WEBVTT - It’s a Baguette with Timothy Gibbs... (S3 E17 "What Goes Around Comes Around") 0:00:01.639 --> 0:00:01.840 Hi. 0:00:02.200 --> 0:00:04.960 I'm Kristin Davis, and I want to know are you 0:00:05.040 --> 0:00:10.960 a Charlotte? 0:00:12.240 --> 0:00:12.400 Hi? 0:00:12.440 --> 0:00:16.680 Everybody, welcome to Are You a Charlotte? Today we are 0:00:16.720 --> 0:00:21.040 having a really interesting conversation with Timothy Gibbs. And he 0:00:21.360 --> 0:00:26.520 played the detective who comes when Carrie gets robbed on 0:00:26.560 --> 0:00:31.160 the street in episode three seventeen, What Goes Around Comes Around, 0:00:31.400 --> 0:00:34.640 which was written by Darren Starr directed by Alan Colter, 0:00:35.360 --> 0:00:40.400 and he's a fascinating guy. So please enjoy this conversation 0:00:40.560 --> 0:00:41.760 with Timothy Gibbs. 0:00:42.080 --> 0:00:42.800 How's it going? 0:00:43.320 --> 0:00:45.320 Oh, it's going great. How about you good? 0:00:45.479 --> 0:00:46.879 It's pretty good. It's pretty good. 0:00:46.880 --> 0:00:48.920 We're in La and it seemed like the sky was 0:00:48.960 --> 0:00:51.640 going to fall last night, but it didn't, So we're okay. 0:00:52.479 --> 0:00:54.640 I've been I've been looking at it on the news. 0:00:54.680 --> 0:00:58.040 I'm over here in South Carolina and so what where? 0:00:59.120 --> 0:01:00.720 I'm just outside of Charleston. 0:01:01.200 --> 0:01:03.480 I love Charleston. I'm from Columbia. 0:01:03.560 --> 0:01:04.119 Oh really? 0:01:04.280 --> 0:01:04.600 Yeah? 0:01:04.920 --> 0:01:07.640 Do you know a little town called Ellery? Yeah? 0:01:08.240 --> 0:01:10.080 I mean not well, but yes, that's. 0:01:10.280 --> 0:01:13.000 That's where we are. We have our store and we 0:01:13.080 --> 0:01:16.640 have a couple of buildings here. Wow, on this little 0:01:16.720 --> 0:01:18.119 street with the one stop light. 0:01:18.360 --> 0:01:19.840 Oh my gosh, how adorable. 0:01:20.440 --> 0:01:21.319 Yeah, it's pretty great. 0:01:21.600 --> 0:01:24.560 That's so sweet. Charleston is one of the absolute best cities. 0:01:24.600 --> 0:01:27.000 So you can just like zoop over to Charleston. 0:01:27.480 --> 0:01:28.240 Yeah, we love it. 0:01:28.280 --> 0:01:30.440 We're there a lot, and I mean that's where you 0:01:30.480 --> 0:01:34.399 go for for culture or anything because we're we're really 0:01:34.520 --> 0:01:35.560 this little community. 0:01:35.560 --> 0:01:36.120 It's tiny. 0:01:36.160 --> 0:01:38.280 I think we have now we're up to about six 0:01:38.400 --> 0:01:39.920 hundred and sixty residents. 0:01:40.080 --> 0:01:41.560 Oh my gosh, how amazing. 0:01:41.959 --> 0:01:43.680 Yeah, it's pretty cool. And it's an hour. 0:01:43.720 --> 0:01:47.040 It's an hour from Columbia and it's an hour from Carleston. 0:01:47.560 --> 0:01:47.760 I know. 0:01:47.880 --> 0:01:50.680 My kids love Charleston and they love the beach so much. 0:01:50.760 --> 0:01:52.840 And when we go to see Grandma and Columbia, they're. 0:01:52.640 --> 0:01:54.240 Like, are we going to the beach? We have to 0:01:54.240 --> 0:01:57.280 go to the beach, And sometimes we do. Sometimes we don't. 0:01:57.840 --> 0:02:04.120 How did you get from South Carolina to How did 0:02:04.160 --> 0:02:04.600 that happen? 0:02:05.160 --> 0:02:08.000 You know, just drive? I guess. 0:02:08.639 --> 0:02:12.920 I just I loved South Carolina. I love so many 0:02:12.919 --> 0:02:16.160 things about it. But at the same time, my parents 0:02:16.280 --> 0:02:18.360 had always taken me to New York to see theater 0:02:18.560 --> 0:02:21.160 every summer we would go, and to me, that was 0:02:21.200 --> 0:02:24.200 about the best thing that there was, right, So I 0:02:24.320 --> 0:02:26.040 was just like, I've got to get out of here 0:02:26.080 --> 0:02:27.639 and get up there. I've got to get to New York. 0:02:27.680 --> 0:02:29.760 I've got to get to New York. And then I 0:02:29.880 --> 0:02:31.720 ended up wanting to go to acting school, and I 0:02:31.760 --> 0:02:35.160 went to Rutgers because they had an MFA BFA program 0:02:35.480 --> 0:02:37.560 and you could kind of be there but also go 0:02:37.600 --> 0:02:39.400 into the city to see to see shows. 0:02:39.440 --> 0:02:41.000 You were close enough to the city. 0:02:42.080 --> 0:02:46.760 My dad taught at USC, the South Carolina USC, so 0:02:46.880 --> 0:02:48.960 he felt really strongly about college. So I went to 0:02:48.960 --> 0:02:51.360 college at Rutgers, and then I moved right to the city. 0:02:51.400 --> 0:02:54.360 I was an actress, waitress, you know, for a long time, 0:02:55.000 --> 0:02:57.639 and then I moved to LA and then I got 0:02:57.680 --> 0:02:59.600 work that took me back to New York. So it 0:02:59.639 --> 0:03:01.480 all worked out. But I do love the South and 0:03:01.560 --> 0:03:02.200 I do miss it. 0:03:02.840 --> 0:03:06.040 Yeah, yeah, it was I have lived every I was. 0:03:06.080 --> 0:03:09.040 Actually I did it in reverse. So I was born 0:03:09.040 --> 0:03:13.400 in Los Angeles, WO and raised there Wow. And my 0:03:13.520 --> 0:03:17.960 father was an airline pilot. Cool, and back in those days, 0:03:18.520 --> 0:03:22.000 they gave you They gave the the employee a thing 0:03:22.080 --> 0:03:25.400 called a term pass for each family member and you 0:03:25.400 --> 0:03:27.880 could kind of take it look like a little credit 0:03:27.880 --> 0:03:30.160 card with your picture on it, and you just walk 0:03:30.240 --> 0:03:32.040 up to the ticket counter and you'd say, oh, I 0:03:32.120 --> 0:03:34.280 want to go here, and they'd put you on standby 0:03:34.360 --> 0:03:35.040 and off you'd go. 0:03:35.280 --> 0:03:35.840 Amazing. 0:03:36.360 --> 0:03:39.840 It was great. And I ended up traveling all over 0:03:40.000 --> 0:03:41.240 and I've lived. 0:03:40.960 --> 0:03:44.400 All over, but I had never lived in the South. 0:03:45.360 --> 0:03:48.440 So we've been here now, my wife and our two children. 0:03:48.640 --> 0:03:51.400 We've been here now for going on five years. 0:03:51.600 --> 0:03:51.960 Wow. 0:03:52.280 --> 0:03:55.360 I love it. I love it so much. That's a 0:03:55.360 --> 0:03:56.080 cool story. 0:03:56.840 --> 0:03:58.880 It's been great. It's been lovely. 0:03:58.960 --> 0:04:01.600 We have an antique and fine arts store here and 0:04:02.960 --> 0:04:05.680 and I build when I I sort of retired from 0:04:05.720 --> 0:04:11.360 acting and I I started building farmhouse furniture and uh, whoa. 0:04:11.880 --> 0:04:13.080 I was doing it as sort of a. 0:04:13.040 --> 0:04:16.080 Hobby and it just kind of took off and that's, uh, 0:04:16.279 --> 0:04:18.200 that's my primary business now. 0:04:19.880 --> 0:04:22.280 Oh my gosh, I love farmhouse furniture. 0:04:22.839 --> 0:04:23.320 Oh cool. 0:04:25.320 --> 0:04:25.880 Yeah. 0:04:25.920 --> 0:04:28.320 I mean I'm, you know, basically a Southern girl. So 0:04:28.640 --> 0:04:31.240 it's all all, it's all good, it's all good. This 0:04:31.400 --> 0:04:33.760 is very cool. I mean, I always love to catch 0:04:33.800 --> 0:04:35.560 up with people who are on our show because people 0:04:35.600 --> 0:04:38.120 are in such different places and doing such different things, 0:04:38.400 --> 0:04:41.039 which is very very interesting, you know, because acting is 0:04:41.080 --> 0:04:44.440 obviously not always like your your forever thing that you 0:04:44.480 --> 0:04:45.799 want to stay in, right. 0:04:46.440 --> 0:04:49.120 Yeah, I think you know you you know as well 0:04:49.120 --> 0:04:52.560 as I do that the folks who can not only 0:04:53.279 --> 0:04:57.200 build build a career bout one with notoriety in it, 0:04:57.600 --> 0:05:01.080 and then maintain that over years and year, that's a 0:05:01.200 --> 0:05:04.440 really really difficult and special thing to be able to do. 0:05:04.560 --> 0:05:07.120 I always admire that the folks who have been able 0:05:07.160 --> 0:05:07.560 to do that. 0:05:07.600 --> 0:05:08.479 You're one of those. 0:05:08.320 --> 0:05:11.400 People, barely Okay, well you know. 0:05:11.839 --> 0:05:14.000 But it's but it's you know, I started when I 0:05:14.040 --> 0:05:17.279 was very very young, and and and. 0:05:17.520 --> 0:05:19.560 It all just sort of happened to me. 0:05:19.640 --> 0:05:22.440 I didn't really I was too young to make it happen, 0:05:22.560 --> 0:05:23.360 so it had happen. 0:05:24.040 --> 0:05:24.280 Wow. 0:05:25.839 --> 0:05:29.000 And and I I've I've always had a good relationship 0:05:29.080 --> 0:05:31.520 with with the work and with the industry. 0:05:31.560 --> 0:05:33.800 I love it. I love the process. 0:05:33.880 --> 0:05:37.599 But I reached a point really where, you know, I 0:05:37.640 --> 0:05:41.479 think it was having children and finding the relationship I 0:05:41.560 --> 0:05:45.679 found because I had struggled in in the relationship area, 0:05:45.720 --> 0:05:49.440 and mostly at my own doing, I hadn't really become 0:05:49.960 --> 0:05:52.159 the person that I needed to be to maintain a 0:05:52.200 --> 0:05:57.200 good quality relationship that was you know, good, good for 0:05:57.200 --> 0:06:00.520 for both then and when I found that in my 0:06:00.560 --> 0:06:04.159 wife and found the kids. I really wanted to just 0:06:04.240 --> 0:06:07.640 plant myself, and we came back. We lived in Barcelona 0:06:07.680 --> 0:06:11.960 for ten years. We started at our store in Barcelona, 0:06:12.160 --> 0:06:14.560 and when then we moved it to the United States, 0:06:14.600 --> 0:06:17.240 and it kind of took off here and it made 0:06:17.279 --> 0:06:19.680 the decision for me, made it very easy. 0:06:20.040 --> 0:06:21.360 That's super interesting. 0:06:21.600 --> 0:06:25.480 I mean, I do think also being born here is 0:06:25.520 --> 0:06:27.880 first of all, is so rare, like you almost never 0:06:27.920 --> 0:06:31.600 meet people who were born in Los Angeles, right, yeah, yeah. 0:06:31.400 --> 0:06:31.919 Very rare. 0:06:31.960 --> 0:06:34.000 And also I don't know how old you were when 0:06:34.040 --> 0:06:37.320 you started acting, but I can only imagine how kind 0:06:37.360 --> 0:06:39.960 of odd that is to be in it as a 0:06:39.960 --> 0:06:40.600 young person. 0:06:41.040 --> 0:06:43.400 You know, I was eleven when it happened. I can 0:06:43.520 --> 0:06:44.000 tell you. 0:06:44.279 --> 0:06:47.240 I was playing Pop Warner Football, which was little league football. 0:06:47.760 --> 0:06:52.400 And my coach was a commercial director and he with 0:06:52.520 --> 0:06:56.960 great guys and coach coach Blaine, Colin Blaine, and he 0:06:57.000 --> 0:07:00.080 went to my parents during the Actors strike of nineteen. 0:06:59.720 --> 0:07:02.560 Seven, the Eighth Wow, and he said. 0:07:02.360 --> 0:07:06.719 I can't hire a union actor during the strike, but 0:07:06.839 --> 0:07:09.560 your son is perfect for this commercial I'm shooting. 0:07:09.560 --> 0:07:12.040 And it was for gear Deli chocolate chip cookies. 0:07:12.280 --> 0:07:12.840 Amazing. 0:07:13.480 --> 0:07:15.840 So he goes, he goes to my dad. 0:07:15.560 --> 0:07:17.920 And he goes and my dad was coaching another team 0:07:17.960 --> 0:07:19.840 and he goes, will your son, do you think you 0:07:19.840 --> 0:07:22.880 think Tim would would want to eat chocolate chip cookies 0:07:22.880 --> 0:07:25.880 in a commercial for me? And my dad said, well, 0:07:26.560 --> 0:07:29.560 given how he eats them at home, I would imagine yes, 0:07:29.760 --> 0:07:33.800 but you know, go ask him. So he asked me, 0:07:34.080 --> 0:07:36.160 and of course I said yes. I ended up in 0:07:36.160 --> 0:07:39.280 San Francisco shooting this commercial, and long story short. 0:07:39.280 --> 0:07:41.960 That puts you into the union, right. You go through this, 0:07:42.160 --> 0:07:43.320 it's like a catch twenty two. 0:07:43.360 --> 0:07:45.040 You can't work if you're not in the union, but 0:07:45.120 --> 0:07:47.160 you can't get in the union if you haven't worked, 0:07:47.440 --> 0:07:51.160 And a strike offers that opportunity right to make that 0:07:51.200 --> 0:07:52.080 magic trick work. 0:07:52.400 --> 0:07:53.320 And that's what happened to me. 0:07:53.400 --> 0:07:56.880 And the next thing I knew, I was auditioning for 0:07:57.400 --> 0:08:01.440 Michael landon Wow or the spin off of Little House 0:08:01.440 --> 0:08:03.440 in the Prairie, Cold Father Murphy. It was on NBC 0:08:03.640 --> 0:08:07.040 for a few years, and I got that role and 0:08:07.080 --> 0:08:08.000 it changed everything. 0:08:08.280 --> 0:08:12.880 Amazing. But yet you seem very grounded and whole. You know, 0:08:13.040 --> 0:08:15.960 was there something that you did to get through being 0:08:16.000 --> 0:08:18.280 a child actor that helped you. 0:08:18.280 --> 0:08:21.800 You know, I wasn't always grounded, and I wasn't always whole. Okay, 0:08:21.960 --> 0:08:27.000 I've had First of all, i'm the youngest of five kids, 0:08:27.160 --> 0:08:31.240 and they've all played a role in one way or 0:08:31.280 --> 0:08:35.280 another of whole you know, grounding me at a different time, 0:08:36.240 --> 0:08:38.599 certainly when I was a younger, when I was a 0:08:38.679 --> 0:08:41.440 child actor and had more notoriety, and I sort of 0:08:41.440 --> 0:08:43.320 went from one series to another at that time. 0:08:43.400 --> 0:08:46.280 For a few years, I was too young to be 0:08:47.120 --> 0:08:48.200 to struggle with. 0:08:48.080 --> 0:08:50.080 Some of those social things that you struggle with when 0:08:50.120 --> 0:08:54.319 you get older, and so I had that family around me. 0:08:54.360 --> 0:08:55.360 It was so easy. You know. 0:08:55.440 --> 0:08:58.920 My parents were really involved and they had us going 0:08:59.000 --> 0:09:01.480 from one thing to another. They didn't take an eye 0:09:01.480 --> 0:09:03.360 office too much. So a lot of that stuff that 0:09:03.440 --> 0:09:06.080 happened to kids and child actors didn't happen to me. 0:09:06.160 --> 0:09:07.640 I was very, very fortunate. 0:09:07.880 --> 0:09:10.120 Yeah, yeah, oh gosh, good for them. 0:09:10.360 --> 0:09:16.920 But later, you know, I've I've I had my own 0:09:17.000 --> 0:09:20.440 fair share of struggles, and much of it was just 0:09:20.520 --> 0:09:25.880 self imposed, getting wrapped up in you know, maybe too 0:09:25.920 --> 0:09:30.679 much drinking or maybe drugs, stuff like that. 0:09:30.840 --> 0:09:32.480 Oh, I mean, there's so much of it. 0:09:32.800 --> 0:09:35.880 You know, and I definitely had my fair share of 0:09:36.040 --> 0:09:39.000 years in there where I was putting more emphasis on 0:09:39.160 --> 0:09:41.520 going out and getting into trouble than I was on 0:09:41.720 --> 0:09:44.640 really anything else, And so that's not good. You're not 0:09:44.679 --> 0:09:48.800 really forming great relationships in that. And it wasn't until 0:09:48.840 --> 0:09:53.000 much later. I'm now almost sixty, but I've Patry and 0:09:53.000 --> 0:09:55.280 I have been married now for almost fifteen years, and 0:09:56.960 --> 0:09:59.240 it was when I met her that everything started to kind. 0:09:59.080 --> 0:09:59.480 Of come U. 0:10:00.200 --> 0:10:01.640 That's so nice. 0:10:01.880 --> 0:10:02.480 It's amazing. 0:10:02.760 --> 0:10:04.440 Help me put Sex. 0:10:04.240 --> 0:10:06.160 And City in the middle of this, Like, where were 0:10:06.320 --> 0:10:08.920 you in your career when you ended up being our 0:10:09.000 --> 0:10:10.600 incredibly good looking detective. 0:10:11.800 --> 0:10:12.120 You know what? 0:10:12.240 --> 0:10:16.240 That was a big year for me. I was on 0:10:16.520 --> 0:10:20.040 a daytime soap opera at the time, on One Life 0:10:20.080 --> 0:10:22.720 to Live, and I think I had just come off 0:10:22.760 --> 0:10:28.480 of just gotten an Emmy Daytime Emmy nomination, and that 0:10:28.600 --> 0:10:31.840 was a big deal for me, of course, and then 0:10:31.880 --> 0:10:32.720 I got this role. 0:10:32.800 --> 0:10:35.280 I went in and an audition for Alan the. 0:10:35.240 --> 0:10:38.200 Director, and he just makes a decision sort of on 0:10:38.240 --> 0:10:39.240 the spot, very quickly. 0:10:39.480 --> 0:10:42.600 He's a great guy. We love it so much. Yeah. 0:10:42.679 --> 0:10:44.520 Yeah, he's a super talented guy too. 0:10:44.640 --> 0:10:48.439 So yeah, I walked in there and kind of walked 0:10:48.440 --> 0:10:50.640 out knowing that I was going to be on the show. 0:10:50.720 --> 0:10:52.400 And the thing that I knew about it, even though 0:10:52.400 --> 0:10:54.439 I think that was I think it was season. 0:10:54.120 --> 0:10:57.839 Two, Season three, Season three, our best season as far 0:10:57.840 --> 0:10:59.319 as I'm concerned. 0:10:59.240 --> 0:11:04.040 Season three, and it was like already it was in 0:11:04.400 --> 0:11:07.200 you know, the at the flashpoint of the zeitgeist, right, 0:11:07.280 --> 0:11:09.480 it was just y. I remember I did that show 0:11:09.480 --> 0:11:11.800 and then it aired, and it was it seemed like 0:11:11.920 --> 0:11:14.400 all the other work I'd done before, where you'd get 0:11:14.640 --> 0:11:17.400 stopped in the airport once every third trip. 0:11:17.800 --> 0:11:19.920 Now you're you're on Sex in the City. It doesn't 0:11:19.920 --> 0:11:21.920 matter whether you were a guest or or not. 0:11:22.600 --> 0:11:25.400 People are gonna are going to recognize you and recognize 0:11:25.400 --> 0:11:25.839 your work. 0:11:25.880 --> 0:11:26.959 And that was a lot of fun. 0:11:27.200 --> 0:11:27.440 Good. 0:11:27.480 --> 0:11:29.080 I got a lot of questions I didn't know the 0:11:29.120 --> 0:11:31.320 answer to a lot of questions about you guys. 0:11:31.760 --> 0:11:34.720 Ah, well you really only wereked with, well you were 0:11:34.800 --> 0:11:36.880 with Sarah and Cynthia, but predominantly Cynthia. 0:11:37.120 --> 0:11:37.760 Yeah, that's right. 0:11:37.800 --> 0:11:39.040 I don't think we ever met that. 0:11:39.120 --> 0:11:40.000 I know, no, we didn't. 0:11:40.040 --> 0:11:42.640 We didn't meet and and and if I'm totally honest, 0:11:43.280 --> 0:11:45.640 I I wanted to meet you. I think I wanted 0:11:45.640 --> 0:11:47.760 to meet you more than than than any of. 0:11:49.440 --> 0:11:53.280 Well why didn't we darn and I didn't. 0:11:53.360 --> 0:11:55.240 I didn't meet you. I remember talking to my buddy 0:11:55.280 --> 0:11:58.920 Paul was like, what's what was it like? Did you 0:11:58.960 --> 0:11:59.400 meet christ? 0:11:59.480 --> 0:12:03.160 And I said, no, I wish I had met you too. 0:12:03.280 --> 0:12:04.920 I don't know, I must have been I feel like 0:12:05.040 --> 0:12:08.720 in this episode, I'm off in Connecticut with the Kyle's family, 0:12:08.800 --> 0:12:11.880 the Tree family, and I do know we went to Connecticut, 0:12:12.080 --> 0:12:14.559 so I might have actually physically not even been around. 0:12:14.960 --> 0:12:16.839 You know, you know, you know how it is on sets. 0:12:16.920 --> 0:12:19.680 You can it's possible for you to you know, it's 0:12:19.679 --> 0:12:21.320 possible for you to inhabit two. 0:12:21.800 --> 0:12:23.960 Roles that are well featured. You might not ever see 0:12:23.960 --> 0:12:25.160 each other. It's true. 0:12:25.200 --> 0:12:26.080 But it's a bummer. 0:12:26.160 --> 0:12:28.800 It's a bummer because sometimes we would have read throughs 0:12:28.800 --> 0:12:31.360 where everyone would be there. But I don't know if 0:12:31.640 --> 0:12:33.400 at this point in the season, because I think at 0:12:33.400 --> 0:12:35.760 this point in the season, this is three seventeen, so 0:12:35.800 --> 0:12:37.199 it was like back in the day where we used 0:12:37.200 --> 0:12:40.400 to make so many episodes in a season, right. I 0:12:40.480 --> 0:12:42.560 think we were hectic, you know, we'd gone to la 0:12:42.800 --> 0:12:45.560 I think, and come back like we were. 0:12:45.960 --> 0:12:47.760 I think we just lost our minds at this point 0:12:47.760 --> 0:12:48.280 in this season. 0:12:49.120 --> 0:12:53.600 Yeah, you know, I remember it being very It felt 0:12:53.600 --> 0:12:56.120 to me anyway, like kind of an efficient machine that 0:12:56.200 --> 0:12:59.520 was moving very fast, much faster than I expected. Of course, 0:12:59.880 --> 0:13:03.280 you know on daytime in soaps it moves so lightning fast. 0:13:03.440 --> 0:13:07.120 Oh god, I was on a soap once. It was crazy. 0:13:07.760 --> 0:13:08.920 Yes, it is crazy. 0:13:08.960 --> 0:13:11.920 So you're like, you know, on a busy show, your 0:13:11.960 --> 0:13:14.000 thirty pages of dialogue a day, and. 0:13:14.200 --> 0:13:16.480 So I went there. It was like a vacation. No, 0:13:17.040 --> 0:13:20.400 it was a few lines here, a few lines there, 0:13:20.480 --> 0:13:21.760 and it was great. 0:13:22.160 --> 0:13:22.439 Sure. 0:13:22.640 --> 0:13:24.679 I have a pressing question for you, though, I've been 0:13:25.000 --> 0:13:29.400 really curious about this. Is it my imagination or was 0:13:29.559 --> 0:13:31.880 there a part of this that you filmed with Cynthia 0:13:32.040 --> 0:13:36.199 where she throws up on you while you're having sex. 0:13:39.480 --> 0:13:43.840 Oh my god, it's true, right, yeah, yeah, I'm right. 0:13:44.200 --> 0:13:46.480 Okay, this is so crazy to me because you know 0:13:46.520 --> 0:13:47.679 they cut it out. 0:13:47.960 --> 0:13:49.160 Oh I know, they cut it out. 0:13:49.559 --> 0:13:51.760 They cut it out, and they changed the ending so 0:13:51.840 --> 0:13:55.680 that she wakes up with that massive hangover, stumbles down 0:13:55.679 --> 0:13:58.040 her hallway and finds a note. She thinks it's going 0:13:58.120 --> 0:14:00.320 to be his phone number, and he's left through the 0:14:00.320 --> 0:14:01.800 phone number to AA. 0:14:01.720 --> 0:14:04.000 Is so sad. It is so sad. 0:14:04.360 --> 0:14:06.640 So what do you remember, like, because I remember there 0:14:06.720 --> 0:14:07.760 was a lot of discussion. 0:14:08.000 --> 0:14:08.640 There was soup. 0:14:08.760 --> 0:14:11.600 They put soup like Campbell's soup in the thing, and 0:14:11.640 --> 0:14:13.400 they put a tube and she had to throw up 0:14:13.400 --> 0:14:14.800 on you while you're having sex. 0:14:15.160 --> 0:14:18.280 You're one hundred percent right, wow, most. First of all, 0:14:18.360 --> 0:14:23.840 let's talk sex scenes in Hollywood. It's not it's the most. 0:14:24.000 --> 0:14:28.200 It's mortifying. It's you've got, you know, a bunch of 0:14:28.240 --> 0:14:30.840 people around doing the various things that need to be done, 0:14:30.880 --> 0:14:34.320 from lighting to measuring your note. You're trying to get 0:14:34.320 --> 0:14:36.720 the rolling around right and the kissing right and the hole. 0:14:36.760 --> 0:14:37.560 It's just crazy. 0:14:38.080 --> 0:14:41.360 So with of course, Cynthia made it easy. She's a 0:14:41.360 --> 0:14:44.520 total pro the way they had this thing structured. Right, 0:14:44.840 --> 0:14:47.080 I'm in her bed, I got the pillows behind me, 0:14:47.360 --> 0:14:51.840 she's straddling me, so i'm you know, they've got me 0:14:52.080 --> 0:14:54.960 naked from the waist up and they've got her in 0:14:55.040 --> 0:14:57.840 the pasty so she's got the bare back and they're 0:14:57.880 --> 0:15:01.120 over her shoulder or no, no, for this particular shot, 0:15:01.240 --> 0:15:04.320 they're like they're in a two shot on the side 0:15:04.800 --> 0:15:09.239 and her profile is blocking the machine. Which is basically 0:15:09.320 --> 0:15:13.080 like this massive like two inch or three inch cannon 0:15:13.440 --> 0:15:16.880 that they've set up that's like air actuated, right, and 0:15:16.960 --> 0:15:20.120 they filled it with with with with chunky soup. 0:15:21.520 --> 0:15:25.880 Yes, and they and then the way the scene was written. 0:15:25.720 --> 0:15:28.760 Was she's sort of, you know, I got to go 0:15:28.800 --> 0:15:31.680 through it, so sho, sort of She's writhing on top 0:15:31.720 --> 0:15:34.000 of me, and we're we're you know, and and and 0:15:34.040 --> 0:15:37.120 I'm holding her and and and she's getting seasick from 0:15:37.160 --> 0:15:40.760 all the drinking that she did, right, and so for 0:15:40.880 --> 0:15:44.040 whatever reason she felt inadequate, she drank herself through it. 0:15:44.120 --> 0:15:49.120 She starts to get sick motion sickness, and she throws 0:15:49.200 --> 0:15:53.080 up on me and they fire this They fire this 0:15:53.240 --> 0:15:56.800 stuff out of the cannon and it's like projectile, like 0:15:57.040 --> 0:16:01.520 horizontal across the screen, just right into my face and 0:16:01.600 --> 0:16:04.480 in my mouth and in my own and in my chest, 0:16:04.680 --> 0:16:06.720 and oh my god. I didn't have to do anything 0:16:06.840 --> 0:16:10.520 because I don't need to react really beyond yeah. I mean, 0:16:10.880 --> 0:16:15.560 it's just well, they looked at that, apparently, this is 0:16:15.600 --> 0:16:17.560 what I heard. I heard they looked at it in post, 0:16:17.680 --> 0:16:19.800 of course, and they were like, no, we can't. I mean, 0:16:19.800 --> 0:16:21.360 it's like Linda. 0:16:21.040 --> 0:16:25.760 Blair on you know, on Mescal and we can't, we 0:16:25.800 --> 0:16:26.440 can't do this. 0:16:26.480 --> 0:16:30.360 We my god, this is going to be indelible. They're 0:16:30.400 --> 0:16:33.600 only going to remember this, I'm imagining was their inner dialogue. 0:16:33.600 --> 0:16:35.360 But for whatever reason, they just thought it was too 0:16:35.400 --> 0:16:37.440 gruesome to be able to show it, and they changed it. 0:16:37.720 --> 0:16:39.960 But a lot of people don't know that, you know, 0:16:40.080 --> 0:16:42.240 in somewhere that footage exists. 0:16:42.400 --> 0:16:47.040 I know see in my mind it was so vividly written, 0:16:47.320 --> 0:16:51.920 and I feel like somehow I might have seen the 0:16:52.000 --> 0:16:55.400 dailies because Cynthia used to love to watch her dailies 0:16:56.080 --> 0:16:58.760 and it was really extreme, like I have a very 0:16:58.880 --> 0:17:01.480 vivid image of it in my mind, and I didn't 0:17:01.520 --> 0:17:03.960 really I wasn't sure that they cut it out, but 0:17:04.000 --> 0:17:06.679 I do remember conversation about it, and remember that the 0:17:06.720 --> 0:17:11.000 conversation was that it went too far in the embarrassment 0:17:11.080 --> 0:17:12.480 of Miranda, right. 0:17:12.400 --> 0:17:14.640 Yeah, that makes sense because they do love. 0:17:14.480 --> 0:17:17.120 To embarrass us, like all of the characters get embarrassed 0:17:17.160 --> 0:17:18.480 in different ways throughout the years. 0:17:18.480 --> 0:17:21.160 But this was kind of maybe just like too. 0:17:21.119 --> 0:17:24.760 Far, I think so, I think so, I think maybe 0:17:24.800 --> 0:17:28.119 if they I don't know, if they had somehow not 0:17:28.320 --> 0:17:31.879 shown the actual yeah, action of it all. Maybe it 0:17:31.880 --> 0:17:35.000 would have worked, but hey, listen, I think they ended 0:17:35.040 --> 0:17:36.560 up with a satisfactory ending. 0:17:40.440 --> 0:17:44.119 All right, So this is my Hyundai hot take, celebrating 0:17:44.280 --> 0:17:48.840 iconic moments, bold moves, and unforgettable style, just like Hyundai. 0:17:49.400 --> 0:17:52.879 I think that since we're talking about unforgettable style, I 0:17:53.000 --> 0:17:58.000 cannot choose anything except for Sarah Jessica walking down the 0:17:58.040 --> 0:18:03.480 street in the newspaper or print dere because it's so beautiful, 0:18:04.160 --> 0:18:06.919 and not only is it so beautiful, it tells the 0:18:07.000 --> 0:18:11.840 story so beautifully of you know, kind of where she's at. 0:18:12.280 --> 0:18:15.119 It's got the city, it's got the long lens, the 0:18:15.200 --> 0:18:18.720 way Allen Colter filmed her, the way that wind is 0:18:18.760 --> 0:18:21.280 blowing her hair, because you know that that is not 0:18:21.320 --> 0:18:23.639 a shot that we could have in any way affected 0:18:23.680 --> 0:18:26.840 the wind. Right, he's probably a whole block away. There 0:18:26.840 --> 0:18:29.480 are cars passing in front of her. I just think 0:18:29.520 --> 0:18:31.760 it's so beautiful that I could watch it over and 0:18:31.840 --> 0:18:34.880 over and over again. And the way that she's alone 0:18:35.520 --> 0:18:38.920 and there's these cars passing which kind of obscure her, 0:18:39.440 --> 0:18:42.680 kind of in the way that the character Carrie isn't 0:18:42.760 --> 0:18:45.600 clear in her life about what she's doing and about 0:18:45.600 --> 0:18:49.480 what she's done, and she's trying to come to kind 0:18:49.520 --> 0:18:51.840