WEBVTT - Legally Blonde

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<v Speaker 1>Hello, and welcome to the Bechdel Cast. My name is

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<v Speaker 1>Jamie Loftus, my name is Caitlin Darante, and welcome to

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<v Speaker 1>a very special episode of the beck Doel Cast. We

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<v Speaker 1>have a little treat for you today, So if if

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<v Speaker 1>you're new to the show, we'll catch you up in

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<v Speaker 1>a second. But for for our loyal listeners, um, we

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<v Speaker 1>are unlocking a much demanded episode of the Bechtel Cast

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<v Speaker 1>today from our patreon ak Matreon page. So what you're

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<v Speaker 1>going to here today is an episode that people who

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<v Speaker 1>do not subscribe to our Patreon have been asking for

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<v Speaker 1>us for years and all of our matrons have been

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<v Speaker 1>sneakily enjoying for a long time. But it's the Legally

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<v Speaker 1>Blond episode. Yes, we recorded and released this quite some

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<v Speaker 1>time ago. I think it's around two yeah, two years

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<v Speaker 1>ago at least, So it's one of our older episodes

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<v Speaker 1>and it's been it's been behind the paywall, but we decided, hey,

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<v Speaker 1>we could use a break now more than ever, and yeah,

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<v Speaker 1>what a what a delightful movie and episode to share

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<v Speaker 1>with people, So we we decided to share. It's unlocked. Yeah,

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<v Speaker 1>so it's it's unlocked, And if you like this episode,

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<v Speaker 1>and you're not already a matron, it will hopefully give

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<v Speaker 1>you an idea of what our Matreon episodes are like.

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<v Speaker 1>They're a little looser, they're fun. We don't have to

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<v Speaker 1>go into all the detail about explaining what the Bechtel

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<v Speaker 1>test is. You already know. If you're a matron, we're

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<v Speaker 1>just like you got it. But but if you if

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<v Speaker 1>this is your first episode, interesting choice of first episode,

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<v Speaker 1>but we will get you caught up, so we since

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<v Speaker 1>we don't introduce it this way in in the episode,

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<v Speaker 1>we're unlocking. The Bechtel test is a media metric invented

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<v Speaker 1>by cartoonist Alice and Bechtel, sometimes called the Bechtel Wallace test,

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<v Speaker 1>that requires uh piece of media have the following qualifications

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<v Speaker 1>that it has an exchange in which too female identified

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<v Speaker 1>named characters talk to each other about something other than

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<v Speaker 1>a man for two lines of dialogue. Does it usually happen?

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<v Speaker 1>Not so much, But today's movie might fare a little

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<v Speaker 1>bit better than normal. Jamie, can we demonstrate the Bectal

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<v Speaker 1>test and how how one might love? Okay, Hey Jamie,

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<v Speaker 1>Hey Caitlin, would you join me in a little bend

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<v Speaker 1>and snap choreographed move with me? Today. This is a

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<v Speaker 1>polite way to refer to would you care to engage

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<v Speaker 1>in a bit of a bend and then immediately followed

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<v Speaker 1>by a snap, uh, well yes, Caitlin, I would love that. Oh,

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<v Speaker 1>thank you so much. We're gonna have to do it

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<v Speaker 1>separately in separate rooms because we were still social disting,

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<v Speaker 1>of course, but I think that would be a nice

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<v Speaker 1>little activity for us to make us feel closer together.

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<v Speaker 1>A man baby a woman A wow, look at her

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<v Speaker 1>challenging the status quo, changing the world as we know it,

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<v Speaker 1>eld boss Um. Uh yeah, so so we're we're excited

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<v Speaker 1>to be unlocking this episode for your enjoyment. If you

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<v Speaker 1>enjoy it, Like Caitlin was saying, check out our Matreon

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<v Speaker 1>It's patreon dot com slash Bechtel Cast. It's five bucks

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<v Speaker 1>a month and you get two extra full blown bonus

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<v Speaker 1>episodes of the Bechtel Cast a month, and it's it's

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<v Speaker 1>a little casual, and it's also we tend to do

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<v Speaker 1>less popular movies there maybe stuff that's a little more

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<v Speaker 1>niche uh little it's in the episodes are just they're

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<v Speaker 1>just silly, fun stuff. And also there's an episode on

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<v Speaker 1>doubt in there. What's your weight? What's your favorite Matreon

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<v Speaker 1>episode outside of this one? Because this is this is

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<v Speaker 1>a quite good one if if you don't mind my

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<v Speaker 1>saying so, I agree. Um, oh my goodness. I love

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<v Speaker 1>our Christmas Prints episodes. Yes, there's never a bad time

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<v Speaker 1>for it. We also have extra Titanic episodes over there

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<v Speaker 1>if you if you could have possibly needed one, they're there. Uh.

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<v Speaker 1>We just have a lot of fun stuff. The frame

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<v Speaker 1>Roger rabbits over there, into the Spider verses over there. Um,

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<v Speaker 1>we've got oh and we One of my favorite things

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<v Speaker 1>about the Matreon is we do absurd themes such as

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<v Speaker 1>Zach Martron. We've got Pegentuary, We've got um Portman July,

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<v Speaker 1>Portman July, which we did not observe in July, but

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<v Speaker 1>we did do America July. We did Share Share March, yes,

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<v Speaker 1>Share March recently. And and it's a nice place. It's

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<v Speaker 1>the Also, the community on the Matreon is really lovely,

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<v Speaker 1>and I mean we have the greatest fans on every feed,

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<v Speaker 1>but it's a very wholesome, lovely place to be and

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<v Speaker 1>you get I think over fifty additional full blown episodes

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<v Speaker 1>of the Bechtel Cast. When you sign up. Yeah, I

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<v Speaker 1>think we're close to, if not exceeded, sixty. So you

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<v Speaker 1>you you get access to the entire catalog when you

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<v Speaker 1>join the Matreon now, so now's the time if you're able.

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<v Speaker 1>Highly encourage, highly recommend. Freaky Friday. That was a fun one.

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<v Speaker 1>Oh yeah. We did Ghost Months, which in which we

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<v Speaker 1>did not cover the movie ghost because we already did

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<v Speaker 1>that on the main feed with Nicole Buyer, of course.

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<v Speaker 1>But we did the original Ghostbusters movie from eight four

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<v Speaker 1>or whatever, and then we did the all female reboot,

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<v Speaker 1>did Pregnancy June. All of our themes are the worst,

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<v Speaker 1>but in the best way, and you have to you know,

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<v Speaker 1>we highly recommend you join the community because it's really

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<v Speaker 1>really fun. Yes, without further ado, please enjoy this very

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<v Speaker 1>special unlocked episode legally Blonde. On the Doe Cast, the

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<v Speaker 1>questions asked if movies have women in them? Are all

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<v Speaker 1>their discussions just boyfriends and husbands? Do they have individualism?

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<v Speaker 1>The patriarchy? Zef invest start changing it with the beck

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<v Speaker 1>Del Cast. It's a bonus episode of the Bedel Cast.

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<v Speaker 1>Is a bonus episode of cast. I think we should

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<v Speaker 1>address what's happening here first, so we released two. This

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<v Speaker 1>is a Matreon Patreon only episode of the Betel Cast.

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<v Speaker 1>We were locked and loaded a month in advance with

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<v Speaker 1>two bonus episodes for this month, and then realized that

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<v Speaker 1>our doubling down on Titanic, that was the original plan.

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<v Speaker 1>Maybe someday we'll release some of the moments they hit

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<v Speaker 1>the cutting room floor, but all together we came to

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<v Speaker 1>the conclusion that both covering the same movie, particularly covering

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<v Speaker 1>the same movie well pretty aggressively drunk, was not the

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<v Speaker 1>premium content that you subscribed to the podcast, right. I

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<v Speaker 1>went back and listen to that title, the second title,

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<v Speaker 1>it is a disaster, and that not good. It's okay. Well,

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<v Speaker 1>just just to give ourselves a pat on the back,

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<v Speaker 1>we reconvene. We replanned, we both had a bad feeling

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<v Speaker 1>that we were both two drunk and to saying the

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<v Speaker 1>exact same things, which is that we Likeditanic over and over,

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<v Speaker 1>and we've come back with a clear mind and a

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<v Speaker 1>full heart. I'm sober, although I'm sick. I don't know

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<v Speaker 1>if you can hear it in my voice, but I

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<v Speaker 1>do not feel well. I've had two beers. I'm I'm,

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<v Speaker 1>I'm it's vacation. Jamie has been activated. She hasn't been

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<v Speaker 1>around for literally a full calendar year. Everyone's going to

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<v Speaker 1>have to deal with it. But we are. We are

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<v Speaker 1>fully prepared for today's episode, which is on Legally Blood.

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<v Speaker 1>We just watched it together. We are in Caitlin's bed.

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<v Speaker 1>I feel like that's the bonus episode way kind of. Yeah,

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<v Speaker 1>it's like the audio is always a little worse and

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<v Speaker 1>we are sitting in my bed recording on my iPhone.

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<v Speaker 1>It's we shouldn't tell them that. I mean, we have

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<v Speaker 1>really good equipment. Everywhere we go. We're swamped with the

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<v Speaker 1>finest of microphone as though. I like the reason that

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<v Speaker 1>we're in the bed. And then it's like maybe people

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<v Speaker 1>were like maybe Aristotle is also in the bed. It

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<v Speaker 1>chased in to the bed. Anyways, all I had to

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<v Speaker 1>say we are recording and releasing us on a rather

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<v Speaker 1>tight turned around because we were so prepared that we

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<v Speaker 1>got drunk and did a bad job. But I feel

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<v Speaker 1>good about this episode. We both have a wealth of notes.

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<v Speaker 1>So what is your history with Legally Blonde? Legally Blonde?

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<v Speaker 1>I believe so this movie came out in No One.

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<v Speaker 1>I was too young to see this movie when it

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<v Speaker 1>came out. For sure, I think I saw it at

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<v Speaker 1>some point. My friend in middle school I think, had

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<v Speaker 1>a copy of it and we watched it as sleep over,

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<v Speaker 1>and then I think I saw it again in high

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<v Speaker 1>school and possibly again. I feel like I've seen this

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<v Speaker 1>movie maybe three times. Like I'm pretty I know the

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<v Speaker 1>general beats of it, but there was a lot of

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<v Speaker 1>details that I forgot. I liked this movie. I remember

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<v Speaker 1>liking it, and I think like this was one of

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<v Speaker 1>those viewing experiences that I was like kind of lunching

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<v Speaker 1>my butt a little bit because I was like, oh,

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<v Speaker 1>I hope that this movie was as fun as I

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<v Speaker 1>remember it being, which generally I think it was generally. Yeah. Yes,

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<v Speaker 1>I went for many, many years without seeing this movie.

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<v Speaker 1>I didn't see it until I was a grad student

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<v Speaker 1>at Boston University where I was getting my masters in screenwriting.

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<v Speaker 1>I don't like to bring it up, but I'll be

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<v Speaker 1>goddamn classmate of mind did a project on Legally Blonde.

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<v Speaker 1>I was like, well, I guess I got to see it,

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<v Speaker 1>and I think I didn't necessarily avoid it for so long,

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<v Speaker 1>but I didn't actively seek it out because it's the

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<v Speaker 1>type of movie that doesn't really appeal to my sensibilities. Well, yeah,

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<v Speaker 1>I've given your his I mean, I'm surprised that I

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<v Speaker 1>wasn't more into Llegally Blond. I think it was just

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<v Speaker 1>like I wasn't the right age when it came out. Sure, yeah,

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<v Speaker 1>because I would. I would have been very intellgally Blond

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<v Speaker 1>if I had been old enough to see it when

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<v Speaker 1>it was released. That makes sense. Yeah, Yeah, generally it's

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<v Speaker 1>a fun movie. I'm trying to think of movies that

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<v Speaker 1>we have covered. I think Mean Girls as the main

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<v Speaker 1>one that jumps to mind of Like, I'm very leary

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<v Speaker 1>of covering movies that, you know, it's like I try

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<v Speaker 1>try to read sort of what's been written about the movie,

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<v Speaker 1>especially in regards to gender based topics. But this is

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<v Speaker 1>one of those movies where there's five million clickbit articles

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<v Speaker 1>about why Legally Blonde it's a feminist masterpiece. And I'm

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<v Speaker 1>always extremely leary of movies that have a million listicles

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<v Speaker 1>written about what a feminist masterpiece it is, because usually

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<v Speaker 1>that means that there is a fundamental issue, because a

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<v Speaker 1>lot of quote unquote feminist masterpieces have to do with

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<v Speaker 1>like this is feminism that's palatable for a wide audience,

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<v Speaker 1>as opposed to that said, I still think the movie

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<v Speaker 1>does pretty well. That's I have not read any of those.

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<v Speaker 1>I've read a lot of them. I mean, mean girls,

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<v Speaker 1>there's a billion of them. And then there's some about

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<v Speaker 1>specific characters like Lydia Diets in feministic Beetlejuice, there's a

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<v Speaker 1>million listicles every fucking Halloween about how she's a feminist

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<v Speaker 1>icon when she's right and she's not because beetle Juices.

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<v Speaker 1>Sometimes they pick the only because feminist icon. I know.

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<v Speaker 1>I was like, dude, why are you not reacting to

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<v Speaker 1>be amazing shows vacation, Jamie's cards are lowered, her friends

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<v Speaker 1>operating lower, and you've also you've played it so straight. Yeah,

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<v Speaker 1>obviously beetle Juices. Beetle Juice is the only feminist icon

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<v Speaker 1>in the movie. But but all I have to say,

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<v Speaker 1>listical feminism is stupid. And I'll say for the five

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<v Speaker 1>trillionth time, even though they'll still write up some of

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<v Speaker 1>my ship every once in a while, Bustle can kiss

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<v Speaker 1>my ass. In terms of like corporate palatable feminism funded

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<v Speaker 1>pie a male's hedge fund, so like, it's a tricky

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<v Speaker 1>but again, legally blonde most does well. Okay, I'm done, Okay,

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<v Speaker 1>got it? Shall I do the recap? Let's okay. L

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<v Speaker 1>Woods is a sorority sister. In her senior year of college,

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<v Speaker 1>she caught what is it, Delta New or I don't

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<v Speaker 1>even know what the night I don't know. She she

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<v Speaker 1>goes to a I think it's like c U l A,

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<v Speaker 1>which is basically U l Ala. She basically is the

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<v Speaker 1>U c l A. Yeah, a good school. So she

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<v Speaker 1>is about to graduate. She has a boyfriend named Warner,

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<v Speaker 1>who she thinks it's about to propose to her, and

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<v Speaker 1>she's very excited about it, and all of her sorority

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<v Speaker 1>sisters are very excited that she's about to be proposed to,

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<v Speaker 1>but turns out he takes her to dinner to instead

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<v Speaker 1>break up with her because he's like, I'm going to

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<v Speaker 1>Harvard Law School. He says something the ef fact that like,

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<v Speaker 1>I needed Jackie and you're Maryland basically yeah, it's like

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<v Speaker 1>you're like he views her. He views her, even though

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<v Speaker 1>we know very early on in the movie she has

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<v Speaker 1>a four point of g p A at Coula. We

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<v Speaker 1>don't on how hard that is, but she has one.

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<v Speaker 1>She has the highest g p A in her sorority.

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<v Speaker 1>We hear a lot of this, but yeah, he's looking

0:13:06.880 --> 0:13:09.920
<v Speaker 1>for a convince. He's looking for an East Coast elite, right.

0:13:10.000 --> 0:13:12.440
<v Speaker 1>He doesn't take her seriously. She's like, you know, I

0:13:12.480 --> 0:13:15.800
<v Speaker 1>need someone serious, and I just this has been fun,

0:13:15.920 --> 0:13:20.800
<v Speaker 1>but I cannot take you seriously. So she's devastated, and

0:13:20.880 --> 0:13:25.199
<v Speaker 1>she decides that in order to earn his love back

0:13:25.440 --> 0:13:28.560
<v Speaker 1>and prove that she is worthy of his love, she's

0:13:28.640 --> 0:13:32.160
<v Speaker 1>also going to go to Harvard Law School. We will

0:13:32.520 --> 0:13:38.520
<v Speaker 1>get into this because Warner, while the worst across the board,

0:13:39.000 --> 0:13:41.760
<v Speaker 1>has the right to break up with someone, even if

0:13:41.760 --> 0:13:44.080
<v Speaker 1>it's for a shitty reason. Everyone has the right to

0:13:44.120 --> 0:13:48.000
<v Speaker 1>break up with anyone else. That is just something that

0:13:48.080 --> 0:13:50.760
<v Speaker 1>they do not tell you for some reason. That sometimes

0:13:50.760 --> 0:13:52.040
<v Speaker 1>if someone says I don't want to be in a

0:13:52.080 --> 0:13:54.120
<v Speaker 1>relationship with you anymore, you have to be like, well,

0:13:54.200 --> 0:13:58.880
<v Speaker 1>I don't feel great about that, but okay, like anyways, Yes,

0:13:59.120 --> 0:14:00.959
<v Speaker 1>that is a fun to my till issue with this movie,

0:14:01.360 --> 0:14:05.480
<v Speaker 1>and so is her behavior after that, where she basically

0:14:05.720 --> 0:14:10.560
<v Speaker 1>shapes her entire future around essentially stalking him to try

0:14:10.600 --> 0:14:14.360
<v Speaker 1>to win him back. It's not essentially following him, you know,

0:14:14.840 --> 0:14:16.800
<v Speaker 1>but we'll get there. So she does. She does put

0:14:16.800 --> 0:14:19.440
<v Speaker 1>in the work to study Ford and take the l

0:14:19.520 --> 0:14:24.360
<v Speaker 1>sads and you know, do this video and the video

0:14:24.440 --> 0:14:28.200
<v Speaker 1>essay is iconic. Directed by a Coppola week later in

0:14:28.240 --> 0:14:30.960
<v Speaker 1>the movie possibly Sophia, we don't know. I don't know.

0:14:31.240 --> 0:14:33.560
<v Speaker 1>She would later go on to direct the worst movie

0:14:33.560 --> 0:14:36.080
<v Speaker 1>I've ever seen, The Big Guy Old, you're being dramatic.

0:14:37.600 --> 0:14:40.160
<v Speaker 1>But she puts in all the work and she manages

0:14:40.200 --> 0:14:43.200
<v Speaker 1>to get accepted to Harvard Law School. And so she

0:14:43.280 --> 0:14:45.880
<v Speaker 1>shows up and on the first day she's like, hi,

0:14:46.040 --> 0:14:48.880
<v Speaker 1>Warner and he's like, oh, what are you doing here? Again?

0:14:49.120 --> 0:14:52.800
<v Speaker 1>Totally fair reaction. This movie would have you believe the

0:14:52.800 --> 0:14:57.240
<v Speaker 1>opposite of like, yeah, of course she's here, Like whatever. Anyways, Well,

0:14:57.320 --> 0:15:01.360
<v Speaker 1>I mean so many movies depict like a romantic pursuit

0:15:02.040 --> 0:15:07.360
<v Speaker 1>in the worst possible ways. So just hang around long enough,

0:15:07.520 --> 0:15:10.880
<v Speaker 1>like yeah, just wear them down until they agree to

0:15:10.880 --> 0:15:13.040
<v Speaker 1>be in love with you. To wear them down. Narrative

0:15:13.280 --> 0:15:17.320
<v Speaker 1>is honestly terrible. But sometimes I'm like, maybe there's something

0:15:17.360 --> 0:15:21.160
<v Speaker 1>to this, but there I guess what, there's not, you know, Okay, Sorry,

0:15:22.360 --> 0:15:25.440
<v Speaker 1>So she's like, yeah, I'm here, and you know, I'm

0:15:25.480 --> 0:15:28.720
<v Speaker 1>showing you that I can be taken seriously. But she

0:15:28.800 --> 0:15:32.440
<v Speaker 1>immediately learned that he over the summer has gotten engaged

0:15:32.520 --> 0:15:37.360
<v Speaker 1>to Vivian the Jackie that he was looking for Vivian

0:15:38.040 --> 0:15:43.880
<v Speaker 1>van Hula or whatever. Yeah, Kensington or something like that. Kensington,

0:15:46.080 --> 0:15:49.040
<v Speaker 1>And she's played by Samma Blair and hot. She's a

0:15:49.080 --> 0:15:54.520
<v Speaker 1>little be at first, but so a huge be at first,

0:15:55.600 --> 0:15:58.160
<v Speaker 1>to a comical degree that I would argue does not

0:15:58.240 --> 0:16:03.200
<v Speaker 1>make narrative sense. Anyways, continued agreed. So then she's like, Okay, well,

0:16:03.280 --> 0:16:05.880
<v Speaker 1>I will steal him back. Now that's my new plan.

0:16:06.040 --> 0:16:09.480
<v Speaker 1>But that's not her idea. That's Jennifer Coolidge's idea. Yeah,

0:16:10.920 --> 0:16:16.280
<v Speaker 1>Jennifer Coolidge is she not French? Right, So there's this

0:16:16.280 --> 0:16:18.640
<v Speaker 1>whole sequence. So she's like, oh, this is the worst

0:16:18.720 --> 0:16:21.160
<v Speaker 1>day of my life. My one true love is gotten

0:16:21.200 --> 0:16:24.479
<v Speaker 1>engaged to someone else. I have to get a manicure.

0:16:25.080 --> 0:16:28.320
<v Speaker 1>And then Jennifer Coolies like, I did I have a loon?

0:16:32.840 --> 0:16:38.400
<v Speaker 1>Hi Hiish she's you know, listen, she's a fellow Emerson

0:16:38.480 --> 0:16:41.480
<v Speaker 1>Lione and I respect, she's one of our she's our

0:16:41.640 --> 0:16:44.360
<v Speaker 1>God fuck, I fucked that school. I stopped paying their bills.

0:16:44.400 --> 0:16:48.640
<v Speaker 1>But like, also she is one of the esteemed graduates.

0:16:51.280 --> 0:16:55.480
<v Speaker 1>Jenifer Coolish, well, she yeah, she gives l the idea

0:16:55.560 --> 0:16:59.160
<v Speaker 1>that she needs to steal Warner back, so she's like, okay,

0:16:59.160 --> 0:17:01.440
<v Speaker 1>I'll just do that. So then she starts to like

0:17:01.600 --> 0:17:05.800
<v Speaker 1>really take her studies seriously and proved to her classmates

0:17:05.800 --> 0:17:10.160
<v Speaker 1>and her professors that she is smart, because the thing

0:17:10.480 --> 0:17:13.560
<v Speaker 1>about her is that she's like still this you know

0:17:13.960 --> 0:17:19.719
<v Speaker 1>bel Air raised, wealthy, blonde white girl who is very

0:17:19.760 --> 0:17:23.000
<v Speaker 1>privileged and you know, a sorority gal in a very

0:17:23.040 --> 0:17:26.200
<v Speaker 1>stereotypical way where she's like, oh my god, like getting

0:17:26.200 --> 0:17:30.280
<v Speaker 1>into Harvard, what's hard? And no one takes her seriously, right,

0:17:30.840 --> 0:17:35.040
<v Speaker 1>So she's like, I need to do she starts to

0:17:35.280 --> 0:17:37.840
<v Speaker 1>like really buckle down and prove to everyone that she

0:17:38.000 --> 0:17:40.960
<v Speaker 1>is intelligent and she is capable, and in so doing,

0:17:41.040 --> 0:17:44.840
<v Speaker 1>she manages to land an internship with one of her professors,

0:17:45.000 --> 0:17:50.320
<v Speaker 1>Calahan played by Victor Garber, and then that leads hot

0:17:50.359 --> 0:17:55.639
<v Speaker 1>to a storyline where she helps with this murder case

0:17:55.680 --> 0:17:59.600
<v Speaker 1>where one of her former sorority sisters, who like graduated

0:17:59.600 --> 0:18:02.240
<v Speaker 1>a few year ahead of her, is accused of murdering

0:18:02.280 --> 0:18:09.280
<v Speaker 1>her husband, Van Taylor. Sorry, yes, every wealthy woman's name

0:18:09.400 --> 0:18:14.680
<v Speaker 1>is Van Hulu. So because they have this sisterhood L

0:18:14.920 --> 0:18:17.680
<v Speaker 1>and Brooke bond and she's like, yeah, I'm gonna look

0:18:17.680 --> 0:18:22.160
<v Speaker 1>out for you. Meanwhile, Callahan, who ends up being a

0:18:22.240 --> 0:18:26.360
<v Speaker 1>predatory scumbag, is like, I think my client's guilty. I'm

0:18:26.400 --> 0:18:29.520
<v Speaker 1>barely going to help her. And then, to be fair,

0:18:29.960 --> 0:18:33.360
<v Speaker 1>she looks pretty fucking guilty for a while. What does

0:18:33.440 --> 0:18:37.240
<v Speaker 1>guilty look like, Jamie, like standing over her husband's dead

0:18:37.240 --> 0:18:43.080
<v Speaker 1>body covered in his blood. Sure, but anyways, so the

0:18:43.119 --> 0:18:46.439
<v Speaker 1>movie ends with like her helping with this case to

0:18:46.520 --> 0:18:51.679
<v Speaker 1>the point where Brooke fires Callahan after he has like

0:18:51.880 --> 0:18:54.720
<v Speaker 1>groped L and it's been made clear to her several

0:18:54.720 --> 0:18:58.080
<v Speaker 1>times that he does not believe her. Brooke is a

0:18:58.160 --> 0:19:00.240
<v Speaker 1>good character. I like her a lot. Yeah, so she

0:19:00.320 --> 0:19:03.560
<v Speaker 1>fires Callahan. She hires L, who is still only in

0:19:03.560 --> 0:19:06.280
<v Speaker 1>her first year of law school, to defend her in

0:19:06.320 --> 0:19:12.560
<v Speaker 1>this murder case objectively on paper, terrible idea and and

0:19:12.560 --> 0:19:16.400
<v Speaker 1>and as capable and as pro l woods as I am.

0:19:16.440 --> 0:19:19.280
<v Speaker 1>Really a lucky break that she wins the case and

0:19:19.600 --> 0:19:24.359
<v Speaker 1>immediately gets a confession from a Brunette promptly goes to jail.

0:19:25.119 --> 0:19:31.240
<v Speaker 1>I'm not pro sending Brunette's to jail, but sure, I mean,

0:19:31.359 --> 0:19:34.280
<v Speaker 1>maybe it's intentional that she's a brunette. Maybe it's just

0:19:35.040 --> 0:19:38.160
<v Speaker 1>first No, it is for sure, I mean every because

0:19:38.160 --> 0:19:40.320
<v Speaker 1>there are barely any women of color in this movie.

0:19:40.640 --> 0:19:43.240
<v Speaker 1>The way that the movie indicates don't root for this

0:19:43.280 --> 0:19:47.879
<v Speaker 1>one is with brunette hair. That's literally what happened anyways, Sorry,

0:19:48.160 --> 0:19:51.880
<v Speaker 1>that's true, Jennifer. The characters we are conditioned to root

0:19:51.960 --> 0:19:56.119
<v Speaker 1>for our obviously l Jennifer, Coolidge, Brooke, those are the

0:19:56.160 --> 0:19:59.840
<v Speaker 1>three big ones, and they're all blonde, white and Vivian's

0:20:00.040 --> 0:20:03.560
<v Speaker 1>Arcter who later comes around for Danning. She she has

0:20:03.600 --> 0:20:08.600
<v Speaker 1>front hair. The killer ends up being Burnett, the poorly

0:20:08.640 --> 0:20:11.400
<v Speaker 1>handled gay character in it is also well, I guess

0:20:11.400 --> 0:20:13.879
<v Speaker 1>she's she's got some weird highlights. It's it's unclear what

0:20:13.960 --> 0:20:16.359
<v Speaker 1>her natural hair colors, but I think she's Burnett. Yeah,

0:20:16.400 --> 0:20:20.560
<v Speaker 1>she's got darker hair. Basically, she gets a lucky break

0:20:20.600 --> 0:20:23.320
<v Speaker 1>pretty much, although it's through her like sort of skill

0:20:23.400 --> 0:20:27.000
<v Speaker 1>and deductive reasoning. But she manages to crack the case.

0:20:27.600 --> 0:20:29.920
<v Speaker 1>They win, and everything's great, and she has a dumbline

0:20:29.920 --> 0:20:34.760
<v Speaker 1>where she's like, hair care is essential. Any cosmo girl

0:20:34.800 --> 0:20:38.359
<v Speaker 1>would know that or something like that, and then yeah,

0:20:38.359 --> 0:20:40.880
<v Speaker 1>she wins, and then there's like the graduation. At the end,

0:20:41.080 --> 0:20:43.600
<v Speaker 1>she's like at the top of her class and meanwhile

0:20:43.680 --> 0:20:48.480
<v Speaker 1>Warner sucks. And now she and Vivian are bfs friends,

0:20:48.680 --> 0:20:50.679
<v Speaker 1>which this story does go out of its way to

0:20:50.760 --> 0:20:53.159
<v Speaker 1>be like by the way, they're best friends, and Warner

0:20:53.280 --> 0:20:56.560
<v Speaker 1>ended up alone, which is exciting. I also didn't mention

0:20:56.600 --> 0:21:00.000
<v Speaker 1>at all the sort of romantic subplot, although it doesn't

0:21:00.080 --> 0:21:02.080
<v Speaker 1>really end up being that. Taken to the very end

0:21:02.320 --> 0:21:05.800
<v Speaker 1>with Luke Wilson's character, it's flourte from the beginning and

0:21:05.960 --> 0:21:10.920
<v Speaker 1>a star turn by Luke Wilson's middle part. Lots of

0:21:11.000 --> 0:21:17.080
<v Speaker 1>crazy two one was a big moment for the middle part. Yes, yeah,

0:21:17.560 --> 0:21:19.840
<v Speaker 1>we've got to take a quick break. We've got some

0:21:19.920 --> 0:21:23.320
<v Speaker 1>bending and snapping to do, but then we'll come right back.

0:21:28.960 --> 0:21:32.040
<v Speaker 1>So that's the story, and there is an awful lot

0:21:32.080 --> 0:21:35.120
<v Speaker 1>to unpack. I have pages and pages of notes. Shall

0:21:35.160 --> 0:21:39.760
<v Speaker 1>we go by character or topic? God? Well, this is

0:21:39.760 --> 0:21:41.440
<v Speaker 1>the fun part about the bonus episode. You get to

0:21:41.480 --> 0:21:44.600
<v Speaker 1>hear part of the process, right, So I kind of

0:21:44.640 --> 0:21:48.240
<v Speaker 1>want to start just by saying that I think the

0:21:48.320 --> 0:21:53.200
<v Speaker 1>reason that I'm kind of lukewarm Luke Wilson lukewarm allout

0:21:53.520 --> 0:21:58.480
<v Speaker 1>to a little middle part. I fall in the middle part.

0:22:01.280 --> 0:22:05.120
<v Speaker 1>So the first like to act it's really only like

0:22:05.160 --> 0:22:07.480
<v Speaker 1>an act three of the movie where all of her

0:22:07.520 --> 0:22:11.480
<v Speaker 1>sort of empowerment happens and she turns around and it

0:22:11.560 --> 0:22:14.280
<v Speaker 1>goes from her doing everything that she's doing because she's

0:22:14.320 --> 0:22:19.080
<v Speaker 1>trying to win back her boyfriend and she's entirely motivated

0:22:19.119 --> 0:22:22.840
<v Speaker 1>by proving herself worthy to a man. Well, let's let's

0:22:22.840 --> 0:22:26.440
<v Speaker 1>start with that then, because that is and there's two

0:22:26.520 --> 0:22:29.120
<v Speaker 1>prominent examples that come to mind. I'm sure there's other

0:22:29.160 --> 0:22:31.840
<v Speaker 1>examples that I'm not thinking of, but in regards to

0:22:32.040 --> 0:22:34.280
<v Speaker 1>I mean and there's other there's also examples of the

0:22:34.320 --> 0:22:37.280
<v Speaker 1>opposite of a man chasing a woman in order to

0:22:37.560 --> 0:22:42.479
<v Speaker 1>prove himself and wear her down. But this weird plot,

0:22:42.640 --> 0:22:45.600
<v Speaker 1>which at the beginning of the series Crazy Ex Girlfriend

0:22:45.720 --> 0:22:51.760
<v Speaker 1>duplicates exactly, is like a woman who has been scorned

0:22:51.880 --> 0:22:55.760
<v Speaker 1>or rejected or is feeling very insecure because of a man,

0:22:56.520 --> 0:23:01.080
<v Speaker 1>decides to uproot her entire life in order to relocate

0:23:01.160 --> 0:23:05.240
<v Speaker 1>improve herself to a man, and then in doing so,

0:23:05.440 --> 0:23:10.120
<v Speaker 1>discovers herself in the process. I do not like this

0:23:10.200 --> 0:23:13.320
<v Speaker 1>setup at all, and it really frustrates me because I

0:23:13.400 --> 0:23:16.560
<v Speaker 1>like this movie. But the inciting incident to this movie

0:23:16.720 --> 0:23:20.480
<v Speaker 1>is just like all I it's I don't know, Like

0:23:20.680 --> 0:23:23.720
<v Speaker 1>there's a lot of moments in this movie in particular

0:23:23.760 --> 0:23:28.000
<v Speaker 1>where it's like there are so many seeds for very

0:23:28.160 --> 0:23:32.880
<v Speaker 1>wrong thinking that is being implanted into young girls heads

0:23:32.960 --> 0:23:35.960
<v Speaker 1>that I really don't like of just like, you know,

0:23:36.040 --> 0:23:39.040
<v Speaker 1>the only way to realize your own potential is to

0:23:39.119 --> 0:23:42.679
<v Speaker 1>first be rejected by a man and then change everything

0:23:42.720 --> 0:23:45.199
<v Speaker 1>about you, Like it's almost little Little mermaid e like

0:23:45.280 --> 0:23:48.000
<v Speaker 1>that would be another example of this of like my

0:23:48.080 --> 0:23:51.640
<v Speaker 1>current forum isn't working, so what have I change? And

0:23:51.760 --> 0:23:54.439
<v Speaker 1>let's make all the necessary adjustments. And it does like

0:23:54.480 --> 0:23:57.840
<v Speaker 1>you're saying, like the third act does have l realizing

0:23:58.040 --> 0:24:02.359
<v Speaker 1>oh I actually am, But logistically she never would have

0:24:02.400 --> 0:24:06.760
<v Speaker 1>recognized her own potential if Warner hadn't broken up with her,

0:24:06.800 --> 0:24:09.520
<v Speaker 1>And I don't like that. I think it's so frustrating

0:24:09.600 --> 0:24:12.840
<v Speaker 1>the same, Yes, I was trying to think of movies

0:24:13.040 --> 0:24:16.199
<v Speaker 1>where there is a female protagonist who pursues something she

0:24:17.119 --> 0:24:19.600
<v Speaker 1>something like going to law school and becoming a lawyer,

0:24:20.080 --> 0:24:22.360
<v Speaker 1>just because she's interested in that already, and not because

0:24:22.400 --> 0:24:25.200
<v Speaker 1>she's motivated by a man. And I had trouble thinking

0:24:25.240 --> 0:24:28.480
<v Speaker 1>of examples, well, one, because there are just so few

0:24:28.520 --> 0:24:31.439
<v Speaker 1>movies with a female protagonist, and the ones that do

0:24:31.600 --> 0:24:35.400
<v Speaker 1>have a female protagonist, it's often a rom com or

0:24:35.480 --> 0:24:39.000
<v Speaker 1>something where she is just straight up pursuing a man

0:24:39.080 --> 0:24:42.160
<v Speaker 1>and that's the main storyline. And to be fair, that's

0:24:42.200 --> 0:24:44.800
<v Speaker 1>not to say there aren't any examples. I just no, no, no,

0:24:44.880 --> 0:24:48.040
<v Speaker 1>I know my like six sore throat head, Well, I

0:24:48.160 --> 0:24:50.720
<v Speaker 1>have any trouble thinking of any Well, I also don't

0:24:50.720 --> 0:24:53.920
<v Speaker 1>think that like unless there's some sort of like and

0:24:54.119 --> 0:24:57.280
<v Speaker 1>it's this, The narrative of a woman going to law

0:24:57.320 --> 0:24:59.680
<v Speaker 1>school because she is interested in law is not a

0:25:00.000 --> 0:25:03.639
<v Speaker 1>picularly compelling log wine For like, a woman goes to

0:25:03.680 --> 0:25:05.840
<v Speaker 1>law school because she's interested in the law and is

0:25:05.880 --> 0:25:09.520
<v Speaker 1>smart is a great thing, but maybe not the most

0:25:09.520 --> 0:25:13.680
<v Speaker 1>exciting story, so I get. But but again, that does

0:25:13.720 --> 0:25:17.720
<v Speaker 1>not justify the ends to to this true, But it

0:25:17.720 --> 0:25:19.560
<v Speaker 1>doesn't even have to. I mean, you know, law going

0:25:19.600 --> 0:25:21.119
<v Speaker 1>to law school and becoming a lawyer is just an

0:25:21.160 --> 0:25:25.200
<v Speaker 1>example something some sort of either professional or creative pursuit

0:25:25.480 --> 0:25:28.560
<v Speaker 1>that a woman just does because that's what she wants

0:25:28.600 --> 0:25:31.360
<v Speaker 1>to do, and not because she's motivated by proving her

0:25:31.400 --> 0:25:34.320
<v Speaker 1>worth to a man and even if she meets a

0:25:34.440 --> 0:25:37.639
<v Speaker 1>romantic partner when she is pursuing that thing, that is

0:25:37.680 --> 0:25:40.400
<v Speaker 1>a far better president to say. It's like she followed

0:25:40.520 --> 0:25:43.960
<v Speaker 1>whatever her ambition was and worked hard and happened to

0:25:43.960 --> 0:25:48.600
<v Speaker 1>me this great person. Like that's the right idea. Chasing

0:25:48.640 --> 0:25:52.800
<v Speaker 1>a man in order to discover your own potential is

0:25:52.960 --> 0:25:56.679
<v Speaker 1>just not a good message to be sending, particularly if

0:25:56.720 --> 0:26:00.200
<v Speaker 1>you're aiming at a younger slash teen audience, which this

0:26:00.240 --> 0:26:05.240
<v Speaker 1>movie is. Well. It is nice to see a female

0:26:05.320 --> 0:26:09.000
<v Speaker 1>character like l who has a lot of drive and determination,

0:26:09.200 --> 0:26:13.200
<v Speaker 1>Like she's extremely driven to the point where she within

0:26:13.280 --> 0:26:16.760
<v Speaker 1>a matter of maybe a couple of weeks, studies for

0:26:17.040 --> 0:26:20.320
<v Speaker 1>and does well enough on the lstats to get into Harvard.

0:26:20.560 --> 0:26:26.320
<v Speaker 1>Although murders eales like Elwoods Is with a lot of flaws,

0:26:26.800 --> 0:26:28.960
<v Speaker 1>I think a really good character. I think she's great,

0:26:29.119 --> 0:26:31.720
<v Speaker 1>and part of that is like nostalgia attachment, but I

0:26:32.640 --> 0:26:36.240
<v Speaker 1>really do like her. I agree. I like that she

0:26:36.640 --> 0:26:40.320
<v Speaker 1>is extremely driven and active. Her motivation at the beginning

0:26:40.400 --> 0:26:44.080
<v Speaker 1>and throughout most of the movie is misguided, and it does.

0:26:44.200 --> 0:26:47.200
<v Speaker 1>It does turn around because by the end that storyline

0:26:47.240 --> 0:26:51.480
<v Speaker 1>with Warner resolves itself. By he comes around, He's like actually,

0:26:52.000 --> 0:26:53.840
<v Speaker 1>I just saw you in that case, and you are

0:26:53.880 --> 0:26:56.160
<v Speaker 1>the woman I've wanted this whole time. I can't take

0:26:56.160 --> 0:27:00.800
<v Speaker 1>you seriously now. And she's like, She's like, I've been

0:27:00.840 --> 0:27:03.480
<v Speaker 1>waiting so long for you to hear this. But if

0:27:03.520 --> 0:27:06.359
<v Speaker 1>I want to be a partner in a law firm

0:27:06.400 --> 0:27:08.159
<v Speaker 1>by the time I'm thirty, I'm going to need a

0:27:08.160 --> 0:27:10.960
<v Speaker 1>boyfriend who wasn't such a bone head. And to be honest,

0:27:11.000 --> 0:27:15.600
<v Speaker 1>Caitlin clapped and I was crying. So however it worked.

0:27:15.640 --> 0:27:18.280
<v Speaker 1>To me. That's kind of one of those moments where

0:27:18.280 --> 0:27:24.400
<v Speaker 1>it's like, cool line, cool feminist line. So I think

0:27:24.440 --> 0:27:27.359
<v Speaker 1>that this more responsibly than a lot of movies of

0:27:27.359 --> 0:27:29.920
<v Speaker 1>its type, but does play into the like you go

0:27:30.119 --> 0:27:34.200
<v Speaker 1>girl style of feminism. That and here's what I'm interested

0:27:34.200 --> 0:27:36.359
<v Speaker 1>in hearing your thoughts on this, because I my notes

0:27:36.480 --> 0:27:41.439
<v Speaker 1>kind of looped in on themselves on this topic. But

0:27:42.080 --> 0:27:46.280
<v Speaker 1>so l Wood, there's this whole overarching narrative in this

0:27:46.320 --> 0:27:50.640
<v Speaker 1>movie of weird, very black and white West Coast East

0:27:50.640 --> 0:27:53.919
<v Speaker 1>Coast stereotypes of like everyone from the East Coast is

0:27:54.160 --> 0:27:58.320
<v Speaker 1>mean and not horny at all. Everyone from the West

0:27:58.359 --> 0:28:02.240
<v Speaker 1>Coast is really hot and rich and like more fun

0:28:02.520 --> 0:28:05.840
<v Speaker 1>and it's clear like the East Coast is like demonized

0:28:05.880 --> 0:28:08.640
<v Speaker 1>for the bulk of this movie and all the characters

0:28:08.840 --> 0:28:11.720
<v Speaker 1>who we meet there, with the exception of the East

0:28:11.760 --> 0:28:15.800
<v Speaker 1>Coast white trash community, which I appreciate regardless, it's like

0:28:15.840 --> 0:28:18.800
<v Speaker 1>there's a lot of this movie to me feels like

0:28:19.200 --> 0:28:25.480
<v Speaker 1>l Wood's reclaiming the pink, reclaiming you know, this feminine

0:28:25.920 --> 0:28:30.879
<v Speaker 1>appearance in this very visually motivated Oh god, I sound

0:28:30.920 --> 0:28:33.320
<v Speaker 1>a million years old, but like this like you know,

0:28:33.440 --> 0:28:39.800
<v Speaker 1>like reclaiming conventional hotness in an intellectual sense, but it

0:28:39.840 --> 0:28:44.320
<v Speaker 1>feels like kind of a safe, very marketable choice to

0:28:44.360 --> 0:28:47.840
<v Speaker 1>be like we're going to reclaim hot women, you know,

0:28:47.920 --> 0:28:51.960
<v Speaker 1>like it's to an extent, is like the good thing

0:28:52.200 --> 0:28:54.720
<v Speaker 1>about it. And this is where my nose caved in themselves,

0:28:54.760 --> 0:28:58.160
<v Speaker 1>because like, oh, is she just like reclaiming conventional hotness

0:28:58.240 --> 0:29:01.680
<v Speaker 1>that's not particularly interesting, Like oh, hot women can be

0:29:01.800 --> 0:29:07.320
<v Speaker 1>lawyers too, It's like okay, like okay, great, But with

0:29:07.480 --> 0:29:10.800
<v Speaker 1>the way Ellen her friends on both coasts, who were

0:29:10.840 --> 0:29:14.520
<v Speaker 1>more traditionally feminine, they do seem to be doing it

0:29:14.600 --> 0:29:18.920
<v Speaker 1>for themselves. And it's not that I noticed very like that.

0:29:18.960 --> 0:29:21.240
<v Speaker 1>You don't get those lines of like, well, if I

0:29:21.240 --> 0:29:23.000
<v Speaker 1>don't do this, A man won't like me if I

0:29:23.040 --> 0:29:24.880
<v Speaker 1>don't do that. Like it does seem like they do

0:29:24.920 --> 0:29:27.840
<v Speaker 1>it because they just like they place value on it.

0:29:27.880 --> 0:29:32.760
<v Speaker 1>But the whole like she's wearing pink in a courtroom

0:29:32.840 --> 0:29:36.800
<v Speaker 1>and her boobs are big, does not totally track with me.

0:29:36.840 --> 0:29:40.080
<v Speaker 1>Of like we're going to reclaim Victoria's secret hotness but

0:29:40.240 --> 0:29:42.480
<v Speaker 1>in that current room, Like it just I don't know

0:29:42.720 --> 0:29:45.640
<v Speaker 1>it was that supposed to be empowering, you know, like

0:29:45.960 --> 0:29:49.000
<v Speaker 1>Victoria's secret models who have higher ambitions. It's just a

0:29:49.080 --> 0:29:52.680
<v Speaker 1>very small group, you know, right. I also had trouble

0:29:53.200 --> 0:29:58.479
<v Speaker 1>processing this idea of she's a very cartoonish character. Not

0:29:58.520 --> 0:30:01.480
<v Speaker 1>to say that there aren't some people like that out there.

0:30:03.440 --> 0:30:05.920
<v Speaker 1>I mean she is, and she's a great great cartoon

0:30:06.280 --> 0:30:11.200
<v Speaker 1>but so she's, you know, this very stereotypical like loves pink,

0:30:11.440 --> 0:30:14.720
<v Speaker 1>loves shopping, knows fashion, loves to get her nails done,

0:30:14.760 --> 0:30:19.800
<v Speaker 1>like feminine, she's smart, right, there is a there is

0:30:19.840 --> 0:30:23.640
<v Speaker 1>a like, but the twisted Yeah, so she's just like

0:30:23.760 --> 0:30:26.760
<v Speaker 1>sort of you know, hyper feminine woman. And I think

0:30:26.960 --> 0:30:30.360
<v Speaker 1>the movie seeks to sort of dismantle this stereotype that

0:30:30.760 --> 0:30:35.440
<v Speaker 1>pretty blonde sorority girls can also be intelligent and good lawyers,

0:30:35.520 --> 0:30:39.600
<v Speaker 1>which is true and fair, but who the message that

0:30:39.680 --> 0:30:42.400
<v Speaker 1>it just seems like a very narrow It's like, who

0:30:42.560 --> 0:30:46.800
<v Speaker 1>is this for exactly? Not to say that, like stereotypes

0:30:46.880 --> 0:30:50.960
<v Speaker 1>shouldn't be dismantled, it just seems like a very bizarrely specific,

0:30:51.440 --> 0:30:55.440
<v Speaker 1>deeply marketable. There were barbies of Elwoods, you know, like there,

0:30:55.480 --> 0:30:59.040
<v Speaker 1>it's a very marketable stereotype to be dismantling, and it's

0:30:59.040 --> 0:31:02.080
<v Speaker 1>not even it's not dismantling it in a visual way

0:31:02.160 --> 0:31:06.200
<v Speaker 1>at all. So the visual aspect is kept intact, therefore

0:31:06.280 --> 0:31:09.280
<v Speaker 1>keeping all the marketable parts of it kept intact. There

0:31:09.400 --> 0:31:12.360
<v Speaker 1>is a part where, like her costume choices, they change

0:31:12.400 --> 0:31:14.040
<v Speaker 1>a bit in the middle of the movie where she

0:31:14.120 --> 0:31:18.080
<v Speaker 1>doesn't dress quite so pink. She has a blue outfit

0:31:18.120 --> 0:31:21.640
<v Speaker 1>on at one point, but then it's a beanie You're

0:31:21.720 --> 0:31:26.160
<v Speaker 1>just like she's lost herself. But then towards the end again,

0:31:26.200 --> 0:31:29.040
<v Speaker 1>when she makes her grand appearance as the new person

0:31:29.440 --> 0:31:32.680
<v Speaker 1>that Brooke Taylor hired to defend her, she's got this

0:31:32.760 --> 0:31:35.040
<v Speaker 1>like it is a great I mean, her entrance in

0:31:35.080 --> 0:31:38.120
<v Speaker 1>that scene. To be fair, they do a full body

0:31:38.160 --> 0:31:41.880
<v Speaker 1>shot of her, which I usually take issue with, but

0:31:42.480 --> 0:31:46.440
<v Speaker 1>the outfit is more than the outfit in that scene.

0:31:46.520 --> 0:31:49.880
<v Speaker 1>To me, that outfit also represents like she's going to

0:31:49.960 --> 0:31:52.560
<v Speaker 1>be herself and do this as well, which I think

0:31:52.640 --> 0:31:55.760
<v Speaker 1>is a good message, like represent yourself the way you

0:31:55.960 --> 0:31:59.680
<v Speaker 1>want to, but your I will. You mentioned like there

0:31:59.760 --> 0:32:03.680
<v Speaker 1>was a r B of l Woods, and that's why

0:32:03.760 --> 0:32:11.280
<v Speaker 1>I know, throughout Western cultural history, the beautiful blonde female

0:32:11.400 --> 0:32:16.160
<v Speaker 1>form has been the most sort of easily digestible feminine

0:32:16.240 --> 0:32:20.000
<v Speaker 1>form for like Western culture to consume, and like that's

0:32:20.040 --> 0:32:22.480
<v Speaker 1>sort of been the ideal and we all have to

0:32:22.520 --> 0:32:26.120
<v Speaker 1>strive for that and da da da, Right, So maybe

0:32:26.160 --> 0:32:29.160
<v Speaker 1>that's why that choice was made to like represent that

0:32:29.240 --> 0:32:34.400
<v Speaker 1>type of archetypal stereotypical character in this movie. I mean, okay, now,

0:32:34.560 --> 0:32:37.160
<v Speaker 1>no not. My mind is kind of changing a little bit,

0:32:37.440 --> 0:32:43.959
<v Speaker 1>where for sure there are more pervasive, culturally relevant, immediately

0:32:43.960 --> 0:32:48.520
<v Speaker 1>relevant to people's everyday lives stereotypes to be dismantled in

0:32:49.080 --> 0:32:53.080
<v Speaker 1>major releases. I think it is sort of a sneaky

0:32:53.200 --> 0:32:56.760
<v Speaker 1>win on behalf of the of the filmmakers that they're

0:32:56.760 --> 0:33:00.120
<v Speaker 1>able to make that commentary pretty effectively while keeping all

0:33:00.160 --> 0:33:04.040
<v Speaker 1>the visual marketing intact. But then I mean now that

0:33:04.120 --> 0:33:07.280
<v Speaker 1>you when you said, like, you know, the whatever, the

0:33:07.360 --> 0:33:12.160
<v Speaker 1>sort of playboy ideal of shout out to my former employer,

0:33:12.160 --> 0:33:15.520
<v Speaker 1>playboy who can truly kiss masks um, but the the

0:33:15.800 --> 0:33:18.720
<v Speaker 1>you know, like that conventional ideal of the blonde women.

0:33:19.320 --> 0:33:21.640
<v Speaker 1>I guess it is sort of like where that that

0:33:21.720 --> 0:33:25.000
<v Speaker 1>trope is very much like. As much as the boobs

0:33:25.000 --> 0:33:28.680
<v Speaker 1>and the hair are critical to that image, what is

0:33:28.720 --> 0:33:34.640
<v Speaker 1>equally critical to that image is complacency doing whatever they're told.

0:33:35.240 --> 0:33:37.680
<v Speaker 1>And the way that women who look like that are

0:33:37.760 --> 0:33:42.000
<v Speaker 1>are viewed from like just a camera aspect is always

0:33:42.040 --> 0:33:45.720
<v Speaker 1>in a way that's supposed to be pleasing, and thought

0:33:45.840 --> 0:33:49.000
<v Speaker 1>is never implied. So now that you said that, I'm like,

0:33:49.760 --> 0:33:52.680
<v Speaker 1>maybe it is like it it is interesting. I don't

0:33:52.680 --> 0:33:55.960
<v Speaker 1>think it's the most relevant commentary, but it is interesting.

0:33:57.200 --> 0:34:00.600
<v Speaker 1>I don't think it doesn't one like there's right now

0:34:00.680 --> 0:34:02.720
<v Speaker 1>we should have been thinking about a lot of things

0:34:02.800 --> 0:34:06.720
<v Speaker 1>in two thousand one, and maybe blonde wealthy women were

0:34:06.760 --> 0:34:10.759
<v Speaker 1>not women the list. But but it is comment They

0:34:10.800 --> 0:34:13.000
<v Speaker 1>do comment a lot on it. I think by the

0:34:13.120 --> 0:34:16.600
<v Speaker 1>end it takes a while, but by the end it's effective.

0:34:17.160 --> 0:34:19.960
<v Speaker 1>I mean there are moments where she does say like

0:34:20.080 --> 0:34:22.680
<v Speaker 1>you know, no one takes me like I get sort

0:34:22.719 --> 0:34:25.960
<v Speaker 1>of discriminated against because of my hair color because I'm

0:34:25.960 --> 0:34:29.760
<v Speaker 1>a blonde. Imagine being in an actually marginalized person saying

0:34:29.760 --> 0:34:32.799
<v Speaker 1>that I'm like, oh, I'm so fucking sorry that you're

0:34:32.960 --> 0:34:36.399
<v Speaker 1>so hot and red and you got it. You still

0:34:36.440 --> 0:34:39.759
<v Speaker 1>got it into Harvard like, well, can we talk ye,

0:34:39.920 --> 0:34:42.840
<v Speaker 1>let's talk about good segment. Well, I wantn't to just

0:34:42.880 --> 0:34:46.319
<v Speaker 1>really say quickly that I think that we should, right now,

0:34:46.440 --> 0:34:51.080
<v Speaker 1>right here, claim the new stereotype for a female character,

0:34:51.160 --> 0:34:55.719
<v Speaker 1>which is the but the twist is where it's like

0:34:55.920 --> 0:35:00.440
<v Speaker 1>she's either she's very hot or she's very ugly, but

0:35:00.520 --> 0:35:04.200
<v Speaker 1>the twist is she's smart or she could be hot.

0:35:04.320 --> 0:35:08.160
<v Speaker 1>Maybe maybe take off her glasses it right, Yeah, it's

0:35:08.200 --> 0:35:12.160
<v Speaker 1>like she's hot, but the twist is she's smart or

0:35:12.640 --> 0:35:16.400
<v Speaker 1>she's smart, and the twist is she's also beautiful. There's

0:35:16.760 --> 0:35:19.200
<v Speaker 1>a really I have not seen the show, but my

0:35:19.200 --> 0:35:21.960
<v Speaker 1>my good pal Catherine Cohen in New York does a

0:35:21.960 --> 0:35:24.600
<v Speaker 1>great one woman show called but the twist is she's

0:35:24.640 --> 0:35:27.920
<v Speaker 1>gorgeous one of my favorites. Great turn of phrase, and

0:35:27.920 --> 0:35:31.360
<v Speaker 1>I feel like it's a trope that's used a lot. Yeah, Okay,

0:35:31.360 --> 0:35:34.440
<v Speaker 1>So the scene with the admissions board at Harvard who

0:35:34.480 --> 0:35:38.399
<v Speaker 1>are reviewing her video essay and trying to determine whether

0:35:38.520 --> 0:35:41.000
<v Speaker 1>or not to accept her I think the only all

0:35:41.080 --> 0:35:43.120
<v Speaker 1>males scene in the movie that I can think of

0:35:43.719 --> 0:35:47.640
<v Speaker 1>same with more than it's no no. There's a few

0:35:47.680 --> 0:35:51.640
<v Speaker 1>times where middle Park Wilson and Victor Garber, or as

0:35:51.640 --> 0:36:00.200
<v Speaker 1>I like to call him, Thomas Andrews Mr Andrews like

0:36:00.600 --> 0:36:04.040
<v Speaker 1>I'll try, I didn't build stronger, she's oh, and then

0:36:04.080 --> 0:36:06.880
<v Speaker 1>earlier the mo she's strong and true just like you,

0:36:07.080 --> 0:36:10.600
<v Speaker 1>dumb fuck Oh, but it's sad when he does and

0:36:11.000 --> 0:36:14.440
<v Speaker 1>stops the clock. Anyways, But there there are a few

0:36:14.480 --> 0:36:16.720
<v Speaker 1>I feel like one on one scenes with Luke Wilson

0:36:16.760 --> 0:36:19.000
<v Speaker 1>and Victor Carbert. But in terms of like this is

0:36:19.000 --> 0:36:21.279
<v Speaker 1>a scene full of men versus the number of scenes

0:36:21.320 --> 0:36:23.759
<v Speaker 1>in this movie that are full of women in a

0:36:23.800 --> 0:36:26.520
<v Speaker 1>way that it's just like, whoa great, this is the

0:36:26.520 --> 0:36:29.680
<v Speaker 1>only one. Yeah. So in this scene we see around

0:36:29.680 --> 0:36:34.120
<v Speaker 1>eight six or eight eight old white guys old mostly yeah,

0:36:34.120 --> 0:36:38.560
<v Speaker 1>mostly older for sure, all white men, basically deliberating on

0:36:38.560 --> 0:36:40.719
<v Speaker 1>whether or not to except l to Harvard, and they're

0:36:40.719 --> 0:36:43.319
<v Speaker 1>looking at her essay, which most of the time. She

0:36:43.480 --> 0:36:47.279
<v Speaker 1>isn't a swimsuit. She's a weird choice. But also I

0:36:47.320 --> 0:36:51.480
<v Speaker 1>feel like that is like an unabashedly Elwood's choice. That is,

0:36:52.080 --> 0:36:56.279
<v Speaker 1>for all the implications of it, I do appreciate that

0:36:56.320 --> 0:36:59.719
<v Speaker 1>she is true to herself in the video. I mean

0:36:59.760 --> 0:37:03.120
<v Speaker 1>she's playing to her strengths, which is that she was

0:37:03.160 --> 0:37:05.920
<v Speaker 1>the president of her sorority. Yes, like, that's one of

0:37:06.000 --> 0:37:08.320
<v Speaker 1>my favorite parts of the movie. It is an iconic

0:37:09.280 --> 0:37:12.440
<v Speaker 1>the days of our lives, like the evil Stephano and

0:37:12.520 --> 0:37:15.120
<v Speaker 1>like it's it's great. It's I used to watch the

0:37:15.160 --> 0:37:19.280
<v Speaker 1>soap operas amas, so basically the whole scene is them.

0:37:19.320 --> 0:37:21.879
<v Speaker 1>I think there's one guy who's like, I don't know,

0:37:22.040 --> 0:37:23.960
<v Speaker 1>and then all of the other ones are trying to

0:37:24.880 --> 0:37:27.439
<v Speaker 1>They have decided they want to accept her, basically because

0:37:27.440 --> 0:37:30.359
<v Speaker 1>they find her attractive, and they're trying to rationalize why

0:37:30.400 --> 0:37:33.160
<v Speaker 1>it's an okay decision to let her in, right, because

0:37:33.200 --> 0:37:36.440
<v Speaker 1>they're like, well, she cares about animals, and she's creative

0:37:36.440 --> 0:37:38.000
<v Speaker 1>and she likes music because she was in a Ricky

0:37:38.040 --> 0:37:42.720
<v Speaker 1>Martin video. And it's like, this is a challenging scene

0:37:43.239 --> 0:37:49.239
<v Speaker 1>because written on paper, nothing that is being vocalized is

0:37:49.520 --> 0:37:56.240
<v Speaker 1>inaccurate or wrong. Does l Woods necessarily deserve to be

0:37:56.280 --> 0:38:00.480
<v Speaker 1>at Harvard at the beginning of the movie, and don't

0:38:00.520 --> 0:38:03.440
<v Speaker 1>really think so. I mean, she has the correct scores

0:38:03.480 --> 0:38:07.319
<v Speaker 1>and she has good grades, but it just I don't know,

0:38:07.520 --> 0:38:10.560
<v Speaker 1>Like I I struggle with the fact that she has

0:38:11.000 --> 0:38:14.359
<v Speaker 1>lit Like, it seems unlikely to me that someone who

0:38:14.440 --> 0:38:18.640
<v Speaker 1>has a bachelor's degree in fashion management and has no

0:38:18.840 --> 0:38:22.600
<v Speaker 1>background or previously indicated interest in law would get into

0:38:22.719 --> 0:38:27.480
<v Speaker 1>Harvard Law School realistically, no matter who you are, that

0:38:27.640 --> 0:38:32.920
<v Speaker 1>just seems unlikely, especially because Harvard. It's Harvard, probably the

0:38:33.080 --> 0:38:35.640
<v Speaker 1>hardest school in the US. Ticket you could get into

0:38:35.719 --> 0:38:39.040
<v Speaker 1>a law school with those qualifications, good els at scores

0:38:39.640 --> 0:38:41.600
<v Speaker 1>four point oh and whatever you happen to major in

0:38:41.840 --> 0:38:45.000
<v Speaker 1>Harvard Law School. I don't think so. But we also

0:38:45.040 --> 0:38:48.400
<v Speaker 1>find out later that Warner also doesn't totally deserve to

0:38:48.440 --> 0:38:52.040
<v Speaker 1>be there, so because Harvard's a fucking like you know,

0:38:52.600 --> 0:38:54.880
<v Speaker 1>Harvard is like sort of known for that sort of

0:38:55.000 --> 0:38:59.880
<v Speaker 1>weird nempotis, Oh, his father gave a call to somebody

0:39:00.040 --> 0:39:05.520
<v Speaker 1>then he I mean, regardless on paper, that scene would

0:39:05.600 --> 0:39:09.520
<v Speaker 1>look in theory like they are naming her qualifications, and

0:39:09.560 --> 0:39:12.600
<v Speaker 1>it ends by saying el Woods Welcome to Harvard. But

0:39:12.640 --> 0:39:16.759
<v Speaker 1>the tone of that scene is very she's hot, we

0:39:16.880 --> 0:39:20.319
<v Speaker 1>got a letter, you know. However, it just I feel

0:39:20.360 --> 0:39:22.200
<v Speaker 1>like it just credits they're protecting this a little bit

0:39:22.239 --> 0:39:24.479
<v Speaker 1>in a way that's like, well, so there's a whole

0:39:24.600 --> 0:39:27.600
<v Speaker 1>lot I want to say about that one. I think

0:39:27.640 --> 0:39:30.360
<v Speaker 1>that is sort of almost a foreshadowing of what happens

0:39:30.480 --> 0:39:33.080
<v Speaker 1>later on, where she learns that she basically only got

0:39:33.120 --> 0:39:36.480
<v Speaker 1>that internship because her professor found her attractive, because he

0:39:36.719 --> 0:39:38.520
<v Speaker 1>makes a pass at her, and then she has this

0:39:38.560 --> 0:39:41.800
<v Speaker 1>whole thing where she's like, garber crap. Law school was

0:39:41.800 --> 0:39:44.600
<v Speaker 1>a mistake. I don't even deserve anything I got because

0:39:45.880 --> 0:39:48.080
<v Speaker 1>we wanted me for my looks and stuff like that,

0:39:48.880 --> 0:39:50.759
<v Speaker 1>which is a whole thing I want to get into later.

0:39:51.760 --> 0:39:55.680
<v Speaker 1>So it's I think foreshadowing that. However, I think a

0:39:55.719 --> 0:39:59.560
<v Speaker 1>lot of people would come to Elwood's defense, and I

0:39:59.600 --> 0:40:03.319
<v Speaker 1>think it theirs, because the thing is that she is

0:40:03.360 --> 0:40:07.200
<v Speaker 1>extremely determined, and yes, she does have the resources to

0:40:07.280 --> 0:40:11.839
<v Speaker 1>pay for a nicely produced video essay that a lot

0:40:11.840 --> 0:40:14.120
<v Speaker 1>of people would not have the resources to do because

0:40:14.160 --> 0:40:17.000
<v Speaker 1>like her get We'll get to the class thing too,

0:40:17.040 --> 0:40:19.000
<v Speaker 1>because her class thing is a major thing in this

0:40:19.920 --> 0:40:22.880
<v Speaker 1>but like her sort of advocating for herself as a

0:40:22.920 --> 0:40:24.799
<v Speaker 1>reason that she should be accepted to Harvard in the

0:40:24.880 --> 0:40:28.319
<v Speaker 1>video essay, are not that compelling of reasons because she's

0:40:28.520 --> 0:40:32.719
<v Speaker 1>saying I already use lawyer jargon in everyday use because

0:40:32.760 --> 0:40:34.440
<v Speaker 1>like you see someone cat calling her and then she

0:40:34.480 --> 0:40:38.640
<v Speaker 1>turns out and she's like, I object another iconic from it.

0:40:38.640 --> 0:40:44.480
<v Speaker 1>It's great, But I think that her main qualities in

0:40:44.520 --> 0:40:47.680
<v Speaker 1>the movie that I like her for because I'm not

0:40:47.719 --> 0:40:51.680
<v Speaker 1>necessarily as on board with Ellwoods as maybe you or

0:40:52.239 --> 0:40:55.440
<v Speaker 1>bigger fans of the movie. However, I do appreciate her

0:40:55.520 --> 0:41:00.759
<v Speaker 1>for her determination because she and I think that quality alone,

0:41:01.040 --> 0:41:03.440
<v Speaker 1>I mean, maybe not alone, but that because later on

0:41:03.520 --> 0:41:05.560
<v Speaker 1>she she does show a lot of improvement when she

0:41:05.600 --> 0:41:09.080
<v Speaker 1>first gets to law school. By the end, she one thousand.

0:41:09.160 --> 0:41:11.120
<v Speaker 1>Like I mean, even at the midpoint in the movie,

0:41:11.160 --> 0:41:13.200
<v Speaker 1>you're like, Okay, this woman does deserve to be here.

0:41:13.239 --> 0:41:16.960
<v Speaker 1>She's working really hard. And to clarify, I mean at

0:41:17.000 --> 0:41:20.160
<v Speaker 1>the time of this scene, sure, I don't think that.

0:41:20.280 --> 0:41:22.800
<v Speaker 1>It's like by the end, it's like, man, she really coasted,

0:41:22.920 --> 0:41:25.319
<v Speaker 1>Like she works so fucking hard and does a lot

0:41:25.320 --> 0:41:28.600
<v Speaker 1>of amazing stuff. I just mean, in regards to this scene,

0:41:29.120 --> 0:41:32.839
<v Speaker 1>the movie is implying that she is perhaps not being

0:41:32.880 --> 0:41:36.560
<v Speaker 1>admitted for all the right reasons, regardless of who she

0:41:36.719 --> 0:41:39.080
<v Speaker 1>is as a person and the fact that she clearly

0:41:39.800 --> 0:41:43.480
<v Speaker 1>you know, deserves to be there. But this scene kind

0:41:43.480 --> 0:41:46.960
<v Speaker 1>of nags her in a weird way. Right. There's a

0:41:47.000 --> 0:41:49.560
<v Speaker 1>part where these group of men who are deliberating about

0:41:49.560 --> 0:41:53.160
<v Speaker 1>this says something like, oh, well, she's a fashion major,

0:41:54.120 --> 0:41:56.879
<v Speaker 1>is if like that's the reason why she shouldn't be here?

0:41:57.239 --> 0:41:59.799
<v Speaker 1>But then another one says, well, we've never had one

0:41:59.800 --> 0:42:03.839
<v Speaker 1>be for and aren't we always looking for? Diversity is

0:42:04.040 --> 0:42:07.400
<v Speaker 1>clearly not the type of diversity that like admissions board

0:42:07.520 --> 0:42:11.680
<v Speaker 1>people should be considering. But I think that's played as

0:42:11.719 --> 0:42:14.399
<v Speaker 1>a joke. I think so too. Yeah, but I think

0:42:14.600 --> 0:42:17.760
<v Speaker 1>this scene is a comment on how it's so often

0:42:17.840 --> 0:42:22.920
<v Speaker 1>a group of rich, old, straight white men making decisions

0:42:22.960 --> 0:42:26.400
<v Speaker 1>that affect the fate of a whole bunch of different

0:42:26.400 --> 0:42:30.000
<v Speaker 1>types of people. They end up making the right call

0:42:30.160 --> 0:42:32.799
<v Speaker 1>for l because she does prove herself eventually, but it's

0:42:32.880 --> 0:42:36.120
<v Speaker 1>kind of a fluid. But yeah, basically, like I said,

0:42:36.480 --> 0:42:39.160
<v Speaker 1>they accept her because most of the men in this

0:42:39.280 --> 0:42:41.720
<v Speaker 1>room have seen this video of her in her bathing

0:42:41.760 --> 0:42:45.279
<v Speaker 1>suit and been like, yeah, I definitely see her here

0:42:45.320 --> 0:42:47.719
<v Speaker 1>at Harvard. And the implication is it because I want

0:42:47.760 --> 0:42:50.880
<v Speaker 1>to see her here at Harvard, Yeah, and not because

0:42:50.920 --> 0:42:53.719
<v Speaker 1>she necessarily has the qualifications. Because there's one character who

0:42:53.760 --> 0:42:56.319
<v Speaker 1>keeps me like, well, I don't know what about this thing,

0:42:56.400 --> 0:42:59.000
<v Speaker 1>and they're like, no, it's she's a friend of the animal.

0:42:59.120 --> 0:43:02.280
<v Speaker 1>The thing is like that he Okay, not to harbor

0:43:02.280 --> 0:43:03.520
<v Speaker 1>in the scene too much because this is a small

0:43:03.560 --> 0:43:08.960
<v Speaker 1>scene in but yeah, I don't mean to demonize el

0:43:09.040 --> 0:43:12.120
<v Speaker 1>in any way. In that scene. She has no control

0:43:12.280 --> 0:43:16.160
<v Speaker 1>over how these men are viewing her. I do think

0:43:16.200 --> 0:43:19.520
<v Speaker 1>that the movie is implying perhaps at the very beginning

0:43:19.520 --> 0:43:23.560
<v Speaker 1>of the movie, and you could view that as possibly

0:43:23.640 --> 0:43:27.080
<v Speaker 1>like maybe she's not a character of any gender who's

0:43:27.239 --> 0:43:30.040
<v Speaker 1>randomly like, you know, my ex boyfriend's gonna do this,

0:43:30.080 --> 0:43:33.200
<v Speaker 1>I'm just gonna go on their exact career path, like

0:43:33.600 --> 0:43:36.000
<v Speaker 1>they probably wouldn't get into a graduate school of the

0:43:36.080 --> 0:43:38.399
<v Speaker 1>career path that's the opposite of what they've been doing,

0:43:39.000 --> 0:43:41.440
<v Speaker 1>just because they decided three weeks before the hell sets

0:43:41.440 --> 0:43:45.400
<v Speaker 1>that they wanted to whatever. El Woods is still a

0:43:45.400 --> 0:43:49.480
<v Speaker 1>great character to be. That scene is weird. It's not

0:43:49.680 --> 0:43:51.560
<v Speaker 1>I don't even think it's bad because I don't I

0:43:51.600 --> 0:43:54.400
<v Speaker 1>don't want to like be like, oh, they're making you know,

0:43:54.440 --> 0:43:56.560
<v Speaker 1>they're not saying exactly what I want to be said,

0:43:56.600 --> 0:43:59.320
<v Speaker 1>and therefore it cannot be a scene in a movie.

0:43:59.800 --> 0:44:01.840
<v Speaker 1>I think it's a lot of commentary, but I don't

0:44:01.840 --> 0:44:05.000
<v Speaker 1>like that it negs the main character, even though she

0:44:05.080 --> 0:44:10.480
<v Speaker 1>overcomes it. Anyways, Yeah, I'm sorry. This is a very

0:44:10.560 --> 0:44:13.600
<v Speaker 1>complex movie. You know. I just realized how many things

0:44:13.680 --> 0:44:17.240
<v Speaker 1>we have to talk about. I'm like, I'm ted, And

0:44:17.480 --> 0:44:19.880
<v Speaker 1>this is Jamie saying that we need to take a

0:44:19.960 --> 0:44:22.160
<v Speaker 1>quick ad break. But we'll be right back to the

0:44:22.200 --> 0:44:32.760
<v Speaker 1>year eighteen in just a second, and we're back to Okay.

0:44:32.800 --> 0:44:35.000
<v Speaker 1>The next thing I want to talk about is while

0:44:35.160 --> 0:44:38.120
<v Speaker 1>she does have a number of female friends in the

0:44:38.160 --> 0:44:41.120
<v Speaker 1>beginning of the movie with her two sorority sisters, one

0:44:41.360 --> 0:44:44.479
<v Speaker 1>we know his name is Margot. I think they both

0:44:44.480 --> 0:44:48.120
<v Speaker 1>have names. We if the second character of the to

0:44:48.520 --> 0:44:52.480
<v Speaker 1>her two main friends in California is named Blinking, you

0:44:52.480 --> 0:44:54.919
<v Speaker 1>would have missed it because we missed it. Yeah. Yeah,

0:44:54.960 --> 0:44:57.200
<v Speaker 1>I was like trying to pay close attention and I

0:44:57.360 --> 0:45:00.160
<v Speaker 1>never figured it out. So there's the there's a a

0:45:00.200 --> 0:45:02.440
<v Speaker 1>blonde woman whose name is Marco. And I hate that

0:45:02.440 --> 0:45:06.600
<v Speaker 1>I'm reducing women to their hair colors, but because we

0:45:06.800 --> 0:45:08.759
<v Speaker 1>don't know their names, I don't know how those are

0:45:08.760 --> 0:45:10.680
<v Speaker 1>the only time. For the most part, there's are the

0:45:10.680 --> 0:45:12.439
<v Speaker 1>only two types of women we see in this movie

0:45:12.440 --> 0:45:16.200
<v Speaker 1>are blonde. White blonde and white brunette. Were with a

0:45:16.239 --> 0:45:19.400
<v Speaker 1>few but mostly yes. Right, so there the woman with

0:45:19.440 --> 0:45:22.600
<v Speaker 1>like shorter, kind of auburn burnette hair. I don't think

0:45:22.600 --> 0:45:25.320
<v Speaker 1>we ever actually learned her name on screen. I hope

0:45:25.360 --> 0:45:27.799
<v Speaker 1>we do. She does have those friendships, and those are

0:45:27.800 --> 0:45:32.240
<v Speaker 1>two women who support her, except that they're basically supporting

0:45:32.440 --> 0:45:36.280
<v Speaker 1>l in her pursuit of being proposed to buy Warner

0:45:36.360 --> 0:45:38.960
<v Speaker 1>and not necessarily her pursuit of going because whenever L'

0:45:39.000 --> 0:45:41.440
<v Speaker 1>is like, oh, I'm studying for the els ads, I'm

0:45:41.480 --> 0:45:43.839
<v Speaker 1>gonna go to Harvard Law School, and they're like, why

0:45:43.920 --> 0:45:46.640
<v Speaker 1>would you do that? And then there's a phone call

0:45:46.719 --> 0:45:49.959
<v Speaker 1>later on when they again, to be fair, she's never

0:45:50.040 --> 0:45:54.480
<v Speaker 1>displayed an interest in law. Never Yeah, And then but

0:45:54.520 --> 0:45:56.960
<v Speaker 1>there's a scene whenever, like she gives them a call

0:45:57.080 --> 0:45:59.200
<v Speaker 1>and she's like, has he proposed yet? We want you

0:45:59.360 --> 0:46:01.360
<v Speaker 1>to come back so that you can leave law school.

0:46:01.520 --> 0:46:04.840
<v Speaker 1>That scenes sucks. At first. I appreciate how her friends

0:46:04.840 --> 0:46:07.719
<v Speaker 1>in California are supportive of what she's trying. I don't

0:46:07.760 --> 0:46:09.799
<v Speaker 1>think that they should, like, you know, a real friend

0:46:09.800 --> 0:46:12.160
<v Speaker 1>would be like, you don't do that, Like you know,

0:46:12.200 --> 0:46:15.439
<v Speaker 1>like if you were like, hey, I've fallen in love

0:46:15.520 --> 0:46:19.760
<v Speaker 1>with a carpenter, I need to start working in construction

0:46:20.200 --> 0:46:25.600
<v Speaker 1>in Indiana tomorrow, I would say, hold the fund. Actually,

0:46:25.680 --> 0:46:28.719
<v Speaker 1>do not do that. That's a bad idea. However, their

0:46:28.760 --> 0:46:31.880
<v Speaker 1>support of can't discredit them for that. But then when

0:46:31.920 --> 0:46:35.759
<v Speaker 1>even when she does go to Harvard and starts to

0:46:36.239 --> 0:46:39.280
<v Speaker 1>have a vested interest in her own education, that whole

0:46:39.280 --> 0:46:41.480
<v Speaker 1>scene they don't ask about school at all, and it's like,

0:46:42.040 --> 0:46:45.839
<v Speaker 1>the whole scene is about the blonde woman's wedding and

0:46:46.120 --> 0:46:49.000
<v Speaker 1>we miss you, and also we didn't tell you that

0:46:49.120 --> 0:46:51.400
<v Speaker 1>one of us is getting married before we went wedding

0:46:51.480 --> 0:46:55.680
<v Speaker 1>dress shopping, but we're friends. Weird. Anyways, that storyline does

0:46:55.719 --> 0:46:58.960
<v Speaker 1>resolve itself by the two of them showing up in

0:46:59.040 --> 0:47:01.640
<v Speaker 1>her big case of the end a lot of third magic,

0:47:02.640 --> 0:47:04.799
<v Speaker 1>But until then, it's just a whole lot of like

0:47:05.320 --> 0:47:08.400
<v Speaker 1>why are you in law school? Law schools for losers?

0:47:08.440 --> 0:47:12.839
<v Speaker 1>But she to have her displayed in interesting like, which

0:47:12.880 --> 0:47:14.840
<v Speaker 1>is as that does make sense, which is part of

0:47:14.840 --> 0:47:19.040
<v Speaker 1>the problem about a movie where the main character the

0:47:19.640 --> 0:47:22.480
<v Speaker 1>thing that they're not interested in. Also, it seems like

0:47:22.520 --> 0:47:24.560
<v Speaker 1>she was very like I mean, even if we go

0:47:24.600 --> 0:47:27.040
<v Speaker 1>back to that admission scene where she did have all

0:47:27.040 --> 0:47:30.920
<v Speaker 1>these fashion industry based accomplishments, seems like you were passionate

0:47:30.920 --> 0:47:35.160
<v Speaker 1>about that and then she and I mean, it's a

0:47:35.200 --> 0:47:38.200
<v Speaker 1>testament to her intelligence and her character that she's able

0:47:38.239 --> 0:47:40.799
<v Speaker 1>to make a total switch and still excel at it.

0:47:40.880 --> 0:47:43.560
<v Speaker 1>But it's like you seemed like you're doing pretty well,

0:47:43.640 --> 0:47:46.040
<v Speaker 1>like you had a four point oh in this industry

0:47:46.040 --> 0:47:49.560
<v Speaker 1>that you were already working in. But sure old wait

0:47:49.640 --> 0:47:54.280
<v Speaker 1>list showed Warrener, you know, throw all that away. Maybe

0:47:54.320 --> 0:47:57.359
<v Speaker 1>though she gets her law degree and then she ends

0:47:57.400 --> 0:47:59.719
<v Speaker 1>up working in fashion law. You know that branch of

0:47:59.840 --> 0:48:02.719
<v Speaker 1>law off I'm sure exists. I mean, like well, I mean,

0:48:02.800 --> 0:48:07.839
<v Speaker 1>and in terms of like Elwoods character staying always tur

0:48:08.200 --> 0:48:11.880
<v Speaker 1>which I think is why regardless of all the issues

0:48:11.920 --> 0:48:16.280
<v Speaker 1>of like she's a rich white lady with limitless means,

0:48:16.960 --> 0:48:19.480
<v Speaker 1>I think that the reason people connect with this character

0:48:19.520 --> 0:48:24.120
<v Speaker 1>so strongly is she never abandons her interests and her

0:48:24.239 --> 0:48:26.320
<v Speaker 1>like the essence of who she is. At the beginning

0:48:26.320 --> 0:48:28.680
<v Speaker 1>of the movie, we see her grow as a person

0:48:28.800 --> 0:48:31.160
<v Speaker 1>and grow into herself a little bit, but like she doesn't.

0:48:31.800 --> 0:48:38.160
<v Speaker 1>There's not that total Princess Diaries style one eighty from

0:48:38.200 --> 0:48:40.560
<v Speaker 1>I was like this and now I'm the opposite, and

0:48:40.600 --> 0:48:44.319
<v Speaker 1>it's better where Elwood's remains herself and grows as a person.

0:48:44.400 --> 0:48:46.600
<v Speaker 1>I think that. I mean, that's why I like her

0:48:46.719 --> 0:48:50.560
<v Speaker 1>a lot. And even though it's very like God in

0:48:50.560 --> 0:48:53.600
<v Speaker 1>the Machinery at the in the in the scene where

0:48:54.080 --> 0:48:57.360
<v Speaker 1>she's able to extract a murder confession from a brunette

0:48:58.800 --> 0:49:02.040
<v Speaker 1>because of her knowledge of how perms work, which is

0:49:02.080 --> 0:49:06.319
<v Speaker 1>I think a really well written scene and goofy, you

0:49:06.360 --> 0:49:08.760
<v Speaker 1>know see, I think I have some problems with that scene,

0:49:08.800 --> 0:49:13.120
<v Speaker 1>but I mean I think that it's one of those

0:49:13.160 --> 0:49:15.279
<v Speaker 1>things where for me it's like comes down to like

0:49:16.000 --> 0:49:19.040
<v Speaker 1>from an entertainment aspect, I feel like the right choice

0:49:19.080 --> 0:49:21.600
<v Speaker 1>was made of like that is fun to watch, of

0:49:21.719 --> 0:49:24.560
<v Speaker 1>like she's using her knowledge she's had the whole time

0:49:24.880 --> 0:49:27.719
<v Speaker 1>in order to accomplish a new goal. I think that

0:49:27.719 --> 0:49:29.880
<v Speaker 1>that at its core is interesting. I think that on

0:49:29.920 --> 0:49:34.759
<v Speaker 1>the other hand, having her be like really heteronormative girl

0:49:34.840 --> 0:49:39.480
<v Speaker 1>knowledge put a brunette in jail. You know, like that

0:49:40.239 --> 0:49:42.080
<v Speaker 1>not as good because like it would be great to

0:49:42.080 --> 0:49:45.560
<v Speaker 1>see her definitely use the law to put her as

0:49:45.600 --> 0:49:49.040
<v Speaker 1>opposed to using perm knowledge. Character Wise, it makes sense

0:49:49.040 --> 0:49:51.400
<v Speaker 1>to me, right exactly because the movie sets it up

0:49:51.440 --> 0:49:53.880
<v Speaker 1>that like L is the only one who could have

0:49:53.920 --> 0:49:56.959
<v Speaker 1>figured this out because of her knowledge of hair care

0:49:57.080 --> 0:50:00.719
<v Speaker 1>and fashionality, because she's a similar thing happened where a

0:50:00.840 --> 0:50:06.080
<v Speaker 1>character that she's trying to sort of incriminate the pool

0:50:06.200 --> 0:50:11.279
<v Speaker 1>boy whose characters they mightn't remember into but salvataere yeah,

0:50:11.520 --> 0:50:14.520
<v Speaker 1>because he has made the statement that Brook Taylor, the

0:50:14.600 --> 0:50:17.359
<v Speaker 1>person that they're defending in this case, he and her

0:50:17.360 --> 0:50:20.080
<v Speaker 1>were lovers. And she's like, hang on a minute, that

0:50:20.120 --> 0:50:23.800
<v Speaker 1>doesn't check out. And then he says something like yeah,

0:50:23.920 --> 0:50:27.120
<v Speaker 1>he makes a comment on her like product shoes. She's like,

0:50:27.560 --> 0:50:30.319
<v Speaker 1>wait a minute, he can't have had an affair with her.

0:50:30.640 --> 0:50:34.480
<v Speaker 1>He's gay because he knows about product. This movie's queer

0:50:34.520 --> 0:50:39.200
<v Speaker 1>characters are not treated well before we get there. I

0:50:39.239 --> 0:50:42.560
<v Speaker 1>think that the movie does make that commentary of L

0:50:42.719 --> 0:50:46.719
<v Speaker 1>being uniquely qualified to law is made time and time

0:50:46.760 --> 0:50:50.400
<v Speaker 1>again because and again it's set up plot wise, it

0:50:50.680 --> 0:50:53.240
<v Speaker 1>very easily. If the plot had gone literally in any

0:50:53.280 --> 0:50:56.279
<v Speaker 1>other less convenient direction, would not be true and we'd

0:50:56.280 --> 0:51:00.239
<v Speaker 1>see her struggle more. But when the main legal of

0:51:00.280 --> 0:51:04.600
<v Speaker 1>the movie is a sorority sister who the East Coast

0:51:04.640 --> 0:51:07.960
<v Speaker 1>elite have trouble communicating with, L again is the one

0:51:08.000 --> 0:51:12.200
<v Speaker 1>who's uniquely qualified to communicate with her. So to me,

0:51:12.400 --> 0:51:16.120
<v Speaker 1>because we had already seen LB positioned as like she

0:51:16.440 --> 0:51:19.840
<v Speaker 1>is learning and doing very well in law school, and

0:51:19.880 --> 0:51:21.960
<v Speaker 1>it's like accomplishing and doing all the things she should

0:51:22.000 --> 0:51:26.200
<v Speaker 1>be doing. But the twist is she is also able

0:51:26.239 --> 0:51:31.520
<v Speaker 1>to communicate with wealthy blonde women. To me, that tracked

0:51:31.719 --> 0:51:34.279
<v Speaker 1>through the end of like where her wealthy blonde woman

0:51:34.400 --> 0:51:38.880
<v Speaker 1>knowledge was able to put a wealthy brunette woman in jail.

0:51:39.080 --> 0:51:41.920
<v Speaker 1>I don't know. But but even if it is a

0:51:41.960 --> 0:51:45.040
<v Speaker 1>problematic through line, it is a through line sure. I mean,

0:51:45.160 --> 0:51:49.879
<v Speaker 1>like I said, the movie does make a point to demonstrate, Yeah,

0:51:50.080 --> 0:51:51.560
<v Speaker 1>L is the only one that could have won this

0:51:51.600 --> 0:51:54.640
<v Speaker 1>case because of her knowledge about you know, hair and

0:51:54.680 --> 0:51:56.960
<v Speaker 1>fashion that no one else had. And she makes all

0:51:57.000 --> 0:52:00.200
<v Speaker 1>these breakthroughs in this case because her like sisterhood with

0:52:00.320 --> 0:52:03.120
<v Speaker 1>the client and all that stuff. So it's being like, hey,

0:52:03.160 --> 0:52:07.360
<v Speaker 1>this type of woman can be an asset in the world. However, Okay,

0:52:07.440 --> 0:52:10.960
<v Speaker 1>so she does figure out the case by using deductive

0:52:11.000 --> 0:52:14.960
<v Speaker 1>reasoning and using her intelligence just figuring it out law,

0:52:15.600 --> 0:52:18.760
<v Speaker 1>but like maybe not the core of it, but her

0:52:18.800 --> 0:52:21.880
<v Speaker 1>prime skill that makes her figure all this out is

0:52:21.920 --> 0:52:26.920
<v Speaker 1>like a very stereotypical, hyper feminine thing where it's like, yes,

0:52:27.040 --> 0:52:31.000
<v Speaker 1>hair and beauty and vanity kind of thing bugged me

0:52:31.200 --> 0:52:33.880
<v Speaker 1>a little bit, not so much that I still wasn't

0:52:34.000 --> 0:52:38.320
<v Speaker 1>on board with that whole, but it's just it was

0:52:38.360 --> 0:52:40.880
<v Speaker 1>just a little frustrating that, like, and the thing that

0:52:40.960 --> 0:52:46.399
<v Speaker 1>gets her to win the cases marketable, Yeah, like marketable

0:52:46.440 --> 0:52:51.360
<v Speaker 1>traditionally feminine qualities. Like, yeah, she is a tricky character

0:52:51.400 --> 0:52:54.400
<v Speaker 1>because it's like it's very easy to see almost everything

0:52:54.440 --> 0:52:57.799
<v Speaker 1>she does in two very different rice. Again going back

0:52:57.840 --> 0:53:01.040
<v Speaker 1>to the movie, really doubling down on like l is

0:53:01.080 --> 0:53:06.360
<v Speaker 1>herself and this is what is the cause of her succeeding,

0:53:06.480 --> 0:53:09.040
<v Speaker 1>is like sticking to her guns and this sort of

0:53:09.080 --> 0:53:11.719
<v Speaker 1>I guess that weighs into the East Coast Women and

0:53:11.920 --> 0:53:15.480
<v Speaker 1>Vivian in particular, is that where she has this very

0:53:15.480 --> 0:53:19.120
<v Speaker 1>contentious relationship with Vivian for the at least the first

0:53:19.120 --> 0:53:24.040
<v Speaker 1>half of the movie, it's her being herself by honoring

0:53:24.120 --> 0:53:28.640
<v Speaker 1>the sisterhood Delta new vows between she and Brooke that

0:53:28.760 --> 0:53:32.719
<v Speaker 1>wins Vivian's respect. So again, it's like l doing a

0:53:32.880 --> 0:53:35.440
<v Speaker 1>very l thing that ends up winning the respect of

0:53:35.480 --> 0:53:39.400
<v Speaker 1>someone you wouldn't expect And I really like that. Yeah,

0:53:40.000 --> 0:53:44.719
<v Speaker 1>more on that, especially her friendship arc with Vivian and

0:53:44.719 --> 0:53:49.560
<v Speaker 1>then one of the other notable female characters, Enid. So,

0:53:50.120 --> 0:53:53.719
<v Speaker 1>as I said many many moons ago, she has a

0:53:53.800 --> 0:53:57.160
<v Speaker 1>couple of female friendships that are strong and supportive and

0:53:57.200 --> 0:53:59.720
<v Speaker 1>that's great, and then she has another one in Paulette,

0:53:59.719 --> 0:54:02.759
<v Speaker 1>which can talk about in a second. But then she

0:54:02.800 --> 0:54:07.080
<v Speaker 1>has these The movie sort of poises her against these

0:54:07.280 --> 0:54:10.400
<v Speaker 1>couple other female characters who are classmates of her. So

0:54:10.440 --> 0:54:13.280
<v Speaker 1>it's basically saying like, oh, well, these, you know, Vivian

0:54:13.640 --> 0:54:17.359
<v Speaker 1>and l and Enid our classmates, and therefore they're sort

0:54:17.360 --> 0:54:19.400
<v Speaker 1>of in competition because everyone's going to be vying for

0:54:19.440 --> 0:54:22.479
<v Speaker 1>the best grades and these coveted internships and and stuff

0:54:22.520 --> 0:54:25.759
<v Speaker 1>like that. I mean that makes sense, and also that

0:54:26.440 --> 0:54:30.400
<v Speaker 1>it does. However, Vivian is introduced and immediately their enemies

0:54:30.440 --> 0:54:34.319
<v Speaker 1>because the first scene you see Vivian is her being like, yes,

0:54:34.920 --> 0:54:37.720
<v Speaker 1>I agree, professor, she's unprepared kick her out of class,

0:54:37.760 --> 0:54:40.480
<v Speaker 1>and then the scene right after that is yeah. The

0:54:40.560 --> 0:54:43.600
<v Speaker 1>scene right after that is L learning that Vivian and

0:54:43.640 --> 0:54:47.120
<v Speaker 1>Warner are engaged, and then there's a bunch of scenes

0:54:47.160 --> 0:54:50.000
<v Speaker 1>after that where Vivian like makes a point to flaunt

0:54:50.239 --> 0:54:55.280
<v Speaker 1>her engagement to Warner in front of L. So basically,

0:54:55.440 --> 0:54:57.560
<v Speaker 1>even though she's in law school and pursuing alat and like,

0:54:57.640 --> 0:54:59.080
<v Speaker 1>this is a passion of hers that we are meant

0:54:59.120 --> 0:55:02.839
<v Speaker 1>to believe throughout her whole life, unlike L, who just

0:55:02.880 --> 0:55:05.640
<v Speaker 1>decided two months ago, I'm going to go to law school,

0:55:06.239 --> 0:55:09.320
<v Speaker 1>which is that's another Still, it's a fun Victor Garver's

0:55:09.400 --> 0:55:11.640
<v Speaker 1>character sucks, but that's a fun line in the movie Wait,

0:55:11.680 --> 0:55:14.319
<v Speaker 1>which one slightly misogynsts, but it is fun. It's like,

0:55:14.480 --> 0:55:15.880
<v Speaker 1>I do you think she woke up one day and

0:55:15.960 --> 0:55:17.640
<v Speaker 1>was like, oh, go to law school? Because that is

0:55:17.680 --> 0:55:21.240
<v Speaker 1>literally what happened. That is what happened. But so with Vivian,

0:55:21.560 --> 0:55:25.160
<v Speaker 1>we're meant to believe is this passionate about law person.

0:55:25.800 --> 0:55:29.680
<v Speaker 1>Yet the movie spends so much time showing her being

0:55:29.920 --> 0:55:33.799
<v Speaker 1>very petty toward L and basically only caring about her

0:55:33.840 --> 0:55:39.759
<v Speaker 1>engagement to Warner. I think Vivian is a totally dissonant,

0:55:40.560 --> 0:55:46.319
<v Speaker 1>underwritten character as a whole. Again, switching to the other

0:55:46.440 --> 0:55:51.120
<v Speaker 1>side of this, the movie has everyone wanting to be

0:55:51.200 --> 0:55:54.640
<v Speaker 1>firmly in Elwood's corner the entire movie. The way Vivian

0:55:54.719 --> 0:55:58.239
<v Speaker 1>reacts to l in the first third to half of

0:55:58.239 --> 0:56:01.640
<v Speaker 1>the movie is always too much, Like it's always too much,

0:56:01.880 --> 0:56:05.360
<v Speaker 1>hey's my boyfriend now, and like I want you to

0:56:05.480 --> 0:56:08.759
<v Speaker 1>leave class because I don't like you, Like it's too much,

0:56:08.840 --> 0:56:13.080
<v Speaker 1>and they're they're laying it on too thick. Fundamentally, I

0:56:13.200 --> 0:56:17.640
<v Speaker 1>don't think it's fair to demonize Vivian to have it

0:56:17.680 --> 0:56:20.960
<v Speaker 1>seem like how ridiculous that she feels like it's weird

0:56:21.480 --> 0:56:27.279
<v Speaker 1>that her fiance's ex girlfriend uprooted her life to go

0:56:27.440 --> 0:56:31.440
<v Speaker 1>to the same school as him, Right, that's uncomfortable and

0:56:31.480 --> 0:56:34.680
<v Speaker 1>they're forced together over and over. The scene where this

0:56:35.239 --> 0:56:39.319
<v Speaker 1>was clearest to me because there are Vivian, by and

0:56:39.440 --> 0:56:44.319
<v Speaker 1>large overreacts is too mean, goes too out of her

0:56:44.360 --> 0:56:48.239
<v Speaker 1>way to make l unhappy, like, and there's the big

0:56:48.280 --> 0:56:50.160
<v Speaker 1>plot points of like, oh, it's a costing party but

0:56:50.239 --> 0:56:52.200
<v Speaker 1>it's not actually a cost part and stuff like that.

0:56:52.400 --> 0:56:56.480
<v Speaker 1>But there is one scene in which it's another just

0:56:56.680 --> 0:56:59.760
<v Speaker 1>weird bizarrow like okay two thousand one kind of scene

0:57:00.200 --> 0:57:03.200
<v Speaker 1>where L shows up because she wants to join Warner's

0:57:03.239 --> 0:57:09.480
<v Speaker 1>study group, and Vivian is clearly uncomfortable, and I don't

0:57:09.520 --> 0:57:13.520
<v Speaker 1>think the movie wants us on her side, but it's like, yeah,

0:57:13.719 --> 0:57:17.960
<v Speaker 1>of course, she's like, you don't want this person who

0:57:18.200 --> 0:57:22.760
<v Speaker 1>objectively would seem perhaps a little unhinged forcing themselves to

0:57:22.760 --> 0:57:25.800
<v Speaker 1>be ready, like I'm fully on Vivian. Vivian's corner in

0:57:25.840 --> 0:57:29.200
<v Speaker 1>that scene, and she is not nice about it, but

0:57:29.280 --> 0:57:32.360
<v Speaker 1>in that particular scene, she's not overly rude about it,

0:57:32.720 --> 0:57:36.400
<v Speaker 1>and L, to her credit, takes the hint and says, Okay,

0:57:36.440 --> 0:57:39.440
<v Speaker 1>I'm gonna go, And then this very strange thing happens

0:57:39.440 --> 0:57:43.240
<v Speaker 1>that she leaves the scene where Enid the only queer

0:57:43.280 --> 0:57:46.080
<v Speaker 1>female character we see in the movie. I wasn't sure

0:57:46.080 --> 0:57:48.240
<v Speaker 1>if it's like she had heard a rumor that Ellen

0:57:48.560 --> 0:57:52.640
<v Speaker 1>said something, or like was just making an assumption about

0:57:52.760 --> 0:57:55.080
<v Speaker 1>L based on her appearance or what it was, But

0:57:55.160 --> 0:57:58.960
<v Speaker 1>she was basically saying like whatever, like she saidn't like

0:57:59.360 --> 0:58:02.240
<v Speaker 1>like maybe there's like a sorority you can join, like

0:58:03.200 --> 0:58:05.200
<v Speaker 1>making fun of her, like you said, based on her,

0:58:05.280 --> 0:58:07.440
<v Speaker 1>like the way she presents herself in talks and looks,

0:58:08.640 --> 0:58:12.000
<v Speaker 1>and then there's a weird like, oh, wouldn't you call

0:58:12.080 --> 0:58:18.680
<v Speaker 1>me a dyke? And then l makes a very weird choice,

0:58:19.320 --> 0:58:23.960
<v Speaker 1>after just gracefully exciting a tense situation that she caused,

0:58:24.760 --> 0:58:29.520
<v Speaker 1>says I don't use that word, but Vivian probably does,

0:58:29.880 --> 0:58:32.920
<v Speaker 1>and so she's just like, um, I know I can't

0:58:32.960 --> 0:58:36.440
<v Speaker 1>be in the study group. Vivian hates gay people goodbye,

0:58:36.600 --> 0:58:39.880
<v Speaker 1>and you're just like that seems of it Like that's

0:58:40.080 --> 0:58:44.120
<v Speaker 1>because L, again, to that character's credit, does not go

0:58:44.360 --> 0:58:49.160
<v Speaker 1>after Vivian in as rude and antagonistic away that Vivian

0:58:49.200 --> 0:58:51.480
<v Speaker 1>goes after her for part of the movie. Granted, it

0:58:51.520 --> 0:58:55.080
<v Speaker 1>is a major motivation of her to take quote unquote

0:58:55.360 --> 0:59:00.280
<v Speaker 1>Warner from again, it's it's a lot like Warner's should

0:59:00.280 --> 0:59:02.360
<v Speaker 1>have been just allowed to break up with L and

0:59:02.440 --> 0:59:04.840
<v Speaker 1>be an asshole for the rest of his life, but

0:59:05.720 --> 0:59:08.000
<v Speaker 1>then we wouldn't have the movie. So right, A quick

0:59:08.040 --> 0:59:10.760
<v Speaker 1>point I want to make about the way that Enid

0:59:11.040 --> 0:59:13.760
<v Speaker 1>and Vivian, at least in the beginning of the movie,

0:59:13.800 --> 0:59:16.439
<v Speaker 1>and then Vivian has a like a girlfriend character whose

0:59:16.520 --> 0:59:19.400
<v Speaker 1>name I don't think we ever learned, but the three

0:59:19.400 --> 0:59:24.800
<v Speaker 1>of them are all very mean to bitches, right. They

0:59:24.880 --> 0:59:27.160
<v Speaker 1>mock her the way that she looks, in the way

0:59:27.160 --> 0:59:29.960
<v Speaker 1>that she talks, which is suggesting that all of these

0:59:29.960 --> 0:59:33.760
<v Speaker 1>women who are adults and in law school are so

0:59:33.840 --> 0:59:37.320
<v Speaker 1>petty that they are judging L solely on the way

0:59:37.440 --> 0:59:40.640
<v Speaker 1>she presents herself, and you know, they're meant to be vilified.

0:59:40.720 --> 0:59:43.160
<v Speaker 1>And most of these characters come around at the end

0:59:43.200 --> 0:59:45.360
<v Speaker 1>and say I was wrong to judge you like that,

0:59:46.120 --> 0:59:50.840
<v Speaker 1>but it's basically saying, like, look how petty these women

0:59:50.880 --> 0:59:55.160
<v Speaker 1>are for no reason, which was weird to me. And

0:59:55.200 --> 0:59:58.720
<v Speaker 1>then yeah, definitely that scene where Enid's like, you probably

0:59:58.760 --> 1:00:03.480
<v Speaker 1>call me a and say something like weird. If you

1:00:03.560 --> 1:00:06.320
<v Speaker 1>had come to a party, I would have been nice

1:00:06.360 --> 1:00:08.960
<v Speaker 1>to you, which I believe because that is what we like.

1:00:09.040 --> 1:00:12.680
<v Speaker 1>A nice character. L reminds me a lot of share

1:00:12.880 --> 1:00:23.560
<v Speaker 1>from Clueless and even share like chair you know um

1:00:23.720 --> 1:00:28.040
<v Speaker 1>that share no share from Clueless. Who we see share

1:00:30.520 --> 1:00:32.760
<v Speaker 1>who is like I think we talked about on the

1:00:32.760 --> 1:00:37.120
<v Speaker 1>Clueless episode is an example of you know, a rich,

1:00:37.360 --> 1:00:42.080
<v Speaker 1>blonde white girl who we often see sort of vilified

1:00:42.120 --> 1:00:45.000
<v Speaker 1>in movies, but as a nice person who's really who

1:00:45.120 --> 1:00:48.040
<v Speaker 1>sweet and oh that's that's nectually. I didn't even thought

1:00:48.080 --> 1:00:50.520
<v Speaker 1>of the share parallels in this movie, but there are,

1:00:51.280 --> 1:00:57.480
<v Speaker 1>especially with the share lels, the sharp share parallels, and

1:00:57.520 --> 1:01:03.160
<v Speaker 1>the share lels. I accept it um because at the

1:01:03.160 --> 1:01:05.080
<v Speaker 1>top of the movie, when especially when they're on the

1:01:05.120 --> 1:01:07.720
<v Speaker 1>West Coast, people can't start talking about how much money

1:01:07.760 --> 1:01:11.320
<v Speaker 1>they have, where Warner's literally driving beside El in a

1:01:11.360 --> 1:01:13.960
<v Speaker 1>convertible and she's like, I grew up in bel Air.

1:01:14.080 --> 1:01:17.400
<v Speaker 1>I'm not white trash, which is like, um triggered, but

1:01:17.880 --> 1:01:19.720
<v Speaker 1>we are sort of like, oh, you know, L is

1:01:19.760 --> 1:01:22.080
<v Speaker 1>kind of a rich bitch, which she she's rich, but

1:01:22.160 --> 1:01:26.240
<v Speaker 1>she's not a bit and that while again it is

1:01:26.280 --> 1:01:29.680
<v Speaker 1>not the most pressing commentary to be making in a movie,

1:01:29.840 --> 1:01:34.920
<v Speaker 1>I think is generally positive of like L seems. I mean,

1:01:35.000 --> 1:01:38.760
<v Speaker 1>she vocalizes several times she is aware of her own privilege,

1:01:39.640 --> 1:01:44.280
<v Speaker 1>but still works hard and is by and large decent

1:01:44.320 --> 1:01:47.560
<v Speaker 1>to everyone she comes into contact with. And the main

1:01:47.800 --> 1:01:50.880
<v Speaker 1>I mean, granted, this is a very white movie, but

1:01:50.920 --> 1:01:54.000
<v Speaker 1>we do see her come into contact with people who

1:01:54.000 --> 1:01:58.280
<v Speaker 1>are a different class than she is via Jennifer Coolidge's

1:01:58.360 --> 1:02:02.520
<v Speaker 1>character Paulette who is sort of like plays into this

1:02:02.560 --> 1:02:08.200
<v Speaker 1>like white trash New England trope and l never. I mean,

1:02:08.240 --> 1:02:11.440
<v Speaker 1>there's not even an exchange where any judgment is passed

1:02:11.480 --> 1:02:16.360
<v Speaker 1>about her class, So you know, again it's like this

1:02:16.440 --> 1:02:19.840
<v Speaker 1>isn't like we need to be seeing that rich white

1:02:19.840 --> 1:02:23.440
<v Speaker 1>women can be good people. But if that is the

1:02:23.480 --> 1:02:27.960
<v Speaker 1>protagonist of the movie, I appreciate that choice. That brings

1:02:28.000 --> 1:02:30.320
<v Speaker 1>me to a very bizarre scene that happens in the movie,

1:02:30.360 --> 1:02:34.600
<v Speaker 1>which is the Bendon Snap. I love the Bendon Snap

1:02:34.600 --> 1:02:37.200
<v Speaker 1>scene and if you've seen I haven't seen it on

1:02:37.320 --> 1:02:41.360
<v Speaker 1>Broadway because I'm not a millionaire, but I have seen

1:02:42.040 --> 1:02:46.720
<v Speaker 1>videos of it. The Legally Blond musical is banging. It's

1:02:46.800 --> 1:02:49.720
<v Speaker 1>really good. The Bendon Snap song rules. The Bendon Snap

1:02:50.080 --> 1:02:53.040
<v Speaker 1>scene is so weird because it's sort of like, look

1:02:53.040 --> 1:02:56.439
<v Speaker 1>at l Woods teaching these poor women how to do

1:02:56.600 --> 1:03:00.640
<v Speaker 1>this weird thing. I love that thing. Well, the context

1:03:00.680 --> 1:03:03.800
<v Speaker 1>of the scene is like that her teaching these women

1:03:04.440 --> 1:03:08.040
<v Speaker 1>how to appeal to a man better with something that

1:03:08.280 --> 1:03:11.920
<v Speaker 1>looks crazy, because it's like the bend over because you

1:03:12.040 --> 1:03:15.200
<v Speaker 1>drop something and then snap back up and show your

1:03:15.320 --> 1:03:19.680
<v Speaker 1>perky body and it's like really bizarre. It feels so

1:03:19.720 --> 1:03:21.480
<v Speaker 1>out of place in the movie. But it is one

1:03:21.520 --> 1:03:24.160
<v Speaker 1>of the few scenes where you see any women of color,

1:03:24.520 --> 1:03:28.840
<v Speaker 1>but it's they're all Bendon and snap. It's really bizarre.

1:03:29.240 --> 1:03:32.000
<v Speaker 1>And then this gay man comes out at the end,

1:03:32.080 --> 1:03:35.720
<v Speaker 1>or someone who were supposed to perceive as being gay,

1:03:35.760 --> 1:03:39.400
<v Speaker 1>and he says something like, oh the abndon snap and done.

1:03:39.640 --> 1:03:43.360
<v Speaker 1>That cuts to the last ten seconds of these scenes.

1:03:43.560 --> 1:03:46.000
<v Speaker 1>The whole scenes crazy, but the last ten seconds of

1:03:46.000 --> 1:03:49.480
<v Speaker 1>the scene particularly baffling. It's like a woman like breakdancing

1:03:49.520 --> 1:03:53.400
<v Speaker 1>after Benson and snapping, and then cutting to game in

1:03:53.480 --> 1:03:58.640
<v Speaker 1>and like a waiters uniform and Elson bringing something out

1:03:58.640 --> 1:04:01.600
<v Speaker 1>and being like, oh yeah, it's like, oh, Bendon snap,

1:04:01.880 --> 1:04:08.280
<v Speaker 1>cut to two dogs panting and the scene its bonkers bananas.

1:04:08.800 --> 1:04:12.439
<v Speaker 1>I encourage rewatch of that scene. You know, if there

1:04:12.520 --> 1:04:16.040
<v Speaker 1>is something problematic in that scene, I was too sensory

1:04:16.160 --> 1:04:19.920
<v Speaker 1>overloaded to recognize it. It was just it's just a

1:04:19.960 --> 1:04:23.120
<v Speaker 1>weird fucking scene, and to me, one of the best

1:04:23.120 --> 1:04:26.000
<v Speaker 1>parts of the whole movie because the only time that

1:04:26.080 --> 1:04:29.320
<v Speaker 1>Bendon is also to the point of like the scene

1:04:29.320 --> 1:04:32.000
<v Speaker 1>probably should have been cut. The only time the Bendon

1:04:32.040 --> 1:04:35.720
<v Speaker 1>snap scene is brought back is when Jennifer Coolidge's character

1:04:35.760 --> 1:04:38.320
<v Speaker 1>tries it and it doesn't work. It fails because she

1:04:38.360 --> 1:04:43.960
<v Speaker 1>brings we never see a successful bendon sny accomplixed a

1:04:44.160 --> 1:04:47.240
<v Speaker 1>very long scene of it being introduced to forty people

1:04:47.280 --> 1:04:49.919
<v Speaker 1>for some reason, and then the one time it's brought back,

1:04:50.160 --> 1:04:54.959
<v Speaker 1>it breaks someone's nose. But she still manages to quote

1:04:55.000 --> 1:04:58.560
<v Speaker 1>unquote snag that guy, that the ups guy who she

1:04:58.840 --> 1:05:01.960
<v Speaker 1>was interested in, which is perhaps a comment on you

1:05:01.960 --> 1:05:05.960
<v Speaker 1>don't need to do this elaborate movement to attract a mate.

1:05:06.440 --> 1:05:08.960
<v Speaker 1>You can just, I don't know, talk to someone and

1:05:09.000 --> 1:05:11.520
<v Speaker 1>see if they might be interested in you too. Well,

1:05:11.760 --> 1:05:14.720
<v Speaker 1>can we can we tackle the Jennifer Coolish Yeah, because

1:05:14.760 --> 1:05:16.680
<v Speaker 1>she's there's so many females. I mean, this is a

1:05:16.680 --> 1:05:20.080
<v Speaker 1>good problem to have, but there's a lot here. Um yeah, wait,

1:05:20.160 --> 1:05:24.360
<v Speaker 1>let me. We've been recording for about an hour and

1:05:24.440 --> 1:05:27.200
<v Speaker 1>I still have a lot to say that because there's

1:05:27.240 --> 1:05:33.720
<v Speaker 1>a whole callahan, I'm exhausted. Um, this is gonna be

1:05:33.760 --> 1:05:37.439
<v Speaker 1>a two hour episode. It can't be. I literally will

1:05:37.440 --> 1:05:41.600
<v Speaker 1>pass out, Okay, Jennifer Coolidge, Yes, Jennifer Coolidge is our

1:05:41.760 --> 1:05:45.040
<v Speaker 1>resident poor person in this movie. Her name is pault.

1:05:45.240 --> 1:05:48.040
<v Speaker 1>In this movie, L meets her when she has a

1:05:48.080 --> 1:05:50.360
<v Speaker 1>full body panic because she has you know, she's she

1:05:50.400 --> 1:05:53.040
<v Speaker 1>needs and I do. I think character wise, she's seeking

1:05:53.040 --> 1:05:56.400
<v Speaker 1>out something familiar in an unfamiliar place. I do this

1:05:56.680 --> 1:06:01.919
<v Speaker 1>with eyehop everywhere I go Duncan Donuts exactly, like yeah,

1:06:01.960 --> 1:06:04.280
<v Speaker 1>like I understand that. She's like, oh, this is somewhere

1:06:04.320 --> 1:06:07.360
<v Speaker 1>that makes sense to me. It's a character based decision

1:06:07.360 --> 1:06:09.600
<v Speaker 1>that makes a lot of sense. So she meets Jennifer Cold,

1:06:09.600 --> 1:06:12.840
<v Speaker 1>who's a nail technician at this place. Paula introduces herself

1:06:12.920 --> 1:06:16.760
<v Speaker 1>as She's like, I'm a middle aged woman who did

1:06:16.800 --> 1:06:20.320
<v Speaker 1>not graduate from high school. I dated the same man

1:06:20.400 --> 1:06:23.520
<v Speaker 1>for eight years and he randomly left me. This is

1:06:23.600 --> 1:06:26.840
<v Speaker 1>the worst blah blah blah. Like she she clearly finds

1:06:26.840 --> 1:06:30.960
<v Speaker 1>herself to be a very tragic, irredeemable character. Didn't even

1:06:30.960 --> 1:06:34.000
<v Speaker 1>get to celebrate my dog's birthday. Yeah right, she and

1:06:34.040 --> 1:06:37.520
<v Speaker 1>she misses her dog and l at this point in

1:06:37.520 --> 1:06:40.919
<v Speaker 1>the movie is like, yeah, that's pretty freaking sad. I'm

1:06:40.960 --> 1:06:44.640
<v Speaker 1>so sorry that this happens. And then Jennifer cools. I mean,

1:06:44.880 --> 1:06:48.440
<v Speaker 1>her character, I would argue, top to bottom, with the

1:06:48.440 --> 1:06:51.520
<v Speaker 1>exception of one scene, really does not send the right

1:06:51.560 --> 1:06:55.360
<v Speaker 1>message at any point where right after being like, you know,

1:06:55.440 --> 1:06:57.280
<v Speaker 1>she's like one of the only women over forty we've

1:06:57.320 --> 1:06:59.280
<v Speaker 1>see in this movie. I'm assuming I don't know if

1:06:59.280 --> 1:07:01.360
<v Speaker 1>she had, but like her character says, she's middle aged.

1:07:02.080 --> 1:07:04.720
<v Speaker 1>You know, she clearly feels she is a spinster and

1:07:04.800 --> 1:07:07.680
<v Speaker 1>without a man, even though clearly a crummy man because

1:07:07.680 --> 1:07:10.720
<v Speaker 1>he randomly left her without a man. She has no

1:07:11.040 --> 1:07:14.920
<v Speaker 1>prospects or value. L seems to agree with this at first,

1:07:15.560 --> 1:07:18.480
<v Speaker 1>and then before we even find out the next thing

1:07:18.520 --> 1:07:21.480
<v Speaker 1>about that character, Jennifer Coolidge says, you know, she finds

1:07:21.520 --> 1:07:23.920
<v Speaker 1>out about El's predicament and it's like, well, if someone

1:07:24.040 --> 1:07:26.160
<v Speaker 1>is haw does you can't get a man, there's no

1:07:26.200 --> 1:07:28.680
<v Speaker 1>hope for the rest of us, which is like that

1:07:28.720 --> 1:07:34.080
<v Speaker 1>one fucking sucks. And then and then she suggests you've

1:07:34.120 --> 1:07:37.680
<v Speaker 1>got to steal him from Vivian, and it's just like, well,

1:07:37.720 --> 1:07:42.040
<v Speaker 1>this character is really derailing anything positive. But she's the

1:07:42.040 --> 1:07:46.960
<v Speaker 1>only poor person and the only not super young person

1:07:47.040 --> 1:07:49.200
<v Speaker 1>that we and we have the professor, you know, we

1:07:49.240 --> 1:07:53.520
<v Speaker 1>have other stuff, but the most main character that is older.

1:07:54.480 --> 1:07:58.360
<v Speaker 1>The one scene that I would say is really good

1:07:58.560 --> 1:08:01.000
<v Speaker 1>that she's in is there's one scene focus on her

1:08:01.080 --> 1:08:05.479
<v Speaker 1>character where she and L go to the trailer of

1:08:05.640 --> 1:08:10.080
<v Speaker 1>her loser ex boyfriend, who looks and sounds like a loser,

1:08:10.480 --> 1:08:15.120
<v Speaker 1>clearly irredeemable. And I remember that scene clearly, And I

1:08:15.120 --> 1:08:16.760
<v Speaker 1>forgot a lot about this movie, but I remember that

1:08:16.800 --> 1:08:22.639
<v Speaker 1>scene because of how Paula's character behaves in that scene. Really,

1:08:22.680 --> 1:08:24.320
<v Speaker 1>I don't know, like hurt my heart a little bit

1:08:24.360 --> 1:08:26.920
<v Speaker 1>because it felt real in a movie that does not

1:08:27.240 --> 1:08:31.519
<v Speaker 1>very often feel real. She's like psyching herself up to

1:08:31.640 --> 1:08:33.880
<v Speaker 1>go and talk to her ex boyfriend. She's like, this time,

1:08:33.960 --> 1:08:35.639
<v Speaker 1>I'm gonna you know, I'm gonna get what I want

1:08:35.680 --> 1:08:39.000
<v Speaker 1>and blah blah blah, and he opens the door immediately

1:08:39.080 --> 1:08:43.240
<v Speaker 1>is obviously dismissive, an asshole, calls her ugly, basically saying like, oh,

1:08:43.320 --> 1:08:46.000
<v Speaker 1>let's see what I'm not missing out on, and it

1:08:46.160 --> 1:08:49.720
<v Speaker 1>crushes her and she's like clearly very affected by it

1:08:50.479 --> 1:08:54.000
<v Speaker 1>and starts to back down, and you know, like she's

1:08:54.000 --> 1:08:56.640
<v Speaker 1>clearly planned this big confrontation and it sort of like

1:08:56.680 --> 1:09:00.840
<v Speaker 1>devolves into these mumbles, and that was, like, I think

1:09:00.840 --> 1:09:03.639
<v Speaker 1>it was like a beautiful character moment that was very sad,

1:09:03.800 --> 1:09:08.120
<v Speaker 1>and unfortunately L's there and spews out a bunch of

1:09:08.360 --> 1:09:11.760
<v Speaker 1>granted made up, but like we're you know, scares him

1:09:11.840 --> 1:09:14.519
<v Speaker 1>enough that you know their friendship is solidified, and that

1:09:14.960 --> 1:09:18.080
<v Speaker 1>L is able to get Paulette her dog back. I

1:09:18.120 --> 1:09:20.439
<v Speaker 1>like that sounds a great scene to me too, because

1:09:20.720 --> 1:09:25.240
<v Speaker 1>one you see L empowering Paulett and sort of uppresting

1:09:25.560 --> 1:09:28.080
<v Speaker 1>another female character, and it's the first time you see

1:09:28.479 --> 1:09:31.719
<v Speaker 1>L being super lawyery, where there are a few scenes

1:09:31.760 --> 1:09:34.599
<v Speaker 1>before that where she like says the right answer in class.

1:09:34.760 --> 1:09:37.479
<v Speaker 1>That's beginning to see her kind of like, oh, she

1:09:37.520 --> 1:09:39.800
<v Speaker 1>does have a knack for this laughing. And then this

1:09:39.880 --> 1:09:41.800
<v Speaker 1>is a scene where you're like, oh, I do see

1:09:41.800 --> 1:09:46.960
<v Speaker 1>her potential and she's kizing herself because even though she

1:09:47.439 --> 1:09:51.439
<v Speaker 1>wings it, she manages to convince this guy and what

1:09:51.560 --> 1:09:56.880
<v Speaker 1>she's saying is not total nonsense, almost makes total sec right, Yeah,

1:09:56.920 --> 1:10:01.080
<v Speaker 1>it's clitches. She seemed very lawyery in the moment, and

1:10:01.080 --> 1:10:03.800
<v Speaker 1>we're like it still looked like at once while doing it,

1:10:03.800 --> 1:10:06.600
<v Speaker 1>which is great. I loved I loved that scene. I

1:10:06.640 --> 1:10:09.080
<v Speaker 1>think that that's the peak of Paulett's character, and I

1:10:09.120 --> 1:10:11.760
<v Speaker 1>feel like they sell her out later by you know,

1:10:11.840 --> 1:10:14.760
<v Speaker 1>she has a crush on this UPS guy, which do

1:10:14.840 --> 1:10:17.400
<v Speaker 1>they say Ups like, is that product placement? I think

1:10:17.400 --> 1:10:20.720
<v Speaker 1>they do yea so weird. But anyways, she you know,

1:10:20.840 --> 1:10:23.000
<v Speaker 1>ends up. She has a crush on this ups guy.

1:10:23.080 --> 1:10:24.920
<v Speaker 1>She breaks his nose with the bend and snap, but

1:10:24.960 --> 1:10:27.400
<v Speaker 1>they still end up together. That I think, you know,

1:10:27.520 --> 1:10:30.920
<v Speaker 1>like that is not a negative thing. I just don't

1:10:31.080 --> 1:10:33.800
<v Speaker 1>like that. It's like, Paul, it's clearly in a lot

1:10:33.840 --> 1:10:37.800
<v Speaker 1>of pain from this really bad relationship. She confronts him,

1:10:37.880 --> 1:10:40.519
<v Speaker 1>she gets what she wants, and now she can use

1:10:40.560 --> 1:10:43.600
<v Speaker 1>all this new empowerment to be in a relationship with

1:10:43.600 --> 1:10:46.719
<v Speaker 1>another man. And I just I felt like her character

1:10:46.800 --> 1:10:49.439
<v Speaker 1>was sold out a little bit because that one scene

1:10:49.439 --> 1:10:51.600
<v Speaker 1>with her and Hell was so great for both of

1:10:51.640 --> 1:10:54.599
<v Speaker 1>them that I would have preferred her to. I would

1:10:54.600 --> 1:10:57.360
<v Speaker 1>have preferred to see her finish her high school degree,

1:10:57.479 --> 1:10:59.840
<v Speaker 1>you know, like something like that. That wasn't just like

1:11:00.040 --> 1:11:03.439
<v Speaker 1>now she does right, which maybe she did, but like,

1:11:03.479 --> 1:11:06.000
<v Speaker 1>that's not your attention is called to Oh gosh, she

1:11:06.040 --> 1:11:08.599
<v Speaker 1>broke her nose, but it is her boyfriend now, which

1:11:08.640 --> 1:11:11.679
<v Speaker 1>is funny. But I just like she's a b character,

1:11:11.840 --> 1:11:14.720
<v Speaker 1>but I think she deserved better. I agree, And that's

1:11:14.720 --> 1:11:18.439
<v Speaker 1>a rap on Jennifer Bold. The next character I want

1:11:18.479 --> 1:11:23.719
<v Speaker 1>to talk about is Professor Callahan a k a. Victor Garber,

1:11:26.360 --> 1:11:32.120
<v Speaker 1>and how he is a total scumbag. We start to

1:11:32.160 --> 1:11:35.000
<v Speaker 1>get a clue of this because at first he seems

1:11:35.240 --> 1:11:38.400
<v Speaker 1>like he believes in L and that he you know,

1:11:38.439 --> 1:11:41.240
<v Speaker 1>he sees potential in her because she she speaks up

1:11:41.240 --> 1:11:43.439
<v Speaker 1>in his class and he's like, oh, yeah, she's got

1:11:43.439 --> 1:11:46.560
<v Speaker 1>some good opinions. You and I value her and she's intelligent.

1:11:46.920 --> 1:11:49.280
<v Speaker 1>But then you get some hints that he's maybe not

1:11:49.400 --> 1:11:52.160
<v Speaker 1>so great because he takes on this case of with

1:11:52.240 --> 1:11:56.160
<v Speaker 1>this this Brook Taylor murdering her husband, possibly case that

1:11:56.200 --> 1:11:59.639
<v Speaker 1>he is the defense attorney for, and the whole time

1:11:59.680 --> 1:12:02.439
<v Speaker 1>he's no, I'm pretty sure she killed him. I think

1:12:02.520 --> 1:12:05.720
<v Speaker 1>she's guilty, and like, basically, I think we can take

1:12:05.760 --> 1:12:08.639
<v Speaker 1>away that he does not respect or trust his client

1:12:08.760 --> 1:12:12.240
<v Speaker 1>because she's a young and attractive woman, one who married

1:12:12.280 --> 1:12:15.120
<v Speaker 1>an older man, but not for his money, basically because

1:12:15.120 --> 1:12:18.839
<v Speaker 1>she says flat out, because he's got a good d right,

1:12:19.000 --> 1:12:21.320
<v Speaker 1>but he's just like, well, she's a woman and she's

1:12:21.360 --> 1:12:25.920
<v Speaker 1>young and beautiful. Therefore cannot be taken seriously. Because later

1:12:26.400 --> 1:12:29.920
<v Speaker 1>there's the scene where he makes a pass at L

1:12:30.760 --> 1:12:33.360
<v Speaker 1>but under the pretense of like here, let let's discuss

1:12:33.400 --> 1:12:36.960
<v Speaker 1>your future in your career. What a what a relevant scene?

1:12:37.360 --> 1:12:41.400
<v Speaker 1>What a weirdly relevant scene and in otherwise not super relevant. Yes,

1:12:42.000 --> 1:12:44.479
<v Speaker 1>he's telling her these things, and at first he's like, Oh,

1:12:44.640 --> 1:12:46.800
<v Speaker 1>he's going to hire her to be a part of

1:12:46.800 --> 1:12:48.639
<v Speaker 1>his law firm or something, or you know, he sees

1:12:48.680 --> 1:12:51.920
<v Speaker 1>potential in her as a as a lawyer. But then

1:12:51.920 --> 1:12:55.120
<v Speaker 1>he puts his hand on her knee, which I would

1:12:55.200 --> 1:12:57.800
<v Speaker 1>argue is the equivalent of a surprise kiss. It's not

1:12:57.840 --> 1:13:01.800
<v Speaker 1>a kiss, it's it's a group but it it's unsolicited,

1:13:02.000 --> 1:13:05.200
<v Speaker 1>it is non consensual. And this movie does a great

1:13:05.240 --> 1:13:08.599
<v Speaker 1>job of treating how this type of act should be treated,

1:13:08.840 --> 1:13:11.240
<v Speaker 1>which is, don't touch me. I did not invite you

1:13:11.320 --> 1:13:13.400
<v Speaker 1>to touch me. And in the moment that what she says,

1:13:13.479 --> 1:13:18.360
<v Speaker 1>she says funk off and is clearly like and even vocalizes, oh,

1:13:18.439 --> 1:13:20.439
<v Speaker 1>so you didn't mean anything you just said to me

1:13:20.479 --> 1:13:24.240
<v Speaker 1>about my What I forgot about this sequence that also

1:13:24.280 --> 1:13:26.720
<v Speaker 1>feels just as relevant is that we see the immediate

1:13:27.160 --> 1:13:30.599
<v Speaker 1>that prompts a crisis of faith in herself. That makes

1:13:30.640 --> 1:13:34.519
<v Speaker 1>a lot of sense of like, she is capable. We

1:13:34.600 --> 1:13:37.519
<v Speaker 1>know that we've been watching her develop and do very well,

1:13:38.200 --> 1:13:40.559
<v Speaker 1>but hearing, you know, just for the sake of this

1:13:40.600 --> 1:13:46.519
<v Speaker 1>guy's fucking disgusting inability to respect a woman like she

1:13:47.080 --> 1:13:51.160
<v Speaker 1>doubts everything positive she knows about herself, and it prompts

1:13:51.160 --> 1:13:53.640
<v Speaker 1>her to, I mean, I think, for the sake of

1:13:53.640 --> 1:13:57.560
<v Speaker 1>the plot, immediately abandon any hope of being Alwert. And

1:13:57.680 --> 1:13:59.439
<v Speaker 1>and at that point we're like, well, this is a

1:13:59.439 --> 1:14:02.920
<v Speaker 1>loss for everybody. Like it's just like that was who

1:14:02.960 --> 1:14:05.559
<v Speaker 1>that was like kind of a devastating sequence to Yeah,

1:14:05.600 --> 1:14:08.320
<v Speaker 1>it's sort of very closely parallels a lot of things

1:14:08.320 --> 1:14:12.559
<v Speaker 1>that are happening, you know, in different industries today, where

1:14:13.040 --> 1:14:16.360
<v Speaker 1>it's not unsimilar to all the women who quit comedy

1:14:16.680 --> 1:14:18.800
<v Speaker 1>because Louis c. K jerked off in front of them

1:14:18.800 --> 1:14:21.400
<v Speaker 1>in a hotel room, right, and all the women that

1:14:21.680 --> 1:14:24.920
<v Speaker 1>like left journalism because of people like Matt Lowery and

1:14:24.960 --> 1:14:27.559
<v Speaker 1>Mark Halbert, like all the women who did not go

1:14:27.680 --> 1:14:31.600
<v Speaker 1>into directing and producing because of Halvedy fucking wines, you know,

1:14:32.280 --> 1:14:35.880
<v Speaker 1>every industry. And in this case, it's law, and I

1:14:35.920 --> 1:14:38.479
<v Speaker 1>feel pretty certain that it probably does happen in the

1:14:38.520 --> 1:14:41.960
<v Speaker 1>law community, which any of those industry that men are

1:14:42.000 --> 1:14:45.640
<v Speaker 1>a part of. It happened, which is all industries and

1:14:45.680 --> 1:14:48.880
<v Speaker 1>therefore and they're usually in charge of them too, and

1:14:48.880 --> 1:14:53.360
<v Speaker 1>and seeing that play out is like really hard. And

1:14:53.400 --> 1:14:56.880
<v Speaker 1>then the other thing I forgot that happens is and

1:14:57.000 --> 1:15:01.120
<v Speaker 1>Luke Wilson's character. You know, he's a good character. He's

1:15:01.120 --> 1:15:06.719
<v Speaker 1>a good like Emmett, middle part Emmett, feminist icon loves

1:15:06.920 --> 1:15:09.559
<v Speaker 1>L is good at his job, pretty across the board,

1:15:10.160 --> 1:15:15.120
<v Speaker 1>both a effective, hot and uninteresting character. The thing I

1:15:15.160 --> 1:15:19.000
<v Speaker 1>thought was really cool, if from a plot sense, did

1:15:19.000 --> 1:15:22.080
<v Speaker 1>not make a lot of sense, was that L goes

1:15:22.320 --> 1:15:25.560
<v Speaker 1>to the nail salon to say goodbye, to pull it

1:15:26.439 --> 1:15:29.479
<v Speaker 1>and say like I love you whatever, but this is

1:15:29.520 --> 1:15:31.760
<v Speaker 1>too much. I have to go home because I don't

1:15:31.760 --> 1:15:36.320
<v Speaker 1>believe I can be a lawyer anymore. And somehow we

1:15:36.320 --> 1:15:38.760
<v Speaker 1>haven't talked about this character yet because she's really only

1:15:38.800 --> 1:15:43.360
<v Speaker 1>in two scenes doing very different things. But there is

1:15:43.400 --> 1:15:47.160
<v Speaker 1>an older female law professor who at first is very

1:15:47.240 --> 1:15:49.360
<v Speaker 1>hard on L in a way that is like what

1:15:50.000 --> 1:15:52.439
<v Speaker 1>But she picks her out of her class because she

1:15:52.439 --> 1:15:54.960
<v Speaker 1>didn't read an assignment that L didn't know she had,

1:15:56.040 --> 1:15:58.320
<v Speaker 1>which which I can see happening. What I can't see

1:15:58.360 --> 1:16:02.400
<v Speaker 1>happening is her being like Vivian other character we need

1:16:02.439 --> 1:16:05.160
<v Speaker 1>to meet at some point, should L be forced to leave?

1:16:05.240 --> 1:16:07.840
<v Speaker 1>And Vivian says, yes, I think she should. I was like, well,

1:16:07.880 --> 1:16:09.519
<v Speaker 1>that would never happen in a class. Why would you

1:16:09.560 --> 1:16:12.840
<v Speaker 1>ask another student for consent to dismiss your own stiff?

1:16:13.120 --> 1:16:15.760
<v Speaker 1>I can see L getting kicked out like whatever. That

1:16:15.880 --> 1:16:18.200
<v Speaker 1>was bizarre. So so we're taught to think, oh, she's

1:16:18.280 --> 1:16:22.000
<v Speaker 1>very stern, and that didn't seem like even a gendered

1:16:22.040 --> 1:16:25.599
<v Speaker 1>comment because all the law professors we see are very stern.

1:16:26.439 --> 1:16:29.200
<v Speaker 1>But the second time we see her, she somehow goes

1:16:29.280 --> 1:16:32.120
<v Speaker 1>to the white trash nail salon. That seems a little

1:16:32.120 --> 1:16:36.760
<v Speaker 1>bit out of the way as well. She's in the background.

1:16:37.040 --> 1:16:40.680
<v Speaker 1>I was like, okay, sure, but at least they make

1:16:40.760 --> 1:16:44.120
<v Speaker 1>the most of that sort of baffling reveal of remember

1:16:44.160 --> 1:16:48.840
<v Speaker 1>that weird scene from earlier. She's back and she has

1:16:48.920 --> 1:16:51.960
<v Speaker 1>that great line of like if you're letting this, what

1:16:52.439 --> 1:16:54.920
<v Speaker 1>if you're gonna let one stupid prick rue in your life?

1:16:55.360 --> 1:16:57.720
<v Speaker 1>You're not the woman I thought you were, which that

1:16:57.920 --> 1:17:00.840
<v Speaker 1>powers L to be like, you're right, I'm going to

1:17:00.960 --> 1:17:03.360
<v Speaker 1>go back, and that's that's the sort of catalyst that

1:17:03.400 --> 1:17:07.280
<v Speaker 1>makes her return to Brooke and finish the Yeah, Brooke

1:17:07.520 --> 1:17:10.120
<v Speaker 1>hires her to be her defense attorney, and then the

1:17:10.120 --> 1:17:13.519
<v Speaker 1>whole sequence plays out where she solved the case and wins.

1:17:13.880 --> 1:17:16.479
<v Speaker 1>And I think that that was like a really cool

1:17:16.960 --> 1:17:20.080
<v Speaker 1>choice because at that point we've already seen Luke Wilson

1:17:20.160 --> 1:17:23.200
<v Speaker 1>say no, you're great, you should you should stay, and

1:17:23.439 --> 1:17:26.800
<v Speaker 1>he's right. But I think that that is like kind

1:17:26.840 --> 1:17:30.040
<v Speaker 1>of in the interest cassos of how a situation like

1:17:30.080 --> 1:17:33.120
<v Speaker 1>this plays out. Hearing another man say you're great, you

1:17:33.120 --> 1:17:35.760
<v Speaker 1>should stay, It makes sense to me that L would

1:17:35.800 --> 1:17:39.040
<v Speaker 1>be like, thank you, I appreciate that, but it doesn't

1:17:39.120 --> 1:17:43.479
<v Speaker 1>carry the same weight of a successful female lawyer saying no,

1:17:43.680 --> 1:17:45.960
<v Speaker 1>you should be here, And so that I got a

1:17:46.080 --> 1:17:50.240
<v Speaker 1>choked up. I thought was such a cool moment. If

1:17:50.560 --> 1:17:54.519
<v Speaker 1>even if the fact that Professor strongwill high powered lawyer

1:17:54.600 --> 1:17:57.360
<v Speaker 1>goes to the same white trash nails ang L what

1:17:57.800 --> 1:18:03.960
<v Speaker 1>stumbles into I'm assuming in malden By accident makes no

1:18:04.120 --> 1:18:07.200
<v Speaker 1>fucking sense. That was like one of my favorite moments

1:18:07.200 --> 1:18:09.719
<v Speaker 1>in the whole movie. Yes, I do like that. Also,

1:18:10.040 --> 1:18:14.000
<v Speaker 1>not to give any male characters any credit for anything,

1:18:14.080 --> 1:18:19.320
<v Speaker 1>but the sequence plays out where Callahan surprise touches l.

1:18:19.880 --> 1:18:22.439
<v Speaker 1>She has the reaction that we're always hoping to see,

1:18:22.479 --> 1:18:25.479
<v Speaker 1>which is like, oh, are you hitting on me bad?

1:18:26.320 --> 1:18:29.760
<v Speaker 1>Immediately yeah, because he said something like what, I'm just

1:18:29.800 --> 1:18:32.320
<v Speaker 1>a man who knows what he wants. And she responds

1:18:32.360 --> 1:18:34.559
<v Speaker 1>with and I'm a law student who just realized her

1:18:34.560 --> 1:18:38.000
<v Speaker 1>professor is a pathetic asshole. And she gets up, she runs,

1:18:38.040 --> 1:18:40.760
<v Speaker 1>and then she runs into Luke Wilson and tells her like,

1:18:41.080 --> 1:18:42.720
<v Speaker 1>this whole thing was a mistake. Me coming to law

1:18:42.760 --> 1:18:44.080
<v Speaker 1>school was a mistake. And he's like, what are you

1:18:44.120 --> 1:18:47.120
<v Speaker 1>talking about? What? And then she tells him Callahan just

1:18:47.200 --> 1:18:50.720
<v Speaker 1>hit on me. And he believes her immediately, and it's

1:18:50.760 --> 1:18:54.760
<v Speaker 1>like clearly upset by the news, but does not doubt her.

1:18:55.240 --> 1:18:58.639
<v Speaker 1>And then in turn, and this was like a good

1:18:58.760 --> 1:19:02.400
<v Speaker 1>character moment for again, I think the not super well

1:19:02.439 --> 1:19:08.120
<v Speaker 1>written Vivian character where Vivian another lots of fun convenient

1:19:08.240 --> 1:19:12.559
<v Speaker 1>moments taking place in the late second into the third

1:19:12.560 --> 1:19:16.320
<v Speaker 1>act of this movie. But just as Elwoods is surprised

1:19:16.400 --> 1:19:22.519
<v Speaker 1>touched by Victor Garber, Vivian sees that touch happened, does

1:19:22.560 --> 1:19:26.400
<v Speaker 1>not see what happens immediately after, which is l making

1:19:26.439 --> 1:19:29.400
<v Speaker 1>it clear that that is unwelcome. So Vivian there's this

1:19:29.560 --> 1:19:33.320
<v Speaker 1>moment where she's like, she confronts l and an elevator

1:19:33.439 --> 1:19:36.200
<v Speaker 1>and it's like, oh, so you almost had me fooled.

1:19:36.200 --> 1:19:38.759
<v Speaker 1>I almost thought you were, you know, a good, capable lawyer,

1:19:38.760 --> 1:19:40.120
<v Speaker 1>but it turns out, you know, it looks like you're

1:19:40.120 --> 1:19:43.800
<v Speaker 1>fucking the professor. And that's another sort of wrench thrown

1:19:43.800 --> 1:19:47.040
<v Speaker 1>into their friendship that was developing at that point. So

1:19:47.160 --> 1:19:49.439
<v Speaker 1>like that's, you know whatever, that's a plot point to

1:19:49.640 --> 1:19:55.759
<v Speaker 1>Vivian's character's credit. Later in the movie, when Brooke finds

1:19:55.760 --> 1:20:00.880
<v Speaker 1>out l quit, Luke wilson middle part just his part

1:20:01.000 --> 1:20:04.840
<v Speaker 1>is just oiled and shining, just a beam of light

1:20:05.120 --> 1:20:09.519
<v Speaker 1>is coming out of Luke Wilson's middle part in every

1:20:09.680 --> 1:20:13.280
<v Speaker 1>scene he appears in. But he says, you know, she

1:20:13.400 --> 1:20:16.160
<v Speaker 1>quit and the main reason she quit, which again is

1:20:16.160 --> 1:20:19.080
<v Speaker 1>like credit to that character, The main reason she quit

1:20:19.160 --> 1:20:23.400
<v Speaker 1>is because Victor Garber hit on her and she wanted

1:20:23.439 --> 1:20:27.559
<v Speaker 1>no part of it. And immediately Vivian says, oh my god,

1:20:27.560 --> 1:20:30.840
<v Speaker 1>I didn't realize that I've made literally arrested developments out.

1:20:30.920 --> 1:20:34.960
<v Speaker 1>I've made a huge mistake, which is good and again

1:20:35.360 --> 1:20:39.200
<v Speaker 1>tracks with the character of L who even when the

1:20:39.600 --> 1:20:43.120
<v Speaker 1>logline of this movie is not good. She is an

1:20:43.160 --> 1:20:46.160
<v Speaker 1>honest character through, like she doesn't lie to anybody ever,

1:20:46.439 --> 1:20:48.120
<v Speaker 1>and that's like sort of the part of like, that's

1:20:48.160 --> 1:20:50.720
<v Speaker 1>part of her core. So it makes sense that, like,

1:20:50.800 --> 1:20:53.880
<v Speaker 1>of course she would believe her because Victor Garber's character

1:20:54.080 --> 1:20:58.000
<v Speaker 1>is notoriously fucking sus as hell, you know, like yeah,

1:20:58.800 --> 1:21:01.680
<v Speaker 1>Earlier in the movie, Vivian even makes a condiment at

1:21:01.680 --> 1:21:03.439
<v Speaker 1>one point where she's like, do you ever notice how

1:21:03.560 --> 1:21:06.479
<v Speaker 1>Calahan will make you get him coffee but he never

1:21:06.840 --> 1:21:09.400
<v Speaker 1>makes any of the male interns get And then I

1:21:09.479 --> 1:21:12.360
<v Speaker 1>have a conversation about how men are useless, and this

1:21:12.439 --> 1:21:14.439
<v Speaker 1>is sort of the spark of the beginning of their

1:21:14.479 --> 1:21:19.360
<v Speaker 1>friendship because they kind over like Warner being an idiot,

1:21:19.400 --> 1:21:24.280
<v Speaker 1>men being useless and her being a little weightless bit yeah,

1:21:24.400 --> 1:21:27.880
<v Speaker 1>I love. Then the catalyst that gets Vivian to turn

1:21:27.920 --> 1:21:31.840
<v Speaker 1>around from like hating L is that she sees L

1:21:32.160 --> 1:21:36.000
<v Speaker 1>sort of protecting the client because you know, there's the

1:21:36.000 --> 1:21:38.679
<v Speaker 1>whole thing with her alibi and like, I can't reveal

1:21:38.800 --> 1:21:41.000
<v Speaker 1>what my albi is because it would ruin my career.

1:21:41.640 --> 1:21:43.559
<v Speaker 1>And I was like, sure, I will. I will keep

1:21:43.600 --> 1:21:46.800
<v Speaker 1>your secret as safe as I can, and Vivian's like

1:21:46.960 --> 1:21:50.839
<v Speaker 1>that was actually pretty classy, so that makes her respect

1:21:51.120 --> 1:21:54.200
<v Speaker 1>l and opens the channel for that like made me

1:21:54.280 --> 1:21:57.200
<v Speaker 1>feel great. I've had not to be like this is

1:21:57.240 --> 1:22:01.640
<v Speaker 1>like my fucking life right now, but I've had experiences

1:22:01.720 --> 1:22:04.160
<v Speaker 1>like that tour. It's like you just get off on

1:22:04.200 --> 1:22:06.840
<v Speaker 1>the wrong foot with someone, usually because of a man,

1:22:07.240 --> 1:22:12.040
<v Speaker 1>and then later like realized that perhaps the man is

1:22:12.280 --> 1:22:15.600
<v Speaker 1>the big fucking idiot, and it is good and we

1:22:15.840 --> 1:22:18.839
<v Speaker 1>can be friends even though we're different. That scene really

1:22:18.880 --> 1:22:22.120
<v Speaker 1>did it for me. Loved that scene and was a

1:22:22.160 --> 1:22:25.120
<v Speaker 1>good moment for Vivian. I just Vivian at the beginning

1:22:25.120 --> 1:22:28.200
<v Speaker 1>of this movie, just like she. I feel like her

1:22:28.240 --> 1:22:31.200
<v Speaker 1>character is exploited to set up fun scenes. I don't

1:22:31.200 --> 1:22:34.320
<v Speaker 1>think that it is something that tracks with her character

1:22:34.560 --> 1:22:37.920
<v Speaker 1>to be like it's a costume party, see you there.

1:22:38.800 --> 1:22:42.320
<v Speaker 1>I mean that from a studio notes standpoint, is because

1:22:42.600 --> 1:22:44.840
<v Speaker 1>people want to see Reese Weather's been dressed up like

1:22:44.840 --> 1:22:47.600
<v Speaker 1>a bunny. That is why they managed to fit it

1:22:47.600 --> 1:22:50.320
<v Speaker 1>into the plot. But sort of at the expensive Vivian's

1:22:50.360 --> 1:22:53.320
<v Speaker 1>character in that moment. I think there's a few other

1:22:53.560 --> 1:22:56.000
<v Speaker 1>clues that so this is I think it's worth noting

1:22:56.040 --> 1:22:59.519
<v Speaker 1>that this movie was written by two women, Karen McCullough

1:22:59.600 --> 1:23:02.400
<v Speaker 1>and Astin Smith, and it's based on a novel written

1:23:02.400 --> 1:23:05.840
<v Speaker 1>by another woman, Amanda Brown. However, it was directed by

1:23:05.880 --> 1:23:11.439
<v Speaker 1>a man, Robert Luke Headick or something, and I think

1:23:11.439 --> 1:23:14.200
<v Speaker 1>there are clues sprinkled throughout the movie that it was

1:23:14.240 --> 1:23:17.040
<v Speaker 1>in fact directed by a man. Basically, the opening montage

1:23:17.040 --> 1:23:19.720
<v Speaker 1>of the movie is this whole thing where people are

1:23:19.760 --> 1:23:22.400
<v Speaker 1>signing a card for L, which is basically just like

1:23:22.760 --> 1:23:26.799
<v Speaker 1>congrats on probably getting engaged tonight, which doesn't end up happening.

1:23:27.120 --> 1:23:31.240
<v Speaker 1>And um, there's all these shots of her sorority sisters

1:23:31.360 --> 1:23:34.840
<v Speaker 1>and sometimes they're wearing next to nothing and they're in

1:23:34.880 --> 1:23:39.080
<v Speaker 1>a steamy bathroom getting showers or they're like exercise. They're

1:23:39.120 --> 1:23:43.280
<v Speaker 1>just like sexualized and their shots and the like, Yeah,

1:23:43.320 --> 1:23:45.960
<v Speaker 1>the whole visual medium, like the way women, the way

1:23:45.960 --> 1:23:49.720
<v Speaker 1>the sorority girls are framed is very exactly how you

1:23:49.880 --> 1:23:52.480
<v Speaker 1>think the sorority girls will be framed. Nothing is subverted,

1:23:53.280 --> 1:23:55.080
<v Speaker 1>which is weird because I think the whole point of

1:23:55.120 --> 1:23:57.640
<v Speaker 1>the movie is to sort of try to subvert the

1:23:58.040 --> 1:24:02.200
<v Speaker 1>stereotype of you know, a on sorority. Yeah that that

1:24:02.560 --> 1:24:07.240
<v Speaker 1>L's character is, Yeah, but they're like, but actually all

1:24:07.240 --> 1:24:10.960
<v Speaker 1>these other sorority girls, they're still all white head her

1:24:10.960 --> 1:24:14.000
<v Speaker 1>own ormies who are hot and blonde, and we're going

1:24:14.080 --> 1:24:18.240
<v Speaker 1>to frame them like they're basically pieces of meat wearing bikinis.

1:24:18.240 --> 1:24:22.360
<v Speaker 1>Speaking of bikinis, there's another scene where l is like

1:24:22.520 --> 1:24:28.519
<v Speaker 1>outside sunbathing in what's probably like September October in Boston,

1:24:28.680 --> 1:24:32.040
<v Speaker 1>which is not appropriate weather to be sunbathing in, but

1:24:32.120 --> 1:24:36.720
<v Speaker 1>she's got this k babe, but can be. I don't know,

1:24:36.800 --> 1:24:41.519
<v Speaker 1>it's just but like I advocate, the point is she's outside,

1:24:41.640 --> 1:24:46.080
<v Speaker 1>she's wearing like a sequin bikini or something. It's basically

1:24:46.160 --> 1:24:50.040
<v Speaker 1>to like show Warner what he's missing out on because

1:24:50.040 --> 1:24:52.559
<v Speaker 1>he's playing football with like all these other dude bros

1:24:52.600 --> 1:24:55.839
<v Speaker 1>outside and they all just like basically stopped playing football

1:24:56.120 --> 1:24:59.160
<v Speaker 1>and just leer at her for a good twenty seconds,

1:24:59.160 --> 1:25:01.679
<v Speaker 1>and she just gives this smile like, Yeah, I'm glad

1:25:01.720 --> 1:25:04.000
<v Speaker 1>that you're all leering at me. And it's like a

1:25:04.040 --> 1:25:07.800
<v Speaker 1>weird choice. I just did the most cursory amount of

1:25:07.840 --> 1:25:10.879
<v Speaker 1>research on this director possible and found out some truly

1:25:10.960 --> 1:25:17.800
<v Speaker 1>insane information. If you don't like so. Director Robert Luketic

1:25:18.520 --> 1:25:22.960
<v Speaker 1>was first of all, was when this movie came out

1:25:23.479 --> 1:25:27.840
<v Speaker 1>the first major director, young director. He was given this

1:25:27.880 --> 1:25:30.240
<v Speaker 1>opportunity because of a short film he had that went

1:25:30.280 --> 1:25:33.519
<v Speaker 1>to Sundance. Which what an exciting male experience to do

1:25:33.600 --> 1:25:37.200
<v Speaker 1>one fucking thing and then be given a massive opportunity. Wow,

1:25:38.680 --> 1:25:40.800
<v Speaker 1>what an amazing thing. That will never happen to us.

1:25:42.360 --> 1:25:48.400
<v Speaker 1>But the movie that he debuted at Sundance and other

1:25:48.520 --> 1:26:02.040
<v Speaker 1>places was called titsian A Booberini. Just again here what

1:26:02.240 --> 1:26:06.880
<v Speaker 1>I said the first time. At age three, Robert Lukendick

1:26:07.040 --> 1:26:13.679
<v Speaker 1>made an eleven minute movie cop Titsiana Booberini. And people

1:26:13.760 --> 1:26:18.599
<v Speaker 1>saw Titsiana Booberini and he said, this guy's going place

1:26:18.760 --> 1:26:26.719
<v Speaker 1>give him off features losing my money, Titsiana Booberini. And

1:26:26.760 --> 1:26:30.719
<v Speaker 1>so I was like, well, what could Titsiana Booberini be about?

1:26:31.160 --> 1:26:34.360
<v Speaker 1>And it's not what you think it's about, but it's

1:26:34.400 --> 1:26:39.360
<v Speaker 1>still bad. It's about shaming women for a different part

1:26:39.360 --> 1:26:45.599
<v Speaker 1>of their body than the title Titsiana Booberini. Would wouldn't

1:26:45.640 --> 1:26:50.200
<v Speaker 1>fly this. This sounds fucking crazy. It won Best Film

1:26:50.240 --> 1:26:54.559
<v Speaker 1>at Aspen Shorts Fest. It won all these awards, and

1:26:54.760 --> 1:26:59.360
<v Speaker 1>without Titsiana Booberini, we don't have legally blonde crazy, which

1:26:59.400 --> 1:27:06.040
<v Speaker 1>you know, maybe was an original working title Bouberini to Okay.

1:27:06.400 --> 1:27:10.360
<v Speaker 1>It's a musical comedy with the story focusing on Titsiana,

1:27:11.880 --> 1:27:15.240
<v Speaker 1>an Italian checkout girl at a suburban supermarket who is

1:27:15.360 --> 1:27:20.200
<v Speaker 1>ridiculed by her fellow employees for her stute upper lip,

1:27:20.600 --> 1:27:24.080
<v Speaker 1>meaning she has a dark she has like a light mustache,

1:27:24.360 --> 1:27:28.280
<v Speaker 1>as do I let us vote right. So so it's

1:27:28.320 --> 1:27:31.240
<v Speaker 1>about a girl with a dark upper lip. The resolution

1:27:31.280 --> 1:27:35.880
<v Speaker 1>to this eleven minute film, Titsiana, is that it's a

1:27:35.920 --> 1:27:42.240
<v Speaker 1>weird Italian joke Titsiana Booberini. There, Titsiana gains new confidence

1:27:42.280 --> 1:27:46.439
<v Speaker 1>and acceptance when she discovers a hair removal treatment, and

1:27:47.360 --> 1:27:51.759
<v Speaker 1>so she it's sorry, that was the most insane Google

1:27:51.920 --> 1:28:00.000
<v Speaker 1>experience life, Titsiana Booberini. What else is there to say?

1:28:00.400 --> 1:28:04.320
<v Speaker 1>We wouldn't have this, so we cannot possibly consider legally

1:28:04.360 --> 1:28:07.559
<v Speaker 1>Blonde a feminist masterpieces Bustle dot com would lead us

1:28:07.560 --> 1:28:12.000
<v Speaker 1>to believe, because it wouldn't exist without Titsie on a Booberini,

1:28:12.320 --> 1:28:15.760
<v Speaker 1>I can't. He also directed Monster in Law, which is

1:28:15.800 --> 1:28:18.439
<v Speaker 1>a j Lo romcom, which is my ship. Also, Jane

1:28:18.439 --> 1:28:20.759
<v Speaker 1>Fonda shines in that movie. It's not a good movie.

1:28:21.400 --> 1:28:24.360
<v Speaker 1>I haven't seen it. But it wouldn't happen with that, TITSI. No,

1:28:25.479 --> 1:28:28.559
<v Speaker 1>I cannot believe that. Okay, okay, we're good. Hey yeah,

1:28:29.320 --> 1:28:33.280
<v Speaker 1>its officially on the movie officially longer than definitely because

1:28:33.280 --> 1:28:35.280
<v Speaker 1>the movie is only an hour and thirty six minutes,

1:28:35.280 --> 1:28:38.200
<v Speaker 1>which I appreciate. Keep it tight, I love a short movie.

1:28:38.280 --> 1:28:42.520
<v Speaker 1>Keep those TITSI on a booberies nice and tight and hairless.

1:28:42.880 --> 1:28:49.360
<v Speaker 1>But what the fun? That's crazy, Titsian. Just a few

1:28:49.520 --> 1:28:54.559
<v Speaker 1>final thoughts. Yeah, blond, I know it's so late and

1:28:54.840 --> 1:28:58.880
<v Speaker 1>we're dying. I wanted to say that Aristotle gets mentioned. Yeah,

1:28:58.920 --> 1:29:02.559
<v Speaker 1>that was exciting, but we were like Aristotle, shout out

1:29:02.520 --> 1:29:06.840
<v Speaker 1>to our producer Aristotle. Also, I we touched on this before.

1:29:07.120 --> 1:29:12.920
<v Speaker 1>But there's only really three main male characters, Warner Emmett,

1:29:12.920 --> 1:29:15.840
<v Speaker 1>which is Luke Wilson's character, and Callahan Victor Garber. The

1:29:15.880 --> 1:29:18.280
<v Speaker 1>rest of the characters with speaking roles, of which there

1:29:18.320 --> 1:29:22.800
<v Speaker 1>are many many many are women, which is great. But

1:29:22.960 --> 1:29:25.719
<v Speaker 1>I would say before we call this a women's movie,

1:29:25.800 --> 1:29:28.800
<v Speaker 1>we have to call it a white woman's movie. Yes. Absolutely.

1:29:29.439 --> 1:29:33.960
<v Speaker 1>The only really notable woman of color in the movie

1:29:34.120 --> 1:29:36.880
<v Speaker 1>is the judge, which is great. Yes, that is great.

1:29:36.960 --> 1:29:40.760
<v Speaker 1>There were However, many opportunities for other characters to be

1:29:40.840 --> 1:29:45.200
<v Speaker 1>women of color, other students in law school, women in

1:29:45.280 --> 1:29:49.840
<v Speaker 1>her sorority women anywhere else in the movie. There. Fortunately,

1:29:49.880 --> 1:29:53.640
<v Speaker 1>there's no lack of women in this movie, no excuse

1:29:54.000 --> 1:29:57.720
<v Speaker 1>for them to not be women of all shape sides,

1:29:57.760 --> 1:30:00.559
<v Speaker 1>of colors and in that van. And we've already touched

1:30:00.560 --> 1:30:03.839
<v Speaker 1>on this too, but there are two notable queer characters

1:30:03.840 --> 1:30:07.240
<v Speaker 1>in the movie, and neither of them really get fair treatment.

1:30:07.400 --> 1:30:10.160
<v Speaker 1>The movie is really subscribing to, like some pretty problematic

1:30:10.200 --> 1:30:14.639
<v Speaker 1>stereotypes in the way that they portray the lesbian character Enid,

1:30:14.720 --> 1:30:19.720
<v Speaker 1>and the gay guy's name is Salvator, right, um, because like,

1:30:20.040 --> 1:30:23.960
<v Speaker 1>the gay guy knows about fashion and that's what incriminates him,

1:30:24.080 --> 1:30:29.200
<v Speaker 1>and the lesbian is like this shrewy woman studies male

1:30:29.280 --> 1:30:34.200
<v Speaker 1>hating feminists perfectly right where especially Enid character falls into

1:30:34.680 --> 1:30:38.800
<v Speaker 1>I mean, both of these characters are literally handicapped by

1:30:38.840 --> 1:30:42.600
<v Speaker 1>their own queerness by the plot where Salvator is not

1:30:42.720 --> 1:30:46.000
<v Speaker 1>able to pull off his little scheme because of his queerness.

1:30:46.920 --> 1:30:49.320
<v Speaker 1>In a scene that I do think it's very funny,

1:30:49.360 --> 1:30:52.360
<v Speaker 1>where Luke Wilson's like bla blah blah blah blah, blah,

1:30:52.360 --> 1:30:54.759
<v Speaker 1>what was your boyfriend's name? And then he's like, whatever

1:30:54.840 --> 1:30:57.960
<v Speaker 1>is the Chuck? Chuck? And then Chuck is there there,

1:30:58.240 --> 1:31:00.840
<v Speaker 1>He's like what the hell. It's like, Chuck, why are

1:31:00.880 --> 1:31:03.599
<v Speaker 1>you because why are you playing party to this? Chuck?

1:31:03.640 --> 1:31:06.679
<v Speaker 1>You deserve better than this Chuck. Salvatore is a little sneak,

1:31:06.920 --> 1:31:11.080
<v Speaker 1>but because he says something like I misunderstood. He's just

1:31:11.120 --> 1:31:13.080
<v Speaker 1>a friend of mine. And then and then Chuck stands up.

1:31:13.120 --> 1:31:16.559
<v Speaker 1>He's like, you bitch. It's like, wow, Chuck is drawn

1:31:16.600 --> 1:31:20.160
<v Speaker 1>aline in the which Chuck deserves better obviously, we also Chuck,

1:31:20.360 --> 1:31:22.800
<v Speaker 1>why are you there, buddy? Like is it a money thing?

1:31:22.840 --> 1:31:25.120
<v Speaker 1>That's the only thing that you're thinking? But his Salvatore

1:31:25.160 --> 1:31:29.000
<v Speaker 1>is literally handicapped by his own queerness. Bad Enid. She

1:31:29.120 --> 1:31:31.800
<v Speaker 1>does not fail in the movie. Isn't quite in the

1:31:32.160 --> 1:31:37.120
<v Speaker 1>spectacular fun way that Salvator fails, but you really don't

1:31:37.160 --> 1:31:40.000
<v Speaker 1>see her speak in a scene where she just she

1:31:40.120 --> 1:31:42.960
<v Speaker 1>can't stop talking about the fact that she's a lesbian,

1:31:43.120 --> 1:31:46.840
<v Speaker 1>like she's just like it's a cartoon character. Although I

1:31:46.880 --> 1:31:50.160
<v Speaker 1>did I enjoy the moment where she's talking to Luke Wilson,

1:31:50.320 --> 1:31:52.920
<v Speaker 1>who is I guess at this I think the movie

1:31:52.960 --> 1:31:55.160
<v Speaker 1>tricks you into thinking that he's a law student, and

1:31:55.160 --> 1:31:57.719
<v Speaker 1>then later there's this reveal it's like, no, he's actually

1:31:58.040 --> 1:32:02.800
<v Speaker 1>an associate at this No, he's just hanging out with

1:32:02.880 --> 1:32:04.800
<v Speaker 1>a bunch of law kids. A whole anyway, So he's

1:32:04.800 --> 1:32:08.439
<v Speaker 1>in with a bunch of students and you know, it

1:32:08.600 --> 1:32:10.400
<v Speaker 1>is talking to him and she's like, oh, the whole

1:32:10.720 --> 1:32:14.920
<v Speaker 1>semester is a male term. I'm gonna petition for them

1:32:14.920 --> 1:32:19.120
<v Speaker 1>to be called oh Vester's from now on. And I

1:32:19.200 --> 1:32:20.960
<v Speaker 1>was like, that's the type of thing that I would

1:32:21.000 --> 1:32:24.280
<v Speaker 1>probably say, so I get it, or I would at

1:32:24.320 --> 1:32:27.760
<v Speaker 1>least tweet as a joke. But anyway, Um, the very

1:32:27.840 --> 1:32:30.479
<v Speaker 1>few people of color in this movie, the very few

1:32:30.600 --> 1:32:33.720
<v Speaker 1>queer characters you see, are not done justice at all

1:32:33.760 --> 1:32:36.720
<v Speaker 1>by the movie. I will say that I enjoy that

1:32:36.840 --> 1:32:40.679
<v Speaker 1>there are several female characters and most of them are white,

1:32:41.080 --> 1:32:44.840
<v Speaker 1>who are law professors at the most prestigious school in America.

1:32:45.280 --> 1:32:48.799
<v Speaker 1>The prosecuting attorney in the courtroom scenes is a woman.

1:32:49.040 --> 1:32:52.320
<v Speaker 1>The courtroom as with most interesting But it's like, you know,

1:32:52.360 --> 1:32:56.280
<v Speaker 1>it's not necessarily like a statement to have a male

1:32:56.320 --> 1:32:59.040
<v Speaker 1>salon with a lot of female characters that are certainly

1:32:59.040 --> 1:33:00.439
<v Speaker 1>not a statement to have a sort already full of

1:33:00.439 --> 1:33:03.599
<v Speaker 1>a lot of female characters. The courtroom thing felt like,

1:33:03.920 --> 1:33:09.000
<v Speaker 1>oh cool, yeah, she's a woman, and the prosecuting attorney

1:33:09.000 --> 1:33:12.960
<v Speaker 1>who does most and granted she's clearly poisoned. This character

1:33:13.240 --> 1:33:15.920
<v Speaker 1>who does not, like many of the characters in the movie,

1:33:16.120 --> 1:33:19.840
<v Speaker 1>take l seriously and whenever she's like, yeah, let this

1:33:19.880 --> 1:33:22.880
<v Speaker 1>first year law student, but trying to defend her to

1:33:22.920 --> 1:33:25.400
<v Speaker 1>find that kind of point L's outfit, you know, it's like,

1:33:25.479 --> 1:33:30.759
<v Speaker 1>it makes sense, it makes it's not an illogical Okay,

1:33:31.160 --> 1:33:35.599
<v Speaker 1>do we have anything else to say before it passes

1:33:35.640 --> 1:33:39.160
<v Speaker 1>the Bechtel test? Obviously? In fact, I stopped. There are

1:33:39.320 --> 1:33:41.719
<v Speaker 1>many scenes where women are talking where they are talking

1:33:41.760 --> 1:33:45.439
<v Speaker 1>about any number of male characters, oftentimes Warner and some

1:33:45.479 --> 1:33:48.040
<v Speaker 1>other people. But I stopped. I stop being able to

1:33:48.040 --> 1:33:50.280
<v Speaker 1>even keep track of the scenes where women are interacting

1:33:50.320 --> 1:33:52.400
<v Speaker 1>and saying things that passed the Bechtel tests, which is

1:33:52.439 --> 1:33:55.240
<v Speaker 1>because there are so many. My only criticism is that

1:33:55.280 --> 1:33:58.120
<v Speaker 1>this movie has trouble. I can't I don't even know

1:33:58.160 --> 1:33:59.960
<v Speaker 1>if it's like the issues, They're just not enough male

1:34:00.120 --> 1:34:02.240
<v Speaker 1>characters to have this be an issue for them as well.

1:34:02.240 --> 1:34:05.640
<v Speaker 1>But the movie is like not great at naming their characters,

1:34:06.080 --> 1:34:08.880
<v Speaker 1>but there are so many, so it takes a while

1:34:08.920 --> 1:34:11.679
<v Speaker 1>for it to pass our version of the test because

1:34:12.160 --> 1:34:17.280
<v Speaker 1>there story sisters don't have names, But it passes handily,

1:34:17.520 --> 1:34:20.719
<v Speaker 1>although there are several times where two women are talking

1:34:20.760 --> 1:34:23.720
<v Speaker 1>to each other but they're being really mean to each other,

1:34:23.760 --> 1:34:27.360
<v Speaker 1>which like, I don't like that. But there's like one

1:34:27.360 --> 1:34:30.160
<v Speaker 1>see in particular where like Vivian says to L, nice

1:34:30.200 --> 1:34:33.040
<v Speaker 1>outfit when she shows up in the bunny costume, and

1:34:33.080 --> 1:34:36.120
<v Speaker 1>then L says, thanks, you too, accept that when I

1:34:36.200 --> 1:34:38.519
<v Speaker 1>dress up as a frigid bitch, I try to not

1:34:38.600 --> 1:34:42.439
<v Speaker 1>to look so constipated, and it's like, wow, feminism. And

1:34:42.439 --> 1:34:45.599
<v Speaker 1>then and then the last line is you have the ring.

1:34:46.160 --> 1:34:50.840
<v Speaker 1>You're just like, oh, how does this scene? The other

1:34:50.920 --> 1:34:54.080
<v Speaker 1>thing I did want to say about that is that

1:34:54.120 --> 1:34:56.160
<v Speaker 1>I really I feel like we were robbed of a

1:34:56.200 --> 1:35:00.519
<v Speaker 1>scene where L and Vivian kind of reconciled because it

1:35:00.720 --> 1:35:04.280
<v Speaker 1>leaves off where Vivian realizes she's made a huge mistake

1:35:04.400 --> 1:35:08.439
<v Speaker 1>because she misinterprets what she saw happening between Callahan and L.

1:35:08.880 --> 1:35:11.280
<v Speaker 1>But then we don't really get to see any sort

1:35:11.280 --> 1:35:14.880
<v Speaker 1>of apology or reconciliation there kind a minute out of

1:35:14.880 --> 1:35:19.519
<v Speaker 1>the forty five bended snap sequence and give us that. Yeah,

1:35:19.600 --> 1:35:23.800
<v Speaker 1>I also would have speaking to let's write Vivian a

1:35:23.880 --> 1:35:26.880
<v Speaker 1>little bit better. I would have liked to see Vivian

1:35:27.000 --> 1:35:31.240
<v Speaker 1>confront Warner as well, because because clearly there's a lot

1:35:31.280 --> 1:35:33.120
<v Speaker 1>to unpacked there, and we found out midway through the

1:35:33.160 --> 1:35:37.120
<v Speaker 1>movie that Vivian doesn't take Warner seriously either. Shall we

1:35:37.160 --> 1:35:48.240
<v Speaker 1>write the movie, Bob, Yeah, I'm gonna give it. I'm

1:35:48.240 --> 1:35:50.680
<v Speaker 1>gonna say this is like a three nipple or like

1:35:50.760 --> 1:35:54.519
<v Speaker 1>a lost blood. I've also lot of blood this week.

1:35:54.840 --> 1:35:58.960
<v Speaker 1>My larynx is literally torn to shreds. Anyway, Okay, so

1:36:00.000 --> 1:36:03.400
<v Speaker 1>I'm gonna give this movie three nipples. Um, it might

1:36:03.439 --> 1:36:06.840
<v Speaker 1>deserve higher and might deserve lower. I'm not really sure.

1:36:06.920 --> 1:36:10.000
<v Speaker 1>To me, it's still like it's a movie in which

1:36:10.360 --> 1:36:14.080
<v Speaker 1>the character in the third act is very empowered and

1:36:14.360 --> 1:36:16.759
<v Speaker 1>she ends up realizing the thing that she was pursuing

1:36:16.800 --> 1:36:19.360
<v Speaker 1>for the wrong reasons is her calling and that she

1:36:19.560 --> 1:36:21.800
<v Speaker 1>is good at it and that she is passionate about it,

1:36:22.000 --> 1:36:25.719
<v Speaker 1>and that's great. However, the whole first very long chunk

1:36:25.760 --> 1:36:28.439
<v Speaker 1>of the movie is her pursuing something for the very

1:36:28.520 --> 1:36:32.200
<v Speaker 1>wrong reasons. So that's a little frustrating to watch. Also,

1:36:32.520 --> 1:36:35.200
<v Speaker 1>we had the whole discussion about a movie that's kind

1:36:35.200 --> 1:36:38.200
<v Speaker 1>of trying to like dismantle and subvert the tropes and

1:36:38.240 --> 1:36:43.920
<v Speaker 1>the stereotypes of a blonde, hot sorority girl, which she's

1:36:43.960 --> 1:36:48.360
<v Speaker 1>also but because the movie is just so fucking pink

1:36:48.439 --> 1:36:50.960
<v Speaker 1>to me, it almost reads is like those like big

1:36:51.200 --> 1:36:54.200
<v Speaker 1>brand pens that were like these are for women because

1:36:54.240 --> 1:36:57.479
<v Speaker 1>they're pink, and it's like, there's a movie for women

1:36:57.520 --> 1:37:00.280
<v Speaker 1>because look how pink it. There is a level ref

1:37:00.280 --> 1:37:04.080
<v Speaker 1>feinism to this movie that isn't as egregious as it

1:37:04.080 --> 1:37:07.280
<v Speaker 1>could be, but it's present. It's there, The product placement

1:37:07.840 --> 1:37:17.960
<v Speaker 1>is there. I'm with you, you're both having a stroke. Um, so, yeah,

1:37:18.040 --> 1:37:20.439
<v Speaker 1>there's certainly some problems. I do like the third act

1:37:20.520 --> 1:37:23.519
<v Speaker 1>of the movie, when basically there's the whole turn of

1:37:23.560 --> 1:37:26.760
<v Speaker 1>her coming into her own but not necessarily abandoning who

1:37:26.800 --> 1:37:30.519
<v Speaker 1>she is as a person. But she's empowered and she's

1:37:30.640 --> 1:37:35.800
<v Speaker 1>found her calling accidentally slashed by stalking her ex boyfriend.

1:37:36.360 --> 1:37:39.280
<v Speaker 1>But it works out, so that's good, I guess. Yeah.

1:37:39.320 --> 1:37:43.960
<v Speaker 1>So three nipples, one of them belongs to Bruiser, the

1:37:44.040 --> 1:37:47.680
<v Speaker 1>dog love Bruiser. I usually hate movie dogs, as you know.

1:37:48.800 --> 1:37:50.519
<v Speaker 1>I mean, I think Bruiser should have been a cat,

1:37:51.120 --> 1:37:54.120
<v Speaker 1>in which case I would have given the movie eight nipples,

1:37:54.160 --> 1:37:56.759
<v Speaker 1>and all of them would have been to the bruiser

1:37:56.760 --> 1:38:00.320
<v Speaker 1>of the cat in cat facts or whatever whatever I

1:38:00.479 --> 1:38:04.000
<v Speaker 1>usually say. But one of them goes to Bruiser and

1:38:04.080 --> 1:38:07.040
<v Speaker 1>the other two one to pull it, And I'm going

1:38:07.080 --> 1:38:14.519
<v Speaker 1>to give one to Professor Stromwell, the strong independent woman

1:38:15.240 --> 1:38:19.040
<v Speaker 1>who empowers l at the end to not quit law

1:38:19.080 --> 1:38:25.800
<v Speaker 1>school and to be the lawyer she was meant to be. Yes, Queen, Queen, Yes,

1:38:26.640 --> 1:38:32.920
<v Speaker 1>we love it. I'm so tired. Okay, So what do

1:38:33.040 --> 1:38:35.920
<v Speaker 1>I have left? What do I have left? We're so

1:38:36.000 --> 1:38:37.960
<v Speaker 1>close to the end. Do I have left in my

1:38:38.040 --> 1:38:42.760
<v Speaker 1>body that it's stolen from me? At this point I

1:38:42.760 --> 1:38:46.080
<v Speaker 1>think I decid my having crises. Okay, I have to

1:38:46.080 --> 1:38:49.639
<v Speaker 1>give this movie two and a half nipples. As much

1:38:49.680 --> 1:38:52.640
<v Speaker 1>as I do genuinely like it and think it's generally

1:38:52.680 --> 1:38:55.439
<v Speaker 1>it is coming from the right place, I would be

1:38:55.720 --> 1:38:59.680
<v Speaker 1>lying if I said that, Oh God, what is the

1:38:59.760 --> 1:39:03.479
<v Speaker 1>name of the movie again? Legally blond No, no, no, no,

1:39:04.760 --> 1:39:07.599
<v Speaker 1>the movie You just forgot what we've been talking about.

1:39:07.680 --> 1:39:12.360
<v Speaker 1>I've been bullshit. No, the iconic film that came before it,

1:39:12.680 --> 1:39:19.639
<v Speaker 1>uh Titsiana boober I would be lying if I said

1:39:19.680 --> 1:39:23.200
<v Speaker 1>that the reveal that Titsiana Booberrelli led to this movie

1:39:23.200 --> 1:39:27.240
<v Speaker 1>The Man didn't impact my general view of it. I

1:39:27.280 --> 1:39:30.880
<v Speaker 1>hope in affectors do. That's a pretty horrifying rug to

1:39:30.960 --> 1:39:34.639
<v Speaker 1>have pulled out from underneath you. It's like finding out

1:39:34.720 --> 1:39:38.320
<v Speaker 1>that like Moanna wouldn't have been made if there wasn't

1:39:38.439 --> 1:39:45.000
<v Speaker 1>like Dick Rangers. For like the director of Dick Rangers

1:39:45.040 --> 1:39:47.760
<v Speaker 1>four hadn't made a snapchat video that had won an

1:39:47.760 --> 1:39:53.479
<v Speaker 1>award It's Sundance. I just it's upsetting. My main issue

1:39:53.479 --> 1:39:55.519
<v Speaker 1>with this movie for all the little stuff we picked

1:39:55.560 --> 1:39:59.360
<v Speaker 1>apart which is valid, not to make our job sound useless.

1:40:00.080 --> 1:40:03.880
<v Speaker 1>That Sagan bitching we just did moment one. I don't

1:40:03.920 --> 1:40:07.480
<v Speaker 1>like the message this communicates to its very young audience

1:40:08.040 --> 1:40:13.040
<v Speaker 1>that an appropriate way to deal with a breakup as

1:40:13.080 --> 1:40:18.240
<v Speaker 1>a young person is to not accept a breakup. That

1:40:18.479 --> 1:40:23.000
<v Speaker 1>is such a horrible idea. And I embarrassingly did this

1:40:23.080 --> 1:40:26.160
<v Speaker 1>exact thing in high school because I'd seen movies like

1:40:26.200 --> 1:40:29.960
<v Speaker 1>this where it works out for me. I took a

1:40:30.120 --> 1:40:32.600
<v Speaker 1>bus to Connecticut. It did not work out. It was

1:40:32.680 --> 1:40:36.960
<v Speaker 1>deeply embarrassing. I think about it easily once a day there.

1:40:36.960 --> 1:40:40.160
<v Speaker 1>But I mean, like speaking to that larger thing, I

1:40:40.240 --> 1:40:44.600
<v Speaker 1>am not alone in having done something like that because

1:40:44.800 --> 1:40:48.440
<v Speaker 1>of movies like this that convey the message just basically

1:40:48.439 --> 1:40:54.200
<v Speaker 1>empowering unhealthy behaviors. And even though it is positive, obviously

1:40:54.520 --> 1:40:58.240
<v Speaker 1>the el's plan to win warnerback does not work out,

1:40:58.280 --> 1:41:00.320
<v Speaker 1>and does not work out for the right reasons. The

1:41:00.360 --> 1:41:04.519
<v Speaker 1>fact that she still does have this new, fulfilling life

1:41:04.600 --> 1:41:09.360
<v Speaker 1>because of this deeply flawed, problematic plan is just not

1:41:09.479 --> 1:41:12.439
<v Speaker 1>a good message to be sending to children who don't

1:41:12.439 --> 1:41:17.519
<v Speaker 1>know anything. Just remember, they will believe what hot people

1:41:17.560 --> 1:41:21.320
<v Speaker 1>tell them. Like that's just how children very easily influenced.

1:41:21.320 --> 1:41:24.639
<v Speaker 1>And the reason we do this podcast is because movies

1:41:25.040 --> 1:41:29.800
<v Speaker 1>do have a significant impact on our the way that

1:41:29.840 --> 1:41:35.280
<v Speaker 1>we yeah. So the fact that so many movies portray

1:41:35.760 --> 1:41:39.720
<v Speaker 1>romantic relationships is like or breakups is like, well, the know,

1:41:39.880 --> 1:41:41.800
<v Speaker 1>the way I'm going to win him or her back

1:41:42.000 --> 1:41:45.640
<v Speaker 1>is to stock them for a long time. And sometimes

1:41:45.680 --> 1:41:48.240
<v Speaker 1>in movies that works and it's like it happened, And

1:41:48.360 --> 1:41:50.240
<v Speaker 1>I can't think of an example top of dumb, but

1:41:50.280 --> 1:41:52.000
<v Speaker 1>there are a lot of examples of men doing this

1:41:52.080 --> 1:41:55.160
<v Speaker 1>to women in movies as well, probably more. It's just

1:41:55.280 --> 1:41:57.400
<v Speaker 1>not good. It's like right up there with my least

1:41:57.439 --> 1:41:59.920
<v Speaker 1>favorite movie setups, right up there with the let me

1:42:00.080 --> 1:42:03.400
<v Speaker 1>kidnap and re educate a woman and then we'll be

1:42:03.479 --> 1:42:07.200
<v Speaker 1>in love. They're just I just don't like the foundation

1:42:07.240 --> 1:42:13.080
<v Speaker 1>of this movie. To me, along with Tensiana, Boobarella is

1:42:13.280 --> 1:42:18.040
<v Speaker 1>deeply flawed. I can't deal with it. L Woods, I

1:42:18.080 --> 1:42:21.200
<v Speaker 1>think it's an awesome character. Most of the female characters

1:42:21.240 --> 1:42:24.200
<v Speaker 1>have elements of great characters but are not fully fleshed out,

1:42:24.640 --> 1:42:27.000
<v Speaker 1>possibly because the narrative is a little saturated with a

1:42:27.040 --> 1:42:30.800
<v Speaker 1>lot of characters. Anyways, I like the movie. I'm so

1:42:30.920 --> 1:42:34.800
<v Speaker 1>tired two and a half nipples. I've given one to Elwoods.

1:42:34.880 --> 1:42:38.280
<v Speaker 1>She fucking earned it. I'll give a nippy to pull

1:42:38.360 --> 1:42:40.479
<v Speaker 1>it as well, because she deserved better. And I'll give

1:42:40.479 --> 1:42:44.599
<v Speaker 1>my last half nip to Vivian. No no inspired awards here,

1:42:44.640 --> 1:42:49.000
<v Speaker 1>just giving it to people who are in them. Well. Also,

1:42:49.040 --> 1:42:53.160
<v Speaker 1>I wanted to known I literally had a physical response

1:42:53.200 --> 1:42:58.200
<v Speaker 1>to you, says, so that's our way, way, way, way

1:42:58.240 --> 1:43:01.559
<v Speaker 1>too long, and I'm sorrnest I not sorry. You, just

1:43:01.600 --> 1:43:04.160
<v Speaker 1>so you know, this is a far better product than

1:43:04.160 --> 1:43:07.320
<v Speaker 1>we were originally delivering, which is us drunkenly slowly about

1:43:07.320 --> 1:43:11.120
<v Speaker 1>how we like Titanic. Yeah, so for maybe a half hour,

1:43:11.560 --> 1:43:15.680
<v Speaker 1>and you're welcome that you're not listening to that garbage,

1:43:15.800 --> 1:43:19.519
<v Speaker 1>physically winded, just like, yeah, we got to go to

1:43:19.600 --> 1:43:23.160
<v Speaker 1>bed time. I hope you enjoyed this. I think you should.

1:43:23.200 --> 1:43:25.719
<v Speaker 1>You you fucking should. That was a lot of nuances

1:43:26.160 --> 1:43:28.400
<v Speaker 1>we did. We didn't. In fact, I feel like if

1:43:28.400 --> 1:43:31.599
<v Speaker 1>we had cut it any shorter, we would have left

1:43:31.600 --> 1:43:35.680
<v Speaker 1>out some valuable discourse. So here we are giving it

1:43:35.720 --> 1:43:39.960
<v Speaker 1>to you straight, to all you, marian. We'll try not

1:43:40.040 --> 1:43:43.200
<v Speaker 1>to make all their episodes this long, but hey, they

1:43:43.200 --> 1:43:46.200
<v Speaker 1>don't care. Who knows what will happen? Do you love

1:43:46.240 --> 1:43:51.160
<v Speaker 1>it to it? They're sick? All right? Well, yes, I

1:43:51.240 --> 1:43:58.800
<v Speaker 1>hope you're not too tired. Happy, happy New Years and

1:43:59.120 --> 1:44:05.160
<v Speaker 1>good time tidings to you, good job wah and a

1:44:05.280 --> 1:44:12.959
<v Speaker 1>happy bality. So that was our unlocked Matron episode, available

1:44:13.000 --> 1:44:16.960
<v Speaker 1>now on the main feed on the film legally Blonde,

1:44:17.320 --> 1:44:19.920
<v Speaker 1>And we don't get used to it. Don't get used

1:44:19.960 --> 1:44:22.280
<v Speaker 1>to it. All the other ones are. They're staying there,

1:44:22.640 --> 1:44:26.200
<v Speaker 1>they're they're locked in the Disney vault, except the Bechtel

1:44:26.520 --> 1:44:28.920
<v Speaker 1>the Bechtel Vault. But yes, thank you for listening. We

1:44:28.960 --> 1:44:31.040
<v Speaker 1>hope you enjoyed it. It was fun for us to

1:44:31.280 --> 1:44:34.840
<v Speaker 1>revisit as well. Um and just like there's no better

1:44:34.960 --> 1:44:37.360
<v Speaker 1>like legally it's a good time to watch legally Blonde,

1:44:37.560 --> 1:44:41.000
<v Speaker 1>and now in history's darkest hour, it's a fun time

1:44:41.040 --> 1:44:44.640
<v Speaker 1>to watch legally Blonde. Indeed, so thank you for listening. Uh.

1:44:44.880 --> 1:44:48.240
<v Speaker 1>You can find us online in all the normal places.

1:44:48.280 --> 1:44:51.120
<v Speaker 1>You can find us on Instagram and Twitter at Bechtel Cast.

1:44:51.400 --> 1:44:54.800
<v Speaker 1>You can of course join the damn Matreon Patreon dot

1:44:54.800 --> 1:44:58.280
<v Speaker 1>com slash Becktel Cast. There's other stuff. I just remembered

1:44:58.320 --> 1:45:05.479
<v Speaker 1>another theme we did, Revenge bur Oh yeah, every every title.

1:45:05.600 --> 1:45:10.200
<v Speaker 1>The titles are horrific. I love them so much. There's

1:45:11.240 --> 1:45:12.960
<v Speaker 1>but we've done a lot and then and then we'll

1:45:13.000 --> 1:45:16.519
<v Speaker 1>also do like annual Oscar roundups and stuff like that,

1:45:16.560 --> 1:45:19.040
<v Speaker 1>so a little a little more niche fun stuff going

1:45:19.080 --> 1:45:21.360
<v Speaker 1>on over there. Um, So I hope you enjoyed this,

1:45:21.600 --> 1:45:23.400
<v Speaker 1>And you can also get our merchant t public dot

1:45:23.400 --> 1:45:28.840
<v Speaker 1>com slash the Bechdel Cast, and we'll see you next week.

1:45:28.840 --> 1:45:29.880
<v Speaker 1>Gang ye