WEBVTT - #69 - Bobby Gets A Special Massage

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<v Speaker 1>I welcome to episode sixty nine. WHI chose not to

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<v Speaker 1>put an artist on sixty nine because we love it

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<v Speaker 1>so much. All right, just my d n I and

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<v Speaker 1>m Phil will relax. I just had for the first

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<v Speaker 1>time I ever read had a messuse come to my

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<v Speaker 1>house and you could even do that. And so I

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<v Speaker 1>was here earlier and I was like, I wonder if

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<v Speaker 1>because I heard my back boxing today and I don't

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<v Speaker 1>know what I did, but I left the gym and

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<v Speaker 1>I was my back is killing me. And so I thought, man,

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<v Speaker 1>if they can bring you food, and they can bring

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<v Speaker 1>you like wag walkers, like I'm walk your dog, surely

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<v Speaker 1>they have a service that since a masseuse to your house.

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<v Speaker 1>That's why I get online. You can find it boom

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<v Speaker 1>there they are like twenty people and you look at

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<v Speaker 1>their pictures. It's like a dating site. You can look

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<v Speaker 1>at them and go, I choose you to come to

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<v Speaker 1>my house, and so let me tell the end of

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<v Speaker 1>the story. Then I'll go back to it. So, uh,

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<v Speaker 1>she comes to sage me. Mike dal won't come in

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<v Speaker 1>the house because her cars parked out front. He don't

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<v Speaker 1>want to walk in on something. Whatever that was, I

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<v Speaker 1>don't know what you thought. But as soon as she

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<v Speaker 1>was walking out, Mike was waiting out the front door,

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<v Speaker 1>and that she walked out and he walked in. So

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<v Speaker 1>but that means said it was actually a quite pleasurable

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<v Speaker 1>experience and not in any weird way. But they just

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<v Speaker 1>come to your house and it's so much better than

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<v Speaker 1>I'm not a massage guy, like in my life, probably

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<v Speaker 1>less than ten and seven of those have probably would

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<v Speaker 1>haven't been injured and I had to go in and

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<v Speaker 1>had work done on a neck or a shoulder or something. Uh,

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<v Speaker 1>so I'm not massagey. I don't relax by getting a massage.

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<v Speaker 1>And it's always weird to be to go into a

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<v Speaker 1>massage place because you go in and it's in youa

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<v Speaker 1>or it's can say what do and like, oh, this

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<v Speaker 1>room is weird and you have to get naked in

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<v Speaker 1>the room or getting your underwear, and you know that

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<v Speaker 1>there may be a camera somewhere in the room. I

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<v Speaker 1>know my aunt was for sure camera, so there wasn't

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<v Speaker 1>even that question. And so I picked the person. But

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<v Speaker 1>the person I picked, I get an email that goes, oh,

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<v Speaker 1>I have a sore throat, I can't come over m

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<v Speaker 1>And I was like, that's quite descriptive why you can't

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<v Speaker 1>come over. And so I mean you could have just said, hey,

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<v Speaker 1>not available, but I was like, no, I have a

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<v Speaker 1>sore throat, you can't can't come over. I was like,

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<v Speaker 1>I'm not gonna fire you. So they recommended somebody else

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<v Speaker 1>and she came over to come there six pm. I

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<v Speaker 1>was like, cool. And so she shows up and the

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<v Speaker 1>best thing is I have to listen to stupid music

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<v Speaker 1>that you walk into and it's like the water. It's

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<v Speaker 1>like annoying, like waterfall splashes and like birds and then

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<v Speaker 1>like inya. And so I got to play my own music,

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<v Speaker 1>which was awesome. And so you know, I played my

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<v Speaker 1>music from my computer, so for the first time, I

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<v Speaker 1>got a massage to what I wanted to listen to.

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<v Speaker 1>And so I have this whole play list. I'm like,

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<v Speaker 1>it's called like sleep Z's. Yeah. So I got to

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<v Speaker 1>play like Casey Musgraves and I played better than Ezra.

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<v Speaker 1>But I gotta tell you, whenever this came on and

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<v Speaker 1>got a little romantic when your legs don't look like

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<v Speaker 1>they used to because she was rubbing my palm right

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<v Speaker 1>at the time when it was on, like with her

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<v Speaker 1>palm and that was okayright, like just for a second,

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<v Speaker 1>this feels and she wasn't tiny, very strong and your

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<v Speaker 1>eyes still smile, rubbed very hard and I'm super tired.

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<v Speaker 1>My body is super tight, and she would row, I'd go,

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<v Speaker 1>did you go? He came to oppression, but she would

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<v Speaker 1>go are you okay? And I would say, uh, yeah,

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<v Speaker 1>I'm okay. Did she go? Didn't breathe? And now I go.

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<v Speaker 1>And then she would rub me again if she push

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<v Speaker 1>on a nott and she'd go are you okay? And

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<v Speaker 1>that's my old woman voice because and now I would go, yeah,

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<v Speaker 1>we should go, you're not breathing. And so the third

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<v Speaker 1>time she was like I rubbed twelve year old girls

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<v Speaker 1>who can take more than this. And I'm like, dang,

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<v Speaker 1>now my massius is roasting me with no one around

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<v Speaker 1>in my living room. But it was My back feels better.

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<v Speaker 1>I do feel weird though, for her or any of

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<v Speaker 1>the massage therapists or I'm not for sure even the

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<v Speaker 1>official title or if there's a different title. The higher

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<v Speaker 1>up you go, you know, is it when when you

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<v Speaker 1>first start with no degree, you're a rubber and then

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<v Speaker 1>you're massius and your massage therapists. I don't know if

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<v Speaker 1>you move up levels as you gain more knowledge, but

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<v Speaker 1>I think she was at that high level. And so

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<v Speaker 1>I felt back because here she was, she was a

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<v Speaker 1>tiny woman and she's just walking into a house and

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<v Speaker 1>closing the door behind her, not knowing what's going to

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<v Speaker 1>be in store. Like I didn't send her picture like

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<v Speaker 1>that should be part of it. It It should almost be

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<v Speaker 1>like tender where I picked her. Then she gets to

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<v Speaker 1>look at me and goes. I feel like that's safe.

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<v Speaker 1>I will also go to his house and then there's

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<v Speaker 1>a match, and then you go because who knows what

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<v Speaker 1>she's walking into and she walks in. Luckily I'm not

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<v Speaker 1>just creep or anything. And I'm thinking of myself. Man,

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<v Speaker 1>anybody could do anything like they needed like a massage therapist,

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<v Speaker 1>pimp to stand out the door, just in case something

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<v Speaker 1>goes wrong, because you know, prostitutes to go they like

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<v Speaker 1>in beget the travel with the pimp. The pimp goes

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<v Speaker 1>hotel the case something goes bad. And so I was,

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<v Speaker 1>I feel like she need a pimp out the door.

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<v Speaker 1>I thought I was gonna do anything, but I also

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<v Speaker 1>got an Instagram. I was like, Hey, I'm gonna go

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<v Speaker 1>get meet a massage and someone was like, yeah, one

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<v Speaker 1>of those things happened to my neighborhood where the message

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<v Speaker 1>came to the house and somebody was murdered. I was like,

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<v Speaker 1>thank you. I was just kind of asking, you know,

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<v Speaker 1>if it worked not when I die. So I did

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<v Speaker 1>that and then you don't know how much it was. Yeah,

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<v Speaker 1>because I just put in my my back. Hasn't hurt

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<v Speaker 1>of me so bad? Oh, it wasn't bad at all.

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<v Speaker 1>I mean if you it's about the same if you

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<v Speaker 1>go for a massage, it's like eighty bucks for an hour.

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<v Speaker 1>But I have to drive there. And they came to

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<v Speaker 1>the house and it was like money in the bank man.

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<v Speaker 1>So it's like and you can and then you come

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<v Speaker 1>to your house at this point, car pick yup, lady,

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<v Speaker 1>come rub here legally? Uh. And then wag Walker for example, like,

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<v Speaker 1>what's that? What's it doing? Is he in something? Okay?

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<v Speaker 1>I thought he was gonna say that something. Okay. Um,

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<v Speaker 1>as you can tell, I have a dog and he

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<v Speaker 1>hangs around, and wag Walker for me is awesome because

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<v Speaker 1>they come to your house and walk a dog for you,

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<v Speaker 1>especially for me, I'm not home when they do it.

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<v Speaker 1>It's like Uber for dog walker, and I'm busy. I

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<v Speaker 1>got stuff to do, just like you have stuff to do,

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<v Speaker 1>and so sometimes it's a lifesaver. So WAG walker, you

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<v Speaker 1>know automatically it pairs you with somebody, a certified walker

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<v Speaker 1>near you. Again, think Uber for dog walkers. They vet

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<v Speaker 1>the walkers. You get quality people, listen to stuff. GPS

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<v Speaker 1>track on your dog's walks, so you always where your

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<v Speaker 1>dog is. Notification when dog uses the bathroom that your

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<v Speaker 1>phone actually bark at you. If you have the sound

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<v Speaker 1>on a photo or port card summary, you'll know when

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<v Speaker 1>your dog is. Hey say, if you're walk details your time,

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<v Speaker 1>your distance, your potty break or whatever. I don't think

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<v Speaker 1>they're potty, but he was reading off some of the

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<v Speaker 1>stuff they do here. And then you don't have to

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<v Speaker 1>be home. WAG will send you a free lock box

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<v Speaker 1>and you can use that, or you can leave an

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<v Speaker 1>alternative home um instructions so wags must have I think.

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<v Speaker 1>So you can go to WAG and you get a

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<v Speaker 1>free walk by texting bones to twenty five three to

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<v Speaker 1>four bones four or just download it. Just search WAG.

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<v Speaker 1>You'll you'll like it, trust me, I like it. Anyway,

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<v Speaker 1>people come to your house. Um, fourth July weekend. Hello, yeah,

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<v Speaker 1>let me do with this, uh fourth Junly weekend and

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<v Speaker 1>do much. But I did watch a lot of Netflix. Um.

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<v Speaker 1>I just set around the house. I was gonna go tosson.

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<v Speaker 1>Some stuff came up and so I really did nothing.

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<v Speaker 1>I did nothing except go exercise. I went worked out. Um.

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<v Speaker 1>So here's what I watched. I watched the Jimi Hendricks

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<v Speaker 1>movie with Andre three thousand playing Jimmy Hendrick from a

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<v Speaker 1>couple of years ago. I remember what it's called. He's

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<v Speaker 1>the worst actor I've ever seen in a major motor picture.

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<v Speaker 1>Uh it was. He was terrible, but the movie was

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<v Speaker 1>actually pretty good. Movie was a B minus. And that's

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<v Speaker 1>with him being a d actor and he was the

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<v Speaker 1>biggest part of the movie. What's it say? Yeah? What

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<v Speaker 1>what always by my side? Is that what he's in? Yeah?

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<v Speaker 1>That was that whatever? I thought that was pretty good.

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<v Speaker 1>I don't know a lot of that stuff from the movie.

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<v Speaker 1>It's like before he got really big. Um. Watched a

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<v Speaker 1>lot of documentaries. Watched one called Dying Laughing or It's

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<v Speaker 1>a bunch of comedians talking about stories that being on

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<v Speaker 1>the road and everybody from Jerry Seinfeldt to Kevin Hart too,

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<v Speaker 1>people have never heard of before. I thought that was good.

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<v Speaker 1>I watched the Glow documentary, which is the Gorgeous Ladies

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<v Speaker 1>of Wrestling, which they have a new show on Netflix.

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<v Speaker 1>I thought the show was fantastic and it was scripted.

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<v Speaker 1>And when I was really, really young, I remember Glow

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<v Speaker 1>being on. I was like a women's wrestling league. And

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<v Speaker 1>so I watched the Netflix show and then I went

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<v Speaker 1>back and watched the documentary and that's the documentary really good.

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<v Speaker 1>And so I know, I told you to watch the

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<v Speaker 1>TV show Glow and it was good, right, more than

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<v Speaker 1>you thought you would. Yeah, definitely. What I like Alison Bree,

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<v Speaker 1>I don't know anything she's been in. She was in

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<v Speaker 1>Community and then on mad Men for a bit. Community

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<v Speaker 1>would make sense. I never saw mad Men, but Communities

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<v Speaker 1>the show you would you would watch um. But I

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<v Speaker 1>knew Kate Nash from the show and I couldn't place

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<v Speaker 1>her the whole time. She was a British girl. She

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<v Speaker 1>was in cycling Britannica, and so she's a she's a

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<v Speaker 1>musical artist. Yeah, and I still throw all the time.

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<v Speaker 1>And I was like the whole show. I didn't want

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<v Speaker 1>to search anyone because if somebody dies and you go

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<v Speaker 1>to IMDb, they'll say for seven episodes instead of nine

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<v Speaker 1>the whole season. You're like, well, they die in episode seven.

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<v Speaker 1>I always after this before. I think they should put

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<v Speaker 1>that part next to the characters and in white, and

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<v Speaker 1>when you highlight it, you get to see how many

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<v Speaker 1>episodes they were in because it's a spoiler if you

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<v Speaker 1>go to the thing. I remember watching this A is

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<v Speaker 1>us and it's kind of a spoiler, but it tells

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<v Speaker 1>you when the grandpa died, basically because it was like

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<v Speaker 1>only in certain episodes and I was like, oh man,

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<v Speaker 1>so I didn't go look at that. And at the

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<v Speaker 1>end I went to want I want to look at it,

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<v Speaker 1>and Kate Nash was in it, but I didn't know

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<v Speaker 1>that um Mark Maren was one of the main guys here,

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<v Speaker 1>and so it was really good. I was thought the

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<v Speaker 1>series really good, and you did too, I like, and

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<v Speaker 1>so Micae texting me the Glow was really good. So

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<v Speaker 1>I said, hey, watch the documentary of Glow, which is

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<v Speaker 1>the real thing with me like three years ago. The

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<v Speaker 1>documentary is crazy too. After watching that show, right, it

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<v Speaker 1>was crazy, like I had no idea this whole thing

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<v Speaker 1>existed before that, like, I got in wrestling in the nineties,

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<v Speaker 1>so I kind of missed out on that. Yeah, so

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<v Speaker 1>it's all about women wrestling and how it was a

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<v Speaker 1>TV show. Both are really good. I mean I would

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<v Speaker 1>have watched I doesn't matter which already watched the Man.

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<v Speaker 1>I think you'll find them both interesting and you should

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<v Speaker 1>watch both of them. And the documents are like an

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<v Speaker 1>hour and fifteen minutes, it's not like two hours. Um.

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<v Speaker 1>I watched a documentary about Whole Cogan suing Gawker. I

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<v Speaker 1>saw that on Netflix. I knew it, right, I think, so. Yeah,

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<v Speaker 1>it's about how super rich people can use their money

0:11:46.480 --> 0:11:49.160
<v Speaker 1>to influence and how this guy was financing all the

0:11:49.160 --> 0:11:52.000
<v Speaker 1>Fulgan's campaign or his lawsuit because he was mad at

0:11:52.720 --> 0:11:54.920
<v Speaker 1>Gawker for writing a story about em years ago. And

0:11:55.000 --> 0:11:56.800
<v Speaker 1>it gets a little political dam which I didn't like,

0:11:57.440 --> 0:12:01.360
<v Speaker 1>but I thought overall it was a really good documentary. Um.

0:12:01.440 --> 0:12:05.240
<v Speaker 1>And then I watched some more of The Keepers. That

0:12:05.280 --> 0:12:07.560
<v Speaker 1>show is so dark? Have you watched that? I watched

0:12:07.600 --> 0:12:10.600
<v Speaker 1>like three episodes of it. I think that's where I am.

0:12:10.800 --> 0:12:14.040
<v Speaker 1>And it is so dark, dark and it's real and

0:12:14.040 --> 0:12:16.280
<v Speaker 1>you're trying to figure out kind of who killed but

0:12:16.400 --> 0:12:21.200
<v Speaker 1>this priest is what his deal is and it's so dark. Man,

0:12:21.600 --> 0:12:23.439
<v Speaker 1>I watched some of that. I'm telling you, I do

0:12:23.520 --> 0:12:25.800
<v Speaker 1>a lot. I have did nothing to sit in my room,

0:12:26.280 --> 0:12:30.600
<v Speaker 1>go exercise, and that's it. And that's that's what I've

0:12:30.600 --> 0:12:34.880
<v Speaker 1>been doing for the past a few days. Um, we

0:12:35.240 --> 0:12:38.320
<v Speaker 1>wrote a song. I guess Brandon Ray came over. We

0:12:38.360 --> 0:12:41.199
<v Speaker 1>wrote a song, but we kind of just set around

0:12:41.240 --> 0:12:43.360
<v Speaker 1>and spend an hour trying to find a word or

0:12:43.480 --> 0:12:47.240
<v Speaker 1>the rhyme of styrofoam. Pretty much. That's that's that's what

0:12:47.320 --> 0:12:50.360
<v Speaker 1>we did. So what have you watched anything? I did

0:12:50.400 --> 0:12:55.280
<v Speaker 1>watch Exit to the Gift Shop, that's really good about Banksy. Yeah,

0:12:55.360 --> 0:13:00.440
<v Speaker 1>and so in that they I think is a really

0:13:00.440 --> 0:13:04.680
<v Speaker 1>good documentary by the way, and it's not really about Banksy,

0:13:05.160 --> 0:13:08.000
<v Speaker 1>but it is banks He shows up in it dark

0:13:08.120 --> 0:13:10.840
<v Speaker 1>and he's not talking like this. I thought it would

0:13:10.880 --> 0:13:12.960
<v Speaker 1>be all about him, but it was really cool. It's

0:13:13.000 --> 0:13:15.760
<v Speaker 1>more of just about the graffiti art in general, and

0:13:15.800 --> 0:13:18.439
<v Speaker 1>but a different guy, like a guy the new Banksy.

0:13:18.600 --> 0:13:21.400
<v Speaker 1>But you know, now they think they know who banks

0:13:21.400 --> 0:13:27.120
<v Speaker 1>He is and so the uh we find the band.

0:13:27.160 --> 0:13:30.800
<v Speaker 1>I play some of their music. But what they think

0:13:30.960 --> 0:13:33.960
<v Speaker 1>is because even banks he has led people on false

0:13:34.000 --> 0:13:37.960
<v Speaker 1>tips and Banks he's a graffiti artist who does political graffiti,

0:13:38.000 --> 0:13:43.319
<v Speaker 1>sometimes humor, sometimes really sad things. And so this I'm

0:13:43.360 --> 0:13:49.959
<v Speaker 1>talking of this in Banks. So they think now the

0:13:50.200 --> 0:13:54.440
<v Speaker 1>Massive Attack that this guy who exit through the gift

0:13:54.440 --> 0:14:00.400
<v Speaker 1>shop is about accidentally tip people off that Banks he

0:14:00.600 --> 0:14:05.439
<v Speaker 1>is the lead singer of Massive Attack, because they were

0:14:05.440 --> 0:14:08.800
<v Speaker 1>talking about places they had been and it just it

0:14:08.880 --> 0:14:12.880
<v Speaker 1>coincided with the tour schedule of Massive Attack, like every

0:14:12.880 --> 0:14:14.880
<v Speaker 1>way to cover your tracks and that's how you end

0:14:14.920 --> 0:14:18.480
<v Speaker 1>up getting caught and maybe don't do something at every

0:14:18.520 --> 0:14:22.400
<v Speaker 1>tour stop. Maybe do a tour stop and you know,

0:14:22.440 --> 0:14:25.120
<v Speaker 1>making another stop on the way the city too. But

0:14:25.240 --> 0:14:27.640
<v Speaker 1>so here's some a Massive Attack. This is called Teardrop.

0:14:28.800 --> 0:14:33.320
<v Speaker 1>It's really just artsy. You know, Hey, did you read

0:14:33.320 --> 0:14:37.120
<v Speaker 1>the story about this did you know about it? Oh? Yeah,

0:14:37.360 --> 0:14:42.600
<v Speaker 1>So his name is like Robert del Naha or something

0:14:42.640 --> 0:14:46.400
<v Speaker 1>like that. And so they think that the guy that

0:14:46.520 --> 0:14:52.920
<v Speaker 1>was in that um is that is the guy because

0:14:52.960 --> 0:14:56.200
<v Speaker 1>they did all the tour dates and compared them, and

0:14:56.280 --> 0:14:57.920
<v Speaker 1>this guy used to be friends with the guy from

0:14:57.920 --> 0:15:00.160
<v Speaker 1>Massive Attack who that movie was about, and we was

0:15:00.160 --> 0:15:01.760
<v Speaker 1>talking about where they had been. It was some of

0:15:01.760 --> 0:15:03.560
<v Speaker 1>the play. It was just it's a whole lot of

0:15:03.560 --> 0:15:08.840
<v Speaker 1>stuff to be coincidental. So yeah, crazy, huh. But and

0:15:08.880 --> 0:15:11.680
<v Speaker 1>this guy is also a really great artist. Do you

0:15:11.680 --> 0:15:16.080
<v Speaker 1>see the amiliar air heart story where in our minds

0:15:16.080 --> 0:15:18.200
<v Speaker 1>and history of Milliard the plane crashed and she died

0:15:18.200 --> 0:15:19.800
<v Speaker 1>because she run out of gas somewhere in the ocean.

0:15:20.440 --> 0:15:24.360
<v Speaker 1>And now they found a picture and it looks like

0:15:24.920 --> 0:15:27.000
<v Speaker 1>it looks like she could be in the picture. And

0:15:27.080 --> 0:15:29.520
<v Speaker 1>also because she's on the far side the guy she

0:15:29.640 --> 0:15:31.120
<v Speaker 1>was with, you think you see him in the picture,

0:15:31.120 --> 0:15:33.720
<v Speaker 1>and you see the plane that they were in. And

0:15:33.800 --> 0:15:37.280
<v Speaker 1>so what people think is they landed on this island

0:15:37.320 --> 0:15:40.920
<v Speaker 1>near Japan. It's all that it's Japanese, and they thought

0:15:40.920 --> 0:15:42.920
<v Speaker 1>they were spies, and they cap they held him captive

0:15:43.240 --> 0:15:45.040
<v Speaker 1>and either killed them or they died of old age.

0:15:45.960 --> 0:15:49.880
<v Speaker 1>And so now according to this documentary, that's what they

0:15:49.880 --> 0:15:52.320
<v Speaker 1>think happened to her, That she didn't just crash in

0:15:52.360 --> 0:15:54.720
<v Speaker 1>the ocean. I mean, that kind of makes more sense

0:15:55.440 --> 0:15:58.800
<v Speaker 1>that they landed to get gas Japan, they were spies

0:15:58.880 --> 0:16:01.960
<v Speaker 1>because we obviously weren't lines at the time, and they

0:16:02.000 --> 0:16:04.240
<v Speaker 1>just held them because that is just never finding her,

0:16:05.280 --> 0:16:07.840
<v Speaker 1>you have, but the ocean so big. The ocean is

0:16:07.840 --> 0:16:11.320
<v Speaker 1>so big. Wait, it's so big. I remember once when

0:16:11.320 --> 0:16:13.320
<v Speaker 1>they were doing all those pirate attacks. Remember that was

0:16:13.320 --> 0:16:15.840
<v Speaker 1>happening few years ago, and they were we were like, well,

0:16:15.840 --> 0:16:17.440
<v Speaker 1>why don't they just stop them? Why don't airplane just

0:16:17.480 --> 0:16:19.920
<v Speaker 1>go and shoot them down? Because the body of water

0:16:20.000 --> 0:16:21.240
<v Speaker 1>that they were doing it in, this wasn't even a

0:16:21.280 --> 0:16:23.760
<v Speaker 1>big body of water. It was just part of that ocean,

0:16:24.400 --> 0:16:26.440
<v Speaker 1>part of that. It was just that body of bottle

0:16:26.520 --> 0:16:29.520
<v Speaker 1>was the size of Texas. That's why you couldn't just

0:16:29.520 --> 0:16:32.080
<v Speaker 1>go shoot them down. I mean imagine that. That's how

0:16:32.080 --> 0:16:34.080
<v Speaker 1>big the body of water was that these pirates were

0:16:34.600 --> 0:16:37.440
<v Speaker 1>moving around in. So it wasn't as easy just flying

0:16:37.480 --> 0:16:44.040
<v Speaker 1>over and finding them that thousands of miles away. So yeah, anyway,

0:16:44.160 --> 0:16:47.360
<v Speaker 1>Uh do sleep number? How far are we into this?

0:16:48.040 --> 0:16:52.240
<v Speaker 1>Seventeen minutes? Uh? Let's talk about sleep number. And by

0:16:52.240 --> 0:16:54.560
<v Speaker 1>the way, I do love my sleep number bed and

0:16:54.640 --> 0:16:57.800
<v Speaker 1>my my numbers thirty. My voice felt a little low though,

0:16:57.800 --> 0:17:00.680
<v Speaker 1>because I've been at a massage. Does I sound there? Yeah?

0:17:00.760 --> 0:17:04.160
<v Speaker 1>Like it just a little. I mean that she rucked.

0:17:04.440 --> 0:17:07.080
<v Speaker 1>She was sticking her elbows in me. She was a

0:17:07.119 --> 0:17:09.520
<v Speaker 1>loyal elbowie. She was a little bit of lamb beer

0:17:09.600 --> 0:17:14.080
<v Speaker 1>underneath the rim, and she mean she had them deep.

0:17:14.359 --> 0:17:17.800
<v Speaker 1>I don't really like the elbows. I like the hard hands.

0:17:17.840 --> 0:17:19.879
<v Speaker 1>I don't like the elbows so much because it's just

0:17:19.960 --> 0:17:23.360
<v Speaker 1>like stick shoving into you. She was good, but I'm

0:17:23.400 --> 0:17:27.600
<v Speaker 1>not a big elbow fan. So um yeah, I do

0:17:27.640 --> 0:17:29.480
<v Speaker 1>feel kind of a little bit light headed. And I

0:17:29.520 --> 0:17:31.359
<v Speaker 1>was like, drink lots of water when you're done. I

0:17:31.400 --> 0:17:32.920
<v Speaker 1>don't know why I do drink a little bit of water,

0:17:33.000 --> 0:17:36.840
<v Speaker 1>but I'm saying this water stufs overrated. I drink water

0:17:36.880 --> 0:17:39.240
<v Speaker 1>and then I can't sleep. There always like drink water

0:17:39.359 --> 0:17:41.520
<v Speaker 1>to be healthy, and so I drink a lot of

0:17:41.520 --> 0:17:43.960
<v Speaker 1>water to be healthy, and then I can't sleep because

0:17:43.960 --> 0:17:46.520
<v Speaker 1>I'm peeing all night. So I'm not getting sleep. So

0:17:46.600 --> 0:17:48.520
<v Speaker 1>then I'm not healthy because I'm not getting the proper

0:17:48.560 --> 0:17:52.680
<v Speaker 1>amount of relaxation. And so I guess she both started

0:17:52.680 --> 0:17:55.080
<v Speaker 1>bringing water like five pm, so I get thirsty after

0:17:55.160 --> 0:17:58.960
<v Speaker 1>five pm? Should I just be thirsty because if I

0:17:59.040 --> 0:18:01.239
<v Speaker 1>drink a pete anyway? So I have a bed, right,

0:18:01.520 --> 0:18:04.479
<v Speaker 1>and so the sleep number three sixties a smart bed.

0:18:04.560 --> 0:18:06.720
<v Speaker 1>Let's you choose your ideal firmness and your support on

0:18:06.760 --> 0:18:09.479
<v Speaker 1>each side. Of your bed and so new responsive air

0:18:09.560 --> 0:18:12.240
<v Speaker 1>technology the bed since did your every move and automatically

0:18:12.280 --> 0:18:15.520
<v Speaker 1>adjusts to you. So you can say sleeping comfortably through

0:18:15.560 --> 0:18:17.560
<v Speaker 1>the night, and so we all fall asleep. For a

0:18:17.640 --> 0:18:19.800
<v Speaker 1>little warmer too if you go and you lay down,

0:18:19.880 --> 0:18:22.240
<v Speaker 1>your feet warmed. The sleep number three sixties smart, but

0:18:22.320 --> 0:18:23.840
<v Speaker 1>you can pretty warm eats out of the bed too,

0:18:24.280 --> 0:18:26.680
<v Speaker 1>definitely for both of you. Tube. My sleep number setting

0:18:26.720 --> 0:18:28.919
<v Speaker 1>is thirty. My sleep I q scored the last night.

0:18:29.760 --> 0:18:32.000
<v Speaker 1>I don't think I looked because I didn't. It didn't matter.

0:18:32.359 --> 0:18:34.879
<v Speaker 1>I'm sure it was good. I slept good. So the

0:18:34.960 --> 0:18:37.159
<v Speaker 1>sleep number three sixty bed now is the time to

0:18:37.440 --> 0:18:39.239
<v Speaker 1>get in the lowest prices of the season. You can

0:18:39.280 --> 0:18:42.000
<v Speaker 1>say five seven hundred bucks on the most popular beds

0:18:42.000 --> 0:18:45.080
<v Speaker 1>from sixteen, so big time to say right now? Uh

0:18:45.119 --> 0:18:48.000
<v Speaker 1>any of the five hundred fifty sleep number beds nationwide

0:18:48.040 --> 0:18:51.119
<v Speaker 1>stories everywhere eight hundred next bed or sleep number dot

0:18:51.119 --> 0:18:53.560
<v Speaker 1>com to find one. And I'm a big sleep number fan,

0:18:53.640 --> 0:18:58.840
<v Speaker 1>like I genuinely am have one about fifteen feet from here. Um,

0:18:59.200 --> 0:19:01.560
<v Speaker 1>so beds are always weird, like I don't know like

0:19:01.600 --> 0:19:03.000
<v Speaker 1>one to bed stores. I do like going to sleep

0:19:03.040 --> 0:19:04.800
<v Speaker 1>number store because you can land in the bed and

0:19:05.240 --> 0:19:06.760
<v Speaker 1>they show you like your back in your neck on

0:19:06.840 --> 0:19:09.280
<v Speaker 1>the screen above you, and so it's like real stuff.

0:19:09.520 --> 0:19:13.760
<v Speaker 1>So now there you go, sleep number dot com if

0:19:13.800 --> 0:19:15.879
<v Speaker 1>you want to hop into that. Um, what have you

0:19:15.960 --> 0:19:18.520
<v Speaker 1>done on your days off? Mike D Like, really, what

0:19:18.600 --> 0:19:20.480
<v Speaker 1>have you done? I mean, I've really done pretty much

0:19:20.480 --> 0:19:22.440
<v Speaker 1>the same thing as you, watching a lot of stuff

0:19:22.480 --> 0:19:26.320
<v Speaker 1>on Netflix, catching up on movies and working out old stuff.

0:19:26.680 --> 0:19:28.680
<v Speaker 1>Because I feel like, now if you watch old stuff,

0:19:28.720 --> 0:19:31.320
<v Speaker 1>you're wasting your time. I feel that way sometimes. But

0:19:31.640 --> 0:19:33.560
<v Speaker 1>there's like movies that I meant to go see in

0:19:33.600 --> 0:19:35.760
<v Speaker 1>theaters that I never did, so I've been watching those

0:19:36.200 --> 0:19:38.680
<v Speaker 1>movies are okay, But if I'm watching like The West Wing,

0:19:39.080 --> 0:19:40.920
<v Speaker 1>I feel like I'm wasting my time because they're like

0:19:41.000 --> 0:19:44.600
<v Speaker 1>seventy new shows that people are talking about. Or I

0:19:44.680 --> 0:19:47.240
<v Speaker 1>love documentaries so that I can get smarter. Although I

0:19:47.240 --> 0:19:49.560
<v Speaker 1>would be very interested to watch The West Wing, I

0:19:49.560 --> 0:19:51.919
<v Speaker 1>think I probably like that show it's old or Friday

0:19:52.000 --> 0:19:54.280
<v Speaker 1>Night Lights. Never got into Friday Night Lights. I'm sure

0:19:54.280 --> 0:19:57.240
<v Speaker 1>it's a fantastic show. Never met a single person that

0:19:57.359 --> 0:19:59.840
<v Speaker 1>didn't like Friday Night Lights, so I know it's a

0:20:00.040 --> 0:20:02.520
<v Speaker 1>uderable show. But I feel like at this point, if

0:20:02.560 --> 0:20:05.919
<v Speaker 1>I'm watching Friday Night Lights, I'm missing out on Glow

0:20:06.160 --> 0:20:09.040
<v Speaker 1>or Orange is the New Black, or a new season

0:20:09.119 --> 0:20:11.639
<v Speaker 1>of something Else, or one of the two documentaries that

0:20:12.640 --> 0:20:14.480
<v Speaker 1>maybe they will entertain me and I can have something

0:20:14.480 --> 0:20:16.440
<v Speaker 1>to talk about on the radio, so I can be

0:20:16.560 --> 0:20:19.440
<v Speaker 1>up to pop culture or will make me smarter. I'm

0:20:19.440 --> 0:20:21.200
<v Speaker 1>also reading a couple of books at the same time,

0:20:21.840 --> 0:20:23.720
<v Speaker 1>so sometimes i'll get on It's like I'll just watch

0:20:23.760 --> 0:20:26.119
<v Speaker 1>episode of Friends, but I'm like, no, if I have

0:20:26.200 --> 0:20:30.359
<v Speaker 1>thirty minutes, I'll at least give things a try. And

0:20:30.440 --> 0:20:33.600
<v Speaker 1>sometimes I'll watch some comedy stuff. I'm just not big

0:20:33.680 --> 0:20:37.399
<v Speaker 1>on comedy on the computer because the only special that

0:20:37.440 --> 0:20:41.679
<v Speaker 1>I've watched all the way through was the Norm McDonald's special,

0:20:42.240 --> 0:20:47.080
<v Speaker 1>and I thought that was fantastic on Netflix, just because

0:20:47.160 --> 0:20:51.680
<v Speaker 1>I love Norm McDonald's style and he's so dry, and

0:20:51.720 --> 0:20:53.760
<v Speaker 1>I'll watch that from the beginning to the end. Otherwise

0:20:53.920 --> 0:20:57.080
<v Speaker 1>I just don't. It's different to go to a theater

0:20:57.880 --> 0:21:02.920
<v Speaker 1>or uh uh, you know, an arena or you know

0:21:02.960 --> 0:21:06.320
<v Speaker 1>wherever you're gonna watch a comedian, because there's an atmosphere

0:21:06.440 --> 0:21:09.240
<v Speaker 1>to it, there's people around you laughing. It has to

0:21:09.320 --> 0:21:13.520
<v Speaker 1>be really good. In sixty minutes is almost too long

0:21:14.200 --> 0:21:16.760
<v Speaker 1>unless it's just fantastic. Like I watched the Dave Chappelle

0:21:16.800 --> 0:21:19.679
<v Speaker 1>one's and I think it's unfair that people like, oh,

0:21:19.800 --> 0:21:22.560
<v Speaker 1>Dave Chappelle, and it was wasn't that good. What's because

0:21:22.560 --> 0:21:24.439
<v Speaker 1>we've built this whole thing in our head about how

0:21:24.520 --> 0:21:27.080
<v Speaker 1>fantastic he was. But you have to understand that every

0:21:27.160 --> 0:21:29.920
<v Speaker 1>single Chappelle show wasn't awesome. We just saw the best

0:21:29.960 --> 0:21:32.280
<v Speaker 1>clips from the Chapelle show each week on the Internet

0:21:32.640 --> 0:21:34.479
<v Speaker 1>and be like, here's Dave Chappelle doing this, and they're like, oh,

0:21:34.520 --> 0:21:37.879
<v Speaker 1>that's fantastic, fantastic, and so in our heads it's like, oh,

0:21:37.960 --> 0:21:40.879
<v Speaker 1>we remember are the greatest Chappelle clips. So we need

0:21:40.960 --> 0:21:42.760
<v Speaker 1>all the Dave Chappelle stuff to be as good as

0:21:42.800 --> 0:21:44.919
<v Speaker 1>all the best of what Dave Chapelle had for us

0:21:45.040 --> 0:21:47.760
<v Speaker 1>years ago, even his stand up stuff. He had one

0:21:47.840 --> 0:21:50.399
<v Speaker 1>or two comedy specials that were amazing, but then he

0:21:50.440 --> 0:21:52.640
<v Speaker 1>had a couple that were fine, some of the priest

0:21:52.640 --> 0:21:55.520
<v Speaker 1>stuff and some of the you know later stuff, even

0:21:55.600 --> 0:22:00.480
<v Speaker 1>before he moved to South Africa. Um, but we get

0:22:00.560 --> 0:22:02.240
<v Speaker 1>that way and he comes back and we just everyone

0:22:02.320 --> 0:22:05.119
<v Speaker 1>expects it to just be amazing because we only remember

0:22:05.160 --> 0:22:09.240
<v Speaker 1>the best of and so knowing that, I still watched

0:22:09.280 --> 0:22:11.880
<v Speaker 1>it and I was like, it's okay, it's pretty good.

0:22:12.040 --> 0:22:13.879
<v Speaker 1>I'll laughed allow, but I didn't watch it. They had to.

0:22:14.320 --> 0:22:16.359
<v Speaker 1>And think about this, he had two specials at the

0:22:16.400 --> 0:22:20.720
<v Speaker 1>same time. That's two hours of material. It takes people

0:22:20.760 --> 0:22:23.439
<v Speaker 1>forever to call by the hour. The whole comedy thing,

0:22:24.119 --> 0:22:27.680
<v Speaker 1>the whole specials are getting watered down because you have

0:22:28.240 --> 0:22:31.000
<v Speaker 1>people making an hour and then throwing it up there

0:22:31.040 --> 0:22:32.480
<v Speaker 1>and trying to make the new hour and throwing it

0:22:32.560 --> 0:22:35.400
<v Speaker 1>up there. Instead of back in the day, you would

0:22:35.440 --> 0:22:37.399
<v Speaker 1>spend a year, a year and a half, two years

0:22:38.040 --> 0:22:41.680
<v Speaker 1>really crafting that hour and then you put on special

0:22:41.720 --> 0:22:44.680
<v Speaker 1>on HBO or but you would have it. Now it's like,

0:22:44.720 --> 0:22:46.919
<v Speaker 1>can you somebody every six months? I mean pretty much

0:22:47.040 --> 0:22:48.800
<v Speaker 1>every time I go on Netflix, seems like everybody has

0:22:48.800 --> 0:22:51.040
<v Speaker 1>another special. And so now that's what it's all about.

0:22:51.160 --> 0:22:56.320
<v Speaker 1>It's more about quantity. They're still quality, but imagine if

0:22:56.320 --> 0:22:59.080
<v Speaker 1>you took those two specials that they did this year,

0:22:59.440 --> 0:23:00.920
<v Speaker 1>and you took the best of each of them, and

0:23:01.000 --> 0:23:02.680
<v Speaker 1>you made that once. But that's what I used to

0:23:02.760 --> 0:23:05.040
<v Speaker 1>be like. Now I'm beginning to be that guy. Like

0:23:05.160 --> 0:23:10.200
<v Speaker 1>back when I was a kid, we had one comedy

0:23:10.240 --> 0:23:13.359
<v Speaker 1>special per twelve months and that was the rule, and

0:23:13.520 --> 0:23:16.080
<v Speaker 1>we went to the month shop and got a mount

0:23:16.160 --> 0:23:19.960
<v Speaker 1>with two straws with our best girl. So I watched

0:23:19.960 --> 0:23:22.400
<v Speaker 1>the Chappelle ones and they were fine, that they were good,

0:23:22.800 --> 0:23:24.800
<v Speaker 1>but I didn't watch them all the way through they've

0:23:24.800 --> 0:23:27.960
<v Speaker 1>been I would. I watched some of Jim Gaffrigins minutes,

0:23:28.080 --> 0:23:30.840
<v Speaker 1>laugh a little bit, but then I fast forward to

0:23:30.880 --> 0:23:36.400
<v Speaker 1>the end he does the encore is hot pocket. I've

0:23:36.480 --> 0:23:38.560
<v Speaker 1>never seen a comedian come out and do an encore.

0:23:39.480 --> 0:23:42.359
<v Speaker 1>Surely people know that that's the encore right, like they're

0:23:42.840 --> 0:23:44.920
<v Speaker 1>clued into that. Because I've been to a lot of

0:23:45.000 --> 0:23:47.440
<v Speaker 1>comedy shows. I've never seen a comedian come out doing encore.

0:23:47.760 --> 0:23:49.680
<v Speaker 1>It's always like thank you goodbye, because nothing else to

0:23:49.720 --> 0:23:53.480
<v Speaker 1>say that you've done saying stuff, and unless you're just

0:23:53.600 --> 0:23:55.960
<v Speaker 1>up there riffing on things or you're making fun of

0:23:56.000 --> 0:23:58.200
<v Speaker 1>the audience, there's just nothing to come back and do.

0:23:58.640 --> 0:24:00.600
<v Speaker 1>It's not like you have another song ready as a man,

0:24:01.040 --> 0:24:05.400
<v Speaker 1>like we can still go out and do three Little Birds. Um, yeah,

0:24:05.400 --> 0:24:07.120
<v Speaker 1>I watched, So I watched like twenty minutes that fast

0:24:07.119 --> 0:24:10.720
<v Speaker 1>forward it to the end. Um. But yeah, I get

0:24:10.720 --> 0:24:12.360
<v Speaker 1>on Netflix, though there's so much on that I can't

0:24:12.359 --> 0:24:14.680
<v Speaker 1>even decide what to watch. Sometimes, like there's so much

0:24:14.880 --> 0:24:16.760
<v Speaker 1>it's not gonna walk into my closet. Oh my man,

0:24:16.800 --> 0:24:20.160
<v Speaker 1>I got nothing to wear and too many things to wear.

0:24:20.480 --> 0:24:22.399
<v Speaker 1>I'm like, oh, I don't have any shoes at it right,

0:24:22.600 --> 0:24:25.440
<v Speaker 1>I got a million pair of shoes. I got on Netflix,

0:24:25.520 --> 0:24:28.160
<v Speaker 1>and it's like too much, Like, oh, there's only nothing

0:24:28.280 --> 0:24:30.119
<v Speaker 1>that I really want to watch. It's only like seventy

0:24:30.200 --> 0:24:33.240
<v Speaker 1>three things that I want to watch. There's not that

0:24:33.320 --> 0:24:35.639
<v Speaker 1>I really want to watch. There there are just too

0:24:35.680 --> 0:24:37.520
<v Speaker 1>many things that I equally would just like to watch.

0:24:37.840 --> 0:24:40.560
<v Speaker 1>So I can never decide. But I'm gonna start watching

0:24:40.680 --> 0:24:43.080
<v Speaker 1>probably Oranges and New Black tonight. If you watch the season,

0:24:44.000 --> 0:24:45.840
<v Speaker 1>you do like it. It kind of got me back. Yeah,

0:24:46.040 --> 0:24:48.280
<v Speaker 1>I think that's the show that got me on Netflix

0:24:49.960 --> 0:24:51.840
<v Speaker 1>to pay as a subscriber. I was thinking about this,

0:24:51.880 --> 0:24:53.440
<v Speaker 1>how did I get on Netflix the first time? And

0:24:53.480 --> 0:24:55.240
<v Speaker 1>I think it was Orange as a New Black because

0:24:55.240 --> 0:24:57.320
<v Speaker 1>I was like, I was hearing from Cruise, like the

0:24:57.359 --> 0:24:59.720
<v Speaker 1>show is so funny, so funny, and I watched it.

0:24:59.800 --> 0:25:02.080
<v Speaker 1>I I kept waiting for the funny, I was like,

0:25:02.119 --> 0:25:04.200
<v Speaker 1>Where's what am I missing? What's the comedy? Like? I

0:25:04.240 --> 0:25:05.680
<v Speaker 1>think the show is compelling, the care's a lot of

0:25:05.760 --> 0:25:10.560
<v Speaker 1>characters there, the situations that made me go, wow, that's crazy.

0:25:11.000 --> 0:25:13.280
<v Speaker 1>But I wasn't laughing, like where's the comedy? Was you

0:25:13.359 --> 0:25:18.080
<v Speaker 1>think it's funny? Like? What's funny? Like? So once I

0:25:18.160 --> 0:25:20.240
<v Speaker 1>realized I wasn't supposed to be laughing at it. I

0:25:20.359 --> 0:25:22.040
<v Speaker 1>was just supposed to find it interesting and find the

0:25:22.119 --> 0:25:24.959
<v Speaker 1>characters compelling that I really enjoyed it, But I keep going,

0:25:25.040 --> 0:25:27.359
<v Speaker 1>what are I missing? Am I stupid? But that was

0:25:27.440 --> 0:25:29.680
<v Speaker 1>the show that got me on Netflix. Irom a Netflix

0:25:30.359 --> 0:25:32.720
<v Speaker 1>was you get on I didn't do it, but you'd

0:25:32.720 --> 0:25:36.080
<v Speaker 1>sign up, you pay your money a month back. In

0:25:36.240 --> 0:25:40.720
<v Speaker 1>my day Netflix, they would mail you a DVD and

0:25:40.840 --> 0:25:43.320
<v Speaker 1>you would watch it and send it back. And that's

0:25:43.320 --> 0:25:46.400
<v Speaker 1>what they would do. You had to mail back DVDs.

0:25:47.200 --> 0:25:49.720
<v Speaker 1>You would get online and you put something in que

0:25:50.640 --> 0:25:54.000
<v Speaker 1>and you would queue up your next three DVD's and

0:25:54.119 --> 0:25:56.600
<v Speaker 1>they would send it to you and you'd watch it,

0:25:56.880 --> 0:25:59.840
<v Speaker 1>but don't scratch it because they'll charge you for it.

0:26:00.600 --> 0:26:03.000
<v Speaker 1>And so that was what Netflix was. I was like,

0:26:03.000 --> 0:26:05.120
<v Speaker 1>I would never do that it's so stupid. They would

0:26:05.119 --> 0:26:08.200
<v Speaker 1>do video games too and get on that day and

0:26:08.320 --> 0:26:11.760
<v Speaker 1>you'd get Mario Kurt and so I never did that.

0:26:12.119 --> 0:26:15.359
<v Speaker 1>But then I just remember borrowing someone's Netflix account and

0:26:15.400 --> 0:26:16.720
<v Speaker 1>watching Orangs of the New Black. I was like, man,

0:26:16.720 --> 0:26:18.920
<v Speaker 1>I got signed up for this because there's mostly the

0:26:19.040 --> 0:26:21.600
<v Speaker 1>old shows and then Orange is the New Black and

0:26:21.680 --> 0:26:26.080
<v Speaker 1>a couple of new crappy But now now they've put

0:26:26.160 --> 0:26:28.080
<v Speaker 1>so much other they're starting to actually cut shows now

0:26:28.480 --> 0:26:33.440
<v Speaker 1>for the first time. And so yeah, you can't have

0:26:33.560 --> 0:26:39.320
<v Speaker 1>the business milogees NonStop, unadult ready, just make everything and

0:26:39.400 --> 0:26:41.680
<v Speaker 1>spend all the money. Eventually you have to the point up, Okay,

0:26:41.760 --> 0:26:44.000
<v Speaker 1>what's working and what's not. Although I don't believe when

0:26:44.000 --> 0:26:46.160
<v Speaker 1>they say Adam Saidler movies with the biggest things on Netflix.

0:26:46.280 --> 0:26:49.760
<v Speaker 1>They're like our biggest streamers ever are the Adam Sailor movies.

0:26:49.800 --> 0:26:54.320
<v Speaker 1>I don't know one single person between the movies. You're

0:26:54.359 --> 0:26:56.200
<v Speaker 1>the only one I've ever this admitted to me. They've

0:26:56.200 --> 0:26:59.159
<v Speaker 1>seen the watch any movie. But did you like the

0:26:59.240 --> 0:27:01.960
<v Speaker 1>Adam Sandler movie on Netflix? I mean, one of them

0:27:02.080 --> 0:27:06.680
<v Speaker 1>wasn't terrible, the was it this ridiculous six the other

0:27:06.720 --> 0:27:09.080
<v Speaker 1>than I didn't even finish it. But I don't believe them.

0:27:09.119 --> 0:27:10.680
<v Speaker 1>I think they just paid a whole lot for them.

0:27:10.720 --> 0:27:14.080
<v Speaker 1>And so since they don't show their data, they say, yep,

0:27:14.640 --> 0:27:19.919
<v Speaker 1>adam tailor movies, those those are the real moneymakers for us.

0:27:20.040 --> 0:27:22.879
<v Speaker 1>That gets up billion streams and prove that it doesn't

0:27:23.880 --> 0:27:26.639
<v Speaker 1>and so and you can't prove that it doesn't. It

0:27:26.840 --> 0:27:29.080
<v Speaker 1>was like the time with Storgel Simpson. I was inviting

0:27:29.160 --> 0:27:31.560
<v Speaker 1>him on the show, and so I'd invite Social Simpson

0:27:31.560 --> 0:27:34.439
<v Speaker 1>on the show way before he turned into Storgil Simpson.

0:27:34.600 --> 0:27:36.520
<v Speaker 1>I thought the sound was unique. It was never like

0:27:36.600 --> 0:27:38.879
<v Speaker 1>a huge fan, but I thought I liked what he

0:27:38.960 --> 0:27:40.840
<v Speaker 1>was doing independently and I thought it sound was unique,

0:27:41.040 --> 0:27:42.320
<v Speaker 1>and so I was like, hey, come up on the show.

0:27:43.240 --> 0:27:45.520
<v Speaker 1>And he never came up. And then um I had

0:27:45.560 --> 0:27:49.119
<v Speaker 1>our old sician program director Michael Bryant email him. He

0:27:49.240 --> 0:27:51.359
<v Speaker 1>never came up on the air. I'd be like, hey,

0:27:51.400 --> 0:27:52.920
<v Speaker 1>Stargel Simpson, you should come up on the show. And

0:27:52.960 --> 0:27:54.959
<v Speaker 1>never came up. Well then a year and a half later,

0:27:55.040 --> 0:27:57.240
<v Speaker 1>two years starts screaming the radio won't play him, and

0:27:57.240 --> 0:27:59.440
<v Speaker 1>I was like, yo, dude, I was like asking you

0:27:59.520 --> 0:28:03.080
<v Speaker 1>come up, like I was messaging you Michael Brian will

0:28:03.119 --> 0:28:05.880
<v Speaker 1>send you an email. Um I was on the air

0:28:06.040 --> 0:28:09.680
<v Speaker 1>yelling hey, and he was like, prove you can't prove

0:28:09.800 --> 0:28:11.560
<v Speaker 1>we lost it. If you said it, we never got

0:28:11.640 --> 0:28:13.440
<v Speaker 1>it and there's no way to prove that we got it.

0:28:13.960 --> 0:28:16.520
<v Speaker 1>I'm like, well, you're right, I can't prove that you

0:28:16.720 --> 0:28:23.760
<v Speaker 1>got it, so I guess you got me because it

0:28:23.800 --> 0:28:25.399
<v Speaker 1>was like, yeah, dude, we didn't get the email and

0:28:25.760 --> 0:28:32.639
<v Speaker 1>prove that we did. You and Sturgil One Bobby Zero,

0:28:33.440 --> 0:28:35.560
<v Speaker 1>I said, but I would scream on the air time

0:28:35.640 --> 0:28:39.880
<v Speaker 1>and time again that you come on the show. And

0:28:39.960 --> 0:28:42.440
<v Speaker 1>I know, and everybody in Nashville hears everything. Even if

0:28:42.480 --> 0:28:45.040
<v Speaker 1>you don't listen to my show, which which most people

0:28:45.240 --> 0:28:50.440
<v Speaker 1>don't because most people that's a big number. Like it's

0:28:51.200 --> 0:28:54.560
<v Speaker 1>most people don't listen to my show. Some do, but

0:28:54.800 --> 0:28:57.440
<v Speaker 1>enough doing the music industry that knows, that knows, somebody

0:28:57.480 --> 0:28:59.760
<v Speaker 1>to know somebody. I've never once got on the air

0:28:59.800 --> 0:29:02.720
<v Speaker 1>and said, hey, Jim Smith would love for you to

0:29:02.760 --> 0:29:04.520
<v Speaker 1>come up on the show, and it not gotten Jim

0:29:04.560 --> 0:29:09.600
<v Speaker 1>Smith within three hours, and somebody's reach back out and

0:29:09.680 --> 0:29:11.880
<v Speaker 1>been like, hey, he can't, he won't. He'd love to.

0:29:12.240 --> 0:29:16.320
<v Speaker 1>Whatever the case is. Um So Yeah, that just reminds

0:29:16.360 --> 0:29:18.720
<v Speaker 1>me the whole start. They I can't prove Adam Sandler

0:29:18.800 --> 0:29:22.200
<v Speaker 1>is not the biggest streamer of all time. But I

0:29:22.240 --> 0:29:25.080
<v Speaker 1>don't believe you, But I can't prove it. So I'm

0:29:25.120 --> 0:29:26.920
<v Speaker 1>just gonna have to go with what you're saying. Yeah,

0:29:26.960 --> 0:29:30.320
<v Speaker 1>I can't prove that you got my emails, Sturgil. Um,

0:29:30.480 --> 0:29:31.720
<v Speaker 1>So I'm just gonna have to go with what you're

0:29:31.720 --> 0:29:37.560
<v Speaker 1>saying and go Sturgill one, Adam Sandler one US zero. Um.

0:29:37.760 --> 0:29:41.520
<v Speaker 1>So there's that. Um. Then there's also I guess I

0:29:41.560 --> 0:29:44.480
<v Speaker 1>can mention this because we were, um, we were just

0:29:44.640 --> 0:29:51.520
<v Speaker 1>at the house and um, hold on a text. We

0:29:51.560 --> 0:29:53.320
<v Speaker 1>just thought we'd hop up here real quick and catch

0:29:53.320 --> 0:29:57.120
<v Speaker 1>everybody up on our brakes and my massage, which is

0:29:57.280 --> 0:30:05.840
<v Speaker 1>pretty amazing. Um. And so the whole women and oh

0:30:05.920 --> 0:30:08.000
<v Speaker 1>two things actually I can talk about the whole women

0:30:08.040 --> 0:30:11.320
<v Speaker 1>in country thing has kind of reared its head again. Um.

0:30:12.280 --> 0:30:15.200
<v Speaker 1>So Margot Price, who I like. I like her a lot.

0:30:15.320 --> 0:30:16.640
<v Speaker 1>I don't know where that well. I've had her on

0:30:16.680 --> 0:30:18.360
<v Speaker 1>the show before because again I thought she was super

0:30:18.400 --> 0:30:21.320
<v Speaker 1>interesting and I was like, hey, comen, and she tweeted,

0:30:21.960 --> 0:30:24.720
<v Speaker 1>I don't think you should do female Friday, because we

0:30:24.760 --> 0:30:29.320
<v Speaker 1>shouldn't have artists judged by their um vaginas or whatever.

0:30:30.120 --> 0:30:35.440
<v Speaker 1>Uh what else do women have diaphragms over now? It's

0:30:35.480 --> 0:30:39.880
<v Speaker 1>one of those woman parts, not testicals. You know the

0:30:39.960 --> 0:30:42.920
<v Speaker 1>opposite of that, right, And I was like, well I don't,

0:30:43.400 --> 0:30:44.880
<v Speaker 1>And she was like, we should be judged on our

0:30:44.960 --> 0:30:48.320
<v Speaker 1>music alone. I absolutely agree with that. And she was

0:30:48.360 --> 0:30:50.720
<v Speaker 1>like and then people like, yeah, every every day should

0:30:50.720 --> 0:30:53.200
<v Speaker 1>be female Friday every day. And I'm like, I don't

0:30:53.240 --> 0:30:57.920
<v Speaker 1>think you guys understand how this works. Like here's kind

0:30:58.040 --> 0:31:01.240
<v Speaker 1>of what happened, and here's what's happening, and here's what's

0:31:01.280 --> 0:31:02.480
<v Speaker 1>going to happen. I just lay it out for you

0:31:02.640 --> 0:31:06.200
<v Speaker 1>really easily. Here what happened was this. First of all,

0:31:06.360 --> 0:31:08.880
<v Speaker 1>radio is a business, and people don't understand. I think

0:31:08.920 --> 0:31:11.280
<v Speaker 1>the radio is just like play toy and everything's got

0:31:11.320 --> 0:31:13.160
<v Speaker 1>to be even. And first of all, you don't want

0:31:13.200 --> 0:31:17.200
<v Speaker 1>things to be forced to be even anyway. Forced equality

0:31:17.360 --> 0:31:21.120
<v Speaker 1>is basically communism. Everybody gets the same. That's not what

0:31:21.280 --> 0:31:23.560
<v Speaker 1>you want. You don't want that. At times, you would

0:31:23.600 --> 0:31:25.360
<v Speaker 1>like for them to be more females. Sometimes you would

0:31:25.360 --> 0:31:28.080
<v Speaker 1>like there to be less, more man more. You want

0:31:28.120 --> 0:31:31.800
<v Speaker 1>there to always be whatever is the best rises up

0:31:32.040 --> 0:31:34.320
<v Speaker 1>and the best really inside of a business means what's

0:31:34.320 --> 0:31:38.320
<v Speaker 1>gonna sell. Because radio is a business. Anything under nine two,

0:31:38.360 --> 0:31:41.120
<v Speaker 1>I believe is nonprofit. Everything over ninety two on the

0:31:41.160 --> 0:31:43.880
<v Speaker 1>dial is for profit. And that used to be the

0:31:44.000 --> 0:31:49.000
<v Speaker 1>rule of not be the rule anymore. Um, So what

0:31:49.200 --> 0:31:55.600
<v Speaker 1>happened was a sound like Florida Georgia Line busted through

0:31:55.720 --> 0:31:59.000
<v Speaker 1>like crazy and everybody loves to hate on Broke Country

0:31:59.320 --> 0:32:03.040
<v Speaker 1>just because it got so big. Anything that's huge gets backlash.

0:32:03.760 --> 0:32:06.240
<v Speaker 1>It doesn't matter how big you are or how amazing

0:32:06.320 --> 0:32:09.560
<v Speaker 1>you are. If you get really big, some people can

0:32:09.600 --> 0:32:12.000
<v Speaker 1>get your trated. You're so big and you get backlash.

0:32:12.320 --> 0:32:14.200
<v Speaker 1>I don't even just like Florida Georgia Lines music only

0:32:14.280 --> 0:32:15.840
<v Speaker 1>really just like one of the people in Florida Georgia

0:32:15.840 --> 0:32:18.440
<v Speaker 1>Line has nothing to do with their music. I think

0:32:18.440 --> 0:32:21.840
<v Speaker 1>some of the music is actually good. And so, um

0:32:22.320 --> 0:32:25.120
<v Speaker 1>what happened was Florida Georgia Line sound went got really

0:32:25.160 --> 0:32:27.480
<v Speaker 1>big and I was like, whoa crew sells like ten

0:32:27.760 --> 0:32:30.920
<v Speaker 1>g billion albums. So other people in business go, why

0:32:30.920 --> 0:32:32.400
<v Speaker 1>I need to be smart? And I didn't make that sound.

0:32:32.520 --> 0:32:34.080
<v Speaker 1>They just made money because if I make that sound,

0:32:34.160 --> 0:32:35.840
<v Speaker 1>I'll sell too, and other people every it's like I

0:32:35.840 --> 0:32:37.600
<v Speaker 1>gotta make that sound. I gotta make that sound. So

0:32:37.720 --> 0:32:43.000
<v Speaker 1>you have everybody racing to make this party ish male sound.

0:32:43.840 --> 0:32:47.479
<v Speaker 1>Now all the labels are trying to develop these artists

0:32:47.880 --> 0:32:51.240
<v Speaker 1>this sound just like this and one there's only so

0:32:51.320 --> 0:32:53.080
<v Speaker 1>many spots on the radio. That's a great thing about

0:32:53.080 --> 0:32:54.960
<v Speaker 1>the Internet. You don't have to listen to anything on

0:32:54.960 --> 0:32:58.400
<v Speaker 1>the radio. People. I was like, you should, she'd send

0:32:58.400 --> 0:32:59.560
<v Speaker 1>me a tweet. I like, you just play this on

0:32:59.600 --> 0:33:01.120
<v Speaker 1>the radio, like you're on the freaking Internet. Get on

0:33:01.200 --> 0:33:03.080
<v Speaker 1>YouTube if you want to hear it so bad you're

0:33:03.080 --> 0:33:07.120
<v Speaker 1>already tweeting me. Go to www dot suck my butt

0:33:07.280 --> 0:33:12.640
<v Speaker 1>and play whatever song you want. But got it. And

0:33:12.880 --> 0:33:20.040
<v Speaker 1>so every label is developing this sound because that's what sells.

0:33:21.080 --> 0:33:24.560
<v Speaker 1>And so whenever you do that, you neglect the other things,

0:33:25.600 --> 0:33:28.720
<v Speaker 1>which are we're in our art at the time, the

0:33:28.960 --> 0:33:32.720
<v Speaker 1>traditional country sound. Females there are a few of them

0:33:32.800 --> 0:33:34.480
<v Speaker 1>are left out, but females and the biggest groups. So

0:33:34.560 --> 0:33:37.200
<v Speaker 1>that's the one, even myself, which I'm trying to kind

0:33:37.240 --> 0:33:40.600
<v Speaker 1>of redevelop the minor leagues again, So they just stopped

0:33:40.600 --> 0:33:42.520
<v Speaker 1>developing the talent for the most part, except for a

0:33:42.600 --> 0:33:44.640
<v Speaker 1>few artists. They were like, well, it's not working. We're

0:33:44.680 --> 0:33:47.080
<v Speaker 1>trying to create this male party sound. Let's just keep

0:33:47.080 --> 0:33:51.040
<v Speaker 1>going with it. So of course there's just going to

0:33:51.120 --> 0:33:53.280
<v Speaker 1>be so many of that. They're all trying to fill

0:33:53.320 --> 0:33:55.760
<v Speaker 1>those spots with this. Well, there's no female talent being developed.

0:33:56.240 --> 0:33:59.680
<v Speaker 1>So until someone realized what we're got a problem here.

0:34:00.560 --> 0:34:02.920
<v Speaker 1>You don't just grab someone and and and go, Okay,

0:34:02.920 --> 0:34:04.400
<v Speaker 1>you're on the radio now because you're a girl. Go

0:34:05.080 --> 0:34:06.600
<v Speaker 1>if they have to be treated the same way everybody

0:34:06.600 --> 0:34:08.160
<v Speaker 1>else was treated, bring them up, make sure they have

0:34:08.239 --> 0:34:10.919
<v Speaker 1>good songs, make sure this sounds good, and they start

0:34:11.000 --> 0:34:13.239
<v Speaker 1>to pop one by one. You get you already have

0:34:14.200 --> 0:34:16.239
<v Speaker 1>Miranda and Carry, but they're the two that kind of

0:34:16.280 --> 0:34:19.120
<v Speaker 1>went through it all. And you get the Kelsey's is

0:34:19.160 --> 0:34:21.200
<v Speaker 1>really one of the first new females to pop through.

0:34:21.560 --> 0:34:24.720
<v Speaker 1>You get the Marion morris Is, you get Lauren Alayne.

0:34:24.719 --> 0:34:26.440
<v Speaker 1>They just had a number one. You started. You're starting

0:34:26.480 --> 0:34:29.000
<v Speaker 1>to get more and more and it starts to evolve

0:34:29.080 --> 0:34:32.000
<v Speaker 1>back because they're developing the minor leagues. Again. It's like

0:34:32.040 --> 0:34:35.520
<v Speaker 1>a baseball team. If you don't develop your single A,

0:34:35.600 --> 0:34:38.520
<v Speaker 1>your double A, your triple A, clubs. Eventually, your major

0:34:38.600 --> 0:34:40.880
<v Speaker 1>league team, you're gonna runt of players not have anybody,

0:34:41.680 --> 0:34:46.520
<v Speaker 1>And so they stopped developing females, and whenever it went

0:34:46.560 --> 0:34:48.680
<v Speaker 1>to all that didn't haven't made the minor leagues. So

0:34:48.960 --> 0:34:50.439
<v Speaker 1>there's somebody to pull up and go, we got another

0:34:50.440 --> 0:34:53.560
<v Speaker 1>one here. And now there's this arms race trying to

0:34:53.560 --> 0:34:55.480
<v Speaker 1>get every female. So there's like a thousand females being

0:34:55.520 --> 0:34:58.799
<v Speaker 1>thrown out there at once, and it's actually created quite

0:34:58.840 --> 0:35:01.640
<v Speaker 1>the toxic situation among female the Nashville two where it's

0:35:01.680 --> 0:35:03.760
<v Speaker 1>so competitive because it feels like the only four spots

0:35:03.800 --> 0:35:06.960
<v Speaker 1>and there are seven girls fighting for them. Um. But

0:35:07.239 --> 0:35:09.839
<v Speaker 1>so it's people trying to make money with the sound

0:35:09.880 --> 0:35:12.279
<v Speaker 1>because that's what's working as people are buying, and while

0:35:12.360 --> 0:35:15.200
<v Speaker 1>doing that, they neglect the other sounds, the traditional sound,

0:35:15.239 --> 0:35:17.480
<v Speaker 1>the female, the There are a lot of different ones,

0:35:17.840 --> 0:35:19.520
<v Speaker 1>but for the sake of the argument's a female one.

0:35:19.719 --> 0:35:22.200
<v Speaker 1>And now it's okay, what do you do? How do

0:35:22.280 --> 0:35:24.040
<v Speaker 1>we get females back on the radio. And it's not

0:35:24.200 --> 0:35:27.480
<v Speaker 1>even really a female thing, it's just a can we

0:35:27.719 --> 0:35:30.000
<v Speaker 1>get back to what's this current sound? How do we

0:35:30.040 --> 0:35:33.160
<v Speaker 1>get the current sound to be the current sound? And

0:35:33.840 --> 0:35:35.879
<v Speaker 1>you're starting to see it kind of even out again

0:35:35.920 --> 0:35:38.520
<v Speaker 1>and go back to more of a And I hate

0:35:38.560 --> 0:35:40.960
<v Speaker 1>to use the word top forty because people associopop music,

0:35:41.360 --> 0:35:45.600
<v Speaker 1>but more of a top forty type where the best traditional,

0:35:45.760 --> 0:35:50.960
<v Speaker 1>the best uh progressive, like the Sam's the best. It's

0:35:51.000 --> 0:35:53.120
<v Speaker 1>like six or seven of these different subgenres in country,

0:35:53.160 --> 0:35:55.320
<v Speaker 1>like the top of those are making it now instead

0:35:55.320 --> 0:35:58.640
<v Speaker 1>of it just being all for a Georgia Line, Chase

0:35:58.760 --> 0:36:02.800
<v Speaker 1>Rice kind of songs. That makes sense. So it's basically

0:36:02.840 --> 0:36:05.359
<v Speaker 1>a top forty inside of country music. And you hate

0:36:05.400 --> 0:36:07.200
<v Speaker 1>to say top forty because you get these douchebags are like,

0:36:07.360 --> 0:36:09.400
<v Speaker 1>we don't want top forty if it doesn't have a

0:36:09.520 --> 0:36:12.720
<v Speaker 1>still guitar and some hay in my mouth that ain't country.

0:36:13.400 --> 0:36:18.080
<v Speaker 1>And those people are stupid too. I was, uh this

0:36:18.400 --> 0:36:21.160
<v Speaker 1>blogger and his blog isn't even that big, but I

0:36:21.239 --> 0:36:23.799
<v Speaker 1>do like it because he always has the same perspective.

0:36:24.000 --> 0:36:26.080
<v Speaker 1>I disagree with him completely, but I love the fact

0:36:26.120 --> 0:36:29.440
<v Speaker 1>there says has he always has the same voice. Um,

0:36:30.120 --> 0:36:33.239
<v Speaker 1>And so he writes this terrible story about me. Not

0:36:33.400 --> 0:36:37.000
<v Speaker 1>it wasn't written terribly, it's terrible because he wrote bad

0:36:37.040 --> 0:36:39.200
<v Speaker 1>things about me. Anything bad about me terrible and so

0:36:39.840 --> 0:36:43.479
<v Speaker 1>um he wrote, because I said, hey, you just stop

0:36:43.520 --> 0:36:46.560
<v Speaker 1>trying to define what country music is. There will never

0:36:46.680 --> 0:36:49.440
<v Speaker 1>be a definition of what country music is. There's just

0:36:49.600 --> 0:36:53.759
<v Speaker 1>not something solid about art. Ever, there's nothing solid about art.

0:36:53.800 --> 0:36:56.920
<v Speaker 1>You can't He's like, that's not true. You can't. You

0:36:57.480 --> 0:37:00.440
<v Speaker 1>to say you can't define country you're full crap. And

0:37:00.520 --> 0:37:02.920
<v Speaker 1>here's what Dolly Parton would say in here. Yeah, that's

0:37:02.960 --> 0:37:05.880
<v Speaker 1>what do we say thirty years ago. You can't define

0:37:07.400 --> 0:37:09.800
<v Speaker 1>a brand of art. You can say kind of in

0:37:09.920 --> 0:37:13.840
<v Speaker 1>your mind what it is, but there's not what country

0:37:13.920 --> 0:37:18.520
<v Speaker 1>music is? Is it? Does it have to have a guitar? Yes? No,

0:37:19.680 --> 0:37:22.640
<v Speaker 1>um does that? There are some of the more traditional

0:37:22.719 --> 0:37:25.160
<v Speaker 1>artists that are using loops and tracks and you don't

0:37:25.160 --> 0:37:27.400
<v Speaker 1>even know it. Does it have to sound like it

0:37:27.520 --> 0:37:29.440
<v Speaker 1>might have a guitar in it? Does it have to

0:37:29.480 --> 0:37:33.040
<v Speaker 1>be a fake guitar? What are the rules? And my

0:37:33.120 --> 0:37:37.120
<v Speaker 1>point was there are no rules. The people always decide

0:37:38.000 --> 0:37:45.720
<v Speaker 1>in any art, music, movies, television shows. What people consume

0:37:46.040 --> 0:37:50.200
<v Speaker 1>is what it is. That's who makes the rules. The consumer.

0:37:51.120 --> 0:37:55.560
<v Speaker 1>In fashion, it doesn't matter. The consumer always makes the rules.

0:37:56.719 --> 0:37:59.080
<v Speaker 1>And in this format you've had people come that definitely

0:37:59.120 --> 0:38:01.960
<v Speaker 1>weren't countries. Steve Tyler was my country. I was just

0:38:02.080 --> 0:38:03.879
<v Speaker 1>durding out because it's freaking Stephen Tyler. I'm not gonna

0:38:03.880 --> 0:38:05.600
<v Speaker 1>lie to. They're like, do you want Stephen Tyler. I

0:38:05.640 --> 0:38:07.520
<v Speaker 1>was like, yep, sure do. I was. That's the lead

0:38:07.560 --> 0:38:10.040
<v Speaker 1>singer Aerosmith Like not, You'm gonna lie No, it wasn't country.

0:38:10.640 --> 0:38:12.359
<v Speaker 1>I didn't care. This though would be cool again, Steven

0:38:12.400 --> 0:38:16.359
<v Speaker 1>Tyler on Stephen Tyler's to the world, that's not country. Uh.

0:38:17.239 --> 0:38:19.640
<v Speaker 1>And you know why with the country, because people didn't

0:38:19.640 --> 0:38:21.399
<v Speaker 1>accept it is that if they would, if it would

0:38:21.400 --> 0:38:26.640
<v Speaker 1>have been, that's a difference. The consumer picks everything. Also,

0:38:26.880 --> 0:38:31.120
<v Speaker 1>this what country used to be very regional, the South,

0:38:31.239 --> 0:38:34.880
<v Speaker 1>the southeast, even there was a different California sound, you know,

0:38:35.000 --> 0:38:40.640
<v Speaker 1>even you know the rural areas. Now there's the Internet.

0:38:40.920 --> 0:38:44.600
<v Speaker 1>The rural areas also have everything that the city's have everything.

0:38:45.200 --> 0:38:51.600
<v Speaker 1>So it's different. The music isn't as simple. You know.

0:38:52.040 --> 0:38:54.480
<v Speaker 1>My grandma was like, you know, we had there are

0:38:54.520 --> 0:38:57.719
<v Speaker 1>two guitars and got a lot gown a drum. But

0:38:57.800 --> 0:39:00.719
<v Speaker 1>in New York they got big bands and that's not

0:39:00.760 --> 0:39:04.040
<v Speaker 1>how it is anymore. Anybody from my note, North Dakota

0:39:04.560 --> 0:39:09.360
<v Speaker 1>to New York City to baton Rouge Louisiana too, somewhere

0:39:09.400 --> 0:39:12.880
<v Speaker 1>off the coast of you walk at the same thing. Www.

0:39:13.000 --> 0:39:15.399
<v Speaker 1>Dot suck my butt dot com has everything on there

0:39:16.120 --> 0:39:19.600
<v Speaker 1>and that's why it's influencing everyone. Well, so what a

0:39:19.680 --> 0:39:22.520
<v Speaker 1>country mean? It means whatever you want it to mean,

0:39:22.800 --> 0:39:24.279
<v Speaker 1>first of all, in your mind, because you can pick

0:39:24.360 --> 0:39:26.759
<v Speaker 1>what you think it is. And if you don't like

0:39:27.040 --> 0:39:29.759
<v Speaker 1>what radio is doing, or what Spotify is doing with

0:39:29.800 --> 0:39:32.759
<v Speaker 1>the playlists, or what YouTube is doing with country, then

0:39:32.880 --> 0:39:36.239
<v Speaker 1>make your own. They're just entities that make their own

0:39:37.280 --> 0:39:39.759
<v Speaker 1>and if people didn't like them, they would turn them

0:39:39.800 --> 0:39:41.520
<v Speaker 1>off and it would cause them to go, well, we

0:39:41.600 --> 0:39:43.600
<v Speaker 1>need to we need to switch a little bit. If

0:39:43.680 --> 0:39:46.400
<v Speaker 1>I was playing music, and here's the reason why I

0:39:46.400 --> 0:39:48.800
<v Speaker 1>don't just play a ton, let me go back to

0:39:48.840 --> 0:39:50.279
<v Speaker 1>my point where to go back. I get all these

0:39:50.320 --> 0:39:53.919
<v Speaker 1>stupid brands. There's a reason I don't make every day

0:39:54.560 --> 0:39:57.560
<v Speaker 1>female Monday, female Tuesday, female Wednesday, female Thursday because there

0:39:57.600 --> 0:39:59.640
<v Speaker 1>aren't enough songs that are known right now. At what

0:39:59.760 --> 0:40:03.799
<v Speaker 1>I You It and my morning show, we only play

0:40:03.840 --> 0:40:06.040
<v Speaker 1>a few songs a show, and they have to be

0:40:06.160 --> 0:40:09.000
<v Speaker 1>humongous hits because we have a massive amount of people

0:40:09.080 --> 0:40:11.840
<v Speaker 1>listening to the show, and so we don't play songs

0:40:11.960 --> 0:40:14.800
<v Speaker 1>that people don't know unless it's me personally going, here's

0:40:14.840 --> 0:40:17.200
<v Speaker 1>a new song I'm gonna take a risk on. And

0:40:17.239 --> 0:40:18.839
<v Speaker 1>I don't even play it five times in a week.

0:40:18.960 --> 0:40:20.919
<v Speaker 1>They play it once or twice and just put people

0:40:20.960 --> 0:40:22.520
<v Speaker 1>on it, and then I'm like, cool, remember that song,

0:40:22.920 --> 0:40:25.040
<v Speaker 1>move on or come back to in a week or so.

0:40:25.800 --> 0:40:28.920
<v Speaker 1>But new music people turn off the radios a general role.

0:40:29.080 --> 0:40:32.399
<v Speaker 1>New music people turn off the radios anytime. There's hardly

0:40:32.440 --> 0:40:34.080
<v Speaker 1>ever a song that you hear for the first time

0:40:34.120 --> 0:40:36.320
<v Speaker 1>on the radio and you go, holy crap, it's a

0:40:36.360 --> 0:40:39.640
<v Speaker 1>fantastic song. I must hear more of that. You hear

0:40:39.640 --> 0:40:42.600
<v Speaker 1>it once, you're like, oh, second time, that's all more familiar.

0:40:42.600 --> 0:40:44.760
<v Speaker 1>Sary time, man, I think I liked the song. Sometimes

0:40:44.800 --> 0:40:47.399
<v Speaker 1>it takes more than that. I mean, when's the last

0:40:47.400 --> 0:40:50.200
<v Speaker 1>time you heard a song for the first time. I went,

0:40:50.440 --> 0:40:53.480
<v Speaker 1>it's freaking amazing. I'll give you an example of the

0:40:53.480 --> 0:40:55.040
<v Speaker 1>first time. My body like a back road. I wented

0:40:55.080 --> 0:40:57.720
<v Speaker 1>to Facebook and was like, I watched your by bash

0:40:57.800 --> 0:41:01.080
<v Speaker 1>it everybody's talking about sucky it was, And I said,

0:41:01.080 --> 0:41:04.399
<v Speaker 1>in the you guys you're all idiots because I don't

0:41:04.400 --> 0:41:05.640
<v Speaker 1>even like the song right now, but I know I'm

0:41:05.640 --> 0:41:09.520
<v Speaker 1>going to just because I look at the past of

0:41:09.640 --> 0:41:11.759
<v Speaker 1>what this guy's done, and I trust that he's gonna

0:41:11.760 --> 0:41:14.120
<v Speaker 1>continue doing what he's done. I look at his history.

0:41:14.719 --> 0:41:17.640
<v Speaker 1>History proves the future more times than that. I look

0:41:17.680 --> 0:41:19.879
<v Speaker 1>at his history and I think what I hear sometime

0:41:19.880 --> 0:41:21.440
<v Speaker 1>I'm gonna love, but I'm not gonna say I hate

0:41:21.480 --> 0:41:23.880
<v Speaker 1>it because I don't know it. Nobody likes the unknown.

0:41:24.760 --> 0:41:27.319
<v Speaker 1>We like the known, and so body like back through.

0:41:27.360 --> 0:41:30.480
<v Speaker 1>Its biggest song of the year by far, it's crossed.

0:41:30.520 --> 0:41:33.120
<v Speaker 1>It's the only song it's crossing over right now. It's

0:41:33.120 --> 0:41:35.480
<v Speaker 1>the only song that crossed over the last four years. Basically,

0:41:36.680 --> 0:41:39.520
<v Speaker 1>there's not been another country's on the crossed over. I

0:41:39.600 --> 0:41:41.760
<v Speaker 1>never thought it very like it sucks the same country

0:41:42.480 --> 0:41:46.560
<v Speaker 1>until it is. It's that country until it is, and

0:41:46.640 --> 0:41:49.160
<v Speaker 1>then it's all it's not again. But I don't do

0:41:49.719 --> 0:41:54.080
<v Speaker 1>every day. There's the same reason that for example, like

0:41:54.160 --> 0:41:58.120
<v Speaker 1>Breast cancer Awareness Month, I mean, shouldn't every month be

0:41:58.200 --> 0:42:00.680
<v Speaker 1>breast cancer Awareness month? Shouldn't be we be aware of

0:42:00.719 --> 0:42:03.840
<v Speaker 1>this awful disease every month? Yep? But do you know

0:42:03.920 --> 0:42:07.560
<v Speaker 1>why you specifically pick a certain month for breastcancer so

0:42:07.680 --> 0:42:10.080
<v Speaker 1>you can put the banner up and go. Remember this.

0:42:10.320 --> 0:42:12.000
<v Speaker 1>There are so many things in the world happening right now,

0:42:12.080 --> 0:42:14.040
<v Speaker 1>a hundred things happening all around us at once. You

0:42:14.160 --> 0:42:16.680
<v Speaker 1>need money for this, need you to listen to this,

0:42:16.760 --> 0:42:18.279
<v Speaker 1>want you to go watch this show, want you to go.

0:42:19.200 --> 0:42:23.000
<v Speaker 1>But if we can go, this is the one month

0:42:23.120 --> 0:42:25.319
<v Speaker 1>we need you to pay attention to us. We're putting

0:42:25.400 --> 0:42:27.319
<v Speaker 1>all of our effort into this one month. So you'll

0:42:27.320 --> 0:42:30.200
<v Speaker 1>look at it. Maybe you'll it'll move you to react

0:42:30.280 --> 0:42:32.920
<v Speaker 1>to the rest of the year. Maybe during this month

0:42:33.000 --> 0:42:35.680
<v Speaker 1>as you're learning breast cancer Awareness and you're seeing all

0:42:35.719 --> 0:42:38.080
<v Speaker 1>this pink, that it moves you to do something and

0:42:38.239 --> 0:42:40.400
<v Speaker 1>you donate throughout the rest of the year. Because they

0:42:40.440 --> 0:42:42.719
<v Speaker 1>know if it was always Breastcancer Awareness Day and you

0:42:42.880 --> 0:42:45.080
<v Speaker 1>wouldn't be awareness Day, it would just be something that's

0:42:45.080 --> 0:42:51.879
<v Speaker 1>always being screamed, and it's just a constant. So there's

0:42:51.880 --> 0:42:55.200
<v Speaker 1>something with female Friday. If I did it every day,

0:42:55.239 --> 0:42:57.200
<v Speaker 1>it would just be a thing. Nobody would really care.

0:42:57.239 --> 0:43:00.280
<v Speaker 1>It would just be who's been playing unfamiliar music again

0:43:01.000 --> 0:43:03.160
<v Speaker 1>from a female? But because I can scream and it

0:43:03.239 --> 0:43:04.920
<v Speaker 1>has a cool hashtag in my life to you that

0:43:04.960 --> 0:43:08.680
<v Speaker 1>that was part of my epig Friday. The alliteration. It's

0:43:08.719 --> 0:43:12.400
<v Speaker 1>the same thing as anytime you know, you pick a

0:43:12.480 --> 0:43:18.960
<v Speaker 1>month for something, So yeah, it makes sense. I get

0:43:19.000 --> 0:43:23.320
<v Speaker 1>so irritated to people I'm not I'll take all the

0:43:23.480 --> 0:43:27.480
<v Speaker 1>females like, really, am I alife? I don't care about

0:43:27.719 --> 0:43:31.120
<v Speaker 1>what's country or not country? To another person, I don't care.

0:43:31.719 --> 0:43:36.040
<v Speaker 1>I give zero craps, but I do care that you

0:43:36.120 --> 0:43:41.439
<v Speaker 1>have people bashing other people's opinions going you're absolutely wrong

0:43:41.719 --> 0:43:45.040
<v Speaker 1>about art. You can never be wrong about art, never

0:43:46.200 --> 0:43:48.560
<v Speaker 1>if I wanted to say that, and I've told the

0:43:48.600 --> 0:43:52.880
<v Speaker 1>story before because again, Johnny Cash was from Arkansas, so

0:43:53.040 --> 0:43:55.319
<v Speaker 1>my grandma I grew up in Arkansas, and if you're

0:43:55.320 --> 0:43:57.239
<v Speaker 1>from markets all people from Arketsas are a huge deal

0:43:57.280 --> 0:43:59.960
<v Speaker 1>to you if they make it the biggest. My grandma

0:44:00.160 --> 0:44:02.719
<v Speaker 1>would go watch Johnny Cash shows and people would be

0:44:02.840 --> 0:44:05.080
<v Speaker 1>protesting because it was rock and roll. It wasn't country.

0:44:05.360 --> 0:44:09.760
<v Speaker 1>It was rock and roll, the quintessential country music artists.

0:44:10.000 --> 0:44:15.279
<v Speaker 1>Probably ever it was considered not country. I've sat with

0:44:15.320 --> 0:44:17.720
<v Speaker 1>Garth Brooks probably three or four times, and I always

0:44:17.719 --> 0:44:19.400
<v Speaker 1>bring it up in a different way and I've had

0:44:19.440 --> 0:44:22.680
<v Speaker 1>the luxury again to know Garth a little bit, and

0:44:22.719 --> 0:44:25.000
<v Speaker 1>I always asked him about when he he was like, dude,

0:44:25.360 --> 0:44:27.680
<v Speaker 1>I saw he s wearing baseball gaps some you know

0:44:27.719 --> 0:44:28.920
<v Speaker 1>he wear with a cow He was like I was

0:44:29.000 --> 0:44:32.800
<v Speaker 1>told I wasn't country all the time, Like this is

0:44:32.840 --> 0:44:35.680
<v Speaker 1>not country. You're what you're doing is not country music.

0:44:36.280 --> 0:44:37.759
<v Speaker 1>Who do we think of in the nineties is the

0:44:37.880 --> 0:44:42.960
<v Speaker 1>most country artist Garth Brooks. So it's always going to

0:44:43.000 --> 0:44:45.200
<v Speaker 1>be a thing. But if you if you don't realize

0:44:45.239 --> 0:44:48.640
<v Speaker 1>that it's always going to be a thing, then you're

0:44:48.680 --> 0:44:51.400
<v Speaker 1>just not that smart. You never have to agree on it,

0:44:52.239 --> 0:44:56.239
<v Speaker 1>but you shouldn't disagree. You never have to go m

0:44:57.000 --> 0:44:58.960
<v Speaker 1>you're absolutely right on that, But it's only has a

0:44:58.960 --> 0:45:04.120
<v Speaker 1>different opinion about music or fashion or what category a

0:45:04.320 --> 0:45:06.400
<v Speaker 1>TV show should fall into. Is that to a drama

0:45:06.520 --> 0:45:09.520
<v Speaker 1>or a comedy on Netflix? Well, I actually find it.

0:45:11.800 --> 0:45:14.400
<v Speaker 1>You shouldn't disagree, and so I get into these This

0:45:14.480 --> 0:45:17.160
<v Speaker 1>guy wrote a whole blog about me, um saying there's

0:45:17.200 --> 0:45:19.919
<v Speaker 1>no definition of country music, and there's not there's mine,

0:45:20.320 --> 0:45:24.520
<v Speaker 1>there's yours, and neither one of them are wrong. That's it,

0:45:25.360 --> 0:45:29.880
<v Speaker 1>Thank you, good night. That's truly all I got and

0:45:29.920 --> 0:45:32.040
<v Speaker 1>I was gonna go on all that. Anything else you'd

0:45:32.040 --> 0:45:35.720
<v Speaker 1>like to ask me about if you relax, not anymore.

0:45:35.760 --> 0:45:38.239
<v Speaker 1>I think I brought it all back, that hell back.

0:45:39.440 --> 0:45:42.560
<v Speaker 1>How long has it been? Forties six minutes? We went

0:45:42.600 --> 0:45:45.160
<v Speaker 1>way too long to I just kept going, Thank you

0:45:45.280 --> 0:45:47.200
<v Speaker 1>very much. We'll see the next time. Episode sixty nights

0:45:47.239 --> 0:45:52.520
<v Speaker 1>Over appreciate you'll be in here, believe you with massive attack,

0:45:53.280 --> 0:46:00.480
<v Speaker 1>Banksy black Dog, stop that because this music bright God

0:46:00.880 --> 0:46:06.319
<v Speaker 1>all right, yeah, yeah, yeah, Hey, go back and listen

0:46:06.360 --> 0:46:10.319
<v Speaker 1>to Karen Fairchild from a little big Town. It's being

0:46:11.120 --> 0:46:17.960
<v Speaker 1>Della like crazy. The colts from Nolan kept more, a

0:46:18.000 --> 0:46:19.520
<v Speaker 1>lot of them, go all the way back to you.

0:46:19.600 --> 0:46:23.480
<v Speaker 1>Just scroll on back and listen to like Caitlin Smith

0:46:23.560 --> 0:46:25.120
<v Speaker 1>when we very first started this and we didn't know

0:46:25.160 --> 0:46:27.759
<v Speaker 1>what this was. You know, some of the stuff is

0:46:27.800 --> 0:46:30.640
<v Speaker 1>really cool. I'm really proud of all the songwriter the

0:46:31.160 --> 0:46:32.480
<v Speaker 1>stuff that we've been able to do. So thank you

0:46:32.560 --> 0:46:34.120
<v Speaker 1>very much for seeing next time. I have a sixty

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<v Speaker 1>nights over Takes to sleep, number takes to wag Walker.

0:46:37.520 --> 0:46:40.000
<v Speaker 1>Just searchs wag on Night Tunes store. Good Bye,