop a C

1:52:48.360 --> 1:52:51.680
<v Speaker 1>d C. But the only way that happens like I

1:52:51.720 --> 1:52:54.800
<v Speaker 1>wanted to happen is if I'm constantly working on the

1:52:54.840 --> 1:52:58.400
<v Speaker 1>relationship with my friend and brother too. So as much

1:52:58.439 --> 1:53:02.719
<v Speaker 1>as we do dope music together, UM, still a big

1:53:02.760 --> 1:53:07.040
<v Speaker 1>part is just talking and just um having honest conversations

1:53:07.080 --> 1:53:10.360
<v Speaker 1>about us and what's going on. And you know, ship man,

1:53:10.400 --> 1:53:12.280
<v Speaker 1>I went to see a therapist, fucked man with the

1:53:12.560 --> 1:53:15.360
<v Speaker 1>I may lead a fucking country. Fuck this ship. I'm

1:53:15.400 --> 1:53:17.840
<v Speaker 1>just calling to check on you. You know, those type

1:53:17.840 --> 1:53:20.200
<v Speaker 1>of things you shouldn't lose, And sometimes you just need

1:53:20.280 --> 1:53:22.520
<v Speaker 1>to drop off the grid for a month and allow

1:53:22.640 --> 1:53:25.800
<v Speaker 1>each other to have vacation with wife and family. And

1:53:25.840 --> 1:53:29.600
<v Speaker 1>I think that what we understand like a marriage is balanced.

1:53:30.080 --> 1:53:33.040
<v Speaker 1>They're just gonna be times where we balance and counterbalancing

1:53:33.080 --> 1:53:36.160
<v Speaker 1>each other. And if we focus on staying balanced, I

1:53:36.200 --> 1:53:39.080
<v Speaker 1>don't think we ever get unbalanced enough to be as

1:53:39.080 --> 1:53:42.479
<v Speaker 1>shaky as we were, because there's a place where even

1:53:42.720 --> 1:53:47.599
<v Speaker 1>the drama of solving drama becomes something that you don't

1:53:47.640 --> 1:53:50.840
<v Speaker 1>feel like going through. I know certain parts, and when

1:53:50.920 --> 1:53:54.000
<v Speaker 1>you know certain parts, you just evade it by doing

1:53:54.040 --> 1:53:56.599
<v Speaker 1>this because it avoids that part and we can get

1:53:56.640 --> 1:53:58.479
<v Speaker 1>to growing in other parts, you know what I mean.

1:53:58.520 --> 1:54:00.960
<v Speaker 1>And and I feel like I feel like we're we're

1:54:01.000 --> 1:54:04.080
<v Speaker 1>evolving with each album and each year a friendship. So

1:54:04.520 --> 1:54:06.760
<v Speaker 1>it's something that I'm still very excited about in terms

1:54:06.800 --> 1:54:09.960
<v Speaker 1>of not only making music, but just evolving a kinship

1:54:09.960 --> 1:54:12.760
<v Speaker 1>and a friendship with someone who is exactly the same

1:54:12.800 --> 1:54:15.920
<v Speaker 1>age as me. We grew up seeing exactly the same things.

1:54:16.320 --> 1:54:19.800
<v Speaker 1>And it makes this spin around, you know, this lifetime

1:54:19.880 --> 1:54:22.280
<v Speaker 1>a lot less lonely because you know, my wife's a

1:54:22.360 --> 1:54:24.760
<v Speaker 1>younger woman than me. She's a woman. I love being

1:54:24.800 --> 1:54:27.800
<v Speaker 1>married to her. But she's never gonna understand what the

1:54:27.800 --> 1:54:29.800
<v Speaker 1>funk it sounded like the first time you heard b

1:54:29.920 --> 1:54:33.040
<v Speaker 1>DP or two short. You know, she's never gonna understand

1:54:33.520 --> 1:54:37.160
<v Speaker 1>you know what organized what what Organized Noise did by

1:54:37.280 --> 1:54:41.280
<v Speaker 1>opening up Atlanta and having someone in tight kinship with

1:54:41.360 --> 1:54:44.040
<v Speaker 1>like Jamie too. To have that and share that with

1:54:44.160 --> 1:54:46.600
<v Speaker 1>means a lot to me. So the relationship is always

1:54:46.640 --> 1:54:50.360
<v Speaker 1>worth working on. It is and the deeper. The deeper

1:54:50.400 --> 1:54:53.400
<v Speaker 1>we go, the harder the deeper the you know, you

1:54:53.800 --> 1:54:57.000
<v Speaker 1>travel along the path with somebody and you know, the

1:54:57.160 --> 1:55:05.120
<v Speaker 1>more and the issues become sometimes deeper, you know what

1:55:05.160 --> 1:55:07.840
<v Speaker 1>I mean, they get they get harder, something like you

1:55:07.880 --> 1:55:10.720
<v Speaker 1>would think it gets easier, and it does to some degree.

1:55:10.720 --> 1:55:14.080
<v Speaker 1>What I think happens is that it's less ship. And

1:55:14.080 --> 1:55:16.880
<v Speaker 1>then when the ship does pop up, it's deep ship

1:55:17.680 --> 1:55:20.240
<v Speaker 1>and it's like and and and it's shipped. That like

1:55:20.320 --> 1:55:23.920
<v Speaker 1>requires attention. And it doesn't mean that we're always victorious

1:55:23.920 --> 1:55:27.360
<v Speaker 1>in the sense that we can avoid the moment of

1:55:27.480 --> 1:55:30.560
<v Speaker 1>blow up or avoid the moment of pain, you know.

1:55:31.000 --> 1:55:33.880
<v Speaker 1>But again, at the end of the day, we've done

1:55:33.920 --> 1:55:36.200
<v Speaker 1>a good job of trying our best to make sure

1:55:36.240 --> 1:55:39.280
<v Speaker 1>that we don't fucus up. And you know, we already

1:55:39.280 --> 1:55:41.320
<v Speaker 1>fell in love with each other. We know that when

1:55:41.320 --> 1:55:43.680
<v Speaker 1>you know the ending, you know, it makes you try

1:55:43.800 --> 1:55:46.840
<v Speaker 1>harder to to to justify it. It's like, all right,

1:55:46.920 --> 1:55:49.400
<v Speaker 1>I know that the ending is happy, So how do

1:55:49.520 --> 1:55:54.520
<v Speaker 1>we how do we get there? You know? Though I

1:55:54.560 --> 1:55:57.920
<v Speaker 1>love this group alpha ever love them, but man, but

1:55:58.040 --> 1:56:00.720
<v Speaker 1>I saw Italica going to therapy, I just like get

1:56:01.040 --> 1:56:03.680
<v Speaker 1>like I wanted Metallica to go into therapy to be happy,

1:56:03.840 --> 1:56:05.520
<v Speaker 1>but I didn't want to see it, so I promised

1:56:05.560 --> 1:56:08.640
<v Speaker 1>with me and Jamie du group there, we won't put

1:56:08.640 --> 1:56:13.560
<v Speaker 1>it out. Uh. It was like watching your fucking heroes

1:56:13.600 --> 1:56:15.520
<v Speaker 1>talk to the principle. I'm like, why am I the

1:56:15.600 --> 1:56:17.320
<v Speaker 1>only Why am I? They hold on? Why am I

1:56:17.320 --> 1:56:19.800
<v Speaker 1>the only person in the world who didn't like Metallica

1:56:19.920 --> 1:56:23.920
<v Speaker 1>until that? Like I literally like watching that movie, hold on,

1:56:23.960 --> 1:56:25.720
<v Speaker 1>hold on, hold on. Let me just say this. Let

1:56:25.760 --> 1:56:28.280
<v Speaker 1>me just say that watching that movie, I felt like

1:56:28.320 --> 1:56:31.320
<v Speaker 1>watching Spinal Tap. And if you can watch Spinal Tap

1:56:31.400 --> 1:56:34.080
<v Speaker 1>and not like the main characters of Spinal Tap after

1:56:34.120 --> 1:56:37.080
<v Speaker 1>the movie's done, I don't understand you. Like I thought

1:56:37.080 --> 1:56:41.160
<v Speaker 1>this ship was hilarious and fucking endearing. Man, I was like,

1:56:41.640 --> 1:56:46.320
<v Speaker 1>it was just that four minutes, just like James Laws, like,

1:56:46.720 --> 1:56:51.000
<v Speaker 1>like you're human being, you know, and knowing those guys

1:56:51.080 --> 1:56:53.600
<v Speaker 1>and being close to that camp and knowing them before

1:56:53.640 --> 1:56:56.320
<v Speaker 1>the movie. You know, James used to be a drinker,

1:56:56.640 --> 1:57:00.520
<v Speaker 1>and once once he stopped drinking, he was totally different.

1:57:00.920 --> 1:57:02.520
<v Speaker 1>You know. It used to be in his presence and

1:57:02.560 --> 1:57:05.320
<v Speaker 1>it'd be kind of intense, and now he's like a

1:57:06.080 --> 1:57:08.640
<v Speaker 1>you know, a puppy dog. I saw James and a

1:57:08.720 --> 1:57:11.880
<v Speaker 1>hot rod and oh it was old roach style. It was.

1:57:12.120 --> 1:57:14.200
<v Speaker 1>It was low to the ground, it was badass, all

1:57:14.240 --> 1:57:16.640
<v Speaker 1>type of betina. And when he waved at me that

1:57:16.960 --> 1:57:20.040
<v Speaker 1>and Lar's actually coming and standing side stage in our

1:57:20.080 --> 1:57:24.160
<v Speaker 1>show just for me, I just tell him I love him.

1:57:24.200 --> 1:57:27.720
<v Speaker 1>Thank them for making me feel badass as a kid. Man.

1:57:29.240 --> 1:57:31.120
<v Speaker 1>I just watched that movie and I thought that they

1:57:31.160 --> 1:57:35.839
<v Speaker 1>were just I just thought it was great. I was like, great, Well,

1:57:36.040 --> 1:57:38.000
<v Speaker 1>one thing you did is keep the band together. We

1:57:38.040 --> 1:57:41.520
<v Speaker 1>know you guys are gonna be together. Uh, you know, literally,

1:57:41.600 --> 1:57:44.040
<v Speaker 1>we could go on for hours. I got so much

1:57:44.040 --> 1:57:46.720
<v Speaker 1>more to ask, but uh, we're coming to the end

1:57:46.720 --> 1:57:50.080
<v Speaker 1>of the feeling we've known on this one. So gentlemen,

1:57:50.160 --> 1:57:52.520
<v Speaker 1>thanks so much for doing this. Thank you Bob, Thanks

1:57:52.560 --> 1:57:54.520
<v Speaker 1>for having us. Man, it's been a pleasure. And by

1:57:54.560 --> 1:57:56.640
<v Speaker 1>the way, I just want to tell you something. So

1:57:56.680 --> 1:57:59.960
<v Speaker 1>I've been I get your letter and I've been watch

1:58:00.120 --> 1:58:05.000
<v Speaker 1>tweted me. You once tweeted me to give me ship. Yeah,

1:58:05.440 --> 1:58:07.920
<v Speaker 1>I remember, I was wondering my personality was going to

1:58:08.000 --> 1:58:11.080
<v Speaker 1>be like I was wondering if you remember that I

1:58:11.160 --> 1:58:13.040
<v Speaker 1>was just working with you. Man, I get your letter,

1:58:13.040 --> 1:58:15.120
<v Speaker 1>and I've gotten your letter for years and years and years,

1:58:15.360 --> 1:58:19.640
<v Speaker 1>and I was reading your letter every day. And when

1:58:19.720 --> 1:58:23.040
<v Speaker 1>Run the Jewels to drop, I got your letter and

1:58:23.080 --> 1:58:25.160
<v Speaker 1>you talked about Run the Jewels in it, and you

1:58:25.280 --> 1:58:27.880
<v Speaker 1>talked about how we had done the you know, the uh,

1:58:28.320 --> 1:58:31.200
<v Speaker 1>the fake um like the joke sort of like album

1:58:31.240 --> 1:58:33.600
<v Speaker 1>packages or whatever. And I just want to say that

1:58:33.800 --> 1:58:35.440
<v Speaker 1>that was a proud day in my life. I just

1:58:35.480 --> 1:58:37.960
<v Speaker 1>wanted to know that that was that was a problem

1:58:38.080 --> 1:58:40.360
<v Speaker 1>I was. I was like, damn, this is great because

1:58:40.360 --> 1:58:42.080
<v Speaker 1>I didn't expect it, and I just I just read

1:58:42.120 --> 1:58:44.760
<v Speaker 1>your ship every day and it was like, all right, yeah,

1:58:45.000 --> 1:58:48.240
<v Speaker 1>so sorry. I fund with you on Twitter. You got

1:58:48.320 --> 1:58:50.720
<v Speaker 1>only the only thing about working with me on Twitter

1:58:50.800 --> 1:58:52.920
<v Speaker 1>is I can handle. People are working with me all

1:58:53.040 --> 1:58:55.680
<v Speaker 1>day long. You know, every day I wake up and

1:58:55.720 --> 1:58:57.880
<v Speaker 1>people are telling me God, I'm God, and people tell

1:58:57.960 --> 1:59:00.240
<v Speaker 1>me I'm a ship head. You know, I could will

1:59:00.280 --> 1:59:05.320
<v Speaker 1>whole Here's the story. Ten of the of of people

1:59:05.360 --> 1:59:11.280
<v Speaker 1>on the planet are certifiably insane. The only problem is

1:59:11.280 --> 1:59:14.280
<v Speaker 1>is you don't know what ten percent it is. It's

1:59:14.320 --> 1:59:17.360
<v Speaker 1>like people who are like, oh, they seem totally reasonable,

1:59:17.560 --> 1:59:20.400
<v Speaker 1>and then they like they get totally out of control.

1:59:20.480 --> 1:59:22.200
<v Speaker 1>I mean, I can tell you a story after story

1:59:22.280 --> 1:59:24.240
<v Speaker 1>after story, and you get to the point where you

1:59:24.320 --> 1:59:27.680
<v Speaker 1>have to put a mode around yourself because you've had

1:59:27.720 --> 1:59:30.440
<v Speaker 1>too many bad experiences. Either they have to be a

1:59:30.440 --> 1:59:33.080
<v Speaker 1>famous person I know them or someone else knew them.

1:59:33.160 --> 1:59:38.960
<v Speaker 1>Otherwise just too risky. And social media is the magnifying

1:59:39.040 --> 1:59:41.960
<v Speaker 1>glass on the heat, you know, you know, intensifying the

1:59:42.000 --> 1:59:45.320
<v Speaker 1>heat ray of insanity. Um, what did I feel like?

1:59:45.320 --> 1:59:48.520
<v Speaker 1>I said, like, what is Bob leftarts think about? No,

1:59:48.720 --> 1:59:50.960
<v Speaker 1>you gave me more direct ship without looking up. But

1:59:51.040 --> 1:59:54.840
<v Speaker 1>the only reason it's important is not that ship, is

1:59:54.960 --> 1:59:59.040
<v Speaker 1>that I assumed you'd be a dick on the screen

2:00:00.480 --> 2:00:12.040
<v Speaker 1>and you're anything but understand like you know, you know,

2:00:12.200 --> 2:00:13.960
<v Speaker 1>you know, I've been getting that my whole life. Man,

2:00:18.400 --> 2:00:22.280
<v Speaker 1>So I do apologize. I don't have to apologize. People

2:00:22.280 --> 2:00:24.200
<v Speaker 1>have said things they need to apologize for that was

2:00:24.240 --> 2:00:27.120
<v Speaker 1>not you're expressing them being given me ship. It goes on,

2:00:27.440 --> 2:00:30.840
<v Speaker 1>but as I say, completely in real life, a completely

2:00:30.880 --> 2:00:33.600
<v Speaker 1>different person. It's like just you know, we could talk

2:00:33.640 --> 2:00:36.040
<v Speaker 1>TV out infinitum. But I don't know. If you watch Bosch,

2:00:36.640 --> 2:00:40.720
<v Speaker 1>this guyever, he's the story. He's really intense on the show.

2:00:41.240 --> 2:00:43.480
<v Speaker 1>So I'm talking to him. I got you know, the

2:00:43.480 --> 2:00:45.480
<v Speaker 1>guy was like a regular guy. I'm not saying he

2:00:45.640 --> 2:00:48.160
<v Speaker 1>was wimpy whatever, but you can talk just like a

2:00:48.240 --> 2:00:50.840
<v Speaker 1>talk to these people. It's just so funny how people

2:00:50.880 --> 2:00:53.240
<v Speaker 1>are different. And then you know, then there are people

2:00:53.280 --> 2:00:56.200
<v Speaker 1>who have a reputation for being assholes who are really assholes,

2:00:56.240 --> 2:01:01.120
<v Speaker 1>but you don't cover that, certainly not. I'm like, Okay,

2:01:01.160 --> 2:01:05.360
<v Speaker 1>thanks again guys for doing this. Okay, until next time.

2:01:05.440 --> 2:01:06.680
<v Speaker 1>This is Bob Left sex