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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and that's what you really miss podcasts. Hi, Kevin, Hey, Jenna,

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Speaker 1: did I say that correctly?

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Speaker 2: Yeah? Janna for you? Okay.

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Speaker 1: Heaven likes to say my name with his Texas at Jena.

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Speaker 2: You were with my whole family other day and my

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Speaker 2: brother said he does.

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Speaker 1: I'm just so used to it that if you call

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Speaker 1: me differently then you call me Jenna. It sounds weird

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Speaker 1: at this point.

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Speaker 2: I just I really cannot hear the difference, and that's

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Speaker 2: so disconcerting. Jenna.

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Speaker 1: I like it. I like it, Okay, Jenna, that's right,

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Speaker 1: like waitress. Okay, here you go. This is season four,

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Speaker 1: episode sixteen, and this is Feud. It aired on March fourteen,

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Speaker 1: twenty thirteen. And uh, it's definitely not March fourteenth here.

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Speaker 1: It's just really hot here in twenty twenty four.

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Speaker 2: Climate change is really get into the valley, oh man.

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Speaker 1: Okay. In the news, the number one song was Harlem

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Speaker 1: Shake Again by Bower.

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Speaker 2: The number one movie I was just thinking about this movie,

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Speaker 2: yes to you why. The number one movie was Oz

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Speaker 2: The Great and Powerful starring James Franco, Michelle Williams, Rachel Weiss,

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Speaker 2: Smila Kunez, Zach Braf. Because Austin and I have started

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Speaker 2: reading Wicked.

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Speaker 1: What a great time to read Wicked.

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Speaker 2: Yes, he started reading it and he's like, this is

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Speaker 2: really good. You should start reading it with me. So

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Speaker 2: I started, and I thought about this movie because there

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Speaker 2: was mention of somebody's going to show up in a balloon,

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Speaker 2: and it just made me think of the trailers for

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Speaker 2: this movie. I never saw the movie.

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Speaker 1: Okay, I'm just fully into the lore of the Wizard

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Speaker 1: of Oz.

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Speaker 2: And now I kind of want to be a completist.

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Speaker 1: And watch this and read that, read.

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Speaker 2: Watch everything because I'm fully in.

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Speaker 1: Yeah, I get that, I get that. I support you

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Speaker 1: on that journey.

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Speaker 2: I feel like I remember this movie not being good

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Speaker 2: or something. Maybe I don't know, but.

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Speaker 1: I agree it didn't look like Wicked looks well, do

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Speaker 1: you know what I mean?

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Speaker 2: Also, people may already know this, but we'll talk about

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Speaker 2: it later. But Austin as a theory the Wicked musical

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Speaker 2: stage adaptation from the.

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Speaker 1: Book interesting, Okay, we can talk about that.

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Speaker 2: But it's great. You should start reading the book too.

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Speaker 1: I don't have time to read a book right now.

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Speaker 1: I just want to say, in all your freedom, I

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Speaker 1: actually want to read John Choo's memoir first before.

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Speaker 2: I have it. I bought it.

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Speaker 1: Great, I'll borrow it from you when you're done.

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Speaker 2: It's great.

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Speaker 1: I need to buy I just should buy it just

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Speaker 1: to support. Okay, so we are actually rewatching Game of

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Speaker 1: Thrones right now, and not in a very intentional or

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Speaker 1: purposeful way. We just kind of put it on and

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Speaker 1: we put it on the first season and you're like, oh, well,

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Speaker 1: let's just keep watching because it's so good. But Glee

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Speaker 1: News this week. On March eighteenth, Jenna and Kevin attended

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Speaker 1: the premiere of the season three Game of Thrones at

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Speaker 1: the Chinese Theater in Hollywood. For some reason, we decided

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Speaker 1: to dress like fools. I know we call ourselves clowns

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Speaker 1: and fools all the time, but this is truly a

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Speaker 1: moment not to be missed. You should google it. Jenna

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Speaker 1: and Kevin Game of Thrones premiere. For some reason, they

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Speaker 1: Game of Thrones like HBO sent you a house McHale,

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Speaker 1: like a really cool pr package. I didn't get that.

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Speaker 1: But I'm wearing something that I feel like is contesting

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Speaker 1: your shirt and it's I'm wearing prints, I'm wearing different materials.

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Speaker 1: I don't know what's happening here, but it's just it's

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Speaker 1: something not to be missed, is really what I mean.

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Speaker 2: I think what we were trying to do was wear

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Speaker 2: a lot of animal just animal.

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Speaker 1: So like leather and faux fur or faux leather, faux

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Speaker 1: for things.

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Speaker 2: Yes, because that's what they would do in Game of Thrones.

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Speaker 2: Our version of it has absolutely not no similarities to

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Speaker 2: the actual costume. It's not. But how exciting was it

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Speaker 2: to be there?

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Speaker 1: That was one of the coolest. I actually remember when

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Speaker 1: we went to Comic Con for the first time, or

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Speaker 1: maybe this is the second time, and we were staying

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Speaker 1: in this hotel in downtown San Diego and we were

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Speaker 1: getting ready to go to a panel and we saw

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Speaker 1: Rob Stark. Yes, yes, Richard Richard Madden and we were

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Speaker 1: and we were very starstruck, and we didn't say hi.

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Speaker 1: We hid and we stared at him creepily.

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Speaker 2: From a couple months later though, we did talk to him.

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Speaker 1: We did, and we're obsessed with we were obsessed with

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Speaker 1: Game of Thrones at this point.

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Speaker 2: Yeah, it was it was a full love affair. We

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Speaker 2: did not miss an episode. We'd watch together every weekend.

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Speaker 1: It was a Sunday night affair.

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Speaker 2: Yeah, oh my god, I mean, do you remember even season?

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Speaker 2: Was it four? Or five? For my birthday, I had

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Speaker 2: everyone over to watch the season finale. I won't say

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Speaker 2: what happened for anyone who does hasn't watched the show yet.

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Speaker 2: It was a really bad choice to have people over

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Speaker 2: to watch that episode.

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Speaker 1: Yes it was.

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Speaker 2: It was bad, but we were so lucky to get

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Speaker 2: to go to the premiere of season three, the same

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Speaker 2: season I had the Red Wedding. We had no idea,

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Speaker 2: we didn't know.

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Speaker 1: All right. So this was directed by Brad Baker, written

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Speaker 1: by Roberto Agiersakoffa. There were a lot of duets.

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Speaker 2: So many duets. Love a duet, though, love a duet,

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Speaker 2: But do you love these duets, Jenna, that's the question,

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Speaker 2: that's the question. This is a silly episode.

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Speaker 1: It is a filler episode, transition episode. Not my favorite episode.

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Speaker 1: But there's some stuff that I find better highlights, so

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Speaker 1: we'll talk about it. So there's how to Be a

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Speaker 1: Heartbreaker performed by Brody and Rachel.

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Speaker 2: There's the Bitches back Slash Dress You Up by Elton

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Speaker 2: John and Madonna I Writer and Unique.

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Speaker 1: Cold Hearted by Paula Abdul performer Santana.

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Speaker 2: Bye Bye Bye. I went it that way, mashup in

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Speaker 2: sink backs. You boys, it's Will and Finn and the

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Speaker 2: New Direction boys.

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Speaker 1: We did just say in our last Q and A

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Speaker 1: that we wanted more boy bands. That's right. I still

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Speaker 1: believe super bass. And this was Blaine and Sue and

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Speaker 1: that was the Mariah Carey version with the Nicki Minaj version.

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Speaker 2: I mean wild times yes, and then closer by Tiagan

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Speaker 2: and Sarah performed the New Directions, which I think we

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Speaker 2: got because Corey wanted right.

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Speaker 1: Yep, they're Canadian, they are buddies. Got it on the show.

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Speaker 1: It was thrilling and I like that number.

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Speaker 2: Yeah, it's a great song.

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Speaker 1: So Brittany sound In this episode, Brittany is absent for

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Speaker 1: the first time since her introduction since show me this

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Speaker 1: isn't that crazy, that's wild?

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Speaker 2: But does it why?

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Speaker 1: I think and maybe you can tell me you remembers correctly.

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Speaker 1: She was pregnant at this point.

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Speaker 2: That's when I had my sixth sense about someone being pregnant.

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Speaker 1: Uh huh. And she was pregnant with her first kid,

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Speaker 1: and I think she got some time off because of it.

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Speaker 1: This is a first for us. One of our cast

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Speaker 1: members main cast members was pregnant, but I don't remember

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Speaker 1: exactly if that was the reason why, But that makes sense. Yeah,

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Speaker 1: it does because by the end of this season, which

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Speaker 1: we're almost there, she's very pregnant.

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Speaker 2: At this point in the series, she is tied with

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Speaker 2: Finn and Rachel for appearing in the third most number

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Speaker 2: of episodes, behind Artie and Tina. Wow, at eighty two

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Speaker 2: and eighty one. I didn't know that. Kevin look at.

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Speaker 1: Us, really, I guess so because we're a McKinley and

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Speaker 1: so like like the you know, the Ambers and the

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Speaker 1: everybody like kind of started to trail back a little. Wow.

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Speaker 2: That makes sense that you only missed Michael, right right,

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Speaker 2: You and.

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Speaker 1: I would have been tied at ay two had had

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Speaker 1: I No, I missed the Spanish teacher, the one after Michael.

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Speaker 1: I was in most of Michael. That's right, correct, correct? Yes,

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Speaker 1: this is the last time Will sings in season four. Crazy.

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Speaker 2: This is the episode Jane submitted to the Emmys, which

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Speaker 2: earned her nomination for Outstanding Supporting Actress in a Comedy Series.

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Speaker 2: It was her third nomination.

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Speaker 1: Go off, Jane go off. When Ryder mentions that they're

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Speaker 1: going to be the ones in charge when the others graduate,

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Speaker 1: he never mentions Joe Sugar damn.

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Speaker 2: Sorry, that's brutal. This is the first time and only

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Speaker 2: time two mashup episodes happened in the same season. WHOA,

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Speaker 2: I really love a mashup. I do wonder what the

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Speaker 2: culturals magnificance is of Glee doing mashups, Like how prevalent

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Speaker 2: was it before right versus after?

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Speaker 1: Before Glee and after Glee. I will say I love

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Speaker 1: a mashup as well, that it's done really well. I

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Speaker 1: don't think that we should do them all the time

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Speaker 1: because I think they get a little tired and they

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Speaker 1: don't really mesh together. I will say some of the

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Speaker 1: things were good. Some of these were good, some of

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Speaker 1: them are not.

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Speaker 2: Okay. So in this episode, the students give Will and

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Speaker 2: fin an assignment to work out the tension between them. Meanwhile,

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Speaker 2: Santana is suspicious about Brodie's side job. Can we talk

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Speaker 2: about New York?

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Speaker 1: Let's talk about New York.

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Speaker 2: I am loving how they're writing Santana. Look, I know

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Speaker 2: we complain sometimes about the characters being written like us

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Speaker 2: as real people, but something has happened and to how

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Speaker 2: they're writing Santana in New York and it's fully Nya

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Speaker 2: and selfishly, I'm just enjoying watching.

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Speaker 1: Oh it's so good, Naya Nya, so good. It's so good.

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Speaker 1: It's like the it's the trio we were waiting for

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Speaker 1: in New York. Like ye, first it was just Rachel,

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Speaker 1: which was interesting, and then you added Kurt, which made

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Speaker 1: it even more interesting with him at Vogue, and then

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Speaker 1: you add Santana and you're like, yes, oh the band

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Speaker 1: is back, and they are.

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Speaker 2: It's a fiary and it's like you have like three

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Speaker 2: of the best I think actors and performers on the

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Speaker 2: show agree altogether in every scene and it's electric to

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Speaker 2: watch now, and I think they're all better because of it.

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Speaker 2: I was like, Naya is what Naya is doing is

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Speaker 2: also like stepped up, like all her little her physical

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Speaker 2: comedy is so good in this episode, like little things

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Speaker 2: she's doing.

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Speaker 1: It's it's so good, and I think it's just refreshing

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Speaker 1: to see them in a different setting all together, like

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Speaker 1: they're all in the same place, but yet we they've

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Speaker 1: known each other for a really long time, so they

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Speaker 1: can like I don't know, it's probably new energy to

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Speaker 1: for them, Like.

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Speaker 2: I think that's what. It seems like. They're having so

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Speaker 2: much fun.

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Speaker 1: It's really good. I'm really here for it.

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Speaker 2: It feels different, and I get why people wanted to

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Speaker 2: just like Own New York should just be its own

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Speaker 2: show because it's so compelling, Like you absolutely could just

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Speaker 2: watch them.

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Speaker 1: No, totally, Now, Rachel, we find out is not pregnant.

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Speaker 1: It was a false alarm.

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Speaker 2: Okay, look, we now have like almost two episodes talking

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Speaker 2: about this, like an episode and a change and some change.

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Speaker 1: Yeah, but.

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Speaker 2: She just walks out into the waiting room and it's.

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Speaker 1: Just like Parenheit essentially.

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Speaker 2: Can I go to class now?

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Speaker 1: What?

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Speaker 2: Excuse me? What?

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Speaker 1: Well? Exactly, and Santana says exactly what we're all thinking.

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Speaker 1: Wait a second, hold up, And I'm like, wait, hold up.

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Speaker 1: As abuse is wild that her as a character was

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Speaker 1: just going to it was it really was. But Santana

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Speaker 1: thinks that this needs to be wake up well for

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Speaker 1: her and on like how she's living her life, which

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Speaker 1: is funny. And Santana is still stuck on this whole

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Speaker 1: thing because she doesn't trust Brody, so she is still.

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Speaker 2: Fishing and it's becoming a problem.

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Speaker 1: It will become a problem.

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Speaker 2: Santana is like really on one in this episode, to

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Speaker 2: the point where they have that whole conversation where like like, girl,

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Speaker 2: you you gotta go, You got to move out, or

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Speaker 2: you have to stop doing this, and she picks up

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Speaker 2: her ship.

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Speaker 1: Which has already packed for her by the way, and

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Speaker 1: she takes she picks it up with the comforter and

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Speaker 1: the the pillow and literally throws the suitcase or like

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Speaker 1: kicks the suitcase.

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Speaker 2: Randa Delna Dunham and she said, I could crash there anytime.

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Speaker 2: I just don't know what's going on. I know I'm

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Speaker 2: a broken record. But like Nya, like last episode, this

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Speaker 2: episode and next episode, she's so funny.

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Speaker 1: It's like they're a lot looser. Yes, well, like it's

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Speaker 1: a looser kind of feel, which like it's freedom a

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Speaker 1: little bit.

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Speaker 2: It feels like a sitcom in a good way, like

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Speaker 2: me in like a positive like I don't.

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Speaker 1: Yes, I agree with you. Everybody's just a little bit looser,

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Speaker 1: a little bit bigger a little bit.

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Speaker 2: And it feels like First and Leah were even ad living,

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Speaker 2: like I think she just took my comforter ye, like

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Speaker 2: it feels ad lib.

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Speaker 1: It feels like yeah.

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Speaker 2: But so before that she goes she actually confronts Brody

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Speaker 2: at school, and that's what I alway skipped ahead, but

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Speaker 2: I just love that scene so much. But going back

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Speaker 2: a little bit, she does this number at school confronting Brody,

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Speaker 2: which of course then Rachel finds out about, and it's like, girl,

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Speaker 2: you can't be going into our school that you do

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Speaker 2: not go to and doing a full performance, which was

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Speaker 2: so good with all the dancers, with all the shout

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Speaker 2: out to Ashley is in that number.

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Speaker 1: Yes, but like really good, really great number, very sexy.

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Speaker 1: Love that number?

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Speaker 2: Did you and I I could do the splits?

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Speaker 1: No, I don't think I knew that, you know, I

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Speaker 1: actually did think I know that. I think she pulled

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Speaker 1: those out at parties like party tricks.

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Speaker 2: I don't remember that. That was shocking to me. Really yeah,

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Speaker 2: but she was dancing, she was sanging. I loved that number.

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Speaker 1: She was great. And Brody and Rachel do how to

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Speaker 1: be a heartbreaker, which was supposed to be I believe

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Speaker 1: the Roxanne number that Brody was supposed to get in

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Speaker 1: the prior episode but our previous episode, but it turned

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Speaker 1: into this one, which I was glad it did. It's

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Speaker 1: a great montage. I think it shot really well. That's

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Speaker 1: the Biltmore in Los Angeles. You see that hotel a

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Speaker 1: lot in a lot of TV, a lot of films.

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Speaker 1: But yeah, they do this great, great duo and he

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Speaker 1: we find out that he is a.

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Speaker 2: I don't know if you remember watching this and the

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Speaker 2: screenings at lunch, but for some reason this number stuck

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Speaker 2: out to me and I remember the screening and because

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Speaker 2: I was losing it, I was like this, the scope

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Speaker 2: of this number feels so much bigger than like what

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Speaker 2: we would normally do. Like we always say, oh, we're

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Speaker 2: shooting you know, four to seven music videos every episode,

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Speaker 2: but a lot of them happen either in a hallway

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Speaker 2: like in single locations. This felt like an actual music video.

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Speaker 2: You have all that sterile choreo, you have the shutter choreo,

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Speaker 2: and with the lighting, you have that whole sort of

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Speaker 2: like ballroom esque scene and the lobby. It was a

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Speaker 2: really gigantic That must have been a full day to

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Speaker 2: shoot that one number and it looks and incredible. It's

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Speaker 2: crazy that this is a TV show, Like, this is

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Speaker 2: not a movie. This isn't something they could shoot over

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Speaker 2: a week or two. This is something they probably shot

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Speaker 2: in one day. Yeah, and it's so impressive. Everybody is

305
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Speaker 2: so good and I completely just remember being flabbergacid and

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Speaker 2: going up to Brad and Joaquin after being like, you

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Speaker 2: guys are insane. How did you do that?

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Speaker 1: Watched this with Dean too. I feel like we didn't

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Speaker 1: get to spend a lot of time with him, but

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Speaker 1: there was one lunch and maybe it was the screening

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Speaker 1: that I had that you have in your mind that

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Speaker 1: we sat with him and watched this finally.

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Speaker 2: Yes, it was very impressive. He was great in it.

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Speaker 1: Because he was shooting the next episode, which happens more

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Speaker 1: in our world, right, So yeah, yeah, yeah, okay, so yeah,

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Speaker 1: I think that's right. No, you're right. It was a huge,

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Speaker 1: huge production and I really loved it.

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Speaker 2: How do you feel about the storyline that he's a

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Speaker 2: sex worker?

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Speaker 1: It feels a little far fetched to me, but it's

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Speaker 1: like it gets us out of that this storyline pretty quickly,

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Speaker 1: Like the arc happens really fast, so I get it.

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Speaker 1: I don't know, it feels a little far fetched for me.

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Speaker 1: What do you think.

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Speaker 2: I think I like it more now than I did then.

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Speaker 2: I think, like I even have I have a friend

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Speaker 2: who I've met since the show who actually ended up

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Speaker 2: doing that to put himself through college in New York.

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Speaker 2: So poor. Yeah, that's so interesting, And I also think

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Speaker 2: it's something where like these kids are pretty sheltered coming

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Speaker 2: from Lima. And I also think the way we looked

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Speaker 2: at sex work back then is very different to how

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Speaker 2: we look at it now, even as you can see

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Speaker 2: in this episode, just the vocabulary we're using is different.

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Speaker 2: I think it's another one of those instances where either

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Speaker 2: intentionally or unintentionally, we're talking about things that are regularly

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Speaker 2: talked about now and and sort of like getting through

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Speaker 2: the weeds on how to handle it correctly or not.

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Speaker 2: But it's like another subject we're just bringing up that's

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Speaker 2: sort of controversial. But I think it's good for these

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Speaker 2: like Lima kids to sort of be confronted with a

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Speaker 2: lifestyle that's very different than their sort of protected lives,

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Speaker 2: and to have Santana be the one who also like

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Speaker 2: came from a less sheltered life. I would say, in Mama,

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Speaker 2: to be the one to like sniff it out that

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Speaker 2: something was going on just seems right. And I think

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Speaker 2: like Brody's reasoning for why he's doing it makes sense,

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Speaker 2: and I also think like the performance that he's giving

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Speaker 2: through it makes sense. It's like, well, you're in the

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Speaker 2: big city, girl, Like, there's a lot of different types

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Speaker 2: of people here.

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Speaker 3: For sure, So you make a good point, make a

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Speaker 3: good point. That's something that I came across. So it

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Speaker 3: felt a little far batch. But if you know somebody

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Speaker 3: like that, it's much easier for you to attach and

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Speaker 3: resonate with.

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Speaker 1: Yeah, this could actually be the case.

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Speaker 2: Because I think back then it felt like, oh, this

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00:21:14,440 --> 00:21:17,240
Speaker 2: is very TV right, like it's sort of soapy, like

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Speaker 2: it's very far fetched and like funny and a way out.

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Speaker 2: But watching it now, I'm like, huh, this actually feels

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Speaker 2: very different to me.

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Speaker 1: Now.

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Speaker 2: Yeah, So Santana doesn't give up obviously, instead of saying

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Speaker 2: I'm gonna sure, you know what, I need a place

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Speaker 2: to stay, she gets her shit and leaves, and then

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Speaker 2: we have maybe my favorite moment of the entire episode,

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Speaker 2: which is Brody coming into well at some point, So

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Speaker 2: Santana steals Brodie's pager and then we have s Hannah

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Speaker 2: waiting for him for this reveal right where he Brodie's

371
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Speaker 2: coming into the hotel room at the same hotel, and

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Speaker 2: then the woman on the bed turns her head and

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Speaker 2: it's Nia's shit eating grin.

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Speaker 1: I saw it, lost it, lost it so good, so good, it's.

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Speaker 2: So funny, unbelievable. Her performance just in these few lines

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Speaker 2: here is unbelievable.

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Speaker 1: It's it's perfect, it's perfect, like.

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Speaker 2: She was really tapped into something here.

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Speaker 1: Yes, she absolutely was, this whole storyline for her, I think.

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Speaker 1: On the other side of it, yeah, it's very Nicae.

381
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Speaker 1: She's relentless when she wants to find out a secret,

382
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Speaker 1: and then also like she was right, so like she

383
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Speaker 1: feels validated and she feels you know what I mean,

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Speaker 1: she's justified, and it's like, ah.

385
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Speaker 2: It's also not easy to obviously she's not playing fully herself,

386
00:23:07,800 --> 00:23:11,320
Speaker 2: but there's a lot of Naya and this current Santana,

387
00:23:11,359 --> 00:23:13,520
Speaker 2: like we've been saying, and it's not easy to do that,

388
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Speaker 2: I think, because you still want to find like what

389
00:23:16,440 --> 00:23:19,280
Speaker 2: the differences are. You always bring yourself to a character,

390
00:23:19,400 --> 00:23:22,239
Speaker 2: but there needs to be I think, some sort of

391
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Speaker 2: separation between you and a character, and the it really

392
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Speaker 2: is like sort of all the best parts in sensibilities,

393
00:23:32,680 --> 00:23:36,040
Speaker 2: yes exactly, and oh yeah, no, she's still fully.

394
00:23:35,800 --> 00:23:40,119
Speaker 1: Santana here, but it's definitely this is the point in

395
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Speaker 1: the show where you're on a show for six years,

396
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Speaker 1: you and your character start to matt in some ways,

397
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Speaker 1: especially in our shows, but you know there's other shows

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Speaker 1: where that doesn't happen at all.

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Speaker 2: I also don't know if I realized at the time

400
00:23:54,000 --> 00:23:58,840
Speaker 2: or appreciated how like good of a comedic actress she was.

401
00:23:58,920 --> 00:24:01,800
Speaker 2: I knew she was extremely talented, gifted at acting and

402
00:24:01,840 --> 00:24:05,800
Speaker 2: singing and performing right, but like watching what's happening now

403
00:24:06,240 --> 00:24:10,480
Speaker 2: as just her as a comedic genius. Yeah, her timing

404
00:24:10,560 --> 00:24:14,119
Speaker 2: is unbelievable, Like, oh yeah, I forgot that she had

405
00:24:14,160 --> 00:24:15,840
Speaker 2: been doing this since she was like three years old.

406
00:24:16,520 --> 00:24:19,200
Speaker 1: Yeah, her delory is a plus.

407
00:24:18,960 --> 00:24:23,919
Speaker 2: Bus And this whole thing about having just sort of

408
00:24:23,920 --> 00:24:26,240
Speaker 2: like getting him in the room, leaving being like you

409
00:24:26,280 --> 00:24:28,320
Speaker 2: can talk to Finn, and Finn comes out of the

410
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Speaker 2: bathroom and then beats the shit out of Brody.

411
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Speaker 1: This is my favorite part of the whole episode is

412
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Speaker 1: Finn coming out of the bathroom.

413
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Speaker 2: This scene is unbelievable.

414
00:24:38,160 --> 00:24:42,280
Speaker 1: Yeah, this scene is perfect. She's like, and then Finn

415
00:24:42,280 --> 00:24:47,320
Speaker 1: comes out and he really he takes a swing at Brody,

416
00:24:50,040 --> 00:24:52,720
Speaker 1: and I'm this is like, this is the clever Quory

417
00:24:54,000 --> 00:24:55,840
Speaker 1: that you don't see a lot, like the kind of

418
00:24:58,119 --> 00:25:03,760
Speaker 1: nigh smile Corey Finn that we don't see a lot

419
00:25:03,760 --> 00:25:07,199
Speaker 1: in Finn. He gets frustrated and goofy and kind of

420
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Speaker 1: larger than life. But this is very I was a

421
00:25:12,200 --> 00:25:16,080
Speaker 1: little bit more heavy, and I just thought bringing Finn

422
00:25:16,080 --> 00:25:20,399
Speaker 1: into this was brilliant writing. It's everything that an audience,

423
00:25:20,720 --> 00:25:24,040
Speaker 1: or as a lover of life Finchel of a ship

424
00:25:24,160 --> 00:25:26,600
Speaker 1: or of Finchrol, everything you could.

425
00:25:26,359 --> 00:25:28,360
Speaker 2: Hope for satisfying.

426
00:25:28,920 --> 00:25:32,840
Speaker 1: Ough, I was like, this is Glee, this is what

427
00:25:32,920 --> 00:25:36,840
Speaker 1: brings people back every week. I am hooked, I'm in

428
00:25:37,440 --> 00:25:40,240
Speaker 1: Like it just made me love the show all over again.

429
00:25:40,720 --> 00:25:41,640
Speaker 1: I was thrilled.

430
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Speaker 2: It goes back to sort of what Santana was saying

431
00:25:45,680 --> 00:25:48,480
Speaker 2: last episode in this episode, where it's like, look, I

432
00:25:48,480 --> 00:25:51,359
Speaker 2: know it can be difficult, but I don't like you

433
00:25:51,440 --> 00:25:54,480
Speaker 2: most of the time, but like we're family, and it's

434
00:25:54,600 --> 00:25:59,240
Speaker 2: nice to see these Glee characters, all from a small town,

435
00:26:00,520 --> 00:26:02,800
Speaker 2: still depend on each other and show up for each

436
00:26:02,840 --> 00:26:07,840
Speaker 2: other no matter what, and even with the fallout of

437
00:26:07,880 --> 00:26:11,080
Speaker 2: this whole thing, there's that mutual respect for each other

438
00:26:12,480 --> 00:26:14,880
Speaker 2: of like we're gonna be honest with each other. We're

439
00:26:14,880 --> 00:26:17,040
Speaker 2: gonna call each other out, but we're still we're gonna

440
00:26:17,040 --> 00:26:19,639
Speaker 2: show up for each other when we need to. And

441
00:26:20,280 --> 00:26:23,439
Speaker 2: and how romantic. I know, Like, yes, beating someone out

442
00:26:23,520 --> 00:26:26,200
Speaker 2: is not great. Beating someone out because he's a sex

443
00:26:26,240 --> 00:26:28,199
Speaker 2: worker not great. I think you know it's because he

444
00:26:28,240 --> 00:26:32,480
Speaker 2: was lying. But but Finn, Finn showing up for Rachel

445
00:26:32,800 --> 00:26:39,320
Speaker 2: and saying calling Rachel his future wife, that is television.

446
00:26:39,680 --> 00:26:41,600
Speaker 1: Oh my gosh, it's finance.

447
00:26:41,880 --> 00:26:42,360
Speaker 2: Come on.

448
00:26:43,119 --> 00:26:47,119
Speaker 1: I was thrilled. So he tells him to like go away,

449
00:26:47,880 --> 00:26:53,960
Speaker 1: He's going to disappear, leave no raices and bye bye.

450
00:26:54,960 --> 00:27:01,880
Speaker 1: And it's just the most It truly isn't a satisfying thing.

451
00:27:02,800 --> 00:27:09,679
Speaker 1: But back in at McKinley, there's a lot of stuff happening,

452
00:27:09,880 --> 00:27:12,679
Speaker 1: a lot of feuds happening over there as.

453
00:27:12,560 --> 00:27:16,560
Speaker 2: Well, and a lot of seeds being planted for storylines

454
00:27:16,560 --> 00:27:28,520
Speaker 2: for the rest of the season. We have this writer storyline.

455
00:27:29,760 --> 00:27:32,280
Speaker 1: Oh god, we forgot about this.

456
00:27:32,880 --> 00:27:35,320
Speaker 2: With the catfish. I forgot about it too, and it

457
00:27:35,359 --> 00:27:38,399
Speaker 2: started happening. I was like, wait a second, we didn't know.

458
00:27:38,359 --> 00:27:41,200
Speaker 1: Who the catfish was. Just for the record.

459
00:27:41,240 --> 00:27:45,120
Speaker 2: None of us knew until we got the script where

460
00:27:45,520 --> 00:27:48,440
Speaker 2: it's reviewed out, Yeah, do you think they knew?

461
00:27:50,480 --> 00:27:51,320
Speaker 1: Yeah, I think they knew.

462
00:27:51,560 --> 00:27:52,160
Speaker 2: I think they knew.

463
00:27:52,480 --> 00:27:53,280
Speaker 1: I think you have to know.

464
00:27:53,720 --> 00:27:56,080
Speaker 2: Yeah, watching it now, it's very obvious.

465
00:27:56,080 --> 00:27:58,280
Speaker 1: Right exactly, you have to know when you're writing for

466
00:27:58,320 --> 00:28:03,120
Speaker 1: the person who's a pressure. Right, So Unique conference writer

467
00:28:04,560 --> 00:28:11,320
Speaker 1: about Marley. But that turns into a whole thing where

468
00:28:11,359 --> 00:28:19,240
Speaker 1: writers refusing to say that Unique is a girl, which

469
00:28:23,240 --> 00:28:26,679
Speaker 1: I don't know. It's like it was troubling to me.

470
00:28:29,040 --> 00:28:31,320
Speaker 1: It also wasn't something that I had expected from writer.

471
00:28:33,400 --> 00:28:38,960
Speaker 1: But I guess this is where we're going with this writer.

472
00:28:38,880 --> 00:28:43,200
Speaker 2: Ends up being this guy. There's a couple of topics

473
00:28:43,200 --> 00:28:47,760
Speaker 2: that come up in future episodes or like writer ends

474
00:28:47,840 --> 00:28:51,280
Speaker 2: up being the vehicle and which to it's surprising, yes,

475
00:28:51,360 --> 00:28:52,720
Speaker 2: that he's the guy.

476
00:28:53,600 --> 00:28:59,200
Speaker 1: It's almost like Corey like Finn when he calls Kurt

477
00:29:00,120 --> 00:29:04,720
Speaker 1: that word, like it's just you need need somebody to

478
00:29:04,760 --> 00:29:07,080
Speaker 1: be a bad guy at some point, right, or to

479
00:29:07,280 --> 00:29:08,720
Speaker 1: be the vehicle like you said.

480
00:29:09,400 --> 00:29:12,360
Speaker 2: And it also was like very it feels very of

481
00:29:14,920 --> 00:29:18,160
Speaker 2: the time and which I mean even still now in

482
00:29:18,200 --> 00:29:21,880
Speaker 2: which trying to figure out how to talk about this yeah,

483
00:29:21,880 --> 00:29:27,680
Speaker 2: and talk about it from a perspective of in a

484
00:29:27,720 --> 00:29:30,720
Speaker 2: way in which a lot of people thought they understood

485
00:29:31,520 --> 00:29:35,360
Speaker 2: it at the time, right where now I think we're

486
00:29:35,560 --> 00:29:40,920
Speaker 2: much better equipped obviously not fully equipped, but much better

487
00:29:40,960 --> 00:29:46,440
Speaker 2: equipped to understanding the transc community and transgender rights and

488
00:29:46,440 --> 00:29:51,600
Speaker 2: equality and liberties and all that. Back then, I do

489
00:29:51,760 --> 00:29:55,000
Speaker 2: not think that was something that was talked about in

490
00:29:55,040 --> 00:29:56,280
Speaker 2: the mainstream at all.

491
00:29:56,840 --> 00:29:57,680
Speaker 1: Yeah, exactly.

492
00:29:57,800 --> 00:30:00,560
Speaker 2: And so it's like through the writer character, you are

493
00:30:00,600 --> 00:30:06,640
Speaker 2: having this sort of ignorant conversation that needs to happen because,

494
00:30:06,680 --> 00:30:09,680
Speaker 2: like people were watching the show, you have kids with

495
00:30:09,760 --> 00:30:12,920
Speaker 2: their parents, with their grandparents watching this show. It's multi generational,

496
00:30:13,040 --> 00:30:17,760
Speaker 2: and so like everybody sort of learning together, and you

497
00:30:17,880 --> 00:30:23,800
Speaker 2: have characters being wrong, and you have characters being messy

498
00:30:23,960 --> 00:30:27,480
Speaker 2: and stumbling through this. Not just Writer, but there's a

499
00:30:27,560 --> 00:30:30,520
Speaker 2: number of us who who did these sorts of things

500
00:30:30,600 --> 00:30:35,200
Speaker 2: with complicated topics. And I feel like Glee sort of

501
00:30:35,240 --> 00:30:40,640
Speaker 2: held your hand through learning about it's okay to not

502
00:30:40,840 --> 00:30:47,480
Speaker 2: understand this other point of view or this other person's life, right,

503
00:30:48,400 --> 00:30:51,560
Speaker 2: but we're still going to accept this person. And this

504
00:30:51,640 --> 00:30:54,640
Speaker 2: is another instance and another vehicle to do that. And

505
00:30:55,280 --> 00:30:58,200
Speaker 2: it was it was very interesting watching it because it

506
00:30:58,240 --> 00:31:00,760
Speaker 2: does it definitely felt of a different era.

507
00:31:01,520 --> 00:31:04,200
Speaker 1: Oh, it definitely, that's a different error. It also felt

508
00:31:04,200 --> 00:31:09,640
Speaker 1: though to me, like this was part of a storyline

509
00:31:09,720 --> 00:31:14,200
Speaker 1: versus something that was justified by writer. But again, I

510
00:31:14,240 --> 00:31:16,560
Speaker 1: see what you're saying, and like there had to be

511
00:31:16,640 --> 00:31:20,680
Speaker 1: somebody to do it, So there is somebody had to

512
00:31:20,720 --> 00:31:21,040
Speaker 1: do it.

513
00:31:21,400 --> 00:31:23,560
Speaker 2: It felt out of character. It felt surprising that it

514
00:31:23,600 --> 00:31:26,240
Speaker 2: was writer for sure, but like.

515
00:31:26,200 --> 00:31:28,720
Speaker 1: Who else, right, we can't have a bully come in

516
00:31:28,760 --> 00:31:31,160
Speaker 1: and do it and not have a just you know,

517
00:31:31,360 --> 00:31:33,440
Speaker 1: have a storyline to go with it. It just doesn't

518
00:31:33,440 --> 00:31:35,960
Speaker 1: do it justice either. So yeah, here we are.

519
00:31:36,480 --> 00:31:41,000
Speaker 2: Yeah, if you have somebody who's ingrained in your social circles,

520
00:31:41,360 --> 00:31:44,040
Speaker 2: then it means more and it's more challenging to challenge

521
00:31:44,080 --> 00:31:45,000
Speaker 2: that person and.

522
00:31:46,280 --> 00:31:49,480
Speaker 1: Who you thought was a friend, somebody close to you, right.

523
00:31:49,720 --> 00:31:52,680
Speaker 2: Right, that's also the word is friend.

524
00:31:54,280 --> 00:31:58,200
Speaker 1: Idiot. So we find Writer now is talking to this

525
00:31:58,280 --> 00:32:00,600
Speaker 1: girl online at a computer. We'll see this throughout a

526
00:32:00,640 --> 00:32:03,400
Speaker 1: few episodes, but he's chatting with his new online friend

527
00:32:03,440 --> 00:32:08,600
Speaker 1: Katie out of nowhere. Came from nowhere, But we don't

528
00:32:08,600 --> 00:32:10,600
Speaker 1: know who Katie is. She has a face in the show,

529
00:32:10,840 --> 00:32:13,280
Speaker 1: which has a voice in the show is like the actor,

530
00:32:13,360 --> 00:32:16,320
Speaker 1: but we don't actually know if that's Katie or who

531
00:32:16,400 --> 00:32:21,320
Speaker 1: Katie is or how they met. But they go on

532
00:32:21,400 --> 00:32:27,160
Speaker 1: this messaging they're on the messanging site and he's telling writers,

533
00:32:27,200 --> 00:32:33,480
Speaker 1: telling Katie about his running with Unique, and Katie's like, well,

534
00:32:33,640 --> 00:32:37,480
Speaker 1: you should challenge them to a duel or to a challenge,

535
00:32:37,560 --> 00:32:44,320
Speaker 1: you know, to and challenge them to a feud battle.

536
00:32:44,440 --> 00:32:48,760
Speaker 1: I guess if you will to work it out through song.

537
00:32:49,960 --> 00:32:52,960
Speaker 1: So what do they do? They do it through song.

538
00:32:55,920 --> 00:33:00,160
Speaker 1: The Bitch is Back Dressed You Up by and Elton Madonna.

539
00:33:00,280 --> 00:33:01,800
Speaker 1: What did you think about this number?

540
00:33:03,960 --> 00:33:06,560
Speaker 2: I thought it was a really good mashup. I was

541
00:33:06,640 --> 00:33:10,040
Speaker 2: totally in for this mashup. I think this works. I

542
00:33:10,080 --> 00:33:13,480
Speaker 2: was like even more of writer being the new fan.

543
00:33:13,880 --> 00:33:16,880
Speaker 2: He's on the drums, yes, wild.

544
00:33:17,080 --> 00:33:23,560
Speaker 1: Yes, literally, but performance is great, great.

545
00:33:23,840 --> 00:33:29,360
Speaker 2: Yeah, that's My parents are visiting and they watched with

546
00:33:29,480 --> 00:33:33,920
Speaker 2: me and they were just like, oh, they're so good.

547
00:33:34,000 --> 00:33:36,000
Speaker 2: I was like, you know, we just keep saying on

548
00:33:36,040 --> 00:33:39,160
Speaker 2: the podcast too, is that we loved all of those

549
00:33:39,200 --> 00:33:44,600
Speaker 2: new kids and like the energy they brought so interesting here.

550
00:33:45,120 --> 00:33:49,920
Speaker 2: They breathed new life into it and I think you

551
00:33:50,040 --> 00:33:52,200
Speaker 2: feel that and you see that and their performance and

552
00:33:52,240 --> 00:33:56,320
Speaker 2: like our reaction to it because they're so good. But

553
00:33:56,440 --> 00:34:01,960
Speaker 2: this performance was great and watching them this whole episode

554
00:34:02,360 --> 00:34:05,400
Speaker 2: deal like have their own little scenes together totally, it

555
00:34:05,440 --> 00:34:06,280
Speaker 2: was so nice.

556
00:34:06,720 --> 00:34:09,040
Speaker 1: And this was like the first time we saw that,

557
00:34:09,160 --> 00:34:14,600
Speaker 1: like the group and acknowledging like they're the next class essentially, yes, exactly.

558
00:34:15,800 --> 00:34:17,680
Speaker 2: But at the end of this Writer still is like,

559
00:34:18,840 --> 00:34:21,400
Speaker 2: I don't know, like I'm still gonna be an asshole,

560
00:34:21,480 --> 00:34:24,400
Speaker 2: which happens a lot in the feuds. Actually in this episode,

561
00:34:24,600 --> 00:34:28,600
Speaker 2: like the duets do not solve anything, right, No, I know,

562
00:34:29,640 --> 00:34:34,720
Speaker 2: but you know, writers still taking a minute to realize

563
00:34:34,760 --> 00:34:36,560
Speaker 2: what's going on. And then he goes back to Katie

564
00:34:36,600 --> 00:34:38,800
Speaker 2: and the computer and is like, well, here's what happened.

565
00:34:38,800 --> 00:34:43,360
Speaker 2: Here's the update, and he asks to see Katie in person,

566
00:34:43,480 --> 00:34:44,759
Speaker 2: and then Katie ghosts.

567
00:34:46,680 --> 00:34:48,400
Speaker 1: Katie is now offline.

568
00:34:49,000 --> 00:34:50,520
Speaker 2: And he looks around. I did like the part of

569
00:34:50,560 --> 00:34:53,400
Speaker 2: like Kim being the library. Also, how funny you have

570
00:34:53,440 --> 00:34:57,319
Speaker 2: to like message online in the library, like you can't

571
00:34:57,360 --> 00:35:00,120
Speaker 2: be texting on the phone on He does it one

572
00:35:00,200 --> 00:35:05,000
Speaker 2: point though, maybe but in the library, And I like

573
00:35:05,040 --> 00:35:07,719
Speaker 2: that he's looking around to see if it's somebody who's

574
00:35:07,760 --> 00:35:09,600
Speaker 2: there and it's just the library.

575
00:35:09,000 --> 00:35:18,000
Speaker 1: Yeah, I know. Another few that's happening is Sue and Blaine.

576
00:35:19,480 --> 00:35:23,720
Speaker 1: So we find Sue and Blaine in her office, where

577
00:35:25,480 --> 00:35:29,840
Speaker 1: we learned that Blaine apparently signed a contract, a very

578
00:35:30,120 --> 00:35:36,239
Speaker 1: forged contract that he has to be on the Cheerios team.

579
00:35:36,360 --> 00:35:42,560
Speaker 1: Is also randomly there for about.

580
00:35:40,520 --> 00:35:46,360
Speaker 2: That was great. I thought, I love that, very funny.

581
00:35:47,280 --> 00:35:49,440
Speaker 1: That's just wherever Blaine is these days, because they did

582
00:35:49,480 --> 00:35:51,319
Speaker 1: join the Cheerios together to be fair, So.

583
00:35:54,160 --> 00:35:56,080
Speaker 2: I also love that they brought that back. I love

584
00:35:56,160 --> 00:35:58,319
Speaker 2: that they talked about it. They brought it back, and

585
00:35:59,000 --> 00:36:01,680
Speaker 2: Sue is on some crazy tear.

586
00:36:02,320 --> 00:36:05,320
Speaker 1: We did need another yes, we did, and we needed

587
00:36:05,360 --> 00:36:09,360
Speaker 1: another feud. So we have a few with Sue and

588
00:36:09,400 --> 00:36:13,000
Speaker 1: a blade. Yeah, she's on a chair.

589
00:36:13,480 --> 00:36:19,040
Speaker 2: She's fully got the Glee Club gossip because she keeps

590
00:36:19,040 --> 00:36:19,920
Speaker 2: calling you a hag.

591
00:36:23,719 --> 00:36:26,319
Speaker 1: I think the whole school good. To be honest, I

592
00:36:26,360 --> 00:36:27,879
Speaker 1: think the whole school.

593
00:36:28,560 --> 00:36:31,080
Speaker 2: I sort of love it. I sort of love you.

594
00:36:31,520 --> 00:36:34,120
Speaker 1: Go find a new boyfriend. Maybe Lance Pass is available

595
00:36:34,200 --> 00:36:43,080
Speaker 1: for roofball, so good. Well, she blackmails him.

596
00:36:43,440 --> 00:36:46,080
Speaker 2: She puts cement in his hair, Joe, which was also hilarious.

597
00:36:47,000 --> 00:36:51,240
Speaker 1: She takes out like credit cards in his name credit

598
00:36:51,840 --> 00:36:59,200
Speaker 1: Yeah only for seven years, but that's what that catapults

599
00:36:59,239 --> 00:37:05,319
Speaker 1: their feud into a musical, a musical flute feud. I

600
00:37:05,360 --> 00:37:11,360
Speaker 1: will never forget us shooting Superbass in on a Saturday.

601
00:37:11,360 --> 00:37:13,800
Speaker 1: It was a Saturday shout out on a Saturday.

602
00:37:14,320 --> 00:37:15,680
Speaker 2: You remember every Saturday.

603
00:37:15,960 --> 00:37:17,960
Speaker 1: I'll never forget a Saturday because it made me so

604
00:37:18,080 --> 00:37:24,640
Speaker 1: angry to work on a Saturday, and they did uh

605
00:37:26,320 --> 00:37:30,080
Speaker 1: super Bass. I still believe now I love I still believe.

606
00:37:30,440 --> 00:37:34,120
Speaker 1: I love my Carrie. I don't love Superbass all that much.

607
00:37:34,560 --> 00:37:39,000
Speaker 1: Do I think Jane did an incredible job in this number?

608
00:37:39,800 --> 00:37:48,279
Speaker 1: She was outrageous hilarious. Yes. Do I like this mashup? No?

609
00:37:49,719 --> 00:37:52,239
Speaker 1: Did I like watching all of our friends the Cheerios

610
00:37:52,280 --> 00:37:57,719
Speaker 1: perform Superbass? Yes? Absolutely, it was joyful. But did I

611
00:37:57,760 --> 00:38:01,680
Speaker 1: think this particular mashup was something that I would listen

612
00:38:01,719 --> 00:38:02,680
Speaker 1: to again? No?

613
00:38:05,360 --> 00:38:09,080
Speaker 2: Yeah, watching Jane perform this was one of the highlights

614
00:38:09,080 --> 00:38:09,359
Speaker 2: of them.

615
00:38:09,440 --> 00:38:11,839
Speaker 1: I mean when she came in the room in that

616
00:38:11,920 --> 00:38:14,759
Speaker 1: costume and then they did the black light in the rehearsal.

617
00:38:15,920 --> 00:38:17,400
Speaker 1: My job was on the ground.

618
00:38:17,640 --> 00:38:19,600
Speaker 2: And they had this all worked out so they could

619
00:38:19,600 --> 00:38:22,439
Speaker 2: have done this all in one take sort of thing,

620
00:38:22,760 --> 00:38:26,840
Speaker 2: like it was the full performance. It wasn't just choreographed

621
00:38:27,280 --> 00:38:30,960
Speaker 2: to be pieces shot differently. She could do the entire

622
00:38:31,080 --> 00:38:34,200
Speaker 2: thing all the way through, and that's a lot of lyrics.

623
00:38:34,360 --> 00:38:38,680
Speaker 2: Like I listened to Nikki, I knew superbas already. I

624
00:38:38,719 --> 00:38:42,520
Speaker 2: don't imagine Jane was somebody who was overly familiar with

625
00:38:42,600 --> 00:38:46,920
Speaker 2: Niki as I was right, and it was very impressive

626
00:38:47,520 --> 00:38:50,520
Speaker 2: and it was so much fun. Yeah, I like both

627
00:38:50,520 --> 00:38:54,840
Speaker 2: of these songs separately. I do not think it really

628
00:38:55,480 --> 00:38:57,320
Speaker 2: works as a mashup, but who cares?

629
00:38:57,680 --> 00:38:58,160
Speaker 1: Like what.

630
00:39:00,000 --> 00:39:03,359
Speaker 2: I felt like two separate songs anyway, Like yes, yeah,

631
00:39:03,400 --> 00:39:08,520
Speaker 2: and I also liked I feel like normally englely, if

632
00:39:08,560 --> 00:39:11,000
Speaker 2: somebody was in Blaine's position, he would have just still

633
00:39:11,160 --> 00:39:15,120
Speaker 2: still been singing, like unaffected by what Sue was doing.

634
00:39:15,120 --> 00:39:19,960
Speaker 2: And he's so clearly real about it about which is

635
00:39:20,000 --> 00:39:23,759
Speaker 2: I think very what Darren brings to a character, just

636
00:39:23,840 --> 00:39:27,200
Speaker 2: like we have to acknowledge how absurd this is. Yes,

637
00:39:27,320 --> 00:39:30,160
Speaker 2: we can't pretend this isn't happening. She's on a mini

638
00:39:30,160 --> 00:39:39,280
Speaker 2: bike and there's confetti and that number diabolical.

639
00:39:39,600 --> 00:39:45,520
Speaker 1: Yes that's right, but like great Jane obviously was nominated

640
00:39:45,560 --> 00:39:51,520
Speaker 1: for an Emmy. It's crazy, it's good numbers that are

641
00:39:51,640 --> 00:39:53,440
Speaker 1: just yeah, there it's satire.

642
00:39:54,840 --> 00:39:57,840
Speaker 2: And then because of the Jane clearly wins the battle,

643
00:39:58,160 --> 00:40:02,320
Speaker 2: and so you have Blaine back in the office where

644
00:40:02,440 --> 00:40:09,800
Speaker 2: Becky kisses Blaine. Wild is also on one's episode. Yes,

645
00:40:10,000 --> 00:40:15,080
Speaker 2: scream pretty usual. She always is, I need more, Becky. Actually,

646
00:40:15,120 --> 00:40:17,560
Speaker 2: I feel like there hasn't been enough now I know,

647
00:40:20,600 --> 00:40:27,520
Speaker 2: and I did not remember this, mm so what Blaine

648
00:40:27,520 --> 00:40:31,400
Speaker 2: fully commits himself to the cheerios right, and then walks

649
00:40:31,440 --> 00:40:34,080
Speaker 2: out and meets up with Sam and is like, and

650
00:40:34,200 --> 00:40:36,239
Speaker 2: then we're gonna bring her down from the inside.

651
00:40:36,640 --> 00:40:43,759
Speaker 1: So good, totally for the plot thickens so good. Who's

652
00:40:43,800 --> 00:40:44,120
Speaker 1: in it?

653
00:40:45,440 --> 00:40:49,160
Speaker 2: I like, you know, I like a little twist. Yes,

654
00:40:50,440 --> 00:40:52,719
Speaker 2: secret planning secrets. I love secrets.

655
00:40:52,960 --> 00:40:58,040
Speaker 1: We love secrets. Yes, I totally agree. I'm more blam anytime.

656
00:40:58,680 --> 00:41:00,800
Speaker 2: I love Blam. And also like, you're in the picture.

657
00:41:04,040 --> 00:41:11,440
Speaker 1: It's funny. The other few that is happening, which is

658
00:41:11,440 --> 00:41:14,360
Speaker 1: an important one obviously because it's the most it feels

659
00:41:14,400 --> 00:41:19,000
Speaker 1: like the most justified feud of the through line that

660
00:41:19,400 --> 00:41:22,200
Speaker 1: Finn has kissed Emma. He has refilled this to Will.

661
00:41:22,840 --> 00:41:28,520
Speaker 1: Will is now so very angry with Finn, and he

662
00:41:28,560 --> 00:41:33,040
Speaker 1: gives them an assignment because obviously, like we feel the

663
00:41:33,200 --> 00:41:35,719
Speaker 1: tension between them.

664
00:41:35,800 --> 00:41:38,799
Speaker 2: So the kids flip the script where like you have

665
00:41:38,880 --> 00:41:39,799
Speaker 2: to do we do it?

666
00:41:40,520 --> 00:41:42,440
Speaker 1: Yeah, we give the assignment. Sorry.

667
00:41:43,480 --> 00:41:46,440
Speaker 2: Yeah, there were a lot of fun scenes like that,

668
00:41:46,480 --> 00:41:49,760
Speaker 2: Like I remember like doing the scene like mediating between

669
00:41:50,320 --> 00:41:53,680
Speaker 2: Unique and writer and then doing this scene which felt

670
00:41:53,680 --> 00:41:57,880
Speaker 2: really funny and then yeah and felt different from you know,

671
00:41:58,120 --> 00:41:59,760
Speaker 2: what we would normally be doing.

672
00:42:00,520 --> 00:42:03,000
Speaker 1: And yes, that's right.

673
00:42:03,080 --> 00:42:06,120
Speaker 2: I think you can feel that we're all just being

674
00:42:06,120 --> 00:42:06,880
Speaker 2: a little goofy.

675
00:42:07,320 --> 00:42:11,120
Speaker 1: Also, the kids spring more mature than mister Shoe, yes, and.

676
00:42:11,200 --> 00:42:13,480
Speaker 2: Like, which leads to them in the auditorium being like,

677
00:42:14,120 --> 00:42:18,040
Speaker 2: let's do this, like let's talk about this, and it's

678
00:42:18,040 --> 00:42:21,440
Speaker 2: sort of like mask off, gloves off. Then they have

679
00:42:21,600 --> 00:42:24,000
Speaker 2: they're trying to figure out, Oh my god. Will's first

680
00:42:24,000 --> 00:42:29,560
Speaker 2: suggestion was Biggie and Tupac of like please please spare us,

681
00:42:29,680 --> 00:42:32,960
Speaker 2: don't do not know, although I would like to hear that,

682
00:42:33,880 --> 00:42:36,200
Speaker 2: not from them, but I would look to hear that.

683
00:42:37,719 --> 00:42:43,919
Speaker 1: Of like the real songs, yes exactly, that's yeah, yeah, yeah,

684
00:42:43,960 --> 00:42:46,800
Speaker 1: please spare us. I'm glad we did this. This feels

685
00:42:46,840 --> 00:42:54,880
Speaker 1: more fitting for everybody. Yes, it's it's insanc in backty boys.

686
00:42:54,920 --> 00:42:58,640
Speaker 1: Everything that we could have hoped for. Now, I'm curious

687
00:42:58,640 --> 00:43:02,919
Speaker 1: to hear how you felt about this, because I feel

688
00:43:02,960 --> 00:43:07,799
Speaker 1: like I didn't hear either song in this mashup. And

689
00:43:07,880 --> 00:43:11,080
Speaker 1: that's not a fault of our music amazing music producers.

690
00:43:11,120 --> 00:43:12,960
Speaker 1: I think it's just the two songs and trying to

691
00:43:13,000 --> 00:43:16,919
Speaker 1: get them to fit together and work. But I feel

692
00:43:16,920 --> 00:43:18,400
Speaker 1: like I didn't hear either song.

693
00:43:20,000 --> 00:43:23,160
Speaker 2: I think it's not a good mashup.

694
00:43:24,040 --> 00:43:27,000
Speaker 1: Says where like, yeah, there's ones that fit and ones

695
00:43:27,000 --> 00:43:27,759
Speaker 1: that don't.

696
00:43:27,960 --> 00:43:33,719
Speaker 2: I mean, you're you're putting a ballad and mashing it

697
00:43:33,800 --> 00:43:37,240
Speaker 2: up with an up tempo song like Bye Bye Bye,

698
00:43:37,880 --> 00:43:44,000
Speaker 2: and it's it was weird. I liked having it. Also

699
00:43:44,160 --> 00:43:47,840
Speaker 2: felt like every time I cut to the backsheet Boys section,

700
00:43:48,160 --> 00:43:52,359
Speaker 2: like we weren't really doing a lot of movement, Like

701
00:43:52,400 --> 00:43:55,879
Speaker 2: it sort of like looked like we were watching Bye

702
00:43:55,880 --> 00:43:56,760
Speaker 2: Bye Bye happening.

703
00:43:57,440 --> 00:44:02,640
Speaker 1: There weren't a lot of dancers in that they put.

704
00:44:04,000 --> 00:44:09,880
Speaker 1: They obviously had to put Jacob and Matt and Darren

705
00:44:09,920 --> 00:44:14,560
Speaker 1: in the strings because that was the more coordination you

706
00:44:14,680 --> 00:44:18,120
Speaker 1: needed for that particular thing, which I remember they were

707
00:44:18,160 --> 00:44:26,160
Speaker 1: like bungee chords kind of right. But then you you know,

708
00:44:26,560 --> 00:44:30,080
Speaker 1: Corey's the lead on that who is obviously not a dancer.

709
00:44:30,160 --> 00:44:32,520
Speaker 1: We know this, we love him for it. But like

710
00:44:33,320 --> 00:44:39,160
Speaker 1: in sync, it is dance. They're coordinated, they are together,

711
00:44:39,320 --> 00:44:47,080
Speaker 1: they are in sync. So to be fair, it was

712
00:44:47,280 --> 00:44:54,120
Speaker 1: semi choreographed, semi freeform rock out also coord God love

713
00:44:54,200 --> 00:44:57,560
Speaker 1: them too, like but they're just not like boyband dancers.

714
00:44:58,160 --> 00:45:00,600
Speaker 2: No, it's also it's about it's like what are you

715
00:45:00,640 --> 00:45:01,000
Speaker 2: going to do?

716
00:45:01,160 --> 00:45:04,360
Speaker 1: Exactly? They're standing in an airport hangar in the real

717
00:45:04,440 --> 00:45:06,560
Speaker 1: video like, I'm sorry, that's what it is.

718
00:45:07,400 --> 00:45:10,560
Speaker 2: I also think both of those songs are so good

719
00:45:10,880 --> 00:45:14,280
Speaker 2: that selfishly because you know, and I'm sure you agree,

720
00:45:14,320 --> 00:45:17,480
Speaker 2: because we grew up on these boy bands, like I

721
00:45:17,600 --> 00:45:19,320
Speaker 2: want them to have their own moment.

722
00:45:20,320 --> 00:45:24,200
Speaker 1: Yes, agreed, we could have. They each could have had

723
00:45:24,200 --> 00:45:27,480
Speaker 1: their own moment. A lot of moms in the show show,

724
00:45:27,520 --> 00:45:28,799
Speaker 1: but we didn't get a lot of that.

725
00:45:30,080 --> 00:45:34,600
Speaker 2: I will say Corey and Matt sounded fantastic. Yes, And

726
00:45:34,880 --> 00:45:37,480
Speaker 2: the girls running up to the stage like doing the

727
00:45:37,480 --> 00:45:39,440
Speaker 2: whole boy band thing. I love, just like the Justin

728
00:45:39,480 --> 00:45:40,320
Speaker 2: Bieber experience.

729
00:45:40,560 --> 00:45:45,480
Speaker 1: Love that very fun, very very fun. And I loved

730
00:45:45,520 --> 00:45:49,160
Speaker 1: watching them shoot this because of the the bye bye

731
00:45:49,200 --> 00:45:52,279
Speaker 1: bye and the whole yeah thing, you know what I mean.

732
00:45:52,360 --> 00:45:54,640
Speaker 1: It was like, yes, we're recreating this, we have to

733
00:45:54,680 --> 00:45:55,319
Speaker 1: recreate this.

734
00:45:56,040 --> 00:46:00,200
Speaker 2: It's so funny, like how because it keeps happening where

735
00:46:00,600 --> 00:46:02,920
Speaker 2: like we get to do a song that I've really

736
00:46:02,960 --> 00:46:07,319
Speaker 2: wanted to happen on the show, and then you know

737
00:46:07,400 --> 00:46:09,359
Speaker 2: it happened with you too all the time where there

738
00:46:09,360 --> 00:46:12,000
Speaker 2: would be songs on the show and you're like, I

739
00:46:12,040 --> 00:46:14,319
Speaker 2: wish I could do that all the time, but then

740
00:46:14,360 --> 00:46:17,560
Speaker 2: it does. It feels so silly and like he feels

741
00:46:17,560 --> 00:46:20,360
Speaker 2: so ungrateful, like everybody.

742
00:46:20,000 --> 00:46:22,160
Speaker 1: On the show felt that though, Yeah, right, Like we

743
00:46:22,239 --> 00:46:24,600
Speaker 1: all love numbers and we're like, well, our character's not

744
00:46:24,680 --> 00:46:25,040
Speaker 1: doing that.

745
00:46:25,680 --> 00:46:28,279
Speaker 2: Yeah. It's like you know karaoke and somebody seals your karaoke.

746
00:46:28,120 --> 00:46:29,080
Speaker 1: Song like a good song.

747
00:46:29,160 --> 00:46:30,600
Speaker 2: Damn it. I wish I could do it, but it's

748
00:46:30,640 --> 00:46:32,480
Speaker 2: not like it's not going to be done well, right.

749
00:46:32,719 --> 00:46:35,719
Speaker 1: But I also like the whole montage of like, uh,

750
00:46:36,600 --> 00:46:39,279
Speaker 1: like the dream sequence of them fighting. It's like what

751
00:46:39,600 --> 00:46:42,040
Speaker 1: would have happened in their minds or in there.

752
00:46:43,560 --> 00:46:44,680
Speaker 2: There were a lot of and I think it was

753
00:46:44,680 --> 00:46:48,040
Speaker 2: because Beaker was directing a lot of editing choices that

754
00:46:48,080 --> 00:46:50,040
Speaker 2: we've never done before. Even though that's what you really

755
00:46:50,080 --> 00:46:52,400
Speaker 2: missed on Glee. Thing in the beginning was completely different.

756
00:46:53,040 --> 00:46:56,040
Speaker 1: He always had the ability to like see that and

757
00:46:56,120 --> 00:46:58,840
Speaker 1: make it happen in the right time. Like his camera

758
00:46:59,440 --> 00:47:02,319
Speaker 1: work was as different, and like he just tried new

759
00:47:02,360 --> 00:47:06,880
Speaker 1: things that I think some people were not privy to

760
00:47:07,160 --> 00:47:10,600
Speaker 1: or Dee the DP was like, no, we don't have

761
00:47:10,760 --> 00:47:15,880
Speaker 1: time for that. But yeah, speaker, kudos to beer. Oh

762
00:47:15,960 --> 00:47:18,600
Speaker 1: it is just the best, the.

763
00:47:18,520 --> 00:47:23,400
Speaker 2: Best, and so everyone's they don't really work it out.

764
00:47:24,080 --> 00:47:24,960
Speaker 1: He really works it out.

765
00:47:25,200 --> 00:47:29,799
Speaker 2: No, but at the end of the day, everyone gets

766
00:47:29,840 --> 00:47:34,680
Speaker 2: a little closer, I guess.

767
00:47:34,719 --> 00:47:41,520
Speaker 1: So in a free form rockout number that literally did

768
00:47:41,560 --> 00:47:44,839
Speaker 1: you see me try to get up on the the thing?

769
00:47:45,960 --> 00:47:48,160
Speaker 2: Did you see that? Nobody knew the lyrics?

770
00:47:48,680 --> 00:47:51,160
Speaker 1: Oh no, we nobody knew the song obviously because he

771
00:47:51,360 --> 00:47:55,480
Speaker 1: and Sarah were not very widely known at this point.

772
00:47:57,280 --> 00:47:58,200
Speaker 2: I mean, we should have known.

773
00:47:59,239 --> 00:48:00,279
Speaker 1: I don't think I would of not.

774
00:48:01,360 --> 00:48:06,880
Speaker 2: I fully, we're Melissa's not saying the right words. You

775
00:48:06,960 --> 00:48:10,200
Speaker 2: and I turn our faces away several times in the camera.

776
00:48:11,080 --> 00:48:12,960
Speaker 1: This was a very last minute and there was no

777
00:48:13,040 --> 00:48:15,680
Speaker 1: choreography at all. Like it was very clear.

778
00:48:16,360 --> 00:48:19,880
Speaker 2: This felt like the first number ever that they really

779
00:48:19,920 --> 00:48:24,320
Speaker 2: were just like, go for it. The entrances, yeah, because

780
00:48:24,360 --> 00:48:28,840
Speaker 2: there was there was absolutely nothing happening, and that's fine.

781
00:48:29,080 --> 00:48:32,480
Speaker 1: It works, it happens. Yeah, huge show. He was so

782
00:48:32,520 --> 00:48:34,120
Speaker 1: excited to get this on the show. Yeah.

783
00:48:34,160 --> 00:48:37,560
Speaker 2: And I liked watching everybody interact with each other, like

784
00:48:37,719 --> 00:48:40,000
Speaker 2: he's not everything, He's to be a choreographed moment. There's

785
00:48:40,000 --> 00:48:41,920
Speaker 2: a lot of choreography earlier in the episode. There's a

786
00:48:41,920 --> 00:48:45,680
Speaker 2: lot of choreography next episode. It's all good. I also

787
00:48:45,800 --> 00:48:52,840
Speaker 2: thought these are some like strange feuds to choose, like

788
00:48:53,040 --> 00:48:54,480
Speaker 2: musical feuds.

789
00:48:54,080 --> 00:48:57,080
Speaker 1: To choose, like the music selection.

790
00:48:57,960 --> 00:49:00,879
Speaker 2: Yeah, like there's a lot of big feuds to do.

791
00:49:01,040 --> 00:49:02,520
Speaker 2: And I felt like, well.

792
00:49:02,440 --> 00:49:04,919
Speaker 1: I guess the songs had to make sense, and then

793
00:49:05,120 --> 00:49:08,920
Speaker 1: the clearance and the artist and the you know.

794
00:49:09,480 --> 00:49:13,160
Speaker 2: Yeah, but I think some of these numbers are really great.

795
00:49:13,560 --> 00:49:16,960
Speaker 1: Yes, well let's talk about those. Let's create them. How

796
00:49:17,000 --> 00:49:22,000
Speaker 1: to be a Heartbreaker A A plus plus. The bitchous

797
00:49:22,000 --> 00:49:27,360
Speaker 1: back dress You Up A A minus, cold Hearted A

798
00:49:27,719 --> 00:49:30,879
Speaker 1: plus Bye Bye Bye I want it that way B

799
00:49:31,040 --> 00:49:36,759
Speaker 1: plus B plus. I still believe super Bass A minus

800
00:49:37,560 --> 00:49:40,200
Speaker 1: for Jane. I mean, Darren was great too, obviously, but

801
00:49:40,280 --> 00:49:47,160
Speaker 1: Jane was really Yeah. And then closer b Okay, I

802
00:49:47,160 --> 00:49:59,640
Speaker 1: would say we averaged to be there. TARTI takes cringe moments.

803
00:49:59,640 --> 00:49:59,880
Speaker 1: How she?

804
00:50:00,200 --> 00:50:05,560
Speaker 2: I mean writer, writer's whole situation storyline with unique is just.

805
00:50:05,840 --> 00:50:10,640
Speaker 1: Kitty also says something very inappropriate. Oh, I don't even

806
00:50:10,680 --> 00:50:13,360
Speaker 1: want to say it. I'm just going to say that

807
00:50:13,840 --> 00:50:19,600
Speaker 1: was like very washed over. Supposed to be a joke,

808
00:50:20,840 --> 00:50:21,520
Speaker 1: was not? Okay?

809
00:50:21,960 --> 00:50:25,080
Speaker 2: I giggled out of uncomfortable.

810
00:50:25,360 --> 00:50:28,680
Speaker 1: Yes, yes that's right, but not funny uncomfortable.

811
00:50:28,800 --> 00:50:30,759
Speaker 2: No, I was like, what's happening?

812
00:50:31,560 --> 00:50:36,080
Speaker 1: Like how did that get in? Now? Yeah?

813
00:50:36,239 --> 00:50:41,600
Speaker 2: This is network TV, wild times.

814
00:50:41,440 --> 00:50:43,919
Speaker 1: Well Glee on Glee, I guess you can. Anything goes

815
00:50:45,640 --> 00:50:46,600
Speaker 1: Best dance move.

816
00:50:47,160 --> 00:50:53,080
Speaker 2: Cold hearted, cold hearted, and yeah exactly. I think that

817
00:50:53,280 --> 00:50:55,800
Speaker 2: rope choreography was pretty cool.

818
00:50:56,360 --> 00:51:10,000
Speaker 1: Best song I don't have one. I actually don't have one.

819
00:51:10,680 --> 00:51:11,399
Speaker 1: Do I have to pick?

820
00:51:11,560 --> 00:51:14,160
Speaker 2: You know, I'm gonna go cold hearted.

821
00:51:15,280 --> 00:51:17,080
Speaker 1: Okay, that would be my pick if I had to

822
00:51:17,080 --> 00:51:18,439
Speaker 1: pick one, but I don't.

823
00:51:18,520 --> 00:51:21,640
Speaker 2: You do. Yeah, it's cold hearted, Jenna fine.

824
00:51:23,239 --> 00:51:24,920
Speaker 1: Best performance by a prop.

825
00:51:26,840 --> 00:51:31,640
Speaker 2: Oh, I do want to talk about something. Speaking of props,

826
00:51:33,000 --> 00:51:38,920
Speaker 2: the little montage of Will being terrible to find about

827
00:51:39,000 --> 00:51:41,839
Speaker 2: the sweaters and the dry cleaning made me think if

828
00:51:41,840 --> 00:51:44,520
Speaker 2: it was the line of being lattes like the latte cups.

829
00:51:46,600 --> 00:51:49,560
Speaker 2: I love that little bit. You never get that dynamic

830
00:51:49,600 --> 00:51:50,759
Speaker 2: and it's hilarious.

831
00:51:51,040 --> 00:51:53,120
Speaker 1: Yes, yeah, I love it.

832
00:51:53,600 --> 00:51:56,279
Speaker 2: I love seeing these characters grow up and grow and

833
00:51:56,320 --> 00:52:00,000
Speaker 2: then their relationships changing with each other totally. It's very fun.

834
00:52:02,400 --> 00:52:05,800
Speaker 1: I the prop, Santana's suitcase.

835
00:52:06,680 --> 00:52:13,480
Speaker 2: Oh yeah, absolutely, the comforter and the pillow. Also Blaine's

836
00:52:13,680 --> 00:52:17,800
Speaker 2: cement hairjel right, I think it's great.

837
00:52:18,320 --> 00:52:19,479
Speaker 1: Yeah, that was a good one too.

838
00:52:19,960 --> 00:52:24,839
Speaker 2: Own the thong. He gets given a thong for his

839
00:52:24,840 --> 00:52:27,680
Speaker 2: panting lines. Lest we forget. I think that's my pick.

840
00:52:27,880 --> 00:52:31,600
Speaker 2: It's the thong, Okay. I also just have to mention

841
00:52:31,800 --> 00:52:35,200
Speaker 2: that in the montage of all the things suited to Blaine,

842
00:52:36,280 --> 00:52:40,319
Speaker 2: the sign that Blaine is on the bottom, I'm not

843
00:52:41,000 --> 00:52:47,319
Speaker 2: saying she's bottom shaming him, but you know, bottom rights

844
00:52:48,520 --> 00:52:50,840
Speaker 2: or top rights, verse rights, whatever he is. I just

845
00:52:50,880 --> 00:52:52,920
Speaker 2: thought that was crazy. That was insane.

846
00:52:53,560 --> 00:53:00,440
Speaker 1: Best line, ah, so many sue goes.

847
00:53:01,040 --> 00:53:03,200
Speaker 2: I will sing, Nikki, do you to my trid adad roots?

848
00:53:03,880 --> 00:53:07,000
Speaker 1: I funny.

849
00:53:07,160 --> 00:53:07,759
Speaker 2: I don't know.

850
00:53:07,880 --> 00:53:09,799
Speaker 1: She just glossed over that one too, which made it

851
00:53:09,840 --> 00:53:10,359
Speaker 1: even better.

852
00:53:10,760 --> 00:53:14,480
Speaker 2: And the line you said earlier about Sue saying go

853
00:53:14,520 --> 00:53:17,880
Speaker 2: find a new boyfriend, maybe Lance Bassa up Paul, but Santana.

854
00:53:17,920 --> 00:53:19,799
Speaker 2: Anything Santana said in this episode.

855
00:53:19,520 --> 00:53:22,120
Speaker 1: Yeah, this is the one that got me this time

856
00:53:22,160 --> 00:53:26,320
Speaker 1: around was well for her Mexican third eye first of all,

857
00:53:26,719 --> 00:53:29,800
Speaker 1: and then her Olsen twins. Let me tell you something.

858
00:53:29,800 --> 00:53:31,439
Speaker 1: I have known you both for years, and I don't

859
00:53:31,480 --> 00:53:34,120
Speaker 1: like either of you ninety percent of the time. In fact,

860
00:53:34,160 --> 00:53:37,160
Speaker 1: your wide eyed, keen painting approach of life makes my

861
00:53:37,280 --> 00:53:40,640
Speaker 1: teeth hurt and my breasts ache with rage. But you

862
00:53:40,680 --> 00:53:46,640
Speaker 1: know what I have loved for you. It's just.

863
00:53:48,480 --> 00:53:52,600
Speaker 2: So good. I have love for you. You're my family,

864
00:53:52,640 --> 00:53:55,240
Speaker 2: and I haven't lied to you in months. I'm smarter

865
00:53:55,719 --> 00:53:58,120
Speaker 2: about other people than both of you. You have to

866
00:53:58,160 --> 00:54:00,240
Speaker 2: trust me. God, it's so nice.

867
00:54:00,480 --> 00:54:01,320
Speaker 1: It's so perfect.

868
00:54:02,239 --> 00:54:05,879
Speaker 2: Also, Kurt, right before that, says, did you confront him

869
00:54:05,880 --> 00:54:07,839
Speaker 2: at Niyada with a Paula Abdul song?

870
00:54:09,200 --> 00:54:13,239
Speaker 1: There's some great, some great lines in this episode performance

871
00:54:13,320 --> 00:54:17,360
Speaker 1: MVP Jane and Nya.

872
00:54:17,880 --> 00:54:20,200
Speaker 2: I mean I want to put Darren in there as well.

873
00:54:20,640 --> 00:54:23,520
Speaker 1: Yeah, yeah, but I think.

874
00:54:23,480 --> 00:54:30,759
Speaker 2: I think Jane and that, Yeah, because comedic geniuses, aren't they?

875
00:54:32,200 --> 00:54:32,359
Speaker 1: Yes?

876
00:54:32,840 --> 00:54:38,800
Speaker 2: Okay, So for shit, we found on TikTok tis the season. Okay,

877
00:54:38,840 --> 00:54:43,719
Speaker 2: this person's name is Zero Blaine, but it's backwards. On TikTok.

878
00:54:44,640 --> 00:54:50,080
Speaker 2: They posted at TikTok for Tim Walls saying do you

879
00:54:50,120 --> 00:54:51,920
Speaker 2: know how I know that Tim Walls is the absolute

880
00:54:51,960 --> 00:54:55,480
Speaker 2: best pick for VP? And she goes through all the

881
00:54:55,480 --> 00:55:01,680
Speaker 2: reasons and then says, he's Bert hummele this man run

882
00:55:01,719 --> 00:55:03,959
Speaker 2: for Congress just to ensure that his gay son could

883
00:55:03,960 --> 00:55:06,239
Speaker 2: continue to go to his gay little glee cup. Did

884
00:55:06,239 --> 00:55:09,160
Speaker 2: you know actually that Tim Walls did help the students

885
00:55:09,840 --> 00:55:13,359
Speaker 2: start a gay straight alliance in the high school where

886
00:55:13,400 --> 00:55:19,799
Speaker 2: he was football coach. That yeah, very real. Love this pic,

887
00:55:20,880 --> 00:55:27,120
Speaker 2: love this pick, but hilarious and absolutely agree he's got

888
00:55:27,719 --> 00:55:31,080
Speaker 2: straight up Bert Hummel vibes. Let's keep that campaign going

889
00:55:31,120 --> 00:55:34,439
Speaker 2: on TikTok because what a Bert Hummel, What a man,

890
00:55:34,560 --> 00:55:36,279
Speaker 2: Tim Walls, what a man?

891
00:55:35,719 --> 00:55:35,960
Speaker 3: What a.

892
00:55:39,560 --> 00:55:42,359
Speaker 1: Okay that is viewed?

893
00:55:42,920 --> 00:55:45,240
Speaker 2: What a fun episode.

894
00:55:46,280 --> 00:55:50,640
Speaker 1: We have some crazy stuff coming up though, Spice girls,

895
00:55:51,640 --> 00:55:52,440
Speaker 1: and I feel like.

896
00:55:52,920 --> 00:55:55,880
Speaker 2: This is like a two episode run here that go together.

897
00:55:56,080 --> 00:55:57,760
Speaker 1: Yeah, you know, totally totally.

898
00:55:57,960 --> 00:56:00,839
Speaker 2: They're connected in some way, some weird way.

899
00:56:01,000 --> 00:56:02,800
Speaker 1: I don't know how, but they are.

900
00:56:03,320 --> 00:56:07,680
Speaker 2: Yeah, they feel like sisters. So next episode is Guilty

901
00:56:07,719 --> 00:56:10,280
Speaker 2: Pleasure and like Jenna said, we have h spies girls

902
00:56:10,320 --> 00:56:15,560
Speaker 2: which I could do an hour just on that performance. Yes,

903
00:56:16,800 --> 00:56:20,120
Speaker 2: so we will see you next week. And that's what

904
00:56:20,160 --> 00:56:23,680
Speaker 2: you really missed. Bye bye, Thanks for listening and follow

905
00:56:23,760 --> 00:56:26,600
Speaker 2: us on Instagram at and that's what you really miss pod.

906
00:56:26,880 --> 00:56:28,719
Speaker 2: Make sure to write us a review and leave us

907
00:56:28,760 --> 00:56:30,239
Speaker 2: five stars. See you next time.