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Speaker 1: Look, may oh, I see you my own look over

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Speaker 1: there is that culture.

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Speaker 2: Yes, lost culture ding Dong. Lost culture is calling. Welcome

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Speaker 2: to Provincetown. Everyone, We're gonna see there. Interesting.

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Speaker 1: No one has come up to us and saying that,

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Speaker 1: does that mean it didn't stay on the test of time.

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Speaker 2: Look, we're gonna keep coming back until it catches on

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Speaker 2: tours and board. You don't have to pay us a

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Speaker 2: red cent. All I know is we'll be here a

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Speaker 2: couple of days after this comes out. If no one

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Speaker 2: comes up to us and things we want to see you,

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Speaker 2: we'll just know that we're not accepted here. This is

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Speaker 2: the thing. I don't need to be embraced, accepted by

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Speaker 2: anyone but me. But the fact is we have been

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Speaker 2: embraced by the community. We just had a wonderful time.

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Speaker 2: We went down to women Crafts Province down who presented

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Speaker 2: them with the award for the Jamie Lee Curtis Award

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Speaker 2: for Gusto, Enthusiasm and Individuality. It was a wonderful moment.

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Speaker 2: Shelle gun on the megaphone for the daily career moment

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Speaker 2: of joy, but the.

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Speaker 3: Joy twelve thirty four pm every day.

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Speaker 2: And we were very, very honored to present her the award,

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Speaker 2: and of course we stopped into the shop and god,

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Speaker 2: it was just a really beautiful experience and we had

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Speaker 2: a lovely time at the Crown and Anchor played Bingo

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Speaker 2: with Page Turner, hosted by Page Turner. Didn't win Bingo. Yeah,

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Speaker 2: what's that about? Actually my own't things so honey.

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Speaker 1: Later you know what I do like And this is

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Speaker 1: something I didn't really know in culture until we went

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Speaker 1: last year somewherehere we played.

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Speaker 2: Bingo, but the bigger markers. Yeah, I like the Bingo

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Speaker 2: marker totally. I like that.

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Speaker 1: And do people really just own Bingo markers to have

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Speaker 1: when they play Bengo?

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Speaker 2: If you're a Bingo person, if you're a Bengo person,

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Speaker 2: if you are finding yourself at let's the communities that

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Speaker 2: embrace the mature set, trust and believe. There's a bin

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Speaker 2: full of Bengo markers. But you know, did you ever

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Speaker 2: have this growing up?

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Speaker 3: Look at my hands, Oh yeah, it's got I can't

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Speaker 3: do anything.

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Speaker 1: You have it all over you to look at your forearms,

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Speaker 1: Oh yeah, there you go.

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Speaker 2: Okay, we're covered in Bengo. Shit, we've got evidence of

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Speaker 2: the crime. The craft of the craft women crafts We'll

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Speaker 2: get to the evidence of the crime later because this

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Speaker 2: Forewarning will be an episode about the originally stars show

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Speaker 2: turned Netflix megahead, The Hunting Wives.

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Speaker 1: We have watched all of The Hunting Wives on this

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Speaker 1: Province sound journey, because you know, you go on vacation

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Speaker 1: with your friends, you pick something to watch. We started

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Speaker 1: Hunting Wives not and I had said on a previous episode,

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Speaker 1: I did the first episode. Yes, I had no interest,

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Speaker 1: but then honestly.

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Speaker 2: I enjoyed it. I don't regret watching it. I'm still

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Speaker 2: gonna sit with like the camp value of it. Obviously,

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Speaker 2: it's a camp. It's high nutrition value for camp. As

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Speaker 2: for the other macros, I'm not sure what do you

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Speaker 2: mean by that. As for I don't know, we were

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Speaker 2: just finding ourselves, Like, but wait a minute, if this

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Speaker 2: person is this person and their dad was this, but

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Speaker 2: the mom was that. It was that kind of thing.

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Speaker 2: But that's not what the point of the show is.

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Speaker 2: And I have to call it right wing, big little lies.

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Speaker 2: It's red steak, big little Eyes is sort of it

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Speaker 2: is sort of pushing forward this new market for like

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Speaker 2: red steak content, which you know, is just that's just

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Speaker 2: the reality we're living in.

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Speaker 1: It was kind of giving like but if you have

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Speaker 1: the gun, you'll be okay. But it was also giving

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Speaker 1: queer rights. Like almost every other scene was box eating

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Speaker 1: is eating box And I have to say, let's just okay,

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Speaker 1: we're getting into it. This is officially the Hunting Wives

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Speaker 1: portion of it again.

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Speaker 2: Begin Brittany Snow, you will always be famous.

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Speaker 1: Wait can I say, like in a real way, Brittany

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Speaker 1: Snow Tour.

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Speaker 2: I love Brittany Snow. Oh, we've loved her since the beginning.

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Speaker 1: Can we talk about this, like did you remember like

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Speaker 1: did they do like back in the day when it

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Speaker 1: was like American Dreams?

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Speaker 2: Remember back remember American Dreams? Of course I remember American Dreams.

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Speaker 2: Mandy Moore? Also, whoa cool was it?

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Speaker 3: Actually? No, no, no, American Dreams was a movie.

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Speaker 2: Mandy Moore was an American Dreams.

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Speaker 1: Yeah, I'm talking about American Dreams of the TV show.

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Speaker 1: If Brittany Snow is in, Oh.

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Speaker 2: I'm sorry that we can't knock this out. We can't

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Speaker 2: take this out. That's okay, but I'll be We're with

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Speaker 2: right in a way, We're both right.

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Speaker 1: American Dreams was a Mandy Moore, but American Dreams was

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Speaker 1: Britney Snow's like first thing, which was I believe a

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Speaker 1: teen I said, I know that girl's star. Yeah, I've

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Speaker 1: waited in the wings for Brittany to Snow to get this.

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Speaker 2: You know, well, of course, I mean, she's not new

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Speaker 2: to this, She's true to this. You didn't know from

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Speaker 2: John Tucker Musty. I always knew from ex lest We

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Speaker 2: forget pitch Perfect and I'm not. I'm I'm on record

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Speaker 2: as not necessarily being a pitch Perfect super fan. Interesting, but.

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Speaker 1: I think that I had to do with other things

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Speaker 1: other than it certainly had to do with other things

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Speaker 1: other than Brittany Snow.

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Speaker 2: Totally.

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Speaker 3: I am a Britney Snow fan.

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Speaker 2: We are snorting up the snow that is Brittany.

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Speaker 3: I'm a snow addict.

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Speaker 2: I'm a snow Snow Snow queen for Britney's I'm a

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Speaker 2: snow bunny for miss Brittany and for all my Kingdom

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Speaker 2: hearts heads stop.

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Speaker 3: She also involved in Kingdom War. I've told you this, no,

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Speaker 3: but I forget.

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Speaker 2: She's nomine and she is hated Panetier's counterpart. Whoa, I

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Speaker 2: get that for them, So Kyrie hated Paneteer's character. Spoiler

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Speaker 2: alert gets turned into a heartless in the first game,

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Speaker 2: which means that her heart is corrupted by Malepicent Holy.

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Speaker 2: Anytime a heartless is created into the world and nobody

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Speaker 2: gets left behind, which is the body the husk that

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Speaker 2: gets left behind. When the heart is extracted and turned

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Speaker 2: into a dark being, Kyrie turns back to herself my God.

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Speaker 2: But nomine was created in the process. And nomine is

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Speaker 2: voiced by Brittany Snow and guess what she draws. She's

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Speaker 2: an illustrator and Nominee is huge in the lore for

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Speaker 2: her and for her that casting director, can we just

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Speaker 2: the casting director of Kingdom Hearts the series is was

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Speaker 2: a gay man. We have to we have to gay

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Speaker 2: guys create culture. And we're in Provincetown and we're gonna

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Speaker 2: start saying it. We're not gonna stop saying it. If

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Speaker 2: you're a gay guy, congratulation. If you're a gig guy

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Speaker 2: right now, if you're driving in your car and you're

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Speaker 2: a gay man, stand up in the car on the

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Speaker 2: side of the I mean, I will keep telling you.

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Speaker 2: It's it's Hayden Pannet here, it's Britney Snow, It's Hailey,

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Speaker 2: Joe Lasmon, it's Jesse McCartney.

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Speaker 1: Wow, wasn't there someone else Billy Zane Billy Zane, Uh

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Speaker 1: not Jonathan Billy, not Jonathan Bale.

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Speaker 2: That was a different one fourteen game. But and then also, hey,

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Speaker 2: you guys made to Lance Bass. Of course, Lance Bass.

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Speaker 2: I'm telling you this is something I'll never forget. In

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Speaker 2: terms of words together, I'll never forget Lance Bass. As

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Speaker 2: you know, I've met Britney Snow. She doesn't remember this,

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Speaker 2: but you guys met at a very queer place we met.

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Speaker 1: See, this is how I knew the Hunting Wives was

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Speaker 1: going to eventually want day become a thing. I met

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Speaker 1: Britney Snow in passing at a Muna concert at the

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Speaker 1: Greek and I was on a date with America's Got

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Speaker 1: Talent contestant, Benjamin Captain, Benjamin high.

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Speaker 2: Tower, Benjamin hyr But so when you met her at

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Speaker 2: the Moona concert, yep. Sometimes your friends your friends, you

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Speaker 2: you had a thought, but in your mind where you said,

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Speaker 2: I know, hunting life is going to be it.

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Speaker 1: All I knew was I was like, she said, Muna

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Speaker 1: that rocks, and she was surrounded by lesbian women and

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Speaker 1: I was like, okay, I love this. And I remember

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Speaker 1: I walked away. I was excited to be on a date.

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Speaker 1: It was such a handsome man and we walked away

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Speaker 1: and I was trying to.

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Speaker 2: Embarrass him, lokey, nothing better than being on a table,

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Speaker 2: nothing better.

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Speaker 1: And he goes, I think that was Britney Snow and

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Speaker 1: I go, no, it was Britney Snell and we went

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Speaker 1: back toward our chairers at the Moon of concert. Do

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Speaker 1: you know who we sat in front of?

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Speaker 2: Share No?

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Speaker 3: Later on years later, my vocal coach, Dog Pack.

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Speaker 2: Who helped us at the Culture Awards.

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Speaker 1: So that was a big night and they performed since

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Speaker 1: You've been Gone, Muna covered, Since You've been Gone. Britney

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Speaker 1: Snow was there. I was on a date with Captain

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Speaker 1: Benjamin high Tower, who sang Pink Ponty Club on America's

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Speaker 1: Got Talent. Years later we were in front of Doug Pack,

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Speaker 1: who helped us sing the songs at the Cultural Awards.

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Speaker 1: This was a movement, not a moment. That was one

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Speaker 1: of those nights.

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Speaker 2: Where do you think Melan Ackerman was that night? Melan

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Speaker 2: Ackerman also star of Honeyway. I think she was somewhere.

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Speaker 3: Getting ready.

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Speaker 1: Yeah, can we say we've been having a big Melan

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Speaker 1: Ackerman moment over these past couple of days watching her,

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Speaker 1: because you reach back into your mind, into the annals

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Speaker 1: of your mind, and you realize how much Melan.

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Speaker 2: Ackerman has been there. Absolutely, she was the comeback. She

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Speaker 2: was Juna. She was Juna and the comeback. She baby girl.

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Speaker 2: She was Katherine Eigel's sister in twenty seven Dresses. Yes,

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Speaker 2: she was. You loved her in that, so expect her

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Speaker 2: to monument of course, just an icon, an icon.

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Speaker 1: I'm to talk about the show. It's one of the

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Speaker 1: craziest shows in American history. Yeah, the wigs are out

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Speaker 1: of control, I'll say it, the wardrobe, the production.

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Speaker 2: Design, I'm gonna say, cinematography, and uh, I'm gonna give

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Speaker 2: it up for the VFX. Some of those, some of

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Speaker 2: the gruesome moments had to have been VF and just

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Speaker 2: so grucio. It's gruesome. Can I say?

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Speaker 1: It's one of those things where you're like watching the

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Speaker 1: show and you're like, oh, no, certainly we're not going

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Speaker 1: to watch that graphic of a sexual.

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Speaker 3: We're not going to see someone.

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Speaker 1: Die that brutal ate whoa, this is the number one

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Speaker 1: show in the world right Uh.

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Speaker 2: Currently that is something else. And then it's Wednesday, and oh, anyway,

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Speaker 2: it took and it was holding the top spot for

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Speaker 2: a minute. But we're joining the Hunting Wives thing like

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Speaker 2: at a little bit late. But I think we needed

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Speaker 2: it to simmer I think, and uh, I mean it's

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Speaker 2: still simmering. We just finished it this morning. I loved it.

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Speaker 2: I loved it. Great performances all around, Christy Matts and

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Speaker 2: new discoveries for me.

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Speaker 1: Can I say something and consider this a spoiler alert,

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Speaker 1: I can't believe they did Christy Mets like that?

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Speaker 2: I mean, how many did actress? And the way the

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Speaker 2: way her character sort of developed throughout the season is

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Speaker 2: just so tough because it's like, well, you did her

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Speaker 2: like that, you know what I mean.

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Speaker 1: I also love that, like this goes for everyone involved.

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Speaker 1: The accent is like up to you, you know what

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Speaker 1: I mean. It's like, it's up to you if you

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Speaker 1: want to do the Texas accent.

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Speaker 2: Do you think every take was let's do a fun run,

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Speaker 2: Let's just do one for fun.

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Speaker 1: I was like, let's do one for fun and just

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Speaker 1: pretend you know what the accent is. And we're not

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Speaker 1: saying this about anyone in particular, We're just saying, like,

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Speaker 1: across the board, like the accent seemed like it was optional. Yeah,

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Speaker 1: and that did mean halfway through on take you could

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Speaker 1: just jump in or out of it.

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Speaker 2: And I kind of loved. My theory is there is

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Speaker 2: an uh, there's a character who is Britney Snow's child,

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Speaker 2: and I think they were. I think they were. I

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Speaker 2: think it was a test for the audience to see, like,

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Speaker 2: can you tell that we're also twining this, like we're

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Speaker 2: swapping this out for a different child actor every single time.

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Speaker 1: He's like, but I don't know, maybe maybe, and you

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Speaker 1: know what you It was enough of a thing where

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Speaker 1: I was like, is going right? Like is that different person?

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Speaker 2: Yeah? I think I'm right. I'm not going to go

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Speaker 2: back and do any digging on this. I just did

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Speaker 2: whatever when you know, you know, and well now that

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Speaker 2: Hunting Wives was a cultural event.

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Speaker 1: I don't think I will watch it again, but definitely

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Speaker 1: several people we were with on this trip, this was

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Speaker 1: the second or third time they've watched it. They're like, no, no, no,

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Speaker 1: I'll watch it again to watch you guys watch totally.

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Speaker 2: I mean, does this scratch the itch of like a

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Speaker 2: desperate housewive in a way? Yeah, that's what I thought.

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Speaker 2: You know what I mean. It was like it was like, oh, soapy, scandalous,

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Speaker 2: can't be fun. Like you can tell that they had

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Speaker 2: fun making it, and like, you know, I'm checking all

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Speaker 2: the socials from the cast and the crew and they're

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Speaker 2: all like promoting the show and they're like the show

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Speaker 2: is insane enjoy I'm like, okay, so they're all like

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Speaker 2: that makes me think like they're all on the on

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Speaker 2: the same page.

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Speaker 1: See, And that's my thing is I'm like, you have

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Speaker 1: to remember that, like people that are involved in these

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Speaker 1: shows like, no, they're fucking crazy that.

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Speaker 2: The shows are crazy. Yes, yeah, we have to talk

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Speaker 2: about a really shocking pegging storyline.

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Speaker 1: This to me was we reround a lot of the

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Speaker 1: show for but we needed to rewind this one scene

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Speaker 1: several times just to make sure that we.

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Speaker 2: Were all hearing, and we thought we had heard. Do

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Speaker 2: you want to describe it? There's a character, a couple

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Speaker 2: who are very sexually liberated, and you know it's it's

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Speaker 2: it's quite nice. Actually I loved seeing it. I loved

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Speaker 2: seeing it. There's a pegging moment and then really grounded

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Speaker 2: intimacy because it was like, uh, there's an orgasm a

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Speaker 2: male or a penis orgasm, and then his partner she

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Speaker 2: kind of like pulls her hand out from under the covers, yes,

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Speaker 2: kind of like checks checks the grease on it.

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Speaker 1: Yeah, checks to make sure it's let's just say this

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Speaker 1: confirms that there was ejaculate.

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Speaker 2: And then a woman pegs a man, wimpegs a man.

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Speaker 2: He comes. She pulls her hand out from his from

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Speaker 2: his from his deck. Yeah, wipes the comb Yep, she

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Speaker 2: pulls out and the pull out is the withdrawal is

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Speaker 2: this is the sound?

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Speaker 3: And I'm sorry?

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Speaker 2: Am I wrong? No? Literally?

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Speaker 1: She she pulls the peg out of her husband's butthole,

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Speaker 1: and this is literally it'sa on Netflix.

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Speaker 2: Go watch it.

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Speaker 1: It's gotta be one of the seventh episode something like that. Yeah,

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Speaker 1: that's the sound they make when she pulls out of

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Speaker 1: his buttole, I said, I've has it.

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Speaker 3: Ever been like that for you? Like, has that ever

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Speaker 3: been the sound when someone pulled out?

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Speaker 2: I can't say. Although this character the the the whole

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Speaker 2: big was it was on a big guy. Yeah, and

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Speaker 2: so maybe that it that's the acoustics are different.

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Speaker 1: Fucks her big husband and when she pulls the peg

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Speaker 1: out of his butthole.

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Speaker 2: I wouldn't describe my I wouldn't describe myself as having

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Speaker 2: anal acoustics.

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Speaker 1: Just can't believe no, that they sat in a room

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Speaker 1: and were like, Okay, so to make this moment really

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Speaker 1: pop and feel real, what do we have to do?

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Speaker 3: I what?

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Speaker 2: What is it? It's not but it's not going for realism,

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Speaker 2: you know, like the wigs are an anchor the wig.

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Speaker 2: The wigs are there to tell you, by the way, Uh,

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Speaker 2: all of the the only apps these people use are

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Speaker 2: Uber inst the cart signal, and then uh, the only

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Speaker 2: drinks any of these characters will be drinking are the

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Speaker 2: most it's a mimosa in every scene.

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Speaker 1: Like if women are getting together to have like a cocktail,

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Speaker 1: they're and they're not drinking a mimosa.

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Speaker 2: They're not watching this show show they're.

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Speaker 1: Having a mimosa every time, or like some sort of

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Speaker 1: yellow orange drink that's in like an alternate.

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Speaker 2: Glass, but like could be a mimosa. I mean, but

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Speaker 2: let's just shout out all of these performances. What is

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Speaker 2: her name?

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Speaker 1: The actress that plays Callie. That's what I was just

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Speaker 1: looking for because I realized I wasn't I wasn't up.

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Speaker 2: To the internet she won the show on the show,

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Speaker 2: Jamie Ray Newman fantastic the show. Katie low is also

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Speaker 2: I think.

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Speaker 1: Oh Katie Low's it goes all the way back to Scandal.

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Speaker 1: Oh yeah, so overcommitted to what she's doing. Like, shout

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Speaker 1: out Katie Low's I'd always loved you even since Quinn

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Speaker 1: on Scandal.

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Speaker 2: Oh yeah, And then we have to shout out Durham

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Speaker 2: and of course an actor named Michael Aaron Milligan doing

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Speaker 2: really brave work at a trailer door if you know,

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Speaker 2: you know, showing full front.

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Speaker 3: Oh sure.

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Speaker 2: Yeah.

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Speaker 1: Every episode this show gives you something where you're like, well.

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Speaker 2: I have to yeah, actually, no, it's fantastic. It's like

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Speaker 2: we're we're not even being snarky about it. We're just

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Speaker 2: like we're still processing what we watched and it's it's phenomenal.

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Speaker 1: There were parts where I was like huh, but then

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Speaker 1: every single time we hit play on a new episode,

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Speaker 1: I was thrilled. Only eight episodes, you can get right

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Speaker 1: through it.

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Speaker 2: There you go. I mean, uh, we had.

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Speaker 3: And Britney Snow is legitimately good.

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Speaker 2: No, truly fantastic work. And we we've always been Brittany

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Speaker 2: Snow Snow.

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Speaker 3: And you guys were all saying that I'm Malin.

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Speaker 2: Yeah you're Malin. Do you think I am? You know

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Speaker 2: who you are? Happy?

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Speaker 1: I don't know if you're the murdered girl spoiler. You

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00:17:57,640 --> 00:18:04,880
Speaker 1: might be Dermitt, No, you hit me, spoiler. I think

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Speaker 1: I'm you know who you are? Your detective Wanda Salas,

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Speaker 1: you are.

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Speaker 2: There were too many characters in the show. I think, yeah,

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Speaker 2: that's okay, and then that's what these knee like Desperate House.

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Speaker 2: I've said how many, like seventy five?

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Speaker 3: I love what they talked about the lib tards, right.

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Speaker 1: I can't just I can't tell if the show was

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Speaker 1: like should everyone have a gun?

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Speaker 2: Or is it bad that everyone has a gun?

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Speaker 1: Is there's just so much casual violence and like justified

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Speaker 1: murder that you're like, well, thank god this person had

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Speaker 1: a gun.

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Speaker 2: And I'm like, well, is gay sex the thing that

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Speaker 2: leads to ruin or is it the thing that is beautiful?

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Speaker 2: And you know, it's like it really does kind of

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Speaker 2: it's a worshack test to the audience.

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Speaker 1: Yeah, it's equal parts queer rights and also gun right.

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Speaker 1: It's Second Amendment and also obragfeul. Yeah you know what

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Speaker 1: I mean.

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Speaker 2: At this point, I was on a date once and

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Speaker 2: and this guy and I were just kind of like,

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Speaker 2: you know what, like should we just like prepare ourselves,

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Speaker 2: should we like go to a shooting range. I have

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Speaker 2: been wanting to go to a shooting range. I can't

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Speaker 2: get bring.

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Speaker 1: Myself down a gun, but I never I would like

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Speaker 1: to go fire a gun, just to know what it

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Speaker 1: feels like, just to have an.

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Speaker 2: Experience, right, I think that's all that's all attainable. Do

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Speaker 2: you want to go? Sure? You and I shooting gun

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Speaker 2: and we're amazing at it. That could be his sleigh.

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Speaker 1: We've become gun gaze title of that gun gaze.

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Speaker 2: Gungan God. Jar jar Binks, we missed you, Kang King,

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Speaker 2: you were one of you were?

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00:19:48,600 --> 00:19:51,359
Speaker 1: Jar jar Binks was queer representation in Star Wars, so

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Speaker 1: the culture number fifty.

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00:19:53,000 --> 00:19:55,399
Speaker 2: Jar jar Binks was queer representation in Star Wars and

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Speaker 2: everyone wanted to kill him, and queer representation in the

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Speaker 2: Galactic Senate at solutely. Maybe there was a Gunguan in

383
00:20:01,600 --> 00:20:04,880
Speaker 2: the Senate. Do you think Queen Almidala was a lesbian?

384
00:20:06,520 --> 00:20:07,840
Speaker 2: I don't know that there was ever.

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00:20:08,520 --> 00:20:14,240
Speaker 4: Some byes allry byes, all right, I think kind of

386
00:20:14,359 --> 00:20:17,920
Speaker 4: lesbian for for Padma to have like body doubles for Abidala,

387
00:20:17,960 --> 00:20:21,000
Speaker 4: I'm sorry to have body doubles that had to have

388
00:20:21,040 --> 00:20:23,320
Speaker 4: been like kind of like a little Harem situation too,

389
00:20:23,560 --> 00:20:26,280
Speaker 4: like you're gonna be me and also we're gonna we're

390
00:20:26,320 --> 00:20:26,919
Speaker 4: gonna scissor.

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Speaker 2: Yeah, I guess so, I mean, I just don't. I

392
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Speaker 2: don't know.

393
00:20:31,520 --> 00:20:36,600
Speaker 1: Anagain, Tommy was gay, explain he was always whining and crying.

394
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Speaker 1: He was always like like and also Luke like anagain

395
00:20:40,400 --> 00:20:42,400
Speaker 1: Luke like I feel, I believe if there's a gay

396
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Speaker 1: gee in the Skywalker's habit, that's a little coachure number

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Speaker 1: seventy GEB.

398
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Speaker 2: So that means all the way down to Leah, I'm

399
00:20:53,840 --> 00:20:57,520
Speaker 2: not down to le Leah. And oh no, Ray was

400
00:20:57,560 --> 00:21:01,159
Speaker 2: not a Skywalker. No she was, No, she wasn't. Oh

401
00:21:01,240 --> 00:21:06,280
Speaker 2: she was a yeah and that pylo is.

402
00:21:06,480 --> 00:21:09,360
Speaker 3: So yeah yeah but she but he was also a Skywalker.

403
00:21:09,720 --> 00:21:12,360
Speaker 2: Wait, okay, now that we're like reevaluate, now that we're

404
00:21:12,359 --> 00:21:16,639
Speaker 2: being like a little bit more, I don't know broad

405
00:21:16,680 --> 00:21:18,439
Speaker 2: in our definition of camp, I mean no, I mean,

406
00:21:18,480 --> 00:21:21,199
Speaker 2: Honeyweons is clearly camp. Show Rise of Skywalker is a

407
00:21:21,200 --> 00:21:23,720
Speaker 2: camp movie. I've always said people need to put some respect.

408
00:21:23,840 --> 00:21:26,239
Speaker 1: I have always said that Rise of Skywalkers camp and

409
00:21:26,240 --> 00:21:28,560
Speaker 1: that when they kissed at the end, that like that

410
00:21:28,600 --> 00:21:29,720
Speaker 1: was when it got good.

411
00:21:30,160 --> 00:21:32,760
Speaker 2: It's like everyone hates that movie for whatever reason. In

412
00:21:32,800 --> 00:21:34,560
Speaker 2: the guys, it's good.

413
00:21:35,080 --> 00:21:37,840
Speaker 1: If you hate that movie, you're a baby if you

414
00:21:38,040 --> 00:21:40,800
Speaker 1: if you leave any Star Wars movie and like, M like,

415
00:21:40,920 --> 00:21:46,520
Speaker 1: shut up, you baby, like go read Ursula kay LeGuin.

416
00:21:46,920 --> 00:21:48,720
Speaker 1: A lot of people being babies lately.

417
00:21:49,080 --> 00:21:51,920
Speaker 3: Can we just say that, hey, hey.

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Speaker 1: Baby, you drop you dropped your past the goddamn ground,

419
00:21:57,320 --> 00:21:58,880
Speaker 1: put it in your mouth and get sick for all

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Speaker 1: I care.

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00:22:01,320 --> 00:22:04,920
Speaker 2: I think what would you call your indebriational level right now?

422
00:22:05,440 --> 00:22:10,400
Speaker 2: Level level? My level is level five? Level level five?

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00:22:10,920 --> 00:22:12,600
Speaker 1: You like a six or seven because I can handle

424
00:22:12,600 --> 00:22:14,040
Speaker 1: a little bit more than you, even though I had

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00:22:14,080 --> 00:22:14,960
Speaker 1: a couple more drinks.

426
00:22:15,119 --> 00:22:23,440
Speaker 2: Don't presume to know my how about that? I I

427
00:22:23,640 --> 00:22:28,840
Speaker 2: need to not I need to only ingest glue to

428
00:22:28,920 --> 00:22:35,920
Speaker 2: thion beta alanine creating before a workout, protein isolate after

429
00:22:36,240 --> 00:22:38,680
Speaker 2: good look, I need to I need to What goes

430
00:22:38,720 --> 00:22:40,879
Speaker 2: in is just as important as what goes out, and

431
00:22:40,880 --> 00:22:44,160
Speaker 2: what's what goes out is people would pay top dollar

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00:22:44,920 --> 00:22:47,320
Speaker 2: no you know what I mean, like I I've described

433
00:22:47,320 --> 00:22:49,200
Speaker 2: my ships recently as poisonous.

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00:22:49,480 --> 00:22:52,639
Speaker 3: Well, that is a diet thing, I'm sure.

435
00:22:53,520 --> 00:22:57,000
Speaker 2: Yeah, what are you putting in? What kind of things

436
00:22:57,000 --> 00:23:00,600
Speaker 2: do you ordering late at night? To be honest, talk

437
00:23:00,640 --> 00:23:04,200
Speaker 2: about being burrito? Talk about is it because of marijuana

438
00:23:04,200 --> 00:23:10,160
Speaker 2: at night? Yeah? Or oh I've been doing a little

439
00:23:10,240 --> 00:23:15,040
Speaker 2: like cheese plates at night while I'm watching my show

440
00:23:15,680 --> 00:23:21,359
Speaker 2: cheese plates. Do you like a manchego? Do you know

441
00:23:21,440 --> 00:23:22,240
Speaker 2: a soft.

442
00:23:22,000 --> 00:23:24,240
Speaker 3: Cheese until you wake up in the morning and it's not.

443
00:23:24,240 --> 00:23:26,760
Speaker 2: So good and I'm way down, girl, I.

444
00:23:26,760 --> 00:23:31,119
Speaker 1: Guess speaking of cheese and reactions to it, we should

445
00:23:31,160 --> 00:23:33,399
Speaker 1: talk about the end, just like that finale.

446
00:23:33,600 --> 00:23:36,119
Speaker 2: Which I still have not watch. I want you to

447
00:23:36,119 --> 00:23:39,120
Speaker 2: speak freely. I actually will thank you. I know about

448
00:23:39,200 --> 00:23:43,080
Speaker 2: I've heard about Epcot, played by the incredible Spikelindminder.

449
00:23:42,480 --> 00:23:46,120
Speaker 1: Spike, I'm render a friend plays Epcot in the show.

450
00:23:46,640 --> 00:23:50,560
Speaker 1: First of all, I gotta say, don't love the whole

451
00:23:50,600 --> 00:23:53,320
Speaker 1: thing of like, oh, there's obviously there's like a non

452
00:23:53,359 --> 00:23:57,679
Speaker 1: binary character here, and they named them Epcot because I

453
00:23:57,720 --> 00:24:01,199
Speaker 1: guess in this world, like all nine trans people have

454
00:24:01,320 --> 00:24:03,280
Speaker 1: like weird, fucked up names and are like.

455
00:24:03,240 --> 00:24:07,840
Speaker 2: I just didn't love that the attitude around trans people

456
00:24:07,840 --> 00:24:11,840
Speaker 2: on the show is is interesting. It's I wouldn't even

457
00:24:11,880 --> 00:24:15,639
Speaker 2: call it interesting. I call it baldly negative. And didn't

458
00:24:15,680 --> 00:24:16,000
Speaker 2: love that.

459
00:24:16,600 --> 00:24:18,320
Speaker 1: But I don't know if that's a response to the

460
00:24:19,080 --> 00:24:21,160
Speaker 1: whole da Is like debacle or whatever.

461
00:24:21,240 --> 00:24:24,200
Speaker 2: But didn't exactly feel there was care.

462
00:24:24,880 --> 00:24:28,159
Speaker 1: Towards the trans and non binary community in that last episode.

463
00:24:28,440 --> 00:24:30,360
Speaker 3: And just want to say, separating this.

464
00:24:30,520 --> 00:24:33,360
Speaker 2: Entirely from like the way we feel about literally.

465
00:24:33,160 --> 00:24:35,199
Speaker 1: All the actresses that work on that show, who we

466
00:24:35,280 --> 00:24:37,720
Speaker 1: adore and love and respect so much.

467
00:24:39,480 --> 00:24:43,160
Speaker 2: That was not great. The way to end that sort

468
00:24:43,359 --> 00:24:45,440
Speaker 2: that was not great. I mean the fact that in

469
00:24:45,480 --> 00:24:47,760
Speaker 2: the last six minutes.

470
00:24:47,440 --> 00:24:50,520
Speaker 1: Of because I don't think they're going to resume the

471
00:24:50,600 --> 00:24:55,200
Speaker 1: story of Carrie, Miranda and Charlotte going forward, I feel

472
00:24:55,240 --> 00:24:56,240
Speaker 1: like it's probably done.

473
00:24:56,359 --> 00:25:03,400
Speaker 2: Don't forget Seema and lv P. Sure, don't forget l VP.

474
00:25:04,800 --> 00:25:08,600
Speaker 2: Who's the third LTW with the two dads?

475
00:25:08,640 --> 00:25:12,439
Speaker 1: Yeah, yes, who's Dad's Both dads passed away. All I

476
00:25:12,520 --> 00:25:14,679
Speaker 1: know is in the last five minutes of it, just

477
00:25:14,760 --> 00:25:17,680
Speaker 1: like that, we saw an overhead shot of a toilet

478
00:25:17,720 --> 00:25:22,240
Speaker 1: and poop floated up through the toilet bowl and overflowed.

479
00:25:22,640 --> 00:25:25,320
Speaker 1: Look I'm sure you guys all saw it if you

480
00:25:25,480 --> 00:25:33,040
Speaker 1: didn't understand that the way that is that a character

481
00:25:33,119 --> 00:25:38,879
Speaker 1: named Epcot eats cheese, causes a toilet to clog, and

482
00:25:38,920 --> 00:25:42,560
Speaker 1: then one of the last things we see in all.

483
00:25:42,280 --> 00:25:44,000
Speaker 2: Of Sex and Carrie Bradshaw's New.

484
00:25:44,000 --> 00:25:48,359
Speaker 1: York and Carrie Bradshaw New York is poop nuggets float

485
00:25:48,480 --> 00:25:52,080
Speaker 1: up through the toilet overflow the bowl, and then Miranda

486
00:25:52,520 --> 00:25:55,160
Speaker 1: ends up on her hands and knees, and she says,

487
00:25:55,280 --> 00:25:56,960
Speaker 1: what is my life?

488
00:25:57,280 --> 00:26:00,960
Speaker 2: And I have the same question. I had very close

489
00:26:01,000 --> 00:26:05,840
Speaker 2: to the same question. Now, what is the difference? You

490
00:26:05,840 --> 00:26:08,119
Speaker 2: don't have to have a real answer for this, but like,

491
00:26:09,359 --> 00:26:11,800
Speaker 2: is it just more disappointing because like that is campy.

492
00:26:11,800 --> 00:26:13,760
Speaker 2: I'm sure it's like poor taste and good taste or

493
00:26:13,760 --> 00:26:16,639
Speaker 2: whatever in like the son tag way, But it's like,

494
00:26:16,680 --> 00:26:19,640
Speaker 2: what's the difference between and just like that doing that

495
00:26:19,760 --> 00:26:23,200
Speaker 2: versus hunting wives doing pegging slurp, you know what I mean?

496
00:26:23,280 --> 00:26:25,480
Speaker 2: Because one one has it established from the get go

497
00:26:25,520 --> 00:26:27,040
Speaker 2: and the other kind of had to do a hard

498
00:26:27,119 --> 00:26:30,479
Speaker 2: left into that because how how else are they going

499
00:26:30,520 --> 00:26:32,320
Speaker 2: to like tell this story in a compelling wayne It

500
00:26:32,680 --> 00:26:36,280
Speaker 2: becomes water cooler talk because say what you will about

501
00:26:36,280 --> 00:26:39,400
Speaker 2: that show. It was always water cooler talk every episode,

502
00:26:39,560 --> 00:26:41,840
Speaker 2: absolutely and I mean here we are talking about it now.

503
00:26:41,880 --> 00:26:45,000
Speaker 1: But my thing is just like I actually like, I

504
00:26:45,200 --> 00:26:49,199
Speaker 1: finished the episode and the last few scenes are just

505
00:26:49,240 --> 00:26:51,760
Speaker 1: of Carrie Bradshaw, and you know, she realized that, she

506
00:26:51,760 --> 00:26:53,480
Speaker 1: says in her voiceover, she goes.

507
00:26:53,400 --> 00:26:56,080
Speaker 3: The lady realized she was not alone.

508
00:26:56,359 --> 00:26:57,800
Speaker 2: She was on her own.

509
00:26:58,119 --> 00:27:02,320
Speaker 1: And I remember it, you know, SJP as Carrie sort

510
00:27:02,320 --> 00:27:04,840
Speaker 1: of like walking in her home and she sort of,

511
00:27:04,920 --> 00:27:07,159
Speaker 1: you know, she's just like whatever. And I finished the

512
00:27:07,200 --> 00:27:10,000
Speaker 1: episode and I thought, Okay, you know what I mean.

513
00:27:10,119 --> 00:27:13,600
Speaker 1: This was a show about a woman in her middle

514
00:27:13,640 --> 00:27:18,239
Speaker 1: age whose husband dies and she felt that she had

515
00:27:18,280 --> 00:27:21,120
Speaker 1: finally reached that stage of her life where she could

516
00:27:21,160 --> 00:27:23,400
Speaker 1: be comfortable with her partner and live out her.

517
00:27:23,359 --> 00:27:25,359
Speaker 2: Days, and he died and she had to figure it

518
00:27:25,400 --> 00:27:25,840
Speaker 2: out again.

519
00:27:25,960 --> 00:27:31,080
Speaker 1: So this series was about what happens when when that

520
00:27:31,240 --> 00:27:33,679
Speaker 1: goes down in your life. And I feel like, in

521
00:27:33,720 --> 00:27:36,760
Speaker 1: the totality of all of it, at least the show

522
00:27:36,960 --> 00:27:39,840
Speaker 1: was about something, and they were able to end it

523
00:27:39,880 --> 00:27:41,480
Speaker 1: with Carrie bradshawbiing like.

524
00:27:41,640 --> 00:27:44,640
Speaker 2: I'm on my own, but I'm not alone. I have friends.

525
00:27:44,960 --> 00:27:46,480
Speaker 3: It's not the end of my life.

526
00:27:46,560 --> 00:27:49,920
Speaker 2: I'm okay, she's experienced love and that's what the show

527
00:27:50,000 --> 00:27:54,600
Speaker 2: is about and it doesn't have to like remain or whatever. Yeah,

528
00:27:54,640 --> 00:27:55,080
Speaker 2: so at.

529
00:27:55,040 --> 00:27:59,960
Speaker 1: Least it was about something that being said, that show

530
00:28:00,160 --> 00:28:01,159
Speaker 1: had a real.

531
00:28:01,000 --> 00:28:03,120
Speaker 2: Potential in the first season, in the first.

532
00:28:02,880 --> 00:28:07,800
Speaker 1: Couple episodes, and then it just we saw poop you

533
00:28:07,840 --> 00:28:08,960
Speaker 1: would never have seen.

534
00:28:09,040 --> 00:28:09,760
Speaker 2: Would you ever have.

535
00:28:09,960 --> 00:28:13,320
Speaker 3: Seen poop in Sex and the City poop.

536
00:28:13,200 --> 00:28:17,840
Speaker 2: No actual fecal matters. You would see poop in most shows.

537
00:28:18,160 --> 00:28:20,639
Speaker 3: It feels really undignified.

538
00:28:22,480 --> 00:28:25,359
Speaker 2: Is that like a big fuck you from mp K

539
00:28:25,720 --> 00:28:29,800
Speaker 2: being like I don't know, Like, yeah, I wonder why.

540
00:28:29,960 --> 00:28:33,840
Speaker 2: There must be a reason. That's that's what's puzzling me.

541
00:28:33,960 --> 00:28:38,000
Speaker 2: And again I'm yeah, whatever, I'm not I knowing what

542
00:28:38,120 --> 00:28:41,440
Speaker 2: I know about the finale, I'm like, I think I'm good.

543
00:28:41,520 --> 00:28:43,680
Speaker 2: I don't think I have to experience this.

544
00:28:44,560 --> 00:28:46,760
Speaker 1: I kind of want you to watch it because I

545
00:28:46,880 --> 00:28:49,360
Speaker 1: do want you because here's the thing.

546
00:28:49,400 --> 00:28:50,360
Speaker 3: It's just like when what.

547
00:28:50,440 --> 00:28:52,920
Speaker 2: They had to have art directed the poop, you know

548
00:28:52,960 --> 00:28:54,840
Speaker 2: what I mean, It's like it's like a full long no.

549
00:28:56,280 --> 00:29:00,360
Speaker 2: Someone in props brought over two different samples of.

550
00:29:00,400 --> 00:29:02,280
Speaker 3: Shit and they had to run it to make sure

551
00:29:02,280 --> 00:29:03,600
Speaker 3: the poop floated.

552
00:29:03,560 --> 00:29:06,440
Speaker 2: Like and like okay, and which which like go to

553
00:29:06,480 --> 00:29:09,800
Speaker 2: a director and go which poop do you prefer? See?

554
00:29:09,880 --> 00:29:12,160
Speaker 1: Yeah, that's the thing is I'm like, and this is like,

555
00:29:12,280 --> 00:29:16,320
Speaker 1: this is a beloved series that that I don't know

556
00:29:16,480 --> 00:29:18,560
Speaker 1: that that was it was tough.

557
00:29:18,840 --> 00:29:22,600
Speaker 2: So that is the uh, as far as we know

558
00:29:22,640 --> 00:29:25,480
Speaker 2: the end of that story, it.

559
00:29:25,360 --> 00:29:27,760
Speaker 1: Can have been what they want, it can have been

560
00:29:27,760 --> 00:29:29,760
Speaker 1: what they thought the last episode was.

561
00:29:29,840 --> 00:29:32,160
Speaker 2: I'm sorry. At a certain point, it's like, I understand

562
00:29:32,200 --> 00:29:33,480
Speaker 2: why you guys all want to.

563
00:29:33,440 --> 00:29:36,920
Speaker 1: Be like, yes, we decided to end it this way

564
00:29:37,000 --> 00:29:38,040
Speaker 1: and hah, like you.

565
00:29:38,040 --> 00:29:39,840
Speaker 2: Know what I mean, Like, isn't this lovely? Et cetera.

566
00:29:39,880 --> 00:29:42,520
Speaker 2: And I did think that, you know, the powers that

567
00:29:42,640 --> 00:29:43,960
Speaker 2: be that clearly were.

568
00:29:43,840 --> 00:29:46,640
Speaker 1: Not empowered to make those decisions, like handled it as

569
00:29:46,680 --> 00:29:51,680
Speaker 1: gracefully as they could. But ultimately that cannot I refuse

570
00:29:51,800 --> 00:29:54,480
Speaker 1: to believe that they looked at a final cut of

571
00:29:54,480 --> 00:29:56,480
Speaker 1: that episode and we're like, yeah, we're good ending the

572
00:29:56,600 --> 00:29:57,640
Speaker 1: story this way.

573
00:29:58,240 --> 00:30:10,680
Speaker 2: Credits No, Yeah, hmmm, well that's the culture. Do we

574
00:30:10,720 --> 00:30:12,040
Speaker 2: at least say some good news?

575
00:30:13,200 --> 00:30:17,120
Speaker 1: I would say that we've heard music, yes, from an

576
00:30:17,240 --> 00:30:22,120
Speaker 1: upcoming album that is going to bring someone back in.

577
00:30:22,160 --> 00:30:26,520
Speaker 2: A big way. We're very excited we received this music

578
00:30:26,560 --> 00:30:30,640
Speaker 2: because we are very excited to have this person on

579
00:30:30,720 --> 00:30:33,680
Speaker 2: the show. Yes, very soon, and I think everyone's gonna

580
00:30:33,680 --> 00:30:39,040
Speaker 2: be very excited. She is someone who we've rooted for

581
00:30:39,800 --> 00:30:42,080
Speaker 2: well as in we in the royal sense, like you've

582
00:30:42,160 --> 00:30:45,200
Speaker 2: rooted for her as well. This person looms large in

583
00:30:45,320 --> 00:30:46,160
Speaker 2: the Lost.

584
00:30:45,880 --> 00:30:48,560
Speaker 1: Cultures US Lore and the game show Lord and the

585
00:30:48,560 --> 00:30:50,720
Speaker 1: Game Show Lord and and really the Matt and Bowen

586
00:30:50,760 --> 00:30:53,959
Speaker 1: and extended universe lor this person has always loomed large.

587
00:30:54,120 --> 00:31:00,600
Speaker 1: And new music is coming from this person and their

588
00:31:00,680 --> 00:31:07,040
Speaker 1: name Stemil Lovato, and we've heard what we can only

589
00:31:07,080 --> 00:31:10,720
Speaker 1: describe as true bops.

590
00:31:11,320 --> 00:31:13,240
Speaker 3: We've heard six songs.

591
00:31:12,800 --> 00:31:16,440
Speaker 2: Six songs, and they are all truly sublime. And she's

592
00:31:16,520 --> 00:31:19,320
Speaker 2: coming to the podcast. It is on the books. So

593
00:31:19,880 --> 00:31:22,800
Speaker 2: if it doesn't pan out, no worries. But you heard

594
00:31:22,840 --> 00:31:25,120
Speaker 2: it here first, and if it doesn't work out, then

595
00:31:25,120 --> 00:31:26,920
Speaker 2: that's fine. I think it's gonna pan I think it's

596
00:31:26,920 --> 00:31:29,080
Speaker 2: gonna pan out. But also are we're sitting on some

597
00:31:29,120 --> 00:31:33,520
Speaker 2: creaky chairs, so you know, uh, if that's intolerable to you,

598
00:31:33,520 --> 00:31:35,880
Speaker 2: you know, just pressed up. Now. It's pe town, It's

599
00:31:35,880 --> 00:31:39,120
Speaker 2: pee town. Girl, we're doing our let them creek, let

600
00:31:39,160 --> 00:31:41,320
Speaker 2: them It's like let them cook, but let them creek.

601
00:31:42,120 --> 00:31:45,640
Speaker 1: Do you have anything to get off your chest?

602
00:31:46,040 --> 00:31:48,960
Speaker 2: Do I have anything to get off my chest? I

603
00:31:49,000 --> 00:31:53,120
Speaker 2: don't think so. I'm kind of just like, I'm kind

604
00:31:53,120 --> 00:31:57,680
Speaker 2: of just like enjoying this week of of peace. Have

605
00:31:57,760 --> 00:32:00,520
Speaker 2: you been having a peaceful time? I think so. I

606
00:32:00,520 --> 00:32:02,200
Speaker 2: think I could. I could steal a nap or two.

607
00:32:02,680 --> 00:32:04,640
Speaker 2: You want to go to bed at some point, but

608
00:32:04,760 --> 00:32:08,080
Speaker 2: not now. I'm I'm not rushing for this to end wire. No,

609
00:32:09,240 --> 00:32:10,719
Speaker 2: do wait am I thinking? Am I? Do I have

610
00:32:10,760 --> 00:32:12,280
Speaker 2: something to get off my chest? That like I'm thinking

611
00:32:12,280 --> 00:32:15,240
Speaker 2: about that that you're thinking about just with this time

612
00:32:15,280 --> 00:32:18,640
Speaker 2: that we have together. No, I mean I still encourage

613
00:32:18,640 --> 00:32:23,960
Speaker 2: everyone to go see weapons. IM still I'm I'm excited.

614
00:32:24,000 --> 00:32:26,200
Speaker 2: I want to watch as many movies as I can

615
00:32:26,320 --> 00:32:29,840
Speaker 2: before before I lose the time, you know what I mean.

616
00:32:30,160 --> 00:32:32,040
Speaker 2: I'm just rolling through photos. I'm like, what's happened to

617
00:32:32,120 --> 00:32:35,640
Speaker 2: me recently? I'm I'm boring. I'm in my boring era. No,

618
00:32:35,800 --> 00:32:37,400
Speaker 2: I don't think that's true. It's okay.

619
00:32:37,720 --> 00:32:41,040
Speaker 1: We've had a wonderful time, like traversing Province sound, going

620
00:32:41,080 --> 00:32:44,280
Speaker 1: through a commercial street, et cetera. I was actually just

621
00:32:44,320 --> 00:32:47,920
Speaker 1: sitting outside looking at the sky, the clouds alignment. It

622
00:32:48,000 --> 00:32:50,800
Speaker 1: is just so beautiful. We're in this wonderful home. I'm

623
00:32:50,800 --> 00:32:52,880
Speaker 1: looking out. You got to come down here. If you

624
00:32:52,920 --> 00:32:54,520
Speaker 1: haven't come down here. I know we're speaking to a

625
00:32:54,600 --> 00:32:57,280
Speaker 1: lot of gay guys and girls who have gay friends.

626
00:32:57,480 --> 00:33:01,600
Speaker 3: And so and of course queer women. But Province Sound.

627
00:33:01,400 --> 00:33:02,480
Speaker 2: Really is a place to come.

628
00:33:02,800 --> 00:33:05,360
Speaker 3: Yes, absolutely, Maybe I'll buy a home here.

629
00:33:05,520 --> 00:33:12,000
Speaker 2: Oh, I'll be stopping by. Well, let's go to the home.

630
00:33:14,000 --> 00:33:19,960
Speaker 2: Let's see. Let's oh. Audrey Hobert fabulous new album.

631
00:33:20,320 --> 00:33:22,840
Speaker 1: Have you been listening to it? I haven't got a

632
00:33:22,960 --> 00:33:25,800
Speaker 1: chance to listen to it yet. Give your impressions.

633
00:33:25,840 --> 00:33:29,960
Speaker 2: Just a great So people don't know Audrey Hobert, fabulous

634
00:33:30,600 --> 00:33:37,600
Speaker 2: singer has written songs for uh so may I want

635
00:33:37,600 --> 00:33:40,320
Speaker 2: to be on it? Shouted her out before. But Who's

636
00:33:40,360 --> 00:33:42,880
Speaker 2: the Clown is the name of the album? Yeah? I

637
00:33:43,000 --> 00:33:47,160
Speaker 2: like that title. Great title, great title. I am not

638
00:33:47,360 --> 00:33:50,520
Speaker 2: up to speed on the Ethyl VI Lana of it all,

639
00:33:51,800 --> 00:33:53,880
Speaker 2: but I kind of am. But I think but Lana

640
00:33:53,880 --> 00:33:56,239
Speaker 2: has released the disc track? Is that true? So?

641
00:33:56,360 --> 00:33:59,840
Speaker 1: Lana del Rey uploaded like a you know, sort of

642
00:34:01,600 --> 00:34:03,160
Speaker 1: what would you call it? It was sort of like

643
00:34:03,280 --> 00:34:07,760
Speaker 1: a polemic. It was a distrack. It's at Tract thirteen

644
00:34:07,880 --> 00:34:10,440
Speaker 1: and she tagged Jack anton Off and it was basically

645
00:34:10,520 --> 00:34:13,279
Speaker 1: like ethel Caine didn't like my Instagram post, and she

646
00:34:13,440 --> 00:34:15,040
Speaker 1: was kind of just going off of the song. And

647
00:34:15,080 --> 00:34:17,440
Speaker 1: then she revealed that ethel Caine had at once made

648
00:34:17,440 --> 00:34:20,920
Speaker 1: a comment nastily about her weight. And there is ethel

649
00:34:21,000 --> 00:34:24,120
Speaker 1: can Lana del Rey Beef officially.

650
00:34:23,719 --> 00:34:27,000
Speaker 2: And Nicki Minaj is involved. Is Nicki Minaj in vases?

651
00:34:27,239 --> 00:34:30,839
Speaker 2: Nikki is now but Nikki for a while is pro

652
00:34:30,920 --> 00:34:34,040
Speaker 2: Ethel and now I believe she's Prolana. Like this is

653
00:34:34,040 --> 00:34:36,719
Speaker 2: where you know it's this is this is why I've

654
00:34:36,760 --> 00:34:39,680
Speaker 2: chosen to disengage. I'm like, I don't need to really

655
00:34:39,719 --> 00:34:46,520
Speaker 2: be reading her thoughts necessarily twenty twenty five.

656
00:34:47,840 --> 00:34:53,520
Speaker 3: But are there still barbs? Oh yeah, yeah, oh for sure.

657
00:34:54,400 --> 00:34:57,040
Speaker 2: Do you think that the barbs numbers have taken a hit?

658
00:34:57,880 --> 00:35:02,200
Speaker 2: I'm not following that. Yeah, you know, yeah, this is

659
00:35:02,239 --> 00:35:02,720
Speaker 2: my thing.

660
00:35:02,840 --> 00:35:06,359
Speaker 1: I remember back in the day, we were sending so

661
00:35:07,600 --> 00:35:09,120
Speaker 1: we were soldiers for Nikki.

662
00:35:09,600 --> 00:35:13,080
Speaker 2: Then it just became all too much. I mean, we'll

663
00:35:13,120 --> 00:35:14,880
Speaker 2: always have the moment We'll always.

664
00:35:14,640 --> 00:35:17,960
Speaker 1: Have the moments, I guess, but I will always remember

665
00:35:18,000 --> 00:35:18,600
Speaker 1: those times.

666
00:35:18,760 --> 00:35:20,120
Speaker 2: I'll always remember when.

667
00:35:19,960 --> 00:35:24,239
Speaker 3: We were Pearlman's Revenge, say Bagt.

668
00:35:24,719 --> 00:35:28,080
Speaker 2: Well that was an eminem and he said that many

669
00:35:28,080 --> 00:35:30,239
Speaker 2: times it was on on a microphone.

670
00:35:31,120 --> 00:35:34,520
Speaker 1: Well, yeah, so the el I can't say that I'm

671
00:35:34,560 --> 00:35:38,560
Speaker 1: that up to speed on what Ethel Kane does.

672
00:35:39,160 --> 00:35:42,719
Speaker 2: I should probably Yeah, it's it's good. So this one,

673
00:35:42,960 --> 00:35:45,200
Speaker 2: this new album, willeby Tucker Will Always Love You is

674
00:35:45,239 --> 00:35:50,319
Speaker 2: a prequel to her debut just tells the story of

675
00:35:51,640 --> 00:35:55,560
Speaker 2: you know, uh, Preacher's Daughters. The first album tells the

676
00:35:55,560 --> 00:35:59,759
Speaker 2: story of I guess I maybe I'm not super clear

677
00:35:59,800 --> 00:36:03,319
Speaker 2: on that, but it tells the story of a persona

678
00:36:03,560 --> 00:36:07,879
Speaker 2: through Hayden and Edonia who which is a real name,

679
00:36:09,880 --> 00:36:11,600
Speaker 2: sort of like falling in love with this person. I

680
00:36:11,600 --> 00:36:16,120
Speaker 2: I find that ethel Is is the alias is the

681
00:36:16,160 --> 00:36:21,560
Speaker 2: show as the show his name Hayden and Adonia is

682
00:36:21,800 --> 00:36:26,800
Speaker 2: the name of Ethel and making suse I'm a little drunk,

683
00:36:27,800 --> 00:36:30,920
Speaker 2: but I I find I've always find a Ethel very endearing,

684
00:36:31,160 --> 00:36:35,960
Speaker 2: super smart. She loves Zelda. Oh the huge for huge

685
00:36:35,960 --> 00:36:37,560
Speaker 2: one for me she has she has She has an

686
00:36:37,600 --> 00:36:39,759
Speaker 2: inboxing video that I watch all the time as as

687
00:36:39,840 --> 00:36:44,959
Speaker 2: Mr M. She unboxes the special edition Zelda switch light

688
00:36:45,760 --> 00:36:47,400
Speaker 2: and she talks about her love of Zelda game. She

689
00:36:47,520 --> 00:36:51,160
Speaker 2: owns the Zelda edition of every single Nintendo console. Oh wow,

690
00:36:51,360 --> 00:36:54,080
Speaker 2: she's she's a real She's ahead, She's a real Zelda head.

691
00:36:54,120 --> 00:36:56,240
Speaker 2: Whatever happened with the Zelda movie? Is that still happening?

692
00:36:56,360 --> 00:36:59,640
Speaker 2: That's happening. They cast the cast their Lincolnzelda. They're going young, young,

693
00:36:59,760 --> 00:37:02,520
Speaker 2: like early teens. Do we know who the casting?

694
00:37:03,120 --> 00:37:03,279
Speaker 1: Yes?

695
00:37:03,560 --> 00:37:09,920
Speaker 2: Is Zelda movie casting. Yeah, these are some two kids.

696
00:37:10,280 --> 00:37:14,120
Speaker 2: They are. These are some two kids. Bo Bragason as Zelda,

697
00:37:14,360 --> 00:37:18,760
Speaker 2: really pretty girl. Benjamin Ainsworth as Link really really heroic

698
00:37:18,960 --> 00:37:19,919
Speaker 2: looking young man.

699
00:37:20,160 --> 00:37:23,320
Speaker 3: Will this be one of the biggest movies depends.

700
00:37:23,440 --> 00:37:26,880
Speaker 2: I think Nintendo is moving into more of the entertainment

701
00:37:26,920 --> 00:37:28,960
Speaker 2: space and the theme parks, as you know. I think

702
00:37:28,960 --> 00:37:31,279
Speaker 2: they are kind of trying to diversify a little bit

703
00:37:31,719 --> 00:37:37,719
Speaker 2: they're offering aside from video games in terms of the

704
00:37:37,760 --> 00:37:41,440
Speaker 2: Mario because the Mario movie did so well, They're really

705
00:37:41,480 --> 00:37:46,000
Speaker 2: going in on Zelda. They are obviously really invested in

706
00:37:46,040 --> 00:37:47,880
Speaker 2: the theme parks.

707
00:37:48,400 --> 00:37:50,799
Speaker 1: I mean, I guess my thing is like what I

708
00:37:50,800 --> 00:37:52,880
Speaker 1: feel like the Mario movies did well because it was

709
00:37:52,920 --> 00:37:53,760
Speaker 1: able to be funny.

710
00:37:53,800 --> 00:37:55,760
Speaker 3: Is Zelda gonna be able to be funny?

711
00:37:55,880 --> 00:37:56,000
Speaker 2: Is it?

712
00:37:56,120 --> 00:37:58,360
Speaker 3: Is it gonna feel like it's taking itself too seriously?

713
00:37:59,200 --> 00:38:02,640
Speaker 2: Mys? The tone is so hard to strike, it is.

714
00:38:03,080 --> 00:38:07,480
Speaker 2: It's like not a dialogue heavy series, you know, it's

715
00:38:07,520 --> 00:38:12,239
Speaker 2: it's mostly about like I bet it'll be very quiet

716
00:38:12,280 --> 00:38:15,240
Speaker 2: and it'll be a very gentle fantasy movie, which I'm excited,

717
00:38:15,280 --> 00:38:16,960
Speaker 2: but because we don't have a lot of those fantasy

718
00:38:16,960 --> 00:38:21,040
Speaker 2: movies are so like like intense, like world this is,

719
00:38:21,320 --> 00:38:23,000
Speaker 2: this is who that wizard is? You know, It's like

720
00:38:23,040 --> 00:38:25,720
Speaker 2: it's it's so much information at you. And the Zelda

721
00:38:25,719 --> 00:38:29,120
Speaker 2: games are really about like, for lack of a better word, vibes.

722
00:38:29,160 --> 00:38:32,000
Speaker 2: It's like you're a little boy on a farm, you know,

723
00:38:32,080 --> 00:38:34,040
Speaker 2: in a farm town, and then you get them, you know,

724
00:38:34,120 --> 00:38:36,600
Speaker 2: you get the you learn about the triforce or whatever.

725
00:38:36,680 --> 00:38:39,480
Speaker 2: Like I I do like that take on fantasy and

726
00:38:40,400 --> 00:38:43,200
Speaker 2: uh yeah, I'm I'm I'm curious.

727
00:38:43,560 --> 00:38:45,480
Speaker 3: Is an ok arena a real instrument?

728
00:38:45,680 --> 00:38:45,879
Speaker 2: Yes?

729
00:38:45,920 --> 00:38:46,239
Speaker 1: It is?

730
00:38:46,440 --> 00:38:47,160
Speaker 2: It is? It is.

731
00:38:47,239 --> 00:38:49,520
Speaker 3: I could play one, you could? Could you get me

732
00:38:49,520 --> 00:38:50,840
Speaker 3: one for Christmas? Yes?

733
00:38:51,040 --> 00:38:51,759
Speaker 2: Would you buy me.

734
00:38:51,719 --> 00:38:53,400
Speaker 3: An ok arena?

735
00:38:53,520 --> 00:38:55,680
Speaker 2: You like that, Yeah, I think you like Okreena because

736
00:38:55,680 --> 00:38:56,560
Speaker 2: of the word ok Arena.

737
00:38:56,760 --> 00:38:57,880
Speaker 3: Yeah, I do think that.

738
00:38:58,040 --> 00:39:01,160
Speaker 1: I came up with a new drag name and Bowen

739
00:39:01,760 --> 00:39:04,759
Speaker 1: did what he does whenever I say it for me,

740
00:39:04,800 --> 00:39:08,319
Speaker 1: which was immediately dismiss it. But what you guys think

741
00:39:09,160 --> 00:39:10,240
Speaker 1: polar Rising?

742
00:39:11,280 --> 00:39:15,320
Speaker 2: And I said, yeah, like the common female name Polo.

743
00:39:15,400 --> 00:39:16,760
Speaker 2: Excuse me, you.

744
00:39:16,840 --> 00:39:19,960
Speaker 1: Have this thing where you think that in order to

745
00:39:20,000 --> 00:39:22,920
Speaker 1: be an effective drag name, the first name has to

746
00:39:23,000 --> 00:39:24,839
Speaker 1: be like Anne or.

747
00:39:25,280 --> 00:39:28,320
Speaker 2: Don't think you have to be effected, but Pola Rising.

748
00:39:28,600 --> 00:39:31,759
Speaker 2: You always state in the drag names as if they

749
00:39:32,080 --> 00:39:35,760
Speaker 2: make total sense, and the reason they're funny and greatest

750
00:39:35,800 --> 00:39:38,319
Speaker 2: because they don't make sense. But you're like, you guys right,

751
00:39:38,520 --> 00:39:41,839
Speaker 2: like it works, polar Rising, And I'm like, well, no,

752
00:39:41,920 --> 00:39:43,759
Speaker 2: I have to poke holes in it because you don't

753
00:39:43,800 --> 00:39:47,800
Speaker 2: want me to have. You know, I became a dragon

754
00:39:48,120 --> 00:39:51,080
Speaker 2: and I would have to take it. No.

755
00:39:52,520 --> 00:39:55,439
Speaker 1: If I became a drag queen, I would be so

756
00:39:55,719 --> 00:39:58,360
Speaker 1: I wouldn't even need to speak to anyone in my life.

757
00:39:58,560 --> 00:40:00,200
Speaker 3: If I became a drag queen.

758
00:40:00,360 --> 00:40:03,440
Speaker 1: I would be rue Paul. I would be so big,

759
00:40:04,080 --> 00:40:07,160
Speaker 1: I would fly as high as sky. I'd be bigger

760
00:40:07,239 --> 00:40:10,600
Speaker 1: than the whole sky, good Bye, Goodbye.

761
00:40:11,280 --> 00:40:12,600
Speaker 2: I guess should we talk about Taylor.

762
00:40:12,880 --> 00:40:15,719
Speaker 1: She pissed me off when she said there was a

763
00:40:15,760 --> 00:40:18,880
Speaker 1: countdown on her website, and I got all excited. I

764
00:40:18,920 --> 00:40:21,600
Speaker 1: got on my Instagram. I acted like a goddamn fool.

765
00:40:21,680 --> 00:40:24,319
Speaker 1: I was like, we ride at two pm, etc. And

766
00:40:24,360 --> 00:40:26,759
Speaker 1: it was a new vinyl pressing. After I got so

767
00:40:26,880 --> 00:40:28,920
Speaker 1: excited about the whole life of a shold girl, I

768
00:40:28,960 --> 00:40:31,120
Speaker 1: wrote because I can't believe it's gonna be Max Martin

769
00:40:31,200 --> 00:40:33,879
Speaker 1: twelve tracks, twelve focused bangers.

770
00:40:34,000 --> 00:40:35,760
Speaker 2: That's what I've wanted for a long time.

771
00:40:36,239 --> 00:40:38,080
Speaker 1: We were both excited about what it was going to

772
00:40:38,120 --> 00:40:42,040
Speaker 1: be giving and then I thought, Wow, maybe she's going

773
00:40:42,120 --> 00:40:43,080
Speaker 1: to release a new song.

774
00:40:43,160 --> 00:40:44,479
Speaker 2: While we're here in pe Town.

775
00:40:45,600 --> 00:40:49,120
Speaker 1: People were girding their loins around us, being like, oh god,

776
00:40:49,360 --> 00:40:50,759
Speaker 1: this is going to be a new tailor.

777
00:40:50,440 --> 00:40:51,600
Speaker 2: Song I had.

778
00:40:52,280 --> 00:40:53,359
Speaker 3: We were ready to go.

779
00:40:54,200 --> 00:40:56,440
Speaker 2: Now, can I ask did you take down these stories?

780
00:40:56,600 --> 00:40:56,959
Speaker 1: I did?

781
00:40:57,800 --> 00:40:59,520
Speaker 2: That was embarrassed. That's real shame.

782
00:41:00,080 --> 00:41:01,960
Speaker 1: No, yeah, it was really ashamed because I was like,

783
00:41:02,480 --> 00:41:05,480
Speaker 1: someone said, I've probably obviously Jared being like, oh my god,

784
00:41:05,480 --> 00:41:08,359
Speaker 1: there's a new countdown on Taylor's website. I'm thinking it

785
00:41:08,400 --> 00:41:10,319
Speaker 1: has to be a single, so I put it on

786
00:41:10,360 --> 00:41:13,040
Speaker 1: my story. I even get on my story, I say

787
00:41:13,160 --> 00:41:15,680
Speaker 1: mute me, bitch, like you know, get ready for me,

788
00:41:15,800 --> 00:41:18,920
Speaker 1: I'm coming, et cetera. I do feel like people are

789
00:41:19,000 --> 00:41:22,240
Speaker 1: so fucking annoying about Taylor Swift, like Okay, you don't

790
00:41:22,280 --> 00:41:23,680
Speaker 1: like it, shut the fuck up.

791
00:41:23,960 --> 00:41:25,759
Speaker 3: And I was just like, I'm gonna enjoy this.

792
00:41:25,880 --> 00:41:29,879
Speaker 1: So few things to enjoy life, Please, dear God, let

793
00:41:29,880 --> 00:41:33,399
Speaker 1: me enjoy this collection of pop music, which it is.

794
00:41:33,960 --> 00:41:36,520
Speaker 3: But then I do the most.

795
00:41:36,640 --> 00:41:38,560
Speaker 2: I say how excited I am, and she.

796
00:41:38,800 --> 00:41:42,600
Speaker 1: Just is like it's a vinyl pressing, and I was like, okay,

797
00:41:42,640 --> 00:41:44,040
Speaker 1: I guess I'll continue to wait.

798
00:41:44,840 --> 00:41:46,879
Speaker 2: So that was just salt on the wound, right, because

799
00:41:46,880 --> 00:41:50,080
Speaker 2: you're thinking about this in terms of like I've I've

800
00:41:50,120 --> 00:41:52,359
Speaker 2: done a lot of work to arrive at a place

801
00:41:52,360 --> 00:41:55,000
Speaker 2: where I can be excited publicly about a new Taylor

802
00:41:55,000 --> 00:41:59,880
Speaker 2: Swift moment, and the fact that she kind of proven

803
00:42:00,280 --> 00:42:03,400
Speaker 2: these people right was what was annoying.

804
00:42:03,480 --> 00:42:05,759
Speaker 3: No, she didn't prove anyone right. It was just for me.

805
00:42:05,800 --> 00:42:10,120
Speaker 1: It was just like, oh I I I'm so excited. No,

806
00:42:10,320 --> 00:42:13,040
Speaker 1: And and that is the energy. It's like people make

807
00:42:13,160 --> 00:42:14,319
Speaker 1: feel people.

808
00:42:14,120 --> 00:42:15,960
Speaker 3: Still think it's interesting.

809
00:42:17,120 --> 00:42:19,840
Speaker 1: And I understand that you might not think it's interesting

810
00:42:19,920 --> 00:42:22,319
Speaker 1: for me to be like yay Taylor Swift, but I

811
00:42:22,360 --> 00:42:25,920
Speaker 1: do think it is less cool to be like fuck

812
00:42:26,000 --> 00:42:28,440
Speaker 1: this thing that everyone likes. And I'm always gonna be

813
00:42:28,560 --> 00:42:30,800
Speaker 1: like that. I Am always going to be the person

814
00:42:30,840 --> 00:42:34,319
Speaker 1: that's like if you were the type of individual that

815
00:42:34,480 --> 00:42:37,520
Speaker 1: is out here being like fuck you and that thing

816
00:42:37,600 --> 00:42:40,000
Speaker 1: that you and a lot of other people like that

817
00:42:40,120 --> 00:42:42,719
Speaker 1: is you know, not magic, it's just it's just it

818
00:42:42,920 --> 00:42:46,040
Speaker 1: just to me is like it's a stasis.

819
00:42:46,080 --> 00:42:47,160
Speaker 2: I don't want to occupy.

820
00:42:47,480 --> 00:42:50,320
Speaker 3: I never want to be like, oh, you're excited about that.

821
00:42:50,239 --> 00:42:51,440
Speaker 2: Thing, You're stupid.

822
00:42:51,880 --> 00:42:54,239
Speaker 1: Like, to me, that's like the antithesis of everything that

823
00:42:54,280 --> 00:42:57,799
Speaker 1: who of who I am, of honestly what this all is.

824
00:42:58,200 --> 00:43:00,200
Speaker 2: It's just like annoying and I hate it.

825
00:43:00,560 --> 00:43:01,840
Speaker 3: And so then I got all.

826
00:43:01,719 --> 00:43:05,920
Speaker 1: Excited about her and announcing something new and I was like, ah, yeah,

827
00:43:05,920 --> 00:43:08,160
Speaker 1: I'm ready to go, let's go. And then it was

828
00:43:08,160 --> 00:43:10,279
Speaker 1: a Vinyl pressing and I was like, Okay, well, I

829
00:43:10,320 --> 00:43:15,319
Speaker 1: will continue to say quietly totally I've been humbled, but

830
00:43:15,400 --> 00:43:16,280
Speaker 1: I'm still excited.

831
00:43:16,840 --> 00:43:19,880
Speaker 2: Yeah, did you watch the interview with Travis I did

832
00:43:19,960 --> 00:43:23,560
Speaker 2: not want Jason, I could have got the big poll quotes.

833
00:43:23,960 --> 00:43:27,520
Speaker 2: I did watch it, but yeah, I mean it'll come.

834
00:43:27,640 --> 00:43:30,200
Speaker 2: October is not that far away. No, it's fine, We're

835
00:43:30,239 --> 00:43:33,600
Speaker 2: all fine, We're all fine. Grammy submission deadline is in

836
00:43:34,040 --> 00:43:36,680
Speaker 2: of August. She'll probably release something before that. I don't

837
00:43:36,680 --> 00:43:37,160
Speaker 2: think she will.

838
00:43:37,200 --> 00:43:39,520
Speaker 1: I think she's gonna allow Sabrina to have her run way,

839
00:43:39,680 --> 00:43:42,799
Speaker 1: I really do. I think she's She's got a lot

840
00:43:42,880 --> 00:43:45,640
Speaker 1: of daughters in the mix, like I think Sabrina and

841
00:43:45,640 --> 00:43:47,160
Speaker 1: Gracie are in the mix in a.

842
00:43:47,080 --> 00:43:50,560
Speaker 2: Big ways, her cousin, and I think she respects Gaga

843
00:43:50,600 --> 00:43:50,920
Speaker 2: so much.

844
00:43:50,920 --> 00:43:54,240
Speaker 1: I think she knows this is not her This Grammy

845
00:43:54,320 --> 00:43:57,439
Speaker 1: race is not her fight, and I think she will wait.

846
00:43:57,560 --> 00:44:00,400
Speaker 1: She's given everyone a lot of time to absorb the

847
00:44:00,440 --> 00:44:02,919
Speaker 1: fact that she's gonna come hard with an album, and

848
00:44:03,080 --> 00:44:07,120
Speaker 1: I do think that she had She seems more confident

849
00:44:07,160 --> 00:44:09,719
Speaker 1: about this than she has in something in a very

850
00:44:09,760 --> 00:44:11,920
Speaker 1: long time. Not to say that she hasn't seemed confident,

851
00:44:12,000 --> 00:44:15,400
Speaker 1: just to say she seems ultra confident. And the fact

852
00:44:15,400 --> 00:44:17,920
Speaker 1: that she and Max Martin and Shellback, who are the

853
00:44:17,960 --> 00:44:21,279
Speaker 1: best pop music producers that exist, I feel good saying

854
00:44:21,320 --> 00:44:24,800
Speaker 1: that they've you know, created a focused twelve track album

855
00:44:24,880 --> 00:44:27,240
Speaker 1: that will probably be all bangers.

856
00:44:28,160 --> 00:44:30,600
Speaker 2: You can choose to not enjoy that or not. I

857
00:44:30,600 --> 00:44:33,160
Speaker 2: mean it's not to me, right, but it's I think

858
00:44:33,160 --> 00:44:36,239
Speaker 2: you're talking about something where people are like reaching out

859
00:44:36,280 --> 00:44:41,040
Speaker 2: being like, not you liking to Yeah it's not. It's

860
00:44:41,120 --> 00:44:41,480
Speaker 2: it's not.

861
00:44:41,560 --> 00:44:43,520
Speaker 3: New news, and it's also not fun.

862
00:44:44,280 --> 00:44:46,919
Speaker 2: Well, it's just this it's this political theory sorry, where

863
00:44:46,960 --> 00:44:50,560
Speaker 2: it's like oh and in late late late stage capitalism.

864
00:44:50,560 --> 00:44:52,880
Speaker 2: It's like when you have no political will to exercise,

865
00:44:52,960 --> 00:44:56,359
Speaker 2: then you're gonna you think you can extra as consumerist will,

866
00:44:56,400 --> 00:45:01,040
Speaker 2: which is like saying like which is just having an

867
00:45:01,080 --> 00:45:04,720
Speaker 2: issue with any kind of pop culture for any reason,

868
00:45:04,880 --> 00:45:09,359
Speaker 2: which we dabble in sometimes, you know, we just kind

869
00:45:09,400 --> 00:45:11,000
Speaker 2: of talked about it and just like that. But I

870
00:45:11,000 --> 00:45:13,040
Speaker 2: think we're not doing it in a sort of like

871
00:45:13,680 --> 00:45:17,160
Speaker 2: as a reaction to like certain things, or maybe we are,

872
00:45:17,200 --> 00:45:20,319
Speaker 2: but like if and just like that was good, we're

873
00:45:20,360 --> 00:45:22,520
Speaker 2: not making anyone feel bad for liking it. Yeah right,

874
00:45:22,520 --> 00:45:24,920
Speaker 2: but we're not saying and we're not making anyone feel back.

875
00:45:24,960 --> 00:45:26,560
Speaker 2: If you do happen to like in just like that,

876
00:45:26,880 --> 00:45:29,279
Speaker 2: please enjoy it. I would love to hear from you.

877
00:45:29,400 --> 00:45:33,600
Speaker 1: Yes, if you actually thought and just like that was good,

878
00:45:33,760 --> 00:45:36,080
Speaker 1: please send in a voice memo saying why, and don't

879
00:45:36,080 --> 00:45:36,560
Speaker 1: do it as.

880
00:45:36,480 --> 00:45:38,799
Speaker 2: A joke, like, we will not make fun of you.

881
00:45:38,840 --> 00:45:41,120
Speaker 2: We just want to hear you out, even the hunting wives.

882
00:45:41,160 --> 00:45:43,360
Speaker 2: I mean, like, what did you look it up? What

883
00:45:43,400 --> 00:45:47,399
Speaker 2: did it have on metacritics? That's hot, very high, and

884
00:45:47,440 --> 00:45:52,279
Speaker 2: I'm curious about that. It's high when you look at

885
00:45:52,320 --> 00:45:54,680
Speaker 2: what the wigs look like. You know what I mean.

886
00:45:54,680 --> 00:45:56,200
Speaker 3: It's like when you see those.

887
00:45:55,960 --> 00:45:59,719
Speaker 2: Wigs are are docking at least forty. That's what I'm saying.

888
00:46:00,480 --> 00:46:04,480
Speaker 1: You can't get higher than a sixty when the wigs

889
00:46:04,520 --> 00:46:06,000
Speaker 1: look the way they do.

890
00:46:05,960 --> 00:46:08,840
Speaker 2: On when you can see the heroline, you can see

891
00:46:08,840 --> 00:46:12,800
Speaker 2: the the real baby here spoke out of the lace

892
00:46:12,920 --> 00:46:16,080
Speaker 2: question mark if if there was lace to begin with?

893
00:46:16,920 --> 00:46:20,600
Speaker 2: Our joke was like some almost like who is that actor?

894
00:46:20,680 --> 00:46:23,120
Speaker 2: And we were like, oh, that's a Vancouver local. Where

895
00:46:23,160 --> 00:46:26,080
Speaker 2: did they shoot it? I think I think Ashville, Ashville,

896
00:46:26,239 --> 00:46:27,400
Speaker 2: that beautiful city of ash.

897
00:46:27,480 --> 00:46:30,120
Speaker 1: I loved every second of the show. I want distress

898
00:46:30,200 --> 00:46:33,680
Speaker 1: and I have to say, like, you know, ultimately it

899
00:46:33,760 --> 00:46:34,919
Speaker 1: is my kind of pro.

900
00:46:35,320 --> 00:46:37,759
Speaker 2: It is made for us. Yeah, The only thing we're

901
00:46:37,840 --> 00:46:40,840
Speaker 2: kind of unsure about is and the show does a

902
00:46:40,840 --> 00:46:43,040
Speaker 2: really good job of like threading the needle, like it'll

903
00:46:43,080 --> 00:46:47,759
Speaker 2: appeal to any sector. Yes, is this pro gun's pro

904
00:46:47,880 --> 00:46:50,680
Speaker 2: queer or is this anti guns anti You can't tell

905
00:46:50,920 --> 00:46:54,480
Speaker 2: what it thinks, which God, I mean, I guess we'll

906
00:46:54,480 --> 00:46:55,200
Speaker 2: settle for it.

907
00:46:55,840 --> 00:46:58,640
Speaker 1: One thing I do stand by is that any given

908
00:46:58,760 --> 00:47:02,320
Speaker 1: scene of the show could end in one character quietly

909
00:47:02,360 --> 00:47:04,719
Speaker 1: to themselves going fuck.

910
00:47:06,520 --> 00:47:07,000
Speaker 2: It's great.

911
00:47:07,640 --> 00:47:11,480
Speaker 1: Every scene is so stressful, and then as an individual

912
00:47:11,560 --> 00:47:12,040
Speaker 1: just fuck.

913
00:47:12,920 --> 00:47:15,799
Speaker 2: Oh, but it's I mean it's great. I mean there's

914
00:47:15,800 --> 00:47:19,360
Speaker 2: no better period on a sentence of a scene than fuck.

915
00:47:20,200 --> 00:47:23,959
Speaker 1: And ultimately I leave only happy for Britney snow oh yeah,

916
00:47:24,040 --> 00:47:24,919
Speaker 1: and Malan.

917
00:47:25,480 --> 00:47:30,239
Speaker 2: Listen, I tore it up. Makehab the writer of the novel.

918
00:47:30,480 --> 00:47:32,680
Speaker 2: I hope you're getting a fat chuck and it ends

919
00:47:32,719 --> 00:47:35,319
Speaker 2: differently than the novel. That's right. I love when they

920
00:47:35,360 --> 00:47:38,399
Speaker 2: do that. I love it when that happens.

921
00:47:38,840 --> 00:47:40,120
Speaker 3: Do you love the felling of sneezing?

922
00:47:40,200 --> 00:47:42,719
Speaker 2: Well, it's supposed to be orgasmic. Oh, it's supposed to

923
00:47:42,719 --> 00:47:45,120
Speaker 2: be the same kind of like sense about you know,

924
00:47:45,200 --> 00:47:46,279
Speaker 2: somatic experiences.

925
00:47:46,480 --> 00:47:51,680
Speaker 1: Well, gasma, I just can't stop thinking about how much

926
00:47:51,800 --> 00:47:56,400
Speaker 1: like Come and uh like gang Nipple there was and

927
00:47:56,560 --> 00:47:58,440
Speaker 1: Hunting Wives like you really need.

928
00:47:58,280 --> 00:48:04,399
Speaker 2: To it had all the bodily Mary fuck Kill. Oh wow,

929
00:48:04,440 --> 00:48:08,359
Speaker 2: I love this come poop nugget and just like that,

930
00:48:09,239 --> 00:48:13,560
Speaker 2: or on gay Nipple, I'm gonna marry Come.

931
00:48:16,560 --> 00:48:21,560
Speaker 1: I'm gonna come Mary Come, I'm gonna fuck nipple and

932
00:48:21,560 --> 00:48:24,520
Speaker 1: I'm gonna kill poop nugget from just like that, Adam.

933
00:48:24,600 --> 00:48:27,400
Speaker 1: The craziest things we've seen over the past week, like

934
00:48:27,440 --> 00:48:30,640
Speaker 1: if it's Mary fuck kill the dildo coming out of

935
00:48:30,680 --> 00:48:34,920
Speaker 1: a man's butt on Hunting Wives, the poop nugget from

936
00:48:34,960 --> 00:48:38,200
Speaker 1: in just like that, And what's.

937
00:48:37,960 --> 00:48:47,560
Speaker 2: The third Shiny Bug vinyl I'm gonna marry. I'm gonna

938
00:48:47,600 --> 00:48:48,360
Speaker 2: marry the dildo.

939
00:48:48,800 --> 00:48:51,920
Speaker 1: I'm gonna fuck this Shiny Bug vinyl variant because you

940
00:48:52,040 --> 00:48:56,040
Speaker 1: don't know what it could be. Amazing that you did

941
00:48:56,080 --> 00:48:59,359
Speaker 1: because I already I had you did order it, Yeah,

942
00:48:59,520 --> 00:49:02,239
Speaker 1: I I had already ordered the original.

943
00:49:02,640 --> 00:49:04,479
Speaker 2: Yeah. See, I was gonna wait line. I was gonna

944
00:49:04,480 --> 00:49:05,920
Speaker 2: wait in line in the original drop. I was like,

945
00:49:06,040 --> 00:49:08,120
Speaker 2: let me just whatever, and then I was like, Okay,

946
00:49:08,120 --> 00:49:10,520
Speaker 2: I'll buy the and I like this cover. It is

947
00:49:10,960 --> 00:49:13,160
Speaker 2: The cover is amazing and by the way, her tailor's

948
00:49:13,280 --> 00:49:16,160
Speaker 2: visuals for this are great. I love it. I love it.

949
00:49:16,360 --> 00:49:18,000
Speaker 2: And then the theme the theme.

950
00:49:18,120 --> 00:49:20,000
Speaker 1: The theory is she's gonna go do this sphere, which

951
00:49:20,040 --> 00:49:23,280
Speaker 1: I think feels right because how do you tour after eras?

952
00:49:23,320 --> 00:49:26,120
Speaker 2: No, exactly, don't. It's yeah, the show girl thing, the

953
00:49:26,160 --> 00:49:31,360
Speaker 2: Vegas thing, exactly. I said that as soon as August twelfth.

954
00:49:31,400 --> 00:49:33,200
Speaker 2: As soon as that dropped, I was texting you and Jared.

955
00:49:33,200 --> 00:49:35,280
Speaker 2: I was like, she's doing Vegas. Yeah.

956
00:49:35,360 --> 00:49:37,839
Speaker 1: There is uh the Elizabeth Taylor of it all, which

957
00:49:37,880 --> 00:49:39,560
Speaker 1: is track two that calls back to.

958
00:49:41,080 --> 00:49:43,800
Speaker 2: Uh and ready for it. She speaks about Britain to

959
00:49:43,920 --> 00:49:48,480
Speaker 2: this tailor. There's lots there, lots, there's there. So you said,

960
00:49:48,520 --> 00:49:50,600
Speaker 2: I'm sorry. In the first game of Mary Fuck Kill

961
00:49:50,640 --> 00:49:54,919
Speaker 2: you said Mary come fuck gay nipple and definitely killed

962
00:49:54,960 --> 00:49:57,800
Speaker 2: the poop. I was gonna I'm gonna Mary gay nipple.

963
00:49:57,800 --> 00:50:00,400
Speaker 2: I'm a boop gay of course. Yeah, and come you're

964
00:50:00,440 --> 00:50:03,320
Speaker 2: gonna fuck Come. Sometimes com is what I want. Sometimes

965
00:50:03,360 --> 00:50:06,759
Speaker 2: it's not. I can't say I've been like a big

966
00:50:06,840 --> 00:50:11,000
Speaker 2: cum guy. Yeah, but the week is young, the week

967
00:50:11,120 --> 00:50:11,600
Speaker 2: is young.

968
00:50:12,360 --> 00:50:13,919
Speaker 1: Should we do I don't think so, Honey, we're gonna

969
00:50:13,920 --> 00:50:15,680
Speaker 1: make us an hour long episode this time.

970
00:50:16,080 --> 00:50:18,560
Speaker 2: Yeah, we're on vacation. After we're on vacation, after all,

971
00:50:19,360 --> 00:50:20,720
Speaker 2: my phone's charging, d of yours?

972
00:50:20,840 --> 00:50:21,400
Speaker 3: I don't.

973
00:50:21,520 --> 00:50:23,120
Speaker 1: I mean what we could do is do it one

974
00:50:23,160 --> 00:50:24,799
Speaker 1: of those like well, let go and go get his

975
00:50:25,040 --> 00:50:28,719
Speaker 1: By the way, there's a pair of binoculars in the

976
00:50:29,080 --> 00:50:31,359
Speaker 1: home that we're staying in and we haven't used them,

977
00:50:31,360 --> 00:50:32,960
Speaker 1: but I bet we could see a lot of stuff.

978
00:50:33,600 --> 00:50:42,000
Speaker 2: Yeah, this is I don't think so, honey. This is

979
00:50:42,239 --> 00:50:48,720
Speaker 2: our segment where we take one minute to gut gut

980
00:50:48,920 --> 00:50:53,919
Speaker 2: something and h I I have someny do have something?

981
00:50:54,000 --> 00:50:55,520
Speaker 2: I do have something? Hey, this is Matt Rogers. I

982
00:50:55,520 --> 00:50:56,040
Speaker 2: don't think so many.

983
00:50:56,920 --> 00:50:57,800
Speaker 3: I don't think so, honey.

984
00:50:57,920 --> 00:51:01,319
Speaker 1: Rum punch anywhere, go Like, if you're at like a

985
00:51:01,320 --> 00:51:04,000
Speaker 1: gay destination, they're gonna offer you like a rum punch

986
00:51:04,080 --> 00:51:06,839
Speaker 1: or is like a special cocktail. The thing about rum

987
00:51:06,840 --> 00:51:08,920
Speaker 1: punch is it is so much more sugar than you

988
00:51:08,960 --> 00:51:11,399
Speaker 1: ever could possibly imagine. So if you're over the age

989
00:51:11,440 --> 00:51:13,480
Speaker 1: of thirty and you go somewhere and you have like,

990
00:51:13,680 --> 00:51:15,359
Speaker 1: is it called the Planner's punch here or no.

991
00:51:15,280 --> 00:51:17,719
Speaker 2: Planer's punch is in Fire Island does it call it?

992
00:51:18,400 --> 00:51:21,200
Speaker 1: Yeah, some kind of punch, just like whatever it is,

993
00:51:21,239 --> 00:51:24,280
Speaker 1: Like I maybe it's me now, maybe it's me always.

994
00:51:24,360 --> 00:51:26,000
Speaker 1: I used to be the kind of girl this is

995
00:51:26,000 --> 00:51:28,359
Speaker 1: back in twenty twenty one, twenty where I could go

996
00:51:28,640 --> 00:51:31,440
Speaker 1: to the Fire Islands, you know, the Blue Whale whatever.

997
00:51:31,520 --> 00:51:32,960
Speaker 1: I can go to tea and I can have like

998
00:51:33,040 --> 00:51:35,799
Speaker 1: three planners punches and be okay. Now it's about one

999
00:51:35,840 --> 00:51:38,759
Speaker 1: one and a half and I'm wrapped for the night, yep,

1000
00:51:38,960 --> 00:51:41,640
Speaker 1: and I feel it's a lethal drink to serve. I

1001
00:51:41,640 --> 00:51:43,880
Speaker 1: don't think so, honey, Is that I'm necessarily targeting anyone.

1002
00:51:43,880 --> 00:51:45,960
Speaker 1: I'm not shaving anyone. I'm just saying for me, my

1003
00:51:46,080 --> 00:51:48,080
Speaker 1: metabolism in my body is not going to be a

1004
00:51:48,200 --> 00:51:51,879
Speaker 1: rum punch, no sort of my tie, no rum at all.

1005
00:51:51,960 --> 00:51:54,080
Speaker 1: That's kluet in it. I don't want it. If there's

1006
00:51:54,120 --> 00:51:56,080
Speaker 1: Malibu in it, I don't want it. Sorry to gen

1007
00:51:56,120 --> 00:51:58,160
Speaker 1: Pedrazzi have the re houses of Orange County. An that's

1008
00:51:58,160 --> 00:52:00,000
Speaker 1: your drink, but not for me. I don't think so, honey.

1009
00:52:00,080 --> 00:52:03,000
Speaker 2: That's one minute. Je Perdrante drinks rum punches.

1010
00:52:03,120 --> 00:52:05,160
Speaker 3: She sks some Malibu diet coke.

1011
00:52:05,239 --> 00:52:08,040
Speaker 2: That's her. Oh yeah, I never. I mean, I should

1012
00:52:08,040 --> 00:52:09,320
Speaker 2: like that in theory, but I just don't.

1013
00:52:09,480 --> 00:52:11,759
Speaker 1: It's like a fact I know about jenn Perdranty, that

1014
00:52:11,800 --> 00:52:13,239
Speaker 1: she drinks some Malibu and die.

1015
00:52:13,400 --> 00:52:15,760
Speaker 2: I'm rooting for Jennifer Drante kind of Britney snow coated.

1016
00:52:15,840 --> 00:52:19,200
Speaker 2: She's kind of the Britney Snow and that you root

1017
00:52:19,239 --> 00:52:21,960
Speaker 2: for her, and that she's giving me Britney snow in

1018
00:52:21,960 --> 00:52:24,080
Speaker 2: the face and and and and in her sort of

1019
00:52:24,120 --> 00:52:26,160
Speaker 2: like in her in her manner. I'm like, oh, you're

1020
00:52:26,280 --> 00:52:28,720
Speaker 2: you know, I like you you needn't root for Britney

1021
00:52:28,719 --> 00:52:32,359
Speaker 2: Snow because she's winning. Oh, yes, absolutely, But I'm just saying,

1022
00:52:32,400 --> 00:52:34,760
Speaker 2: like I always, it doesn't matter. It's like I always

1023
00:52:34,840 --> 00:52:37,359
Speaker 2: root for Share, you know. It's like I root for

1024
00:52:37,400 --> 00:52:39,319
Speaker 2: these people, d j Py.

1025
00:52:39,920 --> 00:52:47,200
Speaker 1: Christmas, it's gonna be coming sooner than you think. It's

1026
00:52:47,239 --> 00:52:50,960
Speaker 1: actually the culture number six. Christmas is sooner than you think.

1027
00:52:52,600 --> 00:52:53,920
Speaker 1: Bone ready out, you're shopping now.

1028
00:52:54,000 --> 00:52:56,040
Speaker 3: Yep, this is Bowen Yang's I don't think so, honey.

1029
00:52:56,080 --> 00:52:57,080
Speaker 3: As time starts now.

1030
00:52:57,000 --> 00:52:59,000
Speaker 2: I don't think so, honey, Bingo, how could I have

1031
00:52:59,120 --> 00:53:03,399
Speaker 2: never once in my life won that game? Racist? And

1032
00:53:03,440 --> 00:53:06,880
Speaker 2: it's racist game, and it's a game where I'm sorry.

1033
00:53:06,960 --> 00:53:08,919
Speaker 2: At least at the Bingo we were at no one's

1034
00:53:09,000 --> 00:53:12,600
Speaker 2: rooting for each other, everyone's out for themselves. At Bingo

1035
00:53:13,040 --> 00:53:17,840
Speaker 2: individual RESTful. We've said we've loved the stamps, but the

1036
00:53:17,840 --> 00:53:21,279
Speaker 2: the act of stamping of you know, your eyeline going,

1037
00:53:22,600 --> 00:53:25,480
Speaker 2: do I have b seven? Like like that whole like

1038
00:53:25,520 --> 00:53:28,839
Speaker 2: the scanning of the number second? You know, three up

1039
00:53:28,840 --> 00:53:33,120
Speaker 2: to six different Bingo grids and cards stressful and some

1040
00:53:33,120 --> 00:53:35,000
Speaker 2: some of these, some of these Bingo hosts, I'm not

1041
00:53:35,080 --> 00:53:42,400
Speaker 2: naming names, go too fast, page stop, not page to fast,

1042
00:53:42,440 --> 00:53:44,600
Speaker 2: but page Paige. You you were, you were, you were

1043
00:53:44,600 --> 00:53:46,640
Speaker 2: throwing in brilliant banter, but then would like say, like

1044
00:53:46,640 --> 00:53:49,120
Speaker 2: four numbers in such quick succession that it was hard

1045
00:53:49,160 --> 00:53:51,160
Speaker 2: to keep up. That's all. No notes though you do

1046
00:53:51,239 --> 00:53:53,399
Speaker 2: your thing five seconds. We hope you're getting paid a lot,

1047
00:53:53,560 --> 00:53:55,319
Speaker 2: but Bingo I've never won, and so like, what's your

1048
00:53:55,320 --> 00:53:58,799
Speaker 2: beef with me? Bingo? Also, you're a dog, You're not

1049
00:53:58,840 --> 00:53:59,200
Speaker 2: a game.

1050
00:53:59,239 --> 00:54:03,440
Speaker 1: By one minute, I love holding Bone Yang's phone because

1051
00:54:03,480 --> 00:54:05,520
Speaker 1: I was getting little buzzes and I realized that your

1052
00:54:05,520 --> 00:54:06,600
Speaker 1: grinders popping off.

1053
00:54:06,680 --> 00:54:11,560
Speaker 2: Girl girl, all these all these people saying, did you

1054
00:54:11,560 --> 00:54:17,480
Speaker 2: bring your Iceberg costume? Will you fuck me? How about that?

1055
00:54:17,880 --> 00:54:20,759
Speaker 2: What if someone's kink was to fuck you with the

1056
00:54:20,800 --> 00:54:25,000
Speaker 2: Iceberg hunt, I would say that isn't an archive that

1057
00:54:25,480 --> 00:54:26,920
Speaker 2: I did that I don't have access to.

1058
00:54:27,239 --> 00:54:32,040
Speaker 1: Want to Fanny, Fanny bend over, Fanny tell me that, Fanny,

1059
00:54:32,680 --> 00:54:36,000
Speaker 1: show me that whole Fanny. Do you think Fanny the

1060
00:54:36,040 --> 00:54:38,920
Speaker 1: Wicked character got into it at.

1061
00:54:39,480 --> 00:54:41,560
Speaker 2: You think he was having gay sex. I think he

1062
00:54:41,640 --> 00:54:45,120
Speaker 2: was very lonely. I think, you know, like many people,

1063
00:54:45,680 --> 00:54:48,160
Speaker 2: his cruelty was a shield.

1064
00:54:48,760 --> 00:54:51,920
Speaker 1: Is just where you revealed that Fanny has a bigger

1065
00:54:52,080 --> 00:54:54,680
Speaker 1: story and wicked for good. You know, there's a bigger,

1066
00:54:54,760 --> 00:54:56,200
Speaker 1: gayer story, you know what.

1067
00:54:56,120 --> 00:55:01,080
Speaker 2: I said actually at a recent unreleased than Oh my god,

1068
00:55:01,800 --> 00:55:03,319
Speaker 2: we were just doing we were we were just like

1069
00:55:03,360 --> 00:55:05,839
Speaker 2: doing like a cast sort of like round table and

1070
00:55:06,920 --> 00:55:09,399
Speaker 2: I was kind of gagged, and I think I think

1071
00:55:09,440 --> 00:55:11,880
Speaker 2: my castmates were gagged as well. They were like, what

1072
00:55:11,960 --> 00:55:14,160
Speaker 2: are your what are your big takeaways from working on

1073
00:55:14,200 --> 00:55:17,239
Speaker 2: these films? And I said, you know what I learned

1074
00:55:17,239 --> 00:55:22,759
Speaker 2: from these films like the the sort of the really

1075
00:55:22,880 --> 00:55:25,520
Speaker 2: terrible power that cruelty has because because because I because

1076
00:55:25,520 --> 00:55:28,560
Speaker 2: I looked at everybody, I was like, I think there's

1077
00:55:28,680 --> 00:55:32,480
Speaker 2: like obviously like deception and uh subterfuge. I like, and

1078
00:55:32,600 --> 00:55:34,040
Speaker 2: I was like, I looked at Michelley, I looked at

1079
00:55:34,120 --> 00:55:36,320
Speaker 2: Jeff Goldman. I was like, you know, Morrible and the Wizard,

1080
00:55:36,360 --> 00:55:39,359
Speaker 2: like you know, they present themselves as like allies at first,

1081
00:55:39,440 --> 00:55:41,000
Speaker 2: but then they turn. But I was like, I think

1082
00:55:41,040 --> 00:55:43,680
Speaker 2: my character is like maybe the only like cruel one

1083
00:55:44,560 --> 00:55:47,360
Speaker 2: like my my and Mian broad One's character Fannie and Tenchen.

1084
00:55:47,400 --> 00:55:52,040
Speaker 2: I'm not to like aggrandize the roles too much. They

1085
00:55:52,040 --> 00:55:55,399
Speaker 2: are cruel, yeah, and like and honestly, like I've said

1086
00:55:55,440 --> 00:55:57,520
Speaker 2: this before on press, it's like what it did feel

1087
00:55:57,560 --> 00:55:59,280
Speaker 2: bad and I would have to go apologize to Cynthia,

1088
00:55:59,400 --> 00:56:01,680
Speaker 2: Like I was like, I'm so sorry that felt so bad.

1089
00:56:01,719 --> 00:56:04,080
Speaker 2: Didn't mean to you for whatever people want to project

1090
00:56:04,080 --> 00:56:05,839
Speaker 2: onto me that when if anyone thinks I'm a mean

1091
00:56:05,920 --> 00:56:09,879
Speaker 2: person out there because of the roles I've played, because

1092
00:56:09,920 --> 00:56:12,640
Speaker 2: I well know, because I guess like I'm I'm bit

1093
00:56:12,800 --> 00:56:16,759
Speaker 2: gesas whatever ones and it's like everyone assumes that I'm mean.

1094
00:56:17,160 --> 00:56:18,959
Speaker 2: No one assumes that. No, Like a lot of China,

1095
00:56:18,960 --> 00:56:20,399
Speaker 2: like when I was in China, like the social media

1096
00:56:20,440 --> 00:56:23,239
Speaker 2: was always like, well he seems so mean, and like

1097
00:56:23,320 --> 00:56:25,960
Speaker 2: I'm like, wait, it's a gay thing. It's a no,

1098
00:56:26,280 --> 00:56:27,840
Speaker 2: it's not even a gay thing. Like I was like,

1099
00:56:27,840 --> 00:56:30,120
Speaker 2: I visited my cousin. I have a cousin in law

1100
00:56:30,160 --> 00:56:32,680
Speaker 2: who like runs like a daycare for near divergent kids,

1101
00:56:32,680 --> 00:56:34,240
Speaker 2: and like, we took a picture there and she posted

1102
00:56:34,239 --> 00:56:35,960
Speaker 2: it and people were like, oh my god, this is

1103
00:56:35,960 --> 00:56:37,759
Speaker 2: so sweet and this is so this is so weird

1104
00:56:37,800 --> 00:56:39,880
Speaker 2: because Boe seems so mean in real life and I'm like,

1105
00:56:40,000 --> 00:56:44,719
Speaker 2: fucking crazy everyone almost, and so whatever.

1106
00:56:44,719 --> 00:56:46,080
Speaker 1: I don't know why I'm on in this tangent, but

1107
00:56:46,080 --> 00:56:47,920
Speaker 1: it's like, while I was asking, if you feel like

1108
00:56:47,960 --> 00:56:48,400
Speaker 1: he gets.

1109
00:56:48,280 --> 00:56:52,480
Speaker 2: A big gay moment, uh, I wouldn't. I think we

1110
00:56:52,600 --> 00:56:55,080
Speaker 2: all hope that Fandy dies. Yeah.

1111
00:56:55,200 --> 00:56:56,920
Speaker 1: I think we all hope to see Fanny dead in

1112
00:56:57,760 --> 00:57:00,360
Speaker 1: the film. I what I want is for fans to

1113
00:57:00,440 --> 00:57:05,920
Speaker 1: be dead in a stampede. I want the animals opins.

1114
00:57:06,000 --> 00:57:08,400
Speaker 2: I was gonna make a weapons comparison. There's there's a gruesome,

1115
00:57:08,480 --> 00:57:11,000
Speaker 2: satisfying death and weapons that I'm like, I want. I

1116
00:57:11,040 --> 00:57:13,080
Speaker 2: want that for Fanny for sure. You can spoil that

1117
00:57:13,440 --> 00:57:17,160
Speaker 2: for me. Spoiler I learned for weapons, Amy Man again

1118
00:57:17,240 --> 00:57:21,439
Speaker 2: gets oh toe up. That's all I'll say, yeah, I.

1119
00:57:21,360 --> 00:57:23,320
Speaker 1: Heard about this, because you know that whenever it's a

1120
00:57:23,360 --> 00:57:25,040
Speaker 1: horror movie, I can't see I just go ahead and

1121
00:57:25,080 --> 00:57:25,360
Speaker 1: read that.

1122
00:57:25,560 --> 00:57:28,080
Speaker 2: But but spoilers, what what what? What's What's really nice

1123
00:57:28,080 --> 00:57:30,480
Speaker 2: about weapons, though, is that you watch the ending and

1124
00:57:30,520 --> 00:57:31,960
Speaker 2: you go and that's It's what I said in the

1125
00:57:32,000 --> 00:57:34,640
Speaker 2: last episode, So I'm gonna spoil It's like these kids

1126
00:57:34,640 --> 00:57:36,920
Speaker 2: and it's Amy Man again, and it's like they had

1127
00:57:36,960 --> 00:57:38,720
Speaker 2: a blast shooting. And then there was there were photos

1128
00:57:38,720 --> 00:57:41,320
Speaker 2: from stet where one of the kid actors posted you know,

1129
00:57:41,440 --> 00:57:44,960
Speaker 2: like little like you know back you know, bts photos

1130
00:57:45,000 --> 00:57:47,560
Speaker 2: where Amy is like flashing a peace side in her

1131
00:57:47,600 --> 00:57:50,280
Speaker 2: crazy old lady outfit with all these kids smiling.

1132
00:57:50,480 --> 00:57:52,640
Speaker 1: I'm like, look, she's been having a moment, he's been

1133
00:57:52,680 --> 00:57:56,360
Speaker 1: having I'm so happy they're predicting support saying the best

1134
00:57:56,400 --> 00:57:59,560
Speaker 1: supporting actress. Amy Madigan is a real contender.

1135
00:57:59,680 --> 00:58:03,200
Speaker 2: Yeah, but I totally see it because she has some

1136
00:58:03,280 --> 00:58:06,960
Speaker 2: scene work where I'm like, fuck this this is some iconograss.

1137
00:58:06,520 --> 00:58:09,160
Speaker 1: And I beloved actress, like I didn't actually realize, like

1138
00:58:09,240 --> 00:58:11,200
Speaker 1: I didn't remember that she was filled the dreams. So

1139
00:58:11,240 --> 00:58:14,560
Speaker 1: she's got like an iconic like a town hall like

1140
00:58:14,600 --> 00:58:18,000
Speaker 1: she's been like a real like a journeyman actress.

1141
00:58:18,040 --> 00:58:21,920
Speaker 2: I call it, what's a hot couple? Amy Madigan and

1142
00:58:22,080 --> 00:58:29,320
Speaker 2: fucking h Ed Ed O'Neil nor. Sorry, sorry, sorry, I

1143
00:58:29,320 --> 00:58:33,880
Speaker 2: was gonna say, yeah, another ad, but Ed Harrison, Amy Madigan,

1144
00:58:34,080 --> 00:58:34,880
Speaker 2: that's a hot.

1145
00:58:35,160 --> 00:58:40,040
Speaker 1: Really good And if you're in a hot couple, congratulations.

1146
00:58:39,240 --> 00:58:42,160
Speaker 2: Congratulations and if you love and just like that, genuinely

1147
00:58:42,240 --> 00:58:43,760
Speaker 2: please reach out. Yeah.

1148
00:58:43,800 --> 00:58:45,120
Speaker 1: We want to hear from you. We want to hear

1149
00:58:45,160 --> 00:58:48,320
Speaker 1: what that take is. We want to hear what that's like. Uh.

1150
00:58:48,640 --> 00:58:51,840
Speaker 2: Well, this has been our special p Town episode of

1151
00:58:51,880 --> 00:58:54,440
Speaker 2: Lost Cultures, our second annual, second annual.

1152
00:58:54,520 --> 00:58:59,920
Speaker 1: We've come to Peetown again against the I don't know,

1153
00:59:00,200 --> 00:59:02,680
Speaker 1: it was really against the odds. I just wanted to sing, Mariyah.

1154
00:59:02,840 --> 00:59:05,000
Speaker 1: We're in a beautiful place, having a beautiful time with

1155
00:59:05,040 --> 00:59:08,880
Speaker 1: beautiful friends, beautiful each other. This has been a beautiful episode.

1156
00:59:09,040 --> 00:59:11,200
Speaker 1: We end every episode with a song.

1157
00:59:11,960 --> 00:59:13,520
Speaker 2: I want to go fast.

1158
00:59:13,880 --> 00:59:14,920
Speaker 1: I want to go on.

1159
00:59:15,720 --> 00:59:21,640
Speaker 2: I want to go anywhere anywhere on fast. I want

1160
00:59:21,680 --> 00:59:24,960
Speaker 2: to go I think it's no matter. Help fu hell

1161
00:59:25,080 --> 00:59:30,880
Speaker 2: Ota Helpa. I want to go anywhere anyway. When you

1162
00:59:30,960 --> 00:59:33,320
Speaker 2: hear the rest of the semi album, You're gonna.

1163
00:59:33,040 --> 00:59:36,400
Speaker 1: Be very happy, gay guys.

1164
00:59:36,440 --> 00:59:37,040
Speaker 2: Bye Bye.

1165
00:59:39,320 --> 00:59:39,480
Speaker 1: Love.

1166
00:59:39,560 --> 00:59:41,640
Speaker 2: Cultu Racist is the production by Will Ferrell's Big Money

1167
00:59:41,640 --> 00:59:43,400
Speaker 2: Players in My Heart Radio podcasts.

1168
00:59:43,400 --> 00:59:46,760
Speaker 1: Created and hosted by Matt Rogers and Bowen Yang, Executive

1169
00:59:46,760 --> 00:59:49,480
Speaker 1: produced by Ana Haasmia and produced by Decor.

1170
00:59:49,240 --> 00:59:52,080
Speaker 2: Ramos, Edited and mixed by Doug Bain And Our music

1171
00:59:52,160 --> 00:59:53,280
Speaker 2: is by Henry Mursky