WEBVTT - Gaming the Flow

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and um, Julie, go with

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<v Speaker 1>the flow, Douglas, Yeah, that's your thing. Yeah, I mean

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<v Speaker 1>it really should be all of our things, right, you

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<v Speaker 1>could go with the flow to experience what we have

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<v Speaker 1>come to know as flow states. Yeah, and uh, you know,

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<v Speaker 1>being in the flow creates a lot of different ideas

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<v Speaker 1>and the brain about what that is. Um, you know,

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<v Speaker 1>it's a kind of altered state. We should mention that.

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<v Speaker 1>For me, I think about a river flowing and I

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<v Speaker 1>always think about that phrase, Um, don't push the river,

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<v Speaker 1>it moves all by itself. Now that's meant to suggest like, hey,

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<v Speaker 1>don't try to do things before you're ready to do them,

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<v Speaker 1>or just trying to impose your own agenda onto things.

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<v Speaker 1>But it also reminds me of flow in the sense

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<v Speaker 1>that you cannot push the state of flow that we

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<v Speaker 1>sometimes fall into. You kind of have to submit to it. Yeah.

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<v Speaker 1>The model that I always come back to is that

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<v Speaker 1>of surfing, and it's not based on extensive surfing. I

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<v Speaker 1>only surfed surfed once with when I was visiting a

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<v Speaker 1>friend in a way. Uh, and he insisted, you know,

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<v Speaker 1>all right, keep coming, come out, try surfing. I'm okay,

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<v Speaker 1>I'll try it, and you just and kept insisting, or

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<v Speaker 1>I keep at it, keep at it. You're not really

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<v Speaker 1>surfing it. You're just paddling among the waves. And I'm

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<v Speaker 1>the whole time, I'm thinking, I really just want to

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<v Speaker 1>go back to the beach and get back on dry

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<v Speaker 1>land because there's a lot of work and it's not

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<v Speaker 1>really that fun. But is anyone who's served or even

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<v Speaker 1>boogiebird boarded, I guess uh, I can tell you. There

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<v Speaker 1>comes a point where you're you're you know, you're paddling,

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<v Speaker 1>You're paddling, You're laying on that board and you're just

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<v Speaker 1>you're just working your butt off to keep up with

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<v Speaker 1>the wave. And then the wave catches you and you

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<v Speaker 1>don't have to paddle, and that's the point where you

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<v Speaker 1>would climb up on the board and everything because the

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<v Speaker 1>board is being propelled by the wave instead of I you.

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<v Speaker 1>And that is, for me, is what flow state feels like.

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<v Speaker 1>If I'm if I'm writing, if I'm painting, if even

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<v Speaker 1>if I'm doing some sort of you know, a manual

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<v Speaker 1>sort of labor task, in the backyard sometimes um, not

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<v Speaker 1>very often, but it happens, is that you reach that

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<v Speaker 1>point where you're not you know, it's almost like you're

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<v Speaker 1>not having to work at it anymore. You're you're being

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<v Speaker 1>pulled by this force that seems outside of you. Yeah. Um.

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<v Speaker 1>Dr Ned Hollowell at Harvard Medical School described it as

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<v Speaker 1>flow being a doorway two more that most of us seek.

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<v Speaker 1>So I like this idea, I said, you know, submitting

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<v Speaker 1>to it, um, And some people say they slip into it.

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<v Speaker 1>But again, this doorway, this portal that feels like you're

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<v Speaker 1>you're just you know, you're in a different state that

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<v Speaker 1>you've left your body in a way. But at the

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<v Speaker 1>same time that's you're full of awareness and clarity and

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<v Speaker 1>things seem effortless, and that's this beautiful place to be.

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<v Speaker 1>So we're going to try to explore this a little

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<v Speaker 1>bit more today. And by the way, we have listener

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<v Speaker 1>David to thank for this. He is a lecture in

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<v Speaker 1>game design at Glasgow Caledonian University and uh, he wanted

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<v Speaker 1>to open more of this up to us. We've talked

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<v Speaker 1>about flow in the past, but we really haven't done

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<v Speaker 1>a deep dive on it. So it's been pretty fascinating,

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<v Speaker 1>So thank you, David. Yeah, because flow has come up

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<v Speaker 1>in the past on podcast episodes, and I feel like

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<v Speaker 1>it's a it's one of these concepts. It's not difficult

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<v Speaker 1>at all to grasp the essence off because I think

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<v Speaker 1>by some estimates, twelve percent of people would not know

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<v Speaker 1>what we're talking about here when we maybe just have

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<v Speaker 1>to imagine flow. But for the rest of us, flow

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<v Speaker 1>is something that at least occasionally pops up in your

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<v Speaker 1>life and you and you're like, yes, that is flow state.

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<v Speaker 1>That is what I want to aim for every day.

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<v Speaker 1>And this idea of flow, at least the idea of it,

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<v Speaker 1>not the term has been around for so long. I

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<v Speaker 1>mean Aristotle was trying to figure out what this is.

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<v Speaker 1>Abraham Maslow of maslow Hierarchy of Needs fame he called

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<v Speaker 1>these sessions of extraordinary experiences are peak experiences. And finally

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<v Speaker 1>we have someone by the name of me Hi Chick

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<v Speaker 1>sent me Hi who came along and really studied this

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<v Speaker 1>in earnest Yeah, Chicks and me High, Hungarian psychology professor.

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<v Speaker 1>He immigrated the United States at the age of twenty

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<v Speaker 1>two um Currently at Claremont Graduate University. He's the former

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<v Speaker 1>head of the Department of Psychology at the University of

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<v Speaker 1>Chicago and of the Department of Sociology and Anthropology at

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<v Speaker 1>Lake Forest College. In addition to all of this, though,

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<v Speaker 1>he also was at one time an avid rock climber,

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<v Speaker 1>which is key, that's right, And in the seventies at

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<v Speaker 1>the University of Chicago, he was trying to really figure

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<v Speaker 1>out what this experience was because he's climbing these rocks, right,

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<v Speaker 1>he's engaging, and he's just living in the moment. He's

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<v Speaker 1>flowing with it yep. And he says, these exceptional moments

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<v Speaker 1>are what I have called flow experiences. He says, the

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<v Speaker 1>metaphor of flow is one that many people have used

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<v Speaker 1>to describe the sense of effortless action they feel in

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<v Speaker 1>moments that stand out as best in their lives. Athletes

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<v Speaker 1>refer to it as being in the zone, religious mystics

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<v Speaker 1>as being in ecstasy, artists and musicians as aesthetic rapture.

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<v Speaker 1>I love the aesthetic rapture. You're visited by the muse, right,

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<v Speaker 1>the muse has has ventured into your little universe from

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<v Speaker 1>somewhere beyond and is somehow commanding your efforts. So for

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<v Speaker 1>ten years he studied this in earnest all over the

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<v Speaker 1>globe and surveyed a number of people. And we'll talk

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<v Speaker 1>a little bit more about his methods in a moment.

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<v Speaker 1>But um, one of the things that kept coming up

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<v Speaker 1>besides this idea of it being effortless, was this quality

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<v Speaker 1>of fluidity. And that's where he came up with that

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<v Speaker 1>term flow. I like, so let's break it down. What

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<v Speaker 1>are the qualities of flow? Well, first of all, we've

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<v Speaker 1>got to talk about goals. There's a clear set of

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<v Speaker 1>goals that require appropriate responses. Uh And and that's that's

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<v Speaker 1>key here. Imagine rock climbing, because that's a great example

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<v Speaker 1>to come back to. There. There's some clear goals in

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<v Speaker 1>place here. You've got to stay attached to that rock

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<v Speaker 1>wall and not fall off. You want to move up,

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<v Speaker 1>but not down at least until you're ready to reverse directions.

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<v Speaker 1>You want to reach from, you know, from one hand

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<v Speaker 1>hold to another, from one foothold to the next. There's

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<v Speaker 1>a clear set of goals in place. Yeah, or think

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<v Speaker 1>of even like chess or tennis, which have a lot

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<v Speaker 1>of rules to follow. Right, it's a very black and

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<v Speaker 1>white universe, and this is something that doesn't necessarily exist

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<v Speaker 1>out and you know, outside of the flow state, right,

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<v Speaker 1>this black and white universe. Yeah, I mean life is

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<v Speaker 1>often really complicated where any given choice that we make,

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<v Speaker 1>we have to think, is this the best choice? Am I?

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<v Speaker 1>Am I engaging with life correctly? Am I raising my

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<v Speaker 1>child right? Because I'm hearing right answers and wrong answers

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<v Speaker 1>all over the board. But then you go to the

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<v Speaker 1>checkers board, You go to the chess board, and there

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<v Speaker 1>there are a clear set of rules in play, and

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<v Speaker 1>and it's a it's a smaller universe. It's the universe

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<v Speaker 1>that makes a lot more sense in that self contained

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<v Speaker 1>universe would be the second quality of flow. So chick

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<v Speaker 1>sept me High says that you know, if you perform

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<v Speaker 1>a religious ritual, you play a musical piece, we have

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<v Speaker 1>a rug all of that that that's a very self

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<v Speaker 1>contained universe in which you can apply those rules. Ritual

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<v Speaker 1>is key because because the whole part of this too

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<v Speaker 1>is that you're acting without questioning what should be done

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<v Speaker 1>or how it should be done to be a religious

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<v Speaker 1>ritual or this uh, this this job that you do

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<v Speaker 1>every day, there's a certain way to do it. You

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<v Speaker 1>do it well, you know that you're gonna get results.

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<v Speaker 1>From it and you just give yourself over to the activity. Now,

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<v Speaker 1>the third quality of flow would be mediate feedback. So

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<v Speaker 1>you're in it right, your your playing tenants, your playing chess,

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<v Speaker 1>you're rock climbing, and you are getting feedback from your environment,

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<v Speaker 1>from your brain, from your your muscle memory, from your

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<v Speaker 1>neuronal memory about what's going on and how well you're

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<v Speaker 1>performing at this task. Right, you're climbing that rock wall,

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<v Speaker 1>You're gonna know right away if that was a good move.

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<v Speaker 1>You know, you're gonna either either you're gonna slip a

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<v Speaker 1>little bit, or you're gonna realize, well, I'm I really

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<v Speaker 1>need to move this way up the wall. Or you're

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<v Speaker 1>playing chess, you move that piece. Uh. You know, you

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<v Speaker 1>might be engaged in all sort of a longer game

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<v Speaker 1>strategy wise, but for the most part, you're going to

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<v Speaker 1>find out right away if that was a wise move

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<v Speaker 1>to make right, which kind of gives you a sense

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<v Speaker 1>of control and mastery. And that leads to the fourth

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<v Speaker 1>quality of flow, which is a manageable challenge because, as

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<v Speaker 1>you say, if if during this feedback process you're getting

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<v Speaker 1>some information that you need to tweak things, then you

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<v Speaker 1>have that control and you can rise to the challenge.

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<v Speaker 1>So your skill level would be well matched with the

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<v Speaker 1>task at hand. Um, but the task would be just

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<v Speaker 1>difficult that you'd have to really stretch your skills without

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<v Speaker 1>snapping them in order to meet it. Yeah, like you

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<v Speaker 1>hear people about talking about going into beast mode, right,

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<v Speaker 1>like you'er knowally, if they're going into beast mode, they're

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<v Speaker 1>probably doing something that in ages their their strengths. It

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<v Speaker 1>forces them to go to to up their act a

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<v Speaker 1>little bit. But it's not super easy, but it but

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<v Speaker 1>it is within reach. Um. An easy way to to

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<v Speaker 1>think about this is just think about jobs that you've done.

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<v Speaker 1>I mean, we've all had jobs. Say, uh, you've worked

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<v Speaker 1>on a factory line. Not to say that all factory

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<v Speaker 1>line is drudgery, but but it certainly can be, especially

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<v Speaker 1>if the task is just you know, doing one silly

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<v Speaker 1>thing after the other and there's no real flow to it.

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<v Speaker 1>It's just it's just monotonous and it's and it's you know,

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<v Speaker 1>beneath your your overall abilities, uh, that is falling below

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<v Speaker 1>the the flow state. Likewise, if you find if you're

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<v Speaker 1>thrown into if you're on a job and you're thrown

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<v Speaker 1>into a new task, that you really are not comfortable with,

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<v Speaker 1>you don't know your way around a program or or

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<v Speaker 1>the office space, then it's it's it's a it's a

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<v Speaker 1>frustrating situation. And that's uh, and that's beyond the flow state, right,

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<v Speaker 1>So you have to have that thing that again is stretching,

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<v Speaker 1>that's not snapping your brain in your body. Yeah, I

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<v Speaker 1>mean the passage of time flows into this too, right,

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<v Speaker 1>because when you're in the flow state, time just clicks

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<v Speaker 1>by like that, right, because you're just you're just sailing

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<v Speaker 1>through it. But if you're doing something just boring as well,

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<v Speaker 1>it's gonna it seems like the day last forever. If

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<v Speaker 1>you're frustrated at the first day of work, when you're

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<v Speaker 1>out of your element, it just seems to take forever. Well.

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<v Speaker 1>I mean a good example of this is have you

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<v Speaker 1>ever been writing or researching or doing something that's really

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<v Speaker 1>pleasurable and you just keep ignoring the signals from your

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<v Speaker 1>bladder that that it needs to be tended to and

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<v Speaker 1>you can, Yeah, I'll get to you, I get to you.

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<v Speaker 1>And that's how I always know that I'm in a

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<v Speaker 1>flow state, because yeah, I know that's some sort of

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<v Speaker 1>biological consequence going on right now, but I don't have

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<v Speaker 1>time for it. I'm in the flow. And that's what's

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<v Speaker 1>so incredible, because you are in that state of this

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<v Speaker 1>kind of black and white tones is self contained universe,

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<v Speaker 1>and it's a refuge where everything else, all the great

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<v Speaker 1>tones of life just recede into the background. And then

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<v Speaker 1>this feels like there's some sort of fundamental element of

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<v Speaker 1>the core of yourself that you're able to express, that

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<v Speaker 1>you have some sort of access to that. And some

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<v Speaker 1>people call it the news, right, Yeah, And of course

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<v Speaker 1>it goes without saying that in all of this, you're

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<v Speaker 1>shutting off that default mode network, those that, you know,

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<v Speaker 1>the nagging voices and concerns about the past in the future.

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<v Speaker 1>You really become the act. You become the thing you're doing.

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<v Speaker 1>It's almost like a superhero, you know, where it's you're

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<v Speaker 1>no longer the journalist Clark Kent. You've stripped off your

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<v Speaker 1>your boring work clothes and you've become this this thing,

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<v Speaker 1>this this ideal version. Yeah, and we've seen this before

0:11:31.360 --> 0:11:33.600
<v Speaker 1>and we've talked about it in jazz musicians who are

0:11:33.679 --> 0:11:36.120
<v Speaker 1>able to dim the lights in their prefrontal cortex, that

0:11:36.200 --> 0:11:39.640
<v Speaker 1>that part of your brain that is all is responsible

0:11:39.640 --> 0:11:42.439
<v Speaker 1>for executive function, and we'll say all this sort of nagging,

0:11:42.760 --> 0:11:45.480
<v Speaker 1>annoying things like it's just really good, are you? Is

0:11:45.480 --> 0:11:47.520
<v Speaker 1>that a great note that you just wrote that you

0:11:47.640 --> 0:11:51.280
<v Speaker 1>just played. It dims all of that in order for

0:11:51.320 --> 0:11:54.600
<v Speaker 1>the rest of your brain to fully engage in creation

0:11:54.640 --> 0:11:57.199
<v Speaker 1>at that very moment. All Right, we're gonna take a

0:11:57.280 --> 0:11:59.079
<v Speaker 1>quick break, and when we come back, we will talk

0:11:59.080 --> 0:12:07.439
<v Speaker 1>about who enters, flow and out much. Alright, we are

0:12:07.520 --> 0:12:09.800
<v Speaker 1>back and we're gonna talk a little bit more about

0:12:09.920 --> 0:12:12.839
<v Speaker 1>me how to sent me high? And Um wanted to

0:12:12.880 --> 0:12:16.680
<v Speaker 1>talk about his experience sampling methods. So again within this

0:12:16.800 --> 0:12:20.600
<v Speaker 1>tenure global study, it's something that he employed to create

0:12:20.679 --> 0:12:23.559
<v Speaker 1>at some points a virtual film strip of a person's

0:12:23.640 --> 0:12:29.040
<v Speaker 1>daily activities and experiences. And we're talking about twenty respondents

0:12:29.040 --> 0:12:33.440
<v Speaker 1>who were outfitted with a pager or a watch would

0:12:33.440 --> 0:12:36.400
<v Speaker 1>which would go off at random times within each two

0:12:36.440 --> 0:12:39.199
<v Speaker 1>hours segment, and that would prompt the person to stop

0:12:39.200 --> 0:12:42.160
<v Speaker 1>what they were doing right down in the book, UM,

0:12:42.240 --> 0:12:45.640
<v Speaker 1>where that person was, what that person was doing, thinking

0:12:45.679 --> 0:12:48.920
<v Speaker 1>about who they were with, and then that person would

0:12:49.000 --> 0:12:53.480
<v Speaker 1>rate their state of consciousness on various numerical skills. So

0:12:53.720 --> 0:12:57.199
<v Speaker 1>what they did as they amassed something like seventy thousand

0:12:57.320 --> 0:13:01.640
<v Speaker 1>pages from people and went for to all those pages

0:13:01.880 --> 0:13:05.120
<v Speaker 1>at their Chicago lab, and they tried to figure out

0:13:05.120 --> 0:13:08.880
<v Speaker 1>this sort of quantitative and qualitative way to get at

0:13:08.880 --> 0:13:12.200
<v Speaker 1>this idea of flow and come up with some statistics. Yeah,

0:13:12.280 --> 0:13:15.599
<v Speaker 1>and some of the statistics are are pretty pretty impressive.

0:13:16.559 --> 0:13:19.599
<v Speaker 1>Says that roughly one in five Americans claims to interflow

0:13:20.080 --> 0:13:22.520
<v Speaker 1>as much as several times a day, whereas about fifteen

0:13:22.559 --> 0:13:26.480
<v Speaker 1>percent say they never uh entered this mode never happens

0:13:26.679 --> 0:13:29.599
<v Speaker 1>for them. Um, and the frequencies he says, seem to

0:13:29.600 --> 0:13:32.679
<v Speaker 1>be quite stable and universal. For instance, they conducted a

0:13:33.200 --> 0:13:36.959
<v Speaker 1>survey of six thousand, four hundred exty nine Germans UM

0:13:37.120 --> 0:13:40.880
<v Speaker 1>and the same you know, same questioning, same same rigmarole uh,

0:13:40.920 --> 0:13:44.200
<v Speaker 1>and they found that that those who entered flow off

0:13:44.200 --> 0:13:50.439
<v Speaker 1>and sometimes rarely and the never don't range was around

0:13:50.440 --> 0:13:54.440
<v Speaker 1>twelve percent. Yeah, so it's pretty universal here UM across

0:13:54.480 --> 0:13:58.520
<v Speaker 1>cultures that people experience the state of flow. And moreover,

0:13:58.840 --> 0:14:01.360
<v Speaker 1>check sent me high and to his colleagues found that

0:14:01.480 --> 0:14:06.280
<v Speaker 1>people reported that they felt happier when they dipped into

0:14:06.280 --> 0:14:09.079
<v Speaker 1>those states to flow. In other word, their overall happiness,

0:14:09.080 --> 0:14:13.760
<v Speaker 1>writing happened to be larger than their non flow state counterparts,

0:14:14.640 --> 0:14:17.880
<v Speaker 1>and they found that that flow generally occurs when a

0:14:17.880 --> 0:14:20.160
<v Speaker 1>person is doing his or her favorite activity. You know,

0:14:20.280 --> 0:14:23.280
<v Speaker 1>so again you're you're gardening, you're engaging with your art

0:14:23.360 --> 0:14:26.520
<v Speaker 1>or your cooking or whatever. Uh. It also occurs though,

0:14:26.560 --> 0:14:30.600
<v Speaker 1>when when one is driving, when you're talking to friends, um,

0:14:30.640 --> 0:14:34.480
<v Speaker 1>a lot. Surprisingly, it occurs a lot at work, I said.

0:14:34.680 --> 0:14:37.960
<v Speaker 1>Very rarely would they see people who would actually enter

0:14:38.040 --> 0:14:41.560
<v Speaker 1>this flow state during passive leisure activities such as watching

0:14:41.600 --> 0:14:44.440
<v Speaker 1>television or just sort of kicking back in your backyard. Now,

0:14:44.480 --> 0:14:47.000
<v Speaker 1>I have read that in rare occurrences you can have

0:14:47.080 --> 0:14:50.200
<v Speaker 1>a state of flow with with television, but it has

0:14:50.240 --> 0:14:55.640
<v Speaker 1>to be something that is so incredibly engaging that you

0:14:56.000 --> 0:15:00.240
<v Speaker 1>meet the conditions of flow. Um. Now we know about

0:15:00.240 --> 0:15:02.520
<v Speaker 1>television and the quality of it, So there's I would

0:15:02.560 --> 0:15:05.240
<v Speaker 1>say overwhelmingly there. There may not be shows that engage

0:15:05.280 --> 0:15:09.320
<v Speaker 1>people to that extent except for True Detective. Yeah, I

0:15:09.400 --> 0:15:11.680
<v Speaker 1>was just thinking about it. Yeah, shows like like True

0:15:11.720 --> 0:15:14.280
<v Speaker 1>Detective or I'm I'm really enjoying the nick right now.

0:15:15.280 --> 0:15:18.560
<v Speaker 1>You you engage in these shows and you do feel

0:15:18.600 --> 0:15:21.520
<v Speaker 1>sort of pulled along by their own energy. Um, and

0:15:21.560 --> 0:15:23.920
<v Speaker 1>it time's easy to take that for granted, especially if

0:15:23.920 --> 0:15:26.440
<v Speaker 1>you're in kind of a draft of good television. Yeah,

0:15:26.640 --> 0:15:29.120
<v Speaker 1>those are the worst, all right. So we talked about

0:15:29.160 --> 0:15:31.240
<v Speaker 1>those conditions to flow. What are they, especially if you

0:15:31.280 --> 0:15:34.680
<v Speaker 1>consider this in the context of television, something that you're watching.

0:15:34.720 --> 0:15:36.960
<v Speaker 1>You have to be completely involved with what you're doing.

0:15:37.080 --> 0:15:39.720
<v Speaker 1>That's one condition. Yeah. So again it's everything shut off

0:15:39.760 --> 0:15:42.680
<v Speaker 1>to the point where you you're forgetting that you need

0:15:42.720 --> 0:15:45.320
<v Speaker 1>to be somewhere or that you need a urinate. Yes,

0:15:45.720 --> 0:15:50.760
<v Speaker 1>a sense of ecstasy of being outside everyday reality. Great

0:15:50.920 --> 0:15:53.480
<v Speaker 1>inner clarity. You have a sense of what needs to

0:15:53.560 --> 0:15:56.440
<v Speaker 1>be done and how to do it. Yeah, everything's like

0:15:56.440 --> 0:15:59.600
<v Speaker 1>it's almost like bullet time, or like any any sequence

0:15:59.600 --> 0:16:01.640
<v Speaker 1>in a film home where a hacker is doing something

0:16:01.640 --> 0:16:03.600
<v Speaker 1>on a computer. They're like, oh, this is and he's

0:16:03.600 --> 0:16:05.520
<v Speaker 1>in a flow state. He's just completely cut out. He's

0:16:05.560 --> 0:16:07.960
<v Speaker 1>just living it. Yeah, I'm I'm doing the Sandra Bolock

0:16:08.080 --> 0:16:12.600
<v Speaker 1>like crazy keyboard fingers right now Internet. Um, I love that,

0:16:12.760 --> 0:16:15.680
<v Speaker 1>Like she's not even really typing real things. There. Then

0:16:15.720 --> 0:16:19.240
<v Speaker 1>there's a confidence that the activity is doable, so the

0:16:19.360 --> 0:16:22.520
<v Speaker 1>skills are adequate to do the task exactly. Yeah, nobody's

0:16:22.520 --> 0:16:25.080
<v Speaker 1>in a flow state being thinking it might work. I

0:16:25.080 --> 0:16:28.520
<v Speaker 1>don't know. No, you're you're owning it a sense of serenity,

0:16:28.600 --> 0:16:31.080
<v Speaker 1>you have no worries about the self and feelings of

0:16:31.280 --> 0:16:34.680
<v Speaker 1>growing beyond the boundaries of the ego. Right, that's right.

0:16:34.720 --> 0:16:37.360
<v Speaker 1>The default mode network is shut down. It's dim to

0:16:37.400 --> 0:16:39.960
<v Speaker 1>the background and not hearing it. Yeah, it's kind of

0:16:40.000 --> 0:16:42.400
<v Speaker 1>a meditative quality to it. You have a sense of

0:16:42.400 --> 0:16:49.160
<v Speaker 1>timelessness and intrinsic motivation. Whatever produces flow becomes its own reward.

0:16:49.280 --> 0:16:52.040
<v Speaker 1>So we're talking about in terms of work, work for

0:16:52.880 --> 0:16:55.080
<v Speaker 1>work's sake. Yeah, it's one of those things where you know,

0:16:55.080 --> 0:16:57.760
<v Speaker 1>somebody's writing and it's not about oh, where am I

0:16:57.760 --> 0:17:00.080
<v Speaker 1>going to try and sell this short story, or or

0:17:00.120 --> 0:17:02.160
<v Speaker 1>you know who's gonna who's gonna read this? Or what

0:17:02.200 --> 0:17:03.720
<v Speaker 1>am I gonna do with it? No, it's it's or

0:17:03.720 --> 0:17:05.199
<v Speaker 1>even what am I it's gonna be like when I

0:17:05.200 --> 0:17:07.399
<v Speaker 1>try and edit this in a month. It's about the

0:17:07.440 --> 0:17:09.880
<v Speaker 1>act of writing. It's about being caught up in what

0:17:09.920 --> 0:17:11.760
<v Speaker 1>you're doing. And you know, a lot of times I'll

0:17:11.920 --> 0:17:14.159
<v Speaker 1>work at night because I just find that it's another

0:17:14.280 --> 0:17:17.120
<v Speaker 1>part of the day that I'm productive and it allows

0:17:17.160 --> 0:17:19.120
<v Speaker 1>me to kind of mull over some of the stuff

0:17:19.200 --> 0:17:22.879
<v Speaker 1>that we talk about our research, and I have to

0:17:22.920 --> 0:17:24.960
<v Speaker 1>tell you that I look forward to it, like I

0:17:25.280 --> 0:17:27.679
<v Speaker 1>sit there and think about sitting at my kitchen table

0:17:28.200 --> 0:17:31.400
<v Speaker 1>and really like getting into the work and perhaps even

0:17:31.440 --> 0:17:33.880
<v Speaker 1>having like a bowl of popcorn next to me, um

0:17:34.040 --> 0:17:37.920
<v Speaker 1>my dinner popcorn. So it's not too surprising then that

0:17:38.160 --> 0:17:41.800
<v Speaker 1>one of chicks sent me high as findings is that

0:17:42.280 --> 0:17:45.520
<v Speaker 1>people have more occasions of flow on the job than

0:17:45.640 --> 0:17:49.560
<v Speaker 1>in their free time. Yeah, this is interesting because I'm

0:17:49.600 --> 0:17:51.560
<v Speaker 1>just on a surface level, it's easy to say, well,

0:17:51.680 --> 0:17:53.720
<v Speaker 1>you know, work is drudgery and at home that's where

0:17:53.720 --> 0:17:55.320
<v Speaker 1>you're going to do the things that you really live for.

0:17:55.520 --> 0:17:59.080
<v Speaker 1>But when you think about our work tasks, a lot

0:17:59.119 --> 0:18:01.840
<v Speaker 1>of times those tasks are going to line up with

0:18:02.240 --> 0:18:06.680
<v Speaker 1>those requirements for flow, because you're gonna have well. Well,

0:18:06.800 --> 0:18:08.520
<v Speaker 1>the example that always comes to my mind when I

0:18:08.520 --> 0:18:10.879
<v Speaker 1>think about this is when I worked at newspapers and

0:18:10.880 --> 0:18:14.320
<v Speaker 1>I've pageinated, so I'm physically I'm not physically building it,

0:18:14.359 --> 0:18:16.760
<v Speaker 1>but on a screen, and like in design, I'm building

0:18:17.000 --> 0:18:19.399
<v Speaker 1>a front page of the newspaper and then the interior pages.

0:18:19.440 --> 0:18:22.560
<v Speaker 1>It's basically tetris with words and pictures, you know, making

0:18:22.600 --> 0:18:26.560
<v Speaker 1>it all fit together in a readable sense. Um. It's

0:18:26.560 --> 0:18:29.280
<v Speaker 1>not something that I was passionate about. It was something

0:18:29.320 --> 0:18:32.439
<v Speaker 1>that I could do, and it was a very you know,

0:18:32.480 --> 0:18:35.320
<v Speaker 1>self contained universe. Here it is on the page. Things

0:18:35.320 --> 0:18:38.560
<v Speaker 1>are fitting in the page, there are rules in play,

0:18:38.960 --> 0:18:42.200
<v Speaker 1>there's a definite goal in mind, and then I would

0:18:42.280 --> 0:18:45.040
<v Speaker 1>end up losing myself in this flow state of this. Uh,

0:18:45.119 --> 0:18:49.320
<v Speaker 1>this this work task that I would never do outside

0:18:49.359 --> 0:18:52.720
<v Speaker 1>of work and certainly haven't haven't done since I left newspapers. Yeah,

0:18:52.760 --> 0:18:54.919
<v Speaker 1>I would say this. I've experienced the same thing with

0:18:55.000 --> 0:18:59.320
<v Speaker 1>database management, putting queries together. And again there's it's matching

0:18:59.840 --> 0:19:03.080
<v Speaker 1>the skill level to the challenge, you know, and kind

0:19:03.080 --> 0:19:05.720
<v Speaker 1>of bumping that up and saying, can I can I

0:19:05.760 --> 0:19:07.760
<v Speaker 1>tweak this a little bit more? Can I get a

0:19:07.800 --> 0:19:09.920
<v Speaker 1>little bit more out of it? And it does put

0:19:10.040 --> 0:19:13.240
<v Speaker 1>you squarely into that moment which I think is so

0:19:13.280 --> 0:19:16.000
<v Speaker 1>important for this now chicking certainly high. Also, he does

0:19:16.040 --> 0:19:18.560
<v Speaker 1>point out that especially uh, you know, in in America

0:19:18.560 --> 0:19:22.240
<v Speaker 1>and in the West, we we have this idea that's

0:19:22.240 --> 0:19:24.400
<v Speaker 1>often passed down to us that work is not supposed

0:19:24.440 --> 0:19:27.639
<v Speaker 1>to be fun or engaging or enjoyable. That it's supposed

0:19:27.680 --> 0:19:29.600
<v Speaker 1>to be drudgery, and so it's easy to fall into

0:19:29.640 --> 0:19:32.080
<v Speaker 1>that trap. He also adds the caveat that that, yes,

0:19:32.520 --> 0:19:34.879
<v Speaker 1>there are going to be people that are stuck in

0:19:34.960 --> 0:19:37.920
<v Speaker 1>jobs that do not give them any level of satisfaction

0:19:37.960 --> 0:19:40.480
<v Speaker 1>and that's just an unfortunate reality. And though and oftentimes

0:19:40.560 --> 0:19:43.360
<v Speaker 1>that can be difficult to get out of those uh environments.

0:19:44.040 --> 0:19:47.359
<v Speaker 1>But but that, but that you do see more just

0:19:47.440 --> 0:19:49.680
<v Speaker 1>based on the E s M studies that he conducted,

0:19:49.880 --> 0:19:52.120
<v Speaker 1>you do see more occasions for flow on the job

0:19:52.160 --> 0:19:54.160
<v Speaker 1>than in the free time, because again, there are rules

0:19:54.160 --> 0:19:55.960
<v Speaker 1>in places, a task to be done, and if you

0:19:56.000 --> 0:19:58.040
<v Speaker 1>have the skills to do it, then you have the

0:19:58.040 --> 0:20:00.520
<v Speaker 1>possibility to interflow state. Yeah, and it is kind of

0:20:00.520 --> 0:20:02.760
<v Speaker 1>a bummer if you're not into your job, you don't

0:20:02.760 --> 0:20:06.159
<v Speaker 1>feel a challenge, then that could obviously create obstacles to

0:20:06.240 --> 0:20:08.639
<v Speaker 1>feeling like you're in the flow state or could enter it.

0:20:08.760 --> 0:20:11.240
<v Speaker 1>And some behind us say like maybe you could build

0:20:11.280 --> 0:20:14.520
<v Speaker 1>in challenges or reframe it in a way that you

0:20:14.600 --> 0:20:17.840
<v Speaker 1>could enter a state of flow. Um, maybe that's a

0:20:17.840 --> 0:20:22.719
<v Speaker 1>bit reductionist, maybe not, but it's interesting nonetheless, and discussing

0:20:22.760 --> 0:20:28.480
<v Speaker 1>it now, corporations are wild about this idea, because what

0:20:28.600 --> 0:20:30.720
<v Speaker 1>happens when you're in a state of flow, You get

0:20:30.720 --> 0:20:34.280
<v Speaker 1>more work done, take fewer breaks, You're you're not even

0:20:34.280 --> 0:20:39.960
<v Speaker 1>bothering to urinet, you're wasting water. It's true win win

0:20:40.040 --> 0:20:44.000
<v Speaker 1>for everyone. And the Mackenzie Quarterly conducted a ten year

0:20:44.080 --> 0:20:47.720
<v Speaker 1>study that basically basically corroborates this. They found that top

0:20:47.760 --> 0:20:50.639
<v Speaker 1>executives engaged in a state of flow, we're five times

0:20:50.640 --> 0:20:55.679
<v Speaker 1>more productive than their non flow counterparts. That's five more productive.

0:20:56.480 --> 0:20:59.200
<v Speaker 1>So it would make sense that people would try to

0:20:59.280 --> 0:21:01.920
<v Speaker 1>game this, and and I think about gaining it, think

0:21:01.920 --> 0:21:03.840
<v Speaker 1>about video games, which we'll talk about in a moment,

0:21:04.000 --> 0:21:07.879
<v Speaker 1>but I also think about something called the Flow Genome Project.

0:21:08.600 --> 0:21:13.399
<v Speaker 1>And this was founded this project by Stephen Coottler, who

0:21:13.520 --> 0:21:18.160
<v Speaker 1>is a journalist, a novelist and he wrote The Rise

0:21:18.200 --> 0:21:21.879
<v Speaker 1>of Superman, and by Jamie Wheel, the director of the

0:21:21.880 --> 0:21:25.760
<v Speaker 1>program of the Flow Genome Project. Now it says genome,

0:21:25.800 --> 0:21:28.600
<v Speaker 1>but really there's nothing, there's nothing here to do with

0:21:28.680 --> 0:21:31.679
<v Speaker 1>genetic material um. They're talking about it more in a

0:21:31.720 --> 0:21:35.200
<v Speaker 1>way of trying to get the core components of flow

0:21:35.680 --> 0:21:40.439
<v Speaker 1>defined and decoded. And what they say is that you

0:21:40.480 --> 0:21:43.480
<v Speaker 1>could do this, you can you can take flow and

0:21:43.560 --> 0:21:46.240
<v Speaker 1>you can really bump up your performance, And they used

0:21:46.320 --> 0:21:50.600
<v Speaker 1>athletes to study this. Now, Cotler personally got involved with

0:21:50.640 --> 0:21:53.640
<v Speaker 1>this project because he had lyne disease and he says

0:21:53.640 --> 0:21:55.399
<v Speaker 1>that he was bed ridden for a couple of years

0:21:56.400 --> 0:21:59.639
<v Speaker 1>and as a way to try to rehabilitate, he began

0:21:59.760 --> 0:22:04.520
<v Speaker 1>to you surf. And as a science journalist, he was

0:22:04.640 --> 0:22:07.639
<v Speaker 1>astounded to find himself and what he felt like was

0:22:07.680 --> 0:22:11.840
<v Speaker 1>at this magical moment and not being someone who would

0:22:11.840 --> 0:22:14.639
<v Speaker 1>just say, oh, I haven't had a magical mystical moment,

0:22:14.800 --> 0:22:16.800
<v Speaker 1>he tried to figure out what was going on and

0:22:16.800 --> 0:22:18.600
<v Speaker 1>that's when he really started to do a ton of

0:22:18.640 --> 0:22:23.480
<v Speaker 1>research into state of flow. Now, Coler, writing in his

0:22:23.480 --> 0:22:26.040
<v Speaker 1>book of the Rise of Superman, found a couple of

0:22:26.080 --> 0:22:29.920
<v Speaker 1>different things about athletes that's really interesting. Um. He said

0:22:29.920 --> 0:22:32.320
<v Speaker 1>that the fight or flight response, also known as the

0:22:32.359 --> 0:22:37.520
<v Speaker 1>adrenaline rush, would seem to be opposite of flow, okay,

0:22:37.560 --> 0:22:40.320
<v Speaker 1>but he said that the two highs are actually linked.

0:22:40.359 --> 0:22:44.440
<v Speaker 1>He says that risk heightens focus and flow follows focus,

0:22:44.440 --> 0:22:47.200
<v Speaker 1>and he seems he says that uh fight or flight

0:22:47.280 --> 0:22:51.320
<v Speaker 1>response will actually prime the body chemically and psychologically for

0:22:51.440 --> 0:22:54.720
<v Speaker 1>the flow state and he said that athletes report moving

0:22:54.760 --> 0:22:56.760
<v Speaker 1>through one to get to the other. Now, he's got

0:22:56.760 --> 0:22:58.480
<v Speaker 1>a Ted talk if you guys are interested in learning

0:22:58.480 --> 0:23:00.240
<v Speaker 1>more about that, and he also has a Google talk

0:23:00.680 --> 0:23:02.760
<v Speaker 1>that he gave. But just to kind of give a

0:23:02.800 --> 0:23:05.800
<v Speaker 1>quick and dirty of the neuro anatomy as they call it,

0:23:06.240 --> 0:23:10.280
<v Speaker 1>of flow, let's talk about four stages here. Jamie Wheel

0:23:11.040 --> 0:23:13.280
<v Speaker 1>discusses this in length, and he says that at the

0:23:13.400 --> 0:23:16.680
<v Speaker 1>outset of flow, we're faced with a problem. Right, especially

0:23:16.720 --> 0:23:19.520
<v Speaker 1>in the context of an athlete. Okay, you want to

0:23:19.560 --> 0:23:21.440
<v Speaker 1>make a better time than needed before, you want to

0:23:21.480 --> 0:23:24.680
<v Speaker 1>win the race, or it's just yeah, they're the gun

0:23:24.720 --> 0:23:26.520
<v Speaker 1>has gone off and it's time to run, or there's

0:23:26.560 --> 0:23:29.200
<v Speaker 1>a there's a football player coming at you and he's

0:23:29.200 --> 0:23:31.600
<v Speaker 1>trying to tack with you. Let's call it the panic

0:23:31.680 --> 0:23:35.040
<v Speaker 1>moment um. This is when your prefrontal cortex, the executive

0:23:35.040 --> 0:23:37.520
<v Speaker 1>function of your brain, wants to solve that problem. And

0:23:37.560 --> 0:23:42.639
<v Speaker 1>you have the amygdola very active amygdola processing fear fear of,

0:23:43.240 --> 0:23:45.520
<v Speaker 1>and you've got your brain toggling between these states, and

0:23:45.600 --> 0:23:48.760
<v Speaker 1>you have beta waves which are really active going on

0:23:48.800 --> 0:23:52.160
<v Speaker 1>at the same time. Now, he says that especially in athletes,

0:23:52.800 --> 0:23:57.000
<v Speaker 1>um you have the person then trying to confront that

0:23:57.119 --> 0:24:00.359
<v Speaker 1>fear and trying to instill what you might call a

0:24:00.440 --> 0:24:05.080
<v Speaker 1>relaxation response, and in doing so, taking a breath and

0:24:05.119 --> 0:24:09.240
<v Speaker 1>trying to cultivate that response. You have nitric oxide flushing

0:24:09.280 --> 0:24:12.600
<v Speaker 1>away cordisal, which we know is a stress hormone, and

0:24:12.760 --> 0:24:16.080
<v Speaker 1>nora EP and f ROM and those faster beta waves

0:24:16.119 --> 0:24:19.520
<v Speaker 1>are then replaced by these slower alpha ones, and you

0:24:19.560 --> 0:24:23.320
<v Speaker 1>have dopamine, and you have endorphins showing up on the scene.

0:24:23.600 --> 0:24:27.000
<v Speaker 1>And now now the conditions are just right for you

0:24:27.080 --> 0:24:29.400
<v Speaker 1>to go into a state of flow, and he says

0:24:29.440 --> 0:24:32.880
<v Speaker 1>that you get these um a deeper, slower state going

0:24:32.880 --> 0:24:35.400
<v Speaker 1>on in your brain. Now, imagine this to an athlete

0:24:35.400 --> 0:24:38.920
<v Speaker 1>who is moving maybe at top speeds. All of this

0:24:39.000 --> 0:24:41.480
<v Speaker 1>is going on. To think that your brain is now

0:24:41.560 --> 0:24:46.040
<v Speaker 1>moving into theta waves and then into gamma waves rolling in,

0:24:46.560 --> 0:24:49.560
<v Speaker 1>and he says that this is when your brain kind

0:24:49.560 --> 0:24:52.840
<v Speaker 1>of gets those lightning bolts of insight or that sense

0:24:52.880 --> 0:24:56.360
<v Speaker 1>that you're just experiencing something mystical or great, or you're

0:24:56.440 --> 0:24:59.679
<v Speaker 1>at the peak. Now he says that it doesn't necessarily stop.

0:24:59.800 --> 0:25:03.680
<v Speaker 1>They air that in order for you to actually game

0:25:03.960 --> 0:25:07.000
<v Speaker 1>that performance, you have to let that experience coalesced. And

0:25:07.000 --> 0:25:10.520
<v Speaker 1>how do you do that? You gotta sleep, of course, right,

0:25:10.640 --> 0:25:13.240
<v Speaker 1>and you let all of that stuff marinate your brain

0:25:13.320 --> 0:25:16.200
<v Speaker 1>for a while. And as we know, um with performance

0:25:16.240 --> 0:25:19.200
<v Speaker 1>in any activity, if your brain dreams about it, you're

0:25:19.200 --> 0:25:21.919
<v Speaker 1>probably gonna be able to boost your performance, especially if

0:25:21.960 --> 0:25:25.520
<v Speaker 1>you're aware that these are the states that inform flow

0:25:25.600 --> 0:25:28.360
<v Speaker 1>in performance. Yeah, and this is a fight or flyping

0:25:28.400 --> 0:25:30.520
<v Speaker 1>to it. It makes perfect sense even outside of the

0:25:30.560 --> 0:25:33.399
<v Speaker 1>context of sports, because you know, you're at the playground,

0:25:33.680 --> 0:25:35.520
<v Speaker 1>your kids on a ladder or something and they start

0:25:35.560 --> 0:25:37.560
<v Speaker 1>to fall. You don't think about what you're doing. It

0:25:37.640 --> 0:25:40.400
<v Speaker 1>just kicks in. You do it. It's in, you enter

0:25:40.440 --> 0:25:42.639
<v Speaker 1>into kind of a mini flow state just to do

0:25:42.720 --> 0:25:45.399
<v Speaker 1>what needs to be done. And it's interesting that you

0:25:45.480 --> 0:25:48.760
<v Speaker 1>say that, because when Cotler and we all are talking

0:25:48.760 --> 0:25:51.479
<v Speaker 1>about this, they're talking about it in a kind of

0:25:51.480 --> 0:25:56.720
<v Speaker 1>survival framework that basically athletes and other people are tapping

0:25:56.760 --> 0:26:00.480
<v Speaker 1>into this idea of flight or fight survival, getting into

0:26:00.480 --> 0:26:02.120
<v Speaker 1>that flow, getting to that moment where you can really

0:26:02.119 --> 0:26:05.760
<v Speaker 1>control it. Now, what Cotler says is that this kind

0:26:05.760 --> 0:26:09.639
<v Speaker 1>of high can be problematic because it can become addictive

0:26:10.280 --> 0:26:14.080
<v Speaker 1>and just to to Um, step back from this for

0:26:14.160 --> 0:26:16.320
<v Speaker 1>a second. I should mention that they're coming at this

0:26:16.400 --> 0:26:20.280
<v Speaker 1>from a very very narrow framework. They're talking about athletes

0:26:20.280 --> 0:26:23.439
<v Speaker 1>are talking about gaming survival instincts. There are other types

0:26:23.480 --> 0:26:26.040
<v Speaker 1>of flow, and so when I talk about coming or

0:26:26.119 --> 0:26:29.040
<v Speaker 1>thinking about working on my stuff at the kitchen table,

0:26:29.160 --> 0:26:32.200
<v Speaker 1>that's a kind of that's a nice version of flow, right,

0:26:32.480 --> 0:26:36.000
<v Speaker 1>that's like, oh, that's pretty much like Kitton farts and rainbows. Um,

0:26:36.119 --> 0:26:39.760
<v Speaker 1>I'm not in the other state of flow where maybe

0:26:40.200 --> 0:26:42.440
<v Speaker 1>I didn't have enough time to prepare for the podcast,

0:26:42.440 --> 0:26:44.240
<v Speaker 1>and now it's the eleventh hour and I've got to

0:26:44.240 --> 0:26:46.000
<v Speaker 1>get it done da da, and I have to force

0:26:46.040 --> 0:26:48.600
<v Speaker 1>myself into flow or else well, you know, you frame

0:26:48.640 --> 0:26:51.560
<v Speaker 1>that as a negative flow, but it's still flow, and

0:26:51.600 --> 0:26:53.840
<v Speaker 1>it's still you still end up losing yourself in the moment.

0:26:53.920 --> 0:26:57.320
<v Speaker 1>Like I mentioned newspapers earlier, and like newspapers, by the

0:26:57.440 --> 0:27:00.479
<v Speaker 1>very nature our last minute, I mean, you're just always

0:27:00.560 --> 0:27:02.679
<v Speaker 1>dealing with those deadlines. You're we're working up to the

0:27:02.720 --> 0:27:05.640
<v Speaker 1>last minute, you're over the deadline, but you're still learning

0:27:05.640 --> 0:27:07.320
<v Speaker 1>that flow state to get it done well. And when

0:27:07.320 --> 0:27:11.639
<v Speaker 1>I worked at a weekly I definitely would experience that high.

0:27:11.680 --> 0:27:14.119
<v Speaker 1>But it is not my preference, however, to come to

0:27:14.119 --> 0:27:18.240
<v Speaker 1>the table like that. Um. Now, again, this is very

0:27:18.280 --> 0:27:21.160
<v Speaker 1>a narrow framework that these guys are are working from.

0:27:21.200 --> 0:27:23.879
<v Speaker 1>This is very new. They even say this sort of

0:27:23.960 --> 0:27:28.280
<v Speaker 1>neuro anatomy of flow is yet to be fully informed.

0:27:29.280 --> 0:27:32.160
<v Speaker 1>But I should say that it does give us an

0:27:32.200 --> 0:27:38.000
<v Speaker 1>even better idea of why there is so much cognitive

0:27:38.160 --> 0:27:44.080
<v Speaker 1>flow academia talk involved in game design. Yeah. I mean, indeed,

0:27:44.080 --> 0:27:46.560
<v Speaker 1>think back to again to the qualities of flow and

0:27:46.560 --> 0:27:48.040
<v Speaker 1>what what kind of what it takes to get to

0:27:48.040 --> 0:27:50.679
<v Speaker 1>a flow state. You need a self contained world, you

0:27:50.760 --> 0:27:53.160
<v Speaker 1>need rules in place, you need a black and white

0:27:53.200 --> 0:27:55.199
<v Speaker 1>idea of what's good and what's bad. I mean, think

0:27:55.240 --> 0:27:57.480
<v Speaker 1>about any video game that you have ever engaged with.

0:27:57.680 --> 0:27:59.720
<v Speaker 1>You're dealing with that kind of a system. Is a

0:27:59.760 --> 0:28:02.480
<v Speaker 1>sell contain little world, maybe a sandbox world, their rules

0:28:02.520 --> 0:28:05.040
<v Speaker 1>in place. There's good guys, there's bad guys. There's things

0:28:05.040 --> 0:28:08.280
<v Speaker 1>you're trying to achieve. They're tassie, You're you're clicking off

0:28:08.280 --> 0:28:11.639
<v Speaker 1>the list. And most importantly of all, the difficulty is

0:28:11.680 --> 0:28:14.240
<v Speaker 1>not too great. Um. And if it is too great,

0:28:14.240 --> 0:28:16.359
<v Speaker 1>you can probably go into a little menu and scale

0:28:16.359 --> 0:28:18.560
<v Speaker 1>it down a bit. Until just the level that you're

0:28:18.560 --> 0:28:22.840
<v Speaker 1>comfortable with. Yeah, are game designer at listener, David says,

0:28:22.960 --> 0:28:26.040
<v Speaker 1>this is why many big commercial games designers try to

0:28:26.080 --> 0:28:30.560
<v Speaker 1>deliberately foster flow in the player, because why, well, the

0:28:30.640 --> 0:28:33.040
<v Speaker 1>more flow you're in, the more you're gonna play that game,

0:28:33.040 --> 0:28:35.840
<v Speaker 1>and the more you're gonna buy. Right, So it would

0:28:35.840 --> 0:28:38.200
<v Speaker 1>make sense that they they've created this world in which

0:28:38.240 --> 0:28:43.240
<v Speaker 1>survival is also paramount um and keeps you within the

0:28:43.280 --> 0:28:46.240
<v Speaker 1>confines of it. So you're stuck in the flow, but

0:28:46.320 --> 0:28:48.160
<v Speaker 1>in a good way. Yeah, I mean for the most part.

0:28:48.200 --> 0:28:50.480
<v Speaker 1>I mean, certainly, you know, we talked about early about

0:28:50.480 --> 0:28:53.960
<v Speaker 1>the possibility of addiction to the flow state, and certainly

0:28:54.320 --> 0:28:57.560
<v Speaker 1>there are people who deal with with with gaming addiction

0:28:57.640 --> 0:29:00.240
<v Speaker 1>where that game just becomes the flow state you during

0:29:00.280 --> 0:29:04.040
<v Speaker 1>that game is just so nice and so addictive you

0:29:04.120 --> 0:29:05.680
<v Speaker 1>just keep coming back to it again and again, to

0:29:05.680 --> 0:29:08.120
<v Speaker 1>the detriment of other things in your life. For that matter,

0:29:08.920 --> 0:29:12.000
<v Speaker 1>you can easily imagine want somebody who has become addicted

0:29:12.040 --> 0:29:13.840
<v Speaker 1>to the flow state at work to the point where

0:29:13.840 --> 0:29:16.560
<v Speaker 1>they're neglecting other aspects of their lives. Now you have

0:29:16.600 --> 0:29:20.320
<v Speaker 1>to point out that children are constantly engaged in a

0:29:20.400 --> 0:29:23.360
<v Speaker 1>state of flow. Of course they are. And Dr Seuss

0:29:23.440 --> 0:29:29.000
<v Speaker 1>actually described adults once as obsolete children, so in a way,

0:29:29.600 --> 0:29:32.520
<v Speaker 1>it's it's us getting back to that sense of play.

0:29:32.560 --> 0:29:35.200
<v Speaker 1>And I wanted to read a quick thing from Charlie Hone.

0:29:35.240 --> 0:29:39.720
<v Speaker 1>He's an author who's um entered the Ted Gladiator Arena

0:29:39.800 --> 0:29:43.440
<v Speaker 1>himself to talk about this, and he wrote a blog

0:29:43.520 --> 0:29:45.360
<v Speaker 1>entry for the School of Life and says, I have

0:29:45.560 --> 0:29:49.280
<v Speaker 1>to approach work as play. Otherwise my work sucks when

0:29:49.280 --> 0:29:52.080
<v Speaker 1>I tackle a problem with a sense of play voluntarily

0:29:52.080 --> 0:29:55.720
<v Speaker 1>because I'm inherently attracted to it. My creativity and optimism

0:29:55.960 --> 0:29:58.760
<v Speaker 1>and happiness, or I become fascinated with the world, I

0:29:58.920 --> 0:30:01.600
<v Speaker 1>fall in love with people, and whoever I'm working with

0:30:01.680 --> 0:30:04.360
<v Speaker 1>helps me make the game more fun or positive energy

0:30:04.400 --> 0:30:07.080
<v Speaker 1>becomes contagious. That's where my best works has come from.

0:30:07.440 --> 0:30:09.880
<v Speaker 1>And I thought, well, that's a nice way to perhaps

0:30:09.920 --> 0:30:13.840
<v Speaker 1>cap offs and flow. Yeah. Hey, so there you go

0:30:13.960 --> 0:30:16.520
<v Speaker 1>the flow state. As always, be sure to check out

0:30:16.520 --> 0:30:18.120
<v Speaker 1>Stuff to Blow your Mind dot com. That's where you'll

0:30:18.120 --> 0:30:20.440
<v Speaker 1>find all the podcast episodes, all the blog posts, all

0:30:20.480 --> 0:30:22.280
<v Speaker 1>the videos, as well as links out to our various

0:30:22.320 --> 0:30:24.800
<v Speaker 1>social media accounts. And hey, we would love to know

0:30:24.960 --> 0:30:28.040
<v Speaker 1>about your flow experiences are There are certain times of

0:30:28.040 --> 0:30:29.680
<v Speaker 1>the day that you get into the flow, or certain

0:30:29.760 --> 0:30:32.360
<v Speaker 1>sort of things that you do that are sure to

0:30:32.400 --> 0:30:35.040
<v Speaker 1>put you into that state. Please share it with us,

0:30:35.080 --> 0:30:37.880
<v Speaker 1>and you can do so by writing an email to

0:30:38.040 --> 0:30:45.120
<v Speaker 1>blow the mind at how stuff works dot com. For

0:30:45.280 --> 0:30:47.800
<v Speaker 1>more on this and thousands of other topics, visit how

0:30:47.840 --> 0:30:54.680
<v Speaker 1>stuff works dot com.