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Speaker 1: I live that fantasy another Jubes acting school. This is Kelly.

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Speaker 1: How can I help you? Hi? I was looking to

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Speaker 1: enroll in some acting classes? Oh? Perfect? And um, why

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Speaker 1: do you want to enroll in some acting classes? Like?

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Speaker 1: What are you? What are you hoping to get out

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Speaker 1: of this point? What am I hoping to get out

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Speaker 1: of it? Well, this time next year, I'm hoping that

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Speaker 1: you'll be buying a ticket to see me star in

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Speaker 1: the next big blockbuster movie. That's my plan. Oh well,

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Speaker 1: confidence is key. Confidence is key, and that's where I

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Speaker 1: want to be. Right, that's right, Yeah, that that sounds great. Um,

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Speaker 1: let's see we By the way, do you have George's number? George?

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Speaker 1: I'm sorry, I don't know who you're talking about. Uh,

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Speaker 1: George Clooney the actor? How do you not know who

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Speaker 1: George Clooney is? Well, of course I know who George

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Speaker 1: Clooney is. But no, I don't have to No, I

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Speaker 1: don't have this number. I gotta tell you. It's not

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Speaker 1: a good sign for me when I call up in

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Speaker 1: you as an acting school. Don't even know who George

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Speaker 1: Clooney is? You know? Well, I just coplain to you.

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Speaker 1: I do know who he is. I just don't have

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Speaker 1: his number. We don't work with George Clooney in a

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Speaker 1: regular base. George Clooney is a is a Hollywood actor.

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Speaker 1: The reason that I'm asking for his number is I

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Speaker 1: heard from friends that the key to getting ahead in

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Speaker 1: the acting world is it's not what you know, it's

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Speaker 1: who you know. Well, there's certainly excuse me, that was

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Speaker 1: my Redford laugh Robert Redford. Oh oh, well that was interesting.

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Speaker 1: Didn't pick up on that? So well, what did you

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Speaker 1: say your first name? Lest do you not know Redford

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Speaker 1: at all? Of course I know Robert Redford. Yes, yeah,

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Speaker 1: you don't. No way, we were Robert Redford. That doesn't

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Speaker 1: ring a bell. It's classic Redford right there. You know what,

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Speaker 1: possibly you should make a different phone call because I'm

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Speaker 1: not sure that we can actually help you, sir bargain, Okay, well,

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Speaker 1: why wouldn't you want me to come to your school?

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Speaker 1: I don't I'm not getting that because everything I say

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Speaker 1: to you, you seem to be extraordinarily argumentative and are

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Speaker 1: only really indicted in the Hollywood personalities that I don't know.

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Speaker 1: I'm going to have to disagree. I'm gonna have to

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Speaker 1: disagree with you on the whole argumentative thing. I'm gonna

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Speaker 1: I'm just gonna have to go ahead and do it. Hey, Okay,

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Speaker 1: I don't think i'm being argumentative one bit. Okay, you

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Speaker 1: know what, we can agree to disagree. No, there is

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Speaker 1: no agreeing to disagree here. This is a straight up disagreement.

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Speaker 1: I am not being argumentative with you. Are you being

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Speaker 1: argumentative here? Giving me a straight up disagreement? I think

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Speaker 1: you're being argumentative with me. I'm being argumentative with you.

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Speaker 1: Who's being argumentative here? Argumentative? You're out of order, out

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Speaker 1: of my studio and is asking me about all these

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Speaker 1: ridiculous things. Uncle, acting school, buddy, damn court is out

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Speaker 1: of order? What's out of order? I was acting for you? Oh?

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Speaker 1: Oh wow, wow, I'm bowing, thank you, thank you. So

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Speaker 1: what do I say to you? What? Obviously you don't

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Speaker 1: need us. You have everything it takes to make it

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Speaker 1: right in this business because you are totally on top

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Speaker 1: of things. So why don't you give me your name?

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Speaker 1: But I can write it down on my little pad

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Speaker 1: of paper here so I can make sure that I'm

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Speaker 1: watching when you are on the silver screen. Well, my

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Speaker 1: name is Seth McElroy. But my stage name, which I

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Speaker 1: plan on going by is Harry Balsagna. Remember that Harry, Harry?

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Speaker 1: When else? You just wake up every morning with jubal

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Speaker 1: Phoe Tabs weekday mornings on the twenties, on Rubin ninety

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Speaker 1: two point five