1 00:00:00,120 --> 00:00:02,520 Speaker 1: Hello, and welcome back to movie Mike's movie Podcast. I 2 00:00:02,560 --> 00:00:04,360 Speaker 1: am your host Movie Mike, joined by my wife and 3 00:00:04,400 --> 00:00:06,400 Speaker 1: co host Kelsey. How are you good? 4 00:00:06,400 --> 00:00:08,440 Speaker 2: Except the ring light is a grassive tonight, and I 5 00:00:08,480 --> 00:00:09,760 Speaker 2: don't know if it's just because I've been in my 6 00:00:09,800 --> 00:00:11,760 Speaker 2: dark office in front of the computer all day, but 7 00:00:12,520 --> 00:00:14,160 Speaker 2: I feel like I need sunglasses for this. 8 00:00:14,400 --> 00:00:16,320 Speaker 1: But we are here to do our best and worst 9 00:00:16,360 --> 00:00:17,160 Speaker 1: of October? 10 00:00:17,440 --> 00:00:20,919 Speaker 2: How is it? We're like it's Christmas now. 11 00:00:21,079 --> 00:00:27,160 Speaker 1: And then in the movie review we'll be talking about Bogonia. 12 00:00:24,680 --> 00:00:30,280 Speaker 2: It's a very hard first syllable. 13 00:00:29,880 --> 00:00:36,760 Speaker 1: Bogunia Baghani, Bogonia with you're just saying about a couple 14 00:00:36,800 --> 00:00:39,000 Speaker 1: of dudes who are really into conspiracy theories, so they 15 00:00:39,080 --> 00:00:42,199 Speaker 1: capture a CEO and they think she's an alien. And 16 00:00:42,240 --> 00:00:44,280 Speaker 1: in the trailer park we'll talk about Send Help with 17 00:00:44,400 --> 00:00:48,160 Speaker 1: Dylan O'Brien and Rachel McAdams, which I'm really enjoying Dylan 18 00:00:48,200 --> 00:00:49,080 Speaker 1: O'Brien right now. 19 00:00:49,240 --> 00:00:51,160 Speaker 2: It's a Dylan O'Brien resurgence. 20 00:00:51,159 --> 00:00:52,240 Speaker 1: It's a big year for him. 21 00:00:52,440 --> 00:00:56,320 Speaker 2: That was actually the first trailer that we hadn't seen before. 22 00:00:56,920 --> 00:00:58,880 Speaker 2: It was like a fresh trailer because we see all 23 00:00:58,920 --> 00:01:00,720 Speaker 2: of the trailers because we go the so much. But 24 00:01:00,760 --> 00:01:02,639 Speaker 2: we sat down and saw that one and we were like, oh, 25 00:01:02,720 --> 00:01:03,640 Speaker 2: I haven't seen this one. 26 00:01:03,760 --> 00:01:05,840 Speaker 1: We'll break it into the trailer. We'll break that down in 27 00:01:05,920 --> 00:01:08,120 Speaker 1: the trailer park. Thank you for being here, Thank you 28 00:01:08,160 --> 00:01:10,399 Speaker 1: for being subscribed. Shat to the Monday Morning Movie Crew. 29 00:01:10,840 --> 00:01:15,240 Speaker 1: And now let's talk movies from the Nashville Podcast Network. 30 00:01:15,440 --> 00:01:21,240 Speaker 1: This movie Mike Movie Podas. Let's hop right into it. 31 00:01:21,319 --> 00:01:23,920 Speaker 1: Best and worse for October. What do you have is 32 00:01:23,920 --> 00:01:24,440 Speaker 1: your best? 33 00:01:25,000 --> 00:01:27,160 Speaker 2: Best? Was The Lost Bus? 34 00:01:27,440 --> 00:01:29,400 Speaker 1: Do you think we both enjoyed this movie so much 35 00:01:29,400 --> 00:01:30,920 Speaker 1: because we love disaster movies? 36 00:01:31,200 --> 00:01:33,959 Speaker 2: Yes, But then I was also like bummed to know 37 00:01:34,040 --> 00:01:36,440 Speaker 2: that they did dramatize. 38 00:01:35,760 --> 00:01:38,319 Speaker 1: A lot of it, a lot of it, which is 39 00:01:38,440 --> 00:01:42,200 Speaker 1: kind of expected when you have a disaster movie that 40 00:01:42,319 --> 00:01:44,520 Speaker 1: is based on true events. Normally it's not, but if 41 00:01:44,520 --> 00:01:46,720 Speaker 1: you think of the disaster genre, it has to go 42 00:01:46,880 --> 00:01:49,680 Speaker 1: to big links to make it entertaining. 43 00:01:49,320 --> 00:01:52,000 Speaker 2: The next level. So I understand, and I'm glad all 44 00:01:52,000 --> 00:01:53,720 Speaker 2: of that didn't happen in real life. Let me be clear, 45 00:01:54,280 --> 00:01:56,360 Speaker 2: very glad. There were not a bunch of school children 46 00:01:56,400 --> 00:01:58,400 Speaker 2: on a bus in like active flames. 47 00:01:58,520 --> 00:02:01,639 Speaker 1: That is true, but you do feel more for them, 48 00:02:01,760 --> 00:02:04,480 Speaker 1: thinking that it was true, which it was based on 49 00:02:04,680 --> 00:02:06,200 Speaker 1: the Paradise Fires. 50 00:02:06,360 --> 00:02:08,560 Speaker 3: Yes, in twenty eighteen, which is weird that there was 51 00:02:08,600 --> 00:02:10,600 Speaker 3: another one this year the Palisades. 52 00:02:11,080 --> 00:02:13,840 Speaker 1: Very similar. Yes, but it was a true story about 53 00:02:13,840 --> 00:02:16,840 Speaker 1: a bus driver who got some children to safety. But 54 00:02:17,000 --> 00:02:19,480 Speaker 1: some of the things that happened that were really heroic 55 00:02:19,760 --> 00:02:21,320 Speaker 1: did not actually happen in real life. 56 00:02:21,560 --> 00:02:24,600 Speaker 2: Yeah. Again, glad for the children, but was like, oh man, 57 00:02:24,600 --> 00:02:27,840 Speaker 2: this dude's a real hero. Still a hero. Oh my gosh, 58 00:02:27,840 --> 00:02:31,160 Speaker 2: like traumatizing. But Matthew mcconnor, he was great. I think 59 00:02:31,200 --> 00:02:35,240 Speaker 2: that was the perfect role for him. Oh absolutely, where he. 60 00:02:35,280 --> 00:02:37,840 Speaker 1: Is somebody who could do like an Oscar level performance 61 00:02:37,919 --> 00:02:40,560 Speaker 1: right now, but then he can also do a really 62 00:02:40,600 --> 00:02:43,800 Speaker 1: good just straight ahead. I'm your leading man. I'm gonna 63 00:02:43,800 --> 00:02:46,160 Speaker 1: take this bus where no one else can take. This bus? 64 00:02:46,600 --> 00:02:50,040 Speaker 1: Is a bus ever lost? That's kind of turning into 65 00:02:50,120 --> 00:02:53,080 Speaker 1: like Bill Clinton. He's like right in the middle of 66 00:02:53,120 --> 00:02:56,200 Speaker 1: Bill Clinton and like a stoner. But I really enjoyed it. 67 00:02:56,720 --> 00:02:58,280 Speaker 1: But I also love disaster movies. 68 00:02:58,360 --> 00:02:59,840 Speaker 2: We do love a disaster. 69 00:03:00,120 --> 00:03:02,440 Speaker 1: I don't think The Day After Tomorrow is seen as 70 00:03:02,480 --> 00:03:06,560 Speaker 1: a good movie. I don't think Twister is up there 71 00:03:06,680 --> 00:03:09,520 Speaker 1: in most people's like, this is just a great movie. 72 00:03:09,720 --> 00:03:12,840 Speaker 1: It's not there Volcano. I don't think people think, oh, 73 00:03:12,880 --> 00:03:13,520 Speaker 1: that is cinema. 74 00:03:13,560 --> 00:03:17,600 Speaker 3: When watching Volcano, you're just like saying fantastic films. 75 00:03:17,680 --> 00:03:23,080 Speaker 1: Dante's peak. It's like, oh, my great disaster movies, Geo Storm, 76 00:03:23,440 --> 00:03:26,360 Speaker 1: good one, the San Andreas with the Rock, like any 77 00:03:26,600 --> 00:03:31,560 Speaker 1: disaster movie and Slaps, those are all great, and it's another. 78 00:03:31,280 --> 00:03:31,880 Speaker 2: One with Rock. 79 00:03:32,040 --> 00:03:34,840 Speaker 3: I watched multiple Rock. Yeah, there was a whole period 80 00:03:34,880 --> 00:03:39,280 Speaker 3: of rock disaster films. Yeah, Rampage really wasn't a disaster film. 81 00:03:39,320 --> 00:03:41,920 Speaker 3: It was like a video game that nobody really felt 82 00:03:41,960 --> 00:03:45,840 Speaker 3: was a great adaptation. But I really enjoyed it. 83 00:03:45,920 --> 00:03:48,040 Speaker 1: I thought it was cool how his son was actually 84 00:03:48,120 --> 00:03:49,960 Speaker 1: in the movie and his mom was in the movie. 85 00:03:50,600 --> 00:03:53,320 Speaker 1: And then by the end of it, I was like, man, 86 00:03:53,560 --> 00:03:55,960 Speaker 1: I just feel like I went on that ride with them. 87 00:03:56,000 --> 00:03:58,320 Speaker 1: I feel like I came out of change person. And 88 00:03:58,400 --> 00:03:59,920 Speaker 1: it was one of those where I think my raid 89 00:04:00,200 --> 00:04:01,960 Speaker 1: was just a little bit too high, because I do 90 00:04:02,040 --> 00:04:05,080 Speaker 1: love the disaster genre that much. What did you give it? 91 00:04:05,240 --> 00:04:05,880 Speaker 2: Did I give it? 92 00:04:06,080 --> 00:04:07,880 Speaker 1: I think you said like a perfect score. 93 00:04:08,240 --> 00:04:09,240 Speaker 2: I did not say it perfect. 94 00:04:09,280 --> 00:04:11,520 Speaker 1: You were like five after we watched it, which there's 95 00:04:11,520 --> 00:04:13,560 Speaker 1: always that period of right after you watch it. 96 00:04:13,560 --> 00:04:14,840 Speaker 2: I'm gonna go four and a half. 97 00:04:14,880 --> 00:04:17,960 Speaker 1: Buzzes probably coming down from it. I will give it 98 00:04:18,000 --> 00:04:18,760 Speaker 1: four out of five. 99 00:04:19,000 --> 00:04:20,520 Speaker 2: America Ferrera was also great. 100 00:04:20,640 --> 00:04:21,800 Speaker 1: Now I won't even say it never. 101 00:04:21,760 --> 00:04:23,400 Speaker 2: Mind, don't ruin it. It's still a good movie. 102 00:04:23,640 --> 00:04:26,000 Speaker 1: But it's on Apple Plus, which is no longer Apple 103 00:04:26,040 --> 00:04:29,839 Speaker 1: TV Plus, which is confusing. Everybody keeps changing their names brands, 104 00:04:30,080 --> 00:04:33,120 Speaker 1: HBO Max, I still have the old app from before 105 00:04:33,200 --> 00:04:36,000 Speaker 1: they changed to just Max, keep changing. I have both, 106 00:04:36,040 --> 00:04:38,440 Speaker 1: so I don't know. They're gonna keep everything and keep 107 00:04:38,520 --> 00:04:40,880 Speaker 1: changing it. Eventually everything is just gonna be one service. 108 00:04:40,920 --> 00:04:43,320 Speaker 1: It's gonna be cable again. It's all getting confusing. And 109 00:04:43,360 --> 00:04:46,520 Speaker 1: I got tricked into getting Paramount Plus. It's all annoying. 110 00:04:46,720 --> 00:04:48,080 Speaker 2: Yeah I did say that eighty dollar charge. 111 00:04:48,200 --> 00:04:50,920 Speaker 1: That was annoying. I got bamboozled. But now I'm gonna 112 00:04:50,920 --> 00:04:51,360 Speaker 1: go back and wae. 113 00:04:51,400 --> 00:04:53,159 Speaker 2: Now you have to explain why you got bamboozled. You 114 00:04:53,160 --> 00:04:54,160 Speaker 2: can't just say you got well. 115 00:04:54,160 --> 00:04:56,279 Speaker 1: I couldn't get the Cowboys game, and they were like, 116 00:04:56,360 --> 00:04:59,560 Speaker 1: get Paramount Plus and watch the cowboysting on the Broncos. 117 00:04:59,560 --> 00:05:01,520 Speaker 1: I was like right, let me get Paramount Plus. But 118 00:05:01,560 --> 00:05:04,279 Speaker 1: it's still same with like Hulu, where if you're not 119 00:05:04,320 --> 00:05:06,400 Speaker 1: in the region, you can't watch it. But the big 120 00:05:06,440 --> 00:05:09,040 Speaker 1: banner showed Dak Prescott's face that you could watch. 121 00:05:08,800 --> 00:05:11,320 Speaker 2: It now after having seen the game? Are we really 122 00:05:11,400 --> 00:05:12,360 Speaker 2: that sad we couldn't get it? 123 00:05:12,400 --> 00:05:15,000 Speaker 1: I was even more annoying because it was so the 124 00:05:15,080 --> 00:05:18,280 Speaker 1: game was terrible. I wasted eight dollars. But now I 125 00:05:18,320 --> 00:05:20,960 Speaker 1: can watch old Nickelodeon shows because that's really all. Like, 126 00:05:21,160 --> 00:05:23,520 Speaker 1: I see that everyone want to watch on Paramount Plus. 127 00:05:24,080 --> 00:05:25,920 Speaker 2: Oh wait, did don't they have Fly on us? 128 00:05:26,160 --> 00:05:29,359 Speaker 1: Yeah? Really good Taylor Sheridan shows. 129 00:05:29,720 --> 00:05:30,320 Speaker 2: We should watch that. 130 00:05:30,640 --> 00:05:32,839 Speaker 1: Well, we got a month to watch it, okay. I 131 00:05:32,839 --> 00:05:34,240 Speaker 1: also canceled a crunchy role. 132 00:05:36,120 --> 00:05:37,960 Speaker 2: You enjoyed that, Yeah, but actually haven't watched it. 133 00:05:37,960 --> 00:05:39,720 Speaker 1: I haven't watched it. That's like six bucks. I had 134 00:05:39,720 --> 00:05:41,839 Speaker 1: to justify the bank for Paramount Plus. 135 00:05:41,920 --> 00:05:43,239 Speaker 2: I think it was actually the same price. 136 00:05:43,640 --> 00:05:45,760 Speaker 1: I feel like we need a clean house and all 137 00:05:45,800 --> 00:05:48,240 Speaker 1: of our streaming services, but but there's nothing else we 138 00:05:48,279 --> 00:05:48,960 Speaker 1: could get rid of. 139 00:05:49,440 --> 00:05:51,279 Speaker 2: No, we watch a lot of TV. 140 00:05:51,600 --> 00:05:54,479 Speaker 1: We use them and movies of course from this podcasts. 141 00:05:54,560 --> 00:05:57,560 Speaker 2: We actually we spend money there because it's too expensive 142 00:05:57,520 --> 00:05:58,720 Speaker 2: tole pouse and do anything else. 143 00:05:58,880 --> 00:06:01,760 Speaker 1: We just watch things for my best of the month. 144 00:06:01,800 --> 00:06:05,240 Speaker 1: I'm gonna go Roofman. It was so good and I 145 00:06:05,240 --> 00:06:06,960 Speaker 1: think this is one that I would go back and 146 00:06:07,000 --> 00:06:08,960 Speaker 1: maybe bump it up a little bit. I gave it 147 00:06:08,960 --> 00:06:10,359 Speaker 1: a four out of five initially. 148 00:06:10,520 --> 00:06:11,640 Speaker 2: Oh, I gave it a four and a half. 149 00:06:11,680 --> 00:06:13,679 Speaker 1: I think I'm going four and a half now because 150 00:06:13,800 --> 00:06:16,000 Speaker 1: it is a movie that I've told other people to 151 00:06:16,080 --> 00:06:18,920 Speaker 1: go watch. They have gone to see it and enjoyed it, 152 00:06:19,080 --> 00:06:21,880 Speaker 1: which is really hard to do McDonald Tosh Browns. I 153 00:06:21,920 --> 00:06:26,680 Speaker 1: think because it made me feel compassion for somebody who 154 00:06:27,080 --> 00:06:31,320 Speaker 1: isn't necessarily a good person, isn't really a hero, but 155 00:06:31,400 --> 00:06:33,880 Speaker 1: I was rooting for them. And I've had this really 156 00:06:33,920 --> 00:06:36,599 Speaker 1: weird thing lately where I start to root for the 157 00:06:36,720 --> 00:06:39,560 Speaker 1: bad person in the movies that we've been watching. 158 00:06:39,760 --> 00:06:41,960 Speaker 2: Okay, I have a layer to add to that, Okay, 159 00:06:42,120 --> 00:06:44,159 Speaker 2: hit me with it. So I think it was on 160 00:06:44,800 --> 00:06:46,880 Speaker 2: Kate Kennedy's podcast this week, she was talking to some 161 00:06:46,920 --> 00:06:48,599 Speaker 2: friends about the heist at the Louver. 162 00:06:48,800 --> 00:06:51,080 Speaker 1: The Louver and she taught them, but she was like. 163 00:06:51,080 --> 00:06:53,719 Speaker 2: No one was hurt, So like, do you kind of 164 00:06:53,800 --> 00:06:56,160 Speaker 2: root or like find entertainment in this. 165 00:06:56,400 --> 00:06:59,560 Speaker 1: I think that's what's happening right now, is I think 166 00:06:59,560 --> 00:07:02,120 Speaker 1: we saw that as a fictional situation. So I was 167 00:07:02,200 --> 00:07:04,719 Speaker 1: rooting for them to get away for some reason, because 168 00:07:04,720 --> 00:07:07,000 Speaker 1: nobody was harmed, at least to my knowledge. 169 00:07:07,120 --> 00:07:09,559 Speaker 2: Also, weren't all of those things probably stolen from someone 170 00:07:09,600 --> 00:07:10,160 Speaker 2: before they ended? 171 00:07:10,280 --> 00:07:11,960 Speaker 1: They were steel, That's what they. 172 00:07:11,800 --> 00:07:13,480 Speaker 2: Were talking about. They were like, weren't those all like 173 00:07:13,800 --> 00:07:15,280 Speaker 2: colonized from someone else? 174 00:07:15,560 --> 00:07:17,480 Speaker 1: I mean in fact that they did it in seven 175 00:07:17,560 --> 00:07:21,000 Speaker 1: minutes before anybody knew what was going on with security. 176 00:07:21,240 --> 00:07:24,640 Speaker 1: They didn't hold anybody hostage in the loop. Like they 177 00:07:24,680 --> 00:07:29,160 Speaker 1: got away on scooters scooters, scooters and just came out. 178 00:07:29,680 --> 00:07:33,640 Speaker 1: They got away on scooters and then they got caught 179 00:07:33,680 --> 00:07:35,520 Speaker 1: trying to hop a flight. 180 00:07:36,320 --> 00:07:38,800 Speaker 2: I mean that that is a bad form of transportation 181 00:07:38,880 --> 00:07:41,360 Speaker 2: to take when you're like on the LAMB because. 182 00:07:41,080 --> 00:07:42,560 Speaker 1: Scooter, no a flight? 183 00:07:42,680 --> 00:07:46,920 Speaker 2: Oh like a scooter no, Like I don't they're in Europe, 184 00:07:47,040 --> 00:07:47,600 Speaker 2: take a train. 185 00:07:47,960 --> 00:07:51,080 Speaker 1: That's true. Yeah, there's too many things you have to go. 186 00:07:50,960 --> 00:07:52,880 Speaker 2: Through, so much facial recognition. 187 00:07:53,040 --> 00:07:55,360 Speaker 1: Oh that too. I just think of like booking the flight. 188 00:07:55,600 --> 00:07:58,760 Speaker 2: No, but like your passport and doesn't something flag in 189 00:07:58,760 --> 00:08:01,040 Speaker 2: the system, probably when you're on it for robbing a 190 00:08:01,040 --> 00:08:01,880 Speaker 2: famous museum. 191 00:08:02,000 --> 00:08:07,720 Speaker 1: Yeah, don't fly, dumb way to get out? Take a boat. Yeah. 192 00:08:07,880 --> 00:08:09,600 Speaker 1: I always thought a good way to get away from 193 00:08:09,600 --> 00:08:10,040 Speaker 1: a crime. 194 00:08:10,200 --> 00:08:12,720 Speaker 2: I think allegedly you gotta say allegedly. 195 00:08:12,520 --> 00:08:15,480 Speaker 1: Allegedly get away from a crime. Yeah, well, because I run. 196 00:08:15,600 --> 00:08:18,160 Speaker 1: I always thought if you fled a scene of the 197 00:08:18,320 --> 00:08:22,760 Speaker 1: crime in running clothes, would they think that you were escaping? 198 00:08:23,040 --> 00:08:25,520 Speaker 1: You gotta blend in, Like if you just saw somebody 199 00:08:25,600 --> 00:08:28,640 Speaker 1: in like Nike shorts, the tank top with a running 200 00:08:28,640 --> 00:08:30,640 Speaker 1: hat and headphones and running shoes. 201 00:08:30,720 --> 00:08:34,839 Speaker 2: But if there's no one else, yeah, you're getting implicated. 202 00:08:35,160 --> 00:08:38,280 Speaker 1: It depends where it is, Like downtown, a busy downtown 203 00:08:38,440 --> 00:08:40,959 Speaker 1: and you just see somebody running, Do you automatically think 204 00:08:41,000 --> 00:08:44,199 Speaker 1: that person is running for just committing a crime. No, 205 00:08:44,559 --> 00:08:47,000 Speaker 1: there you go. It's an easy not an easy way, 206 00:08:47,040 --> 00:08:49,760 Speaker 1: but it could help because if you just see a 207 00:08:49,800 --> 00:08:52,760 Speaker 1: guy in normal clothes running down the street, you're gonna think, 208 00:08:52,760 --> 00:08:55,400 Speaker 1: why is that guy running? It raises some red flags. 209 00:08:55,400 --> 00:08:58,480 Speaker 1: If you see a guy in workout clothes going for 210 00:08:58,520 --> 00:08:59,280 Speaker 1: a jog. 211 00:08:59,320 --> 00:09:02,239 Speaker 2: Look like picking up your pace and looking over your shoulder, 212 00:09:02,960 --> 00:09:05,480 Speaker 2: then you look, you got a slow girl, and then 213 00:09:05,520 --> 00:09:07,320 Speaker 2: you're just like looking over the shoulder for safety. 214 00:09:07,360 --> 00:09:09,040 Speaker 1: Yeah, you're like, that's a that's a normal thing. 215 00:09:09,120 --> 00:09:09,679 Speaker 2: Yeah. 216 00:09:09,720 --> 00:09:11,920 Speaker 1: But that is my best of the month. I think 217 00:09:11,920 --> 00:09:14,560 Speaker 1: it's because it was based on a true story. I 218 00:09:14,640 --> 00:09:15,520 Speaker 1: like Channing Tatum. 219 00:09:15,760 --> 00:09:19,160 Speaker 2: Listen, that was That was a good Chanting Tatum movie. 220 00:09:19,360 --> 00:09:22,040 Speaker 2: I've been a Channing Tatum van since two thousand and six. 221 00:09:21,920 --> 00:09:24,760 Speaker 1: That's true. I'm a late adopter, not until twenty one, 222 00:09:24,800 --> 00:09:25,599 Speaker 1: Jump Street. 223 00:09:25,400 --> 00:09:27,600 Speaker 2: Step Up, She's the Man, two of my favorite films 224 00:09:27,640 --> 00:09:28,199 Speaker 2: of all time. 225 00:09:28,440 --> 00:09:30,600 Speaker 1: I think he's happen. I don't want to say a renaissance, 226 00:09:30,640 --> 00:09:32,400 Speaker 1: because I don't really think he ever went away. But 227 00:09:32,440 --> 00:09:35,240 Speaker 1: he's entering a really good pocket of movies right now. 228 00:09:35,320 --> 00:09:38,360 Speaker 2: He's entering a pocket where he's showcasing seeing his acting 229 00:09:38,440 --> 00:09:42,000 Speaker 2: skills more than his body. I'll magic mic because. 230 00:09:41,720 --> 00:09:44,439 Speaker 1: He I mean, he lost seventy pounds for this movie, 231 00:09:44,600 --> 00:09:47,200 Speaker 1: which that one scene where he's like almost naked, that's 232 00:09:47,240 --> 00:09:48,880 Speaker 1: really the only time you can tell he looks just 233 00:09:48,920 --> 00:09:50,240 Speaker 1: a little bit more like I. 234 00:09:50,160 --> 00:09:52,280 Speaker 2: Think he said he's like he can't do a big 235 00:09:52,520 --> 00:09:55,120 Speaker 2: I read an article where he said, like big transformations 236 00:09:55,120 --> 00:09:56,040 Speaker 2: like that are just too hard. 237 00:09:56,080 --> 00:09:57,840 Speaker 1: That's why I say people who do that should be 238 00:09:57,920 --> 00:10:00,800 Speaker 1: up for oscars because I don't think people realize how 239 00:10:00,840 --> 00:10:02,760 Speaker 1: hard that is. And some people say they're own, you 240 00:10:02,840 --> 00:10:06,120 Speaker 1: tried losing five pounds, it's not really to put on 241 00:10:06,280 --> 00:10:09,000 Speaker 1: muscle to play a superhero, which he is. Gambit Now, 242 00:10:09,400 --> 00:10:12,480 Speaker 1: I think it is just as hard as anything else 243 00:10:12,600 --> 00:10:15,000 Speaker 1: enacting when it comes to transforming your body for a role. 244 00:10:15,200 --> 00:10:17,520 Speaker 2: But I will also say they have the resources. Yeah, 245 00:10:17,640 --> 00:10:20,120 Speaker 2: I mean if you wait, the trainer, you have the chef, like, 246 00:10:20,240 --> 00:10:22,880 Speaker 2: that's your job is getting in shape that you're not 247 00:10:23,000 --> 00:10:25,199 Speaker 2: doing a nine to five, and then also go into 248 00:10:25,240 --> 00:10:27,559 Speaker 2: the gym and then make yourself a dinner. You're got 249 00:10:27,600 --> 00:10:30,520 Speaker 2: to the store for yourself. So I do think you 250 00:10:30,520 --> 00:10:32,960 Speaker 2: have if you have all the resources at your disposal, 251 00:10:33,040 --> 00:10:35,160 Speaker 2: and that is your job is to get in shape 252 00:10:35,160 --> 00:10:35,720 Speaker 2: for your role. 253 00:10:36,120 --> 00:10:38,719 Speaker 1: Dang, you just took away the oscar. Well, it's part 254 00:10:38,720 --> 00:10:41,480 Speaker 1: of the job description. I forgot about that part. That's 255 00:10:41,520 --> 00:10:43,960 Speaker 1: all they have to do, yeah, which I think we 256 00:10:44,000 --> 00:10:47,160 Speaker 1: forget with actors sometimes that's their entire job to do 257 00:10:47,280 --> 00:10:48,400 Speaker 1: these things for these roles. 258 00:10:48,480 --> 00:10:50,920 Speaker 2: And I understand it's still physically demanding. 259 00:10:50,600 --> 00:10:52,720 Speaker 1: But you have still not easy. 260 00:10:52,800 --> 00:10:54,560 Speaker 2: You give someone making a meal plan and being like, 261 00:10:54,600 --> 00:10:56,640 Speaker 2: this is how much protein you need, this is how 262 00:10:56,640 --> 00:10:59,760 Speaker 2: many calories. You have a trainer watching your form, guiding you, 263 00:10:59,840 --> 00:11:02,400 Speaker 2: being like today we're doing this, Like you're being led 264 00:11:02,440 --> 00:11:04,680 Speaker 2: to the goal. You're the one doing the physical work, 265 00:11:04,720 --> 00:11:07,080 Speaker 2: but you have someone like providing you all of the 266 00:11:07,120 --> 00:11:08,880 Speaker 2: other things needed to reach the goal. 267 00:11:09,000 --> 00:11:11,200 Speaker 1: You don't have to worry about anything else. Yeah, you 268 00:11:11,200 --> 00:11:13,240 Speaker 1: don't have the grocery shop for yourself. Could you imagine 269 00:11:13,240 --> 00:11:14,400 Speaker 1: not having a grocery shop? 270 00:11:15,800 --> 00:11:18,280 Speaker 2: Love, I think that every week when we're like, what 271 00:11:18,360 --> 00:11:20,280 Speaker 2: day should we go to the grocery store? Listen, We've 272 00:11:20,280 --> 00:11:22,319 Speaker 2: become Friday evening grocery shoppers. 273 00:11:22,320 --> 00:11:23,880 Speaker 1: This is the weirdest thing that guys. 274 00:11:23,920 --> 00:11:24,640 Speaker 2: It's kind of great. 275 00:11:24,760 --> 00:11:25,480 Speaker 1: It is amazing. 276 00:11:25,760 --> 00:11:27,840 Speaker 2: I would do that in grad school, mostly because I 277 00:11:27,840 --> 00:11:30,079 Speaker 2: would have run out of food by Friday, and I 278 00:11:30,120 --> 00:11:33,319 Speaker 2: would stop and get like frozen pizza and a bottle 279 00:11:33,360 --> 00:11:36,000 Speaker 2: of wine and like my groceries for the week, and 280 00:11:36,040 --> 00:11:36,680 Speaker 2: then it was done. 281 00:11:36,800 --> 00:11:40,480 Speaker 1: Our perfect Friday night now is eating at home, getting 282 00:11:40,480 --> 00:11:43,120 Speaker 1: groceries and getting in a Friday night movie. 283 00:11:43,160 --> 00:11:45,160 Speaker 2: But it's like the other we go to the store, 284 00:11:45,240 --> 00:11:47,559 Speaker 2: then we eat because we will have maybe gotten something 285 00:11:47,559 --> 00:11:49,319 Speaker 2: that we wanted for dinner. True, and then we go 286 00:11:49,400 --> 00:11:51,080 Speaker 2: to a movie and then we're home by like nine pm. 287 00:11:51,120 --> 00:11:53,840 Speaker 1: The best Friday night in your thirties, it really is. 288 00:11:53,880 --> 00:11:56,240 Speaker 2: It's so nice. Yeah, it's great, but it is kind 289 00:11:56,240 --> 00:11:58,200 Speaker 2: of funny because you look around the other grocery shoppers 290 00:11:58,280 --> 00:12:00,840 Speaker 2: or like people in town for like Bachelor Bchelotte party 291 00:12:00,880 --> 00:12:03,360 Speaker 2: is buying like so much white claw and like bags 292 00:12:03,360 --> 00:12:06,760 Speaker 2: of tortilla chips. We've got like tofu and blueberries in 293 00:12:06,800 --> 00:12:07,120 Speaker 2: the cart. 294 00:12:07,400 --> 00:12:10,440 Speaker 1: Isn't that the best grocery run the Friday night on 295 00:12:10,480 --> 00:12:13,559 Speaker 1: a trip in a grocery store that feels foreign. 296 00:12:13,280 --> 00:12:14,960 Speaker 2: To you, Yes, we love doing that. 297 00:12:15,000 --> 00:12:16,760 Speaker 1: In scott Stick, you buy all these things that you're 298 00:12:16,760 --> 00:12:19,439 Speaker 1: probably not gonna eat, and you're like, this is so fun. 299 00:12:19,720 --> 00:12:21,560 Speaker 1: We buy so much to look at this straight at 300 00:12:21,559 --> 00:12:23,520 Speaker 1: these snacks, and then by the end of your trip 301 00:12:23,559 --> 00:12:24,640 Speaker 1: you're like, why did we get these? 302 00:12:25,120 --> 00:12:26,439 Speaker 2: We did that a couple of years ago the first 303 00:12:26,480 --> 00:12:28,160 Speaker 2: time we went to Scott's Stone. We bought way too 304 00:12:28,240 --> 00:12:30,400 Speaker 2: much and then we were like walking around the resort 305 00:12:30,440 --> 00:12:32,959 Speaker 2: on our last day, Hey, does anyone want this cooler 306 00:12:33,000 --> 00:12:36,040 Speaker 2: full of stuff? We promise it's not weird. We just 307 00:12:36,080 --> 00:12:36,560 Speaker 2: bought too. 308 00:12:36,480 --> 00:12:39,199 Speaker 1: Much, too much stuff that is a rare aesthetic the 309 00:12:39,559 --> 00:12:42,000 Speaker 1: grocery store run at the start of a trip. I 310 00:12:42,040 --> 00:12:42,680 Speaker 1: remember that as a. 311 00:12:42,720 --> 00:12:44,319 Speaker 2: Kid, possibilities are endless. 312 00:12:44,520 --> 00:12:46,360 Speaker 1: You have all the fun on the hurd, all the anticipation, 313 00:12:46,480 --> 00:12:48,839 Speaker 1: and then by the end of it you're like so sad. 314 00:12:49,080 --> 00:12:50,960 Speaker 2: Yeah, you get the special snacks that you can only 315 00:12:51,000 --> 00:12:51,680 Speaker 2: have on vacation. 316 00:12:52,440 --> 00:12:54,400 Speaker 1: Good times, all right, our worst than the month? What 317 00:12:54,440 --> 00:12:54,920 Speaker 1: do you got? 318 00:12:55,200 --> 00:12:56,920 Speaker 2: I fear I'm going to offend people with this. 319 00:12:57,280 --> 00:12:59,600 Speaker 1: Okay, I'm ready for this. I think we're gonna be 320 00:12:59,600 --> 00:13:02,320 Speaker 1: different these because both of us saw some movies that 321 00:13:02,600 --> 00:13:05,280 Speaker 1: the other did not see. I have to preface this, Okay. 322 00:13:05,440 --> 00:13:08,560 Speaker 2: I don't necessarily I don't want to say books are bad, 323 00:13:08,600 --> 00:13:11,480 Speaker 2: because I think anything that gets you into reading it's great. 324 00:13:11,600 --> 00:13:16,160 Speaker 2: I personally don't find anything from the Colleen Hoover books, 325 00:13:16,559 --> 00:13:19,200 Speaker 2: and I think the movie adaptations have just been rough. 326 00:13:19,480 --> 00:13:22,000 Speaker 2: And I saw regretting you this weekend, and I am 327 00:13:22,040 --> 00:13:24,640 Speaker 2: indeed regretting seeing that film, not regretting. I go with 328 00:13:24,679 --> 00:13:26,319 Speaker 2: two of my friends. We've made it a thing now 329 00:13:26,360 --> 00:13:28,680 Speaker 2: to see all of her movie adaptations. When I tell you, 330 00:13:28,720 --> 00:13:31,280 Speaker 2: we were audibly giggling it wasn't a comedy. It was, 331 00:13:31,320 --> 00:13:33,360 Speaker 2: in fact a drama. It got to the point where 332 00:13:33,360 --> 00:13:36,480 Speaker 2: like people were just making out loud commentary in the theater, 333 00:13:36,600 --> 00:13:38,520 Speaker 2: Like one of the characters said something and a girl 334 00:13:38,559 --> 00:13:41,680 Speaker 2: next to us just goes, oh God, Like it was 335 00:13:41,840 --> 00:13:42,680 Speaker 2: that level. 336 00:13:43,000 --> 00:13:45,320 Speaker 1: That's the next level. I haven't experienced something like that 337 00:13:45,400 --> 00:13:46,160 Speaker 1: and forever. 338 00:13:46,480 --> 00:13:49,560 Speaker 2: It was a theater of mostly women and then the 339 00:13:49,640 --> 00:13:51,800 Speaker 2: significant others that got dragged to. 340 00:13:51,840 --> 00:13:54,240 Speaker 1: It, which I would have gone to see this movie. 341 00:13:54,280 --> 00:13:56,000 Speaker 1: I saw the trailer and I was like, yeah, already 342 00:13:56,000 --> 00:13:58,280 Speaker 1: it's interesting. Yeah you're but you were already booked. 343 00:13:58,360 --> 00:14:00,000 Speaker 2: I was booked, booked and busy this weekend. 344 00:14:00,400 --> 00:14:00,640 Speaker 1: Yeah. 345 00:14:00,679 --> 00:14:04,440 Speaker 2: It just left so much to it, just was so 346 00:14:04,520 --> 00:14:07,560 Speaker 2: full of tropes, and like the dialogue was bad, and 347 00:14:07,600 --> 00:14:09,720 Speaker 2: they did the thing where like when the characters text 348 00:14:09,760 --> 00:14:11,640 Speaker 2: each other, they not only put the text bubble on 349 00:14:11,679 --> 00:14:14,360 Speaker 2: the screen, but then the character reads it, so it's like, hey, 350 00:14:14,400 --> 00:14:16,600 Speaker 2: what's up and then the guy's like not much? What 351 00:14:16,640 --> 00:14:20,400 Speaker 2: about You like that level of like dumb dialogue. If 352 00:14:20,440 --> 00:14:22,960 Speaker 2: you like Colleen Hoover books, I think you might enjoy 353 00:14:23,000 --> 00:14:25,320 Speaker 2: the film. Maybe not. I feel like seeing it on 354 00:14:25,400 --> 00:14:27,400 Speaker 2: screen is different than reading it because reading it. You 355 00:14:27,400 --> 00:14:29,600 Speaker 2: can kind of make characters in your head m but 356 00:14:29,640 --> 00:14:31,520 Speaker 2: then once you see it play out, I would say 357 00:14:31,520 --> 00:14:33,840 Speaker 2: it was making money, but it's actually not. The budget 358 00:14:33,880 --> 00:14:36,280 Speaker 2: was like thirty million, and I think it made under thirteen. 359 00:14:36,680 --> 00:14:38,440 Speaker 2: It had a fifteen percent on Rotten Tomatoes. 360 00:14:38,600 --> 00:14:40,680 Speaker 1: That's see. I thought it was gonna be one of 361 00:14:40,680 --> 00:14:42,920 Speaker 1: those movies that maybe I wouldn't like, but there is 362 00:14:42,960 --> 00:14:45,880 Speaker 1: an audience for well, I feel like you are the 363 00:14:45,960 --> 00:14:48,200 Speaker 1: closer to the audience and you still don't like it. 364 00:14:48,280 --> 00:14:50,760 Speaker 2: Yeah, So I went in critical and it was like 365 00:14:50,800 --> 00:14:52,760 Speaker 2: I knew it wasn't going to be great, but I 366 00:14:52,920 --> 00:14:56,080 Speaker 2: was like lower than I expected. I looked over one 367 00:14:56,080 --> 00:14:58,040 Speaker 2: of my friends at one point only with people watching 368 00:14:58,080 --> 00:14:59,600 Speaker 2: this on YouTube see, but she was just like like 369 00:14:59,600 --> 00:15:01,520 Speaker 2: we were just what is happening? 370 00:15:02,000 --> 00:15:04,280 Speaker 1: Was it ever good? Like did it start out promising 371 00:15:04,400 --> 00:15:05,640 Speaker 1: or was it bad? From the beginning. 372 00:15:05,960 --> 00:15:07,240 Speaker 2: It was one of those where it was like I 373 00:15:07,280 --> 00:15:08,560 Speaker 2: had to go the bathroom in a certain point and 374 00:15:08,560 --> 00:15:09,960 Speaker 2: I was like, oh, I don't really want to miss 375 00:15:09,960 --> 00:15:11,600 Speaker 2: what comes, just because it was kind of like what's 376 00:15:11,640 --> 00:15:15,200 Speaker 2: gonna happen? But now from the beginning, yeah, it's kind 377 00:15:15,240 --> 00:15:18,080 Speaker 2: of like who what bills did Dave Franco have to 378 00:15:18,080 --> 00:15:19,120 Speaker 2: pay to do this film. 379 00:15:19,400 --> 00:15:21,320 Speaker 1: I mean, he's about to get that now you see me. 380 00:15:22,080 --> 00:15:23,640 Speaker 2: About to get now you see me three. Yeah, it 381 00:15:23,800 --> 00:15:26,320 Speaker 2: just I can't say anything without giving it away. It's 382 00:15:26,360 --> 00:15:28,400 Speaker 2: just so tropy. I mean I think by watching if 383 00:15:28,400 --> 00:15:31,600 Speaker 2: you watch the trailer, you'll immediately pick up on the trope. 384 00:15:31,920 --> 00:15:32,120 Speaker 3: Yeah. 385 00:15:32,160 --> 00:15:34,280 Speaker 1: What I picked up from the trailer is it's people 386 00:15:34,400 --> 00:15:36,800 Speaker 1: talking like nobody would talk in real. 387 00:15:36,640 --> 00:15:39,960 Speaker 2: Life, correct, and just the plot of like what it's about. 388 00:15:40,720 --> 00:15:42,960 Speaker 2: And I made a joke at one point about like 389 00:15:43,240 --> 00:15:45,760 Speaker 2: what if this turns out to be this? And I 390 00:15:45,800 --> 00:15:47,400 Speaker 2: came back from the bathroom. My friend leaned over and 391 00:15:47,440 --> 00:15:49,000 Speaker 2: she was like, you were right, this turned out to 392 00:15:49,000 --> 00:15:50,440 Speaker 2: be this And I was like, oh god, that was 393 00:15:50,480 --> 00:15:53,800 Speaker 2: like a bad joke. Can't believe that actually happened. So yeah, just. 394 00:15:53,720 --> 00:15:59,720 Speaker 1: Overly dramatic, bad acting, unbelievable, all the bad things. What 395 00:15:59,720 --> 00:16:01,960 Speaker 1: do you rate it? You've given things a zero before. 396 00:16:02,240 --> 00:16:03,760 Speaker 2: I mean, like I said, it kept my interest. It 397 00:16:03,760 --> 00:16:05,280 Speaker 2: was not Eddington, so. 398 00:16:05,200 --> 00:16:06,960 Speaker 1: It had some entertainment value. 399 00:16:07,160 --> 00:16:09,640 Speaker 2: Yeah. I was kind of like, so bad, it's good. 400 00:16:10,040 --> 00:16:12,680 Speaker 1: Oh that's that's rough. Though I don't feel like that 401 00:16:12,680 --> 00:16:14,320 Speaker 1: should be so bad it's good movie. 402 00:16:14,400 --> 00:16:15,720 Speaker 2: I mean, I don't think it was supposed to be. 403 00:16:16,040 --> 00:16:17,520 Speaker 1: I think it was supposed to be so good. It's 404 00:16:17,520 --> 00:16:19,440 Speaker 1: good they were trying to make a good movie. 405 00:16:19,680 --> 00:16:24,480 Speaker 2: I'm going to go one point five lollipops. 406 00:16:25,440 --> 00:16:26,200 Speaker 1: It's pretty low. 407 00:16:26,640 --> 00:16:27,040 Speaker 2: Yeah. 408 00:16:27,400 --> 00:16:29,800 Speaker 1: For my worst of the month, I'm going to go 409 00:16:29,840 --> 00:16:33,680 Speaker 1: with Good Fortune, which is the Asison Sorry, Seth Rogan, 410 00:16:33,800 --> 00:16:34,920 Speaker 1: Keanu Reeves. 411 00:16:34,560 --> 00:16:36,680 Speaker 2: Movie where you were excited to see that. 412 00:16:37,040 --> 00:16:38,720 Speaker 1: I was. It has a bunch of people that I like. 413 00:16:38,720 --> 00:16:40,760 Speaker 1: I'm a fan of all three of those people. The 414 00:16:40,840 --> 00:16:42,480 Speaker 1: movie would have been good if it came out in 415 00:16:42,520 --> 00:16:46,240 Speaker 1: like twenty eleven. Oh, it just felt like those it's 416 00:16:46,280 --> 00:16:46,920 Speaker 1: an insult. 417 00:16:47,040 --> 00:16:49,800 Speaker 2: It felt like it's almost as bad of an insult 418 00:16:49,880 --> 00:16:50,720 Speaker 2: is so bad it's good. 419 00:16:51,080 --> 00:16:53,000 Speaker 1: I guess so I didn't think it was. That's exactly 420 00:16:53,000 --> 00:16:54,600 Speaker 1: how that movie made me feel, where it was like 421 00:16:54,600 --> 00:16:57,520 Speaker 1: the remnants of a Judd Appetito movie. And I think 422 00:16:57,600 --> 00:17:01,080 Speaker 1: I was just so surprised for Azi's I'm Sorry directorial debut. 423 00:17:01,600 --> 00:17:04,960 Speaker 1: Why make this movie like there was? The story itself 424 00:17:05,040 --> 00:17:08,359 Speaker 1: was like his character down on his luck, was trying 425 00:17:08,440 --> 00:17:12,160 Speaker 1: to be like a documentary editor that wasn't working out. 426 00:17:12,200 --> 00:17:14,399 Speaker 1: So he's working as like a door dasher is living 427 00:17:14,400 --> 00:17:17,280 Speaker 1: in his car, and then he meets Seth Rogan's character, 428 00:17:17,320 --> 00:17:20,360 Speaker 1: who is like a tech bro lives in a giant mansion, 429 00:17:20,440 --> 00:17:23,439 Speaker 1: has a bunch of family money. And then at his 430 00:17:23,520 --> 00:17:26,359 Speaker 1: lowest point, he gets a guardian angel, which is Keanu 431 00:17:26,400 --> 00:17:29,520 Speaker 1: Reeves and he's like kind of an entry level angel 432 00:17:29,800 --> 00:17:34,000 Speaker 1: and he switches bodies of disease and Seth Rogan. So 433 00:17:34,040 --> 00:17:37,399 Speaker 1: now Seth Rogan's broke and AZ's character is rich and 434 00:17:37,440 --> 00:17:39,480 Speaker 1: then he's like, Okay, now you live this life and 435 00:17:39,480 --> 00:17:41,159 Speaker 1: you're gonna see it's not as glamorous as it is 436 00:17:41,359 --> 00:17:43,480 Speaker 1: now that you're rich. Turns out it solved all of 437 00:17:43,520 --> 00:17:45,639 Speaker 1: his problems, and that's really the whole movie. And it 438 00:17:45,680 --> 00:17:47,639 Speaker 1: tried to make like a lot of commentary on like 439 00:17:47,960 --> 00:17:51,080 Speaker 1: how hard it is for people right now door dashing 440 00:17:51,160 --> 00:17:54,480 Speaker 1: and economy. Yeah, basically that's what the whole movie was, 441 00:17:54,880 --> 00:17:57,840 Speaker 1: but it just didn't really land on any element, Like 442 00:17:57,840 --> 00:18:02,280 Speaker 1: the comedy wasn't that funny with Seth Rogen. Yeah, Seth 443 00:18:02,359 --> 00:18:04,639 Speaker 1: Rogan was basically the same thing he's been in the 444 00:18:04,640 --> 00:18:07,080 Speaker 1: studio platonic. It was like all this he's been a lot. 445 00:18:07,280 --> 00:18:09,720 Speaker 1: It's I feel like he forgot like what character he 446 00:18:09,760 --> 00:18:11,399 Speaker 1: was supposed to be, just like I'm just gonna be 447 00:18:11,400 --> 00:18:14,639 Speaker 1: seth rogen And it didn't really land on an emotional 448 00:18:14,720 --> 00:18:17,879 Speaker 1: level like it's supposed to be it's a wonderful lifetime 449 00:18:17,960 --> 00:18:20,880 Speaker 1: situation or something. It just didn't really have anything to it. 450 00:18:20,920 --> 00:18:23,720 Speaker 1: And it was ninety minutes long and it felt so long. 451 00:18:24,080 --> 00:18:26,240 Speaker 1: By about forty five minutes, I was like, I don't 452 00:18:26,240 --> 00:18:28,560 Speaker 1: even really care how this movie ends. I just think 453 00:18:28,560 --> 00:18:30,520 Speaker 1: it was because I went into it thinking it was 454 00:18:30,560 --> 00:18:33,920 Speaker 1: gonna be a funny movie and left just kind of disappointed. 455 00:18:34,080 --> 00:18:36,600 Speaker 1: I also went and had the entire theater to myself, 456 00:18:36,720 --> 00:18:40,400 Speaker 1: so there was no camaraderie, camaraderie, no interaction, which has 457 00:18:40,480 --> 00:18:43,159 Speaker 1: helped with comedies lately that we've gone to see, Like 458 00:18:43,200 --> 00:18:46,280 Speaker 1: when you see can hear other people laughing and enjoying it? 459 00:18:46,280 --> 00:18:48,160 Speaker 1: It kind of makes it more funny. And I think 460 00:18:48,200 --> 00:18:49,960 Speaker 1: the fact that it was kind of like going to 461 00:18:49,960 --> 00:18:52,040 Speaker 1: see stand up and being the only person in the 462 00:18:52,080 --> 00:18:54,600 Speaker 1: crowd and it's like, WHOA, this is weird. This doesn't 463 00:18:54,600 --> 00:18:55,160 Speaker 1: feel right. 464 00:18:56,080 --> 00:18:59,400 Speaker 2: I should also had regarding you was two hours two hours? 465 00:19:00,160 --> 00:19:02,440 Speaker 2: Oh man, Yeah, it's two hours flat. At least this 466 00:19:02,560 --> 00:19:05,320 Speaker 2: was ninety minutes. Yeah, it was. And it got to 467 00:19:05,320 --> 00:19:07,480 Speaker 2: the point at the end where I just kept looking 468 00:19:07,480 --> 00:19:09,359 Speaker 2: at my friend Courtney, and I was like, it's going 469 00:19:09,440 --> 00:19:11,720 Speaker 2: to be over soon, right, Like I know it's two hours, 470 00:19:11,720 --> 00:19:13,640 Speaker 2: but it has to be over seas, right. 471 00:19:13,760 --> 00:19:15,440 Speaker 1: I could wrap this up early. But yeah, I would 472 00:19:15,440 --> 00:19:17,840 Speaker 1: give Good Fortune two point five out of five. I'm 473 00:19:17,840 --> 00:19:20,679 Speaker 1: not even sure it's a streamer. I feel like the 474 00:19:20,720 --> 00:19:23,240 Speaker 1: movie should have focused entirely on Keanu Reeves had just 475 00:19:23,280 --> 00:19:25,600 Speaker 1: been from his point of view, because the other two 476 00:19:25,600 --> 00:19:27,919 Speaker 1: guys just were not cutting it. Would you have been 477 00:19:27,920 --> 00:19:30,080 Speaker 1: offended if I would have put the Taylor Swift party 478 00:19:30,119 --> 00:19:31,040 Speaker 1: as my worst No. 479 00:19:31,040 --> 00:19:33,159 Speaker 2: Because I don't feel like our theater experience was what 480 00:19:33,320 --> 00:19:35,760 Speaker 2: some people had in their parties, Like everyone sat and 481 00:19:35,800 --> 00:19:37,840 Speaker 2: just kind of watched where it was like I wanted 482 00:19:37,880 --> 00:19:40,520 Speaker 2: a little more like outer seats dancing. I honestly wouldn't 483 00:19:40,520 --> 00:19:42,640 Speaker 2: have expected you to go. You kind of got roped 484 00:19:42,640 --> 00:19:43,280 Speaker 2: into going. 485 00:19:43,480 --> 00:19:46,119 Speaker 1: But I wanted to experience it. I just thought it 486 00:19:46,160 --> 00:19:48,560 Speaker 1: was going to be more of a cinematic event. 487 00:19:48,560 --> 00:19:51,399 Speaker 2: Which I think is what her docuseries is gonna be. 488 00:19:51,840 --> 00:19:54,080 Speaker 1: This was more of a listening party. I think the 489 00:19:54,160 --> 00:19:55,639 Speaker 1: thing that made me want to put it as my 490 00:19:55,720 --> 00:19:58,840 Speaker 1: worst was that all the lyric music videos had had 491 00:19:58,840 --> 00:19:59,280 Speaker 1: a loop. 492 00:19:59,440 --> 00:20:01,359 Speaker 2: It was a loo yeah, and it was a little like, 493 00:20:01,520 --> 00:20:02,840 Speaker 2: I don't know, motion sickness. 494 00:20:03,160 --> 00:20:05,280 Speaker 1: They weren't even great visualizations. 495 00:20:05,480 --> 00:20:07,639 Speaker 2: No, yeah I didn't. I mean, it wasn't my favorite 496 00:20:07,640 --> 00:20:09,320 Speaker 2: thing that I saw. It was more just to like 497 00:20:09,440 --> 00:20:11,520 Speaker 2: go with Friends made me kind of like appreciate the 498 00:20:11,560 --> 00:20:14,320 Speaker 2: album more. I liked the behind the scenes. I like 499 00:20:14,359 --> 00:20:17,080 Speaker 2: tearing her explain the songs. If it had been any longer, 500 00:20:17,119 --> 00:20:18,919 Speaker 2: I'd have been like, Okay, wrap this up. Now. The 501 00:20:18,960 --> 00:20:21,600 Speaker 2: docu series I'm already sat for, but that. 502 00:20:21,560 --> 00:20:23,760 Speaker 1: Won't be in theaters. That'll just be Disney. 503 00:20:23,400 --> 00:20:24,960 Speaker 2: Plus come frove my own home. 504 00:20:25,480 --> 00:20:28,320 Speaker 1: See. I wanted more of that. I think if we're 505 00:20:28,359 --> 00:20:30,480 Speaker 1: going to go to the theater to watch something and 506 00:20:30,480 --> 00:20:32,000 Speaker 1: pay money for it, which that was the one we 507 00:20:32,040 --> 00:20:34,760 Speaker 1: had to actually pay for because our Regal and Limited 508 00:20:34,800 --> 00:20:38,400 Speaker 1: doesn't cover some of those live events or the special events. Yeah, 509 00:20:38,480 --> 00:20:40,640 Speaker 1: we did pay for that, and I was like man 510 00:20:40,920 --> 00:20:44,919 Speaker 1: cash grab. Going through all the other movies of October, 511 00:20:45,040 --> 00:20:47,159 Speaker 1: good Boy, I gave a three out of five. I 512 00:20:47,160 --> 00:20:50,560 Speaker 1: still need to do my favorite movie Dogs episode. I 513 00:20:50,560 --> 00:20:53,960 Speaker 1: think you should be on that one, but Good Boy 514 00:20:54,080 --> 00:20:56,600 Speaker 1: is definitely up there. We talked about the Taylor Swift 515 00:20:56,600 --> 00:20:59,560 Speaker 1: movie Smashing Machine. Four out of five is what I 516 00:20:59,600 --> 00:21:02,320 Speaker 1: gave that one. You would give that lower? 517 00:21:02,520 --> 00:21:02,720 Speaker 2: Yeah? 518 00:21:02,840 --> 00:21:03,320 Speaker 1: How low? 519 00:21:03,760 --> 00:21:04,280 Speaker 2: Three? 520 00:21:04,680 --> 00:21:06,640 Speaker 1: Oh that sound not terrible. 521 00:21:07,119 --> 00:21:07,719 Speaker 2: It's failing. 522 00:21:07,960 --> 00:21:10,520 Speaker 1: The Lost Bus, which we talked about. I have it 523 00:21:10,520 --> 00:21:12,439 Speaker 1: at a four out of five. I maybe could have 524 00:21:12,440 --> 00:21:14,000 Speaker 1: bumped it up a little bit more, but then I 525 00:21:14,040 --> 00:21:16,360 Speaker 1: was like, am I just two in two disaster films? 526 00:21:16,880 --> 00:21:19,520 Speaker 1: Roof Man, which made my best of the month four 527 00:21:19,520 --> 00:21:21,840 Speaker 1: point five out of five? The Woman in the Cabin 528 00:21:21,920 --> 00:21:23,439 Speaker 1: ten or The Woman in Cabin The. 529 00:21:23,440 --> 00:21:25,840 Speaker 2: Woman in Cabin ten starring care Nightley on Netflix. 530 00:21:25,960 --> 00:21:28,320 Speaker 1: Thank you. That was pretty good. That was like a 531 00:21:28,359 --> 00:21:30,400 Speaker 1: Sunday night movie. We watched it. I loved the book 532 00:21:30,640 --> 00:21:33,040 Speaker 1: A real cozy nothing too. 533 00:21:33,880 --> 00:21:36,480 Speaker 3: I thought that movie was cozy because it was like 534 00:21:36,560 --> 00:21:39,399 Speaker 3: different definitions, right, is a cozy thriller? 535 00:21:39,440 --> 00:21:41,200 Speaker 1: You try to figure out why she feels like she's 536 00:21:41,200 --> 00:21:43,200 Speaker 1: going crazy? But I gave that one three out of five. 537 00:21:43,359 --> 00:21:44,399 Speaker 1: After The Hunt. 538 00:21:44,480 --> 00:21:48,280 Speaker 3: The Julia roberts IOA Debris, I thought it was gonna 539 00:21:48,320 --> 00:21:48,640 Speaker 3: be better. 540 00:21:48,840 --> 00:21:52,119 Speaker 2: Yeah, listening the Dark Academia, it's too long. There was 541 00:21:52,160 --> 00:21:52,840 Speaker 2: too much talking. 542 00:21:53,080 --> 00:21:56,040 Speaker 1: It was the delivery of that movie, the style of 543 00:21:56,080 --> 00:21:59,439 Speaker 1: which everybody spoke and all the all the sequences together 544 00:21:59,600 --> 00:22:01,000 Speaker 1: just fell a little bit weird. 545 00:22:01,200 --> 00:22:03,639 Speaker 2: Yeah, it wasn't. It's the same director that did Challengers, 546 00:22:03,760 --> 00:22:06,359 Speaker 2: and it wasn't as action packed, Like you couldn't have 547 00:22:06,400 --> 00:22:08,959 Speaker 2: that kind of style without the action of Challengers. 548 00:22:09,119 --> 00:22:12,080 Speaker 1: Yeah, it felt like watching like the paints of a 549 00:22:12,119 --> 00:22:14,119 Speaker 1: masterpiece dry, where I was like, I know, this is 550 00:22:14,160 --> 00:22:17,080 Speaker 1: a really good painting, but I'm just watching it dry, 551 00:22:17,200 --> 00:22:18,600 Speaker 1: and then by the end of it you're like, Okay, 552 00:22:18,600 --> 00:22:21,280 Speaker 1: I get the story. That was good, but the delivery 553 00:22:21,359 --> 00:22:23,240 Speaker 1: was just a little bit boring and drawn out. 554 00:22:23,400 --> 00:22:26,560 Speaker 2: I need to know where she taught how to get 555 00:22:26,560 --> 00:22:27,520 Speaker 2: that apartment they lived in. 556 00:22:27,560 --> 00:22:30,560 Speaker 1: Because that was amazing, fantastic. They had a room where 557 00:22:30,560 --> 00:22:32,439 Speaker 1: all they do is listen to music. You know how 558 00:22:32,520 --> 00:22:34,639 Speaker 1: much money you have to have to have a room 559 00:22:34,880 --> 00:22:37,879 Speaker 1: where you just listen to music. They also didn't have kids, 560 00:22:38,280 --> 00:22:38,760 Speaker 1: that's true. 561 00:22:38,920 --> 00:22:40,280 Speaker 2: They have a lot of rooms in the house. 562 00:22:40,280 --> 00:22:43,280 Speaker 1: They have a swinging door to their kitchen. That was 563 00:22:43,359 --> 00:22:47,879 Speaker 1: so cool. These little things that I noticed about fancy 564 00:22:47,880 --> 00:22:53,080 Speaker 1: people in rich people's houses. I watched Play Dirty on Amazon, 565 00:22:53,280 --> 00:22:56,000 Speaker 1: which is a mark Wahlberg movie kind of the opposite 566 00:22:56,000 --> 00:22:58,720 Speaker 1: of Good Fortune. I went into it with really low expectations, 567 00:22:58,720 --> 00:23:01,280 Speaker 1: thinking Mark Wahlberg were just gonna play the same Mark 568 00:23:01,320 --> 00:23:04,000 Speaker 1: Wahlberg again and again. It's actually no bad three out 569 00:23:04,040 --> 00:23:07,640 Speaker 1: of five on that one. I watched Honey Don't on Peacock, 570 00:23:07,880 --> 00:23:11,720 Speaker 1: which was the Margaret Quayley Aubrey Plaza movie, same director 571 00:23:11,760 --> 00:23:14,480 Speaker 1: who did Driveaway Dolls. It almost feels like a sequel 572 00:23:14,520 --> 00:23:17,000 Speaker 1: to that movie, same kind of style, even though it's 573 00:23:17,000 --> 00:23:20,400 Speaker 1: set in modern day. It feels like a fifties detective movie. 574 00:23:20,960 --> 00:23:22,919 Speaker 1: Not as bad as people were saying. I give that 575 00:23:22,920 --> 00:23:24,680 Speaker 1: one a three out of five. I tried to watch 576 00:23:24,720 --> 00:23:27,399 Speaker 1: Megan two point oh also on Peacock, so bad I 577 00:23:27,400 --> 00:23:28,119 Speaker 1: couldn't finish it. 578 00:23:28,200 --> 00:23:30,520 Speaker 2: Alison Williams was also in that. She's the common factor 579 00:23:31,160 --> 00:23:33,480 Speaker 2: regretting you and I love Alison Williams. 580 00:23:33,560 --> 00:23:36,080 Speaker 1: I started Megan two point oh twice and couldn't get 581 00:23:36,080 --> 00:23:38,120 Speaker 1: past fifteen minutes because it was so bad. 582 00:23:38,359 --> 00:23:40,600 Speaker 2: You started Megan two point oh two point oh times. 583 00:23:40,440 --> 00:23:43,199 Speaker 1: Yeah, and it still can't get there and then deliver 584 00:23:43,280 --> 00:23:46,480 Speaker 1: me from nowhere. Bruce Springsteen movie three point five out 585 00:23:46,520 --> 00:23:49,040 Speaker 1: of five Your TV show for the month, I'm gonna go. 586 00:23:49,160 --> 00:23:51,120 Speaker 2: Mister Glenn Powell in Chad Powers. 587 00:23:51,480 --> 00:23:54,640 Speaker 1: Could you call that one a cozy comedy? Yes, cause 588 00:23:55,040 --> 00:23:57,919 Speaker 1: it's not so hilarious that you're like, oh my gosh, 589 00:23:57,920 --> 00:23:58,880 Speaker 1: you have to watch this show. 590 00:23:58,880 --> 00:24:02,000 Speaker 2: It is so funny, like slapstick humor, but it's it's 591 00:24:02,040 --> 00:24:04,360 Speaker 2: an elevated humor, which is almost harder to do. 592 00:24:04,640 --> 00:24:08,680 Speaker 1: It's as close as you can get to great comedy 593 00:24:08,720 --> 00:24:11,320 Speaker 1: in twenty twenty five when it comes to a series, Yes, 594 00:24:11,520 --> 00:24:15,040 Speaker 1: where the writing is good, the performances are good, but 595 00:24:15,080 --> 00:24:17,119 Speaker 1: maybe the story is a little bit too crazy to 596 00:24:17,119 --> 00:24:19,320 Speaker 1: be believable. Therefore you could find it a little bit 597 00:24:19,359 --> 00:24:20,359 Speaker 1: cornball at times. 598 00:24:20,680 --> 00:24:23,840 Speaker 2: Yeah, but it's He's funny, He's great as Chad Powers. 599 00:24:23,920 --> 00:24:25,800 Speaker 2: Steve Soon's hilarious. 600 00:24:26,040 --> 00:24:29,080 Speaker 1: I like that they actually use real college football teams 601 00:24:29,200 --> 00:24:30,880 Speaker 1: and it's not they're not all made up. It makes 602 00:24:30,920 --> 00:24:33,320 Speaker 1: it feel a little bit more realistic where they're actually 603 00:24:33,400 --> 00:24:36,119 Speaker 1: playing Georgia and all those kind of little pieces that 604 00:24:36,160 --> 00:24:38,320 Speaker 1: are like, Okay, maybe this could exist in this world 605 00:24:38,480 --> 00:24:42,080 Speaker 1: for TV show. I have Peacemaker season two. I love 606 00:24:42,160 --> 00:24:44,800 Speaker 1: the entire series up until the end because I think 607 00:24:44,840 --> 00:24:47,760 Speaker 1: what is happening now is James Gunn is starting to 608 00:24:47,760 --> 00:24:50,199 Speaker 1: do with DC what Marvel does and has everything connect 609 00:24:50,280 --> 00:24:53,199 Speaker 1: to each other. And I felt like towards the end 610 00:24:53,240 --> 00:24:55,360 Speaker 1: of the season, it was just queuing up the next 611 00:24:55,400 --> 00:24:58,119 Speaker 1: Superman movie. So it almost felt like, oh man, we 612 00:24:58,240 --> 00:25:01,800 Speaker 1: did not get the best entire season because this is 613 00:25:01,800 --> 00:25:05,880 Speaker 1: building towards something now. But very rarely do I watch 614 00:25:05,960 --> 00:25:08,920 Speaker 1: a superhero show and have real emotions. But there's one 615 00:25:08,920 --> 00:25:12,399 Speaker 1: scene in particular where I felt like crying because Peacemaker 616 00:25:12,440 --> 00:25:15,760 Speaker 1: goes through so much turmoil, has so much trauma, and 617 00:25:15,840 --> 00:25:17,840 Speaker 1: there was this moment where John Cena just kind of 618 00:25:17,880 --> 00:25:20,440 Speaker 1: let it all out, and I've never seen that side 619 00:25:20,480 --> 00:25:23,320 Speaker 1: of John Cena, and I felt so bad for his character. 620 00:25:23,400 --> 00:25:25,600 Speaker 1: I was like, wow, Like I did not expect something 621 00:25:25,600 --> 00:25:27,080 Speaker 1: to have this much emotional depth. 622 00:25:27,160 --> 00:25:28,640 Speaker 2: It is really hard to get you to cry. 623 00:25:28,800 --> 00:25:33,520 Speaker 1: Yeah, you usually take superhero movies though, like Endgame, That'll 624 00:25:33,520 --> 00:25:36,720 Speaker 1: give me Spider Man, no Way home, That'll get me 625 00:25:37,400 --> 00:25:37,960 Speaker 1: real life. 626 00:25:38,080 --> 00:25:38,359 Speaker 2: Man. 627 00:25:38,840 --> 00:25:40,920 Speaker 1: I'm good your book for the month. 628 00:25:41,480 --> 00:25:44,000 Speaker 2: I read a lot of books this month. I read 629 00:25:44,000 --> 00:25:45,520 Speaker 2: like ten or eleven. I've alread hit My goal for 630 00:25:45,520 --> 00:25:47,600 Speaker 2: the year I was seventy five and I'm in seventy six. 631 00:25:47,880 --> 00:25:51,080 Speaker 2: I'm Going to Go My Friends by Frederick Bachman, who 632 00:25:51,359 --> 00:25:53,760 Speaker 2: is wrote A Man called Ove, which is what a 633 00:25:53,800 --> 00:25:57,359 Speaker 2: man called Auto with Thommas Banks, was based on My Friends. 634 00:25:57,480 --> 00:25:59,560 Speaker 2: Was so good. And maybe it was just I was 635 00:25:59,600 --> 00:26:02,480 Speaker 2: in like a emotional mood when I read it, But 636 00:26:02,560 --> 00:26:04,840 Speaker 2: it just made me feel so many things. It's not 637 00:26:05,280 --> 00:26:07,560 Speaker 2: oh yeah, I remember you reading me an excerpt from it. 638 00:26:07,560 --> 00:26:12,399 Speaker 2: It's not super like plot driven necessarily, it's the characters. 639 00:26:12,960 --> 00:26:15,400 Speaker 2: But I had started it. I was reading it each 640 00:26:15,480 --> 00:26:17,680 Speaker 2: night and then I picked up on page like one 641 00:26:18,119 --> 00:26:20,400 Speaker 2: thirty a couple of weeks ago and read it until 642 00:26:20,440 --> 00:26:22,560 Speaker 2: eleven PM and finished because I was like, I can't 643 00:26:22,600 --> 00:26:25,560 Speaker 2: put this down, So I'm gonna go with that one. 644 00:26:25,600 --> 00:26:27,280 Speaker 2: But I read a lot of good ones. 645 00:26:27,320 --> 00:26:28,640 Speaker 1: What was it called again, my Friends? 646 00:26:28,840 --> 00:26:30,680 Speaker 2: Read a lot of good ones? So there was another one. 647 00:26:31,240 --> 00:26:31,440 Speaker 1: Oh. 648 00:26:31,760 --> 00:26:35,560 Speaker 2: I also read The Correspondent by Virginia Evans, which it's 649 00:26:35,600 --> 00:26:38,680 Speaker 2: about this older woman named Sybil and she like writes 650 00:26:38,720 --> 00:26:40,479 Speaker 2: and emails people, and the whole book is like her 651 00:26:40,560 --> 00:26:42,840 Speaker 2: letters and emails. It just was really good. It was 652 00:26:42,840 --> 00:26:44,480 Speaker 2: one of those characters that you're like, oh, I'm gonna 653 00:26:44,480 --> 00:26:46,719 Speaker 2: think about this for a long time after I read it. 654 00:26:46,760 --> 00:26:48,760 Speaker 2: Some books I read, and then the next day somebody's like, 655 00:26:48,800 --> 00:26:50,960 Speaker 2: what was that about? I don't know, check out the synopsis. 656 00:26:50,960 --> 00:26:52,159 Speaker 2: I'm gotta readn't tell you. 657 00:26:52,760 --> 00:26:54,639 Speaker 1: Yeah. I feel that way about movies sometimes. 658 00:26:54,800 --> 00:26:56,920 Speaker 2: When you said I don't even remember what the Bruce 659 00:26:56,960 --> 00:27:00,439 Speaker 2: Springsteen movie was called, I remember the name. When you 660 00:27:00,440 --> 00:27:02,359 Speaker 2: said that earlier, I was like, what was that movie? 661 00:27:02,920 --> 00:27:06,119 Speaker 1: The way that I do reviews, I get so invested 662 00:27:06,119 --> 00:27:08,800 Speaker 1: in one movie for a very brief period of time, 663 00:27:08,880 --> 00:27:11,399 Speaker 1: like two days, that is all I'm consumed with, and 664 00:27:11,440 --> 00:27:13,840 Speaker 1: then after those two days, it just kind of leaves 665 00:27:13,880 --> 00:27:16,360 Speaker 1: my head until, like I randomly think of another movie 666 00:27:16,400 --> 00:27:17,000 Speaker 1: it connects to you. 667 00:27:17,320 --> 00:27:19,200 Speaker 2: I've been reading a lot of good books lately, though. 668 00:27:19,200 --> 00:27:22,000 Speaker 2: There's been quite a few, and I think I've updated 669 00:27:22,000 --> 00:27:24,120 Speaker 2: my good Reads with all of them for those who follow. 670 00:27:24,200 --> 00:27:27,240 Speaker 1: Should we put that in the notes? Yes, we'll put 671 00:27:27,240 --> 00:27:27,720 Speaker 1: that in there. 672 00:27:28,520 --> 00:27:33,040 Speaker 2: Anything else, No, I gotta go put her Christmas Tree up? Yeah, 673 00:27:33,040 --> 00:27:36,280 Speaker 2: so early listen it brings me joy. 674 00:27:36,480 --> 00:27:38,400 Speaker 1: It's November and you're like, Christmas Tree. 675 00:27:38,520 --> 00:27:40,199 Speaker 2: Do you not remember during the pandemic when we put 676 00:27:40,240 --> 00:27:42,160 Speaker 2: it up in April and left it up for. 677 00:27:42,160 --> 00:27:47,400 Speaker 1: Quite some time. We're very depressed at that time. But yes, 678 00:27:47,440 --> 00:27:48,240 Speaker 1: that was very early. 679 00:27:48,520 --> 00:27:52,040 Speaker 2: I'm just saying it brings joy sparks joy especially it's 680 00:27:52,080 --> 00:27:54,879 Speaker 2: like so gray this week here, I need just like 681 00:27:55,000 --> 00:27:55,840 Speaker 2: twinkle lights. 682 00:27:55,880 --> 00:27:58,000 Speaker 1: All right, I'll come back and I'll give my spoiler 683 00:27:58,040 --> 00:28:01,920 Speaker 1: free review of ill On. Yeah, now you're saying differently Boganya. 684 00:28:02,040 --> 00:28:02,119 Speaker 3: No. 685 00:28:02,200 --> 00:28:06,200 Speaker 2: Earlier it was Bougonia. Now you're saying Bogonia, Bogonia. Which 686 00:28:06,240 --> 00:28:10,040 Speaker 2: syllable are you renunciating Bogona? All right? Please tell me. 687 00:28:14,080 --> 00:28:16,840 Speaker 1: Let's get into it now. A spoiler free movie review 688 00:28:16,920 --> 00:28:20,720 Speaker 1: of Bogonia, one of my most anticipated movies of the 689 00:28:20,840 --> 00:28:25,200 Speaker 1: year from director Yorgoslante Moos, Starring Emma Stone Jesse Plemons. 690 00:28:25,600 --> 00:28:28,960 Speaker 1: What this movie is about. Emma Stone plays a high 691 00:28:29,040 --> 00:28:34,080 Speaker 1: profile CEO at a pharmaceutical company. Jesse Plemons plays a 692 00:28:34,119 --> 00:28:37,680 Speaker 1: guy who is obsessed with conspiracy theories. He has been 693 00:28:38,480 --> 00:28:42,320 Speaker 1: just diving into all of these theories about Emma Stone's 694 00:28:42,440 --> 00:28:46,120 Speaker 1: character and why he believes that she is an alien 695 00:28:46,360 --> 00:28:49,160 Speaker 1: hiding in plane site and what does he decide to do? 696 00:28:49,320 --> 00:28:52,840 Speaker 1: He decides to take action. He along with his cousin, 697 00:28:53,360 --> 00:28:56,080 Speaker 1: capture Emma Stone at the beginning of the movie and 698 00:28:56,200 --> 00:28:59,440 Speaker 1: then hold her hostage. The movie is adapted from a 699 00:28:59,440 --> 00:29:02,120 Speaker 1: two thousand three movie from South Korea called Save the 700 00:29:02,160 --> 00:29:05,080 Speaker 1: Green Planet. And that's really all you need to know. 701 00:29:05,960 --> 00:29:09,880 Speaker 1: This movie was truly something special. And sometimes I'm guarded 702 00:29:09,960 --> 00:29:11,720 Speaker 1: a little bit when talking about a movie that I 703 00:29:11,800 --> 00:29:15,640 Speaker 1: love so much because I worry about overhyping it to you. 704 00:29:16,360 --> 00:29:18,000 Speaker 1: This is the case. I'm gonna tell you right now, 705 00:29:18,120 --> 00:29:19,880 Speaker 1: I am going to over hype the crap out of 706 00:29:19,920 --> 00:29:22,480 Speaker 1: this movie because I loved it so much. Great movies 707 00:29:22,520 --> 00:29:25,800 Speaker 1: suspend you in time and make you feel truly like 708 00:29:25,920 --> 00:29:28,000 Speaker 1: you have escaped this world that we are living in. 709 00:29:28,800 --> 00:29:30,920 Speaker 1: Just so happens to be a movie about somebody being 710 00:29:31,000 --> 00:29:33,920 Speaker 1: accused of being an alien and wanting to contact their 711 00:29:33,960 --> 00:29:37,959 Speaker 1: mother's ship. But that is truly something so special if 712 00:29:38,040 --> 00:29:40,720 Speaker 1: you just think about what watching a movie is, which 713 00:29:40,760 --> 00:29:44,240 Speaker 1: I've had a really weird just realization as everything's gone 714 00:29:44,280 --> 00:29:48,120 Speaker 1: to digital, you're really just watching a file being put 715 00:29:48,200 --> 00:29:50,040 Speaker 1: on the screen. Although in this case, we saw it 716 00:29:50,080 --> 00:29:52,840 Speaker 1: at the Bellcourt here in Nashville on thirty five millimeters, 717 00:29:52,880 --> 00:29:54,480 Speaker 1: so I did get that level of warm to it. 718 00:29:54,760 --> 00:29:56,280 Speaker 1: I love that Right at the beginning of the movie, 719 00:29:56,320 --> 00:29:58,400 Speaker 1: you see that little circle in the right corner of 720 00:29:58,480 --> 00:30:01,520 Speaker 1: the screen wherever they put that film real on, so 721 00:30:01,680 --> 00:30:03,720 Speaker 1: it did have that level of warmth to it seeing 722 00:30:03,760 --> 00:30:06,080 Speaker 1: it in thirty five millimeters, which I would highly recommend 723 00:30:06,440 --> 00:30:08,480 Speaker 1: you get all those rich colors, And I think, what 724 00:30:08,560 --> 00:30:12,800 Speaker 1: the Yorgoslantinos movie that really benefits from it. But when 725 00:30:12,840 --> 00:30:15,479 Speaker 1: you just think about what watching a movie is, as 726 00:30:15,560 --> 00:30:18,160 Speaker 1: you're sitting in front of a screen and you're having 727 00:30:18,240 --> 00:30:21,880 Speaker 1: information put into your eyeballs, it is very rare to 728 00:30:22,120 --> 00:30:26,320 Speaker 1: be sitting in that seat having that process done where 729 00:30:26,360 --> 00:30:30,320 Speaker 1: you truly feel something that makes you question your morals. 730 00:30:30,840 --> 00:30:33,200 Speaker 1: And I was talking about earlier how I've been going 731 00:30:33,240 --> 00:30:36,160 Speaker 1: through this thing recently where I start to feel for 732 00:30:36,360 --> 00:30:38,320 Speaker 1: the bad person in the movie. I don't want to 733 00:30:38,360 --> 00:30:40,800 Speaker 1: call them villains, because I don't think they're always villains, 734 00:30:41,360 --> 00:30:46,080 Speaker 1: but Jesse Plemmon's character is an anti hero, and throughout 735 00:30:46,160 --> 00:30:49,640 Speaker 1: this movie it will have you questioning who you believe 736 00:30:50,440 --> 00:30:52,920 Speaker 1: and who you are rooting for. And I found myself 737 00:30:52,960 --> 00:30:57,640 Speaker 1: feeling very empathetic towards this character learning all the details 738 00:30:57,760 --> 00:31:01,360 Speaker 1: about why he is doing this that I started rooting 739 00:31:01,400 --> 00:31:03,600 Speaker 1: for him. But then I thought if this happened in 740 00:31:03,920 --> 00:31:06,480 Speaker 1: the real world, I would not be rooting for this guy. 741 00:31:06,800 --> 00:31:09,920 Speaker 1: And the question this movie raises is jesse Plemmon's character 742 00:31:10,080 --> 00:31:13,880 Speaker 1: a madman or is he somebody that is seeing something 743 00:31:14,000 --> 00:31:17,200 Speaker 1: that nobody else can see? And then you have Emma Stone, 744 00:31:17,320 --> 00:31:21,200 Speaker 1: who did nothing wrong. She's just a high profile CEO. 745 00:31:21,360 --> 00:31:25,240 Speaker 1: Some people have problems with those types of people because 746 00:31:25,280 --> 00:31:28,360 Speaker 1: of how rich she is, because in order to get 747 00:31:28,400 --> 00:31:32,560 Speaker 1: to that level of power, you probably have to do 748 00:31:32,760 --> 00:31:35,240 Speaker 1: some shady things. Very rarely you don't, but in this 749 00:31:35,360 --> 00:31:38,280 Speaker 1: case you get to know her character and then suddenly 750 00:31:38,480 --> 00:31:41,040 Speaker 1: she is being kidnapped, so she did nothing wrong. But 751 00:31:41,320 --> 00:31:44,320 Speaker 1: I also found myself rooting for him more, rooting for 752 00:31:44,440 --> 00:31:48,840 Speaker 1: her more. It'll have you just questioning your entire reality 753 00:31:48,880 --> 00:31:51,120 Speaker 1: when it comes to who is in the right here? 754 00:31:51,680 --> 00:31:54,440 Speaker 1: Who is in the wrong. Do you believe that she 755 00:31:54,640 --> 00:31:57,360 Speaker 1: is an alien like jesse Plemon's character thinks that she is, 756 00:31:58,160 --> 00:32:00,720 Speaker 1: or is he somebody who has just been in this 757 00:32:00,960 --> 00:32:04,600 Speaker 1: echo chamber? That is a result of him spending so 758 00:32:04,760 --> 00:32:08,360 Speaker 1: much time online reading all these theories, only having the 759 00:32:08,480 --> 00:32:12,560 Speaker 1: negative thoughts in his head reinforced, therefore making it build 760 00:32:12,640 --> 00:32:15,760 Speaker 1: up so much in his head that he thought kidnapping 761 00:32:15,800 --> 00:32:19,440 Speaker 1: a CEO was actually the right thing. To do because 762 00:32:19,480 --> 00:32:22,040 Speaker 1: he's just trying to save the world. When it comes 763 00:32:22,080 --> 00:32:26,200 Speaker 1: to Yorgoslantio's movies, he is a director that is an 764 00:32:26,200 --> 00:32:30,840 Speaker 1: acquired taste, but his movies feel so authentically him, and 765 00:32:30,960 --> 00:32:34,160 Speaker 1: I think of his most recent movies, this is the 766 00:32:34,320 --> 00:32:38,520 Speaker 1: most easily digestible where I couldn't really recommend you of 767 00:32:38,640 --> 00:32:41,640 Speaker 1: Poor Things unless you're into really weird movies with a 768 00:32:41,680 --> 00:32:44,800 Speaker 1: lot of nudity. Kinds of Kindness was even a bit 769 00:32:44,840 --> 00:32:47,720 Speaker 1: of a hard sell on me. My introduction to him 770 00:32:47,880 --> 00:32:51,360 Speaker 1: was back with the Lobster. I didn't entirely love that one, 771 00:32:51,480 --> 00:32:53,600 Speaker 1: but then when I saw the Favorite, I was like, Okay, 772 00:32:53,920 --> 00:32:56,360 Speaker 1: I understand this guy. Now, I get it. Which he 773 00:32:56,440 --> 00:32:58,560 Speaker 1: has been working with Emma Stone now for a while, 774 00:32:58,680 --> 00:33:01,040 Speaker 1: so I feel like there there's a lot of trust there. 775 00:33:01,520 --> 00:33:03,320 Speaker 1: And to do a movie like this, to do any 776 00:33:03,360 --> 00:33:06,200 Speaker 1: of his previous movies, you need to have a lot 777 00:33:06,320 --> 00:33:12,000 Speaker 1: of trust. Because Emma Stone actually shaved her head for Begonia. 778 00:33:12,400 --> 00:33:15,120 Speaker 1: You actually see it happen in this movie when she 779 00:33:15,320 --> 00:33:18,560 Speaker 1: is captured, which was also in the trailer, they shave 780 00:33:18,640 --> 00:33:21,600 Speaker 1: her head. That is Emma Stone committing to this role 781 00:33:22,280 --> 00:33:24,760 Speaker 1: for lack of a better word, That is Oscar stuff 782 00:33:24,840 --> 00:33:26,320 Speaker 1: right there. I wish I could curse. I'm not going 783 00:33:26,400 --> 00:33:29,680 Speaker 1: to curse. But that is what that level of acting is. 784 00:33:30,040 --> 00:33:32,840 Speaker 1: That is why she is an Academy Award winner because 785 00:33:32,840 --> 00:33:35,840 Speaker 1: it takes that level of dedication. She didn't know what 786 00:33:36,000 --> 00:33:38,040 Speaker 1: was going to be hiding for her underneath her head 787 00:33:38,120 --> 00:33:41,320 Speaker 1: once she shaved it. And I did see that after 788 00:33:41,440 --> 00:33:43,520 Speaker 1: she shaved her head, she realized she had these two 789 00:33:43,600 --> 00:33:46,240 Speaker 1: moles that she got removed because she couldn't live with it. 790 00:33:46,680 --> 00:33:48,880 Speaker 1: I could not shave my head fully because I know, 791 00:33:49,760 --> 00:33:52,320 Speaker 1: I know I have a weird head underneath this hair 792 00:33:52,880 --> 00:33:56,240 Speaker 1: that is just lopsided. Probably a role. I probably have 793 00:33:56,400 --> 00:33:58,280 Speaker 1: some mold or some weird things going on there. I 794 00:33:58,360 --> 00:34:00,800 Speaker 1: know I have some scars I got when I was 795 00:34:00,840 --> 00:34:03,200 Speaker 1: a kid. I know it's probably not as crazy for 796 00:34:03,280 --> 00:34:05,120 Speaker 1: a guy to have to shave their head for a role, 797 00:34:05,600 --> 00:34:07,760 Speaker 1: but that is next level stuff. It is the thing 798 00:34:07,880 --> 00:34:10,279 Speaker 1: she is willing to do to change her body for 799 00:34:10,400 --> 00:34:13,440 Speaker 1: a role. But not only that, she is somebody who 800 00:34:13,600 --> 00:34:16,720 Speaker 1: is such a dial in actor. Her and Jesse Plemmons 801 00:34:16,760 --> 00:34:20,399 Speaker 1: together was so magnificent to watch their back and forth 802 00:34:20,520 --> 00:34:23,440 Speaker 1: on screen, where there are these two forces just butting 803 00:34:23,520 --> 00:34:27,160 Speaker 1: heads against each other, where her character is so great 804 00:34:27,280 --> 00:34:31,080 Speaker 1: at communicating and so great at diffusing a situation. She 805 00:34:31,200 --> 00:34:34,400 Speaker 1: portrays a CEO in a way I haven't seen done before, 806 00:34:34,800 --> 00:34:38,799 Speaker 1: where you know, every conversation she has has to end 807 00:34:38,880 --> 00:34:41,160 Speaker 1: the way that she wants it to. And this was 808 00:34:41,280 --> 00:34:44,360 Speaker 1: probably the first time in her life as a character 809 00:34:44,840 --> 00:34:47,040 Speaker 1: where she was met with resistance, where she didn't know 810 00:34:47,120 --> 00:34:49,040 Speaker 1: what to say. She didn't know how to get out 811 00:34:49,040 --> 00:34:52,279 Speaker 1: of this situation, but she didn't have this catalog of 812 00:34:52,360 --> 00:34:55,760 Speaker 1: how to work with somebody who was not mentally stable. 813 00:34:56,239 --> 00:34:59,320 Speaker 1: That was a really interesting dynamic to watch when it 814 00:34:59,440 --> 00:35:02,759 Speaker 1: comes to asking for this movie completely nailed it. And 815 00:35:02,840 --> 00:35:04,719 Speaker 1: I know your Ghosts has been working with both of 816 00:35:04,760 --> 00:35:07,279 Speaker 1: those actors for a very long time. And you may think, well, 817 00:35:07,320 --> 00:35:08,960 Speaker 1: he just went to his muses and put them two 818 00:35:09,040 --> 00:35:12,240 Speaker 1: together in a movie, so maybe not the most adventurous casting, 819 00:35:12,360 --> 00:35:16,799 Speaker 1: but you realize why it works so well because they 820 00:35:16,840 --> 00:35:19,600 Speaker 1: were just having these conversations and it felt like you 821 00:35:19,680 --> 00:35:23,120 Speaker 1: were watching a bomb go off. And quite possibly one 822 00:35:23,160 --> 00:35:26,560 Speaker 1: of the most surprising things is that Bogonia didn't have 823 00:35:26,640 --> 00:35:29,399 Speaker 1: any crazy nudity, and that is quite the accomplishment coming 824 00:35:29,520 --> 00:35:31,920 Speaker 1: off of poor things and kinds of kindness, which was 825 00:35:32,040 --> 00:35:34,520 Speaker 1: loaded chock full of it. I would say, that's your 826 00:35:34,560 --> 00:35:37,800 Speaker 1: ghost's calling card is hey, you know, would make this 827 00:35:37,920 --> 00:35:40,840 Speaker 1: scene better. Let's make these two people naked. Not the 828 00:35:41,000 --> 00:35:44,320 Speaker 1: case with Bogonia. This movie is so absurd in the 829 00:35:44,440 --> 00:35:47,719 Speaker 1: best way. And there was this one particular moment where 830 00:35:47,760 --> 00:35:50,719 Speaker 1: I felt it go next level where there was this 831 00:35:50,880 --> 00:35:52,960 Speaker 1: switch in my brain that said, Okay, this is a 832 00:35:53,000 --> 00:35:55,439 Speaker 1: good movie. This is a good movie, and this scene 833 00:35:55,480 --> 00:35:59,400 Speaker 1: in particular flip that switch and went to a great movie. 834 00:35:59,640 --> 00:36:03,080 Speaker 1: Because I look at everybody involved in this they're just 835 00:36:03,280 --> 00:36:07,400 Speaker 1: all on a different playing field when it comes to storytelling, 836 00:36:07,719 --> 00:36:10,239 Speaker 1: when it comes to acting, when it comes to dedication, 837 00:36:10,440 --> 00:36:13,840 Speaker 1: when it comes to just treating every scene like this 838 00:36:14,200 --> 00:36:16,800 Speaker 1: is the scene. There were so many instances of that 839 00:36:16,960 --> 00:36:19,520 Speaker 1: throughout the entire film, where this is a movie that 840 00:36:19,560 --> 00:36:22,080 Speaker 1: I feel is going to have a high rewatchability for 841 00:36:22,200 --> 00:36:24,120 Speaker 1: me because there are gonna be things that I want 842 00:36:24,160 --> 00:36:26,600 Speaker 1: to go back and see that I missed. I also 843 00:36:26,760 --> 00:36:30,400 Speaker 1: think this movie proposes so many questions that you can 844 00:36:30,480 --> 00:36:33,239 Speaker 1: dive into and have your own theories on. Even the 845 00:36:33,360 --> 00:36:36,319 Speaker 1: title of the movie itself is a little bit ambiguous, 846 00:36:36,680 --> 00:36:39,800 Speaker 1: where they named it this for a particular reason, but 847 00:36:39,880 --> 00:36:43,440 Speaker 1: it can also be open to interpretation, especially once you 848 00:36:44,080 --> 00:36:47,080 Speaker 1: watch the film, you find out what happens, you get 849 00:36:47,160 --> 00:36:50,480 Speaker 1: all these questions answered, then you can ask more questions, 850 00:36:50,760 --> 00:36:53,160 Speaker 1: and that is a sign of a great film, a 851 00:36:53,280 --> 00:36:56,960 Speaker 1: movie that stays with you and leaves some things open 852 00:36:57,040 --> 00:37:00,359 Speaker 1: for your own interpretation, which I think lately a lot 853 00:37:00,440 --> 00:37:03,160 Speaker 1: of films have been playing it so safe, where they 854 00:37:03,280 --> 00:37:07,840 Speaker 1: tell you every single thing, every single detail, every little 855 00:37:07,920 --> 00:37:10,120 Speaker 1: thing ends up with a nice little bow, want it 856 00:37:10,200 --> 00:37:12,360 Speaker 1: by the end of it, And I think that is boring, 857 00:37:12,480 --> 00:37:15,840 Speaker 1: and some people want every single question answered. I'm not 858 00:37:15,960 --> 00:37:18,400 Speaker 1: one of those people. I think great art should be 859 00:37:18,520 --> 00:37:21,560 Speaker 1: open ended, and I wish more directors took that risk. 860 00:37:21,760 --> 00:37:24,160 Speaker 1: And I think sometimes because of maybe that Marvel movie 861 00:37:24,280 --> 00:37:27,719 Speaker 1: mentality where we don't have all these questions answered by 862 00:37:27,760 --> 00:37:29,680 Speaker 1: the end of it, we don't get a post credit 863 00:37:29,719 --> 00:37:32,319 Speaker 1: scene teeing up the next movie, we feel a little 864 00:37:32,320 --> 00:37:36,840 Speaker 1: bit ripped off. I love those instances. Use your imagination, people. 865 00:37:37,640 --> 00:37:40,040 Speaker 1: I only think the hard sell of this movie is 866 00:37:40,120 --> 00:37:43,000 Speaker 1: the fact that it is kind of a weird concept, 867 00:37:43,320 --> 00:37:45,920 Speaker 1: even though it is what I believe to be your 868 00:37:46,000 --> 00:37:50,439 Speaker 1: goss at least of this decade his most digestible work. 869 00:37:50,680 --> 00:37:52,400 Speaker 1: I still think this movie will be a little bit 870 00:37:52,480 --> 00:37:54,920 Speaker 1: off putting to some, but these are the types of 871 00:37:55,040 --> 00:37:58,319 Speaker 1: movies I seek out. I have to have at least 872 00:37:58,400 --> 00:38:01,239 Speaker 1: one of these every single year to inspire me again, 873 00:38:01,800 --> 00:38:03,719 Speaker 1: to make it feel like I'm not watching the same 874 00:38:03,800 --> 00:38:06,359 Speaker 1: thing over and over and talking about the same types 875 00:38:06,400 --> 00:38:09,359 Speaker 1: of movies again and again. This movie is a full 876 00:38:09,480 --> 00:38:13,520 Speaker 1: course meal to me. It has the appetizer, the amazing entree, 877 00:38:14,000 --> 00:38:17,359 Speaker 1: the wonderful dessert, maybe even a little cup of cappuccino 878 00:38:17,480 --> 00:38:20,640 Speaker 1: at the end. This movie has it all. And if 879 00:38:20,719 --> 00:38:23,240 Speaker 1: you end up watching it or have seen it already 880 00:38:23,360 --> 00:38:26,160 Speaker 1: and didn't enjoy it, what do you enjoy it? I 881 00:38:26,239 --> 00:38:28,400 Speaker 1: really want to know. Maybe you are not into the 882 00:38:28,480 --> 00:38:31,560 Speaker 1: idea of conspiracy theories, maybe you don't like aliens, maybe 883 00:38:31,600 --> 00:38:33,920 Speaker 1: you just don't like this form of storytelling. For me, 884 00:38:34,200 --> 00:38:36,520 Speaker 1: I feel this movie had it all. It was so 885 00:38:36,719 --> 00:38:41,760 Speaker 1: close to perfection. I even got this little commemorative film strip, 886 00:38:42,120 --> 00:38:44,359 Speaker 1: which is really cool with some big scenes from the movie. 887 00:38:44,400 --> 00:38:47,040 Speaker 1: If you're watching on YouTube, you can see me holding it, 888 00:38:47,080 --> 00:38:50,480 Speaker 1: although it doesn't show up that great on camera. But 889 00:38:50,600 --> 00:38:52,640 Speaker 1: I was such a nerd for this movie. Going into 890 00:38:52,719 --> 00:38:55,040 Speaker 1: it that I saw they were gonna have these limited 891 00:38:55,200 --> 00:38:57,839 Speaker 1: editions and you know, anything collectible I got to get 892 00:38:57,880 --> 00:39:00,680 Speaker 1: my hands on. We got there probably twenty minutes early, 893 00:39:00,880 --> 00:39:02,839 Speaker 1: and I was like, man, I hope they don't run 894 00:39:02,920 --> 00:39:05,080 Speaker 1: out of those strips. They still had a lot of them. 895 00:39:05,080 --> 00:39:06,880 Speaker 1: I think I was the only one excited for this, 896 00:39:07,680 --> 00:39:11,000 Speaker 1: but pretty cool. I love any kind of little piece 897 00:39:11,040 --> 00:39:13,680 Speaker 1: of memorabilia now that we don't have ticket stubs, like 898 00:39:13,760 --> 00:39:15,919 Speaker 1: all my ticket stubs that are in my regal lamp, 899 00:39:16,120 --> 00:39:18,320 Speaker 1: since we don't have those, and I don't buy a 900 00:39:18,400 --> 00:39:21,160 Speaker 1: whole lot of popcorn buckets just because I have the 901 00:39:21,200 --> 00:39:23,120 Speaker 1: big stitch one in the studio and it kind of 902 00:39:23,160 --> 00:39:25,600 Speaker 1: takes up all to space. I love these little things 903 00:39:25,640 --> 00:39:27,600 Speaker 1: that they can do to give you something to take 904 00:39:27,640 --> 00:39:31,160 Speaker 1: home from the movie. So for Begonia, it is rare 905 00:39:31,200 --> 00:39:33,600 Speaker 1: for me to give out of five. I'm not gonna 906 00:39:33,600 --> 00:39:35,640 Speaker 1: do it here. It is really close. But I am 907 00:39:35,760 --> 00:39:38,360 Speaker 1: just so hype coming off this movie. The fact that 908 00:39:38,440 --> 00:39:42,360 Speaker 1: I went in with such high expectations and those expectations 909 00:39:42,400 --> 00:39:45,719 Speaker 1: were not only met, but I feel like even exceeded 910 00:39:45,760 --> 00:39:47,839 Speaker 1: at moments because it took it to the next level. 911 00:39:48,160 --> 00:39:50,719 Speaker 1: For Bogonia. I give it four point five out of 912 00:39:50,840 --> 00:39:58,080 Speaker 1: five shaved heads. It's time to head down to movie mics. 913 00:39:58,320 --> 00:40:01,960 Speaker 1: Traylor Paul. What if you survived a plane crash ended 914 00:40:02,040 --> 00:40:05,840 Speaker 1: up on a desert island. On that desert island, there 915 00:40:05,960 --> 00:40:08,920 Speaker 1: was one other person, But it is the person in 916 00:40:09,080 --> 00:40:12,160 Speaker 1: life that you hate the most. That is the premise 917 00:40:12,239 --> 00:40:16,040 Speaker 1: of this new movie starring Rachel McAdams Dylan O'Brien. It's 918 00:40:16,080 --> 00:40:19,880 Speaker 1: called Send Help because their relationship is not good in 919 00:40:20,000 --> 00:40:23,440 Speaker 1: this and they are coworkers. Dylan O'Brien plays her boss. 920 00:40:24,080 --> 00:40:27,479 Speaker 1: He is a jerk. He belittles her at work, makes 921 00:40:27,560 --> 00:40:29,840 Speaker 1: fun of her appearance, makes fun of the way that 922 00:40:30,000 --> 00:40:34,040 Speaker 1: she smells. She hates this guy. They go on a 923 00:40:34,080 --> 00:40:37,080 Speaker 1: work trip together. He's even a jerk on the plane 924 00:40:37,120 --> 00:40:41,200 Speaker 1: to other people. Plane goes down. They are the only 925 00:40:41,440 --> 00:40:44,800 Speaker 1: two survivors end up on a desert island, and suddenly 926 00:40:45,120 --> 00:40:48,880 Speaker 1: there is now a shift in who is in power 927 00:40:49,239 --> 00:40:53,480 Speaker 1: because Rachel McAdams's character is really good at surviving. She 928 00:40:53,600 --> 00:40:55,759 Speaker 1: can hunt, she can fish, she can do all these 929 00:40:55,960 --> 00:40:59,680 Speaker 1: things in order to survive on this island by herself 930 00:41:00,040 --> 00:41:01,719 Speaker 1: and need his help because he gets injured in this 931 00:41:01,800 --> 00:41:05,560 Speaker 1: plane crash, and then he still thinks that this is 932 00:41:05,719 --> 00:41:08,520 Speaker 1: just the office. I can treat her the exact same 933 00:41:08,560 --> 00:41:12,879 Speaker 1: way I am her boss. But suddenly she's like, out here, 934 00:41:13,560 --> 00:41:16,400 Speaker 1: you're not my boss. I'm the one keeping us alive. 935 00:41:17,000 --> 00:41:20,239 Speaker 1: Now you have to listen to me. What would you 936 00:41:20,360 --> 00:41:22,920 Speaker 1: do in that situation? I am lucky enough. If I 937 00:41:23,200 --> 00:41:26,080 Speaker 1: was trapped on a desert island with my boss, I 938 00:41:26,120 --> 00:41:28,480 Speaker 1: would not be in a nightmare situation. Aside from not 939 00:41:28,600 --> 00:41:31,200 Speaker 1: having Wi Fi and air conditioning, we would have a 940 00:41:31,280 --> 00:41:33,920 Speaker 1: good time. But before we get into more about why 941 00:41:34,040 --> 00:41:37,200 Speaker 1: I love these two actors coming together, it's from director 942 00:41:37,239 --> 00:41:40,000 Speaker 1: Sam Raimi, who I'm also a big fan of. Here's 943 00:41:40,160 --> 00:41:42,200 Speaker 1: just a little bit of the Send Help trailer coming 944 00:41:42,280 --> 00:41:46,440 Speaker 1: out on January thirtieth, The Coach join the Land of 945 00:41:46,520 --> 00:41:50,719 Speaker 1: the Living? How long keep it out? 946 00:41:51,000 --> 00:41:53,560 Speaker 2: Day and a half? If you tried making a distress 947 00:41:53,680 --> 00:41:55,040 Speaker 2: signal or a bigger. 948 00:41:54,880 --> 00:42:00,640 Speaker 1: Fire, I was busy trying to keep us alive, but 949 00:42:00,840 --> 00:42:01,719 Speaker 1: getting us out of here. 950 00:42:01,840 --> 00:42:04,759 Speaker 2: That should be your focus, not being Susie homemaker over here. 951 00:42:04,960 --> 00:42:06,000 Speaker 2: What did you just said to me? 952 00:42:06,840 --> 00:42:09,360 Speaker 1: Let's not forget I'm your boss, you work for me. 953 00:42:09,960 --> 00:42:11,760 Speaker 2: We're not in the office anymore. Bradley. 954 00:42:13,400 --> 00:42:16,000 Speaker 1: That line goes hard right there. We're not in the 955 00:42:16,080 --> 00:42:19,640 Speaker 1: office anymore, Bradley, and you can hear the shift in 956 00:42:19,760 --> 00:42:22,440 Speaker 1: her character right there, and then you see her get 957 00:42:22,560 --> 00:42:26,040 Speaker 1: really dark and you start wondering, how did she learn 958 00:42:26,200 --> 00:42:28,640 Speaker 1: all these skills? How does she know how to cut 959 00:42:28,719 --> 00:42:30,960 Speaker 1: the head off of a bore? How does she know 960 00:42:31,040 --> 00:42:34,120 Speaker 1: how to hunt with this spear that she just built herself. 961 00:42:34,440 --> 00:42:37,120 Speaker 1: There has to be some kind of crazy backstory to 962 00:42:37,280 --> 00:42:40,640 Speaker 1: her and something that makes her snap to now quite 963 00:42:40,760 --> 00:42:44,080 Speaker 1: possibly being a person who has taking out their boss 964 00:42:44,719 --> 00:42:49,480 Speaker 1: on their radar. Dylan O'Brien and Rachel McAdams look great together. 965 00:42:50,120 --> 00:42:53,120 Speaker 1: I feel like they are both underappreciated actors. What I 966 00:42:53,239 --> 00:42:55,759 Speaker 1: always like to do is go over to IMDb and 967 00:42:55,880 --> 00:42:59,120 Speaker 1: see what they list as their top four movies, which 968 00:42:59,120 --> 00:43:01,560 Speaker 1: I think the way they kind of determined those is 969 00:43:01,600 --> 00:43:04,840 Speaker 1: the ones that people search for the most on their website. 970 00:43:05,080 --> 00:43:09,400 Speaker 1: But for Rachel McAdams it is The Notebook, obviously, Mean Girls, 971 00:43:09,480 --> 00:43:14,440 Speaker 1: Regina George, obviously Red Eye, and the Vow. For Dylan O'Brien. 972 00:43:15,040 --> 00:43:17,680 Speaker 1: First one is actually not a movie, Teen Wolf, the 973 00:43:17,760 --> 00:43:19,960 Speaker 1: TV show which I was not that big a fan of. 974 00:43:20,360 --> 00:43:23,359 Speaker 1: I feel like I'm more of a twenty twenties fan 975 00:43:23,520 --> 00:43:26,640 Speaker 1: of Dylan O'Brien, especially what he's doing now with this 976 00:43:26,800 --> 00:43:29,960 Speaker 1: movie coming out next year, and Twin List was one 977 00:43:29,960 --> 00:43:33,440 Speaker 1: of my favorite just hidden gems that I found earlier 978 00:43:33,560 --> 00:43:36,319 Speaker 1: this year. So I don't really associate him with Teen 979 00:43:36,400 --> 00:43:39,319 Speaker 1: Wolf The Maze Runner, I think is what the most 980 00:43:39,440 --> 00:43:42,719 Speaker 1: people associate Dylan O'Brien with, even though when it comes 981 00:43:42,760 --> 00:43:45,759 Speaker 1: to dystopian science fiction movies, those aren't my go to. 982 00:43:45,920 --> 00:43:47,520 Speaker 1: I'm more of a Hunger Games guy, and I know 983 00:43:47,600 --> 00:43:51,719 Speaker 1: those movies aren't entirely the same, completely different franchises, but 984 00:43:51,960 --> 00:43:54,879 Speaker 1: during that period of time where I feel like all 985 00:43:54,960 --> 00:43:57,400 Speaker 1: those movie rights got bottom and they all got released 986 00:43:57,440 --> 00:43:59,960 Speaker 1: in the twenty tens, those kind of run to get 987 00:44:00,080 --> 00:44:02,600 Speaker 1: other with all those But I'm definitely more of a 988 00:44:02,680 --> 00:44:04,759 Speaker 1: Hunger Games guy. But I know he made a lot 989 00:44:04,840 --> 00:44:07,520 Speaker 1: of money and gained a lot of recognition through those movies. 990 00:44:08,160 --> 00:44:11,400 Speaker 1: I associate him more with the year of twenty twenty. 991 00:44:11,920 --> 00:44:15,680 Speaker 1: Love and Monsters was probably my favorite movie to come 992 00:44:15,760 --> 00:44:18,800 Speaker 1: out of the COVID era. I got into this period 993 00:44:18,840 --> 00:44:21,480 Speaker 1: of my life where every Saturday morning I would look 994 00:44:21,640 --> 00:44:24,040 Speaker 1: forward to a new movie that I could watch at 995 00:44:24,080 --> 00:44:26,400 Speaker 1: home that was not coming out in theaters, and that 996 00:44:26,640 --> 00:44:29,920 Speaker 1: became my kind of comfort during that time where I 997 00:44:30,000 --> 00:44:33,560 Speaker 1: looked forward to it. I so greatly missed that in 998 00:44:33,719 --> 00:44:36,879 Speaker 1: theater experience, and that was the closest thing I had 999 00:44:36,920 --> 00:44:39,320 Speaker 1: to go into the movies where I kept my phone 1000 00:44:39,400 --> 00:44:42,439 Speaker 1: out of the room, had the soundbar on as loud 1001 00:44:42,480 --> 00:44:45,000 Speaker 1: as it could go, much like it would in the movies, 1002 00:44:45,280 --> 00:44:48,840 Speaker 1: and I was just so appreciative of having a new movie. 1003 00:44:49,400 --> 00:44:52,319 Speaker 1: This movie in particular, I felt kind of just did 1004 00:44:52,400 --> 00:44:55,520 Speaker 1: not register with most much like everything that came out 1005 00:44:55,600 --> 00:44:58,200 Speaker 1: pretty much between the year twenty twenty and twenty twenty two, 1006 00:44:58,600 --> 00:45:01,000 Speaker 1: that is kind of a weird time period. It wasn't 1007 00:45:01,080 --> 00:45:04,719 Speaker 1: really until No Way Home that it kind of broke 1008 00:45:04,800 --> 00:45:07,080 Speaker 1: all that. We kind of started going back to normal 1009 00:45:07,200 --> 00:45:10,240 Speaker 1: after that movie came out. But this movie, I feel, 1010 00:45:10,719 --> 00:45:14,040 Speaker 1: really got me through a terrible mental state and I 1011 00:45:14,200 --> 00:45:16,560 Speaker 1: love Dylan O'Brien in it. So if you haven't seen 1012 00:45:16,640 --> 00:45:21,160 Speaker 1: Love in Monsters and you like post apocalyptic adventure action movies, 1013 00:45:21,440 --> 00:45:24,880 Speaker 1: I highly recommend it. Although probably the association I have 1014 00:45:25,040 --> 00:45:27,239 Speaker 1: with it makes the movie a lot better in my 1015 00:45:27,360 --> 00:45:29,560 Speaker 1: book than it actually is, so I think it is 1016 00:45:29,640 --> 00:45:33,480 Speaker 1: one that I probably wouldn't revisit for that reason, but 1017 00:45:33,600 --> 00:45:35,480 Speaker 1: it is on Paramount Plus, and now that I got 1018 00:45:35,520 --> 00:45:39,080 Speaker 1: suckered into a Paramount Plus subscription, maybe I'll finally go 1019 00:45:39,200 --> 00:45:41,680 Speaker 1: back and rewatch that. But it is good just to 1020 00:45:41,719 --> 00:45:44,520 Speaker 1: see him back on the big screen. Twin List was 1021 00:45:44,520 --> 00:45:47,200 Speaker 1: a movie starring him that I saw earlier this year. 1022 00:45:47,560 --> 00:45:50,279 Speaker 1: I think could be one of my favorite performances of 1023 00:45:50,400 --> 00:45:53,120 Speaker 1: twenty twenty five. It was one that I went into 1024 00:45:53,200 --> 00:45:56,960 Speaker 1: with very little expectation and very rarely do I not 1025 00:45:57,320 --> 00:45:59,919 Speaker 1: watch a trailer at all before going to see a movie, 1026 00:46:00,440 --> 00:46:03,000 Speaker 1: and that was one of them. I only read the description. 1027 00:46:03,640 --> 00:46:06,080 Speaker 1: It's about two guys that meet in a support group 1028 00:46:06,360 --> 00:46:08,920 Speaker 1: and become friends, and then one of them has a 1029 00:46:09,080 --> 00:46:11,560 Speaker 1: dark secret that you learn about. That movie had a 1030 00:46:11,600 --> 00:46:14,600 Speaker 1: little bit of comedy, it had a little bit of drama. 1031 00:46:15,120 --> 00:46:17,680 Speaker 1: It also had like this weird turn where it almost 1032 00:46:17,760 --> 00:46:21,920 Speaker 1: turned into a thriller, had some suspense in there. Overall, 1033 00:46:22,040 --> 00:46:24,200 Speaker 1: just quite the journey. So it's cool to see Dylan 1034 00:46:24,280 --> 00:46:27,200 Speaker 1: O'Brien back on the big screen. Also for Rachel McAdams, 1035 00:46:27,239 --> 00:46:30,920 Speaker 1: who was so huge in the mid two thousands, so 1036 00:46:31,120 --> 00:46:32,759 Speaker 1: much so that she had to take a couple of 1037 00:46:32,880 --> 00:46:36,480 Speaker 1: years off, and she turned down roles in The Devilware's 1038 00:46:36,520 --> 00:46:39,480 Speaker 1: Prada and Iron Man. She needed a little bit of 1039 00:46:39,560 --> 00:46:43,279 Speaker 1: time away from the fame and the public scrutiny. And 1040 00:46:43,360 --> 00:46:45,279 Speaker 1: I feel like she has also taken some really great 1041 00:46:45,400 --> 00:46:48,160 Speaker 1: roles in the twenty twenties. But then, when you think 1042 00:46:48,200 --> 00:46:51,719 Speaker 1: about this movie, you have Dylan O'Brien and Rachel McAdams, 1043 00:46:52,280 --> 00:46:55,279 Speaker 1: and if this were any other director, this would have 1044 00:46:55,360 --> 00:46:59,279 Speaker 1: turned into a homecom. They would have crash landed, try 1045 00:46:59,360 --> 00:47:02,680 Speaker 1: to survive on this desert island, and they probably would 1046 00:47:02,719 --> 00:47:06,120 Speaker 1: have fallen in love. Except you have Sam Raimi behind 1047 00:47:06,160 --> 00:47:09,160 Speaker 1: the camera, who notoriously got to start in horror with 1048 00:47:09,239 --> 00:47:12,520 Speaker 1: the movie The Evil Dead, which is a low budget 1049 00:47:12,680 --> 00:47:15,520 Speaker 1: cult classic in the horror world. Also went on to 1050 00:47:15,600 --> 00:47:18,680 Speaker 1: do Evil Dead too, an Army of Darkness. But then 1051 00:47:18,719 --> 00:47:20,719 Speaker 1: what he became the most famous for, at least in 1052 00:47:20,840 --> 00:47:25,000 Speaker 1: my eyes, was the Spider Man trilogy in the two thousands, 1053 00:47:25,400 --> 00:47:27,480 Speaker 1: a lot different than what he did in his horror 1054 00:47:27,600 --> 00:47:31,000 Speaker 1: era and his Western era, and that just kind of 1055 00:47:31,040 --> 00:47:34,000 Speaker 1: took him on an entirely different level. He also did 1056 00:47:34,120 --> 00:47:36,160 Speaker 1: Drag Me in a Hell in two thousand and nine, 1057 00:47:36,680 --> 00:47:40,040 Speaker 1: Oz the Great and Powerful in twenty thirteen, which was 1058 00:47:40,120 --> 00:47:43,600 Speaker 1: the Wizard of Oz prequel starring James Franco, which was 1059 00:47:43,640 --> 00:47:46,000 Speaker 1: actually not bad. I remember seeing that one in theaters, 1060 00:47:46,120 --> 00:47:49,400 Speaker 1: and I also just have a big fascination with anything 1061 00:47:49,480 --> 00:47:53,120 Speaker 1: Wizard of Oz. The original is just such a mysterious 1062 00:47:53,239 --> 00:47:56,000 Speaker 1: movie to me, and such an odd piece in movie 1063 00:47:56,160 --> 00:48:00,120 Speaker 1: history because of how significant it is to culture. But 1064 00:48:00,400 --> 00:48:03,080 Speaker 1: how there's this weird dark side behind the making of 1065 00:48:03,160 --> 00:48:06,800 Speaker 1: that movie. I've always just been fascinated with anything Wizard 1066 00:48:06,880 --> 00:48:10,239 Speaker 1: of Oz, so probably to most people that wasn't a 1067 00:48:10,320 --> 00:48:13,400 Speaker 1: great movie, But in twenty thirteen, I was really a 1068 00:48:13,480 --> 00:48:16,000 Speaker 1: big fan of James Franco as well, so that movie 1069 00:48:16,120 --> 00:48:18,440 Speaker 1: hit with me. He also did Doctor Strange in the 1070 00:48:18,520 --> 00:48:22,640 Speaker 1: Multiverse of Madness back in twenty twenty two, which was 1071 00:48:22,800 --> 00:48:25,960 Speaker 1: essentially a horror Marvel movie, and he had all of 1072 00:48:26,080 --> 00:48:30,640 Speaker 1: his trademarks in there, the big eye inside of Doctor 1073 00:48:30,719 --> 00:48:34,200 Speaker 1: Strange's forehead, which he always has close ups on eyes. 1074 00:48:34,239 --> 00:48:36,560 Speaker 1: If you look at all of his movies, from Spider 1075 00:48:36,680 --> 00:48:39,799 Speaker 1: Man to even in the trailer to Send Help, there 1076 00:48:39,880 --> 00:48:43,080 Speaker 1: is one scene where you see Rachel McAdams almost entirely 1077 00:48:43,200 --> 00:48:45,680 Speaker 1: covered in blood. Her face is all messed up and 1078 00:48:45,800 --> 00:48:48,440 Speaker 1: it looks like she's missing an eye, so he always 1079 00:48:48,560 --> 00:48:51,160 Speaker 1: has this signature shot a big zoom man on a 1080 00:48:51,280 --> 00:48:55,040 Speaker 1: character's eye in Doctor Strange. A lot of people do 1081 00:48:55,280 --> 00:48:57,560 Speaker 1: refer to that one as one of the worst moments 1082 00:48:57,640 --> 00:49:00,920 Speaker 1: in CGI in the Marvel Cinematic Use universe. So to me, 1083 00:49:01,120 --> 00:49:04,080 Speaker 1: this movie feels like a little bit of Castaway, a 1084 00:49:04,120 --> 00:49:07,160 Speaker 1: little bit of Lord of the Flies. There was also 1085 00:49:07,239 --> 00:49:08,960 Speaker 1: a movie that came out in twenty twenty two, and 1086 00:49:09,040 --> 00:49:11,319 Speaker 1: like I mentioned, that was also one of those forgotten years, 1087 00:49:11,880 --> 00:49:15,800 Speaker 1: Triangle of Sadness, where this kind of happens. It's about 1088 00:49:16,400 --> 00:49:19,640 Speaker 1: these really rich people who go out on an excursion 1089 00:49:19,760 --> 00:49:21,920 Speaker 1: on a yacht and then they get caught in a 1090 00:49:21,960 --> 00:49:25,279 Speaker 1: big storm. The boat goes down and all of the 1091 00:49:25,400 --> 00:49:28,680 Speaker 1: survivors end up on a desert island much like here, 1092 00:49:28,800 --> 00:49:31,880 Speaker 1: and send help. And it almost feels, just by watching 1093 00:49:31,960 --> 00:49:34,000 Speaker 1: this trailer like they took the third act of that 1094 00:49:34,200 --> 00:49:37,400 Speaker 1: movie and made an entire, big budget movie out of it. 1095 00:49:37,920 --> 00:49:39,880 Speaker 1: A Triangle of Sadness was a little bit of a 1096 00:49:40,000 --> 00:49:42,680 Speaker 1: niche movie, but that is another movie to check out 1097 00:49:42,760 --> 00:49:46,560 Speaker 1: if you missed it, and you have no problem watching 1098 00:49:46,719 --> 00:49:50,799 Speaker 1: scenes of people vomiting profusely that is a major part 1099 00:49:50,920 --> 00:49:53,319 Speaker 1: of that movie. So two movies you might have missed 1100 00:49:53,360 --> 00:49:55,520 Speaker 1: in the last five years just based on the time 1101 00:49:55,600 --> 00:49:57,800 Speaker 1: that they came out that we've talked about Love and 1102 00:49:57,880 --> 00:50:00,960 Speaker 1: Monsters with Dylan O'Brien from twenty twenty and Triangle a 1103 00:50:01,120 --> 00:50:04,720 Speaker 1: Sadness from twenty twenty two, which you can watch on Hulu. 1104 00:50:05,239 --> 00:50:07,440 Speaker 1: Watch those movies and then go see Send Help in 1105 00:50:07,520 --> 00:50:11,240 Speaker 1: theaters on January thirtieth. Head that Bar was this week's 1106 00:50:11,360 --> 00:50:15,120 Speaker 1: edition of Movie by Framer Bar and that is gonna 1107 00:50:15,160 --> 00:50:18,160 Speaker 1: do it for another episode here of the podcast. Before 1108 00:50:18,239 --> 00:50:20,400 Speaker 1: I go, I gotta give my listeners shout out of 1109 00:50:20,480 --> 00:50:24,080 Speaker 1: the week this week. I'm going over to Instagram and 1110 00:50:24,120 --> 00:50:27,000 Speaker 1: shouting out Megwin as this week's listener shout out of 1111 00:50:27,080 --> 00:50:30,600 Speaker 1: the Week because she posted in her story last week 1112 00:50:31,320 --> 00:50:34,280 Speaker 1: screenshot over listening to the episode about the ten actors 1113 00:50:34,320 --> 00:50:37,320 Speaker 1: who were totally hated by their entire cast, along with 1114 00:50:37,400 --> 00:50:40,480 Speaker 1: the Springsteen movie review. I reposted because she tagged me 1115 00:50:40,520 --> 00:50:43,600 Speaker 1: in her Instagram story and said Michael Jackson picks up 1116 00:50:43,640 --> 00:50:45,960 Speaker 1: Thor's hammer a bunch of crying emojis, which was a 1117 00:50:46,040 --> 00:50:48,720 Speaker 1: quote from that episode, and said thanks Mike d Stroper. 1118 00:50:48,800 --> 00:50:51,359 Speaker 1: The laugh to start the week. I got a lot 1119 00:50:51,400 --> 00:50:54,400 Speaker 1: of pushback on that idea. Nobody likes that, especially over 1120 00:50:54,520 --> 00:50:57,279 Speaker 1: on YouTube. People on YouTube do not hesitate to call 1121 00:50:57,360 --> 00:50:59,760 Speaker 1: you an idiot. I just thought that would be interesting. 1122 00:51:00,040 --> 00:51:02,440 Speaker 1: I still stand by that I want a musician multiverse. 1123 00:51:02,640 --> 00:51:04,880 Speaker 1: But thanks Meg Win for listening every single week, and 1124 00:51:04,960 --> 00:51:07,120 Speaker 1: thank you right now wherever you are listening to this 1125 00:51:07,239 --> 00:51:09,640 Speaker 1: week's episode. Hope you have a great rest of your week, 1126 00:51:09,680 --> 00:51:12,760 Speaker 1: and until next time, go out and watch good movies 1127 00:51:12,800 --> 00:51:14,640 Speaker 1: and I will talk to you later.