WEBVTT - Aquaman with Ali Nahdee

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women and um are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef in best

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<v Speaker 1>start changing it with the bel Cast. Hey, Jamie, Hey Caitlin,

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<v Speaker 1>you don't tell me how to captain. I don't tell

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<v Speaker 1>you how to pirate or something? Oh okay, oh like

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<v Speaker 1>the beginning of the movie. Yeah, like like that one

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<v Speaker 1>character said, Oh, I wanted to do the thing where

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<v Speaker 1>Patrick Wilson says, like you will call me ocean master?

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<v Speaker 1>Like that would have been better that just I think

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<v Speaker 1>is imprinted on my mind for you know. Welcome to

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<v Speaker 1>the Bechtel Cast. They're not all hits right at the top.

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<v Speaker 1>Sometimes you gotta just get into it and it takes

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<v Speaker 1>a little time. I'm going to find our groove. But welcome.

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<v Speaker 1>My name is Jamie Loftus, my name is Caitlin Durante,

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<v Speaker 1>and this is our show in which we examine movies

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<v Speaker 1>through an inter sectional feminist lens, using the Bechtel test

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<v Speaker 1>just very much as a jumping off point. But what

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<v Speaker 1>is it, Jamie, Oh, the Bechtel test or the movie.

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<v Speaker 1>I'll say both. I'll do both. We're doing. We're doing

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<v Speaker 1>Aquaman today, movie from James one one of my faves.

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<v Speaker 1>I love watching interviews with James Wan. And this isn't

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<v Speaker 1>passing the Bechtel test. And here's why. The Bechtels test

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<v Speaker 1>is a media metric created by queer cartoonist Alison Bechdel,

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<v Speaker 1>sometimes called the Bechdel Wallace Test. There's many different versions

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<v Speaker 1>of it. Here's the one we use. We require that

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<v Speaker 1>two characters of a marginalized gender with names speak to

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<v Speaker 1>each other about something other than a man for two

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<v Speaker 1>lines of dialogue. There are so many three hour movies

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<v Speaker 1>that don't pass this simple metric, and this movie was

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<v Speaker 1>almost one of them. But we'll get there later. But

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<v Speaker 1>recovering Aquaman and uh, i'm I'm I'm very excited to

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<v Speaker 1>discuss this movie particular, really because we're bringing back one

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<v Speaker 1>of the greats we sure are. Our guest is Bi

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<v Speaker 1>racial Anisha Nabe, founder of the A La Test. You

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<v Speaker 1>remember her from our episode on Frozen two. It's Ali Nady. Hi,

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<v Speaker 1>Hello and welcome back. Thank you for invited me back.

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<v Speaker 1>I was so happy when I got your email and

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<v Speaker 1>I was just like, yes, pumped about this, Oh my gosh.

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<v Speaker 1>And you have brought us Aquaman. Tell us about your

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<v Speaker 1>relationship with this movie. Okay, So going a little bit

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<v Speaker 1>earlier than that, when you reached out to me, I

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<v Speaker 1>was like really struggling with a movie to talk about.

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<v Speaker 1>You know, I'm like, oh, man, because you know, Native people,

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<v Speaker 1>you know, we're not a monolith. You know, we come

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<v Speaker 1>from different cultures, different you know, parts of the country,

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<v Speaker 1>different parts of the continent. So I'm like, okay, so

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<v Speaker 1>there's a bunch of movies I wanted to talk about,

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<v Speaker 1>but I don't belong to those specific groups. Maybe someone

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<v Speaker 1>from those groups should be the one talking about it.

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<v Speaker 1>And then I wanted to talk about Avatar, but I'm like,

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<v Speaker 1>you know, maybe not for Thanksgiving, you know, maybe not

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<v Speaker 1>for Thanksgiving, but um yeah. So I really struggled, and

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<v Speaker 1>I was really thinking about it. And then finally Aquaman.

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<v Speaker 1>You know, I realized that even if it's not specifically

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<v Speaker 1>Polynesian or Hawaiian, you know, he is American, he is indigenous,

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<v Speaker 1>and he's biracial, and so am I. And um that

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<v Speaker 1>was the last film that I ever saw in a

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<v Speaker 1>theater with my mom. So yeah, so there's gonna be

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<v Speaker 1>a lot of moments I apologize in advance. I'm gonna

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<v Speaker 1>cry probably a couple of times. And uh yeah, like

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<v Speaker 1>this movie, ever since it came out, ever since I

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<v Speaker 1>saw it with Mom, really spoke to me as someone

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<v Speaker 1>who is biracial, as someone whose mother is white and

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<v Speaker 1>whose father is Indigenous, and it really I felt represented

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<v Speaker 1>in a way even if I wasn't Polynesian in Hawaiian.

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<v Speaker 1>You know it really, it really did tug at my

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<v Speaker 1>heart strings. And I felt kind of silly like saying

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<v Speaker 1>that just because it is a goofy superhero movie that

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<v Speaker 1>may or may not be that good. But I had

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<v Speaker 1>a fun time. Oh, I had a last But I

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<v Speaker 1>mean everyone deserves to be represented and seen in the

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<v Speaker 1>whole spectrum of movies, whether they're goofy superhero movies that

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<v Speaker 1>perhaps have plots that are messy. I mean, thank you

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<v Speaker 1>for sharing that, Ali, I mean with that context in particular,

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<v Speaker 1>like of course this is a special movie to you,

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<v Speaker 1>and like it's I don't know, I was I had

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<v Speaker 1>not seen this movie. I think I just generally I

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<v Speaker 1>usually wait on superhero movies because I guess I don't

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<v Speaker 1>I guess just not seeing them in theaters because I

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<v Speaker 1>feel like everyone knows something that I don't and I'm like,

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<v Speaker 1>I can't hang and they're gonna be mad at me.

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<v Speaker 1>But I really I thought this was it was perhaps

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<v Speaker 1>a bit long, but I I love James Wand's work,

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<v Speaker 1>and I was very like, kind of surprised and impressed,

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<v Speaker 1>having very very little understanding of Aquaman other than knowing

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<v Speaker 1>him as like the goofy superhero because he is a

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<v Speaker 1>fish um. But but outside of that, I didn't know anything.

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<v Speaker 1>And I thought that the way that the themes that

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<v Speaker 1>were kind of chosen for this this Aquaman story where

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<v Speaker 1>was really cool and most of them worked really effectively,

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<v Speaker 1>and for me, canonically, Patrick Wilson and Nicole Kidman wore

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<v Speaker 1>the same wig for the whole movie, and that was

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<v Speaker 1>awesome too. So yeah, I'm a I I think I'm

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<v Speaker 1>a fan of this movie. Yeah, I think I am. Caitlin.

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<v Speaker 1>Oh gosh, well, I saw it not in theaters, but

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<v Speaker 1>I did see it on a plane. I could plane

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<v Speaker 1>movie like nine months a year after it had come out,

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<v Speaker 1>because enough by then enough people had seen it and

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<v Speaker 1>I had heard I had heard the reviews, which were,

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<v Speaker 1>I feel like, pretty mixed and still are as far

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<v Speaker 1>as like, and I was Admittedly, when I first saw it,

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<v Speaker 1>I was like, you know, the means on sand is

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<v Speaker 1>is busy James won the j one. Yeah, when I

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<v Speaker 1>first saw the action scene, I was like, oh, that's interesting.

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<v Speaker 1>I was having a lot of sensory overload throughout the um.

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<v Speaker 1>But then when we reached out to you, Ali, so

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<v Speaker 1>this is our quote unquote Thanksgiving episode in the sense

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<v Speaker 1>that we are releasing it on the day that a

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<v Speaker 1>lot of Americans observed Thanksgiving. But we wanted to showcase

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<v Speaker 1>an indigenous movie or you know, a movie by indigenous filmmakers,

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<v Speaker 1>or a movie that has some Indigenous ties to it.

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<v Speaker 1>And then we reached out to U Eli. And then

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<v Speaker 1>when you came back to us with Aquaman, and I

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<v Speaker 1>was like, oh, right, it didn't really occur to me

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<v Speaker 1>that this would be like considered an indigenous movie. And

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<v Speaker 1>then you spoke a little bit about it, and I

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<v Speaker 1>was like, oh, yes, of course, and I knew that

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<v Speaker 1>you would like bring this really great perspective that would

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<v Speaker 1>give me a better appreciation for the movie, which like

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<v Speaker 1>it already has. And I know that are like conversation

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<v Speaker 1>Will and like, yeah, I still think about the Fresen

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<v Speaker 1>two episode all the time. Because I feel like that

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<v Speaker 1>might be like possibly the most that I've been like

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<v Speaker 1>mind blown and swede on a movie that I was

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<v Speaker 1>not at all expecting to see very much in in

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<v Speaker 1>the course of an episode, Like I don't know, I

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<v Speaker 1>think about it often. I'm really touched. I'm really glad

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<v Speaker 1>that you guys like that and that my insight so much. Yeah, yeah,

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<v Speaker 1>of course. Yeah. And um, even going with Aquaman, like again,

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<v Speaker 1>I had like a lot of turmoil because I'm not

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<v Speaker 1>you know, Hawaiian and I'm not Maudy like um Tamira

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<v Speaker 1>Morrison is the actor who plays his dad. He's Maudi,

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<v Speaker 1>which is indigenous to New Zealand. And Um, it's a

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<v Speaker 1>very important distinction that Native Hawaiians, while they are indigenous,

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<v Speaker 1>they are not Native American. That is a big one,

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<v Speaker 1>you know, like a lot of people try to lump

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<v Speaker 1>them all in because we're indigenous and it's it's not

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<v Speaker 1>their Polynesian. They are very adamant that, you know, they

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<v Speaker 1>are not American, you know, but still you know, like

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<v Speaker 1>it's still indigenous. And I felt more comfortable talking about

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<v Speaker 1>this movie just because it isn't like Lelo and Stitch

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<v Speaker 1>or Once We're Warriors where it is very distinctly a

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<v Speaker 1>Hawaiian film, a Hawaiian culture, or a Maudi film and

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<v Speaker 1>Maudi culture, you know, it takes place a main so

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<v Speaker 1>and um, you know, like even though Aquaman's design in

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<v Speaker 1>the movie movie is very distinctly you know, Polynesian, you know,

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<v Speaker 1>with the tattoos and he speaks um. I think he

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<v Speaker 1>says a couple of lines of dialogue that are in Maudi.

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<v Speaker 1>That's what I was seeing just in the in the

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<v Speaker 1>captions of the movie. But he um. Those actors could

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<v Speaker 1>have been played by anybody, really, I mean, they could

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<v Speaker 1>have been black, they could have been any race. And

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<v Speaker 1>the fact that it is indigenous, like brought this entire

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<v Speaker 1>perspective that really connected. Even if I'm not from those islands.

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<v Speaker 1>So you know, I feel like I'm kind of in

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<v Speaker 1>a safe gray area, you know, I don't want to

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<v Speaker 1>feel like I'm talking over anybody. But it did speak

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<v Speaker 1>to me. And when I did a lot of research

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<v Speaker 1>for the movie, I saw that it spoke to a

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<v Speaker 1>lot of biracial people just across the board. So right,

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<v Speaker 1>and I mean you bring up an interesting point where

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<v Speaker 1>some of the characters are indigenous, Aquaman is biracial, and

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<v Speaker 1>that's acknowledged in the movie, but it's it doesn't become

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<v Speaker 1>this thing where like so much of his identity is like, oh,

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<v Speaker 1>I'm so torn and look at me being the victim

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<v Speaker 1>of racism all the time and stuff like that. It's

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<v Speaker 1>more about like his identity is just normalized within the

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<v Speaker 1>context of the world he's living in, which and like

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<v Speaker 1>you said, he could have been played by any actor

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<v Speaker 1>of any color in a way that again just like

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<v Speaker 1>normalizes his existence in the world, which is like what

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<v Speaker 1>we're trying to move toward when it comes to representation.

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<v Speaker 1>So that was something I really appreciated about it. Yeah,

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<v Speaker 1>and I mean I just I love Jason Momoa, and like,

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<v Speaker 1>you can't not love Jason Momoa as of this recording.

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<v Speaker 1>I feel like we always have to be like yeah

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<v Speaker 1>as at this time, No, but um, he's great and

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<v Speaker 1>I feel like I really and we'll get into this too,

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<v Speaker 1>but uh, going off of what you were just saying, Caitlin,

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<v Speaker 1>I really was touched by how like thoughtful Aquaman was

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<v Speaker 1>as a character and how he was like I mean

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<v Speaker 1>not you know whatever. Every superhero has to be emotionally

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<v Speaker 1>stunted if they're a man without fail like that's just

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<v Speaker 1>the law. But I thought, I felt I feel like,

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<v Speaker 1>you know, I'm trying to think of a specific example,

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<v Speaker 1>but I feel like there's a lot of superhero movies

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<v Speaker 1>where the like male hero like doesn't have feelings or

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<v Speaker 1>like I don't emote, blah blah blah. And Aquaman is

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<v Speaker 1>like struggling with his you know, finding his place in

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<v Speaker 1>the world and trying to figure out where he fits.

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<v Speaker 1>But he like talks about it with people and like

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<v Speaker 1>talks about like even when he there's that scene, um

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<v Speaker 1>when they're on the boat, Um, Aquaman and Mara are

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<v Speaker 1>on the boat and he is talking about how he

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<v Speaker 1>killed or was the what is the pirate character's name,

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<v Speaker 1>David David. I think it's his name. I was like,

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<v Speaker 1>what's his name because I thought it was like a

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<v Speaker 1>superhero name, and I'm like, David David slash Manta. Yeah, yeah.

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<v Speaker 1>But he's talking about how he feels like guilty for

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<v Speaker 1>killing Manta's father, and I was like, I feel like

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<v Speaker 1>you don't get those moments from superheroes very often. And

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<v Speaker 1>then they have a discussion about his role in the

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<v Speaker 1>world and where he wants to be. There was actually

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<v Speaker 1>there was a lot of like scenes between Mira and

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<v Speaker 1>Aquaman that we're reminding me of like Simba and Nala

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<v Speaker 1>in the second act of The Lion King where she

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<v Speaker 1>like shows up and she's like, you have to be king,

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<v Speaker 1>and he's like, that's that's not my life anymore. And

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<v Speaker 1>then eventually obviously that is a great point, Damie, thank

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<v Speaker 1>you so much. Women be telling men they have to

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<v Speaker 1>be the gang. It's just mean, it's a trope at

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<v Speaker 1>this point. Um, I'm so excited to get more into

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<v Speaker 1>the discussion. Let's be kept the movie and then we'll

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<v Speaker 1>get into it. Okay. So we open on Aquaman's mom

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<v Speaker 1>and dad meeting in. His mom is Atlanta played by

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<v Speaker 1>Nicole Kidman. She is the Queen of Atlantis who fled

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<v Speaker 1>to land to escape and arranged marriage. His dad is

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<v Speaker 1>a human man named Tom played by Tamura Morrison, who

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<v Speaker 1>is a lighthouse keeper. He's a lighthousekeeper. That is high.

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<v Speaker 1>That's really hot, that he's a lighthouse keeper. He is

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<v Speaker 1>really hot period and anything true. He's really underlated to

0:13:39.760 --> 0:13:41.960
<v Speaker 1>be a lighthouse keeper. He's hot, but it doesn't hurt.

0:13:42.520 --> 0:13:44.839
<v Speaker 1>He's also been the voice of Boba Fette for like

0:13:45.520 --> 0:13:48.160
<v Speaker 1>nearly twenty years, I want to say, yeah, it was

0:13:48.240 --> 0:13:52.080
<v Speaker 1>Django Fett and Clone Wars and that our Clone Wars

0:13:52.080 --> 0:13:54.880
<v Speaker 1>attack the Clones. And then he's Mr Fette in some

0:13:54.920 --> 0:13:57.800
<v Speaker 1>capacity and has been for a while. He's back in

0:13:57.840 --> 0:14:00.959
<v Speaker 1>the Mandalorian and he's doing the book about the only

0:14:01.000 --> 0:14:03.520
<v Speaker 1>time I have never liked him was in Once Her

0:14:03.559 --> 0:14:08.400
<v Speaker 1>Warriors because he's like violently abusive in that movie, and

0:14:08.600 --> 0:14:12.600
<v Speaker 1>it's like, ah, it's hard, like get a Maudie guest

0:14:12.760 --> 0:14:15.280
<v Speaker 1>on the show to talk about it because it's good,

0:14:15.280 --> 0:14:19.400
<v Speaker 1>but it is like I almost hated him. Thank god

0:14:19.400 --> 0:14:22.800
<v Speaker 1>he made this movie because I love him again. But yeah,

0:14:22.840 --> 0:14:24.680
<v Speaker 1>this one he's at he's being a good dad in

0:14:24.720 --> 0:14:29.160
<v Speaker 1>a lighthouse and I love that. So Atlanta and Tom

0:14:29.320 --> 0:14:32.760
<v Speaker 1>fall in love and they have a baby named Arthur.

0:14:33.280 --> 0:14:36.640
<v Speaker 1>And then when Arthur is a small child, or vas

0:14:37.040 --> 0:14:39.080
<v Speaker 1>the king of Atlantis or one of the kings, because

0:14:39.120 --> 0:14:42.320
<v Speaker 1>you find out there several kings who Atlanta was arranged

0:14:42.360 --> 0:14:46.680
<v Speaker 1>to be married to, he sends soldiers to capture Atlanta

0:14:46.720 --> 0:14:49.600
<v Speaker 1>and bring her back, and she realizes that she has

0:14:49.640 --> 0:14:54.080
<v Speaker 1>to return to Atlantis. I kept writing down Atlanta in

0:14:54.120 --> 0:14:57.360
<v Speaker 1>my notes, so if I accidentally say Atlanta to refer

0:14:57.480 --> 0:15:01.400
<v Speaker 1>to either Atlantis or Atlanta. With my accent, I'm going

0:15:01.440 --> 0:15:04.440
<v Speaker 1>to call him Accaman at least twenty million times, so

0:15:06.000 --> 0:15:09.920
<v Speaker 1>apologies to everyone. Yeah, I'm gonna say the wrong names

0:15:09.960 --> 0:15:13.200
<v Speaker 1>all the time. So she kind of surrenders and returns

0:15:13.240 --> 0:15:16.840
<v Speaker 1>to Atlantis in order to keep Tom and Arthur safe.

0:15:17.120 --> 0:15:19.160
<v Speaker 1>I'm I'm such a fool. I was like, Wow, I

0:15:19.200 --> 0:15:22.320
<v Speaker 1>can't believe the call given did this movie for two minutes?

0:15:22.600 --> 0:15:24.880
<v Speaker 1>That's so interesting? But then I was like oh, and

0:15:24.880 --> 0:15:27.600
<v Speaker 1>then later I was like, oh, right, right, she wouldn't

0:15:27.600 --> 0:15:31.000
<v Speaker 1>do that. That wouldn't make sense. She does say that

0:15:31.080 --> 0:15:36.280
<v Speaker 1>one day she will return, which is foreshadowing that's a plant.

0:15:36.440 --> 0:15:39.840
<v Speaker 1>Can I just talk about like that whole introduction to

0:15:39.840 --> 0:15:43.480
<v Speaker 1>the movie, because you know, Okay, I'm gonna try to

0:15:43.560 --> 0:15:46.760
<v Speaker 1>keep it together. So my um my mom and I

0:15:46.800 --> 0:15:48.840
<v Speaker 1>when we went and saw this movie, I had just

0:15:48.920 --> 0:15:52.600
<v Speaker 1>moved home from Finland. I was going through divorce, and

0:15:52.720 --> 0:15:57.720
<v Speaker 1>she had pay creatic cancer and was just about to

0:15:57.760 --> 0:16:04.040
<v Speaker 1>go into receiving treatment for that. So, uh so watching

0:16:04.160 --> 0:16:09.600
<v Speaker 1>this movie with her like right next to me, mhm,

0:16:09.600 --> 0:16:13.560
<v Speaker 1>she um you know, it was kind of foreshadowing things

0:16:13.600 --> 0:16:17.320
<v Speaker 1>that not only that I was going to have to

0:16:17.320 --> 0:16:25.000
<v Speaker 1>deal with I'm I'm sorry, no, no, no, please take

0:16:25.080 --> 0:16:31.400
<v Speaker 1>your time. But you know, also but also things that

0:16:31.440 --> 0:16:37.000
<v Speaker 1>my dad was going to be dealing with, because because

0:16:37.040 --> 0:16:40.320
<v Speaker 1>you want to be hopeful, and you want to be

0:16:40.360 --> 0:16:44.520
<v Speaker 1>hopeful what you know, you know that that's not how

0:16:44.560 --> 0:16:48.840
<v Speaker 1>it's going to be, you know, in the end, and um,

0:16:48.880 --> 0:16:52.400
<v Speaker 1>her absence and the movie, you know, like it touches

0:16:52.440 --> 0:16:55.840
<v Speaker 1>the characters so much. You know, like when he goes

0:16:55.880 --> 0:17:00.200
<v Speaker 1>down to the dock every morning morning, yeah, you know,

0:17:00.240 --> 0:17:03.080
<v Speaker 1>because she says that, you know, we'll be together again

0:17:03.120 --> 0:17:05.879
<v Speaker 1>and she'll see again and she'll yeah, she'll she's like,

0:17:05.920 --> 0:17:08.800
<v Speaker 1>I'll meet you here one day. And then of course Arthur,

0:17:08.960 --> 0:17:12.119
<v Speaker 1>you know, like not having his mother and his life

0:17:12.240 --> 0:17:16.119
<v Speaker 1>is damaging, you know, like it's it's painful, and especially

0:17:16.160 --> 0:17:20.520
<v Speaker 1>like with this extra layer with racism and separation from

0:17:20.560 --> 0:17:25.680
<v Speaker 1>your culture and not really belonging to that culture, you know,

0:17:26.440 --> 0:17:29.439
<v Speaker 1>especially not fully belonging to a culture of someone that

0:17:29.520 --> 0:17:34.280
<v Speaker 1>you love on top of that, you know, it's, uh yeah,

0:17:34.359 --> 0:17:36.359
<v Speaker 1>it gets to you, you know when you're watching this

0:17:36.440 --> 0:17:40.320
<v Speaker 1>as this biracial kid, um kid, you know, I was

0:17:40.359 --> 0:17:43.640
<v Speaker 1>like thirty, but you know, but you know, watching it

0:17:44.600 --> 0:17:47.199
<v Speaker 1>and uh yeah, just kind of sitting there in the

0:17:47.200 --> 0:17:50.600
<v Speaker 1>theater with mom and watching this and kind of know

0:17:50.680 --> 0:17:54.000
<v Speaker 1>whing you know, in the back of your head, what's

0:17:54.000 --> 0:17:57.840
<v Speaker 1>going to happen? And uh, the whole introch of the

0:17:57.840 --> 0:18:02.639
<v Speaker 1>movie first ten minutes of Aquaman. I'm a bad like this, um,

0:18:02.680 --> 0:18:06.719
<v Speaker 1>but thankfully, thankfully the movie is a lot more fun

0:18:07.240 --> 0:18:10.679
<v Speaker 1>than uh than this. The tone, the tone shifts a

0:18:10.680 --> 0:18:14.280
<v Speaker 1>bit from that point onward, but it is, I mean,

0:18:14.320 --> 0:18:18.280
<v Speaker 1>it is like it's really beautifully done, like that that

0:18:18.560 --> 0:18:22.680
<v Speaker 1>scene of them, oh for sure, because they do. They

0:18:22.680 --> 0:18:26.200
<v Speaker 1>look just like my parents. I mean, it totally looks

0:18:26.240 --> 0:18:30.880
<v Speaker 1>like my parents. So that wasn't lost on me. And yeah,

0:18:31.480 --> 0:18:34.680
<v Speaker 1>and I love I love that Aquaman loves his dad,

0:18:36.119 --> 0:18:42.480
<v Speaker 1>you know, especially especially you know, like as someone taking

0:18:42.520 --> 0:18:46.720
<v Speaker 1>care of my dad, you know, as someone taking care

0:18:46.720 --> 0:18:49.560
<v Speaker 1>of your dad, you know, by yourself. Like no, I'm

0:18:49.600 --> 0:18:52.360
<v Speaker 1>not really by myself, like my sister's helped too, but

0:18:52.400 --> 0:18:55.160
<v Speaker 1>you know, I I live with him, and I take

0:18:55.200 --> 0:18:58.000
<v Speaker 1>care of them and make sure that you know, the

0:18:58.040 --> 0:18:59.800
<v Speaker 1>house is taken care of and that he's taking as

0:18:59.840 --> 0:19:03.640
<v Speaker 1>me to send and stuff, you know, and seeing Aquaman's

0:19:03.680 --> 0:19:08.760
<v Speaker 1>relationship with his father, as you know, you're his son,

0:19:08.960 --> 0:19:12.720
<v Speaker 1>but you're also his best friend and you're also his protector.

0:19:12.760 --> 0:19:16.119
<v Speaker 1>You know. It's uh yeah, yeah, I do want to

0:19:16.160 --> 0:19:18.640
<v Speaker 1>talk about their relationship more because I feel like that's

0:19:18.640 --> 0:19:21.560
<v Speaker 1>one of the big strengths of the movie. It's I

0:19:21.560 --> 0:19:24.440
<v Speaker 1>mean then just like how it's so funny because it's

0:19:24.480 --> 0:19:27.440
<v Speaker 1>like I feel like that like is a testament to

0:19:27.480 --> 0:19:30.760
<v Speaker 1>the actors, Like you don't actually spend a lot of

0:19:30.800 --> 0:19:33.280
<v Speaker 1>time with Aquaman and his dad, but when you do,

0:19:33.440 --> 0:19:37.199
<v Speaker 1>it's you just like feel it. And his dad is

0:19:37.320 --> 0:19:41.919
<v Speaker 1>so like awesome, yeah good and supportive, and you know,

0:19:42.000 --> 0:19:44.639
<v Speaker 1>Aquaman is like, I'm not Aquaman and his dad's like,

0:19:44.800 --> 0:19:51.360
<v Speaker 1>oh good, it's awesome. Like and again that that feels

0:19:51.600 --> 0:19:54.960
<v Speaker 1>like an outlier in a superhero movie where it like

0:19:55.359 --> 0:19:59.920
<v Speaker 1>someone who's like very I mean, even though Arthur can't

0:20:00.040 --> 0:20:02.280
<v Speaker 1>me with his mom for the majority of his life,

0:20:02.920 --> 0:20:07.600
<v Speaker 1>she's he's still very connected to her and thinks well

0:20:07.640 --> 0:20:09.080
<v Speaker 1>of her. I don't know, it's just I was like,

0:20:09.800 --> 0:20:14.920
<v Speaker 1>the superhero loves his parents so much and it's so nice.

0:20:15.400 --> 0:20:20.200
<v Speaker 1>And then there's Patrick Wilson. Oh man, this guy, this asshole,

0:20:22.200 --> 0:20:26.119
<v Speaker 1>the character, not the actor, the actor. Yeah, he's about

0:20:26.119 --> 0:20:28.320
<v Speaker 1>to show up before we see him, though we briefly

0:20:28.359 --> 0:20:31.639
<v Speaker 1>see Arthur a few years later on a school trip

0:20:31.680 --> 0:20:35.560
<v Speaker 1>to the aquarium with the two worst bullies ever in

0:20:35.680 --> 0:20:40.480
<v Speaker 1>any movie ever, Brutle. That was so much to me,

0:20:40.600 --> 0:20:44.080
<v Speaker 1>like the scene from the first Harry Potter movie where

0:20:44.160 --> 0:20:47.120
<v Speaker 1>like he's talking to the snake through the glass, except

0:20:47.200 --> 0:20:50.040
<v Speaker 1>Arthur's talking to some sharks or something, and then there's

0:20:50.080 --> 0:20:53.359
<v Speaker 1>like two Dudley's behind him trying to bully him, and

0:20:53.359 --> 0:20:55.760
<v Speaker 1>they're like so much older than he is, which is

0:20:56.560 --> 0:20:59.480
<v Speaker 1>he looks like he's about like four and they're like

0:21:00.320 --> 0:21:02.639
<v Speaker 1>they're like two ft taller than him. I'm just like

0:21:02.760 --> 0:21:06.040
<v Speaker 1>James Wands fanning out here, but I feel like things

0:21:06.040 --> 0:21:09.160
<v Speaker 1>that happen in James wand movies just happened like weirdly

0:21:09.200 --> 0:21:12.280
<v Speaker 1>at an eleven sometimes for no reason at all, And

0:21:12.320 --> 0:21:14.679
<v Speaker 1>I feel like that bullying moment, I'm like, why is

0:21:14.760 --> 0:21:17.879
<v Speaker 1>this so intense and why are the bullies so old?

0:21:18.119 --> 0:21:22.320
<v Speaker 1>And like what is happening? Um? But then it or

0:21:22.400 --> 0:21:25.400
<v Speaker 1>like the moment where it's like whatever, Mira and Aquamand

0:21:25.440 --> 0:21:27.879
<v Speaker 1>almost kissed and then there's an explosion like next to

0:21:27.920 --> 0:21:32.000
<v Speaker 1>their heads and you're like, Mr Wand that was not necessary,

0:21:32.080 --> 0:21:36.080
<v Speaker 1>But I'm glad you did it. There's like twenty explosions

0:21:36.080 --> 0:21:39.280
<v Speaker 1>in this movie that happened out of nowhere, and I'm like,

0:21:39.400 --> 0:21:42.959
<v Speaker 1>why again, it's quite jarring. He's just like, we have

0:21:43.000 --> 0:21:47.000
<v Speaker 1>the budget, let's do it. The important thing we learned

0:21:47.000 --> 0:21:50.960
<v Speaker 1>from the scene is that Aquaman is able to communicate

0:21:51.000 --> 0:21:54.000
<v Speaker 1>with marine life. Then we cut to him as an adult.

0:21:54.320 --> 0:21:59.000
<v Speaker 1>He's now Jason Momoa. He's already a badass superhero. We

0:21:59.080 --> 0:22:03.120
<v Speaker 1>see this sequence where he stops this pirate attack against

0:22:03.200 --> 0:22:08.159
<v Speaker 1>a Russian submarine, and the main pirate is David a

0:22:08.280 --> 0:22:11.120
<v Speaker 1>k a. Black Manta, who is not quite Black Manta yet,

0:22:11.160 --> 0:22:14.159
<v Speaker 1>but he's like kind of having his origin story in

0:22:14.200 --> 0:22:18.960
<v Speaker 1>the background, fully having his origin story. There's a Shakespearean monologue,

0:22:19.600 --> 0:22:24.720
<v Speaker 1>there's a dramatic explosion death like yes, yes, yes, yeah.

0:22:24.760 --> 0:22:28.480
<v Speaker 1>He's played by yah Yah abdul Mateen. The second so

0:22:28.800 --> 0:22:33.400
<v Speaker 1>Manta now has a vendetta against Aquaman because Manta's dad

0:22:33.560 --> 0:22:38.439
<v Speaker 1>dies during this attack and Manta blames Aquaman. I felt

0:22:38.520 --> 0:22:41.840
<v Speaker 1>so bad for him, like I legit. I mean, like

0:22:42.000 --> 0:22:44.680
<v Speaker 1>even watching it, I'm like, oh man, that was mean

0:22:44.760 --> 0:22:48.840
<v Speaker 1>as hell. Yeah, because he's like asked the sea for mercy.

0:22:48.960 --> 0:22:52.000
<v Speaker 1>But then yeah, Aquaman does feel like guilty about it later,

0:22:52.200 --> 0:22:54.760
<v Speaker 1>so I'm glad he does, because I felt bad that

0:22:54.880 --> 0:22:58.720
<v Speaker 1>was brutal. Like I know that they're bad guys, and

0:22:58.800 --> 0:23:00.639
<v Speaker 1>I know that they like killed in us at people

0:23:00.800 --> 0:23:03.080
<v Speaker 1>and they're stealing ship and I'm like, man, the dude

0:23:03.200 --> 0:23:05.520
<v Speaker 1>is begging you to save his dad. Oh my god,

0:23:05.640 --> 0:23:08.160
<v Speaker 1>I don't know if I could say no, I take

0:23:08.240 --> 0:23:11.920
<v Speaker 1>him to jail, which I mean, honestly makes for an

0:23:11.920 --> 0:23:17.080
<v Speaker 1>interesting superhero because a lot of superheroes are so morally

0:23:17.400 --> 0:23:21.120
<v Speaker 1>pure and good that it kind of gets boring. Boring.

0:23:21.320 --> 0:23:24.840
<v Speaker 1>So for Aquaman to be like, no, dude, see uh

0:23:25.240 --> 0:23:27.360
<v Speaker 1>later and then and then for him to like experience

0:23:27.359 --> 0:23:29.680
<v Speaker 1>like which is a pretty human thing to do. He's

0:23:29.720 --> 0:23:32.560
<v Speaker 1>like acting in sort of the you know, the emotion

0:23:32.600 --> 0:23:34.800
<v Speaker 1>of the moment, and then later he has like a

0:23:34.840 --> 0:23:37.800
<v Speaker 1>conflicting emotion about it, and yeah, that's just all very

0:23:37.880 --> 0:23:41.680
<v Speaker 1>human stuff. My feeling of that, Yeah, that sequence I thought,

0:23:42.040 --> 0:23:44.600
<v Speaker 1>especially like thinking about it when it comes up again

0:23:44.680 --> 0:23:46.199
<v Speaker 1>later in the movie, because I wasn't sure if it

0:23:46.359 --> 0:23:48.639
<v Speaker 1>was like when that was going to come back. It

0:23:48.800 --> 0:23:50.600
<v Speaker 1>was like, I feel like he was doing kind of

0:23:50.640 --> 0:23:53.560
<v Speaker 1>like almost like a the way that Arnold Schwarzenegger would

0:23:53.640 --> 0:23:57.680
<v Speaker 1>handle an action scene where it's like quip, shoot, murder kill,

0:23:57.920 --> 0:23:59.800
<v Speaker 1>but then we as the audience have to stay in

0:23:59.840 --> 0:24:03.600
<v Speaker 1>that scene and like, watch how it affects the people

0:24:03.680 --> 0:24:07.119
<v Speaker 1>who like the cool superhero leaves behind. And oh that

0:24:07.240 --> 0:24:11.040
<v Speaker 1>that scene of like David climbing like the ladder shot,

0:24:11.119 --> 0:24:15.640
<v Speaker 1>I was like, Oh, it's so like, it's so sad.

0:24:15.720 --> 0:24:18.120
<v Speaker 1>And I was like, I think that that probably happens

0:24:18.119 --> 0:24:20.840
<v Speaker 1>in action movies and superhero movies all the time, but

0:24:20.920 --> 0:24:23.840
<v Speaker 1>the movie doesn't be like, and we're gonna stay here too,

0:24:24.440 --> 0:24:27.480
<v Speaker 1>just so you can see how upset these pirates are.

0:24:27.520 --> 0:24:30.000
<v Speaker 1>Like that was good though, because I feel like that

0:24:30.320 --> 0:24:34.720
<v Speaker 1>legit like solidified him as a good villain with a

0:24:34.840 --> 0:24:40.040
<v Speaker 1>good reason to hate. He's strongly motivated. Yeah, oh my god.

0:24:40.560 --> 0:24:42.680
<v Speaker 1>Yeah that scene at the mid credit scene at the

0:24:42.760 --> 0:24:44.560
<v Speaker 1>end with him in Randall Park, I was like, all right,

0:24:44.600 --> 0:24:48.560
<v Speaker 1>I'm I guess I'm excited for the next one. Let's go. Yeah.

0:24:48.840 --> 0:24:52.000
<v Speaker 1>I feel like really bad for him though. Um. On

0:24:52.040 --> 0:24:56.879
<v Speaker 1>another note, just because this movie it's so long, but

0:24:57.040 --> 0:24:59.920
<v Speaker 1>it's it's so long, but it has so much stuf

0:25:00.240 --> 0:25:03.280
<v Speaker 1>in it, so there's so much lower there's so many flashbacks,

0:25:03.280 --> 0:25:06.479
<v Speaker 1>so much history, so much legend, and all of it

0:25:06.560 --> 0:25:10.720
<v Speaker 1>is awesome, but it's like they only really have time

0:25:10.800 --> 0:25:13.760
<v Speaker 1>for one bad guy, and this movie has too, so

0:25:13.880 --> 0:25:18.080
<v Speaker 1>he kind of halfway through gets kicked out, you know, like,

0:25:18.440 --> 0:25:21.600
<v Speaker 1>oh the way, Black Manta, I'm doing other cool things.

0:25:21.680 --> 0:25:23.480
<v Speaker 1>It's like they should have just saved him for the

0:25:23.520 --> 0:25:27.119
<v Speaker 1>second movie or this one, and then did something with

0:25:27.119 --> 0:25:29.880
<v Speaker 1>the worm later. But I don't know. It's like I

0:25:29.920 --> 0:25:33.480
<v Speaker 1>feel like he deserved a lot better. Every time he's

0:25:33.480 --> 0:25:36.119
<v Speaker 1>in there, he's great, but it's like you deserved a

0:25:36.160 --> 0:25:39.200
<v Speaker 1>little bit more. Give him more space, for sure. Yeah,

0:25:39.240 --> 0:25:41.600
<v Speaker 1>I felt the same way. I hope that he's the

0:25:41.960 --> 0:25:44.800
<v Speaker 1>like main I mean, I'm hoping that that mid credit

0:25:44.840 --> 0:25:47.879
<v Speaker 1>scene sets him up as like the character in the

0:25:47.920 --> 0:25:50.960
<v Speaker 1>second movie. I hope. I hope so too. Yeah, um,

0:25:51.040 --> 0:25:53.080
<v Speaker 1>let's take a quick break right here and then we

0:25:53.119 --> 0:26:03.040
<v Speaker 1>will come right back and we're back. So meanwhile, underwater

0:26:03.280 --> 0:26:09.480
<v Speaker 1>in Atlantis, there are several different kingdoms. King Orm that's

0:26:09.600 --> 0:26:14.240
<v Speaker 1>Patrick Wilson, is the king of one of them. He

0:26:14.480 --> 0:26:19.720
<v Speaker 1>is Aquaman's half brother. Because Queen Atlanta is their mother,

0:26:20.200 --> 0:26:26.280
<v Speaker 1>they obviously have different fathers. His right hand man is Volco. Okay,

0:26:26.320 --> 0:26:30.200
<v Speaker 1>Willem Dafoe, which he keeps calling him his vizier, which

0:26:30.240 --> 0:26:34.119
<v Speaker 1>I've only heard that word applied to jaffar. Same, So

0:26:34.200 --> 0:26:36.399
<v Speaker 1>I was like, oh, okay, so William Dafoe is the

0:26:36.480 --> 0:26:40.320
<v Speaker 1>Jaffar of this palace, except a good guy and not

0:26:40.720 --> 0:26:46.359
<v Speaker 1>a villain. He's nice Jaffar. Also, it didn't occur to

0:26:46.359 --> 0:26:49.360
<v Speaker 1>me to like halfway through the movie that Willem Dafoe

0:26:49.440 --> 0:26:51.359
<v Speaker 1>is I feel like one of the few people who's

0:26:51.400 --> 0:26:53.320
<v Speaker 1>in the m c U and the d C you

0:26:54.720 --> 0:26:57.720
<v Speaker 1>as like super different characters. He's a villain in the

0:26:57.840 --> 0:27:01.520
<v Speaker 1>m c U. It's also weird to see William Dafoe

0:27:01.680 --> 0:27:05.280
<v Speaker 1>not as a villain. Yeah, so that's quite something. Yeah.

0:27:05.320 --> 0:27:07.639
<v Speaker 1>I think the only time he played like a hero

0:27:08.480 --> 0:27:12.480
<v Speaker 1>or otherwise protagonist was in Platoon. Oh sure, and let's

0:27:12.480 --> 0:27:15.680
<v Speaker 1>not forget the Last Temptation of Christ or whatever the

0:27:16.280 --> 0:27:22.760
<v Speaker 1>Jesus later really Jesus famously a hero. Yeah there, And

0:27:22.880 --> 0:27:25.080
<v Speaker 1>this is another I mean, I guess William Dafoe doesn't

0:27:25.080 --> 0:27:27.359
<v Speaker 1>get near the lighthouse in this movie, but it's another

0:27:27.440 --> 0:27:31.600
<v Speaker 1>movie with the lighthouse that he's in. Wow. Wow, good point, Jamie,

0:27:31.920 --> 0:27:35.000
<v Speaker 1>thank you, thank you. That's why they paid me the

0:27:35.000 --> 0:27:41.360
<v Speaker 1>big blocks. Um. So, King Orm is trying to unite

0:27:41.440 --> 0:27:44.680
<v Speaker 1>at least four of the seven kingdoms so that he

0:27:44.760 --> 0:27:51.640
<v Speaker 1>can become Ocean Master and legally declare war against the

0:27:51.720 --> 0:27:54.399
<v Speaker 1>surface dwellers at which he wants to do because he

0:27:54.440 --> 0:27:59.200
<v Speaker 1>thinks humans are going to be the demise of Atlantis

0:27:59.200 --> 0:28:01.240
<v Speaker 1>and everyone living in Wonder, which we are because we

0:28:01.280 --> 0:28:05.440
<v Speaker 1>are destroying our oceans. Um, I don't even think that's preachy,

0:28:05.480 --> 0:28:07.760
<v Speaker 1>Like you know how in like fern Gully and stuff

0:28:07.760 --> 0:28:10.439
<v Speaker 1>like that, Like the environmentalist issue kind of feels a

0:28:10.440 --> 0:28:14.359
<v Speaker 1>little too on the nose. It's like, I mean that's

0:28:14.520 --> 0:28:17.119
<v Speaker 1>kind of valid. Man, We are destroying the ocean, and

0:28:17.160 --> 0:28:19.879
<v Speaker 1>the ocean is massive and vast, and we're sucking it

0:28:20.000 --> 0:28:23.680
<v Speaker 1>all up. So yeah, that's another reason I'm really psyched

0:28:23.720 --> 0:28:27.359
<v Speaker 1>on the Randall Park character because it seems like he's

0:28:27.359 --> 0:28:29.760
<v Speaker 1>gonna like he's like an environmentalist, Like he's going to

0:28:30.000 --> 0:28:33.680
<v Speaker 1>bring all of that into the next movie as well. Yeah.

0:28:33.720 --> 0:28:37.720
<v Speaker 1>I mean, like Patrick Wilson obviously, big old evil villain

0:28:38.280 --> 0:28:41.120
<v Speaker 1>like spouting some of the nastiest rhetoric you could imagine

0:28:41.320 --> 0:28:44.880
<v Speaker 1>in this movie. But humans are destroying the ocean. I mean,

0:28:44.960 --> 0:28:47.160
<v Speaker 1>but then Nicole Kidman kind of shows up the end

0:28:47.160 --> 0:28:50.200
<v Speaker 1>and she's like, no, they're not. It's like, that's we

0:28:50.280 --> 0:28:55.320
<v Speaker 1>are who we are. I do like when a villain

0:28:55.640 --> 0:28:59.000
<v Speaker 1>is motivated in such a way that is compelling or

0:28:59.040 --> 0:29:01.560
<v Speaker 1>that like the odd it's gonna understand where they're coming from,

0:29:01.560 --> 0:29:04.360
<v Speaker 1>even if we don't agree with like the execution of

0:29:04.400 --> 0:29:07.160
<v Speaker 1>their plan or whatever it is, but like would be

0:29:07.240 --> 0:29:10.920
<v Speaker 1>deeply fun character. But yeah, we're like, yeah, you're not wrong.

0:29:11.120 --> 0:29:15.840
<v Speaker 1>Humans are destroying all of the environment. Okay, we're back

0:29:15.840 --> 0:29:20.440
<v Speaker 1>on land. This Atlantean woman, Mara played by Amber Heard,

0:29:21.120 --> 0:29:24.240
<v Speaker 1>she comes to the surface to relay all of this

0:29:24.280 --> 0:29:28.960
<v Speaker 1>information to Aquaman and she's like, we need your help.

0:29:29.040 --> 0:29:32.680
<v Speaker 1>We need to stop Orm again. Nala basically being like,

0:29:32.840 --> 0:29:36.200
<v Speaker 1>you gotta come and be our king because he is

0:29:36.200 --> 0:29:38.680
<v Speaker 1>the rightful heir to the throne because he's the firstborn

0:29:38.760 --> 0:29:42.400
<v Speaker 1>son of Atlanta. And that's the moment you realize, Oh,

0:29:42.640 --> 0:29:45.720
<v Speaker 1>Jason Momoa, even though he's like six years younger than

0:29:45.720 --> 0:29:50.040
<v Speaker 1>Patrick Wilson, is supposed to be older than Orm's character.

0:29:50.440 --> 0:29:54.080
<v Speaker 1>He's taller and that equals older. And then also Nicole

0:29:54.120 --> 0:29:56.400
<v Speaker 1>Kiman is supposed to be playing Patrick Wilson's mother, she's

0:29:56.440 --> 0:29:59.760
<v Speaker 1>like seven years older because don't think too hard about it,

0:30:00.200 --> 0:30:04.240
<v Speaker 1>and she's only twelve years older than Jason Momoa. And yeah,

0:30:04.320 --> 0:30:06.760
<v Speaker 1>I'm like, okay, you did not cast an age appropriate

0:30:06.880 --> 0:30:09.560
<v Speaker 1>actor to play their mother. Well, I don't know what

0:30:09.720 --> 0:30:13.040
<v Speaker 1>kind of like packed that Patrick Wilson and James Wan have,

0:30:13.280 --> 0:30:15.240
<v Speaker 1>but Patrick Wilson has to be in all of his

0:30:15.320 --> 0:30:19.160
<v Speaker 1>movies or except for Malignant, But Patrick Wilson isn't in

0:30:19.280 --> 0:30:21.960
<v Speaker 1>like literally all of James Want's movies. So that's I

0:30:22.000 --> 0:30:27.040
<v Speaker 1>think why he's here. Something interesting that, you know, upon

0:30:27.120 --> 0:30:32.160
<v Speaker 1>watching Aquaman uh several times was um or you know, like,

0:30:32.480 --> 0:30:36.200
<v Speaker 1>I don't know if he's a good villain, but the

0:30:36.360 --> 0:30:39.880
<v Speaker 1>interesting thing about him is that there's room for like

0:30:40.000 --> 0:30:45.760
<v Speaker 1>complexity because you know, he benefits from a society and

0:30:45.840 --> 0:30:51.280
<v Speaker 1>a system that gives him power, of course, and it's

0:30:51.400 --> 0:30:57.200
<v Speaker 1>interesting that he doesn't hate his dad for killing his mother.

0:30:57.880 --> 0:31:00.520
<v Speaker 1>You know, there's never a moment where it's like Atlantis

0:31:00.560 --> 0:31:02.520
<v Speaker 1>was sucking wrong for what they did to my mom.

0:31:02.680 --> 0:31:06.360
<v Speaker 1>This is bullshit because it's easier to blame it on Aquaman,

0:31:07.080 --> 0:31:09.760
<v Speaker 1>like if it wasn't for you, and it wasn't for

0:31:09.840 --> 0:31:12.520
<v Speaker 1>your dad, my mom would still be alive, and this

0:31:12.640 --> 0:31:17.480
<v Speaker 1>is your fault, which goes into like the racial implications too,

0:31:17.520 --> 0:31:22.440
<v Speaker 1>because he's totally an ocean colonizer, like an ocean supremacist,

0:31:22.440 --> 0:31:24.920
<v Speaker 1>like he is started by the end of the movie,

0:31:24.960 --> 0:31:28.520
<v Speaker 1>he's like spouting pure blood like he's He's like, they

0:31:28.560 --> 0:31:34.680
<v Speaker 1>go all the way with that characters. Yeah politics, Yeah,

0:31:34.800 --> 0:31:37.320
<v Speaker 1>I noticed that as well, and like contrasting that with

0:31:37.440 --> 0:31:43.840
<v Speaker 1>how Aquaman feels of like I sort of assumed just

0:31:44.280 --> 0:31:48.000
<v Speaker 1>based on having seen superhero movies. I was like, Okay,

0:31:48.200 --> 0:31:50.720
<v Speaker 1>Aquaman is going to blame himself for what happened to

0:31:50.760 --> 0:31:53.200
<v Speaker 1>his mother, and then that's the journey of like it

0:31:53.280 --> 0:31:56.080
<v Speaker 1>wasn't all my fault, but it's like it's more detailed

0:31:56.080 --> 0:32:00.200
<v Speaker 1>than that. And I really liked that scene with Aquaman, mean,

0:32:00.880 --> 0:32:04.920
<v Speaker 1>with will of Dafoe and he's saying like the opposite

0:32:05.000 --> 0:32:07.920
<v Speaker 1>of what Orma is saying. He's like he's furious at

0:32:07.960 --> 0:32:10.320
<v Speaker 1>the system that allowed that to happen to his mother,

0:32:10.640 --> 0:32:12.800
<v Speaker 1>and I just feel like, yeah, it speaks to like

0:32:12.840 --> 0:32:16.080
<v Speaker 1>how different their environments were and how different their upbringings were,

0:32:16.080 --> 0:32:19.520
<v Speaker 1>where like Patrick Wilson was raised by a fascist and

0:32:19.880 --> 0:32:22.800
<v Speaker 1>you know, Aquaman was raised by a very kind lighthouse keeper,

0:32:23.200 --> 0:32:26.520
<v Speaker 1>and it makes a difference. Patrick Wilson is white, and

0:32:28.480 --> 0:32:32.080
<v Speaker 1>because that's the other thing, Like, um, with Aquaman, there's

0:32:32.200 --> 0:32:35.560
<v Speaker 1>never like a line or anything in the movie where

0:32:36.000 --> 0:32:38.360
<v Speaker 1>you know, he'd be like, well, you think you're special.

0:32:38.400 --> 0:32:40.520
<v Speaker 1>White people treat me like shit all the time on land.

0:32:40.560 --> 0:32:42.640
<v Speaker 1>You guys aren't any different. Blah blah blah, you know

0:32:42.680 --> 0:32:45.080
<v Speaker 1>what I mean. And it's you know, there's never a

0:32:45.120 --> 0:32:49.040
<v Speaker 1>line of dialogue like that. But for the biracial people

0:32:49.040 --> 0:32:51.120
<v Speaker 1>in the room watching this, it's like, oh, yeah, of

0:32:51.120 --> 0:32:53.160
<v Speaker 1>course he would think that way, you know. And of

0:32:53.200 --> 0:32:57.160
<v Speaker 1>course Aquaman is going to be thinking, you know, oh,

0:32:57.240 --> 0:33:01.200
<v Speaker 1>it's the fucking system. You know, it's Atlantis and these

0:33:01.360 --> 0:33:06.240
<v Speaker 1>racist as white mermaids that killed my mom for loving

0:33:06.480 --> 0:33:10.520
<v Speaker 1>a brown man like human. But the human in this

0:33:10.960 --> 0:33:16.480
<v Speaker 1>specific example is indigenous. And the other guys like, no,

0:33:16.600 --> 0:33:21.120
<v Speaker 1>it's you. So that's interesting, Like it's not subtle. I

0:33:21.160 --> 0:33:23.000
<v Speaker 1>wouldn't say that it was subtle. I think it's just

0:33:23.080 --> 0:33:26.880
<v Speaker 1>apparent and just kind of treated like duh, if you

0:33:26.920 --> 0:33:29.840
<v Speaker 1>get it, you get it. Yeah, the metaphor is is

0:33:30.000 --> 0:33:36.320
<v Speaker 1>pretty clear. That's another thing. One more thing. Sorry, but like, um,

0:33:36.360 --> 0:33:38.680
<v Speaker 1>It was interesting to me because as awesome as like

0:33:38.760 --> 0:33:44.440
<v Speaker 1>Polynesian Mermaids would totally be, I like that the Atlanteans

0:33:44.720 --> 0:33:50.240
<v Speaker 1>are white, I guess, and the humans are indigenous, like

0:33:50.280 --> 0:33:53.160
<v Speaker 1>at least in this story, because it could have been

0:33:53.240 --> 0:33:56.440
<v Speaker 1>so easy, like because I've seen this so many other

0:33:56.520 --> 0:34:01.240
<v Speaker 1>times where it's flipped where it's like, oh, well, I'm

0:34:01.360 --> 0:34:05.800
<v Speaker 1>the outcast and I'm the allusion and the allegory for racism,

0:34:05.840 --> 0:34:08.759
<v Speaker 1>even though I'm Harry Potter and super white, or I'm

0:34:08.800 --> 0:34:12.080
<v Speaker 1>Sabrina Spellman and I'm white and they're calling me half breed.

0:34:13.120 --> 0:34:15.759
<v Speaker 1>But you know, it's like, no, you're not the allusion

0:34:15.880 --> 0:34:19.520
<v Speaker 1>to racism. It's like the racism is present, but it's

0:34:19.560 --> 0:34:24.360
<v Speaker 1>kind of taken the backseat to species. I guess I

0:34:24.400 --> 0:34:26.920
<v Speaker 1>didn't connected that, but yeah, it's like that it's not

0:34:27.040 --> 0:34:29.759
<v Speaker 1>the like one to one mothering narrative that we've seen

0:34:30.080 --> 0:34:33.560
<v Speaker 1>a ton of times, and I think that gives it

0:34:33.760 --> 0:34:37.280
<v Speaker 1>a level of sincerity too, as far as like the allegory,

0:34:37.360 --> 0:34:41.360
<v Speaker 1>because it could have been, you know, takeaway Atlantis and everything.

0:34:41.360 --> 0:34:45.080
<v Speaker 1>It could have been another story about racism and mixed

0:34:45.080 --> 0:34:48.000
<v Speaker 1>ethnicity and all this other stuff. But you know, it's

0:34:48.040 --> 0:34:50.920
<v Speaker 1>like Okay, so it's gonna be about this with the

0:34:51.000 --> 0:34:55.520
<v Speaker 1>Mermaid politics, who just so happens to have a biracial

0:34:55.600 --> 0:35:01.000
<v Speaker 1>Polynesian indigenous actor, And I'm like, okay, that's better a

0:35:01.040 --> 0:35:06.040
<v Speaker 1>little bit more sincere, Yeah, I appreciate that. Um. Okay,

0:35:06.080 --> 0:35:10.920
<v Speaker 1>So let's see. Mara has shown up and she's like, yeah, Aquaman,

0:35:11.239 --> 0:35:14.520
<v Speaker 1>you gotta come be King, you gotta stop orm Um.

0:35:14.560 --> 0:35:17.799
<v Speaker 1>And she also tells him about this sacred trident that

0:35:18.280 --> 0:35:22.480
<v Speaker 1>had once belonged to King at Land that if he

0:35:22.520 --> 0:35:26.520
<v Speaker 1>can find he can use it to dethrone arm and

0:35:26.560 --> 0:35:31.600
<v Speaker 1>he's like, no, that trident's just a myth. Then orm

0:35:31.640 --> 0:35:36.680
<v Speaker 1>causes this huge tidal wave that destroys this coastal town

0:35:36.719 --> 0:35:39.480
<v Speaker 1>and nearly kills Aquaman's dad. It sends a lot of

0:35:39.840 --> 0:35:42.440
<v Speaker 1>trash that had been dumped in the ocean back onto

0:35:42.680 --> 0:35:46.640
<v Speaker 1>Land as sort of like a warning from orm. So

0:35:46.680 --> 0:35:51.600
<v Speaker 1>this causes Aquaman to agree to accompany Mera and help

0:35:51.680 --> 0:35:55.799
<v Speaker 1>her stop arm. So they go to Atlantis and meet

0:35:55.880 --> 0:35:58.600
<v Speaker 1>up with Volco, who, by the way, we learned through

0:35:58.640 --> 0:36:04.080
<v Speaker 1>flashbacks that throughout Arthur's childhood, Vocal has been training him

0:36:04.239 --> 0:36:07.840
<v Speaker 1>basically how to be Aquaman, like be this magnificent fighter

0:36:07.840 --> 0:36:11.680
<v Speaker 1>and teaching him how like you know, nice Jaffar, nice Jafar.

0:36:11.760 --> 0:36:14.279
<v Speaker 1>You you can breathe underwater, you can see underwater, you

0:36:14.280 --> 0:36:16.560
<v Speaker 1>can talk underwater, all this stuff. So he's been like

0:36:16.680 --> 0:36:20.040
<v Speaker 1>training Aquaman his whole life. It is so fun to

0:36:20.080 --> 0:36:24.280
<v Speaker 1>see scenes of Willem Dafoe being so nice, Like it's

0:36:24.000 --> 0:36:27.680
<v Speaker 1>just like wow, where that like scene where they jump

0:36:27.760 --> 0:36:30.480
<v Speaker 1>off the cliff and he's like, you was see something cool?

0:36:30.600 --> 0:36:34.160
<v Speaker 1>Of like this vibe is unfamiliar to me. This is nice,

0:36:34.960 --> 0:36:38.000
<v Speaker 1>so good. I love that scene. One of my favorite

0:36:38.000 --> 0:36:40.400
<v Speaker 1>shots in the movie is when they're sitting on like

0:36:40.480 --> 0:36:43.279
<v Speaker 1>the edge of like that cliff under the water and

0:36:43.360 --> 0:36:46.160
<v Speaker 1>just watching all the mantas like swim by. Yeah. Like

0:36:46.280 --> 0:36:49.360
<v Speaker 1>this movie is so gorgeous in theaters, Like just seeing

0:36:49.400 --> 0:36:53.439
<v Speaker 1>it on a big screen was just a treat. Another thing.

0:36:54.000 --> 0:36:58.560
<v Speaker 1>But what's his name? Volco? Yeah? Yeah, okay, So how

0:36:58.600 --> 0:37:01.319
<v Speaker 1>do I tie this in? Let's um, So, once upon

0:37:01.360 --> 0:37:06.319
<v Speaker 1>a time in the United States, it was illegal for

0:37:06.520 --> 0:37:11.560
<v Speaker 1>Native Americans to practice our religion, our culture, you know,

0:37:11.680 --> 0:37:16.279
<v Speaker 1>residential schools and just government policy like you could not

0:37:16.840 --> 0:37:20.600
<v Speaker 1>be Native and if you did have anything as far

0:37:20.640 --> 0:37:24.520
<v Speaker 1>as like a rattle a drum, sweet grass stage, you know,

0:37:24.600 --> 0:37:28.080
<v Speaker 1>anything like that. If you were caught practicing and praying,

0:37:28.360 --> 0:37:30.640
<v Speaker 1>you know, you could go to jail for it. You

0:37:30.640 --> 0:37:33.880
<v Speaker 1>could be imprisoned for it. So this part of the movie,

0:37:33.960 --> 0:37:36.600
<v Speaker 1>again it's subtle, but you know, when you're Native and

0:37:36.640 --> 0:37:39.759
<v Speaker 1>you're watching it, you know, it's kind of clicks. It's

0:37:39.800 --> 0:37:43.080
<v Speaker 1>like he's learning about his culture in secret because they

0:37:43.080 --> 0:37:47.759
<v Speaker 1>don't want him to know about how to be Atlantean.

0:37:47.840 --> 0:37:49.680
<v Speaker 1>It's like, you're a human and we don't want you

0:37:49.760 --> 0:37:54.040
<v Speaker 1>here anyway. But it's like learning about that element of

0:37:54.080 --> 0:37:56.800
<v Speaker 1>who you are when you're disconnected from it, and learning

0:37:56.840 --> 0:37:59.920
<v Speaker 1>about the history and the customs and how to fight

0:38:00.200 --> 0:38:03.600
<v Speaker 1>and how to use your abilities. I mean, in this movie,

0:38:03.680 --> 0:38:07.399
<v Speaker 1>it's talking to fish and swimming and finding out who

0:38:07.440 --> 0:38:12.120
<v Speaker 1>you are. But still it's like finding out this wonderful

0:38:12.640 --> 0:38:16.840
<v Speaker 1>part of your family and your history and the culture

0:38:16.880 --> 0:38:21.200
<v Speaker 1>that you belong to. And there's just a small observation.

0:38:21.360 --> 0:38:25.520
<v Speaker 1>I just really I really like that totally layers this

0:38:25.560 --> 0:38:28.240
<v Speaker 1>movie's I was like, let's we start talking to Ali.

0:38:28.280 --> 0:38:30.960
<v Speaker 1>I'm going to be fully like this is the greatest

0:38:31.000 --> 0:38:34.280
<v Speaker 1>movie ever made, you know what, much like the Ocean,

0:38:34.480 --> 0:38:40.040
<v Speaker 1>this movie is deep it can be, and sometimes it's shallow, shallow,

0:38:41.239 --> 0:38:44.600
<v Speaker 1>just like the ocean. Okay, so let's see so Volco.

0:38:45.000 --> 0:38:48.040
<v Speaker 1>They meet up with Volco and then he has a

0:38:48.040 --> 0:38:52.320
<v Speaker 1>clue about the final resting place of this sacred trident.

0:38:53.000 --> 0:38:55.520
<v Speaker 1>But before they can do anything about it, Aquaman is

0:38:55.640 --> 0:39:00.200
<v Speaker 1>captured and brought to Orm, who Aquaman then challenge is

0:39:00.239 --> 0:39:03.560
<v Speaker 1>to a duel, and the terms are that if Aquaman wins,

0:39:03.920 --> 0:39:09.560
<v Speaker 1>Orm will stop the war. If Orm wins, he's like, Aquaman,

0:39:09.760 --> 0:39:13.360
<v Speaker 1>you're over. So I guess he's gonna kill I'm not

0:39:13.440 --> 0:39:19.600
<v Speaker 1>sure exactly what fusing terms, which quickly becomes clear that

0:39:19.640 --> 0:39:23.400
<v Speaker 1>they really should have hashed out what the terms were well,

0:39:23.440 --> 0:39:26.080
<v Speaker 1>because because he's like, oh, you know, the war will

0:39:26.080 --> 0:39:29.160
<v Speaker 1>be over, and he's like, but if I win, you're over,

0:39:30.520 --> 0:39:37.360
<v Speaker 1>which is funny, so yeah, or this evil but sometimes

0:39:37.360 --> 0:39:40.040
<v Speaker 1>he's such a petty little asshole that it's almost like

0:39:40.239 --> 0:39:42.879
<v Speaker 1>it's the same like brain scratch that when you see

0:39:42.880 --> 0:39:45.719
<v Speaker 1>a succession character acting out where you're like, you're being

0:39:45.800 --> 0:39:49.759
<v Speaker 1>so silly right now. When he screams like I am

0:39:49.840 --> 0:39:56.000
<v Speaker 1>ocean Master, You're like, okay, are you You're not giving

0:39:56.040 --> 0:40:01.920
<v Speaker 1>me ocean master in that wig? I don't think so oh,

0:40:02.000 --> 0:40:05.799
<v Speaker 1>I love it. Right Here we get another quick flashback

0:40:06.160 --> 0:40:10.399
<v Speaker 1>where Vocal is training teenage Aquaman, and this is also

0:40:10.440 --> 0:40:15.240
<v Speaker 1>when Vocal reveals that his mother had died long ago

0:40:15.600 --> 0:40:19.160
<v Speaker 1>and that she was sacrificed by King or VA's, who

0:40:19.200 --> 0:40:21.640
<v Speaker 1>had gotten very jealous when he found out that she

0:40:21.880 --> 0:40:26.520
<v Speaker 1>had had another son with a human man. Okay, so

0:40:27.160 --> 0:40:31.600
<v Speaker 1>I feel just because of that detail, you know, that

0:40:31.680 --> 0:40:35.480
<v Speaker 1>he found out that she had a child with another person,

0:40:35.760 --> 0:40:38.720
<v Speaker 1>and that was enough, not even another person, but like human,

0:40:39.440 --> 0:40:43.920
<v Speaker 1>that was enough to execute her. And I mean, just

0:40:44.080 --> 0:40:48.759
<v Speaker 1>judging from the fact that she fled this arranged marriage

0:40:49.000 --> 0:40:51.960
<v Speaker 1>and spent years away, you know, out of the sea

0:40:52.320 --> 0:40:56.319
<v Speaker 1>and with this person, and that they came after her,

0:40:56.840 --> 0:40:59.200
<v Speaker 1>you know, um, I think it's kind of safe to

0:40:59.239 --> 0:41:01.840
<v Speaker 1>assume that or may or may not have been conceived

0:41:01.840 --> 0:41:05.880
<v Speaker 1>of rape. I think that's fair to assume that that

0:41:06.000 --> 0:41:09.839
<v Speaker 1>is definitely yeah, or at least like coerced into. Like

0:41:09.920 --> 0:41:12.759
<v Speaker 1>obviously she was forced to marry this person. But you know,

0:41:13.800 --> 0:41:18.200
<v Speaker 1>Mira's being in this arranged marriage as well, but she's

0:41:18.280 --> 0:41:20.439
<v Speaker 1>kind of you know, like, oh well whatever, you don't

0:41:20.480 --> 0:41:23.319
<v Speaker 1>have to love someone to marry them. It's a political thing.

0:41:23.440 --> 0:41:26.239
<v Speaker 1>But this very clearly was not the case with Atlanta,

0:41:27.440 --> 0:41:30.640
<v Speaker 1>and uh, I'm glad that they just kind of leave

0:41:30.719 --> 0:41:33.120
<v Speaker 1>that up in the air, you know where it's like, yeah,

0:41:33.160 --> 0:41:36.960
<v Speaker 1>this is possible. It doesn't need to be directly harped

0:41:37.000 --> 0:41:40.880
<v Speaker 1>on addressed and yeah, but it's it. I mean, that

0:41:41.080 --> 0:41:46.680
<v Speaker 1>is like unfortunately, yeah, very very conceivably true. And I

0:41:46.680 --> 0:41:48.799
<v Speaker 1>thought it was, I mean, just another I mean, in

0:41:48.800 --> 0:41:51.799
<v Speaker 1>this movie, it is interesting. Is written by two men,

0:41:51.880 --> 0:41:57.799
<v Speaker 1>one of whom is a former cop, so you know, uh,

0:41:58.040 --> 0:42:03.280
<v Speaker 1>former l ap D police detect of getting worse really amazing, cool,

0:42:03.600 --> 0:42:06.759
<v Speaker 1>cool and great. So I don't want to like repeatedly,

0:42:07.040 --> 0:42:09.200
<v Speaker 1>I'm like someone else in the room came up with

0:42:09.200 --> 0:42:11.719
<v Speaker 1>this idea, because I you won't see me handing it

0:42:11.760 --> 0:42:15.040
<v Speaker 1>to an l apt officer. But I did like with

0:42:15.400 --> 0:42:19.279
<v Speaker 1>Atlanta and Mira, two characters who are in who are

0:42:19.360 --> 0:42:22.680
<v Speaker 1>at different points in time, in virtually the same situation,

0:42:23.360 --> 0:42:27.120
<v Speaker 1>but dealing with it differently, And that was again just

0:42:27.400 --> 0:42:30.400
<v Speaker 1>more than I expected from a superhero movie with a

0:42:30.440 --> 0:42:32.839
<v Speaker 1>gigantic budget. I feel like, if you have to with

0:42:32.880 --> 0:42:36.239
<v Speaker 1>the you know, they're basically the same person, and you know,

0:42:36.280 --> 0:42:40.040
<v Speaker 1>Aquaman is like, wow, Mommy's girlfriend now. Life is wild,

0:42:40.280 --> 0:42:43.840
<v Speaker 1>you know. But but Mira and Atlanta, in spite of

0:42:43.840 --> 0:42:48.440
<v Speaker 1>how similar their predicament was, they think of the situation

0:42:48.440 --> 0:42:52.240
<v Speaker 1>and approach the situation very differently because they're different people.

0:42:52.680 --> 0:42:56.120
<v Speaker 1>And I hate that. I didn't expect the movie to

0:42:56.280 --> 0:42:58.759
<v Speaker 1>treat them as if they were different people, because I

0:42:59.080 --> 0:43:02.280
<v Speaker 1>feel like we've seen Mommy's girlfriend now so many times.

0:43:02.440 --> 0:43:06.279
<v Speaker 1>But I appreciated that at least they did that. Yeah,

0:43:06.920 --> 0:43:10.319
<v Speaker 1>And I think it's because, like Mara and Orm have

0:43:10.440 --> 0:43:13.440
<v Speaker 1>this conversation, it's like very brief where she's like, do

0:43:13.480 --> 0:43:15.839
<v Speaker 1>you think your mother would want to see her two

0:43:15.920 --> 0:43:19.399
<v Speaker 1>children kill each other? And it sounds like they grew

0:43:19.480 --> 0:43:22.600
<v Speaker 1>up together, like she must have known Atlanta when she

0:43:22.719 --> 0:43:24.719
<v Speaker 1>was younger, and she must have known Orm when she

0:43:24.800 --> 0:43:26.719
<v Speaker 1>was younger, And that's probably why she's a little bit

0:43:26.719 --> 0:43:29.960
<v Speaker 1>more chill about like, Okay, if I got to marry

0:43:29.960 --> 0:43:34.920
<v Speaker 1>my best friend, whatever, but you're wrong to marry this

0:43:35.040 --> 0:43:41.520
<v Speaker 1>fucking dork from school who at least she is it her. Okay,

0:43:41.520 --> 0:43:44.960
<v Speaker 1>So this big battle between Aquaman and Orm is about

0:43:44.960 --> 0:43:47.799
<v Speaker 1>to happen in like the Ring of Fire or whatever thing.

0:43:47.920 --> 0:43:51.200
<v Speaker 1>It's so big. It's this fight is so large So

0:43:51.520 --> 0:43:54.759
<v Speaker 1>they have this battle where kind of neither of them

0:43:54.840 --> 0:43:58.160
<v Speaker 1>end up winning because Orm is sort of incapacitated in

0:43:58.160 --> 0:44:00.239
<v Speaker 1>some way. And I think it's because of me to

0:44:00.320 --> 0:44:04.640
<v Speaker 1>understand that Mara uses her like water manipulation powers to

0:44:04.719 --> 0:44:08.279
<v Speaker 1>sort of like whatever, fuck him up a little bit,

0:44:08.320 --> 0:44:12.239
<v Speaker 1>and then it allows her and Aquaman to escape. Is

0:44:12.239 --> 0:44:16.320
<v Speaker 1>that what happens? Something like that? It's all I remember

0:44:16.440 --> 0:44:18.759
<v Speaker 1>was just the scoreboard where it's like, look at how

0:44:18.800 --> 0:44:22.520
<v Speaker 1>awesome Orm is and then look at the stupid drunk

0:44:23.040 --> 0:44:27.440
<v Speaker 1>native man who wants to fight him. Right, So I

0:44:27.480 --> 0:44:29.799
<v Speaker 1>feel like Mara is like we can talk about this

0:44:29.880 --> 0:44:31.920
<v Speaker 1>later too, But I feel like Mara is playing her

0:44:32.000 --> 0:44:35.920
<v Speaker 1>cards really well, where she's like effectively convincing Orm that

0:44:36.080 --> 0:44:41.319
<v Speaker 1>she's like his ally and yeah, like this freaking Aquaman

0:44:41.440 --> 0:44:45.319
<v Speaker 1>guy is such an imbecile or something like that. And

0:44:45.360 --> 0:44:49.000
<v Speaker 1>then she's really just like doing this to get away

0:44:49.080 --> 0:44:51.880
<v Speaker 1>from Orm because she realizes like what a scary tyrant

0:44:51.960 --> 0:44:55.400
<v Speaker 1>he is. Yeah, anyway, so this fight happens, Mara and

0:44:55.440 --> 0:44:59.560
<v Speaker 1>Aquaman escape, and then they head to the Sahara Desert

0:45:00.120 --> 0:45:03.239
<v Speaker 1>to follow this clue that will lead them to the

0:45:03.320 --> 0:45:08.520
<v Speaker 1>Lost Trident. As they enter the Sahara it just blasts

0:45:08.600 --> 0:45:13.000
<v Speaker 1>the worst cover of Total's Africa ever by people, and

0:45:13.080 --> 0:45:16.560
<v Speaker 1>it comes out of pitou is saying, oh my god,

0:45:16.600 --> 0:45:19.279
<v Speaker 1>I like blacked that out already somehow, that there's a

0:45:19.320 --> 0:45:22.360
<v Speaker 1>pit Bull song in this movie. It comes out of nowhere.

0:45:22.400 --> 0:45:25.200
<v Speaker 1>Because overall, like the soundtrack of the movie is pretty cool.

0:45:25.239 --> 0:45:27.839
<v Speaker 1>It kind of sounds like Tron Legacy or something. You know,

0:45:28.000 --> 0:45:34.479
<v Speaker 1>it's pitful, except for the end credits song where there's

0:45:34.520 --> 0:45:40.400
<v Speaker 1>a song where it's just like everything happens movies. I

0:45:40.480 --> 0:45:44.400
<v Speaker 1>also like that there. Yeah, this whole section of the movie.

0:45:44.480 --> 0:45:47.640
<v Speaker 1>I was like, this is like the not obviously the

0:45:47.719 --> 0:45:49.600
<v Speaker 1>same because they were all over the world, but I

0:45:49.640 --> 0:45:52.799
<v Speaker 1>was like, this is like the National Treasure section of

0:45:52.840 --> 0:45:56.480
<v Speaker 1>the movie where they're like collecting different things and they're like,

0:45:56.520 --> 0:45:58.680
<v Speaker 1>we need this, we need this, and that leads to

0:45:58.719 --> 0:46:01.520
<v Speaker 1>another clue, and that clue at least doing another clue. Yeah,

0:46:01.960 --> 0:46:04.400
<v Speaker 1>the scene where Jason Momoa is like and this statue

0:46:04.440 --> 0:46:07.280
<v Speaker 1>means this, this statue means that. I was like, whoa,

0:46:07.480 --> 0:46:13.560
<v Speaker 1>he's doing the He's doing the Benjamin Franklin cage thing. Yeah,

0:46:14.719 --> 0:46:18.400
<v Speaker 1>It's amazing how Aquaman becomes National Treasurer for like thirty

0:46:18.400 --> 0:46:21.200
<v Speaker 1>minutes as I was like, all right, sure. So they

0:46:21.200 --> 0:46:23.480
<v Speaker 1>go to the Sahara Desert. They find this like secret

0:46:23.560 --> 0:46:29.239
<v Speaker 1>stand chamber where they're able to play King Atlant's ancient message,

0:46:29.880 --> 0:46:33.960
<v Speaker 1>which then leads them to Italy. I think they're in

0:46:33.960 --> 0:46:39.279
<v Speaker 1>Italy somewhere that region, because there's like a Pinocchio joke

0:46:40.000 --> 0:46:43.040
<v Speaker 1>that is planted and paid off when they go to Italy.

0:46:43.200 --> 0:46:47.200
<v Speaker 1>For some reason, You're like, what's happening? Hilarious. I really

0:46:47.239 --> 0:46:50.719
<v Speaker 1>like that scene though in Sicily, just because earlier when

0:46:50.880 --> 0:46:55.440
<v Speaker 1>she takes Aquaman to Atlantis for the first time, and

0:46:55.480 --> 0:46:58.440
<v Speaker 1>I think I read in an interview where James wa

0:46:58.440 --> 0:47:01.279
<v Speaker 1>was talking about this how he wanted the audience to

0:47:01.440 --> 0:47:05.920
<v Speaker 1>like experience Atlantis the way Arthur does, you know, for

0:47:05.960 --> 0:47:09.719
<v Speaker 1>the very first time, and just the wonder and the

0:47:09.760 --> 0:47:13.280
<v Speaker 1>amazement of it when he's flying through and he's seeing

0:47:14.000 --> 0:47:17.480
<v Speaker 1>this metropolis under the ocean and all of this amazing,

0:47:17.520 --> 0:47:22.160
<v Speaker 1>beautiful things, you know, So that scene is amazing. And

0:47:22.200 --> 0:47:24.960
<v Speaker 1>then when he and Mirror are walking around the desert

0:47:25.040 --> 0:47:28.680
<v Speaker 1>and she's talking about people destroy our oceans, you don't

0:47:28.719 --> 0:47:31.480
<v Speaker 1>bow your garbage into our seas and blah blah blah,

0:47:31.520 --> 0:47:34.600
<v Speaker 1>and this is the worst place ever, and he's like, yeah,

0:47:34.680 --> 0:47:38.840
<v Speaker 1>but we've got you know, big mountains and beautiful forests

0:47:38.840 --> 0:47:41.680
<v Speaker 1>and big lakes. You know, I mean, like we've got

0:47:41.719 --> 0:47:44.560
<v Speaker 1>some stupid people running the place, but you know, like

0:47:44.680 --> 0:47:48.040
<v Speaker 1>the land is beautiful too, And she doesn't really like

0:47:48.160 --> 0:47:51.160
<v Speaker 1>pay that any attention until she's in Sicily and then

0:47:51.280 --> 0:47:55.480
<v Speaker 1>we see her, you know, experiencing Sicily for the first

0:47:55.520 --> 0:47:59.239
<v Speaker 1>time and seeing all the flowers and the fruits and

0:47:59.280 --> 0:48:02.960
<v Speaker 1>the people and that little girl at the fountain, and

0:48:03.040 --> 0:48:06.000
<v Speaker 1>she's just it was so good, unless she starts eating

0:48:06.080 --> 0:48:11.040
<v Speaker 1>roses and then she's like yum yum, Like this is strange.

0:48:13.000 --> 0:48:15.000
<v Speaker 1>It was good. I like that, but I don't know.

0:48:15.040 --> 0:48:18.160
<v Speaker 1>The movie has scenes that works so so well, and

0:48:18.360 --> 0:48:21.040
<v Speaker 1>it almost feels like a different movie because it's like

0:48:22.280 --> 0:48:24.600
<v Speaker 1>when it's excellent, it's excellent, and then when it's really

0:48:24.640 --> 0:48:29.240
<v Speaker 1>really clumsy, it's it's very clumsy all over the place. Yeah. Yeah,

0:48:30.320 --> 0:48:34.240
<v Speaker 1>so they're they're following this next clue, but then Black

0:48:34.280 --> 0:48:38.440
<v Speaker 1>Manta shows up, who has been absent for a while,

0:48:39.120 --> 0:48:41.040
<v Speaker 1>who has been absent for a while, but who has

0:48:41.080 --> 0:48:44.719
<v Speaker 1>also established this alliance with Orm, and so Orm is

0:48:44.760 --> 0:48:47.400
<v Speaker 1>like kind of making Manta do some of his bidding

0:48:47.400 --> 0:48:50.759
<v Speaker 1>and trying to get him to kill Aquaman Um. So

0:48:50.920 --> 0:48:55.400
<v Speaker 1>he shows up and attacks Aquaman and Mara. There's a

0:48:55.400 --> 0:48:58.439
<v Speaker 1>big fight sequence there. They eventually get away and head

0:48:58.480 --> 0:49:02.719
<v Speaker 1>towards the location of the trident, which is in this

0:49:02.800 --> 0:49:09.240
<v Speaker 1>kind of like underwater oasis cave place where surprise, guess

0:49:09.280 --> 0:49:16.160
<v Speaker 1>who's there, Queen Atlanta. He's going to cry again very soon.

0:49:16.719 --> 0:49:19.279
<v Speaker 1>I did not see that coming. I did not see

0:49:19.280 --> 0:49:24.400
<v Speaker 1>a coming. I thought, yeah, yeah, the audience and Aquaman

0:49:24.520 --> 0:49:27.319
<v Speaker 1>has everyone basically, everyone has been led to believe that

0:49:27.480 --> 0:49:30.560
<v Speaker 1>she died because she was sacrificed to the trenches, but

0:49:30.680 --> 0:49:33.600
<v Speaker 1>she managed to survive, and she's been like hiding and

0:49:34.040 --> 0:49:37.640
<v Speaker 1>living in you know, seclusion this whole time. So she

0:49:38.040 --> 0:49:42.279
<v Speaker 1>and Aquaman reunite. They have a nice tender moment, and

0:49:42.320 --> 0:49:46.440
<v Speaker 1>then Aquaman goes and gets the trident, which he's able

0:49:46.480 --> 0:49:49.040
<v Speaker 1>to do because he is the one true king. He

0:49:49.080 --> 0:49:53.200
<v Speaker 1>gives this whole kind of speech about how he's he

0:49:53.239 --> 0:49:55.480
<v Speaker 1>didn't come here because he thinks he's worthy. He's he

0:49:55.560 --> 0:49:58.400
<v Speaker 1>came here because like this is the only choice he

0:49:58.440 --> 0:50:01.800
<v Speaker 1>has to like save humanity basically, because he's also talking

0:50:01.800 --> 0:50:05.920
<v Speaker 1>to this giant fish creature who sounds like flotsam and

0:50:05.960 --> 0:50:10.120
<v Speaker 1>jetsam from The Little Mermaid whatever that was. I loved

0:50:10.600 --> 0:50:14.400
<v Speaker 1>that big scary fish. I was like, I watched that

0:50:14.440 --> 0:50:17.560
<v Speaker 1>scene twice because I was like, Oh, it's just this

0:50:17.560 --> 0:50:22.040
<v Speaker 1>this mean fish and that has like a really hard grip,

0:50:22.280 --> 0:50:24.560
<v Speaker 1>like and he was like, You're never gonna get this

0:50:24.680 --> 0:50:28.399
<v Speaker 1>trident from me. And then Aquaman is like, well if

0:50:28.440 --> 0:50:30.359
<v Speaker 1>I did, and he's like, oh, you can hear me.

0:50:30.520 --> 0:50:32.719
<v Speaker 1>And Aquaman is like yes, and he's like all right,

0:50:33.040 --> 0:50:36.240
<v Speaker 1>see if you can get it, and just like totally

0:50:36.280 --> 0:50:39.920
<v Speaker 1>neutralized threat in the space of like one kind of cute.

0:50:40.520 --> 0:50:43.279
<v Speaker 1>Jason Momoa's performance in that scene also was like I

0:50:43.640 --> 0:50:47.480
<v Speaker 1>just I just Jason Momo is so fun Like his

0:50:47.560 --> 0:50:50.520
<v Speaker 1>delivery in that scene where I don't know if maybe

0:50:50.880 --> 0:50:52.960
<v Speaker 1>maybe it was a choice, maybe he just like there

0:50:53.000 --> 0:50:55.480
<v Speaker 1>was scratch audio and he wasn't hearing the voice he

0:50:55.560 --> 0:51:01.160
<v Speaker 1>was responding to, but the scary flots of jets and fishes, Wait,

0:51:01.560 --> 0:51:05.640
<v Speaker 1>you can hear me, and yes, I can hear you,

0:51:05.719 --> 0:51:09.520
<v Speaker 1>and I can understand you. And it was just like, oh,

0:51:09.600 --> 0:51:12.799
<v Speaker 1>it's just so funny. I loved that scene. There are

0:51:13.600 --> 0:51:17.800
<v Speaker 1>two wonderful lines in the scene it's when Arthur's talking

0:51:18.239 --> 0:51:21.319
<v Speaker 1>to uh, his mom. He's saying, you know, he still

0:51:21.400 --> 0:51:23.640
<v Speaker 1>walks at the end of the dock every morning waiting

0:51:23.680 --> 0:51:29.640
<v Speaker 1>for you, which you know, ugly cry. But then um,

0:51:29.680 --> 0:51:33.040
<v Speaker 1>she says something. She's like, you need to be more

0:51:33.080 --> 0:51:36.440
<v Speaker 1>than just a king or whatever. And he's like, what

0:51:36.520 --> 0:51:38.879
<v Speaker 1>could be greater than a king? And she says a hero?

0:51:40.280 --> 0:51:42.919
<v Speaker 1>And I'm like, you know, that was the point where

0:51:42.920 --> 0:51:46.600
<v Speaker 1>I'm like, this is the indigenous representation that I really

0:51:46.640 --> 0:51:49.680
<v Speaker 1>just want for like little kids, you know what i mean, like,

0:51:50.440 --> 0:51:53.920
<v Speaker 1>you know, just a hero. You know, like I wonder

0:51:53.960 --> 0:51:56.560
<v Speaker 1>if that is how like because I used to work

0:51:56.560 --> 0:51:58.960
<v Speaker 1>at a gym for a little bit and you know,

0:51:59.000 --> 0:52:02.120
<v Speaker 1>would work with little kids, so one of the bonding

0:52:02.200 --> 0:52:05.040
<v Speaker 1>experiences between me and these kids would be superhero movies.

0:52:05.280 --> 0:52:09.080
<v Speaker 1>And just how much my black students loved Black Panther

0:52:10.080 --> 0:52:12.680
<v Speaker 1>so much, you know, like that was their hero. And

0:52:12.719 --> 0:52:16.080
<v Speaker 1>it's like Aquaman. When she said that line, I'm like,

0:52:16.160 --> 0:52:19.400
<v Speaker 1>this is what more than ever, I feel like the

0:52:19.440 --> 0:52:22.600
<v Speaker 1>little kids in the audience, you know, the little biracial kids,

0:52:22.719 --> 0:52:26.200
<v Speaker 1>the Native kids, the Hawaiian kids, you know, like they

0:52:26.239 --> 0:52:28.040
<v Speaker 1>don't need a king, they need a hero. And they

0:52:28.040 --> 0:52:32.080
<v Speaker 1>need someone who's gonna do these incredible things and who

0:52:32.120 --> 0:52:37.319
<v Speaker 1>look like them and are special and are you know, extraordinary.

0:52:37.840 --> 0:52:42.960
<v Speaker 1>And then when he's talking to the scary Cathulhu Monster

0:52:44.040 --> 0:52:46.319
<v Speaker 1>and she's telling them, you know you're not worthy and

0:52:46.360 --> 0:52:48.760
<v Speaker 1>blah blah blah, what makes you think that you're worthy?

0:52:49.040 --> 0:52:52.279
<v Speaker 1>And he just straight up tells her He's like, I came.

0:52:52.920 --> 0:52:55.000
<v Speaker 1>Let me read it, says I came to save my

0:52:55.120 --> 0:52:58.000
<v Speaker 1>home and the people that I love, the Trident is

0:52:58.000 --> 0:53:01.040
<v Speaker 1>their only hope. If that's not good enough, often, screw you.

0:53:01.600 --> 0:53:07.560
<v Speaker 1>I'm like, I love our King, Batman, who Batman? Who?

0:53:07.840 --> 0:53:12.160
<v Speaker 1>Wonder Woman? Who? Right? Which is like, again, such an

0:53:12.160 --> 0:53:15.200
<v Speaker 1>interesting deviation from so many superhero movies or so many

0:53:15.239 --> 0:53:19.200
<v Speaker 1>like I guess um like chosen one narratives where it's

0:53:19.239 --> 0:53:22.360
<v Speaker 1>like you have to prove your worth and you have

0:53:22.440 --> 0:53:25.319
<v Speaker 1>to like do the thing that proves like but in

0:53:25.360 --> 0:53:28.480
<v Speaker 1>a way that feels different from because he proves his

0:53:28.520 --> 0:53:31.120
<v Speaker 1>worth by like acknowledging that He's like, no, I'm not

0:53:31.200 --> 0:53:34.600
<v Speaker 1>any more worthy than anybody else. I'm just here in

0:53:34.640 --> 0:53:37.640
<v Speaker 1>this time of need, and I'm like I need to

0:53:37.680 --> 0:53:42.920
<v Speaker 1>take action against this TYRNT and like that's you know,

0:53:43.080 --> 0:53:45.600
<v Speaker 1>if that makes me worthy, then so be it, and

0:53:45.640 --> 0:53:47.839
<v Speaker 1>that is what ends up happening. But like I feel

0:53:47.840 --> 0:53:50.680
<v Speaker 1>like so many other chosen one narratives or I don't know,

0:53:50.760 --> 0:53:53.759
<v Speaker 1>it's just I really liked that about this where it's

0:53:53.800 --> 0:53:56.480
<v Speaker 1>just like he's like, no, I like, I'm not special.

0:53:57.040 --> 0:54:00.279
<v Speaker 1>I just like am here to help. And then it's

0:54:00.320 --> 0:54:02.719
<v Speaker 1>like cool, that makes you worthy. Hell yeah, but that

0:54:02.760 --> 0:54:09.040
<v Speaker 1>means you are special, like special. I was like, Jason,

0:54:09.360 --> 0:54:12.080
<v Speaker 1>don't be so humbul you obviously are going to get

0:54:12.120 --> 0:54:15.560
<v Speaker 1>the trident that it is. The other thing is like legit.

0:54:15.719 --> 0:54:19.000
<v Speaker 1>He he like saying, you know, like I know I'm

0:54:19.000 --> 0:54:21.440
<v Speaker 1>not worthy. I know I probably can't be king. I

0:54:21.440 --> 0:54:23.719
<v Speaker 1>know I'm probably not the best choice. I'm like, motherfucker,

0:54:24.320 --> 0:54:28.719
<v Speaker 1>You're fighting with Superman and Batman and Wonder Woman in

0:54:28.760 --> 0:54:32.440
<v Speaker 1>the previous movie, and you haven't mentioned that once, Like bro,

0:54:32.640 --> 0:54:36.080
<v Speaker 1>I would have thrown that in warm space. You're welcome,

0:54:36.320 --> 0:54:40.520
<v Speaker 1>Mr Humble. I always forget that because I just yea,

0:54:40.680 --> 0:54:43.239
<v Speaker 1>I don't have the correct brain for it. I'm like, oh, yeah,

0:54:43.360 --> 0:54:48.799
<v Speaker 1>he knows Batman, Superman, Yeah, those are his past. Yeah.

0:54:48.800 --> 0:54:51.920
<v Speaker 1>I didn't see Justice League, not the theatrical cut, nor

0:54:52.000 --> 0:54:55.240
<v Speaker 1>the Snyder cut, So I always forget that. So Aquaman

0:54:55.320 --> 0:54:58.280
<v Speaker 1>has already been introduced as a character into this cinematic

0:54:58.360 --> 0:55:01.560
<v Speaker 1>universe a year prior to this, I believe, because Justice

0:55:01.600 --> 0:55:05.120
<v Speaker 1>League was released theatrically in twenty seventeen, So he's already

0:55:05.120 --> 0:55:09.080
<v Speaker 1>existed in this universe as this character fighting alongside Yeah,

0:55:09.239 --> 0:55:12.840
<v Speaker 1>and I think chronologically that all happens before the events

0:55:12.840 --> 0:55:16.359
<v Speaker 1>of this teen Aquaman movie takes place too. Yeah, he's

0:55:16.360 --> 0:55:19.160
<v Speaker 1>already done all this like superhero ship and then now

0:55:19.200 --> 0:55:23.319
<v Speaker 1>he's like saving the world on his own. Uh. Yeah,

0:55:23.440 --> 0:55:26.759
<v Speaker 1>I always forget that because I skipped Justice Leave. It's

0:55:27.480 --> 0:55:29.799
<v Speaker 1>I'm sure that they sort of want you to forget that.

0:55:29.880 --> 0:55:31.759
<v Speaker 1>They don't want you to like hyper fixated on all

0:55:31.800 --> 0:55:33.920
<v Speaker 1>the cool ship because it kind of undercuts the story.

0:55:34.040 --> 0:55:36.680
<v Speaker 1>But I mean, I don't know the script did make

0:55:36.719 --> 0:55:39.000
<v Speaker 1>me forget. I just sort of assumed. I was like, well,

0:55:39.040 --> 0:55:41.719
<v Speaker 1>I guess he just hasn't met them yet, because like

0:55:41.760 --> 0:55:44.239
<v Speaker 1>you're saying, Ali, I'm like, I wouldn't shut up about it,

0:55:44.360 --> 0:55:49.120
<v Speaker 1>Like yeah, I was like, listen, orm you wouldn't have

0:55:49.200 --> 0:55:52.760
<v Speaker 1>an ocean if I hadn't saved the planet from Steppin Wolf.

0:55:52.920 --> 0:55:57.759
<v Speaker 1>So you're welcome Ocean Master. Yeah, Mr Ocean Master, how

0:55:57.800 --> 0:56:01.840
<v Speaker 1>do you like that? That Ocean Master line read really

0:56:01.920 --> 0:56:04.000
<v Speaker 1>killed me? It's like, God, how do you say that

0:56:04.040 --> 0:56:07.759
<v Speaker 1>with a straight face? Very funny? Wild? Okay, So there's

0:56:07.800 --> 0:56:10.040
<v Speaker 1>just a little bit of the story left. Uh, so

0:56:10.239 --> 0:56:14.960
<v Speaker 1>you know Aquaman getting the trident. Meanwhile, orm is launching

0:56:15.040 --> 0:56:19.600
<v Speaker 1>an attack against some of the other sea kingdoms because

0:56:19.600 --> 0:56:22.239
<v Speaker 1>I think he's trying to like gain control over them

0:56:22.440 --> 0:56:26.080
<v Speaker 1>so that he can launch this attack against the surface.

0:56:26.640 --> 0:56:30.319
<v Speaker 1>That whole thing. I was like totally understand what he's

0:56:30.320 --> 0:56:32.880
<v Speaker 1>trying to do. But then Aquaman shows up with the

0:56:33.000 --> 0:56:37.560
<v Speaker 1>trident to stop arm. There's another big battle. Aquaman and

0:56:37.840 --> 0:56:41.520
<v Speaker 1>may kiss at some point, um because she does have

0:56:41.560 --> 0:56:45.719
<v Speaker 1>to be his girlfriend. Not only like it comes out

0:56:45.760 --> 0:56:49.800
<v Speaker 1>of nowhere, but it's like, you know, it's Jason Momoa

0:56:49.960 --> 0:56:52.000
<v Speaker 1>and she could die in the next scene, so fucking

0:56:52.000 --> 0:56:56.200
<v Speaker 1>get him. But also I wonder if that's what kissing

0:56:56.280 --> 0:56:58.920
<v Speaker 1>Jason Momoa is like, where you just like the chaos

0:56:59.000 --> 0:57:03.120
<v Speaker 1>just kind of stops that there's like explosions and it's

0:57:03.200 --> 0:57:06.680
<v Speaker 1>just time stops. I mean, like sucking Lisa Bone, I

0:57:06.719 --> 0:57:09.040
<v Speaker 1>know it's like that every day. Could she come out

0:57:09.080 --> 0:57:12.000
<v Speaker 1>and confirm. Is that what it's like the kiss Aquaman? Yeah,

0:57:12.000 --> 0:57:14.760
<v Speaker 1>please let us know, Lisa. I also had that thought

0:57:15.200 --> 0:57:17.240
<v Speaker 1>that I was like, oh, if I kissed Jason Mamoa,

0:57:17.360 --> 0:57:20.120
<v Speaker 1>I probably would also feel like a whale just took

0:57:20.200 --> 0:57:23.440
<v Speaker 1>me away to some a second location afterwards, because a

0:57:23.480 --> 0:57:25.720
<v Speaker 1>whale just shows up and she's like, I gotta go,

0:57:26.120 --> 0:57:29.320
<v Speaker 1>and like later, I hope that that is the Jason

0:57:29.360 --> 0:57:33.040
<v Speaker 1>Mamma experience, that that a free Willie shows up and

0:57:33.440 --> 0:57:35.600
<v Speaker 1>it just takes you where you need to go. Afterwards,

0:57:37.480 --> 0:57:41.560
<v Speaker 1>so they're having the big battle, Aquaman eventually wins against Orm.

0:57:41.600 --> 0:57:45.200
<v Speaker 1>Atlanta shows up and she's like my two sons, and

0:57:45.200 --> 0:57:50.240
<v Speaker 1>then Aquaman shows Orm mercy. Orm is taken away as prisoner,

0:57:50.680 --> 0:57:54.600
<v Speaker 1>and then the people of Atlantis accept Aquaman as their

0:57:54.720 --> 0:58:00.000
<v Speaker 1>king a k a. King Arthur, which is also funny

0:58:00.000 --> 0:58:03.480
<v Speaker 1>it it makes you think. And then the movie ends

0:58:03.520 --> 0:58:08.320
<v Speaker 1>with Aquaman's mother and father reuniting on the dock and

0:58:08.400 --> 0:58:11.640
<v Speaker 1>having a beautiful kiss, and then we get some voice

0:58:11.640 --> 0:58:16.160
<v Speaker 1>over from Aquaman saying that their love that probably never

0:58:16.200 --> 0:58:19.000
<v Speaker 1>should have had, like you know, it wasn't supposed to happen, Uh,

0:58:19.080 --> 0:58:23.960
<v Speaker 1>it did happen and end up saving the world the end,

0:58:25.000 --> 0:58:28.560
<v Speaker 1>you cry, cry, cry, cry, cry, Cry cries so much.

0:58:29.480 --> 0:58:31.880
<v Speaker 1>Let's take a quick break and then we will come

0:58:32.000 --> 0:58:41.120
<v Speaker 1>right back to cry and discuss, and we're back where

0:58:41.160 --> 0:58:44.360
<v Speaker 1>would we like to begin? I mean, there's not a

0:58:44.400 --> 0:58:47.800
<v Speaker 1>ton ton ton of um. There are a few context

0:58:47.880 --> 0:58:51.400
<v Speaker 1>things that we should touch on before jumping back into

0:58:51.440 --> 0:58:54.200
<v Speaker 1>the story maybe, but the things that stuck out to

0:58:54.240 --> 0:58:57.320
<v Speaker 1>me was I did I was like God. The screenplay

0:58:57.440 --> 0:59:02.040
<v Speaker 1>ultimately was co written by a top uh so will

0:59:02.080 --> 0:59:08.600
<v Speaker 1>be what the fuck um co written with David Leslie

0:59:08.760 --> 0:59:11.760
<v Speaker 1>Johnson McGoldrick, which is a lot of names in a row.

0:59:12.040 --> 0:59:16.000
<v Speaker 1>We've also got a story by credit from Jeff john Yeah,

0:59:16.360 --> 0:59:19.320
<v Speaker 1>question Mark. Oh, I just I mean, most of this

0:59:19.400 --> 0:59:21.840
<v Speaker 1>crew seems to be like with the kind of the

0:59:21.840 --> 0:59:25.200
<v Speaker 1>outlier of Will bel I don't really know why why

0:59:25.280 --> 0:59:27.920
<v Speaker 1>he's here, and I kind of wish he wasn't. But um,

0:59:27.960 --> 0:59:30.120
<v Speaker 1>it seems like James One was allowed to kind of

0:59:30.160 --> 0:59:33.400
<v Speaker 1>bring his like team of people he usually collaborates with

0:59:33.920 --> 0:59:36.560
<v Speaker 1>to this movie, which is cool because it looks like

0:59:36.560 --> 0:59:39.760
<v Speaker 1>a James One movie and not like they just threw

0:59:39.800 --> 0:59:42.080
<v Speaker 1>all these DC who house people at him and he

0:59:42.080 --> 0:59:44.880
<v Speaker 1>didn't get to make the movie. He wanted that said

0:59:45.120 --> 0:59:49.800
<v Speaker 1>a lot of men, really male, heavy production, like top

0:59:49.880 --> 0:59:53.680
<v Speaker 1>level production stuff. Is all all guys, And are they

0:59:54.160 --> 0:59:57.600
<v Speaker 1>I know James one isn't white, but are the other writers?

0:59:57.640 --> 1:00:01.960
<v Speaker 1>Are they people of color? Are they? Uh? Let me

1:00:02.160 --> 1:00:04.919
<v Speaker 1>double check, but I do not believe. So, yeah, James

1:00:05.000 --> 1:00:12.520
<v Speaker 1>Won is Chinese Australian. Will Beal is a white cop. Uh. Yeah,

1:00:12.560 --> 1:00:14.280
<v Speaker 1>I was doing it. I was doing a quick Google

1:00:14.280 --> 1:00:16.800
<v Speaker 1>of everyone, and it is it is mostly white guys

1:00:16.840 --> 1:00:19.840
<v Speaker 1>at the top of this project. That's a little I

1:00:19.880 --> 1:00:22.120
<v Speaker 1>don't know, that's a little surprising, especially with all the

1:00:22.200 --> 1:00:27.000
<v Speaker 1>nuance that this film kind of has with the racism.

1:00:27.080 --> 1:00:31.040
<v Speaker 1>I know that like just tangentially that like these movies

1:00:31.080 --> 1:00:34.480
<v Speaker 1>are like there's writer's rooms that take place around these movies,

1:00:34.520 --> 1:00:38.000
<v Speaker 1>and those writers don't get credited. So I'm assuming, I

1:00:38.040 --> 1:00:40.240
<v Speaker 1>just I'm assuming that whatever goes right in this movie,

1:00:40.280 --> 1:00:44.840
<v Speaker 1>a white cop didn't write like he wrote all the

1:00:44.920 --> 1:00:48.520
<v Speaker 1>Nazi ship probably but yeah, yeah, he's like, oh orm,

1:00:48.600 --> 1:00:52.560
<v Speaker 1>I'll take orm. I got it. Like, but yeah, I

1:00:52.560 --> 1:00:54.600
<v Speaker 1>just want to igno and and and then also just

1:00:54.800 --> 1:00:58.280
<v Speaker 1>um for the five times this episode shout out James

1:00:58.360 --> 1:01:02.400
<v Speaker 1>Won because you gotta love him. He's and if you

1:01:02.560 --> 1:01:05.440
<v Speaker 1>and if you haven't really gone into the want of

1:01:05.560 --> 1:01:10.440
<v Speaker 1>verse he made. I never get like at another certain

1:01:10.440 --> 1:01:13.480
<v Speaker 1>people you think of and you're like, I'm so upset

1:01:13.520 --> 1:01:16.520
<v Speaker 1>at you for being so smart, so young and so like.

1:01:16.600 --> 1:01:18.640
<v Speaker 1>He made the Saw movie, the first Saw movie, when

1:01:18.640 --> 1:01:22.840
<v Speaker 1>he was like twenty five or something. It's ridiculous he

1:01:22.920 --> 1:01:25.600
<v Speaker 1>did so he did the conjuring he did in City

1:01:25.680 --> 1:01:28.400
<v Speaker 1>as he did like he did, he just did Malignant.

1:01:28.600 --> 1:01:33.000
<v Speaker 1>He's like forty three. I was like this man, and

1:01:33.040 --> 1:01:37.480
<v Speaker 1>he seems like such a sweetie pie. James. I wonder,

1:01:38.040 --> 1:01:41.320
<v Speaker 1>I wonder if super Yockey has made James Wan Sure,

1:01:42.040 --> 1:01:46.400
<v Speaker 1>I would like one. I think. Another important piece of

1:01:46.600 --> 1:01:50.880
<v Speaker 1>context for this movie is that canonically early I guess,

1:01:50.880 --> 1:01:55.040
<v Speaker 1>at least as far as like comic book character Aquaman

1:01:55.160 --> 1:02:00.360
<v Speaker 1>was created as a white character. And then when Zack

1:02:00.440 --> 1:02:04.760
<v Speaker 1>Snyder whoever was in charge of casting Jason Momoa as

1:02:05.160 --> 1:02:10.280
<v Speaker 1>Aquaman in Justice League, basically was just like, this doesn't

1:02:10.320 --> 1:02:12.440
<v Speaker 1>need to be the white character that we saw in

1:02:12.640 --> 1:02:15.960
<v Speaker 1>the comic books. We can just kind of cast whoever

1:02:16.640 --> 1:02:21.560
<v Speaker 1>they cast. Jason Momoa, who is native Hawaiian and to

1:02:21.680 --> 1:02:25.240
<v Speaker 1>some extent Native American. On I believe his mother's side,

1:02:25.280 --> 1:02:30.240
<v Speaker 1>but he I think doesn't necessarily claim as much heritage there,

1:02:30.760 --> 1:02:35.000
<v Speaker 1>so he um just give that some clarity. Yeah, yeah,

1:02:35.120 --> 1:02:38.200
<v Speaker 1>Jason Momoa is a bit of a problematic faith just

1:02:38.320 --> 1:02:42.120
<v Speaker 1>because he has played Native American characters in the past.

1:02:42.240 --> 1:02:45.720
<v Speaker 1>He was in a movie, uh called Rhoda Paloma I

1:02:45.720 --> 1:02:48.120
<v Speaker 1>think is how you say it, where he played a

1:02:48.160 --> 1:02:51.000
<v Speaker 1>Native character. He was on a show called The Red

1:02:51.080 --> 1:02:54.000
<v Speaker 1>Road where he plays a Native character. And he was

1:02:54.040 --> 1:02:58.560
<v Speaker 1>on Frontier where he plays a Native character. And again,

1:02:58.640 --> 1:03:03.000
<v Speaker 1>you know, and distinction there is, you know, like Hawaiians

1:03:03.440 --> 1:03:07.600
<v Speaker 1>are not Native American and Native Americans are not Hawaiian

1:03:07.640 --> 1:03:12.640
<v Speaker 1>because it's you know, different different histories, different cultures. So

1:03:12.840 --> 1:03:16.320
<v Speaker 1>in an interview for The Red Road on Sundance TV,

1:03:16.760 --> 1:03:20.080
<v Speaker 1>the lady interviewing him asked him if he has any

1:03:20.200 --> 1:03:23.800
<v Speaker 1>Native heritage, and he says, you know, my grandmother she

1:03:24.240 --> 1:03:26.720
<v Speaker 1>has a little bit of pawny, but I wouldn't say

1:03:26.720 --> 1:03:28.840
<v Speaker 1>that I have enough. And I think that that's an

1:03:28.840 --> 1:03:34.160
<v Speaker 1>important distinction, kind of problematic phrasing, you know, in a way,

1:03:34.240 --> 1:03:35.960
<v Speaker 1>you know, you don't really want to talk about blood

1:03:36.000 --> 1:03:40.640
<v Speaker 1>quantum and go into that, Kara, but you know the

1:03:40.680 --> 1:03:42.760
<v Speaker 1>fact that he does acknowledge, Like, you know, I'm a

1:03:42.760 --> 1:03:46.840
<v Speaker 1>little bit uncomfortable claiming to be Pawny, even if Grandma

1:03:46.920 --> 1:03:52.400
<v Speaker 1>might have been. I am Hawaiian, So I'm glad that

1:03:52.600 --> 1:03:55.560
<v Speaker 1>you know, at least with Aquaman, it's like, yes, this

1:03:55.720 --> 1:04:00.400
<v Speaker 1>is Hawaiian, this is Polynesian, but it's also in Agenois

1:04:00.560 --> 1:04:05.280
<v Speaker 1>and American, and you know, like he can really I

1:04:05.280 --> 1:04:08.200
<v Speaker 1>don't know, I feel like this creation was very much

1:04:08.920 --> 1:04:13.840
<v Speaker 1>part of Jason Momoa's influence, and uh, it feels more

1:04:13.880 --> 1:04:17.040
<v Speaker 1>sincere that way, because it's like, dude, stop sucking playing

1:04:17.160 --> 1:04:21.520
<v Speaker 1>native characters. Let a native person play the character. I

1:04:21.600 --> 1:04:24.760
<v Speaker 1>honestly wasn't aware of the full, like the full context

1:04:24.840 --> 1:04:30.760
<v Speaker 1>of his history there. Thank you for for letting us know. Uh,

1:04:31.000 --> 1:04:33.479
<v Speaker 1>we started to touch on this, and Alie, you were

1:04:33.520 --> 1:04:36.920
<v Speaker 1>speaking to this already, but I'm interested to hear you

1:04:36.920 --> 1:04:39.000
<v Speaker 1>speak more about kind of your connection with this movie,

1:04:39.400 --> 1:04:42.880
<v Speaker 1>especially in terms of like it's indigenous representation. It's an

1:04:42.880 --> 1:04:47.640
<v Speaker 1>indigenous superhero that there aren't really any other examples of

1:04:47.720 --> 1:04:51.200
<v Speaker 1>that by racial representation. I mean, yeah, yeah, if you

1:04:51.240 --> 1:04:53.480
<v Speaker 1>want to speak to that anymore. Well, it was interesting

1:04:53.480 --> 1:04:57.960
<v Speaker 1>when I did my research and so many people, you know,

1:04:58.040 --> 1:05:01.960
<v Speaker 1>like wrote these articles about Aquaman being like the first

1:05:01.960 --> 1:05:07.280
<v Speaker 1>actual big biracial superhero and like I even was like

1:05:07.320 --> 1:05:10.080
<v Speaker 1>trying to you know, I'm like, is that correct? You know,

1:05:10.200 --> 1:05:13.040
<v Speaker 1>like I'm going back, and the only one I can

1:05:13.080 --> 1:05:16.360
<v Speaker 1>really think of was Brandon Lee and The Crow because

1:05:16.400 --> 1:05:21.000
<v Speaker 1>he's Chinese and white. But little kids were not watching

1:05:21.000 --> 1:05:24.680
<v Speaker 1>the Crow, you know, like the same audience watching the

1:05:24.760 --> 1:05:27.880
<v Speaker 1>Crow was not, you know, like it's not as accessible

1:05:27.920 --> 1:05:31.920
<v Speaker 1>as Aquaman was. So in the same way that Blade

1:05:31.920 --> 1:05:35.360
<v Speaker 1>and Black Panther are different, Like people try to say

1:05:35.400 --> 1:05:39.920
<v Speaker 1>that Black Panther isn't the first black superhero. That was Blade,

1:05:39.960 --> 1:05:42.600
<v Speaker 1>and I'm like, yeah, but children were not the target

1:05:42.640 --> 1:05:46.880
<v Speaker 1>audience for Blade. They have it that was like R

1:05:46.960 --> 1:05:49.680
<v Speaker 1>rated right, it was like it's very gory and graphic,

1:05:50.000 --> 1:05:52.760
<v Speaker 1>and Blade wasn't presented as like look at this role

1:05:52.800 --> 1:05:57.920
<v Speaker 1>model for children, like no, no, yeah. And even Jason Momoa,

1:05:58.040 --> 1:06:00.960
<v Speaker 1>like in an interview, so he said, is honestly to

1:06:01.000 --> 1:06:05.280
<v Speaker 1>be the first mixed race Superheroen is like, really, is

1:06:05.280 --> 1:06:07.800
<v Speaker 1>is there not one? He's like, that's a huge honor.

1:06:07.880 --> 1:06:10.320
<v Speaker 1>And to play it so close to who I am

1:06:10.360 --> 1:06:12.560
<v Speaker 1>and all of his imperfections, I get to play it

1:06:12.560 --> 1:06:15.280
<v Speaker 1>in a way where you can really slip between those

1:06:15.320 --> 1:06:17.760
<v Speaker 1>two worlds. And I'm excited for the world to see it,

1:06:18.160 --> 1:06:21.240
<v Speaker 1>he says, I haven't seen Aquaman yet because I'll be

1:06:21.280 --> 1:06:24.040
<v Speaker 1>able to see something with my kids for the first time,

1:06:24.200 --> 1:06:27.720
<v Speaker 1>and I'm going to be really emotional and affected and

1:06:27.760 --> 1:06:30.200
<v Speaker 1>to hold their hands. It's going to be a really

1:06:30.240 --> 1:06:32.320
<v Speaker 1>cool moment to be a dad with a ten year

1:06:32.360 --> 1:06:36.440
<v Speaker 1>old and eleven year old. It's pretty special. And yeah,

1:06:36.480 --> 1:06:39.040
<v Speaker 1>you know, like that's what I think too. Like again,

1:06:39.120 --> 1:06:40.720
<v Speaker 1>you know, I used to work with kids at the

1:06:40.800 --> 1:06:45.520
<v Speaker 1>gym and stuff, and there was this one specific little boy,

1:06:45.560 --> 1:06:47.960
<v Speaker 1>you know, and he's black. I don't know if he

1:06:48.040 --> 1:06:49.960
<v Speaker 1>was by racial. I think both of his parents are black,

1:06:50.320 --> 1:06:54.680
<v Speaker 1>but he had these beautiful like amber colored sort of

1:06:54.760 --> 1:06:57.200
<v Speaker 1>their brown eyes, but they kind of had like yellow

1:06:57.240 --> 1:07:00.120
<v Speaker 1>in them a little bit. And he would like, oh,

1:07:00.280 --> 1:07:02.920
<v Speaker 1>I have eyes like Aquaman. You know what I look like.

1:07:04.360 --> 1:07:06.240
<v Speaker 1>You know what I mean. It's like I love that,

1:07:06.760 --> 1:07:10.520
<v Speaker 1>you know, like this kid who clearly is like, even

1:07:10.520 --> 1:07:13.600
<v Speaker 1>if Aquaman isn't black, there's something you know, it's a

1:07:13.640 --> 1:07:18.440
<v Speaker 1>brown superhero. It's by racial superhero. It some elements of

1:07:18.520 --> 1:07:21.439
<v Speaker 1>him look like him. And it's like, you know, that's

1:07:21.440 --> 1:07:25.280
<v Speaker 1>what I want for these kids, you know, especially indigenous kids,

1:07:25.920 --> 1:07:30.000
<v Speaker 1>you know, who really might not have a role model

1:07:30.240 --> 1:07:35.080
<v Speaker 1>like Superman or Batman or something to that extent. You know,

1:07:35.360 --> 1:07:39.600
<v Speaker 1>like seeing yourself on screen is is very important, especially

1:07:39.640 --> 1:07:44.480
<v Speaker 1>like when I think about representation for me. You know,

1:07:45.240 --> 1:07:47.680
<v Speaker 1>there's a million actresses out there who look like me.

1:07:47.800 --> 1:07:49.920
<v Speaker 1>There's a million characters who look like me, but I

1:07:49.960 --> 1:07:53.880
<v Speaker 1>don't feel like they are me. But then when I

1:07:54.000 --> 1:07:59.520
<v Speaker 1>see Native actresses, you know, in shows like Reservation Dogs

1:07:59.800 --> 1:08:04.000
<v Speaker 1>or you know, anything else, really I'm like, I don't

1:08:04.040 --> 1:08:07.600
<v Speaker 1>feel like that's representing me either, because I'm so white

1:08:07.600 --> 1:08:12.160
<v Speaker 1>passing and biracial and not really connected to the culture.

1:08:12.520 --> 1:08:14.640
<v Speaker 1>And I think that's why I gravitated so much towards

1:08:14.680 --> 1:08:19.200
<v Speaker 1>Frozen two when it came out, because it was you know,

1:08:19.280 --> 1:08:22.439
<v Speaker 1>an aquaman too in this extent, especially with the dad

1:08:22.479 --> 1:08:25.519
<v Speaker 1>and you know, the parents looking so much like mine

1:08:25.680 --> 1:08:29.639
<v Speaker 1>and all the other stuff. I hope that answered your question.

1:08:29.720 --> 1:08:33.599
<v Speaker 1>I kind of went out, that's like, that's so, that's

1:08:33.600 --> 1:08:36.640
<v Speaker 1>so lovely to hear, Like, yeah, this movie, I mean this,

1:08:36.960 --> 1:08:39.920
<v Speaker 1>And again it's like this movie is it's so interesting

1:08:40.240 --> 1:08:43.479
<v Speaker 1>to me because this movie wasn't marketed in that way

1:08:44.040 --> 1:08:46.880
<v Speaker 1>at all, Like it was just like, here's the Aquaman movie.

1:08:47.000 --> 1:08:50.280
<v Speaker 1>And then like I just and and maybe I just

1:08:50.439 --> 1:08:54.599
<v Speaker 1>wasn't engaging with I feel like I'm my my feed

1:08:54.760 --> 1:08:57.559
<v Speaker 1>does not superheroes don't come up in my feet a lot.

1:08:58.320 --> 1:09:00.800
<v Speaker 1>Uh So maybe I missed this course, but I didn't

1:09:00.840 --> 1:09:02.880
<v Speaker 1>hear much about it either. I mean it was like

1:09:03.240 --> 1:09:07.559
<v Speaker 1>I was very pleasantly surprised that and it's and it

1:09:07.640 --> 1:09:11.000
<v Speaker 1>just fits into the story so seamlessly. Yeah. Another thing

1:09:11.040 --> 1:09:14.439
<v Speaker 1>I think is really interesting about the narrative is that

1:09:14.680 --> 1:09:20.200
<v Speaker 1>Aquaman the character being mixed being by racial even though

1:09:20.200 --> 1:09:23.599
<v Speaker 1>it's never explicitly stated in the movie like he's half

1:09:24.080 --> 1:09:28.400
<v Speaker 1>Atlantean and half specifically indigenous human, it's always just like

1:09:28.439 --> 1:09:33.519
<v Speaker 1>he's half human and half Atlantean. Like we've mentioned, there's

1:09:33.600 --> 1:09:36.840
<v Speaker 1>like a clear allegory that can still be drawn because

1:09:36.840 --> 1:09:39.200
<v Speaker 1>he you know, he still has indigenous roots. And then

1:09:39.240 --> 1:09:42.080
<v Speaker 1>you can see this allegory of like, yes, he's half

1:09:42.680 --> 1:09:48.360
<v Speaker 1>white because Nicole Kodman is a white woman and half indigenous.

1:09:48.600 --> 1:09:52.040
<v Speaker 1>So even though there's like not an explicit discussion happening

1:09:52.120 --> 1:09:54.479
<v Speaker 1>about that in the movie, really there's like this you know,

1:09:54.560 --> 1:09:58.000
<v Speaker 1>clear allegory that's being presented. Even so, in the movie,

1:09:58.080 --> 1:10:03.280
<v Speaker 1>him being mixed is a thing that gets commented on

1:10:03.520 --> 1:10:07.519
<v Speaker 1>quite a bit, both by his like enemies who see

1:10:07.640 --> 1:10:12.720
<v Speaker 1>him being mixed as like a travesty. You know, he's

1:10:12.760 --> 1:10:17.240
<v Speaker 1>called whatever clearly like slurs by Patrick Wilson's character, by

1:10:17.320 --> 1:10:22.440
<v Speaker 1>King Orm versus other you know, his allies are constantly

1:10:22.479 --> 1:10:26.400
<v Speaker 1>reinforcing this. You know, you're the bridge between these two worlds.

1:10:26.439 --> 1:10:28.360
<v Speaker 1>We need you, and this is part of what makes

1:10:28.400 --> 1:10:32.280
<v Speaker 1>you worthy because you have these two experiences, you have

1:10:32.520 --> 1:10:36.799
<v Speaker 1>backgrounds from both of these worlds, both of these people

1:10:36.880 --> 1:10:41.160
<v Speaker 1>that can unite us because there you know, there's Nicole

1:10:41.200 --> 1:10:43.840
<v Speaker 1>Kidman shows up at the end and she's like, there

1:10:43.840 --> 1:10:46.879
<v Speaker 1>aren't two worlds. Actually it's not. You know, the surface

1:10:46.920 --> 1:10:50.439
<v Speaker 1>people and the underwater people were all from the same planet.

1:10:50.479 --> 1:10:56.080
<v Speaker 1>We are one. And again, like the voiceover, the voiceover

1:10:56.360 --> 1:10:59.920
<v Speaker 1>in the end is you know Aquaman saying, you know,

1:11:00.120 --> 1:11:02.639
<v Speaker 1>my father was a lighthousekeeper, my mother was a queen.

1:11:02.680 --> 1:11:06.040
<v Speaker 1>They never were meant to meet, but their love saved

1:11:06.080 --> 1:11:08.680
<v Speaker 1>the world. They made me what I am. A son

1:11:08.720 --> 1:11:11.799
<v Speaker 1>of the land, a king of the seas. And it's

1:11:11.840 --> 1:11:15.840
<v Speaker 1>like this celebration of his like kind of bicultural identity

1:11:16.479 --> 1:11:23.120
<v Speaker 1>is what saves the world. Let me comment on that one. Ah,

1:11:23.280 --> 1:11:29.639
<v Speaker 1>the end of the movie kills me. Yeah, okay, so

1:11:29.840 --> 1:11:35.280
<v Speaker 1>um when he says that, I know, he's like, you know,

1:11:35.360 --> 1:11:38.800
<v Speaker 1>speaking in terms of like Atlantis and people, you know,

1:11:38.960 --> 1:11:45.439
<v Speaker 1>but so saying, you know, like they were never supposed

1:11:45.479 --> 1:11:48.040
<v Speaker 1>to meet, but their love saved the world. It's like

1:11:49.000 --> 1:11:52.240
<v Speaker 1>that got to me, you know, like for a number

1:11:52.240 --> 1:11:57.919
<v Speaker 1>of reasons. Um, you know, all things considered, my parents

1:11:58.000 --> 1:12:02.200
<v Speaker 1>were never supposed to be you know, m and uh,

1:12:02.800 --> 1:12:05.960
<v Speaker 1>my dad's parents certainly were never supposed to me. You know.

1:12:06.160 --> 1:12:12.240
<v Speaker 1>It's like with residential schools and colonialism and all these

1:12:12.320 --> 1:12:16.080
<v Speaker 1>terrible things that have happened, you know in the United

1:12:16.120 --> 1:12:21.640
<v Speaker 1>States and Canada. It's like Grandma was never supposed to

1:12:21.680 --> 1:12:26.679
<v Speaker 1>be alive, you know, It's like Dad was never supposed

1:12:26.720 --> 1:12:30.240
<v Speaker 1>to be alive. You know, like technically none of us

1:12:30.280 --> 1:12:33.519
<v Speaker 1>are supposed to be here. And you know, like when

1:12:33.520 --> 1:12:35.840
<v Speaker 1>you put it in that perspective, what do you think

1:12:35.920 --> 1:12:39.280
<v Speaker 1>that you know, against all odds, like we're here, and

1:12:39.640 --> 1:12:44.800
<v Speaker 1>we're here because grandpa loved a Native woman and they

1:12:44.840 --> 1:12:49.200
<v Speaker 1>had children and then my dad met my mom. You know,

1:12:49.400 --> 1:12:53.400
<v Speaker 1>like how easily. Could Grandma have been sterilized at those

1:12:53.400 --> 1:12:55.880
<v Speaker 1>schools or could have died at those schools, Like we're

1:12:55.920 --> 1:12:59.760
<v Speaker 1>still finding you know, all of these bodies of these

1:12:59.800 --> 1:13:03.360
<v Speaker 1>two oldren you know, that are buried at different residential

1:13:03.400 --> 1:13:07.880
<v Speaker 1>schools and stuff, and it's like that could have been

1:13:08.200 --> 1:13:10.439
<v Speaker 1>any of them, you know, that could have been Auntie,

1:13:10.520 --> 1:13:12.719
<v Speaker 1>that could have been Grandma. You know, like the state

1:13:12.760 --> 1:13:15.200
<v Speaker 1>could have taken Dad away from her, you know. And

1:13:15.320 --> 1:13:17.840
<v Speaker 1>it's like so many things could have happened where they

1:13:17.840 --> 1:13:22.799
<v Speaker 1>were never supposed to meet, and they did. And uh,

1:13:23.160 --> 1:13:27.360
<v Speaker 1>even then, like once upon a time, like interracial marriages

1:13:27.640 --> 1:13:32.519
<v Speaker 1>were illegal into like the seventies, you know, like they

1:13:32.560 --> 1:13:35.400
<v Speaker 1>could have went to jail for being married, you know,

1:13:35.640 --> 1:13:41.880
<v Speaker 1>or you know, having interracial children. So it's uh, you know,

1:13:41.920 --> 1:13:45.080
<v Speaker 1>against all odds finding each other in this life. I mean,

1:13:45.120 --> 1:13:49.880
<v Speaker 1>it's kind of beautiful, and I'm happy that the movie

1:13:50.040 --> 1:13:52.320
<v Speaker 1>ended on a happy note. I'm glad that Aquaman's mom

1:13:52.360 --> 1:13:57.400
<v Speaker 1>didn't get fucking fridged like usually, you know, so the

1:13:57.640 --> 1:14:03.759
<v Speaker 1>end where you know these the end where she's there

1:14:04.120 --> 1:14:07.599
<v Speaker 1>and he finds her again. It's like when you're sitting

1:14:07.640 --> 1:14:10.400
<v Speaker 1>in the theater with mom and you know that that's

1:14:10.439 --> 1:14:15.960
<v Speaker 1>not what's gonna end because she's sick, it was still

1:14:16.040 --> 1:14:19.120
<v Speaker 1>kind of healing, and it's like, you know, I'm not

1:14:19.360 --> 1:14:22.120
<v Speaker 1>really religious or anything, but it's like, at the end

1:14:22.160 --> 1:14:24.320
<v Speaker 1>of all things, I kind of hope that that's where

1:14:24.320 --> 1:14:30.080
<v Speaker 1>we find her someday. You know, I'm so happy I'm

1:14:30.120 --> 1:14:32.519
<v Speaker 1>not the only person on the planet who fucking cries

1:14:32.560 --> 1:14:36.040
<v Speaker 1>over Aquaman because like the other articles that I've read

1:14:36.080 --> 1:14:39.120
<v Speaker 1>where people said that they got very emotional toops m

1:14:39.360 --> 1:14:43.960
<v Speaker 1>h ah. I don't know if this movie meant to

1:14:44.000 --> 1:14:49.080
<v Speaker 1>go so deep, but I interpreted it deeply. So that's

1:14:49.120 --> 1:14:52.880
<v Speaker 1>the beautiful thing about art and stories and movies is

1:14:52.920 --> 1:14:57.280
<v Speaker 1>that they can be interpreted any which way they can be.

1:14:57.600 --> 1:15:01.360
<v Speaker 1>You know, the experience that you're any viewer bringing into

1:15:02.000 --> 1:15:05.639
<v Speaker 1>the viewing experience will kind of inform I think it's

1:15:05.640 --> 1:15:11.160
<v Speaker 1>really beautiful that James One Superhero Aquaman movie is something

1:15:11.200 --> 1:15:15.400
<v Speaker 1>that's so like profoundly important and like impactful and effective

1:15:16.200 --> 1:15:19.880
<v Speaker 1>to you. I'm so glad and I'm so glad you

1:15:19.920 --> 1:15:23.240
<v Speaker 1>have that that memory with your mom too. That's really beautiful. Yeah,

1:15:23.240 --> 1:15:27.559
<v Speaker 1>that's really great. Yeah me too. It was good good

1:15:27.640 --> 1:15:33.200
<v Speaker 1>last movie and uh a happier memory was when we

1:15:33.200 --> 1:15:36.240
<v Speaker 1>were watching it is at the beginning of the movie

1:15:36.280 --> 1:15:42.280
<v Speaker 1>when he breaks into the submarine, because Mom she she

1:15:42.320 --> 1:15:44.639
<v Speaker 1>would watch all of the m c U with us

1:15:44.680 --> 1:15:48.120
<v Speaker 1>all the time, and her favorite was Thor, like she

1:15:48.240 --> 1:15:51.960
<v Speaker 1>loved Thor. And then when Aquaman broke into the submarine

1:15:52.000 --> 1:15:55.320
<v Speaker 1>and it's just beating everyone's ass, She's like, oh, no,

1:15:56.160 --> 1:15:58.160
<v Speaker 1>I don't know if who I like more? Now do

1:15:58.240 --> 1:16:00.479
<v Speaker 1>I like Thor more? Do I like Aquaman more? And

1:16:00.520 --> 1:16:02.840
<v Speaker 1>then they dude hit him and he like did that

1:16:02.880 --> 1:16:05.479
<v Speaker 1>little head tilt before he kicked his ass? And we're

1:16:05.520 --> 1:16:12.600
<v Speaker 1>both like, yeah, Aquaman, sorry, Chris. My mom had a

1:16:12.680 --> 1:16:18.080
<v Speaker 1>type long haired muscly men man. It was also a

1:16:18.080 --> 1:16:25.040
<v Speaker 1>teddy bear right funny, another lovely memory. Man, We're going

1:16:25.120 --> 1:16:30.840
<v Speaker 1>we're going deep on Aquaman. I'm so happy it's good.

1:16:31.479 --> 1:16:34.280
<v Speaker 1>It's good movie. I like it even if it kills me.

1:16:34.479 --> 1:16:37.320
<v Speaker 1>It's a good movie. And it made I wanted to

1:16:38.000 --> 1:16:40.519
<v Speaker 1>just shout out how again. I mean, I feel like

1:16:40.560 --> 1:16:43.080
<v Speaker 1>at this point, for the majority of people have a

1:16:43.120 --> 1:16:47.599
<v Speaker 1>commonly accepted truth. But like, this movie made a shipload

1:16:47.600 --> 1:16:50.960
<v Speaker 1>of money. This movie made over a billion dollars. Yeah, globally,

1:16:51.040 --> 1:16:54.040
<v Speaker 1>I think, yeah, Like I didn't. I guess I didn't

1:16:54.040 --> 1:16:58.600
<v Speaker 1>remember how wildly successful this movie was. Um, because I

1:16:58.640 --> 1:17:00.439
<v Speaker 1>just don't pay attention to the dc you because I

1:17:00.520 --> 1:17:02.640
<v Speaker 1>assume it's boring. But then I'm like, well, if it's

1:17:02.720 --> 1:17:04.640
<v Speaker 1>James Want, it's not going to be boring. And if

1:17:04.680 --> 1:17:08.200
<v Speaker 1>they had billion dollars, I know, the d C EU

1:17:08.439 --> 1:17:11.960
<v Speaker 1>just hasn't been like none of them are really any good.

1:17:12.040 --> 1:17:15.040
<v Speaker 1>I would say, like they only had like three really

1:17:15.080 --> 1:17:19.040
<v Speaker 1>really good ones, and that would be this one, Aquaman,

1:17:19.840 --> 1:17:23.439
<v Speaker 1>Wonder Woman, and Birds of Prey. Oh yeah, yeah, yeah,

1:17:23.439 --> 1:17:25.640
<v Speaker 1>those are the ones. Yeah, those are really because the

1:17:25.680 --> 1:17:29.160
<v Speaker 1>Superman ones haven't really been that good, the Batman ones

1:17:29.200 --> 1:17:33.719
<v Speaker 1>really haven't been good. Wonder Woman is awful, Oh my gosh,

1:17:33.960 --> 1:17:38.120
<v Speaker 1>what a third really, And I mean not for nothing

1:17:38.160 --> 1:17:40.960
<v Speaker 1>that the three good d c EU movies were directed

1:17:41.000 --> 1:17:43.439
<v Speaker 1>by women and people of colored not a white guy

1:17:43.439 --> 1:17:47.280
<v Speaker 1>to be seen Wonder Moons. Yeah, but yeah, I mean

1:17:47.320 --> 1:17:49.960
<v Speaker 1>it's huge box office success, which, by the way, it's

1:17:50.160 --> 1:17:53.040
<v Speaker 1>as of this recording, it's the twentie highest grossing film

1:17:53.080 --> 1:17:56.679
<v Speaker 1>of all time, but hilariously only the fifth highest grossing film,

1:17:56.680 --> 1:17:59.880
<v Speaker 1>of which means there were four other movies in the

1:18:00.040 --> 1:18:03.840
<v Speaker 1>gross more, which was like an Offers movie. Black Panther

1:18:05.200 --> 1:18:10.200
<v Speaker 1>incredible too, and I'm forgetting the other one, Durrassic World

1:18:10.360 --> 1:18:13.360
<v Speaker 1>whatever Durassic World came out. Oh my god, Yeah, I

1:18:13.400 --> 1:18:17.240
<v Speaker 1>guess that's that's so wild And all the while we

1:18:17.240 --> 1:18:20.360
<v Speaker 1>couldn't get a better wig for Mera with a billion dollars.

1:18:20.479 --> 1:18:25.120
<v Speaker 1>Then she looks so much like Aerial from Disney's Little Mermaid.

1:18:25.320 --> 1:18:31.000
<v Speaker 1>That distracting. I did, Um, obviously, I mean maybe this

1:18:31.080 --> 1:18:32.800
<v Speaker 1>is the part where we can like kind of say it,

1:18:33.000 --> 1:18:37.479
<v Speaker 1>like as we talk about Mira. Yeah, so like there

1:18:37.600 --> 1:18:41.280
<v Speaker 1>is definitely obviously a conversation to be had about domestic

1:18:41.360 --> 1:18:44.200
<v Speaker 1>violence and abuse, and it's not something that should be

1:18:44.320 --> 1:18:49.560
<v Speaker 1>ignored or overlooked. Of course, Um, several places have already

1:18:50.040 --> 1:18:55.559
<v Speaker 1>discussed this, and you know as far as Amber heard, yes, yes,

1:18:56.040 --> 1:18:58.760
<v Speaker 1>as far as Amber heard, and everything that's surrounding that,

1:18:58.880 --> 1:19:03.360
<v Speaker 1>the controversy. Um, so that's why we really just wanted

1:19:03.360 --> 1:19:07.160
<v Speaker 1>to focus more on the indigenous aspect of the film,

1:19:07.200 --> 1:19:09.080
<v Speaker 1>because there is a lot to be said without really

1:19:09.080 --> 1:19:13.000
<v Speaker 1>even mentioning her. Right, but now that we are going

1:19:13.080 --> 1:19:17.640
<v Speaker 1>to mention her, you know, not to give not to like, um,

1:19:17.680 --> 1:19:20.840
<v Speaker 1>it's not framing her in a positive light, so to

1:19:20.880 --> 1:19:23.599
<v Speaker 1>say more like the character just kind of separating the two.

1:19:25.280 --> 1:19:28.360
<v Speaker 1>We want to acknowledge that we are well aware that

1:19:28.400 --> 1:19:32.280
<v Speaker 1>this is I mean an ongoing case and well, I mean, well,

1:19:32.400 --> 1:19:35.200
<v Speaker 1>let's let's link to some resources to that effect in

1:19:35.439 --> 1:19:38.360
<v Speaker 1>the notes of the show. So if you're if you're

1:19:38.400 --> 1:19:40.760
<v Speaker 1>not aware of the situation, we're not going to get

1:19:40.800 --> 1:19:42.719
<v Speaker 1>into it here because we would be here for hours

1:19:42.760 --> 1:19:44.439
<v Speaker 1>and it would it would take away from what we

1:19:44.560 --> 1:19:46.680
<v Speaker 1>do want to discuss about this movie. But we are

1:19:46.840 --> 1:19:51.000
<v Speaker 1>aware of the ongoing case with Amber Heard and Johnny Depp.

1:19:51.280 --> 1:19:54.639
<v Speaker 1>Domestic violence is always something that we want to never

1:19:54.680 --> 1:19:58.559
<v Speaker 1>ever erase in the scope of our show. UM. But yeah,

1:19:58.640 --> 1:20:02.400
<v Speaker 1>so we just wanted to acknowledge it that that is

1:20:02.479 --> 1:20:05.200
<v Speaker 1>something that's ongoing at the time of this recording. Um,

1:20:05.280 --> 1:20:08.160
<v Speaker 1>in terms of like the the case is still going.

1:20:08.240 --> 1:20:10.200
<v Speaker 1>And I believe the Amber Heard is not coming back

1:20:10.240 --> 1:20:13.200
<v Speaker 1>for the second Aquaman movie. I think she is. I

1:20:13.240 --> 1:20:16.240
<v Speaker 1>think they are filming because yeah, well there was a

1:20:16.240 --> 1:20:20.479
<v Speaker 1>lot of controversy around her casting in the second movie

1:20:20.600 --> 1:20:24.280
<v Speaker 1>because they wanted to recast her, and people wanted to

1:20:24.439 --> 1:20:28.040
<v Speaker 1>boycott Aquaman two because of that, and it's like, you know,

1:20:29.439 --> 1:20:32.080
<v Speaker 1>I know this is an unpopular opinion. I mean, whether

1:20:32.160 --> 1:20:34.400
<v Speaker 1>she's an Aquaman two or not, I'm still going to

1:20:34.439 --> 1:20:39.120
<v Speaker 1>see it because he is the only indigenous, bi racial

1:20:39.200 --> 1:20:44.040
<v Speaker 1>superhero like period, and like, why let her ruin that,

1:20:44.280 --> 1:20:46.240
<v Speaker 1>you know, like, for lack of better terms, I mean,

1:20:46.280 --> 1:20:49.800
<v Speaker 1>why take it away? You know, according to MDB, she

1:20:49.840 --> 1:20:53.440
<v Speaker 1>does appear to be in this sequel that she about

1:20:53.479 --> 1:20:59.639
<v Speaker 1>a year from now in December. So okay, well, yeah,

1:20:59.680 --> 1:21:02.040
<v Speaker 1>we want to make sure that we acknowledge that. And

1:21:02.360 --> 1:21:08.439
<v Speaker 1>you know it would have felt weird too not addressing address. Yeah,

1:21:08.439 --> 1:21:12.240
<v Speaker 1>but we'd rather focus on other aspects of the film.

1:21:12.600 --> 1:21:14.680
<v Speaker 1>We're focusing on the story here. We'll we'll leave a

1:21:14.680 --> 1:21:18.120
<v Speaker 1>link in the description of this episode, right, but you know,

1:21:18.280 --> 1:21:23.040
<v Speaker 1>just separating Mira from the actress um the character herself,

1:21:23.080 --> 1:21:26.800
<v Speaker 1>I mean, is strangely pretty capable. I think, you know,

1:21:26.920 --> 1:21:29.320
<v Speaker 1>I tend to agree, yeah, to an extent. I like

1:21:29.400 --> 1:21:32.160
<v Speaker 1>that her motivation really isn't you know, Oh, I'm in

1:21:32.200 --> 1:21:36.000
<v Speaker 1>love with Arthur. You know, it's like, no, my soon

1:21:36.040 --> 1:21:40.559
<v Speaker 1>to be husband is a fucking lunatic and yeah, you know,

1:21:40.680 --> 1:21:43.120
<v Speaker 1>we have to save the world and I have to

1:21:43.200 --> 1:21:46.400
<v Speaker 1>like kind of teach this guy how to save the world.

1:21:46.680 --> 1:21:50.400
<v Speaker 1>She's kind of the impetus that gets Aquaman even involved

1:21:50.400 --> 1:21:53.639
<v Speaker 1>in the plot of the movie, which is pretty cool.

1:21:53.760 --> 1:21:56.599
<v Speaker 1>I was all over the place with her, honestly, Like,

1:21:56.640 --> 1:21:59.479
<v Speaker 1>there are certain scenes where I was like, because I

1:21:59.720 --> 1:22:02.360
<v Speaker 1>totally agree with like she is the one that brings

1:22:02.439 --> 1:22:06.320
<v Speaker 1>him into the action, but she's like, I think, unless

1:22:06.360 --> 1:22:09.040
<v Speaker 1>I missed something, the first time she participates in the

1:22:09.080 --> 1:22:12.160
<v Speaker 1>action of the movie, like she fights is an hour

1:22:12.240 --> 1:22:14.760
<v Speaker 1>and a half into the movie, and the movie is

1:22:15.040 --> 1:22:17.240
<v Speaker 1>two and a half hours long, to be fair, So

1:22:17.280 --> 1:22:19.320
<v Speaker 1>she is involved in the act. Once she is involved

1:22:19.320 --> 1:22:21.560
<v Speaker 1>in the action of the movie, she remains involved in

1:22:21.600 --> 1:22:24.040
<v Speaker 1>the action and she's in the rest of the battles.

1:22:24.040 --> 1:22:27.479
<v Speaker 1>But it it took a while for her to like

1:22:28.080 --> 1:22:30.880
<v Speaker 1>become and there there was a and maybe I'm being

1:22:30.960 --> 1:22:34.200
<v Speaker 1>like overly I don't know, maybe maybe I'm being overly

1:22:34.240 --> 1:22:37.240
<v Speaker 1>sensitive to this thing. But the first time that she fought,

1:22:37.600 --> 1:22:40.240
<v Speaker 1>there was this music cue that I'm like, I know

1:22:40.320 --> 1:22:44.400
<v Speaker 1>this music cue. It's guess who's fighting now, Like, there

1:22:44.560 --> 1:22:46.920
<v Speaker 1>is that music cue the first time she fights, where

1:22:46.920 --> 1:22:51.120
<v Speaker 1>it's a long stare, like she looks at the bug guy,

1:22:51.280 --> 1:22:53.280
<v Speaker 1>I don't know what, Like she looks at the scary

1:22:53.280 --> 1:22:56.840
<v Speaker 1>guy and she's like, oh, you don't think a girl

1:22:56.920 --> 1:22:59.000
<v Speaker 1>can fun? Like she doesn't say it, but the music

1:22:59.080 --> 1:23:01.120
<v Speaker 1>tells you that. And then she fights and then you're like,

1:23:01.600 --> 1:23:03.200
<v Speaker 1>all right, I guess we broke the seal there. And

1:23:03.240 --> 1:23:06.000
<v Speaker 1>then she continues to fight, and like we know why

1:23:06.080 --> 1:23:08.200
<v Speaker 1>she knows how to fight like all this stuff because

1:23:08.200 --> 1:23:12.559
<v Speaker 1>she she had a mentor growing up as well. So

1:23:12.760 --> 1:23:15.559
<v Speaker 1>it's not a Merry Sioux situation or anything like that,

1:23:15.640 --> 1:23:18.719
<v Speaker 1>but I wish she'd I do. I sort of wanted

1:23:18.720 --> 1:23:21.040
<v Speaker 1>her to get involved in the action a little sooner

1:23:21.080 --> 1:23:24.360
<v Speaker 1>because there were I think like at least one, possibly

1:23:24.439 --> 1:23:29.080
<v Speaker 1>two large fight set pieces where she's sidelined and I

1:23:29.120 --> 1:23:32.960
<v Speaker 1>didn't think necessarily had to be right, that's fair, Yeah,

1:23:33.240 --> 1:23:35.160
<v Speaker 1>But I was also I was also paying attention to

1:23:35.320 --> 1:23:38.120
<v Speaker 1>things like does she ever have to be saved by

1:23:38.160 --> 1:23:40.680
<v Speaker 1>a man? Is she doing any of the shaving? And

1:23:40.720 --> 1:23:43.599
<v Speaker 1>I found that she she saves him twice. She saves

1:23:43.640 --> 1:23:46.679
<v Speaker 1>him twice one when the first like that big title

1:23:46.680 --> 1:23:50.680
<v Speaker 1>wave that arm throws at them. She saves both Aquaman

1:23:50.840 --> 1:23:54.800
<v Speaker 1>and his dad by also like kind of giving him

1:23:54.800 --> 1:23:59.200
<v Speaker 1>like Atlantean CPR, basically like using her powers to like

1:23:59.280 --> 1:24:01.800
<v Speaker 1>extract the her from his lungs, and then she saves

1:24:01.880 --> 1:24:05.920
<v Speaker 1>him from Patrick Wilson's fashy rage. Yes, and after like

1:24:05.960 --> 1:24:08.720
<v Speaker 1>the ring of fire battle and yeah, I mean when

1:24:08.800 --> 1:24:11.280
<v Speaker 1>we do see her fighting, she is a competent fighter.

1:24:11.560 --> 1:24:17.200
<v Speaker 1>She can turn wine into swords. That's pretty cool. I know.

1:24:17.320 --> 1:24:19.479
<v Speaker 1>I was like, wow, what a live laugh love moment.

1:24:20.040 --> 1:24:24.639
<v Speaker 1>Uh well, I mean technically Jesus is her teacher, so

1:24:25.360 --> 1:24:31.479
<v Speaker 1>whoa that. Guess what you can do with the wine?

1:24:33.800 --> 1:24:36.000
<v Speaker 1>Love it? It's so deep. Um, yeah, I think I think.

1:24:36.040 --> 1:24:39.439
<v Speaker 1>I just like that. Whenever that like girl fighting now

1:24:39.680 --> 1:24:42.920
<v Speaker 1>music que plays, I'm just like, come on, come on,

1:24:43.120 --> 1:24:46.040
<v Speaker 1>James Wan. You know women can fight. You've been doing

1:24:46.080 --> 1:24:49.160
<v Speaker 1>that forever. But whatever. But and then towards the end,

1:24:49.200 --> 1:24:53.880
<v Speaker 1>there's there is someone who saves Mara as they're approaching

1:24:54.000 --> 1:24:57.000
<v Speaker 1>like the tridents resting place and they're being attacked by

1:24:57.040 --> 1:25:00.040
<v Speaker 1>all these like sea creatures, and at first I thought, O,

1:25:00.160 --> 1:25:02.439
<v Speaker 1>it was Aquaman, but then it turns out to be

1:25:02.479 --> 1:25:06.120
<v Speaker 1>this unknown figure who ends up being Nicole Kidman's character.

1:25:06.200 --> 1:25:08.880
<v Speaker 1>So I was like, Okay, she at no point has

1:25:08.920 --> 1:25:11.559
<v Speaker 1>to be saved by a man, unless I'm like missing

1:25:11.560 --> 1:25:15.360
<v Speaker 1>something or forgetting something. I don't think that happens. No,

1:25:15.520 --> 1:25:18.360
<v Speaker 1>she doesn't, Okay, so that was I was like, all right,

1:25:18.439 --> 1:25:21.759
<v Speaker 1>that's that's something for you know, that's kind of unusual.

1:25:21.800 --> 1:25:24.559
<v Speaker 1>She's fighting with weapons, like the bars on the floor,

1:25:24.720 --> 1:25:27.960
<v Speaker 1>but like she fights with weapons, it's not like random

1:25:28.000 --> 1:25:31.559
<v Speaker 1>stuff that's around and has like powers. I feel like

1:25:31.560 --> 1:25:35.080
<v Speaker 1>a lot of superhero movies don't really equip if there

1:25:35.200 --> 1:25:37.479
<v Speaker 1>is like one woman in the story, she isn't like

1:25:37.760 --> 1:25:41.040
<v Speaker 1>thinking of the first like Avengers movie where Black Widow

1:25:41.240 --> 1:25:45.480
<v Speaker 1>all these other characters have like out of this world powers,

1:25:45.560 --> 1:25:47.960
<v Speaker 1>and then Black Widows like, I can wrap my legs

1:25:48.000 --> 1:25:50.840
<v Speaker 1>around a man's face and pussy slam him to the ground.

1:25:53.880 --> 1:25:57.040
<v Speaker 1>But she's got actual powers also in the like when

1:25:57.120 --> 1:26:00.080
<v Speaker 1>the movie turns into National Treasure for a while and

1:26:00.120 --> 1:26:03.599
<v Speaker 1>they're like having to use like clue solving skills. She

1:26:03.640 --> 1:26:06.080
<v Speaker 1>knows what to do with the first artifact. She knows

1:26:06.080 --> 1:26:08.519
<v Speaker 1>where to go and how to find it. She knows

1:26:08.520 --> 1:26:11.040
<v Speaker 1>how to access the recording, which leads them to the

1:26:11.080 --> 1:26:15.479
<v Speaker 1>next clue. She memorizes that recording, which Aquaman like didn't

1:26:15.479 --> 1:26:17.960
<v Speaker 1>even think to do or couldn't do, or you know,

1:26:18.320 --> 1:26:21.360
<v Speaker 1>I relate to that too, because I legit would be

1:26:21.400 --> 1:26:23.760
<v Speaker 1>like what did he just say? What do we have

1:26:23.840 --> 1:26:26.080
<v Speaker 1>to do? I would have to watch it forty seven

1:26:26.120 --> 1:26:29.240
<v Speaker 1>times and like write it down. Yeah, And I like that.

1:26:29.280 --> 1:26:31.880
<v Speaker 1>It's like it's not just I feel like very often.

1:26:32.479 --> 1:26:34.759
<v Speaker 1>I mean, I think you could even make this argument

1:26:34.800 --> 1:26:38.599
<v Speaker 1>for National Treasure of like, even when there's a capable woman,

1:26:38.880 --> 1:26:41.040
<v Speaker 1>she's all along for the ride. I mean, in the

1:26:41.120 --> 1:26:43.200
<v Speaker 1>case of National Treasure, she's a hostage for a while

1:26:43.400 --> 1:26:45.960
<v Speaker 1>and doesn't do any of the clue solving, even though

1:26:46.000 --> 1:26:49.000
<v Speaker 1>she's like a historian. So but but in this case,

1:26:49.080 --> 1:26:53.720
<v Speaker 1>it's not only is mera a very very important active participant,

1:26:54.040 --> 1:26:57.479
<v Speaker 1>they also share a common goal like her, their fates

1:26:57.560 --> 1:27:00.599
<v Speaker 1>are connected, and so the stakes are extreme high for her.

1:27:00.640 --> 1:27:02.519
<v Speaker 1>It's not just like I have a crush on this guy,

1:27:02.600 --> 1:27:05.080
<v Speaker 1>so I'm going to help him out, or Nicholas Cage

1:27:05.120 --> 1:27:07.080
<v Speaker 1>is taking me hostage, so let me see what I

1:27:07.120 --> 1:27:10.559
<v Speaker 1>can do, like you know, right, And then the second

1:27:10.560 --> 1:27:13.599
<v Speaker 1>big clue, Aquaman figures that out because he's like, oh,

1:27:13.680 --> 1:27:15.599
<v Speaker 1>Romulus was the king. We have to put the bottle

1:27:15.800 --> 1:27:18.599
<v Speaker 1>and the statues hand, and then that's how we find

1:27:18.640 --> 1:27:21.120
<v Speaker 1>the thing. But it just means that there's equity between

1:27:21.160 --> 1:27:24.960
<v Speaker 1>like she saw the first thing, he solves the second one.

1:27:25.240 --> 1:27:29.760
<v Speaker 1>They're like equals in this endeavor, which again is not

1:27:29.880 --> 1:27:32.640
<v Speaker 1>It's like, should just be the standard thing that we

1:27:32.680 --> 1:27:35.559
<v Speaker 1>can expect, but it's almost never that way. It's almost like,

1:27:36.240 --> 1:27:38.040
<v Speaker 1>you know, the man doing all the work, the woman's

1:27:38.040 --> 1:27:40.720
<v Speaker 1>there along for the ride to look pretty and to

1:27:40.840 --> 1:27:43.880
<v Speaker 1>kiss at the end, which does happen in this movie too.

1:27:43.920 --> 1:27:46.800
<v Speaker 1>I would argue that this love story feels very wedged in,

1:27:46.960 --> 1:27:49.000
<v Speaker 1>doesn't really need to be there, doesn't really develop in

1:27:49.040 --> 1:27:51.360
<v Speaker 1>any meaningful way except for that one scene where she's like,

1:27:51.600 --> 1:27:53.640
<v Speaker 1>look at me eat flowers and he's like, ha ha,

1:27:53.760 --> 1:27:57.680
<v Speaker 1>you're you're cute, and then and then they're kissing right

1:27:58.080 --> 1:28:00.160
<v Speaker 1>there are Yeah, there are a few like hey, end

1:28:00.240 --> 1:28:04.040
<v Speaker 1>brusha's and then meaningful glances and it's like is this necessary?

1:28:04.080 --> 1:28:07.360
<v Speaker 1>I mean sure, I guess, And it didn't like super

1:28:07.479 --> 1:28:11.160
<v Speaker 1>bother me because the characters do have chemistry, but it

1:28:11.240 --> 1:28:13.519
<v Speaker 1>was like, I agree, it's like it is wedged It

1:28:13.560 --> 1:28:16.960
<v Speaker 1>could have been a potentially like tutor, I guess, if

1:28:17.000 --> 1:28:20.519
<v Speaker 1>she was more like a younger sister or something as

1:28:20.560 --> 1:28:25.280
<v Speaker 1>opposed to a love interest. Yeah, because the optics of like, well,

1:28:25.360 --> 1:28:27.760
<v Speaker 1>I mean, I guess who cares. But it's like she

1:28:27.880 --> 1:28:30.080
<v Speaker 1>was going to marry her, she's being forced to marry

1:28:30.120 --> 1:28:32.280
<v Speaker 1>his brother, and then she's like, oh, I guess I'm

1:28:32.320 --> 1:28:36.559
<v Speaker 1>just actually going to marry her, which feels very like

1:28:37.200 --> 1:28:41.280
<v Speaker 1>classically royal story that felt like this felt like such

1:28:41.280 --> 1:28:44.479
<v Speaker 1>a modern story, and to have that like royal brother

1:28:44.640 --> 1:28:48.280
<v Speaker 1>conflict felt more dated. I don't know, I don't they

1:28:48.280 --> 1:28:51.559
<v Speaker 1>would have taken the kiss out of that big fight

1:28:51.640 --> 1:28:54.439
<v Speaker 1>scene and then at the end where he's like what

1:28:54.439 --> 1:28:56.320
<v Speaker 1>do I do now, she's like be their king and

1:28:56.320 --> 1:28:58.519
<v Speaker 1>he like kind of kisses her on the forehead before

1:28:58.520 --> 1:29:00.720
<v Speaker 1>he does that thing. I'm like, how cute would that

1:29:00.760 --> 1:29:03.240
<v Speaker 1>have been? If that would have been like a big

1:29:03.280 --> 1:29:05.679
<v Speaker 1>brother like I'm gonna be the king or whatever instead

1:29:05.680 --> 1:29:07.920
<v Speaker 1>of oh, we just made out and you know what

1:29:07.920 --> 1:29:12.679
<v Speaker 1>I mean, like something a little bit more wholesome. Yeah,

1:29:12.880 --> 1:29:15.439
<v Speaker 1>I like I like the little sister thing, or like

1:29:15.520 --> 1:29:18.320
<v Speaker 1>I'd like to just see more examples of like women

1:29:18.400 --> 1:29:21.400
<v Speaker 1>being men and a woman being platonic friends in a

1:29:21.479 --> 1:29:25.200
<v Speaker 1>movie that they don't have any fine, they can still

1:29:25.200 --> 1:29:28.680
<v Speaker 1>both be like movie star hot, but also like it

1:29:28.720 --> 1:29:31.360
<v Speaker 1>doesn't automatically mean they're going to be attracted to each

1:29:31.400 --> 1:29:36.280
<v Speaker 1>other and gonna wanna kiss someone. Max and Furious too

1:29:36.320 --> 1:29:39.480
<v Speaker 1>hot people who don't kiss, and they are just allies.

1:29:39.760 --> 1:29:43.600
<v Speaker 1>And I love that. Just let hot people be friends.

1:29:43.640 --> 1:29:48.840
<v Speaker 1>Just let people friends once, I would say. And I

1:29:48.840 --> 1:29:52.960
<v Speaker 1>mean as far as like so Mara, I don't know,

1:29:53.040 --> 1:29:54.640
<v Speaker 1>I would have liked to get to know her a

1:29:54.640 --> 1:29:57.720
<v Speaker 1>little bit better. She doesn't have that much of an arc.

1:29:57.880 --> 1:30:01.400
<v Speaker 1>She doesn't feel like that new wance or complicated of

1:30:01.479 --> 1:30:03.360
<v Speaker 1>a character to me. I don't know. I feel like

1:30:03.400 --> 1:30:06.000
<v Speaker 1>there could have been more, like I don't know, just

1:30:06.040 --> 1:30:09.040
<v Speaker 1>emotional nuance to her, which I think could have been

1:30:09.080 --> 1:30:11.400
<v Speaker 1>explored if she was like a member of their family,

1:30:11.439 --> 1:30:14.200
<v Speaker 1>like the little sister or you know, a friend of

1:30:14.200 --> 1:30:17.280
<v Speaker 1>the family who I don't know. It just I felt

1:30:17.320 --> 1:30:19.360
<v Speaker 1>like there could have been more to develop her. But

1:30:19.479 --> 1:30:22.720
<v Speaker 1>I was generally impressed with the way her character was

1:30:22.760 --> 1:30:25.320
<v Speaker 1>handled and the amount that she was given to do

1:30:25.479 --> 1:30:28.160
<v Speaker 1>and the agency that she had. I was. I was

1:30:28.200 --> 1:30:31.720
<v Speaker 1>generally impressed with all of that. I agree. There is though,

1:30:31.720 --> 1:30:35.320
<v Speaker 1>a scene which kind of like picked for me. When

1:30:36.240 --> 1:30:39.800
<v Speaker 1>it's towards the end, Aquaman and Mara have shown up

1:30:39.840 --> 1:30:43.559
<v Speaker 1>at this like cave place where the trident is supposed

1:30:43.560 --> 1:30:46.680
<v Speaker 1>to be. Nicole Kidman is also like, by the way,

1:30:46.720 --> 1:30:50.240
<v Speaker 1>I've been hiding for twenty years. And then we're also like,

1:30:50.280 --> 1:30:53.040
<v Speaker 1>does that mean that Aquaman is only like twenty five

1:30:53.120 --> 1:30:55.200
<v Speaker 1>because I think she he was like a small boy

1:30:55.280 --> 1:30:59.080
<v Speaker 1>when she So I'm like, okay, I guess Aquaman's twenty

1:30:59.080 --> 1:31:04.960
<v Speaker 1>five or something. Think about was like forty something. Yeah,

1:31:05.160 --> 1:31:07.880
<v Speaker 1>she's and she's supposed to be Patrick Wilson's mother, Like

1:31:07.920 --> 1:31:10.400
<v Speaker 1>Patrick Wilson is like fifty. You're like, well, I guess

1:31:10.439 --> 1:31:13.360
<v Speaker 1>it's all relative. We don't know how people in Atlantis

1:31:13.400 --> 1:31:17.280
<v Speaker 1>age by aging my aging underwater differently. This is just

1:31:17.320 --> 1:31:20.840
<v Speaker 1>a goofy Atlantis observation. But there would be some of

1:31:20.840 --> 1:31:24.080
<v Speaker 1>the scenes in Atlantis where you would just you would

1:31:24.160 --> 1:31:26.640
<v Speaker 1>just be seeing the actors from like the chest up,

1:31:27.000 --> 1:31:28.920
<v Speaker 1>and then they would suddenly cut to a wide shot

1:31:28.920 --> 1:31:32.040
<v Speaker 1>and you're like, oh, they're floating there. It's just like

1:31:32.280 --> 1:31:37.080
<v Speaker 1>that guy's hair is just like Doren has like red hair,

1:31:37.160 --> 1:31:39.960
<v Speaker 1>and he's just like sort of floating around and his

1:31:40.040 --> 1:31:43.200
<v Speaker 1>hair is all going everywhere. Seed where they take Willhem

1:31:43.280 --> 1:31:47.880
<v Speaker 1>Dafoe's nice Jaffar character to the dungeon or whatever. They

1:31:47.960 --> 1:31:51.120
<v Speaker 1>cut to a wide shot and like to those like kicking,

1:31:54.120 --> 1:31:56.640
<v Speaker 1>and I was like, that's so funny. I forget that

1:31:56.720 --> 1:32:01.160
<v Speaker 1>he's swimming in this scene while he's going, um, he's

1:32:01.200 --> 1:32:05.479
<v Speaker 1>being taken to the dungeon. Yeah, it looks very stall anyway.

1:32:05.520 --> 1:32:07.880
<v Speaker 1>So the three of them have all kind of reunited.

1:32:07.920 --> 1:32:10.479
<v Speaker 1>It's an aquaman and his mother and then Mara, and

1:32:10.520 --> 1:32:14.160
<v Speaker 1>there's you were like Aquamans like, all right, I gotta

1:32:14.200 --> 1:32:16.120
<v Speaker 1>go find the trident. And he goes and like does

1:32:16.160 --> 1:32:18.160
<v Speaker 1>the very important thing of the movie, and then he

1:32:18.240 --> 1:32:22.479
<v Speaker 1>comes back to where Mara in Atlanta or Atlanta are

1:32:22.560 --> 1:32:24.240
<v Speaker 1>just like, well, we had to wait for the man

1:32:24.320 --> 1:32:26.240
<v Speaker 1>to do the important thing, and then we were just

1:32:26.320 --> 1:32:29.360
<v Speaker 1>the two women who were sitting here waiting. Well, they

1:32:29.360 --> 1:32:33.200
<v Speaker 1>don't want to. I think that's fair enough. You do

1:32:33.280 --> 1:32:36.840
<v Speaker 1>not want women with the tentacle monster in this movie

1:32:36.880 --> 1:32:43.160
<v Speaker 1>because fandom is weird enough without god fair fair enough.

1:32:43.640 --> 1:32:45.960
<v Speaker 1>That picked for me as well. And I feel like

1:32:46.000 --> 1:32:48.320
<v Speaker 1>that could have been remedied by just like writing a

1:32:48.360 --> 1:32:53.280
<v Speaker 1>short scene for them. Yeah, because I forget who was

1:32:53.320 --> 1:32:56.360
<v Speaker 1>saying it earlier, but like she would have known Queen

1:32:56.439 --> 1:32:59.559
<v Speaker 1>Atlanta since she was very young. They would have plenty

1:32:59.600 --> 1:33:02.080
<v Speaker 1>to talk about. She was going to be forced to

1:33:02.080 --> 1:33:04.559
<v Speaker 1>marry her bed son, she's falling in love with her

1:33:04.640 --> 1:33:07.519
<v Speaker 1>good son. They just have known each other for a

1:33:07.560 --> 1:33:10.280
<v Speaker 1>long time. Maybe they'll reminisce about something. What is Nicole

1:33:10.360 --> 1:33:13.720
<v Speaker 1>Kidman been up to? Like, there's so many questions and

1:33:14.120 --> 1:33:16.920
<v Speaker 1>there could have been a scene with them. Wait would

1:33:16.920 --> 1:33:20.120
<v Speaker 1>they have known? Wouldn't have Nicole Kidman's character been banished

1:33:20.200 --> 1:33:23.639
<v Speaker 1>probably before Mary was even born? I don't know, because

1:33:23.680 --> 1:33:26.960
<v Speaker 1>I think Mari says something. I think Mari says something

1:33:27.000 --> 1:33:30.679
<v Speaker 1>like this goes against everything your mother taught us or something. Right,

1:33:30.880 --> 1:33:33.960
<v Speaker 1>It's that was Yeah, it sounds like they which again

1:33:34.000 --> 1:33:36.320
<v Speaker 1>you have to suspend your disbelief and believe that Patrick

1:33:36.360 --> 1:33:38.439
<v Speaker 1>Wilson and Amber her at the same age, which is

1:33:38.520 --> 1:33:44.000
<v Speaker 1>very obviously not true. But yeah, I like I think

1:33:44.000 --> 1:33:47.240
<v Speaker 1>that they would have known each other. But even if not,

1:33:47.640 --> 1:33:50.400
<v Speaker 1>there's plenty to talk about. Yeah, or if like if

1:33:50.400 --> 1:33:52.479
<v Speaker 1>we want to throw in another like fight sequence in

1:33:52.520 --> 1:33:54.760
<v Speaker 1>there where if like some of the sea creatures had

1:33:54.760 --> 1:33:57.040
<v Speaker 1>like infiltrated this place and then we have to see

1:33:57.040 --> 1:33:59.479
<v Speaker 1>these like two women, you know, kick some ass like

1:34:00.040 --> 1:34:02.600
<v Speaker 1>an action movie. After all, Like it just felt so

1:34:02.640 --> 1:34:04.519
<v Speaker 1>weird to me that, like he comes back and it's

1:34:04.520 --> 1:34:06.639
<v Speaker 1>like these two women were just like, okay, we wait.

1:34:06.760 --> 1:34:09.320
<v Speaker 1>We were here waiting for you the man to do

1:34:09.439 --> 1:34:11.840
<v Speaker 1>with the important thing, and we were just sitting here

1:34:11.880 --> 1:34:14.080
<v Speaker 1>waiting and I was like, that could have been handled

1:34:14.120 --> 1:34:19.360
<v Speaker 1>way better. Yeah. Yeah, But bottom line, especially compared to

1:34:19.680 --> 1:34:23.560
<v Speaker 1>superhero movies and the way women are treated in them

1:34:23.720 --> 1:34:27.439
<v Speaker 1>for years prior to this, uh, Mara's involvement in story

1:34:27.800 --> 1:34:33.120
<v Speaker 1>is pretty decent. Yeah, motivated, there's action, like, it's good.

1:34:33.840 --> 1:34:36.760
<v Speaker 1>I wouldn't call it trinity syndrome either, you know. I

1:34:37.160 --> 1:34:39.000
<v Speaker 1>there's plenty for her to do. It's not like she

1:34:39.120 --> 1:34:41.920
<v Speaker 1>just showed up and it's like, now what do I do?

1:34:42.400 --> 1:34:46.519
<v Speaker 1>And I'm here? Really how cool I am? What do

1:34:46.600 --> 1:34:49.840
<v Speaker 1>I do? Nothing? Yeah, it's not like Morpheus sent me.

1:34:49.880 --> 1:34:53.280
<v Speaker 1>It's like I sent myself because I see that this

1:34:53.360 --> 1:34:56.479
<v Speaker 1>man that I've been forced into a marriage is trying

1:34:56.479 --> 1:35:00.240
<v Speaker 1>to kill the world, so I have to um stop him. Yeah,

1:35:00.280 --> 1:35:01.920
<v Speaker 1>and then in the same in the same way. I mean,

1:35:02.080 --> 1:35:04.280
<v Speaker 1>and I think we've kind of covered this at this point,

1:35:04.360 --> 1:35:08.640
<v Speaker 1>but um, Queen Atlanta has a full arc. You know,

1:35:08.760 --> 1:35:10.760
<v Speaker 1>It's it does seem like you're kind of led to

1:35:10.800 --> 1:35:13.759
<v Speaker 1>believe for the majority of the movie that she is Fridged.

1:35:13.840 --> 1:35:15.960
<v Speaker 1>But then not only is she not Fridge, but she

1:35:16.760 --> 1:35:19.559
<v Speaker 1>gets to go on this like beautiful journey that makes

1:35:19.560 --> 1:35:23.439
<v Speaker 1>me cry when I think about it. Um, So, you know,

1:35:23.600 --> 1:35:27.960
<v Speaker 1>there are certainly more characters of consequence in this story

1:35:28.000 --> 1:35:34.160
<v Speaker 1>that are men. For sure. There's brother conflict, there's pirate

1:35:34.320 --> 1:35:38.639
<v Speaker 1>merman conflict. There's fathers and sons. There's a lot of

1:35:38.920 --> 1:35:41.599
<v Speaker 1>you know, male relationship. And I don't even necessarily mean

1:35:41.600 --> 1:35:43.439
<v Speaker 1>that in a bad way because there's a wide variety

1:35:43.479 --> 1:35:47.040
<v Speaker 1>of them. And then there are like two women in

1:35:47.240 --> 1:35:51.160
<v Speaker 1>the story basically, and they are both white ladies, which

1:35:51.520 --> 1:35:54.640
<v Speaker 1>but the women who are there, I think that the

1:35:54.760 --> 1:35:58.479
<v Speaker 1>script does right by them and they have fully realized

1:35:58.520 --> 1:36:01.960
<v Speaker 1>stories and their motivated, dead and involved and yeah, h

1:36:02.960 --> 1:36:04.840
<v Speaker 1>I wanted to talk a little bit more about the

1:36:04.840 --> 1:36:09.920
<v Speaker 1>relationship between Aquaman and his dad because I think it's beautiful,

1:36:10.200 --> 1:36:11.719
<v Speaker 1>and we do joke a lot on the show about

1:36:11.720 --> 1:36:15.120
<v Speaker 1>how like, ultimately all stories are about fathers and sons. Um,

1:36:15.200 --> 1:36:18.080
<v Speaker 1>this one doesn't bother me. This one's beautiful, This one

1:36:18.080 --> 1:36:21.440
<v Speaker 1>doesn't bother me. It's it's a very sweet and supportive relationship.

1:36:21.479 --> 1:36:23.880
<v Speaker 1>Between the two of them. I feel like a trope

1:36:23.920 --> 1:36:27.320
<v Speaker 1>you see A lot is like the younger man, the son,

1:36:27.960 --> 1:36:30.800
<v Speaker 1>trying to prove himself to his dad and like kind

1:36:30.800 --> 1:36:33.960
<v Speaker 1>of being toxic along the way, or like the dad

1:36:34.080 --> 1:36:37.839
<v Speaker 1>character needs to redeem himself because he's been a shitty,

1:36:37.880 --> 1:36:40.280
<v Speaker 1>absent dad for his whole life. But there's like none

1:36:40.280 --> 1:36:44.320
<v Speaker 1>of that in this story. It's just like they've been together.

1:36:45.120 --> 1:36:49.520
<v Speaker 1>They are supportive of each other. There's no like masculinity

1:36:49.640 --> 1:36:52.960
<v Speaker 1>contest that either of them are trying to win. They're

1:36:53.000 --> 1:36:57.200
<v Speaker 1>just like having a nice time together and they love

1:36:57.240 --> 1:37:01.160
<v Speaker 1>each other. And I really appreciate she ate that representation

1:37:01.200 --> 1:37:03.200
<v Speaker 1>of like a father son relationship in a movie, because

1:37:03.200 --> 1:37:08.360
<v Speaker 1>we don't usually get anything like that. Yeah, there is

1:37:08.400 --> 1:37:11.240
<v Speaker 1>a there's a line of dialogue the Aquamenses towards the

1:37:11.400 --> 1:37:14.479
<v Speaker 1>end that I found to be confused. I don't I

1:37:14.479 --> 1:37:16.120
<v Speaker 1>don't know if this was a joke or what, but

1:37:16.880 --> 1:37:20.519
<v Speaker 1>it's when Mara is saying she said something like we

1:37:20.600 --> 1:37:23.160
<v Speaker 1>need to like encourage diplomacy, or we need to like

1:37:23.240 --> 1:37:25.840
<v Speaker 1>try to talk this out or like get it so

1:37:25.880 --> 1:37:29.719
<v Speaker 1>that the different like kingdoms of Atlantis are like get

1:37:29.760 --> 1:37:32.880
<v Speaker 1>It's something along those lines. I didn't write down specifically

1:37:32.880 --> 1:37:36.280
<v Speaker 1>what it was, but Aquaman's response to that was, I

1:37:36.360 --> 1:37:39.519
<v Speaker 1>learned from a young age not to show weakness. I

1:37:39.560 --> 1:37:43.439
<v Speaker 1>solved my problems with anger and my fists. I'm a

1:37:43.479 --> 1:37:46.200
<v Speaker 1>blunt instrument and I'm damn good at it. And I'm like,

1:37:46.680 --> 1:37:48.760
<v Speaker 1>is that actually even true? Like I feel like your

1:37:48.840 --> 1:37:54.000
<v Speaker 1>father wouldn't have like taught you that. Yeah, I'm just

1:37:55.240 --> 1:37:58.400
<v Speaker 1>I'm a tough man. Think guys will like guys like

1:37:58.640 --> 1:38:00.960
<v Speaker 1>you as I'd be like, look, I'm a little fucked

1:38:01.080 --> 1:38:05.720
<v Speaker 1>up and you're like, because why like lass party and

1:38:05.760 --> 1:38:08.800
<v Speaker 1>with those guys in that scene earlier, but it was

1:38:08.840 --> 1:38:16.400
<v Speaker 1>so it was so sweet. That was like the est. Yeah,

1:38:16.439 --> 1:38:18.800
<v Speaker 1>you don't see Batman doing that ship. Aquaman is so

1:38:18.880 --> 1:38:23.479
<v Speaker 1>much better. He's a friendly neighborhood Aquaman. He's a wholesome

1:38:23.560 --> 1:38:28.280
<v Speaker 1>boy boy. Yeah. No, that that relationship with that was

1:38:28.320 --> 1:38:31.080
<v Speaker 1>really well done. And it also didn't like it was

1:38:31.160 --> 1:38:33.800
<v Speaker 1>so I don't know, Yeah, it didn't like overtake the

1:38:33.840 --> 1:38:36.520
<v Speaker 1>story in a way that I feel like those relationships

1:38:36.520 --> 1:38:39.680
<v Speaker 1>sometimes do. And like, like you were saying at the

1:38:39.720 --> 1:38:42.240
<v Speaker 1>beginning of the episode, Alley, there's all of these like

1:38:42.840 --> 1:38:47.200
<v Speaker 1>pretty nuanced themes in this movie that just it's just seamless.

1:38:47.240 --> 1:38:51.040
<v Speaker 1>You don't feel like the movie is like really pushing

1:38:51.120 --> 1:38:53.800
<v Speaker 1>any particular theme on you. It's just like it's just

1:38:53.920 --> 1:38:57.160
<v Speaker 1>happening and it's and it's good. Yeah. That's really surprising

1:38:57.160 --> 1:39:00.360
<v Speaker 1>because of like Lesser Hands, you know, like this could

1:39:00.400 --> 1:39:03.840
<v Speaker 1>have been so messy and a movie that's already kind

1:39:03.880 --> 1:39:07.400
<v Speaker 1>of messy. I'm happy that part wasn't. You know, it's right.

1:39:08.400 --> 1:39:14.000
<v Speaker 1>I did appreciately like pro environmental conservation message of the movie,

1:39:14.040 --> 1:39:16.280
<v Speaker 1>although it was kind of weird that it was the

1:39:16.320 --> 1:39:18.840
<v Speaker 1>motivation for the villain and that it wasn't also the

1:39:18.880 --> 1:39:22.760
<v Speaker 1>motivation for like the good guys. That's a little Ghostbusters

1:39:22.840 --> 1:39:25.760
<v Speaker 1>for me. Yeah, we're like the E p A Is

1:39:25.800 --> 1:39:31.120
<v Speaker 1>the Devil. Yeah. I feel like they didn't want to

1:39:31.200 --> 1:39:34.920
<v Speaker 1>make the villain to sympathetic, you know, where it's like

1:39:35.520 --> 1:39:38.360
<v Speaker 1>kill Monger, you know, like made so many good points,

1:39:38.400 --> 1:39:40.800
<v Speaker 1>and it's like, well, we can't have y'all, you know,

1:39:40.920 --> 1:39:43.560
<v Speaker 1>rooting for the bad guys, so let's make him a misogynist,

1:39:43.680 --> 1:39:47.760
<v Speaker 1>you know what I mean, like black Panther. Otherwise, I

1:39:47.760 --> 1:39:50.040
<v Speaker 1>mean people would be like, oh, yeah, you know what

1:39:50.080 --> 1:39:53.080
<v Speaker 1>I mean, right, Like, yeah, see your point. Maybe I

1:39:53.120 --> 1:39:57.000
<v Speaker 1>should follow you actually, So then Orm is like, you know,

1:39:57.240 --> 1:40:02.080
<v Speaker 1>well you're not wrong, but you're also a fascistict yeah,

1:40:02.120 --> 1:40:06.240
<v Speaker 1>like or recognizes the environmental issue in a way that

1:40:06.400 --> 1:40:11.200
<v Speaker 1>Aquaman doesn't as much. But also his proposed solution is

1:40:11.880 --> 1:40:15.559
<v Speaker 1>violence and like racial violence and uh like would not

1:40:15.680 --> 1:40:18.599
<v Speaker 1>resolve the problem, but he acknowledges it. So it's weird.

1:40:19.160 --> 1:40:21.240
<v Speaker 1>And then at the end that line that Nicole Kidman

1:40:21.320 --> 1:40:24.200
<v Speaker 1>when she comes to like, I whatever, it's a comic

1:40:24.200 --> 1:40:26.040
<v Speaker 1>book story. So when she goes over and hugs her

1:40:26.080 --> 1:40:28.559
<v Speaker 1>son and she's like, don't do a fascism and he's like,

1:40:28.640 --> 1:40:33.200
<v Speaker 1>oh man, I feel so silly, and like he's like,

1:40:33.240 --> 1:40:36.479
<v Speaker 1>I'm sorry, mommy, I really I wasn't gonna I definitely

1:40:36.479 --> 1:40:39.439
<v Speaker 1>wasn't going to do a fascism. And then I'll go

1:40:39.479 --> 1:40:42.240
<v Speaker 1>to jail. Now think about what you did in the

1:40:42.400 --> 1:40:45.880
<v Speaker 1>dungeon and like in the swimming dungeon or whatever, and

1:40:45.920 --> 1:40:48.960
<v Speaker 1>so it's like all very whatever end of movie stuff.

1:40:49.200 --> 1:40:52.679
<v Speaker 1>But then Nicole Kidman says something like that makes sense

1:40:52.880 --> 1:40:56.040
<v Speaker 1>thematically with aquaman S narrative, where she's like the land

1:40:56.080 --> 1:40:58.640
<v Speaker 1>and the you know, we're all she's kind of like,

1:40:58.720 --> 1:41:01.640
<v Speaker 1>this is a monoculture maybe, and it's like, Okay, that

1:41:01.800 --> 1:41:05.840
<v Speaker 1>is I see, I see why she's saying that, But

1:41:06.040 --> 1:41:11.200
<v Speaker 1>that really pushes the environmental stuff aside. And because we've

1:41:11.200 --> 1:41:14.120
<v Speaker 1>been seeing I mean, that's why I'm intrigued by the

1:41:14.240 --> 1:41:19.360
<v Speaker 1>Randall Park character UM and how he is going to

1:41:20.400 --> 1:41:26.000
<v Speaker 1>team up with be held hostage by unclear uh with

1:41:26.120 --> 1:41:29.559
<v Speaker 1>Black Manta. But like it seems like the movie setting,

1:41:29.760 --> 1:41:31.560
<v Speaker 1>like the franchise, is being set up to address that

1:41:31.600 --> 1:41:34.320
<v Speaker 1>in a more meaningful way in the next movie. It

1:41:34.360 --> 1:41:36.559
<v Speaker 1>seems like it. I hope that there will be UH

1:41:36.600 --> 1:41:38.360
<v Speaker 1>in the sequel. I hope that there will be more

1:41:38.400 --> 1:41:42.639
<v Speaker 1>women of color in it, especially like Polynesian women are

1:41:42.720 --> 1:41:47.200
<v Speaker 1>more Polynesian characters in general, because you know, ycause it's

1:41:47.240 --> 1:41:53.320
<v Speaker 1>the Polynesian superhero. And also I guess the the environmental issues.

1:41:54.000 --> 1:41:56.519
<v Speaker 1>I wonder if it was also now that I think

1:41:56.560 --> 1:41:59.240
<v Speaker 1>about it, I wonder if it was kind of swept

1:42:00.160 --> 1:42:03.160
<v Speaker 1>under the rug a little bit because Jason Momoa was

1:42:03.800 --> 1:42:08.120
<v Speaker 1>protesting Mauna Kea around the time and then was also

1:42:08.760 --> 1:42:13.320
<v Speaker 1>standing in solidarity with Standing Rock Yes, and they were

1:42:13.360 --> 1:42:15.280
<v Speaker 1>probably like, well, we don't want it to get to

1:42:15.640 --> 1:42:19.960
<v Speaker 1>preachy because we're still Hollywood and you know, I don't

1:42:19.960 --> 1:42:22.519
<v Speaker 1>want to make too many waves. We don't want to

1:42:22.800 --> 1:42:27.120
<v Speaker 1>be pro environment. That would be absurd, that would be

1:42:27.160 --> 1:42:29.960
<v Speaker 1>a bad look for us. So it's like, what do

1:42:30.000 --> 1:42:32.559
<v Speaker 1>you mean God, I mean yeah, And then you think

1:42:32.560 --> 1:42:34.439
<v Speaker 1>about whether you can't you can't. You just can't think

1:42:34.479 --> 1:42:36.360
<v Speaker 1>about it. Like the carbon footprint of a movie like

1:42:36.400 --> 1:42:39.800
<v Speaker 1>this is gigantic and there aren't enough. Um. I mean,

1:42:39.800 --> 1:42:42.839
<v Speaker 1>that's a conversation that we should have on this show someday,

1:42:43.000 --> 1:42:44.920
<v Speaker 1>but I just haven't done enough research on it. But

1:42:45.040 --> 1:42:47.680
<v Speaker 1>just like the massive carbon footprint that movies havepen how

1:42:47.680 --> 1:42:52.439
<v Speaker 1>there's basically no regulations on how much energy you can

1:42:52.520 --> 1:42:56.240
<v Speaker 1>just bust into the air making you know, Willem Dafoe

1:42:56.280 --> 1:43:01.000
<v Speaker 1>swim or whatever it is, Like right, yeah, I would

1:43:01.040 --> 1:43:03.400
<v Speaker 1>like to learn more about that too. I feel like

1:43:03.439 --> 1:43:07.080
<v Speaker 1>we like, very very minimally scratched the surface when we

1:43:07.160 --> 1:43:10.320
<v Speaker 1>talked about Babe on the Patreon and I get a

1:43:10.320 --> 1:43:14.160
<v Speaker 1>little deep dive onto like how certain practical effects have

1:43:14.320 --> 1:43:19.000
<v Speaker 1>like killed nearby animals on movie sets. There have been

1:43:19.040 --> 1:43:21.760
<v Speaker 1>a few examples of that, but like, yeah, it's not

1:43:21.840 --> 1:43:24.800
<v Speaker 1>just like wildlife, it's just, yeah, the kind of ecological

1:43:24.840 --> 1:43:28.040
<v Speaker 1>impact that a lot of production movie productions have is

1:43:29.640 --> 1:43:33.040
<v Speaker 1>I'm sure not great. The next big big blockbuster we cover,

1:43:33.520 --> 1:43:38.200
<v Speaker 1>maybe I'll do a section of Avatar to probably because

1:43:38.240 --> 1:43:42.679
<v Speaker 1>you know that. God, Yeah, when we do the Avatar episode,

1:43:42.720 --> 1:43:45.040
<v Speaker 1>that would be that would because it's like, oh, this

1:43:45.479 --> 1:43:50.120
<v Speaker 1>that movie does claim to be a lot of things,

1:43:50.200 --> 1:43:52.440
<v Speaker 1>but you're like, bull, but what was the carbon footprint

1:43:52.439 --> 1:43:55.320
<v Speaker 1>of that? Mr Cameron? Can can we get some numbers there?

1:43:55.360 --> 1:44:01.160
<v Speaker 1>Among other things? Yeah? H does anyone have any other

1:44:01.520 --> 1:44:05.800
<v Speaker 1>thoughts about the movie that they like to discuss. I

1:44:05.920 --> 1:44:09.439
<v Speaker 1>want to say yes, but I'm blanking out. I think

1:44:09.560 --> 1:44:12.920
<v Speaker 1>that's that's everything that I had. There's so there was

1:44:13.000 --> 1:44:16.000
<v Speaker 1>so much, there's so much to love about this movie. Yeah,

1:44:16.040 --> 1:44:18.320
<v Speaker 1>I do have a newfound appreciation for it. I mean,

1:44:18.439 --> 1:44:21.759
<v Speaker 1>for me, like when I watch a movie, I'm mostly

1:44:22.120 --> 1:44:26.280
<v Speaker 1>analyzing until I analyze it through like the Bechtel cast lens.

1:44:26.360 --> 1:44:28.240
<v Speaker 1>I'm just looking at it from like I'm mostly like

1:44:29.160 --> 1:44:31.400
<v Speaker 1>story point of view, and like how well are the

1:44:31.479 --> 1:44:37.040
<v Speaker 1>characters developed, how compelling are the themes, how structurally sound

1:44:37.400 --> 1:44:40.799
<v Speaker 1>is the story? How like effective is the world building?

1:44:40.840 --> 1:44:42.680
<v Speaker 1>And I feel like some of those things in this

1:44:42.720 --> 1:44:45.120
<v Speaker 1>movie is like what made it feel very like clunky,

1:44:45.360 --> 1:44:47.519
<v Speaker 1>Like most of the world building is done through like

1:44:47.680 --> 1:44:51.880
<v Speaker 1>very clunky dialogue, and I'm just like, come on, of exposition.

1:44:53.080 --> 1:44:58.400
<v Speaker 1>Yeah there's But visually, for me, some of the choices

1:44:58.479 --> 1:45:00.840
<v Speaker 1>were strange, and again I was experiencing a lot of

1:45:00.840 --> 1:45:03.760
<v Speaker 1>sensory overload. But um, yeah, I do have a I

1:45:03.840 --> 1:45:08.240
<v Speaker 1>have way more appreciation for this movie than I did

1:45:08.520 --> 1:45:11.280
<v Speaker 1>before we started talking about it on this show. So

1:45:11.720 --> 1:45:14.160
<v Speaker 1>I every time I see I was selling Caitlin this

1:45:14.360 --> 1:45:16.800
<v Speaker 1>off Mike before we started recording. But I was like

1:45:16.920 --> 1:45:21.120
<v Speaker 1>everything that I found confusing about this movie, I suddenly

1:45:21.240 --> 1:45:24.320
<v Speaker 1>was like, I actually like it because it's all James

1:45:24.400 --> 1:45:28.559
<v Speaker 1>Wan stuff, Like James Wan created Jigsaw. Who if can

1:45:28.600 --> 1:45:33.280
<v Speaker 1>you think of a more expositional character than Jigsaw. He

1:45:34.320 --> 1:45:37.880
<v Speaker 1>the movies are not particularly well written, and they look

1:45:38.360 --> 1:45:43.200
<v Speaker 1>absolutely weird every single time, but it just it just works.

1:45:43.479 --> 1:45:47.519
<v Speaker 1>His movies are just vibrating. That's the James Wan way. Yeah,

1:45:47.680 --> 1:45:51.360
<v Speaker 1>Jigsaw is the ultimate I think. I guess listeners, let

1:45:51.360 --> 1:45:53.760
<v Speaker 1>me know if there's a character that um is more

1:45:53.800 --> 1:45:57.120
<v Speaker 1>inherently expositional than Jigsaw. We should do a saw a

1:45:57.200 --> 1:46:03.120
<v Speaker 1>month on the Patriot we got. Oh goodness, does this

1:46:03.200 --> 1:46:07.200
<v Speaker 1>movie pass the back door test. I forgot to pay attention.

1:46:07.320 --> 1:46:11.599
<v Speaker 1>It does. I I saw it passing one time. It

1:46:11.680 --> 1:46:13.840
<v Speaker 1>is a two and a half hour movie. Maybe I

1:46:13.920 --> 1:46:18.960
<v Speaker 1>missed something, But there was one interaction that Jason Momoa

1:46:19.200 --> 1:46:22.320
<v Speaker 1>is present for and it's shot from the back, so

1:46:22.360 --> 1:46:25.559
<v Speaker 1>it could have even been a d R. But maybe

1:46:25.760 --> 1:46:29.200
<v Speaker 1>maybe someone flagged that in James Wanda is like, oh shit, um.

1:46:29.760 --> 1:46:34.479
<v Speaker 1>But Nicole Kidman and uh Mea have an exchange where

1:46:34.560 --> 1:46:38.080
<v Speaker 1>Mara says something like and you've been here for twenty

1:46:38.160 --> 1:46:43.320
<v Speaker 1>years and she's like, yes, I've been here for twenty years,

1:46:43.640 --> 1:46:46.360
<v Speaker 1>and then they're like, anyways, aqua man. But it does.

1:46:46.560 --> 1:46:52.080
<v Speaker 1>Technically it does pass. Okay, well, good for the movie.

1:46:53.840 --> 1:46:56.840
<v Speaker 1>They also had two and a half other hours to

1:46:56.840 --> 1:46:59.719
<v Speaker 1>to maybe do that, And but that is like, that's

1:47:00.040 --> 1:47:02.120
<v Speaker 1>I think an extension of a problem we've been talking

1:47:02.120 --> 1:47:04.400
<v Speaker 1>about for five years now that the first time I

1:47:04.479 --> 1:47:07.120
<v Speaker 1>remember talking about it was in our Star Wars episode

1:47:07.120 --> 1:47:09.400
<v Speaker 1>four episode where it's like, how could this movie pass

1:47:09.439 --> 1:47:11.400
<v Speaker 1>the Bechdel test? There's only one woman she's got to

1:47:11.439 --> 1:47:13.439
<v Speaker 1>want to talk to, and it's like there's only two

1:47:13.439 --> 1:47:16.519
<v Speaker 1>women and they only appear in one scene together. Where

1:47:16.520 --> 1:47:19.519
<v Speaker 1>else is this going to pass. That's like a structural flaw.

1:47:19.880 --> 1:47:22.720
<v Speaker 1>I mean, yeah, that does speak to how there are

1:47:22.720 --> 1:47:26.120
<v Speaker 1>a lot of characters in this movie and most of

1:47:26.120 --> 1:47:29.120
<v Speaker 1>them are met. We get another like there's a scene

1:47:29.160 --> 1:47:34.439
<v Speaker 1>where Orm kills like the mermaid kingman and then his

1:47:34.840 --> 1:47:37.559
<v Speaker 1>daughter who's like teen daughters now, like the heir to

1:47:37.600 --> 1:47:39.800
<v Speaker 1>the throne. So then she shows up in a later

1:47:39.880 --> 1:47:42.120
<v Speaker 1>battle and she's like doing some stuff here and there

1:47:42.120 --> 1:47:45.280
<v Speaker 1>barely I mean blank, and you'll miss her. But other

1:47:45.320 --> 1:47:47.800
<v Speaker 1>than that that, yeah, there really aren't any women. But like,

1:47:48.280 --> 1:47:51.400
<v Speaker 1>for example, Willem Dafoe's character easily could have been a

1:47:51.479 --> 1:47:54.320
<v Speaker 1>woman like one of the villains, like other of the

1:47:54.439 --> 1:47:57.720
<v Speaker 1>villains could have been a woman. There are and I'm

1:47:57.720 --> 1:48:00.679
<v Speaker 1>sure that that connects to like the common Book says, well,

1:48:00.680 --> 1:48:03.559
<v Speaker 1>but it's like this movie already, this franchise already made

1:48:03.640 --> 1:48:06.879
<v Speaker 1>changes independently of the comic book that improved the source material.

1:48:07.000 --> 1:48:09.519
<v Speaker 1>So why not why not keep going with it? What

1:48:09.640 --> 1:48:14.160
<v Speaker 1>if Black Manta's dad would have been Black Manta's mom mother, right,

1:48:14.680 --> 1:48:16.880
<v Speaker 1>because then that really would have been shitty if he

1:48:16.920 --> 1:48:19.479
<v Speaker 1>would have left his mom to die, you know after

1:48:19.560 --> 1:48:23.080
<v Speaker 1>what he did, Like no, fuck you, I mean Black

1:48:23.120 --> 1:48:26.599
<v Speaker 1>Manta could have also been a woman, Like what's what's

1:48:26.680 --> 1:48:29.439
<v Speaker 1>to stop that from happening. But I do like the

1:48:29.479 --> 1:48:32.320
<v Speaker 1>idea of it being his mother instead of his father,

1:48:32.439 --> 1:48:36.720
<v Speaker 1>because then that's like Aquaman has like mommy problems, and

1:48:36.760 --> 1:48:39.160
<v Speaker 1>that would like heighten the conflict between the two of

1:48:39.200 --> 1:48:42.040
<v Speaker 1>them if they have this like shared like loss of

1:48:42.160 --> 1:48:47.040
<v Speaker 1>mother and like, ah, yeah, it was right there, it

1:48:47.120 --> 1:48:48.880
<v Speaker 1>was right. That's why you don't let an l a

1:48:49.000 --> 1:48:55.559
<v Speaker 1>p d. Officer write your movie. They're gonna yeah, um,

1:48:55.640 --> 1:48:59.320
<v Speaker 1>as far as our nipple scale goes zero to five nipples.

1:49:00.000 --> 1:49:06.599
<v Speaker 1>Analyzing it through an intersexual feminist lens um, I would

1:49:06.600 --> 1:49:11.000
<v Speaker 1>say between Mara and Atlanta, even though they are the

1:49:11.040 --> 1:49:13.599
<v Speaker 1>only two women in the story and they don't really

1:49:13.640 --> 1:49:19.599
<v Speaker 1>interact hardly ever, but as individual characters, like there's interesting

1:49:19.640 --> 1:49:24.880
<v Speaker 1>things happening there, there's more equity between Like Mara, who

1:49:25.040 --> 1:49:27.439
<v Speaker 1>is positioned to be the love interest, but she's also

1:49:27.560 --> 1:49:30.000
<v Speaker 1>more than that. In this movie, she's all that, she's

1:49:30.000 --> 1:49:33.160
<v Speaker 1>doing other stuff, she's fighting, she's solving clues, she has

1:49:33.200 --> 1:49:36.439
<v Speaker 1>the agency to like seek out Aquaman to begin with,

1:49:36.520 --> 1:49:39.439
<v Speaker 1>so you know, she's far more important to the narrative

1:49:39.680 --> 1:49:43.720
<v Speaker 1>than a lot of other like superhero movie female counterparts

1:49:43.720 --> 1:49:46.280
<v Speaker 1>of hers have been in the past, So that's cool.

1:49:46.360 --> 1:49:52.600
<v Speaker 1>The fact that this movie is representation of an indigenous superhero,

1:49:52.720 --> 1:49:58.479
<v Speaker 1>a biracial superhero. Uh the kids adults alike have seen

1:49:58.520 --> 1:50:03.800
<v Speaker 1>themselves represented in is like really important, really powerful, very meaningful.

1:50:04.240 --> 1:50:10.000
<v Speaker 1>The relationship between Aquaman and his dad and how there's like, again,

1:50:10.120 --> 1:50:13.000
<v Speaker 1>so many father son relationships are in movies are so

1:50:13.080 --> 1:50:16.640
<v Speaker 1>steeped in like some weird form of toxic masculinity, and

1:50:16.680 --> 1:50:20.000
<v Speaker 1>the fact that that's absent from this relationship I think

1:50:20.120 --> 1:50:23.240
<v Speaker 1>is a very positive thing to see on screen. And

1:50:23.280 --> 1:50:26.920
<v Speaker 1>so yeah, there's a lot of things going for the

1:50:27.000 --> 1:50:31.880
<v Speaker 1>movie that again, when looking at it through the through

1:50:31.920 --> 1:50:36.880
<v Speaker 1>the bectolcast lens, I appreciate it way more. So with

1:50:36.960 --> 1:50:40.280
<v Speaker 1>that in mind, I'll give it like three and a

1:50:40.360 --> 1:50:43.479
<v Speaker 1>half nipples, because there's still some stuff that, you know,

1:50:43.680 --> 1:50:46.280
<v Speaker 1>kind of rubbed me the wrong way. The fact that

1:50:46.320 --> 1:50:50.320
<v Speaker 1>the only black characters are villains, Like, why weren't there

1:50:50.400 --> 1:50:55.200
<v Speaker 1>black Atlanteans who are just existing in that world? Why

1:50:55.240 --> 1:50:59.120
<v Speaker 1>aren't there other just like any yeah, any people of

1:50:59.160 --> 1:51:03.920
<v Speaker 1>color elsewhere in the story, because it's still a predominantly

1:51:03.960 --> 1:51:06.639
<v Speaker 1>white cast. And and then there are the only black

1:51:06.720 --> 1:51:11.600
<v Speaker 1>characters we meet, Like there immediately sidelines until the credits

1:51:11.680 --> 1:51:14.200
<v Speaker 1>of the movie, right, yeah, yeah, and then you've got

1:51:14.240 --> 1:51:17.200
<v Speaker 1>like Randall Park, who seems like a very fun character.

1:51:17.400 --> 1:51:20.960
<v Speaker 1>I was like, so, where's he? Give me more him?

1:51:21.080 --> 1:51:23.160
<v Speaker 1>I'm pretty sure he has a very large role in

1:51:23.200 --> 1:51:27.200
<v Speaker 1>the second movie. I did a little digging, and I

1:51:27.280 --> 1:51:30.479
<v Speaker 1>love Randall Park. Yeah, he's great. So I think there

1:51:30.520 --> 1:51:35.280
<v Speaker 1>could have been more, just diversity overall, but yeah, even so,

1:51:35.400 --> 1:51:40.120
<v Speaker 1>I was three three and a half nipples, and I

1:51:40.200 --> 1:51:46.120
<v Speaker 1>will give one to Jason Momoa. I'll give one to

1:51:46.720 --> 1:51:51.320
<v Speaker 1>Nicole Kidman's wig. I'll give one to Always got to

1:51:51.320 --> 1:51:54.559
<v Speaker 1>give one to her wig and never to her and

1:51:54.640 --> 1:51:57.599
<v Speaker 1>never to her. I'll give one to Randall Park. And

1:51:57.640 --> 1:52:01.360
<v Speaker 1>I'll give my half nipple to the how do you

1:52:01.400 --> 1:52:06.080
<v Speaker 1>say this word? Corinth Corinthian corinthe No, not Corinthian whatever,

1:52:06.120 --> 1:52:13.559
<v Speaker 1>the giant crab monster. H So that gets my that's

1:52:13.640 --> 1:52:16.840
<v Speaker 1>my half nipple. I'll meet you at three and a half.

1:52:16.880 --> 1:52:19.840
<v Speaker 1>That sounds right to me. Um, yeah, I I agree

1:52:19.880 --> 1:52:24.240
<v Speaker 1>with what you're saying. I feel like this movie is

1:52:24.960 --> 1:52:30.360
<v Speaker 1>doing so much for a superhero movie. I absolutely loved

1:52:30.360 --> 1:52:33.280
<v Speaker 1>and really appreciated you sharing your connection to it. Ali

1:52:33.400 --> 1:52:37.400
<v Speaker 1>like it is just like I'm so glad this movie exists,

1:52:37.439 --> 1:52:41.000
<v Speaker 1>and I'm so glad that the Yeah, that just that's

1:52:41.000 --> 1:52:44.439
<v Speaker 1>how this world is, and that it I don't know,

1:52:44.479 --> 1:52:47.599
<v Speaker 1>like it subverted a lot of my expectations of just

1:52:48.080 --> 1:52:50.799
<v Speaker 1>what I expect from superhero movies in general, but also

1:52:51.040 --> 1:52:56.000
<v Speaker 1>just you know, including a biracial character in a meaningful way,

1:52:56.040 --> 1:52:58.800
<v Speaker 1>in a very authentic and thoughtful way that was also

1:52:58.840 --> 1:53:01.559
<v Speaker 1>true to like who the actor himself is, and just

1:53:01.760 --> 1:53:05.920
<v Speaker 1>all of this wonderful thematic stuff and then and then

1:53:06.000 --> 1:53:09.160
<v Speaker 1>I mean in terms of how I mean, and I

1:53:09.200 --> 1:53:12.559
<v Speaker 1>agree that the two female characters that we have are

1:53:12.960 --> 1:53:16.520
<v Speaker 1>wonderful and they have these fully realized stories. They're very motivated,

1:53:16.800 --> 1:53:21.040
<v Speaker 1>they're they're also very white. And I really hope that

1:53:21.080 --> 1:53:24.000
<v Speaker 1>you know, in like like we've discussed already, that there

1:53:24.280 --> 1:53:29.280
<v Speaker 1>is diversity across gender in this franchise as it continues

1:53:29.320 --> 1:53:33.200
<v Speaker 1>to develop, which I want to believe is going to happen.

1:53:33.479 --> 1:53:36.800
<v Speaker 1>Um also know, like body diversity to like there's a

1:53:36.880 --> 1:53:39.479
<v Speaker 1>shot where like the two women are standing next to

1:53:39.520 --> 1:53:41.320
<v Speaker 1>each other and it's like, oh, you have the same

1:53:41.360 --> 1:53:46.519
<v Speaker 1>exact body type, Well you forgot Nicole Kidman is taller

1:53:46.640 --> 1:53:53.160
<v Speaker 1>than husband. That if mirror was cast by like a big, hulking,

1:53:53.320 --> 1:53:58.760
<v Speaker 1>gorgeous woman like yeah, hell yeah, or that would have

1:53:58.760 --> 1:54:01.880
<v Speaker 1>been Acquaman's mom. So like the cole Conman's beautiful a lot.

1:54:01.880 --> 1:54:07.080
<v Speaker 1>If it was right like rich people were gigantic, which

1:54:07.120 --> 1:54:12.760
<v Speaker 1>is why he's fucking gigantic, that would make sense to me. Sorry,

1:54:12.800 --> 1:54:15.640
<v Speaker 1>I never have to do Jamie, No, no, I'll go

1:54:15.760 --> 1:54:20.080
<v Speaker 1>three and a half. I am now officially amped to

1:54:20.160 --> 1:54:24.479
<v Speaker 1>see Aquaman two. Who knew James wants directing the new

1:54:24.520 --> 1:54:30.600
<v Speaker 1>one as well? I appreciate James Wan. Okay, three and

1:54:30.640 --> 1:54:32.880
<v Speaker 1>a half nipples. Gotta give one to James Want. I'm

1:54:32.880 --> 1:54:37.480
<v Speaker 1>as big as fan. Also, I'll give one to the

1:54:37.520 --> 1:54:42.400
<v Speaker 1>Cthulhu as well. Give one to Jason Momoa. He is fantastic.

1:54:42.800 --> 1:54:47.520
<v Speaker 1>I really love him, and I'll give my last half two.

1:54:48.280 --> 1:54:53.280
<v Speaker 1>Randall Park nice Illi, what about you? Yeah, I think

1:54:53.440 --> 1:54:56.240
<v Speaker 1>three and a half is fair because you know, obviously

1:54:56.240 --> 1:54:58.840
<v Speaker 1>the movie meant a lot to me for a bunch

1:54:58.840 --> 1:55:02.760
<v Speaker 1>of different emotional reasons. But uh, but yeah, it does

1:55:02.960 --> 1:55:06.160
<v Speaker 1>have a lot of clunkiness in it. The exposition, like

1:55:06.200 --> 1:55:09.480
<v Speaker 1>I said, is all over the place. There's a lot

1:55:09.640 --> 1:55:13.200
<v Speaker 1>of information, a lot of backstory. Um, but all of

1:55:13.240 --> 1:55:15.959
<v Speaker 1>it is cool, So I'm a little bit more forgiving,

1:55:16.040 --> 1:55:19.080
<v Speaker 1>But it just could have been done better. Birds of

1:55:19.120 --> 1:55:21.840
<v Speaker 1>Prey kind of does that too. Actually, it's just a

1:55:21.840 --> 1:55:26.400
<v Speaker 1>little slapping, a lot packed into yeah, a lot of characters.

1:55:26.440 --> 1:55:28.200
<v Speaker 1>I feel like it's like when you have that many characters,

1:55:28.240 --> 1:55:31.120
<v Speaker 1>you're like, well, someone's going to get lost in the mix.

1:55:31.240 --> 1:55:33.600
<v Speaker 1>Like and yeah, I think it was supposed to be

1:55:33.640 --> 1:55:37.160
<v Speaker 1>two movies and they just kind of like combine them

1:55:37.440 --> 1:55:41.720
<v Speaker 1>and it feels that way. Yeah, But like I said,

1:55:41.760 --> 1:55:43.959
<v Speaker 1>like a lot of the stuff, the stuff that's clumsy

1:55:44.080 --> 1:55:48.040
<v Speaker 1>is clumsy, but not terrible. I've definitely seen so much

1:55:48.080 --> 1:55:51.760
<v Speaker 1>worse in the d C EU on top of that, Like,

1:55:53.720 --> 1:55:57.720
<v Speaker 1>but the stuff that they did well, they did very

1:55:57.800 --> 1:56:01.760
<v Speaker 1>very well, like surprisingly well. So yeah, i'll give it

1:56:01.800 --> 1:56:04.000
<v Speaker 1>three and a half. Also, I'll give one of these

1:56:04.120 --> 1:56:08.200
<v Speaker 1>nips to Jason Momoa. I'd like to give him too,

1:56:08.280 --> 1:56:11.680
<v Speaker 1>but he can just have one. I'll give another one

1:56:11.680 --> 1:56:17.400
<v Speaker 1>to his dad because Mandalorian. I'm going to give the

1:56:17.520 --> 1:56:22.040
<v Speaker 1>third one to Black Manta just because, yeah, Yama is

1:56:22.120 --> 1:56:25.920
<v Speaker 1>so hot and I know that's not what it's important

1:56:26.040 --> 1:56:28.480
<v Speaker 1>right now, but I just had to say that he's

1:56:28.520 --> 1:56:30.680
<v Speaker 1>hot but bad. He was also like I know that

1:56:31.320 --> 1:56:33.960
<v Speaker 1>there's a problematic element obviously with the black guy be

1:56:34.080 --> 1:56:36.640
<v Speaker 1>and the villain, but man, at least he was a

1:56:36.680 --> 1:56:39.840
<v Speaker 1>good villain, which wouldn't have been an issue again if

1:56:39.880 --> 1:56:44.200
<v Speaker 1>there were other black characters, right, but because he's he

1:56:44.320 --> 1:56:46.600
<v Speaker 1>and his dad were the only ones in his dad dies,

1:56:46.680 --> 1:56:49.920
<v Speaker 1>It's like, okay, well that's pretty glaring anyway, right of course.

1:56:50.720 --> 1:56:53.320
<v Speaker 1>But then uh, yeah, my half, I guess we'll go

1:56:53.440 --> 1:56:58.640
<v Speaker 1>to Nicole kidman, just just a cool kidsman. Just get

1:56:58.680 --> 1:57:01.520
<v Speaker 1>that I have to give the full ones to the

1:57:01.640 --> 1:57:04.560
<v Speaker 1>people of color and the indigenous folks, and you can

1:57:04.600 --> 1:57:08.680
<v Speaker 1>just have a half just half. Well, Alie, thank you

1:57:08.800 --> 1:57:11.760
<v Speaker 1>so much for coming back and joining us in this

1:57:11.800 --> 1:57:16.000
<v Speaker 1>wonderful discussion and for sharing your your connection with this movie.

1:57:16.040 --> 1:57:18.400
<v Speaker 1>It's like really moving and I was like tearing up

1:57:18.840 --> 1:57:23.680
<v Speaker 1>and yeah, me too, thank you for putting up with

1:57:23.720 --> 1:57:26.680
<v Speaker 1>me during that. Oh my god, oh my god, any

1:57:26.720 --> 1:57:30.280
<v Speaker 1>please come back anytime, like truly, I will come back

1:57:30.320 --> 1:57:34.080
<v Speaker 1>for Avatar properly. I called this. Nobody else gets to

1:57:34.080 --> 1:57:37.800
<v Speaker 1>do it but me. You've got Avatar. Does give me

1:57:37.840 --> 1:57:39.840
<v Speaker 1>a call and be like all right, we're doing this,

1:57:41.520 --> 1:57:43.560
<v Speaker 1>and I will be like, yes, we are my time.

1:57:43.640 --> 1:57:46.280
<v Speaker 1>Wait when does the next When does Avatar to come out?

1:57:46.400 --> 1:57:49.720
<v Speaker 1>Twenty years from now? Probably? Yeah, like not for another

1:57:49.800 --> 1:57:51.960
<v Speaker 1>year and a half. We can't wait. It can't it

1:57:52.000 --> 1:57:54.480
<v Speaker 1>can't wait. It can't wait. An it's never coming out?

1:57:55.760 --> 1:57:59.480
<v Speaker 1>Oh God. But yeah, I would love to come back

1:57:59.560 --> 1:58:04.160
<v Speaker 1>and thank for inviting me again. I love talking about movies, yes,

1:58:04.240 --> 1:58:07.240
<v Speaker 1>and we love having you. Where can people you know

1:58:07.360 --> 1:58:10.280
<v Speaker 1>check out your stuff follow you online? Tell us about

1:58:10.280 --> 1:58:12.400
<v Speaker 1>the A LA tests. We've talked about it before, but

1:58:13.400 --> 1:58:15.440
<v Speaker 1>tell our listeners who might not be familiar, what the

1:58:15.640 --> 1:58:18.720
<v Speaker 1>LA test is. Okay, So the A LA tests started

1:58:18.760 --> 1:58:23.200
<v Speaker 1>off on Tumbler. It's the dash A LA dash test

1:58:23.280 --> 1:58:26.160
<v Speaker 1>dot tumbler dot com. And it was when I was

1:58:26.200 --> 1:58:30.800
<v Speaker 1>in Finland and came up with a Bechdel Test inspired

1:58:31.480 --> 1:58:36.360
<v Speaker 1>litmus test I suppose for a Native and Indigenous women,

1:58:36.760 --> 1:58:40.800
<v Speaker 1>where I noticed that when they appear movies, they're usually

1:58:41.800 --> 1:58:45.440
<v Speaker 1>not a main character or a white guy's girlfriend, or

1:58:45.440 --> 1:58:48.480
<v Speaker 1>they get murdered or they get sexually assaulted and every

1:58:48.560 --> 1:58:51.200
<v Speaker 1>single thing I've seen, so I'm like, okay, let's look

1:58:51.240 --> 1:58:56.320
<v Speaker 1>for characters who are the main character so an Indigenous

1:58:56.520 --> 1:59:00.280
<v Speaker 1>woman who is a main character, who is not the

1:59:00.320 --> 1:59:03.960
<v Speaker 1>love interest to a white guy and doesn't get sexually

1:59:03.960 --> 1:59:08.320
<v Speaker 1>assaulted or killed at any point in the story. And

1:59:09.000 --> 1:59:11.800
<v Speaker 1>it took off, Like I don't know, people just really

1:59:12.400 --> 1:59:15.320
<v Speaker 1>responded really well to this, which I was kind of

1:59:15.320 --> 1:59:19.360
<v Speaker 1>surprised by. But I guess when you have like hard evidence,

1:59:19.720 --> 1:59:21.560
<v Speaker 1>you know, where it's all like, no, I don't think

1:59:21.560 --> 1:59:25.320
<v Speaker 1>I'm making this up by seeing this pattern, and it's

1:59:25.320 --> 1:59:29.640
<v Speaker 1>a very disturbing pattern that keeps happening, and people are like, yeah,

1:59:29.760 --> 1:59:32.600
<v Speaker 1>actually that is kind of sucked up. You know, why

1:59:32.640 --> 1:59:36.280
<v Speaker 1>aren't more characters passing the ALA test? Yeah, And it

1:59:36.320 --> 1:59:38.080
<v Speaker 1>was kind of like I mean, it was I believe,

1:59:38.120 --> 1:59:39.840
<v Speaker 1>like the first of its kind as far as like

1:59:39.960 --> 1:59:45.600
<v Speaker 1>an like a test examining representation of Indigenous women in media,

1:59:45.800 --> 1:59:47.320
<v Speaker 1>and like when you have something like that that's like

1:59:47.360 --> 1:59:52.600
<v Speaker 1>also like easily quantifiable or like qualifiable, Like, yeah, I

1:59:52.960 --> 1:59:55.280
<v Speaker 1>I'm not surprised that it took off, because it's like

1:59:56.000 --> 1:59:58.760
<v Speaker 1>it's a great way to like open up that conversation

1:59:58.840 --> 2:00:03.760
<v Speaker 1>about representation of Indigenous characters and women in media. And

2:00:03.800 --> 2:00:06.160
<v Speaker 1>that's all I really wanted it to do. You know.

2:00:06.200 --> 2:00:08.920
<v Speaker 1>It was just like start the conversation and then hopefully

2:00:08.920 --> 2:00:13.200
<v Speaker 1>it leads to better movies and better characters, which I

2:00:13.600 --> 2:00:16.200
<v Speaker 1>hope it has. Like people have been talking about it

2:00:16.200 --> 2:00:18.480
<v Speaker 1>a lot, I think, I mean, it seems like it has.

2:00:18.560 --> 2:00:21.640
<v Speaker 1>I like, I don't know it already has like such

2:00:21.680 --> 2:00:26.880
<v Speaker 1>a cool, impactful legacy. The Gina Davis Institute called it out,

2:00:27.000 --> 2:00:32.560
<v Speaker 1>So congratulations, that was amazing. She got me into the

2:00:32.560 --> 2:00:38.600
<v Speaker 1>goddamn league. You're part of the Justice League now, yeah,

2:00:38.640 --> 2:00:42.080
<v Speaker 1>but yeah, and then I did another test. I think

2:00:42.120 --> 2:00:44.000
<v Speaker 1>I was talking about this when we were talking about

2:00:44.200 --> 2:00:47.000
<v Speaker 1>movie talks with Caitlin. Yes, yes, yes, where it was

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<v Speaker 1>does the Indian live? Which is also like does the

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<v Speaker 1>Native American characters show up in the movie? And does

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<v Speaker 1>he die? Okay, if he does, he doesn't pass, you know, hope.

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<v Speaker 1>So uh, that one hasn't quite as taken off. But

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<v Speaker 1>that's mostly because I am not organized and I don't

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<v Speaker 1>know how to run a website. So I'm figuring it

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<v Speaker 1>out it don't happen. But other than that, you can

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<v Speaker 1>find me on Twitter, Alie Naughty on Twitter, Alie Naughty

2:01:18.800 --> 2:01:21.600
<v Speaker 1>on Tumbler, Elie Naughty on TikTok. If you really want

2:01:21.640 --> 2:01:26.520
<v Speaker 1>to see me embarrass myself and on Instagram. Yeah, I

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<v Speaker 1>love your one minute movie reviews. They're really great. I

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<v Speaker 1>haven't done one in a long time. I need to

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<v Speaker 1>do it again. Yeah, bring it back, bring it back,

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<v Speaker 1>And then you can follow us on Twitter and Instagram

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<v Speaker 1>at spectel Cast. We've got our Matreon which is at

2:01:44.480 --> 2:01:48.800
<v Speaker 1>patreon dot com slash spectel cast, and that's five dollars

2:01:48.800 --> 2:01:51.800
<v Speaker 1>a month and you get to bonus episodes every single month,

2:01:51.840 --> 2:01:54.960
<v Speaker 1>plus access to the entire back catalog, which is over

2:01:55.040 --> 2:01:58.960
<v Speaker 1>one hundred bonus episodes. This month we did two of

2:01:58.960 --> 2:02:02.240
<v Speaker 1>our most popular romcom request that we've just never done

2:02:02.280 --> 2:02:04.040
<v Speaker 1>for some reason. So if you want to hear us

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<v Speaker 1>absolutely hand. You've got males ads back to it. That's

2:02:10.360 --> 2:02:12.200
<v Speaker 1>where you can go to do that how to Lose

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<v Speaker 1>a Guy in ten Days as well. Um. Yeah, the

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<v Speaker 1>Matrean community is so lovely and so fun and is loose.

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<v Speaker 1>You know, we're hanging loose on the Matreon, so head

2:02:23.240 --> 2:02:26.120
<v Speaker 1>over there. It's holiday time. If you want to get

2:02:26.160 --> 2:02:28.200
<v Speaker 1>some merch, you can go to t public dot com

2:02:28.280 --> 2:02:34.880
<v Speaker 1>slash the bettel Cast and I think that's everything. Well,

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<v Speaker 1>we'll see you in December, alright, bye, bye bye,