WEBVTT - #92 - Kurupt

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<v Speaker 1>Hey, welcome to the interview, I mean the podcast. I

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<v Speaker 1>mean yeah, there's gonna be an interview in the podcast. Welcome.

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<v Speaker 1>We got Corrupt coming on. I think I hit the

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<v Speaker 1>wrong sounded. What did I just hit? Oh yeah, I

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<v Speaker 1>just hit the wrong button. Hey man, listen, Welcome to

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<v Speaker 1>the podcast Corrupt. Young Gottie, one of the most legendary

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<v Speaker 1>lyricists in hip hop history by way of Philadelphia all

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<v Speaker 1>the Way to La Corrupt will be on the podcast

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<v Speaker 1>today and it is a doozy. It is a good one,

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<v Speaker 1>Yes it is. Before we talk to the legend Corrupt,

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<v Speaker 1>Let's get into the interview with Corrupt Yo bout Let

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<v Speaker 1>keV Show special guests in here. Uh, this fucking fly

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<v Speaker 1>will not go away. By the way, I've been trying

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<v Speaker 1>to kill this fly for like two days. O Yo, corrupt, corrupt,

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<v Speaker 1>corrupt man, your a legend. Welcome, thank you, thank you.

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<v Speaker 1>You know, I gotta give you some flowers because there's

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<v Speaker 1>one album of yours that I always just rave that

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<v Speaker 1>is like one of the most slept on albums of

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<v Speaker 1>all times. Streets is a Mother Oh Wow is one

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<v Speaker 1>of my favorite albums ever overseen by Daz Dylan Drew

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<v Speaker 1>I called shots with you and Roscoe. That's an organized

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<v Speaker 1>noise man, You and Roscoe back and forth. You know, Yeah,

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<v Speaker 1>that's that, Uh, Ray, Rico and Pat when the Beat

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<v Speaker 1>Organized Noise. We went to Atlanta for that and Uh

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<v Speaker 1>I was over there at the dungeon. Rico, Ray came

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<v Speaker 1>through and then we just laced it up Sleepy Brown

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<v Speaker 1>Pat how how's how's your brother doing? Doing real good?

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<v Speaker 1>You know he just had his second baby, zay Alani.

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<v Speaker 1>I call it Kalani. You got it. You gotta put

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<v Speaker 1>that corrupt twist on that. But you know, kids help

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<v Speaker 1>you to grow up and become the man you're going

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<v Speaker 1>to be. And uh, that's what happened with David. You know,

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<v Speaker 1>Scodie's on his grown man now working on this music.

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<v Speaker 1>Still got a new group, Luxury Click. So I remember

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<v Speaker 1>when I first heard I called shots and I found

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<v Speaker 1>out that that was your brother. I was like, oh

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<v Speaker 1>my god, psychosomatic automatics, man, And I was shocked. I

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<v Speaker 1>was like this, I said, corrupt brother might be harder

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<v Speaker 1>than corrupt. Motherfucking right, I was. You know what they say, man,

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<v Speaker 1>the next generation they greater than the generation before them.

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<v Speaker 1>You know, that's when they're doing well. You know, otherwise

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<v Speaker 1>they will either be lower and lucky to be the same.

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<v Speaker 1>But when they really on their game right, they surpassed.

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<v Speaker 1>And that's what Scodie has done throughout the years. And

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<v Speaker 1>I remember when I first heard him rap twelve years old,

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<v Speaker 1>thirteen and wanted to get into cipher and I told him, man,

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<v Speaker 1>I kicked back, man, hold on because you know, I

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<v Speaker 1>don't want him to get embarrassed. And he rapped for

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<v Speaker 1>like thirty minutes to forty minutes. I said, oh my god,

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<v Speaker 1>the fruit does not fall far from the tree. In

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<v Speaker 1>the tree, I said, Wow, I said this boy ready, yeah,

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<v Speaker 1>oh yeah, fout out to that. It's a California album.

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<v Speaker 1>You're it's crazy, man, because you know, my favorite uh

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<v Speaker 1>you know, I always say that the best West Coast album,

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<v Speaker 1>probably my second or third favorite album ever is Doggy Style. Yes, sir,

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<v Speaker 1>and that's the album that really introduced you to the masses. Yes,

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<v Speaker 1>it did introduced all of us, me, Dad, Nate, dog

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<v Speaker 1>you know what I'm saying. Even even g Dove got

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<v Speaker 1>his chance to really shine. Warren g Ain't no fun.

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<v Speaker 1>He really shined on there, you know what I'm saying,

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<v Speaker 1>and came a mc be came a rapper. Well, I

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<v Speaker 1>feel like you have like quite possibly like the best

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<v Speaker 1>verse on thet on Doggy Style, you know, at least

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<v Speaker 1>like a top three verse on Doggy Style. Wow. Well,

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<v Speaker 1>thank you? Yeah, I love this guy. No, I mean,

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<v Speaker 1>I mean, listen, man, I'm fucking I love I love

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<v Speaker 1>thank you know. I'm a huge you know, dog pound Fanatic,

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<v Speaker 1>bro and and Doggie Style was an album that really

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<v Speaker 1>changed my life. But like, coming from your position as

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<v Speaker 1>an unknown artist at the time, Snoop's the hottest shit moving.

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<v Speaker 1>He's coming off the success of the Chronic, there's the

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<v Speaker 1>buzz of his murder trial, and there's just so much

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<v Speaker 1>energy behind that album. Give me like your mind state

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<v Speaker 1>when it came to getting in the studio and laying

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<v Speaker 1>your vocals for that album and just being around that

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<v Speaker 1>environment at the time. You know, at that time, we

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<v Speaker 1>all had something to prove, not just to the world

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<v Speaker 1>but to ourselves. So everybody was in a show and

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<v Speaker 1>improved mindset Musically. For the producers, you know, Doctor Dre

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<v Speaker 1>himself Dazz stepping his game up, produced records like for

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<v Speaker 1>All my Niggas and My Bitches and was one of

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<v Speaker 1>the keys to Ain't No Fun, you know what I'm saying.

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<v Speaker 1>And you know, being around Doctor Dre makes you step

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<v Speaker 1>your game. You got to show up, a shut and

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<v Speaker 1>show out or get out. That was a death row mentality.

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<v Speaker 1>So everybody was trying to prove themselves. They was trying

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<v Speaker 1>to uh get to that level, you know what I'm

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<v Speaker 1>saying that they was all trying to reach. Each one

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<v Speaker 1>of us had a goal we was trying to set

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<v Speaker 1>for ourselves that we set for ourselves. You know, Rage

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<v Speaker 1>rb RBX myself, Dazz Warren g production wise because he

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<v Speaker 1>was all over the chronic with ideas. So it was Daz.

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<v Speaker 1>That is a lot of the voices you hear on

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<v Speaker 1>the chronic so on, Well, that's probably the most under

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<v Speaker 1>like top two or three underrated producer of all time

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<v Speaker 1>because you know, Dads don't really splurge his He says low,

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<v Speaker 1>humble about his fly. It's not going away. Hey, he

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<v Speaker 1>loves us. What can I say? Hey, when you the ship,

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<v Speaker 1>you the ship flies love to be ship. I'm just

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<v Speaker 1>saying though, you know what I'm saying. But you know

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<v Speaker 1>it was It was great for us to learning experience.

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<v Speaker 1>Doug Style used all of our lives, you know. The

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<v Speaker 1>chronic changed our lives and Doggy Style created who we

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<v Speaker 1>were when Doggy Style was being recorded. Were you and

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<v Speaker 1>Dads already signed to death Row as dog Pound or

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<v Speaker 1>was that something that happened after the chronic. We wasn't signed.

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<v Speaker 1>The chronic was crazy because Sugar and Doctor Dre had

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<v Speaker 1>a crazy plan. They only had Rage and Snoopy sign

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<v Speaker 1>and all the artists on there, none of them was signed.

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<v Speaker 1>It was like, if you make it, the people like you,

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<v Speaker 1>then we might give you a deal. We're going to

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<v Speaker 1>give you a deal. And it was like, wow, we

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<v Speaker 1>still got to show ourselves because we were on this album.

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<v Speaker 1>Anybody could just leave. And you know, so by the

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<v Speaker 1>time Doggy Style came out, you guys already locked down.

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<v Speaker 1>We were signed. After the when the Chronic, once it

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<v Speaker 1>cracked and reviews came back on all of us, death

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<v Speaker 1>Row was like, Okay, everybody made it. What was the

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<v Speaker 1>was the difference between the creation of the Chronic and

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<v Speaker 1>being around that and just the creation of Doggy Style?

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<v Speaker 1>What was the energy difference? In your opinion being somebody

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<v Speaker 1>who was there for both, Like the Chronic, you really

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<v Speaker 1>didn't know, uh where to go. You know, Doctor Drebral

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<v Speaker 1>Critique records for us. You know, he always told me

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<v Speaker 1>during the Chronic, I got a record strictly for you corrupt.

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<v Speaker 1>I was like, wow, I made it for his album,

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<v Speaker 1>strictly for me. I was like, so, you know, I

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<v Speaker 1>was excited and just watching them as they're creating the

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<v Speaker 1>album itself. In general, one of the first records I

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<v Speaker 1>heard was a nigga with a motherfucking gun and g thing,

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<v Speaker 1>and so it was like bam, those was the two

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<v Speaker 1>and he was just creating as he went. Then one

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<v Speaker 1>day he came to me and said, here, I got

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<v Speaker 1>this for you, Corrup, You're gonna set this off. I

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<v Speaker 1>was like, damn, let me hear it. And you heard

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<v Speaker 1>was what what? What? When? And I said, oh my

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<v Speaker 1>He smiled at me, yeah, and that shit came on

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<v Speaker 1>and I was just oh my god, because this is

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<v Speaker 1>me right, and that's why I started that off. Doctor

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<v Speaker 1>dra Ham picked that for me. He made it for me.

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<v Speaker 1>RBX and Rage, you know what I mean, stranded on

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<v Speaker 1>death Row and Snoop was the superstar, so you know

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<v Speaker 1>he already had it planned. You know how he wanted

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<v Speaker 1>it to be. Who he wanted to start it off. Corrupt,

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<v Speaker 1>You're gonna start this off. This is After that, it

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<v Speaker 1>was lyrical, gang bang and then Bitches Ain't Shit was

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<v Speaker 1>the last record we made, which is basically he showed

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<v Speaker 1>us that you could take one beat, take all the

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<v Speaker 1>music off, keep two pieces of it, the drums, the baseline,

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<v Speaker 1>maybe one other piece, and make a whole new record.

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<v Speaker 1>They won't even know that right, they're the same. So

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<v Speaker 1>he stripped down g thing remix and that's bitches ain't shit.

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<v Speaker 1>He took everything off except for the we the key thing,

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<v Speaker 1>and then the boom boom boom and the RUMs and

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<v Speaker 1>made bitches ain't ship. And he also taught me something

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<v Speaker 1>then too, because my verse I started off, bitches ain't ship,

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<v Speaker 1>but hos and tricks lick doing these nuts and sucked

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<v Speaker 1>that I was rapping it though dog is all melody.

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<v Speaker 1>He taught me melody. And then Snoop Doc Drear heard

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<v Speaker 1>me saying it, and he was like, hold o, Crup

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<v Speaker 1>say that again, all right, go lay that. That's the hook,

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<v Speaker 1>just that part. Snoop add that whoop wop to it.

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<v Speaker 1>And so you know, Snoop came to me and say, Crup,

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<v Speaker 1>say it like this. Don't say bitches ain't ship but

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<v Speaker 1>hos and tricks don't do it like that. Do it

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<v Speaker 1>like this, bitches ain't ship, but hos and tricks lick

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<v Speaker 1>doing these nuts. Add that melody to a corrupt So

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<v Speaker 1>I did it like that and he changed a couple

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<v Speaker 1>of words. I had boom and that was the that's

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<v Speaker 1>the hook. Me and Snoop and I was like, wow,

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<v Speaker 1>so now I got this record here, Well I'm having fun.

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<v Speaker 1>I was a battle rapper, so strand on death Row

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<v Speaker 1>and lyrical gang bag. This was new. I'm like, oh, okay,

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<v Speaker 1>you adding to melody into your all of that a

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<v Speaker 1>fancy and ship and I'm like okay, boom and I

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<v Speaker 1>did it and it was like wow, you know what,

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<v Speaker 1>I'm gonna be a star. Then when it came to

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<v Speaker 1>Doggy Style, our confidence was at the moon. We already

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<v Speaker 1>knew where we were going. We already knew what doctor

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<v Speaker 1>Dre expected, what makes sug smile and those the key

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<v Speaker 1>make sure smile and you good money satisfied doctor Dre

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<v Speaker 1>and you gold. And that was the key to doll

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<v Speaker 1>because he knew how to do it like this, oh

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<v Speaker 1>add this to it, because he was the he was

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<v Speaker 1>the key, so first person to make smile a snoop

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<v Speaker 1>so you know, whoop wop am, And that's you know,

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<v Speaker 1>Doggie style. We was all confident, we knew where to go.

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<v Speaker 1>And that's why you could tell the difference in that.

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<v Speaker 1>Then the chronic on that one we was critiqued and

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<v Speaker 1>sign and we had signed. You had some cheese, yeah

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<v Speaker 1>you know, yeah, you guys got a little bit of

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<v Speaker 1>fame from the Chronic and then me and Dad created

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<v Speaker 1>the Dog Pound and dog the grou Yeah, who's both solo? Yeah?

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<v Speaker 1>I mean, you know, your guys' group debut is another

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<v Speaker 1>West Coast classic. It's a hip hop classic. It's an

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<v Speaker 1>album that I feel like doesn't get enough flowers when

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<v Speaker 1>we're talking about classic albums. But you know that album. Yeah,

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<v Speaker 1>you know, I feel like after Doggy Style, Dog Food,

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<v Speaker 1>dog Father, and then I feel like, you know, there was,

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<v Speaker 1>at least from like a fans perspective, there was It

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<v Speaker 1>felt like like there was like some weird energy between

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<v Speaker 1>Snoop and death Row. The Tupac shit happened. But you you,

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<v Speaker 1>you know, obviously you and Daz together forever, but there

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<v Speaker 1>was that point in time where there was that separation

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<v Speaker 1>where you had chose to stay with Sug. There was

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<v Speaker 1>the double XL cover with you left eye was a

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<v Speaker 1>crooked eye and Sug and there was there was like

0:12:59.600 --> 0:13:04.160
<v Speaker 1>some animal between you and dads. Right, give me your

0:13:04.360 --> 0:13:06.960
<v Speaker 1>thought process why you stuck with Shug during that time

0:13:07.800 --> 0:13:09.400
<v Speaker 1>and just kind of where your head was at. I

0:13:09.480 --> 0:13:11.560
<v Speaker 1>was the first from the Dog Pound to leave death Ro.

0:13:11.760 --> 0:13:15.000
<v Speaker 1>Remember you're talking about because you had Andra, you left,

0:13:15.000 --> 0:13:17.480
<v Speaker 1>you did corruption, you launched your label. Doctor Dre was

0:13:17.520 --> 0:13:20.200
<v Speaker 1>first to leave, and from the d PG it was you.

0:13:20.400 --> 0:13:22.760
<v Speaker 1>I was left. I left first, snooping dazz and on

0:13:22.920 --> 0:13:24.880
<v Speaker 1>him was still on death roaw. So you left first,

0:13:24.880 --> 0:13:26.600
<v Speaker 1>and I remember, yeah, because you had we can freaking

0:13:26.640 --> 0:13:29.199
<v Speaker 1>in the double disc and and then but you came

0:13:29.240 --> 0:13:31.640
<v Speaker 1>back from ning my company Andra and did all of

0:13:31.640 --> 0:13:36.160
<v Speaker 1>that and had that spin and then uh should came home.

0:13:36.320 --> 0:13:38.600
<v Speaker 1>We had a good chop up, and that was really

0:13:38.679 --> 0:13:41.080
<v Speaker 1>over wrapping. I wanted to be an executive. I wanted

0:13:41.120 --> 0:13:44.520
<v Speaker 1>to oversee a company. That's what Andra, That's what I

0:13:44.559 --> 0:13:47.319
<v Speaker 1>did with and I was president of that company. Joe,

0:13:47.440 --> 0:13:50.760
<v Speaker 1>Maroon and Tyrone gave me the opportunity to actually be

0:13:50.800 --> 0:13:54.080
<v Speaker 1>a part of running a company and be the artist.

0:13:54.200 --> 0:13:55.880
<v Speaker 1>And I mean, shit, I about all. I think that

0:13:56.000 --> 0:13:58.000
<v Speaker 1>was three albums that you dropped on and I bought

0:13:58.000 --> 0:14:01.240
<v Speaker 1>all three of them, bitches with my harder money. Yeah,

0:14:01.320 --> 0:14:03.200
<v Speaker 1>Joe and Todd Romes want to open up that door

0:14:03.240 --> 0:14:06.319
<v Speaker 1>and gave me that lane to experience it. And I like,

0:14:06.920 --> 0:14:09.960
<v Speaker 1>at that point in time, I love that more than

0:14:10.000 --> 0:14:13.880
<v Speaker 1>I love being a artist. So when Shuld came to

0:14:13.920 --> 0:14:17.680
<v Speaker 1>me about being the president of death Row. You know,

0:14:18.720 --> 0:14:21.160
<v Speaker 1>I thought that, you know what, I'm gonna take this opportunity.

0:14:21.160 --> 0:14:23.200
<v Speaker 1>I don't even feel like rapping. I don't want to rap.

0:14:23.760 --> 0:14:27.200
<v Speaker 1>I wanted more or less critique. Artists build them, and

0:14:27.280 --> 0:14:30.160
<v Speaker 1>I want a definite check rather than because I don't

0:14:30.160 --> 0:14:32.640
<v Speaker 1>feel you know, I had no Well, your music is

0:14:32.680 --> 0:14:35.600
<v Speaker 1>a performance based income. Like you got to put music out,

0:14:35.720 --> 0:14:39.600
<v Speaker 1>the music has to sell. Yeah, probably we get royalties,

0:14:39.720 --> 0:14:43.960
<v Speaker 1>we get our publishing, but hip hop is fun. Once

0:14:44.000 --> 0:14:46.960
<v Speaker 1>the fund's gone, what you're doing, you're done, yeah, right,

0:14:46.960 --> 0:14:49.880
<v Speaker 1>because it ain't about the money, you know. So Suld

0:14:49.960 --> 0:14:52.520
<v Speaker 1>offered you something at the time that spoke more to

0:14:52.560 --> 0:14:55.720
<v Speaker 1>where you were at mentally at that time. Yeah, and

0:14:55.760 --> 0:14:58.520
<v Speaker 1>I said, you know what, I can do this because

0:14:58.560 --> 0:15:03.040
<v Speaker 1>my homeboys, you know, it was gonna ride with me regardless,

0:15:03.680 --> 0:15:06.600
<v Speaker 1>and in the beginning that's what it was. But it

0:15:06.720 --> 0:15:09.760
<v Speaker 1>you know, as far as a friendship, you know, it

0:15:09.880 --> 0:15:14.640
<v Speaker 1>wasn't such a great decision because it, you know, doing

0:15:14.680 --> 0:15:20.320
<v Speaker 1>that compromised my friendship with that my family, Dazz and Snoop,

0:15:20.960 --> 0:15:24.320
<v Speaker 1>super Fly and Nate Dog all dpgs. At the time,

0:15:24.360 --> 0:15:26.800
<v Speaker 1>I think Dad was doing this thing was so so deaf. Right,

0:15:26.840 --> 0:15:30.560
<v Speaker 1>it was around that time, so so deaf. It was

0:15:30.600 --> 0:15:34.120
<v Speaker 1>after that experience, because that's when me and Dads got

0:15:34.160 --> 0:15:38.840
<v Speaker 1>back together. He was excuse me, he was doing so

0:15:38.960 --> 0:15:41.200
<v Speaker 1>actually no. So so death was during the time of

0:15:41.520 --> 0:15:45.800
<v Speaker 1>entra mm hmmm, because Dads got off of there, you know,

0:15:47.280 --> 0:15:50.000
<v Speaker 1>and when del Mark got off of there, he locked

0:15:50.080 --> 0:15:54.320
<v Speaker 1>up with j B. I think dog was finishing with

0:15:54.400 --> 0:15:58.800
<v Speaker 1>no limit, and I went to Death Road to get

0:15:59.160 --> 0:16:03.520
<v Speaker 1>Daz off of death Row and so bring him back home.

0:16:03.840 --> 0:16:06.600
<v Speaker 1>So I did do that, and then when he got off,

0:16:07.480 --> 0:16:10.320
<v Speaker 1>I went back home. And that's when you accepted the

0:16:10.320 --> 0:16:13.400
<v Speaker 1>position to be the president of Death Row, right, And

0:16:13.480 --> 0:16:16.000
<v Speaker 1>you know that's crazy, that's ironic. How long did that?

0:16:16.120 --> 0:16:19.320
<v Speaker 1>How long did were you technically the president of the label?

0:16:20.240 --> 0:16:25.000
<v Speaker 1>About two years? Yeah? Two years? And then remember what

0:16:25.120 --> 0:16:28.600
<v Speaker 1>years those were? Well, two thousand and fives when I

0:16:28.640 --> 0:16:32.320
<v Speaker 1>got back with the homies and we made Cali is active,

0:16:33.000 --> 0:16:35.720
<v Speaker 1>which is a yeah, I mean, a moment, but so

0:16:36.080 --> 0:16:39.360
<v Speaker 1>it was probably what two It was basically two thousand

0:16:39.400 --> 0:16:42.600
<v Speaker 1>and four and two thousand and three, okay, okay, And

0:16:42.640 --> 0:16:45.320
<v Speaker 1>so that went into two thousand and two and then

0:16:46.040 --> 0:16:49.240
<v Speaker 1>two thousand and three and two thousand and four. Yeah,

0:16:49.240 --> 0:16:52.720
<v Speaker 1>because okay, so so you got with death Row after

0:16:53.240 --> 0:16:56.960
<v Speaker 1>they put out that Chronic two thousand album, right, they

0:16:56.960 --> 0:17:00.960
<v Speaker 1>put out that album to come back with Dre was doing. Yeah,

0:17:01.080 --> 0:17:05.840
<v Speaker 1>because Streets is a Mother and Doctor Dre's Chronic was

0:17:05.960 --> 0:17:08.720
<v Speaker 1>in two thousand one, same day. Oh, that was the

0:17:08.720 --> 0:17:13.640
<v Speaker 1>same day. So that was two thousand. That was two thousand, right, right, yeah, thousand,

0:17:14.080 --> 0:17:15.720
<v Speaker 1>that was two thousand. I think two thousand and one

0:17:15.760 --> 0:17:18.240
<v Speaker 1>came out in two thousand nine with Streets as a Mother,

0:17:18.320 --> 0:17:22.160
<v Speaker 1>So that was ninety nine. That's crazy, I'm fucking old man.

0:17:22.280 --> 0:17:25.000
<v Speaker 1>That was ninety nine. I think, yep, ninety nine, nineteen

0:17:25.080 --> 0:17:27.439
<v Speaker 1>ninety nine. Streets is the Mother dropping. The Chronic dropped

0:17:27.440 --> 0:17:29.040
<v Speaker 1>on the same day. So when you come in and

0:17:29.040 --> 0:17:32.679
<v Speaker 1>you're running death Row as the President left, Eyes on

0:17:32.720 --> 0:17:36.639
<v Speaker 1>the label, Crooked Eyes on the label, Crooked Ey had

0:17:36.640 --> 0:17:38.960
<v Speaker 1>probably been there for a while at that point. Well,

0:17:39.000 --> 0:17:41.399
<v Speaker 1>he was there with us, what was you know what

0:17:41.400 --> 0:17:44.159
<v Speaker 1>I'm saying. So he was there during the nineties. I

0:17:44.240 --> 0:17:48.240
<v Speaker 1>mean he was there during like ninety four. Wow, Crooked

0:17:48.280 --> 0:17:50.760
<v Speaker 1>Eyes started coming around, Big C Style Boy, him and

0:17:50.840 --> 0:17:53.639
<v Speaker 1>Technique to the table. I remember Technique and they created

0:17:53.680 --> 0:17:58.960
<v Speaker 1>the LBC Crew and Crooked Eyes alien one of the

0:17:59.000 --> 0:18:03.000
<v Speaker 1>greatest you know what I'm saying, my LBC crew. Crooked

0:18:03.000 --> 0:18:05.760
<v Speaker 1>Eye was a separate beast. And you can hear Crooked

0:18:05.800 --> 0:18:10.320
<v Speaker 1>Eye all on every record I made from Streets is

0:18:10.320 --> 0:18:13.840
<v Speaker 1>a Mother and Spacebooky. Crooked Eye is on both of

0:18:13.840 --> 0:18:18.000
<v Speaker 1>those records, you know what I mean. And he was

0:18:19.080 --> 0:18:21.320
<v Speaker 1>he wasn't signing to Death Row at that time, right,

0:18:21.359 --> 0:18:24.840
<v Speaker 1>he was just around right, and then he signed the

0:18:24.880 --> 0:18:28.200
<v Speaker 1>Death Row. And so yeah, when I got with Sug,

0:18:28.760 --> 0:18:31.240
<v Speaker 1>you know, Crooked Eye was there, Lisa was there, left

0:18:31.240 --> 0:18:34.520
<v Speaker 1>I was already on the label Crooked Eye first, and

0:18:34.560 --> 0:18:38.720
<v Speaker 1>then Sug did a thing with Lisa to do the

0:18:38.800 --> 0:18:43.320
<v Speaker 1>Nina album, and then after Nina came, got it to

0:18:43.440 --> 0:18:47.479
<v Speaker 1>be president oversee these projects with Sugar and all of that,

0:18:47.720 --> 0:18:53.719
<v Speaker 1>you know, and then from there, yep, til two thousand

0:18:53.720 --> 0:18:56.120
<v Speaker 1>and five. I think around then into two thousand and four,

0:18:56.200 --> 0:18:59.399
<v Speaker 1>two thousand and five, I'm not mistaken, you know. I

0:18:59.440 --> 0:19:01.800
<v Speaker 1>told Sugar that, you know what, because I talked with

0:19:01.880 --> 0:19:06.359
<v Speaker 1>Snoop and you know, Snoop was like, it's time to

0:19:06.400 --> 0:19:12.520
<v Speaker 1>come home. I was just like, Okay, Wow, you know what,

0:19:12.880 --> 0:19:17.040
<v Speaker 1>It's time to come home. The champ call Snoop call

0:19:17.160 --> 0:19:20.159
<v Speaker 1>is over. And that was really about the where the

0:19:20.200 --> 0:19:24.280
<v Speaker 1>friction was because you know, the homies didn't agree with

0:19:24.320 --> 0:19:27.840
<v Speaker 1>my choice. But when Snoop decided to talk to me,

0:19:28.359 --> 0:19:31.800
<v Speaker 1>you know, I feel right back in pocket as I should.

0:19:32.160 --> 0:19:34.720
<v Speaker 1>You know, that's when CALLI Is Active was created, when

0:19:34.760 --> 0:19:37.320
<v Speaker 1>we did Cali is Active. Yeah, what was it? Like?

0:19:37.400 --> 0:19:40.200
<v Speaker 1>I mean, tell me about some of the left eye

0:19:40.320 --> 0:19:44.080
<v Speaker 1>music that was being recorded because you know, obviously you

0:19:44.080 --> 0:19:47.879
<v Speaker 1>know she she passed, you know, way before her time,

0:19:48.359 --> 0:19:52.320
<v Speaker 1>and I'm you know, we never really got to get

0:19:52.560 --> 0:19:56.800
<v Speaker 1>get treated to left eye solo like I think, you know,

0:19:56.840 --> 0:19:59.159
<v Speaker 1>we should have, you know, So how was how was

0:19:59.440 --> 0:20:01.679
<v Speaker 1>the music was recording while you were at death or

0:20:01.760 --> 0:20:06.600
<v Speaker 1>Death Row? Well, left I was busting, excuse me. So

0:20:06.760 --> 0:20:08.520
<v Speaker 1>you know that's something that she wanted to do for

0:20:08.560 --> 0:20:12.600
<v Speaker 1>a mighty long time, excuse me, which to show her

0:20:12.640 --> 0:20:18.080
<v Speaker 1>skills as an MC. You know, with THLC, it was

0:20:18.119 --> 0:20:21.600
<v Speaker 1>a different level of music than the gendre of music,

0:20:22.160 --> 0:20:25.480
<v Speaker 1>and Lisa really wanted to be an MC. She wanted

0:20:25.520 --> 0:20:28.080
<v Speaker 1>to show and broadcast her skills as a rapper or

0:20:28.119 --> 0:20:31.320
<v Speaker 1>skill as a MC. She's from Philly, so you know,

0:20:31.440 --> 0:20:33.639
<v Speaker 1>she wanted to let loose some of that ill Adelf

0:20:33.800 --> 0:20:36.239
<v Speaker 1>madness that she had built up in her that she

0:20:36.240 --> 0:20:41.960
<v Speaker 1>couldn't do with TLC in the Face or whatever company

0:20:42.000 --> 0:20:44.719
<v Speaker 1>they was with after the Face. So it was like

0:20:44.800 --> 0:20:50.240
<v Speaker 1>a it was an outlet to release this this entity

0:20:50.280 --> 0:20:54.479
<v Speaker 1>in her she called Nina, and so that was like

0:20:54.480 --> 0:20:58.040
<v Speaker 1>her alias, her alias, you know what I'm saying. And

0:20:58.119 --> 0:21:00.639
<v Speaker 1>she you know, that's what she gave the lame for,

0:21:00.800 --> 0:21:03.600
<v Speaker 1>and she accepted it. She jumped on. And you know,

0:21:03.880 --> 0:21:06.640
<v Speaker 1>there's a whole different Lisa. Left Eye was the music fire.

0:21:08.000 --> 0:21:12.280
<v Speaker 1>She was fire. Yeah, I mean, of course, I mean, yeah,

0:21:13.240 --> 0:21:15.760
<v Speaker 1>there's this all these like you know albums we always

0:21:15.760 --> 0:21:18.959
<v Speaker 1>heard about. The music wasn't bad at all. You know,

0:21:19.000 --> 0:21:23.000
<v Speaker 1>it's just different for Lisa. You know, you'd be like,

0:21:23.040 --> 0:21:26.159
<v Speaker 1>oh wow, visually, you'll be able to see where she

0:21:26.359 --> 0:21:28.800
<v Speaker 1>was going, right, you know what I'm saying. You just

0:21:28.880 --> 0:21:31.320
<v Speaker 1>hear it. You'll be like, because you're so used to

0:21:31.400 --> 0:21:36.520
<v Speaker 1>Left Eye, you probably wouldn't accept Nina unless you saw

0:21:36.680 --> 0:21:39.400
<v Speaker 1>visually what she was going for, what she was going for,

0:21:39.480 --> 0:21:42.919
<v Speaker 1>and then and be like okay, because it's still left Eye,

0:21:43.560 --> 0:21:47.680
<v Speaker 1>but you know, different world. You go back with Snooping

0:21:47.880 --> 0:21:51.800
<v Speaker 1>and dads you do Cali as active. How was Shug's

0:21:52.440 --> 0:21:55.359
<v Speaker 1>feelings when it came to you leaving Death Row a

0:21:55.400 --> 0:21:59.280
<v Speaker 1>second time? Well, I told Sugar and I told my

0:21:59.320 --> 0:22:06.240
<v Speaker 1>brother draw he just got home doing fourteen years, and

0:22:06.280 --> 0:22:07.919
<v Speaker 1>you know, I let both of them know. You know what,

0:22:08.920 --> 0:22:12.119
<v Speaker 1>I went as far as I can go here, Crooked

0:22:12.200 --> 0:22:16.320
<v Speaker 1>Eyes albums out. You know, I did a solo album.

0:22:17.600 --> 0:22:20.439
<v Speaker 1>Y'all can have all of that, but I'm finna go

0:22:20.520 --> 0:22:23.359
<v Speaker 1>back with Snoopy and the homies, you know, And it

0:22:23.480 --> 0:22:26.679
<v Speaker 1>was time and at that time, there was like there

0:22:26.760 --> 0:22:29.320
<v Speaker 1>still was a lot of animosity between Snoop and Sug.

0:22:29.960 --> 0:22:32.640
<v Speaker 1>You know what I'm saying, at least at least totally Yeah,

0:22:32.760 --> 0:22:34.879
<v Speaker 1>so you know what I'm saying. And uh, you know,

0:22:35.680 --> 0:22:38.119
<v Speaker 1>Snoop gave me that call. I talked to them. I

0:22:38.160 --> 0:22:42.160
<v Speaker 1>talked to my brother Draws first, get his opinion. See

0:22:42.200 --> 0:22:44.920
<v Speaker 1>what he thought. He said, you know, go with your feelings,

0:22:44.960 --> 0:22:46.600
<v Speaker 1>go at your heart, that's what you want to do.

0:22:47.080 --> 0:22:49.119
<v Speaker 1>So then I went to Sugar as a man to

0:22:49.240 --> 0:22:51.600
<v Speaker 1>let him know this is what I'm finna do because

0:22:51.600 --> 0:22:55.159
<v Speaker 1>he gave me that opportunity and I accepted it. You know,

0:22:55.320 --> 0:23:00.719
<v Speaker 1>Sugar's always been solid with me, you know. So you know,

0:23:00.800 --> 0:23:03.840
<v Speaker 1>he was like he gave me his blessing, which I

0:23:03.880 --> 0:23:07.119
<v Speaker 1>thought was like, oh, must be right. You know. Sugar

0:23:07.240 --> 0:23:09.199
<v Speaker 1>was just like, well, you know what, if you do

0:23:09.280 --> 0:23:11.800
<v Speaker 1>grew up, keep your business good. You know what I'm saying.

0:23:11.840 --> 0:23:14.119
<v Speaker 1>And you know, I think that's what you should do.

0:23:14.119 --> 0:23:16.320
<v Speaker 1>If that's what you want to do. You know, I'm

0:23:16.359 --> 0:23:18.800
<v Speaker 1>all with you, man, you know, and keep your business

0:23:18.840 --> 0:23:21.199
<v Speaker 1>up to par, you know what I'm saying. And so

0:23:21.200 --> 0:23:25.320
<v Speaker 1>he didn't. He didn't react the way that you know,

0:23:26.800 --> 0:23:29.560
<v Speaker 1>I would assume that era of Sugar night it wouldn't

0:23:29.560 --> 0:23:33.600
<v Speaker 1>have been the nicest reaction. But he never came at

0:23:33.600 --> 0:23:37.520
<v Speaker 1>me like that ever, even when I was a kid.

0:23:38.240 --> 0:23:42.160
<v Speaker 1>Never was this guy that people paint the picture of. Yeah,

0:23:42.160 --> 0:23:44.480
<v Speaker 1>I was gonna say, like, you were around Shug for

0:23:44.520 --> 0:23:46.920
<v Speaker 1>the better part of you know, ten plus years, right,

0:23:47.000 --> 0:23:49.560
<v Speaker 1>So we we hear a lot about Sugar, and then

0:23:49.600 --> 0:23:52.440
<v Speaker 1>I'll talk to people who were around him or who

0:23:52.480 --> 0:23:54.560
<v Speaker 1>are close with him, and they'll say, well, you know,

0:23:54.760 --> 0:23:57.720
<v Speaker 1>Sug's not I'm sure that there's a sign to him.

0:23:57.880 --> 0:24:01.879
<v Speaker 1>Sugar was like a father figure. I mean, he taught

0:24:02.200 --> 0:24:06.040
<v Speaker 1>taught us the game showed us the game. It was

0:24:06.080 --> 0:24:10.679
<v Speaker 1>a lot of things he kept out, you know what

0:24:10.680 --> 0:24:14.480
<v Speaker 1>I'm saying, didn't tell us about. But you know, when

0:24:14.480 --> 0:24:17.920
<v Speaker 1>you're moving that fast now, you don't get to do

0:24:18.160 --> 0:24:21.520
<v Speaker 1>to say everything or do everything. What he did teachers

0:24:22.880 --> 0:24:26.320
<v Speaker 1>shaped our lives, gave us a career. He believed in us,

0:24:26.880 --> 0:24:31.680
<v Speaker 1>invested in us time, energy, and financially, you know, and

0:24:33.520 --> 0:24:36.960
<v Speaker 1>you know he was he supported us one hundred you

0:24:37.000 --> 0:24:40.479
<v Speaker 1>know what I'm saying. Uh, you just hear all these

0:24:40.520 --> 0:24:42.359
<v Speaker 1>stories like people were getting beat up at the studio

0:24:42.400 --> 0:24:44.119
<v Speaker 1>all the time, or there was just a lot of

0:24:44.160 --> 0:24:47.360
<v Speaker 1>crazy shit going on. Like you know how very many

0:24:47.400 --> 0:24:50.000
<v Speaker 1>documentaries that have ever come out, there's always that side

0:24:50.000 --> 0:24:53.040
<v Speaker 1>of the death throw story that we hear about us,

0:24:53.080 --> 0:24:55.720
<v Speaker 1>were actually hear about the good parts, right, And there's

0:24:55.720 --> 0:24:58.360
<v Speaker 1>a lot. There's two sides of every coin justice, two

0:24:58.440 --> 0:25:02.400
<v Speaker 1>sides to every coin, big HOI. And you know when

0:25:02.440 --> 0:25:05.080
<v Speaker 1>it comes to Shug, that's the only side that people

0:25:06.080 --> 0:25:11.359
<v Speaker 1>want you to see. It's more exciting. He's the easy

0:25:11.480 --> 0:25:13.639
<v Speaker 1>He's the easy guy to make a villain in the

0:25:13.760 --> 0:25:17.080
<v Speaker 1>in the whole story of this whole thing, right, Like

0:25:17.080 --> 0:25:21.560
<v Speaker 1>like you said, people pick and choose the credit they

0:25:21.680 --> 0:25:24.040
<v Speaker 1>want to give him or not give him. But he's

0:25:24.080 --> 0:25:26.520
<v Speaker 1>the easy guy to point to him. So that's all.

0:25:27.800 --> 0:25:34.400
<v Speaker 1>It's all what the people want to see. Sex, money, drugs, violence, right, guns,

0:25:35.160 --> 0:25:40.680
<v Speaker 1>that sells. You know, being a great person really isn't

0:25:40.800 --> 0:25:45.160
<v Speaker 1>too exciting. Mm hmm. You know what I'm saying doesn't sell.

0:25:45.200 --> 0:25:49.800
<v Speaker 1>It doesn't sell documentaries or v H one die right right, right, right,

0:25:49.880 --> 0:25:54.080
<v Speaker 1>right right. Know what I'm saying, you nobody till somebody

0:25:54.160 --> 0:25:57.919
<v Speaker 1>kills you. You so you know when when you know,

0:25:58.440 --> 0:26:00.439
<v Speaker 1>you really don't get to get that side of it.

0:26:01.080 --> 0:26:04.000
<v Speaker 1>You know what good things Shoulg did. I'm not saying

0:26:04.080 --> 0:26:09.000
<v Speaker 1>he did no bad things or made no mistakes. I'm

0:26:09.000 --> 0:26:13.720
<v Speaker 1>not saying that. You know, shougt, you know, grab somebody

0:26:13.760 --> 0:26:16.720
<v Speaker 1>by the neck and pick them off their feet, right.

0:26:17.240 --> 0:26:20.320
<v Speaker 1>You know, in this business, you gotta wear many hats.

0:26:20.359 --> 0:26:23.359
<v Speaker 1>Should came from an environment, you know what I'm saying,

0:26:23.400 --> 0:26:27.480
<v Speaker 1>from the streets, so you know he also came from

0:26:27.480 --> 0:26:32.320
<v Speaker 1>another environment. He played football, and he played Actually I

0:26:32.320 --> 0:26:35.160
<v Speaker 1>think him and RBX went to UNLV at the same time.

0:26:35.280 --> 0:26:36.760
<v Speaker 1>By the way, shout out to RBX is one of

0:26:36.800 --> 0:26:40.120
<v Speaker 1>the craziest voices ever. Indeed, that's one of the things

0:26:40.119 --> 0:26:44.280
<v Speaker 1>Doctor Drey loved about RBX voice and his style and

0:26:44.400 --> 0:26:49.080
<v Speaker 1>niggas said Styley bumped and being found didn't do breathe

0:26:49.160 --> 0:26:52.159
<v Speaker 1>by I mean, nobody puts it together like rb The

0:26:52.280 --> 0:26:55.960
<v Speaker 1>only person I heard that puts it together like RBX

0:26:56.080 --> 0:26:58.720
<v Speaker 1>is the originator of style to me, and that's d

0:26:58.880 --> 0:27:04.080
<v Speaker 1>Oc to the DC. Doc was all style. He's the

0:27:04.119 --> 0:27:06.239
<v Speaker 1>way he worded it and put it together with the

0:27:06.280 --> 0:27:08.639
<v Speaker 1>wop And one of the biggest like what is if

0:27:08.680 --> 0:27:12.879
<v Speaker 1>he had never got in that accident, you know, and man, right,

0:27:13.359 --> 0:27:14.680
<v Speaker 1>the big but I think that's one of the biggest

0:27:15.040 --> 0:27:18.720
<v Speaker 1>of hip hop history. Oh yeah, you know, because man,

0:27:19.000 --> 0:27:22.000
<v Speaker 1>you know what I'm saying, like, wow, he was so

0:27:22.160 --> 0:27:26.680
<v Speaker 1>on a roll at that time, you know what I'm saying.

0:27:26.760 --> 0:27:31.679
<v Speaker 1>He was about to be you know, where Snoop was

0:27:31.800 --> 0:27:34.840
<v Speaker 1>and became DC was on his way there to be

0:27:34.960 --> 0:27:37.960
<v Speaker 1>that guy first. And it's crazy because see that happened

0:27:38.000 --> 0:27:41.520
<v Speaker 1>to Doc, which stopped him from going to that place

0:27:42.640 --> 0:27:48.760
<v Speaker 1>that we see Snoopy at right now, uh iconic. And

0:27:48.760 --> 0:27:54.080
<v Speaker 1>then the same thing happened with Nipsey Hustle, and Nipsey

0:27:54.200 --> 0:27:57.080
<v Speaker 1>was on his way to being on that level. He

0:27:57.280 --> 0:28:01.199
<v Speaker 1>was man like Snoopy. They were just his favorites. You know,

0:28:01.359 --> 0:28:04.040
<v Speaker 1>Dog was a favorite. He came out. They they loved

0:28:04.080 --> 0:28:08.639
<v Speaker 1>him from the door. Deep Cover gone, you know what

0:28:08.640 --> 0:28:13.359
<v Speaker 1>I'm saying, which sparked everything from that point. They already

0:28:13.400 --> 0:28:15.639
<v Speaker 1>had the chronic in mind, but deep Cover just flew

0:28:15.680 --> 0:28:19.119
<v Speaker 1>them to the top. You know what I'm saying, already

0:28:19.280 --> 0:28:23.280
<v Speaker 1>before the chronic even came out. So you know, same

0:28:23.320 --> 0:28:27.720
<v Speaker 1>thing with d OC and with Nip, you know what

0:28:27.800 --> 0:28:30.240
<v Speaker 1>I mean. And there's others out there that had that

0:28:31.320 --> 0:28:36.080
<v Speaker 1>potential to be something special and different. Hey interrupting the

0:28:36.160 --> 0:28:38.960
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0:28:39.000 --> 0:28:42.120
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0:29:28.160 --> 0:29:32.520
<v Speaker 1>There's something about Snoop. I always say this, Snoop's the

0:29:32.520 --> 0:29:36.480
<v Speaker 1>most famous rapper ever. Like when we're talking about like

0:29:36.600 --> 0:29:39.440
<v Speaker 1>the biggest ever, I'm talking about household name. I'm talking

0:29:39.480 --> 0:29:44.160
<v Speaker 1>about your grandma knows who Snoop Dogg is, Your great

0:29:44.160 --> 0:29:47.280
<v Speaker 1>grandma knows who Snoop dog is, your dad knows who ever, Like,

0:29:47.400 --> 0:29:51.360
<v Speaker 1>Snoop is the most famous rapper we've ever had. He's

0:29:51.400 --> 0:29:54.680
<v Speaker 1>the biggest as far as just like household name, Like,

0:29:55.080 --> 0:29:57.680
<v Speaker 1>I don't think there's anybody who's ever been more famous

0:29:57.720 --> 0:30:02.040
<v Speaker 1>than Snoop Dogg exactly period. And I say I always

0:30:02.040 --> 0:30:04.400
<v Speaker 1>say this, I say the two there's no one to

0:30:04.480 --> 0:30:08.520
<v Speaker 1>who's been bigger at their peak then Snoop at his peak.

0:30:08.560 --> 0:30:12.600
<v Speaker 1>And fifty cent at his peak, Fifty at his peak,

0:30:12.680 --> 0:30:15.480
<v Speaker 1>and Snoop at his peak, nobody's ever been bigger. Now,

0:30:15.480 --> 0:30:17.560
<v Speaker 1>There's been people who have longer runs at the top,

0:30:17.720 --> 0:30:21.680
<v Speaker 1>like Drag or Uh you know you could go. You know,

0:30:21.760 --> 0:30:24.000
<v Speaker 1>there's there's been artists who have had longer runs at

0:30:24.000 --> 0:30:26.960
<v Speaker 1>the top, but at their peaks. You're talking about though, right,

0:30:27.200 --> 0:30:29.440
<v Speaker 1>because you ain't talking about in general, No, I'm about

0:30:29.440 --> 0:30:32.120
<v Speaker 1>I'm talking about hip hop, gotcha, I'm talking about hip

0:30:32.120 --> 0:30:33.960
<v Speaker 1>hop period. Like, I don't think anyone's ever been bigger

0:30:34.000 --> 0:30:37.040
<v Speaker 1>than Fifty or Snoop at their peaks because they had

0:30:37.080 --> 0:30:39.600
<v Speaker 1>so much stuff going on that just added to the intrigue.

0:30:39.640 --> 0:30:42.600
<v Speaker 1>Fifty got shot nine times, Snoop is facing the murder charge.

0:30:43.280 --> 0:30:46.440
<v Speaker 1>It was like, right, it was nothing nothing. I don't

0:30:46.480 --> 0:30:49.600
<v Speaker 1>think anything's ever really been bigger now. Like I said,

0:30:51.320 --> 0:30:55.880
<v Speaker 1>even pac Man, even Pup came out. Everything stopped. I

0:30:55.920 --> 0:30:59.520
<v Speaker 1>think all of hip hop stopped. I think Snoop, I

0:30:59.560 --> 0:31:02.719
<v Speaker 1>know what you but I'm telling you, do you him?

0:31:02.840 --> 0:31:05.680
<v Speaker 1>Do you think Park at his peak was bigger than

0:31:05.720 --> 0:31:08.640
<v Speaker 1>Snoop at his peak? All eyes on me. I think

0:31:08.720 --> 0:31:11.800
<v Speaker 1>they were all equivalent. They're equal. You can't say one

0:31:11.840 --> 0:31:13.840
<v Speaker 1>is bigger than the other. That's what people do. They

0:31:13.880 --> 0:31:16.560
<v Speaker 1>want to say who's bigger or who there is no bigger.

0:31:17.520 --> 0:31:23.560
<v Speaker 1>When you heard Doggie Style, everything stopped. For sure, you're

0:31:23.600 --> 0:31:25.520
<v Speaker 1>gonna try and tell me when you heard All Eyes

0:31:25.560 --> 0:31:31.480
<v Speaker 1>on Me, everything didn't stop. I think I think that, Yeah,

0:31:31.560 --> 0:31:33.120
<v Speaker 1>I mean, obviously All Eyes on Me is one of

0:31:33.120 --> 0:31:36.320
<v Speaker 1>the greatest hip hop albums ever. When Fifty came with

0:31:36.360 --> 0:31:42.960
<v Speaker 1>his album, everything stopped, that's real. That's the peak. When

0:31:43.000 --> 0:31:50.760
<v Speaker 1>you dropping, everything stops, that's the peak. So you can't

0:31:50.840 --> 0:31:56.760
<v Speaker 1>say dog fifty. But I said Pac. I was saying Pac.

0:31:58.040 --> 0:32:01.680
<v Speaker 1>And you know the crazy thing is when Biggs album dropped,

0:32:02.880 --> 0:32:08.920
<v Speaker 1>everything stopped. Unfortunately he passed away. Yeah, that second album,

0:32:09.280 --> 0:32:11.280
<v Speaker 1>and then that's that second album. The second album had

0:32:11.280 --> 0:32:15.920
<v Speaker 1>already been going. Yeah, it was couldn't even enjoy that peak, right,

0:32:16.760 --> 0:32:20.840
<v Speaker 1>But Park was alive during that peak. Snoopy was alive

0:32:21.000 --> 0:32:25.880
<v Speaker 1>during that peak, and fifty was alive during that But

0:32:25.920 --> 0:32:31.160
<v Speaker 1>they are alive and those three particular albums I must

0:32:31.200 --> 0:32:34.560
<v Speaker 1>say it too, eminem you can't tell me how my

0:32:34.640 --> 0:32:39.320
<v Speaker 1>Name Is dropped everything, especially especially Marsha Mathers LP when

0:32:39.320 --> 0:32:42.080
<v Speaker 1>that second album dropped, the first one I'm talking about this.

0:32:42.800 --> 0:32:45.240
<v Speaker 1>You're talking about the second one, but the first one

0:32:45.240 --> 0:32:47.760
<v Speaker 1>I stopped. I think the second one, my name is

0:32:48.600 --> 0:32:52.200
<v Speaker 1>stopped everything. You couldn't even relate to, what the what

0:32:52.200 --> 0:32:59.560
<v Speaker 1>the fuck is this ship? Who murdering people and kill it? Stopped?

0:32:59.640 --> 0:33:03.479
<v Speaker 1>The game stopped. Hi my name Is was his peak.

0:33:05.240 --> 0:33:08.920
<v Speaker 1>Everything else was rise because Stan and all of that

0:33:09.840 --> 0:33:11.960
<v Speaker 1>was that. When he dropped, he was at his peak.

0:33:12.000 --> 0:33:16.360
<v Speaker 1>When Snoop dropped, he was at his peak. When fifty dropped,

0:33:16.400 --> 0:33:19.760
<v Speaker 1>he was at his peak. That was the peak. When

0:33:19.840 --> 0:33:22.640
<v Speaker 1>Pop dropped All Eyes on Me, he was at his peak.

0:33:22.640 --> 0:33:27.000
<v Speaker 1>He was already selling millions with I definitely think I

0:33:27.000 --> 0:33:29.200
<v Speaker 1>went to jail. Obviously, there's a few artists saying you

0:33:29.240 --> 0:33:32.560
<v Speaker 1>think of like Wayne, right, Like Wayne, I think Wayne's

0:33:32.600 --> 0:33:35.160
<v Speaker 1>like he had been around for so long, so it

0:33:35.240 --> 0:33:39.440
<v Speaker 1>was more like a steady climb, Like Carter one came

0:33:39.440 --> 0:33:41.640
<v Speaker 1>out and people realized, oh shit, little Wyne can rap.

0:33:41.680 --> 0:33:43.360
<v Speaker 1>And then Carter two came out and they were like, oh,

0:33:43.400 --> 0:33:45.560
<v Speaker 1>this is a this is a classic. And then his

0:33:45.600 --> 0:33:48.840
<v Speaker 1>peak was Carter three and he was the biggest motherfucker

0:33:48.840 --> 0:33:50.800
<v Speaker 1>in the world. But I just think as far as

0:33:50.840 --> 0:33:54.320
<v Speaker 1>like just like I can't think of like an energy

0:33:54.480 --> 0:33:57.880
<v Speaker 1>like fifty or Snoop at their at their peak. I

0:33:57.960 --> 0:34:01.400
<v Speaker 1>just feel like you turned the TV on they you

0:34:01.480 --> 0:34:03.760
<v Speaker 1>just couldn't avoid fifty or Snoop, you know what I'm saying.

0:34:03.840 --> 0:34:07.520
<v Speaker 1>But in general, Snoop overall is the biggest most famous

0:34:07.560 --> 0:34:11.640
<v Speaker 1>rapper ever. You worded like that, you're absolutely correct, He's

0:34:11.680 --> 0:34:14.520
<v Speaker 1>the most famous million. No, but when you word that peak,

0:34:14.600 --> 0:34:18.279
<v Speaker 1>when you worded it like you did about that peak, yeah,

0:34:18.320 --> 0:34:25.080
<v Speaker 1>absolutely correct Snoopy and fifty, they was everywhere. Yeah, and

0:34:25.080 --> 0:34:28.040
<v Speaker 1>I'm not saying like I mean obviously, and you know

0:34:28.080 --> 0:34:31.000
<v Speaker 1>like you're right as well. But yeah, no, it's crazy

0:34:31.040 --> 0:34:32.600
<v Speaker 1>too because I always think about but you got to

0:34:32.640 --> 0:34:36.120
<v Speaker 1>put the way you describing the peak. Well, Eminem had

0:34:36.120 --> 0:34:40.040
<v Speaker 1>like ten years. I think em sold more records than anyone.

0:34:40.239 --> 0:34:42.279
<v Speaker 1>It's like either him or Dragon with that peak, though,

0:34:43.239 --> 0:34:47.840
<v Speaker 1>my name is or how crazy? So so let me

0:34:47.840 --> 0:34:50.640
<v Speaker 1>ask you this because you obviously you know we're giving

0:34:50.680 --> 0:34:55.120
<v Speaker 1>flowers one of Eminem's more famous versus when he mentions

0:34:55.160 --> 0:34:58.319
<v Speaker 1>you and he mentions Redman, and he mentions, right, that

0:34:58.400 --> 0:35:01.280
<v Speaker 1>was until I collapse, right when they I'm not mistaken. Yeah,

0:35:01.840 --> 0:35:05.120
<v Speaker 1>so you hear that, and I thought that was super

0:35:05.160 --> 0:35:07.319
<v Speaker 1>dope because at the time, m's the biggest motherfucker in

0:35:07.320 --> 0:35:10.640
<v Speaker 1>the world. And somehow I still feel like you're still

0:35:10.640 --> 0:35:12.960
<v Speaker 1>slept on because you're corrupt. Like to me, you're like

0:35:13.000 --> 0:35:15.759
<v Speaker 1>a superhero. But it was felt so good to hear

0:35:16.440 --> 0:35:19.360
<v Speaker 1>it felt so good, Eminem, give you some flowers on

0:35:19.400 --> 0:35:21.839
<v Speaker 1>a record amongst all those names, like how dope was that?

0:35:22.520 --> 0:35:25.600
<v Speaker 1>And I was like, wow, cause you know, you really

0:35:25.640 --> 0:35:30.040
<v Speaker 1>don't accept it. You know, I'm used to being the

0:35:30.040 --> 0:35:33.000
<v Speaker 1>the underdog, as you would say. You know, I'm used

0:35:33.040 --> 0:35:39.160
<v Speaker 1>to being you know, that guy who you know, as

0:35:39.200 --> 0:35:41.959
<v Speaker 1>good as I am on the mic. Being a star

0:35:42.080 --> 0:35:45.120
<v Speaker 1>is something totally different. Yes, you know what I'm saying.

0:35:46.120 --> 0:35:48.520
<v Speaker 1>No matter how good you are, you could be the

0:35:48.600 --> 0:35:52.760
<v Speaker 1>best with the pen, but it doesn't make you a star,

0:35:53.680 --> 0:35:58.879
<v Speaker 1>Eminem Snoopy and fifty or stars, you know what I'm saying.

0:35:58.960 --> 0:36:02.560
<v Speaker 1>But you are a legend. You're legend. You're legend. It's

0:36:02.680 --> 0:36:06.480
<v Speaker 1>just like when Kendrick they asked him. I saw an interview,

0:36:06.760 --> 0:36:09.360
<v Speaker 1>one of his first interviews and asked him his influence

0:36:09.440 --> 0:36:13.520
<v Speaker 1>and he said corrupt. And the people was interviewing him

0:36:13.880 --> 0:36:18.560
<v Speaker 1>he really couldn't relate, like whoa what what not? Pop,

0:36:18.800 --> 0:36:21.680
<v Speaker 1>not snoop, not this or nothing. He's like, no, no, no, corrupt.

0:36:22.000 --> 0:36:26.000
<v Speaker 1>You know, I learned, you know, they inspired me towards corrupt.

0:36:26.040 --> 0:36:30.319
<v Speaker 1>And everybody was totally startled about it. I know I was,

0:36:30.960 --> 0:36:33.279
<v Speaker 1>because you know, it's a lot of people you give

0:36:33.320 --> 0:36:37.399
<v Speaker 1>influence to when they win, you'll normally hear him say

0:36:37.400 --> 0:36:43.200
<v Speaker 1>that the normal names. But Kendrick was one of the first, uh,

0:36:45.280 --> 0:36:47.040
<v Speaker 1>one of the first, because the first one was M.

0:36:47.719 --> 0:36:50.120
<v Speaker 1>You know, when M splashed on him with the wop wop,

0:36:50.600 --> 0:36:53.759
<v Speaker 1>and then Kendrick comes along with the wham wham, and

0:36:53.800 --> 0:36:56.400
<v Speaker 1>I was just like, wow, you know that's enough for me.

0:36:57.520 --> 0:36:59.960
<v Speaker 1>You know, those are the flowers that meant the most

0:37:00.120 --> 0:37:04.040
<v Speaker 1>to me because they didn't have to do that. They

0:37:04.120 --> 0:37:06.160
<v Speaker 1>spoke from the heart and how they really felt. A

0:37:06.160 --> 0:37:08.839
<v Speaker 1>lot of artists don't speak from the heart and what

0:37:08.880 --> 0:37:12.879
<v Speaker 1>they really feel. They speak to satisfy. So they would

0:37:12.920 --> 0:37:16.360
<v Speaker 1>give you these regular names, wouldn't talk about, you know,

0:37:17.160 --> 0:37:21.919
<v Speaker 1>somebody that doesn't make people say ooh, yeah, and that

0:37:22.080 --> 0:37:25.920
<v Speaker 1>was the ooh and all that damn corruption in that list,

0:37:26.160 --> 0:37:29.200
<v Speaker 1>and damn Kendrick gave it up for corrupt. You know,

0:37:29.280 --> 0:37:32.360
<v Speaker 1>that was a shaker right there. Very appreciated and loved.

0:37:33.320 --> 0:37:37.640
<v Speaker 1>You know what I'm saying, And yeah, that made me say, Wow,

0:37:38.440 --> 0:37:43.799
<v Speaker 1>that's dope, and I did smile pretty big. Let's go

0:37:43.880 --> 0:37:46.200
<v Speaker 1>back to streets. As of Mother, the bonus track on

0:37:46.239 --> 0:37:50.400
<v Speaker 1>that is calling out names, which was another one of

0:37:50.400 --> 0:37:53.600
<v Speaker 1>those songs that I was motherfucker d motherfuck am. Only

0:37:53.719 --> 0:37:57.000
<v Speaker 1>X I know is exhibit or RBX extraordinary you had

0:37:57.000 --> 0:37:59.440
<v Speaker 1>a bitch anyway. I know this song by heart. I

0:37:59.440 --> 0:38:01.960
<v Speaker 1>love that song. Uh. DMX was like you can see

0:38:02.000 --> 0:38:04.200
<v Speaker 1>I have DMX behind you here. You know, DMX is

0:38:04.239 --> 0:38:08.960
<v Speaker 1>a huge he's watching. I love X, man. But take

0:38:09.040 --> 0:38:11.560
<v Speaker 1>me back to that that feud between you and X.

0:38:11.560 --> 0:38:16.640
<v Speaker 1>Obviously you know he passed away earlier this year. It

0:38:16.719 --> 0:38:19.799
<v Speaker 1>was over your ex or what was what is that?

0:38:19.840 --> 0:38:23.319
<v Speaker 1>What it was? Yeah, you know it was. Uh, I

0:38:23.400 --> 0:38:26.760
<v Speaker 1>was in my feelings and I was really just upset

0:38:27.320 --> 0:38:31.840
<v Speaker 1>the whole experience with this young lady and just upset

0:38:31.920 --> 0:38:36.560
<v Speaker 1>period at the way I was being treated being with

0:38:36.600 --> 0:38:39.719
<v Speaker 1>this young lady, you know, and just let off some

0:38:39.800 --> 0:38:44.640
<v Speaker 1>steam throughout the time of being with her. Certain individuals.

0:38:45.040 --> 0:38:47.200
<v Speaker 1>You know, people will pump you up if you allow

0:38:47.280 --> 0:38:51.400
<v Speaker 1>them to, if you let them, and like, you know,

0:38:51.880 --> 0:38:54.640
<v Speaker 1>I can say that a lot of people, you know,

0:38:54.760 --> 0:38:57.879
<v Speaker 1>told me things that I took the heart that this

0:38:57.960 --> 0:39:00.400
<v Speaker 1>person was saying this, and this person said that, and

0:39:00.400 --> 0:39:05.120
<v Speaker 1>then this magazine, this person said that DMX was just

0:39:05.160 --> 0:39:08.920
<v Speaker 1>the straw that broke the camel's back, you know what

0:39:08.920 --> 0:39:12.960
<v Speaker 1>I'm saying, to where my anger was, and so then

0:39:13.000 --> 0:39:17.000
<v Speaker 1>I just I just let it all go. You know,

0:39:17.120 --> 0:39:22.040
<v Speaker 1>DMX is the main thing everybody concentrates on. But I

0:39:22.080 --> 0:39:25.560
<v Speaker 1>don't really talk about murder inc I don't really talk

0:39:25.600 --> 0:39:33.719
<v Speaker 1>about the rough riders in the hole or the firm,

0:39:34.000 --> 0:39:36.279
<v Speaker 1>you know what I'm saying. And everybody else that I

0:39:36.320 --> 0:39:39.840
<v Speaker 1>spoke on, you have X is the main thing they speak.

0:39:40.000 --> 0:39:43.040
<v Speaker 1>You had, you had a lot of stuff, I mean

0:39:43.120 --> 0:39:46.560
<v Speaker 1>in the situation, a lot of people eighty right, you

0:39:46.600 --> 0:39:48.919
<v Speaker 1>know what I'm saying. So, but there was a lot

0:39:48.920 --> 0:39:51.760
<v Speaker 1>of different people I was upset at and angry about

0:39:52.880 --> 0:39:56.239
<v Speaker 1>things that went on or what I heard. I brought

0:39:56.280 --> 0:40:00.239
<v Speaker 1>the cart before the horse, you know, and really, you know,

0:40:00.360 --> 0:40:02.520
<v Speaker 1>things like this, you talk to people, man the man,

0:40:02.600 --> 0:40:06.239
<v Speaker 1>you really don't voice it through the music, you know

0:40:06.280 --> 0:40:09.520
<v Speaker 1>what I mean. You know, the way I was grew

0:40:09.680 --> 0:40:12.080
<v Speaker 1>I grew up. You know, if you really want to

0:40:12.080 --> 0:40:14.480
<v Speaker 1>smash somebody beat them up first, and then you can

0:40:14.520 --> 0:40:19.120
<v Speaker 1>talk about them, you know, but don't talk about him first,

0:40:19.320 --> 0:40:22.480
<v Speaker 1>you know. And I was just really angry. What was

0:40:22.520 --> 0:40:26.760
<v Speaker 1>your issue with with murdering you know that? He says,

0:40:26.800 --> 0:40:29.200
<v Speaker 1>She say, same thing with the Firm that he says,

0:40:29.320 --> 0:40:33.479
<v Speaker 1>she say, you know, person told me this. And because

0:40:33.560 --> 0:40:35.400
<v Speaker 1>when the Firm came out, obviously drag executly if you're

0:40:35.400 --> 0:40:39.360
<v Speaker 1>just that album and it was something that was people

0:40:39.440 --> 0:40:43.400
<v Speaker 1>highlighted in the magazine and said read this, remember those magaze.

0:40:43.440 --> 0:40:45.480
<v Speaker 1>But you know what's crazy is that was before social media,

0:40:45.840 --> 0:40:48.799
<v Speaker 1>so it wasn't as easy to just DM somebody and say, yo,

0:40:48.840 --> 0:40:51.360
<v Speaker 1>what what did you mean? You were just whatever was

0:40:51.400 --> 0:40:53.759
<v Speaker 1>in the source or vibe that was. That was the

0:40:53.880 --> 0:40:57.200
<v Speaker 1>key to this record back in our day, was that

0:40:57.320 --> 0:40:59.799
<v Speaker 1>was the only way to let a person know that

0:40:59.880 --> 0:41:02.600
<v Speaker 1>you didn't like them or had issues in the magazine

0:41:02.680 --> 0:41:05.640
<v Speaker 1>was in the records or magazine. You know what I'm saying,

0:41:05.680 --> 0:41:10.200
<v Speaker 1>your music or your magazines. But nobody was really saying

0:41:10.239 --> 0:41:13.080
<v Speaker 1>who they was mad at. Everybody was subliminal. There was

0:41:13.080 --> 0:41:15.360
<v Speaker 1>a lot of subs yeah, you know, and that's the

0:41:15.360 --> 0:41:18.800
<v Speaker 1>thing about calling out names, which made it very different

0:41:18.880 --> 0:41:23.000
<v Speaker 1>because you said everything. Everything you said exactly right, and

0:41:23.200 --> 0:41:25.319
<v Speaker 1>you know it was only Rarity records back in the

0:41:25.400 --> 0:41:30.200
<v Speaker 1>days like that, real disc records. You know, Chris back

0:41:30.200 --> 0:41:34.880
<v Speaker 1>in the days with mc shan bridge is over in

0:41:35.000 --> 0:41:39.080
<v Speaker 1>South Bronx and letting it be known, you know, and

0:41:39.239 --> 0:41:41.239
<v Speaker 1>h then you know, as you keep going, you see

0:41:41.239 --> 0:41:45.040
<v Speaker 1>the progression ice que, no basoline, but a lot of

0:41:45.120 --> 0:41:48.160
<v Speaker 1>rapper hit them up, yeah, hit them up, popped. You

0:41:48.200 --> 0:41:51.160
<v Speaker 1>know what I'm saying. Before that it was all subliminal,

0:41:51.239 --> 0:41:53.680
<v Speaker 1>like New York New York. Wasn't to dis New York

0:41:54.320 --> 0:41:57.240
<v Speaker 1>because I don't do subliminals. I'm a real battle rapper.

0:41:57.520 --> 0:42:00.520
<v Speaker 1>I'm a real MC. If I had an issue with body,

0:42:01.320 --> 0:42:02.799
<v Speaker 1>you know, I'm gonna put their name in and let

0:42:02.840 --> 0:42:07.480
<v Speaker 1>them know. You pinpoint them. You you and you you

0:42:07.520 --> 0:42:11.080
<v Speaker 1>know what I'm saying. And so New York New York

0:42:11.200 --> 0:42:14.000
<v Speaker 1>was taken out of text and you know, yeah, that

0:42:14.160 --> 0:42:16.680
<v Speaker 1>song was never meant to be a slight to New

0:42:16.760 --> 0:42:19.759
<v Speaker 1>York correct, not at all. And the video I think

0:42:19.840 --> 0:42:21.440
<v Speaker 1>I don't eve think it was much about the song

0:42:21.480 --> 0:42:23.839
<v Speaker 1>as much it was about the video that was after

0:42:23.880 --> 0:42:26.680
<v Speaker 1>we got shot at mm HM. So so that so

0:42:26.760 --> 0:42:28.759
<v Speaker 1>you guys got shot at and then you guys did

0:42:28.760 --> 0:42:31.480
<v Speaker 1>the video the way you did the video. So the

0:42:31.600 --> 0:42:33.840
<v Speaker 1>video was meant to be like a fuck you, But

0:42:33.880 --> 0:42:36.400
<v Speaker 1>the song itself originally was not meant to be a

0:42:36.400 --> 0:42:39.440
<v Speaker 1>fun like a fuck you know. The first scenes was

0:42:39.520 --> 0:42:42.160
<v Speaker 1>in Tom Square. We wouldn't go to New York to

0:42:42.200 --> 0:42:44.759
<v Speaker 1>shoot the video. I mean, we had balls, but not

0:42:44.880 --> 0:42:47.840
<v Speaker 1>that much. You know what I'm saying. New York in

0:42:47.880 --> 0:42:50.480
<v Speaker 1>the ninety is a wild place, as was as was

0:42:50.600 --> 0:42:54.520
<v Speaker 1>La the Capitol. But New York, New York is like

0:42:54.600 --> 0:42:58.600
<v Speaker 1>Los Angeles. They had the gangs, original gangs, right, you

0:42:58.640 --> 0:43:00.720
<v Speaker 1>know what I'm saying out of New New York City,

0:43:00.840 --> 0:43:03.759
<v Speaker 1>So you know what I'm saying, like Chicago, you know

0:43:03.760 --> 0:43:07.720
<v Speaker 1>what I'm saying. You know, so we we thought actually

0:43:08.040 --> 0:43:10.760
<v Speaker 1>New York would accept it. It's a Melly Mel chorus.

0:43:10.920 --> 0:43:15.359
<v Speaker 1>Melley Mel in the Furious five Grandmaster Flash. You know,

0:43:15.440 --> 0:43:19.960
<v Speaker 1>Melly Mel cleared it. You know what I'm saying, got paid.

0:43:20.680 --> 0:43:24.320
<v Speaker 1>So we was like, Melly Mel cleared it. Oh well, dang,

0:43:24.360 --> 0:43:26.600
<v Speaker 1>we finally gonna get the respect. We're gonna get New

0:43:26.680 --> 0:43:29.520
<v Speaker 1>York to love. They gonna love us for this when

0:43:29.520 --> 0:43:32.400
<v Speaker 1>we you know, put this one out, they gonna love us,

0:43:32.440 --> 0:43:35.000
<v Speaker 1>you know what I'm saying. And when we dropped Dog Food,

0:43:35.160 --> 0:43:38.600
<v Speaker 1>nobody made a fuss about New York, New York. Our

0:43:38.600 --> 0:43:42.880
<v Speaker 1>first single was Let's play House, so the album was

0:43:42.960 --> 0:43:45.840
<v Speaker 1>already out, nobody was making a fuss like we was

0:43:45.920 --> 0:43:49.120
<v Speaker 1>this in New York, and everybody liked New York, New York.

0:43:49.160 --> 0:43:52.319
<v Speaker 1>That's why it became the next video, and we said

0:43:52.320 --> 0:43:54.160
<v Speaker 1>we're gonna shoot this in time. We're gonna shoot this

0:43:54.200 --> 0:43:58.040
<v Speaker 1>in Times Square in New York. Oh man, we finally

0:43:58.080 --> 0:44:02.399
<v Speaker 1>gonna get the love that. You know, as much as

0:44:02.400 --> 0:44:05.000
<v Speaker 1>we loved New York, New York is finally gonna love us.

0:44:05.000 --> 0:44:08.000
<v Speaker 1>This song is dedicated to them, and we're gonna give

0:44:08.000 --> 0:44:11.640
<v Speaker 1>respected them seas corrupt you leading that way for them

0:44:11.640 --> 0:44:16.800
<v Speaker 1>to love you know what I'm saying. I was like, wow,

0:44:17.360 --> 0:44:19.600
<v Speaker 1>he says this is gonna be historic. So we fly

0:44:19.760 --> 0:44:23.080
<v Speaker 1>out there. We flew out the low Riders and that

0:44:23.239 --> 0:44:26.440
<v Speaker 1>was a big deal to us, and we invited everybody

0:44:26.480 --> 0:44:29.839
<v Speaker 1>to come through and and let's all get down and

0:44:31.520 --> 0:44:33.680
<v Speaker 1>you know, come be in the video and let's show

0:44:33.719 --> 0:44:37.719
<v Speaker 1>them this unification. The only one that really showed up

0:44:37.840 --> 0:44:41.799
<v Speaker 1>was Mony Love. You know, she showed up and gave

0:44:41.880 --> 0:44:46.520
<v Speaker 1>us some love. Nobody else showed up. A couple of

0:44:46.560 --> 0:44:51.720
<v Speaker 1>people though we had k K solo building. He always

0:44:51.760 --> 0:44:54.359
<v Speaker 1>fucked with us though, you know, and a couple other

0:44:54.400 --> 0:44:57.759
<v Speaker 1>people came and show love. But you know, so you

0:44:57.800 --> 0:45:01.479
<v Speaker 1>guys had originally intended to invite a bunch of people

0:45:01.480 --> 0:45:03.000
<v Speaker 1>from New York to the New York. We sent a

0:45:03.040 --> 0:45:06.880
<v Speaker 1>shout out to all in New York, you know, coming

0:45:06.960 --> 0:45:10.640
<v Speaker 1>through we're shooting this video dedicated to you'all type of vibe,

0:45:11.239 --> 0:45:14.480
<v Speaker 1>and they really didn't feel that way. And then, uh,

0:45:14.680 --> 0:45:19.200
<v Speaker 1>after we shot in Times Square, we shot and Red Hook, Brooklyn,

0:45:20.000 --> 0:45:25.400
<v Speaker 1>and a couple of shells went through our trailer. Nobody

0:45:25.440 --> 0:45:31.120
<v Speaker 1>got hurt, but our pride did, so you know, we

0:45:31.160 --> 0:45:34.440
<v Speaker 1>stopped everything, got about it there, we got home, We

0:45:34.480 --> 0:45:38.200
<v Speaker 1>was down for a bit and then we just was like,

0:45:38.880 --> 0:45:42.400
<v Speaker 1>we can't go for this. That's where you came up

0:45:42.400 --> 0:45:45.840
<v Speaker 1>with the new video. I think we're gonna show you this,

0:45:47.120 --> 0:45:53.240
<v Speaker 1>and then the whole dynamics and direction of the video

0:45:53.440 --> 0:45:58.160
<v Speaker 1>changed and that's when we did all of that right there. Yeah,

0:45:58.160 --> 0:46:00.560
<v Speaker 1>that was an interesting video and an interesting time too,

0:46:00.560 --> 0:46:04.840
<v Speaker 1>because then I know, you know, shots component nor legacy

0:46:04.880 --> 0:46:08.160
<v Speaker 1>and ended there the l A l A l A

0:46:08.360 --> 0:46:11.239
<v Speaker 1>L A which was you know it was it was.

0:46:11.280 --> 0:46:13.000
<v Speaker 1>It was a wild time to be around. I'm sure

0:46:13.080 --> 0:46:15.640
<v Speaker 1>be around. Talk to Nori about it. I think we

0:46:15.680 --> 0:46:22.080
<v Speaker 1>was on he was on a drink Champs. Yeah, talking

0:46:22.120 --> 0:46:27.560
<v Speaker 1>about that, you know, Noy was you know, he's so funny,

0:46:27.960 --> 0:46:31.680
<v Speaker 1>he's hilarious, He's the best. Nooy was one of the

0:46:31.680 --> 0:46:36.000
<v Speaker 1>first that I linked up with. Uh. We became very

0:46:36.000 --> 0:46:39.120
<v Speaker 1>good close friends. You know. It's fortunate that I linked

0:46:39.200 --> 0:46:43.000
<v Speaker 1>up with d m X before we passed away and

0:46:43.040 --> 0:46:48.440
<v Speaker 1>we became friends. Actually, I think who was up in there,

0:46:48.960 --> 0:46:52.800
<v Speaker 1>Dana Dan was at the airport. Me, d m X,

0:46:52.880 --> 0:46:56.680
<v Speaker 1>and Dana Danes all had flights and me and DMX

0:46:56.719 --> 0:47:01.120
<v Speaker 1>squashed our situation and became really good friends. Did man.

0:47:01.160 --> 0:47:03.319
<v Speaker 1>You know, I talked to him whenever I see him.

0:47:03.400 --> 0:47:06.759
<v Speaker 1>We was all cool and new. It was good that

0:47:06.760 --> 0:47:09.719
<v Speaker 1>that happened before he passed away. Get that. Just get

0:47:09.760 --> 0:47:11.719
<v Speaker 1>that out the way, you know what I'm saying. Me

0:47:11.800 --> 0:47:15.480
<v Speaker 1>and nas I did a movie with Jah Rule. You

0:47:15.520 --> 0:47:18.200
<v Speaker 1>know what I'm saying, Half past dead. You know, we

0:47:18.239 --> 0:47:21.640
<v Speaker 1>got rid of our differences. Talk with IRV, I talk

0:47:21.719 --> 0:47:27.080
<v Speaker 1>with everybody that you know that I shot at with

0:47:27.320 --> 0:47:29.680
<v Speaker 1>calling out names and got rid of all of that,

0:47:29.800 --> 0:47:34.720
<v Speaker 1>you know, all those issues and problems. Yeah, it's crazy

0:47:34.760 --> 0:47:37.160
<v Speaker 1>too because you were super super so close to Snoop

0:47:37.200 --> 0:47:40.080
<v Speaker 1>Dogg and Snoop Dogg historically, Like we look back at

0:47:40.080 --> 0:47:42.239
<v Speaker 1>that time, he had a lot of people in New

0:47:42.320 --> 0:47:45.279
<v Speaker 1>York that he was tight with, and from what I've heard,

0:47:45.320 --> 0:47:47.920
<v Speaker 1>sugar was not didn't like that. Sugar Pot didn't like

0:47:47.960 --> 0:47:50.879
<v Speaker 1>the fact that he was so cool with a bunch

0:47:50.880 --> 0:47:54.239
<v Speaker 1>of New York MC's during that time. Are you still

0:47:54.320 --> 0:47:56.239
<v Speaker 1>like super close with Snoop and did you have some

0:47:56.280 --> 0:47:58.200
<v Speaker 1>of those same relationships Snoop had or some of those

0:47:58.200 --> 0:48:09.480
<v Speaker 1>New York artists we're still on death Rod. Yeah, so

0:48:09.480 --> 0:48:11.279
<v Speaker 1>that was Yeah, that was because that was before you

0:48:11.480 --> 0:48:15.920
<v Speaker 1>started it. Because when did corruption come out? T ninety eight? Okay, okay,

0:48:15.960 --> 0:48:20.920
<v Speaker 1>so that was right before you left. So you felt

0:48:21.000 --> 0:48:23.600
<v Speaker 1>did you when that was when Tupac came home? Yeah?

0:48:23.600 --> 0:48:26.440
<v Speaker 1>I was gonna say, did you feel like the division

0:48:26.520 --> 0:48:30.520
<v Speaker 1>between POC and sug and Snoop, Like, did you see

0:48:30.520 --> 0:48:32.600
<v Speaker 1>it like with your own eyes? Because obviously there was

0:48:32.800 --> 0:48:34.799
<v Speaker 1>you know that we heard pop records that got leaked

0:48:34.840 --> 0:48:36.759
<v Speaker 1>way after where he was talking about Snoop. You know

0:48:36.800 --> 0:48:38.520
<v Speaker 1>what I'm saying, like, did you see that with your

0:48:38.520 --> 0:48:40.560
<v Speaker 1>own eyes? Like that division, like whether you could sit

0:48:40.640 --> 0:48:42.920
<v Speaker 1>where you could tell like, oh, you know Snoops can

0:48:42.960 --> 0:48:48.840
<v Speaker 1>eventually end up leaving death APN is a gang? Yes, yes,

0:48:49.560 --> 0:48:55.000
<v Speaker 1>self explanatory. Yes, How how weird was that that? That

0:48:55.000 --> 0:48:58.560
<v Speaker 1>that time though, because you're obviously from a fans perspective,

0:48:58.560 --> 0:49:00.880
<v Speaker 1>we didn't see all of the intern issues going on,

0:49:01.000 --> 0:49:05.480
<v Speaker 1>right pocket is like you said, the biggest thing moving

0:49:06.840 --> 0:49:09.200
<v Speaker 1>you know, two of America's most wanted is a song

0:49:09.280 --> 0:49:11.560
<v Speaker 1>with Pock and Snoop on it that's going crazy. But

0:49:11.960 --> 0:49:14.359
<v Speaker 1>did the beat and das did the beat? And and

0:49:14.520 --> 0:49:18.120
<v Speaker 1>you know and at the time there the Snoop and

0:49:18.160 --> 0:49:20.360
<v Speaker 1>Pock and sugarn't seeing I die? You know what I'm saying, Like,

0:49:20.400 --> 0:49:22.239
<v Speaker 1>what was that? What was that? What was that era

0:49:22.440 --> 0:49:25.520
<v Speaker 1>like of just just being around Snoop and dog pounds

0:49:25.760 --> 0:49:32.120
<v Speaker 1>like this Crip? That was the era period? That's what

0:49:32.160 --> 0:49:39.160
<v Speaker 1>it was, right, Crip? So at that like was there

0:49:39.200 --> 0:49:41.120
<v Speaker 1>ever a point in time? Work was our friend? And

0:49:41.160 --> 0:49:44.120
<v Speaker 1>when I say our, I'm speaking of the dog pound

0:49:44.160 --> 0:49:50.480
<v Speaker 1>in general, Snoopy, dazz Grub. You know what I'm saying,

0:49:50.600 --> 0:49:54.600
<v Speaker 1>and outlaws and thug life psyching everybody, you know what

0:49:54.640 --> 0:49:57.640
<v Speaker 1>I'm saying. So they was all our friends. Now the

0:49:57.680 --> 0:50:04.160
<v Speaker 1>two heads of the horses having issue, you know, so

0:50:04.320 --> 0:50:08.480
<v Speaker 1>you know eventually it would have worked that out, you

0:50:08.520 --> 0:50:11.799
<v Speaker 1>know what I'm saying. That's what you know friends do.

0:50:11.880 --> 0:50:15.200
<v Speaker 1>And Tupac and Snoopy were real friends, you know what

0:50:15.200 --> 0:50:19.319
<v Speaker 1>I'm saying. And Poc had his issue and Snoopy was

0:50:19.600 --> 0:50:23.439
<v Speaker 1>you know, I mean, what's gonna happen to Snoop? Right?

0:50:24.000 --> 0:50:29.640
<v Speaker 1>Nothing if people are smart? Yeah, you know what I'm saying.

0:50:29.760 --> 0:50:34.360
<v Speaker 1>And Pac didn't want a harm dog, you know what

0:50:34.440 --> 0:50:39.920
<v Speaker 1>I'm saying. Tupac loved dog. He was more disappointed than anything.

0:50:40.600 --> 0:50:43.799
<v Speaker 1>And you know, me and Pac are similar. Sometimes we

0:50:43.880 --> 0:50:47.440
<v Speaker 1>bring the cart before the horse, you know what I'm saying.

0:50:47.480 --> 0:50:50.399
<v Speaker 1>And like those records you hear, you know that was Pac.

0:50:50.480 --> 0:50:54.080
<v Speaker 1>He was filled with anger and he would let it go.

0:50:54.440 --> 0:50:57.000
<v Speaker 1>And those records probably were never even recorded for us

0:50:57.040 --> 0:51:00.759
<v Speaker 1>to ever hear. Obviously they were never official released like

0:51:00.760 --> 0:51:06.000
<v Speaker 1>they was recorded to be heard, you know. But it's

0:51:06.040 --> 0:51:09.360
<v Speaker 1>just like me and DMX, you know what I'm saying.

0:51:10.600 --> 0:51:16.720
<v Speaker 1>You know, we we got together and squashed our beef

0:51:17.840 --> 0:51:21.120
<v Speaker 1>and we didn't even know each other. Snoop and Tupac

0:51:21.200 --> 0:51:23.919
<v Speaker 1>they knew each other, they were friends, so that was yeah,

0:51:24.120 --> 0:51:26.359
<v Speaker 1>you know what I'm saying. So that would eventually been

0:51:26.400 --> 0:51:29.600
<v Speaker 1>taking out the water. And I doubt if Pop would

0:51:29.640 --> 0:51:34.240
<v Speaker 1>have released those records about Snoopy, you know what I'm saying.

0:51:34.440 --> 0:51:39.279
<v Speaker 1>But you never know what. Tupac was very spontaneous and

0:51:39.320 --> 0:51:41.560
<v Speaker 1>he said what he meant. You know what I'm saying

0:51:42.040 --> 0:51:45.400
<v Speaker 1>that it was Tupac, you talk to me about you know,

0:51:45.440 --> 0:51:48.799
<v Speaker 1>Four Horsemen, which was originally a record that was on

0:51:49.680 --> 0:51:52.080
<v Speaker 1>I forget which Cannabis album it was. I think it

0:51:52.120 --> 0:51:56.160
<v Speaker 1>was two a group. We tried to do it, put

0:51:56.200 --> 0:51:59.160
<v Speaker 1>it together, but our shit kept leaking. We put the

0:51:59.200 --> 0:52:02.920
<v Speaker 1>group together first, came up with the whole idea, and

0:52:02.960 --> 0:52:05.239
<v Speaker 1>we were about to make a reality, but records kept

0:52:05.239 --> 0:52:07.440
<v Speaker 1>getting leak, kept getting leaked, so we put a pause

0:52:07.480 --> 0:52:11.200
<v Speaker 1>on it. So Cannabis and ras Cast took one of

0:52:11.200 --> 0:52:14.600
<v Speaker 1>the records. Each took a different record. It was like, well,

0:52:14.600 --> 0:52:16.480
<v Speaker 1>fuck it, man, I'm gonna put this on my album.

0:52:16.560 --> 0:52:18.480
<v Speaker 1>Since we're gonna freeze on the album, right, I'm gon'll

0:52:18.520 --> 0:52:21.080
<v Speaker 1>put this on my album. That was cannabis, and I'm

0:52:21.080 --> 0:52:23.840
<v Speaker 1>gonna put this on my I think priests took couples

0:52:23.880 --> 0:52:25.919
<v Speaker 1>that fuck it, I don't put these on March because

0:52:25.960 --> 0:52:29.360
<v Speaker 1>we planned on starting from scratch anyway. Everybody was leaking

0:52:29.360 --> 0:52:31.880
<v Speaker 1>all of our shit, so that's what they did to

0:52:31.960 --> 0:52:35.680
<v Speaker 1>give them pieces of the Horsemen and the experience that

0:52:35.719 --> 0:52:38.200
<v Speaker 1>we was planning on coming back together to give them

0:52:38.560 --> 0:52:43.120
<v Speaker 1>new records. Took us twenty years to actually get through

0:52:43.320 --> 0:52:47.560
<v Speaker 1>the real the real masterpiece together, the real product. Saying,

0:52:47.600 --> 0:52:50.120
<v Speaker 1>like what you guys did back then. I always look

0:52:50.120 --> 0:52:52.520
<v Speaker 1>at you guys as like the original Slaughterhouse, Like you know,

0:52:52.560 --> 0:52:54.960
<v Speaker 1>slaughter House was Joe Budden and Joel our Teas and

0:52:55.840 --> 0:52:58.840
<v Speaker 1>Royce everybody came to there the Crooked Eye. But you

0:52:58.880 --> 0:53:01.319
<v Speaker 1>guys did that first as just kind of like this

0:53:01.480 --> 0:53:04.480
<v Speaker 1>supergroup of like just lyrical monsters. You know what I'm saying.

0:53:04.600 --> 0:53:07.439
<v Speaker 1>That's a compliment, Thank you much. Why was why? Why?

0:53:07.480 --> 0:53:10.480
<v Speaker 1>Why is now the time to come back together? Though? Like?

0:53:10.520 --> 0:53:14.040
<v Speaker 1>Why why? Uh? Like what's the motivation to do for

0:53:14.120 --> 0:53:20.280
<v Speaker 1>Horsemen project in twenty twenty one. We're a real group.

0:53:22.160 --> 0:53:25.920
<v Speaker 1>It's not a gimmick, right, and we were just doing

0:53:25.960 --> 0:53:30.080
<v Speaker 1>it just to do it. Yeah, he's a real group.

0:53:30.560 --> 0:53:36.920
<v Speaker 1>Dog Pound, EPM, D RUN, DMC, Public Enemy. You know,

0:53:37.719 --> 0:53:42.120
<v Speaker 1>one album, many more to come, you know what I'm saying.

0:53:42.160 --> 0:53:43.920
<v Speaker 1>It took us dad long to be able to get it.

0:53:44.719 --> 0:53:48.680
<v Speaker 1>People kept throwing our ship out there inside people. You know,

0:53:48.719 --> 0:53:52.319
<v Speaker 1>we couldn't ship, man, they just kept coming out. Do

0:53:52.480 --> 0:53:54.279
<v Speaker 1>five records, next thing, you know, four of them will

0:53:54.320 --> 0:53:57.719
<v Speaker 1>get leaked. That's crazy, like oh man, And then you know,

0:53:57.760 --> 0:54:00.759
<v Speaker 1>we got our own lives and careers, so then, you know,

0:54:00.800 --> 0:54:03.160
<v Speaker 1>you try so much to get it there, it keeps

0:54:03.480 --> 0:54:06.880
<v Speaker 1>falling back. So you know, hey, we just go and

0:54:06.920 --> 0:54:10.520
<v Speaker 1>do our own things and eventually get back together when

0:54:10.520 --> 0:54:13.839
<v Speaker 1>we can and try it again. And we tried about

0:54:13.920 --> 0:54:16.000
<v Speaker 1>two good times the first time, and then we try

0:54:16.040 --> 0:54:19.359
<v Speaker 1>the second time the same results. So this is the

0:54:19.480 --> 0:54:22.040
<v Speaker 1>third time to try try and rather right three times

0:54:22.040 --> 0:54:26.600
<v Speaker 1>it yar'll swell? What's the competition levels between all four

0:54:26.640 --> 0:54:28.399
<v Speaker 1>of you guys, because each one of you, I mean,

0:54:29.320 --> 0:54:31.120
<v Speaker 1>do you get on the record hoping to have the

0:54:31.120 --> 0:54:34.560
<v Speaker 1>best verse, because everyone's killers on each one of these records.

0:54:34.560 --> 0:54:36.680
<v Speaker 1>You know, I get on there and have fun, right,

0:54:37.120 --> 0:54:40.200
<v Speaker 1>you know, it's it's fun, so you know, get up there.

0:54:41.040 --> 0:54:44.200
<v Speaker 1>Everybody's together, or three of us together, or even if

0:54:44.200 --> 0:54:47.840
<v Speaker 1>it's two and you just spit. You know what I'm saying.

0:54:48.520 --> 0:54:52.120
<v Speaker 1>The first the first verse tells you everything. I don't

0:54:52.160 --> 0:54:54.319
<v Speaker 1>think we came up with hooks first. I think we

0:54:54.400 --> 0:54:58.759
<v Speaker 1>came up the verses first. Right, bam, what's that first

0:54:58.800 --> 0:55:02.960
<v Speaker 1>one laid first? The next one comes, the hook comes. Oh,

0:55:03.040 --> 0:55:04.799
<v Speaker 1>let's get that to such and such, such and such,

0:55:04.920 --> 0:55:07.560
<v Speaker 1>or if we're all there, it just falls in line.

0:55:08.080 --> 0:55:09.600
<v Speaker 1>You know, we just have fun. We just get on

0:55:09.640 --> 0:55:12.879
<v Speaker 1>the mic. Our songs is similar to ciphers. They all

0:55:12.920 --> 0:55:15.640
<v Speaker 1>start off as ciphers to be playing, and then everybody's

0:55:15.680 --> 0:55:20.439
<v Speaker 1>just get the busting like a cipher and then yeah,

0:55:21.280 --> 0:55:24.640
<v Speaker 1>something catching crash, which is exactly what fans would want

0:55:24.680 --> 0:55:28.080
<v Speaker 1>to hear from you guys. Some bars. That's all we did.

0:55:28.120 --> 0:55:30.080
<v Speaker 1>And you know, and that was the key to Horsemen.

0:55:30.680 --> 0:55:34.600
<v Speaker 1>You know, we wasn't thinking about radio records or thank god,

0:55:34.760 --> 0:55:37.919
<v Speaker 1>I wouldn't want that from from people to people like yeah,

0:55:37.960 --> 0:55:39.680
<v Speaker 1>you know what I'm saying. We gave them the mic.

0:55:40.440 --> 0:55:42.800
<v Speaker 1>That's what the Horseman is about, pure and the delta

0:55:43.000 --> 0:55:46.640
<v Speaker 1>ated mic, you know what I'm saying. And so you know,

0:55:47.000 --> 0:55:49.840
<v Speaker 1>we was able to still save a couple from the

0:55:49.920 --> 0:55:53.440
<v Speaker 1>past people ain't getting. We took a couple of records

0:55:53.480 --> 0:55:56.759
<v Speaker 1>that stood out from the past that we that was

0:55:56.800 --> 0:55:59.760
<v Speaker 1>placed out and then just some new ones and added

0:55:59.800 --> 0:56:05.000
<v Speaker 1>on ras and may basically forefront of getting it all

0:56:05.040 --> 0:56:09.760
<v Speaker 1>together and putting it all together. They did great. Okay,

0:56:09.880 --> 0:56:14.400
<v Speaker 1>so that so go support the full Horseman ship. Oh yeah,

0:56:14.960 --> 0:56:18.720
<v Speaker 1>is there any talks of doing another dot pound album?

0:56:19.360 --> 0:56:25.520
<v Speaker 1>We dropping August August thirteenth, So August thirteenth, the thirt

0:56:26.760 --> 0:56:29.760
<v Speaker 1>so that's coming me and dads yep. And the first

0:56:29.800 --> 0:56:32.560
<v Speaker 1>single is Nice and Slow. We released some from the album,

0:56:32.600 --> 0:56:36.600
<v Speaker 1>I think two of them. We gave Tom to lighten

0:56:36.719 --> 0:56:40.440
<v Speaker 1>up their little muskets and uh which you know, bottom

0:56:40.480 --> 0:56:45.839
<v Speaker 1>bitch and we rolling. And then we just shot our

0:56:45.880 --> 0:56:50.319
<v Speaker 1>first single and second official singles. The first one is

0:56:50.400 --> 0:56:54.399
<v Speaker 1>Nice and Slow with me, Dad's and Snoopy. Second one

0:56:54.520 --> 0:56:59.480
<v Speaker 1>is used to you know me, dads and Eric Bellinger

0:57:00.040 --> 0:57:03.160
<v Speaker 1>Aaric belder Man, Yeah, my guy. Uh. And then the

0:57:03.200 --> 0:57:06.319
<v Speaker 1>other thing is you know, Dre has been in the

0:57:06.360 --> 0:57:10.600
<v Speaker 1>studio working on the Detox and thirteen million iterations of

0:57:10.640 --> 0:57:13.440
<v Speaker 1>the Detox for the last hour. Doctor Dre is a stickler.

0:57:13.680 --> 0:57:15.600
<v Speaker 1>How many how many, like have you heard any of

0:57:15.600 --> 0:57:17.560
<v Speaker 1>that music? And were you asked to be on any

0:57:17.600 --> 0:57:19.920
<v Speaker 1>of the records that we probably will never end up hearing.

0:57:20.000 --> 0:57:22.680
<v Speaker 1>But like, were you ever at a at all point

0:57:22.760 --> 0:57:28.200
<v Speaker 1>a part of that creative process since day one? Since

0:57:28.280 --> 0:57:33.160
<v Speaker 1>day one? How great is the music? Because I'm sure

0:57:33.160 --> 0:57:35.440
<v Speaker 1>whatever you heard will probably never even end up hearing.

0:57:35.480 --> 0:57:37.680
<v Speaker 1>But like, I mean, I hope I'm wrong. I heard

0:57:37.720 --> 0:57:41.919
<v Speaker 1>three or four detoxes. You know. It's like, but doctor Dre,

0:57:43.680 --> 0:57:48.840
<v Speaker 1>you know, he's he's a perfectionist. That's why all his

0:57:48.920 --> 0:57:52.360
<v Speaker 1>records are just different. Every time they hit a peak,

0:57:53.120 --> 0:57:58.400
<v Speaker 1>they go somewhere with something different. Doctor Dre. It's a perfectionist,

0:57:58.480 --> 0:58:01.680
<v Speaker 1>you know, he's you know, you wait and you wait,

0:58:01.800 --> 0:58:04.760
<v Speaker 1>but when you get it, it's worth it. Oh boy

0:58:04.960 --> 0:58:07.600
<v Speaker 1>is it? You know what I'm saying. And so you

0:58:07.640 --> 0:58:12.160
<v Speaker 1>know with doctor Dre, I mean, shit, man, he got

0:58:12.280 --> 0:58:17.800
<v Speaker 1>so much in that bolt you know, classics, but you know,

0:58:17.920 --> 0:58:20.920
<v Speaker 1>doctor Dre, it's something he's looking for and when he

0:58:21.000 --> 0:58:23.760
<v Speaker 1>finds it, I just hope. I just hope we like,

0:58:23.760 --> 0:58:27.560
<v Speaker 1>like we get an album where we hear you and

0:58:27.760 --> 0:58:31.640
<v Speaker 1>Snoop and Dazz and Exhibit and you know, Dre have

0:58:31.880 --> 0:58:37.360
<v Speaker 1>so many that he has created so many like a

0:58:37.360 --> 0:58:41.840
<v Speaker 1>coup of stars and crowman artists that people want to

0:58:42.000 --> 0:58:45.160
<v Speaker 1>hear like that. You know, I think it's kind of

0:58:45.240 --> 0:58:47.640
<v Speaker 1>difficult by the way he did well. He did a

0:58:47.640 --> 0:58:52.280
<v Speaker 1>great job putting the Compton album together. That album doesn't

0:58:52.280 --> 0:58:54.080
<v Speaker 1>get talked about enough. That was a great body of work.

0:58:54.520 --> 0:58:56.480
<v Speaker 1>But I just like, I'm just always like man, like

0:58:56.560 --> 0:59:01.520
<v Speaker 1>you know, I remember before that album, the last Chronic

0:59:01.600 --> 0:59:06.520
<v Speaker 1>album he put out the Aftermath after Yeah, the Aftermath compilation.

0:59:06.680 --> 0:59:10.600
<v Speaker 1>We've been there, done that, and then he dropped the Chronic.

0:59:12.160 --> 0:59:16.640
<v Speaker 1>This time he dropped Compton, which that's fair, so nice comparison.

0:59:16.920 --> 0:59:20.160
<v Speaker 1>So you know what's gonna happened. Okay, well we'll be

0:59:20.200 --> 0:59:23.680
<v Speaker 1>waiting and let's just look at what he has to

0:59:23.760 --> 0:59:27.160
<v Speaker 1>bring to the table, and then you'll understand how difficult

0:59:27.240 --> 0:59:31.200
<v Speaker 1>it is because the album has to have everybody on it.

0:59:32.320 --> 0:59:34.560
<v Speaker 1>This has to have those three, it has to have

0:59:34.680 --> 0:59:38.120
<v Speaker 1>Kendrick Snoop, It's got to have you. It's gotta yeah, no, no,

0:59:38.240 --> 0:59:42.640
<v Speaker 1>for sure. Rage you know, that's the type of place

0:59:42.680 --> 0:59:46.560
<v Speaker 1>doctor Drake's going where I can fit in. Its just

0:59:47.160 --> 0:59:50.360
<v Speaker 1>all of it a big gumbo. What I'm saying well

0:59:50.360 --> 0:59:51.960
<v Speaker 1>that's what he did with two thousand and one. Man,

0:59:52.080 --> 0:59:55.840
<v Speaker 1>it was it was like a perfect you know even.

0:59:56.120 --> 0:59:59.280
<v Speaker 1>I mean when I talked to fifty, I was like, yo, fifty, like,

0:59:59.360 --> 1:00:02.000
<v Speaker 1>why don't you Am and Dre just get into the

1:00:02.000 --> 1:00:04.120
<v Speaker 1>studio and make an album, Like that's what the fans want.

1:00:04.120 --> 1:00:05.880
<v Speaker 1>Why is it so hard to just give people what

1:00:05.920 --> 1:00:13.120
<v Speaker 1>they want? But but but he gets in the studio,

1:00:13.320 --> 1:00:14.920
<v Speaker 1>and then there's M and M who's the you know,

1:00:14.960 --> 1:00:17.520
<v Speaker 1>and then there's fifties executive producing all these TV shows.

1:00:17.560 --> 1:00:19.800
<v Speaker 1>Sometimes it's not you know, just being a hip hop fan,

1:00:19.920 --> 1:00:21.520
<v Speaker 1>you thinks ship's a lot of years, and it really is.

1:00:21.560 --> 1:00:24.520
<v Speaker 1>You know what I'm saying. First thing is how do

1:00:24.640 --> 1:00:28.680
<v Speaker 1>you get Doctor Dre in the studio? Doctor Dre? Get

1:00:28.720 --> 1:00:31.400
<v Speaker 1>you in the studio, you dude, that's the key. And

1:00:31.440 --> 1:00:34.560
<v Speaker 1>as soon as Doctor Dre you know, shoots out that

1:00:34.720 --> 1:00:40.320
<v Speaker 1>bat signal, we all gonna come immediately. He's ready him

1:00:41.360 --> 1:00:52.160
<v Speaker 1>Snoopy Gotti, dass rage rb xom boom fifty yep, immediately game.

1:00:53.800 --> 1:00:56.880
<v Speaker 1>You know what I'm saying, Doctor Dre has such an arsenal.

1:00:58.280 --> 1:01:02.040
<v Speaker 1>His tree is crazy stupid and everybody would be right there.

1:01:02.120 --> 1:01:06.840
<v Speaker 1>Kendrick yep, well listen man, correct, I appreciate the sit down. Yes, sir,

1:01:06.880 --> 1:01:11.520
<v Speaker 1>you're a legend. I mean, you are the man. When

1:01:11.560 --> 1:01:12.880
<v Speaker 1>I first moved to l A, I ran into you

1:01:12.920 --> 1:01:15.640
<v Speaker 1>at Hooters across the street from Staples Center, and I

1:01:15.680 --> 1:01:17.640
<v Speaker 1>was like, this is a good day I was doing.

1:01:19.240 --> 1:01:22.680
<v Speaker 1>That was my my, my, my years of when I

1:01:22.800 --> 1:01:26.400
<v Speaker 1>was indulging in some good old fashioned patron Yes, you

1:01:26.440 --> 1:01:32.360
<v Speaker 1>were drunk for sure. I had to leave all that corrupt.

1:01:32.400 --> 1:01:36.320
<v Speaker 1>I lave you to death. Kid, Thanks for having just