WEBVTT - Jeff McCracken Meets World

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<v Speaker 1>Do you guys play video games at all?

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<v Speaker 2>And not in years?

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<v Speaker 3>No, I haven't played in years either, But I do

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<v Speaker 3>really like them. I think one of the reasons I

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<v Speaker 3>don't play currently is because I have a hard time

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<v Speaker 3>putting them down, and so it's hard for me to

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<v Speaker 3>play for just like twenty or thirty minutes.

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<v Speaker 4>I want to sit there and play for four hours.

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<v Speaker 5>Right.

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<v Speaker 6>I was good with an A button and a B button.

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<v Speaker 6>When they added the X button, I was, Nope, too much.

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<v Speaker 4>It's like math. It's like once you start adding in letters.

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<v Speaker 2>What I've done?

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<v Speaker 7>Well?

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<v Speaker 1>Since since we I mean, video games have gotten insane.

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<v Speaker 1>They are so good and they are so interesting. Yeah,

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<v Speaker 1>and I was teaching. I was just visiting a friend's

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<v Speaker 1>school and teaching students and meeting one on one with

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<v Speaker 1>some students. And I've given this lecture about writing, and

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<v Speaker 1>then this one of the students was like, have you

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<v Speaker 1>played some of the really more like experimental, like interesting games,

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<v Speaker 1>like storytelling games. I'm like no, And he gave me

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<v Speaker 1>some games, and these blew my mind. But they're great games.

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<v Speaker 1>But I have to tell you a story about one

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<v Speaker 1>of them. So, uh, the games like Firewatch, have you

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<v Speaker 1>heard about this? No, it's like it's a game where

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<v Speaker 1>you literally just are alone in the woods. You've lost

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<v Speaker 1>your wife to like early all set Onzhimer's, You've lost

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<v Speaker 1>your wife in a tragedy, and it's this beautiful video

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<v Speaker 1>game where you go to be a firewatcher in the

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<v Speaker 1>woods and you're just there and then like weird things

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<v Speaker 1>start happening and somebody's talking to you on the radio,

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<v Speaker 1>so it becomes this like mystery story, but it's really

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<v Speaker 1>just about getting over the loss of your wife and

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<v Speaker 1>this like trauma.

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<v Speaker 5>It's beautiful.

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<v Speaker 3>It's like Jerson says, he's played it and he loved

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<v Speaker 3>its close. The idea of me dying in Alheimer's and

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<v Speaker 3>being alone.

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<v Speaker 1>Was an accident, was a car you know it was?

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<v Speaker 7>It was anyway.

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<v Speaker 1>Then there's just a matter.

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<v Speaker 4>I'm dead. He's happy, Okay.

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<v Speaker 1>Then there's this incredible game that this student told me

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<v Speaker 1>about that I played, and this is why I'm talking

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<v Speaker 1>about it today.

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<v Speaker 7>It's called Gone.

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<v Speaker 1>Home, Okay, and it's the coolest game ever. All you

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<v Speaker 1>are you just it starts, it drops you off and

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<v Speaker 1>you are a college student, a young college student, like

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<v Speaker 1>you know, twenty two year old female coming home to

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<v Speaker 1>your house. After being away for college and you're coming

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<v Speaker 1>home to your house and your parents have left a

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<v Speaker 1>note on the door. Go on, and the note says like, uh,

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<v Speaker 1>you know, check the messages whatever. It just gives you

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<v Speaker 1>a little bit of information, and then the whole game

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<v Speaker 1>is you just figuring out what's happened to your sister

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<v Speaker 1>and where your parents are and what's happened in the

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<v Speaker 1>house while you've been gone. And it's set very specifically

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<v Speaker 1>in nineteen ninety three, I believe, so at one point

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<v Speaker 1>during this game, all you're doing is you're walking around,

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<v Speaker 1>you're picking things up, and.

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<v Speaker 7>You're flipping through.

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<v Speaker 1>At one point during this game, there is a TV

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<v Speaker 1>guide on the table and I in the game, pick

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<v Speaker 1>it up, flip through it. Boy Meets World is listed

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<v Speaker 1>as playing that Friday to night, and I lost it.

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<v Speaker 1>I was like the weird're just like metow moment where

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<v Speaker 1>I'm like, I am a time, I'm like a college

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<v Speaker 1>student girl in this game and I'm.

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<v Speaker 7>Looking at my TV show that I was on in the.

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<v Speaker 4>TV Guy as a stage boy.

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<v Speaker 7>It was sod.

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<v Speaker 1>So I actually reached out to the creator because I

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<v Speaker 1>found you know, I was like, dude, this was the

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<v Speaker 1>you probably could get a lot of fan letters and stuff,

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<v Speaker 1>but I just wanted to reach out and say that.

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<v Speaker 7>He wrote back, and he was great. He was like, yoh, yeah,

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<v Speaker 7>I totally watch moreto.

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<v Speaker 1>So that's why I picked that page in the TV

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<v Speaker 1>Guy because it was like my show. It was like,

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<v Speaker 1>the level of detail in this game is so great,

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<v Speaker 1>you know, And it's basically like this crazy nostalgia trip

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<v Speaker 1>to like send you back to the nineties and a

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<v Speaker 1>very similar to Fireworks. Firewatch. It doesn't turn out to

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<v Speaker 1>be like this big dramatic mystery. It turns out to

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<v Speaker 1>be a very emotional, wonderful storyline. Highly recommend it.

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<v Speaker 2>But yeah, isn't that a true?

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<v Speaker 6>Well, you know, it's also shooting video games now it's

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<v Speaker 6>like shooting a movie. So all my friends do this.

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<v Speaker 6>They're all the top video game actors in the world,

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<v Speaker 6>and they're in full mo cap. They've got the guns,

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<v Speaker 6>they're breaking down doors. I mean, it's like you're shooting

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<v Speaker 6>a film nowadays. So it's I mean, there's so much

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<v Speaker 6>it's there. Take costs hundreds.

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<v Speaker 1>I mean, the style of shooting is like playing make

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<v Speaker 1>believe with your friends.

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<v Speaker 7>Yes, you can be anything.

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<v Speaker 1>You can be like a cyborg person or whatever. But

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<v Speaker 1>and you're just sitting around in giant green suits.

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<v Speaker 7>I love it.

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<v Speaker 2>It's crazy.

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<v Speaker 8>Hi, guys, can I this is a husband of the

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<v Speaker 8>podcast producer Jensen carp. Can I suggest another video game

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<v Speaker 8>while you're talking about them?

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<v Speaker 7>Yeah?

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<v Speaker 2>Of course.

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<v Speaker 8>There's a game called untitled Goose Game. Do you guys

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<v Speaker 8>know about this? You you become just a very angry goose,

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<v Speaker 8>and you you travel around a farm town and a

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<v Speaker 8>different neighborhood, and your whole entire job in the game

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<v Speaker 8>is to annoy residents of the town. As a goose,

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<v Speaker 8>I love you steal their crops, you steal their clothes,

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<v Speaker 8>you attack them, you do whatever you see. The entire

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<v Speaker 8>goal is to cause chaos as a goose.

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<v Speaker 2>Are these all the consoles? Like what?

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<v Speaker 1>I don't think are on consoles? I played them on

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<v Speaker 1>my computer.

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<v Speaker 8>You go, like a Firewatch, did end up on consoles

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<v Speaker 8>eventually as like a digital purchase, But they start on PC.

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<v Speaker 8>But these games all end up on Xbox and PlayStation eventually.

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<v Speaker 4>I don't even own a PC. I couldn't play if

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<v Speaker 4>I wanted to.

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<v Speaker 2>No, No, I don't.

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<v Speaker 8>Either, anyway, that's my contribution Goose game.

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<v Speaker 3>Love it someone stole that from the Very Serious Goose book.

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<v Speaker 3>What I can tell do you guys know that book

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<v Speaker 3>The Serious Goose. Jimmy Kimmel wrote a book called The

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<v Speaker 3>Serious Serious Goose, and it's all about how this is

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<v Speaker 3>a very serious goose. Do not even try to make

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<v Speaker 3>this goose laugh. This goose will not laugh. This goose

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<v Speaker 3>is very very serious, is strictly business. It shows him

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<v Speaker 3>reading like a newspaper all about goose news, and it's

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<v Speaker 3>just a very serious goose.

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<v Speaker 4>And then about halfway through the book, it's like, what's that.

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<v Speaker 3>Oh you think you can get this goose, this goose

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<v Speaker 3>to laugh. Oh, I don't think so, but go ahead try.

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<v Speaker 3>And then there's like a mirror page and your kid

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<v Speaker 3>looks at it and it's like, go ahead, make funny faces,

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<v Speaker 3>give it a shot.

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<v Speaker 4>This this goose will not giggle.

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<v Speaker 3>And you're supposed to like make all these funny faces

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<v Speaker 3>and make these sounds. And then it's like see, I

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<v Speaker 3>told you, And then the goose starts to break and

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<v Speaker 3>it's like, wait, what's that?

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<v Speaker 4>What is happening?

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<v Speaker 6>What?

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<v Speaker 3>You are a very silly kid. And then the goose

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<v Speaker 3>ends up, of course, becoming a silly goose and it

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<v Speaker 3>ends with you will be hearing from our attorneys.

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<v Speaker 4>It's very cute. It's a very cute, just.

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<v Speaker 6>A boy meets World video game where you can play

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<v Speaker 6>one of our characters. It's like what Sean does after

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<v Speaker 6>he sneaks. I want to you can if you'd like.

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<v Speaker 6>I think you could play to Panga.

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<v Speaker 3>Though no, no, I really want to be yasmine bleeth,

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<v Speaker 3>which actually I would like to tell talk to you

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<v Speaker 3>guys about. In the episode that we reviewed the Thriller

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<v Speaker 3>in Philae, I was like, I'm not even in this scene,

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<v Speaker 3>no memory of it. Well, I'm in the front row.

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<v Speaker 3>We heard, yeah, yeah, I'm there.

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<v Speaker 4>Never never.

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<v Speaker 3>Ever given a featured shot, never even not a reaction shot.

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<v Speaker 3>I'm just in the background in apparently the front row.

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<v Speaker 3>Someone sent me screenshots of me very obviously there. I

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<v Speaker 3>have less than zero of a memory of any any

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<v Speaker 3>single part, because you obviously.

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<v Speaker 1>Didn't have any lines, so you were just starting to

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<v Speaker 1>be there.

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<v Speaker 3>And it was probably a very long shoot because that

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<v Speaker 3>was a long scene and a ton going on, and

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<v Speaker 3>so I probably just was asleep behind my eyes.

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<v Speaker 6>And this was also pre you really being a professional

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<v Speaker 6>wrestling fan. Correct, So had you had this been years later,

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<v Speaker 6>you would have remembered every single thing that happened.

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<v Speaker 4>Absolutely.

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<v Speaker 3>Had this been ninety nine or even two thousand, I

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<v Speaker 3>wouldn't have remembered it.

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<v Speaker 6>But I thought you're gonna say Yasmine. Bleath reached out

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<v Speaker 6>to say she was in fact not on boy me

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<v Speaker 6>Toyer No.

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<v Speaker 4>I wish. I wish that happened too, but yeah, I don't.

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<v Speaker 3>I somehow managed to forget Vader being there, Robert Gulay

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<v Speaker 3>Adam kissing yas Me and Bleef, the wrestling moves, you

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<v Speaker 3>being lifted over Vader's head.

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<v Speaker 4>I just that, so anyway we were there. Memories, yeah, exactly.

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<v Speaker 1>It was not a fun day like I remember it being.

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<v Speaker 1>I mean, maybe it was, you will, it was, oh

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<v Speaker 1>my god. I remember it being so overwhelmed and not

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<v Speaker 1>knowing what was happening. And I don't know if it

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<v Speaker 1>was what was if anything actually went wrong, or if

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<v Speaker 1>I was just stressed out, but I just remember it

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<v Speaker 1>being like, really not great.

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<v Speaker 6>I like the energy of the chaos, because we get

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<v Speaker 6>that at our live shows, where we don't know what

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<v Speaker 6>we're doing and we rehearsed for five minutes before we're

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<v Speaker 6>going to start, and there's something about I don't know

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<v Speaker 6>what's going to It's like, yeah, I love It's a good.

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<v Speaker 1>Energy to have if you can, if you can bottle it, right,

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<v Speaker 1>But yeah, man, like I was not comfortable.

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<v Speaker 4>But we probably also shot that in sections. Now we're

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<v Speaker 4>going to do this chunk.

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<v Speaker 3>Now we're going to do that chunk where what what

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<v Speaker 3>feels like a long flowing scene is actually taking you

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<v Speaker 3>four hours to shoot in Mini Chunks, And so that

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<v Speaker 3>probably added to the stress of the day because you're like,

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<v Speaker 3>you shoot for an hour and all you've done is

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<v Speaker 3>a quarter of a page.

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<v Speaker 6>Yeah, I'd also like to maybe propose our new band

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<v Speaker 6>name being mini Chunks.

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<v Speaker 4>Wait, we have a band, Well, we're going to do soon.

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<v Speaker 2>That was the other thing we talk about.

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<v Speaker 6>Event we're going to do ti Udeo game time Machine

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<v Speaker 6>band and the band called Minichunks.

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<v Speaker 2>I love it.

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<v Speaker 4>Mini Chunks is not bad and we're all kind of

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<v Speaker 4>mini right, It's not bad.

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<v Speaker 6>You can it could even be four hour Minichunks if

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<v Speaker 6>we wanted to get more meta with it.

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<v Speaker 2>But that's kind of sweet.

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<v Speaker 7>It makes me think of vomit.

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<v Speaker 3>Exactly exactly, especially if you say four hour minichunks.

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<v Speaker 4>Now I'm peeking for four hours.

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<v Speaker 2>And ah just like our first album.

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<v Speaker 3>All Right, welcome to Minichunks Meets World. I'm Danielle Fischel,

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<v Speaker 3>I'm Riger Strong, and I'm Will Fordell. So out of

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<v Speaker 3>all the names that get repeated here on this podcast

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<v Speaker 3>week to week, there are a few who, just by

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<v Speaker 3>their mirror mention, bring a wave of happiness and safety

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<v Speaker 3>and comfort to the three of us. When you're a

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<v Speaker 3>child actor, you look to the adults around you, especially

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<v Speaker 3>those in power, to help you understand this weird world

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<v Speaker 3>you've entered, and our guest this week was an absolute

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<v Speaker 3>guiding light. He joined us as a director in season two,

0:10:12.400 --> 0:10:16.520
<v Speaker 3>a job he was credited with over fifty times through

0:10:16.559 --> 0:10:19.080
<v Speaker 3>the end of the show, making him the director with

0:10:19.160 --> 0:10:22.360
<v Speaker 3>the most Boy Meets Worlds in his name, and an

0:10:22.400 --> 0:10:26.000
<v Speaker 3>executive producer for seasons four through seven. A former US

0:10:26.040 --> 0:10:28.960
<v Speaker 3>Air Force sergeant, he began his Hollywood career as an actor,

0:10:29.200 --> 0:10:31.600
<v Speaker 3>appearing in movies like The One Man Jury with Jack

0:10:31.679 --> 0:10:35.000
<v Speaker 3>Palance and on TV shows like Saint Elsewhere, Thirty Something,

0:10:35.160 --> 0:10:37.880
<v Speaker 3>and The Hitchhiker. He would eventually find himself working with

0:10:37.920 --> 0:10:40.800
<v Speaker 3>Michael Jacobs at Disney, where he developed and produced not

0:10:40.840 --> 0:10:44.040
<v Speaker 3>only Boy Meets World, but Dinosaurs, the torkl Sins, and

0:10:44.280 --> 0:10:46.280
<v Speaker 3>the award winning movie Quiz Show.

0:10:46.600 --> 0:10:48.000
<v Speaker 2>Oh, I love It's like one of my favorites of

0:10:48.040 --> 0:10:51.200
<v Speaker 2>all time. That's a great, amazing film.

0:10:51.760 --> 0:10:54.240
<v Speaker 3>He went on to direct episodes of NYPD Blue and

0:10:54.440 --> 0:10:56.800
<v Speaker 3>Sweet Life of Zach and Cody, Smart Guy, and so

0:10:56.960 --> 0:11:00.199
<v Speaker 3>much more, and then he started teaching at NYU's Twish

0:11:00.240 --> 0:11:01.440
<v Speaker 3>School in two thousand and eight.

0:11:01.800 --> 0:11:03.000
<v Speaker 4>But these days he's.

0:11:02.800 --> 0:11:07.480
<v Speaker 3>Living in Connecticut working on incredible original paintings and where

0:11:07.480 --> 0:11:09.680
<v Speaker 3>I'm assuming he also churns his own butter.

0:11:09.880 --> 0:11:11.160
<v Speaker 2>Okay, but I don't know that for sure.

0:11:11.160 --> 0:11:15.520
<v Speaker 3>Okay, he's so incredible. You guys have seen all of

0:11:15.520 --> 0:11:16.199
<v Speaker 3>his paintings.

0:11:16.360 --> 0:11:19.400
<v Speaker 6>Yeah, I actually have not what I want one I want,

0:11:19.480 --> 0:11:21.240
<v Speaker 6>I want, I want one to want.

0:11:21.559 --> 0:11:22.720
<v Speaker 2>Really, I think they're.

0:11:22.600 --> 0:11:23.400
<v Speaker 4>Very hard to get.

0:11:23.480 --> 0:11:26.760
<v Speaker 3>I'm hoping that today we get to like put ourselves

0:11:26.760 --> 0:11:28.040
<v Speaker 3>to the top of a list or something.

0:11:28.120 --> 0:11:31.240
<v Speaker 6>I think he auctions them for charity. I mean there,

0:11:31.280 --> 0:11:33.320
<v Speaker 6>he's a legit artist.

0:11:33.440 --> 0:11:34.240
<v Speaker 4>I know, writer, I'm not.

0:11:34.400 --> 0:11:36.280
<v Speaker 3>I can't even get through the rest of this intro

0:11:36.400 --> 0:11:38.400
<v Speaker 3>without having to show without showing you some.

0:11:38.320 --> 0:11:42.840
<v Speaker 4>Of it because you will love it. Yeah, indile, no

0:11:42.880 --> 0:11:44.320
<v Speaker 4>big deal, that's just his painting.

0:11:45.120 --> 0:11:47.520
<v Speaker 2>Oh wow, yeah, no, they're amazing.

0:11:47.520 --> 0:11:49.840
<v Speaker 4>That's great, amazing, truly incredible.

0:11:50.400 --> 0:11:50.760
<v Speaker 7>Find them?

0:11:50.760 --> 0:11:51.560
<v Speaker 1>Can I google him?

0:11:51.800 --> 0:11:54.480
<v Speaker 4>Yeah, well he has an Instagram Jeff McCracken art.

0:11:55.120 --> 0:11:55.480
<v Speaker 5>Wow.

0:11:56.480 --> 0:11:58.360
<v Speaker 4>Yes, go to Jeff McCracken art and watch that.

0:11:58.480 --> 0:12:00.400
<v Speaker 3>I mean, I hope this airs after we've already been

0:12:00.400 --> 0:12:02.080
<v Speaker 3>able to secure ourselves a piece, because now we're going

0:12:02.160 --> 0:12:03.559
<v Speaker 3>to send so many people to this guys.

0:12:03.960 --> 0:12:06.480
<v Speaker 4>It is unbelievable. And he does a lot of like.

0:12:06.559 --> 0:12:10.560
<v Speaker 3>New York subway pieces of just like real people he

0:12:10.600 --> 0:12:11.360
<v Speaker 3>sees on the subway.

0:12:11.400 --> 0:12:13.320
<v Speaker 4>It's just absolutely beautiful.

0:12:13.600 --> 0:12:16.480
<v Speaker 3>Okay, Anyway, what a show off this guy, right, he's

0:12:16.480 --> 0:12:19.400
<v Speaker 3>like good at everything. So we are honored to welcome

0:12:19.559 --> 0:12:23.119
<v Speaker 3>a very very important person in our lives to this podcast,

0:12:23.360 --> 0:12:26.720
<v Speaker 3>someone who lives very close to our hearts. Please welcome

0:12:27.160 --> 0:12:33.880
<v Speaker 3>Jeff McCracken to Pod meets World.

0:12:31.800 --> 0:12:38.040
<v Speaker 5>So good. I'm listening to your podcast, and I gotta say,

0:12:38.080 --> 0:12:41.040
<v Speaker 5>you guys are just it's well so wonderful to hear

0:12:41.040 --> 0:12:46.840
<v Speaker 5>you guys recap and talk about your experiences and and

0:12:47.160 --> 0:12:50.640
<v Speaker 5>you know, now versus then, and it's just, uh, you know,

0:12:50.679 --> 0:12:52.400
<v Speaker 5>you're basically growing up all over again.

0:12:52.400 --> 0:12:54.439
<v Speaker 1>It's really you must want to jump in at times, right,

0:12:54.520 --> 0:12:55.319
<v Speaker 1>do you ever want to like?

0:12:55.400 --> 0:12:59.679
<v Speaker 5>That is not what happens to Actually, you know, you

0:12:59.760 --> 0:13:02.920
<v Speaker 5>guys really pretty spot on. I think some of the

0:13:02.920 --> 0:13:07.319
<v Speaker 5>other people that like I've probably heard every one of them,

0:13:07.360 --> 0:13:11.439
<v Speaker 5>and it's wonderful to hear different perspectives from maybe but

0:13:11.760 --> 0:13:15.520
<v Speaker 5>you know it's it's the Rashaman of the show, you know. Yes,

0:13:15.679 --> 0:13:17.280
<v Speaker 5>it's really great, really right.

0:13:17.679 --> 0:13:21.600
<v Speaker 3>Yeah, we in your intro, I talked about your incredible art,

0:13:21.760 --> 0:13:26.320
<v Speaker 3>and I writer was not aware of your Instagram so

0:13:26.360 --> 0:13:29.280
<v Speaker 3>I was like, I can't even finish this intro without

0:13:29.440 --> 0:13:31.520
<v Speaker 3>showing him, So I sent him to your Instagram page.

0:13:31.520 --> 0:13:33.760
<v Speaker 3>I also shared your art Instagram page with all of

0:13:33.760 --> 0:13:35.280
<v Speaker 3>our with all of our dear listeners.

0:13:35.440 --> 0:13:36.440
<v Speaker 5>That's very sweet things.

0:13:36.520 --> 0:13:38.400
<v Speaker 4>And I see that you have some of your art

0:13:38.480 --> 0:13:38.840
<v Speaker 4>behind you.

0:13:38.880 --> 0:13:39.079
<v Speaker 9>Are you?

0:13:39.120 --> 0:13:40.160
<v Speaker 4>Are you in your art room?

0:13:41.120 --> 0:13:42.080
<v Speaker 5>I'm in my studio right now.

0:13:42.160 --> 0:13:43.160
<v Speaker 4>Yeah, your studio.

0:13:43.480 --> 0:13:45.400
<v Speaker 5>That's my religioest thing I'm working on right now. I

0:13:45.480 --> 0:13:47.920
<v Speaker 5>just just started that the other day.

0:13:48.000 --> 0:13:50.760
<v Speaker 2>So yeah, are these for sale? Can we get one

0:13:50.760 --> 0:13:51.080
<v Speaker 2>of these?

0:13:51.640 --> 0:13:53.800
<v Speaker 5>You know, guys, I you know, here's the thing about

0:13:53.800 --> 0:13:55.959
<v Speaker 5>the art. You know, it's freely for me. You know,

0:13:56.000 --> 0:13:58.760
<v Speaker 5>I spent forty years in the business, you know, working

0:13:58.800 --> 0:14:01.880
<v Speaker 5>for other people, doing this, compromising for that, you know,

0:14:02.480 --> 0:14:05.600
<v Speaker 5>And so this was really for me. And and I

0:14:05.640 --> 0:14:08.560
<v Speaker 5>have a curator in New York who wants to represent

0:14:08.640 --> 0:14:11.160
<v Speaker 5>me and put me in galleries and do shows and stuff.

0:14:11.200 --> 0:14:13.400
<v Speaker 5>But I told her, look, I only got about thirty

0:14:13.520 --> 0:14:15.960
<v Speaker 5>thirty five paintings right now, and when I get one

0:14:16.040 --> 0:14:18.840
<v Speaker 5>hundred paintings, then I'll just release them and you can

0:14:18.880 --> 0:14:20.640
<v Speaker 5>do whatever you want with them, and then and then

0:14:20.640 --> 0:14:22.320
<v Speaker 5>I won't have to worry about the business.

0:14:22.880 --> 0:14:26.040
<v Speaker 1>Right for a gallery, you want to still do it

0:14:26.320 --> 0:14:27.000
<v Speaker 1>for its own sake.

0:14:27.120 --> 0:14:28.640
<v Speaker 5>I want to keep it free and clear for me,

0:14:28.760 --> 0:14:31.400
<v Speaker 5>you know. Great, And it's just what it is, you know.

0:14:31.680 --> 0:14:33.760
<v Speaker 5>I'm not I'm not I'm into it for fame or

0:14:33.840 --> 0:14:36.360
<v Speaker 5>glory or money or anything. I just it's really just

0:14:36.400 --> 0:14:38.400
<v Speaker 5>for me at this point. It gives me such great pleasure,

0:14:38.560 --> 0:14:40.440
<v Speaker 5>something I've always wanted to do, as I've always been

0:14:40.440 --> 0:14:45.520
<v Speaker 5>involved with my entire life, you know, and it fits

0:14:45.520 --> 0:14:48.800
<v Speaker 5>and starts, you know, in the business. I have no time.

0:14:48.920 --> 0:14:54.320
<v Speaker 6>But but yeah, once again showing your just selfish nature

0:14:54.840 --> 0:14:58.440
<v Speaker 6>right exactly that you've always had.

0:14:59.640 --> 0:15:01.800
<v Speaker 5>Correct, I'm a narcissist.

0:15:03.880 --> 0:15:05.800
<v Speaker 4>The opposite, the opposite.

0:15:06.880 --> 0:15:09.760
<v Speaker 3>We also mentioned in your intro that you were a

0:15:09.880 --> 0:15:12.080
<v Speaker 3>sergeant in the Air Force. How did you go from

0:15:12.120 --> 0:15:14.840
<v Speaker 3>being a sergeant in the Air Force to being an actor?

0:15:15.560 --> 0:15:20.640
<v Speaker 5>Well, it's so funny because it leads right into meeting Michael.

0:15:21.040 --> 0:15:22.600
<v Speaker 5>I was while I was in the Air Force, I

0:15:22.600 --> 0:15:25.720
<v Speaker 5>took college courses just to you know, maintain my sanity,

0:15:25.800 --> 0:15:29.600
<v Speaker 5>and and a one course I was during the Vietnam War.

0:15:30.680 --> 0:15:32.800
<v Speaker 5>I thought, here's a great way to meet girls, taking

0:15:32.800 --> 0:15:37.200
<v Speaker 5>an acting class. And so I wanted to be an architect,

0:15:37.240 --> 0:15:39.800
<v Speaker 5>and so I took an engineering course and an acting class.

0:15:39.800 --> 0:15:41.960
<v Speaker 5>And the engineering course I found out you needed math,

0:15:42.160 --> 0:15:45.120
<v Speaker 5>be really good at math or succeeded that. So that

0:15:45.240 --> 0:15:47.760
<v Speaker 5>was an no go and so uh, but the acting

0:15:47.840 --> 0:15:51.400
<v Speaker 5>thing was really fun. And even though I was still

0:15:51.440 --> 0:15:54.480
<v Speaker 5>considered a pig by most of the students because I

0:15:54.520 --> 0:15:57.800
<v Speaker 5>was in you know, in the Air Force, in the military,

0:15:58.280 --> 0:16:04.400
<v Speaker 5>I would do these and the teacher, professor named Andrew Heppern,

0:16:04.440 --> 0:16:05.880
<v Speaker 5>he came up to me and said, at the end

0:16:05.920 --> 0:16:08.640
<v Speaker 5>of it, you know, you really got something here. Here's

0:16:08.640 --> 0:16:10.640
<v Speaker 5>what I want you to do. Don't you think about it.

0:16:10.960 --> 0:16:12.280
<v Speaker 5>I just want you to do this. I want you

0:16:12.360 --> 0:16:14.240
<v Speaker 5>to go to New York City and go to the

0:16:14.280 --> 0:16:17.880
<v Speaker 5>Neighborhood Playhouse with Sanford Meisner. Don't think about it, just

0:16:18.000 --> 0:16:20.280
<v Speaker 5>do it and give it a year see if it's

0:16:20.320 --> 0:16:23.960
<v Speaker 5>for you. And he said to me, I just went Okay.

0:16:24.520 --> 0:16:27.480
<v Speaker 5>It was like a light bulb, you know. So then

0:16:27.680 --> 0:16:31.120
<v Speaker 5>I interviewed with Sandy Meisner, who is the guru of

0:16:31.200 --> 0:16:33.600
<v Speaker 5>the school from the Group Theater, and he he asked me,

0:16:33.640 --> 0:16:36.240
<v Speaker 5>he said, so, why you want to be an actor?

0:16:37.640 --> 0:16:43.720
<v Speaker 10>And I'm gonna fail. Yeah, I really don't know. And

0:16:43.760 --> 0:16:45.520
<v Speaker 10>he said, well, then good, come here in the fall

0:16:45.560 --> 0:16:48.840
<v Speaker 10>and find out. He didn't want he didn't want a

0:16:48.920 --> 0:16:53.160
<v Speaker 10>preconceived you know, dialogue or you know, a monologue about

0:16:53.160 --> 0:16:55.280
<v Speaker 10>why I wanted to be an actor. In fact, Dustin

0:16:55.320 --> 0:16:57.600
<v Speaker 10>Hoffman had done earlier. He had gone in there and

0:16:58.040 --> 0:17:03.080
<v Speaker 10>did the whole you know, rigamarar and and Sandy said, no,

0:17:03.160 --> 0:17:05.720
<v Speaker 10>I can't teach you. You already know everything. You already

0:17:05.760 --> 0:17:09.000
<v Speaker 10>think you know everything, right, So yeah.

0:17:08.720 --> 0:17:11.280
<v Speaker 3>Well, allow me to name drop some other people who

0:17:11.320 --> 0:17:14.160
<v Speaker 3>came out of the Neighborhood Playhouse School of Theater. Robert Duval,

0:17:14.400 --> 0:17:18.720
<v Speaker 3>Alison Janney, Diane Keaton, Christopher Lloyd, Gregory Peck and Grace

0:17:18.800 --> 0:17:20.280
<v Speaker 3>Kelly just if you alarmed me.

0:17:20.680 --> 0:17:24.119
<v Speaker 6>Yeah, it's it's an amazing queen to come on, you're

0:17:24.160 --> 0:17:26.560
<v Speaker 6>the coolest man to ever walk the planet.

0:17:28.200 --> 0:17:31.280
<v Speaker 5>Gregory Peck. No, this this, this was an amazing school

0:17:31.320 --> 0:17:34.200
<v Speaker 5>and and Sant was an amazing teacher. And we'll get

0:17:34.200 --> 0:17:36.680
<v Speaker 5>into that. Uh, you know, because I want to talk

0:17:36.680 --> 0:17:38.879
<v Speaker 5>to you about what, you know, what brought me to

0:17:38.960 --> 0:17:43.120
<v Speaker 5>you working with you guys, and how and how it

0:17:43.320 --> 0:17:47.600
<v Speaker 5>informed everything you know and unknown's to you you didn't

0:17:47.600 --> 0:17:49.639
<v Speaker 5>really know what was going on, but I was like,

0:17:49.880 --> 0:17:53.040
<v Speaker 5>you know, the marionette player, trying to get behavior from

0:17:53.119 --> 0:17:55.760
<v Speaker 5>you guys in very surreptitious ways. And you didn't even

0:17:55.760 --> 0:17:57.760
<v Speaker 5>what was going on because you're kids, you really know,

0:17:57.880 --> 0:18:02.919
<v Speaker 5>but it was it's it's a one wonderful foundation for

0:18:03.080 --> 0:18:06.840
<v Speaker 5>approaching the craft and and getting to you know, your truth.

0:18:07.200 --> 0:18:09.760
<v Speaker 5>So we'll talk more about that. But I but I,

0:18:10.000 --> 0:18:12.840
<v Speaker 5>you know, I so I went there. They put playhouse

0:18:12.840 --> 0:18:15.040
<v Speaker 5>and the first class I was in was a you know,

0:18:15.119 --> 0:18:18.520
<v Speaker 5>the acting class, and there was Michael and uh he

0:18:18.600 --> 0:18:22.800
<v Speaker 5>was in the class and real quickly he was the

0:18:22.840 --> 0:18:26.600
<v Speaker 5>cut up, always going for the joke. I wanted to

0:18:26.600 --> 0:18:28.359
<v Speaker 5>be a serious actor. I mean I was like, you know,

0:18:29.160 --> 0:18:31.520
<v Speaker 5>that summer I studied James Dean and my brand doing.

0:18:31.600 --> 0:18:33.760
<v Speaker 5>I was like, I was, I was geared for it, man,

0:18:33.800 --> 0:18:35.560
<v Speaker 5>And I went in there and I was going to

0:18:35.600 --> 0:18:37.760
<v Speaker 5>be a serious actor. And here was this Michael Jacobs,

0:18:38.000 --> 0:18:41.560
<v Speaker 5>always going for the joke, always cracking up, driving the

0:18:41.560 --> 0:18:44.480
<v Speaker 5>teacher mad. For instance, there was one exercise where you

0:18:44.520 --> 0:18:48.159
<v Speaker 5>go to independent activity where and Michael's always bouncing around,

0:18:48.240 --> 0:18:51.600
<v Speaker 5>always bouncing and always you know, a little frenetic. It's

0:18:51.640 --> 0:18:55.080
<v Speaker 5>just crazy. And the and the teachers that Michael, you've

0:18:55.119 --> 0:18:57.800
<v Speaker 5>got to learn how to be still. I want you

0:18:57.800 --> 0:19:00.760
<v Speaker 5>to take this glass of water, and I want you

0:19:00.760 --> 0:19:03.800
<v Speaker 5>to put your hand, you know, walk fill to the top,

0:19:03.960 --> 0:19:05.880
<v Speaker 5>and I want you to walk across the room without

0:19:05.920 --> 0:19:09.920
<v Speaker 5>spilling a drop. That's your independent activity. Do it truthfully.

0:19:10.000 --> 0:19:12.600
<v Speaker 5>So he's he's he fills the water to the top

0:19:13.000 --> 0:19:14.800
<v Speaker 5>and he looks around the class and puts his hand

0:19:14.840 --> 0:19:18.960
<v Speaker 5>over the top of the glass and walks across the room. Michael,

0:19:19.160 --> 0:19:22.000
<v Speaker 5>that was Michael. You know, he's just absolutely crazy. So

0:19:22.160 --> 0:19:25.560
<v Speaker 5>and then uh, in speech class, for instance, Uh, the

0:19:25.680 --> 0:19:27.840
<v Speaker 5>speech teacher would say, we're working on the on the

0:19:27.880 --> 0:19:31.280
<v Speaker 5>on the consonant are red, and she was going around

0:19:31.280 --> 0:19:33.840
<v Speaker 5>the room. Everyone was shed go red red red and

0:19:33.920 --> 0:19:38.240
<v Speaker 5>red red red, and they we get the Michael, he said.

0:19:38.280 --> 0:19:42.960
<v Speaker 5>She goes red red red, and Michael goes wed wed wed.

0:19:43.400 --> 0:19:45.399
<v Speaker 5>No no, no, no, no no. And I know what

0:19:45.440 --> 0:19:48.640
<v Speaker 5>he's doing. I know he's I'm sitting right next to him,

0:19:48.640 --> 0:19:50.920
<v Speaker 5>and I'm like busting up. And so they go on

0:19:51.040 --> 0:19:54.080
<v Speaker 5>to the exchange time and time again, and so finally

0:19:54.560 --> 0:19:57.359
<v Speaker 5>she kicks me out of class for laughing, and there's Michael,

0:19:57.400 --> 0:20:01.840
<v Speaker 5>you know, again being the cut up. So we had

0:20:01.880 --> 0:20:03.359
<v Speaker 5>an affinity for each other right off the bat. We

0:20:03.359 --> 0:20:06.000
<v Speaker 5>would make each other laugh and and and we we

0:20:06.080 --> 0:20:08.840
<v Speaker 5>became good friends after that and and that's how we met.

0:20:08.880 --> 0:20:12.800
<v Speaker 3>So wow, yeah, yeah, Okay, So I want to get

0:20:12.880 --> 0:20:16.120
<v Speaker 3>So you're in the neighborhood school. Then from there, how

0:20:16.119 --> 0:20:18.160
<v Speaker 3>do you get into TV and film? Where does your

0:20:18.280 --> 0:20:19.680
<v Speaker 3>acting career start?

0:20:19.920 --> 0:20:25.440
<v Speaker 5>Wow? Well, what I it's a real wild story. I am.

0:20:28.119 --> 0:20:30.320
<v Speaker 5>I was in New York. I was invited back for

0:20:30.359 --> 0:20:34.800
<v Speaker 5>the second year in their playhouse, and I left her

0:20:34.800 --> 0:20:37.120
<v Speaker 5>in the second year because my grandmother had gotten sick

0:20:37.160 --> 0:20:39.919
<v Speaker 5>in California, and so I went out there to she

0:20:39.920 --> 0:20:42.000
<v Speaker 5>didn't have anybody so I went out to California to

0:20:42.000 --> 0:20:45.040
<v Speaker 5>take care of her. And when I was out there,

0:20:45.359 --> 0:20:47.240
<v Speaker 5>I was twenty one.

0:20:47.720 --> 0:20:50.480
<v Speaker 1>Okay, wait two geez.

0:20:50.800 --> 0:20:55.400
<v Speaker 5>Yeah, and I uh yeah, twenty two. And I went

0:20:55.400 --> 0:20:57.680
<v Speaker 5>out there and and I was taking care of her.

0:20:57.720 --> 0:21:01.439
<v Speaker 5>She did the North Hollywood and I was working at

0:21:01.480 --> 0:21:04.919
<v Speaker 5>this restaurant called Josephine's and uh and it was a

0:21:04.960 --> 0:21:08.680
<v Speaker 5>great place on Ventura Boulevard, Woodman and Ja Ventura and

0:21:08.800 --> 0:21:11.879
<v Speaker 5>uh so I am a great bunch of waiters in

0:21:11.960 --> 0:21:15.159
<v Speaker 5>this place. And h one night, this guy was sitting

0:21:15.359 --> 0:21:17.720
<v Speaker 5>in the booth with two blonds. It's the Italian guy

0:21:17.720 --> 0:21:20.160
<v Speaker 5>with two blonds. And I'm looking at this guy, going

0:21:20.200 --> 0:21:23.000
<v Speaker 5>I know that guy. Oh, that's the loan shark from

0:21:23.040 --> 0:21:26.159
<v Speaker 5>the guy from Rocky and so, because Rocky had just

0:21:26.160 --> 0:21:28.359
<v Speaker 5>come out, it was a big hit. And so I

0:21:28.440 --> 0:21:30.600
<v Speaker 5>walked over to him. I said, hey, you're you're you're

0:21:30.640 --> 0:21:32.720
<v Speaker 5>from You're in the movie Rocky. He goes, hey, yeah,

0:21:32.800 --> 0:21:35.119
<v Speaker 5>yeah I am. And so he goes, are you an

0:21:35.119 --> 0:21:38.040
<v Speaker 5>active kid? They said yeah? He goes, well, what's your background?

0:21:38.080 --> 0:21:40.080
<v Speaker 5>I said, I which team? Oute neighborhood plaofs Oh, you're

0:21:40.080 --> 0:21:41.800
<v Speaker 5>a real actor. I go, well, now I don't haven't

0:21:41.880 --> 0:21:43.960
<v Speaker 5>done anything yet. He goes, well, you want to do

0:21:44.040 --> 0:21:46.680
<v Speaker 5>something and I was like, okay, right right. He said, no,

0:21:46.760 --> 0:21:48.400
<v Speaker 5>I want you to be uh in this movie I'm

0:21:48.400 --> 0:21:50.320
<v Speaker 5>doing with Jack Palance. Come on down in an audition

0:21:50.400 --> 0:21:52.400
<v Speaker 5>for a small roll one line. We'll get you your card.

0:21:53.240 --> 0:21:56.120
<v Speaker 5>And I go, okay, you know, I'm like crazy, I'm

0:21:56.280 --> 0:21:59.000
<v Speaker 5>I'm like, well, how does this gonna work? So next

0:21:59.119 --> 0:22:01.760
<v Speaker 5>day I show up at this as the studio and

0:22:01.800 --> 0:22:04.679
<v Speaker 5>I auditioned for the uh the uh the director and

0:22:04.760 --> 0:22:07.200
<v Speaker 5>he says, kid, I want you to read for the

0:22:07.280 --> 0:22:10.160
<v Speaker 5>lead in the film opposite Jack and uh. And Joe

0:22:10.920 --> 0:22:13.879
<v Speaker 5>was like, chart it, We've already cast that role. He goes,

0:22:13.920 --> 0:22:15.159
<v Speaker 5>I don't care. I want to see this kid read

0:22:15.200 --> 0:22:18.240
<v Speaker 5>for the lead. And so uh it was the lead psycho.

0:22:18.640 --> 0:22:20.800
<v Speaker 5>It must have been something that I did. I don't know. Anyway,

0:22:20.840 --> 0:22:24.240
<v Speaker 5>he goes, uh, go out and improvise the scene with

0:22:24.359 --> 0:22:26.879
<v Speaker 5>Joe and then come back in and we'll do it.

0:22:26.920 --> 0:22:29.040
<v Speaker 5>And so I did that with Joe and we did

0:22:29.040 --> 0:22:31.199
<v Speaker 5>the whole thing and where Pounce beats me up and

0:22:31.240 --> 0:22:33.560
<v Speaker 5>gets a confession out of me and he hires me

0:22:33.760 --> 0:22:37.720
<v Speaker 5>on the spot. Yeah, and that's how I got my break.

0:22:39.280 --> 0:22:46.800
<v Speaker 1>Isn't it And somebody goes, I like your luck, kid, I.

0:22:46.760 --> 0:22:48.800
<v Speaker 5>Know it's it was. It's the most Hollywood story. And

0:22:48.840 --> 0:22:50.600
<v Speaker 5>I still didn't believe it. And then when I was

0:22:50.640 --> 0:22:53.160
<v Speaker 5>doing the movie, the guys did, Like Tony so Rico

0:22:53.200 --> 0:22:56.320
<v Speaker 5>from Sopranos, he came up to old Richie Faranji, Oh,

0:22:56.320 --> 0:22:58.600
<v Speaker 5>he's got to tell you guys, and they kept saying, hey, man,

0:22:58.640 --> 0:23:01.439
<v Speaker 5>you're phenomenal, You're great. You could an Academy Award for this.

0:23:01.480 --> 0:23:04.840
<v Speaker 5>And I'm thinking, really, Jesus, wow, I must be. Well, okay,

0:23:04.880 --> 0:23:07.280
<v Speaker 5>it's cool, but I am you know, I'm not go

0:23:07.320 --> 0:23:09.960
<v Speaker 5>over my head. And so but you know, you're you

0:23:10.119 --> 0:23:13.119
<v Speaker 5>have that hope and with Jack Palance and and we

0:23:13.160 --> 0:23:16.359
<v Speaker 5>had some great scenes together and whatnot. And so I uh,

0:23:16.520 --> 0:23:18.639
<v Speaker 5>I go to the premiere with my girlfriend. I'm thinking, oh,

0:23:18.640 --> 0:23:21.560
<v Speaker 5>this is great. This is gonna be phenomenal. And you know,

0:23:21.720 --> 0:23:23.600
<v Speaker 5>right off the bat, when a movie starts to you

0:23:23.640 --> 0:23:28.080
<v Speaker 5>go the music in the tone and you're looking at it,

0:23:28.160 --> 0:23:34.560
<v Speaker 5>You're going, okay, I don't, I don't could be, And

0:23:34.600 --> 0:23:37.600
<v Speaker 5>then five minutes of the film you realize I'm in

0:23:37.640 --> 0:23:40.680
<v Speaker 5>the horrible film. Oh no, I mean the worst film

0:23:40.720 --> 0:23:44.840
<v Speaker 5>probably ever made. So yeah, so and I'm a killer.

0:23:44.920 --> 0:23:47.960
<v Speaker 5>I'm slashing women and I'm doing I'm sniffing panties and

0:23:48.000 --> 0:23:51.160
<v Speaker 5>I'm it's just it's the worst thing. I'm telling you.

0:23:51.440 --> 0:23:53.359
<v Speaker 5>If you ever a chance to watch it, it's pretty

0:23:53.400 --> 0:23:56.960
<v Speaker 5>it's pretty horrific. But I so anyway, I I I

0:23:57.040 --> 0:24:00.000
<v Speaker 5>but but that was my my my baptism into Hollywood.

0:24:00.080 --> 0:24:03.359
<v Speaker 5>And and I never forget it because it was a

0:24:03.440 --> 0:24:09.040
<v Speaker 5>great it less than humility, understanding the fragility of the business. Yeah, really,

0:24:09.760 --> 0:24:11.960
<v Speaker 5>did I get a job by after that? No, you know,

0:24:12.000 --> 0:24:16.000
<v Speaker 5>he made me introducing but it was like a real baptism,

0:24:16.200 --> 0:24:18.200
<v Speaker 5>you know. And it was really something that was really

0:24:18.200 --> 0:24:20.640
<v Speaker 5>great for me because it taught me and never take

0:24:20.680 --> 0:24:21.439
<v Speaker 5>anything for granted.

0:24:21.960 --> 0:24:24.000
<v Speaker 6>So okay, wait, so then I'm not to date you,

0:24:24.040 --> 0:24:25.800
<v Speaker 6>but I want to get just kind of the time

0:24:25.800 --> 0:24:28.680
<v Speaker 6>in Hollywood Rocky came out. So this is what seventy seven,

0:24:29.680 --> 0:24:31.880
<v Speaker 6>seventy right around seventy seven in Hollywood.

0:24:31.920 --> 0:24:34.640
<v Speaker 2>Okay, so dreams still came true in Hollywood at the time.

0:24:35.000 --> 0:24:38.679
<v Speaker 5>No, Yeah, it was only four networks on TV. You know,

0:24:38.840 --> 0:24:40.480
<v Speaker 5>there was no cable, there was nothing else. There was

0:24:40.640 --> 0:24:42.840
<v Speaker 5>only four stations on TV No.

0:24:43.080 --> 0:24:45.520
<v Speaker 2>Three in the seventies. Right, Fox wasn't there yet.

0:24:45.680 --> 0:24:47.720
<v Speaker 5>No, Fox wasn't even there, You're right. So Fox wasn't

0:24:47.720 --> 0:24:50.840
<v Speaker 5>even there yet. So it was really, you know, a

0:24:50.920 --> 0:24:54.719
<v Speaker 5>whole interesting dynamic. And and to show you that, you know,

0:24:55.040 --> 0:24:57.679
<v Speaker 5>one of the things that I really want to do

0:24:57.720 --> 0:25:00.399
<v Speaker 5>feature films. I really, I thought, this is it. And

0:25:00.480 --> 0:25:03.840
<v Speaker 5>I kept doing auditions and whatnot and and uh, and

0:25:03.880 --> 0:25:06.560
<v Speaker 5>then I got I got a movie with Linda Blair

0:25:06.600 --> 0:25:09.199
<v Speaker 5>and played her boyfriend and did some other things. But

0:25:09.359 --> 0:25:12.600
<v Speaker 5>then I got to play in in in La at

0:25:12.640 --> 0:25:16.080
<v Speaker 5>the Western Playhouse. It's not the Geffen, and Marshall Mason

0:25:16.080 --> 0:25:18.400
<v Speaker 5>from their Circle Repertory Theater in New York was directing.

0:25:18.440 --> 0:25:21.680
<v Speaker 5>And I didn't have my sack, I mean, my equity

0:25:21.680 --> 0:25:24.240
<v Speaker 5>card yet and it was only an equity only call.

0:25:24.440 --> 0:25:27.880
<v Speaker 5>So I waited for the all the actors to be seen,

0:25:27.920 --> 0:25:29.520
<v Speaker 5>and I asked the stage winters, can I can I

0:25:29.560 --> 0:25:32.680
<v Speaker 5>audition for Marshall Mason And he said, well, I'll ask him,

0:25:32.960 --> 0:25:35.560
<v Speaker 5>and he did. I read, he gave me the role,

0:25:35.840 --> 0:25:37.399
<v Speaker 5>and that's how I got my equity card. And then

0:25:37.440 --> 0:25:39.040
<v Speaker 5>he invited me back in New York City to become

0:25:39.080 --> 0:25:41.120
<v Speaker 5>a member of Circle Rep. And that's what I did.

0:25:41.160 --> 0:25:43.000
<v Speaker 5>So I went back to New York. After my Grandma

0:25:43.320 --> 0:25:45.159
<v Speaker 5>passed away, I went back to New York and I

0:25:45.240 --> 0:25:48.320
<v Speaker 5>was That's where I started doing a theater at Circle Rep.

0:25:48.560 --> 0:25:52.240
<v Speaker 5>And that was where I learned that writing is the key.

0:25:52.840 --> 0:25:55.359
<v Speaker 5>Writing is everything you know when it's on the page

0:25:55.359 --> 0:25:58.080
<v Speaker 5>and it's not on the stage. And the thing that

0:25:58.119 --> 0:26:01.520
<v Speaker 5>we did every Friday was reading a original new play

0:26:02.840 --> 0:26:06.760
<v Speaker 5>and uh with the with then author. There this wonderful

0:26:06.800 --> 0:26:10.800
<v Speaker 5>repertory company, Bill Hurt, Jeff Daniels, Swuozy Kurtz, Judd Hirsh,

0:26:10.880 --> 0:26:13.119
<v Speaker 5>I mean, just an amazing bunch of people, just an

0:26:13.160 --> 0:26:16.280
<v Speaker 5>amazing group, and we would sit there and readis play

0:26:16.280 --> 0:26:18.439
<v Speaker 5>for the author, and then we would discuss it, and

0:26:18.520 --> 0:26:20.520
<v Speaker 5>if we liked it, we put up for a called

0:26:20.520 --> 0:26:22.760
<v Speaker 5>a play in progress. We put on our feet with

0:26:23.119 --> 0:26:25.800
<v Speaker 5>scripts in hand, and then if we like that, it

0:26:25.880 --> 0:26:32.120
<v Speaker 5>was sent to a mainstage production. So and Beth Henley, Lanfford, Wilson,

0:26:32.240 --> 0:26:36.240
<v Speaker 5>Air Gurney, I mean, the John Bishop, the playwrights were

0:26:36.320 --> 0:26:40.399
<v Speaker 5>just fantastic and and uh so I really got to

0:26:40.480 --> 0:26:43.119
<v Speaker 5>learn for those three years, I really I did bet.

0:26:43.240 --> 0:26:45.199
<v Speaker 5>I did plays by Beth Henley and most of all

0:26:45.240 --> 0:26:48.920
<v Speaker 5>these wonderful playwrights, and and I got to learn how

0:26:49.000 --> 0:26:52.280
<v Speaker 5>to really work as an actor, you know, on stage

0:26:52.720 --> 0:26:56.560
<v Speaker 5>and with material, you know, and the process, learned, the process,

0:26:57.160 --> 0:26:58.560
<v Speaker 5>it was. It was really great.

0:26:59.359 --> 0:27:01.320
<v Speaker 3>And so this is about the early this is the

0:27:01.359 --> 0:27:02.920
<v Speaker 3>early eighties. You're back in New York.

0:27:03.359 --> 0:27:06.000
<v Speaker 5>Yeah, early eighties. And then I did a play on Broadway.

0:27:06.000 --> 0:27:08.720
<v Speaker 5>Steve Bashco saw me and brought me back to LA

0:27:09.119 --> 0:27:11.160
<v Speaker 5>to do this series called Basd Blues, which is about

0:27:11.200 --> 0:27:14.280
<v Speaker 5>minor league baseball. And I didn't really want to do TV.

0:27:14.400 --> 0:27:16.439
<v Speaker 5>I really, even with Steve Boshka. I was a singer

0:27:16.760 --> 0:27:19.400
<v Speaker 5>talking to Steve and in the interview and I said,

0:27:19.560 --> 0:27:21.199
<v Speaker 5>I don't really know if And here he is, he's

0:27:21.240 --> 0:27:23.960
<v Speaker 5>got Hill Street Blues. Yeah you know, he's like the

0:27:24.080 --> 0:27:24.960
<v Speaker 5>king of TV.

0:27:25.160 --> 0:27:25.720
<v Speaker 4>Yeah right.

0:27:25.760 --> 0:27:27.040
<v Speaker 5>And I'm telling him I really don't know if I

0:27:27.040 --> 0:27:29.040
<v Speaker 5>want to do TV. And he's looking at me smiling,

0:27:29.160 --> 0:27:31.280
<v Speaker 5>and he's going, I think he should come out to

0:27:31.320 --> 0:27:31.639
<v Speaker 5>do this.

0:27:31.800 --> 0:27:33.000
<v Speaker 4>She do want to do TV?

0:27:33.520 --> 0:27:38.040
<v Speaker 5>I did that. No, No, I don't know all. In fact, Michael,

0:27:38.600 --> 0:27:40.320
<v Speaker 5>I was living we were here in an apartment in

0:27:40.320 --> 0:27:44.399
<v Speaker 5>New York, and I got a script sent to me.

0:27:44.480 --> 0:27:46.760
<v Speaker 5>I was being sent in scripts all the time for TV,

0:27:46.880 --> 0:27:49.560
<v Speaker 5>and I kept turning him down. And I because I

0:27:49.560 --> 0:27:51.919
<v Speaker 5>had done this at m ow in New York called

0:27:52.000 --> 0:27:55.000
<v Speaker 5>Kent State, and it was about the four kids were

0:27:55.080 --> 0:27:58.960
<v Speaker 5>killed on May fourth, you know, back in nineteen seventy

0:28:00.400 --> 0:28:03.400
<v Speaker 5>and and I played one of the kids I got killed.

0:28:03.400 --> 0:28:05.919
<v Speaker 5>And and uh, they did a lot for my career.

0:28:05.920 --> 0:28:08.399
<v Speaker 5>People were like took notice of me. And I was

0:28:08.480 --> 0:28:10.960
<v Speaker 5>kind of what they call hot at the time, and

0:28:10.960 --> 0:28:14.760
<v Speaker 5>and so they I was meeting everybody for movies. And

0:28:14.800 --> 0:28:17.679
<v Speaker 5>then so I got the script from the Charles Brothers

0:28:17.680 --> 0:28:20.560
<v Speaker 5>called Cheers and I opened it and I looked at

0:28:20.560 --> 0:28:23.280
<v Speaker 5>it and I was it's TV. And Michael said, let me

0:28:23.320 --> 0:28:26.720
<v Speaker 5>see that the script and he goes, Charles Brothers, it's

0:28:26.800 --> 0:28:27.680
<v Speaker 5>Jim Burrows.

0:28:27.880 --> 0:28:29.440
<v Speaker 2>Yeah, I don't care.

0:28:29.480 --> 0:28:31.080
<v Speaker 5>I took it and threw it in the waste basket.

0:28:31.880 --> 0:28:33.240
<v Speaker 4>Oh my god.

0:28:34.640 --> 0:28:39.400
<v Speaker 5>That's that's how smart I was. But that's that's the

0:28:39.480 --> 0:28:41.320
<v Speaker 5>hubris of me, you know. I I I I didn't

0:28:41.320 --> 0:28:43.480
<v Speaker 5>want to do TV at the time, and uh, Michael

0:28:43.480 --> 0:28:45.360
<v Speaker 5>thought I was insane. But that's that's what I was,

0:28:45.400 --> 0:28:47.280
<v Speaker 5>you know, That's what I did. And uh, and so

0:28:47.400 --> 0:28:49.800
<v Speaker 5>I I am so but I did agree to go

0:28:49.840 --> 0:28:51.520
<v Speaker 5>out to I. You know, I just got married. I

0:28:51.960 --> 0:28:54.200
<v Speaker 5>did agree to go out to UH to l A

0:28:54.320 --> 0:28:58.440
<v Speaker 5>and do Basicity Blues and and I. And it was

0:28:58.720 --> 0:29:01.280
<v Speaker 5>lasted eight shows, I think before it was canceled. And

0:29:01.320 --> 0:29:06.680
<v Speaker 5>then and then we had a baby, and they Hollywood

0:29:06.720 --> 0:29:10.200
<v Speaker 5>Kim kept calling me for you know, bay Watch. You know,

0:29:12.120 --> 0:29:15.480
<v Speaker 5>the Dukes have had all these shows. They kept offering

0:29:15.480 --> 0:29:17.440
<v Speaker 5>me all these shows, and I kept saying no, no, no,

0:29:17.440 --> 0:29:19.640
<v Speaker 5>no no. So finally I got this m ow called

0:29:19.680 --> 0:29:20.400
<v Speaker 5>Hawaiian Heat.

0:29:21.200 --> 0:29:23.840
<v Speaker 4>Yeah, I love this story, and I thought, you know,

0:29:23.920 --> 0:29:24.240
<v Speaker 4>this is.

0:29:24.160 --> 0:29:27.000
<v Speaker 5>The m ow. I'll do the m ow's you know,

0:29:27.040 --> 0:29:29.160
<v Speaker 5>that's okay. And it was about me. And then guy

0:29:29.240 --> 0:29:31.720
<v Speaker 5>named Bob Guinty is actor Bob Guinty and I were

0:29:31.760 --> 0:29:34.320
<v Speaker 5>these two cops in Chicago, you know, who tried to

0:29:34.440 --> 0:29:36.280
<v Speaker 5>escape the cold and crime of Chicago and go to

0:29:36.320 --> 0:29:39.520
<v Speaker 5>Hawaii and uh and and find out that their crime

0:29:39.880 --> 0:29:42.400
<v Speaker 5>is still as rampant in Hawaii and it's just a

0:29:42.440 --> 0:29:48.760
<v Speaker 5>different different climate climate. So so the MW was pretty good,

0:29:48.840 --> 0:29:51.960
<v Speaker 5>actually it was. It was okay, you know, I liked it.

0:29:51.960 --> 0:29:54.720
<v Speaker 5>It wasn't offensive. And then they pick it up to

0:29:54.760 --> 0:29:56.320
<v Speaker 5>go to series and I thought, wait a minute, hold on,

0:29:56.400 --> 0:29:58.400
<v Speaker 5>hold on baving me a series. I just did the

0:29:58.480 --> 0:30:00.000
<v Speaker 5>MW I'm gonna doing a TV series.

0:30:00.040 --> 0:30:00.560
<v Speaker 2>I want to do.

0:30:01.320 --> 0:30:05.080
<v Speaker 5>That was the clause. Yeah, this is a pilot.

0:30:05.320 --> 0:30:07.920
<v Speaker 11>I go no, no, no, no, no, no no no, it's

0:30:07.960 --> 0:30:08.640
<v Speaker 11>just a movie.

0:30:08.680 --> 0:30:11.680
<v Speaker 5>No no no. So Sandy Bresseler, my agent, kept saying

0:30:11.760 --> 0:30:13.760
<v Speaker 5>to me, now you're stuck. You got to do this,

0:30:14.000 --> 0:30:19.800
<v Speaker 5>and so you love this. The first script that I

0:30:19.880 --> 0:30:22.640
<v Speaker 5>got getting on the plane, literally getting on the plane

0:30:22.640 --> 0:30:26.720
<v Speaker 5>with my wife and new baby was me going undercover

0:30:26.760 --> 0:30:29.120
<v Speaker 5>and I'm a Chicago cop now growing up to Chicago,

0:30:29.240 --> 0:30:32.880
<v Speaker 5>Andy Sinkowski, and all of a sudden, I'm going to

0:30:32.920 --> 0:30:36.360
<v Speaker 5>go undercover to be the top, to compete with the

0:30:36.400 --> 0:30:40.880
<v Speaker 5>top volleyball players in Hawaii. I mean, never hit a

0:30:40.920 --> 0:30:45.560
<v Speaker 5>volleyball in my life, because there's a serial killer killing

0:30:45.560 --> 0:30:48.200
<v Speaker 5>the top volleyball players with exploding volleyball.

0:30:48.680 --> 0:30:48.880
<v Speaker 6>Yeah.

0:30:49.200 --> 0:30:52.480
<v Speaker 7>Yeah, yeah, oh I love it.

0:30:52.880 --> 0:30:56.320
<v Speaker 5>All of it. Yeah, so imagine.

0:30:57.600 --> 0:30:59.960
<v Speaker 7>The bottom of this exploding volleyball killer.

0:31:00.480 --> 0:31:09.360
<v Speaker 1>Exactly, yes, eight television, I love it. Oh that would

0:31:09.360 --> 0:31:16.000
<v Speaker 1>actually be a huge hit now, I mean.

0:31:13.720 --> 0:31:16.960
<v Speaker 5>Tongue in cheek, yeah, yeah, exactly. You get Fred Armiston

0:31:17.000 --> 0:31:18.840
<v Speaker 5>to do it with. You know, Bill Hater.

0:31:19.160 --> 0:31:21.680
<v Speaker 2>There have so many questions about that show. I have

0:31:21.720 --> 0:31:22.440
<v Speaker 2>to see that now.

0:31:23.680 --> 0:31:26.200
<v Speaker 5>Oh, you have no idea. The second episode was as

0:31:26.400 --> 0:31:30.960
<v Speaker 5>was Fritz Weaver, a renowned Broadway actor whose guest guest

0:31:31.320 --> 0:31:34.680
<v Speaker 5>guest on the show because we had to go under again.

0:31:34.720 --> 0:31:38.520
<v Speaker 5>We had to find out who was killing sacrificing virgins

0:31:38.560 --> 0:31:42.840
<v Speaker 5>to the Payle in Hawaii, and it turns out he's

0:31:42.880 --> 0:31:48.000
<v Speaker 5>the guy. He's a curator of Hawaiian museum who's appeasing

0:31:48.160 --> 0:31:53.640
<v Speaker 5>the god Pele. And literally the virgin in question for

0:31:53.720 --> 0:31:57.640
<v Speaker 5>this particular episode was the forty year old wife of

0:31:57.680 --> 0:32:00.880
<v Speaker 5>the producer. So you can imagine eyebrows.

0:32:01.040 --> 0:32:12.520
<v Speaker 12>You know, it sounds like the best show ever made.

0:32:16.440 --> 0:32:19.800
<v Speaker 3>So you're you're in LA with your wife and your

0:32:19.840 --> 0:32:23.320
<v Speaker 3>new baby. And how do you and Michael now connect?

0:32:23.320 --> 0:32:25.360
<v Speaker 3>Because the first project you and Michael worked together on

0:32:25.400 --> 0:32:26.040
<v Speaker 3>his dinosaurs?

0:32:26.120 --> 0:32:26.800
<v Speaker 2>Right right?

0:32:26.880 --> 0:32:27.080
<v Speaker 5>Yeah?

0:32:27.400 --> 0:32:28.360
<v Speaker 4>So how do you.

0:32:28.200 --> 0:32:30.200
<v Speaker 3>Now you're back in LA? When does Michael come to LA?

0:32:30.240 --> 0:32:31.200
<v Speaker 3>How does he get in touch with you?

0:32:31.200 --> 0:32:35.640
<v Speaker 5>How he wanted? He realized he did a god spell

0:32:35.720 --> 0:32:38.480
<v Speaker 5>down in Florida. We had an apartment together in l A.

0:32:38.680 --> 0:32:44.640
<v Speaker 5>And this is before well anyway, kind of timeline was

0:32:45.920 --> 0:32:51.120
<v Speaker 5>this is before I went back to New York. He

0:32:51.200 --> 0:32:53.800
<v Speaker 5>went to he went down to Florida do God's Spell

0:32:53.840 --> 0:32:56.840
<v Speaker 5>as an actor, and then I guess that went okay.

0:32:56.960 --> 0:32:59.040
<v Speaker 5>But then he realized he was down there when we

0:32:59.040 --> 0:33:02.240
<v Speaker 5>were living together. He started working on writing this play

0:33:03.320 --> 0:33:06.480
<v Speaker 5>and he was showing me scenes and I, it's pretty funny, Mike.

0:33:06.920 --> 0:33:11.040
<v Speaker 5>And it was a play called Cheaters, and and so

0:33:11.200 --> 0:33:13.120
<v Speaker 5>he kept writing it, working on it, and he went

0:33:13.160 --> 0:33:16.120
<v Speaker 5>down and did this play, came back and kept writing it,

0:33:16.200 --> 0:33:20.560
<v Speaker 5>and then got it to Broadway. He got it produced

0:33:20.600 --> 0:33:22.600
<v Speaker 5>on Broadway, and I, you know, it didn't last long,

0:33:22.640 --> 0:33:24.680
<v Speaker 5>but he got made on Broadway. So I was like

0:33:24.800 --> 0:33:29.000
<v Speaker 5>going away by that, you know. And and then from

0:33:29.120 --> 0:33:34.720
<v Speaker 5>that he got a an offer from al Burton in

0:33:35.040 --> 0:33:38.840
<v Speaker 5>LA to do Charles in Charge. Okay, some help write

0:33:38.920 --> 0:33:41.280
<v Speaker 5>him right on be the head writer on Charles in Charge,

0:33:41.280 --> 0:33:44.760
<v Speaker 5>which Michael did. I guess Michael. I think he. I

0:33:44.800 --> 0:33:46.520
<v Speaker 5>think he wrote the pilot and everything. I think Michael

0:33:46.720 --> 0:33:50.120
<v Speaker 5>did that. Yeah, I'm pretty sure anyway, and then the

0:33:50.160 --> 0:33:52.160
<v Speaker 5>rest is history went from Charlist in Charge to my

0:33:52.280 --> 0:33:54.600
<v Speaker 5>two dads and then my two days after my two

0:33:54.640 --> 0:33:57.760
<v Speaker 5>dads was coming to an end. Uh, Disney offered him

0:33:57.880 --> 0:34:00.760
<v Speaker 5>a major deal that you know, to I'm a great

0:34:00.800 --> 0:34:05.400
<v Speaker 5>TV for them, huge deal and uh so he did that.

0:34:05.480 --> 0:34:08.040
<v Speaker 5>And at the same time I was doing uh left

0:34:08.040 --> 0:34:11.680
<v Speaker 5>Theater in the l A. And I was we formed

0:34:12.040 --> 0:34:14.319
<v Speaker 5>a Circle Rep branch in l A with a lot

0:34:14.360 --> 0:34:16.560
<v Speaker 5>of great p David Morris and Chatty Ferrell, all these

0:34:16.560 --> 0:34:20.600
<v Speaker 5>wonderful people, and and and and then what I did

0:34:20.640 --> 0:34:27.719
<v Speaker 5>also was I was still acting, and my buddies from

0:34:27.760 --> 0:34:31.440
<v Speaker 5>the Drosephinus Restaurant had become producers and directors and feature

0:34:31.520 --> 0:34:33.839
<v Speaker 5>there's a for for their first feature film and asked

0:34:33.840 --> 0:34:36.799
<v Speaker 5>me to be in it. But and I said great,

0:34:36.960 --> 0:34:38.759
<v Speaker 5>but I and I helped them get the DP, all

0:34:39.120 --> 0:34:41.920
<v Speaker 5>the DP, the Cassine record, all these people that I

0:34:42.000 --> 0:34:44.360
<v Speaker 5>knew from the business. And so they said, you know,

0:34:44.400 --> 0:34:46.279
<v Speaker 5>you're kind of acting like a producer, you know. And

0:34:46.320 --> 0:34:48.520
<v Speaker 5>I said, I'm just you know, I'm just doing what

0:34:48.560 --> 0:34:51.440
<v Speaker 5>I'm doing to help you guys. And so they went great,

0:34:51.480 --> 0:34:53.640
<v Speaker 5>you know. And then I got this job offer for

0:34:53.760 --> 0:34:56.120
<v Speaker 5>to do a film with Terry Garr and Sherman McClain

0:34:56.719 --> 0:34:59.640
<v Speaker 5>up in Seattle, and so I I said, the guys,

0:34:59.760 --> 0:35:01.960
<v Speaker 5>can I go do that? And then come back and

0:35:02.080 --> 0:35:05.160
<v Speaker 5>they said absolutely, so I'll be going for like two weeks.

0:35:05.680 --> 0:35:11.960
<v Speaker 5>So I went up there, and while I was up there,

0:35:12.719 --> 0:35:17.279
<v Speaker 5>the production had to start because they were going to

0:35:17.320 --> 0:35:19.239
<v Speaker 5>tear down the baseball statum that we were going to use.

0:35:19.280 --> 0:35:23.000
<v Speaker 5>The film that they were making was Past Time, One

0:35:23.040 --> 0:35:27.359
<v Speaker 5>Cup of Coffee, Pastime, and and so, and they were

0:35:27.400 --> 0:35:30.919
<v Speaker 5>after at Harris to start in the lead role. And

0:35:31.640 --> 0:35:33.839
<v Speaker 5>I had seen this actor down at South Coast Rep.

0:35:33.960 --> 0:35:35.759
<v Speaker 5>You know. Robin called me up and Seattle and says,

0:35:35.760 --> 0:35:37.640
<v Speaker 5>you know, we lost our act. Ed can't do it.

0:35:37.640 --> 0:35:39.480
<v Speaker 5>He's just coming off the Abyss and he's exhausted. He

0:35:39.520 --> 0:35:42.520
<v Speaker 5>just can't do the movie. So we need somebody you

0:35:42.520 --> 0:35:44.560
<v Speaker 5>give any buddy of mine, I said, you know, there's

0:35:44.560 --> 0:35:47.640
<v Speaker 5>this guy I saw that a South Coast Rep. He's

0:35:47.800 --> 0:35:50.959
<v Speaker 5>really a good actor. His name's William Russ. You should

0:35:51.000 --> 0:35:52.839
<v Speaker 5>look him up. He's really good.

0:35:54.200 --> 0:35:56.880
<v Speaker 1>I was trying to remember. I knew you had a

0:35:56.920 --> 0:35:59.040
<v Speaker 1>connection to Past Time, but I was like when I

0:35:59.080 --> 0:35:59.879
<v Speaker 1>actually looked it up.

0:36:00.320 --> 0:36:01.600
<v Speaker 7>We were listening to your credits and we.

0:36:01.520 --> 0:36:03.680
<v Speaker 1>Were talking yesterday and I was like, he was in

0:36:03.800 --> 0:36:08.120
<v Speaker 1>Past Time and I was like, no, he wasn't this

0:36:08.160 --> 0:36:10.560
<v Speaker 1>connection Yeah, yeah, sense oh.

0:36:10.600 --> 0:36:12.319
<v Speaker 5>Yeah, And so I couldn't come back and do my

0:36:12.440 --> 0:36:14.840
<v Speaker 5>role in the film because we ran over up in Seattle.

0:36:15.080 --> 0:36:17.480
<v Speaker 5>So when I came back down, the guys were like

0:36:18.239 --> 0:36:19.880
<v Speaker 5>out other element and they said, we really need you

0:36:19.920 --> 0:36:22.279
<v Speaker 5>to come and help us keep producing this film Joe.

0:36:22.520 --> 0:36:25.319
<v Speaker 5>So I said absolutely, whatever I can do. And then

0:36:25.600 --> 0:36:29.160
<v Speaker 5>we ran out of money. Uh the budget was for

0:36:29.200 --> 0:36:31.960
<v Speaker 5>a million and we needed five hundred grand more. So

0:36:32.040 --> 0:36:34.759
<v Speaker 5>I had a buddy from mine from Hawaiian. He had

0:36:34.800 --> 0:36:38.560
<v Speaker 5>a stunt double named Shane Dixon who knew ted Night Junior,

0:36:38.600 --> 0:36:40.719
<v Speaker 5>who came and I said, I arranged the screening where

0:36:40.719 --> 0:36:44.080
<v Speaker 5>everybody would We added some scenes together, put some music

0:36:44.120 --> 0:36:46.960
<v Speaker 5>TEP music to it, and then as a fundraiser, you know,

0:36:48.120 --> 0:36:51.400
<v Speaker 5>to raise some money to keep going and the and

0:36:51.440 --> 0:36:54.600
<v Speaker 5>this guy at ted Night Junior came up to me

0:36:54.680 --> 0:36:56.719
<v Speaker 5>afterwards and said how much do you need? And I said,

0:36:56.719 --> 0:36:58.840
<v Speaker 5>we need five hundred grand. He goes, I'll write to

0:36:58.840 --> 0:37:02.440
<v Speaker 5>you check tomorrow. Wow, And I was like what. So

0:37:03.520 --> 0:37:05.919
<v Speaker 5>that was my foray into producing right off the bat,

0:37:06.000 --> 0:37:09.279
<v Speaker 5>you know, raising money and producing a show. So and

0:37:09.360 --> 0:37:14.160
<v Speaker 5>that movie went to Sundance, Harvey Weinstein, Merri Max bought it.

0:37:14.160 --> 0:37:18.280
<v Speaker 5>It was the second year that you know, sexalizing videotapes

0:37:18.320 --> 0:37:21.239
<v Speaker 5>was the year before us, and he bought us. And

0:37:21.280 --> 0:37:23.640
<v Speaker 5>they told the director, I want you to change the

0:37:23.719 --> 0:37:27.800
<v Speaker 5>ending of the movie, and Robinson the Armstrong the director

0:37:27.800 --> 0:37:29.040
<v Speaker 5>said no, we're not going to do that. We just

0:37:29.040 --> 0:37:30.799
<v Speaker 5>won the awarded Sundance. Why would I want to change

0:37:30.840 --> 0:37:32.080
<v Speaker 5>the end of the movie because I don't want the

0:37:32.120 --> 0:37:35.000
<v Speaker 5>guy to die as Rusty dies in the film, right,

0:37:35.120 --> 0:37:39.000
<v Speaker 5>And Robin says, I'm not doing it. So Harvey says, well,

0:37:39.040 --> 0:37:40.960
<v Speaker 5>if you don't do it, I'm gonna take all your

0:37:41.000 --> 0:37:43.040
<v Speaker 5>p and A, your print and ads, while your advertising,

0:37:43.120 --> 0:37:45.720
<v Speaker 5>and I'm gonna throw it to this what called Paris

0:37:45.800 --> 0:37:47.839
<v Speaker 5>is Burning and I'm gonna bear your I'm gonna put

0:37:47.840 --> 0:37:49.440
<v Speaker 5>you in theaters for a one weekend and then I'm

0:37:49.480 --> 0:37:52.080
<v Speaker 5>gonna bear it. Can you imagine he bought the film

0:37:52.080 --> 0:37:55.080
<v Speaker 5>where ten million. I'm thinking to myself, this guy's insane.

0:37:55.480 --> 0:37:57.680
<v Speaker 5>And so then Robins says to him, well, I'm gonna

0:37:57.680 --> 0:38:00.719
<v Speaker 5>assue you. And you've never seen a happier look on

0:38:00.719 --> 0:38:05.920
<v Speaker 5>Harvey Weinstein's face. Certain, really you're gonna assume me? I mean,

0:38:05.920 --> 0:38:08.040
<v Speaker 5>he was so happy, it was it was like mister.

0:38:08.080 --> 0:38:12.120
<v Speaker 5>The litigator in him just came out like, oh it's war, buddy,

0:38:12.520 --> 0:38:15.800
<v Speaker 5>And so Robin would not change the ending of the film,

0:38:15.920 --> 0:38:19.360
<v Speaker 5>and the film was buried and that's why it didn't

0:38:19.400 --> 0:38:21.200
<v Speaker 5>get to do it the dessert.

0:38:22.840 --> 0:38:26.719
<v Speaker 1>Harvey Weinstein guy, Yeah, no, he's a horrible man.

0:38:29.760 --> 0:38:32.440
<v Speaker 7>Question do you do you think that Harvey was right

0:38:32.440 --> 0:38:33.440
<v Speaker 7>about the ending? Actually?

0:38:33.600 --> 0:38:36.440
<v Speaker 1>Do you think that maybe it would have been because.

0:38:36.160 --> 0:38:41.440
<v Speaker 4>That's what I said, good question, Maybe it.

0:38:41.440 --> 0:38:43.200
<v Speaker 7>Would have been a better movie. I mean, I don't know,

0:38:43.239 --> 0:38:43.640
<v Speaker 7>what do you think?

0:38:43.640 --> 0:38:46.000
<v Speaker 5>Okay, this is what I did during the ending of

0:38:46.040 --> 0:38:48.120
<v Speaker 5>that were when we were shooting. I turned to the

0:38:48.160 --> 0:38:51.400
<v Speaker 5>director and I said, you know, I don't This relationship

0:38:51.440 --> 0:38:54.120
<v Speaker 5>with him and Didie O'Connell, who is the actress playing

0:38:54.160 --> 0:38:58.160
<v Speaker 5>his girlfriend, is so wonderful. It's so rich and so great.

0:38:58.320 --> 0:39:00.879
<v Speaker 5>The movie's premise is that he he mentors a young

0:39:00.920 --> 0:39:03.399
<v Speaker 5>black pitcher in the nineteen fifties and the minor league team,

0:39:03.600 --> 0:39:06.400
<v Speaker 5>and his one cup of coffee was tuning up to

0:39:06.400 --> 0:39:08.360
<v Speaker 5>get back to the majors. That was his that was

0:39:08.360 --> 0:39:10.759
<v Speaker 5>his deal. Only he was never going to get up

0:39:10.960 --> 0:39:12.560
<v Speaker 5>back up there. But he had this one pitch that

0:39:12.600 --> 0:39:15.400
<v Speaker 5>he had that he taught this young Black picture and uh,

0:39:15.560 --> 0:39:18.000
<v Speaker 5>and then the course of this this this thing when

0:39:18.080 --> 0:39:19.560
<v Speaker 5>we're dealing with racism, it was a great it's a

0:39:19.560 --> 0:39:23.319
<v Speaker 5>great little film really, and Rusty is superb.

0:39:23.880 --> 0:39:24.319
<v Speaker 7>I'm sure.

0:39:25.000 --> 0:39:27.480
<v Speaker 5>I mean, I love him. I love him so much. Anyway,

0:39:27.719 --> 0:39:32.279
<v Speaker 5>So the I said to Robin, you know, maybe you

0:39:32.320 --> 0:39:35.799
<v Speaker 5>don't we don't kill him. I love this relationship. And

0:39:35.840 --> 0:39:38.840
<v Speaker 5>he says to me, no, No, David Air, the writer

0:39:39.000 --> 0:39:43.719
<v Speaker 5>would never allow that. So I went behind his back

0:39:43.760 --> 0:39:46.000
<v Speaker 5>and called up David Air and said, would you mind

0:39:46.040 --> 0:39:47.640
<v Speaker 5>if we changed the end of the film. He goes,

0:39:47.680 --> 0:39:53.000
<v Speaker 5>not at all. I wrote that in college. So I said,

0:39:52.440 --> 0:39:55.400
<v Speaker 5>rob you know, maybe we don't, you know, And Robbie goes, no,

0:39:55.560 --> 0:40:02.799
<v Speaker 5>We're not doing that. So he refused, and wow, oh man,

0:40:03.160 --> 0:40:05.200
<v Speaker 5>does a film standing by on its own? Absolutely, it

0:40:05.239 --> 0:40:06.240
<v Speaker 5>still shouldn't have been released.

0:40:06.280 --> 0:40:07.320
<v Speaker 7>It should should have been releasing.

0:40:07.360 --> 0:40:09.439
<v Speaker 5>Yeah, that it stay. It's it's just a darker ending.

0:40:09.480 --> 0:40:11.400
<v Speaker 5>It's it's just a it's a sad ending as opposed

0:40:11.400 --> 0:40:13.680
<v Speaker 5>to you know, it's an ending with hope, as opposed

0:40:13.719 --> 0:40:17.080
<v Speaker 5>to an ending that is, you know, a Disney ending.

0:40:17.560 --> 0:40:32.920
<v Speaker 3>Right, Yeah, okay, so I have I could listen to

0:40:32.960 --> 0:40:35.840
<v Speaker 3>you I could listen to these all day, hours and hours,

0:40:35.880 --> 0:40:37.799
<v Speaker 3>but I know our dear listeners are going to want

0:40:37.800 --> 0:40:41.320
<v Speaker 3>to get to what do you remember about, then, how

0:40:41.600 --> 0:40:45.319
<v Speaker 3>the creation of Boy Meets World came together? What let's

0:40:45.320 --> 0:40:47.640
<v Speaker 3>hear your your Boy meets World origin story?

0:40:47.719 --> 0:40:50.120
<v Speaker 5>All right? So the first show that Michael ever did

0:40:50.200 --> 0:40:52.680
<v Speaker 5>was this thing called Singer and Sons. And I'm just

0:40:52.719 --> 0:40:55.000
<v Speaker 5>going to give you a real quick how it led

0:40:55.040 --> 0:40:58.520
<v Speaker 5>into Boy Meets World. Singer and Sons. Uh. Garthan Seer

0:40:58.640 --> 0:41:01.000
<v Speaker 5>was ahead of TV at Disney at the time. Garth

0:41:01.120 --> 0:41:06.080
<v Speaker 5>loved pot belly pigs and he yeah, and he said, Michael,

0:41:06.080 --> 0:41:08.400
<v Speaker 5>I want you to create a show that features a

0:41:08.440 --> 0:41:12.040
<v Speaker 5>pot belly pig. Like what green acres? What are we

0:41:12.120 --> 0:41:16.279
<v Speaker 5>talking about? You figured out? So we had a pitch

0:41:16.320 --> 0:41:20.160
<v Speaker 5>meeting with Brendon Tartakoff at NBC and and we're going,

0:41:20.239 --> 0:41:23.319
<v Speaker 5>okay and Michael. And one thing about Michael is he

0:41:23.480 --> 0:41:28.040
<v Speaker 5>is the consummate salesman his father. Remember when Levi salesman

0:41:28.200 --> 0:41:31.520
<v Speaker 5>in New Jersey. He learned his trade from his father.

0:41:32.280 --> 0:41:34.760
<v Speaker 5>Michael could sell you, you know anything.

0:41:35.160 --> 0:41:38.480
<v Speaker 3>My favorite saying is he could sell a ketchup popsicle

0:41:38.520 --> 0:41:39.960
<v Speaker 3>to a lady in white gloves.

0:41:40.080 --> 0:41:42.560
<v Speaker 2>Yes, that's absolutely true.

0:41:42.400 --> 0:41:45.200
<v Speaker 3>That he could sell a ketchup popsicle to a lady

0:41:45.200 --> 0:41:46.680
<v Speaker 3>and white gloves and a hearty Yeah.

0:41:46.719 --> 0:41:50.440
<v Speaker 5>Okay. So anyway, so we go in there and Michael

0:41:50.440 --> 0:41:54.000
<v Speaker 5>pitches the show two guys who lived together with a

0:41:54.040 --> 0:41:54.880
<v Speaker 5>pot belly.

0:41:54.640 --> 0:41:57.000
<v Speaker 4>Pig the star.

0:41:57.680 --> 0:42:02.880
<v Speaker 5>Yeah, he's lacing, and Brandon Tarca saying, you're listening and

0:42:03.000 --> 0:42:07.160
<v Speaker 5>listening and listening. You know, it's interesting, it's interesting. But

0:42:07.200 --> 0:42:12.680
<v Speaker 5>what if you made the pig a monkey? And I'm

0:42:12.719 --> 0:42:17.520
<v Speaker 5>sitting there going, this is Brandon tarticle going here, what's happening?

0:42:18.160 --> 0:42:21.160
<v Speaker 5>And and and Michael goes immediately, yeah, yeah, two guys

0:42:21.200 --> 0:42:24.360
<v Speaker 5>and a monkey. Okay, so this is a pivot.

0:42:25.320 --> 0:42:25.920
<v Speaker 9>And then he.

0:42:25.920 --> 0:42:30.600
<v Speaker 5>Goes, but wait a minute, what if? What if? What

0:42:30.719 --> 0:42:34.920
<v Speaker 5>if the monkey was an old Jewish deli owner?

0:42:36.480 --> 0:42:37.839
<v Speaker 4>Michael says that are Brandon.

0:42:40.760 --> 0:42:45.880
<v Speaker 11>And I'm going, did he just just go from pig

0:42:45.960 --> 0:42:51.320
<v Speaker 11>the monkey Jewish? And then he says, and the guys

0:42:51.320 --> 0:42:53.040
<v Speaker 11>that work for him are these black guys?

0:42:54.480 --> 0:42:59.600
<v Speaker 5>And I'm going, And so Michael is right on because he's.

0:42:59.760 --> 0:43:03.240
<v Speaker 2>Yes, yes, yes, just yes, and oh my god.

0:43:03.640 --> 0:43:07.799
<v Speaker 5>And we walked on there with sale. You sold it, Yes,

0:43:07.920 --> 0:43:08.760
<v Speaker 5>he sold it.

0:43:08.840 --> 0:43:11.920
<v Speaker 7>They shot the show. I've actually I went told us

0:43:11.960 --> 0:43:12.400
<v Speaker 7>this story.

0:43:13.800 --> 0:43:17.280
<v Speaker 1>You can find a whole episodes on and it's not horrible,

0:43:17.480 --> 0:43:19.840
<v Speaker 1>it's but it's just amazing.

0:43:19.960 --> 0:43:21.880
<v Speaker 5>But the genesis of that was like that was our

0:43:21.920 --> 0:43:24.440
<v Speaker 5>first show, and I thought, oh my god, you know,

0:43:24.960 --> 0:43:27.360
<v Speaker 5>and and so then and Don Tronowsky was ahead of

0:43:27.360 --> 0:43:30.120
<v Speaker 5>the company at the time, and and we had a

0:43:30.120 --> 0:43:31.879
<v Speaker 5>great office by the way, and I have to mention

0:43:32.080 --> 0:43:36.840
<v Speaker 5>Don Tronowski and Johnson, Carlos Era, Gon, Bunny Buckley, Yeah,

0:43:37.160 --> 0:43:41.920
<v Speaker 5>Richie Ardella, Gerald, Richard Della amazing, the most wonderful people anyway.

0:43:41.960 --> 0:43:49.040
<v Speaker 5>But so so from Cingarete Sons, we then got Dinosaurs.

0:43:49.640 --> 0:43:53.200
<v Speaker 5>Brian Hanson came into the Jim had just died. It

0:43:53.239 --> 0:43:56.480
<v Speaker 5>was his idea, and dinosaurs is this whole another story.

0:43:56.600 --> 0:43:58.960
<v Speaker 5>So I'm on Dinosaurs for two and a half years,

0:43:59.320 --> 0:44:03.120
<v Speaker 5>you know, for three seasons. And while I'm on Dinosaurs,

0:44:04.560 --> 0:44:08.040
<v Speaker 5>April Kelly comes in and pitches Boy Meets World, okay,

0:44:08.560 --> 0:44:12.640
<v Speaker 5>and and Michael loves the idea because it's it's him.

0:44:13.440 --> 0:44:15.080
<v Speaker 7>It's it's so him.

0:44:14.920 --> 0:44:17.160
<v Speaker 5>You know that Ben is him. You know, it's it's

0:44:17.200 --> 0:44:20.880
<v Speaker 5>like that's it was his conduit to express himself. As

0:44:20.880 --> 0:44:24.200
<v Speaker 5>a kid, and and and and create the childhood he

0:44:24.239 --> 0:44:28.600
<v Speaker 5>never had, right, So I was like, wow, okay, and

0:44:29.640 --> 0:44:34.400
<v Speaker 5>so uh so I remember the contention between Bright April

0:44:34.480 --> 0:44:37.000
<v Speaker 5>and and Michael a little bit. I remember that, you know,

0:44:37.040 --> 0:44:40.120
<v Speaker 5>it was it was tough. Michael's very headstrong. When he

0:44:40.160 --> 0:44:42.480
<v Speaker 5>wants something, He's going to get it. He's he's one

0:44:42.520 --> 0:44:44.479
<v Speaker 5>of those guys that's said that he thinks he knows

0:44:44.520 --> 0:44:47.320
<v Speaker 5>everything and better than anybody else. And and it's that

0:44:47.400 --> 0:44:50.640
<v Speaker 5>kind of humor, it's that kind of confidence that made

0:44:50.680 --> 0:44:55.040
<v Speaker 5>him forced to recon recon It just was, you know,

0:44:56.000 --> 0:44:59.120
<v Speaker 5>and and and he cow towed to no one. Really

0:45:00.120 --> 0:45:05.600
<v Speaker 5>he played the studio, the networks, uh beautifully. I watched him.

0:45:05.719 --> 0:45:07.840
<v Speaker 5>He was a master at it, really was a master

0:45:07.920 --> 0:45:09.759
<v Speaker 5>at it. And there's there was no accident. He was

0:45:10.280 --> 0:45:11.759
<v Speaker 5>you know, I would if I was to say, what

0:45:11.800 --> 0:45:14.040
<v Speaker 5>was Michael's greatest gift. He's a great hustler. He is

0:45:14.080 --> 0:45:17.880
<v Speaker 5>a great hustler. But he's also very talented. Yeah, he

0:45:17.920 --> 0:45:20.479
<v Speaker 5>really is in his in his domain, he's very good.

0:45:22.200 --> 0:45:26.880
<v Speaker 5>And that's what it is. But so when I first

0:45:27.239 --> 0:45:30.040
<v Speaker 5>went to the first I was so busy at Donnisaurs

0:45:30.040 --> 0:45:32.200
<v Speaker 5>and you're gonna killed me that show. But the thing

0:45:32.239 --> 0:45:37.000
<v Speaker 5>with Boy was I remember that that during the casting

0:45:37.040 --> 0:45:40.880
<v Speaker 5>process again they had cast Matt McCoy as the father

0:45:41.800 --> 0:45:46.160
<v Speaker 5>the pilot, and again came up. You know, they weren't happy,

0:45:46.600 --> 0:45:51.680
<v Speaker 5>and I thought, well, there's this wonderful actor. There's a

0:45:51.719 --> 0:45:56.719
<v Speaker 5>wonderful actor that I that I love and I just

0:45:56.719 --> 0:45:58.319
<v Speaker 5>did a film with and Michael has seen it, and

0:45:58.360 --> 0:46:01.080
<v Speaker 5>he went, sorry, that guy's great to sell. That's what happened.

0:46:01.120 --> 0:46:05.280
<v Speaker 5>The rest of you came in and and I remember,

0:46:05.719 --> 0:46:08.239
<v Speaker 5>you know, the casting for I mean, I was in

0:46:08.239 --> 0:46:10.040
<v Speaker 5>the in on the casting everybody. I was so busy

0:46:10.080 --> 0:46:12.759
<v Speaker 5>with Dinosaur, so I'm probably the last good person to

0:46:12.800 --> 0:46:16.399
<v Speaker 5>ask about their real genesis of Boy. I was kind

0:46:16.400 --> 0:46:18.359
<v Speaker 5>of flying the wall with code of readings. I would

0:46:18.360 --> 0:46:22.320
<v Speaker 5>go to the run throughs, but not a lot. I

0:46:22.320 --> 0:46:24.040
<v Speaker 5>would go to the shows for sure. I would always

0:46:24.080 --> 0:46:27.960
<v Speaker 5>go to the shows. Yeah, and enjoyed it immensely, I

0:46:28.160 --> 0:46:31.839
<v Speaker 5>always thought. But again I looked at it kind of

0:46:31.920 --> 0:46:33.480
<v Speaker 5>I kind of poop pooed it. I was kind of

0:46:33.480 --> 0:46:35.440
<v Speaker 5>looking at it going, well, I'm doing feach because I

0:46:35.520 --> 0:46:38.839
<v Speaker 5>was brought on with Michael to do feature.

0:46:38.480 --> 0:46:41.480
<v Speaker 4>Films, feature film department, right, yeah.

0:46:41.280 --> 0:46:44.040
<v Speaker 5>Because I just want to there weren't Sundays. And he said, well,

0:46:44.040 --> 0:46:45.719
<v Speaker 5>come to with Disney and you do the feature film

0:46:45.719 --> 0:46:48.200
<v Speaker 5>department stuff for my company and I'll do the TV

0:46:48.320 --> 0:46:51.000
<v Speaker 5>and you know, and you make some money and you

0:46:51.000 --> 0:46:52.279
<v Speaker 5>can go out and do whatever you want to do.

0:46:52.600 --> 0:46:56.480
<v Speaker 5>I thought, that's a great, great, great, you know you yeah,

0:46:57.440 --> 0:47:00.279
<v Speaker 5>you know, opportunity. So I did that, and so the

0:47:00.280 --> 0:47:02.320
<v Speaker 5>first thing with Singer and sons, and I'm kind of like, okay,

0:47:02.560 --> 0:47:05.120
<v Speaker 5>and I'm looking for films. And the second thing was Dinosaurs,

0:47:05.120 --> 0:47:07.360
<v Speaker 5>and I had no time to look for films until

0:47:07.400 --> 0:47:12.719
<v Speaker 5>finally I did find a film recommended, a documented recommended

0:47:12.719 --> 0:47:16.880
<v Speaker 5>by Brian Lapan and David Kaplan, writers on staff of Dinosaurs.

0:47:16.880 --> 0:47:19.120
<v Speaker 5>I said, hey, you should look at this documentary. It

0:47:19.160 --> 0:47:22.680
<v Speaker 5>was Choiz Show. Yes, wow, that started. But so I

0:47:22.760 --> 0:47:27.240
<v Speaker 5>was doing Dinosaurs, getting Quiz Show ready to be produced,

0:47:28.320 --> 0:47:32.160
<v Speaker 5>developing it and then getting it produced, and then as

0:47:32.200 --> 0:47:35.319
<v Speaker 5>that I was all unfolding, Michael said I want you

0:47:35.320 --> 0:47:38.520
<v Speaker 5>to come over and direct a Boy Meets World And

0:47:38.560 --> 0:47:42.520
<v Speaker 5>I thought, I don't know, I'm kind of in my

0:47:42.560 --> 0:47:45.719
<v Speaker 5>own world here. I'm doing pretty good and the TV

0:47:45.840 --> 0:47:47.800
<v Speaker 5>nearly just killed me. And I think I want to

0:47:47.800 --> 0:47:50.919
<v Speaker 5>go just focused on the features now, and he said, no, no, no,

0:47:51.160 --> 0:47:54.120
<v Speaker 5>come over. And you know, so I came to a

0:47:54.160 --> 0:47:57.839
<v Speaker 5>couple of tapings. You guys were having such a great

0:47:57.880 --> 0:48:01.920
<v Speaker 5>time and the show was growing exponentially, and I remember

0:48:02.080 --> 0:48:03.800
<v Speaker 5>That's what I remember most. I would say to Michael,

0:48:03.920 --> 0:48:05.399
<v Speaker 5>because we hung on a lot. I would I would

0:48:05.400 --> 0:48:07.360
<v Speaker 5>give I would ask him about the show, his direction

0:48:07.480 --> 0:48:09.400
<v Speaker 5>and this, and then he would always ask me what

0:48:09.440 --> 0:48:10.520
<v Speaker 5>do you think? What do you think? What do you think?

0:48:10.920 --> 0:48:13.279
<v Speaker 5>And I would I would give my honest opinion. Lots

0:48:13.320 --> 0:48:15.600
<v Speaker 5>of times I thought it was too joky, or you're

0:48:15.600 --> 0:48:18.319
<v Speaker 5>going for the joke as opposed to human behavior. You're

0:48:18.360 --> 0:48:21.360
<v Speaker 5>sacrificing the characters in this, in this scene or this show.

0:48:21.760 --> 0:48:23.840
<v Speaker 5>And I would be agree honest with him about stuff

0:48:24.520 --> 0:48:28.080
<v Speaker 5>and and and he would sometimes listen to me and

0:48:28.120 --> 0:48:29.759
<v Speaker 5>sometimes think I was you know, I didn't know what

0:48:29.760 --> 0:48:33.239
<v Speaker 5>I was talking about. So so when it came time

0:48:33.440 --> 0:48:37.120
<v Speaker 5>for this the end of the second season, he said,

0:48:37.160 --> 0:48:38.960
<v Speaker 5>I want you to go down there and and and

0:48:38.960 --> 0:48:42.879
<v Speaker 5>and and and direct one. And so I went down there,

0:48:42.880 --> 0:48:46.160
<v Speaker 5>and I love David Trainer, and uh, although he looked

0:48:46.200 --> 0:48:50.800
<v Speaker 5>at me and goes, well, are you here, yeah, trail

0:48:51.280 --> 0:48:53.160
<v Speaker 5>and he goes, I know what you're up to. I

0:48:53.160 --> 0:48:57.359
<v Speaker 5>go no, no, no, checking things out.

0:48:57.480 --> 0:48:57.680
<v Speaker 6>Man.

0:48:58.440 --> 0:49:02.040
<v Speaker 5>He was very protective of your show. He was so protective.

0:49:02.120 --> 0:49:05.560
<v Speaker 5>He was like, you know, nobody messed with my cast.

0:49:05.600 --> 0:49:07.000
<v Speaker 5>Nobody messes with my show. You know.

0:49:07.040 --> 0:49:08.839
<v Speaker 4>He was very protective of us.

0:49:10.040 --> 0:49:12.640
<v Speaker 5>Oh my god, oh he was like was vicious. I

0:49:12.680 --> 0:49:18.960
<v Speaker 5>was like, no, peace, brother, I love you. But anyway,

0:49:20.440 --> 0:49:23.640
<v Speaker 5>I trailed and I watched how he worked with you guys,

0:49:23.800 --> 0:49:28.680
<v Speaker 5>and I watched the rhythm. You know, it was a play.

0:49:28.800 --> 0:49:31.400
<v Speaker 5>Every it was a play. I was like, this is

0:49:31.400 --> 0:49:34.400
<v Speaker 5>a play. Every week you're five, it's a four neighb rehearsal.

0:49:34.400 --> 0:49:36.520
<v Speaker 5>And when you shoot in a fourth day and sometimes

0:49:36.719 --> 0:49:39.320
<v Speaker 5>but it's you you shoot on the fifth and before

0:49:39.400 --> 0:49:42.160
<v Speaker 5>live audience. Since this is it's actually pretty cool.

0:49:42.400 --> 0:49:42.960
<v Speaker 2>Yeah.

0:49:43.320 --> 0:49:47.239
<v Speaker 5>Now, I'd done his sitcom with Carol Caine as a

0:49:47.280 --> 0:49:50.080
<v Speaker 5>guest and with the guy who directed me on Broadway,

0:49:50.120 --> 0:49:53.359
<v Speaker 5>Barnett Coming, and that was fun because but y actor,

0:49:53.880 --> 0:49:55.879
<v Speaker 5>you walk in, you do your stuff, and you leave,

0:49:55.960 --> 0:50:00.560
<v Speaker 5>and then's directing was a whole different animal. And I thought, well,

0:50:00.680 --> 0:50:03.839
<v Speaker 5>because I directed some dinosaurs, and I thought, but this

0:50:03.880 --> 0:50:06.319
<v Speaker 5>is a different animal. This is a whole different, you know,

0:50:06.760 --> 0:50:11.920
<v Speaker 5>I guess Dault and so I am. But I I

0:50:12.000 --> 0:50:14.719
<v Speaker 5>have to be totally honest with you guys. The thing

0:50:14.760 --> 0:50:17.600
<v Speaker 5>that brought me to it closed, Closed was the closer

0:50:17.640 --> 0:50:23.600
<v Speaker 5>where you guys. Really absolutely I watched you guys. There

0:50:23.640 --> 0:50:29.279
<v Speaker 5>was such a purity, such a wonderful that was the innocence.

0:50:29.320 --> 0:50:34.320
<v Speaker 5>But yeah, well that that goes down with your age.

0:50:34.440 --> 0:50:40.560
<v Speaker 5>But but your your openness to to to to doing

0:50:40.560 --> 0:50:43.120
<v Speaker 5>the work. There was no there was no attitude, there

0:50:43.160 --> 0:50:49.080
<v Speaker 5>was no it was just absolutely let's go.

0:50:49.080 --> 0:50:49.279
<v Speaker 6>You know.

0:50:49.440 --> 0:50:53.480
<v Speaker 5>And and of course then there's Bill Daniels and Rusty

0:50:53.520 --> 0:50:57.239
<v Speaker 5>and bet shit. Yeah, and I'm thinking, well, I get

0:50:57.239 --> 0:50:59.640
<v Speaker 5>to work. I get it saying elsewhere Bill Daniels, and

0:50:59.760 --> 0:51:03.040
<v Speaker 5>you know, I was like, I adore that man. Yeah,

0:51:03.200 --> 0:51:06.879
<v Speaker 5>so you know I so I said, okay, I want

0:51:06.920 --> 0:51:08.920
<v Speaker 5>to I'll do this, and and so I directed it.

0:51:08.960 --> 0:51:11.440
<v Speaker 5>And once I directed it, that was it working with

0:51:11.680 --> 0:51:16.799
<v Speaker 5>Now Daniel, you were in that episode. But you know,

0:51:18.440 --> 0:51:20.960
<v Speaker 5>I have to say the first episodes that I was,

0:51:21.040 --> 0:51:23.759
<v Speaker 5>I was getting my feet wet with Michael mm hmm,

0:51:24.040 --> 0:51:27.680
<v Speaker 5>because he you know how he works and how he

0:51:27.719 --> 0:51:31.400
<v Speaker 5>was very hands on extraordinarily you know, and I would

0:51:31.760 --> 0:51:34.759
<v Speaker 5>The only thing that upset me was when he gave

0:51:34.840 --> 0:51:39.319
<v Speaker 5>notes and how he gave notes, and and sometimes we're

0:51:39.400 --> 0:51:42.799
<v Speaker 5>very very uh cruel. But then I realized what he's

0:51:42.840 --> 0:51:45.440
<v Speaker 5>doing because I talked him about it. And when I

0:51:45.480 --> 0:51:48.759
<v Speaker 5>realized what he was doing was he was rewriting as

0:51:48.760 --> 0:51:51.800
<v Speaker 5>he was giving you notes. He was already he's always

0:51:51.840 --> 0:51:55.359
<v Speaker 5>already rewriting. So so even though he's giving you these

0:51:55.440 --> 0:51:59.799
<v Speaker 5>these critiques, in his mind, he's figuring out how to

0:51:59.840 --> 0:52:03.120
<v Speaker 5>make get better, how to make it work. Yeah, because

0:52:03.200 --> 0:52:05.840
<v Speaker 5>I can't tell you how many times he would spend

0:52:06.080 --> 0:52:09.600
<v Speaker 5>five ten minutes talking to you about something that disappeared

0:52:09.600 --> 0:52:09.799
<v Speaker 5>in the.

0:52:09.800 --> 0:52:13.880
<v Speaker 4>Script, right exactly, Yeah, right, yeah.

0:52:12.920 --> 0:52:17.080
<v Speaker 5>So he was rewriting right from the get go and

0:52:17.880 --> 0:52:21.880
<v Speaker 5>kind of exhausting everybody and being a bit you know,

0:52:21.880 --> 0:52:25.160
<v Speaker 5>I wish he had taken that, and you know, because

0:52:25.200 --> 0:52:30.400
<v Speaker 5>there's no other showrunner that works like him that I've encountered.

0:52:30.600 --> 0:52:33.280
<v Speaker 5>You know, that was that, you know vocal?

0:52:33.920 --> 0:52:47.319
<v Speaker 3>Yeah, Well, we are in season three of our rewatch now,

0:52:47.400 --> 0:52:50.680
<v Speaker 3>and we are starting to see the Quarry into Pega

0:52:51.120 --> 0:52:54.240
<v Speaker 3>relationship really kick into high gear, and we're also seeing

0:52:54.320 --> 0:52:57.439
<v Speaker 3>the Sean and mister Turner relationship kick into high gear,

0:52:58.040 --> 0:53:00.000
<v Speaker 3>and with that also a little bit of the air

0:53:00.320 --> 0:53:03.919
<v Speaker 3>Feene relationships starting to kick into high gear. Do you

0:53:04.040 --> 0:53:06.680
<v Speaker 3>remember or how much do you remember about the goals

0:53:06.760 --> 0:53:09.040
<v Speaker 3>coming out of season two and heading into season three,

0:53:09.040 --> 0:53:12.359
<v Speaker 3>because you almost exclusively directed season three, John Tracy's done.

0:53:12.440 --> 0:53:14.439
<v Speaker 3>John Tracy did the first one. And then we're gonna

0:53:14.440 --> 0:53:17.040
<v Speaker 3>start getting into a lot of your episodes, which is

0:53:17.080 --> 0:53:20.600
<v Speaker 3>just about we entered, we ventured the McCracken era, and

0:53:20.640 --> 0:53:24.480
<v Speaker 3>so what do you what do you remember about the goals?

0:53:25.760 --> 0:53:30.640
<v Speaker 5>Well, what I remember is is because you know, as

0:53:30.640 --> 0:53:32.919
<v Speaker 5>I said, our families were very close at the time,

0:53:33.040 --> 0:53:35.400
<v Speaker 5>and I spent a lot of time with Mike. We

0:53:35.480 --> 0:53:38.200
<v Speaker 5>rode motorcycles together, We did all tons of stuff together.

0:53:38.280 --> 0:53:42.799
<v Speaker 5>And anyway, when we did talk about the show, it

0:53:42.880 --> 0:53:48.040
<v Speaker 5>was it was generally about because he knew one of

0:53:48.080 --> 0:53:50.440
<v Speaker 5>the one of the things about our relationship at the

0:53:50.480 --> 0:53:54.160
<v Speaker 5>time in work, our work relationship was he knew where

0:53:54.160 --> 0:53:58.720
<v Speaker 5>I was coming from. He knew I was a serious actor.

0:53:58.760 --> 0:54:00.920
<v Speaker 5>He knew I was serious about the craft. He knew

0:54:00.960 --> 0:54:03.560
<v Speaker 5>I was serious about you know, a moment to moment,

0:54:03.840 --> 0:54:07.279
<v Speaker 5>you know, living truth in her imaginary circumstances. You know,

0:54:07.640 --> 0:54:11.040
<v Speaker 5>nothing taking nothing for granted, don't sacrifice the character, you know,

0:54:11.280 --> 0:54:15.960
<v Speaker 5>being very you know, honoring the truth. And and I

0:54:15.960 --> 0:54:21.479
<v Speaker 5>think that he he loved that because I gave him

0:54:21.600 --> 0:54:26.320
<v Speaker 5>a grounding for the characters. And if you watch the show,

0:54:26.960 --> 0:54:29.839
<v Speaker 5>you guys started to get deeper and deeper that show,

0:54:29.880 --> 0:54:34.040
<v Speaker 5>what you did with the double Lie. That was the

0:54:34.040 --> 0:54:35.880
<v Speaker 5>first I directed in the season three.

0:54:36.120 --> 0:54:38.640
<v Speaker 4>Yes episode season.

0:54:39.120 --> 0:54:43.640
<v Speaker 5>And that's and that that show for me, was the

0:54:43.680 --> 0:54:48.279
<v Speaker 5>beginning I thought of of of where the characters, I

0:54:48.320 --> 0:54:52.440
<v Speaker 5>mean other there are other episodes where things started to percolate,

0:54:52.640 --> 0:54:55.800
<v Speaker 5>There's no question, but I thought that was a consummate

0:54:55.800 --> 0:54:58.520
<v Speaker 5>show for everybody, uh where, where you got to see

0:54:58.520 --> 0:55:02.120
<v Speaker 5>everybody's future in the show, except for Daniel because she

0:55:02.120 --> 0:55:06.399
<v Speaker 5>wasn't in the show, but uh and I have to say,

0:55:08.480 --> 0:55:10.200
<v Speaker 5>and I'm not trying to be a brown noser, but

0:55:11.080 --> 0:55:15.360
<v Speaker 5>when I did get to direct her, it was just fantastic.

0:55:16.040 --> 0:55:19.440
<v Speaker 5>You all were so wonderful to work with. I, you know, uh,

0:55:20.120 --> 0:55:24.000
<v Speaker 5>will to see Will grow from the goofy you know,

0:55:24.239 --> 0:55:29.040
<v Speaker 5>nut job into a consummate comic and and writer was

0:55:29.080 --> 0:55:30.840
<v Speaker 5>always you were always the heart of the show. You

0:55:30.920 --> 0:55:34.480
<v Speaker 5>had this this wonderful sensitivity and you were the goof

0:55:34.560 --> 0:55:36.440
<v Speaker 5>for the first two seasons, and then to see you

0:55:36.680 --> 0:55:39.480
<v Speaker 5>grow into this you know this and this especially this

0:55:39.520 --> 0:55:41.759
<v Speaker 5>episode to where you know, you know you see with

0:55:41.800 --> 0:55:44.080
<v Speaker 5>you and Tony Quinn was just fantastic. I mean, just

0:55:45.120 --> 0:55:47.799
<v Speaker 5>and I and I really was so proud of you

0:55:47.880 --> 0:55:50.640
<v Speaker 5>for that in that scene and uh, you guys worked

0:55:50.640 --> 0:55:55.000
<v Speaker 5>off each other so brilliantly, just brilliantly, and and I

0:55:55.040 --> 0:55:58.239
<v Speaker 5>and I just I That's when I knew I had

0:55:58.239 --> 0:56:01.799
<v Speaker 5>to direct the show is because of scenes like that,

0:56:01.920 --> 0:56:06.600
<v Speaker 5>of a behavior like that, watching watching like like will

0:56:07.080 --> 0:56:09.680
<v Speaker 5>you know uh the time was impeccable. One of the

0:56:09.719 --> 0:56:13.400
<v Speaker 5>funniest guys I've ever worked with. He just has that instinct,

0:56:13.400 --> 0:56:16.840
<v Speaker 5>that intuition that grew and grew. At first it was

0:56:16.880 --> 0:56:20.279
<v Speaker 5>a little broad, a little you know, joky, but then

0:56:20.280 --> 0:56:23.839
<v Speaker 5>he got so deft and so masterful at being able

0:56:23.840 --> 0:56:28.000
<v Speaker 5>to do it economically, and it was just a joy

0:56:28.040 --> 0:56:31.200
<v Speaker 5>to watch that growth. Just a seriously a joy to

0:56:31.200 --> 0:56:31.480
<v Speaker 5>watch that.

0:56:32.120 --> 0:56:34.360
<v Speaker 3>I have to say too, that Double Live script was

0:56:34.400 --> 0:56:38.239
<v Speaker 3>a Matthew Nelson script and we've had I think only

0:56:38.320 --> 0:56:40.839
<v Speaker 3>two of them that we've encountered thus far, and they

0:56:40.880 --> 0:56:44.560
<v Speaker 3>are just superior strips, amazing sp.

0:56:45.000 --> 0:56:48.760
<v Speaker 5>Well, Matt, I saw An Johnson came to our office

0:56:48.760 --> 0:56:51.319
<v Speaker 5>one day she was working with me, and she said,

0:56:51.320 --> 0:56:54.320
<v Speaker 5>you've got to see this guy this play in Hollywood.

0:56:54.560 --> 0:56:57.640
<v Speaker 5>His name is Matt Nelson. You gotta go see this play.

0:56:57.960 --> 0:57:00.480
<v Speaker 5>He's really good. So I took my and we went

0:57:00.520 --> 0:57:04.959
<v Speaker 5>to see this play. We hired him that night. Unbelievable,

0:57:05.520 --> 0:57:09.160
<v Speaker 5>and Matt would really he's a real play right, I

0:57:09.239 --> 0:57:14.880
<v Speaker 5>mean he really got it, really understood the structure and

0:57:15.040 --> 0:57:19.280
<v Speaker 5>character and those scenes just you know, short out. So

0:57:19.960 --> 0:57:22.640
<v Speaker 5>I I'm I'm really proud of that, that that show.

0:57:22.680 --> 0:57:25.320
<v Speaker 5>In terms of the writing, I think I think everybody

0:57:25.320 --> 0:57:27.680
<v Speaker 5>did a great job on that, on that on that show,

0:57:27.720 --> 0:57:31.520
<v Speaker 5>and but the actors, I mean everyone there's it's flawless.

0:57:31.520 --> 0:57:33.800
<v Speaker 5>It's a flawless episode. Really when I look at boys,

0:57:33.920 --> 0:57:34.880
<v Speaker 5>really it's really great.

0:57:35.120 --> 0:57:37.240
<v Speaker 4>I'm going to ask you the question we get asked

0:57:37.440 --> 0:57:41.800
<v Speaker 4>all the time, do you have a favorite episode you directed?

0:57:42.320 --> 0:57:49.800
<v Speaker 5>Well? I do, I love well, obviously, I think everyone

0:57:49.920 --> 0:57:52.479
<v Speaker 5>loves this show. And then there were Sean. I think

0:57:54.360 --> 0:57:56.720
<v Speaker 5>we had such a great time making that and even

0:57:56.720 --> 0:58:03.000
<v Speaker 5>though it really killed me.

0:58:00.880 --> 0:58:04.080
<v Speaker 1>Kill the only time we ever saw you mad, the

0:58:04.160 --> 0:58:05.200
<v Speaker 1>only time we.

0:58:05.160 --> 0:58:07.760
<v Speaker 3>Ever made you mad honestly. I mean maybe we made

0:58:07.760 --> 0:58:09.960
<v Speaker 3>you mad privately, but we never knew it. The only

0:58:10.080 --> 0:58:13.000
<v Speaker 3>time we made you mad, like mad, that we could

0:58:13.040 --> 0:58:16.200
<v Speaker 3>see like, oh we have crossed a line, and it

0:58:16.240 --> 0:58:20.200
<v Speaker 3>was it was so we we loved you. We wanted

0:58:20.200 --> 0:58:22.680
<v Speaker 3>to always be in your good graces. We never wanted

0:58:22.680 --> 0:58:24.880
<v Speaker 3>to make you mad. It was a sure sign that

0:58:24.960 --> 0:58:27.360
<v Speaker 3>we had absolutely crossed.

0:58:26.960 --> 0:58:28.680
<v Speaker 4>Into a thing where it was out of our hands.

0:58:28.880 --> 0:58:31.800
<v Speaker 3>Because even after you yelled at us and literally were like,

0:58:31.880 --> 0:58:33.920
<v Speaker 3>let me know when you're ready to work and stormed

0:58:33.960 --> 0:58:36.160
<v Speaker 3>off set, the first thing we did was bust up laughing,

0:58:36.200 --> 0:58:36.600
<v Speaker 3>and it was.

0:58:36.520 --> 0:58:38.920
<v Speaker 4>Like, what are we doing? What are we doing? This

0:58:38.960 --> 0:58:46.600
<v Speaker 4>is the person we love. Then it was it was.

0:58:45.160 --> 0:58:47.240
<v Speaker 5>Only the clock. It was the clock. It was like,

0:58:47.520 --> 0:58:49.919
<v Speaker 5>you know, it was someone we shut in Disney World.

0:58:50.160 --> 0:58:53.160
<v Speaker 5>That's another one that was just an absolute mind bender.

0:58:53.400 --> 0:58:54.080
<v Speaker 4>Oh yes.

0:58:54.520 --> 0:58:56.520
<v Speaker 5>But and then it was sewing though. But this it

0:58:56.560 --> 0:58:58.560
<v Speaker 5>was such a smart script by Manil. You know, we

0:58:58.680 --> 0:59:00.760
<v Speaker 5>love that script. I don't think almost a word was

0:59:01.560 --> 0:59:04.280
<v Speaker 5>changed in the script. Yeah, really, it was a note

0:59:04.320 --> 0:59:06.600
<v Speaker 5>perfect script. When it came in, Jeff was just you know,

0:59:06.760 --> 0:59:10.240
<v Speaker 5>he's a film buff and he just nailed it. And

0:59:10.240 --> 0:59:13.400
<v Speaker 5>and so to be able to, you know, just to

0:59:13.400 --> 0:59:15.000
<v Speaker 5>pick it apart that everyone said, how are you gonna

0:59:15.000 --> 0:59:17.840
<v Speaker 5>shoot this? I go, I'll find a way. And so

0:59:17.880 --> 0:59:20.439
<v Speaker 5>we worked through it and you guys were having such

0:59:20.440 --> 0:59:22.960
<v Speaker 5>a great time, so much fun to de link itself

0:59:22.960 --> 0:59:25.560
<v Speaker 5>to that. It was just so much fun. You know.

0:59:25.680 --> 0:59:27.640
<v Speaker 3>We had Manel on the show, and one of my

0:59:27.640 --> 0:59:29.880
<v Speaker 3>favorite stories we've heard from anybody who's come on the

0:59:29.880 --> 0:59:32.720
<v Speaker 3>podcast was that he got They were like, all right,

0:59:32.760 --> 0:59:34.880
<v Speaker 3>here's a great idea, Manel, you're going to write this script.

0:59:35.080 --> 0:59:37.320
<v Speaker 3>And he wrote it in like less than twenty four hours,

0:59:37.320 --> 0:59:39.360
<v Speaker 3>but then had to pretend it took him the whole time,

0:59:39.440 --> 0:59:40.400
<v Speaker 3>so it has the st coming.

0:59:40.480 --> 0:59:43.600
<v Speaker 2>He's like, oh working, really really done.

0:59:44.000 --> 0:59:45.440
<v Speaker 4>Yeah, still working.

0:59:46.680 --> 0:59:51.439
<v Speaker 6>Do you, by any chance remember the name of the

0:59:51.480 --> 0:59:54.280
<v Speaker 6>actor that played the gender that killed people.

0:59:56.040 --> 0:59:56.320
<v Speaker 13>Jenner?

0:59:56.960 --> 0:59:58.200
<v Speaker 4>He was a background actor.

0:59:58.480 --> 1:00:01.280
<v Speaker 6>Yeah I know, yeah, No, no one can remember this

1:00:01.400 --> 1:00:02.080
<v Speaker 6>man's name.

1:00:02.720 --> 1:00:07.400
<v Speaker 5>Frank Frank Lowry Frank.

1:00:08.520 --> 1:00:10.320
<v Speaker 4>Writing it down. We're going to start looking.

1:00:10.560 --> 1:00:11.800
<v Speaker 5>I think his name is Frank Lowry.

1:00:12.080 --> 1:00:14.360
<v Speaker 4>Frank sounds right, Frank does sound right?

1:00:14.480 --> 1:00:19.280
<v Speaker 2>Then if you just pulled that name out.

1:00:19.240 --> 1:00:23.800
<v Speaker 4>After we're going to search, we're gonna its.

1:00:23.840 --> 1:00:28.040
<v Speaker 5>Lowry low low frank something. It was kind of a

1:00:29.440 --> 1:00:33.240
<v Speaker 5>low l O w R Y. I don't I don't

1:00:33.280 --> 1:00:37.160
<v Speaker 5>know the exact spelling, but if you have Sally Steiner.

1:00:37.240 --> 1:00:38.440
<v Speaker 4>We did. She did not know.

1:00:39.160 --> 1:00:41.320
<v Speaker 2>Neither did and didn't know.

1:00:43.960 --> 1:00:44.120
<v Speaker 5>Well.

1:00:44.280 --> 1:00:48.080
<v Speaker 1>The tricky part is we had had a janitor Bud Yeah, yeah,

1:00:49.080 --> 1:00:51.600
<v Speaker 1>a couple of times season two, but.

1:00:51.520 --> 1:00:54.160
<v Speaker 5>This was this is a one time because of his look,

1:00:55.480 --> 1:00:57.000
<v Speaker 5>cast totally because of his look.

1:00:58.040 --> 1:01:00.880
<v Speaker 3>Okay, so, and then there was Sean is your favorite

1:01:01.000 --> 1:01:01.959
<v Speaker 3>like all of our.

1:01:02.600 --> 1:01:07.960
<v Speaker 5>Yeah, but then the Long Walk to Pittsburgh Did it

1:01:08.080 --> 1:01:11.880
<v Speaker 5>end up actually be part that we did? And both

1:01:11.920 --> 1:01:14.840
<v Speaker 5>those shows that I have a real affinity for that

1:01:14.880 --> 1:01:18.760
<v Speaker 5>show because you and Ben were just so excuse me.

1:01:26.600 --> 1:01:28.880
<v Speaker 9>It was, it was and and it just had a

1:01:30.320 --> 1:01:30.720
<v Speaker 9>it had.

1:01:30.640 --> 1:01:32.400
<v Speaker 5>A cinematic feel to it. I don't know what it

1:01:32.440 --> 1:01:37.120
<v Speaker 5>was it had. It had a tone and a value

1:01:37.200 --> 1:01:39.520
<v Speaker 5>that was really fun to work on with you guys.

1:01:39.720 --> 1:01:42.080
<v Speaker 5>You know, and you know, one of the things is

1:01:42.120 --> 1:01:45.320
<v Speaker 5>that's interesting too with working with you. You know, my

1:01:45.320 --> 1:01:47.440
<v Speaker 5>my principal job was to make a safe set for

1:01:47.480 --> 1:01:47.840
<v Speaker 5>you guys.

1:01:48.120 --> 1:01:48.520
<v Speaker 6>That was it.

1:01:48.840 --> 1:01:49.040
<v Speaker 9>You know.

1:01:49.080 --> 1:01:52.040
<v Speaker 5>I I was a you know, people kind of be

1:01:52.080 --> 1:01:56.320
<v Speaker 5>quite directors. So sometimes traffic cops, you know. But but

1:01:56.360 --> 1:01:58.959
<v Speaker 5>I think what's really important it was what we did

1:01:59.800 --> 1:02:04.000
<v Speaker 5>together on that on that set was was create First

1:02:04.040 --> 1:02:07.439
<v Speaker 5>of all, you know, getting to know you personally wasn't

1:02:07.480 --> 1:02:09.960
<v Speaker 5>really in the cards because you were either in school

1:02:10.040 --> 1:02:13.320
<v Speaker 5>or on the set, you know, or home. And and

1:02:13.400 --> 1:02:19.200
<v Speaker 5>but I we hung out enough to I I'm curious

1:02:19.240 --> 1:02:21.680
<v Speaker 5>to see what you guys think. When we would would

1:02:21.760 --> 1:02:24.040
<v Speaker 5>get to the set after the table read, what do

1:02:24.080 --> 1:02:28.200
<v Speaker 5>you remember is the first thing we would do with me?

1:02:28.560 --> 1:02:29.160
<v Speaker 5>Do you remember?

1:02:29.800 --> 1:02:31.760
<v Speaker 4>I thought we would read the scene.

1:02:31.800 --> 1:02:33.920
<v Speaker 3>We'd read it before, we'd start with put it on

1:02:33.960 --> 1:02:35.120
<v Speaker 3>its feet, we'd read it.

1:02:35.280 --> 1:02:36.240
<v Speaker 4>We read it out loud.

1:02:36.320 --> 1:02:39.360
<v Speaker 3>And then what I remember is that you always asked

1:02:39.440 --> 1:02:41.320
<v Speaker 3>us what we thought we should do. Where do you

1:02:41.360 --> 1:02:42.720
<v Speaker 3>want to start? Because I'd go like, okay, where do

1:02:42.720 --> 1:02:45.280
<v Speaker 3>you want me? And you'd be like, no, yeah, yep,

1:02:45.880 --> 1:02:46.600
<v Speaker 3>where do you Where.

1:02:46.400 --> 1:02:47.720
<v Speaker 4>Do you want to start? Let's try it?

1:02:47.880 --> 1:02:51.640
<v Speaker 1>And there was this absolute sense of comfort, like yeah,

1:02:52.000 --> 1:02:54.600
<v Speaker 1>we could do no wrong, like there was no there

1:02:54.640 --> 1:02:57.520
<v Speaker 1>was no right or wrong, there was just well, there's

1:02:57.560 --> 1:02:59.120
<v Speaker 1>the words on the scene. We got to figure this out.

1:02:59.160 --> 1:03:01.800
<v Speaker 1>So let's all together as a team figure this out out.

1:03:01.880 --> 1:03:05.320
<v Speaker 1>And we owned it. And you were there to like

1:03:05.720 --> 1:03:08.520
<v Speaker 1>just guide us and help us. And then yeah, I

1:03:08.560 --> 1:03:11.280
<v Speaker 1>remember blocking was always so easy with you, like.

1:03:11.240 --> 1:03:11.680
<v Speaker 4>It was all.

1:03:11.800 --> 1:03:14.320
<v Speaker 1>It was never like stand over here, get over there.

1:03:14.360 --> 1:03:16.760
<v Speaker 1>It was always like we were coming up with it ourselves,

1:03:17.000 --> 1:03:19.959
<v Speaker 1>with you in discussion. And I could feel that even

1:03:20.000 --> 1:03:21.919
<v Speaker 1>like we just watched the Double Lie episode, I could

1:03:22.000 --> 1:03:28.640
<v Speaker 1>feel the blocking like it was being driven. It was

1:03:28.680 --> 1:03:31.880
<v Speaker 1>being the scene with Tony especially. I was watching how

1:03:31.920 --> 1:03:35.000
<v Speaker 1>we were moving, and I was like, we are, we

1:03:35.040 --> 1:03:37.680
<v Speaker 1>are the blocking is being driven by the internal emotion

1:03:37.960 --> 1:03:41.760
<v Speaker 1>in any way as naturally it's natural, and it's it's feels.

1:03:41.800 --> 1:03:44.520
<v Speaker 1>It suddenly felt like a different show. And I know

1:03:44.680 --> 1:03:46.400
<v Speaker 1>that that was because of you, because there was a

1:03:46.440 --> 1:03:49.520
<v Speaker 1>sense of freedom and confidence that we were getting. And

1:03:49.520 --> 1:03:51.000
<v Speaker 1>you know, we were also just getting older, and the

1:03:51.000 --> 1:03:53.520
<v Speaker 1>writing was I mean a lot of factors, but but

1:03:53.640 --> 1:03:57.080
<v Speaker 1>I could tell the blocking just had this different motivation

1:03:57.200 --> 1:03:59.400
<v Speaker 1>behind it, you know. And that's what I remember feeling,

1:03:59.480 --> 1:04:01.680
<v Speaker 1>is like that we were guiding it.

1:04:01.960 --> 1:04:02.160
<v Speaker 12>You know.

1:04:02.200 --> 1:04:04.760
<v Speaker 2>It was it felt like a play and it shows.

1:04:04.880 --> 1:04:06.440
<v Speaker 2>It absolutely shows on camera.

1:04:06.480 --> 1:04:09.080
<v Speaker 6>I mean every single time, this is what the second

1:04:09.200 --> 1:04:11.160
<v Speaker 6>or third of your episodes that you've done so far,

1:04:11.840 --> 1:04:14.720
<v Speaker 6>second and there are times where we've talked about where

1:04:15.000 --> 1:04:18.320
<v Speaker 6>there's a comfortability that came from I remember a couple

1:04:18.520 --> 1:04:21.320
<v Speaker 6>of my scenes being like, well I felt more natural there.

1:04:21.360 --> 1:04:23.360
<v Speaker 6>And then somebody, either writer danielle'll be like, oh this

1:04:23.440 --> 1:04:25.560
<v Speaker 6>was a McCrackan emisode. It's like, oh that's right, Oh

1:04:25.560 --> 1:04:28.440
<v Speaker 6>that's right. Because we love David Traynor. Nothing against David

1:04:28.480 --> 1:04:32.200
<v Speaker 6>Trainer is a wonderful director. He was amazing, but he

1:04:32.360 --> 1:04:35.800
<v Speaker 6>was he was more a you know, I was more

1:04:36.120 --> 1:04:40.640
<v Speaker 6>afraid of David Trainer by Trainer than I was of

1:04:40.720 --> 1:04:43.200
<v Speaker 6>you you. And again it wasn't a bad thing. Trainer

1:04:43.240 --> 1:04:45.640
<v Speaker 6>was is a great guy and was you know, will

1:04:45.720 --> 1:04:48.160
<v Speaker 6>be my first sitcom director ever, and you always forget

1:04:48.160 --> 1:04:51.439
<v Speaker 6>your first. I always remember your first. But with you,

1:04:51.560 --> 1:04:53.960
<v Speaker 6>it was exactly what Ryder said. It's like we would

1:04:53.960 --> 1:04:57.400
<v Speaker 6>get there and it felt like a company. Yeah, that

1:04:57.760 --> 1:05:01.400
<v Speaker 6>make me like an acting company. And it's like, here's

1:05:01.440 --> 1:05:04.080
<v Speaker 6>the show we're gonna do this week, as opposed to

1:05:04.440 --> 1:05:06.720
<v Speaker 6>all right, go stand over there, you come down the thing. Here,

1:05:06.760 --> 1:05:08.680
<v Speaker 6>you go, hit your mark, hit your line. It was

1:05:08.880 --> 1:05:11.520
<v Speaker 6>just yeah, it was it was different. You made you you,

1:05:11.520 --> 1:05:13.120
<v Speaker 6>You made it more of a sense of a team

1:05:13.360 --> 1:05:14.080
<v Speaker 6>if that means.

1:05:13.960 --> 1:05:15.800
<v Speaker 5>That's great. Guys. You know, that makes me feel so

1:05:15.880 --> 1:05:18.520
<v Speaker 5>good because it's exactly what I wanted to provide for you. Guys.

1:05:19.160 --> 1:05:22.040
<v Speaker 5>We were always talking about motivation and motivation. You're and

1:05:22.120 --> 1:05:23.880
<v Speaker 5>I and when I watch you. The reason why I

1:05:23.880 --> 1:05:26.040
<v Speaker 5>give you that freedom is I would watch your instincts.

1:05:26.360 --> 1:05:29.320
<v Speaker 5>Instincts don't lie, you know, and you're You guys were

1:05:29.360 --> 1:05:32.600
<v Speaker 5>open vessels. I mean, so you knew your characters. You

1:05:32.680 --> 1:05:34.880
<v Speaker 5>knew you know, we would read the scene. If we

1:05:34.880 --> 1:05:37.560
<v Speaker 5>had any questions, we talk about it. But there was

1:05:37.600 --> 1:05:40.480
<v Speaker 5>this innate sense of when I said, let's okay, let's

1:05:40.480 --> 1:05:43.640
<v Speaker 5>put up on his feet, you always, you know, I

1:05:43.680 --> 1:05:46.480
<v Speaker 5>always you know? Is you guys direct? So you got

1:05:46.520 --> 1:05:48.880
<v Speaker 5>to understand blocking and for camera and this and that

1:05:49.080 --> 1:05:52.440
<v Speaker 5>sometimes you have to you know, steer things in certain

1:05:52.440 --> 1:05:56.000
<v Speaker 5>ways so that you're getting your coverage correctly. But bottom

1:05:56.080 --> 1:05:59.600
<v Speaker 5>line was, I would watch you and we'd get up there,

1:05:59.640 --> 1:06:01.480
<v Speaker 5>and you would always go to exactly where I thought

1:06:01.520 --> 1:06:05.240
<v Speaker 5>you should be. It was uncanny, It was so uncanny.

1:06:05.240 --> 1:06:08.640
<v Speaker 5>You guys knew where you belonged in a way, and

1:06:08.720 --> 1:06:10.480
<v Speaker 5>if I need to nudge you a certain way or

1:06:10.520 --> 1:06:12.920
<v Speaker 5>do this, it would be a question of you know,

1:06:13.640 --> 1:06:15.760
<v Speaker 5>what's your intention? What do you want? You know, what

1:06:16.000 --> 1:06:17.760
<v Speaker 5>do you want to do to him? When you guys

1:06:17.840 --> 1:06:20.720
<v Speaker 5>were great listeners too, you know, that's the whole hour

1:06:20.800 --> 1:06:23.960
<v Speaker 5>of acting is listening. And you guys really started to

1:06:24.680 --> 1:06:26.560
<v Speaker 5>You were really listening to each other. You weren't going

1:06:26.600 --> 1:06:29.040
<v Speaker 5>for the joke. You were listening to each other, and

1:06:29.680 --> 1:06:33.440
<v Speaker 5>your timing improved because of it, especially Will you, You

1:06:33.520 --> 1:06:36.400
<v Speaker 5>and FEOENI were sterical because you guys you really were

1:06:36.400 --> 1:06:39.400
<v Speaker 5>working off each other, like yeah, you know, you were

1:06:39.440 --> 1:06:40.880
<v Speaker 5>working off each other beautifully.

1:06:41.400 --> 1:06:43.880
<v Speaker 6>I think there's something something that was a great combination

1:06:43.960 --> 1:06:46.080
<v Speaker 6>about starting with David Trainer than having you come in,

1:06:46.120 --> 1:06:48.720
<v Speaker 6>because there's something about David gave me the technical side

1:06:48.760 --> 1:06:51.080
<v Speaker 6>of it, like it was. It was that kind of

1:06:51.560 --> 1:06:54.160
<v Speaker 6>the class that I took was the technical side of

1:06:54.200 --> 1:07:01.600
<v Speaker 6>being on a sitcom and exactly, and then you came

1:07:01.640 --> 1:07:02.640
<v Speaker 6>in and kind of gave.

1:07:02.480 --> 1:07:04.880
<v Speaker 2>It the soul if that made sense, where it's like, all.

1:07:04.840 --> 1:07:06.920
<v Speaker 6>Right, that's in your feet, now let's see where you

1:07:06.920 --> 1:07:07.960
<v Speaker 6>can actually go with it.

1:07:08.040 --> 1:07:11.640
<v Speaker 5>And David Trainer really said the template. I mean I

1:07:11.680 --> 1:07:15.320
<v Speaker 5>watched him create that amidst dealing with Michael. You know

1:07:15.440 --> 1:07:18.680
<v Speaker 5>this this was a real you know, tag team. And

1:07:18.720 --> 1:07:25.960
<v Speaker 5>I also mentioned someone else who is in absolutely vital

1:07:26.200 --> 1:07:29.960
<v Speaker 5>to the success of this company. It was Bob Young. Vital.

1:07:30.720 --> 1:07:33.120
<v Speaker 5>He ran Dinosaurs for two and a half years for Michael.

1:07:33.320 --> 1:07:35.240
<v Speaker 5>He was there for Boy Meets Rule and every we

1:07:35.240 --> 1:07:38.200
<v Speaker 5>we had six seven shows on the airge sometimes, you know,

1:07:38.400 --> 1:07:41.120
<v Speaker 5>it was the same. So if it weren't for Bob Young,

1:07:41.680 --> 1:07:44.160
<v Speaker 5>Michael would not have succeeded. And I'm telling you that

1:07:44.160 --> 1:07:47.000
<v Speaker 5>Boby Young is the reason that he gave Michael the

1:07:47.000 --> 1:07:51.440
<v Speaker 5>stability and the ability to navigate everything. I really mean

1:07:51.480 --> 1:07:57.280
<v Speaker 5>there he's an amazing person, you know, and and humble

1:07:57.360 --> 1:08:00.520
<v Speaker 5>and doesn't he's just amusing.

1:08:01.360 --> 1:08:04.640
<v Speaker 3>Well, you saw us grow up throughout the series. I

1:08:04.680 --> 1:08:07.240
<v Speaker 3>mean you really saw us. I was twelve when we started,

1:08:07.320 --> 1:08:09.680
<v Speaker 3>nineteen when we ended. Writer you know writers a year

1:08:09.680 --> 1:08:11.360
<v Speaker 3>and a half older than me, and Will four years

1:08:11.360 --> 1:08:13.280
<v Speaker 3>older than me. So you really, I mean we were

1:08:13.320 --> 1:08:15.440
<v Speaker 3>all teenagers when we started, or not even quite, and

1:08:15.440 --> 1:08:18.360
<v Speaker 3>then saw us all the way through our twenties. Do

1:08:18.439 --> 1:08:21.639
<v Speaker 3>you have we talked about how fun, how much fun

1:08:21.640 --> 1:08:23.160
<v Speaker 3>we were having on and then there was Sean. But

1:08:23.240 --> 1:08:28.280
<v Speaker 3>do you have any personal favorite memories of each one

1:08:28.320 --> 1:08:31.800
<v Speaker 3>of us from your time, especially season three and four,

1:08:31.840 --> 1:08:35.960
<v Speaker 3>where you were there almost every single day directing almost

1:08:35.960 --> 1:08:37.920
<v Speaker 3>every single episode of those two seasons.

1:08:38.520 --> 1:08:45.880
<v Speaker 5>Well, as I mentioned, you know the characters. You know,

1:08:46.479 --> 1:08:50.439
<v Speaker 5>Ben was amazing. I have to my hat's off to

1:08:50.520 --> 1:08:56.120
<v Speaker 5>him too, because to watch him work as fast as

1:08:56.160 --> 1:08:56.799
<v Speaker 5>he did.

1:08:57.160 --> 1:08:57.800
<v Speaker 2>He carried us.

1:08:57.880 --> 1:09:01.559
<v Speaker 5>He totally carried us. Yeah, you know that that boy

1:09:01.760 --> 1:09:06.080
<v Speaker 5>would man now future congressman. I just look at him

1:09:06.200 --> 1:09:09.880
<v Speaker 5>when he was and I was, I was awestruck by him.

1:09:10.400 --> 1:09:13.200
<v Speaker 5>I I you know, I knew he was Michael's muse,

1:09:13.640 --> 1:09:16.439
<v Speaker 5>and I knew that he was the extension of Michael's

1:09:16.479 --> 1:09:23.680
<v Speaker 5>comic timing and you know, the whole dynamic. But he

1:09:23.680 --> 1:09:30.880
<v Speaker 5>he really, you know, as the anchor of the show.

1:09:30.960 --> 1:09:34.720
<v Speaker 5>He just carried it. And I I was in awe

1:09:34.760 --> 1:09:37.760
<v Speaker 5>of that. And sometimes he was a challenge to work with,

1:09:37.800 --> 1:09:40.320
<v Speaker 5>you know, with these attention and this and that. But

1:09:40.320 --> 1:09:44.519
<v Speaker 5>but he always showed up. I mean he always delivered. Yeah.

1:09:44.560 --> 1:09:50.679
<v Speaker 5>And and what was great was there was no ego

1:09:50.760 --> 1:09:53.679
<v Speaker 5>at work. There was no I'm better than anybody else.

1:09:53.800 --> 1:09:56.680
<v Speaker 5>I mean, it's my opinion of our impression of him

1:09:56.800 --> 1:10:03.040
<v Speaker 5>was that he was in that zone and he was generous. Uh,

1:10:03.080 --> 1:10:06.200
<v Speaker 5>in those scenes with writer. He was very generous, you know,

1:10:06.680 --> 1:10:09.320
<v Speaker 5>with you and and and you guys were equal footing.

1:10:09.320 --> 1:10:11.920
<v Speaker 5>It was totally fifty to fifty. There was no I'm

1:10:12.120 --> 1:10:14.519
<v Speaker 5>I'm the star of the show. He never pulled that

1:10:14.880 --> 1:10:17.679
<v Speaker 5>that I saw ever, and and uh, and he could

1:10:17.720 --> 1:10:20.200
<v Speaker 5>have easily, you know, but he didn't. As far as

1:10:20.240 --> 1:10:25.240
<v Speaker 5>I'm concerned, I hadn't. I never saw it. Sometimes he

1:10:25.240 --> 1:10:27.360
<v Speaker 5>would joke about it, but but but it was never

1:10:27.560 --> 1:10:30.360
<v Speaker 5>something that he would you know, act on. And so,

1:10:31.760 --> 1:10:34.679
<v Speaker 5>you know, Ben, watching him carry the show was was

1:10:34.520 --> 1:10:37.519
<v Speaker 5>it was amazing to me and and and I think

1:10:37.520 --> 1:10:39.559
<v Speaker 5>in all of the episodes I were directly. I only

1:10:39.560 --> 1:10:41.719
<v Speaker 5>got really mad at him once, you know, in terms

1:10:41.760 --> 1:10:44.519
<v Speaker 5>of his attention. He was just eighty One day. I

1:10:44.560 --> 1:10:46.320
<v Speaker 5>just went to Ben, stop it.

1:10:46.520 --> 1:10:51.280
<v Speaker 3>You know, he had that same Michael Jacobs and talked about.

1:10:51.080 --> 1:10:54.120
<v Speaker 5>From absolutely you know, and uh and and and you

1:10:54.160 --> 1:10:57.240
<v Speaker 5>know so but he's yeah, he was amazing and and

1:10:58.600 --> 1:11:01.400
<v Speaker 5>uh when and when Michael would get him to do

1:11:01.479 --> 1:11:05.120
<v Speaker 5>certain things that were to me a little too jokey

1:11:05.240 --> 1:11:08.160
<v Speaker 5>or too crazy. You know, Michael comes from the text Avery,

1:11:08.760 --> 1:11:12.519
<v Speaker 5>you know, Order Brothers cartoon sensibility. That's that's Michael. You know,

1:11:13.520 --> 1:11:16.040
<v Speaker 5>he's mister Looney Tune and so, and he loves that

1:11:16.120 --> 1:11:18.519
<v Speaker 5>stuff and he loves to go for the broad joke

1:11:18.920 --> 1:11:21.320
<v Speaker 5>like like they want you to take the roles, you know.

1:11:22.000 --> 1:11:25.480
<v Speaker 4>I mean, yeah, absolutely classic.

1:11:25.880 --> 1:11:28.000
<v Speaker 5>I mean there's no better you know, there's no better

1:11:28.120 --> 1:11:31.000
<v Speaker 5>moment or or when you guys do the together, you know,

1:11:31.439 --> 1:11:35.760
<v Speaker 5>I mean those are classic Michael moments. And so I

1:11:35.800 --> 1:11:38.240
<v Speaker 5>get it. I enjoyed it, you know, and and then

1:11:38.320 --> 1:11:41.160
<v Speaker 5>carried it off, you know, and everyone did really when

1:11:41.160 --> 1:11:44.080
<v Speaker 5>when when it came time to it? So back to

1:11:44.080 --> 1:11:46.519
<v Speaker 5>your question, Daniel, Sorry, I'm digressing. I'm trying to.

1:11:47.320 --> 1:11:51.360
<v Speaker 3>It's okay if you don't have any memories.

1:11:50.760 --> 1:11:55.360
<v Speaker 5>Are there's there's there's there's like four that are really

1:11:56.000 --> 1:11:59.080
<v Speaker 5>that I always have fun with one. I don't know.

1:11:59.120 --> 1:12:02.360
<v Speaker 5>Will if you remember the bear episode where oh god,

1:12:03.040 --> 1:12:05.759
<v Speaker 5>there we had a bear? You had the Wilderness show.

1:12:05.640 --> 1:12:06.639
<v Speaker 2>In the Wilderness Store.

1:12:07.080 --> 1:12:09.880
<v Speaker 5>Yes, and and I love Trainer of Fools. I mean

1:12:10.000 --> 1:12:12.559
<v Speaker 5>there's so many, there's so many episodes with so many

1:12:12.600 --> 1:12:13.400
<v Speaker 5>great things with you.

1:12:13.560 --> 1:12:18.040
<v Speaker 1>But the bear thing, I do not remember that there

1:12:18.040 --> 1:12:21.479
<v Speaker 1>was ever. I remember a bear in the Civil War episode,

1:12:21.560 --> 1:12:22.360
<v Speaker 1>but I don't remember.

1:12:22.560 --> 1:12:24.400
<v Speaker 2>Yeah, no, we had a bear in the in the

1:12:24.439 --> 1:12:25.880
<v Speaker 2>Wilderness store too with.

1:12:26.160 --> 1:12:28.160
<v Speaker 5>I don't remember, but the trainer came in and he

1:12:28.200 --> 1:12:32.680
<v Speaker 5>had one arm, you know, and it was like so

1:12:33.400 --> 1:12:36.479
<v Speaker 5>so bloody funny and you and there's a moment where

1:12:36.479 --> 1:12:37.800
<v Speaker 5>you're you go up to the bear and the bear

1:12:37.840 --> 1:12:40.120
<v Speaker 5>opens his mouth and he growls at you, and we

1:12:40.160 --> 1:12:44.240
<v Speaker 5>put a fan and your hair is blowing. And there's

1:12:44.280 --> 1:12:47.040
<v Speaker 5>like moments like that that you know that just still

1:12:47.280 --> 1:12:50.439
<v Speaker 5>tickle me to death, you know. And then there's the

1:12:50.479 --> 1:12:54.639
<v Speaker 5>moments with Danielle and Ben that I just my heart melts.

1:12:54.840 --> 1:12:58.080
<v Speaker 5>I just my heart just melts watching them go through

1:12:58.120 --> 1:13:02.200
<v Speaker 5>the the angst of the relationship up and that the care.

1:13:02.640 --> 1:13:05.960
<v Speaker 5>I mean, you guys just were so wonderful together. So

1:13:06.600 --> 1:13:10.040
<v Speaker 5>you know that that that dynamic was was so precious

1:13:10.040 --> 1:13:12.760
<v Speaker 5>to me and I and I uh, and the way

1:13:12.800 --> 1:13:15.760
<v Speaker 5>you carried off with such you know, authenticity and and

1:13:15.760 --> 1:13:19.400
<v Speaker 5>and truth, I I just uh and vulnerability, oh my god.

1:13:20.760 --> 1:13:23.280
<v Speaker 5>And you were always mother Earth. You were always the

1:13:23.400 --> 1:13:27.479
<v Speaker 5>voice of reason, the one who's basically you know. And

1:13:27.560 --> 1:13:31.840
<v Speaker 5>I think the episode where you you toy it was uh,

1:13:32.320 --> 1:13:34.080
<v Speaker 5>when you visit the Art Museum with.

1:13:34.200 --> 1:13:38.360
<v Speaker 4>The starry night night that I think was.

1:13:38.360 --> 1:13:41.040
<v Speaker 5>My favorite episode with you.

1:13:41.040 --> 1:13:42.280
<v Speaker 4>You were you.

1:13:42.280 --> 1:13:45.879
<v Speaker 5>Were so good in that episode. You know, you're juggling

1:13:45.960 --> 1:13:49.400
<v Speaker 5>both Corey and your feelings for him versus this new boy.

1:13:49.760 --> 1:13:54.160
<v Speaker 5>It's just great. Yeah. So you know, I can go

1:13:54.200 --> 1:13:54.519
<v Speaker 5>on and on.

1:13:55.320 --> 1:13:55.840
<v Speaker 7>You know what, I have.

1:13:55.960 --> 1:13:59.320
<v Speaker 1>I have memories of you and I and it's it's

1:13:59.320 --> 1:14:02.320
<v Speaker 1>been interesting to get older and and to be able

1:14:02.360 --> 1:14:11.479
<v Speaker 1>to acknowledge that you, probably more than anybody in my life,

1:14:11.600 --> 1:14:16.280
<v Speaker 1>especially at that time, helped me in my career outside

1:14:16.320 --> 1:14:20.240
<v Speaker 1>of Boy Meets World in a variety of ways, and

1:14:20.520 --> 1:14:23.679
<v Speaker 1>no one else did that. You reached outside of the show.

1:14:24.680 --> 1:14:28.400
<v Speaker 1>I produced a friend's album and you hooked us up

1:14:28.439 --> 1:14:29.920
<v Speaker 1>with producers and tried to help.

1:14:30.120 --> 1:14:32.320
<v Speaker 7>It was just my friend, but you were like you did.

1:14:32.720 --> 1:14:34.840
<v Speaker 1>My parents at one point optioned a script that they

1:14:34.840 --> 1:14:36.840
<v Speaker 1>thought would be good for me and my brother, and

1:14:36.880 --> 1:14:40.520
<v Speaker 1>you hooked us up with other producers. You like actively

1:14:41.040 --> 1:14:44.080
<v Speaker 1>helped my career and like I don't, I didn't. I

1:14:44.160 --> 1:14:46.160
<v Speaker 1>just thought that that was like what people didn't but

1:14:46.200 --> 1:14:47.120
<v Speaker 1>like nobody does that.

1:14:47.200 --> 1:14:50.240
<v Speaker 7>You did that. You were so you were just so

1:14:50.240 --> 1:14:51.479
<v Speaker 7>supportive in all the ways.

1:14:51.600 --> 1:14:54.280
<v Speaker 2>You know, it wasn't just about movie. You're the writer,

1:14:54.320 --> 1:14:55.400
<v Speaker 2>You're the one who reminded me of that.

1:14:56.160 --> 1:14:58.920
<v Speaker 1>It was It wasn't It was about you just had

1:14:58.920 --> 1:15:01.599
<v Speaker 1>no ego about it. You just wanting to create great art.

1:15:01.960 --> 1:15:04.680
<v Speaker 1>And you were helping us not just to do the

1:15:04.760 --> 1:15:07.920
<v Speaker 1>episodes and to do the show, but in our lives

1:15:08.120 --> 1:15:10.479
<v Speaker 1>outside of the show, and man, like that's just I

1:15:10.520 --> 1:15:11.120
<v Speaker 1>love you for that.

1:15:11.280 --> 1:15:14.920
<v Speaker 3>Like yeah, And that continued on decades after the show ended.

1:15:15.000 --> 1:15:17.840
<v Speaker 3>When I applied for my master's degree to Chapman, it

1:15:17.960 --> 1:15:20.760
<v Speaker 3>just so happened Jeff was directing, not directing, Jeff was

1:15:20.800 --> 1:15:24.440
<v Speaker 3>teaching at Chapman, and I was like, oh my gosh,

1:15:24.160 --> 1:15:27.320
<v Speaker 3>I'm I'm applying for my master's degree. Could you write

1:15:27.320 --> 1:15:29.120
<v Speaker 3>me a letter of recommendation? He was like, not only

1:15:29.120 --> 1:15:30.800
<v Speaker 3>will I write you a letter of recommendation, but come

1:15:30.840 --> 1:15:33.320
<v Speaker 3>to the come to the university, let's walk around, let's

1:15:33.320 --> 1:15:35.720
<v Speaker 3>get lunch. I mean that was you know, that was

1:15:36.240 --> 1:15:38.120
<v Speaker 3>fifteen years after Boy Meets World had ended.

1:15:38.200 --> 1:15:41.280
<v Speaker 5>Yeah, well, let me put in perspective for you guys.

1:15:42.080 --> 1:15:44.960
<v Speaker 5>You know, I had three kids, but the same ages,

1:15:45.040 --> 1:15:49.679
<v Speaker 5>a little bit younger than you guys. You know, being

1:15:49.680 --> 1:15:52.000
<v Speaker 5>on that show as long as I was for seven

1:15:52.080 --> 1:15:55.720
<v Speaker 5>years with you guys, you know, off and on you

1:15:55.760 --> 1:15:59.200
<v Speaker 5>know you were my kids. How dd felt it. We

1:15:59.240 --> 1:16:02.840
<v Speaker 5>all felt that way. You really watched you grow up

1:16:03.080 --> 1:16:06.519
<v Speaker 5>and you know, and you were such great people. I mean,

1:16:06.560 --> 1:16:09.640
<v Speaker 5>and I have to say also with Michael's credit, you

1:16:09.680 --> 1:16:12.160
<v Speaker 5>know he casts correctly in the sense that he also

1:16:12.240 --> 1:16:13.680
<v Speaker 5>auditioned the Pearents.

1:16:14.080 --> 1:16:15.400
<v Speaker 2>Yeah, yeah, yep.

1:16:15.280 --> 1:16:18.280
<v Speaker 5>You know it was. It was an amazing thing to see,

1:16:18.920 --> 1:16:21.920
<v Speaker 5>you know, how great parents everybody had.

1:16:22.760 --> 1:16:23.160
<v Speaker 2>Yeah.

1:16:23.240 --> 1:16:25.600
<v Speaker 6>My favorite story about you, I've told this before on

1:16:25.640 --> 1:16:27.880
<v Speaker 6>the podcast. It just to me sums you up so

1:16:27.960 --> 1:16:32.280
<v Speaker 6>well is the week where I think it was the

1:16:32.320 --> 1:16:38.160
<v Speaker 6>weather Man episode and I had to cut my hair, yes,

1:16:38.200 --> 1:16:40.800
<v Speaker 6>and we and I did not want to cut my hair,

1:16:41.120 --> 1:16:43.439
<v Speaker 6>and the it was a network note and the network's like,

1:16:43.479 --> 1:16:44.880
<v Speaker 6>you got to cut your hair and I didn't want

1:16:44.880 --> 1:16:45.920
<v Speaker 6>to do it. And I didn't want to do it,

1:16:45.960 --> 1:16:47.920
<v Speaker 6>and you felt so bad that you sent me back

1:16:47.960 --> 1:16:50.200
<v Speaker 6>to get my hair cut. And you came to the

1:16:50.240 --> 1:16:52.559
<v Speaker 6>set the next day because you had long hair too,

1:16:52.720 --> 1:16:55.280
<v Speaker 6>and your hair looked weird.

1:16:56.600 --> 1:16:58.479
<v Speaker 2>And I was like, what did you do? And You're like, well,

1:16:58.520 --> 1:17:00.120
<v Speaker 2>I cut off my hair and I'm like, what do

1:17:00.160 --> 1:17:01.800
<v Speaker 2>you mean. You're like to you know, you had to

1:17:01.880 --> 1:17:03.040
<v Speaker 2>do it, so I did, and I went, well, who

1:17:03.040 --> 1:17:03.519
<v Speaker 2>cut your hair?

1:17:03.560 --> 1:17:07.439
<v Speaker 13>You're like I did, And so you went home that

1:17:07.760 --> 1:17:12.160
<v Speaker 13>night and cut your own hair off to make me

1:17:12.240 --> 1:17:14.840
<v Speaker 13>feel better about having to cut my hair.

1:17:14.880 --> 1:17:17.639
<v Speaker 2>To me, it's just it's the ultimate Jeff McCracken story.

1:17:17.640 --> 1:17:20.120
<v Speaker 2>It's like the ultimate moment. You didn't even go get

1:17:20.120 --> 1:17:20.679
<v Speaker 2>a haircut.

1:17:20.720 --> 1:17:23.800
<v Speaker 6>You grabbed a pair of scissors and you cut off

1:17:23.880 --> 1:17:26.240
<v Speaker 6>your hair in solidarity with me.

1:17:26.400 --> 1:17:29.240
<v Speaker 2>It's who does that? I mean, who does that? It's

1:17:29.439 --> 1:17:30.719
<v Speaker 2>amazing to me, amazing.

1:17:30.800 --> 1:17:33.360
<v Speaker 5>You know what you do, what you gotta do.

1:17:33.360 --> 1:17:35.480
<v Speaker 4>Do you still do stuff like that for the dinosaurs?

1:17:39.960 --> 1:17:47.519
<v Speaker 4>I just wanted to know, you know, all died. Did

1:17:47.560 --> 1:17:50.160
<v Speaker 4>you be honest at the time.

1:17:50.320 --> 1:17:52.759
<v Speaker 3>Did you ever think while working on Boy Meets World

1:17:53.160 --> 1:17:57.040
<v Speaker 3>that someday, thirty years from now there would still be

1:17:57.120 --> 1:17:59.479
<v Speaker 3>this kind of interest in the show?

1:18:00.120 --> 1:18:03.960
<v Speaker 5>It's you would No, No, I mean I don't think

1:18:04.000 --> 1:18:05.639
<v Speaker 5>so now, could anyone?

1:18:05.760 --> 1:18:05.880
<v Speaker 12>Right?

1:18:06.000 --> 1:18:06.040
<v Speaker 6>No?

1:18:06.400 --> 1:18:08.320
<v Speaker 5>No, No, you guys have resurrected in a lot of

1:18:08.320 --> 1:18:11.000
<v Speaker 5>ways too. I mean there's a I saw you guys

1:18:11.000 --> 1:18:14.040
<v Speaker 5>in Hartford a year ago. You know, your your your convention,

1:18:14.240 --> 1:18:17.559
<v Speaker 5>and it was so great to see the outpouring of

1:18:17.640 --> 1:18:21.240
<v Speaker 5>love and fandom that you guys have created it's it's

1:18:21.320 --> 1:18:25.439
<v Speaker 5>it's a it's a it's a magical thing. I I I. Yeah,

1:18:25.600 --> 1:18:29.400
<v Speaker 5>it was a seminal, seminal, seminal time in our culture

1:18:29.479 --> 1:18:34.639
<v Speaker 5>that this show existed, and and UH has given life

1:18:34.680 --> 1:18:40.479
<v Speaker 5>to you know so much. I mean, it's in its

1:18:40.560 --> 1:18:43.479
<v Speaker 5>values they're still holding strong. I think that's the thing

1:18:43.479 --> 1:18:47.280
<v Speaker 5>about the show too. It's it really found a beating

1:18:47.400 --> 1:18:50.519
<v Speaker 5>heart that I think people really identify with.

1:18:51.720 --> 1:18:53.479
<v Speaker 6>Have you heard my fellow I'm sorry, but if you've

1:18:53.520 --> 1:18:56.599
<v Speaker 6>heard my fellow UH hosts here talking about our beautiful

1:18:56.680 --> 1:18:58.439
<v Speaker 6>nut makes state you mentioned Hartford.

1:18:59.200 --> 1:19:02.800
<v Speaker 2>Have you heard about what's going on over here?

1:19:02.960 --> 1:19:06.840
<v Speaker 12>Did your soup can pick up what they've been talking about?

1:19:07.520 --> 1:19:11.880
<v Speaker 2>Beautiful his computer to keep it calling right now? This

1:19:13.760 --> 1:19:15.880
<v Speaker 2>is what I deal with. This is what I deal with.

1:19:22.120 --> 1:19:25.800
<v Speaker 6>God shout out to the people watching on the one we.

1:19:25.800 --> 1:19:26.599
<v Speaker 4>Talked about his art.

1:19:26.640 --> 1:19:28.880
<v Speaker 3>It's incredible what he's able to do on leaves since

1:19:28.880 --> 1:19:30.519
<v Speaker 3>they don't have candas.

1:19:30.200 --> 1:19:32.200
<v Speaker 2>Exactly what you can do by candlelight.

1:19:32.320 --> 1:19:34.440
<v Speaker 4>Thanks you, it's so great, somaiting.

1:19:37.040 --> 1:19:40.040
<v Speaker 2>Their light is the only Connecticut is beautiful.

1:19:40.920 --> 1:19:41.840
<v Speaker 5>It's perfect light.

1:19:42.200 --> 1:19:46.479
<v Speaker 3>Yeah, Well, looking back, it's now where this is the

1:19:46.640 --> 1:19:48.920
<v Speaker 3>This is the year of the thirtieth anniversary of the

1:19:48.920 --> 1:19:52.880
<v Speaker 3>start of Boy Meets World. How when you think about it,

1:19:53.200 --> 1:19:55.920
<v Speaker 3>how do you sum up that time of your life

1:19:56.040 --> 1:19:57.519
<v Speaker 3>and what does it mean to you?

1:19:59.120 --> 1:20:01.280
<v Speaker 5>Well, you know, as I that I wasn't a sitcom fan.

1:20:01.400 --> 1:20:04.240
<v Speaker 5>I didn't really want to do it, you know, but

1:20:04.400 --> 1:20:08.519
<v Speaker 5>then jumping into into the water with you guys was

1:20:08.520 --> 1:20:11.519
<v Speaker 5>was was probably one of the finest things I've ever

1:20:11.560 --> 1:20:18.920
<v Speaker 5>done creatively, emotionally, and and I think that you know,

1:20:19.400 --> 1:20:21.479
<v Speaker 5>it's a it's a It was my biggest lesson. When

1:20:21.520 --> 1:20:24.080
<v Speaker 5>the door opens, walk through it, you know, don't don't

1:20:25.080 --> 1:20:29.639
<v Speaker 5>don't you know, I don't judge you know too much,

1:20:29.720 --> 1:20:32.160
<v Speaker 5>because you'll judge yourself right out of the out of

1:20:32.160 --> 1:20:35.720
<v Speaker 5>the game. I've done that, you know, on many occasions.

1:20:35.720 --> 1:20:38.680
<v Speaker 5>So I thank god I had, you know, Michael had

1:20:38.680 --> 1:20:40.760
<v Speaker 5>the wherewithal to ask me and and and push me

1:20:40.800 --> 1:20:45.280
<v Speaker 5>into it and and and gave me that chance. It was.

1:20:46.560 --> 1:20:48.400
<v Speaker 5>It was an amazing experience.

1:20:48.000 --> 1:20:53.479
<v Speaker 3>Working with you well likewise for all of us, and

1:20:53.840 --> 1:21:00.320
<v Speaker 3>you have continued to be an influential, impactful, meaningful, absolute, lutely,

1:21:01.040 --> 1:21:07.439
<v Speaker 3>deeply sincerely loved person in our lives. And we are

1:21:07.479 --> 1:21:13.200
<v Speaker 3>just beyond lucky to have you. Also, we absolutely have

1:21:13.280 --> 1:21:15.920
<v Speaker 3>to have you back on this podcast to talk about

1:21:16.479 --> 1:21:19.559
<v Speaker 3>when we when we come upon episodes, specific episodes that

1:21:19.600 --> 1:21:22.280
<v Speaker 3>you directed, if you would do us the honor, we

1:21:22.320 --> 1:21:25.240
<v Speaker 3>would love to have you back to talk through those episodes,

1:21:25.240 --> 1:21:27.439
<v Speaker 3>to do some recaps with us, to tell us your

1:21:27.479 --> 1:21:30.479
<v Speaker 3>thoughts on them and and your memories. You're just you

1:21:30.520 --> 1:21:32.200
<v Speaker 3>are one of the people that, like we hope to

1:21:32.280 --> 1:21:35.080
<v Speaker 3>have as a you know, regular contributor to this podcast

1:21:35.120 --> 1:21:37.360
<v Speaker 3>for the next couple of seasons since you are such

1:21:37.360 --> 1:21:37.920
<v Speaker 3>an expert.

1:21:38.439 --> 1:21:42.400
<v Speaker 5>That's very sweet and more happy to do that really great. Anytime,

1:21:42.560 --> 1:21:44.040
<v Speaker 5>anytime I can just spell with you, guys is.

1:21:44.880 --> 1:21:50.879
<v Speaker 3>Golden so well we feel the same way. We love you, Jeff, Yeah.

1:21:50.760 --> 1:21:54.840
<v Speaker 5>Yeah, yeah, I just love you.

1:21:54.840 --> 1:21:56.360
<v Speaker 2>Thank you for being back, guys.

1:21:56.400 --> 1:21:57.599
<v Speaker 5>Take care, Take care.

1:21:57.720 --> 1:22:00.559
<v Speaker 3>Jeff, I managed to make it through the episode without

1:22:00.600 --> 1:22:04.200
<v Speaker 3>tears falling, but just some welling writer or I feel

1:22:04.200 --> 1:22:06.200
<v Speaker 3>like you wanted to say something but you didn't say it.

1:22:06.920 --> 1:22:10.760
<v Speaker 4>What did yeah to Jeff? Just I know, I mean no.

1:22:10.760 --> 1:22:12.120
<v Speaker 1>I had to stop myself because I was going to

1:22:12.160 --> 1:22:13.160
<v Speaker 1>start crying when I was sorry.

1:22:13.880 --> 1:22:18.280
<v Speaker 6>He's just you don't realize how important he was until

1:22:18.320 --> 1:22:21.559
<v Speaker 6>you really start to think, I mean he's I mean,

1:22:21.600 --> 1:22:25.240
<v Speaker 6>it's just he was so important to everything that happened

1:22:25.240 --> 1:22:27.000
<v Speaker 6>with us on the show and to us and to

1:22:27.040 --> 1:22:28.400
<v Speaker 6>who he became as people.

1:22:28.479 --> 1:22:30.559
<v Speaker 2>I mean, he was just but he just had no

1:22:30.640 --> 1:22:32.519
<v Speaker 2>ego about it. Nothing that he still doesn't.

1:22:33.560 --> 1:22:37.360
<v Speaker 1>It's just he just I mean that he's my hero,

1:22:37.560 --> 1:22:41.120
<v Speaker 1>you know, like my hero in how he is as

1:22:41.160 --> 1:22:45.360
<v Speaker 1>a person and autistically and and he never made me

1:22:45.920 --> 1:22:47.280
<v Speaker 1>He just always made me feel like that.

1:22:47.320 --> 1:22:48.880
<v Speaker 7>Was the way he wanted it.

1:22:48.880 --> 1:22:50.360
<v Speaker 1>You know, he wanted to just be there and wanted

1:22:50.360 --> 1:22:53.200
<v Speaker 1>to help. And in retrospect, like, like I said to him,

1:22:53.840 --> 1:22:54.800
<v Speaker 1>nobody else did that.

1:22:54.880 --> 1:22:56.559
<v Speaker 2>Like nobody else on.

1:22:56.479 --> 1:22:59.639
<v Speaker 1>Boy Meets World ever helped my career outside of Boy

1:22:59.680 --> 1:23:00.000
<v Speaker 1>Meets Work.

1:23:00.080 --> 1:23:00.839
<v Speaker 4>Isn't that interesting?

1:23:00.920 --> 1:23:01.640
<v Speaker 2>Like yeah, why not?

1:23:02.120 --> 1:23:04.080
<v Speaker 1>And you can tell that he's done that his entire life.

1:23:04.080 --> 1:23:05.640
<v Speaker 1>He's like, well what about this actor I work with?

1:23:05.640 --> 1:23:06.080
<v Speaker 7>What about this?

1:23:06.120 --> 1:23:08.640
<v Speaker 1>But he connects other people, he has a sense of

1:23:08.640 --> 1:23:13.280
<v Speaker 1>community and help and support and like it's just it's beautiful.

1:23:13.439 --> 1:23:15.799
<v Speaker 6>But when he starts his story with and my grandmother

1:23:15.880 --> 1:23:17.360
<v Speaker 6>was sick and she had nobody, so I moved out.

1:23:17.360 --> 1:23:18.920
<v Speaker 1>You're like twenty one years old.

1:23:19.000 --> 1:23:21.719
<v Speaker 2>Of course, of course, of course you did, like, that's yeah,

1:23:21.880 --> 1:23:22.439
<v Speaker 2>that's you.

1:23:22.600 --> 1:23:24.840
<v Speaker 6>I mean, it's just yeah, he's he's one of the

1:23:24.880 --> 1:23:27.479
<v Speaker 6>most beautiful human beings I've ever met in my life.

1:23:27.560 --> 1:23:31.200
<v Speaker 6>And that is not hyberbally He's no's incredible. Yeah, it's

1:23:31.400 --> 1:23:33.800
<v Speaker 6>uh yeah what He's an amazing.

1:23:33.479 --> 1:23:34.160
<v Speaker 2>Man, really is.

1:23:35.160 --> 1:23:35.479
<v Speaker 4>Well.

1:23:35.520 --> 1:23:37.200
<v Speaker 3>Thank you all for joining us for this episode of

1:23:37.200 --> 1:23:39.400
<v Speaker 3>Pod Meets World. You can follow us on Instagram pod

1:23:39.439 --> 1:23:41.599
<v Speaker 3>Meets World Show. You can send us your emails pod

1:23:41.600 --> 1:23:45.400
<v Speaker 3>Meets World Show at gmail dot com, and we have merch.

1:23:45.439 --> 1:23:48.799
<v Speaker 2>Merch is even available in Connecticut.

1:23:50.560 --> 1:23:53.479
<v Speaker 3>Pod Meetsworldshow dot com writer send us out.

1:23:53.720 --> 1:23:55.440
<v Speaker 7>We love you all, pod dismissed.

1:23:56.960 --> 1:23:59.559
<v Speaker 1>Pod Meets World is an iHeart podcast produced and hosted

1:23:59.560 --> 1:24:03.559
<v Speaker 1>by daniel Official, Wilfredell and Ryder Strong. Executive producers Jensen

1:24:03.640 --> 1:24:07.160
<v Speaker 1>Karp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1:24:07.439 --> 1:24:11.840
<v Speaker 1>producer and editor, Tara Sudbach, producer, Jackie Rodriguez, engineer and

1:24:11.880 --> 1:24:15.000
<v Speaker 1>Boy Meets World superfan Easton Allen. Our theme song is

1:24:15.080 --> 1:24:17.640
<v Speaker 1>by Kyle Morton of Typhoon. You can follow us on

1:24:17.680 --> 1:24:20.799
<v Speaker 1>Instagram at podmets World Show, or send us an email

1:24:20.920 --> 1:24:23.920
<v Speaker 1>at Podmeats World Show at gmail dot com.