WEBVTT - #134: Does Greg T have ADD? Yeah You Know Me

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<v Speaker 1>Elvis Durrand presents off Air Show Scary Jones and Greg T.

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<v Speaker 1>What number is this? It's been so long since we

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<v Speaker 1>had a podcast. You know what, that is a great question.

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<v Speaker 1>But that is your one job. That is the only

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<v Speaker 1>job that you have. Is this a hashtag? You had

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<v Speaker 1>one job? Well, no one, honesty, Scary, you have one

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<v Speaker 1>job to do. So while I try to figure out

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<v Speaker 1>what episode it is, why don't you tell everybody how

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<v Speaker 1>they can reach us in all that crap? Okay, all right,

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<v Speaker 1>all that crap, all that junk, junk like junk, like

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<v Speaker 1>the junk that you got in your pants. Yeah, junk.

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<v Speaker 1>You could get in touch with us on Twitter and

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<v Speaker 1>on Instagram at the off Air Show and uh email

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<v Speaker 1>us the Affair Show at gmail dot com. I'm Scary,

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<v Speaker 1>This is Greg T. I'm over here. Now. You tell

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<v Speaker 1>them our brains is still on vacation. It really, it

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<v Speaker 1>really is episode thirty four. Mind you are you sure

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<v Speaker 1>it's not one thirty five? No, one thirty four is

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<v Speaker 1>what I're at and I got it right here? Is it?

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<v Speaker 1>What was one three? One thirty three? Says church Chat,

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<v Speaker 1>cheating and wedding blah blah blah blah, Okay, that's what

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<v Speaker 1>it says. And what was wedding? What was greg ts

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<v Speaker 1>dirty bucket list items? So that was one too? Are

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<v Speaker 1>you sure number were number one thirty four? But it says, man,

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<v Speaker 1>I'm looking at it right here at iHeart, and I

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<v Speaker 1>went right to it. Oh go on iTunes, you know,

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<v Speaker 1>I pulled up the I pulled up the I Heart

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<v Speaker 1>very quickly because I'm just so used to doing that.

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<v Speaker 1>I forgot the on iTunes. Yeah, don't forget. And we're

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<v Speaker 1>on Google Play. I'm telling you this is a great place.

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<v Speaker 1>Who goes to Google Play? People with androids? Come on?

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<v Speaker 1>What I do with that? Half the world has androids?

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<v Speaker 1>Google Play, They're on Google They get us on Google Play.

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<v Speaker 1>You know maybe the can you take a screenshot and

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<v Speaker 1>send us and send us a picture? I want to

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<v Speaker 1>see somebody on a Google Play if you if you

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<v Speaker 1>experience our show on Google Play, can you tweet us

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<v Speaker 1>at the affair show? I'm like, Google, Google Play, Google Play,

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<v Speaker 1>Google google Play. But I'll tell you, um, Greg t.

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<v Speaker 1>I I was thinking about you all vacation. You know

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<v Speaker 1>what I think about right now? I want to get

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<v Speaker 1>into it, but you know, it just hit me again,

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<v Speaker 1>like I feel like we're back to where it started again. Dude,

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<v Speaker 1>I I wanted right there when we just did that

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<v Speaker 1>stupid thing about Google Play with Google Play, I would

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<v Speaker 1>love to have like a sound effect freaking board. I

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<v Speaker 1>impress it like some baby's baby Google Google. They had that.

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<v Speaker 1>How would you have known to have had a Google

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<v Speaker 1>sound like I would have had a sound effect with

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<v Speaker 1>like a baby saying goo goo goo goo and something

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<v Speaker 1>like that. I'm gonna I'm gonna Google Google. I'm just

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<v Speaker 1>so done, man, I really am so like I had it.

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<v Speaker 1>Hold on, Google, we have no where's the boys are

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<v Speaker 1>back in town? Hold? I got nothing when I type

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<v Speaker 1>in Google in our system. We haven't done a podcasting

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<v Speaker 1>over a week. You've got nothing. No boys are back

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<v Speaker 1>in town? No nothing. You don't even know what episode

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<v Speaker 1>it is. No sound effect board. The only thing that

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<v Speaker 1>comes up, The only thing that comes up. We call

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<v Speaker 1>the engineer. What we can if you want, but I

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<v Speaker 1>want to call Jeff. Okay, hold on a second. The

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<v Speaker 1>only thing that comes up when I type in Google

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<v Speaker 1>is Google Dolls. Why did you faced right there? Well?

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<v Speaker 1>I have my issues with Johnny Resnick from the Google Dolls.

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<v Speaker 1>That's why. Why what happened to you. Well, because before

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<v Speaker 1>they became famous, the Google Dolls, which is a garage

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<v Speaker 1>band from Buffalo, New York. Man. So when I used

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<v Speaker 1>to skateboard, I listened to you know, Google Dolls as

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<v Speaker 1>a kid growing up, and I have older early albums. Jed, uh,

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<v Speaker 1>all go different in different albums. Hold on, hold on

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<v Speaker 1>to wake up, will you? Well? This is there now.

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<v Speaker 1>This is when they became like glamor man, what are

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<v Speaker 1>you talking about? This is the Google Dolls. Yeah, this

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<v Speaker 1>when they became famous. Right before that, they had other

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<v Speaker 1>music and that it was great. No again, this is

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<v Speaker 1>all off their commercial stuff. No, no, no, what do

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<v Speaker 1>you mean. That's exactly it. This is the number one hit, yes, correct,

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<v Speaker 1>And this is what made them famous. But there were

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<v Speaker 1>other albums before that, like supported where they were Were

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<v Speaker 1>you one of those skater kids? I was calling them

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<v Speaker 1>sellouts when these songs. Absolutely. So one day he was

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<v Speaker 1>coming up to the radio station. I wanted to meet him.

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<v Speaker 1>I wanted to get an autograph, you know. So look,

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<v Speaker 1>I can't even hear his voice, so you know what

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<v Speaker 1>I say, that's older by the good this one I saw,

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<v Speaker 1>stop all of it right here. If I had a

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<v Speaker 1>sound effect board. I'd give you a record, scratch and

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<v Speaker 1>stop it in meetia. What wrong? This was another? This

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<v Speaker 1>was a smash stop. Oh my god. This song was

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<v Speaker 1>number one for five yes, right, but there are other

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<v Speaker 1>stuff is much better, old old arts. Stop. Okay, let

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<v Speaker 1>me see if I can dig deep into their their catalog.

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<v Speaker 1>But it's the only thing that comes up when I

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<v Speaker 1>type Google's unfortunate. So what happened? So I'm there and

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<v Speaker 1>I'm waiting to meet him. I can't believe he's actually

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<v Speaker 1>coming up to the radio station, you know. So all

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<v Speaker 1>of a sudden, I meet him an elevator and I

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<v Speaker 1>pulled up this Not no again, this is a commercial.

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<v Speaker 1>It's just commercials now. They had albums like hold Me Up, Jed,

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<v Speaker 1>like these are the Fly from Buffalo, Like there's other stuff. No, dude,

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<v Speaker 1>I cannot even listen to this alright. So okay, he

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<v Speaker 1>comes up to the studio, right, so I show him

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<v Speaker 1>this album, right, Jed. I'm gonna try to pull up

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<v Speaker 1>a song right now? What is Jed? Alright? So Jed

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<v Speaker 1>was one. It was legitimately one of the Google Dolls.

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<v Speaker 1>Very first albums that they ever had were their hit

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<v Speaker 1>single Up Yours not Black Balloon. No, please, let me

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<v Speaker 1>give you a little bit of up yours. Hold on,

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<v Speaker 1>get this up please. So this wasn't from the old

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<v Speaker 1>school days. This is what made them millions of dollars,

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<v Speaker 1>but this is not what gave them, like their launch,

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<v Speaker 1>it was it was here stop? Please was that bag?

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<v Speaker 1>This was the Google Dolls I grew up listening to. Okay,

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<v Speaker 1>I'm gonna play it right now for you, right here,

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<v Speaker 1>because you don't have it in the system. There's no

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<v Speaker 1>way you have in this system. Oh my god. Commercial

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<v Speaker 1>So so okay, So, so what you're trying to say

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<v Speaker 1>is here. Listen, here it is. They had years and years.

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<v Speaker 1>This is the Google Dolls. That's not the Google Dolls.

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<v Speaker 1>Wait listen, yeah, yeah, there is up Yours. I could

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<v Speaker 1>see exactly why they went nowhere. So he's angry, right,

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<v Speaker 1>So there there they were. They were so angry back

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<v Speaker 1>in the day. So you're trying to say that that

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<v Speaker 1>music was better than the five songs I just played you, Well, no, no, no,

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<v Speaker 1>I'm not saying that. I'm trying to finish my story.

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<v Speaker 1>I get that the Google Dolls made a lot of

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<v Speaker 1>money and they became very famous, and they got their

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<v Speaker 1>act all polished. But this is what I used to

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<v Speaker 1>listen to when I was a skateboarder punk when I

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<v Speaker 1>hearrings and my hair was dyed and everything. Right, that's

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<v Speaker 1>when the Google dolls skod right now, skaterboard that's great.

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<v Speaker 1>So the bottom life. I wait in the elevator to

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<v Speaker 1>meet Johnny Resnick, and I showed him that album. And

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<v Speaker 1>do you know he wouldn't even sign it. He would

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<v Speaker 1>not autograph that album him because it was ship. Well

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<v Speaker 1>I get that, but that's what made him here he is,

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<v Speaker 1>That's what it said. So here's a kid like me.

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<v Speaker 1>And I'm sitting there going, I can't wait to meet you.

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<v Speaker 1>And I go here and he goes, oh man, he goes,

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<v Speaker 1>I didn't even know that album still existing, And I go,

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<v Speaker 1>I know, I I bought it a couple of years ago. Man,

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<v Speaker 1>when you were just Google dolls from Buffalo, not like

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<v Speaker 1>Mr Millionaire. You know. Okay, I'm trying, so I can't

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<v Speaker 1>listen to the new stuff, right man, But okay, that's right.

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<v Speaker 1>So okay, so you pretty much all your dreams were shattered.

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<v Speaker 1>That's right. You thought that Johnny Resnick you had painted

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<v Speaker 1>him up and painted him out to be this great guy.

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<v Speaker 1>He you looked up to him. He has a icon

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<v Speaker 1>in your eyes, right, despite the fact that he was

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<v Speaker 1>making ship music like you just played off your fright. Okay,

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<v Speaker 1>so you really loved you loved him, and then then

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<v Speaker 1>you finally met him and then you're like, Wow, this

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<v Speaker 1>guy's a real dick, right, I was so disappointed. Why

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<v Speaker 1>do you think he didn't sign your copy of jet It?

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<v Speaker 1>Like all of sudden it went to his head that

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<v Speaker 1>he was like this, like Mr Famous now that he

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<v Speaker 1>trying to forget about his past. I do think so.

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<v Speaker 1>I think he really tried to forget. That sounded like

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<v Speaker 1>that I would too. But listen, they had all they

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<v Speaker 1>always there's another one. Just lets listen this. That's what

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<v Speaker 1>they used to sound like. Yeah, this is awful, this

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<v Speaker 1>is terrible. You call this some music, Well, listen, when

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<v Speaker 1>you're a skater punk like me, that's what music was.

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<v Speaker 1>So the Google Dolls then that was that was from

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<v Speaker 1>Hold Me Up, their album which I still have until today.

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<v Speaker 1>And those albums was what the Google Dolls really were.

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<v Speaker 1>And then they became famous, and that's what happened. And

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<v Speaker 1>now you now every time you hear Johnny Resnick's voice

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<v Speaker 1>you want to puke because because I know who he

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<v Speaker 1>used to be and that he forgot about his humble

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<v Speaker 1>by the time you had now by the way, by

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<v Speaker 1>the time you had met him, it was nine. That

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<v Speaker 1>was so many people can relate though, because there's got

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<v Speaker 1>to be so many different celebs that you bumped into

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<v Speaker 1>that you couldn't wait to say hello do and they

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<v Speaker 1>really came off like a complete douchebag. And I think

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<v Speaker 1>you know what we should We should ask our all

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<v Speaker 1>fair heads to drop us an email or tweet us.

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<v Speaker 1>Let us know who you bumped into that you could

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<v Speaker 1>not wait to meet and they really came off like

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<v Speaker 1>such a scumbag or bag? What can we call what

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<v Speaker 1>do you want to call this segment? Don't be a douchebag? Do? Yeah? Yeah,

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<v Speaker 1>you know it? Hashtag douchebag? Do you wh Is that

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<v Speaker 1>good enough for you? If I had a sound effect,

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<v Speaker 1>there you go, keep that there, I would I would

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<v Speaker 1>be playing that. Where's Jeff. Let's get Jeff. Let's get

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<v Speaker 1>the Jeff, say Jeff, douchebag, Jeff the engineer? Was that

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<v Speaker 1>not quick enough for you? Can we get Jeff the engineer?

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<v Speaker 1>That was quick on the draw, like a harsh named McGraw. Listen,

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<v Speaker 1>I want to hear all about your experience in Nashville, Tennessee. Brot,

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<v Speaker 1>I think I like that, don't screen be Why did

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<v Speaker 1>you sign Greg's copy of JED? Now you talking? That's

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<v Speaker 1>what I'm looking for. Okay, See, I'm giving you what

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<v Speaker 1>you want. I'm I like, like Sam the Butcher bringing

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<v Speaker 1>Alice to me. I love that. I love that. This

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<v Speaker 1>is pretty trippy. So Johnny Renick was back to you.

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<v Speaker 1>But hold on a second, though, Yes, you know you're

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<v Speaker 1>just glossing over this um. You were a skater kid

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<v Speaker 1>who did not appreciate his his four reay into mainstream.

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<v Speaker 1>If I may get into Johnny's head for a second,

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<v Speaker 1>and I'm not trying to, I'm not trying to pretend

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<v Speaker 1>like I was there at the time that he refused

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<v Speaker 1>to sign your copy of his old CD. But I'm

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<v Speaker 1>guessing that he said he pretty much is like, listen,

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<v Speaker 1>I've moved on. Now I'm a commercial success. Johnny Resnick,

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<v Speaker 1>who was the dude who's the dirty guy who didn't

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<v Speaker 1>take a shower, But again, I was in his band.

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<v Speaker 1>Who was in his band? The guitar guy, what he

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<v Speaker 1>looked like he looked like he was filthy. Oh my god,

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<v Speaker 1>I forgot all their names whatever. The main guy that

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<v Speaker 1>was there with him, and he played plays barefoot. No, no,

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<v Speaker 1>he doesn't wear any shoes. Yeah, that guy is filthy.

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<v Speaker 1>He looked like pigpen on stage right. But the point

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<v Speaker 1>the point is, um, when you got this guy who's

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<v Speaker 1>already gone and done other things, you know, because he

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<v Speaker 1>had he had progressed by the time you met him. Yes,

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<v Speaker 1>I could see why he kind of poo pooed you

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<v Speaker 1>a little bit because he probably thought you were one

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<v Speaker 1>of those skater punks that he had been given flak

0:11:33.400 --> 0:11:36.920
<v Speaker 1>for selling out. Keeps fine, there was because once you

0:11:37.320 --> 0:11:41.000
<v Speaker 1>hit commercial success, after after being everyone's best kept secret

0:11:41.040 --> 0:11:42.920
<v Speaker 1>for like ten years, I know where you're going with

0:11:42.960 --> 0:11:45.439
<v Speaker 1>this guy ahead, then all of a sudden, you're opposer.

0:11:46.080 --> 0:11:48.680
<v Speaker 1>When you're sold, you've sold out. So he must have

0:11:48.720 --> 0:11:52.319
<v Speaker 1>gotten so much feedback and pushed back at that point

0:11:52.320 --> 0:11:59.800
<v Speaker 1>of his career from people like you. He probably was like,

0:12:00.120 --> 0:12:02.800
<v Speaker 1>I'm not signing this freaking thing. I'm so much more

0:12:02.840 --> 0:12:05.319
<v Speaker 1>than this. By the way, I gotta be honest as

0:12:05.400 --> 0:12:07.800
<v Speaker 1>somebody who has no skin in the game, and I

0:12:07.840 --> 0:12:10.719
<v Speaker 1>was not a fan I'm just being neutral. What you

0:12:10.800 --> 0:12:14.719
<v Speaker 1>played me on your phone was sounded awful. Hey, look

0:12:14.720 --> 0:12:16.360
<v Speaker 1>at that. There's Jeff. He's getting ready to come in here.

0:12:16.360 --> 0:12:18.680
<v Speaker 1>I can't wait. Listen, I get what you're saying, scare

0:12:18.760 --> 0:12:20.360
<v Speaker 1>and and I know how you're trying to you. I'm

0:12:20.400 --> 0:12:23.200
<v Speaker 1>just trying to say that I get it. He forgot Listen.

0:12:23.559 --> 0:12:27.520
<v Speaker 1>The guitarist name is Robbie. Robbie Robbie and Johnny Mike,

0:12:27.840 --> 0:12:31.319
<v Speaker 1>Johnny Resnick, Robbie and Mike. Mike's the drummer. So the point,

0:12:31.400 --> 0:12:36.200
<v Speaker 1>my point, my point is Johnny Resnick probably hated the

0:12:36.240 --> 0:12:39.760
<v Speaker 1>fact that you wanted to copy of that CD signed

0:12:40.040 --> 0:12:43.320
<v Speaker 1>because that was represented the old Google Dolls, which, by

0:12:43.320 --> 0:12:46.120
<v Speaker 1>the way, it sounded like freaking trash. I will give

0:12:46.160 --> 0:12:47.600
<v Speaker 1>you that, because there was no way they were going

0:12:47.640 --> 0:12:50.520
<v Speaker 1>anywhere commercially and two year old punk that's what he

0:12:50.600 --> 0:12:52.040
<v Speaker 1>listened to. Man. Let me look if they sell the

0:12:52.080 --> 0:12:56.920
<v Speaker 1>thousand copies of that crappy so they trying to sound

0:12:56.960 --> 0:12:59.440
<v Speaker 1>like tish, they sound no, they sounded like it, and

0:12:59.480 --> 0:13:03.720
<v Speaker 1>they sound like before they became before they became famous. Right, Well, listen,

0:13:04.040 --> 0:13:06.160
<v Speaker 1>we play some Do we have any music for an

0:13:06.200 --> 0:13:08.880
<v Speaker 1>engineer engineer Jeff is just walking into the studio. I

0:13:08.920 --> 0:13:12.040
<v Speaker 1>don't have Engineer, what would you play? Some kind of electronics,

0:13:12.040 --> 0:13:13.960
<v Speaker 1>some kind of music, Like what kind of an intro

0:13:14.320 --> 0:13:16.760
<v Speaker 1>would you play for engineer Jeff, Jeff, if you could

0:13:16.760 --> 0:13:19.000
<v Speaker 1>have your own introduction? Yeah, what would it be? What

0:13:19.040 --> 0:13:23.600
<v Speaker 1>American idiot? Because that's what I work with. You're talking

0:13:23.640 --> 0:13:25.600
<v Speaker 1>about the people back in your shop or the people

0:13:25.640 --> 0:13:27.240
<v Speaker 1>that you're standing in front of you have them something

0:13:27.880 --> 0:13:29.400
<v Speaker 1>I would say, the people that go away for a

0:13:29.400 --> 0:13:31.280
<v Speaker 1>week and forget how to do radio? Are you talking

0:13:31.280 --> 0:13:39.480
<v Speaker 1>about us? That's terrible, It's fine, these things I love. Yeah,

0:13:40.160 --> 0:13:42.040
<v Speaker 1>he's the best part of what's going on right now.

0:13:42.080 --> 0:13:47.520
<v Speaker 1>Jeff is an engineer and figure headphones headphones there. Yeah,

0:13:47.720 --> 0:13:49.520
<v Speaker 1>so you could start by fixing that. Yeah, that's a

0:13:50.040 --> 0:13:53.760
<v Speaker 1>Nates fault. Seriously, Jeff, as you struggled over there for

0:13:53.800 --> 0:13:56.960
<v Speaker 1>a second job. Anyway, Jeff, welcome to the Off Air show.

0:13:57.320 --> 0:14:00.880
<v Speaker 1>I'm this is this your first I think this is

0:14:00.920 --> 0:14:03.760
<v Speaker 1>my first appearance on the other Engineer Furious George on

0:14:03.800 --> 0:14:06.079
<v Speaker 1>the show. Well listen, so, Jeff, here's the problem that

0:14:06.120 --> 0:14:09.440
<v Speaker 1>we're having. We're now at episode one thirty four, and

0:14:09.480 --> 0:14:11.199
<v Speaker 1>I know that I've been with you and talk to

0:14:11.200 --> 0:14:16.800
<v Speaker 1>you about this. I need a sound effect board. No, please,

0:14:17.120 --> 0:14:19.960
<v Speaker 1>I need this. It's got to happen. Thinks that I'm

0:14:20.000 --> 0:14:22.640
<v Speaker 1>not He thinks that I'm not good enough, that's not

0:14:22.720 --> 0:14:26.360
<v Speaker 1>quick enough. I'm the keys, but what I think is scary.

0:14:26.440 --> 0:14:29.800
<v Speaker 1>Is very talented, but he hears things differently. I'm more

0:14:29.840 --> 0:14:32.360
<v Speaker 1>like a color guy. He's more like a straight ahead

0:14:32.400 --> 0:14:34.840
<v Speaker 1>like he can intro and and get out of our bits.

0:14:35.080 --> 0:14:37.560
<v Speaker 1>But like the sound effects I need to hit as

0:14:37.600 --> 0:14:40.480
<v Speaker 1>we're talking, wants to be, you know, wants how annoying

0:14:40.520 --> 0:14:43.280
<v Speaker 1>he is right now without a sound effects box, he

0:14:43.400 --> 0:14:45.280
<v Speaker 1>wants to be ten times more than That's why they

0:14:45.320 --> 0:14:48.480
<v Speaker 1>don't give the color guys in sports control of that stuff,

0:14:48.480 --> 0:14:50.360
<v Speaker 1>and it remains in the truck. Like right now, I

0:14:50.400 --> 0:14:52.520
<v Speaker 1>would play sound off and he says, I'm annoying. I'm annoying.

0:14:52.520 --> 0:14:56.000
<v Speaker 1>I'm annoying. I'm annoying. Imagine imagine like just just playing drop.

0:14:56.240 --> 0:14:57.840
<v Speaker 1>We call that a drop from the business. That's an

0:14:57.840 --> 0:15:00.200
<v Speaker 1>audio drops called the drop. So imagine where the little

0:15:00.240 --> 0:15:03.320
<v Speaker 1>conversation and Greg t is just pressing the button. I'm annoying.

0:15:03.360 --> 0:15:06.800
<v Speaker 1>I'm exactly, I'm annoying. That's what he wants control of.

0:15:06.840 --> 0:15:11.400
<v Speaker 1>That's why we're not giving him one. Jeff, you know

0:15:11.440 --> 0:15:14.200
<v Speaker 1>for real, we we asked for this like an episode two. No,

0:15:14.400 --> 0:15:17.360
<v Speaker 1>correct this, We did not ask for anything. We would

0:15:17.400 --> 0:15:20.160
<v Speaker 1>imply you and Scary as for Scary said no that.

0:15:20.280 --> 0:15:22.520
<v Speaker 1>Scary said go handle it with Jeff and get us

0:15:22.560 --> 0:15:24.640
<v Speaker 1>a sound effect because Scary knew what the answer was

0:15:24.680 --> 0:15:28.360
<v Speaker 1>gonna be. Jeff, I need one. I have to have it.

0:15:28.680 --> 0:15:31.560
<v Speaker 1>You can't need the podcast. We have the problem with

0:15:31.600 --> 0:15:35.760
<v Speaker 1>the off air show is it has no budget. We

0:15:35.840 --> 0:15:40.120
<v Speaker 1>know that. By the ways listening, this is fair. This

0:15:40.200 --> 0:15:43.120
<v Speaker 1>is Jeff is speaking the truth because as you know

0:15:43.200 --> 0:15:45.400
<v Speaker 1>we've been this is a common theme on every episode.

0:15:45.440 --> 0:15:48.200
<v Speaker 1>We have no budget. So Jeff knows that. And right

0:15:48.240 --> 0:15:50.480
<v Speaker 1>now I like to be playing like the main the

0:15:50.520 --> 0:15:53.360
<v Speaker 1>main show, the Storan in the morning show. Yeah you

0:15:53.400 --> 0:15:56.360
<v Speaker 1>need it, big budget, be playing a sound right now,

0:15:56.400 --> 0:15:59.560
<v Speaker 1>like like like sounded like coins to change ching but

0:16:00.000 --> 0:16:03.640
<v Speaker 1>it but money. You'll be taking your eye off the ball.

0:16:03.680 --> 0:16:06.040
<v Speaker 1>Then see if we give you if you're gonna be

0:16:06.040 --> 0:16:08.520
<v Speaker 1>like a little kid playing a xylophone or playing he's

0:16:08.600 --> 0:16:11.120
<v Speaker 1>banging on like drugs, like didn't you learn coming up

0:16:11.120 --> 0:16:14.000
<v Speaker 1>in radio and broadcast theater of the mind. You don't

0:16:14.040 --> 0:16:16.600
<v Speaker 1>want to spoon feed all the sound effects to your listeners.

0:16:16.680 --> 0:16:18.840
<v Speaker 1>Let him imagine what could be going on. You're right,

0:16:18.880 --> 0:16:22.040
<v Speaker 1>but in radio nowadays, what's happening is that is that

0:16:22.120 --> 0:16:24.840
<v Speaker 1>it's it's coming back. What's old is new again? And

0:16:24.880 --> 0:16:27.800
<v Speaker 1>where the sound the whole fully stage for you? Where

0:16:27.840 --> 0:16:30.400
<v Speaker 1>do you know what a fully stage is? To tell

0:16:30.480 --> 0:16:33.440
<v Speaker 1>him who folly was? Well the back and you want

0:16:33.440 --> 0:16:36.720
<v Speaker 1>to go old school like nineteen twenties, nineteen thirties when

0:16:36.720 --> 0:16:39.960
<v Speaker 1>they used to do hold on cereals and soaps and all.

0:16:40.240 --> 0:16:42.760
<v Speaker 1>By the point he would be playing nineteen twenties music

0:16:42.760 --> 0:16:48.480
<v Speaker 1>and okay, so I just call say scary, give me

0:16:48.480 --> 0:16:52.200
<v Speaker 1>some of those. I'll look at google it. Where you

0:16:52.240 --> 0:16:54.560
<v Speaker 1>would hear people tap dance, you would hear a baseball

0:16:54.600 --> 0:16:57.200
<v Speaker 1>being hit. You would hear that save it, save it,

0:16:57.240 --> 0:17:02.200
<v Speaker 1>save it ready and okay and there you go. Okay,

0:17:02.200 --> 0:17:04.120
<v Speaker 1>so let's take us back to nine twenties when that's

0:17:04.160 --> 0:17:08.840
<v Speaker 1>what I need. When when you need paper rustling, yes,

0:17:09.160 --> 0:17:11.159
<v Speaker 1>do that. It wasn't out of the computer. It was

0:17:11.359 --> 0:17:15.520
<v Speaker 1>somebody ruffling paper. Stage was it was a group of

0:17:15.520 --> 0:17:18.359
<v Speaker 1>people who were hired. We could be walking down the

0:17:18.400 --> 0:17:23.480
<v Speaker 1>hall exactly you go. Fully Foley was a guy who

0:17:23.520 --> 0:17:27.520
<v Speaker 1>made live sound effects without a box, without a machine,

0:17:27.600 --> 0:17:30.440
<v Speaker 1>without a thing that goes. I'm annoying, I'm annointing. I'm annoying.

0:17:30.520 --> 0:17:33.000
<v Speaker 1>That's fine, and I understand that. But then I would

0:17:33.040 --> 0:17:36.040
<v Speaker 1>have to already know what we're talking about in order

0:17:36.080 --> 0:17:39.399
<v Speaker 1>to create that theater of the folly stage. Did you

0:17:39.440 --> 0:17:40.840
<v Speaker 1>come into that? You come into the show with no

0:17:40.960 --> 0:17:43.719
<v Speaker 1>plan as so, so Jeff coming up on a planet.

0:17:43.760 --> 0:17:46.320
<v Speaker 1>Jeff is suggesting maybe you hire a bunch of people

0:17:46.600 --> 0:17:50.160
<v Speaker 1>with sound effects ready to go, and the folly stage

0:17:50.359 --> 0:17:54.520
<v Speaker 1>would be in effect. Any time you mentioned something of reference,

0:17:54.600 --> 0:17:57.320
<v Speaker 1>Jeff just said, we have no budget. Maybecause I didn't

0:17:57.359 --> 0:18:00.399
<v Speaker 1>hire anything. Crackling, Okay, dicks in turns to sit at

0:18:00.440 --> 0:18:02.280
<v Speaker 1>the other six mikes to make the sounds you want

0:18:02.280 --> 0:18:05.560
<v Speaker 1>to know, So the fully stage sound effect. No no,

0:18:05.560 --> 0:18:07.520
<v Speaker 1>no no no no no no no no no no.

0:18:07.760 --> 0:18:10.080
<v Speaker 1>Like let's say we were sitting by a fireplace. Yes,

0:18:10.320 --> 0:18:14.000
<v Speaker 1>fully fully stage person would say, ah, we can take

0:18:14.040 --> 0:18:16.320
<v Speaker 1>the sound of page. We can take paper and we

0:18:16.320 --> 0:18:19.720
<v Speaker 1>could rustle it slowly like this, right, it sounds like

0:18:19.760 --> 0:18:24.760
<v Speaker 1>a fire m I like that there's creativity. Okay, I

0:18:24.880 --> 0:18:27.480
<v Speaker 1>need it. That's a fully stage, see where they actually

0:18:27.520 --> 0:18:29.440
<v Speaker 1>do it live. So so, Jeff, can we get a

0:18:29.480 --> 0:18:31.879
<v Speaker 1>fully stage? Can I have the two seventeen version of

0:18:31.880 --> 0:18:34.040
<v Speaker 1>a fully stage? Yeah? You could sit there with paper.

0:18:36.600 --> 0:18:39.040
<v Speaker 1>What you're like? Mcgivers? He like you're a mcgueiver. You

0:18:39.080 --> 0:18:40.520
<v Speaker 1>got a guy for music? Scary? I don't know if

0:18:40.560 --> 0:18:42.359
<v Speaker 1>we have a mcguiver the type of M guy receive

0:18:42.440 --> 0:18:45.960
<v Speaker 1>we got mcgei for music, the mcgeiver, I don't think

0:18:46.000 --> 0:18:48.560
<v Speaker 1>so mcgever. I gotta look it up. How do you

0:18:48.560 --> 0:18:53.240
<v Speaker 1>spell mcguiver that's M. I don't think so. No, I

0:18:53.320 --> 0:19:02.119
<v Speaker 1>haven't m A mcgeiver, M A s matter. Well, how

0:19:02.119 --> 0:19:04.919
<v Speaker 1>would you look it up in your sound effects spelling?

0:19:05.040 --> 0:19:07.399
<v Speaker 1>I would already have the mcgivers sound effect already to go.

0:19:07.600 --> 0:19:10.439
<v Speaker 1>I type an mcg and a thousand Tim McGraw cutts,

0:19:10.440 --> 0:19:12.879
<v Speaker 1>come up, M A C g V G y v

0:19:13.320 --> 0:19:20.080
<v Speaker 1>E M m A C mcgever mcguy g mcgever theme mcgever.

0:19:20.240 --> 0:19:22.760
<v Speaker 1>I don't think it's in here. There's got we got

0:19:22.760 --> 0:19:35.400
<v Speaker 1>the SNL parody mcgruber. Here's the theme song right here,

0:19:35.520 --> 0:19:41.800
<v Speaker 1>This is right here, Hold on, mcgeiver, this is this

0:19:41.960 --> 0:19:46.320
<v Speaker 1>is mcgiver. Look, you got a sound effects box. SA

0:19:46.680 --> 0:19:49.320
<v Speaker 1>problem solved, it's in your phone. This is not I

0:19:49.400 --> 0:19:54.119
<v Speaker 1>need a real one. Okay, what are the okay, Jeff mcgeiver,

0:19:54.520 --> 0:19:57.240
<v Speaker 1>Jeff helps us out here. What if let's say he

0:19:57.280 --> 0:19:59.840
<v Speaker 1>did have a sound effects box? Okay, just just actually,

0:20:01.440 --> 0:20:05.040
<v Speaker 1>what are the odds? What are the odds that if

0:20:05.080 --> 0:20:08.000
<v Speaker 1>we get into a conversation then need the theme, that

0:20:08.080 --> 0:20:12.320
<v Speaker 1>you would actually have the mcgeiras theme in the system

0:20:12.359 --> 0:20:15.080
<v Speaker 1>already ready to go. Well, one of the odds you

0:20:15.119 --> 0:20:17.359
<v Speaker 1>would have had it in the sound effects box slim

0:20:17.440 --> 0:20:20.720
<v Speaker 1>to none and you're worrying about scary You know who

0:20:20.720 --> 0:20:24.119
<v Speaker 1>would have ultimate control over your sound effects box getting

0:20:24.160 --> 0:20:29.320
<v Speaker 1>on the show? Why? Because yes, I get that, But

0:20:29.320 --> 0:20:31.679
<v Speaker 1>but he has to open to me, has to have

0:20:31.760 --> 0:20:34.360
<v Speaker 1>an open mind and leave it open and trust me

0:20:34.520 --> 0:20:37.280
<v Speaker 1>that I'm gonna play the effects where they are needing.

0:20:37.400 --> 0:20:39.159
<v Speaker 1>Is this why you guys sit at opposite ends of

0:20:39.200 --> 0:20:43.800
<v Speaker 1>the room here each other rights farapsy right there, ding

0:20:43.880 --> 0:20:50.240
<v Speaker 1>ding ding corner. You think we don't get anything accomplished? Now,

0:20:50.760 --> 0:20:53.080
<v Speaker 1>we would never get any We would go nowhere, we

0:20:53.080 --> 0:20:55.720
<v Speaker 1>would be running in quickstand for fifty minutes on a

0:20:55.760 --> 0:21:02.240
<v Speaker 1>podcast because you're annoying. I'm annoying that constantly be putting

0:21:02.280 --> 0:21:05.240
<v Speaker 1>sound effection. We would go nowhere. Maybe at least the

0:21:05.280 --> 0:21:07.600
<v Speaker 1>fact that we don't have a sound effects box is

0:21:07.600 --> 0:21:09.520
<v Speaker 1>a good thing because we get to move a little

0:21:09.520 --> 0:21:11.159
<v Speaker 1>bit far. But have you ever heard that An example,

0:21:11.160 --> 0:21:12.680
<v Speaker 1>when a little kid gets a new toy, he wants

0:21:12.680 --> 0:21:13.680
<v Speaker 1>to play with it all the time, and then he

0:21:13.720 --> 0:21:15.639
<v Speaker 1>finally gets old, and then he plays with when he

0:21:15.680 --> 0:21:18.679
<v Speaker 1>sees fit. So maybe in the beginning most of the

0:21:18.680 --> 0:21:20.480
<v Speaker 1>time they play with it for about fifteen minutes and

0:21:20.480 --> 0:21:24.080
<v Speaker 1>then it goes in the middle of the room downstairs

0:21:24.600 --> 0:21:26.320
<v Speaker 1>to say, we would be wasting money. So no, but

0:21:26.359 --> 0:21:30.240
<v Speaker 1>in the beginning, in the beginning, we might use it

0:21:30.680 --> 0:21:33.920
<v Speaker 1>effect and then it would just come into play where

0:21:33.920 --> 0:21:35.919
<v Speaker 1>you needed it. It would just be there, like right now,

0:21:35.960 --> 0:21:37.520
<v Speaker 1>I would say, from now on, I need to have

0:21:37.640 --> 0:21:39.440
<v Speaker 1>a guiver loaded up in there, just just to have

0:21:40.560 --> 0:21:42.679
<v Speaker 1>you need to get But then what happens is you

0:21:42.720 --> 0:21:45.920
<v Speaker 1>get such a glut of sound that you wouldn't be

0:21:45.920 --> 0:21:48.320
<v Speaker 1>able to find anything. No, my brain is not. My

0:21:48.359 --> 0:21:50.399
<v Speaker 1>brain works differently. You know, you worked on me before.

0:21:50.680 --> 0:21:54.080
<v Speaker 1>I can find anything in a in a formatted system. Okay,

0:21:54.280 --> 0:21:56.119
<v Speaker 1>I would get that. I would do it like I

0:21:56.119 --> 0:21:58.720
<v Speaker 1>would say that you would not have them right there,

0:21:58.800 --> 0:22:04.160
<v Speaker 1>rain Man. I'd be like, yeah, I went. You would

0:22:04.240 --> 0:22:10.240
<v Speaker 1>have to have had that clip saying Okay, the audience

0:22:10.240 --> 0:22:13.000
<v Speaker 1>that has to understand something. You don't just call up

0:22:13.040 --> 0:22:17.800
<v Speaker 1>sounds and they just appear the soundbox that Greg speaks stuff,

0:22:18.240 --> 0:22:21.080
<v Speaker 1>you know, you have to load it in real time.

0:22:21.119 --> 0:22:23.320
<v Speaker 1>You have to go find it on the internet and

0:22:23.440 --> 0:22:25.760
<v Speaker 1>load it into it and get a button on the

0:22:25.800 --> 0:22:28.320
<v Speaker 1>sound effects box. Yeah, so you will have had to

0:22:28.400 --> 0:22:31.359
<v Speaker 1>have known that you needed that. So where would that

0:22:31.440 --> 0:22:34.000
<v Speaker 1>you you're telling me the Rainman sound that you just

0:22:34.040 --> 0:22:37.720
<v Speaker 1>said would be in the box. It would not. You'd

0:22:37.720 --> 0:22:40.840
<v Speaker 1>have to So what what you're dreaming of is a

0:22:40.960 --> 0:22:45.040
<v Speaker 1>sound effects box that would could call up anything in

0:22:45.119 --> 0:22:49.040
<v Speaker 1>life in three seconds and it would be ready to go.

0:22:49.440 --> 0:22:51.720
<v Speaker 1>When the truth of the matter is and the reality

0:22:51.800 --> 0:22:55.200
<v Speaker 1>situation is that about one percent of what you'll ever

0:22:55.320 --> 0:22:57.320
<v Speaker 1>need will be ready in the box, because you'll spend

0:22:57.320 --> 0:22:58.879
<v Speaker 1>the rest of the time thinking like, oh, I should

0:22:58.880 --> 0:23:00.240
<v Speaker 1>have had that box to load it up with that

0:23:00.320 --> 0:23:02.480
<v Speaker 1>sound good here now right now, I'll be playing this

0:23:05.680 --> 0:23:09.800
<v Speaker 1>what is it Monday? I always wanted a car on Saturday.

0:23:10.359 --> 0:23:16.159
<v Speaker 1>That's Raymond Raymond. Okay out, I'm an excellent driver. I'm

0:23:16.200 --> 0:23:21.440
<v Speaker 1>a driver. Okay, great, what it's a Monday, I drive

0:23:21.480 --> 0:23:27.800
<v Speaker 1>the car on Saturday. Okay, okay, stop saying copyright infringements.

0:23:27.960 --> 0:23:30.639
<v Speaker 1>You gotta shut that off. It's more than fifteen seconds.

0:23:30.680 --> 0:23:32.639
<v Speaker 1>But but so so my question, okay, so great? What

0:23:32.720 --> 0:23:35.439
<v Speaker 1>are the odds that would have been already existing in

0:23:35.480 --> 0:23:37.840
<v Speaker 1>the sound of the correct but other drops I would

0:23:37.840 --> 0:23:39.880
<v Speaker 1>already have the bottom line is this. It doesn't matter.

0:23:41.240 --> 0:23:45.560
<v Speaker 1>He's breaking your Mira. You are mcgever. You gotta be

0:23:45.640 --> 0:23:48.480
<v Speaker 1>able to give me a sound effect board so that

0:23:48.520 --> 0:23:51.960
<v Speaker 1>I could do this even mcgever had a budget. We

0:23:51.960 --> 0:23:58.800
<v Speaker 1>don't have a budget for it. Sorry, thank you. I

0:23:58.880 --> 0:24:00.879
<v Speaker 1>like here, I interviewed. What should have you on? Just

0:24:01.040 --> 0:24:05.439
<v Speaker 1>to play that song? Now? I don't want to be

0:24:05.520 --> 0:24:15.200
<v Speaker 1>an American, don't want okay, anyway, I need an outlet.

0:24:15.760 --> 0:24:18.000
<v Speaker 1>I need an outlet. Yeah, you want to stick your fingers?

0:24:18.000 --> 0:24:20.879
<v Speaker 1>And where is bald freak? I need a keyboard? I

0:24:20.920 --> 0:24:23.840
<v Speaker 1>mean not here, bald freak. The wheels are falling off

0:24:23.880 --> 0:24:27.199
<v Speaker 1>the freaking car or not you in your head. The

0:24:27.240 --> 0:24:32.080
<v Speaker 1>wheels are falling right there. Crash accent. Chances are that

0:24:32.200 --> 0:24:35.080
<v Speaker 1>would not be loaded up already. You would have had

0:24:35.119 --> 0:24:37.639
<v Speaker 1>to have taken time before the show and loaded that

0:24:37.720 --> 0:24:43.879
<v Speaker 1>in a rocketship taken off. Can you drop it with that? Please?

0:24:44.160 --> 0:24:45.960
<v Speaker 1>Can I read? Hey? Listen? I just want to read

0:24:45.960 --> 0:24:49.560
<v Speaker 1>one email that I was really moved by right now?

0:24:49.680 --> 0:24:52.760
<v Speaker 1>Email sound? Do you have any email sound effects? Yeah?

0:24:52.840 --> 0:24:56.240
<v Speaker 1>I do? How about it? Like? Do do do? Do? Do?

0:24:56.440 --> 0:24:59.280
<v Speaker 1>You're reading an email? Doo doo doo doo doo doo

0:24:59.320 --> 0:25:02.880
<v Speaker 1>doo doo doo. You are absolutely need out of your head.

0:25:02.960 --> 0:25:06.320
<v Speaker 1>It helps ladies and gentlemen. Greg T maybe if you

0:25:06.400 --> 0:25:09.640
<v Speaker 1>want to vote if up the dosede on his medication.

0:25:09.760 --> 0:25:11.720
<v Speaker 1>Drop us an email, Drop us an email at the

0:25:11.760 --> 0:25:13.239
<v Speaker 1>off Our Show at gmail dot com, or you can

0:25:13.280 --> 0:25:16.600
<v Speaker 1>tweet us at the off Air Show on Twitter. Please

0:25:16.840 --> 0:25:25.160
<v Speaker 1>please do that. There you go that like it's time. Welcome.

0:25:25.760 --> 0:25:28.199
<v Speaker 1>You've got mail, all right? I just want to read one.

0:25:29.440 --> 0:25:31.159
<v Speaker 1>Is this what you're looking for? You love this? This

0:25:31.240 --> 0:25:33.439
<v Speaker 1>is a group called craft Work. Now you can lowers

0:25:33.520 --> 0:25:37.080
<v Speaker 1>a little bit down. This is how you can go

0:25:37.200 --> 0:25:39.840
<v Speaker 1>read it. I think this was a computer song. I

0:25:39.920 --> 0:25:44.680
<v Speaker 1>love it. It's one email. So this goes out this

0:25:44.760 --> 0:25:50.280
<v Speaker 1>has come to us from Nikolassaksa and by the way, Russian,

0:25:50.760 --> 0:26:00.320
<v Speaker 1>I don't know. So let's Melashau where Alasha rush shot

0:26:01.560 --> 0:26:06.199
<v Speaker 1>Lasha Lusha. Don't make fun of her. She's a listener.

0:26:06.440 --> 0:26:08.560
<v Speaker 1>I'm just saying, although she's not up to this episode

0:26:08.640 --> 0:26:11.280
<v Speaker 1>yet because she's a little bit behind Donald, she'll be here. Yeah,

0:26:12.560 --> 0:26:18.040
<v Speaker 1>she's going to hear you talking about stop it us.

0:26:19.040 --> 0:26:22.959
<v Speaker 1>All right, So Nikolassa wrote, Hey, Greg t and scary

0:26:23.200 --> 0:26:28.800
<v Speaker 1>What I am my fourteen year old son's personal uber driver.

0:26:29.040 --> 0:26:31.600
<v Speaker 1>All right, I am in the car a minimum of

0:26:31.760 --> 0:26:35.600
<v Speaker 1>three hours a day. Yeah. I originally downloaded the I

0:26:35.720 --> 0:26:39.160
<v Speaker 1>Heart Radio app to hear the Elvis Durand show at work,

0:26:39.240 --> 0:26:41.600
<v Speaker 1>which is cool. That's very big show, Thank you so much.

0:26:42.160 --> 0:26:45.480
<v Speaker 1>Then I started listening to the fifteen minute morning show podcast. Yeah.

0:26:46.240 --> 0:26:49.840
<v Speaker 1>In January, we found out that my dad, Um, who

0:26:49.920 --> 0:26:53.160
<v Speaker 1>I'm very close to. I hope that this is going

0:26:53.200 --> 0:26:55.200
<v Speaker 1>down our bad road. Now, Scar, come on, give me

0:26:55.320 --> 0:26:58.200
<v Speaker 1>some happy sty I know, but found out Okay, he's

0:26:58.520 --> 0:27:02.040
<v Speaker 1>terminally ill. Okay, I gotta take the music off. This

0:27:02.160 --> 0:27:03.800
<v Speaker 1>is this is seriously did you not know what you're

0:27:03.800 --> 0:27:05.560
<v Speaker 1>gonna read? No? I knew. I knew, but I just

0:27:05.720 --> 0:27:09.239
<v Speaker 1>you asked for that. It just got back. But now

0:27:09.280 --> 0:27:10.680
<v Speaker 1>I go, I want to give this to you because

0:27:10.960 --> 0:27:14.760
<v Speaker 1>this actually gives me motivation. Um So, anyway, she goes

0:27:14.800 --> 0:27:17.480
<v Speaker 1>on right that that she's devastated and she's heartbroken by this,

0:27:17.760 --> 0:27:22.240
<v Speaker 1>by this terminal illness. Normally, normally I love being in

0:27:22.280 --> 0:27:24.679
<v Speaker 1>the car by myself, listening to music and being alone

0:27:24.720 --> 0:27:29.040
<v Speaker 1>with my thoughts. But since my father's diagnosis, it's been

0:27:29.280 --> 0:27:33.160
<v Speaker 1>very difficult to be alone. Um, I can no longer

0:27:33.440 --> 0:27:38.840
<v Speaker 1>listen to music without crying. I needed more podcasts. I

0:27:39.040 --> 0:27:41.480
<v Speaker 1>came across the off air show and I have to

0:27:41.560 --> 0:27:45.200
<v Speaker 1>say I love it with three exclamation points. You guys

0:27:45.280 --> 0:27:47.160
<v Speaker 1>have over a hundred shows that I need to catch

0:27:47.280 --> 0:27:51.440
<v Speaker 1>up on. All right, your show makes me feel so good. Nice.

0:27:51.520 --> 0:27:53.640
<v Speaker 1>It takes my mind off of real life. I don't

0:27:53.920 --> 0:27:56.959
<v Speaker 1>have to worry about you playing sad songs to make

0:27:57.040 --> 0:27:59.640
<v Speaker 1>me cry. Nice. Now, am I supposed to play there please?

0:27:59.680 --> 0:28:02.159
<v Speaker 1>Head's to make me cree? No? No, I'm not playing

0:28:02.200 --> 0:28:05.480
<v Speaker 1>that here, all right, I don't have to. I literally

0:28:05.520 --> 0:28:07.680
<v Speaker 1>listened to your shows in the car all the time,

0:28:08.000 --> 0:28:11.159
<v Speaker 1>back to back to back. I use it as background

0:28:11.320 --> 0:28:14.000
<v Speaker 1>noise when I'm in the house to l O l

0:28:14.560 --> 0:28:17.840
<v Speaker 1>so she also uses it. I guess to most people,

0:28:17.880 --> 0:28:20.640
<v Speaker 1>we are just background noise. You got Leo Sayer? Okay,

0:28:20.760 --> 0:28:23.200
<v Speaker 1>load up, Leo Sayer? What what Leo Sayer's song is

0:28:23.240 --> 0:28:25.640
<v Speaker 1>possibly fitting at this point. You make me feel like dancing.

0:28:26.880 --> 0:28:30.000
<v Speaker 1>She feels good, she loves this podcast. Okay, I'll give

0:28:30.000 --> 0:28:33.560
<v Speaker 1>you that one. There you go. You guys really helped

0:28:33.600 --> 0:28:36.320
<v Speaker 1>me get through my day. Thank you so much. That's

0:28:36.400 --> 0:28:42.040
<v Speaker 1>nice from Nikolassa Natasha. Anyway, I don't know so anyway,

0:28:42.400 --> 0:28:45.160
<v Speaker 1>you know I read this over the vacation that we had.

0:28:48.320 --> 0:28:50.640
<v Speaker 1>I think we played this song on episode number fifteen.

0:28:55.200 --> 0:28:57.280
<v Speaker 1>Feel like in my sound effect board, I would just

0:28:57.400 --> 0:29:00.520
<v Speaker 1>have you make me feel like dancing like that step part.

0:29:00.800 --> 0:29:03.240
<v Speaker 1>You would not have it ready, You're not ready. I

0:29:03.240 --> 0:29:05.120
<v Speaker 1>would have would it already? No, you would not. You

0:29:05.200 --> 0:29:06.560
<v Speaker 1>cannot tell me what I would have and when I

0:29:06.560 --> 0:29:08.400
<v Speaker 1>would not have. For all, here comes the big chorus,

0:29:08.520 --> 0:29:12.320
<v Speaker 1>right if it's a chorus, Yeah, everybody make me feel

0:29:12.440 --> 0:29:16.240
<v Speaker 1>like going to dance and that a wake up. You're

0:29:16.400 --> 0:29:22.440
<v Speaker 1>making it feel like this like my false up. I

0:29:22.560 --> 0:29:26.440
<v Speaker 1>like it. Yeah, I gonna dance. And now Nick lashes

0:29:26.680 --> 0:29:36.520
<v Speaker 1>nickolashes Nicolas, Hey, Nikolassa, there you Okay, there you go. Anyway,

0:29:37.040 --> 0:29:39.360
<v Speaker 1>I'm just saying, so, anyway, I spy the way I sent.

0:29:39.480 --> 0:29:42.600
<v Speaker 1>I forwarded that to you, and uh to bald Freak

0:29:42.640 --> 0:29:45.600
<v Speaker 1>and I Bald Freak being a dick. It didn't even respond.

0:29:46.000 --> 0:29:50.600
<v Speaker 1>But anyway, right there, it sound effect big big. I'm

0:29:50.640 --> 0:29:53.520
<v Speaker 1>just saying, dude, you are Seriously, we can't even play

0:29:53.560 --> 0:29:55.720
<v Speaker 1>with the bastard. Where is the guy? I don't know

0:29:55.760 --> 0:29:58.760
<v Speaker 1>where he is right and exactly, But the point is this, Okay,

0:29:59.360 --> 0:30:02.760
<v Speaker 1>when I see emails coming from people like Nicholas, I

0:30:02.800 --> 0:30:04.960
<v Speaker 1>know you're a big heart. No. When I see that,

0:30:06.000 --> 0:30:09.440
<v Speaker 1>I have to tell you, Gregg Tea, it keeps me wanting,

0:30:09.560 --> 0:30:11.800
<v Speaker 1>It keeps my interest up. It keeps me wanting to

0:30:11.880 --> 0:30:14.240
<v Speaker 1>do more and more podcasts because if, if, if there's

0:30:14.360 --> 0:30:17.080
<v Speaker 1>one thing that we do and we've learned this from Elvis,

0:30:17.200 --> 0:30:19.240
<v Speaker 1>and I'm just gonna do you know why she wrote

0:30:19.240 --> 0:30:22.200
<v Speaker 1>that email because she loved the show on like episode

0:30:22.240 --> 0:30:25.240
<v Speaker 1>seven before when ball Freak was here playing the keyboard

0:30:25.320 --> 0:30:27.840
<v Speaker 1>having fun. That's not true, but an episode one thirty four,

0:30:28.080 --> 0:30:30.040
<v Speaker 1>I don't think that she's gonna be saying, oh, my god,

0:30:30.120 --> 0:30:31.920
<v Speaker 1>this is a great podcast. What are you talking about.

0:30:31.920 --> 0:30:34.160
<v Speaker 1>We're having a great podcast today. The point is this,

0:30:34.640 --> 0:30:36.680
<v Speaker 1>when I'm saying, you gotta stop being so down on yourself.

0:30:37.560 --> 0:30:39.640
<v Speaker 1>You don't have a freaking you don't have a freaking soundboard.

0:30:39.760 --> 0:30:41.800
<v Speaker 1>We have no fun. You're upset because you don't have

0:30:41.840 --> 0:30:45.160
<v Speaker 1>a soundboard. Stop it. Stop more fun. Stop it. Having

0:30:45.240 --> 0:30:47.960
<v Speaker 1>come up with a game, you know something. You're like

0:30:48.080 --> 0:30:50.000
<v Speaker 1>the person at dinner that won't put the phone away.

0:30:50.040 --> 0:30:51.560
<v Speaker 1>They just take it to the streets. You got any

0:30:51.680 --> 0:30:54.120
<v Speaker 1>anything like that. You want to play with all the

0:30:54.160 --> 0:30:56.440
<v Speaker 1>other instruments, and you're not looking up at me. I'm here,

0:30:56.520 --> 0:30:58.600
<v Speaker 1>I'm real time, I'm now, I'm live. Look at me

0:30:58.640 --> 0:31:00.800
<v Speaker 1>in the eye. Greg, He's just like a soap opera.

0:31:01.120 --> 0:31:05.000
<v Speaker 1>It's me, look at me. Be there for me to understand.

0:31:05.520 --> 0:31:08.520
<v Speaker 1>I want you be there for me. It's like a

0:31:08.680 --> 0:31:12.040
<v Speaker 1>soap opera. Be there for me, my t stop it.

0:31:12.280 --> 0:31:14.560
<v Speaker 1>You don't need anybody else said no, I was there

0:31:14.680 --> 0:31:16.720
<v Speaker 1>for you. You don't need all these toys, Greg, ta

0:31:17.640 --> 0:31:22.400
<v Speaker 1>You need to soundboard, right, that's what we need. What

0:31:22.480 --> 0:31:29.160
<v Speaker 1>you tell me scared? Tell me, oh, you don't sit

0:31:29.240 --> 0:31:32.320
<v Speaker 1>there and play with the soundboard. Black. I'm annoying. I'm annoying.

0:31:32.360 --> 0:31:36.080
<v Speaker 1>I'm annoying when I'm talking a real time my conversations.

0:31:36.200 --> 0:31:41.440
<v Speaker 1>Right if your dacity sit down for hours and hours

0:31:41.520 --> 0:31:45.120
<v Speaker 1>playing that damn soumple saying I need you, I need you.

0:31:45.320 --> 0:31:49.760
<v Speaker 1>I didn't if you focused on me, I sund like

0:31:49.800 --> 0:31:52.280
<v Speaker 1>my wife. Yeah, you sound like Trish yelling at me

0:31:52.400 --> 0:31:53.960
<v Speaker 1>right now, I shut up. That's a trish. Yet it

0:31:53.960 --> 0:31:56.760
<v Speaker 1>sounds like she's yelling at me. That's exactly it. Because

0:31:57.080 --> 0:31:58.960
<v Speaker 1>you you do you you have some form of a

0:31:59.240 --> 0:32:01.480
<v Speaker 1>d h D. You you must have something? Are you

0:32:01.640 --> 0:32:04.440
<v Speaker 1>not thinking you must? Because you need other things to

0:32:04.600 --> 0:32:06.760
<v Speaker 1>entertain you? When I'm sitting right here, so you're not

0:32:06.800 --> 0:32:09.160
<v Speaker 1>even looking at me, You're looking all over the room.

0:32:10.160 --> 0:32:12.720
<v Speaker 1>Button me. There you go. You know you're there, fucking cohost,

0:32:12.840 --> 0:32:19.920
<v Speaker 1>Look at me, Look at me. I'm your co here.

0:32:20.240 --> 0:32:25.200
<v Speaker 1>Why I'm pretty here the whole time? Seriously listen that

0:32:25.360 --> 0:32:28.560
<v Speaker 1>you right down and get some notes here, He goes,

0:32:28.720 --> 0:32:31.320
<v Speaker 1>look at day, I'm looking at you. Are you staring

0:32:31.360 --> 0:32:33.640
<v Speaker 1>at me saying? I cannot stare you in the eyes.

0:32:35.040 --> 0:32:37.840
<v Speaker 1>You don't pay me enough attention. All you're doing is

0:32:37.840 --> 0:32:40.400
<v Speaker 1>sit there and playingly get sat box. I'm listening to

0:32:40.600 --> 0:32:44.200
<v Speaker 1>your phone. I am here. Listen, get yourself this we do.

0:32:44.440 --> 0:32:47.280
<v Speaker 1>Get right down a note. So next next episode that

0:32:47.360 --> 0:32:49.720
<v Speaker 1>we have, you gotta bring it up. Does Greg t

0:32:49.920 --> 0:32:53.280
<v Speaker 1>have a form of a d h D? Look up,

0:32:53.320 --> 0:32:56.200
<v Speaker 1>get your get get some symptoms. How do you know

0:32:56.640 --> 0:32:59.080
<v Speaker 1>when your friend is a d h D? And then

0:32:59.120 --> 0:33:01.080
<v Speaker 1>put it there and you come up to the table,

0:33:01.320 --> 0:33:03.560
<v Speaker 1>come up and say, look, I have proof that you

0:33:03.680 --> 0:33:06.640
<v Speaker 1>have a form of this. Okay, So so anyway real

0:33:06.720 --> 0:33:09.120
<v Speaker 1>quick and talk about our vacation. I mean, I have

0:33:09.240 --> 0:33:11.880
<v Speaker 1>something I wanted to tell you. I mean you, god,

0:33:12.760 --> 0:33:15.720
<v Speaker 1>you really really seriously. You drive me absolutely crazy. You

0:33:15.960 --> 0:33:19.040
<v Speaker 1>made a twenty minute diversion to bring Jeff in here

0:33:19.480 --> 0:33:21.920
<v Speaker 1>when I told you in the beginning, I wanted to

0:33:22.000 --> 0:33:24.000
<v Speaker 1>talk about a little bit about where I went. I

0:33:24.080 --> 0:33:27.960
<v Speaker 1>want to hear about where's bald Freak. I don't know

0:33:28.040 --> 0:33:29.760
<v Speaker 1>where he is. He he was on the trip with me.

0:33:29.760 --> 0:33:33.120
<v Speaker 1>I'll tell you that hashtag wears bald freak, all right,

0:33:33.160 --> 0:33:38.080
<v Speaker 1>they're off fair heads. Hashtag wear's bald freak. So I

0:33:38.200 --> 0:33:41.960
<v Speaker 1>had I got into a hoe down. Yeah, it say't

0:33:41.960 --> 0:33:44.760
<v Speaker 1>a hole down music. This is Zach Brown. Oh, by

0:33:44.800 --> 0:33:47.200
<v Speaker 1>the way, is gonna be here later on today. I

0:33:47.200 --> 0:33:48.400
<v Speaker 1>don't know when you're listening to this in the I

0:33:48.520 --> 0:33:50.680
<v Speaker 1>Heart Radio Theater on May the fifteen, so I don't

0:33:50.680 --> 0:33:55.360
<v Speaker 1>know when you listen, but right now that's gonna why

0:33:55.440 --> 0:33:59.480
<v Speaker 1>not stand is in the hospital, Stands getting his bald

0:33:59.480 --> 0:34:02.720
<v Speaker 1>black and taking and Ella had a soccer game on

0:34:02.840 --> 0:34:06.560
<v Speaker 1>Sunday which was canceled. This is a Monday podcast, so

0:34:07.080 --> 0:34:09.799
<v Speaker 1>her soccer game has been rescheduled for today at five thirty.

0:34:10.320 --> 0:34:12.680
<v Speaker 1>So unfortunately Zach Brown has taken the back seat. So

0:34:12.760 --> 0:34:15.440
<v Speaker 1>you're not gonna be the Brown concert, but you're a

0:34:15.520 --> 0:34:18.200
<v Speaker 1>huge Zack Brown fair love that the reader. Why I

0:34:18.320 --> 0:34:22.040
<v Speaker 1>bring this up is because Blee te peak and pad

0:34:22.320 --> 0:34:29.800
<v Speaker 1>homemade one and once again you're turning to the lyrics

0:34:29.840 --> 0:34:32.320
<v Speaker 1>when I'm right in front of you. I'm communicate with

0:34:32.440 --> 0:34:34.960
<v Speaker 1>me with Zach Brown, who can't hear you, right, I

0:34:35.040 --> 0:34:41.400
<v Speaker 1>can't look at you? And little bit you know, I

0:34:41.440 --> 0:34:44.040
<v Speaker 1>got a friend list of Tennessee. Yeah, her name is Sierra,

0:34:44.160 --> 0:34:47.160
<v Speaker 1>not Sierra Gore from Georgia. Another friend Sierra that I

0:34:47.239 --> 0:34:50.239
<v Speaker 1>took to the prom and she lives in Tennessee, Tennessee.

0:34:50.520 --> 0:34:52.480
<v Speaker 1>That's right. Can I get tell you what tell you

0:34:52.520 --> 0:34:55.400
<v Speaker 1>about Tennessee. Tell me all about Tennessee a second. I

0:34:55.400 --> 0:34:57.320
<v Speaker 1>gotta I wonder what the temperature is like in Tennessee

0:34:57.480 --> 0:35:02.319
<v Speaker 1>right now? Yeah, se Tennis A little bit about Tennessee. Ye,

0:35:02.520 --> 0:35:05.160
<v Speaker 1>tell me. So I went to Nashville, Well, Free came

0:35:05.200 --> 0:35:07.320
<v Speaker 1>with me, went a little road trip. That was the

0:35:07.440 --> 0:35:10.800
<v Speaker 1>third leg of our three our It was our Midwest

0:35:10.840 --> 0:35:13.839
<v Speaker 1>tour pretty much. Yeah. We did Chicago, then we went

0:35:13.880 --> 0:35:16.560
<v Speaker 1>to Cincinnati, both to see the Yankees play on the

0:35:16.680 --> 0:35:19.080
<v Speaker 1>road in those respective cities. Yeah, and then finally we

0:35:19.200 --> 0:35:22.680
<v Speaker 1>ended up in Nashville. Nice. The same thing needs to

0:35:22.719 --> 0:35:24.800
<v Speaker 1>play in there in Nashville. But this is about Tennessee.

0:35:25.600 --> 0:35:28.120
<v Speaker 1>Arrest of development is from here. Are they from Tennessee?

0:35:29.000 --> 0:35:31.160
<v Speaker 1>I don't know that singing about it right now? How

0:35:31.239 --> 0:35:32.880
<v Speaker 1>many artists do you know that have saying with other

0:35:32.920 --> 0:35:37.000
<v Speaker 1>places that are not from there? Hey, genius, they don't

0:35:37.000 --> 0:35:39.200
<v Speaker 1>have to be from Tennessee to sing about Tennessee. I

0:35:39.239 --> 0:35:41.160
<v Speaker 1>don't even have passed through Tennessee. I don't know the

0:35:41.200 --> 0:35:43.320
<v Speaker 1>answer to this question, but I guarantee you that from Tennessee.

0:35:43.320 --> 0:35:44.640
<v Speaker 1>Why don't you look it up? Why don't you pull

0:35:44.719 --> 0:35:47.000
<v Speaker 1>my ex prom date and and talk to her about Tennessee.

0:35:47.760 --> 0:35:51.600
<v Speaker 1>Take me look it up, google it right now? Where

0:35:51.680 --> 0:35:54.040
<v Speaker 1>is arrest of development from? I'm gonna find out what

0:35:54.160 --> 0:35:56.440
<v Speaker 1>are you doing? You just take your headphone call? You

0:35:56.600 --> 0:35:58.960
<v Speaker 1>really do have a d H D. Who are you calling?

0:35:59.080 --> 0:36:03.320
<v Speaker 1>He just gets up, all right, So in Nashville, I

0:36:03.440 --> 0:36:05.279
<v Speaker 1>just want to I want to explain. I want to

0:36:05.320 --> 0:36:07.759
<v Speaker 1>do everyone in public service. First of all, who are

0:36:07.800 --> 0:36:09.560
<v Speaker 1>you calling? I'm really gonna try to get my old

0:36:09.560 --> 0:36:13.480
<v Speaker 1>prompting on the phone to talk to you about Tennessee, Tennessee?

0:36:13.640 --> 0:36:17.759
<v Speaker 1>I think up right now? Oh my god. Once again,

0:36:17.840 --> 0:36:21.200
<v Speaker 1>ladies and gentlemen, just another example of Greg ts d

0:36:21.360 --> 0:36:27.120
<v Speaker 1>H D A d H D D D A d D.

0:36:28.120 --> 0:36:33.239
<v Speaker 1>Greg's got a d D heads love about our show.

0:36:33.320 --> 0:36:35.680
<v Speaker 1>So Jack Lobe to all of you, Yeah, Jackolobe. By

0:36:35.719 --> 0:36:39.279
<v Speaker 1>the way, there was um um Jack Galobe on the menu.

0:36:39.640 --> 0:36:42.080
<v Speaker 1>Was there? Really? It was Jack Lope. We saw it

0:36:42.120 --> 0:36:44.560
<v Speaker 1>on one of our menus. Were bald Freak pointed it

0:36:44.600 --> 0:36:47.320
<v Speaker 1>out to me. He's like, scary, look at this. He goes, look, Jackalobe,

0:36:47.320 --> 0:36:49.040
<v Speaker 1>should we order it? And I'm like, I don't want

0:36:49.040 --> 0:36:51.879
<v Speaker 1>to know what Jacklobe taste like? But anyway, point it's

0:36:51.920 --> 0:36:54.920
<v Speaker 1>not Jack Lobe. It's Jackalobe. Its close enough. I don't

0:36:54.920 --> 0:36:57.840
<v Speaker 1>think there's Jackalobe, you know, at least alright. So, so

0:36:57.960 --> 0:36:59.600
<v Speaker 1>long story sho. We're trying to get on the phone

0:36:59.640 --> 0:37:03.680
<v Speaker 1>right now. Long story longer um short story long as

0:37:03.719 --> 0:37:05.200
<v Speaker 1>we do. We're gonna find out we can get around

0:37:06.000 --> 0:37:08.640
<v Speaker 1>Tennessee short story, long as we do on this podcast.

0:37:08.640 --> 0:37:10.120
<v Speaker 1>I don't even an internet work for us and help

0:37:10.160 --> 0:37:11.239
<v Speaker 1>us out and get her on the phone. We don't

0:37:11.239 --> 0:37:13.399
<v Speaker 1>have a budget, as Jeff said, no budget, we don't.

0:37:13.680 --> 0:37:15.879
<v Speaker 1>So anyway, you're not even paying attention to what I'm saying.

0:37:15.880 --> 0:37:18.760
<v Speaker 1>But the phone, seriously, I feel like probably doesn't recognize

0:37:18.800 --> 0:37:20.960
<v Speaker 1>the phone that's ring. I feel like an ignored girlfriend.

0:37:21.000 --> 0:37:24.000
<v Speaker 1>I'm hanging up. Oh my god, Greg t come on,

0:37:24.200 --> 0:37:26.719
<v Speaker 1>could you listen to bring yourself back into the show.

0:37:27.239 --> 0:37:31.600
<v Speaker 1>You're such an idiot. Man, all right, I'm back. I'm back.

0:37:31.920 --> 0:37:35.120
<v Speaker 1>Just focus on me and not Sierra. You're to see

0:37:35.200 --> 0:37:39.480
<v Speaker 1>me your ex, your ex girlfriend, Like how many years ago?

0:37:39.480 --> 0:37:41.600
<v Speaker 1>When did you date her? Back in high school? Man?

0:37:41.880 --> 0:37:44.279
<v Speaker 1>All right, so you met her in Wendy's we u

0:37:44.280 --> 0:37:46.920
<v Speaker 1>still like kissed by the fry stage and you're the

0:37:47.000 --> 0:37:53.200
<v Speaker 1>fry stage. The Friar station station. Really yeah, did you Okay,

0:37:54.080 --> 0:37:57.839
<v Speaker 1>wait a second tea, be honest, yes, you still you're

0:37:57.840 --> 0:37:59.640
<v Speaker 1>still in touch with her thirty years later? Well, I'm

0:37:59.680 --> 0:38:03.440
<v Speaker 1>in just all my ex girlfriends really absolutely Why not?

0:38:03.600 --> 0:38:05.759
<v Speaker 1>Why don't you talk? Why? Actually? You know what? No,

0:38:05.920 --> 0:38:07.919
<v Speaker 1>come to think of it, I kind of I've talked

0:38:07.960 --> 0:38:10.520
<v Speaker 1>to my ex girlfriends before, but like, what are you

0:38:10.600 --> 0:38:14.040
<v Speaker 1>have in common with her? Now? Absolutely nothing? But when

0:38:14.080 --> 0:38:16.600
<v Speaker 1>I keep tabs, you keep tabs? Where you are you

0:38:16.880 --> 0:38:19.200
<v Speaker 1>on Instagram and Facebook? Stalker? We are? And we're on

0:38:19.320 --> 0:38:21.719
<v Speaker 1>Facebook and every Yeah, I all my ex girlfriends, though

0:38:22.000 --> 0:38:23.960
<v Speaker 1>I have, I have tons of them, and I keep

0:38:24.040 --> 0:38:26.239
<v Speaker 1>tabs on every single one of them. All right, what

0:38:26.360 --> 0:38:28.040
<v Speaker 1>they look like, now, how many kids they have, if

0:38:28.040 --> 0:38:30.720
<v Speaker 1>they're married, if they're not married, what they're doing. Obviously,

0:38:30.920 --> 0:38:32.880
<v Speaker 1>you don't have any interest on what I did on VACAS.

0:38:32.920 --> 0:38:35.279
<v Speaker 1>I want to hear about your Tennessee trip, gad. I

0:38:35.400 --> 0:38:37.080
<v Speaker 1>was really a public service for the listeners. And I'm

0:38:37.080 --> 0:38:38.920
<v Speaker 1>not just trying to say it to brag or say

0:38:38.960 --> 0:38:40.959
<v Speaker 1>anything about I'm not just trying to get I'm getting

0:38:40.960 --> 0:38:42.360
<v Speaker 1>it out there because I always want to do a

0:38:42.440 --> 0:38:44.440
<v Speaker 1>service to the listeners and I want to say one thing.

0:38:44.960 --> 0:38:48.880
<v Speaker 1>So property value in Nashville went up thirty seven percent

0:38:49.000 --> 0:38:51.399
<v Speaker 1>in one year. So from one year to the next

0:38:51.719 --> 0:38:54.279
<v Speaker 1>two thousand sixteen two. Now what I'm trying to get

0:38:54.320 --> 0:38:56.920
<v Speaker 1>at is this is where it's at. If anyone is

0:38:57.000 --> 0:38:59.920
<v Speaker 1>listening that has money to invest, I highly suggest you

0:39:00.120 --> 0:39:03.560
<v Speaker 1>invest it and drop it somewhere in Nashville because yes,

0:39:03.760 --> 0:39:08.840
<v Speaker 1>because um everyone's moving there. Um there. The airport is

0:39:09.040 --> 0:39:12.920
<v Speaker 1>undergoing a billion dollar renovation to accommodate more flights and

0:39:13.040 --> 0:39:16.320
<v Speaker 1>more carriers. The international flights that are going to be

0:39:16.360 --> 0:39:17.440
<v Speaker 1>in and out of there in the next couple of

0:39:17.480 --> 0:39:19.320
<v Speaker 1>years are gonna be ridiculous. So it's not like what

0:39:19.480 --> 0:39:21.239
<v Speaker 1>you what you thought it was. I thought it was

0:39:21.320 --> 0:39:24.560
<v Speaker 1>like tumbleweeds. I had a preconceived notion, and I apologize

0:39:24.640 --> 0:39:26.440
<v Speaker 1>me being a brooken ball. You got any Western music

0:39:26.640 --> 0:39:30.400
<v Speaker 1>that would you have had that loaded up just like

0:39:30.480 --> 0:39:33.000
<v Speaker 1>that in the sound board I had that, I would, Yes,

0:39:33.160 --> 0:39:34.800
<v Speaker 1>what would give me an example of something that I

0:39:34.840 --> 0:39:37.239
<v Speaker 1>could play like that couple? You know, like like if

0:39:37.280 --> 0:39:41.120
<v Speaker 1>I'm walking through town, I what is that sound like?

0:39:41.880 --> 0:39:45.279
<v Speaker 1>What if I gave you some Patsy Klein? No, Like,

0:39:45.360 --> 0:39:46.759
<v Speaker 1>what would it be like if I was, you know,

0:39:46.880 --> 0:39:51.800
<v Speaker 1>walking through town, my spurs growing, my cowboy boots. Something.

0:39:52.400 --> 0:39:54.920
<v Speaker 1>Come on, think like that. Hold on, that's something. I

0:39:54.960 --> 0:39:57.600
<v Speaker 1>got something I got Johnny Cash. Yeah, give me some

0:39:57.719 --> 0:39:59.960
<v Speaker 1>Johnny Cash. I walked the line. I walked a line.

0:40:00.600 --> 0:40:03.080
<v Speaker 1>Oh dude, I love that. Okay, it's a good song.

0:40:03.120 --> 0:40:05.840
<v Speaker 1>Here we go. This is Johnny Cash. I did go

0:40:05.880 --> 0:40:09.960
<v Speaker 1>to the Johnny Cash Museum. While I was in there,

0:40:10.040 --> 0:40:12.959
<v Speaker 1>tell people where they reach you on Instagram at Scary Jones,

0:40:13.200 --> 0:40:15.759
<v Speaker 1>so you could see that. I went bald freak and

0:40:15.800 --> 0:40:19.040
<v Speaker 1>I posed with Johnny Cash in the Johnny Cash Museum.

0:40:19.560 --> 0:40:21.279
<v Speaker 1>So like it. But it was you know, obviously you

0:40:21.360 --> 0:40:23.200
<v Speaker 1>get to choose your image, and it really looks it

0:40:23.239 --> 0:40:25.959
<v Speaker 1>looks like he was really there. But anyway, I learned

0:40:25.960 --> 0:40:29.160
<v Speaker 1>about the history of country music. And while there was

0:40:29.200 --> 0:40:30.640
<v Speaker 1>a lot of this, there was a lot of country

0:40:30.719 --> 0:40:32.200
<v Speaker 1>music there and we didn't learn a lot. I went

0:40:32.239 --> 0:40:35.360
<v Speaker 1>to the Museum of Country Music Hall of Fame. You

0:40:35.400 --> 0:40:39.080
<v Speaker 1>would love that. It was okay, but Grand Old Operate,

0:40:39.239 --> 0:40:42.040
<v Speaker 1>were you there? I went to the Rhyman Auditorium, which is,

0:40:42.920 --> 0:40:45.320
<v Speaker 1>by the way, a bunch of church pews really to

0:40:45.400 --> 0:40:49.000
<v Speaker 1>this day. It was found in in eight as a

0:40:49.080 --> 0:40:52.720
<v Speaker 1>tabernacle for sermons, and then slowly but surely they started

0:40:52.760 --> 0:40:55.439
<v Speaker 1>allowing other people to rent the venue. To this day,

0:40:56.080 --> 0:40:59.520
<v Speaker 1>concerts are done. They're like like Harry Styles is coming

0:40:59.560 --> 0:41:02.920
<v Speaker 1>to the him in Really yeah, I cold Play plays

0:41:02.960 --> 0:41:05.839
<v Speaker 1>there and everything like that. Really, So my point is is, yes,

0:41:06.080 --> 0:41:08.880
<v Speaker 1>all right. First of all, the pew, the church pews,

0:41:08.920 --> 0:41:12.200
<v Speaker 1>the original ones from nineties are still there. So when

0:41:12.239 --> 0:41:14.080
<v Speaker 1>you go to see Harry Styles, you're sitting in a

0:41:14.160 --> 0:41:17.279
<v Speaker 1>church pews, the most unique venue you'll ever go to.

0:41:17.760 --> 0:41:19.480
<v Speaker 1>A lot of history in that building. On hold with

0:41:19.600 --> 0:41:22.439
<v Speaker 1>us right now. Scary Jones is my old prom date.

0:41:22.760 --> 0:41:28.879
<v Speaker 1>Sierra from Tennessee. Sierra from Tennessee. It's scary and Greg

0:41:29.000 --> 0:41:32.040
<v Speaker 1>t you still stay in touch with this punk Every

0:41:32.120 --> 0:41:33.560
<v Speaker 1>once in a while we see each other. I mean

0:41:33.600 --> 0:41:35.400
<v Speaker 1>I live in Tennessee, so it's not like him all

0:41:35.400 --> 0:41:37.520
<v Speaker 1>the time. The reason why I tried to call you,

0:41:37.680 --> 0:41:40.840
<v Speaker 1>by the way, Sarah works for four h and she

0:41:40.960 --> 0:41:43.719
<v Speaker 1>lives in Tennessee. We we just got we just got

0:41:43.760 --> 0:41:47.000
<v Speaker 1>back from a week long vacation and Scary Jones spent

0:41:47.200 --> 0:41:51.239
<v Speaker 1>almost the entire week in Tennessee and he wants to

0:41:51.360 --> 0:41:56.920
<v Speaker 1>tell everybody we don't call it Tennessee. I call it Nashville. Oh,

0:41:57.480 --> 0:42:00.920
<v Speaker 1>ten minutes from downtown Nashville. It's an awesome to Okay,

0:42:01.000 --> 0:42:03.280
<v Speaker 1>so okay, So, but I feel weird calling it Tennessee

0:42:03.719 --> 0:42:05.880
<v Speaker 1>because I went to Tennant. I went to Nashville. You

0:42:05.960 --> 0:42:09.040
<v Speaker 1>give the city, not the state, right, Well, I call

0:42:09.120 --> 0:42:13.000
<v Speaker 1>it Tennessee. I don't know. I guess if I'm going downtown.

0:42:13.160 --> 0:42:15.799
<v Speaker 1>So what have you noticed? Okay, I'm a guy who

0:42:15.960 --> 0:42:17.840
<v Speaker 1>thought it was all boots and saddles. And yes, I

0:42:17.920 --> 0:42:19.839
<v Speaker 1>did go to the Johnny Cash Museum and I did

0:42:20.239 --> 0:42:22.880
<v Speaker 1>go see. Uh, there was a studio where Elvis Presley

0:42:22.960 --> 0:42:25.120
<v Speaker 1>used to record called r C A Victor's Studio. B.

0:42:25.560 --> 0:42:28.000
<v Speaker 1>Do you know where that is? Sierra? Yeah, that's like

0:42:28.080 --> 0:42:32.120
<v Speaker 1>a music row, O right, music row where where at

0:42:32.160 --> 0:42:34.719
<v Speaker 1>one point Nashville was the center of all music. And

0:42:34.800 --> 0:42:37.640
<v Speaker 1>by the way, there's been a resurgence because all the music,

0:42:37.960 --> 0:42:40.400
<v Speaker 1>the music capital of the world is still Nashville. And

0:42:40.560 --> 0:42:42.680
<v Speaker 1>that was going to be my report to everybody listening.

0:42:42.920 --> 0:42:46.200
<v Speaker 1>How people leaving New York and l A and they're

0:42:46.239 --> 0:42:49.400
<v Speaker 1>bringing their music back to Nashville. Are people migrating to

0:42:49.520 --> 0:42:51.719
<v Speaker 1>Nashville Sierra? Oh my gosh, I think it's one of

0:42:51.800 --> 0:42:55.200
<v Speaker 1>the most booming cities in all of the United States,

0:42:55.400 --> 0:42:58.840
<v Speaker 1>and you have seen a huge prices and everything. I

0:42:58.960 --> 0:43:02.680
<v Speaker 1>was just telling them that that that that year over

0:43:02.840 --> 0:43:05.759
<v Speaker 1>year is what real estate is up in the city

0:43:05.760 --> 0:43:10.160
<v Speaker 1>and very much. And they're building. Guess what right now,

0:43:10.280 --> 0:43:13.839
<v Speaker 1>there's more cranes. There's a shortage of cranes in other

0:43:13.920 --> 0:43:17.800
<v Speaker 1>cities because all the cranes are in Nashville. Most cranes

0:43:17.840 --> 0:43:20.400
<v Speaker 1>and huge machinery is in Nashville right now. There are

0:43:20.560 --> 0:43:26.759
<v Speaker 1>thirty two hotels under construction simultaneous. Come is that for real?

0:43:27.440 --> 0:43:29.759
<v Speaker 1>I believe it. I mean, I'm going to trust the statistics,

0:43:29.800 --> 0:43:31.960
<v Speaker 1>but I know it's growing and booming, and it's like

0:43:32.040 --> 0:43:34.480
<v Speaker 1>one of the cities and people are coming here for vacation,

0:43:34.520 --> 0:43:37.160
<v Speaker 1>which is like, blows my mind. What would you do

0:43:37.280 --> 0:43:41.200
<v Speaker 1>on vacation in Tennessee? Tennis Got downtown is so much fun.

0:43:41.280 --> 0:43:44.399
<v Speaker 1>There's fun to do. Um. The Jack Daniels Distillery, where

0:43:44.440 --> 0:43:46.359
<v Speaker 1>every drop of Jack Daniels has made is like an

0:43:46.400 --> 0:43:49.279
<v Speaker 1>hour out of outside of Nashville right now. But but

0:43:49.480 --> 0:43:53.640
<v Speaker 1>inside Nashville itself, Like people wouldn't believe me. My friends

0:43:53.680 --> 0:43:55.399
<v Speaker 1>back home, they all laughed at me. They're like, oh,

0:43:55.920 --> 0:43:57.880
<v Speaker 1>so you're going to those boots and Saddle's place and

0:43:57.920 --> 0:44:00.799
<v Speaker 1>cowboy hats rock one of my I'm like the wait

0:44:00.840 --> 0:44:02.840
<v Speaker 1>a second, I'm like, it's not like that guy's No,

0:44:03.040 --> 0:44:05.080
<v Speaker 1>it's not it's not at all. And if you're wearing

0:44:05.120 --> 0:44:08.439
<v Speaker 1>boots and hats and look like that, you're a tourist. Really, yes,

0:44:08.680 --> 0:44:11.319
<v Speaker 1>So there is this one area called Lower Broadway, which

0:44:11.400 --> 0:44:15.480
<v Speaker 1>is where the classic Nashville bars. They call it nash Vegas.

0:44:15.840 --> 0:44:17.520
<v Speaker 1>So it's like, is that what they call it Sierra?

0:44:17.600 --> 0:44:19.759
<v Speaker 1>They call it nash Vegas. Well, like the people that

0:44:19.840 --> 0:44:23.000
<v Speaker 1>don't live here call it nash Vegas. You don't call

0:44:23.040 --> 0:44:26.279
<v Speaker 1>you don't call it. Howdy would. I've never heard of

0:44:26.320 --> 0:44:29.719
<v Speaker 1>Howdy would. My coworkers laughing, She's like, howdy would? Yeah.

0:44:29.760 --> 0:44:31.920
<v Speaker 1>I saw almost pullt a T shirt that said Howdy

0:44:31.960 --> 0:44:36.120
<v Speaker 1>Would on it. And now Canny grew up here, has

0:44:36.160 --> 0:44:40.319
<v Speaker 1>lived in this area in Nashville her whole life. She would, Okay, well,

0:44:40.320 --> 0:44:42.839
<v Speaker 1>anyway there's anyway they would try to rip me off.

0:44:42.880 --> 0:44:44.960
<v Speaker 1>Then they want to be paid for that shirt. But

0:44:45.280 --> 0:44:47.600
<v Speaker 1>so there is an area, there is an area New

0:44:47.680 --> 0:44:50.719
<v Speaker 1>Jersey We're going to rip you off. So there is

0:44:50.880 --> 0:44:54.000
<v Speaker 1>Las Vegas. What is Las Vegas Boulevard In Las Vegas

0:44:54.640 --> 0:45:01.160
<v Speaker 1>Broadway is to Nashville in the sense of there's bars, clubs, restaurants,

0:45:01.239 --> 0:45:04.759
<v Speaker 1>cafes one after another another for like five blocks on

0:45:04.840 --> 0:45:08.319
<v Speaker 1>either side, and it's all neon lights, and people are

0:45:08.440 --> 0:45:11.120
<v Speaker 1>literally in the street like pedaling. They have the pedal

0:45:11.239 --> 0:45:14.440
<v Speaker 1>taverns where the twelve people sit around this box car

0:45:14.600 --> 0:45:17.919
<v Speaker 1>thing and they pedal and drink like a bicycle. They're

0:45:17.920 --> 0:45:21.320
<v Speaker 1>all sideways, they're all facing each other there, so you

0:45:21.360 --> 0:45:23.760
<v Speaker 1>can get drunk and exercise at the same time. In Nashville,

0:45:24.239 --> 0:45:27.120
<v Speaker 1>really so so a lot of bacherette parties are coming

0:45:27.160 --> 0:45:28.959
<v Speaker 1>there and a lot of bachelor parties. And that's true.

0:45:29.040 --> 0:45:30.839
<v Speaker 1>And there are a lot of batch parties there there.

0:45:31.239 --> 0:45:34.480
<v Speaker 1>Oh do you go downtown, there's all kinds. It's crazy, Sierra.

0:45:34.719 --> 0:45:37.200
<v Speaker 1>Wouldn't you agree that first of all, it's easier to

0:45:37.239 --> 0:45:39.959
<v Speaker 1>bring a batcherette party there because it's easier, it's cheaper

0:45:40.040 --> 0:45:42.800
<v Speaker 1>to drink. It's like, you could literally go on a

0:45:42.920 --> 0:45:44.719
<v Speaker 1>third of the budget that you would need to go

0:45:44.840 --> 0:45:47.480
<v Speaker 1>to Vegas for your bat slory party. But the hotel

0:45:47.560 --> 0:45:50.040
<v Speaker 1>rooms have gotten ridiculously If you can't find a hotel

0:45:50.120 --> 0:45:54.000
<v Speaker 1>room for less than and come on, it's true though,

0:45:54.040 --> 0:45:56.319
<v Speaker 1>because there's a shortage, which is why they're building thirty

0:45:56.320 --> 0:45:58.200
<v Speaker 1>two hotels right now. What what I'll tell you? Stay

0:45:58.239 --> 0:45:59.919
<v Speaker 1>at scary Hold on, let's find out what Sierra doesn't

0:45:59.960 --> 0:46:03.880
<v Speaker 1>the dude, let me tell you. We're you saying no, no, no.

0:46:04.440 --> 0:46:06.759
<v Speaker 1>There was a brand new hotel called the twenty one

0:46:06.880 --> 0:46:09.680
<v Speaker 1>See Museum Hotel. Did you know that one, Sierra. No,

0:46:10.600 --> 0:46:13.759
<v Speaker 1>it's a chain there in Cincinnati, there in Louisville, but

0:46:14.160 --> 0:46:17.239
<v Speaker 1>they just opened last week in Nashville. It was so

0:46:17.400 --> 0:46:19.200
<v Speaker 1>I was there the day after the ribbon cutting. I

0:46:19.320 --> 0:46:20.920
<v Speaker 1>was one of the I was the first guest. So

0:46:21.000 --> 0:46:23.719
<v Speaker 1>maybe that's why. No, but no, Sierra, I was the

0:46:23.800 --> 0:46:26.480
<v Speaker 1>first guest in my room. If I have to go

0:46:26.520 --> 0:46:30.160
<v Speaker 1>to Nashville. So you said they have ER, I know,

0:46:30.280 --> 0:46:32.759
<v Speaker 1>I used it all week to Hello. First of all,

0:46:32.840 --> 0:46:36.399
<v Speaker 1>it's it's it's about electricity and water too. Yeah, Tea

0:46:36.440 --> 0:46:39.120
<v Speaker 1>doesn't tease like that. Tea sounds like every one of

0:46:39.200 --> 0:46:43.560
<v Speaker 1>my friends. No, no, what they have Uber? What? No? No,

0:46:43.800 --> 0:46:46.200
<v Speaker 1>but no, but Sierra. First of all, Uber is half

0:46:46.239 --> 0:46:49.080
<v Speaker 1>the prices it is in New York. You would Uber

0:46:49.120 --> 0:46:52.800
<v Speaker 1>everywhere and he is the master uber over here. So

0:46:53.040 --> 0:46:54.600
<v Speaker 1>but here's the here's the thing I wanted to say,

0:46:54.640 --> 0:46:58.160
<v Speaker 1>Sierra where she's a question for you? Yes, yes, okay,

0:46:58.200 --> 0:47:01.200
<v Speaker 1>So parking everyone here complains out parking prices because if

0:47:01.239 --> 0:47:02.719
<v Speaker 1>we go downtown, like on the game night when the

0:47:02.760 --> 0:47:04.880
<v Speaker 1>Predators are playing, it's like twenty dollars to park downtown.

0:47:04.920 --> 0:47:07.640
<v Speaker 1>I'm like, y'all have no idea what parking is until

0:47:07.680 --> 0:47:08.960
<v Speaker 1>you go to try to park in the city in

0:47:09.000 --> 0:47:12.799
<v Speaker 1>New York exactly parking like forty here but anyway, um

0:47:12.960 --> 0:47:15.279
<v Speaker 1>yeah no, but it's true though, and uh but uber

0:47:15.360 --> 0:47:17.800
<v Speaker 1>everywhere for like I Uber like all the way across

0:47:17.840 --> 0:47:19.920
<v Speaker 1>town for like six dollars. It was amazing. What's the

0:47:20.000 --> 0:47:24.719
<v Speaker 1>weather like right now in Tennessee? Shouldn't be today? It

0:47:24.840 --> 0:47:27.400
<v Speaker 1>was two and sunny when I was there. So, but

0:47:27.520 --> 0:47:29.759
<v Speaker 1>I hear you guys. Your July and August are a

0:47:29.800 --> 0:47:31.840
<v Speaker 1>little rough. They are, and I was. When I was

0:47:31.840 --> 0:47:33.560
<v Speaker 1>talking this morning, I told my coworker, I'm like, the

0:47:33.680 --> 0:47:36.239
<v Speaker 1>summers in New Jersey are hot. If it's nights are cool,

0:47:36.560 --> 0:47:38.720
<v Speaker 1>you're all day all night is just hot and miserable.

0:47:38.800 --> 0:47:41.359
<v Speaker 1>It's muggy. It's discussing. Hey, what's the latest from four

0:47:41.600 --> 0:47:43.439
<v Speaker 1>h in Tennessee. Why don't you give us a little plug.

0:47:44.080 --> 0:47:45.719
<v Speaker 1>We're getting ready for four H camp. I get to

0:47:45.760 --> 0:47:49.200
<v Speaker 1>take four hundred kids to camp and nice. And what

0:47:49.239 --> 0:47:53.080
<v Speaker 1>are they gonna do at four H camp? Um? Swim craft?

0:47:53.360 --> 0:47:58.320
<v Speaker 1>Shoot guns? We're gonna shoot guns? What is shooting guns?

0:47:58.600 --> 0:48:02.000
<v Speaker 1>What's that like? You know, like a rifle, like at

0:48:02.040 --> 0:48:04.800
<v Speaker 1>a target? Oh my god, I'd be so scared, really,

0:48:05.480 --> 0:48:07.440
<v Speaker 1>Like the whole gun thing is a huge difference between

0:48:07.440 --> 0:48:09.600
<v Speaker 1>the South and the North. When I was here, I've

0:48:09.680 --> 0:48:13.759
<v Speaker 1>never I've never held a gun. I've never I've never

0:48:14.040 --> 0:48:17.480
<v Speaker 1>taken you shooting. You you shoot fire guns? I do.

0:48:17.680 --> 0:48:19.280
<v Speaker 1>I have my carry permit and I have a handgun

0:48:19.360 --> 0:48:23.560
<v Speaker 1>that I carry. You go, Oh my god, there you go.

0:48:23.719 --> 0:48:26.479
<v Speaker 1>There's my ex prom date right there. Oh my god,

0:48:26.560 --> 0:48:31.200
<v Speaker 1>there you go. You are didn't use it on Greg T.

0:48:32.480 --> 0:48:35.279
<v Speaker 1>Did you tell everyone I wore an orange dressed? No,

0:48:35.360 --> 0:48:37.880
<v Speaker 1>they've all seen pictures. They have all seen pictures, and

0:48:37.960 --> 0:48:40.360
<v Speaker 1>you post one on Instagram. We haven't an Instagram picture

0:48:40.440 --> 0:48:42.960
<v Speaker 1>on All Fair show. And about maybe three months, if

0:48:43.000 --> 0:48:46.719
<v Speaker 1>Sierra allows me, I will send a picture of her

0:48:46.760 --> 0:48:48.759
<v Speaker 1>and I at the problem. Al Right, great, we're gonna

0:48:48.760 --> 0:48:51.399
<v Speaker 1>post that later today we have the prom video because

0:48:51.440 --> 0:48:53.400
<v Speaker 1>everyone needs to see that. I've not seen it and

0:48:54.360 --> 0:48:57.960
<v Speaker 1>it is prom so okay, exactly, stop calling me Greg.

0:48:58.239 --> 0:49:00.560
<v Speaker 1>It makes me sounding so lame. So what am I

0:49:00.560 --> 0:49:02.960
<v Speaker 1>supposed that's who you are? No, it's not. That's what

0:49:03.040 --> 0:49:04.960
<v Speaker 1>you used to call me. And I listen to this

0:49:05.280 --> 0:49:07.399
<v Speaker 1>like I feel like I'm listening in on an old

0:49:07.400 --> 0:49:10.480
<v Speaker 1>school lover's quarrel. Here, Um, I don't listen to you

0:49:10.560 --> 0:49:13.360
<v Speaker 1>in the radio because well I just don't. I already

0:49:13.400 --> 0:49:16.120
<v Speaker 1>told that's okay. I already told scary who your favorite,

0:49:16.239 --> 0:49:18.719
<v Speaker 1>your die hard is that you listen to. You can

0:49:18.800 --> 0:49:22.839
<v Speaker 1>give a shout out Bobby Bones? So okay, So would

0:49:22.880 --> 0:49:26.440
<v Speaker 1>you you love Bobby? I mean I don't him. Can

0:49:26.480 --> 0:49:30.720
<v Speaker 1>I say, oh, you love what you got? Okay, Sierra?

0:49:30.880 --> 0:49:33.600
<v Speaker 1>So I went to Bobby Bones studio. It was actually

0:49:33.760 --> 0:49:36.520
<v Speaker 1>I went to go say hello to them and trashy

0:49:36.560 --> 0:49:38.120
<v Speaker 1>and stuff that they talked about how nasty it is

0:49:38.520 --> 0:49:40.840
<v Speaker 1>and no, well that's you know radio people like to

0:49:40.880 --> 0:49:43.440
<v Speaker 1>paint a picture. It was. It was really nice studio. No,

0:49:43.520 --> 0:49:45.480
<v Speaker 1>he's got some but but yeah, I can totally see

0:49:45.520 --> 0:49:48.600
<v Speaker 1>where the Elvis Durrant show has the bigger studio, and

0:49:48.719 --> 0:49:51.040
<v Speaker 1>they were Actudi was a little nicer here in New York.

0:49:51.360 --> 0:49:55.640
<v Speaker 1>But he does no, No, he's the coolest dude ever.

0:49:55.840 --> 0:49:58.359
<v Speaker 1>She is a big fan. She is a massive I say,

0:49:58.440 --> 0:50:00.960
<v Speaker 1>I love Bobby and Amy and Lunchbox and I met

0:50:01.040 --> 0:50:04.279
<v Speaker 1>one of their producers. Uh and another guy you know

0:50:04.400 --> 0:50:07.360
<v Speaker 1>this guy Battle Battle Yeah, and and yeah, there's the

0:50:07.400 --> 0:50:09.480
<v Speaker 1>whole People will not listen to our show, even though

0:50:09.520 --> 0:50:11.359
<v Speaker 1>she can hear it like an iHeart radio, whatever you can.

0:50:13.200 --> 0:50:15.400
<v Speaker 1>He has to hear Bobby Bones all they you can

0:50:15.440 --> 0:50:17.399
<v Speaker 1>hear us both. When she knows the Bobby Bones comes

0:50:17.400 --> 0:50:19.160
<v Speaker 1>to New York, she calls me and says, can you

0:50:19.239 --> 0:50:20.840
<v Speaker 1>go get She goes, can you go get him on

0:50:20.880 --> 0:50:24.000
<v Speaker 1>the phone? Can I say hello to Bob? Really listen? Well,

0:50:24.320 --> 0:50:26.880
<v Speaker 1>Bobby's an awesome, awesome guy and his whole show, his

0:50:26.960 --> 0:50:30.719
<v Speaker 1>whole team of people are great and they really are um.

0:50:30.800 --> 0:50:33.080
<v Speaker 1>But you can listen to both shows. You know. We

0:50:33.200 --> 0:50:35.880
<v Speaker 1>do this thing called time shifting where you can actually

0:50:36.360 --> 0:50:38.239
<v Speaker 1>I don't know, you can listen during the day. You can.

0:50:38.360 --> 0:50:40.800
<v Speaker 1>This is on demand, Shaw, We have called the on demand.

0:50:40.920 --> 0:50:42.839
<v Speaker 1>She's never even heard this podcast. You won't even listen

0:50:42.840 --> 0:50:49.400
<v Speaker 1>to podcast about the Afair Show podcast social media. I'm

0:50:50.320 --> 0:50:53.560
<v Speaker 1>only Greg. You say, what do you know? Whoever? I am?

0:50:53.719 --> 0:50:55.600
<v Speaker 1>His name is t If we don't have Greg, he

0:50:55.680 --> 0:50:57.480
<v Speaker 1>doesn't answer, why you keep doing that? He looks the

0:50:57.520 --> 0:51:01.440
<v Speaker 1>other way, So Sierra, um so uh but but anyway, Yes,

0:51:01.480 --> 0:51:03.719
<v Speaker 1>So I did go see the Bobby Bones, the Big

0:51:03.800 --> 0:51:06.719
<v Speaker 1>ninety eight studios, which is there in Nashville. It was

0:51:06.760 --> 0:51:09.879
<v Speaker 1>a great time uh there. But I wanted to say

0:51:09.960 --> 0:51:12.560
<v Speaker 1>one thing, and I need you to help me spread

0:51:12.640 --> 0:51:14.719
<v Speaker 1>this word. I'm kind of a missionary for the city

0:51:14.719 --> 0:51:17.839
<v Speaker 1>of Nashville now because I was so impressed with it. Um,

0:51:18.239 --> 0:51:21.520
<v Speaker 1>what advice do you give to people um going there?

0:51:21.920 --> 0:51:26.200
<v Speaker 1>About about hanging out, the diversity, all the restaurants that

0:51:26.280 --> 0:51:30.360
<v Speaker 1>are coming in there, all great food, and to dispel

0:51:30.440 --> 0:51:34.320
<v Speaker 1>people's rumors of what they thought it. Dispell the rumors.

0:51:34.640 --> 0:51:37.880
<v Speaker 1>Come on, talk about the misconceptions and talk about the realities.

0:51:38.360 --> 0:51:42.279
<v Speaker 1>Help us upcoming city. It's classy, there's m fun things

0:51:42.320 --> 0:51:45.319
<v Speaker 1>to do. Food. I mean, the food is amazing. Did

0:51:45.320 --> 0:51:47.239
<v Speaker 1>you have chicken waffles of barbecue and all that while

0:51:47.239 --> 0:51:54.440
<v Speaker 1>you were here? I had Hattieb's Hot Hot chicken. Give

0:51:54.480 --> 0:51:58.800
<v Speaker 1>me some. This is what did Gregg t wants to

0:51:58.840 --> 0:52:03.439
<v Speaker 1>play into the stage music Serra, I'm gonna play something

0:52:03.480 --> 0:52:06.040
<v Speaker 1>for you. Hold on, okay, I want to ship. I

0:52:06.080 --> 0:52:08.960
<v Speaker 1>want you to tell me if this is really representative here, Jess,

0:52:08.960 --> 0:52:12.680
<v Speaker 1>Who's gonna be here in town tonight? What do you guess?

0:52:12.719 --> 0:52:16.400
<v Speaker 1>Who's gonna be in town tonight? Zach Brown tonight. And

0:52:16.440 --> 0:52:18.319
<v Speaker 1>you know who's gonna be here to host him, right,

0:52:18.520 --> 0:52:23.719
<v Speaker 1>Bobby Bones? Yeah? Why didn't get it? He's gonna be

0:52:23.800 --> 0:52:26.400
<v Speaker 1>playing downstairs in our iHeart Radio theater. Bolly Bones is

0:52:26.440 --> 0:52:30.719
<v Speaker 1>hosting the event. We think he is. I don't know

0:52:30.719 --> 0:52:33.120
<v Speaker 1>if here not. Who's your new favorite country artists? Now?

0:52:33.960 --> 0:52:37.040
<v Speaker 1>I really like Sam Hunt? Sam Hun? She Now okay, Shara,

0:52:37.080 --> 0:52:39.080
<v Speaker 1>are you offended by what you're hearing right now? Because

0:52:39.800 --> 0:52:42.400
<v Speaker 1>because this is quite in the middle of nowhere, so

0:52:42.560 --> 0:52:44.919
<v Speaker 1>like maybe even playing when you get to like where

0:52:44.960 --> 0:52:47.200
<v Speaker 1>I live, the downtown natural is nothing like that. Her

0:52:47.280 --> 0:52:50.680
<v Speaker 1>dad races cars here. Dad's a race car driver. Yeah,

0:52:50.760 --> 0:52:53.920
<v Speaker 1>he's a race car driver. Yep. And on the weekend

0:52:54.000 --> 0:52:59.719
<v Speaker 1>she collects frogs. I did. I did build the chicken troop.

0:52:59.840 --> 0:53:04.440
<v Speaker 1>That's weekend. But I chicken and you do fire guns?

0:53:04.880 --> 0:53:08.400
<v Speaker 1>Fire guns? Oh my god? What is the world is this? Okay, okay,

0:53:08.440 --> 0:53:11.759
<v Speaker 1>so actually you're not helping me. Sierra and she loves

0:53:11.760 --> 0:53:16.680
<v Speaker 1>the dukes of hazard. Yeah, okay, could you Oh my god,

0:53:16.760 --> 0:53:19.320
<v Speaker 1>you guys, both of you. I'm trying to paint a

0:53:19.440 --> 0:53:23.240
<v Speaker 1>better picture or a more clear picture of what Nashville

0:53:23.360 --> 0:53:26.320
<v Speaker 1>really is a country. But all you guys are doing

0:53:26.440 --> 0:53:30.040
<v Speaker 1>are like proving me wrong. I know the place that

0:53:30.120 --> 0:53:33.320
<v Speaker 1>I went to didn't have chicken coops and firing ranges

0:53:33.600 --> 0:53:36.400
<v Speaker 1>and dukes of hazard. It didn't look or sound like that.

0:53:37.840 --> 0:53:41.600
<v Speaker 1>Help me out, Help me out. Is a very classy

0:53:41.719 --> 0:53:45.319
<v Speaker 1>it's city with lots of history and culture and fun

0:53:45.400 --> 0:53:47.440
<v Speaker 1>thing to do. I mean, I've got tons difference from

0:53:47.480 --> 0:53:49.680
<v Speaker 1>high school in college. I'm here to visit and just

0:53:49.840 --> 0:53:55.440
<v Speaker 1>fully impressed. And it's a reasonably affordable city. I mean, food, drinks,

0:53:55.480 --> 0:53:58.319
<v Speaker 1>everything you have. You have buildings, you have buildings. That's

0:53:58.360 --> 0:54:01.160
<v Speaker 1>what I'm trying to tell everybody. I'm trying. I'm trying

0:54:01.200 --> 0:54:05.200
<v Speaker 1>to tell their stalls everywhere, and they just are normal

0:54:05.239 --> 0:54:07.719
<v Speaker 1>everyday people like like Jason Joe became the one of

0:54:07.760 --> 0:54:13.480
<v Speaker 1>my son's soccer games to kiss um father of some

0:54:13.719 --> 0:54:16.840
<v Speaker 1>friends of my son, Like nobody bothered him. He was

0:54:16.920 --> 0:54:18.400
<v Speaker 1>just like one of the people hanging out less in

0:54:18.400 --> 0:54:20.480
<v Speaker 1>the soccer game. Well, right now we're gonna have to

0:54:20.520 --> 0:54:22.040
<v Speaker 1>let you go because we're gonna watch Dukes of Hazar

0:54:22.120 --> 0:54:27.440
<v Speaker 1>Right now we're watching. This is not Nashville. Well you

0:54:27.520 --> 0:54:31.920
<v Speaker 1>all have fun, y'all, y'all have fun. Give me, give

0:54:31.960 --> 0:54:35.440
<v Speaker 1>me where y'all come back? Now you're here, my New

0:54:35.520 --> 0:54:37.719
<v Speaker 1>Jersey accident. It doesn't sound that great, but I'll come

0:54:37.719 --> 0:54:51.959
<v Speaker 1>back now. Get you stop it, stop it, listen stop, okay, listen.

0:54:52.080 --> 0:54:54.080
<v Speaker 1>I love cr She's great. We had a good time.

0:54:54.239 --> 0:54:57.360
<v Speaker 1>No listen, please please, Can I get my point across?

0:54:57.440 --> 0:55:00.400
<v Speaker 1>What is your point? My point is this America growing?

0:55:01.400 --> 0:55:04.719
<v Speaker 1>Listen to me. I'm trying to I'm trying to help

0:55:04.920 --> 0:55:07.400
<v Speaker 1>the economy of Nashville, and I'm trying to do a

0:55:07.440 --> 0:55:09.359
<v Speaker 1>service to the listeners. If you want a great place

0:55:09.440 --> 0:55:13.040
<v Speaker 1>to go vacation that you probably didn't think about Tennessee,

0:55:13.520 --> 0:55:18.319
<v Speaker 1>go to Nashville. Don't say Tennessee, call it Nashville. Going

0:55:18.360 --> 0:55:23.279
<v Speaker 1>to Nashville. These amazing neighborhoods that they have, wonderful up

0:55:23.320 --> 0:55:25.360
<v Speaker 1>and coming everything. You don't feel like you're in Nashville.

0:55:25.440 --> 0:55:27.719
<v Speaker 1>There were times when I was in East Nashville where

0:55:27.719 --> 0:55:30.120
<v Speaker 1>all the musicians are moving to goodness, well, it used

0:55:30.160 --> 0:55:34.080
<v Speaker 1>to be. Look like what was Williamsburg? Brooklyn? There's no

0:55:34.200 --> 0:55:38.000
<v Speaker 1>butch casting and Sundance kid, what was that? What was that?

0:55:38.320 --> 0:55:40.600
<v Speaker 1>You know? Those those those areas of Brooklyn are now

0:55:40.920 --> 0:55:43.880
<v Speaker 1>you know, unaffordable. They affordable, yes, so what do they do?

0:55:44.400 --> 0:55:47.560
<v Speaker 1>They go to Nashville because they can afford it. You

0:55:47.680 --> 0:55:50.160
<v Speaker 1>can live like a king. A buddy of mine bought

0:55:50.200 --> 0:55:54.880
<v Speaker 1>an entire house for dollars. Now people are buying up

0:55:54.920 --> 0:55:57.319
<v Speaker 1>property in Nashville left and right and turning it over.

0:55:57.760 --> 0:56:01.200
<v Speaker 1>They're flipping it or there's some let in it where okay,

0:56:01.239 --> 0:56:04.120
<v Speaker 1>my buddy, but a house. But you're gonna do that

0:56:04.200 --> 0:56:06.200
<v Speaker 1>kind of business, flip a business? Why don't you do that?

0:56:06.680 --> 0:56:08.799
<v Speaker 1>I'm telling people where they should put their money. Yes,

0:56:09.040 --> 0:56:11.400
<v Speaker 1>hundred fifty grand listening, But why don't you get with

0:56:11.440 --> 0:56:13.560
<v Speaker 1>some of your friends, buy up a house or two

0:56:13.640 --> 0:56:16.120
<v Speaker 1>in Nashville and then flip it and now you can

0:56:16.200 --> 0:56:18.600
<v Speaker 1>make a profit, go into business doing that. I'm thinking

0:56:18.640 --> 0:56:21.680
<v Speaker 1>about it there because listen, it's no money down. You

0:56:21.760 --> 0:56:24.399
<v Speaker 1>know how you have to put down zero money down,

0:56:24.480 --> 0:56:26.359
<v Speaker 1>and you know how much the mortgage is how much

0:56:26.480 --> 0:56:31.160
<v Speaker 1>seven you're kidding? That's what my buddy pays. And he

0:56:31.320 --> 0:56:34.560
<v Speaker 1>says he can easily rent it out for hundred Really,

0:56:34.680 --> 0:56:37.479
<v Speaker 1>he can actually live somewhere else and make double money

0:56:37.880 --> 0:56:39.719
<v Speaker 1>and have someone else pay off his mortgage and live

0:56:39.760 --> 0:56:42.080
<v Speaker 1>in a second property. Or you can be and be

0:56:42.200 --> 0:56:43.960
<v Speaker 1>it and make five times as much as money on

0:56:44.000 --> 0:56:46.800
<v Speaker 1>the same property. So let's start a construction company, man, T.

0:56:47.080 --> 0:56:49.239
<v Speaker 1>That's what I've been trying to tell you. Let's not

0:56:49.320 --> 0:56:52.719
<v Speaker 1>a construction company. Let's just buy it properties. Let's all

0:56:52.760 --> 0:56:55.040
<v Speaker 1>pool our money together. Let's get you gotta redo it

0:56:55.120 --> 0:56:56.759
<v Speaker 1>a little bit. You gotta put some money into it.

0:56:56.840 --> 0:56:59.520
<v Speaker 1>Not even true something the property itself is worth money.

0:56:59.560 --> 0:57:02.760
<v Speaker 1>Some people just knocking down what's there and just holding

0:57:02.800 --> 0:57:06.640
<v Speaker 1>the empty lot and waiting to sell that. No, no, no,

0:57:07.440 --> 0:57:10.799
<v Speaker 1>real estate is up thirty seven percent? Really? Yeah? How

0:57:10.880 --> 0:57:12.279
<v Speaker 1>many times have I to tell you? Is that what

0:57:12.360 --> 0:57:13.759
<v Speaker 1>you think you're gonna do? Now? You're gonna go buy

0:57:13.760 --> 0:57:16.040
<v Speaker 1>a piece of property? Dude? If I ever lost his job,

0:57:16.280 --> 0:57:20.920
<v Speaker 1>Mr big Bucks, Mr Big, Mr bigs Big Greg T,

0:57:21.040 --> 0:57:23.280
<v Speaker 1>would that be on your sound right there, Mr Big,

0:57:23.440 --> 0:57:25.920
<v Speaker 1>Mr big Buck. You know why I'm really upset, right

0:57:25.920 --> 0:57:28.240
<v Speaker 1>now the big But why because I didn't even get

0:57:28.280 --> 0:57:30.280
<v Speaker 1>to tell you about the Chicago portion of my trip.

0:57:30.760 --> 0:57:33.040
<v Speaker 1>A big barely scratched the service of the fact that

0:57:33.080 --> 0:57:35.960
<v Speaker 1>I went to go see where Elvis Presley stood on

0:57:36.160 --> 0:57:40.280
<v Speaker 1>his blue X on the Elvis pressing music. Good like that? Yes, okay,

0:57:40.360 --> 0:57:48.240
<v Speaker 1>so tender Elvis Presley. I feel like I feel like

0:57:48.320 --> 0:57:50.440
<v Speaker 1>I need to It's a one for the money. Do

0:57:50.920 --> 0:58:01.320
<v Speaker 1>the show come on? No, w's Elvis killing me? Give

0:58:01.360 --> 0:58:06.080
<v Speaker 1>me Elvis Pressley? Oh no? This? He recorded this song

0:58:06.240 --> 0:58:11.720
<v Speaker 1>in Nashville rock four o'clock in the morning. Are you

0:58:13.480 --> 0:58:15.600
<v Speaker 1>so listen to me? Can? I? Can? I take it

0:58:15.640 --> 0:58:20.200
<v Speaker 1>to school for a second. This song was recorded. Why

0:58:20.240 --> 0:58:22.160
<v Speaker 1>are you rolling your eyes? This is the most boy

0:58:22.200 --> 0:58:25.440
<v Speaker 1>Elvis Presley song effort. But it's relevant to my story.

0:58:25.560 --> 0:58:28.640
<v Speaker 1>You did. But Elvis Pressley was so famous they couldn't

0:58:28.680 --> 0:58:31.000
<v Speaker 1>put on my TV because he shook his waist. He

0:58:31.160 --> 0:58:32.840
<v Speaker 1>was a shaker. Give me the rock and roll e

0:58:33.760 --> 0:58:38.960
<v Speaker 1>asshole man spent five weeks at number one TIS. This

0:58:39.080 --> 0:58:41.680
<v Speaker 1>song was a number one hit for him. Because my kid,

0:58:41.880 --> 0:58:47.040
<v Speaker 1>I want to see he recorded this song in Nashville

0:58:47.600 --> 0:58:51.760
<v Speaker 1>at the very studio I went to. There is there

0:58:51.880 --> 0:58:55.400
<v Speaker 1>is a place called r C A Studio B. Studio B.

0:58:55.720 --> 0:58:57.960
<v Speaker 1>It's a very famous studio. Over a thousand hits were

0:58:58.000 --> 0:59:00.640
<v Speaker 1>made in this studio, and I was weren't enough to

0:59:00.680 --> 0:59:03.840
<v Speaker 1>tour it. I stepped on the X where Elvis stood

0:59:03.880 --> 0:59:07.480
<v Speaker 1>to record this song and thousands of hits were recorded there.

0:59:07.520 --> 0:59:09.880
<v Speaker 1>You don't even know if that's the right and somebody

0:59:09.880 --> 0:59:12.000
<v Speaker 1>could have just put an X. No idea, this is

0:59:12.160 --> 0:59:15.760
<v Speaker 1>no idea paid money or to go on a tour

0:59:15.960 --> 0:59:18.360
<v Speaker 1>of this freaking place. It's just like being in the city.

0:59:18.360 --> 0:59:20.040
<v Speaker 1>They go, look, this is the Empire State Building and

0:59:20.040 --> 0:59:22.080
<v Speaker 1>they showed him another building. It's not even the same.

0:59:22.160 --> 0:59:25.320
<v Speaker 1>And no, no, this was the blue X where Elvis

0:59:25.360 --> 0:59:29.560
<v Speaker 1>stood to record this song. Okay, no, so listen at

0:59:29.600 --> 0:59:31.240
<v Speaker 1>the end of this song, I was talking. I think

0:59:31.280 --> 0:59:35.480
<v Speaker 1>he talks to the song he does. He does You're

0:59:35.480 --> 0:59:39.240
<v Speaker 1>a Lonesome the night. You know, someone said that the

0:59:39.320 --> 0:59:44.000
<v Speaker 1>world's a stag, so he so he couldn't take the

0:59:44.000 --> 0:59:46.400
<v Speaker 1>fluorescent lights of that studio, so he said the light.

0:59:46.440 --> 0:59:48.560
<v Speaker 1>They did this in complete darkness at four o'clock in

0:59:48.600 --> 0:59:51.360
<v Speaker 1>the morning. Seat and it was one take all professionals.

0:59:51.400 --> 0:59:56.440
<v Speaker 1>They act like crazy people. It's true. Though, and can

0:59:56.480 --> 0:59:58.600
<v Speaker 1>you give me a rock and roll el come on,

0:59:58.960 --> 1:00:00.720
<v Speaker 1>but all right, to go to the end of this

1:00:00.800 --> 1:00:02.600
<v Speaker 1>real quick. Yeah, we're at the end. So at the

1:00:02.760 --> 1:00:04.560
<v Speaker 1>very end, hold on the very end. Why are you

1:00:04.680 --> 1:00:06.600
<v Speaker 1>so bored? Well, I gotta go soon, right at the

1:00:06.800 --> 1:00:09.040
<v Speaker 1>very end of the song, at the very end. Listen

1:00:09.080 --> 1:00:15.680
<v Speaker 1>to me. The the people, the background singers got it wrong. Okay,

1:00:15.840 --> 1:00:19.080
<v Speaker 1>they got it wrong, and they went they so Elvis

1:00:19.160 --> 1:00:22.240
<v Speaker 1>got so angry that he hit his head and he

1:00:22.480 --> 1:00:27.320
<v Speaker 1>hit the microphone. He got angry. Yes, okay, So the

1:00:27.680 --> 1:00:30.600
<v Speaker 1>audio engineer there, this is very fascinating stuff. The audio

1:00:30.600 --> 1:00:34.400
<v Speaker 1>engineer said, listen, let's just take I can do get

1:00:34.440 --> 1:00:37.120
<v Speaker 1>a previous take of the of the background singers, right,

1:00:37.280 --> 1:00:39.680
<v Speaker 1>and I can edit it together with splicing tape with

1:00:39.720 --> 1:00:44.640
<v Speaker 1>Scotch tape. Okay. So the audio engineer did that and

1:00:44.800 --> 1:00:49.560
<v Speaker 1>corrected the background singers fuck up. Okay, But they're like,

1:00:49.640 --> 1:00:53.120
<v Speaker 1>wait a second, what about the part where Elvis bangs

1:00:53.160 --> 1:00:55.360
<v Speaker 1>his head at the end, He goes, I can I

1:00:55.480 --> 1:00:57.960
<v Speaker 1>commute it as much as I can, but this is

1:00:58.000 --> 1:01:00.160
<v Speaker 1>gonna be the best I can possibly do. All right,

1:01:00.200 --> 1:01:01.480
<v Speaker 1>So if you listen to the end of the song,

1:01:01.640 --> 1:01:04.040
<v Speaker 1>let's hear it. Hold on, it's you can if you

1:01:04.120 --> 1:01:07.400
<v Speaker 1>listen closely, what sounds like a door closing or a

1:01:07.480 --> 1:01:13.120
<v Speaker 1>light turning off is actually Elvis being frustrated with the

1:01:13.320 --> 1:01:16.880
<v Speaker 1>improper take from the from the Background singer. Will you

1:01:16.920 --> 1:01:18.560
<v Speaker 1>give me a rock and roll song after this? Yes?

1:01:19.440 --> 1:01:22.280
<v Speaker 1>So listen to the end. Listen to the very end.

1:01:22.840 --> 1:01:28.120
<v Speaker 1>Are you listen to the perfect take? And then he

1:01:28.160 --> 1:01:34.280
<v Speaker 1>finds out they sucked up. Listen you hear that? You that? Look? What? No,

1:01:34.920 --> 1:01:41.080
<v Speaker 1>that's him? Let me hear it. Listen, listen, listen, listen, Yeah,

1:01:41.120 --> 1:01:45.200
<v Speaker 1>that that's a chick. Yeah, chick. Okay, they reduced it.

1:01:45.400 --> 1:01:48.000
<v Speaker 1>They reduced it to that. They said, this is the

1:01:48.040 --> 1:01:50.040
<v Speaker 1>best I can do because one of the other microphones

1:01:50.120 --> 1:01:53.760
<v Speaker 1>picked it up, so they got his head back. Nothing,

1:01:53.800 --> 1:01:59.560
<v Speaker 1>that's not listen. What is that? Okay? That's Elvis Pressley

1:01:59.600 --> 1:02:02.800
<v Speaker 1>banging head on a microphone? Guy, the audio engineer made

1:02:02.840 --> 1:02:07.040
<v Speaker 1>the perfect edit in the background series No picture at

1:02:07.080 --> 1:02:09.320
<v Speaker 1>four o'clock in the morning. Hold on, you've been the

1:02:09.400 --> 1:02:12.760
<v Speaker 1>studio for twenty four hours and all of a sudden

1:02:13.320 --> 1:02:16.200
<v Speaker 1>you get the perfect take of a song and the

1:02:16.880 --> 1:02:22.200
<v Speaker 1>people going un up and let me hear again. No, no,

1:02:22.280 --> 1:02:24.800
<v Speaker 1>but keep mind, it's corrected for the recording because they

1:02:24.880 --> 1:02:27.680
<v Speaker 1>went back and they re recorded it, so it's gonna

1:02:27.760 --> 1:02:29.720
<v Speaker 1>sound Okay. The guy made a nice edit. He made

1:02:29.760 --> 1:02:34.040
<v Speaker 1>the perfect edit using Scotch tape, so the the ulus

1:02:34.120 --> 1:02:43.760
<v Speaker 1>are correct one more time. Listen right here to but

1:02:43.920 --> 1:02:48.720
<v Speaker 1>the is from the original take of Elvis banging his

1:02:48.800 --> 1:02:55.400
<v Speaker 1>head because they fucked up. Listen, it sounds like somebody

1:02:55.480 --> 1:02:59.360
<v Speaker 1>hitting play on a cassette player. Okay, let me ask

1:02:59.360 --> 1:03:01.960
<v Speaker 1>you this. Why why didn't they take it out? Then?

1:03:02.200 --> 1:03:04.520
<v Speaker 1>They didn't know how bullshit? They didn't know how to

1:03:04.560 --> 1:03:06.520
<v Speaker 1>do it. It was the perfect take of the song.

1:03:06.600 --> 1:03:10.919
<v Speaker 1>Why wouldn't have taken it out? Listen? Listen? You don't

1:03:10.960 --> 1:03:12.960
<v Speaker 1>like that plays? Give me a rock song by Elvis

1:03:13.000 --> 1:03:15.080
<v Speaker 1>press in the playofs out. What do you beg of you?

1:03:15.840 --> 1:03:17.360
<v Speaker 1>I beg what do you want to hear from Elvis?

1:03:17.560 --> 1:03:19.440
<v Speaker 1>Give me a rock song to play us out? I

1:03:19.560 --> 1:03:22.000
<v Speaker 1>gotta go, we gotta get ball free game here. I

1:03:22.080 --> 1:03:25.840
<v Speaker 1>want to hear about what went on your crusades over vacation.

1:03:26.040 --> 1:03:28.160
<v Speaker 1>I gotta tell you about Chicago. I want to hear,

1:03:28.200 --> 1:03:30.160
<v Speaker 1>but I can't hear about it now out of time?

1:03:31.320 --> 1:03:41.920
<v Speaker 1>What do you up I'm gonna be any offair show tomorrow.

1:03:42.480 --> 1:03:51.440
<v Speaker 1>A friend say, I'm all sugar. How about burning? That's

1:03:51.440 --> 1:03:53.680
<v Speaker 1>what I'm talking about? Let us they play out. Listen,

1:03:53.760 --> 1:03:57.840
<v Speaker 1>here's the listen off theairheads, no off air show tomorrow

1:03:58.360 --> 1:04:00.840
<v Speaker 1>and Wednesday. We can't do it again. We're gonna have

1:04:00.960 --> 1:04:03.280
<v Speaker 1>Share Nose with us on Thursday. But why can't we

1:04:03.360 --> 1:04:06.480
<v Speaker 1>have you in a show on Tuesday or Wednesday? Can't happen?

1:04:06.480 --> 1:04:09.720
<v Speaker 1>I gotta do an appear on somewhere Wednesday. Who's leaving

1:04:09.800 --> 1:04:12.320
<v Speaker 1>the show now? But on Thursday we'll share nose back

1:04:12.400 --> 1:04:15.880
<v Speaker 1>Sparrow if he's trying to do a fucking show and

1:04:15.960 --> 1:04:17.560
<v Speaker 1>you don't want to do a show. If you got

1:04:17.600 --> 1:04:20.520
<v Speaker 1>any questions for Share Nose, make sure you email her

1:04:20.720 --> 1:04:22.680
<v Speaker 1>right or email the show at all Fair Show at

1:04:22.680 --> 1:04:24.640
<v Speaker 1>gmail dot com. Drop us a tweet. Have you all

1:04:24.640 --> 1:04:27.440
<v Speaker 1>fair show? And I've gotta tell you about what happened

1:04:27.480 --> 1:04:29.439
<v Speaker 1>in Chicago? You want to hear by Chicago. We're gonna

1:04:29.440 --> 1:04:33.360
<v Speaker 1>get full freaking here. You gotta find out a h

1:04:33.520 --> 1:04:36.520
<v Speaker 1>D or know what it's called? What d h D

1:04:36.800 --> 1:04:39.200
<v Speaker 1>A d H D d D have you gotta find out?

1:04:39.240 --> 1:04:41.360
<v Speaker 1>You can get septems all that's up to you. Gotta

1:04:41.400 --> 1:04:43.960
<v Speaker 1>find that out, and I gotta get a sound effect board.

1:04:44.200 --> 1:04:46.320
<v Speaker 1>You're not getting a sound effect, Plain it simple. We

1:04:46.440 --> 1:04:48.840
<v Speaker 1>need a sound effect. We got nothing accomplished today, We're

1:04:48.840 --> 1:04:50.840
<v Speaker 1>gonna get less accomplished if we have a sound effect.

1:04:50.880 --> 1:04:53.280
<v Speaker 1>Let us be the giant. By the way, congratulations, great tea.

1:04:53.320 --> 1:04:56.400
<v Speaker 1>We've just done the longest podcast we've ever done. Episode

1:04:57.440 --> 1:04:59.920
<v Speaker 1>it's been all tis. This has not been tis all

1:05:00.040 --> 1:05:04.160
<v Speaker 1>Titch because my play this as you kiss to get

1:05:04.200 --> 1:05:11.320
<v Speaker 1>the long, fast long, I'm ash got burn