WEBVTT - Real Time Crime to the Mainstage

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<v Speaker 1>Hello, everyone, Welcome back to another episode of Real Time Crime.

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<v Speaker 1>I'm Leo Lamar with your new radio voice, and I

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<v Speaker 1>have with me my co host Teddy Melling Camp. I

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<v Speaker 1>can't even pause today because your new voice had me

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<v Speaker 1>so um shocked. It's like I talked to Chris Cuomo

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<v Speaker 1>one time, and uh, I've changed forever. And we've also

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<v Speaker 1>got with us of course our favorite sometimes Dmitri. Hello,

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<v Speaker 1>sometimes hello, how are you? You know? I'm good, except

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<v Speaker 1>for I was out until five am last night. Yeah,

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<v Speaker 1>I was gonna ask. I figured that's where the voice

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<v Speaker 1>was coming from. It looks like you're still out. You're like,

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<v Speaker 1>why you're in a pitch black room, your backstage at

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<v Speaker 1>a nightclub like she's at the chipping Dale. We're going

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<v Speaker 1>to discuss. I can't understand what, Like it's daylight here,

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<v Speaker 1>you see, I mean sometimes throwing dollar bills around? Sorry,

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<v Speaker 1>what what are you doing? I feel like you have

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<v Speaker 1>a crystal ball in tarot cards in front of you.

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<v Speaker 1>What is happening? You guys are roasting the ship out

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<v Speaker 1>of me. They need to see the clip of I mean,

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<v Speaker 1>all I see of you is your face. Everything else

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<v Speaker 1>it's black. I'm at the I'm at the hotel. Almost

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<v Speaker 1>disclosed my location, but you know, bad, naughty Lea. I'm

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<v Speaker 1>at a hotel in Austin. I'm here for south By Southwest.

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<v Speaker 1>I've been doing two shows a night every night. Um,

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<v Speaker 1>very tired. But why was I out until five am?

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<v Speaker 1>You ask? I don't know. Does my ex live in Austin?

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<v Speaker 1>Maybe we know it's coming? What this is worse? We

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<v Speaker 1>had a very own conversation that included no sex. Was

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<v Speaker 1>just both of us crying, holding each other, telling each

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<v Speaker 1>other how much we meant to the other. First, I'm sorry,

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<v Speaker 1>I'm I respected it when I thought it was just

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<v Speaker 1>south By south Sex, but now it's Yeah. I was

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<v Speaker 1>fine with just the tips, but hugging and crying over

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<v Speaker 1>missing one another, like did you guys break up? Originally? Um?

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<v Speaker 1>The truth is he's mentally ill in a way that

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<v Speaker 1>isn't funny. But wow, that sounds like a lot of fun. Well,

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<v Speaker 1>I hope you can go over and cuddle together again tonight.

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<v Speaker 1>I can't believe we were just told that Leah's X,

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<v Speaker 1>someone she used to date, is mentally ill and we

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<v Speaker 1>can't touch that and we have to just leave it.

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<v Speaker 1>Someone that's more mentally ill than me if you can imagine, Well,

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<v Speaker 1>was he the sole one crying and holding him at

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<v Speaker 1>for a him or were you doing the same. I'm

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<v Speaker 1>just gonna say he cried first. This isn't chipped for chat.

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<v Speaker 1>Men usually not for chat. And I need just send

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<v Speaker 1>me a text of what he looks like real quick.

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<v Speaker 1>I just need a full visual before we, you know,

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<v Speaker 1>we get into all the things. And also I'll just

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<v Speaker 1>say this, Um, I did another complete crime the other

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<v Speaker 1>day where I was at an event where I had

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<v Speaker 1>a show, and I told these two guys, I said,

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<v Speaker 1>I'll be right back, can you guys watch my bag?

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<v Speaker 1>And then they did, and then I was gone for

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<v Speaker 1>an hour and I just assumed they left. You know,

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<v Speaker 1>I was just like whatever, whatever, what was in it?

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<v Speaker 1>I mean, everything that I needed any This is extremely

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<v Speaker 1>unsettling to the one that has been derailed since you

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<v Speaker 1>lost her Fannie pack, the fact that you just just

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<v Speaker 1>willy nearly left your bag with somebody for an hour,

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<v Speaker 1>just free falling it without your bag on purpose. Yeah. Well,

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<v Speaker 1>it's like, you know, someone came into the room that

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<v Speaker 1>I wanted to talk to and Mark Cuban and then

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<v Speaker 1>you're like, oh, is he rich? Has a head shot

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<v Speaker 1>married check check check. Let me get over there. I

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<v Speaker 1>already emailed him. I was like, let's play pickle ball

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<v Speaker 1>next week. Um, teddy, you're welcome to joint. And UM,

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<v Speaker 1>I also just sent you a photo of my ex

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<v Speaker 1>by the way. Um. And then when I came back

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<v Speaker 1>to my bag, these guys we're like, are you insane?

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<v Speaker 1>Are you meant? Are you mental? You left your bag

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<v Speaker 1>with two strangers for an hour. This guy literally started

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<v Speaker 1>yelling at me. I was like, okay, Dad, I'm sorry.

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<v Speaker 1>You know, uh mind when you send me pictures of

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<v Speaker 1>your ex to not send them with his girlfriend after you,

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<v Speaker 1>because it confuses my my sight. She's actually the girlfriend

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<v Speaker 1>before me, and we do look very similar. Good, That's

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<v Speaker 1>what I'm saying. I don't sending it. Well. The other

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<v Speaker 1>thing about her x is he has a type. He

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<v Speaker 1>has a very obvious tife. Why does the excello crazy

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<v Speaker 1>as well? I honestly thought Leo was in these pictures.

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<v Speaker 1>Here's the thing. You don't have that much time to

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<v Speaker 1>do hot topics, But there is one hot topic that

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<v Speaker 1>I really do want to talk about before we have on. J. D. Schwartz,

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<v Speaker 1>who is the producer of Chippendales and that incredible documentary.

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<v Speaker 1>But the hot topic I want to talk about is

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<v Speaker 1>what's going on with Jesse. Okay, great, Okay. So, after

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<v Speaker 1>Jesse Smaillett was sentenced a hundred and fifty days in

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<v Speaker 1>jail and thirty months of probation for staging a hate

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<v Speaker 1>crime against health, the former Empire star is at the

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<v Speaker 1>center of a free Jesse campaign, with fellow actors speaking out.

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<v Speaker 1>Alfrey ordered Samuel Jackson and his wife and more previously

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<v Speaker 1>asked Illinois Judge James B. Lynn asked to not sentenced

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<v Speaker 1>Smollett to prison time, and a letter written to the judge,

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<v Speaker 1>Jackson wrote that Smollett comes from a good family that

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<v Speaker 1>can provide the support and monitoring assistance that they can

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<v Speaker 1>provide for him in an alternative probation scenario. The pulp

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<v Speaker 1>fiction star continued, Jesse has already suffered a great deal

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<v Speaker 1>of punishment as this situation has destroyed his existing career

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<v Speaker 1>and impugned his reputation. Please, Judge Lynn, in God's name,

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<v Speaker 1>please save this young man and allow him to be

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<v Speaker 1>of service. Jesse Smollett is worth the risk and the investment.

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<v Speaker 1>Smollett was sentenced on March tenth after falsely alleging in

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<v Speaker 1>two thousand nineteen that he was attacked by two men

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<v Speaker 1>using racist and homophobic slurs. Jesse also opened he says

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<v Speaker 1>he is not suicidal, so if he ends up dead,

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<v Speaker 1>you guys know what happened. Um Tara g P. Hinson

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<v Speaker 1>later issued an Instagram statement condemning the sentence. I am

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<v Speaker 1>not here to debate you on the innocence, but can

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<v Speaker 1>we agree that the punishment does not fit the crime?

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<v Speaker 1>Henson wrote. Emmett Till was brutally beat and ultimately murdered

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<v Speaker 1>because of a lie, and none of the people involved

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<v Speaker 1>with his demives spent one day in jail, even after

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<v Speaker 1>Caroline Briant admitted that her claims were false. No one

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<v Speaker 1>was hurt or killed during Jesse's ordeal. He has already

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<v Speaker 1>lost everything everything, Hinson continued to me. As an artist

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<v Speaker 1>not able to create, that in itself is punishment enough.

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<v Speaker 1>He can't get a job, No one in Hollywood will

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<v Speaker 1>hire him again, and as an artist who loves to create,

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<v Speaker 1>that is prison. My prayers that he is freed and

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<v Speaker 1>put on house arrest and probation, because in this case

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<v Speaker 1>that would seem fair. Please free Jesse and then Gabrielle Union,

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<v Speaker 1>Leslie Jordan among others have liked this. What are y'all

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<v Speaker 1>thoughts on this? I thought that it would be a

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<v Speaker 1>lot more powerful if Samuel L. Jackson didn't write a

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<v Speaker 1>letter but used his voice m the Capital One commercial. Yeah,

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<v Speaker 1>here's here's the thing. The reason he doesn't have his

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<v Speaker 1>career is because of something that he did. So in

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<v Speaker 1>that respect, I don't think that's a good argument. But also,

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<v Speaker 1>and that same thing didn't didn't we find out that

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<v Speaker 1>he had to go into some sort of mental ward recently, Like,

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<v Speaker 1>isn't probably the reason he did what he did was

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<v Speaker 1>allegedly because of some sort of mental illness. Well then

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<v Speaker 1>he should be said, they should be sentenced into some

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<v Speaker 1>health care facility like that. But I don't think it's

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<v Speaker 1>a matter of oh, well, listen, he didn't, you know what,

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<v Speaker 1>he lost his career. That's good enough because technically he's

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<v Speaker 1>still denying it as well. So if he needs help,

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<v Speaker 1>acent let's get him help. But I don't think it's

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<v Speaker 1>just allright, well, he shouldn't have to serve anything because

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<v Speaker 1>he lied to police. He calls a bunch of resources

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<v Speaker 1>and time and the and all that you know to

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<v Speaker 1>be spent on this, so I don't think it's a

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<v Speaker 1>matter of just well, all right, come on, yeah. I

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<v Speaker 1>don't agree with the house arrest aspect of it. If

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<v Speaker 1>you do a crime, you do a crime. However, if

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<v Speaker 1>there is mental health involved, I do think that that

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<v Speaker 1>type of facility should be the alternative. I agree. And

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<v Speaker 1>if you do the crime, you do the time. I'm like,

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<v Speaker 1>you have to get it in every time. But speaking

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<v Speaker 1>of time, we have to take a little break because guests,

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<v Speaker 1>who's here? Oh my god, our guest. I just want

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<v Speaker 1>to really quickly say, Jesse, if you want to come

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<v Speaker 1>back to the art world, the stand up comedy community,

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<v Speaker 1>except literally everyone, So welcome back to the art world.

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<v Speaker 1>If you want to write some jokes while you're in prison,

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<v Speaker 1>come join us after all, right, back to you, all right,

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<v Speaker 1>we'll be right back. Yeah, okay, everyone. I am super

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<v Speaker 1>excited to introduce our guest for today. This is J. D. Schwartz.

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<v Speaker 1>He's a former producer of Chippendale's but now brings extensive

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<v Speaker 1>public relations experience and the professional zeal of an aggressive

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<v Speaker 1>New Yorker. So do I to his approach of doing publicity.

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<v Speaker 1>He has a collector roster of clients, but he is

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<v Speaker 1>best known for his personality representation UM and you know,

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<v Speaker 1>he originally achieved a lot of success in theater in

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<v Speaker 1>New York and he is here with us today to

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<v Speaker 1>talk about the secrets of the Chippendale's murders and also

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<v Speaker 1>just Chippendale's in general. So it's incredible. It's a four docuseries,

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<v Speaker 1>it's on A and E, it's on Monday nights, and

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<v Speaker 1>it unveils the shocking story behind the Chippendale's empire. And

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<v Speaker 1>a Chippendal's was a nightclub that aimed to allure and

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<v Speaker 1>please women with its scantily clad mail dancers and vivacious music,

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<v Speaker 1>and quickly advanced toward a pop culture phenomenon until it

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<v Speaker 1>came crashing down. Through exclusive interviews never before seeing crime

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<v Speaker 1>scene video and declassified FBI surveillance audio, the special unravels

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<v Speaker 1>the hidden tale of how sex, jealousy, arson, hefty bags

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<v Speaker 1>filled with cash, and mafia shakedowns all led up to

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<v Speaker 1>one of the most outrageous murders in American history. And

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<v Speaker 1>you know, it's incredible. I just think that you need

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<v Speaker 1>to tune in a SAP a SAP, especially because you're

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<v Speaker 1>listening to this podcast, it's gonna be even more interesting

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<v Speaker 1>after getting a little more information behind the scenes and

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<v Speaker 1>especially what the club was all about before the murders. Hi, Ja,

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<v Speaker 1>how are you good? How are you so good? We're

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<v Speaker 1>really glad to have you here. Hi, thank you, thank

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<v Speaker 1>you for having me appreciate it just before we start.

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<v Speaker 1>So you know, you know, and I've been trying to

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<v Speaker 1>explain this, but the murders, that's what this documentary is about.

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<v Speaker 1>But that's not what Chippendales was about. The murders happened

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<v Speaker 1>after the huge success and the craziness and the phenomenon

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<v Speaker 1>of Chippendales. I opened and ran Chippendales in New York

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<v Speaker 1>in I did all the hiring, the firing, and the

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<v Speaker 1>guy was murdered. He was my boss. So I just

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<v Speaker 1>want to give you that background here. The phenomenal success

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<v Speaker 1>of the club. It was a cash business, so it

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<v Speaker 1>just boiled down to greed. You're taking money from me,

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<v Speaker 1>You're stealing from me. What do you mean, you're taking

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<v Speaker 1>the show on the road. You know. It all came

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<v Speaker 1>down to that. But that's all happened after the fact.

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<v Speaker 1>When we opened this club in New York. It was

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<v Speaker 1>the hottest thing in New York everybody. It was a

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<v Speaker 1>studio fifty four in US. Okay, So just a backtrack

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<v Speaker 1>a little bit, when you brought how were you brought

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<v Speaker 1>in originally to produce Chippendales and what exactly does that mean? Okay?

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<v Speaker 1>So I was working for a Broadway producer. We had

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<v Speaker 1>a big hit show on Broadway called Hurley Burley. Bill

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<v Speaker 1>heard Chris Walking, Suzie Kurds Synthonics and it was a

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<v Speaker 1>big deal. His fiance Barbara, who was also in the documentary,

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<v Speaker 1>she was a club promoter. The owner of Magic, which

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<v Speaker 1>was the club that Chippendales went into, called Barbara and said, Hey,

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<v Speaker 1>we're opening this club. You know we're going into it.

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<v Speaker 1>Not a club we're opening. We're bringing Chippendales to our club.

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<v Speaker 1>Would you come in and work to help us open

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<v Speaker 1>the club? Hurley Burley was a huge hit on Broadway.

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<v Speaker 1>So she said, well, I can't do it. I love

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<v Speaker 1>spend our assistant to go. And you know, I didn't

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<v Speaker 1>want to go because the entertainment business is where I was.

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<v Speaker 1>I was working on a Broadway producer's office. I went reluctantly,

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<v Speaker 1>and she said just go and then you'll come back,

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<v Speaker 1>you know, after the club is open. So I went

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<v Speaker 1>and I met with Nick, who was the guy who

0:14:16.240 --> 0:14:19.600
<v Speaker 1>got murdered, who, by the way, you have to tell me,

0:14:19.680 --> 0:14:26.760
<v Speaker 1>like how honest and and Frank I can be here

0:14:27.480 --> 0:14:31.360
<v Speaker 1>as possibly can be. We love it because he was

0:14:31.400 --> 0:14:37.120
<v Speaker 1>a dick. Nobody liked him, I mean and especially me.

0:14:37.360 --> 0:14:43.600
<v Speaker 1>He treated me horribly. Think of Harvey Weinstein and Scott Ruten.

0:14:44.280 --> 0:14:47.680
<v Speaker 1>That's who this guy was. He was just an ego,

0:14:48.600 --> 0:14:52.200
<v Speaker 1>an egomaniacal son of a bit. We called him Nick

0:14:52.280 --> 0:14:56.960
<v Speaker 1>the dick Um. He was one of Jennifer O'Neill's eight husbands.

0:14:57.400 --> 0:15:01.360
<v Speaker 1>He was in the closet and and the marquis in

0:15:01.400 --> 0:15:06.440
<v Speaker 1>front of the club said Magique presents Chippendales conceived, written,

0:15:06.720 --> 0:15:11.680
<v Speaker 1>produced and directed by Nick Denia. Because he wanted all

0:15:11.720 --> 0:15:15.760
<v Speaker 1>the credit for everything, and he just treated people very,

0:15:15.880 --> 0:15:19.960
<v Speaker 1>very poorly. So I went met him at a restaurant

0:15:19.960 --> 0:15:25.480
<v Speaker 1>on Broadway called Jrs. And we went, we had dinner,

0:15:25.520 --> 0:15:28.600
<v Speaker 1>and I said, okay, I would do this, not knowing

0:15:28.760 --> 0:15:31.800
<v Speaker 1>what really what this was. I had no idea what

0:15:31.920 --> 0:15:34.520
<v Speaker 1>chipping Dales was. I was twenty five years old. I

0:15:34.560 --> 0:15:37.000
<v Speaker 1>was out of college, you know, I was working in

0:15:37.040 --> 0:15:41.560
<v Speaker 1>a press office up for Broadway shows, and I really

0:15:42.080 --> 0:15:44.960
<v Speaker 1>didn't know what this was. But I was also in

0:15:45.000 --> 0:15:48.160
<v Speaker 1>a really good situation in the Broadway office I was

0:15:48.200 --> 0:15:53.240
<v Speaker 1>working in because I was hanging out. There's a restaurant

0:15:53.240 --> 0:15:57.680
<v Speaker 1>in New York City called Cafe Centro. So I was

0:15:57.760 --> 0:16:00.960
<v Speaker 1>hanging out every night with Chris wall In and Danny

0:16:00.960 --> 0:16:05.480
<v Speaker 1>Iello and Bruce Willis. And this is the New York

0:16:05.560 --> 0:16:11.000
<v Speaker 1>actors that came into this restaurant every night to hang out.

0:16:11.080 --> 0:16:13.000
<v Speaker 1>So I was a part of that. So I was

0:16:13.040 --> 0:16:16.280
<v Speaker 1>really very reluctant to give up sort of my entree

0:16:16.320 --> 0:16:18.080
<v Speaker 1>to go work in a club would like, who wanted

0:16:18.120 --> 0:16:22.120
<v Speaker 1>to go work in a club? Um? And so what

0:16:22.200 --> 0:16:24.880
<v Speaker 1>did it? Though? So what made you my? But so

0:16:25.040 --> 0:16:29.520
<v Speaker 1>my job was, um, I did all the hiring, I

0:16:29.560 --> 0:16:32.920
<v Speaker 1>did all the firing. I was in charge of anything

0:16:33.040 --> 0:16:39.440
<v Speaker 1>and everything that made this show happen, from when we

0:16:39.520 --> 0:16:43.000
<v Speaker 1>started that summer, you know, to them rebuilding the club,

0:16:43.640 --> 0:16:47.680
<v Speaker 1>two the rehearsals, to you know, models would come in

0:16:47.720 --> 0:16:50.800
<v Speaker 1>all the time, and and you know, to get jobs

0:16:50.800 --> 0:16:52.560
<v Speaker 1>you have to be six feet tall. You had to

0:16:52.600 --> 0:16:55.040
<v Speaker 1>take your shirt off, which was a very uncomfortable thing

0:16:55.080 --> 0:16:58.800
<v Speaker 1>for me. To say to another guy, take your shirt off.

0:17:00.160 --> 0:17:03.080
<v Speaker 1>But that was the job because you had to look

0:17:03.200 --> 0:17:04.760
<v Speaker 1>you know, you have to be ripped. You have to

0:17:04.760 --> 0:17:07.400
<v Speaker 1>look at a certain way. Nowadays it's like, oh, take

0:17:07.400 --> 0:17:08.960
<v Speaker 1>your shirt off, you know I need to see or

0:17:09.040 --> 0:17:14.919
<v Speaker 1>even after I got into it, i was, oh, you know,

0:17:15.040 --> 0:17:17.439
<v Speaker 1>it's part of the job. It's like it's it's not

0:17:17.600 --> 0:17:21.000
<v Speaker 1>a big deal. In Hollywood nowadays, guys go to auditions

0:17:21.000 --> 0:17:24.480
<v Speaker 1>without their shirts to begin with, and the audition usually

0:17:24.520 --> 0:17:29.679
<v Speaker 1>happens in my bedroom. But to go back, even before

0:17:29.760 --> 0:17:33.720
<v Speaker 1>you started, So it started with Steve Banergy founding at

0:17:33.720 --> 0:17:37.520
<v Speaker 1>the beginning of the club, So the club. Steve Banergy

0:17:37.680 --> 0:17:41.439
<v Speaker 1>was an immigrant from India who came here with an

0:17:41.440 --> 0:17:48.000
<v Speaker 1>American dream. He bought He realized that discos were a

0:17:48.000 --> 0:17:52.120
<v Speaker 1>big deal in New York, so he figured it would

0:17:52.160 --> 0:17:54.360
<v Speaker 1>work its way out to l A. He bought this

0:17:54.480 --> 0:17:57.280
<v Speaker 1>old chess club if you can believe there were chess

0:17:57.320 --> 0:18:02.560
<v Speaker 1>clubs on Overland in you in West l A. And

0:18:02.640 --> 0:18:06.040
<v Speaker 1>he wanted to turn it into a disco. This guy

0:18:06.160 --> 0:18:09.280
<v Speaker 1>named you might have heard of him, Paul Snyder, who

0:18:09.359 --> 0:18:12.000
<v Speaker 1>was married to Dorothy Stratton, the movie star eight. He

0:18:12.119 --> 0:18:16.479
<v Speaker 1>was based on that came into the club and said, Steve,

0:18:16.880 --> 0:18:19.200
<v Speaker 1>what you need to do is make us a mile

0:18:19.240 --> 0:18:23.119
<v Speaker 1>Strip club, and you know, I'll help you here and

0:18:23.160 --> 0:18:25.760
<v Speaker 1>I'll be your MC. What Paul was kind of a

0:18:25.760 --> 0:18:29.040
<v Speaker 1>guy that like he was a wanna be you know,

0:18:29.160 --> 0:18:30.840
<v Speaker 1>like I'll be your m C. And he had no

0:18:30.920 --> 0:18:33.479
<v Speaker 1>clue on how to be an MC. He could barely

0:18:34.119 --> 0:18:39.560
<v Speaker 1>you know, get you know. Um. But his kind to

0:18:39.600 --> 0:18:43.040
<v Speaker 1>fame was that he married Dorothy Stratton and then killed

0:18:43.080 --> 0:18:51.000
<v Speaker 1>her and then killed himself. Um. So after yeah, after

0:18:51.160 --> 0:18:56.719
<v Speaker 1>Steve fired Paul, he met Nick. Nick came into the

0:18:56.760 --> 0:18:59.840
<v Speaker 1>club and Nick said, oh, I could do this. I'll

0:19:01.080 --> 0:19:05.200
<v Speaker 1>you know, a show out of this, you know Nick again,

0:19:05.240 --> 0:19:07.679
<v Speaker 1>So I told you he was in the closet one

0:19:07.720 --> 0:19:11.000
<v Speaker 1>of Jennifer and YO husband's right. Yes, was a Z

0:19:11.200 --> 0:19:18.520
<v Speaker 1>list director. He had a dear cut, you know, didn't

0:19:18.520 --> 0:19:26.040
<v Speaker 1>even my right. I'm not saying other people felt like

0:19:26.080 --> 0:19:32.399
<v Speaker 1>I failed, although I'm sure they did, But this is

0:19:32.400 --> 0:19:36.000
<v Speaker 1>how I felt of how he treated me. This is

0:19:36.040 --> 0:19:40.080
<v Speaker 1>my truth. So I don't have anything nice to say

0:19:40.119 --> 0:19:43.680
<v Speaker 1>about him. You know, it's terrible to say anybody deserves

0:19:43.720 --> 0:19:46.800
<v Speaker 1>to be murdered. M Well, I have a question, who

0:19:46.920 --> 0:19:50.240
<v Speaker 1>is it that negotiated the deal with Hugh Hefner that

0:19:50.760 --> 0:19:56.520
<v Speaker 1>Chippendales was allowed to have the custom collars. I don't know.

0:19:57.160 --> 0:20:01.280
<v Speaker 1>That was before me. I came in as there, you know,

0:20:01.320 --> 0:20:04.280
<v Speaker 1>I came into New York. All this other stuff I

0:20:04.359 --> 0:20:07.919
<v Speaker 1>knew about, but I wasn't there for it, like the

0:20:08.040 --> 0:20:11.600
<v Speaker 1>Napkin deal that Steve and and and Nick didn't. By

0:20:11.640 --> 0:20:14.040
<v Speaker 1>the way I was telling about Nick, he had a

0:20:14.040 --> 0:20:19.800
<v Speaker 1>production company, a children's production company, mind you, called Unicorn Tails,

0:20:19.840 --> 0:20:23.880
<v Speaker 1>and he won two Emmy's, but again way before me.

0:20:24.240 --> 0:20:26.560
<v Speaker 1>And then turns out that he's in the closet and he's,

0:20:27.000 --> 0:20:29.840
<v Speaker 1>you know, heading up a mail strip, just saying he's

0:20:29.840 --> 0:20:33.080
<v Speaker 1>a busy guy. Take away from that which you choose

0:20:33.119 --> 0:20:36.760
<v Speaker 1>to we call we call that we range in the business.

0:20:36.880 --> 0:20:40.920
<v Speaker 1>He he he made it. So when he went into

0:20:41.680 --> 0:20:45.520
<v Speaker 1>he went to dinner with Steve and they were negotiating,

0:20:45.560 --> 0:20:48.080
<v Speaker 1>and I don't know what Nick had asked for, but

0:20:48.160 --> 0:20:51.880
<v Speaker 1>Steve had said no, and then Steve had said, Nick

0:20:51.880 --> 0:20:55.840
<v Speaker 1>had said, okay, well then I want all touring rights

0:20:56.200 --> 0:21:02.360
<v Speaker 1>in perpetuity. Steve didn't even know what the word perpetuity meant, um,

0:21:02.600 --> 0:21:06.480
<v Speaker 1>you know, because obviously he wasn't from here. But he

0:21:06.480 --> 0:21:10.840
<v Speaker 1>he said, okay, fine, he wasn't worried about the you know,

0:21:11.359 --> 0:21:14.399
<v Speaker 1>a tour. It's like it's a club we're opening, you know,

0:21:14.440 --> 0:21:17.920
<v Speaker 1>like touring wasn't even a thing to think. He said,

0:21:17.960 --> 0:21:19.680
<v Speaker 1>I just got to get these chess pieces out of

0:21:19.720 --> 0:21:25.040
<v Speaker 1>here and the dancers in um. And so that's how

0:21:26.320 --> 0:21:30.560
<v Speaker 1>that's really what this came down to. Greed again. But

0:21:30.600 --> 0:21:33.479
<v Speaker 1>as you'll see as the story goes on, you know

0:21:34.160 --> 0:21:37.359
<v Speaker 1>he owns the club. Well, I created the club. You know,

0:21:37.440 --> 0:21:40.919
<v Speaker 1>it's my show. No, it's my show. And there was

0:21:41.240 --> 0:21:43.560
<v Speaker 1>cash being taken out of the club, at least in

0:21:43.600 --> 0:21:47.000
<v Speaker 1>the New York club. I mean, do you want me

0:21:47.080 --> 0:21:49.320
<v Speaker 1>to continue here or do you a new way? I mean,

0:21:49.359 --> 0:21:51.720
<v Speaker 1>we're we're loving hearing you, Chad, And I'd also love

0:21:51.760 --> 0:21:54.640
<v Speaker 1>to hear your about your relationship with Steep Energy. Yeah.

0:21:54.640 --> 0:22:01.240
<v Speaker 1>I was gonna say, actually, wow, he really creat to me.

0:22:01.880 --> 0:22:07.520
<v Speaker 1>So okay, So where I am with this? What was

0:22:07.560 --> 0:22:11.680
<v Speaker 1>I just saying to you? Um, you were saying about

0:22:11.720 --> 0:22:14.320
<v Speaker 1>the about the right they agreed on the rights for

0:22:14.400 --> 0:22:18.120
<v Speaker 1>the traveling shown asking right wrote that off he did?

0:22:18.160 --> 0:22:21.639
<v Speaker 1>It was like not not a thing right, because he

0:22:21.680 --> 0:22:25.560
<v Speaker 1>didn't understand that Um, he did open the club. You know,

0:22:25.640 --> 0:22:28.639
<v Speaker 1>the club was open. He did come in. And the

0:22:28.760 --> 0:22:31.280
<v Speaker 1>good the one good thing that I will say about Nick.

0:22:31.280 --> 0:22:36.880
<v Speaker 1>He was a creative person, so I knew this from

0:22:36.920 --> 0:22:39.080
<v Speaker 1>New York since he was never going to be a

0:22:39.119 --> 0:22:44.800
<v Speaker 1>director on Broadway self. Admittedly, he knew that he wanted

0:22:44.840 --> 0:22:49.280
<v Speaker 1>to make this show his Broadway show. So we had

0:22:49.280 --> 0:22:52.800
<v Speaker 1>a box office. You could buy tickets to t t kts.

0:22:52.960 --> 0:22:57.240
<v Speaker 1>You had to make reservations. Um. We had a lighting designer,

0:22:57.280 --> 0:23:02.400
<v Speaker 1>We had a choreographer. We had costumes, albeit very slim costumes.

0:23:02.440 --> 0:23:06.480
<v Speaker 1>We had costumes. Um, and the last time there was

0:23:06.520 --> 0:23:10.760
<v Speaker 1>an act, there were five acts. We had backup dancers. Um.

0:23:10.800 --> 0:23:13.760
<v Speaker 1>We had a costume girl, you know, taking care of

0:23:13.880 --> 0:23:17.800
<v Speaker 1>things this show, like I had to. He found a

0:23:17.880 --> 0:23:21.000
<v Speaker 1>tailor because when I'd hire a guy, you know, you

0:23:21.040 --> 0:23:24.119
<v Speaker 1>had to get fitted for your black spandex pants. So

0:23:24.200 --> 0:23:27.200
<v Speaker 1>I needed a tailor. This is Do you ever see

0:23:27.200 --> 0:23:32.040
<v Speaker 1>the Shark Starsky and Hutch a huggy bear the shirt

0:23:32.080 --> 0:23:34.520
<v Speaker 1>open with the gold chains and the hat and the feathers,

0:23:34.560 --> 0:23:37.880
<v Speaker 1>and you thought he was a pimp. That was my

0:23:37.880 --> 0:23:46.080
<v Speaker 1>my tailor. His name was Jerry Man Desire. Is that

0:23:46.160 --> 0:23:49.080
<v Speaker 1>his real name this is. I called him Jerry and

0:23:49.119 --> 0:23:52.159
<v Speaker 1>that's what it said on his card. And mind you,

0:23:52.359 --> 0:23:56.680
<v Speaker 1>I'm K five, I'm recently out of college. I'm working

0:23:57.080 --> 0:23:59.719
<v Speaker 1>in the workforce a little bit. I had no clue.

0:24:00.240 --> 0:24:02.359
<v Speaker 1>Even with the El Dorado parked in front of the

0:24:02.359 --> 0:24:06.679
<v Speaker 1>club with the girls inside, I had no clue. Seriously

0:24:06.720 --> 0:24:09.680
<v Speaker 1>went right over my head because I pick up the front. Jerry,

0:24:09.720 --> 0:24:11.239
<v Speaker 1>where are you? You need to be here. I need

0:24:11.320 --> 0:24:14.080
<v Speaker 1>you to measure the new guys that came in well,

0:24:14.200 --> 0:24:17.679
<v Speaker 1>and I saw in the first episode that these guys

0:24:17.720 --> 0:24:21.800
<v Speaker 1>would end up kissing What was it like over tip?

0:24:22.320 --> 0:24:26.120
<v Speaker 1>Kissing tip? You can't do that today, I mean, especially

0:24:26.160 --> 0:24:31.480
<v Speaker 1>in a pandemic, you can't today. Were they also actually

0:24:31.480 --> 0:24:36.359
<v Speaker 1>having sex with people? Yes? Yes, So New York Club

0:24:37.000 --> 0:24:40.080
<v Speaker 1>much bigger deal than the l A Club. They rebuilt

0:24:40.119 --> 0:24:43.960
<v Speaker 1>the club. There's a V I P Room upstairs. And

0:24:44.040 --> 0:24:47.680
<v Speaker 1>so here's how it went. Six o'clock doors open, all

0:24:47.720 --> 0:24:49.600
<v Speaker 1>the bridge and tunnel, you know, a bridge and tunnel

0:24:50.240 --> 0:24:53.919
<v Speaker 1>from New York Bay to all the bridge and tunnel. Uh.

0:24:54.119 --> 0:24:58.359
<v Speaker 1>People would come into the club. Um, I would have

0:24:58.400 --> 0:25:00.280
<v Speaker 1>to when I hire. You had to be six street

0:25:00.320 --> 0:25:03.000
<v Speaker 1>tall and you had to be wrecked that was the

0:25:03.080 --> 0:25:05.359
<v Speaker 1>requirement for me to hire. You are any of these

0:25:05.400 --> 0:25:09.679
<v Speaker 1>guys straight and single and still alive? Yes, well, yes,

0:25:11.480 --> 0:25:17.760
<v Speaker 1>still alive. But another misconception though all these years, everybody

0:25:17.880 --> 0:25:20.520
<v Speaker 1>thought that all of us who worked in the club

0:25:20.560 --> 0:25:23.840
<v Speaker 1>are gay, which is not the cast where we were

0:25:23.880 --> 0:25:29.160
<v Speaker 1>straight are straight. But were there gay guys in the club? Yes,

0:25:29.760 --> 0:25:35.080
<v Speaker 1>the backup dancers that we had, all but one we're gay,

0:25:35.840 --> 0:25:38.440
<v Speaker 1>A couple of our tenders, maybe a waiter here and there.

0:25:38.480 --> 0:25:41.240
<v Speaker 1>But my point of this is is we were a

0:25:41.280 --> 0:25:45.480
<v Speaker 1>brotherhood inside this club. It didn't matter like we were

0:25:45.520 --> 0:25:50.040
<v Speaker 1>living in this bubble and it was all happening like

0:25:50.160 --> 0:25:53.880
<v Speaker 1>around us. So we were all there together for when

0:25:53.920 --> 0:25:56.960
<v Speaker 1>it didn't matter who was gay, who was straight. This

0:25:58.320 --> 0:26:03.200
<v Speaker 1>it was before AIDS so sex. Yeah, so I'll explain

0:26:03.240 --> 0:26:11.960
<v Speaker 1>that to you now, Doors open sex. I understands it

0:26:11.960 --> 0:26:16.280
<v Speaker 1>pretty well. Um my parents keep meaning to have this

0:26:16.400 --> 0:26:19.600
<v Speaker 1>conversation if you could fill me in. Nobody ever had

0:26:19.640 --> 0:26:23.520
<v Speaker 1>that conversation with me ever to figure it out on

0:26:23.600 --> 0:26:28.800
<v Speaker 1>my own. Um, Um, doors would open it. So when

0:26:28.840 --> 0:26:32.399
<v Speaker 1>I hired these guys, I'd have to give out you know, handouts.

0:26:32.440 --> 0:26:36.560
<v Speaker 1>You know, this is the this Chippendales Chippendales is Disneyland

0:26:36.640 --> 0:26:38.920
<v Speaker 1>for ladies. You know, this is the rules of a host,

0:26:39.119 --> 0:26:42.480
<v Speaker 1>of a waiter. This is your job. So the idea was,

0:26:43.119 --> 0:26:48.320
<v Speaker 1>and again I give this credit to Nick, when a

0:26:48.400 --> 0:26:51.000
<v Speaker 1>woman walked into that club, it didn't matter what her

0:26:51.040 --> 0:26:54.480
<v Speaker 1>ethnicity was, what she looked like, how tall, how big,

0:26:54.640 --> 0:26:58.200
<v Speaker 1>house short, It didn't matter. When you start talking to

0:26:58.280 --> 0:27:00.760
<v Speaker 1>a woman, she's the only person and that you see

0:27:01.280 --> 0:27:04.159
<v Speaker 1>you treat her like she is a queen. She is

0:27:04.520 --> 0:27:08.520
<v Speaker 1>the one nobody else can get into this conversation. It's

0:27:08.640 --> 0:27:15.680
<v Speaker 1>just you and her. Is this any woman or any woman?

0:27:15.960 --> 0:27:20.920
<v Speaker 1>Any woman an additional No, any any woman. There was

0:27:21.040 --> 0:27:24.320
<v Speaker 1>no additional fee. This is what you were when you

0:27:24.440 --> 0:27:28.920
<v Speaker 1>walked into the club. Okay, so you start and an

0:27:29.000 --> 0:27:33.159
<v Speaker 1>alcohol started to be served at six o'clock. So you

0:27:33.280 --> 0:27:37.439
<v Speaker 1>have six hundred women with all these great looking guys,

0:27:37.720 --> 0:27:40.480
<v Speaker 1>and and did I guess I didn't send you any

0:27:40.600 --> 0:27:44.560
<v Speaker 1>pictures or I have a little sizzle reel too, because

0:27:44.600 --> 0:27:47.639
<v Speaker 1>I had, which I'll also tell you I wanted to

0:27:47.960 --> 0:27:52.040
<v Speaker 1>I sold this my story, not the murder story, my

0:27:52.280 --> 0:27:55.560
<v Speaker 1>story of what I'm about to tell you happened in

0:27:55.640 --> 0:27:58.040
<v Speaker 1>the club because I wanted to do a television show

0:27:58.480 --> 0:28:03.040
<v Speaker 1>based on this um. So the women would come in

0:28:03.200 --> 0:28:06.960
<v Speaker 1>and start drinking. Show starts at eight o'clock. You have

0:28:07.080 --> 0:28:10.240
<v Speaker 1>all these great looking guys in the club, you know,

0:28:10.840 --> 0:28:15.160
<v Speaker 1>just catering to all of these women. Show starts at eight.

0:28:15.640 --> 0:28:19.480
<v Speaker 1>Show happens. What the show is is different guys would

0:28:19.520 --> 0:28:23.240
<v Speaker 1>come out and do their act after, Like the first

0:28:23.320 --> 0:28:26.560
<v Speaker 1>act was the Unknown Flasher. The second act I think

0:28:26.720 --> 0:28:29.800
<v Speaker 1>was Cone in the Barbarian. We had a construction site.

0:28:30.160 --> 0:28:33.720
<v Speaker 1>And then the big the big act was the Perfect Man.

0:28:34.040 --> 0:28:36.200
<v Speaker 1>They were taking bits and pieces from all the guys

0:28:36.240 --> 0:28:39.920
<v Speaker 1>who worked in the club and like a mad scientists

0:28:40.000 --> 0:28:43.320
<v Speaker 1>was creating the perfect man. And then our perfect man

0:28:43.360 --> 0:28:46.240
<v Speaker 1>would come and there's a great looking dude named Michael

0:28:46.320 --> 0:28:51.240
<v Speaker 1>rath Um. And then the backup dancers would do so

0:28:51.400 --> 0:28:56.680
<v Speaker 1>after they would do their act, the lights would come up,

0:28:57.240 --> 0:29:03.480
<v Speaker 1>their music would start playing, and the hosts and waiters

0:29:03.720 --> 0:29:07.040
<v Speaker 1>would sit around the club. Because this was interactive. It

0:29:07.200 --> 0:29:10.920
<v Speaker 1>wasn't like a an oval stay, you know, an oval

0:29:11.000 --> 0:29:13.880
<v Speaker 1>dance floor, you know with the stage in the bath

0:29:14.600 --> 0:29:18.600
<v Speaker 1>and the waiters and hosts would you know, hold up five,

0:29:18.760 --> 0:29:21.320
<v Speaker 1>you know a fifty or five or ten a dollar

0:29:21.880 --> 0:29:25.000
<v Speaker 1>over the guy over the woman's head and the guys

0:29:25.080 --> 0:29:28.960
<v Speaker 1>would come over and kiss them. You know, it would

0:29:29.000 --> 0:29:32.120
<v Speaker 1>be like a ton selectomy that was going on. So

0:29:32.520 --> 0:29:34.600
<v Speaker 1>I also have a question. I know that like now

0:29:34.800 --> 0:29:39.800
<v Speaker 1>for customary strip clubs, women can attend even if it's

0:29:39.840 --> 0:29:43.560
<v Speaker 1>like could men attend? In addition, here was the thing.

0:29:43.760 --> 0:29:47.000
<v Speaker 1>Men were not allowed in Okay until it went to

0:29:47.120 --> 0:29:50.560
<v Speaker 1>the state looker board. Somebody made a complaint and they

0:29:50.600 --> 0:29:52.720
<v Speaker 1>were going to take the liquor license away. This is

0:29:52.840 --> 0:29:56.840
<v Speaker 1>right after we opened, and they, you know, said we'll

0:29:56.880 --> 0:29:58.720
<v Speaker 1>shut you down if you don't allow men in. So

0:29:59.400 --> 0:30:02.000
<v Speaker 1>they allowed men in to go and sit up in

0:30:02.080 --> 0:30:05.360
<v Speaker 1>the VIP room, which was above. It was in the

0:30:05.400 --> 0:30:09.840
<v Speaker 1>back of the club looking down over the club. Um,

0:30:10.000 --> 0:30:12.040
<v Speaker 1>and it was you know, two side a glass, so

0:30:12.160 --> 0:30:14.440
<v Speaker 1>like you couldn't see in, but they could see out.

0:30:15.640 --> 0:30:19.320
<v Speaker 1>So that took took care of of that. Um. But

0:30:19.560 --> 0:30:26.840
<v Speaker 1>remember now you have six hundred horny, drunk women in

0:30:27.000 --> 0:30:31.440
<v Speaker 1>this club. By ten o'clock. Ten o'clock, the club reverts

0:30:31.480 --> 0:30:35.320
<v Speaker 1>back to magic. The doors open and down the city block,

0:30:36.200 --> 0:30:39.920
<v Speaker 1>two ways down the city lock. You have lines of

0:30:40.040 --> 0:30:45.080
<v Speaker 1>guys coming in to get laid because easy easy going

0:30:45.200 --> 0:30:49.840
<v Speaker 1>on there. The women in the club when they wanted

0:30:49.880 --> 0:30:52.000
<v Speaker 1>to hook up with any of the guys in the

0:30:52.120 --> 0:30:54.840
<v Speaker 1>club during the show. Well, there are no men in

0:30:54.920 --> 0:30:57.640
<v Speaker 1>the club, so the men's room is available, isn't it.

0:30:59.520 --> 0:31:03.640
<v Speaker 1>Wow to the mendroom. And while you're in there, Jose,

0:31:04.040 --> 0:31:06.480
<v Speaker 1>who's the valet? And then I was also dealing club,

0:31:07.280 --> 0:31:09.720
<v Speaker 1>which there was a lot of coat going on and

0:31:09.800 --> 0:31:13.600
<v Speaker 1>it's a nice final touch. Yeah, and the customary mints

0:31:13.640 --> 0:31:19.160
<v Speaker 1>and gum and whatnot. I'm sure, yeah, but you know,

0:31:19.280 --> 0:31:21.840
<v Speaker 1>and I say that this was because it was so

0:31:22.920 --> 0:31:24.960
<v Speaker 1>you asked me, and I started, I didn't want to go.

0:31:25.360 --> 0:31:29.560
<v Speaker 1>Now I'm there, I'm the boss, I'm running this place.

0:31:29.680 --> 0:31:32.280
<v Speaker 1>I'm twenty five years old. I have all these guys

0:31:32.360 --> 0:31:37.400
<v Speaker 1>working for me. There's women galore in this club. Everyone's

0:31:37.400 --> 0:31:41.720
<v Speaker 1>getting laid left and right, And why wouldn't I want

0:31:41.720 --> 0:31:45.080
<v Speaker 1>to be there? It was just a great place to be,

0:31:46.080 --> 0:31:48.720
<v Speaker 1>but it was a disney. It was a great place

0:31:48.760 --> 0:31:50.800
<v Speaker 1>to be until it wasn't a great place to be.

0:31:51.480 --> 0:31:54.680
<v Speaker 1>So when how many years was it successful? Like going

0:31:54.760 --> 0:31:59.040
<v Speaker 1>well things? Nobody was getting cyanide shots. You know that?

0:31:59.280 --> 0:32:03.240
<v Speaker 1>That again way after and that wasn't New York. That

0:32:03.360 --> 0:32:08.760
<v Speaker 1>was l a okay, Um, it was so we opened

0:32:08.880 --> 0:32:16.080
<v Speaker 1>October in New York. The money that was coming in

0:32:17.720 --> 0:32:19.920
<v Speaker 1>was so much by the guys coming in the club

0:32:20.000 --> 0:32:23.000
<v Speaker 1>and the women drinking. It was cash. The owners used

0:32:23.000 --> 0:32:26.080
<v Speaker 1>to take out cash in big hefty bags out the

0:32:26.200 --> 0:32:27.920
<v Speaker 1>side door and put them in the trunks of their

0:32:27.960 --> 0:32:31.040
<v Speaker 1>cars in the garage. So I tell you that just

0:32:31.160 --> 0:32:34.160
<v Speaker 1>to remind you that when we get to the murder part, it's, Oh,

0:32:34.360 --> 0:32:36.920
<v Speaker 1>it's all going to come back to the money here,

0:32:37.320 --> 0:32:41.400
<v Speaker 1>because there's no there's no accounting of how much did

0:32:41.440 --> 0:32:44.800
<v Speaker 1>well real like I had to do an audit. I

0:32:45.000 --> 0:32:48.840
<v Speaker 1>was called to testify for the l A Club, for

0:32:48.960 --> 0:32:53.240
<v Speaker 1>Steve Energy and for the New York Club, which is

0:32:53.280 --> 0:32:56.200
<v Speaker 1>where I worked with these guys. I was a witness

0:32:56.320 --> 0:33:00.320
<v Speaker 1>for both sides, which I still don't understand how that worked.

0:33:01.040 --> 0:33:04.680
<v Speaker 1>Um just really just really quickly at the club's peak,

0:33:04.840 --> 0:33:07.600
<v Speaker 1>how much money, if you had to guess, was actually

0:33:07.760 --> 0:33:10.600
<v Speaker 1>coming through every night? Oh, I don't know, I honest,

0:33:10.680 --> 0:33:12.600
<v Speaker 1>I don't even remember what it costs to get in.

0:33:13.880 --> 0:33:15.920
<v Speaker 1>I don't remember, But I do know that that place

0:33:16.080 --> 0:33:20.640
<v Speaker 1>was packed every night. I remember as a kid driving

0:33:20.760 --> 0:33:23.120
<v Speaker 1>through in my parents car, like we'd we'd be going

0:33:23.160 --> 0:33:25.680
<v Speaker 1>through the city, and we'd see danger Fields, and we'd

0:33:25.680 --> 0:33:28.920
<v Speaker 1>see Chippendale's and and the crowds outside both of them

0:33:29.000 --> 0:33:32.520
<v Speaker 1>were just outrageous. And and I remember thinking, oh, you

0:33:32.560 --> 0:33:34.400
<v Speaker 1>know what, when I grew up. It turns out at

0:33:34.440 --> 0:33:36.080
<v Speaker 1>that time I was only five eleven, so I went

0:33:36.120 --> 0:33:40.920
<v Speaker 1>in a comedy instead of stripping one more sometimes, Dmitri

0:33:41.080 --> 0:33:44.080
<v Speaker 1>and you could have really, yeah, well now I'm six ft,

0:33:44.120 --> 0:33:46.120
<v Speaker 1>but now I don't. I'm not ripped, so you know

0:33:46.520 --> 0:33:52.280
<v Speaker 1>what could have been? Um? So, so, yeah, so that's

0:33:52.360 --> 0:33:58.920
<v Speaker 1>what happened withinside this club. Um if you I left

0:34:00.040 --> 0:34:04.120
<v Speaker 1>in five and I moved out to l A and Jen,

0:34:04.160 --> 0:34:06.280
<v Speaker 1>did you work for the club out here? No? No,

0:34:06.800 --> 0:34:12.000
<v Speaker 1>I got back into publicity. M hmm, Okay, I'm sorry.

0:34:12.000 --> 0:34:13.560
<v Speaker 1>I just gonna ask a quick question. I feel like

0:34:14.239 --> 0:34:17.839
<v Speaker 1>there's something that everyone wants to know. And if you're

0:34:17.880 --> 0:34:23.640
<v Speaker 1>working at the most I mean, powerful, well known, well

0:34:23.680 --> 0:34:27.120
<v Speaker 1>attended strip club in New York or l A Chippendale's, right,

0:34:27.880 --> 0:34:30.960
<v Speaker 1>what is I'm sure you've seen and heard everything. Is

0:34:31.000 --> 0:34:33.440
<v Speaker 1>there any sort of night or moment that stood out

0:34:33.520 --> 0:34:36.400
<v Speaker 1>to you that was the wildest thing you've seen at

0:34:36.440 --> 0:34:45.560
<v Speaker 1>this club? And yeah, one night I heard in the

0:34:45.680 --> 0:34:49.759
<v Speaker 1>locker room. There was a bathroom in the locker room

0:34:50.280 --> 0:34:52.440
<v Speaker 1>and these two women. I think this had to be

0:34:52.600 --> 0:34:57.200
<v Speaker 1>like after the show, and these two women were there

0:34:57.320 --> 0:35:00.040
<v Speaker 1>and she said, I just got funned by this I

0:35:00.200 --> 0:35:03.400
<v Speaker 1>from Brooklyn. And the other woman said, well, I just

0:35:03.600 --> 0:35:06.640
<v Speaker 1>gave a blowjob to this guy from Queens and said

0:35:07.800 --> 0:35:14.200
<v Speaker 1>things like boughs. Yeah. Um. I remember us going to

0:35:14.320 --> 0:35:18.320
<v Speaker 1>the roof of the club, you know, during the summer,

0:35:19.239 --> 0:35:21.400
<v Speaker 1>and taking women up to the roof of the club

0:35:21.600 --> 0:35:25.400
<v Speaker 1>to have sex and perform all kinds of different acts.

0:35:26.120 --> 0:35:30.520
<v Speaker 1>And what I remember most about one of the most

0:35:30.600 --> 0:35:35.520
<v Speaker 1>memorable things about this is the Roosevelt Tram came right

0:35:35.600 --> 0:35:40.319
<v Speaker 1>over the club, so we would be looking up at

0:35:40.360 --> 0:35:42.600
<v Speaker 1>the people in the tram as the people in the

0:35:42.719 --> 0:35:45.480
<v Speaker 1>cham we're looking down at what it's going and what

0:35:45.640 --> 0:35:49.960
<v Speaker 1>we were doing. You know. I tell people like so

0:35:50.120 --> 0:35:52.359
<v Speaker 1>when I wanted to sell my this is a show.

0:35:52.520 --> 0:35:56.600
<v Speaker 1>This is a show, right. This is what made Shipping Dales.

0:35:56.680 --> 0:36:01.360
<v Speaker 1>The phenomenon is what happened inside the club. I termed

0:36:01.480 --> 0:36:04.920
<v Speaker 1>as breaking Bad meets mad Men, like the characters of

0:36:05.080 --> 0:36:08.719
<v Speaker 1>Men of mad Men and the craziness of Breaking Bad,

0:36:08.800 --> 0:36:13.040
<v Speaker 1>except you're not having meth is a backdrop, you've got sex,

0:36:13.200 --> 0:36:16.440
<v Speaker 1>drugs and rock and roll as the backdrop. You have

0:36:16.560 --> 0:36:22.840
<v Speaker 1>Chippendale strippers. Um, this was just a time. That was

0:36:26.239 --> 0:36:29.759
<v Speaker 1>the thing that I said, hire a writer, Hire your

0:36:29.800 --> 0:36:32.360
<v Speaker 1>best writer. Let him come up with all kinds of

0:36:32.440 --> 0:36:35.440
<v Speaker 1>stories of things that you think might have happened in

0:36:35.520 --> 0:36:39.160
<v Speaker 1>this club, and give me your best story. I'll beat

0:36:39.200 --> 0:36:42.839
<v Speaker 1>that tent. There's the truth is stranger than fiction here.

0:36:43.400 --> 0:36:46.000
<v Speaker 1>So even though at the beginning, when you guys were

0:36:46.040 --> 0:36:50.719
<v Speaker 1>all there and Nick and and Energy have the conversation,

0:36:50.840 --> 0:36:53.759
<v Speaker 1>they're not worried about towards you know, it's in the

0:36:53.840 --> 0:36:57.759
<v Speaker 1>back of his mind. Tours ultimately start to happen. Yeah,

0:36:57.840 --> 0:37:01.600
<v Speaker 1>so what what what had happened? They eight? Everybody was fighting.

0:37:01.640 --> 0:37:03.880
<v Speaker 1>As I said, nobody really along with Nick. So the

0:37:04.160 --> 0:37:07.600
<v Speaker 1>l a Uh, Steve didn't talk to him, The New

0:37:07.680 --> 0:37:10.279
<v Speaker 1>York people didn't talk to him, and it was me.

0:37:10.760 --> 0:37:12.640
<v Speaker 1>I was in the middle because they would only talk

0:37:12.719 --> 0:37:14.840
<v Speaker 1>to me, and then he would only talk to me

0:37:15.360 --> 0:37:20.080
<v Speaker 1>to deliver messages to them. It was really like childish

0:37:21.320 --> 0:37:23.880
<v Speaker 1>when Steven. When Nick wanted to come back to l

0:37:23.920 --> 0:37:26.000
<v Speaker 1>A like to take a couple of days to come home,

0:37:26.640 --> 0:37:29.680
<v Speaker 1>he had to have permission from the New York Club

0:37:29.840 --> 0:37:31.759
<v Speaker 1>to leave, so that he was still going to be

0:37:31.840 --> 0:37:34.359
<v Speaker 1>getting paid. I had to write those letters and get

0:37:34.440 --> 0:37:37.840
<v Speaker 1>them signed off on for his permission. But when he

0:37:38.040 --> 0:37:40.920
<v Speaker 1>wanted so he wanted out. He wanted to take the

0:37:41.000 --> 0:37:44.520
<v Speaker 1>tour clause the guys and do a tour and go

0:37:44.600 --> 0:37:46.879
<v Speaker 1>out on the road. So I had a right letter.

0:37:46.960 --> 0:37:49.839
<v Speaker 1>I had a type individual letters because no computers back then,

0:37:50.680 --> 0:37:53.480
<v Speaker 1>and and send into all the hotels in Vegas and

0:37:55.080 --> 0:37:59.000
<v Speaker 1>Atlantic City. And I sent a letter to Showtime. Showtime

0:37:59.160 --> 0:38:02.160
<v Speaker 1>wasn't what showed Time is today. It was more of

0:38:02.239 --> 0:38:06.440
<v Speaker 1>a novelty, you know, for specials um and I still

0:38:06.560 --> 0:38:09.640
<v Speaker 1>have all of those letters that I wrote. And so

0:38:10.480 --> 0:38:13.319
<v Speaker 1>he wanted out. At that point, I had a big

0:38:13.400 --> 0:38:17.680
<v Speaker 1>blow up with Nick and so I left. In eighty five,

0:38:17.880 --> 0:38:24.960
<v Speaker 1>I moved here. Um So when he was murdered, I

0:38:25.080 --> 0:38:28.680
<v Speaker 1>got a call that night and I was actually at

0:38:28.719 --> 0:38:31.920
<v Speaker 1>a red carpet on a red carpet with my partner

0:38:31.960 --> 0:38:35.600
<v Speaker 1>at that time, Nancy Ryder, and with our client Michael J. Fox.

0:38:35.760 --> 0:38:38.279
<v Speaker 1>We had a big opening up at Universal Studios. There

0:38:38.360 --> 0:38:40.680
<v Speaker 1>was no city walk at the time. You know, you

0:38:40.719 --> 0:38:42.880
<v Speaker 1>could drive right up in front of the movie theaters,

0:38:43.200 --> 0:38:45.080
<v Speaker 1>and so I was there, I got home, I got

0:38:45.160 --> 0:38:46.839
<v Speaker 1>to call J Did you hear that Nick at killed?

0:38:47.360 --> 0:38:49.359
<v Speaker 1>And I like, the first thing out of my mouth

0:38:49.520 --> 0:38:56.880
<v Speaker 1>was wasn't me? And so nobody knew who it was.

0:38:57.120 --> 0:38:59.360
<v Speaker 1>But the point of that it wasn't me, it was

0:38:59.400 --> 0:39:03.120
<v Speaker 1>like it could have been any guys, you know, he

0:39:03.200 --> 0:39:06.400
<v Speaker 1>had enough enemy But did everyone kind of think it

0:39:06.480 --> 0:39:09.799
<v Speaker 1>was Steve energy behind it all? Really, no one really

0:39:09.840 --> 0:39:12.120
<v Speaker 1>thought that they thought it was the mafia hit or

0:39:12.640 --> 0:39:15.000
<v Speaker 1>I don't know, because again I was here and I

0:39:15.440 --> 0:39:18.560
<v Speaker 1>was far away from that, but I never heard anything

0:39:18.600 --> 0:39:20.760
<v Speaker 1>about Steve. But when I found out it was Steve,

0:39:21.520 --> 0:39:25.400
<v Speaker 1>it all made sense to me. I understood because I

0:39:25.520 --> 0:39:27.320
<v Speaker 1>knew of the greed, I knew of the money. I

0:39:27.400 --> 0:39:30.560
<v Speaker 1>knew that Nick wanted to leave, and so how that happened?

0:39:30.640 --> 0:39:34.040
<v Speaker 1>So Steve put a hit out on Nick. He had

0:39:34.360 --> 0:39:38.520
<v Speaker 1>a guy go into his office in mid tom Manhattan,

0:39:39.239 --> 0:39:41.840
<v Speaker 1>walk up to Nick at four o'clock in the afternoon,

0:39:42.360 --> 0:39:44.480
<v Speaker 1>come right up to him, put a gun to his head,

0:39:44.520 --> 0:39:48.880
<v Speaker 1>and and kill him. So I have an ignorant question,

0:39:49.320 --> 0:39:52.759
<v Speaker 1>how do you just find someone to put a head

0:39:52.800 --> 0:39:55.440
<v Speaker 1>out on? He was evidently a bad guy, and he

0:39:55.520 --> 0:40:00.680
<v Speaker 1>knew people, okay, mind you had I known the day

0:40:00.760 --> 0:40:03.920
<v Speaker 1>that I was yelling at Steve on the phone saying,

0:40:04.239 --> 0:40:06.920
<v Speaker 1>this is the arrogant New Yorker I didn't get my

0:40:07.040 --> 0:40:09.520
<v Speaker 1>cod pieces back, the light up cod pieces right, and

0:40:09.600 --> 0:40:11.600
<v Speaker 1>the cups and college some of the well what's the

0:40:11.640 --> 0:40:13.640
<v Speaker 1>matter with you people in l A? Are you stupid?

0:40:14.040 --> 0:40:17.600
<v Speaker 1>Did the sun turn your brains to mush? Why haven't

0:40:17.600 --> 0:40:21.120
<v Speaker 1>I gotten this? Thinking back now, I probably shouldn't have

0:40:21.200 --> 0:40:25.239
<v Speaker 1>yelled at him because he could have been and yeah,

0:40:25.280 --> 0:40:27.600
<v Speaker 1>and yeah, the sun does turn our brains to most Yeah.

0:40:27.640 --> 0:40:30.000
<v Speaker 1>I think he was like, I can't kill him that

0:40:30.320 --> 0:40:32.919
<v Speaker 1>of course, But again the Arrogan twenty five year old

0:40:33.440 --> 0:40:35.880
<v Speaker 1>New Yorker or I won't say Arrogan, I'll say a

0:40:36.080 --> 0:40:41.600
<v Speaker 1>rest uh New Yorker. But and Steve, he used to

0:40:41.760 --> 0:40:44.439
<v Speaker 1>just show up at the club he was where he'd

0:40:44.520 --> 0:40:49.160
<v Speaker 1>wear a dark brown suit and sandals and he would

0:40:49.200 --> 0:40:52.680
<v Speaker 1>just show up in the club before the show would start,

0:40:53.880 --> 0:40:57.680
<v Speaker 1>um to check on his investment. But he would always

0:40:57.719 --> 0:40:59.600
<v Speaker 1>take me to lunch or dinner with his wife and

0:40:59.719 --> 0:41:02.640
<v Speaker 1>chill drin. You know, he was a really nice guy

0:41:02.840 --> 0:41:07.000
<v Speaker 1>to me. I didn't know that he was a murderer.

0:41:07.080 --> 0:41:10.600
<v Speaker 1>I didn't know that he had other clubs here at

0:41:10.640 --> 0:41:14.160
<v Speaker 1>the very beginning before New York set on fire, because

0:41:14.239 --> 0:41:18.600
<v Speaker 1>he didn't want uh competition, I mean with a dark

0:41:18.640 --> 0:41:21.520
<v Speaker 1>brown suit and sandals and probably figured something. And you

0:41:21.680 --> 0:41:24.680
<v Speaker 1>remember the big you were, you know, a tie, but

0:41:24.840 --> 0:41:27.840
<v Speaker 1>they were like the wide the white tie, so like

0:41:27.960 --> 0:41:32.240
<v Speaker 1>the knot was really wide, you know, and the tide

0:41:32.400 --> 0:41:35.640
<v Speaker 1>was really you know, it was a wide tie also.

0:41:36.680 --> 0:41:40.160
<v Speaker 1>And then I read this article in the Sun that

0:41:40.360 --> 0:41:44.400
<v Speaker 1>he hired, you know, an assassin nicknamed Strawberry, and he

0:41:44.440 --> 0:41:49.920
<v Speaker 1>would have people go and inject these other dancers. I

0:41:50.000 --> 0:41:52.680
<v Speaker 1>think there's just that one. It was just that one.

0:41:52.760 --> 0:41:55.360
<v Speaker 1>It was just that one. So that story. So after

0:41:55.880 --> 0:41:58.960
<v Speaker 1>Nick was killed, nobody knows who did this, two of

0:41:59.040 --> 0:42:02.000
<v Speaker 1>the dancers from the l A Club wanted to leave

0:42:02.120 --> 0:42:04.840
<v Speaker 1>and go open and go do it and start a

0:42:04.920 --> 0:42:09.040
<v Speaker 1>tour in England. Steve found out about it. He hired

0:42:09.200 --> 0:42:13.800
<v Speaker 1>this guy and I don't know, you know, this was

0:42:13.920 --> 0:42:17.280
<v Speaker 1>after I left, so this is all me hearing after

0:42:17.400 --> 0:42:21.200
<v Speaker 1>the fact. But he hired this guy to fill up

0:42:21.239 --> 0:42:25.880
<v Speaker 1>a vizine bottle full of cyanide so he can traveled

0:42:25.880 --> 0:42:28.800
<v Speaker 1>with it on the plane go to England, and he

0:42:28.920 --> 0:42:31.480
<v Speaker 1>was gonna supposed to go up to the guys and

0:42:31.960 --> 0:42:34.680
<v Speaker 1>they go, how are you, and you know, give him

0:42:34.680 --> 0:42:38.120
<v Speaker 1>a hug and and and stab him in the neck

0:42:38.880 --> 0:42:42.239
<v Speaker 1>with the you know, with sinaide, you know, like a

0:42:42.320 --> 0:42:47.240
<v Speaker 1>little bit needle um. But the guy that that Steve

0:42:47.520 --> 0:42:52.000
<v Speaker 1>hired was an FBI and forman, so Steve got caught.

0:42:52.160 --> 0:42:55.319
<v Speaker 1>He went to prison. While he's in prison, he makes

0:42:55.360 --> 0:43:00.440
<v Speaker 1>a deal with the FEDS saying, I will admit to

0:43:00.680 --> 0:43:03.800
<v Speaker 1>having Nick Denoia killed, which was the first time anybody

0:43:04.239 --> 0:43:07.800
<v Speaker 1>knew that he was involved. It's probably except for the

0:43:07.840 --> 0:43:12.920
<v Speaker 1>people who actually did the murder um, but they weren't

0:43:12.920 --> 0:43:16.239
<v Speaker 1>even questioning him on that at that point. He and

0:43:16.440 --> 0:43:19.640
<v Speaker 1>my kids, you know, they can't lose the house and

0:43:19.719 --> 0:43:22.200
<v Speaker 1>they have to be protected. So they make the deal,

0:43:23.360 --> 0:43:26.440
<v Speaker 1>signed the deal in his prison cell or wherever they

0:43:26.600 --> 0:43:29.279
<v Speaker 1>in a room, and he goes back to his cell.

0:43:29.560 --> 0:43:32.600
<v Speaker 1>The next morning that he had to go and appear

0:43:32.640 --> 0:43:35.480
<v Speaker 1>in front of a judge to get sentenced. When they

0:43:35.560 --> 0:43:38.040
<v Speaker 1>went to his jail cell to get him, they found

0:43:38.120 --> 0:43:42.360
<v Speaker 1>him hanging in his jail cell. He committed suicide, and

0:43:42.480 --> 0:43:45.879
<v Speaker 1>that was so that his family could keep the club. Right. Well,

0:43:46.000 --> 0:43:47.600
<v Speaker 1>I don't know if it was keeping the club, but

0:43:47.800 --> 0:43:50.239
<v Speaker 1>like they wouldn't lose the house, they wouldn't lose the money.

0:43:50.680 --> 0:43:53.759
<v Speaker 1>You know, I've heard that, you know, Steve had put

0:43:53.840 --> 0:43:56.560
<v Speaker 1>money away in Swiss banks for for his family. But

0:43:56.880 --> 0:43:59.440
<v Speaker 1>I don't know, you know, right, because if you're not

0:43:59.560 --> 0:44:02.600
<v Speaker 1>sent in than nothing really changes. But the other thing

0:44:02.760 --> 0:44:07.200
<v Speaker 1>was I mean, it's all the kind of devastating. I mean,

0:44:07.320 --> 0:44:10.399
<v Speaker 1>it seems like Steve Bannergy was a really twisted guy.

0:44:11.640 --> 0:44:17.520
<v Speaker 1>Successful but willing so competitive and willing to murder to

0:44:17.719 --> 0:44:21.279
<v Speaker 1>make sure that he, you know, didn't have any competition

0:44:21.600 --> 0:44:25.440
<v Speaker 1>and or anyone that gotten his way was not his

0:44:25.680 --> 0:44:29.320
<v Speaker 1>way anymore. But you know that seems almost like a

0:44:29.480 --> 0:44:32.080
<v Speaker 1>noble deed to make sure that your family is taken

0:44:32.160 --> 0:44:36.520
<v Speaker 1>care of. Yeah, in the end, yeah, he was. Look

0:44:36.920 --> 0:44:41.120
<v Speaker 1>he in my experience with him personally, he was very

0:44:41.200 --> 0:44:44.719
<v Speaker 1>attentive to his wife and kids. You know, like I said,

0:44:44.800 --> 0:44:49.120
<v Speaker 1>he was nice to me. But I think you have

0:44:49.320 --> 0:44:55.359
<v Speaker 1>to you learn very very quickly as you're in that bubble, right,

0:44:55.680 --> 0:44:59.160
<v Speaker 1>So he learned very quickly the the money game so

0:44:59.440 --> 0:45:03.480
<v Speaker 1>much so fast that now you have to be looking around,

0:45:03.640 --> 0:45:05.880
<v Speaker 1>you know, who's stealing for me? What is this I

0:45:05.960 --> 0:45:08.160
<v Speaker 1>have to pay attention to this, this, this, and you

0:45:08.239 --> 0:45:10.200
<v Speaker 1>know when it came down to the Chip Nails calendars,

0:45:10.719 --> 0:45:14.200
<v Speaker 1>Steve is the person who hand picked each guy in

0:45:14.320 --> 0:45:17.040
<v Speaker 1>that calendar. And he refused to put anybody in the

0:45:17.120 --> 0:45:19.560
<v Speaker 1>New York Club in the calendar because he said they

0:45:20.320 --> 0:45:22.719
<v Speaker 1>he said they were ugly, you know they were, they

0:45:22.800 --> 0:45:25.000
<v Speaker 1>weren't as good looking as the guys in l A.

0:45:26.800 --> 0:45:31.759
<v Speaker 1>So he had his hand in every single thing that

0:45:31.920 --> 0:45:35.640
<v Speaker 1>went on. So you become paranoid, you you go to you,

0:45:36.200 --> 0:45:39.279
<v Speaker 1>I would assume you want to protect your interests. So

0:45:39.400 --> 0:45:42.759
<v Speaker 1>if he felt that Nick was stealing from him, which

0:45:42.800 --> 0:45:46.000
<v Speaker 1>I'm sure he did by taking money out of his

0:45:46.120 --> 0:45:48.759
<v Speaker 1>pocket by taking on a touring show, what do you

0:45:48.840 --> 0:45:51.400
<v Speaker 1>mean touring show? What touring thing? Will you signed it

0:45:51.719 --> 0:45:56.279
<v Speaker 1>in perpetuity? What does perpetuity mean? You know, I didn't

0:45:56.320 --> 0:45:58.800
<v Speaker 1>know anything about a tour because when he signed this

0:45:59.040 --> 0:46:03.719
<v Speaker 1>Napkin deal, there really was no There was no tour.

0:46:03.880 --> 0:46:06.400
<v Speaker 1>It was it was about it getting a club up

0:46:06.440 --> 0:46:09.200
<v Speaker 1>and running. Who was thinking tour? And Leah to your

0:46:09.280 --> 0:46:12.680
<v Speaker 1>point of him being like looking out for his family

0:46:12.719 --> 0:46:15.440
<v Speaker 1>and this and that he probably felt as he when

0:46:15.480 --> 0:46:17.479
<v Speaker 1>people were stealing for him from him or he felt

0:46:17.520 --> 0:46:19.520
<v Speaker 1>that he probably felt like they were stealing from his

0:46:19.600 --> 0:46:22.080
<v Speaker 1>wife and his kids, and that was their money as well.

0:46:22.200 --> 0:46:25.360
<v Speaker 1>So I imagine that probably falls into the same, you know,

0:46:25.480 --> 0:46:29.799
<v Speaker 1>defensive thing. And I just read something that his son

0:46:30.239 --> 0:46:33.799
<v Speaker 1>is now a stripper, yes, you know, which I'm sure

0:46:33.840 --> 0:46:39.440
<v Speaker 1>Steve were not have been happy about starting stripping Dales, Yes, stripping.

0:46:40.400 --> 0:46:45.040
<v Speaker 1>That's actually look the other the other thing I think

0:46:45.080 --> 0:46:48.360
<v Speaker 1>of why Chippendale's was such a success. And again this

0:46:48.560 --> 0:46:50.719
<v Speaker 1>was Nick's thing because he'd say this all the time.

0:46:52.400 --> 0:46:56.080
<v Speaker 1>The it wasn't back then it was you know, oh

0:46:56.160 --> 0:46:58.840
<v Speaker 1>a strip club. You know, guys going to a sleazy

0:46:58.920 --> 0:47:01.840
<v Speaker 1>bar and and you know, women take off all their clothes.

0:47:02.520 --> 0:47:08.120
<v Speaker 1>This wasn't like that. Nick wanted this to be more burlesque,

0:47:08.480 --> 0:47:11.600
<v Speaker 1>like Gypsy rose Lee, is what he would say, because

0:47:12.280 --> 0:47:17.280
<v Speaker 1>there's more erotica in your imagination than an actually seen

0:47:17.440 --> 0:47:20.160
<v Speaker 1>It's like, you know, it's the build up, it's the

0:47:20.200 --> 0:47:21.719
<v Speaker 1>build d what is it going to be? What is

0:47:21.760 --> 0:47:25.040
<v Speaker 1>it gonna be? Oh my god, it's more of that

0:47:25.760 --> 0:47:28.120
<v Speaker 1>rather than the afro just come and take your clothes.

0:47:28.960 --> 0:47:32.800
<v Speaker 1>There's there's a show, there's a story around it. And

0:47:32.920 --> 0:47:38.759
<v Speaker 1>I think that's what really made the club. You know,

0:47:39.440 --> 0:47:44.279
<v Speaker 1>it wasn't branded as sleeves, you know, it was it

0:47:44.560 --> 0:47:49.319
<v Speaker 1>was entertainment. It was a show. I remember you said,

0:47:49.440 --> 0:47:51.200
<v Speaker 1>he said Nick what he used to call Nick the Dick.

0:47:51.320 --> 0:47:53.560
<v Speaker 1>Now in the movie Back to the Party with Tom Hanks,

0:47:54.080 --> 0:47:56.520
<v Speaker 1>they went to a Chippendale's tead club and somebody was

0:47:56.719 --> 0:47:58.880
<v Speaker 1>just They said, is that Nick or Mr Dick? So

0:47:59.000 --> 0:48:00.719
<v Speaker 1>now I used to think I was just they went

0:48:00.760 --> 0:48:02.160
<v Speaker 1>with the rhyme. But now I wonder if that was

0:48:02.200 --> 0:48:07.879
<v Speaker 1>an homage to your guy Nick. Maybe I can't if

0:48:07.960 --> 0:48:09.960
<v Speaker 1>I told you some of the things that he did

0:48:10.600 --> 0:48:13.600
<v Speaker 1>in that club. I mean, it's just you know, thinking

0:48:15.520 --> 0:48:20.160
<v Speaker 1>you can't say and talk to people like that today,

0:48:21.760 --> 0:48:27.480
<v Speaker 1>but back then you shouldn't talk to people like that,

0:48:28.360 --> 0:48:32.080
<v Speaker 1>you know. Like I remember one one afternoon the two

0:48:32.160 --> 0:48:34.359
<v Speaker 1>things I tell you the day that the Mafia came

0:48:34.400 --> 0:48:38.640
<v Speaker 1>into the club. I was downstairs, um and I'm talking

0:48:38.960 --> 0:48:40.879
<v Speaker 1>a couple of the guys, and these two guys came

0:48:40.880 --> 0:48:42.960
<v Speaker 1>in and again the aggressive New York is like can

0:48:43.040 --> 0:48:45.600
<v Speaker 1>I help you? You know, I was like, yeah, we're

0:48:45.640 --> 0:48:50.600
<v Speaker 1>here to collect, to collect what you know, almost like

0:48:50.680 --> 0:48:52.879
<v Speaker 1>saying who the are you? Like what are you doing here?

0:48:53.480 --> 0:48:55.879
<v Speaker 1>And they said we're here to collect and it took

0:48:55.960 --> 0:48:59.839
<v Speaker 1>me like maybe half a second to realize who they were.

0:49:00.520 --> 0:49:04.200
<v Speaker 1>I'm like, oh, you need to see the guys upstairs,

0:49:06.160 --> 0:49:08.880
<v Speaker 1>and I knew who who they were. And then one

0:49:08.920 --> 0:49:12.640
<v Speaker 1>afternoon with Nick. This is just one of the examples,

0:49:13.640 --> 0:49:17.759
<v Speaker 1>UM I have him. You know, he had to like

0:49:17.840 --> 0:49:20.920
<v Speaker 1>improve everybody, like I bring guys out, Okay, take your

0:49:20.920 --> 0:49:22.920
<v Speaker 1>shirt off. And so we were downstairs in front of

0:49:22.960 --> 0:49:25.279
<v Speaker 1>a lot of people and Nick stood there like this

0:49:25.400 --> 0:49:32.600
<v Speaker 1>and he went delicious. Let's say, oh, you know that's

0:49:32.640 --> 0:49:36.919
<v Speaker 1>just disgusting. Yeah, that is also Jay. I'm so sorry

0:49:37.000 --> 0:49:39.560
<v Speaker 1>we are running out, and I'm sorry I started this

0:49:39.840 --> 0:49:45.280
<v Speaker 1>all on no notes and I apologize. Please tell everybody

0:49:45.440 --> 0:49:49.120
<v Speaker 1>where they can find more information about you on this story,

0:49:49.880 --> 0:49:52.120
<v Speaker 1>because I know that we don't want this to be

0:49:52.239 --> 0:49:56.920
<v Speaker 1>over and everyone's gonna want more. All my social Facebook,

0:49:56.960 --> 0:50:00.480
<v Speaker 1>Instagram and Twitter are at j A Y D A

0:50:00.560 --> 0:50:02.440
<v Speaker 1>S C H W A R t Z J D

0:50:02.520 --> 0:50:08.200
<v Speaker 1>Schwartz and that's where we're posting and and and you'll

0:50:08.239 --> 0:50:11.400
<v Speaker 1>see awesome pictures and whatnot. And I'll see if I

0:50:11.480 --> 0:50:13.640
<v Speaker 1>can just send you some stuff for you to look

0:50:13.719 --> 0:50:16.880
<v Speaker 1>at that you might find amusing. Oh yeah, please do

0:50:17.160 --> 0:50:20.759
<v Speaker 1>and would love that. And congratulations on the show, if

0:50:21.040 --> 0:50:24.120
<v Speaker 1>you know, congratulations is the appropriate word. And then also

0:50:24.600 --> 0:50:27.200
<v Speaker 1>we hope that your personal show gets picked up. Thank

0:50:27.239 --> 0:50:29.759
<v Speaker 1>you very very much, and the show as Monday nights

0:50:29.880 --> 0:50:33.799
<v Speaker 1>on Annie, Monday Nights and Annie, We've already watched all

0:50:33.880 --> 0:50:37.480
<v Speaker 1>four episodes and I'll just I'll just tell you the audience,

0:50:38.000 --> 0:50:42.759
<v Speaker 1>you must watch this. This is a must see. Every

0:50:42.840 --> 0:50:51.280
<v Speaker 1>minute is exciting, excruciating, wild Thank you, well, thank you guys.

0:50:51.360 --> 0:51:07.320
<v Speaker 1>Have a good one by day. Thank you. Yeah, that

0:51:07.560 --> 0:51:10.880
<v Speaker 1>was incredible, so good. I love was like can I

0:51:11.000 --> 0:51:16.360
<v Speaker 1>be direct, Like, oh my god, so you guys have

0:51:16.640 --> 0:51:19.840
<v Speaker 1>to make sure that you tune in two Secrets of

0:51:19.920 --> 0:51:27.040
<v Speaker 1>the Chippendale Murders. So good, Annie. I think the thing

0:51:27.160 --> 0:51:31.600
<v Speaker 1>that was most eye opening from that documentary was seeing

0:51:31.640 --> 0:51:34.440
<v Speaker 1>what you could bring on an airplane. They were like,

0:51:34.480 --> 0:51:36.880
<v Speaker 1>so we brought our guns and our heroine across the

0:51:36.960 --> 0:51:42.080
<v Speaker 1>country and like what It's so good. But I know

0:51:42.200 --> 0:51:44.480
<v Speaker 1>we have to wrap for today. So we have a

0:51:44.560 --> 0:51:46.640
<v Speaker 1>couple of things that we need to discuss very quickly,

0:51:46.800 --> 0:51:50.919
<v Speaker 1>one of which is Anna Deelvie is being deported to Germany. Yeah,

0:51:51.880 --> 0:51:54.360
<v Speaker 1>you know that was not as as important as what

0:51:54.680 --> 0:51:57.920
<v Speaker 1>is coming next. UM, I am going to take a

0:51:58.239 --> 0:52:02.360
<v Speaker 1>quote out of out of our last guests. Can I

0:52:02.440 --> 0:52:08.280
<v Speaker 1>be direct as possible? Please? Teddy, please be direct. Today

0:52:08.600 --> 0:52:13.960
<v Speaker 1>is my last day co hosting on Real Time Crime.

0:52:14.160 --> 0:52:18.160
<v Speaker 1>I am so sorry, you guys. I love Leah and

0:52:18.320 --> 0:52:22.920
<v Speaker 1>sometimes Dmitri and all of you guys sometimes or love

0:52:23.040 --> 0:52:26.040
<v Speaker 1>sometimes to make where's the comma father? Um? It depends

0:52:26.080 --> 0:52:31.680
<v Speaker 1>on the day. UM. I Originally when I signed up

0:52:31.719 --> 0:52:35.760
<v Speaker 1>with you guys, I had more time to be perfectly honest,

0:52:36.000 --> 0:52:38.759
<v Speaker 1>and I thought that I could manage it all. And

0:52:38.880 --> 0:52:42.440
<v Speaker 1>it's just gotten to a place where I'm doing so

0:52:43.560 --> 0:52:46.239
<v Speaker 1>many different podcasts for two teas in a pod, and

0:52:46.400 --> 0:52:49.160
<v Speaker 1>then there's this in my family and my actual business,

0:52:49.239 --> 0:52:52.160
<v Speaker 1>and I just feel like I can't dedicate the amount

0:52:52.280 --> 0:52:56.480
<v Speaker 1>to crime that I want to. So from here on out,

0:52:56.560 --> 0:53:00.080
<v Speaker 1>it's gonna have to be me tuning in listening for

0:53:00.280 --> 0:53:04.080
<v Speaker 1>these updates to get all of the crombs, because you

0:53:04.200 --> 0:53:07.120
<v Speaker 1>guys are incredible. I can't wait to hear the upcoming

0:53:07.239 --> 0:53:10.279
<v Speaker 1>episodes and thank you for letting me be a part

0:53:10.320 --> 0:53:13.120
<v Speaker 1>of it for this portion. And if there's ever like

0:53:13.239 --> 0:53:15.640
<v Speaker 1>a really super juicy case that you know, that i'd

0:53:15.680 --> 0:53:18.880
<v Speaker 1>be obsessed with you know where to find me? And

0:53:19.120 --> 0:53:21.080
<v Speaker 1>can we also have you if you do happen to

0:53:21.200 --> 0:53:25.399
<v Speaker 1>commit a crime? Can we have the exclusive? Yes we can,

0:53:25.640 --> 0:53:27.520
<v Speaker 1>would you know what? Let's hope I don't, but we

0:53:27.600 --> 0:53:31.480
<v Speaker 1>can't make any Well, this is a crime Teddy leaving

0:53:31.520 --> 0:53:33.560
<v Speaker 1>the podcast, so we do have the exclusive on it.

0:53:33.840 --> 0:53:42.080
<v Speaker 1>And Teddy, we're gonna miss you so much. Um. You know,

0:53:42.120 --> 0:53:45.080
<v Speaker 1>I'm not a very sentimental person, but you did cry

0:53:45.200 --> 0:53:47.600
<v Speaker 1>last night, so you could cry again. If she's probably

0:53:47.760 --> 0:53:51.360
<v Speaker 1>tapped out handed. Um, yeah, I'm all cried out, but

0:53:51.600 --> 0:53:54.440
<v Speaker 1>I um, I. We love you so much and we're

0:53:54.480 --> 0:53:56.160
<v Speaker 1>so grateful that you were able to join us for

0:53:56.239 --> 0:53:59.520
<v Speaker 1>the first leg of this journey. And you know that

0:53:59.640 --> 0:54:02.879
<v Speaker 1>if there is any sort of crime related to the Housewives,

0:54:03.200 --> 0:54:09.000
<v Speaker 1>you're coming on immediately. We're so proud of you, and

0:54:09.080 --> 0:54:11.800
<v Speaker 1>we're so excited about two teas and how successful the

0:54:11.880 --> 0:54:15.960
<v Speaker 1>show has gotten. And we'll miss you very much. Thank

0:54:16.000 --> 0:54:18.480
<v Speaker 1>you so much, and uh, I can't wait to hear

0:54:18.680 --> 0:54:22.520
<v Speaker 1>all of the other upcoming crams coming out. And you're

0:54:22.560 --> 0:54:25.719
<v Speaker 1>comedy and you guys, I know, well we'll talk off here,

0:54:25.760 --> 0:54:27.520
<v Speaker 1>but we'll talk. I love all of you guys, thank

0:54:27.560 --> 0:54:31.000
<v Speaker 1>you so much and do your song. We and we

0:54:31.040 --> 0:54:32.840
<v Speaker 1>need one well. And I just want to let the

0:54:32.920 --> 0:54:35.439
<v Speaker 1>listeners know we're going to have a bunch of very

0:54:35.680 --> 0:54:38.600
<v Speaker 1>interesting and special guests lined up. No one will be

0:54:38.640 --> 0:54:41.520
<v Speaker 1>able to fill teddy shoes obviously, sorry to everyone that

0:54:41.800 --> 0:54:44.520
<v Speaker 1>now knows that information that comes on the podcast, but

0:54:45.600 --> 0:54:47.600
<v Speaker 1>but we will. We will have a lot of really

0:54:47.680 --> 0:54:52.520
<v Speaker 1>interesting crime experts, other crime podcast hosts that you probably

0:54:52.600 --> 0:54:55.480
<v Speaker 1>know and love if you're true crime obsessed, other very

0:54:55.520 --> 0:54:58.880
<v Speaker 1>well known comedians coming on here, and special guests. I

0:54:59.000 --> 0:55:01.840
<v Speaker 1>have a friend who's in the n f T community,

0:55:01.840 --> 0:55:04.120
<v Speaker 1>who's in ann who's coming on. So that's gonna be

0:55:04.160 --> 0:55:09.440
<v Speaker 1>super exciting. So stay tuned because while Teddy is leaving us,

0:55:09.560 --> 0:55:14.000
<v Speaker 1>the podcast is not dead, okay um. And if you

0:55:14.040 --> 0:55:16.680
<v Speaker 1>want to leave us a voicemail, you know, just me

0:55:16.760 --> 0:55:20.759
<v Speaker 1>and sometimes and then and then sometimes sometimes Teddy. You

0:55:20.840 --> 0:55:25.600
<v Speaker 1>never know, you just never know. Make sure to call in. Yeah,

0:55:25.760 --> 0:55:28.480
<v Speaker 1>eight six six twenty one crime. That's eight six six

0:55:28.680 --> 0:55:32.399
<v Speaker 1>twenty one crime eight six six to any one time.

0:55:32.520 --> 0:55:35.160
<v Speaker 1>It's eight six six two and two seven four six

0:55:35.280 --> 0:55:38.000
<v Speaker 1>three And you can find me at Leo Lamar l

0:55:38.040 --> 0:55:40.080
<v Speaker 1>A E A H. L. A M A R R

0:55:40.200 --> 0:55:43.080
<v Speaker 1>on All Things on the Internet, TikTok five hours, don't

0:55:43.120 --> 0:55:45.200
<v Speaker 1>ask why, And if you want to find out show

0:55:45.280 --> 0:55:47.920
<v Speaker 1>dates Leo Lamar dot com or my Instagram. And Teddy,

0:55:47.920 --> 0:55:49.640
<v Speaker 1>where can we find you on the Internet? You can

0:55:49.680 --> 0:55:52.840
<v Speaker 1>find me at Teddy Melling camp or on two Teas

0:55:53.200 --> 0:55:56.439
<v Speaker 1>and a Pod or all in by Teddy. I wonder

0:55:56.480 --> 0:56:00.840
<v Speaker 1>if sometimes sometimes Teddy is available on sometimes sometimes Toady

0:56:00.960 --> 0:56:03.800
<v Speaker 1>it's going to work it out, and sometimes Dmitri is

0:56:03.840 --> 0:56:06.480
<v Speaker 1>still not sometimes Dmitri on Instagram, So don't bother following

0:56:06.560 --> 0:56:11.319
<v Speaker 1>him right, just as Dmitri pappis his name. All right,

0:56:11.400 --> 0:56:13.800
<v Speaker 1>We love you guys, Stay safe, don't commit any crimes.

0:56:14.120 --> 0:56:20.080
<v Speaker 1>See you next week. It's real time crop it real

0:56:20.320 --> 0:56:24.719
<v Speaker 1>time grop mean, is it actually real time crime? I'm

0:56:24.800 --> 0:56:26.719
<v Speaker 1>solving anything or is that just the thing we say?

0:56:26.760 --> 0:56:29.040
<v Speaker 1>It's a thing, we say, got it? Okay, See you

0:56:29.160 --> 0:56:31.800
<v Speaker 1>next week for more real time crime, only on I

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<v Speaker 1>horor radio.