1 00:00:02,800 --> 00:00:06,480 Speaker 1: I welcome to episode sixty nine. WHI chose not to 2 00:00:06,480 --> 00:00:09,160 Speaker 1: put an artist on sixty nine because we love it 3 00:00:09,200 --> 00:00:13,360 Speaker 1: so much. All right, just my d n I and 4 00:00:13,640 --> 00:00:17,599 Speaker 1: m Phil will relax. I just had for the first 5 00:00:17,640 --> 00:00:19,079 Speaker 1: time I ever read had a messuse come to my 6 00:00:19,120 --> 00:00:21,960 Speaker 1: house and you could even do that. And so I 7 00:00:22,000 --> 00:00:23,480 Speaker 1: was here earlier and I was like, I wonder if 8 00:00:23,800 --> 00:00:27,480 Speaker 1: because I heard my back boxing today and I don't 9 00:00:27,480 --> 00:00:29,040 Speaker 1: know what I did, but I left the gym and 10 00:00:29,040 --> 00:00:33,880 Speaker 1: I was my back is killing me. And so I thought, man, 11 00:00:34,080 --> 00:00:36,800 Speaker 1: if they can bring you food, and they can bring 12 00:00:36,920 --> 00:00:40,400 Speaker 1: you like wag walkers, like I'm walk your dog, surely 13 00:00:40,440 --> 00:00:42,640 Speaker 1: they have a service that since a masseuse to your house. 14 00:00:43,120 --> 00:00:45,560 Speaker 1: That's why I get online. You can find it boom 15 00:00:45,600 --> 00:00:47,720 Speaker 1: there they are like twenty people and you look at 16 00:00:47,720 --> 00:00:50,360 Speaker 1: their pictures. It's like a dating site. You can look 17 00:00:50,360 --> 00:00:52,880 Speaker 1: at them and go, I choose you to come to 18 00:00:52,960 --> 00:00:56,560 Speaker 1: my house, and so let me tell the end of 19 00:00:56,600 --> 00:00:58,639 Speaker 1: the story. Then I'll go back to it. So, uh, 20 00:00:59,000 --> 00:01:01,640 Speaker 1: she comes to sage me. Mike dal won't come in 21 00:01:01,680 --> 00:01:04,120 Speaker 1: the house because her cars parked out front. He don't 22 00:01:04,120 --> 00:01:06,800 Speaker 1: want to walk in on something. Whatever that was, I 23 00:01:06,840 --> 00:01:08,640 Speaker 1: don't know what you thought. But as soon as she 24 00:01:08,680 --> 00:01:10,360 Speaker 1: was walking out, Mike was waiting out the front door, 25 00:01:10,360 --> 00:01:12,200 Speaker 1: and that she walked out and he walked in. So 26 00:01:12,640 --> 00:01:14,520 Speaker 1: but that means said it was actually a quite pleasurable 27 00:01:14,560 --> 00:01:19,080 Speaker 1: experience and not in any weird way. But they just 28 00:01:19,120 --> 00:01:21,759 Speaker 1: come to your house and it's so much better than 29 00:01:22,200 --> 00:01:25,959 Speaker 1: I'm not a massage guy, like in my life, probably 30 00:01:26,080 --> 00:01:29,880 Speaker 1: less than ten and seven of those have probably would 31 00:01:29,880 --> 00:01:33,319 Speaker 1: haven't been injured and I had to go in and 32 00:01:33,360 --> 00:01:38,160 Speaker 1: had work done on a neck or a shoulder or something. Uh, 33 00:01:38,160 --> 00:01:41,320 Speaker 1: so I'm not massagey. I don't relax by getting a massage. 34 00:01:42,000 --> 00:01:43,160 Speaker 1: And it's always weird to be to go into a 35 00:01:43,160 --> 00:01:45,040 Speaker 1: massage place because you go in and it's in youa 36 00:01:45,400 --> 00:01:50,080 Speaker 1: or it's can say what do and like, oh, this 37 00:01:50,200 --> 00:01:52,000 Speaker 1: room is weird and you have to get naked in 38 00:01:52,080 --> 00:01:54,280 Speaker 1: the room or getting your underwear, and you know that 39 00:01:54,400 --> 00:01:57,200 Speaker 1: there may be a camera somewhere in the room. I 40 00:01:57,240 --> 00:01:59,440 Speaker 1: know my aunt was for sure camera, so there wasn't 41 00:01:59,440 --> 00:02:04,400 Speaker 1: even that question. And so I picked the person. But 42 00:02:04,480 --> 00:02:06,280 Speaker 1: the person I picked, I get an email that goes, oh, 43 00:02:06,360 --> 00:02:08,400 Speaker 1: I have a sore throat, I can't come over m 44 00:02:08,960 --> 00:02:13,360 Speaker 1: And I was like, that's quite descriptive why you can't 45 00:02:13,400 --> 00:02:16,960 Speaker 1: come over. And so I mean you could have just said, hey, 46 00:02:17,040 --> 00:02:18,600 Speaker 1: not available, but I was like, no, I have a 47 00:02:18,639 --> 00:02:21,560 Speaker 1: sore throat, you can't can't come over. I was like, 48 00:02:21,840 --> 00:02:27,040 Speaker 1: I'm not gonna fire you. So they recommended somebody else 49 00:02:27,480 --> 00:02:30,239 Speaker 1: and she came over to come there six pm. I 50 00:02:30,320 --> 00:02:32,840 Speaker 1: was like, cool. And so she shows up and the 51 00:02:32,880 --> 00:02:34,560 Speaker 1: best thing is I have to listen to stupid music 52 00:02:34,560 --> 00:02:39,799 Speaker 1: that you walk into and it's like the water. It's 53 00:02:39,800 --> 00:02:46,240 Speaker 1: like annoying, like waterfall splashes and like birds and then 54 00:02:46,280 --> 00:02:50,200 Speaker 1: like inya. And so I got to play my own music, 55 00:02:50,639 --> 00:02:53,639 Speaker 1: which was awesome. And so you know, I played my 56 00:02:53,919 --> 00:02:56,440 Speaker 1: music from my computer, so for the first time, I 57 00:02:56,480 --> 00:02:58,480 Speaker 1: got a massage to what I wanted to listen to. 58 00:02:59,120 --> 00:03:01,639 Speaker 1: And so I have this whole play list. I'm like, 59 00:03:02,760 --> 00:03:08,480 Speaker 1: it's called like sleep Z's. Yeah. So I got to 60 00:03:08,480 --> 00:03:11,919 Speaker 1: play like Casey Musgraves and I played better than Ezra. 61 00:03:14,200 --> 00:03:16,040 Speaker 1: But I gotta tell you, whenever this came on and 62 00:03:16,080 --> 00:03:19,720 Speaker 1: got a little romantic when your legs don't look like 63 00:03:19,840 --> 00:03:21,880 Speaker 1: they used to because she was rubbing my palm right 64 00:03:21,919 --> 00:03:23,120 Speaker 1: at the time when it was on, like with her 65 00:03:23,200 --> 00:03:27,480 Speaker 1: palm and that was okayright, like just for a second, 66 00:03:27,480 --> 00:03:36,680 Speaker 1: this feels and she wasn't tiny, very strong and your 67 00:03:36,800 --> 00:03:42,800 Speaker 1: eyes still smile, rubbed very hard and I'm super tired. 68 00:03:42,880 --> 00:03:46,120 Speaker 1: My body is super tight, and she would row, I'd go, 69 00:03:47,160 --> 00:03:50,320 Speaker 1: did you go? He came to oppression, but she would 70 00:03:50,360 --> 00:03:54,960 Speaker 1: go are you okay? And I would say, uh, yeah, 71 00:03:55,000 --> 00:04:00,720 Speaker 1: I'm okay. Did she go? Didn't breathe? And now I go. 72 00:04:03,520 --> 00:04:05,480 Speaker 1: And then she would rub me again if she push 73 00:04:05,520 --> 00:04:09,320 Speaker 1: on a nott and she'd go are you okay? And 74 00:04:09,560 --> 00:04:14,320 Speaker 1: that's my old woman voice because and now I would go, yeah, 75 00:04:13,960 --> 00:04:18,239 Speaker 1: we should go, you're not breathing. And so the third 76 00:04:18,240 --> 00:04:21,280 Speaker 1: time she was like I rubbed twelve year old girls 77 00:04:21,279 --> 00:04:24,000 Speaker 1: who can take more than this. And I'm like, dang, 78 00:04:24,080 --> 00:04:28,160 Speaker 1: now my massius is roasting me with no one around 79 00:04:28,600 --> 00:04:31,760 Speaker 1: in my living room. But it was My back feels better. 80 00:04:31,880 --> 00:04:35,080 Speaker 1: I do feel weird though, for her or any of 81 00:04:35,360 --> 00:04:38,400 Speaker 1: the massage therapists or I'm not for sure even the 82 00:04:38,440 --> 00:04:40,800 Speaker 1: official title or if there's a different title. The higher 83 00:04:40,839 --> 00:04:43,520 Speaker 1: up you go, you know, is it when when you 84 00:04:43,560 --> 00:04:46,800 Speaker 1: first start with no degree, you're a rubber and then 85 00:04:46,839 --> 00:04:52,080 Speaker 1: you're massius and your massage therapists. I don't know if 86 00:04:52,120 --> 00:04:56,440 Speaker 1: you move up levels as you gain more knowledge, but 87 00:04:57,600 --> 00:05:00,479 Speaker 1: I think she was at that high level. And so 88 00:05:00,800 --> 00:05:02,680 Speaker 1: I felt back because here she was, she was a 89 00:05:02,720 --> 00:05:06,160 Speaker 1: tiny woman and she's just walking into a house and 90 00:05:06,240 --> 00:05:09,240 Speaker 1: closing the door behind her, not knowing what's going to 91 00:05:09,240 --> 00:05:12,040 Speaker 1: be in store. Like I didn't send her picture like 92 00:05:12,080 --> 00:05:13,719 Speaker 1: that should be part of it. It It should almost be 93 00:05:13,760 --> 00:05:16,280 Speaker 1: like tender where I picked her. Then she gets to 94 00:05:16,320 --> 00:05:18,120 Speaker 1: look at me and goes. I feel like that's safe. 95 00:05:18,160 --> 00:05:20,080 Speaker 1: I will also go to his house and then there's 96 00:05:20,080 --> 00:05:23,560 Speaker 1: a match, and then you go because who knows what 97 00:05:23,720 --> 00:05:26,719 Speaker 1: she's walking into and she walks in. Luckily I'm not 98 00:05:26,760 --> 00:05:30,800 Speaker 1: just creep or anything. And I'm thinking of myself. Man, 99 00:05:31,000 --> 00:05:34,760 Speaker 1: anybody could do anything like they needed like a massage therapist, 100 00:05:34,760 --> 00:05:37,280 Speaker 1: pimp to stand out the door, just in case something 101 00:05:37,279 --> 00:05:40,320 Speaker 1: goes wrong, because you know, prostitutes to go they like 102 00:05:40,360 --> 00:05:42,120 Speaker 1: in beget the travel with the pimp. The pimp goes 103 00:05:42,200 --> 00:05:45,880 Speaker 1: hotel the case something goes bad. And so I was, 104 00:05:46,000 --> 00:05:47,560 Speaker 1: I feel like she need a pimp out the door. 105 00:05:48,240 --> 00:05:50,440 Speaker 1: I thought I was gonna do anything, but I also 106 00:05:50,440 --> 00:05:51,760 Speaker 1: got an Instagram. I was like, Hey, I'm gonna go 107 00:05:51,760 --> 00:05:55,400 Speaker 1: get meet a massage and someone was like, yeah, one 108 00:05:55,440 --> 00:05:57,880 Speaker 1: of those things happened to my neighborhood where the message 109 00:05:57,920 --> 00:06:00,440 Speaker 1: came to the house and somebody was murdered. I was like, 110 00:06:02,800 --> 00:06:04,880 Speaker 1: thank you. I was just kind of asking, you know, 111 00:06:04,920 --> 00:06:08,880 Speaker 1: if it worked not when I die. So I did 112 00:06:08,880 --> 00:06:11,560 Speaker 1: that and then you don't know how much it was. Yeah, 113 00:06:11,640 --> 00:06:13,480 Speaker 1: because I just put in my my back. Hasn't hurt 114 00:06:13,480 --> 00:06:16,120 Speaker 1: of me so bad? Oh, it wasn't bad at all. 115 00:06:16,760 --> 00:06:18,560 Speaker 1: I mean if you it's about the same if you 116 00:06:18,600 --> 00:06:21,559 Speaker 1: go for a massage, it's like eighty bucks for an hour. 117 00:06:21,880 --> 00:06:23,680 Speaker 1: But I have to drive there. And they came to 118 00:06:23,720 --> 00:06:27,440 Speaker 1: the house and it was like money in the bank man. 119 00:06:28,640 --> 00:06:30,919 Speaker 1: So it's like and you can and then you come 120 00:06:30,960 --> 00:06:34,600 Speaker 1: to your house at this point, car pick yup, lady, 121 00:06:34,720 --> 00:06:40,240 Speaker 1: come rub here legally? Uh. And then wag Walker for example, like, 122 00:06:40,440 --> 00:06:45,760 Speaker 1: what's that? What's it doing? Is he in something? Okay? 123 00:06:45,760 --> 00:06:48,640 Speaker 1: I thought he was gonna say that something. Okay. Um, 124 00:06:48,720 --> 00:06:50,000 Speaker 1: as you can tell, I have a dog and he 125 00:06:50,040 --> 00:06:54,160 Speaker 1: hangs around, and wag Walker for me is awesome because 126 00:06:54,880 --> 00:06:56,560 Speaker 1: they come to your house and walk a dog for you, 127 00:06:56,640 --> 00:06:58,440 Speaker 1: especially for me, I'm not home when they do it. 128 00:06:58,440 --> 00:07:01,920 Speaker 1: It's like Uber for dog walker, and I'm busy. I 129 00:07:02,000 --> 00:07:04,800 Speaker 1: got stuff to do, just like you have stuff to do, 130 00:07:05,120 --> 00:07:08,039 Speaker 1: and so sometimes it's a lifesaver. So WAG walker, you 131 00:07:08,040 --> 00:07:11,920 Speaker 1: know automatically it pairs you with somebody, a certified walker 132 00:07:12,040 --> 00:07:15,160 Speaker 1: near you. Again, think Uber for dog walkers. They vet 133 00:07:15,160 --> 00:07:18,520 Speaker 1: the walkers. You get quality people, listen to stuff. GPS 134 00:07:18,600 --> 00:07:20,880 Speaker 1: track on your dog's walks, so you always where your 135 00:07:20,880 --> 00:07:23,280 Speaker 1: dog is. Notification when dog uses the bathroom that your 136 00:07:23,280 --> 00:07:24,800 Speaker 1: phone actually bark at you. If you have the sound 137 00:07:24,840 --> 00:07:27,160 Speaker 1: on a photo or port card summary, you'll know when 138 00:07:27,160 --> 00:07:29,560 Speaker 1: your dog is. Hey say, if you're walk details your time, 139 00:07:29,560 --> 00:07:31,480 Speaker 1: your distance, your potty break or whatever. I don't think 140 00:07:31,480 --> 00:07:33,320 Speaker 1: they're potty, but he was reading off some of the 141 00:07:33,320 --> 00:07:35,840 Speaker 1: stuff they do here. And then you don't have to 142 00:07:35,840 --> 00:07:38,160 Speaker 1: be home. WAG will send you a free lock box 143 00:07:38,840 --> 00:07:40,960 Speaker 1: and you can use that, or you can leave an 144 00:07:40,960 --> 00:07:44,880 Speaker 1: alternative home um instructions so wags must have I think. 145 00:07:45,120 --> 00:07:47,200 Speaker 1: So you can go to WAG and you get a 146 00:07:47,200 --> 00:07:49,760 Speaker 1: free walk by texting bones to twenty five three to 147 00:07:49,920 --> 00:07:53,200 Speaker 1: four bones four or just download it. Just search WAG. 148 00:07:53,600 --> 00:07:55,720 Speaker 1: You'll you'll like it, trust me, I like it. Anyway, 149 00:07:55,760 --> 00:08:00,600 Speaker 1: people come to your house. Um, fourth July weekend. Hello, yeah, 150 00:08:00,800 --> 00:08:03,880 Speaker 1: let me do with this, uh fourth Junly weekend and 151 00:08:04,080 --> 00:08:12,040 Speaker 1: do much. But I did watch a lot of Netflix. Um. 152 00:08:12,120 --> 00:08:16,080 Speaker 1: I just set around the house. I was gonna go tosson. 153 00:08:17,000 --> 00:08:19,320 Speaker 1: Some stuff came up and so I really did nothing. 154 00:08:19,840 --> 00:08:23,160 Speaker 1: I did nothing except go exercise. I went worked out. Um. 155 00:08:23,200 --> 00:08:27,480 Speaker 1: So here's what I watched. I watched the Jimi Hendricks 156 00:08:27,520 --> 00:08:31,920 Speaker 1: movie with Andre three thousand playing Jimmy Hendrick from a 157 00:08:31,920 --> 00:08:34,800 Speaker 1: couple of years ago. I remember what it's called. He's 158 00:08:34,800 --> 00:08:37,240 Speaker 1: the worst actor I've ever seen in a major motor picture. 159 00:08:37,960 --> 00:08:40,199 Speaker 1: Uh it was. He was terrible, but the movie was 160 00:08:40,240 --> 00:08:45,320 Speaker 1: actually pretty good. Movie was a B minus. And that's 161 00:08:45,360 --> 00:08:48,840 Speaker 1: with him being a d actor and he was the 162 00:08:48,840 --> 00:08:53,640 Speaker 1: biggest part of the movie. What's it say? Yeah? What 163 00:08:53,640 --> 00:08:58,160 Speaker 1: what always by my side? Is that what he's in? Yeah? 164 00:08:58,200 --> 00:08:59,680 Speaker 1: That was that whatever? I thought that was pretty good. 165 00:08:59,840 --> 00:09:01,360 Speaker 1: I don't know a lot of that stuff from the movie. 166 00:09:01,360 --> 00:09:04,640 Speaker 1: It's like before he got really big. Um. Watched a 167 00:09:04,640 --> 00:09:08,319 Speaker 1: lot of documentaries. Watched one called Dying Laughing or It's 168 00:09:08,320 --> 00:09:11,400 Speaker 1: a bunch of comedians talking about stories that being on 169 00:09:11,440 --> 00:09:14,640 Speaker 1: the road and everybody from Jerry Seinfeldt to Kevin Hart too, 170 00:09:15,280 --> 00:09:17,760 Speaker 1: people have never heard of before. I thought that was good. 171 00:09:18,200 --> 00:09:23,679 Speaker 1: I watched the Glow documentary, which is the Gorgeous Ladies 172 00:09:23,679 --> 00:09:26,720 Speaker 1: of Wrestling, which they have a new show on Netflix. 173 00:09:27,200 --> 00:09:29,280 Speaker 1: I thought the show was fantastic and it was scripted. 174 00:09:29,880 --> 00:09:32,400 Speaker 1: And when I was really, really young, I remember Glow 175 00:09:32,440 --> 00:09:34,440 Speaker 1: being on. I was like a women's wrestling league. And 176 00:09:34,520 --> 00:09:36,560 Speaker 1: so I watched the Netflix show and then I went 177 00:09:36,600 --> 00:09:40,440 Speaker 1: back and watched the documentary and that's the documentary really good. 178 00:09:40,679 --> 00:09:42,000 Speaker 1: And so I know, I told you to watch the 179 00:09:42,000 --> 00:09:45,480 Speaker 1: TV show Glow and it was good, right, more than 180 00:09:45,480 --> 00:09:48,360 Speaker 1: you thought you would. Yeah, definitely. What I like Alison Bree, 181 00:09:48,440 --> 00:09:50,400 Speaker 1: I don't know anything she's been in. She was in 182 00:09:50,480 --> 00:09:53,360 Speaker 1: Community and then on mad Men for a bit. Community 183 00:09:53,360 --> 00:09:55,920 Speaker 1: would make sense. I never saw mad Men, but Communities 184 00:09:55,960 --> 00:09:59,600 Speaker 1: the show you would you would watch um. But I 185 00:09:59,679 --> 00:10:01,960 Speaker 1: knew Kate Nash from the show and I couldn't place 186 00:10:02,000 --> 00:10:03,839 Speaker 1: her the whole time. She was a British girl. She 187 00:10:03,920 --> 00:10:07,679 Speaker 1: was in cycling Britannica, and so she's a she's a 188 00:10:07,720 --> 00:10:10,520 Speaker 1: musical artist. Yeah, and I still throw all the time. 189 00:10:10,840 --> 00:10:12,480 Speaker 1: And I was like the whole show. I didn't want 190 00:10:12,480 --> 00:10:15,840 Speaker 1: to search anyone because if somebody dies and you go 191 00:10:15,880 --> 00:10:18,920 Speaker 1: to IMDb, they'll say for seven episodes instead of nine 192 00:10:18,960 --> 00:10:21,400 Speaker 1: the whole season. You're like, well, they die in episode seven. 193 00:10:22,000 --> 00:10:24,400 Speaker 1: I always after this before. I think they should put 194 00:10:24,480 --> 00:10:28,440 Speaker 1: that part next to the characters and in white, and 195 00:10:28,480 --> 00:10:30,160 Speaker 1: when you highlight it, you get to see how many 196 00:10:30,160 --> 00:10:32,560 Speaker 1: episodes they were in because it's a spoiler if you 197 00:10:32,600 --> 00:10:33,839 Speaker 1: go to the thing. I remember watching this A is 198 00:10:34,000 --> 00:10:38,600 Speaker 1: us and it's kind of a spoiler, but it tells 199 00:10:38,600 --> 00:10:41,760 Speaker 1: you when the grandpa died, basically because it was like 200 00:10:41,800 --> 00:10:45,120 Speaker 1: only in certain episodes and I was like, oh man, 201 00:10:45,559 --> 00:10:47,120 Speaker 1: so I didn't go look at that. And at the 202 00:10:47,160 --> 00:10:48,400 Speaker 1: end I went to want I want to look at it, 203 00:10:48,400 --> 00:10:49,959 Speaker 1: and Kate Nash was in it, but I didn't know 204 00:10:50,760 --> 00:10:55,800 Speaker 1: that um Mark Maren was one of the main guys here, 205 00:10:56,360 --> 00:10:59,199 Speaker 1: and so it was really good. I was thought the 206 00:10:59,200 --> 00:11:01,920 Speaker 1: series really good, and you did too, I like, and 207 00:11:01,960 --> 00:11:03,800 Speaker 1: so Micae texting me the Glow was really good. So 208 00:11:03,840 --> 00:11:06,120 Speaker 1: I said, hey, watch the documentary of Glow, which is 209 00:11:06,160 --> 00:11:08,319 Speaker 1: the real thing with me like three years ago. The 210 00:11:08,520 --> 00:11:11,080 Speaker 1: documentary is crazy too. After watching that show, right, it 211 00:11:11,160 --> 00:11:13,400 Speaker 1: was crazy, like I had no idea this whole thing 212 00:11:13,480 --> 00:11:16,000 Speaker 1: existed before that, like, I got in wrestling in the nineties, 213 00:11:16,040 --> 00:11:18,679 Speaker 1: so I kind of missed out on that. Yeah, so 214 00:11:18,720 --> 00:11:20,400 Speaker 1: it's all about women wrestling and how it was a 215 00:11:20,400 --> 00:11:22,720 Speaker 1: TV show. Both are really good. I mean I would 216 00:11:22,720 --> 00:11:25,960 Speaker 1: have watched I doesn't matter which already watched the Man. 217 00:11:26,000 --> 00:11:28,319 Speaker 1: I think you'll find them both interesting and you should 218 00:11:28,320 --> 00:11:30,800 Speaker 1: watch both of them. And the documents are like an 219 00:11:30,800 --> 00:11:33,120 Speaker 1: hour and fifteen minutes, it's not like two hours. Um. 220 00:11:33,120 --> 00:11:37,720 Speaker 1: I watched a documentary about Whole Cogan suing Gawker. I 221 00:11:37,880 --> 00:11:41,920 Speaker 1: saw that on Netflix. I knew it, right, I think, so. Yeah, 222 00:11:41,920 --> 00:11:46,439 Speaker 1: it's about how super rich people can use their money 223 00:11:46,480 --> 00:11:49,160 Speaker 1: to influence and how this guy was financing all the 224 00:11:49,160 --> 00:11:52,000 Speaker 1: Fulgan's campaign or his lawsuit because he was mad at 225 00:11:52,720 --> 00:11:54,920 Speaker 1: Gawker for writing a story about em years ago. And 226 00:11:55,000 --> 00:11:56,800 Speaker 1: it gets a little political dam which I didn't like, 227 00:11:57,440 --> 00:12:01,360 Speaker 1: but I thought overall it was a really good documentary. Um. 228 00:12:01,440 --> 00:12:05,240 Speaker 1: And then I watched some more of The Keepers. That 229 00:12:05,280 --> 00:12:07,560 Speaker 1: show is so dark? Have you watched that? I watched 230 00:12:07,600 --> 00:12:10,600 Speaker 1: like three episodes of it. I think that's where I am. 231 00:12:10,800 --> 00:12:14,040 Speaker 1: And it is so dark, dark and it's real and 232 00:12:14,040 --> 00:12:16,280 Speaker 1: you're trying to figure out kind of who killed but 233 00:12:16,400 --> 00:12:21,200 Speaker 1: this priest is what his deal is and it's so dark. Man, 234 00:12:21,600 --> 00:12:23,439 Speaker 1: I watched some of that. I'm telling you, I do 235 00:12:23,520 --> 00:12:25,800 Speaker 1: a lot. I have did nothing to sit in my room, 236 00:12:26,280 --> 00:12:30,600 Speaker 1: go exercise, and that's it. And that's that's what I've 237 00:12:30,600 --> 00:12:34,880 Speaker 1: been doing for the past a few days. Um, we 238 00:12:35,240 --> 00:12:38,320 Speaker 1: wrote a song. I guess Brandon Ray came over. We 239 00:12:38,360 --> 00:12:41,199 Speaker 1: wrote a song, but we kind of just set around 240 00:12:41,240 --> 00:12:43,360 Speaker 1: and spend an hour trying to find a word or 241 00:12:43,480 --> 00:12:47,240 Speaker 1: the rhyme of styrofoam. Pretty much. That's that's that's what 242 00:12:47,320 --> 00:12:50,360 Speaker 1: we did. So what have you watched anything? I did 243 00:12:50,400 --> 00:12:55,280 Speaker 1: watch Exit to the Gift Shop, that's really good about Banksy. Yeah, 244 00:12:55,360 --> 00:13:00,440 Speaker 1: and so in that they I think is a really 245 00:13:00,440 --> 00:13:04,680 Speaker 1: good documentary by the way, and it's not really about Banksy, 246 00:13:05,160 --> 00:13:08,000 Speaker 1: but it is banks He shows up in it dark 247 00:13:08,120 --> 00:13:10,840 Speaker 1: and he's not talking like this. I thought it would 248 00:13:10,880 --> 00:13:12,960 Speaker 1: be all about him, but it was really cool. It's 249 00:13:13,000 --> 00:13:15,760 Speaker 1: more of just about the graffiti art in general, and 250 00:13:15,800 --> 00:13:18,439 Speaker 1: but a different guy, like a guy the new Banksy. 251 00:13:18,600 --> 00:13:21,400 Speaker 1: But you know, now they think they know who banks 252 00:13:21,400 --> 00:13:27,120 Speaker 1: He is and so the uh we find the band. 253 00:13:27,160 --> 00:13:30,800 Speaker 1: I play some of their music. But what they think 254 00:13:30,960 --> 00:13:33,960 Speaker 1: is because even banks he has led people on false 255 00:13:34,000 --> 00:13:37,960 Speaker 1: tips and Banks he's a graffiti artist who does political graffiti, 256 00:13:38,000 --> 00:13:43,319 Speaker 1: sometimes humor, sometimes really sad things. And so this I'm 257 00:13:43,360 --> 00:13:49,959 Speaker 1: talking of this in Banks. So they think now the 258 00:13:50,200 --> 00:13:54,440 Speaker 1: Massive Attack that this guy who exit through the gift 259 00:13:54,440 --> 00:14:00,400 Speaker 1: shop is about accidentally tip people off that Banks he 260 00:14:00,600 --> 00:14:05,439 Speaker 1: is the lead singer of Massive Attack, because they were 261 00:14:05,440 --> 00:14:08,800 Speaker 1: talking about places they had been and it just it 262 00:14:08,880 --> 00:14:12,880 Speaker 1: coincided with the tour schedule of Massive Attack, like every 263 00:14:12,880 --> 00:14:14,880 Speaker 1: way to cover your tracks and that's how you end 264 00:14:14,920 --> 00:14:18,480 Speaker 1: up getting caught and maybe don't do something at every 265 00:14:18,520 --> 00:14:22,400 Speaker 1: tour stop. Maybe do a tour stop and you know, 266 00:14:22,440 --> 00:14:25,120 Speaker 1: making another stop on the way the city too. But 267 00:14:25,240 --> 00:14:27,640 Speaker 1: so here's some a Massive Attack. This is called Teardrop. 268 00:14:28,800 --> 00:14:33,320 Speaker 1: It's really just artsy. You know, Hey, did you read 269 00:14:33,320 --> 00:14:37,120 Speaker 1: the story about this did you know about it? Oh? Yeah, 270 00:14:37,360 --> 00:14:42,600 Speaker 1: So his name is like Robert del Naha or something 271 00:14:42,640 --> 00:14:46,400 Speaker 1: like that. And so they think that the guy that 272 00:14:46,520 --> 00:14:52,920 Speaker 1: was in that um is that is the guy because 273 00:14:52,960 --> 00:14:56,200 Speaker 1: they did all the tour dates and compared them, and 274 00:14:56,280 --> 00:14:57,920 Speaker 1: this guy used to be friends with the guy from 275 00:14:57,920 --> 00:15:00,160 Speaker 1: Massive Attack who that movie was about, and we was 276 00:15:00,160 --> 00:15:01,760 Speaker 1: talking about where they had been. It was some of 277 00:15:01,760 --> 00:15:03,560 Speaker 1: the play. It was just it's a whole lot of 278 00:15:03,560 --> 00:15:08,840 Speaker 1: stuff to be coincidental. So yeah, crazy, huh. But and 279 00:15:08,880 --> 00:15:11,680 Speaker 1: this guy is also a really great artist. Do you 280 00:15:11,680 --> 00:15:16,080 Speaker 1: see the amiliar air heart story where in our minds 281 00:15:16,080 --> 00:15:18,200 Speaker 1: and history of Milliard the plane crashed and she died 282 00:15:18,200 --> 00:15:19,800 Speaker 1: because she run out of gas somewhere in the ocean. 283 00:15:20,440 --> 00:15:24,360 Speaker 1: And now they found a picture and it looks like 284 00:15:24,920 --> 00:15:27,000 Speaker 1: it looks like she could be in the picture. And 285 00:15:27,080 --> 00:15:29,520 Speaker 1: also because she's on the far side the guy she 286 00:15:29,640 --> 00:15:31,120 Speaker 1: was with, you think you see him in the picture, 287 00:15:31,120 --> 00:15:33,720 Speaker 1: and you see the plane that they were in. And 288 00:15:33,800 --> 00:15:37,280 Speaker 1: so what people think is they landed on this island 289 00:15:37,320 --> 00:15:40,920 Speaker 1: near Japan. It's all that it's Japanese, and they thought 290 00:15:40,920 --> 00:15:42,920 Speaker 1: they were spies, and they cap they held him captive 291 00:15:43,240 --> 00:15:45,040 Speaker 1: and either killed them or they died of old age. 292 00:15:45,960 --> 00:15:49,880 Speaker 1: And so now according to this documentary, that's what they 293 00:15:49,880 --> 00:15:52,320 Speaker 1: think happened to her, That she didn't just crash in 294 00:15:52,360 --> 00:15:54,720 Speaker 1: the ocean. I mean, that kind of makes more sense 295 00:15:55,440 --> 00:15:58,800 Speaker 1: that they landed to get gas Japan, they were spies 296 00:15:58,880 --> 00:16:01,960 Speaker 1: because we obviously weren't lines at the time, and they 297 00:16:02,000 --> 00:16:04,240 Speaker 1: just held them because that is just never finding her, 298 00:16:05,280 --> 00:16:07,840 Speaker 1: you have, but the ocean so big. The ocean is 299 00:16:07,840 --> 00:16:11,320 Speaker 1: so big. Wait, it's so big. I remember once when 300 00:16:11,320 --> 00:16:13,320 Speaker 1: they were doing all those pirate attacks. Remember that was 301 00:16:13,320 --> 00:16:15,840 Speaker 1: happening few years ago, and they were we were like, well, 302 00:16:15,840 --> 00:16:17,440 Speaker 1: why don't they just stop them? Why don't airplane just 303 00:16:17,480 --> 00:16:19,920 Speaker 1: go and shoot them down? Because the body of water 304 00:16:20,000 --> 00:16:21,240 Speaker 1: that they were doing it in, this wasn't even a 305 00:16:21,280 --> 00:16:23,760 Speaker 1: big body of water. It was just part of that ocean, 306 00:16:24,400 --> 00:16:26,440 Speaker 1: part of that. It was just that body of bottle 307 00:16:26,520 --> 00:16:29,520 Speaker 1: was the size of Texas. That's why you couldn't just 308 00:16:29,520 --> 00:16:32,080 Speaker 1: go shoot them down. I mean imagine that. That's how 309 00:16:32,080 --> 00:16:34,080 Speaker 1: big the body of water was that these pirates were 310 00:16:34,600 --> 00:16:37,440 Speaker 1: moving around in. So it wasn't as easy just flying 311 00:16:37,480 --> 00:16:44,040 Speaker 1: over and finding them that thousands of miles away. So yeah, anyway, 312 00:16:44,160 --> 00:16:47,360 Speaker 1: Uh do sleep number? How far are we into this? 313 00:16:48,040 --> 00:16:52,240 Speaker 1: Seventeen minutes? Uh? Let's talk about sleep number. And by 314 00:16:52,240 --> 00:16:54,560 Speaker 1: the way, I do love my sleep number bed and 315 00:16:54,640 --> 00:16:57,800 Speaker 1: my my numbers thirty. My voice felt a little low though, 316 00:16:57,800 --> 00:17:00,680 Speaker 1: because I've been at a massage. Does I sound there? Yeah? 317 00:17:00,760 --> 00:17:04,160 Speaker 1: Like it just a little. I mean that she rucked. 318 00:17:04,440 --> 00:17:07,080 Speaker 1: She was sticking her elbows in me. She was a 319 00:17:07,119 --> 00:17:09,520 Speaker 1: loyal elbowie. She was a little bit of lamb beer 320 00:17:09,600 --> 00:17:14,080 Speaker 1: underneath the rim, and she mean she had them deep. 321 00:17:14,359 --> 00:17:17,800 Speaker 1: I don't really like the elbows. I like the hard hands. 322 00:17:17,840 --> 00:17:19,879 Speaker 1: I don't like the elbows so much because it's just 323 00:17:19,960 --> 00:17:23,360 Speaker 1: like stick shoving into you. She was good, but I'm 324 00:17:23,400 --> 00:17:27,600 Speaker 1: not a big elbow fan. So um yeah, I do 325 00:17:27,640 --> 00:17:29,480 Speaker 1: feel kind of a little bit light headed. And I 326 00:17:29,520 --> 00:17:31,359 Speaker 1: was like, drink lots of water when you're done. I 327 00:17:31,400 --> 00:17:32,920 Speaker 1: don't know why I do drink a little bit of water, 328 00:17:33,000 --> 00:17:36,840 Speaker 1: but I'm saying this water stufs overrated. I drink water 329 00:17:36,880 --> 00:17:39,240 Speaker 1: and then I can't sleep. There always like drink water 330 00:17:39,359 --> 00:17:41,520 Speaker 1: to be healthy, and so I drink a lot of 331 00:17:41,520 --> 00:17:43,960 Speaker 1: water to be healthy, and then I can't sleep because 332 00:17:43,960 --> 00:17:46,520 Speaker 1: I'm peeing all night. So I'm not getting sleep. So 333 00:17:46,600 --> 00:17:48,520 Speaker 1: then I'm not healthy because I'm not getting the proper 334 00:17:48,560 --> 00:17:52,680 Speaker 1: amount of relaxation. And so I guess she both started 335 00:17:52,680 --> 00:17:55,080 Speaker 1: bringing water like five pm, so I get thirsty after 336 00:17:55,160 --> 00:17:58,960 Speaker 1: five pm? Should I just be thirsty because if I 337 00:17:59,040 --> 00:18:01,239 Speaker 1: drink a pete anyway? So I have a bed, right, 338 00:18:01,520 --> 00:18:04,479 Speaker 1: and so the sleep number three sixties a smart bed. 339 00:18:04,560 --> 00:18:06,720 Speaker 1: Let's you choose your ideal firmness and your support on 340 00:18:06,760 --> 00:18:09,479 Speaker 1: each side. Of your bed and so new responsive air 341 00:18:09,560 --> 00:18:12,240 Speaker 1: technology the bed since did your every move and automatically 342 00:18:12,280 --> 00:18:15,520 Speaker 1: adjusts to you. So you can say sleeping comfortably through 343 00:18:15,560 --> 00:18:17,560 Speaker 1: the night, and so we all fall asleep. For a 344 00:18:17,640 --> 00:18:19,800 Speaker 1: little warmer too if you go and you lay down, 345 00:18:19,880 --> 00:18:22,240 Speaker 1: your feet warmed. The sleep number three sixties smart, but 346 00:18:22,320 --> 00:18:23,840 Speaker 1: you can pretty warm eats out of the bed too, 347 00:18:24,280 --> 00:18:26,680 Speaker 1: definitely for both of you. Tube. My sleep number setting 348 00:18:26,720 --> 00:18:28,919 Speaker 1: is thirty. My sleep I q scored the last night. 349 00:18:29,760 --> 00:18:32,000 Speaker 1: I don't think I looked because I didn't. It didn't matter. 350 00:18:32,359 --> 00:18:34,879 Speaker 1: I'm sure it was good. I slept good. So the 351 00:18:34,960 --> 00:18:37,159 Speaker 1: sleep number three sixty bed now is the time to 352 00:18:37,440 --> 00:18:39,239 Speaker 1: get in the lowest prices of the season. You can 353 00:18:39,280 --> 00:18:42,000 Speaker 1: say five seven hundred bucks on the most popular beds 354 00:18:42,000 --> 00:18:45,080 Speaker 1: from sixteen, so big time to say right now? Uh 355 00:18:45,119 --> 00:18:48,000 Speaker 1: any of the five hundred fifty sleep number beds nationwide 356 00:18:48,040 --> 00:18:51,119 Speaker 1: stories everywhere eight hundred next bed or sleep number dot 357 00:18:51,119 --> 00:18:53,560 Speaker 1: com to find one. And I'm a big sleep number fan, 358 00:18:53,640 --> 00:18:58,840 Speaker 1: like I genuinely am have one about fifteen feet from here. Um, 359 00:18:59,200 --> 00:19:01,560 Speaker 1: so beds are always weird, like I don't know like 360 00:19:01,600 --> 00:19:03,000 Speaker 1: one to bed stores. I do like going to sleep 361 00:19:03,040 --> 00:19:04,800 Speaker 1: number store because you can land in the bed and 362 00:19:05,240 --> 00:19:06,760 Speaker 1: they show you like your back in your neck on 363 00:19:06,840 --> 00:19:09,280 Speaker 1: the screen above you, and so it's like real stuff. 364 00:19:09,520 --> 00:19:13,760 Speaker 1: So now there you go, sleep number dot com if 365 00:19:13,800 --> 00:19:15,879 Speaker 1: you want to hop into that. Um, what have you 366 00:19:15,960 --> 00:19:18,520 Speaker 1: done on your days off? Mike D Like, really, what 367 00:19:18,600 --> 00:19:20,480 Speaker 1: have you done? I mean, I've really done pretty much 368 00:19:20,480 --> 00:19:22,440 Speaker 1: the same thing as you, watching a lot of stuff 369 00:19:22,480 --> 00:19:26,320 Speaker 1: on Netflix, catching up on movies and working out old stuff. 370 00:19:26,680 --> 00:19:28,680 Speaker 1: Because I feel like, now if you watch old stuff, 371 00:19:28,720 --> 00:19:31,320 Speaker 1: you're wasting your time. I feel that way sometimes. But 372 00:19:31,640 --> 00:19:33,560 Speaker 1: there's like movies that I meant to go see in 373 00:19:33,600 --> 00:19:35,760 Speaker 1: theaters that I never did, so I've been watching those 374 00:19:36,200 --> 00:19:38,680 Speaker 1: movies are okay, But if I'm watching like The West Wing, 375 00:19:39,080 --> 00:19:40,920 Speaker 1: I feel like I'm wasting my time because they're like 376 00:19:41,000 --> 00:19:44,600 Speaker 1: seventy new shows that people are talking about. Or I 377 00:19:44,680 --> 00:19:47,240 Speaker 1: love documentaries so that I can get smarter. Although I 378 00:19:47,240 --> 00:19:49,560 Speaker 1: would be very interested to watch The West Wing, I 379 00:19:49,560 --> 00:19:51,919 Speaker 1: think I probably like that show it's old or Friday 380 00:19:52,000 --> 00:19:54,280 Speaker 1: Night Lights. Never got into Friday Night Lights. I'm sure 381 00:19:54,280 --> 00:19:57,240 Speaker 1: it's a fantastic show. Never met a single person that 382 00:19:57,359 --> 00:19:59,840 Speaker 1: didn't like Friday Night Lights, so I know it's a 383 00:20:00,040 --> 00:20:02,520 Speaker 1: uderable show. But I feel like at this point, if 384 00:20:02,560 --> 00:20:05,919 Speaker 1: I'm watching Friday Night Lights, I'm missing out on Glow 385 00:20:06,160 --> 00:20:09,040 Speaker 1: or Orange is the New Black, or a new season 386 00:20:09,119 --> 00:20:11,639 Speaker 1: of something Else, or one of the two documentaries that 387 00:20:12,640 --> 00:20:14,480 Speaker 1: maybe they will entertain me and I can have something 388 00:20:14,480 --> 00:20:16,440 Speaker 1: to talk about on the radio, so I can be 389 00:20:16,560 --> 00:20:19,440 Speaker 1: up to pop culture or will make me smarter. I'm 390 00:20:19,440 --> 00:20:21,200 Speaker 1: also reading a couple of books at the same time, 391 00:20:21,840 --> 00:20:23,720 Speaker 1: so sometimes i'll get on It's like I'll just watch 392 00:20:23,760 --> 00:20:26,119 Speaker 1: episode of Friends, but I'm like, no, if I have 393 00:20:26,200 --> 00:20:30,359 Speaker 1: thirty minutes, I'll at least give things a try. And 394 00:20:30,440 --> 00:20:33,600 Speaker 1: sometimes I'll watch some comedy stuff. I'm just not big 395 00:20:33,680 --> 00:20:37,399 Speaker 1: on comedy on the computer because the only special that 396 00:20:37,440 --> 00:20:41,679 Speaker 1: I've watched all the way through was the Norm McDonald's special, 397 00:20:42,240 --> 00:20:47,080 Speaker 1: and I thought that was fantastic on Netflix, just because 398 00:20:47,160 --> 00:20:51,680 Speaker 1: I love Norm McDonald's style and he's so dry, and 399 00:20:51,720 --> 00:20:53,760 Speaker 1: I'll watch that from the beginning to the end. Otherwise 400 00:20:53,920 --> 00:20:57,080 Speaker 1: I just don't. It's different to go to a theater 401 00:20:57,880 --> 00:21:02,920 Speaker 1: or uh uh, you know, an arena or you know 402 00:21:02,960 --> 00:21:06,320 Speaker 1: wherever you're gonna watch a comedian, because there's an atmosphere 403 00:21:06,440 --> 00:21:09,240 Speaker 1: to it, there's people around you laughing. It has to 404 00:21:09,320 --> 00:21:13,520 Speaker 1: be really good. In sixty minutes is almost too long 405 00:21:14,200 --> 00:21:16,760 Speaker 1: unless it's just fantastic. Like I watched the Dave Chappelle 406 00:21:16,800 --> 00:21:19,679 Speaker 1: one's and I think it's unfair that people like, oh, 407 00:21:19,800 --> 00:21:22,560 Speaker 1: Dave Chappelle, and it was wasn't that good. What's because 408 00:21:22,560 --> 00:21:24,439 Speaker 1: we've built this whole thing in our head about how 409 00:21:24,520 --> 00:21:27,080 Speaker 1: fantastic he was. But you have to understand that every 410 00:21:27,160 --> 00:21:29,920 Speaker 1: single Chappelle show wasn't awesome. We just saw the best 411 00:21:29,960 --> 00:21:32,280 Speaker 1: clips from the Chapelle show each week on the Internet 412 00:21:32,640 --> 00:21:34,479 Speaker 1: and be like, here's Dave Chappelle doing this, and they're like, oh, 413 00:21:34,520 --> 00:21:37,879 Speaker 1: that's fantastic, fantastic, and so in our heads it's like, oh, 414 00:21:37,960 --> 00:21:40,879 Speaker 1: we remember are the greatest Chappelle clips. So we need 415 00:21:40,960 --> 00:21:42,760 Speaker 1: all the Dave Chappelle stuff to be as good as 416 00:21:42,800 --> 00:21:44,919 Speaker 1: all the best of what Dave Chapelle had for us 417 00:21:45,040 --> 00:21:47,760 Speaker 1: years ago, even his stand up stuff. He had one 418 00:21:47,840 --> 00:21:50,399 Speaker 1: or two comedy specials that were amazing, but then he 419 00:21:50,440 --> 00:21:52,640 Speaker 1: had a couple that were fine, some of the priest 420 00:21:52,640 --> 00:21:55,520 Speaker 1: stuff and some of the you know later stuff, even 421 00:21:55,600 --> 00:22:00,480 Speaker 1: before he moved to South Africa. Um, but we get 422 00:22:00,560 --> 00:22:02,240 Speaker 1: that way and he comes back and we just everyone 423 00:22:02,320 --> 00:22:05,119 Speaker 1: expects it to just be amazing because we only remember 424 00:22:05,160 --> 00:22:09,240 Speaker 1: the best of and so knowing that, I still watched 425 00:22:09,280 --> 00:22:11,880 Speaker 1: it and I was like, it's okay, it's pretty good. 426 00:22:12,040 --> 00:22:13,879 Speaker 1: I'll laughed allow, but I didn't watch it. They had to. 427 00:22:14,320 --> 00:22:16,359 Speaker 1: And think about this, he had two specials at the 428 00:22:16,400 --> 00:22:20,720 Speaker 1: same time. That's two hours of material. It takes people 429 00:22:20,760 --> 00:22:23,439 Speaker 1: forever to call by the hour. The whole comedy thing, 430 00:22:24,119 --> 00:22:27,680 Speaker 1: the whole specials are getting watered down because you have 431 00:22:28,240 --> 00:22:31,000 Speaker 1: people making an hour and then throwing it up there 432 00:22:31,040 --> 00:22:32,480 Speaker 1: and trying to make the new hour and throwing it 433 00:22:32,560 --> 00:22:35,400 Speaker 1: up there. Instead of back in the day, you would 434 00:22:35,440 --> 00:22:37,399 Speaker 1: spend a year, a year and a half, two years 435 00:22:38,040 --> 00:22:41,680 Speaker 1: really crafting that hour and then you put on special 436 00:22:41,720 --> 00:22:44,680 Speaker 1: on HBO or but you would have it. Now it's like, 437 00:22:44,720 --> 00:22:46,919 Speaker 1: can you somebody every six months? I mean pretty much 438 00:22:47,040 --> 00:22:48,800 Speaker 1: every time I go on Netflix, seems like everybody has 439 00:22:48,800 --> 00:22:51,040 Speaker 1: another special. And so now that's what it's all about. 440 00:22:51,160 --> 00:22:56,320 Speaker 1: It's more about quantity. They're still quality, but imagine if 441 00:22:56,320 --> 00:22:59,080 Speaker 1: you took those two specials that they did this year, 442 00:22:59,440 --> 00:23:00,920 Speaker 1: and you took the best of each of them, and 443 00:23:01,000 --> 00:23:02,680 Speaker 1: you made that once. But that's what I used to 444 00:23:02,760 --> 00:23:05,040 Speaker 1: be like. Now I'm beginning to be that guy. Like 445 00:23:05,160 --> 00:23:10,200 Speaker 1: back when I was a kid, we had one comedy 446 00:23:10,240 --> 00:23:13,359 Speaker 1: special per twelve months and that was the rule, and 447 00:23:13,520 --> 00:23:16,080 Speaker 1: we went to the month shop and got a mount 448 00:23:16,160 --> 00:23:19,960 Speaker 1: with two straws with our best girl. So I watched 449 00:23:19,960 --> 00:23:22,400 Speaker 1: the Chappelle ones and they were fine, that they were good, 450 00:23:22,800 --> 00:23:24,800 Speaker 1: but I didn't watch them all the way through they've 451 00:23:24,800 --> 00:23:27,960 Speaker 1: been I would. I watched some of Jim Gaffrigins minutes, 452 00:23:28,080 --> 00:23:30,840 Speaker 1: laugh a little bit, but then I fast forward to 453 00:23:30,880 --> 00:23:36,400 Speaker 1: the end he does the encore is hot pocket. I've 454 00:23:36,480 --> 00:23:38,560 Speaker 1: never seen a comedian come out and do an encore. 455 00:23:39,480 --> 00:23:42,359 Speaker 1: Surely people know that that's the encore right, like they're 456 00:23:42,840 --> 00:23:44,920 Speaker 1: clued into that. Because I've been to a lot of 457 00:23:45,000 --> 00:23:47,440 Speaker 1: comedy shows. I've never seen a comedian come out doing encore. 458 00:23:47,760 --> 00:23:49,680 Speaker 1: It's always like thank you goodbye, because nothing else to 459 00:23:49,720 --> 00:23:53,480 Speaker 1: say that you've done saying stuff, and unless you're just 460 00:23:53,600 --> 00:23:55,960 Speaker 1: up there riffing on things or you're making fun of 461 00:23:56,000 --> 00:23:58,200 Speaker 1: the audience, there's just nothing to come back and do. 462 00:23:58,640 --> 00:24:00,600 Speaker 1: It's not like you have another song ready as a man, 463 00:24:01,040 --> 00:24:05,400 Speaker 1: like we can still go out and do three Little Birds. Um, yeah, 464 00:24:05,400 --> 00:24:07,120 Speaker 1: I watched, So I watched like twenty minutes that fast 465 00:24:07,119 --> 00:24:10,720 Speaker 1: forward it to the end. Um. But yeah, I get 466 00:24:10,720 --> 00:24:12,360 Speaker 1: on Netflix, though there's so much on that I can't 467 00:24:12,359 --> 00:24:14,680 Speaker 1: even decide what to watch. Sometimes, like there's so much 468 00:24:14,880 --> 00:24:16,760 Speaker 1: it's not gonna walk into my closet. Oh my man, 469 00:24:16,800 --> 00:24:20,160 Speaker 1: I got nothing to wear and too many things to wear. 470 00:24:20,480 --> 00:24:22,399 Speaker 1: I'm like, oh, I don't have any shoes at it right, 471 00:24:22,600 --> 00:24:25,440 Speaker 1: I got a million pair of shoes. I got on Netflix, 472 00:24:25,520 --> 00:24:28,160 Speaker 1: and it's like too much, Like, oh, there's only nothing 473 00:24:28,280 --> 00:24:30,119 Speaker 1: that I really want to watch. It's only like seventy 474 00:24:30,200 --> 00:24:33,240 Speaker 1: three things that I want to watch. There's not that 475 00:24:33,320 --> 00:24:35,639 Speaker 1: I really want to watch. There there are just too 476 00:24:35,680 --> 00:24:37,520 Speaker 1: many things that I equally would just like to watch. 477 00:24:37,840 --> 00:24:40,560 Speaker 1: So I can never decide. But I'm gonna start watching 478 00:24:40,680 --> 00:24:43,080 Speaker 1: probably Oranges and New Black tonight. If you watch the season, 479 00:24:44,000 --> 00:24:45,840 Speaker 1: you do like it. It kind of got me back. Yeah, 480 00:24:46,040 --> 00:24:48,280 Speaker 1: I think that's the show that got me on Netflix 481 00:24:49,960 --> 00:24:51,840 Speaker 1: to pay as a subscriber. I was thinking about this, 482 00:24:51,880 --> 00:24:53,440 Speaker 1: how did I get on Netflix the first time? And 483 00:24:53,480 --> 00:24:55,240 Speaker 1: I think it was Orange as a New Black because 484 00:24:55,240 --> 00:24:57,320 Speaker 1: I was like, I was hearing from Cruise, like the 485 00:24:57,359 --> 00:24:59,720 Speaker 1: show is so funny, so funny, and I watched it. 486 00:24:59,800 --> 00:25:02,080 Speaker 1: I I kept waiting for the funny, I was like, 487 00:25:02,119 --> 00:25:04,200 Speaker 1: Where's what am I missing? What's the comedy? Like? I 488 00:25:04,240 --> 00:25:05,680 Speaker 1: think the show is compelling, the care's a lot of 489 00:25:05,760 --> 00:25:10,560 Speaker 1: characters there, the situations that made me go, wow, that's crazy. 490 00:25:11,000 --> 00:25:13,280 Speaker 1: But I wasn't laughing, like where's the comedy? Was you 491 00:25:13,359 --> 00:25:18,080 Speaker 1: think it's funny? Like? What's funny? Like? So once I 492 00:25:18,160 --> 00:25:20,240 Speaker 1: realized I wasn't supposed to be laughing at it. I 493 00:25:20,359 --> 00:25:22,040 Speaker 1: was just supposed to find it interesting and find the 494 00:25:22,119 --> 00:25:24,959 Speaker 1: characters compelling that I really enjoyed it, But I keep going, 495 00:25:25,040 --> 00:25:27,359 Speaker 1: what are I missing? Am I stupid? But that was 496 00:25:27,440 --> 00:25:29,680 Speaker 1: the show that got me on Netflix. Irom a Netflix 497 00:25:30,359 --> 00:25:32,720 Speaker 1: was you get on I didn't do it, but you'd 498 00:25:32,720 --> 00:25:36,080 Speaker 1: sign up, you pay your money a month back. In 499 00:25:36,240 --> 00:25:40,720 Speaker 1: my day Netflix, they would mail you a DVD and 500 00:25:40,840 --> 00:25:43,320 Speaker 1: you would watch it and send it back. And that's 501 00:25:43,320 --> 00:25:46,400 Speaker 1: what they would do. You had to mail back DVDs. 502 00:25:47,200 --> 00:25:49,720 Speaker 1: You would get online and you put something in que 503 00:25:50,640 --> 00:25:54,000 Speaker 1: and you would queue up your next three DVD's and 504 00:25:54,119 --> 00:25:56,600 Speaker 1: they would send it to you and you'd watch it, 505 00:25:56,880 --> 00:25:59,840 Speaker 1: but don't scratch it because they'll charge you for it. 506 00:26:00,600 --> 00:26:03,000 Speaker 1: And so that was what Netflix was. I was like, 507 00:26:03,000 --> 00:26:05,120 Speaker 1: I would never do that it's so stupid. They would 508 00:26:05,119 --> 00:26:08,200 Speaker 1: do video games too and get on that day and 509 00:26:08,320 --> 00:26:11,760 Speaker 1: you'd get Mario Kurt and so I never did that. 510 00:26:12,119 --> 00:26:15,359 Speaker 1: But then I just remember borrowing someone's Netflix account and 511 00:26:15,400 --> 00:26:16,720 Speaker 1: watching Orangs of the New Black. I was like, man, 512 00:26:16,720 --> 00:26:18,920 Speaker 1: I got signed up for this because there's mostly the 513 00:26:19,040 --> 00:26:21,600 Speaker 1: old shows and then Orange is the New Black and 514 00:26:21,680 --> 00:26:26,080 Speaker 1: a couple of new crappy But now now they've put 515 00:26:26,160 --> 00:26:28,080 Speaker 1: so much other they're starting to actually cut shows now 516 00:26:28,480 --> 00:26:33,440 Speaker 1: for the first time. And so yeah, you can't have 517 00:26:33,560 --> 00:26:39,320 Speaker 1: the business milogees NonStop, unadult ready, just make everything and 518 00:26:39,400 --> 00:26:41,680 Speaker 1: spend all the money. Eventually you have to the point up, Okay, 519 00:26:41,760 --> 00:26:44,000 Speaker 1: what's working and what's not. Although I don't believe when 520 00:26:44,000 --> 00:26:46,160 Speaker 1: they say Adam Saidler movies with the biggest things on Netflix. 521 00:26:46,280 --> 00:26:49,760 Speaker 1: They're like our biggest streamers ever are the Adam Sailor movies. 522 00:26:49,800 --> 00:26:54,320 Speaker 1: I don't know one single person between the movies. You're 523 00:26:54,359 --> 00:26:56,200 Speaker 1: the only one I've ever this admitted to me. They've 524 00:26:56,200 --> 00:26:59,159 Speaker 1: seen the watch any movie. But did you like the 525 00:26:59,240 --> 00:27:01,960 Speaker 1: Adam Sandler movie on Netflix? I mean, one of them 526 00:27:02,080 --> 00:27:06,680 Speaker 1: wasn't terrible, the was it this ridiculous six the other 527 00:27:06,720 --> 00:27:09,080 Speaker 1: than I didn't even finish it. But I don't believe them. 528 00:27:09,119 --> 00:27:10,680 Speaker 1: I think they just paid a whole lot for them. 529 00:27:10,720 --> 00:27:14,080 Speaker 1: And so since they don't show their data, they say, yep, 530 00:27:14,640 --> 00:27:19,919 Speaker 1: adam tailor movies, those those are the real moneymakers for us. 531 00:27:20,040 --> 00:27:22,879 Speaker 1: That gets up billion streams and prove that it doesn't 532 00:27:23,880 --> 00:27:26,639 Speaker 1: and so and you can't prove that it doesn't. It 533 00:27:26,840 --> 00:27:29,080 Speaker 1: was like the time with Storgel Simpson. I was inviting 534 00:27:29,160 --> 00:27:31,560 Speaker 1: him on the show, and so I'd invite Social Simpson 535 00:27:31,560 --> 00:27:34,439 Speaker 1: on the show way before he turned into Storgil Simpson. 536 00:27:34,600 --> 00:27:36,520 Speaker 1: I thought the sound was unique. It was never like 537 00:27:36,600 --> 00:27:38,879 Speaker 1: a huge fan, but I thought I liked what he 538 00:27:38,960 --> 00:27:40,840 Speaker 1: was doing independently and I thought it sound was unique, 539 00:27:41,040 --> 00:27:42,320 Speaker 1: and so I was like, hey, come up on the show. 540 00:27:43,240 --> 00:27:45,520 Speaker 1: And he never came up. And then um I had 541 00:27:45,560 --> 00:27:49,119 Speaker 1: our old sician program director Michael Bryant email him. He 542 00:27:49,240 --> 00:27:51,359 Speaker 1: never came up on the air. I'd be like, hey, 543 00:27:51,400 --> 00:27:52,920 Speaker 1: Stargel Simpson, you should come up on the show. And 544 00:27:52,960 --> 00:27:54,959 Speaker 1: never came up. Well then a year and a half later, 545 00:27:55,040 --> 00:27:57,240 Speaker 1: two years starts screaming the radio won't play him, and 546 00:27:57,240 --> 00:27:59,440 Speaker 1: I was like, yo, dude, I was like asking you 547 00:27:59,520 --> 00:28:03,080 Speaker 1: come up, like I was messaging you Michael Brian will 548 00:28:03,119 --> 00:28:05,880 Speaker 1: send you an email. Um I was on the air 549 00:28:06,040 --> 00:28:09,680 Speaker 1: yelling hey, and he was like, prove you can't prove 550 00:28:09,800 --> 00:28:11,560 Speaker 1: we lost it. If you said it, we never got 551 00:28:11,640 --> 00:28:13,440 Speaker 1: it and there's no way to prove that we got it. 552 00:28:13,960 --> 00:28:16,520 Speaker 1: I'm like, well, you're right, I can't prove that you 553 00:28:16,720 --> 00:28:23,760 Speaker 1: got it, so I guess you got me because it 554 00:28:23,800 --> 00:28:25,399 Speaker 1: was like, yeah, dude, we didn't get the email and 555 00:28:25,760 --> 00:28:32,639 Speaker 1: prove that we did. You and Sturgil One Bobby Zero, 556 00:28:33,440 --> 00:28:35,560 Speaker 1: I said, but I would scream on the air time 557 00:28:35,640 --> 00:28:39,880 Speaker 1: and time again that you come on the show. And 558 00:28:39,960 --> 00:28:42,440 Speaker 1: I know, and everybody in Nashville hears everything. Even if 559 00:28:42,480 --> 00:28:45,040 Speaker 1: you don't listen to my show, which which most people 560 00:28:45,240 --> 00:28:50,440 Speaker 1: don't because most people that's a big number. Like it's 561 00:28:51,200 --> 00:28:54,560 Speaker 1: most people don't listen to my show. Some do, but 562 00:28:54,800 --> 00:28:57,440 Speaker 1: enough doing the music industry that knows, that knows, somebody 563 00:28:57,480 --> 00:28:59,760 Speaker 1: to know somebody. I've never once got on the air 564 00:28:59,800 --> 00:29:02,720 Speaker 1: and said, hey, Jim Smith would love for you to 565 00:29:02,760 --> 00:29:04,520 Speaker 1: come up on the show, and it not gotten Jim 566 00:29:04,560 --> 00:29:09,600 Speaker 1: Smith within three hours, and somebody's reach back out and 567 00:29:09,680 --> 00:29:11,880 Speaker 1: been like, hey, he can't, he won't. He'd love to. 568 00:29:12,240 --> 00:29:16,320 Speaker 1: Whatever the case is. Um So Yeah, that just reminds 569 00:29:16,360 --> 00:29:18,720 Speaker 1: me the whole start. They I can't prove Adam Sandler 570 00:29:18,800 --> 00:29:22,200 Speaker 1: is not the biggest streamer of all time. But I 571 00:29:22,240 --> 00:29:25,080 Speaker 1: don't believe you, But I can't prove it. So I'm 572 00:29:25,120 --> 00:29:26,920 Speaker 1: just gonna have to go with what you're saying. Yeah, 573 00:29:26,960 --> 00:29:30,320 Speaker 1: I can't prove that you got my emails, Sturgil. Um, 574 00:29:30,480 --> 00:29:31,720 Speaker 1: So I'm just gonna have to go with what you're 575 00:29:31,720 --> 00:29:37,560 Speaker 1: saying and go Sturgill one, Adam Sandler one US zero. Um. 576 00:29:37,760 --> 00:29:41,520 Speaker 1: So there's that. Um. Then there's also I guess I 577 00:29:41,560 --> 00:29:44,480 Speaker 1: can mention this because we were, um, we were just 578 00:29:44,640 --> 00:29:51,520 Speaker 1: at the house and um, hold on a text. We 579 00:29:51,560 --> 00:29:53,320 Speaker 1: just thought we'd hop up here real quick and catch 580 00:29:53,320 --> 00:29:57,120 Speaker 1: everybody up on our brakes and my massage, which is 581 00:29:57,280 --> 00:30:05,840 Speaker 1: pretty amazing. Um. And so the whole women and oh 582 00:30:05,920 --> 00:30:08,000 Speaker 1: two things actually I can talk about the whole women 583 00:30:08,040 --> 00:30:11,320 Speaker 1: in country thing has kind of reared its head again. Um. 584 00:30:12,280 --> 00:30:15,200 Speaker 1: So Margot Price, who I like. I like her a lot. 585 00:30:15,320 --> 00:30:16,640 Speaker 1: I don't know where that well. I've had her on 586 00:30:16,680 --> 00:30:18,360 Speaker 1: the show before because again I thought she was super 587 00:30:18,400 --> 00:30:21,320 Speaker 1: interesting and I was like, hey, comen, and she tweeted, 588 00:30:21,960 --> 00:30:24,720 Speaker 1: I don't think you should do female Friday, because we 589 00:30:24,760 --> 00:30:29,320 Speaker 1: shouldn't have artists judged by their um vaginas or whatever. 590 00:30:30,120 --> 00:30:35,440 Speaker 1: Uh what else do women have diaphragms over now? It's 591 00:30:35,480 --> 00:30:39,880 Speaker 1: one of those woman parts, not testicals. You know the 592 00:30:39,960 --> 00:30:42,920 Speaker 1: opposite of that, right, And I was like, well I don't, 593 00:30:43,400 --> 00:30:44,880 Speaker 1: And she was like, we should be judged on our 594 00:30:44,960 --> 00:30:48,320 Speaker 1: music alone. I absolutely agree with that. And she was 595 00:30:48,360 --> 00:30:50,720 Speaker 1: like and then people like, yeah, every every day should 596 00:30:50,720 --> 00:30:53,200 Speaker 1: be female Friday every day. And I'm like, I don't 597 00:30:53,240 --> 00:30:57,920 Speaker 1: think you guys understand how this works. Like here's kind 598 00:30:58,040 --> 00:31:01,240 Speaker 1: of what happened, and here's what's happening, and here's what's 599 00:31:01,280 --> 00:31:02,480 Speaker 1: going to happen. I just lay it out for you 600 00:31:02,640 --> 00:31:06,200 Speaker 1: really easily. Here what happened was this. First of all, 601 00:31:06,360 --> 00:31:08,880 Speaker 1: radio is a business, and people don't understand. I think 602 00:31:08,920 --> 00:31:11,280 Speaker 1: the radio is just like play toy and everything's got 603 00:31:11,320 --> 00:31:13,160 Speaker 1: to be even. And first of all, you don't want 604 00:31:13,200 --> 00:31:17,200 Speaker 1: things to be forced to be even anyway. Forced equality 605 00:31:17,360 --> 00:31:21,120 Speaker 1: is basically communism. Everybody gets the same. That's not what 606 00:31:21,280 --> 00:31:23,560 Speaker 1: you want. You don't want that. At times, you would 607 00:31:23,600 --> 00:31:25,360 Speaker 1: like for them to be more females. Sometimes you would 608 00:31:25,360 --> 00:31:28,080 Speaker 1: like there to be less, more man more. You want 609 00:31:28,120 --> 00:31:31,800 Speaker 1: there to always be whatever is the best rises up 610 00:31:32,040 --> 00:31:34,320 Speaker 1: and the best really inside of a business means what's 611 00:31:34,320 --> 00:31:38,320 Speaker 1: gonna sell. Because radio is a business. Anything under nine two, 612 00:31:38,360 --> 00:31:41,120 Speaker 1: I believe is nonprofit. Everything over ninety two on the 613 00:31:41,160 --> 00:31:43,880 Speaker 1: dial is for profit. And that used to be the 614 00:31:44,000 --> 00:31:49,000 Speaker 1: rule of not be the rule anymore. Um, So what 615 00:31:49,200 --> 00:31:55,600 Speaker 1: happened was a sound like Florida Georgia Line busted through 616 00:31:55,720 --> 00:31:59,000 Speaker 1: like crazy and everybody loves to hate on Broke Country 617 00:31:59,320 --> 00:32:03,040 Speaker 1: just because it got so big. Anything that's huge gets backlash. 618 00:32:03,760 --> 00:32:06,240 Speaker 1: It doesn't matter how big you are or how amazing 619 00:32:06,320 --> 00:32:09,560 Speaker 1: you are. If you get really big, some people can 620 00:32:09,600 --> 00:32:12,000 Speaker 1: get your trated. You're so big and you get backlash. 621 00:32:12,320 --> 00:32:14,200 Speaker 1: I don't even just like Florida Georgia Lines music only 622 00:32:14,280 --> 00:32:15,840 Speaker 1: really just like one of the people in Florida Georgia 623 00:32:15,840 --> 00:32:18,440 Speaker 1: Line has nothing to do with their music. I think 624 00:32:18,440 --> 00:32:21,840 Speaker 1: some of the music is actually good. And so, um 625 00:32:22,320 --> 00:32:25,120 Speaker 1: what happened was Florida Georgia Line sound went got really 626 00:32:25,160 --> 00:32:27,480 Speaker 1: big and I was like, whoa crew sells like ten 627 00:32:27,760 --> 00:32:30,920 Speaker 1: g billion albums. So other people in business go, why 628 00:32:30,920 --> 00:32:32,400 Speaker 1: I need to be smart? And I didn't make that sound. 629 00:32:32,520 --> 00:32:34,080 Speaker 1: They just made money because if I make that sound, 630 00:32:34,160 --> 00:32:35,840 Speaker 1: I'll sell too, and other people every it's like I 631 00:32:35,840 --> 00:32:37,600 Speaker 1: gotta make that sound. I gotta make that sound. So 632 00:32:37,720 --> 00:32:43,000 Speaker 1: you have everybody racing to make this party ish male sound. 633 00:32:43,840 --> 00:32:47,479 Speaker 1: Now all the labels are trying to develop these artists 634 00:32:47,880 --> 00:32:51,240 Speaker 1: this sound just like this and one there's only so 635 00:32:51,320 --> 00:32:53,080 Speaker 1: many spots on the radio. That's a great thing about 636 00:32:53,080 --> 00:32:54,960 Speaker 1: the Internet. You don't have to listen to anything on 637 00:32:54,960 --> 00:32:58,400 Speaker 1: the radio. People. I was like, you should, she'd send 638 00:32:58,400 --> 00:32:59,560 Speaker 1: me a tweet. I like, you just play this on 639 00:32:59,600 --> 00:33:01,120 Speaker 1: the radio, like you're on the freaking Internet. Get on 640 00:33:01,200 --> 00:33:03,080 Speaker 1: YouTube if you want to hear it so bad you're 641 00:33:03,080 --> 00:33:07,120 Speaker 1: already tweeting me. Go to www dot suck my butt 642 00:33:07,280 --> 00:33:12,640 Speaker 1: and play whatever song you want. But got it. And 643 00:33:12,880 --> 00:33:20,040 Speaker 1: so every label is developing this sound because that's what sells. 644 00:33:21,080 --> 00:33:24,560 Speaker 1: And so whenever you do that, you neglect the other things, 645 00:33:25,600 --> 00:33:28,720 Speaker 1: which are we're in our art at the time, the 646 00:33:28,960 --> 00:33:32,720 Speaker 1: traditional country sound. Females there are a few of them 647 00:33:32,800 --> 00:33:34,480 Speaker 1: are left out, but females and the biggest groups. So 648 00:33:34,560 --> 00:33:37,200 Speaker 1: that's the one, even myself, which I'm trying to kind 649 00:33:37,240 --> 00:33:40,600 Speaker 1: of redevelop the minor leagues again, So they just stopped 650 00:33:40,600 --> 00:33:42,520 Speaker 1: developing the talent for the most part, except for a 651 00:33:42,600 --> 00:33:44,640 Speaker 1: few artists. They were like, well, it's not working. We're 652 00:33:44,680 --> 00:33:47,080 Speaker 1: trying to create this male party sound. Let's just keep 653 00:33:47,080 --> 00:33:51,040 Speaker 1: going with it. So of course there's just going to 654 00:33:51,120 --> 00:33:53,280 Speaker 1: be so many of that. They're all trying to fill 655 00:33:53,320 --> 00:33:55,760 Speaker 1: those spots with this. Well, there's no female talent being developed. 656 00:33:56,240 --> 00:33:59,680 Speaker 1: So until someone realized what we're got a problem here. 657 00:34:00,560 --> 00:34:02,920 Speaker 1: You don't just grab someone and and and go, Okay, 658 00:34:02,920 --> 00:34:04,400 Speaker 1: you're on the radio now because you're a girl. Go 659 00:34:05,080 --> 00:34:06,600 Speaker 1: if they have to be treated the same way everybody 660 00:34:06,600 --> 00:34:08,160 Speaker 1: else was treated, bring them up, make sure they have 661 00:34:08,239 --> 00:34:10,919 Speaker 1: good songs, make sure this sounds good, and they start 662 00:34:11,000 --> 00:34:13,239 Speaker 1: to pop one by one. You get you already have 663 00:34:14,200 --> 00:34:16,239 Speaker 1: Miranda and Carry, but they're the two that kind of 664 00:34:16,280 --> 00:34:19,120 Speaker 1: went through it all. And you get the Kelsey's is 665 00:34:19,160 --> 00:34:21,200 Speaker 1: really one of the first new females to pop through. 666 00:34:21,560 --> 00:34:24,720 Speaker 1: You get the Marion morris Is, you get Lauren Alayne. 667 00:34:24,719 --> 00:34:26,440 Speaker 1: They just had a number one. You started. You're starting 668 00:34:26,480 --> 00:34:29,000 Speaker 1: to get more and more and it starts to evolve 669 00:34:29,080 --> 00:34:32,000 Speaker 1: back because they're developing the minor leagues. Again. It's like 670 00:34:32,040 --> 00:34:35,520 Speaker 1: a baseball team. If you don't develop your single A, 671 00:34:35,600 --> 00:34:38,520 Speaker 1: your double A, your triple A, clubs. Eventually, your major 672 00:34:38,600 --> 00:34:40,880 Speaker 1: league team, you're gonna runt of players not have anybody, 673 00:34:41,680 --> 00:34:46,520 Speaker 1: And so they stopped developing females, and whenever it went 674 00:34:46,560 --> 00:34:48,680 Speaker 1: to all that didn't haven't made the minor leagues. So 675 00:34:48,960 --> 00:34:50,439 Speaker 1: there's somebody to pull up and go, we got another 676 00:34:50,440 --> 00:34:53,560 Speaker 1: one here. And now there's this arms race trying to 677 00:34:53,560 --> 00:34:55,480 Speaker 1: get every female. So there's like a thousand females being 678 00:34:55,520 --> 00:34:58,799 Speaker 1: thrown out there at once, and it's actually created quite 679 00:34:58,840 --> 00:35:01,640 Speaker 1: the toxic situation among female the Nashville two where it's 680 00:35:01,680 --> 00:35:03,760 Speaker 1: so competitive because it feels like the only four spots 681 00:35:03,800 --> 00:35:06,960 Speaker 1: and there are seven girls fighting for them. Um. But 682 00:35:07,239 --> 00:35:09,839 Speaker 1: so it's people trying to make money with the sound 683 00:35:09,880 --> 00:35:12,279 Speaker 1: because that's what's working as people are buying, and while 684 00:35:12,360 --> 00:35:15,200 Speaker 1: doing that, they neglect the other sounds, the traditional sound, 685 00:35:15,239 --> 00:35:17,480 Speaker 1: the female, the There are a lot of different ones, 686 00:35:17,840 --> 00:35:19,520 Speaker 1: but for the sake of the argument's a female one. 687 00:35:19,719 --> 00:35:22,200 Speaker 1: And now it's okay, what do you do? How do 688 00:35:22,280 --> 00:35:24,040 Speaker 1: we get females back on the radio. And it's not 689 00:35:24,200 --> 00:35:27,480 Speaker 1: even really a female thing, it's just a can we 690 00:35:27,719 --> 00:35:30,000 Speaker 1: get back to what's this current sound? How do we 691 00:35:30,040 --> 00:35:33,160 Speaker 1: get the current sound to be the current sound? And 692 00:35:33,840 --> 00:35:35,879 Speaker 1: you're starting to see it kind of even out again 693 00:35:35,920 --> 00:35:38,520 Speaker 1: and go back to more of a And I hate 694 00:35:38,560 --> 00:35:40,960 Speaker 1: to use the word top forty because people associopop music, 695 00:35:41,360 --> 00:35:45,600 Speaker 1: but more of a top forty type where the best traditional, 696 00:35:45,760 --> 00:35:50,960 Speaker 1: the best uh progressive, like the Sam's the best. It's 697 00:35:51,000 --> 00:35:53,120 Speaker 1: like six or seven of these different subgenres in country, 698 00:35:53,160 --> 00:35:55,320 Speaker 1: like the top of those are making it now instead 699 00:35:55,320 --> 00:35:58,640 Speaker 1: of it just being all for a Georgia Line, Chase 700 00:35:58,760 --> 00:36:02,800 Speaker 1: Rice kind of songs. That makes sense. So it's basically 701 00:36:02,840 --> 00:36:05,359 Speaker 1: a top forty inside of country music. And you hate 702 00:36:05,400 --> 00:36:07,200 Speaker 1: to say top forty because you get these douchebags are like, 703 00:36:07,360 --> 00:36:09,400 Speaker 1: we don't want top forty if it doesn't have a 704 00:36:09,520 --> 00:36:12,720 Speaker 1: still guitar and some hay in my mouth that ain't country. 705 00:36:13,400 --> 00:36:18,080 Speaker 1: And those people are stupid too. I was, uh this 706 00:36:18,400 --> 00:36:21,160 Speaker 1: blogger and his blog isn't even that big, but I 707 00:36:21,239 --> 00:36:23,799 Speaker 1: do like it because he always has the same perspective. 708 00:36:24,000 --> 00:36:26,080 Speaker 1: I disagree with him completely, but I love the fact 709 00:36:26,120 --> 00:36:29,440 Speaker 1: there says has he always has the same voice. Um, 710 00:36:30,120 --> 00:36:33,239 Speaker 1: And so he writes this terrible story about me. Not 711 00:36:33,400 --> 00:36:37,000 Speaker 1: it wasn't written terribly, it's terrible because he wrote bad 712 00:36:37,040 --> 00:36:39,200 Speaker 1: things about me. Anything bad about me terrible and so 713 00:36:39,840 --> 00:36:43,479 Speaker 1: um he wrote, because I said, hey, you just stop 714 00:36:43,520 --> 00:36:46,560 Speaker 1: trying to define what country music is. There will never 715 00:36:46,680 --> 00:36:49,440 Speaker 1: be a definition of what country music is. There's just 716 00:36:49,600 --> 00:36:53,759 Speaker 1: not something solid about art. Ever, there's nothing solid about art. 717 00:36:53,800 --> 00:36:56,920 Speaker 1: You can't He's like, that's not true. You can't. You 718 00:36:57,480 --> 00:37:00,440 Speaker 1: to say you can't define country you're full crap. And 719 00:37:00,520 --> 00:37:02,920 Speaker 1: here's what Dolly Parton would say in here. Yeah, that's 720 00:37:02,960 --> 00:37:05,880 Speaker 1: what do we say thirty years ago. You can't define 721 00:37:07,400 --> 00:37:09,800 Speaker 1: a brand of art. You can say kind of in 722 00:37:09,920 --> 00:37:13,840 Speaker 1: your mind what it is, but there's not what country 723 00:37:13,920 --> 00:37:18,520 Speaker 1: music is? Is it? Does it have to have a guitar? Yes? No, 724 00:37:19,680 --> 00:37:22,640 Speaker 1: um does that? There are some of the more traditional 725 00:37:22,719 --> 00:37:25,160 Speaker 1: artists that are using loops and tracks and you don't 726 00:37:25,160 --> 00:37:27,400 Speaker 1: even know it. Does it have to sound like it 727 00:37:27,520 --> 00:37:29,440 Speaker 1: might have a guitar in it? Does it have to 728 00:37:29,480 --> 00:37:33,040 Speaker 1: be a fake guitar? What are the rules? And my 729 00:37:33,120 --> 00:37:37,120 Speaker 1: point was there are no rules. The people always decide 730 00:37:38,000 --> 00:37:45,720 Speaker 1: in any art, music, movies, television shows. What people consume 731 00:37:46,040 --> 00:37:50,200 Speaker 1: is what it is. That's who makes the rules. The consumer. 732 00:37:51,120 --> 00:37:55,560 Speaker 1: In fashion, it doesn't matter. The consumer always makes the rules. 733 00:37:56,719 --> 00:37:59,080 Speaker 1: And in this format you've had people come that definitely 734 00:37:59,120 --> 00:38:01,960 Speaker 1: weren't countries. Steve Tyler was my country. I was just 735 00:38:02,080 --> 00:38:03,879 Speaker 1: durding out because it's freaking Stephen Tyler. I'm not gonna 736 00:38:03,880 --> 00:38:05,600 Speaker 1: lie to. They're like, do you want Stephen Tyler. I 737 00:38:05,640 --> 00:38:07,520 Speaker 1: was like, yep, sure do. I was. That's the lead 738 00:38:07,560 --> 00:38:10,040 Speaker 1: singer Aerosmith Like not, You'm gonna lie No, it wasn't country. 739 00:38:10,640 --> 00:38:12,359 Speaker 1: I didn't care. This though would be cool again, Steven 740 00:38:12,400 --> 00:38:16,359 Speaker 1: Tyler on Stephen Tyler's to the world, that's not country. Uh. 741 00:38:17,239 --> 00:38:19,640 Speaker 1: And you know why with the country, because people didn't 742 00:38:19,640 --> 00:38:21,399 Speaker 1: accept it is that if they would, if it would 743 00:38:21,400 --> 00:38:26,640 Speaker 1: have been, that's a difference. The consumer picks everything. Also, 744 00:38:26,880 --> 00:38:31,120 Speaker 1: this what country used to be very regional, the South, 745 00:38:31,239 --> 00:38:34,880 Speaker 1: the southeast, even there was a different California sound, you know, 746 00:38:35,000 --> 00:38:40,640 Speaker 1: even you know the rural areas. Now there's the Internet. 747 00:38:40,920 --> 00:38:44,600 Speaker 1: The rural areas also have everything that the city's have everything. 748 00:38:45,200 --> 00:38:51,600 Speaker 1: So it's different. The music isn't as simple. You know. 749 00:38:52,040 --> 00:38:54,480 Speaker 1: My grandma was like, you know, we had there are 750 00:38:54,520 --> 00:38:57,719 Speaker 1: two guitars and got a lot gown a drum. But 751 00:38:57,800 --> 00:39:00,719 Speaker 1: in New York they got big bands and that's not 752 00:39:00,760 --> 00:39:04,040 Speaker 1: how it is anymore. Anybody from my note, North Dakota 753 00:39:04,560 --> 00:39:09,360 Speaker 1: to New York City to baton Rouge Louisiana too, somewhere 754 00:39:09,400 --> 00:39:12,880 Speaker 1: off the coast of you walk at the same thing. Www. 755 00:39:13,000 --> 00:39:15,399 Speaker 1: Dot suck my butt dot com has everything on there 756 00:39:16,120 --> 00:39:19,600 Speaker 1: and that's why it's influencing everyone. Well, so what a 757 00:39:19,680 --> 00:39:22,520 Speaker 1: country mean? It means whatever you want it to mean, 758 00:39:22,800 --> 00:39:24,279 Speaker 1: first of all, in your mind, because you can pick 759 00:39:24,360 --> 00:39:26,759 Speaker 1: what you think it is. And if you don't like 760 00:39:27,040 --> 00:39:29,759 Speaker 1: what radio is doing, or what Spotify is doing with 761 00:39:29,800 --> 00:39:32,759 Speaker 1: the playlists, or what YouTube is doing with country, then 762 00:39:32,880 --> 00:39:36,239 Speaker 1: make your own. They're just entities that make their own 763 00:39:37,280 --> 00:39:39,759 Speaker 1: and if people didn't like them, they would turn them 764 00:39:39,800 --> 00:39:41,520 Speaker 1: off and it would cause them to go, well, we 765 00:39:41,600 --> 00:39:43,600 Speaker 1: need to we need to switch a little bit. If 766 00:39:43,680 --> 00:39:46,400 Speaker 1: I was playing music, and here's the reason why I 767 00:39:46,400 --> 00:39:48,800 Speaker 1: don't just play a ton, let me go back to 768 00:39:48,840 --> 00:39:50,279 Speaker 1: my point where to go back. I get all these 769 00:39:50,320 --> 00:39:53,919 Speaker 1: stupid brands. There's a reason I don't make every day 770 00:39:54,560 --> 00:39:57,560 Speaker 1: female Monday, female Tuesday, female Wednesday, female Thursday because there 771 00:39:57,600 --> 00:39:59,640 Speaker 1: aren't enough songs that are known right now. At what 772 00:39:59,760 --> 00:40:03,799 Speaker 1: I You It and my morning show, we only play 773 00:40:03,840 --> 00:40:06,040 Speaker 1: a few songs a show, and they have to be 774 00:40:06,160 --> 00:40:09,000 Speaker 1: humongous hits because we have a massive amount of people 775 00:40:09,080 --> 00:40:11,840 Speaker 1: listening to the show, and so we don't play songs 776 00:40:11,960 --> 00:40:14,800 Speaker 1: that people don't know unless it's me personally going, here's 777 00:40:14,840 --> 00:40:17,200 Speaker 1: a new song I'm gonna take a risk on. And 778 00:40:17,239 --> 00:40:18,839 Speaker 1: I don't even play it five times in a week. 779 00:40:18,960 --> 00:40:20,919 Speaker 1: They play it once or twice and just put people 780 00:40:20,960 --> 00:40:22,520 Speaker 1: on it, and then I'm like, cool, remember that song, 781 00:40:22,920 --> 00:40:25,040 Speaker 1: move on or come back to in a week or so. 782 00:40:25,800 --> 00:40:28,920 Speaker 1: But new music people turn off the radios a general role. 783 00:40:29,080 --> 00:40:32,399 Speaker 1: New music people turn off the radios anytime. There's hardly 784 00:40:32,440 --> 00:40:34,080 Speaker 1: ever a song that you hear for the first time 785 00:40:34,120 --> 00:40:36,320 Speaker 1: on the radio and you go, holy crap, it's a 786 00:40:36,360 --> 00:40:39,640 Speaker 1: fantastic song. I must hear more of that. You hear 787 00:40:39,640 --> 00:40:42,600 Speaker 1: it once, you're like, oh, second time, that's all more familiar. 788 00:40:42,600 --> 00:40:44,760 Speaker 1: Sary time, man, I think I liked the song. Sometimes 789 00:40:44,800 --> 00:40:47,399 Speaker 1: it takes more than that. I mean, when's the last 790 00:40:47,400 --> 00:40:50,200 Speaker 1: time you heard a song for the first time. I went, 791 00:40:50,440 --> 00:40:53,480 Speaker 1: it's freaking amazing. I'll give you an example of the 792 00:40:53,480 --> 00:40:55,040 Speaker 1: first time. My body like a back road. I wented 793 00:40:55,080 --> 00:40:57,720 Speaker 1: to Facebook and was like, I watched your by bash 794 00:40:57,800 --> 00:41:01,080 Speaker 1: it everybody's talking about sucky it was, And I said, 795 00:41:01,080 --> 00:41:04,399 Speaker 1: in the you guys you're all idiots because I don't 796 00:41:04,400 --> 00:41:05,640 Speaker 1: even like the song right now, but I know I'm 797 00:41:05,640 --> 00:41:09,520 Speaker 1: going to just because I look at the past of 798 00:41:09,640 --> 00:41:11,759 Speaker 1: what this guy's done, and I trust that he's gonna 799 00:41:11,760 --> 00:41:14,120 Speaker 1: continue doing what he's done. I look at his history. 800 00:41:14,719 --> 00:41:17,640 Speaker 1: History proves the future more times than that. I look 801 00:41:17,680 --> 00:41:19,879 Speaker 1: at his history and I think what I hear sometime 802 00:41:19,880 --> 00:41:21,440 Speaker 1: I'm gonna love, but I'm not gonna say I hate 803 00:41:21,480 --> 00:41:23,880 Speaker 1: it because I don't know it. Nobody likes the unknown. 804 00:41:24,760 --> 00:41:27,319 Speaker 1: We like the known, and so body like back through. 805 00:41:27,360 --> 00:41:30,480 Speaker 1: Its biggest song of the year by far, it's crossed. 806 00:41:30,520 --> 00:41:33,120 Speaker 1: It's the only song it's crossing over right now. It's 807 00:41:33,120 --> 00:41:35,480 Speaker 1: the only song that crossed over the last four years. Basically, 808 00:41:36,680 --> 00:41:39,520 Speaker 1: there's not been another country's on the crossed over. I 809 00:41:39,600 --> 00:41:41,760 Speaker 1: never thought it very like it sucks the same country 810 00:41:42,480 --> 00:41:46,560 Speaker 1: until it is. It's that country until it is, and 811 00:41:46,640 --> 00:41:49,160 Speaker 1: then it's all it's not again. But I don't do 812 00:41:49,719 --> 00:41:54,080 Speaker 1: every day. There's the same reason that for example, like 813 00:41:54,160 --> 00:41:58,120 Speaker 1: Breast cancer Awareness Month, I mean, shouldn't every month be 814 00:41:58,200 --> 00:42:00,680 Speaker 1: breast cancer Awareness month? Shouldn't be we be aware of 815 00:42:00,719 --> 00:42:03,840 Speaker 1: this awful disease every month? Yep? But do you know 816 00:42:03,920 --> 00:42:07,560 Speaker 1: why you specifically pick a certain month for breastcancer so 817 00:42:07,680 --> 00:42:10,080 Speaker 1: you can put the banner up and go. Remember this. 818 00:42:10,320 --> 00:42:12,000 Speaker 1: There are so many things in the world happening right now, 819 00:42:12,080 --> 00:42:14,040 Speaker 1: a hundred things happening all around us at once. You 820 00:42:14,160 --> 00:42:16,680 Speaker 1: need money for this, need you to listen to this, 821 00:42:16,760 --> 00:42:18,279 Speaker 1: want you to go watch this show, want you to go. 822 00:42:19,200 --> 00:42:23,000 Speaker 1: But if we can go, this is the one month 823 00:42:23,120 --> 00:42:25,319 Speaker 1: we need you to pay attention to us. We're putting 824 00:42:25,400 --> 00:42:27,319 Speaker 1: all of our effort into this one month. So you'll 825 00:42:27,320 --> 00:42:30,200 Speaker 1: look at it. Maybe you'll it'll move you to react 826 00:42:30,280 --> 00:42:32,920 Speaker 1: to the rest of the year. Maybe during this month 827 00:42:33,000 --> 00:42:35,680 Speaker 1: as you're learning breast cancer Awareness and you're seeing all 828 00:42:35,719 --> 00:42:38,080 Speaker 1: this pink, that it moves you to do something and 829 00:42:38,239 --> 00:42:40,400 Speaker 1: you donate throughout the rest of the year. Because they 830 00:42:40,440 --> 00:42:42,719 Speaker 1: know if it was always Breastcancer Awareness Day and you 831 00:42:42,880 --> 00:42:45,080 Speaker 1: wouldn't be awareness Day, it would just be something that's 832 00:42:45,080 --> 00:42:51,879 Speaker 1: always being screamed, and it's just a constant. So there's 833 00:42:51,880 --> 00:42:55,200 Speaker 1: something with female Friday. If I did it every day, 834 00:42:55,239 --> 00:42:57,200 Speaker 1: it would just be a thing. Nobody would really care. 835 00:42:57,239 --> 00:43:00,280 Speaker 1: It would just be who's been playing unfamiliar music again 836 00:43:01,000 --> 00:43:03,160 Speaker 1: from a female? But because I can scream and it 837 00:43:03,239 --> 00:43:04,920 Speaker 1: has a cool hashtag in my life to you that 838 00:43:04,960 --> 00:43:08,680 Speaker 1: that was part of my epig Friday. The alliteration. It's 839 00:43:08,719 --> 00:43:12,400 Speaker 1: the same thing as anytime you know, you pick a 840 00:43:12,480 --> 00:43:18,960 Speaker 1: month for something, So yeah, it makes sense. I get 841 00:43:19,000 --> 00:43:23,320 Speaker 1: so irritated to people I'm not I'll take all the 842 00:43:23,480 --> 00:43:27,480 Speaker 1: females like, really, am I alife? I don't care about 843 00:43:27,719 --> 00:43:31,120 Speaker 1: what's country or not country? To another person, I don't care. 844 00:43:31,719 --> 00:43:36,040 Speaker 1: I give zero craps, but I do care that you 845 00:43:36,120 --> 00:43:41,439 Speaker 1: have people bashing other people's opinions going you're absolutely wrong 846 00:43:41,719 --> 00:43:45,040 Speaker 1: about art. You can never be wrong about art, never 847 00:43:46,200 --> 00:43:48,560 Speaker 1: if I wanted to say that, and I've told the 848 00:43:48,600 --> 00:43:52,880 Speaker 1: story before because again, Johnny Cash was from Arkansas, so 849 00:43:53,040 --> 00:43:55,319 Speaker 1: my grandma I grew up in Arkansas, and if you're 850 00:43:55,320 --> 00:43:57,239 Speaker 1: from markets all people from Arketsas are a huge deal 851 00:43:57,280 --> 00:43:59,960 Speaker 1: to you if they make it the biggest. My grandma 852 00:44:00,160 --> 00:44:02,719 Speaker 1: would go watch Johnny Cash shows and people would be 853 00:44:02,840 --> 00:44:05,080 Speaker 1: protesting because it was rock and roll. It wasn't country. 854 00:44:05,360 --> 00:44:09,760 Speaker 1: It was rock and roll, the quintessential country music artists. 855 00:44:10,000 --> 00:44:15,279 Speaker 1: Probably ever it was considered not country. I've sat with 856 00:44:15,320 --> 00:44:17,720 Speaker 1: Garth Brooks probably three or four times, and I always 857 00:44:17,719 --> 00:44:19,400 Speaker 1: bring it up in a different way and I've had 858 00:44:19,440 --> 00:44:22,680 Speaker 1: the luxury again to know Garth a little bit, and 859 00:44:22,719 --> 00:44:25,000 Speaker 1: I always asked him about when he he was like, dude, 860 00:44:25,360 --> 00:44:27,680 Speaker 1: I saw he s wearing baseball gaps some you know 861 00:44:27,719 --> 00:44:28,920 Speaker 1: he wear with a cow He was like I was 862 00:44:29,000 --> 00:44:32,800 Speaker 1: told I wasn't country all the time, Like this is 863 00:44:32,840 --> 00:44:35,680 Speaker 1: not country. You're what you're doing is not country music. 864 00:44:36,280 --> 00:44:37,759 Speaker 1: Who do we think of in the nineties is the 865 00:44:37,880 --> 00:44:42,960 Speaker 1: most country artist Garth Brooks. So it's always going to 866 00:44:43,000 --> 00:44:45,200 Speaker 1: be a thing. But if you if you don't realize 867 00:44:45,239 --> 00:44:48,640 Speaker 1: that it's always going to be a thing, then you're 868 00:44:48,680 --> 00:44:51,400 Speaker 1: just not that smart. You never have to agree on it, 869 00:44:52,239 --> 00:44:56,239 Speaker 1: but you shouldn't disagree. You never have to go m 870 00:44:57,000 --> 00:44:58,960 Speaker 1: you're absolutely right on that, But it's only has a 871 00:44:58,960 --> 00:45:04,120 Speaker 1: different opinion about music or fashion or what category a 872 00:45:04,320 --> 00:45:06,400 Speaker 1: TV show should fall into. Is that to a drama 873 00:45:06,520 --> 00:45:09,520 Speaker 1: or a comedy on Netflix? Well, I actually find it. 874 00:45:11,800 --> 00:45:14,400 Speaker 1: You shouldn't disagree, and so I get into these This 875 00:45:14,480 --> 00:45:17,160 Speaker 1: guy wrote a whole blog about me, um saying there's 876 00:45:17,200 --> 00:45:19,919 Speaker 1: no definition of country music, and there's not there's mine, 877 00:45:20,320 --> 00:45:24,520 Speaker 1: there's yours, and neither one of them are wrong. That's it, 878 00:45:25,360 --> 00:45:29,880 Speaker 1: Thank you, good night. That's truly all I got and 879 00:45:29,920 --> 00:45:32,040 Speaker 1: I was gonna go on all that. Anything else you'd 880 00:45:32,040 --> 00:45:35,720 Speaker 1: like to ask me about if you relax, not anymore. 881 00:45:35,760 --> 00:45:38,239 Speaker 1: I think I brought it all back, that hell back. 882 00:45:39,440 --> 00:45:42,560 Speaker 1: How long has it been? Forties six minutes? We went 883 00:45:42,600 --> 00:45:45,160 Speaker 1: way too long to I just kept going, Thank you 884 00:45:45,280 --> 00:45:47,200 Speaker 1: very much. We'll see the next time. Episode sixty nights 885 00:45:47,239 --> 00:45:52,520 Speaker 1: Over appreciate you'll be in here, believe you with massive attack, 886 00:45:53,280 --> 00:46:00,480 Speaker 1: Banksy black Dog, stop that because this music bright God 887 00:46:00,880 --> 00:46:06,319 Speaker 1: all right, yeah, yeah, yeah, Hey, go back and listen 888 00:46:06,360 --> 00:46:10,319 Speaker 1: to Karen Fairchild from a little big Town. It's being 889 00:46:11,120 --> 00:46:17,960 Speaker 1: Della like crazy. The colts from Nolan kept more, a 890 00:46:18,000 --> 00:46:19,520 Speaker 1: lot of them, go all the way back to you. 891 00:46:19,600 --> 00:46:23,480 Speaker 1: Just scroll on back and listen to like Caitlin Smith 892 00:46:23,560 --> 00:46:25,120 Speaker 1: when we very first started this and we didn't know 893 00:46:25,160 --> 00:46:27,759 Speaker 1: what this was. You know, some of the stuff is 894 00:46:27,800 --> 00:46:30,640 Speaker 1: really cool. I'm really proud of all the songwriter the 895 00:46:31,160 --> 00:46:32,480 Speaker 1: stuff that we've been able to do. So thank you 896 00:46:32,560 --> 00:46:34,120 Speaker 1: very much for seeing next time. I have a sixty 897 00:46:34,200 --> 00:46:36,960 Speaker 1: nights over Takes to sleep, number takes to wag Walker. 898 00:46:37,520 --> 00:46:40,000 Speaker 1: Just searchs wag on Night Tunes store. Good Bye,