WEBVTT - Stirring the Pot ("Feud" S4 EP 16)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and that's what you really miss podcasts. Hi, Kevin, Hey, Jenna,

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<v Speaker 1>did I say that correctly?

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<v Speaker 2>Yeah? Janna for you? Okay.

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<v Speaker 1>Heaven likes to say my name with his Texas at Jena.

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<v Speaker 2>You were with my whole family other day and my

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<v Speaker 2>brother said he does.

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<v Speaker 1>I'm just so used to it that if you call

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<v Speaker 1>me differently then you call me Jenna. It sounds weird

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<v Speaker 1>at this point.

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<v Speaker 2>I just I really cannot hear the difference, and that's

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<v Speaker 2>so disconcerting. Jenna.

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<v Speaker 1>I like it. I like it, Okay, Jenna, that's right,

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<v Speaker 1>like waitress. Okay, here you go. This is season four,

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<v Speaker 1>episode sixteen, and this is Feud. It aired on March fourteen,

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<v Speaker 1>twenty thirteen. And uh, it's definitely not March fourteenth here.

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<v Speaker 1>It's just really hot here in twenty twenty four.

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<v Speaker 2>Climate change is really get into the valley, oh man.

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<v Speaker 1>Okay. In the news, the number one song was Harlem

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<v Speaker 1>Shake Again by Bower.

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<v Speaker 2>The number one movie I was just thinking about this movie,

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<v Speaker 2>yes to you why. The number one movie was Oz

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<v Speaker 2>The Great and Powerful starring James Franco, Michelle Williams, Rachel Weiss,

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<v Speaker 2>Smila Kunez, Zach Braf. Because Austin and I have started

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<v Speaker 2>reading Wicked.

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<v Speaker 1>What a great time to read Wicked.

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<v Speaker 2>Yes, he started reading it and he's like, this is

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<v Speaker 2>really good. You should start reading it with me. So

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<v Speaker 2>I started, and I thought about this movie because there

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<v Speaker 2>was mention of somebody's going to show up in a balloon,

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<v Speaker 2>and it just made me think of the trailers for

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<v Speaker 2>this movie. I never saw the movie.

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<v Speaker 1>Okay, I'm just fully into the lore of the Wizard

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<v Speaker 1>of Oz.

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<v Speaker 2>And now I kind of want to be a completist.

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<v Speaker 1>And watch this and read that, read.

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<v Speaker 2>Watch everything because I'm fully in.

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<v Speaker 1>Yeah, I get that, I get that. I support you

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<v Speaker 1>on that journey.

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<v Speaker 2>I feel like I remember this movie not being good

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<v Speaker 2>or something. Maybe I don't know, but.

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<v Speaker 1>I agree it didn't look like Wicked looks well, do

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<v Speaker 1>you know what I mean?

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<v Speaker 2>Also, people may already know this, but we'll talk about

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<v Speaker 2>it later. But Austin as a theory the Wicked musical

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<v Speaker 2>stage adaptation from the.

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<v Speaker 1>Book interesting, Okay, we can talk about that.

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<v Speaker 2>But it's great. You should start reading the book too.

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<v Speaker 1>I don't have time to read a book right now.

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<v Speaker 1>I just want to say, in all your freedom, I

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<v Speaker 1>actually want to read John Choo's memoir first before.

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<v Speaker 2>I have it. I bought it.

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<v Speaker 1>Great, I'll borrow it from you when you're done.

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<v Speaker 2>It's great.

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<v Speaker 1>I need to buy I just should buy it just

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<v Speaker 1>to support. Okay, so we are actually rewatching Game of

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<v Speaker 1>Thrones right now, and not in a very intentional or

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<v Speaker 1>purposeful way. We just kind of put it on and

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<v Speaker 1>we put it on the first season and you're like, oh, well,

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<v Speaker 1>let's just keep watching because it's so good. But Glee

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<v Speaker 1>News this week. On March eighteenth, Jenna and Kevin attended

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<v Speaker 1>the premiere of the season three Game of Thrones at

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<v Speaker 1>the Chinese Theater in Hollywood. For some reason, we decided

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<v Speaker 1>to dress like fools. I know we call ourselves clowns

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<v Speaker 1>and fools all the time, but this is truly a

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<v Speaker 1>moment not to be missed. You should google it. Jenna

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<v Speaker 1>and Kevin Game of Thrones premiere. For some reason, they

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<v Speaker 1>Game of Thrones like HBO sent you a house McHale,

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<v Speaker 1>like a really cool pr package. I didn't get that.

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<v Speaker 1>But I'm wearing something that I feel like is contesting

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<v Speaker 1>your shirt and it's I'm wearing prints, I'm wearing different materials.

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<v Speaker 1>I don't know what's happening here, but it's just it's

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<v Speaker 1>something not to be missed, is really what I mean.

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<v Speaker 2>I think what we were trying to do was wear

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<v Speaker 2>a lot of animal just animal.

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<v Speaker 1>So like leather and faux fur or faux leather, faux

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<v Speaker 1>for things.

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<v Speaker 2>Yes, because that's what they would do in Game of Thrones.

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<v Speaker 2>Our version of it has absolutely not no similarities to

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<v Speaker 2>the actual costume. It's not. But how exciting was it

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<v Speaker 2>to be there?

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<v Speaker 1>That was one of the coolest. I actually remember when

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<v Speaker 1>we went to Comic Con for the first time, or

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<v Speaker 1>maybe this is the second time, and we were staying

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<v Speaker 1>in this hotel in downtown San Diego and we were

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<v Speaker 1>getting ready to go to a panel and we saw

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<v Speaker 1>Rob Stark. Yes, yes, Richard Richard Madden and we were

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<v Speaker 1>and we were very starstruck, and we didn't say hi.

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<v Speaker 1>We hid and we stared at him creepily.

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<v Speaker 2>From a couple months later though, we did talk to him.

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<v Speaker 1>We did, and we're obsessed with we were obsessed with

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<v Speaker 1>Game of Thrones at this point.

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<v Speaker 2>Yeah, it was it was a full love affair. We

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<v Speaker 2>did not miss an episode. We'd watch together every weekend.

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<v Speaker 1>It was a Sunday night affair.

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<v Speaker 2>Yeah, oh my god, I mean, do you remember even season?

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<v Speaker 2>Was it four? Or five? For my birthday, I had

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<v Speaker 2>everyone over to watch the season finale. I won't say

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<v Speaker 2>what happened for anyone who does hasn't watched the show yet.

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<v Speaker 2>It was a really bad choice to have people over

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<v Speaker 2>to watch that episode.

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<v Speaker 1>Yes it was.

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<v Speaker 2>It was bad, but we were so lucky to get

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<v Speaker 2>to go to the premiere of season three, the same

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<v Speaker 2>season I had the Red Wedding. We had no idea,

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<v Speaker 2>we didn't know.

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<v Speaker 1>All right. So this was directed by Brad Baker, written

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<v Speaker 1>by Roberto Agiersakoffa. There were a lot of duets.

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<v Speaker 2>So many duets. Love a duet, though, love a duet,

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<v Speaker 2>But do you love these duets, Jenna, that's the question,

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<v Speaker 2>that's the question. This is a silly episode.

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<v Speaker 1>It is a filler episode, transition episode. Not my favorite episode.

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<v Speaker 1>But there's some stuff that I find better highlights, so

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<v Speaker 1>we'll talk about it. So there's how to Be a

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<v Speaker 1>Heartbreaker performed by Brody and Rachel.

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<v Speaker 2>There's the Bitches back Slash Dress You Up by Elton

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<v Speaker 2>John and Madonna I Writer and Unique.

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<v Speaker 1>Cold Hearted by Paula Abdul performer Santana.

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<v Speaker 2>Bye Bye Bye. I went it that way, mashup in

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<v Speaker 2>sink backs. You boys, it's Will and Finn and the

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<v Speaker 2>New Direction boys.

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<v Speaker 1>We did just say in our last Q and A

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<v Speaker 1>that we wanted more boy bands. That's right. I still

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<v Speaker 1>believe super bass. And this was Blaine and Sue and

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<v Speaker 1>that was the Mariah Carey version with the Nicki Minaj version.

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<v Speaker 2>I mean wild times yes, and then closer by Tiagan

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<v Speaker 2>and Sarah performed the New Directions, which I think we

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<v Speaker 2>got because Corey wanted right.

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<v Speaker 1>Yep, they're Canadian, they are buddies. Got it on the show.

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<v Speaker 1>It was thrilling and I like that number.

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<v Speaker 2>Yeah, it's a great song.

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<v Speaker 1>So Brittany sound In this episode, Brittany is absent for

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<v Speaker 1>the first time since her introduction since show me this

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<v Speaker 1>isn't that crazy, that's wild?

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<v Speaker 2>But does it why?

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<v Speaker 1>I think and maybe you can tell me you remembers correctly.

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<v Speaker 1>She was pregnant at this point.

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<v Speaker 2>That's when I had my sixth sense about someone being pregnant.

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<v Speaker 1>Uh huh. And she was pregnant with her first kid,

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<v Speaker 1>and I think she got some time off because of it.

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<v Speaker 1>This is a first for us. One of our cast

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<v Speaker 1>members main cast members was pregnant, but I don't remember

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<v Speaker 1>exactly if that was the reason why, But that makes sense. Yeah,

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<v Speaker 1>it does because by the end of this season, which

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<v Speaker 1>we're almost there, she's very pregnant.

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<v Speaker 2>At this point in the series, she is tied with

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<v Speaker 2>Finn and Rachel for appearing in the third most number

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<v Speaker 2>of episodes, behind Artie and Tina. Wow, at eighty two

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<v Speaker 2>and eighty one. I didn't know that. Kevin look at.

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<v Speaker 1>Us, really, I guess so because we're a McKinley and

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<v Speaker 1>so like like the you know, the Ambers and the

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<v Speaker 1>everybody like kind of started to trail back a little. Wow.

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<v Speaker 2>That makes sense that you only missed Michael, right right,

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<v Speaker 2>You and.

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<v Speaker 1>I would have been tied at ay two had had

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<v Speaker 1>I No, I missed the Spanish teacher, the one after Michael.

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<v Speaker 1>I was in most of Michael. That's right, correct, correct? Yes,

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<v Speaker 1>this is the last time Will sings in season four. Crazy.

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<v Speaker 2>This is the episode Jane submitted to the Emmys, which

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<v Speaker 2>earned her nomination for Outstanding Supporting Actress in a Comedy Series.

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<v Speaker 2>It was her third nomination.

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<v Speaker 1>Go off, Jane go off. When Ryder mentions that they're

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<v Speaker 1>going to be the ones in charge when the others graduate,

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<v Speaker 1>he never mentions Joe Sugar damn.

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<v Speaker 2>Sorry, that's brutal. This is the first time and only

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<v Speaker 2>time two mashup episodes happened in the same season. WHOA,

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<v Speaker 2>I really love a mashup. I do wonder what the

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<v Speaker 2>culturals magnificance is of Glee doing mashups, Like how prevalent

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<v Speaker 2>was it before right versus after?

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<v Speaker 1>Before Glee and after Glee. I will say I love

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<v Speaker 1>a mashup as well, that it's done really well. I

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<v Speaker 1>don't think that we should do them all the time

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<v Speaker 1>because I think they get a little tired and they

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<v Speaker 1>don't really mesh together. I will say some of the

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<v Speaker 1>things were good. Some of these were good, some of

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<v Speaker 1>them are not.

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<v Speaker 2>Okay. So in this episode, the students give Will and

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<v Speaker 2>fin an assignment to work out the tension between them. Meanwhile,

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<v Speaker 2>Santana is suspicious about Brodie's side job. Can we talk

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<v Speaker 2>about New York?

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<v Speaker 1>Let's talk about New York.

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<v Speaker 2>I am loving how they're writing Santana. Look, I know

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<v Speaker 2>we complain sometimes about the characters being written like us

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<v Speaker 2>as real people, but something has happened and to how

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<v Speaker 2>they're writing Santana in New York and it's fully Nya

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<v Speaker 2>and selfishly, I'm just enjoying watching.

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<v Speaker 1>Oh it's so good, Naya Nya, so good. It's so good.

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<v Speaker 1>It's like the it's the trio we were waiting for

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<v Speaker 1>in New York. Like ye, first it was just Rachel,

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<v Speaker 1>which was interesting, and then you added Kurt, which made

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<v Speaker 1>it even more interesting with him at Vogue, and then

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<v Speaker 1>you add Santana and you're like, yes, oh the band

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<v Speaker 1>is back, and they are.

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<v Speaker 2>It's a fiary and it's like you have like three

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<v Speaker 2>of the best I think actors and performers on the

0:11:34.520 --> 0:11:38.800
<v Speaker 2>show agree altogether in every scene and it's electric to

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<v Speaker 2>watch now, and I think they're all better because of it.

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<v Speaker 2>I was like, Naya is what Naya is doing is

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<v Speaker 2>also like stepped up, like all her little her physical

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<v Speaker 2>comedy is so good in this episode, like little things

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<v Speaker 2>she's doing.

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<v Speaker 1>It's it's so good, and I think it's just refreshing

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<v Speaker 1>to see them in a different setting all together, like

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<v Speaker 1>they're all in the same place, but yet we they've

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<v Speaker 1>known each other for a really long time, so they

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<v Speaker 1>can like I don't know, it's probably new energy to

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<v Speaker 1>for them, Like.

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<v Speaker 2>I think that's what. It seems like. They're having so

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<v Speaker 2>much fun.

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<v Speaker 1>It's really good. I'm really here for it.

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<v Speaker 2>It feels different, and I get why people wanted to

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<v Speaker 2>just like Own New York should just be its own

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<v Speaker 2>show because it's so compelling, Like you absolutely could just

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<v Speaker 2>watch them.

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<v Speaker 1>No, totally, Now, Rachel, we find out is not pregnant.

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<v Speaker 1>It was a false alarm.

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<v Speaker 2>Okay, look, we now have like almost two episodes talking

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<v Speaker 2>about this, like an episode and a change and some change.

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<v Speaker 1>Yeah, but.

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<v Speaker 2>She just walks out into the waiting room and it's.

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<v Speaker 1>Just like Parenheit essentially.

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<v Speaker 2>Can I go to class now?

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<v Speaker 1>What?

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<v Speaker 2>Excuse me? What?

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<v Speaker 1>Well? Exactly, and Santana says exactly what we're all thinking.

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<v Speaker 1>Wait a second, hold up, And I'm like, wait, hold up.

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<v Speaker 1>As abuse is wild that her as a character was

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<v Speaker 1>just going to it was it really was. But Santana

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<v Speaker 1>thinks that this needs to be wake up well for

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<v Speaker 1>her and on like how she's living her life, which

0:13:23.960 --> 0:13:29.160
<v Speaker 1>is funny. And Santana is still stuck on this whole

0:13:31.120 --> 0:13:34.960
<v Speaker 1>thing because she doesn't trust Brody, so she is still.

0:13:36.200 --> 0:13:38.679
<v Speaker 2>Fishing and it's becoming a problem.

0:13:38.840 --> 0:13:48.640
<v Speaker 1>It will become a problem.

0:13:48.800 --> 0:13:53.720
<v Speaker 2>Santana is like really on one in this episode, to

0:13:53.760 --> 0:13:57.320
<v Speaker 2>the point where they have that whole conversation where like like, girl,

0:13:57.400 --> 0:14:00.520
<v Speaker 2>you you gotta go, You got to move out, or

0:14:01.360 --> 0:14:04.640
<v Speaker 2>you have to stop doing this, and she picks up

0:14:04.679 --> 0:14:05.320
<v Speaker 2>her ship.

0:14:05.400 --> 0:14:08.880
<v Speaker 1>Which has already packed for her by the way, and

0:14:09.480 --> 0:14:12.760
<v Speaker 1>she takes she picks it up with the comforter and

0:14:12.880 --> 0:14:17.959
<v Speaker 1>the the pillow and literally throws the suitcase or like

0:14:18.040 --> 0:14:19.480
<v Speaker 1>kicks the suitcase.

0:14:19.320 --> 0:14:22.560
<v Speaker 2>Randa Delna Dunham and she said, I could crash there anytime.

0:14:23.320 --> 0:14:25.400
<v Speaker 2>I just don't know what's going on. I know I'm

0:14:25.400 --> 0:14:29.920
<v Speaker 2>a broken record. But like Nya, like last episode, this

0:14:29.960 --> 0:14:33.840
<v Speaker 2>episode and next episode, she's so funny.

0:14:34.600 --> 0:14:38.440
<v Speaker 1>It's like they're a lot looser. Yes, well, like it's

0:14:38.440 --> 0:14:43.480
<v Speaker 1>a looser kind of feel, which like it's freedom a

0:14:43.480 --> 0:14:43.920
<v Speaker 1>little bit.

0:14:43.960 --> 0:14:46.080
<v Speaker 2>It feels like a sitcom in a good way, like

0:14:46.280 --> 0:14:49.600
<v Speaker 2>me in like a positive like I don't.

0:14:49.920 --> 0:14:52.520
<v Speaker 1>Yes, I agree with you. Everybody's just a little bit looser,

0:14:52.520 --> 0:14:54.360
<v Speaker 1>a little bit bigger a little bit.

0:14:54.440 --> 0:14:57.520
<v Speaker 2>And it feels like First and Leah were even ad living,

0:14:57.560 --> 0:14:59.560
<v Speaker 2>like I think she just took my comforter ye, like

0:14:59.640 --> 0:15:00.600
<v Speaker 2>it feels ad lib.

0:15:00.800 --> 0:15:03.640
<v Speaker 1>It feels like yeah.

0:15:03.920 --> 0:15:11.440
<v Speaker 2>But so before that she goes she actually confronts Brody

0:15:11.920 --> 0:15:15.000
<v Speaker 2>at school, and that's what I alway skipped ahead, but

0:15:15.040 --> 0:15:16.720
<v Speaker 2>I just love that scene so much. But going back

0:15:16.720 --> 0:15:20.960
<v Speaker 2>a little bit, she does this number at school confronting Brody,

0:15:21.040 --> 0:15:24.320
<v Speaker 2>which of course then Rachel finds out about, and it's like, girl,

0:15:24.360 --> 0:15:26.680
<v Speaker 2>you can't be going into our school that you do

0:15:26.760 --> 0:15:30.720
<v Speaker 2>not go to and doing a full performance, which was

0:15:30.840 --> 0:15:34.360
<v Speaker 2>so good with all the dancers, with all the shout

0:15:34.360 --> 0:15:35.880
<v Speaker 2>out to Ashley is in that number.

0:15:36.160 --> 0:15:41.280
<v Speaker 1>Yes, but like really good, really great number, very sexy.

0:15:41.640 --> 0:15:42.640
<v Speaker 1>Love that number?

0:15:42.880 --> 0:15:44.320
<v Speaker 2>Did you and I I could do the splits?

0:15:45.800 --> 0:15:48.400
<v Speaker 1>No, I don't think I knew that, you know, I

0:15:48.400 --> 0:15:51.320
<v Speaker 1>actually did think I know that. I think she pulled

0:15:51.320 --> 0:15:53.360
<v Speaker 1>those out at parties like party tricks.

0:15:53.440 --> 0:15:57.760
<v Speaker 2>I don't remember that. That was shocking to me. Really yeah,

0:15:59.480 --> 0:16:04.040
<v Speaker 2>but she was dancing, she was sanging. I loved that number.

0:16:04.120 --> 0:16:06.920
<v Speaker 1>She was great. And Brody and Rachel do how to

0:16:06.920 --> 0:16:10.720
<v Speaker 1>be a heartbreaker, which was supposed to be I believe

0:16:10.880 --> 0:16:13.760
<v Speaker 1>the Roxanne number that Brody was supposed to get in

0:16:13.800 --> 0:16:18.040
<v Speaker 1>the prior episode but our previous episode, but it turned

0:16:18.040 --> 0:16:19.640
<v Speaker 1>into this one, which I was glad it did. It's

0:16:19.680 --> 0:16:23.400
<v Speaker 1>a great montage. I think it shot really well. That's

0:16:23.480 --> 0:16:27.880
<v Speaker 1>the Biltmore in Los Angeles. You see that hotel a

0:16:27.880 --> 0:16:33.880
<v Speaker 1>lot in a lot of TV, a lot of films.

0:16:34.160 --> 0:16:40.360
<v Speaker 1>But yeah, they do this great, great duo and he

0:16:40.520 --> 0:16:42.280
<v Speaker 1>we find out that he is a.

0:16:43.640 --> 0:16:45.680
<v Speaker 2>I don't know if you remember watching this and the

0:16:45.680 --> 0:16:51.360
<v Speaker 2>screenings at lunch, but for some reason this number stuck

0:16:51.400 --> 0:16:56.400
<v Speaker 2>out to me and I remember the screening and because

0:16:56.680 --> 0:17:00.560
<v Speaker 2>I was losing it, I was like this, the scope

0:17:00.600 --> 0:17:03.640
<v Speaker 2>of this number feels so much bigger than like what

0:17:03.680 --> 0:17:05.880
<v Speaker 2>we would normally do. Like we always say, oh, we're

0:17:05.880 --> 0:17:10.400
<v Speaker 2>shooting you know, four to seven music videos every episode,

0:17:10.920 --> 0:17:12.960
<v Speaker 2>but a lot of them happen either in a hallway

0:17:13.720 --> 0:17:19.080
<v Speaker 2>like in single locations. This felt like an actual music video.

0:17:19.240 --> 0:17:23.240
<v Speaker 2>You have all that sterile choreo, you have the shutter choreo,

0:17:23.480 --> 0:17:26.800
<v Speaker 2>and with the lighting, you have that whole sort of

0:17:26.840 --> 0:17:31.080
<v Speaker 2>like ballroom esque scene and the lobby. It was a

0:17:31.119 --> 0:17:34.199
<v Speaker 2>really gigantic That must have been a full day to

0:17:34.200 --> 0:17:37.520
<v Speaker 2>shoot that one number and it looks and incredible. It's

0:17:37.560 --> 0:17:39.760
<v Speaker 2>crazy that this is a TV show, Like, this is

0:17:39.800 --> 0:17:42.240
<v Speaker 2>not a movie. This isn't something they could shoot over

0:17:42.280 --> 0:17:44.880
<v Speaker 2>a week or two. This is something they probably shot

0:17:45.040 --> 0:17:48.840
<v Speaker 2>in one day. Yeah, and it's so impressive. Everybody is

0:17:48.880 --> 0:17:54.560
<v Speaker 2>so good and I completely just remember being flabbergacid and

0:17:54.600 --> 0:17:57.320
<v Speaker 2>going up to Brad and Joaquin after being like, you

0:17:57.320 --> 0:17:59.959
<v Speaker 2>guys are insane. How did you do that?

0:18:00.080 --> 0:18:03.160
<v Speaker 1>Watched this with Dean too. I feel like we didn't

0:18:03.160 --> 0:18:05.320
<v Speaker 1>get to spend a lot of time with him, but

0:18:05.480 --> 0:18:08.360
<v Speaker 1>there was one lunch and maybe it was the screening

0:18:08.359 --> 0:18:11.679
<v Speaker 1>that I had that you have in your mind that

0:18:11.720 --> 0:18:13.640
<v Speaker 1>we sat with him and watched this finally.

0:18:13.880 --> 0:18:16.679
<v Speaker 2>Yes, it was very impressive. He was great in it.

0:18:16.920 --> 0:18:20.119
<v Speaker 1>Because he was shooting the next episode, which happens more

0:18:20.240 --> 0:18:24.880
<v Speaker 1>in our world, right, So yeah, yeah, yeah, okay, so yeah,

0:18:24.880 --> 0:18:29.120
<v Speaker 1>I think that's right. No, you're right. It was a huge,

0:18:29.600 --> 0:18:32.720
<v Speaker 1>huge production and I really loved it.

0:18:33.040 --> 0:18:35.800
<v Speaker 2>How do you feel about the storyline that he's a

0:18:35.840 --> 0:18:36.480
<v Speaker 2>sex worker?

0:18:40.560 --> 0:18:48.480
<v Speaker 1>It feels a little far fetched to me, but it's

0:18:48.560 --> 0:18:53.399
<v Speaker 1>like it gets us out of that this storyline pretty quickly,

0:18:53.960 --> 0:18:58.880
<v Speaker 1>Like the arc happens really fast, so I get it.

0:19:01.680 --> 0:19:03.919
<v Speaker 1>I don't know, it feels a little far fetched for me.

0:19:06.920 --> 0:19:07.639
<v Speaker 1>What do you think.

0:19:09.440 --> 0:19:14.520
<v Speaker 2>I think I like it more now than I did then.

0:19:15.760 --> 0:19:18.800
<v Speaker 2>I think, like I even have I have a friend

0:19:18.960 --> 0:19:22.879
<v Speaker 2>who I've met since the show who actually ended up

0:19:22.920 --> 0:19:25.480
<v Speaker 2>doing that to put himself through college in New York.

0:19:26.560 --> 0:19:32.240
<v Speaker 2>So poor. Yeah, that's so interesting, And I also think

0:19:32.240 --> 0:19:35.760
<v Speaker 2>it's something where like these kids are pretty sheltered coming

0:19:35.760 --> 0:19:40.000
<v Speaker 2>from Lima. And I also think the way we looked

0:19:40.000 --> 0:19:43.040
<v Speaker 2>at sex work back then is very different to how

0:19:43.040 --> 0:19:44.840
<v Speaker 2>we look at it now, even as you can see

0:19:44.840 --> 0:19:48.320
<v Speaker 2>in this episode, just the vocabulary we're using is different.

0:19:50.560 --> 0:19:53.400
<v Speaker 2>I think it's another one of those instances where either

0:19:53.440 --> 0:19:57.520
<v Speaker 2>intentionally or unintentionally, we're talking about things that are regularly

0:19:57.600 --> 0:20:02.320
<v Speaker 2>talked about now and and sort of like getting through

0:20:02.359 --> 0:20:05.159
<v Speaker 2>the weeds on how to handle it correctly or not.

0:20:05.200 --> 0:20:08.280
<v Speaker 2>But it's like another subject we're just bringing up that's

0:20:08.359 --> 0:20:11.680
<v Speaker 2>sort of controversial. But I think it's good for these

0:20:11.720 --> 0:20:17.040
<v Speaker 2>like Lima kids to sort of be confronted with a

0:20:17.119 --> 0:20:21.720
<v Speaker 2>lifestyle that's very different than their sort of protected lives,

0:20:21.800 --> 0:20:27.479
<v Speaker 2>and to have Santana be the one who also like

0:20:28.520 --> 0:20:31.720
<v Speaker 2>came from a less sheltered life. I would say, in Mama,

0:20:32.080 --> 0:20:34.919
<v Speaker 2>to be the one to like sniff it out that

0:20:35.040 --> 0:20:39.919
<v Speaker 2>something was going on just seems right. And I think

0:20:40.720 --> 0:20:43.600
<v Speaker 2>like Brody's reasoning for why he's doing it makes sense,

0:20:43.880 --> 0:20:47.439
<v Speaker 2>and I also think like the performance that he's giving

0:20:48.359 --> 0:20:52.119
<v Speaker 2>through it makes sense. It's like, well, you're in the

0:20:52.119 --> 0:20:56.440
<v Speaker 2>big city, girl, Like, there's a lot of different types

0:20:56.480 --> 0:20:57.280
<v Speaker 2>of people here.

0:20:57.960 --> 0:21:01.760
<v Speaker 3>For sure, So you make a good point, make a

0:21:01.760 --> 0:21:04.320
<v Speaker 3>good point. That's something that I came across. So it

0:21:04.359 --> 0:21:06.480
<v Speaker 3>felt a little far batch. But if you know somebody

0:21:06.520 --> 0:21:08.840
<v Speaker 3>like that, it's much easier for you to attach and

0:21:08.880 --> 0:21:09.560
<v Speaker 3>resonate with.

0:21:10.000 --> 0:21:12.600
<v Speaker 1>Yeah, this could actually be the case.

0:21:12.640 --> 0:21:14.359
<v Speaker 2>Because I think back then it felt like, oh, this

0:21:14.440 --> 0:21:17.240
<v Speaker 2>is very TV right, like it's sort of soapy, like

0:21:17.320 --> 0:21:22.480
<v Speaker 2>it's very far fetched and like funny and a way out.

0:21:22.560 --> 0:21:26.080
<v Speaker 2>But watching it now, I'm like, huh, this actually feels

0:21:26.200 --> 0:21:26.919
<v Speaker 2>very different to me.

0:21:26.960 --> 0:21:27.160
<v Speaker 1>Now.

0:21:27.440 --> 0:21:34.680
<v Speaker 2>Yeah, So Santana doesn't give up obviously, instead of saying

0:21:34.720 --> 0:21:37.000
<v Speaker 2>I'm gonna sure, you know what, I need a place

0:21:37.040 --> 0:21:41.520
<v Speaker 2>to stay, she gets her shit and leaves, and then

0:21:41.600 --> 0:21:48.240
<v Speaker 2>we have maybe my favorite moment of the entire episode,

0:21:48.480 --> 0:21:53.280
<v Speaker 2>which is Brody coming into well at some point, So

0:21:53.359 --> 0:22:00.600
<v Speaker 2>Santana steals Brodie's pager and then we have s Hannah

0:22:02.000 --> 0:22:05.840
<v Speaker 2>waiting for him for this reveal right where he Brodie's

0:22:05.880 --> 0:22:10.080
<v Speaker 2>coming into the hotel room at the same hotel, and

0:22:10.119 --> 0:22:12.320
<v Speaker 2>then the woman on the bed turns her head and

0:22:12.359 --> 0:22:16.160
<v Speaker 2>it's Nia's shit eating grin.

0:22:15.960 --> 0:22:23.040
<v Speaker 1>I saw it, lost it, lost it so good, so good, it's.

0:22:22.880 --> 0:22:29.000
<v Speaker 2>So funny, unbelievable. Her performance just in these few lines

0:22:29.040 --> 0:22:30.320
<v Speaker 2>here is unbelievable.

0:22:31.560 --> 0:22:34.560
<v Speaker 1>It's it's perfect, it's perfect, like.

0:22:34.600 --> 0:22:37.520
<v Speaker 2>She was really tapped into something here.

0:22:37.640 --> 0:22:41.440
<v Speaker 1>Yes, she absolutely was, this whole storyline for her, I think.

0:22:41.720 --> 0:22:44.680
<v Speaker 1>On the other side of it, yeah, it's very Nicae.

0:22:44.760 --> 0:22:46.880
<v Speaker 1>She's relentless when she wants to find out a secret,

0:22:47.320 --> 0:22:52.040
<v Speaker 1>and then also like she was right, so like she

0:22:52.119 --> 0:22:56.000
<v Speaker 1>feels validated and she feels you know what I mean,

0:22:56.119 --> 0:23:02.160
<v Speaker 1>she's justified, and it's like, ah.

0:23:00.760 --> 0:23:06.480
<v Speaker 2>It's also not easy to obviously she's not playing fully herself,

0:23:07.800 --> 0:23:11.320
<v Speaker 2>but there's a lot of Naya and this current Santana,

0:23:11.359 --> 0:23:13.520
<v Speaker 2>like we've been saying, and it's not easy to do that,

0:23:13.760 --> 0:23:16.400
<v Speaker 2>I think, because you still want to find like what

0:23:16.440 --> 0:23:19.280
<v Speaker 2>the differences are. You always bring yourself to a character,

0:23:19.400 --> 0:23:22.239
<v Speaker 2>but there needs to be I think, some sort of

0:23:22.840 --> 0:23:27.560
<v Speaker 2>separation between you and a character, and the it really

0:23:27.640 --> 0:23:32.560
<v Speaker 2>is like sort of all the best parts in sensibilities,

0:23:32.680 --> 0:23:36.040
<v Speaker 2>yes exactly, and oh yeah, no, she's still fully.

0:23:35.800 --> 0:23:40.119
<v Speaker 1>Santana here, but it's definitely this is the point in

0:23:40.160 --> 0:23:42.560
<v Speaker 1>the show where you're on a show for six years,

0:23:43.600 --> 0:23:46.840
<v Speaker 1>you and your character start to matt in some ways,

0:23:46.920 --> 0:23:49.280
<v Speaker 1>especially in our shows, but you know there's other shows

0:23:49.320 --> 0:23:50.439
<v Speaker 1>where that doesn't happen at all.

0:23:50.520 --> 0:23:52.440
<v Speaker 2>I also don't know if I realized at the time

0:23:54.000 --> 0:23:58.840
<v Speaker 2>or appreciated how like good of a comedic actress she was.

0:23:58.920 --> 0:24:01.800
<v Speaker 2>I knew she was extremely talented, gifted at acting and

0:24:01.840 --> 0:24:05.800
<v Speaker 2>singing and performing right, but like watching what's happening now

0:24:06.240 --> 0:24:10.480
<v Speaker 2>as just her as a comedic genius. Yeah, her timing

0:24:10.560 --> 0:24:14.119
<v Speaker 2>is unbelievable, Like, oh yeah, I forgot that she had

0:24:14.160 --> 0:24:15.840
<v Speaker 2>been doing this since she was like three years old.

0:24:16.520 --> 0:24:19.200
<v Speaker 1>Yeah, her delory is a plus.

0:24:18.960 --> 0:24:23.919
<v Speaker 2>Bus And this whole thing about having just sort of

0:24:23.920 --> 0:24:26.240
<v Speaker 2>like getting him in the room, leaving being like you

0:24:26.280 --> 0:24:28.320
<v Speaker 2>can talk to Finn, and Finn comes out of the

0:24:28.359 --> 0:24:31.040
<v Speaker 2>bathroom and then beats the shit out of Brody.

0:24:31.560 --> 0:24:34.919
<v Speaker 1>This is my favorite part of the whole episode is

0:24:34.960 --> 0:24:36.199
<v Speaker 1>Finn coming out of the bathroom.

0:24:36.240 --> 0:24:37.720
<v Speaker 2>This scene is unbelievable.

0:24:38.160 --> 0:24:42.280
<v Speaker 1>Yeah, this scene is perfect. She's like, and then Finn

0:24:42.280 --> 0:24:47.320
<v Speaker 1>comes out and he really he takes a swing at Brody,

0:24:50.040 --> 0:24:52.720
<v Speaker 1>and I'm this is like, this is the clever Quory

0:24:54.000 --> 0:24:55.840
<v Speaker 1>that you don't see a lot, like the kind of

0:24:58.119 --> 0:25:03.760
<v Speaker 1>nigh smile Corey Finn that we don't see a lot

0:25:03.760 --> 0:25:07.199
<v Speaker 1>in Finn. He gets frustrated and goofy and kind of

0:25:07.600 --> 0:25:12.159
<v Speaker 1>larger than life. But this is very I was a

0:25:12.200 --> 0:25:16.080
<v Speaker 1>little bit more heavy, and I just thought bringing Finn

0:25:16.080 --> 0:25:20.399
<v Speaker 1>into this was brilliant writing. It's everything that an audience,

0:25:20.720 --> 0:25:24.040
<v Speaker 1>or as a lover of life Finchel of a ship

0:25:24.160 --> 0:25:26.600
<v Speaker 1>or of Finchrol, everything you could.

0:25:26.359 --> 0:25:28.360
<v Speaker 2>Hope for satisfying.

0:25:28.920 --> 0:25:32.840
<v Speaker 1>Ough, I was like, this is Glee, this is what

0:25:32.920 --> 0:25:36.840
<v Speaker 1>brings people back every week. I am hooked, I'm in

0:25:37.440 --> 0:25:40.240
<v Speaker 1>Like it just made me love the show all over again.

0:25:40.720 --> 0:25:41.640
<v Speaker 1>I was thrilled.

0:25:42.240 --> 0:25:44.320
<v Speaker 2>It goes back to sort of what Santana was saying

0:25:45.680 --> 0:25:48.480
<v Speaker 2>last episode in this episode, where it's like, look, I

0:25:48.480 --> 0:25:51.359
<v Speaker 2>know it can be difficult, but I don't like you

0:25:51.440 --> 0:25:54.480
<v Speaker 2>most of the time, but like we're family, and it's

0:25:54.600 --> 0:25:59.240
<v Speaker 2>nice to see these Glee characters, all from a small town,

0:26:00.520 --> 0:26:02.800
<v Speaker 2>still depend on each other and show up for each

0:26:02.840 --> 0:26:07.840
<v Speaker 2>other no matter what, and even with the fallout of

0:26:07.880 --> 0:26:11.080
<v Speaker 2>this whole thing, there's that mutual respect for each other

0:26:12.480 --> 0:26:14.880
<v Speaker 2>of like we're gonna be honest with each other. We're

0:26:14.880 --> 0:26:17.040
<v Speaker 2>gonna call each other out, but we're still we're gonna

0:26:17.040 --> 0:26:19.639
<v Speaker 2>show up for each other when we need to. And

0:26:20.280 --> 0:26:23.439
<v Speaker 2>and how romantic. I know, Like, yes, beating someone out

0:26:23.520 --> 0:26:26.200
<v Speaker 2>is not great. Beating someone out because he's a sex

0:26:26.240 --> 0:26:28.199
<v Speaker 2>worker not great. I think you know it's because he

0:26:28.240 --> 0:26:32.480
<v Speaker 2>was lying. But but Finn, Finn showing up for Rachel

0:26:32.800 --> 0:26:39.320
<v Speaker 2>and saying calling Rachel his future wife, that is television.

0:26:39.680 --> 0:26:41.600
<v Speaker 1>Oh my gosh, it's finance.

0:26:41.880 --> 0:26:42.360
<v Speaker 2>Come on.

0:26:43.119 --> 0:26:47.119
<v Speaker 1>I was thrilled. So he tells him to like go away,

0:26:47.880 --> 0:26:53.960
<v Speaker 1>He's going to disappear, leave no raices and bye bye.

0:26:54.960 --> 0:27:01.880
<v Speaker 1>And it's just the most It truly isn't a satisfying thing.

0:27:02.800 --> 0:27:09.679
<v Speaker 1>But back in at McKinley, there's a lot of stuff happening,

0:27:09.880 --> 0:27:12.679
<v Speaker 1>a lot of feuds happening over there as.

0:27:12.560 --> 0:27:16.560
<v Speaker 2>Well, and a lot of seeds being planted for storylines

0:27:16.560 --> 0:27:28.520
<v Speaker 2>for the rest of the season. We have this writer storyline.

0:27:29.760 --> 0:27:32.280
<v Speaker 1>Oh god, we forgot about this.

0:27:32.880 --> 0:27:35.320
<v Speaker 2>With the catfish. I forgot about it too, and it

0:27:35.359 --> 0:27:38.399
<v Speaker 2>started happening. I was like, wait a second, we didn't know.

0:27:38.359 --> 0:27:41.200
<v Speaker 1>Who the catfish was. Just for the record.

0:27:41.240 --> 0:27:45.120
<v Speaker 2>None of us knew until we got the script where

0:27:45.520 --> 0:27:48.440
<v Speaker 2>it's reviewed out, Yeah, do you think they knew?

0:27:50.480 --> 0:27:51.320
<v Speaker 1>Yeah, I think they knew.

0:27:51.560 --> 0:27:52.160
<v Speaker 2>I think they knew.

0:27:52.480 --> 0:27:53.280
<v Speaker 1>I think you have to know.

0:27:53.720 --> 0:27:56.080
<v Speaker 2>Yeah, watching it now, it's very obvious.

0:27:56.080 --> 0:27:58.280
<v Speaker 1>Right exactly, you have to know when you're writing for

0:27:58.320 --> 0:28:03.120
<v Speaker 1>the person who's a pressure. Right, So Unique conference writer

0:28:04.560 --> 0:28:11.320
<v Speaker 1>about Marley. But that turns into a whole thing where

0:28:11.359 --> 0:28:19.240
<v Speaker 1>writers refusing to say that Unique is a girl, which

0:28:23.240 --> 0:28:26.679
<v Speaker 1>I don't know. It's like it was troubling to me.

0:28:29.040 --> 0:28:31.320
<v Speaker 1>It also wasn't something that I had expected from writer.

0:28:33.400 --> 0:28:38.960
<v Speaker 1>But I guess this is where we're going with this writer.

0:28:38.880 --> 0:28:43.200
<v Speaker 2>Ends up being this guy. There's a couple of topics

0:28:43.200 --> 0:28:47.760
<v Speaker 2>that come up in future episodes or like writer ends

0:28:47.840 --> 0:28:51.280
<v Speaker 2>up being the vehicle and which to it's surprising, yes,

0:28:51.360 --> 0:28:52.720
<v Speaker 2>that he's the guy.

0:28:53.600 --> 0:28:59.200
<v Speaker 1>It's almost like Corey like Finn when he calls Kurt

0:29:00.120 --> 0:29:04.720
<v Speaker 1>that word, like it's just you need need somebody to

0:29:04.760 --> 0:29:07.080
<v Speaker 1>be a bad guy at some point, right, or to

0:29:07.280 --> 0:29:08.720
<v Speaker 1>be the vehicle like you said.

0:29:09.400 --> 0:29:12.360
<v Speaker 2>And it also was like very it feels very of

0:29:14.920 --> 0:29:18.160
<v Speaker 2>the time and which I mean even still now in

0:29:18.200 --> 0:29:21.880
<v Speaker 2>which trying to figure out how to talk about this yeah,

0:29:21.880 --> 0:29:27.680
<v Speaker 2>and talk about it from a perspective of in a

0:29:27.720 --> 0:29:30.720
<v Speaker 2>way in which a lot of people thought they understood

0:29:31.520 --> 0:29:35.360
<v Speaker 2>it at the time, right where now I think we're

0:29:35.560 --> 0:29:40.920
<v Speaker 2>much better equipped obviously not fully equipped, but much better

0:29:40.960 --> 0:29:46.440
<v Speaker 2>equipped to understanding the transc community and transgender rights and

0:29:46.440 --> 0:29:51.600
<v Speaker 2>equality and liberties and all that. Back then, I do

0:29:51.760 --> 0:29:55.000
<v Speaker 2>not think that was something that was talked about in

0:29:55.040 --> 0:29:56.280
<v Speaker 2>the mainstream at all.

0:29:56.840 --> 0:29:57.680
<v Speaker 1>Yeah, exactly.

0:29:57.800 --> 0:30:00.560
<v Speaker 2>And so it's like through the writer character, you are

0:30:00.600 --> 0:30:06.640
<v Speaker 2>having this sort of ignorant conversation that needs to happen because,

0:30:06.680 --> 0:30:09.680
<v Speaker 2>like people were watching the show, you have kids with

0:30:09.760 --> 0:30:12.920
<v Speaker 2>their parents, with their grandparents watching this show. It's multi generational,

0:30:13.040 --> 0:30:17.760
<v Speaker 2>and so like everybody sort of learning together, and you

0:30:17.880 --> 0:30:23.800
<v Speaker 2>have characters being wrong, and you have characters being messy

0:30:23.960 --> 0:30:27.480
<v Speaker 2>and stumbling through this. Not just Writer, but there's a

0:30:27.560 --> 0:30:30.520
<v Speaker 2>number of us who who did these sorts of things

0:30:30.600 --> 0:30:35.200
<v Speaker 2>with complicated topics. And I feel like Glee sort of

0:30:35.240 --> 0:30:40.640
<v Speaker 2>held your hand through learning about it's okay to not

0:30:40.840 --> 0:30:47.480
<v Speaker 2>understand this other point of view or this other person's life, right,

0:30:48.400 --> 0:30:51.560
<v Speaker 2>but we're still going to accept this person. And this

0:30:51.640 --> 0:30:54.640
<v Speaker 2>is another instance and another vehicle to do that. And

0:30:55.280 --> 0:30:58.200
<v Speaker 2>it was it was very interesting watching it because it

0:30:58.240 --> 0:31:00.760
<v Speaker 2>does it definitely felt of a different era.

0:31:01.520 --> 0:31:04.200
<v Speaker 1>Oh, it definitely, that's a different error. It also felt

0:31:04.200 --> 0:31:09.640
<v Speaker 1>though to me, like this was part of a storyline

0:31:09.720 --> 0:31:14.200
<v Speaker 1>versus something that was justified by writer. But again, I

0:31:14.240 --> 0:31:16.560
<v Speaker 1>see what you're saying, and like there had to be

0:31:16.640 --> 0:31:20.680
<v Speaker 1>somebody to do it, So there is somebody had to

0:31:20.720 --> 0:31:21.040
<v Speaker 1>do it.

0:31:21.400 --> 0:31:23.560
<v Speaker 2>It felt out of character. It felt surprising that it

0:31:23.600 --> 0:31:26.240
<v Speaker 2>was writer for sure, but like.

0:31:26.200 --> 0:31:28.720
<v Speaker 1>Who else, right, we can't have a bully come in

0:31:28.760 --> 0:31:31.160
<v Speaker 1>and do it and not have a just you know,

0:31:31.360 --> 0:31:33.440
<v Speaker 1>have a storyline to go with it. It just doesn't

0:31:33.440 --> 0:31:35.960
<v Speaker 1>do it justice either. So yeah, here we are.

0:31:36.480 --> 0:31:41.000
<v Speaker 2>Yeah, if you have somebody who's ingrained in your social circles,

0:31:41.360 --> 0:31:44.040
<v Speaker 2>then it means more and it's more challenging to challenge

0:31:44.080 --> 0:31:45.000
<v Speaker 2>that person and.

0:31:46.280 --> 0:31:49.480
<v Speaker 1>Who you thought was a friend, somebody close to you, right.

0:31:49.720 --> 0:31:52.680
<v Speaker 2>Right, that's also the word is friend.

0:31:54.280 --> 0:31:58.200
<v Speaker 1>Idiot. So we find Writer now is talking to this

0:31:58.280 --> 0:32:00.600
<v Speaker 1>girl online at a computer. We'll see this throughout a

0:32:00.640 --> 0:32:03.400
<v Speaker 1>few episodes, but he's chatting with his new online friend

0:32:03.440 --> 0:32:08.600
<v Speaker 1>Katie out of nowhere. Came from nowhere, But we don't

0:32:08.600 --> 0:32:10.600
<v Speaker 1>know who Katie is. She has a face in the show,

0:32:10.840 --> 0:32:13.280
<v Speaker 1>which has a voice in the show is like the actor,

0:32:13.360 --> 0:32:16.320
<v Speaker 1>but we don't actually know if that's Katie or who

0:32:16.400 --> 0:32:21.320
<v Speaker 1>Katie is or how they met. But they go on

0:32:21.400 --> 0:32:27.160
<v Speaker 1>this messaging they're on the messanging site and he's telling writers,

0:32:27.200 --> 0:32:33.480
<v Speaker 1>telling Katie about his running with Unique, and Katie's like, well,

0:32:33.640 --> 0:32:37.480
<v Speaker 1>you should challenge them to a duel or to a challenge,

0:32:37.560 --> 0:32:44.320
<v Speaker 1>you know, to and challenge them to a feud battle.

0:32:44.440 --> 0:32:48.760
<v Speaker 1>I guess if you will to work it out through song.

0:32:49.960 --> 0:32:52.960
<v Speaker 1>So what do they do? They do it through song.

0:32:55.920 --> 0:33:00.160
<v Speaker 1>The Bitch is Back Dressed You Up by and Elton Madonna.

0:33:00.280 --> 0:33:01.800
<v Speaker 1>What did you think about this number?

0:33:03.960 --> 0:33:06.560
<v Speaker 2>I thought it was a really good mashup. I was

0:33:06.640 --> 0:33:10.040
<v Speaker 2>totally in for this mashup. I think this works. I

0:33:10.080 --> 0:33:13.480
<v Speaker 2>was like even more of writer being the new fan.

0:33:13.880 --> 0:33:16.880
<v Speaker 2>He's on the drums, yes, wild.

0:33:17.080 --> 0:33:23.560
<v Speaker 1>Yes, literally, but performance is great, great.

0:33:23.840 --> 0:33:29.360
<v Speaker 2>Yeah, that's My parents are visiting and they watched with

0:33:29.480 --> 0:33:33.920
<v Speaker 2>me and they were just like, oh, they're so good.

0:33:34.000 --> 0:33:36.000
<v Speaker 2>I was like, you know, we just keep saying on

0:33:36.040 --> 0:33:39.160
<v Speaker 2>the podcast too, is that we loved all of those

0:33:39.200 --> 0:33:44.600
<v Speaker 2>new kids and like the energy they brought so interesting here.

0:33:45.120 --> 0:33:49.920
<v Speaker 2>They breathed new life into it and I think you

0:33:50.040 --> 0:33:52.200
<v Speaker 2>feel that and you see that and their performance and

0:33:52.240 --> 0:33:56.320
<v Speaker 2>like our reaction to it because they're so good. But

0:33:56.440 --> 0:34:01.960
<v Speaker 2>this performance was great and watching them this whole episode

0:34:02.360 --> 0:34:05.400
<v Speaker 2>deal like have their own little scenes together totally, it

0:34:05.440 --> 0:34:06.280
<v Speaker 2>was so nice.

0:34:06.720 --> 0:34:09.040
<v Speaker 1>And this was like the first time we saw that,

0:34:09.160 --> 0:34:14.600
<v Speaker 1>like the group and acknowledging like they're the next class essentially, yes, exactly.

0:34:15.800 --> 0:34:17.680
<v Speaker 2>But at the end of this Writer still is like,

0:34:18.840 --> 0:34:21.400
<v Speaker 2>I don't know, like I'm still gonna be an asshole,

0:34:21.480 --> 0:34:24.400
<v Speaker 2>which happens a lot in the feuds. Actually in this episode,

0:34:24.600 --> 0:34:28.600
<v Speaker 2>like the duets do not solve anything, right, No, I know,

0:34:29.640 --> 0:34:34.720
<v Speaker 2>but you know, writers still taking a minute to realize

0:34:34.760 --> 0:34:36.560
<v Speaker 2>what's going on. And then he goes back to Katie

0:34:36.600 --> 0:34:38.800
<v Speaker 2>and the computer and is like, well, here's what happened.

0:34:38.800 --> 0:34:43.360
<v Speaker 2>Here's the update, and he asks to see Katie in person,

0:34:43.480 --> 0:34:44.759
<v Speaker 2>and then Katie ghosts.

0:34:46.680 --> 0:34:48.400
<v Speaker 1>Katie is now offline.

0:34:49.000 --> 0:34:50.520
<v Speaker 2>And he looks around. I did like the part of

0:34:50.560 --> 0:34:53.400
<v Speaker 2>like Kim being the library. Also, how funny you have

0:34:53.440 --> 0:34:57.319
<v Speaker 2>to like message online in the library, like you can't

0:34:57.360 --> 0:35:00.120
<v Speaker 2>be texting on the phone on He does it one

0:35:00.200 --> 0:35:05.000
<v Speaker 2>point though, maybe but in the library, And I like

0:35:05.040 --> 0:35:07.719
<v Speaker 2>that he's looking around to see if it's somebody who's

0:35:07.760 --> 0:35:09.600
<v Speaker 2>there and it's just the library.

0:35:09.000 --> 0:35:18.000
<v Speaker 1>Yeah, I know. Another few that's happening is Sue and Blaine.

0:35:19.480 --> 0:35:23.720
<v Speaker 1>So we find Sue and Blaine in her office, where

0:35:25.480 --> 0:35:29.840
<v Speaker 1>we learned that Blaine apparently signed a contract, a very

0:35:30.120 --> 0:35:36.239
<v Speaker 1>forged contract that he has to be on the Cheerios team.

0:35:36.360 --> 0:35:42.560
<v Speaker 1>Is also randomly there for about.

0:35:40.520 --> 0:35:46.360
<v Speaker 2>That was great. I thought, I love that, very funny.

0:35:47.280 --> 0:35:49.440
<v Speaker 1>That's just wherever Blaine is these days, because they did

0:35:49.480 --> 0:35:51.319
<v Speaker 1>join the Cheerios together to be fair, So.

0:35:54.160 --> 0:35:56.080
<v Speaker 2>I also love that they brought that back. I love

0:35:56.160 --> 0:35:58.319
<v Speaker 2>that they talked about it. They brought it back, and

0:35:59.000 --> 0:36:01.680
<v Speaker 2>Sue is on some crazy tear.

0:36:02.320 --> 0:36:05.320
<v Speaker 1>We did need another yes, we did, and we needed

0:36:05.360 --> 0:36:09.360
<v Speaker 1>another feud. So we have a few with Sue and

0:36:09.400 --> 0:36:13.000
<v Speaker 1>a blade. Yeah, she's on a chair.

0:36:13.480 --> 0:36:19.040
<v Speaker 2>She's fully got the Glee Club gossip because she keeps

0:36:19.040 --> 0:36:19.920
<v Speaker 2>calling you a hag.

0:36:23.719 --> 0:36:26.319
<v Speaker 1>I think the whole school good. To be honest, I

0:36:26.360 --> 0:36:27.879
<v Speaker 1>think the whole school.

0:36:28.560 --> 0:36:31.080
<v Speaker 2>I sort of love it. I sort of love you.

0:36:31.520 --> 0:36:34.120
<v Speaker 1>Go find a new boyfriend. Maybe Lance Pass is available

0:36:34.200 --> 0:36:43.080
<v Speaker 1>for roofball, so good. Well, she blackmails him.

0:36:43.440 --> 0:36:46.080
<v Speaker 2>She puts cement in his hair, Joe, which was also hilarious.

0:36:47.000 --> 0:36:51.240
<v Speaker 1>She takes out like credit cards in his name credit

0:36:51.840 --> 0:36:59.200
<v Speaker 1>Yeah only for seven years, but that's what that catapults

0:36:59.239 --> 0:37:05.319
<v Speaker 1>their feud into a musical, a musical flute feud. I

0:37:05.360 --> 0:37:11.360
<v Speaker 1>will never forget us shooting Superbass in on a Saturday.

0:37:11.360 --> 0:37:13.800
<v Speaker 1>It was a Saturday shout out on a Saturday.

0:37:14.320 --> 0:37:15.680
<v Speaker 2>You remember every Saturday.

0:37:15.960 --> 0:37:17.960
<v Speaker 1>I'll never forget a Saturday because it made me so

0:37:18.080 --> 0:37:24.640
<v Speaker 1>angry to work on a Saturday, and they did uh

0:37:26.320 --> 0:37:30.080
<v Speaker 1>super Bass. I still believe now I love I still believe.

0:37:30.440 --> 0:37:34.120
<v Speaker 1>I love my Carrie. I don't love Superbass all that much.

0:37:34.560 --> 0:37:39.000
<v Speaker 1>Do I think Jane did an incredible job in this number?

0:37:39.800 --> 0:37:48.279
<v Speaker 1>She was outrageous hilarious. Yes. Do I like this mashup? No?

0:37:49.719 --> 0:37:52.239
<v Speaker 1>Did I like watching all of our friends the Cheerios

0:37:52.280 --> 0:37:57.719
<v Speaker 1>perform Superbass? Yes? Absolutely, it was joyful. But did I

0:37:57.760 --> 0:38:01.680
<v Speaker 1>think this particular mashup was something that I would listen

0:38:01.719 --> 0:38:02.680
<v Speaker 1>to again? No?

0:38:05.360 --> 0:38:09.080
<v Speaker 2>Yeah, watching Jane perform this was one of the highlights

0:38:09.080 --> 0:38:09.359
<v Speaker 2>of them.

0:38:09.440 --> 0:38:11.839
<v Speaker 1>I mean when she came in the room in that

0:38:11.920 --> 0:38:14.759
<v Speaker 1>costume and then they did the black light in the rehearsal.

0:38:15.920 --> 0:38:17.400
<v Speaker 1>My job was on the ground.

0:38:17.640 --> 0:38:19.600
<v Speaker 2>And they had this all worked out so they could

0:38:19.600 --> 0:38:22.439
<v Speaker 2>have done this all in one take sort of thing,

0:38:22.760 --> 0:38:26.840
<v Speaker 2>like it was the full performance. It wasn't just choreographed

0:38:27.280 --> 0:38:30.960
<v Speaker 2>to be pieces shot differently. She could do the entire

0:38:31.080 --> 0:38:34.200
<v Speaker 2>thing all the way through, and that's a lot of lyrics.

0:38:34.360 --> 0:38:38.680
<v Speaker 2>Like I listened to Nikki, I knew superbas already. I

0:38:38.719 --> 0:38:42.520
<v Speaker 2>don't imagine Jane was somebody who was overly familiar with

0:38:42.600 --> 0:38:46.920
<v Speaker 2>Niki as I was right, and it was very impressive

0:38:47.520 --> 0:38:50.520
<v Speaker 2>and it was so much fun. Yeah, I like both

0:38:50.520 --> 0:38:54.840
<v Speaker 2>of these songs separately. I do not think it really

0:38:55.480 --> 0:38:57.320
<v Speaker 2>works as a mashup, but who cares?

0:38:57.680 --> 0:38:58.160
<v Speaker 1>Like what.

0:39:00.000 --> 0:39:03.359
<v Speaker 2>I felt like two separate songs anyway, Like yes, yeah,

0:39:03.400 --> 0:39:08.520
<v Speaker 2>and I also liked I feel like normally englely, if

0:39:08.560 --> 0:39:11.000
<v Speaker 2>somebody was in Blaine's position, he would have just still

0:39:11.160 --> 0:39:15.120
<v Speaker 2>still been singing, like unaffected by what Sue was doing.

0:39:15.120 --> 0:39:19.960
<v Speaker 2>And he's so clearly real about it about which is

0:39:20.000 --> 0:39:23.759
<v Speaker 2>I think very what Darren brings to a character, just

0:39:23.840 --> 0:39:27.200
<v Speaker 2>like we have to acknowledge how absurd this is. Yes,

0:39:27.320 --> 0:39:30.160
<v Speaker 2>we can't pretend this isn't happening. She's on a mini

0:39:30.160 --> 0:39:39.280
<v Speaker 2>bike and there's confetti and that number diabolical.

0:39:39.600 --> 0:39:45.520
<v Speaker 1>Yes that's right, but like great Jane obviously was nominated

0:39:45.560 --> 0:39:51.520
<v Speaker 1>for an Emmy. It's crazy, it's good numbers that are

0:39:51.640 --> 0:39:53.440
<v Speaker 1>just yeah, there it's satire.

0:39:54.840 --> 0:39:57.840
<v Speaker 2>And then because of the Jane clearly wins the battle,

0:39:58.160 --> 0:40:02.320
<v Speaker 2>and so you have Blaine back in the office where

0:40:02.440 --> 0:40:09.800
<v Speaker 2>Becky kisses Blaine. Wild is also on one's episode. Yes,

0:40:10.000 --> 0:40:15.080
<v Speaker 2>scream pretty usual. She always is, I need more, Becky. Actually,

0:40:15.120 --> 0:40:17.560
<v Speaker 2>I feel like there hasn't been enough now I know,

0:40:20.600 --> 0:40:27.520
<v Speaker 2>and I did not remember this, mm so what Blaine

0:40:27.520 --> 0:40:31.400
<v Speaker 2>fully commits himself to the cheerios right, and then walks

0:40:31.440 --> 0:40:34.080
<v Speaker 2>out and meets up with Sam and is like, and

0:40:34.200 --> 0:40:36.239
<v Speaker 2>then we're gonna bring her down from the inside.

0:40:36.640 --> 0:40:43.759
<v Speaker 1>So good, totally for the plot thickens so good. Who's

0:40:43.800 --> 0:40:44.120
<v Speaker 1>in it?

0:40:45.440 --> 0:40:49.160
<v Speaker 2>I like, you know, I like a little twist. Yes,

0:40:50.440 --> 0:40:52.719
<v Speaker 2>secret planning secrets. I love secrets.

0:40:52.960 --> 0:40:58.040
<v Speaker 1>We love secrets. Yes, I totally agree. I'm more blam anytime.

0:40:58.680 --> 0:41:00.800
<v Speaker 2>I love Blam. And also like, you're in the picture.

0:41:04.040 --> 0:41:11.440
<v Speaker 1>It's funny. The other few that is happening, which is

0:41:11.440 --> 0:41:14.360
<v Speaker 1>an important one obviously because it's the most it feels

0:41:14.400 --> 0:41:19.000
<v Speaker 1>like the most justified feud of the through line that

0:41:19.400 --> 0:41:22.200
<v Speaker 1>Finn has kissed Emma. He has refilled this to Will.

0:41:22.840 --> 0:41:28.520
<v Speaker 1>Will is now so very angry with Finn, and he

0:41:28.560 --> 0:41:33.040
<v Speaker 1>gives them an assignment because obviously, like we feel the

0:41:33.200 --> 0:41:35.719
<v Speaker 1>tension between them.

0:41:35.800 --> 0:41:38.799
<v Speaker 2>So the kids flip the script where like you have

0:41:38.880 --> 0:41:39.799
<v Speaker 2>to do we do it?

0:41:40.520 --> 0:41:42.440
<v Speaker 1>Yeah, we give the assignment. Sorry.

0:41:43.480 --> 0:41:46.440
<v Speaker 2>Yeah, there were a lot of fun scenes like that,

0:41:46.480 --> 0:41:49.760
<v Speaker 2>Like I remember like doing the scene like mediating between

0:41:50.320 --> 0:41:53.680
<v Speaker 2>Unique and writer and then doing this scene which felt

0:41:53.680 --> 0:41:57.880
<v Speaker 2>really funny and then yeah and felt different from you know,

0:41:58.120 --> 0:41:59.760
<v Speaker 2>what we would normally be doing.

0:42:00.520 --> 0:42:03.000
<v Speaker 1>And yes, that's right.

0:42:03.080 --> 0:42:06.120
<v Speaker 2>I think you can feel that we're all just being

0:42:06.120 --> 0:42:06.880
<v Speaker 2>a little goofy.

0:42:07.320 --> 0:42:11.120
<v Speaker 1>Also, the kids spring more mature than mister Shoe, yes, and.

0:42:11.200 --> 0:42:13.480
<v Speaker 2>Like, which leads to them in the auditorium being like,

0:42:14.120 --> 0:42:18.040
<v Speaker 2>let's do this, like let's talk about this, and it's

0:42:18.040 --> 0:42:21.440
<v Speaker 2>sort of like mask off, gloves off. Then they have

0:42:21.600 --> 0:42:24.000
<v Speaker 2>they're trying to figure out, Oh my god. Will's first

0:42:24.000 --> 0:42:29.560
<v Speaker 2>suggestion was Biggie and Tupac of like please please spare us,

0:42:29.680 --> 0:42:32.960
<v Speaker 2>don't do not know, although I would like to hear that,

0:42:33.880 --> 0:42:36.200
<v Speaker 2>not from them, but I would look to hear that.

0:42:37.719 --> 0:42:43.919
<v Speaker 1>Of like the real songs, yes exactly, that's yeah, yeah, yeah,

0:42:43.960 --> 0:42:46.800
<v Speaker 1>please spare us. I'm glad we did this. This feels

0:42:46.840 --> 0:42:54.880
<v Speaker 1>more fitting for everybody. Yes, it's it's insanc in backty boys.

0:42:54.920 --> 0:42:58.640
<v Speaker 1>Everything that we could have hoped for. Now, I'm curious

0:42:58.640 --> 0:43:02.919
<v Speaker 1>to hear how you felt about this, because I feel

0:43:02.960 --> 0:43:07.799
<v Speaker 1>like I didn't hear either song in this mashup. And

0:43:07.880 --> 0:43:11.080
<v Speaker 1>that's not a fault of our music amazing music producers.

0:43:11.120 --> 0:43:12.960
<v Speaker 1>I think it's just the two songs and trying to

0:43:13.000 --> 0:43:16.919
<v Speaker 1>get them to fit together and work. But I feel

0:43:16.920 --> 0:43:18.400
<v Speaker 1>like I didn't hear either song.

0:43:20.000 --> 0:43:23.160
<v Speaker 2>I think it's not a good mashup.

0:43:24.040 --> 0:43:27.000
<v Speaker 1>Says where like, yeah, there's ones that fit and ones

0:43:27.000 --> 0:43:27.759
<v Speaker 1>that don't.

0:43:27.960 --> 0:43:33.719
<v Speaker 2>I mean, you're you're putting a ballad and mashing it

0:43:33.800 --> 0:43:37.240
<v Speaker 2>up with an up tempo song like Bye Bye Bye,

0:43:37.880 --> 0:43:44.000
<v Speaker 2>and it's it was weird. I liked having it. Also

0:43:44.160 --> 0:43:47.840
<v Speaker 2>felt like every time I cut to the backsheet Boys section,

0:43:48.160 --> 0:43:52.359
<v Speaker 2>like we weren't really doing a lot of movement, Like

0:43:52.400 --> 0:43:55.879
<v Speaker 2>it sort of like looked like we were watching Bye

0:43:55.880 --> 0:43:56.760
<v Speaker 2>Bye Bye happening.

0:43:57.440 --> 0:44:02.640
<v Speaker 1>There weren't a lot of dancers in that they put.

0:44:04.000 --> 0:44:09.880
<v Speaker 1>They obviously had to put Jacob and Matt and Darren

0:44:09.920 --> 0:44:14.560
<v Speaker 1>in the strings because that was the more coordination you

0:44:14.680 --> 0:44:18.120
<v Speaker 1>needed for that particular thing, which I remember they were

0:44:18.160 --> 0:44:26.160
<v Speaker 1>like bungee chords kind of right. But then you you know,

0:44:26.560 --> 0:44:30.080
<v Speaker 1>Corey's the lead on that who is obviously not a dancer.

0:44:30.160 --> 0:44:32.520
<v Speaker 1>We know this, we love him for it. But like

0:44:33.320 --> 0:44:39.160
<v Speaker 1>in sync, it is dance. They're coordinated, they are together,

0:44:39.320 --> 0:44:47.080
<v Speaker 1>they are in sync. So to be fair, it was

0:44:47.280 --> 0:44:54.120
<v Speaker 1>semi choreographed, semi freeform rock out also coord God love

0:44:54.200 --> 0:44:57.560
<v Speaker 1>them too, like but they're just not like boyband dancers.

0:44:58.160 --> 0:45:00.600
<v Speaker 2>No, it's also it's about it's like what are you

0:45:00.640 --> 0:45:01.000
<v Speaker 2>going to do?

0:45:01.160 --> 0:45:04.360
<v Speaker 1>Exactly? They're standing in an airport hangar in the real

0:45:04.440 --> 0:45:06.560
<v Speaker 1>video like, I'm sorry, that's what it is.

0:45:07.400 --> 0:45:10.560
<v Speaker 2>I also think both of those songs are so good

0:45:10.880 --> 0:45:14.280
<v Speaker 2>that selfishly because you know, and I'm sure you agree,

0:45:14.320 --> 0:45:17.480
<v Speaker 2>because we grew up on these boy bands, like I

0:45:17.600 --> 0:45:19.320
<v Speaker 2>want them to have their own moment.

0:45:20.320 --> 0:45:24.200
<v Speaker 1>Yes, agreed, we could have. They each could have had

0:45:24.200 --> 0:45:27.480
<v Speaker 1>their own moment. A lot of moms in the show show,

0:45:27.520 --> 0:45:28.799
<v Speaker 1>but we didn't get a lot of that.

0:45:30.080 --> 0:45:34.600
<v Speaker 2>I will say Corey and Matt sounded fantastic. Yes, And

0:45:34.880 --> 0:45:37.480
<v Speaker 2>the girls running up to the stage like doing the

0:45:37.480 --> 0:45:39.440
<v Speaker 2>whole boy band thing. I love, just like the Justin

0:45:39.480 --> 0:45:40.320
<v Speaker 2>Bieber experience.

0:45:40.560 --> 0:45:45.480
<v Speaker 1>Love that very fun, very very fun. And I loved

0:45:45.520 --> 0:45:49.160
<v Speaker 1>watching them shoot this because of the the bye bye

0:45:49.200 --> 0:45:52.279
<v Speaker 1>bye and the whole yeah thing, you know what I mean.

0:45:52.360 --> 0:45:54.640
<v Speaker 1>It was like, yes, we're recreating this, we have to

0:45:54.680 --> 0:45:55.319
<v Speaker 1>recreate this.

0:45:56.040 --> 0:46:00.200
<v Speaker 2>It's so funny, like how because it keeps happening where

0:46:00.600 --> 0:46:02.920
<v Speaker 2>like we get to do a song that I've really

0:46:02.960 --> 0:46:07.319
<v Speaker 2>wanted to happen on the show, and then you know

0:46:07.400 --> 0:46:09.359
<v Speaker 2>it happened with you too all the time where there

0:46:09.360 --> 0:46:12.000
<v Speaker 2>would be songs on the show and you're like, I

0:46:12.040 --> 0:46:14.319
<v Speaker 2>wish I could do that all the time, but then

0:46:14.360 --> 0:46:17.560
<v Speaker 2>it does. It feels so silly and like he feels

0:46:17.560 --> 0:46:20.360
<v Speaker 2>so ungrateful, like everybody.

0:46:20.000 --> 0:46:22.160
<v Speaker 1>On the show felt that though, Yeah, right, Like we

0:46:22.239 --> 0:46:24.600
<v Speaker 1>all love numbers and we're like, well, our character's not

0:46:24.680 --> 0:46:25.040
<v Speaker 1>doing that.

0:46:25.680 --> 0:46:28.279
<v Speaker 2>Yeah. It's like you know karaoke and somebody seals your karaoke.

0:46:28.120 --> 0:46:29.080
<v Speaker 1>Song like a good song.

0:46:29.160 --> 0:46:30.600
<v Speaker 2>Damn it. I wish I could do it, but it's

0:46:30.640 --> 0:46:32.480
<v Speaker 2>not like it's not going to be done well, right.

0:46:32.719 --> 0:46:35.719
<v Speaker 1>But I also like the whole montage of like, uh,

0:46:36.600 --> 0:46:39.279
<v Speaker 1>like the dream sequence of them fighting. It's like what

0:46:39.600 --> 0:46:42.040
<v Speaker 1>would have happened in their minds or in there.

0:46:43.560 --> 0:46:44.680
<v Speaker 2>There were a lot of and I think it was

0:46:44.680 --> 0:46:48.040
<v Speaker 2>because Beaker was directing a lot of editing choices that

0:46:48.080 --> 0:46:50.040
<v Speaker 2>we've never done before. Even though that's what you really

0:46:50.080 --> 0:46:52.400
<v Speaker 2>missed on Glee. Thing in the beginning was completely different.

0:46:53.040 --> 0:46:56.040
<v Speaker 1>He always had the ability to like see that and

0:46:56.120 --> 0:46:58.840
<v Speaker 1>make it happen in the right time. Like his camera

0:46:59.440 --> 0:47:02.319
<v Speaker 1>work was as different, and like he just tried new

0:47:02.360 --> 0:47:06.880
<v Speaker 1>things that I think some people were not privy to

0:47:07.160 --> 0:47:10.600
<v Speaker 1>or Dee the DP was like, no, we don't have

0:47:10.760 --> 0:47:15.880
<v Speaker 1>time for that. But yeah, speaker, kudos to beer. Oh

0:47:15.960 --> 0:47:18.600
<v Speaker 1>it is just the best, the.

0:47:18.520 --> 0:47:23.400
<v Speaker 2>Best, and so everyone's they don't really work it out.

0:47:24.080 --> 0:47:24.960
<v Speaker 1>He really works it out.

0:47:25.200 --> 0:47:29.799
<v Speaker 2>No, but at the end of the day, everyone gets

0:47:29.840 --> 0:47:34.680
<v Speaker 2>a little closer, I guess.

0:47:34.719 --> 0:47:41.520
<v Speaker 1>So in a free form rockout number that literally did

0:47:41.560 --> 0:47:44.839
<v Speaker 1>you see me try to get up on the the thing?

0:47:45.960 --> 0:47:48.160
<v Speaker 2>Did you see that? Nobody knew the lyrics?

0:47:48.680 --> 0:47:51.160
<v Speaker 1>Oh no, we nobody knew the song obviously because he

0:47:51.360 --> 0:47:55.480
<v Speaker 1>and Sarah were not very widely known at this point.

0:47:57.280 --> 0:47:58.200
<v Speaker 2>I mean, we should have known.

0:47:59.239 --> 0:48:00.279
<v Speaker 1>I don't think I would of not.

0:48:01.360 --> 0:48:06.880
<v Speaker 2>I fully, we're Melissa's not saying the right words. You

0:48:06.960 --> 0:48:10.200
<v Speaker 2>and I turn our faces away several times in the camera.

0:48:11.080 --> 0:48:12.960
<v Speaker 1>This was a very last minute and there was no

0:48:13.040 --> 0:48:15.680
<v Speaker 1>choreography at all. Like it was very clear.

0:48:16.360 --> 0:48:19.880
<v Speaker 2>This felt like the first number ever that they really

0:48:19.920 --> 0:48:24.320
<v Speaker 2>were just like, go for it. The entrances, yeah, because

0:48:24.360 --> 0:48:28.840
<v Speaker 2>there was there was absolutely nothing happening, and that's fine.

0:48:29.080 --> 0:48:32.480
<v Speaker 1>It works, it happens. Yeah, huge show. He was so

0:48:32.520 --> 0:48:34.120
<v Speaker 1>excited to get this on the show. Yeah.

0:48:34.160 --> 0:48:37.560
<v Speaker 2>And I liked watching everybody interact with each other, like

0:48:37.719 --> 0:48:40.000
<v Speaker 2>he's not everything, He's to be a choreographed moment. There's

0:48:40.000 --> 0:48:41.920
<v Speaker 2>a lot of choreography earlier in the episode. There's a

0:48:41.920 --> 0:48:45.680
<v Speaker 2>lot of choreography next episode. It's all good. I also

0:48:45.800 --> 0:48:52.840
<v Speaker 2>thought these are some like strange feuds to choose, like

0:48:53.040 --> 0:48:54.480
<v Speaker 2>musical feuds.

0:48:54.080 --> 0:48:57.080
<v Speaker 1>To choose, like the music selection.

0:48:57.960 --> 0:49:00.879
<v Speaker 2>Yeah, like there's a lot of big feuds to do.

0:49:01.040 --> 0:49:02.520
<v Speaker 2>And I felt like, well.

0:49:02.440 --> 0:49:04.919
<v Speaker 1>I guess the songs had to make sense, and then

0:49:05.120 --> 0:49:08.920
<v Speaker 1>the clearance and the artist and the you know.

0:49:09.480 --> 0:49:13.160
<v Speaker 2>Yeah, but I think some of these numbers are really great.

0:49:13.560 --> 0:49:16.960
<v Speaker 1>Yes, well let's talk about those. Let's create them. How

0:49:17.000 --> 0:49:22.000
<v Speaker 1>to be a Heartbreaker A A plus plus. The bitchous

0:49:22.000 --> 0:49:27.360
<v Speaker 1>back dress You Up A A minus, cold Hearted A

0:49:27.719 --> 0:49:30.879
<v Speaker 1>plus Bye Bye Bye I want it that way B

0:49:31.040 --> 0:49:36.759
<v Speaker 1>plus B plus. I still believe super Bass A minus

0:49:37.560 --> 0:49:40.200
<v Speaker 1>for Jane. I mean, Darren was great too, obviously, but

0:49:40.280 --> 0:49:47.160
<v Speaker 1>Jane was really Yeah. And then closer b Okay, I

0:49:47.160 --> 0:49:59.640
<v Speaker 1>would say we averaged to be there. TARTI takes cringe moments.

0:49:59.640 --> 0:49:59.880
<v Speaker 1>How she?

0:50:00.200 --> 0:50:05.560
<v Speaker 2>I mean writer, writer's whole situation storyline with unique is just.

0:50:05.840 --> 0:50:10.640
<v Speaker 1>Kitty also says something very inappropriate. Oh, I don't even

0:50:10.680 --> 0:50:13.360
<v Speaker 1>want to say it. I'm just going to say that

0:50:13.840 --> 0:50:19.600
<v Speaker 1>was like very washed over. Supposed to be a joke,

0:50:20.840 --> 0:50:21.520
<v Speaker 1>was not? Okay?

0:50:21.960 --> 0:50:25.080
<v Speaker 2>I giggled out of uncomfortable.

0:50:25.360 --> 0:50:28.680
<v Speaker 1>Yes, yes that's right, but not funny uncomfortable.

0:50:28.800 --> 0:50:30.759
<v Speaker 2>No, I was like, what's happening?

0:50:31.560 --> 0:50:36.080
<v Speaker 1>Like how did that get in? Now? Yeah?

0:50:36.239 --> 0:50:41.600
<v Speaker 2>This is network TV, wild times.

0:50:41.440 --> 0:50:43.919
<v Speaker 1>Well Glee on Glee, I guess you can. Anything goes

0:50:45.640 --> 0:50:46.600
<v Speaker 1>Best dance move.

0:50:47.160 --> 0:50:53.080
<v Speaker 2>Cold hearted, cold hearted, and yeah exactly. I think that

0:50:53.280 --> 0:50:55.800
<v Speaker 2>rope choreography was pretty cool.

0:50:56.360 --> 0:51:10.000
<v Speaker 1>Best song I don't have one. I actually don't have one.

0:51:10.680 --> 0:51:11.399
<v Speaker 1>Do I have to pick?

0:51:11.560 --> 0:51:14.160
<v Speaker 2>You know, I'm gonna go cold hearted.

0:51:15.280 --> 0:51:17.080
<v Speaker 1>Okay, that would be my pick if I had to

0:51:17.080 --> 0:51:18.439
<v Speaker 1>pick one, but I don't.

0:51:18.520 --> 0:51:21.640
<v Speaker 2>You do. Yeah, it's cold hearted, Jenna fine.

0:51:23.239 --> 0:51:24.920
<v Speaker 1>Best performance by a prop.

0:51:26.840 --> 0:51:31.640
<v Speaker 2>Oh, I do want to talk about something. Speaking of props,

0:51:33.000 --> 0:51:38.920
<v Speaker 2>the little montage of Will being terrible to find about

0:51:39.000 --> 0:51:41.839
<v Speaker 2>the sweaters and the dry cleaning made me think if

0:51:41.840 --> 0:51:44.520
<v Speaker 2>it was the line of being lattes like the latte cups.

0:51:46.600 --> 0:51:49.560
<v Speaker 2>I love that little bit. You never get that dynamic

0:51:49.600 --> 0:51:50.759
<v Speaker 2>and it's hilarious.

0:51:51.040 --> 0:51:53.120
<v Speaker 1>Yes, yeah, I love it.

0:51:53.600 --> 0:51:56.279
<v Speaker 2>I love seeing these characters grow up and grow and

0:51:56.320 --> 0:52:00.000
<v Speaker 2>then their relationships changing with each other totally. It's very fun.

0:52:02.400 --> 0:52:05.800
<v Speaker 1>I the prop, Santana's suitcase.

0:52:06.680 --> 0:52:13.480
<v Speaker 2>Oh yeah, absolutely, the comforter and the pillow. Also Blaine's

0:52:13.680 --> 0:52:17.800
<v Speaker 2>cement hairjel right, I think it's great.

0:52:18.320 --> 0:52:19.479
<v Speaker 1>Yeah, that was a good one too.

0:52:19.960 --> 0:52:24.839
<v Speaker 2>Own the thong. He gets given a thong for his

0:52:24.840 --> 0:52:27.680
<v Speaker 2>panting lines. Lest we forget. I think that's my pick.

0:52:27.880 --> 0:52:31.600
<v Speaker 2>It's the thong, Okay. I also just have to mention

0:52:31.800 --> 0:52:35.200
<v Speaker 2>that in the montage of all the things suited to Blaine,

0:52:36.280 --> 0:52:40.319
<v Speaker 2>the sign that Blaine is on the bottom, I'm not

0:52:41.000 --> 0:52:47.319
<v Speaker 2>saying she's bottom shaming him, but you know, bottom rights

0:52:48.520 --> 0:52:50.840
<v Speaker 2>or top rights, verse rights, whatever he is. I just

0:52:50.880 --> 0:52:52.920
<v Speaker 2>thought that was crazy. That was insane.

0:52:53.560 --> 0:53:00.440
<v Speaker 1>Best line, ah, so many sue goes.

0:53:01.040 --> 0:53:03.200
<v Speaker 2>I will sing, Nikki, do you to my trid adad roots?

0:53:03.880 --> 0:53:07.000
<v Speaker 1>I funny.

0:53:07.160 --> 0:53:07.759
<v Speaker 2>I don't know.

0:53:07.880 --> 0:53:09.799
<v Speaker 1>She just glossed over that one too, which made it

0:53:09.840 --> 0:53:10.359
<v Speaker 1>even better.

0:53:10.760 --> 0:53:14.480
<v Speaker 2>And the line you said earlier about Sue saying go

0:53:14.520 --> 0:53:17.880
<v Speaker 2>find a new boyfriend, maybe Lance Bassa up Paul, but Santana.

0:53:17.920 --> 0:53:19.799
<v Speaker 2>Anything Santana said in this episode.

0:53:19.520 --> 0:53:22.120
<v Speaker 1>Yeah, this is the one that got me this time

0:53:22.160 --> 0:53:26.320
<v Speaker 1>around was well for her Mexican third eye first of all,

0:53:26.719 --> 0:53:29.800
<v Speaker 1>and then her Olsen twins. Let me tell you something.

0:53:29.800 --> 0:53:31.439
<v Speaker 1>I have known you both for years, and I don't

0:53:31.480 --> 0:53:34.120
<v Speaker 1>like either of you ninety percent of the time. In fact,

0:53:34.160 --> 0:53:37.160
<v Speaker 1>your wide eyed, keen painting approach of life makes my

0:53:37.280 --> 0:53:40.640
<v Speaker 1>teeth hurt and my breasts ache with rage. But you

0:53:40.680 --> 0:53:46.640
<v Speaker 1>know what I have loved for you. It's just.

0:53:48.480 --> 0:53:52.600
<v Speaker 2>So good. I have love for you. You're my family,

0:53:52.640 --> 0:53:55.240
<v Speaker 2>and I haven't lied to you in months. I'm smarter

0:53:55.719 --> 0:53:58.120
<v Speaker 2>about other people than both of you. You have to

0:53:58.160 --> 0:54:00.240
<v Speaker 2>trust me. God, it's so nice.

0:54:00.480 --> 0:54:01.320
<v Speaker 1>It's so perfect.

0:54:02.239 --> 0:54:05.879
<v Speaker 2>Also, Kurt, right before that, says, did you confront him

0:54:05.880 --> 0:54:07.839
<v Speaker 2>at Niyada with a Paula Abdul song?

0:54:09.200 --> 0:54:13.239
<v Speaker 1>There's some great, some great lines in this episode performance

0:54:13.320 --> 0:54:17.360
<v Speaker 1>MVP Jane and Nya.

0:54:17.880 --> 0:54:20.200
<v Speaker 2>I mean I want to put Darren in there as well.

0:54:20.640 --> 0:54:23.520
<v Speaker 1>Yeah, yeah, but I think.

0:54:23.480 --> 0:54:30.759
<v Speaker 2>I think Jane and that, Yeah, because comedic geniuses, aren't they?

0:54:32.200 --> 0:54:32.359
<v Speaker 1>Yes?

0:54:32.840 --> 0:54:38.800
<v Speaker 2>Okay, So for shit, we found on TikTok tis the season. Okay,

0:54:38.840 --> 0:54:43.719
<v Speaker 2>this person's name is Zero Blaine, but it's backwards. On TikTok.

0:54:44.640 --> 0:54:50.080
<v Speaker 2>They posted at TikTok for Tim Walls saying do you

0:54:50.120 --> 0:54:51.920
<v Speaker 2>know how I know that Tim Walls is the absolute

0:54:51.960 --> 0:54:55.480
<v Speaker 2>best pick for VP? And she goes through all the

0:54:55.480 --> 0:55:01.680
<v Speaker 2>reasons and then says, he's Bert hummele this man run

0:55:01.719 --> 0:55:03.959
<v Speaker 2>for Congress just to ensure that his gay son could

0:55:03.960 --> 0:55:06.239
<v Speaker 2>continue to go to his gay little glee cup. Did

0:55:06.239 --> 0:55:09.160
<v Speaker 2>you know actually that Tim Walls did help the students

0:55:09.840 --> 0:55:13.359
<v Speaker 2>start a gay straight alliance in the high school where

0:55:13.400 --> 0:55:19.799
<v Speaker 2>he was football coach. That yeah, very real. Love this pic,

0:55:20.880 --> 0:55:27.120
<v Speaker 2>love this pick, but hilarious and absolutely agree he's got

0:55:27.719 --> 0:55:31.080
<v Speaker 2>straight up Bert Hummel vibes. Let's keep that campaign going

0:55:31.120 --> 0:55:34.439
<v Speaker 2>on TikTok because what a Bert Hummel, What a man,

0:55:34.560 --> 0:55:36.279
<v Speaker 2>Tim Walls, what a man?

0:55:35.719 --> 0:55:35.960
<v Speaker 3>What a.

0:55:39.560 --> 0:55:42.359
<v Speaker 1>Okay that is viewed?

0:55:42.920 --> 0:55:45.240
<v Speaker 2>What a fun episode.

0:55:46.280 --> 0:55:50.640
<v Speaker 1>We have some crazy stuff coming up though, Spice girls,

0:55:51.640 --> 0:55:52.440
<v Speaker 1>and I feel like.

0:55:52.920 --> 0:55:55.880
<v Speaker 2>This is like a two episode run here that go together.

0:55:56.080 --> 0:55:57.760
<v Speaker 1>Yeah, you know, totally totally.

0:55:57.960 --> 0:56:00.839
<v Speaker 2>They're connected in some way, some weird way.

0:56:01.000 --> 0:56:02.800
<v Speaker 1>I don't know how, but they are.

0:56:03.320 --> 0:56:07.680
<v Speaker 2>Yeah, they feel like sisters. So next episode is Guilty

0:56:07.719 --> 0:56:10.280
<v Speaker 2>Pleasure and like Jenna said, we have h spies girls

0:56:10.320 --> 0:56:15.560
<v Speaker 2>which I could do an hour just on that performance. Yes,

0:56:16.800 --> 0:56:20.120
<v Speaker 2>so we will see you next week. And that's what

0:56:20.160 --> 0:56:23.680
<v Speaker 2>you really missed. Bye bye, Thanks for listening and follow

0:56:23.760 --> 0:56:26.600
<v Speaker 2>us on Instagram at and that's what you really miss pod.

0:56:26.880 --> 0:56:28.719
<v Speaker 2>Make sure to write us a review and leave us

0:56:28.760 --> 0:56:30.239
<v Speaker 2>five stars. See you next time.