1 00:00:03,440 --> 00:00:12,879 Speaker 1: This is an I Heart original. On August, a Hailey 2 00:00:12,920 --> 00:00:17,800 Speaker 1: police officer named Jason Jones gets a call. The dispatcher 3 00:00:17,840 --> 00:00:20,479 Speaker 1: tells him he needs to report to the Liberty Theater, 4 00:00:20,840 --> 00:00:23,759 Speaker 1: the movie palace owned by Bruce Willis and Demi Moore. 5 00:00:24,560 --> 00:00:29,600 Speaker 1: There's a problem. There's a disturbance, a possible fight in progress. 6 00:00:32,600 --> 00:00:35,920 Speaker 1: When Officer Jones arrives, it takes him some time to 7 00:00:36,000 --> 00:00:38,760 Speaker 1: make sense of the scene. There are a number of 8 00:00:38,760 --> 00:00:43,000 Speaker 1: men he recognizes employees of Willis's, including members of his 9 00:00:43,080 --> 00:00:47,560 Speaker 1: security team. They appear to be visibly angry. Their anger 10 00:00:47,720 --> 00:00:51,479 Speaker 1: is being directed at two men. Officer Jones doesn't recognize. 11 00:00:51,960 --> 00:00:56,640 Speaker 1: One of those men is holding a camera. Officer Jones 12 00:00:56,640 --> 00:01:00,320 Speaker 1: squeezes himself in between the two parties. He take one 13 00:01:00,360 --> 00:01:03,200 Speaker 1: of the strangers aside and asks him what's going on. 14 00:01:03,960 --> 00:01:08,959 Speaker 1: The man identifies himself as Keith. Standing nearby is his partner, Brian. 15 00:01:09,560 --> 00:01:11,760 Speaker 1: The two had been deployed to Haley to film a 16 00:01:11,800 --> 00:01:15,480 Speaker 1: segment for the cable channel i f C. They're reporting 17 00:01:15,600 --> 00:01:18,959 Speaker 1: on Bruce Willis's business dealings in the area, and so 18 00:01:19,000 --> 00:01:23,440 Speaker 1: far it's not going great. Brian will counts what happened 19 00:01:23,480 --> 00:01:27,360 Speaker 1: before Officer Jones arrived. They were filming from their car 20 00:01:27,480 --> 00:01:31,560 Speaker 1: when two men in a silver vehicle began following them. 21 00:01:31,600 --> 00:01:34,679 Speaker 1: When Brian and Keith pulled over, the car circled the 22 00:01:34,720 --> 00:01:38,839 Speaker 1: block and then pulled over right behind them. That was weird, 23 00:01:39,560 --> 00:01:42,959 Speaker 1: but it got weirder when Brian and Keith drove to 24 00:01:43,000 --> 00:01:46,560 Speaker 1: the Liberty Theater. The car followed them. As Brian and 25 00:01:46,680 --> 00:01:49,440 Speaker 1: Keith got out and began to film, some of the 26 00:01:49,480 --> 00:01:52,400 Speaker 1: men ran up and tried to wrestle away their camera. 27 00:01:53,080 --> 00:01:55,960 Speaker 1: In the police report, Brian said one of the men 28 00:01:56,120 --> 00:02:00,200 Speaker 1: had insisted he was a licensed security officer who had 29 00:02:00,240 --> 00:02:05,880 Speaker 1: a right to quote obtain them. So the security officer 30 00:02:06,120 --> 00:02:09,840 Speaker 1: wasn't a stickler for the English language, but he still 31 00:02:09,919 --> 00:02:14,160 Speaker 1: felt entitled to approach the filmmakers and attempt to confiscate 32 00:02:14,200 --> 00:02:18,399 Speaker 1: their equipment. When questioned, the security guys said they were 33 00:02:18,440 --> 00:02:25,120 Speaker 1: responsible for protecting Bruce Willis's properties from what from anything? 34 00:02:25,720 --> 00:02:31,120 Speaker 1: Even Cable channels Officer Jones referees the situation for a 35 00:02:31,160 --> 00:02:34,520 Speaker 1: bit before sending the filmmakers in one direction and the 36 00:02:34,600 --> 00:02:38,160 Speaker 1: locals in the other. Jones tells the filmmakers that the 37 00:02:38,240 --> 00:02:41,480 Speaker 1: security men have promised not to follow them out of 38 00:02:41,520 --> 00:02:48,359 Speaker 1: Haley how reassuring. As strange as it sounds, this wasn't 39 00:02:48,400 --> 00:02:54,639 Speaker 1: an isolated occurrence. Leash Lender, a lawyer practicing in Haley, 40 00:02:54,680 --> 00:02:58,079 Speaker 1: recalls that another journalist had once run into his office 41 00:02:58,520 --> 00:03:02,080 Speaker 1: obviously distraught. He said, when I got out of my 42 00:03:02,160 --> 00:03:06,200 Speaker 1: car down downtown on Main Street, a couple of guys 43 00:03:06,240 --> 00:03:08,600 Speaker 1: gave up to me and said get out of here 44 00:03:08,639 --> 00:03:13,880 Speaker 1: with those cameras. Mr Willis doesn't like your newspaper type 45 00:03:14,040 --> 00:03:21,240 Speaker 1: people are out here. He was incredulous. I said, well, 46 00:03:21,280 --> 00:03:23,919 Speaker 1: what's this all about. I have no idea what you're 47 00:03:23,919 --> 00:03:29,240 Speaker 1: talking about. Well, he said that happened, and I said, oh, 48 00:03:29,280 --> 00:03:32,280 Speaker 1: come on, he said it yeah. I said, well, why 49 00:03:32,320 --> 00:03:33,920 Speaker 1: don't you do this, Why don't you go down there 50 00:03:33,919 --> 00:03:35,880 Speaker 1: and drag your coming out and just stand around and 51 00:03:35,920 --> 00:03:38,440 Speaker 1: see what happens and then come back and tell me 52 00:03:38,880 --> 00:03:42,920 Speaker 1: because I didn't believe it. Well, he came back and 53 00:03:42,960 --> 00:03:46,360 Speaker 1: about it. It It couldn't have been twenty minutes. He looked 54 00:03:46,520 --> 00:03:50,160 Speaker 1: roughed up to her up and he said, they smashed 55 00:03:50,200 --> 00:03:54,480 Speaker 1: my equipment, rough me up, but they told me to 56 00:03:54,520 --> 00:03:59,160 Speaker 1: get the hell out of town. And he wrote a 57 00:03:59,200 --> 00:04:01,560 Speaker 1: big piece of about it, and it was in one 58 00:04:01,600 --> 00:04:05,960 Speaker 1: of your new York newspapers and the Eddie Know What 59 00:04:06,080 --> 00:04:09,680 Speaker 1: was something like, um, you don't want to come into 60 00:04:09,760 --> 00:04:15,800 Speaker 1: Mr Willis's town. Mr Willis's town. Like everyone else, Lee 61 00:04:15,880 --> 00:04:20,560 Speaker 1: thought he was living in Haley. So what exactly was 62 00:04:20,640 --> 00:04:24,159 Speaker 1: Bruce Willis trying to hide? And why had the town 63 00:04:24,200 --> 00:04:29,200 Speaker 1: of Haley suddenly become an impenetrable fortress where security idly 64 00:04:29,240 --> 00:04:36,040 Speaker 1: attacked anyone asking questions? Wasn't this idyllic Haleywood? Well? It was, 65 00:04:36,279 --> 00:04:42,080 Speaker 1: but not for much longer. For I Heart Radio. This 66 00:04:42,320 --> 00:04:46,279 Speaker 1: is Haleywood and I heart original podcast. I'm your host 67 00:04:46,520 --> 00:04:51,039 Speaker 1: Danish Schwartz, and this is our final episode. Until for 68 00:04:51,160 --> 00:04:59,720 Speaker 1: their notice, it had all been so simple. A year prior, 69 00:05:00,160 --> 00:05:02,679 Speaker 1: when Haley was still in the throes of being Bruce 70 00:05:02,760 --> 00:05:07,200 Speaker 1: Willis's pet town. His band Jammed at the Mint Shorties 71 00:05:07,279 --> 00:05:10,279 Speaker 1: was serving up eggs well into the night. The Liberty 72 00:05:10,360 --> 00:05:13,839 Speaker 1: was putting on plays and hosting movie premieres. The E. G. 73 00:05:14,000 --> 00:05:17,680 Speaker 1: Willis Building was home to businesses and retail office space. 74 00:05:18,520 --> 00:05:22,799 Speaker 1: Willis even owned a ski mountain, and after abandoning plans 75 00:05:22,839 --> 00:05:26,520 Speaker 1: to resurrect his hometown of penns Grove, New Jersey, Haley 76 00:05:26,760 --> 00:05:31,159 Speaker 1: was once again the sole object of his affections. Things 77 00:05:31,200 --> 00:05:36,720 Speaker 1: couldn't be better on the surface anyway. Beneath the flashing 78 00:05:36,720 --> 00:05:40,440 Speaker 1: marquees of the Mint and the Liberty, there were whispers 79 00:05:40,440 --> 00:05:45,520 Speaker 1: that things weren't going so well, that despite appearances, Willis's 80 00:05:45,560 --> 00:05:50,880 Speaker 1: businesses were falling victim to mismanagement, that Willis himself was 81 00:05:51,000 --> 00:05:54,279 Speaker 1: not quite the hands on boss he needed to be 82 00:05:54,279 --> 00:05:57,880 Speaker 1: because he was busy being a huge movie star. Bruno 83 00:05:58,120 --> 00:06:04,320 Speaker 1: was no longer minding the store. The first crack in 84 00:06:04,360 --> 00:06:08,200 Speaker 1: the veneer came at Shorty's, the casual diner Willis had 85 00:06:08,200 --> 00:06:12,360 Speaker 1: put up in for two years. The place had been 86 00:06:12,400 --> 00:06:16,320 Speaker 1: the premier greasy spoon in town. Hub Caps lined one 87 00:06:16,400 --> 00:06:19,240 Speaker 1: of its walls and the jukebox blare tunes from the 88 00:06:19,279 --> 00:06:24,640 Speaker 1: fifties while patrons eight burghers and fries. Then in the 89 00:06:24,680 --> 00:06:30,960 Speaker 1: spring of Willis stormed in with a message, everyone was fired, 90 00:06:31,560 --> 00:06:36,240 Speaker 1: go home. The words hit employees between the eyes in 91 00:06:36,320 --> 00:06:40,479 Speaker 1: classic Willis fashion. There was no explanation offered. One day 92 00:06:40,640 --> 00:06:45,080 Speaker 1: Shorty's was rocking out, the next it was shuttered. The 93 00:06:45,160 --> 00:06:49,600 Speaker 1: Mint was next that winter. In spring, people walking by 94 00:06:49,720 --> 00:06:53,000 Speaker 1: were surprised to see a notice posted on its doors, 95 00:06:53,680 --> 00:06:58,640 Speaker 1: closed for slack. It read slack is the regional phrase 96 00:06:58,760 --> 00:07:01,880 Speaker 1: used for the decrease in business when it's too warm 97 00:07:01,960 --> 00:07:06,240 Speaker 1: for skiing but too cold for summer tourism. Some businesses 98 00:07:06,279 --> 00:07:10,080 Speaker 1: were seasonal just to avoid slack, but the Mint had 99 00:07:10,120 --> 00:07:13,680 Speaker 1: never been a tourist dependent destination. It was a rock 100 00:07:13,720 --> 00:07:17,920 Speaker 1: and roll joint. To some Haley locals, closed for slack 101 00:07:18,360 --> 00:07:22,880 Speaker 1: rang false. It was too pat too easy. It was 102 00:07:22,920 --> 00:07:27,560 Speaker 1: a little foreboding, and sure enough there was another wave 103 00:07:27,640 --> 00:07:31,680 Speaker 1: of layoffs. The Mint staff got pink slips and no 104 00:07:31,760 --> 00:07:35,559 Speaker 1: indication of when or if they'd be asked to come back. 105 00:07:36,280 --> 00:07:40,840 Speaker 1: Willis's big plans were put on hold. Two He'd had 106 00:07:40,880 --> 00:07:46,400 Speaker 1: buildings earmarked for a recreation center for fitness and other pursuits, 107 00:07:46,440 --> 00:07:50,880 Speaker 1: but those projects sold. Plans for a Willis owned hotel 108 00:07:51,160 --> 00:07:55,520 Speaker 1: went by the wayside. The offices of Valley Entertainment, his 109 00:07:55,640 --> 00:07:59,840 Speaker 1: local company handling Haley business, put up black sheets on 110 00:08:00,000 --> 00:08:05,200 Speaker 1: its windows, blocking out all natural light. Doesn't exactly scream hey, 111 00:08:05,200 --> 00:08:08,720 Speaker 1: we're in business. He even stopped paying for the annual 112 00:08:08,800 --> 00:08:13,640 Speaker 1: Fourth of July fireworks show. Only the Liberty remained fully open. 113 00:08:14,120 --> 00:08:17,600 Speaker 1: It's still played Bruce Willis and Demi Moore movies and 114 00:08:17,720 --> 00:08:21,560 Speaker 1: Moore's Victorian house was still stocked with two thousand dollars, 115 00:08:22,360 --> 00:08:25,400 Speaker 1: but locals who drove by the local airport, craning their 116 00:08:25,440 --> 00:08:29,080 Speaker 1: necks looking for Willis's private jet, were claiming they weren't 117 00:08:29,120 --> 00:08:33,200 Speaker 1: seeing it. As often the slack excuse was tossed around. 118 00:08:33,720 --> 00:08:37,079 Speaker 1: People thought that the businesses would rebound when the tourists 119 00:08:37,120 --> 00:08:43,280 Speaker 1: came back, except in the winter of and into when 120 00:08:43,360 --> 00:08:46,600 Speaker 1: you'd expect the Mint and shorties to open their doors, 121 00:08:47,160 --> 00:08:51,400 Speaker 1: they didn't, not for long, anyway. The Mint reopened, but 122 00:08:51,559 --> 00:08:55,559 Speaker 1: only briefly. Vacant spaces in the E. G. Willis Building 123 00:08:55,960 --> 00:09:00,079 Speaker 1: remained vacant, and that's when Haley began to think something 124 00:09:00,160 --> 00:09:05,080 Speaker 1: was a miss in Haleywood. At first, it was just 125 00:09:05,200 --> 00:09:09,520 Speaker 1: the local press who peppered employees at Willis's Valley Entertainment 126 00:09:09,559 --> 00:09:13,960 Speaker 1: with questions. Mostly they got the brush off. Willis, they said, 127 00:09:14,160 --> 00:09:17,280 Speaker 1: was a fixture of Haley and would remain so he 128 00:09:17,440 --> 00:09:21,600 Speaker 1: wasn't going anywhere. But if he wasn't going anywhere, why 129 00:09:21,640 --> 00:09:25,960 Speaker 1: were his businesses locked up? And why did anyone outside 130 00:09:25,960 --> 00:09:30,520 Speaker 1: of town looking for answers get followed, harassed or confronted 131 00:09:30,559 --> 00:09:34,200 Speaker 1: and told to leave? What is it? They were afraid 132 00:09:34,280 --> 00:09:40,079 Speaker 1: of someone finding out. As the months went on and 133 00:09:40,160 --> 00:09:44,440 Speaker 1: Willis remained silent, the national entertainment media began to pay 134 00:09:44,480 --> 00:09:47,480 Speaker 1: attention to the story about the movie star who had 135 00:09:47,520 --> 00:09:50,600 Speaker 1: swept Haley off its feet, only to leave it at 136 00:09:50,600 --> 00:09:53,000 Speaker 1: the altar. Well, I'll tell you, I'll tell you everything 137 00:09:53,040 --> 00:09:55,559 Speaker 1: that happened. One of the first journalists to head out 138 00:09:55,600 --> 00:09:59,320 Speaker 1: to Haley was Nancy Rammelman. So I had gone from 139 00:09:59,320 --> 00:10:03,040 Speaker 1: my first story for bonap a team magazine. Um, I 140 00:10:03,160 --> 00:10:06,200 Speaker 1: guess in like the well, I don't know, winter of 141 00:10:06,320 --> 00:10:08,920 Speaker 1: nineties seven or something like that, I can't remember. And 142 00:10:09,000 --> 00:10:11,800 Speaker 1: when I was there, um, a lot of people were 143 00:10:11,800 --> 00:10:15,880 Speaker 1: talking about Bruce Willison Haley, and you know, he'd come 144 00:10:15,920 --> 00:10:17,600 Speaker 1: and maybe he wasn't there anymore, and it was just 145 00:10:17,640 --> 00:10:21,320 Speaker 1: sort of like a topic of conversation. Roman also wrote 146 00:10:21,400 --> 00:10:24,920 Speaker 1: for l A Weekly, a well respected and influential newspaper 147 00:10:24,960 --> 00:10:28,040 Speaker 1: that covered a lot of Hollywood stories. It was full 148 00:10:28,040 --> 00:10:32,040 Speaker 1: of fists up, no old barred kind of journalism. So 149 00:10:32,080 --> 00:10:33,480 Speaker 1: when his back in l A, I was talking to 150 00:10:33,520 --> 00:10:36,520 Speaker 1: my editors at the l A Weekly, and he said, Nancy, 151 00:10:36,559 --> 00:10:39,000 Speaker 1: don't you think that's a story. So I did. I 152 00:10:39,000 --> 00:10:41,720 Speaker 1: went out to Haley probably about eight months after I 153 00:10:41,720 --> 00:10:47,280 Speaker 1: had been there originally and reported on the ground. So 154 00:10:47,360 --> 00:10:51,760 Speaker 1: there was Nancy approaching Haley residence about the sudden disappearance 155 00:10:51,800 --> 00:10:57,720 Speaker 1: of their benefactor. Some seemed agitated, cautious, like they were 156 00:10:57,800 --> 00:11:02,680 Speaker 1: afraid of something or someone. But Nancy was used to 157 00:11:02,679 --> 00:11:06,120 Speaker 1: getting reticent people to talk. She's a real pro. I 158 00:11:06,160 --> 00:11:09,160 Speaker 1: happen to do stories that sometimes they're around really difficult topics. 159 00:11:09,160 --> 00:11:10,760 Speaker 1: I wrote a book a couple of years ago, called 160 00:11:10,800 --> 00:11:12,680 Speaker 1: to the Bridge, about a woman that threw you know, 161 00:11:12,760 --> 00:11:14,840 Speaker 1: children off a bridge and killed one of them life. 162 00:11:15,520 --> 00:11:18,400 Speaker 1: I interviewed John Wayne Gacy like I'm used to walking 163 00:11:18,400 --> 00:11:21,080 Speaker 1: into places where you're not just asking like how's the 164 00:11:21,080 --> 00:11:24,760 Speaker 1: grilled cheese today? Turns out it's somewhat easier to talk 165 00:11:24,800 --> 00:11:28,400 Speaker 1: to people about John Wayne Gayzy than about Bruce Willis. 166 00:11:30,280 --> 00:11:33,160 Speaker 1: When Nancy arrived in Healey, she found a fair amount 167 00:11:33,240 --> 00:11:38,600 Speaker 1: of Willis apologists, still in awe and weary of criticizing him. Like, 168 00:11:38,720 --> 00:11:40,880 Speaker 1: think about it. You've lived in this town or maybe 169 00:11:40,880 --> 00:11:43,480 Speaker 1: fifteen years, maybe your whole life, maybe generations of your 170 00:11:43,480 --> 00:11:45,080 Speaker 1: family have lived there, and all of a sudden, there's 171 00:11:45,080 --> 00:11:48,160 Speaker 1: a movie star that comes and says, I want to 172 00:11:48,800 --> 00:11:52,160 Speaker 1: be part of this community. Well, you're gonna take them 173 00:11:52,160 --> 00:11:54,960 Speaker 1: at face value, right, And this is pretty exciting in 174 00:11:55,000 --> 00:11:56,800 Speaker 1: a sense. I mean you you can't help but be 175 00:11:56,920 --> 00:12:00,079 Speaker 1: sort of starstruck. So I think people really want it 176 00:12:00,200 --> 00:12:03,600 Speaker 1: to appreciate that. And of course there's you know, the 177 00:12:03,679 --> 00:12:06,280 Speaker 1: reflective sunshine. You'd go home and you say, oh my god, 178 00:12:06,320 --> 00:12:08,600 Speaker 1: I saw to me in the store today with your girls. 179 00:12:08,640 --> 00:12:10,880 Speaker 1: They were buying tuna fish. I was buying tuna fish too. 180 00:12:11,280 --> 00:12:13,880 Speaker 1: You know. It's it's sort of like maybe you're having 181 00:12:13,920 --> 00:12:17,000 Speaker 1: this shared experience, but in reality, or at least the 182 00:12:17,000 --> 00:12:20,360 Speaker 1: way it turned out in this case, you really weren't. 183 00:12:21,679 --> 00:12:25,360 Speaker 1: Nancy said that many of Haley's denizens were also fed up. 184 00:12:25,840 --> 00:12:29,000 Speaker 1: I would say the majority of people I spoke with, 185 00:12:29,080 --> 00:12:30,679 Speaker 1: and this could be the case. Just like we know 186 00:12:30,760 --> 00:12:34,800 Speaker 1: from you know, Twitter or yelp, unhappy people like to complain. 187 00:12:34,920 --> 00:12:37,800 Speaker 1: So I think I did get my share of sort 188 00:12:37,800 --> 00:12:42,000 Speaker 1: of unhappy people. Uh. Speaking in the in the article too, 189 00:12:43,080 --> 00:12:47,520 Speaker 1: one resident who went unnamed, said Haley was quote a 190 00:12:47,600 --> 00:12:50,480 Speaker 1: definite case of before and after, like you see in 191 00:12:50,520 --> 00:12:54,360 Speaker 1: those magazine ads for plastic surgery, and it was Willis 192 00:12:54,400 --> 00:12:58,320 Speaker 1: wielding the scalpel at least, Nancy wasn't followed in her 193 00:12:58,320 --> 00:13:02,080 Speaker 1: car like the filmmakers who'd run out of town earlier. No, 194 00:13:02,200 --> 00:13:06,520 Speaker 1: but I was told to be careful about that. Now, well, 195 00:13:06,679 --> 00:13:09,120 Speaker 1: you know, I just have to highly doubt there was 196 00:13:09,160 --> 00:13:13,560 Speaker 1: a squad of Willis informants. But you know what there 197 00:13:13,600 --> 00:13:16,320 Speaker 1: could have been the you know, the people like hey, 198 00:13:16,400 --> 00:13:18,360 Speaker 1: my pal, Hey, you know, listen to me a favor, like, 199 00:13:18,400 --> 00:13:19,680 Speaker 1: you know, just keep an eye out, you know, we 200 00:13:19,679 --> 00:13:21,280 Speaker 1: want to keep this kind of private. Like you know, 201 00:13:21,320 --> 00:13:22,960 Speaker 1: if you think, if you see that someone's around her 202 00:13:22,960 --> 00:13:24,839 Speaker 1: sniffing round, just let me know. It's like something like 203 00:13:24,920 --> 00:13:26,720 Speaker 1: if you're in good Fellows or something. It's like, oh, 204 00:13:26,760 --> 00:13:28,719 Speaker 1: you know, the guy likes me, I better like I 205 00:13:28,840 --> 00:13:30,960 Speaker 1: better do maybe what he wants. I have no idea. 206 00:13:31,000 --> 00:13:35,560 Speaker 1: This is completely you know, conjecture. And the informants or 207 00:13:35,640 --> 00:13:39,400 Speaker 1: security guys or whatever they were hadn't just accosted Brian 208 00:13:39,480 --> 00:13:43,000 Speaker 1: and Keith, the duo from the i f C. Andrew Gumbel, 209 00:13:43,080 --> 00:13:46,280 Speaker 1: a reporter for The Independent out of England, was also 210 00:13:46,400 --> 00:13:49,840 Speaker 1: followed in his car, this time by two car loads 211 00:13:49,960 --> 00:13:53,760 Speaker 1: full of supposed surveillance experts. They refused to offer him 212 00:13:53,800 --> 00:13:57,319 Speaker 1: any explanation. Why he was being tracked and photographed as 213 00:13:57,320 --> 00:14:01,319 Speaker 1: he weaved through town. When Gumble lagged down a police officer, 214 00:14:01,679 --> 00:14:05,120 Speaker 1: they ran the license plates of his pursuers, and that's 215 00:14:05,120 --> 00:14:09,440 Speaker 1: when speculation about the motives of these men turned into fact. 216 00:14:10,280 --> 00:14:17,079 Speaker 1: The plates were registered to Bruce Willis. A security detail 217 00:14:17,360 --> 00:14:21,280 Speaker 1: had set themselves up as a century around Haley, warding 218 00:14:21,320 --> 00:14:25,960 Speaker 1: off anyone posing uncomfortable questions. Brian and Keith had been 219 00:14:26,040 --> 00:14:29,240 Speaker 1: lucky to leave town with their footage escaping like two 220 00:14:29,320 --> 00:14:33,360 Speaker 1: journalists evading a banana republic in a foreign country, but 221 00:14:33,480 --> 00:14:36,600 Speaker 1: the i f C chose not to air it, preferring 222 00:14:36,680 --> 00:14:41,800 Speaker 1: not to risk angering Willis. When journalists left town, they 223 00:14:41,880 --> 00:14:47,200 Speaker 1: left without an answer. Willis wasn't talking, but he hadn't disappeared. 224 00:14:47,960 --> 00:14:52,200 Speaker 1: Just the opposite, Bruce Willis was about to make a 225 00:14:52,320 --> 00:15:05,800 Speaker 1: rather dramatic reappearance in Haley. It's September of ninety nine, 226 00:15:06,640 --> 00:15:10,440 Speaker 1: and Willis's movie The Sixth Cens is in theaters across 227 00:15:10,480 --> 00:15:14,000 Speaker 1: the country. You've probably seen it. It's about the kid 228 00:15:14,040 --> 00:15:17,960 Speaker 1: who sees dead people. Naturally, it's playing in Haley at 229 00:15:18,040 --> 00:15:22,400 Speaker 1: the Liberty Theater. Even though Willis had been evasive about 230 00:15:22,400 --> 00:15:25,240 Speaker 1: his plans for Haley as of late. It's no surprise 231 00:15:25,360 --> 00:15:28,600 Speaker 1: his big movie is playing in his opulent theater. What 232 00:15:28,880 --> 00:15:32,920 Speaker 1: is surprising is that Willis is there, not on screen, 233 00:15:33,040 --> 00:15:37,880 Speaker 1: but in the flesh, handing out popcorn to bewildered audience members. 234 00:15:40,200 --> 00:15:43,960 Speaker 1: Willis still owns the Liberty, hasn't given that up, and 235 00:15:44,040 --> 00:15:47,840 Speaker 1: apparently one of his employees called in sick, so Willis 236 00:15:47,880 --> 00:15:52,160 Speaker 1: stepped in to hand out concessions. Did anyone ask Willis 237 00:15:52,200 --> 00:15:55,680 Speaker 1: what his plans were in Haley beyond handing out soft pretzels. 238 00:15:56,360 --> 00:15:59,560 Speaker 1: It's hard to know, but they had to be wondering, right, 239 00:16:00,080 --> 00:16:03,880 Speaker 1: I mean, his other businesses had shuddered. There was a 240 00:16:03,960 --> 00:16:07,040 Speaker 1: kind of whiplash. It seemed like Willis was done with 241 00:16:07,080 --> 00:16:10,440 Speaker 1: Hay late until he wasn't. I think it's sort of 242 00:16:10,480 --> 00:16:14,520 Speaker 1: like when you have a breakup with someone, journalist Nancy Rommelman. Again, 243 00:16:14,800 --> 00:16:16,720 Speaker 1: let's say you break up with someone but you really 244 00:16:16,760 --> 00:16:19,320 Speaker 1: still kind of want to be with them, and like 245 00:16:20,360 --> 00:16:22,320 Speaker 1: you think you're broken up, but there could still be 246 00:16:22,360 --> 00:16:25,080 Speaker 1: a chance, and then there's the port where you know 247 00:16:25,120 --> 00:16:27,560 Speaker 1: there's no chance. Well, they were sort of in between 248 00:16:27,560 --> 00:16:30,040 Speaker 1: the could be a chance on the no chance stage, 249 00:16:30,200 --> 00:16:34,200 Speaker 1: like the s He's not coming back, but I think 250 00:16:34,200 --> 00:16:37,040 Speaker 1: they still sort of wanted to keep a smile on 251 00:16:37,080 --> 00:16:40,360 Speaker 1: their faces, keep the possibility that they could come back. 252 00:16:40,520 --> 00:16:44,280 Speaker 1: But it was sort of like not in denial so much. 253 00:16:44,320 --> 00:16:46,560 Speaker 1: There was just a little bit of hope still alive, 254 00:16:47,360 --> 00:16:50,720 Speaker 1: that that they would be coming back, and that maybe, 255 00:16:51,400 --> 00:16:54,040 Speaker 1: you know, maybe the town had done something wrong, like 256 00:16:54,160 --> 00:16:58,280 Speaker 1: maybe they hadn't performed exactly well enough, Like what could 257 00:16:58,360 --> 00:17:01,440 Speaker 1: they have done better to make this work? And I 258 00:17:02,160 --> 00:17:06,080 Speaker 1: think that's probably the wrong question, um, But if you're 259 00:17:06,160 --> 00:17:09,720 Speaker 1: these people, then you could understand them asking themselves that 260 00:17:11,160 --> 00:17:15,280 Speaker 1: The answers came pretty quickly. A few months before Willis 261 00:17:15,320 --> 00:17:17,919 Speaker 1: was behind the popcorn counter at the Liberty. He had 262 00:17:18,000 --> 00:17:21,920 Speaker 1: let go of something else, Shorties, the fifties style diner 263 00:17:21,960 --> 00:17:25,399 Speaker 1: he had opened three years earlier, after rumors that it 264 00:17:25,480 --> 00:17:28,160 Speaker 1: might become a pancake joint. It turned out the new 265 00:17:28,200 --> 00:17:32,400 Speaker 1: operator was a local businessman named Jacob Greenberg, who pledged 266 00:17:32,560 --> 00:17:36,720 Speaker 1: to keep the fifties aesthetic intact. Pretty soon, other properties 267 00:17:36,720 --> 00:17:39,920 Speaker 1: were coming up for sale, all will Is owned, all 268 00:17:40,000 --> 00:17:44,760 Speaker 1: located in Haley or nearby. Catchum, that's when Haley really 269 00:17:44,760 --> 00:17:49,960 Speaker 1: started to take notice. This wasn't a trial separation this 270 00:17:50,119 --> 00:17:58,760 Speaker 1: was a divorce and not Willis his only one. In June, 271 00:17:58,800 --> 00:18:02,680 Speaker 1: Bruce Willis and Demi More announced their separation after over 272 00:18:02,760 --> 00:18:06,800 Speaker 1: a decade of marriage. The reasons varied depending on which 273 00:18:06,880 --> 00:18:11,199 Speaker 1: supermarket news outlet you chose to believe, but in Moore's 274 00:18:11,200 --> 00:18:15,399 Speaker 1: own words, it was just time. Willis moved into their guesthouse. 275 00:18:15,760 --> 00:18:19,680 Speaker 1: More stayed in their home. Eventually, Bruce bought a property 276 00:18:19,760 --> 00:18:25,000 Speaker 1: ten miles away in nearby Catchum, and suddenly things started 277 00:18:25,040 --> 00:18:29,360 Speaker 1: to make a bit more sense In Haleywood, Willis had 278 00:18:29,400 --> 00:18:31,720 Speaker 1: fallen in love with the town around the time he 279 00:18:31,760 --> 00:18:34,960 Speaker 1: had fallen in love with More. Maybe Haley was the 280 00:18:35,000 --> 00:18:37,600 Speaker 1: home that once belonged to both of them, and it 281 00:18:37,640 --> 00:18:40,760 Speaker 1: didn't feel like home to Willis anymore. Maybe it was 282 00:18:40,840 --> 00:18:46,439 Speaker 1: just cleaner this way. Was this why Haley was being ghosted? Willis, 283 00:18:46,480 --> 00:18:52,280 Speaker 1: true to his nature, would never say time passed, the 284 00:18:52,359 --> 00:18:58,359 Speaker 1: millennium ended without a bank. Gradually, Haley became more of 285 00:18:58,400 --> 00:19:01,680 Speaker 1: a vacation destination than a full time home for Willis. 286 00:19:02,800 --> 00:19:05,719 Speaker 1: He played a few dates with his accelerators, but the 287 00:19:05,720 --> 00:19:08,600 Speaker 1: house he had shared with More seemed to be occupied 288 00:19:08,640 --> 00:19:12,560 Speaker 1: mostly by More and their kids. Their divorce was finalized 289 00:19:12,560 --> 00:19:17,720 Speaker 1: in two thousand and so it began for Haley. After 290 00:19:17,840 --> 00:19:21,800 Speaker 1: over a decade of being Willis's personal project, the town 291 00:19:21,920 --> 00:19:25,200 Speaker 1: had to prepare for life without him. There would be 292 00:19:25,520 --> 00:19:29,399 Speaker 1: no more big movie premiers, no more announcements of Warren 293 00:19:29,440 --> 00:19:37,240 Speaker 1: buildings being resurrected, no more excitement, no more Haileywood. After 294 00:19:37,359 --> 00:19:40,840 Speaker 1: reopening a couple of times, the Mint went up for sale. 295 00:19:41,280 --> 00:19:45,120 Speaker 1: Soldier Mountain was donated to a nonprofit. The liberty went 296 00:19:45,160 --> 00:19:48,200 Speaker 1: to Company of Fools, the theater group will Is imported 297 00:19:48,200 --> 00:19:52,719 Speaker 1: from Virginia. Through it all, he never, at least publicly 298 00:19:53,119 --> 00:19:56,600 Speaker 1: offered a reason why anyone wanting to know was getting 299 00:19:56,680 --> 00:19:59,800 Speaker 1: strong armed out of town. But if you talk to 300 00:19:59,840 --> 00:20:03,200 Speaker 1: an tough people, the answer can be found back where 301 00:20:03,200 --> 00:20:14,840 Speaker 1: it all started at the Mint. So I moved to 302 00:20:14,880 --> 00:20:18,280 Speaker 1: New York. I probably had my my jeep stolen, my 303 00:20:18,400 --> 00:20:23,239 Speaker 1: wallet stone, my passport stolen New York. Even though I'm 304 00:20:23,280 --> 00:20:25,960 Speaker 1: originally from New York, I grew up in Florida and 305 00:20:25,960 --> 00:20:28,119 Speaker 1: then moved back to New York. And it it ate 306 00:20:28,200 --> 00:20:32,159 Speaker 1: me for lunch. In the beginning. Rob Cronin's life in 307 00:20:32,200 --> 00:20:34,320 Speaker 1: New York City got off to a rough start in 308 00:20:34,359 --> 00:20:38,080 Speaker 1: the nineties, but as the New head bartender a Planet 309 00:20:38,160 --> 00:20:41,159 Speaker 1: Hollywood in Times Square. The job Perks made up for 310 00:20:41,280 --> 00:20:47,000 Speaker 1: it perfectly. Example, on our grand opening party, at one point, 311 00:20:47,119 --> 00:20:49,840 Speaker 1: you know, we had the cast of Saturday Night Live 312 00:20:50,040 --> 00:20:53,159 Speaker 1: sitting at the bar, and you went down and it's like, 313 00:20:53,280 --> 00:20:59,240 Speaker 1: oh my Adam Sandler, David's Bay, Chris Farley, all those 314 00:20:59,280 --> 00:21:02,639 Speaker 1: guys who I got to know you better over the years. 315 00:21:03,560 --> 00:21:07,280 Speaker 1: Uh there as well. And then the next morning, after 316 00:21:07,320 --> 00:21:09,840 Speaker 1: the gred opening party, I came and to set the 317 00:21:09,880 --> 00:21:14,119 Speaker 1: bar up for regular business and Sylvester Stallone was sitting 318 00:21:14,880 --> 00:21:17,560 Speaker 1: at the bar with we just filled in doing a 319 00:21:17,600 --> 00:21:21,439 Speaker 1: live feed, and you know, I'm behind the bar just 320 00:21:21,520 --> 00:21:24,560 Speaker 1: setting up and he was just twenty four year old. 321 00:21:24,600 --> 00:21:29,480 Speaker 1: Over all of me, it was pretty neat. Pretty soon 322 00:21:29,760 --> 00:21:34,040 Speaker 1: Rob was commiserating with another bartender, Bruce Willis, who was 323 00:21:34,119 --> 00:21:37,159 Speaker 1: then a partner in the Planet Hollywood chain, along with 324 00:21:37,200 --> 00:21:41,280 Speaker 1: other stars including his then wife Demi Moore. The first 325 00:21:41,320 --> 00:21:45,800 Speaker 1: time Demi ever came in the restaurant, her plane was delayed. 326 00:21:46,320 --> 00:21:50,920 Speaker 1: Uh the closing the restaurant down. These three women walk in. 327 00:21:51,960 --> 00:21:54,120 Speaker 1: I don't I've never seen them before, and I tell 328 00:21:54,200 --> 00:21:56,199 Speaker 1: them what they're closed, and they asked if they can 329 00:21:56,280 --> 00:21:59,320 Speaker 1: lurk around, and so I started trying to giving them 330 00:21:59,359 --> 00:22:02,360 Speaker 1: a little out of tune. And then I looked closer 331 00:22:02,400 --> 00:22:04,919 Speaker 1: and it was to me in a trench coat and 332 00:22:05,880 --> 00:22:09,240 Speaker 1: dot Martin boots and her hair pulled back. I hadn't 333 00:22:09,240 --> 00:22:13,160 Speaker 1: even recognized her. I was mortified. So I walked back 334 00:22:13,240 --> 00:22:15,080 Speaker 1: up and said, well, since you owned the place, I 335 00:22:15,080 --> 00:22:18,359 Speaker 1: guess we could throw yet burger and we became friends 336 00:22:18,400 --> 00:22:23,120 Speaker 1: after that. She apparently was amused. It made a couple 337 00:22:23,119 --> 00:22:26,040 Speaker 1: of different magazines where she had said, you know, they 338 00:22:26,040 --> 00:22:30,360 Speaker 1: didn't even recognize me in my own restaurant, And eventually 339 00:22:30,400 --> 00:22:34,800 Speaker 1: she introduced me to Bruce. Bruce and Rob were kind 340 00:22:34,840 --> 00:22:38,320 Speaker 1: of bartender brothers. Bruce knew what that life was like, 341 00:22:38,840 --> 00:22:41,480 Speaker 1: and pretty soon Rob was moving up the ranks of 342 00:22:41,560 --> 00:22:47,080 Speaker 1: Planet Hollywood, opening locations in Chicago and Miami. Willis soon 343 00:22:47,200 --> 00:22:50,560 Speaker 1: brought Rob to Haley to manage a restaurant Willis was 344 00:22:50,600 --> 00:22:54,240 Speaker 1: about to open. Originally, it was going to be something simple, 345 00:22:54,720 --> 00:22:59,560 Speaker 1: a steakhouse, but when Willis turned forty, well some men 346 00:22:59,640 --> 00:23:05,199 Speaker 1: by convertible, others go bigger. It was it was his 347 00:23:05,280 --> 00:23:10,320 Speaker 1: birthday weekend when he turned forty, and the famous party 348 00:23:10,359 --> 00:23:16,280 Speaker 1: planner Colin Calie was in town and he, uh, you know, 349 00:23:16,400 --> 00:23:20,600 Speaker 1: he and Bruce into me just started talking and uh, 350 00:23:20,680 --> 00:23:26,639 Speaker 1: the concept literally changed in an afternoon. Went from you know, 351 00:23:26,680 --> 00:23:33,080 Speaker 1: a casual locals steakhouse saloon sort of feel to a 352 00:23:33,320 --> 00:23:39,240 Speaker 1: high end restaurant with a world class nightclub on top. 353 00:23:40,119 --> 00:23:45,080 Speaker 1: And we turned that around. Unfortunately at Bruce's expense. You know, 354 00:23:45,119 --> 00:23:49,240 Speaker 1: it was not cheap. The project was. The Mint turned 355 00:23:49,280 --> 00:23:53,960 Speaker 1: that around from early May until we opened the week 356 00:23:54,160 --> 00:23:58,240 Speaker 1: of fourth or July with you know, a couple of large, 357 00:23:58,920 --> 00:24:03,560 Speaker 1: really well known Bruges bands, Bruce's band. It was the 358 00:24:03,600 --> 00:24:07,439 Speaker 1: busiest weekend of the year in Haley, between the rodeo 359 00:24:07,560 --> 00:24:11,560 Speaker 1: and the Fourth of July parade, and it was wild. 360 00:24:12,800 --> 00:24:15,640 Speaker 1: It was a tall order, but Willis and Cronin made 361 00:24:15,640 --> 00:24:18,880 Speaker 1: it happen. No expense was spared to open the Mint 362 00:24:18,960 --> 00:24:21,520 Speaker 1: in a matter of weeks, and it turned out no 363 00:24:21,640 --> 00:24:25,400 Speaker 1: expense was spared after it opened either. You know, when 364 00:24:25,440 --> 00:24:28,280 Speaker 1: you've opened up business and you say you're not worried 365 00:24:28,280 --> 00:24:31,840 Speaker 1: about it making a profit, that's a real fine line 366 00:24:31,880 --> 00:24:36,000 Speaker 1: because you especially in the restaurant and bar business, all 367 00:24:36,080 --> 00:24:39,000 Speaker 1: too quickly and easily that are thin margins. It goes 368 00:24:39,000 --> 00:24:43,840 Speaker 1: the opposite direction. And that's actually what you know happened 369 00:24:43,880 --> 00:24:49,679 Speaker 1: with the Mint. It was it became a monster. Bruce 370 00:24:49,720 --> 00:24:52,359 Speaker 1: Willis treated the Mint like it was right in the 371 00:24:52,400 --> 00:24:56,119 Speaker 1: middle of a busy metropolitan area flying in high ticket 372 00:24:56,240 --> 00:24:59,720 Speaker 1: musical acts. But according to Rob it was not a 373 00:25:00,000 --> 00:25:04,680 Speaker 1: product market fit. This community was not ready to support 374 00:25:05,720 --> 00:25:11,359 Speaker 1: uh fifty person cover charge. So, you know, we we 375 00:25:11,440 --> 00:25:13,600 Speaker 1: get to the point where, you know, all right, or 376 00:25:13,800 --> 00:25:17,240 Speaker 1: ten dollars ahead and let's packed to joint and try 377 00:25:17,280 --> 00:25:22,080 Speaker 1: and off set costs with liquor sales, and it just 378 00:25:22,440 --> 00:25:28,840 Speaker 1: didn't work. You just don't have the volume in town. 379 00:25:29,520 --> 00:25:33,520 Speaker 1: You have to to cover that kind of overhead. And 380 00:25:33,560 --> 00:25:36,000 Speaker 1: by the time you get through it, you know, payroll 381 00:25:36,080 --> 00:25:39,480 Speaker 1: and payroll, taxes and insurance and all that keeping a 382 00:25:39,600 --> 00:25:44,560 Speaker 1: ten thousand scriptfort building open even in the highest species, 383 00:25:44,560 --> 00:25:47,760 Speaker 1: and you're not going to pack it every night. You know, 384 00:25:47,760 --> 00:25:50,480 Speaker 1: when we first opened it was it was packed, and 385 00:25:50,560 --> 00:25:54,440 Speaker 1: it was never covering the costs of the high end entertainment. 386 00:25:54,480 --> 00:25:57,320 Speaker 1: Was never about getting enough bodies. It was just, you know, 387 00:25:57,359 --> 00:26:02,240 Speaker 1: once again, just get enough bodies at that initially budgeted 388 00:26:02,520 --> 00:26:06,960 Speaker 1: cover charge, and the public just wasn't willing to go there. 389 00:26:08,200 --> 00:26:10,119 Speaker 1: I was the one, you know, in my position, that 390 00:26:10,560 --> 00:26:13,560 Speaker 1: had to drop the bomb on him that you know, hey, 391 00:26:13,600 --> 00:26:19,560 Speaker 1: we need two dollars of more some months to cover 392 00:26:19,640 --> 00:26:24,320 Speaker 1: the bills, primarily pay roll. Willis had always wanted to 393 00:26:24,359 --> 00:26:28,480 Speaker 1: throw the biggest, best party possible as a bartender in 394 00:26:28,520 --> 00:26:31,880 Speaker 1: New York, as a TV star in California, and now 395 00:26:32,000 --> 00:26:35,439 Speaker 1: as an a list in Idaho. But throwing a bashed 396 00:26:35,600 --> 00:26:42,160 Speaker 1: night after night is well expensive and unsustainable. In the end, 397 00:26:42,400 --> 00:26:47,159 Speaker 1: Rob parted ways with the Mint amicably. It was my 398 00:26:47,400 --> 00:26:51,040 Speaker 1: ending at the Mint a little rough, absolutely, but I've 399 00:26:51,240 --> 00:26:55,040 Speaker 1: you know, what I've witnessed. It was, you know, maybe 400 00:26:55,040 --> 00:26:57,199 Speaker 1: the road to hell is paved with good intentions, but 401 00:26:57,280 --> 00:27:00,240 Speaker 1: the intentions were good. They really wanted to be a 402 00:27:00,280 --> 00:27:03,760 Speaker 1: part of the community and give back, and you know, 403 00:27:04,160 --> 00:27:07,840 Speaker 1: showed it with their checkbooks. But in trying to make 404 00:27:07,880 --> 00:27:11,760 Speaker 1: a small town feel big, Willis had turned Haley not 405 00:27:11,920 --> 00:27:15,720 Speaker 1: into his own private Idaho, but his own private Hollywood, 406 00:27:16,320 --> 00:27:20,440 Speaker 1: a tone that ran on Bruce Willis, and suddenly Haley 407 00:27:20,560 --> 00:27:25,760 Speaker 1: wasn't his getaway. It was his responsibility, and that, more 408 00:27:25,800 --> 00:27:32,480 Speaker 1: than anything, is why the relationship couldn't last. Other things 409 00:27:32,600 --> 00:27:35,639 Speaker 1: changed for Willis at the turn of the twenty one century. 410 00:27:36,600 --> 00:27:38,919 Speaker 1: He still had a few hits like Since City and 411 00:27:39,040 --> 00:27:42,560 Speaker 1: a fourth die Hard, but conquering the eighties and nineties 412 00:27:42,720 --> 00:27:45,960 Speaker 1: had been the zenith of it, all of the career 413 00:27:46,080 --> 00:27:49,280 Speaker 1: that had gotten started with Seagram's commercials and sparring with 414 00:27:49,359 --> 00:27:54,560 Speaker 1: Sibyl Shepherd on Moonlighting. Not long after a fifth die 415 00:27:54,600 --> 00:27:58,600 Speaker 1: Hard was released, in it was called a Good Day 416 00:27:58,600 --> 00:28:01,919 Speaker 1: to die Hard If you're keeping track, Willis moved on 417 00:28:02,000 --> 00:28:05,679 Speaker 1: to another stage of his career. Rather than top lining 418 00:28:05,760 --> 00:28:09,200 Speaker 1: huge movies, he settled into a role as a familiar 419 00:28:09,280 --> 00:28:13,679 Speaker 1: face in geezer teasers, a genre of video on demand 420 00:28:13,720 --> 00:28:17,119 Speaker 1: movies that enlist major movie stars to work for a 421 00:28:17,160 --> 00:28:20,120 Speaker 1: few days for a lot of money and then sprinkle 422 00:28:20,160 --> 00:28:24,280 Speaker 1: in their scenes Throughout Willis was in Six movies were released, 423 00:28:24,320 --> 00:28:30,440 Speaker 1: including Surviving the Game, Midnight in the Switch Grass, Out 424 00:28:30,520 --> 00:28:34,399 Speaker 1: of Death, Apex, and Cosmic Sin, where he gets to 425 00:28:34,440 --> 00:28:38,520 Speaker 1: put on a space suit again. This year, Willis even 426 00:28:38,600 --> 00:28:42,960 Speaker 1: took one more step towards armchair acting. He licensed his 427 00:28:43,120 --> 00:28:46,360 Speaker 1: image to a Russian cell phone company for an ad 428 00:28:46,440 --> 00:28:49,560 Speaker 1: where he's tied to a bomb, but Willis never went 429 00:28:49,680 --> 00:28:55,400 Speaker 1: near a set. Instead, Willis's deep faked face was superimposed 430 00:28:55,480 --> 00:28:59,240 Speaker 1: over a standing actor created with more than thirty thousand 431 00:28:59,320 --> 00:29:02,680 Speaker 1: images for vintage Willis movies like die Hard and The 432 00:29:02,760 --> 00:29:06,760 Speaker 1: Fifth Element. The man who once only wanted to drive 433 00:29:06,800 --> 00:29:09,200 Speaker 1: an hour or so from Haley to a movie set 434 00:29:09,800 --> 00:29:12,200 Speaker 1: now doesn't even have to leave his living room to 435 00:29:12,280 --> 00:29:15,080 Speaker 1: appear on screen. Heck, he doesn't even need to get 436 00:29:15,120 --> 00:29:19,200 Speaker 1: out of bed. Some speculate this process could be the 437 00:29:19,320 --> 00:29:23,440 Speaker 1: future for all Hollywood actors. In fact, it's a common 438 00:29:23,520 --> 00:29:28,120 Speaker 1: part of appearance contracts already. The commercial shows an image 439 00:29:28,200 --> 00:29:32,479 Speaker 1: of Willis, the ideal image of a young, smirking Bruce, 440 00:29:33,000 --> 00:29:36,000 Speaker 1: the image that was once the face of Hollywood and 441 00:29:36,240 --> 00:29:40,560 Speaker 1: of Haleywood, the image that once literally overlooked the highway 442 00:29:40,600 --> 00:29:45,120 Speaker 1: into town, but ultimately one that Haley never really got 443 00:29:45,240 --> 00:29:56,920 Speaker 1: to know. In eight nine, just a few years after 444 00:29:57,080 --> 00:30:01,120 Speaker 1: gold prospector and businessman John Haley laid claim to the land, 445 00:30:01,680 --> 00:30:06,240 Speaker 1: the town of Hailey, Idaho, was engulfed in fire. A 446 00:30:06,360 --> 00:30:10,880 Speaker 1: blaze tore through the business district, destroying most of the buildings. 447 00:30:11,480 --> 00:30:15,760 Speaker 1: Only bare stone walls were left standing. Idaho wasn't even 448 00:30:15,800 --> 00:30:20,600 Speaker 1: the state yet, but Hailey was resilient. Less than three 449 00:30:20,720 --> 00:30:24,040 Speaker 1: months after the fire, new buildings began to spring up 450 00:30:24,080 --> 00:30:26,560 Speaker 1: in their place. A lot of them were just a 451 00:30:26,640 --> 00:30:30,360 Speaker 1: single story to save on restoration costs. But the point 452 00:30:30,480 --> 00:30:32,840 Speaker 1: is if Hailey could do it once, they could do 453 00:30:32,920 --> 00:30:37,880 Speaker 1: it again. Here's leash Lender. Because of the valley. If 454 00:30:37,960 --> 00:30:41,960 Speaker 1: you think back it's history of being a mining town, 455 00:30:42,880 --> 00:30:45,720 Speaker 1: it had always been boom and bust. You know, one 456 00:30:45,800 --> 00:30:50,880 Speaker 1: day everybody in town, somebody strikes it rich and there's money. 457 00:30:52,000 --> 00:30:54,320 Speaker 1: Two weeks later they've all packed up and moved on. 458 00:30:55,560 --> 00:31:03,080 Speaker 1: It was very, very much from that Western motif, which 459 00:31:03,240 --> 00:31:06,480 Speaker 1: was real. That was the way that the West was. 460 00:31:07,560 --> 00:31:12,760 Speaker 1: And so people building big buildings or homes and then 461 00:31:12,880 --> 00:31:17,719 Speaker 1: just walking away from him not unusual at all. Um, 462 00:31:17,960 --> 00:31:21,560 Speaker 1: it was a boom and bust society. More than a 463 00:31:21,640 --> 00:31:25,280 Speaker 1: hundred years later, even after a Bruce Willis sized boom, 464 00:31:25,760 --> 00:31:29,960 Speaker 1: not much had changed. And he's just he got tired 465 00:31:30,000 --> 00:31:32,080 Speaker 1: of it. And that's his right if he didn't want it. 466 00:31:32,520 --> 00:31:37,840 Speaker 1: He doesn't really want to stick around here. Um, it's okay, 467 00:31:37,960 --> 00:31:40,200 Speaker 1: Well you know we've we've lived here. The people that 468 00:31:40,360 --> 00:31:46,000 Speaker 1: survived have been through those good and bad times. Four 469 00:31:46,120 --> 00:31:51,280 Speaker 1: hundred and twenty five years. The Halif today bears the 470 00:31:51,400 --> 00:31:54,800 Speaker 1: marks of it's Bruce Willis affair. The Mint is still 471 00:31:54,920 --> 00:31:58,520 Speaker 1: on Main Street, now owned by developer Paul Conrad and 472 00:31:58,640 --> 00:32:02,720 Speaker 1: his wife. Jenny. Shorty's is still here too, now operated 473 00:32:02,760 --> 00:32:06,960 Speaker 1: by Jacob Greenberg's son Josh. So is the Liberty. So 474 00:32:07,200 --> 00:32:09,960 Speaker 1: is that office building, now owned by someone else, but 475 00:32:10,440 --> 00:32:14,520 Speaker 1: still referred to as the e G. Willis likely said, 476 00:32:14,880 --> 00:32:26,440 Speaker 1: through the good and bad, Haley remains. So what do 477 00:32:26,520 --> 00:32:30,240 Speaker 1: we make of Bruce Willis? Small town citizen with big 478 00:32:30,360 --> 00:32:34,440 Speaker 1: time ambitions. He swept Haley off its feet before putting 479 00:32:34,440 --> 00:32:38,000 Speaker 1: her back down with a lack of grace. He went 480 00:32:38,080 --> 00:32:41,760 Speaker 1: there to get away, to feel normal, but then installed 481 00:32:41,880 --> 00:32:44,480 Speaker 1: all the bright lights and glips of Hollywood that he 482 00:32:44,600 --> 00:32:49,120 Speaker 1: was trying to leave behind. Maybe some said Bruce Willis 483 00:32:49,200 --> 00:32:52,440 Speaker 1: had a bit of a savior complex. He couldn't save 484 00:32:52,560 --> 00:32:56,440 Speaker 1: Penn's Grove, his hometown, though he tried. So we found 485 00:32:56,480 --> 00:33:01,200 Speaker 1: a place that may not have needed saving. Today. Bruce 486 00:33:01,280 --> 00:33:04,800 Speaker 1: and Demi both maintain their own properties in Idaho. They 487 00:33:04,920 --> 00:33:07,920 Speaker 1: even quarantined together during the first major wave of the 488 00:33:08,040 --> 00:33:12,520 Speaker 1: pandemic in tw and they're signed Willis may not be 489 00:33:12,760 --> 00:33:18,200 Speaker 1: totally done tinkering. In March twenty one, the county approved 490 00:33:18,320 --> 00:33:22,600 Speaker 1: a long planned private airport near Haley after lengthy debate 491 00:33:22,680 --> 00:33:28,080 Speaker 1: of the economic benefit versus the environmental impact. Willis hasn't 492 00:33:28,160 --> 00:33:33,800 Speaker 1: publicly confirmed he's behind the airport, but the application was 493 00:33:33,960 --> 00:33:41,760 Speaker 1: filed by the x Nay Investment Trust. We hope you've 494 00:33:41,800 --> 00:33:44,920 Speaker 1: enjoyed listening to Haleywood. Please tell a friend to binge 495 00:33:45,000 --> 00:33:48,000 Speaker 1: the show. I'm Danish Wartz. You can find me on Twitter, 496 00:33:48,160 --> 00:33:51,720 Speaker 1: Instagram and TikTok at Danish Wartz spelled with three z's 497 00:33:51,760 --> 00:33:54,200 Speaker 1: at the end, and you can also find me hosting 498 00:33:54,240 --> 00:33:56,840 Speaker 1: the podcast Noble Blood and sometimes as a guest on 499 00:33:57,280 --> 00:34:01,000 Speaker 1: You're Wrong About or Hysteria. You can also read my 500 00:34:01,160 --> 00:34:04,640 Speaker 1: latest novel, Anatomy, a Love Story, which comes out January, 501 00:34:05,200 --> 00:34:08,480 Speaker 1: and you should absolutely please pre order by from your 502 00:34:08,600 --> 00:34:11,759 Speaker 1: local indie bookseller. Check out some of our other I 503 00:34:11,960 --> 00:34:17,200 Speaker 1: Heart original podcasts like Operation Midnight, Climax, Newton's Law, and 504 00:34:17,480 --> 00:34:21,439 Speaker 1: Black Cowboys, and keep your Ears Peeled for Big Brother, 505 00:34:21,680 --> 00:34:25,560 Speaker 1: North Korea's Forgotten Prince and What Happened to Sandy Beale. 506 00:34:26,880 --> 00:34:31,000 Speaker 1: Haleywood is hosted by Danish Schwartz. This show is written 507 00:34:31,080 --> 00:34:35,520 Speaker 1: by Jake Rawson, editing by Derrick Clements, Mary Do and 508 00:34:35,680 --> 00:34:39,440 Speaker 1: me Josh Fisher. Sound design and mixing by Jeremy thal 509 00:34:39,960 --> 00:34:45,320 Speaker 1: Derrek Clemens and me Josh Fisher. Original music by Natasha Jacobs. 510 00:34:45,880 --> 00:34:49,800 Speaker 1: Research and fact checking by Jake Rawson, Austin Thompson, and 511 00:34:49,920 --> 00:34:54,880 Speaker 1: Marissa Brown. Show logo by Lucy Quentinia. Our senior producer 512 00:34:55,040 --> 00:34:58,360 Speaker 1: is Ryan Murdoch and our executive producer is Jason English. 513 00:34:58,760 --> 00:35:01,560 Speaker 1: Special thanks to the p full of Hailey, Idaho and 514 00:35:01,680 --> 00:35:05,640 Speaker 1: all those who've shared their stories. Haileywood is a production 515 00:35:05,760 --> 00:35:13,320 Speaker 1: of I Heart Radio h