WEBVTT - Origami: Folding Goodness

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<v Speaker 1>Hello, everybody. We have a book coming out. It's called

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<v Speaker 1>Stuff you Should Know colon an Incomplete Compendium of Mostly

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<v Speaker 1>don't you? That's right? So, Stuff you Should Know Colon

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<v Speaker 1>an Incomplete Companium Mostly Interesting Things, is coming soon to

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<v Speaker 1>change your life forever for the better. Welcome to Stuff

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<v Speaker 1>you Should Know, a production of My Heart Radios How

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<v Speaker 1>Stuff Works. Hey, and welcome to the podcast. I'm Josh Clark,

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<v Speaker 1>and there's Charles W. Chuck Bryant right there, and Jerry's

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<v Speaker 1>other somewhere. This is Stuff you Should No, the Fold

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<v Speaker 1>and Tuck edition. So Jerry's in her office now, yep,

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<v Speaker 1>I'm in the Stuff you Should Know Studio that's right

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<v Speaker 1>in Florida. You're at your home studio or a home studio, right,

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<v Speaker 1>you got like eight of them. Right, You're at Elvis.

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<v Speaker 1>Which room is closest to me by baby, I'll just

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<v Speaker 1>go in there while we're recording from today. Man uh.

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<v Speaker 1>And now Jerry is is like a ghost haunting the

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<v Speaker 1>computer in here recording it remotely, right, She's like, amazing,

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<v Speaker 1>what's the Yeah, she's she's like a ghost. You said

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<v Speaker 1>it best. She just texted me two minutes in and said,

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<v Speaker 1>your levels are good. So that's great, go back to

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<v Speaker 1>sleep chairs. Sounds about right. So I was talking to

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<v Speaker 1>Jerry earlier and she just reminded me we're talking to

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<v Speaker 1>Origami today. She just reminded me that, um, I'm my

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<v Speaker 1>first trip to Japan. I brought her back a paper

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<v Speaker 1>Orgami crane and that she still has it and was

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<v Speaker 1>thinking about that trip, Chuck, because on that trip Umi

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<v Speaker 1>took me to Japan. Remember when you guys liked each other,

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<v Speaker 1>you and Jerry, Yeah, we still do. It's that crane

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<v Speaker 1>that's keeping us friends. Um. But on that trip, one

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<v Speaker 1>of the places you took me was Hiroshima, right, sure,

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<v Speaker 1>and it is one of the neatest places I've ever been.

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<v Speaker 1>I know I've talked about it before, but one of

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<v Speaker 1>the things that you'll see there are just mounds and

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<v Speaker 1>mounds of origami cranes UM like cranes like the bird,

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<v Speaker 1>basically the quintessential origami model, not like building cranes, and

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<v Speaker 1>that's not what they're building. You never can't tell these days.

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<v Speaker 1>You know, Bob the Builder had a pretty good run

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<v Speaker 1>for a while there, so it could have been. But apparently, UM.

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<v Speaker 1>One of the reasons you see those cranes is because

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<v Speaker 1>there was a little girl from Hiroshima named Sadako Sasaki. Yeah,

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<v Speaker 1>I know, it's very sad. So she was I think

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<v Speaker 1>too when um the US dropped the nuclear bomb on

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<v Speaker 1>Hiroshima and she was exposed to radiation at that tender

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<v Speaker 1>young age and developed leukemia and she died at age twelve.

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<v Speaker 1>But before she died, she started this project of folding

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<v Speaker 1>a thousand paper cranes for in origami, which was kind

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<v Speaker 1>of this long standing thing that was associated with like

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<v Speaker 1>good luck or honor or dignity UM, and hers was

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<v Speaker 1>that if you there's another one that if you complete

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<v Speaker 1>a thousand cranes UM, you you have a wish. And

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<v Speaker 1>so this little girl Sadako Sasaki. Her wish was for

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<v Speaker 1>world peace, but she died before she could complete the

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<v Speaker 1>cranes and the thousand cranes, and that is upsetting. But

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<v Speaker 1>if to end it on a more heartwarming note, her

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<v Speaker 1>classmates got together and folded the remaining cranes in her

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<v Speaker 1>honor and they were buried with her, which is at

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<v Speaker 1>least a slightly uplifting ending. Right. Um, So when you

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<v Speaker 1>go to Hiroshima today, um at this peace memorial that

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<v Speaker 1>they've built, like a whole sex into the city where

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<v Speaker 1>the bomb went off has just been turned into this

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<v Speaker 1>anti nuclear, anti war peace memorial. Um. There's just tons

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<v Speaker 1>of cranes that were created by school children kind of

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<v Speaker 1>in honor of Sadako Sasaki and for this wish for

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<v Speaker 1>world peace. And if you stepped out of the studio

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<v Speaker 1>and followed me into the living room, you would see

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<v Speaker 1>a thousand paper cranes that you be folded just from

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<v Speaker 1>me too. You know who here at work has done that?

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<v Speaker 1>Who guess you know which? Which one of your colleagues

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<v Speaker 1>do you think would do this? I don't know, man,

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<v Speaker 1>I honestly don't know. There's so many varied, complex rich

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<v Speaker 1>people that we work with that, I can't even begin

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<v Speaker 1>to guess. I'm going to hazard a guess and say Ben, Uh,

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<v Speaker 1>I could see been doing that? What about the other Ben?

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<v Speaker 1>Probably not? Okay, Pam Peacock, Okay, yeah, our graphic designer

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<v Speaker 1>who is an artist easily and Um. I asked Pam

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<v Speaker 1>actually if I could read her Facebook post when she

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<v Speaker 1>completed it, because I think this is instructive on uh

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<v Speaker 1>and and you tell me whether it jibes with Humi's experience,

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<v Speaker 1>because it's sort of is instructive on the art of oregamy.

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<v Speaker 1>And it's more than just folding paper. It is meditative

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<v Speaker 1>and can be relaxing and healing and all all those things.

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<v Speaker 1>So Pam posted a photo of the final project and said,

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<v Speaker 1>this is what a thousand orgamy cranes looks like in

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<v Speaker 1>a pile of my coffee table tonight. I met the

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<v Speaker 1>goal on August to fold a thousand cranes within one

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<v Speaker 1>year's time. There were several reasons I wanted to take

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<v Speaker 1>on the challenge. The meditative quality of folding oregamy, to

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<v Speaker 1>practice dexterity and fine motor skills, the fun and making

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<v Speaker 1>a flat piece of paper into something dimensional and new

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<v Speaker 1>to make a whole bunch of something. There's a certain

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<v Speaker 1>satisfaction in that, but the biggest reason was to cultivate

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<v Speaker 1>more discipline within myself. To commit to a long term,

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<v Speaker 1>ongoing project in see it through to completion is a

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<v Speaker 1>big deal for me. Uh. And she goes on to

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<v Speaker 1>say she has a pretty long history about getting pumped

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<v Speaker 1>up about a project and then abandon it. And she

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<v Speaker 1>found with two months left she only had I'm sorry,

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<v Speaker 1>she had five hundred left to go, so ten months. Well,

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<v Speaker 1>I think she just took some time off. Sure, Well, yeah,

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<v Speaker 1>I mean that's that's how you're supposed to do. You're

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<v Speaker 1>not supposed to just sit there and do it. And

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<v Speaker 1>one fell swoop, but kind of misses a bunch of

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<v Speaker 1>the point, you know. Yeah. She said that she went

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<v Speaker 1>several months without it, realized she had a couple of

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<v Speaker 1>months and the clock was sticking, and she said, I

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<v Speaker 1>made the decision to recommit and push myself instead of

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<v Speaker 1>letting it go like so many other things. I know

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<v Speaker 1>I'll still struggle with those issues, but as an exercise growth,

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<v Speaker 1>I feel like I've leveled up a bit and continue

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<v Speaker 1>applying these strength and skills to my art, personal and

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<v Speaker 1>professional lives very nice and she's like, can check out

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<v Speaker 1>my finger muscles that do they're ripped? Yeah, Yubi's middle

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<v Speaker 1>name is stick to itiveness, So I don't think she

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<v Speaker 1>benefited in that sense, but there's definitely like a meditating

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<v Speaker 1>of aspect to it, And like when she was doing

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<v Speaker 1>it for me, it was like I thought it was

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<v Speaker 1>very sweet, and then the more I learned about it,

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<v Speaker 1>the sweeter I realized, how you know, it was it's

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<v Speaker 1>a I mean, to do that for somebody, uh, is

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<v Speaker 1>pretty cool, and to do it for yourself to like

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<v Speaker 1>Pam did, it's pretty neat as well. And I think

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<v Speaker 1>it was also for you me she uh yeah, probably know,

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<v Speaker 1>um yeah, I'm sure she got a tremendous amount out

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<v Speaker 1>of it too, you know. But it was one of

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<v Speaker 1>those things where she would just kind of work on

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<v Speaker 1>it when she felt like it. You know. There wasn't

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<v Speaker 1>any rush or anything like that, so it did have

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<v Speaker 1>like kind of a meditative thing for for sure. I

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<v Speaker 1>used to think a stick tuitiveness was a weird middle name,

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<v Speaker 1>but when I saw it written down like in the

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<v Speaker 1>context of her name, it just, I don't know, it

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<v Speaker 1>looked great. You're like, I've been pronouncing that Alice all

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<v Speaker 1>these years. It was so weird. So Pam said something

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<v Speaker 1>that UM I saw other people mentioned too about origami

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<v Speaker 1>is that it's transformative, like she's taking a piece of

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<v Speaker 1>paper and transforming it into something and there's this really

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<v Speaker 1>amazing seeing It's so there's a definite zen quality to

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<v Speaker 1>origami paper folding, right. And there's a documentary out there

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<v Speaker 1>called UM Between the Folds, and it's of course, of

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<v Speaker 1>course a PBS documentary UM, but it has this kind

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<v Speaker 1>of zen vibe to it too. It's really really mellow

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<v Speaker 1>and low key. But some of the stuff they're talking

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<v Speaker 1>about and showing and there's just nuts um and I'll

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<v Speaker 1>talk about it from time to time. But there's this

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<v Speaker 1>one guy in there name Michael la Fosse, and he

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<v Speaker 1>describes origami as um a metamorphic type of art, where

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<v Speaker 1>like with painting, you're adding paint, so it's an additive

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<v Speaker 1>kind of art. With you know, sculpting from like marble,

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<v Speaker 1>it's a subtractive art. With paper folding. In origamy, you're

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<v Speaker 1>you're taking the same thing and it's the same thing

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<v Speaker 1>that that um is the finished product. You're not adding

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<v Speaker 1>to it or subtracting to It's still just a piece

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<v Speaker 1>of paper, but you're transforming it into something else, and

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<v Speaker 1>that is kind of the essence of Origanti itself. Yeah,

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<v Speaker 1>this one was one that I was so sure that

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<v Speaker 1>we had done it before because it's just smacks of

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<v Speaker 1>stuff you should know. Uh, we'd love to cover Japanese

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<v Speaker 1>topics first of all, but I don't know. It just

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<v Speaker 1>felt like, surely we've done this, and I had to look.

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<v Speaker 1>I looked probably five different ways just to make sure

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<v Speaker 1>that we hadn't done it. You're like, what kind of

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<v Speaker 1>smart way would we title this? And well, that's what

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<v Speaker 1>I thought. That was My fear was that it would

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<v Speaker 1>be like called folding Madness or something stupid like that.

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<v Speaker 1>Did you search folding madness? That just made that up?

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<v Speaker 1>But what if that's the one that we already released.

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<v Speaker 1>It did seem really familiar. But I think I'm probably

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<v Speaker 1>just thinking about Bonzai maybe um, which I think is

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<v Speaker 1>similar in a way, and not just because they're both

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<v Speaker 1>Japanese disciplines, but I feel like the meditative quality and

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<v Speaker 1>the the care and the precision and the spiritual aspect,

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<v Speaker 1>I think they have a lot of overlapped there. One

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<v Speaker 1>of the big differences though, is that, um, the that

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<v Speaker 1>origami doesn't involve plant torture like bonsai does. Well in

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<v Speaker 1>bonsai does isn't. Uh, there's no paper torture involved. So

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<v Speaker 1>that's true. That's true. So um, when we talk about origami,

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<v Speaker 1>we're actually talking about this that is technically a subset

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<v Speaker 1>of this larger thing that actually grew out of oregami

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<v Speaker 1>and ended up forming this kind of umbrella art form

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<v Speaker 1>called paper folding appropriately enough, but origami everybody kind of

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<v Speaker 1>associates that with Japan. And the weird thing is when

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<v Speaker 1>we talk about ogamy um, which by the way, we

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<v Speaker 1>haven't really said it, but it's taking usually one sheet

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<v Speaker 1>of paper and folding it in certain ways so that

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<v Speaker 1>so that it it becomes some other representation of something

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<v Speaker 1>else or of shape or something other than that. But

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<v Speaker 1>the point of origami is that this this shape or

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<v Speaker 1>this new represent representation of like an animal or a

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<v Speaker 1>person or something, it's all made just by a single

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<v Speaker 1>sheet of paper typically and folding that paper. That's the

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<v Speaker 1>whole key. Yeah, And one of the other keys is

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<v Speaker 1>is that you're not gluing things, you're not cutting things.

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<v Speaker 1>It's really just folding and it can be very basic. Uh.

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<v Speaker 1>And I tried my hand at it today just to

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<v Speaker 1>make some very basic things. And I definitely get the UM,

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<v Speaker 1>I get the meditative aspects, although I was just doing

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<v Speaker 1>it to try and do something sort of quickly for

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<v Speaker 1>work and not in this style that you would normally

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<v Speaker 1>do origami. I could see how if you applied that

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<v Speaker 1>at your house, put on some good music, maybe turn

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<v Speaker 1>the lights down a little bit, shut the door, keep

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<v Speaker 1>keep your family far far away and your animals far

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<v Speaker 1>far away. I could see how it could accomplish that goal.

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<v Speaker 1>For me. I might start doing it. Some hadn't thought

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<v Speaker 1>about keeping the family far far away? Because you mean

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<v Speaker 1>was when she was folding that thousand cray means I'd

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<v Speaker 1>be like, what number are you on now? What number

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<v Speaker 1>are you on now? Every time she folded a new one. Yeah.

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<v Speaker 1>I think she probably was just an autopilot, which you

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<v Speaker 1>do answering you what you're doing over there? Is this

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<v Speaker 1>a crane too? Are you making another crane? Yeah? Yeah,

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<v Speaker 1>that would drive me nuts. Yeah. Um, So we should

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<v Speaker 1>probably go over a few of the terms. Um. The

0:12:24.120 --> 0:12:28.120
<v Speaker 1>term itself or gami they say, comes from order, which

0:12:28.160 --> 0:12:32.000
<v Speaker 1>means to fold pretty pretty smart. And then kami, which

0:12:32.040 --> 0:12:36.840
<v Speaker 1>is paper, so uru kami apparently was the original term

0:12:36.920 --> 0:12:40.440
<v Speaker 1>for it, and it's kind of, I guess, just became origami,

0:12:40.600 --> 0:12:43.199
<v Speaker 1>which as far as I could see, does is actually

0:12:43.280 --> 0:12:45.720
<v Speaker 1>not it's not actually a word. It's kind of an

0:12:45.760 --> 0:12:49.040
<v Speaker 1>offshoot of oru and kami. Yeah, and if you go

0:12:49.240 --> 0:12:51.840
<v Speaker 1>to UH, I mean you can make origami out of anything.

0:12:51.920 --> 0:12:54.360
<v Speaker 1>They talk about sticky notes and just copy paper. But

0:12:55.320 --> 0:12:58.840
<v Speaker 1>you can actually buy kami okay a m i online

0:12:58.840 --> 0:13:00.600
<v Speaker 1>if you want to go into an art store. These

0:13:00.679 --> 0:13:02.319
<v Speaker 1>days it might not be so easy to go into

0:13:02.360 --> 0:13:05.280
<v Speaker 1>a store, but um, that's what it might be called.

0:13:05.280 --> 0:13:07.160
<v Speaker 1>There are other kinds of paper that we'll talk about later,

0:13:07.320 --> 0:13:10.400
<v Speaker 1>but paper is what you need if you want to

0:13:10.440 --> 0:13:12.599
<v Speaker 1>be a paper folder. You don't need a bunch of

0:13:12.640 --> 0:13:15.440
<v Speaker 1>other stuff, which is a very low fi art form.

0:13:15.520 --> 0:13:18.400
<v Speaker 1>It's super cool in that way. And what you end

0:13:18.480 --> 0:13:21.240
<v Speaker 1>up with is called a model. Um. I guess you

0:13:21.280 --> 0:13:23.439
<v Speaker 1>could call it an art piece or something if you're

0:13:23.440 --> 0:13:26.680
<v Speaker 1>a little high flutin, but you're really just called models. Yes,

0:13:27.120 --> 0:13:30.400
<v Speaker 1>that's any any finished origami product is called the model.

0:13:31.040 --> 0:13:33.880
<v Speaker 1>There's also so this article says you need two things

0:13:33.960 --> 0:13:37.559
<v Speaker 1>for origami. You need a sheet of paper and some imagination.

0:13:38.000 --> 0:13:40.320
<v Speaker 1>But I would I would beg the difference. You don't

0:13:40.320 --> 0:13:43.120
<v Speaker 1>even need imagination because there's so many what are called

0:13:43.160 --> 0:13:46.800
<v Speaker 1>oregamy designs out there that are basically step by step

0:13:46.920 --> 0:13:49.959
<v Speaker 1>illustrations of the different folds you need to make. So

0:13:50.080 --> 0:13:53.319
<v Speaker 1>if you want to say, make a oregamy, donkey you.

0:13:53.720 --> 0:13:55.240
<v Speaker 1>As long as you have the paper and one of

0:13:55.320 --> 0:13:59.600
<v Speaker 1>these designs, you don't have to have any imagination whatsoever. Yeah.

0:13:59.720 --> 0:14:02.520
<v Speaker 1>And when I was first reading this too, I thought, well,

0:14:02.559 --> 0:14:05.040
<v Speaker 1>you need paper and fingers, But I realized that was

0:14:05.640 --> 0:14:10.760
<v Speaker 1>quite ablest actually, because there's actually a style of origami

0:14:11.040 --> 0:14:12.880
<v Speaker 1>from a British man named John Smith in the late

0:14:12.920 --> 0:14:17.319
<v Speaker 1>seventies called pure Land or pure Origami that is very

0:14:17.440 --> 0:14:21.000
<v Speaker 1>basic and was created in part so people who had

0:14:21.040 --> 0:14:24.840
<v Speaker 1>some sort of physical impairment could still realize the joy

0:14:24.960 --> 0:14:28.000
<v Speaker 1>in the meditative qualities of folding paper. I saw that too.

0:14:28.080 --> 0:14:29.720
<v Speaker 1>That was the one that appeals to me the most

0:14:29.760 --> 0:14:33.000
<v Speaker 1>because it's so simple. Yeah, same here. Um. Also, Chuck,

0:14:33.080 --> 0:14:37.800
<v Speaker 1>did you know that the world's greatest archer is Um

0:14:38.280 --> 0:14:41.640
<v Speaker 1>was born with no arms? I think we talked about that, right,

0:14:42.200 --> 0:14:47.040
<v Speaker 1>I don't know. No, definitely not no, because I just

0:14:47.120 --> 0:14:49.600
<v Speaker 1>saw it this past Sunday, so it's not possible we

0:14:49.680 --> 0:14:52.400
<v Speaker 1>did you you just had a memory from the future

0:14:53.480 --> 0:14:57.560
<v Speaker 1>that's pretty impressive in the Christopher Nolan movie. So I

0:14:57.680 --> 0:14:59.600
<v Speaker 1>can't wait. But I have to say, man, I am

0:14:59.760 --> 0:15:02.680
<v Speaker 1>very disappointed to see movies starting to come out on

0:15:02.800 --> 0:15:07.160
<v Speaker 1>the trailers saying only in theaters. I'm like, I didn't

0:15:07.200 --> 0:15:10.080
<v Speaker 1>realize we were at that point again yet. Well. I mean,

0:15:10.360 --> 0:15:13.520
<v Speaker 1>his new movie Tenant is one of the It was

0:15:13.560 --> 0:15:15.560
<v Speaker 1>one of the big ones back in the early spring

0:15:15.600 --> 0:15:17.880
<v Speaker 1>when they were like, he's going to put it out

0:15:17.920 --> 0:15:19.600
<v Speaker 1>in theaters, even if he has to bump it a

0:15:19.680 --> 0:15:21.760
<v Speaker 1>month or two, Like he's not going to do an

0:15:21.840 --> 0:15:23.880
<v Speaker 1>at home thing. He's not gonna wait till next year.

0:15:24.920 --> 0:15:27.920
<v Speaker 1>And I think they're doing like pretty big time spacing

0:15:27.960 --> 0:15:30.120
<v Speaker 1>and stuff. But I ain't go into a movie theater

0:15:30.880 --> 0:15:32.800
<v Speaker 1>new and it's one of my favorite places to go.

0:15:33.280 --> 0:15:37.320
<v Speaker 1>I know, like we talked about the other day and sneezing, um,

0:15:37.440 --> 0:15:39.240
<v Speaker 1>how it's just so great to go see a movie

0:15:39.280 --> 0:15:41.400
<v Speaker 1>in the middle of the day, you know, Yeah, can

0:15:41.440 --> 0:15:43.480
<v Speaker 1>you imagine seeing a movie now and you hear someone sneeze?

0:15:44.520 --> 0:15:47.000
<v Speaker 1>I would be out of there. So fast. I just

0:15:47.120 --> 0:15:49.560
<v Speaker 1>start crying on the way to the movie theater. I

0:15:49.600 --> 0:15:51.840
<v Speaker 1>would not be at all comfortable about that right now,

0:15:52.560 --> 0:15:55.160
<v Speaker 1>So I think if actually, I think we should probably

0:15:55.160 --> 0:15:57.800
<v Speaker 1>take a break. We've been yammering for fifteen minutes. I

0:15:57.880 --> 0:16:00.000
<v Speaker 1>know we've made it for through the first two paragraphs.

0:16:00.240 --> 0:16:02.840
<v Speaker 1>So we'll come back after this and we'll talk about paper.

0:16:03.440 --> 0:16:35.160
<v Speaker 1>Very key to Oregon me right after this. Alrighty, I

0:16:35.240 --> 0:16:38.520
<v Speaker 1>teased Paper, you did. Paper doesn't like to be teased.

0:16:38.520 --> 0:16:41.760
<v Speaker 1>Paper did not like that. I thought about you earlier.

0:16:41.800 --> 0:16:44.200
<v Speaker 1>By the way, sidebar, I was watching some old Mitch

0:16:44.280 --> 0:16:47.520
<v Speaker 1>Hedberg stuff and I immediately was like, man, Josh would

0:16:47.520 --> 0:16:49.840
<v Speaker 1>love these. Somebody wrote in to say, you guys, have

0:16:49.960 --> 0:16:52.120
<v Speaker 1>you heard about what was it? It? Was it based

0:16:52.160 --> 0:16:54.400
<v Speaker 1>on a listener mail. No, I don't know how. I

0:16:54.480 --> 0:16:56.400
<v Speaker 1>think it was just in my feed on my Facebook

0:16:56.440 --> 0:16:59.120
<v Speaker 1>page and I just I don't know. It popped up.

0:16:59.120 --> 0:17:00.960
<v Speaker 1>It was so good joke about the belt and the

0:17:01.000 --> 0:17:03.720
<v Speaker 1>belt loops. I don't know about that one. What is it?

0:17:03.840 --> 0:17:06.640
<v Speaker 1>The belt is holding up the pants, but the belt

0:17:06.680 --> 0:17:09.120
<v Speaker 1>loops hold up the belt. Who's the real hero here?

0:17:11.040 --> 0:17:15.440
<v Speaker 1>That guy was priceless, so good. So paper is what

0:17:15.560 --> 0:17:19.240
<v Speaker 1>you're gonna need if you want to practice origami. And

0:17:19.840 --> 0:17:22.879
<v Speaker 1>China invented paper and about one oh five a d.

0:17:23.160 --> 0:17:26.000
<v Speaker 1>But it was a luxury atom. They weren't so much

0:17:26.040 --> 0:17:28.919
<v Speaker 1>into folding it, or at least into artwork, and they

0:17:29.000 --> 0:17:31.359
<v Speaker 1>might have folded letters or maybe they just scrolled. At

0:17:31.400 --> 0:17:33.840
<v Speaker 1>that point, I saw that they folded stuff into like

0:17:34.040 --> 0:17:36.760
<v Speaker 1>gold paper gold nuggets and then set them on fire.

0:17:36.880 --> 0:17:42.280
<v Speaker 1>Is offering offering to ancestors. So maybe pre prot origami, Yes,

0:17:42.560 --> 0:17:47.600
<v Speaker 1>definitely prot But in the sixth century Buddhist monks introduced

0:17:47.640 --> 0:17:51.840
<v Speaker 1>paper to Japan. It was pretty rare, uh and expensive

0:17:51.880 --> 0:17:54.720
<v Speaker 1>here as well, and was used for you know, special

0:17:54.760 --> 0:17:57.879
<v Speaker 1>occasions and stuff like that. But as paper get got

0:17:57.920 --> 0:18:01.080
<v Speaker 1>a little more ubiquitous than they decided that they could

0:18:01.119 --> 0:18:04.720
<v Speaker 1>start folding it in interesting ways. And it wasn't a waste, right,

0:18:05.240 --> 0:18:08.479
<v Speaker 1>it was affordable, I guess. Yeah. As it became more fordable,

0:18:08.520 --> 0:18:11.800
<v Speaker 1>folding became a lot more widespread, and as it became

0:18:11.840 --> 0:18:16.159
<v Speaker 1>more widespread, people started doing kind of interesting things with it. Um,

0:18:16.280 --> 0:18:17.720
<v Speaker 1>like you're saying, at first, it was just kind of

0:18:17.760 --> 0:18:22.040
<v Speaker 1>reserved for special occasions like weddings or um. There's one

0:18:22.119 --> 0:18:25.480
<v Speaker 1>called the slaw Day no she day s h I

0:18:25.600 --> 0:18:29.040
<v Speaker 1>d e. I was thinking of arda um and it's

0:18:29.080 --> 0:18:32.000
<v Speaker 1>like a zigzag pattern that they used to kind of

0:18:32.080 --> 0:18:36.720
<v Speaker 1>denote like um, like religious places or altars or something

0:18:36.880 --> 0:18:39.320
<v Speaker 1>like that. And then somebody said, well, wait, you can

0:18:39.359 --> 0:18:41.800
<v Speaker 1>make a frog out of this. Check this out, and

0:18:41.880 --> 0:18:44.400
<v Speaker 1>I think our agony kind of took off. And that's

0:18:44.520 --> 0:18:49.440
<v Speaker 1>that's how it stayed, at least in Japan for several centuries,

0:18:50.040 --> 0:18:52.160
<v Speaker 1>where it was they knew how to make a kite,

0:18:52.320 --> 0:18:54.239
<v Speaker 1>they knew how to make a box, they knew how

0:18:54.320 --> 0:18:58.600
<v Speaker 1>to make cranes. Cranes were huge UM and in fact,

0:18:58.680 --> 0:19:01.440
<v Speaker 1>one of the first books on origami was called Folding

0:19:01.520 --> 0:19:08.760
<v Speaker 1>one Thousand Cranes UM. Let's see Somemba zuru orikata um

0:19:09.640 --> 0:19:12.400
<v Speaker 1>a thousand crane folding. So that was a big deal

0:19:12.480 --> 0:19:15.600
<v Speaker 1>already all the way back in the eighteenth century. But

0:19:15.960 --> 0:19:21.000
<v Speaker 1>UM finally in the I believe the nineteen thirties, I

0:19:21.040 --> 0:19:26.680
<v Speaker 1>think around seven, there was a guy um whose name

0:19:26.840 --> 0:19:31.720
<v Speaker 1>was Akira Yoshizawa. And you cannot talk about origami or

0:19:31.800 --> 0:19:36.520
<v Speaker 1>paper folding, or paper or folding, or Japan or shoes

0:19:36.960 --> 0:19:41.399
<v Speaker 1>without mentioning Akira Yoshizawa. This guy was this he was.

0:19:41.600 --> 0:19:44.520
<v Speaker 1>He single handedly took what it was the centuries old

0:19:44.840 --> 0:19:47.919
<v Speaker 1>school children's craft by this time, by the nineteen thirties,

0:19:48.040 --> 0:19:51.359
<v Speaker 1>rolled around that had been static for centuries and said

0:19:51.440 --> 0:19:53.280
<v Speaker 1>I'm going to turn this into an art form. And

0:19:53.359 --> 0:19:56.560
<v Speaker 1>he did yeah, big time. And by this point it

0:19:56.720 --> 0:20:00.399
<v Speaker 1>was widely referred to as origami. I think in the

0:20:01.200 --> 0:20:03.680
<v Speaker 1>late eight I'm sorry, late seventeen hundreds it was still

0:20:03.680 --> 0:20:06.680
<v Speaker 1>called orri kata and that was from that that book

0:20:06.680 --> 0:20:10.879
<v Speaker 1>about the Thousand Cranes. But by this time it was origami.

0:20:11.520 --> 0:20:14.800
<v Speaker 1>And he was a laborer for most of his life,

0:20:14.840 --> 0:20:17.320
<v Speaker 1>and he was a hobbyist as far as origami went.

0:20:18.280 --> 0:20:21.000
<v Speaker 1>But he started writing out these diagrams and basically sort

0:20:21.040 --> 0:20:23.359
<v Speaker 1>of these how two's, and if you've ever looked at

0:20:23.400 --> 0:20:27.000
<v Speaker 1>an origami book or something online, you know they if

0:20:27.040 --> 0:20:29.240
<v Speaker 1>you don't know how to do it, they're these very simple,

0:20:29.600 --> 0:20:32.080
<v Speaker 1>depending on the ultimate model that you want to end

0:20:32.200 --> 0:20:35.800
<v Speaker 1>up with, uh, these diagrams that you can just follow

0:20:35.840 --> 0:20:38.240
<v Speaker 1>along these lines and fold and just kind of copy

0:20:38.359 --> 0:20:40.800
<v Speaker 1>what you're seeing. And he was the first person to

0:20:40.880 --> 0:20:44.160
<v Speaker 1>do this and eventually published these in the nineteen fifties

0:20:44.240 --> 0:20:48.120
<v Speaker 1>in books, and uh, it was a really big deal,

0:20:48.359 --> 0:20:51.359
<v Speaker 1>Like it was already a popular thing in Japan. Um.

0:20:51.440 --> 0:20:53.440
<v Speaker 1>Previous to that, it was actually in Spain and some

0:20:53.560 --> 0:20:55.480
<v Speaker 1>other parts of Europe thanks to the Silk Road. But

0:20:56.240 --> 0:20:59.960
<v Speaker 1>it really sort of popularized it worldwide, I think after

0:21:00.160 --> 0:21:02.719
<v Speaker 1>his book. Yeah, well even before then, I think there

0:21:02.840 --> 0:21:06.439
<v Speaker 1>was a magazine that celebrated like the New Year by

0:21:06.520 --> 0:21:08.680
<v Speaker 1>commissioning him to do like the twelve signs of the

0:21:08.720 --> 0:21:11.960
<v Speaker 1>zodiac and origami. They put it on their cover, and

0:21:12.040 --> 0:21:15.600
<v Speaker 1>so you can imagine for Japan everything that had to

0:21:15.680 --> 0:21:18.119
<v Speaker 1>do with oregamy was like, look at this kite that

0:21:18.280 --> 0:21:21.080
<v Speaker 1>our kid made and now it's hanging on our refrigerator.

0:21:21.720 --> 0:21:24.320
<v Speaker 1>Um to the twelve signs of the zodiac, and these

0:21:24.359 --> 0:21:26.399
<v Speaker 1>things actually look kind of like a monkey and the

0:21:26.480 --> 0:21:30.080
<v Speaker 1>fox looks amazing, and um, it's just what this guy

0:21:30.200 --> 0:21:33.720
<v Speaker 1>did just completely blew everybody away. And very shortly after

0:21:33.760 --> 0:21:36.800
<v Speaker 1>that he devised that system, started having exhibitions around the

0:21:36.880 --> 0:21:40.320
<v Speaker 1>world and became like this, this revered master of origamy,

0:21:40.440 --> 0:21:43.560
<v Speaker 1>like the first true origami artist, the one who said

0:21:43.600 --> 0:21:45.560
<v Speaker 1>you can make an art form out of this, and

0:21:45.680 --> 0:21:50.080
<v Speaker 1>he decided to live like this kind of um uh poverty.

0:21:51.560 --> 0:21:54.800
<v Speaker 1>I don't want to say poverty stricken, but he poverty

0:21:54.840 --> 0:21:58.240
<v Speaker 1>adjacent life, very nice, chuck, where he supported himself selling

0:21:58.359 --> 0:22:03.600
<v Speaker 1>soup door to door. Um. He sold something called um sukadani,

0:22:03.760 --> 0:22:06.240
<v Speaker 1>which is like a kind of a seaweed condiment that

0:22:06.280 --> 0:22:08.119
<v Speaker 1>you put on rice. He'd sold. He'd sold that door

0:22:08.160 --> 0:22:11.360
<v Speaker 1>to door, and he just made enough money to support

0:22:11.520 --> 0:22:15.320
<v Speaker 1>his habit of um origami. That's what all he wanted

0:22:15.359 --> 0:22:17.560
<v Speaker 1>to do. But what's amazing about him is he was

0:22:17.640 --> 0:22:21.040
<v Speaker 1>like the pre eminent origami artist for decades. He made

0:22:21.080 --> 0:22:26.800
<v Speaker 1>at least fifty thousand different models. Um and he it

0:22:27.000 --> 0:22:30.840
<v Speaker 1>is just look him up right now, Akira Yoshizawa, um

0:22:31.720 --> 0:22:33.520
<v Speaker 1>and he never sold a single one of them. He

0:22:33.560 --> 0:22:35.520
<v Speaker 1>would lend him out for exhibitions, he would give them

0:22:35.560 --> 0:22:37.639
<v Speaker 1>his gifts, but he never made a dime off of

0:22:37.680 --> 0:22:40.399
<v Speaker 1>his origami. Yeah. And he's one of those that his

0:22:40.560 --> 0:22:43.560
<v Speaker 1>reputation reached a point where he literally could have gotten

0:22:43.680 --> 0:22:47.520
<v Speaker 1>rich selling his his models in the end. Oh yeah,

0:22:47.600 --> 0:22:49.680
<v Speaker 1>for sure. But that's just he just wasn't about that

0:22:51.440 --> 0:22:55.360
<v Speaker 1>very like very origami yesque Yeah totally. He's like, I'm

0:22:55.359 --> 0:22:57.640
<v Speaker 1>not gonna sell this stuff. No, that's not the point,

0:22:58.800 --> 0:23:04.159
<v Speaker 1>don't What about Tim Grant for that rhinoceros, like meet

0:23:04.200 --> 0:23:07.960
<v Speaker 1>me in the back room. Some of those animals, I

0:23:08.040 --> 0:23:09.760
<v Speaker 1>mean not just from him, but when you look up,

0:23:09.920 --> 0:23:13.119
<v Speaker 1>you know kind of the most amazing origami and uh,

0:23:13.760 --> 0:23:15.159
<v Speaker 1>and there are a lot of animals and we'll talk

0:23:15.160 --> 0:23:19.119
<v Speaker 1>about that, but it's uh, it's really just astounding. It

0:23:19.280 --> 0:23:21.080
<v Speaker 1>is astounding. One of the ways that he was able

0:23:21.119 --> 0:23:24.240
<v Speaker 1>to take orgami from a kite and I know, I

0:23:24.320 --> 0:23:26.560
<v Speaker 1>keep going back to a kite, but you know one

0:23:26.560 --> 0:23:28.640
<v Speaker 1>of the base forms kind of where it was at

0:23:29.400 --> 0:23:33.199
<v Speaker 1>um taking it from a kite to like he very

0:23:33.280 --> 0:23:36.399
<v Speaker 1>famously made this um this gorilla, I think it's a

0:23:36.440 --> 0:23:39.760
<v Speaker 1>gorilla um that you almost always see in the background

0:23:39.880 --> 0:23:43.520
<v Speaker 1>behind him. It's a it's a it's an ape of

0:23:43.760 --> 0:23:47.840
<v Speaker 1>it's either a gorilla or or Tyrannosaurs rex at he'd

0:23:47.840 --> 0:23:50.880
<v Speaker 1>be like, you see, it's either gorilla or a car. Right.

0:23:51.560 --> 0:23:54.080
<v Speaker 1>But but when he makes something, you can you know

0:23:54.200 --> 0:23:57.040
<v Speaker 1>exactly what it is. Um. But one of the things

0:23:57.119 --> 0:24:00.359
<v Speaker 1>about his particular kind of art was that it wasn't

0:24:00.440 --> 0:24:03.399
<v Speaker 1>like every single details captured. People have taken it to

0:24:03.520 --> 0:24:06.520
<v Speaker 1>that paper folders have gotten to the point where it's like, um,

0:24:06.680 --> 0:24:11.920
<v Speaker 1>that guy Michael A. Fosse created a huge, easily two

0:24:12.000 --> 0:24:17.719
<v Speaker 1>foot alligator, which is almost several meters at least by

0:24:17.800 --> 0:24:21.439
<v Speaker 1>my estimation, um, out of a single piece of paper. UM.

0:24:21.640 --> 0:24:24.000
<v Speaker 1>And it has all of like the armor, the scaly

0:24:24.200 --> 0:24:26.399
<v Speaker 1>armor involved, Like there's a lot of detail. That's not

0:24:26.560 --> 0:24:30.080
<v Speaker 1>what um Yoshizawa was into. His was much more expressive

0:24:30.440 --> 0:24:35.000
<v Speaker 1>and um almost um impressionistic. But you knew exactly what

0:24:35.200 --> 0:24:36.480
<v Speaker 1>it was when you looked at it. And he was

0:24:36.520 --> 0:24:38.520
<v Speaker 1>able to do this through a technique that he created

0:24:38.560 --> 0:24:41.080
<v Speaker 1>called wet folding. Yeah, and wet folding is how you

0:24:41.119 --> 0:24:44.399
<v Speaker 1>can round things out. Um. You're obviously wetting the paper

0:24:45.000 --> 0:24:47.040
<v Speaker 1>and that's how or you know, dampening. At least you

0:24:47.040 --> 0:24:48.840
<v Speaker 1>don't want to get it too wet, and you can

0:24:48.920 --> 0:24:50.880
<v Speaker 1>manipulate it a little more and you can round things

0:24:50.920 --> 0:24:53.760
<v Speaker 1>out and make it look a little more like a sculpture. UM.

0:24:53.960 --> 0:24:56.720
<v Speaker 1>But I really liked his style. It wasn't because it

0:24:56.760 --> 0:25:00.240
<v Speaker 1>didn't seem like, uh boy, I'm out to all you

0:25:00.600 --> 0:25:04.520
<v Speaker 1>and impress you with um, just something that's so detailed

0:25:04.640 --> 0:25:07.320
<v Speaker 1>it'll blow your mind. They were detailed, but it wasn't

0:25:07.359 --> 0:25:10.639
<v Speaker 1>like that other guy that you were talking about, Michael

0:25:10.680 --> 0:25:12.840
<v Speaker 1>la Fosse. Yeah, which is you know, they're both great,

0:25:12.920 --> 0:25:17.399
<v Speaker 1>but it just seemed a little more intuitive and organic. Uh.

0:25:17.520 --> 0:25:21.119
<v Speaker 1>In terms of what Yoshizawa was doing. I think his

0:25:21.280 --> 0:25:26.680
<v Speaker 1>technique screams, oh you like that not for sale, get

0:25:26.720 --> 0:25:29.040
<v Speaker 1>out of my kitchen, and why were you here in

0:25:29.080 --> 0:25:32.000
<v Speaker 1>the first place? Exactly. They're like, I work for Time magazine,

0:25:32.520 --> 0:25:34.600
<v Speaker 1>but but help yourself to some soup that I sell

0:25:34.680 --> 0:25:39.040
<v Speaker 1>door to doing exactly. So, Um, I guess we should

0:25:39.040 --> 0:25:42.320
<v Speaker 1>talk about, you know, if somebody has, if someone's listening

0:25:42.359 --> 0:25:44.680
<v Speaker 1>to this, interest has been peaked and wants to know

0:25:44.880 --> 0:25:49.080
<v Speaker 1>how to how to fold them. Um, we should teach people,

0:25:49.160 --> 0:25:52.359
<v Speaker 1>I think, chuck. Uh, yeah, well we'll tell you the

0:25:52.440 --> 0:25:56.120
<v Speaker 1>basics at least. Um, there are you know, many, many,

0:25:56.160 --> 0:25:58.920
<v Speaker 1>many types of folds. But you mentioned the kite base

0:25:59.280 --> 0:26:00.800
<v Speaker 1>or the kite full old, and I said, that's one

0:26:00.800 --> 0:26:03.639
<v Speaker 1>of the basics, and it is there. You can oftentimes

0:26:03.680 --> 0:26:06.199
<v Speaker 1>start from a base, which is just sort of your

0:26:06.240 --> 0:26:10.920
<v Speaker 1>starting shape. Um, that's your your point where you start,

0:26:11.119 --> 0:26:12.960
<v Speaker 1>and then get more detail from there. And there is

0:26:13.800 --> 0:26:17.119
<v Speaker 1>the kite base, the fish base, the bird base, and

0:26:17.200 --> 0:26:20.280
<v Speaker 1>the frog base, and those are listed in order of

0:26:20.840 --> 0:26:24.680
<v Speaker 1>difficulty from easy to hard. There's a really great site

0:26:24.760 --> 0:26:28.119
<v Speaker 1>called paper Kawaii. It's spelled like Hawaii but with a K.

0:26:28.359 --> 0:26:32.760
<v Speaker 1>It means cute in Japanese. And the the person who

0:26:32.840 --> 0:26:37.000
<v Speaker 1>runs that site has made a huge depository of resources

0:26:37.119 --> 0:26:41.320
<v Speaker 1>and um, instructional videos and diagrams and everything you could

0:26:41.359 --> 0:26:45.320
<v Speaker 1>possibly want. But um, she says that there's twelve bases,

0:26:45.560 --> 0:26:48.520
<v Speaker 1>or at least she instructs you on making twelve bases,

0:26:49.200 --> 0:26:51.920
<v Speaker 1>so it gets even richer than those four. Yeah, I

0:26:51.960 --> 0:26:54.600
<v Speaker 1>mean that's I got the picture that that was the

0:26:54.720 --> 0:26:57.680
<v Speaker 1>four most basic original basis, and I was I was

0:26:57.760 --> 0:27:01.200
<v Speaker 1>probably sure that there were more. So, Um, there's some

0:27:01.440 --> 0:27:04.680
<v Speaker 1>that there's some types of models that tend to pop

0:27:04.800 --> 0:27:09.760
<v Speaker 1>up more often than others, and animals are frequently created. Um.

0:27:10.200 --> 0:27:11.879
<v Speaker 1>And like I was saying, like, it's not it's not

0:27:12.040 --> 0:27:16.359
<v Speaker 1>necessarily you're like you're going for ultra realism. It's would

0:27:16.400 --> 0:27:19.320
<v Speaker 1>be impossible to make it ultra real um. Because I

0:27:19.359 --> 0:27:21.480
<v Speaker 1>don't know if we've said this yet, Like you're not

0:27:21.720 --> 0:27:27.080
<v Speaker 1>supposed to use like, um, scissors or glue or tape

0:27:27.840 --> 0:27:30.960
<v Speaker 1>or anything like that. Um. And some people still use

0:27:30.960 --> 0:27:33.360
<v Speaker 1>scissors every once in a while, but definitely you don't

0:27:33.440 --> 0:27:35.359
<v Speaker 1>use glue or tape. That's not what'sh holding these together.

0:27:35.640 --> 0:27:39.160
<v Speaker 1>These models are held entirely from different types of folds

0:27:39.240 --> 0:27:41.840
<v Speaker 1>that you learned from doing or a gami like. It's

0:27:41.880 --> 0:27:44.639
<v Speaker 1>not just fold this direction, fold that direction. There's like

0:27:44.720 --> 0:27:47.800
<v Speaker 1>reverse folds, their sinks. There's all sorts of different and

0:27:48.000 --> 0:27:50.800
<v Speaker 1>interesting stuff you can do to make the paper take

0:27:50.880 --> 0:27:53.160
<v Speaker 1>a certain shape that you wanted to and then also

0:27:53.240 --> 0:27:56.639
<v Speaker 1>to hold itself in shape permanently from that point on.

0:27:57.680 --> 0:27:59.840
<v Speaker 1>That's right, and there are a lot of ways that

0:28:00.040 --> 0:28:03.000
<v Speaker 1>you can go about it. I would imagine that, Um,

0:28:03.520 --> 0:28:05.640
<v Speaker 1>you me probably did it on like a coffee table

0:28:05.720 --> 0:28:09.080
<v Speaker 1>or something. Maybe, oh nobody should do it in her lap? Okay,

0:28:09.119 --> 0:28:10.840
<v Speaker 1>well then you can do it in the air. Yeah,

0:28:11.000 --> 0:28:13.360
<v Speaker 1>I mean that is uh. When you're at that point,

0:28:13.440 --> 0:28:17.480
<v Speaker 1>then you're pretty skilled as an origami artist. If you

0:28:17.560 --> 0:28:19.600
<v Speaker 1>are just using your hands and you're not putting it

0:28:19.680 --> 0:28:23.040
<v Speaker 1>on anything hard, then that that's pretty skilled. Um. But

0:28:23.280 --> 0:28:26.400
<v Speaker 1>I would say a beginner should probably use a desk

0:28:26.560 --> 0:28:29.479
<v Speaker 1>or something with a little help, maybe a clipboard if

0:28:29.480 --> 0:28:31.880
<v Speaker 1>you want to do it in your lap. Sometimes people

0:28:31.920 --> 0:28:35.400
<v Speaker 1>will use paper clips to help really get a nice

0:28:35.440 --> 0:28:37.840
<v Speaker 1>fine crease in there. Yeah, I got the impression. That

0:28:37.920 --> 0:28:41.240
<v Speaker 1>that's allowed. Yeah, I mean anything's allowed. Come on. I mean,

0:28:42.080 --> 0:28:45.960
<v Speaker 1>anytime you're talking about something that Japanese people do, they're

0:28:45.960 --> 0:28:48.360
<v Speaker 1>not gonna go in there and start screaming at you. Right.

0:28:48.440 --> 0:28:51.320
<v Speaker 1>If you're like to do it right, you may be

0:28:51.400 --> 0:28:55.120
<v Speaker 1>at risk of dishonoring your ancestors, but nobody's going to

0:28:55.240 --> 0:28:57.440
<v Speaker 1>judge you personally for it. Yeah, but I would imagine

0:28:57.440 --> 0:28:59.200
<v Speaker 1>a paper clip two might help if you don't have

0:28:59.440 --> 0:29:02.480
<v Speaker 1>fingernail Also, if you're a fingernail biter and you just

0:29:02.560 --> 0:29:06.080
<v Speaker 1>have just stubby nubs like I used to, then you

0:29:06.120 --> 0:29:08.760
<v Speaker 1>should you should maybe get a little paper clip out

0:29:08.760 --> 0:29:11.080
<v Speaker 1>that might help you along. I've also seen um like

0:29:11.240 --> 0:29:14.239
<v Speaker 1>a wooden a letter opener kind of thing. People. I've

0:29:14.240 --> 0:29:16.280
<v Speaker 1>seen people use that to make a really you know,

0:29:16.480 --> 0:29:20.280
<v Speaker 1>tight crease, or to poke a fold into another fold,

0:29:20.360 --> 0:29:25.200
<v Speaker 1>that kind of thing. What nothing, did I accidentally get

0:29:25.240 --> 0:29:28.480
<v Speaker 1>sexy or something a couple of times? That's all right though, poke?

0:29:28.600 --> 0:29:33.120
<v Speaker 1>Oh you guys, Well, this is keep moving along, so

0:29:34.640 --> 0:29:36.800
<v Speaker 1>nothing to see here. We should talk to you about

0:29:36.840 --> 0:29:39.840
<v Speaker 1>a few of the different categories of origami. There are

0:29:39.880 --> 0:29:43.320
<v Speaker 1>many many categories that you can focus on if you

0:29:43.560 --> 0:29:47.400
<v Speaker 1>want to kind of drill down into a specific um discipline.

0:29:48.240 --> 0:29:51.040
<v Speaker 1>One is called modular or a gamy, and that is

0:29:51.200 --> 0:29:55.200
<v Speaker 1>when you have U And I would encourage people obviously

0:29:55.240 --> 0:29:57.560
<v Speaker 1>not if you're driving, but to kind of look up

0:29:57.600 --> 0:29:59.480
<v Speaker 1>pictures and follow along with a lot of these because

0:29:59.520 --> 0:30:01.720
<v Speaker 1>it really d lives at home and it's also beautiful

0:30:01.760 --> 0:30:04.600
<v Speaker 1>to look at. But modular is when you use um

0:30:05.120 --> 0:30:07.680
<v Speaker 1>different sheets of paper, but you're generally kind of making

0:30:07.720 --> 0:30:11.120
<v Speaker 1>the same shape and then bringing those uh together to

0:30:11.240 --> 0:30:14.560
<v Speaker 1>form some larger piece from those same shapes. Very beautiful,

0:30:14.800 --> 0:30:18.080
<v Speaker 1>it really is. And with modular chuck, that's one of

0:30:18.120 --> 0:30:21.960
<v Speaker 1>the few types of um of paper folding or a

0:30:22.040 --> 0:30:25.800
<v Speaker 1>gamy that uses more than one sheet. Well, it's mind

0:30:25.840 --> 0:30:29.120
<v Speaker 1>blowing about origamies when you're looking at just about any

0:30:29.200 --> 0:30:32.840
<v Speaker 1>type aside for modular, despite what it looks like, it's

0:30:32.960 --> 0:30:37.600
<v Speaker 1>probably just one sheet of paper. Yeah, it's just amazing.

0:30:38.080 --> 0:30:39.800
<v Speaker 1>Some of the stuff that people are making is just

0:30:39.960 --> 0:30:43.360
<v Speaker 1>ridiculously amazing. You've got action orgamy, which are kind of

0:30:43.440 --> 0:30:47.760
<v Speaker 1>fun because these little guys can move sometimes obviously it's

0:30:47.760 --> 0:30:51.200
<v Speaker 1>gonna take human manipulation. They don't just move on their own,

0:30:52.200 --> 0:30:53.480
<v Speaker 1>like you can't make a wind up to way or

0:30:53.480 --> 0:30:56.880
<v Speaker 1>anything like that. But you can flap a bird wings

0:30:57.320 --> 0:31:00.720
<v Speaker 1>sometimes a bird's wing, or you might be able to

0:31:00.760 --> 0:31:04.840
<v Speaker 1>make a frog that jumps. Yeah, or remember the origami

0:31:04.880 --> 0:31:08.840
<v Speaker 1>fortune teller, that little folded thing you could learn who

0:31:08.880 --> 0:31:11.320
<v Speaker 1>you're gonna marry or that kind of thing. Yeah, what

0:31:11.520 --> 0:31:14.440
<v Speaker 1>what what was that called the oregonmy fortune Teller? From

0:31:14.480 --> 0:31:16.560
<v Speaker 1>what I saw, I mean, we didn't call it that

0:31:16.560 --> 0:31:19.880
<v Speaker 1>in elementary school, and I could not find it. I

0:31:20.000 --> 0:31:21.840
<v Speaker 1>could not find the name of it. I know what

0:31:22.000 --> 0:31:24.240
<v Speaker 1>you're talking. What was it? Yeah? Those were always fun.

0:31:24.560 --> 0:31:31.080
<v Speaker 1>There's something called mash Mansion Apartment scheck House, but I

0:31:31.120 --> 0:31:33.360
<v Speaker 1>don't think that involves paper or a gami. But it's

0:31:33.360 --> 0:31:36.320
<v Speaker 1>a similar game. Yeah that. Janet Varney plays that with

0:31:36.440 --> 0:31:38.720
<v Speaker 1>her guests at the end of her j V Club episodes.

0:31:38.840 --> 0:31:42.200
<v Speaker 1>The match game sure a lot of fun. So that's

0:31:42.280 --> 0:31:45.040
<v Speaker 1>different from the Origami fortune Teller. Ye, has nothing to

0:31:45.080 --> 0:31:47.680
<v Speaker 1>do with paper. Yeah, you always end up married to

0:31:47.760 --> 0:31:51.080
<v Speaker 1>Rob Low somehow if you're lucky. Well, that's called the

0:31:51.640 --> 0:31:55.640
<v Speaker 1>fantasy game. Um, let's see what else can you do

0:31:55.760 --> 0:32:00.240
<v Speaker 1>with origami? Chuck, people make origami out of dollar bills. Yeah,

0:32:00.360 --> 0:32:02.160
<v Speaker 1>I see those. I used to get those occasionally when

0:32:02.200 --> 0:32:04.080
<v Speaker 1>you if you've ever you work at a cash job,

0:32:04.760 --> 0:32:06.640
<v Speaker 1>like I worked at a convenient story, You're gonna get

0:32:06.680 --> 0:32:09.320
<v Speaker 1>some wise acre that pays for cigarettes with a couple

0:32:09.360 --> 0:32:13.000
<v Speaker 1>of cranes. Some wise acre. People make them out of

0:32:13.040 --> 0:32:16.480
<v Speaker 1>sticky notes like post it notes is what most people

0:32:16.560 --> 0:32:18.960
<v Speaker 1>call them. From what I saw, it basically just ends

0:32:19.040 --> 0:32:22.600
<v Speaker 1>up being Pikachu every time. Oh yeah, because it's yellow

0:32:22.680 --> 0:32:26.680
<v Speaker 1>and small. So yeah, jewelry if you've you can make

0:32:26.760 --> 0:32:29.520
<v Speaker 1>jewelry or a gamy. I think you can certainly buy

0:32:29.560 --> 0:32:31.560
<v Speaker 1>that kind of thing on Etsy. And then one of

0:32:31.640 --> 0:32:37.040
<v Speaker 1>the other styles that you see um or schools is tessellations.

0:32:37.560 --> 0:32:39.200
<v Speaker 1>I don't know if it's a if it's a school

0:32:39.280 --> 0:32:42.240
<v Speaker 1>in and of itself, but it's kind of like modular

0:32:42.400 --> 0:32:44.880
<v Speaker 1>or a gami or it yields like kind of repeating

0:32:45.200 --> 0:32:49.200
<v Speaker 1>three D patterns, but it's typically made from just one

0:32:49.320 --> 0:32:54.200
<v Speaker 1>sheet folded in just not so intricate ways. UM. I

0:32:54.280 --> 0:32:58.240
<v Speaker 1>saw in a three D hydrangea pattern UM on this

0:32:58.400 --> 0:33:00.640
<v Speaker 1>little sheet that the person in the pictures holding it

0:33:00.760 --> 0:33:04.680
<v Speaker 1>covers about the top half of their hand, but there's

0:33:04.720 --> 0:33:08.320
<v Speaker 1>I think at least a dozen little hydranges folded into

0:33:08.360 --> 0:33:12.560
<v Speaker 1>it and repeating room. It's just and then when you

0:33:12.640 --> 0:33:14.640
<v Speaker 1>step back and you think that is one sheet of

0:33:14.720 --> 0:33:17.920
<v Speaker 1>paper somebody figured out how to fold perfectly. Because there's

0:33:17.960 --> 0:33:20.320
<v Speaker 1>one thing that they don't tell you about orgami that

0:33:20.440 --> 0:33:22.800
<v Speaker 1>you figure out pretty quickly on your own. If you

0:33:22.880 --> 0:33:26.640
<v Speaker 1>don't make the right folds in the right order, you

0:33:26.800 --> 0:33:29.000
<v Speaker 1>just you just screwed up. Like it's never gonna look

0:33:29.080 --> 0:33:31.960
<v Speaker 1>quite right. Yeah, it's hard to undo a good crease.

0:33:32.280 --> 0:33:36.080
<v Speaker 1>I think that's where scissors come in sometimes. Yeah, you

0:33:36.160 --> 0:33:38.480
<v Speaker 1>know what I didn't do for this, which I usually do,

0:33:38.600 --> 0:33:41.240
<v Speaker 1>I'm surprised. I'll do it later. Is watch a good

0:33:41.400 --> 0:33:46.200
<v Speaker 1>YouTube of someone doing something pretty complex. Check out paper Kawaii.

0:33:46.440 --> 0:33:49.640
<v Speaker 1>She's she's good and it's also easy to follow too.

0:33:50.280 --> 0:33:52.120
<v Speaker 1>Does she get super detailed and stuff or is it

0:33:52.200 --> 0:33:55.600
<v Speaker 1>a little more basic both, it's it's basically everything you want.

0:33:55.640 --> 0:33:58.080
<v Speaker 1>And then there's also like a lot of instructionals well,

0:33:58.600 --> 0:34:01.440
<v Speaker 1>like she teaches to base shapes. I don't think she

0:34:01.520 --> 0:34:04.080
<v Speaker 1>gets into like modular but actually it's not true. She

0:34:04.120 --> 0:34:06.400
<v Speaker 1>does have modular stuff on there. She does it all

0:34:06.480 --> 0:34:09.319
<v Speaker 1>basically um, but she's also got a lot of stuff

0:34:09.360 --> 0:34:11.399
<v Speaker 1>where like if you want to make a little gift

0:34:11.440 --> 0:34:14.200
<v Speaker 1>box to put your gift in she's got instructionals on

0:34:14.480 --> 0:34:16.759
<v Speaker 1>how to do that, so practical stuff as well. So

0:34:16.840 --> 0:34:20.439
<v Speaker 1>you can put Oorgamy in an origami box as a gift,

0:34:20.640 --> 0:34:25.359
<v Speaker 1>you could. That's pretty mind blowing. It's amazing. What's neat though,

0:34:25.400 --> 0:34:28.600
<v Speaker 1>is all of her videos are set to um led Zeppelin,

0:34:28.760 --> 0:34:31.920
<v Speaker 1>so that adds like an extra layer? Does it? Is

0:34:31.960 --> 0:34:34.400
<v Speaker 1>it really? Okay? Man? I was like, that'd be amazing,

0:34:36.000 --> 0:34:38.040
<v Speaker 1>especially if it was just really out of whack with

0:34:38.200 --> 0:34:40.520
<v Speaker 1>what she was making, it would be great. Yeah. I

0:34:40.640 --> 0:34:43.239
<v Speaker 1>was just thinking, maybe, uh, well, I can't think of

0:34:43.280 --> 0:34:45.799
<v Speaker 1>it now. Come from the Land of the Ice and snow.

0:34:45.880 --> 0:34:50.520
<v Speaker 1>What's immigrant immigrant song do? Yeah? But none of the

0:34:50.600 --> 0:34:53.480
<v Speaker 1>folding is keeping up with it. The songs has to

0:34:53.520 --> 0:34:56.320
<v Speaker 1>start over, over and over. Of course, if you're a

0:34:56.360 --> 0:34:59.399
<v Speaker 1>fan of Blade Runner, you remember that has a nice

0:35:00.320 --> 0:35:04.200
<v Speaker 1>um origami motif reoccurring motif in there with Edward James

0:35:04.239 --> 0:35:08.239
<v Speaker 1>almost as character. I have no idea what you're talking about.

0:35:08.320 --> 0:35:10.720
<v Speaker 1>You've seen Blade Runner, yeah, and I know the character,

0:35:10.840 --> 0:35:13.480
<v Speaker 1>but what is it? Oh? Does he keep making origami stuff?

0:35:13.520 --> 0:35:17.320
<v Speaker 1>He leaves it behind, right, okay? And uh it plays

0:35:17.360 --> 0:35:18.879
<v Speaker 1>a key role sort of at the end of the movie.

0:35:20.000 --> 0:35:23.719
<v Speaker 1>I don't remember that. Yeah, it's good, a great movie though.

0:35:24.719 --> 0:35:27.560
<v Speaker 1>Did you see the second one? Uh? Well, I've seen

0:35:27.600 --> 0:35:29.960
<v Speaker 1>all the versions of the first one, and of course

0:35:30.000 --> 0:35:31.359
<v Speaker 1>he has all the second one. I thought the second

0:35:31.360 --> 0:35:33.719
<v Speaker 1>one was really great. Yeah, it was very good. I

0:35:33.800 --> 0:35:36.360
<v Speaker 1>loved it. And there's nothing that Ryan Goslin can't do.

0:35:37.160 --> 0:35:38.799
<v Speaker 1>I know, right. I saw him in a hotel lobby

0:35:38.840 --> 0:35:41.080
<v Speaker 1>once and I just wanted to kiss his handsome face.

0:35:41.440 --> 0:35:44.600
<v Speaker 1>Did you know I should have? Do you remember when

0:35:44.680 --> 0:35:47.239
<v Speaker 1>we went to upfronts once when we had our show

0:35:47.320 --> 0:35:51.000
<v Speaker 1>on Science Channel. We looked over and there's Fred Armison

0:35:51.040 --> 0:35:54.640
<v Speaker 1>and we waved like like we were peers any way back,

0:35:54.719 --> 0:35:56.719
<v Speaker 1>like I don't know who you are, but good to

0:35:56.760 --> 0:35:59.000
<v Speaker 1>see you for the first time ever. The other funny

0:35:59.080 --> 0:36:00.320
<v Speaker 1>thing I don't know if you remember of this on

0:36:00.400 --> 0:36:02.520
<v Speaker 1>that trip was uh and for people that know, the

0:36:02.600 --> 0:36:05.040
<v Speaker 1>upfronts is where you if you have a TV show

0:36:05.120 --> 0:36:07.920
<v Speaker 1>or something coming out the next year or quarter is

0:36:07.960 --> 0:36:11.080
<v Speaker 1>it yearly you gather at a place and all the

0:36:11.200 --> 0:36:13.000
<v Speaker 1>presses there and you kind of just tell everyone what

0:36:13.080 --> 0:36:15.480
<v Speaker 1>you're doing and they hopefully write about it. But we

0:36:15.880 --> 0:36:19.719
<v Speaker 1>saw Michael Douglas and Matt Damon passed us walking down

0:36:19.760 --> 0:36:22.359
<v Speaker 1>the sidewalk and I was like, what are those guys

0:36:22.440 --> 0:36:26.160
<v Speaker 1>doing together? And like, little did I know it was coming. Man,

0:36:26.280 --> 0:36:28.399
<v Speaker 1>that was such a good movie. It was awesome. I'd

0:36:28.440 --> 0:36:31.719
<v Speaker 1>like to see that again soon. Actually it's on if

0:36:31.760 --> 0:36:34.799
<v Speaker 1>you get a free trial the HBO on Amazon Prime.

0:36:34.840 --> 0:36:36.839
<v Speaker 1>I think it's on there right now. Man, I gotta

0:36:36.840 --> 0:36:41.240
<v Speaker 1>see that. Such a good movie. Um, let's see Technical Oregony.

0:36:41.280 --> 0:36:43.480
<v Speaker 1>I think is where we left off. Well, yeah, we

0:36:43.719 --> 0:36:46.120
<v Speaker 1>because we had already talked about pure Land, right yeah,

0:36:46.280 --> 0:36:48.680
<v Speaker 1>and this technical Oregonmy from what I could gather, is

0:36:48.800 --> 0:36:52.279
<v Speaker 1>this just the worksheets that you get sort of the

0:36:52.320 --> 0:36:57.960
<v Speaker 1>how to? Or is yourn actual style. It's it's kind

0:36:58.000 --> 0:37:00.560
<v Speaker 1>of both. So I think that that's thing about the

0:37:00.640 --> 0:37:03.800
<v Speaker 1>style is that the work she's the diagrams are not

0:37:04.080 --> 0:37:07.520
<v Speaker 1>step by step. It is a picture of the paper

0:37:08.440 --> 0:37:11.759
<v Speaker 1>with every fold in it. But it's like if you

0:37:11.880 --> 0:37:15.279
<v Speaker 1>went through the whole process of making this incredibly detailed,

0:37:15.800 --> 0:37:20.279
<v Speaker 1>very technically precise or a gami shape, and then unfolded

0:37:20.320 --> 0:37:22.560
<v Speaker 1>it but left all the creases in there and then

0:37:22.600 --> 0:37:24.759
<v Speaker 1>took a picture of that. That's what the diagram is.

0:37:25.160 --> 0:37:28.839
<v Speaker 1>But that doesn't say which one to do first. Which

0:37:29.040 --> 0:37:32.000
<v Speaker 1>which I find very unnerving because that means that there

0:37:32.040 --> 0:37:33.759
<v Speaker 1>are people out there who can look at that and

0:37:33.880 --> 0:37:36.239
<v Speaker 1>tell how to do it. It's just by looking at that.

0:37:37.160 --> 0:37:40.520
<v Speaker 1>And so in that UM that documentary Between the Folds,

0:37:40.960 --> 0:37:42.839
<v Speaker 1>this is made back in two thousand and eight, I think,

0:37:43.239 --> 0:37:47.239
<v Speaker 1>but they really kind of documented this tension between this

0:37:47.520 --> 0:37:51.160
<v Speaker 1>push toward more and more technical or a gami and

0:37:51.239 --> 0:37:54.240
<v Speaker 1>paper folding that's just pushing the limits and the boundaries

0:37:54.280 --> 0:37:57.160
<v Speaker 1>of like what can you possibly do? UM that it

0:37:57.239 --> 0:37:59.880
<v Speaker 1>started to use like CAD and other computer programs to

0:38:00.040 --> 0:38:03.400
<v Speaker 1>plot out, you know, what what folds you needed to

0:38:03.480 --> 0:38:06.479
<v Speaker 1>make in what order to make these really technical ones.

0:38:06.960 --> 0:38:09.200
<v Speaker 1>And then on the other side of that, pulling the

0:38:09.280 --> 0:38:11.520
<v Speaker 1>other direction, or the artists who were just like I

0:38:11.680 --> 0:38:14.160
<v Speaker 1>just listened to like my hands and my imagination and

0:38:14.560 --> 0:38:16.759
<v Speaker 1>you know, come up with these new folds and um

0:38:16.840 --> 0:38:20.759
<v Speaker 1>there's this one French artist who makes masks and kind

0:38:20.760 --> 0:38:24.839
<v Speaker 1>of almost Tolkien esque from like a seventies illustrated version

0:38:24.880 --> 0:38:27.560
<v Speaker 1>of like Lord of the Rings maybe, um, like like

0:38:28.000 --> 0:38:30.920
<v Speaker 1>witches and wizards and things like that, and it's very

0:38:31.040 --> 0:38:33.080
<v Speaker 1>like free form and flowing and they're like, you know,

0:38:33.160 --> 0:38:36.160
<v Speaker 1>when you get too technical, you lose like the emotion,

0:38:36.239 --> 0:38:38.400
<v Speaker 1>you lose the art side of it. And then this

0:38:38.480 --> 0:38:42.000
<v Speaker 1>one guy made the case. His name is Long. I

0:38:42.040 --> 0:38:44.000
<v Speaker 1>can't remember his first name, but he's just an amazing

0:38:44.080 --> 0:38:46.720
<v Speaker 1>technical guy. And he said, you know, no, these technical

0:38:46.800 --> 0:38:49.720
<v Speaker 1>people are figuring this out. They're making studies of stuff

0:38:49.800 --> 0:38:52.799
<v Speaker 1>that you could eventually incorporate into larger art. So it's

0:38:52.840 --> 0:38:55.080
<v Speaker 1>good that it's good to have both. Yeah, I don't

0:38:55.080 --> 0:38:57.160
<v Speaker 1>think there's a wrong way. I'm pretty sure his name

0:38:57.200 --> 0:39:00.320
<v Speaker 1>is David Long. Check him out. He's just up to

0:39:00.440 --> 0:39:03.759
<v Speaker 1>some amazing stuff. All right, Well, let's take another break

0:39:04.560 --> 0:39:06.200
<v Speaker 1>and we're gonna come back and finish up with a

0:39:06.239 --> 0:39:08.759
<v Speaker 1>little bit on the kind of paper you might want

0:39:08.760 --> 0:39:10.080
<v Speaker 1>to get if you want to try this out right

0:39:10.200 --> 0:39:41.759
<v Speaker 1>for this, Hey, Chuck, I looked and we did not

0:39:42.000 --> 0:39:44.960
<v Speaker 1>ever do an episode on paper, unless we named it

0:39:45.000 --> 0:39:49.240
<v Speaker 1>in a smart alec way too. Uh, what you're writing

0:39:49.280 --> 0:39:55.279
<v Speaker 1>on We did toilet paper? Do you want sure? And

0:39:55.440 --> 0:39:58.840
<v Speaker 1>I think that'd be interestingly. We did one on grass.

0:39:58.960 --> 0:40:02.360
<v Speaker 1>We can do one on paper. Oh absolutely. Uh. And paper,

0:40:02.480 --> 0:40:04.880
<v Speaker 1>like we said, is what you want to buy if

0:40:04.920 --> 0:40:09.080
<v Speaker 1>you want to start practicing origami and kami or coit

0:40:09.160 --> 0:40:11.880
<v Speaker 1>paper is if you if you're not just you know,

0:40:11.880 --> 0:40:13.400
<v Speaker 1>if you want to step it up from just copy

0:40:13.480 --> 0:40:15.719
<v Speaker 1>paper or something like that, and you go to an

0:40:15.800 --> 0:40:18.400
<v Speaker 1>art supply store, this is a good place to start.

0:40:19.080 --> 0:40:23.000
<v Speaker 1>It is designed for origami and paper folding. It is

0:40:23.120 --> 0:40:26.560
<v Speaker 1>very crisp, very thin, holds its shape really well, very

0:40:26.600 --> 0:40:30.520
<v Speaker 1>easy to fold, and it stays pretty it's pretty robust,

0:40:30.680 --> 0:40:33.040
<v Speaker 1>Like after you fold it, it doesn't you know, it

0:40:33.120 --> 0:40:36.920
<v Speaker 1>stays pretty strong. Yeah. Um, that's that's like if you

0:40:37.000 --> 0:40:39.640
<v Speaker 1>go to a stationary store and you look forward gami paper,

0:40:39.719 --> 0:40:42.279
<v Speaker 1>that's probably what you're gonna get, is that comi paper. Yeah.

0:40:42.320 --> 0:40:45.680
<v Speaker 1>I might have a nice pattern on it. Uh, usually square,

0:40:46.360 --> 0:40:47.920
<v Speaker 1>and you can get it in different sizes from like

0:40:48.000 --> 0:40:52.600
<v Speaker 1>sticky note size to the Granddaddy's size. Yeah. Um, there's

0:40:52.920 --> 0:40:55.880
<v Speaker 1>there's Uh. There's also another kind of paper called washy

0:40:56.600 --> 0:41:03.759
<v Speaker 1>um that is this um. It's like thicker, obviously handmade.

0:41:03.840 --> 0:41:06.960
<v Speaker 1>It might still have some of the the grains from

0:41:07.000 --> 0:41:10.920
<v Speaker 1>the pulp still mashed into it. Um, and it is

0:41:11.120 --> 0:41:14.320
<v Speaker 1>much harder to fold and keep like a tight crease in.

0:41:14.840 --> 0:41:18.759
<v Speaker 1>But it's much better for using when you're when you're

0:41:18.800 --> 0:41:21.239
<v Speaker 1>doing like wet folding technique, which is where you don't

0:41:21.239 --> 0:41:23.240
<v Speaker 1>know if we ever said you damp in the paper.

0:41:23.280 --> 0:41:24.640
<v Speaker 1>You don't get it wet, but you damp in it

0:41:24.760 --> 0:41:28.359
<v Speaker 1>so that it it folds more than creases, and then

0:41:28.400 --> 0:41:31.640
<v Speaker 1>it'll hold that shape as it dries to Yeah. And

0:41:31.760 --> 0:41:34.560
<v Speaker 1>it said in the article, which by the way, came

0:41:34.600 --> 0:41:37.399
<v Speaker 1>from house stuff works dot com or world website, um,

0:41:37.520 --> 0:41:39.880
<v Speaker 1>that it's very costly. And I looked it up and

0:41:39.960 --> 0:41:42.000
<v Speaker 1>I saw some and and and it seems to me

0:41:42.120 --> 0:41:44.799
<v Speaker 1>like you can't like if you want washy, it's coming

0:41:44.880 --> 0:41:47.200
<v Speaker 1>from Japan. I saw some stuff on Amazon that they

0:41:47.239 --> 0:41:51.239
<v Speaker 1>call washy paper, but it is not washy, but it

0:41:52.320 --> 0:41:56.000
<v Speaker 1>it's more witchy than washy, alright dad, um. And it

0:41:56.160 --> 0:42:00.520
<v Speaker 1>was fifty bucks for a role that was sixty inches

0:42:00.840 --> 0:42:04.440
<v Speaker 1>by thirty two feet though, which is okay. Um, Like

0:42:04.520 --> 0:42:06.120
<v Speaker 1>fifty bucks is a lot of money for paper, but

0:42:06.239 --> 0:42:08.319
<v Speaker 1>thirty two ft it's nothing. You know, that's a lot

0:42:08.360 --> 0:42:11.680
<v Speaker 1>of paper. Sure, yeah, that's nothing. That's a pretty good

0:42:11.719 --> 0:42:16.760
<v Speaker 1>price on washy. That's what I thought. You're just turning

0:42:16.760 --> 0:42:20.560
<v Speaker 1>into granddad. Yeah, for my glasses. And I said that

0:42:21.000 --> 0:42:23.479
<v Speaker 1>what about the foil. That's another thing that I thought

0:42:23.640 --> 0:42:27.560
<v Speaker 1>was cami, But um, there there are two different things. Yeah,

0:42:27.600 --> 0:42:30.400
<v Speaker 1>that's it's so often called Japanese foil. It's just paper

0:42:30.520 --> 0:42:32.560
<v Speaker 1>with a foil backing on one side, and the foil

0:42:32.719 --> 0:42:35.359
<v Speaker 1>comes in different colors, so it can really make your

0:42:35.360 --> 0:42:39.040
<v Speaker 1>origami paper cream pop. Yeah, and you can bake cookies

0:42:39.080 --> 0:42:41.320
<v Speaker 1>on it when you're done. And you said something earlier

0:42:41.360 --> 0:42:44.080
<v Speaker 1>about how um kami might have like a pattern on

0:42:44.239 --> 0:42:46.160
<v Speaker 1>one side, or one color on one side one color

0:42:46.239 --> 0:42:49.080
<v Speaker 1>on another side. Um, that actually fools a lot of

0:42:49.120 --> 0:42:52.160
<v Speaker 1>people into thinking that they're looking at an origami model

0:42:52.239 --> 0:42:54.840
<v Speaker 1>that's made from more than one type of paper, but

0:42:54.920 --> 0:42:58.920
<v Speaker 1>it's actually just two sided paper that's just still one sheet.

0:42:59.239 --> 0:43:01.960
<v Speaker 1>Like just just remember this when you're inevitably going and

0:43:02.040 --> 0:43:06.000
<v Speaker 1>looking at pictures of origami today. Uh, most of that

0:43:06.280 --> 0:43:10.640
<v Speaker 1>is just one big or small sheet of paper. Uh.

0:43:10.760 --> 0:43:13.399
<v Speaker 1>And the other cool thing here at the end, which

0:43:13.440 --> 0:43:16.160
<v Speaker 1>I think we should mention, and this is very very neat,

0:43:16.320 --> 0:43:18.759
<v Speaker 1>is it is art and it is a hobby and

0:43:18.840 --> 0:43:22.360
<v Speaker 1>it is in like, but it has practical applications in

0:43:22.480 --> 0:43:25.719
<v Speaker 1>the world at large. Um Like, when you think about

0:43:25.800 --> 0:43:30.040
<v Speaker 1>manufacturing things that need to be folded into a small space,

0:43:30.840 --> 0:43:34.600
<v Speaker 1>where better to look than an origami master to say, like, hey,

0:43:34.680 --> 0:43:36.719
<v Speaker 1>how would you fold this air bag into this thing

0:43:37.840 --> 0:43:40.239
<v Speaker 1>or this solar array? Like, how can we make this

0:43:40.440 --> 0:43:44.480
<v Speaker 1>large thing small? Even if only for packaging? And Yoshi's

0:43:44.520 --> 0:43:48.239
<v Speaker 1>I was like, I've died, leave me alone. I've given up.

0:43:49.840 --> 0:43:53.680
<v Speaker 1>Didn't I tell you I hated money? Right? But what

0:43:53.840 --> 0:43:57.200
<v Speaker 1>about ten tho dollars? Is that the magic number for him?

0:43:57.360 --> 0:44:00.480
<v Speaker 1>I guess so everybody's got a price, even you shoes out.

0:44:01.200 --> 0:44:03.719
<v Speaker 1>Uh and Oregony is great for the classroom for younger

0:44:03.840 --> 0:44:07.359
<v Speaker 1>kids to help teach geometry and stuff like that, really

0:44:07.440 --> 0:44:10.319
<v Speaker 1>really good stuff. Um. I got one more sweet Yumi

0:44:10.440 --> 0:44:14.280
<v Speaker 1>story um with Origami. Her her dad is in the hospital,

0:44:14.360 --> 0:44:16.400
<v Speaker 1>has been for a while, and he was an ICEU

0:44:16.520 --> 0:44:19.560
<v Speaker 1>for a little while, and thanks to COVID, we couldn't visit,

0:44:19.800 --> 0:44:22.640
<v Speaker 1>and we couldn't even send flowers like they were super

0:44:23.040 --> 0:44:26.880
<v Speaker 1>on lockdown trying to keep everything out. So um, she

0:44:27.080 --> 0:44:29.680
<v Speaker 1>folded some paper flowers and sent them to him, and

0:44:29.760 --> 0:44:32.560
<v Speaker 1>he had him on his bedside, at his bedside with him,

0:44:32.800 --> 0:44:36.600
<v Speaker 1>which he said he credits for helping him get well.

0:44:36.640 --> 0:44:39.239
<v Speaker 1>And that's amazing and they allowed that. Huh they did

0:44:39.719 --> 0:44:43.920
<v Speaker 1>no flowers, but paper flowers is okay. Interesting folded by

0:44:44.040 --> 0:44:47.680
<v Speaker 1>human hands exactly, very clean human hands. I can assure

0:44:47.719 --> 0:44:50.680
<v Speaker 1>you sure. I mean, I'm glad they allowed it. That's great. So,

0:44:51.320 --> 0:44:53.680
<v Speaker 1>by the way, Bob, we're wishing you here stuff you

0:44:53.680 --> 0:44:56.680
<v Speaker 1>should know, a good and healthy recovery, and we'll see

0:44:56.719 --> 0:45:01.400
<v Speaker 1>you home soon. Thanks Chuck. If you guys want to

0:45:01.440 --> 0:45:04.719
<v Speaker 1>know more about origami, you can start looking it up.

0:45:04.840 --> 0:45:07.080
<v Speaker 1>Get yourself some paper. That's another thing we said that

0:45:07.080 --> 0:45:08.600
<v Speaker 1>I think we should point out you don't have to

0:45:08.640 --> 0:45:12.200
<v Speaker 1>have kami or washy or foil or anything like that.

0:45:12.680 --> 0:45:14.879
<v Speaker 1>You can just you can use copy paper to start

0:45:14.920 --> 0:45:17.600
<v Speaker 1>if you want whatever is handy. Um, just go ahead

0:45:17.600 --> 0:45:19.759
<v Speaker 1>and have some fun with it. That's the point. Have

0:45:20.040 --> 0:45:22.680
<v Speaker 1>some fun. Uh. And since I said have some fun,

0:45:22.760 --> 0:45:29.080
<v Speaker 1>it's time for listener mail. I'm gonna call this sexy sneeze.

0:45:29.760 --> 0:45:31.440
<v Speaker 1>Remember when we talked a little bit at the end

0:45:31.480 --> 0:45:35.759
<v Speaker 1>of the Sneezing episode about sneezes being linked to orgasms

0:45:35.840 --> 0:45:39.920
<v Speaker 1>and and sexual pleasure, Yeah, and arousal. Yes, Well we

0:45:40.000 --> 0:45:43.040
<v Speaker 1>heard from Darcy about that. She said, Hey, guys, have

0:45:43.120 --> 0:45:46.560
<v Speaker 1>an avid listener, been listening to all of your episodes,

0:45:46.640 --> 0:45:48.520
<v Speaker 1>and this is the first time I've ever thought I

0:45:48.560 --> 0:45:51.520
<v Speaker 1>really should send them an email. About this. I'm trying

0:45:51.520 --> 0:45:54.480
<v Speaker 1>to keep it family friendly. But in your discussion, uh,

0:45:54.840 --> 0:45:59.439
<v Speaker 1>during sneezing was sneezing when becoming sexually aroused. In my case,

0:45:59.600 --> 0:46:02.600
<v Speaker 1>my no is becomes very running, and I often do

0:46:02.760 --> 0:46:06.799
<v Speaker 1>the my nose is running sniff thing during amorous activities.

0:46:07.680 --> 0:46:09.640
<v Speaker 1>I don't always end up sneezing, but I can tell

0:46:09.680 --> 0:46:12.160
<v Speaker 1>you that there's a direct link in my body from

0:46:12.239 --> 0:46:16.799
<v Speaker 1>my nose to other areas. And she said the uncensored

0:46:16.960 --> 0:46:19.399
<v Speaker 1>version is I know it's been a good time when

0:46:19.440 --> 0:46:22.960
<v Speaker 1>my nose starts running. Anyway, I just wanted to share

0:46:23.000 --> 0:46:25.880
<v Speaker 1>my experience. Keep on finding stuff to talk about and

0:46:25.880 --> 0:46:28.160
<v Speaker 1>now keep listening. And that is from Darcy. And she

0:46:28.280 --> 0:46:30.560
<v Speaker 1>did say I could read this and just use her

0:46:30.560 --> 0:46:33.360
<v Speaker 1>first name. Thanks a lot, Darcy. That's very brave of you.

0:46:33.560 --> 0:46:36.360
<v Speaker 1>You're not even in an internet chat room and you're admitted.

0:46:36.520 --> 0:46:39.520
<v Speaker 1>And that's right way to get interesting stuff. It really is.

0:46:40.120 --> 0:46:41.960
<v Speaker 1>If you want to be like Darcy and right in

0:46:42.080 --> 0:46:44.880
<v Speaker 1>something interesting about yourself, we want to hear it. You

0:46:45.000 --> 0:46:47.960
<v Speaker 1>can send it off to Stuff podcast at iHeart radio

0:46:48.160 --> 0:46:53.320
<v Speaker 1>dot com. Stuff you Should Know is a production of

0:46:53.400 --> 0:46:56.120
<v Speaker 1>iHeart Radios. How Stuff Works For more podcasts for my

0:46:56.200 --> 0:46:58.840
<v Speaker 1>heart Radio because at the iHeart Radio app. Apple podcasts

0:46:58.880 --> 0:47:00.640
<v Speaker 1>are wherever you listen to your favorite ships.