WEBVTT - Fingernails, Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, production of by

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<v Speaker 1>heart Radiobu. Hey, are you welcome to Stuff to Blow

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<v Speaker 1>your Mind? My name is Robert Lamb and I'm Joe McCormick,

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<v Speaker 1>and we're back with part two of our talk about

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<v Speaker 1>nails Fingernails Toenails. In the last episode, we talked about

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<v Speaker 1>how fast nails grow, what influences how fast they grow,

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<v Speaker 1>some strange decades long self experimentation projects on the measurement

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<v Speaker 1>of nails. And this time we're going to get out

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<v Speaker 1>of some of that scientific minutia and jump into the

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<v Speaker 1>weirder world of nails and the role that nails and

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<v Speaker 1>hair play in a lot of very very surprising and

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<v Speaker 1>interesting magical and religious beliefs. Yeah, and it it makes

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<v Speaker 1>sense that we would since the nails that we look

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<v Speaker 1>down at every day, that we you know, find ourselves

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<v Speaker 1>absent mindedly feeling, uh that that in fact enhance our

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<v Speaker 1>ability to engage physically with the world. They are strange

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<v Speaker 1>to behold. Like we said before, they're both alive and

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<v Speaker 1>dead at the same time, at least as you know,

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<v Speaker 1>in the way that we we think of them. You know,

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<v Speaker 1>they they're obviously a part of our body, uh, and

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<v Speaker 1>yet they feel slightly external. You know that they are

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<v Speaker 1>these things that are like clause but not clause. So

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<v Speaker 1>it makes sense that we would have some kind of

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<v Speaker 1>complicated magical ideas at times about what they are and

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<v Speaker 1>what they do. Yeah, and I think some of the

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<v Speaker 1>magical and religious ideas are going to connect with something

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<v Speaker 1>that we talked about in the last episode, which was

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<v Speaker 1>this the strange thing I was observing about how our

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<v Speaker 1>hard body parts, the hard external parts like teeth and nails,

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<v Speaker 1>though you would expect them to be sort of like

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<v Speaker 1>the most uh, I don't know what you would call

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<v Speaker 1>like the most brutally disposable parts of our bodies, because

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<v Speaker 1>they're hard. You know, they're like what you put out

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<v Speaker 1>front in defense or attack. But in fact we've got

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<v Speaker 1>these kind of vulnerability trauma obsessions with these parts of

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<v Speaker 1>our bodies. Like if you just start worrying about what

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<v Speaker 1>could go wrong with your body, how you could be injured,

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<v Speaker 1>how it could be damaged, a lot of the natural

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<v Speaker 1>places that people go to go to worry about these

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<v Speaker 1>things our teeth and nails, absolutely, and that's that's why

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<v Speaker 1>towards the end of the at the last episode, we

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<v Speaker 1>started talking a little bit about Glenn Danzig's fingernails and

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<v Speaker 1>about how, at least in some music videos or posters

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<v Speaker 1>that I kind of have remember um from my my

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<v Speaker 1>teenage years, I recall that he had sharpened fingernails, and

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<v Speaker 1>I would wonder to myself, well, what purpose did those have?

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<v Speaker 1>And indeed, you know, would sharpen fingernails age you in

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<v Speaker 1>in fights or something? Because I also remember, like Stephen

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<v Speaker 1>King novels and short stories that I also was reading

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<v Speaker 1>at the time, you'd occasionally have a character show up

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<v Speaker 1>that is sharpened their teeth down to to file points

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<v Speaker 1>um or or perhaps even has some sort of like

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<v Speaker 1>sharpened ginger nails, I guess, and uh, and it brings

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<v Speaker 1>them to wonder like would there be any kind of

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<v Speaker 1>actual combat or defensive advantage to that sort of thing,

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<v Speaker 1>And we we mostly decided that there would not really be. Yes,

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<v Speaker 1>you can scratch your way out of a out of

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<v Speaker 1>a scrape here and there, but there's also a big

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<v Speaker 1>possibility to damage your your fingernails if you're trying to

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<v Speaker 1>use like sharpened fingernails to attack somebody. More than likely,

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<v Speaker 1>if you encounter somebody with really gnarly looking fingernails, that

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<v Speaker 1>have been sharpened to a point or or indeed, um uh,

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<v Speaker 1>you know, just look seemingly intentionally creepy. They probably are

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<v Speaker 1>trying to look at least a little bit like nos Ferato, right,

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<v Speaker 1>And so this vampire association with long nails. In fact,

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<v Speaker 1>we were just talking about this with Seth the other day,

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<v Speaker 1>Uh and and uh Seth. Seth was sharing with us

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<v Speaker 1>the idea that, you know, it's possible that the association

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<v Speaker 1>between long fingernails and vampires could come from the idea

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<v Speaker 1>that often in the old days, you might and up

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<v Speaker 1>if you've you've exhumed a body from the graveyard and

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<v Speaker 1>you notice that their nails look a little bit long,

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<v Speaker 1>and so you think, wait a minute, are they still

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<v Speaker 1>alive in some way or they're getting up and roaming

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<v Speaker 1>around and still growing body tissues. Yeah, I feel like

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<v Speaker 1>this has come up on the show in the past before,

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<v Speaker 1>and it's certainly it goes beyond the world of mere vampires.

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<v Speaker 1>We talked about it a bit in the episode where

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<v Speaker 1>we talked about the Kappa, the Japanese water demon um

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<v Speaker 1>where you have varying monstrous conceptions in the human imagination

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<v Speaker 1>that are based upon an analysis of a physical death

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<v Speaker 1>to see what happens to the body after it dies

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<v Speaker 1>and the seeming changes that take place in the body.

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<v Speaker 1>And in the case of the vampire, yeah, it's like

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<v Speaker 1>the bloated form. Uh. The impression at least that the

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<v Speaker 1>hair is still growing, the impression that the nails are

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<v Speaker 1>still growing. So if you ask the question is that true,

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<v Speaker 1>the answer is no, It is not true that hair

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<v Speaker 1>and fingernails continue to grow after death. Uh, at least

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<v Speaker 1>not to any significant degree. Now, if the nails in

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<v Speaker 1>the hair don't keep growing after death, that that does

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<v Speaker 1>leave the question of why so many people thought that

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<v Speaker 1>that was the case. Why Why would you look at

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<v Speaker 1>a corpse and think that its nails appear long? And

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<v Speaker 1>the most common explanation for this tends to be based

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<v Speaker 1>on the dehydration of the corps. That as the body

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<v Speaker 1>begins to decompose, it loses a lot of moisture, which

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<v Speaker 1>causes the retraction of the skin tissues around the finger

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<v Speaker 1>nails and around the nail plate, which makes the nail

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<v Speaker 1>plates look longer because there's there's just less skin around them. Now,

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<v Speaker 1>this helps inform more than just our idea of vampires

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<v Speaker 1>for starters, it also has factored into the buried alive

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<v Speaker 1>panics that have existed at different times. I believe we

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<v Speaker 1>we discussed this a bit in an episode of Invention

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<v Speaker 1>on various casket innovations. So the idea is, oh, you know,

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<v Speaker 1>end up digging up this corpse later, and maybe you

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<v Speaker 1>don't assume that they were some sort of undead fiend,

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<v Speaker 1>but you might think, oh, my goodness, they were still

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<v Speaker 1>alive for some time after we buried them. They must

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<v Speaker 1>have been buried alive. And this led to a fashionable

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<v Speaker 1>demand in the nineteenth century for caskets with escape hatches

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<v Speaker 1>and ways of getting out if you happen to have

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<v Speaker 1>been buried alive. Yes, So if you want to catch

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<v Speaker 1>up on that, do check out that episode of Invention.

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<v Speaker 1>It may still be in the Stuff to Blow your

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<v Speaker 1>Mind feed from when we put a bunch of those

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<v Speaker 1>out earlier in the year. But if not, you can

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<v Speaker 1>find the dedicated fee to Invention. Even though we're not

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<v Speaker 1>putting out new episodes of that show in that feed,

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<v Speaker 1>you'll still find all of those episodes there for your listening.

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<v Speaker 1>I think it was a three part last October. Yeah,

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<v Speaker 1>that's what it was. Now. In addition to this you'll

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<v Speaker 1>also find various myths and legends just concerned just general

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<v Speaker 1>monstrosity in the world. And oftentimes you'll have a monster

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<v Speaker 1>that has long fingernails. And this is roughly, you know,

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<v Speaker 1>associated with the idea that, okay, long fingernails imply a

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<v Speaker 1>wildness to kind of beastial nature of the the entity

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<v Speaker 1>or the being in question. Right, what has claws wild animals? Yeah,

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<v Speaker 1>And though the long or fingernails become, the more like

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<v Speaker 1>the claws of an animal they become. Now, there are

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<v Speaker 1>exceptions to this. Long finger nails are sometimes considered fashionable

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<v Speaker 1>for females we see we see a lot of that

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<v Speaker 1>in um in modern culture, but then also you sometimes

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<v Speaker 1>see it as a fashion for males as well. Long nails,

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<v Speaker 1>for example, were important symbols of social status at various

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<v Speaker 1>points in Chinese history, and they were sometimes painted for

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<v Speaker 1>visual effect, but also sometimes the painting or sometimes the

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<v Speaker 1>lacquering of the nail was as much about strengthening the

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<v Speaker 1>nail as it was about making it look fancy, which

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<v Speaker 1>is an interesting point. And apparently this we see echoes

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<v Speaker 1>of this and other cultures as well. I think the

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<v Speaker 1>ancient Egyptians um are are are thought to have engaged

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<v Speaker 1>in this sort of thing as well, strengthening the nail

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<v Speaker 1>in order to maintain its elongated uh uh structure. Now,

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<v Speaker 1>later on in Chinese history, ornate finger nail guards were

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<v Speaker 1>used to protect outer nails. So this might be like

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<v Speaker 1>on the pinky finger, for example, and the ring finger

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<v Speaker 1>uh and uh. And we're we're talking some pretty ornate

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<v Speaker 1>finger coverings here. For instance, the six inch long golden

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<v Speaker 1>mail protectors that were worn by the Imperious Dowager Sushi,

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<v Speaker 1>who ruled China for forty three years from eighteen sixty

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<v Speaker 1>one until her death in nineteen o eight. If you

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<v Speaker 1>look her up, you can find actual photographs of her

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<v Speaker 1>decked out with these things. Now, Robert, can you describe

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<v Speaker 1>Is this more of like a thimble type covering that

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<v Speaker 1>would go over the end of the finger and extend

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<v Speaker 1>out from there, or is it more like that finger

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<v Speaker 1>armor stuff that has joints and goes over the whole finger. Um,

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<v Speaker 1>not really joints per se, it is one gets the

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<v Speaker 1>impression of like long tapering golden fingertip covers um. I

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<v Speaker 1>think this this sort of thing has also been utilized

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<v Speaker 1>in dance in various Asian cultures. Um, yeah, so the

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<v Speaker 1>really neat look now in terms of just longer finger

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<v Speaker 1>nails in general, the style has also been popular with

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<v Speaker 1>males at different times in Chinese history, with longer manicured

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<v Speaker 1>nails still having a residual cultural association with higher classes

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<v Speaker 1>in society. Uh. One also sees the retention of a long,

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<v Speaker 1>pinky finger nail as a signifier of social status. But

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<v Speaker 1>then there are also varying levels of when you get

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<v Speaker 1>into the actual reasons uh that individuals um, you know,

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<v Speaker 1>self identify uh and uh and certainly uh uh explain

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<v Speaker 1>that their their pinky nail. They might be what it's

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<v Speaker 1>for good luck or you know, it might be there

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<v Speaker 1>might be some idea of divinational aspects uh of finger morphology.

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<v Speaker 1>They're various sort of cultural ideas that seemed to be

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<v Speaker 1>floating around, um explaining, you know, why one would have

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<v Speaker 1>a longer nail if there's a class association that nails are,

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<v Speaker 1>you know, for higher social status. I wonder if it

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<v Speaker 1>has anything to do with demonstrate the lack of need

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<v Speaker 1>to engage in physical or manual labor. Yes, sort of

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<v Speaker 1>along the same lines as you know, there are some

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<v Speaker 1>cultures I think it was once common in uh in

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<v Speaker 1>European culture, for and it was fashionable from men to

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<v Speaker 1>where like long pointy shoes. And one explanation given for

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<v Speaker 1>this is well, a long pointy shoe makes you look

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<v Speaker 1>rich because it's a kind of shoe that you can't

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<v Speaker 1>do any physical work in. Yeah. Yeah, The best explanations

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<v Speaker 1>seemed to tie it to this like a long standing

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<v Speaker 1>idea that it informs social status. However, I should note

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<v Speaker 1>that I've I've looked into this a couple of times

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<v Speaker 1>over the years, and I've never found like a I

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<v Speaker 1>have not found not to say it doesn't exist, but

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<v Speaker 1>I have never found like a really good paper on

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<v Speaker 1>this that really dives in with a lot of the

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<v Speaker 1>information out there about this is more informal in nature.

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<v Speaker 1>But um, traditional Chinese cultural hierarchies do seem to retain

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<v Speaker 1>their power though according to one paper I was looking

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<v Speaker 1>at Saving Face in China, Modernization, parental usher and plastic

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<v Speaker 1>Surgery by Andrew Lyndridge and Choufeng Wang, published in the

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<v Speaker 1>Journal of Consumer Affairs in two thousand and eight. Um,

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<v Speaker 1>So you know, basically underlying the idea that you can

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<v Speaker 1>you can have these ideas that are still floating around

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<v Speaker 1>in society, and perhaps you know, perhaps the rationale for

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<v Speaker 1>them isn't you know, uh in an individual's forethought, But

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<v Speaker 1>it's just something that survives and is still done and

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<v Speaker 1>perhaps on some level still does inform UH that notion

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<v Speaker 1>that I have this longer nail, which means I am

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<v Speaker 1>of a higher social status and maybe don't have to

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<v Speaker 1>engage in as much physical labor. For an historical example

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<v Speaker 1>of this getting outside of modern culture, UM, there's a

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<v Speaker 1>book that I've I've been fond of for for for

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<v Speaker 1>many years titled Tales from a Chinese Studio, and it's

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<v Speaker 1>a collection from seventeen forty of these various weird tales

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<v Speaker 1>that were compiled by the author uh Pooh song Ling

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<v Speaker 1>and uh and it's these are wonderful stories, I reckon

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<v Speaker 1>and anyone who's even halfway interested in in strange Chinese

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<v Speaker 1>ghost stories, you should pick up a copy of this

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<v Speaker 1>because some of them are funny, some of them are

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<v Speaker 1>just really weird. Um. There's also a certain poetry to them,

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<v Speaker 1>and I understand that if if one is actually reading

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<v Speaker 1>these stories uh in Mandarin, uh, they're also there are

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<v Speaker 1>also a lot of various illusions that are going to

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<v Speaker 1>be lost on the English language translation reader. But they're

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<v Speaker 1>still they're still tremendous as translated pieces. I think you've

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<v Speaker 1>quoted from it before. I have positive associations with this title. Yeah,

0:12:37.880 --> 0:12:39.640
<v Speaker 1>it's a it's a great book, and I think Penguin

0:12:39.720 --> 0:12:42.560
<v Speaker 1>has an edition of it. Um. So I was looking

0:12:42.559 --> 0:12:44.440
<v Speaker 1>back through that because I'm thinking, Okay, if there's a

0:12:44.480 --> 0:12:47.360
<v Speaker 1>good example of a monster with long fingernails, perhaps i'll

0:12:47.400 --> 0:12:50.480
<v Speaker 1>find it entails from a Chinese studio. I did not

0:12:50.640 --> 0:12:53.360
<v Speaker 1>find it, but I did find this little note um

0:12:54.000 --> 0:12:57.280
<v Speaker 1>about a particular line and one of his writings that

0:12:57.440 --> 0:13:02.119
<v Speaker 1>I had skipped over before I didn't remember from before. Basically,

0:13:02.360 --> 0:13:06.960
<v Speaker 1>uh uh poohsong Ling mentions the Bard of the Long Nails,

0:13:07.840 --> 0:13:11.720
<v Speaker 1>which the translators and editors of this Penguin edition identify

0:13:11.760 --> 0:13:15.720
<v Speaker 1>as Lee He who lives seven sixty through eight sixteen.

0:13:15.960 --> 0:13:19.640
<v Speaker 1>And so he was a late tongue scholar often characterized

0:13:19.679 --> 0:13:22.720
<v Speaker 1>as a sort of quote doomed poet with a vision

0:13:22.840 --> 0:13:26.280
<v Speaker 1>so intense the world will destroy him if he does

0:13:26.360 --> 0:13:32.200
<v Speaker 1>not destroy himself. Whoa. And so the the editors here

0:13:32.480 --> 0:13:36.160
<v Speaker 1>they could they compared him to John Keats. That's interesting

0:13:36.200 --> 0:13:39.360
<v Speaker 1>because Keats definitely died young, But I don't really think

0:13:39.400 --> 0:13:42.480
<v Speaker 1>of him as doom driven in that way. Uh. When

0:13:42.480 --> 0:13:45.040
<v Speaker 1>I think of doom driven English poets, I guess I

0:13:45.080 --> 0:13:48.720
<v Speaker 1>would think more like Byron or Percy Shelley. Yeah, Lord

0:13:48.760 --> 0:13:51.599
<v Speaker 1>Byron definitely comes to mind, right, especially with when it

0:13:51.640 --> 0:13:54.199
<v Speaker 1>comes to like a dark bad boy status walking around

0:13:54.360 --> 0:13:57.800
<v Speaker 1>a skull goblet and a pet bear on a chain exactly. Uh.

0:13:57.800 --> 0:14:01.719
<v Speaker 1>And and interestingly enough, if you look up some of

0:14:02.400 --> 0:14:06.440
<v Speaker 1>uh Lee He's translated work, he's sometimes described as this

0:14:06.480 --> 0:14:08.840
<v Speaker 1>is from the Amazon description to a nice collection of

0:14:08.880 --> 0:14:11.520
<v Speaker 1>his work. Uh, the bad boy poet of the late

0:14:11.600 --> 0:14:15.679
<v Speaker 1>Tang dynasty. Well that I got to hear more from

0:14:15.679 --> 0:14:17.560
<v Speaker 1>this bad so it was it was he a bet.

0:14:17.720 --> 0:14:19.560
<v Speaker 1>Was the fact that he was a bad boy at

0:14:19.560 --> 0:14:25.520
<v Speaker 1>all related to the perception of him having long nails? Um? Well, yes,

0:14:25.560 --> 0:14:27.640
<v Speaker 1>and no, I think, uh when I think this will

0:14:27.800 --> 0:14:29.640
<v Speaker 1>maybe become a little more clear, Like, for instance, I

0:14:29.680 --> 0:14:32.800
<v Speaker 1>don't think the fact that that he had long nails

0:14:32.880 --> 0:14:35.880
<v Speaker 1>was like the signifying bad boy aspect about him. I

0:14:35.920 --> 0:14:38.840
<v Speaker 1>take that to be probably more in common with with

0:14:38.920 --> 0:14:41.400
<v Speaker 1>professional scholars of the day, like you know, you're you're

0:14:41.480 --> 0:14:44.440
<v Speaker 1>you're a you're a scholar, you're a man of of words. Uh,

0:14:44.560 --> 0:14:48.160
<v Speaker 1>you certainly don't need short nails in order to engage

0:14:48.160 --> 0:14:50.360
<v Speaker 1>in a bunch of physical labor, like you're a man

0:14:50.400 --> 0:14:53.440
<v Speaker 1>of letters. I see that. Being said, he has a

0:14:53.520 --> 0:14:57.840
<v Speaker 1>very gothic quality to him. The New Tang History of

0:14:57.880 --> 0:15:02.360
<v Speaker 1>ten sixty described him as quote frail and thin, with

0:15:02.440 --> 0:15:06.920
<v Speaker 1>eyebrows that met together and long fingernails. He was also

0:15:07.000 --> 0:15:09.760
<v Speaker 1>known as the Demon Talent due to his love of

0:15:09.840 --> 0:15:13.560
<v Speaker 1>weird and exotic subjects in his writings, and the New

0:15:13.600 --> 0:15:17.440
<v Speaker 1>Tang History also said that he quote felt himself already

0:15:17.520 --> 0:15:20.320
<v Speaker 1>halfway across the boundary between the living and the dead.

0:15:21.520 --> 0:15:24.240
<v Speaker 1>Now that being said, apparently he also wrote about mundane

0:15:24.280 --> 0:15:26.640
<v Speaker 1>topics as well, like you know, earth like food and

0:15:26.680 --> 0:15:30.160
<v Speaker 1>so forth. So it wasn't just all ghoulish content. Um,

0:15:30.160 --> 0:15:34.080
<v Speaker 1>maybe a spooky food yeah, Oh no, I think he generally,

0:15:34.160 --> 0:15:37.280
<v Speaker 1>you know, wrote about food and acceptable you know, non

0:15:37.880 --> 0:15:40.720
<v Speaker 1>what we would think of in Western terms is of

0:15:40.760 --> 0:15:45.800
<v Speaker 1>you know, a non Gothic sense. But anyway, if you

0:15:45.920 --> 0:15:48.880
<v Speaker 1>if you look at his work, it is really quite beautiful. Um.

0:15:49.720 --> 0:15:52.680
<v Speaker 1>He is probably apparently most famous for this poem Song

0:15:52.960 --> 0:15:56.200
<v Speaker 1>of Magic Strings that the editors and translators of the

0:15:56.200 --> 0:15:59.720
<v Speaker 1>pous song ling text include uh. The poem itself was

0:16:00.000 --> 0:16:04.480
<v Speaker 1>in selated by John Fordsham in ninety three's Goddesses, Ghosts

0:16:04.480 --> 0:16:07.400
<v Speaker 1>and Demons that Collected Poems of lee he He He, which

0:16:07.440 --> 0:16:09.520
<v Speaker 1>you can you can buy in like an e book

0:16:09.640 --> 0:16:11.960
<v Speaker 1>or physical form. I'm thinking of picking up a copy.

0:16:12.000 --> 0:16:15.240
<v Speaker 1>But but here's here's just a little bit from that poem.

0:16:15.480 --> 0:16:20.920
<v Speaker 1>Quote blue raccoons are weeping blood as shivering foxes die

0:16:21.000 --> 0:16:25.120
<v Speaker 1>on the ancient wall. A painted dragon tail inlaid with gold.

0:16:25.320 --> 0:16:28.840
<v Speaker 1>The rain God is writing it away to an autumn tarn.

0:16:29.360 --> 0:16:33.560
<v Speaker 1>Owls that have lived a hundred years turned forest demons

0:16:33.920 --> 0:16:39.239
<v Speaker 1>laugh wildly as an emerald fire leaps from their nests. Wow.

0:16:39.560 --> 0:16:43.280
<v Speaker 1>That that is electrifying. Man, I've got goose bumps. Yeah. Ye,

0:16:44.000 --> 0:16:45.440
<v Speaker 1>Like I say, I think I'm gonna pick up a

0:16:45.440 --> 0:16:49.600
<v Speaker 1>copy for this Halloween season. Um, but there was there

0:16:49.640 --> 0:16:51.800
<v Speaker 1>was another line. When I was looking at the preview

0:16:51.840 --> 0:16:55.200
<v Speaker 1>of that actual text of Fordsham wrote quote, lee he

0:16:55.360 --> 0:17:00.720
<v Speaker 1>was temperamentally unable to write a conventional social poem. In consequently,

0:17:00.960 --> 0:17:04.439
<v Speaker 1>he is very rarely dull. Uh So apparently to to

0:17:04.480 --> 0:17:06.960
<v Speaker 1>be like a professional man of words, to be like,

0:17:07.040 --> 0:17:08.919
<v Speaker 1>you know, a writer of the day, you had to

0:17:08.920 --> 0:17:11.320
<v Speaker 1>engage in a lot of sort of boring, sort of

0:17:11.400 --> 0:17:14.919
<v Speaker 1>courtly writing. Uh. The example that he gave was it

0:17:14.960 --> 0:17:17.920
<v Speaker 1>was apparently common to sort of to to write to

0:17:18.040 --> 0:17:21.040
<v Speaker 1>patrons and compliment them on, say, the birth of a child.

0:17:21.520 --> 0:17:24.560
<v Speaker 1>And there's an example of this short poetic poetic piece

0:17:24.720 --> 0:17:27.760
<v Speaker 1>that he wrote to such a patron, and he makes

0:17:27.800 --> 0:17:31.080
<v Speaker 1>it sound like fortune compares it to the child from

0:17:31.080 --> 0:17:35.639
<v Speaker 1>the omen Um about just how he describes this child

0:17:35.720 --> 0:17:37.879
<v Speaker 1>as like being able to like see through people, to

0:17:38.000 --> 0:17:41.520
<v Speaker 1>their to their soul or something to that effect. It's

0:17:41.520 --> 0:17:45.160
<v Speaker 1>pretty interesting. So I like the idea of this, uh,

0:17:45.240 --> 0:17:48.439
<v Speaker 1>this Bard of the Long Nails, who when he tries

0:17:48.480 --> 0:17:50.480
<v Speaker 1>to fit in and be like just a boring poet,

0:17:50.520 --> 0:17:52.800
<v Speaker 1>he can't quite do it. He's just a little too weird.

0:17:53.320 --> 0:17:55.760
<v Speaker 1>But I should drive home that I don't think the

0:17:55.880 --> 0:18:00.080
<v Speaker 1>Long Nails were the um were the weird thing about him, know,

0:18:00.240 --> 0:18:01.920
<v Speaker 1>it was that he would write you a note saying,

0:18:01.920 --> 0:18:04.359
<v Speaker 1>congratulations on the birth of your child, who will one

0:18:04.440 --> 0:18:07.400
<v Speaker 1>day flay my soul in the underworld. Yeah, that sort

0:18:07.400 --> 0:18:11.240
<v Speaker 1>of thing. Um. So, anyway, I encourage everyone to check

0:18:11.240 --> 0:18:13.399
<v Speaker 1>out both of those authors. But but anyway, back back

0:18:13.440 --> 0:18:17.080
<v Speaker 1>to nails. In general, long nails have have apparently sometimes

0:18:17.480 --> 0:18:19.800
<v Speaker 1>been seen as a luxury for those of upper classes

0:18:19.800 --> 0:18:22.639
<v Speaker 1>in various cultures who don't have to truly labor with

0:18:22.680 --> 0:18:25.959
<v Speaker 1>their hands. And I've had a couple of studies at

0:18:26.040 --> 0:18:29.359
<v Speaker 1>least that backed this up, such as excessively long fingernails

0:18:29.359 --> 0:18:32.800
<v Speaker 1>as a risk factor for upper extremity soft tissue injury

0:18:32.800 --> 0:18:34.560
<v Speaker 1>published in two thousand and eight in the Journal of

0:18:34.600 --> 0:18:38.880
<v Speaker 1>Occupational and Environmental Medicine, and another paper, Effects of fingernail

0:18:38.960 --> 0:18:41.560
<v Speaker 1>linked on finger and hand performance, published in the Journal

0:18:41.720 --> 0:18:45.119
<v Speaker 1>hand Therapy back in two thousand and This the second

0:18:45.119 --> 0:18:49.159
<v Speaker 1>paper here, recommends keeping fingernails shortened to at least point

0:18:49.200 --> 0:18:55.720
<v Speaker 1>five centimeters to quote achieve optimal functional outcomes. Well, I guess,

0:18:55.880 --> 0:18:58.520
<v Speaker 1>to be fair, I laughed because I was imagining optimal

0:18:58.600 --> 0:19:01.800
<v Speaker 1>functional outcomes of ends just in regular life. But I

0:19:01.800 --> 0:19:05.520
<v Speaker 1>guess this is talking about therapy, so that phrasing makes sense. Yes, Yes,

0:19:05.600 --> 0:19:09.119
<v Speaker 1>this this paper does seem to be narrowing its focus somewhat. Uh.

0:19:09.200 --> 0:19:11.439
<v Speaker 1>And I think it's also worth noting that, you know,

0:19:11.480 --> 0:19:14.399
<v Speaker 1>I have, for my own part, I've encountered people with

0:19:14.400 --> 0:19:17.600
<v Speaker 1>with very long you know, well, maintained nails. Uh, you know,

0:19:17.640 --> 0:19:20.919
<v Speaker 1>sometimes very fancy looking nails. This seemed quite capable of

0:19:20.960 --> 0:19:24.840
<v Speaker 1>manipulating their environment and say an office setting. Uh, though

0:19:24.880 --> 0:19:27.200
<v Speaker 1>perhaps that's not that different from the sort of physical

0:19:27.320 --> 0:19:31.600
<v Speaker 1>demands of of of of a scholar in um, you know,

0:19:31.680 --> 0:19:34.560
<v Speaker 1>in in in in China of old. Uh. You know,

0:19:34.640 --> 0:19:37.520
<v Speaker 1>you're you're still not having to like actually physically dig

0:19:37.520 --> 0:19:40.239
<v Speaker 1>in the earth or something to that effect. So so

0:19:40.280 --> 0:19:42.000
<v Speaker 1>I'm not sure i'd be interesting to hear from anyone

0:19:42.000 --> 0:19:45.439
<v Speaker 1>out there who does, who has had long nails in

0:19:45.440 --> 0:19:48.480
<v Speaker 1>the past or keeps them, maintains long nails today, Like

0:19:48.680 --> 0:19:51.040
<v Speaker 1>are there things that you find that they get in

0:19:51.080 --> 0:19:54.000
<v Speaker 1>the way of or are they just generally not in

0:19:54.040 --> 0:19:56.560
<v Speaker 1>the way? Do you sort of adapt I mean obviously,

0:19:57.480 --> 0:19:59.840
<v Speaker 1>you know, we we we can adapt our body schema

0:19:59.880 --> 0:20:04.000
<v Speaker 1>to accommodate for any number of of extra things. It

0:20:04.040 --> 0:20:06.440
<v Speaker 1>seems like just longer nails. I mean, that's even more

0:20:06.480 --> 0:20:09.600
<v Speaker 1>a part of our body than any tool or costume

0:20:09.680 --> 0:20:12.040
<v Speaker 1>that we might acquire. All right, it's time to take

0:20:12.040 --> 0:20:13.639
<v Speaker 1>a quick break. But when we come back, we can

0:20:13.640 --> 0:20:18.240
<v Speaker 1>talk about a demon warship made out of nails. Thank you,

0:20:18.840 --> 0:20:21.560
<v Speaker 1>thank you. All right, We're back, and I'm excited for

0:20:21.560 --> 0:20:24.920
<v Speaker 1>this job because you were you were about to embark

0:20:25.200 --> 0:20:28.680
<v Speaker 1>on a journey and you're you're going to uh tell

0:20:28.760 --> 0:20:33.920
<v Speaker 1>us about what maybe the the magical fingernail story par excellence.

0:20:34.160 --> 0:20:35.880
<v Speaker 1>I mean, there are a lot of great magical figure

0:20:35.960 --> 0:20:38.320
<v Speaker 1>nail stories that I'm about to get into, but this

0:20:38.400 --> 0:20:42.000
<v Speaker 1>might be the most most thoroughly mythological one, the one

0:20:42.040 --> 0:20:45.159
<v Speaker 1>that's like the most the most like a device in

0:20:45.200 --> 0:20:47.600
<v Speaker 1>a story where the nails are sort of the mcguffin.

0:20:47.640 --> 0:20:49.600
<v Speaker 1>Though there's also a very good Persian one that we'll

0:20:49.600 --> 0:20:51.679
<v Speaker 1>get into. But anyway, so I want to go to

0:20:51.920 --> 0:20:54.399
<v Speaker 1>the pros at A. This is a work that tells

0:20:54.480 --> 0:20:57.480
<v Speaker 1>us a lot of what we know about ancient Norse

0:20:57.560 --> 0:21:01.480
<v Speaker 1>mythology that was written or edited the medieval Icelandic author

0:21:01.560 --> 0:21:05.240
<v Speaker 1>Snorri Sturlason. In the prose Edda, there are these collected

0:21:05.280 --> 0:21:09.240
<v Speaker 1>literary works that tell many of the stories of Norse mythology,

0:21:09.280 --> 0:21:14.480
<v Speaker 1>including the story of Ragnarok, the final Confrontation, the destruction

0:21:14.520 --> 0:21:18.200
<v Speaker 1>of the gods at the end of that era and there.

0:21:18.480 --> 0:21:20.920
<v Speaker 1>But early on, there's a passage in the prose edit

0:21:21.000 --> 0:21:23.760
<v Speaker 1>that's just talking about ships, just mentioning what kinds of

0:21:23.800 --> 0:21:28.280
<v Speaker 1>mythological ships there are, and it mentions one ship in passing,

0:21:28.640 --> 0:21:31.200
<v Speaker 1>calling it the Nagle Far. And it only says a

0:21:31.240 --> 0:21:33.480
<v Speaker 1>couple of things about the Nagle Far. It says that

0:21:33.600 --> 0:21:36.560
<v Speaker 1>it is in mu spell. Mu Spell is a realm

0:21:36.600 --> 0:21:39.560
<v Speaker 1>of fire, the home of the fire giants who you

0:21:39.600 --> 0:21:43.919
<v Speaker 1>don't want to mess with. And the passage also mentions

0:21:43.960 --> 0:21:48.280
<v Speaker 1>that Naglfar is the largest, meaning the largest of all ships.

0:21:48.920 --> 0:21:52.359
<v Speaker 1>So what is this nagle Far the largest of all ships? Well?

0:21:52.440 --> 0:21:55.400
<v Speaker 1>Later the author here tells us that the Nagle Far

0:21:55.920 --> 0:22:00.160
<v Speaker 1>will appear over the horizon during the calamity of ragnar Hawk,

0:22:00.240 --> 0:22:03.280
<v Speaker 1>when the gods will be destroyed. And the author also

0:22:03.320 --> 0:22:05.919
<v Speaker 1>tells us something about its construction. And here I'm going

0:22:05.960 --> 0:22:10.240
<v Speaker 1>to quote directly from the work quote the stars shall

0:22:10.280 --> 0:22:13.280
<v Speaker 1>be hurled from heaven. Then it shall come to pass

0:22:13.400 --> 0:22:16.560
<v Speaker 1>that the earth and the mountains will shake so violently

0:22:16.680 --> 0:22:19.479
<v Speaker 1>that trees will be torn up by the roots, and

0:22:19.520 --> 0:22:23.240
<v Speaker 1>the mountains will topple down, and all bonds and fetters

0:22:23.240 --> 0:22:27.359
<v Speaker 1>will be broken and snapped. The fin ris Wolf gets loose,

0:22:27.920 --> 0:22:31.400
<v Speaker 1>the sea rushes over the earth. For the midguard serpent

0:22:31.520 --> 0:22:35.000
<v Speaker 1>writhes in giant rage and seeks to gain the land.

0:22:35.720 --> 0:22:39.159
<v Speaker 1>The ship that is called nagle Far also becomes loose.

0:22:39.600 --> 0:22:43.440
<v Speaker 1>It is made of the nails of dead men. Wherefore

0:22:43.480 --> 0:22:46.359
<v Speaker 1>it is worth warning that when a man dies with

0:22:46.600 --> 0:22:50.840
<v Speaker 1>unpaired nails, he supplies a large amount of materials for

0:22:50.880 --> 0:22:53.960
<v Speaker 1>the building of this ship, which both gods and men

0:22:54.160 --> 0:22:58.040
<v Speaker 1>wish maybe finished as late as possible. But in this

0:22:58.119 --> 0:23:02.320
<v Speaker 1>flood nagle Far gets a float. The giant crime is

0:23:02.359 --> 0:23:05.800
<v Speaker 1>it's steersman, or there might be hrim h r y m.

0:23:05.800 --> 0:23:08.520
<v Speaker 1>But okay, yeah, so it's got it's got giants on it,

0:23:08.520 --> 0:23:11.240
<v Speaker 1>it's got the giant crime or hrim as it's steersman,

0:23:11.480 --> 0:23:14.959
<v Speaker 1>and it's made out of the fingernails and toe nails

0:23:15.080 --> 0:23:18.760
<v Speaker 1>of dead men who did not care appropriately for their

0:23:18.840 --> 0:23:22.000
<v Speaker 1>nails at the time of death. That is that is

0:23:22.040 --> 0:23:26.720
<v Speaker 1>gnarly um. I by the way, I I'm not surprised

0:23:26.720 --> 0:23:30.040
<v Speaker 1>at all to learn as well that there is a

0:23:30.040 --> 0:23:34.040
<v Speaker 1>a longstanding Swedish black metal band that has naggle far

0:23:34.200 --> 0:23:38.320
<v Speaker 1>as It's as its name. They've been active since then

0:23:38.440 --> 0:23:41.640
<v Speaker 1>the early nineties. Apparently. Oh wow, I've never heard of him,

0:23:42.160 --> 0:23:44.480
<v Speaker 1>But of course, yeah, I mean, in anything, this gnarly

0:23:44.640 --> 0:23:46.280
<v Speaker 1>is going to end up as a metal band name.

0:23:47.200 --> 0:23:49.879
<v Speaker 1>But I should also mention that in telling the same story,

0:23:49.960 --> 0:23:52.200
<v Speaker 1>the story of Ragnarok, you know, sort of the destruction

0:23:52.200 --> 0:23:53.919
<v Speaker 1>of the gods at the end of at the end

0:23:53.920 --> 0:23:55.840
<v Speaker 1>of time, or maybe not of time, at least at

0:23:55.840 --> 0:23:57.840
<v Speaker 1>the end of the era, the age of the gods.

0:23:58.440 --> 0:24:01.119
<v Speaker 1>Um it is the same. A scene is described in

0:24:01.200 --> 0:24:04.239
<v Speaker 1>the Voluspa, which is an old Norse poem describing a

0:24:04.240 --> 0:24:06.680
<v Speaker 1>lot of mythological events that we've mentioned on the show

0:24:06.720 --> 0:24:10.560
<v Speaker 1>pretty recently. Actually, I think, wait, which episode did it

0:24:10.600 --> 0:24:13.720
<v Speaker 1>come up in? I cannot recall the context at the moment,

0:24:13.960 --> 0:24:17.440
<v Speaker 1>but there's also a quatrain in the Valoospa that mentions it.

0:24:17.440 --> 0:24:20.680
<v Speaker 1>It says, from the east comes crime with shield held

0:24:20.760 --> 0:24:24.919
<v Speaker 1>high in giant wrath. Does the serpent writhe or the

0:24:25.000 --> 0:24:29.919
<v Speaker 1>waves he twists? And the tawny eagle naws corpses screaming

0:24:30.400 --> 0:24:33.840
<v Speaker 1>naggle far is loose. I love I love the idea

0:24:33.920 --> 0:24:36.400
<v Speaker 1>that it's I know this is just me reading into

0:24:36.440 --> 0:24:38.840
<v Speaker 1>it perhaps, but if it feels like it's not. It's

0:24:38.840 --> 0:24:41.520
<v Speaker 1>not just the bones that are making It's not bones

0:24:41.560 --> 0:24:43.080
<v Speaker 1>that are making up the ship. It is the toe

0:24:43.119 --> 0:24:47.159
<v Speaker 1>nails and the fingernails that seem more like the detritus

0:24:47.240 --> 0:24:50.679
<v Speaker 1>of of the the dead body, you know. It seems

0:24:50.720 --> 0:24:53.280
<v Speaker 1>like this is like a ship that has been collecting

0:24:53.320 --> 0:24:57.240
<v Speaker 1>and assembling, like at the bottom of the universe, throughout

0:24:57.240 --> 0:24:59.560
<v Speaker 1>all of human conflict, you know. And so that that's

0:24:59.600 --> 0:25:02.600
<v Speaker 1>why it is only it is only completely finished towards

0:25:02.600 --> 0:25:05.400
<v Speaker 1>the very end of human existence. So there's a paper

0:25:05.440 --> 0:25:07.520
<v Speaker 1>I want to talk about, Robert, if you're ready, called

0:25:07.560 --> 0:25:12.560
<v Speaker 1>the Treatment of Hair and Fingernails among the Indo Europeans. Oh, yes,

0:25:12.640 --> 0:25:15.080
<v Speaker 1>I am ready for this because I've I've read about

0:25:15.600 --> 0:25:17.960
<v Speaker 1>certainly nothing on the ship level, the ship building level,

0:25:18.200 --> 0:25:20.520
<v Speaker 1>but I've I've read about some of these of these

0:25:20.560 --> 0:25:24.080
<v Speaker 1>folk beliefs before. Yeah. So this is a paper by

0:25:24.119 --> 0:25:26.760
<v Speaker 1>Bruce Lincoln, who is a scholar of religious studies at

0:25:26.800 --> 0:25:30.320
<v Speaker 1>the University of Chicago. He was published in nineteen seventy seven,

0:25:30.320 --> 0:25:33.120
<v Speaker 1>and that's worth noting this is an older paper. I'm

0:25:33.200 --> 0:25:35.520
<v Speaker 1>citing it because it's still really interesting, but I just

0:25:35.560 --> 0:25:38.280
<v Speaker 1>want to flag that it's older because it's possible that

0:25:38.560 --> 0:25:41.479
<v Speaker 1>in the intervening years some of Lincoln's factual assumptions might

0:25:41.480 --> 0:25:45.320
<v Speaker 1>have been superseded by more recent anthropological or historical research.

0:25:45.600 --> 0:25:48.040
<v Speaker 1>But I think the general thrust of the question he

0:25:48.119 --> 0:25:51.560
<v Speaker 1>poses remains and uh, and some of the hypotheses he

0:25:51.680 --> 0:25:55.800
<v Speaker 1>discusses in this article remain extremely interesting. Okay, So he

0:25:55.840 --> 0:25:59.520
<v Speaker 1>starts like this quote. One of the important lessons that

0:25:59.560 --> 0:26:02.720
<v Speaker 1>has learned from the study of history of religions is

0:26:02.760 --> 0:26:05.840
<v Speaker 1>that there is no act so small or insignificant that

0:26:05.920 --> 0:26:10.040
<v Speaker 1>it cannot take on symbolic importance. In certain cultures, it

0:26:10.160 --> 0:26:13.440
<v Speaker 1>is not always an easy task to recognize such symbolically

0:26:13.480 --> 0:26:18.280
<v Speaker 1>invested action, although the existence of elaborate rules for behavior

0:26:18.320 --> 0:26:21.359
<v Speaker 1>in a given situation may serve as a valuable clue.

0:26:21.920 --> 0:26:25.320
<v Speaker 1>And if the identification of such action is sometimes difficult,

0:26:25.600 --> 0:26:29.119
<v Speaker 1>the interpretation of a given motion, gesture, or ritual is

0:26:29.160 --> 0:26:32.560
<v Speaker 1>even more delicate. And the example that he gives that

0:26:32.640 --> 0:26:34.800
<v Speaker 1>he's going to talk about in this paper is the

0:26:34.880 --> 0:26:40.040
<v Speaker 1>extremely careful, meticulous rules governing the treatment of clippings from

0:26:40.040 --> 0:26:43.840
<v Speaker 1>the hair and nails in many cultures and religions throughout

0:26:43.840 --> 0:26:47.680
<v Speaker 1>the world, especially in many cultures that are descended from

0:26:47.720 --> 0:26:51.560
<v Speaker 1>in some way the ancient speakers of Proto Indo European,

0:26:51.600 --> 0:26:54.000
<v Speaker 1>which I'll get into more later. So I'm going to

0:26:54.080 --> 0:26:57.240
<v Speaker 1>start by just listing a number of examples that Lincoln

0:26:57.240 --> 0:27:00.480
<v Speaker 1>brings up, and then we can go back talk about

0:27:00.520 --> 0:27:05.119
<v Speaker 1>possible explanations for where these beliefs and religious practices come from.

0:27:05.760 --> 0:27:09.680
<v Speaker 1>So the first one mentioned by Lincoln concerns the hair specifically,

0:27:10.240 --> 0:27:13.840
<v Speaker 1>and is it's the right of the child's first haircut

0:27:14.000 --> 0:27:18.240
<v Speaker 1>or first tonture, practiced historically by some people of India,

0:27:18.840 --> 0:27:23.119
<v Speaker 1>and it's described in the Sankayana Gria Sutra, and the

0:27:23.160 --> 0:27:26.679
<v Speaker 1>Gria Sutras are a number of manuals describing the steps

0:27:26.680 --> 0:27:30.520
<v Speaker 1>of various domestic religious ceremonies. So I think specifically the

0:27:30.600 --> 0:27:34.000
<v Speaker 1>kind of religious ceremonies that you might perform around the house.

0:27:35.280 --> 0:27:38.080
<v Speaker 1>So this is performed for different children at different ages,

0:27:38.119 --> 0:27:41.440
<v Speaker 1>I think also traditionally depending on cast. But the process

0:27:41.480 --> 0:27:45.360
<v Speaker 1>goes like this in Lincoln's summary quote, the child's hair

0:27:45.480 --> 0:27:49.399
<v Speaker 1>is untangled and anointed and a young cusa shoot is

0:27:49.480 --> 0:27:53.120
<v Speaker 1>placed in it, Kusa being the sacred grass of ceremonial.

0:27:53.800 --> 0:27:56.439
<v Speaker 1>His hair is then shaved with a copper razor and

0:27:56.520 --> 0:27:59.440
<v Speaker 1>placed on a mound of bull dung mixed with kusa

0:27:59.560 --> 0:28:03.680
<v Speaker 1>grass that has been prepared to receive the hair. Finally,

0:28:03.920 --> 0:28:07.480
<v Speaker 1>and here he quotes directly from translation of the Sankayana

0:28:07.600 --> 0:28:11.800
<v Speaker 1>Gria Sutra quote to the northeast in a place covered

0:28:11.800 --> 0:28:15.080
<v Speaker 1>with herbs, or in the neighborhood of water, they bury

0:28:15.200 --> 0:28:18.359
<v Speaker 1>the hairs in the earth. So that's interesting to begin with.

0:28:18.400 --> 0:28:21.119
<v Speaker 1>You you have this ritual of at a certain age,

0:28:21.160 --> 0:28:24.240
<v Speaker 1>the child's hair is shaved or cut, and then it is,

0:28:24.280 --> 0:28:27.920
<v Speaker 1>in a kind of symbolic ritual way planted within dung

0:28:28.080 --> 0:28:31.920
<v Speaker 1>or within the earth. And there's this association with vegetation

0:28:32.119 --> 0:28:36.360
<v Speaker 1>or herbs. Interesting. Now, this may have absolutely no connection

0:28:36.400 --> 0:28:40.520
<v Speaker 1>with it. But a while back, I guess, oh man,

0:28:40.600 --> 0:28:43.240
<v Speaker 1>probably more than probably about a year ago, uh, my

0:28:43.280 --> 0:28:44.960
<v Speaker 1>son and I had our hair cut at our house

0:28:45.040 --> 0:28:48.640
<v Speaker 1>on our our front porch, and afterwards, um uh, the

0:28:48.800 --> 0:28:52.840
<v Speaker 1>individual cut our hair encouraged us to take the clippings

0:28:52.880 --> 0:28:54.840
<v Speaker 1>and put at least some of them in our garden

0:28:55.320 --> 0:28:59.320
<v Speaker 1>um in order to help deter creatures from eating our vegetables.

0:29:00.160 --> 0:29:02.600
<v Speaker 1>I wonder if that actually works. I don't know, but

0:29:02.800 --> 0:29:06.240
<v Speaker 1>i've I mean, I've heard also similar advice concerning a

0:29:06.280 --> 0:29:09.280
<v Speaker 1>little like hair from your pet, like to keep rodent

0:29:09.320 --> 0:29:11.520
<v Speaker 1>side of your garden, to put some hair from your cat,

0:29:11.840 --> 0:29:14.960
<v Speaker 1>for for for instance, in there which which I mean,

0:29:15.000 --> 0:29:17.120
<v Speaker 1>it sounds like it could work. I don't know that

0:29:17.200 --> 0:29:19.760
<v Speaker 1>I've I've seen any thing to actually back that up,

0:29:19.960 --> 0:29:23.720
<v Speaker 1>except I haven't noticed any any mice or rats out there.

0:29:23.960 --> 0:29:26.360
<v Speaker 1>But then again, um, just because you don't notice them

0:29:26.400 --> 0:29:29.880
<v Speaker 1>doesn't mean they're not there. That's interesting. We'll definitely keep

0:29:29.920 --> 0:29:31.640
<v Speaker 1>that in mind as we go through a few more

0:29:31.640 --> 0:29:34.400
<v Speaker 1>of these examples. So the next one that Lincoln sites

0:29:34.480 --> 0:29:37.560
<v Speaker 1>comes from ancient Roman religion. Uh. And this is the

0:29:37.600 --> 0:29:41.960
<v Speaker 1>example of the flamand Alice, or the high priest of Jupiter,

0:29:42.160 --> 0:29:45.600
<v Speaker 1>the chief god of the Roman pantheon, and the flamand

0:29:45.760 --> 0:29:50.720
<v Speaker 1>Alice had numerous ceremonial requirements and restrictions guiding his daily activities.

0:29:50.960 --> 0:29:53.280
<v Speaker 1>There were rules about where he had to sleep, there

0:29:53.280 --> 0:29:55.480
<v Speaker 1>were rules about what he was supposed to wear, about

0:29:55.520 --> 0:29:58.240
<v Speaker 1>what kinds of things he could touch or couldn't touch.

0:29:58.840 --> 0:30:01.960
<v Speaker 1>And one of these restrict chins, as reported by the

0:30:02.000 --> 0:30:05.720
<v Speaker 1>second century Roman author Aulus Gellius in a text called

0:30:05.720 --> 0:30:10.800
<v Speaker 1>Attic Nights, goes like this, and this is with some abridgments. Quote.

0:30:11.280 --> 0:30:14.920
<v Speaker 1>The ceremonies placed upon the flamen dialis are many, and

0:30:14.960 --> 0:30:19.000
<v Speaker 1>the forbearances are numerous. No one should cut the hair

0:30:19.120 --> 0:30:22.440
<v Speaker 1>of the dealis except a free man. The cuttings of

0:30:22.480 --> 0:30:25.240
<v Speaker 1>the nails and hair of the dealis are buried in

0:30:25.240 --> 0:30:28.800
<v Speaker 1>the earth under a fruitful tree. There are almost the

0:30:28.840 --> 0:30:32.280
<v Speaker 1>same ceremonies for the Flamenica de Allie, and I think

0:30:32.360 --> 0:30:35.479
<v Speaker 1>that's the wife of the high priest of Jupiter. And

0:30:35.520 --> 0:30:38.080
<v Speaker 1>they say that other different ones are to be observed,

0:30:38.240 --> 0:30:41.120
<v Speaker 1>for instance, that she is covered with a dyed gown,

0:30:41.600 --> 0:30:44.120
<v Speaker 1>and that in her veil she has the shoot of

0:30:44.160 --> 0:30:48.480
<v Speaker 1>a fruitful tree. And there are other similar practices elsewhere

0:30:48.480 --> 0:30:51.360
<v Speaker 1>in ancient Roman religion. For example, in the Natural History

0:30:51.720 --> 0:30:55.440
<v Speaker 1>Plenty the elder recounts how the vestal virgins are expected

0:30:55.480 --> 0:30:59.240
<v Speaker 1>to observe special ceremonies in the disposal of the trimmings

0:30:59.240 --> 0:31:02.640
<v Speaker 1>from their hair uh plenty rights quote Truly, there is

0:31:02.640 --> 0:31:06.280
<v Speaker 1>a lotus tree in Rome, in the area of Lucina.

0:31:06.360 --> 0:31:09.400
<v Speaker 1>Now this tree is about five hundred years old or older.

0:31:09.680 --> 0:31:13.040
<v Speaker 1>Its age is uncertain, and it is called the hairy

0:31:13.080 --> 0:31:16.440
<v Speaker 1>one because the hair of the vestal virgins is brought

0:31:16.480 --> 0:31:19.520
<v Speaker 1>to it. So note again the kind of rough similarities

0:31:19.560 --> 0:31:24.640
<v Speaker 1>with the Indian practice here, the association with vegetation, especially well,

0:31:24.760 --> 0:31:27.520
<v Speaker 1>hair is a is a thing that grows out of us,

0:31:27.720 --> 0:31:30.600
<v Speaker 1>not unlike a plant, right, or some sort of vine.

0:31:31.080 --> 0:31:32.680
<v Speaker 1>And then I guess a lot of this tube just

0:31:32.720 --> 0:31:35.760
<v Speaker 1>has to do with the fact that hair and fingernails

0:31:35.800 --> 0:31:40.200
<v Speaker 1>and toenails as well, are these things that are paradoxically

0:31:41.040 --> 0:31:43.320
<v Speaker 1>a part of us and yet not a part of us.

0:31:43.360 --> 0:31:45.720
<v Speaker 1>And then when we trim them away or cut them away,

0:31:46.240 --> 0:31:48.400
<v Speaker 1>they are no longer part of our bodies that they

0:31:48.440 --> 0:31:51.600
<v Speaker 1>came from our bodies. And therefore you could you could

0:31:51.600 --> 0:31:53.880
<v Speaker 1>see where you could easily lean into this idea that

0:31:54.040 --> 0:31:58.120
<v Speaker 1>something appropriate must be done with these parts of ourselves. Yeah,

0:31:58.200 --> 0:32:00.280
<v Speaker 1>and we'll get into more about that in the in

0:32:00.320 --> 0:32:02.560
<v Speaker 1>the part where we talk about the possible explanations for

0:32:02.600 --> 0:32:04.680
<v Speaker 1>these but I want to talk about the next example

0:32:04.760 --> 0:32:09.400
<v Speaker 1>Lincoln sites, which is German folkloric practices. He writes that

0:32:09.440 --> 0:32:12.560
<v Speaker 1>there are a number of archaic rituals among German people

0:32:12.600 --> 0:32:16.840
<v Speaker 1>speaking Germanic languages for dealing with the disposal of clippings

0:32:16.840 --> 0:32:20.840
<v Speaker 1>from the hair and nails. Quote. Thus, in Oldenburg, hair

0:32:20.920 --> 0:32:23.640
<v Speaker 1>and nails are wrapped in a cloth and fastened under

0:32:23.680 --> 0:32:28.920
<v Speaker 1>a tree three days before the new moon to cure infertility. Similarly,

0:32:29.040 --> 0:32:33.959
<v Speaker 1>in Brandenburg, Dooseldorf, Swabia and elsewhere. Hair and nails are

0:32:34.000 --> 0:32:37.120
<v Speaker 1>placed in a hole board in a tree, or are

0:32:37.160 --> 0:32:40.080
<v Speaker 1>placed on a branch. This is often done when one

0:32:40.160 --> 0:32:43.080
<v Speaker 1>suffers from some sort of pain, and the pain is

0:32:43.120 --> 0:32:47.120
<v Speaker 1>said to go with these moving to anyone who comes

0:32:47.120 --> 0:32:49.880
<v Speaker 1>close to them. Now, there are some differences here from

0:32:49.880 --> 0:32:52.320
<v Speaker 1>the other examples we already talked about, because, you know,

0:32:52.360 --> 0:32:56.200
<v Speaker 1>Lincoln points out, it's important to note that these practices

0:32:56.240 --> 0:32:59.800
<v Speaker 1>he just mentioned are targeted towards specific magical outcomes, like

0:32:59.840 --> 0:33:02.920
<v Speaker 1>the curing of infertility or the healing of pain, rather

0:33:03.000 --> 0:33:05.959
<v Speaker 1>than a sort of free floating ritual without a specific

0:33:06.040 --> 0:33:09.920
<v Speaker 1>outcome object. But he notes again the similarity in the

0:33:09.920 --> 0:33:13.520
<v Speaker 1>association between hair and nails with plant life. Again, hair

0:33:13.600 --> 0:33:17.960
<v Speaker 1>and nails, and then trees and grass and branches. And

0:33:18.000 --> 0:33:20.440
<v Speaker 1>then finally one more example, and this one is probably

0:33:20.480 --> 0:33:25.040
<v Speaker 1>my favorite one. He draws attention to what is described

0:33:25.080 --> 0:33:28.320
<v Speaker 1>in an ancient text in the Avestan language, which is

0:33:28.360 --> 0:33:32.480
<v Speaker 1>associated with the ancient Iranian culture and is a foundational

0:33:32.560 --> 0:33:37.280
<v Speaker 1>religious text of Zoroastrianism. So this text is known as

0:33:37.400 --> 0:33:41.960
<v Speaker 1>the Vindidad or the vidv Dot, and in this writing,

0:33:42.240 --> 0:33:45.880
<v Speaker 1>the character of Zoroaster also known as Zarathustra, and I

0:33:45.880 --> 0:33:51.440
<v Speaker 1>think Zarathustra is probably the earlier pronunciation. Zarathustra is speaking

0:33:51.520 --> 0:33:57.000
<v Speaker 1>to the wise Lord Ahura Mazda, and Zarathustra asks the

0:33:57.040 --> 0:34:01.040
<v Speaker 1>wise lord why it is that the demon named Ayosha,

0:34:01.160 --> 0:34:05.720
<v Speaker 1>whose name literally means burning or destruction, Why Aosha harms

0:34:05.760 --> 0:34:12.360
<v Speaker 1>and punishes humans? And Ahura Mazda explains as follows, quote truly,

0:34:12.480 --> 0:34:16.759
<v Speaker 1>that righteous Zarathustra, when one arranges and cuts his hair

0:34:16.880 --> 0:34:19.760
<v Speaker 1>and clips his nails and then lets them fall into

0:34:19.800 --> 0:34:24.520
<v Speaker 1>holes in the earth or into furrows, for by these improprieties,

0:34:25.000 --> 0:34:30.040
<v Speaker 1>demons come forth, and from these improprieties monsters come forth

0:34:30.120 --> 0:34:34.520
<v Speaker 1>from the earth, which mortals call lice, and which devour

0:34:34.680 --> 0:34:38.919
<v Speaker 1>the grain in the fields and the clothes and the closets. Now,

0:34:39.000 --> 0:34:41.640
<v Speaker 1>when you must arrange and cut your hair and clip

0:34:41.680 --> 0:34:45.560
<v Speaker 1>your nails in the world, Zarathustra. Hereafter you should bear

0:34:45.600 --> 0:34:50.000
<v Speaker 1>it ten steps from righteous men, twenty steps from fire,

0:34:50.560 --> 0:34:55.319
<v Speaker 1>thirty steps from water, and fifty steps from the barisman,

0:34:55.560 --> 0:34:58.920
<v Speaker 1>which is a bundle of sacred twigs. When it is

0:34:59.000 --> 0:35:02.279
<v Speaker 1>laid out, then you should dig a pit here, a

0:35:02.440 --> 0:35:06.080
<v Speaker 1>disty deep in hard soil, and a vitasti deep in

0:35:06.160 --> 0:35:09.839
<v Speaker 1>soft soil to that pit. You should bear the cuttings.

0:35:10.520 --> 0:35:15.439
<v Speaker 1>Then you should pronounce these words victorious Zarathustra. Now for me,

0:35:15.680 --> 0:35:19.600
<v Speaker 1>may Mazda make the plants grow by means of asha,

0:35:19.800 --> 0:35:23.719
<v Speaker 1>and Asha means right. Uh. You should plow three or

0:35:23.760 --> 0:35:29.040
<v Speaker 1>six or nine furrows for Zassura vira, meaning good dominion,

0:35:29.640 --> 0:35:33.239
<v Speaker 1>and you should recite the Ajuna Vira prayer three or

0:35:33.360 --> 0:35:36.719
<v Speaker 1>six or nine times. So here you're in in this

0:35:36.840 --> 0:35:41.000
<v Speaker 1>ancient Zoroastrian text. You're getting this elaborate ritual described for

0:35:41.200 --> 0:35:43.640
<v Speaker 1>what you should do with the trimmings from your hair

0:35:43.719 --> 0:35:47.759
<v Speaker 1>and nails, and that there are actual, like real demonic

0:35:47.840 --> 0:35:51.560
<v Speaker 1>consequences if you do not follow these rituals uh. And

0:35:51.640 --> 0:35:54.480
<v Speaker 1>Lincoln points out several things he finds really interesting about

0:35:54.480 --> 0:35:58.799
<v Speaker 1>the explanation from the Wise Lord to Zarathustra. So, first

0:35:58.800 --> 0:36:02.040
<v Speaker 1>of all, there's the need carry these clippings from hair

0:36:02.120 --> 0:36:06.320
<v Speaker 1>and nails away from sources of purification. Remember the mentions

0:36:06.320 --> 0:36:08.000
<v Speaker 1>if you've got to carry them this far away from

0:36:08.120 --> 0:36:11.880
<v Speaker 1>righteous men, this far away from fire, from water, and

0:36:11.920 --> 0:36:14.719
<v Speaker 1>from the sacred bundle of twigs, because these are all

0:36:14.760 --> 0:36:18.520
<v Speaker 1>potentially sources of religious purity. And it seems like there's

0:36:18.560 --> 0:36:22.879
<v Speaker 1>a desire to avoid cross contamination of all that purifying

0:36:23.000 --> 0:36:25.840
<v Speaker 1>matter with impure matter that you've just trimmed off of

0:36:25.880 --> 0:36:29.360
<v Speaker 1>your body. But then there's also Lincoln points out the

0:36:29.440 --> 0:36:33.360
<v Speaker 1>use of troughs to demarcate a sacred space, and then

0:36:33.400 --> 0:36:37.680
<v Speaker 1>also the spontaneous production of monsters from the hair and

0:36:37.800 --> 0:36:41.160
<v Speaker 1>nail trimmings that are disposed of incorrectly. And if that

0:36:41.200 --> 0:36:43.680
<v Speaker 1>sounds familiar based on stuff we were just talking about,

0:36:44.000 --> 0:36:46.920
<v Speaker 1>isn't that kind of similar to the supposed origin of

0:36:46.920 --> 0:36:50.520
<v Speaker 1>the noggle far the nail ship. So in the Ragnarok myth,

0:36:50.560 --> 0:36:53.880
<v Speaker 1>again from Norse religion, this ship is built out of

0:36:53.960 --> 0:36:57.040
<v Speaker 1>the nails of dead men as a result of their

0:36:57.120 --> 0:37:00.719
<v Speaker 1>nails not being trimmed and disposed of proper really according

0:37:00.719 --> 0:37:03.160
<v Speaker 1>to the correct rituals. So if you do the wrong

0:37:03.239 --> 0:37:06.880
<v Speaker 1>thing with your nails, you make an accidental donation to

0:37:06.960 --> 0:37:11.040
<v Speaker 1>the construction of the demons galleon. Oh wow, So this

0:37:10.719 --> 0:37:12.920
<v Speaker 1>is this is fascinating cause on one hand, you can

0:37:12.960 --> 0:37:14.880
<v Speaker 1>compare a lot of this with just kind of a

0:37:14.920 --> 0:37:19.640
<v Speaker 1>basic understanding that this is bio waste, and there's there

0:37:19.760 --> 0:37:23.040
<v Speaker 1>there's an appropriate and an inappropriate way to dispose of

0:37:23.080 --> 0:37:25.000
<v Speaker 1>bio waste. But then of course we have this this

0:37:25.040 --> 0:37:28.760
<v Speaker 1>whole magical domain as well of monsters and monsters ships

0:37:28.880 --> 0:37:32.319
<v Speaker 1>rising up from sort of the accretion of these materials. Yeah,

0:37:32.360 --> 0:37:35.600
<v Speaker 1>and it's it's interesting. Lincoln doesn't really get into this

0:37:35.640 --> 0:37:38.280
<v Speaker 1>at all, but it's interesting to wonder about what role

0:37:39.080 --> 0:37:43.160
<v Speaker 1>um I don't know, like practical biological facts could play

0:37:43.200 --> 0:37:46.520
<v Speaker 1>into the origins of these practices. I don't know if

0:37:46.600 --> 0:37:50.000
<v Speaker 1>there is, for example, any kind of real disease risk

0:37:50.320 --> 0:37:53.880
<v Speaker 1>that you would get from from encountering the trimmings of

0:37:53.920 --> 0:37:56.680
<v Speaker 1>hair and nails from other people. Perhaps there's some, but

0:37:56.719 --> 0:37:58.880
<v Speaker 1>it seems like there would be less of that than

0:37:58.920 --> 0:38:01.960
<v Speaker 1>there would be from sake contact with blood or feces,

0:38:02.280 --> 0:38:04.359
<v Speaker 1>though I'm not sure. I mean, it's interesting that there's

0:38:04.400 --> 0:38:06.720
<v Speaker 1>a mention of lice, and and one of the things

0:38:06.719 --> 0:38:09.640
<v Speaker 1>talking about being disposed of here is hair. Yeah, I mean,

0:38:10.000 --> 0:38:12.040
<v Speaker 1>you know, we might think, well, the hair is the

0:38:12.040 --> 0:38:15.280
<v Speaker 1>place where the lice live. Therefore, you know, less inclined

0:38:15.320 --> 0:38:18.160
<v Speaker 1>to pick up odd pieces of hair that we find

0:38:18.520 --> 0:38:21.480
<v Speaker 1>just out on the road. I mean, certainly, I think

0:38:21.480 --> 0:38:23.520
<v Speaker 1>we can all attest to, you know, being on a

0:38:23.560 --> 0:38:26.800
<v Speaker 1>walk or something, or and encountering a piece of someone's

0:38:26.840 --> 0:38:29.960
<v Speaker 1>hair or you know, hair clippings, or perhaps even a

0:38:30.000 --> 0:38:34.960
<v Speaker 1>fingernail or a toenail, and your first instinct is not

0:38:35.000 --> 0:38:37.759
<v Speaker 1>to pick that material up and look closer. Yeah, put

0:38:37.800 --> 0:38:41.200
<v Speaker 1>it in your mouth. Yeah yeah, that doesn't seem like

0:38:41.200 --> 0:38:43.640
<v Speaker 1>a natural thing to do. Alright, on that note, we're

0:38:43.640 --> 0:38:45.839
<v Speaker 1>going to take a quick break, but we'll be right back.

0:38:49.440 --> 0:38:51.560
<v Speaker 1>All right, we're back. But we've been talking about all

0:38:51.600 --> 0:38:54.320
<v Speaker 1>these examples from all of you know, different parts of

0:38:54.360 --> 0:38:58.680
<v Speaker 1>the world of religious or magical significance that is granted

0:38:58.719 --> 0:39:01.760
<v Speaker 1>to trimmings from the hair and nails. And this list

0:39:01.840 --> 0:39:05.000
<v Speaker 1>is far from exhaustive. There are tons of examples in

0:39:05.080 --> 0:39:08.040
<v Speaker 1>practices all all over the place. But I think just

0:39:08.080 --> 0:39:10.360
<v Speaker 1>the examples we've talked about do help paint a picture

0:39:10.360 --> 0:39:13.760
<v Speaker 1>of the wide range of myths, beliefs, and practices about

0:39:13.800 --> 0:39:16.840
<v Speaker 1>hair and nails and the many similarities between them. But

0:39:16.880 --> 0:39:20.560
<v Speaker 1>the question is why why do so many different cultures

0:39:20.600 --> 0:39:24.800
<v Speaker 1>place this important ritual or religious significance on the correct

0:39:24.920 --> 0:39:29.399
<v Speaker 1>procedures for trimming and disposing of hair and nails? Now,

0:39:29.480 --> 0:39:33.000
<v Speaker 1>Lincoln in his paper goes over several possible answers to

0:39:33.040 --> 0:39:35.359
<v Speaker 1>this question that had been advanced by the time he

0:39:35.400 --> 0:39:37.480
<v Speaker 1>was writing in the seventies, and I would say this

0:39:37.800 --> 0:39:41.000
<v Speaker 1>list of possible explanations is also not going to be exhaustive,

0:39:41.040 --> 0:39:44.680
<v Speaker 1>but just to discuss a few possibilities. One is a

0:39:44.800 --> 0:39:48.040
<v Speaker 1>very influential theory that's best known for its articulation by

0:39:48.080 --> 0:39:52.600
<v Speaker 1>the late nineteenth and early twentieth century Scottish anthropologist J. G. Fraser,

0:39:53.000 --> 0:39:55.759
<v Speaker 1>in the Golden Bow. The Golden Bow has come up

0:39:55.760 --> 0:39:58.680
<v Speaker 1>on the show before. Uh. Fraser, of course is a

0:39:59.120 --> 0:40:03.440
<v Speaker 1>very you know, enormously influential, but also heavily criticized. We

0:40:03.480 --> 0:40:06.400
<v Speaker 1>can talk about that in a minute, um. But Fraser

0:40:06.520 --> 0:40:10.200
<v Speaker 1>argues that many of these practices have their roots in

0:40:10.280 --> 0:40:13.480
<v Speaker 1>a widespread ancient belief in what he would have called

0:40:13.600 --> 0:40:18.520
<v Speaker 1>the contagious branch of sympathetic magic. So the basic idea

0:40:18.560 --> 0:40:21.920
<v Speaker 1>here is that if something was once touching your body,

0:40:22.080 --> 0:40:26.200
<v Speaker 1>or especially if it was part of your body, that matter,

0:40:26.360 --> 0:40:30.840
<v Speaker 1>that object maintains a magical connection to your body even

0:40:30.880 --> 0:40:34.600
<v Speaker 1>after being physically separated from it, and thus it could

0:40:34.600 --> 0:40:37.800
<v Speaker 1>be used by a witch or a sorcerer to work

0:40:37.960 --> 0:40:41.680
<v Speaker 1>curses on you or magically control you in some way.

0:40:41.719 --> 0:40:44.560
<v Speaker 1>So if Jimmy the sorcerer gets hold of your hair

0:40:44.840 --> 0:40:48.160
<v Speaker 1>or nail trimmings, you are in for a very bad time.

0:40:48.560 --> 0:40:50.759
<v Speaker 1>And so in order to protect yourself from this kind

0:40:50.800 --> 0:40:53.719
<v Speaker 1>of sympathetic magic, you either had to destroy your hair

0:40:53.760 --> 0:40:57.160
<v Speaker 1>and nail trimmings or hide them very well, or maybe

0:40:57.239 --> 0:41:00.319
<v Speaker 1>also perform some kind of purging ritual to rid this

0:41:00.400 --> 0:41:04.040
<v Speaker 1>matter of its contagious magical power. And I think it's

0:41:04.080 --> 0:41:08.080
<v Speaker 1>interesting we still see evidence of this kind of magical

0:41:08.120 --> 0:41:10.920
<v Speaker 1>thinking even today. I mean, there there is magical thinking

0:41:10.920 --> 0:41:14.520
<v Speaker 1>that persists into the modern modern era whereby you can

0:41:14.760 --> 0:41:19.120
<v Speaker 1>have some kind of power over a person by by

0:41:19.160 --> 0:41:22.560
<v Speaker 1>possessing a personal artifact of theirs or an object that

0:41:22.600 --> 0:41:24.840
<v Speaker 1>touched their body. You know, think about like doing magic

0:41:24.920 --> 0:41:28.839
<v Speaker 1>on someone by by possessing their hair brush. Right, There's

0:41:28.840 --> 0:41:32.560
<v Speaker 1>also some interesting stuff about just how we think about

0:41:32.640 --> 0:41:37.400
<v Speaker 1>the contamination of of objects. Uh, there's a there's a

0:41:37.520 --> 0:41:40.640
<v Speaker 1>there's this study back in the nineteen nineties by social

0:41:40.719 --> 0:41:45.480
<v Speaker 1>psychologist Paul Rosen and um. This was actually recently mentioned

0:41:45.560 --> 0:41:49.080
<v Speaker 1>on an episode of the excellent radio show Hidden Brain.

0:41:50.000 --> 0:41:52.880
<v Speaker 1>They pointed out that they asked in this particular study,

0:41:52.920 --> 0:41:56.280
<v Speaker 1>they asked people if they would consider wearing Hitler sweater

0:41:57.239 --> 0:42:00.759
<v Speaker 1>and uh, and they almost always said no. Uh. And

0:42:00.880 --> 0:42:03.080
<v Speaker 1>they said no even if they've been assured that it

0:42:03.080 --> 0:42:05.880
<v Speaker 1>had been washed, then it had that it had been torn,

0:42:06.040 --> 0:42:08.640
<v Speaker 1>you know, that it had been punished for being Hitler's sweater,

0:42:09.120 --> 0:42:12.720
<v Speaker 1>or that it had been symbolically cleansed by being worn

0:42:12.840 --> 0:42:16.960
<v Speaker 1>by say mother Teresa before being passed on. And it

0:42:17.000 --> 0:42:19.359
<v Speaker 1>was the you know, this this idea that that this

0:42:19.360 --> 0:42:23.360
<v Speaker 1>this object, this sweater is is contaminated in a way

0:42:23.400 --> 0:42:28.120
<v Speaker 1>that cannot be uh punished away, cannot be cleansed away.

0:42:28.440 --> 0:42:32.880
<v Speaker 1>It just remains impure in a completely irrational manner. That

0:42:33.040 --> 0:42:35.680
<v Speaker 1>is really funny. I mean, I can just say for myself,

0:42:35.760 --> 0:42:39.799
<v Speaker 1>like I I rationally do not believe in any kind

0:42:39.840 --> 0:42:43.280
<v Speaker 1>of sympathetic contagious magic, So I don't think like Hitler's

0:42:43.360 --> 0:42:46.840
<v Speaker 1>evil would be contained in the physical sweater in any way.

0:42:46.880 --> 0:42:50.319
<v Speaker 1>But still I wouldn't want to put it on. Well,

0:42:50.360 --> 0:42:52.759
<v Speaker 1>I I have a lot of nitpicky questions about that

0:42:52.760 --> 0:42:55.520
<v Speaker 1>that scenario, like is it a good sweater, Like is

0:42:55.560 --> 0:42:58.719
<v Speaker 1>there anything notable notable about the sweater other than it

0:42:58.760 --> 0:43:01.080
<v Speaker 1>was Hitler's sweater? Because obviously I'm not going to just

0:43:01.080 --> 0:43:04.160
<v Speaker 1>wear a sweater because Hitler wore it. But what if

0:43:04.480 --> 0:43:06.200
<v Speaker 1>I like, was it a store and there was like

0:43:06.280 --> 0:43:08.280
<v Speaker 1>vintage stuff and there was like this really nice sweater

0:43:08.280 --> 0:43:10.640
<v Speaker 1>and I'm like, oh, this is nice. And then I

0:43:10.640 --> 0:43:13.520
<v Speaker 1>asked why is it so cheap and they tell me, oh,

0:43:13.680 --> 0:43:16.920
<v Speaker 1>because this was Hitler's sweater. Then Okay, that might be

0:43:16.960 --> 0:43:19.920
<v Speaker 1>different because I have some pre existing interest in it.

0:43:19.960 --> 0:43:23.000
<v Speaker 1>There's something about that sweater that's really neat. I don't

0:43:23.000 --> 0:43:26.799
<v Speaker 1>necessarily get that from this this limited scenario. Uh, you know,

0:43:26.840 --> 0:43:28.879
<v Speaker 1>it's it's kind of implied that the notable thing about

0:43:28.880 --> 0:43:31.200
<v Speaker 1>the sweater is that it was Hitler's. Well, you know,

0:43:31.280 --> 0:43:34.560
<v Speaker 1>I actually can think of a reason I wouldn't want

0:43:34.560 --> 0:43:37.400
<v Speaker 1>to wear that sweater or own it, even if even

0:43:37.440 --> 0:43:40.239
<v Speaker 1>though I don't believe in any magical associations, which is

0:43:40.280 --> 0:43:42.480
<v Speaker 1>that I mean, I guess if you were to wear

0:43:42.520 --> 0:43:44.760
<v Speaker 1>a sweater that you knew had been warned by Hitler,

0:43:45.120 --> 0:43:47.960
<v Speaker 1>you'd probably end up thinking about Hitler all the time.

0:43:48.440 --> 0:43:50.440
<v Speaker 1>And you know, it's like every time you put it on,

0:43:50.520 --> 0:43:52.440
<v Speaker 1>you have to be like, oh, yeah, Hitler, and you

0:43:52.520 --> 0:43:55.440
<v Speaker 1>just don't want Hitler in your brain that much. Yeah,

0:43:55.640 --> 0:43:57.759
<v Speaker 1>I mean, to a certain extent, one encounters this with

0:43:57.840 --> 0:44:01.359
<v Speaker 1>the you know, the strug well to separate say, an

0:44:01.440 --> 0:44:04.200
<v Speaker 1>artist from the art. Uh That can sort of be

0:44:04.239 --> 0:44:08.000
<v Speaker 1>the Hitler's sweater scenario in some cases, where you're like, Okay,

0:44:08.000 --> 0:44:10.200
<v Speaker 1>there's nothing wrong with the sweater, but I can't wear

0:44:10.200 --> 0:44:12.120
<v Speaker 1>it without thinking about Hitler. So I just don't think

0:44:12.160 --> 0:44:15.080
<v Speaker 1>I'm gonna wear this anymore. So it's worth noting that

0:44:15.239 --> 0:44:18.560
<v Speaker 1>Fraser's work on the origins of religions, again, as I

0:44:18.560 --> 0:44:22.279
<v Speaker 1>said earlier, was both enormously influential and has come under

0:44:22.320 --> 0:44:24.880
<v Speaker 1>a lot of criticism. I you know, I'm not deep

0:44:24.960 --> 0:44:28.000
<v Speaker 1>on this, but I think one common criticism is that

0:44:28.080 --> 0:44:31.400
<v Speaker 1>Fraser would sometimes I think, kind of fudge or cherry

0:44:31.440 --> 0:44:35.080
<v Speaker 1>pick the ethnographic evidence he cited in order to make

0:44:35.160 --> 0:44:38.640
<v Speaker 1>things fit more cleanly into his broader theories. And you know,

0:44:38.760 --> 0:44:41.760
<v Speaker 1>this is something I think that a lot of writers

0:44:41.760 --> 0:44:44.879
<v Speaker 1>who have grand theories about human culture and society end

0:44:44.920 --> 0:44:48.160
<v Speaker 1>up being guilty of. Uh So, while The Golden Bow

0:44:48.320 --> 0:44:51.000
<v Speaker 1>remains a fascinating read, I would advocate that you shouldn't

0:44:51.040 --> 0:44:54.120
<v Speaker 1>rely on Fraser alone as your soul source for anything.

0:44:54.680 --> 0:44:58.080
<v Speaker 1>And in Lincoln's analysis of Fraser's thoughts on on the

0:44:58.120 --> 0:45:01.440
<v Speaker 1>origins of these uh, these rituals for dealing with hair

0:45:01.520 --> 0:45:06.000
<v Speaker 1>and nails in in sympathetic contagious magic. Lincoln thinks that, well,

0:45:06.040 --> 0:45:09.360
<v Speaker 1>probably a lot of practices do have some kind of

0:45:09.440 --> 0:45:12.920
<v Speaker 1>roots like that, but he's not convinced that contagious sympathetic

0:45:12.960 --> 0:45:16.000
<v Speaker 1>magic lies at the root of all of these practices,

0:45:16.040 --> 0:45:19.719
<v Speaker 1>and certainly not the practices in the cultures that that

0:45:19.800 --> 0:45:23.280
<v Speaker 1>have some origins in the speakers of Proto Indo European,

0:45:23.360 --> 0:45:25.440
<v Speaker 1>because he has a different theory about that that we

0:45:25.440 --> 0:45:28.240
<v Speaker 1>can get into in just a minute. Lincoln also mentions

0:45:28.320 --> 0:45:31.279
<v Speaker 1>the work of an anthropologist named Mary Douglas, who is

0:45:31.320 --> 0:45:36.400
<v Speaker 1>a very influential twentieth century anthropologist. She proposed that that

0:45:36.560 --> 0:45:40.440
<v Speaker 1>within human religious thinking, quote that the body is a

0:45:40.440 --> 0:45:43.959
<v Speaker 1>powerful model or image which can which can represent any

0:45:44.120 --> 0:45:49.239
<v Speaker 1>bounded system, and which most often represents society itself. The

0:45:49.360 --> 0:45:53.040
<v Speaker 1>limits of the body then represent the limits of society,

0:45:53.480 --> 0:45:56.960
<v Speaker 1>the points at which it encounters opposition and danger, and

0:45:57.080 --> 0:46:00.760
<v Speaker 1>must thus be treated with appropriate care. So she's arguing

0:46:00.800 --> 0:46:05.120
<v Speaker 1>basically that we symbolically make an an equivalence between our

0:46:05.200 --> 0:46:08.960
<v Speaker 1>bodies and the society at large, and that margins in

0:46:09.000 --> 0:46:13.120
<v Speaker 1>general are dangerous and ambiguous places and Thus the things

0:46:13.160 --> 0:46:16.279
<v Speaker 1>that come off of our body represent ambiguity at the

0:46:16.320 --> 0:46:20.200
<v Speaker 1>margins in the larger context of symbolic thinking about the society.

0:46:20.640 --> 0:46:24.000
<v Speaker 1>So you have to carefully regulate this marginal body matter.

0:46:24.560 --> 0:46:27.600
<v Speaker 1>And uh Lincoln in this paper, he he similarly thinks

0:46:27.680 --> 0:46:30.680
<v Speaker 1>this idea is interesting, that it might explain some things,

0:46:30.719 --> 0:46:34.440
<v Speaker 1>but he's got a different theory that is based in

0:46:34.719 --> 0:46:39.080
<v Speaker 1>the Proto Indo European creation myth. So, the Proto Indo

0:46:39.120 --> 0:46:43.920
<v Speaker 1>Europeans are a hypothesized prehistoric culture that we know about

0:46:43.920 --> 0:46:48.440
<v Speaker 1>primarily through reconstruction of their language, which is a direct

0:46:48.520 --> 0:46:53.160
<v Speaker 1>ancestor to a huge number of historical and existing languages

0:46:53.560 --> 0:46:57.600
<v Speaker 1>throughout Asia and Europe. Just for example, English has a

0:46:57.680 --> 0:47:00.719
<v Speaker 1>number of roots in different languages, in fluding but not

0:47:00.800 --> 0:47:05.680
<v Speaker 1>limited to Germanic languages and Romance languages. But both Germanic

0:47:05.719 --> 0:47:10.680
<v Speaker 1>and Romance languages themselves have roots in Proto Indo European language.

0:47:11.000 --> 0:47:13.719
<v Speaker 1>So you know, there was a root language that influenced

0:47:13.719 --> 0:47:17.080
<v Speaker 1>these derivative languages that developed in you know, different ways,

0:47:17.440 --> 0:47:19.960
<v Speaker 1>and then those derivative languages came back and in a

0:47:19.960 --> 0:47:24.160
<v Speaker 1>way combined to influence other languages like English. The Proto

0:47:24.200 --> 0:47:28.319
<v Speaker 1>Indo European people left no written records, but linguists have

0:47:28.480 --> 0:47:31.560
<v Speaker 1>been able to reconstruct a lot of their language by

0:47:31.640 --> 0:47:35.560
<v Speaker 1>tracing back similar word roots in a widespread catalog of

0:47:35.680 --> 0:47:39.960
<v Speaker 1>languages uh. Similarly, scholars have tried to reconstruct other things

0:47:40.000 --> 0:47:42.399
<v Speaker 1>about them. We don't know a lot of things for sure,

0:47:42.760 --> 0:47:48.560
<v Speaker 1>but they probably lived somewhere around southern Russia, Ukraine, and Kazakhstan,

0:47:49.040 --> 0:47:51.360
<v Speaker 1>sort of between and to the north of the Black

0:47:51.400 --> 0:47:54.640
<v Speaker 1>Sea and the Caspian Sea, probably a few thousand years

0:47:54.680 --> 0:47:57.920
<v Speaker 1>b c. We don't have any direct records of their

0:47:57.960 --> 0:48:01.920
<v Speaker 1>religious beliefs, their myths, and the Proud Actices, but scholars,

0:48:01.960 --> 0:48:07.960
<v Speaker 1>including Bruce Lincoln, have used clues from other descendent religions

0:48:08.040 --> 0:48:12.480
<v Speaker 1>to try as best as possible to reconstruct elements such

0:48:12.520 --> 0:48:17.720
<v Speaker 1>as their creation myth. And Lincoln explains his hypothetical reconstruction

0:48:17.960 --> 0:48:22.719
<v Speaker 1>of this creation myth as follows. Quote. This myth, as

0:48:22.760 --> 0:48:26.200
<v Speaker 1>I have established elsewhere, told how the world and all

0:48:26.280 --> 0:48:29.480
<v Speaker 1>the creatures in it were established by the first act

0:48:29.520 --> 0:48:34.960
<v Speaker 1>of sacrifice. In the Primordial offering, the first priest Manu

0:48:35.160 --> 0:48:41.239
<v Speaker 1>meaning man, dismembered the first king Yemo meaning twin, and

0:48:41.320 --> 0:48:45.600
<v Speaker 1>from his body built up the material world. Now, certain

0:48:45.640 --> 0:48:49.279
<v Speaker 1>steps in the process of creation were described in this myth,

0:48:49.680 --> 0:48:54.600
<v Speaker 1>steps whereby the body of the primordial victim became the world.

0:48:55.200 --> 0:48:59.399
<v Speaker 1>Thus his skull became the heavens, his eyes the sun

0:48:59.440 --> 0:49:03.399
<v Speaker 1>and moon, his blood the seas, and what is most

0:49:03.440 --> 0:49:06.680
<v Speaker 1>important for the issue at hand, his hair became the

0:49:06.800 --> 0:49:11.920
<v Speaker 1>plants and trees, and so Lincoln quotes. He goes on

0:49:11.960 --> 0:49:15.359
<v Speaker 1>to quote a bunch of related ancient religious texts that

0:49:15.440 --> 0:49:18.440
<v Speaker 1>serve as evidence for his reconstruction of the myth in

0:49:18.480 --> 0:49:22.000
<v Speaker 1>this way. Um. And of course we don't know that

0:49:22.040 --> 0:49:24.440
<v Speaker 1>this is actually what their creation myth was like, but

0:49:24.480 --> 0:49:28.520
<v Speaker 1>it seems like a reasonable approximation of what their creation

0:49:28.600 --> 0:49:30.400
<v Speaker 1>myth might have been like, given what we know from

0:49:30.440 --> 0:49:32.799
<v Speaker 1>a lot of other religions that seem related to it.

0:49:33.280 --> 0:49:35.600
<v Speaker 1>And this is of course, I mean, you can immediately

0:49:36.200 --> 0:49:40.480
<v Speaker 1>think of other examples of creation myths in which the

0:49:40.600 --> 0:49:43.320
<v Speaker 1>parts of the world are made out of the body

0:49:43.680 --> 0:49:47.480
<v Speaker 1>of a slain primordial foe. Think about the ways that

0:49:47.560 --> 0:49:50.640
<v Speaker 1>in say the Enema a leash, that the body of Tiamat,

0:49:50.640 --> 0:49:54.080
<v Speaker 1>the dragon, you know, the sea monster gets turned into

0:49:54.280 --> 0:49:56.319
<v Speaker 1>the you know, the mountains and the sky and the

0:49:56.360 --> 0:49:58.680
<v Speaker 1>seas and all that kind of stuff. Yeah, yeah, this

0:49:58.719 --> 0:50:00.360
<v Speaker 1>is something you do see in a number of different

0:50:00.360 --> 0:50:03.880
<v Speaker 1>mythologies like that, if nothing else you could even summarize

0:50:03.880 --> 0:50:07.839
<v Speaker 1>just to say that the body, the primordial body of

0:50:07.880 --> 0:50:10.279
<v Speaker 1>being such as this are are important in the way

0:50:10.280 --> 0:50:13.719
<v Speaker 1>that they are then taken apart and then redistributed in

0:50:13.760 --> 0:50:17.719
<v Speaker 1>those parts become important aspects of the world that follows. Right,

0:50:18.120 --> 0:50:21.800
<v Speaker 1>And so Lincoln says that, you know, if his reconstruction

0:50:21.840 --> 0:50:24.960
<v Speaker 1>of the Proto Indo European creation myth is is basically

0:50:25.000 --> 0:50:27.879
<v Speaker 1>correct or is on the right track, that a lot

0:50:27.920 --> 0:50:31.920
<v Speaker 1>of religious practices of round disposal of hair and nails

0:50:32.000 --> 0:50:34.960
<v Speaker 1>in cultures that are in part descended from the Proto

0:50:35.000 --> 0:50:40.000
<v Speaker 1>Indo Europeans could be rooted in a recapitulation of this

0:50:40.080 --> 0:50:42.960
<v Speaker 1>creation myth. And this draws on a strain of thinking

0:50:43.040 --> 0:50:46.279
<v Speaker 1>that I think in some way is associated with the Eliade.

0:50:46.320 --> 0:50:50.080
<v Speaker 1>For example, that a lot of religious rituals are in

0:50:50.120 --> 0:50:53.680
<v Speaker 1>a way supposed to be a re enactment of a

0:50:53.760 --> 0:50:57.360
<v Speaker 1>foundational myth. Yeah. Yeah, the idea that that that that

0:50:57.440 --> 0:51:02.000
<v Speaker 1>everything we do is only important in the archaic sense

0:51:02.400 --> 0:51:06.560
<v Speaker 1>if we are recreating something from our founding myths. Right,

0:51:07.280 --> 0:51:11.080
<v Speaker 1>So that's ultimately Lincoln's theory here what what he thinks

0:51:11.160 --> 0:51:14.879
<v Speaker 1>best explains the widespread nature of these these practices about

0:51:14.880 --> 0:51:17.520
<v Speaker 1>the disposal of hair and nails. That he thinks, when

0:51:17.560 --> 0:51:20.640
<v Speaker 1>you dispose of hair and nail clippings in the correct way,

0:51:21.200 --> 0:51:25.759
<v Speaker 1>you are furthering the life of the world's vegetation in

0:51:25.920 --> 0:51:30.359
<v Speaker 1>keeping with the creation story. The sacrifice here is your

0:51:30.400 --> 0:51:34.279
<v Speaker 1>own body, and the sacrifice of hair. Originally, he thinks,

0:51:34.320 --> 0:51:37.319
<v Speaker 1>hair and the nails were sort of added onto the hair.

0:51:37.360 --> 0:51:41.640
<v Speaker 1>Sacrifice feeds the trees and the grasses the same way

0:51:41.680 --> 0:51:46.160
<v Speaker 1>that this primordially slain foe originally created all that vegetation.

0:51:46.960 --> 0:51:49.400
<v Speaker 1>And uh. And then Lincoln says, the other half of

0:51:49.400 --> 0:51:52.600
<v Speaker 1>the coin is quote. When such care is not taken,

0:51:52.920 --> 0:51:56.280
<v Speaker 1>when disposal is not a ritual and does not repeat

0:51:56.360 --> 0:51:59.000
<v Speaker 1>the acts of a mythic model, the reverse can be

0:51:59.040 --> 0:52:03.480
<v Speaker 1>the effect. For if proper disposal serves to create the cosmos,

0:52:03.760 --> 0:52:07.759
<v Speaker 1>then improper disposal can de create it, or to put it,

0:52:07.800 --> 0:52:12.879
<v Speaker 1>negatively conserved to create chaos out of cosmos. And think

0:52:12.880 --> 0:52:15.840
<v Speaker 1>of the examples again we discussed here the destruction of

0:52:15.920 --> 0:52:19.239
<v Speaker 1>crops by vice demons from the Avestan text. You know,

0:52:19.280 --> 0:52:23.040
<v Speaker 1>the ancient Zoroastrian text, or the creation of the noggle far,

0:52:23.480 --> 0:52:26.960
<v Speaker 1>the ship that brings monsters to deliver the violent into

0:52:27.000 --> 0:52:29.920
<v Speaker 1>the world, and the destruction of the gods that's made

0:52:30.000 --> 0:52:33.439
<v Speaker 1>out of the nails of dead men improperly cared for.

0:52:34.239 --> 0:52:36.479
<v Speaker 1>So obviously, I mean, I would say in my final thoughts,

0:52:36.560 --> 0:52:40.160
<v Speaker 1>obviously Lincoln's idea here about the origins of these practices

0:52:40.200 --> 0:52:43.440
<v Speaker 1>could be wrong, but at the very least it provides

0:52:43.480 --> 0:52:47.759
<v Speaker 1>some really interesting scaffolding for understanding ways in which complex

0:52:48.040 --> 0:52:52.360
<v Speaker 1>symbolic religious thinking might enter into what we would consider

0:52:52.520 --> 0:52:57.360
<v Speaker 1>an extremely mundane grooming practice. How uh, it's it's possible

0:52:57.440 --> 0:53:00.680
<v Speaker 1>that just clipping your nails and cutting your hair too

0:53:00.719 --> 0:53:04.960
<v Speaker 1>many people might have cosmic significance because of the myths

0:53:05.040 --> 0:53:08.000
<v Speaker 1>that informed their worldview. Yeah, this is this is all

0:53:08.080 --> 0:53:11.080
<v Speaker 1>very fascinating. You know. It gets to the sort of

0:53:11.080 --> 0:53:14.000
<v Speaker 1>the ambiguity of what our nails and our as well

0:53:14.000 --> 0:53:16.000
<v Speaker 1>as our hair, like, well, what what they really are?

0:53:16.600 --> 0:53:18.960
<v Speaker 1>And and then yeah, what are we supposed to do

0:53:19.000 --> 0:53:21.279
<v Speaker 1>with them once we once they leave our body? And

0:53:21.320 --> 0:53:23.120
<v Speaker 1>then what sort of ideas do we end up building

0:53:23.200 --> 0:53:26.719
<v Speaker 1>up about uh, those things and our identity and our

0:53:26.760 --> 0:53:31.240
<v Speaker 1>place in the cosmos? Yeah, totally so. Maybe, uh, maybe

0:53:31.280 --> 0:53:33.640
<v Speaker 1>if if you're somebody who has a say a partner

0:53:33.719 --> 0:53:36.879
<v Speaker 1>or roommate or a family member who gets mad when

0:53:36.920 --> 0:53:39.200
<v Speaker 1>you just like clip your toe nails in a willy

0:53:39.320 --> 0:53:41.960
<v Speaker 1>nilly fashion, they shoot all over the room and you

0:53:42.040 --> 0:53:44.439
<v Speaker 1>do not collect them in a clean and tidy way

0:53:44.480 --> 0:53:48.080
<v Speaker 1>for proper disposal. Think about this interpretation of the proto

0:53:48.120 --> 0:53:52.759
<v Speaker 1>Indo European creation myth. What if what if you are

0:53:52.960 --> 0:53:56.840
<v Speaker 1>somehow creating chaos out of order by doing so, and

0:53:56.920 --> 0:54:00.680
<v Speaker 1>you are summoning demons up from the earth. Yeah, indeed,

0:54:01.360 --> 0:54:03.880
<v Speaker 1>I think they're there. There's probably like a wide variety

0:54:03.880 --> 0:54:06.440
<v Speaker 1>of different takes on this as well. Like I think

0:54:06.440 --> 0:54:10.799
<v Speaker 1>I've run across the examples of a Chinese superstition um

0:54:10.960 --> 0:54:13.759
<v Speaker 1>that at least exists in some places where you are

0:54:13.760 --> 0:54:16.359
<v Speaker 1>not supposed to trim your toe nails at night while

0:54:16.400 --> 0:54:20.280
<v Speaker 1>it's dark outside, um, or not to trim them outside

0:54:20.520 --> 0:54:22.719
<v Speaker 1>at night. For my own part, I mean, I prefer

0:54:22.800 --> 0:54:25.839
<v Speaker 1>to to trim my my nails outside if I can.

0:54:25.880 --> 0:54:29.160
<v Speaker 1>I feel like they just simplifies the whole scenario. You know, Um,

0:54:29.360 --> 0:54:31.520
<v Speaker 1>you don't have to worry about finding them if they

0:54:31.560 --> 0:54:34.520
<v Speaker 1>go flying or anything like that. Now. One thing that

0:54:34.560 --> 0:54:36.680
<v Speaker 1>comes to my mind is, you know, in terms of

0:54:36.880 --> 0:54:39.840
<v Speaker 1>the parts of our bodies that we leave behind on

0:54:39.880 --> 0:54:43.120
<v Speaker 1>regular basis, I mean, humans have it fairly simple, you know.

0:54:43.400 --> 0:54:46.360
<v Speaker 1>Well it's just the most mostly just the nails and

0:54:46.400 --> 0:54:48.920
<v Speaker 1>the hair, and but and yet we still managed to

0:54:48.960 --> 0:54:52.840
<v Speaker 1>build up all these fabulous ideas to construct demonships of

0:54:52.880 --> 0:54:56.000
<v Speaker 1>the mind. Um. Imagine what it would be like if

0:54:56.080 --> 0:54:59.759
<v Speaker 1>we if we like molted um and left behind an

0:54:59.760 --> 0:55:02.880
<v Speaker 1>ex a skeleton that resembled ourselves, you know, sort of

0:55:02.920 --> 0:55:06.560
<v Speaker 1>like the cicada shell that is left behind. Or imagine

0:55:06.600 --> 0:55:09.480
<v Speaker 1>that we make something along the lines of squid that

0:55:09.640 --> 0:55:14.160
<v Speaker 1>leave behind a pseudomorph, you know, a cloud of of

0:55:14.239 --> 0:55:16.160
<v Speaker 1>ink that is in the shape of their body to

0:55:16.280 --> 0:55:18.759
<v Speaker 1>fool predators, that sort of thing. Imagine what sort of

0:55:18.800 --> 0:55:23.320
<v Speaker 1>like strange ideas about self and former self, uh, such

0:55:23.680 --> 0:55:27.920
<v Speaker 1>beings intelligent beings might have. Yeah, can you imagine the

0:55:28.040 --> 0:55:32.600
<v Speaker 1>religion and the religious practices of intelligent arthropods that had

0:55:32.640 --> 0:55:35.680
<v Speaker 1>to molten have a whole body shell that was left behind.

0:55:36.239 --> 0:55:39.000
<v Speaker 1>Oh man, that that would be good. That's that's that's

0:55:39.000 --> 0:55:41.600
<v Speaker 1>something good for your sci fi novel there. Yeah, I

0:55:41.640 --> 0:55:44.160
<v Speaker 1>mean what shape would it take would it be, would

0:55:44.160 --> 0:55:47.080
<v Speaker 1>there be like a would you have like spiritual burial

0:55:47.160 --> 0:55:51.040
<v Speaker 1>grounds where all of your your various um uh, you know,

0:55:51.440 --> 0:55:54.680
<v Speaker 1>exoskeletons go once you've morphed out of them. Um. Do

0:55:54.800 --> 0:55:59.240
<v Speaker 1>do famous uh crab people did do their exoskeleton moldings

0:55:59.400 --> 0:56:02.239
<v Speaker 1>wind up in a museum somewhere? I don't know. There's

0:56:02.239 --> 0:56:06.359
<v Speaker 1>so many questions to ask, as always, Uh, if you've

0:56:06.440 --> 0:56:09.200
<v Speaker 1>run across any examples in science fiction or fantasy that

0:56:09.280 --> 0:56:11.480
<v Speaker 1>deal with these sort of issues, we'd love to hear

0:56:11.520 --> 0:56:15.359
<v Speaker 1>from you. We always love your to hear advice from

0:56:15.400 --> 0:56:18.640
<v Speaker 1>listeners on old works of science fiction and fantasy or

0:56:18.640 --> 0:56:21.799
<v Speaker 1>new works as well. UM. Likewise, we touched on a

0:56:21.800 --> 0:56:26.160
<v Speaker 1>lot of different traditions and cultures in this episode, especially,

0:56:26.719 --> 0:56:29.200
<v Speaker 1>so I would love to hear from absolutely anybody who

0:56:29.200 --> 0:56:32.520
<v Speaker 1>has insight on this. Uh, particularly with with with long nails,

0:56:32.560 --> 0:56:35.759
<v Speaker 1>for example, Uh, do you keep your nails long? Have

0:56:35.880 --> 0:56:39.080
<v Speaker 1>you ever kept your nails long? Um? You know? Right

0:56:39.160 --> 0:56:40.960
<v Speaker 1>in I'd like to to know how that has impacted

0:56:40.960 --> 0:56:44.319
<v Speaker 1>your life or not impacted your life. Likewise, if there's

0:56:44.320 --> 0:56:47.720
<v Speaker 1>a particular tradition in your culture or your culture of origin,

0:56:48.280 --> 0:56:51.240
<v Speaker 1>I would like to hear about that as well, and certainly,

0:56:51.320 --> 0:56:54.680
<v Speaker 1>as Joe mentioned, if there are any particular practices that

0:56:54.800 --> 0:56:57.359
<v Speaker 1>you engage in, either culturally or just sort of as

0:56:57.400 --> 0:56:59.920
<v Speaker 1>a as a as a quirk of your own individual

0:57:00.120 --> 0:57:03.959
<v Speaker 1>nature regarding your your your nail and hair trimmings. Uh,

0:57:04.080 --> 0:57:07.000
<v Speaker 1>we would love to hear what they are totally. In

0:57:07.080 --> 0:57:09.279
<v Speaker 1>the meantime, if you would like to listen to other

0:57:09.320 --> 0:57:11.359
<v Speaker 1>episodes so of Stuff to Blow Your Mind, you can

0:57:11.400 --> 0:57:14.160
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0:57:16.960 --> 0:57:20.320
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0:57:20.360 --> 0:57:23.360
<v Speaker 1>producer Seth Nicholas Johnson. If you would like to get

0:57:23.400 --> 0:57:25.480
<v Speaker 1>in touch with us to answer any of the questions

0:57:25.600 --> 0:57:28.040
<v Speaker 1>Robert just listed, or if you'd like to suggest topic

0:57:28.120 --> 0:57:30.760
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0:57:31.160 --> 0:57:34.160
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