Speaker 1: And that's what you really missed with Jenna.
Speaker 2: And Kevin an iHeartRadio podcast.
Speaker 1: Welcome to and that's what you really miss podcasts. Hi, Kevin, Hey, Jenna,
Speaker 1: did I say that correctly?
Speaker 2: Yeah? Janna for you? Okay.
Speaker 1: Heaven likes to say my name with his Texas at Jena.
Speaker 2: You were with my whole family other day and my
Speaker 2: brother said he does.
Speaker 1: I'm just so used to it that if you call
Speaker 1: me differently then you call me Jenna. It sounds weird
Speaker 1: at this point.
Speaker 2: I just I really cannot hear the difference, and that's
Speaker 2: so disconcerting. Jenna.
Speaker 1: I like it. I like it, Okay, Jenna, that's right,
Speaker 1: like waitress. Okay, here you go. This is season four,
Speaker 1: episode sixteen, and this is Feud. It aired on March fourteen,
Speaker 1: twenty thirteen. And uh, it's definitely not March fourteenth here.
Speaker 1: It's just really hot here in twenty twenty four.
Speaker 2: Climate change is really get into the valley, oh man.
Speaker 1: Okay. In the news, the number one song was Harlem
Speaker 1: Shake Again by Bower.
Speaker 2: The number one movie I was just thinking about this movie,
Speaker 2: yes to you why. The number one movie was Oz
Speaker 2: The Great and Powerful starring James Franco, Michelle Williams, Rachel Weiss,
Speaker 2: Smila Kunez, Zach Braf. Because Austin and I have started
Speaker 2: reading Wicked.
Speaker 1: What a great time to read Wicked.
Speaker 2: Yes, he started reading it and he's like, this is
Speaker 2: really good. You should start reading it with me. So
Speaker 2: I started, and I thought about this movie because there
Speaker 2: was mention of somebody's going to show up in a balloon,
Speaker 2: and it just made me think of the trailers for
Speaker 2: this movie. I never saw the movie.
Speaker 1: Okay, I'm just fully into the lore of the Wizard
Speaker 1: of Oz.
Speaker 2: And now I kind of want to be a completist.
Speaker 1: And watch this and read that, read.
Speaker 2: Watch everything because I'm fully in.
Speaker 1: Yeah, I get that, I get that. I support you
Speaker 1: on that journey.
Speaker 2: I feel like I remember this movie not being good
Speaker 2: or something. Maybe I don't know, but.
Speaker 1: I agree it didn't look like Wicked looks well, do
Speaker 1: you know what I mean?
Speaker 2: Also, people may already know this, but we'll talk about
Speaker 2: it later. But Austin as a theory the Wicked musical
Speaker 2: stage adaptation from the.
Speaker 1: Book interesting, Okay, we can talk about that.
Speaker 2: But it's great. You should start reading the book too.
Speaker 1: I don't have time to read a book right now.
Speaker 1: I just want to say, in all your freedom, I
Speaker 1: actually want to read John Choo's memoir first before.
Speaker 2: I have it. I bought it.
Speaker 1: Great, I'll borrow it from you when you're done.
Speaker 2: It's great.
Speaker 1: I need to buy I just should buy it just
Speaker 1: to support. Okay, so we are actually rewatching Game of
Speaker 1: Thrones right now, and not in a very intentional or
Speaker 1: purposeful way. We just kind of put it on and
Speaker 1: we put it on the first season and you're like, oh, well,
Speaker 1: let's just keep watching because it's so good. But Glee
Speaker 1: News this week. On March eighteenth, Jenna and Kevin attended
Speaker 1: the premiere of the season three Game of Thrones at
Speaker 1: the Chinese Theater in Hollywood. For some reason, we decided
Speaker 1: to dress like fools. I know we call ourselves clowns
Speaker 1: and fools all the time, but this is truly a
Speaker 1: moment not to be missed. You should google it. Jenna
Speaker 1: and Kevin Game of Thrones premiere. For some reason, they
Speaker 1: Game of Thrones like HBO sent you a house McHale,
Speaker 1: like a really cool pr package. I didn't get that.
Speaker 1: But I'm wearing something that I feel like is contesting
Speaker 1: your shirt and it's I'm wearing prints, I'm wearing different materials.
Speaker 1: I don't know what's happening here, but it's just it's
Speaker 1: something not to be missed, is really what I mean.
Speaker 2: I think what we were trying to do was wear
Speaker 2: a lot of animal just animal.
Speaker 1: So like leather and faux fur or faux leather, faux
Speaker 1: for things.
Speaker 2: Yes, because that's what they would do in Game of Thrones.
Speaker 2: Our version of it has absolutely not no similarities to
Speaker 2: the actual costume. It's not. But how exciting was it
Speaker 2: to be there?
Speaker 1: That was one of the coolest. I actually remember when
Speaker 1: we went to Comic Con for the first time, or
Speaker 1: maybe this is the second time, and we were staying
Speaker 1: in this hotel in downtown San Diego and we were
Speaker 1: getting ready to go to a panel and we saw
Speaker 1: Rob Stark. Yes, yes, Richard Richard Madden and we were
Speaker 1: and we were very starstruck, and we didn't say hi.
Speaker 1: We hid and we stared at him creepily.
Speaker 2: From a couple months later though, we did talk to him.
Speaker 1: We did, and we're obsessed with we were obsessed with
Speaker 1: Game of Thrones at this point.
Speaker 2: Yeah, it was it was a full love affair. We
Speaker 2: did not miss an episode. We'd watch together every weekend.
Speaker 1: It was a Sunday night affair.
Speaker 2: Yeah, oh my god, I mean, do you remember even season?
Speaker 2: Was it four? Or five? For my birthday, I had
Speaker 2: everyone over to watch the season finale. I won't say
Speaker 2: what happened for anyone who does hasn't watched the show yet.
Speaker 2: It was a really bad choice to have people over
Speaker 2: to watch that episode.
Speaker 1: Yes it was.
Speaker 2: It was bad, but we were so lucky to get
Speaker 2: to go to the premiere of season three, the same
Speaker 2: season I had the Red Wedding. We had no idea,
Speaker 2: we didn't know.
Speaker 1: All right. So this was directed by Brad Baker, written
Speaker 1: by Roberto Agiersakoffa. There were a lot of duets.
Speaker 2: So many duets. Love a duet, though, love a duet,
Speaker 2: But do you love these duets, Jenna, that's the question,
Speaker 2: that's the question. This is a silly episode.
Speaker 1: It is a filler episode, transition episode. Not my favorite episode.
Speaker 1: But there's some stuff that I find better highlights, so
Speaker 1: we'll talk about it. So there's how to Be a
Speaker 1: Heartbreaker performed by Brody and Rachel.
Speaker 2: There's the Bitches back Slash Dress You Up by Elton
Speaker 2: John and Madonna I Writer and Unique.
Speaker 1: Cold Hearted by Paula Abdul performer Santana.
Speaker 2: Bye Bye Bye. I went it that way, mashup in
Speaker 2: sink backs. You boys, it's Will and Finn and the
Speaker 2: New Direction boys.
Speaker 1: We did just say in our last Q and A
Speaker 1: that we wanted more boy bands. That's right. I still
Speaker 1: believe super bass. And this was Blaine and Sue and
Speaker 1: that was the Mariah Carey version with the Nicki Minaj version.
Speaker 2: I mean wild times yes, and then closer by Tiagan
Speaker 2: and Sarah performed the New Directions, which I think we
Speaker 2: got because Corey wanted right.
Speaker 1: Yep, they're Canadian, they are buddies. Got it on the show.
Speaker 1: It was thrilling and I like that number.
Speaker 2: Yeah, it's a great song.
Speaker 1: So Brittany sound In this episode, Brittany is absent for
Speaker 1: the first time since her introduction since show me this
Speaker 1: isn't that crazy, that's wild?
Speaker 2: But does it why?
Speaker 1: I think and maybe you can tell me you remembers correctly.
Speaker 1: She was pregnant at this point.
Speaker 2: That's when I had my sixth sense about someone being pregnant.
Speaker 1: Uh huh. And she was pregnant with her first kid,
Speaker 1: and I think she got some time off because of it.
Speaker 1: This is a first for us. One of our cast
Speaker 1: members main cast members was pregnant, but I don't remember
Speaker 1: exactly if that was the reason why, But that makes sense. Yeah,
Speaker 1: it does because by the end of this season, which
Speaker 1: we're almost there, she's very pregnant.
Speaker 2: At this point in the series, she is tied with
Speaker 2: Finn and Rachel for appearing in the third most number
Speaker 2: of episodes, behind Artie and Tina. Wow, at eighty two
Speaker 2: and eighty one. I didn't know that. Kevin look at.
Speaker 1: Us, really, I guess so because we're a McKinley and
Speaker 1: so like like the you know, the Ambers and the
Speaker 1: everybody like kind of started to trail back a little. Wow.
Speaker 2: That makes sense that you only missed Michael, right right,
Speaker 2: You and.
Speaker 1: I would have been tied at ay two had had
Speaker 1: I No, I missed the Spanish teacher, the one after Michael.
Speaker 1: I was in most of Michael. That's right, correct, correct? Yes,
Speaker 1: this is the last time Will sings in season four. Crazy.
Speaker 2: This is the episode Jane submitted to the Emmys, which
Speaker 2: earned her nomination for Outstanding Supporting Actress in a Comedy Series.
Speaker 2: It was her third nomination.
Speaker 1: Go off, Jane go off. When Ryder mentions that they're
Speaker 1: going to be the ones in charge when the others graduate,
Speaker 1: he never mentions Joe Sugar damn.
Speaker 2: Sorry, that's brutal. This is the first time and only
Speaker 2: time two mashup episodes happened in the same season. WHOA,
Speaker 2: I really love a mashup. I do wonder what the
Speaker 2: culturals magnificance is of Glee doing mashups, Like how prevalent
Speaker 2: was it before right versus after?
Speaker 1: Before Glee and after Glee. I will say I love
Speaker 1: a mashup as well, that it's done really well. I
Speaker 1: don't think that we should do them all the time
Speaker 1: because I think they get a little tired and they
Speaker 1: don't really mesh together. I will say some of the
Speaker 1: things were good. Some of these were good, some of
Speaker 1: them are not.
Speaker 2: Okay. So in this episode, the students give Will and
Speaker 2: fin an assignment to work out the tension between them. Meanwhile,
Speaker 2: Santana is suspicious about Brodie's side job. Can we talk
Speaker 2: about New York?
Speaker 1: Let's talk about New York.
Speaker 2: I am loving how they're writing Santana. Look, I know
Speaker 2: we complain sometimes about the characters being written like us
Speaker 2: as real people, but something has happened and to how
Speaker 2: they're writing Santana in New York and it's fully Nya
Speaker 2: and selfishly, I'm just enjoying watching.
Speaker 1: Oh it's so good, Naya Nya, so good. It's so good.
Speaker 1: It's like the it's the trio we were waiting for
Speaker 1: in New York. Like ye, first it was just Rachel,
Speaker 1: which was interesting, and then you added Kurt, which made
Speaker 1: it even more interesting with him at Vogue, and then
Speaker 1: you add Santana and you're like, yes, oh the band
Speaker 1: is back, and they are.
Speaker 2: It's a fiary and it's like you have like three
Speaker 2: of the best I think actors and performers on the
Speaker 2: show agree altogether in every scene and it's electric to
Speaker 2: watch now, and I think they're all better because of it.
Speaker 2: I was like, Naya is what Naya is doing is
Speaker 2: also like stepped up, like all her little her physical
Speaker 2: comedy is so good in this episode, like little things
Speaker 2: she's doing.
Speaker 1: It's it's so good, and I think it's just refreshing
Speaker 1: to see them in a different setting all together, like
Speaker 1: they're all in the same place, but yet we they've
Speaker 1: known each other for a really long time, so they
Speaker 1: can like I don't know, it's probably new energy to
Speaker 1: for them, Like.
Speaker 2: I think that's what. It seems like. They're having so
Speaker 2: much fun.
Speaker 1: It's really good. I'm really here for it.
Speaker 2: It feels different, and I get why people wanted to
Speaker 2: just like Own New York should just be its own
Speaker 2: show because it's so compelling, Like you absolutely could just
Speaker 2: watch them.
Speaker 1: No, totally, Now, Rachel, we find out is not pregnant.
Speaker 1: It was a false alarm.
Speaker 2: Okay, look, we now have like almost two episodes talking
Speaker 2: about this, like an episode and a change and some change.
Speaker 1: Yeah, but.
Speaker 2: She just walks out into the waiting room and it's.
Speaker 1: Just like Parenheit essentially.
Speaker 2: Can I go to class now?
Speaker 1: What?
Speaker 2: Excuse me? What?
Speaker 1: Well? Exactly, and Santana says exactly what we're all thinking.
Speaker 1: Wait a second, hold up, And I'm like, wait, hold up.
Speaker 1: As abuse is wild that her as a character was
Speaker 1: just going to it was it really was. But Santana
Speaker 1: thinks that this needs to be wake up well for
Speaker 1: her and on like how she's living her life, which
Speaker 1: is funny. And Santana is still stuck on this whole
Speaker 1: thing because she doesn't trust Brody, so she is still.
Speaker 2: Fishing and it's becoming a problem.
Speaker 1: It will become a problem.
Speaker 2: Santana is like really on one in this episode, to
Speaker 2: the point where they have that whole conversation where like like, girl,
Speaker 2: you you gotta go, You got to move out, or
Speaker 2: you have to stop doing this, and she picks up
Speaker 2: her ship.
Speaker 1: Which has already packed for her by the way, and
Speaker 1: she takes she picks it up with the comforter and
Speaker 1: the the pillow and literally throws the suitcase or like
Speaker 1: kicks the suitcase.
Speaker 2: Randa Delna Dunham and she said, I could crash there anytime.
Speaker 2: I just don't know what's going on. I know I'm
Speaker 2: a broken record. But like Nya, like last episode, this
Speaker 2: episode and next episode, she's so funny.
Speaker 1: It's like they're a lot looser. Yes, well, like it's
Speaker 1: a looser kind of feel, which like it's freedom a
Speaker 1: little bit.
Speaker 2: It feels like a sitcom in a good way, like
Speaker 2: me in like a positive like I don't.
Speaker 1: Yes, I agree with you. Everybody's just a little bit looser,
Speaker 1: a little bit bigger a little bit.
Speaker 2: And it feels like First and Leah were even ad living,
Speaker 2: like I think she just took my comforter ye, like
Speaker 2: it feels ad lib.
Speaker 1: It feels like yeah.
Speaker 2: But so before that she goes she actually confronts Brody
Speaker 2: at school, and that's what I alway skipped ahead, but
Speaker 2: I just love that scene so much. But going back
Speaker 2: a little bit, she does this number at school confronting Brody,
Speaker 2: which of course then Rachel finds out about, and it's like, girl,
Speaker 2: you can't be going into our school that you do
Speaker 2: not go to and doing a full performance, which was
Speaker 2: so good with all the dancers, with all the shout
Speaker 2: out to Ashley is in that number.
Speaker 1: Yes, but like really good, really great number, very sexy.
Speaker 1: Love that number?
Speaker 2: Did you and I I could do the splits?
Speaker 1: No, I don't think I knew that, you know, I
Speaker 1: actually did think I know that. I think she pulled
Speaker 1: those out at parties like party tricks.
Speaker 2: I don't remember that. That was shocking to me. Really yeah,
Speaker 2: but she was dancing, she was sanging. I loved that number.
Speaker 1: She was great. And Brody and Rachel do how to
Speaker 1: be a heartbreaker, which was supposed to be I believe
Speaker 1: the Roxanne number that Brody was supposed to get in
Speaker 1: the prior episode but our previous episode, but it turned
Speaker 1: into this one, which I was glad it did. It's
Speaker 1: a great montage. I think it shot really well. That's
Speaker 1: the Biltmore in Los Angeles. You see that hotel a
Speaker 1: lot in a lot of TV, a lot of films.
Speaker 1: But yeah, they do this great, great duo and he
Speaker 1: we find out that he is a.
Speaker 2: I don't know if you remember watching this and the
Speaker 2: screenings at lunch, but for some reason this number stuck
Speaker 2: out to me and I remember the screening and because
Speaker 2: I was losing it, I was like this, the scope
Speaker 2: of this number feels so much bigger than like what
Speaker 2: we would normally do. Like we always say, oh, we're
Speaker 2: shooting you know, four to seven music videos every episode,
Speaker 2: but a lot of them happen either in a hallway
Speaker 2: like in single locations. This felt like an actual music video.
Speaker 2: You have all that sterile choreo, you have the shutter choreo,
Speaker 2: and with the lighting, you have that whole sort of
Speaker 2: like ballroom esque scene and the lobby. It was a
Speaker 2: really gigantic That must have been a full day to
Speaker 2: shoot that one number and it looks and incredible. It's
Speaker 2: crazy that this is a TV show, Like, this is
Speaker 2: not a movie. This isn't something they could shoot over
Speaker 2: a week or two. This is something they probably shot
Speaker 2: in one day. Yeah, and it's so impressive. Everybody is
Speaker 2: so good and I completely just remember being flabbergacid and
Speaker 2: going up to Brad and Joaquin after being like, you
Speaker 2: guys are insane. How did you do that?
Speaker 1: Watched this with Dean too. I feel like we didn't
Speaker 1: get to spend a lot of time with him, but
Speaker 1: there was one lunch and maybe it was the screening
Speaker 1: that I had that you have in your mind that
Speaker 1: we sat with him and watched this finally.
Speaker 2: Yes, it was very impressive. He was great in it.
Speaker 1: Because he was shooting the next episode, which happens more
Speaker 1: in our world, right, So yeah, yeah, yeah, okay, so yeah,
Speaker 1: I think that's right. No, you're right. It was a huge,
Speaker 1: huge production and I really loved it.
Speaker 2: How do you feel about the storyline that he's a
Speaker 2: sex worker?
Speaker 1: It feels a little far fetched to me, but it's
Speaker 1: like it gets us out of that this storyline pretty quickly,
Speaker 1: Like the arc happens really fast, so I get it.
Speaker 1: I don't know, it feels a little far fetched for me.
Speaker 1: What do you think.
Speaker 2: I think I like it more now than I did then.
Speaker 2: I think, like I even have I have a friend
Speaker 2: who I've met since the show who actually ended up
Speaker 2: doing that to put himself through college in New York.
Speaker 2: So poor. Yeah, that's so interesting, And I also think
Speaker 2: it's something where like these kids are pretty sheltered coming
Speaker 2: from Lima. And I also think the way we looked
Speaker 2: at sex work back then is very different to how
Speaker 2: we look at it now, even as you can see
Speaker 2: in this episode, just the vocabulary we're using is different.
Speaker 2: I think it's another one of those instances where either
Speaker 2: intentionally or unintentionally, we're talking about things that are regularly
Speaker 2: talked about now and and sort of like getting through
Speaker 2: the weeds on how to handle it correctly or not.
Speaker 2: But it's like another subject we're just bringing up that's
Speaker 2: sort of controversial. But I think it's good for these
Speaker 2: like Lima kids to sort of be confronted with a
Speaker 2: lifestyle that's very different than their sort of protected lives,
Speaker 2: and to have Santana be the one who also like
Speaker 2: came from a less sheltered life. I would say, in Mama,
Speaker 2: to be the one to like sniff it out that
Speaker 2: something was going on just seems right. And I think
Speaker 2: like Brody's reasoning for why he's doing it makes sense,
Speaker 2: and I also think like the performance that he's giving
Speaker 2: through it makes sense. It's like, well, you're in the
Speaker 2: big city, girl, Like, there's a lot of different types
Speaker 2: of people here.
Speaker 3: For sure, So you make a good point, make a
Speaker 3: good point. That's something that I came across. So it
Speaker 3: felt a little far batch. But if you know somebody
Speaker 3: like that, it's much easier for you to attach and
Speaker 3: resonate with.
Speaker 1: Yeah, this could actually be the case.
Speaker 2: Because I think back then it felt like, oh, this
Speaker 2: is very TV right, like it's sort of soapy, like
Speaker 2: it's very far fetched and like funny and a way out.
Speaker 2: But watching it now, I'm like, huh, this actually feels
Speaker 2: very different to me.
Speaker 1: Now.
Speaker 2: Yeah, So Santana doesn't give up obviously, instead of saying
Speaker 2: I'm gonna sure, you know what, I need a place
Speaker 2: to stay, she gets her shit and leaves, and then
Speaker 2: we have maybe my favorite moment of the entire episode,
Speaker 2: which is Brody coming into well at some point, So
Speaker 2: Santana steals Brodie's pager and then we have s Hannah
Speaker 2: waiting for him for this reveal right where he Brodie's
Speaker 2: coming into the hotel room at the same hotel, and
Speaker 2: then the woman on the bed turns her head and
Speaker 2: it's Nia's shit eating grin.
Speaker 1: I saw it, lost it, lost it so good, so good, it's.
Speaker 2: So funny, unbelievable. Her performance just in these few lines
Speaker 2: here is unbelievable.
Speaker 1: It's it's perfect, it's perfect, like.
Speaker 2: She was really tapped into something here.
Speaker 1: Yes, she absolutely was, this whole storyline for her, I think.
Speaker 1: On the other side of it, yeah, it's very Nicae.
Speaker 1: She's relentless when she wants to find out a secret,
Speaker 1: and then also like she was right, so like she
Speaker 1: feels validated and she feels you know what I mean,
Speaker 1: she's justified, and it's like, ah.
Speaker 2: It's also not easy to obviously she's not playing fully herself,
Speaker 2: but there's a lot of Naya and this current Santana,
Speaker 2: like we've been saying, and it's not easy to do that,
Speaker 2: I think, because you still want to find like what
Speaker 2: the differences are. You always bring yourself to a character,
Speaker 2: but there needs to be I think, some sort of
Speaker 2: separation between you and a character, and the it really
Speaker 2: is like sort of all the best parts in sensibilities,
Speaker 2: yes exactly, and oh yeah, no, she's still fully.
Speaker 1: Santana here, but it's definitely this is the point in
Speaker 1: the show where you're on a show for six years,
Speaker 1: you and your character start to matt in some ways,
Speaker 1: especially in our shows, but you know there's other shows
Speaker 1: where that doesn't happen at all.
Speaker 2: I also don't know if I realized at the time
Speaker 2: or appreciated how like good of a comedic actress she was.
Speaker 2: I knew she was extremely talented, gifted at acting and
Speaker 2: singing and performing right, but like watching what's happening now
Speaker 2: as just her as a comedic genius. Yeah, her timing
Speaker 2: is unbelievable, Like, oh yeah, I forgot that she had
Speaker 2: been doing this since she was like three years old.
Speaker 1: Yeah, her delory is a plus.
Speaker 2: Bus And this whole thing about having just sort of
Speaker 2: like getting him in the room, leaving being like you
Speaker 2: can talk to Finn, and Finn comes out of the
Speaker 2: bathroom and then beats the shit out of Brody.
Speaker 1: This is my favorite part of the whole episode is
Speaker 1: Finn coming out of the bathroom.
Speaker 2: This scene is unbelievable.
Speaker 1: Yeah, this scene is perfect. She's like, and then Finn
Speaker 1: comes out and he really he takes a swing at Brody,
Speaker 1: and I'm this is like, this is the clever Quory
Speaker 1: that you don't see a lot, like the kind of
Speaker 1: nigh smile Corey Finn that we don't see a lot
Speaker 1: in Finn. He gets frustrated and goofy and kind of
Speaker 1: larger than life. But this is very I was a
Speaker 1: little bit more heavy, and I just thought bringing Finn
Speaker 1: into this was brilliant writing. It's everything that an audience,
Speaker 1: or as a lover of life Finchel of a ship
Speaker 1: or of Finchrol, everything you could.
Speaker 2: Hope for satisfying.
Speaker 1: Ough, I was like, this is Glee, this is what
Speaker 1: brings people back every week. I am hooked, I'm in
Speaker 1: Like it just made me love the show all over again.
Speaker 1: I was thrilled.
Speaker 2: It goes back to sort of what Santana was saying
Speaker 2: last episode in this episode, where it's like, look, I
Speaker 2: know it can be difficult, but I don't like you
Speaker 2: most of the time, but like we're family, and it's
Speaker 2: nice to see these Glee characters, all from a small town,
Speaker 2: still depend on each other and show up for each
Speaker 2: other no matter what, and even with the fallout of
Speaker 2: this whole thing, there's that mutual respect for each other
Speaker 2: of like we're gonna be honest with each other. We're
Speaker 2: gonna call each other out, but we're still we're gonna
Speaker 2: show up for each other when we need to. And
Speaker 2: and how romantic. I know, Like, yes, beating someone out
Speaker 2: is not great. Beating someone out because he's a sex
Speaker 2: worker not great. I think you know it's because he
Speaker 2: was lying. But but Finn, Finn showing up for Rachel
Speaker 2: and saying calling Rachel his future wife, that is television.
Speaker 1: Oh my gosh, it's finance.
Speaker 2: Come on.
Speaker 1: I was thrilled. So he tells him to like go away,
Speaker 1: He's going to disappear, leave no raices and bye bye.
Speaker 1: And it's just the most It truly isn't a satisfying thing.
Speaker 1: But back in at McKinley, there's a lot of stuff happening,
Speaker 1: a lot of feuds happening over there as.
Speaker 2: Well, and a lot of seeds being planted for storylines
Speaker 2: for the rest of the season. We have this writer storyline.
Speaker 1: Oh god, we forgot about this.
Speaker 2: With the catfish. I forgot about it too, and it
Speaker 2: started happening. I was like, wait a second, we didn't know.
Speaker 1: Who the catfish was. Just for the record.
Speaker 2: None of us knew until we got the script where
Speaker 2: it's reviewed out, Yeah, do you think they knew?
Speaker 1: Yeah, I think they knew.
Speaker 2: I think they knew.
Speaker 1: I think you have to know.
Speaker 2: Yeah, watching it now, it's very obvious.
Speaker 1: Right exactly, you have to know when you're writing for
Speaker 1: the person who's a pressure. Right, So Unique conference writer
Speaker 1: about Marley. But that turns into a whole thing where
Speaker 1: writers refusing to say that Unique is a girl, which
Speaker 1: I don't know. It's like it was troubling to me.
Speaker 1: It also wasn't something that I had expected from writer.
Speaker 1: But I guess this is where we're going with this writer.
Speaker 2: Ends up being this guy. There's a couple of topics
Speaker 2: that come up in future episodes or like writer ends
Speaker 2: up being the vehicle and which to it's surprising, yes,
Speaker 2: that he's the guy.
Speaker 1: It's almost like Corey like Finn when he calls Kurt
Speaker 1: that word, like it's just you need need somebody to
Speaker 1: be a bad guy at some point, right, or to
Speaker 1: be the vehicle like you said.
Speaker 2: And it also was like very it feels very of
Speaker 2: the time and which I mean even still now in
Speaker 2: which trying to figure out how to talk about this yeah,
Speaker 2: and talk about it from a perspective of in a
Speaker 2: way in which a lot of people thought they understood
Speaker 2: it at the time, right where now I think we're
Speaker 2: much better equipped obviously not fully equipped, but much better
Speaker 2: equipped to understanding the transc community and transgender rights and
Speaker 2: equality and liberties and all that. Back then, I do
Speaker 2: not think that was something that was talked about in
Speaker 2: the mainstream at all.
Speaker 1: Yeah, exactly.
Speaker 2: And so it's like through the writer character, you are
Speaker 2: having this sort of ignorant conversation that needs to happen because,
Speaker 2: like people were watching the show, you have kids with
Speaker 2: their parents, with their grandparents watching this show. It's multi generational,
Speaker 2: and so like everybody sort of learning together, and you
Speaker 2: have characters being wrong, and you have characters being messy
Speaker 2: and stumbling through this. Not just Writer, but there's a
Speaker 2: number of us who who did these sorts of things
Speaker 2: with complicated topics. And I feel like Glee sort of
Speaker 2: held your hand through learning about it's okay to not
Speaker 2: understand this other point of view or this other person's life, right,
Speaker 2: but we're still going to accept this person. And this
Speaker 2: is another instance and another vehicle to do that. And
Speaker 2: it was it was very interesting watching it because it
Speaker 2: does it definitely felt of a different era.
Speaker 1: Oh, it definitely, that's a different error. It also felt
Speaker 1: though to me, like this was part of a storyline
Speaker 1: versus something that was justified by writer. But again, I
Speaker 1: see what you're saying, and like there had to be
Speaker 1: somebody to do it, So there is somebody had to
Speaker 1: do it.
Speaker 2: It felt out of character. It felt surprising that it
Speaker 2: was writer for sure, but like.
Speaker 1: Who else, right, we can't have a bully come in
Speaker 1: and do it and not have a just you know,
Speaker 1: have a storyline to go with it. It just doesn't
Speaker 1: do it justice either. So yeah, here we are.
Speaker 2: Yeah, if you have somebody who's ingrained in your social circles,
Speaker 2: then it means more and it's more challenging to challenge
Speaker 2: that person and.
Speaker 1: Who you thought was a friend, somebody close to you, right.
Speaker 2: Right, that's also the word is friend.
Speaker 1: Idiot. So we find Writer now is talking to this
Speaker 1: girl online at a computer. We'll see this throughout a
Speaker 1: few episodes, but he's chatting with his new online friend
Speaker 1: Katie out of nowhere. Came from nowhere, But we don't
Speaker 1: know who Katie is. She has a face in the show,
Speaker 1: which has a voice in the show is like the actor,
Speaker 1: but we don't actually know if that's Katie or who
Speaker 1: Katie is or how they met. But they go on
Speaker 1: this messaging they're on the messanging site and he's telling writers,
Speaker 1: telling Katie about his running with Unique, and Katie's like, well,
Speaker 1: you should challenge them to a duel or to a challenge,
Speaker 1: you know, to and challenge them to a feud battle.
Speaker 1: I guess if you will to work it out through song.
Speaker 1: So what do they do? They do it through song.
Speaker 1: The Bitch is Back Dressed You Up by and Elton Madonna.
Speaker 1: What did you think about this number?
Speaker 2: I thought it was a really good mashup. I was
Speaker 2: totally in for this mashup. I think this works. I
Speaker 2: was like even more of writer being the new fan.
Speaker 2: He's on the drums, yes, wild.
Speaker 1: Yes, literally, but performance is great, great.
Speaker 2: Yeah, that's My parents are visiting and they watched with
Speaker 2: me and they were just like, oh, they're so good.
Speaker 2: I was like, you know, we just keep saying on
Speaker 2: the podcast too, is that we loved all of those
Speaker 2: new kids and like the energy they brought so interesting here.
Speaker 2: They breathed new life into it and I think you
Speaker 2: feel that and you see that and their performance and
Speaker 2: like our reaction to it because they're so good. But
Speaker 2: this performance was great and watching them this whole episode
Speaker 2: deal like have their own little scenes together totally, it
Speaker 2: was so nice.
Speaker 1: And this was like the first time we saw that,
Speaker 1: like the group and acknowledging like they're the next class essentially, yes, exactly.
Speaker 2: But at the end of this Writer still is like,
Speaker 2: I don't know, like I'm still gonna be an asshole,
Speaker 2: which happens a lot in the feuds. Actually in this episode,
Speaker 2: like the duets do not solve anything, right, No, I know,
Speaker 2: but you know, writers still taking a minute to realize
Speaker 2: what's going on. And then he goes back to Katie
Speaker 2: and the computer and is like, well, here's what happened.
Speaker 2: Here's the update, and he asks to see Katie in person,
Speaker 2: and then Katie ghosts.
Speaker 1: Katie is now offline.
Speaker 2: And he looks around. I did like the part of
Speaker 2: like Kim being the library. Also, how funny you have
Speaker 2: to like message online in the library, like you can't
Speaker 2: be texting on the phone on He does it one
Speaker 2: point though, maybe but in the library, And I like
Speaker 2: that he's looking around to see if it's somebody who's
Speaker 2: there and it's just the library.
Speaker 1: Yeah, I know. Another few that's happening is Sue and Blaine.
Speaker 1: So we find Sue and Blaine in her office, where
Speaker 1: we learned that Blaine apparently signed a contract, a very
Speaker 1: forged contract that he has to be on the Cheerios team.
Speaker 1: Is also randomly there for about.
Speaker 2: That was great. I thought, I love that, very funny.
Speaker 1: That's just wherever Blaine is these days, because they did
Speaker 1: join the Cheerios together to be fair, So.
Speaker 2: I also love that they brought that back. I love
Speaker 2: that they talked about it. They brought it back, and
Speaker 2: Sue is on some crazy tear.
Speaker 1: We did need another yes, we did, and we needed
Speaker 1: another feud. So we have a few with Sue and
Speaker 1: a blade. Yeah, she's on a chair.
Speaker 2: She's fully got the Glee Club gossip because she keeps
Speaker 2: calling you a hag.
Speaker 1: I think the whole school good. To be honest, I
Speaker 1: think the whole school.
Speaker 2: I sort of love it. I sort of love you.
Speaker 1: Go find a new boyfriend. Maybe Lance Pass is available
Speaker 1: for roofball, so good. Well, she blackmails him.
Speaker 2: She puts cement in his hair, Joe, which was also hilarious.
Speaker 1: She takes out like credit cards in his name credit
Speaker 1: Yeah only for seven years, but that's what that catapults
Speaker 1: their feud into a musical, a musical flute feud. I
Speaker 1: will never forget us shooting Superbass in on a Saturday.
Speaker 1: It was a Saturday shout out on a Saturday.
Speaker 2: You remember every Saturday.
Speaker 1: I'll never forget a Saturday because it made me so
Speaker 1: angry to work on a Saturday, and they did uh
Speaker 1: super Bass. I still believe now I love I still believe.
Speaker 1: I love my Carrie. I don't love Superbass all that much.
Speaker 1: Do I think Jane did an incredible job in this number?
Speaker 1: She was outrageous hilarious. Yes. Do I like this mashup? No?
Speaker 1: Did I like watching all of our friends the Cheerios
Speaker 1: perform Superbass? Yes? Absolutely, it was joyful. But did I
Speaker 1: think this particular mashup was something that I would listen
Speaker 1: to again? No?
Speaker 2: Yeah, watching Jane perform this was one of the highlights
Speaker 2: of them.
Speaker 1: I mean when she came in the room in that
Speaker 1: costume and then they did the black light in the rehearsal.
Speaker 1: My job was on the ground.
Speaker 2: And they had this all worked out so they could
Speaker 2: have done this all in one take sort of thing,
Speaker 2: like it was the full performance. It wasn't just choreographed
Speaker 2: to be pieces shot differently. She could do the entire
Speaker 2: thing all the way through, and that's a lot of lyrics.
Speaker 2: Like I listened to Nikki, I knew superbas already. I
Speaker 2: don't imagine Jane was somebody who was overly familiar with
Speaker 2: Niki as I was right, and it was very impressive
Speaker 2: and it was so much fun. Yeah, I like both
Speaker 2: of these songs separately. I do not think it really
Speaker 2: works as a mashup, but who cares?
Speaker 1: Like what.
Speaker 2: I felt like two separate songs anyway, Like yes, yeah,
Speaker 2: and I also liked I feel like normally englely, if
Speaker 2: somebody was in Blaine's position, he would have just still
Speaker 2: still been singing, like unaffected by what Sue was doing.
Speaker 2: And he's so clearly real about it about which is
Speaker 2: I think very what Darren brings to a character, just
Speaker 2: like we have to acknowledge how absurd this is. Yes,
Speaker 2: we can't pretend this isn't happening. She's on a mini
Speaker 2: bike and there's confetti and that number diabolical.
Speaker 1: Yes that's right, but like great Jane obviously was nominated
Speaker 1: for an Emmy. It's crazy, it's good numbers that are
Speaker 1: just yeah, there it's satire.
Speaker 2: And then because of the Jane clearly wins the battle,
Speaker 2: and so you have Blaine back in the office where
Speaker 2: Becky kisses Blaine. Wild is also on one's episode. Yes,
Speaker 2: scream pretty usual. She always is, I need more, Becky. Actually,
Speaker 2: I feel like there hasn't been enough now I know,
Speaker 2: and I did not remember this, mm so what Blaine
Speaker 2: fully commits himself to the cheerios right, and then walks
Speaker 2: out and meets up with Sam and is like, and
Speaker 2: then we're gonna bring her down from the inside.
Speaker 1: So good, totally for the plot thickens so good. Who's
Speaker 1: in it?
Speaker 2: I like, you know, I like a little twist. Yes,
Speaker 2: secret planning secrets. I love secrets.
Speaker 1: We love secrets. Yes, I totally agree. I'm more blam anytime.
Speaker 2: I love Blam. And also like, you're in the picture.
Speaker 1: It's funny. The other few that is happening, which is
Speaker 1: an important one obviously because it's the most it feels
Speaker 1: like the most justified feud of the through line that
Speaker 1: Finn has kissed Emma. He has refilled this to Will.
Speaker 1: Will is now so very angry with Finn, and he
Speaker 1: gives them an assignment because obviously, like we feel the
Speaker 1: tension between them.
Speaker 2: So the kids flip the script where like you have
Speaker 2: to do we do it?
Speaker 1: Yeah, we give the assignment. Sorry.
Speaker 2: Yeah, there were a lot of fun scenes like that,
Speaker 2: Like I remember like doing the scene like mediating between
Speaker 2: Unique and writer and then doing this scene which felt
Speaker 2: really funny and then yeah and felt different from you know,
Speaker 2: what we would normally be doing.
Speaker 1: And yes, that's right.
Speaker 2: I think you can feel that we're all just being
Speaker 2: a little goofy.
Speaker 1: Also, the kids spring more mature than mister Shoe, yes, and.
Speaker 2: Like, which leads to them in the auditorium being like,
Speaker 2: let's do this, like let's talk about this, and it's
Speaker 2: sort of like mask off, gloves off. Then they have
Speaker 2: they're trying to figure out, Oh my god. Will's first
Speaker 2: suggestion was Biggie and Tupac of like please please spare us,
Speaker 2: don't do not know, although I would like to hear that,
Speaker 2: not from them, but I would look to hear that.
Speaker 1: Of like the real songs, yes exactly, that's yeah, yeah, yeah,
Speaker 1: please spare us. I'm glad we did this. This feels
Speaker 1: more fitting for everybody. Yes, it's it's insanc in backty boys.
Speaker 1: Everything that we could have hoped for. Now, I'm curious
Speaker 1: to hear how you felt about this, because I feel
Speaker 1: like I didn't hear either song in this mashup. And
Speaker 1: that's not a fault of our music amazing music producers.
Speaker 1: I think it's just the two songs and trying to
Speaker 1: get them to fit together and work. But I feel
Speaker 1: like I didn't hear either song.
Speaker 2: I think it's not a good mashup.
Speaker 1: Says where like, yeah, there's ones that fit and ones
Speaker 1: that don't.
Speaker 2: I mean, you're you're putting a ballad and mashing it
Speaker 2: up with an up tempo song like Bye Bye Bye,
Speaker 2: and it's it was weird. I liked having it. Also
Speaker 2: felt like every time I cut to the backsheet Boys section,
Speaker 2: like we weren't really doing a lot of movement, Like
Speaker 2: it sort of like looked like we were watching Bye
Speaker 2: Bye Bye happening.
Speaker 1: There weren't a lot of dancers in that they put.
Speaker 1: They obviously had to put Jacob and Matt and Darren
Speaker 1: in the strings because that was the more coordination you
Speaker 1: needed for that particular thing, which I remember they were
Speaker 1: like bungee chords kind of right. But then you you know,
Speaker 1: Corey's the lead on that who is obviously not a dancer.
Speaker 1: We know this, we love him for it. But like
Speaker 1: in sync, it is dance. They're coordinated, they are together,
Speaker 1: they are in sync. So to be fair, it was
Speaker 1: semi choreographed, semi freeform rock out also coord God love
Speaker 1: them too, like but they're just not like boyband dancers.
Speaker 2: No, it's also it's about it's like what are you
Speaker 2: going to do?
Speaker 1: Exactly? They're standing in an airport hangar in the real
Speaker 1: video like, I'm sorry, that's what it is.
Speaker 2: I also think both of those songs are so good
Speaker 2: that selfishly because you know, and I'm sure you agree,
Speaker 2: because we grew up on these boy bands, like I
Speaker 2: want them to have their own moment.
Speaker 1: Yes, agreed, we could have. They each could have had
Speaker 1: their own moment. A lot of moms in the show show,
Speaker 1: but we didn't get a lot of that.
Speaker 2: I will say Corey and Matt sounded fantastic. Yes, And
Speaker 2: the girls running up to the stage like doing the
Speaker 2: whole boy band thing. I love, just like the Justin
Speaker 2: Bieber experience.
Speaker 1: Love that very fun, very very fun. And I loved
Speaker 1: watching them shoot this because of the the bye bye
Speaker 1: bye and the whole yeah thing, you know what I mean.
Speaker 1: It was like, yes, we're recreating this, we have to
Speaker 1: recreate this.
Speaker 2: It's so funny, like how because it keeps happening where
Speaker 2: like we get to do a song that I've really
Speaker 2: wanted to happen on the show, and then you know
Speaker 2: it happened with you too all the time where there
Speaker 2: would be songs on the show and you're like, I
Speaker 2: wish I could do that all the time, but then
Speaker 2: it does. It feels so silly and like he feels
Speaker 2: so ungrateful, like everybody.
Speaker 1: On the show felt that though, Yeah, right, Like we
Speaker 1: all love numbers and we're like, well, our character's not
Speaker 1: doing that.
Speaker 2: Yeah. It's like you know karaoke and somebody seals your karaoke.
Speaker 1: Song like a good song.
Speaker 2: Damn it. I wish I could do it, but it's
Speaker 2: not like it's not going to be done well, right.
Speaker 1: But I also like the whole montage of like, uh,
Speaker 1: like the dream sequence of them fighting. It's like what
Speaker 1: would have happened in their minds or in there.
Speaker 2: There were a lot of and I think it was
Speaker 2: because Beaker was directing a lot of editing choices that
Speaker 2: we've never done before. Even though that's what you really
Speaker 2: missed on Glee. Thing in the beginning was completely different.
Speaker 1: He always had the ability to like see that and
Speaker 1: make it happen in the right time. Like his camera
Speaker 1: work was as different, and like he just tried new
Speaker 1: things that I think some people were not privy to
Speaker 1: or Dee the DP was like, no, we don't have
Speaker 1: time for that. But yeah, speaker, kudos to beer. Oh
Speaker 1: it is just the best, the.
Speaker 2: Best, and so everyone's they don't really work it out.
Speaker 1: He really works it out.
Speaker 2: No, but at the end of the day, everyone gets
Speaker 2: a little closer, I guess.
Speaker 1: So in a free form rockout number that literally did
Speaker 1: you see me try to get up on the the thing?
Speaker 2: Did you see that? Nobody knew the lyrics?
Speaker 1: Oh no, we nobody knew the song obviously because he
Speaker 1: and Sarah were not very widely known at this point.
Speaker 2: I mean, we should have known.
Speaker 1: I don't think I would of not.
Speaker 2: I fully, we're Melissa's not saying the right words. You
Speaker 2: and I turn our faces away several times in the camera.
Speaker 1: This was a very last minute and there was no
Speaker 1: choreography at all. Like it was very clear.
Speaker 2: This felt like the first number ever that they really
Speaker 2: were just like, go for it. The entrances, yeah, because
Speaker 2: there was there was absolutely nothing happening, and that's fine.
Speaker 1: It works, it happens. Yeah, huge show. He was so
Speaker 1: excited to get this on the show. Yeah.
Speaker 2: And I liked watching everybody interact with each other, like
Speaker 2: he's not everything, He's to be a choreographed moment. There's
Speaker 2: a lot of choreography earlier in the episode. There's a
Speaker 2: lot of choreography next episode. It's all good. I also
Speaker 2: thought these are some like strange feuds to choose, like
Speaker 2: musical feuds.
Speaker 1: To choose, like the music selection.
Speaker 2: Yeah, like there's a lot of big feuds to do.
Speaker 2: And I felt like, well.
Speaker 1: I guess the songs had to make sense, and then
Speaker 1: the clearance and the artist and the you know.
Speaker 2: Yeah, but I think some of these numbers are really great.
Speaker 1: Yes, well let's talk about those. Let's create them. How
Speaker 1: to be a Heartbreaker A A plus plus. The bitchous
Speaker 1: back dress You Up A A minus, cold Hearted A
Speaker 1: plus Bye Bye Bye I want it that way B
Speaker 1: plus B plus. I still believe super Bass A minus
Speaker 1: for Jane. I mean, Darren was great too, obviously, but
Speaker 1: Jane was really Yeah. And then closer b Okay, I
Speaker 1: would say we averaged to be there. TARTI takes cringe moments.
Speaker 1: How she?
Speaker 2: I mean writer, writer's whole situation storyline with unique is just.
Speaker 1: Kitty also says something very inappropriate. Oh, I don't even
Speaker 1: want to say it. I'm just going to say that
Speaker 1: was like very washed over. Supposed to be a joke,
Speaker 1: was not? Okay?
Speaker 2: I giggled out of uncomfortable.
Speaker 1: Yes, yes that's right, but not funny uncomfortable.
Speaker 2: No, I was like, what's happening?
Speaker 1: Like how did that get in? Now? Yeah?
Speaker 2: This is network TV, wild times.
Speaker 1: Well Glee on Glee, I guess you can. Anything goes
Speaker 1: Best dance move.
Speaker 2: Cold hearted, cold hearted, and yeah exactly. I think that
Speaker 2: rope choreography was pretty cool.
Speaker 1: Best song I don't have one. I actually don't have one.
Speaker 1: Do I have to pick?
Speaker 2: You know, I'm gonna go cold hearted.
Speaker 1: Okay, that would be my pick if I had to
Speaker 1: pick one, but I don't.
Speaker 2: You do. Yeah, it's cold hearted, Jenna fine.
Speaker 1: Best performance by a prop.
Speaker 2: Oh, I do want to talk about something. Speaking of props,
Speaker 2: the little montage of Will being terrible to find about
Speaker 2: the sweaters and the dry cleaning made me think if
Speaker 2: it was the line of being lattes like the latte cups.
Speaker 2: I love that little bit. You never get that dynamic
Speaker 2: and it's hilarious.
Speaker 1: Yes, yeah, I love it.
Speaker 2: I love seeing these characters grow up and grow and
Speaker 2: then their relationships changing with each other totally. It's very fun.
Speaker 1: I the prop, Santana's suitcase.
Speaker 2: Oh yeah, absolutely, the comforter and the pillow. Also Blaine's
Speaker 2: cement hairjel right, I think it's great.
Speaker 1: Yeah, that was a good one too.
Speaker 2: Own the thong. He gets given a thong for his
Speaker 2: panting lines. Lest we forget. I think that's my pick.
Speaker 2: It's the thong, Okay. I also just have to mention
Speaker 2: that in the montage of all the things suited to Blaine,
Speaker 2: the sign that Blaine is on the bottom, I'm not
Speaker 2: saying she's bottom shaming him, but you know, bottom rights
Speaker 2: or top rights, verse rights, whatever he is. I just
Speaker 2: thought that was crazy. That was insane.
Speaker 1: Best line, ah, so many sue goes.
Speaker 2: I will sing, Nikki, do you to my trid adad roots?
Speaker 1: I funny.
Speaker 2: I don't know.
Speaker 1: She just glossed over that one too, which made it
Speaker 1: even better.
Speaker 2: And the line you said earlier about Sue saying go
Speaker 2: find a new boyfriend, maybe Lance Bassa up Paul, but Santana.
Speaker 2: Anything Santana said in this episode.
Speaker 1: Yeah, this is the one that got me this time
Speaker 1: around was well for her Mexican third eye first of all,
Speaker 1: and then her Olsen twins. Let me tell you something.
Speaker 1: I have known you both for years, and I don't
Speaker 1: like either of you ninety percent of the time. In fact,
Speaker 1: your wide eyed, keen painting approach of life makes my
Speaker 1: teeth hurt and my breasts ache with rage. But you
Speaker 1: know what I have loved for you. It's just.
Speaker 2: So good. I have love for you. You're my family,
Speaker 2: and I haven't lied to you in months. I'm smarter
Speaker 2: about other people than both of you. You have to
Speaker 2: trust me. God, it's so nice.
Speaker 1: It's so perfect.
Speaker 2: Also, Kurt, right before that, says, did you confront him
Speaker 2: at Niyada with a Paula Abdul song?
Speaker 1: There's some great, some great lines in this episode performance
Speaker 1: MVP Jane and Nya.
Speaker 2: I mean I want to put Darren in there as well.
Speaker 1: Yeah, yeah, but I think.
Speaker 2: I think Jane and that, Yeah, because comedic geniuses, aren't they?
Speaker 1: Yes?
Speaker 2: Okay, So for shit, we found on TikTok tis the season. Okay,
Speaker 2: this person's name is Zero Blaine, but it's backwards. On TikTok.
Speaker 2: They posted at TikTok for Tim Walls saying do you
Speaker 2: know how I know that Tim Walls is the absolute
Speaker 2: best pick for VP? And she goes through all the
Speaker 2: reasons and then says, he's Bert hummele this man run
Speaker 2: for Congress just to ensure that his gay son could
Speaker 2: continue to go to his gay little glee cup. Did
Speaker 2: you know actually that Tim Walls did help the students
Speaker 2: start a gay straight alliance in the high school where
Speaker 2: he was football coach. That yeah, very real. Love this pic,
Speaker 2: love this pick, but hilarious and absolutely agree he's got
Speaker 2: straight up Bert Hummel vibes. Let's keep that campaign going
Speaker 2: on TikTok because what a Bert Hummel, What a man,
Speaker 2: Tim Walls, what a man?
Speaker 3: What a.
Speaker 1: Okay that is viewed?
Speaker 2: What a fun episode.
Speaker 1: We have some crazy stuff coming up though, Spice girls,
Speaker 1: and I feel like.
Speaker 2: This is like a two episode run here that go together.
Speaker 1: Yeah, you know, totally totally.
Speaker 2: They're connected in some way, some weird way.
Speaker 1: I don't know how, but they are.
Speaker 2: Yeah, they feel like sisters. So next episode is Guilty
Speaker 2: Pleasure and like Jenna said, we have h spies girls
Speaker 2: which I could do an hour just on that performance. Yes,
Speaker 2: so we will see you next week. And that's what
Speaker 2: you really missed. Bye bye, Thanks for listening and follow
Speaker 2: us on Instagram at and that's what you really miss pod.
Speaker 2: Make sure to write us a review and leave us
Speaker 2: five stars. See you next time.