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Speaker 1: So you know, whenever I go home, sometimes I walk

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Speaker 1: into my bedroom and there's something on my desk that

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Speaker 1: my parents have found or somebody's found and like left

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Speaker 1: there for me to see if I want it. And

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Speaker 1: last time I went home, I walked into a package

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Speaker 1: mentioned from Russell Daig Whoao, and it was written out

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Speaker 1: to what he used to call me, which is Vilheim Friedelig.

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Speaker 2: And when I.

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Speaker 1: Opened it, I was like, huh, what the heck is this?

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Speaker 1: It's our season seven ABC press packet.

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Speaker 3: Oh my gosh.

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Speaker 2: So it's what they would show.

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Speaker 1: It is all of our like what the what the

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Speaker 1: network writes about us and what they say we are,

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Speaker 1: and then full of all of the beach shoots, like

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Speaker 1: a ton of different pictures. That was the one with

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Speaker 1: the pool they pool, and then everybody got their own

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Speaker 1: kind of like.

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Speaker 2: Headshots, head shots all the way. I've never seen that volleyball, the.

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Speaker 1: Globe, the globe with the volleyball, of course, because it's

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Speaker 1: throwing a globe. There's been you know on the beach

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Speaker 1: shot kneeling Neil Rider not anti pocket.

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Speaker 4: Yes.

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Speaker 2: Pocket, Maitland and you and for some reason, that's it.

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Speaker 1: I don't know where mine is or anybody else is

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Speaker 1: probably took it out exactly, or I.

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Speaker 2: Once again was not given any credit for being on

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Speaker 2: the program. But I also thought I would read to you.

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Speaker 2: Let's see what they've said about.

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Speaker 3: What how'd they described the show? Please?

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Speaker 1: So let's start with, well, it's not the show, it

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Speaker 1: is just individual biographies.

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Speaker 3: Oh, okay, little bios.

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Speaker 1: So we have Ryder Strong, sean on the ABC Television

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Speaker 1: network's Boy Meets World. A native Californian, Ryder Strong's first

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Speaker 1: professional acting job was the role of Gavroche in the

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Speaker 1: San Francisco production of Less Miserables when he was only

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Speaker 1: nine years old. He's had numerous television guest star credits

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Speaker 1: on shows such as Evening Shade, Empty Nest, Nurses, Time Tracks.

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Speaker 2: And the ABC series Maybe This Time in Home Improvement.

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Speaker 1: He also had a reoccurring role on Party of Five,

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Speaker 1: playing series regular Lacey Schubert's first boyfriend. His movies for

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Speaker 1: television include The Last Hit, The Long Road Home, and

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Speaker 1: Summertime Switch. In addition to his work on Boy Meets World,

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Speaker 1: Rider recently guest starred in two episodes.

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Speaker 2: Of the award winning ABC series The Practice.

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Speaker 1: He played a teenager who lived on the who lied

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Speaker 1: on the witness stand claimed to have shot his mother

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Speaker 1: to protect his father actually committed the crime. Nineteen year

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Speaker 1: old Writer is no Stranger to film. He co starred

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Speaker 1: with Donald Sutherland and Amy Irvin and Benefit of the Doubt.

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Speaker 1: In nineteen ninety eight, he landed a leading role in

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Speaker 1: the Pact, where he played a street kid coerced by

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Speaker 1: the mob to find and kill a teen in the

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Speaker 1: US Justice Department's Witness Protection program.

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Speaker 2: My God, this is super detailed.

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Speaker 3: I mean it's so long.

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Speaker 2: Oh, We're not done yet.

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Speaker 1: In nineteen ninety five, his brother Shiloh wrote and co

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Speaker 1: produced with Writer a play entitled Shades of Blue for

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Speaker 1: a Los Angeles State production in which Writer co starred

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Speaker 1: along with Shiloh. The critically acclaimed play was a recipient

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Speaker 1: of the prestigious.

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Speaker 2: Drama Logue Award.

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Speaker 1: A screen version of Shades of Blue, also written by

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Speaker 1: Shiloh and produced by Writer's production company, redwood Shire Productions,

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Speaker 1: has received considerable studio interest.

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Speaker 2: Considerable considerable, but it was considerable.

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Speaker 1: Ryder currently enjoys a sustained level of popularity among young

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Speaker 1: and mainstream audiences alike. He was recently recognized by professionals

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Speaker 1: in the industry when casting directors, Producers and directors nominated

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Speaker 1: him for his work on Boy Meets World for the

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Speaker 1: Hollywood Reporter Young Stars Awards. Writer spends his work week

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Speaker 1: in Hollywood, where he is also a student in college.

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Speaker 1: He returns to northern California for the weekends, where he

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Speaker 1: lives with his mom, Lynn Warnerstrong, dad King Arthur Strong,

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Speaker 1: and older brother Shiloh King Strong. A true lover of

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Speaker 1: the outdoors. Oh, now get personal. A true lover of

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Speaker 1: the outdoors. He enjoys backpacking, swimming, whitewater rafting, playing soccer,

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Speaker 1: apparently rollerblading, listening to eclectic music collections, writing, reading poetry

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Speaker 1: from Keats to Kerouac. Hometown San Francisco, California. Birthdate December eleventh.

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Speaker 1: And that my Strong's bio. There you go, the official

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Speaker 1: amy this thing.

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Speaker 4: This sounds like something like my agent wrote, or you know,

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Speaker 4: like this is like your.

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Speaker 3: Agent really wanted to help promote your brother.

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Speaker 1: Yeah, well that would make sense if it was gen

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Speaker 1: And then they have So I have mine.

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Speaker 2: I don't.

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Speaker 1: Oh, I have Danielle's, which I love you. It's considerably shorter.

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Speaker 3: It sure is.

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Speaker 1: Look it says daniel Fishle Topanga on the ABC Television

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Speaker 1: Networks Boy Meetswirl. Eighteen year old daniel Fishle began acting

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Speaker 1: professionally eight years ago. Her resume includes appearances in several

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Speaker 1: episodes of ABC's Full House and guest appearances on Harry

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Speaker 1: and the Henderson's and Kirk. She has also been featured

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Speaker 1: in several commercials. Danielle spent her summer hiatus.

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Speaker 2: In Boy Meets World, co starring in the feature film.

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Speaker 1: Jack of All Trades with Joey Shulpthorne, Zach Ty Brian

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Speaker 1: and Paul Sorvino. The comedic drama is set for release

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Speaker 1: early next year. A recent high school graduate, Danielle is

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Speaker 1: a member of the Celebrity Sightings Team, an online celebrity

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Speaker 1: website with features that include exclusive photos, chats, giveaways, prizes.

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Speaker 5: And games.

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Speaker 1: It allows Danielle to personally keep in touch with their

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Speaker 1: fans while providing up to date information about her latest

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Speaker 1: projects and events. Born in Arizona, Danielle has grown up

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Speaker 1: in southern California. She lives with her mother, father, and brother,

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Speaker 1: along with her long haired shiuaha named Tyson and Cassidy.

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Speaker 3: I'm so glad we got that her names in there.

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Speaker 2: A husky labrador mixed dog. Yeah.

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Speaker 3: Yeah, Did they say that she had one blue eye

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Speaker 3: and one brown eye? Opportunity did not.

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Speaker 1: In her free time, she does charity work for organizations

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Speaker 1: benefiting critically ill children. She also enjoys skiing, snowboarding, surfing, reading,

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Speaker 1: and chatting online with her fans.

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Speaker 2: Chatting online that was still such a new thing.

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Speaker 4: The idea that you were like able to talk online.

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Speaker 2: Isn't that crazy? Do you want to hear mine now? Yes?

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Speaker 3: Please?

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Speaker 1: Wilfredell Eric Matthews on the ABC television network Boy Meets World,

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Speaker 1: Will is, for lack of a better term, a god

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Speaker 1: among men. That's not where it says it does. I'll

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Speaker 1: skim through some of it.

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Speaker 2: Hang on to you, smartest guy.

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Speaker 3: I E.

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Speaker 2: Einstein thought he was the smartest person. Okay.

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Speaker 1: Wilberdelle stars as the lovable but sometimes airhead Eric Matthews,

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Speaker 1: the older brother of his angst ridden sibling Corey Ben Savage.

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Speaker 1: For some reason, Ben gets a mention in my bio

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Speaker 1: on the seventh season of Boy Meets World. Born in Hartford, Connecticut,

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Speaker 1: Will is the youngest of three boys and can relate

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Speaker 1: to Corey's plight. They have a quote from me for

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Speaker 1: some reason. I was always trying to hang out with

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Speaker 1: my brothers when I was younger, He recalls. His older

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Speaker 1: brother Gary is a unit trust trader in New York.

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Speaker 2: What that is?

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Speaker 1: His middle brother, Greg is teaching English in a psych

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Speaker 1: howa Japan. Fredell began acting professionally when he was in

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Speaker 1: the fifth grade. At the urging of his drama teacher,

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Speaker 1: he auditioned for a bit part in a professional production

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Speaker 1: of A Dolls House.

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Speaker 2: And soon became one of the child leads.

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Speaker 1: Will starred in the Wonderful World of Disney's My Date

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Speaker 1: with the President's Daughter, and has had the leading role

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Speaker 1: in the upcoming Wonderful World of Disney's h Double Hockey Sticks.

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Speaker 1: He also played the lead in the feature film Trojan War.

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Speaker 1: His television credits including starring roles on True Blue and

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Speaker 1: a guest appearance on Law and Order. He was featured

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Speaker 1: in the television movie Set for Life starring Andy Griffith,

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Speaker 1: and ABC's Educating Mom. Will is also the voice of

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Speaker 1: the new Batman in the WB animated series Batman Beyond Fardell,

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Speaker 1: who is currently taking core classes to prepare himself for

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Speaker 1: a career in archaeology, still am resides in Connecticut. When

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Speaker 1: he's not studying or in front of the camera, he

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Speaker 1: enjoys writing scripts and short stories.

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Speaker 3: Resides in Connecticut.

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Speaker 2: Yeah, apparently.

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Speaker 1: Also, i'd like still like to know why writer gets

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Speaker 1: a book where they're like and his address It was

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Speaker 1: written by one of your fans, is what I'm thinking.

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Speaker 3: They went through every credit that writer has. Yes, mine

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Speaker 3: was like, describe my entire life? What your parents' full names?

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Speaker 2: Weird?

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Speaker 1: And then it was also it's like mine is like

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Speaker 1: will Fredell, who really knows Ben Savage? And Ben Savage said,

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Speaker 1: this is like, wait a minute, why does mine have? Okay,

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Speaker 1: so here's the other thing if you'd like me to

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Speaker 1: read it. Here's how ABC broke down our show.

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Speaker 3: Okay, I did the press pack it.

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Speaker 2: So here we go, boy me through old Fridays, eight

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Speaker 2: thirty pm Eastern. Will they or won't they?

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Speaker 1: That is the question the engaged core into Panga must

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Speaker 1: decide upon if they will or will not get married.

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Speaker 2: All systems look like a go until a Sadden Tapanga

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Speaker 2: proves unsuccessful in getting her parents to reconcile and call

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Speaker 2: off their divorce. She loses faith in the power of

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Speaker 2: young love and cancels her pending marriage. Don't remember that. Wait,

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Speaker 2: we're getting ahead of ourselves. Yeah, that's why I didn't

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Speaker 2: know if we want to read it or not. Season seven.

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Speaker 1: This is the season seven packet with her parents breakup

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Speaker 1: to Panga realizes.

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Speaker 2: You just save it.

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Speaker 3: Yeah, when we start seeing seven, just put that little

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Speaker 3: note off to the side, or take a picture of

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Speaker 3: it so you don't lose it. You will do anything.

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Speaker 3: I know.

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Speaker 1: I know.

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Speaker 3: I can't believe I just said.

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Speaker 1: That, I hold on to it forever and have it

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Speaker 1: right next to me in the same podcast forty years.

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Speaker 3: Put it in that Tiffany frame next to the photo

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Speaker 3: of us at the at the saloon picture.

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Speaker 1: Oh yeah, well that's the beautiful silver frame that I'm

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Speaker 1: having handcrafted right right exactly by mister Tiffany himself. So

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Speaker 1: we'll hold off on that one because I know apparently

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Speaker 1: you call off your wedding, which I don't.

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Speaker 2: I didn't remember that. But it was interesting to see

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Speaker 2: this season seven, like the.

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Speaker 1: Packet they sent to everybody, which had you know, a

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Speaker 1: ton of photos, everybody's bio, Bill Daniel's bio, which again

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Speaker 1: shorter than Ryder Strong's.

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Speaker 4: Still well he's only been nominated for two emms. So yeah,

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Speaker 4: Keats and Kerouac.

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Speaker 1: You know, yeah, it's like, this is yers schedule with

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Speaker 1: what the hell is? Writer ran the alphabet and poetry

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Speaker 1: from Keats to Kerouac.

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Speaker 2: That's it. So that's I thought.

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Speaker 1: Every time I go home, there's usually another little from

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Speaker 1: from the past, and I thought you'd like to see

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Speaker 1: the season seven packet, which Russell Didgke had sent to

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Speaker 1: Wilhelm freed Leg.

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Speaker 2: I don't remember ever getting those.

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Speaker 3: I mean, that's of course not your parents opened them

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Speaker 3: or Judy opened them for you. You would never have

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Speaker 3: cared to see it.

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Speaker 2: I don't know why it was left for me, but

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Speaker 2: it was, and now I have it.

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Speaker 3: Writers like package came from boy Me's world.

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Speaker 2: God get what would say about this?

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Speaker 3: What about Karacout?

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Speaker 2: What would he say about this? God what rhymes with angst?

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Speaker 3: Welcome to U Pon Meets World.

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Speaker 2: I'm Daniel Fischel, right or Strong will Fredell.

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Speaker 3: Welcome to today's episode recap. We are recapping season six

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Speaker 3: episode twenty one, the Psychotic Episode. It is the penultimate

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Speaker 3: episode of season six. It originally aired May seventh, nineteen

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Speaker 3: ninety nine. The synopsis, a concerned Cory seeks out mister

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Speaker 3: Feenie's rational interpretation when he experiences a series of nightmares

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Speaker 3: involving the murder of Sean. It was directed by our

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Speaker 3: own William Rusty Russ Rustday. It was written by Carlos Aragon.

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Speaker 3: This is his first Boy Meets World episode. He will

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Speaker 3: write two more in season seven, including a big one Angela.

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Speaker 2: Oh.

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Speaker 3: So, before we jump into the guest stars, do you

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Speaker 3: guys want to talk about your overall thoughts? I'll start

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Speaker 3: with didn't remember one single aspect of this episode?

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Speaker 2: Wow, I remembered most of this episode.

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Speaker 3: Did you really?

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Speaker 2: You didn't last week when we mentioned once you started

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Speaker 2: watching it.

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Speaker 1: Once I started watching it, I knew which episode this

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Speaker 1: was because I remember this being a very tough week

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Speaker 1: of work for me, and me being a bit of

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Speaker 1: it this week, really, and Rusty kind of calling me

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Speaker 1: out on it, and Rusty and I having a conversation

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Speaker 1: about it.

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Speaker 2: I was a bit of it this week.

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Speaker 1: Yeah, And I specifically remember that YEP with my co star,

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Speaker 1: with the guy I was working who was giving me

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Speaker 1: very little and it was really weird, and I think

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Speaker 1: I thought I was the coolest guy in the world

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Speaker 1: by this point. And everyone's telling me how funny I was,

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Speaker 1: and I was like, I don't know if I could

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Speaker 1: work with this guy. He's like giving me no, and

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Speaker 1: I was being like a bit of an asshole, and

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Speaker 1: Rusty was like, dude, what's your problem? Like he full

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Speaker 1: on called me out about it. He's like pulled me aside.

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Speaker 1: He's like, what's going on with you this week? And

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Speaker 1: I was like, I don't know, dude, I don't know.

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Speaker 1: And it was he was right, he was one hundred

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Speaker 1: percent right. But that's what I remember most about this

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Speaker 1: week was it's like maybe getting a little bit full

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Speaker 1: of myself and you know, feeling like the hot don

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Speaker 1: the set and.

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Speaker 2: I'm so for having a guest star that you don't know,

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Speaker 2: and I it was real.

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Speaker 1: He was also he just had a very different acting style,

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Speaker 1: which didn't translate to a bad performance at all, but

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Speaker 1: it was it was, Yeah, I.

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Speaker 2: Remember being a bit, you know, a bit full of

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Speaker 2: myself this week.

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Speaker 3: You think, was he just quiet and reserved in real life?

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Speaker 3: And yes?

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Speaker 1: And it was also it was like there was the

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Speaker 1: perform The thing I remember most is the performance that

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Speaker 1: we saw on screen, was that was his performance.

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Speaker 2: No changes at all from like the table read.

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Speaker 1: So I'm like trying to like Bob and weave and

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Speaker 1: he was like, this is my performance, which again that's

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Speaker 1: not a bad thing. It was wasn't a bad performance,

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Speaker 1: but I was, you know, I want to get on

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Speaker 1: the set and play a little bit. And by this

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Speaker 1: point I thought I was like, you know, I had

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Speaker 1: the permission to kind of play and and and joe

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Speaker 1: around and do it, and I wasn't getting anything back,

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Speaker 1: and it was kind of like, what is what the

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Speaker 1: hell is going on? And I remember complaining to Rusty

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Speaker 1: about it. I wasn't I wasn't being a dick to

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Speaker 1: the guy. It was more like talking to Rusty about

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Speaker 1: it privately, like he's not giving me anything and I want.

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Speaker 2: To do and he was like, dude, what's what's what's

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Speaker 2: wrong with you? What's going on?

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Speaker 1: Because you know, Rusty will go from actor to dad

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Speaker 1: to friend, like back to back to back. And by

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Speaker 1: this point Rusty and I, you know, I often talked

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Speaker 1: in the beginning how I didn't think Rusty liked me

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Speaker 1: at all, and then he and I, especially during the

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Speaker 1: Wilderness Store stuff and maybe even a little bit before that,

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Speaker 1: really started to bond as friends and as actors, and

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Speaker 1: I remember this was kind of the moment of an

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Speaker 1: older actor looking at a younger actor, kind of like,

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Speaker 1: what is your problem this week? Because he was also

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Speaker 1: the director, but he wasn't really talking to me like

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Speaker 1: the director. He was talking to me like Rusty talking

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Speaker 1: to Will.

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Speaker 2: It was like what what? What the hell?

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Speaker 1: And he was right, and I remember being like, yeah,

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Speaker 1: you're no, well, god, I don't know, I'm freaking out

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Speaker 1: this week or I don't not getting anything back or whatever,

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Speaker 1: and he was like, let's just get through this.

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Speaker 2: It looks good, it's going to be great.

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Speaker 4: Do thing.

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Speaker 2: Let him do his thing. Stop trying to change his performance.

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Speaker 2: That's not on you. And yeah, I remember it was.

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Speaker 1: It was Rusty kind of like in me the smack

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Speaker 1: up side of the proverbial smack up side I had

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Speaker 1: that I needed, So it was That's what I remember.

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Speaker 2: So when this started, I was like, oh, it's this guy,

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Speaker 2: like it's this episode, yeah, because.

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Speaker 1: I remember I'm like kind of over the top and

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Speaker 1: I feel like I'm pushing it a little bit, and

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Speaker 1: I feel like you and Ben are basically laughing through

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Speaker 1: the entire episode. Yeah, it was an apply named psychotic episode,

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Speaker 1: but I remember this week as being a psychotic kind

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Speaker 1: of week and it was my completely my fault on

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Speaker 1: my side.

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Speaker 3: Wow, yeah, writer, do you have any memories?

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Speaker 4: Not really, I did remember this episode, like I remember

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Speaker 4: Elevator Shaft and Corey's killing and we never know when

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Speaker 4: it's a dream or not. And so yeah, well I

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Speaker 4: was watching and I remember, like Mary Poppindya, like there

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Speaker 4: are certain lines that stuck with me. But yeah, I

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Speaker 4: guess it's not that it's it's not much of an assessment.

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Speaker 2: To to say it's a strange episode. I mean, it

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Speaker 2: intends to be a strange episode, but it.

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Speaker 4: Also just didn't feel I felt like a little bit

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Speaker 4: like it was trying to be the Scream episode in

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Speaker 4: some ways and it just didn't quite get there. And yeah,

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Speaker 4: I don't know, it felt you know, I felt like

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Speaker 4: the B storyline was funny but didn't.

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Speaker 2: Feel like a boy meets World episode.

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Speaker 4: I guess because it's mostly you and a guest star.

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Speaker 4: But it was fine, it was good. I laughed, and

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Speaker 4: then I don't know, there's something about the A story

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Speaker 4: that just like it doesn't quite get absurd enough for

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Speaker 4: me to like just completely like, ah, this is a

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Speaker 4: romp but it also is not like.

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Speaker 2: I don't know, it just kind of felt weird. It

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Speaker 2: just felt in between to me.

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Speaker 1: There's also there's there's something about when you said trying

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Speaker 1: to be the scream episode, which I couldn't agree more.

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Speaker 1: And there's when it's the scream episode, you know that's

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Speaker 1: based on a trope, Like it's based on a rope,

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Speaker 1: so you kind of know the rules going in because

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Speaker 1: you're like, oh, they're doing whereas this was just.

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Speaker 2: Willy nilly.

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Speaker 1: There was no kind of structure to it. It's just

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Speaker 1: like it might be dreamy, it might not be dreamy.

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Speaker 1: Sometimes he's asleep the people he's dreaming about, or sometimes

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Speaker 1: asleep sometimes they're in the dream with him, and then

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Speaker 1: you just cut to Eric in real life and it's like, okay,

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Speaker 1: that got a little confusing.

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Speaker 2: Yeah, so it was more just.

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Speaker 1: A little muddled for me than I mean, the jokes

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Speaker 1: were funny. Yeah, I'm officially sick of the lobster. It's everywhere.

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Speaker 1: I don't know how they keep getting away with it.

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Speaker 1: It's everywhere.

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Speaker 3: I saw it in the classroom, but I didn't see

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Speaker 3: it anywhere else.

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Speaker 1: Classroom, it's in the apartment, it's in with the dorm room.

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Speaker 1: I mean it's everywhere. But yeah, again, I didn't dislike it.

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Speaker 1: It just it didn't kind of feel like a boy

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Speaker 1: met thrilled episode. You're right, so it was. I felt

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Speaker 1: like I was trying to do Chandler and Joey this week,

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Speaker 1: and it was like a friend's kind of episode.

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Speaker 2: More than anything else. It just seemed strange.

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Speaker 3: I thought it'd be storyline was very funny, and I

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Speaker 3: thought the I thought the a storyline of there being

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Speaker 3: something going on with Corey's about how life is going

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Speaker 3: to change after he gets married. I wish if I

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Speaker 3: could just make one wish for this episode. I wish

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Speaker 3: it wasn't that Corey is asking if he's rushing into marriage,

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Speaker 3: could like, could we be done? You're either you either

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Speaker 3: want to get married or you do not. But like,

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Speaker 3: I can't handle one more conversation from either one of

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Speaker 3: them about whether or not this is something they should do.

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Speaker 2: If all of that the first half of.

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Speaker 3: That concerned, if you have this many concerns, the answer

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Speaker 3: is probably you should not be getting married. If this

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Speaker 3: episode were just how is my I can't wait to

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Speaker 3: get married, but how is it going to change my

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Speaker 3: friendship with Sean. I have a concern about my friendship

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Speaker 3: with Sean. How does marriage change my friendships? Love it?

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Speaker 2: Yeah, I'll be honest.

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Speaker 1: I thought this was the perfect example of the episode

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Speaker 1: that was set up to be a Topanga episode.

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Speaker 2: Corey's known since they were two they were getting married.

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Speaker 2: That's been established.

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Speaker 1: If they were going to get married at thirteen, he

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Speaker 1: wouldn't have thought they were rushing into it. So if

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Speaker 1: it was Topanga having all these dreams, even the twist

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Speaker 1: at the end is the entire thing is a Tapanga

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Speaker 1: dream something, I thought it would have been a little

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Speaker 1: more interesting because I thought, I think he's more on

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Speaker 1: board than she's been with the wedding, with the marriage,

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Speaker 1: and I think the idea that Tapanga keeps having all

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Speaker 1: these dreams where she's murdering all of her friends is

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Speaker 1: more interesting than Corey doing because.

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Speaker 2: Again, they just keep trying it and it's so funny

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Speaker 2: because we criticize everything. And I didn't dislike the episode.

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Speaker 2: It just seems like.

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Speaker 1: They're kind of changing Corey now week by week for

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Speaker 1: whatever he is to the core Corey.

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Speaker 2: I mean, we talked about it in the B episode

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Speaker 2: where it's.

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Speaker 1: Like, but the caper would have been Sean always pushing

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Speaker 1: him into the cape. He just seems to they're changing

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Speaker 1: his character a lot, and I think it's kind of

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Speaker 1: strange because he's always known that he's ready for marriage.

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Speaker 2: He's always he was the old married man.

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Speaker 3: Sean says, been rushing into marriage since you were two.

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Speaker 1: Right, so that it seems like it would have been

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Speaker 1: cooler if it was Topango.

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Speaker 2: Wondering if they're still rushing into it.

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00:20:18,200 --> 00:20:22,720
Speaker 3: Guest starring Leslie Dannin as Sheila. Leslie's first job was

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Speaker 3: on Michael's Charles in Charge. This is her second Boy

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Speaker 3: Meets World. She also played a character named Lisa in

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Speaker 3: season five's Fraternity Row. She'd also appear on other shows

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Speaker 3: like Doogie Howser, Girlfriends, Step by Step, and Silk Stockings,

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00:20:36,320 --> 00:20:39,040
Speaker 3: and in movies like Marked for Death, Anthony Michael Hall's

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00:20:39,040 --> 00:20:42,760
Speaker 3: directorial debut, Haile Caesar, and her final acting credit in

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Speaker 3: two thousand and two, The Olsen Twins Win in Rome

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Speaker 3: and Then We Have Charlie Newmark as Adam. Newmark's first

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00:20:50,760 --> 00:20:53,520
Speaker 3: acting role was as Will in the nineteen ninety Lord

436
00:20:53,520 --> 00:20:56,679
Speaker 3: of the Flies movie. He'd also appear in movies Trees,

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00:20:56,760 --> 00:21:01,719
Speaker 3: Lounge In and out and surveillance, and we have a

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00:21:01,760 --> 00:21:05,800
Speaker 3: returning favorite, but let's keep her a surprise for now.

439
00:21:06,520 --> 00:21:09,199
Speaker 3: Jumping into our recap, we are in Jack and Rachel's

440
00:21:09,200 --> 00:21:12,240
Speaker 3: apartment hallway. The elevator door opens, Jack, Eric, Corey, Seann,

441
00:21:12,280 --> 00:21:15,840
Speaker 3: and Rachel all walk out. Rachel proudly puts her arms

442
00:21:15,840 --> 00:21:18,399
Speaker 3: around Corey and Sean. You know, I just want to

443
00:21:18,440 --> 00:21:20,879
Speaker 3: thank you both for convincing Eric to move back in

444
00:21:20,960 --> 00:21:24,080
Speaker 3: with us. Then she gives them each a very slow

445
00:21:24,280 --> 00:21:27,440
Speaker 3: kiss on the cheek. Over at the apartment door, Jack

446
00:21:27,520 --> 00:21:29,840
Speaker 3: tells Eric, it's really great to have you back, buddy,

447
00:21:30,000 --> 00:21:32,840
Speaker 3: and Eric responds he's happy to be back. Then he

448
00:21:32,920 --> 00:21:36,680
Speaker 3: grabs Rachel's hands and starts passionately making out with her.

449
00:21:36,840 --> 00:21:37,639
Speaker 3: Did you remember this?

450
00:21:37,680 --> 00:21:37,880
Speaker 5: Will?

451
00:21:38,040 --> 00:21:39,800
Speaker 1: Now I'm sitting there watching with soon, I was like,

452
00:21:39,800 --> 00:21:43,359
Speaker 1: what the like? Maitland and I kissed. I didn't remember

453
00:21:43,640 --> 00:21:48,200
Speaker 1: this even And it's like a kiss. It's a kiss kiss. Yeah,

454
00:21:48,240 --> 00:21:50,080
Speaker 1: we like make out with each other. I had no

455
00:21:50,240 --> 00:21:53,800
Speaker 1: memory of this whatsoever. If you had asked me two

456
00:21:53,880 --> 00:21:56,520
Speaker 1: days ago, had you bet me if you've ever mete

457
00:21:56,520 --> 00:21:57,119
Speaker 1: out with Maitland?

458
00:21:57,720 --> 00:22:00,520
Speaker 3: Because she said you were the only cast to have

459
00:22:00,560 --> 00:22:01,840
Speaker 3: never kissed another cast?

460
00:22:01,920 --> 00:22:04,960
Speaker 2: Member right, and I'm not made out with Maitland.

461
00:22:05,119 --> 00:22:13,840
Speaker 3: No, all done it nice? So this kiss happens right

462
00:22:13,880 --> 00:22:16,200
Speaker 3: in front of Jack. But once they're done, all Jack

463
00:22:16,240 --> 00:22:19,280
Speaker 3: says is nice kiss with a big smile on his face.

464
00:22:19,840 --> 00:22:22,680
Speaker 3: Eric thanks Jack for the compliment, then grabs his suitcase

465
00:22:22,680 --> 00:22:25,280
Speaker 3: and walks right into the apartment, followed by his once

466
00:22:25,320 --> 00:22:29,240
Speaker 3: again roommates. Now the remaining boys wait for the elevator,

467
00:22:29,240 --> 00:22:32,720
Speaker 3: and Corey brags about their abilities. You see, Sean, all

468
00:22:32,800 --> 00:22:34,639
Speaker 3: it took was you and me to get them to

469
00:22:34,680 --> 00:22:39,720
Speaker 3: settle their differences. Sewn agrees. Corey and Sean forever best friends.

470
00:22:40,440 --> 00:22:44,040
Speaker 3: Corey shakes Sean's hand in victory, but then something takes

471
00:22:44,119 --> 00:22:47,920
Speaker 3: over his body. His smile turns angry.

472
00:22:48,800 --> 00:22:51,440
Speaker 2: Sean look that dead face that he always made.

473
00:22:51,240 --> 00:22:56,919
Speaker 3: The Sean is disturbed, Corey, why are you looking at

474
00:22:56,920 --> 00:23:00,720
Speaker 3: me like that? Instead of responding, Corey push Sean into

475
00:23:00,720 --> 00:23:03,960
Speaker 3: the empty elevator shaft. Sean quickly grabs onto the rope

476
00:23:04,240 --> 00:23:10,280
Speaker 3: A rope, I thought, why is there a rope? He

477
00:23:10,320 --> 00:23:12,879
Speaker 3: grabs onto the rope and he hangs on for dear life.

478
00:23:13,160 --> 00:23:15,879
Speaker 3: He yells Corey's name for help, but Corey just stares

479
00:23:15,920 --> 00:23:20,520
Speaker 3: at him. Unmoved, happy even the camera zooms in on

480
00:23:20,600 --> 00:23:25,679
Speaker 3: Corey's disturbing face, and then bam. Corey wakes up from

481
00:23:25,680 --> 00:23:28,640
Speaker 3: the nightmare in his dorm room, screaming. In response, Sean

482
00:23:28,800 --> 00:23:31,200
Speaker 3: jumps out of his bed and turns on the light. Corey,

483
00:23:31,560 --> 00:23:34,760
Speaker 3: don't tell me. Is it the puppet nightmare again? I

484
00:23:34,800 --> 00:23:39,800
Speaker 3: wish we had gone back to the clowns. Yeah, his

485
00:23:40,000 --> 00:23:45,320
Speaker 3: clown nightmare's guy's not puppets. Corey calmly goes with it. Yeah,

486
00:23:45,359 --> 00:23:48,600
Speaker 3: it was the puppet nightmare. He was chasing me on foot,

487
00:23:49,160 --> 00:23:53,280
Speaker 3: he had a gun. Sean asks if he's okay, and

488
00:23:53,400 --> 00:23:58,240
Speaker 3: Corey laughs it off. Yeah, I'm okay. Sean's relieved. Well good,

489
00:23:58,359 --> 00:24:00,880
Speaker 3: let's get some sleep. I got that speech for Feenie tomorrow.

490
00:24:01,160 --> 00:24:05,080
Speaker 3: I've got to be fresh if I'm going to fake it.

491
00:24:05,520 --> 00:24:06,879
Speaker 1: By the way, I think the rope, the rope in

492
00:24:06,920 --> 00:24:09,439
Speaker 1: the elevator is just supposed to represent the elevator cable.

493
00:24:09,840 --> 00:24:12,560
Speaker 2: So I mean, I see you're right at Yeah, it's

494
00:24:12,560 --> 00:24:14,840
Speaker 2: supposed to be a cable. When did the cold open end?

495
00:24:15,400 --> 00:24:17,800
Speaker 2: Is it ending right now or did it already?

496
00:24:18,560 --> 00:24:21,800
Speaker 3: I mean, we never know. We we just yeah. Then

497
00:24:21,840 --> 00:24:23,280
Speaker 3: we go into Peoene's classroom.

498
00:24:23,440 --> 00:24:25,640
Speaker 1: So maybe we didn't have a cold open this time.

499
00:24:25,640 --> 00:24:26,960
Speaker 1: Maybe it was just kind of started.

500
00:24:27,080 --> 00:24:29,840
Speaker 3: It started with our open. It didn't go then, right, yeah,

501
00:24:30,400 --> 00:24:31,800
Speaker 3: it started with our intro.

502
00:24:34,640 --> 00:24:37,800
Speaker 1: Do either of you remember, because Danielle you might not

503
00:24:37,880 --> 00:24:41,320
Speaker 1: have done it. But I can't remember. How far was

504
00:24:41,400 --> 00:24:43,920
Speaker 1: the drop in the elevator?

505
00:24:43,920 --> 00:24:45,880
Speaker 2: Can you do? We have to drop and then duck

506
00:24:46,240 --> 00:24:48,320
Speaker 2: because it didn't look like we were I remember the

507
00:24:48,320 --> 00:24:50,479
Speaker 2: way they sat. I remember it built up.

508
00:24:50,520 --> 00:24:52,280
Speaker 4: They built it up in the middle of the stage.

509
00:24:52,320 --> 00:24:54,600
Speaker 4: I remember that, but I don't remember how high it was.

510
00:24:54,640 --> 00:24:57,720
Speaker 4: But it was crazy, especially when Linda Cardellini fell back.

511
00:24:57,760 --> 00:25:00,920
Speaker 4: I was like, whoa, she's dropping back. So it must

512
00:25:00,920 --> 00:25:02,600
Speaker 4: have been a giant I mean, it must have been

513
00:25:02,680 --> 00:25:04,919
Speaker 4: like a full ten feet in the air, right, I

514
00:25:04,920 --> 00:25:05,239
Speaker 4: don't know.

515
00:25:05,800 --> 00:25:08,240
Speaker 1: I just I vaguely remember it, but I couldn't remember

516
00:25:08,240 --> 00:25:10,399
Speaker 1: if it was. It seemed like a decent drop.

517
00:25:10,560 --> 00:25:13,280
Speaker 3: I think you remember about seven feet, okay.

518
00:25:13,320 --> 00:25:15,439
Speaker 4: I just remember it being a lot of work, like

519
00:25:15,560 --> 00:25:18,760
Speaker 4: sitting there all day, yep, having.

520
00:25:18,520 --> 00:25:21,440
Speaker 2: To redo stuff. Everybody's tense and how they.

521
00:25:21,400 --> 00:25:24,040
Speaker 3: Can remember what the view looked like. I can remember

522
00:25:24,119 --> 00:25:26,399
Speaker 3: looking down over it and knowing that it was. You know,

523
00:25:26,400 --> 00:25:29,840
Speaker 3: there was a big giant pad down there, and you

524
00:25:29,880 --> 00:25:33,639
Speaker 3: didn't like you you could stand and still not be

525
00:25:33,720 --> 00:25:36,000
Speaker 3: seen from the top. So maybe including the pad, maybe

526
00:25:36,040 --> 00:25:38,960
Speaker 3: it was seven feet to the pad, because I know, yeah,

527
00:25:39,000 --> 00:25:39,680
Speaker 3: it's a good drop.

528
00:25:39,840 --> 00:25:41,200
Speaker 2: That's a good drop to jump into.

529
00:25:41,520 --> 00:25:44,879
Speaker 3: Absolutely. Yeah. How did they do it with Linda?

530
00:25:45,119 --> 00:25:48,720
Speaker 4: I know she just like backwards falls backwards really effortlessly.

531
00:25:49,240 --> 00:25:50,280
Speaker 2: I was like, well, that's cool.

532
00:25:50,560 --> 00:25:53,720
Speaker 1: We also didn't hold the surprise very long. You said,

533
00:25:53,760 --> 00:25:55,960
Speaker 1: we have a surprise guest. I just talked about it

534
00:25:56,040 --> 00:26:01,160
Speaker 1: right away, so we suck at surprises terrible.

535
00:26:01,600 --> 00:26:05,800
Speaker 3: Gosh, it's amazing. I didn't ruin that proposal me, I guess.

536
00:26:05,920 --> 00:26:06,560
Speaker 2: Yeah.

537
00:26:06,640 --> 00:26:08,760
Speaker 3: He turns back off the lights and climbs into bed.

538
00:26:08,960 --> 00:26:12,399
Speaker 3: Good night, cor Corey lays back down too, nighty night, Sean,

539
00:26:12,880 --> 00:26:16,040
Speaker 3: But after a few seconds, Corey quickly sits back up. Sean.

540
00:26:16,640 --> 00:26:20,760
Speaker 3: Sean answers, yeah, cor Corey says, you're my best friend.

541
00:26:21,359 --> 00:26:24,920
Speaker 3: Sean replies thanks, core then lures his head back down

542
00:26:24,960 --> 00:26:27,680
Speaker 3: onto the pillow. Corey does the same that his eyes

543
00:26:27,720 --> 00:26:31,160
Speaker 3: are still wide open, and now we're in Phoene's classroom.

544
00:26:31,359 --> 00:26:33,840
Speaker 3: Sean is giving a presentation, holding a top hat and

545
00:26:33,880 --> 00:26:37,400
Speaker 3: a picture of milk. Now watch closely as I pour

546
00:26:37,520 --> 00:26:40,960
Speaker 3: the milk into the hat. Then he does exactly that,

547
00:26:41,240 --> 00:26:45,399
Speaker 3: starting some sort of magic trick. Poenie interrupts, mister Hunter,

548
00:26:45,600 --> 00:26:48,280
Speaker 3: your speech is on Louis Pasture. I don't see what

549
00:26:48,320 --> 00:26:51,280
Speaker 3: that has to do with making milk disappear, and annoyed,

550
00:26:51,280 --> 00:26:54,000
Speaker 3: Sean assures him, this has everything to do with lou

551
00:26:54,160 --> 00:26:54,760
Speaker 3: Trust me.

552
00:26:55,680 --> 00:26:57,520
Speaker 4: This feels I love this because it was like so

553
00:26:57,760 --> 00:26:59,440
Speaker 4: it goes right back to season one.

554
00:26:59,520 --> 00:27:03,040
Speaker 2: Corey, Yeah, with the like pointers, with the pointers I

555
00:27:03,080 --> 00:27:07,240
Speaker 2: love just like? Who has the magic rope? Lookun like anybody?

556
00:27:12,640 --> 00:27:15,080
Speaker 3: Sean turns back to the class. Now does anyone in

557
00:27:15,119 --> 00:27:17,960
Speaker 3: the audience happen to have a piece of magic rope?

558
00:27:18,680 --> 00:27:22,400
Speaker 3: The students, including Corey, look around for a volunteer. Then eventually,

559
00:27:22,800 --> 00:27:26,480
Speaker 3: Corey coincidentally pulls one out from behind his back. What

560
00:27:26,640 --> 00:27:31,560
Speaker 3: a surprise, Sean exclaims, Look at that, mister Matthews, why

561
00:27:31,600 --> 00:27:35,400
Speaker 3: don't you come down here. Corey excitedly walks toward sewn

562
00:27:35,440 --> 00:27:39,679
Speaker 3: as mister Feoene shakes his head. I hate teaching, Sean

563
00:27:39,760 --> 00:27:43,200
Speaker 3: asks him, May I please have that magic rope? Corey answers,

564
00:27:43,280 --> 00:27:46,000
Speaker 3: yes you may. Sean asks for the magic rope and

565
00:27:46,040 --> 00:27:48,600
Speaker 3: starts to explain now what a lot of people don't

566
00:27:48,640 --> 00:27:52,600
Speaker 3: know about lou And then Corey slowly puts the rope

567
00:27:52,640 --> 00:27:56,000
Speaker 3: around his best friend's neck and begins to angrily choke him.

568
00:27:56,400 --> 00:27:59,040
Speaker 3: Sean tries to fight back, so Corey swings him onto

569
00:27:59,040 --> 00:28:02,040
Speaker 3: the desk and begins to smother him as well. Then

570
00:28:02,440 --> 00:28:05,200
Speaker 3: we're back in Sean and Corey's dorm room. Corey sits

571
00:28:05,240 --> 00:28:08,080
Speaker 3: up and bet again, screaming. He holds onto his pillow.

572
00:28:07,840 --> 00:28:09,080
Speaker 4: And yells ahah.

573
00:28:10,640 --> 00:28:13,760
Speaker 3: Then we're in the student union. Sean walks in, now

574
00:28:13,920 --> 00:28:15,600
Speaker 3: sons a middle part.

575
00:28:16,040 --> 00:28:19,040
Speaker 2: No, yes, middle part what yeah?

576
00:28:19,119 --> 00:28:19,560
Speaker 1: I know.

577
00:28:21,280 --> 00:28:24,120
Speaker 3: He tosses his books onto the couch and sits next

578
00:28:24,119 --> 00:28:27,080
Speaker 3: to Topanga and Angela. That little curly headed boyfriend of

579
00:28:27,080 --> 00:28:30,600
Speaker 3: yours is driving me insane. Topanga wonders, is he still

580
00:28:30,600 --> 00:28:34,720
Speaker 3: having nightmares? Sean responds, no, not anymore. He hasn't slept

581
00:28:34,760 --> 00:28:37,080
Speaker 3: in three days. I turn off the lights and I

582
00:28:37,119 --> 00:28:39,520
Speaker 3: hear him moving around in the dark like a rat.

583
00:28:39,960 --> 00:28:42,400
Speaker 3: I wake up the next morning. The closets are reorganized,

584
00:28:42,440 --> 00:28:46,640
Speaker 3: my shorts are ironed, and my hair's been moosed. Topanga

585
00:28:46,720 --> 00:28:50,520
Speaker 3: is concerned. Oh my, poor Corey. And that's when Corey

586
00:28:50,560 --> 00:28:54,400
Speaker 3: comes walking over holding six cups hot coffee. Coming through,

587
00:28:54,760 --> 00:28:57,800
Speaker 3: Angela reaches for one. Hey, thanks, cor but Corey defensively

588
00:28:57,800 --> 00:29:00,760
Speaker 3: grabs the stack. These are mine, get your own. The

589
00:29:00,880 --> 00:29:04,000
Speaker 3: pang is more concerned now, Corey, drinking coffee to avoid

590
00:29:04,000 --> 00:29:07,320
Speaker 3: your nightmares is not the solution. Corey jumps up, who

591
00:29:07,320 --> 00:29:10,520
Speaker 3: said I was having nightmares? A shameless Sean chimes in,

592
00:29:11,040 --> 00:29:12,560
Speaker 3: I did you looney?

593
00:29:13,800 --> 00:29:16,240
Speaker 2: Looney's a funny name, Looney's a funny word.

594
00:29:16,840 --> 00:29:18,880
Speaker 1: It's also we haven't we blew by it in the beginning,

595
00:29:18,880 --> 00:29:21,160
Speaker 1: and it's it happens multiple times this episode.

596
00:29:21,200 --> 00:29:24,160
Speaker 2: But you did see you and Ben just basically laughing through.

597
00:29:24,000 --> 00:29:25,160
Speaker 3: Lines, Oh yeah, writer?

598
00:29:25,320 --> 00:29:28,320
Speaker 2: Did you really? Oh dude? There was times where it

599
00:29:28,400 --> 00:29:30,680
Speaker 2: was like in the middle, it's like laughing.

600
00:29:31,000 --> 00:29:38,120
Speaker 4: I mean, yeah, yes, I didn't see it as breaking though.

601
00:29:38,160 --> 00:29:40,880
Speaker 2: I didn't. I wasn't. I just saw it asus like,

602
00:29:41,160 --> 00:29:42,200
Speaker 2: I don't know, that's funny.

603
00:29:42,680 --> 00:29:44,280
Speaker 1: It's like he's saying there's times that he's supposed to

604
00:29:44,280 --> 00:29:46,600
Speaker 1: be waking up from a nightmare and you're like, hey,

605
00:29:47,040 --> 00:29:47,760
Speaker 1: what are you?

606
00:29:48,080 --> 00:29:48,560
Speaker 2: What are you doing?

607
00:29:48,640 --> 00:29:51,360
Speaker 1: And Ben's like, I happened in nightmare and it's like,

608
00:29:51,400 --> 00:29:53,800
Speaker 1: oh Jesus, that's the best take they had.

609
00:29:55,080 --> 00:29:58,680
Speaker 3: It was a few moments where you guys are really

610
00:29:58,680 --> 00:30:01,760
Speaker 3: trying to keep it together. It's so cute because you're

611
00:30:01,800 --> 00:30:05,080
Speaker 3: right writer that it does definitely play as just two

612
00:30:05,200 --> 00:30:09,280
Speaker 3: friends having fun with each other, but the way it

613
00:30:09,360 --> 00:30:12,080
Speaker 3: is definitely that you like will break out into a

614
00:30:12,120 --> 00:30:15,400
Speaker 3: big smile, only then to realize like, I don't need

615
00:30:15,520 --> 00:30:17,920
Speaker 3: I don't want to be smiling through this line. Yeah,

616
00:30:18,200 --> 00:30:22,000
Speaker 3: And so you're just like, is that what you're dreaming of?

617
00:30:22,440 --> 00:30:22,760
Speaker 2: Yeah?

618
00:30:22,800 --> 00:30:25,880
Speaker 1: And Ben's like laughing through his life, like literally laughing

619
00:30:25,920 --> 00:30:27,440
Speaker 1: and he's supposed to be like just woking up from

620
00:30:27,440 --> 00:30:27,880
Speaker 1: a nightmare.

621
00:30:27,880 --> 00:30:31,920
Speaker 2: He's like, yeah, that's what I'm dreaming. I was like, whoa,

622
00:30:32,600 --> 00:30:35,040
Speaker 2: it's really it is so cute that just to know

623
00:30:35,080 --> 00:30:35,560
Speaker 2: you guys.

624
00:30:35,600 --> 00:30:37,680
Speaker 1: And I was also wondering, I don't think it is,

625
00:30:37,800 --> 00:30:40,880
Speaker 1: but the episode where you got sick and lost like

626
00:30:40,920 --> 00:30:43,000
Speaker 1: thirty two pounds in the four days you were gone,

627
00:30:43,200 --> 00:30:44,040
Speaker 1: that wasn't this one?

628
00:30:44,120 --> 00:30:47,400
Speaker 2: Right? No? Okay? And seven? That was seven okay? Well

629
00:30:47,920 --> 00:30:49,240
Speaker 2: was like yeah, I was like, was that this one?

630
00:30:49,240 --> 00:30:49,760
Speaker 2: Because I know you.

631
00:30:49,760 --> 00:30:51,720
Speaker 1: Guys were laughing during because that's one of our famous

632
00:30:52,480 --> 00:30:54,000
Speaker 1: uh B bloopers?

633
00:30:54,040 --> 00:30:55,640
Speaker 2: Is that one? So I didn't know if that was

634
00:30:55,680 --> 00:30:56,400
Speaker 2: this episode or not.

635
00:30:56,520 --> 00:30:59,600
Speaker 4: Okay, I'm sure this episode was even worse, Like I

636
00:31:00,120 --> 00:31:00,600
Speaker 4: do you remember?

637
00:31:00,680 --> 00:31:00,840
Speaker 2: Yeah?

638
00:31:00,880 --> 00:31:04,280
Speaker 4: Obviously Ben just loved playing the psychotic looks.

639
00:31:04,800 --> 00:31:06,959
Speaker 2: Yeah, so I'm sure that's what was cracking us up

640
00:31:06,960 --> 00:31:10,520
Speaker 2: the whole time. Is him just doing these little yeah turns?

641
00:31:10,640 --> 00:31:14,320
Speaker 3: Oh my god, Corey is very mad. Why would you

642
00:31:14,400 --> 00:31:18,960
Speaker 3: say I was having night? But he quickly changes his tune. Oh,

643
00:31:19,000 --> 00:31:23,880
Speaker 3: I'm not mad at you, not you, not Shannie. Sean. Hey,

644
00:31:24,640 --> 00:31:28,400
Speaker 3: He wonders, how's the moose holding up? It looks good, Yes,

645
00:31:28,440 --> 00:31:33,880
Speaker 3: it does. Corey puts his arm around a very uncomfortable Sean.

646
00:31:34,600 --> 00:31:38,480
Speaker 3: And then we're at the Matthews house. Amy walks downstairs

647
00:31:38,480 --> 00:31:40,520
Speaker 3: holding the baby and we see that Eric is sleeping

648
00:31:40,600 --> 00:31:42,880
Speaker 3: on the couch. He appears to be deep in a

649
00:31:42,960 --> 00:31:48,160
Speaker 3: dream himself m Zina, my warrior princess. Amy interrupts and

650
00:31:48,240 --> 00:31:49,800
Speaker 3: leans over the couch and yells his name.

651
00:31:50,080 --> 00:31:50,320
Speaker 2: Eric.

652
00:31:50,720 --> 00:31:54,600
Speaker 3: He wakes up disappointed. Oh you're not my warrior princess,

653
00:31:54,640 --> 00:31:58,280
Speaker 3: you're my mommy. Amy gets right to the point, Honey,

654
00:31:58,400 --> 00:32:00,520
Speaker 3: you sleeping on the couch is just not where looking out.

655
00:32:01,000 --> 00:32:03,800
Speaker 3: Eric snaps back, and whose fault is that? Turning my

656
00:32:03,960 --> 00:32:07,040
Speaker 3: room and do a nursery for He gestures to the

657
00:32:07,080 --> 00:32:11,040
Speaker 3: baby him. Eric sticks his tongue out at the new

658
00:32:11,040 --> 00:32:13,800
Speaker 3: baby brother and then turns to Morgan, who's sitting nearby.

659
00:32:14,200 --> 00:32:17,120
Speaker 3: You know something, Morgan, You've got a big room. Wouldn't

660
00:32:17,160 --> 00:32:20,560
Speaker 3: it be fun if Morgan cuts him off? No, Eric continues,

661
00:32:20,680 --> 00:32:24,000
Speaker 3: but but Morgan still answers no. Eric won't give up.

662
00:32:24,160 --> 00:32:26,920
Speaker 3: Are you sure you don't want Morgan won't budge no,

663
00:32:28,320 --> 00:32:31,520
Speaker 3: And then we're in the dorm hallway. Corey runs to

664
00:32:31,600 --> 00:32:35,520
Speaker 3: their room. Sean close behind. Hey, Corey, Corey, wait, you

665
00:32:35,560 --> 00:32:37,920
Speaker 3: know we've got an hour before class. Why don't you

666
00:32:38,120 --> 00:32:41,040
Speaker 3: take a nap. Corey pushes back, I don't need a nap.

667
00:32:41,120 --> 00:32:43,120
Speaker 3: I need to paint a house. Racey to the door.

668
00:32:45,080 --> 00:32:46,640
Speaker 3: Is he supposed to be hyper from coffee?

669
00:32:46,680 --> 00:32:49,360
Speaker 1: Now? Yeah, he's supposed to be whacked on coffee. He's

670
00:32:49,360 --> 00:32:52,240
Speaker 1: doing bumps of cocaine just to stay awake. At this point,

671
00:32:53,120 --> 00:32:54,040
Speaker 1: here's what's happening.

672
00:32:54,960 --> 00:32:57,880
Speaker 3: Corey sprints for a few steps and then announces, I win.

673
00:32:57,960 --> 00:33:01,200
Speaker 3: I win. Corey enters the room, which, by the way,

674
00:33:01,360 --> 00:33:04,120
Speaker 3: is a complete pig sty and is shocked at what

675
00:33:04,160 --> 00:33:07,880
Speaker 3: he sees Eric, and just like that, his brother Eric

676
00:33:08,040 --> 00:33:10,520
Speaker 3: swivels around and mimics a poster he's hung.

677
00:33:10,640 --> 00:33:13,880
Speaker 2: Himself off on the wall and so random.

678
00:33:14,520 --> 00:33:16,360
Speaker 3: How do you not have one of those posters?

679
00:33:16,800 --> 00:33:19,120
Speaker 2: I don't I would love to have one of those posters.

680
00:33:19,160 --> 00:33:19,640
Speaker 2: Are you kidding?

681
00:33:19,640 --> 00:33:22,080
Speaker 1: I don't, gosh, that would I would put that right

682
00:33:22,120 --> 00:33:22,800
Speaker 1: over our bed.

683
00:33:23,040 --> 00:33:26,400
Speaker 2: Yeah, oh poster march, Yes, I would.

684
00:33:26,520 --> 00:33:28,040
Speaker 1: I'd frame that right over our bed. So it's the

685
00:33:28,040 --> 00:33:29,600
Speaker 1: first thing Susan sees every morning, which you.

686
00:33:29,800 --> 00:33:32,520
Speaker 2: Don't do that in the back of the door. Yes,

687
00:33:34,080 --> 00:33:36,600
Speaker 2: that is such a so funny.

688
00:33:39,760 --> 00:33:42,800
Speaker 3: He's like in a thinking man's pose. And by the way,

689
00:33:43,080 --> 00:33:46,720
Speaker 3: famous meme alert. Sean wonders, what are you doing here,

690
00:33:46,880 --> 00:33:49,320
Speaker 3: and Eric, with a big smile on his face, exclaims,

691
00:33:49,440 --> 00:33:52,240
Speaker 3: I've decided to live with you guys. As he starts

692
00:33:52,280 --> 00:33:55,360
Speaker 3: to explain why, Corey grabs the desk chair and pushes

693
00:33:55,440 --> 00:33:58,080
Speaker 3: him toward the door. Eric continues, you know, I just

694
00:33:58,120 --> 00:34:00,360
Speaker 3: think it'd be so great to have this great brother

695
00:34:00,520 --> 00:34:02,959
Speaker 3: and brother's friend, and I think the three of us together,

696
00:34:03,000 --> 00:34:06,760
Speaker 3: we really would be And just like that, Corey pushes

697
00:34:06,800 --> 00:34:09,640
Speaker 3: him into the hallway, and Sean slams the door shut

698
00:34:09,680 --> 00:34:12,760
Speaker 3: behind him, revealing yet another.

699
00:34:14,239 --> 00:34:27,399
Speaker 5: Yeah.

700
00:34:27,560 --> 00:34:30,759
Speaker 3: Then we are into Panga and Angela's room. Topega walks in,

701
00:34:30,800 --> 00:34:33,000
Speaker 3: brushing her hair as she sets her toiletry bag on

702
00:34:33,040 --> 00:34:35,439
Speaker 3: the desk. She turns off the lights and gets into

703
00:34:35,480 --> 00:34:38,719
Speaker 3: her bed. Then out of nowhere, Eric pops up from

704
00:34:38,760 --> 00:34:42,680
Speaker 3: under her comforter, smiling Hello Rooney to Panga, screams and

705
00:34:42,719 --> 00:34:47,200
Speaker 3: falls right off the bed. Eric looks concerned. Ruby, Now,

706
00:34:47,239 --> 00:34:50,160
Speaker 3: will when you had described this as us ending up

707
00:34:50,200 --> 00:34:51,359
Speaker 3: in bed together.

708
00:34:51,200 --> 00:34:53,080
Speaker 2: No, I said we were in bed together, which is

709
00:34:53,080 --> 00:34:53,680
Speaker 2: what happened.

710
00:34:54,000 --> 00:34:57,000
Speaker 1: But if memory serves during rehearsal, we just stayed in

711
00:34:57,000 --> 00:34:57,759
Speaker 1: bed together.

712
00:34:57,520 --> 00:35:00,920
Speaker 5: All the way.

713
00:35:03,000 --> 00:35:05,319
Speaker 3: The only thing I remember this week I was just

714
00:35:05,400 --> 00:35:09,839
Speaker 3: in bed with Danielle scene.

715
00:35:09,880 --> 00:35:11,439
Speaker 2: They know, they know, they're fine.

716
00:35:11,520 --> 00:35:11,759
Speaker 1: I know.

717
00:35:13,640 --> 00:35:16,520
Speaker 2: No, I told you that Eric ended up in bed together.

718
00:35:16,520 --> 00:35:19,520
Speaker 2: This is what I like. It was this weird moment of.

719
00:35:20,960 --> 00:35:23,399
Speaker 1: Yeah, just like, okay, I guess they're throwing those two

720
00:35:23,480 --> 00:35:25,600
Speaker 1: and kissing Maitland.

721
00:35:25,680 --> 00:35:28,959
Speaker 2: Then it was weird. It's a weird week, Eric, people,

722
00:35:29,000 --> 00:35:29,879
Speaker 2: it's a weird week. Yeah.

723
00:35:29,920 --> 00:35:32,640
Speaker 4: This around this point too, Like I was watching it

724
00:35:32,680 --> 00:35:35,240
Speaker 4: with my family last night and my parents and Indian

725
00:35:36,040 --> 00:35:38,799
Speaker 4: and I was like, all these scenes.

726
00:35:38,480 --> 00:35:41,200
Speaker 2: Are so short, super short. It was like the.

727
00:35:41,960 --> 00:35:44,440
Speaker 4: Episode is like there's not a scene that's more than

728
00:35:44,480 --> 00:35:47,400
Speaker 4: three pages until like the Feenee dream conversation. It was

729
00:35:47,440 --> 00:35:49,440
Speaker 4: like boom boom boom, boom boom, and you're just like,

730
00:35:49,760 --> 00:35:52,720
Speaker 4: I don't know, like the pace was it was really jarring.

731
00:35:52,760 --> 00:35:54,960
Speaker 4: It was like uncomfortable for me. I was like, some

732
00:35:55,000 --> 00:35:57,600
Speaker 4: of the these beats are funny, but because of the scene,

733
00:35:57,640 --> 00:35:59,879
Speaker 4: just like ends, I was like, Oh, that's it, It's

734
00:36:00,160 --> 00:36:00,520
Speaker 4: that's it.

735
00:36:00,600 --> 00:36:03,359
Speaker 2: Like that that was the whole thing. I don't know. Again,

736
00:36:03,400 --> 00:36:05,960
Speaker 2: do you think we had an audience this week? I

737
00:36:05,960 --> 00:36:07,560
Speaker 2: don't know. Maybe not with them.

738
00:36:07,560 --> 00:36:09,680
Speaker 1: I mean it seems with the elevator set up and

739
00:36:09,719 --> 00:36:12,160
Speaker 1: then with the super short scenes, maybe this is one

740
00:36:12,160 --> 00:36:14,000
Speaker 1: of the weeks where we did a block and shoot

741
00:36:14,040 --> 00:36:16,480
Speaker 1: because I mean I can't honestly can't remember either way,

742
00:36:16,480 --> 00:36:19,160
Speaker 1: but it seems like it would be that would be better.

743
00:36:19,200 --> 00:36:20,640
Speaker 4: I mean, I mean, the scenes with you and the

744
00:36:20,719 --> 00:36:23,560
Speaker 4: roommate are pretty traditional, like once we get into that,

745
00:36:23,560 --> 00:36:26,360
Speaker 4: they're like normal sort of fund those in front of

746
00:36:26,400 --> 00:36:27,359
Speaker 4: the audience of memory starts.

747
00:36:27,400 --> 00:36:28,840
Speaker 1: If you're looking at the audience they were sort of

748
00:36:28,880 --> 00:36:30,600
Speaker 1: left like on the same side.

749
00:36:30,719 --> 00:36:33,680
Speaker 3: So then yeah, between the between that not being in

750
00:36:33,680 --> 00:36:36,440
Speaker 3: front of the audience and the elevator or stuff not

751
00:36:36,480 --> 00:36:37,760
Speaker 3: being in front of the audience, maybe.

752
00:36:37,800 --> 00:36:39,520
Speaker 2: A block and shoot, I can't remember.

753
00:36:39,840 --> 00:36:43,200
Speaker 3: You know who else might know? Mister Carlos Aragon, the

754
00:36:43,239 --> 00:36:45,080
Speaker 3: writer of the episode you.

755
00:36:45,239 --> 00:36:47,040
Speaker 2: We can't get in touch with. Why can we not

756
00:36:47,080 --> 00:36:47,920
Speaker 2: find Carla? I don't know.

757
00:36:47,960 --> 00:36:50,480
Speaker 4: I ran to him on the street in Los Phelis

758
00:36:50,560 --> 00:36:53,520
Speaker 4: like a month ago, and he was I said, you

759
00:36:53,560 --> 00:36:55,799
Speaker 4: have to come on the pod. We're about to have

760
00:36:55,960 --> 00:36:57,600
Speaker 4: one of your episodes. And he was like, oh, I'd

761
00:36:57,600 --> 00:37:00,600
Speaker 4: love to just hit me up on Instagram. Can't find

762
00:37:00,680 --> 00:37:02,680
Speaker 4: him on Instagram, can't find him anywhere?

763
00:37:02,719 --> 00:37:06,600
Speaker 2: Is nicest guy? Yeah it was. I was like, so, Carlos,

764
00:37:06,880 --> 00:37:07,680
Speaker 2: if you're listening.

765
00:37:07,520 --> 00:37:08,479
Speaker 3: Carlos, do you listen?

766
00:37:09,080 --> 00:37:09,640
Speaker 2: Find us?

767
00:37:10,040 --> 00:37:14,799
Speaker 3: Please show at gmail dot com, send us, send you

768
00:37:14,880 --> 00:37:15,399
Speaker 3: hear us.

769
00:37:15,440 --> 00:37:17,000
Speaker 5: Carlos.

770
00:37:18,560 --> 00:37:20,640
Speaker 4: Yeah, I know, I'd love to hear his because he

771
00:37:21,000 --> 00:37:23,360
Speaker 4: started as a PA, right or writer's assistant.

772
00:37:23,400 --> 00:37:25,560
Speaker 2: Wait, Barbie, Barbie's got to know how to get in

773
00:37:25,560 --> 00:37:26,400
Speaker 2: touch with Carlos.

774
00:37:26,520 --> 00:37:31,600
Speaker 3: Really, Barbie, she said, no, Gez, But and then didn't

775
00:37:31,640 --> 00:37:34,640
Speaker 3: we ask somebody we asked someone else too, we could

776
00:37:34,640 --> 00:37:35,120
Speaker 3: try them in.

777
00:37:35,520 --> 00:37:38,600
Speaker 4: Okay, he was at Matt's funeral, so he definitely is

778
00:37:38,640 --> 00:37:39,440
Speaker 4: in touch with somebody.

779
00:37:40,000 --> 00:37:43,440
Speaker 2: Yeah, so we'll find Okay, we'll figure it out. But yes, Carlos,

780
00:37:43,480 --> 00:37:46,239
Speaker 2: if you're listening, send us an email, Carlos, can you here.

781
00:37:48,560 --> 00:37:50,879
Speaker 3: We're back in the student union. Jack and Rachel enter

782
00:37:50,920 --> 00:37:53,160
Speaker 3: and notice a man sleeping on the pool table covered

783
00:37:53,160 --> 00:37:56,920
Speaker 3: in newspapers. Rachel says to Jack, Oh, look, it's a

784
00:37:56,960 --> 00:38:01,279
Speaker 3: homeless man. How sad. Jack agrees, Yeah, the poor guy,

785
00:38:01,760 --> 00:38:05,480
Speaker 3: and then emerges from the newspapers, and it's Eric. He

786
00:38:05,560 --> 00:38:09,319
Speaker 3: yawns and announces good morning. Rachel grabs him. Eric, get

787
00:38:09,400 --> 00:38:11,480
Speaker 3: up right now. You're coming back home with us. This

788
00:38:11,640 --> 00:38:14,879
Speaker 3: is ridiculous. But Eric isn't having it. No, I don't

789
00:38:14,880 --> 00:38:17,919
Speaker 3: want your pity. So Jack chimes in, Oh, come on, man,

790
00:38:17,960 --> 00:38:20,440
Speaker 3: you can have your old room back. Eric is touched

791
00:38:20,719 --> 00:38:23,919
Speaker 3: you haven't rented it out yet. Rachel answers, no, we've

792
00:38:23,960 --> 00:38:26,760
Speaker 3: been hoping you'll come back home. She turns to Jack.

793
00:38:27,280 --> 00:38:31,080
Speaker 3: Right hon. Eric smile quickly disappears as he rips his

794
00:38:31,160 --> 00:38:33,759
Speaker 3: arm away from Rachel. Han, Han, is that what I'm

795
00:38:33,800 --> 00:38:37,919
Speaker 3: gonna be hearing? Twenty four hours a week. Jack can't

796
00:38:37,960 --> 00:38:41,600
Speaker 3: believe this. Oh come on, Eric, Eric mocks Jack. Oh,

797
00:38:41,719 --> 00:38:45,480
Speaker 3: I get it. I'm Eric, but your hon I wonder.

798
00:38:46,040 --> 00:38:51,320
Speaker 1: I wonder how this conversation started, because the point was, Okay,

799
00:38:51,440 --> 00:38:54,080
Speaker 1: so Corey and Sean and Tapanga and Angela obviously have

800
00:38:54,160 --> 00:38:57,919
Speaker 1: their thing going on. We'd like to give Eric kind

801
00:38:57,960 --> 00:39:00,440
Speaker 1: of a core group of friends too. They bring in

802
00:39:00,520 --> 00:39:03,520
Speaker 1: Jack season five. Great, that works out, awesome, They've moved together,

803
00:39:03,560 --> 00:39:06,880
Speaker 1: his roommates. Maitland's only been on the show this season.

804
00:39:06,920 --> 00:39:08,520
Speaker 2: This is our first season, so.

805
00:39:09,200 --> 00:39:11,359
Speaker 1: I'm curious how they went. Oh, here's what we want

806
00:39:11,360 --> 00:39:14,560
Speaker 1: to do now. We want to separate Eric from the

807
00:39:14,680 --> 00:39:17,120
Speaker 1: core group that we decided to put him in and

808
00:39:17,320 --> 00:39:19,879
Speaker 1: just leave him as a man on his own island.

809
00:39:19,560 --> 00:39:22,399
Speaker 2: For several episodes. I know, it just.

810
00:39:22,360 --> 00:39:26,839
Speaker 1: Seems like a strange kind of note or like, hey,

811
00:39:27,440 --> 00:39:29,600
Speaker 1: like the whole point was that now he has a

812
00:39:29,640 --> 00:39:33,560
Speaker 1: friend group, and then only eighteen episodes in, you're gonna

813
00:39:33,640 --> 00:39:35,960
Speaker 1: rip him from that friend group, take Tommy from him,

814
00:39:35,960 --> 00:39:37,799
Speaker 1: do all this stuff, And I don't think any of

815
00:39:37,840 --> 00:39:40,759
Speaker 1: that pays off. It's just now Eric's just kind of

816
00:39:40,920 --> 00:39:42,759
Speaker 1: by himself the whole time.

817
00:39:42,800 --> 00:39:44,960
Speaker 2: It Yeah, well I think they. I think they.

818
00:39:45,040 --> 00:39:47,000
Speaker 4: You know, they ripped for so long in the beginning

819
00:39:47,040 --> 00:39:49,799
Speaker 4: of the season on the like love Triangle stuff, so

820
00:39:49,840 --> 00:39:51,680
Speaker 4: they had to get away from that, Like we all

821
00:39:51,719 --> 00:39:56,040
Speaker 4: felt that, like, Okay, this is getting tired. But then yeah,

822
00:39:56,320 --> 00:39:57,200
Speaker 4: I think I think.

823
00:39:57,520 --> 00:39:58,120
Speaker 2: I mean, I don't.

824
00:39:58,880 --> 00:40:01,080
Speaker 4: I just think they They're just spinning their wheels a

825
00:40:01,120 --> 00:40:01,520
Speaker 4: little bit.

826
00:40:01,680 --> 00:40:04,280
Speaker 2: I mean, really, Eric and Feeni need to be together,

827
00:40:04,400 --> 00:40:05,760
Speaker 2: like that's agreed one hundred.

828
00:40:06,320 --> 00:40:07,280
Speaker 3: It should have totally.

829
00:40:07,520 --> 00:40:10,160
Speaker 4: He moves in with Fioeni at this point and everything

830
00:40:10,200 --> 00:40:12,719
Speaker 4: would have been great, right, Like he moves out and

831
00:40:12,760 --> 00:40:13,640
Speaker 4: it becomes.

832
00:40:13,880 --> 00:40:17,759
Speaker 3: Could have never allowed that would Phoeni's justification have been,

833
00:40:17,880 --> 00:40:18,399
Speaker 3: I don't care.

834
00:40:18,600 --> 00:40:20,919
Speaker 4: Figure it out, like you know, the Dean will only

835
00:40:20,920 --> 00:40:23,799
Speaker 4: marry him if he gives Eric a handout, you.

836
00:40:23,760 --> 00:40:26,520
Speaker 2: Know, whatever it is. Just create the situation.

837
00:40:26,200 --> 00:40:28,359
Speaker 4: Where every morning we can have a scene with them

838
00:40:28,360 --> 00:40:31,520
Speaker 4: at the house trying to be it's perfect.

839
00:40:31,800 --> 00:40:33,600
Speaker 1: Yeah, perfect, Oh god, there'd be so much, but I

840
00:40:33,640 --> 00:40:36,040
Speaker 1: just didn't. I'm watching going like why build this friend

841
00:40:36,040 --> 00:40:38,359
Speaker 1: group to just have him not in the friend group?

842
00:40:38,640 --> 00:40:42,040
Speaker 3: Yeah? I know, it is weird. It also doesn't help

843
00:40:42,480 --> 00:40:45,000
Speaker 3: Rachel and Jack any it doesn't It gives.

844
00:40:44,840 --> 00:40:45,960
Speaker 2: Him nothing to do either.

845
00:40:46,040 --> 00:40:48,040
Speaker 4: I mean, you know what I would I would have

846
00:40:48,080 --> 00:40:51,160
Speaker 4: I would have Eric moved into the treehouse, so then

847
00:40:51,200 --> 00:40:53,759
Speaker 4: we have the backyard with Foenie. So he's always keeping

848
00:40:53,760 --> 00:40:57,280
Speaker 4: Fienie awake and having conversations with foeni and then eventually

849
00:40:57,280 --> 00:41:00,000
Speaker 4: he moves in with Phoenie and then yeah, I mean, yeah, well,

850
00:41:00,000 --> 00:41:01,480
Speaker 4: so what does end up happening. I'm Rachel and Jack

851
00:41:01,520 --> 00:41:03,440
Speaker 4: break up and you go back to the apartment.

852
00:41:03,120 --> 00:41:08,120
Speaker 6: Right, Oh, maybe I'm assuming we're just kind of yeah, yeah,

853
00:41:08,440 --> 00:41:10,520
Speaker 6: I know, we already did a Serra and O episode,

854
00:41:10,560 --> 00:41:14,360
Speaker 6: but another Sierra No episode that was Eric helping Feoene

855
00:41:14,440 --> 00:41:17,080
Speaker 6: find the Dean, like really get to the Dean, instead

856
00:41:17,120 --> 00:41:20,200
Speaker 6: of the b episode, which that we still don't understand

857
00:41:20,200 --> 00:41:23,120
Speaker 6: the motive behind destroying the priceless artifacts.

858
00:41:23,160 --> 00:41:26,799
Speaker 1: Something like sitting in the treehouse and whispering to Feenie.

859
00:41:26,520 --> 00:41:29,359
Speaker 2: What's going on? Could have been really funny. Yeah, but

860
00:41:29,520 --> 00:41:29,839
Speaker 2: I just.

861
00:41:29,880 --> 00:41:31,680
Speaker 1: Yeah, they just I don't think they know what to

862
00:41:31,719 --> 00:41:34,759
Speaker 1: do with Eric, so they're just throwing him with everybody.

863
00:41:34,880 --> 00:41:36,440
Speaker 2: Yeah. Well, I mean this case, they give you a

864
00:41:36,440 --> 00:41:38,600
Speaker 2: guest star. Yeahah, trying to.

865
00:41:38,840 --> 00:41:41,040
Speaker 1: After putting me with the rest of the cast. I've

866
00:41:41,080 --> 00:41:43,839
Speaker 1: worked with everybody in the cast. Now I'm going from

867
00:41:43,880 --> 00:41:46,320
Speaker 1: Pierson to person to person and saying I'm going to

868
00:41:46,360 --> 00:41:46,879
Speaker 1: live with you.

869
00:41:47,040 --> 00:41:48,359
Speaker 2: I mean, I'm even back in the house.

870
00:41:48,600 --> 00:41:50,920
Speaker 1: That's the only scene at the house, right, is just

871
00:41:51,000 --> 00:41:53,240
Speaker 1: that one scene of him sleeping on the couch.

872
00:41:54,440 --> 00:41:57,680
Speaker 2: And this be story. It is a little weird.

873
00:41:58,000 --> 00:42:02,520
Speaker 4: I had that moment where, you know, if it's it's

874
00:42:02,600 --> 00:42:05,680
Speaker 4: kind of a classic sitcom situation, right, like you get

875
00:42:05,680 --> 00:42:09,760
Speaker 4: find the perfect living situation, the perfect boyfriend, the perfect girlfriend.

876
00:42:09,880 --> 00:42:12,920
Speaker 4: Oh my god, they're crazy right in this case. I

877
00:42:13,000 --> 00:42:16,160
Speaker 4: was like, but Eric's really crazy. So I was kind

878
00:42:16,200 --> 00:42:18,600
Speaker 4: of like, uh, I think he'd be fine with all

879
00:42:18,640 --> 00:42:20,360
Speaker 4: of this, you know, and like even when you do

880
00:42:20,480 --> 00:42:22,360
Speaker 4: this thing with the dead bird and you're like playing

881
00:42:22,360 --> 00:42:22,640
Speaker 4: with it.

882
00:42:22,600 --> 00:42:25,680
Speaker 2: I was like, yeah, I think Eric, Like you don't, like,

883
00:42:25,760 --> 00:42:26,440
Speaker 2: you don't put.

884
00:42:26,360 --> 00:42:30,040
Speaker 4: Eric against crazy, You put Eric against a straight man,

885
00:42:30,080 --> 00:42:32,640
Speaker 4: you know what I mean? Eric is the crazy because

886
00:42:32,680 --> 00:42:35,040
Speaker 4: when they were like riffing on him, like I forget

887
00:42:35,080 --> 00:42:36,680
Speaker 4: what it was. I was like, but didn't Eric like

888
00:42:36,960 --> 00:42:39,240
Speaker 4: have his brain hooked up to a mouse at one point?

889
00:42:39,320 --> 00:42:42,400
Speaker 4: Like we're we've already established that Eric is so absurd

890
00:42:42,480 --> 00:42:44,880
Speaker 4: even in this episode, we have you popping up in

891
00:42:44,920 --> 00:42:47,640
Speaker 4: bed with your sister in law, right, you know, so

892
00:42:48,040 --> 00:42:51,440
Speaker 4: the idea that you're the normal one judging a crazy

893
00:42:51,480 --> 00:42:53,960
Speaker 4: person is a little strange, Like it's forced.

894
00:42:54,320 --> 00:42:57,240
Speaker 1: Well, I remember Michael one time telling me the reason

895
00:42:57,360 --> 00:43:01,560
Speaker 1: Fraser worked so well is that when you introduced Fraser

896
00:43:01,600 --> 00:43:05,720
Speaker 1: in the show, then you introduced Niles, it pushed Fraser

897
00:43:05,760 --> 00:43:08,840
Speaker 1: to the middle exactly and made Niles the new Fraser.

898
00:43:09,320 --> 00:43:11,239
Speaker 1: So if it's the same thing, if they did the

899
00:43:11,239 --> 00:43:12,840
Speaker 1: same thing with Eric, or that's what they were trying

900
00:43:12,840 --> 00:43:15,040
Speaker 1: to do is push push, and they're also I think

901
00:43:15,120 --> 00:43:18,280
Speaker 1: trying to go a little like he might be dangerous

902
00:43:18,360 --> 00:43:21,160
Speaker 1: with the dead mom. So it's I think it was

903
00:43:21,200 --> 00:43:23,240
Speaker 1: more other than like whacky, crazy funny.

904
00:43:23,280 --> 00:43:26,080
Speaker 2: It's psychotic, right, It's like it could.

905
00:43:26,000 --> 00:43:27,799
Speaker 1: End up you wake up in the morning with him

906
00:43:27,840 --> 00:43:30,239
Speaker 1: over you dressed as his mom stabbing you in your bed.

907
00:43:30,719 --> 00:43:34,279
Speaker 3: Did a pretty good job separating the difference the way

908
00:43:34,680 --> 00:43:36,320
Speaker 3: Eric and this guy.

909
00:43:36,760 --> 00:43:40,760
Speaker 1: This guy's crazy, Yeah, he's danger crazy. Eric is eccentric crazy.

910
00:43:41,000 --> 00:43:41,320
Speaker 5: Yeah.

911
00:43:41,440 --> 00:43:45,799
Speaker 3: Also Eric is a little airheaded child like crazy. This

912
00:43:45,880 --> 00:43:49,000
Speaker 3: guy is believing alternate realities crazy yy.

913
00:43:49,520 --> 00:43:52,400
Speaker 4: Remember Eric is also an amazing judge of character, and

914
00:43:52,440 --> 00:43:55,000
Speaker 4: he can smart a psycho from a mile away, except

915
00:43:55,040 --> 00:43:56,719
Speaker 4: when he moves in with him and spends.

916
00:43:57,080 --> 00:43:58,839
Speaker 2: Uppy's a puppy dog. He needs a place to stay.

917
00:43:58,920 --> 00:44:01,439
Speaker 1: Even the shelter dog will go with the bad house

918
00:44:01,480 --> 00:44:02,960
Speaker 1: for a little while, just to get out of the rain.

919
00:44:04,800 --> 00:44:07,160
Speaker 3: He grabs his luggage and hops off the pool table,

920
00:44:07,239 --> 00:44:11,720
Speaker 3: yelling looking for a roommate. Rachel asks Eric what exactly

921
00:44:11,760 --> 00:44:14,000
Speaker 3: he's doing, and Eric retorts, what am I doing? I'm

922
00:44:14,040 --> 00:44:16,520
Speaker 3: being a man. I'm standing on my own two feet.

923
00:44:16,840 --> 00:44:19,320
Speaker 3: I'm gonna hold onto a little bit of my dignity.

924
00:44:19,760 --> 00:44:23,759
Speaker 3: Then he drops down to his knees and starts begging, please,

925
00:44:24,080 --> 00:44:28,279
Speaker 3: someone take pity upon my wretched soul. Then a guy

926
00:44:28,320 --> 00:44:31,359
Speaker 3: appears and tells Eric, I'm looking for a roommate. Eric

927
00:44:31,680 --> 00:44:35,719
Speaker 3: seems annoyed, Hey, I was looking first. The guy corrects him, No,

928
00:44:35,880 --> 00:44:38,480
Speaker 3: I mean I have an apartment. I'm looking for someone

929
00:44:38,480 --> 00:44:41,279
Speaker 3: to share it. Eric looks up with a smile. Oh hey,

930
00:44:41,400 --> 00:44:43,759
Speaker 3: good luck to you too. Then then he goes back

931
00:44:43,800 --> 00:44:48,160
Speaker 3: to yelling looking for a roommate. Eventually he figures it

932
00:44:48,200 --> 00:44:52,359
Speaker 3: out and realizes his prayers have been answered, And then

933
00:44:52,560 --> 00:44:55,720
Speaker 3: we're back in Phoene's classroom. Phoene is pacing the class.

934
00:44:56,160 --> 00:44:59,960
Speaker 3: All right, now, let's continue our conversation of William Shakespeare's

935
00:45:00,040 --> 00:45:01,720
Speaker 3: Hamlet Hamlet.

936
00:45:01,800 --> 00:45:03,640
Speaker 2: I guess Shakespeare.

937
00:45:06,000 --> 00:45:12,640
Speaker 3: Hamlet in kindergarten after.

938
00:45:10,360 --> 00:45:13,600
Speaker 4: Louis Pasteur, which I guess was a dream. And then

939
00:45:13,640 --> 00:45:16,560
Speaker 4: this turns out to dream. Who no, no, Then we

940
00:45:16,600 --> 00:45:18,719
Speaker 4: wake up and we are talking Hamlet, aren't we?

941
00:45:19,800 --> 00:45:21,279
Speaker 3: You are still yeah? Then we wake up and you

942
00:45:21,320 --> 00:45:23,080
Speaker 3: are talking Hamlet. Yeah, because I gonna say, at least

943
00:45:23,120 --> 00:45:25,640
Speaker 3: then this is just what Corey thinks they're always talking about.

944
00:45:25,760 --> 00:45:27,919
Speaker 3: But you you are when we wake up from the dream,

945
00:45:27,960 --> 00:45:33,759
Speaker 3: you are holding Hamlet. Right, So mister Matthews. Phoenie yells

946
00:45:33,800 --> 00:45:36,480
Speaker 3: at a sleeping Corey, and Corey perks up, yelling back

947
00:45:36,560 --> 00:45:40,640
Speaker 3: mister Matthews. Phoene explains, mister Matthews, I would appreciate it

948
00:45:40,680 --> 00:45:43,760
Speaker 3: if you would stay conscious during my class, And embarrassed,

949
00:45:43,800 --> 00:45:47,480
Speaker 3: Corey assures his teacher, I'm conscious. Phoene throws his hands

950
00:45:47,520 --> 00:45:50,680
Speaker 3: in the air. Wonderful, Now where were we? Ah? Yes,

951
00:45:50,880 --> 00:45:55,360
Speaker 3: to sleep, perchance to dream? I there's the rub. Corey

952
00:45:55,400 --> 00:45:58,120
Speaker 3: whispers to Sean, you can't let me go to sleep.

953
00:45:58,400 --> 00:46:01,319
Speaker 3: But when Corey turns around, honestly sleep on his desk.

954
00:46:01,760 --> 00:46:04,400
Speaker 3: The bell rings, waking Sean up as all the students

955
00:46:04,440 --> 00:46:07,640
Speaker 3: walk out of the classroom, but Corey hangs back. That's right,

956
00:46:07,680 --> 00:46:11,760
Speaker 3: Phoene says, in disgust, scurry off to your mundane little lives.

957
00:46:12,239 --> 00:46:16,759
Speaker 1: Even one line of Shakespeare being read by Bill is

958
00:46:16,960 --> 00:46:20,960
Speaker 1: just so awesome. I know, it's just the comforting voice

959
00:46:21,000 --> 00:46:24,800
Speaker 1: of experience, and he's just it. He just started to sleep,

960
00:46:24,800 --> 00:46:27,080
Speaker 1: and it's like, oh gosh, I want to listen to

961
00:46:27,120 --> 00:46:27,800
Speaker 1: you do this forever.

962
00:46:27,880 --> 00:46:28,800
Speaker 2: Yeah, yeah, amazing.

963
00:46:29,640 --> 00:46:32,120
Speaker 3: Phoene notices Corey still sitting at his desk. He calls

964
00:46:32,160 --> 00:46:35,879
Speaker 3: him over. You are acting very odd, Corey explains. I've

965
00:46:35,880 --> 00:46:39,239
Speaker 3: been having dreams, mister Feenie, dreams about killing someone very

966
00:46:39,280 --> 00:46:44,359
Speaker 3: close to me. Phoene nods, mister hunter. Corey excitedly replies, yes, yes,

967
00:46:44,440 --> 00:46:47,520
Speaker 3: How did you know? You are brilliant? It's been killing me.

968
00:46:47,600 --> 00:46:50,560
Speaker 3: I haven't been able to sleep. Mister Feoene assures him

969
00:46:50,680 --> 00:46:53,720
Speaker 3: there's nothing to worry about. Corey. Killing your best friend

970
00:46:53,760 --> 00:46:57,040
Speaker 3: is a common theme in dreams. It's perfectly normal. Corey

971
00:46:57,080 --> 00:46:59,800
Speaker 3: needs more, though, well, how normal? Because you see, I

972
00:47:00,000 --> 00:47:02,840
Speaker 3: I have this one dream where I push Sean. Phoene

973
00:47:02,880 --> 00:47:08,479
Speaker 3: finishes his sentence down an empty elevator shaft. Corey is shocked. Yes,

974
00:47:09,040 --> 00:47:13,040
Speaker 3: Phoene continues, the elevator shaft represents the ups and downs

975
00:47:13,040 --> 00:47:16,600
Speaker 3: of your friendship with mister Hunter. Corey is impressed. Ups

976
00:47:16,600 --> 00:47:21,360
Speaker 3: and downs. That's interesting, Phoene goes on. You see, mister Hunter,

977
00:47:21,640 --> 00:47:24,560
Speaker 3: his search for peace and harmony in his life causes

978
00:47:24,640 --> 00:47:28,840
Speaker 3: you pain. Corey wonders how, and Phoene answers by putting

979
00:47:28,880 --> 00:47:31,640
Speaker 3: an incredible amount of pressure on you to help him

980
00:47:31,640 --> 00:47:35,560
Speaker 3: in his search. Annoying, isn't it. Corey wants to know

981
00:47:35,560 --> 00:47:39,399
Speaker 3: how to stop these dreams, and Phoene quickly answers forgive him.

982
00:47:40,160 --> 00:47:44,120
Speaker 3: Corey throws his hands up. It's so obvious forgiveness, of course.

983
00:47:44,840 --> 00:47:48,560
Speaker 3: Phoene adds, he hurts you, and now you're hurting him back.

984
00:47:49,040 --> 00:47:52,880
Speaker 3: Forgive and the dreams will stop. Corey reaches out to

985
00:47:52,880 --> 00:47:56,920
Speaker 3: shake Phoene's hand. Thank you, mister Feoenie. Phoene explains, anytime,

986
00:47:56,960 --> 00:48:00,520
Speaker 3: mister Matthews anytime, and right at this moment, walks in

987
00:48:00,560 --> 00:48:03,160
Speaker 3: holding a long gift for Corey wrapped with a bow.

988
00:48:03,600 --> 00:48:05,960
Speaker 3: He tells, Corey, hey, you know how I didn't get

989
00:48:06,000 --> 00:48:08,319
Speaker 3: you a birthday present last year. Well, here you go.

990
00:48:08,760 --> 00:48:11,880
Speaker 3: Corey grabs the gift. Sean, I have to tell you something,

991
00:48:12,360 --> 00:48:15,239
Speaker 3: Sean insists, tell me after you open the present. So

992
00:48:15,560 --> 00:48:17,880
Speaker 3: Corey begins to open the gift and it's a baseball

993
00:48:17,920 --> 00:48:21,719
Speaker 3: bat with Corey written on the barrel. Wow, my own

994
00:48:21,800 --> 00:48:24,360
Speaker 3: personalized baseball bat. Too cool.

995
00:48:25,120 --> 00:48:28,800
Speaker 1: I have a wrapping question, huh, And I know Danielle

996
00:48:28,800 --> 00:48:30,080
Speaker 1: that you wrapped for a while.

997
00:48:30,320 --> 00:48:31,080
Speaker 3: Yeah.

998
00:48:31,120 --> 00:48:35,080
Speaker 1: Why do people do this with gifts like I get

999
00:48:35,160 --> 00:48:36,240
Speaker 1: in the in the show?

1000
00:48:36,320 --> 00:48:37,160
Speaker 2: Why we had to do it?

1001
00:48:37,440 --> 00:48:40,799
Speaker 1: About if you're going to open something, why would you

1002
00:48:41,040 --> 00:48:43,759
Speaker 1: individually wrap the lid and then wraps.

1003
00:48:43,480 --> 00:48:46,200
Speaker 2: Just TV nobody Okay, so that nobody does that in

1004
00:48:46,280 --> 00:48:46,640
Speaker 2: real life?

1005
00:48:46,680 --> 00:48:46,799
Speaker 4: Right?

1006
00:48:46,840 --> 00:48:49,520
Speaker 1: You just wrapped the whole for somebody opened the gift for.

1007
00:48:49,520 --> 00:48:52,840
Speaker 3: Ease of opening a one handed prop it will he

1008
00:48:53,040 --> 00:48:56,279
Speaker 3: Ben can hold it here. He takes off the lid

1009
00:48:56,400 --> 00:48:56,840
Speaker 3: and we're.

1010
00:48:57,040 --> 00:49:00,520
Speaker 2: Nobody asks you to wrap that top division.

1011
00:49:01,560 --> 00:49:03,800
Speaker 3: If you're going to do that, you buy a decorative

1012
00:49:03,840 --> 00:49:07,400
Speaker 3: box that has its already comes. You don't have to wrap.

1013
00:49:08,960 --> 00:49:10,560
Speaker 3: TV has been lying to you.

1014
00:49:10,840 --> 00:49:12,040
Speaker 2: He's been lying to me in this section.

1015
00:49:12,280 --> 00:49:14,840
Speaker 4: I think this is where the episode really kind of

1016
00:49:14,880 --> 00:49:17,440
Speaker 4: goes off the rails for me because like this this

1017
00:49:17,520 --> 00:49:20,240
Speaker 4: whole scene which turns out to be a dream, right,

1018
00:49:20,920 --> 00:49:25,200
Speaker 4: doesn't matter? Nope, And the idea behind that, like what

1019
00:49:25,239 --> 00:49:28,080
Speaker 4: you think is happening is that Phoene's giving him advice

1020
00:49:28,120 --> 00:49:33,240
Speaker 4: that actually will help Corey or or give Corey something

1021
00:49:33,280 --> 00:49:36,120
Speaker 4: to do. But when it turns out to be a dream,

1022
00:49:36,800 --> 00:49:39,680
Speaker 4: I just don't care, and he still tries to do it.

1023
00:49:40,080 --> 00:49:42,480
Speaker 4: He still tries to do it, and it also ends

1024
00:49:42,560 --> 00:49:46,120
Speaker 4: up not being the thing. And this wasn't established at all.

1025
00:49:46,120 --> 00:49:48,960
Speaker 4: Like if it had been established that that that Sean

1026
00:49:49,040 --> 00:49:51,279
Speaker 4: was asking Corey to help him, or that Sean wasn't,

1027
00:49:52,360 --> 00:49:55,000
Speaker 4: then I could see him having it. But it actually

1028
00:49:55,040 --> 00:49:58,160
Speaker 4: like Sean is not doing anything this entire episode.

1029
00:49:58,719 --> 00:50:01,600
Speaker 3: Also in the past, when Sean did leave, like on

1030
00:50:01,640 --> 00:50:06,000
Speaker 3: this most recent trip came and Sean came back and

1031
00:50:06,320 --> 00:50:11,160
Speaker 3: saved Corey's day. You were you were the distraction Corey needed,

1032
00:50:12,120 --> 00:50:14,080
Speaker 3: and Corey was and then Corey was like, are you

1033
00:50:14,120 --> 00:50:16,520
Speaker 3: going to stay great? And Sean's decided that yes, he's

1034
00:50:16,520 --> 00:50:19,240
Speaker 3: gonna stay. My family and my life is here, right.

1035
00:50:19,400 --> 00:50:23,360
Speaker 4: Yeah, yeah, I guess maybe if the episode had started

1036
00:50:23,400 --> 00:50:26,560
Speaker 4: with like me needing to borrow money from him. Let's

1037
00:50:26,560 --> 00:50:28,840
Speaker 4: say like something where I'm like and he's like oh again,

1038
00:50:29,239 --> 00:50:31,640
Speaker 4: and then he starts having the dreams or there's just

1039
00:50:31,680 --> 00:50:34,400
Speaker 4: some little thing that then this would be like maybe

1040
00:50:34,400 --> 00:50:36,839
Speaker 4: that is the thing. But even like the wedding comes

1041
00:50:36,840 --> 00:50:39,200
Speaker 4: out of nowhere, like the fact that he's stressed about

1042
00:50:39,239 --> 00:50:41,600
Speaker 4: about the wedding, like Tapega's had nothing to do with

1043
00:50:41,600 --> 00:50:44,799
Speaker 4: this episode, like no, why, yeah.

1044
00:50:44,600 --> 00:50:48,280
Speaker 3: It's well that's what I'm saying. It's I like the idea.

1045
00:50:48,640 --> 00:50:51,840
Speaker 3: The end result is that Corey has deep seated fears

1046
00:50:51,920 --> 00:50:55,120
Speaker 3: about how marriage is going to change his friendship with Sean, right,

1047
00:50:55,320 --> 00:51:00,640
Speaker 3: which is great premise for an episode, wonderful, But then

1048
00:51:00,840 --> 00:51:03,240
Speaker 3: there should have been something about reality.

1049
00:51:03,560 --> 00:51:05,000
Speaker 2: Yeah, like the triggered it that they.

1050
00:51:04,960 --> 00:51:08,160
Speaker 3: Were supposed to hang out and now and then Tipanga's like,

1051
00:51:08,200 --> 00:51:09,759
Speaker 3: oh my god, I forgot to tell you I have

1052
00:51:09,960 --> 00:51:12,120
Speaker 3: you have to drive me somewhere, and now he has

1053
00:51:12,160 --> 00:51:14,600
Speaker 3: to leave Sean hanging something that.

1054
00:51:14,640 --> 00:51:17,320
Speaker 1: Says going out with another couple like couple friends or

1055
00:51:17,360 --> 00:51:18,560
Speaker 1: something like that, that this is.

1056
00:51:18,480 --> 00:51:21,239
Speaker 4: The danger of dream sequences, right, Like dreams are just

1057
00:51:21,280 --> 00:51:22,120
Speaker 4: a really.

1058
00:51:21,840 --> 00:51:24,319
Speaker 2: Tricky thing to do. This is why it's like a

1059
00:51:24,400 --> 00:51:27,279
Speaker 2: rule of writing, don't I love them?

1060
00:51:27,400 --> 00:51:29,520
Speaker 4: That's also I love it well well they're done well,

1061
00:51:29,560 --> 00:51:32,120
Speaker 4: Like I mean, even I am one of the detractors,

1062
00:51:32,160 --> 00:51:35,480
Speaker 4: like the Sopranos overuses dream sequences. I hated it, and

1063
00:51:35,600 --> 00:51:38,279
Speaker 4: like I always I mostly hate dream sequences. But like

1064
00:51:38,760 --> 00:51:41,280
Speaker 4: you can, like even when you think about the Scream episode,

1065
00:51:41,320 --> 00:51:44,160
Speaker 4: the steaks are there. Remember, it's like it starts with

1066
00:51:44,239 --> 00:51:47,080
Speaker 4: a real problem and then when it goes into the dream,

1067
00:51:47,160 --> 00:51:49,960
Speaker 4: you're like, this is all crazy, and then when it resolves,

1068
00:51:50,000 --> 00:51:53,240
Speaker 4: you're like, oh, but that actually was about Sean something,

1069
00:51:54,080 --> 00:51:56,759
Speaker 4: you know, And in this case, there's no anchor in

1070
00:51:56,840 --> 00:52:00,359
Speaker 4: reality until there is, like right at the end, it's like, oh,

1071
00:52:00,360 --> 00:52:03,279
Speaker 4: it's really his fear, and it's like, okay, I don't know,

1072
00:52:03,360 --> 00:52:05,560
Speaker 4: it's just it's kind of a cheat. It's just it's

1073
00:52:05,560 --> 00:52:08,120
Speaker 4: a way to cheat and have funny situations.

1074
00:52:08,680 --> 00:52:11,719
Speaker 1: The other thing that's very the thing that struck me

1075
00:52:11,719 --> 00:52:13,880
Speaker 1: about this this episode too, was you talk about how

1076
00:52:13,920 --> 00:52:17,840
Speaker 1: fast most of the scenes were, and yet the final

1077
00:52:18,000 --> 00:52:24,000
Speaker 1: beat of a lot of scenes held and hell and hell,

1078
00:52:24,520 --> 00:52:26,719
Speaker 1: like this one he holds up the bat, I know,

1079
00:52:26,960 --> 00:52:29,920
Speaker 1: and then he's stood still holding the bat and then

1080
00:52:30,080 --> 00:52:32,480
Speaker 1: still holding the bat. It's like, well he can't swing it,

1081
00:52:33,000 --> 00:52:36,160
Speaker 1: so cut away, but he's just still holding the back.

1082
00:52:36,280 --> 00:52:38,720
Speaker 1: And there's several scenes where they're just holding on looks

1083
00:52:38,800 --> 00:52:41,080
Speaker 1: like I look at the guy to be my roommate,

1084
00:52:41,120 --> 00:52:42,960
Speaker 1: and it just holds on our look. There's one where

1085
00:52:43,000 --> 00:52:44,879
Speaker 1: he turns back to you in the classroom, and there

1086
00:52:44,920 --> 00:52:47,640
Speaker 1: just it was a weird ending to every scene where

1087
00:52:47,680 --> 00:52:49,640
Speaker 1: they the scene was fast, and then the end they

1088
00:52:49,840 --> 00:52:51,439
Speaker 1: just lingered on one final beat.

1089
00:52:51,560 --> 00:52:53,799
Speaker 4: Well, this whole scene is so long, and it gets

1090
00:52:53,840 --> 00:52:56,480
Speaker 4: to this whole like forgive Sean thing. It should actually be,

1091
00:52:56,520 --> 00:52:58,640
Speaker 4: like the joke should be that Phoene gives him the

1092
00:52:58,680 --> 00:53:01,680
Speaker 4: weirdest advice ever, like because he should be sitting there

1093
00:53:01,800 --> 00:53:03,799
Speaker 4: talking to Foenie and Phoene's like, well, it's clearly because

1094
00:53:03,800 --> 00:53:05,319
Speaker 4: you want to have sex with your mother or you

1095
00:53:05,320 --> 00:53:07,520
Speaker 4: know whatever it is, and he's like what, and then

1096
00:53:07,840 --> 00:53:10,640
Speaker 4: Sean walks in and he kills Sean, and then the

1097
00:53:10,680 --> 00:53:12,919
Speaker 4: next scene it's him freaking out about, you know, having

1098
00:53:12,960 --> 00:53:15,160
Speaker 4: to say hi to his mom whatever. Like the joke

1099
00:53:15,400 --> 00:53:18,120
Speaker 4: is that Corey doesn't find the solution here, and yet

1100
00:53:18,160 --> 00:53:21,399
Speaker 4: we have like three pages of dream analysis that turns

1101
00:53:21,400 --> 00:53:22,680
Speaker 4: out to not be true.

1102
00:53:22,800 --> 00:53:24,880
Speaker 2: That's kind of sounds plausible.

1103
00:53:24,920 --> 00:53:26,799
Speaker 1: I don't know, it's a weird Yeah, they're trying to

1104
00:53:26,880 --> 00:53:28,600
Speaker 1: hide the fact that they want to hide that it's

1105
00:53:28,640 --> 00:53:31,000
Speaker 1: a dream from you until he tries to kill Sean.

1106
00:53:31,120 --> 00:53:33,400
Speaker 1: But it's like, the funny part is Phoenie going like,

1107
00:53:33,760 --> 00:53:36,640
Speaker 1: I can't help you with this, uh, mister Matthews, but

1108
00:53:36,680 --> 00:53:39,080
Speaker 1: you know who can puppet Phoenie and he pulls out

1109
00:53:39,239 --> 00:53:41,960
Speaker 1: a little He's like, well, here's what you're supposed to do,

1110
00:53:42,160 --> 00:53:44,600
Speaker 1: mister Matthew. Like it gets so absurd that you like,

1111
00:53:44,760 --> 00:53:46,040
Speaker 1: what the hell is happening?

1112
00:53:46,120 --> 00:53:48,480
Speaker 4: Yeah, which is where the Scream episode really succeeded. He

1113
00:53:48,600 --> 00:53:49,480
Speaker 4: just kept getting more and.

1114
00:53:49,480 --> 00:53:51,279
Speaker 2: More absurd that you're like, what the world is this?

1115
00:53:51,640 --> 00:53:53,920
Speaker 2: We could have done that here? Like, yeah, I thought

1116
00:53:53,920 --> 00:53:54,279
Speaker 2: so too.

1117
00:53:54,480 --> 00:53:57,640
Speaker 3: And then once again Corey turns angry. We hear an

1118
00:53:57,640 --> 00:53:59,680
Speaker 3: Oregon playing as he grips the bat like he's going

1119
00:53:59,719 --> 00:54:01,399
Speaker 3: to hit Sean, and then.

1120
00:54:01,239 --> 00:54:03,360
Speaker 2: Hold on and they hold on it hold on.

1121
00:54:03,520 --> 00:54:06,800
Speaker 3: Corey is then back in the classroom again filled with students.

1122
00:54:06,840 --> 00:54:09,359
Speaker 3: His eyes are closed and he's repeatedly slamming a rolled

1123
00:54:09,440 --> 00:54:13,160
Speaker 3: up book on his desk. Die Sean die. He quickly

1124
00:54:13,200 --> 00:54:15,960
Speaker 3: wakes up, only to see Poenie in the entire class

1125
00:54:16,000 --> 00:54:18,960
Speaker 3: staring at him in complete shock. Corey turns to look

1126
00:54:18,960 --> 00:54:21,799
Speaker 3: at Sean, who is confused and even a little creeped out.

1127
00:54:22,239 --> 00:54:24,480
Speaker 3: And then we go to a commercial break. We're back

1128
00:54:24,520 --> 00:54:27,359
Speaker 3: in Feenie's classroom. Class is over and students are pouring out.

1129
00:54:27,440 --> 00:54:30,680
Speaker 3: Corey begs Sean, you have to let me explain. Sean asks,

1130
00:54:30,719 --> 00:54:33,040
Speaker 3: explain what my best friend screams he wants to kill

1131
00:54:33,040 --> 00:54:35,160
Speaker 3: me in front of the whole class. Wants to explain.

1132
00:54:35,760 --> 00:54:38,239
Speaker 3: Corey follows Sean into the hallway. Well, I lied about

1133
00:54:38,280 --> 00:54:41,440
Speaker 3: the puppet dream. These are not good dreams I'm having, Sean,

1134
00:54:41,520 --> 00:54:43,640
Speaker 3: I kill you in every one of them. I kill

1135
00:54:43,719 --> 00:54:48,760
Speaker 3: you good. Sean is now listening. He asks like how well,

1136
00:54:48,800 --> 00:54:51,799
Speaker 3: he explains, I fed you thumb tack soup. I poured

1137
00:54:51,840 --> 00:54:54,399
Speaker 3: hot lava down your pants. I pulled your heart out

1138
00:54:54,400 --> 00:54:57,120
Speaker 3: with salad tongs. I set fire to your tie. I

1139
00:54:57,120 --> 00:55:00,720
Speaker 3: shredded you over pasta with a cheese grater. So gross.

1140
00:55:00,800 --> 00:55:01,040
Speaker 6: I know.

1141
00:55:01,320 --> 00:55:03,680
Speaker 3: Now you're walking into the student union. Yeah, this is

1142
00:55:03,880 --> 00:55:06,880
Speaker 3: outside the student union, right, Yeah, Well it starts with

1143
00:55:06,960 --> 00:55:10,000
Speaker 3: them leaving the hallway. He says, I pulled your heart

1144
00:55:10,000 --> 00:55:12,440
Speaker 3: out with slid tongs, then I set fire to your tie.

1145
00:55:12,440 --> 00:55:14,640
Speaker 3: Then he walks into the student union. I shredded you

1146
00:55:14,680 --> 00:55:16,280
Speaker 3: over pasta with the cheese graders.

1147
00:55:16,560 --> 00:55:20,200
Speaker 1: Think about the sheer number of sets we had this week.

1148
00:55:20,320 --> 00:55:25,160
Speaker 1: I know, both dorm rooms, the living room set, the

1149
00:55:25,200 --> 00:55:30,840
Speaker 1: new apartment, the student union, the hallway outside the student union,

1150
00:55:31,719 --> 00:55:32,960
Speaker 1: Eric and Jack's apartment.

1151
00:55:34,320 --> 00:55:37,840
Speaker 2: There's like ten different sets just this week.

1152
00:55:37,920 --> 00:55:40,279
Speaker 3: And the time, and even just how much time it

1153
00:55:40,320 --> 00:55:42,400
Speaker 3: takes to shoot a show when you have that many sets,

1154
00:55:42,480 --> 00:55:45,800
Speaker 3: Just moving repoeing the cameras from one location to another

1155
00:55:46,080 --> 00:55:48,200
Speaker 3: takes so much time.

1156
00:55:48,360 --> 00:55:50,319
Speaker 2: You must have ten sets this week, like they were

1157
00:55:50,320 --> 00:55:52,600
Speaker 2: bringing everything in. It's amazing interesting.

1158
00:55:52,640 --> 00:55:54,840
Speaker 3: I dressed you up like a rooster and entered you

1159
00:55:54,880 --> 00:55:59,239
Speaker 3: in a cock fight. Sean wonders, how'd I do? He reveals, well,

1160
00:55:59,320 --> 00:56:01,880
Speaker 3: you won, but the crowd cried fix and it got ugly.

1161
00:56:02,160 --> 00:56:06,200
Speaker 3: I'm sorry, Sean. Sean advises Corey, they're dreams. Get some sleep.

1162
00:56:06,680 --> 00:56:09,520
Speaker 3: Corey reveals, well, you know, I think there may be

1163
00:56:09,560 --> 00:56:12,440
Speaker 3: a solution. In my last dream, Feoene was there. He

1164
00:56:12,520 --> 00:56:14,640
Speaker 3: told me all I had to do to stop these dreams.

1165
00:56:14,800 --> 00:56:17,640
Speaker 3: Was to forgive you. Sean wonders, forgive me for what?

1166
00:56:18,080 --> 00:56:20,320
Speaker 3: And Corey isn't sure. Well, I don't think that's important.

1167
00:56:20,320 --> 00:56:23,680
Speaker 3: What's important is I forgive you, okay, And so he continues,

1168
00:56:23,920 --> 00:56:27,759
Speaker 3: You're forgiven one hundred percent forgiven, forgiven, forgiven, and then

1169
00:56:27,840 --> 00:56:31,880
Speaker 3: he proclaims, and now I'm all better. Sean needs to know.

1170
00:56:32,320 --> 00:56:35,240
Speaker 3: So you're going to sleep tonight? Corey says, yes, thanks

1171
00:56:35,239 --> 00:56:37,080
Speaker 3: to mister Feenie, He's finally going to get a good

1172
00:56:37,160 --> 00:56:40,480
Speaker 3: night's sleep and go back to his normal dreams. Sean asks,

1173
00:56:40,719 --> 00:56:43,720
Speaker 3: the one where you win the Miss Costa Rica pageant? Pleased,

1174
00:56:43,719 --> 00:56:47,120
Speaker 3: Corey responds, I wis I wish peace for all the

1175
00:56:47,160 --> 00:56:48,080
Speaker 3: little ninyos.

1176
00:56:48,920 --> 00:56:52,040
Speaker 4: Indie's favorite line of the episode line.

1177
00:56:55,239 --> 00:56:59,320
Speaker 3: That's really funny. And then we're in Eric's new apartment.

1178
00:57:00,080 --> 00:57:02,640
Speaker 2: You set alert, and you set another set. Bring it on.

1179
00:57:03,280 --> 00:57:06,360
Speaker 3: Eric follows his new roomy Adam, into the posh digs.

1180
00:57:06,640 --> 00:57:07,000
Speaker 2: Dude.

1181
00:57:07,320 --> 00:57:09,919
Speaker 3: Eric shouts out, look at this place, there's no way

1182
00:57:09,960 --> 00:57:13,080
Speaker 3: that I could afford this. Adam explains, pay whatever you can.

1183
00:57:13,239 --> 00:57:15,359
Speaker 3: Gets a little lonely around here. I just can't seem

1184
00:57:15,400 --> 00:57:19,200
Speaker 3: to keep a roommate. Eric is shocked. What you can't

1185
00:57:19,200 --> 00:57:21,120
Speaker 3: seem to keep a roommate in a place like this.

1186
00:57:22,160 --> 00:57:26,920
Speaker 3: Wait a second, I know bad neighbors. Then there's a

1187
00:57:27,000 --> 00:57:30,000
Speaker 3: knock at the door. It's who else would it be?

1188
00:57:30,440 --> 00:57:34,440
Speaker 3: A beautiful woman holding a package. Eric can't believe what

1189
00:57:34,480 --> 00:57:38,400
Speaker 3: he's seeing. An unaffected Adam casually notices her. Oh hey, Sheila.

1190
00:57:38,760 --> 00:57:41,000
Speaker 3: She shuts the door and walks in. Hi, Adam, this

1191
00:57:41,080 --> 00:57:43,600
Speaker 3: package came for you today. I signed for it. Sheila

1192
00:57:43,640 --> 00:57:47,000
Speaker 3: looks at Eric, who's the cutie. Eric's mouth is a gape.

1193
00:57:47,040 --> 00:57:52,240
Speaker 3: So Adam introduces them, Eric Matthews, Sheila shag her shagging?

1194
00:57:52,800 --> 00:57:54,520
Speaker 2: Isn't that what they say? They say shag her?

1195
00:57:55,160 --> 00:57:57,240
Speaker 3: Do they really ten the chiron to.

1196
00:57:59,080 --> 00:58:02,000
Speaker 4: Wow, guys, Austin Powers had just come out.

1197
00:58:02,320 --> 00:58:05,800
Speaker 2: I know, that's obviously. What was a funny thing to say?

1198
00:58:06,760 --> 00:58:09,480
Speaker 2: And then you do overhave.

1199
00:58:10,560 --> 00:58:13,000
Speaker 3: Eric lifts his eyebrow on.

1200
00:58:15,080 --> 00:58:18,400
Speaker 4: This was just like the years of everybody quoting Austin Powers.

1201
00:58:19,120 --> 00:58:21,720
Speaker 4: It was so funny for like a week, and then

1202
00:58:21,880 --> 00:58:23,480
Speaker 4: for like three years.

1203
00:58:23,280 --> 00:58:26,200
Speaker 2: You couldn't go anywhere. How long it's like we have

1204
00:58:26,280 --> 00:58:29,160
Speaker 2: to deal with how long?

1205
00:58:29,360 --> 00:58:35,439
Speaker 4: Oh my god, people still it's not funny, just oh

1206
00:58:35,520 --> 00:58:39,480
Speaker 4: my god. The other one before this was the the

1207
00:58:40,920 --> 00:58:49,880
Speaker 4: in my belly. Also Beavis a buddet, remember everybody?

1208
00:58:50,160 --> 00:58:51,080
Speaker 2: Oh yeah, another one?

1209
00:58:52,320 --> 00:58:54,360
Speaker 1: No, but I had for years you'd heard somebody would

1210
00:58:54,360 --> 00:58:58,280
Speaker 1: walk in the room and go, why really were still nothing?

1211
00:58:59,440 --> 00:59:01,280
Speaker 1: Here's the other and I get the joke, and I

1212
00:59:01,320 --> 00:59:03,080
Speaker 1: know why it had to happen. But if this guy's

1213
00:59:03,080 --> 00:59:05,640
Speaker 1: a crazy guy who can't keep roommates, are the hot

1214
00:59:05,720 --> 00:59:08,360
Speaker 1: co ed's nakedly walking into this guy's room all.

1215
00:59:08,280 --> 00:59:10,480
Speaker 2: The time, isn't that the guy where they go like,

1216
00:59:10,520 --> 00:59:13,000
Speaker 2: don't go to four B. Whatever you do, don't go

1217
00:59:13,080 --> 00:59:13,520
Speaker 2: to four B.

1218
00:59:15,800 --> 00:59:19,880
Speaker 3: Well, Adam explains, Sheila lives next door. Eric's my new roommate.

1219
00:59:20,200 --> 00:59:23,439
Speaker 3: Sheila gets flirty. Well, I'll have to come around more

1220
00:59:23,480 --> 00:59:26,720
Speaker 3: often to borrow a cup of sugar. Eric wonders, why

1221
00:59:26,760 --> 00:59:29,760
Speaker 3: stop at a cup? Sheila laughs, Well, I have to run,

1222
00:59:29,800 --> 00:59:31,880
Speaker 3: but it was nice meeting you. As she walks out,

1223
00:59:32,000 --> 00:59:35,479
Speaker 3: Eric squeals a noise and eats his fist. Sheila turns

1224
00:59:35,480 --> 00:59:37,480
Speaker 3: around at the door and Eric waves goodbye with his

1225
00:59:37,560 --> 00:59:39,480
Speaker 3: pinky fist still in his mouth.

1226
00:59:39,600 --> 00:59:40,720
Speaker 2: That was my Lenny and Squiggy.

1227
00:59:40,760 --> 00:59:42,840
Speaker 1: That was my not to to Laverne and Shirley, like

1228
00:59:42,840 --> 00:59:44,680
Speaker 1: they always oh, and the girl walks by.

1229
00:59:44,720 --> 00:59:45,400
Speaker 2: They eat their fist.

1230
00:59:46,080 --> 00:59:48,160
Speaker 1: So yeah, it was my straight up Lenny and Squiggy,

1231
00:59:48,840 --> 00:59:50,880
Speaker 1: stolen from the Masters, stolen.

1232
00:59:51,560 --> 00:59:54,800
Speaker 3: Once the door shuts, Eric can't believe his luck. Dude, dude, dude, doode,

1233
00:59:54,840 --> 00:59:57,120
Speaker 3: dood dude, how is it you have any trouble at

1234
00:59:57,120 --> 01:00:00,440
Speaker 3: all keeping a roommate. Adam shrugs, beats me. Then he

1235
01:00:00,520 --> 01:00:04,160
Speaker 3: swings a playful yet aggressive punch at Eric's shoulder. Eric

1236
01:00:04,240 --> 01:00:07,360
Speaker 3: instantly winces in pain, but quickly sports a forest grin,

1237
01:00:07,400 --> 01:00:10,040
Speaker 3: trying to play it cool. Then we're back in Corey

1238
01:00:10,040 --> 01:00:14,320
Speaker 3: and Shan's dorm. They're both dead asleep. When Corey sits up, screaming, ah,

1239
01:00:14,480 --> 01:00:16,640
Speaker 3: Sean leaps out of bed and turns on the lights.

1240
01:00:16,720 --> 01:00:20,360
Speaker 3: Not again. Corey is panting out of breath. It was raining.

1241
01:00:20,520 --> 01:00:22,560
Speaker 3: You had a new umbrella. You let me take a

1242
01:00:22,560 --> 01:00:25,000
Speaker 3: look at it, and then I shoved it down your

1243
01:00:25,000 --> 01:00:29,760
Speaker 3: throat and I opened it. Sean is deeply concerned you

1244
01:00:29,920 --> 01:00:34,720
Speaker 3: opened it. Corey weeps, Oh, Sean, I'm Mary poppins ya.

1245
01:00:36,640 --> 01:00:39,920
Speaker 1: Of course, for the record, a good umbrella doesn't even

1246
01:00:39,960 --> 01:00:40,800
Speaker 1: last in a strong wind.

1247
01:00:40,800 --> 01:00:43,640
Speaker 2: You're not able to open that in something inside We

1248
01:00:43,680 --> 01:00:44,200
Speaker 2: all know that.

1249
01:00:45,120 --> 01:00:48,520
Speaker 4: I also like, he clearly kills me then in the dream,

1250
01:00:49,080 --> 01:00:53,120
Speaker 4: So the logic of me, like the next scene or whatever,

1251
01:00:53,240 --> 01:00:55,080
Speaker 4: is that, oh, I never actually kill him?

1252
01:00:55,080 --> 01:00:56,720
Speaker 2: I never, right, And so.

1253
01:00:56,760 --> 01:00:59,240
Speaker 1: He also in the last scene is is obviously still

1254
01:00:59,320 --> 01:01:03,080
Speaker 1: dreaming about beating you with a baseball basket saying dies.

1255
01:01:03,280 --> 01:01:05,120
Speaker 1: So it's like, does he is he waiting for an

1256
01:01:05,160 --> 01:01:09,640
Speaker 1: actual autopsy report dead because it's like, you're probably beating

1257
01:01:09,680 --> 01:01:11,560
Speaker 1: you about the head, and waste with the bat is

1258
01:01:11,600 --> 01:01:12,120
Speaker 1: going to do it.

1259
01:01:12,400 --> 01:01:13,720
Speaker 2: So yeah.

1260
01:01:13,840 --> 01:01:15,920
Speaker 3: Corey puts on his slippers and a coat and heads

1261
01:01:15,920 --> 01:01:20,520
Speaker 3: for the door. He asks himself why why? Sean wonders Corey,

1262
01:01:20,560 --> 01:01:22,360
Speaker 3: it's the middle of the night. Where are you going?

1263
01:01:22,760 --> 01:01:25,120
Speaker 3: Corey shoots Sean a dramatic look of fear, and then

1264
01:01:25,360 --> 01:01:29,240
Speaker 3: proceeds out the door. In Phoenie's classroom, which is now empty,

1265
01:01:29,320 --> 01:01:32,200
Speaker 3: Corey sits at his desk waiting for someone. Phoene walks

1266
01:01:32,240 --> 01:01:34,960
Speaker 3: in and Corey pops up. You gave me bad advice.

1267
01:01:35,360 --> 01:01:38,040
Speaker 3: Phoene is confused, what do you mean? Corey explains, you

1268
01:01:38,040 --> 01:01:40,919
Speaker 3: were in my dream and you gave me advice that sucked. Mister,

1269
01:01:40,960 --> 01:01:45,360
Speaker 3: Phoene explains, I'm not responsible for dream Phoenie. Then he

1270
01:01:45,440 --> 01:01:48,040
Speaker 3: instructs him to start at the beginning. Corey digs in,

1271
01:01:48,320 --> 01:01:50,880
Speaker 3: every time I fall asleep, I dream that I kill Sean.

1272
01:01:51,120 --> 01:01:52,760
Speaker 3: Now what kind of person am I that I would

1273
01:01:52,760 --> 01:01:56,320
Speaker 3: want my best friend dead? Phoene responds, well, now you

1274
01:01:56,480 --> 01:01:59,480
Speaker 3: know that you don't want Sean dead. Corey asks, how

1275
01:01:59,520 --> 01:02:03,560
Speaker 3: do you oh who I want dead? Phoene shakes his head. Corey,

1276
01:02:03,680 --> 01:02:06,640
Speaker 3: you mustn't take dreams literally. They can be interpreted in

1277
01:02:06,680 --> 01:02:09,400
Speaker 3: many ways. Corey just wants to know why am I

1278
01:02:09,480 --> 01:02:12,840
Speaker 3: killing Sean. Phoene doesn't know, but says Freud thought, dreams

1279
01:02:12,880 --> 01:02:16,400
Speaker 3: come from the unconscious, repressed thoughts that have to be confronted,

1280
01:02:16,520 --> 01:02:19,600
Speaker 3: but in the dream state they're not quite clear. Corey

1281
01:02:19,640 --> 01:02:22,800
Speaker 3: isn't following it's quite clear I'm killing Sean. He just

1282
01:02:22,800 --> 01:02:25,680
Speaker 3: wants to know the reason. Phoene asks, you wake up

1283
01:02:25,680 --> 01:02:28,680
Speaker 3: every time screaming. Corey nods his head, and Peene wonders,

1284
01:02:28,920 --> 01:02:32,640
Speaker 3: after you kill Sean? Corey realizes, well, actually I've never

1285
01:02:32,680 --> 01:02:35,480
Speaker 3: seen him die, but I mean I did some pretty

1286
01:02:35,520 --> 01:02:38,000
Speaker 3: bad stuff to him. He didn't stand a chance, So

1287
01:02:38,320 --> 01:02:41,240
Speaker 3: I guess that's the little fix.

1288
01:02:42,240 --> 01:02:44,160
Speaker 1: By the way, Freud also thought that all dreams were

1289
01:02:44,160 --> 01:02:48,120
Speaker 1: a wish. Really, so the idea that he's wishing wishing

1290
01:02:48,200 --> 01:02:49,840
Speaker 1: Sean dead is kind of another way.

1291
01:02:49,760 --> 01:02:50,720
Speaker 2: To go wish fulfillment.

1292
01:02:50,760 --> 01:02:50,920
Speaker 1: Now.

1293
01:02:51,320 --> 01:02:54,040
Speaker 3: Phoenie wants to know, though, but you always woke up

1294
01:02:54,080 --> 01:02:57,440
Speaker 3: before you actually killed him. Corey realizes Phoenie is right,

1295
01:02:57,880 --> 01:03:02,080
Speaker 3: He's never actually finished the dream, and so Feeney reveals

1296
01:03:02,360 --> 01:03:05,760
Speaker 3: that's the key, mister Matthews, Perhaps if you finish the dream,

1297
01:03:06,120 --> 01:03:09,560
Speaker 3: you'll find out what it means. Back at Eric and

1298
01:03:10,000 --> 01:03:12,760
Speaker 3: Adam's apartment, Adam is in the living room, sitting in

1299
01:03:12,800 --> 01:03:17,080
Speaker 3: a chair, quietly walking back and forth. Eric enters, still impressed. Two,

1300
01:03:17,200 --> 01:03:20,400
Speaker 3: that whole bedroom is for me. It's bigger than my parents' house.

1301
01:03:20,760 --> 01:03:23,760
Speaker 3: What are you watching? Adam responds, weather channel. Want to

1302
01:03:23,800 --> 01:03:26,360
Speaker 3: join me. Eric makes his way to a nearby recliner

1303
01:03:26,400 --> 01:03:29,120
Speaker 3: covered with a crocheted blanket. As Eric starts to sit,

1304
01:03:29,160 --> 01:03:33,240
Speaker 3: Adam shouts, whoa not there? Eric bounces right back up.

1305
01:03:33,320 --> 01:03:37,400
Speaker 3: What's the matter? Adam explains, my mother's chair, and Eric apologizes.

1306
01:03:37,600 --> 01:03:40,959
Speaker 3: Is she coming over? Adam coldly replies, no, she's dead.

1307
01:03:41,600 --> 01:03:45,400
Speaker 3: Eric has taken aback. Oh, I'm so sorry man. Adam

1308
01:03:45,440 --> 01:03:48,000
Speaker 3: thanks Eric for the sentiment, I love her very much.

1309
01:03:48,680 --> 01:03:51,360
Speaker 3: Eric looks to the couch. I'll just go crash over there.

1310
01:03:51,760 --> 01:03:54,360
Speaker 3: As Eric plops into a pillow, Adam groans and picks

1311
01:03:54,440 --> 01:03:56,640
Speaker 3: up his phone. At the same time, the home phone

1312
01:03:56,720 --> 01:03:59,080
Speaker 3: rings and Adam asks Eric, will you get that please.

1313
01:03:59,600 --> 01:04:02,800
Speaker 3: Eric says sure and answers it. It's Adam, who's less

1314
01:04:02,840 --> 01:04:09,760
Speaker 3: than a few feet away. Eric, Eric, it's me, Adam.

1315
01:04:10,160 --> 01:04:13,800
Speaker 3: You can't sit there either. Eric looks at Adam and asks, dude,

1316
01:04:13,840 --> 01:04:16,720
Speaker 3: what are you doing? But an annoyed Adam whispers, Eric,

1317
01:04:16,880 --> 01:04:19,720
Speaker 3: I'm on the phone, and he puts the receiver back

1318
01:04:19,760 --> 01:04:22,560
Speaker 3: to his ears. Her emotions for Eric to pick up

1319
01:04:22,560 --> 01:04:27,080
Speaker 3: his phone again. Yes, Adam, Eric says into the phone,

1320
01:04:27,200 --> 01:04:31,439
Speaker 3: still confused, that's where Uncle Dave died, Adam explains. Eric

1321
01:04:31,520 --> 01:04:34,760
Speaker 3: throws the phone and sits up. Then a cuckoo clock

1322
01:04:34,480 --> 01:04:37,960
Speaker 3: starts chiming. Adam jumps up. Time to feed the bird.

1323
01:04:38,480 --> 01:04:40,560
Speaker 3: Eric is excited. We have a bird. How come I

1324
01:04:40,560 --> 01:04:43,080
Speaker 3: haven't seen this bird? Adam asks you want me to help?

1325
01:04:43,120 --> 01:04:45,919
Speaker 3: You want to help me feed her? And Eric is stoked. Yeah, man,

1326
01:04:46,040 --> 01:04:49,320
Speaker 3: I love birds. Adam asks all kinds of birds and

1327
01:04:49,440 --> 01:04:52,160
Speaker 3: Eric says every one of them. Adam says okay, and

1328
01:04:52,200 --> 01:04:53,200
Speaker 3: he walks into his bedroom.

1329
01:04:53,880 --> 01:04:57,600
Speaker 4: Can't cook the bird that you got for Rachel, Remember

1330
01:04:57,600 --> 01:04:58,360
Speaker 4: that exactly.

1331
01:05:01,360 --> 01:05:03,040
Speaker 2: I didn't say I liked all the birds.

1332
01:05:03,160 --> 01:05:04,520
Speaker 5: Yeah, I just hitting him.

1333
01:05:04,760 --> 01:05:06,520
Speaker 2: Yeah, do you like birds? It depends on the sauce.

1334
01:05:07,560 --> 01:05:10,040
Speaker 2: This was the red bird that was a glazer that

1335
01:05:10,080 --> 01:05:11,160
Speaker 2: was telling us about, right.

1336
01:05:12,280 --> 01:05:15,880
Speaker 4: The one was that other episode was also yeah because

1337
01:05:15,880 --> 01:05:16,600
Speaker 4: it was a red bird.

1338
01:05:16,680 --> 01:05:19,680
Speaker 3: Yeah, for Ma that was a live red bird. This

1339
01:05:19,680 --> 01:05:20,439
Speaker 3: wouldn't have been hard.

1340
01:05:20,480 --> 01:05:22,960
Speaker 2: This is just stuffed, stuffed, toffed red bird. Maybe that's

1341
01:05:22,960 --> 01:05:24,880
Speaker 2: what it is. Okay, there's a lot of red birds.

1342
01:05:25,680 --> 01:05:28,360
Speaker 2: I think Rusty had one too in real life. Yeah,

1343
01:05:28,480 --> 01:05:29,720
Speaker 2: and you remember, like Rusty.

1344
01:05:29,480 --> 01:05:31,000
Speaker 1: Has the bird, but I don't remember his bird at

1345
01:05:31,000 --> 01:05:32,920
Speaker 1: all twenty years old.

1346
01:05:32,560 --> 01:05:34,800
Speaker 2: They like his best friend, he said, it is my

1347
01:05:34,840 --> 01:05:36,240
Speaker 2: best friend. Yeah.

1348
01:05:36,280 --> 01:05:38,840
Speaker 3: Adam says okay and walks into his bedroom. Eric can't

1349
01:05:38,880 --> 01:05:41,400
Speaker 3: wait to see his new feathered roommate. Where's the birdie,

1350
01:05:41,400 --> 01:05:44,800
Speaker 3: where's the pretty birdie? Where's the pretty bird? Then Adam

1351
01:05:44,840 --> 01:05:47,240
Speaker 3: peers out from behind the door with a stuffed parrot

1352
01:05:47,400 --> 01:05:50,800
Speaker 3: on a stick. Her name's Nellie. I've had her since

1353
01:05:50,840 --> 01:05:53,840
Speaker 3: I was two. She's the best bird ever, she normally

1354
01:05:53,840 --> 01:05:56,439
Speaker 3: doesn't like people, but look at her, she sure likes you.

1355
01:05:56,960 --> 01:06:00,480
Speaker 3: Adam shakes the stick to make Nelly move. Want cracker,

1356
01:06:00,920 --> 01:06:03,439
Speaker 3: Adam says, as he pushes the bird closer to Eric.

1357
01:06:04,000 --> 01:06:07,760
Speaker 3: Eric yells, Polly, want an autopsy. That's a dead bird.

1358
01:06:08,560 --> 01:06:11,880
Speaker 3: Not to me, Adam says, while petting the bird. Eric cringes,

1359
01:06:11,960 --> 01:06:14,880
Speaker 3: that is just sick and weird. What's wrong with you?

1360
01:06:15,360 --> 01:06:18,600
Speaker 3: Adam pulls his bird closer. What's wrong with you talking

1361
01:06:18,640 --> 01:06:22,800
Speaker 3: in front of her like that? Adam apologizes to his bird. Sorry, Nelly,

1362
01:06:23,160 --> 01:06:26,600
Speaker 3: he responds in a high pitch. It's not your fault, Adam.

1363
01:06:26,880 --> 01:06:28,240
Speaker 2: I think this would have landed better.

1364
01:06:28,400 --> 01:06:30,240
Speaker 4: I mean, now I'm listening to you describe it, and

1365
01:06:30,280 --> 01:06:34,880
Speaker 4: I'm imagining it like as a script if the bird

1366
01:06:35,000 --> 01:06:38,880
Speaker 4: was like like tattered, yeah, like falling apart, you know

1367
01:06:38,920 --> 01:06:40,960
Speaker 4: what I mean, Like it was like a like a

1368
01:06:41,160 --> 01:06:43,160
Speaker 4: kept dead bird, because as it is, it's.

1369
01:06:43,080 --> 01:06:46,600
Speaker 2: Kind of a pretty thing. Yeah. Would people have stuff like.

1370
01:06:46,560 --> 01:06:49,600
Speaker 3: That exactly like a stuffy you'd buy at the zoo

1371
01:06:49,640 --> 01:06:52,360
Speaker 3: for a kid, as opposed to it looking like a

1372
01:06:52,440 --> 01:06:55,200
Speaker 3: real ratty used to be a live.

1373
01:06:55,040 --> 01:06:58,919
Speaker 2: Bird, right, Yeah? That he just never threw away? Yeah,

1374
01:06:59,000 --> 01:07:00,480
Speaker 2: like the heads like down this and.

1375
01:07:00,680 --> 01:07:04,400
Speaker 4: The off about it because it's like, well that's that's

1376
01:07:04,440 --> 01:07:05,880
Speaker 4: a nice stuff for pretty stuff.

1377
01:07:06,680 --> 01:07:08,960
Speaker 2: You know, some toxidermist did a wonderful job on that.

1378
01:07:09,480 --> 01:07:11,480
Speaker 2: And it's not that creepy to play. I mean, I

1379
01:07:11,960 --> 01:07:14,240
Speaker 2: don't know. I guess it's all kind of I don't know, yeah.

1380
01:07:14,040 --> 01:07:16,040
Speaker 1: I just I think it's more about the thinking it's

1381
01:07:16,080 --> 01:07:18,960
Speaker 1: still alive, like it's his pet bird that's still treating

1382
01:07:19,040 --> 01:07:19,880
Speaker 1: it like it's still alive.

1383
01:07:19,920 --> 01:07:29,520
Speaker 2: As I think what they're going for, it's.

1384
01:07:29,400 --> 01:07:32,240
Speaker 4: Just just gray and faded and like, oh god, this

1385
01:07:32,440 --> 01:07:33,680
Speaker 4: is like a rotting bird.

1386
01:07:33,920 --> 01:07:38,120
Speaker 3: Yes, and now panicked, Eric announces all right, all right,

1387
01:07:38,160 --> 01:07:38,560
Speaker 3: that's it.

1388
01:07:38,640 --> 01:07:39,080
Speaker 2: That's it.

1389
01:07:39,200 --> 01:07:41,120
Speaker 3: I'm out of here. As he walks to his room

1390
01:07:41,160 --> 01:07:44,120
Speaker 3: to get his things. Eric whispers towards Nelly, it is

1391
01:07:44,160 --> 01:07:48,400
Speaker 3: so his fault. Adam yells out, great, leave, everybody leaves me.

1392
01:07:49,000 --> 01:07:52,920
Speaker 3: Eric pops back out. I wonder why, Adam tells Eric,

1393
01:07:52,920 --> 01:07:55,320
Speaker 3: who's now walking out with his suitcase. I thought you

1394
01:07:55,320 --> 01:07:58,840
Speaker 3: were different. You're just like everybody else. Nobody cares about me,

1395
01:07:59,080 --> 01:08:03,720
Speaker 3: nobody wants me forever alone. I hate the silence. Eric,

1396
01:08:03,880 --> 01:08:06,520
Speaker 3: now affected by what he's heard, stops dead in his tracks.

1397
01:08:07,520 --> 01:08:10,520
Speaker 3: I know how you feel. No you don't, Adam snaps back.

1398
01:08:10,880 --> 01:08:13,680
Speaker 3: Eric is adamant, I really do. I was kicked out

1399
01:08:13,720 --> 01:08:16,800
Speaker 3: by my family, betrayed by my closest friends, thrown out

1400
01:08:16,800 --> 01:08:19,880
Speaker 3: into this crazy world all by myself, nowhere to go,

1401
01:08:20,560 --> 01:08:25,880
Speaker 3: nowhere to live alone. Adam smiles, So you'll stay. Eric

1402
01:08:25,880 --> 01:08:35,320
Speaker 3: shakes his head. No, lesson, but absolutely so good. Eric

1403
01:08:35,360 --> 01:08:37,799
Speaker 3: gets up to grab his bag, but is interrupted by Sheila,

1404
01:08:37,880 --> 01:08:42,120
Speaker 3: who walks in wearing nothing but a bath towel. Hi, Eric,

1405
01:08:42,360 --> 01:08:45,400
Speaker 3: I did it again, locked myself out after taking a shower.

1406
01:08:45,640 --> 01:08:48,360
Speaker 3: At least this time I remembered the towel. Mind if

1407
01:08:48,400 --> 01:08:50,519
Speaker 3: I hang out with you guys till my roommate comes back.

1408
01:08:51,520 --> 01:08:54,519
Speaker 3: How do you lock yourself out after after a shower?

1409
01:08:55,200 --> 01:08:56,519
Speaker 3: You go into the hallway for what?

1410
01:08:57,680 --> 01:09:02,439
Speaker 2: Soap? After shower? Haul itself?

1411
01:09:02,600 --> 01:09:09,280
Speaker 4: Bromp, Oh my god, have fun, Danielle, Jesus, ladies are fun,

1412
01:09:10,479 --> 01:09:16,840
Speaker 4: Ladies snaked, it's wrong with the show. Just why doesn't

1413
01:09:16,840 --> 01:09:19,400
Speaker 4: he just drop the towel, give the audience what they

1414
01:09:19,439 --> 01:09:20,120
Speaker 4: really want.

1415
01:09:20,640 --> 01:09:24,360
Speaker 2: Let's do this. God, it's Friday night and the moon

1416
01:09:24,720 --> 01:09:25,240
Speaker 2: is right.

1417
01:09:28,920 --> 01:09:31,639
Speaker 3: She takes a seat on the couch. Eric announces maybe

1418
01:09:31,680 --> 01:09:34,960
Speaker 3: I'll stay and wedges himself between Adam and Sheila. Adam

1419
01:09:35,080 --> 01:09:38,520
Speaker 3: talks as his dead bird again. Adam, He's gonna stay.

1420
01:09:38,640 --> 01:09:42,280
Speaker 3: Then he pushes Nelly right up to Eric's face. We're

1421
01:09:42,320 --> 01:09:44,800
Speaker 3: in Shawn and Corey's room. Corey is sound asleep. We

1422
01:09:44,920 --> 01:09:59,920
Speaker 3: zoom in and then fade into his newest dream. Then

1423
01:10:00,000 --> 01:10:02,679
Speaker 3: we're back at Jack and Rachel's hallway. Corey and Sean

1424
01:10:02,720 --> 01:10:05,519
Speaker 3: are back waiting for the elevator, mirroring the scene from

1425
01:10:05,560 --> 01:10:08,599
Speaker 3: the start of the episode. Corey says, Sean, all it

1426
01:10:08,640 --> 01:10:10,240
Speaker 3: took was you and me to get them to settle

1427
01:10:10,240 --> 01:10:13,599
Speaker 3: their differences. Sean again responds with Corey and Sean forever

1428
01:10:13,800 --> 01:10:18,360
Speaker 3: best friends. Corey agrees best friends forever and shakes Sean's hand, and,

1429
01:10:18,560 --> 01:10:21,599
Speaker 3: just like last time, Corey's face turns evil and Sean

1430
01:10:21,680 --> 01:10:23,559
Speaker 3: asks Corey, why are you looking at me like that.

1431
01:10:24,160 --> 01:10:26,960
Speaker 3: Corey pushes Sean into the empty shaft and Sean grabs

1432
01:10:27,000 --> 01:10:29,880
Speaker 3: onto the rope, once again saving his own life. Sean

1433
01:10:29,960 --> 01:10:32,160
Speaker 3: shouts for help, but Corey just tells him you have

1434
01:10:32,240 --> 01:10:35,200
Speaker 3: to go and prize his best friend's hand off the rope.

1435
01:10:35,360 --> 01:10:36,760
Speaker 3: Corey peers down.

1436
01:10:36,800 --> 01:10:42,720
Speaker 1: Sorry, this was this was shot again, right because you

1437
01:10:42,920 --> 01:10:46,360
Speaker 1: and you're mimicking what you did in the original opening

1438
01:10:46,400 --> 01:10:49,160
Speaker 1: scene and it's pretty spot on, like even how you

1439
01:10:49,160 --> 01:10:50,720
Speaker 1: grab the rope, to the point where I was like,

1440
01:10:51,280 --> 01:10:55,280
Speaker 1: did they just reuse what was done? And like they

1441
01:10:55,320 --> 01:10:57,960
Speaker 1: shot the whole scene and then took a snippet of

1442
01:10:57,960 --> 01:10:58,719
Speaker 1: it for the beginning.

1443
01:10:58,760 --> 01:11:00,559
Speaker 2: I was bored. I was like, why are we repeating

1444
01:11:00,600 --> 01:11:04,800
Speaker 2: all these lines? Like none of these matter? This same

1445
01:11:04,840 --> 01:11:06,719
Speaker 2: one or not. I couldn't tell if it was literally

1446
01:11:06,760 --> 01:11:07,640
Speaker 2: the same scene or not.

1447
01:11:08,680 --> 01:11:11,320
Speaker 1: I wonder, But if it's not, you guys are doing

1448
01:11:11,360 --> 01:11:14,400
Speaker 1: a great job at completely mimicking what you did the

1449
01:11:14,479 --> 01:11:14,880
Speaker 1: first time.

1450
01:11:15,439 --> 01:11:16,479
Speaker 2: Very good. Yeah.

1451
01:11:16,880 --> 01:11:20,160
Speaker 3: Corey peers down as Sean's screams, plummeting to what we

1452
01:11:20,280 --> 01:11:23,639
Speaker 3: assume is his death. The apartment door opens and it's

1453
01:11:23,640 --> 01:11:26,840
Speaker 3: a concerned Jack and Rachel and Eric. Jack runs over

1454
01:11:26,880 --> 01:11:28,439
Speaker 3: to see what happened to Sean, but once he gets

1455
01:11:28,479 --> 01:11:31,800
Speaker 3: to the elevator, Corey trips him, sending him down the shaft.

1456
01:11:32,080 --> 01:11:34,400
Speaker 3: Rachel and Eric ran over. Rachel asks Corey, what are

1457
01:11:34,439 --> 01:11:37,720
Speaker 3: you doing? A relaxed Corey responds, shoving everyone down the

1458
01:11:37,760 --> 01:11:42,240
Speaker 3: elevator shaft. Guess who's next? Then he pushes Rachel into Eric,

1459
01:11:42,280 --> 01:11:48,479
Speaker 3: looks over the ledge, then jumps into savor Rachel. Angela

1460
01:11:48,560 --> 01:11:50,679
Speaker 3: is now standing at the apartment door, and Corey calls

1461
01:11:50,720 --> 01:11:54,000
Speaker 3: her over. Angela, come on, everybody's doing it. She walks

1462
01:11:54,040 --> 01:11:55,920
Speaker 3: over to the elevator and wants to know doing what.

1463
01:11:56,520 --> 01:11:59,519
Speaker 3: In response, Corey bumps her butt in the style of

1464
01:11:59,520 --> 01:12:03,000
Speaker 3: a dance move and says this, sending her into Corey

1465
01:12:03,080 --> 01:12:05,759
Speaker 3: just looks down the elevator shaft, satisfied with his work,

1466
01:12:06,200 --> 01:12:13,120
Speaker 3: and then, of all people, Lauren the snow Bunny played

1467
01:12:13,160 --> 01:12:15,639
Speaker 3: by the great Linda Cardellini, arrives.

1468
01:12:15,720 --> 01:12:18,720
Speaker 2: I do problem. I love that they went for like

1469
01:12:18,880 --> 01:12:20,160
Speaker 2: soup bunny.

1470
01:12:20,200 --> 01:12:25,439
Speaker 3: Of course, so great, Hi Corey. Corey's very confused, Lauren,

1471
01:12:25,640 --> 01:12:28,280
Speaker 3: what are you doing here? I'm over you. You shouldn't

1472
01:12:28,280 --> 01:12:31,920
Speaker 3: be here, and the vision replies, I'm not Lauren, So

1473
01:12:31,960 --> 01:12:36,200
Speaker 3: Corey asks, then who are you? She answers, I'm everything.

1474
01:12:36,200 --> 01:12:38,960
Speaker 3: You're giving up the girls you'll never get to meet,

1475
01:12:39,360 --> 01:12:42,320
Speaker 3: the places you'll never get to go, the life you'll

1476
01:12:42,360 --> 01:12:42,880
Speaker 3: never have.

1477
01:12:43,160 --> 01:12:44,960
Speaker 2: And what does this have to do? This is what

1478
01:12:45,000 --> 01:12:48,240
Speaker 2: the is going on to do with marriage?

1479
01:12:48,680 --> 01:12:51,240
Speaker 4: I mean the sean anxiety makes sense right, Like I'm

1480
01:12:51,280 --> 01:12:54,200
Speaker 4: afraid my I'm gonna lose my But like, now we're

1481
01:12:54,200 --> 01:12:57,000
Speaker 4: adding this whole other thing and then collapsing the all.

1482
01:12:56,920 --> 01:13:00,479
Speaker 2: Into just like general marriage anxiety. Yep, all right, but

1483
01:13:00,640 --> 01:13:03,000
Speaker 2: I do think it's cool to have Lauren come back though.

1484
01:13:03,360 --> 01:13:05,679
Speaker 1: She's great, but then make it about what he's losing

1485
01:13:05,720 --> 01:13:08,960
Speaker 1: as a man, quote unquote to have to settle down,

1486
01:13:09,000 --> 01:13:11,760
Speaker 1: which is essentially what she's representing is all the sex

1487
01:13:11,800 --> 01:13:13,960
Speaker 1: you're never going to have with other girls, right, And

1488
01:13:14,000 --> 01:13:16,280
Speaker 1: it's like, Okay, that's interesting.

1489
01:13:16,520 --> 01:13:16,760
Speaker 3: Yep.

1490
01:13:16,880 --> 01:13:18,800
Speaker 2: And what does killing Sean have to do with that?

1491
01:13:19,240 --> 01:13:22,920
Speaker 3: Yeah, Corey says he doesn't understand, but Lauren just says

1492
01:13:22,920 --> 01:13:25,559
Speaker 3: goodbye and blows him a kiss and then trust falls

1493
01:13:25,600 --> 01:13:26,559
Speaker 3: down the elevator shaft.

1494
01:13:26,600 --> 01:13:29,600
Speaker 1: Wait a second, I'm sorry, Maybe it's not. Maybe what

1495
01:13:29,680 --> 01:13:32,000
Speaker 1: it is is it's not this entire time, It hasn't

1496
01:13:32,000 --> 01:13:34,160
Speaker 1: been about killing Sean. It's just that Sean is the

1497
01:13:34,200 --> 01:13:36,720
Speaker 1: first one to die in every dream. He's just never

1498
01:13:36,760 --> 01:13:40,680
Speaker 1: finished the everybody else would continue to come out in

1499
01:13:40,800 --> 01:13:43,960
Speaker 1: every dream, but he keeps waking up because he's killed.

1500
01:13:44,640 --> 01:13:47,560
Speaker 4: But right, but what has changed in the course of

1501
01:13:47,600 --> 01:13:48,280
Speaker 4: this episode.

1502
01:13:48,400 --> 01:13:52,559
Speaker 2: Oh? Nothing, Just Corey slept longer like.

1503
01:13:52,560 --> 01:13:57,599
Speaker 4: That and now he got the advice to just keep

1504
01:13:57,840 --> 01:13:58,880
Speaker 4: sleeping through your dream.

1505
01:13:59,080 --> 01:14:01,760
Speaker 3: And when I say the episode is about his anxieties

1506
01:14:01,760 --> 01:14:04,880
Speaker 3: about what happens to his relationship with Sean, that's not

1507
01:14:05,000 --> 01:14:08,120
Speaker 3: what the episode's about. The episode is about what's life

1508
01:14:08,200 --> 01:14:09,599
Speaker 3: going to be like after I'm married?

1509
01:14:09,960 --> 01:14:10,439
Speaker 2: That's right.

1510
01:14:10,560 --> 01:14:12,800
Speaker 1: And he just he'sn't because he can't get past the

1511
01:14:12,840 --> 01:14:15,640
Speaker 1: Shawn killing. He thinks it's all about Sean, when at

1512
01:14:15,680 --> 01:14:17,559
Speaker 1: the end of the day, it's not about shawna He's

1513
01:14:17,560 --> 01:14:18,639
Speaker 1: just the first one to die.

1514
01:14:18,760 --> 01:14:21,599
Speaker 4: Well, except it's all about repressed homosexual urges, So it

1515
01:14:21,680 --> 01:14:23,440
Speaker 4: is really about Shrew Sean.

1516
01:14:23,320 --> 01:14:26,920
Speaker 3: Right, Corey Yell's wait, but then notices to Panga is

1517
01:14:26,960 --> 01:14:30,200
Speaker 3: now standing in the doorframe. Remember when I told you

1518
01:14:30,680 --> 01:14:33,800
Speaker 3: that I knew Lance saw me in a wedding dress,

1519
01:14:33,800 --> 01:14:36,400
Speaker 3: and I have a picture of Lance. It's this. It

1520
01:14:36,439 --> 01:14:38,559
Speaker 3: was this week. It's this because I was like, hell,

1521
01:14:38,760 --> 01:14:40,960
Speaker 3: it was by season seven, Lance and I were broken up.

1522
01:14:42,960 --> 01:14:45,600
Speaker 3: It was this week. It was this wedding dress and

1523
01:14:45,640 --> 01:14:47,960
Speaker 3: I have a picture of Lance white curdled white dress.

1524
01:14:48,080 --> 01:14:53,560
Speaker 3: Episode film right, well, it aired May seventh.

1525
01:14:53,360 --> 01:14:55,439
Speaker 2: So May seventh, nineteen ninety nine.

1526
01:14:55,640 --> 01:14:57,600
Speaker 3: Yeah, and Lance and I went to prom together in

1527
01:14:57,680 --> 01:15:00,400
Speaker 3: June of nineteen ninety nine. Cory Yell's wait eight, but

1528
01:15:00,439 --> 01:15:03,040
Speaker 3: then notices Topanga is now standing in the doorframe. She's

1529
01:15:03,040 --> 01:15:05,680
Speaker 3: wearing a white wedding dress and holding a bouquet of flowers.

1530
01:15:06,080 --> 01:15:09,599
Speaker 3: She approaches Corey shaking her head. Where is everybody? Corey

1531
01:15:09,640 --> 01:15:13,080
Speaker 3: admits I killed them, and Tapang is confused. He adds

1532
01:15:13,400 --> 01:15:17,240
Speaker 3: for us to Panga nods, I know. As they both

1533
01:15:17,280 --> 01:15:20,080
Speaker 3: look down the elevator shaft, Corey admits I miss them.

1534
01:15:20,320 --> 01:15:24,559
Speaker 3: Topanga agrees I miss them too. The elevator door shuts

1535
01:15:24,560 --> 01:15:26,559
Speaker 3: and Tapanga tells Corey he can wake up now and

1536
01:15:26,600 --> 01:15:29,880
Speaker 3: softly touches his face, And just like that, we're back

1537
01:15:29,920 --> 01:15:33,719
Speaker 3: in Corey and Sean's room. Tapanga is hovering over Corey

1538
01:15:33,760 --> 01:15:36,880
Speaker 3: brushing his face. Corey, wake up, you've been sleeping all night.

1539
01:15:37,360 --> 01:15:40,800
Speaker 3: Corey wakes and sees Sean standing there too. Morning sunshine.

1540
01:15:41,160 --> 01:15:43,160
Speaker 3: Corey sits up in his bed and Sean asks if

1541
01:15:43,160 --> 01:15:46,920
Speaker 3: he was dreaming. Corey smiles and says yeah. Tapanga wonders

1542
01:15:46,920 --> 01:15:49,840
Speaker 3: what he dreamt about, and Corey reveals I dreamt about you.

1543
01:15:50,360 --> 01:15:53,640
Speaker 3: To Panga size oh good, So you're okay now and

1544
01:15:53,720 --> 01:15:57,679
Speaker 3: Corey assures her, yeah, I'm fine. Topanga seems relieved. Good

1545
01:15:58,000 --> 01:15:58,679
Speaker 3: have a good day.

1546
01:15:58,920 --> 01:15:59,280
Speaker 2: I'm sorry.

1547
01:16:00,360 --> 01:16:04,760
Speaker 1: Who wakes somebody up and says, you've been sleeping all night?

1548
01:16:04,840 --> 01:16:05,080
Speaker 2: I know?

1549
01:16:05,720 --> 01:16:07,800
Speaker 4: And then of course you have the touch in the

1550
01:16:07,920 --> 01:16:09,800
Speaker 4: cheek too, is like the super like.

1551
01:16:10,160 --> 01:16:14,240
Speaker 1: Yeah, it should sleeping all day? It's three, I know,

1552
01:16:14,439 --> 01:16:17,360
Speaker 1: you know, like it's hey, wake up? You are sleeping

1553
01:16:17,400 --> 01:16:17,840
Speaker 1: at night?

1554
01:16:18,760 --> 01:16:19,560
Speaker 3: Like what?

1555
01:16:19,560 --> 01:16:19,600
Speaker 1: What?

1556
01:16:19,720 --> 01:16:20,200
Speaker 5: Wake up?

1557
01:16:20,280 --> 01:16:22,000
Speaker 3: You may have gotten a good night's sleep.

1558
01:16:21,920 --> 01:16:24,080
Speaker 1: Yeah, and you've needed sleep for a while now. We've

1559
01:16:24,120 --> 01:16:26,000
Speaker 1: been telling you need sleep. So I'm gonna wake you

1560
01:16:26,080 --> 01:16:28,240
Speaker 1: up in the morning after you've slept.

1561
01:16:28,600 --> 01:16:31,120
Speaker 3: He's gonna miss school. I don't know it's college.

1562
01:16:31,520 --> 01:16:34,920
Speaker 2: Hey, you've been sleeping all night. Time to get up? What?

1563
01:16:35,280 --> 01:16:37,120
Speaker 3: She gives Cory a kiss and says goodbye to Seawan.

1564
01:16:37,160 --> 01:16:40,000
Speaker 3: As she leaves the room. Now alone, Sean asks Corey,

1565
01:16:40,479 --> 01:16:43,519
Speaker 3: you're not okay, are you? Corey sits up. Do you

1566
01:16:43,560 --> 01:16:47,040
Speaker 3: think I'm rushing into marriage? Sean laughs, You've been rushing

1567
01:16:47,080 --> 01:16:49,800
Speaker 3: into marriage since you were two years old. Corey wants

1568
01:16:49,840 --> 01:16:53,000
Speaker 3: to know. I mean, nothing's gonna change between you and me,

1569
01:16:53,160 --> 01:16:56,360
Speaker 3: is it? Sean wonders, is that what you've been dreaming about.

1570
01:16:56,760 --> 01:17:00,200
Speaker 3: Corey tells him, no, I'm just I guess I'm afraid

1571
01:17:00,240 --> 01:17:02,880
Speaker 3: that after I get married, everything's going to change. Sean

1572
01:17:02,920 --> 01:17:06,200
Speaker 3: breaks it to him, Well, yeah, it will, it has to.

1573
01:17:06,840 --> 01:17:09,840
Speaker 3: Corey shakes his head. I don't want it to. The

1574
01:17:09,880 --> 01:17:12,240
Speaker 3: two best friends stare at each other, both worried about

1575
01:17:12,280 --> 01:17:17,120
Speaker 3: what will come next. Then we're in the tag back

1576
01:17:17,160 --> 01:17:20,080
Speaker 3: in Eric and Adam's expensive apartment. Eric is holding the

1577
01:17:20,120 --> 01:17:24,519
Speaker 3: dead parrot in his hand. Now okay, Nelly, okay, big okay,

1578
01:17:24,600 --> 01:17:27,879
Speaker 3: now rollover. Eric flips the parrot around, spinning the stiket's

1579
01:17:27,880 --> 01:17:30,960
Speaker 3: attached to hey blaye, dead blade dead. He flips the

1580
01:17:30,960 --> 01:17:33,439
Speaker 3: parrot back up and feeds him a cracker. Good bird,

1581
01:17:33,560 --> 01:17:36,880
Speaker 3: Good bird. Then the phone rings and he reaches over

1582
01:17:36,920 --> 01:17:41,320
Speaker 3: to answer it. Hello, Hello, it's Adam sitting on the

1583
01:17:41,320 --> 01:17:44,679
Speaker 3: couch next to him. Eric, it's me, Adam, Eric Lass,

1584
01:17:44,720 --> 01:17:45,639
Speaker 3: Hey man, what's up?

1585
01:17:47,600 --> 01:17:48,880
Speaker 2: This is Eric? Right.

1586
01:17:54,320 --> 01:17:56,519
Speaker 3: Adam talks into the phone. I just think it's great.

1587
01:17:56,520 --> 01:17:58,320
Speaker 3: How you and Nelly have been getting along so well?

1588
01:17:58,520 --> 01:18:03,519
Speaker 3: Eric explains, Yeah, well I love poultry. Adam stands up

1589
01:18:03,560 --> 01:18:05,840
Speaker 3: and grabs his keys. Anyway, I mean you and I

1590
01:18:05,920 --> 01:18:08,559
Speaker 3: have been getting along so well that Adam pauses so

1591
01:18:08,600 --> 01:18:10,120
Speaker 3: that Eric can move his legs out of the way.

1592
01:18:10,320 --> 01:18:14,200
Speaker 3: Excuse me, now clear, Adam continues, I think it's time

1593
01:18:14,200 --> 01:18:16,840
Speaker 3: you finally met my mom. Eric laughs and puts the

1594
01:18:16,840 --> 01:18:19,639
Speaker 3: bird down. Your mom, look, dude, I thought that your

1595
01:18:19,640 --> 01:18:23,160
Speaker 3: mother was. Adam unlocks his bedroom Dora and yells out, mom,

1596
01:18:23,320 --> 01:18:25,360
Speaker 3: I want you to meet my new roommate. As he

1597
01:18:25,400 --> 01:18:29,000
Speaker 3: closes it behind him, Adam, now obviously talking in a

1598
01:18:29,040 --> 01:18:34,120
Speaker 3: woman's voice, responds, is he a good boy? Eric jumps

1599
01:18:34,120 --> 01:18:34,720
Speaker 3: over the couch and.

1600
01:18:37,000 --> 01:18:37,479
Speaker 2: Right then.

1601
01:18:39,479 --> 01:18:42,120
Speaker 3: Adam, back in his real voice, assures his mom he's

1602
01:18:42,160 --> 01:18:45,920
Speaker 3: a very good boy. Adam's mom is happy. I'm glad

1603
01:18:46,040 --> 01:18:50,000
Speaker 3: because your last roommate was a very very bad boy.

1604
01:18:50,840 --> 01:18:53,240
Speaker 3: Eric grabs his suitcase and runs out of the apartment,

1605
01:18:53,320 --> 01:18:55,800
Speaker 3: just as Adam explains to his mom, that's why I

1606
01:18:55,880 --> 01:18:58,479
Speaker 3: took care of him for you. And now, with the

1607
01:18:58,520 --> 01:19:01,559
Speaker 3: apartment empty, we hear Adam switch to an old man's voice.

1608
01:19:01,800 --> 01:19:03,759
Speaker 2: What you don't say hello to your grandpa?

1609
01:19:06,040 --> 01:19:08,720
Speaker 3: And that's the end of our episode.

1610
01:19:08,760 --> 01:19:11,439
Speaker 1: I think they cut something because I distinctly remember a

1611
01:19:11,439 --> 01:19:15,040
Speaker 1: button where I run back in and grab the bird.

1612
01:19:14,920 --> 01:19:15,639
Speaker 2: And leave the yin.

1613
01:19:15,960 --> 01:19:16,799
Speaker 3: Oh that's funny.

1614
01:19:17,080 --> 01:19:18,800
Speaker 1: Yeah, so I was like, oh, I think, why do

1615
01:19:18,840 --> 01:19:20,760
Speaker 1: I remember doing that? So yeah, they must you might

1616
01:19:20,760 --> 01:19:21,640
Speaker 1: have just improved it.

1617
01:19:21,800 --> 01:19:22,840
Speaker 2: Yea. Yeah.

1618
01:19:23,920 --> 01:19:26,760
Speaker 3: Well that's our episode. Thank you all for joining us.

1619
01:19:26,960 --> 01:19:29,920
Speaker 3: Join us for our next episode, recap season six episode

1620
01:19:29,960 --> 01:19:34,400
Speaker 3: twenty two, State of the Unions. It's our season six finale,

1621
01:19:34,840 --> 01:19:39,360
Speaker 3: which originally aired May fourteenth, nineteen ninety nine. Thank you

1622
01:19:39,360 --> 01:19:41,000
Speaker 3: all for listening to this episode of Pod Meets World.

1623
01:19:41,040 --> 01:19:43,160
Speaker 3: As always, you can follow us on Instagram pod Meets

1624
01:19:43,160 --> 01:19:45,559
Speaker 3: World Show. You can send us your emails pod Meets

1625
01:19:45,600 --> 01:19:48,960
Speaker 3: World Show at gmail dot com. And we've got merch.

1626
01:19:49,720 --> 01:20:04,280
Speaker 2: One million merches. March my merch. I need merch for

1627
01:20:04,400 --> 01:20:09,439
Speaker 2: my boy merch. Yeah, shut up, but spyke merch.

1628
01:20:09,680 --> 01:20:10,680
Speaker 3: Now do Cartman.

1629
01:20:12,920 --> 01:20:15,040
Speaker 2: Get make me.

1630
01:20:17,160 --> 01:20:23,360
Speaker 3: Podmeetsworldshow dot com Now, Katie's mate Ky that's man gets him,

1631
01:20:23,479 --> 01:20:26,439
Speaker 3: mat writer send us out.

1632
01:20:27,160 --> 01:20:29,160
Speaker 2: We love you all, pod dismissed.

1633
01:20:31,280 --> 01:20:33,920
Speaker 4: Pod Meets World is an iHeart podcast producer hosted by

1634
01:20:34,000 --> 01:20:37,960
Speaker 4: Danielle Fischel, Wilfridell and Ryder Strong. Executive producers Jensen Carp

1635
01:20:38,000 --> 01:20:41,200
Speaker 4: and Amy Sugarman. Executive in charge of production, Danielle Romo,

1636
01:20:41,400 --> 01:20:45,040
Speaker 4: Producer and editor TaRaSu Bosch producer, Maddie Moore, engineer and

1637
01:20:45,080 --> 01:20:46,960
Speaker 4: boy meets World Superman Easton.

1638
01:20:46,720 --> 01:20:49,639
Speaker 2: Out our theme song is by Kyle Morton of Typhoon.

1639
01:20:49,960 --> 01:20:52,920
Speaker 4: Follow us on Instagram at Podmeats World Show or email

1640
01:20:53,040 --> 01:20:55,840
Speaker 4: us at Podmeats World Show at gmail dot com