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Speaker 1: So it was me and Kyle Gas. We are we're

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Speaker 1: on the ship. We're trying to find this new freaking

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Speaker 1: new world. Uh, and we're so like basically we're sort

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Speaker 1: of uh trailing freaking Columbus and as soon as he

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Speaker 1: finds it, we're gonna speed up really fast and get

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Speaker 1: there first.

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Speaker 2: When Columbus finds it, you're gonna sort of sit in

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Speaker 2: his draft. Yes, and then and then stay the thunder

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Speaker 2: style swing shot past him. Yes, around the corner, bang,

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Speaker 2: plith rock you smash in. Kyle Gas jumps off literally

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Speaker 2: laid out a tasty.

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Speaker 1: And so we're and we're behind it. We're in a

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Speaker 1: glass boat so they can't see us, and we're wearing

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Speaker 1: blue shirts, so we're like the ocean, and we have

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Speaker 1: little fish hats on. So every time they look back,

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Speaker 1: we're just like these two fish.

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Speaker 2: Shut up, first mate, those fish seem like they're following us. Hey,

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Speaker 2: first mate, would you piped out? And first mate? His

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Speaker 2: name is Sme right, yes, old me.

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Speaker 1: He was young. He was like at that time, he

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Speaker 1: was very young. He was like a millennia.

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Speaker 2: He very he very bully would say time for Sme

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Speaker 2: instead of like what you're used to.

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Speaker 1: Yes, so Kyle is being so such a big baby.

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Speaker 1: He has small pox and he's like whining about it,

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Speaker 1: and I have big pocks that I'm being very brave.

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Speaker 1: And one night, you know, he's like playing a little

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Speaker 1: classical riff.

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Speaker 2: Sure, yeah, just kind of a lullaby because it's sort

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Speaker 2: of to help me go to sleep.

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Speaker 1: To swim my. Yes, my shift is over, so now

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Speaker 1: I'm going to sleep. But guess what he puts himself

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Speaker 1: to sleep too. Guess if he does that? He does?

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Speaker 1: Uh wait, do I get to guess? Yes, guess he's

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Speaker 1: playing the rest. Your shift's over, so he's supposed to start.

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Speaker 1: He got smomping, You got big pod? Yeah, I think

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Speaker 1: he doesn't fall asleep. Okay, he does fall this time.

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Speaker 1: You're thinking of different clo No, Hayes, I almost said that. Yeah,

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Speaker 1: you're thinking of a different time. Hayes. You have to

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Speaker 1: believe me. I know I'm saying that. I amn't believing you. Yeah.

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Speaker 1: So we wake up and guess what we're in the

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Speaker 1: freaking old world? Oh because the wrong way. Yeah, Hey,

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Speaker 1: welcome to Hollywood handbooking. The tier's gude to kick in

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Speaker 1: the red carpet lineback always of this universe who we

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Speaker 1: call showbiz University, we call show I said universe, oh,

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Speaker 1: universe that we call show because I was thinking of

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Speaker 1: the thing we want to talk about. Yet it's hard

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Speaker 1: if you've ever tried to hold two.

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Speaker 2: Thoughts of the same for me, and the brain is

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Speaker 2: for one another. For me, I don't even do one

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Speaker 2: because what I find that limits me. So I'll go

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Speaker 2: no thoughts and then whatever I'm saying, I find out

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Speaker 2: about it later when I listen to the show.

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Speaker 1: Eugene Cordero is here. Hi, the comedy man. Come on,

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Speaker 1: come on, come on. He wants to say or something else.

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Speaker 3: No, No, I just want to I mean, I just

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Speaker 3: want to hear comedy man.

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Speaker 1: The comedy man. He's finally here. He's a freaking dumb bell.

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Speaker 1: And I can say that, Hey, he said it, not me.

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Speaker 2: You know you if you call yourself that, you can't

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Speaker 2: get mad at me.

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Speaker 1: Dumb bell.

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Speaker 3: It's a racial slur. Schlur, Mike schlur, Mike schlur.

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Speaker 1: Oh I've heard of him. Watch good plays. Oh my god,

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Speaker 1: can't they show be nice? And so Eugene is here,

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Speaker 1: and your name isn't right anymore because you used to

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Speaker 1: have huge genes, but you now have normal genes.

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Speaker 2: Yeah, I've got normal genes, Little Jean Cordero and maybe

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Speaker 2: little Gene Corduroy little.

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Speaker 3: Yeah, yeah, I added an ass, added a little in there.

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Speaker 1: And that's my new name. That's my married name. Yeah,

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Speaker 1: your original name was given you by Donald Trump. Yeah.

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Speaker 1: Just he's the best. You got, huge jeans man.

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Speaker 3: That Donald Trump is so good because it rocks right

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Speaker 3: into his Italian you know, like his true Italian.

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Speaker 1: People don't people don't he when Tony does it? I

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Speaker 1: love Tony, Yeah, but he doesn't do the Italian.

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Speaker 3: He doesn't do Italian enough. And it's just like you

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Speaker 3: got to get to his roots.

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Speaker 1: Baldwin hints at it.

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Speaker 3: Yes, I'll tell you right now. Baldwin hinted at it.

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Speaker 3: When he got beyond that piano, his singing voice really

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Speaker 3: got the Italian out.

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Speaker 1: That's pretty much it. Anyways, guys, this is a blast.

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Speaker 1: And so I said universe before and what a fun

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Speaker 1: little hint for he say that.

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Speaker 2: Yes, here, I'll be the listener. Hey, why do you

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Speaker 2: say that you have.

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Speaker 1: A lot of call ins just to ask him questions

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Speaker 1: like that? Mm hmm, yeah, we don't.

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Speaker 2: You don't don't answer them, but this show takes a

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Speaker 2: long time to record.

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Speaker 1: Yes, because we will stop.

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Speaker 2: Brett will say we've got another call in the same

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Speaker 2: way he say that, we'll go.

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Speaker 1: Get them off the line. Yeah, and we we have

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Speaker 1: to answer it like we talked to them for a

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Speaker 1: second and then we go back and then we'll scramble. Yes, Brett,

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Speaker 1: good job at editing that out.

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Speaker 2: Thanks man, Please don't guys, we need his head gets Yeah,

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Speaker 2: Brett is starting to sort of become kind of good

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Speaker 2: on the show, and people are noticing he's.

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Speaker 1: Making what he was a heel originally.

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Speaker 2: No, not about heel versus baby Face okay, yeah, or

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Speaker 2: just face the faces for the because there's gonna be

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Speaker 2: a listener that's calling in right now that goes like,

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Speaker 2: what are they talking about baby Face's face?

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Speaker 1: There is one is there like a k fabe thing

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Speaker 1: that's just like a dumb guy, like who's bad at wrestling,

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Speaker 1: like the Barry Horowitz if you will, Okay, so he

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Speaker 1: was like a guy that there's one of those guys

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Speaker 1: who pets himself on the back. I've always seen Brett

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Speaker 1: as like a Valvenus type. Yes, lady, mister ass, Yeah,

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Speaker 1: that's what Brett is to me, yeah, man.

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Speaker 3: Just he just wears a small white towel.

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Speaker 1: Oh yeah, and he takes it off a little banana hammock.

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Speaker 2: Hey ladies, So I said before Sean and I bought

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Speaker 2: The Dark Universe, right, can I say that? Oh, that's

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Speaker 2: why this is the Mummy.

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Speaker 1: It's the Invisible Man, It's Frankenstein. Who better. We are

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Speaker 1: so strongly associated with this product.

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Speaker 2: If you haven't seen The Mummy, it's coming out in

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Speaker 2: a month or so and it's going to be so good.

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Speaker 2: Hayes and I were able to see an early screening

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Speaker 2: Good for You at at a theater last week, at

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Speaker 2: a local public theater.

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Speaker 1: It was it the Burbank six. I don't be if

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Speaker 1: I say it, they'll be swarmed. There was not like

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Speaker 1: a adookie seafood and buffet close. What I remember is

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Speaker 1: the couch reclined.

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Speaker 3: Okay, it's individual couch seating.

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Speaker 1: I don't know that theater, but that's like expensive. Yes, yes,

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Speaker 1: and I did. Yeah, I had the whole stuffed flounder. So,

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Speaker 1: by the way, Sean and I said, on separate couches

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Speaker 1: at the movie, please do not ship us.

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Speaker 2: So we went to see it and we have a

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Speaker 2: nose for what's hot. And we both said, this thing's

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Speaker 2: gonna be big when it comes out. Let's buy now,

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Speaker 2: buy the universe, own the whole universe.

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Speaker 1: It's a pros.

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Speaker 2: Yeah, because it's such a great investment. There's so many

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Speaker 2: other monsters. And let me say first, and I'm sorry,

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Speaker 2: if you're listening to the show with children, maybe you're

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Speaker 2: in the car and there's small children in the car.

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Speaker 1: Get them out of the cart? How you do it?

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Speaker 1: But we're gonna talk monsters. Put them in the wheel well,

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Speaker 1: please in the wheel? Well?

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Speaker 2: Yeah, maybe you've got one of those center things in

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Speaker 2: the back seat that you can hould out. You can

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Speaker 2: stick them in the trus no poking the little heads

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Speaker 2: through the center and see it up.

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Speaker 3: Yeah, and then open up your hood and like start barbecuing,

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Speaker 3: because that's what kind of family you are if you're

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Speaker 3: like traveling with your fucking family all the time.

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Speaker 1: And yeah, get a drive, har you know what I mean?

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Speaker 1: And this is that kind of This is that kind

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Speaker 1: of podcast, and it's gonna be that kind of conversation

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Speaker 1: where we're just kind of all out grilling in the

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Speaker 1: on the car.

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Speaker 2: Yeah, we're gonna pop the hood and grill up some

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Speaker 2: good ideas on the engine.

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Speaker 1: Yes, and here's an idea monsters. And who's the best

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Speaker 1: to talk about that? It's Eugene Corderia actually thought. Whenever

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Speaker 1: they do these universes, they build, they bring these people

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Speaker 1: together and they start a writer's room and they say, okay,

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Speaker 1: now we'll do this movie. Wait, maybe after that we

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Speaker 1: do that.

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Speaker 2: How does this monster get friends with this one? And

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Speaker 2: how does he beat up?

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Speaker 3: I mean, the biggest, the biggest thing about this franchise

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Speaker 3: or these kind of things is who becomes to get friends?

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Speaker 1: Yeah? Yeah, thank you? Who becomes to get friends? That's

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Speaker 1: a sentence that you only see in that writer's room.

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Speaker 3: It's on the it's on the whiteboard at the top,

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Speaker 3: written in paint so they can't wipe it off.

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Speaker 1: And who's being mad? Yeah? Who's being mad? And being mad?

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Speaker 1: Who gets to who comes to comes to get friends?

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Speaker 1: And who was being mad? And who's being mad? And

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Speaker 1: who's in love? Who's in love? Yeah?

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Speaker 3: I'm glad they're throwing that in so that it feels real.

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Speaker 3: Without love, it doesn't feel real.

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Speaker 2: You tell me, Frankenstein ain't trying to get it in?

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Speaker 2: Remember Jersey Shore? Oh, man when they would be like,

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Speaker 2: did you smash.

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Speaker 1: That's gonna be a Frankenstein thing in your world.

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Speaker 2: Huh yeah, Rag g Itstein is essentially Ronnie from Jersey

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Speaker 2: Shore and fingers crossed.

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Speaker 1: I think we can get the real run. Let's go, yeah,

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Speaker 1: let's let's jump ahead. As sorry I am.

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Speaker 3: I'm happy that I'm here to talk about this with

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Speaker 3: you guys and help. But if I get too much

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Speaker 3: of this inside baseball, I'm gonna be upset when I

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Speaker 3: go to see it and I know too much. A yeah,

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Speaker 3: I don't want to be that because I'm a huge

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Speaker 3: fan of monsters. I'm a I'm a fan that you

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Speaker 3: guys you know, are.

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Speaker 1: Beating up King Kong. That makes you a little It

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Speaker 1: makes me a little sad.

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Speaker 3: I mean, I mean if you pause, when when the

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Speaker 3: DVD you know comes out and you pause, you'll you'll

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Speaker 3: see it in my eyes.

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Speaker 1: I put it in my work. What kind of features

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Speaker 1: are we talking about? What kind of features on my face?

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Speaker 1: What else are we We're gonna We're.

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Speaker 3: Gonna hear a little bit of of DVD commentary, some

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Speaker 3: you know, deleted scenes.

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Speaker 1: Recommendations for other movies. Recommendations for other.

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Speaker 2: Movies Yeah, is there another movie starring the Sword? There

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Speaker 2: there there will be a prequel where it's just the

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Speaker 2: Sword kind of get interested in handling its own business,

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Speaker 2: but that's its own universe.

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Speaker 1: Weapons, the weapons for weapons, you know, that might be

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Speaker 1: another investment.

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Speaker 3: That might be an right now, you guys are in

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Speaker 3: the dark, you know, the dark universe.

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Speaker 1: I'm into it. The monsters are fighting the weapons ax

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Speaker 1: as friends with the Sword.

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Speaker 3: Yeah, acts so yeah, get the axe from from Lord

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Speaker 3: of the Rings, the sword from Kong by axe and just.

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Speaker 1: Get that guy. No, I don't even need the guy. Yeah,

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Speaker 1: you hurt.

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Speaker 2: So instead of in my Axe, we just changed it

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Speaker 2: a little bit. We just get into the ADR and

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Speaker 2: he goes and me the X and.

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Speaker 1: He's a little bit Italian like you. Yeah, you just did.

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Speaker 2: All my characters are from the Old Country and there's

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Speaker 2: a reason for that.

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Speaker 1: Yeah, that's a voice I can do. Well, got it.

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Speaker 1: So let's impressed. But yes, well, let's put it on

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Speaker 1: the board. Let's put all the guys on the board.

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Speaker 1: Tom Cruise is a mummy done in the books. Johnny

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Speaker 1: Depp is the invisible man not touching it. Solid gold

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Speaker 1: Wait is the mummy. Well, he has mummy powers and

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Speaker 1: already yeah, we're giving up a big one. So the

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Speaker 1: Homegirl was the Mummy. You know that? Yes, you know

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Speaker 1: that mummy who's high You want to fuck the Mummy?

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Speaker 2: Don't say that, just show me the Just say you're

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Speaker 2: looking to smash.

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Speaker 1: Yeah, sorry, Yes, let's talk Frankenstein speak.

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Speaker 2: If we're gonna live in m h yeah, this will

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Speaker 2: help me sort of drop into the world and see

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Speaker 2: it through Frankenstein's eyes.

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Speaker 1: So Ronnie Stein.

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Speaker 2: Mm hmmm, well, Hayes doesn't want us to talk about

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Speaker 2: that yet, but Sammy sweetart.

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Speaker 1: Could be better. Figure.

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Speaker 2: So ideally, when you're seeing that sexy hot mummy and

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Speaker 2: who she is, she's but I'm looking to smash and

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Speaker 2: you're trying to get it in through the wrappings.

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Speaker 1: Yeah. What you don't know is Tom Cruise like beats her. Yeah,

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Speaker 1: but then he is the moment by doing what she wanted.

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Speaker 3: To do, Like he beats her at at her own game.

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Speaker 1: Yeah. Yeah, I heard of it the whole well the

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Speaker 1: whole movie. She's trying to do something.

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Speaker 2: And that he does it and somehow like that makes

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Speaker 2: her die.

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Speaker 3: None, it's the thing she was supposed to do to

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Speaker 3: make her live forever.

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Speaker 1: Yeah, and he does it. Why did he get the powers?

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Speaker 1: Because that was kind of eating the fish, like holding

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Speaker 1: up the fish and eating it. Well, during the poser,

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Speaker 1: you guys both got the flounder. Yes, and it's a

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Speaker 1: whole fish and so and you know, well that was

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Speaker 1: like you just got bone.

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Speaker 3: Yes, yes, that's why if you're doing white fish, you

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Speaker 3: got a bone in your eye.

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Speaker 1: Yes, well that's where it came out, luckily. Yes, I

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Speaker 1: went in through the nose.

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Speaker 2: It was way up in his head somewhere, and we

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Speaker 2: started just popping them from different angles.

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Speaker 1: Yeah, you know, open palm, through the through the tear duct.

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Speaker 1: That came out eventually because I was crying because that

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Speaker 1: part of the movie is so said.

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Speaker 2: It is really sad that he has so much powers

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Speaker 2: and he doesn't know how to Am I going to

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Speaker 2: be good? Because when you're obviously this is a universal

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Speaker 2: thing that's always been true. When your eye becomes.

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Speaker 3: Two ice, When your eye becomes two ice and you sort.

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Speaker 2: Of have another iris and pupil, that's as evil as

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Speaker 2: you can be.

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Speaker 1: That's the Mummy.

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Speaker 2: Okay, So he's trying to keep his eye together somehow.

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Speaker 3: Yeah, I mean that'stually what's going on that you probably

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Speaker 3: just I mean, I don't know, I don't I don't

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Speaker 3: know how to solve the mummies problem, and I'm not

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Speaker 3: here to do it.

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Speaker 1: If I was, I'd say, like, try and magic eye.

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Speaker 3: You know, put one of those posters in front of

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Speaker 3: you and just really focused, put those eyes into one

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Speaker 3: eye and.

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Speaker 2: See the dolphin or whatever. So it looked like just

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Speaker 2: a mess, a mess, and then wait a minute, it's

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Speaker 2: green Giant and Sprout.

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Speaker 1: Yeah, usually it was that. I think I always looked

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Speaker 1: for it. It is always almost always green Giant. Is

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Speaker 1: that a universe that you guys could buy? Frich?

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Speaker 2: This is really good and this is why we have

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Speaker 2: the comedy man here because he is so good at

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Speaker 2: making these connections. So, green Giant monster, do we know

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Speaker 2: another green Giant?

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Speaker 1: Frankie Stein?

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Speaker 2: So Ronnie and maybe Roddy kills Sprout? Now the Green

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Speaker 2: Giant wants to kill him? Doesn't kill him? Punch him, yeah,

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Speaker 2: knocks him out for hitting at a bar or whatever

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Speaker 2: I'm in. How would you beat up a monster? Just

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Speaker 2: as someone who's done it? And let's just pick a

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Speaker 2: monster Johnny deppisy a visible.

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Speaker 1: Man, How would you beat him up? Mm hmm, because

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Speaker 1: we have him. He's locked into this movie. He is

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Speaker 1: really doing it. We just need to know how that

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Speaker 1: we can't talk, got it.

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Speaker 2: When you're starting a franchise, what you want to do

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Speaker 2: is find hot young actors because you're hoping to make

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Speaker 2: six or seven of these movies over the next ten years,

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Speaker 2: and so you want to go, well, who's new on

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Speaker 2: the block, and so sort of is someone we can

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Speaker 2: build a career?

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Speaker 1: Is new Johnny Depp, Tom Cruise, Angelia Jolie, Javier bardet Co.

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Speaker 2: Yeah, because you go, we got a long feature with them,

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Speaker 2: and then maybe you bring in somebody who's with a

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Speaker 2: little more gravitas to sort of be their boss. Russell Crowe,

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Speaker 2: he's you may not know him. He's done two more

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Speaker 2: movies than Johnny Depp. Oh so he's a little older.

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Speaker 3: Okay, Yeah, all of these people seem very familiar.

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Speaker 1: To me as well. You're like, maybe it's because you

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Speaker 1: guys have been if you saw.

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Speaker 2: Sort of talking them up in a yeah, yeah, we've

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Speaker 2: been trying to get their names out there. But if

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Speaker 2: you saw The Mummy, Russell Crowe does look Tom Cruise

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Speaker 2: in the eye and say, well, you're a younger man

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Speaker 2: than I, which is useful information for the audience who

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Speaker 2: might think, hey, these guys are just say, maybe Tom

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Speaker 2: Cruise is older, but you find out no, Doctor Jekyl,

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Speaker 2: got mister Hyde, Russell Crowe, Oh he's the yeah wow, okay,

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Speaker 2: why do you.

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Speaker 1: Ever see him? Do you ever see him freak out? Oh? Yeah,

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Speaker 1: yeah you do.

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Speaker 2: Okay, there's two bones of my eye that part. Yeah,

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Speaker 2: so he got two more bones in his eye. I

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Speaker 2: guess because you liked when the first one came out?

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Speaker 1: There, can I not go again? I did not like,

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Speaker 1: but what it comes out it isn't that.

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Speaker 3: I mean, you guys do know movies and show biz

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Speaker 3: a lot way better than me.

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Speaker 1: Because I'm major.

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Speaker 3: I'm definitely confused of who these stars are because I

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Speaker 3: feel like I half heard of them, and maybe I'm

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Speaker 3: confused now. But what I do know is as far

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Speaker 3: as ordering food at a movie, yeah, if you're going

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Speaker 3: to order a full fish, I don't know, if a flounder,

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Speaker 3: I think, like, that's why you stick to like Brenzinos.

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Speaker 1: Well yeah, well, here's what's about Eugene. Okay, it's got faking,

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Speaker 1: it's got frigging wait, but here's about the floundering Steinder.

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Speaker 1: I have a good connection I want to make Please,

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Speaker 1: it's got the Mummy eyes. It's got the two eyes together.

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Speaker 3: Oh, two eyes on top, got it, that's what you got?

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Speaker 2: It?

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Speaker 1: Was it the special for the Mummy to get the flounder,

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Speaker 1: they had to bring it out of a dip from

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Speaker 1: a different restaurant.

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Speaker 2: Brett cut that last phone call and then make it that.

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Speaker 2: Hayes says, his good flounder connection to the Mummy right

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Speaker 2: away on it.

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Speaker 1: So what's missing from these monsters? Yeah, we need So

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Speaker 1: you've got Frankenstein. Ronnie's beating up the Green Giant. So

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Speaker 1: we'll say that we are doing. That's one movie. Alrighty,

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Speaker 1: Sammy sweethearts, sweetheart, that's Bride of Frankenstein. That's too. And

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Speaker 1: Angelia jolie Is said as well, Wait, who is she?

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Speaker 2: She was supposed to be Bride of Frankenstein. We definitely

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Speaker 2: need her because I think she's gonna pop soon. Yeah wait, okay,

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Speaker 2: she's sort of this own Janoue and uh doesn't really

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Speaker 2: know the biz hasn't been around it too much, but

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Speaker 2: there's some sort of natural thing about her. What I'm

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Speaker 2: hoping is we can get her and Sammy Sweetheart into

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Speaker 2: and I don't know how it works, some kind of

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Speaker 2: threesomewhere they're all smashing.

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Speaker 1: That's right, and getting away from this convention of their

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Speaker 1: own frank'syn only having one bride, Brides of Frankenstein. Brides

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Speaker 1: of Frankenstein. Yes, and it's Sammy Sweetheart and it's Angelina Jolie.

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Speaker 1: And you know, if we wanted to add more, we

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Speaker 1: add more. How much would you pay to see a

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Speaker 1: movie like this? How much would I pay? How much

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Speaker 1: money I would pay ticket price?

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Speaker 2: Yeah, yeah, which is a lot great for us because

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Speaker 2: usually wait, I wait until it goes to you know,

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Speaker 2: DVD or you know Netflix.

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Speaker 3: But if I'm paying ticket price, you're getting me out

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Speaker 3: of the house.

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Speaker 1: Yeah, then that's big for you. So that's big for me.

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Speaker 3: Yeah, because I don't, you know, I don't see my

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Speaker 3: own work. I don't see other people's work. I trust

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Speaker 3: that you did good work.

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Speaker 1: If you're my friend, that's nice. Everyone is always like

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Speaker 1: going out to see my stuff. Yeah, in a way,

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Speaker 1: that's like okay, Like like I'll like like they're not

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Speaker 1: checking me, like they're checking my work on the big test,

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Speaker 1: like they're grading my big test and it's like, just

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Speaker 1: believe that I did a good job. Don't go like exactly.

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Speaker 2: Nothing makes me angrier than someone telling me they listen

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Speaker 2: to this show.

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Speaker 1: Yeah, I just told you I did this show. Yeah,

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Speaker 1: I just believe that you like that. It's a good show.

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Speaker 4: You like you.

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Speaker 1: It's funny and it's good. So I listened all the

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Speaker 1: way through and was listening to it this week.

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Speaker 2: Yeah it's like, oh yeah, teacher, and yeah, and what

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Speaker 2: did you find out that I've saying the truth.

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Speaker 1: What I said I was doing? But hmm, some of it,

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Speaker 1: you know. So, but that's people. People.

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Speaker 3: People want to, you know, feel better about themselves, so

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Speaker 3: they look to see how they can strike you down,

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Speaker 3: or if they're true friends, they just trust that you're

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Speaker 3: doing great work.

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Speaker 2: Speaking of strike you down, you're something of a puncher

415
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Speaker 2: and kicker.

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Speaker 1: Yeah.

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Speaker 4: Yeah, let's say a week, let's say we got yeah

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Speaker 4: cast of Van Helsing yet and we were looking for

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Speaker 4: somebody to play his very young son.

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Speaker 2: We're hoping to get like one of these actress that

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Speaker 2: we're talking about for Van Helsing. You know, these guys

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Speaker 2: who are.

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Speaker 1: Like you knew about to be big okay, like a

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Speaker 1: like a.

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Speaker 3: Who's that little boy from Room Oh tremblaye tremblain.

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Speaker 1: I was thinking more like a John Cusack, thank you.

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Speaker 2: Yes, and that's a little more in the zone of

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Speaker 2: what we're looking for. Somebody has been in he's been

429
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Speaker 2: to the oscars already, yes, but but Cusack, and he's

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Speaker 2: a name that you've started to hear whispers of.

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Speaker 1: A movie brother.

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Speaker 3: Oh yeah, John John from Snatched.

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Speaker 2: Yes, yeah, so so so John is playing Van Helsing's

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Speaker 2: very young son. Yeah, wait a minute, baby Van, Yes,

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Speaker 2: baby Van Helsing Junior, the boss baby, right, and we're

436
00:22:11,680 --> 00:22:14,040
Speaker 2: hoping that he, yes, he will eventually become the boss

437
00:22:14,040 --> 00:22:16,520
Speaker 2: by Yes, he'll grow into the boss baby.

438
00:22:16,600 --> 00:22:20,760
Speaker 3: So the movie is prior to age that boss baby

439
00:22:20,800 --> 00:22:21,119
Speaker 3: would be.

440
00:22:21,200 --> 00:22:25,639
Speaker 1: Is it animated? His body is?

441
00:22:26,080 --> 00:22:29,200
Speaker 2: I don't know how that works, got it? But yeah,

442
00:22:29,320 --> 00:22:31,520
Speaker 2: ideal his body's animation.

443
00:22:31,680 --> 00:22:34,080
Speaker 3: Okay, so it's the voice of junkie in his.

444
00:22:34,080 --> 00:22:36,680
Speaker 1: Head is claiming voice and the head Yes, but we

445
00:22:36,760 --> 00:22:41,879
Speaker 1: just put clay on his head. We've been smacking a

446
00:22:41,920 --> 00:22:43,960
Speaker 1: guy with clay to age him up a little bit.

447
00:22:44,080 --> 00:22:44,600
Speaker 1: M hm.

448
00:22:44,680 --> 00:22:46,840
Speaker 2: Get him trying to look more like a real baby

449
00:22:46,920 --> 00:22:47,919
Speaker 2: Van Helsing Jr.

450
00:22:48,560 --> 00:22:51,359
Speaker 1: Got it? So what might his weapon be?

451
00:22:53,640 --> 00:22:57,520
Speaker 2: But you're definitely going with John Cusack fingers crossed.

452
00:22:57,560 --> 00:23:06,080
Speaker 3: Okay, mmm, hey, uh from I mean, if we're talking

453
00:23:06,640 --> 00:23:09,399
Speaker 3: based on my experience, I would say a sword, Okay.

454
00:23:09,520 --> 00:23:10,520
Speaker 1: I'm a big sword guy.

455
00:23:10,560 --> 00:23:14,119
Speaker 2: Okay, okay, because you've worked with where you've worked with

456
00:23:14,160 --> 00:23:16,120
Speaker 2: the sword that you really like. I've worked with the sword.

457
00:23:16,119 --> 00:23:22,040
Speaker 2: I've seen swords work. It keeps you close mm hmmm shopping.

458
00:23:21,800 --> 00:23:23,359
Speaker 3: Yeah, because you don't you know, you don't want a

459
00:23:23,720 --> 00:23:26,520
Speaker 3: you don't want a gun, keeps you too far away.

460
00:23:26,640 --> 00:23:28,840
Speaker 2: So interesting what we're doing here in this writer's room,

461
00:23:28,880 --> 00:23:30,680
Speaker 2: and what you always do in writer's rooms is sort

462
00:23:30,680 --> 00:23:34,560
Speaker 2: of folding the sword, aren't we You know the ancient

463
00:23:34,600 --> 00:23:38,400
Speaker 2: sword making technique where you fold it heat oh, yes,

464
00:23:38,800 --> 00:23:42,040
Speaker 2: pound out the weak points until there are no weak points.

465
00:23:42,200 --> 00:23:42,480
Speaker 1: Yes.

466
00:23:42,480 --> 00:23:44,600
Speaker 2: And so something where you pointed out, like, hey, wait

467
00:23:44,600 --> 00:23:46,920
Speaker 2: a minute, there's no green giant in this movie, right.

468
00:23:47,280 --> 00:23:48,240
Speaker 1: I don't know if I pointed that.

469
00:23:48,359 --> 00:23:52,040
Speaker 3: I think I just brought up I didn't realize that

470
00:23:52,040 --> 00:23:55,080
Speaker 3: the magic eye anyways, Yes, yeah.

471
00:23:54,880 --> 00:23:57,640
Speaker 2: I remember you saying, Okay, wait a minute, Sean, there's

472
00:23:57,680 --> 00:24:00,320
Speaker 2: no green giant in this movie. Why am I sitting

473
00:24:00,359 --> 00:24:04,119
Speaker 2: in the theater paying as you said, ticket, full ticket, yes,

474
00:24:05,720 --> 00:24:08,639
Speaker 2: and I said, well we got to get one. Now

475
00:24:09,040 --> 00:24:13,800
Speaker 2: we have made a mistake. We did not cast the

476
00:24:13,840 --> 00:24:14,560
Speaker 2: Green Giant.

477
00:24:14,840 --> 00:24:18,440
Speaker 1: No. And furthermore, we didn't cast Sprout.

478
00:24:20,359 --> 00:24:24,600
Speaker 3: Well, I mean, based on my experience, again, the way

479
00:24:24,640 --> 00:24:27,919
Speaker 3: that you guys are handling this is beyond what I understand.

480
00:24:28,200 --> 00:24:34,679
Speaker 3: But if as a consumer, you'd want to stunt cast

481
00:24:34,960 --> 00:24:39,680
Speaker 3: that Sprout because you know, and then Sprout's on the posters.

482
00:24:39,280 --> 00:24:42,480
Speaker 1: Maybe like a carry ol Way type who from the

483
00:24:42,520 --> 00:24:48,520
Speaker 1: Princess Bride carry Way? You think he is an up

484
00:24:48,520 --> 00:24:57,640
Speaker 1: and comer. I think he's about to pop. So let's

485
00:24:57,840 --> 00:24:59,879
Speaker 1: maybe we'll like block out it. Let's do a scenario

486
00:25:00,040 --> 00:25:02,320
Speaker 1: in one of these movies, okay, and then we'll just

487
00:25:02,400 --> 00:25:04,199
Speaker 1: kind of like picture who we see, you know, just

488
00:25:04,200 --> 00:25:06,280
Speaker 1: like in the moment when that character enters the scene

489
00:25:06,320 --> 00:25:10,800
Speaker 1: will be like able to be like we're envisioning. So Eugene,

490
00:25:10,840 --> 00:25:13,960
Speaker 1: you're like a major like puncher and yeah, so you

491
00:25:14,040 --> 00:25:17,080
Speaker 1: are like perfect. I'm not saying you will be cast

492
00:25:17,119 --> 00:25:19,720
Speaker 1: as like a baby van Housing because we are looking

493
00:25:19,720 --> 00:25:21,920
Speaker 1: at cu Tak. Yeah, we like different types. But say

494
00:25:22,000 --> 00:25:26,560
Speaker 1: like for this scene, your baby van Housing junior, okay,

495
00:25:27,359 --> 00:25:30,120
Speaker 1: and you are just like going up, Like, what's something

496
00:25:30,119 --> 00:25:32,840
Speaker 1: he would do that's like going about his daily business. Well,

497
00:25:32,880 --> 00:25:36,280
Speaker 1: he's probably sucking on his rattle. Yes, that's right.

498
00:25:37,359 --> 00:25:40,600
Speaker 3: Okay, uh this is a scene in the movie.

499
00:25:40,760 --> 00:25:42,560
Speaker 1: Yes, and so like in your like your teeth hurt,

500
00:25:42,600 --> 00:25:45,800
Speaker 1: you're like sucking on your rattle. You think it's a

501
00:25:45,880 --> 00:25:52,679
Speaker 1: titty okay, and so yeah, so you're going to and

502
00:25:52,880 --> 00:25:55,199
Speaker 1: your swords like nearby because you always like have it

503
00:25:55,240 --> 00:25:58,879
Speaker 1: like ready ready to go, and you feel a little

504
00:25:59,000 --> 00:26:02,600
Speaker 1: like punch on your back, like somebody's punching you. And

505
00:26:02,640 --> 00:26:08,320
Speaker 1: you turn around, but there's nothing there. It's invisible. There's nothing,

506
00:26:08,520 --> 00:26:13,000
Speaker 1: but it smells like alcohol. And the room smells strongly

507
00:26:13,080 --> 00:26:15,879
Speaker 1: of alcohol. Of yeah, reeks of alcohol.

508
00:26:15,840 --> 00:26:18,880
Speaker 3: Like rubbing alcohol or like vodka.

509
00:26:19,320 --> 00:26:24,560
Speaker 1: Yeah, it's yeah, the smell is kind of like uh yeah,

510
00:26:24,920 --> 00:26:27,439
Speaker 1: like like you play a character maybe that like drinks

511
00:26:27,440 --> 00:26:31,399
Speaker 1: bottles of rum and in other situations you accuse that

512
00:26:31,440 --> 00:26:35,719
Speaker 1: maybe as an excuse to be all the time. Uh

513
00:26:36,320 --> 00:26:39,480
Speaker 1: so what do you do as baby man housing junior?

514
00:26:39,560 --> 00:26:43,320
Speaker 1: Now you're in like a huge fight, right, yeah, but

515
00:26:43,400 --> 00:26:46,719
Speaker 1: the guy's invisible. That's it. Let's let's see the scene.

516
00:26:48,960 --> 00:26:49,879
Speaker 1: Let's see the scene.

517
00:26:50,080 --> 00:26:57,400
Speaker 3: Okay, okay, okay, and I'm baby even helsing yeah.

518
00:26:57,280 --> 00:26:59,760
Speaker 1: Okay, and then are you is that your line? Yeah?

519
00:26:59,800 --> 00:27:03,040
Speaker 1: Well yeah, but we need the suckle suckle first.

520
00:27:05,000 --> 00:27:08,080
Speaker 3: I'm baby man Housing Jr.

521
00:27:08,680 --> 00:27:11,800
Speaker 2: Huh oh what was that?

522
00:27:11,920 --> 00:27:22,879
Speaker 1: It's my aminable business manager. I hear an Italian man. Yeah, Mordecai.

523
00:27:26,440 --> 00:27:31,200
Speaker 3: It smells like alcohol in here, but I don't see anybody.

524
00:27:32,680 --> 00:27:34,640
Speaker 1: I should be loved. As many houses as I want,

525
00:27:35,680 --> 00:27:38,520
Speaker 1: Oh I can I want dead houses? I get Oh

526
00:27:38,520 --> 00:27:43,720
Speaker 1: the sound is coming from that corner though. Oh, baby

527
00:27:43,720 --> 00:27:46,800
Speaker 1: man Elsie, can you see me? What? No, I can

528
00:27:46,920 --> 00:27:54,200
Speaker 1: hear you. Hey, why'd you push me? Hey? Uh oh

529
00:27:54,440 --> 00:27:57,200
Speaker 1: uh it was an oops. I was just trying to

530
00:27:57,280 --> 00:27:58,040
Speaker 1: keep my balance.

531
00:27:58,440 --> 00:28:03,760
Speaker 2: Hey, you're on my side, right, sure?

532
00:28:04,960 --> 00:28:09,520
Speaker 1: Yeah, I guess I'm not a very sympathetic figure. Dude.

533
00:28:09,560 --> 00:28:14,000
Speaker 1: Somebody call for back up and that's the great giant. Yeah,

534
00:28:14,320 --> 00:28:16,320
Speaker 1: and so who do you see when? Like he's coming

535
00:28:16,359 --> 00:28:20,000
Speaker 1: in now to join this big fight? To me, yeah,

536
00:28:20,160 --> 00:28:25,119
Speaker 1: that felt like freaking ving Raims. Yeah yeah, yeah, that

537
00:28:25,160 --> 00:28:29,520
Speaker 1: could be good. We have the beef, we have the

538
00:28:29,600 --> 00:28:31,240
Speaker 1: peas right.

539
00:28:31,040 --> 00:28:34,440
Speaker 3: Oh yeah yeah, right, we have the peace. We have

540
00:28:34,720 --> 00:28:38,400
Speaker 3: we have the peace m cause you guys will have

541
00:28:38,440 --> 00:28:39,160
Speaker 3: the rights.

542
00:28:38,920 --> 00:28:48,040
Speaker 1: To oh oh oh right, yes this. I was really

543
00:28:48,080 --> 00:28:50,600
Speaker 1: excited to be part of this. Yeah. Yeah, and then

544
00:28:50,680 --> 00:28:52,520
Speaker 1: now you're even more probably.

545
00:28:52,240 --> 00:28:55,080
Speaker 3: I mean, yeah, I'm I won't lie. I'm feeling a

546
00:28:55,080 --> 00:28:56,400
Speaker 3: little confused.

547
00:28:58,680 --> 00:29:00,800
Speaker 1: And walk me through what is missing for you?

548
00:29:01,080 --> 00:29:04,280
Speaker 2: Is it because we've talked so much about Brider Frankinstein's

549
00:29:04,280 --> 00:29:05,160
Speaker 2: and they're not in the scene.

550
00:29:05,240 --> 00:29:07,200
Speaker 3: No, I mean, I'm well, I feel like that's a

551
00:29:07,240 --> 00:29:08,520
Speaker 3: different Who's movie is this?

552
00:29:08,840 --> 00:29:11,120
Speaker 1: Yeah? Whose movie is this? Whose movie is you? Guys?

553
00:29:11,160 --> 00:29:12,880
Speaker 3: Beat me to it again. So this is just because

554
00:29:12,920 --> 00:29:15,280
Speaker 3: I don't understand the business like you guys. The fact

555
00:29:15,320 --> 00:29:17,440
Speaker 3: that you beat me to my own question shows me

556
00:29:17,480 --> 00:29:18,800
Speaker 3: that I just don't understand.

557
00:29:19,080 --> 00:29:21,680
Speaker 2: Just operating off the template of the Mummy. Yeah, you know,

558
00:29:22,000 --> 00:29:24,840
Speaker 2: you're starting out, here's a guy, he's not a mummy.

559
00:29:25,000 --> 00:29:27,320
Speaker 2: Then there is a girl, she's a mummy. Maybe this

560
00:29:27,360 --> 00:29:29,240
Speaker 2: guy becomes the Mummy. But the whole center of the

561
00:29:29,280 --> 00:29:31,920
Speaker 2: movie is somehow about doctor Jekyll's laboratory.

562
00:29:32,000 --> 00:29:34,480
Speaker 1: Got it? So you know, for you to say whose

563
00:29:34,520 --> 00:29:37,280
Speaker 1: movie is this? Right, right, that's the question you should

564
00:29:37,280 --> 00:29:37,800
Speaker 1: be asking.

565
00:29:37,880 --> 00:29:39,960
Speaker 3: Yeah, oh okay, Because you're playing within the world.

566
00:29:39,800 --> 00:29:43,600
Speaker 2: Of the documentire idea is Okay, whose movie is this?

567
00:29:43,720 --> 00:29:43,920
Speaker 4: Yes?

568
00:29:44,000 --> 00:29:45,360
Speaker 1: And is this a movie? Okay?

569
00:29:45,600 --> 00:29:48,360
Speaker 3: So okay, So then I'm not that confused.

570
00:29:48,560 --> 00:29:52,280
Speaker 1: You are exactly where we want you to because.

571
00:29:51,600 --> 00:29:54,240
Speaker 3: When you're asking me how I'm going to fight off

572
00:29:54,520 --> 00:30:00,120
Speaker 3: the Invisible Man, it felt like a you know, a

573
00:30:00,160 --> 00:30:03,120
Speaker 3: psychological thriller at that point, of a man just dealing

574
00:30:03,120 --> 00:30:06,600
Speaker 3: with his own emotions that we couldn't see, rather than

575
00:30:06,840 --> 00:30:08,960
Speaker 3: a fight scene, because I was thinking.

576
00:30:09,480 --> 00:30:12,680
Speaker 1: End up being much conflict. Yeah, because I was looking

577
00:30:12,920 --> 00:30:17,520
Speaker 1: yea of all this, like you know, battling, you know,

578
00:30:17,840 --> 00:30:20,240
Speaker 1: with these months, that is something that we've found to

579
00:30:20,280 --> 00:30:23,920
Speaker 1: be expensive hard to shoot. Got it hurting?

580
00:30:24,080 --> 00:30:28,600
Speaker 3: Hurt hurting, you know, like people are getting hurt.

581
00:30:28,640 --> 00:30:32,160
Speaker 1: Is that what you meant hurting? Yeah? It is the

582
00:30:32,200 --> 00:30:34,520
Speaker 1: way we would put it is that it's being hurdy

583
00:30:34,560 --> 00:30:37,480
Speaker 1: to do it. Okay, being hurdy.

584
00:30:37,760 --> 00:30:42,760
Speaker 2: Uh yeah, there some huge ouchies have been sustained through

585
00:30:42,760 --> 00:30:44,600
Speaker 2: some of these early battle choreography.

586
00:30:44,600 --> 00:30:46,760
Speaker 3: Okay, yeah, because that's what my mind was like, Oh,

587
00:30:46,800 --> 00:30:48,480
Speaker 3: if you're going to fight the invisible man, I was

588
00:30:48,520 --> 00:30:51,920
Speaker 3: thinking of that scene from Crank where like, you know,

589
00:30:52,040 --> 00:30:54,280
Speaker 3: there's oil all over the place, so you can't see him,

590
00:30:54,320 --> 00:30:56,680
Speaker 3: but you would see his Footprints.

591
00:30:56,720 --> 00:30:59,160
Speaker 1: Oh no, the Ratchet and crank'spin off movie.

592
00:30:59,560 --> 00:31:05,600
Speaker 3: Oh oh, you're thinking of Krank. You're thinking of Krank

593
00:31:05,720 --> 00:31:08,080
Speaker 3: and you're thinking of Ratchet and Crank the video game.

594
00:31:08,600 --> 00:31:12,680
Speaker 1: Yes, I'm thinking of the smaller one Crank specifically.

595
00:31:14,040 --> 00:31:17,280
Speaker 3: Okay, Well, so it's always good because I think I'm confused.

596
00:31:17,320 --> 00:31:19,840
Speaker 2: It's always Communication is always an issue on these things,

597
00:31:20,280 --> 00:31:22,640
Speaker 2: especially when you're juggling all of these.

598
00:31:24,000 --> 00:31:27,520
Speaker 3: Yeah, you guys got inspired. You bought a universe. You

599
00:31:27,560 --> 00:31:32,120
Speaker 3: guys invited, you bought his universe. Oh, you guys bought

600
00:31:32,160 --> 00:31:34,080
Speaker 3: Zutopia universe.

601
00:31:34,200 --> 00:31:35,520
Speaker 1: Yeah, we bought.

602
00:31:35,600 --> 00:31:40,440
Speaker 2: Yeah, And and ideally, uh Mat Daven's character from We

603
00:31:40,440 --> 00:31:43,120
Speaker 2: Bought a Zoo will also be oh my gosh in there.

604
00:31:43,160 --> 00:31:44,760
Speaker 2: And he I don't know if you know that name,

605
00:31:44,800 --> 00:31:48,840
Speaker 2: but he's this brand new young actor just starting to

606
00:31:48,840 --> 00:31:50,200
Speaker 2: sort of dip his toe in the.

607
00:31:50,080 --> 00:31:51,240
Speaker 1: Water of Hollywood.

608
00:31:51,800 --> 00:31:54,360
Speaker 2: And Tom he's thinking that maybe it's time to be

609
00:31:54,440 --> 00:31:55,920
Speaker 2: a lead comedy guy.

610
00:31:56,080 --> 00:31:58,680
Speaker 1: To me, sure we sort of got him because he

611
00:31:58,840 --> 00:32:01,960
Speaker 1: comedy guy. Yeah, but you're the comedy man.

612
00:32:02,080 --> 00:32:03,600
Speaker 3: Yeah, that's why I was wondering if he was a

613
00:32:03,600 --> 00:32:04,120
Speaker 3: comedy guy.

614
00:32:04,240 --> 00:32:05,640
Speaker 1: You're afraid he's coming for your crown.

615
00:32:05,760 --> 00:32:09,320
Speaker 3: Yeah, and I've actually heard of him because he's done

616
00:32:09,320 --> 00:32:09,960
Speaker 3: a bunch of movies.

617
00:32:10,280 --> 00:32:12,280
Speaker 1: But he's friends with this guy, this sort of up

618
00:32:12,320 --> 00:32:16,239
Speaker 1: and coming comedy guy Stelling scars guard Stelling. Yes, and

619
00:32:16,280 --> 00:32:20,400
Speaker 1: so we are we're hoping to get him to be

620
00:32:21,120 --> 00:32:23,200
Speaker 1: one of the who what what other monsters? Do we

621
00:32:23,760 --> 00:32:25,560
Speaker 1: And this is something we're running into, is we don't

622
00:32:25,560 --> 00:32:30,040
Speaker 1: know the names of that many monster. Yeah, so we do. Okay, Yeah,

623
00:32:30,200 --> 00:32:32,920
Speaker 1: the Chupacabra. I think Nick Kroll kind of has that

624
00:32:33,080 --> 00:32:36,120
Speaker 1: carved out. We can't do much he is he going

625
00:32:36,200 --> 00:32:40,280
Speaker 1: to be in it? I guess we have to. He's

626
00:32:40,280 --> 00:32:41,560
Speaker 1: been around for a long time though.

627
00:32:41,640 --> 00:32:47,760
Speaker 2: Right, here's one, uh sort of monstery joke I've been

628
00:32:48,480 --> 00:32:49,320
Speaker 2: goofing around with.

629
00:32:50,120 --> 00:32:53,640
Speaker 3: Wait, I'm confused this, Well, this joke is part of

630
00:32:53,680 --> 00:32:54,120
Speaker 3: the movie.

631
00:32:54,560 --> 00:32:58,080
Speaker 2: Very the what I do A lot of times I

632
00:32:58,120 --> 00:32:59,880
Speaker 2: sort of lay a joke out on the table, okay

633
00:33:00,720 --> 00:33:01,920
Speaker 2: and make everyone else.

634
00:33:02,160 --> 00:33:04,640
Speaker 1: I let everybody else kind of deal with it, got it?

635
00:33:04,840 --> 00:33:08,880
Speaker 2: Yeah, So this would be there's a monster and you

636
00:33:08,920 --> 00:33:11,280
Speaker 2: guys know this the Sucku Bus.

637
00:33:13,160 --> 00:33:15,160
Speaker 1: You know about the Suckubus. I don't know about the

638
00:33:15,200 --> 00:33:15,960
Speaker 1: Sucku Bus.

639
00:33:16,200 --> 00:33:18,160
Speaker 2: Well, we're trying to get Jessica Tandy to play the

640
00:33:18,200 --> 00:33:20,880
Speaker 2: sucku bus, and the Suckubus is.

641
00:33:22,760 --> 00:33:30,480
Speaker 1: Chick, yeah, who's thirsty. And what she does is kind

642
00:33:30,480 --> 00:33:32,360
Speaker 1: of like praying Mantis.

643
00:33:33,240 --> 00:33:35,440
Speaker 2: Is zoos sex on the guy, smash with him and

644
00:33:35,480 --> 00:33:38,000
Speaker 2: let him get it in and then freaking.

645
00:33:39,640 --> 00:33:40,240
Speaker 1: He's toasted.

646
00:33:41,160 --> 00:33:44,120
Speaker 2: Yeah, but I think instead of maybe the sucku Bus,

647
00:33:44,200 --> 00:33:46,760
Speaker 2: maybe what she should be called is the suck till

648
00:33:46,800 --> 00:33:47,320
Speaker 2: you Bus.

649
00:33:51,080 --> 00:33:53,880
Speaker 1: So that so here, So here's my like we have

650
00:33:53,960 --> 00:33:55,760
Speaker 1: been through. This is one of the monsters. In the

651
00:33:55,760 --> 00:33:57,760
Speaker 1: months we've been talking about this property. We talk about

652
00:33:57,760 --> 00:34:00,600
Speaker 1: different platforms we have, maybe this, we have maybe the

653
00:34:00,640 --> 00:34:02,960
Speaker 1: sucku bus. And what we do is we get a

654
00:34:03,000 --> 00:34:07,680
Speaker 1: real suck We get a real bus, and maybe that

655
00:34:07,720 --> 00:34:09,480
Speaker 1: bus becomes the suck you bus.

656
00:34:09,960 --> 00:34:12,560
Speaker 2: And maybe that's a website. Maybe it's the bus from

657
00:34:12,560 --> 00:34:17,279
Speaker 2: the movie slap Shot. Remember the guy's hitting it with

658
00:34:17,320 --> 00:34:18,520
Speaker 2: a hammer and they go, what do you do to

659
00:34:18,560 --> 00:34:20,520
Speaker 2: our bus? And he goes making it look mean that

660
00:34:20,640 --> 00:34:21,239
Speaker 2: scene in the.

661
00:34:21,680 --> 00:34:24,560
Speaker 1: Yes Yeah film so perfectly that calls perfectly to the

662
00:34:24,600 --> 00:34:29,040
Speaker 1: mean sucku bus that we are now trying to expand

663
00:34:29,080 --> 00:34:32,440
Speaker 1: into into a property. But maybe it's driving around and

664
00:34:32,520 --> 00:34:34,160
Speaker 1: it's the sucking and.

665
00:34:34,120 --> 00:34:37,840
Speaker 2: Maybe the guys get off the bus driver, right, is

666
00:34:37,920 --> 00:34:44,040
Speaker 2: another monster and maybe it's a particularly scary monster. One

667
00:34:44,080 --> 00:34:48,720
Speaker 2: we haven't talked about yet, the Grizzly Bear, and.

668
00:34:48,600 --> 00:34:49,960
Speaker 1: It's played by Robert Redford.

669
00:34:55,480 --> 00:34:59,320
Speaker 3: I'm sorry, so take your time.

670
00:34:59,400 --> 00:35:00,680
Speaker 1: It's a lot to lay on you.

671
00:35:01,480 --> 00:35:06,560
Speaker 3: I didn't again, this is because I am not as

672
00:35:06,600 --> 00:35:07,800
Speaker 3: experienced as you guys.

673
00:35:09,760 --> 00:35:10,560
Speaker 1: Thank you for saying that.

674
00:35:10,840 --> 00:35:13,799
Speaker 3: No, no, no, because well, because it seems like anytime I

675
00:35:13,840 --> 00:35:17,080
Speaker 3: have a question, you guys answer it very quickly and informatively.

676
00:35:17,520 --> 00:35:19,680
Speaker 1: Yeah, so then I have, and sometimes we don't answer

677
00:35:19,680 --> 00:35:20,040
Speaker 1: it at all.

678
00:35:20,120 --> 00:35:23,440
Speaker 3: Yeah, which is which just makes me feel stupid for

679
00:35:23,520 --> 00:35:25,600
Speaker 3: asking in the first place, which means it was a

680
00:35:25,600 --> 00:35:26,120
Speaker 3: good question.

681
00:35:26,200 --> 00:35:26,560
Speaker 1: Yeah, we go.

682
00:35:26,600 --> 00:35:28,719
Speaker 5: Hey, the answer your question is how about this other thing?

683
00:35:29,800 --> 00:35:36,920
Speaker 5: Look over here, you guys are magicians? Suck you bus

684
00:35:37,040 --> 00:35:38,080
Speaker 5: as a bus?

685
00:35:39,600 --> 00:35:40,360
Speaker 1: Yeah?

686
00:35:40,440 --> 00:35:46,400
Speaker 3: Then is just then the vehicle like the batmobile to

687
00:35:46,640 --> 00:35:47,400
Speaker 3: these monsters?

688
00:35:47,480 --> 00:35:49,560
Speaker 1: Is that what you guys are trying to say, Good

689
00:35:49,600 --> 00:35:52,080
Speaker 1: Tandy is the sucky bus? And then does she turned.

690
00:35:51,880 --> 00:35:56,880
Speaker 3: Into the bus like like like, uh, what is that

691
00:35:56,880 --> 00:36:01,360
Speaker 3: that old cartoon where the teenager turns into a hot rod.

692
00:36:02,400 --> 00:36:08,200
Speaker 1: I think it was called turn hot rod Man. Hot

693
00:36:08,320 --> 00:36:10,280
Speaker 1: Rods made me think of the situation.

694
00:36:12,640 --> 00:36:15,000
Speaker 2: Okay, well we got a situation right under his T

695
00:36:15,120 --> 00:36:18,160
Speaker 2: shirt his abs is it?

696
00:36:18,400 --> 00:36:20,520
Speaker 3: Just are you just finding a way to get all

697
00:36:20,560 --> 00:36:22,200
Speaker 3: of the Jersey Shore cabs?

698
00:36:23,040 --> 00:36:25,319
Speaker 1: It's hard to not when you talk about hot rod

699
00:36:25,400 --> 00:36:27,799
Speaker 1: it's like it's, of course, kind of invites him to

700
00:36:27,800 --> 00:36:30,640
Speaker 1: break up the situation. So are you thinking of the

701
00:36:30,719 --> 00:36:34,719
Speaker 1: song shoot me? Yeah, they want his body? He's a

702
00:36:34,760 --> 00:36:40,000
Speaker 1: hot rod. I didn't realize that was a lyric in it, really, Yeah, yeah,

703
00:36:40,000 --> 00:36:42,080
Speaker 1: they want my body. It's a hot rod. Oh okay,

704
00:36:42,160 --> 00:36:43,880
Speaker 1: you know he's good twelve inches two a yard.

705
00:36:44,120 --> 00:36:47,759
Speaker 3: Oh, now that you put him together, I do remember that.

706
00:36:48,320 --> 00:36:51,640
Speaker 2: Yeah, dude talking about his freaking weener man. You think

707
00:36:51,680 --> 00:36:54,160
Speaker 2: I don't remember that lyric? That was when I frigging

708
00:36:54,239 --> 00:36:58,760
Speaker 2: turned it up. Wait a minute, talk about leaners. Yeah,

709
00:36:58,800 --> 00:37:02,000
Speaker 2: finally this socks getting into it because I don't know

710
00:37:02,040 --> 00:37:03,280
Speaker 2: what shoot means.

711
00:37:04,760 --> 00:37:08,960
Speaker 1: I'm not familiar with that. Okay, so it is just

712
00:37:09,080 --> 00:37:12,239
Speaker 1: gonna be a bus Let's yeah, we can go back

713
00:37:12,239 --> 00:37:14,520
Speaker 1: through it. Jessica Tandy in the movie is going to

714
00:37:14,560 --> 00:37:17,200
Speaker 1: play the suck You bus, or potentially the suck till

715
00:37:17,239 --> 00:37:21,440
Speaker 1: You Bus. Uh huh uh as a way to do

716
00:37:21,520 --> 00:37:25,960
Speaker 1: sort of viral marketing. Oh, I see, we get this

717
00:37:26,040 --> 00:37:30,040
Speaker 1: real bus, which is the bus from slap Shot, and

718
00:37:30,800 --> 00:37:33,399
Speaker 1: we drive it around and on the side it says

719
00:37:33,440 --> 00:37:33,960
Speaker 1: the suck.

720
00:37:33,800 --> 00:37:35,840
Speaker 3: You Bus and the Grizzly Bear is a monster.

721
00:37:36,040 --> 00:37:38,839
Speaker 1: The Grizzly Bear is part of the Famous Monsters University

722
00:37:39,040 --> 00:37:43,880
Speaker 1: is played by Robert Redford. Bob he is driving the

723
00:37:43,920 --> 00:37:47,279
Speaker 1: suck You bus and maybe the boy is driving our time.

724
00:37:47,320 --> 00:37:49,919
Speaker 1: Maybe the boys are getting on it and we turn

725
00:37:50,000 --> 00:37:51,960
Speaker 1: the you know, whatever happens to them inside we turned

726
00:37:51,960 --> 00:37:53,000
Speaker 1: into a website.

727
00:37:55,000 --> 00:37:59,000
Speaker 3: You mean them getting Do they have sex and second

728
00:37:59,000 --> 00:38:00,960
Speaker 3: screen experience in Eugene?

729
00:38:01,320 --> 00:38:01,680
Speaker 1: Okay?

730
00:38:03,960 --> 00:38:05,920
Speaker 2: Yeah, I mean I'm getting a little sick of you

731
00:38:06,080 --> 00:38:08,120
Speaker 2: not knowing much about show, bitch.

732
00:38:08,239 --> 00:38:08,480
Speaker 1: I know.

733
00:38:08,680 --> 00:38:11,959
Speaker 3: Sorry, I'm trying to stay on board because I feel

734
00:38:12,040 --> 00:38:16,280
Speaker 3: like I have a good idea from my vantage point,

735
00:38:16,280 --> 00:38:18,480
Speaker 3: but I don't see the overall picture like you guys

736
00:38:18,480 --> 00:38:23,040
Speaker 3: see the overall picture, like, for instance, maybe I know

737
00:38:23,080 --> 00:38:25,760
Speaker 3: how to fight one monster in particular, right.

738
00:38:25,680 --> 00:38:27,680
Speaker 1: Yeah, and see this, I just want to cut through

739
00:38:27,719 --> 00:38:30,239
Speaker 1: the bullshit. We brought you in here so we could

740
00:38:30,320 --> 00:38:33,920
Speaker 1: get to him, to get to King Kong. Yes, wait,

741
00:38:33,920 --> 00:38:37,520
Speaker 1: will you get him to do this movie or something.

742
00:38:37,800 --> 00:38:39,920
Speaker 1: What would someone like him, what would.

743
00:38:39,719 --> 00:38:43,520
Speaker 3: It take to Well, he's already locked into like four movies.

744
00:38:44,640 --> 00:38:48,719
Speaker 3: And mind you, if you've seen it, he is a child.

745
00:38:49,040 --> 00:38:51,960
Speaker 1: He's literally thirteen years old at this point, so we're

746
00:38:52,080 --> 00:38:52,880
Speaker 1: hitting him young.

747
00:38:53,840 --> 00:38:56,600
Speaker 3: So you know this is like a Tremblay situation where

748
00:38:56,760 --> 00:38:58,440
Speaker 3: he's already big time.

749
00:38:58,640 --> 00:38:59,839
Speaker 1: Yeah, people already.

750
00:38:59,480 --> 00:39:02,480
Speaker 3: Talking about I'm talking about the fact of who he's

751
00:39:02,520 --> 00:39:03,840
Speaker 3: gonna fight later and I.

752
00:39:03,920 --> 00:39:09,399
Speaker 1: Can't get Kong. Can we get then the octopus he eats?

753
00:39:11,719 --> 00:39:14,440
Speaker 1: Uh you know what I mean? Yeah, because that guy

754
00:39:14,440 --> 00:39:16,040
Speaker 1: didn't seem like he was gonna be in the sequel.

755
00:39:16,960 --> 00:39:20,439
Speaker 3: Honestly, he's not. Yeah, but he's got to be fair.

756
00:39:21,400 --> 00:39:23,080
Speaker 3: That's the same octopus.

757
00:39:22,600 --> 00:39:23,160
Speaker 1: From Old Boy.

758
00:39:23,760 --> 00:39:26,680
Speaker 3: Oh yeah, so he's got some years under around.

759
00:39:26,760 --> 00:39:31,640
Speaker 1: Talk about a fighter for the someone to fight the suckubus. Yeah,

760
00:39:31,640 --> 00:39:35,920
Speaker 1: with all those little suckers off, that might be a

761
00:39:35,960 --> 00:39:40,080
Speaker 1: tough batch up for her octopus that King Kong's eating

762
00:39:40,320 --> 00:39:41,040
Speaker 1: having sushi.

763
00:39:42,800 --> 00:39:47,280
Speaker 3: So then the octopus would fight the suckubus, the suck.

764
00:39:47,200 --> 00:39:49,719
Speaker 1: Till you bus or the bus itself? Are we talking

765
00:39:49,719 --> 00:39:52,279
Speaker 1: about the lady and who's playing it again?

766
00:39:52,920 --> 00:39:58,440
Speaker 6: It's chess, good tandy fingering in the middle, was it gentle?

767
00:39:59,000 --> 00:40:02,960
Speaker 6: Mm hmm, I haven't seen that.

768
00:40:04,120 --> 00:40:07,759
Speaker 1: Oh, she's sort of just starting to.

769
00:40:09,320 --> 00:40:12,640
Speaker 2: Kind of hit the radar screen, just a little blip

770
00:40:12,719 --> 00:40:15,520
Speaker 2: down in the bottom left corner, like it's like, what's

771
00:40:15,560 --> 00:40:21,160
Speaker 2: this new craft? Yeah, she didn't sort of an indie

772
00:40:21,200 --> 00:40:25,000
Speaker 2: frog green Tomatoes, and we think that she's got a future.

773
00:40:25,840 --> 00:40:28,520
Speaker 1: So she's gonna play it's.

774
00:40:28,320 --> 00:40:31,920
Speaker 3: This occubus and and the way that the So then

775
00:40:31,960 --> 00:40:36,480
Speaker 3: she fucks an occupust you know what, forget the Succubus.

776
00:40:36,680 --> 00:40:39,480
Speaker 2: Okay, okay, because he seemed to be getting tripped up

777
00:40:39,520 --> 00:40:39,719
Speaker 2: on it.

778
00:40:39,800 --> 00:40:42,879
Speaker 3: Yeah right, I'm I'm thinking it's the Suckubus movie now,

779
00:40:42,920 --> 00:40:44,879
Speaker 3: and you've reminded me, and you can't get we don't

780
00:40:44,920 --> 00:40:45,799
Speaker 3: know whose movie it is.

781
00:40:45,960 --> 00:40:48,440
Speaker 2: You can't get up trying to figure out whose movie

782
00:40:48,760 --> 00:40:50,920
Speaker 2: you can't get his, and you're talking around in circles.

783
00:40:50,920 --> 00:40:54,360
Speaker 2: So here's the thing. We don't really know how a

784
00:40:54,440 --> 00:40:56,279
Speaker 2: lot of these monsters work. We see you beat up

785
00:40:56,320 --> 00:40:58,439
Speaker 2: a monster. So what I want to say is, yes,

786
00:40:58,560 --> 00:41:01,239
Speaker 2: can you tell me how to like killed this one

787
00:41:01,239 --> 00:41:03,520
Speaker 2: of these guys? Because what happens is we get all

788
00:41:03,520 --> 00:41:06,319
Speaker 2: the monsters in the movie. A lot of them are mean,

789
00:41:06,800 --> 00:41:08,520
Speaker 2: and then we don't know how to get out of

790
00:41:08,520 --> 00:41:10,920
Speaker 2: the movie because they're so strong. You're kind of going like,

791
00:41:10,960 --> 00:41:14,439
Speaker 2: what would you even do? Yeah, and then the movie

792
00:41:14,480 --> 00:41:18,520
Speaker 2: is just the whole world's monsters. Oh wait, hey, oh

793
00:41:18,920 --> 00:41:21,680
Speaker 2: monsters world. Never mind, let's Eugene. Do you have a

794
00:41:21,719 --> 00:41:27,600
Speaker 2: way wait what to maybe uh get rid of these guys.

795
00:41:28,000 --> 00:41:30,160
Speaker 1: Because a lot of them are hanging around a lot.

796
00:41:30,320 --> 00:41:36,319
Speaker 3: Yeah. I mean each monster has a different power, I think,

797
00:41:36,560 --> 00:41:39,399
Speaker 3: mm hmmm, so you'd have to fight them all individually.

798
00:41:39,680 --> 00:41:44,640
Speaker 1: Wolf Man, wolf Man, Woman. Don't forget wolf Man. He's

799
00:41:44,640 --> 00:41:45,560
Speaker 1: got a special power.

800
00:41:45,840 --> 00:41:49,840
Speaker 3: Yeah, well wolf Man, does he turn into the wolf?

801
00:41:51,160 --> 00:41:55,120
Speaker 1: Not in this one. He stays wolf? No, no, no, no,

802
00:41:55,800 --> 00:42:00,280
Speaker 1: he stays man. Yeah for now through the whole movie.

803
00:42:00,520 --> 00:42:09,239
Speaker 1: For this one. Yeah, guess who we got who baby

804
00:42:09,520 --> 00:42:20,160
Speaker 1: ned Lawren's little brother. Okay, and he stays in man

805
00:42:20,239 --> 00:42:23,520
Speaker 1: the whole time. He's staying man. For now, He's staying man.

806
00:42:24,280 --> 00:42:26,319
Speaker 1: The ladies don't want to see it. We tested it.

807
00:42:26,640 --> 00:42:28,759
Speaker 1: The ladies don't like it when he becomes a wolf.

808
00:42:28,840 --> 00:42:32,080
Speaker 1: They want to see just straight. They don't want them

809
00:42:32,120 --> 00:42:32,640
Speaker 1: all man.

810
00:42:33,239 --> 00:42:35,960
Speaker 2: And I'll say this, we haven't really picked out how

811
00:42:35,960 --> 00:42:36,839
Speaker 2: the wolf should look.

812
00:42:37,160 --> 00:42:39,880
Speaker 1: Yeah, so one.

813
00:42:39,680 --> 00:42:42,360
Speaker 2: Thing that this saves us from doing is committing to anything.

814
00:42:42,400 --> 00:42:47,600
Speaker 3: If you see the Mummy, I'm sorry, I'm so you

815
00:42:47,640 --> 00:42:50,239
Speaker 3: guys seem to be on the same page as you

816
00:42:50,280 --> 00:42:50,920
Speaker 3: always sorry.

817
00:42:52,600 --> 00:42:54,520
Speaker 1: Is this the wolf Man or the wolf Man?

818
00:42:56,440 --> 00:42:59,279
Speaker 3: Is it gonna be a dog Man eventually, because I

819
00:42:59,280 --> 00:43:00,359
Speaker 3: guess we're not gonna to know.

820
00:43:00,600 --> 00:43:04,160
Speaker 2: Dog Man's a different guy different. Yes, dog Man is

821
00:43:04,200 --> 00:43:07,759
Speaker 2: in it. He's also staying Man for now.

822
00:43:08,000 --> 00:43:10,399
Speaker 1: Dog Man is in it. Dog Man's in it. That's

823
00:43:10,440 --> 00:43:11,960
Speaker 1: another monster in this movie.

824
00:43:12,840 --> 00:43:16,840
Speaker 2: Yeah, No, dog Man is in it. He's really actually

825
00:43:17,280 --> 00:43:23,440
Speaker 2: really good in it. It's Benjamin Bratt and he and

826
00:43:23,440 --> 00:43:29,799
Speaker 2: and he crushes he stays man the whole time. But

827
00:43:29,840 --> 00:43:32,279
Speaker 2: what you see at the very end is a dog

828
00:43:32,360 --> 00:43:36,239
Speaker 2: catcher kind of gives him a side eye that's like

829
00:43:36,440 --> 00:43:39,560
Speaker 2: you recognize him from somewhere inside the pound.

830
00:43:39,600 --> 00:43:40,080
Speaker 1: Maybe.

831
00:43:40,480 --> 00:43:44,640
Speaker 3: Okay, this is all in this first movie of your

832
00:43:44,640 --> 00:43:46,080
Speaker 3: guys dark Universe.

833
00:43:46,480 --> 00:43:52,000
Speaker 1: I guess yeah, you Jesus Hugen have to be so long.

834
00:43:52,160 --> 00:43:56,880
Speaker 1: These movies are so incredibly hugely long, We've realized. Yeah,

835
00:43:57,200 --> 00:43:59,080
Speaker 1: so it's like you just have to keep the way

836
00:43:59,120 --> 00:44:01,720
Speaker 1: it works, is you just have to keep adding more characters, okay,

837
00:44:01,760 --> 00:44:03,799
Speaker 1: and just kind of introduced like as soon as you've

838
00:44:03,840 --> 00:44:06,360
Speaker 1: introduced one, like they are off and now you have

839
00:44:06,400 --> 00:44:09,759
Speaker 1: another one, Yeah, like you're showing them and then they're gone,

840
00:44:09,800 --> 00:44:11,640
Speaker 1: and then the movie's finally people.

841
00:44:11,400 --> 00:44:14,400
Speaker 2: Walk out of a sort of a clean ninety minute

842
00:44:14,440 --> 00:44:17,520
Speaker 2: movie that they understand you've already lost, got it, because

843
00:44:17,520 --> 00:44:19,359
Speaker 2: there's no reason to come back for the next one.

844
00:44:19,440 --> 00:44:22,680
Speaker 1: Yeah. A lot of times what you're able to do is.

845
00:44:22,640 --> 00:44:25,400
Speaker 2: You go like, hey, you just sat through three hours

846
00:44:26,400 --> 00:44:28,040
Speaker 2: most of it, you didn't know what was going on.

847
00:44:28,400 --> 00:44:31,319
Speaker 2: Come back in a month, and then you'll get some

848
00:44:31,360 --> 00:44:33,960
Speaker 2: more pieces of the puzzle and hopefully more questions too.

849
00:44:34,120 --> 00:44:36,760
Speaker 1: Got it? So let's talk about just a slate of characters.

850
00:44:36,800 --> 00:44:38,240
Speaker 1: I do want to get it all up on the board.

851
00:44:38,400 --> 00:44:40,840
Speaker 1: We have Franknstein who's Ronnie. We have the bride of

852
00:44:40,840 --> 00:44:44,440
Speaker 1: Franknstein's who's Sammy Sweetheart, and Angelina and Joelu and the

853
00:44:44,480 --> 00:44:48,320
Speaker 1: invisible man who's been death. We have the green giant

854
00:44:49,000 --> 00:44:52,520
Speaker 1: z ving Rams. We have Baby van helsic Junior who

855
00:44:52,640 --> 00:44:57,160
Speaker 1: is Cusack. We have Sprout. Do we cast sprout the

856
00:44:57,239 --> 00:45:02,239
Speaker 1: sprout baby Grout Sprout should be Baby Groove. Okay, we

857
00:45:02,320 --> 00:45:07,839
Speaker 1: had Vin Diesel or baby group baby grew to see

858
00:45:07,920 --> 00:45:10,000
Speaker 1: the See that's a good question. Do we just have

859
00:45:11,160 --> 00:45:13,520
Speaker 1: Did you get Vin Diesel doing baby group?

860
00:45:14,920 --> 00:45:15,200
Speaker 6: I don't.

861
00:45:15,320 --> 00:45:17,399
Speaker 1: I mean, how best to approach this?

862
00:45:20,440 --> 00:45:25,040
Speaker 2: If you got to remember that his dad is Ving Raims. Okay,

863
00:45:25,200 --> 00:45:30,520
Speaker 2: that's right, so too similar to me? Yeah, it's a yeah,

864
00:45:30,560 --> 00:45:31,839
Speaker 2: it's it's a little bit of.

865
00:45:33,640 --> 00:45:37,959
Speaker 1: Matchie. And so what I wanted to do is shake

866
00:45:38,040 --> 00:45:41,960
Speaker 1: it up. Mm hmm. Let's get and hang on.

867
00:45:42,200 --> 00:45:44,880
Speaker 2: And I'm thinking, and I'm thinking, and I'm going to

868
00:45:44,960 --> 00:45:47,440
Speaker 2: come out with a name that is going to really work.

869
00:45:48,160 --> 00:45:51,440
Speaker 2: And what I need to do now is just reach

870
00:45:51,680 --> 00:45:55,759
Speaker 2: a little bit deeper. Cure Sedgewick is sprout?

871
00:45:57,040 --> 00:45:57,360
Speaker 1: Great?

872
00:45:57,440 --> 00:45:59,880
Speaker 2: And that's the kind of color blind, gender blind casting.

873
00:46:01,800 --> 00:46:03,040
Speaker 2: Yeah that we're famous for.

874
00:46:04,760 --> 00:46:08,799
Speaker 1: Woof, man, is ned baby the suck you bus? Or

875
00:46:08,840 --> 00:46:15,040
Speaker 1: the bus? I'm so sorry, sorry, I'm almost done. Can

876
00:46:15,080 --> 00:46:17,680
Speaker 1: we cast here Cedric a sprout? If the closer is

877
00:46:17,719 --> 00:46:20,319
Speaker 1: in this, that's one of the monsters. Wow, yeah, that's

878
00:46:20,320 --> 00:46:24,600
Speaker 1: a because yeah, the closer does have to be a

879
00:46:24,640 --> 00:46:29,040
Speaker 1: monster problematic. Okay, so we need a new sprout then,

880
00:46:29,120 --> 00:46:31,960
Speaker 1: I guess. Okay, we keep going, we'll circle back.

881
00:46:32,080 --> 00:46:33,920
Speaker 3: The Closer is one of the monsters.

882
00:46:34,160 --> 00:46:36,920
Speaker 2: Yeah, the Closer is one of the monsters, because imagine

883
00:46:36,960 --> 00:46:40,560
Speaker 2: being stuck an interrogation room with her and you're like,

884
00:46:40,920 --> 00:46:42,760
Speaker 2: it's like freaking scarier than Dracula.

885
00:46:42,920 --> 00:46:48,560
Speaker 1: Yeah, basically, dog Man, I think is the last one.

886
00:46:49,360 --> 00:46:51,960
Speaker 1: We do have more character like characters that we need

887
00:46:52,000 --> 00:46:52,680
Speaker 1: to cast.

888
00:46:52,760 --> 00:46:53,799
Speaker 3: Well, you have the grizzly Bear.

889
00:46:54,040 --> 00:46:57,960
Speaker 1: No, I'm sorry, I forgot Grizzly Bear played by Robert Redford. Yes,

890
00:46:58,719 --> 00:47:03,440
Speaker 1: we like we need to find spots for people in

891
00:47:03,480 --> 00:47:05,920
Speaker 1: this movie, for like some of the other monsters in

892
00:47:05,960 --> 00:47:09,360
Speaker 1: this universe, the up and coming names that yes, Elvira,

893
00:47:11,239 --> 00:47:15,360
Speaker 1: who is Elvira and what kind of her role in

894
00:47:15,440 --> 00:47:19,520
Speaker 1: who's playing Elvira? Or who is Elvira playing? Yes? Sorry,

895
00:47:19,600 --> 00:47:21,839
Speaker 1: I meant who is Elvira gonna play this movie?

896
00:47:22,120 --> 00:47:29,560
Speaker 2: H oo Okay, okay, wow, Well, I mean we saw

897
00:47:29,760 --> 00:47:30,840
Speaker 2: two birds, one stone.

898
00:47:30,960 --> 00:47:38,319
Speaker 1: We make her sprout, that's that's perfect. Uh Okay. Who

899
00:47:38,320 --> 00:47:39,880
Speaker 1: are some of the other characters that we need? Do

900
00:47:39,920 --> 00:47:41,759
Speaker 1: you have the character with Wait?

901
00:47:41,880 --> 00:47:45,399
Speaker 3: How about I'm sorry again, I'm it feels like there's

902
00:47:45,440 --> 00:47:49,200
Speaker 3: a lot of monsters already in your in your universe

903
00:47:49,239 --> 00:47:55,439
Speaker 3: here and uh, and now that I've kind of heard

904
00:47:55,440 --> 00:47:58,040
Speaker 3: them all in so far and you have not heard

905
00:47:58,080 --> 00:47:59,960
Speaker 3: them all, that's what happened so far, so far.

906
00:48:00,480 --> 00:48:03,719
Speaker 1: Leg it freaks her in it? Yeah, Pugsley is in it.

907
00:48:03,760 --> 00:48:04,839
Speaker 1: Pusley atoms.

908
00:48:06,160 --> 00:48:09,840
Speaker 3: Okay, so there is a lot more, I feel, you know, as.

909
00:48:10,120 --> 00:48:15,480
Speaker 2: The bos Yeah, the Boss Brian Bosworth college football player.

910
00:48:15,560 --> 00:48:20,799
Speaker 1: Remember Paul, the alien Paul? Remember remember the Space Invaders?

911
00:48:21,080 --> 00:48:23,719
Speaker 3: Yes, yeah, they're in it. Okay, so they're all in it?

912
00:48:23,800 --> 00:48:26,120
Speaker 1: Okay, Wow?

913
00:48:26,320 --> 00:48:27,600
Speaker 3: Yeah, so I guess.

914
00:48:27,440 --> 00:48:28,920
Speaker 1: I don't know. Splice is in it.

915
00:48:29,680 --> 00:48:37,880
Speaker 2: Dren from Splice, the Woman, the Freaking Things, Sliced Woman

916
00:48:37,960 --> 00:48:41,880
Speaker 2: man the Jacket from the Adrian Brodie movie The Jacket.

917
00:48:42,239 --> 00:48:49,160
Speaker 1: Oh whoa species? Species? That is a good scene. Species

918
00:48:49,200 --> 00:48:56,719
Speaker 1: walks in the Frankenstein and goes for one more. They go, No,

919
00:48:57,280 --> 00:49:01,160
Speaker 1: she leaves. That's the whole scene you here, walking down

920
00:49:01,200 --> 00:49:04,000
Speaker 1: the stairs. Yes, heels on cement.

921
00:49:04,000 --> 00:49:14,239
Speaker 7: Baby, mikel woids live, isn't it?

922
00:49:23,960 --> 00:49:27,000
Speaker 1: She goes home? Yeah, so you hear that all in

923
00:49:27,080 --> 00:49:29,920
Speaker 1: the scene. Yeah.

924
00:49:30,080 --> 00:49:36,520
Speaker 3: Okay, again, I only know my experience with what I

925
00:49:36,680 --> 00:49:36,960
Speaker 3: was in.

926
00:49:37,560 --> 00:49:45,320
Speaker 1: So will you stop it? Okay, stop minimizing yourself. I'm sorry.

927
00:49:45,560 --> 00:49:47,560
Speaker 1: You've done so much in this business.

928
00:49:47,560 --> 00:49:50,680
Speaker 3: Well, you know, I'm just trying to stay on board

929
00:49:50,760 --> 00:49:53,839
Speaker 3: with this universe that you've created, which yes, I will

930
00:49:53,840 --> 00:49:58,560
Speaker 3: buy admission for. But as far as to kill any

931
00:49:58,600 --> 00:50:03,160
Speaker 3: of these, the humans seem pretty easy.

932
00:50:03,320 --> 00:50:05,719
Speaker 1: You just kill him as humans, smash him with the hammer.

933
00:50:05,920 --> 00:50:07,520
Speaker 3: Smash him with a hammer on top of their head,

934
00:50:08,280 --> 00:50:11,359
Speaker 3: right between the eyes so they look back at you.

935
00:50:11,320 --> 00:50:15,279
Speaker 1: First, and then you strangle them. Which are these? Which

936
00:50:15,280 --> 00:50:18,480
Speaker 1: of these are humans? Because the only humans that I

937
00:50:18,520 --> 00:50:21,880
Speaker 1: can think of in this lest so far is wolf Man,

938
00:50:22,000 --> 00:50:25,000
Speaker 1: the closed Man. Yes, wolf Man and dog Man are

939
00:50:25,000 --> 00:50:27,920
Speaker 1: both humans? Still, right? Yes? And then the closer Okay,

940
00:50:28,320 --> 00:50:33,480
Speaker 1: Pete's Dragon. Yeah, Pete's dragon, and he's protecting them. So

941
00:50:33,520 --> 00:50:34,520
Speaker 1: that's what I was gonna say.

942
00:50:34,719 --> 00:50:37,959
Speaker 3: Yeah, the monsters fighting each other is how they're gonna

943
00:50:38,040 --> 00:50:38,319
Speaker 3: kill you.

944
00:50:38,360 --> 00:50:39,960
Speaker 1: So you have to have them turned on each other.

945
00:50:40,200 --> 00:50:42,960
Speaker 2: Yeah, you know, you want to know who's playing Pete's dragon,

946
00:50:44,000 --> 00:50:45,000
Speaker 2: Billy Joel.

947
00:50:49,480 --> 00:50:57,400
Speaker 3: Okay bye, I'm a horny girl wolf.

948
00:50:57,680 --> 00:51:00,640
Speaker 2: This has been an ear Wolf production, executive produced by

949
00:51:00,680 --> 00:51:04,320
Speaker 2: Scott Ackerman, Colin Anderson, and Chris Bannon. For more information

950
00:51:04,400 --> 00:51:06,560
Speaker 2: and content, visit earwold dot com.

951
00:51:07,160 --> 00:51:07,960
Speaker 1: Ow