1 00:00:05,200 --> 00:00:07,880 Speaker 1: Hey, this is Annie and Samantha. I'm welcome to Steph. 2 00:00:07,920 --> 00:00:19,160 Speaker 1: I've never told your production of I Heart Radio. Samantha. 3 00:00:19,520 --> 00:00:23,600 Speaker 1: Were you big into slumber parties growing up? Yeah, actually 4 00:00:23,680 --> 00:00:26,920 Speaker 1: I was. I really liked a good slubber party, being 5 00:00:26,920 --> 00:00:31,720 Speaker 1: with my friends doing silly things, playing weird games, eating snacks. 6 00:00:32,040 --> 00:00:36,080 Speaker 1: Of course, it was kind of like a popularity contest 7 00:00:36,159 --> 00:00:37,880 Speaker 1: about whether or not you're going to be invited to 8 00:00:37,960 --> 00:00:41,840 Speaker 1: whoever's it was. It was a big deal. So yeah, 9 00:00:41,840 --> 00:00:45,280 Speaker 1: I was. I don't know the last slumber party I 10 00:00:45,360 --> 00:00:47,519 Speaker 1: went to. For a while, it was just like a 11 00:00:47,560 --> 00:00:50,360 Speaker 1: group of three of us would just hang over constantly 12 00:00:50,400 --> 00:00:54,320 Speaker 1: throughout the summer. But the actual sum parties are always 13 00:00:54,360 --> 00:00:57,200 Speaker 1: for the big deals, and that would be for birthdays 14 00:00:57,400 --> 00:01:01,720 Speaker 1: or some kind of celebration, cheerleading camp or whatever. I 15 00:01:01,760 --> 00:01:04,000 Speaker 1: didn't get the new chility and when I was doing 16 00:01:04,040 --> 00:01:06,200 Speaker 1: slumber parties at the same time, but that's what I 17 00:01:06,200 --> 00:01:10,760 Speaker 1: would assume. What about you, Yeah, I was. I have 18 00:01:10,840 --> 00:01:13,840 Speaker 1: a lot of memories, both fond and they were kind 19 00:01:13,840 --> 00:01:15,840 Speaker 1: of tent sometimes because, like you said, they were sort 20 00:01:15,880 --> 00:01:19,680 Speaker 1: of a popularity contest. Oh it's a little bit of drama. Yeah, 21 00:01:19,720 --> 00:01:22,800 Speaker 1: there's always kind of drama and like clicks that might 22 00:01:22,920 --> 00:01:26,560 Speaker 1: format the slumber party and then just feeling kind of 23 00:01:26,640 --> 00:01:32,080 Speaker 1: vulnerable and perhaps your pajamas that weren't super cute. But 24 00:01:32,160 --> 00:01:34,000 Speaker 1: I did. I did go to a lot. I preferred 25 00:01:34,000 --> 00:01:36,000 Speaker 1: to have them at my house because I slept better 26 00:01:36,040 --> 00:01:38,800 Speaker 1: at my house because it felt like a more controlled, 27 00:01:39,000 --> 00:01:43,840 Speaker 1: known situation. So my place sort of became the slumber 28 00:01:43,840 --> 00:01:45,880 Speaker 1: party place. But there are plenty of friends that had 29 00:01:45,959 --> 00:01:49,680 Speaker 1: like nicer stuff and homes than I did, and it 30 00:01:49,720 --> 00:01:54,480 Speaker 1: was always exciting to get invited there. Yeah, there slumber party. 31 00:01:54,960 --> 00:01:57,800 Speaker 1: There's one friend of mine. She had like horses and 32 00:01:57,880 --> 00:02:02,400 Speaker 1: a pool and like three store ease and I actually 33 00:02:02,440 --> 00:02:04,760 Speaker 1: have a really fond memory of making putting up tents 34 00:02:04,800 --> 00:02:08,480 Speaker 1: in her house. Oh and they had like oranges, like orange, 35 00:02:08,840 --> 00:02:10,760 Speaker 1: they grew oranges and apple, so we would have fresh 36 00:02:10,800 --> 00:02:13,040 Speaker 1: squeezed juice and drinking some of that juice and watching 37 00:02:13,040 --> 00:02:16,280 Speaker 1: the Empire strikes back, and it was Yeah. I think 38 00:02:16,400 --> 00:02:18,440 Speaker 1: we had one person who had a pool and would 39 00:02:18,440 --> 00:02:21,160 Speaker 1: love going to her house, but it kind of got 40 00:02:21,200 --> 00:02:23,800 Speaker 1: awkward because she was an only child, and it was 41 00:02:23,800 --> 00:02:25,880 Speaker 1: obvious she was an only child because she also liked 42 00:02:25,919 --> 00:02:30,160 Speaker 1: to control everything. We even had though she was a 43 00:02:30,200 --> 00:02:32,360 Speaker 1: hero one year when one of our good friends started 44 00:02:32,440 --> 00:02:34,800 Speaker 1: choking on a cheese pizza that went down the Roman 45 00:02:34,880 --> 00:02:38,800 Speaker 1: pipe and she did die and saved her life. We'll 46 00:02:38,960 --> 00:02:46,960 Speaker 1: never forget that. Good job. Good Actually cheese pizza. That's 47 00:02:46,960 --> 00:02:51,120 Speaker 1: actually a perfect thing we're talking about. It really is. 48 00:02:51,320 --> 00:02:54,359 Speaker 1: Here we go, it really is. So before we get 49 00:02:54,360 --> 00:02:57,160 Speaker 1: into it, I don't think we're gonna go into details 50 00:02:57,280 --> 00:03:01,000 Speaker 1: or anything too graphic. But we are discussing a slasher 51 00:03:01,080 --> 00:03:05,360 Speaker 1: horror movie, so we might be discussing some themes around, 52 00:03:05,680 --> 00:03:09,840 Speaker 1: like violence, and there's definitely some like peeping time action 53 00:03:09,960 --> 00:03:13,720 Speaker 1: going on, So just to put that out there again, 54 00:03:13,760 --> 00:03:16,120 Speaker 1: I don't think we're gonna get to detail, but so 55 00:03:16,200 --> 00:03:19,520 Speaker 1: you have a warning. As we are recording this and 56 00:03:19,600 --> 00:03:24,000 Speaker 1: as it comes out, Halloween is upon us. So today 57 00:03:24,040 --> 00:03:26,639 Speaker 1: we wanted to talk about the movie that it's often 58 00:03:26,680 --> 00:03:30,320 Speaker 1: called the first horror movie directed by a woman. Um 59 00:03:30,360 --> 00:03:32,600 Speaker 1: there definitely, as we've talked about in Female First, a 60 00:03:32,600 --> 00:03:35,560 Speaker 1: lot of caveats around this, but that is like the 61 00:03:35,600 --> 00:03:40,800 Speaker 1: search result you'll most often get, and that movie is 62 00:03:41,000 --> 00:03:46,400 Speaker 1: The Slumber Party Massacre. It was a comedy horror slasher 63 00:03:46,920 --> 00:03:50,240 Speaker 1: directed by Amy Holden Jones. And written by feminist activist 64 00:03:50,400 --> 00:03:54,000 Speaker 1: Rita may Brown, and the plot is fairly simple. A 65 00:03:54,080 --> 00:03:58,040 Speaker 1: high school senior slumber party is interrupted by a murderer. 66 00:03:58,280 --> 00:04:03,960 Speaker 1: And also there's a lot of pizza desperation for pizza 67 00:04:04,040 --> 00:04:06,920 Speaker 1: that is very I have to say, I don't know 68 00:04:06,960 --> 00:04:09,400 Speaker 1: if there's like they are searching for that pizza, but 69 00:04:09,480 --> 00:04:13,280 Speaker 1: that pizza. It ends up being such a like a 70 00:04:13,320 --> 00:04:16,960 Speaker 1: comedic moment that it became iconic because, like you don't 71 00:04:17,200 --> 00:04:19,000 Speaker 1: I was waiting for it the entire movie. Because if 72 00:04:19,040 --> 00:04:20,840 Speaker 1: you go and look at the trailer, which is how 73 00:04:20,880 --> 00:04:23,320 Speaker 1: we found this movie in an hour, like we need 74 00:04:23,360 --> 00:04:25,800 Speaker 1: to talk about a woman director. What was the first 75 00:04:25,839 --> 00:04:27,559 Speaker 1: horror movie that was directed by a woman or written 76 00:04:27,560 --> 00:04:29,960 Speaker 1: by a woman. So we went down that route and 77 00:04:30,000 --> 00:04:33,160 Speaker 1: this trailer popped up and all you really saw is 78 00:04:33,440 --> 00:04:37,680 Speaker 1: a the pizza guy and the narrator saying and then 79 00:04:37,760 --> 00:04:41,000 Speaker 1: the pizza guy arrives, as well as all of these 80 00:04:41,040 --> 00:04:44,279 Speaker 1: reviews which we probably really should have posted, you know whatever, 81 00:04:44,839 --> 00:04:47,680 Speaker 1: that talks about the fact that the pizza is like 82 00:04:47,960 --> 00:04:50,400 Speaker 1: a pivotal point in the movie, and we're like, what 83 00:04:50,839 --> 00:04:57,040 Speaker 1: is this movie? Yeah, well, I think that's actually really interesting. 84 00:04:57,200 --> 00:04:59,360 Speaker 1: That's an interesting point, because I wonder if we hadn't 85 00:04:59,360 --> 00:05:02,160 Speaker 1: read the review news because we were so primed. A 86 00:05:02,200 --> 00:05:05,000 Speaker 1: lot of the reviews were like desperate search for pizza 87 00:05:05,120 --> 00:05:07,280 Speaker 1: or their determination to eat pizza even in the face 88 00:05:07,320 --> 00:05:09,520 Speaker 1: of death, and we were like, we've got to see this. 89 00:05:10,080 --> 00:05:11,720 Speaker 1: So I wonder if we hadn't read that, if I 90 00:05:11,760 --> 00:05:15,400 Speaker 1: would have been more shocked when they did decide to 91 00:05:15,440 --> 00:05:17,560 Speaker 1: eat the pizza off the corpse of the Pizza Man. 92 00:05:18,000 --> 00:05:19,840 Speaker 1: But instead I was just like, oh, this is like 93 00:05:20,000 --> 00:05:22,279 Speaker 1: not as intense of a pizza love is that. I 94 00:05:22,440 --> 00:05:26,200 Speaker 1: was gonna be right, really, other than the character saying 95 00:05:26,760 --> 00:05:29,640 Speaker 1: eating makes me feel better, takes a bite, See, I 96 00:05:29,720 --> 00:05:34,920 Speaker 1: already feel better? Like that, I mean it was then, 97 00:05:35,360 --> 00:05:37,480 Speaker 1: and so therefore the main character was like, well, let 98 00:05:37,480 --> 00:05:39,600 Speaker 1: me have a slice of that until she gets a 99 00:05:39,640 --> 00:05:43,360 Speaker 1: scratching at the door. Yes, and to be clear, many 100 00:05:43,440 --> 00:05:45,960 Speaker 1: people have been murdered in the body of the pizza 101 00:05:46,000 --> 00:05:49,520 Speaker 1: Man is in fact serving as their table at this point. Um, 102 00:05:49,520 --> 00:05:54,520 Speaker 1: but you know pizza. At the time, this was one 103 00:05:54,560 --> 00:05:57,320 Speaker 1: of the first slasher movies that poked fun at itself 104 00:05:57,320 --> 00:06:00,440 Speaker 1: in the genre. According to some sources, Brown its original 105 00:06:00,480 --> 00:06:02,800 Speaker 1: script was repurposed by producers to make it a more 106 00:06:02,880 --> 00:06:06,479 Speaker 1: serious slasher film despite her protests, and that's why it 107 00:06:06,480 --> 00:06:11,520 Speaker 1: feels sometimes purposefully humorous and other times accidentally humorous. Uh. 108 00:06:11,520 --> 00:06:15,280 Speaker 1: And Samantha and I watched this within the past twenty 109 00:06:15,320 --> 00:06:20,200 Speaker 1: four hours in preparation. Yes, um, and I will say, like, 110 00:06:21,080 --> 00:06:23,440 Speaker 1: I thought it's not very good, but I thought it 111 00:06:23,480 --> 00:06:27,520 Speaker 1: was fun. It definitely has some problematic tropes and especially 112 00:06:27,560 --> 00:06:30,720 Speaker 1: like the eighties, Oh yeah, kind of time frame and 113 00:06:30,760 --> 00:06:34,080 Speaker 1: treatment of women is on display. But it also had 114 00:06:34,120 --> 00:06:36,000 Speaker 1: some really interesting things where I'm like, yeah, I think 115 00:06:36,040 --> 00:06:37,960 Speaker 1: I can tell this that women were involved in this 116 00:06:38,000 --> 00:06:40,279 Speaker 1: one because of the friendship. We were talking about that 117 00:06:40,360 --> 00:06:44,839 Speaker 1: element before this, the weird um and how it's slightly 118 00:06:44,880 --> 00:06:49,960 Speaker 1: it's not a mean girl. You have the female Jim 119 00:06:50,040 --> 00:06:54,479 Speaker 1: Coach who is kind of the protector here weirdly so. 120 00:06:54,600 --> 00:06:57,400 Speaker 1: And I was honestly really weirded out by the neighbor dude, 121 00:06:57,760 --> 00:07:00,240 Speaker 1: thinking this was going to be become sexual, but it 122 00:07:00,320 --> 00:07:03,200 Speaker 1: never did. He was just a genuinely nice guy that 123 00:07:03,279 --> 00:07:08,400 Speaker 1: liked to kill slugs. Apparently. Oh yeah, I watched it 124 00:07:08,520 --> 00:07:25,360 Speaker 1: last night, but it feels like forever ago. Just to 125 00:07:25,520 --> 00:07:29,000 Speaker 1: have a quick recap of this movie, No, we told 126 00:07:29,040 --> 00:07:32,520 Speaker 1: you the thing, but essentially you come in to meet Trish, 127 00:07:32,800 --> 00:07:36,280 Speaker 1: who is the main character Senior throwing away her childish 128 00:07:36,320 --> 00:07:39,200 Speaker 1: things at the very beginning, and yes, a flash of 129 00:07:39,200 --> 00:07:42,920 Speaker 1: her boobs because it's the eighties and apparently immediately boobies. 130 00:07:43,560 --> 00:07:46,720 Speaker 1: I was like, okay, hey, and then she walks to school. 131 00:07:47,280 --> 00:07:49,680 Speaker 1: They have a moment at the gym meet the new 132 00:07:49,720 --> 00:07:52,800 Speaker 1: girl Val. They kind of have sort of a ming 133 00:07:52,800 --> 00:07:54,720 Speaker 1: girl moment when they found out she's such a great 134 00:07:54,760 --> 00:07:57,600 Speaker 1: basketball player. At the same time, you have these two 135 00:07:57,640 --> 00:08:00,920 Speaker 1: obviously clownish boys who are talking about the girls and 136 00:08:00,960 --> 00:08:03,520 Speaker 1: who they're going to hit it. That's too much of 137 00:08:03,560 --> 00:08:05,840 Speaker 1: a newer term, but essentially it was the same thing 138 00:08:05,960 --> 00:08:11,960 Speaker 1: putting hitting on the female telephone repair person who immediately 139 00:08:12,040 --> 00:08:15,920 Speaker 1: dies and no, even though she's in the parking lot, 140 00:08:16,240 --> 00:08:20,480 Speaker 1: there's people pounding on the web and then he uses 141 00:08:20,520 --> 00:08:23,200 Speaker 1: some type of power tool to kill her. But no 142 00:08:23,240 --> 00:08:26,680 Speaker 1: one hears any of this because you know, why wouldn't they. 143 00:08:27,000 --> 00:08:30,440 Speaker 1: And then we find that there's a slumber party. Val 144 00:08:30,640 --> 00:08:33,040 Speaker 1: is kind of invited by some of the girls, but 145 00:08:33,120 --> 00:08:36,960 Speaker 1: one girl doesn't want to invite her. She runs away sad. Essentially, 146 00:08:37,440 --> 00:08:40,000 Speaker 1: come to the slumber party I'll help braces lose each 147 00:08:40,000 --> 00:08:43,840 Speaker 1: one of them slowly start dying. Boys first though, right, yeah, 148 00:08:43,880 --> 00:08:48,120 Speaker 1: all the boys pretty large. Yeah, okay, so there was yeah, 149 00:08:48,120 --> 00:08:51,280 Speaker 1: I guess outside of the repair person, as well as 150 00:08:51,840 --> 00:08:54,080 Speaker 1: the what kind of mean girl who really wasn't that 151 00:08:54,160 --> 00:08:59,040 Speaker 1: mean but definitely crazy. The boys die before the rest 152 00:08:59,040 --> 00:09:02,160 Speaker 1: of the girls. Yeah, so I picked up on that too. 153 00:09:02,559 --> 00:09:05,360 Speaker 1: Um so the kind of mean girl who really wasn't 154 00:09:05,360 --> 00:09:10,240 Speaker 1: a mean girl. She was definitely the heavy quotes slut 155 00:09:11,480 --> 00:09:15,480 Speaker 1: of the group that was getting killed slash punished first, 156 00:09:15,520 --> 00:09:18,040 Speaker 1: as most of these slasher movies are about punishment and 157 00:09:18,120 --> 00:09:22,600 Speaker 1: morality tales. But other than that, yeah, the dudes go first. 158 00:09:23,720 --> 00:09:26,760 Speaker 1: Um and speaking of you, so there's these two, as 159 00:09:26,800 --> 00:09:30,840 Speaker 1: you say, dudes, you're kind of creepers in the eighties 160 00:09:30,840 --> 00:09:33,920 Speaker 1: way where they're painted as like oh this just this whatever, 161 00:09:34,040 --> 00:09:36,240 Speaker 1: boys being boys not so bad. But they were peeping 162 00:09:36,280 --> 00:09:38,840 Speaker 1: toms and they were just outside of the window at 163 00:09:38,840 --> 00:09:41,880 Speaker 1: the slumber party, like with the most over the top 164 00:09:42,040 --> 00:09:44,680 Speaker 1: laughing and like, oh look what we get to see 165 00:09:44,800 --> 00:09:50,760 Speaker 1: that changing. Essentially they were being rewarded. And then also 166 00:09:50,800 --> 00:09:55,480 Speaker 1: they're so loud, the windows wide open, and like this 167 00:09:55,520 --> 00:09:58,959 Speaker 1: is the other part the amount of selective herring that 168 00:09:59,040 --> 00:10:01,280 Speaker 1: happens in the movie, and I'm sure it's probably one 169 00:10:01,280 --> 00:10:03,319 Speaker 1: of those kidki things. I really would love to see 170 00:10:03,360 --> 00:10:06,240 Speaker 1: what Rita may Brown had intended, because she was all 171 00:10:06,280 --> 00:10:09,440 Speaker 1: about making a tongue in cheek and just like when 172 00:10:09,440 --> 00:10:11,880 Speaker 1: we were talking about her history and her writing, it's 173 00:10:11,960 --> 00:10:15,480 Speaker 1: all very much like In Your Faces of Humor. I'm 174 00:10:15,600 --> 00:10:18,319 Speaker 1: betting it would have been so much more different. She's 175 00:10:18,320 --> 00:10:20,600 Speaker 1: trying to make these boys look at really clownish, to 176 00:10:20,760 --> 00:10:28,120 Speaker 1: a caricature level of eighties aggressive horny little boys essentially. 177 00:10:28,280 --> 00:10:30,840 Speaker 1: But including that is the fact that there's so much 178 00:10:30,960 --> 00:10:34,400 Speaker 1: selective hearing, the fact that pounding on the door sounds 179 00:10:34,480 --> 00:10:37,640 Speaker 1: like the TV because she closed the door. So many things, 180 00:10:37,800 --> 00:10:40,520 Speaker 1: there's so many things. But yes, they're right outs on 181 00:10:40,559 --> 00:10:44,240 Speaker 1: the window, loudly talking, loudly laughing, and no one notices 182 00:10:44,320 --> 00:10:48,880 Speaker 1: them drinking the beer, you know, while the girls are changing. 183 00:10:49,000 --> 00:10:50,840 Speaker 1: There is a lot of nudity in this movie. That 184 00:10:50,880 --> 00:10:52,280 Speaker 1: was one of the notes I made as I was 185 00:10:52,320 --> 00:10:55,360 Speaker 1: watching it. Well, yeah, it's like, what's that called. I 186 00:10:55,520 --> 00:10:58,080 Speaker 1: just researched this, but you know, boobs, a lot of 187 00:10:58,080 --> 00:11:03,040 Speaker 1: boobs from the frontal nudity. Yeah, I was just researching 188 00:11:03,080 --> 00:11:06,079 Speaker 1: this for our upcoming episode in our past episode, depending 189 00:11:06,120 --> 00:11:09,080 Speaker 1: on when you listened to this on Scream Queens, it 190 00:11:09,200 --> 00:11:18,520 Speaker 1: wasn't some weird open yes, yes, And so the killer 191 00:11:19,880 --> 00:11:21,800 Speaker 1: is I mean, there's not much that goes into his 192 00:11:21,840 --> 00:11:26,559 Speaker 1: backstory other than he's like a quote maniac who has 193 00:11:26,720 --> 00:11:31,000 Speaker 1: escaped from prison and is killing people with a power drill, 194 00:11:31,320 --> 00:11:37,400 Speaker 1: which is definitely a phallic symbol. I think the symbolism 195 00:11:37,559 --> 00:11:40,680 Speaker 1: is on purpose, but so yeah, this party, things go 196 00:11:40,760 --> 00:11:45,800 Speaker 1: off the rails, people are dying, pizza guy dies, dudes die. 197 00:11:46,480 --> 00:11:51,840 Speaker 1: VAL's younger sister, Courtney like because their next door neighbors. 198 00:11:51,880 --> 00:11:55,080 Speaker 1: I was confused by that at first, but Val eventually 199 00:11:55,080 --> 00:11:57,160 Speaker 1: Courtney came because she was like, I want to go 200 00:11:57,200 --> 00:12:00,359 Speaker 1: to people see how pretty I am at this party. 201 00:12:00,520 --> 00:12:06,160 Speaker 1: So Val came, and then Val, after many more deaths 202 00:12:06,240 --> 00:12:11,480 Speaker 1: ends up killing this guy who randomly says I love 203 00:12:11,559 --> 00:12:16,000 Speaker 1: you to her, and then she looked about the Trish 204 00:12:16,240 --> 00:12:20,839 Speaker 1: to Trish yes, and then Val cuts off I wrote 205 00:12:20,840 --> 00:12:25,559 Speaker 1: cuts off his dick, but she cut off his drill yeah, yeah, 206 00:12:25,640 --> 00:12:28,560 Speaker 1: with a machete and then killed him. And I was like, 207 00:12:29,040 --> 00:12:33,920 Speaker 1: I feel the symbolism is really I do love y'all. 208 00:12:33,960 --> 00:12:37,120 Speaker 1: So it's of course the typical trope of that the 209 00:12:37,200 --> 00:12:40,400 Speaker 1: murderer is not dead quite yet, and of course everybody 210 00:12:40,400 --> 00:12:43,480 Speaker 1: turns their back to see this dude they cut off 211 00:12:43,480 --> 00:12:47,120 Speaker 1: his hands. I will say my favorite part of that 212 00:12:47,200 --> 00:12:49,240 Speaker 1: was the fact that you see the stump coming out 213 00:12:49,240 --> 00:12:52,079 Speaker 1: of the pool, not his actual hand, but the stump 214 00:12:52,320 --> 00:12:55,680 Speaker 1: trying to get himself out, and then his hand is 215 00:12:55,720 --> 00:13:00,480 Speaker 1: coming out like that sees Okay, that makes sense to 216 00:13:00,520 --> 00:13:02,800 Speaker 1: the point that he I thought he was speaking a 217 00:13:02,800 --> 00:13:05,960 Speaker 1: different language when he started chasing bow and then I 218 00:13:06,000 --> 00:13:08,600 Speaker 1: realized he was just screaming I'm going to kill you, 219 00:13:08,600 --> 00:13:10,920 Speaker 1: I'm going to strangle you, which he tries with his 220 00:13:11,080 --> 00:13:15,079 Speaker 1: one hand, and man, this dude was really powerful without 221 00:13:15,120 --> 00:13:19,160 Speaker 1: one hand after having another hand being chopped off. As 222 00:13:19,160 --> 00:13:20,880 Speaker 1: well as the fact that during this time the coach 223 00:13:20,920 --> 00:13:23,400 Speaker 1: has come to try to save them because you knew 224 00:13:23,440 --> 00:13:28,880 Speaker 1: something was wrong. Uh. The amount of lingering between the 225 00:13:29,000 --> 00:13:31,319 Speaker 1: two of them, him with the power tool with her 226 00:13:31,360 --> 00:13:34,920 Speaker 1: with her poker huh, Like, there was so much to 227 00:13:34,960 --> 00:13:37,559 Speaker 1: be said, especially when she starts hitting him with the 228 00:13:37,679 --> 00:13:43,680 Speaker 1: light taps with but not on the pokey side. Yeah, yeah, 229 00:13:43,840 --> 00:13:46,000 Speaker 1: I think you described it as like that scene from 230 00:13:46,040 --> 00:13:50,320 Speaker 1: Austin Powers where the steamrollers slowly coming and the guys 231 00:13:50,360 --> 00:14:07,439 Speaker 1: just screaming. It's a lot of that. I did find 232 00:14:07,480 --> 00:14:10,760 Speaker 1: it interesting that kind of judgments because at one point 233 00:14:10,800 --> 00:14:15,400 Speaker 1: there's like essentially two survivors left of this slumber party, 234 00:14:15,720 --> 00:14:18,400 Speaker 1: and then Val comes in and she doesn't know yet 235 00:14:18,679 --> 00:14:21,000 Speaker 1: that something is horribly wrong, and she's just kind of 236 00:14:21,040 --> 00:14:24,080 Speaker 1: like calling out to see who's there, and they sort 237 00:14:24,120 --> 00:14:25,880 Speaker 1: of have that discussion of like we have to help her, No, 238 00:14:25,960 --> 00:14:29,080 Speaker 1: we can't because he then the killer will know where 239 00:14:29,120 --> 00:14:31,960 Speaker 1: we are. I also thought it was interesting like Val 240 00:14:32,160 --> 00:14:36,680 Speaker 1: is literally the girl store. She doesn't have much characterization 241 00:14:37,480 --> 00:14:41,240 Speaker 1: being the sad thing, but they actually say that they 242 00:14:41,280 --> 00:14:45,000 Speaker 1: think she is with the dude trying to kill them. Yeah, 243 00:14:45,320 --> 00:14:48,080 Speaker 1: because she's like what is she's with? What does she's 244 00:14:48,120 --> 00:14:52,080 Speaker 1: with him? And then the other world says, well that 245 00:14:52,200 --> 00:14:58,280 Speaker 1: she was an overreaction for not being invited to the party, 246 00:14:59,560 --> 00:15:05,560 Speaker 1: so even better. Yes, Yeah, I do appreciate to like, 247 00:15:06,080 --> 00:15:08,680 Speaker 1: trust me these things, like there's a lot of nudity 248 00:15:08,760 --> 00:15:10,320 Speaker 1: that does not need to be in there. There's a 249 00:15:10,320 --> 00:15:12,440 Speaker 1: lot of sexualization about bits. But they did all change 250 00:15:12,440 --> 00:15:14,480 Speaker 1: into like pgs really quickly and I was kind of 251 00:15:14,640 --> 00:15:16,960 Speaker 1: the boys can watch it a little bit, and then 252 00:15:17,000 --> 00:15:20,080 Speaker 1: they got they changed into their very sexy pgs, and 253 00:15:20,120 --> 00:15:23,840 Speaker 1: then the boys came and hung out. I also did 254 00:15:23,960 --> 00:15:27,920 Speaker 1: love that the girls when it was the clownish boys 255 00:15:28,080 --> 00:15:33,120 Speaker 1: getting to them, they attacked them. One got one got flipped, 256 00:15:33,120 --> 00:15:36,200 Speaker 1: and they're like, hey, don't sneak up on girls. Except 257 00:15:36,280 --> 00:15:39,480 Speaker 1: he snuck up on girls and killed them. He did. 258 00:15:40,200 --> 00:15:43,040 Speaker 1: Watching this, I just kept coming back to that trope 259 00:15:43,800 --> 00:15:49,040 Speaker 1: of how slumber parties have been so sexualized in our culture, 260 00:15:49,080 --> 00:15:51,760 Speaker 1: and I've always been kind of confused by that. I 261 00:15:51,800 --> 00:15:56,760 Speaker 1: guess like just having a bunch of girls going through 262 00:15:57,560 --> 00:16:04,400 Speaker 1: adolescents together is absolutely like the male gays in general, 263 00:16:04,480 --> 00:16:07,720 Speaker 1: seeing like a budget girl coming together means there's definitely 264 00:16:07,760 --> 00:16:10,840 Speaker 1: some sexual tension here or I want them to be. 265 00:16:11,320 --> 00:16:16,520 Speaker 1: I have my fantasies of young girls together, right. Great. 266 00:16:16,800 --> 00:16:19,080 Speaker 1: That idea has always confused me, and like, do you 267 00:16:19,120 --> 00:16:23,880 Speaker 1: really think slumber parties that's what? Okay? I think one 268 00:16:23,920 --> 00:16:28,239 Speaker 1: slumber party interesting. We taught each other how to alleviate 269 00:16:28,280 --> 00:16:31,280 Speaker 1: the stomach pains by sitting in a fetal position but 270 00:16:31,320 --> 00:16:35,080 Speaker 1: where you're butt sticking up from the ground to make 271 00:16:35,120 --> 00:16:38,880 Speaker 1: you fart. That's how sexy we were, and our slumber 272 00:16:38,880 --> 00:16:45,160 Speaker 1: parties to relieve gas. Just say that's how sexy we were. 273 00:16:45,240 --> 00:16:50,480 Speaker 1: That's important information to know. Yeah, I think generally we 274 00:16:50,640 --> 00:16:53,120 Speaker 1: like watched movies and played games. So we had this 275 00:16:53,160 --> 00:16:55,000 Speaker 1: game we loved called Tommy ha ha. Did you ever 276 00:16:55,000 --> 00:16:58,200 Speaker 1: play that? You just put your ear head on someone 277 00:16:58,200 --> 00:17:00,160 Speaker 1: else's stomach, you make a circle like that and you 278 00:17:00,240 --> 00:17:03,720 Speaker 1: just laugh and go like really loud, like ha ha ha, 279 00:17:04,160 --> 00:17:06,840 Speaker 1: and then everybody just starts laughing. It's really fun. I 280 00:17:07,000 --> 00:17:10,560 Speaker 1: can't say I've played that one. That's how sexy I've done. 281 00:17:10,800 --> 00:17:14,840 Speaker 1: Never have I ever? Or maybe if you love me, 282 00:17:14,840 --> 00:17:18,000 Speaker 1: you'll smile. Super weird game. That's a super weird game. 283 00:17:19,400 --> 00:17:22,080 Speaker 1: I don't know that, but it sounds a little we're 284 00:17:22,200 --> 00:17:26,920 Speaker 1: at each other's laps and try to make each other laugh. Okay, Well, 285 00:17:28,600 --> 00:17:32,840 Speaker 1: the point being, I'm sure there are exceptions, but in general, 286 00:17:32,960 --> 00:17:37,120 Speaker 1: slumber parties are not what have been painted in my experience, 287 00:17:37,880 --> 00:17:40,600 Speaker 1: um in the media. But there is kind of this 288 00:17:40,960 --> 00:17:45,960 Speaker 1: like longstanding cultural painting of them as like very sexual thing, 289 00:17:46,760 --> 00:17:49,280 Speaker 1: and they are the source of many horror movies. Because 290 00:17:49,280 --> 00:17:52,800 Speaker 1: of that. I did want to read this quote from 291 00:17:52,800 --> 00:17:56,359 Speaker 1: a New York Times review written by Janet Maslin, The 292 00:17:56,359 --> 00:17:59,800 Speaker 1: Sumbler Party Masker is just the usual cavalcade of corpses, 293 00:17:59,840 --> 00:18:02,320 Speaker 1: all of them dispatched by a maniac who wields a 294 00:18:02,359 --> 00:18:04,480 Speaker 1: power drill. At the end of the movie, a woman 295 00:18:04,520 --> 00:18:07,639 Speaker 1: who has miraculously survived the carnage breaks this drill in half. 296 00:18:08,040 --> 00:18:13,880 Speaker 1: That's feminism for you, and symbolism too. Yes. So when 297 00:18:13,920 --> 00:18:18,639 Speaker 1: this came out, it wasn't really well reviewed, it wasn't 298 00:18:19,440 --> 00:18:23,720 Speaker 1: super well liked, but it did go on to earn 299 00:18:23,760 --> 00:18:28,080 Speaker 1: a cult following, and it spawned two sequels. The remake 300 00:18:28,600 --> 00:18:32,320 Speaker 1: debut just as possib on Sci Fi on October six, 301 00:18:32,680 --> 00:18:35,760 Speaker 1: And the tagline of this movie is you know the drill, 302 00:18:36,080 --> 00:18:40,840 Speaker 1: which made me laugh and just watching it, I was like, 303 00:18:41,480 --> 00:18:43,840 Speaker 1: I can see how this movie influenced other movies that 304 00:18:44,240 --> 00:18:48,520 Speaker 1: other horror movies that I've seen. Uh, and it's it's 305 00:18:48,520 --> 00:18:54,000 Speaker 1: a very goofy blah Like I laughed a lot. I 306 00:18:54,040 --> 00:18:56,720 Speaker 1: will say that that was the moment of luck, but 307 00:18:56,800 --> 00:18:58,720 Speaker 1: I think in general I would have loved to seeing 308 00:18:58,760 --> 00:19:02,520 Speaker 1: the original intent had they not had the protect me like, no, 309 00:19:02,680 --> 00:19:04,600 Speaker 1: we need to make this like Halloween. They're like this 310 00:19:04,640 --> 00:19:06,639 Speaker 1: is not like Halloween. This is not supposed to be 311 00:19:06,680 --> 00:19:09,119 Speaker 1: like Halloween. The dude is not even that scary. He 312 00:19:09,280 --> 00:19:14,240 Speaker 1: just looks a little bit off, like that's the intent. Yeah, 313 00:19:14,440 --> 00:19:19,359 Speaker 1: he's not. He's just like a dude and Jacket absolutely 314 00:19:19,440 --> 00:19:21,879 Speaker 1: no sense to it all. And the fact in that 315 00:19:22,080 --> 00:19:24,400 Speaker 1: was like, this was not what they wanted. It came 316 00:19:24,400 --> 00:19:27,320 Speaker 1: out like this, and many argue like, this is so bad. 317 00:19:27,480 --> 00:19:30,040 Speaker 1: It's so bad because there's such a weird in between 318 00:19:30,080 --> 00:19:31,760 Speaker 1: line that it shouldn't be it should be one or 319 00:19:31,760 --> 00:19:34,440 Speaker 1: the other, and they weren't able to fully do that. 320 00:19:34,520 --> 00:19:37,960 Speaker 1: But still still I enjoyed it. I do think knowing 321 00:19:38,000 --> 00:19:42,200 Speaker 1: that watching it made me pick up on some because 322 00:19:42,240 --> 00:19:47,040 Speaker 1: there were tensions between Oh yeah, so these are it's 323 00:19:47,160 --> 00:19:49,320 Speaker 1: a pretty good group of friends and there's not that 324 00:19:49,359 --> 00:19:51,600 Speaker 1: too much mean girl stuff going on. You're trying to 325 00:19:51,640 --> 00:19:55,000 Speaker 1: live one. They're trying to write this new girl, trying 326 00:19:55,000 --> 00:19:57,679 Speaker 1: to have to have one laster raw seniors. But then 327 00:19:57,720 --> 00:19:59,320 Speaker 1: there were other elements where I was like, yeah, I 328 00:19:59,359 --> 00:20:03,680 Speaker 1: can tell some dude. Producers have intervened and been like 329 00:20:04,000 --> 00:20:05,840 Speaker 1: you need to put some nudity in some guys like 330 00:20:05,920 --> 00:20:12,960 Speaker 1: watching and uh yeah, there were just some clear differences 331 00:20:13,040 --> 00:20:14,919 Speaker 1: in how it should be, which makes it kind of 332 00:20:14,960 --> 00:20:18,400 Speaker 1: bumpy in terms of overall time. But I did enjoy it. 333 00:20:18,560 --> 00:20:22,080 Speaker 1: I think knowing what it was helped me enjoy it better, 334 00:20:22,200 --> 00:20:25,520 Speaker 1: but I did enjoy it. Is this going on your list? Perhaps? 335 00:20:25,720 --> 00:20:28,800 Speaker 1: I've been thinking about this lately because, as I said, 336 00:20:28,840 --> 00:20:31,679 Speaker 1: we were doing an episode on screen Queens, and I 337 00:20:31,720 --> 00:20:34,600 Speaker 1: do have a I'm not generally someone who like who 338 00:20:34,600 --> 00:20:37,879 Speaker 1: gravitates towards slashers. There are some that I really like, 339 00:20:38,080 --> 00:20:43,359 Speaker 1: but in general they're not my thing. And I was 340 00:20:43,400 --> 00:20:46,280 Speaker 1: thinking today about what does it say that I like 341 00:20:46,440 --> 00:20:49,680 Speaker 1: this movie because it's so unbelievable, Like the blood looks 342 00:20:49,720 --> 00:20:52,960 Speaker 1: so fake and all the death scenes are kind of silly, 343 00:20:53,520 --> 00:20:58,959 Speaker 1: Versus if I watch something like the newer Halloween and 344 00:20:59,040 --> 00:21:01,360 Speaker 1: I just really, I mean, you shouldn't be like, oh, 345 00:21:01,400 --> 00:21:04,320 Speaker 1: this is enjoyable, but I'm incredibly uncomfortable and it's not 346 00:21:04,480 --> 00:21:09,040 Speaker 1: something that I would watch again probably, And I'm like, 347 00:21:09,200 --> 00:21:10,760 Speaker 1: is that good or bad? Is that a good thing 348 00:21:10,840 --> 00:21:12,959 Speaker 1: or a bad thing? Should I be so unsettled by 349 00:21:13,040 --> 00:21:16,560 Speaker 1: murder even if it's goofy? I don't know. This is 350 00:21:16,600 --> 00:21:21,000 Speaker 1: something I'll have to sort out with myself. But I mean, 351 00:21:21,040 --> 00:21:24,320 Speaker 1: I guess at my point, being like, if it's goofy, 352 00:21:24,440 --> 00:21:28,800 Speaker 1: it's still the death of these poor, innocent, fictional ladies. 353 00:21:28,840 --> 00:21:31,040 Speaker 1: And I feel kind of strange that I can enjoy 354 00:21:31,080 --> 00:21:34,160 Speaker 1: it if it's silly, but I can't enjoy it if 355 00:21:34,200 --> 00:21:39,560 Speaker 1: it's right, if it's gruesome and then realistic. I guess anyway, 356 00:21:39,800 --> 00:21:41,919 Speaker 1: I probably will watch it again, not for work and 357 00:21:41,960 --> 00:21:45,679 Speaker 1: just for fun, but in the meantime. Okay, that's what 358 00:21:45,720 --> 00:21:48,080 Speaker 1: we have to say about this movie. If you have 359 00:21:48,200 --> 00:21:51,800 Speaker 1: any movie suggestions for us, or any topic suggestions at all, listeners, 360 00:21:52,160 --> 00:21:55,120 Speaker 1: please email us. You can do that a stuff Media 361 00:21:55,160 --> 00:21:57,400 Speaker 1: mom Stuff at iHeart media dot com. You can find 362 00:21:57,440 --> 00:21:59,680 Speaker 1: us on Twitter at mom Stuff podcast or on Instagram 363 00:21:59,680 --> 00:22:01,600 Speaker 1: at stuff I Never Told You. Thanks as always to 364 00:22:01,640 --> 00:22:04,919 Speaker 1: our super producer Christina, Thank you, and thanks to you 365 00:22:04,960 --> 00:22:06,920 Speaker 1: for listening Stuff I Never Told You, the production of 366 00:22:07,000 --> 00:22:09,320 Speaker 1: I hier Adio. For more podcasts from IHR Radio, visit 367 00:22:09,320 --> 00:22:11,560 Speaker 1: the radio app, Apple podcast, or wherever you listen to 368 00:22:11,560 --> 00:22:12,320 Speaker 1: your favorite shows.