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Visit audible dot com, slash I 27 00:01:21,040 --> 00:01:24,280 Speaker 1: heart or text I Heeart to five hundred five hundred. 28 00:01:24,560 --> 00:01:26,840 Speaker 1: My next guest, I'll run into him at the airport, 29 00:01:27,840 --> 00:01:30,240 Speaker 1: you know the airport we're coming to t s A. 30 00:01:30,720 --> 00:01:33,760 Speaker 1: It's Richard McDonald. He said, I'm feel faint. Yeah, you're 31 00:01:33,800 --> 00:01:35,680 Speaker 1: got to do my show. He said, that's right. Well, 32 00:01:35,720 --> 00:01:37,399 Speaker 1: let me give you some information about him before I 33 00:01:37,480 --> 00:01:40,640 Speaker 1: officially bring him up. My next guest is a music executive, 34 00:01:40,920 --> 00:01:45,080 Speaker 1: television and film producer for nantroprists, and entrepreneur. He is 35 00:01:45,120 --> 00:01:47,440 Speaker 1: the senior vice president and general manager of r C 36 00:01:47,680 --> 00:01:51,440 Speaker 1: A Inspiration, a division of Sony Music Entertainment and r 37 00:01:51,520 --> 00:01:54,560 Speaker 1: C Inspiration is the number one label and gospel music 38 00:01:54,800 --> 00:01:57,640 Speaker 1: home to Kurt Franklin. That's my man, Fred Hammond, That's 39 00:01:57,640 --> 00:02:02,120 Speaker 1: my man, the Travis green Land, D Johnson, and many anymore. 40 00:02:02,560 --> 00:02:07,080 Speaker 1: R C Inspiration also released snoops acclaimed gospel album Bible 41 00:02:07,160 --> 00:02:13,560 Speaker 1: of Love. Please Welcome to money making Conversations, feel Thornton, Hey, 42 00:02:15,160 --> 00:02:17,600 Speaker 1: I feel like you're doing. How you doing? My friends? 43 00:02:17,639 --> 00:02:20,440 Speaker 1: Good to meet you outside of the airport? Outside of that? 44 00:02:21,000 --> 00:02:26,120 Speaker 1: How about that? This VACATIONSH Well, I look for friends 45 00:02:26,120 --> 00:02:30,600 Speaker 1: according to my staff, which means I probably pretty scary 46 00:02:30,639 --> 00:02:33,600 Speaker 1: proud to my leaving. Now, now here's the interesting reason 47 00:02:33,639 --> 00:02:36,320 Speaker 1: through your resume? What what? What? What is more? What? 48 00:02:36,320 --> 00:02:39,400 Speaker 1: What do you feel more successful about the music side 49 00:02:39,400 --> 00:02:42,520 Speaker 1: of this? Your television side? Your television side is exploding? 50 00:02:42,600 --> 00:02:45,240 Speaker 1: What's going on with that? Yeah, you know that's a 51 00:02:45,360 --> 00:02:48,600 Speaker 1: very popular question. I I feel success on the music 52 00:02:48,639 --> 00:02:50,800 Speaker 1: side is an executive. But I've also, has you noticed, 53 00:02:50,840 --> 00:02:53,840 Speaker 1: done some great award winning content on the television films. 54 00:02:53,880 --> 00:02:56,440 Speaker 1: So it's kind of like I can't take between the 55 00:02:56,440 --> 00:02:58,200 Speaker 1: two kids. I love them both, you know, But I 56 00:02:58,240 --> 00:03:00,320 Speaker 1: love the music side and I love the TV and 57 00:03:00,360 --> 00:03:03,000 Speaker 1: films out I told, you know, gratified and fulfilled on 58 00:03:03,040 --> 00:03:05,120 Speaker 1: them both. But I love both, I really do, and 59 00:03:05,160 --> 00:03:07,400 Speaker 1: I love combining the two. Where I can now, where 60 00:03:07,400 --> 00:03:10,360 Speaker 1: are you based at? Where's your Where's where's home? Home 61 00:03:10,520 --> 00:03:16,320 Speaker 1: is now in Nashville, Tennessee. And why uh well, a 62 00:03:16,360 --> 00:03:18,600 Speaker 1: few years ago I had an opportunity to work for 63 00:03:18,639 --> 00:03:20,839 Speaker 1: another label, which was their original reason why I moved 64 00:03:20,840 --> 00:03:24,680 Speaker 1: to Nashville, and then int I made the transition over 65 00:03:24,720 --> 00:03:27,440 Speaker 1: to Sony. But prior to that, I was based in 66 00:03:27,480 --> 00:03:29,840 Speaker 1: Los Angeles and that's why, you know, produced a lot 67 00:03:29,880 --> 00:03:32,040 Speaker 1: of my content as well, was in Atlanta. So yeah, 68 00:03:32,040 --> 00:03:34,880 Speaker 1: but I've been in um Nashville seven years now. But 69 00:03:34,960 --> 00:03:37,960 Speaker 1: it's really interesting when you talk about gospel and you know, 70 00:03:38,000 --> 00:03:41,960 Speaker 1: because it's an interesting genure. Who because listen R but 71 00:03:42,040 --> 00:03:43,480 Speaker 1: you kind of know who you are and B fans 72 00:03:43,520 --> 00:03:46,120 Speaker 1: are and you kind of you know you hip hop 73 00:03:46,160 --> 00:03:47,880 Speaker 1: you know your hip hop fans or then you have 74 00:03:47,960 --> 00:03:53,480 Speaker 1: this lineal audience out there, general uh gen z audiences 75 00:03:53,520 --> 00:03:57,360 Speaker 1: out there. So yeah, who are gospel face? I remember 76 00:03:57,400 --> 00:03:59,480 Speaker 1: I struggled with that when I put together a tool 77 00:03:59,520 --> 00:04:01,920 Speaker 1: with Steve Harvey and Kirk Franklin. I didn't know where 78 00:04:01,920 --> 00:04:05,520 Speaker 1: to advertise. I didn't know how to reach them, you know, 79 00:04:05,560 --> 00:04:07,920 Speaker 1: because because you know, because you know gospel people, they 80 00:04:08,080 --> 00:04:13,000 Speaker 1: Dancing Night Love too, So absolutely absolutely. I mean first, 81 00:04:13,040 --> 00:04:16,480 Speaker 1: I mean the gospel consumer is that African American adult 82 00:04:16,839 --> 00:04:18,440 Speaker 1: um and you touched on when you had Kirk and 83 00:04:18,520 --> 00:04:20,920 Speaker 1: Steed tour years ago. To me, that was the perfect 84 00:04:20,920 --> 00:04:24,760 Speaker 1: sweet spot. But what we've noticed is that thirty plus 85 00:04:25,200 --> 00:04:29,280 Speaker 1: African American female is our target for most of our releases. Now, 86 00:04:29,279 --> 00:04:31,359 Speaker 1: we have some younger artists that, you know, kind of 87 00:04:31,360 --> 00:04:34,120 Speaker 1: a skewed to our eighteen to twenty four demo that's 88 00:04:34,160 --> 00:04:36,360 Speaker 1: really streaming heavy. But when we're when we're putting out 89 00:04:36,360 --> 00:04:38,800 Speaker 1: of Kirk Franklin record on Marvin Staff, but Donnie mclark, 90 00:04:39,000 --> 00:04:41,279 Speaker 1: some of our you know legends, you know on the roster, 91 00:04:41,560 --> 00:04:44,240 Speaker 1: you know, we're talking to that thirty plus you know, 92 00:04:44,360 --> 00:04:47,000 Speaker 1: a female who's listening to Jill Scotch, who's listening to 93 00:04:47,040 --> 00:04:50,320 Speaker 1: Anthony Hamilton's who's listening to her and Lucky Day and 94 00:04:50,320 --> 00:04:51,800 Speaker 1: then some of the New R and B as well. 95 00:04:51,839 --> 00:04:54,000 Speaker 1: But then, you know, because gospel is very much a 96 00:04:54,000 --> 00:04:56,400 Speaker 1: part of the fabric of American when you think about it, 97 00:04:56,440 --> 00:04:58,800 Speaker 1: because church is cultural for us. It's not just something 98 00:04:58,839 --> 00:05:01,000 Speaker 1: you know, some people's religious, like if it's been ingrained 99 00:05:01,000 --> 00:05:02,960 Speaker 1: in a part of our DNA. We went to church 100 00:05:03,040 --> 00:05:05,680 Speaker 1: the Big Mommy, our grandmother and grandmother's years ago, and 101 00:05:05,960 --> 00:05:08,359 Speaker 1: so it's a part of our culture. And gospel music 102 00:05:08,800 --> 00:05:10,360 Speaker 1: is uh just part of the DNA. When you think 103 00:05:10,400 --> 00:05:13,279 Speaker 1: about music in general, so many genres of music were 104 00:05:13,320 --> 00:05:17,080 Speaker 1: derived from gospel music. So for us, that's a sweet spot. 105 00:05:17,120 --> 00:05:19,160 Speaker 1: But we try to make music good appeals to everyone. 106 00:05:19,200 --> 00:05:22,560 Speaker 1: But really the sweet spot is that thirty plus African 107 00:05:22,600 --> 00:05:27,239 Speaker 1: American female. Now that's also audience that you know watches 108 00:05:27,279 --> 00:05:30,760 Speaker 1: their money absolutely, and so that means that they make 109 00:05:30,880 --> 00:05:35,880 Speaker 1: conscious decisions and and so how do you how knowing 110 00:05:35,960 --> 00:05:38,760 Speaker 1: that there is the goal to get younger because it's younger, 111 00:05:38,839 --> 00:05:42,000 Speaker 1: usually they spending there, they spending the thirty plus money 112 00:05:42,200 --> 00:05:45,360 Speaker 1: and so absolutely, so, so that's an audience you want 113 00:05:45,360 --> 00:05:47,960 Speaker 1: to reach. Think you have those legends what you just mentioned, 114 00:05:48,000 --> 00:05:50,480 Speaker 1: Kurt Franklin, Marvin Staff, Dono mc clark, who I've been 115 00:05:50,480 --> 00:05:54,039 Speaker 1: knowing since since two thousands and uh and been following 116 00:05:54,040 --> 00:05:55,840 Speaker 1: prior to that. When I say two thousand, I started 117 00:05:55,839 --> 00:05:58,159 Speaker 1: playing their music when Steve and I was on radio 118 00:05:58,279 --> 00:06:00,960 Speaker 1: and uh in Los Angeles on nage two point three 119 00:06:00,960 --> 00:06:03,560 Speaker 1: to be and so that's when we started really you 120 00:06:03,600 --> 00:06:06,600 Speaker 1: started seeing the evolution. I think gospel started really exploding 121 00:06:06,640 --> 00:06:09,479 Speaker 1: into the general market. Of course, Curtis said that that 122 00:06:09,480 --> 00:06:12,599 Speaker 1: that that that that statement in Dallas years before that 123 00:06:12,720 --> 00:06:16,520 Speaker 1: and like in ninety four, ninety five, and so so 124 00:06:16,760 --> 00:06:19,560 Speaker 1: with that's saying where do you see gospel going? And 125 00:06:19,560 --> 00:06:23,080 Speaker 1: and the legends? Are the legends still caring the music 126 00:06:23,160 --> 00:06:25,760 Speaker 1: or you see these young entrepreneurs as these young artists 127 00:06:25,960 --> 00:06:29,440 Speaker 1: starting to replace that that that void because you got 128 00:06:29,480 --> 00:06:31,560 Speaker 1: the next years of plus thirty women that you want 129 00:06:31,560 --> 00:06:35,160 Speaker 1: to reach. Absolutely, I still see the legends holding their own. 130 00:06:35,160 --> 00:06:37,719 Speaker 1: Like Kirk Franklin has a new record we just released Friday, 131 00:06:37,720 --> 00:06:40,240 Speaker 1: Longed of Love, So Kirk is still very much alive 132 00:06:40,279 --> 00:06:42,680 Speaker 1: and well. And Marvin Stad. But as far as the 133 00:06:42,760 --> 00:06:45,719 Speaker 1: younger artists in our roster, I would say Karen Hawthorne, 134 00:06:45,720 --> 00:06:47,800 Speaker 1: who's one of my first signings when I came over 135 00:06:47,839 --> 00:06:50,200 Speaker 1: to our c a um. She had the number the 136 00:06:50,279 --> 00:06:53,560 Speaker 1: number one song and gospel music. Last year, ever Sean 137 00:06:53,600 --> 00:06:55,880 Speaker 1: a song called won't He Do It Uh? And translated 138 00:06:55,960 --> 00:06:57,960 Speaker 1: beyond the gospel charts, We're gonna led over to the 139 00:06:58,040 --> 00:07:01,000 Speaker 1: urban charts. She performed on soul A. She won an 140 00:07:01,040 --> 00:07:04,080 Speaker 1: Image Award she's Grahamy nominated, She's on tour with Kirk 141 00:07:04,080 --> 00:07:06,600 Speaker 1: this summer. She's performing in essence. The list goes on 142 00:07:06,640 --> 00:07:09,920 Speaker 1: and she's only twenty one. I um found her from 143 00:07:09,920 --> 00:07:13,160 Speaker 1: the Voice, but more I'm looking for more artists like Karem, 144 00:07:13,280 --> 00:07:16,720 Speaker 1: like Travis Green, uh Jonathan mcgrenlands who's not on my roster, 145 00:07:16,760 --> 00:07:19,280 Speaker 1: but we worked together the previous company. But there's a 146 00:07:19,320 --> 00:07:21,840 Speaker 1: great search consha Cobs Leonard, such a surge of like 147 00:07:21,920 --> 00:07:25,720 Speaker 1: new artists that are really uh re kind of redefining 148 00:07:25,840 --> 00:07:29,520 Speaker 1: the sound of gospel but still keeping the integrity in 149 00:07:29,520 --> 00:07:31,360 Speaker 1: the same breath. So it's just a it's a few 150 00:07:32,080 --> 00:07:34,240 Speaker 1: new a new Jackson I think are really gonna make 151 00:07:34,280 --> 00:07:36,440 Speaker 1: everyone proud and continue to you know, it's gonna take 152 00:07:36,440 --> 00:07:38,080 Speaker 1: some time for them to get to the Kirk or 153 00:07:38,080 --> 00:07:40,600 Speaker 1: the Yolanda status and things. But again they're well on 154 00:07:40,640 --> 00:07:42,560 Speaker 1: their way. But I really really am excited about the 155 00:07:42,560 --> 00:07:44,600 Speaker 1: future of the genre. Well, but the thing about it 156 00:07:44,640 --> 00:07:47,000 Speaker 1: is that there's a different battle to get their record played. 157 00:07:47,280 --> 00:07:49,200 Speaker 1: And so when I say that is that when the 158 00:07:49,240 --> 00:07:52,680 Speaker 1: PPM came out, it really in fact it impacted affected 159 00:07:52,760 --> 00:07:55,440 Speaker 1: jazz music, it affected R and B music, and in 160 00:07:55,560 --> 00:07:57,560 Speaker 1: fact we lost a lot of R and B stations 161 00:07:57,600 --> 00:07:59,960 Speaker 1: out there, and so a lot of the stations started 162 00:08:00,040 --> 00:08:02,320 Speaker 1: play more RB stations started to play rap where they 163 00:08:02,320 --> 00:08:06,160 Speaker 1: will play gospel sal how and what techniques of procedures 164 00:08:06,160 --> 00:08:08,840 Speaker 1: are you getting are you using to get these these 165 00:08:08,880 --> 00:08:11,520 Speaker 1: these these up and coming? Are there other other other 166 00:08:11,760 --> 00:08:16,440 Speaker 1: veterans the legends music played on these stations? You know, 167 00:08:16,520 --> 00:08:19,400 Speaker 1: We're actually trying to be as strategic as possible and 168 00:08:19,520 --> 00:08:23,800 Speaker 1: partnering with our digital service providers that Apple, Spotify, the 169 00:08:23,880 --> 00:08:27,360 Speaker 1: Amazon's YouTube, because what I've learned in our research and 170 00:08:27,360 --> 00:08:29,600 Speaker 1: our data and our financials that come in every month, 171 00:08:30,160 --> 00:08:35,239 Speaker 1: our gospel consumer is heavily on Apple Music and YouTube. 172 00:08:35,559 --> 00:08:38,280 Speaker 1: So my loves against let's meet them where they are 173 00:08:38,400 --> 00:08:41,920 Speaker 1: and let's get them the best possible experience on those platforms, 174 00:08:41,920 --> 00:08:45,520 Speaker 1: whether that's exclusive content, whether that's live streaming of some 175 00:08:45,600 --> 00:08:47,400 Speaker 1: of our contracts and events like we just did with 176 00:08:47,520 --> 00:08:50,959 Speaker 1: Title a few weeks ago with Kirk's Festival in Dallas. 177 00:08:51,000 --> 00:08:54,439 Speaker 1: Just really trying to take advantage of the digital platform 178 00:08:54,480 --> 00:08:59,280 Speaker 1: because terrestial radio continues to reach of the audience in 179 00:08:59,320 --> 00:09:01,640 Speaker 1: our country with just a plus and we're not abandoning 180 00:09:01,679 --> 00:09:05,079 Speaker 1: that strategy in any way. But but really understanding our 181 00:09:05,120 --> 00:09:07,480 Speaker 1: people are are listening to pandor they're listening to Apple, 182 00:09:07,480 --> 00:09:09,680 Speaker 1: they're listening to YouTube. So why I'm not trying to 183 00:09:09,720 --> 00:09:12,800 Speaker 1: take advantage of some of the playlisting opportunities and just 184 00:09:12,880 --> 00:09:16,240 Speaker 1: getting the music and directly to the consumer, because ultimately 185 00:09:16,240 --> 00:09:19,199 Speaker 1: the consumers are controlled at that point. Also, we're you know, 186 00:09:19,400 --> 00:09:22,600 Speaker 1: partnering with our our friends and various networks that create specials, 187 00:09:22,640 --> 00:09:24,840 Speaker 1: whether it's you know, BT, whether it's own where there's 188 00:09:24,880 --> 00:09:27,480 Speaker 1: TV one, uh, you know, and having the artists be 189 00:09:27,520 --> 00:09:30,160 Speaker 1: a part of different documentaries or award shows and you 190 00:09:30,160 --> 00:09:32,520 Speaker 1: know special That's another way we're you know, getting the 191 00:09:32,600 --> 00:09:35,200 Speaker 1: music out there. And last but not least, the live 192 00:09:35,240 --> 00:09:38,320 Speaker 1: experience because what we've noticed again you touched on it 193 00:09:38,400 --> 00:09:40,800 Speaker 1: with with Kirk and and Steve earlier on but the 194 00:09:40,960 --> 00:09:44,400 Speaker 1: live component is really really valuable. So whether it's Essence 195 00:09:44,400 --> 00:09:47,760 Speaker 1: Fest or whether it's Kirk's Festival that just happen in Dallas, 196 00:09:47,760 --> 00:09:51,080 Speaker 1: Texas or you know upcoming you know, just nontraditional by 197 00:09:51,160 --> 00:09:54,480 Speaker 1: non church tours. So that's something we're really being very 198 00:09:54,480 --> 00:09:58,040 Speaker 1: intentional and partnering. You know, for example McDonald's that's one 199 00:09:58,080 --> 00:10:00,559 Speaker 1: of our I want to bring that back into our 200 00:10:00,559 --> 00:10:02,679 Speaker 1: next break on the phone with Phil Thornton. He's the 201 00:10:02,720 --> 00:10:07,640 Speaker 1: music executive, television, film producer, philamp, entrepreneur, the general manager 202 00:10:07,800 --> 00:10:09,760 Speaker 1: r C A Inspiration. To be back with more Phil 203 00:10:09,840 --> 00:10:12,720 Speaker 1: Thornton and Phil, we got to talk about this gospel 204 00:10:12,840 --> 00:10:18,599 Speaker 1: or YouTube channel. It's it's got talking about that. You 205 00:10:18,760 --> 00:10:21,320 Speaker 1: know on this Rashan McDonald, you're listening to money making 206 00:10:21,360 --> 00:10:24,199 Speaker 1: conversations on the phone. Is the senior vice president General 207 00:10:24,200 --> 00:10:27,640 Speaker 1: manager r C Inspiration. That's just one. It's a division 208 00:10:27,640 --> 00:10:31,080 Speaker 1: of Sony Music Entertainment UM. Some of the biggest stars 209 00:10:31,200 --> 00:10:34,280 Speaker 1: on r C A Inspiration. That's Kurt Franklin, Fred Hanlon, 210 00:10:34,920 --> 00:10:38,080 Speaker 1: just to name a few. I feel um before you. 211 00:10:38,640 --> 00:10:41,400 Speaker 1: Before we ended our first break, I wanted to talk 212 00:10:41,440 --> 00:10:45,160 Speaker 1: about the whole YouTube and the streaming and it just 213 00:10:45,200 --> 00:10:48,160 Speaker 1: feels like, is there a gospel channel out there? Are 214 00:10:48,240 --> 00:10:50,880 Speaker 1: are are you guys moving into the direction of developing 215 00:10:50,920 --> 00:10:56,400 Speaker 1: a gospel streaming channel like through YouTube? Facebook? You know, 216 00:10:56,480 --> 00:10:59,760 Speaker 1: as a label, we are expanding our platform with YouTube 217 00:10:59,840 --> 00:11:01,880 Speaker 1: and Facebook and some of the other partners because we 218 00:11:02,000 --> 00:11:04,520 Speaker 1: see that is that's where our consumers are on a 219 00:11:04,640 --> 00:11:07,360 Speaker 1: daily basis, and so instead of trying to kind of 220 00:11:07,400 --> 00:11:10,840 Speaker 1: create a separate platform that we're being very very strategic 221 00:11:11,080 --> 00:11:13,640 Speaker 1: about building up our content. So that's you know, creating 222 00:11:13,640 --> 00:11:16,720 Speaker 1: additional content that you can only find on the YouTube channel. 223 00:11:16,760 --> 00:11:19,280 Speaker 1: So we're actually in the process of building that out 224 00:11:19,280 --> 00:11:21,720 Speaker 1: now and hoped to launch by in the summer. Please 225 00:11:21,800 --> 00:11:23,920 Speaker 1: do that because of the fact that I feel that 226 00:11:25,440 --> 00:11:29,720 Speaker 1: there's one of the great skill levels a great association 227 00:11:29,760 --> 00:11:32,840 Speaker 1: with gospel is visual because the gospel is really good. Well, 228 00:11:32,880 --> 00:11:35,120 Speaker 1: I'm not I'm talking to an expert too, and I apologize, 229 00:11:35,160 --> 00:11:37,400 Speaker 1: I'm not trying to know, but I'm talking to an 230 00:11:37,440 --> 00:11:39,679 Speaker 1: expert in the legends. I'm all there. You know, this 231 00:11:39,720 --> 00:11:42,240 Speaker 1: is a this is a healthy has to money making 232 00:11:42,280 --> 00:11:46,640 Speaker 1: conversations help us make more money. Here's here's here's the 233 00:11:46,720 --> 00:11:49,959 Speaker 1: thing that that the gospel US cannot loude videos. They 234 00:11:50,040 --> 00:11:54,000 Speaker 1: need videos. Anytime you can capture and performing in churches, 235 00:11:54,400 --> 00:11:57,200 Speaker 1: you should capture because it just resonates in that in 236 00:11:57,280 --> 00:12:00,839 Speaker 1: that in the environment. If the if somebody could just 237 00:12:00,880 --> 00:12:04,360 Speaker 1: accumulate the model the volume of views that the tie 238 00:12:04,400 --> 00:12:06,680 Speaker 1: of plays and are tied to gospel, it would be 239 00:12:06,760 --> 00:12:08,920 Speaker 1: right behind food. I swear to you would be right 240 00:12:08,920 --> 00:12:12,640 Speaker 1: behind food videos and especially in the Facebook and YouTube world. Now, 241 00:12:12,720 --> 00:12:14,840 Speaker 1: I say that because when I look at talent like 242 00:12:14,880 --> 00:12:17,760 Speaker 1: you Loanta Adams, who I think will be a perfect 243 00:12:17,840 --> 00:12:20,959 Speaker 1: host for some type of Facebook talk show. When I 244 00:12:21,000 --> 00:12:23,760 Speaker 1: look at the when I look at the evolution of 245 00:12:23,760 --> 00:12:27,400 Speaker 1: what podcasts are doing, it is that's a perfect brand 246 00:12:27,480 --> 00:12:30,360 Speaker 1: for what you do to be able to just start 247 00:12:30,400 --> 00:12:32,960 Speaker 1: taking the talent that have because the radio is kind 248 00:12:33,000 --> 00:12:36,040 Speaker 1: of burying Gospel doesn't give it it's true, say it's 249 00:12:36,040 --> 00:12:38,960 Speaker 1: true VARs where I feel that gospel needs to just 250 00:12:38,960 --> 00:12:41,840 Speaker 1: control the narrative because the audience is there. The audience 251 00:12:41,880 --> 00:12:45,480 Speaker 1: is and and when I say that, I mean that 252 00:12:45,480 --> 00:12:48,040 Speaker 1: that's why I'm really excited to talk to you, because 253 00:12:48,320 --> 00:12:50,480 Speaker 1: you're a brand leader. And when I and I've always 254 00:12:50,520 --> 00:12:52,760 Speaker 1: said this about this show, if I give you a dot, 255 00:12:52,800 --> 00:12:54,960 Speaker 1: if I give you information, and you make a million dollars, 256 00:12:54,960 --> 00:12:57,600 Speaker 1: then the purpose of this show has been successful. And 257 00:12:57,640 --> 00:12:59,880 Speaker 1: so when I say that, I'm saying to us, as 258 00:12:59,880 --> 00:13:02,480 Speaker 1: a guy who's seen the vision that it was, who 259 00:13:02,520 --> 00:13:06,320 Speaker 1: was experienced, is that your the future of gospel is 260 00:13:06,360 --> 00:13:09,240 Speaker 1: tied to what you do feel And that's in UH 261 00:13:09,320 --> 00:13:12,880 Speaker 1: YouTube streaming, UH setting up your own Facebook talk show 262 00:13:12,960 --> 00:13:15,760 Speaker 1: and podcasts. That's where it's that I see you. I 263 00:13:15,800 --> 00:13:19,319 Speaker 1: see you created a partnership with the McDonald Inspirational Celebration 264 00:13:19,400 --> 00:13:23,560 Speaker 1: Gospel Tour, which is brilliant. That's controlling your narrative now 265 00:13:23,679 --> 00:13:27,480 Speaker 1: is about capturing footage, capturing all that video content and 266 00:13:27,480 --> 00:13:30,440 Speaker 1: then shaping it and putting it on your on your channel, 267 00:13:30,840 --> 00:13:33,760 Speaker 1: shaping podcast with with key host because with a lot 268 00:13:33,800 --> 00:13:36,440 Speaker 1: of people don't understand by podcast, Oh you need one 269 00:13:36,800 --> 00:13:40,080 Speaker 1: five minutes show a week, that's it. That's it. I like, 270 00:13:40,240 --> 00:13:42,680 Speaker 1: and we're working. We're working with I'm a mutual friend 271 00:13:42,679 --> 00:13:45,880 Speaker 1: of ours, a divine frontmen on building out our podcast effort. 272 00:13:45,880 --> 00:13:48,080 Speaker 1: So that's something that just you know, you heard it 273 00:13:48,120 --> 00:13:50,480 Speaker 1: here first. We're working on that as we speak, just 274 00:13:50,600 --> 00:13:53,560 Speaker 1: because again we see to your point, controlling the narrative 275 00:13:53,679 --> 00:13:56,160 Speaker 1: is going to be extreme more important than ever. So 276 00:13:56,400 --> 00:13:58,679 Speaker 1: you know what I'm talking about, all right, you gotta 277 00:13:58,720 --> 00:14:00,800 Speaker 1: go there because of the fact that once you control 278 00:14:00,880 --> 00:14:03,880 Speaker 1: that narrative, then you then you build your audience properly. 279 00:14:04,160 --> 00:14:06,920 Speaker 1: The problem I have with the terrestrial radio they will 280 00:14:06,960 --> 00:14:10,280 Speaker 1: not allow gospel to build their audience. Then they segmented 281 00:14:10,360 --> 00:14:13,719 Speaker 1: like people don't only hear gospel on certain days and 282 00:14:13,960 --> 00:14:18,160 Speaker 1: on Sunday, Sunday afternoon, Sunday morning, and so it's a 283 00:14:18,240 --> 00:14:21,520 Speaker 1: mix and it confuses people on how you should approach 284 00:14:21,600 --> 00:14:24,320 Speaker 1: gospel and the play. But that people don't want to 285 00:14:24,360 --> 00:14:26,240 Speaker 1: hear on morning shows. People want to hear in the 286 00:14:26,280 --> 00:14:29,160 Speaker 1: afternoon drive. And then it only allows yourself to be 287 00:14:29,480 --> 00:14:31,920 Speaker 1: the legends to get played, and so it means that 288 00:14:32,240 --> 00:14:35,280 Speaker 1: it often hurts the legends too because guess what, they're 289 00:14:35,320 --> 00:14:38,280 Speaker 1: old catalogs don't get played, and so it limits their 290 00:14:38,320 --> 00:14:41,720 Speaker 1: overall exposure to the new audiences that need to be 291 00:14:41,720 --> 00:14:44,560 Speaker 1: here in the the millennials who need to hear Kurt 292 00:14:44,960 --> 00:14:48,400 Speaker 1: in eighteen eighty four music you know you know, Kurt, 293 00:14:49,720 --> 00:14:51,360 Speaker 1: I want to ask you a question as a person, 294 00:14:51,400 --> 00:14:53,040 Speaker 1: you know you and Steve to me where you know 295 00:14:53,120 --> 00:14:57,320 Speaker 1: trailblazers and really embraced gospel on a national platform even 296 00:14:57,360 --> 00:14:59,000 Speaker 1: before then. When I think back to the beat days 297 00:14:59,040 --> 00:15:02,080 Speaker 1: in l A, what made you say I will embrace 298 00:15:02,120 --> 00:15:05,680 Speaker 1: this music on our morning show, prime you know, prime platform? Like, 299 00:15:05,800 --> 00:15:07,840 Speaker 1: what was the thing about gospel at that time? Was 300 00:15:08,080 --> 00:15:11,160 Speaker 1: the artist was just the timing? I'm just curious. Well, 301 00:15:11,400 --> 00:15:13,720 Speaker 1: first of all, Steve's as strong faith. You know that, 302 00:15:13,840 --> 00:15:15,840 Speaker 1: so your your leader has to believe in it, and 303 00:15:15,840 --> 00:15:18,080 Speaker 1: your leader has to fight for it. And Steve was 304 00:15:18,120 --> 00:15:21,400 Speaker 1: willing to fight forward. I remember when we introduced the 305 00:15:21,520 --> 00:15:25,440 Speaker 1: idea because at the time, you know, no gospel music 306 00:15:25,480 --> 00:15:27,920 Speaker 1: was being played on the beat, and so we introduced 307 00:15:28,240 --> 00:15:30,800 Speaker 1: as our opening song. We just said, I opened his song, 308 00:15:31,120 --> 00:15:33,680 Speaker 1: let's let us play our opened his song and so. 309 00:15:34,000 --> 00:15:35,600 Speaker 1: And then all of a sudden, when we start hearing 310 00:15:35,600 --> 00:15:38,680 Speaker 1: about the success, so we fall down that blew up 311 00:15:39,160 --> 00:15:43,280 Speaker 1: off our opening songs. Marvin Sapp blew up. Kurt Flecking 312 00:15:43,320 --> 00:15:46,280 Speaker 1: got even bigger. And so we realized that the music 313 00:15:46,320 --> 00:15:49,040 Speaker 1: we were playing in this Los Angeles station were really 314 00:15:49,080 --> 00:15:52,720 Speaker 1: impacting everybody nationwide. And this was before streaming. So I 315 00:15:52,920 --> 00:15:55,280 Speaker 1: would say to you, is that that that because of 316 00:15:55,320 --> 00:15:58,280 Speaker 1: the way music is being carved out nowadays, that's not 317 00:15:58,320 --> 00:16:00,280 Speaker 1: gonna happen. That's why I know that you have to 318 00:16:00,320 --> 00:16:03,960 Speaker 1: control your narrative. If you get stuff on radio that's gravy. 319 00:16:04,000 --> 00:16:05,800 Speaker 1: But I know that the way the system is set 320 00:16:05,880 --> 00:16:09,240 Speaker 1: up nowadays, with with the Android phones being a dominant 321 00:16:09,520 --> 00:16:12,760 Speaker 1: carrier for all African Americans. More African Americans by Android 322 00:16:12,760 --> 00:16:15,080 Speaker 1: phones than any any type of phone out there. Know 323 00:16:15,200 --> 00:16:17,240 Speaker 1: that for a fact. And so when you know that, 324 00:16:17,520 --> 00:16:20,000 Speaker 1: when you know that, if you start saying, hey, reach 325 00:16:20,080 --> 00:16:23,680 Speaker 1: us through this channel Facebook, get somebody like like you'landa 326 00:16:23,760 --> 00:16:27,440 Speaker 1: Adams who's amazing, who has the audience reach, she's hip, 327 00:16:27,600 --> 00:16:30,320 Speaker 1: has a daughter in college, so she knows the language, 328 00:16:30,360 --> 00:16:32,880 Speaker 1: she knows the experiences the host or like a Facebook 329 00:16:32,920 --> 00:16:35,120 Speaker 1: show that it will allow you to have guests and 330 00:16:35,120 --> 00:16:38,840 Speaker 1: have a red table type show that's popular for for 331 00:16:39,080 --> 00:16:41,720 Speaker 1: Jada Pinkett can be popular for you guys through your 332 00:16:41,760 --> 00:16:44,000 Speaker 1: line of Adams type. You know that you gotta have 333 00:16:44,080 --> 00:16:48,040 Speaker 1: somebody who has stories, who has credibility and has engagement. 334 00:16:48,200 --> 00:16:50,520 Speaker 1: I'm just letting you know that you're a smart guy. 335 00:16:50,640 --> 00:16:52,760 Speaker 1: I can talk to you because you know television too. 336 00:16:53,280 --> 00:16:55,640 Speaker 1: I can't talk to tabless conversation with everybody because your 337 00:16:55,640 --> 00:16:58,800 Speaker 1: television background allows me to say turn some just to 338 00:16:58,920 --> 00:17:00,720 Speaker 1: make a pitch to use to say in that. I 339 00:17:00,800 --> 00:17:04,120 Speaker 1: just want you to just control your brand because allowed 340 00:17:04,280 --> 00:17:08,120 Speaker 1: radio to dictate it or tell their story is not happening. 341 00:17:08,160 --> 00:17:11,159 Speaker 1: That's the only disappointment. And and not managing Steve and 342 00:17:11,200 --> 00:17:13,280 Speaker 1: not being part of the morning show was I didn't 343 00:17:13,280 --> 00:17:16,880 Speaker 1: realize the impact of me leaving radio would have on 344 00:17:16,920 --> 00:17:19,520 Speaker 1: how music is being played nationally, because I had that 345 00:17:19,600 --> 00:17:22,000 Speaker 1: big of effect on what was being played on the 346 00:17:22,119 --> 00:17:25,080 Speaker 1: national format and now that's not the case anymore, and 347 00:17:25,119 --> 00:17:27,560 Speaker 1: it really disappoints me. That's why I'm an advocate of 348 00:17:27,840 --> 00:17:29,760 Speaker 1: what you do. And I would be and I was, 349 00:17:29,840 --> 00:17:31,359 Speaker 1: I was sitting in the meeting you asked me to 350 00:17:31,359 --> 00:17:33,520 Speaker 1: sit in, I would. I would push your brand field 351 00:17:33,840 --> 00:17:38,440 Speaker 1: because guess what, we just need to control your narrative absolute. 352 00:17:38,480 --> 00:17:40,320 Speaker 1: And I'll take you up on that offer because I 353 00:17:40,440 --> 00:17:42,600 Speaker 1: really loved the idea of just some of the things 354 00:17:42,600 --> 00:17:45,080 Speaker 1: you've already shared offline. I've really I'm gonna take you 355 00:17:45,160 --> 00:17:46,960 Speaker 1: up on that because this is this is because I 356 00:17:47,000 --> 00:17:50,000 Speaker 1: need as many champions on the front line to really 357 00:17:50,080 --> 00:17:52,240 Speaker 1: get controlled the narrative so that I I really I 358 00:17:52,280 --> 00:17:55,080 Speaker 1: think in advance, I really do. I appreciate, and I 359 00:17:55,160 --> 00:17:57,800 Speaker 1: thank you and and I and I think that that 360 00:17:57,920 --> 00:17:59,800 Speaker 1: when I talk to you, you have to talk to 361 00:18:00,000 --> 00:18:02,760 Speaker 1: people who get both sides of it. And so when 362 00:18:02,760 --> 00:18:05,520 Speaker 1: I listened to radio and I listened to how rappers 363 00:18:05,600 --> 00:18:08,439 Speaker 1: creep this way back into R and B music, that 364 00:18:08,520 --> 00:18:11,159 Speaker 1: was in two thousands, that that. That's what I fought 365 00:18:11,200 --> 00:18:14,639 Speaker 1: to stop, was well, how how rapping suddenly now you 366 00:18:14,680 --> 00:18:17,440 Speaker 1: hear now you hear rappers creeping their way into R 367 00:18:17,520 --> 00:18:20,919 Speaker 1: and B songs again. Oh well that's two thousand, Okay. 368 00:18:21,119 --> 00:18:23,080 Speaker 1: Now we were back to two thousand again in twenty 369 00:18:23,080 --> 00:18:25,399 Speaker 1: and eighteen, so and n eighteen years later we're starting 370 00:18:25,440 --> 00:18:29,520 Speaker 1: all over again. So what does that leave gospel nowhere? Nowhere? 371 00:18:29,760 --> 00:18:32,040 Speaker 1: So that means that don't worry about that. It's a 372 00:18:32,040 --> 00:18:34,920 Speaker 1: different era nowadays, when an era where we can control 373 00:18:34,920 --> 00:18:37,399 Speaker 1: our narrative, control our product and put it out at 374 00:18:37,760 --> 00:18:40,720 Speaker 1: at a very cheap production rate. And so but we 375 00:18:40,760 --> 00:18:43,600 Speaker 1: got to select and choose the right people to speak 376 00:18:43,640 --> 00:18:45,800 Speaker 1: to song, to speak to volume, and gotta have the 377 00:18:45,880 --> 00:18:48,760 Speaker 1: right minded people. And you want of the right minded people. 378 00:18:48,960 --> 00:18:51,639 Speaker 1: My man, uh Sony is one of the right minded 379 00:18:51,680 --> 00:18:53,960 Speaker 1: people because of the fact that y'all understand it and 380 00:18:54,040 --> 00:18:59,960 Speaker 1: y'all live gospel. Y'all live gospel. Man. Yeah, absolutely absolutely 381 00:19:01,200 --> 00:19:04,280 Speaker 1: so so so with the television background, with the with 382 00:19:04,359 --> 00:19:07,280 Speaker 1: the radio, with the music. So how can I help you? 383 00:19:07,320 --> 00:19:09,440 Speaker 1: Like I said, I got a newsletter that comes out 384 00:19:10,040 --> 00:19:14,359 Speaker 1: uh monthly, two thousand fan club followers. I love to 385 00:19:14,440 --> 00:19:17,199 Speaker 1: just drop information in there and our newsletter about your 386 00:19:17,240 --> 00:19:19,600 Speaker 1: up comedy songs. Just just give me the artwork and 387 00:19:19,640 --> 00:19:22,040 Speaker 1: the clickable links. And I started helping you promote there 388 00:19:22,280 --> 00:19:25,119 Speaker 1: and then you can come on my show any artist 389 00:19:25,160 --> 00:19:27,159 Speaker 1: you want on my show. This is money making conversations 390 00:19:27,520 --> 00:19:29,920 Speaker 1: is about promoting brands and getting the word. I feel 391 00:19:30,119 --> 00:19:32,800 Speaker 1: and I just know that you are on the edge 392 00:19:32,800 --> 00:19:35,800 Speaker 1: of something great. Uh. I just want to push you 393 00:19:35,840 --> 00:19:39,200 Speaker 1: there and let you know, look at it. Man, content 394 00:19:39,320 --> 00:19:43,199 Speaker 1: is king. You have a market that is available in 395 00:19:43,240 --> 00:19:45,960 Speaker 1: the mobile world. Just gotta be smarter about it and 396 00:19:46,040 --> 00:19:48,199 Speaker 1: realizes that it's on you. It's gonna be on you. 397 00:19:48,320 --> 00:19:51,600 Speaker 1: My man, It's gonna be on you. Now. I appreciate that, 398 00:19:51,640 --> 00:19:53,280 Speaker 1: and I'm gonna take you up on that news butt 399 00:19:53,280 --> 00:19:55,879 Speaker 1: as well. I sent you some arts today. Actually I 400 00:19:56,080 --> 00:19:58,840 Speaker 1: started with what I'm mutual frank Kirk Franklin, how about that. 401 00:19:58,840 --> 00:20:02,000 Speaker 1: We'll start with Kirtel now, Um, I appreciate that support. 402 00:20:02,040 --> 00:20:03,800 Speaker 1: But we're trying it just because you as you know, 403 00:20:03,960 --> 00:20:06,840 Speaker 1: at one point the restaurant radio was driving, you know, 404 00:20:07,480 --> 00:20:09,120 Speaker 1: and it was such a pivotal but like you said, 405 00:20:09,160 --> 00:20:11,840 Speaker 1: it's a totally different landscape now. So we we had 406 00:20:11,880 --> 00:20:14,040 Speaker 1: to be created. So you know, so that's the key 407 00:20:14,080 --> 00:20:17,160 Speaker 1: with having some of our brand partnerships still building. I'm 408 00:20:17,160 --> 00:20:19,600 Speaker 1: building in that area. I'm building with our digital partners, 409 00:20:19,760 --> 00:20:22,520 Speaker 1: building with the TV and film and like the podcast 410 00:20:22,560 --> 00:20:25,120 Speaker 1: that we're building out. But it's gonna take, like you said, 411 00:20:25,200 --> 00:20:28,200 Speaker 1: just taking control of the narratives and finding those champions 412 00:20:28,200 --> 00:20:31,840 Speaker 1: that understand, you know, both sides to understand gospel but 413 00:20:31,920 --> 00:20:34,879 Speaker 1: understand the audience and faith um and just kind of 414 00:20:35,080 --> 00:20:37,280 Speaker 1: figure out how we can collaborate when I unfortunate that 415 00:20:37,280 --> 00:20:39,439 Speaker 1: I've been, you know, really blessed on this journey to 416 00:20:39,680 --> 00:20:42,560 Speaker 1: find people like you, to find people like tomb over 417 00:20:42,600 --> 00:20:45,840 Speaker 1: to YouTube who you know, So it's like, how do 418 00:20:45,960 --> 00:20:49,200 Speaker 1: we work together and collaborate and and work and create 419 00:20:49,440 --> 00:20:52,399 Speaker 1: some amazing you know, Jason Kapana a title and just 420 00:20:52,440 --> 00:20:55,600 Speaker 1: different different. 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