WEBVTT - Zach Gilford Meets World

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<v Speaker 1>One of my children bit another kid at school.

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<v Speaker 2>So as as somebody who loves your kids, what did

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<v Speaker 2>the other kid do to deserve it?

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<v Speaker 3>Is my question.

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<v Speaker 1>Oh my gosh, I'm telling you. I so.

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<v Speaker 4>About a year ago, we went to uh this little

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<v Speaker 4>play place in the mall and Adler and Keaton were

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<v Speaker 4>running around. One of the reasons we love this play

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<v Speaker 4>place is that it's perfectly enclosed. The kids are totally

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<v Speaker 4>safe in there, and everything's padded and it's like you

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<v Speaker 4>can really like.

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<v Speaker 1>Take off their leash let them run in there. You

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<v Speaker 1>don't even have to put a helmet on them. They're fine.

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<v Speaker 4>And then on the outside are all these tables and

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<v Speaker 4>you can just sit there and work or drink your

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<v Speaker 4>coffee or eat your lunch or whatever you want.

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<v Speaker 1>And so we had let the kids go.

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<v Speaker 4>And run around, and then all of a sudden, Adler

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<v Speaker 4>comes flying around the corner with another kid chasing after him,

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<v Speaker 4>and Adler's like screaming, bloody murder. And it's a different

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<v Speaker 4>kind of scream, you know, playing screaming, which is still annoying,

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<v Speaker 4>but like, okay, I can tell you're playing. Adler was

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<v Speaker 4>like scared, and there was a three year old running

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<v Speaker 4>after him, and as Adler came flying around the corner,

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<v Speaker 4>he like tripped and fell and the kid jumped on

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<v Speaker 4>top of him and picked up Adler's arm and bit

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<v Speaker 4>it like a piece of corn on the car.

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<v Speaker 3>Oh my god. So first he pounced and then he bit.

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<v Speaker 4>And I don't I don't see the bite because it's

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<v Speaker 4>on the floor. But I had seen the coming around

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<v Speaker 4>the corner and the like hysterics, so I had already

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<v Speaker 4>jumped up and was walking over there. And and I

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<v Speaker 4>arrived there was another mom who's not the mom of

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<v Speaker 4>the bier, a different a different parent, who says he

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<v Speaker 4>bit him. And as she's saying this, Adler's holding up

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<v Speaker 4>his arm and I see teeth marks in his arm

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<v Speaker 4>and no broken skin, no broken skin, just but definite

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<v Speaker 4>teeth marks in the arm. And I look down and

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<v Speaker 4>I go, I look at the kid who bit and

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<v Speaker 4>I go, oh my god.

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<v Speaker 1>Just a totally like justin.

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<v Speaker 4>I did not even have time to think of it,

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<v Speaker 4>just natural reaction. The mom who's not the mom of

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<v Speaker 4>the bier goes, okay, no need to shame the child.

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<v Speaker 3>Oh god.

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<v Speaker 4>And first of all, I'm a little like maybe there

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<v Speaker 4>is a little bit of a reason, But okay, I

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<v Speaker 4>understand that kids don't fully they're not well developed. So

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<v Speaker 4>this kid, this is how he's gonna learn not to bite.

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<v Speaker 4>I shouldn't shame, but I'll so like just me saying,

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<v Speaker 4>oh my god, didn't really feel super shaming, but sure whatever. Anyway,

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<v Speaker 4>I'm like, okay, well, can you just give me a

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<v Speaker 4>second to process what just happened. My kid just got bit.

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<v Speaker 4>So of course I pick up Adlar.

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<v Speaker 1>I'm like, are you okay? And he's like, man, all

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<v Speaker 1>this hysterics.

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<v Speaker 4>The family ends up coming over and saying, you know,

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<v Speaker 4>we're really sorry.

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<v Speaker 1>This is he's in a new school we're visiting. He's

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<v Speaker 1>from the East Coast.

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<v Speaker 4>This sumone at school is a bier and he's learning

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<v Speaker 4>it from.

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<v Speaker 2>The people from East Coast because like we didn't he's

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<v Speaker 2>from the East Coast.

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<v Speaker 5>Sorry to get here, excuse.

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<v Speaker 4>I think they were just letting us know he doesn't

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<v Speaker 4>live here, like we're not from here. And so they

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<v Speaker 4>just leave with the kid, which was the right thing

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<v Speaker 4>to do. Get your kid out of here, Yeah, just

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<v Speaker 4>you go handle him, don't leave me to shame him.

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<v Speaker 4>So they leave. Now it was so traumatizing for Adler.

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<v Speaker 4>There were a few, like a few weeks after that,

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<v Speaker 4>where sometimes as he was falling asleep, he'd be like,

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<v Speaker 4>do you remember.

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<v Speaker 1>That time that that kid bit me? That was really scary.

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<v Speaker 1>I I didn't like that, and I was like, I know,

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<v Speaker 1>so we made a big deal.

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<v Speaker 4>It was a big deal, like oh yeah, you'd we

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<v Speaker 4>just know, no matter what you do, not bite. So yesterday,

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<v Speaker 4>oh gosh, Jensen gets a phone call from Keaton's school.

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<v Speaker 4>Keaton bit a friend name it was a nameless friend

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<v Speaker 4>at the time and broke skin.

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<v Speaker 3>Oh geez, he went all in.

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<v Speaker 1>We were like, what happened?

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<v Speaker 4>Apparently they were pretending and Keaton was a spider and

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<v Speaker 4>he in the pretend play.

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<v Speaker 6>He was a character. He was committed, he was method.

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<v Speaker 4>His friend so hard he broke skin. Apparently there was

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<v Speaker 4>no anger, there was no malice. It was it was

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<v Speaker 4>pretend play. The friend, although hurt immediately after, was okay

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<v Speaker 4>and they were friends. Come to find out then, because

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<v Speaker 4>they don't tell you who who whenever some whenever your

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<v Speaker 4>kid gets hurt or your kid hurts another person hippa,

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<v Speaker 4>I'm gonna call it hippo rules. They don't tell you

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<v Speaker 4>friend exactly friend friend.

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<v Speaker 1>These friends are still friends.

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<v Speaker 4>But so this morning I have to talk to Keaton

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<v Speaker 4>about it and I say, so, who you know who

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<v Speaker 4>did you bite?

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<v Speaker 1>And he goes, I don't want to tell you, and

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<v Speaker 1>I was like who is?

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<v Speaker 4>It turns out it's his best friend. Are very good friends,

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<v Speaker 4>Michelle and Poria's son, who you guys know because they

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<v Speaker 4>came with us to Vegas and we made Kean a card.

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<v Speaker 4>I had to have a very long conversation with Keaton

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<v Speaker 4>about how absolutely incredibly serious biting is that even if

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<v Speaker 4>it's make believe there's no reason to bite, it's very

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<v Speaker 4>very and I reminded him. I was like, don't you

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<v Speaker 4>remember when that kid tackled your brother please and bit

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<v Speaker 4>him on the arm.

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<v Speaker 1>It was like traumatizing, and.

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<v Speaker 4>Keaton had this whole thing, but I was a spy

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<v Speaker 4>but I had to It was like no, never ever. Okay,

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<v Speaker 4>Pinky promised me you'll never bite anyone again. So anyway,

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<v Speaker 4>I'm I just feeling that in one year I went

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<v Speaker 4>from shaming a child for biting to being the mother

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<v Speaker 4>of a bier.

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<v Speaker 2>Okay, I have a serious question though, Okay, are either

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<v Speaker 2>Adler or Keaton do they have a sudden aversion to sunlight?

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<v Speaker 3>Or garlic. At this point, I'm.

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<v Speaker 1>Just some basic questions, right, you know what You're not

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<v Speaker 1>wrong to ask?

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<v Speaker 5>Walking around with pop callars, Yeah, exactly, sleep the time

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<v Speaker 5>they want to move to Seattle, there's they're glittering exactly.

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<v Speaker 3>Also, you mentioned something that was a little triggering for me.

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<v Speaker 3>Oh no, I'm going to be totally honest with you.

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<v Speaker 1>Okay.

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<v Speaker 2>I don't know if I've ever told either you or

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<v Speaker 2>ride or this because it is something from my past

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<v Speaker 2>that I try.

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<v Speaker 3>To keep to myself.

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<v Speaker 1>Oh my gosh, but I was a leash child.

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<v Speaker 7>Wait wait, wait, I was harness was actually run your

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<v Speaker 7>neck exactly.

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<v Speaker 3>It was the body harness, seventies leash thing.

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<v Speaker 6>I don't even know there were around in the seventies.

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<v Speaker 2>I don't think they started in the seventies. I don't

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<v Speaker 2>think they're allowed even allowed anymore, can you?

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<v Speaker 6>I saw it was like in the nineties because yeah.

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<v Speaker 3>Yeah, I Wilfredell was a leash child.

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<v Speaker 1>Wow, So because you were a sprinter, you were a darter.

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<v Speaker 3>I don't know, I don't know what it was.

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<v Speaker 2>I think it was just by the third kid, just

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<v Speaker 2>easier to leash the kid up, tie me to a

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<v Speaker 2>tree so I could hand me a pack of smokes

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<v Speaker 2>and call it a day.

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<v Speaker 3>So you know I was a leash kid.

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<v Speaker 8>Yeah, that's amazing.

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<v Speaker 2>So when you said the leash like take put on

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<v Speaker 2>a helmet, that was I didn't have a helmet, but

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<v Speaker 2>because no one wore helmets of the seventies.

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<v Speaker 1>Of course not.

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<v Speaker 2>It's like, hey, then throw the kid in the back

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<v Speaker 2>of a motorcycle, We're fine.

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<v Speaker 3>But no, I was a leash child.

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<v Speaker 8>Yeah.

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<v Speaker 6>Wow, Indy had a friend who would just run, like.

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<v Speaker 1>Just didn't like a dog.

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<v Speaker 6>Did you have that like radar to stay near his parents?

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<v Speaker 8>Like?

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<v Speaker 5>He would just disappear, So they had to start writing

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<v Speaker 5>their phone number on his arm, you know, just a

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<v Speaker 5>case across.

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<v Speaker 9>What about a dog?

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<v Speaker 3>Airt who sponsored us?

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<v Speaker 1>So don't we have an air tag sponsor somebody like that? Yeah, yeah,

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<v Speaker 1>we sure do.

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<v Speaker 2>Yeah, if your if your child runs away on pod

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<v Speaker 2>Meats World.

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<v Speaker 1>Wow, that's so funny. Welcome to pod Meets World. I'm

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<v Speaker 1>Daniel Fishel, I'm rather strong, and I'm Wilford.

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<v Speaker 4>Over the years, there's been a certain type of television

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<v Speaker 4>show that emerges from the depths of low Nielsen ratings.

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<v Speaker 4>This isn't the Friends or Cheers or Seinfeld's of its day.

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<v Speaker 4>It's the cult classic, the one that may not have

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<v Speaker 4>received the kudos and awards during its initial run, but

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<v Speaker 4>over time, decades later, it somehow survived and outlasted its

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<v Speaker 4>peers shows like Freaks and Geeks, Get a Life, The

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<v Speaker 4>Dana Carvey Show, Boy Meets World, and the show we

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<v Speaker 4>will be talking about today because our guest is none

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<v Speaker 4>other than the beloved QB two from a little show

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<v Speaker 4>called Friday Night Lights. Much like Tapanga, Sean or Eric,

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<v Speaker 4>he'll always be known as Matt Sarason, the scrawnee kid

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<v Speaker 4>who was thrust into the Texas football spotlight when the

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<v Speaker 4>star player went down with a career ending injury during

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<v Speaker 4>the season opener, and somehow that was his first real

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<v Speaker 4>job in Hollywood. He has since gone on to appear

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<v Speaker 4>in dozens of TV shows, including Good Girls and his

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<v Speaker 4>current run as a serial killer on Criminal Minds. And

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<v Speaker 4>he's part of the Mike Flanagan Netflix Cinematic Universe, starring

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<v Speaker 4>in The Great Midnight Mass and appearing in the Fall

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<v Speaker 4>of the House of Usher and The Midnight Club. But

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<v Speaker 4>he's here with us today to talk about what it's

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<v Speaker 4>like to be part of a show that will just

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<v Speaker 4>never go away, despite the fact that it was always

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<v Speaker 4>on the bubble of cancelation. We have a similar best

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<v Speaker 4>case scenario in our lives and we wanted to see

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<v Speaker 4>what he thought. Now approaching Friday Night Light's twentieth anniversary, so.

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<v Speaker 1>Welcome to Pod meets World.

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<v Speaker 4>Ready to throw a perfect spiral to our hearts.

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<v Speaker 1>It's Zach Gilford.

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<v Speaker 2>Zach, are you.

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<v Speaker 8>Guys are so professional with your setups? I got this

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<v Speaker 8>stupid death though?

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<v Speaker 1>Is that a bunch of booze in the top left?

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<v Speaker 8>Don't worry about what's in the top.

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<v Speaker 6>To some breakfastin.

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<v Speaker 8>It's not using. It's just there for later.

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<v Speaker 1>Zach, thank you so much for hanging out with us.

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<v Speaker 4>We have been trying to get you on the podcast

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<v Speaker 4>for a while because we often talk about modern day

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<v Speaker 4>equivalents to Boy Meets World, and the best example we

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<v Speaker 4>can come up with is Friday Night Lights.

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<v Speaker 9>Well, that's way too kind because y'all show is like

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<v Speaker 9>iconic to me and people don't even know my character.

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<v Speaker 1>Name, So no, that's not true.

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<v Speaker 4>Actually, have you accepted that the first line of your

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<v Speaker 4>obituary will probably say Saracen.

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<v Speaker 8>It will probably say like Sorensen or something like that. No,

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<v Speaker 8>it's like people they're like Matt Scarison. I'm like, enough.

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<v Speaker 5>Now we still get like Boys meets Boys, get the

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<v Speaker 5>title right, and we're like, it's fun.

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<v Speaker 8>It's while ago it.

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<v Speaker 3>Was a show that's like, yeah, exactly, I was on

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<v Speaker 3>the show on the.

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<v Speaker 4>Oh. Well, next year is going to mark the twenty

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<v Speaker 4>twentieth anniversary since the premiere, fifteen years since it went

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<v Speaker 4>off the air. How often does Friday night Lights still

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<v Speaker 4>come up for you?

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<v Speaker 8>I mean all the time. Sorry, I have like fidget toys,

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<v Speaker 8>I can't sit still.

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<v Speaker 3>That's okay, it comes up a lot.

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<v Speaker 8>I mean it's great.

0:12:30.960 --> 0:12:32.760
<v Speaker 9>It's I mean, as you guys know, it's so cool

0:12:32.800 --> 0:12:36.839
<v Speaker 9>to be associated with something that holds such a.

0:12:36.760 --> 0:12:39.080
<v Speaker 8>Special part in people's lives.

0:12:39.120 --> 0:12:41.400
<v Speaker 9>And I think as actors, you're lucky to have one

0:12:41.559 --> 0:12:46.040
<v Speaker 9>project that really kind of strikes with people. And I

0:12:46.080 --> 0:12:49.520
<v Speaker 9>think for me, I always feel kind of like, because

0:12:49.520 --> 0:12:51.199
<v Speaker 9>I play Make Belief for a living.

0:12:52.880 --> 0:12:56.440
<v Speaker 8>To have people validate that for me good. It's really

0:12:56.520 --> 0:13:00.920
<v Speaker 8>nice because I love you believe. You're still getting baking

0:13:01.040 --> 0:13:02.760
<v Speaker 8>and I'm like, don't talk to my kids about it.

0:13:04.800 --> 0:13:07.920
<v Speaker 9>They're like, pretend you're a tiger and you said, Oh

0:13:08.000 --> 0:13:09.520
<v Speaker 9>my god, you're so cute. I'm like, oh my god,

0:13:09.520 --> 0:13:10.200
<v Speaker 9>you're so cute.

0:13:12.320 --> 0:13:13.760
<v Speaker 6>Let's try it again. Let's try it again.

0:13:16.240 --> 0:13:19.240
<v Speaker 8>A commitment. I can't.

0:13:20.559 --> 0:13:23.320
<v Speaker 4>I know that you grew up near Chicago. You're not

0:13:23.600 --> 0:13:25.600
<v Speaker 4>a Hollywood kid at all.

0:13:25.679 --> 0:13:27.600
<v Speaker 1>So how did you get into acting?

0:13:29.200 --> 0:13:31.800
<v Speaker 9>I mean I got into it, I mean my story,

0:13:32.920 --> 0:13:38.000
<v Speaker 9>your origin. I remember I saw Diehard Too and Bruce

0:13:38.040 --> 0:13:40.040
<v Speaker 9>Willis was hanging off the wing of a plane, and

0:13:40.080 --> 0:13:40.439
<v Speaker 9>I just.

0:13:40.360 --> 0:13:42.520
<v Speaker 8>Thought, that looks so cool. I want to do that.

0:13:43.200 --> 0:13:45.400
<v Speaker 8>And I realized the only way I'll ever do that

0:13:45.640 --> 0:13:46.040
<v Speaker 8>is if.

0:13:45.880 --> 0:13:48.360
<v Speaker 9>I'm an actor and I make believe to hang off

0:13:48.400 --> 0:13:49.199
<v Speaker 9>the wing of a plane.

0:13:50.080 --> 0:13:52.040
<v Speaker 8>Then I just said I want to be an actor.

0:13:52.240 --> 0:13:54.679
<v Speaker 9>My parents were very supportive, and they were like, well,

0:13:54.679 --> 0:13:56.040
<v Speaker 9>if you want to be an actor, you got to

0:13:56.040 --> 0:13:56.959
<v Speaker 9>go to Northwestern.

0:13:57.840 --> 0:13:59.080
<v Speaker 8>I grew up around Chicago.

0:14:00.760 --> 0:14:02.040
<v Speaker 3>I went to Northwestern.

0:14:02.160 --> 0:14:05.520
<v Speaker 2>Yeah, Bill, Bill Daniels, and Bonnie I think went to Northwestern.

0:14:05.640 --> 0:14:07.640
<v Speaker 8>Oh okay, yeah, yeah, pretty sure.

0:14:07.640 --> 0:14:08.320
<v Speaker 3>That's where they met.

0:14:08.440 --> 0:14:10.680
<v Speaker 9>They brainwashed people into thinking it's one of the top

0:14:10.720 --> 0:14:14.360
<v Speaker 9>acting schools. So I was brainwashed earlier that I had

0:14:14.360 --> 0:14:17.000
<v Speaker 9>to go there, and and everyone was surprised I got

0:14:17.000 --> 0:14:19.760
<v Speaker 9>in me more than anyone, and I went there and

0:14:20.640 --> 0:14:23.640
<v Speaker 9>you know, just took classes, did a bunch of plays,

0:14:23.720 --> 0:14:27.600
<v Speaker 9>and then I just got very very very lucky early

0:14:27.640 --> 0:14:32.640
<v Speaker 9>in my career. And not just lucky like preparation meets opportunity,

0:14:32.720 --> 0:14:34.560
<v Speaker 9>but like they didn't even want me for the show.

0:14:35.000 --> 0:14:38.520
<v Speaker 9>They wanted someone else and they couldn't work out the

0:14:38.640 --> 0:14:41.520
<v Speaker 9>dates with him. This kid was like already pre booked

0:14:41.560 --> 0:14:44.160
<v Speaker 9>on a Disney TV movie that was shooting in New Zealand,

0:14:44.760 --> 0:14:47.080
<v Speaker 9>and I guess his manager had, you know, just kept

0:14:47.080 --> 0:14:48.760
<v Speaker 9>telling NBC, we can work out the dates. We can

0:14:48.800 --> 0:14:51.840
<v Speaker 9>work out the dates, and they kept trying, and they

0:14:51.840 --> 0:14:54.600
<v Speaker 9>finally are like, we shoot this show in like four days,

0:14:55.200 --> 0:14:57.320
<v Speaker 9>and they didn't have time to cast anyone else. And

0:14:57.360 --> 0:14:59.800
<v Speaker 9>I was the first to have tested against him, and

0:14:59.840 --> 0:15:03.640
<v Speaker 9>just by default because people wanted this kid, and Linda Lowie,

0:15:03.640 --> 0:15:05.440
<v Speaker 9>the casting director, was like, well, you need to have

0:15:05.440 --> 0:15:07.320
<v Speaker 9>someone else there. He's like, I don't need anyone else there.

0:15:07.400 --> 0:15:09.600
<v Speaker 9>That's who I want, and they're like, well, just bring

0:15:09.640 --> 0:15:12.000
<v Speaker 9>someone else in. He's like why, and Linda was like,

0:15:12.080 --> 0:15:12.840
<v Speaker 9>well what about Zach.

0:15:12.880 --> 0:15:13.400
<v Speaker 2>He was good.

0:15:13.720 --> 0:15:15.680
<v Speaker 8>He's like, I don't care, bring it. Sorry. He was like,

0:15:15.720 --> 0:15:17.040
<v Speaker 8>I don't care, bring whoever you want.

0:15:17.120 --> 0:15:20.680
<v Speaker 9>And then I was last man standing and got the

0:15:20.800 --> 0:15:21.920
<v Speaker 9>job and just did my best.

0:15:22.440 --> 0:15:27.440
<v Speaker 2>Wow, I'm sorry, I have why why did you start

0:15:27.480 --> 0:15:28.640
<v Speaker 2>with die Hard too?

0:15:29.080 --> 0:15:31.200
<v Speaker 1>Yeah? Not even one.

0:15:31.920 --> 0:15:35.480
<v Speaker 9>I didn't want to walk across broken glass, you know,

0:15:37.080 --> 0:15:37.400
<v Speaker 9>I don't know.

0:15:37.400 --> 0:15:39.240
<v Speaker 8>I just remember that being the moment when I was like,

0:15:40.320 --> 0:15:42.600
<v Speaker 8>that seems fun. Yeah, I want to do that, and

0:15:42.640 --> 0:15:44.520
<v Speaker 8>I guess this is the only way it's going to happen.

0:15:45.240 --> 0:15:48.240
<v Speaker 4>So you did that one test where you tested opposite

0:15:48.280 --> 0:15:50.480
<v Speaker 4>the guy they really wanted I know who?

0:15:53.480 --> 0:15:53.880
<v Speaker 8>Yeah.

0:15:54.080 --> 0:15:56.840
<v Speaker 9>No, I actually I had auditioned originally for Taylor Kitchen's

0:15:56.920 --> 0:16:00.400
<v Speaker 9>role for Riggins while I was in New York, and

0:16:00.440 --> 0:16:02.120
<v Speaker 9>it was like a month later because I was before

0:16:02.160 --> 0:16:04.960
<v Speaker 9>the holidays. And then it was January and I was

0:16:05.000 --> 0:16:08.480
<v Speaker 9>in LA for my first pilot season and my manager

0:16:08.600 --> 0:16:10.440
<v Speaker 9>was like, they want to see you again for Friday Lights.

0:16:10.480 --> 0:16:13.600
<v Speaker 8>I said, oh great. When he said this afternoon, I

0:16:13.640 --> 0:16:16.400
<v Speaker 8>was like, I literally just drove into La. I'm not

0:16:16.440 --> 0:16:18.000
<v Speaker 8>even into the place I'm staying yet.

0:16:18.040 --> 0:16:20.560
<v Speaker 9>So I went I printed like I think I have

0:16:20.600 --> 0:16:22.560
<v Speaker 9>the sides in my email somewhere, and I went to

0:16:22.600 --> 0:16:27.480
<v Speaker 9>Starbucks and like hand wrote the sides out and remember these.

0:16:27.520 --> 0:16:28.080
<v Speaker 8>And I go in.

0:16:28.200 --> 0:16:30.680
<v Speaker 9>I talked to Linda Lowie and she's like, okay, great,

0:16:30.880 --> 0:16:32.520
<v Speaker 9>you're a read. I said, yeah, let's go and she

0:16:32.600 --> 0:16:34.400
<v Speaker 9>said you're reading for Matt right, And I was like

0:16:35.040 --> 0:16:39.280
<v Speaker 9>what I thought I was reading for Tim. She's like, oh, no,

0:16:39.360 --> 0:16:39.800
<v Speaker 9>I wanted to.

0:16:39.760 --> 0:16:40.560
<v Speaker 8>See you for Matt.

0:16:40.600 --> 0:16:43.280
<v Speaker 9>And I said, oh, well, can I just look at

0:16:43.320 --> 0:16:45.480
<v Speaker 9>it real quick? Like can I have five minutes you

0:16:45.480 --> 0:16:48.080
<v Speaker 9>can see someone else? And then she said don't don't

0:16:48.080 --> 0:16:49.840
<v Speaker 9>worry about it, and I said no.

0:16:49.680 --> 0:16:51.600
<v Speaker 8>No, I'm very worried. I would love to do this.

0:16:52.280 --> 0:16:53.880
<v Speaker 9>Look, I'll do cold read. Just give it to me,

0:16:53.960 --> 0:16:55.760
<v Speaker 9>like I'll go. And she was like, no, no, I'm

0:16:55.800 --> 0:16:57.600
<v Speaker 9>sure you'll be fine. I'll bring you in for producers

0:16:57.640 --> 0:17:00.640
<v Speaker 9>next week. And I was like okay. So there was

0:17:00.680 --> 0:17:04.960
<v Speaker 9>like many roles, rolls, rounds of you know, going in

0:17:04.960 --> 0:17:06.200
<v Speaker 9>my first time. When I was suposed to go in

0:17:06.240 --> 0:17:10.440
<v Speaker 9>for producers, Pete Berg came story like. I was like, next,

0:17:10.480 --> 0:17:12.359
<v Speaker 9>I was in the on deck chair sitting by the

0:17:12.400 --> 0:17:14.719
<v Speaker 9>door to go in, and he like stormed out on

0:17:14.760 --> 0:17:17.640
<v Speaker 9>the phone and got in the elemantor and the.

0:17:17.440 --> 0:17:20.240
<v Speaker 8>Casting came out and said sorry, he just needed to

0:17:20.240 --> 0:17:22.440
<v Speaker 8>take a phone call. He'll be back in a minute.

0:17:22.480 --> 0:17:24.600
<v Speaker 9>I was like, okay, I mean, I got no order

0:17:24.600 --> 0:17:28.560
<v Speaker 9>to be And so then he came back in and

0:17:28.640 --> 0:17:31.280
<v Speaker 9>there's this kid who I'm convinced just for the lore

0:17:31.359 --> 0:17:34.399
<v Speaker 9>of the story was the kid that he wanted, and

0:17:34.440 --> 0:17:35.800
<v Speaker 9>it was this I call.

0:17:35.760 --> 0:17:39.480
<v Speaker 8>Him football Boy. He's literally holding a football for the audition,

0:17:40.400 --> 0:17:46.120
<v Speaker 8>like bro, like what a nerd? And of course Pete

0:17:46.119 --> 0:17:48.520
<v Speaker 8>Burg goes, who are you. He's like, I'm I don't

0:17:48.520 --> 0:17:49.280
<v Speaker 8>even remember his name.

0:17:49.359 --> 0:17:50.040
<v Speaker 6>Football guy.

0:17:50.359 --> 0:17:52.479
<v Speaker 8>Yeah, he's like, I'm a football boy. And he's like,

0:17:52.520 --> 0:17:55.160
<v Speaker 8>I want to see football boy. And the casting director

0:17:55.240 --> 0:17:55.720
<v Speaker 8>was like, well.

0:17:55.600 --> 0:17:57.680
<v Speaker 9>It's Zach's up. We can see football boy. Next he

0:17:57.760 --> 0:17:59.920
<v Speaker 9>was like, no, I want to see football boy. They're like, okay, Zach,

0:18:00.040 --> 0:18:01.960
<v Speaker 9>you might like I don't mind, Sure, go ahead, st

0:18:02.040 --> 0:18:05.240
<v Speaker 9>I have fun, right, So football boy goes.

0:18:05.080 --> 0:18:06.520
<v Speaker 6>In, go for it, Brad.

0:18:07.000 --> 0:18:10.440
<v Speaker 9>Yeah. Football boy comes out, and then Pete Burg comes

0:18:10.440 --> 0:18:11.960
<v Speaker 9>out again and gets the elevator.

0:18:11.560 --> 0:18:14.760
<v Speaker 8>And leaves again. Oh Goshin comes out again and says.

0:18:14.600 --> 0:18:17.399
<v Speaker 9>I'm so sorry Pete had to leave reading to the

0:18:17.400 --> 0:18:20.760
<v Speaker 9>other producers. Of course, you're like, no, I don't mind

0:18:20.760 --> 0:18:22.520
<v Speaker 9>reading for the producer so I go in, I read,

0:18:22.520 --> 0:18:24.119
<v Speaker 9>and then like, we're gonna bring it back for Pete.

0:18:24.200 --> 0:18:26.480
<v Speaker 8>And then oh gosh, I came back for Pete.

0:18:26.480 --> 0:18:28.399
<v Speaker 9>And then I tested for the studio and got to

0:18:28.400 --> 0:18:30.880
<v Speaker 9>go to the network. And the super fun thing about

0:18:30.920 --> 0:18:33.199
<v Speaker 9>Pete Burg and the way we did that show is

0:18:33.240 --> 0:18:35.879
<v Speaker 9>he likes to improve a lot. So I go in

0:18:35.920 --> 0:18:39.040
<v Speaker 9>for my network test, which is at that point in time,

0:18:39.119 --> 0:18:40.840
<v Speaker 9>it was the version where you go into a room

0:18:40.840 --> 0:18:43.480
<v Speaker 9>and there's all these execs sitting on like window sills

0:18:43.520 --> 0:18:47.720
<v Speaker 9>and like desks and like in one office, and Pete's like,

0:18:47.760 --> 0:18:49.720
<v Speaker 9>all right, I'm gonna read with you, like okay, and

0:18:49.760 --> 0:18:51.320
<v Speaker 9>he gives me the first line of the scene, which

0:18:51.359 --> 0:18:53.679
<v Speaker 9>is with my Grandma, and I give him a second

0:18:53.680 --> 0:18:54.800
<v Speaker 9>and then he just starts.

0:18:54.520 --> 0:18:55.280
<v Speaker 8>Making it up.

0:18:55.720 --> 0:18:56.639
<v Speaker 1>Oh my gosh.

0:18:56.680 --> 0:18:58.040
<v Speaker 9>I was just like in my head, I was just like,

0:18:58.080 --> 0:19:01.040
<v Speaker 9>I guess I'll just go with it. And he did

0:19:01.040 --> 0:19:02.639
<v Speaker 9>that to everyone. I think part of it was that's

0:19:02.640 --> 0:19:04.080
<v Speaker 9>the way he likes to work on sets. We wanted

0:19:04.119 --> 0:19:08.159
<v Speaker 9>to see, yeah, sure could do it, so you know,

0:19:08.280 --> 0:19:11.520
<v Speaker 9>eventually blah blah blah, football boy couldn't do it.

0:19:11.400 --> 0:19:14.240
<v Speaker 1>And so there it was unbelievable.

0:19:14.280 --> 0:19:17.480
<v Speaker 3>Well, you were great, but you weren't holding the football next, you.

0:19:17.480 --> 0:19:19.480
<v Speaker 1>Know, and no imagination.

0:19:20.119 --> 0:19:21.720
<v Speaker 8>I brought a prop to every audition.

0:19:21.840 --> 0:19:30.600
<v Speaker 4>So now, had you read the book or seen the

0:19:30.640 --> 0:19:32.280
<v Speaker 4>documentary before you read the pilot?

0:19:32.680 --> 0:19:32.920
<v Speaker 8>Both?

0:19:33.000 --> 0:19:36.399
<v Speaker 9>Yeah, I'd seen the movie and I loved it. And

0:19:37.160 --> 0:19:39.520
<v Speaker 9>I actually had read the book because I loved.

0:19:39.359 --> 0:19:42.240
<v Speaker 8>The movie so much and I'm a pretty avid reader.

0:19:43.760 --> 0:19:46.520
<v Speaker 9>And Pete said, which is really cool, that when he

0:19:46.560 --> 0:19:48.439
<v Speaker 9>was making the movie, he realized it needed to be

0:19:48.480 --> 0:19:51.800
<v Speaker 9>a TV show because he said, you know, I have

0:19:51.880 --> 0:19:53.919
<v Speaker 9>ninety minutes to tell one story. It's the story of

0:19:53.920 --> 0:19:56.200
<v Speaker 9>the season of this team, and the movie was based

0:19:56.240 --> 0:19:59.000
<v Speaker 9>on a true story, so you have to tell that.

0:19:59.040 --> 0:20:00.520
<v Speaker 9>But he was like, I want to know story about

0:20:00.520 --> 0:20:04.080
<v Speaker 9>this car salesman or you know Connie Britton's she was

0:20:04.119 --> 0:20:06.080
<v Speaker 9>the coach's wife in the movie, and they wanted to

0:20:06.080 --> 0:20:08.120
<v Speaker 9>hear do the show, and she said no several times

0:20:08.119 --> 0:20:11.000
<v Speaker 9>because she's just appt I wasn't in the movie, like

0:20:11.040 --> 0:20:13.720
<v Speaker 9>my goal was on the cutting room floor, and he

0:20:14.000 --> 0:20:15.840
<v Speaker 9>just had to convince her and say, no, no, no, the

0:20:15.880 --> 0:20:18.560
<v Speaker 9>show is going to be it's not about football, which

0:20:18.600 --> 0:20:20.959
<v Speaker 9>became kind of like the big thing with the show, right,

0:20:22.040 --> 0:20:24.240
<v Speaker 9>and you know, obviously she went on to be nominated

0:20:24.240 --> 0:20:25.960
<v Speaker 9>for Emmys and all this sort of stuff.

0:20:25.960 --> 0:20:28.199
<v Speaker 8>It was an amazing role, but it is it's not

0:20:28.480 --> 0:20:29.920
<v Speaker 8>about football.

0:20:29.960 --> 0:20:32.359
<v Speaker 9>It's about this town and this culture and these people

0:20:32.440 --> 0:20:35.800
<v Speaker 9>and how it affects them. And you know, I last

0:20:36.200 --> 0:20:37.720
<v Speaker 9>a couple of years ago, for the first time I

0:20:37.720 --> 0:20:40.560
<v Speaker 9>ever went back and watched some of the show, and

0:20:40.600 --> 0:20:43.840
<v Speaker 9>I was really not surprised but excited.

0:20:43.359 --> 0:20:44.439
<v Speaker 8>How well it held up.

0:20:44.440 --> 0:20:47.879
<v Speaker 9>But it really made me realize, man, like some of

0:20:47.880 --> 0:20:50.679
<v Speaker 9>the actors on that show, like Adrian Pelicky is just

0:20:50.720 --> 0:20:52.359
<v Speaker 9>like the unsung hero of that show.

0:20:52.400 --> 0:20:55.160
<v Speaker 8>I feel like what she brought to this character that's

0:20:55.160 --> 0:20:56.880
<v Speaker 8>supposed to just be like, you.

0:20:56.840 --> 0:21:01.800
<v Speaker 9>Know, the kind of like not slutty, but like promiscuous,

0:21:02.320 --> 0:21:06.800
<v Speaker 9>tall blonde who's not a cheerleader, and how they fleshed

0:21:06.800 --> 0:21:09.080
<v Speaker 9>out that character and she just brought so much to it.

0:21:09.160 --> 0:21:11.800
<v Speaker 9>And then you know, had the infamous season two storyline

0:21:11.840 --> 0:21:12.560
<v Speaker 9>of the murder with.

0:21:12.640 --> 0:21:15.920
<v Speaker 4>Justin Yeah I wanted to get into the murder, oh.

0:21:15.800 --> 0:21:20.040
<v Speaker 9>Yeah, and like only a future Oscar nominated actor and

0:21:20.080 --> 0:21:23.600
<v Speaker 9>Adrian could pull off this plot line because the whole

0:21:23.600 --> 0:21:25.840
<v Speaker 9>time I'm watching him like this storyline is so bad.

0:21:26.200 --> 0:21:28.040
<v Speaker 8>But they're so good at acting it.

0:21:28.560 --> 0:21:31.760
<v Speaker 4>Yeah, So I want to talk to you about the

0:21:31.840 --> 0:21:36.360
<v Speaker 4>murder because, uh, they decided it was season two, right

0:21:36.600 --> 0:21:39.120
<v Speaker 4>that they decided to bring in the storyline of a murder.

0:21:39.320 --> 0:21:43.280
<v Speaker 8>Well, no, actually it was season one. In the finalite,

0:21:43.560 --> 0:21:46.880
<v Speaker 8>they have no so they do the whole murder, okay.

0:21:46.680 --> 0:21:48.520
<v Speaker 9>And I remember reading it and talking to Sarah auvery

0:21:48.600 --> 0:21:50.600
<v Speaker 9>one of our producers, and I wasn't involved in it.

0:21:50.520 --> 0:21:54.439
<v Speaker 8>That I was like, this seems like a bit of

0:21:54.440 --> 0:21:57.440
<v Speaker 8>a stretch, I know, but we just.

0:21:57.359 --> 0:21:59.960
<v Speaker 9>Think and we just we really wanted a world where

0:22:00.080 --> 0:22:03.239
<v Speaker 9>we really linked Tyra and Landry together because we just

0:22:03.320 --> 0:22:05.439
<v Speaker 9>love those two characters together, and we thought we'd give

0:22:05.480 --> 0:22:08.399
<v Speaker 9>it a try. And she told me before permiere, she

0:22:08.480 --> 0:22:09.879
<v Speaker 9>was like, you're gonna be really happy. We had to

0:22:09.880 --> 0:22:12.960
<v Speaker 9>cut the murder storyline, like it just didn't fit in

0:22:13.000 --> 0:22:15.239
<v Speaker 9>the finale. I was like, oh, thank goodness. And then

0:22:15.280 --> 0:22:16.919
<v Speaker 9>we go back for a season two. They're like, but

0:22:17.000 --> 0:22:21.560
<v Speaker 9>we loved it so much. So this poor guy that

0:22:21.600 --> 0:22:24.600
<v Speaker 9>they murdered in the finale season one, not poor guy,

0:22:24.600 --> 0:22:26.200
<v Speaker 9>he got paid again, but like he had to come

0:22:26.200 --> 0:22:27.320
<v Speaker 9>in and get murdered again.

0:22:29.359 --> 0:22:33.679
<v Speaker 4>Okay, it was a pretty flawless show. Up until the

0:22:33.720 --> 0:22:38.360
<v Speaker 4>point of that storyline, and then it was pretty universally

0:22:38.400 --> 0:22:44.200
<v Speaker 4>agreed this was not good and so how.

0:22:43.840 --> 0:22:47.240
<v Speaker 1>Did they just move on from that?

0:22:47.440 --> 0:22:50.720
<v Speaker 4>Like, let's pretend that didn't happen and not mention it again.

0:22:50.800 --> 0:22:53.879
<v Speaker 2>SOWANSI lands the motorcycle after he jumps the shark.

0:22:54.000 --> 0:22:56.200
<v Speaker 3>That's how you keep going totally.

0:22:56.280 --> 0:22:58.120
<v Speaker 8>I think it's It's one of the beauties of TV

0:22:58.880 --> 0:22:59.480
<v Speaker 8>is you can.

0:22:59.400 --> 0:23:02.000
<v Speaker 1>Just yeah, ten things didn't happen right right.

0:23:02.359 --> 0:23:05.399
<v Speaker 9>And you know we we wel always ust around. Like

0:23:05.440 --> 0:23:06.760
<v Speaker 9>I said, we got to improv a lot, and so

0:23:06.880 --> 0:23:08.159
<v Speaker 9>often in scenes.

0:23:07.760 --> 0:23:11.240
<v Speaker 8>For the duration of the show, we'd be, you know,

0:23:11.280 --> 0:23:13.320
<v Speaker 8>shooting some scene in the locker room or something and

0:23:13.359 --> 0:23:14.119
<v Speaker 8>just out of know everything.

0:23:14.240 --> 0:23:19.720
<v Speaker 9>Oh hey, hey, remember when you murdered that guy?

0:23:18.800 --> 0:23:23.800
<v Speaker 8>That was crazy. I'm glad you got away with it.

0:23:29.040 --> 0:23:30.919
<v Speaker 4>I want to talk to you about I want to

0:23:31.119 --> 0:23:34.440
<v Speaker 4>flatter you a bit, because it is true. You play

0:23:34.520 --> 0:23:40.040
<v Speaker 4>Saracen with such a subtle under just a really subtle performance,

0:23:40.280 --> 0:23:43.240
<v Speaker 4>and you have a lot of layers. When I have

0:23:43.400 --> 0:23:48.120
<v Speaker 4>worked with young actors who aren't super experienced, the usual

0:23:48.840 --> 0:23:51.199
<v Speaker 4>go to is they turn it up to eleven and

0:23:51.240 --> 0:23:55.160
<v Speaker 4>we're always trying to bring people back. How did you

0:23:55.240 --> 0:23:58.439
<v Speaker 4>just kind of instinctually or how did you know to

0:23:58.600 --> 0:24:01.200
<v Speaker 4>play so many off layers and emotions?

0:24:01.560 --> 0:24:05.320
<v Speaker 9>Ah, Man, I don't know. I think I think again,

0:24:05.359 --> 0:24:07.919
<v Speaker 9>I think I got lucky. I think I'm very scared

0:24:08.000 --> 0:24:09.440
<v Speaker 9>to do anything over the top.

0:24:09.640 --> 0:24:14.640
<v Speaker 1>Ever, okay, me too, Not true, Not true.

0:24:16.920 --> 0:24:19.000
<v Speaker 8>So I just try to underplay everything.

0:24:19.119 --> 0:24:21.040
<v Speaker 9>And you know, after a while, as you guys know

0:24:21.160 --> 0:24:23.760
<v Speaker 9>so well on TV, you know your character so well,

0:24:23.840 --> 0:24:27.600
<v Speaker 9>and on the pilot even we got rewrites, you know,

0:24:27.840 --> 0:24:30.040
<v Speaker 9>at that point they were slid under our hotel room

0:24:30.080 --> 0:24:33.000
<v Speaker 9>door and it was blue pages, yellow pages, whatever. And

0:24:33.040 --> 0:24:35.119
<v Speaker 9>I remember going up to Pete Bergen saying, Hey, I

0:24:35.119 --> 0:24:37.320
<v Speaker 9>think can we talk about these rewrites? And he was

0:24:37.359 --> 0:24:39.560
<v Speaker 9>like huh, And I was like, I just feel like

0:24:40.600 --> 0:24:43.080
<v Speaker 9>you gave me too many lines, Like this kid doesn't

0:24:43.320 --> 0:24:47.280
<v Speaker 9>talk a lot, and like now he's like and he

0:24:47.359 --> 0:24:48.639
<v Speaker 9>was like, what are you talking about.

0:24:49.119 --> 0:24:51.880
<v Speaker 8>It's like the rewrits we got to goes. Don't read those,

0:24:51.920 --> 0:24:52.880
<v Speaker 8>We're not gonna shoot those.

0:24:52.920 --> 0:24:55.040
<v Speaker 9>Those are just for the studio because they don't understand

0:24:55.080 --> 0:24:56.760
<v Speaker 9>what's going on, so we have to spell it out.

0:24:58.280 --> 0:24:58.760
<v Speaker 8>So often.

0:24:58.920 --> 0:25:00.840
<v Speaker 9>And I think a lot of this trick down obviously

0:25:00.920 --> 0:25:03.120
<v Speaker 9>from Pete, and then Jeffrey Ryaner who I was, who

0:25:03.160 --> 0:25:05.520
<v Speaker 9>was our producing director, took over and I think really

0:25:06.320 --> 0:25:07.960
<v Speaker 9>took the baton from Pete really well.

0:25:08.560 --> 0:25:11.560
<v Speaker 8>But Kyle was great about it, where you would get

0:25:11.560 --> 0:25:13.400
<v Speaker 8>these long, page long.

0:25:13.400 --> 0:25:17.720
<v Speaker 9>TV monologues that just really laid pipe and explained everything,

0:25:18.240 --> 0:25:21.080
<v Speaker 9>just to make sure the audience really understood what was

0:25:21.119 --> 0:25:24.600
<v Speaker 9>going on inside of a character. And Kylo would be like,

0:25:24.680 --> 0:25:28.480
<v Speaker 9>I'm just gonna say this one sentence, that's it. I'd

0:25:28.520 --> 0:25:31.280
<v Speaker 9>be like, you're right, that is all we need. I

0:25:31.320 --> 0:25:32.879
<v Speaker 9>had this one, I think it was season two. My

0:25:32.960 --> 0:25:36.520
<v Speaker 9>dad comes back from you know, Iraq or something, and

0:25:36.600 --> 0:25:38.719
<v Speaker 9>I just remember being in the he's like working as

0:25:38.720 --> 0:25:40.440
<v Speaker 9>a used car sales and I got him the job

0:25:40.480 --> 0:25:42.359
<v Speaker 9>and I go up and there's been all this friction

0:25:42.760 --> 0:25:44.080
<v Speaker 9>and they gave me this whole long.

0:25:43.960 --> 0:25:46.640
<v Speaker 8>Thing and and part of one line was like Dad,

0:25:46.760 --> 0:25:49.359
<v Speaker 8>look at me. I'm a man now. And I was

0:25:49.400 --> 0:25:52.760
<v Speaker 8>just like, oh god, I'm not going to say that.

0:25:52.920 --> 0:25:54.800
<v Speaker 9>And like what it boiled down to was on said

0:25:54.800 --> 0:25:57.680
<v Speaker 9>I just said, Dad, I got this, and they're like, yeah,

0:25:57.680 --> 0:26:01.800
<v Speaker 9>that's all we need. That's great, that explains it. So

0:26:02.080 --> 0:26:03.399
<v Speaker 9>I think we liked that in that. But really I

0:26:03.440 --> 0:26:07.240
<v Speaker 9>think a lot of us learn from Kyle just how to, like,

0:26:08.560 --> 0:26:10.959
<v Speaker 9>you know, explain, not explain the show what's going on

0:26:11.040 --> 0:26:16.359
<v Speaker 9>with a character, not by explaining it, which I don't know.

0:26:16.440 --> 0:26:17.960
<v Speaker 8>It was the tone of the show. I learned so

0:26:18.119 --> 0:26:22.440
<v Speaker 8>much from it. I think one of my strengths now

0:26:22.600 --> 0:26:24.640
<v Speaker 8>when I'm working is being able to.

0:26:24.560 --> 0:26:29.640
<v Speaker 9>Boil things down kind of like cut some fat. And

0:26:29.680 --> 0:26:33.040
<v Speaker 9>I've been really lucky to work with a lot of creators,

0:26:33.080 --> 0:26:34.959
<v Speaker 9>a lot of writers who are very open to it

0:26:35.000 --> 0:26:37.120
<v Speaker 9>and very much know, like this thing has gone through

0:26:37.119 --> 0:26:39.520
<v Speaker 9>so many drafts and you know the characters so well,

0:26:39.520 --> 0:26:44.080
<v Speaker 9>and now we're collaborating with you. So it's it's always

0:26:44.520 --> 0:26:46.879
<v Speaker 9>fun for me to see, like how how how few

0:26:47.080 --> 0:26:51.560
<v Speaker 9>lines can I say across when I have one? One

0:26:51.600 --> 0:26:55.600
<v Speaker 9>director I worked with several times and I love him,

0:26:55.760 --> 0:26:59.040
<v Speaker 9>and he was like, I also do this thing where

0:26:59.040 --> 0:27:00.320
<v Speaker 9>a lot of times I'll be like, I don't think

0:27:00.359 --> 0:27:05.199
<v Speaker 9>I need to be in this scene.

0:27:05.880 --> 0:27:07.639
<v Speaker 8>I mean, you know you're gonna have to shoot so

0:27:07.680 --> 0:27:10.560
<v Speaker 8>many angles. I don't think I'm important and you could

0:27:10.560 --> 0:27:12.360
<v Speaker 8>get out of here in two hours instead of four.

0:27:12.760 --> 0:27:14.840
<v Speaker 8>And he was like, Zach is the only actor I've

0:27:14.880 --> 0:27:16.320
<v Speaker 8>ever met who doesn't want to act.

0:27:16.600 --> 0:27:19.600
<v Speaker 2>Yeah, so far you've said there's too many lines.

0:27:19.720 --> 0:27:21.360
<v Speaker 3>I don't need to be in the scene. These are

0:27:21.359 --> 0:27:23.960
<v Speaker 3>things on no actors Bengo card Ever.

0:27:24.200 --> 0:27:25.680
<v Speaker 8>I think I also just did so much because that

0:27:25.720 --> 0:27:27.680
<v Speaker 8>was a football shuttle. So there's so many scenes where

0:27:27.680 --> 0:27:29.680
<v Speaker 8>you're in them but not in them. It's like it's

0:27:29.680 --> 0:27:32.880
<v Speaker 8>in the locker room there, you gotta be there.

0:27:32.960 --> 0:27:34.800
<v Speaker 9>So I mean, if I don't know how much you'll

0:27:34.800 --> 0:27:37.320
<v Speaker 9>actually see, but there's so many scenes where you'll probably

0:27:37.359 --> 0:27:39.600
<v Speaker 9>see me in the background just tying my shoe, yeah,

0:27:39.760 --> 0:27:40.600
<v Speaker 9>and then walking out.

0:27:40.640 --> 0:27:42.520
<v Speaker 8>I'm like, if I mean, I don't know what I'm doing.

0:27:42.800 --> 0:27:44.720
<v Speaker 1>I come in, I grab an apple, and I leave.

0:27:45.000 --> 0:27:48.080
<v Speaker 8>Yeah, exactly. I put on my shoulder pads and so

0:27:48.200 --> 0:27:48.480
<v Speaker 8>I did.

0:27:48.560 --> 0:27:51.720
<v Speaker 9>I recently was directing in an episode of something that

0:27:51.800 --> 0:27:55.160
<v Speaker 9>I was working on, Criminal Minds, and I told our idea.

0:27:55.200 --> 0:27:57.639
<v Speaker 9>I was like, I want in the background one of

0:27:57.680 --> 0:27:59.960
<v Speaker 9>these FBI agents to stop and tie their shoe.

0:28:02.320 --> 0:28:03.840
<v Speaker 1>That's what happens in real life we have.

0:28:05.280 --> 0:28:07.400
<v Speaker 8>Yeah, I was like, I don't want you to tell

0:28:07.400 --> 0:28:09.680
<v Speaker 8>me who it is. I just wanted to happen. It's

0:28:09.680 --> 0:28:11.879
<v Speaker 8>gonna be like a game of where's Waldo? For me?

0:28:13.240 --> 0:28:15.199
<v Speaker 9>And it was just like this game that we played

0:28:15.760 --> 0:28:18.399
<v Speaker 9>and it so is like in the background I can

0:28:18.480 --> 0:28:21.399
<v Speaker 9>see it. I'm so mad because in the cut I

0:28:21.480 --> 0:28:23.640
<v Speaker 9>see the guy walk in and start to bend down

0:28:23.680 --> 0:28:25.840
<v Speaker 9>and just at the angle you can't see it happen.

0:28:26.800 --> 0:28:28.200
<v Speaker 9>It was a really fun game we played.

0:28:28.800 --> 0:28:33.000
<v Speaker 5>So you were you guys improv all through all five seasons.

0:28:33.080 --> 0:28:36.439
<v Speaker 5>You were always allowed to like sort of yeah, I

0:28:36.440 --> 0:28:39.040
<v Speaker 5>mean that that sets you up. I mean I think

0:28:39.040 --> 0:28:41.120
<v Speaker 5>that's amazing. But there are a lot of sets where

0:28:41.160 --> 0:28:43.960
<v Speaker 5>they don't want that. So have you run into the

0:28:44.000 --> 0:28:46.200
<v Speaker 5>problem of like trying to do it on another set

0:28:46.240 --> 0:28:47.920
<v Speaker 5>and like they'll be like, say, what's written?

0:28:48.480 --> 0:28:53.200
<v Speaker 9>Yeah, and a little bit. I will say most most sets.

0:28:53.240 --> 0:28:58.000
<v Speaker 9>I have not been on Gilmore Girls, Oddly enough, I did.

0:28:58.480 --> 0:29:01.440
<v Speaker 9>I auditioned for Aaron Sorkin one, and this feedback was like,

0:29:02.320 --> 0:29:03.720
<v Speaker 9>good job, you knew all the lines.

0:29:05.320 --> 0:29:06.600
<v Speaker 3>Well, that's what it takes to be on a narrow

0:29:06.640 --> 0:29:07.240
<v Speaker 3>sorcin show.

0:29:07.360 --> 0:29:10.000
<v Speaker 2>Yeah, can you talk and say all the lines at

0:29:10.040 --> 0:29:10.520
<v Speaker 2>the same time.

0:29:10.600 --> 0:29:12.680
<v Speaker 3>Great, you're an actor, baste. Yeah, that's it.

0:29:12.920 --> 0:29:15.160
<v Speaker 9>But most people love to collaborate and they like really

0:29:15.200 --> 0:29:19.680
<v Speaker 9>respect what actors bring to it, and I think I'm.

0:29:19.640 --> 0:29:21.520
<v Speaker 8>Very fortunate to be a point in my career where

0:29:21.520 --> 0:29:24.920
<v Speaker 8>people know, like they know who I.

0:29:24.880 --> 0:29:26.680
<v Speaker 9>Am and they think I know what they're getting. And

0:29:27.120 --> 0:29:29.360
<v Speaker 9>I always try to now as opposed to just mess around.

0:29:29.400 --> 0:29:31.160
<v Speaker 9>Like there's certain things on set where like I just

0:29:31.480 --> 0:29:33.640
<v Speaker 9>it's in the moment I'm like, oh, this is what

0:29:33.760 --> 0:29:36.400
<v Speaker 9>needs to happen, or it's ever like I'm just going

0:29:36.480 --> 0:29:38.120
<v Speaker 9>to change the scene.

0:29:38.280 --> 0:29:41.400
<v Speaker 8>What's happening right now. The real thing that happened would

0:29:41.400 --> 0:29:41.600
<v Speaker 8>be this.

0:29:43.520 --> 0:29:45.240
<v Speaker 9>But I try to like go through it and do

0:29:45.280 --> 0:29:47.560
<v Speaker 9>my homework before and go to the give them the

0:29:47.600 --> 0:29:51.000
<v Speaker 9>respect of like, hey, I want to change this to this.

0:29:51.080 --> 0:29:52.080
<v Speaker 8>I kind of want to do that.

0:29:52.200 --> 0:29:54.800
<v Speaker 9>I'm feeling here, I'm going to have this kind of

0:29:54.800 --> 0:29:56.680
<v Speaker 9>impulse and they're usually like, all right, great, let's see

0:29:56.720 --> 0:29:57.240
<v Speaker 9>what happens.

0:29:57.720 --> 0:30:02.080
<v Speaker 8>I do remember I didn't know this.

0:30:02.160 --> 0:30:04.760
<v Speaker 9>But so I just finished my run on Criminal Minds

0:30:04.800 --> 0:30:07.120
<v Speaker 9>and it was such an amazing set and they were

0:30:07.240 --> 0:30:10.440
<v Speaker 9>very open to my way of working, which was great

0:30:10.480 --> 0:30:15.440
<v Speaker 9>for me. And apparently they call it rehearsal Zach because

0:30:16.200 --> 0:30:20.080
<v Speaker 9>I don't rehearse. I'm like, I'm like, I'm like, what

0:30:20.200 --> 0:30:22.040
<v Speaker 9>is the point I'm not going to do this until

0:30:22.040 --> 0:30:24.920
<v Speaker 9>the cameras are running. They're like, and I'm just like,

0:30:25.000 --> 0:30:26.880
<v Speaker 9>I make fun of the lines the whole time if

0:30:26.880 --> 0:30:29.320
<v Speaker 9>we're rehearsing, which is kind of just like a jerk

0:30:29.360 --> 0:30:30.080
<v Speaker 9>move on my part.

0:30:30.120 --> 0:30:33.760
<v Speaker 8>But so apparently during we had had we were on

0:30:33.840 --> 0:30:34.160
<v Speaker 8>set and.

0:30:34.160 --> 0:30:36.360
<v Speaker 9>There was one line and I came up to Eric

0:30:36.360 --> 0:30:39.960
<v Speaker 9>our show and I was like, hey, Erica, hey this line.

0:30:40.000 --> 0:30:41.360
<v Speaker 9>She's like, You're not going to say it. I was

0:30:41.360 --> 0:30:43.360
<v Speaker 9>like yeah, She's like I could tell on the table

0:30:43.400 --> 0:30:43.920
<v Speaker 9>read you were.

0:30:43.800 --> 0:30:46.200
<v Speaker 8>Never going to say it. I said, I'm literally during

0:30:46.240 --> 0:30:47.720
<v Speaker 8>the table because it was on zoom, she said. I

0:30:47.760 --> 0:30:49.120
<v Speaker 8>turned to the director. I was like, he's never going

0:30:49.200 --> 0:30:49.840
<v Speaker 8>to say this line.

0:30:52.120 --> 0:30:54.640
<v Speaker 9>And then the funny thing is I didn't make the connection,

0:30:54.720 --> 0:30:56.880
<v Speaker 9>but I was so a j Cook, who's one of

0:30:56.880 --> 0:30:59.800
<v Speaker 9>my co stars, was joking about rehearsal Zach and this

0:30:59.880 --> 0:31:02.360
<v Speaker 9>was during the finale, and I was like yeah, and

0:31:02.360 --> 0:31:04.160
<v Speaker 9>I said the story about the table reach. He goes,

0:31:04.880 --> 0:31:08.400
<v Speaker 9>was it the line something about and I was like yes,

0:31:08.520 --> 0:31:10.600
<v Speaker 9>She's like that was my episode. I remember in the

0:31:10.640 --> 0:31:12.600
<v Speaker 9>table read, Eric attorney to me and be like, he's

0:31:12.600 --> 0:31:13.320
<v Speaker 9>never going to say it.

0:31:13.840 --> 0:31:17.600
<v Speaker 1>Bother Oh my gosh, that's so funny.

0:31:17.760 --> 0:31:20.520
<v Speaker 4>Another similarity between Friday Night Lights and Boy Meets World

0:31:20.600 --> 0:31:23.400
<v Speaker 4>is that we were both told that we were.

0:31:23.200 --> 0:31:25.360
<v Speaker 1>Always on the bubble. It must have.

0:31:25.400 --> 0:31:29.560
<v Speaker 4>Been very I mean we've heard nah since then that

0:31:29.680 --> 0:31:31.920
<v Speaker 4>we weren't as much on the bubble as.

0:31:31.760 --> 0:31:32.640
<v Speaker 1>We were told.

0:31:32.760 --> 0:31:33.400
<v Speaker 3>We didn't know that.

0:31:33.920 --> 0:31:36.200
<v Speaker 4>We did not know that. And literally, at the end

0:31:36.240 --> 0:31:40.840
<v Speaker 4>of every season, it was a big who knows, fingers crossed,

0:31:40.960 --> 0:31:44.000
<v Speaker 4>maybe we'll get to do another season.

0:31:44.360 --> 0:31:47.040
<v Speaker 1>Were did you have that same feeling? Were you always

0:31:47.240 --> 0:31:48.520
<v Speaker 1>nervous at the end of a season?

0:31:49.000 --> 0:31:51.720
<v Speaker 8>Oh? Yeah, I mean I think we are canceled twice.

0:31:53.280 --> 0:31:56.480
<v Speaker 9>And then I think it was and then a bunch

0:31:56.480 --> 0:31:58.840
<v Speaker 9>of people sent Light Bulbs to NBC because they were.

0:31:58.800 --> 0:31:59.920
<v Speaker 8>Owned by ge at the time.

0:32:00.000 --> 0:32:02.520
<v Speaker 9>I don't know if they still Oh, and there was

0:32:02.560 --> 0:32:06.000
<v Speaker 9>this ground swell which helped. And then so season's four

0:32:06.040 --> 0:32:10.480
<v Speaker 9>and five, Direct TV swooped in and they basically took

0:32:10.520 --> 0:32:14.080
<v Speaker 9>over half the cost of production and they got to

0:32:14.080 --> 0:32:16.760
<v Speaker 9>air it first on DirecTV in the fall, and then

0:32:16.800 --> 0:32:20.120
<v Speaker 9>it aired on NBC in the spring. So the last

0:32:20.120 --> 0:32:22.240
<v Speaker 9>two seasons, we knew we had two more seasons and

0:32:22.280 --> 0:32:25.920
<v Speaker 9>that was the end. But yeah, it always was like man,

0:32:26.040 --> 0:32:27.680
<v Speaker 9>I hope. I you know, as much as I wanted

0:32:27.680 --> 0:32:30.680
<v Speaker 9>to do the show, I also was like I just

0:32:30.720 --> 0:32:31.080
<v Speaker 9>need to.

0:32:31.000 --> 0:32:35.400
<v Speaker 1>Plan my rent in my yeah and got bills.

0:32:35.800 --> 0:32:36.080
<v Speaker 6>Yeah.

0:32:36.120 --> 0:32:36.680
<v Speaker 8>And it was me.

0:32:37.160 --> 0:32:40.040
<v Speaker 6>You were always critically doing incredibly well right like.

0:32:40.040 --> 0:32:43.040
<v Speaker 9>And it was really annoying, but it was like, I

0:32:43.040 --> 0:32:45.560
<v Speaker 9>feel like more people watch it now than did then,

0:32:45.760 --> 0:32:48.200
<v Speaker 9>and you know, they are a sour grapes about like

0:32:48.280 --> 0:32:51.480
<v Speaker 9>I think our first season we premiered on Tuesdays and everyone's.

0:32:51.120 --> 0:32:53.400
<v Speaker 8>Like, how could you put Friday Lights on Tuesdays? That's

0:32:53.440 --> 0:32:54.560
<v Speaker 8>confusing and I'm.

0:32:54.440 --> 0:32:59.720
<v Speaker 1>Like, really your calendar.

0:33:01.640 --> 0:33:06.360
<v Speaker 2>But ways, there another similarity that our shows have is

0:33:06.400 --> 0:33:11.640
<v Speaker 2>the fandom, because Friday Night Lights has a rabid fandom.

0:33:12.040 --> 0:33:14.200
<v Speaker 2>So have you had an opportunity, I mean we've we've

0:33:14.240 --> 0:33:16.440
<v Speaker 2>been really lucky in doing some conventions and things like

0:33:16.480 --> 0:33:18.280
<v Speaker 2>that where we can really get in there and interact

0:33:18.280 --> 0:33:21.600
<v Speaker 2>and see how much the show has impacted people. Have

0:33:21.640 --> 0:33:24.120
<v Speaker 2>you had that opportunity to kind of be with some

0:33:24.160 --> 0:33:26.560
<v Speaker 2>of your fans and realize how important Friday Night Lights

0:33:26.640 --> 0:33:27.280
<v Speaker 2>was to them?

0:33:27.480 --> 0:33:29.520
<v Speaker 9>I mean just in like passing people coming up to

0:33:29.520 --> 0:33:31.640
<v Speaker 9>me and stuff. I haven't done any consent or anything.

0:33:31.880 --> 0:33:34.520
<v Speaker 1>I have tried to get Zacha Khan agent.

0:33:35.320 --> 0:33:40.400
<v Speaker 8>I'm gonna do my first one, okay in Detroit next month.

0:33:40.560 --> 0:33:41.320
<v Speaker 8>But I've gone.

0:33:41.360 --> 0:33:42.960
<v Speaker 9>I have a friend who does them a lot, and

0:33:43.280 --> 0:33:45.520
<v Speaker 9>I've gone and visited her just to like break break

0:33:45.520 --> 0:33:48.800
<v Speaker 9>it up for her. And it is funny like people

0:33:49.040 --> 0:33:52.959
<v Speaker 9>they get so confused you.

0:33:53.600 --> 0:33:55.320
<v Speaker 8>I'm like, no photos are free with me.

0:33:56.920 --> 0:33:58.200
<v Speaker 1>I'm just here for the fun of it.

0:33:58.560 --> 0:34:03.840
<v Speaker 8>I'm just here. I'm a big fan to hold the football. Yeah, exactly.

0:34:08.120 --> 0:34:11.000
<v Speaker 4>You shared so much of your storyline with Landry, who

0:34:11.040 --> 0:34:14.799
<v Speaker 4>was played by a young, very green actor named Jesse Plemmons.

0:34:15.560 --> 0:34:19.319
<v Speaker 4>Your chemistry was so real, so believable. What do you

0:34:19.400 --> 0:34:25.880
<v Speaker 4>think made that such a good partnership between you two him?

0:34:27.520 --> 0:34:30.080
<v Speaker 9>I mean, I always say, and I don't mean this jokingly,

0:34:30.239 --> 0:34:33.240
<v Speaker 9>like I lucked out on that show so much because

0:34:33.280 --> 0:34:37.640
<v Speaker 9>most of myself was with Jesse or Kyle or my grandmother.

0:34:37.960 --> 0:34:39.680
<v Speaker 1>Yeah, Kyle Chandler who played the coach.

0:34:39.840 --> 0:34:42.920
<v Speaker 9>Yeah, and we went Stevens, Who's like I loved this

0:34:43.040 --> 0:34:45.440
<v Speaker 9>day and just like we had this. I was like

0:34:45.560 --> 0:34:49.000
<v Speaker 9>protective over her and she would bring me newspaper clippings

0:34:49.000 --> 0:34:49.919
<v Speaker 9>from Dallas.

0:34:49.560 --> 0:34:50.200
<v Speaker 8>Where she lived.

0:34:50.200 --> 0:34:53.680
<v Speaker 9>If I was in the newspaper, and she was just phenomenal.

0:34:53.719 --> 0:34:56.279
<v Speaker 9>But Jesse and I, I don't know, we just hit

0:34:56.360 --> 0:34:59.440
<v Speaker 9>it off. And I remember during the pilot I told

0:34:59.520 --> 0:35:02.719
<v Speaker 9>because he's from Texas, he's from Waco, and I was like, hey, man,

0:35:02.760 --> 0:35:05.719
<v Speaker 9>if my accent sounds stupid or fake or whatever, like,

0:35:05.800 --> 0:35:06.520
<v Speaker 9>please tell me.

0:35:06.560 --> 0:35:08.520
<v Speaker 8>He's like, okay, he.

0:35:08.520 --> 0:35:11.400
<v Speaker 9>Never did it, thankfully, but we just hit it off

0:35:11.440 --> 0:35:14.000
<v Speaker 9>and we're still like super close friends to this day.

0:35:14.120 --> 0:35:17.600
<v Speaker 9>And I remember when we were shooting the pilot in

0:35:17.680 --> 0:35:21.040
<v Speaker 9>the first week, during like prep, he had an episode

0:35:21.080 --> 0:35:23.400
<v Speaker 9>of Gray's Anatomy that was gonna air where he was

0:35:23.480 --> 0:35:25.760
<v Speaker 9>like something that made his face look like a lion.

0:35:25.920 --> 0:35:30.640
<v Speaker 9>I don't know, oh crazy anatomy.

0:35:30.760 --> 0:35:32.880
<v Speaker 8>So I was like, oh, I should watch this episode.

0:35:32.880 --> 0:35:34.919
<v Speaker 8>I remember watching him like, oh my god, this kid

0:35:35.000 --> 0:35:35.399
<v Speaker 8>is so.

0:35:36.040 --> 0:35:38.160
<v Speaker 1>Good, right, even with the lion face.

0:35:38.440 --> 0:35:41.560
<v Speaker 9>Yeah, even with the lion face, I could see I

0:35:41.560 --> 0:35:46.959
<v Speaker 9>can see the boy beneath the lion face, and yeah,

0:35:47.000 --> 0:35:47.719
<v Speaker 9>he just was so good.

0:35:47.760 --> 0:35:48.919
<v Speaker 8>And we just hit it off.

0:35:48.960 --> 0:35:52.080
<v Speaker 9>And he's such an old soul. I mean, this makes

0:35:52.080 --> 0:35:53.920
<v Speaker 9>me sound like a loser, but you know, I think

0:35:53.920 --> 0:35:56.520
<v Speaker 9>he was seventeen or eighteen when we shot.

0:35:56.239 --> 0:35:57.879
<v Speaker 8>It, and I was like twenty two. Or twenty three.

0:35:57.960 --> 0:35:59.359
<v Speaker 8>But yeah, we were.

0:35:59.280 --> 0:36:03.279
<v Speaker 9>Just like super close, those super fast friends. And he's

0:36:03.360 --> 0:36:07.360
<v Speaker 9>so funny man. Like again, I feel like I'm edited

0:36:07.360 --> 0:36:09.560
<v Speaker 9>out of those scenes so often because I couldn't keep

0:36:09.560 --> 0:36:13.440
<v Speaker 9>a straight face and due to the improv and it lends.

0:36:13.239 --> 0:36:16.279
<v Speaker 8>Itself so well to his character. He could just say

0:36:16.320 --> 0:36:21.440
<v Speaker 8>the randomest things, but they were so within character that

0:36:21.520 --> 0:36:22.280
<v Speaker 8>you're just like.

0:36:22.239 --> 0:36:23.640
<v Speaker 6>What are you talking about.

0:36:24.880 --> 0:36:27.200
<v Speaker 9>I was to be here and like go with it.

0:36:27.520 --> 0:36:31.840
<v Speaker 9>And the one thing I couldn't I couldn't realize watching

0:36:31.840 --> 0:36:34.680
<v Speaker 9>it back a couple of years ago, some of the

0:36:34.719 --> 0:36:38.360
<v Speaker 9>things that we got to say I am embarrassed and offended.

0:36:37.920 --> 0:36:40.080
<v Speaker 8>By, Like we had to drop the R word. Not

0:36:40.200 --> 0:36:42.080
<v Speaker 8>got to, but we would like drop the R word,

0:36:42.360 --> 0:36:43.400
<v Speaker 8>like you'd say something stupid.

0:36:43.400 --> 0:36:46.160
<v Speaker 9>I'm like, you're really right, and I'm just like this

0:36:46.320 --> 0:36:47.200
<v Speaker 9>was on NBC.

0:36:49.400 --> 0:36:52.560
<v Speaker 8>Oh my god. So yeah, I don't know.

0:36:52.600 --> 0:36:54.759
<v Speaker 9>We just had like an instant chemistry. He's such a

0:36:54.800 --> 0:36:57.360
<v Speaker 9>good guy. He's just the most amazing person to be

0:36:57.400 --> 0:37:00.480
<v Speaker 9>in a scene with. And I remember I've seen probably

0:37:00.680 --> 0:37:02.480
<v Speaker 9>all of his work, but I remember watching Killer the

0:37:02.480 --> 0:37:05.480
<v Speaker 9>Flower Moon and just being so proud of him.

0:37:05.920 --> 0:37:08.759
<v Speaker 8>Nothing I need to, but he's just in scenes with.

0:37:08.719 --> 0:37:11.279
<v Speaker 9>De Niro and DiCaprio, just like holding his own like, yeah,

0:37:11.280 --> 0:37:16.000
<v Speaker 9>I should be here, you should be good for you

0:37:16.560 --> 0:37:17.120
<v Speaker 9>so great.

0:37:17.400 --> 0:37:19.720
<v Speaker 4>Oh, I know we saw Scott Porter at your daughter's

0:37:19.719 --> 0:37:20.839
<v Speaker 4>birthday a few years ago.

0:37:20.960 --> 0:37:23.000
<v Speaker 1>So are you guys still close to Yeah.

0:37:22.920 --> 0:37:25.400
<v Speaker 8>We're still good buddies. Him and I have always been like.

0:37:26.760 --> 0:37:30.520
<v Speaker 9>We lived together for part of the first season because

0:37:30.560 --> 0:37:33.200
<v Speaker 9>I was off. I used to lead like backpacking trips

0:37:33.280 --> 0:37:36.960
<v Speaker 9>or high school kids, and that going into the first

0:37:37.000 --> 0:37:41.719
<v Speaker 9>season after the pilot I worked in I worked in

0:37:41.760 --> 0:37:44.960
<v Speaker 9>New Zealand leading trips for kids, and I was there

0:37:44.960 --> 0:37:47.400
<v Speaker 9>for months, and so I literally flew from New Zealand

0:37:47.880 --> 0:37:50.800
<v Speaker 9>to Texas, you know, a day before we started shooting.

0:37:50.880 --> 0:37:53.359
<v Speaker 9>I had like a duffel bag and I hadn't gone

0:37:53.400 --> 0:37:55.080
<v Speaker 9>down and figured out a place to live. So I

0:37:55.080 --> 0:37:57.920
<v Speaker 9>slept on his couch for like a month, and we

0:37:58.040 --> 0:38:00.960
<v Speaker 9>just got really tight. And then the last season two

0:38:01.040 --> 0:38:03.600
<v Speaker 9>and three or season two, I forget when he left,

0:38:03.600 --> 0:38:05.520
<v Speaker 9>but we were roommates.

0:38:05.960 --> 0:38:07.360
<v Speaker 8>Yeah, we're just like very brotherly.

0:38:07.480 --> 0:38:10.160
<v Speaker 9>And we actually were at the final network test together,

0:38:10.200 --> 0:38:12.120
<v Speaker 9>which was an odd one.

0:38:12.160 --> 0:38:13.239
<v Speaker 8>I don't think they usually do it this.

0:38:13.160 --> 0:38:15.319
<v Speaker 9>Way, but they were testing like six roles, and so

0:38:15.360 --> 0:38:18.200
<v Speaker 9>we're in a conference room and it's me and football

0:38:18.200 --> 0:38:21.839
<v Speaker 9>Boy and you know, it was Minka and whoever else

0:38:21.920 --> 0:38:24.040
<v Speaker 9>was testing for her part, Annie, whoever was testing for

0:38:24.080 --> 0:38:28.440
<v Speaker 9>her part. Jesse was not there, Amy was there, Scott

0:38:28.480 --> 0:38:31.360
<v Speaker 9>was there, and maybe Guias and whoever else we're testing

0:38:31.360 --> 0:38:33.839
<v Speaker 9>for their roles and you're kind of there. You're like

0:38:34.000 --> 0:38:36.240
<v Speaker 9>getting to know people because you're sitting there for hours

0:38:36.640 --> 0:38:38.759
<v Speaker 9>and you're being nice to the person you're testing again,

0:38:38.880 --> 0:38:41.120
<v Speaker 9>but you don't really want to get to know them, right,

0:38:41.320 --> 0:38:43.799
<v Speaker 9>And me and Scott hit it off, and he had

0:38:43.800 --> 0:38:46.560
<v Speaker 9>been flown in from New York, and I was like, do.

0:38:46.520 --> 0:38:47.440
<v Speaker 8>You need a ride home?

0:38:49.160 --> 0:38:50.839
<v Speaker 9>And I didn't know that wasn't something you really did

0:38:50.880 --> 0:38:54.160
<v Speaker 9>in LA, right because I didn't live here, and so.

0:38:54.080 --> 0:38:54.880
<v Speaker 8>I gave him right home.

0:38:54.920 --> 0:38:56.480
<v Speaker 9>We're like, you know, I feel like it should be

0:38:56.480 --> 0:39:00.080
<v Speaker 9>that person and that person, and we named everyone, including me,

0:39:00.200 --> 0:39:01.200
<v Speaker 9>but we were wrong about me.

0:39:01.200 --> 0:39:06.120
<v Speaker 8>But we got But yeah, we've headed off ever since,

0:39:06.160 --> 0:39:07.320
<v Speaker 8>Like the testing process.

0:39:07.680 --> 0:39:08.560
<v Speaker 1>That's so funny.

0:39:08.680 --> 0:39:10.880
<v Speaker 4>I can only imagine people kind of freak out when

0:39:10.880 --> 0:39:13.080
<v Speaker 4>they see QB one and QB two out together.

0:39:13.280 --> 0:39:15.920
<v Speaker 8>Yeah, well, well always QB two always.

0:39:30.680 --> 0:39:34.680
<v Speaker 4>There have been whispers over the last year or so

0:39:35.040 --> 0:39:39.799
<v Speaker 4>about a possible reboot. Would you be willing to come

0:39:39.840 --> 0:39:42.440
<v Speaker 4>back and play a coach or what could you tell

0:39:42.480 --> 0:39:42.960
<v Speaker 4>us about that?

0:39:43.160 --> 0:39:44.239
<v Speaker 8>I mean, I know nothing about it.

0:39:44.280 --> 0:39:47.840
<v Speaker 9>All I know is it's Pete and it's Jason Catoms, who.

0:39:47.680 --> 0:39:49.800
<v Speaker 8>Is our head writer for the run of the show.

0:39:50.560 --> 0:39:53.279
<v Speaker 8>So and I know it's I know it's meant to

0:39:53.280 --> 0:39:58.520
<v Speaker 8>be a complete reboot where it's just the same concept,

0:39:58.560 --> 0:40:01.640
<v Speaker 8>but it's a different town. It's I think there was

0:40:01.680 --> 0:40:03.560
<v Speaker 8>like a hurricane that's ravaged. I don't know, I've just

0:40:03.600 --> 0:40:06.080
<v Speaker 8>heard whispers. As far as I know, none of us

0:40:06.120 --> 0:40:08.080
<v Speaker 8>are supposed to be involved because it's supposed to be all.

0:40:08.000 --> 0:40:09.279
<v Speaker 1>New, like a whole thing.

0:40:09.520 --> 0:40:14.280
<v Speaker 8>Yeah, if there was an authentic version where Matt Sarason

0:40:14.360 --> 0:40:17.720
<v Speaker 8>showed up for some reason, okay, cool.

0:40:18.440 --> 0:40:20.880
<v Speaker 9>But I think the beauty of that show was that

0:40:20.920 --> 0:40:23.080
<v Speaker 9>it felt so real, like so many of us left

0:40:23.120 --> 0:40:23.600
<v Speaker 9>the show.

0:40:24.280 --> 0:40:26.279
<v Speaker 8>And Pete had planned that at the beginning, because he

0:40:26.360 --> 0:40:26.640
<v Speaker 8>was like.

0:40:26.600 --> 0:40:29.360
<v Speaker 9>This is about a high school football team in the

0:40:29.400 --> 0:40:34.360
<v Speaker 9>community around it, and people graduate and they leave, some don't,

0:40:35.640 --> 0:40:37.239
<v Speaker 9>but a lot of you do. And so a lot

0:40:37.320 --> 0:40:39.640
<v Speaker 9>of us left the show. And I think if we

0:40:39.840 --> 0:40:42.560
<v Speaker 9>just found reasons to keep all of us around for

0:40:42.640 --> 0:40:44.840
<v Speaker 9>five seasons or whatever. I would have taken away from it.

0:40:44.880 --> 0:40:47.000
<v Speaker 9>And I think to just like have all of us

0:40:47.040 --> 0:40:50.440
<v Speaker 9>cameo on the show might seem a little wonky and

0:40:50.480 --> 0:40:54.200
<v Speaker 9>take away from it. The funny thing was, you know,

0:40:54.239 --> 0:40:57.520
<v Speaker 9>the first season, we all assumed that Taylor was a senior,

0:40:58.280 --> 0:41:01.520
<v Speaker 9>and like because he was best friends with Jason Street,

0:41:01.520 --> 0:41:03.959
<v Speaker 9>it was a senior blah blah blah, and then nothing

0:41:04.000 --> 0:41:06.120
<v Speaker 9>against it. I love Taylor and his characters great. In

0:41:06.120 --> 0:41:08.239
<v Speaker 9>season two, it's like, oh, he's on the football team again.

0:41:09.400 --> 0:41:12.759
<v Speaker 9>I guess he was a junior last year. And then

0:41:12.800 --> 0:41:16.920
<v Speaker 9>it was season three and we're like, oh, you're still.

0:41:19.000 --> 0:41:19.239
<v Speaker 2>Yeah.

0:41:20.200 --> 0:41:22.440
<v Speaker 8>What a loser I was because I was treating this

0:41:22.480 --> 0:41:24.400
<v Speaker 8>guy like he's two years older than me, but apparently

0:41:24.440 --> 0:41:25.160
<v Speaker 8>we're peers.

0:41:29.360 --> 0:41:32.280
<v Speaker 4>I also wanted to ask you about your numerous collaborations

0:41:32.280 --> 0:41:34.080
<v Speaker 4>with Mike Flanagan and Netflix.

0:41:34.400 --> 0:41:37.080
<v Speaker 1>You were also in a Purge movie. You did you

0:41:37.200 --> 0:41:38.960
<v Speaker 1>like horror movies before all of this?

0:41:40.160 --> 0:41:43.120
<v Speaker 9>You know, I like good movies, and we're such like,

0:41:43.160 --> 0:41:45.200
<v Speaker 9>I've come to learn such a huge umbrella. I think

0:41:45.200 --> 0:41:47.960
<v Speaker 9>growing up, I just thought it was like slasher films,

0:41:47.960 --> 0:41:51.040
<v Speaker 9>like the thirteenth third we're in Elm Street. But you know,

0:41:51.880 --> 0:41:54.239
<v Speaker 9>it's just all sorts of films, and I do know

0:41:54.800 --> 0:41:56.799
<v Speaker 9>like with Flanning In I had seen Haunting a Hell

0:41:56.880 --> 0:42:01.000
<v Speaker 9>House and thought it was amazing, and I remember binging

0:42:01.000 --> 0:42:04.759
<v Speaker 9>it like the holiday weekend, the Halloween weekend it came out,

0:42:05.440 --> 0:42:08.440
<v Speaker 9>and so when I got that audition, it was, you know,

0:42:08.560 --> 0:42:11.200
<v Speaker 9>super top secret. All I had was the sides. I

0:42:11.200 --> 0:42:15.000
<v Speaker 9>had no idea anything about the show, and so I

0:42:15.040 --> 0:42:17.120
<v Speaker 9>just had to like memorize these two scenes, go in

0:42:17.200 --> 0:42:21.200
<v Speaker 9>and do them and hope for the best, knowing absolutely nothing,

0:42:21.719 --> 0:42:24.560
<v Speaker 9>and working with him was so awesome. Like he is again,

0:42:24.600 --> 0:42:26.520
<v Speaker 9>he's someone who really wants you to memorize his lines.

0:42:26.560 --> 0:42:29.040
<v Speaker 8>He's very much in a tour and to fear them

0:42:29.040 --> 0:42:29.399
<v Speaker 8>all out.

0:42:30.320 --> 0:42:32.120
<v Speaker 9>And I knew that going in, So when I would

0:42:32.160 --> 0:42:35.400
<v Speaker 9>do my homework, I would send him screenshots or photos

0:42:35.400 --> 0:42:37.680
<v Speaker 9>of like my notes and say.

0:42:37.640 --> 0:42:39.919
<v Speaker 8>Can I change this? Can I do that nine ten

0:42:40.120 --> 0:42:41.719
<v Speaker 8>times out of ten? And he'd be like, that's great,

0:42:41.800 --> 0:42:44.240
<v Speaker 8>go for it. All good. And he has.

0:42:44.200 --> 0:42:47.040
<v Speaker 9>Everything shot listed, as I know most directors do, but

0:42:47.160 --> 0:42:50.040
<v Speaker 9>like super shot listed, where he makes this huge poster

0:42:50.120 --> 0:42:52.480
<v Speaker 9>board that's out for the whole crew to see, so

0:42:52.520 --> 0:42:55.880
<v Speaker 9>everyone knows exactly what's gonna happen all day. But at

0:42:55.880 --> 0:42:57.680
<v Speaker 9>the same time, if he had planned a scene where

0:42:57.680 --> 0:43:00.120
<v Speaker 9>I'm standing in the corner, my dad comes in and

0:43:00.280 --> 0:43:02.480
<v Speaker 9>we're talking, and then I was like, I feel like

0:43:02.520 --> 0:43:03.960
<v Speaker 9>I'd be sitting on the bed, like why am I

0:43:04.040 --> 0:43:07.040
<v Speaker 9>standing in the corner, he'd be like, and it totally

0:43:07.080 --> 0:43:08.080
<v Speaker 9>changes the cameras.

0:43:08.239 --> 0:43:11.319
<v Speaker 8>He just yeah, you're right, okay, and like change it

0:43:11.360 --> 0:43:11.640
<v Speaker 8>all up.

0:43:12.880 --> 0:43:16.399
<v Speaker 9>My one favorite thing with him was when I did

0:43:16.440 --> 0:43:20.520
<v Speaker 9>follow the House Usher with him. There was these lines

0:43:21.400 --> 0:43:23.840
<v Speaker 9>where my character is saying a poem in bed to

0:43:23.960 --> 0:43:28.120
<v Speaker 9>his wife, and I guess I'm dumb because I thought

0:43:28.120 --> 0:43:30.239
<v Speaker 9>it was just a poem that my character was making up.

0:43:30.280 --> 0:43:32.560
<v Speaker 9>And I write Mike and I was like, you know,

0:43:32.640 --> 0:43:34.440
<v Speaker 9>I feel like it would flow better if it was

0:43:34.480 --> 0:43:38.480
<v Speaker 9>diplay And I said that, and he's like, yeah, that's

0:43:38.480 --> 0:43:40.800
<v Speaker 9>an actual word poem.

0:43:43.040 --> 0:43:44.840
<v Speaker 8>We're gonna go ahead and give it the way it is.

0:43:47.960 --> 0:43:53.200
<v Speaker 10>Knew what he was doing, but anyway, I was like, oh,

0:43:53.200 --> 0:43:55.160
<v Speaker 10>I want to read the rest of this poem, and

0:43:55.200 --> 0:43:58.000
<v Speaker 10>I googled it and I was like, well, Mike, I'm

0:43:58.000 --> 0:43:59.360
<v Speaker 10>sorry to tell you this, but you guys.

0:43:59.239 --> 0:44:03.000
<v Speaker 9>Wrote the poem wrong them really, that's like I wasn't

0:44:03.040 --> 0:44:05.440
<v Speaker 9>exactly right, but my version is closer to the real thing.

0:44:06.800 --> 0:44:08.760
<v Speaker 8>That fair enough, fair enough.

0:44:10.160 --> 0:44:12.440
<v Speaker 1>That's so funny.

0:44:12.800 --> 0:44:17.000
<v Speaker 4>I mean these projects have like twenty five minute one shots.

0:44:17.200 --> 0:44:19.520
<v Speaker 1>What is it? What is it like working on something

0:44:19.560 --> 0:44:19.879
<v Speaker 1>like that?

0:44:20.640 --> 0:44:21.919
<v Speaker 8>You know, I've always been really lucky.

0:44:21.920 --> 0:44:24.400
<v Speaker 9>Memorizing lines is pretty easy for me, and that's kind

0:44:24.440 --> 0:44:26.440
<v Speaker 9>of the first step for me is I know my

0:44:26.480 --> 0:44:29.360
<v Speaker 9>stuff so that then I can just like do something else,

0:44:30.920 --> 0:44:33.239
<v Speaker 9>or if the lines work perfect, I can just do

0:44:33.280 --> 0:44:36.719
<v Speaker 9>them and be interacting with people as opposed to like

0:44:37.280 --> 0:44:40.040
<v Speaker 9>I mean, it drives me nuts when actors don't. Yeah,

0:44:40.719 --> 0:44:44.320
<v Speaker 9>like as an actor, as a director, I'm like, oh god, please,

0:44:44.400 --> 0:44:44.719
<v Speaker 9>like just.

0:44:44.680 --> 0:44:45.440
<v Speaker 8>Know your lines.

0:44:45.600 --> 0:44:47.640
<v Speaker 1>Yes, this is the one your one job, the one thing.

0:44:47.800 --> 0:44:50.560
<v Speaker 8>My biggest thing I learned in college.

0:44:50.560 --> 0:44:53.320
<v Speaker 9>I had a professor and he was like, know your lines,

0:44:53.800 --> 0:44:56.239
<v Speaker 9>know you're blocking, and don't bump into the furniture.

0:44:56.640 --> 0:44:59.239
<v Speaker 8>That's all you have to do. And it's like kind

0:44:59.239 --> 0:45:04.520
<v Speaker 8>of true. But yeah, those one ares they're so fun.

0:45:04.560 --> 0:45:08.399
<v Speaker 8>I mean they're like a play and you go through

0:45:08.440 --> 0:45:08.759
<v Speaker 8>it a lot.

0:45:08.800 --> 0:45:11.319
<v Speaker 9>And we had this one where I remember midnight mass

0:45:11.320 --> 0:45:13.359
<v Speaker 9>our Big Wonner was on a beach with all these

0:45:13.360 --> 0:45:15.759
<v Speaker 9>dead seagulls and it's going through all the people of

0:45:15.800 --> 0:45:18.800
<v Speaker 9>the town. And yeah, we rehearsed it like four times.

0:45:18.840 --> 0:45:20.360
<v Speaker 8>We shot it. I think we got it in like

0:45:20.400 --> 0:45:22.520
<v Speaker 8>five takes, because once you get.

0:45:22.320 --> 0:45:25.000
<v Speaker 9>It, you're like, well, we were we gonna we just

0:45:25.040 --> 0:45:28.879
<v Speaker 9>did it. We're not gonna cut anywhere, so like let's

0:45:28.920 --> 0:45:32.319
<v Speaker 9>move on. And that scene actually was it was the

0:45:32.400 --> 0:45:36.239
<v Speaker 9>day my son was due to be born, and so

0:45:36.280 --> 0:45:38.879
<v Speaker 9>they're like, we got you set up, like we've got

0:45:38.920 --> 0:45:42.080
<v Speaker 9>Wi Fi over there, so if you need to FaceTime you.

0:45:42.040 --> 0:45:43.280
<v Speaker 8>Know, the birth of your child.

0:45:43.320 --> 0:45:46.280
<v Speaker 9>And I was just like, because it was during the pandemic,

0:45:46.320 --> 0:45:50.359
<v Speaker 9>and like we shot in Cannon all this stuff, and

0:45:51.239 --> 0:45:54.439
<v Speaker 9>luckily he took a while to come so I didn't

0:45:54.440 --> 0:45:55.880
<v Speaker 9>have to run away from set. But I also was like,

0:45:55.880 --> 0:45:58.160
<v Speaker 9>what am I gonna just like in the middle of this,

0:45:58.280 --> 0:46:00.440
<v Speaker 9>Wonner be like, sorry, guys, can everyone is like.

0:46:00.960 --> 0:46:02.360
<v Speaker 1>Give me give me two hours?

0:46:03.280 --> 0:46:04.920
<v Speaker 8>Two hours, we can shoot this tomorrow.

0:46:05.040 --> 0:46:08.279
<v Speaker 9>Right, It all worked out, But really, so much of

0:46:08.320 --> 0:46:11.560
<v Speaker 9>that is like on the steady cam operator. I sorry,

0:46:11.560 --> 0:46:12.920
<v Speaker 9>I'm so bad with names and his years ago, but

0:46:12.920 --> 0:46:14.759
<v Speaker 9>I'm pretty sure his name was James, and this guy is.

0:46:14.719 --> 0:46:15.440
<v Speaker 8>Just like he does.

0:46:15.920 --> 0:46:18.040
<v Speaker 9>He's done all of Mike's big one ers and he

0:46:18.760 --> 0:46:22.239
<v Speaker 9>It really makes you realize, if you haven't already, how

0:46:22.280 --> 0:46:25.400
<v Speaker 9>much the cameraman are just like the unsung heroes set

0:46:26.080 --> 0:46:29.040
<v Speaker 9>and obviously there because you're doing this dance with them

0:46:29.040 --> 0:46:30.319
<v Speaker 9>and figuring it out where you need to be and

0:46:30.320 --> 0:46:32.120
<v Speaker 9>where they need to be and how to like go

0:46:32.160 --> 0:46:34.440
<v Speaker 9>at a pace where like they can keep up with you.

0:46:35.320 --> 0:46:36.439
<v Speaker 8>It keeps the frame right.

0:46:36.920 --> 0:46:40.799
<v Speaker 9>But then even when I started directing, my kind of

0:46:40.840 --> 0:46:44.480
<v Speaker 9>like Mentor had told me he was like Jamie on

0:46:44.520 --> 0:46:47.600
<v Speaker 9>this set, he's like your secret weapon because he he's like,

0:46:47.640 --> 0:46:50.000
<v Speaker 9>don't call cut when the scene's over, like he'll find

0:46:50.840 --> 0:46:52.960
<v Speaker 9>like a transition for you or he'll just like make

0:46:52.960 --> 0:46:54.840
<v Speaker 9>the shot go somewhere where you can use it in

0:46:54.840 --> 0:46:55.319
<v Speaker 9>the edit.

0:46:55.400 --> 0:46:58.000
<v Speaker 8>And and it's and it was such a great little

0:46:58.040 --> 0:47:01.520
<v Speaker 8>tibit of knowledge.

0:47:00.440 --> 0:47:03.120
<v Speaker 9>That they just find so much cool stuff. And then

0:47:03.160 --> 0:47:05.560
<v Speaker 9>I love, like my favorite thing. We do a lot

0:47:05.600 --> 0:47:08.279
<v Speaker 9>of Steay cam on Caural Minds and like watching the

0:47:08.320 --> 0:47:11.480
<v Speaker 9>steadi cam operator learn the scene and so you know

0:47:11.520 --> 0:47:13.440
<v Speaker 9>their first take they're figuring out where everyone is and

0:47:13.880 --> 0:47:16.040
<v Speaker 9>there the lines are and then by the second tape

0:47:16.040 --> 0:47:17.520
<v Speaker 9>and you know you're watching, you're like, oh, no, you

0:47:17.560 --> 0:47:19.560
<v Speaker 9>need to go to in your head. And then you're

0:47:19.560 --> 0:47:21.200
<v Speaker 9>like and he'll be like, can we just go again?

0:47:21.239 --> 0:47:23.560
<v Speaker 9>You're like yeah, and then he's already figured out we're

0:47:23.560 --> 0:47:25.360
<v Speaker 9>a little fascinating, Like you don't even need to.

0:47:25.360 --> 0:47:26.680
<v Speaker 1>Tell them exactly.

0:47:26.920 --> 0:47:27.120
<v Speaker 8>I know.

0:47:27.239 --> 0:47:29.960
<v Speaker 4>That's always my favorite part two of even for multiicam.

0:47:30.000 --> 0:47:32.880
<v Speaker 4>It's just like, you know, watching watching the camera operators

0:47:32.920 --> 0:47:35.200
<v Speaker 4>who've been doing this forever, it's like their first pass

0:47:35.239 --> 0:47:36.480
<v Speaker 4>at it. They may have a question like do you

0:47:36.520 --> 0:47:38.279
<v Speaker 4>want this to be a you know, do you want

0:47:38.280 --> 0:47:39.839
<v Speaker 4>this as a single or do you want a two shot?

0:47:39.960 --> 0:47:41.799
<v Speaker 4>But for the most part, you do it once and

0:47:41.800 --> 0:47:43.400
<v Speaker 4>then they're like, you know what's better, I'm gonna do this,

0:47:43.520 --> 0:47:46.000
<v Speaker 4>and it's just like, yeah, let the experts do what

0:47:46.040 --> 0:47:46.879
<v Speaker 4>they are good at doing.

0:47:47.000 --> 0:47:47.680
<v Speaker 8>Yeah, totally.

0:47:47.719 --> 0:47:49.560
<v Speaker 9>And that's what I learned that on Friday lights so

0:47:49.640 --> 0:47:52.680
<v Speaker 9>much because our kind of way of doing things was

0:47:53.960 --> 0:47:57.000
<v Speaker 9>you know what, like I hired you to do lights,

0:47:57.080 --> 0:47:58.160
<v Speaker 9>I'm gonna let you do lights.

0:47:58.239 --> 0:47:59.680
<v Speaker 8>Ye, yeah, I can tell you how to do lights.

0:47:59.760 --> 0:48:02.319
<v Speaker 8>If I have an idea, I'll whatever. But everyone was

0:48:02.440 --> 0:48:04.520
<v Speaker 8>everyone from the camera to.

0:48:04.520 --> 0:48:10.040
<v Speaker 9>The props that deck was so respected and given agency

0:48:10.120 --> 0:48:13.719
<v Speaker 9>to do their job and not micromanaged. And you know,

0:48:13.719 --> 0:48:15.719
<v Speaker 9>I've been on sets where people are very much micromanaged

0:48:15.760 --> 0:48:18.399
<v Speaker 9>and no one really likes it. Yes, theator's in charge

0:48:18.440 --> 0:48:21.600
<v Speaker 9>and they have a vision, but there's also it's a collaboration.

0:48:21.680 --> 0:48:23.520
<v Speaker 9>And that's what I love about it is everyone's thumb

0:48:23.560 --> 0:48:26.279
<v Speaker 9>print is on it, and from that first draft some

0:48:26.360 --> 0:48:28.759
<v Speaker 9>writer came up with to once it goes through the

0:48:28.880 --> 0:48:31.200
<v Speaker 9>edit and the editor does stuff and then the sound design,

0:48:31.320 --> 0:48:34.120
<v Speaker 9>it's like you got to like give up some control

0:48:34.200 --> 0:48:36.160
<v Speaker 9>and some trust and collaborate.

0:48:36.600 --> 0:48:38.800
<v Speaker 1>Yeah, what was the first project you directed?

0:48:39.480 --> 0:48:41.560
<v Speaker 8>I didn't get to direct until I was on Criminal Minds.

0:48:41.560 --> 0:48:42.320
<v Speaker 8>And I lucked out.

0:48:42.160 --> 0:48:45.239
<v Speaker 9>There too, because I was only supposed to be there

0:48:45.280 --> 0:48:47.279
<v Speaker 9>for one season, but apparently they liked me and they

0:48:47.360 --> 0:48:51.000
<v Speaker 9>kept asking me back, and it's like cool, but can

0:48:51.040 --> 0:48:55.759
<v Speaker 9>I direct one? They're like okay, And on a show

0:48:55.800 --> 0:48:57.840
<v Speaker 9>like that, I was lucky to come in on the reboot,

0:48:58.080 --> 0:48:59.920
<v Speaker 9>which was called Evolution, and you know, it'd been on

0:49:00.040 --> 0:49:02.520
<v Speaker 9>CBS for fifteen years. It's kind of even freak of

0:49:02.520 --> 0:49:05.600
<v Speaker 9>the week procedural. And when we went to Paramount, when

0:49:05.640 --> 0:49:07.920
<v Speaker 9>I came on, they revamped it. It was only ten

0:49:07.960 --> 0:49:10.719
<v Speaker 9>episodes and it was serialized, and so they very much

0:49:10.719 --> 0:49:13.560
<v Speaker 9>were like, we don't want to do the same thing

0:49:13.600 --> 0:49:16.640
<v Speaker 9>we've been doing for fifteen years. And when I finally

0:49:16.640 --> 0:49:19.400
<v Speaker 9>got to direct, Erica was like, just go make your episode,

0:49:19.480 --> 0:49:22.120
<v Speaker 9>like you can't mess this up, like the show is

0:49:22.120 --> 0:49:24.080
<v Speaker 9>the show, and we want to see like your ideas

0:49:24.120 --> 0:49:27.200
<v Speaker 9>and what you have. And it was really fun and

0:49:27.239 --> 0:49:29.080
<v Speaker 9>she just always supported me, and I did a lot

0:49:29.120 --> 0:49:30.759
<v Speaker 9>more kind of like not a lot, but I had

0:49:30.760 --> 0:49:32.640
<v Speaker 9>a couple of like needle drops in my episode which

0:49:32.640 --> 0:49:35.640
<v Speaker 9>were not really I mean it's not that they never

0:49:35.680 --> 0:49:41.080
<v Speaker 9>have them, but it wasn't like the norm. And I

0:49:41.120 --> 0:49:44.319
<v Speaker 9>had one in my teaser and I got the cut

0:49:44.320 --> 0:49:46.200
<v Speaker 9>of my teaser and I was just like, yes, my

0:49:46.320 --> 0:49:48.680
<v Speaker 9>editor gets it, like I've give them notes and I

0:49:48.760 --> 0:49:52.759
<v Speaker 9>brought it in and showed her like on my directors first.

0:49:52.760 --> 0:49:55.320
<v Speaker 8>Past or whatever. She watched my teaser and she was

0:49:55.400 --> 0:50:00.399
<v Speaker 8>just like holy Zach, like that's a teaser right, Well

0:50:00.440 --> 0:50:01.000
<v Speaker 8>it's so fun.

0:50:01.040 --> 0:50:03.400
<v Speaker 9>But I remember watching I literally like saw it. I

0:50:03.440 --> 0:50:05.279
<v Speaker 9>saw the first cut. I gave him my notes, he

0:50:05.320 --> 0:50:06.040
<v Speaker 9>took them perfectly.

0:50:06.080 --> 0:50:06.440
<v Speaker 8>I watched it.

0:50:06.520 --> 0:50:11.840
<v Speaker 1>I literally go Yes, such a great feeling.

0:50:12.160 --> 0:50:15.280
<v Speaker 9>It's so fun and like, my favorite part of directing

0:50:15.840 --> 0:50:17.360
<v Speaker 9>is when someone comes up to you like, Okay, do

0:50:17.400 --> 0:50:20.960
<v Speaker 9>you want the the blue or the purple napkin?

0:50:23.040 --> 0:50:27.880
<v Speaker 8>I really don't give him what do you like? Whatever

0:50:28.000 --> 0:50:29.320
<v Speaker 8>you want? When it comes to.

0:50:29.640 --> 0:50:31.399
<v Speaker 9>People were like, well, I really like the purple because

0:50:31.400 --> 0:50:33.480
<v Speaker 9>of whatever. I'm like, I think you're right.

0:50:34.000 --> 0:50:37.920
<v Speaker 1>It is the way to go purple.

0:50:37.960 --> 0:50:41.520
<v Speaker 9>I never thought about how that represents royalty. And this is,

0:50:41.600 --> 0:50:42.720
<v Speaker 9>you know, about a serial killer.

0:50:42.760 --> 0:50:44.120
<v Speaker 8>But you're right, you're right.

0:50:45.160 --> 0:50:48.560
<v Speaker 4>You play a psychopath serial killer on Criminal Minds, which

0:50:48.560 --> 0:50:50.680
<v Speaker 4>is obviously a total departure from.

0:50:50.320 --> 0:50:51.960
<v Speaker 3>On a show. Thank god, I thought you were going

0:50:52.000 --> 0:50:53.120
<v Speaker 3>somewhere totally different with that.

0:50:54.640 --> 0:50:57.359
<v Speaker 1>Now just on the show. Were you excited to play

0:50:57.360 --> 0:50:57.879
<v Speaker 1>a bad guy?

0:50:59.280 --> 0:51:01.160
<v Speaker 9>Yeah, I mean it's always fun to play the bad guy.

0:51:01.200 --> 0:51:03.080
<v Speaker 9>The fun thing about that one is which I think

0:51:03.200 --> 0:51:04.799
<v Speaker 9>was so cool about the character and why I loved

0:51:04.840 --> 0:51:09.400
<v Speaker 9>playing him, was the first season they were so smart

0:51:09.440 --> 0:51:12.799
<v Speaker 9>because you know, he's this prolific serial killer, but you

0:51:12.880 --> 0:51:15.440
<v Speaker 9>never see him do it. You just see him as

0:51:15.440 --> 0:51:18.080
<v Speaker 9>this family man with two kids, and he's this great dad,

0:51:18.160 --> 0:51:19.879
<v Speaker 9>and it just makes you creeped out. Because you're kind

0:51:19.880 --> 0:51:22.320
<v Speaker 9>of like this guy, but then you know all this

0:51:22.360 --> 0:51:24.000
<v Speaker 9>stuff he's done, and then I always said, it makes

0:51:24.040 --> 0:51:25.440
<v Speaker 9>you kind of realize, like, man, this person in the

0:51:25.440 --> 0:51:28.120
<v Speaker 9>grocery store could be a serial killer. Yeah, like it

0:51:28.120 --> 0:51:31.120
<v Speaker 9>it could be a drop off with my kids. And

0:51:31.160 --> 0:51:33.000
<v Speaker 9>so then you know, I got to kind of play

0:51:33.000 --> 0:51:35.319
<v Speaker 9>that and you see kind of it come out. And

0:51:35.360 --> 0:51:38.919
<v Speaker 9>then in season two, I'm in jail and I get

0:51:38.920 --> 0:51:40.440
<v Speaker 9>to play this other side of me where I'm just

0:51:40.520 --> 0:51:42.360
<v Speaker 9>kind of this guy who loves to push people's buttons.

0:51:42.360 --> 0:51:44.200
<v Speaker 8>I'm smarter than everyone. I'm a bit of a smart

0:51:44.280 --> 0:51:44.719
<v Speaker 8>which was.

0:51:44.680 --> 0:51:47.319
<v Speaker 9>Like so fun because at that point of season two,

0:51:47.320 --> 0:51:50.200
<v Speaker 9>I knew the cast and I could just mess with

0:51:50.239 --> 0:51:53.000
<v Speaker 9>them and like this is they let me like just

0:51:53.120 --> 0:51:57.360
<v Speaker 9>go loose. And you know Ajkoch who I mentioned earlier.

0:51:57.760 --> 0:51:59.640
<v Speaker 9>She was one of the first people i'd met when

0:51:59.640 --> 0:52:01.400
<v Speaker 9>I got when I worked on that show, and we

0:52:01.440 --> 0:52:03.919
<v Speaker 9>got along really well, and so I would just mess

0:52:03.960 --> 0:52:05.160
<v Speaker 9>with her and like call.

0:52:05.040 --> 0:52:08.120
<v Speaker 8>Her Fbi Barbie or like Blondie or whatever.

0:52:08.160 --> 0:52:09.520
<v Speaker 9>Like I would just come up with all these names,

0:52:09.560 --> 0:52:12.000
<v Speaker 9>and I could see what I'm messing with them, them

0:52:12.000 --> 0:52:13.840
<v Speaker 9>all being like Zach.

0:52:15.280 --> 0:52:17.160
<v Speaker 8>Together. And then there's this one actor r. J.

0:52:17.200 --> 0:52:21.560
<v Speaker 9>Hakanaka, who is so funny, well he's funny in real life,

0:52:21.680 --> 0:52:24.320
<v Speaker 9>but his character is so like I was ex militarian,

0:52:24.400 --> 0:52:27.160
<v Speaker 9>I'm this and that and there's. I had this one

0:52:27.200 --> 0:52:29.239
<v Speaker 9>scene with him where like him and I are trying

0:52:29.280 --> 0:52:33.000
<v Speaker 9>to break something down and it's something about like some

0:52:33.160 --> 0:52:33.799
<v Speaker 9>number you.

0:52:33.760 --> 0:52:36.080
<v Speaker 8>Call for like escorts or I don't know, it's like

0:52:36.080 --> 0:52:37.200
<v Speaker 8>a sex line or something.

0:52:38.120 --> 0:52:40.239
<v Speaker 9>And I just would go on and on and say

0:52:40.239 --> 0:52:44.080
<v Speaker 9>the randomest like goes off the wall, like inappropriate stuff,

0:52:44.400 --> 0:52:47.960
<v Speaker 9>and he was just like uh huh mm hm oh okay,

0:52:48.120 --> 0:52:51.000
<v Speaker 9>so it's that. So it's like that, And I was like,

0:52:51.120 --> 0:52:54.799
<v Speaker 9>I can't break you, Like, none of this is ever

0:52:54.880 --> 0:52:55.879
<v Speaker 9>gonna make it in the show.

0:52:56.000 --> 0:52:57.640
<v Speaker 8>I'm just trying to get you to crack a smile

0:52:57.640 --> 0:52:58.600
<v Speaker 8>and you're like a robot.

0:52:58.719 --> 0:53:05.120
<v Speaker 4>No, yes, Zach. You have two beautiful children. Do you

0:53:05.160 --> 0:53:07.120
<v Speaker 4>think either one of them will ever want to get

0:53:07.120 --> 0:53:09.799
<v Speaker 4>into acting? And if so, how would you feel about that?

0:53:09.960 --> 0:53:12.960
<v Speaker 8>I hope not. Yeah, I think my daughter will.

0:53:13.040 --> 0:53:15.920
<v Speaker 9>She's apparently in some school play right now, which I

0:53:15.960 --> 0:53:17.640
<v Speaker 9>only say apparently I'm a very bother.

0:53:21.880 --> 0:53:23.320
<v Speaker 1>I'm pretty in school.

0:53:23.520 --> 0:53:25.840
<v Speaker 9>She came home and she's like, yeah, no, I'm in

0:53:25.960 --> 0:53:28.880
<v Speaker 9>Lion King. I'm like, oh cool, Like what is like?

0:53:28.920 --> 0:53:31.839
<v Speaker 9>It's all kind of very cryptic, like, well, what part

0:53:31.840 --> 0:53:34.640
<v Speaker 9>are you? She's like, I don't know today. I hope

0:53:34.640 --> 0:53:37.719
<v Speaker 9>I'm not Scar And I'm like, I don't understand what's

0:53:37.719 --> 0:53:43.080
<v Speaker 9>going on in school. But she she's very i mean

0:53:43.120 --> 0:53:45.800
<v Speaker 9>she loves role play and make believe and all this stuff,

0:53:45.840 --> 0:53:50.080
<v Speaker 9>and she's very artistic. I'm scared that she'll want to

0:53:50.120 --> 0:53:53.680
<v Speaker 9>go into it just because I mean, you guys, how

0:53:53.680 --> 0:53:55.000
<v Speaker 9>old were we all when you did the show?

0:53:56.000 --> 0:53:56.160
<v Speaker 8>Well?

0:53:56.160 --> 0:53:58.840
<v Speaker 1>I was ten when I started acting. Writer was even younger.

0:53:59.000 --> 0:53:59.959
<v Speaker 6>No, I was ten when I started.

0:54:00.040 --> 0:54:01.360
<v Speaker 3>We were all three of us were ten when we

0:54:01.400 --> 0:54:02.640
<v Speaker 3>started a professional.

0:54:04.440 --> 0:54:04.640
<v Speaker 8>Yeah.

0:54:04.680 --> 0:54:09.040
<v Speaker 9>I mean, you guys have all turned out like normal humans.

0:54:07.760 --> 0:54:08.400
<v Speaker 6>Someone.

0:54:13.000 --> 0:54:15.279
<v Speaker 3>Adjusted enough. It's a perfect way to put it.

0:54:16.840 --> 0:54:18.719
<v Speaker 8>If you have a whole podcast like look at you.

0:54:19.080 --> 0:54:25.520
<v Speaker 4>Oh yeah, everyone knows that's the sign out.

0:54:25.560 --> 0:54:31.520
<v Speaker 8>Okay, they have a podcast. Their parents must be proud.

0:54:43.440 --> 0:54:46.280
<v Speaker 4>A little known fact, well not I mean not little

0:54:46.360 --> 0:54:49.080
<v Speaker 4>to most people who know Zach. Zach and Wryter are

0:54:49.239 --> 0:54:52.719
<v Speaker 4>the two people I would say are number one and

0:54:52.800 --> 0:54:54.919
<v Speaker 4>number two, or maybe tied for number one, of people

0:54:54.960 --> 0:54:59.360
<v Speaker 4>who know how to be outdoorsy, and I've said all

0:54:59.400 --> 0:55:01.600
<v Speaker 4>along that I've been interested in. I want to camp,

0:55:01.680 --> 0:55:04.040
<v Speaker 4>but I will only go if I can go with

0:55:04.160 --> 0:55:09.640
<v Speaker 4>Writer's family or Zach, because Jensen and I cannot be

0:55:09.760 --> 0:55:11.239
<v Speaker 4>trusted alone in the wilderness.

0:55:11.320 --> 0:55:13.440
<v Speaker 1>Everyone will die, it will be bad news.

0:55:13.480 --> 0:55:15.759
<v Speaker 4>But if I go with either of you, I think

0:55:15.800 --> 0:55:17.839
<v Speaker 4>I'll have food to eat, I'll be able to set

0:55:17.880 --> 0:55:18.360
<v Speaker 4>up shelter.

0:55:19.000 --> 0:55:20.120
<v Speaker 3>Where am I on that list?

0:55:20.200 --> 0:55:23.799
<v Speaker 4>I'm just curious, will your as outdoorsy as I am?

0:55:25.239 --> 0:55:28.080
<v Speaker 11>I met Zach like fifteen years ago. We've been friends

0:55:28.080 --> 0:55:29.800
<v Speaker 11>for a long time, and it was just this.

0:55:30.120 --> 0:55:30.279
<v Speaker 6>Yeah.

0:55:30.440 --> 0:55:32.479
<v Speaker 11>We sat next to each other at a movie theater

0:55:33.239 --> 0:55:35.680
<v Speaker 11>and we were talking and I go, I'm a big

0:55:35.680 --> 0:55:37.319
<v Speaker 11>fan of Friday the Lights. He goes thanks, and he

0:55:37.440 --> 0:55:40.000
<v Speaker 11>literally was like, you know, I'm thinking about not acting anymore.

0:55:40.040 --> 0:55:43.279
<v Speaker 11>I'm going to become a professional camp counselor. And my

0:55:43.760 --> 0:55:46.200
<v Speaker 11>immediate reaction was, Oh, we'll never be friends. This is

0:55:46.280 --> 0:55:47.239
<v Speaker 11>humanly impossible.

0:55:47.719 --> 0:55:50.440
<v Speaker 1>Not too bad, I dig you.

0:55:51.360 --> 0:55:53.960
<v Speaker 11>He's yeah, he beats Writer, which is hard to do.

0:55:54.320 --> 0:55:57.480
<v Speaker 6>Wow. I wanted to ask about New Zealand. When you

0:55:57.760 --> 0:55:59.560
<v Speaker 6>through that, I was like, what where'd you go? What

0:55:59.560 --> 0:56:01.120
<v Speaker 6>were you doing? That sounds so cool.

0:56:01.280 --> 0:56:01.360
<v Speaker 2>No.

0:56:01.480 --> 0:56:03.560
<v Speaker 8>I camped all growing up, and like.

0:56:05.360 --> 0:56:08.880
<v Speaker 9>During my like sixteen seventeen eighteen year old summers, me

0:56:08.920 --> 0:56:11.759
<v Speaker 9>and my then girlfriend, we'd go for like months and

0:56:11.800 --> 0:56:14.480
<v Speaker 9>go camping in the Rockies or Canada or something like that.

0:56:14.560 --> 0:56:17.360
<v Speaker 9>And then when I turned twenty one, I started working

0:56:17.360 --> 0:56:19.359
<v Speaker 9>for this company called Adventures Cross Country, which is.

0:56:19.320 --> 0:56:21.600
<v Speaker 8>Kind of like noles are out, We're bound, and you know,

0:56:21.640 --> 0:56:25.520
<v Speaker 8>I got to spend a summer working in Alaska, like.

0:56:25.600 --> 0:56:28.160
<v Speaker 9>Literally where you're just backpacking stuff on your back for

0:56:28.200 --> 0:56:29.200
<v Speaker 9>three weeks at a time.

0:56:29.760 --> 0:56:32.840
<v Speaker 8>We had like a seaplane comeing to like restock us,

0:56:33.480 --> 0:56:34.000
<v Speaker 8>but I did.

0:56:34.040 --> 0:56:37.880
<v Speaker 9>There was a couple of hiatuses of Friday night Lights

0:56:37.880 --> 0:56:41.600
<v Speaker 9>where either I had a chunk of time or like

0:56:41.760 --> 0:56:43.239
<v Speaker 9>something I was supposed to do fell through.

0:56:43.520 --> 0:56:46.239
<v Speaker 8>And this company they'd always I'd be their first call

0:56:46.360 --> 0:56:46.799
<v Speaker 8>if they had.

0:56:46.760 --> 0:56:49.520
<v Speaker 9>To fire someone or something, and so New Zealand literally

0:56:49.600 --> 0:56:51.239
<v Speaker 9>was they called and they were like, hey we had

0:56:51.239 --> 0:56:51.879
<v Speaker 9>to fire someone.

0:56:51.960 --> 0:56:52.440
<v Speaker 8>Was there anyway?

0:56:52.480 --> 0:56:54.279
<v Speaker 9>You go to Australia and New Zealand for like two

0:56:54.320 --> 0:56:57.440
<v Speaker 9>months and I was like I sure can't. That's and

0:56:57.480 --> 0:57:01.560
<v Speaker 9>I worked on other ones, two of them, but the kids.

0:57:01.880 --> 0:57:04.120
<v Speaker 9>There was one where it was like after six weeks,

0:57:04.520 --> 0:57:07.840
<v Speaker 9>one of the kids was like, are you on that

0:57:08.440 --> 0:57:12.520
<v Speaker 9>football show? And I was like, oh, yeah, I am,

0:57:12.760 --> 0:57:15.600
<v Speaker 9>and they're like, oh yeah, you seem so familiar. I'm like,

0:57:15.640 --> 0:57:17.720
<v Speaker 9>oh yeah, that's me. And they're like, all right, well anyway, Zach.

0:57:17.760 --> 0:57:19.800
<v Speaker 9>And then like another kid was like, what do you

0:57:19.840 --> 0:57:21.640
<v Speaker 9>mean you're on the show. I'm like, I don't know,

0:57:21.800 --> 0:57:23.880
<v Speaker 9>like I'm on it. He goes so like you're on

0:57:23.960 --> 0:57:26.480
<v Speaker 9>the team, and I'm like yeah, he goes.

0:57:26.240 --> 0:57:28.880
<v Speaker 8>So if I watch it when I when I see

0:57:29.560 --> 0:57:29.840
<v Speaker 8>and I.

0:57:29.800 --> 0:57:31.600
<v Speaker 3>Was like, this is how television works.

0:57:31.800 --> 0:57:36.040
<v Speaker 8>Yeah, in the background shoes exactly.

0:57:38.280 --> 0:57:40.080
<v Speaker 9>It just like makes no sense because like kids that

0:57:40.120 --> 0:57:41.720
<v Speaker 9>age are showing their own world.

0:57:41.760 --> 0:57:46.040
<v Speaker 8>They're just yeah, well whatever. Anyway, I was this person,

0:57:46.280 --> 0:57:49.000
<v Speaker 8>so wait, how old are the kids on something like that? Anyway?

0:57:49.000 --> 0:57:52.000
<v Speaker 8>From like fourteen to seventeen or eighteens? So cool?

0:57:52.080 --> 0:57:52.280
<v Speaker 6>Yeah.

0:57:52.520 --> 0:57:53.640
<v Speaker 3>Do you do you normally?

0:57:54.360 --> 0:57:56.800
<v Speaker 2>Do you return with the same number of kids that

0:57:56.880 --> 0:57:58.760
<v Speaker 2>you leave with or you expected to lose one or

0:57:58.800 --> 0:57:59.720
<v Speaker 2>two along the way.

0:58:00.280 --> 0:58:03.160
<v Speaker 8>You know, I had a pretty good track record. Okay, okay,

0:58:03.320 --> 0:58:04.880
<v Speaker 8>but I have had trips where I had to like

0:58:05.040 --> 0:58:05.800
<v Speaker 8>evat kids.

0:58:05.800 --> 0:58:08.120
<v Speaker 9>I had one where I was working in semite and

0:58:08.560 --> 0:58:11.800
<v Speaker 9>this girl this is literally this is the craziest day

0:58:11.800 --> 0:58:12.080
<v Speaker 9>of my life.

0:58:12.120 --> 0:58:13.520
<v Speaker 8>And I'll try to streamline it for you.

0:58:14.120 --> 0:58:17.280
<v Speaker 9>But we wake up and all of our bear canisters,

0:58:17.320 --> 0:58:20.520
<v Speaker 9>which are like mini kegs which you keep your food

0:58:20.560 --> 0:58:22.960
<v Speaker 9>in because bears can't get into them. A bear had

0:58:22.960 --> 0:58:24.880
<v Speaker 9>taken them, and like they try to throw them against

0:58:24.880 --> 0:58:25.840
<v Speaker 9>trees and stuff to open.

0:58:25.840 --> 0:58:27.920
<v Speaker 1>Oh my god, they're too smart. Sorry smart.

0:58:28.200 --> 0:58:29.840
<v Speaker 9>So we go and we open them and a bunch

0:58:29.840 --> 0:58:31.720
<v Speaker 9>of our food is like exploded and it's ruined.

0:58:31.760 --> 0:58:32.680
<v Speaker 8>So we need more food.

0:58:33.120 --> 0:58:34.960
<v Speaker 9>And one of my co leaders there were three of us,

0:58:35.000 --> 0:58:37.760
<v Speaker 9>her name is Liz. She was like a marathon runner,

0:58:37.840 --> 0:58:39.920
<v Speaker 9>running like the Boston Marathon blah blah blah, and she

0:58:40.000 --> 0:58:41.560
<v Speaker 9>was and we were supposed to summit at Half Dome

0:58:41.640 --> 0:58:43.640
<v Speaker 9>that day, and she was like, all right, I'll run

0:58:43.680 --> 0:58:45.439
<v Speaker 9>down and get more food.

0:58:46.120 --> 0:58:48.000
<v Speaker 8>But I really want to sum at Half Dome first.

0:58:48.160 --> 0:58:50.360
<v Speaker 8>And I was like, wait, if you're gonna get us

0:58:50.400 --> 0:58:51.640
<v Speaker 8>more food, you can do whatever you want.

0:58:52.160 --> 0:58:54.520
<v Speaker 9>Yeah, okay, So we go up half Dome. We have

0:58:54.600 --> 0:58:58.560
<v Speaker 9>this girl start having an asthma attack. We have her

0:58:58.560 --> 0:59:00.360
<v Speaker 9>inhaler and we knew she had bad ass, so we

0:59:00.360 --> 0:59:03.160
<v Speaker 9>also have like a nebulizer for her. So we start

0:59:03.160 --> 0:59:06.200
<v Speaker 9>giving her a nebulizer and I just said, look, if

0:59:06.200 --> 0:59:10.480
<v Speaker 9>this doesn't work, we're screwed. She's really screwed, but we're

0:59:10.520 --> 0:59:13.640
<v Speaker 9>gonna be screwed. And so I was like, we have

0:59:13.640 --> 0:59:16.520
<v Speaker 9>to call a helicopter, Like we can't chance this. So

0:59:16.520 --> 0:59:20.480
<v Speaker 9>she's sitting there like turning blue. Helicopter lands on top

0:59:20.480 --> 0:59:22.600
<v Speaker 9>of a half dome. Medics get out strap or to

0:59:22.720 --> 0:59:24.960
<v Speaker 9>a thin oxygen put it in the helicopter. My other

0:59:25.000 --> 0:59:26.800
<v Speaker 9>co leader, Kim, gets in the helicopter and it.

0:59:26.800 --> 0:59:28.000
<v Speaker 8>Just flies away.

0:59:28.520 --> 0:59:30.439
<v Speaker 9>And so then meeting Liz look at each other like Okay,

0:59:30.440 --> 0:59:33.120
<v Speaker 9>it's just the two of us now, and I'm like,

0:59:33.200 --> 0:59:33.880
<v Speaker 9>and you need.

0:59:33.760 --> 0:59:36.000
<v Speaker 8>To go get us some more food. So it's just

0:59:36.280 --> 0:59:39.080
<v Speaker 8>me And so then she like runs down like the

0:59:39.160 --> 0:59:41.360
<v Speaker 8>mountains into Yo sementy villages. I think it's like a

0:59:41.480 --> 0:59:44.960
<v Speaker 8>nine mile track. I take the kids back to our campsite.

0:59:45.040 --> 0:59:45.960
<v Speaker 8>I start making dinner.

0:59:46.440 --> 0:59:48.640
<v Speaker 9>I'm sitting there, I have like three or four kids

0:59:48.680 --> 0:59:51.160
<v Speaker 9>on the other side of the stove, and I'm I'm like, okay,

0:59:51.240 --> 0:59:52.040
<v Speaker 9>blah blah blah.

0:59:51.920 --> 0:59:54.680
<v Speaker 8>Caesadilla, this is how you make it. And then I look.

0:59:54.560 --> 0:59:57.240
<v Speaker 9>Up and behind a tree like thirty feet behind us.

0:59:57.320 --> 1:00:00.560
<v Speaker 9>This bear comes out from behind a tree, and I'm

1:00:00.640 --> 1:00:03.120
<v Speaker 9>just like and it's like what I'm like, just get

1:00:03.160 --> 1:00:05.280
<v Speaker 9>behind me now, Like what I'm like, get behind me.

1:00:05.560 --> 1:00:06.840
<v Speaker 9>So they all get behind me and we like make

1:00:06.880 --> 1:00:09.480
<v Speaker 9>ourselves big, and you're like, hey bear, hey there, and

1:00:09.520 --> 1:00:11.280
<v Speaker 9>you because you want us to know you're there, but

1:00:11.320 --> 1:00:13.240
<v Speaker 9>you don't want to startle it. And we're like slowly

1:00:13.280 --> 1:00:15.040
<v Speaker 9>back away, and it just starts like kind of like

1:00:15.560 --> 1:00:20.960
<v Speaker 9>pacing towards us. Yeah, they wanted the case idea, and

1:00:21.080 --> 1:00:24.600
<v Speaker 9>they do bluff charges, so it charges us.

1:00:24.960 --> 1:00:27.520
<v Speaker 8>But if you run, it instinctually thinks it needs to

1:00:27.640 --> 1:00:28.040
<v Speaker 8>chase you.

1:00:28.400 --> 1:00:28.600
<v Speaker 2>Yeah.

1:00:29.120 --> 1:00:30.920
<v Speaker 9>I had to just stand there with these kids with

1:00:31.200 --> 1:00:33.040
<v Speaker 9>like pocket knives out as if it were going to

1:00:33.080 --> 1:00:36.479
<v Speaker 9>do anything, and it stopped right here and I could

1:00:36.520 --> 1:00:39.400
<v Speaker 9>like feel its breath on me, Oh my gosh, and

1:00:39.520 --> 1:00:42.560
<v Speaker 9>just slowly like hey, heymar and like back the kids away.

1:00:42.560 --> 1:00:44.240
<v Speaker 9>And once we're far enough away, when it ate our

1:00:44.280 --> 1:00:46.480
<v Speaker 9>case ideas and I got the kids like to our

1:00:46.520 --> 1:00:48.960
<v Speaker 9>campsite and I kind of wait for it to go away.

1:00:49.360 --> 1:00:50.960
<v Speaker 8>And so then the kids are like, oh my god,

1:00:51.000 --> 1:00:53.439
<v Speaker 8>I'm pumped. I'm so jazz Yeah, and it. Finally Liz

1:00:53.480 --> 1:00:55.080
<v Speaker 8>comes back with food. She's like, how do it go.

1:00:55.120 --> 1:00:59.400
<v Speaker 9>I'm like, you have no idea and luckily and you know,

1:00:59.440 --> 1:01:00.920
<v Speaker 9>we're far enough removed. I don't think either of us

1:01:00.960 --> 1:01:03.600
<v Speaker 9>can get in trouble. But uh, she was like, hey,

1:01:03.640 --> 1:01:06.919
<v Speaker 9>I am I put two beers in our bag.

1:01:07.840 --> 1:01:13.600
<v Speaker 8>But I was like, thank god, my life. But yeah,

1:01:13.600 --> 1:01:15.480
<v Speaker 8>that was like one of the craziest days. So we

1:01:15.520 --> 1:01:16.479
<v Speaker 8>had to back that girl.

1:01:16.520 --> 1:01:16.840
<v Speaker 6>We did.

1:01:17.080 --> 1:01:18.920
<v Speaker 8>On another trip, I had to evac a couple.

1:01:18.720 --> 1:01:23.680
<v Speaker 9>Of kids because these poor girls they had strainus, which

1:01:23.720 --> 1:01:29.080
<v Speaker 9>is essentially the strap virus in your anus, and they

1:01:29.120 --> 1:01:32.680
<v Speaker 9>were very itchy and the temfortable, and so my co leader,

1:01:32.760 --> 1:01:34.000
<v Speaker 9>there were only two of us on that one, she

1:01:34.000 --> 1:01:35.400
<v Speaker 9>had to take them out to get them to We

1:01:35.440 --> 1:01:36.680
<v Speaker 9>didn't know what it was. We just knew they were

1:01:36.720 --> 1:01:39.200
<v Speaker 9>very uncomfortable and in that reason, you're not like tough

1:01:39.240 --> 1:01:41.760
<v Speaker 9>it out for five more days, right, So they left,

1:01:41.840 --> 1:01:43.360
<v Speaker 9>and then I have all the kids, and of course

1:01:43.400 --> 1:01:44.240
<v Speaker 9>this is a younger group.

1:01:44.280 --> 1:01:47.240
<v Speaker 8>They were like fourteen. There was a girl who got

1:01:47.240 --> 1:01:48.000
<v Speaker 8>her period for the.

1:01:47.920 --> 1:01:51.760
<v Speaker 9>First time and none of the other girls had their period,

1:01:51.800 --> 1:01:54.560
<v Speaker 9>so I had to like talk her through. I'd be like, okay,

1:01:54.600 --> 1:01:57.480
<v Speaker 9>so you're gonna go over there and like explain how

1:01:57.480 --> 1:01:58.480
<v Speaker 9>to put a tampon.

1:02:00.120 --> 1:02:03.880
<v Speaker 12>God, God, see this is what happens when you go outside.

1:02:06.320 --> 1:02:10.440
<v Speaker 12>You Oh my god.

1:02:10.480 --> 1:02:11.760
<v Speaker 3>This sounds awful.

1:02:11.960 --> 1:02:18.360
<v Speaker 4>I am gonna need to know more about straightus questions.

1:02:18.400 --> 1:02:20.280
<v Speaker 9>You still have to say, I don't have the same

1:02:20.360 --> 1:02:24.920
<v Speaker 9>guidelines we learned in COVID wash your hands?

1:02:25.960 --> 1:02:28.000
<v Speaker 3>How are you to other people as much?

1:02:28.480 --> 1:02:30.720
<v Speaker 9>I think they didn't wash their hands well enough, and

1:02:30.760 --> 1:02:32.960
<v Speaker 9>so the bacteria is just on your hands, and if

1:02:32.960 --> 1:02:34.400
<v Speaker 9>you touch someone that's on there.

1:02:34.640 --> 1:02:35.720
<v Speaker 8>They wipe.

1:02:36.920 --> 1:02:38.680
<v Speaker 1>Oh man, I don't know.

1:02:38.680 --> 1:02:42.720
<v Speaker 4>Maybe they got it from dirty leaves, being outdoorsy, you know, yeah, exactly.

1:02:42.880 --> 1:02:42.960
<v Speaker 8>No.

1:02:43.040 --> 1:02:45.440
<v Speaker 9>I am terrified of my son because he's five, and

1:02:45.480 --> 1:02:48.000
<v Speaker 9>he'll go to the bathroom and I'll be like, do.

1:02:47.920 --> 1:02:49.600
<v Speaker 8>You know wipe? He's like, no, I can do it.

1:02:49.680 --> 1:02:53.360
<v Speaker 8>I'm like, no, you can't. Broa you just like really

1:02:53.400 --> 1:02:56.240
<v Speaker 8>take a lot and like wipe, like rub your hip, like.

1:03:00.600 --> 1:03:03.080
<v Speaker 9>I'll brush my kids teeth and wipe my thoughts until

1:03:03.080 --> 1:03:04.800
<v Speaker 9>I'm fully confident that they are capable.

1:03:04.880 --> 1:03:08.200
<v Speaker 4>Correct, I'm exactly the same way I asked the dentist

1:03:08.320 --> 1:03:11.000
<v Speaker 4>recently about Adler because he's six and I still help

1:03:11.040 --> 1:03:13.760
<v Speaker 4>brush his teeth, and I was like, am I supposed to.

1:03:13.720 --> 1:03:15.760
<v Speaker 1>Just be letting him fully brush his own teeth? Now?

1:03:15.800 --> 1:03:17.600
<v Speaker 4>She goes, absolutely not, not if you don't want him

1:03:17.600 --> 1:03:18.640
<v Speaker 4>to have cavities, And I was like.

1:03:18.560 --> 1:03:21.680
<v Speaker 1>Great, and then I'm going to just keep helping. He

1:03:21.720 --> 1:03:22.040
<v Speaker 1>does it.

1:03:22.120 --> 1:03:25.120
<v Speaker 4>He does it teeth brushing, But then I also get

1:03:25.120 --> 1:03:27.440
<v Speaker 4>to go in there for my little round and then

1:03:27.440 --> 1:03:29.080
<v Speaker 4>I'm like, Okay, now at least I know you got

1:03:29.080 --> 1:03:33.040
<v Speaker 4>one decent brushing in there. Well. Anyway, Zach, thank you

1:03:33.520 --> 1:03:35.800
<v Speaker 4>so much for being here with us. I always enjoy

1:03:35.840 --> 1:03:38.040
<v Speaker 4>talking to you. I adore you, I adore your family.

1:03:38.920 --> 1:03:41.560
<v Speaker 4>You and writer would absolutely be friends.

1:03:41.920 --> 1:03:44.000
<v Speaker 8>I'd be down anytime I got you know, I think

1:03:44.040 --> 1:03:44.800
<v Speaker 8>I'm free tomorrow.

1:03:48.760 --> 1:03:51.400
<v Speaker 5>Hard you can't find backpacking site. It's like within like

1:03:51.520 --> 1:03:52.640
<v Speaker 5>driving distance of LA.

1:03:52.720 --> 1:03:54.000
<v Speaker 6>It sucks. Like I've always tried.

1:03:53.880 --> 1:03:56.080
<v Speaker 7>To do like weekend trips with my friends from up north,

1:03:56.120 --> 1:03:58.479
<v Speaker 7>and it's like, man, we always just have to drive

1:03:58.560 --> 1:04:00.760
<v Speaker 7>like six to eight hours, you know, is like the

1:04:00.760 --> 1:04:02.520
<v Speaker 7>only I mean, yeah you can.

1:04:02.640 --> 1:04:04.320
<v Speaker 8>There's if you look it up, you can do him

1:04:04.360 --> 1:04:04.720
<v Speaker 8>in a day.

1:04:04.800 --> 1:04:06.959
<v Speaker 9>There's like the so called six pack, which is right.

1:04:07.200 --> 1:04:09.080
<v Speaker 9>And I had friends we did it for a while,

1:04:09.120 --> 1:04:10.959
<v Speaker 9>but you know sometimes it was like in the car at.

1:04:10.880 --> 1:04:12.800
<v Speaker 8>Four am to drive like two and a half hours.

1:04:13.360 --> 1:04:15.520
<v Speaker 9>So then ike, all, I mean it's fun and it's

1:04:15.520 --> 1:04:18.520
<v Speaker 9>worth it, but yeah, you would think to really get

1:04:18.520 --> 1:04:18.919
<v Speaker 9>out there.

1:04:19.040 --> 1:04:21.080
<v Speaker 7>Yeah, when I've gone up to Bishop and done trips

1:04:21.080 --> 1:04:23.680
<v Speaker 7>out of there every time, I get elevation sickness because,

1:04:23.720 --> 1:04:25.800
<v Speaker 7>like you just because I only have like three days

1:04:26.080 --> 1:04:28.240
<v Speaker 7>and like without failed, like day two.

1:04:28.000 --> 1:04:30.200
<v Speaker 6>I'm just on the trail like throwing up and like

1:04:30.560 --> 1:04:32.120
<v Speaker 6>it sucks, Like I can't do this.

1:04:32.440 --> 1:04:33.440
<v Speaker 8>You're really selling this.

1:04:33.880 --> 1:04:37.840
<v Speaker 2>Yeah, my Chipotle yesterday ran out of chicken. I had

1:04:37.880 --> 1:04:40.320
<v Speaker 2>to wait like twenty minutes while they made a new

1:04:40.360 --> 1:04:43.920
<v Speaker 2>batch of chicken, and it was like, drop was a

1:04:43.960 --> 1:04:44.720
<v Speaker 2>hard time dude.

1:04:44.720 --> 1:04:48.080
<v Speaker 5>I just met an editor who actually got bit by

1:04:48.120 --> 1:04:50.600
<v Speaker 5>a bear. He was he was in he was sleeping

1:04:50.640 --> 1:04:52.960
<v Speaker 5>in a hammock. He had like one of those hammock setups,

1:04:53.360 --> 1:04:56.000
<v Speaker 5>and he just he heard the bear and was just like, oh,

1:04:56.040 --> 1:04:57.800
<v Speaker 5>I'm just gonna ignore it, and then it just literally

1:04:57.800 --> 1:04:59.840
<v Speaker 5>came over started pushing against him. He's like, I'll just

1:04:59.840 --> 1:05:01.800
<v Speaker 5>go to play dead, which is not the right thing

1:05:01.840 --> 1:05:03.520
<v Speaker 5>to do, and it just took a bite.

1:05:04.840 --> 1:05:06.920
<v Speaker 6>I know, and then he's like, then I made no.

1:05:07.080 --> 1:05:08.840
<v Speaker 5>I was like, yeah, dude, if a bear was like

1:05:09.000 --> 1:05:11.760
<v Speaker 5>sniffing around for food and you're in a cocoon, you're

1:05:11.800 --> 1:05:12.480
<v Speaker 5>just like a meal.

1:05:12.760 --> 1:05:14.720
<v Speaker 6>Like just And I think he actually did have.

1:05:14.680 --> 1:05:16.840
<v Speaker 5>Something in his pocket, like you know, a mosquito repelling

1:05:16.920 --> 1:05:19.320
<v Speaker 5>or something, because like usually they wouldn't, you know, go

1:05:19.480 --> 1:05:21.120
<v Speaker 5>near a person, but I think he had some.

1:05:21.320 --> 1:05:23.919
<v Speaker 1>Yeah, I think it was just it was just my son.

1:05:24.480 --> 1:05:25.320
<v Speaker 1>It wasn't even a bear.

1:05:30.240 --> 1:05:30.400
<v Speaker 9>Zach.

1:05:30.480 --> 1:05:32.040
<v Speaker 1>Thank you so much for being here with us. Always

1:05:32.040 --> 1:05:32.800
<v Speaker 1>a pleasure to see you.

1:05:33.040 --> 1:05:35.360
<v Speaker 8>Oh my god, thank you for having me. What an honor.

1:05:36.160 --> 1:05:38.560
<v Speaker 9>No, I mean I watched your all show growing up.

1:05:38.560 --> 1:05:42.280
<v Speaker 9>It's iconic to me. So it's edited in any way.

1:05:42.680 --> 1:05:43.400
<v Speaker 1>Thank you, Zach.

1:05:43.600 --> 1:05:45.600
<v Speaker 2>We always do a test run, and so the next

1:05:45.600 --> 1:05:46.880
<v Speaker 2>time we have you on, we'll record it.

1:05:47.600 --> 1:05:53.040
<v Speaker 8>Will Yeah, I love that my bear story we got.

1:05:53.040 --> 1:05:54.240
<v Speaker 3>We're gonna send over notes.

1:05:54.880 --> 1:05:59.360
<v Speaker 1>I love if you could do this podcast in only

1:05:59.400 --> 1:05:59.920
<v Speaker 1>one sentence.

1:06:02.280 --> 1:06:04.720
<v Speaker 8>I mean, do I really do? I really need to

1:06:04.720 --> 1:06:05.200
<v Speaker 8>be honest?

1:06:09.360 --> 1:06:11.680
<v Speaker 3>Well, you're the best Matt's Borings and that's ever played.

1:06:12.000 --> 1:06:18.480
<v Speaker 8>So that's that's I like that one.

1:06:20.560 --> 1:06:22.480
<v Speaker 1>Thank you, Zach. I'll see you talk to you soon.

1:06:27.120 --> 1:06:31.400
<v Speaker 1>He's funny, funny, he is amazing.

1:06:31.520 --> 1:06:34.760
<v Speaker 2>I have one quick change which which some people obviously

1:06:35.000 --> 1:06:37.720
<v Speaker 2>caught and other people didn't. I said a while back

1:06:37.760 --> 1:06:41.240
<v Speaker 2>that Phonsie landed the motorcycle after he jumped the shark.

1:06:41.520 --> 1:06:43.320
<v Speaker 2>And what clearly I meant was he landed on his

1:06:43.400 --> 1:06:46.160
<v Speaker 2>water skis when he was not on the motorcycle. So

1:06:46.160 --> 1:06:48.720
<v Speaker 2>I'd like to just no, he jumped the shark on

1:06:48.840 --> 1:06:49.760
<v Speaker 2>water skis.

1:06:49.680 --> 1:06:50.919
<v Speaker 6>Was jumping theyle.

1:06:51.680 --> 1:06:53.080
<v Speaker 3>He jumped the shark on water skis.

1:06:53.120 --> 1:06:53.440
<v Speaker 8>So there you.

1:06:53.640 --> 1:06:56.960
<v Speaker 4>I wanted to, you know, okay, just make sure yeah,

1:06:57.000 --> 1:06:58.520
<v Speaker 4>you've been holding onto bat this time.

1:06:58.560 --> 1:06:58.720
<v Speaker 8>I have.

1:06:58.800 --> 1:07:01.480
<v Speaker 2>I literally wrote it down, like, brought it down. Yeah,

1:07:02.160 --> 1:07:03.000
<v Speaker 2>Phonzie waterski.

1:07:03.240 --> 1:07:03.760
<v Speaker 3>So there you go.

1:07:05.440 --> 1:07:07.200
<v Speaker 4>Thank you all for joining us for this episode of

1:07:07.200 --> 1:07:09.040
<v Speaker 4>Pod Meets World. As always, you can follow us on

1:07:09.040 --> 1:07:11.320
<v Speaker 4>Instagram pod Meets World Show. You can send us your

1:07:11.360 --> 1:07:14.040
<v Speaker 4>emails pod meets World Show at gmail dot com.

1:07:14.080 --> 1:07:16.680
<v Speaker 1>And we've got March Hey.

1:07:16.520 --> 1:07:22.160
<v Speaker 5>March, Hey, March hey, March hey, March.

1:07:23.360 --> 1:07:27.200
<v Speaker 2>Straightus is my new favorite word.

1:07:28.680 --> 1:07:29.520
<v Speaker 8>Actually it is just a.

1:07:33.240 --> 1:07:34.760
<v Speaker 3>I did not ever get straightus.

1:07:34.800 --> 1:07:37.640
<v Speaker 2>I did get strenus, which is something totally different.

1:07:37.720 --> 1:07:45.040
<v Speaker 3>Unfortunately, so that you're not.

1:07:45.480 --> 1:07:49.280
<v Speaker 2>You haven't gotten stratus, you never got struck.

1:07:49.400 --> 1:07:49.959
<v Speaker 3>It's the word.

1:07:59.440 --> 1:08:04.040
<v Speaker 1>Oh my god, the World Show.

1:08:07.200 --> 1:08:09.960
<v Speaker 11>Oh are We're making? Are we making strockomer?

1:08:15.440 --> 1:08:16.160
<v Speaker 8>We love you all.

1:08:19.120 --> 1:08:21.800
<v Speaker 7>Pod Meets World is an iHeart podcast producer hosted by

1:08:21.840 --> 1:08:25.800
<v Speaker 7>Danielle Fischel, Wilfridell and Ryder Strong Executive producers Jensen Carp

1:08:25.880 --> 1:08:29.080
<v Speaker 7>and Amy Sugarman, Executive in charge of production, Danielle Romo,

1:08:29.280 --> 1:08:33.120
<v Speaker 7>producer and editor, Tarasubasch producer, Maddy Moore, engineer and Boy

1:08:33.160 --> 1:08:36.200
<v Speaker 7>Meets World superman Easton Allen. Our theme song is by

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<v Speaker 7>Kyle Morton of Typhoon. Follow us on Instagram at Podmeats

1:08:39.640 --> 1:08:42.639
<v Speaker 7>World Show or email us at Podmeats World Show at

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