WEBVTT - Kal Penn Meets World

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<v Speaker 1>Danielle cancer update, my favorite.

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<v Speaker 2>Stop talking about it, Danielle.

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<v Speaker 3>We're done with it.

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<v Speaker 1>No, I just wanted to give everyone an update because

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<v Speaker 1>I've kept you guys all abreast. I've kept you all

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<v Speaker 1>abreast of what's been going on with my breast cancer

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<v Speaker 1>diagnosis and treatment. I am officially done with radiation, which

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<v Speaker 1>means I am officially done with what is considered active

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<v Speaker 1>cancer treatment. Surgeries, chemo, which I did not need to have,

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<v Speaker 1>and radiation are all considered active cancer treatments, and so

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<v Speaker 1>I'm done. I don't have to have any more of those.

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<v Speaker 1>I now will just start to moxifen eventually. My doctors

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<v Speaker 1>wanted me to wait until my body had physically healed

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<v Speaker 1>from the damage that radiation does before they put me

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<v Speaker 1>onto moxiphin because tomxifin I will have some side effects

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<v Speaker 1>from and they didn't want to overload me with negative

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<v Speaker 1>side effects.

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<v Speaker 2>So radiation was.

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<v Speaker 1>Actual time there relatively easy. You don't really do anything,

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<v Speaker 1>you just lay there. It's really short, it's super fast.

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<v Speaker 1>I did fifteen rounds of whole breast radiation and then

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<v Speaker 1>five rounds of targeted radiation, which just means they focus

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<v Speaker 1>in on the very small area where my cancer was

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<v Speaker 1>versus treating the entire breast. It will help significantly lower

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<v Speaker 1>my chances of recurrence, which is always good news.

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<v Speaker 2>But boy, I am feeling.

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<v Speaker 1>The effects I am physically. I have a very bad sunburn.

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<v Speaker 1>I also have a rash on top of the sunburn,

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<v Speaker 1>which is just great. So it's very itchy. And also

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<v Speaker 1>you can't itch it because if you even come close

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<v Speaker 1>to touching it you want to cry. So yeah, hurts to

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<v Speaker 1>wear a bra, hurts to not wear a bra. It's

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<v Speaker 1>just hurts to sleep on my side, hurts to sleep period,

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<v Speaker 1>hurts to be awake. It's just yeah, it hurts to

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<v Speaker 1>live right now. But you know what, it's not gonna

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<v Speaker 1>last forever.

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<v Speaker 2>Physically.

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<v Speaker 1>Every day now, I'm supposed to be getting better, fatigue wise,

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<v Speaker 1>I am really very stinking tired. And I had a

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<v Speaker 1>doctor's appointment yesterday. I had a follow up so they

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<v Speaker 1>could see how I'm healing. And I asked, I'm just

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<v Speaker 1>not used to feeling this tired. I'm so so fatigued,

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<v Speaker 1>and they said, oh, yeah, well, you know it's a

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<v Speaker 1>cumulative effect, so you're only right now starting to feel

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<v Speaker 1>the effects of your first radio And I said, so

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<v Speaker 1>how much longer am I going to feel like this?

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<v Speaker 1>And they're like, you'll feel better in two to three months.

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<v Speaker 1>I'm sorry, what I'm going to feel this tired for

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<v Speaker 1>two to three months and.

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<v Speaker 2>Then get this.

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<v Speaker 1>They told me that if I want to feel better faster,

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<v Speaker 1>I need to work out and drink water those faster.

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<v Speaker 1>I'm sorry, you want me to be tired and take

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<v Speaker 1>care of myself.

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<v Speaker 2>But just unbelievable.

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<v Speaker 1>So I guess I'll try to drink more than twelve

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<v Speaker 1>ounces of water today, which is my normal intakeout.

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<v Speaker 3>That is that is not good?

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<v Speaker 2>Yeah, but I did start working out. I worked out yesterday.

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<v Speaker 1>I'm going to work out again on Friday, because he

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<v Speaker 1>said all the working out and drinking water helps my

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<v Speaker 1>body get rid of all the damage that the radiation did.

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<v Speaker 2>So anyway, I'm.

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<v Speaker 3>Have you found the best or me?

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<v Speaker 2>App No? Is that is that the calisenics thing you do?

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<v Speaker 4>The calisthenics thing I do every day and Susan and

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<v Speaker 4>I do it together and it's like fifteen it starts.

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<v Speaker 4>It's like fifteen minutes a day, Okay, super easy. You

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<v Speaker 4>don't need anything, there's no weights, there's no anything. You

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<v Speaker 4>just they do like a twenty eight day program. Today

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<v Speaker 4>is my last day of doing it, and it's super

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<v Speaker 4>super simple.

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<v Speaker 1>So not an ad Are you saying that for twenty

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<v Speaker 1>eight days I could do to calisthenics and then I'll

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<v Speaker 1>and then that's it.

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<v Speaker 2>That's it is just twenty eight days.

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<v Speaker 3>That's it.

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<v Speaker 2>You're good.

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<v Speaker 4>Well, that's this one regiment. It's not You're not going

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<v Speaker 4>to be miss universe in twenty eight days. But then

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<v Speaker 4>I don't want a good exercise.

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<v Speaker 2>It gets me to miss universe in twenty eight days.

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<v Speaker 4>Some random kind of drugs I would imagine.

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<v Speaker 3>Yeah, you're right.

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<v Speaker 5>Yeah.

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<v Speaker 4>The drinking water thing is key. Yeah, And it's also

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<v Speaker 4>I so I heard we will beep. But I about

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<v Speaker 4>a month ago just heard my wife in the kitchen

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<v Speaker 4>say to herself, okay, in like just this voice, maybe

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<v Speaker 4>try drinking some more water, you stupid.

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<v Speaker 3>And I walked in, like who are you talking to?

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<v Speaker 3>And she's like, oh, that was for me, And I

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<v Speaker 3>was like, can we not talk to my wife like that?

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<v Speaker 3>That's that's really really under on her behalf.

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<v Speaker 4>Yes, but she does the same thing where she's like

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<v Speaker 4>and then what she'll remember to do it at nine

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<v Speaker 4>thirty when what happens, and then she has to peet

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<v Speaker 4>nine times in the night.

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<v Speaker 3>It's you got to see.

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<v Speaker 6>Those water bottles that like track how much you're supposed

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<v Speaker 6>to drink, like when you're moving drink.

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<v Speaker 2>Yes, yes, I actually I own one of those. Do

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<v Speaker 2>I use it?

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<v Speaker 1>Of course not, but yeah I don't. I'm not thirsty

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<v Speaker 1>ever all day until right before I get into bed,

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<v Speaker 1>and then suddenly I'm very parched. I have to drink

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<v Speaker 1>thirty six ounces of water immediately.

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<v Speaker 2>And it tastes incredible good. Why does a water taste

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<v Speaker 2>like that at noon?

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<v Speaker 4>At no at nine thirty ten o'clock at night, you're

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<v Speaker 4>in bed, all tucked and warm. It is the greatest

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<v Speaker 4>tasting thing in the world, is chugging water.

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<v Speaker 3>And it's like, well them, I'm up in an hour.

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<v Speaker 3>That was stupid.

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<v Speaker 2>I know.

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<v Speaker 1>Sometimes when alth there wakes me up to pe in

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<v Speaker 1>the middle of the night, I'm really happy because I'm like,

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<v Speaker 1>I also needed to go and I was.

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<v Speaker 2>Gonna be too lazy to get out of bed.

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<v Speaker 1>But now that I'm here helping you, I'll just And

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<v Speaker 1>for those wondering why I have to help my five

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<v Speaker 1>year old p it' said he doesn't have a doesn't

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<v Speaker 1>have a bathroom in his room, and so he and

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<v Speaker 1>it's very dark and lonely in the house with a

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<v Speaker 1>mommy helping you to the bathroom.

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<v Speaker 4>Can I make a suggestion, just so he knows what

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<v Speaker 4>he does to you at night? I say, tonight you

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<v Speaker 4>wake up to pee, start yelling his name.

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<v Speaker 2>Put the monitor in his room.

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<v Speaker 3>So he has to come and help you go to

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<v Speaker 3>the bathroom. And then at the end, just be like,

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<v Speaker 3>see this is what it's like.

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<v Speaker 2>Do you like it? He'd probably love it. He'd be thrilled.

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<v Speaker 3>Yeah, and he'd be awake exactly. This is why I'm

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<v Speaker 3>not a parent, one of the many reasons. Just put

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<v Speaker 3>it on the list.

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<v Speaker 2>Welcome to Pond Meets World.

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<v Speaker 3>I'm Danielle Fischel, I'm right or Strong, and I'm Wilfordell.

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<v Speaker 1>During our rewatch, we have had a lot of fun

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<v Speaker 1>pointing out some of our favorite Boy Meets World background actors,

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<v Speaker 1>from Dusty Tasie Me to the guy we can't find

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<v Speaker 1>who looks like writer. Some of our fondest memories have

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<v Speaker 1>been reminiscing about the fun times we had with actors

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<v Speaker 1>and actresses you may not have known by name, but

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<v Speaker 1>were around all the time. Actually, one of the most

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<v Speaker 1>fun episodes of this podcast was when we got to

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<v Speaker 1>reunite with and talked to a handful of these talented

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<v Speaker 1>people and heard all about taping Boy Meets World from

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<v Speaker 1>a totally different perspective. So imagine our surprise when we

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<v Speaker 1>found out thirty years later that one of our background

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<v Speaker 1>actors in the season four ROMP Quiz Show would go

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<v Speaker 1>on to become one of Hollywood's most beloved TV and

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<v Speaker 1>movie stars. Well, at first we didn't believe it. Then

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<v Speaker 1>we recapped the episode and yep, there he was front

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<v Speaker 1>and center. We were looking at a very young Cal Pen.

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<v Speaker 1>You know, Cal from an unlimited number of bursting into

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<v Speaker 1>mainstream success in two thousand and four as Kumar in

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<v Speaker 1>the Harold and Kumar franchise, then appearing on shows like House,

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<v Speaker 1>How I'm at Your Mother and the Santa Clauses, with

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<v Speaker 1>movies like Smile and Van Wilder. He'd take a two

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<v Speaker 1>year sabbatical from acting in two thousand and nine to

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<v Speaker 1>serve in the Obama administration as an Associate director of

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<v Speaker 1>the White House Office of Public Engagement. That's about the

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<v Speaker 1>same time I was gift wrapping at a Bloomingdale's for

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<v Speaker 1>Fun and hosting a clip show on the Style Network.

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<v Speaker 2>So we've had similar journeys. This week, we are.

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<v Speaker 1>Honored to talk to the most successful background actor in

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<v Speaker 1>boy Meets World history, someone whose resume we will now

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<v Speaker 1>take all the credit for. Welcome to Pod Meets World,

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<v Speaker 1>our co star Cal Penn Good. Oh my gosh, I

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<v Speaker 1>am so excited. I'm so excited that we've made this happen.

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<v Speaker 5>Oh my, thank you, Thank you for having me.

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<v Speaker 2>Oh my gosh, thank you for being here.

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<v Speaker 1>I can only imagine that over the years, your door

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<v Speaker 1>has practically been kicked in by people asking you about

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<v Speaker 1>your time on Boyme's World. So the fact that you

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<v Speaker 1>waited to talk about it to be with us really

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<v Speaker 1>means a lot.

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<v Speaker 5>You know, people do ask about it a lot, which

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<v Speaker 5>applies to be And so when I when I saw

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<v Speaker 5>this email, and I know we have mutual friends that

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<v Speaker 5>sort of connected us, I was like, yes, absolutely love

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<v Speaker 5>to come on this podcast. It's like, obviously it was

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<v Speaker 5>an eternity ago, and it was like right when I

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<v Speaker 5>had moved to La but I had such a great

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<v Speaker 5>time that this was like very exciting.

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<v Speaker 1>Okay, well, I want to get to all of all

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<v Speaker 1>of that, and I'm really happy to hear that you

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<v Speaker 1>had such a good time. But before we do talk

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<v Speaker 1>about that, where you moved to LA.

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<v Speaker 2>How old were you? You were you lived and you

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<v Speaker 2>were born in New Jersey.

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<v Speaker 5>Yeah, I was born in New Jersey. I got into

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<v Speaker 5>UCLA at their theater and Film school, and so I

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<v Speaker 5>moved at eighteen. I graduated high school and moved across

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<v Speaker 5>the country. It was one of those classically didn't know

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<v Speaker 5>anybody in entertainment or in ol and I sort of thought,

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<v Speaker 5>like I wanted to do more film and TV. I

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<v Speaker 5>had some somewhat of a theater background. I went to

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<v Speaker 5>a performing arts high school outside of New York City,

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<v Speaker 5>and so I just like I moved to LA and

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<v Speaker 5>u c l A is a great program, but it's

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<v Speaker 5>very theater focused, which I didn't realize. What most students

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<v Speaker 5>would do is they would kind of either audition outside

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<v Speaker 5>of the classroom or they would work. Like there were

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<v Speaker 5>a lot of obviously working actors. It was. It was LA,

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<v Speaker 5>So people would be in school and then just go

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<v Speaker 5>off and shoot commercials and stuff. And I'm like, I

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<v Speaker 5>don't know how to do any of this. I do,

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<v Speaker 5>and so that was that was just being a team

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<v Speaker 5>and being out in La Also, I had not a

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<v Speaker 5>car for like the first three years, like.

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<v Speaker 3>Walking the three blocks of Westwood and that's it.

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<v Speaker 5>And it was like you could get like I remember

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<v Speaker 5>trying to go to I got some internship my sophomore

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<v Speaker 5>year in Burbank at I think it was Lucasfilm, so

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<v Speaker 5>like really love it. Yeah, And it took me two

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<v Speaker 5>hours on the bus from Westwood to Burbank. And on

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<v Speaker 5>the third day I was like, yeah, I can't do this.

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<v Speaker 5>I'm not there's no time to study. It's like it's

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<v Speaker 5>dark when you go home.

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<v Speaker 2>Right.

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<v Speaker 5>I didn't a laptop. It's not like I could like

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<v Speaker 5>do papers on the Boss or something.

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<v Speaker 2>Oh my gosh.

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<v Speaker 5>Yeah. Anyway, those are the days.

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<v Speaker 1>You just ate a lot of Dede Reese cookies. That's

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<v Speaker 1>what you had for dinner most nights.

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<v Speaker 5>Yeah, Ady rees whatever. That sandwich shop that's probably four

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<v Speaker 5>dollars now that used to be a book fifty Oh man.

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<v Speaker 2>I'm okay.

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<v Speaker 1>So we want to talk about your experiences on the show,

0:11:35.520 --> 0:11:38.280
<v Speaker 1>but I do also first want to give a shout

0:11:38.320 --> 0:11:42.040
<v Speaker 1>out to a Twitter user I refuse to call it

0:11:42.240 --> 0:11:46.640
<v Speaker 1>X at work with TJ who somehow spotted you because

0:11:46.679 --> 0:11:48.960
<v Speaker 1>a few years ago this was exposed on Twitter that

0:11:49.000 --> 0:11:51.400
<v Speaker 1>you were a background actor on Boy Meets World and

0:11:51.720 --> 0:11:56.360
<v Speaker 1>we had absolutely no idea. Now, did anyone do you

0:11:56.480 --> 0:11:58.280
<v Speaker 1>keep in touch with anyone from the show?

0:11:58.360 --> 0:12:00.360
<v Speaker 2>Did you meet anybody? Did anybody like?

0:12:01.280 --> 0:12:03.280
<v Speaker 1>None of us knew that you were ever on the show,

0:12:03.320 --> 0:12:04.120
<v Speaker 1>which is amazing.

0:12:04.559 --> 0:12:07.800
<v Speaker 5>So I was an extra a few times, okay, And

0:12:07.840 --> 0:12:11.079
<v Speaker 5>I think that's the only one that's like noticeable. I

0:12:11.200 --> 0:12:12.760
<v Speaker 5>didn't know. I didn't keep in touch with anyone. I

0:12:12.800 --> 0:12:14.640
<v Speaker 5>was at UCLA at the time. I would do this

0:12:14.760 --> 0:12:18.200
<v Speaker 5>on my on my days off, mostly because I had

0:12:18.240 --> 0:12:22.520
<v Speaker 5>never been on a real set before, and so everybody

0:12:22.559 --> 0:12:24.160
<v Speaker 5>who I had talked to, and I had plenty of

0:12:24.280 --> 0:12:26.320
<v Speaker 5>friends who were working actors, are like, look, just so

0:12:26.360 --> 0:12:32.200
<v Speaker 5>you know, background work doesn't lead to speaking work. Usually

0:12:32.200 --> 0:12:34.880
<v Speaker 5>they're separate. So as long as you know that that's

0:12:34.920 --> 0:12:38.120
<v Speaker 5>the reality and you're not chasing that path to think

0:12:38.120 --> 0:12:41.240
<v Speaker 5>that you can get a speaking role, it's a great

0:12:41.240 --> 0:12:43.800
<v Speaker 5>way to learn of the TV works and all of that.

0:12:44.040 --> 0:12:47.560
<v Speaker 5>So I started doing it, and you know, there are

0:12:47.880 --> 0:12:50.480
<v Speaker 5>like I love what we do for a living, and

0:12:50.800 --> 0:12:54.160
<v Speaker 5>like entertainment is full of strong personalities. So depending on

0:12:54.200 --> 0:12:57.079
<v Speaker 5>which show you went to, it was either like nightmare,

0:12:57.240 --> 0:13:01.640
<v Speaker 5>I can see why people a real issue with doing

0:13:01.679 --> 0:13:03.200
<v Speaker 5>this type of work. And then you'd also just have

0:13:03.400 --> 0:13:06.520
<v Speaker 5>so much respect for people who are professional background artists.

0:13:06.520 --> 0:13:08.679
<v Speaker 5>And I had a little drama teacher who used to

0:13:08.720 --> 0:13:10.760
<v Speaker 5>tell us that that you know, you'll see when you

0:13:10.800 --> 0:13:12.760
<v Speaker 5>start working there are people who have made their entire

0:13:12.800 --> 0:13:16.440
<v Speaker 5>livelihood out of being background actors, and it's incredible, and

0:13:16.480 --> 0:13:18.439
<v Speaker 5>that their dedication and they know all the rules and

0:13:18.480 --> 0:13:20.520
<v Speaker 5>their union members and the whole thing. So I've met

0:13:20.520 --> 0:13:22.600
<v Speaker 5>a lot of folks like that, and then obviously met

0:13:22.600 --> 0:13:25.080
<v Speaker 5>idiots like me who were like, I don't know, let me.

0:13:25.080 --> 0:13:27.640
<v Speaker 3>See what I can do, right, Well, how did you

0:13:27.720 --> 0:13:28.920
<v Speaker 3>how do you even get jobs?

0:13:29.240 --> 0:13:31.439
<v Speaker 6>Are they? Were they listed in the back of magazines?

0:13:31.520 --> 0:13:32.960
<v Speaker 6>Or like, how do I don't even know how you

0:13:33.000 --> 0:13:33.560
<v Speaker 6>started that?

0:13:33.800 --> 0:13:35.680
<v Speaker 5>There were there were two companies. There were sort of

0:13:35.679 --> 0:13:40.400
<v Speaker 5>sister companies. One was literally called Central Casting if you

0:13:40.480 --> 0:13:44.199
<v Speaker 5>were in the Union, and then that was the background

0:13:44.240 --> 0:13:47.200
<v Speaker 5>acting agency that I think almost every TV show and

0:13:47.240 --> 0:13:50.719
<v Speaker 5>movie used. And then if you were non union, there

0:13:50.760 --> 0:13:54.440
<v Speaker 5>was a company called Senex Casting. Both were based in Burbank.

0:13:54.440 --> 0:13:55.800
<v Speaker 5>I think they were in the same building, and you

0:13:55.840 --> 0:13:59.520
<v Speaker 5>basically went again taking the bus to Burbank. You go

0:13:59.559 --> 0:14:02.960
<v Speaker 5>to Burbank and you you like, pay twenty bucks. It's

0:14:03.000 --> 0:14:05.839
<v Speaker 5>the it's the only time that it's okay to ever

0:14:05.920 --> 0:14:07.920
<v Speaker 5>get it give an agent money when you haven't made

0:14:07.920 --> 0:14:13.320
<v Speaker 5>anything right, right, uh, And they list you in this

0:14:13.440 --> 0:14:15.439
<v Speaker 5>database and then this was you know, this is pre

0:14:15.960 --> 0:14:19.320
<v Speaker 5>uh not pre Internet, but pre like functional Internet. And

0:14:19.360 --> 0:14:23.440
<v Speaker 5>there's a number every day that was updated so many times,

0:14:23.440 --> 0:14:25.240
<v Speaker 5>and you would call in and if you fit any

0:14:25.280 --> 0:14:28.080
<v Speaker 5>of the listings, you would like press another number and

0:14:28.080 --> 0:14:30.320
<v Speaker 5>it would connect you to the agent who was booking

0:14:30.360 --> 0:14:30.880
<v Speaker 5>the background.

0:14:31.800 --> 0:14:34.000
<v Speaker 3>It's like jury duty, totally.

0:14:35.520 --> 0:14:37.320
<v Speaker 5>Very similar. And they would have your picture right so

0:14:37.360 --> 0:14:39.200
<v Speaker 5>they could pull it up and tell you if they

0:14:39.200 --> 0:14:41.480
<v Speaker 5>thought you were the right look or not. And if

0:14:41.520 --> 0:14:44.040
<v Speaker 5>you were, then they would either I guess they would

0:14:44.080 --> 0:14:46.240
<v Speaker 5>email you or tell you exactly where you needed to

0:14:46.280 --> 0:14:50.320
<v Speaker 5>go on which date. And uh so I don't so no,

0:14:50.360 --> 0:14:52.960
<v Speaker 5>I didn't keep in touch, you know, with it. There's

0:14:52.960 --> 0:14:57.160
<v Speaker 5>always a line to write where you I mean, I

0:14:57.800 --> 0:15:00.400
<v Speaker 5>guess I know both sides of this now, but like you,

0:15:00.160 --> 0:15:03.000
<v Speaker 5>you kind of like leave the crew alone so they

0:15:03.000 --> 0:15:05.400
<v Speaker 5>can work, especially if you're a background artist, your job

0:15:05.400 --> 0:15:07.680
<v Speaker 5>doesn't really kick until later, and then you don't want

0:15:07.680 --> 0:15:09.920
<v Speaker 5>to bother any of the any of the actors who

0:15:09.920 --> 0:15:12.640
<v Speaker 5>have speaking roles because they're also prepping for stuff. But

0:15:12.840 --> 0:15:17.320
<v Speaker 5>I will say we did all interact several times.

0:15:17.640 --> 0:15:19.920
<v Speaker 2>Great, please tell us the story.

0:15:20.480 --> 0:15:25.640
<v Speaker 5>We're just great with the background artists. And I think

0:15:25.680 --> 0:15:28.080
<v Speaker 5>part of that was, like, you know, I'm not even

0:15:28.120 --> 0:15:30.880
<v Speaker 5>gonna I've done other I had done other shows, and

0:15:30.920 --> 0:15:33.280
<v Speaker 5>I was an extra on other shows, and I was

0:15:33.360 --> 0:15:34.960
<v Speaker 5>I was about to say, I think it's probably maybe

0:15:34.960 --> 0:15:37.800
<v Speaker 5>because we were all roughly the same age that you

0:15:37.800 --> 0:15:39.360
<v Speaker 5>guys were so nice, But I don't think that's the

0:15:39.360 --> 0:15:41.120
<v Speaker 5>case because I had done other shows. But that definitely

0:15:41.160 --> 0:15:41.760
<v Speaker 5>was not the case.

0:15:41.800 --> 0:15:43.920
<v Speaker 2>You know, what other shows have you worked? I can't

0:15:43.920 --> 0:15:46.120
<v Speaker 2>believe this. I cannot believe. This is just the cool,

0:15:46.600 --> 0:15:47.800
<v Speaker 2>just the coolest thing to me.

0:15:48.000 --> 0:15:51.360
<v Speaker 1>Ever, what other what other shows have you And first

0:15:51.400 --> 0:15:53.000
<v Speaker 1>of all, I need to know also Boy Meets World,

0:15:53.040 --> 0:15:54.800
<v Speaker 1>what other episodes of Boy Meets World were you.

0:15:54.800 --> 0:15:55.920
<v Speaker 3>And we see very featured.

0:15:56.800 --> 0:15:59.480
<v Speaker 5>I honestly don't remember quiz shows that I actually was

0:15:59.520 --> 0:16:03.640
<v Speaker 5>like visit on on screen. There were probably two others. Okay,

0:16:04.560 --> 0:16:07.520
<v Speaker 5>I also did let's see Clueless, Remember the Clueless TV show?

0:16:07.640 --> 0:16:09.440
<v Speaker 3>Of course, Yeah, so they.

0:16:09.320 --> 0:16:15.200
<v Speaker 5>Were also super nice, except the the hours were crazy

0:16:15.480 --> 0:16:17.840
<v Speaker 5>on that show. That was like, they would keep you

0:16:17.840 --> 0:16:19.040
<v Speaker 5>for eighteen and a half.

0:16:18.880 --> 0:16:21.080
<v Speaker 3>Hours, Oh because a single.

0:16:20.800 --> 0:16:23.400
<v Speaker 5>Camera something absurd like that. You're like, I feel like

0:16:23.440 --> 0:16:23.920
<v Speaker 5>this is not.

0:16:25.880 --> 0:16:26.200
<v Speaker 2>Legal.

0:16:26.480 --> 0:16:28.920
<v Speaker 5>Also, I kind of like, you know, I would never

0:16:29.000 --> 0:16:32.680
<v Speaker 5>get to see eighteen hours of production up close at

0:16:32.760 --> 0:16:34.880
<v Speaker 5>you know, you know, when I'm trying to trying to

0:16:34.920 --> 0:16:36.400
<v Speaker 5>break into this industry. So I thought it was I

0:16:36.440 --> 0:16:38.920
<v Speaker 5>thought it was super interesting, but but it was I

0:16:38.960 --> 0:16:41.840
<v Speaker 5>remember remember Clueless being very cold and they didn't feed you.

0:16:42.240 --> 0:16:45.120
<v Speaker 1>Oh my gosh, long day's cold and you don't get

0:16:45.120 --> 0:16:46.600
<v Speaker 1>to eat It sounds on my nightmare.

0:16:48.720 --> 0:16:52.040
<v Speaker 5>What else I did? Actually I did. I did a

0:16:52.040 --> 0:16:55.280
<v Speaker 5>few episodes of Sabrina the Teenage Witch. The caw was

0:16:55.320 --> 0:17:00.320
<v Speaker 5>really nice, the producers were awful, and I remember very clearly,

0:17:00.320 --> 0:17:02.520
<v Speaker 5>and I feel comfortable saying that because I had I

0:17:02.560 --> 0:17:05.840
<v Speaker 5>had a speaking gig on that show. Unrelated, actually there

0:17:05.920 --> 0:17:10.440
<v Speaker 5>was a Yeah, I'd done a bunch of background work

0:17:10.480 --> 0:17:12.840
<v Speaker 5>on Sabrina the Teenage Witch. And then it must have

0:17:12.880 --> 0:17:15.000
<v Speaker 5>been two years later when I finally got an agent

0:17:15.560 --> 0:17:17.720
<v Speaker 5>who by the way, you guys probably know her, do

0:17:17.720 --> 0:17:21.800
<v Speaker 5>you know Barbara Cameron? Of course, she was my first agent.

0:17:22.600 --> 0:17:24.440
<v Speaker 2>That's unbelievable. Candice Cameron's mom.

0:17:24.680 --> 0:17:29.480
<v Speaker 5>Yes, okay, okay, sweetest woman. Like she literally the only

0:17:29.560 --> 0:17:31.840
<v Speaker 5>agent in three and a half years of submitting my

0:17:31.880 --> 0:17:35.439
<v Speaker 5>headshot every single week, the only person who called. And

0:17:35.480 --> 0:17:39.399
<v Speaker 5>I remember walking into her office. Her office was like

0:17:39.440 --> 0:17:40.359
<v Speaker 5>in the back of her house.

0:17:40.600 --> 0:17:42.760
<v Speaker 3>Yeah, okay, in West.

0:17:42.600 --> 0:17:45.320
<v Speaker 5>Hills, And I had borrowed a car from somebody in

0:17:45.359 --> 0:17:47.840
<v Speaker 5>my dorm and I drove out there and I'm looking

0:17:47.840 --> 0:17:52.160
<v Speaker 5>at the address on like the Thomas Guide print tip

0:17:52.200 --> 0:17:53.880
<v Speaker 5>map that I have for my compier, and I'm looking

0:17:53.880 --> 0:17:56.320
<v Speaker 5>at this house and I was like, this is poor.

0:17:56.760 --> 0:17:58.960
<v Speaker 5>This is what this is, This is not this is

0:17:59.000 --> 0:17:59.480
<v Speaker 5>there's no.

0:17:59.440 --> 0:18:00.679
<v Speaker 2>Way this is a real agent.

0:18:01.400 --> 0:18:04.680
<v Speaker 3>Like this is I'm gonna be taken away by the circus.

0:18:04.720 --> 0:18:05.720
<v Speaker 3>This is what's gonna happen.

0:18:07.080 --> 0:18:10.400
<v Speaker 5>There's something. And then I go in and it's all

0:18:10.480 --> 0:18:13.160
<v Speaker 5>pictures of Kirkan Candice and full house and growing off

0:18:13.560 --> 0:18:15.800
<v Speaker 5>and I was like, okay, this is the opposite of porn,

0:18:16.119 --> 0:18:21.600
<v Speaker 5>right what And then I'm like wait, wait Cameron, Oh

0:18:21.720 --> 0:18:23.720
<v Speaker 5>no way, that's so cool. Right, and then she was

0:18:23.800 --> 0:18:26.760
<v Speaker 5>very sweet and anyway, so she you know, this was

0:18:26.800 --> 0:18:29.400
<v Speaker 5>then two years after I'd done background work on on Sabrina.

0:18:29.480 --> 0:18:31.919
<v Speaker 5>She called and she said, you have this great audition

0:18:31.960 --> 0:18:35.440
<v Speaker 5>for you. And there was a thing in the breakdown

0:18:35.520 --> 0:18:38.320
<v Speaker 5>that said, please make sure that that none of the

0:18:38.359 --> 0:18:43.120
<v Speaker 5>actors you're submitting have ever done background work. So I

0:18:43.200 --> 0:18:45.000
<v Speaker 5>lied to her and I said, no, of course I've

0:18:45.040 --> 0:18:45.919
<v Speaker 5>never done anything.

0:18:46.640 --> 0:18:50.080
<v Speaker 7>That's okay, that's okay, just you know, you want the job.

0:18:50.119 --> 0:18:53.240
<v Speaker 5>It's like, how about these I lied about playing basketball

0:18:53.240 --> 0:18:54.560
<v Speaker 5>so that I could get my SAG card in a

0:18:54.640 --> 0:18:56.440
<v Speaker 5>Nike commercial, like you kind of do what yea?

0:18:56.760 --> 0:19:00.199
<v Speaker 3>My special skills still say, horseback riding. So yeah, never

0:19:00.240 --> 0:19:01.680
<v Speaker 3>been Yeah.

0:19:03.040 --> 0:19:04.439
<v Speaker 5>To the stay, I was like, I mean, if I

0:19:04.440 --> 0:19:06.960
<v Speaker 5>have a month to learn anything, I can just figure

0:19:07.000 --> 0:19:09.840
<v Speaker 5>it out. Yeah. So I got the speaking role in Sabrina.

0:19:09.880 --> 0:19:12.880
<v Speaker 5>They were they were kind of awful even to kind

0:19:12.880 --> 0:19:14.680
<v Speaker 5>of the the actors that have the underfund.

0:19:14.720 --> 0:19:15.720
<v Speaker 3>No, why do you.

0:19:15.720 --> 0:19:18.400
<v Speaker 2>Think they didn't want someone who had ever done.

0:19:18.200 --> 0:19:21.199
<v Speaker 6>Background work because you would have been another student in

0:19:21.280 --> 0:19:23.000
<v Speaker 6>the background or whatever.

0:19:23.119 --> 0:19:26.520
<v Speaker 5>Yeah, yeah, I think it's literally for the like a lot,

0:19:26.600 --> 0:19:29.359
<v Speaker 5>I mean your show as well. There were these super fans,

0:19:29.440 --> 0:19:32.760
<v Speaker 5>right who would yeah, who was in each scene or

0:19:33.040 --> 0:19:36.920
<v Speaker 5>yeah yeah, and they would probably look I mean, you know,

0:19:37.200 --> 0:19:40.119
<v Speaker 5>there's endless choice of people who are like eighteen to

0:19:40.160 --> 0:19:42.639
<v Speaker 5>twenty four to play these roles. So all you have

0:19:42.680 --> 0:19:44.040
<v Speaker 5>to do is say, hey, if you've been in the

0:19:44.040 --> 0:19:47.000
<v Speaker 5>background of this show, you can't be in this particular scene. Yeah.

0:19:47.520 --> 0:19:49.240
<v Speaker 2>I'm just trying. I'm just trying to imagine.

0:19:49.280 --> 0:19:52.440
<v Speaker 1>Like on our show, Dusty was featured in the background

0:19:52.600 --> 0:19:55.919
<v Speaker 1>multiple times, and then they would say, hey, Dusty, go

0:19:55.960 --> 0:19:59.480
<v Speaker 1>ahead and say this line here or there, But like, why.

0:19:59.320 --> 0:20:00.720
<v Speaker 3>Why are the didn't work out?

0:20:03.000 --> 0:20:05.920
<v Speaker 4>It's also it's with Sabrina the teenage, which you're dealing

0:20:05.920 --> 0:20:08.920
<v Speaker 4>with a young witch from Salem, So they don't want

0:20:08.920 --> 0:20:09.679
<v Speaker 4>to take you out.

0:20:09.560 --> 0:20:11.600
<v Speaker 3>Of the reality, right true.

0:20:13.040 --> 0:20:15.520
<v Speaker 4>To see a background actor. They want to keep it real,

0:20:15.800 --> 0:20:16.520
<v Speaker 4>so they want.

0:20:16.400 --> 0:20:18.800
<v Speaker 3>To make sure people don't speak.

0:20:21.359 --> 0:20:23.520
<v Speaker 5>But all of it just to say the contrast from

0:20:23.720 --> 0:20:25.800
<v Speaker 5>from then, you know, being on Boy Meets World was

0:20:25.840 --> 0:20:27.840
<v Speaker 5>like night and day. Was just such a joy to

0:20:27.880 --> 0:20:30.640
<v Speaker 5>come in and you guys were so nice to everybody.

0:20:30.680 --> 0:20:33.560
<v Speaker 5>The crew was wonderful. I can't remember who must have

0:20:33.600 --> 0:20:35.480
<v Speaker 5>been one of the ads or PA's was in charge

0:20:35.480 --> 0:20:37.200
<v Speaker 5>of all the background folks, and they were great, like.

0:20:37.160 --> 0:20:37.439
<v Speaker 2>It was.

0:20:39.200 --> 0:20:39.400
<v Speaker 4>Time.

0:20:40.200 --> 0:20:44.199
<v Speaker 5>I don't I honestly don't remember that the name sounds familiar.

0:20:44.240 --> 0:20:47.280
<v Speaker 2>Okay, that's so great.

0:20:48.240 --> 0:20:51.280
<v Speaker 1>Okay, So did you tell like, did you tell anybody

0:20:51.280 --> 0:20:53.600
<v Speaker 1>at U c l A. That you were doing work

0:20:53.640 --> 0:20:55.880
<v Speaker 1>on Boy Meets World? Did anybody even know what Boy

0:20:55.920 --> 0:20:56.600
<v Speaker 1>Meets World was?

0:20:56.840 --> 0:20:59.800
<v Speaker 5>Yeah, it was a big deal. This would have been

0:20:59.840 --> 0:21:03.040
<v Speaker 5>what I think I was on. You guys would know

0:21:03.040 --> 0:21:05.080
<v Speaker 5>the dates better than me, but like ninety seven.

0:21:04.840 --> 0:21:06.480
<v Speaker 2>Maybe, yeah, question was ninety seven?

0:21:06.520 --> 0:21:12.119
<v Speaker 5>I think, yeah, So yeah they knew. I think what

0:21:12.680 --> 0:21:14.360
<v Speaker 5>By the time I had done Boy Means World, I'd

0:21:14.400 --> 0:21:17.400
<v Speaker 5>done other background stints, and you know, you never you

0:21:17.440 --> 0:21:20.399
<v Speaker 5>never see the shot that you're like supposedly in. So

0:21:20.400 --> 0:21:22.840
<v Speaker 5>there were probably five other times I would say to

0:21:22.920 --> 0:21:25.440
<v Speaker 5>like guys in my dorm, like, so tonight I'm gonna

0:21:25.440 --> 0:21:31.360
<v Speaker 5>be on this and nothing obviously no, So I don't

0:21:31.400 --> 0:21:33.880
<v Speaker 5>think I told anybody until after it aired, and then

0:21:34.080 --> 0:21:36.439
<v Speaker 5>you know, I had obviously taped it on VHS and

0:21:36.520 --> 0:21:37.679
<v Speaker 5>was like, okay, look.

0:21:38.160 --> 0:21:40.480
<v Speaker 2>Were you telling your family back in Jersey too?

0:21:40.960 --> 0:21:43.200
<v Speaker 5>I did, yeah, yeah, yeah, I did tell them, And

0:21:43.240 --> 0:21:45.919
<v Speaker 5>I remember my mom was very excited and told a

0:21:45.960 --> 0:21:49.880
<v Speaker 5>bunch of her friends. If I'm remembering this right, they

0:21:49.960 --> 0:21:53.040
<v Speaker 5>watched the rerun because the like, I didn't have the

0:21:53.040 --> 0:21:56.280
<v Speaker 5>clout or the confidence to know that I would necessarily

0:21:56.320 --> 0:21:59.639
<v Speaker 5>be right in the like the first.

0:21:59.440 --> 0:22:02.320
<v Speaker 1>Run, so you waited to like watch it yourself, and

0:22:02.359 --> 0:22:04.199
<v Speaker 1>then you saw yourself and you were like, now I'll

0:22:04.240 --> 0:22:04.639
<v Speaker 1>let them know.

0:22:05.040 --> 0:22:07.000
<v Speaker 5>And a couple of years after this, this, this is,

0:22:07.040 --> 0:22:09.600
<v Speaker 5>this is sort of why I was like scarred. H yeah,

0:22:09.600 --> 0:22:11.480
<v Speaker 5>this would have been right after boy me I got

0:22:11.480 --> 0:22:15.040
<v Speaker 5>my first speaking role, which was one line on the

0:22:15.080 --> 0:22:19.400
<v Speaker 5>Steve Harvey Show that he had also playing a nerd.

0:22:19.480 --> 0:22:24.080
<v Speaker 2>By the way, really, yes, okay, you were you were being.

0:22:25.640 --> 0:22:29.320
<v Speaker 5>Come on, that's fine. But also the very mid nineties

0:22:29.400 --> 0:22:30.320
<v Speaker 5>nerd where it's like.

0:22:31.440 --> 0:22:32.200
<v Speaker 2>Of course.

0:22:33.800 --> 0:22:37.560
<v Speaker 8>Right, and that I remember, I knew I was in

0:22:37.600 --> 0:22:40.040
<v Speaker 8>the scene, told everybody had to watch party in my

0:22:40.119 --> 0:22:43.199
<v Speaker 8>dorm and they cut the line, told me they were

0:22:43.200 --> 0:22:46.040
<v Speaker 8>going to cut the line, so it airs, and obviously

0:22:46.040 --> 0:22:47.320
<v Speaker 8>all my friends then leave and.

0:22:47.280 --> 0:22:50.159
<v Speaker 5>My parents are like, why would you like it? I'm

0:22:50.200 --> 0:22:52.320
<v Speaker 5>sorry they knew before because they were on the East coast,

0:22:53.119 --> 0:22:54.760
<v Speaker 5>so and.

0:22:54.760 --> 0:22:56.080
<v Speaker 2>I cancel the party.

0:22:56.240 --> 0:23:02.879
<v Speaker 5>Count I definitely would have canceled it if if if

0:23:02.920 --> 0:23:04.879
<v Speaker 5>my parents have had up and then Barbara. I remember

0:23:05.320 --> 0:23:07.800
<v Speaker 5>calling Barbara and she just picked up and was like,

0:23:07.840 --> 0:23:10.840
<v Speaker 5>I'm sorry, honey, they didn't tell me in advance. I

0:23:11.000 --> 0:23:16.440
<v Speaker 5>just it's all right. But so it's it also makes

0:23:16.480 --> 0:23:19.359
<v Speaker 5>sense why it wasn't until later that I was able

0:23:19.359 --> 0:23:21.520
<v Speaker 5>to a show friends that I was in boy Mets World,

0:23:21.920 --> 0:23:24.200
<v Speaker 5>and then, you know, years later, I was just surprised

0:23:24.320 --> 0:23:27.159
<v Speaker 5>that people found it because I look so different.

0:23:27.359 --> 0:23:29.639
<v Speaker 7>I think, so funny.

0:23:30.000 --> 0:23:32.760
<v Speaker 2>Do you remember? Okay, so shooting Quiz Show, which is

0:23:32.840 --> 0:23:36.000
<v Speaker 2>the episode we mentioned you're pretty heavily featured in, were

0:23:36.080 --> 0:23:37.000
<v Speaker 2>you in?

0:23:37.280 --> 0:23:40.320
<v Speaker 1>Was that audience? So it's quite a romp. It's a

0:23:40.359 --> 0:23:44.800
<v Speaker 1>show within a show. Was the audience that you were

0:23:44.840 --> 0:23:48.160
<v Speaker 1>sitting in? Where was that on set? Relative to where

0:23:48.200 --> 0:23:51.120
<v Speaker 1>we were shooting the quiz the quiz show set?

0:23:51.320 --> 0:23:53.520
<v Speaker 5>So if I remember this right, it was in your

0:23:53.560 --> 0:23:57.760
<v Speaker 5>actual studio audience, Okay, on tape night, so they needed

0:23:57.800 --> 0:24:02.000
<v Speaker 5>the space to like shoot that stuff. So yeah, we

0:24:02.080 --> 0:24:04.280
<v Speaker 5>pre taped that entire scene, so you.

0:24:04.280 --> 0:24:07.119
<v Speaker 1>Were clapping and cheering towards something where the set you

0:24:07.119 --> 0:24:08.919
<v Speaker 1>were it was not even happening in front of you.

0:24:09.000 --> 0:24:10.320
<v Speaker 2>Yeah.

0:24:10.520 --> 0:24:14.280
<v Speaker 4>Yeah, that tracks that totally tracked.

0:24:14.680 --> 0:24:15.600
<v Speaker 3>Yeah, because I don't.

0:24:15.400 --> 0:24:16.040
<v Speaker 5>Remember it at all.

0:24:16.119 --> 0:24:21.680
<v Speaker 4>Right, really good acting, man, Because yeah, I didn't remember

0:24:21.760 --> 0:24:24.520
<v Speaker 4>until we watched the episode that I go up there too.

0:24:24.640 --> 0:24:27.720
<v Speaker 3>Eric's like in the stands and watching the show as well.

0:24:27.760 --> 0:24:29.640
<v Speaker 3>I had no memory of that at all.

0:24:29.920 --> 0:24:32.720
<v Speaker 2>So yeah, it's so funny. Okay, So I want to know.

0:24:32.960 --> 0:24:34.760
<v Speaker 1>You said that you got to interact with us and

0:24:34.800 --> 0:24:37.040
<v Speaker 1>we were all just hanging out. Do you have any

0:24:38.119 --> 0:24:41.760
<v Speaker 1>specific story do you do you have any memories about

0:24:42.200 --> 0:24:43.200
<v Speaker 1>us hanging out talking?

0:24:43.200 --> 0:24:44.280
<v Speaker 2>What did we talk about?

0:24:45.320 --> 0:24:47.959
<v Speaker 5>I don't remember what we talked about, but I remember

0:24:48.640 --> 0:24:53.919
<v Speaker 5>very clearly that it seemed like you guys all really

0:24:54.000 --> 0:25:00.399
<v Speaker 5>a loved this job. Also got along in real life, Yeah,

0:25:00.440 --> 0:25:04.000
<v Speaker 5>which felt really good as a as an aspiring actor,

0:25:04.080 --> 0:25:09.040
<v Speaker 5>because I'm like, Okay, these people are my peers. They

0:25:09.160 --> 0:25:11.199
<v Speaker 5>really do love what they do, and so all of

0:25:11.240 --> 0:25:14.080
<v Speaker 5>the struggle of like, Okay, you've go on these auditions,

0:25:14.080 --> 0:25:16.159
<v Speaker 5>you work odd jobs even when you're in school, you

0:25:16.160 --> 0:25:18.439
<v Speaker 5>save up your gas money, all of that, you're like

0:25:19.080 --> 0:25:21.920
<v Speaker 5>and then this is like, there are good people who

0:25:21.960 --> 0:25:24.720
<v Speaker 5>really like what they do and get to make fun

0:25:24.800 --> 0:25:27.199
<v Speaker 5>things that families can watch together. I just you know,

0:25:27.320 --> 0:25:29.040
<v Speaker 5>I mean, I have the language to describe it now,

0:25:29.080 --> 0:25:32.119
<v Speaker 5>but I just remember that it's the feeling that I had.

0:25:32.480 --> 0:25:34.680
<v Speaker 5>This is really this is really nice and really cool.

0:25:34.720 --> 0:25:37.560
<v Speaker 5>And I think you guys knew so at the time.

0:25:37.920 --> 0:25:40.000
<v Speaker 5>She's still a very close friend genevan Oye.

0:25:40.119 --> 0:25:42.520
<v Speaker 3>Yes, yeah, my ex girlfriend.

0:25:42.880 --> 0:25:46.560
<v Speaker 5>Oh yeah, that's right, that's right. Yeah, yeah, that's right.

0:25:47.160 --> 0:25:49.840
<v Speaker 5>So she she and I met my freshman year of

0:25:49.880 --> 0:25:54.359
<v Speaker 5>college because her roommate was at UCLA with me, and

0:25:54.520 --> 0:25:56.919
<v Speaker 5>he and I were good friends, and so I had

0:25:56.960 --> 0:26:01.200
<v Speaker 5>already had this, like heard this great reputation about you guys,

0:26:01.320 --> 0:26:03.160
<v Speaker 5>because she was like, Oh, they're so great, You're gonna

0:26:03.160 --> 0:26:04.920
<v Speaker 5>have such a great time. I'm glad you're you know,

0:26:04.960 --> 0:26:06.800
<v Speaker 5>I'm glad you're doing that that show. And so that

0:26:06.920 --> 0:26:09.240
<v Speaker 5>was also really nice that that held up, because you

0:26:09.280 --> 0:26:13.640
<v Speaker 5>know a lot of times that there's a somebody professionally

0:26:13.760 --> 0:26:16.320
<v Speaker 5>is maybe different than there personally, and you know, kind

0:26:16.359 --> 0:26:17.760
<v Speaker 5>of is what it is. But that wasn't the case.

0:26:17.800 --> 0:26:19.280
<v Speaker 5>Everything was was that makes me.

0:26:19.640 --> 0:26:22.800
<v Speaker 2>That makes me so happy. I know too, it makes

0:26:22.840 --> 0:26:24.800
<v Speaker 2>me so I was waiting for the like, well, no

0:26:24.880 --> 0:26:25.680
<v Speaker 2>one would talk to me.

0:26:27.240 --> 0:26:29.920
<v Speaker 5>I mean, look, everybody has bad days. I happened to

0:26:30.000 --> 0:26:32.960
<v Speaker 5>not be there for your bad days exactly.

0:26:34.880 --> 0:26:36.679
<v Speaker 3>You were just there for the few good ones we had,

0:26:36.720 --> 0:26:37.320
<v Speaker 3>which is nice.

0:26:38.560 --> 0:26:41.280
<v Speaker 1>No, I've actually been really pleasantly surprised unless we just

0:26:41.359 --> 0:26:45.200
<v Speaker 1>have handpicked really great uh background actors who only say

0:26:45.280 --> 0:26:48.040
<v Speaker 1>nice things about us. We've interviewed quite a few background actors,

0:26:48.119 --> 0:26:50.080
<v Speaker 1>and for the most part, they have the same story

0:26:50.200 --> 0:26:52.320
<v Speaker 1>that like, when we were around each other, we were

0:26:52.400 --> 0:26:55.440
<v Speaker 1>laughing and we were joking, and we were having casual conversation.

0:26:55.560 --> 0:26:57.320
<v Speaker 1>It seemed like we loved what we did. We were

0:26:57.359 --> 0:27:00.920
<v Speaker 1>getting along like that. That's nice because that's are certainly

0:27:01.000 --> 0:27:01.639
<v Speaker 1>our memory.

0:27:02.160 --> 0:27:03.720
<v Speaker 5>It's true, though, like I'll give you, I'll give you

0:27:03.760 --> 0:27:07.080
<v Speaker 5>a contrast. So probably also around that time, or maybe

0:27:07.119 --> 0:27:09.560
<v Speaker 5>it was after I graduated, I had like two lines

0:27:09.600 --> 0:27:13.520
<v Speaker 5>on R And that's another show actually that I had done.

0:27:14.080 --> 0:27:15.720
<v Speaker 5>Had I done the background work? No, maybe I had,

0:27:16.600 --> 0:27:18.080
<v Speaker 5>but I had two lines on the YAR. Obviously I

0:27:18.160 --> 0:27:22.480
<v Speaker 5>was very excited. I was playing like a young I

0:27:22.600 --> 0:27:24.640
<v Speaker 5>must have been a young medical student or something.

0:27:24.800 --> 0:27:25.600
<v Speaker 2>But not a nerd.

0:27:26.480 --> 0:27:27.600
<v Speaker 5>Not a nerd, not a nerd.

0:27:29.320 --> 0:27:30.560
<v Speaker 6>Graduated out of nerdom.

0:27:30.920 --> 0:27:35.199
<v Speaker 5>Yeah, and I remember I was supposed to stitch up

0:27:35.760 --> 0:27:39.760
<v Speaker 5>Eric Lesala's character had a son who like hit his

0:27:39.880 --> 0:27:42.920
<v Speaker 5>head or something, and so I just had to give

0:27:43.000 --> 0:27:45.920
<v Speaker 5>him stitches. And I had two lines and the I

0:27:46.080 --> 0:27:48.480
<v Speaker 5>was very excited, you know, love dr I thought it

0:27:48.600 --> 0:27:51.040
<v Speaker 5>was great, wonderful opportunity. And I show up in the

0:27:51.280 --> 0:27:54.800
<v Speaker 5>director that day. I didn't know if he was having

0:27:54.840 --> 0:27:56.400
<v Speaker 5>a bad day or not, but it was kind of irrelevant.

0:27:56.440 --> 0:27:58.640
<v Speaker 5>He just immediately, like his directing style is to yell

0:27:58.640 --> 0:28:01.760
<v Speaker 5>at you. We did the first thing. And he's like,

0:28:01.800 --> 0:28:03.679
<v Speaker 5>who taught you how to Who taught you how to stitch?

0:28:05.960 --> 0:28:08.120
<v Speaker 5>And I'm like, I don't know what I'm supposed to say,

0:28:08.160 --> 0:28:13.000
<v Speaker 5>because I'm obviously not a doctor, and I years ago

0:28:13.040 --> 0:28:14.879
<v Speaker 5>and I just assumed there would be a consultant who

0:28:14.880 --> 0:28:15.480
<v Speaker 5>would show.

0:28:15.320 --> 0:28:17.000
<v Speaker 7>Me how to do this stitching.

0:28:19.760 --> 0:28:22.399
<v Speaker 5>Would have been happy to meet with the consultant before

0:28:22.480 --> 0:28:26.720
<v Speaker 5>medical stitch, right like, you know. So he just started

0:28:26.960 --> 0:28:30.399
<v Speaker 5>and then apparently my elbow in one take was blocking

0:28:30.440 --> 0:28:31.920
<v Speaker 5>the kid's face and it was just sort of a

0:28:32.000 --> 0:28:34.520
<v Speaker 5>head on shot and I just hear.

0:28:34.600 --> 0:28:35.040
<v Speaker 4>Hey, you.

0:28:36.880 --> 0:28:40.480
<v Speaker 5>Move your elbow. You hello, Hello, I'm talking to you.

0:28:41.080 --> 0:28:43.960
<v Speaker 5>Move your elbow. So I moved my elbow and he goes, yeah,

0:28:44.120 --> 0:28:46.200
<v Speaker 5>you know, people are watching the show for the kid

0:28:46.320 --> 0:28:50.520
<v Speaker 5>not to see you, and I was, God, why do

0:28:50.560 --> 0:28:53.800
<v Speaker 5>you need to talk to somebody that way? Right? Not

0:28:54.040 --> 0:28:57.600
<v Speaker 5>helpful to the process, like don't don't understand what he

0:28:57.640 --> 0:29:01.120
<v Speaker 5>actually wants from me. And so by contrast, I just

0:29:01.200 --> 0:29:02.960
<v Speaker 5>have to say when when people are probably telling you

0:29:03.040 --> 0:29:05.600
<v Speaker 5>guys that you were so nice to background actors and

0:29:05.640 --> 0:29:08.160
<v Speaker 5>to under fives, there's a reason for that that some

0:29:08.320 --> 0:29:10.280
<v Speaker 5>of the other experiences, whether it was something on Sabri

0:29:10.360 --> 0:29:12.560
<v Speaker 5>and The Teenage Witch or you Are, other beloved shows

0:29:12.600 --> 0:29:16.000
<v Speaker 5>were the cast was always wonderful, but I had these

0:29:16.320 --> 0:29:20.959
<v Speaker 5>people in leadership positions who were just awful because they

0:29:21.160 --> 0:29:23.720
<v Speaker 5>could be or you know, I don't have reasons, I

0:29:23.880 --> 0:29:28.600
<v Speaker 5>stressed out or whatever. Contrast, man, really like you really

0:29:28.680 --> 0:29:30.320
<v Speaker 5>saw that when you came to a show like Boy

0:29:30.360 --> 0:29:32.840
<v Speaker 5>Meet's World, it was a really wonderful wow.

0:29:33.120 --> 0:29:33.360
<v Speaker 6>Great.

0:29:34.200 --> 0:29:36.560
<v Speaker 4>So wait, I'm sorry to jump way back, but you

0:29:36.640 --> 0:29:39.480
<v Speaker 4>said you're from New Jersey. So were you going into

0:29:39.560 --> 0:29:41.800
<v Speaker 4>New York for auditions as a kid, like going to

0:29:42.440 --> 0:29:43.720
<v Speaker 4>for commercials and stuff like that.

0:29:43.840 --> 0:29:48.280
<v Speaker 5>I mean no, my parents wouldn't let me. I had

0:29:48.360 --> 0:29:50.240
<v Speaker 5>to wait. This is one of the reasons I think

0:29:50.240 --> 0:29:53.400
<v Speaker 5>I chose U c l A over over n y U.

0:29:53.520 --> 0:29:57.960
<v Speaker 5>I was debating between the tiss the dramas pool here, yeah,

0:29:58.320 --> 0:29:59.600
<v Speaker 5>in New York, and I was like, you know, I

0:29:59.720 --> 0:30:03.240
<v Speaker 5>think I just want to see what like exposure to

0:30:03.320 --> 0:30:06.880
<v Speaker 5>film and TV fully is like. So, no, I I

0:30:06.960 --> 0:30:09.200
<v Speaker 5>went to a performing arts high school. It's still one

0:30:09.240 --> 0:30:13.640
<v Speaker 5>of the few publicly funded arts high schools in the country,

0:30:13.680 --> 0:30:15.959
<v Speaker 5>and so that was obviously a big, a big privilege

0:30:15.960 --> 0:30:18.720
<v Speaker 5>because my parents are immigrants. My dad's an engineer, my

0:30:19.240 --> 0:30:23.840
<v Speaker 5>mom has our masters in chemistry. So no like career

0:30:24.000 --> 0:30:26.840
<v Speaker 5>arts background, right, so very scary for any parent who

0:30:26.840 --> 0:30:28.600
<v Speaker 5>doesn't have an arts background to be like, yeah, you

0:30:28.600 --> 0:30:31.200
<v Speaker 5>should do this, go for it. So I think if

0:30:31.240 --> 0:30:34.040
<v Speaker 5>it weren't for that publicly funded arts program, I maybe

0:30:34.080 --> 0:30:36.640
<v Speaker 5>wouldn't have had even just the tool kid or the

0:30:36.800 --> 0:30:39.200
<v Speaker 5>know how to be like, oh, there's a BFA program here,

0:30:39.320 --> 0:30:41.720
<v Speaker 5>or there's a program at U c l A and

0:30:41.840 --> 0:30:43.760
<v Speaker 5>USC and I can I can apply for it and

0:30:43.840 --> 0:30:46.160
<v Speaker 5>maybe I'm maybe I'm good enough to get in. I

0:30:46.200 --> 0:30:49.280
<v Speaker 5>don't know, you know, But so that was the that

0:30:49.400 --> 0:30:52.680
<v Speaker 5>was kind of the the pre college stuff.

0:30:53.200 --> 0:30:55.520
<v Speaker 4>Man. Yeah, so you did you came out to l

0:30:55.600 --> 0:30:57.320
<v Speaker 4>A cold. I mean when you need cold. It was

0:30:57.480 --> 0:31:00.400
<v Speaker 4>like you didn't even have the audio behind you.

0:31:00.480 --> 0:31:03.200
<v Speaker 3>I mean to LA without a car.

0:31:05.000 --> 0:31:08.479
<v Speaker 5>And at U c l A. There's a parking lottery

0:31:08.880 --> 0:31:13.000
<v Speaker 5>that's really really hard to get, and so I read

0:31:13.000 --> 0:31:14.760
<v Speaker 5>about how hard it was to get a spot in

0:31:14.840 --> 0:31:17.200
<v Speaker 5>the parking lottery, and the end of my freshman year,

0:31:18.080 --> 0:31:20.440
<v Speaker 5>I entered the parking lottery without a car because I

0:31:20.560 --> 0:31:22.880
<v Speaker 5>sort of reasoned, like, if it's this hard to get

0:31:22.920 --> 0:31:26.320
<v Speaker 5>a parking pass, then I'll start entering the parking lottery now.

0:31:26.400 --> 0:31:28.160
<v Speaker 5>That way, by the time I'm able to afford a

0:31:28.240 --> 0:31:32.200
<v Speaker 5>car parking pass, which obviously is not how statistics actually work,

0:31:34.520 --> 0:31:38.320
<v Speaker 5>live for this parking lottery, and I get a parking Yes,

0:31:39.400 --> 0:31:41.000
<v Speaker 5>I didn't have a car. So when I when I

0:31:41.080 --> 0:31:43.880
<v Speaker 5>mentioned earlier that like I borrowed a car from somebody,

0:31:44.280 --> 0:31:46.720
<v Speaker 5>a buddy of mine on my dorm floor, and I

0:31:46.840 --> 0:31:49.240
<v Speaker 5>made an arrangement where I would pay for parking for

0:31:49.840 --> 0:31:52.000
<v Speaker 5>the year and he would let me use his car

0:31:52.160 --> 0:31:55.840
<v Speaker 5>whenever he didn't need it. So smart, he's very smart.

0:31:56.520 --> 0:31:56.760
<v Speaker 8>It did.

0:31:56.920 --> 0:31:59.080
<v Speaker 5>I still couldn't do internships because he needed his car

0:31:59.200 --> 0:32:01.360
<v Speaker 5>more than you know, more than that schedule. But for

0:32:01.400 --> 0:32:03.760
<v Speaker 5>the rare audition or for going to go and to

0:32:03.840 --> 0:32:05.080
<v Speaker 5>an extra gig it came in.

0:32:05.200 --> 0:32:08.360
<v Speaker 3>Really, so did you then did you have to quit

0:32:09.000 --> 0:32:11.880
<v Speaker 3>the job at Lucas Arts to Oh.

0:32:12.320 --> 0:32:14.720
<v Speaker 5>Yeah, just because I couldn't get there and there was

0:32:14.840 --> 0:32:17.040
<v Speaker 5>no because it would have been what a four and

0:32:17.080 --> 0:32:20.360
<v Speaker 5>a half hour round trip. Basically, Oh my gosh, the

0:32:20.440 --> 0:32:22.880
<v Speaker 5>bus didn't make sense. You know. It's honestly, it's one

0:32:22.920 --> 0:32:25.920
<v Speaker 5>of those things. As I got older and was and

0:32:26.000 --> 0:32:28.160
<v Speaker 5>obviously then moved from being a struggling actor to a

0:32:28.200 --> 0:32:30.640
<v Speaker 5>working actor and then having you know, very blessed to

0:32:30.680 --> 0:32:34.080
<v Speaker 5>have the privilege that I have now, it really underscores

0:32:34.760 --> 0:32:37.840
<v Speaker 5>you know, fine, I was an aspiring actor. I elected

0:32:37.920 --> 0:32:40.200
<v Speaker 5>to do that, But what about people who are working

0:32:40.240 --> 0:32:42.200
<v Speaker 5>two or three jobs because they got they got to

0:32:42.240 --> 0:32:45.240
<v Speaker 5>put food on the table. It really was like, you know, okay,

0:32:45.360 --> 0:32:48.280
<v Speaker 5>I'm just a college kid who like wants a film internship.

0:32:48.680 --> 0:32:51.680
<v Speaker 5>But it really underscored for me, like, oh, not to

0:32:51.760 --> 0:32:54.240
<v Speaker 5>make this about like infrastructure. It was like, oh, we

0:32:54.280 --> 0:32:56.080
<v Speaker 5>should invested in buses and public.

0:32:55.880 --> 0:32:59.080
<v Speaker 3>Trans yes, oh, the public transport in la is awful.

0:32:59.120 --> 0:33:02.560
<v Speaker 4>I mean for everybody out there listening, Uh, you know,

0:33:02.720 --> 0:33:05.320
<v Speaker 4>that trip in a car with minimal traffic is what

0:33:05.520 --> 0:33:08.280
<v Speaker 4>thirty five minutes? Yeah, that two hour, two and a

0:33:08.280 --> 0:33:10.080
<v Speaker 4>half hour bus ride is thirty five minutes. So I

0:33:10.160 --> 0:33:11.280
<v Speaker 4>mean that shows what it's like.

0:33:11.440 --> 0:33:12.520
<v Speaker 3>It's yeah, it's crazy.

0:33:12.800 --> 0:33:15.160
<v Speaker 5>Yeah wow, So that was that was also my first

0:33:15.680 --> 0:33:18.680
<v Speaker 5>realization of like, oh yeah, I can't I can't walk

0:33:18.720 --> 0:33:20.080
<v Speaker 5>to my lucasfilm internship.

0:33:20.600 --> 0:33:20.800
<v Speaker 4>Yeah.

0:33:33.080 --> 0:33:33.360
<v Speaker 2>Okay.

0:33:33.440 --> 0:33:36.560
<v Speaker 1>So when you graduate from doing background work and you

0:33:36.720 --> 0:33:41.040
<v Speaker 1>get your first kind of big TV speaking job, is

0:33:41.120 --> 0:33:44.480
<v Speaker 1>that Buffy the Vampire Slayer in nineteen ninety nine.

0:33:44.880 --> 0:33:46.520
<v Speaker 5>I would that's would have I mean it would have

0:33:46.560 --> 0:33:48.240
<v Speaker 5>been it would have been the Steve Harvey Show.

0:33:48.240 --> 0:33:50.320
<v Speaker 2>But they come, okay, but they got your life right exactly.

0:33:52.520 --> 0:33:54.400
<v Speaker 5>But yeah it was. It was Buffy.

0:33:55.320 --> 0:33:56.800
<v Speaker 2>Okay? And what did you play on Buffy?

0:33:57.840 --> 0:34:01.640
<v Speaker 5>So on an episode of Buffy called Beer Bad? I

0:34:01.800 --> 0:34:06.520
<v Speaker 5>played cave Man And I'm gonna say two things about

0:34:06.560 --> 0:34:09.239
<v Speaker 5>this one. I'll just elephant in the room for any

0:34:09.360 --> 0:34:13.240
<v Speaker 5>like hardcore Buffy fans. That episode I think is still

0:34:13.360 --> 0:34:20.000
<v Speaker 5>consistently rated as the worst episode of Layer really, especially

0:34:20.080 --> 0:34:22.440
<v Speaker 5>for super fans, like that was the worst thing I've

0:34:22.480 --> 0:34:22.919
<v Speaker 5>ever seen.

0:34:24.280 --> 0:34:27.239
<v Speaker 2>What's the episode about. It's called beer Bad, call Beer Bad.

0:34:27.280 --> 0:34:30.080
<v Speaker 5>It's about these four prap boys who turn into cavemen

0:34:30.280 --> 0:34:33.960
<v Speaker 5>when they drink beer that's been tainted with this save

0:34:34.080 --> 0:34:34.520
<v Speaker 5>man potion.

0:34:36.719 --> 0:34:39.680
<v Speaker 3>Yeah, that sounds amazing to know what are they talking about?

0:34:39.680 --> 0:34:40.880
<v Speaker 2>I think this sounds great.

0:34:41.480 --> 0:34:44.879
<v Speaker 5>You know what's crazy about about things like that is like, yes, okay,

0:34:44.920 --> 0:34:46.560
<v Speaker 5>looking back on it, it was kitschy and it was

0:34:46.600 --> 0:34:49.759
<v Speaker 5>whatever a really fun. In order to be transformed into

0:34:49.800 --> 0:34:51.960
<v Speaker 5>a caveman. They did a live cast of our Heads.

0:34:52.400 --> 0:34:56.080
<v Speaker 5>Oh cool show up at like they shot that show

0:34:56.080 --> 0:34:58.960
<v Speaker 5>in Santa Monica is actually way closer to UCLA than

0:34:59.080 --> 0:35:01.960
<v Speaker 5>any of the other stuff. And I remember our call

0:35:02.080 --> 0:35:06.560
<v Speaker 5>time was like three in the morning because they had

0:35:06.680 --> 0:35:09.440
<v Speaker 5>five hours of putting the prosthetic face on you.

0:35:09.719 --> 0:35:11.240
<v Speaker 2>Oh my gosh.

0:35:11.520 --> 0:35:14.839
<v Speaker 5>Those faces had like little they would call them them

0:35:14.920 --> 0:35:17.239
<v Speaker 5>air bladders where they would they would pump air in

0:35:17.360 --> 0:35:21.360
<v Speaker 5>to make it. Yeah, we're transforming and just all this crazy,

0:35:21.880 --> 0:35:24.200
<v Speaker 5>these crazy special effects. So you you had these super

0:35:24.280 --> 0:35:27.239
<v Speaker 5>long days. They were paying all sorts of crazy penalties,

0:35:27.239 --> 0:35:30.080
<v Speaker 5>which as a as a young actor just getting started,

0:35:30.080 --> 0:35:32.560
<v Speaker 5>I was like, great, and actually, people, you can't feed

0:35:32.640 --> 0:35:34.520
<v Speaker 5>me because I have this thing on and it was awesome.

0:35:36.160 --> 0:35:38.360
<v Speaker 5>And then the director was so cool. He did this

0:35:38.520 --> 0:35:42.480
<v Speaker 5>you know, we we only had speaking, uh like English

0:35:42.520 --> 0:35:46.640
<v Speaker 5>speaking verbal lines when we were the frat boys. As

0:35:46.680 --> 0:35:49.279
<v Speaker 5>we turned into the cavement, it was all grunting, right

0:35:49.520 --> 0:35:50.120
<v Speaker 5>of course.

0:35:49.920 --> 0:35:52.880
<v Speaker 2>Well because it's a documentary and they didn't watch this.

0:35:53.200 --> 0:35:57.759
<v Speaker 5>Yeah, the director sent all four of us, I think

0:35:57.800 --> 0:35:59.480
<v Speaker 5>you brought us in actually for a rehearsal and gave

0:35:59.520 --> 0:36:02.280
<v Speaker 5>us each DVD of this movie called Ring of Fire

0:36:03.280 --> 0:36:06.640
<v Speaker 5>has no noques quester fire Quester for fire.

0:36:07.160 --> 0:36:08.439
<v Speaker 2>Yes, I love this movie.

0:36:08.520 --> 0:36:09.320
<v Speaker 3>It is bonker.

0:36:11.239 --> 0:36:12.920
<v Speaker 7>Oh no, I show this.

0:36:13.000 --> 0:36:15.640
<v Speaker 3>Movie to my screenwriting students, like the first class.

0:36:15.840 --> 0:36:18.560
<v Speaker 6>Because there's not a word of dialogue and yet you

0:36:18.920 --> 0:36:21.680
<v Speaker 6>you get the entire story and it's caveman, it's amazing.

0:36:21.840 --> 0:36:25.520
<v Speaker 3>It's it's it's not good, but it's it's crazy.

0:36:25.800 --> 0:36:27.640
<v Speaker 5>He gave us that film and he said, this is

0:36:27.760 --> 0:36:30.800
<v Speaker 5>what you need to communicate when you're I want to

0:36:30.840 --> 0:36:34.200
<v Speaker 5>be able to understand everything you guys are saying. You

0:36:34.280 --> 0:36:37.759
<v Speaker 5>had these rehearsals and just with this, this grunting for

0:36:37.920 --> 0:36:39.880
<v Speaker 5>like a started. It was awesome.

0:36:39.920 --> 0:36:41.560
<v Speaker 4>I really loved so wait I have to I have

0:36:41.640 --> 0:36:44.280
<v Speaker 4>to know it was the dialogue written out in English

0:36:44.440 --> 0:36:46.920
<v Speaker 4>and then you have to grunt to make like this

0:36:47.120 --> 0:36:49.640
<v Speaker 4>is what we intend for you to say in grunting

0:36:49.960 --> 0:36:51.760
<v Speaker 4>or are you just making it up as you go along.

0:36:52.360 --> 0:36:54.400
<v Speaker 5>I honestly don't remember it, but I would imagine that

0:36:54.440 --> 0:36:59.600
<v Speaker 5>it was written right. Yeah. Yeah, least at least it

0:36:59.680 --> 0:37:01.600
<v Speaker 5>was certainly written in description, because it was a little

0:37:01.680 --> 0:37:04.800
<v Speaker 5>right like there's this scene where we discover a lighter

0:37:05.680 --> 0:37:08.520
<v Speaker 5>and we're amazed that a lighter can create fire because

0:37:08.520 --> 0:37:10.240
<v Speaker 5>here we are needing to preserve fire.

0:37:10.520 --> 0:37:11.200
<v Speaker 3>Of course.

0:37:13.600 --> 0:37:15.400
<v Speaker 5>It must have been Yeah, it must have been written

0:37:15.400 --> 0:37:15.960
<v Speaker 5>out in something.

0:37:16.640 --> 0:37:20.360
<v Speaker 1>Oh man. So after Buffy, it looks, at least on

0:37:20.440 --> 0:37:22.800
<v Speaker 1>IMDb like pretty much after that you were kind of

0:37:22.840 --> 0:37:25.680
<v Speaker 1>off to the races you did, Spin City, angel Er,

0:37:25.960 --> 0:37:29.719
<v Speaker 1>NYPD Blue. By the way, all shows that have a

0:37:29.920 --> 0:37:34.960
<v Speaker 1>lot of background actors, have you always then in every

0:37:35.040 --> 0:37:37.279
<v Speaker 1>project you've gone on to, have you always made a

0:37:37.360 --> 0:37:40.120
<v Speaker 1>point of then being extra kind and considerate to the

0:37:40.160 --> 0:37:42.480
<v Speaker 1>background actors because you know what it's like?

0:37:43.440 --> 0:37:45.560
<v Speaker 5>Yeah, I think so, But I think it also sort

0:37:45.560 --> 0:37:48.840
<v Speaker 5>of predates that. And I'm gonna like, I'll throw some

0:37:48.920 --> 0:37:51.680
<v Speaker 5>more flowers your way with this, but I feel like

0:37:51.760 --> 0:37:55.360
<v Speaker 5>it's I don't know very many people who have to

0:37:55.440 --> 0:37:58.560
<v Speaker 5>be told to be kind to somebody right. We either

0:37:59.160 --> 0:38:03.160
<v Speaker 5>under like that's either your worldview joy and empathy and

0:38:03.280 --> 0:38:05.480
<v Speaker 5>you love what you do, or it's not who you are.

0:38:05.960 --> 0:38:07.719
<v Speaker 5>And if it's not who you are, I understand, then

0:38:07.719 --> 0:38:09.719
<v Speaker 5>you have to be told something. But that's not gonna

0:38:09.719 --> 0:38:11.600
<v Speaker 5>result in you being kind. It's just gonna result in

0:38:11.680 --> 0:38:12.320
<v Speaker 5>you not being.

0:38:12.200 --> 0:38:16.160
<v Speaker 4>A dick, right, right, Yes, nice and kind are two

0:38:16.200 --> 0:38:16.680
<v Speaker 4>different things.

0:38:16.760 --> 0:38:21.960
<v Speaker 5>Yeah, so I am privileged with you know, just my

0:38:22.400 --> 0:38:26.480
<v Speaker 5>worldview has tended to just be relatively joyous whenever I can,

0:38:27.480 --> 0:38:29.839
<v Speaker 5>so it has. It has irked me when I've been

0:38:29.880 --> 0:38:34.719
<v Speaker 5>on projects where people are not treated respectfully. I think

0:38:34.800 --> 0:38:36.279
<v Speaker 5>one of the nice things about them being in a

0:38:36.360 --> 0:38:39.200
<v Speaker 5>leadership position, whether whether it's your first couple of leads

0:38:39.280 --> 0:38:42.239
<v Speaker 5>or whether you're like finally producing things, is you get

0:38:42.280 --> 0:38:45.400
<v Speaker 5>to set the tone of wanting to you know, certain

0:38:45.440 --> 0:38:48.160
<v Speaker 5>shows or run certain ways. So so that was also

0:38:48.239 --> 0:38:50.040
<v Speaker 5>really nice about I mean, most of the projects that

0:38:50.120 --> 0:38:53.560
<v Speaker 5>you mentioned, or I've had nothing but great experiences on

0:38:53.719 --> 0:38:56.320
<v Speaker 5>people were always really kind. I know that's not everybody's

0:38:56.360 --> 0:38:59.160
<v Speaker 5>experience with all these shows, but that that was mine

0:38:59.160 --> 0:39:00.800
<v Speaker 5>and that's all I can really be to firsthand.

0:39:00.880 --> 0:39:03.040
<v Speaker 4>Right, So, maybe you were on some of the best

0:39:03.080 --> 0:39:05.600
<v Speaker 4>shows ever, I mean and my people. Everything was just

0:39:05.680 --> 0:39:07.600
<v Speaker 4>named there is like banger after banger.

0:39:08.760 --> 0:39:11.400
<v Speaker 5>Yeah, and they were all relatively small parts. Right the

0:39:11.840 --> 0:39:14.600
<v Speaker 5>Spin City, it was like I think I was playing

0:39:14.640 --> 0:39:16.840
<v Speaker 5>there was a flashback with Charlie Sheen's character, and I

0:39:16.960 --> 0:39:20.680
<v Speaker 5>was his. I was his rap boy doing like a

0:39:22.120 --> 0:39:24.680
<v Speaker 5>like a keg stand or something here. By the ways,

0:39:24.719 --> 0:39:29.840
<v Speaker 5>I basically either played a nerder or frap boys and fratuys.

0:39:30.280 --> 0:39:31.000
<v Speaker 2>That's so great.

0:39:31.400 --> 0:39:32.880
<v Speaker 1>That's the range that you want to have when you're

0:39:33.080 --> 0:39:38.680
<v Speaker 1>I mean honestly quite inspiring. So then in two thousand

0:39:38.680 --> 0:39:41.160
<v Speaker 1>and four, Harold and Kumar comes out the first Harold

0:39:41.200 --> 0:39:45.800
<v Speaker 1>and Kumar, and you go from this consistently working character

0:39:45.960 --> 0:39:50.200
<v Speaker 1>actor to one of the most recognizable actors.

0:39:49.960 --> 0:39:53.239
<v Speaker 2>Of the mid aughts. Was this the dream you had

0:39:53.320 --> 0:39:56.759
<v Speaker 2>always wanted? Or after it happened, did you go hmm?

0:39:57.000 --> 0:40:00.239
<v Speaker 1>I kind of enjoyed being a successful journey man, but

0:40:00.440 --> 0:40:03.480
<v Speaker 1>having a little bit of anonymity, I think to jump

0:40:03.640 --> 0:40:04.120
<v Speaker 1>it's such.

0:40:04.000 --> 0:40:06.080
<v Speaker 5>A good question. I don't think I've been asked in

0:40:06.200 --> 0:40:09.719
<v Speaker 5>that way. I mean, y'all are actors, so you you

0:40:09.880 --> 0:40:14.080
<v Speaker 5>get it. The I appreciate that those were journey minerals.

0:40:14.160 --> 0:40:16.919
<v Speaker 5>They were mostly just paying five hundred of the seven

0:40:16.920 --> 0:40:19.600
<v Speaker 5>and fifty that I needed for rent every month. So

0:40:19.719 --> 0:40:23.800
<v Speaker 5>I still threw all those those those parts. I still was.

0:40:24.520 --> 0:40:26.279
<v Speaker 5>I was a runner, I was a production assistant. I

0:40:26.400 --> 0:40:29.160
<v Speaker 5>was working sort of random, random jobs and was very

0:40:29.160 --> 0:40:32.080
<v Speaker 5>happy to very happy to do those those jobs to

0:40:32.360 --> 0:40:34.840
<v Speaker 5>like save up for rent and audition money and stuff.

0:40:35.920 --> 0:40:39.480
<v Speaker 5>But for me, the bridge between those two was a

0:40:39.560 --> 0:40:45.000
<v Speaker 5>movie I did called Van Wilder with and That's think

0:40:45.440 --> 0:40:47.560
<v Speaker 5>that was the first supporting lead that I had in

0:40:47.680 --> 0:40:50.160
<v Speaker 5>a in a movie. And were it not for that movie,

0:40:50.200 --> 0:40:52.320
<v Speaker 5>I don't think I would have gotten the job. And

0:40:52.360 --> 0:40:56.160
<v Speaker 5>Harold Kamar go to WAKEMP and Harold and Kumar everybody

0:40:56.160 --> 0:41:00.320
<v Speaker 5>always forgets. When that movie came out, it it totally

0:41:00.360 --> 0:41:03.560
<v Speaker 5>tanked at the box office. Nobody saw it in a

0:41:03.600 --> 0:41:05.919
<v Speaker 5>lot of places. I think it got pulled early from

0:41:06.040 --> 0:41:10.000
<v Speaker 5>that initial like two week exhibit or commitment because nobody

0:41:10.080 --> 0:41:11.440
<v Speaker 5>was going to see this thing and it was a

0:41:11.880 --> 0:41:13.600
<v Speaker 5>real I mean to say it was a bummer is

0:41:14.000 --> 0:41:15.360
<v Speaker 5>a very light way of saying.

0:41:15.160 --> 0:41:19.400
<v Speaker 1>Like, yeah, art breaking, because devastating, Yeah, totally devastating.

0:41:19.400 --> 0:41:21.839
<v Speaker 5>I mean for John Choe and I, he had worked

0:41:21.880 --> 0:41:23.960
<v Speaker 5>certainly a lot more consistently than I had. And he's

0:41:23.960 --> 0:41:25.680
<v Speaker 5>a couple of years older, so he had he had

0:41:25.719 --> 0:41:27.919
<v Speaker 5>more credits, but you know, he was an American pie

0:41:28.000 --> 0:41:30.880
<v Speaker 5>and he had a yeah on Off Center, that sitcom

0:41:30.960 --> 0:41:34.680
<v Speaker 5>on the WB And we both read the script. We

0:41:34.719 --> 0:41:36.360
<v Speaker 5>didn't know each other before doing the movie, but we

0:41:36.440 --> 0:41:38.959
<v Speaker 5>read the script and you know, I was just like, Wow,

0:41:39.080 --> 0:41:41.640
<v Speaker 5>this is so funny. It's the funniest script I've read

0:41:41.680 --> 0:41:45.040
<v Speaker 5>in such a long time, probably ever. And you know,

0:41:45.120 --> 0:41:46.920
<v Speaker 5>in those days that we're talking to, early two thousands,

0:41:46.920 --> 0:41:49.680
<v Speaker 5>so if you if you didn't fit into sort of

0:41:49.800 --> 0:41:52.120
<v Speaker 5>like if you weren't white or black friends, people didn't

0:41:52.120 --> 0:41:54.879
<v Speaker 5>really know if they could cast you. There was something

0:41:55.560 --> 0:41:57.520
<v Speaker 5>you know, today we wouldn't even call it creative thinking,

0:41:57.600 --> 0:41:59.080
<v Speaker 5>but back in the day, it's like, oh, you're taking

0:41:59.120 --> 0:41:59.760
<v Speaker 5>a risk.

0:41:59.640 --> 0:42:01.160
<v Speaker 2>By how risky of you?

0:42:01.480 --> 0:42:03.680
<v Speaker 3>Yeah, out of the box, out of.

0:42:03.719 --> 0:42:06.840
<v Speaker 5>The box casting. So when the script came along, I

0:42:07.000 --> 0:42:09.520
<v Speaker 5>just remember being like, whoa, I get to just play

0:42:09.680 --> 0:42:14.840
<v Speaker 5>the irresponsible but smart stoner wants to go get character.

0:42:15.600 --> 0:42:15.839
<v Speaker 2>Yeah.

0:42:16.440 --> 0:42:18.239
<v Speaker 5>So so we had a lot writing on it, and

0:42:18.320 --> 0:42:21.480
<v Speaker 5>then and then when nobody came to see the movie,

0:42:21.560 --> 0:42:23.800
<v Speaker 5>a couple of things. It was, I know, your classic

0:42:23.960 --> 0:42:26.800
<v Speaker 5>like Okay, if your movie tanks, you're not really getting

0:42:26.840 --> 0:42:29.960
<v Speaker 5>calls for auditions or anything like that. And then there

0:42:30.040 --> 0:42:32.439
<v Speaker 5>was this added thing of like there were a couple

0:42:32.440 --> 0:42:34.120
<v Speaker 5>of people who are like, yeah, say we told you

0:42:34.239 --> 0:42:38.200
<v Speaker 5>Asian American men just can't open And so then you

0:42:38.280 --> 0:42:40.760
<v Speaker 5>start questioning like is that I feel like that's wrong.

0:42:40.840 --> 0:42:43.719
<v Speaker 5>I feel like my life experience is like he was

0:42:43.760 --> 0:42:46.040
<v Speaker 5>a fan of movies who also like just happens to

0:42:46.280 --> 0:42:48.879
<v Speaker 5>be brown and from New Jersey. It's like I feel

0:42:48.920 --> 0:42:51.800
<v Speaker 5>like everybody I know loves movies to laugh, right, So

0:42:52.680 --> 0:42:55.600
<v Speaker 5>so for about four months, I feel like nothing happened.

0:42:55.640 --> 0:42:57.480
<v Speaker 5>It was just this really down and the dumb time.

0:42:57.880 --> 0:43:00.319
<v Speaker 5>And then the movie ends up on HBO and coming

0:43:00.360 --> 0:43:04.160
<v Speaker 5>out on DVD with no marketing budget and no press,

0:43:04.400 --> 0:43:07.080
<v Speaker 5>and fans just found it on their own. Yeah, and

0:43:07.280 --> 0:43:09.279
<v Speaker 5>when I found it on their own, like I'm not

0:43:09.600 --> 0:43:11.480
<v Speaker 5>just talking about like so all the you know, the

0:43:11.600 --> 0:43:13.080
<v Speaker 5>sort of the haters in town who are like, oh,

0:43:13.160 --> 0:43:15.520
<v Speaker 5>these guys could never open a movie. It was people

0:43:15.760 --> 0:43:19.239
<v Speaker 5>sure La New York, San Francisco, and then Oklahoma and

0:43:20.239 --> 0:43:23.759
<v Speaker 5>Alabama and Iowa and places that would never show up

0:43:23.800 --> 0:43:27.480
<v Speaker 5>on those old school kind of Grids a movie like

0:43:27.600 --> 0:43:30.879
<v Speaker 5>this would do well, and I loved it selfishly, of course,

0:43:30.920 --> 0:43:33.360
<v Speaker 5>I'm like, oh my gosh, this is incredible artistically and

0:43:33.400 --> 0:43:35.400
<v Speaker 5>for my career, but then also as somebody who just

0:43:35.480 --> 0:43:38.040
<v Speaker 5>loves what we do, it's like, see, you guys are wrong.

0:43:38.160 --> 0:43:41.560
<v Speaker 5>People just everywhere we just want to have a good time,

0:43:41.680 --> 0:43:44.200
<v Speaker 5>especially like you think about that today things are so polarized.

0:43:44.440 --> 0:43:45.960
<v Speaker 5>It's one of the reasons I love what we do

0:43:46.560 --> 0:43:48.800
<v Speaker 5>in comedy is like you could still bring people together

0:43:48.880 --> 0:43:51.160
<v Speaker 5>to have a great time. And so I really credit

0:43:51.280 --> 0:43:54.239
<v Speaker 5>when I when I talk about that jump for Harold

0:43:54.280 --> 0:43:57.440
<v Speaker 5>and Kamar, it really was a fan driven thing. It

0:43:57.600 --> 0:44:00.000
<v Speaker 5>wasn't marketing, it wasn't the studio. Obviously, I'm very great

0:44:00.160 --> 0:44:03.239
<v Speaker 5>full of new Line and Warner brotherstunity, but it was

0:44:03.320 --> 0:44:05.440
<v Speaker 5>really such a fan driven thing and that got us

0:44:05.480 --> 0:44:08.320
<v Speaker 5>a second and third movie after that. So I absolutely

0:44:08.400 --> 0:44:10.520
<v Speaker 5>credit that movie with being able to launch a career.

0:44:11.480 --> 0:44:13.040
<v Speaker 3>It was such a good movie. It was such a

0:44:13.080 --> 0:44:13.520
<v Speaker 3>good movie.

0:44:14.600 --> 0:44:15.640
<v Speaker 5>I'm making it it did.

0:44:15.680 --> 0:44:17.080
<v Speaker 4>It had the same you know what it did is

0:44:17.160 --> 0:44:20.080
<v Speaker 4>it had a new generation vibe of like Bill and

0:44:20.160 --> 0:44:23.279
<v Speaker 4>Ted's Oh it just kind of brought you back to

0:44:23.440 --> 0:44:27.880
<v Speaker 4>that buddy comedy, wacky, ridiculousness. I'm in one hundred percent

0:44:27.960 --> 0:44:29.680
<v Speaker 4>wherever you go, I want to go with you guys.

0:44:29.760 --> 0:44:31.759
<v Speaker 4>It was had that same vibe. It was awesome, great.

0:44:31.880 --> 0:44:33.800
<v Speaker 5>What else is cool about that? I mean just just

0:44:33.960 --> 0:44:37.920
<v Speaker 5>talking about how you know when actors support each other.

0:44:38.080 --> 0:44:40.680
<v Speaker 5>You know, we had so many cool cameos in Harold

0:44:40.719 --> 0:44:44.400
<v Speaker 5>and Cargo. Yeah, and it was mostly because John and

0:44:44.480 --> 0:44:47.680
<v Speaker 5>I had worked with all these amazing actors who basically

0:44:48.040 --> 0:44:52.239
<v Speaker 5>we were either a supporting lead or in some way

0:44:52.360 --> 0:44:54.600
<v Speaker 5>kind of worked with them, and there was this feeling

0:44:54.680 --> 0:44:56.800
<v Speaker 5>of like, hey, when you and I remember Ryan Actually,

0:44:56.800 --> 0:44:59.879
<v Speaker 5>Reynolds said this very explicitly when we were on Bean Wild.

0:45:00.000 --> 0:45:01.680
<v Speaker 5>He was like, you know, man, when you get your

0:45:01.760 --> 0:45:04.200
<v Speaker 5>first lead in something, I would love to do something

0:45:04.280 --> 0:45:07.480
<v Speaker 5>supporting in it. So we called him. He played a

0:45:07.640 --> 0:45:12.319
<v Speaker 5>nurse in this hospital. Anthony Anderson has a small part.

0:45:12.520 --> 0:45:14.800
<v Speaker 5>Eddie K. Thomas has lead.

0:45:14.760 --> 0:45:15.799
<v Speaker 2>Like Neil Patrick Harris.

0:45:15.840 --> 0:45:19.320
<v Speaker 3>Neil Patrick Harris, I mean, no deal, but he Yeah.

0:45:19.200 --> 0:45:23.320
<v Speaker 5>He's obviously an integral part of the film. Dave crumbhols like,

0:45:23.600 --> 0:45:26.879
<v Speaker 5>there's just so many great actors in all of these

0:45:26.920 --> 0:45:29.080
<v Speaker 5>that have these cameos. It was really fun to put

0:45:29.080 --> 0:45:30.319
<v Speaker 5>together great.

0:45:30.400 --> 0:45:33.920
<v Speaker 1>What did your family think of these movies and your

0:45:34.040 --> 0:45:36.520
<v Speaker 1>success or at the time when it didn't do well

0:45:36.560 --> 0:45:37.160
<v Speaker 1>in the theaters?

0:45:37.160 --> 0:45:37.880
<v Speaker 2>What did they think of that?

0:45:38.760 --> 0:45:41.160
<v Speaker 5>I think that the not doing well in theaters I

0:45:41.960 --> 0:45:45.520
<v Speaker 5>don't necessarily remember, and I think part of it was

0:45:46.000 --> 0:45:49.040
<v Speaker 5>I don't think my parents were like following box office results, right,

0:45:49.520 --> 0:45:52.719
<v Speaker 5>And I think for a lot of people, I mean,

0:45:52.920 --> 0:45:54.600
<v Speaker 5>you all have friends and family who are not in

0:45:54.719 --> 0:45:58.719
<v Speaker 5>this crazy, wonderful business. When something comes out, if they

0:45:58.840 --> 0:46:01.359
<v Speaker 5>know you, all they know is like your movie is out.

0:46:02.080 --> 0:46:03.560
<v Speaker 5>They love you and they know you, and that's a

0:46:03.680 --> 0:46:06.279
<v Speaker 5>very nice thing. So even if nobody else is watching it,

0:46:06.320 --> 0:46:09.640
<v Speaker 5>they're like, everybody's watching this, right, It's a huge it.

0:46:11.239 --> 0:46:14.560
<v Speaker 5>It's that kind of thing. So so I think, what's funny.

0:46:14.800 --> 0:46:18.800
<v Speaker 5>I remember my mom, you know, when Van Wilder is

0:46:18.840 --> 0:46:21.120
<v Speaker 5>a very I mean like Harold and Corn are very rated,

0:46:21.160 --> 0:46:24.680
<v Speaker 5>our movie the very late nineties, early two thousands brand

0:46:24.800 --> 0:46:29.680
<v Speaker 5>of comedy. And so I decided when I because Van

0:46:29.719 --> 0:46:31.719
<v Speaker 5>Wilder was my first big, big part in the movie,

0:46:32.760 --> 0:46:35.040
<v Speaker 5>I decided, you know, I want to explain to my

0:46:35.200 --> 0:46:38.560
<v Speaker 5>parents the many ways in which acting is a is

0:46:38.640 --> 0:46:41.799
<v Speaker 5>a real job and all the things that go into

0:46:41.840 --> 0:46:43.719
<v Speaker 5>it and how it's a business. So I went home.

0:46:43.840 --> 0:46:46.640
<v Speaker 5>It was probably Thanksgiving that year before I shot the movie,

0:46:46.640 --> 0:46:49.640
<v Speaker 5>and I brought the script, and so I gave my

0:46:49.719 --> 0:46:52.319
<v Speaker 5>parents the script. I'm like, read this Van Wilder movie.

0:46:52.360 --> 0:46:54.800
<v Speaker 5>I just want you to see that there's even a script.

0:46:54.880 --> 0:46:56.839
<v Speaker 5>You know, so many people you must just have fun

0:46:56.880 --> 0:46:58.600
<v Speaker 5>every day at work, and ideally, yes you do, but

0:46:58.960 --> 0:47:01.640
<v Speaker 5>there are writers and a crew, right. So I remember

0:47:01.719 --> 0:47:04.400
<v Speaker 5>giving them the script and going to my childhood bedroom

0:47:04.920 --> 0:47:07.480
<v Speaker 5>and after twenty minutes just hearing my mom yell, this

0:47:07.640 --> 0:47:13.799
<v Speaker 5>is pornography. I obviously come running and I was like, oh,

0:47:13.960 --> 0:47:17.440
<v Speaker 5>right to the topless scene in this movie. I was like, Mom,

0:47:17.520 --> 0:47:26.080
<v Speaker 5>it's not. My dad's like, now I'm interested. So that

0:47:26.360 --> 0:47:29.000
<v Speaker 5>was the bar right that we set, and in that,

0:47:30.840 --> 0:47:33.640
<v Speaker 5>you know, they came to the premiere. They understood what

0:47:33.800 --> 0:47:36.080
<v Speaker 5>type of the review was. But when Harold and Kabar

0:47:36.200 --> 0:47:38.560
<v Speaker 5>comes out, I overheard my mom. I was home again

0:47:38.640 --> 0:47:40.960
<v Speaker 5>for some reason, and I overheard my mom talk into

0:47:41.000 --> 0:47:43.120
<v Speaker 5>my hand. I could only hear her side of the conversation,

0:47:43.560 --> 0:47:46.360
<v Speaker 5>but I remember just thinking her talking about Harold and

0:47:46.400 --> 0:47:49.880
<v Speaker 5>Kamar and saying, no, no, it's not like that. Van Wilder,

0:47:50.360 --> 0:47:55.000
<v Speaker 5>This one's actually good. He has a big part. Like

0:47:55.239 --> 0:47:58.200
<v Speaker 5>in my head, I was like, there's probably more profanity

0:47:58.280 --> 0:48:02.720
<v Speaker 5>and news Harold and Kamar got a castle. But Mom

0:48:02.880 --> 0:48:05.959
<v Speaker 5>is very much like, no, no, he's got a bigger part,

0:48:06.360 --> 0:48:08.040
<v Speaker 5>so we have to see this. I was like, this

0:48:08.200 --> 0:48:08.600
<v Speaker 5>is great.

0:48:11.000 --> 0:48:13.279
<v Speaker 2>So they went to the premiere? Did they did they

0:48:13.400 --> 0:48:15.600
<v Speaker 2>on their own also see the movie in theaters.

0:48:15.960 --> 0:48:18.120
<v Speaker 5>They did see it in theaters. They brought their friends

0:48:18.160 --> 0:48:20.720
<v Speaker 5>and they did a disclaimer. What I didn't realize they

0:48:20.800 --> 0:48:23.040
<v Speaker 5>came to the premiere and the way that we were

0:48:23.040 --> 0:48:26.799
<v Speaker 5>all seated. You know, you get to bring a bunch

0:48:26.840 --> 0:48:30.600
<v Speaker 5>of your friends and your family. My mom was sitting

0:48:30.680 --> 0:48:34.080
<v Speaker 5>next to Jenna, next to Jenna Bunnoy, and I didn't

0:48:34.120 --> 0:48:37.440
<v Speaker 5>tell her. There's the opening scene, I'm naked, like you

0:48:37.520 --> 0:48:40.439
<v Speaker 5>see it from behind. Yeah, it's basically like my bare

0:48:40.560 --> 0:48:47.600
<v Speaker 5>butt act. And Jenna afterwards, like, you know, everyone's applauding.

0:48:47.680 --> 0:48:49.400
<v Speaker 5>They do the thing people do it. Premiere is very

0:48:49.400 --> 0:48:52.440
<v Speaker 5>self congratulatory. Oh the movie was funny, and Jenna just

0:48:52.520 --> 0:48:54.920
<v Speaker 5>like grabs me by the collar and goes You did

0:48:55.000 --> 0:48:57.680
<v Speaker 5>not tell me that we're going to be naked, and

0:48:57.760 --> 0:48:59.319
<v Speaker 5>then I was going to be seated next to your

0:49:01.719 --> 0:49:04.319
<v Speaker 5>It was like, oh, yeah, that was definitely my dad.

0:49:04.560 --> 0:49:08.920
<v Speaker 5>I am sorry, I should have thought that through with

0:49:09.000 --> 0:49:11.719
<v Speaker 5>the seating chart a little bit, but no, they came

0:49:11.760 --> 0:49:13.360
<v Speaker 5>to the Premier and it was very nice, you know,

0:49:13.680 --> 0:49:18.400
<v Speaker 5>especially you know, for an immigrant community. A lot of

0:49:18.440 --> 0:49:22.400
<v Speaker 5>my parents' friends whose kids weren't in entertainment, it was

0:49:22.560 --> 0:49:25.960
<v Speaker 5>very sweet to know that they were. You know, the

0:49:26.040 --> 0:49:28.279
<v Speaker 5>thing I think which drives a lot of a lot

0:49:28.320 --> 0:49:30.440
<v Speaker 5>of parents, whether their immigrants or not, is this fear

0:49:31.160 --> 0:49:33.080
<v Speaker 5>is your kid going to go into a business that

0:49:33.120 --> 0:49:37.440
<v Speaker 5>I don't really understand, understandable fear for parents, And so

0:49:37.800 --> 0:49:40.000
<v Speaker 5>for them to know that they had that fear and

0:49:40.120 --> 0:49:42.840
<v Speaker 5>still be like, we would like to go and support

0:49:43.200 --> 0:49:46.520
<v Speaker 5>the thing that you're doing was really very kind, really sweet. Yes.

0:49:47.520 --> 0:49:50.440
<v Speaker 1>And then so much of your work post Harold and

0:49:50.520 --> 0:49:54.040
<v Speaker 1>Kumar has been in such intense projects like you've done

0:49:54.160 --> 0:49:57.960
<v Speaker 1>twenty four Designated Survivor, American Horror Story and even House

0:49:58.120 --> 0:50:04.160
<v Speaker 1>to an extent, was that an intentional like a career

0:50:04.280 --> 0:50:06.960
<v Speaker 1>turn or is it just that then you decided to

0:50:07.000 --> 0:50:07.880
<v Speaker 1>flex a different muscle.

0:50:08.400 --> 0:50:11.040
<v Speaker 5>I think it's a lot of it was just chance,

0:50:11.200 --> 0:50:14.440
<v Speaker 5>and I'm grateful for it. You know, I remember for

0:50:14.719 --> 0:50:20.520
<v Speaker 5>both twenty four and well for twenty four, Yeah, they

0:50:21.440 --> 0:50:23.560
<v Speaker 5>is it Robert Gordon? Is that his name? Mark Gorton?

0:50:23.760 --> 0:50:25.960
<v Speaker 5>No Robert anyway, what are the Gordons?

0:50:26.040 --> 0:50:28.200
<v Speaker 2>What are the Gordons? Gordon Fisherman.

0:50:29.560 --> 0:50:31.440
<v Speaker 3>Well, there was no You're right, it's there's Mark and

0:50:31.480 --> 0:50:32.000
<v Speaker 3>there's Chuck.

0:50:32.760 --> 0:50:35.239
<v Speaker 5>It would have been Mark then, yeah, I think that's

0:50:35.480 --> 0:50:38.640
<v Speaker 5>of course. Yeah, so he I remember he called and

0:50:39.080 --> 0:50:43.000
<v Speaker 5>they said, we'd like to offer you this part in

0:50:43.120 --> 0:50:46.600
<v Speaker 5>twenty four. It's a four episode arc. We saw you

0:50:46.880 --> 0:50:51.120
<v Speaker 5>in Harold and Kumar go to Whitecastle. And our feeling

0:50:51.440 --> 0:50:53.880
<v Speaker 5>is that if you can do comedy of a specific type,

0:50:53.960 --> 0:50:56.480
<v Speaker 5>then you you're definitely able to do drama. And we

0:50:56.600 --> 0:51:01.799
<v Speaker 5>think it's an interesting this is these are the people

0:51:01.880 --> 0:51:05.319
<v Speaker 5>that you dream about working with. Yeah, like, well, you're

0:51:06.000 --> 0:51:09.000
<v Speaker 5>outside the box. Thing is frustrating to hear as an actor,

0:51:09.080 --> 0:51:12.800
<v Speaker 5>but then you meet smart producers and directors who are like,

0:51:12.840 --> 0:51:15.680
<v Speaker 5>actually that's what I want. I've only seen you. See

0:51:15.680 --> 0:51:19.400
<v Speaker 5>you do another thing. And then similar thing with House.

0:51:20.360 --> 0:51:23.840
<v Speaker 5>David Shore is such a talented guy created House and

0:51:24.320 --> 0:51:26.920
<v Speaker 5>I remember going in to read for that and it's

0:51:27.000 --> 0:51:29.600
<v Speaker 5>the first time still probably to this day, you go

0:51:29.640 --> 0:51:31.920
<v Speaker 5>into this room they were casting. I think they were

0:51:31.960 --> 0:51:36.319
<v Speaker 5>casting nine actors to be supporting characters for the first

0:51:36.400 --> 0:51:39.160
<v Speaker 5>half of a new season of House. And of those nine,

0:51:39.440 --> 0:51:42.239
<v Speaker 5>three were going to become series regulars, and so they

0:51:42.280 --> 0:51:45.160
<v Speaker 5>were all doctors, right, And so they basically gave everybody

0:51:45.360 --> 0:51:48.640
<v Speaker 5>the same sides. There were two or three different sides

0:51:48.680 --> 0:51:51.120
<v Speaker 5>they gave everybody. So I was sitting next to both

0:51:51.239 --> 0:51:54.920
<v Speaker 5>men and women age maybe twenty four to eight, and

0:51:55.120 --> 0:51:58.440
<v Speaker 5>we all had one of three sets of sides right,

0:51:58.560 --> 0:52:01.840
<v Speaker 5>for nine different characters. Wow. And I remember the sides

0:52:01.880 --> 0:52:04.000
<v Speaker 5>I was given were for the part of a Mormon doctor.

0:52:04.560 --> 0:52:06.880
<v Speaker 5>I don't know, like, I'm never going to get this

0:52:07.920 --> 0:52:09.759
<v Speaker 5>right right, And then I'm like, get out of your head.

0:52:09.800 --> 0:52:11.319
<v Speaker 5>There might be a reason they gave you these sides.

0:52:11.360 --> 0:52:12.600
<v Speaker 5>Get out of your head. Just go in there, do

0:52:12.640 --> 0:52:14.560
<v Speaker 5>a good job. And I ended up getting, you know,

0:52:14.640 --> 0:52:17.200
<v Speaker 5>one of the nine parts. Then myself, Olivia Wilde, and

0:52:17.360 --> 0:52:20.719
<v Speaker 5>Peter Jacobson became the three series regulars that season, and

0:52:20.800 --> 0:52:22.799
<v Speaker 5>I got to know David really well, and I was like, man,

0:52:23.040 --> 0:52:24.600
<v Speaker 5>now that I know you, I just have to ask

0:52:24.680 --> 0:52:27.600
<v Speaker 5>you this actor question, like why did you give you know,

0:52:27.760 --> 0:52:31.839
<v Speaker 5>fifty actors the same sides, you know, men and women

0:52:32.000 --> 0:52:34.960
<v Speaker 5>and eighteen to eighty or whatever. He said, Well, I

0:52:35.080 --> 0:52:36.879
<v Speaker 5>just I just wanted to make sure that I cast

0:52:36.920 --> 0:52:40.799
<v Speaker 5>the best actors. Yeah right, but like we were all

0:52:40.920 --> 0:52:45.080
<v Speaker 5>ethnically diverse type verse, like everyone was none of us

0:52:45.160 --> 0:52:47.960
<v Speaker 5>looked the same. He's like, I don't really understand the question.

0:52:48.040 --> 0:52:50.600
<v Speaker 5>I just wanted the best actors. I was like, okay, thanks,

0:52:50.640 --> 0:52:54.960
<v Speaker 5>you me, you know. Yeah, And so those were That

0:52:55.080 --> 0:52:57.640
<v Speaker 5>was another great experience of just like these are these

0:52:57.640 --> 0:52:59.799
<v Speaker 5>are people who are so creative and they just really

0:53:00.080 --> 0:53:04.600
<v Speaker 5>on the best actors, the best writers, the best experience

0:53:04.680 --> 0:53:07.160
<v Speaker 5>on set. So I feel really lucky for both of those,

0:53:07.400 --> 0:53:08.719
<v Speaker 5>I mean, especially House. I was on that trip for

0:53:08.760 --> 0:53:10.360
<v Speaker 5>two and a half years. And yeah, really.

0:53:12.520 --> 0:53:15.160
<v Speaker 3>Was twenty four as an intense a set as they

0:53:15.239 --> 0:53:15.680
<v Speaker 3>said it was?

0:53:17.200 --> 0:53:19.480
<v Speaker 5>Yeah, I mean yes, I think so. And I think

0:53:19.520 --> 0:53:22.520
<v Speaker 5>it was intense as an actor also because you're because

0:53:22.560 --> 0:53:25.640
<v Speaker 5>it's twenty four hours in each each season, right yeah, yeah,

0:53:26.000 --> 0:53:29.799
<v Speaker 5>so it's in real time that you're kind of doing

0:53:29.880 --> 0:53:32.239
<v Speaker 5>your scene for the most part, right, their little gaps

0:53:32.280 --> 0:53:34.920
<v Speaker 5>when they cut to the commercial or whatever, but it's

0:53:35.000 --> 0:53:37.920
<v Speaker 5>in it's in real time. So and I played a

0:53:38.080 --> 0:53:40.719
<v Speaker 5>you know, I played this this terrorist who's taking a

0:53:40.840 --> 0:53:44.359
<v Speaker 5>family hostage. And there are two things that I think,

0:53:44.440 --> 0:53:46.160
<v Speaker 5>two things that most of us probably don't love. I

0:53:46.200 --> 0:53:48.600
<v Speaker 5>won't speak for other people, but like, okay, obviously nobody

0:53:48.640 --> 0:53:51.799
<v Speaker 5>loves a terrorist, right And I'm I'm not a big

0:53:51.880 --> 0:53:55.560
<v Speaker 5>gun guy like right handguns, yea. And I'm holding this

0:53:56.080 --> 0:54:00.560
<v Speaker 5>handgun holding a family hostage for four weeks and it

0:54:01.120 --> 0:54:04.200
<v Speaker 5>but because each scene is real time, it really was

0:54:04.280 --> 0:54:06.920
<v Speaker 5>like it was very That's that's probably the only I'm

0:54:06.920 --> 0:54:09.359
<v Speaker 5>not a method actor by any means, but I had

0:54:09.400 --> 0:54:11.040
<v Speaker 5>a hard time sleeping when i'd get.

0:54:10.960 --> 0:54:12.919
<v Speaker 2>Home from I bet.

0:54:13.160 --> 0:54:16.479
<v Speaker 5>Yeah, up, you know you are from playing a character

0:54:16.640 --> 0:54:20.239
<v Speaker 5>like that. Awesome exercise, awesome acting exercise.

0:54:20.400 --> 0:54:20.600
<v Speaker 7>Yeah.

0:54:21.800 --> 0:54:24.319
<v Speaker 5>Also, there's I didn't have. I worked with Kiefer when

0:54:24.360 --> 0:54:27.680
<v Speaker 5>we did Designated Survival. Yeah, there's only one scene that

0:54:27.760 --> 0:54:31.560
<v Speaker 5>we overlapped on twenty four. It's obviously way before I

0:54:31.640 --> 0:54:33.680
<v Speaker 5>knew him, and I was a big twenty four fan.

0:54:34.239 --> 0:54:40.719
<v Speaker 5>And so at the end, my character gets shot when

0:54:40.760 --> 0:54:44.239
<v Speaker 5>there's this raid and people are running around everywhere and

0:54:44.280 --> 0:54:47.279
<v Speaker 5>I'm supposed to turn a corner and Keifer you know,

0:54:47.640 --> 0:54:50.440
<v Speaker 5>draws his weapon and says drup your weapon. So we

0:54:50.600 --> 0:54:53.279
<v Speaker 5>rehearse it and I'm in character and I'm like in

0:54:53.400 --> 0:54:56.160
<v Speaker 5>the zone and I come around the corner, cameras are

0:54:56.239 --> 0:54:58.239
<v Speaker 5>rolling and he just goes drop your weapon, And in

0:54:58.360 --> 0:55:00.480
<v Speaker 5>my head all I can think is, oh my god,

0:55:00.520 --> 0:55:01.040
<v Speaker 5>that's you for some.

0:55:05.719 --> 0:55:09.040
<v Speaker 3>Just ruined it for myself, takes out of it, that's

0:55:09.120 --> 0:55:09.680
<v Speaker 3>all about.

0:55:21.640 --> 0:55:21.799
<v Speaker 5>Well.

0:55:21.840 --> 0:55:24.799
<v Speaker 1>You would also end up in legendary sitcoms like Big

0:55:24.880 --> 0:55:27.640
<v Speaker 1>Bang Theory, How I Met Your Mother, and you would

0:55:27.719 --> 0:55:31.320
<v Speaker 1>later even create an EP, your own show, Sunnyside with

0:55:31.600 --> 0:55:33.120
<v Speaker 1>super producer Mike Sure.

0:55:34.000 --> 0:55:36.680
<v Speaker 2>What do you love about sitcoms?

0:55:37.520 --> 0:55:40.520
<v Speaker 5>I like baking people laugh so much. I mean I

0:55:41.880 --> 0:55:46.360
<v Speaker 5>grew up on the classic era of I mean you

0:55:46.400 --> 0:55:48.720
<v Speaker 5>can't even really say classic era since TV has changed

0:55:48.760 --> 0:55:53.120
<v Speaker 5>so much, so probably unfair, but it's the nostalgia, right,

0:55:53.200 --> 0:55:57.000
<v Speaker 5>It's the like the Full House Boy meets World Growing Pains,

0:55:57.040 --> 0:56:00.439
<v Speaker 5>like all the shows that you you would you could

0:56:00.440 --> 0:56:02.360
<v Speaker 5>watch with your friends, you would certainly watch with your family,

0:56:02.400 --> 0:56:04.759
<v Speaker 5>but then you talk about it in school the next day. Yeah,

0:56:05.120 --> 0:56:07.759
<v Speaker 5>it's great unifier. And obviously today there are a lot

0:56:07.840 --> 0:56:10.600
<v Speaker 5>more choices of what people can watch, but the idea

0:56:10.640 --> 0:56:13.840
<v Speaker 5>that you can still make people happy and make people

0:56:14.040 --> 0:56:16.759
<v Speaker 5>kind of smile and enjoy themselves is something that I

0:56:16.880 --> 0:56:21.480
<v Speaker 5>really love. I loved it. Look obviously, my like my

0:56:21.560 --> 0:56:23.359
<v Speaker 5>ten year old nephew is not allowed to watch Harold

0:56:23.440 --> 0:56:27.960
<v Speaker 5>Kamar Go to Away Castle yet maybe soon, but he

0:56:28.080 --> 0:56:31.919
<v Speaker 5>can watch this TV series last year called The Santa

0:56:31.960 --> 0:56:37.120
<v Speaker 5>Clauses with Tim Allens, Yes, Christmas show six episodes. Obviously,

0:56:37.520 --> 0:56:41.800
<v Speaker 5>who doesn't love Tim from his sitcoms yea. And so

0:56:41.920 --> 0:56:43.920
<v Speaker 5>that was one where I'm like, this is so different

0:56:44.040 --> 0:56:46.080
<v Speaker 5>than the Harold and Kumar audience, and I love it

0:56:47.080 --> 0:56:49.120
<v Speaker 5>because you get to make a whole different set of

0:56:49.160 --> 0:56:50.160
<v Speaker 5>people laugh and smile.

0:56:50.719 --> 0:56:53.120
<v Speaker 1>Well, that actually leads me. It's a perfect intro to

0:56:53.200 --> 0:56:56.160
<v Speaker 1>my next question. You have a lot of projects that

0:56:56.320 --> 0:56:59.359
<v Speaker 1>involve Christmas. You have Harold and Kumar Christmas and Deck

0:56:59.400 --> 0:57:02.640
<v Speaker 1>the Halls, Mess Holiday and then the Santa Clauses.

0:57:02.880 --> 0:57:05.600
<v Speaker 2>Is this coincidental or intentional?

0:57:05.680 --> 0:57:05.840
<v Speaker 7>Do you?

0:57:06.080 --> 0:57:07.760
<v Speaker 2>Are you just a big Christmas person?

0:57:08.560 --> 0:57:10.359
<v Speaker 5>I mean I am, but I think it's I think

0:57:10.400 --> 0:57:14.600
<v Speaker 5>it's coincidental. Yeah, actually it is concidental. Tell you so well.

0:57:15.280 --> 0:57:17.640
<v Speaker 5>Hot Mess Holiday. Actually, hot Mess Holiday is more of

0:57:17.680 --> 0:57:21.360
<v Speaker 5>a the Volley movie. Okay, happens around Christmas time. Okay,

0:57:21.520 --> 0:57:24.360
<v Speaker 5>I think that was on purpose that we wanted to

0:57:24.520 --> 0:57:27.600
<v Speaker 5>merge the two. In real life, they happen around each

0:57:27.600 --> 0:57:30.560
<v Speaker 5>other November. But I think we merged the themes a

0:57:30.560 --> 0:57:33.360
<v Speaker 5>little morse that could be a little more like celebratory, right,

0:57:34.520 --> 0:57:37.560
<v Speaker 5>and then yeah, Harold and Kumar Christmas. I just remember

0:57:38.240 --> 0:57:41.080
<v Speaker 5>when the writers John Horwitz and Aiden Slasberg called with, like,

0:57:41.160 --> 0:57:44.240
<v Speaker 5>here's the concept for the third movie. And I am

0:57:44.360 --> 0:57:47.080
<v Speaker 5>a big Christmas fan. You know, it's mostly like Home

0:57:47.120 --> 0:57:51.560
<v Speaker 5>Alone Christmas Story era stuff, but definitely national and pooon

0:57:51.720 --> 0:57:58.120
<v Speaker 5>like any Yeah, this comedy I love, but I had Yeah,

0:57:58.120 --> 0:58:01.479
<v Speaker 5>I'd never thought about whether that was on purpose. Also,

0:58:01.640 --> 0:58:04.040
<v Speaker 5>I mean with like the Santa Claus is this, I

0:58:04.080 --> 0:58:07.280
<v Speaker 5>guess we shot it two years ago. You you know,

0:58:07.320 --> 0:58:11.439
<v Speaker 5>we shot over the summer in la and like you're off,

0:58:11.600 --> 0:58:13.360
<v Speaker 5>you get to go to the North Pole every day

0:58:13.440 --> 0:58:18.680
<v Speaker 5>like the sh right right, You sit in hair and makeup,

0:58:18.720 --> 0:58:21.360
<v Speaker 5>you go over your lines, and then you are legitimately

0:58:21.560 --> 0:58:23.600
<v Speaker 5>just in the North Pole. And the only creepy part

0:58:23.600 --> 0:58:26.440
<v Speaker 5>of it was all of the children who played elves

0:58:27.360 --> 0:58:30.920
<v Speaker 5>have their like little pointy ears. They're like, you know,

0:58:31.000 --> 0:58:34.720
<v Speaker 5>when they're in character on the North Pole set I'm cool, Like,

0:58:34.840 --> 0:58:39.920
<v Speaker 5>we're good, right, they call like a twenty minute lighting reset.

0:58:40.120 --> 0:58:42.919
<v Speaker 5>The bell rings, the massive door opens, and suddenly these

0:58:43.320 --> 0:58:47.160
<v Speaker 5>kids with their pointy ears, their creepy shoes are sitting

0:58:47.280 --> 0:58:50.200
<v Speaker 5>having granola bars, talking like adults.

0:58:50.400 --> 0:58:55.919
<v Speaker 7>Like do you like Machia TI? I like, don't take

0:58:56.000 --> 0:58:59.800
<v Speaker 7>me out of it, guys, I got to call my agent.

0:59:02.320 --> 0:59:04.479
<v Speaker 5>No, they were all obviously very sweet, very sweet kids.

0:59:04.480 --> 0:59:06.920
<v Speaker 5>But but I love that you get to get to day.

0:59:07.360 --> 0:59:08.840
<v Speaker 3>It was it still a two and a half hour

0:59:08.880 --> 0:59:09.960
<v Speaker 3>bus ride to the North Pole.

0:59:13.440 --> 0:59:14.000
<v Speaker 2>There's nothing I.

0:59:14.080 --> 0:59:16.440
<v Speaker 6>Love more than fake snow. Like working with fakes no

0:59:16.640 --> 0:59:19.480
<v Speaker 6>makes me so happy. It's like the most Hollywood movie

0:59:19.600 --> 0:59:23.280
<v Speaker 6>magic experience. We're like, wow, it's it's many degrees in LA,

0:59:23.360 --> 0:59:25.000
<v Speaker 6>but we're going to make it look like it's freezing.

0:59:25.120 --> 0:59:27.240
<v Speaker 5>I love that combo they do now of like some

0:59:27.440 --> 0:59:29.920
<v Speaker 5>of it is so analog, low rent, looks like it

0:59:30.160 --> 0:59:32.600
<v Speaker 5>you can see at the mall. And then suddenly there's like,

0:59:32.760 --> 0:59:35.200
<v Speaker 5>is this real snow? Look Actually it's soupisodes that we

0:59:35.320 --> 0:59:37.440
<v Speaker 5>put I don't.

0:59:37.240 --> 0:59:38.880
<v Speaker 3>Want to know, just me, just don't tell me, just

0:59:38.920 --> 0:59:39.360
<v Speaker 3>don't tell me.

0:59:40.800 --> 0:59:43.480
<v Speaker 1>Well, before we let you go, I do have one

0:59:44.120 --> 0:59:46.880
<v Speaker 1>kind of important question for you, as someone who took

0:59:46.920 --> 0:59:50.120
<v Speaker 1>a sabbatical from acting to work in the Obama administration.

0:59:51.520 --> 0:59:53.959
<v Speaker 2>Does Obama know that you were on Boy Meets World?

0:59:56.840 --> 1:00:01.000
<v Speaker 2>Does yeah? Does Obama know what Boy Meets World is?

1:00:01.640 --> 1:00:04.400
<v Speaker 5>I don't know. I can try to get you some confirmation.

1:00:05.400 --> 1:00:09.040
<v Speaker 2>I would like nothing more than to know whether.

1:00:10.400 --> 1:00:12.080
<v Speaker 3>A question yeah to you?

1:00:12.160 --> 1:00:15.400
<v Speaker 1>And I've really I've wondered before, I've wondered does he

1:00:15.720 --> 1:00:16.000
<v Speaker 1>does he.

1:00:16.080 --> 1:00:16.959
<v Speaker 2>Know of Boy's World?

1:00:17.560 --> 1:00:21.280
<v Speaker 5>He and Missus Obama are both very pop culture savvy,

1:00:22.680 --> 1:00:25.000
<v Speaker 5>so like, I know, he obviously knows about that war,

1:00:25.120 --> 1:00:26.800
<v Speaker 5>movies and things like that. I would love to go

1:00:27.160 --> 1:00:30.920
<v Speaker 5>just a little farther back to see, let me see

1:00:30.960 --> 1:00:31.760
<v Speaker 5>what I can dig up.

1:00:31.760 --> 1:00:33.160
<v Speaker 2>Okay, see what you can dig up for us?

1:00:33.200 --> 1:00:33.360
<v Speaker 1>Boy?

1:00:33.440 --> 1:00:35.280
<v Speaker 2>That would really, that would really make me feel good.

1:00:35.440 --> 1:00:38.720
<v Speaker 5>So I ask you, guys a question, what's the if

1:00:38.760 --> 1:00:40.960
<v Speaker 5>you don't mind? Because I've I love that you do

1:00:41.040 --> 1:00:42.600
<v Speaker 5>this podcast, and I love how much love there is

1:00:42.960 --> 1:00:44.880
<v Speaker 5>for your show, which I only see, by the way,

1:00:44.920 --> 1:00:46.800
<v Speaker 5>I only see when you don't know if you know this,

1:00:46.920 --> 1:00:49.280
<v Speaker 5>Like most people go on Twitter to.

1:00:49.360 --> 1:00:53.040
<v Speaker 1>Be mean, right, I know, Twitter's assesspool of mostly awful stuff.

1:00:53.760 --> 1:00:57.080
<v Speaker 5>This is like any time this episode airs anywhere, there's

1:00:57.160 --> 1:01:01.360
<v Speaker 5>like I'm getting tagged in these really sweet wrong about

1:01:01.400 --> 1:01:03.080
<v Speaker 5>how much people love Boy means world.

1:01:02.960 --> 1:01:04.200
<v Speaker 3>Like we have the best fans in the world.

1:01:04.400 --> 1:01:06.720
<v Speaker 5>Oh yeah, is this like this must be such an

1:01:06.760 --> 1:01:11.080
<v Speaker 5>incredible podcast to do and to like engage with fans

1:01:11.200 --> 1:01:12.760
<v Speaker 5>old and new, Like do you just love it?

1:01:12.760 --> 1:01:16.080
<v Speaker 6>It's so life affirming, man, It's like yeah, I mean

1:01:16.120 --> 1:01:17.480
<v Speaker 6>because you know, I think for all of us, we've

1:01:17.480 --> 1:01:20.640
<v Speaker 6>gone through periods of like you know, not getting work

1:01:20.800 --> 1:01:22.920
<v Speaker 6>or changing careers or just like what is you know,

1:01:23.000 --> 1:01:25.280
<v Speaker 6>what is the legacy of this this thing that we

1:01:25.360 --> 1:01:27.480
<v Speaker 6>spent so much time doing, and so yeah, doing this

1:01:27.560 --> 1:01:29.640
<v Speaker 6>podcast is just brought it front and center into our

1:01:29.720 --> 1:01:32.800
<v Speaker 6>lives of like oh no, wow, these like it's beloved

1:01:32.960 --> 1:01:35.760
<v Speaker 6>and and you know, being able to discover why and

1:01:36.560 --> 1:01:38.360
<v Speaker 6>how it's just been wonderful. Yeah.

1:01:38.920 --> 1:01:42.680
<v Speaker 1>Yeah, and you know being able to It's like there's

1:01:42.960 --> 1:01:46.160
<v Speaker 1>there's a certain amount of time you need away from

1:01:46.280 --> 1:01:48.880
<v Speaker 1>something to be able to see it more objectively.

1:01:49.440 --> 1:01:53.960
<v Speaker 2>And I think we started this podcast at a perfect time.

1:01:54.080 --> 1:01:57.840
<v Speaker 1>In our lives where we're on that the other side

1:01:57.880 --> 1:02:00.680
<v Speaker 1>of middle age where you're able to to have that

1:02:00.880 --> 1:02:03.680
<v Speaker 1>distance from who you were as a teenager where now

1:02:03.800 --> 1:02:06.080
<v Speaker 1>you can look at it and instead of being wounded

1:02:06.280 --> 1:02:10.120
<v Speaker 1>by a certain experience, or instead of reliving it in

1:02:10.200 --> 1:02:12.600
<v Speaker 1>a way that feels too personal, we can look at

1:02:12.640 --> 1:02:15.480
<v Speaker 1>it and go, man, I love that, that's so that

1:02:15.680 --> 1:02:19.120
<v Speaker 1>shape who I am, that changed me there, or even.

1:02:18.960 --> 1:02:24.240
<v Speaker 2>Kind of things that you know, it's felt therapeutic. It's been.

1:02:24.680 --> 1:02:28.200
<v Speaker 1>It has been the highlight of truly one of the

1:02:28.480 --> 1:02:30.720
<v Speaker 1>massive one of the main highlights of my entire career

1:02:30.880 --> 1:02:34.440
<v Speaker 1>is this podcast. I love what we have done here

1:02:35.520 --> 1:02:40.959
<v Speaker 1>so much, and it's just ours and it's been great.

1:02:42.120 --> 1:02:45.720
<v Speaker 4>I also think it it points out that exactly what

1:02:45.800 --> 1:02:48.520
<v Speaker 4>you were talking about, where there comes a time where everybody,

1:02:49.000 --> 1:02:50.680
<v Speaker 4>I don't know, Boy meets World seemed like a time

1:02:51.200 --> 1:02:53.720
<v Speaker 4>back then, and now people are rediscovering it where you

1:02:53.800 --> 1:02:56.800
<v Speaker 4>could just put everything aside, everything else that's going on

1:02:56.880 --> 1:02:59.520
<v Speaker 4>in the world, everything that makes you different from people

1:02:59.600 --> 1:03:01.240
<v Speaker 4>are the same, None of it matters. You put it

1:03:01.280 --> 1:03:04.720
<v Speaker 4>aside and everybody can just enjoy something wholesome. And I

1:03:04.840 --> 1:03:07.920
<v Speaker 4>think that's kind of missing nowadays, where it's just I mean,

1:03:07.960 --> 1:03:10.840
<v Speaker 4>we're not a monoculture anymore. So, the idea of everybody

1:03:10.920 --> 1:03:13.160
<v Speaker 4>watching something and then going to school and talking about

1:03:13.160 --> 1:03:15.400
<v Speaker 4>it doesn't seem to immun occasion you get a stranger

1:03:15.480 --> 1:03:17.600
<v Speaker 4>things or something like that, but for the most part,

1:03:17.760 --> 1:03:19.919
<v Speaker 4>it's we don't have that anymore. So I think people

1:03:20.000 --> 1:03:21.280
<v Speaker 4>being able to go back to a time in their

1:03:21.320 --> 1:03:25.000
<v Speaker 4>lives that didn't seem as complicated, where the most complicated

1:03:25.080 --> 1:03:28.760
<v Speaker 4>question was is Tapanga gonna really ask Corey to marry?

1:03:28.760 --> 1:03:31.000
<v Speaker 4>I mean, that's a wonderful time to go back to.

1:03:31.240 --> 1:03:34.000
<v Speaker 3>So yeah, it's been. It's been pretty magical.

1:03:34.320 --> 1:03:35.000
<v Speaker 5>That's so cool.

1:03:35.720 --> 1:03:39.280
<v Speaker 1>Yeah, we're really lucky, and we are really grateful that

1:03:39.400 --> 1:03:42.520
<v Speaker 1>you came and spent your very precious time with us.

1:03:42.680 --> 1:03:46.040
<v Speaker 2>You have been an absolute delight. We have been looking so.

1:03:46.280 --> 1:03:49.440
<v Speaker 1>Forward to talking to you and reconnecting with you, and

1:03:49.520 --> 1:03:50.960
<v Speaker 1>we hope that it's not the last time.

1:03:51.080 --> 1:03:52.880
<v Speaker 2>So I look forward to seeing you again. Thank you

1:03:53.000 --> 1:03:53.640
<v Speaker 2>for being here.

1:03:54.080 --> 1:03:57.200
<v Speaker 5>When you guys are in New York, Okay, that would

1:03:57.200 --> 1:03:57.520
<v Speaker 5>be good.

1:03:57.520 --> 1:03:59.040
<v Speaker 2>Thank you so much, Thank you so much.

1:03:59.440 --> 1:04:00.400
<v Speaker 4>By by bye.

1:04:02.200 --> 1:04:05.760
<v Speaker 1>Another person that you go, well, some things are right

1:04:05.800 --> 1:04:08.720
<v Speaker 1>in the universe. When when someone who has a dream

1:04:08.840 --> 1:04:11.280
<v Speaker 1>like living in New Jersey and a performing art high

1:04:11.280 --> 1:04:13.800
<v Speaker 1>school goes I want to go to la and see

1:04:13.840 --> 1:04:16.600
<v Speaker 1>if I can make it an entertainment and then does

1:04:17.000 --> 1:04:20.439
<v Speaker 1>and is that freaking nice and smart and cool?

1:04:21.240 --> 1:04:24.840
<v Speaker 4>Yeah, he's also go back and watch Harold and Kumar

1:04:25.040 --> 1:04:27.120
<v Speaker 4>from strictly a comedic acting standpoint.

1:04:27.520 --> 1:04:30.840
<v Speaker 3>He's phenomenal, so funny, he is hitting beats like he's

1:04:30.880 --> 1:04:31.480
<v Speaker 3>the that's.

1:04:31.320 --> 1:04:33.000
<v Speaker 4>The kind of comedy that I like. Where it's like, oh,

1:04:33.040 --> 1:04:36.160
<v Speaker 4>where where did that rhythm in that joke come from?

1:04:36.280 --> 1:04:38.880
<v Speaker 4>Like where did you pick that up? It's just's awesome

1:04:39.120 --> 1:04:39.360
<v Speaker 4>in a.

1:04:39.400 --> 1:04:39.959
<v Speaker 2>Lot of ways.

1:04:40.040 --> 1:04:42.120
<v Speaker 1>Will things he was saying really remind me of you.

1:04:42.320 --> 1:04:44.160
<v Speaker 1>I think you guys would be I think you guys

1:04:44.200 --> 1:04:45.200
<v Speaker 1>would be good friends.

1:04:45.640 --> 1:04:47.880
<v Speaker 3>Really awesome? Are you kidding?

1:04:47.880 --> 1:04:49.160
<v Speaker 2>I think you guys would be good friends?

1:04:49.160 --> 1:04:51.400
<v Speaker 3>And I Allan will go to McDonald's. Oh my god,

1:04:54.720 --> 1:04:55.640
<v Speaker 3>greatest thing ever.

1:04:56.760 --> 1:04:58.840
<v Speaker 1>Thank you all for joining us for this episode of

1:04:58.880 --> 1:05:00.880
<v Speaker 1>Pod Meets World as all. You can follow us on

1:05:01.000 --> 1:05:03.320
<v Speaker 1>Instagram pod Meets World Show. You can send us your

1:05:03.360 --> 1:05:05.520
<v Speaker 1>emails Podmeets World Show at gmail dot com.

1:05:05.800 --> 1:05:07.520
<v Speaker 2>And we've got merch.

1:05:08.080 --> 1:05:10.120
<v Speaker 3>I can't beat Callum Will go to McDonald's. Merch.

1:05:10.160 --> 1:05:12.320
<v Speaker 4>I can't beat it. I'd love to beat it. I

1:05:12.440 --> 1:05:14.000
<v Speaker 4>had nine of the things in my head, but no,

1:05:14.280 --> 1:05:15.960
<v Speaker 4>that's the new one. That's the standard.

1:05:16.000 --> 1:05:16.720
<v Speaker 3>I'm sticking with it.

1:05:17.040 --> 1:05:23.120
<v Speaker 1>Podmeetsworldshow dot com. We love you all, pod dismissed. Pod

1:05:23.160 --> 1:05:25.800
<v Speaker 1>Meets World is an iHeart podcast produced and hosted by

1:05:25.880 --> 1:05:29.960
<v Speaker 1>Danielle Fischel Wilfridell and writer Strong Executive producers Jensen Karp

1:05:30.040 --> 1:05:33.280
<v Speaker 1>and Amy Sugarman. Executive in charge of production, Danielle Romo,

1:05:33.560 --> 1:05:37.800
<v Speaker 1>producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and

1:05:37.920 --> 1:05:41.280
<v Speaker 1>Boy Meets World superfan Easton Allen. Our theme song is

1:05:41.360 --> 1:05:44.320
<v Speaker 1>by Kyle Morton of Typhoon. Follow us on Instagram at

1:05:44.400 --> 1:05:47.400
<v Speaker 1>Podmeets World Show or email us at Podmeets Worldshow at

1:05:47.480 --> 1:05:48.240
<v Speaker 1>gmail dot com