1 00:00:02,960 --> 00:00:06,520 Speaker 1: Previously on the Princess of South Beach. After sharing a 2 00:00:06,519 --> 00:00:09,959 Speaker 1: few too many lonely drinks, things escalated between my fake 3 00:00:10,119 --> 00:00:13,600 Speaker 1: mom Luisa and my former fiance Raoul, and they ended 4 00:00:13,640 --> 00:00:18,720 Speaker 1: up awkwardly kissing. And Maria del Garmin well, she accidentally 5 00:00:18,800 --> 00:00:21,360 Speaker 1: killed Nacho after he found out her true identity and 6 00:00:21,440 --> 00:00:24,960 Speaker 1: threatened to expose her. Now Estray and Maria den gardmen 7 00:00:25,040 --> 00:00:27,240 Speaker 1: are on their way to the Everglades to dispose of 8 00:00:27,320 --> 00:00:30,600 Speaker 1: Nacho's body, which is you guessed it in the trunk 9 00:00:30,640 --> 00:00:34,320 Speaker 1: of Nacho's ferrari. And if that wasn't bad enough, Maria 10 00:00:34,600 --> 00:00:44,840 Speaker 1: body intoe was just pulled over by a cop Estria, Estria, 11 00:00:44,880 --> 00:00:47,599 Speaker 1: he's pulling me over. He is pulling me over? What 12 00:00:47,640 --> 00:00:50,880 Speaker 1: do I do? Oh? Crap? Okay, um, I have an idea? 13 00:00:50,960 --> 00:00:55,040 Speaker 1: What paul over? That's your idea? Paul over? Right now? 14 00:00:55,160 --> 00:00:57,760 Speaker 1: You have to if you know what's gonna look suspicious? 15 00:00:57,920 --> 00:01:01,560 Speaker 1: Just at natural, Maria, I'm gonna keep driving past you, 16 00:01:01,560 --> 00:01:04,160 Speaker 1: all right. We can't draw more attention to No, don't 17 00:01:04,240 --> 00:01:07,039 Speaker 1: leave me. I'm not leaving you, do me. I have 18 00:01:07,120 --> 00:01:09,440 Speaker 1: a body in my trunk, but don't tell him that 19 00:01:10,160 --> 00:01:14,720 Speaker 1: I'll be lefting him out down the world waiting for you. Okay, okay, okay, 20 00:01:14,800 --> 00:01:18,400 Speaker 1: I can do this. I'm coom okay okay. Hell if 21 00:01:18,520 --> 00:01:21,000 Speaker 1: that doesn't work, you know, just whip out your booby 22 00:01:21,280 --> 00:01:24,080 Speaker 1: es three. I am not whipping out anything. Okay, he's 23 00:01:24,080 --> 00:01:34,960 Speaker 1: walking over by. Fine, this is not a great night 24 00:01:34,959 --> 00:01:37,720 Speaker 1: for Maria del Garman. But let's go from one night 25 00:01:37,760 --> 00:01:40,800 Speaker 1: of terrible decisions to another and check in on Raoul 26 00:01:40,840 --> 00:01:52,360 Speaker 1: and Luisa. What are you doing here? What is it? 27 00:01:52,760 --> 00:01:55,800 Speaker 1: Sorry to bother you? Where's this the one I's saving 28 00:01:55,880 --> 00:02:00,640 Speaker 1: in his office? He has a thing early tomorrow? Is it? 29 00:02:01,400 --> 00:02:04,680 Speaker 1: I couldn't sleep? Why is that my problem? I just 30 00:02:04,880 --> 00:02:07,200 Speaker 1: can't stop thinking about what happened, about the guys who 31 00:02:07,280 --> 00:02:10,800 Speaker 1: beat you up, No, about when you kissed me. You 32 00:02:10,800 --> 00:02:15,760 Speaker 1: mean that thing we said we would never speak about again. Yes, yeah, 33 00:02:15,760 --> 00:02:19,480 Speaker 1: that thing I am. I think I was wrong to 34 00:02:19,520 --> 00:02:22,280 Speaker 1: push you away. What I don't know? I don't know. 35 00:02:22,320 --> 00:02:24,799 Speaker 1: I think maybe I have feelings for you and I 36 00:02:24,880 --> 00:02:27,760 Speaker 1: didn't want to admit it. You are just in a 37 00:02:27,800 --> 00:02:32,520 Speaker 1: fragile state, okay, you are still rebounding from dating my daughter. Also, 38 00:02:32,720 --> 00:02:36,760 Speaker 1: you got beat up like six hours ago. There's a 39 00:02:36,760 --> 00:02:39,640 Speaker 1: big chance you have a concussion. Yes, okay, I know 40 00:02:39,680 --> 00:02:42,440 Speaker 1: all that, but you can't deny that there has always 41 00:02:42,480 --> 00:02:49,480 Speaker 1: been something between us. See see contempt and constant annoyance. Look, 42 00:02:50,840 --> 00:02:55,880 Speaker 1: I was drunk. I'm sorry now please, Oh they go 43 00:02:56,040 --> 00:03:01,519 Speaker 1: back to bed, kiss me again. But no, you're being ridiculous. 44 00:03:01,840 --> 00:03:05,680 Speaker 1: There is nothing between us. You are a child. I'm 45 00:03:05,760 --> 00:03:10,240 Speaker 1: twenty three exactly, and I'm old enough to be your mother. 46 00:03:10,480 --> 00:03:14,280 Speaker 1: I don't see you like that. We said you're a strong, independent, 47 00:03:14,639 --> 00:03:20,200 Speaker 1: easily irritated and beautiful woman. You are, and I can't 48 00:03:20,200 --> 00:03:22,880 Speaker 1: help but think about everything we talked about tonight. I've 49 00:03:22,919 --> 00:03:26,960 Speaker 1: never felt so understood and connected to someone, not even Gloria. 50 00:03:27,480 --> 00:03:29,760 Speaker 1: It's like you see the real me. I don't even 51 00:03:29,800 --> 00:03:33,040 Speaker 1: need to use metaphors with you. I've forgotten about those 52 00:03:33,160 --> 00:03:36,640 Speaker 1: who I guess what I'm saying is, you're not alone. 53 00:03:37,360 --> 00:03:40,480 Speaker 1: I feel like I am. You're not. I see you, 54 00:03:40,560 --> 00:03:43,200 Speaker 1: and I feel like I know you more than you think. 55 00:03:43,640 --> 00:03:51,840 Speaker 1: What is it that Arjuna said, and Dicco those hastos 56 00:03:51,920 --> 00:04:03,640 Speaker 1: Alama said, to be fair, it was more than one surgery. 57 00:04:03,720 --> 00:04:17,640 Speaker 1: But I love Anna. I know, let me too. Oh God, 58 00:04:17,800 --> 00:04:21,360 Speaker 1: get a room. Well, technically you're in Luisa's room doing. 59 00:04:21,760 --> 00:04:23,360 Speaker 1: I don't even want to think about it, so let's 60 00:04:23,360 --> 00:04:27,960 Speaker 1: just switch gears to something less disturbing. Oh, Maria is 61 00:04:27,960 --> 00:04:30,599 Speaker 1: getting pulled over with a dead body in her trunk. YEP, 62 00:04:31,040 --> 00:04:48,200 Speaker 1: that'll do it. Thank you, thank you, and we're back 63 00:04:48,200 --> 00:04:53,000 Speaker 1: with more t you with Tatianna. Gosh, these Calderone sure 64 00:04:53,120 --> 00:04:57,039 Speaker 1: love to overcomplicate the narrative. I need an assistant to 65 00:04:57,160 --> 00:04:59,720 Speaker 1: keep it all straight. But why should I get my 66 00:04:59,760 --> 00:05:02,799 Speaker 1: own when I can just talk to a Stevan's personal 67 00:05:02,839 --> 00:05:10,120 Speaker 1: assistant instead. Everyone give a warm welcome to Baron. Hi. 68 00:05:10,360 --> 00:05:15,480 Speaker 1: Hi everyone. Karen. You must have so much to tell us. 69 00:05:15,800 --> 00:05:19,480 Speaker 1: After all, you're not only a Stevan's personal assistant, you're 70 00:05:19,520 --> 00:05:24,760 Speaker 1: now also involved in his mayoral campaign. Yes, that's right. 71 00:05:24,920 --> 00:05:28,080 Speaker 1: It's been a very hectic time around La Cassarosa. We're 72 00:05:28,120 --> 00:05:32,000 Speaker 1: constantly driving some press conferences and grocery store openings and 73 00:05:32,120 --> 00:05:36,480 Speaker 1: baby kissing events. It's exhausting, which is why I bought 74 00:05:36,480 --> 00:05:40,320 Speaker 1: myself a Lincoln aviator. Wait, what what does you buy 75 00:05:40,360 --> 00:05:43,559 Speaker 1: an SUV have to do with the campaign. Well, after 76 00:05:43,600 --> 00:05:46,240 Speaker 1: seeing how calm, cool and collected A. Stevan was and 77 00:05:46,360 --> 00:05:49,280 Speaker 1: his aviator, I decided to get one for myself, and 78 00:05:49,360 --> 00:05:51,840 Speaker 1: let me tell you, it's nice to finally have a 79 00:05:51,839 --> 00:05:54,920 Speaker 1: place where I can feel as in charge incapable as 80 00:05:54,960 --> 00:05:57,880 Speaker 1: I knew I could be. Plus, my phone is always 81 00:05:57,960 --> 00:06:01,120 Speaker 1: charged because it has a wireless charging pad. It's super 82 00:06:01,120 --> 00:06:07,000 Speaker 1: important to stay connecting. Well, that's nice. So about the gossip, 83 00:06:07,360 --> 00:06:10,000 Speaker 1: Oh right, the gossip to get a cheese smeat. Okay, 84 00:06:10,000 --> 00:06:11,720 Speaker 1: well I'm gonna tell you. I'm gonna tell you everybody. 85 00:06:11,720 --> 00:06:15,240 Speaker 1: You guys ready, Well, I'm proud to announce that I 86 00:06:15,279 --> 00:06:20,920 Speaker 1: will now be a Stevan's chief of staff. Huh. Well, 87 00:06:21,120 --> 00:06:24,240 Speaker 1: that's not exactly the kind of gossip I was looking for. 88 00:06:24,440 --> 00:06:29,600 Speaker 1: But congrats, I guess, thank you, thank you. Well, this 89 00:06:29,680 --> 00:06:33,919 Speaker 1: has been enlightening. I guess my main takeaway is that 90 00:06:34,200 --> 00:06:38,080 Speaker 1: I need to buy a Lincoln Aviator GT. Anyway, stay 91 00:06:38,120 --> 00:06:42,880 Speaker 1: tuned for more Caldarone scandals, and remember, if you don't post, 92 00:06:43,200 --> 00:06:47,039 Speaker 1: no one will remember you. Come back next time for 93 00:06:47,240 --> 00:07:09,360 Speaker 1: more tea with Tatiana. Officer. Let me listend some registration, please, yes, 94 00:07:09,880 --> 00:07:15,120 Speaker 1: let me just had my wallet somewhere here. Wait look 95 00:07:15,120 --> 00:07:21,320 Speaker 1: at me. Let me see your face. I yea, Gloria, 96 00:07:21,800 --> 00:07:26,760 Speaker 1: see Gloria. Comt o, what are you doing here? I'm 97 00:07:26,800 --> 00:07:31,320 Speaker 1: I'm driving. Oh wow, how have you been? I heard 98 00:07:31,360 --> 00:07:34,520 Speaker 1: about the accident? That was crazy. Hey, I've been meaning 99 00:07:34,520 --> 00:07:36,440 Speaker 1: to pass by your house, you know, to check on you, 100 00:07:36,560 --> 00:07:39,400 Speaker 1: see what you're doing? Maybe sick? Grab a coffee, but 101 00:07:39,760 --> 00:07:42,640 Speaker 1: you know I can't plus Carlos right anyway, how is 102 00:07:42,680 --> 00:07:50,240 Speaker 1: your dad? He's fine? Officer high right. You haven't called 103 00:07:50,280 --> 00:07:52,720 Speaker 1: me Officer Goman since you were a kid. That's weird. 104 00:07:54,160 --> 00:08:00,160 Speaker 1: See when a you are on the job, bitch, I'm 105 00:08:00,160 --> 00:08:04,240 Speaker 1: just kidding. I'm kidding. I'm kidding. Anyway, seriously, how are 106 00:08:04,280 --> 00:08:06,640 Speaker 1: you doing and why are you here so waiting? It's 107 00:08:06,960 --> 00:08:11,440 Speaker 1: it's a surprise for for my dad. Oh surprise. Oh 108 00:08:11,680 --> 00:08:15,680 Speaker 1: maybe I should hide in the car, you know, surprise. Yeah, 109 00:08:16,440 --> 00:08:19,240 Speaker 1: but his birthday is not for a long time, so yeah, 110 00:08:19,360 --> 00:08:22,240 Speaker 1: but I'm planning something big. So please don't tell him 111 00:08:22,280 --> 00:08:23,960 Speaker 1: that you saw me, or you'll end up ruining this 112 00:08:24,160 --> 00:08:26,920 Speaker 1: so far? Oh, come on, Gladia, you know men, I 113 00:08:27,040 --> 00:08:30,080 Speaker 1: love surprises, y'all. I just love that. You know, when 114 00:08:30,160 --> 00:08:33,040 Speaker 1: something's one way and then everyone like it's a different way, 115 00:08:33,200 --> 00:08:34,880 Speaker 1: you know what I mean, and the person there didn't 116 00:08:34,920 --> 00:08:38,520 Speaker 1: realize it. You mean something like that. Yes, Oh, that'd 117 00:08:38,520 --> 00:08:40,280 Speaker 1: be crazy. I would I wish I was a part 118 00:08:40,320 --> 00:08:42,600 Speaker 1: of one. You know. Uh you know what are your 119 00:08:42,679 --> 00:08:45,280 Speaker 1: rear lights is out? Did you know that? Okay, so 120 00:08:45,440 --> 00:08:47,439 Speaker 1: you don't make sure to fix that? Oh and by 121 00:08:47,520 --> 00:08:50,760 Speaker 1: the way, is this a new car? Uh see, I 122 00:08:50,880 --> 00:08:53,679 Speaker 1: needed a new one. It's really nice. You know. I'm 123 00:08:53,720 --> 00:08:56,760 Speaker 1: not sure matches your style, but hey, you look great? 124 00:08:56,800 --> 00:08:59,520 Speaker 1: And again? All right, all right, get that tail I 125 00:08:59,600 --> 00:09:03,040 Speaker 1: fix I'll see yeah, say hello, are your parents for me? Right? Okay? 126 00:09:04,080 --> 00:09:15,160 Speaker 1: Bye Ustralia. What I'm just getty? How did they Joel? 127 00:09:15,200 --> 00:09:17,800 Speaker 1: One phone call from jail. He let me go. He's 128 00:09:17,840 --> 00:09:20,040 Speaker 1: a friend of Luisa and Steve On. I can't believe it. 129 00:09:20,240 --> 00:09:23,679 Speaker 1: Nothing happened. I'm free. You see. That's what happens when 130 00:09:23,679 --> 00:09:26,280 Speaker 1: you paid off the entire police force. Well, I'm very 131 00:09:26,280 --> 00:09:28,360 Speaker 1: happy that you're not a handcuffs, but it's still too 132 00:09:28,440 --> 00:09:31,240 Speaker 1: early to celebrate money here. Or have you forgotten that 133 00:09:31,320 --> 00:09:34,360 Speaker 1: we still need to get rid of that dead body 134 00:09:34,440 --> 00:09:36,800 Speaker 1: you have in your trunk. You didn't have to remind me. 135 00:09:37,120 --> 00:09:46,280 Speaker 1: We're almost at the Everglades. I'll see you there, how ironic. No, 136 00:09:46,800 --> 00:09:49,240 Speaker 1: they're gonna dump NATO's body just like a stave on 137 00:09:49,280 --> 00:09:52,080 Speaker 1: and Louisa did all those years ago to a real mother. 138 00:09:52,800 --> 00:09:56,600 Speaker 1: But be careful, girls, because in Miami, corpses don't stay 139 00:09:56,640 --> 00:10:01,080 Speaker 1: buried for long. If you're enjoying Princess of South Beach, 140 00:10:01,360 --> 00:10:05,000 Speaker 1: please subscribe, rate, and review our show wherever you're listening. 141 00:10:05,960 --> 00:10:08,360 Speaker 1: The Princess of South Beach is a production of Ihearts, 142 00:10:08,400 --> 00:10:13,000 Speaker 1: Mikultura Podcast Network and Sonoro, created and directed by Jasmine Romero. 143 00:10:13,360 --> 00:10:16,440 Speaker 1: Written by Jasmine Romero and Joanna Housman, with help from 144 00:10:16,520 --> 00:10:21,160 Speaker 1: Daniela Serkis, Monisa Heinris and Christian Hattar. Produced by Luis 145 00:10:21,440 --> 00:10:25,199 Speaker 1: roo Castillo. Executive produced by conal Byrne and Gazelle Bances 146 00:10:25,240 --> 00:10:29,000 Speaker 1: for iHeart by Joanna Housman, and by Jasmine Romero and 147 00:10:29,120 --> 00:10:34,080 Speaker 1: Joshua Weinstein for Sonaro. Performances in this episode by Rachel Zegler, 148 00:10:34,360 --> 00:10:40,520 Speaker 1: Gina Torres, x Mayo, Andy Bustios, and Alexis Guerrero's. Our 149 00:10:40,559 --> 00:10:45,400 Speaker 1: production manager is Gettin Sachitis. Recording and engineering by Emiliano Quintanar, 150 00:10:45,679 --> 00:10:50,360 Speaker 1: with sound designed by Edwin Irigoyen, Cassandra Tinajiro, Andres Bayena, 151 00:10:50,600 --> 00:10:55,000 Speaker 1: Diego Medina and Andres Coronado Assistant Sound designed by Eric Sentthano, 152 00:10:55,400 --> 00:10:59,679 Speaker 1: casting and coordination by Andres Chaitis Folly by Samantha Gonzalez, 153 00:10:59,720 --> 00:11:03,360 Speaker 1: Song our theme song and original music by Rodrigo Garcia 154 00:11:03,480 --> 00:11:11,640 Speaker 1: Roles and Charlie Hernandez. Icamosamos single da la mascot Is 155 00:11:11,720 --> 00:11:19,640 Speaker 1: Mortica Sila Princesses Soumi Scientica You wrish Bitch,